diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:09:50 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:09:50 -0700 |
| commit | 77e256b256452b3090ae0cb17d8dd50bb9589b62 (patch) | |
| tree | 8cdd6da139728d161a26e38f7d3fcf7a55c203ca | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 38230-8.txt | 2308 | ||||
| -rw-r--r-- | 38230-8.zip | bin | 0 -> 28953 bytes | |||
| -rw-r--r-- | 38230-h.zip | bin | 0 -> 7753617 bytes | |||
| -rw-r--r-- | 38230-h/38230-h.htm | 2790 | ||||
| -rw-r--r-- | 38230-h/images/frontis.png | bin | 0 -> 114417 bytes | |||
| -rw-r--r-- | 38230-h/images/illo103.png | bin | 0 -> 159826 bytes | |||
| -rw-r--r-- | 38230-h/images/illo107.png | bin | 0 -> 67085 bytes | |||
| -rw-r--r-- | 38230-h/images/illo111.png | bin | 0 -> 63326 bytes | |||
| -rw-r--r-- | 38230-h/images/illo115.png | bin | 0 -> 92806 bytes | |||
| -rw-r--r-- | 38230-h/images/illo119.png | bin | 0 -> 84702 bytes | |||
| -rw-r--r-- | 38230-h/images/illo123.png | bin | 0 -> 53802 bytes | |||
| -rw-r--r-- | 38230-h/images/illo127.png | bin | 0 -> 103132 bytes | |||
| -rw-r--r-- | 38230-h/images/illo131.png | bin | 0 -> 54831 bytes | |||
| -rw-r--r-- | 38230-h/images/illo135.png | bin | 0 -> 191603 bytes | |||
| -rw-r--r-- | 38230-h/images/illo139.png | bin | 0 -> 223940 bytes | |||
| -rw-r--r-- | 38230-h/images/illo143.png | bin | 0 -> 211529 bytes | |||
| -rw-r--r-- | 38230-h/images/illo147.png | bin | 0 -> 186063 bytes | |||
| -rw-r--r-- | 38230-h/images/illo15.png | bin | 0 -> 191008 bytes | |||
| -rw-r--r-- | 38230-h/images/illo151.png | bin | 0 -> 187678 bytes | |||
| -rw-r--r-- | 38230-h/images/illo155.png | bin | 0 -> 198824 bytes | |||
| -rw-r--r-- | 38230-h/images/illo159.png | bin | 0 -> 164442 bytes | |||
| -rw-r--r-- | 38230-h/images/illo163.png | bin | 0 -> 71631 bytes | |||
| -rw-r--r-- | 38230-h/images/illo167.png | bin | 0 -> 89921 bytes | |||
| -rw-r--r-- | 38230-h/images/illo171.png | bin | 0 -> 56925 bytes | |||
| -rw-r--r-- | 38230-h/images/illo175.png | bin | 0 -> 187659 bytes | |||
| -rw-r--r-- | 38230-h/images/illo179.png | bin | 0 -> 287274 bytes | |||
| -rw-r--r-- | 38230-h/images/illo183.png | bin | 0 -> 55642 bytes | |||
| -rw-r--r-- | 38230-h/images/illo187.png | bin | 0 -> 185000 bytes | |||
| -rw-r--r-- | 38230-h/images/illo19.png | bin | 0 -> 118257 bytes | |||
| -rw-r--r-- | 38230-h/images/illo191.png | bin | 0 -> 151225 bytes | |||
| -rw-r--r-- | 38230-h/images/illo195.png | bin | 0 -> 295023 bytes | |||
| -rw-r--r-- | 38230-h/images/illo199.png | bin | 0 -> 157855 bytes | |||
| -rw-r--r-- | 38230-h/images/illo203.png | bin | 0 -> 160203 bytes | |||
| -rw-r--r-- | 38230-h/images/illo207.png | bin | 0 -> 282014 bytes | |||
| -rw-r--r-- | 38230-h/images/illo211.png | bin | 0 -> 170979 bytes | |||
| -rw-r--r-- | 38230-h/images/illo215.png | bin | 0 -> 179120 bytes | |||
| -rw-r--r-- | 38230-h/images/illo219.png | bin | 0 -> 83495 bytes | |||
| -rw-r--r-- | 38230-h/images/illo223.png | bin | 0 -> 90019 bytes | |||
| -rw-r--r-- | 38230-h/images/illo23.png | bin | 0 -> 81040 bytes | |||
| -rw-r--r-- | 38230-h/images/illo27.png | bin | 0 -> 124860 bytes | |||
| -rw-r--r-- | 38230-h/images/illo31.png | bin | 0 -> 94994 bytes | |||
| -rw-r--r-- | 38230-h/images/illo35.png | bin | 0 -> 236560 bytes | |||
| -rw-r--r-- | 38230-h/images/illo39.png | bin | 0 -> 103701 bytes | |||
| -rw-r--r-- | 38230-h/images/illo43.png | bin | 0 -> 154865 bytes | |||
| -rw-r--r-- | 38230-h/images/illo47.png | bin | 0 -> 109561 bytes | |||
| -rw-r--r-- | 38230-h/images/illo51.png | bin | 0 -> 127961 bytes | |||
| -rw-r--r-- | 38230-h/images/illo55.png | bin | 0 -> 123525 bytes | |||
| -rw-r--r-- | 38230-h/images/illo59.png | bin | 0 -> 105028 bytes | |||
| -rw-r--r-- | 38230-h/images/illo63.png | bin | 0 -> 101126 bytes | |||
| -rw-r--r-- | 38230-h/images/illo67.png | bin | 0 -> 319220 bytes | |||
| -rw-r--r-- | 38230-h/images/illo71.png | bin | 0 -> 202376 bytes | |||
| -rw-r--r-- | 38230-h/images/illo75.png | bin | 0 -> 61403 bytes | |||
| -rw-r--r-- | 38230-h/images/illo79.png | bin | 0 -> 58715 bytes | |||
| -rw-r--r-- | 38230-h/images/illo83.png | bin | 0 -> 59021 bytes | |||
| -rw-r--r-- | 38230-h/images/illo87.png | bin | 0 -> 195387 bytes | |||
| -rw-r--r-- | 38230-h/images/illo91.png | bin | 0 -> 226840 bytes | |||
| -rw-r--r-- | 38230-h/images/illo95.png | bin | 0 -> 142493 bytes | |||
| -rw-r--r-- | 38230-h/images/illo99.png | bin | 0 -> 195554 bytes | |||
| -rw-r--r-- | 38230.txt | 2308 | ||||
| -rw-r--r-- | 38230.zip | bin | 0 -> 28927 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
63 files changed, 7422 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/38230-8.txt b/38230-8.txt new file mode 100644 index 0000000..690067e --- /dev/null +++ b/38230-8.txt @@ -0,0 +1,2308 @@ +The Project Gutenberg EBook of The Odes of Anacreon, by Thomas Moore + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Odes of Anacreon + +Author: Thomas Moore + +Release Date: December 6, 2011 [EBook #38230] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE ODES OF ANACREON *** + + + + +Produced by Steven Giacomelli, Margo Romberg and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by Case Western Reserve University Preservation Department +Digital Library) + + + + + + + + + + THE ODES OF ANACREON. + + + 'Nec, si quid olim lusit Anacreon + Delevit ætas.' _Hor._ + + + [Illustration] + + + + + THE ODES OF ANACREON. + + TRANSLATED BY THOMAS MOORE. + + WITH FIFTY-FOUR ILLUSTRATIVE DESIGNS BY GIRODET DE ROUSSY. + + _NOW FIRST PRODUCED IN ENGLAND._ + + LONDON: + JOHN CAMDEN HOTTEN, PICCADILLY. + + + + + LONDON: + STRANGEWAYS AND WALDEN, PRINTERS, + Castle St. Leicester Sq. + + + + +INTRODUCTION TO THE ENGLISH EDITION. + + +Amongst the innumerable translators of Anacreon, there was one--a +Frenchman by birth--who was both an illustrious painter and a literary +enthusiast. Girodet de Roussy, inspired by a genius altogether Greek in +its character, has translated Anacreon better by his pencil than he +could have been translated by words. One might fancy that his designs +had been executed under Anacreon's own eye by some Greek artist, who had +himself witnessed that soft and voluptuous existence, where song and +pleasure are one. + +Seldom indeed have chasteness of execution and voluptuousness of +character been so curiously and indissolubly blended. Seldom has a +modern artist so happily caught the spirit of an ancient poet. We seem +to be transported, as in a dream, to the vines, and orange-groves, and +cloudless skies of Greece, and the wearied spirit abandons itself for a +while to the soft influences of the azure heaven, the countless +luxuriance of roses, the undulating forms of the fair girls dancing in +the shade, while youthful attendants brim the beaker with wine. Under +such influences we remember that youth, and love, and mirth are +immortal, and we say with Horace,-- + +'Nec, si quid olim lusit Anacreon Delevit ætas.'[1] + +In that close wrestle of the genius that imitates with the genius that +creates, Girodet alone came out from the trial successfully. He has +shown himself the rival of Anacreon in grace, in _abandon_, in +_naïveté_. He has succeeded in depicting his poet's theme with equal +elegance and delicacy. Loving with a real love those old Greek songs, he +has displayed them in living beauty before our eyes in fifty-four +exquisite drawings. To attempt such a masterpiece required a poet's as +well as a painter's skill; and Girodet was both a painter and a poet. + +In examining these compositions, one cannot abstain from a certain kind +of surprise: all the odes of Anacreon revolve upon two or three central +ideas, expressed in a manner full of grace, unquestionably, but still +always the same ideas. The artist, while not deviating from the narrow +circle traced for him by the poet, shows a fecundity and variety that +are truly marvellous--that astonish and enchant us at the same time. The +nobility, elegance, and wealth of accessories that prevail throughout +the whole series might, as we have already hinted, lead us to suppose +that we owed them to one of the famous artists that Greece produced: the +painter and the poet seem to have been born under one heaven, and +informed with one soul. + +The manners of the time in which Anacreon lived permitted him to say +many things which, in their crudity, might offend our modern taste. +Girodet is not less voluptuous than Anacreon; but he always maintains +that grace and delicacy which add so great a charm to the voluptuous: +nowhere in his animated panorama is sight or sense shocked. + +These designs originally accompanied a translation of the Odes of +Anacreon, made by the painter himself and published shortly after his +death. Some small photographs of them on a greatly reduced scale +appeared in 1864, in an exquisite little edition of the original Greek, +from the press of Firmin Didot, at the almost prohibitive price of Two +Pounds. The present reproductions are on a scale more proportionate with +the originals, and constitute the first appearance of Girodet's designs +in England, where, we feel assured, they will be appreciated as they +deserve by all true lovers of classical art. + +The English verse-translation of Moore has been chosen to accompany +them, because, though it has often been objected to by the learned for +its imperfect scholarship, it seemed to us to be most in harmony with +the real spirit of the great French painter, and of the old Greek poet +himself. + + _Oct. 25, 1869._ + + +FOOTNOTES: + +[1] 'Time cannot raze Anacreon's name, Nor prey upon his youthful +strains.' + + + + +LIST OF ILLUSTRATIONS. + + +_FRONTISPIECE_--THE APOTHEOSIS OF ANACREON. + +PAGE + +THE LYRE OF ANACREON 15 + +NATURE'S GIFT TO WOMAN 19 + +CUPID BELATED 23 + +ANACREON TENDING CUPID 27 + +CUPID TRIES HIS BOW 31 + +LOVE AND WINE 35 + +THE ROSE 39 + +THE GENIUS OF FESTIVITY 43 + +A RACE WITH CUPID 47 + +ANACREON'S DREAM 51 + +THE DOVE 55 + +THE GIFT OF VENUS 59 + +THE DOVE TENDED BY ANACREON 63 + +THE IMAGE OF CUPID 67 + +AGE AND PLEASURE 71 + +THE CONFLICT WITH LOVE 75 + +THE SURRENDER 79 + +THE WREATH OF ROSES 83 + +THE VICTORY OF THE EYE 87 + +THE CUP 91 + +CUPID DISARMED 95 + +THE MIRROR 99 + +THE CHAPLET OF FLOWERS 103 + +THE TRUE WEALTH 107 + +THE POWER OF WINE 111 + +SONG AND DANCE 115 + +THE PORTRAIT 119 + +BATHYLLUS 123 + +THE RANSOM OF CUPID 127 + +THE FAIR FUGITIVE 131 + +THE LILY AND THE ROSE 135 + +EUROPA AND THE BULL 139 + +ANACREON DEFYING THE PHILOSOPHER 143 + +THE GRACES AND SPRING 147 + +THE SUMMONS TO FESTIVITY 151 + +THE BOWL OF WINE 155 + +VOWS TO VENUS 159 + +CUPID STUNG 163 + +THE DANCE OF MIRTH 167 + +THE FRONTLET OF HYACINTH 171 + +CAUGHT BY LOVE 175 + +THE LEMNIAN CAVE 179 + +THE EVERGREEN HEART 183 + +THE BLUSHING YEAR 187 + +THE QUEEN OF LOVE 191 + +THE ROSE 195 + +YOUTH AND DANCE 199 + +THE LOVER'S EYES 203 + +SPRING 207 + +VISION OF THE TEIAN BARD 211 + +THE HARP 215 + +BACCHANTS 219 + +CUPID IN THE GOBLET 223 + + + + +_ODE I._ + + + I often wish this languid lyre, + This warbler of my soul's desire, + Could raise the breath of song sublime, + To men of fame in former time. + But when the soaring theme I try, + Along the chords my numbers die, + And whisper, with dissolving tone, + 'Our sighs are given to love alone!' + Indignant at the feeble lay, + I tore the panting chords away, + Attuned them to a nobler swell, + And struck again the breathing shell; + +[Illustration] + + In all the glow of epic fire, + To Hercules I wake the lyre! + But still its fainting sighs repeat, + 'The tale of love alone is sweet!' + Then fare thee well, seductive dream, + That madest me follow Glory's theme; + For thou my lyre, and thou my heart, + Shall never more in spirit part; + And thou the flame shalt feel as well + As thou the flame shalt sweetly tell. + + + + +_ODE II._ + + + To all that breathe the airs of heaven, + Some boon of strength has Nature given. + When the majestic bull was born, + She fenced his brow with wreathèd horn. + She arm'd the courser's foot of air, + And wing'd with speed the panting hare. + She gave the lion fangs of terror, + And, on the ocean's crystal mirror, + Taught the unnumber'd scaly throng + To trace their liquid path along; + While for the umbrage of the grove, + +[Illustration] + + She plumed the warbling bird of love. + To man she gave the flame refined, + The spark of heaven--a thinking mind! + And had she no surpassing treasure, + For thee, oh woman! child of pleasure? + She gave thee beauty--shaft of eyes, + That every shaft of war outflies! + She gave thee beauty--blush of fire, + That bids the flames of war retire! + Woman! be fair, we must adore thee; + Smile, and a world is weak before thee! + + + + +_ODE III._ + + + 'Twas noon of night, when round the pole + The sullen Bear is seen to roll; + And mortals, wearied with the day, + Are slumbering all their cares away; + An infant, at that dreary hour, + Came weeping to my silent bower, + And waked me with a piteous prayer, + To save him from the midnight air! + 'And who art thou,' I waking cry, + 'That bidd'st my blissful visions fly?' + 'O gentle sire!' the infant said, + 'In pity take me to thy shed; + Nor fear deceit: a lonely child + I wander o'er the gloomy wild. + +[Illustration] + + Chill drops the rain, and not a ray + Illumes the drear and misty way!' + I hear the baby's tale of woe; + I hear the bitter night-winds blow; + And sighing for his piteous fate, + I trimm'd my lamp and oped the gate. + 'Twas Love! the little wandering sprite, + His pinion sparkled through the night! + I knew him by his bow and dart; + I knew him by my fluttering heart! + I take him in, and fondly raise + The dying embers' cheering blaze; + +[Illustration] + + Press from his dank and clinging hair + The crystals of the freezing air, + And in my hand and bosom hold + His little fingers thrilling cold. + And now the embers' genial ray + Had warm'd his anxious fears away: + 'I pray thee,' said the wanton child, + (My bosom trembled as he smiled,) + 'I pray thee let me try my bow, + For through the rain I've wander'd so, + That much I fear the ceaseless shower + Has injured its elastic power.' + The fatal bow the urchin drew; + Swift from the string the arrow flew; + +[Illustration] + + Oh! swift it flew as glancing flame + And to my very soul it came! + 'Fare thee well,' I heard him say, + As laughing wild he wing'd away: + 'Fare thee well, for now I know + The rain has not relax'd my bow; + It still can send a maddening dart, + As thou shalt own with all thy heart!' + + + + +_ODE IV._ + + + Strew me a breathing bed of leaves, + Where lotos with the myrtle weaves; + And while in luxury's dream I sink, + Let me the balm of Bacchus drink! + In this delicious hour of joy, + Young Love shall be my goblet-boy; + Folding his little golden vest, + With cinctures, round his snowy breast, + Himself shall hover by my side, + And minister the racy tide! + Swift as the wheels that kindling roll, + Our life is hurrying to the goal: + A scanty dust, to feed the wind, + Is all the trace 'twill leave behind. + Why do we shed the rose's bloom + Upon the cold insensate tomb? + Can flowery breeze, or odour's breath, + +[Illustration] + + Affect the slumbering chill of death? + No, no; I ask no balm to steep + With fragrant tears my bed of sleep: + But now, while every pulse is glowing, + Now let me breathe the balsam flowing; + Now let the rose, with blush of fire, + Upon my brow its scent expire; + And bring the nymph with floating eye,-- + Oh! she will teach me how to die! + Yes, Cupid! ere my soul retire, + To join the blest elysian choir, + With wine, and love, and blisses dear, + I'll make my own elysium here! + + + + +_ODE V._ + + + Buds of roses, virgin flowers, + Cull'd from Cupid's balmy bowers, + In the bowl of Bacchus steep, + Till with crimson drops they weep! + Twine the rose, the garland twine, + Every leaf distilling wine; + Drink and smile, and learn to think + That we were born to smile and drink. + Rose! thou art the sweetest flower + That ever drank the amber shower; + Rose! thou art the fondest child + Of dimpled Spring, the wood-nymph wild! + E'en the gods, who walk the sky, + Are amorous of thy scented sigh. + Cupid too, in Paphian shades, + His hair with rosy fillet braids, + When with the blushing naked Graces, + The wanton winding dance he traces. + +[Illustration] + + Then bring me showers of roses, bring, + And shed them round me while I sing: + Great Bacchus! in thy hallow'd shade, + With some celestial, glowing maid, + While gales of roses round me rise, + In perfume, sweeten'd by her sighs, + I'll bill and twine in airy dance, + Commingling soul with every glance! + + + + +_ODE VI._ + + + While our rosy fillets shed + Blushes o'er each fervid head, + With many a cup and many a smile + The festal moments we beguile. + And while the harp, impassion'd, flings + Tuneful rapture from the strings, + Some airy nymph, with fluent limbs, + Through the dance luxuriant swims, + Waving, in her snowy hand, + The leafy Bacchanalian wand, + Which, as the tripping wanton flies, + Shakes its tresses to her sighs; + A youth the while, with loosen'd hair, + Floating on the listless air, + Sings to the wild harp's tender tone, + +[Illustration] + + A tale of woes, alas! his own; + And then what nectar in his sigh, + As o'er his lip the murmurs die! + Surely never yet has been + So divine, so blest a scene! + Has Cupid left the starry sphere, + To wave his golden tresses here? + Oh yes! and Venus, queen of wiles, + And Bacchus, shedding rosy smiles, + All, all are here, to hail with me + The genius of festivity! + + + + +_ODE VII._ + + + Arm'd with hyacinthine rod, + (Arms enough for such a god,) + Cupid bade me wing my pace, + And try with him the rapid race, + O'er the wild torrent, rude and deep. + By tangled brake and pendent steep, + With weary foot I panting flew, + My brow was chill with drops of dew. + And now my soul, exhausted, dying, + +[Illustration] + + To my lip was faintly flying; + And now I thought the spark had fled, + When Cupid hover'd o'er my head, + And fanning light his breezy plume, + Recall'd me from my languid gloom; + Then said, in accents half-reproving, + 'Why hast thou been a foe to loving?' + + + + +_ODE VIII._ + + + 'Twas night, and many a circling bowl + Had deeply warmed my swimming soul; + As lull'd in slumber I was laid, + Bright visions o'er my fancy play'd! + With virgins blooming as the dawn, + I seem'd to trace the opening lawn; + Light, on tiptoe bathed in dew, + We flew, and sported as we flew! + Some ruddy striplings, young and sleek, + With blush of Bacchus on their cheek, + Saw me trip the flowery wild + With dimpled girls, and slily smiled; + Smiled indeed with wanton glee, + But, ah! 'twas plain they envied me. + +[Illustration] + + And still I flew--and now I caught + The panting nymphs, and fondly thought + To kiss--when all my dream of joys, + Dimpled girls and ruddy boys, + All were gone! 'Alas!' I said, + Sighing for the illusions fled, + 'Sleep! again my joys restore, + Oh! let me dream them o'er and o'er!' + + + + +_ODE IX._ + + + Tell me, why, my sweetest dove, + Thus your humid pinions move, + Shedding through the air in showers + Essence of the balmiest flowers? + Tell me whither, whence you rove, + Tell me all, my sweetest dove.-- + Curious stranger! I belong + To the bard of Teian song: + +[Illustration] + + With his mandate now I fly + To the nymph of azure eye; + Ah! that eye has madden'd many, + But the poet more than any! + Venus, for a hymn of love, + Warbled in her votive grove, + ('Twas in sooth a gentle lay,) + Gave me to the bard away. + See me now his faithful minion, + Thus with softly-gliding pinion, + To his lovely girl I bear + Songs of passion through the air. + Oft he blandly whispers me, + 'Soon, my bird, I'll set you free.' + But in vain he'll bid me fly, + I shall serve him till I die. + +[Illustration] + + Never could my plumes sustain + Ruffling winds and chilling rain, + O'er the plains, or in the dell, + On the mountain's savage swell; + Seeking in the desert wood + Gloomy shelter, rustic food. + Now I lead a life of ease, + Far from such retreats as these; + From Anacreon's hand I eat + Food delicious, viands sweet; + Flutter o'er his goblet's brim, + Sip the foamy wine with him. + Then I dance and wanton round + To the lyre's beguiling sound; + Or with gently-fanning wings + Shade the minstrel while he sings: + +[Illustration] + + On his harp then sink in slumbers, + Dreaming still of dulcet numbers! + This is all--away--away-- + You have made me waste the day. + How I've chatter'd! prating crow + Never yet did chatter so. + + + + +_ODE X._ + + + 'Tell me, gentle youth, I pray thee, + What in purchase shall I pay thee + For this little waxen toy, + Image of the Paphian boy?' + Thus I said the other day, + To a youth who pass'd my way: + 'Sir,' he answer'd, and the while + Answer'd all in Doric style, + 'Take it, for a trifle take it; + Think not yet that I could make it; + Pray, believe it was not I; + No--it cost me many a sigh, + And I can no longer keep + Little gods, who murder sleep! + +[Illustration] + + Here, then, here,' (I said with joy) + 'Here is silver for the boy: + He shall be my bosom guest, + Idol of my pious breast!' + Little Love! thou now art mine, + Warm me with that torch of thine; + Make me feel as I have felt, + Or thy waxen frame shall melt. + I must burn in warm desire, + Or thou, my boy, in yonder fire! + + + + +_ODE XI._ + + + The women tell me every day, + That all my bloom has past away. + 'Behold,' the pretty wantons cry, + 'Behold this mirror with a sigh; + The locks upon thy brow are few, + And like the rest, they're withering too!' + Whether decline has thinn'd my hair, + I'm sure I neither know nor care; + But this I know, and this I feel, + +[Illustration] + + As onward to the tomb I steal, + That still as death approaches nearer, + The joys of life are sweeter, dearer; + And had I but an hour to live, + That little hour to bliss I'd give! + + + + +_ODE XII._ + + + I will; I will; the conflict's past, + And I'll consent to love at last. + Cupid has long, with smiling art, + Invited me to yield my heart; + And I have thought that peace of mind + Should not be for a smile resign'd; + And I've repell'd the tender lure, + And hoped my heart should sleep secure. + But, slighted in his boasted charms, + The angry infant flew to arms; + He slung his quiver's golden frame, + He took his bow, his shafts of flame, + And proudly summon'd me to yield, + +[Illustration] + + Or meet him on the martial field. + And what did I unthinking do? + I took to arms, undaunted too; + Assumed the corslet, shield, and spear, + And, like Pelides, smiled at fear. + Then (hear it, all you powers above!) + I fought with Love! I fought with Love! + And now his arrows all were shed + And I had just in terrors fled-- + When heaving an indignant sigh + To see me thus unwounded fly, + And having now no other dart, + He glanced himself into my heart! + My heart--alas the luckless day! + Received the god, and died away. + +[Illustration] + + Farewell, farewell, my faithless shield! + Thy lord at length is forced to yield. + Vain, vain, is every outward care, + My foe's within, and triumphs there. + + + + +_ODE XIII._ + + + I care not for the idle state + Of Persia's king, the rich, the great! + I envy not the monarch's throne, + Nor wish the treasured gold my own. + But oh! be mine the rosy braid, + The fervour of my brows to shade; + Be mine the odours, richly sighing, + Amidst my hoary tresses flying. + To-day, I'll haste to quaff my wine, + As if to-morrow ne'er should shine; + But if to-morrow comes, why then-- + I'll haste to quaff my wine again. + And thus while all our days are bright, + Nor time has dimm'd their bloomy light, + +[Illustration] + + Let us the festal hours beguile + With mantling cup and cordial smile; + And shed from every bowl of wine + The richest drop on Bacchus' shrine! + For Death may come, with brow unpleasant, + May come, when least we wish him present, + And beckon to the sable shore, + And grimly bid us drink no more! + + + + +_ODE XIV._ + + + Thy harp may sing of Troy's alarms, + Or tell the tale of Theban arms; + With other wars my song shall burn, + For other wounds my harp shall mourn. + 'Twas not the crested warrior's dart, + Which drank the current of my heart; + Nor naval arms, nor mailed steed, + Have made this vanquish'd bosom bleed; + +[Illustration] + + No--from an eye of liquid blue, + A host of quiver'd cupids flew; + And now my heart all bleeding lies + Beneath this army of the eyes! + + + + +_ODE XV_. + + + Grave me a cup with brilliant grace, + Deep as the rich and holy vase, + Which on the shrine of Spring reposes, + When shepherds hail that hour of roses. + Grave it with themes of chaste design, + Form'd for a heavenly bowl like mine. + Display not there the barbarous rites, + In which religious zeal delights; + +[Illustration] + + Nor any tale of tragic fate, + Which history trembles to relate! + No--cull thy fancies from above, + Themes of heaven and themes of love. + Let Bacchus, Jove's ambrosial boy, + Distil the grape in drops of joy, + And while he smiles at every tear, + Let warm-eyed Venus dancing near, + With spirits of the genial bed, + The dewy herbage deftly tread. + Let Love be there, without his arms, + In timid nakedness of charms; + +[Illustration] + + And all the Graces link'd with Love, + Blushing through the shadowy grove; + While rosy boys disporting round, + In circlets trip the velvet ground; + But ah! if there Apollo toys, + I tremble for my rosy boys! + + + + +_ODE XVI._ + + + The Phrygian rock that braves the storm, + Was once a weeping matron's form; + And Progne, hapless, frantic maid, + Is now a swallow in the shade. + Oh! that a mirror's form were mine, + To sparkle with that smile divine; + And like my heart I then should be, + Reflecting thee, and only thee! + Or were I, love, the robe which flows + O'er every charm that secret glows, + In many a lucid fold to swim, + And cling and grow to every limb! + Oh! could I, as the streamlet's wave, + Thy warmly-mellowing beauties lave, + Or float as perfume on thine hair, + +[Illustration] + + And breathe my soul in fragrance there! + I wish I were the zone, that lies + Warm to thy breast, and feels its sighs! + Or like those envious pearls that show + So faintly round that neck of snow, + Yes, I would be a happy gem, + Like them to hang, to fade like them. + What more would thy Anacreon be? + Oh! anything that touches thee. + Nay, sandals for those airy feet-- + Thus to be press'd by thee were sweet! + + + + +_ODE XVII._ + + + Now the star of day is high, + Fly, my girls, in pity fly, + Bring me wine in brimming urns, + Cool my lip, it burns, it burns! + Sunn'd by the meridian fire, + Panting, languid I expire! + Give me all those humid flowers, + Drop them o'er my brow in showers. + Scarce a breathing chaplet now + Lives upon my feverish brow; + +[Illustration] + + Every dewy rose I wear + Sheds its tears and withers there. + But for you, my burning mind! + Oh! what shelter shall I find? + Can the bowl, or floweret's dew, + Cool the flame that scorches you? + + + + +_ODE XVIII._ + + + If hoarded gold possess'd a power + To lengthen life's too fleeting hour, + And purchase from the land of death + A little span, a moment's breath, + How I would love the precious ore! + And every day should swell my store; + That when the Fates would send their minion, + To waft me off on shadowy pinion, + I might some hours of life obtain, + And bribe him back to hell again. + But, since we ne'er can charm away + The mandate of that awful day, + Why do we vainly weep at fate, + And sigh for life's uncertain date? + The light of gold can ne'er illume + The dreary midnight of the tomb! + And why should I then pant for treasures? + +[Illustration] + + Mine be the brilliant round of pleasures; + The goblet rich, the board of friends, + Whose flowing souls the goblet blends: + Mine be the nymph, whose form reposes + Seductive on that bed of roses; + And oh! be mine the soul's excess, + Expiring in her warm caress! + + + + +_ODE XIX._ + + + When my thirsty soul I steep, + Every sorrow's lull'd to sleep. + Talk of monarchs! I am then + Richest, happiest, first of men; + Careless, o'er my cup I sing, + Fancy makes me more than king; + Gives me wealthy Croesus' store, + Can I, can I wish for more? + On my velvet couch reclining, + Ivy leaves my brow entwining, + While my soul dilates with glee, + What are kings and crowns to me? + +[Illustration] + + If before my feet they lay, + I would spurn them all away! + Arm you, arm you, men of might, + Hasten to the sanguine fight; + Let me, oh my budding vine, + Spill no other blood than thine. + Yonder brimming goblet see, + That alone shall vanquish me. + Oh! I think it sweeter far + To fall in banquet than in war! + + + + +_ODE XX._ + + + When Bacchus, Jove's immortal boy, + The rosy harbinger of joy, + Who, with the sunshine of the bowl, + Thaws the winter of our soul; + When to the inmost core he glides, + And bathes it with his ruby tides, + A flow of joy, a lively heat, + Fires my brain, and wings my feet; + 'Tis surely something sweet, I think, + Nay, something heavenly sweet, to drink! + +[Illustration] + + Sing, sing of love, let music's breath + Softly beguile our rapturous death, + While, my young Venus, thou and I + To the voluptuous cadence die! + Then waking from our languid trance, + Again we'll sport, again we'll dance. + + + + +_ODE XXI._ + + + Thou, whose soft and rosy hues, + Mimic form and soul infuse; + Best of painters! come portray + The lovely maid that's far away. + Far away, my soul! thou art, + But I've thy beauties all by heart. + Paint her jetty ringlets straying, + Silky twine in tendrils playing; + And, if painting hath the skill + To make the spicy balm distil, + Let every little lock exhale + A sigh of perfume on the gale. + Where her tresses' curly flow + Darkles o'er the brow of snow, + Let her forehead beam to light, + Burnish'd as the ivory bright. + Let her eyebrows sweetly rise + In jetty arches o'er her eyes, + Gently in her crescent gliding, + Just commingling, just dividing. + But hast thou any sparkles warm, + The lightning of her eyes to form? + +[Illustration] + + Let them effuse the azure ray + With which Minerva's glances play, + And give them all that liquid fire + That Venus' languid eyes respire. + O'er her nose and cheek be shed + Flushing white and mellow'd red; + Gradual tints, as when there glows + In snowy milk the bashful rose. + Then her lip, so rich in blisses! + Sweet petitioner for kisses! + Pouting nest of bland persuasion, + Ripely suing Love's invasion. + Then beneath the velvet chin, + Whose dimple shades a love within, + Mould her neck with grace descending. + In a heaven of beauty ending; + While airy charms, above, below, + Sport and flutter on its snow. + Now let a floating, lucid veil, + Shadow her limbs, but not, conceal; + A charm may peep, a hue may beam, + And leave the rest to Fancy's dream. + Enough--'tis she! 