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+The Project Gutenberg EBook of A Duel, by Richard Marsh
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Duel
+
+Author: Richard Marsh
+
+Release Date: November 18, 2011 [EBook #38054]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A DUEL ***
+
+
+
+
+Produced by Charles Bowen, from page scans provided by Google Books
+
+
+
+
+
+
+
+Transcriber's Notes:
+ 1. Page scan source:
+ http://books.google.com/books?id=szQPAAAAQAAJ
+ 2. The diphthong oe is represented by [oe].
+
+
+
+
+
+
+ A DUEL
+
+
+
+
+
+
+ BY THE SAME AUTHOR
+
+ The Beetle: A Mystery
+ Garnered
+ A Metamorphosis
+ The Twickenham Peerage
+ Both Sides of the Veil
+ The Seen and the Unseen
+ Marvels and Mysteries
+ Miss Arnott's Marriage
+ The Goddess: a Demon
+ The Joss: a Reversion
+ The Crime and the Criminal
+
+
+
+
+
+ A DUEL
+
+
+
+ BY
+ RICHARD MARSH
+
+
+
+ METHUEN & CO.
+ 36 ESSEX STREET W.C.
+ LONDON
+
+
+
+
+
+ _First published_, 1904
+
+
+
+
+
+ CONTENTS
+
+
+ BOOK I.--Wife
+
+
+ CHAPTER I
+
+ The End of the Honeymoon.
+
+
+ CHAPTER II
+
+ An Offer of Marriage.
+
+
+ CHAPTER III
+
+ Whom God hath Joined.
+
+
+ CHAPTER IV
+
+ A Second Honeymoon.
+
+
+ CHAPTER V
+
+ A Conversation with the Doctor.
+
+
+ CHAPTER VI
+
+ Husband and Wife.
+
+
+ CHAPTER VII
+
+ A Tug of War.
+
+
+ CHAPTER VIII
+
+ The Miniature.
+
+
+ CHAPTER IX
+
+ The Sliding Panel.
+
+
+ CHAPTER X
+
+ The Girl at the Door.
+
+
+ CHAPTER XI
+
+ Hot Water.
+
+
+ CHAPTER XII
+
+ Signing the Will.
+
+
+ CHAPTER XIII
+
+ The Encounter in the Wood.
+
+
+ CHAPTER XIV
+
+ In Cuthbert Grahame's Room.
+
+
+
+ BOOK II.--The Widow
+
+
+ CHAPTER XV
+
+ "The Gordian Knot".
+
+
+ CHAPTER XVI
+
+ Margaret is Puzzled.
+
+
+ CHAPTER XVII
+
+ An Unexpected Visitor.
+
+
+ CHAPTER XVIII
+
+ Cronies.
+
+
+ CHAPTER XIX
+
+ In Council.
+
+
+ CHAPTER XX
+
+ The Impending Sword.
+
+
+ CHAPTER XXI
+
+ Out of the Blue.
+
+
+ CHAPTER XXII
+
+ Margaret Settles the Question.
+
+
+ CHAPTER XXIII
+
+ Margaret Resolves to Fight.
+
+
+ CHAPTER XXIV
+
+ The Interior.
+
+
+ CHAPTER XXV
+
+ Alarums and Excursions.
+
+
+ CHAPTER XXVI
+
+ Solicitor and Client.
+
+
+ CHAPTER XXVII
+
+ Pure Ether.
+
+
+ CHAPTER XXVIII
+
+ Mr. Lamb in a Communicative Mood.
+
+
+ CHAPTER XXIX
+
+ Margaret Pays a Call.
+
+
+ CHAPTER XXX
+
+ Mrs. Lamb in Search of Advice.
+
+
+ CHAPTER XXXI
+
+ Mrs. Lamb Returns to Pitmuir.
+
+
+ CHAPTER XXXII
+
+ At the Gate.
+
+
+ CHAPTER XXXIII
+
+ At the Door.
+
+
+ CHAPTER XXXIV
+
+ Towards Judgment.
+
+
+ CHAPTER XXXV
+
+ Judges.
+
+ CHAPTER XXXVI
+
+ Pleasant Dreams!
+
+
+
+
+
+ BOOK I
+
+ WIFE
+
+
+
+
+ A DUEL
+
+ CHAPTER I
+
+ THE END OF THE HONEYMOON
+
+
+Isabel waited till the rat-tat was repeated a second time, then
+she went down to the front door. Since Mrs. Macconichie and her
+husband were both out, and she had the house to herself, there
+was nothing else for her to do, unless she wished the postman to
+depart with the letters. As it was, when she appeared at the
+door, he grumbled at being delayed.
+
+"These Scotchmen are all boors," she told herself, in her
+bitterness.
+
+She looked at the letter which had been thrust into her hand. It
+was addressed to "Mr. G. Lamb". The sight of it reopened the
+fountains of her scorn.
+
+"They might at least have put G. Lamb, Esq. G. Lamb! What a
+fool I've been!"
+
+Further consideration of the envelope led her to the conclusion
+that it was the letter they had both been waiting for--the
+answer to her husband's plea for help. She pressed it between
+her fingers to learn, if possible by the sense of touch, what
+the envelope contained.
+
+"I believe there's only a letter--no cheque, nor anything. If
+there isn't, then we are done."
+
+She hesitated a moment, then tore it open. It contained merely a
+sheet of common writing-paper, on the front page of which was
+this brief note:--
+
+
+"Dear Gregory,
+
+"I like the idea of your asking me to help you. You've had all
+the help you'll ever have from me. The shop won't bear it;
+business is getting worse. If it weren't, you'd get no more
+money out of me.
+
+"You'd better get your wife to keep you.
+
+ "Susan Lamb."
+
+
+Susan Lamb! That was his mother, the mother of the man she had
+married. So the truth was out at last. His mother kept a shop;
+he had been sponging on her for the money he had scattered
+broadcast. There was neither address nor date upon the letter,
+but the postmark on the envelope was Islington. Islington! His
+mother was a small shopkeeper in that haunt of the needy clerk!
+And she had believed him when he had posed before her as a
+"swell"--an aristocrat; when he had talked about his "coin" and
+his "gees". He had jockeyed her into supposing that money was a
+matter of complete indifference to him; that, as she boasted to
+her friends and rivals, "he rolled in it". So successfully had
+he hoodwinked her that she married him within a month of their
+first meeting--she, Belle Burney, the queen of song and dance!
+Had thrown up all her engagements to do it, too; and she was
+beginning to get some engagements which were not to be despised.
+
+At the commencement he had done things in style: had taken her
+up to Edinburgh, leisurely, in a motor. She had imagined that
+the motor was his own. At Edinburgh it vanished; he told her to
+receive some trifling repairs. But she, having already
+discovered he was a liar, suspected him of having sold it. Later
+she learned that the machine had only been hired for a
+fortnight.
+
+Already, at Edinburgh, money began to run short. He did his best
+to conceal from her the state of the case, but the thing was so
+obvious that his attempts at concealment were vain. He had lied
+bravely, protesting that, in some inexplicable way, his
+remittances had gone wrong; that in the course of a post or two
+he would be in possession of an indefinitely large sum of money.
+The posts came and went, but they brought no money. So they
+drifted hither and thither, each time to humbler quarters. Now,
+within six weeks of marriage, they were stranded at a remote
+spot in Forfarshire, within a drive of Carnoustie. Isabel had
+reason to suspect that, at the time of their marriage, her
+husband had less than two hundred pounds in the world. He had
+squandered more than that already; the motor had made a hole in
+it. The pawnbroker had come to the rescue when the coin was
+gone. They were penniless; owed for a week's food and lodging;
+their landlady was already showing signs of anxiety. Now the
+much-talked-of and long-expected letter had arrived which was to
+bring the munificent remittance.
+
+It turned out to be half-a-dozen lines from his shopkeeping
+mother, who declined to advance him a single stiver!
+
+When the young wife realised, or thought she realised, all that
+the curt epistle meant, she told herself that now indeed the
+worst had come. She had just had another bitter scene with her
+husband; had, in fact, driven him out into the night before the
+tempest of her scorn and opprobrium. The landlady had departed
+on an errand of her own. Isabel told herself that now, if ever,
+an opportunity presented itself to cut herself free from the
+bonds in which she had foolishly allowed herself to be entwined.
+She went upstairs, put on her hat and jacket, crammed a few of
+her scanty possessions into a leather handbag, and then--and
+only then--paused to think.
+
+It was nearly nine o'clock, late for that part of the world. The
+nearest railway station was at Carnoustie, more than seven miles
+away. She knew that there was an early train which would take
+her to Dundee, and thence to London; but, supposing she caught
+it, how about the fare? The fare to London was nearly two
+pounds; she had not a shilling. She did not doubt that, once in
+London, she could live, as she always had lived; but she had to
+get there first, across five hundred miles of intervening
+country.
+
+She arrived at a sudden resolution, one, however, which had
+probably been at the back of her mind from the first. Yesterday,
+going suddenly into the landlady's own sitting-room, she had
+taken the old lady unawares. Mrs. Macconichie had what Isabel
+felt sure were coins--gold coins--in one hand, and in the other
+the lid of a tobacco jar which stood in a corner of the china
+cupboard. Although seeming to notice nothing, Mrs. Lamb, struck
+by the old lady's state of fluster, leaped to the conclusion
+that that tobacco jar was her cash-box. Now, bag in hand, she
+came downstairs to learn if her surmise had been correct.
+
+Although she was aware that the sitting-room was empty, she was
+conscious of an odd disinclination to enter, dallying for some
+seconds with the handle in her hand. Once in, she lost no time
+in ascertaining what she wished to learn, meeting, however, with
+an unlooked-for obstacle. The china cupboard was locked; no
+doubt Mrs. Macconichie had the key in her pocket. She took out
+her own keys; not one of them was any use. She could see the
+tobacco jar on the other side of the glass door. She did
+not hesitate long; moments were precious. Taking a metal
+paper-weight off the mantelshelf she smashed the pane, breaking
+it right away to enable her to gain free access to the jar. She
+removed the lid. The jar was full of odds and ends; she did not
+examine them closely enough to gather what they were. At the
+bottom, under everything else, was a canvas bag. She took it
+out. It was tied round the neck with pink tape. It undoubtedly
+contained coins; perhaps twenty or thirty. Should she open it,
+and borrow two or three? or should she take it as it was?
+
+The answer was acted, not spoken. Slipping the bag between the
+buttons of her bodice, she passed from the room and from the
+house. So soon as she was in the open air she thought she heard
+the sound of approaching footsteps; as if involuntarily she
+shrank back into the doorway, listening. She had been mistaken;
+there was not a sound. She came out into the street again,
+drawing a long breath. She looked to the right and left; not a
+creature was in sight. She set off in the direction of
+Carnoustie.
+
+Her knowledge of the surrounding country was of the vaguest
+kind. She had not gone far before it began to dawn on her that
+this was a foolhardy venture in which she was engaged. It was a
+habit of hers to act first and think afterwards, or she would
+never have become Mrs. Gregory Lamb. Hard-headed enough when she
+chose to give her wits fair play, she was, at that period of her
+career, too much inclined to become a creature of impulse. The
+impulses to which she was prone to yield were only too apt to be
+wrong ones. For instance, she had not long left Mrs.
+Macconichie's before she perceived clearly enough that the
+chances were possibly a hundred to one against her reaching
+Carnoustie in the darkness on foot. Houses were few and far
+between; the road was a lonely one; it was quite on the cards
+that she might not meet a soul from whom to make inquiries. If
+she had given the thing any thought at all, she would have
+perceived from the first how slight her chances were, in which
+case, since it was no use jumping out of the frying-pan into the
+fire, she would certainly have postponed her departure. Now it
+was too late to return. The pane of glass in the china cupboard
+was broken; the canvas bag was inside her bodice. With the best
+will in the world she might find it difficult to conceal what
+had happened, not to speak of the possibility of Mrs.
+Macconichie's having already discovered her loss. So she pressed
+on.
+
+Indeed, shortly she could not have gone back if she had wished.
+She had not started half an hour before she was forced to admit
+that she had lost her bearings utterly; that she had not the
+faintest notion in which direction Carnoustie lay, nor
+whereabouts she was. She was on a black road; that was all she
+knew. A rough, uneven road, which apparently straggled over open
+moorland. She could make out trees here and there, but the road
+itself seemed to have no boundaries. So far as she could make
+out, there was nothing on either side in the shape of a hedge or
+landmark.
+
+Soon she was not at all sure that she was not off the road; that
+she was not roaming, blindly, over the open country. It seemed
+impossible that any road could be so uneven. She kept stumbling
+over unseen obstacles. Once she caught herself descending what
+seemed to be the steep sides of some sort of pit. With a sense
+of shock she drew back in time. She listened; she seemed to hear
+the sound of running waters. Could she be standing on the bank
+of some stream or river, into which, in another second, she
+might have descended? Anxious, even a little alarmed, turning
+right about face, she moved forward in what she supposed was the
+opposite direction. She seemed to be stumbling over a succession
+of hillocks. This could not be the road; she must have gone
+entirely astray. If she did not take care she would be running
+into some serious danger.
+
+All at once her foot caught in some trailing root or plant; she
+went headforemost to the ground. Fortunately, she came down
+lightly enough. The fall was of little consequence, but when she
+tried to regain her perpendicular she learned, to her dismay,
+that her ankle refused to support her. Willy-nilly, she had to
+remain squatted where she had fallen.
+
+"I seem to be in for a real good thing," she groaned. "Am I to
+stay here all night? I shall be frozen to the bone before the
+morning, to say nothing of waiting like a rat in a trap for Mrs.
+Macconichie to catch me."
+
+She had to wait there for probably more than an hour, not
+exactly on the same spot. She managed, at intervals, to half
+hobble, half crawl across, perhaps another couple of hundred
+yards of ground. But the labour was thrown away. At that rate
+she would not have covered a mile before daybreak. Yielding to
+necessity, still clutching her bag, crouching on the turf, she
+watched for the light to come. She felt no need for sleep; she
+was only consumed by a great impatience, in that all things
+seemed to be against her.
+
+The skies were clouded like her fate. Nowhere was there a
+glimmer of a star. A cool breeze was coming from what she judged
+to be the sea. It made itself more and more felt as the time
+stole on. By degrees it began to bring a mist with it. As she
+had foreseen, she became chilled to the marrow of her bones.
+
+"If this goes on I shall freeze to death."
+
+The idea recurred to her like a sort of formula. She kept
+telling herself again and again that that night would be the end
+of her.
+
+When her vitality seemed at its lowest point the stillness of
+the night was broken by a sound--the sound of wheels.
+
+
+
+
+ CHAPTER II
+
+ AN OFFER OF MARRIAGE
+
+
+She raised her head to listen, thinking that her senses must be
+playing her a trick. No; it certainly was the sound of wheels,
+coming nearer and nearer. Some one was driving fast through the
+darkness, so fast that in what seemed to her to be less than a
+minute the driver was close upon her. Apparently nearly in front
+of her, although she could not see it, was a road along which
+the vehicle was approaching. It carried no lights; nothing broke
+the shadows; but, if her ears could be trusted, within a
+stone's-throw of where she was some wheeled conveyance was
+hurrying past. She stood upon her one sound foot and shouted:--
+
+"Hallo!--hallo-o!--hallo-o-o!" again and again.
+
+Her first shouts went unheeded. Possessed by a wild fear that
+she might remain unnoticed, raising her voice to a desperate
+yell, she started to scream herself hoarse.
+
+This time her tones travelled. Suddenly the vehicle ceased to
+move. An answering shout came back to her:--
+
+"Who's there? What's the matter with you?"
+
+The accent was broad Scotch. Had it been the purest Cockney
+it could not have seemed more welcome. She replied to the
+inquiry:--
+
+"I've sprained my ankle so that I can hardly move".
+
+This time in the other voice there was an unmistakable
+suggestion of surprise.
+
+"Is it a woman?"
+
+"Yes."
+
+Her tone was fainter.
+
+"And what might you be doing here at this hour of the morning?"
+
+"I'm going to Carnoustie."
+
+"Carnoustie! You're going to Carnoustie!--along this road?
+You're joking! Can you get as far as this, so that I can have a
+look at you?"
+
+"I'll try."
+
+She did try. It was a distance of barely a hundred yards, but
+traversing it was a work of time. When the space was covered it
+was only by clutching at the wheel of the trap that she saved
+herself from subsiding in a heap upon the ground. In an instant
+the driver was off his seat, and with his arm about her.
+
+"Is it so bad as that?"
+
+"It is pretty bad," she stammered.
+
+"For the Lord's sake, don't faint! We've no time to waste upon
+such trifles."
+
+"I'm not going to faint." At any rate the tone was faint enough.
+Suddenly she seemed to pull herself together, as if stirred by a
+spirit of resentment. "I never have fainted in my life--I'm not
+going to begin to do it now."
+
+He laughed--that is, the little husky sound he made might have
+been intended for a laugh.
+
+"If you'll keep quite still I'll lift you up into the trap
+somehow, though, by the feel of you, you're as big as I am, and,
+maybe, heavier. The mare won't move. She's one of the few female
+things I ever met that wasn't troubled with the fidgets."
+
+As he put it, "somehow" he did get her up into the trap, then
+climbed on to the seat beside her. Presently they were bowling
+along together. For some seconds neither spoke. She was
+endeavouring to accustom herself to her new position. He,
+possibly--as his questions immediately showed--was wondering who
+it was that he had chanced upon.
+
+"You're English?"
+
+"I am."
+
+"Staying in these parts?"
+
+"I'm on a walking tour."
+
+"A walking tour at one o'clock in the morning!"
+
+"It wasn't one o'clock when I started. I've been where you found
+me for hours and hours."
+
+"Where were you making for?"
+
+"I've told you, I was going to Carnoustie."
+
+"Going from Carnoustie, you mean. You'll never be finding it in
+this part of the country."
+
+"I daresay. Since it became dark I've been hobbling round about
+just anywhere. I don't know where I am; I've lost myself
+completely." He was silent, as if he found something in her
+words which made him think. Then she took up the _rôle_ of
+questioner: "Where are you going?"
+
+"To a man that's dying."
+
+"Are you a doctor?"
+
+"It's my trade."
+
+"Then you'll be able to look at my ankle. I hope it's nothing
+serious, but it seems to be getting worse instead of better."
+
+"I'll look at your ankle, never fear. I'll find you an easier
+patient than the one I'm bound for."
+
+Little more was said on either side. The doctor seemed to be by
+nature a taciturn man, or perhaps he was too preoccupied for
+speech. Isabel was feeling too miserable to talk. She was cold
+and wet; her ankle was occasioning her no little pain. She could
+hardly have been less inclined for conversation, and she, also,
+had at times a gift of silence. During the twenty or thirty
+minutes the drive continued probably not half-a-dozen words were
+exchanged.
+
+At last the doctor brought his mare to a standstill.
+
+"I suppose you couldn't get down and open a gate? There's one
+right in front of us. I can see it's closed."
+
+His eyes must have had the cat's quality of being able to
+penetrate the darkness; she could see nothing.
+
+"I might be able to get down--if I had to tumble, but I doubt if
+I'd ever be able to get up again."
+
+He grunted as if in disapprobation.
+
+"Can you hold the reins while I get down?"
+
+"I daresay I could do that."
+
+He passed her the reins and descended. She heard a gate swing
+back upon its hinges. He reappeared at the horse's head.
+
+"I'd better lead her through and up to the house; it's as black
+as the devil's painted under the trees. I ought to have brought
+my lamps, but I came away in such a hurry. When some folks are
+dying they will not wait."
+
+They passed through a darkness which was so intense that she
+could not see the horse which was drawing her on. The avenue
+seemed a long one. It was some minutes before, drawing clear of
+the overhanging foliage, they stopped in front of a house which
+loomed grim and ominous in the shadows. Apparently their
+approach had been heard. No sooner had they stopped than the
+door was thrown wide open. The figure of a woman was seen
+peering out into the darkness, with a lamp in her hand.
+
+"Is it the doctor?" she demanded.
+
+"Yes, it's the doctor. And how is he now?"
+
+"He's as near to death as he can be to be still alive. I believe
+he's only keeping the breath in his body till he gets a sight of
+you."
+
+"To be sure that's uncommonly good of him. Now, madam, will that
+ankle of yours permit you to tumble down with the help of a hand
+from me?"
+
+Without answering Isabel commenced a laborious and painful
+descent. At sight of her the woman on the doorstep evinced a
+lively curiosity.
+
+"Why, doctor, who is it you're bringing with you?"
+
+"It's a visitor for you, and another patient for me, Nannie.
+You'll have to find her a corner somewhere while I go up to see
+the laird. When I've done with him I'll have to start with her.
+I'm hoping that she'll be the easier job of the two. Come, lend
+a hand. It's beyond my power to get her into the house alone,
+and it seems that by herself she'll never do it."
+
+Between them they got her up the steps, through the door and
+into a room which, immediately after passing it, was entered on
+the right. They placed her on a couch.
+
+"Now, madam," observed the doctor, "here you'll have to stay
+until I've seen my other patient. And since Heaven only knows
+how long he'll keep me, you'll have to make the best of it until
+I come. So keep up the character you told me of and don't you
+faint, or any silliness of that kind, but just make yourself as
+comfortable as ever you can."
+
+With that the speaker left her, the woman going with him. She
+had placed on a table the lamp which she had borne in her hand.
+It was a common glass affair, which did not give too good a
+light. For some minutes Isabel showed no inclination to avail
+herself of its assistance to learn in what manner of place she
+was. By degrees, however, as the time continued to pass, and
+there were still no signs of any one appearing, she began to
+show a languid interest in her surroundings. She was dimly
+conscious that the room was not a large one; that it was
+sparely, even austerely, furnished. She was aware that the couch
+on which she lay was of the old-fashioned horsehair kind, both
+slippery and uncomfortable. She had a vague suspicion that if
+she was not careful she would slip right off it, and her misty
+imaginings became mistier still. Before she knew it she was
+asleep.
+
+She slept for two good hours before she was disturbed; at least
+that period of time had elapsed before the doctor made his
+reappearance in the room. The sight of the sleeping woman seemed
+to occasion him surprise. He observed her with a slight smile
+adding another pucker to his wrinkled cheeks. He was a little,
+thin man, clean shaven and bald-headed. He had a big, aquiline
+nose. His eyes were sunk deep in his head, looking out from
+overhanging shaggy eyebrows. His lips were drawn so tightly
+together as to hint at a paucity of teeth.
+
+"Who are you, I wonder? You've youth, health, good looks--three
+good things for a woman to have. You're not ill-dressed. And yet
+there's that about you, as you lie sleeping there--we're all of
+us apt to give ourselves away when we're asleep--which makes me
+wonder who you are, and how you came to sprain your ankle on
+Crag Moor when going to Carnoustie. However that may be, there's
+an adventure lying ready to your hand--if you've a fancy for
+adventures. And, unless I'm much mistaken, I think you have."
+
+He laid his hand upon the sleeper's shoulder. The touch was a
+light one, but it was sufficient to arouse her. With a start she
+sprang up to a sitting posture, crying--
+
+"You shan't! It's a lie! You shan't." She put her hand to her
+bodice, as if to guard something which was hidden there. The
+doctor said nothing; he stood and watched. Waking to a clearer
+sense of her surroundings, she perceived him standing by her
+side. "Oh, it's you. How long have I been asleep?"
+
+"Sufficiently long, I hope, to rest you. Will you allow me to
+introduce myself? My name is Twelves--David Twelves, M.D., of
+Edinburgh. May I ask if you have any objection to introduce
+yourself to me, and tell me your name?"
+
+"Not the least; why should I have? I'm not ashamed of my name.
+Why do you want to know it?"
+
+"Because the immediate object of my presence here is to make you
+what is to all intents and purposes an offer of, say, twenty
+thousand pounds, and I have a not unnatural desire to know to
+whom I am offering it."
+
+She sat more upright on the couch, swinging round so as to bring
+her feet upon the floor, looking at him with eyes which were now
+wide open.
+
+"What do you mean? You are making fun of me."
+
+"I am doing nothing of the kind. This is likely to be one of the
+most serious moments of your life. I am not disposed to lighten
+it by misplaced attempts at playfulness." Yet even as he spoke
+again that nebulous smile seemed to add another pucker to his
+cheeks. "What I say is said very much in earnest. There is a man
+upstairs who's dying. Perhaps he is already dead while I stand
+here talking to you. If he's not dead, before he dies he wants
+another curious thing--a wife."
+
+"A wife!--and you say he's dying!"
+
+"It's because he's dying that he wants her. He has had no need
+of such an encumbrance living. I have come to ask you if you'll
+be his wife."
+
+"I be his wife!"
+
+Instinctively she doubled up the finger on which was the
+wedding-ring. She still wore her gloves, so it had remained
+unnoticed.
+
+"Yes, you. You're the only woman within reach, except old
+Nannie, who hardly counts, or I wouldn't trouble you. Answer me
+shortly--yes or no--will you be his wife?"
+
+"Marry a perfect stranger!--a man I've never seen!--who you say
+is dying!"
+
+"Precisely; it is a mere formula to which I'm asking your
+subscription. He'll certainly be dead inside two hours, possibly
+in very much less. You'll be a widow in one of the shortest
+times on record; in possession of a wife's share of all his
+worldly goods--and that, by all accounts, should be worth fully
+twenty thousand pounds."
+
+"Twenty thousand pounds! But why should he want to marry any one
+if he's dying?"
+
+"There's not much time for explanation, but I'll explain this
+much. He's made a will in favour of a certain person. That will
+he is anxious to revoke. If he marries it will become invalid.
+As matters stand it will be easier for him to take a wife than
+to make another will."
+
+"You are sure he will be dead within two hours?"
+
+"Quite. I shall not be surprised to learn that he's dead
+already. You are losing your chances of becoming a well-to-do
+widow by lingering here."
+
+"You are certain he will leave me twenty thousand pounds?"
+
+"The simple fact of his death will make it yours. So soon as the
+breath is out of his body you will become entitled to a wife's
+inheritance--if you are his wife."
+
+"You are not playing me any trick? It is all just as you say?"
+
+"On my honour, it is all just as I say. There is no trick. If
+you will come with me upstairs you will be able to judge for
+yourself."
+
+"But how can we be married at a moment's notice? Is there a
+clergyman in the house?"
+
+"You forget you are in Scotland. Neither notice nor clergyman is
+needed. It will be sufficient for you to recognise each other as
+husband and wife in the presence of witnesses; that act of
+mutual recognition will in itself constitute a legal marriage
+which all the lawyers will not be able to break. That is why it
+will be easier for him to marry than to make another will."
+
+"There is not the least doubt that he will be dead within two
+hours?"
+
+"Not the least--unless a miracle intervenes."
+
+She was sitting with her hands clenched in her lap, a
+perceptible interval of silence intervening before the words
+burst from her lips--
+
+"Then I'll marry him!"
+
+
+
+
+ CHAPTER III
+
+ WHOM GOD HATH JOINED
+
+
+Dr. Twelves showed no sign of either surprise or gratification.
+He looked at her dispassionately, almost apathetically, from
+under his overhanging eyebrows.
+
+"Can you walk upstairs without assistance?"
+
+"I'm afraid not. I don't think my ankle is any better."
+
+He stooped down.
+
+"It's swollen; it looks as if it were going to be an awkward
+business. Your boot and stocking will have to be cut away; but
+there's no time to do it now--moments are precious. You will
+have to wait until you're married. It's only on the first floor.
+Do you think you'll be able to get up with the aid of my arm and
+of the baluster?"
+
+"I'll try."
+
+"Might I suggest, before we start, that it would do no harm if
+you were to remove your hat and jacket. It would seem more in
+keeping."
+
+She acted on his suggestion.
+
+"I ought to wash and tidy myself; I know I'm all anyhow."
+
+"Now you will do very well. Your future husband is too far gone
+to be able to tell if your hair is straight or crooked; at the
+point he's reached that sort of thing doesn't matter." When they
+had reached the landing at the top of the stairs the doctor said
+to her: "By the way, the name of your future husband is
+Grahame--Cuthbert Grahame. May I ask what yours is? It is just as
+well that he should know it."
+
+She hesitated a moment.
+
+"My name is Isabel Burney."
+
+"Miss Burney, allow me to introduce you to Mr. Grahame's room."
+
+He threw open the door of the room in front of which they had
+been standing. As he did so Isabel slipped off her left-hand
+glove, bringing with it, at the same time, her wedding-ring.
+Crumpling up her glove she squeezed it into her waistband, the
+ring inside it. On the doctor's arm she hobbled to a big
+armchair, into which she sank with a sigh of unmistakable
+relief.
+
+The room in which she found herself, although low-ceilinged, was
+a spacious one. It seemed to her that all the furniture it
+contained was old-fashioned, a fact which, although she did not
+know it, increased its value perhaps a hundred-fold. She thought
+it simply dowdy. A huge Chippendale bed was in the centre of the
+room. In it, propped up on pillows, was the figure of a man
+which, if only from the point of size, fitly matched the bed.
+Leaning over him, on the other side, was Nannie, the old woman
+who had admitted them into the house. The doctor addressed
+himself to her.
+
+"How is he?"
+
+"About the same."
+
+Although they had both spoken in a whisper their voices were
+audible to the man in the bed.
+
+"Is that that old devil Twelves come back again?"
+
+The tone was harsh, and it was obvious that the speaker spoke
+with difficulty, but the words themselves were plain enough. The
+doctor evinced no sign of annoyance at the other's somewhat
+uncomplimentary reference to himself; on the contrary, he chose
+to apply to himself the other's epithet as he answered:--
+
+"Yes, it's the old devil back again, and, what's more, he's
+brought the young devil too--begging your pardon, Miss Burney,
+for speaking of you in such a manner. But it's the fashion in
+this house to use strong language, and always has been. Laird,
+I've brought the lady."
+
+"Where is she?"
+
+"At this moment she's sitting in your armchair. As I told you,
+she's sprained her ankle, which makes it difficult for her to
+walk, or even stand."
+
+"Damn her ankle!"
+
+"By all means. You should know more about that sort of thing
+than I do. You're nearer to it than I am."
+
+"You think that hurts me?"
+
+"Not I. I know that nothing hurts you. I doubt if even the
+torments of hell will trouble you much. You're past all hurting.
+Shall I tell Miss Burney she isn't wanted, and can go again?"
+
+"What's her name?"
+
+"Burney--Isabel Burney. At least, she says so."
+
+"Isabel Burney, you are my wife; you're Mrs. Cuthbert Grahame. I
+acknowledge you as my wife, and I wish all men to acknowledge
+you also. Are you content that it should be so?"
+
+"I am."
+
+"You hear, Nannie? You hear, Twelves? You're both witnesses. I
+take Isabel Burney to be my wife, and she agrees."
+
+"I hear. But does she take you for her husband--eh, Miss
+Burney?"
+
+"I do. I take Cuthbert Grahame to be my husband in the sight of
+God and man."
+
+Isabel had returned to one of her old faults--overemphasis.
+There was a theatrical intensity about both her manner and her
+words which was singularly out of place when compared with the
+matter-of-fact ribaldry which seemed to mark the husky utterance
+of the man in the bed. Its inappropriateness seemed to strike
+the others. After a perceptible pause the man in the bed
+wheezed--
+
+"Leave God out of it". Presently he added, still more wheezily,
+"Come here, Mrs. Cuthbert Grahame".
+
+The doctor moved towards her.
+
+"Can I assist you, Mrs. Grahame, to your husband's side?" With
+the doctor's aid she gained the bed. "Laird, here's your wife;
+can you see her?"
+
+Isabel saw the man whom she had taken to be her husband. The
+sight of him shocked her. She told herself that she had never
+seen a more dreadful object even in her dreams. His size was
+abnormal. Not only was he naturally a big man, but his frame had
+become swollen and bloated till it was monstrous--a horror to
+look upon. His head and face were covered with scanty red hair,
+which needed cutting. He had a huge head, and his neck was so
+short and thick that it conveyed a grotesque impression that his
+head sprang directly from his trunk. His whole form seemed to be
+afflicted with some sort of tetanus, so that he was rigid,
+immovable. He lay on his back, with his arms straight down at
+his sides. Through his parted lips came jerky, stertorous
+breaths. His eyelids were partially open, but only the whites of
+his eyes were visible; his own words made it clear that they
+were of little use to him as organs of sight.
+
+"See her? No, I can't see her. I don't want to."
+
+As he spoke a tremor passed all over him. His whole frame
+heaved; as if seized by a sudden convulsion he began fighting
+for his life. The doctor spoke to her.
+
+"You had better go, unless you'd like to see the last of him.
+This is likely to be the end. He'll hardly win through another
+bout."
+
+He moved towards the bed, Nannie joining him. Isabel was left to
+her own devices. Powerless to move far unaided it was all she
+could do to stagger to the nearest chair. In it she sat,
+waiting, watching, listening, like an unwilling spectator in
+some bad dream. It was a scene which she never wholly forgot.
+The dim light, the quaintly furnished room, the figures of the
+old man and woman bending this way, then that, as they struggled
+with the creature on the bed. What ailed him she did not know;
+she vaguely surmised that he might be in the throes of some kind
+of epileptic fit. His contortions shook the bed, indeed the
+room. He kept uttering sounds which had a disagreeable
+resemblance to the half-strangled yelps of some wild beast.
+
+How long it lasted she did not know. Long enough to strain her
+already highly strung nerves almost beyond endurance. At last
+there came a lull. The man on the bed was first quieter, then
+still. She took advantage of the silence to exclaim:--
+
+"Can't you take me away somewhere? You know I can't move. If I
+have to stay here much longer I--I shall make a fool of myself."
+
+The doctor and Nannie paid her no heed. Side by side they were
+stooping together over the silent figure. After affording them
+what she deemed a more than sufficient opportunity to answer,
+she appealed to them again.
+
+"Can't you hear me? Take me away somewhere--I don't care where!
+I'll go mad if you don't."
+
+The doctor did not answer her directly; he spoke to Nannie.
+
+"Do as she bids you; take her away."
+
+"Where'll I take her?" the woman asked.
+
+"Take her and put her to bed in the best bedroom. Remember that
+she's now the mistress of this house."
+
+Nannie moved towards Isabel. For a woman, she was tall and
+brawny, but she was probably well past fifty, and Isabel
+certainly had not credited her with the capacity to do what she
+immediately did. She eyed the stranger for a moment in silence,
+then she asked, in the broadest Scotch:--
+
+"Can't you walk by your own self?"
+
+Isabel resented both the tone and the scrutiny.
+
+"You know I can't."
+
+Without more ado the woman, stooping, put her arms about her and
+lifted her bodily from the chair as if she were some great
+child. Isabel was taken by surprise, and a little alarmed.
+
+"You'll drop me!" she cried.
+
+"I'll not drop you; you're nothing of a weight."
+
+As if to prove it, the old woman bore her from the room, across
+the landing, to another room on the other side, one which was in
+darkness. But Nannie seemed to know its geography by instinct.
+She deposited her burden on what Isabel realised was a bed.
+Striking a match on a box which she took from her pocket, she
+lit some candles which stood on the mantelshelf. Isabel,
+remaining where she had been placed, eyed her as she moved
+about.
+
+"You're very strong."
+
+"I'm not so strong as once I was. There was a time when I'd have
+carried four of you, and thought nothing of it either. Now can
+you undress yourself, or will you be needing me to do it for
+you?"
+
+"Thank you, I think I can undress myself; but if you would help
+me take the boot off my bad foot."
+
+Nannie bent over the foot which the other extended. She regarded
+it in silence, then, still without a word, she left the room. So
+soon as she was gone Isabel dragged the glove which contained
+her wedding-ring out of her belt, and the canvas bag which had
+come out of Mrs. Macconichie's tobacco jar from her bodice, and
+thrust them as far as possible under the bolster which was
+beneath the pillow on which she was reclining. Scarcely had she
+done this when Nannie reappeared, in her hands a pair of large
+scissors. With their aid she proceeded, still speechless, to
+cut, first, the laces of Isabel's boot, and then the boot
+itself, till it came away from her foot. As it came away she did
+what she boasted she had never before done in her life--she
+fainted. When she came to herself again she found that Nannie,
+who had apparently remained indifferent to the fact that her
+senses had left her, having bathed her foot and ankle, was
+putting the finishing touches to the bandages in which she had
+swathed it. When the bandage was completed the old woman, still
+without vouchsafing a word, began to undress her, and did it
+with a deftness and neatness which would have done her credit
+had she played the part of lady's-maid her whole life long.
+Almost before she knew it, she was ready for the sheets, and so
+soon as she was ready she was placed between them.
+
+"You're very good to me," she murmured, with a luxurious sigh,
+as she recognised what a delicious feeling it was to be between
+them.
+
+"I'm not good to you--anyway I'm not wanting to be good to you."
+
+Isabel looked up with surprise; the tone was almost savage.
+
+"Why not? Don't you think that you will like me?"
+
+"Like you!--like you!"
+
+The emphasis with which the words were repeated was
+unmistakable. It would have been difficult for scorn to have
+been more eloquent. Without condescending to further speech, as
+if everything had been said which could be said, Nannie moved
+towards the door. Isabel put a question to her as she reached
+it.
+
+"Is my husband dead?"
+
+Nannie turned swiftly round to her.
+
+"Your--what?"
+
+"My husband."
+
+"Your husband!--your husband!"
+
+Again the repetition was marked by the same wealth of scorn.
+Isabel was moved to some show of resentment.
+
+"He is my husband--you know he's my husband."
+
+"Oh, he's your husband, Mrs. Cuthbert Grahame. I'm not doubting
+it, ma'am, or that you're a fit and proper wife for him. I'm
+ready to tell to any one that you're a well-matched pair."
+
+"Is he dead?"
+
+As she repeated her inquiry Isabel's manner was a trifle more
+subdued; she was finding Nannie a difficult person to contend
+with.
+
+"You'd better be asking Dr. Twelves if your husband's dead,
+ma'am; he's a surer judge of dead folk than I am. You'll be
+feeling anxious till you know, and so I'll tell the doctor. When
+a woman's been acquainted with a man so long as you've been
+acquainted with your man, so that you've come to know all the
+secrets of his heart, and the very shape and fashion of the soul
+which God has lent him, to be sure all her nature stirs within
+her when she begins to fear he's near to dying. It's hard to
+lose the husband to whom you've only been married a couple of
+minutes, so I'll tell the doctor to hurry and let you know if
+you're a widow before you're a wife."
+
+Without giving Isabel a chance to retort, Nannie opened the door
+with a swishing movement, which was in harmony with her state of
+mind, and vanished from the chamber.
+
+
+
+
+ CHAPTER IV
+
+ A SECOND HONEYMOON
+
+
+She had slept well; Isabel admitted so much. She suspected
+something else, that the morning was far advanced. There was
+that in the atmosphere which conveyed that impression.
+Apparently some one had been in while she still slept and put
+the room in order. The blinds were up, the curtains drawn back,
+the sun streamed in through the small square windows which were
+set deep in the thickness of the wall. As she looked about her,
+from her vantage place on the pillow, she felt that this was the
+queerest place she ever had been in. Everything, including the
+room itself, seemed to her to be hundreds of years old. The
+paper on the walls was like nothing she had ever seen before.
+The furniture was of the oddest shapes; indeed, what some of the
+articles might be intended for was beyond her comprehension. As
+she gradually absorbed it all, she began to be conscious of an
+almost eerie feeling that she had woke up in some ancient
+habitation and in some bygone age of which she had no knowledge.
+
+Then something else forced itself on her attention, she felt
+that she was helpless. As she tried to turn in bed, the better
+to enable her to see what was to be seen, a spasm of pain passed
+over her, which was so acute that she had to shut her eyes and
+bite her lips to prevent herself from crying out. For some
+moments she lay quite still, waiting for the pain to go. It was
+some time before it diminished; even when it was easier she
+learnt, to her dismay, that she would have to be very careful in
+her movements if she did not wish it to return with probably
+increasing violence. Her foot seemed, from the feel of it, to be
+about as bad as it could be. It was not only useless, it held
+her prisoner. The slightest attempt to move it in any direction
+resulted in the keenest anguish. It seemed that relief from
+almost unendurable torment could only be obtained by remaining
+entirely quiescent. That meant, in effect, that she was chained,
+possibly for an indefinite period, to the bed in which she was
+lying. An agreeable prospect!
+
+As the true inwardness of the position began to dawn on her, in
+phantasmagoric procession the events of the previous night
+flashed across her mind. The letter to her husband--to Gregory
+Lamb--which she had opened and read, the letter with the
+Islington post-mark, containing the curt refusal to accord him
+further help; the resolution to leave him, which she had
+instantly arrived at after its perusal; her visit to Mrs.
+Macconichie's sitting-room; her forcible entry into the china
+cupboard; her abstraction of the canvas bag from the tobacco
+jar.
+
+At this point, her thoughts branching off in another direction,
+she felt, gingerly enough, for it seemed that movement of any
+sort meant pain, under the bolster, and produced from it the
+bag in question and the glove in which she had secreted the
+wedding-ring. The sight of the ring started her thoughts
+travelling again.
+
+To her flight through the darkness, with the leather handbag. By
+the way, what had become of that bag? She had no recollection of
+having done anything with it. Possibly she had put it down when
+she had sprained her ankle, and, in her trouble, had forgotten
+its existence; in which case it might be still upon the moor. If
+it were found, and nothing could be learned of her, what
+deductions would be drawn? She wondered. One thing was certain,
+it contained all her worldly possessions. Without it she had not
+so much as a pocket-handkerchief, not to speak of such a
+necessity of existence as a brush and comb.
+
+Then the trap had come through the night, and borne her to the
+house in which she lay. There she had been married to a man upon
+his death-bed. Such a man and such a death-bed! Could it be
+possible? She clenched her fists, and asked herself if the whole
+business had not been the wild imaginings of some disordered
+dream. Even to herself she could not furnish a satisfactory
+answer.
+
+Why had she suffered herself to be dragged through such a
+farce?--to play a part in such an odious scene? Because that old
+man who called himself a doctor had told her that the creature
+would be dead within two hours, and that then she would be
+richer by twenty thousand pounds. Twenty thousand pounds! Could
+that part of the tale be possible? Why, in that case, this
+house, the very room in which she was, the queer furniture which
+filled it, all might be hers. She would be a wealthy woman, who
+had won her wealth so easily without incurring risk worth
+mention. Because, even in the storm and stress of the moment,
+she had understood that bigamy was bigamy, even though one of
+the marriages into which she had entered was a Scotch one. Of
+course, nothing could make that marriage of the night before a
+real one, since she was a wife already. But, as the man was
+dead, and she was supposed to be his widow, if fortune favoured
+her the truth never need come out. She believed that she was
+clever enough to conceal it--at any rate from whom it was worth
+her while to do so. Only let her get hold of the twenty thousand
+pounds, or so much of it as could be turned into ready cash--let
+them find out afterwards what they chose--they would find it
+hard to get the money back from her. Twenty thousand pounds! She
+fancied herself letting go of such a sum as that if she once had
+it in her grip!
+
+The first thing she had to do was to inform herself as fully as
+possible as to the actual situation. If she was a widow, and her
+husband had died without a will--he had certainly not made one
+after marrying her, while the doctor had assured her that
+marriage had rendered nugatory any he might have made
+before--then this house, and all that it contained, if it had
+been his property, was now hers. At least she hoped it was,
+because, after a little muddled consideration, it began to occur
+to her that, by English law, a wife did not necessarily inherit
+all that a husband who had died intestate left behind him.
+Exactly what share was hers she was not sure, but she had a more
+or less dim conviction that it was less than the whole. The same
+objectionable law might obtain in Scotland, or even a worse one.
+The sooner she ascertained exactly how the ground lay the better
+it would be for her peace of mind. So she began to call
+attention to the fact that she was wide awake. Since there was
+apparently no bell within reach, she had to make the best use of
+her voice.
+
+"Nannie!" she called. "Nannie! Nannie!" And she kept on calling,
+because there was none that answered. Her voice was a strong
+one--she exerted it to the utmost--but it seemed that it was not
+strong enough to reach any one outside that room. She shouted
+till she was hoarse, and angry too, quite in vain; nothing
+resulted.
