initial commit of ebook 38111HEAD main

author: Roger Frank <rfrank@pglaf.org> 2025-10-14 20:09:34 -0700
committer: Roger Frank <rfrank@pglaf.org> 2025-10-14 20:09:34 -0700
commit: 843f876f6b185bb742a2190b455c3661acab01dc (patch)
tree: d5856535c69d29baf3a9b6357669b251355df7cd /38111-h
94 files changed, 1726 insertions, 0 deletions
diff --git a/38111-h/38111-h.htm b/38111-h/38111-h.htm
new file mode 100644
index 0000000..20edb25
--- /dev/null
+++ b/38111-h/38111-h.htm
@@ -0,0 +1,1726 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+    "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ -->
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+  <head>
+    <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+    <meta http-equiv="Content-Style-Type" content="text/css" />
+    <title>
+      The Project Gutenberg eBook of English Society, by George Du Maurier.
+    </title>
+    <style type="text/css">
+
+body           {margin-left: 10%; margin-right: 10%;}
+
+h1,h2,h3,h4,h5 {text-align: center; clear: both;}
+p              {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+
+hr             {width: 65%; margin-top: 2em; margin-bottom: 2em; margin-left: auto; margin-right: auto; clear: both;}
+
+table          {margin-left: auto; margin-right: auto;}
+
+.center        {text-align: center;}
+.right         {text-align: right; margin-right: 5%}
+.gesperrt      {letter-spacing: .3em;}
+.smcap         {font-variant: small-caps;}
+
+.caption       {font-weight: bold;}
+.figcenter     {margin: auto; text-align: center;}
+
+.tnotes        {border: dashed 1px;}
+.tnote         {margin-left: 5%; margin-right: 10%; font-size: 0.9em;}
+
+    </style>
+  </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of English Society, by George Du Maurier
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: English Society
+
+Author: George Du Maurier
+
+Release Date: November 23, 2011 [EBook #38111]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ENGLISH SOCIETY ***
+
+
+
+
+Produced by Judith Wirawan, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+</pre>
+
+
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_cover.jpg" width="400" height="230" alt="Cover" title="" />
+</div>
+
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_002.jpg" width="400" height="593" alt="George Du Maurier" title="" />
+</div>
+
+
+
+
+<h1><span class="gesperrt">ENGLISH SOCIETY</span></h1>
+
+
+<h4>SKETCHED BY</h4>
+
+<h2>GEORGE DU MAURIER</h2>
+
+
+<div class="figcenter" style="width: 100px;">
+<img src="images/i_003.jpg" width="100" height="120" alt="Logo" title="" />
+</div>
+
+
+<h4>NEW YORK<br />
+
+HARPER &amp; BROTHERS, PUBLISHERS<br />
+
+1897</h4>
+
+
+<h5>Copyright, 1886, 1887, 1888, 1889, 1890, 1891, 1892, 1893, 1894,
+1895, and 1896, by <span class="smcap">Harper &amp; Brothers</span>.</h5>
+
+<h5><i>All rights reserved.</i></h5>
+
+
+
+<hr />
+<h2>GEORGE DU MAURIER</h2>
+
+
+<p>I was thinking, with a pang, just before I put my pen to the paper,
+that the death of George du Maurier must be a fact of stale interest to
+the reader already, and that it would be staler yet by the time my words
+reached him. So swiftly does the revolving world carry our sorrow into
+the sun, our mirth into the shade, that it is as if the speed of the planet
+had caught something of the impatience of age, and it were hurried round
+upon its axis with the quickened pulses of senility. But perhaps this is
+a delusion of ours who dwell in the vicissitude of events, and there are
+still spots on the earth's whirling surface, lurking-places of quiet, where it
+seems not to move, and there is time to remember and to regret; where
+it is no astonishing thing that a king should be a whole month dead, and
+yet not forgotten. At any rate, it is in the hope, if not quite the faith, of
+this that I venture some belated lines concerning a man whom we have
+ lost just when he seemed beginning to reveal himself.</p>
+
+
+<h3>I.</h3>
+
+<p>It was my good fortune to have the courage to write to Du Maurier
+when <i>Trilby</i> was only half printed, and to tell him how much I liked
+the gay, sad story. In every way it was well that I did not wait for the
+end, for the last third of it seemed to me so altogether forced in its conclusions
+that I could not have offered my praises with a whole heart, nor
+he accepted them with any, if the disgust with its preposterous popularity,
+which he so frankly, so humorously expressed, had then begun in him.
+But the liking which its readers felt had not yet become loathsome to the
+author, and he wrote me back a charming note, promising me the mystery,
+and enough of it, which I had hoped for, because of my pleasure in
+the true-dreaming in <i>Peter Ibbetson</i>; and speaking briefly, most modestly
+and fitly, of his commencing novelist at sixty, and his relative misgivings
+and surprises.</p>
+
+<p>It was indeed one of the most extraordinary things in the history of
+literature, and without a parallel, at least to my ignorance. He might
+ have commenced and failed; that would have been infinitely less amazing
+than his most amazing success; but it was very amazing that he should
+have commenced at all. It is useless to say that he had commenced long
+before, and in the literary property of his work he had always been an
+author. This theory will not justify itself to any critical judgment; one
+might as well say, if some great novelist distinguished for his sense of
+color took to painting, that he had always been an artist. The wonder
+of Du Maurier's essay, the astounding spectacle of his success, cannot be
+diminished by any such explanation of it. He commenced novelist in
+<i>Peter Ibbetson</i>, and so far as literature was concerned he succeeded in
+even greater fulness than he has succeeded since. He had perfect reason
+to be surprised; he had attempted an experiment, and he had performed
+a miracle.</p>
+
+<p>As for the nature, or the quality, of his miracle, that is another question.
+I myself think that in all essentials it was fine. The result was
+not less gold because there was some dross of the transmuted metals hanging
+about the precious ingot, and the evidences of the process were present,
+though the secret was as occult as ever. He won the heart, he kindled
+the fancy, he bewitched the reason; and no one can say just how he did
+ it. His literary attitude was not altogether new; he perfected an attitude
+recognizable first in Fielding, next in Sterne, then in Heine, afterwards in
+Thackeray: the attitude which I once called confidential, and shook three
+realms beyond seas, and their colonial dependencies here, with the word.
+It is an attitude which I find swaggering in Fielding, insincere in Sterne,
+mocking in Heine, and inartistic in Thackeray; but Du Maurier made it
+lovable. His whole story was a confidence; whatever illusion there was
+resided in that fact; you had to grant it in the beginning, and he made
+you grant it gladly. A trick? Yes; but none of your vulgar ones; a
+species of legerdemain, exquisite as that of the Eastern juggler who plants
+his ladder on the ground, climbs it, and pulls it up after him into the
+empty air. It wants seriousness, it wants the last respect for the reader's
+intelligence, it wants critical justification; it wants whatever is the very
+greatest thing in the very greatest novelists; the thing that convinces in
+Hawthorne, George Eliot, Tourgu&eacute;nief, Tolstoy. But short of this supreme
+truth, it has every grace, every beauty, every charm. It touches, it
+appeals, it consoles; and it flatters, too; if it turns the head, if it intoxicates,
+well, it is better to own the fact that it leaves one in not quite the
+condition for judging it. I made my tacit protest against it after following
+Trilby, poor soul, to her apotheosis at the hands of the world and the
+church; but I fell a prey to it again in the first chapters of <i>The Martian</i>,
+and I expect to continue in that sweet bondage to the end.</p>
+
+
+<h3>II.</h3>
+
+<p>If I venture to say that sentimentality is the dominant of the Du
+Maurier music, it is because his art has made sentimentality beautiful; I
+had almost said real, and I am ready to say different from what it was
+before. It is a very manly sentimentality; we need not be ashamed of
+sharing it; one should rather be ashamed of disowning its emotions. It
+is in its sweetness, as well as its manliness, that I find the chief analogy
+between Du Maurier's literature and his art. In all the long course of
+his dealing with the life of English society, I can think of but two or
+three instances of ungentleness. The humor which shone upon every rank,
+and every variety of character, never abashed the lowly, never insulted
+women, never betrayed the trust which reposed in its traditions of decency
+and generosity. If we think of any other caricaturist's art, how bitter it
+is apt to be, how brutal, how base! The cruelties that often pass for wit,
+even in the best of our own society satires, never tempted him to their
+ignoble exploitation; and as for the filthy drolleries of French wit, forever
+amusing itself with one commandment, how far they all are from him!
+His pictures are full of the dearest children, lovely young girls, honest
+young fellows; snobs who are as compassionable as they are despicable,
+bores who have their reason for being, hypocrites who are not beyond
+redemption. It is in his tolerance, his final pity of all life, that Du
+Maurier takes his place with the great talents; and it is in his sympathy
+for weakness, for the abased and outcast, that he classes himself with the
+foremost novelists of the age, not one of whom is recreant to the high
+office of teaching by parable that we may not profitably despise one
+another. Not even Svengali was beyond the pale of his mercy, and how
+well within it some other sorts of sinners were, the grief of very respectable
+people testified.</p>
+
+<p>I will own myself that I like heroes and heroines to be born in wedlock
+when they conveniently can, and to keep true to it; but if an author
+wishes to suppose them otherwise I cannot proscribe them except for subsequent
+misbehavior in his hands. The trouble with Trilby was not that
+she was what she was imagined, but that finally the world could not
+imaginably act with regard to her as the author feigned. Such as she are
+to be forgiven, when they sin no more; not exalted and bowed down to
+by all manner of elect personages. But I fancy Du Maurier did not
+mean her to be an example. She had to be done something with, and
+after all she had suffered, it was not in the heart of poetic justice to deny
+her a little moriturary triumph.</p>
+
+<p>Du Maurier was not a censor of morals, but of manners, which
+indeed are or ought to be the flower of morals, but not their root, and his
+deflections from the straight line in the destiny of his creations must not
+be too seriously regarded. I take it that the very highest fiction is that
+which treats itself as fact, and never once allows itself to be otherwise.