'tis all I seek; + It glows, it lives, it soon will speak. + + + + +_ODE XXII._ + + And now with all thy pencil's truth, + Portray Bathyllus, lovely youth! + Let his hair in lapses bright, + Fall like streaming rays of light, + And there the raven's dye confuse + With the yellow sunbeam's hues. + Let not the braid, with artful twine, + The flowing of his locks confine; + But loosen every golden ring, + To float upon the breeze's wing, + Beneath the front of polished glow. + Front as fair as mountain-snow, + And guileless as the dews of dawn, + +[Illustration] + + Let the majestic brows be drawn, + Of ebon dies, enriched by gold, + Such as the scaly snakes unfold. + Mingle in his jetty glances, + Power that awes, and love that trances; + Steal from Venus bland desire, + Steal from Mars the look of fire, + Blend them in such expression here, + That we by turns may hope and fear! + Now from the sunny apple seek + The velvet down that spreads his cheek; + And there let Beauty's rosy ray + In flying blushes richly play; + Blushes, of that celestial flame + Which lights the cheek of virgin shame. + Then for his lips, that ripely gem-- + But let thy mind imagine them! + Paint, where the ruby cell uncloses, + Persuasion sleeping upon roses; + And give his lip that speaking air, + As if a word was hovering there! + His neck of ivory splendour trace, + Moulded with soft but manly grace; + Fair as the neck of Paphia's boy, + Where Paphia's arms have hung in joy. + Give him the winged Hermes' hand. + With which he waves his snaky wand: + Let Bacchus then the breast supply, + And Leda's son the sinewy thigh. + But oh! suffuse his limbs of fire + With all that glow of young desire, + +[Illustration] + + Which kindles, when the wishful sigh + Steals from the heart, unconscious why. + Thy pencil, though divinely bright, + Is envious of the eye's delight, + Or its enamoured touch would shew + His shoulder, fair as sunless snow, + Which now in veiling shadow lies, + Removed from all but Fancy's eyes, + Now, for his feet--but hold--forbear-- + I see a godlike portrait there; + So like Bathyllus! sure there's none + So like Bathyllus but the Sun! + Oh! let this pictured god be mine, + And keep the boy for Samos' shrine; + Phoebus shall then Bathyllus be, + Bathyllus then the deity! + + + + +_ODE XXIII._ + + + One day, the Muses twined the hands + Of baby Love, with flowery bands; + And to celestial Beauty gave + The captive infant as her slave. + His mother comes with many a toy, + To ransom her beloved boy; + His mother sues, but all in vain! + +[Illustration] + + He ne'er will leave his chains again. + Nay, should they take his chains away, + The little captive still would stay. + 'If this,' he cries, 'a bondage be, + Who could wish for liberty?' + + + + +_ODE XXIV._ + + + Fly not thus my brow of snow, + Lovely wanton! fly not so. + Though the wane of age is mine, + Though the brilliant flush is thine, + Still I'm doom'd to sigh for thee, + Blest, if thou couldst sigh for me! + See, in yonder flowery braid, + Cull'd for thee, my blushing maid, + +[Illustration] + + How the rose, of orient glow, + Mingles with the lily's snow; + Mark, how sweet their tints agree, + Just, my girl, like thee and me! + + + + +_ODE XXV._ + + + Methinks, the pictur'd bull we see + Is amorous Jove--it must be he! + How fondly blest he seems to bear + That fairest of Phoenician fair! + How proud he breasts the foamy tide + And spurns the billowy surge aside! + Could any beast of vulgar vein, + Undaunted thus defy the main? + No: he descends from climes above, + He looks the God, he breathes of Jove! +[Illustration] + + + + +_ODE XXVI._ + + + Away, away, you men of rules, + What have I to do with schools? + They'd make me learn, they'd make me think, + But would they make me love and drink? + Teach me this; and let me swim + My soul upon the goblet's brim; + Teach me this, and let me twine + My arms around the nymph divine! + Age begins to blanch my brow, + I've time for nought but pleasure now. + Fly, and cool my goblet's glow + At yonder fountain's gelid flow; + I'll quaff, my boy, and calmly sink + +[Illustration] + + This soul to slumber as I drink! + Soon, too soon, my jocund slave, + You'll deck your master's grassy grave; + And there's an end--for ah! you know + They drink but little wine below! + + + + +_ODE XXVII._ + + + See the young, the rosy Spring, + Gives to the breeze her spangled wing; + While virgin Graces, warm with May, + Fling roses o'er her dewy way! + The murmuring billows of the deep + Have languished into silent sleep; + And mark! the flitting sea-birds lave + Their plumes in the reflecting wave; + While cranes from hoary winter fly + To flutter in a kinder sky. + Now the genial star of day + +[Illustration] + + Dissolves the murky clouds away; + And cultur'd field, and winding stream, + Are sweetly tissued by his beam. + Now the earth prolific swells + With leafy buds and flowery bells; + Gemming shoots the olive twine, + Clusters ripe festoon the vine; + All along the branches creeping, + Through the velvet foliage peeping, + Little infant fruits we see + Nursing into luxury! + + + + +_ODE XXVIII._ + + + 'Tis true, my fading years decline, + Yet I can quaff the brimming wine, + As deep as any stripling fair, + Whose cheeks the flush of morning wear; + And if, amidst the wanton crew, + I'm call'd to wind the dance's clue, + Thou shall behold this vigorous hand, + Not faltering on the Bacchant's wand, + +[Illustration] + + But brandishing a rosy flask, + The only Thyrsus e'er I'll ask! + Let those who pant for Glory's charms, + Embrace her in the held of arms; + While my inglorious placid soul + Breathes not a wish beyond the bowl. + + Then fill it high, my ruddy slave, + And bathe me in its honied wave! + For though my fading years decay, + And though my bloom has passed away, + Like old Silenus, sire divine, + With blushes borrowed from my wine, + I'll wanton 'mid the dancing train, + And live my follies all again! + +[Illustration] + + + + +_ODE XXIX._ + + + When I drink, I feel, I feel, + Visions of poetic zeal! + Warm with the goblet's fresh'ning dews, + My heart invokes the heavenly Muse. + When I drink my sorrow's o'er; + I think of doubts and fears no more; + But scatter to the railing wind + Each gloomy phantom of the mind! + When I drink, the jesting boy + Bacchus himself partakes my joy; + And while we dance through breathing bowers, + Whose every gale is rich with flowers, + In bowls he makes my senses swim, + Till the gale breathes of nought but him! + When I drink, I deftly twine + Flowers, begemm'd with tears of wine; + And, while with festive hand I spread + The smiling garland round my head, + Something whispers in my breast, + How sweet it is to live at rest! + When I drink, and perfume stills + Around me all in balmy rills, + Then as some beauty, smiling roses, + In languor on my breast reposes, + Venus! I breathe my vows to thee, + In many a sigh of luxury! + When I drink, my heart refines, + And rises as the cup declines; + +[Illustration] + + Rises in the genial flow, + That none but social spirits know, + When youthful revellers round the bowl, + Dilating, mingle soul with soul! + When I drink, the bliss is mine; + There's bliss in every drop of wine! + All other joys that I have known, + I've scarcely dared to call my own; + But this the Fates can ne'er destroy, + Till death o'ershadows all my joy! + + + + +_ODE XXX._ + + + Cupid once upon a bed + Of roses laid his weary head; + Luckless urchin, not to see + Within the leaves a slumbering bee! + The bee awaked--with anger wild + The bee awaked, and stung the child. + Loud and piteous are his cries; + To Venus quick he runs, he flies! + 'Oh, mother!--I am wounded through-- + I die with pain--in sooth I do! + Stung by some little angry thing, + Some serpent on a tiny wing-- + A bee it was--for once, I know + +[Illustration] + + I heard a rustic call it so.' + Thus he spoke, and she the while + Heard him with a soothing smile; + Then said, 'My infant, if so much + Thou feel the little wild-bee's touch, + How must the heart, ah, Cupid! be, + The hapless heart that's stung by thee?' + + + + +_ODE XXXI._ + + + Let us drain the nectar'd bowl, + Let us raise the song of soul + To him, the God who loves so well + The nectar'd bowl, the choral swell! + Him, who instructs the sons of earth + To thrid the tangled dance of mirth; + Him, who was nursed with infant Love, + And cradled in the Paphian grove; + Him, that the snowy Queen of Charms + Has fondled in her twining arms. + From him that dream of transport flows, + Which sweet intoxication knows; + With him, the brow forgets to darkle, + And brilliant graces learn to sparkle. + Behold! my boys a goblet bear, + Whose sunny foam bedews the air. + Where are now the tear, the sigh? + To the winds they fly, they fly! + +[Illustration] + + Grasp the bowl; in nectar sinking, + Man of sorrow, drown thy thinking! + Oh! can the tears we lend to thought + In life's account avail us aught? + Can we discern, with all our lore, + The path we're yet to journey o'er? + No, no! the walk of life is dark; + 'Tis wine alone can strike a spark! + Then let me quaff the foamy tide, + And through the dance meandering glide; + Let me imbibe the spicy breath + Of odours chafed to fragrant death; + Or from the kiss of love inhale + A more voluptuous, richer gale! + To souls that court the phantom + Care, Let him retire and shroud him there; + While we exhaust the nectar'd bowl, + And swell the choral song of soul + To him, the God who loves so well + The nectar'd bowl, the choral swell! + + + + +_ODE XXXII._ + + + Yes, be the glorious revel mine, + Where humour sparkles from the wine! + Around me let the youthful choir + Respond to my beguiling lyre; + And while the red cup circles round, + Mingle in soul as well as sound! + Let the bright nymph, with trembling eye, + Beside me all in blushes lie; + And, while she weaves a frontlet fair + Of hyacinth to deck my hair, + Oh! let me snatch her sidelong kisses, + And that shall be my bliss of blisses! + My soul, to festive feeling true, + One pang of envy never knew; + +[Illustration] + + And little has it learn'd to dread + The gall that envy's tongue can shed. + Away--I hate the slanderous dart, + Which steals to wound th' unwary heart; + And oh! I hate, with all my soul, + Discordant clamours o'er the bowl, + Where every cordial heart should be + Attuned to peace and harmony. + Come, let us hear the soul of song + Expire the silver harp along; + And through the dance's ringlet move, + With maidens mellowing into love: + Thus simply happy, thus at peace, + Sure such a life should never cease! + + + + +_ODE XXXIII._ + + + 'Twas in an airy dream of night, + I fancied that I wing'd my flight + On pinions fleeter than the wind, + While little Love, whose feet were twined + (I know not why) with chains of lead, + Pursued me as I trembling fled; + Pursued--and could I e'er have thought?-- + Swift as the moment I was caught! + What does the wanton fancy mean + By such a strange, illusive scene? + +[Illustration] + + I fear she whispers to my breast, + That you, my girl, have stol'n my rest; + That though my fancy, for a while, + Has hung on many a woman's smile, + I soon dissolved the passing vow, + And ne'er was caught by love till now! + + + + +_ODE XXXIV._ + + + As in the Lemnian caves of fire, + The mate of her who nursed Desire + Moulded the glowing steel, to form + Arrows for Cupid, thrilling warm; + While Venus every barb imbues + With droppings of her honied dews; + And Love (alas the victim-heart!) + Tinges with gall the burning dart; + Once, to this Lemnian cave of flame, + The crested Lord of battles came; + 'Twas from the ranks of war he rush'd, + His spear with many a life-drop blush'd! + He saw the mystic darts, and smiled + Derision on the archer-child. + +[Illustration] + + 'And dost thou smile?' said little Love; + 'Take this dart, and thou mayst prove, + That though they pass the breeze's flight, + My bolts are not so feathery light.' + He took the shaft--and oh! thy look, + Sweet Venus! when the shaft he took-- + He sigh'd, and felt the urchin's art; + He sigh'd, in agony of heart, + 'It is not light--I die with pain! + Take--take thy arrow back again.' + 'No,' said the child, 'it must not be, + That little dart was made for thee!' + + + + +_ODE XXXV._ + + + How I love the festive boy, + Tripping wild the dance of joy! + How I love the mellow sage, + Smiling through the veil of age! + And whene'er this man of years + In the dance of joy appears, + Age is on his temples hung, + But his heart--his heart is young! + +[Illustration] + + + + +_ODE XXXVI._ + + + He, who instructs the youthful crew + To bathe them in the brimmer's dew, + And taste, uncloy'd by rich excesses, + All the bliss that wine possesses! + He, who inspires the youth to glance + In winged circlets through the dance; + Bacchus, the god again is here, + And leads along the blushing year; + The blushing year with rapture teems, + Ready to shed those cordial streams, + Which, sparkling in the cup of mirth, + Illuminate the sons of earth, + And when the ripe and vermeil wine, + Sweet infant of the pregnant vine, + Which now in mellow clusters swells, + Oh! when it bursts its rosy cells, + The heavenly stream shall mantling flow, + To balsam every mortal woe! + No youth shall then be wan or weak, + For dimpling health shall light the cheek; + No heart shall then desponding sigh, + For wine shall bid despondence fly! + Thus--till another autumn's glow + Shall bid another vintage flow! + +[Illustration] + + + + +_ODE XXXVII._ + + + And whose immortal hand could shed + Upon this disk the ocean's bed? + And, in a frenzied flight of soul + Sublime as heaven's eternal pole, + Imagine thus, in semblance warm, + The Queen of Love's voluptuous form + Floating along the silvery sea + In beauty's naked majesty! + Oh! he has given the raptured sight + A witching banquet of delight; + And all those sacred scenes of love, + Where only hallow'd eyes may rove, + Lie, faintly glowing, half conceal'd, + Within the lucid billows veil'd. + Light as the leaf, that summer's breeze + Has wafted o'er the glassy seas, + She floats upon the ocean's breast, + Which undulates in sleepy rest, + And stealing on, she gently pillows + Her bosom on the amorous billows. + Her bosom, like the humid rose, + Her neck, like dewy-sparkling snows, + Illume the liquid path she traces, + And burn within the stream's embraces! + In languid luxury soft she glides, + Encircled by the azure tides, + Like some fair lily, faint with weeping, + Upon a bed of violets sleeping! + Beneath their queen's inspiring glance, + The dolphins o'er the green sea dance, + Bearing in triumph young Desire, + And baby Love with smiles of fire! + While, sparkling on the silver waves, + The tenants of the briny caves + Around the pomp in eddies play, + And gleam along the watery way. + +[Illustration] + + + + +_ODE XXXVIII._ + + + While we invoke the wreathed spring, + Resplendent rose! to thee we'll sing; + Resplendent rose, the flower of flowers, + Whose breath perfumes Olympus' bowers; + Whose virgin blush of chasten'd dye, + Enchants so much our mortal eye. + When pleasure's bloomy season glows, + The Graces love to twine the rose; + The rose is warm Dione's bliss, + And flushes like Dione's kiss! + Oft has the poet's magic tongue + The rose's fair luxuriance sung; + And long the Muses, heavenly maids, + Have rear'd it in their tuneful shades. + When, at the early glance of morn, + It sleeps upon the glittering thorn, + 'Tis sweet to dare the tangled fence, + To cull the timid flowret thence, + And wipe with tender hand away + The tear that on its blushes lay! + 'Tis sweet to hold the infant stems, + Yet dropping with Aurora's gems, + And fresh inhale the spicy sighs + That from the weeping buds arise. + When revel reigns, when mirth is high, + And Bacchus beams in every eye, + Our rosy fillets scent exhale, + And fill with balm the fainting gale! + Oh! there is nought in nature bright, + Where roses do not shed their light! + When morning paints the orient skies, + Her fingers burn with roseate dyes; + The nymphs display the rose's charms, + It mantles o'er their graceful arms; + Through Cytherea's form it glows, + And mingles with the living snows. + The rose distils a healing balm, + The beating pulse of pain to calm; + Preserves the cold inurned clay, + And mocks the vestige of decay: + And when at length, in pale decline, + Its florid beauties fade and pine, + Sweet as in youth, its balmy breath + Diffuses odour e'en in death! + Oh! whence could such a plant have sprung? + Attend--for thus the tale is sung. + +[Illustration] + + When, humid, from the silvery stream, + Effusing beauty's warmest beam, + Venus appear'd, in flushing hues, + Mellow'd by ocean's briny dews; + When, in the starry courts above, + The pregnant brain of mighty Jove + Disclosed the nymph of azure glance, + The nymph who shakes the martial lance! + Then, then, in strange eventful hour, + The earth produced an infant flower, + Which sprung, with blushing tinctures drest, + And wanton'd o'er its parent breast. + The gods beheld this brilliant birth, + And hail'd the Rose, the boon of earth! + With nectar drops, a ruby tide, + The sweetly orient buds they dyèd, + And bade them bloom, the flowers divine + Of him who sheds the teeming vine; + And bade them on the spangled thorn + Expand their bosoms to the morn. + + + + +_ODE XXXIX._ + + + When I behold the festive train + Of dancing youth, I'm young again! + Memory wakes her magic trance, + And wings me lightly through the dance. + Come, Cybeba, smiling maid! + Cull the flower and twine the braid; + Bid the blush of summer's rose + Burn upon my brow of snows; + And let me, while the wild and young + Trip the mazy dance along, + Fling my heap of years away, + And be as wild, as young as they. + +[Illustration] + + Hither haste, some cordial soul! + Give my lips the brimming bowl; + Oh! you will see this hoary sage + Forget his locks, forget his age. + He still can chant the festive hymn, + He still can kiss the goblet's brim; + He still can act the mellow raver, + And play the fool as sweet as ever! + + + + +_ODE XL._ + + + We read the flying courser's name + Upon his side in marks of flame; + And, by their turban'd brows alone, + The warriors of the East are known. + But in the lover's glowing eyes, + The inlet to his bosom lies; + +[Illustration] + + Thro' them we see the small faint mark, + Where Love has dropt his burning spark! + + + + +_ODE XLI._ + + + When Spring begems the dewy scene, + How sweet to walk the velvet green, + And hear the Zephyr's languid sighs, + As o'er the scented mead he flies! + How sweet to mark the pouting vine, + Ready to fall in tears of wine; + +[Illustration] + + And with the maid, whose every sigh + Is love and bliss, entranced to lie + Where the imbowering branches meet-- + Oh! is not this divinely sweet? + + + + +_ODE XLII._ + + + I saw the smiling bard of pleasure, + The minstrel of the Teian measure; + 'Twas in a vision of the night. + He beam'd upon my wond'ring sight; + I heard his voice, and warmly prest + The dear enthusiast to my breast. + His tresses wore a silvery dye, + But beauty sparkled in his eye; + Sparkled in his eyes of fire, + Through the mist of soft desire. + His lip exhaled, whene'er he sigh'd, + The fragrance of the racy tide; + And, as with weak and reeling feet, + He came my coral kiss to meet, + +[Illustration] + + An infant, of the Cyprian band, + Guided him on with tender hand. + Quick from his glowing brows he drew + His braid, of many a wanton hue, + I took the braid of wanton twine, + It breathed of him and blush'd with wine! + I hung it o'er my thoughtless brow, + And ah! I feel its magic now! + I feel that e'en his garland's touch + Can make the bosom love too much! + + + + +_ODE XLIII._ + + + Give me the harp of epic song, + Which Homer's finger thrill'd along; + But tear away the sanguine string, + For war is not the theme I sing. + Proclaim the laws of festal right + I'm monarch of the board to-night; + And all around shall brim as high, + And quaff the tide as deep as I! + And when the cluster's mellowing dews + Their warm, enchanting balm infuse + Our feet shall catch th' elastic bound, + And reel us through the dance's round. + +[Illustration] + + Oh, Bacchus! we shall sing to thee, + In wild but sweet ebriety! + And flash around such sparks of thought, + As Bacchus could alone have taught! + Then give the harp of epic song, + Which Homer's finger thrill'd along; + But tear away the sanguine string, + For war is not the theme I sing! + + + + +_ODE XLIV._ + + + Listen to the Muse's lyre, + Master of the pencil's fire! + Sketch'd in painting's bold display, + Many a city first pourtray; + Many a city revelling free, + Warm with loose festivity. + Picture then a rosy train, + Bacchants straying o'er the plain; + Piping, as they roam along, + Roundelay or shepherd-song. + +[Illustration] + + Paint me next, if painting may + Such a theme as this pourtray, + All the happy heaven of love, + These elect of Cupid prove. + + + + +_ODE XLV._ + + + As late I sought the spangled bowers, + To cull a wreath of matin flowers, + Where many an early rose was weeping, + I found the urchin Cupid sleeping. + I caught the boy, a goblet's tide + Was richly mantling by my side, + I caught him by his downy wing, + And whelm'd him in the racy spring. + +[Illustration] + + Oh! then I drank the poison'd bowl, + And Love now nestles in my soul! + Yes, yes, my soul is Cupid's nest, + I feel him fluttering in my breast. + + + + +_CHOICE ILLUSTRATED WORKS._ + + +=Lives of the Saints.= Enriched with 51 exquisite full-page Miniatures +in gold and colours, bound in silk velvet, enriched with gold, 7_l._ +7_s._ + +=Saint Ursula=, Princess of Britain, and her Companions. Illustrated +with 25 full-page 4to Illuminated Miniatures by VAN EYCK, bound in +purple satin, enriched with gold, 3_l._ 15_s._ + +=Golden Verses= from the New Testament, with 50 Illuminations and +Miniatures from celebrated Missals, in gold and colours, 30_s._ + + +The Author's Own Edition. =Robinson Crusoe=, Illustrated by ERNEST +GRISET, 7_s._ 6_d._ This is the Standard Edition of this famous work, +and _is the only one correctly printed_ since the death of Defoe. + +=Doctor Syntax's Three Tours=, with the 81 droll Coloured Illustrations +by ROWLANDSON, 7_s._ 6_d._ + +=Wonderful Characters=, The Book of, with 60 Engravings of eccentric or +remarkable persons, 7_s._ 6_d._ + +=Tom and Jerry=; or, Life in London: the favourite book of George IV. +With CRUIKSHANK'S inimitable Coloured Plates, 7_s._ 6_d._ + + +_CHOICE ILLUSTRATED WORKS OF HUMOUR for the Drawing Room; price 6s. +each._ + +CAROLS OF COCKAYNE. By HENRY S. LEIGH. + +THE BAB BALLADS. By W. S. GILBERT. + +PUNIANA. Best book of Riddles and Puns. + +ARTEMUS WARD'S LECTURES. Tinted Illustrations. 'Enormous +burlesque--unapproachable and preeminent.'--_Saturday Review._ + + +=Caricature History of the Georges.= 640 pages, and 400 Pictures, +Caricatures, Squibs, Broadsides, &c., 7_s._ 6_d._ + +=Signboards: their History.= With Anecdotes of famous Taverns, &c. 100 +Illustrations, 7_s._ 6_d._ + +=Puck on Pegasus.= A clever and brilliant book; illustrated by Sir NOEL +PATON, RICHARD DOYLE, MILLAIS, TENNIEL, CRUIKSHANK, and all our best +artists, 10_s._ 6_d._ + +=German Popular Stories.= The favourite book amongst Children; with 22 +Illustrations by GEORGE CRUIKSHANK, 6_s._ 6_d._ + +=Family Fairy Tales.= A book of delightful Stories; Coloured Plates by +ELLEN EDWARDS, 4_s._ 6_d._ + +=Prince Ubbely Bubble's New Story= Book. A new volume of charming Tales; +illustrated by MATT MORGAN, BARNES, and other artists, 4_s._ 6_d._ + +=Aaron Penley's Sketching in Water= Colours; with 21 beautiful +Illustrations of Water Colour Drawings. Gilt, gilt edges, 21_s._ + +=The Standard Work on Diamonds= and Precious Stones. By HARRY EMANUEL, +F.R.G.S. 6_s._ + +=The Best Hand-book of Heraldry=, Pedigrees, Liveries. By JOHN E. +CUSSANS; profusely illustrated, 7_s._ 6_d._ + +=Romance of the Rod.= A Pictorial History of Flagellation, 9_s._ 6_d._ + + +Mr. SWINBURNE'S New Book. =William Blake.= A Critical Essay; with +Coloured Paintings, 16_s._ + + + * * * * * + + +Transcriber's Notes + +In Ode III, beginning of last line on page 26, the word 'The' is mostly +illegible and has been added by comparison with another version of the +text. + +In Ode III, after the phrase 'my blissful visions fly?', the missing +punctuation mark ' has been added. + +In Ode VII, after 'rapid race', period has been replaced with comma. + +In Ode X, after the phrase 'who murder sleep!' The single quotation mark +' has been deleted. + +In Ode XXIII, after the phrase 'wish for liberty', the missing +punctuation marks ?' have been added. + +There are three words with the [oe] ligature. This is normalised to 'oe' +in the text file; in the HTML file the ligature has been retained. + +There is one word with the 'ae' ligature; this has been retained in both +versions. + + + + + +End of the Project Gutenberg EBook of The Odes of Anacreon, by Thomas Moore + +*** END OF THIS PROJECT GUTENBERG EBOOK THE ODES OF ANACREON *** + +***** This file should be named 38230-8.txt or 38230-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/8/2/3/38230/ + +Produced by Steven Giacomelli, Margo Romberg and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by Case Western Reserve University Preservation Department +Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/38230-8.zip b/38230-8.zip Binary files differnew file mode 100644 index 0000000..908e81c --- /dev/null +++ b/38230-8.zip diff --git a/38230-h.zip b/38230-h.zip Binary files differnew file mode 100644 index 0000000..95e90fd --- /dev/null +++ b/38230-h.zip diff --git a/38230-h/38230-h.htm b/38230-h/38230-h.htm new file mode 100644 index 0000000..1631d5f --- /dev/null +++ b/38230-h/38230-h.htm @@ -0,0 +1,2790 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of The Odes of Anacreon, translated by Thomas Moore. + </title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} + +.pagenum { + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + +p.cap:first-letter { + float: left; + clear: left; + width: auto; + padding: 0 24px 0 0; + line-height: 83%; + font-size: 250%; + +} + +p.cap1:first-letter { + float: left; + clear: left; + width: auto; + padding: 0 30px 0 0; + line-height: 83%; + font-size: 250%; + margin-bottom: 0em; +} + +p.cap2:first-letter { + float: left; + clear: left; + width: auto; + padding: 0 40px 0 0; + line-height: 83%; + font-size: 250%; + margin-bottom: 0em; +} + +.dropcap { + float: left; + clear: left; + width: auto; + padding-right: 4px; + font-size: 250%; + line-height: 83%; +} + +.smcap {font-variant: small-caps;} + +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + +table { + margin-top: 1em; + margin-left: 6em; + width: 85%; + empty-cells: show; +} + +.center {text-align: center;} + + +.