+
+"If there's any one in the house they must hear me, and I expect
+they do, only they don't choose to come. Oh, if it weren't for
+this foot of mine! That Nannie's an insolent hag. She knows
+perfectly well that I can't move, and thinks she can treat me as
+she likes. If I could move I'd soon show her. Nannie! Nannie!"
+She shouted till she could really shout no longer. No one came;
+nor was there anything to show that she was heard. She began to
+be possessed by a fresh alarm. "I wonder if the house is empty?
+Suppose that old hag has gone off and left me alone in the house
+with that--that dead man. I'll be bound she's quite capable of
+doing it--old wretch! I shall starve to death! Nannie! Nannie!"
+
+But all the strength had gone out of her voice--it was not
+strange that those muffled tones remained unheeded--a fact of
+which she herself was conscious. At last, wholly exhausted, she
+lay and thought hard things of every one. She was genuinely
+hungry. She told herself that if some one did not come soon and
+bring her food something would have to be done, though she had
+not the faintest notion what. Self-help was out of the question;
+she was as powerless to move as if she had been riveted to the
+bed.
+
+She was rapidly reaching a despairing stage when Nannie entered
+with a tray in her hand, quite calmly, as if it were the most
+natural thing in the world that she should come just then and
+not before. Isabel broke into angry expostulation.
+
+"Why have you kept me waiting. Why didn't you come before? You
+must have heard me long ago--you're not stone deaf. I've
+screamed myself hoarse."
+
+Nannie placed the tray upon a table. Then, with the most
+matter-of-fact air, putting her arms about the angry woman, she
+raised her to a sitting posture, arranging the pillows so that
+they formed a prop for her back. Divided between indignation and
+bewilderment, Isabel submitted in silence; she was so helpless,
+the old woman's manner was so masterful, that to expostulate
+seemed vain. The tray was put beside her on the coverlet, Nannie
+observing--
+
+"When you've eaten your fill I'll come and take a look at that
+foot of yours".
+
+"It's ever so much worse. I've been in agony--and am still. I
+believe I've broken a bone."
+
+"Not you; it's no but a sprain."
+
+"It's more than a sprain--much more, I'm convinced of it.
+Where's Dr. Twelves? He ought to attend to it at once. He said
+he would come and see me. Why hasn't he been?"
+
+"He's been and gone hours ago."
+
+"Been and gone! Why didn't you let me know that he was here?"
+
+"What for should I let you know?"
+
+"You knew that I wished to see him."
+
+"You never said it; and, anyway, he never said that he was
+wishing to see you."
+
+"You're taking advantage of me! You think I'm at your mercy, and
+that you can do as you like with me because I can't move! You're
+a wicked old woman!"
+
+"Am I? Then I'm reckoning that age is the only difference there
+is between us."
+
+Burning words flamed to Isabel's lips, but she had enough
+prudence and self-control not to allow them to go any farther.
+She was at the other's mercy, and she knew it. The only way to
+obtain from her some slight consideration was to endeavour to
+appease, not anger her. Instead of giving her anger vent, she
+put to her a question, the one she had put the night before.
+
+"Is my husband dead?"
+
+She received what was practically the same answer.
+
+"Didn't I tell you that for that you must ask Dr. Twelves, since
+he's knowing when folks are dead better than me?"
+
+Without affording Isabel another opportunity to speak Nannie
+left the room.
+
+If the new Mrs. Grahame could have got out of bed there would
+have been some lively doings. It is not impossible that Nannie
+would have found that she had met her match. When that lady was
+really roused, and had a fair chance to show it, she was a
+difficult person to deal with. But she was, literally, held by
+the leg; as incapable of doing what she would have liked to have
+done as if she had been an infant in arms.
+
+When, after an interval of no long duration, the ancient
+servitor returned, Isabel did treat her to what she meant to be
+a taste of her claws. For all the effect she produced she might
+have saved herself the trouble. The Scotchwoman evinced a serene
+indifference to anything she might say or do, which influenced
+her more than she would have cared to own. Then the pain she
+endured was exquisite. Nannie's ministrations were deft enough.
+She set about her task like one who understood well what she had
+to do, and was capable of doing it. She removed the bandages,
+bathed the injured foot, applied hot poultices; so far as Isabel
+was able to judge, did all that could be done. But the most
+delicate touches could not prevent her suffering agony. By the
+time the other had finished her anger was forgotten. All she
+desired was rest--peace--to be left alone.
+
+For seven days Isabel remained, willy-nilly, in bed. All the
+time the only person she saw was Nannie. Dr. Twelves never came
+near her. Whether the fault was his or her attendant's was more
+than she could determine. She heard no news of any sort or kind.
+Nothing could be got out of Nannie. No answers to any of her
+questions; only the fewest possible words on unimportant
+subjects.
+
+It is true that during the first two or three days her ankle
+gave her so much trouble, her sufferings from it were so
+intense, that she was, in a measure, content to be left alone
+and in ignorance. But as the pain lessened her impatience, and
+indignation, grew apace. More than once she attempted to get out
+of bed and to start on a voyage of exploration through the house
+to acquire information on her own account. Since, however, her
+attempts only resulted in disaster, and it was made plain that
+they only postponed her convalescence, common-sense gained the
+upper hand. She resolved to endure with as much calmness as she
+could command till the time arrived when, at least to some
+extent, she should again be mistress of her own powers of
+locomotion.
+
+After the longest week she had ever known she decided that that
+time was not far off. She informed Nannie that, since her foot
+was now on the high road to recovery, on the morrow she would be
+capable of getting out of bed, and that, therefore, get out of
+bed she would. Nannie, as was her wont, kept silence when this
+piece of information was vouchsafed to her. But that she was
+impressed by it was evident when on the morrow in question,
+instead of the old woman, Dr. Twelves came into the room. It
+seemed as if Nannie must have told him that the time had now
+come when it was desirable that he should make his re-entry on
+the scene. At least that was the conclusion at which, at sight
+of him, the lady in the bed instantly arrived.
+
+
+
+
+ CHAPTER V
+
+ A CONVERSATION WITH THE DOCTOR
+
+
+"So you've come, have you, at last! I suppose that old hag told
+you you had better before I came to you? I should have come in
+half an hour."
+
+That was the greeting the angry lady accorded her tardy visitor.
+
+Dr. Twelves seemed to be in no haste to answer. Coming to within
+a foot or two of her bed-side he stood and eyed her. He looked
+very old in the daylight, older than she had thought he was.
+Short; thin to the point of emaciation. There was something
+almost sinister in his attitude, in the way in which, inclining
+his head a little forward, his arms held close to his sides, he
+examined her keenly, as if he were some bird of prey, and she an
+object on which he was doubtful whether or not to pounce. As she
+gave him glance for glance she understood that this was a person
+who was not so frail as he might at first sight appear. But want
+of courage was not a deficiency which could justly be laid to
+the lady's charge. When he did reply it was with a question.
+
+"Why do you speak to me like that?"
+
+"You know very well why! You promised that first night that you
+would attend to my foot; but though I've asked for you again and
+again you've never been near me once, till you were afraid that
+I should be after you."
+
+"You've been in good hands. Nannie has done all for you that I
+could have done."
+
+"I don't doubt that."
+
+"Then of what do you complain?"
+
+"You've kept me a prisoner."
+
+"Kept you a prisoner! I! Madam, you jest. Has not your foot had
+something to do with your confinement? Is it not holding you a
+prisoner still?"
+
+"It won't do long, so don't you think it. I'll be out and about
+before the day's over, and when I am I'll make things hum. Is my
+husband dead?"
+
+"Your husband?"
+
+"My husband! Are you deaf?"
+
+"No, madam, not yet. So far age has not robbed me of my hearing.
+But to whom do you refer when you speak of your husband?"
+
+There was that in the fashion in which he asked the question
+which caused her to clench her fists, tighten her lips and
+descend to vulgarity--unfortunately an easy descent for her to
+make when her temper waxed warm.
+
+"What are you playing at? Do you think you're clever, or that
+I'm an utter fool? You're wrong if you do, you may take it from
+me. Is my husband, Cuthbert Grahame, dead? I've not been able to
+get an answer out of that old harridan, but I'll get one out of
+you."
+
+"Then is Cuthbert Grahame your husband?"
+
+"Is he! Isn't he? Didn't he marry me the other night in front of
+you and that old woman?"
+
+"Have you a certificate or any writing to show it?"
+
+"A certificate! What do I want with a certificate? You said
+nothing about a certificate! Look here, old man, don't you try
+to play any fool-tricks with me, or you'll be sorry. Are you
+trying to make out that he's not my husband?"
+
+"Not at all; I am trying to do nothing. I should like to ask you
+a question, to which, before you answer it, I would suggest that
+you should give a little careful consideration. Would you rather
+be Cuthbert Grahame's wife or not?"
+
+"I am his wife, and you very well know it, so it's no use
+talking, and that's enough said. I ask you again, is my husband
+dead?"
+
+"Your husband? That is the point which I am gradually
+approaching. Mr. Cuthbert Grahame is not dead."
+
+Her jaw dropped open.
+
+"Not dead?"
+
+"Not dead."
+
+"But you told me----"
+
+"Precisely; I am aware that I told you. You will, however,
+remember that I made an express reservation in favour of a
+miracle. The miracle has happened."
+
+"How long will he live?"
+
+"Madam, I am not omniscient. I have once, within your knowledge,
+failed as a prophet; I should not care to fail again."
+
+"Is he dying?"
+
+"I may venture to say that, at the present moment, to the best
+of my knowledge and belief, he is not."
+
+"You are beating about the bush. You can at least say if he is
+likely to live long."
+
+"It is possible, madam, that he may outlive me--even you."
+
+"Then you have cheated me!--cheated me! You have got me into
+this mess by your lies."
+
+"Any injustice I may have done you was unintentional. You will
+also be so good as to observe that I have just now offered you
+something which was intended to be in the nature of a loophole
+out of the dilemma in which you are placed."
+
+"You mean when you asked me if I wanted to be his wife. Am I his
+wife, or am I not?"
+
+"It might present a pretty point for the lawyers. If you had
+chosen to repudiate the connection, it might not have been easy
+to establish. Nannie and I can hold our tongues--that I beg you
+to believe. The occasion for a wife having passed, he might have
+preferred to hold his too."
+
+"Would he rather be unmarried?"
+
+"That is not a matter on which I should care to positively
+pronounce."
+
+"Then why was he so eager?"
+
+"I explained at the time. He had made a will in favour of a
+certain person, which he desired to render ineffective; marriage
+makes null and void any will which a man may have previously
+made; under the circumstances that seemed to be the easiest and
+the shortest way out of it. As matters have turned out the
+measure seems to have been a little drastic, since he can now,
+if he chooses, make a dozen new wills each day."
+
+"Is he so far recovered as that?"
+
+The doctor seemed desirous to consider before he answered. He
+put up his long, thin hand to stroke his bristly chin. Moving a
+few steps, he leaned over the foot of the bed, and from that
+point attentively regarded her.
+
+"Madam, I do not wish to trouble you with the medical names of
+all the complicated diseases with which Mr. Grahame is
+afflicted. I am not sure that I am myself acquainted with them
+all; some of them puzzle even me. Among other troubles he is
+paralysed. He cannot move hand or foot of his own volition, or
+crook a finger. Again, straying into the paths of prophecy, I
+dare assert that he never will be able to. He has his
+senses--after a fashion; he is sane--also after a fashion. That
+is, he is legally capable of making a will, or of taking a wife.
+But if he desires to affix his signature to a document a pen
+will have to be placed between his fingers, his hand will have
+to be guided. To that extent he has recovered, beyond that he
+almost certainly will never go."
+
+"But he is not dying?"
+
+"No, madam, he is not dying."
+
+"Nor likely to die?"
+
+"No office would insure his life for four-and-twenty hours,
+though it is quite within the range of possibility that the
+breath may continue in his body for years. Such cases have been
+known. Some people death takes at the first call; some have to
+be called again and again; some seem to go beyond the portal and
+yet return. Cuthbert Grahame is one of them. He'll not go till
+death is very much in earnest; when that will be I cannot say. I
+mistook death's mood the other night--the oldest of us make such
+mistakes at times. In this case my mistake may seem to press a
+little hardly upon you."
+
+She looked at him askance. There was a whimsical gravity in his
+tone which was a little beyond her comprehension, a something
+which was almost sympathetic. She changed the subject; a fresh
+intonation had come into her voice also.
+
+"I wish you'd look at my foot. It's better. I think that before
+long I'll be able to get about again as usual. I want to very
+much; it's awful being a prisoner in bed. I'm not good at
+keeping still."
+
+He did as she requested, then pronounced a verdict.
+
+"Your foot is better--much better, as you say. There is no
+reason why you should not get up, though it may be some little
+time before you have the entire use of it again."
+
+"At any rate I'll get out of bed--at once."
+
+"And, then, what do you propose to do when you are up?"
+
+"I'm going to see my husband."
+
+"Your husband?"
+
+"Can't I? Why can't I?"
+
+"Mrs. Grahame!--if it is your wish that you should be Mrs.
+Grahame."
+
+"Aren't I Mrs. Grahame? If I am, what's the good of pretending
+that I'm not? I am Mrs. Grahame, so there's an end of it."
+
+"Mrs. Grahame, haven't you any friends?"
+
+"What do you mean by friends?"
+
+"Haven't you any relatives? Is there no one to whom you are near
+and dear? no one to whom you are in any sense responsible for
+your actions; with whom in a measure your happiness or
+unhappiness must be shared?"
+
+"No one in this world!"
+
+He smiled at her vehemence, observing her closely all the time.
+
+"Since I am, in a degree, responsible for the--we will call it
+situation--you are in, I am not unnaturally desirous of having
+my conscience as clear as I conveniently can. I would,
+therefore, beg you earnestly to let the first thing you do be
+this: If you have--we will say an acquaintance--on whose
+judgment you can rely, write to him; lay the facts before him
+clearly, and await his response before you take any further step
+whatever--certainly before you seek to have an interview with
+Mr. Grahame."
+
+"There is no such person."
+
+"It is unfortunate, since you are so young, and, therefore
+necessarily, so inexperienced, that you should be so entirely
+alone in the world. Will you allow me to offer you some advice?"
+
+"What's the use? I've had enough of your advice already--too
+much."
+
+"How do you make out your case? I am unconscious of having
+offered you any advice."
+
+"You advised me to marry that man."
+
+"I advised you!"
+
+"Of course you did. There are more ways than one of offering
+advice; you chose the roundabout way. You told me that if I
+married him he'd be dead inside two hours, then I'd be richer by
+twenty thousand pounds. This is what comes of acting on your
+tip! No thank you. I've had enough and to spare of your advice;
+now and henceforward I'm going to act upon my own."
+
+"None the less I'm going to give you a piece of advice--of very
+sincere advice. You have been subjected to some slight
+inconvenience--though, perhaps, inconvenience is hardly the
+proper word."
+
+"I should think not."
+
+"My advice to you is: When your foot permits leave this house--I
+assure you it is not a pleasant one to live in; accept a
+reasonable sum by way of compensation; then blot the whole
+episode from your memory."
+
+"What do you call a reasonable sum?"
+
+"Say a hundred pounds."
+
+"A hundred pounds?--the idea! when you talked of twenty
+thousand! None of your kid's talk for me! Look here, Dr.
+Twelves, you're an old fox. Don't you think I don't know it
+however hard you try to play the lamb? You've got some game of
+your own on. I don't know what it is, but I soon will. If you
+offer me a hundred pounds to go, I'm dead sure it'll be worth a
+good deal more than that to me to stay--and I'm going to stay!
+This is my house; I'm the mistress here; and all the more the
+mistress because my husband's a rich man who can't look after
+himself. I'll look after him! I'll show you who's who and what's
+what!--and every one else as well!--you can take that straight
+from me!"
+
+As he rubbed his chin, as if he found comfort in the feel of the
+bristles, the doctor's smile grew more pronounced.
+
+"Content, Mrs. Grahame, content! Only--still a further scrap of
+advice!--postpone your first call on your husband till you are
+able to move about as you please."
+
+This piece of advice the lady did act upon, for the simple
+reason that she was powerless to do otherwise. When she did get
+out of bed it was agony to hop even as far as the couch. Three
+more days passed before she was able to stand without flinching
+overmuch; another whole week had gone before she was able to
+hobble unaided to the door.
+
+During that time she perhaps suffered more than she had done
+while she was still in bed. To her restless nature the
+compulsory inaction was almost unendurable. Her desire to attack
+the problem which confronted her, to solve it if she could--at
+any rate to learn what really was the position in which she
+stood--possessed her like a consuming fever. Nothing could be
+got out of Nannie; she was impervious to questions of every sort
+and kind. Arguments, coaxing, threats, alike were unavailing.
+The old woman could scarcely have been more taciturn had she
+taken on herself a vow of silence. And after that one visit she
+saw no more of Dr. Twelves; she could even hear nothing of him
+from Nannie. That angered her almost more than anything, that he
+should seem to ignore her so completely! She swore to herself
+that he should smart for it before very long.
+
+During that week she laid up a fund of resentment against both
+the doctor and Nannie which she promised herself she would pour
+forth upon their heads at the earliest possible moment. Only let
+her be able to get about again as of old, and they should see!
+
+On the eighth day she decided that her time had come, or, at
+least, that it had begun to come. She said nothing to Nannie,
+but having proved by actual experiment that she could move about
+with comparative ease, she dressed herself, waited till the old
+woman had paid her her usual morning call, then set out on a
+voyage of exploration. Hobbling to the door, she opened it as
+quietly as possible, then stood and listened She could hear
+Nannie moving about downstairs. Then she moved towards the door
+which was on the opposite side of the landing. Had she had a
+stick on which to lean her progress might have been quicker. In
+spite of her reiterated requests Nannie had failed to provide
+her with one. Without support of any sort she moved very slowly.
+But she did get to her destination at last. She laid her hand
+upon the handle, paused a moment to learn if her movements had
+been observed, then turned it as quietly as she could.
+
+
+
+
+ CHAPTER VI
+
+ HUSBAND AND WIFE
+
+
+She stood just inside the threshold of the room, with the handle
+of the open door between her fingers, and listened. She had
+moved so noiselessly that, quite possibly, to the ear alone her
+entry had been imperceptible. She looked about her, recalling
+the picture which it had presented to her mind on that first
+night. For some reason which she would have found it hard to
+explain a shiver passed all over her; a sudden chill seemed to
+penetrate to her very bones.
+
+The room looked different by daylight, the windows wide open,
+the sun sending wide, warm splashes of yellow light from wall to
+wall. One of them came right at her as she remained there
+motionless. As she lifted her face she was blinded by the glare.
+It was odd that she should shiver in that glow of sunshine.
+Everything was so neat and orderly; there was such an absence of
+any signs of occupation, such complete stillness prevailed, that
+her first impression was that she had in some way made a
+mistake; that the room was empty. It was only when her wandering
+glance reached the great bed, which stood in such a position
+that it was partially screened by the door which she still held
+open, that she understood.
+
+Its occupant was asleep, or--he was so motionless, so silent,
+her own heart seemed to cease beating--could he be dead? With
+unexpected ease she moved closer to the bed. No, he certainly
+was not dead; he merely slept, to all appearance, as peacefully
+as a little child.
+
+Sleep produced no improvement in his looks. She went still
+nearer, so that, by leaning over, she could examine him in
+detail.
+
+The conviction which she had had at first sight of him recurred
+with, if anything, even greater force. Beyond a doubt she had
+never seen a more unprepossessing-looking man. She had an almost
+morbid liking for good looks in a man. Gregory Lamb's handsome
+face had had almost as much to do with winning her as his lying
+tongue, which dowered him with splendid wealth. Her ideas of
+good looks were probably her own--Gregory was there to show it.
+But her attachment to them was so marked that she could with
+difficulty be civil to a man who was positively plain. An
+absolutely ugly man was to her an object of aversion; her first
+feeling towards such an one was actual physical repulsion, as if
+he were some unclean thing.
+
+There could be no sort of doubt as to the ugliness of the man in
+the bed. His huge size was in itself a sufficiently unpleasant
+feature. It lent to him an uncomfortable aspect which was almost
+inhuman. He seemed to have swelled and swelled till his skin had
+become as tight as a drum. One had a disagreeable notion that if
+one pricked him, like some distended bladder, he would burst. He
+was all bloated, not only his body, but his head as well, and,
+above all, his neck. She had once had an aunt who had died of
+dropsy. This man seemed dropsical from the crown of his head to
+the tip of his toe--monstrously dropsical.
+
+Nor was his appearance improved by the manner in which his head
+and face were covered with long sandy red hair, growing in
+scanty tufts, with bare spaces in between. The hair matched ill
+with his complexion, which was brick red, tinged, as it were,
+with a suggestion of pallid blue. He slept so quietly that it
+was difficult to be sure, at first sight, that his condition was
+one of slumber, not death. As Isabel bent over, she did not
+hesitate to tell herself that she wished he was as dead as he
+seemed. The sight of him afflicted her with such a sensation of
+aversion that she was then and there filled with an almost
+irresistible desire to crush him out of existence, as if
+he had been some loathsome reptile. She was possessed by a
+shrewd suspicion that she had only to strike him a hearty
+blow--anywhere!--to bring him to an end upon the spot. It would
+be so easy. She had been tricked; he ought to have been dead ere
+then. What was the use of such a creature living, and what
+enjoyment could he get out of life? Where should she strike him?
+She clenched her fist as if it had been actuated by an
+involuntary tightening of the muscles. As she did so, he opened
+his eyes, and looked at her.
+
+It was a curious moment for both of them--so both of them seemed
+to think. There was in his gaze such a take-it-for-granted air
+that one could not but wonder if he had not been conscious of
+her presence even while he slept. The sight of a strange woman
+leaning over his bed, with such a queer expression on her
+countenance, did not seem to surprise him in the least. That she
+was strange to him was plain. He seemed to be searching in his
+muddy brain for some clue which would tell him who she was. The
+search did not seem to be meeting with much success.
+
+For probably more than a minute they continued to look at each
+other, the contrast between the fashion of their looks being
+almost grotesque in its completeness. Her bold, handsome face
+was, at the same time, illuminated by keen intelligence, and
+marked by an expression of vindictiveness which gave it an
+unpleasanter effect than if it had been actually ugly. His face,
+on the other hand, was vacuous, expressionless; more, it was
+incapable of expression. It reminded one, in some uncomfortable
+way, of a piece of blubber, without form and void.
+
+The eyes, particularly in comparison with the rest of him, were
+small; with the exception of the pupils they were blood-shot.
+One wondered how much, or how little, they could see; they
+regarded Isabel blankly, as if she had been a wooden doll.
+
+After an inspection which lasted, as it seemed, an unnatural
+length of time, it was he who broke the silence. His voice was a
+little clearer than when she had heard it first, but not much.
+It still had the peculiar quality of appearing to belong to some
+one who was at a distance.
+
+"Who are you?"
+
+There was a significant pause before she answered. In her tone
+was significance of another kind.
+
+"I'm your wife."
+
+Either her words took him by surprise, or he did not gather what
+she meant, or disliked what he did gather. He was still again,
+as if ruminating on what she had said. When he did speak the
+remark he made was a little startling.
+
+"Damn you!"
+
+The unparliamentary utterance, especially as addressed to a
+lady, was accentuated by the matter-of-fact stolidity which
+marked it. It was not impossible that for a moment or two she
+was moved to give him back as good as he sent--and better.
+Possibly, however, the impulse was changed, as regards form, in
+the making. Instead of imitating the vigour of his epithet, she
+cut at him with a lash of her own.
+
+"You're my husband." It would have been difficult for the
+strongest language to have been more scathing than her plain
+pronouncement of a simple fact. As if desirous of driving her
+dart still further home, she repeated her own words, with an
+even added bitterness--"You're my husband!--you!"
+
+It would appear that the man, object as he was, was not without
+some sense of humour, and, also, that his feelings were not of
+the kind which are unduly sensitive. After what seemed to be due
+consideration of her words, he endorsed their correctness with a
+brevity which in itself was eloquent.
+
+"I am."
+
+There was something in the two little monosyllables which seemed
+to sting her more than his curse had done. She gave a movement,
+as if she were disposed to let her resentment take some active
+and visible form. But, again, maybe, her impulse changed in the
+making; she endeavoured to put a meaning into her repetition of
+a simple statement, which should make it strike him with greater
+force than a blow could have done.
+
+"I am your wife."
+
+Once more he showed himself to be her match in the game of give
+and take. Hardly were the words out of her mouth than he
+endorsed them again, with what was almost like the semblance of
+a grin upon his blubber-like face.
+
+"You are."
+
+"And I propose to let you see that I'm your wife."
+
+"No doubt."
+
+"Your real, actual wife, not a puppet, a thing you can pull by a
+string."
+
+"Quite so."
+
+"You may imagine, perhaps, that I'm a mere dummy, an automaton,
+which can be set in movement only when you choose. If you do,
+you're wrong, as I intend to show you, Mr. Cuthbert Grahame."
+
+"Precisely, Mrs. Cuthbert Grahame."
+
+It seemed, for an instant, as if a torrent of words was
+trembling at the tip of her tongue, needing but a touch to set
+them loose; if so, the touch did not come. Turning, she went and
+stood by an open window; resting her hand on the sill she leaned
+out, as if she needed fresh air. She looked out on to a garden
+which was evidently of considerable size, but which sadly needed
+attention. The grass could not have been cut for months; it
+competed with weeds for possession of the footpaths. There were
+flowers, but they needed pruning; the weeds threatened to
+choke them in their own beds. Beyond, the ground rose;
+everywhere the slopes were covered with trees, pines for the
+most part--scarcely a cheerful framework to what was already
+bidding fair to become a scene of desolation. In spite of the
+sweet, clean air and of the brilliant sunshine, in her
+surroundings, as she saw them, there was a hint of something
+uncongenial, unfriendly, which did not tend to make her mood a
+gayer one.
+
+While she still seemed to be absorbing the spirit of the
+landscape, Mr. Grahame's voice came to her out of the bed.
+
+"I want to speak to you."
+
+She heard him, but it was not until he had repeated the same
+sentence three times that she chose to favour him with her
+attention. Bringing her head back into the room she turned her
+face slightly towards the speaker.
+
+"Well?"
+
+"Why did you marry me?"
+
+"Because I was told that you would be dead inside two hours."
+
+Although the reply was brutal in its plainness, it did not seem
+to hurt him in the least--indeed, it seemed rather to amuse him.
+
+"That's a poor reason. What were you to gain by my death?"
+
+"Dr. Twelves told me that I should have twenty thousand pounds."
+
+"Did he? I see. That was the bait. You're a ready-witted young
+woman."
+
+"You mean that you think I'm a fool."
+
+"Not at all; no more than the rest of your sex, or, for the
+matter of that, of mine. We're all fools; only some of us are
+fools of a special brand. Who are you?"
+
+"I'm your wife."
+
+"You've told me that already. I mean who were you before you
+were my wife?"
+
+She moved her hand to and fro, restlessly, upon the window sill.
+
+"I've half a mind to tell you."
+
+"Make it a whole one. Yours should be a story not without
+features of interest. Besides, a husband ought to know something
+about his wife."
+
+She stood up straighter, her back to the window, looking towards
+the bed with gleaming eyes. It was evidently easier to provoke
+her to an exhibition of temper than him.
+
+"I'll tell you nothing. I'm your wife; that's all I'll tell you;
+and that ought to be enough."
+
+"It is--more than enough. You're an embodied epigram. I think I
+can guess at part of your story." The indifferent, almost
+assured tone in which he said it brought her near to wincing.
+"My eyes are not so bright as they were--no, not so bright--but
+they're bright enough to enable me to perceive that you're
+young, and not bad-looking--after a sufficiently common type.
+You appear to be one of those big, bouncing, blusterous,
+bonny--four b's--young females who spring out of the gutter by
+the mere force of their own vitality; who push and elbow
+themselves through life with but one thing continually in
+view--self. You're probably ill-bred, ignorant, impudent and
+imbecile--four i's--four which are apt to go together--and, in
+consequence, blundering along rather than advancing by any
+reasonable method of progression, you'll keep tumbling into
+ditches and scrambling out again, until you tumble into one
+which will be too deep for you to scramble out of, and in that
+you'll lie for ever."
+
+To hear him, in his dim, distant, uninterested tones, mapping
+out, as it were, a chart of her life and conduct, affected her
+unpleasantly. When he had finished she had to pull herself
+together before she could deliver a retort which she was
+conscious was sufficiently futile.
+
+"I daresay you think yourself clever."
+
+"I'm afraid you're disappointed. If I'm not altogether to be
+congratulated on having you for a wife, neither are you to be
+altogether congratulated on having me for a husband."
+
+"Congratulated! My stars!"
+
+"Exactly--your lucky stars. Come, I've drawn a little fancy
+sketch of the kind of wife you appear to me to be; tell me, what
+kind of husband do you think I am?"
+
+"Think! I don't think; I'm sure you're a monster. You ought to
+be in Barnum's show--that's where you ought to be."
+
+"That is your candid opinion? Your tone has the ring of genuine
+candour. It's an illustration of how one changes. Would you
+believe that once--not so long ago--I was remarkable for my good
+looks as well as my figure?"
+
+"Tell that for a tale!"
+
+"I'm telling it for a tale that is told--and over. It must have
+been a disappointment when you learned that I was not dead."
+
+"It was. I could have shook old Twelves when he told me. Perhaps
+I'll do it yet."
+
+"Will you? That will be nice for Twelves. I should like to be
+present at the shaking. You look as if you could shake him."
+
+"I should think I could--shake the bones right out of his body.
+I'm as strong as a horse--stronger than most men. I once thought
+of coming out as a strong woman, only I didn't fancy the
+training."
+
+"Didn't you? By training do you mean clean and healthy living?
+Is that what you disliked?"
+
+She had already repented her lapse into the autobiographical.
+
+"Never you mind what I mean."
+
+"We won't; why should we? May I take it that you have got over
+the disappointment of not finding me dead, and have become
+reconciled to the idea of my living?"
+
+"You don't look to me as if you would live long, considering
+that you're as good as dead already."
+
+"You think so. We've not been long at arriving at that stage of
+perfect candour which, I fancy, marks the career of the average
+husband and wife. I think you're wrong. I am one of those beings
+who are very tenacious of life. I'm only fifty, whatever I may
+look. There's no real reason--your friend Dr. Twelves will tell
+you--why I shouldn't live another five-and-twenty years."
+
+"I don't care what he says after what he told me. I'll bet you
+don't."
+
+"Suppose I do, would you propose to spend them with me?"
+
+"I should do as I like."
+
+"I begin to suspect you'd try to. Let me put the case in another
+way. What would you want to leave this house and never re-enter
+it again?"
+
+"Twenty thousand pounds."
+
+"Is that your lowest figure?"
+
+"It is."
+
+"Thank you. I will give the matter my careful consideration. In
+the meanwhile may I ask you to leave me for a time? My
+conversational powers soon become exhausted; with them I am apt
+to become exhausted too. A little rest might do you good."
+
+"Listen to me. I came here so that you and I might understand
+each other."
+
+"We have gone some distance in that direction, haven't we?"
+
+"I don't think you have, or you wouldn't talk to me like that.
+It may be clever, and cutting, and that kind of thing, but I
+don't like it. I'm your wife, your equal, more than your equal,
+since you're lying there like a log, already more than three
+parts dead. I'm the mistress of this house; this room is as much
+mine as yours."
+
+"Is it?"
+
+"It is. That's what you've got to understand. When I choose to
+leave it I will, but not a moment before. So don't you order me
+about, because I don't intend to let you, and there'll be
+trouble if you try."
+
+"Am I to understand when I ask you to leave the room, my
+bedroom, in spite of your courteous hint of a moment back, that
+you refuse?"
+
+"You are; you bet you are. And you're to understand more than
+that; you're to understand that if you're not careful what airs
+and graces you take on with me, I'll stuff a handkerchief into
+your mouth. Then we'll see what you'll do next. A helpless lump
+like you to talk to me--your lawful wife!--as if I were nothing
+and no one. I'll soon show you."
+
+"Will you? Maybe you'll first be shown a thing or two yourself,
+my lady!"
+
+The tones were familiar. They were not those of the man in the
+bed. Looking round Isabel found that Nannie was glaring at her
+from the other side of the room.
+
+
+
+
+ CHAPTER VII
+
+ A TUG OF WAR
+
+
+Perceiving that Isabel made no reply, Nannie addressed her
+again, with both in her manner and her words perhaps a
+superfluity of truculence.
+
+"What for have you left your room and come here disturbing Mr.
+Grahame, you bold-faced hussy?"
+
+Nannie's appearance and the vigour of her speech, both of which
+were probably a trifle unexpected, seemed to take Isabel
+somewhat aback. It was not unlikely that a rapid debate was
+taking place in her mind as to what exactly was the _rôle_ it
+was most advisable that she should play.
+
+One point was obvious, that the moment had come when it would
+have to be decided, possibly finally, just what position in the
+household hers was going to be. If she was to be its real
+mistress--as she had boasted that she was, and would be!--then
+it was out of the question that Nannie should be allowed to
+speak to her in such terms as she had just employed. How was she
+to be prevented? In her own way Isabel was not a bad judge of
+character. In the course of her short life her adventures had
+been so many and various that it had grown to be a habit to
+measure herself against nearly every one with whom she was
+brought in contact. Nannie was a dour old Scotchwoman. Isabel
+was perfectly conscious that she was not likely to be
+subdued--to the point to which she desired to bring her--by
+words alone. She herself was wholly devoid of scruples. As to
+self-respect, she was incapable of realising what it meant. She
+had been brought up in a school in which that sort of thing was
+not taught. Her early days had been spent among women who were
+quite as ready to resort to physical force as the men, which was
+saying not a little. As she had grown older she had never
+hesitated to use her muscles when her tongue was beaten. She was
+quick to perceive that this was a case in which she would have
+to use her muscles again, if she did not wish to degenerate into
+something worse than a figure-head in the house which she
+aspired to rule.
+
+The only question she had to decide was whether she would be a
+match for the Scotchwoman. It would be worse than vain to
+challenge conclusions if she was likely to be proved the weaker.
+Brief consideration, however, persuaded her that there was but
+little fear of that. Her ankle was against her, and the fact
+that she had been inactive for a fortnight. But, on the other
+hand, though tough and brawny, Nannie might be old enough to be
+her grandmother. Even though handicapped by her ankle, Isabel
+did not doubt that she excelled her both in sheer strength and
+in agility, while as to knowledge of how to make the best of her
+powers she was convinced that, as compared with her, the other
+was nowhere.
+
+She resolved to bring the question as to who was to be mistress
+to an issue then and there--if necessary, in the presence of the
+man in the bed. Instead of answering Nannie she put a question
+to him.
+
+"Who is this objectionable old woman?"
+
+"My housekeeper."
+
+"Then, perhaps, you'll tell your housekeeper that, where I'm
+concerned, if she can't keep a civil tongue in her head and mend
+her manners, she won't be your housekeeper long--or mine
+either."
+
+"Hadn't you better tell her so yourself?"
+
+"Does that mean you're afraid to?"
+
+"Never interfered in the housekeeping since the day I was born,
+nor with Nannie either. She's always run this house as if it
+were her own."
+
+"Then the sooner she understands that she's not going to do so
+any longer the better it will be. If you won't make that plain
+to her, then I will. Now, my woman, remember that I'm your
+mistress, and that I'll stand impertinence from no one--least of
+all from a servant of mine. Leave this room at once; I'll talk
+to you when we're alone."
+
+Nannie seemed to be surprised almost into speechlessness by the
+other's attitude and manner of addressing her. It was a second
+or two before she could find words with which to illustrate her
+feelings.
+
+"Of all the brazen impudence! That a nameless besom, picked up
+from the roadside in the middle of the night, should have the
+face to speak to me like that! And you to call yourself Mr.
+Cuthbert's wife! Why, you're nothing but a shameless trollop!
+And though the doctor said that Mr. Cuthbert was to be kept as
+quiet as possible, if needs be I'll take you out of this room in
+my two arms, as you well know I did before. So out you come
+before I make you!"
+
+"Go it, Nannie!"
+
+The mocking encouragement from the man in the bed was to Isabel
+as the final straw. She did not allow him to range himself,
+before her face, on the woman's side. From words she proceeded
+to measures. Traversing the room with a rapidity which wholly
+ignored the twinges which proceeded from her injured ankle, she
+planted herself immediately in front of Nannie.
+
+"Are you going to leave this room, or am I to put you out of
+it?"
+
+"Me to leave Mr. Cuthbert's room, and ordered out of it by you!
+It'll be you that'll be put out of it, and that pretty quick,
+you----"
+
+Isabel did not wait for her to finish; she anticipated the
+volley of compliments which had no doubt been intended to follow
+by straightening her left arm in the most approved fashion, and
+striking the other full on the nose with a vigour and
+unexpectedness which caused the old woman to lose her balance
+and go toppling over on to the floor. Before she had a chance to
+recover, Isabel had the door wide open, and began bundling the
+still prostrate Nannie unceremoniously through it. She was
+conscious that words were proceeding from the man in the bed,
+but what they were she neither knew nor cared. It was not her
+intention, if she could help it, to continue the proceedings in
+his room. Having got the other out of the room somehow, she shut
+the door behind her, determined to let him know as little of
+what was to follow as circumstances would permit, at any rate
+till all was over.
+
+Then she waited for Nannie to rise, which she did with an
+agility which did credit to her years. As the other had possibly
+foreseen, the old woman was beside herself with rage. She rushed
+blindly at her opponent, who was at once cooler and more
+experienced in little discussions of the kind. Although hampered
+by her ankle she had no difficulty in evading the other's mad
+onrush, at least sufficiently long to enable her to receive her
+with a hail of blows directed impartially at her face and body.
+The proceedings had only lasted a few seconds, and were waxing
+momentarily warmer, when they were interrupted by some one who
+ascended the stairs. It was Dr. Twelves. As was only natural,
+being very far from edified by the spectacle by which he was
+confronted, he raised his voice to remonstrate.
+
+"What does this mean? Have you two women gone mad, that you
+behave like drunken fishwives? Nannie!--Mrs. Grahame!--shame on
+you!"
+
+Nannie, who had been severely pommelled, and had so far got much
+the worst of it, abstained, for the moment, from her attempts to
+return some of the marks of esteem with which she had been
+presented, and proceeded to vouchsafe some sort of explanation.
+As, however, she talked at the top of her voice, which failed
+her badly, and had to stop at uncomfortably short intervals to
+gasp, it was rather difficult to make out what she said, and
+when that was done it was not easy to join her observations with
+each other and supply them with a meaning.
+
+"Put me out of Mr. Cuthbert's room!--ordered me out!--hit me in
+the face, that had never been laid hands on by any but my
+mother!--knocked me about as if I were an old rag-bag!--a
+bold-faced besom that's nothing in the world but the clothes she
+stands in!--and less character than that!--before I've done with
+her I'll strip her to her impudent skin!"
+
+Nannie proceeded to do it. The attempt could scarcely have been
+called successful, because no sooner had she brought herself
+within the reach of the other's dangerous left arm than she
+received a smashing blow in the face which sent her staggering
+backwards. The course of the combat had brought her near the
+head of the stairs, uncomfortably near, as the event immediately
+showed. Before she was able to recover herself, reaching the
+topmost stair, she went crashing down it on to the doctor who
+stood remonstrating below. Luckily for him he was on the bottom
+step but one, so that he had time to move somewhat aside before
+she was in his immediate neighbourhood. As it was she sent him
+cannoning with uncomfortable violence against the wall, while
+she herself came toppling on to the landing with a bang which
+shook the house.
+
+Silence followed--a speaking silence. Above was Isabel, a really
+striking figure, as, with flushed cheeks, flaming eyes, clenched
+fists, straightened arms, she stared down on her victim in the
+depths below. The doctor, more startled than hurt, seemed to be
+in two minds what to do or say. With one eye, as it were, he
+looked at Isabel up above, and with the other at Nannie down
+below. At last he spoke, addressing himself to the triumphant
+figure up above.
+
+"For all you know you may have killed her."
+
+"It will serve her right if I have!" came the defiant response.
+
+That she was not killed was soon made plain by Nannie herself.
+
+"She's broken my leg!--and I'll be bound half the bones in my
+body!--the she-devil! Oh, doctor, what'll I do?"
+
+There came the voice from above.
+
+"You'll stop that noise! and if you're wise you'll cut out your
+tongue! Because the next time you say a rude thing to me, or of
+me, as sure as you're lying there, I'll have you dragged into
+the road, and there you shall be left; you shall never set foot
+inside this house again--I promise you that!"
+
+The doctor had been leaning over her, as if to ascertain the
+nature of her injuries.
+
+"I believe you have broken her leg."
+
+"To be sure she has! Oh, doctor, doctor, I told you we'd rue the
+day you brought her into the house!"
+
+"Next time I'll not be content with breaking half the bones in
+her body--I'll break them all!"
+
+"Hush, woman! you forget yourself; have you no pity?"
+
+"I've pity for those who deserve it, but not for an unmannerly
+servant who tries to bully her mistress, and then whines when
+she herself gets thrashed instead! And look here, Dr. Twelves,
+don't you think that I'm an ordinary woman, because I'm not----"
+
+"That I am rapidly beginning to believe."
+
+"Don't you interrupt me when I'm speaking, not even by attempts
+to be smart, especially as you happen to be one of those silly
+old men who are not meant to shine in that line. If you'd got an
+ordinary woman into the mess you've got me by your lies and
+humbug, I daresay you'd have been able to do as you liked with
+her. I suppose that's what you and that old woman have been
+reckoning on. But I want you to understand just once, and once
+for all, that you're mistaken. It's going to be the other way
+round; I'm going to play this game, in my way, not yours; I'm
+going to do as I like with you. You'll take your instructions
+from me, and from me only. If you want to be allowed on these
+premises you'll treat me as a lady and as the mistress of the
+house ought to be treated. Who's that down there? I heard you
+sneaking about and listening! Come up here and let me look at
+you." A shock-headed young woman appeared, followed, at a
+respectful distance, by one still younger. "If you two are my
+servants--and I suppose you are, or you wouldn't be there--if
+that old woman can't walk alone pick her up, carry her to her
+room and put her to bed, and leave her there; then go on with
+your work and let me have no nonsense."
+
+All this time Nannie, who still lay motionless, had been
+groaning in what was evidently genuine pain. The doctor, who had
+been bending over her, remarked a little dryly:--
+
+"I trust you will pardon me, Mrs. Grahame, but I think her leg
+is broken".
+
+"Well, what of it? It's her fault, not mine; she's brought it on
+herself. She may think herself lucky that her neck's not broken
+after the way she's behaved. I'd have thrown her out of a window
+if there'd been one handy, and it would have served her
+thoroughly well right. I suppose you don't want her to lie
+there, littering up the stairs, even if her leg is broken. She
+carried me to my room as if I were a sack of potatoes, now they
+shall carry her. Do you hear what I say, you two?"
+
+So Nannie was borne to her room with anything but the honours of
+war.
+
+
+
+
+ CHAPTER VIII
+
+ THE MINIATURE
+
+
+Like some other persons, so long as she had her own way, and
+nothing occurred to annoy her, Isabel could be quite agreeable.
+Now that Nannie was laid low, and Dr. Twelves accorded her the
+respect she demanded--at least outwardly, for she continually
+suspected him of having his tongue in his cheek--she proceeded
+to show that there was a side to her character which was not
+altogether unpleasant. The household--what remained of
+it--consisted of two raw damsels, whose English was of such a
+quality that Isabel not infrequently found herself at a loss to
+understand what they were saying. They made no secret of the
+fact that they were by no means heart-broken at Nannie's
+discomfiture. She had ruled them with a rod of iron, and they
+were by no means sorry that some one had tried her hand at
+ruling her--with distinctly solid results. Especially was this
+the case when they learned that the new mistress was inclined to
+be as lax as the dethroned one had been rigid. So long as the
+work of the house was done--and there was not much of it as
+Isabel managed things--they were free to do pretty well as they
+chose, even to the extent of there being practically no watch
+kept on their outgoings and incomings.
