diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:09:48 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:09:48 -0700 |
| commit | 7f1596a4606f0419a5f6a4ac2c96a591b271e78c (patch) | |
| tree | ef777dfedcb612ca4c919a95f84fe48bcdea67d8 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 38227-h.zip | bin | 0 -> 362609 bytes | |||
| -rw-r--r-- | 38227-h/38227-h.htm | 988 | ||||
| -rw-r--r-- | 38227-h/images/i001.png | bin | 0 -> 54732 bytes | |||
| -rw-r--r-- | 38227-h/images/i007.png | bin | 0 -> 55398 bytes | |||
| -rw-r--r-- | 38227-h/images/i010.png | bin | 0 -> 51732 bytes | |||
| -rw-r--r-- | 38227-h/images/i011.png | bin | 0 -> 47804 bytes | |||
| -rw-r--r-- | 38227-h/images/i014.png | bin | 0 -> 51526 bytes | |||
| -rw-r--r-- | 38227-h/images/icover.jpg | bin | 0 -> 84841 bytes | |||
| -rw-r--r-- | 38227.txt | 752 | ||||
| -rw-r--r-- | 38227.zip | bin | 0 -> 13418 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
13 files changed, 1756 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/38227-h.zip b/38227-h.zip Binary files differnew file mode 100644 index 0000000..c458eef --- /dev/null +++ b/38227-h.zip diff --git a/38227-h/38227-h.htm b/38227-h/38227-h.htm new file mode 100644 index 0000000..1723a11 --- /dev/null +++ b/38227-h/38227-h.htm @@ -0,0 +1,988 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of The Rainbow, After the Thunder-Storm, by Anonymous</title> + <style type="text/css"> + + p {margin-top: .75em; + text-align: justify; + text-indent: 1.25em; + margin-bottom: .75em; + } + img {border: 0;} + .tnote {border: dashed 1px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em;} + ins {text-decoration:none; border-bottom: thin dotted gray;} + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + } /* page numbers */ + .copyright {text-align: center; font-size: 70%;} + + .small {font-size: 70%;} + .big {font-size: 110%;} + .author {font-size: 120%; text-align: center;} + .center {text-align: center;} + + .caption {font-weight: bold; font-size: 90%;} + + .figcenter {margin: auto; text-align: center;} + + .unindent {margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + .poem {margin-left: 30%; text-align: left;} + + hr.full { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 4px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + pre {font-size: 85%;} + </style> +</head> +<body> +<h1>The Project Gutenberg eBook, The Rainbow, After the Thunder-Storm, by +Anonymous</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: The Rainbow, After the Thunder-Storm</p> +<p>Author: Anonymous</p> +<p>Release Date: December 5, 2011 [eBook #38227]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK THE RAINBOW, AFTER THE THUNDER-STORM***</p> +<p> </p> +<h4>E-text prepared by Emmy<br /> + and the Online Distributed Proofreading Team<br /> + (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br /> + from page images generously made available by<br /> + Internet Archive<br /> + (<a href="http://www.archive.org">http://www.archive.org</a>)</h4> +<p> </p> +<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> + <tr> + <td valign="top"> + Note: + </td> + <td> + Images of the original pages are available through + Internet Archive. See + <a href="http://www.archive.org/details/rainbowafterthun00ladyiala"> + http://www.archive.org/details/rainbowafterthun00ladyiala</a> + </td> + </tr> +</table> +<p> </p> +<hr class="full" /> +<p> </p> +<p> </p> + +<div class="figcenter" style="width: 388px;"> +<img src="images/icover.jpg" width="388" height="600" alt="cover" title="" /> +</div> +<p><span class='pagenum'><a name="Page_1" id="Page_1">[1]</a></span></p> + + + + +<h1><span class='small'>THE</span><br /> +RAINBOW,<br /> + +<span class='small'>AFTER</span><br /> + +The Thunder-Storm.</h1> + +<div class='author'>BY A LADY.</div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i001.png" width="500" height="381" alt="" title="" /> +</div> + +<div class='center'> +London:<br /> +PRINTED FOR FRANCIS WESTLEY,<br /> +STATIONERS'-COURT, LUDGATE-HILL.<br /> +<br /> +1823.<br /></div> + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_2" id="Page_2">[2]</a></span></p> + + +<div class='copyright'> +T. C. Hansard, Printer,<br /> +Peterboro'-court, Fleet-street, London.<br /> +</div> + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_3" id="Page_3">[3]</a></span></p> + + + + +<h2>THE RAINBOW,<br /> +<span class='small'>AFTER</span><br /> +THE THUNDER-STORM.