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + +.footnote .label {position: absolute; right: 63%; text-align: right;} + +.fnanchor { + vertical-align: super; + font-size: .8em; + text-decoration: + none; +} + + +/* Poetry */ +.poem { + margin-left:30%; + margin-right:10%; + text-align: left; +} + +.poem br {display: none;} + +.poem .stanza {margin: 1em 0em 1em 0em;} + +.poem span.i3 { + display: block; + margin-left: 3em; + padding-left: 3em; + text-indent: -3em; +} + +.poem span.i2 { + display: block; + margin-left: 2em; + padding-left: 3em; + text-indent: -3em; +} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Odes of Anacreon, by Thomas Moore + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Odes of Anacreon + +Author: Thomas Moore + +Release Date: December 6, 2011 [EBook #38230] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE ODES OF ANACREON *** + + + + +Produced by Steven Giacomelli, Margo Romberg and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by Case Western Reserve University Preservation Department +Digital Library) + + + + + + +</pre> + + + + + +<h1>THE ODES OF ANACREON.</h1> + + + +<div class="poem"><div class="stanza"> +<span class="i2">'Nec, si quid olim lusit Anacreon<br /></span> +<span class="i2">Delevit ætas.' <i>Hor.</i><br /><br /></span> +</div></div> +<hr style="width: 65%;" /> +<p><br /><br /><br /></p> +<div class="figcenter" style="width: 452px;"> +<img src="images/frontis.png" width="452" height="382" alt="" title="" /> +</div> +<p><br /><br /><br /></p> +<hr style="width: 65%;" /> +<p><br /><br /><br /></p> + +<h1>THE ODES OF ANACREON.<br /><br /></h1> + +<h4>TRANSLATED BY THOMAS MOORE.<br /><br /></h4> + +<h4>WITH FIFTY-FOUR ILLUSTRATIVE DESIGNS BY</h4> +<h3>GIRODET DE ROUSSY.<br /><br /><br /></h3> + +<h5><i>NOW FIRST PRODUCED IN ENGLAND.</i><br /><br /></h5> + +<h4>LONDON:<br /> +JOHN CAMDEN HOTTEN, PICCADILLY.</h4> + +<p><br /><br /><br /></p> +<hr style="width: 65%;" /> +<p><br /><br /><br /></p> + +<h5>LONDON:<br /> +<span class="smcap">Strangeways and Walden, Printers</span>,<br /> +Castle St. Leicester Sq.</h5> + +<p><br /><br /><br /></p> +<hr style="width: 65%;" /> +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span></p> +<h3>INTRODUCTION</h3> +<h4>TO THE ENGLISH EDITION.</h4> +<hr style="width: 26%;" /> + +<p><span class="dropcap">A</span><span class="smcap">mongst</span> the innumerable translators of Anacreon, there was one—a +Frenchman by birth—who was both an illustrious painter and a +literary enthusiast. Girodet de Roussy, inspired by a genius altogether +Greek in its character, has translated Anacreon better by his pencil than +he could have been translated by words. One might fancy that his designs +had been executed under Anacreon's own eye by some Greek artist, who +had himself witnessed that soft and voluptuous existence, where song and +pleasure are one.</p> + +<p>Seldom indeed have chasteness of execution and voluptuousness of +character been so curiously and indissolubly blended. Seldom has a +modern artist so happily caught the spirit of an ancient poet. We seem to +<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span>be transported, as in a dream, to the vines, and orange-groves, and cloudless +skies of Greece, and the wearied spirit abandons itself for a while to +the soft influences of the azure heaven, the countless luxuriance of roses, +the undulating forms of the fair girls dancing in the shade, while youthful +attendants brim the beaker with wine. Under such influences we remember +that youth, and love, and mirth are immortal, and we say with +Horace,—</p> + +<div class="poem"><div class="stanza"> +<span class="i2">'Nec, si quid olim lusit Anacreon<br /></span> +<span class="i2">Delevit ætas.' <i>Hor.</i><a name="FNanchor_A_1" id="FNanchor_A_1"></a><a href="#Footnote_A_1" class="fnanchor">[A]</a><br /> +</span> +</div></div> + + +<p>In that close wrestle of the genius that imitates with the genius that +creates, Girodet alone came out from the trial successfully. He has shown +himself the rival of Anacreon in grace, in <i>abandon</i>, in <i>naïveté</i>. He has +succeeded in depicting his poet's theme with equal elegance and delicacy. +Loving with a real love those old Greek songs, he has displayed them in +living beauty before our eyes in fifty-four exquisite drawings. To attempt +such a masterpiece required a poet's as well as a painter's skill; and +Girodet was both a painter and a poet.</p> + +<div class="footnote"><a name="Footnote_A_1" id="Footnote_A_1"></a><a href="#FNanchor_A_1"><span class="label">[A]</span></a></div> +<div class="poem"><div class="stanza"><span class="i2">'Time cannot raze Anacreon's name,</span><br /> +<span class="i2">Nor prey upon his youthful strains.'<br /></span> +</div></div> +<p><span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span></p> + +<p>In examining these compositions, one cannot abstain from a certain +kind of surprise: all the odes of Anacreon revolve upon two or three +central ideas, expressed in a manner full of grace, unquestionably, but still +always the same ideas. The artist, while not deviating from the narrow +circle traced for him by the poet, shows a fecundity and variety that are +truly marvellous—that astonish and enchant us at the same time. The +nobility, elegance, and wealth of accessories that prevail throughout the +whole series might, as we have already hinted, lead us to suppose that we +owed them to one of the famous artists that Greece produced: the painter +and the poet seem to have been born under one heaven, and informed +with one soul.</p> + +<p>The manners of the time in which Anacreon lived permitted him to +say many things which, in their crudity, might offend our modern taste. +Girodet is not less voluptuous than Anacreon; but he always maintains +that grace and delicacy which add so great a charm to the voluptuous: +nowhere in his animated panorama is sight or sense shocked.</p> + +<p>These designs originally accompanied a translation of the Odes of +Anacreon, made by the painter himself and published shortly after his<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span> +death. Some small photographs of them on a greatly reduced scale +appeared in 1864, in an exquisite little edition of the original Greek, from +the press of Firmin Didot, at the almost prohibitive price of Two Pounds. +The present reproductions are on a scale more proportionate with the +originals, and constitute the first appearance of Girodet's designs in England, +where, we feel assured, they will be appreciated as they deserve by +all true lovers of classical art.</p> + +<p>The English verse-translation of Moore has been chosen to accompany +them, because, though it has often been objected to by the learned for +its imperfect scholarship, it seemed to us to be most in harmony with +the real spirit of the great French painter, and of the old Greek poet +himself.</p> + +<p> +<i>Oct. 25, 1869.</i><br /> +<br /><br /></p> +<hr style="width: 65%;" /> +<p><br /><br /></p> + + + +<p><span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span></p> + +<h2>LIST OF ILLUSTRATIONS.</h2> + +<p class="center"><i>FRONTISPIECE</i>—THE APOTHEOSIS OF ANACREON.</p> + + +<table> + +<tr><td align="left"></td><td align="left">PAGE</td></tr> +<tr><td align="left"><a href="#illo15">THE LYRE OF ANACREON</a></td><td align="left">15</td></tr> +<tr><td align="left"><a href="#illo19">NATURE'S GIFT TO WOMAN</a></td><td align="left">19</td></tr> +<tr><td align="left"><a href="#illo23">CUPID BELATED</a></td><td align="left">23</td></tr> +<tr><td align="left"><a href="#illo27">ANACREON TENDING CUPID</a></td><td align="left">27</td></tr> +<tr><td align="left"><a href="#illo31">CUPID TRIES HIS BOW</a></td><td align="left">31</td></tr> +<tr><td align="left"><a href="#illo35">LOVE AND WINE</a></td><td align="left">35</td></tr> +<tr><td align="left"><a href="#illo39">THE ROSE</a></td><td align="left">39</td></tr> +<tr><td align="left"><a href="#illo43">THE GENIUS OF FESTIVITY</a></td><td align="left">43</td></tr> +<tr><td align="left"><a href="#illo47">A RACE WITH CUPID</a></td><td align="left">47</td></tr> +<tr><td align="left"><a href="#illo51">ANACREON'S DREAM</a></td><td align="left">51</td></tr> +<tr><td align="left"><a href="#illo55">THE DOVE</a></td><td align="left">55</td></tr> +<tr><td align="left"><a href="#illo59">THE GIFT OF VENUS</a></td><td align="left">59</td></tr> +<tr><td align="left"><a href="#illo63">THE DOVE TENDED BY ANACREON</a></td><td align="left">63</td></tr> +<tr><td align="left"><a href="#illo67">THE IMAGE OF CUPID</a></td><td align="left">67</td></tr> +<tr><td align="left"><a href="#illo71">AGE AND PLEASURE</a></td><td align="left">71</td></tr> +<tr><td align="left"><a href="#illo75">THE CONFLICT WITH LOVE</a></td><td align="left">75</td></tr> +<tr><td align="left"><a href="#illo79">THE SURRENDER</a></td><td align="left">79</td></tr> +<tr><td align="left"><a href="#illo83">THE WREATH OF ROSES</a></td><td align="left">83</td></tr> +<tr><td align="left"><a href="#illo87">THE VICTORY OF THE EYE</a></td><td align="left">87</td></tr> +<tr><td align="left"><a href="#illo91">THE CUP</a></td><td align="left">91</td></tr> +<tr><td align="left"><a href="#illo95">CUPID DISARMED</a></td><td align="left">95</td></tr> +<tr><td align="left"><a href="#illo99">THE MIRROR</a></td><td align="left">99</td></tr> +<tr><td align="left"><span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></td></tr> +<tr><td align="left"><a href="#illo103">THE CHAPLET OF FLOWERS</a></td><td align="left">103</td></tr> +<tr><td align="left"><a href="#illo107">THE TRUE WEALTH</a></td><td align="left">107</td></tr> +<tr><td align="left"><a href="#illo111">THE POWER OF WINE</a></td><td align="left">111</td></tr> +<tr><td align="left"><a href="#illo115">SONG AND DANCE</a></td><td align="left">115</td></tr> +<tr><td align="left"><a href="#illo119">THE PORTRAIT</a></td><td align="left">119</td></tr> +<tr><td align="left"><a href="#illo123">BATHYLLUS</a></td><td align="left">123</td></tr> +<tr><td align="left"><a href="#illo127">THE RANSOM OF CUPID</a></td><td align="left">127</td></tr> +<tr><td align="left"><a href="#illo131">THE FAIR FUGITIVE</a></td><td align="left">131</td></tr> +<tr><td align="left"><a href="#illo135">THE LILY AND THE ROSE</a></td><td align="left">135</td></tr> +<tr><td align="left"><a href="#illo139">EUROPA AND THE BULL</a></td><td align="left">139</td></tr> +<tr><td align="left"><a href="#illo143">ANACREON DEFYING THE PHILOSOPHER</a></td><td align="left">143</td></tr> +<tr><td align="left"><a href="#illo147">THE GRACES AND SPRING</a></td><td align="left">147</td></tr> +<tr><td align="left"><a href="#illo151">THE SUMMONS TO FESTIVITY</a></td><td align="left">151</td></tr> +<tr><td align="left"><a href="#illo155">THE BOWL OF WINE</a></td><td align="left">155</td></tr> +<tr><td align="left"><a href="#illo159">VOWS TO VENUS</a></td><td align="left">159</td></tr> +<tr><td align="left"><a href="#illo163">CUPID STUNG</a></td><td align="left">163</td></tr> +<tr><td align="left"><a href="#illo167">THE DANCE OF MIRTH</a></td><td align="left">167</td></tr> +<tr><td align="left"><a href="#illo171">THE FRONTLET OF HYACINTH</a></td><td align="left">171</td></tr> +<tr><td align="left"><a href="#illo175">CAUGHT BY LOVE</a></td><td align="left">175</td></tr> +<tr><td align="left"><a href="#illo179">THE LEMNIAN CAVE</a></td><td align="left">179</td></tr> +<tr><td align="left"><a href="#illo183">THE EVERGREEN HEART</a></td><td align="left">183</td></tr> +<tr><td align="left"><a href="#illo187">THE BLUSHING YEAR</a></td><td align="left">187</td></tr> +<tr><td align="left"><a href="#illo191">THE QUEEN OF LOVE</a></td><td align="left">191</td></tr> +<tr><td align="left"><a href="#illo195">THE ROSE</a></td><td align="left">195</td></tr> +<tr><td align="left"><a href="#illo199">YOUTH AND DANCE</a></td><td align="left">199</td></tr> +<tr><td align="left"><a href="#illo203">THE LOVER'S EYES</a></td><td align="left">203</td></tr> +<tr><td align="left"><a href="#illo207">SPRING</a></td><td align="left">207</td></tr> +<tr><td align="left"><a href="#illo211">VISION OF THE TEIAN BARD</a></td><td align="left">211</td></tr> +<tr><td align="left"><a href="#illo215">THE HARP</a></td><td align="left">215</td></tr> +<tr><td align="left"><a href="#illo219">BACCHANTS</a></td><td align="left">219</td></tr> +<tr><td align="left"><a href="#illo223">CUPID IN THE GOBLET</a></td><td align="left">223</td></tr> +</table> + + +<p><br /><br /></p> +<hr style="width: 65%;" /> +<p><br /><br /></p> + + +<p class="center"><b><i>ODE I.</i></b><span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">I <span class="smcap">often</span> wish this languid lyre,<br /></span> +<span class="i3">This warbler of my soul's desire,<br /></span> +<span class="i3">Could raise the breath of song sublime,<br /></span> +<span class="i3">To men of fame in former time.<br /></span> +<span class="i3">But when the soaring theme I try,<br /></span> +<span class="i3">Along the chords my numbers die,<br /></span> +<span class="i3">And whisper, with dissolving tone,<br /></span> +<span class="i3">'Our sighs are given to love alone!'<br /></span> +<span class="i3">Indignant at the feeble lay,<br /></span> +<span class="i3">I tore the panting chords away,<br /></span> +<span class="i3">Attuned them to a nobler swell,<br /></span> +<span class="i3">And struck again the breathing shell;<br /></span></p> +</div></div> + + +<div class="figcenter" style="width: 450px;"><a name="illo15" id="illo15"></a><br /><br /> +<img src="images/illo15.png" width="450" height="377" alt="" title="" /><br /><br /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i3">In all the glow of epic fire,<br /><span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span><br /></span> +<span class="i3">To Hercules I wake the lyre!<br /></span> +<span class="i3">But still its fainting sighs repeat,<br /></span> +<span class="i3">'The tale of love alone is sweet!'<br /></span> +<span class="i3">Then fare thee well, seductive dream,<br /></span> +<span class="i3">That madest me follow Glory's theme;<br /></span> +<span class="i3">For thou my lyre, and thou my heart,<br /></span> +<span class="i3">Shall never more in spirit part;<br /></span> +<span class="i3">And thou the flame shalt feel as well<br /></span> +<span class="i3">As thou the flame shalt sweetly tell.<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + + +<p class="center"><b><i>ODE II.</i></b><span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">TO all that breathe the airs of heaven,<br /></span> +<span class="i3">Some boon of strength has Nature given.<br /></span> +<span class="i3">When the majestic bull was born,<br /></span> +<span class="i3">She fenced his brow with wreathèd horn.<br /></span> +<span class="i3">She arm'd the courser's foot of air,<br /></span> +<span class="i3">And wing'd with speed the panting hare.<br /></span> +<span class="i3">She gave the lion fangs of terror,<br /></span> +<span class="i3">And, on the ocean's crystal mirror,<br /></span> +<span class="i3">Taught the unnumber'd scaly throng<br /></span> +<span class="i3">To trace their liquid path along;<br /></span> +<span class="i3">While for the umbrage of the grove,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 448px;"><a name="illo19" id="illo19"></a><br /><br /> +<img src="images/illo19.png" width="448" height="383" alt="" title="" /><br /><br /> +</div> + + +<div class="poem"><div class="stanza"> +<span class="i3">She plumed the warbling bird of love.<span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span><br /></span> +<span class="i3">To man she gave the flame refined,<br /></span> +<span class="i3">The spark of heaven—a thinking mind!<br /></span> +<span class="i3">And had she no surpassing treasure,<br /></span> +<span class="i3">For thee, oh woman! child of pleasure?<br /></span> +<span class="i3">She gave thee beauty—shaft of eyes,<br /></span> +<span class="i3">That every shaft of war outflies!<br /></span> +<span class="i3">She gave thee beauty—blush of fire,<br /></span> +<span class="i3">That bids the flames of war retire!<br /></span> +<span class="i3">Woman! be fair, we must adore thee;<br /></span> +<span class="i3">Smile, and a world is weak before thee!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + + +<p class="center"><b><i>ODE III.</i></b><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">'TWAS noon of night, when round the pole<br /></span> +<span class="i3">The sullen Bear is seen to roll;<br /></span> +<span class="i3">And mortals, wearied with the day,<br /></span> +<span class="i3">Are slumbering all their cares away;<br /></span> +<span class="i3">An infant, at that dreary hour,<br /></span> +<span class="i3">Came weeping to my silent bower,<br /></span> +<span class="i3">And waked me with a piteous prayer,<br /></span> +<span class="i3">To save him from the midnight air!<br /></span> +<span class="i3">'And who art thou,' I waking cry,<br /></span> +<span class="i3">'That bidd'st my blissful visions fly?'<br /></span> +<span class="i3">'O gentle sire!' the infant said,<br /></span> +<span class="i3">'In pity take me to thy shed;<br /></span> +<span class="i3">Nor fear deceit: a lonely child<br /></span> +<span class="i3">I wander o'er the gloomy wild.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 450px;"><a name="illo23" id="illo23"></a><br /><br /> +<img src="images/illo23.png" width="450" height="375" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Chill drops the rain, and not a ray<br /></span> +<span class="i3">Illumes the drear and misty way!'<br /></span> +<span class="i3">I hear the baby's tale of woe;<br /></span> +<span class="i3">I hear the bitter night-winds blow;<br /></span> +<span class="i3">And sighing for his piteous fate,<br /></span> +<span class="i3">I trimm'd my lamp and oped the gate.<br /><br /></span> +</div></div> +<p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p> +<div class="poem"><div class="stanza"> +<span class="i3">'Twas Love! the little wandering sprite,<br /></span> +<span class="i3">His pinion sparkled through the night!<br /></span> +<span class="i3">I knew him by his bow and dart;<br /></span> +<span class="i3">I knew him by my fluttering heart!<br /></span> +<span class="i3">I take him in, and fondly raise<br /></span> +<span class="i3">The dying embers' cheering blaze;<br /></span> +</div></div> + +<div class="figcenter" style="width: 450px;"><a name="illo27" id="illo27"></a><br /><br /> +<img src="images/illo27.png" width="450" height="380" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Press from his dank and clinging hair<br /></span> +<span class="i3">The crystals of the freezing air,<br /></span> +<span class="i3">And in my hand and bosom hold<br /></span> +<span class="i3">His little fingers thrilling cold.<br /></span> +<span class="i3">And now the embers' genial ray<br /></span> +<span class="i3">Had warm'd his anxious fears away:<br /></span> +</div></div> +<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p> +<div class="poem"><div class="stanza"> +<span class="i3">'I pray thee,' said the wanton child,<br /></span> +<span class="i3">(My bosom trembled as he smiled,)<br /></span> +<span class="i3">'I pray thee let me try my bow,<br /></span> +<span class="i3">For through the rain I've wander'd so,<br /></span> +<span class="i3">That much I fear the ceaseless shower<br /></span> +<span class="i3">Has injured its elastic power.'<br /></span> +<span class="i3">The fatal bow the urchin drew;<br /></span> +<span class="i3">Swift from the string the arrow flew;<br /></span> +</div></div> + +<div class="figcenter" style="width: 450px;"><a name="illo31" id="illo31"></a><br /><br /> +<img src="images/illo31.png" width="450" height="381" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Oh! swift it flew as glancing flame<br /></span> +<span class="i3">And to my very soul it came!<br /></span> +<span class="i3">'Fare thee well,' I heard him say,<br /></span> +<span class="i3">As laughing wild he wing'd away:<br /></span> +<span class="i3">'Fare thee well, for now I know<br /></span> +<span class="i3">The rain has not relax'd my bow;<br /></span> +<span class="i3">It still can send a maddening dart,<br /></span> +<span class="i3">As thou shalt own with all thy heart!'<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + + +<p class="center"><b><i>ODE IV.</i></b><span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">STREW me a breathing bed of leaves,<br /></span> +<span class="i3">Where lotos with the myrtle weaves;<br /></span> +<span class="i3">And while in luxury's dream I sink,<br /></span> +<span class="i3">Let me the balm of Bacchus drink!<br /></span> +<span class="i3">In this delicious hour of joy,<br /></span> +<span class="i3">Young Love shall be my goblet-boy;<br /></span> +<span class="i3">Folding his little golden vest,<br /></span> +<span class="i3">With cinctures, round his snowy breast,<br /></span> +<span class="i3">Himself shall hover by my side,<br /></span> +<span class="i3">And minister the racy tide!<br /></span> +<span class="i3">Swift as the wheels that kindling roll,<br /></span> +<span class="i3">Our life is hurrying to the goal:<br /></span> +<span class="i3">A scanty dust, to feed the wind,<br /></span> +<span class="i3">Is all the trace 'twill leave behind.<br /></span> +<span class="i3">Why do we shed the rose's bloom<br /></span> +<span class="i3">Upon the cold insensate tomb?<br /></span> +<span class="i3">Can flowery breeze, or odour's breath,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 450px;"><a name="illo35" id="illo35"></a><br /><br /> +<img src="images/illo35.png" width="450" height="379" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Affect the slumbering chill of death?<br /></span> +<span class="i3">No, no; I ask no balm to steep<br /></span> +<span class="i3">With fragrant tears my bed of sleep:<br /></span> +<span class="i3">But now, while every pulse is glowing,<br /></span> +<span class="i3">Now let me breathe the balsam flowing;<br /></span> +<span class="i3">Now let the rose, with blush of fire,<br /></span> +<span class="i3">Upon my brow its scent expire;<br /></span> +<span class="i3">And bring the nymph with floating eye,—<br /></span> +<span class="i3">Oh! she will teach me how to die!<br /></span> +<span class="i3">Yes, Cupid! ere my soul retire,<br /></span> +<span class="i3">To join the blest elysian choir,<br /></span> +<span class="i3">With wine, and love, and blisses dear,<br /></span> +<span class="i3">I'll make my own elysium here!<br /></span> +<span class="i3"><br /></span> +</div></div> + + + +<p><br /><br /><br /></p> + + +<p class="center"><b><i>ODE V.</i></b><span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">BUDS of roses, virgin flowers,<br /></span> +<span class="i3">Cull'd from Cupid's balmy bowers,<br /></span> +<span class="i3">In the bowl of Bacchus steep,<br /></span> +<span class="i3">Till with crimson drops they weep!<br /></span> +<span class="i3">Twine the rose, the garland twine,<br /></span> +<span class="i3">Every leaf distilling wine;<br /></span> +<span class="i3">Drink and smile, and learn to think<br /></span> +<span class="i3">That we were born to smile and drink.<br /></span> +<span class="i3">Rose! thou art the sweetest flower<br /></span> +<span class="i3">That ever drank the amber shower;<br /></span> +<span class="i3">Rose! thou art the fondest child<br /></span> +<span class="i3">Of dimpled Spring, the wood-nymph wild!<br /></span> +<span class="i3">E'en the gods, who walk the sky,<br /></span> +<span class="i3">Are amorous of thy scented sigh.<br /></span> +<span class="i3">Cupid too, in Paphian shades,<br /></span> +<span class="i3">His hair with rosy fillet braids,<br /></span> +<span class="i3">When with the blushing naked Graces,<br /></span> +<span class="i3">The wanton winding dance he traces.<br /></span></p> +</div></div> + + +<div class="figcenter" style="width: 452px;"><a name="illo39" id="illo39"></a><br /><br /> +<img src="images/illo39.png" width="452" height="380" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Then bring me showers of roses, bring,<br /></span> +<span class="i3">And shed them round me while I sing:<br /></span> +<span class="i3">Great Bacchus! in thy hallow'd shade,<br /></span> +<span class="i3">With some celestial, glowing maid,<br /></span> +<span class="i3">While gales of roses round me rise,<br /></span> +<span class="i3">In perfume, sweeten'd by her sighs,<br /></span> +<span class="i3">I'll bill and twine in airy dance,<br /></span> +</div></div> + + + +<p><br /><br /><br /></p> + + +<p class="center"><b><i>ODE VI.</i></b><span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WHILE our rosy fillets shed<br /></span> +<span class="i3">Blushes o'er each fervid head,<br /></span> +<span class="i3">With many a cup and many a smile<br /></span> +<span class="i3">The festal moments we beguile.<br /></span> +<span class="i3">And while the harp, impassion'd, flings<br /></span> +<span class="i3">Tuneful rapture from the strings,<br /></span> +<span class="i3">Some airy nymph, with fluent limbs,<br /></span> +<span class="i3">Through the dance luxuriant swims,<br /></span> +<span class="i3">Waving, in her snowy hand,<br /></span> +<span class="i3">The leafy Bacchanalian wand,<br /></span> +<span class="i3">Which, as the tripping wanton flies,<br /></span> +<span class="i3">Shakes its tresses to her sighs;<br /></span> +<span class="i3">A youth the while, with loosen'd hair,<br /></span> +<span class="i3">Floating on the listless air,<br /></span> +<span class="i3">Sings to the wild harp's tender tone,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo43" id="illo43"></a><br /><br /> +<img src="images/illo43.png" width="452" height="387" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">A tale of woes, alas! his own;<br /></span> +<span class="i3">And then what nectar in his sigh,<br /></span> +<span class="i3">As o'er his lip the murmurs die!<br /></span> +<span class="i3">Surely never yet has been<br /></span> +<span class="i3">So divine, so blest a scene!<br /></span> +<span class="i3">Has Cupid left the starry sphere,<br /></span> +<span class="i3">To wave his golden tresses here?<br /></span> +<span class="i3">Oh yes! and Venus, queen of wiles,<br /></span> +<span class="i3">And Bacchus, shedding rosy smiles,<br /></span> +<span class="i3">All, all are here, to hail with me<br /></span> +<span class="i3">The genius of festivity!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + + +<p class="center"><b><i>ODE VII.</i></b><span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">ARM'D with hyacinthine rod,<br /></span> +<span class="i3">(Arms enough for such a god,)<br /></span> +<span class="i3">Cupid bade me wing my pace,<br /></span> +<span class="i3">And try with him the rapid race.<br /></span> +<span class="i3">O'er the wild torrent, rude and deep.<br /></span> +<span class="i3">By tangled brake and pendent steep,<br /></span> +<span class="i3">With weary foot I panting flew,<br /></span> +<span class="i3">My brow was chill with drops of dew.<br /></span> +<span class="i3">And now my soul, exhausted, dying,<br /></span></p> +</div></div> + + +<div class="figcenter" style="width: 452px;"><a name="illo47" id="illo47"></a><br /><br /> +<img src="images/illo47.png" width="452" height="384" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">To my lip was faintly flying;<br /></span> +<span class="i3">And now I thought the spark had fled,<br /></span> +<span class="i3">When Cupid hover'd o'er my head,<br /></span> +<span class="i3">And fanning light his breezy plume,<br /></span> +<span class="i3">Recall'd me from my languid gloom;<br /></span> +<span class="i3">Then said, in accents half-reproving,<br /></span> +<span class="i3">'Why hast thou been a foe to loving?'