+
+The truth was that the new Mrs. Grahame was above all things
+desirous that no watch should be kept on her. Most of her time
+was spent in ransacking the house from top to bottom--an
+occupation she enjoyed immensely, and found no little to her
+profit. Now that Nannie was laid on her back, and--since at her
+time of life a broken leg is no small matter--promised to remain
+there for some time, there was no one to say her nay. Isabel
+turned out every cupboard and every drawer; waded through every
+scrap of writing they contained; appraised every article she
+found--and, indeed, assembled quite a nice collection of what
+she deemed the more valuable trifles in her own apartment, for
+her personal use and consolation. She lighted on what, to her,
+was a considerable sum of money. On this, she learned, Nannie
+had been accustomed to draw for various current expenses. She,
+of course, regarded it, there and then, as her own personal
+property.
+
+Her first appearance out of doors took the form of a visit to a
+neighbouring small town--not Carnoustie--where she purchased
+such articles of attire as she imagined she required, together
+with a trunk to contain them. These she paid for out of Nannie's
+store. She did not think it necessary to inform Mr. Grahame how
+she had used what was, after all, his money. She did not seem to
+think it worth her while to tell him anything.
+
+Her mind was occupied with various problems. First and foremost,
+she was extremely anxious to ascertain how much money the man
+she called her husband actually had, where it was, and how it
+could be got at, say by one who had a right to get at it. Almost
+as if he were conscious of what was transpiring in her brain,
+Cuthbert Grahame took advantage of an opportunity which arose,
+or which he, perhaps, made himself, to volunteer some
+information on the subject on his own account. The afternoon on
+which the conversation took place would have been memorable for
+something else, even if he had not seen fit to make her the
+receptacle of some very interesting confidences.
+
+Isabel was an active young woman; healthy, full-blooded,
+vigorous, one in whose veins the blood ran strong. Inaction to
+her was punishment. So soon as her ankle permitted, and it
+proceeded to a rapid and complete recovery, she spent a portion
+of each day in taking the air--that portion of the day which was
+not spent in prying into everything the house contained. As her
+researches drew to a conclusion--as even the most thorough
+investigation allowed them to do in time--that unoccupied
+portion became more and more. So, having examined the inside of
+the house she turned her attention to the outside, to learn that
+her husband's estate was of considerable extent. She wandered up
+and down it, to and fro, till she began to be almost as
+intimately acquainted with it as with the contents of the
+residence. One afternoon she was indulging in one of these
+rambles when she received what really amounted to a shock.
+
+She was passing through one of the woods of which her husband's
+property seemed chiefly to consist, and was resting on the bole
+of a tree, when she heard the sound of wheels. She was perhaps
+in a peculiar mood, because it immediately brought back to her
+that night on which she had listened--with what an anxious
+heart!--to the wheels of Dr. Twelves' approaching trap.
+Passers-by, thereabouts, were few and far between; for days
+together she would not encounter any. She had grown to love
+seclusion, possibly for sufficient reasons of her own. She was
+seated on a slope. The road began at the foot, perhaps thirty
+feet away. She instinctively altered her position, so that,
+while she could see herself, the trunk of the tree almost
+entirely screened her from observation. She wondered who was
+coming, peeping round to see. When she did see she drew back
+with a start.
+
+In the dogcart which presently appeared was her husband--her
+real husband--Gregory Lamb. The sight of him took her wholly by
+surprise, and filled her with unwonted perturbation. What was he
+doing there? What could have brought him to that neighbourhood?
+She had taken it for granted that he had long since returned to
+London. Even Mrs. Macconichie's--supposing he was still there,
+which seemed unlikely--was a good twelve miles away. She was
+conscious that he was not alone in the trap. Who his companion
+was she had not noticed; she had not time.
+
+The vehicle drew rapidly level with the tree on which she
+rested. She decided that she might venture to peep again, and
+was just doing so when the horse shied so violently that the
+cart was almost overturned. Recovering itself, apparently
+getting the bit between its teeth, it bolted like a thing
+possessed, and vanished from her sight, though not before she
+had nearly convinced herself that the man with her husband--the
+one who was driving--was Dr. Twelves. She had only seen him from
+the back, and then had had but occasional glimpses through
+intervening trees for half-a-dozen seconds, but she was almost
+sure that it was he. There was, however, just a possibility that
+she was mistaken, and it was that possibility which worried her.
+She would have liked to have been certain, either one way or the
+other. Then, in the case of the worst, she might have been
+prepared.
+
+For the juxtaposition could but mean trouble for her. She was
+too clear-sighted to delude herself with the notion that the
+doctor was anxious to be a friend of hers. He had, to outward
+seeming, accepted the situation; probably, in part, because, as
+she herself put it, she was no ordinary woman; and partly
+because, under the circumstances, considering the part which he
+himself had played, he did not see what else there was for him
+to do. Let him, however, learn how wholly baseless was her claim
+to occupy the place which she had arrogated to herself, and she
+did not for a moment doubt that he would use that knowledge to
+oust her from it in the shortest possible space of time.
+
+The only two points on which she had her doubts were: Was it
+really the doctor who was driving Gregory Lamb? and, if so, had
+Gregory Lamb given him cause to even suspect the relation in
+which she stood to him? On a third point there was no doubt--the
+dogcart had been moving from, not towards the house, so that in
+any case the peril was not actually approaching her now.
+
+Another thought suddenly occurred to her, one which set her
+heart beating faster than was altogether agreeable. The doctor
+and her husband might have been to the house already, in which
+case danger might be awaiting her return to what she had learned
+to call her home.
+
+That was a question which might be quickly resolved--she would
+resolve it quickly. She started off homewards then and there,
+telling herself as she went that, whatever had happened, or
+might happen, they should only be rid of her on terms of her
+own.
+
+It turned out that, so far, nothing had happened; to that
+extent, at least, her agitation had been uncalled for. No one
+had been near the house since she had left it; nothing had
+happened which was in any way out of the common. The relief she
+felt at learning even so much showed how real she had imagined
+the danger was. With some vague idea of subjecting him to
+cross-examination and learning if he had suspicions of her of
+any sort or kind, so soon as she had removed her hat she paid a
+visit to Cuthbert Grahame's room.
+
+As usual, he lay immobile between the sheets, preserving that
+death-in-life rigidity which, it seemed, was to continue his
+condition to the end. The sight of him struck in her an unwonted
+note.
+
+"Don't you get tired of lying there?--especially on a day like
+this, when the sun is shining and the breeze is stealing among
+the trees and flowers?"
+
+She did not strike a responsive note in him. He was silent for
+some seconds, then he asked, in his strange, far-away voice,
+which was like a husky whisper--
+
+"Aren't you well?"
+
+"Oh yes, I'm well enough. I'm only wondering if you're not tired
+of being ill. It seems to me that you might as well be dead as
+keep on lying there with only your voice alive--and that's
+pretty nearly done for."
+
+She had returned to her more familiar mood.
+
+"Tired!--tired!" He repeated the word twice, then after an
+interval went on: "What's the use of being tired of what has to
+be? I'm tired of you, but it seems you have to be--so what's the
+use?"
+
+"I don't see why you need be tired of me. I'm no more to you
+than a chair or table."
+
+"You're my wife."
+
+"Your wife! It's because I'm your wife that I'm likely to get
+tired instead of you. I'm not a helpless statue--I'm a woman; I
+don't want a dead log--I want a man."
+
+"I was once a man."
+
+"You a man!"
+
+"Seems queer, doesn't it?"
+
+"I don't believe it."
+
+"Yet I was, physically, not a bad sample of a man. Now the Lord
+knows what I am!--a husk, I suppose. There's a man inside me
+somewhere still."
+
+"You look as if there were, and you sound it."
+
+She laughed, not pleasantly. It was one of her defects that her
+laughter seldom had a pleasant sound, as if it were only the
+spirit of malice which had power to move her to mirth.
+
+"You've confessed why you married me. Do you know why I wanted
+to marry you, or any one? I'd have married your friend Nannie if
+she'd agreed, but she refused point-blank."
+
+"Is that true?"
+
+"Quite. It was only when she persisted in her refusal that the
+doctor thought of the woman he'd found in a ditch. Since
+anything in the shape of a woman would serve he hauled you up
+the stairs." She was still. She was standing in her favourite
+position by the open window, looking out at the woods on the
+slope of the hill. "Shall I tell you why, when already looking
+into hell--and I had a good look, I promise you!--I wanted to
+marry any one?"
+
+"I know."
+
+"Who told you?"
+
+"Dr. Twelves."
+
+"He seems to have imparted to you a good deal of useful
+information. What did he tell you?"
+
+"That you'd made a will in some one's favour, which you wanted
+to break, and that was the easiest way to break it."
+
+"Did he tell you who the some one was?"
+
+"No."
+
+"It was a woman. Do you hear--it was a woman!"
+
+"I hear."
+
+"A young woman--younger than you and prettier. Prettier? My God!
+You're not bad-looking in a way, but there's a streak of the
+vulgar in you now. No one could ever mistake you for a lady.
+You're one of the blowzy sort; you'll become impossible;
+hard-featured; flame-coloured cheeks; bold, staring eyes; huge,
+unwieldy, gross. She!--she's the most perfect woman God ever
+made, and she'll only improve as the years go by."
+
+"I've met that kind of woman before."
+
+"Not you. She's not to be found in the sort of society in which
+you've moved."
+
+"She's to be found in the penny novelettes--never out of them.
+You and your perfect women! In spite of her perfection you don't
+seem to have found her all milk and honey, or you wouldn't have
+been so keen to break that will of yours."
+
+"Do you know why I wanted to break it?"
+
+"Some silly nonsense. Because she tried to scratch your eyes
+out, I daresay--serve you right if she did."
+
+"Because she wouldn't marry me."
+
+"Because----!" She stopped to burst into noisy, strident
+laughter. "She must have been a fool. I should have thought any
+one would have married you if you'd made it worth their while."
+
+"I told you that she was not the kind of woman you have ever
+met; she's clean beyond your understanding. Put your hand
+underneath my pillow--gently. You'll find a case; take it out."
+
+Isabel looked at him, hesitating, as if in doubt of his meaning,
+then she did as he had told her. He was propped up on a nicely
+graduated series of pillows. As she withdrew her hand, the case
+between her fingers, she dragged one of the pillows with it
+right from under the one on which his head reposed, so that,
+denuded of its support, his head fell back. In a second he began
+to choke before her eyes. His face grew bluer and bluer; the
+veins stood out through his skin; he fought for breath; his
+stertorous gasps shook him from head to foot. She raised his
+head to its normal position, returning the pillow to its place.
+As she watched him struggle back to what--to him--was life, she
+laughed.
+
+"It wouldn't take long to make an end of you."
+
+By degrees he regained the use of his attenuated voice.
+
+"I do want careful handling--that's so. Still I wouldn't murder
+me if I were you--it would be murder. Murder has to be paid for
+in full. It would be hardly worth your while to be compelled to
+render full payment for such a remnant as I am. Have you got the
+case? Open it."
+
+She held a square Russia leather case, in corn-flower blue. She
+looked for a spring or for something which would enable her to
+get at its interior, but found nothing.
+
+"Does it open? I don't see how."
+
+"It's a little idea of my own that spring. I didn't want any one
+to see what is inside but me. But it's so long since I've seen
+that I have grown hungry for a look, so you shall have one too.
+I think I should like you to have one. Hold the case between
+your finger and thumb, one of them exactly in the centre of each
+side, then press firmly."
+
+Obeying him, immediately one of the sides flew open in the
+middle, revealing, framed in the other, the miniature of a young
+girl. Isabel was no artist; she was incapable of appreciating
+the artistic value of the portrait which confronted her. What
+struck her instantly was that it was surrounded by what looked
+like three rows of precious stones--pearls, sapphires, diamonds.
+
+"Are they real?" she inquired.
+
+"Do you mean the stones in the setting? They are. The pearls are
+there because she is the queen of pearls; the sapphires, because
+they are her favourite stones; the diamonds, because I chose to
+have them."
+
+"They must be very valuable."
+
+"They cost a lot of money, and they'd fetch a lot. That is the
+girl I wanted to marry me. What do you think of her?"
+
+"She is pretty."
+
+"Pretty! She's beautiful."
+
+"She's too fair for me."
+
+"That's because you're dark. I hate dark women--always have
+done. Hold the case open in front of me. Let me look at her."
+
+She did as he asked. No change took place in his expression;
+none could take place. His voice remained the same; that also
+was incapable of modulation. Yet she knew that an alteration had
+taken place in him; that as he gazed the man of whom he had
+spoken, who was inside him somewhere, was stirred to his inmost
+depths.
+
+"Not beautiful! She's the most beautiful creature in the world.
+She always has been; she always will be. God bless her! though
+He has been hard on me." Then, after a pause, "Take the case
+away and shut it, and put it back beneath my pillow--gently.
+That glimpse will last me a long time, thank you. Though I may
+never look at her again, her face will be with me always to the
+end. Before you close the case you might look at her again more
+carefully. Perhaps, after you have gazed at her attentively,
+understanding may come to you; you may begin to perceive the
+beauty which was hidden from you at the first."
+
+She returned, the case still open in her hand, to the window in
+front of which she had been standing.
+
+
+
+
+ CHAPTER IX
+
+ THE SLIDING PANEL
+
+
+The silence remained unbroken for some seconds. Then he asked--
+
+"Well, what do you think of her now?"
+
+"I think she's pretty, as I said. You may think her beautiful. I
+daresay plenty of men would; that sort of thing's a question of
+taste. I tell you what I do think beautiful--that's these
+diamonds. The sapphires and the pearls are all very well, but
+the diamonds are the stones for me."
+
+"You would think that. You're the sort of woman who'd admire a
+gaudy frame, and have no eyes for the picture that was in it. If
+you like I'll tell you who she is and all about her. It may seem
+like sacrilege to talk of her to you, but I think I'll tell you
+all the same."
+
+"Tell away. I suppose it's the old, old story: she met some one
+she fancied more than you. Men always do think that sort of
+thing is wonderful. But I don't mind listening."
+
+"Yes, there was some one she liked better than me. That was the
+trouble."
+
+"It generally is, while it lasts; then it turns out to be a
+blessing. But, of course, you've never had the chance."
+
+"As you say, I've never had the chance. Her name--I won't tell
+you her name--though why shouldn't I? Her name is Margaret
+Wallace."
+
+"Scotch, is she?"
+
+"Her father was Scotch, her mother English. He was my dearest
+friend. When he died----"
+
+"He left his only daughter, then a mere child, and that was
+all."
+
+"That was all, and as you say she was a mere child. You seem to
+have had some experiences of your own."
+
+"One or two. I'm more than seven."
+
+"So I should imagine."
+
+"You took her to your own home, found her in food and washing,
+and pocket-money now and then. As she grew older her wondrous
+beauty and her many virtues--especially the first lot--warmed
+your withered heart. When she attained to womanhood you breathed
+to her the secret of your passion, which she had spotted about
+eighteen years before; but as she didn't happen to be taking
+any, of course the band began to play. Isn't that the sort of
+story you were going to tell, only I daresay you wouldn't have
+told it in quite that way?"
+
+"I certainly shouldn't have told it in quite that way."
+
+"You had expended on her two hundred and forty-nine pounds
+nineteen and sixpence ha'penny, besides any amount of fuss, so
+her ingratitude stung you to the marrow. Still you might have
+borne with her; you might not even have altered the will which
+you had made in her favour, and which you kept shaking in her
+face; only when she took up with another chap she seemed to be
+coming it a bit too thick. You cried in your anger, 'I'll make
+you smart for this, my beauty!' So you started to make her
+smart; but it seems to me that you've done most of the smarting
+up to now. Was it her cruelty which made you the pretty sight
+you are?"
+
+"Not altogether."
+
+"Not altogether! You don't mean to say that when you wanted her
+to be your wife you were anything like what you are now? A nice
+kind of love yours must have been!"
+
+"I appear to have acquired a really delightful wife."
+
+"If you weren't a dead log it might be that you'd find out how
+true that was. Any man with a touch of spice in him would give
+the eyes out of his head for a wife like me, and there have been
+plenty who were ready to do it."
+
+"As you yourself observed, these things are a question of taste.
+So you think she was justified in treating me as she did?"
+
+"Justified for not wanting to marry a thing like you! You ought
+to have been drowned for hinting at it."
+
+"I am myself beginning to think that your point of view may not
+be wholly incorrect, and that, therefore, it was fortunate that
+I did not die on the night we were married."
+
+"I don't."
+
+"You wouldn't--you have, of course, your own point of view. From
+mine it is fortunate that I have been spared to enable me to
+make another will."
+
+"How are you going to make a will, when you can't move so much
+as a finger?"
+
+"I can have one drawn up according to my instructions. You will
+find that I'm capable of signing it. Would you have any
+objection?"
+
+"It would depend on what there was in it."
+
+"I see. May I ask if you are under the impression that if I die
+without a will--even supposing our marriage is valid----"
+
+"It's valid enough, don't you be afraid."
+
+"I'm not afraid; you, I fancy, have the cause to fear. But I
+say, supposing our marriage is a marriage--as to which I say
+nothing either one way or the other--if I die intestate do you
+imagine that you will necessarily come into possession of all I
+have?"
+
+"Have you any relatives?"
+
+"Not one in the whole wide world."
+
+"Then you bet I shall."
+
+"You may bet you won't."
+
+"Who's got more right to what you leave behind than your lawful
+wife?"
+
+"It depends. Under no circumstances would you inherit more than
+half of my personal property, and a third of my real estate; the
+rest would go to the Crown."
+
+"Half's something! Look here, Dr. Twelves told me that if I
+married you I should have twenty thousand pounds. Have you got
+as much?"
+
+There was an interval before an answer came. Possibly the man in
+the bed was considering what answer he should make to such a
+very leading question.
+
+"I cannot tell you exactly what I have got, but I may safely
+venture to assert this much: If all I possess--land, houses,
+shares and so on--were to be turned into cash to-morrow, I
+should find myself with at least two hundred thousand pounds."
+
+"Two hundred thousand pounds! Go on!"
+
+"This is a curious world, and Fortune is a curious jade; she
+bestows her gifts with feminine irresponsibility. She gives one
+health and strength and youth--and empty pockets--just when he
+could get enjoyment out of full ones. To another, crippled
+limbs, physical helplessness, premature old age--and pockets
+brimming over--just when money is of as little use to him as
+pictures to the blind. I have been denied most things except
+fortune. Sounds ironical, doesn't it? As with Midas, everything
+I have touched has turned to gold--in my case a thing wholly
+worthless. I never made a bad money speculation in my life. I
+doubt if I ever made an investment which did not pay me ten per
+cent. Some of my investments have paid me forty and fifty per
+cent, for years, and are worth ten times what I gave for them. I
+wasn't worth twenty thousand pounds when I began life; now, to
+adopt your phraseology, I'll bet I'm worth more than a quarter
+of a million."
+
+"And yet you live in a place like this, without a horse in the
+stable, and the garden like a wilderness!"
+
+"Why shouldn't I? Where would you have me live? In a castle?
+with an array of servants who would take my money and from whom
+I should have to hide. A well-bred servant wouldn't be able to
+endure the sight of such an object as I am. All I need is a bed
+to lie on, some one to put food between my lips, money to pay
+for it. Since here I have those things, here I have all I need.
+Besides, you should bear in mind that, as nothing is being
+spent, there will be all the more to leave behind."
+
+She was silent; her face turned towards the open window, the
+miniature in its jewelled case still in her hand. His words had
+fired her imagination. A quarter of a million!--this man worth a
+quarter of a million!--and he supposed himself to be her
+husband! Not long ago she had told herself that a certain and
+clear five pounds a week earned by singing and dancing at the
+minor music halls would be her idea of fortune. She had married
+that deceitful humbug, Gregory Lamb, because she believed that
+he might possibly have as much as a thousand a year. What was a
+thousand a year compared to a quarter of a million! If he died
+without a will half of it would be hers, or was it a third? Why
+shouldn't she have more than that? If he had no relatives to
+make a fuss, why shouldn't she have it all?
+
+Even as she asked herself the question an answer came to her
+dimly, yet with sufficient clearness to start her trembling. It
+was born of an idea which would have disposed most women to do
+more than tremble. Her breath came faster; her eyes brightened;
+something like a smile wrinkled her lips; the vista presented to
+her imagination, which would have appalled most persons,
+titillated her.
+
+After a while she asked, without turning her head--
+
+"If you were to make a will, what would you put in it?"
+
+"I'll show you."
+
+"When?"
+
+"Now. There's a secret hiding-place in this room. If you tried
+do you think that you could find it?"
+
+"I'd find it fast enough."
+
+"Then find it."
+
+"What sort of place is it?"
+
+"That's asking for assistance. I'll give you this much. It's in
+the wall, concealed by a panel of wood. Now I've given you the
+scent, follow it to a finish--if you can."
+
+"In a room like this there might be fifty hiding-places."
+
+"There might."
+
+"It would take days to examine it thoroughly; however long it
+might take me I'd find it. I'd strip the walls of everything
+before I'd give it up."
+
+"I don't think you need go so far as that just yet. Look round;
+you've hawk's eyes; I've given you a hint; can't you make a
+likely guess, like the sharp-witted child who is playing
+hide-and-seek?"
+
+Isabel's glances were travelling round the room searchingly,
+resting here and there, allowing nothing to escape them. When
+they had traversed the whole apartment from floor to ceiling in
+one direction they returned in another.
+
+"You are not tricking me? There really is a secret
+hiding-place?"
+
+"There really is."
+
+"And you say it's behind a panel in the wall?"
+
+"That's it."
+
+Her eyes in their return journey had reached the great wooden
+fireplace. Although she did not know it, it was a fine specimen
+of old carving. What she did notice were the rounded posts which
+served as pillars. There were four, two longer and two shorter,
+each supporting a shelf on which there were ornaments. She
+wondered if the posts would turn. Probably something recurred to
+her mind which she had read about a movable post, though she
+could not have said just what it was or where she had read it.
+She had a notion that she would try if the posts in the
+fireplace turned, when she was stopped by a remark which came
+from the man in the bed.
+
+"You're looking in the wrong place; so as I don't want your
+search to occupy you days, I'll tell you where it is." Even as
+he spoke it struck her--rather as a vague suspicion than
+anything else--that he did not want her to pay too much
+attention to the fireplace. She waited for him to continue,
+which he did at once. "You see the bracket in the corner on my
+left. Go to it. Take down the vase which stands upon it, then
+lift the bracket out of its socket." She did as he told her.
+"You see the boss just at the top of the socket. That releases
+the catch. Press it, then slide upwards that part of the panel
+which is immediately at your right."
+
+Again she followed his directions. A portion of the woodwork,
+three or four inches wide, and about a foot in length, yielding
+to her touch, disclosed an open space behind.
+
+"There's an envelope in it, a blue envelope; take it out."
+
+There was an envelope, apparently nothing else. On the front was
+an inscription, whose crabbed characters had apparently been
+written by a feminine hand. "This envelope contains Cuthbert
+Grahame's will, and is not to be opened till after his death."
+The two flaps at the back were secured by big red seals.
+
+"Never mind what it says. I'm Cuthbert Grahame, and I tell you
+to open the envelope, although I don't happen to be dead. Take
+out the paper which you'll find inside. Read it; you can read it
+aloud if you like."
+
+She read it aloud. The handwriting was identical with the
+cramped caligraphy on the envelope.
+
+"'I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Margaret Wallace,
+absolutely, for her sole use and benefit.--CUTHBERT GRAHAME.
+Witnesses, NANNIE FORESHAW, DAVID TWELVES, M.D., Edin.'"
+
+With the exception of a date at the top that was all the paper
+contained.
+
+"That is the will you broke by marrying me, or, if you prefer
+it, which I broke by marrying you. There isn't much to be said
+for the phraseology--it wasn't drafted in a lawyer's office.
+Nannie wrote it down to my dictation--at that table over by the
+window there. She doesn't write a very excellent fist, but it'll
+serve. That's as sound a will as if it had been drawn by a
+council of lawyers, and, to the lay mind, a good deal plainer
+than they'd have made it."
+
+"Do you mean to say that what's on this paper is enough to put
+Margaret Wallace into undisputed possession of a quarter of a
+million of money?"
+
+"It would have been if I hadn't married you; my marriage has
+made it so much waste-paper. You may tear it up, or keep it if
+you please; it makes no difference. I intend to make another
+will."
+
+"What are you going to put in it?"
+
+"Exactly what's in that, only the date will be different. It's
+the date in that which renders it nugatory."
+
+"Aren't you going to leave me anything?"
+
+"Why should I?"
+
+"Dr. Twelves told me that if I married you I should have twenty
+thousand pounds."
+
+"I'm not responsible for what Dr. Twelves may assert."
+
+"You are--in a way, and you know it. Because he only brought me
+up so that you might die in peace, and, I expect, at your own
+express command."
+
+Mr. Grahame was silent, possibly considering her words.
+
+"A cheque for a hundred pounds would amply repay you for what
+you've done--or I might make it a hundred guineas."
+
+"A hundred guineas! Listen to me--you're my husband."
+
+"You've observed that on some previous occasion."
+
+"And I'm your wife."
+
+"That also has already become ancient history."
+
+"I want you to understand just the way in which I see it. I'm
+the mistress of this house, and no one sets foot in it--or in
+your room--without my express sanction and approval."
+
+"Won't any one? We shall see."
+
+"We _shall_ see! I'll write you just the will you want, as
+Nannie did, if you'll let me add a sentence leaving me--say,
+five thousand pounds. It ought to be more--twenty thousand was
+what Dr. Twelves promised--and you can make it as much more as
+you like, but I'll do it if you make it that." As, when she
+stopped, he was silent, she again went on: "If you don't let me
+add such a sentence you shall make no will at all--as sure as
+I'm alive I swear you shan't. I'll have my bed brought in here
+to stop you doing it at night--you may trust me to take care you
+don't do it by day. As your wife I've my rights, and you're a
+helpless man. I mean to take advantage of my rights--to the
+fullest possible extent!--and of your helplessness. You ought to
+know by now that in such a matter I'm the sort of woman that
+keeps her word."
+
+"I have a sort of notion that you might do your best in that
+direction--from what I've seen--and heard--of you."
+
+"You can bet on it!"
+
+"Let me follow you clearly. Am I to understand that you will
+draw up yourself a will identical in all respects with the one
+you have in your hand, if I allow you to add an additional
+clause by which you are to benefit to the extent of five
+thousand pounds?"
+
+"That's what you're to understand--just that."
+
+"And that you'll assist me to sign it in the presence of two
+witnesses?"
+
+"I'll assist you all I can."
+
+"I'll think it over. Five thousand pounds is a deal of money for
+what you've done, and for the sort of woman you are; but--I'll
+think it over. When would you do it?"
+
+"If you say the word I'll do it right now."
+
+There was a considerable pause, then he repeated his former
+observation:--
+
+"I'll think it over." After a pause he added: "Put back that
+miniature underneath my pillow--this time gently, if you please.
+Close the panel; replace the bracket and the vase. You may take
+the will with you if you like, so that you may get it well
+into your head. I'm tired--I've talked enough. I want to be
+still--and think."
+
+
+
+
+ CHAPTER X
+
+ THE GIRL AT THE DOOR
+
+
+When Isabel left Cuthbert Grahame's room her brain was in a
+tumult. She had so much of which to think that she found it hard
+to think at all. The discovery that his wealth was so altogether
+beyond anything of which she had dreamed as possible; the
+unearthing of his will--from such a hiding-place; the facts she
+had learned of Margaret Wallace, and which she had herself
+embroidered--these things were in themselves enough to occupy
+her mind to its full capacity for some time to come. Yet they
+were far from being all she had to think about. The miniature,
+in its jewelled setting--especially the jeweled setting!--was
+likely to be a subject of covetous contemplation until--well,
+until something had happened to it, or to her. Then there were
+the pillars in the fireplace. Something--she could not have told
+what--had filled her with the conviction that the recess behind
+the sliding panel was not the only hiding-place the room
+contained. She was possessed by a desire to examine those four
+rounded posts--to examine them closely--to ascertain whether in
+their construction there was anything peculiar.
+
+But beyond and above all these sufficient causes for mental
+agitation there was still another, one far greater--the will she
+might have to draft, which she felt certain she would be asked
+to draft. The idea which she had at the back of her head, which
+had prompted her suggestion, was of such a character that it
+almost frightened her. Like Cuthbert Grahame, she wanted time
+and opportunity for thought. She had it in contemplation to risk
+everything upon the hazard of a single throw--everything, in the
+widest sense of that comprehensive word. To put her notion into
+execution needed courage of a diabolical kind. Failure involved
+utter and eternal ruin. Success, on the other hand, would bring
+in its train all the pleasures of which she had scarcely dared
+to dream.
+
+On her return from her walk, having learned that Gregory Lamb
+had not put in the appearance she had feared, she had sent the
+two maids on an errand. They were raw, country wenches,
+ignorant, slow-witted. It seemed hardly likely that, under any
+circumstances, she would find them dangerous, yet she was
+strongly of opinion that it was advisable, if, as was possible,
+the deserted Gregory did call, that she should be the person to
+receive him. Nannie was still confined to her room, so that
+Isabel had but to be rid of the underlings to have practically
+the whole house at her mercy.
+
+It has been said that small things make great generals, since it
+is the eye for trivial details which wins big battles. The
+little act of foresight which prompted Isabel Lamb to clear the
+premises of that pair of Scotch wenches not impossibly changed
+the whole course of her life--not because what she had foreseen
+happened; what actually occurred she had not even looked for.
+
+The dining-room had a large bay window which commanded the path
+leading to the front door. As she stood there, with her brain in
+a state of almost chaotic confusion, something caught her eye--a
+figure on the carriage drive. It was still at some distance; it
+disappeared nearly as soon as she saw it. She kept her glance
+fixed on its vanishing point. As for some moments nothing was
+visible, she was beginning to suppose that she must have been
+mistaken, when she saw it again. It was still to a great extent
+hidden by the trees and brushwood, but it certainly was there.
+Isabel instinctively drew back, although in any case she must
+have been entirely invisible. Instantly her brain became clear.
+The perception of approaching danger, which had on her the
+effect of bracing her up, restored to her at once the full use
+of her faculties.
+
+"Is it Gregory?" she asked herself.
+
+If it had been he would have had a warm reception. But it was
+not, as was immediately made clear. The figure was that of a
+woman--reaching a point where the ground was clearer, she could
+be plainly seen. She was walking very fast, with long, even
+strides.
+
+"Who is it?" the woman at the window asked herself. "It can't be
+one of the girls--they won't be back for a couple of hours or
+more. I know them! Besides, they don't move like that. Nothing
+feminine's been near the place since I've been in it. So far as
+I know, there's nothing feminine hereabouts to come. As for
+callers, we don't have them. What's likely to attract a woman to
+a house like this? Why, I do believe it's a lady--that dress was
+never made in this parish. And--she's young! Where on earth have
+I seen her before? I have seen her, but where? My stars!--the
+miniature! It's Margaret Wallace!--come to see the man she
+jilted! Here's a nice to-do!"
+
+The approaching figure had come clear of the carriage drive, and
+was now in full sight. As Isabel had acknowledged to herself, it
+was unmistakably that of a lady. The dress might be proof itself
+to another woman's keen perception, but there was other evidence
+as well. The way in which the stranger bore herself--her
+carriage, the easy grace which marked her movements, at least
+suggested breeding. As the face became visible all doubt was at
+an end. This was certainly a lady who, as it seemed, was coming
+to call.
+
+Was the purport of her presence here merely to pay a passing
+call? Did she simply wish to make a few inquiries, and then
+return from whence she came? Would she be content with a few
+more or less civil words being spoken to her at the partly open
+door, or would she insist on entering and being allowed to visit
+Cuthbert Grahame in his room? In that case Isabel's domination
+would be at an end. The chances were that those two had but to
+exchange half-a-dozen words, and the castle which she had
+already in imagination builded would resolve itself into an
+edifice even less substantial than a house of cards. The wild
+scheme of which she had conceived the embryo would never move
+from that condition. The situation out of which she had
+determined to wrest a great opportunity would be there and then
+at an end if Margaret Wallace won her way past that front door.
+
+But would she win it? The fates were on Isabel's side. Nannie
+upstairs helpless in her bed; Cuthbert Grahame still more
+helpless in his; the two girls out--Margaret Wallace would have
+to reckon with her. Isabel overrated herself if, in such a
+contest as was likely to ensue, she did not prove the better of
+the pair.
+
+A sudden thought occurring to her she hurried into the hall. By
+some fortunate chance the front door was closed, so that she
+remained unseen by the approaching visitor. She remembered that
+she had closed it when she herself had come in; as a rule it
+stood wide open. If it had been then it would have been
+impossible for her to perform the part she proposed to play. As
+soon as she reached it she turned the key--only just in time.
+Within thirty seconds the handle was tried by some one on the
+other side.
+
+"That settles it," observed Isabel to herself. "I didn't look at
+the face in the miniature so closely as all that, it was the
+setting which occupied me. I might have mistaken the likeness,
+and it mightn't have been Margaret Wallace after all. But the
+style in which she turned that handle gives her away. She's come
+in and out of this house too often not to be aware that, even if
+the door does happen to be shut, you've only got to turn the
+handle to come in. When she found that it wouldn't open, I'll
+bet that she had a bit of a shock. Holloa! it seems that she
+can't believe it now. I daresay it's the first time in all her
+life that she's found that door closed against her."
+
+Something of the kind did seem possible. The person on the other
+side was giving the handle various twists and turns, as if
+unable to credit that the door was actually locked. It was only
+after continued efforts that the fact was realised. There was an
+interval, as if the person without was considering the position.
+
+"Now what'll she do?" wondered Isabel. "Go round to the back,
+and see if she can't get in that way? She won't think it a
+possible thing that both doors can be locked. The odds are that
+she's come in one way as often as the other. She won't come in
+that way this time, and so I'll show her."
+
+On stealthy feet Isabel, stealing to the back of the house, both
+locked and bolted the door which gave ingress to the house on
+that side. As she was ramming the top bolt home a bell clanged
+through the house followed by the rat-tat-tat of a knocker.
+
+"So she's concluded not to give herself the trouble of trying
+the back door, at least for the present. Now what'll I do? One
+thing's sure, I'm not going to be in any haste to answer either
+her ringing or her knocking. Possibly if no one does answer
+she'll be tricked into thinking the house is empty." The bell
+and knocker were audible again.
+
+"She's pretty impatient; she doesn't give a person over-much
+time to answer, even if one wanted to. What a row that bell does
+make--sounds as if it were rusty. I daresay it isn't rung more
+than once a year. It'll startle those two upstairs--it's a time
+since they heard it. There she is again. She'll hurt that bell
+if she isn't careful. I'd like to hurt her--if she doesn't watch
+out I will before she's finished. That's right, my dear, give
+another pull at it! Pretty rough on Grahame. If he only knew who
+was ringing what wouldn't he give to get at her--especially if
+he understood that this is the only chance he'll ever have; and
+to have to lie there like a log, and let it slip between his
+fingers! As for Nannie--that old woman's got the nose of a
+bloodhound--I shouldn't be surprised if she smells who's at the
+door. If she does I shouldn't wonder if, broken leg or no broken
+leg, she tumbles out of bed and tries to get down somehow to
+open it. She hadn't better. She'll break it again if she
+does--if I have to help her do it! No one's going to interfere
+with that door but me! I'm not going to have her hammering and
+clanging till those two girls come back, that won't suit my book
+at all. And as she looks like doing it the sooner I get rid of
+her the better."
+
+The upper panels of the front door were of coloured glass, the
+panes, which were of different hues, shapes and sizes, being set
+in leaden frames. While it was possible for whoever was within
+to obtain a vague impression of some one without, it was
+impossible for whoever was without to see anything of the person
+within. It was of this fact that the quick-witted Isabel
+proposed to take advantage. Among the various accomplishments
+which fitted her, in her opinion, to shine in the halls was that
+of mimicry. Drawing close up to the glass panels she exclaimed,
+in tones which were intended to represent the broken-legged
+Nannie's--
+
+"Who's that as wants to break the bell of a decent body's
+house?"
+
+That the assumption was not entirely unsuccessful was shown by
+the response which came instantly from the other side of the
+door.
+
+"Is that you, Nannie? You silly old thing! Where have you
+been? What have you been doing? And why have you locked this
+door?--open it at once!"
+
+"And to whom will I open it, please?"
+
+There came a peal of girlish laughter as a prelude to this
+reply.
+
+"Nannie, you are an old stupid! Do you mean to say that you
+don't recognise my voice as well as I do yours? Why, I'm Meg
+come back to see you again!--open the door at once, you goose!"
+
+"I'll no open the door this day."
+
+"Nannie!"
+
+"Margaret Wallace, I tell you I'll no open the door for you this
+day, so back you go from where you came."
+
+"Nannie! how can you speak to me like that! How dare you!"
+
+"I'm but obeying Mr. Cuthbert's orders, and it's not fear of you
+that'll stay me from doing that."
+
+"Do you mean to tell me that Cuthbert Grahame forbade you to let
+me into the house?"
+
+"He did a great deal more. He said that if you ever came near it
+he'd bring half-a-dozen dogs to set them at you. So take
+yourself off, and be quick about it."
+
+"But, Nannie, I don't understand."
+
+"None of your lies! It's plain enough! So be off to where you're
+wanted--if it's anywhere."
+
+"But, Nannie, what have I done that you should speak to me like
+this? You always used to take my part."
+
+"It's no part of yours I'll ever take again. Are you going?"
+
+"I only want to talk to you. If you'll only open the door I
+promise you I won't try to get in if you don't want me to."
+
+"I can have all the talk I want with you as we are. Will you be
+off?"
+
+"Won't you let me have one look at you, Nannie, and give you
+just one kiss?"
+
+"I'll have none of your kisses, and I never want to look at you
+again till you're lying in your coffin."
+
+"Nannie! there's something about the way you talk which I don't
+understand. It's not you to speak to me like this. I insist upon
+your opening the door. I don't believe Cuthbert Grahame ever
+told you not to--I know him too well to think that's possible. I
+shall keep on ringing and knocking till you do open, and so I
+tell you."
+
+"Then you'll keep on some time, I promise you that. I know what
+Mr. Cuthbert's orders are better than you. If I was to empty his
+gun at you I'd only do what he'd wish me to."
+
+"Nannie! But, Nannie, I've come all the way from London. It's a
+very long way, and costs a deal of money, and nowadays I haven't
+much money, as you know. You're not going to send me back like
+this."
+
+"Is it the fare back to London that you're wanting? If it's to
+beg you've come, I'll give you the fare out of my own pocket, so
+that Mr. Cuthbert may be rid of you in peace."
+
+This time in the girlish voice there was a ring of unmistakable
+indignation.
+
+"Nannie! you're a wicked old woman! I believe that you've some
+wicked scheme in your head of which Cuthbert Grahame knows
+nothing. You sound as if you were capable of anything. If you
+don't let me in this moment I'll get in without your help."
+
+"How are you going to do that, pray?"
+
+"Do you think I can't? I'll soon show you! If you think I'm
+still a foolish girl to be tyrannised over by you, you're very
+much mistaken. I won't believe that Cuthbert Grahame doesn't
+wish to see me till he tells me so with his own lips."
+
+
+
+
+ CHAPTER XI
+
+ HOT WATER
+
+
+A hand was raised on the other side of the door and brought
+smartly against the glass. The whole panel shivered; the blow
+would only have to be repeated two or three times to destroy it
+altogether. Whipping the key out of the lock, Isabel hurried up
+the staircase, slipping it into her pocket as she went. Although
+she had no fear of an entry being made, she was very far from
+desirous of being seen. That would involve the discovery of the
+fraud she had been practising. If Miss Wallace learned that it
+was not Nannie who had been addressing her in such
+uncompromising terms, it was scarcely likely, even if driven by
+force from the house, that she would leave the neighbourhood
+without effecting her purpose of seeing Cuthbert Grahame. So
+Isabel, determined that that should not happen, resolved to
+adopt extreme measures.
+
+When she gained the top of the stairs she could already hear the
+glass shivering in the door below. Rushing into the bath-room,
+snatching up a couple of pails which the not too tidy maids had
+left there, and filling them at the tap, she strode with them to
+the landing-window which overlooked the entrance. She had filled
+them at the hot-water tap, and the steam came against her hand.
+
+"It isn't very hot," she told herself. "There's just enough
+sting in it to make her a little warmer than she is already."
+
+The window was wide open. She peeped out to see that the girl
+was immediately below. Balancing both pails on the sill she
+turned them over together. That the contents had reached the
+mark was immediately made plain by the cries which ascended from
+below.
+
+"Nannie! Nannie! you've scalded me! you've scalded me!"
+
+Isabel replied, still taking care not to allow so much as the
+tip of her nose to be seen through the window--
+
+"I'll scald you again in half a minute--you'll find the water's
+boiling next time, I promise you. What's more, I'll take Mr.
+Cuthbert's gun to you, as he bade me. You shameless hussy! to go
+breaking his windows because he won't have you set your foot
+inside the house that you've disgraced!"
+
+This diatribe from the supposititious Nannie was followed by
+silence below. Isabel, who found the suspense a little trying,
+was half disposed to venture on a glance to learn what was
+taking place. Unmistakable sounds, however, arose just as she
+had made up her mind to run the risk. Margaret Wallace was
+crying. Presently she exclaimed, in tones which were broken by
+her sobs--
+
+"I'm going, Nannie. You needn't trouble to get Mr. Cuthbert's
+gun, nor to wait till the water's boiling. Whatever Mr.
+Cuthbert's orders may have been--and I know I've used him badly,
+and deserve anything from him--I never thought you'd have
+treated me like this. I've never done you any harm, and you've
+always pretended that you loved me. I hope you'll never regret
+driving me away like this from the house that has always been a
+home to me! Oh, Nannie! Nannie!"
+
+The girl uttered the last two words in such poignant tones that
+Isabel thought it extremely possible that they penetrated to the
+woman to whom they were actually addressed. After a moment's
+interval footsteps were audible below. Then, as Isabel drew back
+behind the curtain, she could see through the loophole that
+Margaret Wallace was returning whence she came. She moved with a
+very different step to that which had marked her approach. Her
+feet seemed to lag, her head hung down, and she kept putting her
+hand up to her eyes to relieve them of blinding tears. Her
+attitude was significant of the most extreme despondency.
+Apparently some remnants of her pride still lingered. It was
+probably those fragments of her self-respect which prevented her
+from once looking round to glance at the house from whose
+precincts she was being so contemptuously dismissed.
+
+Isabel watched the defeated mien which characterised the girl's
+whole bearing in the moment of her humiliation with a smile of
+triumph.
+
+"That's one to me. It's on the cards that it's the one that's
+going to win the game. I guess she's feeling pretty bad. It
+can't be nice, if your pockets aren't too well lined, to come
+all the way from London just for this. I daresay she meant to do
+the conscience-stricken act--tell him how sorry she was, ask his
+forgiveness, have an affecting reconciliation, and all that kind
+of thing. I expect she was drawing pictures of how it all was
+going to be as she came along in the train. I rather fancy those
+pictures won't get beyond the outline. She'll be trying her hand
+at sketches of another kind as she goes back again. I wonder how
+she'd feel if she knew how she's been bluffed by an insolent
+adventuress, and that Nannie hadn't had a hand in the game at
+all. She'd feel pretty mad! I wonder how Nannie feels if she so
+much as guesses at what's been going on. I'll give the old lady
+a call; and I'll call on Mr. Cuthbert Grahame. But before I do
+that I think I'll write a few lines on a sheet of paper--on a
+couple of sheets."
+
+Before she quitted her post of observation the unhappy girl had
+vanished from sight. Isabel waited for some minutes after she
+had disappeared lest something should transpire which might
+cause her to change her mind and return. As time passed and
+nothing more was seen of her, Isabel decided that she had gone
+for good. Descending to the dining-room, seating herself at a
+writing-table, Isabel drew from a drawer two large sheets of
+paper, similar to the one contained in the envelope which
+Cuthbert Grahame had instructed her to take from behind the
+sliding panel. On one of these sheets she wrote, in her large,
+bold, round hand, a facsimile of the will which marriage had
+rendered invalid.