+This is the kind that the reader may well hold to the strictest accountability
+in all respects. But there is another kind capable of expressing an
+engaging beauty, and bewitchingly portraying many phases of life, which
+comes smiling to you or (in vulgar keeping) nudging you, and asking you
+to a game of make-believe. I do not object to that kind either, but I
+should not judge it on such high grounds as the other. I think it reached
+its perfect effect in Du Maurier's hands, and that this novelist, who wrote
+no fiction till nigh sixty, is the greatest master in that sort who ever lived,
+and I do not forget either Sterne or Thackeray when I say so. </p>
+
+
+<h3>III.</h3>
+
+<p>When I first spoke, long ago, of the confidential attitude of Thackeray,
+I said that now we would not endure it. But I was wrong, if I
+meant that more than the very small number who judge novels critically
+would be impatient of it. No sooner were those fearful words printed
+than I began to find, to my vast surprise, that the confidential attitude in
+Thackeray was what most pleased the greatest number of his readers.
+This gave me an ill opinion of their taste, but I could not deny the fact;
+and the obstreperous triumph of <i>Trilby</i>, which was one long confidence, has
+since contributed to render my defeat overwhelming. Du Maurier's use of
+the method, as he perfected it, was so charming that I am not sure but I
+began to be a little in love with it myself, though ordinarily superior to its
+blandishments. It was all very well to have Thackeray weep upon your
+neck over the fortunes of his characters, but if he had just been telling
+you they were puppets, it was not so gratifying; and as for poor Sterne,
+his sighs were so frankly insincere you could not believe anything he said.
+But Du Maurier came with another eye for life, with a faith of his own
+which you could share, and with a spirit which endeared him from the
+first. He had prodigious novelties in store: true-dreaming, hypnotism, and
+now (one does not know quite what yet) intelligence from the neighborly
+little planet Mars. He had the gift of persuading you that all his
+wonders were true, and his flattering familiarity of manner heightened the
+effect of his wonders, like that of the prestidigitator, who passes round in
+his audience, chatting pleasantly, while he pours twenty different liquors
+out of one magical bottle.</p>
+
+<p>I would not count his beautiful talent at less than its rare worth,
+and if this figure belittles that, it does him wrong. Not before in our
+literature has anything more distinct, more individual, made itself felt. I
+have assumed to trace its descent, from this writer to that; but it was
+only partly so descended; in what made it surprising and captivating, it
+was heaven-descended. We shall be the lonelier and the poorer hereafter
+for the silence which is to be where George du Maurier might have been.</p>
+
+<p class="right"><span class="smcap">W. D. Howells.</span></p>
+
+
+
+<hr /><h2>ENGLISH SOCIETY</h2>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_019.jpg" width="600" height="393" alt="" title="" />
+<span class="caption">POST-PRANDIAL STUDIES</span>
+</div>
+
+<blockquote><p><span class="smcap">Fair Hostess</span> (<i>passing the wine</i>).&mdash;"I hope you admire this decanter, Admiral?"</p>
+
+<p><span class="smcap">Gallant Admiral.</span>&mdash;"Ah! it's not the vessel I am admiring...."</p>
+
+<p><span class="smcap">Fair Hostess.</span>&mdash;"I suppose it's the <i>port</i>?"</p>
+
+<p><span class="smcap">Gallant Admiral.</span>&mdash;"Oh, no; it's the pilot." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_021.jpg" width="600" height="373" alt="" title="" />
+<span class="caption">HAMPERED WITH A CONSCIENCE</span>
+</div>
+
+<blockquote><p><span class="smcap">Tommy</span> (<i>home from an afternoon party</i>).&mdash;"Mamma, darling, I've got a great favor to ask of you.... <i>Please</i> don't ask me <i>how I behaved</i>!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_023.jpg" width="600" height="368" alt="" title="" />
+<span class="caption">FELINE AMENITIES</span>
+</div>
+
+<blockquote><p><span class="smcap">Old Lady</span> (<i>to fashionable beauty, who has recently married the General</i>).&mdash;"And so that white-haired old darling is your husband!
+What a good-looking couple you must once have been!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_025.jpg" width="600" height="365" alt="" title="" />
+<span class="caption">TAKING THE CHANCES</span>
+</div>
+
+<blockquote><p><span class="smcap">The General.</span>&mdash;"I've brought you a new book, Aunt Emily, by the new French Academician. I'm told it's very good; but I've
+not read it myself, so I'm not sure it's quite&mdash;a&mdash;quite correct, you know."</p>
+
+<p><span class="smcap">Aunt Emily.</span>&mdash;"My dear boy, I'm ninety-six, and I'll <i>risk</i> it!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_027.jpg" width="600" height="370" alt="" title="" />
+<span class="caption">TRIALS OF A PAINTER&#39;S WIFE</span>
+</div>
+
+<blockquote><p><span class="smcap">Sir Binks</span> (<i>who always piques himself on saying just the right thing</i>).&mdash;"A&mdash;what I like so much about the milkmaid, dontcherknow,
+is that your husband hasn't fallen into the usual mistake of painting a lady dressed up in milkmaid's clothes! She's so
+unmistakably a milkmaid and nothing else, dontcherknow!"</p>
+
+<p><span class="smcap">The Painter's Wife.</span>&mdash;"I'm <i>so</i> glad you think so.... He painted her from <i>me</i>!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_029.jpg" width="600" height="366" alt="" title="" />
+<span class="caption">LADIES OF FASHION AND THEIR DOCTORS</span>
+</div>
+
+<blockquote><p>(<span class="smcap">Scene:</span> The Waiting-Room of a Fashionable Physician.)</p>
+
+<p><span class="smcap">Fair Patient</span> (<i>just ushered in</i>).&mdash;"What&mdash;<i>you</i> here, Lizzie? Why, ain't you <i>well</i>?"</p>
+
+<p><span class="smcap">Second Ditto.</span>&mdash;"Perfectly, thanks! But what's the matter with <i>you</i>, dear?"</p>
+
+<p><span class="smcap">First Ditto.</span>&mdash;"Oh, nothing whatever! I'm as right as possible, dearest ...!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_031.jpg" width="600" height="405" alt="" title="" />
+<span class="caption">&quot;BONJOUR, SUZON!&quot;</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_033.jpg" width="600" height="414" alt="" title="" />
+<span class="caption">RIVAL SMALL AND EARLIES</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_035.jpg" width="600" height="364" alt="" title="" />
+<span class="caption">MOTHER&#39;S DARLINGS</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_037.jpg" width="600" height="358" alt="" title="" />
+<span class="caption">DAYLIGHT WISDOM</span>
+</div>
+
+<blockquote><p><span class="smcap">Elder Sister.</span>&mdash;"Oh! he proposed after supper, did he&mdash;after dancing with you all night&mdash;and you refused him? Quite right!