<br /></span> +</div></div> + + + +<p><br /><br /><br /></p> + +<p class="center"><b><i>ODE VIII.</i></b><span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">'TWAS night, and many a circling bowl<br /></span> +<span class="i3">Had deeply warmed my swimming soul;<br /></span> +<span class="i3">As lull'd in slumber I was laid,<br /></span> +<span class="i3">Bright visions o'er my fancy play'd!<br /></span> +<span class="i3">With virgins blooming as the dawn,<br /></span> +<span class="i3">I seem'd to trace the opening lawn;<br /></span> +<span class="i3">Light, on tiptoe bathed in dew,<br /></span> +<span class="i3">We flew, and sported as we flew!<br /></span> +<span class="i3">Some ruddy striplings, young and sleek,<br /></span> +<span class="i3">With blush of Bacchus on their cheek,<br /></span> +<span class="i3">Saw me trip the flowery wild<br /></span> +<span class="i3">With dimpled girls, and slily smiled;<br /></span> +<span class="i3">Smiled indeed with wanton glee,<br /></span> +<span class="i3">But, ah! 'twas plain they envied me.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo51" id="illo51"></a><br /><br /> +<img src="images/illo51.png" width="452" height="383" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">And still I flew—and now I caught<br /></span> +<span class="i3">The panting nymphs, and fondly thought<br /></span> +<span class="i3">To kiss—when all my dream of joys,<br /></span> +<span class="i3">Dimpled girls and ruddy boys,<br /></span> +<span class="i3">All were gone! 'Alas!' I said,<br /></span> +<span class="i3">Sighing for the illusions fled,<br /></span> +<span class="i3">'Sleep! again my joys restore,<br /></span> +<span class="i3">Oh! let me dream them o'er and o'er!'<br /></span> +</div></div> + + + + +<p><br /><br /><br /></p> + +<p class="center"><b><i>ODE IX.</i></b><span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">TELL me, why, my sweetest dove,<br /></span> +<span class="i3">Thus your humid pinions move,<br /></span> +<span class="i3">Shedding through the air in showers<br /></span> +<span class="i3">Essence of the balmiest flowers?<br /></span> +<span class="i3">Tell me whither, whence you rove,<br /></span> +<span class="i3">Tell me all, my sweetest dove.—<br /></span> +<span class="i3">Curious stranger! I belong<br /></span> +<span class="i3">To the bard of Teian song:<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo55" id="illo55"></a><br /><br /> +<img src="images/illo55.png" width="452" height="378" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">With his mandate now I fly<br /></span> +<span class="i3">To the nymph of azure eye;<br /></span> +<span class="i3">Ah! that eye has madden'd many,<br /></span> +<span class="i3">But the poet more than any!<br /></span> +<span class="i3">Venus, for a hymn of love,<br /></span> +<span class="i3">Warbled in her votive grove,<br /></span> +<span class="i3">('Twas in sooth a gentle lay,)<br /></span> +<span class="i3">Gave me to the bard away.<br /></span> +</div><div class="stanza"> +<p><span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span></p> +<span class="i3">See me now his faithful minion,<br /></span> +<span class="i3">Thus with softly-gliding pinion,<br /></span> +<span class="i3">To his lovely girl I bear<br /></span> +<span class="i3">Songs of passion through the air.<br /></span> +<span class="i3">Oft he blandly whispers me,<br /></span> +<span class="i3">'Soon, my bird, I'll set you free.'<br /></span> +<span class="i3">But in vain he'll bid me fly,<br /></span> +<span class="i3">I shall serve him till I die.<br /></span> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo59" id="illo59"></a><br /><br /> +<img src="images/illo59.png" width="452" height="386" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Never could my plumes sustain<br /></span> +<span class="i3">Ruffling winds and chilling rain,<br /></span> +<span class="i3">O'er the plains, or in the dell,<br /></span> +<span class="i3">On the mountain's savage swell;<br /></span> +<span class="i3">Seeking in the desert wood<br /></span> +<span class="i3">Gloomy shelter, rustic food.<br /></span> +<span class="i3">Now I lead a life of ease,</span> +<span class="i3">Far from such retreats as these;<br /></span> +<span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span> +<span class="i3">From Anacreon's hand I eat<br /></span> +<span class="i3">Food delicious, viands sweet;<br /></span> +<span class="i3">Flutter o'er his goblet's brim,<br /></span> +<span class="i3">Sip the foamy wine with him.<br /></span> +<span class="i3">Then I dance and wanton round<br /></span> +<span class="i3">To the lyre's beguiling sound;<br /></span> +<span class="i3">Or with gently-fanning wings<br /></span> +<span class="i3">Shade the minstrel while he sings:<br /></span> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo63" id="illo63"></a><br /><br /> +<img src="images/illo63.png" width="452" height="388" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">On his harp then sink in slumbers,<br /></span> +<span class="i3">Dreaming still of dulcet numbers!<br /></span> +<span class="i3">This is all—away—away—<br /></span> +<span class="i3">You have made me waste the day.<br /></span> +<span class="i3">How I've chatter'd! prating crow<br /></span> +<span class="i3">Never yet did chatter so.<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p class="center"><b><i>ODE X.</i></b><span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">'TELL me, gentle youth, I pray thee,<br /></span> +<span class="i3">What in purchase shall I pay thee<br /></span> +<span class="i3">For this little waxen toy,<br /></span> +<span class="i3">Image of the Paphian boy?'<br /></span> +<span class="i3">Thus I said the other day,<br /></span> +<span class="i3">To a youth who pass'd my way:<br /></span> +<span class="i3">'Sir,' he answer'd, and the while<br /></span> +<span class="i3">Answer'd all in Doric style,<br /></span> +<span class="i3">'Take it, for a trifle take it;<br /></span> +<span class="i3">Think not yet that I could make it;<br /></span> +<span class="i3">Pray, believe it was not I;<br /></span> +<span class="i3">No—it cost me many a sigh,<br /></span> +<span class="i3">And I can no longer keep<br /></span> +<span class="i3">Little gods, who murder sleep!<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo67" id="illo67"></a><br /><br /> +<img src="images/illo67.png" width="452" height="385" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Here, then, here,' (I said with joy)<br /></span> +<span class="i3">'Here is silver for the boy:<br /></span> +<span class="i3">He shall be my bosom guest,<br /></span> +<span class="i3">Idol of my pious breast!'<br /></span> +<span class="i3">Little Love! thou now art mine,<br /></span> +<span class="i3">Warm me with that torch of thine;<br /></span> +<span class="i3">Make me feel as I have felt,<br /></span> +<span class="i3">Or thy waxen frame shall melt.<br /></span> +<span class="i3">I must burn in warm desire,<br /></span> +<span class="i3">Or thou, my boy, in yonder fire!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span></p> +<p class="center"><b><i>ODE XI.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">THE women tell me every day,<br /></span> +<span class="i3">That all my bloom has past away.<br /></span> +<span class="i3">'Behold,' the pretty wantons cry,<br /></span> +<span class="i3">'Behold this mirror with a sigh;<br /></span> +<span class="i3">The locks upon thy brow are few,<br /></span> +<span class="i3">And like the rest, they're withering too!'<br /></span> +<span class="i3">Whether decline has thinn'd my hair,<br /></span> +<span class="i3">I'm sure I neither know nor care;<br /></span> +<span class="i3">But this I know, and this I feel,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo71" id="illo71"></a><br /><br /> +<img src="images/illo71.png" width="452" height="383" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span></p> +<div class="poem"><div class="stanza"> +<span class="i3">As onward to the tomb I steal,<br /></span> +<span class="i3">That still as death approaches nearer,<br /></span> +<span class="i3">The joys of life are sweeter, dearer;<br /></span> +<span class="i3">And had I but an hour to live,<br /></span> +<span class="i3">That little hour to bliss I'd give!<br /></span> +</div></div> + + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_74" id="Page_74">[Pg 74]</a></span></p> +<p class="center"><b><i>ODE XII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">I WILL; I will; the conflict's past,<br /></span> +<span class="i3">And I'll consent to love at last.<br /></span> +<span class="i3">Cupid has long, with smiling art,<br /></span> +<span class="i3">Invited me to yield my heart;<br /></span> +<span class="i3">And I have thought that peace of mind<br /></span> +<span class="i3">Should not be for a smile resign'd;<br /></span> +<span class="i3">And I've repell'd the tender lure,<br /></span> +<span class="i3">And hoped my heart should sleep secure.<br /></span> +<span class="i3">But, slighted in his boasted charms,<br /></span> +<span class="i3">The angry infant flew to arms;<br /></span> +<span class="i3">He slung his quiver's golden frame,<br /></span> +<span class="i3">He took his bow, his shafts of flame,<br /></span> +<span class="i3">And proudly summon'd me to yield,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo75" id="illo75"></a><br /><br /> +<img src="images/illo75.png" width="452" height="377" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Or meet him on the martial field.<br /></span> +<span class="i3">And what did I unthinking do?<br /></span> +<span class="i3">I took to arms, undaunted too;<br /></span> +<span class="i3">Assumed the corslet, shield, and spear,<br /></span> +<span class="i3">And, like Pelides, smiled at fear.<br /></span> +<span class="i3">Then (hear it, all you powers above!)<br /></span> +<span class="i3">I fought with Love! I fought with Love!<br /></span> +<span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span> +<span class="i3">And now his arrows all were shed<br /></span> +<span class="i3">And I had just in terrors fled—<br /></span> +<span class="i3">When heaving an indignant sigh<br /></span> +<span class="i3">To see me thus unwounded fly,<br /></span> +<span class="i3">And having now no other dart,<br /></span> +<span class="i3">He glanced himself into my heart!<br /></span> +<span class="i3">My heart—alas the luckless day!<br /></span> +<span class="i3">Received the god, and died away.<br /></span> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo79" id="illo79"></a><br /><br /> +<img src="images/illo79.png" width="452" height="379" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_81" id="Page_81">[Pg 81]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Farewell, farewell, my faithless shield!<br /></span> +<span class="i3">Thy lord at length is forced to yield.<br /></span> +<span class="i3">Vain, vain, is every outward care,<br /></span> +<span class="i3">My foe's within, and triumphs there.<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_82" id="Page_82">[Pg 82]</a></span></p> +<p class="center"><b><i>ODE XIII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">I CARE not for the idle state<br /></span> +<span class="i3">Of Persia's king, the rich, the great!<br /></span> +<span class="i3">I envy not the monarch's throne,<br /></span> +<span class="i3">Nor wish the treasured gold my own.<br /></span> +<span class="i3">But oh! be mine the rosy braid,<br /></span> +<span class="i3">The fervour of my brows to shade;<br /></span> +<span class="i3">Be mine the odours, richly sighing,<br /></span> +<span class="i3">Amidst my hoary tresses flying.<br /></span> +<span class="i3">To-day, I'll haste to quaff my wine,<br /></span> +<span class="i3">As if to-morrow ne'er should shine;<br /></span> +<span class="i3">But if to-morrow comes, why then—<br /></span> +<span class="i3">I'll haste to quaff my wine again.<br /></span> +<span class="i3">And thus while all our days are bright,<br /></span> +<span class="i3">Nor time has dimm'd their bloomy light,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo83" id="illo83"></a><br /><br /> +<img src="images/illo83.png" width="452" height="380" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_85" id="Page_85">[Pg 85]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Let us the festal hours beguile<br /></span> +<span class="i3">With mantling cup and cordial smile;<br /></span> +<span class="i3">And shed from every bowl of wine<br /></span> +<span class="i3">The richest drop on Bacchus' shrine!<br /></span> +<span class="i3">For Death may come, with brow unpleasant,<br /></span> +<span class="i3">May come, when least we wish him present,<br /></span> +<span class="i3">And beckon to the sable shore,<br /></span> +<span class="i3">And grimly bid us drink no more!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_86" id="Page_86">[Pg 86]</a></span></p> +<p class="center"><b><i>ODE XIV.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">THY harp may sing of Troy's alarms,<br /></span> +<span class="i3">Or tell the tale of Theban arms;<br /></span> +<span class="i3">With other wars my song shall burn,<br /></span> +<span class="i3">For other wounds my harp shall mourn.<br /></span> +<span class="i3">'Twas not the crested warrior's dart,<br /></span> +<span class="i3">Which drank the current of my heart;<br /></span> +<span class="i3">Nor naval arms, nor mailed steed,<br /></span> +<span class="i3">Have made this vanquish'd bosom bleed;<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo87" id="illo87"></a><br /><br /> +<img src="images/illo87.png" width="452" height="376" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_89" id="Page_89">[Pg 89]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">No—from an eye of liquid blue,<br /></span> +<span class="i3">A host of quiver'd cupids flew;<br /></span> +<span class="i3">And now my heart all bleeding lies<br /></span> +<span class="i3">Beneath this army of the eyes!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_90" id="Page_90">[Pg 90]</a></span></p> +<p class="center"><b><i>ODE XV</i>.</b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">GRAVE me a cup with brilliant grace,<br /></span> +<span class="i3">Deep as the rich and holy vase,<br /></span> +<span class="i3">Which on the shrine of Spring reposes,<br /></span> +<span class="i3">When shepherds hail that hour of roses.<br /></span> +<span class="i3">Grave it with themes of chaste design,<br /></span> +<span class="i3">Form'd for a heavenly bowl like mine.<br /></span> +<span class="i3">Display not there the barbarous rites,<br /></span> +<span class="i3">In which religious zeal delights;<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo91" id="illo91"></a><br /><br /> +<img src="images/illo91.png" width="452" height="378" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_93" id="Page_93">[Pg 93]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Nor any tale of tragic fate,<br /></span> +<span class="i3">Which history trembles to relate!<br /></span> +<span class="i3">No—cull thy fancies from above,<br /></span> +<span class="i3">Themes of heaven and themes of love.<br /></span> +<span class="i3">Let Bacchus, Jove's ambrosial boy,<br /></span> +<span class="i3">Distil the grape in drops of joy,<br /></span> +<span class="pagenum"><a name="Page_94" id="Page_94">[Pg 94]</a></span> +<span class="i3">And while he smiles at every tear,<br /></span> +<span class="i3">Let warm-eyed Venus dancing near,<br /></span> +<span class="i3">With spirits of the genial bed,<br /></span> +<span class="i3">The dewy herbage deftly tread.<br /></span> +<span class="i3">Let Love be there, without his arms,<br /></span> +<span class="i3">In timid nakedness of charms;<br /></span> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo95" id="illo95"></a><br /><br /> +<img src="images/illo95.png" width="452" height="378" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">And all the Graces link'd with Love,<br /></span> +<span class="i3">Blushing through the shadowy grove;<br /></span> +<span class="i3">While rosy boys disporting round,<br /></span> +<span class="i3">In circlets trip the velvet ground;<br /></span> +<span class="i3">But ah! if there Apollo toys,<br /></span> +<span class="i3">I tremble for my rosy boys!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_98" id="Page_98">[Pg 98]</a></span></p> +<p class="center"><b><i>ODE XVI.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">THE Phrygian rock that braves the storm,<br /></span> +<span class="i3">Was once a weeping matron's form;<br /></span> +<span class="i3">And Progne, hapless, frantic maid,<br /></span> +<span class="i3">Is now a swallow in the shade.<br /></span> +<span class="i3">Oh! that a mirror's form were mine,<br /></span> +<span class="i3">To sparkle with that smile divine;<br /></span> +<span class="i3">And like my heart I then should be,<br /></span> +<span class="i3">Reflecting thee, and only thee!<br /></span> +<span class="i3">Or were I, love, the robe which flows<br /></span> +<span class="i3">O'er every charm that secret glows,<br /></span> +<span class="i3">In many a lucid fold to swim,<br /></span> +<span class="i3">And cling and grow to every limb!<br /></span> +<span class="i3">Oh! could I, as the streamlet's wave,<br /></span> +<span class="i3">Thy warmly-mellowing beauties lave,<br /></span> +<span class="i3">Or float as perfume on thine hair,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo99" id="illo99"></a><br /><br /> +<img src="images/illo99.png" width="452" height="382" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_101" id="Page_101">[Pg 101]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">And breathe my soul in fragrance there!<br /></span> +<span class="i3">I wish I were the zone, that lies<br /></span> +<span class="i3">Warm to thy breast, and feels its sighs!<br /></span> +<span class="i3">Or like those envious pearls that show<br /></span> +<span class="i3">So faintly round that neck of snow,<br /></span> +<span class="i3">Yes, I would be a happy gem,<br /></span> +<span class="i3">Like them to hang, to fade like them.<br /></span> +<span class="i3">What more would thy Anacreon be?<br /></span> +<span class="i3">Oh! anything that touches thee.<br /></span> +<span class="i3">Nay, sandals for those airy feet—<br /></span> +<span class="i3">Thus to be press'd by thee were sweet!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_102" id="Page_102">[Pg 102]</a></span></p> +<p class="center"><b><i>ODE XVII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">NOW the star of day is high,<br /></span> +<span class="i3">Fly, my girls, in pity fly,<br /></span> +<span class="i3">Bring me wine in brimming urns,<br /></span> +<span class="i3">Cool my lip, it burns, it burns!<br /></span> +<span class="i3">Sunn'd by the meridian fire,<br /></span> +<span class="i3">Panting, languid I expire!<br /></span> +<span class="i3">Give me all those humid flowers,<br /></span> +<span class="i3">Drop them o'er my brow in showers.<br /></span> +<span class="i3">Scarce a breathing chaplet now<br /></span> +<span class="i3">Lives upon my feverish brow;<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo103" id="illo103"></a><br /><br /> +<img src="images/illo103.png" width="452" height="385" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Every dewy rose I wear<br /></span> +<span class="i3">Sheds its tears and withers there.<br /></span> +<span class="i3">But for you, my burning mind!<br /></span> +<span class="i3">Oh! what shelter shall I find?<br /></span> +<span class="i3">Can the bowl, or floweret's dew,<br /></span> +<span class="i3">Cool the flame that scorches you?<br /></span> +<span class="i3"><br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span></p> +<p class="center"><b><i>ODE XVIII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">IF hoarded gold possess'd a power<br /></span> +<span class="i3">To lengthen life's too fleeting hour,<br /></span> +<span class="i3">And purchase from the land of death<br /></span> +<span class="i3">A little span, a moment's breath,<br /></span> +<span class="i3">How I would love the precious ore!<br /></span> +<span class="i3">And every day should swell my store;<br /></span> +<span class="i3">That when the Fates would send their minion,<br /></span> +<span class="i3">To waft me off on shadowy pinion,<br /></span> +<span class="i3">I might some hours of life obtain,<br /></span> +<span class="i3">And bribe him back to hell again.<br /></span> +<span class="i3">But, since we ne'er can charm away<br /></span> +<span class="i3">The mandate of that awful day,<br /></span> +<span class="i3">Why do we vainly weep at fate,<br /></span> +<span class="i3">And sigh for life's uncertain date?<br /></span> +<span class="i3">The light of gold can ne'er illume<br /></span> +<span class="i3">The dreary midnight of the tomb!<br /></span> +<span class="i3">And why should I then pant for treasures?<br /></span></p> +</div><div class="stanza"> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo107" id="illo107"></a><br /><br /> +<img src="images/illo107.png" width="452" height="376" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_109" id="Page_109">[Pg 109]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Mine be the brilliant round of pleasures;<br /></span> +<span class="i3">The goblet rich, the board of friends,<br /></span> +<span class="i3">Whose flowing souls the goblet blends:<br /></span> +<span class="i3">Mine be the nymph, whose form reposes<br /></span> +<span class="i3">Seductive on that bed of roses;<br /></span> +<span class="i3">And oh! be mine the soul's excess,<br /></span> +<span class="i3">Expiring in her warm caress!<br /></span> +</div></div> + + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_110" id="Page_110">[Pg 110]</a></span></p> +<p class="center"><b><i>ODE XIX.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WHEN my thirsty soul I steep,<br /></span> +<span class="i3">Every sorrow's lull'd to sleep.<br /></span> +<span class="i3">Talk of monarchs! I am then<br /></span> +<span class="i3">Richest, happiest, first of men;<br /></span> +<span class="i3">Careless, o'er my cup I sing,<br /></span> +<span class="i3">Fancy makes me more than king;<br /></span> +<span class="i3">Gives me wealthy Crœsus' store,<br /></span> +<span class="i3">Can I, can I wish for more?<br /></span> +<span class="i3">On my velvet couch reclining,<br /></span> +<span class="i3">Ivy leaves my brow entwining,<br /></span> +<span class="i3">While my soul dilates with glee,<br /></span> +<span class="i3">What are kings and crowns to me?<br /></span></p> +</div></div> +<div class="figcenter" style="width: 452px;"> +<a name="illo111" id="illo111"></a><br /><br /> +<img src="images/illo111.png" width="452" height="379" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_113" id="Page_113">[Pg 113]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">If before my feet they lay,<br /></span> +<span class="i3">I would spurn them all away!<br /></span> +<span class="i3">Arm you, arm you, men of might,<br /></span> +<span class="i3">Hasten to the sanguine fight;<br /></span> +<span class="i3">Let me, oh my budding vine,<br /></span> +<span class="i3">Spill no other blood than thine.<br /></span> +<span class="i3">Yonder brimming goblet see,<br /></span> +<span class="i3">That alone shall vanquish me.<br /></span> +<span class="i3">Oh! I think it sweeter far<br /></span> +<span class="i3">To fall in banquet than in war!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_114" id="Page_114">[Pg 114]</a></span></p> +<p class="center"><b><i>ODE XX.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WHEN Bacchus, Jove's immortal boy,<br /></span> +<span class="i3">The rosy harbinger of joy,<br /></span> +<span class="i3">Who, with the sunshine of the bowl,<br /></span> +<span class="i3">Thaws the winter of our soul;<br /></span> +<span class="i3">When to the inmost core he glides,<br /></span> +<span class="i3">And bathes it with his ruby tides,<br /></span> +<span class="i3">A flow of joy, a lively heat,<br /></span> +<span class="i3">Fires my brain, and wings my feet;<br /></span> +<span class="i3">'Tis surely something sweet, I think,<br /></span> +<span class="i3">Nay, something heavenly sweet, to drink!<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo115" id="illo115"></a><br /><br /> +<img src="images/illo115.png" width="452" height="381" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_117" id="Page_117">[Pg 117]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Sing, sing of love, let music's breath<br /></span> +<span class="i3">Softly beguile our rapturous death,<br /></span> +<span class="i3">While, my young Venus, thou and I<br /></span> +<span class="i3">To the voluptuous cadence die!<br /></span> +<span class="i3">Then waking from our languid trance,<br /></span> +<span class="i3">Again we'll sport, again we'll dance.<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_118" id="Page_118">[Pg 118]</a></span></p> +<p class="center"><b><i>ODE XXI.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">THOU, whose soft and rosy hues,<br /></span> +<span class="i3">Mimic form and soul infuse;<br /></span> +<span class="i3">Best of painters! come portray<br /></span> +<span class="i3">The lovely maid that's far away.<br /></span> +<span class="i3">Far away, my soul! thou art,<br /></span> +<span class="i3">But I've thy beauties all by heart.<br /></span> +<span class="i3">Paint her jetty ringlets straying,<br /></span> +<span class="i3">Silky twine in tendrils playing;<br /></span> +<span class="i3">And, if painting hath the skill<br /></span> +<span class="i3">To make the spicy balm distil,<br /></span> +<span class="i3">Let every little lock exhale<br /></span> +<span class="i3">A sigh of perfume on the gale.<br /></span> +<span class="i3">Where her tresses' curly flow<br /></span> +<span class="i3">Darkles o'er the brow of snow,<br /></span> +<span class="i3">Let her forehead beam to light,<br /></span> +<span class="i3">Burnish'd as the ivory bright.<br /></span> +<span class="i3">Let her eyebrows sweetly rise<br /></span> +<span class="i3">In jetty arches o'er her eyes,<br /></span> +<span class="i3">Gently in her crescent gliding,<br /></span> +<span class="i3">Just commingling, just dividing.<br /></span> +<span class="i3">But hast thou any sparkles warm,<br /></span> +<span class="i3">The lightning of her eyes to form?<br /></span> +<span class="i3"><br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo119" id="illo119"></a><br /><br /> +<img src="images/illo119.png" width="452" height="377" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_121" id="Page_121">[Pg 121]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Let them effuse the azure ray<br /></span> +<span class="i3">With which Minerva's glances play,<br /></span> +<span class="i3">And give them all that liquid fire<br /></span> +<span class="i3">That Venus' languid eyes respire.<br /></span> +<span class="i3">O'er her nose and cheek be shed<br /></span> +<span class="i3">Flushing white and mellow'd red;<br /></span> +<span class="i3">Gradual tints, as when there glows<br /></span> +<span class="i3">In snowy milk the bashful rose.<br /></span> +<span class="i3">Then her lip, so rich in blisses!<br /></span> +<span class="i3">Sweet petitioner for kisses!<br /></span> +<span class="i3">Pouting nest of bland persuasion,<br /></span> +<span class="i3">Ripely suing Love's invasion.<br /></span> +<span class="i3">Then beneath the velvet chin,<br /></span> +<span class="i3">Whose dimple shades a love within,<br /></span> +<span class="i3">Mould her neck with grace descending.<br /></span> +<span class="i3">In a heaven of beauty ending;<br /></span> +<span class="i3">While airy charms, above, below,<br /></span> +<span class="i3">Sport and flutter on its snow.<br /></span> +<span class="i3">Now let a floating, lucid veil,<br /></span> +<span class="i3">Shadow her limbs, but not, conceal;<br /></span> +<span class="i3">A charm may peep, a hue may beam,<br /></span> +<span class="i3">And leave the rest to Fancy's dream.