+
+"I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Margaret Wallace,
+absolutely, for her sole use and benefit." When she had finished
+she surveyed what she had written, then added--"With the
+exception of five thousand pounds in cash, which I give and
+bequeath to Isabel Burney, and which it is my wish shall be paid
+to her, free of legacy duty, within seven days of my being
+buried".
+
+"That only needs his signature and the signatures of the
+witnesses. Shall I date it, or leave the date open? I think I'll
+be safe in dating it to-morrow. Now for another document very
+much like it, but not quite, though as far as appearance goes it
+must be as exactly like it as it can be conveniently made."
+
+She then wrote on the second sheet what was, with some slight,
+but important, differences, an exact reproduction of the words
+she had written on the other.
+
+"I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Isabel Burney"--she
+hesitated, then wrote--"whom I have acknowledged to be my wife,
+in the presence of Dr. Twelves and Nannie Foreshaw, absolutely,
+for her sole use and benefit"--she hesitated again, and this
+time added--"with the exception of five farthings in cash, which
+I give and bequeath to Margaret Wallace, and which it is my wish
+shall be paid to her, free of legacy duty, within seven days of
+my being buried."
+
+"That also needs but the signatures and--a little ingenuity."
+She had made them, in all respects, so much alike, fitting into
+the same space the extra words on the second sheet that at a
+little distance it was easy to mistake one for the other. "Now
+we'll tear up that old thing, which my appearance on the scene
+was so unfortunate as to spoil, and we'll put the new will in
+its place--with its brother."
+
+She did as she said, folding up the two sheets in precisely the
+same creases, putting them into the one envelope. Then she went
+upstairs to see Nannie.
+
+The old lady's leg bade fair to be a long time healing, nor was
+a cure likely to be hastened by her impatience and general
+unwillingness to take things easily. So soon as Isabel put her
+head inside the room, Nannie, sitting up in bed, aimed at her a
+volley of questions.
+
+"Why haven't you been here before? What's all the clatter been
+about--like as if the house was coming down? Such ringing and
+hammering I never heard the likes of. What's been the meaning of
+it all? Where's them two girls? Why didn't one of you open the
+door, like as if it was a Christian house? Why did you suffer
+such a hubbub--enough to disturb the countryside? Who's been
+talking in a voice like a cracked tin trumpet?"
+
+It occurred to Isabel that the last analogy was unfortunate,
+since a "cracked tin trumpet" was a not inadequate description
+of the screech in which Nannie herself was even then indulging.
+The old lady presented a peculiar spectacle--in a huge, ancient
+nightcap, tied in a big bow beneath her chin; a vivid tartan
+shawl about her shoulders. The visitor replied to the whole of
+the inquiries with an unhesitating lie.
+
+"Nannie, do you know that a dreadful man's been begging, and
+trying to force his way into the house. If I hadn't turned the
+key just in time I don't know what would have happened." She did
+not, but the happenings would have run on different lines to
+those which she suggested. "As it was he broke the front-door
+window, and I had to pour a couple of buckets of water over him
+before he'd go."
+
+"A man been begging, and trying to force his way into the house!
+Such a thing's never happened in all the days I've known the
+place."
+
+"I daresay I expect it was some one who's heard that you were
+confined to your bed, and thought that I might be easily
+tackled. He's found out his mistake."
+
+"Where's them two girls?"
+
+"I've sent them on an errand. Perhaps he knew that too, and that
+made him bolder."
+
+"I thought I heard a voice I knew."
+
+"That must have been mine."
+
+"Yours! I haven't heard a sound of you. Who was it screeching?"
+
+"That was me. I was imitating your voice, Nannie. You see I
+thought it might frighten him more than mine--and it did."
+
+"My voice! Do you mean to tell me that that rasping, creaking
+screech was meant to be an imitation of my voice? I'd like to
+know whoever heard me talk in that way."
+
+"Why, Nannie, I'm hearing you talk that way now. Don't you know
+your own musical accents when you hear them?--and me giving you
+a taste of them to your face!"
+
+Laughingly, Isabel treated Nannie to another imitation of her
+curious nasal utterance then and there, and was out of the room
+before the old lady had recovered sufficiently from her
+astonishment to pronounce a candid criticism of the impertinent
+performance.
+
+From Nannie Isabel descended to the master of the house, to be
+greeted by some very similar inquiries.
+
+"What's been the meaning of all this uproar?" Isabel repeated
+the lie she had told Nannie. "That was no man's voice I heard.
+It was a woman's, and I could have sworn one I knew."
+
+"I expect the voice you thought you knew was Nannie. I was
+favouring the ruffian with as close an imitation of her genial
+tongue as I could manage."
+
+"That's not what I mean. I heard you imitating Nannie. Will you
+swear it was a man at the door?"
+
+"Of course I'll swear it. Whatever do you mean?"
+
+"What was he like?"
+
+She seemed to consider.
+
+"He was rather tall and very broad, with a big red beard. He had
+a cloth cap on the back of his head; his coat over his arm; and
+he carried a huge stick--about as undesirable-looking a person
+to encounter on a lonely road as you could very well imagine. I
+should know him anywhere if I saw him again. Do you recognise
+him from my description?"
+
+"I do not. I heard nothing of any man speaking, the voice I
+heard was a woman's."
+
+"Of course it was; I tell you that that was me imitating Nannie.
+Don't you understand?"
+
+"It was neither your voice nor Nannie's. It was one I have heard
+too often, and know too well, ever to mistake for another. I
+could have sworn it was hers; I could have sworn I heard her
+pronounce my name. I was not dreaming--I could not have been.
+That I should lie here, chained and helpless, and she almost
+within touch of me! Why didn't Nannie go down to the door?"
+
+"Nannie?--she's as helpless as you are."
+
+"Where are those two servants?"
+
+"I sent them out on an errand long ago."
+
+"So that you've had me at your mercy, and if it was her, you've
+had her also. That God should permit it! If you are lying to
+me--and I believe you can lie like truth!--may you soon be
+consigned to hell fire, to rot there to all eternity."
+
+"If the worst comes to the worst, that's a trip on which I hope
+to follow you."
+
+"Swear to me by all that you hold sacred--if there's
+anything!--that it wasn't Margaret Wallace at the door."
+
+"Margaret Wallace!--are you stark mad?"
+
+"I believe you're tricking me! I believe I heard her voice! I
+believe I heard her pronounce my name!"
+
+"If I had thought that you could have got such an idea into your
+head as that, I'd have thrown the door wide open, and invited
+that murderous ruffian to walk upstairs to you. Then you would
+have seen how much he was like Margaret Wallace--that is, if
+she's anything like the picture which you showed me. You've been
+talking and thinking so much about Margaret Wallace that you've
+got her on the brain. Do you think that if it had been her I
+wouldn't have brought her right up to you? You're very much
+mistaken if you do. I'm no saint, any more than you are, but I'd
+no more rob a woman of her happiness than you would--perhaps not
+so much. You did try to rob her, and you got me to be your
+accomplice--blindfold, as it were. If I'd known what you've told
+me this afternoon I'd have seen you--and old Twelves!--the other
+side of Jordan before I'd let you make a tool of me. Now that I
+do know, I won't rest quiet till you've put her back into the
+position in which she was before. Here's that will I spoke to
+you about. It's the same as the one which was spoilt, except
+that it leaves me five thousand pounds. Five thousand pounds
+will be of no consequence to her, while it will make all the
+difference in the world to me. After the way in which you've
+treated me I ought to have something, and that's the something I
+mean to have."
+
+Taking out the will which left everything to Margaret Wallace
+except the Ł5,000, she held it out in front of Cuthbert Grahame.
+He read it through.
+
+"That seems all right. Will you help me sign it?"
+
+"Of course I'll help you sign it--now if you choose, though I've
+dated it to-morrow, because I thought that would give you a
+chance to think things over. I tell you that I shan't rest till
+that girl's back into her own again." For some moments he was
+silent, then he said--
+
+"Perhaps I was mistaken."
+
+"Mistaken about what?"
+
+"Perhaps it wasn't her voice I heard."
+
+"Man, I tell you you were dreaming."
+
+"Perhaps I was. If you'd driven her from the door you'd hardly
+bring me a will like that directly after. Even if you'd let her
+in, you might have guessed that she wouldn't have wanted to rob
+you of your five thousand."
+
+"Of course she wouldn't, any more than I wanted to rob her. We
+women are not so bad as that, whatever you men may think."
+
+"Put the will under my pillow--gently--with her miniature. As
+you say, I'll think things over. Maybe I'll sign it to-morrow."
+
+
+
+
+ CHAPTER XII
+
+ SIGNING THE WILL
+
+
+Cuthbert Grahame did sign his last will and testament on the
+morrow, though hardly in the fashion he intended. The way in
+which he was tricked was this.
+
+Before the woman who called herself his wife went down to her
+breakfast she paid him a morning call. He had had a more restful
+night than usual, so that he was in an exceptional good-humour.
+The sight of her seemed almost to give him pleasure. She was all
+smiles and sweetness, which were real enough, since she hoped to
+be shortly in possession of a boundless stock of happiness. He
+began on the subject directly he saw her.
+
+"I'll sign that will of yours."
+
+"That's right; so you shall. But won't you wait till after
+breakfast, then we can have up Jane and Martha to be witnesses."
+
+Jane and Martha were the two serving-maids whose absence
+yesterday had been so opportune.
+
+"I'll wait. You'll have to have me propped up a little higher; I
+shan't be able to sign like this."
+
+"I'll see to that; I'll do everything I can." And she did. She
+communed with herself as she ate a substantial meal. "Propped
+up? I'll see he's propped up high enough, I promise him--the
+higher the better. He can't be propped up high enough for me. It
+seems a dangerous game to try to change one paper for the other
+right under his very nose, but I fancy I know how it can be
+done--and with complete impunity. If he could move so much as a
+finger it might be difficult, but propped up as he'll be he'll
+be wholly at the mercy of my two hands. I think they're skilful
+enough for the job they've got to do." Spreading out the second
+sheet of paper on the breakfast-table in front of her, she
+studied it carefully, with every appearance of complacency.
+"Such a little difference and yet so much--only the substitution
+of one word for another, and all the world is changed. I think
+'whom I have acknowledged to be my wife in the presence of Dr.
+Twelves and Nannie Foreshaw' is a positive stroke of genius. It
+commits me to nothing, and establishes my position, because
+while he admits his desire to claim me for his wife, there is no
+reference to any wish on my part to have him for a husband. The
+only trouble will be to prevent his noticing the difference in
+the appearance of the two papers, which, however neatly I've
+done it, is the necessary consequence of inserting those few
+words. But I think I know how to manage that."
+
+She did; she credited herself with no capacity which she did not
+possess. In every respect she proved herself to be fully equal
+to all the requirements of the occasion.
+
+She returned to Cuthbert Grahame's bedroom so soon as she had
+finished breakfast, the personification of brisk, hearty
+good-humour.
+
+"Now are you ready? Shall we get to business? Is the will still
+underneath your pillow? Shall I get it out?" She took from its
+resting-place the paper which he supposed himself to be about to
+sign. With the aid of some pillows she raised him to a more
+upright position. Then she spread the paper out in front of him.
+"You see, there's the will. Is that just as you want it to be?"
+
+He read it through.
+
+"That's all right."
+
+"Then I'll call up Martha and Jane to act as witnesses, and then
+you'll be able to sign it in their presence." She called up the
+two girls, who came up rubbing their hands on their aprons. She
+said to him, "Hadn't you better explain to them what it is you
+want them to do?"
+
+He explained.
+
+"I'm going to make a new will. Mrs. Grahame,"--he paused; one
+almost suspected him of a desire to give the name satiric
+emphasis--"has been drawing up a will at my dictation. I'm going
+to sign it. I want you to act as witnesses of my signature.
+Stand close to the bed so that you can see what I am doing. My
+dear"--this was to Isabel; again there was the hint of an
+ironical intention--"if you will bring me the will which you
+have been so good as to draft for me I won't keep these young
+women a moment longer than I can help."
+
+She brought him the will--or, rather, a will. It was spread out
+on a slope, and covered with a sheet of blotting-paper on which
+she kept her fingers to prevent it slipping. Only the last four
+lines were visible--"it is my wish shall be paid to her, free of
+legacy duty, within seven days of my being buried". What went
+before was hidden; the familiar conclusion seemed to be all that
+he cared to see. Leaning over him, raising his right arm, as
+gingerly as if it had been a piece of delicate porcelain, she
+placed his dreadful, helpless fingers somehow about a pen. He
+spoke to the two girls.
+
+"As you know, I can do nothing by myself, so Mrs. Grahame, at my
+request, is going to guide my hand so as to enable me to sign my
+will. You understand, it is I who am signing it, not she."
+
+It was a strange signature--"Cuthbert Grahame," in big,
+sprawling letters; some of them unattached to each other, all
+slanting in different directions. The owner of the name,
+however, seemed to view the result with undiluted satisfaction.
+
+"That's my signature--clear enough for any one to read. Now I
+want you two girls to attach your names as witnesses to the fact
+that I have signed my will in your presence."
+
+Isabel removed the slope to the writing-table against the wall.
+Then each of the girls wrote her name in turn. When they had
+done so they left the room. So soon as they had gone Cuthbert
+Grahame spoke to Isabel.
+
+"Now let me have a look at that will of mine in its finished
+condition. Thank goodness it is done. It's a weight off my
+mind--a relief for which I have to thank you."
+
+Isabel stood at the writing-table, looking down, with a smile on
+her face, at the paper he had signed.
+
+"Do you say that you want to see your will now that it's all
+signed, sealed and finished?"
+
+"Yes; didn't you hear what I said? Then I want you to put it
+under my pillow. I'll show it Twelves when he comes. He'll laugh
+when he sees it."
+
+"I expect he will laugh. Is Dr. Twelves coming to-day?"
+
+"He said something about it. If not, then he'll be here
+to-morrow. It will keep till then."
+
+"Oh yes; it will keep till then."
+
+"What are you waiting for? Why don't you bring the will? Don't I
+tell you I want to read it again?"
+
+She went to the bed, the sheet of paper extended between her two
+hands.
+
+"Here's your will, Mr. Grahame; by all means read it again."
+
+He read it, once, twice, then again. Then he tried to speak. It
+seemed that his voice failed him. It was not pleasant to notice
+the stammer which seemed to mark his struggles for breath.
+
+"What--what folly's this? That's not the will I signed."
+
+Her eyes were dancing with laughter. There was a merry ring in
+her voice, as if she was in the enjoyment of an excellent joke.
+
+"Oh yes, it is."
+
+"It's not the one you drafted."
+
+"Oh yes, it is."
+
+"It isn't the one you showed me just now."
+
+"Isn't it? Are you quite, quite sure?"
+
+"Of course I'm sure! It's a trick!--a fraud! This is not my
+will!"
+
+"But, dear Mr. Grahame--I noticed how you called me your
+dear!--it is your will. Here's your signature, attested by two
+witnesses. After all, there's only a slight difference between
+the one you saw and this."
+
+"A slight difference, you--you----!"
+
+In his efforts to find an expletive to fit the occasion, his
+struggles for breath became greater. She went gaily on.
+
+"The only difference is that I get everything instead of
+Margaret Wallace, and that instead of my five thousand pounds
+she gets five farthings. Surely the trifling substitution of a
+few words won't matter to you in the least, Mr. Grahame."
+
+It seemed that it mattered a good deal. After a tremendous
+effort he regained some portion of his voice, enough to enable
+him to burst into a string of expletives.
+
+"You--you----! You----! It's a fraud! a----fraud! It's a
+swindle! Don't you flatter yourself that it will stand! Don't
+you think I'll let it stand! Wait till Twelves comes, then I'll
+show you!"
+
+"Wait till Dr. Twelves comes? Suppose he never comes?"
+
+"What do you mean? What are you doing with that pillow?"
+
+"Suppose Dr. Twelves never comes, what is to prevent this will
+from standing?"
+
+"What are you doing with that pillow, you----!"
+
+"I'm going to stop your saying such dreadful things. It pains me
+to have to listen to such language."
+
+She snatched away one pillow from beneath his head, and then a
+second. She had propped him in such a way that when he was
+deprived of their support his head fell back, and there recurred
+the scene of the previous afternoon. He began to choke; his
+unwieldy frame was shaken by convulsive efforts to breathe;
+stertorous gasps proceeded from the region of his chest. He
+presented a dreadful spectacle.
+
+The sight did not seem to in any way affect the woman who was
+standing by his bed, with the pillows still in her hand. She
+pressed the bolster farther up his back so that his head
+declined at an acute angle; applying her palm to the point of
+his chin she forced it lower still. Then she said--
+
+"I'll place the will as you wished me, Mr. Grahame, under your
+pillow".
+
+She placed it there, under the single pillow which remained;
+then she left the room.
+
+
+
+
+ CHAPTER XIII
+
+ THE ENCOUNTER IN THE WOOD
+
+
+Isabel crossed to her own room, put on her hat, smiling at
+herself in the looking-glass as she arranged it to her
+satisfaction, then went downstairs, and out of the house without
+a word to any one. It was perhaps because she was conscious that
+Martha was peeping at her through the stillroom window that she
+began to whistle. She was still whistling one of the latest
+possible melodies when, entering the drive, she turned off among
+the trees and struck into the woods. Whistling was one of her
+accomplishments: she whistled very well. The sound of her clear
+pipe travelled far and wide. No one to hear her, or, for the
+matter of that, to look at her either, would have supposed that
+she had a care upon her mind. She bore herself like some
+lighthearted, happy girl, who, with unstained conscience, looks
+the whole world in the face, thinking what a delightful place it
+was for a pretty girl to be in.
+
+As a matter of fact it was the bright side of the picture which
+presented itself to her--the bright side only. In imagination
+she saw herself, as she would herself have phrased it, with
+"tons of money" and "heaps of friends"; the bright particular
+star of a radiant circle. Everywhere she was greeted with
+outstretched hands, glad faces and pćans of welcome. Her frocks
+were the most numerous and the "sweetest," her carriages and
+horses were the finest, everything she had was of the very best,
+and she had everything the heart--her heart!--could desire.
+
+With that union of the practical with the imaginative which was
+not the least prominent of her characteristics she there and
+then began to inquire of herself what exactly in her new
+position she should do. To begin with, there was the delicate
+question of what she should call herself. Should she be Mrs.
+Lamb or Mrs. Grahame? Should she revert to her maiden
+patronymic, or should she start life again, with a fresh name
+altogether, one more in consonance with her new position? These
+were points she felt which would depend largely upon
+circumstances; she might not have so much freedom in the matter
+as she might desire. Then there was the question of domicile.
+Where should she reside? One thing was certain, she would not
+stay where she was--nothing would induce her. If she had her own
+way she would never come near the place again--never! As for
+living in his house!--in the middle of her brilliant imaginings
+the mere thought of such a thing seemed to make her blood run
+cold.
+
+On the instant her mood was changed. She stood still, amid the
+trees and bushes. With clenched fists, a new expression in her
+eyes, she looked behind her, first over one shoulder, then the
+other, then to the right and to the left, as if in search of
+something she had no desire to see. A sudden, strange reluctance
+seemed to clog her limbs. She listened: there was only the
+cawing of some distant rooks and the whisper of the breeze among
+the pines. With a laugh at her stupidity, breaking through the
+something which constrained her, she went striding on.
+
+But she had not gone far when a very genuine sound brought her
+to a halt. In itself a commonplace, there it was the most
+unusual of noises: it was the sound of footsteps, of some one
+tramping through the forest. In all the time she had known the
+place she had never heard a step except her own. Could it be
+Margaret Wallace, still lingering about the haunts she probably
+knew well and loved? It would be disconcerting if it were. If
+they met--but that was hardly a woman's step. Could it be the
+doctor? What was he doing in the forest on foot? Besides, she
+had noticed what little pattering steps he took; this person was
+striding.
+
+The walker was hidden from her by a clump of bracken which rose
+to a height of some six or seven feet. He was moving in her
+direction. Should she retreat? It could probably be done, and
+before he caught a glimpse of her. Should she advance and meet
+him? or should she wait until he came to her? While she
+hesitated, the decision was taken out of her hands. The walker,
+threading his way among the bracken, reached a point where the
+stalks were shorter. All at once she found herself confronted
+by--Gregory Lamb.
+
+She stared at him with as much amazement as he stared at her,
+and her amazement was unbounded. Possibly he was the last person
+with whom she would have associated the advancing footsteps; no
+thought of him had crossed her mind. Not improbably, since she
+at least had cause to suspect that he might be in the
+neighbourhood, his surprise was even greater than hers. He stood
+looking at her in bewildered silence, as if unable to believe
+the evidence of his own eyes. When he did speak the observation
+which he made was characteristic.
+
+"Well, I'm hanged!"
+
+Her retort was equally in character.
+
+"I wish you were!"
+
+"I daresay; but I rather fancy that when it does come to
+hanging, where you and I are concerned, it will be a case of the
+lady first. Where the deuce have you been all this time? and
+what on earth are you doing here?"
+
+"What business is that of yours? Do you know you're
+trespassing?"
+
+"What business is it of mine? and do I know I'm trespassing?
+Well, that's pretty good, considering you're my wife, and the
+way you've behaved. Do you happen to know that the police are
+scouring the country for you, and that they're only lying low
+because they think you're dead, or something?"
+
+"It's a lie! You're a natural born liar; you tell nothing but
+lies."
+
+"Don't you think you've a little gift of you're own in that
+direction? I do! It was bad enough to sneak off from me like
+that; but to steal the old girl's money was playing it too low
+down!"
+
+"What are you talking about? What do you mean?"
+
+"You know very well what I'm talking about! Do you think that I
+don't know--and that everybody doesn't know--that you broke into
+Mrs. Macconichie's cupboard and stole her savings? A pretty mess
+I got into because you were a thief! You don't happen to know, I
+suppose, that they locked me up for what you'd done, and that
+they only let me go when I proved that that sort of thing wasn't
+quite in my line."
+
+"Serve you right!"
+
+"What served me right?--locking me up, or letting me go?"
+
+"Anything would serve you right, you brute!"
+
+"Brute, am I? All right, my lady! if that's the way you're going
+to talk to me I'll soon let the police know whereabouts you are,
+and then they'll serve you right. A good taste of prison would
+do you good, you dirty thief!"
+
+"Don't shout like that!"
+
+"Then don't you call me names. I'm not a thief whatever else I
+am."
+
+"I'm not so sure of that. What are you doing here?"
+
+"What do you mean, what am I doing here?"
+
+"I thought you'd gone back to London long ago."
+
+"Then you're wrong, because I haven't; and what's more, I'm not
+likely to go. I've been having a real bad time, that's what I've
+been having."
+
+"Haven't those rich friends of yours sent that remittance you
+were always gassing about?"
+
+"No, they haven't." After a pause, he added, sullenly, "My old
+mother's allowing me a pound a week, and I'm living on that. So
+now you know."
+
+"Honest?"
+
+"It's the gospel truth. So you'll be able to judge for yourself
+how likely I am to be able to get back to London on that,
+especially as she won't let me have a penny in advance."
+
+"A nice sort you are!--after the lies you told me about the tons
+of money you'd got yourself, and the other tons your friends had
+got!--a pound a week!"
+
+"Anyhow I'm not a thief."
+
+"And I shouldn't have been a thief if I hadn't listened to your
+lies; and very well you know it. I've had enough of you; take
+yourself off!"
+
+"Take myself off?"
+
+"Yes, take yourself off, before I tell some one to take you."
+
+"Well! you've got a face! If I do go I'll put the police on to
+you, and then you'll sing a different song."
+
+"You dare!"
+
+"Dare!" he laughed, not pleasantly. "What is there to dare? I'd
+think as little of putting the police on to you as I would of
+putting a dog on to a cat. They'd soon show you your place, you
+thief!"
+
+There was an interval of silence, during which she looked at him
+over the intervening bracken. If looks could kill he would have
+dropped dead where he stood.
+
+"Well, are you going to take yourself off, or am I to tell them
+to take you?"
+
+"Who's them?--tell away! I think that when I tell them you're my
+wife, and that the police have been looking for you for quite a
+while, they--whoever they may be!--won't be so keen to interfere
+with me as you perhaps fancy. There's another thing: you seem to
+be forgetting that you're my wife. When I do go you'll go with
+me."
+
+"Will I? We'll see."
+
+"We will see; or, if you prefer it, it shall be the other way
+about, I'll go with you."
+
+"Will you?"
+
+"It'll have to be one or the other, you may take it from me.
+Well, are you going to call those friends of yours? Are you
+coming with me, or am I to go with you? Which is it to be? I'm
+in no hurry; take your time. I'll have a pipe while you're
+thinking it over."
+
+He filled a pipe which he took from his pocket, while she glared
+at him.
+
+"I'm as strong as you; I believe I'm stronger; I believe I could
+kill you if I chose."
+
+"Be a murderer as well as a thief, would you? I shouldn't be
+surprised. You mightn't find it so easy to bring off this job as
+you did the other; killing a man is not so simple as killing a
+pig, take my word for it."
+
+"Listen to me, Gregory Lamb."
+
+"I'm listening, Mrs. Lamb, and it gives me real pleasure to do
+it."
+
+"I'll make a rich man of you if you'll take yourself off."
+
+He stayed the lighted match on its passage to his pipe.
+
+"You'll make a rich man of me? Now you're singing in quite
+another key. How are you going to do it?"
+
+"I'm staying in the house of a man who's dying."
+
+"Dying is he? Then what does he want you in the house for? Have
+you turned nurse? Is that your latest caper?"
+
+"Never mind what I've turned. He's a rich man."
+
+"What do you call rich?--like me?"
+
+"You fool! He owns all this"--she threw out her arms--"and ever
+so much besides."
+
+"Owns all this? Is it Cuthbert Grahame you're talking about?"
+
+"What do you know about Cuthbert Grahame?"
+
+"Only that I happen to be living in one of his cottages--just
+over there--and a nice hole it is. But you can't expect much in
+the way of board and lodging for a pound a week, especially when
+you want some change left out of it. You're living in Cuthbert
+Grahame's house? Why, then--great Scot!--you must be the woman
+they're talking about who dropped from the skies." A change took
+place in the expression of his countenance which in its way was
+comical. "A pretty sort of she-devil you must be!"
+
+"Now what are you talking about?"
+
+"I know everything. Why, one of the servants up at Cuthbert
+Grahame's--Martha Blair--is the daughter of the people I'm
+lodging with. They talk of nothing else but you. You've been
+passing yourself off as Cuthbert Grahame's wife."
+
+"Well, what of it?"
+
+"What of it?--that's good! First theft, then bigamy!"
+
+"You fool! he's dying."
+
+"I don't see what difference that makes; from what I understand
+he's been dying for years."
+
+"He's made a will in my favour."
+
+"Did he tell you?"
+
+"He did. He's left me everything--every shilling he has in the
+world."
+
+"You're a beauty, upon my soul you are!"
+
+"And I tell you that he's dying while we are standing here. The
+odds are that he'll be dead by the time that I get back."
+
+"How do you know?"
+
+"Then everything he has will be mine--ours."
+
+"Ours?"
+
+"Ours!--yours and mine!--if you can keep a still tongue in your
+head, and keep on pretending that you know nothing about me."
+
+He was trembling.
+
+"What about the Mrs. Grahame?"
+
+"Stuff the Mrs. Grahame! After he's dead I can soon be Mrs. Lamb
+again. What's to stop me?"
+
+"Shall we have to live here?"
+
+She shuddered, involuntarily.
+
+"Live here?--not much! We'll clear out of this in double quick
+time. We'll take a house in London, and live like princes."
+
+He moistened his lips with his tongue.
+
+"You'll act on the square with me?"
+
+"Of course I will, if you'll act on the square with me. Look
+here, there's a ten-pound note for you. It's all I've got about
+me, but as you seem hard up you may find it useful. You go back,
+and unless I'm mistaken by to-morrow morning you'll hear he's
+dead. It won't take me long to put things ship-shape. Don't you
+write or try to see me, unless I give you the office. I'll keep
+you posted in how things are going. And so soon as I can lay
+hands on a good lot of the ready, if you like we'll go up to
+town together, and we'll have a real old spree as we go."
+
+"Belle, you--you're----"
+
+He stopped, as if his vocabulary failed him altogether.
+
+"Yes, I know I am; I'm all that, and more besides."
+
+She laughed, and he laughed. In the laughter of neither of them
+was there any merriment. The sounds they emitted were merely
+mechanical.
+
+
+
+
+ CHAPTER XIV
+
+ IN CUTHBERT GRAHAME'S ROOM
+
+
+On Isabel's return to the house she was greeted on the threshold
+by Martha, the Martha Blair whose connection with Gregory Lamb's
+present place of residence seemed destined to have a
+considerable bearing on Isabel's future life, and, at least, to
+settle the debated question of what her future name and title
+were to be. Martha's whole attitude was significant of some
+great happening. Her hands were raised; it seemed that if
+possible her hair would have been raised too; her eyebrows were
+elevated to quite a perceptible degree. Her eyes and mouth were
+wide open; agitation, of a not unpleasant kind, streamed from
+every pore of her. Behind was Jane, every whit as interested as
+her companion; but as she happened to be both the younger and
+the smaller her opportunities for display were less pronounced.
+Outside stood Dr. Twelves' dogcart; the horse, untended and
+untethered, apparently content to stand still as long as any one
+desired.
+
+Martha broke into speech before Isabel had a chance to plant her
+foot upon the doorstep.
+
+"Oh, Mrs. Grahame, the master! Mr. Cuthbert, ma'am!"
+
+"Mr. Cuthbert, ma'am!" echoed Jane from the rear.
+
+"Mr. Cuthbert? Well, what's the matter with Mr. Cuthbert? Let me
+come in, don't stand there blocking up the way! Do you hear,
+what's the matter with Mr. Cuthbert?"
+
+"He's dead, ma'am--he's dead."
+
+The words broke from both the girls in chorus.
+
+"Dead? What do you mean? What nonsense are you talking? He was
+well enough when I went out. I've never seen him better."
+
+"He's had an accident, ma'am, and it's killed him."
+
+"Accident? How could he have an accident? Is Dr. Twelves in the
+house? Where is he?"
+
+"The doctor is in Mr. Cuthbert's room. He's been there this
+half-hour and more."
+
+She went upstairs to Mr. Cuthbert's room. Her pulse did not
+quicken; inwardly as well as outwardly she remained calm; she
+was a woman whose self-control was above the average; yet she
+was reluctant to enter that room. It was with an effort she
+induced herself to grip the handle; when she had done so she had
+to force herself to give it the necessary twist. Even then she
+lingered on the threshold.
+
+"Who's there?" came the doctor's voice, in accents of inquiry.
+She showed herself.
+
+"What's happened? What's the matter?"
+
+The doctor was standing at the head of the bed. He had something
+in either hand. Instead of replying to her inquiries he looked
+at her from beneath his overhanging brows, as if he had been her
+accuser.
+
+"Why do you look at me like that? Do you hear me ask you what
+has happened? Have you all lost your senses? Why don't you
+answer?" He waved his hand towards the bed. Her gaze followed
+his gesture, with an effort. She knew what she would see; she
+did not want to see it. Instantly her glance returned to the
+doctor.
+
+"Is he--is he dead?"
+
+"Quite dead."
+
+"But I don't understand. When I left him he seemed brighter and
+better than I have ever seen him before."
+
+"He's been killed."
+
+"Killed! What do you mean, he's been killed?"
+
+"Come here, I'll show you." She went a little closer,
+unwillingly. "Come this side of the bed." She did as he bade
+her, with leaden feet. "You see, the pillows have fallen; he's
+been choked."
+
+"But how can they have fallen? They were all right when I left
+him. Has any one been in since?"
+
+"Are you sure they were all right when you left him?"
+
+"Perfectly sure. I tell you I have never seen him in better
+health or in brighter spirits."
+
+"He could not have pushed them from under him himself."
+
+"He might have done it in a fit."
+
+"Perhaps; but it would have had to be a singular sort of a fit.
+You say you are sure they were in their usual position when you
+left him?"
+
+"Why do you ask me that again? Why do you look at me like that,
+and speak in such a tone? Are you suggesting that I have had a
+hand in his death?"
+
+"I am suggesting nothing."
+
+"It seems to me that you are suggesting a good deal, which you
+dare not say right out. At least your manner is peculiar--but
+that it generally is. If you have anything to say, say it--like
+a man!--at once! Don't hint it, like a sneak. I hate your
+underhanded ways."
+
+"I found this under his pillow--his one remaining pillow."
+
+"It's his will. He made it this morning."
+
+"So I am told by the two servants. I perceive it is in your
+writing. Did he dictate to you this document?"
+
+"He did. I wrote it from his dictation, word for word as he told
+me. I wrote it yesterday afternoon. He read it through, and kept
+it under his pillow all night. He signed it this morning."
+
+"It seems odd that, after completing such a will as this, he
+should have immediately died--in such a manner. If he could come
+to life again I wonder what he'd say."
+
+"Give me that will, if you please, Dr. Twelves."
+
+"Hadn't I better hand it to his lawyer for safe keeping?"
+
+"His lawyer? His lawyer is now my lawyer; I will give all
+necessary instructions. The will will be in safe keeping with
+me. Give it me at once." He gave it her. "What have you in your
+other hand? Some more property of mine?"
+
+"It is the miniature of the woman he loved best in the world.
+Don't you think it might go with him, in his coffin, to the
+grave?"
+
+"Give it me. I will give all necessary instructions, as I have
+already told you. Your interference is not desired, nor will it
+be tolerated. To be quite frank with you, Dr. Twelves--it is
+always my desire to be frank and open--I have endured too much
+from you already; I will endure nothing more. The less I see, or
+hear, of you in the future the better I shall be pleased, since
+you are, in all respects, the most objectionable person I ever
+met. Don't you venture to intrude yourself again; if medical
+attendance is required it will be obtained elsewhere. I
+am now the mistress of this house--since there is no master,
+its mistress in the most literal sense. Everything is
+mine--everything. Be so good as to bear that in mind."
+
+He looked at her, and smiled.
+
+"I am not likely to forget that--ever."
+
+She did not know which she liked least--his tone, his look, or
+his smile.
+
+
+
+
+
+ BOOK II
+
+ THE WIDOW
+
+
+
+
+ CHAPTER XV
+
+ "THE GORDIAN KNOT"
+
+
+Mr. Talfourd twiddled the bunch of La France roses between his
+fingers with a smile which was scarcely one of satisfaction.
+They were very fine roses--in just that stage of bursting bud in
+which the La France is seen at its best. In London La France
+roses cost money, even when they are poor examples of their
+kind; those were good enough for exhibition. There were a great
+many of them, and they were tied about with a beautiful green
+ribbon, in charming contrast with the blooms. They had probably
+cost some one at least half a sovereign. They were for him; they
+had cost him nothing; yet they did not seem to afford him
+pleasure.
+
+The fact was he was puzzled. He did not quite know what to make
+of the situation; what he did understand he did not like.
+
+"This gets beyond a jest," he told himself. "Because I happened
+to mention, accidentally, that La France roses were my favourite
+flowers, I didn't expect to find a bouquet of them on my table
+every morning awaiting my arrival. Either it means something or
+it doesn't; either way I don't like it. I'm getting three
+hundred pounds a year in cash for doing I don't quite know what,
+and apparently half as much again in flowers. It won't do--it
+will not do." He gave the unoffending roses an impatient twirl.
+"The point of the joke is that when I said La France roses were
+my favourite flowers I was speaking a little beside the mark. I
+don't know that I have a favourite flower. They're Meg's--I was
+thinking of her at the time, as I generally am. I don't want
+Mrs. Lamb to think that she is giving me flowers, when she is
+really giving them to Meg, to whom I invariably pass them on. I
+don't know that she would really relish the notion of my giving
+her flowers to some one else. Confound her impudence!"
+
+He threw the roses from him on to the table with a show of
+roughness which they, at any rate, had done nothing to deserve.
+As if conscious that his temper was being vented in the wrong
+quarter, picking them up again he regarded them with looks of
+whimsical self-reproach.
+
+While he was still eyeing them the door was opened, and a
+masculine voice inquired from without--
+
+"May I come in?"
+
+Without waiting for a reply the inquirer entered. It was Mr.
+Gregory Lamb. A much more resplendent Gregory Lamb than the one
+whose acquaintance we have previously made. The Gregory Lamb we
+met in the wood was purely an affair of make-believe--not of
+very plausible make-believe. His attire then looked as if it
+wished you to think it had cost a great deal of money--but the
+trained eye knew better. There could be no doubt that everything
+about this Gregory Lamb was the most expensive of its kind--only
+the trained eye knew really how expensive. The impression he
+conveyed was that he had got as much on him in the way of money
+as he conveniently could--probably that impression was not far
+wrong. Yet the result was scarcely satisfactory. Especially was
+this shown to be the case when he brought himself into
+comparison with the man who was already in the room.
+
+Both were young; both bore themselves well; both were
+good-looking; yet there could not be a moment's doubt as to
+which was the pleasanter to look upon. It was not only that one
+was obviously a gentleman, and the other just as obviously was
+not; nor was it that one looked a clever, an intellectual, man,
+and the other emphatically did not; still less was it an affair
+of costume, since Gregory Lamb was overdressed and Harry
+Talfourd's attire was simply plain and neat. It was something
+subtler than any of these things which made the one attractive
+and the other the reverse. Gregory Lamb had never made a friend
+worth having in all his life--and never would; Talfourd made
+friends wherever he went. He could not himself have said why; it
+was certainly not because he tried.
+
+To begin with, Mr. Lamb's manner was unfortunate. His intention
+was to be on terms of hail-fellow-well-met with every one; to be
+no respecter of persons; to be "my dear chap" with Tom, Dick and
+Harry. As a matter of fact, there was an air of patronage about
+everything he said and did which was perhaps the more
+insufferable because unconscious. He came into the room with
+what he meant to be an air of jaunty geniality.
+
+"All alone? I thought you would be. It's not your time for
+receiving visitors, is it? Just come; I heard you knock; must
+have time to breathe before you let them in--eh? Those are fine
+roses."
+
+"They are not bad ones."
+
+"Bad ones!--I should think they weren't. They oughtn't to be; I
+happen to know what my wife paid for them." He laughed, as if he
+sneered. "Sends you them every morning, doesn't she? Standing
+order, I hear. Talfourd, you're in luck."
+
+Mr. Talfourd's manner was as cold as the other's was warm.
+
+"Mrs. Lamb is very kind--kinder than I deserve."
+
+"Perhaps she knows what you deserve better than you do--trust
+her, she's no simpleton. When she takes a fancy she has her
+reasons. I say, old man, I want you to do me a favour."
+
+"I shall be happy to do you a service if I can."
+
+"There's no doubt about the can--not the least in the
+world--you'll find that it's as easy as winking. I want you to
+get my wife to let me go for a little run to Monte Carlo."
+
+"I beg your pardon?--I don't understand."
+
+"It's this way. I'll be frank with you, Talfourd. I look upon
+you as a friend, my boy. I can't go without cash; I'm
+stony-broke; my wife holds the money-bags. You tell her--you
+know how!"--Mr. Lamb winked--"that you think the run would do me
+good, and tell her to give me a thousand to do it with,
+and--I'll do as much for you one day, upon my soul I will."
+
+Mr. Talfourd stared at the speaker in undisguised amazement.
+
+"You credit me with powers of persuasion which are altogether
+beyond any I possess."
+
+"Oh no, I don't"--Mr. Lamb laughed again--"I know better than
+that! You tell her what I've asked you to tell her, and I bet
+you anything I cross by to-night's boat, with notes for a
+thousand in my pocket. She'd send me to the North Pole at a hint
+from you."
+
+There was scarcely such a friendly expression on Mr. Talfourd's
+face as on the other's.
+
+"Are you not forgetting that Mrs. Lamb is my employer? that I am
+merely her servant since I receive her wages?"
+
+"Her servant?"--the laugh again--"I hope she doesn't overwork
+you. Come, Talfourd, be the good sort you are, help a lame dog
+over a stile. I'm spoiling for a flutter, and I'm dead sure that
+the only chance I have of getting it is by means of a helping
+word from you."
+
+"You must excuse me, Mr. Lamb. I am engaged to do clerical work
+for Mrs. Lamb. I should not presume to speak to her on the
+subject you have mentioned."
+
+"Presume?--what ho! Now Talfourd, you're no kid any more than I
+am. You know as well as I do that you can twist my wife round
+your finger. All I want you to do is to give her a twist for my
+particular benefit."
+
+"I can give you no answer but the one I have already given."
+
+"Oh yes, you can--and you will. I'll look in for it to-morrow
+morning--by that time you'll have thought it over. You're
+not so crusty as you make yourself out to be. That'll be
+four-and-twenty hours clean thrown away; and when you're
+spoiling for a burst like I am, that's a deuce of time. But I
+shall have every confidence in your kind offices when you've had
+a chance to see just what I'm driving at."
+
+When Mr. Lamb had retired Mr. Talfourd seemed unhappy.
+
+"Every time that man talks to me I want to kick him. I wonder if
+he affects other people in the same way--the unmentionable
+animal! If, as the husband of his wife, he thinks himself
+entitled to talk to me like that, it's time for me to think
+things over. I must know where I am moving. Three hundred pounds
+are three hundred pounds--I know that as well as any one--but
+they may be earned too dearly. It is one thing to be Mrs. Lamb's
+secretary, quite another to be----" He did not finish the
+sentence even mentally. Sitting down to the table he drew
+towards him the little heap of correspondence which was supposed
+to justify his secretarial existence. There were about a dozen
+envelopes, mostly containing circulars of different kinds. "I
+believe that the letters are examined, and any of the slightest
+importance retained, before they are sent to me. The idea of my
+receiving three hundred pounds a year for opening circulars is
+too thin."
+
+While he sat with both elbows on the table, staring ruefully in
+front of him, the door opened again, and Mrs. Lamb came in.
+
+"At work? I hope I'm not disturbing you."
+
+She had changed more than her husband, whether for the better or
+for the worse was not easy to determine. So far as appearance
+went she had become a much better imitation of a lady. Society,
+or what with her passed as society, had smoothed away some of
+the angles. She had the air of a woman who had to do with many
+persons of different sorts, and had learned to adapt herself to
+them all. One felt that she was probably a popular character on
+the stage on which she had chosen to perform--successful, at
+least within certain limits. One did not wonder that it was so,
+if only because, in her own way, she was good to look at.
+
+That way, however, did not happen to be Mr. Talfourd's--which
+was unfortunate. Indeed, she inspired him with a curious
+feeling. He was afraid of her. It seemed absurd, but he was. For
+one thing, he realised that she was not only a clever, an
+unusually clever woman, but that her cleverness lay in a
+direction in which he was incompetent, and would perhaps
+prefer to be. Again, he felt that she read him like an open
+book, knew him to his finger-tips, while she was beyond his
+comprehension--where, again, he would possibly prefer her to
+remain. He had an uncomfortable suspicion that she saw in him
+something which was not savoury; that her keenest glances were
+continually directed on his weakest points; that it would please
+her to find him an undesirable creature. He had no overt cause
+to suppose this was so. So far she had been to him nothing but a
+friend--a friend in need. But on such a point even the vaguest
+shadow of a doubt was disquieting.
+
+He rose as she came in.
+
+"It is not possible for you to disturb me--I wish it were."
+
+"You wish it were? Why?"
+
+"Because in that case I should be really doing some genuine
+work--which I never am. My post is too much of a sinecure; my
+conscience will not allow me to remain your secretary much
+longer if there continues to be nothing to do."
+
+"You want something to do? You shall have it--very soon--at
+least, I think so. I have been reading your play."
+
+"My play?"
+
+He had noticed that she was carrying in her hand what looked
+like some typewritten MSS., in brown-paper covers. Now, with a
+start, he recognised them as his own.
+
+"'The Gordian Knot.' Mr. Winton gave it me to read."