+My dear child, never believe in <i>any</i> proposal until the young man calls at eleven in the morning and asks you to be his wife!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_039.jpg" width="600" height="399" alt="" title="" />
+<span class="caption">AN UNAPPRECIATED COMPLIMENT</span>
+</div>
+
+<blockquote><p>"Good-night, Miss Maud!"</p>
+
+<p>"I'm <i>not</i> Miss Maud."</p>
+
+<p>"Miss <i>Ethel</i>, I mean. Won't you shake hands with me? How ungrateful of you! and just after I've been taking you for your
+lovely sister, too." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_041.jpg" width="600" height="362" alt="" title="" />
+<span class="caption">LE MONDE O&Ugrave; L&#39;ON S&#39;ENNUIE</span>
+</div>
+
+<blockquote><p>"I see a tent. I wonder what's going on inside? Let's go and see...."</p>
+
+<p>"What's the good of our going in there?"</p>
+
+<p>"What's the good of our stopping out here?" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_043.jpg" width="600" height="373" alt="" title="" />
+<span class="caption">THE TABLES TURNED</span>
+</div>
+
+<blockquote><p><span class="smcap">Tired Daughters.</span>&mdash;"Don't you think we might <i>go</i> now, mamma? It's three o'clock."</p>
+
+<p><span class="smcap">Festive Mamma.</span>&mdash;"Oh, that's not so <i>very</i> late, darlings.... Mayn't I have <i>one</i> more dance?" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_045.jpg" width="600" height="368" alt="" title="" />
+<span class="caption">A SLEEPY HOLLOW IN THE OLD COUNTRY<br />
+(The Common Room at St. Morpheus, Oxbridge.)</span>
+</div>
+
+<blockquote><p><span class="smcap">First Tutor</span> (<i>waking up, and languidly helping himself to his modest glass of claret</i>).&mdash;"Ah! I like a little sleep after dinner.... It
+makes one ready for one's wine!"</p>
+
+<p><span class="smcap">Second Tutor.</span>&mdash;"Well, <i>I</i> like a little sleep <i>before</i> dinner best!"</p>
+
+<p><span class="smcap">The Master.</span>&mdash;"Pooh! Talk to me of the after-breakfast sleep in term-time! That's what <i>I</i> enjoy!!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_047.jpg" width="600" height="386" alt="" title="" />
+<span class="caption">TAKING ONE TOO MUCH AT ONE&#39;S WORD</span>
+</div>
+
+<blockquote><p><span class="smcap">Hostess.</span>&mdash;"Won't you play us something, Mr. Spinks?"</p>
+
+<p><span class="smcap">Musical Amateur</span> (<i>who thinks a good deal of himself, in spite of his modesty</i>).&mdash;"Oh, don't ask me&mdash;you are all such first-rate
+performers here&mdash;and you play such good music, too."</p>
+
+<p><span class="smcap">Hostess.</span>&mdash;"Well, but we like a little <i>variety</i>, you know." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_049.jpg" width="600" height="422" alt="" title="" />
+<span class="caption">THE ENGLISH TAKE THEIR PLEASURES SADLY</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_051.jpg" width="600" height="388" alt="" title="" />
+<span class="caption">A DAUGHTER OF HETH</span>
+</div>
+
+<blockquote><p><span class="smcap">Lionel.</span>&mdash;"Oh, I <i>say</i>, Benjamin! how splendid your wife is looking! <i>She</i> pays for dressing, if you <i>like</i>!"</p>
+
+<p><span class="smcap">Benjamin.</span>&mdash;"<i>Does</i> she, my boy? I only wish she <i>did</i>!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_053.jpg" width="600" height="386" alt="" title="" />
+<span class="caption">A QUESTION OF AGE</span>
+</div>
+
+<blockquote><p><span class="smcap">Teddy.</span>&mdash;"How old are you, Aunt Milly?"</p>
+
+<p><span class="smcap">Aunt Milly</span> (<i>who owns to 35</i>).&mdash;"Oh, Teddy, almost a hundred!"</p>
+
+<p><span class="smcap">Teddy.</span>&mdash;"Auntie, I can't believe you! I'd believe you if you'd said fifty!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_055.jpg" width="600" height="426" alt="" title="" />
+<span class="caption">BREAKFAST AT BONNEBOUCHE HALL</span>
+</div>
+
+<blockquote><p>"A southerly wind and a cloudy sky proclaim a hunting morning." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_057.jpg" width="600" height="375" alt="" title="" />
+<span class="caption">BUSINESS</span>
+</div>
+
+<blockquote><p><span class="smcap">Sir Bedivere de Vere.</span>&mdash;"Oh, I say. How you do chaff! You never take me seriously!"</p>
+
+<p><span class="smcap">American Belle.</span>&mdash;"You never asked me!" (<i>No cards.</i>) </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_059.jpg" width="600" height="363" alt="" title="" />
+<span class="caption">DOMESTIC ECONOMY</span>
+</div>
+
+<blockquote><p><span class="smcap">Mater.</span>&mdash;"Papa, dear, do you know a halfpenny weekly paper called <i>Flipbutts</i>?"</p>
+
+<p><span class="smcap">Pater.</span>&mdash;"Never heard of it in my life!"</p>
+
+<p><span class="smcap">Mater.</span>&mdash;"Well, it offers ninepence a column for answering questions, and they <i>are</i> so difficult, and we <i>do</i> so want to make a little
+money! Do leave off your novel and help us a little." (<i>Pater can only write two novels a year, but gets &pound;10,000 for each of them.</i>) </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_061.jpg" width="600" height="374" alt="" title="" />
+<span class="caption">WHAT INDUCED HIM TO MARRY HER?</span>
+</div>
+
+<blockquote><p><span class="smcap">He.</span>&mdash;"Look! Here comes young Brummell Washington, with his bride. I wonder what on earth induced him to marry her?"</p>
+
+<p><span class="smcap">She.</span>&mdash;"Oh, probably somebody bet him he wouldn't!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_063.jpg" width="600" height="355" alt="" title="" />
+<span class="caption">A CLAIM TO SOCIAL PRECEDENCE</span>
+</div>
+
+<blockquote><p><span class="smcap">Hostess.</span>&mdash;"You must give your arm to Miss Malecho, William, and put her on your right, and make yourself as agreeable as you
+possibly can!"</p>
+
+<p><span class="smcap">Host.</span>&mdash;"Why, she's a person of no consequence whatever!"</p>
+
+<p><span class="smcap">Hostess.</span>&mdash;"Oh, yes, she is! She's very ill-natured, and tells the most horrid lies about people if they don't pay her the very
+greatest attention!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_065.jpg" width="600" height="367" alt="" title="" />
+<span class="caption">AN INTRODUCTION</span>
+</div>
+
+<blockquote><p>"Auntie, darling, this is my new friend, Georgie Jones. He <i>is</i> nice. And isn't it funny, my birthday is the ninth of January,
+and his is the tenth, so you see we only just escaped being twins!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_067.jpg" width="400" height="596" alt="" title="" />
+<span class="caption">BANJONALITIES<br />
+(The Freemasonry of Art.)</span>
+</div>
+
+<blockquote><p><span class="smcap">He.</span>&mdash;"I beg your pardon&mdash;but&mdash;er
+would you be so kind as to give
+me the 'G'?"</p>
+
+<p><span class="smcap">She.</span>&mdash;"Oh, certainly." (<i>Gives it.</i>)</p>
+
+<p><span class="smcap">He.</span>&mdash;"Thanks, awfully!" (<i>Bows
+and proceeds on his way.</i>) </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_069.jpg" width="600" height="357" alt="" title="" />
+<span class="caption">TEUTONIC SATIRE</span>
+</div>
+
+<blockquote><p><span class="smcap">Hostess.</span>&mdash;"Oh, <i>pray</i> don't leave off, Herr Rosencranz. That was a lovely song you just began!"</p>
+
+<p><span class="smcap">Eminent Barytone.</span>&mdash;"Yes, matame, bot it tit not harmonise viz de cheneral gonferzation. It is in <i>B vlat</i>, and you and all your vrents
+are talking in <i>G</i>. I haf a zong in <i>F</i> and a zong in <i>A sharp</i>, bot I haf no zong in <i>G</i>!"</p>
+
+<p><span class="smcap">Accompanist.</span>&mdash;"Ach! Berhaps, to opliche matame, I could dransbose de aggombaniments&mdash;ja?" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_071.jpg" width="600" height="361" alt="" title="" />
+<span class="caption">REASONING FROM INDUCTION</span>
+</div>
+
+<blockquote><p>"Look, Geoffrey! That's Lady Emily Tomlinson. Isn't she pretty?"</p>
+
+<p>"Yes. And I s'pose that's <i>Lord</i> Emily walking with her!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_073.jpg" width="600" height="368" alt="" title="" />
+<span class="caption">THOSE INFELICITOUS SPEECHES</span>
+</div>
+
+<blockquote><p><span class="smcap">Professor Boreham.</span>&mdash;"What! alone, Mrs. Highflyer? Your husband is not ill, I trust!"</p>
+
+<p><span class="smcap">Mrs. Highflyer</span> (<i>innocently</i>).&mdash;"Oh no; but he was afraid he might be, if he came here!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_075.jpg" width="600" height="380" alt="" title="" />
+<span class="caption">SOCIAL PERSEVERANCE</span>
+</div>
+
+<blockquote><p><span class="smcap">Mrs. Onslow-Pushington.</span>&mdash;"What a very singular woman Lady Masham <i>is</i>, Professor! I have called on her every
+Wednesday this month, and the footman (who knows me perfectly) always said she was out, though Wednesday's her day at
+home, and there were lots of carriages at the door! She never calls on me&mdash;never! And when I bow to her, as I always do,
+she always looks another way, as she did just now. I must really call again next Wednesday." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_077.jpg" width="400" height="562" alt="" title="" />
+<span class="caption">THE LAST STRAW!</span>
+</div>
+
+<blockquote><p>"What's the matter, dearest? You
+look sad...."</p>
+
+<p>"Oh, everything's going wrong. The
+children are ill in bed, and nurse
+has got the influenza, and my husband
+declares that ruin is staring
+us in the face, and I've got an unbecoming
+frock, and altogether I'm
+thoroughly depressed...."</p>
+
+<p class="right">(<i>Breaks down.</i>) </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_079.jpg" width="600" height="413" alt="" title="" />
+<span class="caption">JUST IN TIME FOR A CUP OF TEA</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_081.jpg" width="600" height="369" alt="" title="" />
+<span class="caption">FELINE AMENITIES</span>
+</div>
+
+<blockquote><p><span class="smcap">The Misses Tiptylte.</span>&mdash;"Such fun! We're going to Mrs. Masham's fancy ball as Cinderella's ugly sisters&mdash;with false noses, you know!"</p>
+
+<p><span class="smcap">Miss Aquila Sharpe.</span>&mdash;"What a capital idea! But why false noses?" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_083.jpg" width="600" height="372" alt="" title="" />
+<span class="caption">NEIGHBORLY COMPLIMENTS</span>
+</div>
+
+<blockquote><p>"Tell me, Mrs. Jones, who's that young Adonis your married daughter is looking up to so eagerly?"</p>
+
+<p>"Her <i>husband</i>, Mrs. Snarley!"</p>
+
+<p>"Dear me, you don't say so! I congratulate you.... Now I understand how you come to have such good-looking grandchildren." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_085.jpg" width="600" height="362" alt="" title="" />
+<span class="caption">GENTLE TERRORISM</span>
+</div>
+
+<blockquote><p><span class="smcap">The Professor.</span>&mdash;"Will you give me a kiss, my dear?"</p>
+
+<p><span class="smcap">Effie</span> (<i>an habitually naughty girl</i>).&mdash;"Oh, mammie.... I'll be <i>good</i>, I'll be <i>good</i>.... I promise!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_087.jpg" width="400" height="586" alt="" title="" />
+<span class="caption">AN UNPLEASANT SOCIAL DUTY</span>
+</div>
+
+<blockquote><p><span class="smcap">Hostess.</span>&mdash;"Geoffrey, I want you to
+dance with that little girl!"</p>
+
+<p><span class="smcap">Geoffrey.</span>&mdash;"Oh, well, if I must, I
+<i>must</i> ...!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_089.jpg" width="600" height="364" alt="" title="" />
+<span class="caption">STREET DIALECTICS</span>
+</div>
+
+<blockquote><p><span class="smcap">Brown</span> (<i>who was all but run over</i>).&mdash;"Why didn't you call out <i>sooner</i>, you stupid ass?"</p>
+
+<p><span class="smcap">Cabby.</span>&mdash;"I <i>did</i>, sir!"</p>
+
+<p><span class="smcap">Brown.</span>&mdash;"Why didn't you call out <i>louder</i>, then?"</p>
+
+<p><span class="smcap">Cabby.</span>&mdash;"I <i>did</i>, sir!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_091.jpg" width="600" height="367" alt="" title="" />
+<span class="caption">EQUAL TO THE OCCASION</span>
+</div>
+
+<blockquote><p><span class="smcap">Mrs. Gushington.</span>&mdash;"Oh! oh! what a lovely, <i>lovely</i> picture! So true, so...."</p>
+
+<p><span class="smcap">Our Artist.</span>&mdash;"Wait a bit, Mrs. Gushington&mdash;it's wrong side up.... Let me put it right first ...!" (<i>Does so.</i>)</p>
+
+<p><span class="smcap">Mrs. Gushington</span> (<i>unabashed</i>).&mdash;"Oh! oh! oh! Why, <i>that</i> way it's even more lovely still!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_093.jpg" width="600" height="414" alt="" title="" />
+<span class="caption">PRECEDENCE AT BONNEBOUCHE HALL DURING THE HOLIDAYS</span>
+</div>
+
+<blockquote><p>Grandpapa takes the bride in to dinner, and the rest follow anyhow. </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_095.jpg" width="600" height="364" alt="" title="" />
+<span class="caption">HISTRIONIC EGOTISM</span>
+</div>
+
+<blockquote><p><span class="smcap">Our Pet Actor</span> (<i>just arrived</i>).&mdash;"By Jove&mdash;these good people all seem to know me very well&mdash;nodding and smiling"&mdash;(<i>nods
+and smiles himself, right and left</i>)&mdash;"uncommonly flattering, I'm sure&mdash;considering I've never set foot in the town before!"</p>
+
+<p><span class="smcap">Our Pet Artist</span> (<i>his chum</i>).&mdash;"I'm afraid it's <i>me</i> they're nodding and smiling at, old man! I come every year, you know&mdash;and
+know every soul in the place!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_097.jpg" width="400" height="555" alt="" title="" />
+<span class="caption">A STATELY STAIRCASE WINDS
+AROUND A LARGE HALL</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_099.jpg" width="600" height="377" alt="" title="" />
+<span class="caption">HOW REPUTATIONS OF DISTINGUISHED AMATEURS ARE SOMETIMES MADE</span>
+</div>
+
+<blockquote><p><span class="smcap">Herr Silbermund</span> (the Great Pianist) <span class="smcap">to Mrs. Tattler.</span>&mdash;"Ach, Lady Creichton has for <i>bainting</i> der most rem&acirc;rrgaple ch&ecirc;nius.