<br /></span> +<span class="i3">Enough—'tis she! 'tis all I seek;<br /></span> +<span class="i3">It glows, it lives, it soon will speak.<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_122" id="Page_122">[Pg 122]</a></span></p> +<p class="center"><b><i>ODE XXII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">AND now with all thy pencil's truth,<br /></span> +<span class="i3">Portray Bathyllus, lovely youth!<br /></span> +<span class="i3">Let his hair in lapses bright,<br /></span> +<span class="i3">Fall like streaming rays of light,<br /></span> +<span class="i3">And there the raven's dye confuse<br /></span> +<span class="i3">With the yellow sunbeam's hues.<br /></span> +<span class="i3">Let not the braid, with artful twine,<br /></span> +<span class="i3">The flowing of his locks confine;<br /></span> +<span class="i3">But loosen every golden ring,<br /></span> +<span class="i3">To float upon the breeze's wing,<br /></span> +<span class="i3">Beneath the front of polished glow.<br /></span> +<span class="i3">Front as fair as mountain-snow,<br /></span> +<span class="i3">And guileless as the dews of dawn,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo123" id="illo123"></a><br /><br /> +<img src="images/illo123.png" width="452" height="375" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Let the majestic brows be drawn,<br /></span> +<span class="i3">Of ebon dies, enriched by gold,<br /></span> +<span class="i3">Such as the scaly snakes unfold.<br /></span> +<span class="i3">Mingle in his jetty glances,<br /></span> +<span class="i3">Power that awes, and love that trances;<br /></span> +<span class="i3">Steal from Venus bland desire,<br /></span> +<span class="i3">Steal from Mars the look of fire,<br /></span> +<span class="i3">Blend them in such expression here,<br /></span> +<span class="i3">That we by turns may hope and fear!<br /></span> +<span class="i3">Now from the sunny apple seek<br /></span> +<span class="i3">The velvet down that spreads his cheek;<br /></span> +<span class="i3">And there let Beauty's rosy ray<br /></span> +<span class="i3">In flying blushes richly play;<br /></span> +<span class="i3">Blushes, of that celestial flame<br /></span> +<span class="i3">Which lights the cheek of virgin shame.<br /></span> +<span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span> +<span class="i3">Then for his lips, that ripely gem—<br /></span> +<span class="i3">But let thy mind imagine them!<br /></span> +<span class="i3">Paint, where the ruby cell uncloses,<br /></span> +<span class="i3">Persuasion sleeping upon roses;<br /></span> +<span class="i3">And give his lip that speaking air,<br /></span> +<span class="i3">As if a word was hovering there!<br /></span> +<span class="i3">His neck of ivory splendour trace,<br /></span> +<span class="i3">Moulded with soft but manly grace;<br /></span> +<span class="i3">Fair as the neck of Paphia's boy,<br /></span> +<span class="i3">Where Paphia's arms have hung in joy.<br /></span> +<span class="i3">Give him the winged Hermes' hand.<br /></span> +<span class="i3">With which he waves his snaky wand:<br /></span> +<span class="i3">Let Bacchus then the breast supply,<br /></span> +<span class="i3">And Leda's son the sinewy thigh.<br /></span> +<span class="i3">But oh! suffuse his limbs of fire<br /></span> +<span class="i3">With all that glow of young desire,<br /></span> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo127" id="illo127"></a><br /><br /> +<img src="images/illo127.png" width="452" height="384" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Which kindles, when the wishful sigh<br /></span> +<span class="i3">Steals from the heart, unconscious why.<br /></span> +<span class="i3">Thy pencil, though divinely bright,<br /></span> +<span class="i3">Is envious of the eye's delight,<br /></span> +<span class="i3">Or its enamoured touch would shew<br /></span> +<span class="i3">His shoulder, fair as sunless snow,<br /></span> +<span class="i3">Which now in veiling shadow lies,<br /></span> +<span class="i3">Removed from all but Fancy's eyes,<br /></span> +<span class="i3">Now, for his feet—but hold—forbear—<br /></span> +<span class="i3">I see a godlike portrait there;<br /></span> +<span class="i3">So like Bathyllus! sure there's none<br /></span> +<span class="i3">So like Bathyllus but the Sun!<br /></span> +<span class="i3">Oh! let this pictured god be mine,<br /></span> +<span class="i3">And keep the boy for Samos' shrine;<br /></span> +<span class="i3">Phœbus shall then Bathyllus be,<br /></span> +<span class="i3">Bathyllus then the deity!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span></p> +<p class="center"><b><i>ODE XXIII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">ONE day, the Muses twined the hands<br /></span> +<span class="i3">Of baby Love, with flowery bands;<br /></span> +<span class="i3">And to celestial Beauty gave<br /></span> +<span class="i3">The captive infant as her slave.<br /></span> +<span class="i3">His mother comes with many a toy,<br /></span> +<span class="i3">To ransom her beloved boy;<br /></span> +<span class="i3">His mother sues, but all in vain!<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo131" id="illo131"></a><br /><br /> +<img src="images/illo131.png" width="452" height="380" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">He ne'er will leave his chains again.<br /></span> +<span class="i3">Nay, should they take his chains away,<br /></span> +<span class="i3">The little captive still would stay.<br /></span> +<span class="i3">'If this,' he cries, 'a bondage be,<br /></span> +<span class="i3">Who could wish for liberty?'<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span></p> +<p class="center"><b><i>ODE XXIV.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">FLY not thus my brow of snow,<br /></span> +<span class="i3">Lovely wanton! fly not so.<br /></span> +<span class="i3">Though the wane of age is mine,<br /></span> +<span class="i3">Though the brilliant flush is thine,<br /></span> +<span class="i3">Still I'm doom'd to sigh for thee,<br /></span> +<span class="i3">Blest, if thou couldst sigh for me!<br /></span> +<span class="i3">See, in yonder flowery braid,<br /></span> +<span class="i3">Cull'd for thee, my blushing maid,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo135" id="illo135"></a><br /><br /> +<img src="images/illo135.png" width="452" height="381" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">How the rose, of orient glow,<br /></span> +<span class="i3">Mingles with the lily's snow;<br /></span> +<span class="i3">Mark, how sweet their tints agree,<br /></span> +<span class="i3">Just, my girl, like thee and me!<br /></span> +</div></div> + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span></p> + +<p class="center"><b><i>ODE XXV.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">METHINKS, the pictur'd bull we see<br /></span> +<span class="i3">Is amorous Jove—it must be he!<br /></span> +<span class="i3">How fondly blest he seems to bear<br /></span> +<span class="i3">That fairest of Phœnician fair!<br /></span> +<span class="i3">How proud he breasts the foamy tide<br /></span> +<span class="i3">And spurns the billowy surge aside!<br /></span> +<span class="i3">Could any beast of vulgar vein,<br /></span> +<span class="i3">Undaunted thus defy the main?<br /></span> +<span class="i3">No: he descends from climes above,<br /></span> +<span class="i3">He looks the God, he breathes of Jove!<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo139" id="illo139"></a><br /><br /> +<img src="images/illo139.png" width="452" height="377" alt="" title="" /><br /><br /> +</div> + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span></p> +<p class="center"><b><i>ODE XXVI.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">AWAY, away, you men of rules,<br /></span> +<span class="i3">What have I to do with schools?<br /></span> +<span class="i3">They'd make me learn, they'd make me think,<br /></span> +<span class="i3">But would they make me love and drink?<br /></span> +<span class="i3">Teach me this; and let me swim<br /></span> +<span class="i3">My soul upon the goblet's brim;<br /></span> +<span class="i3">Teach me this, and let me twine<br /></span> +<span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span> +<span class="i3">My arms around the nymph divine!<br /></span> +<span class="i3">Age begins to blanch my brow,<br /></span> +<span class="i3">I've time for nought but pleasure now.<br /></span> +<span class="i3">Fly, and cool my goblet's glow<br /></span> +<span class="i3">At yonder fountain's gelid flow;<br /></span> +<span class="i3">I'll quaff, my boy, and calmly sink<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo143" id="illo143"></a><br /><br /> +<img src="images/illo143.png" width="452" height="362" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_145" id="Page_145">[Pg 145]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">This soul to slumber as I drink!<br /></span> +<span class="i3">Soon, too soon, my jocund slave,<br /></span> +<span class="i3">You'll deck your master's grassy grave;<br /></span> +<span class="i3">And there's an end—for ah! you know<br /></span> +<span class="i3">They drink but little wine below!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_146" id="Page_146">[Pg 146]</a></span></p> +<p class="center"><b><i>ODE XXVII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">SEE the young, the rosy Spring,<br /></span> +<span class="i3">Gives to the breeze her spangled wing;<br /></span> +<span class="i3">While virgin Graces, warm with May,<br /></span> +<span class="i3">Fling roses o'er her dewy way!<br /></span> +<span class="i3">The murmuring billows of the deep<br /></span> +<span class="i3">Have languished into silent sleep;<br /></span> +<span class="i3">And mark! the flitting sea-birds lave<br /></span> +<span class="i3">Their plumes in the reflecting wave;<br /></span> +<span class="i3">While cranes from hoary winter fly<br /></span> +<span class="i3">To flutter in a kinder sky.<br /></span> +<span class="i3">Now the genial star of day<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo147" id="illo147"></a><br /><br /> +<img src="images/illo147.png" width="452" height="381" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_149" id="Page_149">[Pg 149]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Dissolves the murky clouds away;<br /></span> +<span class="i3">And cultur'd field, and winding stream,<br /></span> +<span class="i3">Are sweetly tissued by his beam.<br /></span> +<span class="i3">Now the earth prolific swells<br /></span> +<span class="i3">With leafy buds and flowery bells;<br /></span> +<span class="i3">Gemming shoots the olive twine,<br /></span> +<span class="i3">Clusters ripe festoon the vine;<br /></span> +<span class="i3">All along the branches creeping,<br /></span> +<span class="i3">Through the velvet foliage peeping,<br /></span> +<span class="i3">Little infant fruits we see<br /></span> +<span class="i3">Nursing into luxury!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_150" id="Page_150">[Pg 150]</a></span></p> +<p class="center"><b><i>ODE XXVIII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">'TIS true, my fading years decline,<br /></span> +<span class="i3">Yet I can quaff the brimming wine,<br /></span> +<span class="i3">As deep as any stripling fair,<br /></span> +<span class="i3">Whose cheeks the flush of morning wear;<br /></span> +<span class="i3">And if, amidst the wanton crew,<br /></span> +<span class="i3">I'm call'd to wind the dance's clue,<br /></span> +<span class="i3">Thou shall behold this vigorous hand,<br /></span> +<span class="i3">Not faltering on the Bacchant's wand,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo151" id="illo151"></a><br /><br /> +<img src="images/illo151.png" width="452" height="382" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_153" id="Page_153">[Pg 153]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">But brandishing a rosy flask,<br /></span> +<span class="i3">The only Thyrsus e'er I'll ask!<br /></span> +<span class="i3">Let those who pant for Glory's charms,<br /></span> +<span class="i3">Embrace her in the held of arms;<br /></span> +<span class="i3">While my inglorious placid soul<br /></span> +<span class="i3">Breathes not a wish beyond the bowl.<br /></span> +<span class="pagenum"><a name="Page_154" id="Page_154">[Pg 154]</a></span> +<span class="i3">Then fill it high, my ruddy slave,<br /></span> +<span class="i3">And bathe me in its honied wave!<br /></span> +<span class="i3">For though my fading years decay,<br /></span> +<span class="i3">And though my bloom has passed away,<br /></span> +<span class="i3">Like old Silenus, sire divine,<br /></span> +<span class="i3">With blushes borrowed from my wine,<br /></span> +<span class="i3">I'll wanton 'mid the dancing train,<br /></span> +<span class="i3">And live my follies all again!<br /></span> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo155" id="illo155"></a><br /><br /> +<img src="images/illo155.png" width="452" height="377" alt="" title="" /><br /><br /> +</div> + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_157" id="Page_157">[Pg 157]</a></span></p> +<p class="center"><b><i>ODE XXIX.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WHEN I drink, I feel, I feel,<br /></span> +<span class="i3">Visions of poetic zeal!<br /></span> +<span class="i3">Warm with the goblet's fresh'ning dews,<br /></span> +<span class="i3">My heart invokes the heavenly Muse.<br /></span> +<span class="i3">When I drink my sorrow's o'er;<br /></span> +<span class="i3">I think of doubts and fears no more;<br /></span> +<span class="i3">But scatter to the railing wind<br /></span> +<span class="i3">Each gloomy phantom of the mind!<br /></span> +<span class="i3">When I drink, the jesting boy<br /></span> +<span class="i3">Bacchus himself partakes my joy;<br /></span> +<span class="i3">And while we dance through breathing bowers,<br /></span> +<span class="i3">Whose every gale is rich with flowers,<br /></span> +<span class="i3">In bowls he makes my senses swim,<br /></span> +<span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span> +<span class="i3">Till the gale breathes of nought but him!<br /></span> +<span class="i3">When I drink, I deftly twine<br /></span> +<span class="i3">Flowers, begemm'd with tears of wine;<br /></span> +<span class="i3">And, while with festive hand I spread<br /></span> +<span class="i3">The smiling garland round my head,<br /></span> +<span class="i3">Something whispers in my breast,<br /></span> +<span class="i3">How sweet it is to live at rest!<br /></span> +<span class="i3">When I drink, and perfume stills<br /></span> +<span class="i3">Around me all in balmy rills,<br /></span> +<span class="i3">Then as some beauty, smiling roses,<br /></span> +<span class="i3">In languor on my breast reposes,<br /></span> +<span class="i3">Venus! I breathe my vows to thee,<br /></span> +<span class="i3">In many a sigh of luxury!<br /></span> +<span class="i3">When I drink, my heart refines,<br /></span> +<span class="i3">And rises as the cup declines;<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo159" id="illo159"></a><br /><br /> +<img src="images/illo159.png" width="452" height="382" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_161" id="Page_161">[Pg 161]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Rises in the genial flow,<br /></span> +<span class="i3">That none but social spirits know,<br /></span> +<span class="i3">When youthful revellers round the bowl,<br /></span> +<span class="i3">Dilating, mingle soul with soul!<br /></span> +<span class="i3">When I drink, the bliss is mine;<br /></span> +<span class="i3">There's bliss in every drop of wine!<br /></span> +<span class="i3">All other joys that I have known,<br /></span> +<span class="i3">I've scarcely dared to call my own;<br /></span> +<span class="i3">But this the Fates can ne'er destroy,<br /></span> +<span class="i3">Till death o'ershadows all my joy!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_162" id="Page_162">[Pg 162]</a></span></p> +<p class="center"><b><i>ODE XXX.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">CUPID once upon a bed<br /></span> +<span class="i3">Of roses laid his weary head;<br /></span> +<span class="i3">Luckless urchin, not to see<br /></span> +<span class="i3">Within the leaves a slumbering bee!<br /></span> +<span class="i3">The bee awaked—with anger wild<br /></span> +<span class="i3">The bee awaked, and stung the child.<br /></span> +<span class="i3">Loud and piteous are his cries;<br /></span> +<span class="i3">To Venus quick he runs, he flies!<br /></span> +<span class="i3">'Oh, mother!—I am wounded through—<br /></span> +<span class="i3">I die with pain—in sooth I do!<br /></span> +<span class="i3">Stung by some little angry thing,<br /></span> +<span class="i3">Some serpent on a tiny wing—<br /></span> +<span class="i3">A bee it was—for once, I know<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo163" id="illo163"></a><br /><br /> +<img src="images/illo163.png" width="452" height="370" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_165" id="Page_165">[Pg 165]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">I heard a rustic call it so.'<br /></span> +<span class="i3">Thus he spoke, and she the while<br /></span> +<span class="i3">Heard him with a soothing smile;<br /></span> +<span class="i3">Then said, 'My infant, if so much<br /></span> +<span class="i3">Thou feel the little wild-bee's touch,<br /></span> +<span class="i3">How must the heart, ah, Cupid! be,<br /></span> +<span class="i3">The hapless heart that's stung by thee?'<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_166" id="Page_166">[Pg 166]</a></span></p> +<p class="center"><b><i>ODE XXXI.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">LET us drain the nectar'd bowl,<br /></span> +<span class="i3">Let us raise the song of soul<br /></span> +<span class="i3">To him, the God who loves so well<br /></span> +<span class="i3">The nectar'd bowl, the choral swell!<br /></span> +<span class="i3">Him, who instructs the sons of earth<br /></span> +<span class="i3">To thrid the tangled dance of mirth;<br /></span> +<span class="i3">Him, who was nursed with infant Love,<br /></span> +<span class="i3">And cradled in the Paphian grove;<br /></span> +<span class="i3">Him, that the snowy Queen of Charms<br /></span> +<span class="i3">Has fondled in her twining arms.<br /></span> +<span class="i3">From him that dream of transport flows,<br /></span> +<span class="i3">Which sweet intoxication knows;<br /></span> +<span class="i3">With him, the brow forgets to darkle,<br /></span> +<span class="i3">And brilliant graces learn to sparkle.<br /></span> +<span class="i3">Behold! my boys a goblet bear,<br /></span> +<span class="i3">Whose sunny foam bedews the air.<br /></span> +<span class="i3">Where are now the tear, the sigh?<br /></span> +<span class="i3">To the winds they fly, they fly!<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo167" id="illo167"></a><br /><br /> +<img src="images/illo167.png" width="452" height="360" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_169" id="Page_169">[Pg 169]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Grasp the bowl; in nectar sinking,<br /></span> +<span class="i3">Man of sorrow, drown thy thinking!<br /></span> +<span class="i3">Oh! can the tears we lend to thought<br /></span> +<span class="i3">In life's account avail us aught?<br /></span> +<span class="i3">Can we discern, with all our lore,<br /></span> +<span class="i3">The path we're yet to journey o'er?<br /></span> +<span class="i3">No, no! the walk of life is dark;<br /></span> +<span class="i3">'Tis wine alone can strike a spark!<br /></span> +<span class="i3">Then let me quaff the foamy tide,<br /></span> +<span class="i3">And through the dance meandering glide;<br /></span> +<span class="i3">Let me imbibe the spicy breath<br /></span> +<span class="i3">Of odours chafed to fragrant death;<br /></span> +<span class="i3">Or from the kiss of love inhale<br /></span> +<span class="i3">A more voluptuous, richer gale!<br /></span> +<span class="i3">To souls that court the phantom Care,<br /></span> +<span class="i3">Let him retire and shroud him there;<br /></span> +<span class="i3">While we exhaust the nectar'd bowl,<br /></span> +<span class="i3">And swell the choral song of soul<br /></span> +<span class="i3">To him, the God who loves so well<br /></span> +<span class="i3">The nectar'd bowl, the choral swell!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_170" id="Page_170">[Pg 170]</a></span></p> +<p class="center"><b><i>ODE XXXII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">YES, be the glorious revel mine,<br /></span> +<span class="i3">Where humour sparkles from the wine!<br /></span> +<span class="i3">Around me let the youthful choir<br /></span> +<span class="i3">Respond to my beguiling lyre;<br /></span> +<span class="i3">And while the red cup circles round,<br /></span> +<span class="i3">Mingle in soul as well as sound!<br /></span> +<span class="i3">Let the bright nymph, with trembling eye,<br /></span> +<span class="i3">Beside me all in blushes lie;<br /></span> +<span class="i3">And, while she weaves a frontlet fair<br /></span> +<span class="i3">Of hyacinth to deck my hair,<br /></span> +<span class="i3">Oh! let me snatch her sidelong kisses,<br /></span> +<span class="i3">And that shall be my bliss of blisses!<br /></span> +<span class="i3">My soul, to festive feeling true,<br /></span> +<span class="i3">One pang of envy never knew;<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo171" id="illo171"></a><br /><br /> +<img src="images/illo171.png" width="452" height="385" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_173" id="Page_173">[Pg 173]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">And little has it learn'd to dread<br /></span> +<span class="i3">The gall that envy's tongue can shed.<br /></span> +<span class="i3">Away—I hate the slanderous dart,<br /></span> +<span class="i3">Which steals to wound th' unwary heart;<br /></span> +<span class="i3">And oh! I hate, with all my soul,<br /></span> +<span class="i3">Discordant clamours o'er the bowl,<br /></span> +<span class="i3">Where every cordial heart should be<br /></span> +<span class="i3">Attuned to peace and harmony.<br /></span> +<span class="i3">Come, let us hear the soul of song<br /></span> +<span class="i3">Expire the silver harp along;<br /></span> +<span class="i3">And through the dance's ringlet move,<br /></span> +<span class="i3">With maidens mellowing into love:<br /></span> +<span class="i3">Thus simply happy, thus at peace,<br /></span> +<span class="i3">Sure such a life should never cease!<br /></span> +</div></div> + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_174" id="Page_174">[Pg 174]</a></span></p> +<p class="center"><b><i>ODE XXXIII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">'TWAS in an airy dream of night,<br /></span> +<span class="i3">I fancied that I wing'd my flight<br /></span> +<span class="i3">On pinions fleeter than the wind,<br /></span> +<span class="i3">While little Love, whose feet were twined<br /></span> +<span class="i3">(I know not why) with chains of lead,<br /></span> +<span class="i3">Pursued me as I trembling fled;<br /></span> +<span class="i3">Pursued—and could I e'er have thought?—<br /></span> +<span class="i3">Swift as the moment I was caught!<br /></span> +<span class="i3">What does the wanton fancy mean<br /></span> +<span class="i3">By such a strange, illusive scene?<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo175" id="illo175"></a><br /><br /> +<img src="images/illo175.png" width="452" height="384" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_177" id="Page_177">[Pg 177]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">I fear she whispers to my breast,<br /></span> +<span class="i3">That you, my girl, have stol'n my rest;<br /></span> +<span class="i3">That though my fancy, for a while,<br /></span> +<span class="i3">Has hung on many a woman's smile,<br /></span> +<span class="i3">I soon dissolved the passing vow,<br /></span> +<span class="i3">And ne'er was caught by love till now!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_178" id="Page_178">[Pg 178]</a></span></p> +<p class="center"><b><i>ODE XXXIV.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">AS in the Lemnian caves of fire,<br /></span> +<span class="i3">The mate of her who nursed Desire<br /></span> +<span class="i3">Moulded the glowing steel, to form<br /></span> +<span class="i3">Arrows for Cupid, thrilling warm;<br /></span> +<span class="i3">While Venus every barb imbues<br /></span> +<span class="i3">With droppings of her honied dews;<br /></span> +<span class="i3">And Love (alas the victim-heart!)<br /></span> +<span class="i3">Tinges with gall the burning dart;<br /></span> +<span class="i3">Once, to this Lemnian cave of flame,<br /></span> +<span class="i3">The crested Lord of battles came;<br /></span> +<span class="i3">'Twas from the ranks of war he rush'd,<br /></span> +<span class="i3">His spear with many a life-drop blush'd!<br /></span> +<span class="i3">He saw the mystic darts, and smiled<br /></span> +<span class="i3">Derision on the archer-child.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo179" id="illo179"></a><br /><br /> +<img src="images/illo179.png" width="452" height="378" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_181" id="Page_181">[Pg 181]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">'And dost thou smile?' said little Love;<br /></span> +<span class="i3">'Take this dart, and thou mayst prove,<br /></span> +<span class="i3">That though they pass the breeze's flight,<br /></span> +<span class="i3">My bolts are not so feathery light.'<br /></span> +<span class="i3">He took the shaft—and oh! thy look,<br /></span> +<span class="i3">Sweet Venus! when the shaft he took—<br /></span> +<span class="i3">He sigh'd, and felt the urchin's art;<br /></span> +<span class="i3">He sigh'd, in agony of heart,<br /></span> +<span class="i3">'It is not light—I die with pain!<br /></span> +<span class="i3">Take—take thy arrow back again.'<br /></span> +<span class="i3">'No,' said the child, 'it must not be,<br /></span> +<span class="i3">That little dart was made for thee!'<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_182" id="Page_182">[Pg 182]</a></span></p> +<p class="center"><b><i>ODE XXXV.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">HOW I love the festive boy,<br /></span> +<span class="i3">Tripping wild the dance of joy!<br /></span> +<span class="i3">How I love the mellow sage,<br /></span> +<span class="i3">Smiling through the veil of age!<br /></span> +<span class="i3">And whene'er this man of years<br /></span> +<span class="i3">In the dance of joy appears,<br /></span> +<span class="i3">Age is on his temples hung,<br /></span> +<span class="i3">But his heart—his heart is young!<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo183" id="illo183"></a><br /><br /> +<img src="images/illo183.png" width="452" height="379" alt="" title="" /><br /><br /> +</div> + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_185" id="Page_185">[Pg 185]</a></span></p> +<p class="center"><b><i>ODE XXXVI.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">HE, who instructs the youthful crew<br /></span> +<span class="i3">To bathe them in the brimmer's dew,<br /></span> +<span class="i3">And taste, uncloy'd by rich excesses,<br /></span> +<span class="i3">All the bliss that wine possesses!<br /></span> +<span class="i3">He, who inspires the youth to glance<br /></span> +<span class="i3">In winged circlets through the dance;<br /></span> +<span class="i3">Bacchus, the god again is here,<br /></span> +<span class="i3">And leads along the blushing year;<br /></span> +<span class="i3">The blushing year with rapture teems,<br /></span> +<span class="i3">Ready to shed those cordial streams,<br /></span> +<span class="i3">Which, sparkling in the cup of mirth,<br /></span> +<span class="i3">Illuminate the sons of earth,<br /></span> +<span class="i3">And when the ripe and vermeil wine,<br /></span> +<span class="i3">Sweet infant of the pregnant vine,<br /></span> +<span class="i3">Which now in mellow clusters swells,<br /></span> +<span class="pagenum"><a name="Page_186" id="Page_186">[Pg 186]</a></span> +<span class="i3">Oh! when it bursts its rosy cells,<br /></span> +<span class="i3">The heavenly stream shall mantling flow,<br /></span> +<span class="i3">To balsam every mortal woe!