+
+"Winton! What right----"
+
+He was about to ask what right Winton had to do anything of the
+kind, but perceiving that that would scarcely be a civil
+inquiry, he stopped, not, however, before she understood what
+had been on the tip of his tongue.
+
+"Mr. Winton had every right to give it me to read, as, I think,
+you will yourself admit when I explain. I have, of course, known
+for a long time that Mr. Winton would like to commence
+management on his own account. The other afternoon he told me
+that he had a play which he would produce at once if he could
+only find some one who would furnish at any rate part of the
+necessary capital. I asked by whom it was. He said, 'It's by a
+man named Talfourd--Harry Talfourd'. You may easily believe that
+that did arouse my interest." She said this in a tone which
+seemed to make him go all over pins and needles; it was almost
+as if she had caressed him. "I mentioned to Mr. Winton that,
+given certain conditions, it was possible that I might be
+tempted to enter into such a speculation. He offered to send me
+the MS. It reached me yesterday. I read it last night and again
+this morning--not once, but three or four times. Mr. Talfourd,
+it's first-rate."
+
+"It's very good of you to say so."
+
+"It's not good of me. It's a simple statement of a simple fact.
+If it were rubbish I should tell you so plainly--if you were the
+dearest friend I have in the world. On such matters I have no
+hesitation; and I think you will confess that this is a matter
+on which I do know something. Your play's first-rate. If we can
+agree about terms it shall have an immediate production."
+
+"I hardly know what to say to you."
+
+He did not. On that play he had founded more hopes than he would
+have cared to mention to that friendly lady. Its success would
+mean so much to him, and to the woman he loved. It had gone the
+usual round of the untried dramatist's play. Hope deferred again
+and again had made his heart sick. He had begun almost to
+despair that it would ever see the light. Yet now that he was
+told that if there was only an agreement about terms--as if
+there was any likelihood of a disagreement!--it should have an
+immediate production, he was not at all sure that his feelings
+were what, under the circumstances, he had supposed they would
+have been. It was perfectly true, he did not know what to say to
+her. She was glib enough.
+
+"Say?--say nothing. Let's talk business, and stick to that. I
+mean to. You understand that this is purely a business
+proposition which I am about to make to you, and absolutely
+nothing else. If I go into this matter it will be on strictly
+commercial grounds, and on those only."
+
+"I wish I were sure of it."
+
+"It's not nice of you to doubt my word, Mr. Talfourd; before I
+have finished you will be sorry for having done so. Before
+entering into negotiations for the production of your play, do
+you know what would be one of the preliminary conditions I
+should be disposed to make?"
+
+"I have not a notion."
+
+"That I should be your leading lady."
+
+"Mrs. Lamb!"
+
+"Mr. Talfourd! I presume you are aware that I can act?"
+
+"I know that you have made some successful appearances in--in
+amateur theatricals."
+
+"Mr. Winton will inform you that those amateur theatricals were
+not greatly below the standard of any professional
+representations you have seen. Apart from that--this is strictly
+between ourselves--I may mention that once upon a time I was
+professionally connected with the stage." She did not think it
+necessary to mention with what branch of it. "Your heroine, Lady
+Glover----"
+
+"Lady Glover is hardly my heroine."
+
+"She is the leading feminine character--the pivotal character;
+the one about whom the whole thing turns. To my mind the one
+creature of real flesh and blood."
+
+"I had hoped that Agnes Eliot was a character of some
+importance."
+
+"Agnes Eliot?--pooh!--namby-pamby, bread-and-butter miss! She's
+not bad in her way, and, I suppose, in a pit-and-gallery sense,
+she's the heroine--and not an ineffective one either; but I
+assure you I have not the slightest wish to play Agnes Eliot.
+Susan Stone, who becomes Lady Glover, is a woman who, in the
+face of all obstacles, achieves success; continually confronted
+by difficulties, she treats them as so many Gordian knots; she
+cuts them and walks straight on. Quite indifferent as to the
+means she employs, she always gets there. Considering the
+present craze among actresses for what they are pleased to call
+sympathetic parts, I think you will agree that that is not a
+character which would appeal to every one."
+
+"Certainly. Winton is of opinion that in casting the play the
+chief difficulty would be to find an adequate representative. As
+you say, many actresses don't like to act wicked women."
+
+"I don't know about an adequate representative, but I'm quite
+willing to act Lady Glover, and, although I say it myself, I
+think you'll find that I shall be equal to the occasion. Indeed,
+I am ready to make a sporting bet with you that, in my hands,
+Lady Glover will take the town by storm. There's a popular
+fallacy that people don't like wicked women--it is a fallacy.
+When they're of the right brand, they love 'em--especially men.
+Give me a chance, and I'll prove it. I'll guarantee that
+seventy-five per cent, of masculine playgoers shall fall in love
+with Lady Glover--if I play her. What do you say?"
+
+"I don't understand why you should wish to play her."
+
+"How's that?"
+
+"The answer seems so obvious. You--a lady of position, of
+fortune, with troops of friends!"
+
+"Change, Mr. Talfourd, is the salt of life. I'm very fond of
+salt. Before I read your play I had no more idea of doing
+anything of the kind than I had of flying to the moon. But Lady
+Glover went straight to my heart. I saw at once what magnificent
+fun it would be to give to the stage a really adequate
+representation of the naughty feminine. I knew I could do
+it--and I can. So why shouldn't I?"
+
+"You understand that Mr. Winton has the refusal of the play, and
+that I should first have to consult him."
+
+"Of course I understand that Winton has the refusal of the play,
+and of course I understand that you will have to consult him.
+I'm not afraid of Winton. He shall be the leading man, and cast
+the other parts as he pleases. I'll be Lady Glover, and find the
+money. I'll be an ideal Lady Glover. I believe in your heart you
+know it. Winton and I between us will make of the play a
+monstrous success, and so your fortune will be made, and a few
+shillings added to my own. I should dearly like to make your
+fortune, if only for one reason--because you don't like me."
+
+"Mrs. Lamb!"
+
+"Which is the more odd, because men generally do. Do you
+remember our first meeting?"
+
+"I'm never likely to forget it."
+
+"You don't say that in a tone which suggests an unsophisticated
+compliment. I had read that thing of yours in the _Cornhill_.
+Frank Staines said that he had the honour of your acquaintance;
+that you were clever on quite unusual lines--as he put it, 'a
+cut above the market'--and that in consequence you'd been having
+a pretty rough time. You recollect that it was at an early stage
+of our acquaintance that I offered you the post of private
+secretary."
+
+"I wonder if, when you did so, you knew that I'd nearly reached
+my last shilling?"
+
+"I'd an inkling. If you hadn't you'd have said no." This was so
+literally the truth that he was silent. She understood him so
+much better than he did her. He had an irritating feeling that
+she was treating him as if he were some plastic material, which
+she was gradually fashioning into the shape she desired. "I've
+done you nothing else than good turns----"
+
+"I know it, quite well."
+
+"And yet, actually, I believe, on that account, you seem to
+dislike me more and more."
+
+"I do assure you, Mrs. Lamb, that you are wrong. I do hope I'm
+not the blackguard you seem to imagine."
+
+"I am not wrong, Mr. Talfourd--in a matter of that sort I seldom
+am. And you're not a blackguard; you're altogether the other
+way. It's a case of Dr. Fell--the reason why you don't like me
+you cannot tell. It's not your fault at all--it's sort of
+congenital. Don't worry! But that being so, since I have already
+done you one or two good turns, it would be delightful to be
+able to do you a crowning good turn--to make your fortune; to
+make you the most successful man of the day--you, the only man I
+ever met who really did, and does, dislike me.
+
+"Mrs. Lamb, I--I can't tell you how you make me feel."
+
+"I wouldn't try."
+
+He did not. She looked at him and smiled, while he stood before
+her, with flushed cheeks and downcast eyes, like some shamefaced
+schoolboy.
+
+
+
+
+ CHAPTER XVI
+
+ MARGARET IS PUZZLED
+
+
+Miss Dorothy Johnson, balancing herself on the edge of the
+table, was playing catch-ball with a pair of gloves.
+
+"Margaret Wallace, you're one of the sillies!"
+
+"Evidently you are not the only person who is of that opinion."
+
+"That's right--put the worst construction on everything I say,
+and think yourself smart."
+
+"It's just as well that some one should think so. Dollie,
+sometimes I'm very near to the conviction that it's no
+good--that nothing's any good, and, especially, that I'm no
+good; that I might as well own myself beaten right away."
+
+"Well, you are beaten this time, that's sure. What ought
+to be just as sure is that you don't mean to be beaten every
+time--there's the whole philosophy of life for you in a
+nutshell."
+
+"But suppose I'm dragging Harry down? I shouldn't be surprised
+if it's all through me that his MSS. keep on being returned.
+I said to him, 'Let me make drawings to illustrate your
+stories--I'd love to'. And I do love to! 'Then we'll send the
+stories and the drawings to the editors together.' But they
+nearly all come back. I've a horrid feeling that it's my
+drawings which ruin them."
+
+"Stuff! It's Harry's work that's no good."
+
+"No good? How dare you! You've said yourself over and over again
+that it's splendid."
+
+"That's what's against it--it's splendid." Miss Johnson,
+stretching her right arm to its extreme length, dangled her
+gloves between the tips of her fingers. "Margaret Wallace,
+literature means to me at least three pounds a week, it may be
+four, if possible, five. I can live on three, be comfortable on
+four, a swell on five. The problem being thus stated in all its
+beautiful simplicity, it only remains for me to discover the
+quickest and easiest solution. I have learned, from experience,
+that the _Home Muddler_ is willing to give me half a guinea for
+a column of drivel, and the _Hearthstone Smasher_ fifteen
+shillings for another. The _Family Flutterer_ prints eight or
+ten thousand words of an endless serial at five shillings a
+thousand--one of these days I mean to strike for seven-and-six.
+But in the meantime there you are--the pursuit of literature has
+brought me bread and cheese. Why doesn't your Harry tread the
+same path?"
+
+"The idea!"
+
+"Of course!--the idea!--and that's where he gets left. It's my
+experience that in literature----"
+
+"Literature!"
+
+"I said literature. I was observing, when you interrupted, that
+it is my experience that in literature"--Miss Johnson paused,
+Miss Wallace was contemptuously silent--"men always get paid at
+least twice as much as the women. I don't know why; it seems to
+be one of the rules of the game. It therefore follows that if
+your Harry did as I do he would earn six, eight, ten pounds a
+week, which, with management, would keep two--not to speak of
+your drawings, which ought to bring in something. I believe the
+_Family Flutterer_ pays as much as seven-and-six for a full
+page."
+
+"My dear Dollie, you know as well as I do that we both of us
+would rather starve."
+
+"Sweet Meg, I'm not saying you're right or wrong, only, if you
+have resolved to eschew the easily earned loaves and fishes,
+don't revile because, having set out on the track of the
+rarer creatures, you discover--what every one knows, and you
+know!--that they are difficult to find. My private opinion
+is that Harry will find them one day--if he keeps on long
+enough--though I don't know when."
+
+"You're a comforting sort of person."
+
+"I'm a practical sort of person, which is better. Cheer up, Meg!
+he'll get there--and perhaps you will too--though of course his
+stories are better than your drawings."
+
+"I don't need you to tell me that."
+
+Miss Johnson, descending from the table, put her arm round the
+girl who was seated on the other side.
+
+"You poor darling! I'm a perfect pig! I say, Meg, are you hard
+up?"
+
+"I always am."
+
+"Beyond the ordinary, I mean?"
+
+"If you mean, can you lend me, or give me, any money, you
+can't--thank you very much. I'm going to hoe my own furrow,
+right to the end."
+
+"How about Harry? He gets some of his stuff accepted; then
+there's the three hundred pounds a year certain which he gets
+for being that party's secretary. I call that practicality, if
+you like! He ought to be getting on first-rate."
+
+"He doesn't seem to think so, anyhow. As for what you call the
+three hundred pounds a year certain, I doubt if anything could
+be more uncertain, the engagement may terminate any day. I
+believe that Harry is really more worried than I am, and--and
+that's saying a good deal."
+
+"Then the marriage is not coming off just yet?"
+
+"Marriage!--and you call yourself a practical person!--how can
+you be so absurd?"
+
+"I am not sure that I am absurd. If I ever loved a man--which I
+am never likely to do, men are such beings!--really loved him,
+and knew that he loved me, I shouldn't hesitate to marry him on
+a pound a week. Marriage, properly understood, is a spur; it's
+not, necessarily, anything like the clog romantic people like
+you seem to think it is."
+
+When Miss Johnson had gone Margaret Wallace went and stood
+before a photograph which hung over the mantelpiece--the
+photograph of a man.
+
+"I think, Cuthbert Grahame, it's possible that you'll shortly be
+revenged; if you knew just how things are I fancy you'd be of
+opinion that you're revenged already. If you'd been even a
+shadowy semblance of the father you once professed to be, I--I
+shouldn't be wondering where I'm to get my dinner from."
+
+She examined the physiognomy of the man in front of her as if,
+instead of being the most familiar of faces, she saw it now for
+the first time. Going back to her seat at the table, she was
+examining the drawings which had accompanied the returned MS.,
+as if desirous of learning what improvement she could make in
+them, when there came a tap at the door.
+
+"Come in." Mr. Talfourd entered. In a moment she was in his
+arms. "Harry!"
+
+"Meg!--more roses for you." He handed her the La France roses
+which had been presented to him by Mrs. Lamb. "What are you
+doing?"
+
+She was eyeing the roses, without any great show of enthusiasm,
+which was possibly lacking because she knew from whom they had
+originally come.
+
+"Harry, I've more bad news for you--I never seem to have
+anything else. The story's back from the _Searchlight_."
+
+"What does it matter?"
+
+"I don't like to hear you talk like that, because, you see, we
+both know that it matters, dear. Harry, do you think that it
+may have been returned because my drawings aren't up to the
+mark--honestly?"
+
+"Honestly, I am certain it has not. Your drawings are at least
+as good as my story. I have never met any one who can illustrate
+me as well as you do."
+
+"You mean that? If I weren't Margaret Wallace would you say so
+still?"
+
+"I should. I should congratulate myself on having met some one
+who could illustrate me as I like to be illustrated. You
+misunderstood me just now. I said what does it matter, because
+it doesn't matter, in view of something of much greater
+importance which I have to say to you."
+
+"Harry! what is it?"
+
+"I hardly know how to begin, it's such a queer position. It's
+this--in a way, my play's accepted."
+
+"'The Gordian Knot'?--by Mr. Winton?"
+
+"No, not by Winton, by Mrs. Lamb."
+
+"Mrs. Lamb?--Harry!" He told her how the play had come into Mrs.
+Lamb's hands, and how that lady had expressed her willingness to
+give it immediate production, on the understanding that she was
+to create Lady Glover. "But I didn't know she could act. Why
+should she want to anyhow?--she a rich woman!--especially such a
+part! Lady Glover's a horrible creature! I suppose you think
+she'd make a mess of it--and of course she would. She must be a
+very conceited person."
+
+"Sweetheart, shall I tell you, quite frankly, what I really
+think?"
+
+"You hadn't better tell me anything else."
+
+"Then I'll make you my father confessor. I've a strong feeling,
+amounting to a positive conviction, that she'd make a
+magnificent Lady Glover. That's one reason why I hesitate."
+
+"Now I don't understand. If she makes a success of the part,
+what else do you want?"
+
+"I'll endeavour to explain. For one thing, I think it possible
+that she'll make it the part of the play, and so put Winton in
+the shade entirely. In the theatre he proposes to manage I'm
+certain he's no intention to be overshadowed by any one. Not
+that, in such a matter, I'm likely to be too sensitive about his
+feelings--but there it is. What, from my point of view, would be
+more serious, is that it is extremely probable that, by her
+rendition of Lady Glover, she'll warp the play out of what I
+intended to be its setting. As she was talking just now it
+dawned upon me that, in her hands, the play might become
+transformed--something altogether different to what I meant it
+to be."
+
+"But if it's a success?"
+
+"Meg, I find it difficult to put into words just what's in my
+mind. Of course if it's successful it will mean----"
+
+"It will mean everything."
+
+"It will mean a good deal; but it will mean everything I'd
+rather it didn't mean if the success is owing to her."
+
+"But it will be your play. In one sense its success will always
+be dependent upon others. Really, Harry, I don't follow you.
+What is your objection to Mrs. Lamb? She's never done you any
+harm."
+
+"No, she hasn't done me any harm--as yet."
+
+"As yet! Do you think she means to? Considering that she
+proposes to produce your play, and bids fair to make a great
+success of it, it doesn't look as if she did."
+
+"Meg--you'll laugh at me--I'm afraid of her."
+
+"Afraid of her?--of Mrs. Lamb!--Harry!"
+
+"I've never been comfortable in her presence since the first
+moment I've met her. When she's there I have the sort of feeling
+which I imagine a nervous person might have in the neighbourhood
+of a dangerous lunatic. I don't know when or how she will break
+out, but I feel that sometime, somehow, she will, and that then
+I shall have to struggle with her for my life."
+
+"Harry! are you in earnest?"
+
+He laughed oddly.
+
+"Meg, upon my word, I can't tell you. She hypnotises me, that
+woman--she hypnotises me. Her influence is on me even after I
+have left her."
+
+"She must be a curious person. I should like to meet her."
+
+"Meet her?"
+
+He shuddered, involuntarily. "Rather than that you should meet
+her I'd---- If I can prevent it you shall not meet her."
+
+"Why not? I know plenty of people who have met her, and who seem
+to think her a distinctly agreeable person--hospitable, good
+company, amusing, kindhearted, generous to a degree. Tell me,
+Harry, has she ever behaved to you in any way as she ought not
+to have done?"
+
+"She has not, in one jot or tittle."
+
+"To your knowledge has she ever done, or even said, anything
+wrong?"
+
+"No. Still, I would rather she did not produce my play,
+especially if she is to act Lady Glover."
+
+"Will she produce it if she doesn't?"
+
+"I doubt it."
+
+"There is something at the back of your mind which you're
+keeping to yourself. When I think of all that the success of
+'The Gordian Knot' would mean to us, of how you've looked
+forward to its production, of how we've talked and talked of it,
+your present attitude is incomprehensible. It doesn't follow
+that because Mrs. Lamb produces your play--and even acts in
+it!--that you need therefore make of her a bosom friend if you'd
+rather not. I don't suppose it's only generosity which impels
+her; I daresay she has an axe of her own to grind."
+
+"You may be sure of it."
+
+"Then so have you. I don't see how it matters if it's A, B, or C
+who grinds it, so long as it's ground--properly ground; and you
+seem sure that it will be that."
+
+"I have little doubt of it."
+
+"Then tell me, Harry, what is the real, downright reason why you
+don't wish Mrs. Lamb to produce your play, and act in it?"
+
+"Because, Meg, I'm afraid of her."
+
+"Afraid of her!--of a woman!--who you yourself admit has never
+done you anything but good! Harry, you're beyond my
+comprehension."
+
+Before he could answer there was a knock at the door. A servant
+entered with a card on a tray.
+
+"A gentleman wishes to see you, miss."
+
+She looked at the card.
+
+"'David Twelves, M.D., Edin.'. It can't be Dr. Twelves of
+Pitmuir?"
+
+A voice came from the door.
+
+"It's that same man."
+
+
+
+
+ CHAPTER XVII
+
+ AN UNEXPECTED VISITOR
+
+
+In appearance the doctor had altered but little since we saw him
+last. He was the same little wizened old man, with the slight
+stoop, and the sunken eyes which looked out so keenly from under
+the thick, overhanging thatch of his shaggy eyebrows. When she
+heard his voice, and saw him, Margaret, running to him--before
+Harry, before the servant--put her arms about his neck (she
+could easily do it, since he was the shorter), and, after
+looking at him fixedly, as if to make sure that he was still the
+same man, kissed him on the lips.
+
+"Dr. Twelves, to think of your coming to see me after all these
+years!"
+
+"And whose fault is it that I haven't come before? whose fault
+I'd like to know?"
+
+"It certainly isn't mine."
+
+"Not yours? when I hadn't a notion where to look for you, and
+you took care that I hadn't? It's only by the grace of God I've
+chanced upon you now. I was looking in a bit of a magazine, at
+an illustration which seemed to me to be pretty fair, when I saw
+your name in the corner--Margaret Wallace--in your own
+handwriting. I can tell you I jumped--there, in the railway
+carriage--so that I daresay my fellow-passengers thought that
+I'd a sudden gouty twinge or, maybe, rheumatism, for none can
+say that I look like a gouty subject. I went straight to the
+office where the magazine is published, and I asked them to tell
+me where you might be found. I believe they thought I'd designs
+upon your life, or, at least, upon your purse. I had to tell
+them such a yarn before they'd tell me. Then I took care to
+follow the girl up the stairs, so that, if you meant to deny
+yourself, you shouldn't have a chance."
+
+"Deny myself?--to you?--doctor! what a notion!--as if I should!"
+By now the servant had retired; Miss Wallace, who still retained
+a hand upon her visitor's shoulder, had brought him into the
+room. "Harry, this is Dr. Twelves, of whom you have so often
+heard me speak. Doctor, this is Mr. Talfourd, whose wife I hope
+one day to be."
+
+"I trust, young gentleman, that your deserts are equal to your
+good fortune, and that you're properly conscious how great that
+is. I've known this lassie since the time she seemed all hair
+and legs, for those were the parts of her you noticed most, and
+there hasn't been a day on which I haven't wanted her to be my
+wife."
+
+"Now, doctor, that's contrary to the fact; you know you told me
+more than once that Providence had marked you out to be a
+bachelor."
+
+"And wasn't that self-evident, since you wouldn't have me? Now,
+Margaret Wallace, what have you been doing?"
+
+"Doing? I was talking to Harry when you came in."
+
+"I'll be bound that it's plenty of talking to Harry that you do,
+and will do--particularly later on, when you're Mrs. Harry."
+
+"Doctor!"
+
+"What I mean was, have you made your fortune? or are you drawing
+pictures for your daily bread?"
+
+She looked at Mr. Talfourd quizzically.
+
+"I have one eye upon my daily bread."
+
+"And it isn't too much of it you see, by the looks of you.
+You're peaked, and you're thin."
+
+"Oh, doctor! I'm sure I'm not."
+
+"And I'm sure you are, and by virtue of my profession I ought to
+know. It's a pretty market to which you've brought your pigs.
+You might be one of the richest women in England, instead of
+being half-starved--with white cheeks and tired eyes."
+
+"Doctor, how dare you say such things! It's not true! You've not
+improved!"
+
+"I'm thinking you've not improved either. You've a stubborn
+heart. Why, all this time, haven't you let some of us know
+something about you?--if it was only where a line might reach
+you."
+
+"You know very well why, and I did go to see Mr. Grahame."
+
+"You went to see Cuthbert Grahame? When?" She mentioned the
+date. "Girl, you're dreaming. It was the day after that he
+died."
+
+"The day after that he died? I knew he was dead. I heard of it
+long afterwards by a side wind; but I have never heard any
+particulars. You none of you told me anything."
+
+"How were we to, when you'd hidden yourself from us in this
+great city?"
+
+"Of what did he die?"
+
+"If you ask what was on the certificate I can tell you; but if
+you want to know how death came to him you must inquire of his
+wife."
+
+"His wife?"
+
+"When he died he was a married man, according to the law of
+Scotland."
+
+"Dr. Twelves, are you jesting?"
+
+"I'm not. On the day he died he made a will leaving her all that
+he had in the world--and she had it."
+
+"Who was she?"
+
+"Beyond saying that she was no better than she ought to be, I
+can tell you nothing."
+
+"Was she some one from the neighbourhood?"
+
+"She was not; she was from England. She dropped from the clouds.
+I should say--if I may be allowed to do so in this company--on
+her road to hell. What passed between you and Cuthbert Grahame
+when you saw him on that day before he died?"
+
+"I didn't see him. Nannie wouldn't let me."
+
+"Nannie wouldn't let you?"
+
+"She would not. She said that Mr. Grahame had forbidden her to
+admit me into the house."
+
+"She's never spoken a word to me about it. What's been the
+matter with the woman? But there's something ails your story.
+That day, and for many days afterwards, she was lying in bed
+with a broken leg. Was it from her bedroom that she shouted out
+to you?"
+
+"From her bedroom?--nothing of the kind. She told me through the
+front door that Mr. Grahame had forbidden her to let me in. When
+I said that I would come in, and began to break the window to
+show that I was in earnest, she went to the window above, and
+poured two buckets of boiling water over me."
+
+"Margaret Wallace! it's dreaming you must have been."
+
+"It was a curious kind of dream. The water scalded my neck, and
+left a scar which was visible for weeks--wasn't it?"
+
+She turned to Mr. Talfourd, as if for corroboration.
+
+"It was. When I saw it I was disposed to go straight off to
+Scotland, and give the old harridan a taste of my quality."
+
+"It's as queer a story as any I've heard. Seeing that Nannie was
+as if she had been glued to her bed, how could she walk about
+the house as you say, and pour buckets of boiling water on to
+you through a window?"
+
+"I only know that she did."
+
+"Did you see her?"
+
+She considered a moment.
+
+"No, I didn't. She took care not to show herself."
+
+"She took care not to show herself?"
+
+"She hadn't the courage to let me see her face, but she let me
+hear her voice, and plenty of it. It was not necessary for me to
+see her when I heard her. I've been acquainted with Nannie
+Foreshaw's voice for too many years to be likely to mistake it
+for any one else's."
+
+"You're sure? I doubt----" The doctor seemed to be considering
+in his turn. "I can't put the pieces of the puzzle together so
+that they just fit, but I've a notion that I'm on the way.
+Margaret Wallace, I've a suspicion that I've been a greater fool
+even than I thought. After the chances I've had to get wisdom,
+to get understanding, that's not a nice feeling to have. Between
+us--you've had a hand!--we've muddled things to a marvel. I'll
+communicate with Nannie with reference to that little
+conversation you say you had with her; when I've heard from her
+I'll talk to you again." He turned to Mr. Talfourd.
+
+"And you, sir, do you make drawings?"
+
+"No; I write stories."
+
+The doctor looked him up and down as if he were a specimen of a
+species which was new to him.
+
+"Stories? Oh! and is that a man's work? I come of a good old
+Scottish stock. My forebears have always held that a man should
+do a man's work. Is writing stories that?"
+
+"It isn't easy, if that's what you mean."
+
+"Not easy? I should have thought you would have found it as easy
+as lying. I've written them myself; I didn't find it hard. It's
+just a waste of time. However, I'm not judging you. Is that all
+you do, write stories?"
+
+"Just at present I'm doing something else as well. I'm acting as
+private secretary to a lady."
+
+"Private secretary to a lady? You've your own notions of what's
+a man's work, Mr. Talfourd."
+
+Harry flushed; Margaret laughed.
+
+"And you country Scotchmen have your own ideas of what you're
+entitled to say."
+
+"You're Scotch yourself, my lassie, on the best side of you;
+don't gird at your own birth. I ask your pardon, Mr. Talfourd,
+if I've said anything I ought not to say; but I've known this
+lassie all her days. She's been to me as the apple of my eye,
+and--she tells me that you're to be her husband. Would it be
+going too far, Mr. Talfourd, if I were to ask you what's the
+name of the lady to whom you're acting as private secretary?"
+
+"Mrs. Lamb--Mrs. Gregory Lamb."
+
+"Mrs. Gregory Lamb? That's odd."
+
+"How is it odd? I hope there's nothing improper about the name."
+
+"It's not that it's improper; it's that I once met a Gregory
+Lamb. What sort's your Gregory Lamb?"
+
+"He's about my own age, perhaps a little older; not ill-looking;
+not, I should imagine, a bad fellow in his way."
+
+"Is he a poor man?"
+
+"I believe his wife is very rich."
+
+"His wife? Of course, there's the wife--and she's very rich. The
+rich woman who married the Gregory Lamb I know would be a very
+foolish female."
+
+"Mrs. Lamb is certainly not that."
+
+"Then her Gregory's not mine, though it's an unusual conjunction
+of names. I'm thinking that none but a fool of a woman would
+ever have married him."
+
+
+
+
+ CHAPTER XVIII
+
+ CRONIES
+
+
+That evening Dr. Twelves dined with a fellow Scot, J. Andrew
+McTavish, of McTavish & Brown. Mr. McTavish lived in Mecklenberg
+Square. Although a bachelor he liked plenty of house room, and
+in Mecklenberg Square he had it. His house was perhaps the
+largest in the Square, and certainly not the least comfortable.
+Comfort was to Mr. McTavish a sort of fetish: excepting money he
+set it above everything. He looked as if he did. Of medium
+height, he was of more than average size, his waist measurement
+was approaching a significant figure; his neck loved a generous
+collar, his chin overlapped; he had slight side whiskers, dark
+gray in hue, and the top of his head was so completely bald that
+one wondered if it could ever have been anything else. He and
+his guest presented an amazing contrast: three or four replicas
+of Dr. Twelves could have been contained in Mr. McTavish.
+
+They dined _tęte-ŕ-tęte_ at a small round table which stood in
+the centre of a big room. Mr. McTavish liked big rooms; he was
+never comfortable in a small one. During the meal the
+conversation was of a desultory character, principally hovering
+around Pitmuir, where Mr. McTavish had lived till he came to
+London. Questions were asked and answered touching every soul in
+the parish Mr. McTavish could think of, and his memory was
+extensive. There was hardly a man, woman or child about Pitmuir
+whose name had not been mentioned before dinner was finished. If
+the inquiries were slightly acid, so were the replies. It seemed
+as if these two gentlemen had made it a point of honour to say
+nothing nice of any one. According to them the folk about
+Pitmuir were a very human lot--at least they had most of
+humanity's failings.
+
+After dinner they retired to the study, another fine apartment.
+There they had a cup of coffee, a liqueur, and a cigar apiece.
+The doctor seemed lost in the huge chair which he had been
+invited to fill. His host regarded him with twinkling eyes.
+
+"Have you had a good dinner, David?"
+
+"You feed yourself too well; you're a hundred years behind the
+age."
+
+"How do you show it?"
+
+"Our great-grandfathers pampered their bellies. We know better;
+we have learnt that it is the part of wisdom to starve them.
+You're still where our grandsires were."
+
+"And where are you?"
+
+"I'm on the high road to as fine an attack of indigestion as a
+man need have, and live."
+
+"I can give you the name of one of the greatest authorities on
+indigestion."
+
+"I dare swear you can give me the names of one or two. I
+shouldn't be surprised if that sucking-pig proves to be the
+death of me, beyond the skill of all your authorities."
+
+"It was cooked to a turn."
+
+"I ought to know how it was cooked, considering the way that I
+behaved to it. It's wicked to set such meat before a man. And
+now, I've something which I wish to say to you."
+
+"You've said one or two things already--what's the other?"
+
+The doctor, taking the cigar out of his mouth, regarded the ash
+on the tip.
+
+"You remember Wallace's daughter?"
+
+"Cuthbert Grahame's girl?"
+
+The doctor nodded.
+
+"I've seen her this afternoon."
+
+"No? I wondered what had become of her, more than once. I've
+seen and heard nothing of her since he turned her out."
+
+"He didn't turn her out, she turned herself out. I had the story
+from his own lips."
+
+"So had I. To all intents and purposes he turned her out,
+however he may have put it to himself or to you."
+
+"He asked her to marry him, and she wouldn't."
+
+"He asked her not once or twice, but again and again, until he
+made it plain that his house was no place for her unless she
+meant to be his wife. So, as she didn't, there was nothing for
+her but to go."
+
+"It was a fool business."
+
+"On both sides. Why he wanted to marry her I don't know. I never
+do know why a man wants to marry. I'd sooner have a buzz saw in
+every room in the house than a wife in one. Why she wouldn't
+marry him, I know still less."
+
+"There was the difference in their years. Then he was already
+threatening to be what he afterwards became--physically, I
+mean."
+
+"Well, what of it? If a girl in her position has to marry, I
+should say that there are two things which she ought to look for
+first of all--money, and a sick husband; if possible, one who is
+already sick unto death. In Grahame she'd have had both."
+
+There was silence, as if both parties were giving to Mr.
+McTavish's words the consideration due to a profound aphorism.
+It was the doctor who spoke next.
+
+"He always believed that she would come back again, saying yes."
+
+"I'd no patience with the man, he was all kinds of a fool. If he
+wanted her to be his wife, he didn't go the right way to get
+her. When she said no, instead of thanking God for his
+undeserved escape, he stormed and raved, fretted and fumed,
+until he became only fit to be exhibited in a booth at a fair."
+
+"When he heard that she was in love with some one else, it was
+that that was the death of him."
+
+"A good thing too. It'd have been a good thing if it had been
+the death of both of them. I've no bowels for such tomfoolery.
+Where is she? What's she doing? Is she married to the other
+fool? If she is, don't they both wish that they were dead?"
+
+"You've a sharp tongue, Andrew--if your wits were like it! Not
+all married folks wish that they were dead; there's just as much
+desire to live among the married as among the single--maybe
+more. To hear you talk one would suppose that one had only to
+remain single to be happy. You and I know better than that."
+
+"Speak for yourself, David, speak for yourself--I'm happy
+enough."
+
+"Then your looks belie you."
+
+"What's the matter with my looks, you old croaker?"
+
+"I'm a doctor of medicine, Andrew McTavish; I've learned to turn
+the smoothest side to a patient; so you must excuse me if to
+your inquiry I return no answer."
+
+"After the dinner I've given him!"
+
+"It's the ill-assorted food you have caused me to cram down my
+throat that I'm beginning to fancy has given me a touch of the
+spleen."
+
+"Something has. The next time you dine in this house it will be
+off porridge."
+
+"We'll leave the next time till it comes. To return to Margaret
+Wallace. She's not married yet, and, so far as I can judge,
+she's not likely to be. It's want of pence, both with him and
+with her. If she had some of Cuthbert Grahame's money, as she
+ought to have, it'd make all the difference."
+
+"It's in part your fault that she hasn't."
+
+"I'm not denying it, and I'm not forgetting it. If I've been
+guilty of the unforgivable sin, it was when I brought that woman
+to Cuthbert Grahame's bedside. I sometimes think that I'll see
+it chalked up against me in letters of fire when I'm brought up
+before the throne."
+
+"Stuff!"
+
+"Maybe--to you. You're devoid of decent feeling, Andrew
+McTavish; to you all's stuff. What's become of the woman?"
+
+"What woman?"
+
+"She who calls herself Mrs. Grahame?"
+
+"She calls herself Mrs. Grahame no longer."
+
+"How's that?"
+
+"She's married again."
+
+"The creature! The poor fool she's married! What is his name?"
+
+"Gregory Lamb."
+
+Dr. Twelves rose from his chair as if impelled by a spring.
+Opening his mouth in apparent forgetfulness of what was between
+his lips, his cigar fell to the floor, where it remained
+apparently unnoticed.
+
+"What's that?"
+
+"What's what?"
+
+"What name was that you said?"
+
+"Why, man, what's the matter now? I'm wondering whether the
+sucking-pig's mounted to your head instead of descending to your
+stomach. David, you're easily upset these days. Pick up your
+cigar, it's burning a hole in my floor covering."
+
+"Damn the cigar!"
+
+"And welcome! It's not that I mind. What I object to is your
+cigar damning my carpet. Pick it up at once, sir."
+
+"You're fussy about your old carpet."
+
+"Old carpet! it cost me a guinea a yard not twelve months
+since."
+
+"You're wasteful with your money."
+
+"I am, when I spend it entertaining such as you."
+
+"What's the name of the man you say that woman married?"
+
+"Gregory Lamb."
+
+"It's past believing!"
+
+"Is it? I haven't found it so."
+
+"That's because you're walking in darkness. Do you know that the
+youngster Margaret's plighted to is private secretary to Mrs.
+Gregory Lamb?"
+
+"Is he? Then I should say that that's presumptive evidence that
+he's not bad looking. She has an eye for a good-looking man."
+
+"Gregory Lamb was staying at Pitmuir when she was at
+Cuthbert Grahame's, calling herself his wife. A half-bred,
+ill-conditioned young scamp he was."
+
+"I should imagine that Mr. Lamb was not born in the caste of
+Vere de Vere."
+
+"Were they acquainted then? What was there between them? How
+come they to be married now?--he without a penny, to my
+knowledge, she with all that money. She'd not marry such a
+creature as he was--for love, that I'll swear. They were birds
+of a feather, only he was more fool than knave, and she more
+knave than fool."
+
+"That about describes them now--if a lawyer may say as
+much--under privilege."
+
+"Andrew, can you keep a still tongue?"
+
+"If I couldn't I shouldn't be sitting here."
+
+"I've always had a suspicion that there was something wrong
+about that will."
+
+"Do you mean the one under which she inherits? You needn't
+confine yourself to suspicion upon that point--it's about as
+wrong as it could be. If there had been substantial opposition
+she'd have found it hard to bring it in."
+
+"I'm not meaning it in your sense. I know that Grahame signed it
+in the presence of those two daft lassies; but I don't believe
+that he knew what he was signing, although the evidence is all
+the other way. I've kept my doubts to myself until this moment,
+and even now I can't tell you just why I don't believe it--but I
+don't."
+
+"Quite possibly you're right, but you can't prove it."
+
+"I know I can't, and there's something else that I can't prove."
+
+"What's that?"
+
+"I believe she murdered him."
+
+"David!"
+
+"She was equal to it; and I'm beginning to see more clearly how
+she brought herself to the sticking point. The day before his
+death Margaret Wallace called----"
+
+"Margaret Wallace? you don't say!"
+
+"She told me so herself this afternoon. She was refused
+admission as she supposed by Nannie Foreshaw. I happen to know
+that Nannie couldn't have got out of bed and gone downstairs to
+save her life--that woman had taken care of that. Before I came
+to you I wrote to Nannie asking if she did, to make sure. I
+believe that woman played at being Nannie, imitating her voice.
+She may have known Margaret's story, probably Grahame had told
+her, and was aware that if she returned and saw him her reign
+was at an end. So she precipitated matters. She juggled that
+will into existence, and, directly she had done so, killed him."
+
+"It's a weighty charge you're making, David; be careful how you
+make it."
+
+"Do you think I don't know that it's a weighty charge? I'm not
+making it. I'm only telling you what's in my mind, as between
+friends. I'll not breathe a word of the matter to any one but
+you till I can bring it into court, and prove it. At present, in
+your lawyer's sense, I've not proof enough to cover a pin's
+point. But, Andrew, though the mills of God grind slowly, they
+grind surely, and exceeding fine. Maybe one day God's finger
+will press her in between the stones, then you'll know that the
+conviction which is implanted in my breast is of the nature of
+the prophetic vision. God has shown me, though I cannot tell you
+how."
+
+There was silence. The doctor, still standing, bent over the
+table on which stood the coffee and liqueurs, pointing with one
+skinny finger upwards. He continued in that attitude for a
+perceptible period after he had ceased to speak. Then Mr.
+McTavish's voice broke the spell which he seemed to have cast
+upon the air.
+
+"David, you use big words. I don't--it's not my way. But
+confidence begets confidence. I'll tell you something in
+return--and that without insulting you by asking if you can keep
+a still tongue--because I know you can."
+
+The doctor returned to a more normal attitude, seeming to do so
+with an effort, as if he were shaking something from him. He
+spoke in his ordinary tones.
+
+"Let me light another cigar before you begin. This sort of
+talk's disquieting, especially after such a dinner as I've had.
+I think a tonic might not be amiss." He sipped his liqueur.
+"Andrew, this is not bad brandy."
+
+"A hogshead wouldn't hurt you."
+
+"Wouldn't it? Is it your custom to drink brandy by the hogshead?
+I thought you didn't use big words."
+
+"It's a figure of speech, David--a figure of speech. If you have
+that cigar properly lighted, and will sit down like a decent
+creature, I'll have my say--that is, if you have not had enough
+of the matter under discussion."
+
+"You're not more ready to talk than I am to listen. Now, Andrew,
+I'm at your service."
+
+"Well, you suspect this lady of something more than
+misdemeanour. I may tell you that I doubt if she would have done
+what she did do--if she did it!--if she had known what she knows
+now."
+
+"You speak in parables."
+
+"I'll be plain enough. Did you know anything about Cuthbert
+Grahame's affairs?--his financial affairs, I mean."
+
+"Something."
+
+"Had you any idea how much he was worth?"
+
+"He told me himself, not once but frequently, that he was worth
+nearer three hundred thousand pounds than two hundred thousand.
+He said, moreover, that his investments brought him in an
+average interest of over ten per cent. He had made several lucky
+hits."
+
+"That's what he told us; it seems that that's what he told her.
+Did you see on what amount probate duty was paid?"
+
+"Not I; I took no interest in the matter then. I was too
+disgusted with myself and everything. My one desire was to get
+the whole business out of my head; the trouble is that I haven't
+been able to do it."
+
+"Under forty thousand pounds; and I may tell you that it was
+well under forty thousand pounds."
+
+"What's become of the rest?"
+
+"That's the mystery which we should like to solve--which she
+especially would like to solve; and what she's subjected us to
+in her efforts to arrive at a solution no language at my command
+is adequate to describe. She's a remarkable woman--a very
+remarkable woman. Because she has long since passed the limits
+of our endurance is one reason why I am rounding on her to you.
+It is not often that I am conscious of such a yearning, but we
+have arrived at a position in which I should actually like to
+have your advice. That's why I asked you here tonight."
+
+"Then it wasn't just for old friendship's sake."
+
+The doctor glowered from the recesses of the huge chair,
+expelling the smoke of his cigar from his lips and nostrils. Mr.
+McTavish laughed.
+
+"Well--in a measure. Did you ever think he was romancing when he
+talked about his moneys?"
+
+"I did not--and I don't. He was in earnest. I never knew him
+tell a lie when he was in earnest. I'd match his veracity
+against my own."
+
+"Then it's queer--it's queer. At the time of his death we held
+securities for him representing some ten thousand pounds lent on
+mortgage; the bankers held about as much more. His widow turned
+into cash everything that there was to turn, with the exception
+of the house, which she will neither sell nor let."
+
+"I know. It's going to rack and ruin; they say no one's set foot
+in it since the day he was buried."
+
+"I daresay--it's one of her notions--she'll let no one even talk
+of it; it's her bogey. Altogether she's had scarcely thirty
+thousand pounds."
+
+"It's in the house."
+
+"Not it. It's been thoroughly searched by competent hands; she
+herself has overhauled it more than once."
+
+"The money must be somewhere; I'm convinced he had it."
+
+"Have you any notion where it is? Can you give me any sort of
+clue as to its possible whereabouts?"
+
+"Not I. I know no more about it than--this cigar. Is it likely?
+I wasn't his man of business--you were."
+
+"She says we have it."
+
+"No!"
+
+"Yes. She says we have it, or that we know where it is, and are
+joined in a conspiracy to keep it out of her possession. The way
+she's talked--and treated us! David, she's a remarkable woman."
+
+"She is that. Don't I know it?--to my cost!"
+
+"We've had to change the lock on our office door. She let
+herself into it with a pass-key--my own, I fear, for I lost it,
+though I don't know how; I've never seen it since. She ransacked
+everything the place contained. Got into the safe. By some
+extraordinary mischance, in which it is quite possible she had a
+hand, that night it wasn't locked. She went right through it.
+She saw a good deal we had rather she hadn't seen, but she saw
+nothing of Grahame's money."
+
+"Did you catch her in the act?"
+
+"Catch her! We've never been able to prove it against her yet,
+but the presumption's as strong as Hercules. She went to
+Brown's, and made him swear by all his gods that he knew nothing
+about it; then she made him open his safe, and went through all
+his private papers."
+
+"Brown must be a fine sort of a man."
+
+"She's a fine sort of a woman. She drugged me in my own house."
+
+"No?"
+
+"I say yes! She came here one night. I offered her a little
+something to drink--I was having something to drink, and I
+couldn't see her sitting dry. I've no doubt that when my back
+was turned she put something into my glass which took away my
+senses in a flash. When I came to it was early morning; the
+daylight was streaming through the blinds; she was gone; the
+whole place was upside down."
+
+"You're a lawyer: didn't you give her a taste of the law?"