</h2> + + +<p>JULIA and her mamma resided chiefly +in London. Owing to indisposition the +family were a little way from home for the +benefit of the air. In consequence of that, +Julia and her mamma were frequently +walking out. One summer's evening they +had extended their walk to an unusual<span class='pagenum'><a name="Page_4" id="Page_4">[4]</a></span> +length, when suddenly the clouds gathered, +and distant thunder indicated an approaching +storm. They were a great way from +any house, but hurried to the nearest one +for shelter. It was a large brick-built house, +with a court-yard, inclosed by a high wall. +At the iron gate was a servant, with a pitcher +in her hand, taking some milk of a man +who stood by. Julia's mamma went up to +her, and said, "Will you be so obliging as +to let us have a shelter from the storm? +It appears likely to be very severe." The +servant replied, "I am very sorry, ma'am, +but it is not in my power; my master and +mistress are not at home, and they have +given me orders not to admit any stranger."</p> + +<p>There was no time to hesitate; immediately +they proceeded to an unfinished +house they recollected to have seen; it +was a quarter of a mile distant. Almost +breathless with fatigue, they arrived; the +wash-house door was standing open, they +entered, and thought themselves happy in +having so good a shelter. "Oh," said +Julia, "how cruel it was in that young +woman to refuse to let us go into the house! +I would not have done so." "Then," replied +her mamma, "you would have done wrong;<span class='pagenum'><a name="Page_5" id="Page_5">[5]</a></span> +however painful it must have been to her, +to refuse was no more than her duty as a +faithful servant."</p> + +<p>Every minute the lightning became more +vivid, and the thunder appeared to be +bursting over their heads. "Oh, mamma," +said Julia, "how awful this is!" "Yes, +it is indeed, my dear," said her mamma; +"God thundereth marvellously with his +voice; great wonders doeth he, which we +cannot comprehend." "This is a storm," +remarked Julia, "such as I never remember +before. Hark! how it thunders. Oh, +what a dreadful flash of lightning! Oh, +the thunder! It gets worse; how shall I +bear it! Hide me, hide me, my dear +mamma; let me get into some dark place." +"My dear love," said her mamma, "you +surprise me to see you so alarmed; it is +what I did not expect; don't give way to +fear; <i>I</i> cannot hide you from this storm any +more than I can hide you from the presence +of God; and that you are sure I +cannot do. Be composed, my love, and let +each of us say—</p> + +<div class='poem'> +'Hide me, O my Saviour, hide,<br /> +<span style="margin-left: 1em;">Till the storm of life is past;</span><br /> +Safe into the haven guide,<br /> +<span style="margin-left: 1em;">O receive my soul at last!'</span><br /> +</div><p><span class='pagenum'><a name="Page_6" id="Page_6">[6]</a></span></p> + +<div class='unindent'>Our father sits at the helm; he will guide +the storm, and I shall say to you as our +Lord said to his disciples when <i>they</i> were in +a storm, and as he says to us now in his +word, "Why are ye so fearful, have ye no +faith?" Let us put our trust in <i>him</i>, and +look for our protection from <i>him</i>. How +much tenderness was there in our Lord's +words! He did not blame them much for +their fears, but kindly reminded them that +it was their duty to trust in God. You are +not like your little brother when <i>he</i> was +about four years old. I was out with him +when it thundered, and he said, 'Don't +be afraid mamma; if we love God, nothing +can hurt us.'"</div> + +<p>"It makes me tremble so much," said +Julia. "If a storm like this is so awful, +my dear," said her mamma, "what must +the second coming of Christ be, when the +elements shall melt with fervent heat, the +earth also, and all the works that are therein +shall he burned up! How will the sinner +tremble, and call to the mountains and +rocks, 'Fall on us, and hide us from the face +of him that sitteth on the throne, and from +the wrath of the lamb!' Now we need not +try to hide ourselves, but if we love the +Saviour, may say<span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span>—</p> + +<div class='poem'> +'This awful God is ours,<br /> +Our father, and our love.'<br /><br /> +</div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i007.png" width="500" height="396" alt="hiding from the storm" title="" /> +</div> + +<p>"I think the thunder is more distant," +continued her mamma, "and does not +succeed the lightning so soon." "Does +that make any difference?" asked Julia. +"It proves, my dear," answered her +mamma, "that the cloud is going from us; +but I observed you were more afraid of the +thunder than of the lightning; when you +hear the thunder, the danger is over. It is +only the <i>lightning</i> that is fatal. When we<span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span> +have seen the lightning, but have not been +touched by it, and when the thunder does +not come immediately after it, it is foolish +to turn pale and tremble at a sound which +is not dangerous. After the flash of lightning +is over, we may securely wait for the +clap of thunder; it is as harmless as the +sound of a cannon. The thunder tells us +we have escaped the danger, and at the +same time informs us at what distance; for +the greater space of time there has been +between the flash of lightning and the +thunder, the more distant the storm."