<br /></span> +<span class="i3">No youth shall then be wan or weak,<br /></span> +<span class="i3">For dimpling health shall light the cheek;<br /></span> +<span class="i3">No heart shall then desponding sigh,<br /></span> +<span class="i3">For wine shall bid despondence fly!<br /></span> +<span class="i3">Thus—till another autumn's glow<br /></span> +<span class="i3">Shall bid another vintage flow!<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo187" id="illo187"></a><br /><br /> +<img src="images/illo187.png" width="452" height="379" alt="" title="" /><br /><br /> +</div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_189" id="Page_189">[Pg 189]</a></span></p> +<p class="center"><b><i>ODE XXXVII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">AND whose immortal hand could shed<br /></span> +<span class="i3">Upon this disk the ocean's bed?<br /></span> +<span class="i3">And, in a frenzied flight of soul<br /></span> +<span class="i3">Sublime as heaven's eternal pole,<br /></span> +<span class="i3">Imagine thus, in semblance warm,<br /></span> +<span class="i3">The Queen of Love's voluptuous form<br /></span> +<span class="i3">Floating along the silvery sea<br /></span> +<span class="i3">In beauty's naked majesty!<br /></span> +<span class="i3">Oh! he has given the raptured sight<br /></span> +<span class="i3">A witching banquet of delight;<br /></span> +<span class="i3">And all those sacred scenes of love,<br /></span> +<span class="i3">Where only hallow'd eyes may rove,<br /></span> +<span class="i3">Lie, faintly glowing, half conceal'd,<br /></span> +<span class="i3">Within the lucid billows veil'd.<br /></span> +<span class="i3">Light as the leaf, that summer's breeze<br /></span> +<span class="i3">Has wafted o'er the glassy seas,<br /></span> +<span class="i3">She floats upon the ocean's breast,<br /></span> +<span class="i3">Which undulates in sleepy rest,<br /></span> +<span class="pagenum"><a name="Page_190" id="Page_190">[Pg 190]</a></span> +<span class="i3">And stealing on, she gently pillows<br /></span> +<span class="i3">Her bosom on the amorous billows.<br /></span> +<span class="i3">Her bosom, like the humid rose,<br /></span> +<span class="i3">Her neck, like dewy-sparkling snows,<br /></span> +<span class="i3">Illume the liquid path she traces,<br /></span> +<span class="i3">And burn within the stream's embraces!<br /></span> +<span class="i3">In languid luxury soft she glides,<br /></span> +<span class="i3">Encircled by the azure tides,<br /></span> +<span class="i3">Like some fair lily, faint with weeping,<br /></span> +<span class="i3">Upon a bed of violets sleeping!<br /></span> +<span class="i3">Beneath their queen's inspiring glance,<br /></span> +<span class="i3">The dolphins o'er the green sea dance,<br /></span> +<span class="i3">Bearing in triumph young Desire,<br /></span> +<span class="i3">And baby Love with smiles of fire!<br /></span> +<span class="i3">While, sparkling on the silver waves,<br /></span> +<span class="i3">The tenants of the briny caves<br /></span> +<span class="i3">Around the pomp in eddies play,<br /></span> +<span class="i3">And gleam along the watery way.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo191" id="illo191"></a><br /><br /> +<img src="images/illo191.png" width="452" height="382" alt="" title="" /><br /><br /> +</div> + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_193" id="Page_193">[Pg 193]</a></span></p> +<p class="center"><b><i>ODE XXXVIII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WHILE we invoke the wreathed spring,<br /></span> +<span class="i3">Resplendent rose! to thee we'll sing;<br /></span> +<span class="i3">Resplendent rose, the flower of flowers,<br /></span> +<span class="i3">Whose breath perfumes Olympus' bowers;<br /></span> +<span class="i3">Whose virgin blush of chasten'd dye,<br /></span> +<span class="i3">Enchants so much our mortal eye.<br /></span> +<span class="i3">When pleasure's bloomy season glows,<br /></span> +<span class="i3">The Graces love to twine the rose;<br /></span> +<span class="i3">The rose is warm Dione's bliss,<br /></span> +<span class="i3">And flushes like Dione's kiss!<br /></span> +<span class="i3">Oft has the poet's magic tongue<br /></span> +<span class="i3">The rose's fair luxuriance sung;<br /></span> +<span class="i3">And long the Muses, heavenly maids,<br /></span> +<span class="i3">Have rear'd it in their tuneful shades.<br /></span> +<span class="i3">When, at the early glance of morn,<br /></span> +<span class="i3">It sleeps upon the glittering thorn,<br /></span> +<span class="i3">'Tis sweet to dare the tangled fence,<br /></span> +<span class="i3">To cull the timid flowret thence,<br /></span> +<span class="i3">And wipe with tender hand away<br /></span> +<span class="i3">The tear that on its blushes lay!<br /></span> +<span class="i3">'Tis sweet to hold the infant stems,<br /></span> +<span class="i3">Yet dropping with Aurora's gems,<br /></span> +<span class="pagenum"><a name="Page_194" id="Page_194">[Pg 194]</a></span> +<span class="i3">And fresh inhale the spicy sighs<br /></span> +<span class="i3">That from the weeping buds arise.<br /></span> +<span class="i3">When revel reigns, when mirth is high,<br /></span> +<span class="i3">And Bacchus beams in every eye,<br /></span> +<span class="i3">Our rosy fillets scent exhale,<br /></span> +<span class="i3">And fill with balm the fainting gale!<br /></span> +<span class="i3">Oh! there is nought in nature bright,<br /></span> +<span class="i3">Where roses do not shed their light!<br /></span> +<span class="i3">When morning paints the orient skies,<br /></span> +<span class="i3">Her fingers burn with roseate dyes;<br /></span> +<span class="i3">The nymphs display the rose's charms,<br /></span> +<span class="i3">It mantles o'er their graceful arms;<br /></span> +<span class="i3">Through Cytherea's form it glows,<br /></span> +<span class="i3">And mingles with the living snows.<br /></span> +<span class="i3">The rose distils a healing balm,<br /></span> +<span class="i3">The beating pulse of pain to calm;<br /></span> +<span class="i3">Preserves the cold inurned clay,<br /></span> +<span class="i3">And mocks the vestige of decay:<br /></span> +<span class="i3">And when at length, in pale decline,<br /></span> +<span class="i3">Its florid beauties fade and pine,<br /></span> +<span class="i3">Sweet as in youth, its balmy breath<br /></span> +<span class="i3">Diffuses odour e'en in death!<br /></span> +<span class="i3">Oh! whence could such a plant have sprung?<br /></span> +<span class="i3">Attend—for thus the tale is sung.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo195" id="illo195"></a><br /><br /> +<img src="images/illo195.png" width="452" height="381" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_197" id="Page_197">[Pg 197]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">When, humid, from the silvery stream,<br /></span> +<span class="i3">Effusing beauty's warmest beam,<br /></span> +<span class="i3">Venus appear'd, in flushing hues,<br /></span> +<span class="i3">Mellow'd by ocean's briny dews;<br /></span> +<span class="i3">When, in the starry courts above,<br /></span> +<span class="i3">The pregnant brain of mighty Jove<br /></span> +<span class="i3">Disclosed the nymph of azure glance,<br /></span> +<span class="i3">The nymph who shakes the martial lance!<br /></span> +<span class="i3">Then, then, in strange eventful hour,<br /></span> +<span class="i3">The earth produced an infant flower,<br /></span> +<span class="i3">Which sprung, with blushing tinctures drest,<br /></span> +<span class="i3">And wanton'd o'er its parent breast.<br /></span> +<span class="i3">The gods beheld this brilliant birth,<br /></span> +<span class="i3">And hail'd the Rose, the boon of earth!<br /></span> +<span class="i3">With nectar drops, a ruby tide,<br /></span> +<span class="i3">The sweetly orient buds they dyèd,<br /></span> +<span class="i3">And bade them bloom, the flowers divine<br /></span> +<span class="i3">Of him who sheds the teeming vine;<br /></span> +<span class="i3">And bade them on the spangled thorn<br /></span> +<span class="i3">Expand their bosoms to the morn.<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_198" id="Page_198">[Pg 198]</a></span></p> +<p class="center"><b><i>ODE XXXIX.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WHEN I behold the festive train<br /></span> +<span class="i3">Of dancing youth, I'm young again!<br /></span> +<span class="i3">Memory wakes her magic trance,<br /></span> +<span class="i3">And wings me lightly through the dance.<br /></span> +<span class="i3">Come, Cybeba, smiling maid!<br /></span> +<span class="i3">Cull the flower and twine the braid;<br /></span> +<span class="i3">Bid the blush of summer's rose<br /></span> +<span class="i3">Burn upon my brow of snows;<br /></span> +<span class="i3">And let me, while the wild and young<br /></span> +<span class="i3">Trip the mazy dance along,<br /></span> +<span class="i3">Fling my heap of years away,<br /></span> +<span class="i3">And be as wild, as young as they.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo199" id="illo199"></a><br /><br /> +<img src="images/illo199.png" width="452" height="385" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_201" id="Page_201">[Pg 201]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Hither haste, some cordial soul!<br /></span> +<span class="i3">Give my lips the brimming bowl;<br /></span> +<span class="i3">Oh! you will see this hoary sage<br /></span> +<span class="i3">Forget his locks, forget his age.<br /></span> +<span class="i3">He still can chant the festive hymn,<br /></span> +<span class="i3">He still can kiss the goblet's brim;<br /></span> +<span class="i3">He still can act the mellow raver,<br /></span> +<span class="i3">And play the fool as sweet as ever!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_202" id="Page_202">[Pg 202]</a></span></p> +<p class="center"><b><i>ODE XL.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WE read the flying courser's name<br /></span> +<span class="i3">Upon his side in marks of flame;<br /></span> +<span class="i3">And, by their turban'd brows alone,<br /></span> +<span class="i3">The warriors of the East are known.<br /></span> +<span class="i3">But in the lover's glowing eyes,<br /></span> +<span class="i3">The inlet to his bosom lies;<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo203" id="illo203"></a><br /><br /> +<img src="images/illo203.png" width="452" height="383" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_205" id="Page_205">[Pg 205]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Thro' them we see the small faint mark,<br /></span> +<span class="i3">Where Love has dropt his burning spark!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_206" id="Page_206">[Pg 206]</a></span></p> +<p class="center"><b><i>ODE XLI.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap2"><span class="i3">WHEN Spring begems the dewy scene,<br /></span> +<span class="i3">How sweet to walk the velvet green,<br /></span> +<span class="i3">And hear the Zephyr's languid sighs,<br /></span> +<span class="i3">As o'er the scented mead he flies!<br /></span> +<span class="i3">How sweet to mark the pouting vine,<br /></span> +<span class="i3">Ready to fall in tears of wine;<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo207" id="illo207"></a><br /><br /> +<img src="images/illo207.png" width="452" height="375" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_209" id="Page_209">[Pg 209]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">And with the maid, whose every sigh<br /></span> +<span class="i3">Is love and bliss, entranced to lie<br /></span> +<span class="i3">Where the imbowering branches meet—<br /></span> +<span class="i3">Oh! is not this divinely sweet?<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_210" id="Page_210">[Pg 210]</a></span></p> +<p class="center"><b><i>ODE XLII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap"><span class="i3">I SAW the smiling bard of pleasure,<br /></span> +<span class="i3">The minstrel of the Teian measure;<br /></span> +<span class="i3">'Twas in a vision of the night.<br /></span> +<span class="i3">He beam'd upon my wond'ring sight;<br /></span> +<span class="i3">I heard his voice, and warmly prest<br /></span> +<span class="i3">The dear enthusiast to my breast.<br /></span> +<span class="i3">His tresses wore a silvery dye,<br /></span> +<span class="i3">But beauty sparkled in his eye;<br /></span> +<span class="i3">Sparkled in his eyes of fire,<br /></span> +<span class="i3">Through the mist of soft desire.<br /></span> +<span class="i3">His lip exhaled, whene'er he sigh'd,<br /></span> +<span class="i3">The fragrance of the racy tide;<br /></span> +<span class="i3">And, as with weak and reeling feet,<br /></span> +<span class="i3">He came my coral kiss to meet,<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo211" id="illo211"></a><br /><br /> +<img src="images/illo211.png" width="452" height="386" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_213" id="Page_213">[Pg 213]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">An infant, of the Cyprian band,<br /></span> +<span class="i3">Guided him on with tender hand.<br /></span> +<span class="i3">Quick from his glowing brows he drew<br /></span> +<span class="i3">His braid, of many a wanton hue,<br /></span> +<span class="i3">I took the braid of wanton twine,<br /></span> +<span class="i3">It breathed of him and blush'd with wine!<br /></span> +<span class="i3">I hung it o'er my thoughtless brow,<br /></span> +<span class="i3">And ah! I feel its magic now!<br /></span> +<span class="i3">I feel that e'en his garland's touch<br /></span> +<span class="i3">Can make the bosom love too much!<br /></span> +</div></div> + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_214" id="Page_214">[Pg 214]</a></span></p> +<p class="center"><b><i>ODE XLIII.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">GIVE me the harp of epic song,<br /></span> +<span class="i3">Which Homer's finger thrill'd along;<br /></span> +<span class="i3">But tear away the sanguine string,<br /></span> +<span class="i3">For war is not the theme I sing.<br /></span> +<span class="i3">Proclaim the laws of festal right<br /></span> +<span class="i3">I'm monarch of the board to-night;<br /></span> +<span class="i3">And all around shall brim as high,<br /></span> +<span class="i3">And quaff the tide as deep as I!<br /></span> +<span class="i3">And when the cluster's mellowing dews<br /></span> +<span class="i3">Their warm, enchanting balm infuse<br /></span> +<span class="i3">Our feet shall catch th' elastic bound,<br /></span> +<span class="i3">And reel us through the dance's round.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo215" id="illo215"></a><br /><br /> +<img src="images/illo215.png" width="452" height="380" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_217" id="Page_217">[Pg 217]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Oh, Bacchus! we shall sing to thee,<br /></span> +<span class="i3">In wild but sweet ebriety!<br /></span> +<span class="i3">And flash around such sparks of thought,<br /></span> +<span class="i3">As Bacchus could alone have taught!<br /></span> +<span class="i3">Then give the harp of epic song,<br /></span> +<span class="i3">Which Homer's finger thrill'd along;<br /></span> +<span class="i3">But tear away the sanguine string,<br /></span> +<span class="i3">For war is not the theme I sing!<br /></span> +</div></div> + + + +<p><br /><br /><br /></p> +<p><span class="pagenum"><a name="Page_218" id="Page_218">[Pg 218]</a></span></p> +<p class="center"><b><i>ODE XLIV.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">LISTEN to the Muse's lyre,<br /></span> +<span class="i3">Master of the pencil's fire!<br /></span> +<span class="i3">Sketch'd in painting's bold display,<br /></span> +<span class="i3">Many a city first pourtray;<br /></span> +<span class="i3">Many a city revelling free,<br /></span> +<span class="i3">Warm with loose festivity.<br /></span> +<span class="i3">Picture then a rosy train,<br /></span> +<span class="i3">Bacchants straying o'er the plain;<br /></span> +<span class="i3">Piping, as they roam along,<br /></span> +<span class="i3">Roundelay or shepherd-song.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo219" id="illo219"></a><br /><br /> +<img src="images/illo219.png" width="452" height="379" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_221" id="Page_221">[Pg 221]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Paint me next, if painting may<br /></span> +<span class="i3">Such a theme as this pourtray,<br /></span> +<span class="i3">All the happy heaven of love,<br /></span> +<span class="i3">These elect of Cupid prove.<br /></span> +</div></div> + + +<p><br /><br /><br /></p> + +<p><span class="pagenum"><a name="Page_222" id="Page_222">[Pg 222]</a></span></p> +<p class="center"><b><i>ODE XLV.</i></b></p> + + +<div class="poem"><div class="stanza"> +<p class="cap1"><span class="i3">AS late I sought the spangled bowers,<br /></span> +<span class="i3">To cull a wreath of matin flowers,<br /></span> +<span class="i3">Where many an early rose was weeping,<br /></span> +<span class="i3">I found the urchin Cupid sleeping.<br /></span> +<span class="i3">I caught the boy, a goblet's tide<br /></span> +<span class="i3">Was richly mantling by my side,<br /></span> +<span class="i3">I caught him by his downy wing,<br /></span> +<span class="i3">And whelm'd him in the racy spring.<br /></span></p> +</div></div> + +<div class="figcenter" style="width: 452px;"><a name="illo223" id="illo223"></a><br /><br /> +<img src="images/illo223.png" width="452" height="383" alt="" title="" /><br /><br /> +</div><p><span class="pagenum"><a name="Page_225" id="Page_225">[Pg 225]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i3">Oh! then I drank the poison'd bowl,<br /></span> +<span class="i3">And Love now nestles in my soul!<br /></span> +<span class="i3">Yes, yes, my soul is Cupid's nest,<br /></span> +<span class="i3">I feel him fluttering in my breast.<br /></span> +</div></div> + +<p><br /><br /></p> +<hr style="width: 85%;" /> +<p><br /></p> + +<h2><i>CHOICE ILLUSTRATED WORKS.</i></h2> + +<p><b>Lives of the Saints.</b> Enriched with 51 exquisite full-page Miniatures in +gold and colours, bound in silk velvet, enriched with gold, 7<i>l.</i> 7<i>s.</i> +<br /></p> + +<p><b>Saint Ursula</b>, Princess of Britain, and her Companions. Illustrated with +25 full-page 4to Illuminated Miniatures by <span class="smcap">Van Eyck</span>, bound in purple +satin, enriched with gold, 3<i>l.</i> 15<i>s.</i> +<br /></p> + +<p><b>Golden Verses</b> from the New Testament, with 50 Illuminations and +Miniatures from celebrated Missals, in gold and colours, 30<i>s.</i><br /></p> + + +<p>The Author's Own Edition.<br /> +<b>Robinson Crusoe</b>, Illustrated by <span class="smcap">Ernest Griset</span>, 7<i>s.</i> 6<i>d.</i><br /> +This is the Standard Edition of this famous work, and <i>is the only one +correctly printed</i> since the death of Defoe.<br /></p> + +<p><b>Doctor Syntax's Three Tours</b>, with the 81 droll Coloured Illustrations by +<span class="smcap">Rowlandson</span>, 7<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Wonderful Characters</b>, The Book of, with 60 Engravings of eccentric or +remarkable persons, 7<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Tom and Jerry</b>; or, Life in London: the favourite book of George IV. With +<span class="smcap">Cruikshank's</span> inimitable Coloured Plates, 7<i>s.</i> 6<i>d.</i><br /><br /></p> + + +<p class="center"><i>CHOICE ILLUSTRATED WORKS OF HUMOUR<br />for the Drawing Room; price 6s. +each.</i></p> + +<p>CAROLS OF COCKAYNE. By <span class="smcap">Henry S. Leigh</span>.<br /></p> + +<p>THE BAB BALLADS. By <span class="smcap">W. S. Gilbert</span>.<br /></p> + +<p>PUNIANA. Best book of Riddles and Puns.<br /></p> + +<p>ARTEMUS WARD'S LECTURES. Tinted Illustrations.<br /> +'Enormous burlesque—unapproachable and +preeminent.'—<i>Saturday Review.</i><br /><br /></p> + + +<p><b>Caricature History of the Georges.</b> 640 pages, and 400 Pictures, +Caricatures, Squibs, Broadsides, &c., 7<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Signboards: their History.</b> With Anecdotes of famous Taverns, &c. 100 +Illustrations, 7<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Puck on Pegasus.</b> A clever and brilliant book; illustrated by Sir <span class="smcap">Noel +Paton</span>, <span class="smcap">Richard Doyle</span>, <span class="smcap">Millais</span>, <span class="smcap">Tenniel</span>, <span class="smcap">Cruikshank</span>, and all our best +artists, 10<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>German Popular Stories.</b> The favourite book amongst Children; with 22 +Illustrations by <span class="smcap">George Cruikshank</span>, 6<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Family Fairy Tales.</b> A book of delightful Stories; Coloured Plates by +<span class="smcap">Ellen Edwards</span>, 4<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Prince Ubbely Bubble's New Story</b> Book. A new volume of charming Tales; +illustrated by <span class="smcap">Matt Morgan</span>, <span class="smcap">Barnes</span>, and other artists, 4<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Aaron Penley's Sketching in Water</b> Colours; with 21 beautiful +Illustrations of Water Colour Drawings. Gilt, gilt edges, 21<i>s.</i><br /></p> + +<p><b>The Standard Work on Diamonds</b> and Precious Stones. By <span class="smcap">Harry Emanuel</span>, +F.R.G.S. 6<i>s.</i><br /></p> + +<p><b>The Best Hand-book of Heraldry</b>, Pedigrees, Liveries. By <span class="smcap">John E. Cussans</span>; +profusely illustrated, 7<i>s.</i> 6<i>d.</i><br /></p> + +<p><b>Romance of the Rod.</b> A Pictorial History of Flagellation, 9<i>s.</i> 6<i>d.</i><br /></p> + + +<p class="center">Mr. <span class="smcap">Swinburne's</span> New Book.</p> +<p><b>William Blake.</b> A Critical Essay; with Coloured Paintings, 16<i>s.</i><br /></p> + + +<hr style="width: 45%;" /> + + +<h4>Transcriber's Notes</h4> + +<p>In Ode III, beginning of last line on page 26, the word 'The' is mostly illegible and has been added by comparison with another version of the text.<br /></p> + +<p>In Ode III, after the phrase 'my blissful visions fly?', the missing punctuation mark ' has been added.<br /></p> + +<p>In Ode VII, after 'rapid race', period has been replaced with comma.<br /></p> + +<p>In Ode X, after the phrase 'who murder sleep!' The single quotation mark ' has been deleted.<br /></p> + +<p>In Ode XXIII, after the phrase 'wish for liberty', the missing punctuation marks ?' have been added.<br /></p> + +<p>There are three words with the [oe] ligature. This is normalised to 'oe' in the text file; in the HTML file the ligature has been retained.<br /></p> + +<p>There is one word with the 'ae' ligature; this has been retained in both versions.<br /></p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Odes of Anacreon, by Thomas Moore + +*** END OF THIS PROJECT GUTENBERG EBOOK THE ODES OF ANACREON *** + +***** This file should be named 38230-h.htm or 38230-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/8/2/3/38230/ + +Produced by Steven Giacomelli, Margo Romberg and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by Case Western Reserve University Preservation Department +Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/38230-h/images/frontis.png b/38230-h/images/frontis.png Binary files differnew file mode 100644 index 0000000..7950556 --- /dev/null +++ b/38230-h/images/frontis.png diff --git a/38230-h/images/illo103.png b/38230-h/images/illo103.png Binary files differnew file mode 100644 index 0000000..d00b61d --- /dev/null +++ b/38230-h/images/illo103.png diff --git a/38230-h/images/illo107.png b/38230-h/images/illo107.png Binary files differnew file mode 100644 index 0000000..1b44510 --- /dev/null +++ b/38230-h/images/illo107.png diff --git a/38230-h/images/illo111.png b/38230-h/images/illo111.png Binary files differnew file mode 100644 index 0000000..a078125 --- /dev/null +++ b/38230-h/images/illo111.png diff --git a/38230-h/images/illo115.png b/38230-h/images/illo115.png Binary files differnew file mode 100644 index 0000000..e3a321c --- /dev/null +++ b/38230-h/images/illo115.png diff --git a/38230-h/images/illo119.png b/38230-h/images/illo119.png Binary files differnew file mode 100644 index 0000000..9a1492f --- /dev/null +++ b/38230-h/images/illo119.png diff --git a/38230-h/images/illo123.png b/38230-h/images/illo123.png Binary files differnew file mode 100644 index 0000000..c1e468b --- /dev/null +++ b/38230-h/images/illo123.png diff --git a/38230-h/images/illo127.png b/38230-h/images/illo127.png Binary files differnew file mode 100644 index 0000000..9442cad --- /dev/null +++ b/38230-h/images/illo127.png diff --git a/38230-h/images/illo131.png b/38230-h/images/illo131.png Binary files differnew file mode 100644 index 0000000..69b5750 --- /dev/null +++ b/38230-h/images/illo131.png diff --git a/38230-h/images/illo135.png b/38230-h/images/illo135.png Binary files differnew file mode 100644 index 0000000..f999393 --- /dev/null +++ b/38230-h/images/illo135.png diff --git a/38230-h/images/illo139.png b/38230-h/images/illo139.png Binary files differnew file mode 100644 index 0000000..b7bb954 --- /dev/null +++ b/38230-h/images/illo139.png diff --git a/38230-h/images/illo143.png b/38230-h/images/illo143.png Binary files differnew file mode 100644 index 0000000..12012b4 --- /dev/null +++ b/38230-h/images/illo143.png diff --git a/38230-h/images/illo147.png b/38230-h/images/illo147.png Binary files differnew file mode 100644 index 0000000..5d34f94 --- /dev/null +++ b/38230-h/images/illo147.png diff --git a/38230-h/images/illo15.png b/38230-h/images/illo15.png Binary files differnew file mode 100644 index 0000000..fbb6bba --- /dev/null +++ b/38230-h/images/illo15.png diff --git a/38230-h/images/illo151.png b/38230-h/images/illo151.png Binary files differnew file mode 100644 index 0000000..ed343ee --- /dev/null +++ b/38230-h/images/illo151.png diff --git a/38230-h/images/illo155.png b/38230-h/images/illo155.png Binary files differnew file mode 100644 index 0000000..4c19df4 --- /dev/null +++ b/38230-h/images/illo155.png diff --git a/38230-h/images/illo159.png b/38230-h/images/illo159.png Binary files differnew file mode 100644 index 0000000..f753ca0 --- /dev/null +++ b/38230-h/images/illo159.png diff --git a/38230-h/images/illo163.png b/38230-h/images/illo163.png Binary files differnew file mode 100644 index 0000000..fb628c0 --- /dev/null +++ b/38230-h/images/illo163.png diff --git a/38230-h/images/illo167.png b/38230-h/images/illo167.png Binary files differnew file mode 100644 index 0000000..6e7d1ce --- /dev/null +++ b/38230-h/images/illo167.png diff --git a/38230-h/images/illo171.png b/38230-h/images/illo171.png Binary files differnew file mode 100644 index 0000000..d49d4cd --- /dev/null +++ b/38230-h/images/illo171.png diff --git a/38230-h/images/illo175.png b/38230-h/images/illo175.png Binary files differnew file mode 100644 index 0000000..df942fd --- /dev/null +++ b/38230-h/images/illo175.png diff --git a/38230-h/images/illo179.png b/38230-h/images/illo179.png Binary files differnew file mode 100644 index 0000000..6f45534 --- /dev/null +++ b/38230-h/images/illo179.png diff --git a/38230-h/images/illo183.png b/38230-h/images/illo183.png Binary files differnew file mode 100644 index 0000000..1cbc952 --- /dev/null +++ b/38230-h/images/illo183.png diff --git a/38230-h/images/illo187.png b/38230-h/images/illo187.png Binary files differnew file mode 100644 index 0000000..239d6c0 --- /dev/null +++ b/38230-h/images/illo187.png diff --git a/38230-h/images/illo19.png b/38230-h/images/illo19.png Binary files differnew file mode 100644 index 0000000..57bcd74 --- /dev/null +++ b/38230-h/images/illo19.png diff --git a/38230-h/images/illo191.png b/38230-h/images/illo191.png Binary files differnew file mode 100644 index 0000000..16226cf --- /dev/null +++ b/38230-h/images/illo191.png diff --git a/38230-h/images/illo195.png b/38230-h/images/illo195.png