+
+"What was the use? She'd pose as an injured woman--her grievance
+is real enough. We'd get no good; it might do us harm. The
+mischief is that she's got what she chooses to regard as some
+sort of groundwork for her suspicions. It's this way. She met
+the secretary of the Hardwood Company. The Hardwood Company's
+paid dividends averaging thirty per cent, ever since it started.
+The fellow got friendly with her--as plenty of men do get within
+five minutes of their meeting her. He told her that only one
+original shareholder remained on their lists, and, since the
+shares rushed to a premium directly the issue was made, that
+therefore he was the only person who received the full benefit
+of the thirty per cent. He added that the shareholder's name was
+Grahame--Cuthbert Grahame (you may see her pricking her ears at
+that!)--and (she always leading him by the nose!) that the
+dividends had not been paid to him direct, but to his
+solicitors, Messrs. McTavish & Brown, of Southampton Row. He was
+a talkable body, that secretary man--men are apt to be talkative
+when she gets them alone with her in a corner. He told her
+something else: that the queerest part of the business was that
+while the shares still stood in Grahame's name, the dividends
+had remained unclaimed for quite a while, so that a considerable
+sum was waiting for some one to take it. The next morning she
+came to us running over with the story. Now I remembered those
+shares--an investment which returns thirty per cent, these hard
+times one has to remember. He had ten thousand of them; they
+were in our charge; we did collect the dividends. But one day he
+wrote asking us to send them to him, which we did do. My lady of
+course wanted proof. Do you know we couldn't give it her."
+
+"I don't see why."
+
+"Under ordinary circumstances nothing could have been simpler.
+Such a thing has never before happened in the whole course of my
+experience, but by some infernal accident we couldn't lay our
+hands on either his letter of instructions, or his
+acknowledgment of receipt."
+
+"There was still the letter advising their despatch."
+
+"David, ever since that woman appeared on the scene we have been
+persecuted by a malignant fate."
+
+"Big words, Andrew, big words."
+
+"She moves me to them. On the day Grahame's letter came I
+happened to be going abroad. Brown sent a clerk here with his
+letter and the shares, so that I might check them and see that
+they were right. I packed the clerk back, and sent the shares
+myself; but in my haste--I was running the boat train pretty
+close!--I was idiot enough not to take a copy of my own letter,
+and what I did with Grahame's I have not the dimmest
+recollection."
+
+"Very unbusiness-like."
+
+"Don't I know it, man! Of course she declined to credit a word
+of the story; said that she believed it was a fabrication from
+beginning to end; and that she was more than ever convinced that
+she was dealing with a set of rogues. The climax is to come! The
+day after she had drugged me she came to my office, and produced
+a Hardwood Company's share, which she had the assurance to
+assert that she had taken out of my own safe when I was in a
+state of unconsciousness!--think of it! She had taken it round
+to the Company's offices, and it had there been identified as
+one of the shares which were standing in Cuthbert Grahame's
+name."
+
+"Was it one of his shares?"
+
+"It was, beyond a doubt."
+
+"And had she taken it out of your safe?"
+
+"David, I can only tell you that she swore she had; and I'm
+bound to admit that if she hadn't, I don't know where she got it
+from. On the other hand, if she did I have not the vaguest
+notion how it got there. Plague take the thing!"
+
+Mr. McTavish, emptying his liqueur glass, immediately refilled
+it.
+
+"Don't you know what's in your own safe?"
+
+"Do you take me for a feather-brain? I knew every trifle it
+contained, or thought I did. She says that she took up a bundle
+of papers, and that the share dropped out of one of them. If it
+did, no one knows less than I do who put it there. The only
+conclusion at which I can arrive is that, in returning the
+shares to Grahame, I overlooked one of them, and that, in my
+hurry, it got mixed up with some of the papers which I keep in
+my safe, and which were lying on my table at the time. Of all
+the evil chances that ever befel a man!"
+
+"And what was the inference she drew?"
+
+"The inference she drew! What do you suppose? Why, of course,
+that the other nine thousand nine hundred and ninety-nine shares
+were hidden somewhere in my house, exactly as that one had been.
+She had brought a solicitor with her to the office--think of it,
+David!--a pettifogging rascal of the name of Luker, who'd do
+anything for six-and-eightpence; and in his presence--picture
+it, David!--she told me that if I didn't permit her to subject
+my private premises to a thorough examination she should
+immediately commence proceedings for the recovery of the missing
+shares. And the creature Luker had the audacity to advise me to
+accede to her reasonable request--he called it her reasonable
+request! And I complied!--I complied! She, the wretched Luker,
+Brown, and myself, we went through every nook and cranny in the
+house, all of us together. The humiliation of it!--the maddening
+humiliation!"
+
+With his handkerchief Mr. McTavish wiped his capacious brow,
+which was moist with indignant sweat.
+
+"And did they find the missing shares?"
+
+"David! Do you want me to make an end of you? The reptile Luker
+wrote that if restitution of the shares was not made at once he
+was instructed to immediately commence proceedings for their
+recovery. And that's only the beginning! If something isn't done
+to stop her it's very possible that she'll try to jockey us, by
+legal process, out of all the money that she supposes Cuthbert
+Grahame to have had. The law on such matters is in such a
+state--when twisted by such as Luker!--that there's no knowing
+what may be the issue; the one thing certain being that she may
+be the occasion to us of the gravest injury." The doctor emitted
+a sound which forced a startled inquiry from the other. "What's
+the matter with you, man?"
+
+"I was laughing, to think that a couple of lawyers should be so
+mishandled by one of the laity! It's the funniest thing that
+ever I heard."
+
+"It's no laughing matter, David, I can tell you that. Think of
+the scandal--that at the age to which I'm come I should be used
+as if I were a misbegotten rogue! She's a devil of a woman! And
+what's driving her is that she's come to the end of her tether."
+
+"Do you mean that she's spent all her cash?"
+
+"I've reason to know she has, or nearly all. She lives in a
+great house, has an expensive establishment, spends money like a
+queen. She took it for granted that long before this the bulk of
+Grahame's money would turn up. Now that it hasn't she's
+desperate. She means to get it out of somebody, somehow--or as
+much of it as she can--if it's only out of such poor creatures
+as McTavish and Brown."
+
+"You're a pair of weans, you and Brown."
+
+"So you see, David, how it is I have come to you for help--to
+you, my oldest friend. Why it is that I ask you to search your
+brain and see if you can give us no clue as to what Cuthbert
+Grahame did with his money. No one was more intimate with him
+than you, and on such a point there is no one who is more likely
+to be able to give us help."
+
+"If that's so then you'll get help from no one, for it's certain
+you'll get none from me. I tell you I know nothing of the
+matter."
+
+"Do you think Miss Wallace could help us? She had an intimate
+knowledge of Grahame and of his peculiarities. She might be able
+to tell us something which would prove to be of assistance."
+
+"I'll ask her, if you wish it. But I doubt if you'll gain."
+
+"Do, David, do. And"--Mr. McTavish tapped his forefinger on the
+arm of his chair--"the sooner the better. As to advice, David,
+you know this woman; you've had dealings with her before; in a
+sense, so far as we're concerned, you're responsible for her
+existence. You see the dilemma we are in. What advice have you
+to offer?"
+
+"None--not a ha'porth. I'm not advising."
+
+"David!"
+
+"I tell you I'm not, and it's just because I've had dealings
+with the woman already. I've tried one fall with her, and I'm
+suffering from it still."
+
+"She's an awful creature!--awful!"
+
+"There's only one thing I can say to you, Andrew, and that I've
+said already, and then you sort of sniggered. But to my mind
+it's a comfortable thought when we come to deal with persons
+like Mrs. Cuthbert Grahame, or Mrs. Gregory Lamb, or whatever
+she calls herself, and it's this, that if the mills of God do
+grind slowly, they also do grind surely, and they grind
+exceeding small."
+
+
+
+
+ CHAPTER XIX
+
+ IN COUNCIL
+
+
+There were five of them assembled in Margaret Wallace's
+sitting-room. Margaret herself, in a linen gown of
+cornflower-blue, the product of her own deft fingers, which
+became her hugely. Miss Dorothy Johnson, from the rooms below,
+who indulged her fondness for unconventional attitudes by
+perching herself on the back of one chair and her feet on the
+seat of another. Bertram Winton, one of the handsomest of our
+actors, tall and dark, with big eyes and curly hair, whose
+clothes fitted him with a creaseless perfection which won the
+admiration of that considerable feminine public which bought his
+photographs and wrote for his autograph. Frank Staines, who was
+something of a mystery. He wrote a little, and painted a little,
+and drew a little, and sang a little, and played a little, and
+talked so much that there were people who said that he could do
+that better than he could do anything else. He had money. The
+exact quantity was not generally known, but there appeared to be
+enough of it to enable him to live in very considerable comfort,
+without rendering it necessary for him, to adopt his own
+phraseology, to descend into the market-place and "huckster" his
+brain. Between Miss Johnson and him there was a state of
+continual war, tempered by peaceful intervals of the briefest
+duration. It was commonly understood that he was very much in
+love with her, had frequently proposed to her and had been
+accepted several times, but that on each occasion a rupture had
+followed before they were able to make an interesting
+announcement to their friends and acquaintances.
+
+Miss Johnson made a remark to Harry Talfourd, who stood leaning
+against the window with an air of almost sombre gloom, which
+caused hostilities to break out upon the spot.
+
+"Let's get to the bed-rock of common-sense. It always seems to
+me that in matters of this sort commonsense is the one thing
+needed. Harry, what is it you want? You want your play to be
+successful--that is, you want it to bring you cash and kudos;
+and that is all you want. The question, therefore, which you
+have to ask yourself is, if Mrs. Lamb produces 'The Gordian
+Knot' will it bring me those two things? To that question you
+have only to supply a simple yes or no, and the problem's
+solved."
+
+To which Mr. Staines replied--
+
+"That is exactly the sort of remark one expects you to
+make--utilitarian, material, sordid. I opine that the one thing
+Harry requires you have not mentioned--that is, satisfaction for
+his artistic soul."
+
+"Artistic tommy-rot."
+
+"My dear Dollie, it is not necessary for you to be vulgar in
+order to inform us that you know nothing about the soul--we are
+aware of it."
+
+"My dear Frankie, don't be under the delusion that you need open
+your mouth to let the world know that you drivel--it is written
+on your countenance."
+
+"Thank you, Miss Johnson."
+
+"Don't mention it, Mr. Staines."
+
+Margaret interposed.
+
+"While those two are thinking of some more nice things to say to
+each other, I should like to know, Mr. Winton, what you really
+think."
+
+"I am afraid, Miss Wallace, that my point of view would be
+described by Staines as utilitarian. I propose to conduct my
+theatre--when I get it--on a commercial basis."
+
+"One takes it for granted that an actor-manager is commercial or
+nothing."
+
+"If he isn't commercial, my dear Staines, he's less than
+nothing--he's a bankrupt. No one loves a bankrupt, not even your
+artistic soul. My intention is to get a theatre; to have it
+properly equipped; to give the public as good plays as I can
+get; to have them as well acted as circumstances permit. If Mrs.
+Lamb is willing to place me in a position to carry out my
+intention--on my own terms--I don't know that I have any serious
+objection to her playing a part in my initial venture,
+particularly as that happens to be a part which, as Talfourd is
+aware, I have not hitherto been able to fit with a quite
+adequate representative. I realise that the position is not so
+simple as it appears, and am conscious that I run the risk of
+being overshadowed by the lady's personality. But that is
+certainly my risk rather than Talfourd's, and I am willing to
+run it in order to gain the end I have in view."
+
+"Then you say, let Mrs. Lamb play Lady Glover?"
+
+"I do, since I incline to the opinion that she would not play it
+in a fashion which would militate against the success of the
+piece."
+
+"You hear, Harry?"
+
+"I do; I have heard Winton on the point before."
+
+"Then why don't you leave matters entirely in his hands, and let
+him arrange everything?"
+
+Harry exchanged glances with the actor. He said, dryly--
+
+"I am willing. If I am allowed to--say, run abroad, or remove
+myself into the country well out of reach, until, at any rate,
+the play's produced, I am content to let Winton do just as he
+pleases."
+
+"I doubt if that would meet Mrs. Lamb's views. I imagine that
+she might regard your withdrawal as a personal affront.
+Talfourd, will you allow me to explain to Miss Wallace what I
+imagine is your exact position in this matter?"
+
+Miss Johnson addressed a question to Mr. Staines before Margaret
+could reply.
+
+"Frank, you can be honest sometimes, and you can be sensible.
+Try to be both of them now. What do you think of Mrs. Lamb?"
+
+"It is a delicate subject, on which I should not presume to
+offer an opinion."
+
+"That means that you don't love her."
+
+"I have only loved one person in my life, and it certainly was
+not her."
+
+Miss Johnson looked straight in front of her, as if she desired
+to convey the impression that she had no idea that any allusion
+was intended. Margaret urged Mr. Winton.
+
+"Come, tell me what Harry's position really is, since I am quite
+unable to get it out of him."
+
+"Shall I, Talfourd?"
+
+"You may say what you choose, only give me leave to doubt if you
+are so well informed as you yourself imagine. I don't understand
+myself as well as I should like to."
+
+"I fancy I understand pretty well. The truth is, Miss Wallace,
+Mrs. Lamb is fonder of Talfourd than he is of her."
+
+"I am quite aware of that."
+
+"I don't think you altogether appreciate my meaning. If there
+were no Mr. Lamb, Mrs. Lamb would not object to being Mrs.
+Talfourd--which is why she wants to produce 'The Gordian Knot,'
+and why Talfourd doesn't want her to."
+
+"Do you mean that she's in love with him? Harry! is this true?
+You told me that she had never said anything to you she ought
+not to have done."
+
+"Nor has she. Winton speaks crudely. I don't know what is his
+authority for his statement, he certainly has had none from me."
+
+"Is it simply because--she feels for you like that--that she
+wants to produce your play?"
+
+"Honestly, Meg, I don't know what her reasons are. I wish I
+did."
+
+"Does she know that you're--engaged?"
+
+"Not that I am aware of. So far as possible I have carefully
+avoided speaking to her of myself. Frankly, Meg, it's no use
+blinking the fact that as Mrs. Lamb's private secretary there's
+nothing for me to do; that she has not the slightest real need
+for such a functionary; and that I am very much exercised in my
+mind as to the motives which would actuate her in the production
+of 'The Gordian Knot'. Although I am quite aware that he meant
+well, I should have been obliged to Winton if he hadn't said a
+word to her about the thing."
+
+"At that time I had no actual knowledge of how the land was
+lying."
+
+"But you guessed." This was Margaret.
+
+"Well, if you will permit me to be quite plain, Miss Wallace, I
+don't know that I regarded it as a drawback even if I did guess.
+An actor depends for his existence on personal favour. He has to
+please the public in the mass, and, also, as individuals. When a
+woman tells me she admires me I expect her to take a stall to
+see me act; if she admires me very much, I expect her to take
+two or three, or a box. There have been women who have admired
+me so much that they have booked seats for an entire season.
+Now proceed a step farther. I can conceive of it as possible
+that a woman might provide me with the means to take a theatre
+because her admiration for me was so great. I shouldn't stop to
+ask myself trivial questions as to whether she was married
+or single, I should regard the matter as purely one of
+business--one proof of my success--and take the good the gods
+provided, while, at the same time, my position in the affair
+would be entirely a platonic one. I want Talfourd to treat the
+matter from my point of view, but it seems he can't."
+
+"I'm sorry."
+
+"I'm not sorry!" The first remark came from Harry, the second
+from Margaret. She went on: "Now I begin to understand. Of
+course it's quite inconceivable, Harry, how any one could fall
+in love with you; but supposing any woman to be so foolish, I
+certainly don't want you to trade on her affection. I'm not
+saying it with any desire to wound you, Mr. Winton."
+
+"Don't be afraid, I'm not easily wounded."
+
+"But, you see, in this case there are other circumstances to be
+considered--there's me. I'm a factor in the question. And shall
+I tell you to what conclusion I'm drifting?"
+
+"Let's have it."
+
+"I should like to see Mrs. Lamb. You men know her, but I don't.
+She hasn't even come within range of my vision, and though I've
+the highest respect for you, as men, when it comes to your
+opinion of a woman, I don't think a man's opinion worth
+anything."
+
+"You're quite right--it isn't." This was Miss Johnson.
+
+"I used to have a high opinion of you." This was Mr. Staines.
+
+"You used to have!--that I should ever have been so belittled!"
+
+Miss Johnson turned disdainfully from Mr. Staines to Margaret.
+
+"What you say is perfectly correct, my dear, only a woman's
+opinion of a woman is of the slightest value."
+
+"The other day I heard a woman express her opinion of you in
+terms which, if I repeated them to you, might cause you to
+change your views."
+
+"Some women!"
+
+"I don't know that I go quite so far as Dollie, and there is
+something in what Mr. Staines hints, for, of course, there are
+women whose opinions of each other are merely so many libels."
+
+"Hear! hear!"
+
+"Do be still! Will somebody sit on Mr. Staines?"
+
+"But this appears to be a case in which a woman's opinion should
+be the only thing which ought to count--especially if I'm
+the woman; and, lest you accuse me of overweening conceit,
+let me hasten to explain. Mrs. Lamb is, I presume, a lady of
+beauty----"
+
+"She's not bad-looking." This was Mr. Staines to, of course,
+Dolly.
+
+"Much you know about a woman's looks!"
+
+"I used to admire yours."
+
+"Pooh!"
+
+"Apparently of fortune, conceivably of taste. She is supposed to
+entertain certain sentiments towards a certain gentleman which
+she ought not to entertain. Actuated by those sentiments she
+proposes to play the part of a feminine Mćcenas and pose as a
+patron of the drama. These are the allegations which are made
+against her. Introduce me to her; let me talk to her for half an
+hour, and I will engage to settle there and then--and
+finally!--the question as to whether she is a fit and proper
+person to produce 'The Gordian Knot' and play Lady Glover."
+
+"I'm content!" cried Harry.
+
+Mr. Winton was more deliberate.
+
+"Well, under ordinary circumstances, I should be inclined to do
+more than hesitate before accepting a lady as arbitrator in such
+a matter, but I have such a high opinion of Miss Wallace, though
+she herself appraises a masculine estimate of such a subject at
+less than nothing----"
+
+"I make an exception in your case, Mr. Winton--thank you very
+much."
+
+"If she will allow me to say so, I esteem her wide-minded
+liberality so greatly, and set such value on her keen-sighted
+appreciation of character----"
+
+"Dear! dear! Margaret, bow!"
+
+"Dollie! don't interrupt!"
+
+"That I am quite willing to go so far as this: If, after talking
+the matter over with Mrs. Lamb, fully and frankly, and weighing
+all the pros and cons, you tell me that you think it would be
+better, for all parties interested, that she should have nothing
+to do with the play, then, so far as I am concerned, the
+question will be settled--she shan't."
+
+"The point is," struck in Dollie, "how is the poor dear child to
+become acquainted with this wonderful woman, who ought to be
+immensely flattered if she knows how much you have her in your
+thoughts?"
+
+"There will be no difficulty about that. The lady has an 'At
+Home' to-morrow evening, to which, practically, all the world is
+welcome. I'll tell her, Meg, that you'd like to make her
+acquaintance, and ask her permission to bring you."
+
+"You'll ask her?"
+
+Mr. Staines looked at Mr. Talfourd with, in his glance, a
+satirical intention which the other ignored.
+
+"Why not? Nothing could be simpler."
+
+"No--nothing could be simpler--only I thought you said she
+didn't know you were engaged. Do you propose to tell her in what
+relation Miss Wallace stands to you?"
+
+"Certainly! Why do you look at me like that?"
+
+"I should like to see her face when she receives the
+communication, and, again, when she meets Miss Wallace. I know
+something of Mrs. Gregory Lamb. I fancy they may both of them be
+rather dramatic moments."
+
+Margaret told him, laughing--
+
+"Dear Mr. Staines, you may study the expression of her
+countenance when she meets me to your heart's content, if you
+choose. Suppose we all of us go together?"
+
+Mr. Winton rose from his chair.
+
+"Thank you; that is a proposal which I am afraid I must decline.
+Mrs. Lamb might suspect us of conspiracy if we bore down on her
+in force. I will be in Connaught Square to-morrow evening, but
+perhaps a little late, when I think it possible, Miss Wallace,
+that one glance at your countenance will be sufficient to tell
+me exactly how the matter stands. Remember the arbitrament of my
+fate--as a manager, an issue of no slight consequence--is in
+your hands."
+
+"Poor, innocent, ignorant Mrs. Lamb!" exclaimed Miss Johnson.
+"Meg, if she only knew what issues of life and death you are
+bringing with you, I don't believe she'd let you into her
+house--however nicely Harry might ask her permission to bring
+you."
+
+The young lady spoke much truer than she knew.
+
+
+
+
+ CHAPTER XX
+
+ THE IMPENDING SWORD
+
+
+"I must have ten thousand pounds, and"--Mrs. J. Lamb
+paused--"within a week."
+
+"Must!"
+
+Mr. Isaac Luker folded his hands together with a gesture which
+suggested the act of prayer. He seemed singularly out of place
+in his environment. They were in the apartment which Mrs. Lamb
+called her boudoir, a word which has a different meaning in the
+mouths of different women. In this case it stood for a room
+which represented what was possibly the last word in gorgeous
+decoration. Everything was of the costliest. If the result was a
+trifle vivid, it was not altogether unpleasing. It was a room in
+which one could be very much at one's ease--in certain moods--if
+one were of a certain constitution. There was something in its
+atmosphere which made a not ineffective appeal to the senses,
+not so much to the sense of beauty or of intellect, as to that
+of physical well-being. In some subtle way the owner's strong
+personality impregnated the whole place. On crossing the
+threshold a person of delicate perception might have become
+immediately conscious of something which could scarcely have
+been called healthy.
+
+But the prevailing note was gorgeousness, and anything less
+gorgeous than Mr. Isaac Luker one could hardly conceive. Mrs.
+Lamb's costume harmonised with the apartment, it was so
+evidently the product of one of those artists in dress to whom
+expense is no object. And it became her very well. In it she
+looked not only a handsome woman, but almost a real great lady.
+Mr. Luker's apparel, on the other hand, was not only unbecoming
+and ill-fitting, but it was apparently in the last stage of
+decay. None of the garments seemed to have been made for him,
+and they were all of them odd ones. He was tall and thin. He
+wore an old pair of black-and-white checked trousers, which were
+too short in the leg and too big everywhere else; an old black
+frock-coat, which he kept closely buttoned, and which must
+certainly have been intended for some one who was both
+shorter and broader. His long thin neck was surrounded by a
+suspicious-looking collar, which was certainly not made of
+linen, and he wore by way of a necktie something which might
+have once done duty as a band on a bowler hat. One understood,
+after a very cursory inspection, why a gentleman who had such a
+keen regard for appearances as Mr. Andrew McTavish should object
+to being brought into involuntary, and unsatisfactory,
+professional contact with Mr. Isaac Luker.
+
+Yet those who knew had reason to believe that Mr. Luker did a
+considerable business of a kind--though it was emphatically of a
+kind. He had one or two peculiarities. He was an habitual gin
+drinker, and though he could seldom be said to be positively
+drunk, he could just as rarely be called entirely sober. To all
+intents and purposes he lived on gin. He had it for breakfast,
+lunch, dinner, and for afternoon tea and supper, and he did not
+seem to find it a very nourishing food. Then, perhaps partially
+owing to the monotonous regularity of his diet, he seemed to be
+incapable of saying what he meant, while his yeas and his nays
+were as worthless as his oaths. For a solicitor to be a
+notorious liar and drunkard one would suppose would be a serious
+handicap in his profession. Oddly enough, with Mr. Luker it was,
+if anything, the other way. The sort of clients he courted
+wanted just the sort of man he was. He, speaking generally,
+never did any clean business; he was only at home when dealing
+with what was unclean; and as there is more of that kind of
+commerce about than might be imagined--and some of it is
+amazingly lucrative--he did tolerably well. Indeed, there were
+those who declared that, although he did not look it, he was
+uncommonly well-off, it being one of his characteristics that he
+was as incapable of spending money as he was of telling the
+truth or giving up gin.
+
+As he stood there, with his hands folded in front of him in an
+attitude of prayer, Mrs. Lamb regarded him with what could
+hardly be regarded as glances of admiration. When she addressed
+him it was with a frankness which was hardly in keeping with her
+_rôle_ of great lady, and which is not usual when one deals with
+one's legal adviser.
+
+"Listen to me, Luker. I want none of your humbug, and I want
+none of your lies. I want ten thousand pounds inside a week--and
+you've got to get them. I'll give fifteen thousand for the ten,
+so there won't be a bad profit for some one."
+
+"How long do you want the money for?"
+
+"Oh--three months."
+
+"On what security?"
+
+"What security? On the security of my property."
+
+"Your property?" Mr. Luker did not smile--a smile was probably
+another thing of which he was incapable--but his wizened
+features assumed a curious aspect. "Of what does your property
+consist?"
+
+"None of your nonsense. To begin with, there are those ten
+thousand shares in the Hardwood Company. As you know very well,
+they're worth over fifty thousand pounds at the present moment."
+
+"They would be if you had them--but you haven't."
+
+"McTavish & Brown have got them, and you're going to make them
+disgorge."
+
+"We've first of all to prove that they've got them."
+
+"Oh no, we haven't; they have to prove that they handed them
+over to Cuthbert Grahame, which is a very different thing, as
+you know very well."
+
+"My dear Isabel, you're a very clever woman; your fault is that,
+if anything, you're too clever."
+
+"I've heard you called too clever before to-day."
+
+"My dear----"
+
+"Don't you call me your dear! I won't have it."
+
+"Very well, although it is possible that few men have a better
+right----"
+
+"Right! Don't you dare to talk to me about right!--you!--don't
+you talk to me like that, Mr. Luker! You just simply listen to
+me. I want ten thousand pounds before this day week, and you've
+got to get it. No one in London knows better than you from whom
+and how to get it."
+
+"Mrs. Lamb--by the way, how is your worthy husband?"
+
+"Never mind my worthy husband--you keep to the point."
+
+"Even supposing we are able to saddle McTavish & Brown
+with the responsibility for the Hardwood shares--which is
+problematical--it'll take a good deal more than three months to
+do it. It is not to be supposed that they'll accept an adverse
+decision without taking the case through every court available.
+That may take years. If in the end it is decided that they will
+have to pay, it is not by any means certain that they will be
+able to. Costs will have swollen the original total enormously;
+it all will have to come from them. There is nothing to show
+that they are in a position to pay such a huge sum as that will
+be."
+
+"Oh yes, there is; they're rolling in money; I've seen enough of
+them to know so much."
+
+"You think you have. I doubt if that is a matter on which your
+judgment can be trusted. If the case ultimately goes against
+them, the possibilities--I should say the probabilities--are
+that they will declare themselves bankrupt. Then where will you
+be? You will have to pay your own costs, and, instead of getting
+the amount adjudged, after another interval of dreary waiting,
+you may receive, as a final quittance, perhaps sixpence, or a
+shilling, in the pound. And in the meantime, you must remember,
+you will have to live."
+
+"You old croaker!"
+
+"Let me make a suggestion."
+
+"Your suggestions!"
+
+She brought her fist down on the back of an armchair with an
+emphasis which almost suggested that she would have liked that
+chair to have been some portion of his body.
+
+"Let me lay the whole case before a friend of mine, and, after
+he has given it careful consideration, it is possible that he
+may make you a proposition."
+
+"What sort of proposition?"
+
+"That I cannot tell you--the best he can."
+
+"You understand that I must have ten thousand pounds within a
+week?"
+
+"I hear you say so. If my friend can see his way no doubt he
+will let you have them."
+
+"Mind he does see his way!"
+
+"As to that----"
+
+Mr. Gregory Lamb's sudden appearance in the doorway perhaps
+allowed to serve as an excuse for his sentence to remain
+unfinished.
+
+"You here!" exclaimed Mr. Lamb, as if he were not too well
+pleased to see him. "I didn't know."
+
+Mr. Luker's greeting, although well meant, was a little
+peculiar.
+
+"My dear Mr. Lamb, how well you are always looking!--and always
+so beautifully dressed. What a lovely pin you have in your
+pretty necktie! Now I know a friend who would give you----"
+
+"I don't want to know what your friend would give me! Confound
+it, Luker, I never see you but you tell me what some one you
+know would give me for something I have on. You might be a
+marine store-dealer."
+
+"There are worse trades, Mr. Lamb--there are worse trades. Now
+with regard to that exquisite pair of trousers----"
+
+"Look here, Luker, if you're going to tell me what some one you
+know will give me for my trousers, I'll throw something at you."
+
+"You mustn't do that, Mr. Lamb, it might be something worth
+money--everything in the room is so very beautiful. Mrs. Lamb, I
+wish you good-morning."
+
+"Now, no nonsense, Luker. I want that within a week--and you've
+got to see I have it--if you don't want trouble!"
+
+"I understand perfectly, and will bear what you have said well
+in mind. You shall hear from me again very shortly."
+
+"I will see I do!"
+
+"I have had clients, Mr. Lamb, who would have conveyed that pin
+without paying for it--it presents such temptations to an honest
+man. I do hope it's properly secured. Good-morning!"
+
+When Mr. Luker had retired Mr. Lamb turned to his wife, with
+knitted brows.
+
+"Isabel, it's beyond my comprehension why you have anything to
+do with that animal. He's got scoundrel written large all over
+him."
+
+"I shouldn't have thought that would have prejudiced him in your
+eyes."
+
+"I suppose you think that's smart. I know there was a time when
+we both of us had to sail pretty close to the wind, but I
+thought that time had gone for ever. You've told me so over and
+over again. You're a woman of large fortune, of assured
+position, a person of importance. I should have thought that
+from the point of view of policy alone it would have been worth
+your while to have dealings with solicitors of standing only,
+and to have nothing to do with such a brute as that. Aren't you
+ashamed to have him seen going in and out of the house, or to
+have the servants know that he is here?"
+
+"I'm not easily ashamed--you ought to know that. Is that all
+you've come for?--to tell me what you think about what is no
+concern of yours?"
+
+"What's this I hear about your bringing out a play, and acting
+in it yourself?"
+
+"Who told you that?"
+
+"Winton--to my amazement!"
+
+"What did he tell you?"
+
+"Something about your producing a play of
+Talfourd's--Talfourd's, of all people in the world! My hat! he
+said that you proposed to act one of the principal parts in it
+yourself. Isabel, that's going too far; I won't stand it."
+
+"You won't what?"
+
+There was something in the lady's tone and in her attitude
+before which he obviously quailed.
+
+"I don't think that it's becoming in a woman of your position,
+as--as my wife."
+
+"It's not my fault that I'm your wife."
+
+"Still the fact remains that you are. By the way, has Talfourd
+been saying anything to you about me?"
+
+"What should he say?--except to advise me to sew you in a sack
+and drop you into the river."
+
+"That's just what he'd like--he's that sort of man."
+
+"Is he? He's what you never were, never will be, never could
+be--a gentleman. Why you don't even begin to understand what a
+gentleman is."
+
+"'Pon my word, I wonder that I let you talk to me like this. I
+don't want to quarrel with you--I hate quarrelling!--I really
+do. You couldn't treat me worse if I were a shoeblack."
+
+"I never met any one yet whose shoes you were worthy to black.
+Why, Luker's a man compared to you. He doesn't sponge upon a
+woman."
+
+"It's not fair of you to speak to me like this--it is not! I
+know you're not fond of me----"
+
+"Fond of you!--fond!"
+
+The lady flung out her arm, as if the idea of her entertaining
+any feeling of that kind for her husband was a grotesque one,
+and she laughed. As he continued his tone suggested a snarl.
+
+"I don't know that I'm particularly fond of you. You don't go
+out of your way to make yourself agreeable to a fellow. You've
+only got to say the word to be rid of me for--well, at any rate,
+a good long time."
+
+"What's the word? L.S.D.?"
+
+Mr. Lamb coughed.
+
+"A fellow can't go away with empty pockets."
+
+"I thought so. Out with it! What are you at?"
+
+"The truth is, Isabel, I'm not feeling very well."
+
+"If you were feeling as I'd like you to feel you'd be feeling
+very much worse."
+
+"That's frank! A nice thing for a wife to say to her husband! I
+believe you're capable of anything."
+
+"I am--I always have been--and I always shall be, you bear that
+constantly in mind. Why can't you say what you want? If it is
+prussic acid to use upon yourself I'll give you money enough to
+buy a barrelful."
+
+The expression of Mr. Lamb's countenance was sullen, so also was
+the tone of his voice, which perhaps on the whole was not to be
+wondered at.
+
+"I want to go to the Riviera."
+
+"That means Monte Carlo. Well go--at once--and never come back
+again."
+
+"If you'll give me the coin I'll start in a jiffy."
+
+"How much do you want?"
+
+"I daresay I could manage with a thousand. I've hit upon a
+system."
+
+"You've hit upon a system!"
+
+"If you'll only keep still for a moment I'll tell you what it
+is, and then you'll see for yourself it's an absolute cert. I'll
+turn the thou. into fifty in less than no time. I can't help
+doing it!--you see!--and then I'll give you half."
+
+"You'll give me half! Then am I to understand that you won't go
+unless I give you a thousand pounds?"
+
+"I couldn't do it on less--the system I mean. I've worked out
+all the details and I really couldn't. I'll show you if you
+like. It's want of capital that wrecks a man in a thing like
+this. If you haven't got the proper amount--the lowest possible
+amount that's absolutely necessary--you might as well throw your
+money into the sea."
+
+"Then you'll never go at all, because I haven't a thousand
+pounds to give you."
+
+"What do you mean?"
+
+"It's simple. I don't think I've fifty pounds at my bankers, and
+I'm pretty sure that they won't honour my cheque if I overdraw."
+
+"Isabel!"
+
+"You owe money, don't you?"
+
+"I daresay I owe a bit here and there."
+
+"So I've been given to understand. I also owe a bit. And my
+creditors, like yours, won't wait."
+
+"Mine will have to."
+
+"Will they? I thought that was just what they wouldn't do."
+
+"Who's been telling you tales about me?"
+
+"A little bird. So you see, Gregory, I'm more in want of a
+thousand pounds, because you can't carry on a house like this
+for long on fifty pounds, even if I have so much at the bank,
+which, as I say, I doubt."
+
+"Fifty pounds! You're playing the fool with me--it's a favourite
+game of yours. What's become of the quarter of a million you
+told me that man Grahame had left you?"
+
+"That's what I should like to know."
+
+"You don't mean you've spent it? You can't have done--not in the
+time."
+
+"I've never had it to spend."
+
+"What rot are you talking? What game are you playing? Have you
+all along been telling me nothing but lies?"
+
+"Cuthbert Grahame told me himself that he was worth more than a
+quarter of a million; soon after he died I told you that only a
+small portion of the money could be found."
+
+"You told me nothing of the kind--you've never told me anything.
+Whenever I asked you a question you've always shut me up. You've
+kept me all along in the dark."
+
+"Then I tell you now. Only a small sum was ever found, and
+that's been spent--and more than spent."
+
+"Then am I to understand that he was fooling you when he talked
+about his quarter of a million?"
+
+"I don't believe that he was. I believe he was telling the
+truth; that he was worth what he said; only it's never been
+found, and no one seems to know where it is." She held out her
+clenched fists in front of her, shaking them, as if she were
+endeavouring, by the exercise of sheer physical force, to assist
+her mental process. "Sometimes I feel that I know--that I am
+very near to knowing--that if I could do something I should know
+quite. It's as if I'd been told something in a dream, and, on
+waking, had forgotten what it was. I don't like to think of the
+time he died--I can't." She looked about her, as if unconscious
+of his presence, with something on her face, in her eyes, which
+startled him. "Yet if I could--if I could! I believe it would
+all come back to me what I have forgotten, and I should know
+where the money is. But I can't! I can't! Since--since the
+pillow slipped from under him, I--I've never been the same."
+
+She dropped into a chair, looking straight in front of her, with
+her hands dangling at her sides, as if she saw--she alone knew
+what. This was such a new mood for her that its very novelty
+scared Mr. Lamb.
+
+"Don't look like that, Belle! What are you looking at?"
+
+"God knows! God knows!"
+
+Mr. Lamb squirmed.
+
+"Don't! I say, drop it! You're a cheerful sort of person, upon
+my word! I come here to get a pound or two, and you go on like
+this! Do you mean to tell me straight that we're hard up?"
+
+"There are three things that can save us, and three things only.
+If I could think I might find the money."
+
+"Then, for the Lord's sake, think! Only don't think like that;
+it gives me the creeps to hear you."
+
+"I can't think, anyhow, about that; I've tried, and I can't. If
+I could get the money out of McTavish & Brown, that would be
+something."
+
+"Get it out of any one, but please remember that sharp's the
+word."
+
+"Then there's the play--Harry Talfourd's play--I believe there's
+fame and fortune in that--and safety. Do you know what that
+means--safety?"
+
+"Gracious, Isabel! don't shout at me like that! My nerves were
+all mops and brooms when I came; you've made them ever so much
+worse. I'm all of a twitter. I'll talk to you when you're in a
+more reasonable mood; you'll upset me altogether if I stay much
+longer." Mr. Lamb withdrew, to return immediately, at least so
+far as his head and shoulders were concerned, the rest of his
+body he kept on the other side of the door. "Deal fairly with a
+chap--do! I must have cash from somewhere, or I shall be in a
+deuce of a hole. Can you let me have fifty?"
+
+"I can't."
+
+"Can you make it twenty-five?"
+
+"I can't. I can't let you have anything. Do you want me to yell
+at you? I--can't--let--you--have--anything! Do you hear that?"
+
+"All right! don't shout at a man like that! I should think you
+must be going off your head. I never saw you in such a cranky
+mood before."
+
+Mr. Lamb beat a precipitate retreat, this time finally. His
+wife, left alone, remained seated on her chair in that very
+curious attitude, with that very curious look upon her face.
+
+"It must be imagination--what they call an optical delusion.
+Perhaps, as he says, I'm going off my head. One thing's certain,
+it can't be real. This is not his room; that's not his bed;
+that's not----" She veiled her eyes with the palms of her hands.
+"No! no!--I'm too much alone. I shall go mad if I'm so much
+alone--mad!"
+
+She sat silent for some moments, with her features all
+contorted, as if she were wrestling with actual physical pain.
+Then, rising, she took out of a small cupboard in an ormolu
+cabinet a decanter containing some colourless liquid. Pouring
+some of it into a wineglass she swallowed it at a draught.
+
+It was pure ether. She resorted to it to minister to a mind
+diseased.
+
+When, later, she descended to the apartment which was called, as
+it almost seemed ironically, Mr. Talfourd's workroom, that
+gentleman rose to greet her with a smile. She also smiled. To
+all outward seeming she was herself again--self-possessed,
+satisfied with herself and with the world, at peace with every
+one. They exchanged a few banal sentences, both remaining on
+their feet, she looking at him with eyes which, to phrase it
+diplomatically, flattered, he meeting her glance with an
+appearance of serene unconsciousness that there was anything in
+it which was singular. Presently she touched on the topic which
+was to the front in both their minds.
+
+"About the play--have you thought it over? Am I to play Lady
+Glover?"
+
+He still was diplomatic.
+
+"You will understand that I, being a conceited and self-centred
+author, the matter of my play bulges out until it assumes for me
+what you will probably, and correctly, consider exaggerated
+proportions. Will you let me think it over a little longer? In
+the first place, I have settled nothing with Mr. Winton, and, in
+the second, I want to ask you to do me a favour."
+
+"You are aware that between you and me for you it is but to ask
+and to have--anything, everything, I have to give."
+
+If her words were significant, the manner in which they were
+spoken underlined them. Neither the manner nor the matter of his
+reply could be termed sympathetic.
+
+"I don't know if you are aware that I am engaged to be married."
+
+If something flickered across her face which was not there a
+moment before, it went as quickly as it came.
+
+"No, I wasn't. Are you?"
+
+"I, of course, don't expect you to be interested in the
+trivialities of my life, and I only mention it as a mere detail,
+but--the lady would very much like to know you. May she?"
+
+"My dear Mr. Talfourd! hadn't you better put it the other way?
+May I know her? and when? May I call on her? or will she pay me
+the great compliment of coming to see me?"
+
+"You're very kind. With your permission she will come and see
+you to-night."
+
+"To-night? I'm at home--of course! Do you know I'd almost
+forgotten it. Bring her by all means. Tell her she's to come
+early, before the people, and that she's to stop late, after the
+crowd has gone."
+
+Of such clay are we constituted. She had not the dimmest notion
+that in giving that very warm invitation she was hanging up over
+her own head a sword of Damocles, which, in this case, was
+suspended by something which was almost less than a single hair.
+
+
+
+
+ CHAPTER XXI
+
+ OUT OF THE BLUE
+
+
+Mrs. Gregory Lamb's "At Home" was crowded by rather a
+nondescript gathering. The lady's hospitality was scarcely of
+the kind which discriminates. Had she set herself to pick and
+choose her acquaintances, their number might have been
+considerably less. She had learnt that the people she wished to
+know were apt not to be anxious to know her; rather the other
+way. She had to be content with the society of those who did
+wish to know her. Whether she was particularly desirous of the
+honour of their acquaintance was another matter altogether. As
+she wished to know somebody, using the word in the sense of a
+noun of multitude, she had to put up with what she could get.
+The result was a little confusing. This is not to say that there
+were no decent persons among the hordes which thronged her
+rooms: there were. Possibly the chief objection which could be
+urged against them was that, for the most part, they were
+hungry. Not only as regards the physical appetite; though a
+large proportion of them were quite willing to consume all the
+food they could obtain, and all the drink. They were hungry in
+every sense of the word. To use a significant euphemism, a very
+great majority of Mrs. Lamb's guests were "on the make". They
+all wanted something. Many wanted a great many things, and
+wanted them very badly. There was a generous fringe of what is
+called the "literary, musical and artistic world"--those
+excellent people who will go into every house into which they
+can gain admittance. Singers who are looking for people who will
+listen while they sing, and who will pay for listening. Authors
+in search of an "opening," victims of that quaint delusion that
+in order to achieve popularity it is necessary to keep one's
+person well in the public eye, as if it were not easier for the
+novelist who lives in the centre of Timbuctoo to gain, and keep,
+a circulation of a hundred thousand copies--that consummation so
+devoutly to be desired!--than for the pet of London
+drawing-rooms. Composers who wanted some one to hear their
+"works"; musicians who were apparently content to play on their
+various instruments, and keep on playing, whether they were
+listened to or not; artists who nourished more or less timid
+hope that, having provided them with food, and drink, and
+house-room, their hostess would purchase half a dozen of their
+"sketches," by way of providing a pleasant climax to their
+evening's entertainment; actors--and actresses!--who were
+willing to do anything, from the "splits" to "Hamlet," and
+to do it then and there; dramatists, who could have told you
+tales--and tried to!--of managerial incompetence which would
+have made your blood run cold, if they had not been so
+monotonously alike. These worthy folk, foredoomed to failure,
+were at Mrs. Lamb's in force.
+
+There were others. Birds, some of them, of the same plumage, who
+had achieved a more successful flight, and promised to sustain
+it, and perhaps fly even higher. Men and women who had won for
+themselves prominent places in their several callings--perhaps
+not quite in the front rank, but still near enough--who, having
+been in many such, understood what kind of house it was that
+they were in. It is to be feared that they regarded their
+hostess at best with but amusement, wondering, if she really had
+as much money as people said, how it was that she was willing to
+get so little for it.
+
+Then there were the nondescripts--that large battalion. Some
+actually with titles, though probably a trifle smirched. People
+who were the Lord alone knew who, or what they did for a living.
+Persons who claimed to be something in the City, and no doubt
+were; whose wives, if they had them, gave you the impression
+that their husbands were in the same line of business as the
+Rothschilds. There was probably no trade or profession, from the
+highest to the lowest, which went unrepresented that night in
+Connaught Square.