</p> + +<p>Julia's mamma proceeded, "I heard a +poor woman once say she thought God was +angry with the people, and had sent a +storm to punish them. That is, however, +a very ignorant way of talking. Storms +are a blessing, and we ought to be thankful +for them; and though we know they +sometimes do hurt, and a few lives are lost, +yet how few compared with what might be +expected! Out of seven hundred and fifty +thousand persons who died in the space of +thirty years in London, there were only two +killed by lightning. Probably if there +were no storms, the air would be so impure, +that men and other living creatures +would perish by millions. Let us, my dear,<span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span> +lift up our hearts in gratitude to the Almighty, +who, though he sometimes shows +us his grandeur and his glory in this manner, +yet always displays more of <i>mercy</i> +than of <i>judgment</i>. After all, God has more +glory and greatness than he shows to us; +what, then, will be the manifestations of +them, when in another world we see him +face to face! Yet what we shall behold of +him there will fill us with <i>delight</i>, and not +<i>terror</i>, as I heard you singing the other day, +my dear—</p> + +<div class='poem'> +'Millions of years my wond'ring eyes<br /> +<span style="margin-left: 1em;">Shall o'er thy beauties rove,</span><br /> +And endless ages I'll adore<br /> +<span style="margin-left: 1em;">The glories of thy love.</span><br /> +<br /> +Sweet Jesus! ev'ry smile of thine<br /> +<span style="margin-left: 1em;">Shall fresh endearments bring,</span><br /> +And thousand tastes of new delight<br /> +<span style="margin-left: 1em;">From all thy graces spring.'</span><br /> +</div> + +<div class='unindent'>May we be prepared for that period, and +enjoy all that blessedness described in +those beautiful lines! There, my dear, +will be no storms, and we shall have no +fear." "I thank you, my dear mamma, +for talking so to me," said Julia; "I have +not felt so much fear since you began."</div> + +<p>The rain had nearly ceased, and the<span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span> +storm was gone. Julia and her mamma +were glad to prepare for going home. As +soon as they entered the field leading to +their home, Julia remarked how refreshed +every thing appeared. "Yes," said her +mamma, "nature never appears more +lovely than after a Thunder-storm. The +herbage of the field is revived, and what +before was fading is refreshed. All animals +seem to rejoice; birds are coming +from their shelter, and are singing delightfully, +though it is nearly their time for rest; +and the cattle share in the general pleasure. +See those two lambs, how prettily they +are playing!"</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i010.png" width="500" height="388" alt="walking outdoors" title="" /> +</div> + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i011.png" width="500" height="375" alt="Pointing at the rainbow" title="" /> +</div> + + + + +<h2>THE RAINBOW.</h2> + + +<p><span class="smcap">It</span> was at this moment Julia looked +around to admire the scenery, and beheld +a Rainbow. "Look, look!" she said, +"mamma, what a beautiful Rainbow! How +wide it spreads! How many colours are +there? Let me count them. One, two, +three, four, five—" "My dear," said her +mamma, "there are seven, and in the following +order: <i>red</i>, <i>orange</i>, <i>yellow</i>, <i>green</i>, +<i>blue</i>, <i>purple</i>, and <i>violet</i>. These colours appear +so much the more lively, according as +the cloud behind is darker, and the drops +of rain fall the closer. The Rainbow can +last only while the rain continues. The +sun must be behind us, and the rain opposite<span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span> +to us. The sun and rain must appear at +the same time in order to form a Rainbow. +It is caused by the rays of the sun reflected +on drops of water, and is a picture the +most beautifully coloured of any the Creator +has given to us. The nearer the sun +is to setting, the wider the arch extends. +When the sun is at its greatest height, the +bow appears the smallest.