+Look at <i>dis</i>! It is eqval to Felasquez!"</p>
+
+<p><span class="smcap">M. Languedor</span> (the Famous Painter) <span class="smcap">to Miss Gushington.</span>&mdash;"Ah! For ze music, Miladi Cr&eacute;tonne has a talent kvite exceptionnel.
+Listen to <i>zat</i>! It surpass Madame Schumann!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_101.jpg" width="400" height="592" alt="" title="" />
+<span class="caption">EOTHEN</span>
+</div>
+
+<blockquote><p><span class="smcap">Cook's Tourist</span> (<i>female</i>).&mdash;"What's
+that jagged white line on the horizon,
+I wonder?"</p>
+
+<p><span class="smcap">Cook's Tourist</span> (<i>male</i>).&mdash;"<i>Snow</i>,
+probably!"</p>
+
+<p><span class="smcap">Cook's Tourist</span> (<i>female</i>).&mdash;"Ah!
+that's much more likely! I heard
+the captain saying it was <i>Greece</i>!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 371px;">
+<img src="images/i_103.jpg" width="371" height="600" alt="" title="" />
+<span class="caption">THE DANCING MAN OF THE PERIOD</span>
+</div>
+
+<blockquote><p>"Been dancin' at all?"</p>
+
+<p>"Dancin'? Not I! Catch me dancin'
+in a house where there ain't a
+smokin'-room! I'm off, directly!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_105.jpg" width="600" height="368" alt="" title="" />
+<span class="caption">UNCONSCIOUS CYNICISM</span>
+</div>
+
+<blockquote><p><span class="smcap">She.</span>&mdash;"It's such years since we met that perhaps you never heard of my marriage?"</p>
+
+<p><span class="smcap">He.</span>&mdash;"No, indeed! Is it&mdash;er&mdash;recent enough for congratulations?" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_107.jpg" width="600" height="364" alt="" title="" />
+<span class="caption">UNLUCKY SPEECHES</span>
+</div>
+
+<blockquote><p><span class="smcap">She.</span>&mdash;"What a disagreeable thing that insomnia must be! Very trying, I think! Do <i>you</i> ever suffer from it, Captain Spinks?"</p>
+
+<p><span class="smcap">He.</span>&mdash;"Oh, dear, no. I can sleep anywhere, at any time! Could go off <i>this moment</i>, I assure you ...!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_109.jpg" width="400" height="587" alt="" title="" />
+<span class="caption">FIN DE SI&Egrave;CLE</span>
+</div>
+
+<blockquote><p>"That's where poor Mrs. Wilkins
+used to live!"</p>
+
+<p>"Why '<i>poor</i>' Mrs. Wilkins?"</p>
+
+<p>"Well, her husband was killed in that
+horrid railway accident, don't you
+remember?"</p>
+
+<p>"Oh, but that was <i>months</i> ago!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_111.jpg" width="600" height="382" alt="" title="" />
+<span class="caption">A CUP OF TEA AND A QUIET CIGARETTE AFTER LUNCH</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_113.jpg" width="600" height="365" alt="" title="" />
+<span class="caption">PRECEDENCE IN VANITY FAIR</span>
+</div>
+
+<blockquote><p>The lady guests go in to dinner with the host and young Sir John and young Sir James and the Hon. Dick Swiveller, while the
+hostess naturally takes the arm of her nephew, Lord Goslin (<i>just from Eton</i>), so that, as the party is just two ladies short, Dr. Jones,
+the great historian, and Professor Brown, the famous philologist (<i>whose wives have not been asked</i>), bring up the rear together.</p>
+
+<p><span class="smcap">The Doctor.</span>&mdash;"Well, Professor, we may be of less <i>consequence</i> than the rest, but at all events we're the <i>oldest</i> and the most renowned!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_115.jpg" width="600" height="377" alt="" title="" />
+<span class="caption">THINGS ONE COULD WISH TO HAVE EXPRESSED OTHERWISE</span>
+</div>
+
+<blockquote><p><span class="smcap">Puzzled Hostess.</span>&mdash;"I beg your pardon, Lord Bovril, but <i>will</i> you tell me whether I ought to take <i>your</i> arm, or Prince
+Sulkytoff's, or the Duke's?"</p>
+
+<p><span class="smcap">Lord Bovril</span> (Lord-Lieutenant of the County).&mdash;"Well&mdash;a&mdash;since you ask me, I must tell you that&mdash;a&mdash;as her Majesty's
+representative, <i>I</i> am bound to claim the honor! But I hope you won't for a moment suppose that I'm fool enough&mdash;a&mdash;to care
+<i>personally</i> one rap about that sort of thing!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_117.jpg" width="400" height="574" alt="" title="" />
+<span class="caption">DANCING MEN</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_119.jpg" width="600" height="372" alt="" title="" />
+<span class="caption">ILL-CONSIDERED UTTERANCES</span>
+</div>
+
+<blockquote><p><span class="smcap">Well-Preserved Elderly Coquette.</span>&mdash;"Ah! Admiral, <i>what</i> a good time we had there, junketing and dancing and flirting!
+It all seems like yesterday! Do you remember the Carew girls, and your old flame Lucy Masters, and that poor boy Jack Lushington,
+who was so desperately in love with <i>me</i>?"</p>
+
+<p><span class="smcap">The Admiral.</span>&mdash;"Indeed I do, dear Lady Maria! And to think of their all dying ... years ago!... <i>And of old age, too!</i>" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_121.jpg" width="400" height="555" alt="" title="" />
+<span class="caption">AN EQUIVOCAL COMPLIMENT</span>
+</div>
+
+<blockquote><p><span class="smcap">Lady Prattler</span> (<i>a confirmed first-nighter,
+to actor-manager</i>).&mdash;"I congratulate
+you on your success last
+night, Mr. McStamp!... How
+good you were! It was all charmin'&mdash;so
+light, so bright, so well put on
+the stage!... And oh! <i>such nice
+long entr'actes</i>, you know!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_123.jpg" width="600" height="374" alt="" title="" />
+<span class="caption">PROFESSIONAL BEAUTIES OF THE PAST</span>
+</div>
+
+<blockquote><p><span class="smcap">Housekeeper</span> (<i>showing visitors over historic mansion</i>).&mdash;"This is the portrait of Queen Catherine of Medici&mdash;sister to the
+<i>Venus</i> of that name...." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_125.jpg" width="600" height="439" alt="" title="" />
+<span class="caption">THE GONDOLETTE</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_127.jpg" width="600" height="376" alt="" title="" />
+<span class="caption">A FESTIVE PROCESSION</span>
+</div>
+
+<blockquote><p>Meet of the Four-in-Hand Club, Hyde Park, London. </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_129.jpg" width="600" height="365" alt="" title="" />
+<span class="caption">THE JOYS OF HOSPITALITY</span>
+</div>
+
+<blockquote><p><span class="smcap">Jenkins.</span>&mdash;"Good heavens! Why, there's that brute Tomkins! The skunk! I wonder you can ask such a man to your house!