Binary files differnew file mode 100644 index 0000000..52157c3 --- /dev/null +++ b/38230-h/images/illo195.png diff --git a/38230-h/images/illo199.png b/38230-h/images/illo199.png Binary files differnew file mode 100644 index 0000000..8e639aa --- /dev/null +++ b/38230-h/images/illo199.png diff --git a/38230-h/images/illo203.png b/38230-h/images/illo203.png Binary files differnew file mode 100644 index 0000000..5a8c74a --- /dev/null +++ b/38230-h/images/illo203.png diff --git a/38230-h/images/illo207.png b/38230-h/images/illo207.png Binary files differnew file mode 100644 index 0000000..3c40cee --- /dev/null +++ b/38230-h/images/illo207.png diff --git a/38230-h/images/illo211.png b/38230-h/images/illo211.png Binary files differnew file mode 100644 index 0000000..8d0a845 --- /dev/null +++ b/38230-h/images/illo211.png diff --git a/38230-h/images/illo215.png b/38230-h/images/illo215.png Binary files differnew file mode 100644 index 0000000..f20d993 --- /dev/null +++ b/38230-h/images/illo215.png diff --git a/38230-h/images/illo219.png b/38230-h/images/illo219.png Binary files differnew file mode 100644 index 0000000..90158dc --- /dev/null +++ b/38230-h/images/illo219.png diff --git a/38230-h/images/illo223.png b/38230-h/images/illo223.png Binary files differnew file mode 100644 index 0000000..74a1a59 --- /dev/null +++ b/38230-h/images/illo223.png diff --git a/38230-h/images/illo23.png b/38230-h/images/illo23.png Binary files differnew file mode 100644 index 0000000..4134e57 --- /dev/null +++ b/38230-h/images/illo23.png diff --git a/38230-h/images/illo27.png b/38230-h/images/illo27.png Binary files differnew file mode 100644 index 0000000..a0dcfcd --- /dev/null +++ b/38230-h/images/illo27.png diff --git a/38230-h/images/illo31.png b/38230-h/images/illo31.png Binary files differnew file mode 100644 index 0000000..aa0038c --- /dev/null +++ b/38230-h/images/illo31.png diff --git a/38230-h/images/illo35.png b/38230-h/images/illo35.png Binary files differnew file mode 100644 index 0000000..0582a40 --- /dev/null +++ b/38230-h/images/illo35.png diff --git a/38230-h/images/illo39.png b/38230-h/images/illo39.png Binary files differnew file mode 100644 index 0000000..9811664 --- /dev/null +++ b/38230-h/images/illo39.png diff --git a/38230-h/images/illo43.png b/38230-h/images/illo43.png Binary files differnew file mode 100644 index 0000000..05134af --- /dev/null +++ b/38230-h/images/illo43.png diff --git a/38230-h/images/illo47.png b/38230-h/images/illo47.png Binary files differnew file mode 100644 index 0000000..c6ae7e2 --- /dev/null +++ b/38230-h/images/illo47.png diff --git a/38230-h/images/illo51.png b/38230-h/images/illo51.png Binary files differnew file mode 100644 index 0000000..13e151a --- /dev/null +++ b/38230-h/images/illo51.png diff --git a/38230-h/images/illo55.png b/38230-h/images/illo55.png Binary files differnew file mode 100644 index 0000000..7a29e4f --- /dev/null +++ b/38230-h/images/illo55.png diff --git a/38230-h/images/illo59.png b/38230-h/images/illo59.png Binary files differnew file mode 100644 index 0000000..76c4d24 --- /dev/null +++ b/38230-h/images/illo59.png diff --git a/38230-h/images/illo63.png b/38230-h/images/illo63.png Binary files differnew file mode 100644 index 0000000..56c38d9 --- /dev/null +++ b/38230-h/images/illo63.png diff --git a/38230-h/images/illo67.png b/38230-h/images/illo67.png Binary files differnew file mode 100644 index 0000000..ef02b95 --- /dev/null +++ b/38230-h/images/illo67.png diff --git a/38230-h/images/illo71.png b/38230-h/images/illo71.png Binary files differnew file mode 100644 index 0000000..db071d2 --- /dev/null +++ b/38230-h/images/illo71.png diff --git a/38230-h/images/illo75.png b/38230-h/images/illo75.png Binary files differnew file mode 100644 index 0000000..40dd0a1 --- /dev/null +++ b/38230-h/images/illo75.png diff --git a/38230-h/images/illo79.png b/38230-h/images/illo79.png Binary files differnew file mode 100644 index 0000000..e392018 --- /dev/null +++ b/38230-h/images/illo79.png diff --git a/38230-h/images/illo83.png b/38230-h/images/illo83.png Binary files differnew file mode 100644 index 0000000..307d485 --- /dev/null +++ b/38230-h/images/illo83.png diff --git a/38230-h/images/illo87.png b/38230-h/images/illo87.png Binary files differnew file mode 100644 index 0000000..3041657 --- /dev/null +++ b/38230-h/images/illo87.png diff --git a/38230-h/images/illo91.png b/38230-h/images/illo91.png Binary files differnew file mode 100644 index 0000000..82c0fce --- /dev/null +++ b/38230-h/images/illo91.png diff --git a/38230-h/images/illo95.png b/38230-h/images/illo95.png Binary files differnew file mode 100644 index 0000000..5842d87 --- /dev/null +++ b/38230-h/images/illo95.png diff --git a/38230-h/images/illo99.png b/38230-h/images/illo99.png Binary files differnew file mode 100644 index 0000000..0d6d94b --- /dev/null +++ b/38230-h/images/illo99.png diff --git a/38230.txt b/38230.txt new file mode 100644 index 0000000..0f68541 --- /dev/null +++ b/38230.txt @@ -0,0 +1,2308 @@ +The Project Gutenberg EBook of The Odes of Anacreon, by Thomas Moore + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Odes of Anacreon + +Author: Thomas Moore + +Release Date: December 6, 2011 [EBook #38230] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE ODES OF ANACREON *** + + + + +Produced by Steven Giacomelli, Margo Romberg and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by Case Western Reserve University Preservation Department +Digital Library) + + + + + + + + + + THE ODES OF ANACREON. + + + 'Nec, si quid olim lusit Anacreon + Delevit aetas.' _Hor._ + + + [Illustration] + + + + + THE ODES OF ANACREON. + + TRANSLATED BY THOMAS MOORE. + + WITH FIFTY-FOUR ILLUSTRATIVE DESIGNS BY GIRODET DE ROUSSY. + + _NOW FIRST PRODUCED IN ENGLAND._ + + LONDON: + JOHN CAMDEN HOTTEN, PICCADILLY. + + + + + LONDON: + STRANGEWAYS AND WALDEN, PRINTERS, + Castle St. Leicester Sq. + + + + +INTRODUCTION TO THE ENGLISH EDITION. + + +Amongst the innumerable translators of Anacreon, there was one--a +Frenchman by birth--who was both an illustrious painter and a literary +enthusiast. Girodet de Roussy, inspired by a genius altogether Greek in +its character, has translated Anacreon better by his pencil than he +could have been translated by words. One might fancy that his designs +had been executed under Anacreon's own eye by some Greek artist, who had +himself witnessed that soft and voluptuous existence, where song and +pleasure are one. + +Seldom indeed have chasteness of execution and voluptuousness of +character been so curiously and indissolubly blended. Seldom has a +modern artist so happily caught the spirit of an ancient poet. We seem +to be transported, as in a dream, to the vines, and orange-groves, and +cloudless skies of Greece, and the wearied spirit abandons itself for a +while to the soft influences of the azure heaven, the countless +luxuriance of roses, the undulating forms of the fair girls dancing in +the shade, while youthful attendants brim the beaker with wine. Under +such influences we remember that youth, and love, and mirth are +immortal, and we say with Horace,-- + +'Nec, si quid olim lusit Anacreon Delevit aetas.'[1] + +In that close wrestle of the genius that imitates with the genius that +creates, Girodet alone came out from the trial successfully. He has +shown himself the rival of Anacreon in grace, in _abandon_, in +_naivete_. He has succeeded in depicting his poet's theme with equal +elegance and delicacy. Loving with a real love those old Greek songs, he +has displayed them in living beauty before our eyes in fifty-four +exquisite drawings. To attempt such a masterpiece required a poet's as +well as a painter's skill; and Girodet was both a painter and a poet. + +In examining these compositions, one cannot abstain from a certain kind +of surprise: all the odes of Anacreon revolve upon two or three central +ideas, expressed in a manner full of grace, unquestionably, but still +always the same ideas. The artist, while not deviating from the narrow +circle traced for him by the poet, shows a fecundity and variety that +are truly marvellous--that astonish and enchant us at the same time. The +nobility, elegance, and wealth of accessories that prevail throughout +the whole series might, as we have already hinted, lead us to suppose +that we owed them to one of the famous artists that Greece produced: the +painter and the poet seem to have been born under one heaven, and +informed with one soul. + +The manners of the time in which Anacreon lived permitted him to say +many things which, in their crudity, might offend our modern taste. +Girodet is not less voluptuous than Anacreon; but he always maintains +that grace and delicacy which add so great a charm to the voluptuous: +nowhere in his animated panorama is sight or sense shocked. + +These designs originally accompanied a translation of the Odes of +Anacreon, made by the painter himself and published shortly after his +death. Some small photographs of them on a greatly reduced scale +appeared in 1864, in an exquisite little edition of the original Greek, +from the press of Firmin Didot, at the almost prohibitive price of Two +Pounds. The present reproductions are on a scale more proportionate with +the originals, and constitute the first appearance of Girodet's designs +in England, where, we feel assured, they will be appreciated as they +deserve by all true lovers of classical art. + +The English verse-translation of Moore has been chosen to accompany +them, because, though it has often been objected to by the learned for +its imperfect scholarship, it seemed to us to be most in harmony with +the real spirit of the great French painter, and of the old Greek poet +himself. + + _Oct. 25, 1869._ + + +FOOTNOTES: + +[1] 'Time cannot raze Anacreon's name, Nor prey upon his youthful +strains.' + + + + +LIST OF ILLUSTRATIONS. + + +_FRONTISPIECE_--THE APOTHEOSIS OF ANACREON. + +PAGE + +THE LYRE OF ANACREON 15 + +NATURE'S GIFT TO WOMAN 19 + +CUPID BELATED 23 + +ANACREON TENDING CUPID 27 + +CUPID TRIES HIS BOW 31 + +LOVE AND WINE 35 + +THE ROSE 39 + +THE GENIUS OF FESTIVITY 43 + +A RACE WITH CUPID 47 + +ANACREON'S DREAM 51 + +THE DOVE 55 + +THE GIFT OF VENUS 59 + +THE DOVE TENDED BY ANACREON 63 + +THE IMAGE OF CUPID 67 + +AGE AND PLEASURE 71 + +THE CONFLICT WITH LOVE 75 + +THE SURRENDER 79 + +THE WREATH OF ROSES 83 + +THE VICTORY OF THE EYE 87 + +THE CUP 91 + +CUPID DISARMED 95 + +THE MIRROR 99 + +THE CHAPLET OF FLOWERS 103 + +THE TRUE WEALTH 107 + +THE POWER OF WINE 111 + +SONG AND DANCE 115 + +THE PORTRAIT 119 + +BATHYLLUS 123 + +THE RANSOM OF CUPID 127 + +THE FAIR FUGITIVE 131 + +THE LILY AND THE ROSE 135 + +EUROPA AND THE BULL 139 + +ANACREON DEFYING THE PHILOSOPHER 143 + +THE GRACES AND SPRING 147 + +THE SUMMONS TO FESTIVITY 151 + +THE BOWL OF WINE 155 + +VOWS TO VENUS 159 + +CUPID STUNG 163 + +THE DANCE OF MIRTH 167 + +THE FRONTLET OF HYACINTH 171 + +CAUGHT BY LOVE 175 + +THE LEMNIAN CAVE 179 + +THE EVERGREEN HEART 183 + +THE BLUSHING YEAR 187 + +THE QUEEN OF LOVE 191 + +THE ROSE 195 + +YOUTH AND DANCE 199 + +THE LOVER'S EYES 203 + +SPRING 207 + +VISION OF THE TEIAN BARD 211 + +THE HARP 215 + +BACCHANTS 219 + +CUPID IN THE GOBLET 223 + + + + +_ODE I._ + + + I often wish this languid lyre, + This warbler of my soul's desire, + Could raise the breath of song sublime, + To men of fame in former time. + But when the soaring theme I try, + Along the chords my numbers die, + And whisper, with dissolving tone, + 'Our sighs are given to love alone!' + Indignant at the feeble lay, + I tore the panting chords away, + Attuned them to a nobler swell, + And struck again the breathing shell; + +[Illustration] + + In all the glow of epic fire, + To Hercules I wake the lyre! + But still its fainting sighs repeat, + 'The tale of love alone is sweet!' + Then fare thee well, seductive dream, + That madest me follow Glory's theme; + For thou my lyre, and thou my heart, + Shall never more in spirit part; + And thou the flame shalt feel as well + As thou the flame shalt sweetly tell. + + + + +_ODE II._ + + + To all that breathe the airs of heaven, + Some boon of strength has Nature given. + When the majestic bull was born, + She fenced his brow with wreathed horn. + She arm'd the courser's foot of air, + And wing'd with speed the panting hare. + She gave the lion fangs of terror, + And, on the ocean's crystal mirror, + Taught the unnumber'd scaly throng + To trace their liquid path along; + While for the umbrage of the grove, + +[Illustration] + + She plumed the warbling bird of love. + To man she gave the flame refined, + The spark of heaven--a thinking mind! + And had she no surpassing treasure, + For thee, oh woman! child of pleasure? + She gave thee beauty--shaft of eyes, + That every shaft of war outflies! + She gave thee beauty--blush of fire, + That bids the flames of war retire! + Woman! be fair, we must adore thee; + Smile, and a world is weak before thee! + + + + +_ODE III._ + + + 'Twas noon of night, when round the pole + The sullen Bear is seen to roll; + And mortals, wearied with the day, + Are slumbering all their cares away; + An infant, at that dreary hour, + Came weeping to my silent bower, + And waked me with a piteous prayer, + To save him from the midnight air! + 'And who art thou,' I waking cry, + 'That bidd'st my blissful visions fly?' + 'O gentle sire!' the infant said, + 'In pity take me to thy shed; + Nor fear deceit: a lonely child + I wander o'er the gloomy wild. + +[Illustration] + + Chill drops the rain, and not a ray + Illumes the drear and misty way!' + I hear the baby's tale of woe; + I hear the bitter night-winds blow; + And sighing for his piteous fate, + I trimm'd my lamp and oped the gate. + 'Twas Love! the little wandering sprite, + His pinion sparkled through the night! + I knew him by his bow and dart; + I knew him by my fluttering heart! + I take him in, and fondly raise + The dying embers' cheering blaze; + +[Illustration] + + Press from his dank and clinging hair + The crystals of the freezing air, + And in my hand and bosom hold + His little fingers thrilling cold. + And now the embers' genial ray + Had warm'd his anxious fears away: + 'I pray thee,' said the wanton child, + (My bosom trembled as he smiled,) + 'I pray thee let me try my bow, + For through the rain I've wander'd so, + That much I fear the ceaseless shower + Has injured its elastic power.' + The fatal bow the urchin drew; + Swift from the string the arrow flew; + +[Illustration] + + Oh! swift it flew as glancing flame + And to my very soul it came! + 'Fare thee well,' I heard him say, + As laughing wild he wing'd away: + 'Fare thee well, for now I know + The rain has not relax'd my bow; + It still can send a maddening dart, + As thou shalt own with all thy heart!' + + + + +_ODE IV._ + + + Strew me a breathing bed of leaves, + Where lotos with the myrtle weaves; + And while in luxury's dream I sink, + Let me the balm of Bacchus drink! + In this delicious hour of joy, + Young Love shall be my goblet-boy; + Folding his little golden vest, + With cinctures, round his snowy breast, + Himself shall hover by my side, + And minister the racy tide! + Swift as the wheels that kindling roll, + Our life is hurrying to the goal: + A scanty dust, to feed the wind, + Is all the trace 'twill leave behind. + Why do we shed the rose's bloom + Upon the cold insensate tomb? + Can flowery breeze, or odour's breath, + +[Illustration] + + Affect the slumbering chill of death? + No, no; I ask no balm to steep + With fragrant tears my bed of sleep: + But now, while every pulse is glowing, + Now let me breathe the balsam flowing; + Now let the rose, with blush of fire, + Upon my brow its scent expire; + And bring the nymph with floating eye,-- + Oh! she will teach me how to die! + Yes, Cupid! ere my soul retire, + To join the blest elysian choir, + With wine, and love, and blisses dear, + I'll make my own elysium here! + + + + +_ODE V._ + + + Buds of roses, virgin flowers, + Cull'd from Cupid's balmy bowers, + In the bowl of Bacchus steep, + Till with crimson drops they weep! + Twine the rose, the garland twine, + Every leaf distilling wine; + Drink and smile, and learn to think + That we were born to smile and drink. + Rose! thou art the sweetest flower + That ever drank the amber shower; + Rose! thou art the fondest child + Of dimpled Spring, the wood-nymph wild! + E'en the gods, who walk the sky, + Are amorous of thy scented sigh. + Cupid too, in Paphian shades, + His hair with rosy fillet braids, + When with the blushing naked Graces, + The wanton winding dance he traces. + +[Illustration] + + Then bring me showers of roses, bring, + And shed them round me while I sing: + Great Bacchus! in thy hallow'd shade, + With some celestial, glowing maid, + While gales of roses round me rise, + In perfume, sweeten'd by her sighs, + I'll bill and twine in airy dance, + Commingling soul with every glance! + + + + +_ODE VI._ + + + While our rosy fillets shed + Blushes o'er each fervid head, + With many a cup and many a smile + The festal moments we beguile. + And while the harp, impassion'd, flings + Tuneful rapture from the strings, + Some airy nymph, with fluent limbs, + Through the dance luxuriant swims, + Waving, in her snowy hand, + The leafy Bacchanalian wand, + Which, as the tripping wanton flies, + Shakes its tresses to her sighs; + A youth the while, with loosen'd hair, + Floating on the listless air, + Sings to the wild harp's tender tone, + +[Illustration] + + A tale of woes, alas! his own; + And then what nectar in his sigh, + As o'er his lip the murmurs die! + Surely never yet has been + So divine, so blest a scene! + Has Cupid left the starry sphere, + To wave his golden tresses here? + Oh yes! and Venus, queen of wiles, + And Bacchus, shedding rosy smiles, + All, all are here, to hail with me + The genius of festivity! + + + + +_ODE VII._ + + + Arm'd with hyacinthine rod, + (Arms enough for such a god,) + Cupid bade me wing my pace, + And try with him the rapid race, + O'er the wild torrent, rude and deep. + By tangled brake and pendent steep, + With weary foot I panting flew, + My brow was chill with drops of dew. + And now my soul, exhausted, dying, + +[Illustration] + + To my lip was faintly flying; + And now I thought the spark had fled, + When Cupid hover'd o'er my head, + And fanning light his breezy plume, + Recall'd me from my languid gloom; + Then said, in accents half-reproving, + 'Why hast thou been a foe to loving?' + + + + +_ODE VIII._ + + + 'Twas night, and many a circling bowl + Had deeply warmed my swimming soul; + As lull'd in slumber I was laid, + Bright visions o'er my fancy play'd! + With virgins blooming as the dawn, + I seem'd to trace the opening lawn; + Light, on tiptoe bathed in dew, + We flew, and sported as we flew! + Some ruddy striplings, young and sleek, + With blush of Bacchus on their cheek, + Saw me trip the flowery wild + With dimpled girls, and slily smiled; + Smiled indeed with wanton glee, + But, ah! 'twas plain they envied me. + +[Illustration] + + And still I flew--and now I caught + The panting nymphs, and fondly thought + To kiss--when all my dream of joys, + Dimpled girls and ruddy boys, + All were gone! 'Alas!' I said, + Sighing for the illusions fled, + 'Sleep! again my joys restore, + Oh! let me dream them o'er and o'er!' + + + + +_ODE IX._ + + + Tell me, why, my sweetest dove, + Thus your humid pinions move, + Shedding through the air in showers + Essence of the balmiest flowers? + Tell me whither, whence you rove, + Tell me all, my sweetest dove.-- + Curious stranger! I belong + To the bard of Teian song: + +[Illustration] + + With his mandate now I fly + To the nymph of azure eye; + Ah! that eye has madden'd many, + But the poet more than any! + Venus, for a hymn of love, + Warbled in her votive grove, + ('Twas in sooth a gentle lay,) + Gave me to the bard away. + See me now his faithful minion, + Thus with softly-gliding pinion, + To his lovely girl I bear + Songs of passion through the air. + Oft he blandly whispers me, + 'Soon, my bird, I'll set you free.' + But in vain he'll bid me fly, + I shall serve him till I die. + +[Illustration] + + Never could my plumes sustain + Ruffling winds and chilling rain, + O'er the plains, or in the dell, + On the mountain's savage swell; + Seeking in the desert wood + Gloomy shelter, rustic food. + Now I lead a life of ease, + Far from such retreats as these; + From Anacreon's hand I eat + Food delicious, viands sweet; + Flutter o'er his goblet's brim, + Sip the foamy wine with him. + Then I dance and wanton round + To the lyre's beguiling sound; + Or with gently-fanning wings + Shade the minstrel while he sings: + +[Illustration] + + On his harp then sink in slumbers, + Dreaming still of dulcet numbers! + This is all--away--away-- + You have made me waste the day. + How I've chatter'd! prating crow + Never yet did chatter so. + + + + +_ODE X._ + + + 'Tell me, gentle youth, I pray thee, + What in purchase shall I pay thee + For this little waxen toy, + Image of the Paphian boy?' + Thus I said the other day, + To a youth who pass'd my way: + 'Sir,' he answer'd, and the while + Answer'd all in Doric style, + 'Take it, for a trifle take it; + Think not yet that I could make it; + Pray, believe it was not I; + No--it cost me many a sigh, + And I can no longer keep + Little gods, who murder sleep! + +[Illustration] + + Here, then, here,' (I said with joy) + 'Here is silver for the boy: + He shall be my bosom guest, + Idol of my pious breast!' + Little Love! thou now art mine, + Warm me with that torch of thine; + Make me feel as I have felt, + Or thy waxen frame shall melt. + I must burn in warm desire, + Or thou, my boy, in yonder fire! + + + + +_ODE XI._ + + + The women tell me every day, + That all my bloom has past away. + 'Behold,' the pretty wantons cry, + 'Behold this mirror with a sigh; + The locks upon thy brow are few, + And like the rest, they're withering too!' + Whether decline has thinn'd my hair, + I'm sure I neither know nor care; + But this I know, and this I feel, + +[Illustration] + + As onward to the tomb I steal, + That still as death approaches nearer, + The joys of life are sweeter, dearer; + And had I but an hour to live, + That little hour to bliss I'd give! + + + + +_ODE XII._ + + + I will; I will; the conflict's past, + And I'll consent to love at last. + Cupid has long, with smiling art, + Invited me to yield my heart; + And I have thought that peace of mind + Should not be for a smile resign'd; + And I've repell'd the tender lure, + And hoped my heart should sleep secure. + But, slighted in his boasted charms, + The angry infant flew to arms; + He slung his quiver's golden frame, + He took his bow, his shafts of flame, + And proudly summon'd me to yield, + +[Illustration] + + Or meet him on the martial field. + And what did I unthinking do? + I took to arms, undaunted too; + Assumed the corslet, shield, and spear, + And, like Pelides, smiled at fear. + Then (hear it, all you powers above!) + I fought with Love! I fought with Love! + And now his arrows all were shed + And I had just in terrors fled-- + When heaving an indignant sigh + To see me thus unwounded fly, + And having now no other dart, + He glanced himself into my heart! + My heart--alas the luckless day! + Received the god, and died away. + +[Illustration] + + Farewell, farewell, my faithless shield! + Thy lord at length is forced to yield. + Vain, vain, is every outward care, + My foe's within, and triumphs there. + + + + +_ODE XIII._ + + + I care not for the idle state + Of Persia's king, the rich, the great! + I envy not the monarch's throne, + Nor wish the treasured gold my own. + But oh! be mine the rosy braid, + The fervour of my brows to shade; + Be mine the odours, richly sighing, + Amidst my hoary tresses flying. + To-day, I'll haste to quaff my wine, + As if to-morrow ne'er should shine; + But if to-morrow comes, why then-- + I'll haste to quaff my wine again. + And thus while all our days are bright, + Nor time has dimm'd their bloomy light, + +[Illustration] + + Let us the festal hours beguile + With mantling cup and cordial smile; + And shed from every bowl of wine + The richest drop on Bacchus' shrine! + For Death may come, with brow unpleasant, + May come, when least we wish him present, + And beckon to the sable shore, + And grimly bid us drink no more! + + + + +_ODE XIV._ + + + Thy harp may sing of Troy's alarms, + Or tell the tale of Theban arms; + With other wars my song shall burn, + For other wounds my harp shall mourn. + 'Twas not the crested warrior's dart, + Which drank the current of my heart; + Nor naval arms, nor mailed steed, + Have made this vanquish'd bosom bleed; + +[Illustration] + + No--from an eye of liquid blue, + A host of quiver'd cupids flew; + And now my heart all bleeding lies + Beneath this army of the eyes! + + + + +_ODE XV_. + + + Grave me a cup with brilliant grace, + Deep as the rich and holy vase, + Which on the shrine of Spring reposes, + When shepherds hail that hour of roses. + Grave it with themes of chaste design, + Form'd for a heavenly bowl like mine. + Display not there the barbarous rites, + In which religious zeal delights; + +[Illustration] + + Nor any tale of tragic fate, + Which history trembles to relate! + No--cull thy fancies from above, + Themes of heaven and themes of love. + Let Bacchus, Jove's ambrosial boy, + Distil the grape in drops of joy, + And while he smiles at every tear, + Let warm-eyed Venus dancing near, + With spirits of the genial bed, + The dewy herbage deftly tread. + Let Love be there, without his arms, + In timid nakedness of charms; + +[Illustration] + + And all the Graces link'd with Love, + Blushing through the shadowy grove; + While rosy boys disporting round, + In circlets trip the velvet ground; + But ah! if there Apollo toys, + I tremble for my rosy boys! + + + + +_ODE XVI._ + + + The Phrygian rock that braves the storm, + Was once a weeping matron's form; + And Progne, hapless, frantic maid, + Is now a swallow in the shade. + Oh! that a mirror's form were mine, + To sparkle with that smile divine; + And like my heart I then should be, + Reflecting thee, and only thee! + Or were I, love, the robe which flows + O'er every charm that secret glows, + In many a lucid fold to swim, + And cling and grow to every limb! + Oh! could I, as the streamlet's wave, + Thy warmly-mellowing beauties lave, + Or float as perfume on thine hair, + +[Illustration] + + And breathe my soul in fragrance there! + I wish I were the zone, that lies + Warm to thy breast, and feels its sighs! + Or like those envious pearls that show + So faintly round that neck of snow, + Yes, I would be a happy gem, + Like them to hang, to fade like them. + What more would thy Anacreon be? + Oh! anything that touches thee. + Nay, sandals for those airy feet-- + Thus to be press'd by thee were sweet! + + + + +_ODE XVII._ + + + Now the star of day is high, + Fly, my girls, in pity fly, + Bring me wine in brimming urns, + Cool my lip, it burns, it burns! + Sunn'd by the meridian fire, + Panting, languid I expire! + Give me all those humid flowers, + Drop them o'er my brow in showers. + Scarce a breathing chaplet now + Lives upon my feverish brow; + +[Illustration] + + Every dewy rose I wear + Sheds its tears and withers there. + But for you, my burning mind! + Oh! what shelter shall I find? + Can the bowl, or floweret's dew, + Cool the flame that scorches you? + + + + +_ODE XVIII._ + + + If hoarded gold possess'd a power + To lengthen life's too fleeting hour, + And purchase from the land of death + A little span, a moment's breath, + How I would love the precious ore! + And every day should swell my store; + That when the Fates would send their minion, + To waft me off on shadowy pinion, + I might some hours of life obtain, + And bribe him back to hell again. + But, since we ne'er can charm away + The mandate of that awful day, + Why do we vainly weep at fate, + And sigh for life's uncertain date? + The light of gold can ne'er illume + The dreary midnight of the tomb! + And why should I then pant for treasures? + +[Illustration] + + Mine be the brilliant round of pleasures; + The goblet rich, the board of friends, + Whose flowing souls the goblet blends: + Mine be the nymph, whose form reposes + Seductive on that bed of roses; + And oh! be mine the soul's excess, + Expiring in her warm caress! + + + + +_ODE XIX._ + + + When my thirsty soul I steep, + Every sorrow's lull'd to sleep. + Talk of monarchs! I am then + Richest, happiest, first of men; + Careless, o'er my cup I sing, + Fancy makes me more than king; + Gives me wealthy Croesus' store, + Can I, can I wish for more? + On my velvet couch reclining, + Ivy leaves my brow entwining, + While my soul dilates with glee, + What are kings and crowns to me? + +[Illustration] + + If before my feet they lay, + I would spurn them all away! + Arm you, arm you, men of might, + Hasten to the sanguine fight; + Let me, oh my budding vine, + Spill no other blood than thine. + Yonder brimming goblet see, + That alone shall vanquish me. + Oh! I think it sweeter far + To fall in banquet than in war! + + + + +_ODE XX._ + + + When Bacchus, Jove's immortal boy, + The rosy harbinger of joy, + Who, with the sunshine of the bowl, + Thaws the winter of our soul; + When to the inmost core he glides, + And bathes it with his ruby tides, + A flow of joy, a lively heat, + Fires my brain, and wings my feet; + 'Tis surely something sweet, I think, + Nay, something heavenly sweet, to drink! + +[Illustration] + + Sing, sing of love, let music's breath + Softly beguile our rapturous death, + While, my young Venus, thou and I + To the voluptuous cadence die! + Then waking from our languid trance, + Again we'll sport, again we'll dance. + + + + +_ODE XXI._ + + + Thou, whose soft and rosy hues, + Mimic form and soul infuse; + Best of painters! come portray + The lovely maid that's far away. + Far away, my soul! thou art, + But I've thy beauties all by heart. + Paint her jetty ringlets straying, + Silky twine in tendrils playing; + And, if painting hath the skill + To make the spicy balm distil, + Let every little lock exhale + A sigh of perfume on the gale. + Where her tresses' curly flow + Darkles o'er the brow of snow, + Let her forehead beam to light, + Burnish'd as the ivory bright. + Let her eyebrows sweetly rise + In jetty arches o'er her eyes, + Gently in her crescent gliding, + Just commingling, just dividing. + But hast thou any sparkles warm, + The lightning of her eyes to form? + +[Illustration] + + Let them effuse the azure ray + With which Minerva's glances play, + And give them all that liquid fire + That Venus' languid eyes respire. + O'er her nose and cheek be shed + Flushing white and mellow'd red; + Gradual tints, as when there glows + In snowy milk the bashful rose. + Then her lip, so rich in blisses! + Sweet petitioner for kisses! + Pouting nest of bland persuasion, + Ripely suing Love's invasion. + Then beneath the velvet chin, + Whose dimple shades a love within, + Mould her neck with grace descending. + In a heaven of beauty ending; + While airy charms, above, below, + Sport and flutter on its snow. + Now let a floating, lucid veil, + Shadow her limbs, but not, conceal; + A charm may peep, a hue may beam, + And leave the rest to Fancy's dream. + Enough--'tis she! 