</p> + +<p>"Where do we read, my dear, in the +Bible about the Rainbow?" asked Julia's +mamma. "I think, mamma," replied +Julia, "it was to Noah as a sign the world +should not again be destroyed by water, +and we read so in the book of Genesis." +"Yes," answered her mamma, "my dear, +you are right. How very fearful would +Noah and his family have been whenever +they saw dark clouds arise and an appearance +of much rain, if God had not kindly +said what he intended by the Rainbow! +But he explained it by saying, 'I do set +my bow in the clouds, and it shall be for +a token of a covenant between me and the +earth. And the bow shall be in the cloud; +and I will look upon it, that I may remember +the everlasting covenant between me +and every living creature of all flesh that +is upon the earth!'<span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span></p> + +<p>"A bow bespeaks terror; but this has +neither string nor arrow; it is an emblem +of peace. If it had not been said that it +was a token to all generations, even <i>we</i> +should have feared a deluge whenever a +storm approached. How must Noah have +felt when he and his family left the ark, and +not a vestige of any thing remained they +had seen before! For the waters had +covered the highest mountains, and had +risen fifteen cubits higher; that is, seven +yards and a half; so that in vain would salvation +have been hoped for from the hills +and mountains. What was Noah's conduct +on leaving the ark? He did not forget (as +many do) the mercies of God which he had +received. The first thing he did was to +build an altar for the worship of God. One +would have thought, so dreary as every +thing must have appeared, his first care +would have been to build a house for himself +and family, warm and sheltered as +they had been in the ark. But no; Noah +<i>feared</i> God, and therefore his first care +was to <i>serve</i> him.</p> + +<p>"May it be so, my dear, with <i>you</i>," +continued Julia's mamma. "May <i>you</i> seek +first the kingdom of God and his righteousness, +and all other things shall be added unto<span class='pagenum'><a name="Page_14" id="Page_14">[14]</a></span> +you! Noah's worship was accepted, and +immediately God said unto him, I will no +more destroy the world with a flood. What +kindness is here shown! I think, my love, +it is time we hastened home."</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i014.png" width="500" height="371" alt="family prayer" title="" /> +</div> + +<p>When they arrived at their abode, as +Julia's papa was not expected that night, +her mamma, according to her usual practice +in his absence, rang the bell for the +servants to attend family worship; and a +large family bible being laid on the table, +her mamma, with great solemnity, read the +twenty-ninth Psalm, which being done, +all kneeled, and she, in a sweet, feeling +manner, approached the throne of Mercy.<span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span> +When prayer was over, all rose from their +knees; Julia kissed her mamma, and took +her leave of her for the night. "Good +night, my dear," said her mamma; "don't +forget to pray in secret before you close +your eyes for sleep. Adieu! dear Julia;</p> + +<div class='poem'> +<span style="margin-left: 1em;">'May angels guard thy head,</span><br /> +And through the hours of darkness keep<br /> +<span style="margin-left: 1em;">Their watch around thy bed!'"</span><br /> +</div> + +<p>I hope, my dear young reader, you will +consider what Julia's mamma said to her +for <i>her</i> instructions and comfort about the +Storm and the Rainbow is here mentioned +for <i>your</i> instruction and comfort too on such +occasions. Only fear God, and you need +not fear any thing else.</p> + +<div class='poem'> +How dreadful to hear in the sky<br /> +<span style="margin-left: 1em;">The thunder so long and so loud!</span><br /> +To witness the fork'd lightnings fly,<br /> +<span style="margin-left: 1em;">Discharged from yonder black cloud!</span><br /> +Lord, mercy on me do bestow,<br /> +And show me the peaceful Rainbow!<br /> +<br /> +In vain to shelters do I run,<br /> +<span style="margin-left: 1em;">If I find no shelter in Thee;</span><br /> +No threat'ning dangers can I shun,<br /> +<span class='pagenum'><a name="Page_16" id="Page_16">[16]</a></span><span style="margin-left: 1em;">But as Thou art gracious to me.</span><br /> +Thou can'st hush my fears I well know,<br /> +By showing the peaceful Rainbow.<br /> +<br /> +That tells me the storm shall soon end,<br /> +<span style="margin-left: 1em;">The earth shall be delug'd no more,</span><br /> +That God is my father and friend,<br /> +<span style="margin-left: 1em;">Whose love is great as his power.</span><br /> +His signal to creatures below<br /> +Is the peaceful, lovely Rainbow.<br /> +<br /> +This bow is not bent by a string,<br /> +<span style="margin-left: 1em;">Because the anger is all fled;</span><br /> +Nor has it an arrow to fling,<br /> +<span style="margin-left: 1em;">So that I have nothing to dread.</span><br /> +And God now would have me to know,<br /> +All is <i>mercy</i> in the Rainbow.