+I hope you haven't put him near me at dinner, because I shall cut him dead."</p>
+
+<p><span class="smcap">Hostess.</span>&mdash;"Oh, it's all right. He told me all about you before you came in."</p>
+
+<p><span class="smcap">Jenkins.</span>&mdash;"Did he? What did he say about <i>me</i>, the ruffian?"</p>
+
+<p><span class="smcap">Hostess.</span>&mdash;"Oh, nothing much&mdash;merely what you've just been saying about <i>him</i>." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_131.jpg" width="600" height="402" alt="" title="" />
+<span class="caption">TOO KIND BY HALF</span>
+</div>
+
+<blockquote><p><span class="smcap">He.</span>&mdash;"Oh, I've long given up dancing for my <i>own</i> sake. I only dance now with those unlucky girls that don't get partners.
+Who's that young lady behind you?"</p>
+
+<p><span class="smcap">She.</span>&mdash;"My daughter."</p>
+
+<p><span class="smcap">He.</span>&mdash;"Pray, introduce me!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_133.jpg" width="600" height="364" alt="" title="" />
+<span class="caption">AN INFELICITOUS SPEECH</span>
+</div>
+
+<blockquote><p>"Why, you're looking better already, Sir Ronald!"</p>
+
+<p>"Yes, thanks to your delightful hospitality, I've had everything my doctor ordered me: 'Fresh air, good food, agreeable society,
+and cheerful conversation that involves no strain on the intellect!'" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_135.jpg" width="600" height="372" alt="" title="" />
+<span class="caption">DISAPPOINTMENTS OF LION-HUNTING</span>
+</div>
+
+<blockquote><p><span class="smcap">Guardsman</span> (<i>gazing at the motley throng</i>).&mdash;"Any great literary or scientific celebrities here to-night, Lady Circe?"</p>
+
+<p><span class="smcap">Lady Circe</span> (<i>who has taken to hunting Lions</i>).&mdash;"No, Sir Charles. The worst of celebrities in these democratic days is that
+they won't come unless you ask their wives and families, too! So I ask the wives and families, and the wives and families come
+in their thousands, if you please, and the celebrities stay at home and go to bed." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_137.jpg" width="400" height="565" alt="" title="" />
+<span class="caption">TWO ON A TOWER</span>
+</div>
+
+<blockquote><p><span class="smcap">Jones</span> (<i>a rising young British architect</i>).&mdash;"Yes;
+it's a charming old
+castle you've bought, Mrs. Prynne,
+and I heartily congratulate you on
+being its possessor!"</p>
+
+<p><span class="smcap">Fair California Widow</span> (<i>just settled
+in the old country</i>).&mdash;"Thanks.
+And now you must find me a <i>legend</i>
+for it, Mr. Jones!"</p>
+
+<p><span class="smcap">Jones.</span>&mdash;"I'm afraid I can't manage
+<i>that</i>; but I could add a <i>story</i>, if
+that will do as well!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_139.jpg" width="600" height="363" alt="" title="" />
+<span class="caption">AT THE ZOO</span>
+</div>
+
+<blockquote><p><span class="smcap">Tommy.</span>&mdash;"Why don't they have little shut-up houses? Why do they have open bars?"</p>
+
+<p><span class="smcap">Dorothy</span> (<i>who knows everything</i>).&mdash;"Oh! that's for them to see the people, of course!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_141.jpg" width="600" height="412" alt="" title="" />
+<span class="caption">NATURE VERSUS ART</span>
+</div>
+
+<blockquote><p>Just as Stodge is about to explain the recondite subtleties of his picture to a select circle of deeply interested and delightfully
+sympathetic women, his wife comes in with the <i>baby</i>, confound it! </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_143.jpg" width="600" height="360" alt="" title="" />
+<span class="caption">A NEW READING OF A FAMOUS PICTURE</span>
+</div>
+
+<blockquote><p>"Oh, look, grandpapa! Poor things ... they're burying the baby!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_145.jpg" width="600" height="351" alt="" title="" />
+<span class="caption">ANTE-POSTHUMOUS JEALOUSY</span>
+</div>
+
+<blockquote><p>"<i>Isn't</i> Emily Firkinson a darling, Reginald?"</p>
+
+<p>"A&mdash;ahem&mdash;no doubt. I can't say much for her <i>singing</i>, you know!"</p>
+
+<p>"Ah! but she's so good and true&mdash;a perfect angel! I've known her all my life. I want you to <i>promise</i> me something, Reginald."</p>
+
+<p>"Certainly, my love!"</p>
+
+<p>"If I should die young, and you should ever marry again, promise, oh! promise me that it shall be Emily Firkinson!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_147.jpg" width="600" height="362" alt="" title="" />
+<span class="caption">DISTINGUISHED PROFESSIONALS</span>
+</div>
+
+<blockquote><p><span class="smcap">Hostess</span> (<i>to host, after dinner</i>).&mdash;"George, dear, how about asking Signor Robsonio and Signora Smithorelli to sing? They'll
+be mortally <i>offended</i> if we <i>do</i>, and they'll be mortally <i>offended</i> if we <i>don't</i>!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_149.jpg" width="600" height="378" alt="" title="" />
+<span class="caption">SOCIAL AGONIES</span>
+</div>
+
+<blockquote><p><span class="smcap">Mrs. Bloker.</span>&mdash;"Oh, I'm sorry to disturb you at breakfast, but I wanted to make <i>sure</i> of you. Mr. and Mrs. Dedleigh
+Boreham are stopping with me for a few days, and I want you to come and dine to-morrow, or, if you are engaged, Wednesday;
+or Thursday will do, or Friday or Saturday; or <i>any</i> day next week!"</p>
+
+<p>(<i>Mrs. Brown feebly tries to invent that they have some thoughts of sailing to Honolulu this afternoon, and that they have just
+lost a relative, but breaks down ignominiously.</i>) </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_151.jpg" width="400" height="568" alt="" title="" />
+<span class="caption">TRUE BLUE</span>
+</div>
+
+<blockquote><p>"But doesn't hearing those brilliant
+speeches sometimes make you
+change your mind?"</p>
+
+<p>"My <i>mind</i>? Oh, often! But my
+<i>vote</i>, <i>NEVER</i>!!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_153.jpg" width="600" height="386" alt="" title="" />
+<span class="caption">NOUS AVONS CHANG&Eacute; TOUT CELA</span>
+</div>
+
+<blockquote><p><span class="smcap">The Old Marquis of Carabas.</span>&mdash;"What, madam! There's your lovely but penniless daughter positively dying to marry
+me; and here I am, willing to settle &pound;20,000 a year on her, and give her one of the oldest titles in England, <i>and you refuse
+your consent</i>!!!! By George, madam, in <i>my</i> young days it wasn't the mothers who objected to men of my sort. It was the
+<i>daughters themselves</i>!!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_155.jpg" width="600" height="349" alt="" title="" />
+<span class="caption">SPEECHES ONE HAS TO LIVE DOWN</span>
+</div>
+
+<blockquote><p><span class="smcap">Hostess.</span>&mdash;"So sorry to have kept you waiting, Mr. Green."</p>
+
+<p><span class="smcap">Visitor.</span>&mdash;"Oh, don't mention it. The anticipation, you know, is always so much brighter than the reality." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_157.jpg" width="600" height="375" alt="" title="" />
+<span class="caption">TOO CONSIDERATE</span>
+</div>
+
+<blockquote><p><span class="smcap">Mrs. Brown.</span>&mdash;"Oh, Mrs. Smith, <i>do</i> have that sweet baby of yours brought down to show my husband. He's never seen it."</p>
+
+<p><span class="smcap">Mr. Brown.</span>&mdash;"Oh, pray, don't trouble on <i>my</i> account." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_159.jpg" width="600" height="410" alt="" title="" />
+<span class="caption">THINGS ONE WOULD HAVE EXPRESSED DIFFERENTLY</span>
+</div>
+
+<blockquote><p><span class="smcap">Genial Hostess.</span>&mdash;"What, going already, Professor?... And <i>must</i> you take your wife away with you?"</p>
+
+<p><span class="smcap">The Professor</span> (<i>with grave politeness</i>).&mdash;"Indeed, madam, <i>I am sorry to say I MUST</i>!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_161.jpg" width="600" height="357" alt="" title="" />
+<span class="caption">HAPPY THOUGHT</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_163.jpg" width="400" height="538" alt="" title="" />
+<span class="caption">FLUNKYANA<br />
+(A Visit to the Portrait-Gallery of
+Brabazon Towers.)</span>
+</div>
+
+<blockquote><p>"Pardon me! But you have passed
+over that picture in the corner. An
+old Dutch master, I think."</p>
+
+<p>"Oh, <i>that</i>! 'The Burgermaster' it's
+called By Rembrank, I b'lieve. It
+ain't nothing much. Only a work
+of hart. <i>Not one of the family,
+you know!</i>" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_165.jpg" width="600" height="350" alt="" title="" />
+<span class="caption">&quot;OH, DON&#39;T YOU REMEMBER SWEET ALICE, BEN BOLT?&quot;</span>
+</div>
+
+<hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_167.jpg" width="600" height="364" alt="" title="" />
+<span class="caption">A WINDOW STUDY</span>
+</div>
+
+<blockquote><p><span class="smcap">The Maiden.</span>&mdash;"Good-morning, Mr. Jones! How do you like my hyacinths?"</p>
+
+<p><span class="smcap">The Curate.</span>&mdash;"Well, they prevent me from seeing <i>you</i>! I should prefer <i>Lower</i> cinths!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_169.jpg" width="600" height="355" alt="" title="" />
+<span class="caption">SO ENGLISH, YOU KNOW!</span>
+</div>
+
+<blockquote><p>The Miss Browns (<i>of "a good" Bayswater family</i>) playing "Buffalo Gals," with variations, on two American banjoes and an American
+parlor-grand. </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_171.jpg" width="600" height="368" alt="" title="" />
+<span class="caption">SOCIAL TARRADIDDLES</span>
+</div>
+
+<blockquote><p><span class="smcap">Mrs. Gushington</span> (<i>aside to her husband</i>).&mdash;"What a long, tiresome piece of music that was! Who's it by, I wonder?"</p>
+
+<p><span class="smcap">Mr. Gushington.</span>&mdash;"Beethoven, my love."</p>
+
+<p><span class="smcap">Mrs. Gushington</span> (<i>to hostess</i>).&mdash;"My <i>dear</i> Mrs. Brown, what <i>heavenly</i> music! How in every <i>bar</i> one feels the stamp of the greatest
+genius the world has ever known!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_173.jpg" width="600" height="368" alt="" title="" />
+<span class="caption">LOVE&#39;S LABOR LOST</span>
+</div>
+
+<blockquote><p>"Oh, papa, we've all quite made up our minds <i>never to marry</i>, now we've got this beautiful house and garden!"