+
+And besides all these there were the score or so of individuals
+whom the hostess really knew, or thought she did. And among them
+moved Mrs. Lamb, as if she knew them all. Beautifully dressed,
+probably the best, without doubt the most expensively, dressed
+woman there. There were diamonds on her fingers, her wrists, on
+her bosom, about her neck, in her hair. If they were real, and
+it were blasphemy to doubt it, she would have been reduced into
+something worth having if she had been put up to auction as she
+stood. She looked, if not exactly divine, then certainly not
+unprepossessing. There were many present, both male and female,
+who thought her lovely, one of the loveliest women they had ever
+seen. That was just the assemblage to which such charms as hers
+would make their most strenuous appeal, so that, since a woman
+loves appreciation, in her generation she was wise.
+
+For one so young, and in years she still was very young, she
+bore herself with singular ease. She had cast herself for the
+_rôle_ of great lady. If the type on which she had fashioned
+herself smacked somewhat of the theatre, her success was none
+the less, but rather all the more, on that account. In her way
+she really and truly was irresistible. So full of smiles and of
+sweetness, so good to look upon. So tall and well set, with such
+splendid arms and shoulders, such a rounded neck, such
+good-humour in her face. There was such a suggestion of youth
+about her--the youth which must prevail, of vital force, of
+physical vigour. She presented in herself such a striking
+example of the creed that's all for the best in this best of all
+possible worlds. She was such an excellent product of that great
+and shining god, Success. He had showered on her all his gifts,
+and she on her part seemed quite willing to divide them with
+whoever would. She seemed to have the knack of saying the right
+thing to the right person, being possessed either of a wonderful
+memory for names and faces, or, in an almost miraculous degree,
+of the trick of arriving, on the instant, at just conclusions
+from the scantiest data. She knew who wrote songs; what songs
+they had written; even what songs they were about to write; and
+who liked it to be thought that they were distant connections of
+the Rothschilds. She either had this information stored away in
+innumerable cells in her illimitable brain, or she picked it
+from people while they talked to her, out of their eyes, lips,
+pockets, without their suspecting that she was doing anything of
+the kind.
+
+She might have stood as the personification of human happiness,
+as the possessor of everything that the heart could desire.
+There were many there who credited her with being both these
+things, envying her more or less, admiring her perhaps even
+more. They would have readily believed that in her bed of roses
+there was not one crumpled leaf. Her radiant bearing, her
+beaming visage, seemed to suggest that she lived, and moved, and
+had her being in the lotus-land of happy dreams, which, for her,
+had grown realities.
+
+As the evening advanced she seemed to become, if anything, more
+light-hearted--gayer still--as if the success of her gathering,
+the happy looks with which she everywhere was greeted, had
+inoculated her with some subtle essence which raised her out of
+herself. Harry Talfourd and Margaret Wallace came, in a
+"growler," when she was at her best and brightest. Although it
+was late, and some of the earliest comers were going, others
+were still arriving. A long line of vehicles were slowly
+depositing their occupants at the front door. In this line Mr.
+Talfourd's cab took its proper place, in the rear, and in that
+line it bade fair to continue for some considerable time. The
+lady and gentleman soon grew impatient.
+
+"Are we going to stay in this cab all night?" inquired Margaret.
+
+The gentleman put his head out of the window.
+
+"It looks as if we were. We're about half a mile from the house,
+and there seems to be no end of confusion; people are both
+coming and going, and there's a fine old muddle. I say, Meg,
+it's quite fine and dry; do you think you could get out and walk
+the rest of the way? or would it make a mess of you?"
+
+"Make a mess of me! what do you mean? Open that door; I'll soon
+show you."
+
+He opened the door, and she showed him.
+
+Getting through the wide open portals of Mrs. Lamb's residence,
+and then up the staircase, on which people were ascending and
+descending in a continual stream, occupied some time.
+
+"I feel," observed Margaret, when they had reached the
+drawing-room door, "as if I had gone through a course of the
+'home-exerciser,' or whatever they call the thing which is
+guaranteed to give employment to every muscle in your body. If
+all these persons are Mrs. Lamb's friends she must be a
+well-loved woman."
+
+In the drawing-rooms themselves there was room to move slowly,
+if one observed a few necessary precautions. At their first
+entrance nothing could be seen of their hostess. As Harry
+piloted her through the room Margaret found sufficient
+occupation in the spectacle presented by her fellow-guests. In
+the course of her somewhat varied experiences she had met some
+curiosities, but never before had she encountered such specimens
+of humanity as were about her now. While she was wondering who
+they could be, and where they could have come from, Harry gently
+pressed her arm.
+
+"There's Mrs. Lamb in the other room; I'll introduce you."
+
+Margaret looked, and saw, in the smaller room which was beyond,
+a woman standing, with her back towards her, whom she became
+instinctively conscious was her hostess. Not only was she the
+most striking figure in that great crowd, but she was surrounded
+by a number of people, to all of whom she seemed to be talking
+at once. Her head being turned away, her face was not visible
+from where they were, so that it could have told her nothing;
+yet so singular sometimes is feminine human nature, that Harry
+had hardly finished speaking when Margaret replied--
+
+"Please don't introduce me to that woman; I'd rather you didn't.
+Take me away at once."
+
+There was something so unusual in the girl's tone that Harry
+stared at her in amazement.
+
+"Meg! is there anything wrong?"
+
+"Thank you, there is nothing wrong, only--I want to go."
+
+"Go! You can't go now--it's impossible--before I've introduced
+you, since you're here for that special purpose."
+
+"I don't want to be introduced. I'd rather you didn't. Harry,
+you mustn't!"
+
+"Meg, don't look like that. She's not an ogre; she won't bite
+you. Child, what's gone wrong with you all of a sudden? You
+needn't stop more than five minutes--and this atmosphere's
+enough to asphyxiate any one; but, after what I said to her this
+morning, and since you have come, the commonest courtesy compels
+me to introduce you; afterwards we can go at once; any excuse
+will serve. Anyhow it's too late now for us to think of going
+before I've made you known to her."
+
+What Mr. Talfourd said seemed to be the fact. The current had
+borne them so close to their hostess that she had but to turn
+round to find herself within arm's length of them. Margaret was
+silent. Harry did not look at her face; he was careful not to do
+so. The sudden curious change in the girl's manner had affected
+him more than he would have cared to admit. He knew that she was
+not a person who was liable to be beset by fantastic whims and
+fancies, and that there was probably some substantial reason for
+the alteration which had taken place in her. His wish was to get
+through the ceremony of introduction with as much speed, and as
+little ostentation, as he could, and then depart, if the feat
+were possible, more quickly than they had come. With this
+intention, taking the bull a little by the horns, he addressed
+their hostess while her back was still turned towards them.
+
+"Mrs. Lamb!"
+
+At the sound of the voice, for whose accents she had been
+listening all the evening, the lady moved round with quite a
+little swirl of her draperies; there was just sufficient open
+space about her to enable her to do it.
+
+"Mr. Talfourd! I thought you had forgotten me, and were never
+coming. And--have you brought the lady?"
+
+"I have. Permit me to introduce to you Miss Margaret Wallace."
+
+There have possibly been moments in most of our lives when we
+have been visited by something of the nature of a thunderbolt,
+and sometimes it has seemed to drop out of the clearest of blue
+skies. That was the moment in her life in which the thunderbolt
+descended on Mrs. Lamb, and with such crushing force that, for a
+too perceptible period of time, it left her literally bereft of
+her right senses. Its utter unexpectedness was no slight factor
+in the havoc which it wrought. Possibly more than she had been
+able to do for a considerable interval she had succeeded in
+putting behind her matters which were wont to press too closely;
+for the moment she had forgotten Pitmuir--all that it meant.
+This was a case in which forgetfulness meant happiness, or a
+very tolerable substitute. If only for a few fleeting minutes
+her mind was at peace.
+
+And, on a sudden, without a moment's warning, not dreaming that
+such a meeting was even within the range of possibility, she
+found herself confronted by the one person in the world whom she
+would have traversed the universe to avoid. There, in her own
+drawing-room, within two feet of her was the girl who was the
+only living creature whose image haunted her, both awake and
+asleep.
+
+She had had communion of late with ghosts--unwillingly enough,
+for she had resorted to every means with which she was
+acquainted to drive them from her. Yet come they would.
+Therefore it was not, after all, so strange, that in the first
+moments of what practically amounted to delirium, she supposed
+that this bonny, fair-haired, blue-eyed girl, whom she so hated
+and so feared, was one of them.
+
+When she heard her name, and saw her face, she moved back upon
+the people who were behind, oblivious that they were there. The
+whole fashion of her countenance was changed. She held out her
+arms, as if to ward off something whose approach she feared. And
+she exclaimed, in a voice which none of those about had heard
+from her before--
+
+"You can't come in!--you can't! He says you're not to--and you
+shan't! Go away! go away!"
+
+Not one person in the throng which was around her had a notion
+what she meant, Margaret no more than any of them. She herself
+drew back and clung to Mr. Talfourd's arm, as if in fear. But
+her fear was as nothing to the other's. Their hostess offered in
+herself a picture for her guests' inspection which it was not
+pleasant to behold. She seemed to have all at once become
+transformed into a gibbering idiot. While she persistently drew
+farther and farther back, she kept repeating--
+
+"You shan't come in!--you shan't! He says you're not to--and you
+shan't! you shan't! I say you shan't!"
+
+There was among the onlookers a medical man, one who had had
+experience of different phases of lunacy. Perceiving that this
+was a case which entered into his domain, he forced himself to
+the front. He put his hand upon his hostess' bare shoulder.
+
+"Mrs. Lamb! what has affected you? There is nothing here to
+cause you the slightest disturbance. Control yourself, I beg."
+
+His tone of calm authority had instant effect. Mrs. Lamb was
+still, she ceased to gibber. Her arms fell to her sides. She
+remained motionless, staring in front of her, as one in a dream.
+Putting her hands up to her face, a convulsion seemed to pass
+all over her. When she removed her hands she was awake, and
+understood, and knew what she had done. The knowledge was more
+than she could bear.
+
+"Let me pass," she cried.
+
+They let her pass. She swept through her guests, who huddled
+themselves together to let her go, like some incensed wild
+creature, out of the room, from their sight.
+
+
+
+
+ CHAPTER XXII
+
+ MARGARET SETTLES THE QUESTION
+
+
+Harry Talfourd hurried Margaret Wallace into the street as fast
+as circumstances permitted, while the guests at Mrs. Lamb's were
+looking at each other, exchanging whispers, asking what had
+happened, what the thing which had happened meant. A few seconds
+after the hostess' departure the crowded rooms were filled with
+the buzz of voices, which rose higher and higher until it became
+a pandemonium of noise. Mrs. Lamb's "At Home" had resolved
+itself into chaos.
+
+Outside in the street Mr. Talfourd did not find it easy to get a
+cab; the chaos within was already beginning to make itself felt
+without. The whole roadway was a confusion of vehicles.
+Perceiving that it was inadvisable to stand still, since they
+immediately became the cynosure of curious, and even
+impertinent, eyes, Harry marched resolutely onward, holding the
+girl tightly by the arm. They had to go some little distance
+before they could find a four-wheeled cab which would condescend
+to give them shelter.
+
+So soon as they were in, Margaret drew back into the corner of
+her seat with a movement so eloquent that Harry seemed to hear
+her shiver. He was silent, trying to collect his thoughts. He
+was as much at a loss as any of the excited people they were
+leaving behind. When he spoke it was lightly, as if he desired
+to make as little of the matter as might be. He was conscious
+that in the farther corner, as far away from him as she could
+get, was the girl he loved, in a mood wholly unlike any that he
+had known before. He was fearful of what might be coming next.
+So he endeavoured not to be serious.
+
+"This promises to be a night of adventure. Did you ever see such
+a scramble for cabs? People were rushing out of the house as if
+it were on fire. We'll hope there'll be no accident before
+they've finished. What did you think of Mrs. Gregory Lamb?
+Something must have occurred to upset her equilibrium; she
+showed quite a new side of her character." Margaret was still.
+He seemed to hear her breathe; he wondered if it were possible
+that she was crying. He put out his hand, touching hers gently
+with his finger-tips. Although she did not repulse him she
+remained impassive, not in any way acknowledging his caress.
+"Meg, I hope you're not worrying yourself about that woman's
+behaviour. She's not quite responsible, I fancy. She certainly
+wasn't to-night, but there was nothing that need trouble you."
+
+"I am wondering what she meant."
+
+"Meant? My dear child, she meant nothing, absolutely nothing.
+She's a trifle mad, that's all."
+
+"I'm not so sure. I believe she did mean something."
+
+"What on earth makes you think that? What could she mean?"
+
+"I can't explain. At present I don't understand myself; but I
+shall--I know I shall. Only I'm afraid."
+
+"Afraid! Sweetheart, don't talk like that! You make me feel as
+if I had done something I oughtn't to have done."
+
+"You have done nothing. Still I wish you hadn't introduced me. I
+asked you not to."
+
+"But, Meg! the whole thing was your own proposition; the whole
+idea was yours from first to last."
+
+"Yes, I know; but then I didn't understand."
+
+"What didn't you understand?"
+
+"I hadn't seen her."
+
+"You hadn't seen her? Meg, have you ever seen Mrs. Lamb before?"
+
+"Never."
+
+"Has she ever seen you?"
+
+"That's what I'm wondering; that's what I'm trying to make out."
+
+"It's a very mysterious business altogether; and the way you're
+taking it seems to me to be not the least mysterious part of the
+whole affair--and I can't say that I'm fond of mysteries.
+However, as some one or other says in a play, though I'm afraid
+I can't tell you what play, 'Time will show'."
+
+When they reached Margaret's rooms they found that Frank Staines
+and Mr. Winton had arrived already, and were waiting for them at
+the street door. They all went up together. So soon as they were
+in the room Mr. Winton asked his question--
+
+"Well, Miss Wallace, is Mrs. Lamb to create Lady Glover?"
+
+Had he put to her an inquiry on the answer to which the whole
+happiness of her life was dependent, it could hardly have moved
+her more.
+
+"Never! never! never!"
+
+She repeated the word three times over, with each time an
+additional emphasis. Mr. Winton, probably accustomed to
+strenuous utterances on the part of ladies to whom the theatre
+was the chief end and aim of their existence, appeared to be
+entertained by her intensity. Putting his hands behind his back
+he regarded her with smiling face.
+
+"And isn't she to produce the play?--that is, if she's willing
+to do so if she's not to be allowed to play in it?"
+
+"She is to have nothing to do with it--nothing."
+
+"You appear to have arrived, Miss Wallace, at a decision which
+is final and conclusive, and to have done so in a very short
+space of time."
+
+"I have."
+
+"The matter is placed beyond the pale of my discussion?"
+
+"It is."
+
+Mr. Winton turned to Harry with a little gesture of amusement.
+
+"Then, Talfourd, we shall have to seek for another capitalist,
+and as that is not a bird which is easy to find, 'The Gordian
+Knot' will have to be shelved for a still further indefinite
+period. Let's trust that some of us will live to see it
+produced."
+
+In her turn Margaret faced Harry with an air of penitence.
+
+"I'm so sorry, but I would rather that it were never produced at
+all than that it should owe anything to that woman--and you know
+how I have set my heart on its success."
+
+He tried to comfort her, as if the loss were hers.
+
+"'The Gordian Knot' won't spoil by keeping; don't let it trouble
+you a little bit; dismiss Mrs. Lamb from your mind as if she had
+never been. She's nothing to you, or to me, or to any of us;
+she's just--like that!"
+
+He snapped his fingers in the air, as if by the action he
+expressed her valuation. Margaret answered with an enigmatic
+smile.
+
+"Like that? I don't think she'll be to me like that--ever."
+
+"But, my dear girl, why not? why not?"
+
+"Ah! that I cannot tell you, because I don't know. But I shall
+know, and, when I do, I daresay I shall wish I didn't."
+
+Harry threw up his hands in the air as if it were a case which
+baffled him. Frank Staines, who had been listening with a
+twinkle in his eyes, observed--
+
+"I understand, Miss Wallace, that your appearance at Mrs. Lamb's
+furnished the occasion for quite a dramatic interlude".
+
+Margaret moved her shoulders, as if the recollection made her
+shudder.
+
+"I'd rather not talk about it, if you don't mind--thank you very
+much. I'm awfully sorry to turn you people out, but--I think I'd
+like to go to bed, if I may."
+
+When the three men found themselves in the street Winton said to
+Harry--
+
+"Miss Wallace's idea does not seem to have been altogether a
+success".
+
+Harry did not reply at once; when he did his tone was a little
+grim.
+
+"I'm not so sure. My own impression is--though if you were to
+ask me I could not tell you in so many set terms on what it's
+founded--that we're well rid of the lady, and that we are rid of
+her I think there's very little doubt."
+
+Frank Staines remarked--
+
+"If the lady's mad, or if she's subject to fits of madness--and
+if she isn't I don't know what she is--it's just as well that
+you've discovered it before it was too late".
+
+Judging from their silence that seemed to be the opinion of the
+others also.
+
+The next morning Miss Wallace was distinctly in an
+uncommunicative mood, as Miss Johnson, who paid her a very
+matutinal call, found, whereupon the young lady expressed
+herself with characteristic frankness.
+
+"Really, Meg, I've known you for quite a time, and I was just
+beginning to think that you were a really Christian person, but
+now it's actually bursting on me that you can be nothing of the
+kind. You sit there, mumchance, looking all sorts of things and
+saying nothing; and if there can be anything more exasperating
+than that, I should like to know what, it is. You promised, last
+night, before you went to Mrs. Lamb, that you would tell me
+everything that happened--I'm sure something did happen, by the
+looks of you--yet the more I ask you questions, the more you
+won't answer them. Do you call that being as good as your word?
+I don't--so that's plain. I'm disappointed in you, Margaret
+Wallace."
+
+Margaret smiled, a little wanly.
+
+"I hope you'll forgive me, Dollie, please! but I can't talk to
+you just now, and especially about last night. Ask Harry, or Mr.
+Staines, they'll tell you everything, and perhaps a little later
+I will myself, but just now I really and truly can't."
+
+Dollie, eyeing her shrewdly, perceiving she was in earnest,
+bowed to the inevitable.
+
+"Very well; I shouldn't dream of asking anything of Mr. Frank
+Staines, he might treat me even worse than you are doing. But
+it's possible that I may put a few questions to your Harry. The
+fact is that if some one doesn't tell me something soon I shall
+simply burst with curiosity. I have never concealed from any one
+that curiosity's my ruling passion--it's the case with all
+literary persons, my dear! Meg!"--she went and put her arm about
+the girl's neck, and the tone of her voice was changed--"if
+anything horrid happened at that woman's, never mind; after all,
+horrid things don't really matter, they generally turn out much
+better than they seem. I once had thirteen MSS. rejected in one
+week, and yet I bore up, and I planted them all before I'd done
+with them. I've never seen you look like this before, and I
+don't half like it. I always make you the heroine of all my
+stories, because you're the best plucked girl I ever met; so
+buck up, and stop it as soon as you conveniently can."
+
+Miss Johnson had not departed very long before Margaret had
+another visitor--Dr. Twelves. He found her much more talkative
+than Dollie had done.
+
+
+
+
+ CHAPTER XXIII
+
+ MARGARET RESOLVES TO FIGHT
+
+
+So soon as the doctor appeared in the doorway Margaret ran to
+him with outstretched hands, in her voice a curious, eager note.
+
+"I knew you'd come!--I knew it!"
+
+The doctor took her soft hands in his well-worn ones, regarding
+her from under the pent-house of his overhanging brows with his
+keen hawk's eyes, which age had not perceptibly dimmed, as if he
+sought for something which he fancied might be hidden in some
+corner of her face.
+
+"Did you? How did you know it?"
+
+"I don't know; but I did--I was sure."
+
+"Maybe you've the gift of second sight. I've heard it said it
+was in your father's family."
+
+"I wish I had; it would be the most useful gift I could have
+just now."
+
+"Would it? How's that? Maybe you knew I'd come because you
+wanted me."
+
+"Wanted you! Doctor, don't you feel unduly flattered! But
+there's no one in the world I wanted half so much as you."
+
+"Is that so? Then it's queer, because I just happen to be
+wanting you nearly as much. But before we fall to talking come
+to the light, and let me see your face. There's something there
+which puzzles me, which I've never seen on it before; it's sure
+I am it wasn't there the other day."
+
+Taking her by the arm he would have led her to the window, but
+she placed her hand against his chest and stopped him.
+
+"No, no, doctor, you mustn't take me to the light, and you
+mustn't look at my face either. I'd rather you turned right
+round and look at the wall. There's quite a pretty paper on the
+wall, and some drawings of mine which you'll find deserve your
+very closest attention. I just want to talk to you, and I want
+you to talk to me, and answer some questions which I'm going to
+ask--and that's all."
+
+"And that's all? I see. And I'm not to look at your face? Good.
+It's prettier than the paper, and far more deserving of
+attention than the drawings, but far be it from me to quiz a
+lady when she'd rather I didn't. Yet before you start the
+talking--perhaps when you've started you'll be slow to
+finish--let me say a word. You remember what you told me about
+that visit you paid to Cuthbert Grahame--that last visit when
+they wouldn't let you in?"
+
+"It's exactly about that I wish to speak to you."
+
+"Then that's queerer still, because it's about that I've come to
+talk. You told me that it was Nannie Foreshaw who refused you
+admission, and that she poured some water on you; and I told you
+that I didn't see how she could have very well done that, since,
+at that very time, she was lying, with her leg broken, in bed.
+When I left I wrote and asked her what she had to say. I've had
+an answer from her, and here it is." He took an envelope from
+his pocket, and from the envelope a letter, speaking all the
+time. "You'll bear in mind that Nannie's not so young as she
+was, and that, of late, things have fared ill with her, as they
+have a trick of doing when one grows old. She's had a broken
+leg, and that's no trifle when the marrow's getting dry in the
+bone; and her master--whom she'd had in her arms even before
+he'd lain in his mother's--had come to his death in a way that
+wasn't so plain as it might have been. She's never quite got the
+better of that broken leg; she walks with a stick, and she'll
+never walk without one; and she'll never be rid of the thought
+that, when Cuthbert Grahame died, though she was only just
+above, she couldn't get down to him, or shut his eyes, or see
+him before he was put in his coffin, or stand by his grave when
+he was buried. That thought troubles her more than the other.
+Between the one and the other, and the stress of advancing
+years, she's not so good a penwoman as she used to be. And so it
+comes about that this letter which I have here was not written
+by her own hand, though I have no doubt that they're just her
+own words which are set down in it."
+
+Unfolding the sheet of paper he proceeded to read aloud.
+
+"'Dear Mr. David'--she's called me that these forty years, and
+before that it was Master David, and it doesn't seem as if she
+could break herself of the habit, though, mind you, I'm an M.D.
+of Edinburgh University, and legally entitled to the prefix
+'Doctor,' which is more than can be said for a good many that's
+called it. 'It's beyond my thinking'--it's very colloquially
+written is this letter, which makes me the more sure that it's
+just her words which are set down in it--'It's beyond my
+thinking how you could have supposed that I could ever have
+turned my darling away from the door?--I never supposed anything
+of the kind, but that's by the way--'and refuse to let her in?
+My dear Miss Margaret! Mr. David, if I were dying I'd open the
+door if I knew that she was there--ay, I believe I would climb
+out of my grave to do it.' You observe what exaggerated language
+the woman uses? That's her all over. 'And to think that it
+should have been her on the day of which you speak--that awful
+day! I'll never forgive myself now that I know it.' That's her
+again. 'And, Mr. David, I'll find it hard to forgive you
+either.' That's the woman to a T--logical. 'If you'd never
+brought the creature to the house none of it would ever have
+happened, and my darling would never have been denied the door.
+And hot water thrown on her sweet head! How slow is the judgment
+of God!' Observe how she flies off at a tangent. 'Now I'll tell
+you the whole story. That day as I was lying in my bed, where
+she had laid me, I heard a great clatter in the house. When,
+after it was over, she came up to see me, I asked her what it
+was about. She said that a strange man had come begging to the
+house, and had tried to force himself into it, but that she had
+had to imitate my voice, to make him think it was me that was
+talking to him, before he would go. The insolence of her, that
+she should try to imitate her betters, and tell me of it to my
+face. And now it seems that it was no strange man at all, but
+just my darling who had come begging to be let into her own
+home. That wicked woman! Tell my sweet, when you see her, Mr.
+David, just how it was. And tell her if I had known it was she I
+would have crawled down, if it had been on my hands and knees,
+to undo the door, and bid her welcome. And say to her that
+there's none dearer to me in all the world than she is, and well
+she ought to know it. There is one prayer I offer constantly,
+that I may be spared to see her sweet face again, and hold her
+in my arms, and listen to her dear, soft voice. There is much
+more that I would say, but it cannot be written; it is only for
+her and for me.' Then the old woman goes off rambling; there is
+more, but nothing to the point. Here is her letter; you may read
+it for yourself if you like; there are tender messages by the
+yard. You'll see that that is not the epistle of a woman who
+would drive you from her door."
+
+"But I don't understand. Who does she mean imitated her voice?"
+
+"The woman who called herself Mrs. Cuthbert Grahame."
+
+"Who called herself Mrs. Cuthbert Grahame? I've heard something
+about some woman, but nothing that was at all plain. Tell me who
+she was, and how she came to call herself by his name."
+
+The doctor told, as succinctly as he could, the story of the
+woman he had picked up by the wayside; how, though he had found
+her helpless, she had proved herself to be more than a match for
+them all. Margaret listened with eyes which grew wider and wider
+open. When he had finished she broke into exclamation.
+
+"Then Nannie is right; it was through you that it all happened."
+
+He resorted to his favourite trick--he stroked his bristly chin,
+as if the action assisted him in the search for an appropriate
+answer.
+
+"In a measure, young lady--in a measure. My original intention
+was to perform an act of mercy. You would not have had me leave
+the creature there in the night to perish. The whole business is
+but an illustration of the truth of how great events from little
+causes spring."
+
+"To give her assistance, shelter--that was right enough; but,
+according to your own statement, you were responsible for that
+mockery of marriage."
+
+The rubbing of the bristles went on with redoubled energy.
+
+"I might say something on that point, but I'll not; I'll just
+admit I'm guilty. And I'll do it the more willingly because
+there hasn't been a day on which I haven't told myself that if
+there's a creature on God's earth that needed well and regular
+hiding that creature's me, because of what I did that night. I
+did a great wrong, a great folly, and a great sin. Margaret,
+though I am old and you are young, I am ready, if you wish
+it--and you'll be right to wish it--to humble myself in the dust
+at your feet. My only consolation is that in His infinite mercy,
+ultimately, there may be forgiveness even for me." He paused,
+then added, with in his voice and manner a suggestion of utter
+self-abasement which was in itself pathetic, "And the worst I've
+still to add".
+
+"The worst?"
+
+She shrank from him, with what seemed to be a gesture of
+involuntary and almost unconscious repulsion.
+
+"Ay, the very worst. Only don't draw yourself from me like that,
+lassie--for the love of Christ; for I'm but a poor old man
+that's sinned, and that's very near his end, and that would do
+all he can to repair his sin before death has him by the
+throat."
+
+"I--I didn't mean to be unkind, but--what were you going to
+say?"
+
+"One thing's about his money--Cuthbert Grahame's money. Several
+times he spoke to me about you--more than kindly. I believe he
+had it in his mind--as I had, and have it, in mine--to repair
+the wrong he'd done you. I have reason to think that it was his
+intention to leave you at least a large portion of his fortune,
+to re-make the will I had helped him break. I believe that, with
+one of his cranky notions to be revenged on her for the part
+she'd played, he communicated his intention to her; that he went
+so far as to instruct her to draw up such a form of will as he
+required. My own impression is that she either actually did do
+this, or pretended to, and that, when the time came for him to
+affix his signature, she performed some feat of jugglery, which,
+under the circumstances, was easy enough, and so got him to sign
+a document which expressed the exact opposite of his wishes."
+
+"Do you mean that he thought he was leaving me his money when
+actually he was leaving it to her?"
+
+"That's about the truth of it--I believe it strongly. I am
+persuaded that the will she produced she got from him by means
+of a trick. But that is not the worst."
+
+"Doctor, you're--you're like the old fable, you pile Pelion on
+Ossa."
+
+"I believe that when she had got the will into her possession,
+all signed and witnessed, she was confronted by the fact that
+exposure of its contents might render it invalid at any moment.
+That is probably what would have happened, and in a very short
+time, so that to make sure, she killed him then and there."
+
+"Killed him!"
+
+"I am convinced that Cuthbert Grahame was killed by the woman
+who called herself his wife, and that within ten minutes of the
+signing of his will. She propped him up with pillows, then, by
+suddenly withdrawing those which supported his head, she let it
+hang down, and so choked him. In order to avoid suffocation it
+was always necessary to keep his head well raised, a fact with
+which no doubt she had made herself acquainted."
+
+"Doctor! But was there no inquest?"
+
+"Certainly; and I gave evidence. But what could I say? I had no
+proof--not an iota. I could only express my conviction that it
+was impossible for him to have moved the pillows himself; and I
+did. I doubt if that bare statement had any effect upon the
+verdict. She was a very clever woman."
+
+"Clever! you call her!--clever! If you are right she was an
+awful woman--you mustn't call her clever. That sort of thing's
+not cleverness."
+
+"Isn't it? I don't know what it is then. If we had realised her
+cleverness from the first we might have been prepared for her;
+she might have met her match. It is only by fully recognising
+the fact that we have to deal with an uncommonly clever woman
+that we shall have the slightest chance of getting the better of
+her, and bringing her to book."
+
+"Bringing her to book! Doctor! where is she? Is she at Pitmuir?"
+
+"That's not the least strange part of the whole strange
+business--where she is. I've been wondering if it's a sign that
+God's finger has been slowly moving to set on her His brand. The
+young gentleman in whom, I presume, you take a certain amount of
+interest, since, one day, you design to honour him by allowing
+him to make of you his wife--Mr. Harry Talfourd--told me that he
+acts as secretary to a lady."
+
+"I know."
+
+"The lady's name is Lamb--Mrs. Gregory Lamb."
+
+"Yes."
+
+Margaret, as she uttered the word, was conscious of a catching
+in her breath; she herself did not know why.
+
+"Mrs. Gregory Lamb is the woman I found by the roadside; who
+told me that her name was Isabel Burney; who called herself Mrs.
+Cuthbert Grahame; who juggled into existence the will under
+which she inherits; who murdered the man out of whom she got it
+by a trick."
+
+Margaret was silent, curiously silent. Then she drew a long
+breath, and she said--
+
+"Now I understand".
+
+The doctor was struck by something in her intonation which was
+odd.
+
+"Just what is it you understand?"
+
+She repeated her own words.
+
+"Now I understand. The veil which seemed to obscure my sight is
+being torn away; things are getting plainer and plainer. She was
+not mad, as we thought; it was we who were ignorant. Doctor, I
+believe that the finger of God, of which you spoke just now, has
+moved already."
+
+"It is likely. It is some time since I looked for it to move,
+but He chooses His own time. As for what you say about your
+understanding, to me your words are cryptic--unriddle them,
+young lady, if you please."
+
+Margaret, in her turn, told her tale: of her visit to Mrs.
+Gregory Lamb; of its abrupt and singular termination. The doctor
+listened with every sign of the liveliest interest.
+
+"As you observe," he cried, when she had done, "it would seem
+that the finger of God has moved already. She knew you although
+you did not know her, and the sight of you was as though one had
+risen from the grave; it filled her with unescapable terror."
+
+"It's difficult to explain--I've not been able to explain it to
+myself until this minute--but I did know her, that is, I felt as
+if I ought to know her. Directly Harry pointed her out to me,
+something struck at my heart and set me trembling. I don't
+often tremble, but I did then. It was as if I were confronted by
+some dreadful danger, which had threatened me before, and from
+which I had then only escaped by the skin of my teeth. And
+yet I don't know that the feeling which affected me most
+strongly was terror. No, I don't think it was. It was something
+else--something which I can't describe. I believe--doctor, I
+believe it was hatred. I hated that woman with a hatred which
+was altogether beyond anything of which I had dreamed as
+possible, of which I had supposed myself to be capable. I don't
+hate people as a rule; I don't remember ever having met any one
+whom I seriously disliked. I do think that in almost every one I
+have come across I have seen something which I liked. But--in
+her! I didn't want Harry to introduce me, to take me nearer,
+because I was filled with what seemed even to me an insane,
+indeed a demoniacal desire to kill her where she stood."
+
+While the girl was speaking her appearance seemed to gradually
+change, till, when she stopped, she seemed to stand before the
+old man like some rhadamanthine, accusatory spirit, ready to
+pronounce judgment and to execute the judgment which she herself
+pronounced. The doctor watched her with a visage which remained
+immobile, almost expressionless.
+
+"Your words suggest a kind of justice which has become
+extinct--in politer circles."
+
+"Yet justice shall be done!--it shall be done! I will see to it.
+I never did her a harm, nor wished her one. Yet she has done me
+all the mischief that she could, for wickedness' sake. If she
+killed Cuthbert Grahame, she should have killed me also, for, if
+I live, I will bring her to the judgment-seat. You say she is in
+enjoyment of the money which she won from him by a trick, and
+whose safe possession she insured to herself by murder----"
+
+"Pardon me; to her that's the fly in the ointment. It's
+precisely the money which she hasn't got--which is doubly hard,
+since, to gain it, she did all that she did."
+
+"I thought you said that she had it."
+
+"She has the will under which she inherits, but, so far, she has
+inherited comparatively little. Did Grahame ever talk to you
+about his money?"
+
+"In those latter days, when I began to be a woman, there were
+only two things about which he would talk, one was his money,
+the other his desire that I should be his wife. I loved him
+dearly! No daughter ever loved her father better than I loved
+him, but not like that!--not like that! When I said no, he would
+talk of his money, holding it out as a bait."
+
+"Did he ever tell you how much of it there was?"
+
+"He was always saying all sorts of things; I cannot remember all
+he said. I know he told me again and again that he had been
+saving his money for years for my sake, for me to use when I
+became his wife--his wife! He said more than once that there
+were fifty thousand pounds a year waiting for me if--if I would
+only say the word."
+
+"Fifty thousand pounds a year? A nice little bait with which to
+cover the hook. Some girls would have swallowed the bait and
+never minded the hook."
+
+"Doctor!"
+
+"Calm yourself, young lady; don't blast me with the lightning of
+your eyes. I'm but saying what's well known to all the world.
+And did he say where that snug little income came from?"
+
+"From his investments. He was always boasting of the lucky
+investments he had made."
+
+"Did he ever tell you in what?"
+
+"He wanted to often, but I wouldn't listen. I daresay he did
+mention some of the names, but I paid no attention and have
+forgotten them if he did. I hated to hear of his money. I knew
+what it meant to him, and I couldn't get him to understand that
+it didn't--and never would!--mean the same to me. His talk about
+his money helped to poison my life."
+
+"One knows that to a young girl money has a way of not meaning
+so much as to some of us older folk, so I humbly ask your pardon
+if I seem to dwell on it too long. Yet I would ask you to cast
+back in your mind and think if he ever dropped a hint as to
+where the securities, the documents which represented these
+investments, might be found?"
+
+"Weren't they at the bank? or with his lawyers?"
+
+"They were not. Cannot you recall a hint which he may at
+sometime have let fall as to their whereabouts?"
+
+She put her hands up to her temples, either to ease her
+throbbing temples or to aid her memory in its task of looking
+back.
+
+"I can't think! I can't think!--not now! There are so many
+things of which I have to think, that they seem to have left me
+no power to think of anything else. Some day something which he
+once said may come back; I haven't forgotten much he did say to
+me; it's all somewhere in my brain, only I can't tell you just
+where--not at this very moment. At this moment I can only think
+of her."
+
+"Of whom?"
+
+The voice which made the inquiry was Harry Talfourd's. He stood
+in the open doorway with his hat in his hand. Perceiving that
+his appearance seemed to have taken them by surprise he
+proceeded to explain.
+
+"I did knock--twice; but I presume that you were so much
+engrossed by what you were saying to each other that my modest
+raps went unheeded. I heard you say, Meg, in tragic, not to say
+melodramatic tones, that you can only think of her. Shall I be
+impertinent if I venture to ask who is the lucky person who so
+fully occupies your thoughts?"
+
+"The lucky person, as you call her, is Mrs. Gregory Lamb. Harry,
+they say that in England the duelling days are over. They may
+be--that is, so far as so-called 'affairs of honour' are
+concerned--but for duels of another sort the day is never over.
+I am going to engage in a duel with Mrs. Gregory Lamb. You and
+Dr. Twelves here will be my seconds. I shall need all the
+assistance that seconds may honourably give to their principal,
+for it will be a duel to the death."
+
+
+
+
+ CHAPTER XXIV
+
+ THE INTERIOR
+
+
+Rather a curious state of things prevailed in Mrs. Lamb's
+residence in Connaught Square. The largest and best regulated
+establishments are apt to be disorganised when festival has been
+kept the night before--that is true enough. But in this case the
+disorganisation was something altogether out of the common. Mr.
+Lamb, who never attended his wife's receptions, and so pleased
+himself and the lady, had come home with the milk, just sober
+enough to wonder why the place was in such a state of singular
+confusion. The servants seemed to be occupying the reception
+rooms, enjoying themselves in a fashion in which servants are
+not supposed to do. He had a vague recollection of having a
+drink with a footman or some such menial while endeavouring to
+ascertain what was the meaning of the proceedings, and of
+pledging a housemaid's health in what he was convinced was a
+glass of his wife's champagne. But as, later, he was only too
+glad to be assisted upstairs by any one and every one, his
+memory of what took place was scarcely to be relied upon.
+
+His wife had shut herself in her room, constraining her guests
+to take their departure without affording them an opportunity of
+saying good-bye to their hostess, and offering her their thanks
+for a very pleasant evening. Exactly what occurred behind that
+locked door she alone knew. When her senses returned she was
+still in her splendour of the previous night. She half lay, half
+sat, upon her boudoir floor, with her head upon a couch. A
+broken wine-glass was at her side. A decanter which had held
+ether was overturned on a buhl table. The day streamed through
+the windows.
+
+It was some seconds before she recognised these facts. Then she
+rose to her feet and looked about her. The first thing she did
+was to go to the boudoir door and try if it was locked. When she
+found that it was, and that the key was nicely adjusted in the
+keyhole, so as to prevent any one peeping in from without, she
+strode through another door, which stood ajar, into her bedroom,
+which adjoined. She tried the outer door of that, to find that
+it also was locked. She glanced at a silver clock which stood
+upon the mantelpiece. According to it the time was twenty
+minutes to one, so that more than half of the day had already
+gone. Then she went to a cheval glass, which mirrored her from
+head to foot, and glanced at herself.
+
+What she saw seemed to afford her a grim sort of amusement. Her
+hair was all in disorder, one long tress trailed down her neck.
+Her eyes were dull and heavy. Her cheeks were smeared; such
+"aids to beauty" as she patronised had become misplaced. Her
+gown was all creased and crumpled; a stain straggled right
+across the bodice. In a few curt words she recognised the
+situation so far as the dress was concerned.
+
+"That's done for."
+
+It looked as if it were, it might have been worn twenty times
+instead of only once. She removed her jewels--her bracelets from
+her wrists, rings from her fingers, her necklace, ornaments from
+her hair. When they were all off she took them in her hands and
+stared at them.
+
+"At any rate, you're worth money. I daresay I could get
+something on you if I tried, though perhaps not so much as some
+might think."
+
+She tossed them on to the dressing-table with a mirthless laugh.
+Disrobing herself, donning her nightdress, she ensconced herself
+between the sheets. There she tossed and tumbled about in such a
+fashion that one was almost disposed to suspect her of indulging
+in some new form of physical exercise. When she had got the bed
+into a condition which suggested that it had been occupied
+throughout the entire night by some peculiarly restless person,
+ceasing to turn and twist, for some minutes she lay quite still,
+as if she listened.
+
+"Those servants of mine don't seem to be making much noise;
+there aren't many sounds of their moving about the house. I
+should like to know where Stephanie is; she ought to have woke
+me long before this."
+
+Stretching out her arm she pressed the electric button which was
+by her bedside--once, twice, thrice, indeed half-a-dozen times,
+on each occasion for an unusual length of time, and with a fair
+interval between each pressure. Nothing, however, transpired to
+show that she had rung at all, certainly no one answered her
+summons. As she began to realise that apparently she was not
+meeting with attention of any sort or kind, her temper did not
+improve. She kept up a continuous ringing; still no one
+answered, nor was there aught to show that there was any that
+heard. She began to be concerned.
+
+"Has every one taken French leave, and am I alone in the house?
+What's it mean?"
+
+She kept her finger on the button for another good five minutes,
+then she decided that the moment had arrived when it would
+probably be desirable that she should make some inquiries on her
+own account. Rising, she put on some clothes, over them a
+dressing-gown. Then, unlocking the bedroom door, she went out on
+to the landing. Nothing could be heard. She descended to the
+floor below, on which were the drawing-rooms. No attempt to tidy
+them had been made since the guests departed; they were in a
+state of almost picturesque confusion. Not even the electric
+lights had been turned off; they were blazing away as merrily as
+if it were still the middle of the night. The apartments
+contained certain articles which, as refreshments were provided
+in the dining-room, could scarcely have been there when the
+guests retired. Bottles and glasses were everywhere--all kinds
+of bottles and all kinds of glasses, indeed Mrs. Lamb had nearly
+stumbled over what looked like an empty brandy bottle as she
+came out of her bedroom door. To Mrs. Lamb the sight of those
+various empty receptacles was pregnant with meaning.
+
+"The beauties! I suppose they're sleeping it off. They shall
+smart for this, every one of them."
+
+She turned towards the staircase which led to the servants'
+quarters, with the intention, no doubt, of making them smart,
+when she encountered one of them. An unkempt, untidy figure,
+clad in a nondescript costume, consisting of checked tweed
+trousers, carpet slippers, dress-coat and waistcoat, crumpled
+shirt and collar and no necktie, came strolling leisurely down
+the stairs as Mrs. Lamb was about to ascend them. It was James
+Cottrell, the butler, in general, so far as appearances went,
+the most immaculate of beings. His mistress stared at him in not
+unnatural surprise.
+
+"Cottrell!--you!--in that state!--at this time of day!--why,
+you're not even dressed."
+
+So far from showing any signs of being ashamed or disconcerted,
+Mr. Cottrell's manner was not only self-possessed, it was
+affability itself. Thrusting his hands into his trouser pockets,
+he tilted himself on his heels, till his legs touched the stair
+behind, and he smiled.
+
+"No, Mrs. Lamb, I am not dressed--that is, my costume is not in
+that perfect state of completeness which I prefer. It is not my
+habit to make personal remarks, but since we are on the subject,
+I may observe that you're not dressed either. I shouldn't call
+that dressing-gown full dress--would you? Your hair don't
+look--to me--as if it had been done for days, and you really
+must excuse my mentioning that your complexion seems to have got
+itself all mixed up anyhow."
+
+"Cottrell, you're drunk; how dare you speak to me like that?"
+
+"No, Mrs. Lamb, I am not drunk; I do assure you that I am at
+least as sober as you are. If you want to know what drink can do
+for a man, I recommend you to go and look at your husband--there
+is a drunkard, if you like; he's like a perambulating sponge.
+Last night it took six of us to get him upstairs; that man ought
+to be black-listed. As for daring to speak to you, Mrs. Lamb,
+there may be some folks whom you inspire with awe, but you don't
+inspire me with any."
+
+"Don't you think I'll let you speak to me like that, although
+you are a man and I'm a woman. You'll leave my service at
+once--and without a character."
+
+"As for a character, any character which you might give me, Mrs.
+Lamb, would, in all human probability, do me more harm than
+good. It will be my constant endeavour to conceal the fact that
+I ever occupied a position in your establishment; it might do me
+a serious injury were it to become known. As to leaving your
+service, I shall be only too glad to do so inside sixty seconds;
+only there's a little formality which I should like to have
+completed before I go. I should like to have my overdue wages,
+Mrs. Lamb. They are more than three months overdue, and I should
+like to see the colour of my money, Mrs. Lamb."