<br /> +<br /> +In future, then, when I'm afraid,<br /> +<span style="margin-left: 1em;">And darkness and storms fill the air,</span><br /> +I will think that God who them made,<br /> +<span style="margin-left: 1em;">Views me as a child of his care;</span><br /> +That storms will soon cease from below,<br /> +And the sky display the Rainbow.<br /> +</div> + + +<div class='center'><br /><br />FINIS.<br /><br /> + + +————————————<br /> +T. C. Hansard, Printer,<br /> +Peterboro'-court, Fleet-street, London.<br /> +————————————<br /> +</div> + + + +<hr style="width: 65%;" /> +<div class='center'><span class='big'><i>New and Approved Reward Books</i>,</span></div> + +<div class='center'><span class='small'>JUST PUBLISHED BY</span></div> + +<div class='center'><span class='big'>FRANCIS WESTLEY,</span></div> + +<div class='center'>10, STATIONERS'-COURT, AND AVE-MARIA-LANE.<br /> +—————</div> + + +<p>1. THE WASHERWOMAN. By a Lady. +Neatly printed, with Four Wood Cuts, 32mo. +Price 1<i>d.</i></p> + +<p>2. HENRY'S SERMON to his Servant, when +he was only Eight Years Old. By a Lady. Embellished +with Four Wood Cuts, and neatly sewed +in stiff Wrappers. Price 1<i>d.</i></p> + +<p>3. THE VILLAGER'S DAUGHTER. Embellished +with Four Wood Cuts, and neatly sewed +in stiff Wrappers. Price 1<i>d.</i></p> + +<p>4. THE YOUNG LOITERER. Neatly printed, +32mo. Price 1<i>d.</i></p> + +<p>5. THE SNOW DROP. Neatly printed, 32mo. +Price 1<i>d.</i></p> + +<p>6. THE YOUNG MECHANIC. Neatly printed, +32mo. Price 1<i>d.</i></p> + +<p>7. THE LITTLE ARTIST; or, The History of +Francis Thomas. Second Edition. 32mo. Neatly +printed. Price 1<i>d.</i></p> + +<p>8. A MOTHER'S NARRATIVE. 32mo. +Neatly printed. Price 1<i>d.</i></p> + +<p>9. No. 1. GEMS OF SACRED POETRY, +selected for Sunday Scholars. Illustrated with 15 +Wood Cuts, 32mo. Price 1<i>d.</i></p> + +<p>10. No. 2. Ditto. Ditto.</p> + +<p>11. No. 3. Ditto. Ditto.</p> + +<p>12. ARITHMETICAL TABLES for the use of +Schools. Neatly printed, 32mo. Price 1<i>d.</i></p> + + +<p> </p> +<p> </p> +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK THE RAINBOW, AFTER THE THUNDER-STORM***</p> +<p>******* This file should be named 38227-h.txt or 38227-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/3/8/2/2/38227">http://www.gutenberg.org/3/8/2/2/38227</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/pglaf + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="http://www.gutenberg.org">http://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +http://www.gutenberg.org/dirs/1/0/2/3/10234 + +or filename 24689 would be found at: +http://www.gutenberg.org/dirs/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/38227-h/images/i001.png b/38227-h/images/i001.png Binary files differnew file mode 100644 index 0000000..3db0523 --- /dev/null +++ b/38227-h/images/i001.png diff --git a/38227-h/images/i007.png b/38227-h/images/i007.png Binary files differnew file mode 100644 index 0000000..ae048d5 --- /dev/null +++ b/38227-h/images/i007.png diff --git a/38227-h/images/i010.png b/38227-h/images/i010.png Binary files differnew file mode 100644 index 0000000..a0b8202 --- /dev/null +++ b/38227-h/images/i010.png diff --git a/38227-h/images/i011.png b/38227-h/images/i011.png Binary files differnew file mode 100644 index 0000000..1123c50 --- /dev/null +++ b/38227-h/images/i011.png diff --git a/38227-h/images/i014.png b/38227-h/images/i014.png Binary files differnew file mode 100644 index 0000000..99e325b --- /dev/null +++ b/38227-h/images/i014.png diff --git a/38227-h/images/icover.jpg b/38227-h/images/icover.jpg Binary files differnew file mode 100644 index 0000000..c4e7cbe --- /dev/null +++ b/38227-h/images/icover.jpg diff --git a/38227.txt b/38227.txt new file mode 100644 index 0000000..1fdc5ce --- /dev/null +++ b/38227.txt @@ -0,0 +1,752 @@ +The Project Gutenberg eBook, The Rainbow, After the Thunder-Storm, by +Anonymous + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Rainbow, After the Thunder-Storm + + +Author: Anonymous + + + +Release Date: December 5, 2011 [eBook #38227] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK THE RAINBOW, AFTER THE +THUNDER-STORM*** + + +E-text prepared by Emmy and the Online Distributed Proofreading Team +(http://www.pgdp.net) from page images generously made available by +Internet Archive (http://www.archive.org) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 38227-h.htm or 38227-h.zip: + (http://www.gutenberg.org/files/38227/38227-h/38227-h.htm) + or + (http://www.gutenberg.org/files/38227/38227-h.zip) + + + Images of the original pages are available through + Internet Archive. See + http://www.archive.org/details/rainbowafterthun00ladyiala + + + + + +THE RAINBOW, AFTER THE THUNDER-STORM. + +by + +A LADY. + +[Illustration] + + + + + + + +London: +Printed for Francis Westley, +Stationers'-Court, Ludgate-Hill. +1823. + +T. C. Hansard, Printer, +Peterboro'-court, Fleet-street, London. + + + + +THE RAINBOW, AFTER THE THUNDER-STORM. + + +JULIA and her mamma resided chiefly in London. Owing to indisposition +the family were a little way from home for the benefit of the air. In +consequence of that, Julia and her mamma were frequently walking out. +One summer's evening they had extended their walk to an unusual length, +when suddenly the clouds gathered, and distant thunder indicated an +approaching storm. They were a great way from any house, but hurried to +the nearest one for shelter. It was a large brick-built house, with a +court-yard, inclosed by a high wall. At the iron gate was a servant, +with a pitcher in her hand, taking some milk of a man who stood by. +Julia's mamma went up to her, and said, "Will you be so obliging as to +let us have a shelter from the storm? It appears likely to be very +severe." The servant replied, "I am very sorry, ma'am, but it is not in +my power; my master and mistress are not at home, and they have given me +orders not to admit any stranger." + +There was no time to hesitate; immediately they proceeded to an +unfinished house they recollected to have seen; it was a quarter of a +mile distant. Almost breathless with fatigue, they arrived; the +wash-house door was standing open, they entered, and thought themselves +happy in having so good a shelter. "Oh," said Julia, "how cruel it was +in that young woman to refuse to let us go into the house! I would not +have done so." "Then," replied her mamma, "you would have done wrong; +however painful it must have been to her, to refuse was no more than her +duty as a faithful servant." + +Every minute the lightning became more vivid, and the thunder appeared +to be bursting over their heads. "Oh, mamma," said Julia, "how awful +this is!" "Yes, it is indeed, my dear," said her mamma; "God thundereth +marvellously with his voice; great wonders doeth he, which we cannot +comprehend." "This is a storm," remarked Julia, "such as I never +remember before. Hark! how it thunders. Oh, what a dreadful flash of +lightning! Oh, the thunder! It gets worse; how shall I bear it! Hide me, +hide me, my dear mamma; let me get into some dark place." "My dear +love," said her mamma, "you surprise me to see you so alarmed; it is +what I did not expect; don't give way to fear; _I_ cannot hide you from +this storm any more than I can hide you from the presence of God; and +that you are sure I cannot do. Be composed, my love, and let each of us +say-- + + 'Hide me, O my Saviour, hide, + Till the storm of life is past; + Safe into the haven guide, + O receive my soul at last!' + +Our father sits at the helm; he will guide the storm, and I shall say to +you as our Lord said to his disciples when _they_ were in a storm, and +as he says to us now in his word, "Why are ye so fearful, have ye no +faith?" Let us put our trust in _him_, and look for our protection from +_him_. How much tenderness was there in our Lord's words! He did not +blame them much for their fears, but kindly reminded them that it was +their duty to trust in God. You are not like your little brother when +_he_ was about four years old. I was out with him when it thundered, and +he said, 'Don't be afraid mamma; if we love God, nothing can hurt us.'" + +"It makes me tremble so much," said Julia. "If a storm like this is so +awful, my dear," said her mamma, "what must the second coming of Christ +be, when the elements shall melt with fervent heat, the earth also, and +all the works that are therein shall he burned up! How will the sinner +tremble, and call to the mountains and rocks, 'Fall on us, and hide us +from the face of him that sitteth on the throne, and from the wrath of +the lamb!' Now we need not try to hide ourselves, but if we love the +Saviour, may say-- + + 'This awful God is ours, + Our father, and our love.' + +[Illustration] + +"I think the thunder is more distant," continued her mamma, "and does +not succeed the lightning so soon." "Does that make any difference?" +asked Julia. "It proves, my dear," answered her mamma, "that the cloud +is going from us; but I observed you were more afraid of the thunder +than of the lightning; when you hear the thunder, the danger is over. It +is only the _lightning_ that is fatal. When we have seen the lightning, +but have not been touched by it, and when the thunder does not come +immediately after it, it is foolish to turn pale and tremble at a sound +which is not dangerous. After the flash of lightning is over, we may +securely wait for the clap of thunder; it is as harmless as the sound of +a cannon. The thunder tells us we have escaped the danger, and at the +same time informs us at what distance; for