+(<i>Papa has taken this beautiful house and garden solely with the view of tempting eligible young men to come and play lawn-tennis, etc., etc.</i>) </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_175.jpg" width="600" height="377" alt="" title="" />
+<span class="caption">THE MARCH OF PROGRESS</span>
+</div>
+
+<blockquote><p><span class="smcap">She.</span>&mdash;"After all, there's nothing better than the wing of a chicken! <i>Is</i> there, General?"</p>
+
+<p><span class="smcap">He.</span>&mdash;"I never tasted the wing of a chicken. I only know the <i>legs</i>! When I was <i>young</i>, you know, my <i>parents</i> always ate the
+wings, and <i>now</i>, my <i>children</i> always do!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_177.jpg" width="600" height="368" alt="" title="" />
+<span class="caption">AN INFELICITOUS QUESTION</span>
+</div>
+
+<blockquote><p><span class="smcap">&AElig;sthetic Youth.</span>&mdash;"I hope by degrees to have this room filled with nothing but the most perfectly beautiful things...."</p>
+
+<p><span class="smcap">Simple-Minded Guardsman.</span>&mdash;"And what are you going to do with <i>these</i>, then?" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_179.jpg" width="600" height="357" alt="" title="" />
+<span class="caption">I MUST HAVE THIS TOOTH OUT!</span>
+</div>
+
+<blockquote><p>"I must have this tooth out, it hurts so!"</p>
+
+<p>"Oh, <i>please</i> don't, or <i>I</i> shall have to wear it, as I do <i>all</i> of your left-off things!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_181.jpg" width="600" height="352" alt="" title="" />
+<span class="caption">NEMESIS</span>
+</div>
+
+<blockquote><p><span class="smcap">Mrs. Constantia</span> (<i>to old adorer, who has married for money</i>).&mdash;"And these are your children, Ronald? Oh!... how like their mother!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_183.jpg" width="600" height="386" alt="" title="" />
+<span class="caption">TOO LATE</span>
+</div>
+
+<blockquote><p><span class="smcap">He.</span>&mdash;"What! You haven't got a dance left?"</p>
+
+<p><span class="smcap">She.</span>&mdash;"No. It's past two o'clock! Why didn't you come earlier?"</p>
+
+<p><span class="smcap">He.</span>&mdash;"Well, a feller must <i>dine</i>, you know!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_185.jpg" width="600" height="386" alt="" title="" />
+<span class="caption">FEMININE PERVERSITY</span>
+</div>
+
+<blockquote><p><span class="smcap">She-Gossip</span> (<i>alluding to newly-wedded pair</i>).&mdash;"There go 'Beauty and the Beast,' as they are called! She <i>would</i> marry him.
+Her parents strongly opposed the match, as you may imagine."</p>
+
+<p><span class="smcap">He-Gossip</span> (<i>who flatters himself that he understands the sex</i>).&mdash;"By George! The parental opposition must have been strong
+to make her marry such a ruffian as that!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_187.jpg" width="600" height="374" alt="" title="" />
+<span class="caption">CONSOLATION</span>
+</div>
+
+<blockquote><p><span class="smcap">De Snookke.</span>&mdash;"There goes Mrs. <i>Gatherum</i>! She never asks <i>me</i> to her parties! I suppose I am not <i>swell</i> enough!"</p>
+
+<p><span class="smcap">Sympathetic Lady-Friend.</span>&mdash;"Oh, it can't be <i>that</i>! One meets the most rowdy people in London there." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_189.jpg" width="400" height="568" alt="" title="" />
+<span class="caption">CAPTAIN LELONGBOW</span>
+</div>
+
+<blockquote><p><span class="smcap">Captain Lelongbow</span> (<i>a fascinating
+but most inveterate romancer about
+his own exploits</i>).&mdash;"Who's your
+favorite hero in <i>fiction</i>, Miss Vera?"</p>
+
+<p><span class="smcap">Miss Vera.</span>&mdash;"<i>You</i> are!" </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_191.jpg" width="600" height="364" alt="" title="" />
+<span class="caption">&AElig;STHETICS</span>
+</div>
+
+<blockquote><p><span class="smcap">Mrs. Van Tromp.</span>&mdash;"Oh, Sir Charles! Modern English male attire is <i>too</i> hideous. Just look round ... there are only two decently
+dressed men in the room!"</p>
+
+<p><span class="smcap">Sir Charles.</span>&mdash;"Indeed! And which are <i>they</i>, may I ask?"</p>
+
+<p><span class="smcap">Mrs. Van Tromp.</span>&mdash;"Well, I don't know <i>who</i> they are, exactly; but just now one seems to be offering the other a cup of tea."</p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_193.jpg" width="600" height="360" alt="" title="" />
+<span class="caption">AN ACCOMMODATION</span>
+</div>
+
+<blockquote><p><span class="smcap">Vocalist</span> (<i>to fair Stranger</i>).&mdash;"A&mdash;I'm going to sing '<i>Fain would I clasp thee closer, love</i>!' May I look at you while I am singing?"</p>
+
+<p><span class="smcap">Fair Stranger.</span>-"Oh, certainly! Or at my grandmother." </p>
+</blockquote><hr />
+
+<div class="figcenter" style="width: 600px;">
+<img src="images/i_195.jpg" width="600" height="380" alt="" title="" />
+<span class="caption">&quot;SVENGALI!... SVENGALI!... SVENGALI!&quot;</span>
+</div>
+
+
+
+
+
+<hr />
+<h3>BOOKS WRITTEN AND ILLUSTRATED</h3>
+
+<h4>BY</h4>
+
+<h2>GEORGE DU MAURIER</h2>
+
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" width="80%" summary="Ads">
+
+<tr><td align="left">PETER IBBETSON</td>
+<td align="left"><span style='font-size:300%;font-weight:lighter;margin:0;line-height:1em;text-indent:0;'>{</span></td>
+<td align="left">Post 8vo, Cloth, Ornamental<br />Three-Quarter Calf<br />Three-Quarter Levant</td>
+<td align="right">$1 50<br />3 25<br />4 25</td></tr>
+
+<tr><td align="left">TRILBY</td>
+<td align="left"><span style='font-size:300%;font-weight:lighter;margin:0;line-height:1em;text-indent:0;'>{</span></td>
+<td align="left">Post 8vo, Cloth, Ornamental<br />Three-Quarter Calf<br />Three-Quarter Levant</td>
+<td align="right">1 75<br />3 50<br />4 50</td></tr>
+
+<tr><td colspan="4" align="left">THE MARTIAN (<i>Mr. Du Maurier's last work, now running as a serial in "Harper's Magazine,"
+began in the number for October, 1896</i>).</td></tr>
+
+<tr><td>&nbsp;</td></tr>
+
+<tr><td colspan="2" align="left">TRILBY SOUVENIR. Photogravures in Portfolio</td>
+<td align="center">8vo</td>
+<td align="right">50</td></tr>
+
+<tr><td colspan="2" align="left">IN BOHEMIA WITH DU MAURIER. By Moscheles</td>
+<td align="center">8vo</td>
+<td align="right">2 50</td></tr>
+</table></div>
+
+<hr style="width: 33%;" />
+<p class="center">Published by HARPER &amp; BROTHERS, New York</p>
+
+<p class="center"><i>For sale by all booksellers, or will be mailed by the publishers on receipt of price.</i></p>
+
+
+<div class="figcenter" style="width: 246px;"><br />
+<img src="images/i_back_cover.jpg" width="246" height="250" alt="Back Cover" title="" />
+</div>
+
+<div class="tnotes"><h3>Transcriber's Notes:</h3>
+
+<div class="tnote"><p>Obvious punctuation errors repaired.</p></div>
+
+<div class="tnote"><p>In the Foreword, word "indefinitely" changed to "infinitely" (infinitely less amazing)
+</p></div>
+
+<div class="tnote"><p>Caption for illustration A DAUGHTER OF HETH, name "BENJAMIM" changed to "BENJAMIN"
+</p></div></div>
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of English Society, by George Du Maurier
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ENGLISH SOCIETY ***