'tis all I seek; + It glows, it lives, it soon will speak. + + + + +_ODE XXII._ + + And now with all thy pencil's truth, + Portray Bathyllus, lovely youth! + Let his hair in lapses bright, + Fall like streaming rays of light, + And there the raven's dye confuse + With the yellow sunbeam's hues. + Let not the braid, with artful twine, + The flowing of his locks confine; + But loosen every golden ring, + To float upon the breeze's wing, + Beneath the front of polished glow. + Front as fair as mountain-snow, + And guileless as the dews of dawn, + +[Illustration] + + Let the majestic brows be drawn, + Of ebon dies, enriched by gold, + Such as the scaly snakes unfold. + Mingle in his jetty glances, + Power that awes, and love that trances; + Steal from Venus bland desire, + Steal from Mars the look of fire, + Blend them in such expression here, + That we by turns may hope and fear! + Now from the sunny apple seek + The velvet down that spreads his cheek; + And there let Beauty's rosy ray + In flying blushes richly play; + Blushes, of that celestial flame + Which lights the cheek of virgin shame. + Then for his lips, that ripely gem-- + But let thy mind imagine them! + Paint, where the ruby cell uncloses, + Persuasion sleeping upon roses; + And give his lip that speaking air, + As if a word was hovering there! + His neck of ivory splendour trace, + Moulded with soft but manly grace; + Fair as the neck of Paphia's boy, + Where Paphia's arms have hung in joy. + Give him the winged Hermes' hand. + With which he waves his snaky wand: + Let Bacchus then the breast supply, + And Leda's son the sinewy thigh. + But oh! suffuse his limbs of fire + With all that glow of young desire, + +[Illustration] + + Which kindles, when the wishful sigh + Steals from the heart, unconscious why. + Thy pencil, though divinely bright, + Is envious of the eye's delight, + Or its enamoured touch would shew + His shoulder, fair as sunless snow, + Which now in veiling shadow lies, + Removed from all but Fancy's eyes, + Now, for his feet--but hold--forbear-- + I see a godlike portrait there; + So like Bathyllus! sure there's none + So like Bathyllus but the Sun! + Oh! let this pictured god be mine, + And keep the boy for Samos' shrine; + Phoebus shall then Bathyllus be, + Bathyllus then the deity! + + + + +_ODE XXIII._ + + + One day, the Muses twined the hands + Of baby Love, with flowery bands; + And to celestial Beauty gave + The captive infant as her slave. + His mother comes with many a toy, + To ransom her beloved boy; + His mother sues, but all in vain! + +[Illustration] + + He ne'er will leave his chains again. + Nay, should they take his chains away, + The little captive still would stay. + 'If this,' he cries, 'a bondage be, + Who could wish for liberty?' + + + + +_ODE XXIV._ + + + Fly not thus my brow of snow, + Lovely wanton! fly not so. + Though the wane of age is mine, + Though the brilliant flush is thine, + Still I'm doom'd to sigh for thee, + Blest, if thou couldst sigh for me! + See, in yonder flowery braid, + Cull'd for thee, my blushing maid, + +[Illustration] + + How the rose, of orient glow, + Mingles with the lily's snow; + Mark, how sweet their tints agree, + Just, my girl, like thee and me! + + + + +_ODE XXV._ + + + Methinks, the pictur'd bull we see + Is amorous Jove--it must be he! + How fondly blest he seems to bear + That fairest of Phoenician fair! + How proud he breasts the foamy tide + And spurns the billowy surge aside! + Could any beast of vulgar vein, + Undaunted thus defy the main? + No: he descends from climes above, + He looks the God, he breathes of Jove! +[Illustration] + + + + +_ODE XXVI._ + + + Away, away, you men of rules, + What have I to do with schools? + They'd make me learn, they'd make me think, + But would they make me love and drink? + Teach me this; and let me swim + My soul upon the goblet's brim; + Teach me this, and let me twine + My arms around the nymph divine! + Age begins to blanch my brow, + I've time for nought but pleasure now. + Fly, and cool my goblet's glow + At yonder fountain's gelid flow; + I'll quaff, my boy, and calmly sink + +[Illustration] + + This soul to slumber as I drink! + Soon, too soon, my jocund slave, + You'll deck your master's grassy grave; + And there's an end--for ah! you know + They drink but little wine below! + + + + +_ODE XXVII._ + + + See the young, the rosy Spring, + Gives to the breeze her spangled wing; + While virgin Graces, warm with May, + Fling roses o'er her dewy way! + The murmuring billows of the deep + Have languished into silent sleep; + And mark! the flitting sea-birds lave + Their plumes in the reflecting wave; + While cranes from hoary winter fly + To flutter in a kinder sky. + Now the genial star of day + +[Illustration] + + Dissolves the murky clouds away; + And cultur'd field, and winding stream, + Are sweetly tissued by his beam. + Now the earth prolific swells + With leafy buds and flowery bells; + Gemming shoots the olive twine, + Clusters ripe festoon the vine; + All along the branches creeping, + Through the velvet foliage peeping, + Little infant fruits we see + Nursing into luxury! + + + + +_ODE XXVIII._ + + + 'Tis true, my fading years decline, + Yet I can quaff the brimming wine, + As deep as any stripling fair, + Whose cheeks the flush of morning wear; + And if, amidst the wanton crew, + I'm call'd to wind the dance's clue, + Thou shall behold this vigorous hand, + Not faltering on the Bacchant's wand, + +[Illustration] + + But brandishing a rosy flask, + The only Thyrsus e'er I'll ask! + Let those who pant for Glory's charms, + Embrace her in the held of arms; + While my inglorious placid soul + Breathes not a wish beyond the bowl. + + Then fill it high, my ruddy slave, + And bathe me in its honied wave! + For though my fading years decay, + And though my bloom has passed away, + Like old Silenus, sire divine, + With blushes borrowed from my wine, + I'll wanton 'mid the dancing train, + And live my follies all again! + +[Illustration] + + + + +_ODE XXIX._ + + + When I drink, I feel, I feel, + Visions of poetic zeal! + Warm with the goblet's fresh'ning dews, + My heart invokes the heavenly Muse. + When I drink my sorrow's o'er; + I think of doubts and fears no more; + But scatter to the railing wind + Each gloomy phantom of the mind! + When I drink, the jesting boy + Bacchus himself partakes my joy; + And while we dance through breathing bowers, + Whose every gale is rich with flowers, + In bowls he makes my senses swim, + Till the gale breathes of nought but him! + When I drink, I deftly twine + Flowers, begemm'd with tears of wine; + And, while with festive hand I spread + The smiling garland round my head, + Something whispers in my breast, + How sweet it is to live at rest! + When I drink, and perfume stills + Around me all in balmy rills, + Then as some beauty, smiling roses, + In languor on my breast reposes, + Venus! I breathe my vows to thee, + In many a sigh of luxury! + When I drink, my heart refines, + And rises as the cup declines; + +[Illustration] + + Rises in the genial flow, + That none but social spirits know, + When youthful revellers round the bowl, + Dilating, mingle soul with soul! + When I drink, the bliss is mine; + There's bliss in every drop of wine! + All other joys that I have known, + I've scarcely dared to call my own; + But this the Fates can ne'er destroy, + Till death o'ershadows all my joy! + + + + +_ODE XXX._ + + + Cupid once upon a bed + Of roses laid his weary head; + Luckless urchin, not to see + Within the leaves a slumbering bee! + The bee awaked--with anger wild + The bee awaked, and stung the child. + Loud and piteous are his cries; + To Venus quick he runs, he flies! + 'Oh, mother!--I am wounded through-- + I die with pain--in sooth I do! + Stung by some little angry thing, + Some serpent on a tiny wing-- + A bee it was--for once, I know + +[Illustration] + + I heard a rustic call it so.' + Thus he spoke, and she the while + Heard him with a soothing smile; + Then said, 'My infant, if so much + Thou feel the little wild-bee's touch, + How must the heart, ah, Cupid! be, + The hapless heart that's stung by thee?' + + + + +_ODE XXXI._ + + + Let us drain the nectar'd bowl, + Let us raise the song of soul + To him, the God who loves so well + The nectar'd bowl, the choral swell! + Him, who instructs the sons of earth + To thrid the tangled dance of mirth; + Him, who was nursed with infant Love, + And cradled in the Paphian grove; + Him, that the snowy Queen of Charms + Has fondled in her twining arms. + From him that dream of transport flows, + Which sweet intoxication knows; + With him, the brow forgets to darkle, + And brilliant graces learn to sparkle. + Behold! my boys a goblet bear, + Whose sunny foam bedews the air. + Where are now the tear, the sigh? + To the winds they fly, they fly! + +[Illustration] + + Grasp the bowl; in nectar sinking, + Man of sorrow, drown thy thinking! + Oh! can the tears we lend to thought + In life's account avail us aught? + Can we discern, with all our lore, + The path we're yet to journey o'er? + No, no! the walk of life is dark; + 'Tis wine alone can strike a spark! + Then let me quaff the foamy tide, + And through the dance meandering glide; + Let me imbibe the spicy breath + Of odours chafed to fragrant death; + Or from the kiss of love inhale + A more voluptuous, richer gale! + To souls that court the phantom + Care, Let him retire and shroud him there; + While we exhaust the nectar'd bowl, + And swell the choral song of soul + To him, the God who loves so well + The nectar'd bowl, the choral swell! + + + + +_ODE XXXII._ + + + Yes, be the glorious revel mine, + Where humour sparkles from the wine! + Around me let the youthful choir + Respond to my beguiling lyre; + And while the red cup circles round, + Mingle in soul as well as sound! + Let the bright nymph, with trembling eye, + Beside me all in blushes lie; + And, while she weaves a frontlet fair + Of hyacinth to deck my hair, + Oh! let me snatch her sidelong kisses, + And that shall be my bliss of blisses! + My soul, to festive feeling true, + One pang of envy never knew; + +[Illustration] + + And little has it learn'd to dread + The gall that envy's tongue can shed. + Away--I hate the slanderous dart, + Which steals to wound th' unwary heart; + And oh! I hate, with all my soul, + Discordant clamours o'er the bowl, + Where every cordial heart should be + Attuned to peace and harmony. + Come, let us hear the soul of song + Expire the silver harp along; + And through the dance's ringlet move, + With maidens mellowing into love: + Thus simply happy, thus at peace, + Sure such a life should never cease! + + + + +_ODE XXXIII._ + + + 'Twas in an airy dream of night, + I fancied that I wing'd my flight + On pinions fleeter than the wind, + While little Love, whose feet were twined + (I know not why) with chains of lead, + Pursued me as I trembling fled; + Pursued--and could I e'er have thought?-- + Swift as the moment I was caught! + What does the wanton fancy mean + By such a strange, illusive scene? + +[Illustration] + + I fear she whispers to my breast, + That you, my girl, have stol'n my rest; + That though my fancy, for a while, + Has hung on many a woman's smile, + I soon dissolved the passing vow, + And ne'er was caught by love till now! + + + + +_ODE XXXIV._ + + + As in the Lemnian caves of fire, + The mate of her who nursed Desire + Moulded the glowing steel, to form + Arrows for Cupid, thrilling warm; + While Venus every barb imbues + With droppings of her honied dews; + And Love (alas the victim-heart!) + Tinges with gall the burning dart; + Once, to this Lemnian cave of flame, + The crested Lord of battles came; + 'Twas from the ranks of war he rush'd, + His spear with many a life-drop blush'd! + He saw the mystic darts, and smiled + Derision on the archer-child. + +[Illustration] + + 'And dost thou smile?' said little Love; + 'Take this dart, and thou mayst prove, + That though they pass the breeze's flight, + My bolts are not so feathery light.' + He took the shaft--and oh! thy look, + Sweet Venus! when the shaft he took-- + He sigh'd, and felt the urchin's art; + He sigh'd, in agony of heart, + 'It is not light--I die with pain! + Take--take thy arrow back again.' + 'No,' said the child, 'it must not be, + That little dart was made for thee!' + + + + +_ODE XXXV._ + + + How I love the festive boy, + Tripping wild the dance of joy! + How I love the mellow sage, + Smiling through the veil of age! + And whene'er this man of years + In the dance of joy appears, + Age is on his temples hung, + But his heart--his heart is young! + +[Illustration] + + + + +_ODE XXXVI._ + + + He, who instructs the youthful crew + To bathe them in the brimmer's dew, + And taste, uncloy'd by rich excesses, + All the bliss that wine possesses! + He, who inspires the youth to glance + In winged circlets through the dance; + Bacchus, the god again is here, + And leads along the blushing year; + The blushing year with rapture teems, + Ready to shed those cordial streams, + Which, sparkling in the cup of mirth, + Illuminate the sons of earth, + And when the ripe and vermeil wine, + Sweet infant of the pregnant vine, + Which now in mellow clusters swells, + Oh! when it bursts its rosy cells, + The heavenly stream shall mantling flow, + To balsam every mortal woe! + No youth shall then be wan or weak, + For dimpling health shall light the cheek; + No heart shall then desponding sigh, + For wine shall bid despondence fly! + Thus--till another autumn's glow + Shall bid another vintage flow! + +[Illustration] + + + + +_ODE XXXVII._ + + + And whose immortal hand could shed + Upon this disk the ocean's bed? + And, in a frenzied flight of soul + Sublime as heaven's eternal pole, + Imagine thus, in semblance warm, + The Queen of Love's voluptuous form + Floating along the silvery sea + In beauty's naked majesty! + Oh! he has given the raptured sight + A witching banquet of delight; + And all those sacred scenes of love, + Where only hallow'd eyes may rove, + Lie, faintly glowing, half conceal'd, + Within the lucid billows veil'd. + Light as the leaf, that summer's breeze + Has wafted o'er the glassy seas, + She floats upon the ocean's breast, + Which undulates in sleepy rest, + And stealing on, she gently pillows + Her bosom on the amorous billows. + Her bosom, like the humid rose, + Her neck, like dewy-sparkling snows, + Illume the liquid path she traces, + And burn within the stream's embraces! + In languid luxury soft she glides, + Encircled by the azure tides, + Like some fair lily, faint with weeping, + Upon a bed of violets sleeping! + Beneath their queen's inspiring glance, + The dolphins o'er the green sea dance, + Bearing in triumph young Desire, + And baby Love with smiles of fire! + While, sparkling on the silver waves, + The tenants of the briny caves + Around the pomp in eddies play, + And gleam along the watery way. + +[Illustration] + + + + +_ODE XXXVIII._ + + + While we invoke the wreathed spring, + Resplendent rose! to thee we'll sing; + Resplendent rose, the flower of flowers, + Whose breath perfumes Olympus' bowers; + Whose virgin blush of chasten'd dye, + Enchants so much our mortal eye. + When pleasure's bloomy season glows, + The Graces love to twine the rose; + The rose is warm Dione's bliss, + And flushes like Dione's kiss! + Oft has the poet's magic tongue + The rose's fair luxuriance sung; + And long the Muses, heavenly maids, + Have rear'd it in their tuneful shades. + When, at the early glance of morn, + It sleeps upon the glittering thorn, + 'Tis sweet to dare the tangled fence, + To cull the timid flowret thence, + And wipe with tender hand away + The tear that on its blushes lay! + 'Tis sweet to hold the infant stems, + Yet dropping with Aurora's gems, + And fresh inhale the spicy sighs + That from the weeping buds arise. + When revel reigns, when mirth is high, + And Bacchus beams in every eye, + Our rosy fillets scent exhale, + And fill with balm the fainting gale! + Oh! there is nought in nature bright, + Where roses do not shed their light! + When morning paints the orient skies, + Her fingers burn with roseate dyes; + The nymphs display the rose's charms, + It mantles o'er their graceful arms; + Through Cytherea's form it glows, + And mingles with the living snows. + The rose distils a healing balm, + The beating pulse of pain to calm; + Preserves the cold inurned clay, + And mocks the vestige of decay: + And when at length, in pale decline, + Its florid beauties fade and pine, + Sweet as in youth, its balmy breath + Diffuses odour e'en in death! + Oh! whence could such a plant have sprung? + Attend--for thus the tale is sung. + +[Illustration] + + When, humid, from the silvery stream, + Effusing beauty's warmest beam, + Venus appear'd, in flushing hues, + Mellow'd by ocean's briny dews; + When, in the starry courts above, + The pregnant brain of mighty Jove + Disclosed the nymph of azure glance, + The nymph who shakes the martial lance! + Then, then, in strange eventful hour, + The earth produced an infant flower, + Which sprung, with blushing tinctures drest, + And wanton'd o'er its parent breast. + The gods beheld this brilliant birth, + And hail'd the Rose, the boon of earth! + With nectar drops, a ruby tide, + The sweetly orient buds they dyed, + And bade them bloom, the flowers divine + Of him who sheds the teeming vine; + And bade them on the spangled thorn + Expand their bosoms to the morn. + + + + +_ODE XXXIX._ + + + When I behold the festive train + Of dancing youth, I'm young again! + Memory wakes her magic trance, + And wings me lightly through the dance. + Come, Cybeba, smiling maid! + Cull the flower and twine the braid; + Bid the blush of summer's rose + Burn upon my brow of snows; + And let me, while the wild and young + Trip the mazy dance along, + Fling my heap of years away, + And be as wild, as young as they. + +[Illustration] + + Hither haste, some cordial soul! + Give my lips the brimming bowl; + Oh! you will see this hoary sage + Forget his locks, forget his age. + He still can chant the festive hymn, + He still can kiss the goblet's brim; + He still can act the mellow raver, + And play the fool as sweet as ever! + + + + +_ODE XL._ + + + We read the flying courser's name + Upon his side in marks of flame; + And, by their turban'd brows alone, + The warriors of the East are known. + But in the lover's glowing eyes, + The inlet to his bosom lies; + +[Illustration] + + Thro' them we see the small faint mark, + Where Love has dropt his burning spark! + + + + +_ODE XLI._ + + + When Spring begems the dewy scene, + How sweet to walk the velvet green, + And hear the Zephyr's languid sighs, + As o'er the scented mead he flies! + How sweet to mark the pouting vine, + Ready to fall in tears of wine; + +[Illustration] + + And with the maid, whose every sigh + Is love and bliss, entranced to lie + Where the imbowering branches meet-- + Oh! is not this divinely sweet? + + + + +_ODE XLII._ + + + I saw the smiling bard of pleasure, + The minstrel of the Teian measure; + 'Twas in a vision of the night. + He beam'd upon my wond'ring sight; + I heard his voice, and warmly prest + The dear enthusiast to my breast. + His tresses wore a silvery dye, + But beauty sparkled in his eye; + Sparkled in his eyes of fire, + Through the mist of soft desire. + His lip exhaled, whene'er he sigh'd, + The fragrance of the racy tide; + And, as with weak and reeling feet, + He came my coral kiss to meet, + +[Illustration] + + An infant, of the Cyprian band, + Guided him on with tender hand. + Quick from his glowing brows he drew + His braid, of many a wanton hue, + I took the braid of wanton twine, + It breathed of him and blush'd with wine! + I hung it o'er my thoughtless brow, + And ah! I feel its magic now! + I feel that e'en his garland's touch + Can make the bosom love too much! + + + + +_ODE XLIII._ + + + Give me the harp of epic song, + Which Homer's finger thrill'd along; + But tear away the sanguine string, + For war is not the theme I sing. + Proclaim the laws of festal right + I'm monarch of the board to-night; + And all around shall brim as high, + And quaff the tide as deep as I! + And when the cluster's mellowing dews + Their warm, enchanting balm infuse + Our feet shall catch th' elastic bound, + And reel us through the dance's round. + +[Illustration] + + Oh, Bacchus! we shall sing to thee, + In wild but sweet ebriety! + And flash around such sparks of thought, + As Bacchus could alone have taught! + Then give the harp of epic song, + Which Homer's finger thrill'd along; + But tear away the sanguine string, + For war is not the theme I sing! + + + + +_ODE XLIV._ + + + Listen to the Muse's lyre, + Master of the pencil's fire! + Sketch'd in painting's bold display, + Many a city first pourtray; + Many a city revelling free, + Warm with loose festivity. + Picture then a rosy train, + Bacchants straying o'er the plain; + Piping, as they roam along, + Roundelay or shepherd-song. + +[Illustration] + + Paint me next, if painting may + Such a theme as this pourtray, + All the happy heaven of love, + These elect of Cupid prove. + + + + +_ODE XLV._ + + + As late I sought the spangled bowers, + To cull a wreath of matin flowers, + Where many an early rose was weeping, + I found the urchin Cupid sleeping. + I caught the boy, a goblet's tide + Was richly mantling by my side, + I caught him by his downy wing, + And whelm'd him in the racy spring. + +[Illustration] + + Oh! then I drank the poison'd bowl, + And Love now nestles in my soul! + Yes, yes, my soul is Cupid's nest, + I feel him fluttering in my breast. + + + + +_CHOICE ILLUSTRATED WORKS._ + + +=Lives of the Saints.= Enriched with 51 exquisite full-page Miniatures +in gold and colours, bound in silk velvet, enriched with gold, 7_l._ +7_s._ + +=Saint Ursula=, Princess of Britain, and her Companions. Illustrated +with 25 full-page 4to Illuminated Miniatures by VAN EYCK, bound in +purple satin, enriched with gold, 3_l._ 15_s._ + +=Golden Verses= from the New Testament, with 50 Illuminations and +Miniatures from celebrated Missals, in gold and colours, 30_s._ + + +The Author's Own Edition. =Robinson Crusoe=, Illustrated by ERNEST +GRISET, 7_s._ 6_d._ This is the Standard Edition of this famous work, +and _is the only one correctly printed_ since the death of Defoe. + +=Doctor Syntax's Three Tours=, with the 81 droll Coloured Illustrations +by ROWLANDSON, 7_s._ 6_d._ + +=Wonderful Characters=, The Book of, with 60 Engravings of eccentric or +remarkable persons, 7_s._ 6_d._ + +=Tom and Jerry=; or, Life in London: the favourite book of George IV. +With CRUIKSHANK'S inimitable Coloured Plates, 7_s._ 6_d._ + + +_CHOICE ILLUSTRATED WORKS OF HUMOUR for the Drawing Room; price 6s. +each._ + +CAROLS OF COCKAYNE. By HENRY S. LEIGH. + +THE BAB BALLADS. By W. S. GILBERT. + +PUNIANA. Best book of Riddles and Puns. + +ARTEMUS WARD'S LECTURES. Tinted Illustrations. 'Enormous +burlesque--unapproachable and preeminent.'--_Saturday Review._ + + +=Caricature History of the Georges.= 640 pages, and 400 Pictures, +Caricatures, Squibs, Broadsides, &c., 7_s._ 6_d._ + +=Signboards: their History.= With Anecdotes of famous Taverns, &c. 100 +Illustrations, 7_s._ 6_d._ + +=Puck on Pegasus.= A clever and brilliant book; illustrated by Sir NOEL +PATON, RICHARD DOYLE, MILLAIS, TENNIEL, CRUIKSHANK, and all our best +artists, 10_s._ 6_d._ + +=German Popular Stories.= The favourite book amongst Children; with 22 +Illustrations by GEORGE CRUIKSHANK, 6_s._ 6_d._ + +=Family Fairy Tales.= A book of delightful Stories; Coloured Plates by +ELLEN EDWARDS, 4_s._ 6_d._ + +=Prince Ubbely Bubble's New Story= Book. A new volume of charming Tales; +illustrated by MATT MORGAN, BARNES, and other artists, 4_s._ 6_d._ + +=Aaron Penley's Sketching in Water= Colours; with 21 beautiful +Illustrations of Water Colour Drawings. Gilt, gilt edges, 21_s._ + +=The Standard Work on Diamonds= and Precious Stones. By HARRY EMANUEL, +F.R.G.S. 6_s._ + +=The Best Hand-book of Heraldry=, Pedigrees, Liveries. By JOHN E. +CUSSANS; profusely illustrated, 7_s._ 6_d._ + +=Romance of the Rod.= A Pictorial History of Flagellation, 9_s._ 6_d._ + + +Mr. SWINBURNE'S New Book. =William Blake.= A Critical Essay; with +Coloured Paintings, 16_s._ + + + * * * * * + + +Transcriber's Notes + +In Ode III, beginning of last line on page 26, the word 'The' is mostly +illegible and has been added by comparison with another version of the +text. + +In Ode III, after the phrase 'my blissful visions fly?', the missing +punctuation mark ' has been added. + +In Ode VII, after 'rapid race', period has been replaced with comma. + +In Ode X, after the phrase 'who murder sleep!' The single quotation mark +' has been deleted. + +In Ode XXIII, after the phrase 'wish for liberty', the missing +punctuation marks ?' have been added. + +There are three words with the [oe] ligature. This is normalised to 'oe' +in the text file; in the HTML file the ligature has been retained. + +There is one word with the 'ae' ligature; this has been retained in both +versions. + + + + + +End of the Project Gutenberg EBook of The Odes of Anacreon, by Thomas Moore + +*** END OF THIS PROJECT GUTENBERG EBOOK THE ODES OF ANACREON *** + +***** This file should be named 38230.txt or 38230.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/8/2/3/38230/ + +Produced by Steven Giacomelli, Margo Romberg and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by Case Western Reserve University Preservation Department +Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/38230.zip b/38230.zip Binary files differnew file mode 100644 index 0000000..11bb02a --- /dev/null +++ b/38230.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..e6d5a13 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #38230 (https://www.gutenberg.org/ebooks/38230) |