the greater space of time +there has been between the flash of lightning and the thunder, the more +distant the storm." + +Julia's mamma proceeded, "I heard a poor woman once say she thought God +was angry with the people, and had sent a storm to punish them. That is, +however, a very ignorant way of talking. Storms are a blessing, and we +ought to be thankful for them; and though we know they sometimes do +hurt, and a few lives are lost, yet how few compared with what might be +expected! Out of seven hundred and fifty thousand persons who died in +the space of thirty years in London, there were only two killed by +lightning. Probably if there were no storms, the air would be so impure, +that men and other living creatures would perish by millions. Let us, my +dear, lift up our hearts in gratitude to the Almighty, who, though he +sometimes shows us his grandeur and his glory in this manner, yet always +displays more of _mercy_ than of _judgment_. After all, God has more +glory and greatness than he shows to us; what, then, will be the +manifestations of them, when in another world we see him face to face! +Yet what we shall behold of him there will fill us with _delight_, and +not _terror_, as I heard you singing the other day, my dear-- + + 'Millions of years my wond'ring eyes + Shall o'er thy beauties rove, + And endless ages I'll adore + The glories of thy love. + + Sweet Jesus! ev'ry smile of thine + Shall fresh endearments bring, + And thousand tastes of new delight + From all thy graces spring.' + +May we be prepared for that period, and enjoy all that blessedness +described in those beautiful lines! There, my dear, will be no storms, +and we shall have no fear." "I thank you, my dear mamma, for talking so +to me," said Julia; "I have not felt so much fear since you began." + +The rain had nearly ceased, and the storm was gone. Julia and her mamma +were glad to prepare for going home. As soon as they entered the field +leading to their home, Julia remarked how refreshed every thing +appeared. "Yes," said her mamma, "nature never appears more lovely than +after a Thunder-storm. The herbage of the field is revived, and what +before was fading is refreshed. All animals seem to rejoice; birds are +coming from their shelter, and are singing delightfully, though it is +nearly their time for rest; and the cattle share in the general +pleasure. See those two lambs, how prettily they are playing!" + +[Illustration] + + + + +[Illustration] + + + + +THE RAINBOW. + + +It was at this moment Julia looked around to admire the scenery, and +beheld a Rainbow. "Look, look!" she said, "mamma, what a beautiful +Rainbow! How wide it spreads! How many colours are there? Let me count +them. One, two, three, four, five--" "My dear," said her mamma, "there +are seven, and in the following order: _red_, _orange_, _yellow_, +_green_, _blue_, _purple_, and _violet_. These colours appear so much +the more lively, according as the cloud behind is darker, and the drops +of rain fall the closer. The Rainbow can last only while the rain +continues. The sun must be behind us, and the rain opposite to us. The +sun and rain must appear at the same time in order to form a Rainbow. It +is caused by the rays of the sun reflected on drops of water, and is a +picture the most beautifully coloured of any the Creator has given to +us. The nearer the sun is to setting, the wider the arch extends. When +the sun is at its greatest height, the bow appears the smallest. + +"Where do we read, my dear, in the Bible about the Rainbow?" asked +Julia's mamma. "I think, mamma," replied Julia, "it was to Noah as a +sign the world should not again be destroyed by water, and we read so in +the book of Genesis." "Yes," answered her mamma, "my dear, you are +right. How very fearful would Noah and his family have been whenever +they saw dark clouds arise and an appearance of much rain, if God had +not kindly said what he intended by the Rainbow! But he explained it by +saying, 'I do set my bow in the clouds, and it shall be for a token of a +covenant between me and the earth. And the bow shall be in the cloud; +and I will look upon it, that I may remember the everlasting covenant +between me and every living creature of all flesh that is upon the +earth!' + +"A bow bespeaks terror; but this has neither string nor arrow; it is an +emblem of peace. If it had not been said that it was a token to all +generations, even _we_ should have feared a deluge whenever a storm +approached. How must Noah have felt when he and his family left the ark, +and not a vestige of any thing remained they had seen before! For the +waters had covered the highest mountains, and had risen fifteen cubits +higher; that is, seven yards and a half; so that in vain would salvation +have been hoped for from the hills