+
+***** This file should be named 38111-h.htm or 38111-h.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/3/8/1/1/38111/
+
+Produced by Judith Wirawan, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/38111-h/images/i_002.jpg b/38111-h/images/i_002.jpg
new file mode 100644
index 0000000..140fb80
--- /dev/null
+++ b/38111-h/images/i_002.jpg
diff --git a/38111-h/images/i_003.jpg b/38111-h/images/i_003.jpg
new file mode 100644
index 0000000..15ee4c9
--- /dev/null
+++ b/38111-h/images/i_003.jpg
diff --git a/38111-h/images/i_019.jpg b/38111-h/images/i_019.jpg
new file mode 100644
index 0000000..fc41d5c
--- /dev/null
+++ b/38111-h/images/i_019.jpg
diff --git a/38111-h/images/i_021.jpg b/38111-h/images/i_021.jpg
new file mode 100644
index 0000000..a64ec0e
--- /dev/null
+++ b/38111-h/images/i_021.jpg
diff --git a/38111-h/images/i_023.jpg b/38111-h/images/i_023.jpg
new file mode 100644
index 0000000..b3db3b8
--- /dev/null
+++ b/38111-h/images/i_023.jpg
diff --git a/38111-h/images/i_025.jpg b/38111-h/images/i_025.jpg
new file mode 100644
index 0000000..1edb67d
--- /dev/null
+++ b/38111-h/images/i_025.jpg
diff --git a/38111-h/images/i_027.jpg b/38111-h/images/i_027.jpg
new file mode 100644
index 0000000..c347096
--- /dev/null
+++ b/38111-h/images/i_027.jpg
diff --git a/38111-h/images/i_029.jpg b/38111-h/images/i_029.jpg
new file mode 100644
index 0000000..d969cc5
--- /dev/null
+++ b/38111-h/images/i_029.jpg
diff --git a/38111-h/images/i_031.jpg b/38111-h/images/i_031.jpg
new file mode 100644
index 0000000..9e69a28
--- /dev/null
+++ b/38111-h/images/i_031.jpg
diff --git a/38111-h/images/i_033.jpg b/38111-h/images/i_033.jpg
new file mode 100644
index 0000000..3c9844d
--- /dev/null
+++ b/38111-h/images/i_033.jpg
diff --git a/38111-h/images/i_035.jpg b/38111-h/images/i_035.jpg
new file mode 100644
index 0000000..1ed8aff
--- /dev/null
+++ b/38111-h/images/i_035.jpg
diff --git a/38111-h/images/i_037.jpg b/38111-h/images/i_037.jpg
new file mode 100644
index 0000000..90f40a3
--- /dev/null
+++ b/38111-h/images/i_037.jpg
diff --git a/38111-h/images/i_039.jpg b/38111-h/images/i_039.jpg
new file mode 100644
index 0000000..c6b9883
--- /dev/null
+++ b/38111-h/images/i_039.jpg
diff --git a/38111-h/images/i_041.jpg b/38111-h/images/i_041.jpg
new file mode 100644
index 0000000..343f05e
--- /dev/null
+++ b/38111-h/images/i_041.jpg
diff --git a/38111-h/images/i_043.jpg b/38111-h/images/i_043.jpg
new file mode 100644
index 0000000..69e9197
--- /dev/null
+++ b/38111-h/images/i_043.jpg
diff --git a/38111-h/images/i_045.jpg b/38111-h/images/i_045.jpg
new file mode 100644
index 0000000..ceff6f0
--- /dev/null
+++ b/38111-h/images/i_045.jpg
diff --git a/38111-h/images/i_047.jpg b/38111-h/images/i_047.jpg
new file mode 100644
index 0000000..ba8f5af
--- /dev/null
+++ b/38111-h/images/i_047.jpg
diff --git a/38111-h/images/i_049.jpg b/38111-h/images/i_049.jpg
new file mode 100644
index 0000000..b6053f0
--- /dev/null
+++ b/38111-h/images/i_049.jpg
diff --git a/38111-h/images/i_051.jpg b/38111-h/images/i_051.jpg
new file mode 100644
index 0000000..905c146
--- /dev/null
+++ b/38111-h/images/i_051.jpg
diff --git a/38111-h/images/i_053.jpg b/38111-h/images/i_053.jpg
new file mode 100644
index 0000000..1bde4d3
--- /dev/null
+++ b/38111-h/images/i_053.jpg
diff --git a/38111-h/images/i_055.jpg b/38111-h/images/i_055.jpg
new file mode 100644
index 0000000..a0de3dc
--- /dev/null
+++ b/38111-h/images/i_055.jpg
diff --git a/38111-h/images/i_057.jpg b/38111-h/images/i_057.jpg
new file mode 100644
index 0000000..bd4677d
--- /dev/null
+++ b/38111-h/images/i_057.jpg
diff --git a/38111-h/images/i_059.jpg b/38111-h/images/i_059.jpg
new file mode 100644
index 0000000..24a811a
--- /dev/null
+++ b/38111-h/images/i_059.jpg
diff --git a/38111-h/images/i_061.jpg b/38111-h/images/i_061.jpg
new file mode 100644
index 0000000..9eb468f
--- /dev/null
+++ b/38111-h/images/i_061.jpg
diff --git a/38111-h/images/i_063.jpg b/38111-h/images/i_063.jpg
new file mode 100644
index 0000000..448caba
--- /dev/null
+++ b/38111-h/images/i_063.jpg
diff --git a/38111-h/images/i_065.jpg b/38111-h/images/i_065.jpg
new file mode 100644
index 0000000..4e1d525
--- /dev/null
+++ b/38111-h/images/i_065.jpg
diff --git a/38111-h/images/i_067.jpg b/38111-h/images/i_067.jpg
new file mode 100644
index 0000000..cce6348
--- /dev/null
+++ b/38111-h/images/i_067.jpg
diff --git a/38111-h/images/i_069.jpg b/38111-h/images/i_069.jpg
new file mode 100644
index 0000000..fa77329
--- /dev/null
+++ b/38111-h/images/i_069.jpg
diff --git a/38111-h/images/i_071.jpg b/38111-h/images/i_071.jpg
new file mode 100644
index 0000000..09f08e0
--- /dev/null
+++ b/38111-h/images/i_071.jpg
diff --git a/38111-h/images/i_073.jpg b/38111-h/images/i_073.jpg
new file mode 100644
index 0000000..470c291
--- /dev/null
+++ b/38111-h/images/i_073.jpg
diff --git a/38111-h/images/i_075.jpg b/38111-h/images/i_075.jpg
new file mode 100644
index 0000000..208521d
--- /dev/null
+++ b/38111-h/images/i_075.jpg
diff --git a/38111-h/images/i_077.jpg b/38111-h/images/i_077.jpg
new file mode 100644
index 0000000..48a9770
--- /dev/null
+++ b/38111-h/images/i_077.jpg
diff --git a/38111-h/images/i_079.jpg b/38111-h/images/i_079.jpg
new file mode 100644
index 0000000..3e80529
--- /dev/null
+++ b/38111-h/images/i_079.jpg
diff --git a/38111-h/images/i_081.jpg b/38111-h/images/i_081.jpg
new file mode 100644
index 0000000..b6e2c10
--- /dev/null
+++ b/38111-h/images/i_081.jpg
diff --git a/38111-h/images/i_083.jpg b/38111-h/images/i_083.jpg
new file mode 100644
index 0000000..1a2cfa9
--- /dev/null
+++ b/38111-h/images/i_083.jpg
diff --git a/38111-h/images/i_085.jpg b/38111-h/images/i_085.jpg
new file mode 100644
index 0000000..a3990f5
--- /dev/null
+++ b/38111-h/images/i_085.jpg
diff --git a/38111-h/images/i_087.jpg b/38111-h/images/i_087.jpg
new file mode 100644
index 0000000..451f5d9
--- /dev/null
+++ b/38111-h/images/i_087.jpg
diff --git a/38111-h/images/i_089.jpg b/38111-h/images/i_089.jpg
new file mode 100644
index 0000000..c6ee57d
--- /dev/null
+++ b/38111-h/images/i_089.jpg
diff --git a/38111-h/images/i_091.jpg b/38111-h/images/i_091.jpg
new file mode 100644
index 0000000..596400a
--- /dev/null
+++ b/38111-h/images/i_091.jpg
diff --git a/38111-h/images/i_093.jpg b/38111-h/images/i_093.jpg
new file mode 100644
index 0000000..76778a7
--- /dev/null
+++ b/38111-h/images/i_093.jpg
diff --git a/38111-h/images/i_095.jpg b/38111-h/images/i_095.jpg
new file mode 100644
index 0000000..3dac096
--- /dev/null
+++ b/38111-h/images/i_095.jpg
diff --git a/38111-h/images/i_097.jpg b/38111-h/images/i_097.jpg
new file mode 100644
index 0000000..5e082c1
--- /dev/null
+++ b/38111-h/images/i_097.jpg
diff --git a/38111-h/images/i_099.jpg b/38111-h/images/i_099.jpg
new file mode 100644
index 0000000..95c4177
--- /dev/null
+++ b/38111-h/images/i_099.jpg
diff --git a/38111-h/images/i_101.jpg b/38111-h/images/i_101.jpg
new file mode 100644
index 0000000..c72f237
--- /dev/null
+++ b/38111-h/images/i_101.jpg
diff --git a/38111-h/images/i_103.jpg b/38111-h/images/i_103.jpg
new file mode 100644
index 0000000..f4d0bf7
--- /dev/null
+++ b/38111-h/images/i_103.jpg
diff --git a/38111-h/images/i_105.jpg b/38111-h/images/i_105.jpg
new file mode 100644
index 0000000..5945d59
--- /dev/null
+++ b/38111-h/images/i_105.jpg
diff --git a/38111-h/images/i_107.jpg b/38111-h/images/i_107.jpg
new file mode 100644
index 0000000..9ced2d8