and mountains. What was Noah's +conduct on leaving the ark? He did not forget (as many do) the mercies +of God which he had received. The first thing he did was to build an +altar for the worship of God. One would have thought, so dreary as every +thing must have appeared, his first care would have been to build a +house for himself and family, warm and sheltered as they had been in the +ark. But no; Noah _feared_ God, and therefore his first care was to +_serve_ him. + +"May it be so, my dear, with _you_," continued Julia's mamma. "May _you_ +seek first the kingdom of God and his righteousness, and all other +things shall be added unto you! Noah's worship was accepted, and +immediately God said unto him, I will no more destroy the world with a +flood. What kindness is here shown! I think, my love, it is time we +hastened home." + +[Illustration] + +When they arrived at their abode, as Julia's papa was not expected that +night, her mamma, according to her usual practice in his absence, rang +the bell for the servants to attend family worship; and a large family +bible being laid on the table, her mamma, with great solemnity, read the +twenty-ninth Psalm, which being done, all kneeled, and she, in a sweet, +feeling manner, approached the throne of Mercy. When prayer was over, +all rose from their knees; Julia kissed her mamma, and took her leave of +her for the night. "Good night, my dear," said her mamma; "don't forget +to pray in secret before you close your eyes for sleep. Adieu! dear +Julia; + + 'May angels guard thy head, + And through the hours of darkness keep + Their watch around thy bed!'" + +I hope, my dear young reader, you will consider what Julia's mamma said +to her for _her_ instructions and comfort about the Storm and the +Rainbow is here mentioned for _your_ instruction and comfort too on such +occasions. Only fear God, and you need not fear any thing else. + + How dreadful to hear in the sky + The thunder so long and so loud! + To witness the fork'd lightnings fly, + Discharged from yonder black cloud! + Lord, mercy on me do bestow, + And show me the peaceful Rainbow! + + In vain to shelters do I run, + If I find no shelter in Thee; + No threat'ning dangers can I shun, + But as Thou art gracious to me. + Thou can'st hush my fears I well know, + By showing the peaceful Rainbow. + + That tells me the storm shall soon end, + The earth shall be delug'd no more, + That God is my father and friend, + Whose love is great as his power. + His signal to creatures below + Is the peaceful, lovely Rainbow. + + This bow is not bent by a string, + Because the anger is all fled; + Nor has it an arrow to fling, + So that I have nothing to dread. + And God now would have me to know, + All is _mercy_ in the Rainbow. + + In future, then, when I'm afraid, + And darkness and storms fill the air, + I will think that God who them made, + Views me as a child of his care; + That storms will soon cease from below, + And the sky display the Rainbow. + + +FINIS. + + + T. C. Hansard, Printer, + Peterboro'-court, Fleet-street, London. + + + + +_New and Approved Reward Books_, + +JUST PUBLISHED BY + +FRANCIS WESTLEY, + +10, STATIONERS'-COURT, AND AVE-MARIA-LANE. + + +1. THE WASHERWOMAN. By a Lady. Neatly printed, with Four Wood Cuts, +32mo. Price 1_d._ + +2. HENRY'S SERMON to his Servant, when he was only Eight Years Old. By a +Lady. Embellished with Four Wood Cuts, and neatly sewed in stiff +Wrappers. Price 1_d._ + +3. THE VILLAGER'S DAUGHTER. Embellished with Four Wood Cuts, and neatly +sewed in stiff Wrappers. Price 1_d._ + +4. THE YOUNG LOITERER. Neatly printed, 32mo. Price 1_d._ + +5. THE SNOW DROP. Neatly printed, 32mo. Price 1_d._ + +6. THE YOUNG MECHANIC. Neatly printed, 32mo. Price 1_d._ + +7. THE LITTLE ARTIST; or, The History of Francis Thomas. Second Edition. +32mo. Neatly printed. Price 1_d._ + +8. A MOTHER'S NARRATIVE. 32mo. Neatly printed. Price 1_d._ + +9. No. 1. GEMS OF SACRED POETRY, selected for Sunday Scholars. +Illustrated with 15 Wood Cuts, 32mo. Price 1_d._ + +10. No. 2. Ditto. Ditto. + +11. No. 3. Ditto. Ditto. + +12. ARITHMETICAL TABLES for the use of Schools. Neatly printed, 32mo. +Price 1_d._ + + + + + * * * * * + + + + +Transcriber's note: + +Obvious punctuation errors were corrected. + + + +***END OF THE PROJECT GUTENBERG EBOOK THE RAINBOW, AFTER THE +THUNDER-STORM*** + + +******* This file should be named 38227.txt or 38227.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/8/2/2/38227 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/38227.zip b/38227.zip Binary files differnew file mode 100644 index 0000000..0fbbb25 --- /dev/null +++ b/38227.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..ea66293 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #38227 (https://www.gutenberg.org/ebooks/38227) |