--- /dev/null
+++ b/38111-h/images/i_107.jpg
diff --git a/38111-h/images/i_109.jpg b/38111-h/images/i_109.jpg
new file mode 100644
index 0000000..8147982
--- /dev/null
+++ b/38111-h/images/i_109.jpg
diff --git a/38111-h/images/i_111.jpg b/38111-h/images/i_111.jpg
new file mode 100644
index 0000000..248baaa
--- /dev/null
+++ b/38111-h/images/i_111.jpg
diff --git a/38111-h/images/i_113.jpg b/38111-h/images/i_113.jpg
new file mode 100644
index 0000000..316c986
--- /dev/null
+++ b/38111-h/images/i_113.jpg
diff --git a/38111-h/images/i_115.jpg b/38111-h/images/i_115.jpg
new file mode 100644
index 0000000..c76bf7c
--- /dev/null
+++ b/38111-h/images/i_115.jpg
diff --git a/38111-h/images/i_117.jpg b/38111-h/images/i_117.jpg
new file mode 100644
index 0000000..8214333
--- /dev/null
+++ b/38111-h/images/i_117.jpg
diff --git a/38111-h/images/i_119.jpg b/38111-h/images/i_119.jpg
new file mode 100644
index 0000000..e424fd9
--- /dev/null
+++ b/38111-h/images/i_119.jpg
diff --git a/38111-h/images/i_121.jpg b/38111-h/images/i_121.jpg
new file mode 100644
index 0000000..ef9aec0
--- /dev/null
+++ b/38111-h/images/i_121.jpg
diff --git a/38111-h/images/i_123.jpg b/38111-h/images/i_123.jpg
new file mode 100644
index 0000000..6030e93
--- /dev/null
+++ b/38111-h/images/i_123.jpg
diff --git a/38111-h/images/i_125.jpg b/38111-h/images/i_125.jpg
new file mode 100644
index 0000000..64a1326
--- /dev/null
+++ b/38111-h/images/i_125.jpg
diff --git a/38111-h/images/i_127.jpg b/38111-h/images/i_127.jpg
new file mode 100644
index 0000000..d4b71e6
--- /dev/null
+++ b/38111-h/images/i_127.jpg
diff --git a/38111-h/images/i_129.jpg b/38111-h/images/i_129.jpg
new file mode 100644
index 0000000..fa965af
--- /dev/null
+++ b/38111-h/images/i_129.jpg
diff --git a/38111-h/images/i_131.jpg b/38111-h/images/i_131.jpg
new file mode 100644
index 0000000..a13fe26
--- /dev/null
+++ b/38111-h/images/i_131.jpg
diff --git a/38111-h/images/i_133.jpg b/38111-h/images/i_133.jpg
new file mode 100644
index 0000000..b508765
--- /dev/null
+++ b/38111-h/images/i_133.jpg
diff --git a/38111-h/images/i_135.jpg b/38111-h/images/i_135.jpg
new file mode 100644
index 0000000..c950a37
--- /dev/null
+++ b/38111-h/images/i_135.jpg
diff --git a/38111-h/images/i_137.jpg b/38111-h/images/i_137.jpg
new file mode 100644
index 0000000..eaaa6d3
--- /dev/null
+++ b/38111-h/images/i_137.jpg
diff --git a/38111-h/images/i_139.jpg b/38111-h/images/i_139.jpg
new file mode 100644
index 0000000..1006e8a
--- /dev/null
+++ b/38111-h/images/i_139.jpg
diff --git a/38111-h/images/i_141.jpg b/38111-h/images/i_141.jpg
new file mode 100644
index 0000000..b20c363
--- /dev/null
+++ b/38111-h/images/i_141.jpg
diff --git a/38111-h/images/i_143.jpg b/38111-h/images/i_143.jpg
new file mode 100644
index 0000000..f854994
--- /dev/null
+++ b/38111-h/images/i_143.jpg
diff --git a/38111-h/images/i_145.jpg b/38111-h/images/i_145.jpg
new file mode 100644
index 0000000..5dda083
--- /dev/null
+++ b/38111-h/images/i_145.jpg
diff --git a/38111-h/images/i_147.jpg b/38111-h/images/i_147.jpg
new file mode 100644
index 0000000..e4626df
--- /dev/null
+++ b/38111-h/images/i_147.jpg
diff --git a/38111-h/images/i_149.jpg b/38111-h/images/i_149.jpg
new file mode 100644
index 0000000..935d667
--- /dev/null
+++ b/38111-h/images/i_149.jpg
diff --git a/38111-h/images/i_151.jpg b/38111-h/images/i_151.jpg
new file mode 100644
index 0000000..ddcc41e
--- /dev/null
+++ b/38111-h/images/i_151.jpg
diff --git a/38111-h/images/i_153.jpg b/38111-h/images/i_153.jpg
new file mode 100644
index 0000000..aaa8f11
--- /dev/null
+++ b/38111-h/images/i_153.jpg
diff --git a/38111-h/images/i_155.jpg b/38111-h/images/i_155.jpg
new file mode 100644
index 0000000..9f61517
--- /dev/null
+++ b/38111-h/images/i_155.jpg
diff --git a/38111-h/images/i_157.jpg b/38111-h/images/i_157.jpg
new file mode 100644
index 0000000..a47df22
--- /dev/null
+++ b/38111-h/images/i_157.jpg
diff --git a/38111-h/images/i_159.jpg b/38111-h/images/i_159.jpg
new file mode 100644
index 0000000..8a2e9d8
--- /dev/null
+++ b/38111-h/images/i_159.jpg
diff --git a/38111-h/images/i_161.jpg b/38111-h/images/i_161.jpg
new file mode 100644
index 0000000..2b9c119
--- /dev/null
+++ b/38111-h/images/i_161.jpg
diff --git a/38111-h/images/i_163.jpg b/38111-h/images/i_163.jpg
new file mode 100644
index 0000000..46cf066
--- /dev/null
+++ b/38111-h/images/i_163.jpg
diff --git a/38111-h/images/i_165.jpg b/38111-h/images/i_165.jpg
new file mode 100644
index 0000000..22c9b71
--- /dev/null
+++ b/38111-h/images/i_165.jpg
diff --git a/38111-h/images/i_167.jpg b/38111-h/images/i_167.jpg
new file mode 100644
index 0000000..b913c7e
--- /dev/null
+++ b/38111-h/images/i_167.jpg
diff --git a/38111-h/images/i_169.jpg b/38111-h/images/i_169.jpg
new file mode 100644
index 0000000..18181ba
--- /dev/null
+++ b/38111-h/images/i_169.jpg
diff --git a/38111-h/images/i_171.jpg b/38111-h/images/i_171.jpg
new file mode 100644
index 0000000..1fffee3
--- /dev/null
+++ b/38111-h/images/i_171.jpg
diff --git a/38111-h/images/i_173.jpg b/38111-h/images/i_173.jpg
new file mode 100644
index 0000000..fdaaab3
--- /dev/null
+++ b/38111-h/images/i_173.jpg
diff --git a/38111-h/images/i_175.jpg b/38111-h/images/i_175.jpg
new file mode 100644
index 0000000..769f1d7
--- /dev/null
+++ b/38111-h/images/i_175.jpg
diff --git a/38111-h/images/i_177.jpg b/38111-h/images/i_177.jpg
new file mode 100644
index 0000000..3fde1de
--- /dev/null
+++ b/38111-h/images/i_177.jpg
diff --git a/38111-h/images/i_179.jpg b/38111-h/images/i_179.jpg
new file mode 100644
index 0000000..5cb76cf
--- /dev/null
+++ b/38111-h/images/i_179.jpg
diff --git a/38111-h/images/i_181.jpg b/38111-h/images/i_181.jpg
new file mode 100644
index 0000000..d2cdfe9
--- /dev/null
+++ b/38111-h/images/i_181.jpg
diff --git a/38111-h/images/i_183.jpg b/38111-h/images/i_183.jpg
new file mode 100644
index 0000000..c4291f3
--- /dev/null
+++ b/38111-h/images/i_183.jpg
diff --git a/38111-h/images/i_185.jpg b/38111-h/images/i_185.jpg
new file mode 100644
index 0000000..28944ce
--- /dev/null
+++ b/38111-h/images/i_185.jpg
diff --git a/38111-h/images/i_187.jpg b/38111-h/images/i_187.jpg
new file mode 100644
index 0000000..22bd3b8
--- /dev/null
+++ b/38111-h/images/i_187.jpg
diff --git a/38111-h/images/i_189.jpg b/38111-h/images/i_189.jpg
new file mode 100644
index 0000000..fce9cc4
--- /dev/null
+++ b/38111-h/images/i_189.jpg
diff --git a/38111-h/images/i_191.jpg b/38111-h/images/i_191.jpg
new file mode 100644
index 0000000..2ca3a9d
--- /dev/null
+++ b/38111-h/images/i_191.jpg
diff --git a/38111-h/images/i_193.jpg b/38111-h/images/i_193.jpg
new file mode 100644
index 0000000..0fade8a
--- /dev/null
+++ b/38111-h/images/i_193.jpg
diff --git a/38111-h/images/i_195.jpg b/38111-h/images/i_195.jpg
new file mode 100644
index 0000000..1d165e5
--- /dev/null
+++ b/38111-h/images/i_195.jpg
diff --git a/38111-h/images/i_back_cover.jpg b/38111-h/images/i_back_cover.jpg
new file mode 100644
index 0000000..75ae9b5
--- /dev/null
+++ b/38111-h/images/i_back_cover.jpg
diff --git a/38111-h/images/i_cover.jpg b/38111-h/images/i_cover.jpg
new file mode 100644
index 0000000..1c4abe9
--- /dev/null
+++ b/38111-h/images/i_cover.jpg
author	Roger Frank <rfrank@pglaf.org>	2025-10-14 20:09:34 -0700
committer	Roger Frank <rfrank@pglaf.org>	2025-10-14 20:09:34 -0700
commit	843f876f6b185bb742a2190b455c3661acab01dc (patch)
tree	d5856535c69d29baf3a9b6357669b251355df7cd /38111-h