+
+"You shall have your wages; you needn't be afraid."
+
+"Thank you; that is good news. Because, to be quite frank, I was
+beginning to be afraid--in fact, we all were."
+
+"You impertinent brute! Where are those other creatures?"
+
+"Other creatures? You refer to my colleagues, male and female?
+We are all of us creatures, Mrs. Lamb--including you. I believe
+that two or three of them have already quitted your service,
+including the young Frenchwoman who was supposed to be your own
+particular maid. She said that she never bargained to wait on a
+woman of your class, so she's gone. I noticed two young women in
+the kitchen when I was down there just now. They seemed to be in
+a more or less tearful condition. Poor wretches! perhaps they
+never expected to find themselves in such a place as this. As
+for the rest of my colleagues, I fancy they are still in bed. I
+do not doubt that if you take them their overdue wages they'll
+get up, and get out of the house also, as quickly as you like. I
+imagine they'll be only too glad of the chance."
+
+Mrs. Lamb looked at Mr. Cottrell as if she were meditating
+measures of a distinctly active kind. Although he might not have
+been conscious of it, for some seconds he stood in imminent
+peril of realising that, at least physically, his mistress was
+more than a match for the average man. But, apparently, after
+thinking things over she changed her mind and postponed
+hostilities.
+
+"You shall be paid for this, my man--they all shall--just wait a
+bit." She moved, as if to return to her bedroom, then paused.
+"There's some one at the door."
+
+There did seem to be some one at the front door, some one who
+saluted with equal vigour both the bell and the knocker. Mr.
+Cottrell was philosophical.
+
+"Ah! there's been one or two already this morning. You've
+perhaps been in such a queer state yourself that you didn't hear
+them, though they made noise enough; but there have been several
+visitors. Jones the fishmonger wants his little account, and
+Franks the butcher wants his, and Murphy the greengrocer, and
+the baker, and the grocer, and the milkman, and, I think, the
+laundry, and three or four more besides. They all want their
+little accounts--good big ones some of them are. I peeped
+through the dining-room window, but I didn't notice just who was
+there, and I didn't open to them either. I've had about enough
+of opening to those kind of people; they won't go round to the
+side entrance, and it's no use asking them to. But that sounds
+as if it was the landlord come to put the brokers in for rent. A
+landlord always thinks himself entitled to make as much noise as
+he likes at his own front door."
+
+Some one seemed to consider himself at liberty to make as much
+clatter as he liked.
+
+"Cottrell, go down at once and see who is at the door."
+
+"Wouldn't you like to go and see yourself, Mrs. Lamb?"
+
+"If you don't obey my orders and go at once I'll throw you out
+of the house with my own hands, and you shall whistle for your
+wages."
+
+"Like this? Do I look as if I were in a fit state of attire to
+open the door of even such a lady as yourself, Mrs. Lamb?"
+
+"Are you going?"
+
+The lady mounted two or three steps; there was something so
+significant in her manner that Mr. Cottrell temporised.
+
+"I shall be only too happy to open the door as I am!--if you
+will allow me to pass." She allowed him, and he passed, firing a
+passing shot as he went. "You must understand that I intend to
+be perfectly frank with whoever's there--perfectly frank, and
+truthful. I have had more than sufficient of telling lies on
+your account, Mrs. Lamb." At this point, throwing the hall-door
+wide open, he addressed some unseen individuals who were without
+in tones which were perhaps unnecessarily loud. "If any of you
+people want money--and by the look of you I can see you do--it's
+no use your asking me, and so I may tell you at once, because I
+want money too, and from the same person, and that's Mrs. Lamb;
+and as Mrs. Lamb happens to be standing at this moment at the
+top of the staircase, in her dressing-gown and with her hair all
+over the place, perhaps you'll step in right away, and just say
+to her what you've got to say. Well, sir, and what might you
+happen to be wanting? Oh, it's Mr. Luker, is it? May I ask, sir,
+what you mean by pushing me about as if I was a mechanical toy?"
+
+It was indeed Mr. Isaac Luker, who had come into the hall with
+complete disregard of the fact that Mr. Cottrell was standing in
+the doorway. Being in, the visitor regarded the voluble butler
+with characteristic impassivity. Then, stretching out the
+forefinger of his right hand, he tapped at the centre of Mr.
+Cottrell's crumpled shirt-front, and he delivered himself
+thus:--
+
+"My advice to you is to put your head under the pump if there is
+one, and under the tap if there isn't, and let the water run for
+a good half-hour, for a complaint like yours it's the best
+medicine you can possibly have".
+
+It seemed that Mr. Cottrell was so taken aback by the proffer of
+this very handsome advice that for a moment or two he was at a
+loss for a retort; before he found one his mistress had
+interposed.
+
+"Luker, come up here!"
+
+Mr. Luker looked at the lady at the head of the staircase, at
+Mr. Cottrell, at the invisible persons who still remained
+without. He seemed to hesitate, as if in doubt whether or not to
+take a hand in the game just where he was; then, arriving at a
+sudden resolution, he did as the lady requested: he went
+upstairs, followed by the retort which Mr. Cottrell had found at
+last.
+
+"Perhaps if you were to try a little of that medicine you
+recommend on your own account it mightn't do you any harm."
+
+The observation went unheeded. Mr. Luker was captured by the
+lady the moment he reached the topmost stair. She pointed to the
+flight in front.
+
+"Up you go!" Up he went, with her at his heels. On the next
+landing she called his attention to the open bedroom door. "In
+you go." Perceiving what the apartment was he favoured her with
+what he perhaps meant for a whimsical glance, and in he went.
+"Go straight through into the next room--that's my boudoir." He
+went straight through, and she also. Closing the door of her
+bedroom she stood with her back to it, putting to him a question
+almost as if she were aiming a pistol at his head. "Have you
+brought that money?"
+
+Mr. Luker did not at once give her the answer she so
+imperatively demanded. Instead, holding his ancient top-hat in
+front of him as if it were some precious possession, he ventured
+on a remark of his own.
+
+"Things seem a little at sixes and sevens; they almost suggest
+that domestic relations are a trifle strained. That man who
+calls himself a butler is not behaving as if he were a butler;
+and I regret to notice something about the establishment which
+one hardly expects to find in a lady's high-class mansion."
+
+"Cottrell's going--at once. All the servants are going--lot of
+drunken brutes! I'm only waiting for the money to pay them their
+wages."
+
+"Oh, I see. And--those other persons on the doorstep, do they
+want money also?"
+
+"I don't know who's there, and I don't care; but I daresay every
+one wants money. I do! Did you hear me ask if you've brought
+that money I told you to bring?"
+
+"To what money are you alluding?"
+
+"You know very well! None of your fooling! Have you brought that
+ten thousand pounds?"
+
+"Ten thousand pounds!" He held up his hands, with his top-hat
+between them. "Ten thousand pounds! She speaks of that great sum
+as if it were a mere nothing!"
+
+"Have you brought it?"
+
+"I certainly have not."
+
+"Then what have you brought?"
+
+"I have brought--nothing."
+
+"Look here, Luker, I'm in an ugly temper. You ought to know the
+signs of it as well as any man, so I advise you to take care. I
+told you you were to bring me ten thousand pounds. When I said
+it I meant it; why haven't you brought it?"
+
+"My dear Isabel----"
+
+"Haven't I told you not to call me that?"
+
+"Very well; it's a matter of utter indifference to me what I
+call you--utter! I was merely about to remark that I have laid
+your proposition before my friend, and, as I anticipated, he has
+decided that he doesn't care to lend money except on adequate
+security."
+
+"Adequate security! Don't you call a quarter of a million
+adequate security?"
+
+"Certainly, if you had it, but you haven't. And you have nothing
+tangible to show that you ever will have, or any part of it."
+
+"There are those Hardwood Company shares--ten thousand of them."
+
+"You tell me that you are in an ugly temper, and I can perceive
+for myself that you are not so calm as I should wish, otherwise
+I should ask for permission to be quite frank with you."
+
+"You had better be frank! Never you mind about my temper; it
+won't be improved by your shuffling. Out with what you've got to
+say!"
+
+"Remember, it will only be said at your express invitation."
+
+"Do you hear? Out with it!"
+
+"Then briefly and plainly it's this: If you were anybody else
+it's possible that money--some money--might be got on your
+expectation of the Hardwood Company's shares, but, as things
+are, it's out of the question."
+
+"Why? What's the matter with my being me?"
+
+"A good deal, as you're as well aware as I am. In a matter of
+this sort it's character which tells, and, unfortunately--I say
+it with deep sorrow!--your character's against you."
+
+"What's my character got to do with a thing of this kind?"
+
+"Everything. Suppose my friend were to advance you money upon
+your expectation of these shares, from your point of view you'd
+have him between your finger and thumb, and you'd keep him
+there."
+
+"How do you make that out?"
+
+"The process of extracting compensation from Messrs. McTavish &
+Brown would be, at best, both a lengthy and a tiresome one, one,
+moreover, in which not a step could be taken without your active
+assistance. You'd find that out, and you'd say, 'If you won't
+let me have so much more I won't move a finger, then you'll lose
+all that you've advanced already'. And you'd mould your conduct
+on those lines to the bitter end--my friend might find it a very
+bitter end. That would not suit him at all."
+
+"You----! I've half a mind to kill you!"
+
+"Keep it at half a mind; many of my friends and clients have
+found it wiser to stop right there."
+
+"Then do you mean to tell me that I can't get money out of any
+one--anyhow?"
+
+"Not at all; money can always be obtained upon security. You
+have personal property--the furniture of this house, jewels, and
+so on."
+
+"What I might get out of that sort of thing would be gone before
+I got it."
+
+"Then you might get money out of Messrs. McTavish & Brown."
+
+"You've told me over and over again that it would take no
+end of a time to do that. I can't wait; I want money--a lot of
+it!--now."
+
+"There's such a thing as compromise."
+
+"Compromise? What do you mean?"
+
+"If you insist on receiving the full amount of your demand, no
+doubt Messrs. McTavish & Brown will keep you waiting as long as
+they can--if you ever succeed in getting it at all. But,
+supposing you agree to accept half----"
+
+"Or three-quarters."
+
+"Or three-quarters. The major sum might be mentioned first; but,
+if time is of importance, I should advise you to allow yourself
+to be persuaded to accept half, or even a trifle less, and to
+give a full quittance for all claims, on condition, say, that
+the amount agreed upon is paid within four-and-twenty hours."
+
+"They shall pay it!--I'll see to that! And then when I've got it
+I'll go at 'em for the rest."
+
+"Ahem! I cannot allow myself to be associated with any such
+scheme as that."
+
+"Can't you? We'll see! You stop where you are. I'll dress, and
+then you shall go with me to Messrs. McTavish & Brown as my
+legal adviser! and when I leave them I'll be richer than when I
+started, or they'll be sorry!" Mrs. Lamb passed into her
+bedroom, through the partially open door of which her voice
+proceeded: "Don't you go meddling with any of the things in
+there; I know exactly what there is, so don't you think I don't.
+If I suspected you of taking so much as a paper-knife, I'd have
+it out of you if I had to strip every rag of clothing off you to
+get at it."
+
+
+
+
+ CHAPTER XXV
+
+ ALARUMS AND EXCURSIONS
+
+
+Messrs. McTavish & Brown, solicitors, of Southampton Row,
+London, W.C., had a large, sound and lucrative family
+connection. They numbered among their clients several people of
+really excellent position, persons whose names ought to have
+been in the _Doomsday Book_, and were in Burke's _Landed
+Gentry_, and in various other places in which one would
+desire one's name to be found. Among those names was that of
+Dykes--Lady Julia Dykes, relict of Sir Eastman Dykes, third
+baronet of Fennington Park, Essex. Sir Eastman had himself been
+one of the firm's clients, one whom they had every reason to
+value highly. His testamentary dispositions had been of such a
+kind that the administration of his estate had practically been
+left in the hands of Messrs. McTavish & Brown until the coming
+of age of his eldest son. A handsome income had been left to his
+well-beloved wife, together with the nominal guardianship of
+everything which once was his; actually, however, she did
+nothing of the slightest importance except with the cognisance
+and approval of the gentlemen in Southampton Row.
+
+Lady Dykes was a lady of a certain age, and of almost more than
+a certain presence. She was one of those persons who are
+constitutionally prone to lean--metaphorically!--upon some one
+or something, and she leaned upon Messrs. McTavish & Brown
+rather more than they altogether cared for. She consulted them
+not only every week, but sometimes on each day of the week;
+often on matters which had no connection with the law, and had
+nothing to do with them either.
+
+She had been known to ask their advice on the question of the
+retention or dismissal of a cook. On one memorable occasion she
+had actually written to them to learn if they thought that it
+would be becoming for her to attend a drawing-room in a scarlet
+satin gown. To make the matter worse, that letter was addressed
+to Mr. McTavish in person. As it was a standing joke with Mr.
+Brown, who allowed himself an indecorous latitude in matters of
+real importance, that her ladyship had matrimonial designs upon
+that well-seasoned bachelor, it was a painful moment to Mr.
+McTavish when he learned that she requested his advice upon
+what, to his thinking, was a matter of such singular delicacy.
+
+On the afternoon on which Mrs. Gregory Lamb set out with Mr.
+Luker to visit Messrs. McTavish & Brown, Lady Dykes was paying
+one of her very numerous visits to her solicitors. She was
+closeted with both partners in Mr. McTavish's private room, the
+senior partner having insisted on summoning the junior to take
+part in the inevitable conference, he having an almost morbid
+disinclination to be left alone with her. McTavish had an
+uncomfortable feeling, however much he might try to hide the
+fact from Brown, that her ladyship was disposed to show herself
+much more friendly when he had no one to keep him in
+countenance. Had they dared, both men would have made it a
+general rule to put her off on to one of their managing clerks,
+but they had learned from experience that though the soul of
+generosity she was quick to take offence, and, therefore, if she
+would talk nonsense, all they could do was to make her pay for
+it--which they did.
+
+The time had arrived for her eldest hope, Eastman, to take up
+his residence at the university. On the present occasion she had
+called to renew, for the fiftieth time, the interminable
+discussion as to what was the exact annual amount he was to be
+allowed while there, and what exactly he was to do with it.
+
+"I am particularly anxious," she explained, as she had done over
+and over and over again (some ladies think that the more they
+repeat themselves the more emphatic they become--which is a
+mistake), "that he should not waste his money, and worse than
+waste his money, on what I cannot but consider, and every mother
+would consider--every mother who cares for her child (and how
+many mothers do!)--extremely undesirable connections. For
+instance"--she started on a little story which her legal
+advisers had heard from her lips more than a dozen times--"Mrs.
+Adams was telling me only a few weeks ago that her second son,
+Bernard, who is at Cambridge, at Caius College, or Trinity, or
+Keble, or St. John's--it's one or the other--I'm not sure which,
+though I know he's in some part of the building"--she always
+spoke of a university as if it consisted of one large
+building, though she must have known better--"has been
+lavishing--positively lavishing!--articles of various kinds,
+gifts, presents of every description, from bon-bons to gloves,
+and from shoes to ribbons, and I don't know what else beside--it
+seems he kept a list of them, I don't know why, and she found
+it--it made me dizzy to hear her merely read it through, it was
+that long!--upon, of all creatures in the world--it seems
+inconceivable, for I've known the boy from a baby, and so did
+Sir Eastman--but it was a young woman in a tobacconist's shop.
+Picture what his mother's feelings were; picture what mine would
+be if I made a similar discovery. If there is one rule to which
+I have adhered through life it is to allow no one connected with
+me to have anything to do with females of questionable
+antecedents. And a tobacconist shop! Am I not right?"
+
+She looked directly at Mr. McTavish, who coughed, and answered--
+
+"Certainly, Lady Dykes; quite right".
+
+Mr. Brown said nothing; he looked the more.
+
+"You yourselves, although of the opposite sex, know perfectly
+well how necessary it is to have such a rule. You would not have
+built up this great business were it not universally known that
+you invariably refuse to accept as clients persons--especially
+when they are of the feminine gender--who are not of the highest
+respectability. I myself should not be here at the present
+moment were I not assured that was the case--of course that you
+understand. You would no more allow a woman of a certain class
+to enter your private office, Mr. McTavish, than I should allow
+a navvy to enter my drawing-room."
+
+It was perhaps a trifle unfortunate that Mrs. Gregory Lamb,
+attended by Mr. Isaac Luker, should have chosen that particular
+moment to introduce herself into the premises of Messrs.
+McTavish & Brown. On the road Mr. Luker had endeavoured to
+persuade the lady to leave the negotiations as much as possible
+in his hands, a suggestion which she had repudiated with scorn.
+
+"If any one can play this sort of game better than I can, I've
+never met them. All you have to do is to chime in when I tell
+you. If I fail to jockey some coin out of them somehow, then it
+will be time for you to try your hand."
+
+"I am not so sure of that. It occurs to me as at least possible
+that if you fail it won't be worth any one's while to take a
+hand."
+
+It was not in consonance with the lady's plan of campaign to
+resort, throughout the entire proceedings, to any of the minor
+civilities of life. For instance she deemed it neither necessary
+nor advisable to announce her presence by knocking at the outer
+door. She simply swung it right back on to its hinges, and
+strode straight in, not with the lightest strides. In the outer
+office it was customary for visitors to mention who it was they
+wished to see, possibly, also, the nature of their business, and
+then wait in patience till it was intimated to them that they
+were at liberty to penetrate farther. No such formula was likely
+to suit Mrs. Lamb, for one reason if for no other. She was well
+aware that if the heads of the firm had their way nothing would
+induce them to suffer her to enter their presence. Indeed so
+soon as the clerks in the outer office recognised who it was,
+one of them, starting up, prepared to rush to his principals to
+warn them of her coming. But the lady was too quick for him.
+While he was already half-way through the farther door, the
+lady, catching him by the shoulder, swung him round in a fashion
+which was a sufficient testimony to the fact that her arm still
+retained at least a good deal of its pristine vigour. Before he
+had a chance to recover she was in the apartment which was
+reserved as a sanctum for the senior clerks, her appearance
+causing a sensation among those respectable elderly gentlemen,
+which was both ludicrous and surprising. The senior engrossing
+clerk, Mr. Riseley, was the only one among them who retained
+even a fragment of presence of mind. He endeavoured to interpose
+his person between the lady and the approach to Mr. McTavish's
+private sitting-room.
+
+"Mrs. Lamb, what is the meaning of this behaviour? Such conduct
+is not to be endured; I must ask you to leave this room at
+once!"
+
+"Get out of the way," was the only answer which Mrs. Lamb
+vouchsafed.
+
+"I shall do nothing of the kind--certainly not; my duty to my
+employers forbids it. You can see neither Mr. McTavish nor Mr.
+Brown, they--they are both of them most particularly engaged."
+
+Mrs. Lamb condescended to waste no more words on him. He was
+rather larger than the other clerk, so she used both arms,
+darting them out in front of her as if they were battering-rams,
+dashing her half-open palms against him with such force as to
+drive him against a neighbouring table, overturning both it and
+its proper occupant with a clatter on to the ground. Then she
+went rushing into the senior partner's holy of holies as if she
+had been some mad bull, crying "Come along, Luker," as she
+rushed.
+
+Mr. Luker went along, not quite so demonstratively as she did,
+still, considering his build and the difference in his methods,
+he managed pretty well. Yet he did not move fast enough for his
+energetic client. As he was coming through the door, seizing him
+by the arm, she gave it a jerk which sent him whirling half
+across the room and his hat flying into a corner. The instant
+she was in she slammed the door behind her, snapped the lock,
+and pocketed the key.
+
+As Lady Dykes had just been dwelling on her consciousness of the
+fact that under no consideration whatever would Messrs. McTavish
+& Brown allow doubtful female persons to set foot inside their
+offices, it was rather an unfortunate moment for her to make her
+entry. So both the partners decidedly seemed to think. As for
+Lady Dykes, she started from her chair with as much agility as
+her figure would permit, and stared at the intruder open-eyed.
+
+"Good gracious!" she exclaimed. "Who is this person? and what
+does she want?"
+
+Mr. Brown, having his wits about him, made for the second door
+(most lawyers have at least two entrances to their own
+particular preserves), observing as he moved--
+
+"Lady Dykes, might I ask you to----"
+
+He got no farther; Mrs. Lamb cut him short. Her wits were even
+more on the alert than his. Perceiving, on the instant, his
+objective, dashing after him, pushing him aside as if he were
+some insignificant thing, she gained the second door, banged it
+to, locked it, and pocketed that key also. Then, turning, she
+confronted her victims with a laugh which did not by any means
+ring pleasantly in their ears.
+
+"It seems as if I had arrived in the very nick of time. I
+couldn't have bagged the pair of you more neatly if I'd had an
+appointment with you--could I?"
+
+Lady Dykes, who was the most nervous of her sex, was trembling
+almost as if she were a species of human jelly-fish.
+
+"Dear! dear!" she gasped. "Who is this person? and what does she
+want? Make her open the door at once, and let me out! My footman
+will be wondering what has become of me."
+
+Mrs. Lamb favoured her with an answer--of a kind.
+
+"I'll tell you who I am. I'm one of their clients! I'm one of
+the helpless, ignorant women whom they've robbed and plundered,
+but before all's finished they'll find that I'm not so helpless
+and ignorant as they thought. And I'll tell you what I want: I
+want back some of the money they've stolen, and before anybody
+leaves this room I'll have it. I've stood their shuffling long
+enough, but I won't stand it any longer, as I'm here to show
+them."
+
+Mr. Brown, who still seemed to have most control over his
+tongue, addressed himself to Mr. Luker.
+
+"Mr. Luker, I believe you are a fully admitted solicitor. As
+such I call on you to notice that Mrs. Lamb's words are
+actionable. And I request you, unless you wish to get yourself
+and her into serious trouble, to insist on her opening the two
+doors which she has improperly locked, and on her leaving these
+premises at once. Surely it is not necessary for me to point out
+that, otherwise, the consequences to both of you will be of the
+gravest possible kind."
+
+Mrs. Lamb placed herself in front of the irate Mr. Brown.
+
+"Don't you waste your breath talking to Mr. Luker; he's not on
+in this scene--not just at present, anyhow. If you've anything
+to say, you say it to me; it's me you have to deal with, not
+him."
+
+"Mrs. Lamb, I will have nothing to do with you of any sort or
+kind; after the monstrous fashion in which you have behaved it
+is the sheerest absurdity to suppose that we can have any
+communication with you except through a properly accredited
+representative."
+
+"So I've behaved in a monstrous fashion, have I? I'll teach you
+to talk to me like that."
+
+She began the lesson then and there. Gripping him by both
+shoulders she shook him as a terrier shakes a rat. He was a
+slightly built man, not physically strong; had he been a rat he
+could scarcely have seemed more helpless in her hands. When,
+presumably, she was of opinion that the first lesson had lasted
+long enough, she honoured him with a few remarks.
+
+"You take from me everything on which you can lay your claws;
+you strip me of every shilling I possess; and then, when I ask
+for some of it back, you insult me. You--dirty--thief!" Here
+there was another bout of shaking. "There are men doing penal
+servitude who aren't half such mean, sneaking scamps as you
+are--and plenty of them."
+
+She flung him from her against the wall, leaving him to struggle
+for breath as best he might. Lady Dykes, in an armchair, was
+developing what promised to be a very fine attack of hysterics.
+She was beginning to make as much noise as Mrs. Lamb herself.
+Mr. McTavish, who, judging from his appearance, had been in
+imminent peril of a stroke of apoplexy, seemed all at once to
+regain his power of speech.
+
+"Upon my word, you're--you're--you're the most dangerous woman I
+ever heard of!"
+
+"And you're the most dangerous thief! Perhaps before I've done
+with you you'll find that thieving's almost as dangerous to
+yourself as to those on whom you practise."
+
+There came a smart rapping on one of the doors, and a voice from
+without.
+
+"Shall we send for a policeman, sir?"
+
+"By all means!--at once! Let him break down the door if he can't
+get in any other way! This--this woman's--positively dangerous."
+
+"You're right there; I am--you've made me dangerous. And don't
+you think that a policeman, or ten policemen, will keep me from
+being even with you if I once get started; not all the policemen
+in London couldn't do it!"
+
+Mr. Luker, seemingly under the impression that his client was
+going a little too far, even for her, ventured on an
+interposition.
+
+"Pardon me, Mrs. Lamb, but, if you will allow me to say so, I
+think this matter can be settled on a perfectly peaceful basis.
+If these gentlemen are disposed to be reasonable, and I feel
+sure they are, everything can be arranged without unpleasantness
+of any sort or kind. The point is----"
+
+Mrs. Lamb took the words out of his mouth, substituting, that
+is, words of her own.
+
+"The point is, that, among other things, you've robbed me of ten
+thousand Hardwood Company's shares."
+
+"It's an infamous falsehood! We've done nothing of the kind!"
+
+"Haven't you? I know you have, and so do you; but you're one of
+those brazen-faced old sinners who would go to the gallows with
+a lie on your lips. Those shares are worth fifty thousand
+pounds, and more; but as you've robbed me of every penny I have
+in the world, and left me with nothing but starvation staring me
+in the face----"
+
+"It's--it's incredible how any one should dare to say such
+things!--incredible!"
+
+"So there's nothing left for me but to try to come to terms with
+the robbers, and that's what I have come for. If you'll give me
+a cheque for forty thousand pounds--now!--this minute!--you may
+keep the other ten, and much good may it do you. So just you
+move yourself. Sit down at that table and write me a cheque for
+forty thousand pounds."
+
+"Forty thousand pounds! Do you suppose----"
+
+"I suppose nothing. You do as I tell you, or you'll be sorry."
+
+Again Mr. Luker ventured on an interposition.
+
+"If, once more, you will excuse me, Mrs. Lamb, if you will
+permit me I will point out to Mr. McTavish how much more than
+moderate you are disposed to be in your demands. I have Mrs.
+Lamb's permission to inform you, Mr. McTavish, that she is in
+absolute want of ready cash; that she is practically in a state
+of destitution; and that therefore she is willing to waive her
+lawful claims to such an extent that she is prepared to accept
+the sum of five-and-twenty thousand pounds; a fair proportion to
+be paid at once, and the balance on a given date; and to give
+you in exchange a discharge in full for all her claims against
+you respecting the Hardwood Company's shares."
+
+Mrs. Lamb's manner, as she acquiesced in her solicitor's
+modification of her terms, was not precisely gracious.
+
+"If I take twenty-five thousand pounds that will be going
+halves. If I am to be robbed I suppose I may as well be properly
+robbed; but I'll have at least ten thousand pounds in cash. So,
+now, Mr. McTavish, without any more fuss, perhaps you'll let me
+have a cheque for that ten thousand."
+
+"Ten thousand pounds! I'll not give you a cheque for tenpence."
+
+"You're two men, and I'm only a woman, but you'll find that I'm
+much more than a match for the pair of you; and if you're not
+careful I'll thrash you both till within an inch of your lives;
+I'll leave marks on you which you'll carry to your graves. As
+for you, you bloated old whisky barrel, I've only got to give
+you one or two smart ones in the proper place, and you'll be in
+your grave before you think. So if you want to keep on living,
+you'll make no more bones about handing me that cheque."
+
+"This--this is worse than highway robbery! In my own office
+you--you positively threaten----"
+
+"Threaten! I'll do more than threaten! Quick! Are you going to
+fork up or am I to break every bone in your body?"
+
+"I--I--I will not be bullied----"
+
+"Bullied! I'll show you!" She snatched up a stout malacca cane
+which stood by Mr. McTavish's table, and which was that
+gentleman's property. "To start with, I'll splinter this over
+your bodies, then I'll smash everything else in the place, and
+you into the bargain. Now is it going to be the coin or----"
+
+The hand holding the stick went up into the air, the gesture
+rounding off the sentence with sufficient significance.
+
+"You wicked woman! how dare you threaten me with my own stick?
+Help! Where is that policeman?"
+
+"Policeman! Do you think I care for a policeman? Not that much!"
+
+Down came the stick with a swishing sound through the air. As it
+descended Mr. Luker caught the lady by the wrist.
+
+"Mrs. Lamb, I do implore you to pause a moment for
+consideration. I reiterate my conviction that if you will only
+exercise a little patience this matter can be settled amicably
+and without violence."
+
+"Luker, if you don't want to let yourself in for a little
+handling on your own account you'll let go of my wrist."
+
+"On the contrary, Mr. Luker, I beg you will keep a tight
+hold--the woman must be stark mad."
+
+"Mad!" With a sudden twist Mrs. Lamb wrenched herself loose from
+Mr. Luker, and that same moment there was a smart rapping at the
+door, and an authoritative voice was heard without.
+
+"I'm a police constable. What's going on in there? Open this
+door at once."
+
+"Break it open, constable, break it open. I'm Mr. McTavish, and
+I authorise you. We're--we're in actual danger of our lives."
+
+There must have been some one on the other side who knew how to
+deal with a locked door, for in a surprisingly short space of
+time it was open. A constable was revealed, supported by a
+considerable body of clerks, of all ages, in the background. The
+representative of law and order advanced into the room.
+
+"What's taking place in here?"
+
+"I'm Mr. McTavish, officer, the senior partner in this firm.
+This--this woman has been endeavouring to extract money by means
+of threats. I must request you to eject her from these premises
+at once."
+
+"Do you charge her?"
+
+"Not at this moment, though, no doubt, later proceedings will be
+taken which will bring home to her a sense of her misconduct. At
+present all I want you to do is to turn her out."
+
+"And this woman also?"
+
+The allusion was to Lady Dykes. Mr. McTavish was shocked.
+
+"Dear me, no; that is Lady Dykes, of Fennington Park, one of our
+most esteemed clients, who has already been subjected to the
+most terrible annoyance. The man"--pointing to Mr. Luker--"you
+will turn out with the woman."
+
+The constable touched Mr. Luker on the arm.
+
+"Now, sir, offer the lady a good example, and show her the way
+out."
+
+Mr. Luker put his hat on, and, without a word, prepared to act
+on the officer's advice. Mrs. Lamb caught him by the shoulder.
+
+"You cur! Don't be a fool, Luker, and do as he tells you."
+
+The constable smiled, good-humouredly.
+
+"If you're a wise man, sir, you will do as I tell you, and
+you'll talk the matter over with the lady afterwards."
+
+Mr. Luker seemed to incline to the opinion that the policeman's
+was the voice of wisdom. Withdrawing himself from the lady's
+detaining fingers, still without a word, he left the room. The
+constable addressed himself to Mrs. Lamb.
+
+"Now, madam, we policemen hate to have to be rude to a lady;
+might I ask you to oblige me by following your friend's very
+excellent example? That's the way out."
+
+He jerked his thumb towards the open door. Mrs. Lamb looked at
+him and at the others. Apparently what she saw forced her to the
+conclusion that what she called "the game" was "up". She brought
+Mr. McTavish's malacca cane on to a writing-table with a
+resounding thwack.
+
+"You couple of thieves! I'll wring your necks for you yet before
+I've done!"
+
+She dashed the stick upon the floor and went, the clerks
+treading on each others' toes in their anxiety to give her as
+much room as she required.
+
+
+
+
+ CHAPTER XXVI
+
+ SOLICITOR AND CLIENT
+
+
+A pseudo-historical utterance was paraphrased by Mr. Luker when
+the lady joined him in the street without.
+
+"It may have been magnificent, but it wasn't war."
+
+It is possible that Mrs. Lamb knew very little about the charge
+at Balaclava. It is certain that she had never heard of the
+phrase with which the critical French general has been credited.
+And she was in a red-hot temper, so that in any case she was in
+no mood to appreciate her legal adviser's recondite allusions.
+The lady's own remark was idiomatic in the extreme.
+
+"Luker, I'd like to knock your head clean off your shoulders. If
+it hadn't been for you I'd have got all the ready I wanted out
+of that couple of cripples, or----"
+
+"Or you'd have been on your road to the lock-up. There's no 'or'
+about it; if it hadn't been for me you would have been. My dear
+Isabel----"
+
+"Don't call me----"
+
+"All right; I won't. If I were to call you all that I think you
+ought to be called, you mightn't like it. I was merely about to
+remark that your methods are too primitive. In London you can't
+go into an office and get all the money you want out of a couple
+of lawyers, old or young, with the aid of a stick. It can't be
+done. If it could be done people would be doing it all day
+long."
+
+"Can't I?" Mrs. Lamb's tone was grim. "You don't know me yet.
+You wait till I get them to myself, either together or singly,
+and I'll lay you the National Debt to sixpence that I don't
+leave 'em till I've got what I want. I've my own methods, and
+I've found them pay me very well up to now."
+
+"I don't doubt your capacity; when I think of where you were and
+of where you are I've no reason to. But in dealing with people
+like McTavish & Brown, with a strong case like yours, diplomacy
+pays better than violence. If you'd left the conduct of the
+affair to me I'd have at any rate exacted from them the promise
+of a satisfactory sum in settlement of all claims. As it is,
+where are you?"
+
+He held out his hand, palm uppermost, as if to show that there
+was nothing in it. She walked by his side for some little
+distance in silence; when she spoke her tone was still grim.
+
+"I'll tell you where I am--I'm with you. And I tell you what it
+is--as I couldn't get any money out of them, I'm going to get it
+out of you."
+
+"Are you? I don't see how."
+
+"Don't you? I do."
+
+"You can't get blood out of a stone."
+
+"No; because there's no blood in a stone. But I can get money
+out of you, because you've plenty."
+
+"I wish I had."
+
+"Don't you worry; your wish was granted before it was uttered.
+I'll show you where some of it is, if you like."
+
+In his turn Mr. Luker for a while was still. Then stopping, he
+held out his hand.
+
+"I wish you good-afternoon, Mrs. Lamb."
+
+"You needn't; I'm coming with you."
+
+"I'm afraid I have an appointment which will prevent my enjoying
+the pleasure of your company any longer."
+
+"Oh no, you haven't. Besides, it will make no difference if you
+have--I'm coming with you."
+
+"You are coming with me? What do you mean?"
+
+"I mean that I'm going to accompany you to your private
+residence, Mr. Luker. I want to have a quiet chat with you. I
+can have it there better than anywhere else. We shall be snug,
+and all by ourselves."
+
+He looked at her with his bleared, half-open eyes--he seemed
+to be physically incapable of opening them to their full
+extent--with an expression which some ladies would not have
+considered flattering, nor were his words exactly complimentary.
+
+"I would as soon go home with a tigress as with you in your
+present mood--indeed, of the two, I think I would prefer the
+tigress. I have been in too many tight places to feel inclined
+to walk, with my eyes open, into quite such a tight place as
+that would be. Once more I have to inform you that I have an
+appointment which will prevent my having the pleasure of your
+company any farther, so I wish you good-afternoon."
+
+"And once more I tell you that I'm coming home with you."
+
+"Oh no, you're not."
+
+"Oh yes, I am."
+
+"I think you are mistaken."
+
+He beckoned to a policeman who happened to be standing by the
+kerb at a little distance from where they were.
+
+"What do you want with him?" she demanded.
+
+"I am going to appeal to that officer for protection, and I
+don't think you will find that I shall do so in vain. You will
+compel people to summon the police--it is extremely unwise."
+
+The constable was sauntering towards them. Recognising,
+apparently, that there was logic in what Mr. Luker said,
+without waiting for the policeman to approach, also without
+going through the empty formula of wishing the solicitor
+good-afternoon, she marched off and left Mr. Luker alone. When she
+had gone, perhaps, a hundred yards, she stopped and looked back.
+Mr. Luker, who was still where she had left him, was seemingly
+enjoying a little friendly converse with the constable. She
+continued her progress for, possibly, another hundred yards, and
+then again looked back. This time Mr. Luker had vanished. She
+could distinguish the stalwart figure of the constable striding
+along in solitary state in the distance. She signalled to a
+hansom. "Stamford Street, Blackfriars Bridge end," was the
+direction she gave the driver. When the vehicle had brought her
+to the point she desired, descending, she dismissed it. She
+stood for two or three minutes, scanning the passers-by, keenly
+observing, so far as she was able, every one in sight. Then,
+turning into Stamford Street, she presently turned again into a
+street on her right. She was coming into a very shady
+neighbourhood, in which one opined that women of her appearance
+were very occasional visitants. She twisted and turned, however,
+with the unerring rapidity of one who knew it uncommonly well,
+until at last she found herself in what was rather an alley than
+a street, and a cul-de-sac at that, for at the end was nothing
+but a high blank wall. Here the tenements were not only
+extremely small, apparently consisting of five or six rooms at
+most, they were also of disreputable appearance. Pausing in
+front of one she regarded it with an attentive eye. The fact
+that the blinds were down gave it a deserted look. She knocked
+once, twice--there was no bell. When no one answered she drew a
+conclusion of her own.
+
+"He's not come yet; I'll wait."
+
+She did wait, for a good half-hour, with exemplary patience, in
+spite of the fact that long before the period of waiting was at
+an end she had become an object of much interest to a large
+number of curious eyes. Just as the observers were beginning to
+wonder how long she did intend to stop, the object of her
+flattering quest came into sight, in the shape of the legal
+gentleman from whom she had so lately parted--Mr. Isaac Luker.
+Contrary to her hopes and expectations he was not alone; once
+more her wily old friend had proved equal to the needs of the
+occasion. On either side of him were men whose character, or,
+rather, want of character, was written large all over them--two
+more unmistakable ruffians one would have to go far to see. At
+sight of her Mr. Luker came to a standstill.
+
+"I thought I should find you waiting for me here; your presence
+is not at all unexpected. So, as in this neighbourhood the
+police are not much protection, and I suspected that I might
+stand in need of protection, I brought my two friends here with
+me. They think little of putting a woman of your sort into the
+river, as gentlemen of their profession generally do, so I'll
+leave them to deal with you after the mode with which they are
+most familiar."
+
+"Is this 'er?" inquired one of the friends, a beetle-browed
+person, with an open gash running right down his filthy cheek.
+
+"That's her, my good friend. You talk to her, in any way you
+please, while I go inside."
+
+As he produced his latch-key Mrs. Lamb moved towards him in a
+forlorn-hope sort of spirit.
+
+"Let me come in! There's something which I must say to you."
+
+Without giving her a hint of his intention the beetle-browed
+person struck her with his clenched fist on the shoulder in such
+fashion that, had she not lurched against the wall, Mrs. Lamb
+would have gone headlong to the ground. Mr. Luker stood to
+comment on the action.
+
+"That's right, my friend; that's how she likes to talk to
+others."
+
+He disappeared into the house; they heard him locking and
+bolting the door. The beetle-browed person placed himself in
+unpleasant proximity to Mrs. Lamb; his manner was, if possible,
+even more eloquent than his words.
+
+"Now then, are you going to take yourself off, or have we got to
+move you? Make up your mind, because our time's valuable."
+
+She made up her mind, there and then. Realising that she was
+doomed to still another disappointment, she took herself off,
+with Mr. Luker's two "friends" at her heels. When she was back
+again into Stamford Street she stopped and spoke to them.
+
+"There are police here, as, if you try to follow me another
+step, you'll find."
+
+"We don't want to follow you--not much! We only want to keep you
+off the governor, that's all. You can go where you like, and you
+can do what you like, but if you come near his crib again we'll
+mark you."
+
+Hailing another hansom Mrs. Lamb left Mr. Luker's two "friends"
+standing on the pavement.
+
+
+
+
+ CHAPTER XXVII
+
+ PURE ETHER
+
+
+At the house in Connaught Square Mrs. Lamb had to knock and ring
+four times without, apparently, attracting the attention of any
+one inside. She was meditating gaining admittance through the
+area door, when a fifth assault upon the bell and knocker was
+productive of a more definite result. After a good deal of what
+seemed unnecessary fumbling with the handle, the door was opened
+sufficiently wide to admit of Cottrell, the butler, being seen
+within. He was attired in the same extremely undignified costume
+in which he had greeted his mistress in the morning, which,
+however, showed certain signs of what might be called
+degeneration. The shirt-front was, if possible, more crumpled
+than before; the collar was gone; the waistcoat had, in some
+mysterious way, strayed out of the straight, so that while it
+was on one side of his body the shirt was on the other; his hair
+was rumpled; the whole man looked as if a plentiful application
+of cold, clean water might do him a great deal of good.
+
+He held the door just wide enough open to enable him to display
+his person and to see who was there, seeming to be not at all
+abashed when he perceived that it was his mistress.
+
+"So it's you, is it! So you've come at last; it's about time;
+we thought you never were coming. I hope you've brought some
+money--everybody hopes so. It's no good your coming into this
+house if you haven't--not the least."
+
+Mrs. Lamb was in a bad temper, which, perhaps, on the whole was
+not surprising. She had been in a bad temper when she had
+started to visit Messrs. McTavish & Brown. The incidents which
+had marked the afternoon had not tended to sweeten it. On the
+contrary, for quite a time she had been looking for somebody on
+whom, to use an expressive euphemism, she might "let herself
+go". Had Mr. Cottrell been aware of the lady's state of mind,
+even in his then peculiar condition, he might have realised that
+there are occasions on which discretion is the better part of
+valour. He would certainly hardly have afforded her not only so
+excellent an opportunity of giving expression to her feelings,
+but also so capital an occasion of making her quarrel just. She
+looked at Mr. Cottrell with something in her eyes which should
+in itself have been sufficient to serve as a warning; there was
+still time for him to perform a strategic retreat. Without a
+word she went quickly up the steps, flung the door wide open,
+seized him by the shoulders, and sent him spinning into the
+street. He sat, for some moments, on the kerb, as if overcome.
+Then, exceeding rash, he retraced his way up the steps as best
+he could, with the apparent intention of inquiring why he had
+been handled in such unceremonious fashion. Before, however, he
+had gained the actual summit, he went flying backwards, with the
+lady's assistance, in such summary fashion that it was only the
+back of his head being brought into contact with the pavement
+that stopped him.
+
+When he understood, dimly, what had happened, he began to raise
+an agreeable hullabaloo, mingling imprecations on all and
+sundry, with curses on the lady in particular, and cries of help
+to the public and the police. Mrs. Lamb, for the third time that
+day, was brought into contact with a constable. A policeman
+appearing round the corner, perceiving Mr. Cottrell
+gesticulating on the pavement, came sauntering up to learn what
+was wrong. The butler explained.
+
+"I give her into custody, that's what I do!--tried to murder me,
+that's what she's done!--broken my brains out!--assault and
+battery, that's what it is; and that's what I charge her with,
+policeman. You put the handcuffs on her, and take her to the
+station, and I'll come round and give all the evidence that's
+wanted."
+
+The officer was calmer than Mr. Cottrell. He heard the butler to
+an end, then he glanced at his mistress.
+
+"What's wrong?"
+
+She explained.
+
+"That man's my butler, although you would not think it to look
+at him. He has taken advantage of my absence to get into that
+condition. He kept me waiting for more than twenty minutes on
+the doorstep, and then when he opened he was not only drunk but
+insolent. I have dismissed him from my service, and put him into
+the street, and out in the street he stops. I should be obliged
+by your moving him away, and preventing his making a disturbance
+in front of the house."
+
+The policeman, who was young, leaped to the conclusion that
+right was on the side of the lady. He was disposed to give the
+butler but a short shrift.
+
+"Now, then, move on! Away you go! We don't want any of your
+nonsense here!"
+
+Mr. Cottrell vehemently objected.
+
+"Don't talk to me like that, policeman! She owes me three
+months' wages; there's another nearly due, and another instead
+of notice. You let her pay me five months' wages before she
+talks of putting me out into the street."
+
+The policeman looked up at the lady.
+
+"Is what he says true?"
+
+"It's an entire falsehood. Any claim he may have to make must be
+made in the proper quarter."
+
+She threw the door wide open. By now other members of the
+household had, unwisely enough, come up to see what the
+discussion was about. Her action revealed them.
+
+"You see, officer, here are some more of my servants. They,
+also, have taken advantage of my absence, and are like that
+man--drunk. I dismiss them all--now. Perhaps you won't mind
+coming in and seeing their boxes packed; I suspect them of
+having property of mine in their possession."
+
+The policeman went in--Mr. Cottrell went in also, with his
+assistance; he saw their boxes packed. It was a process in which
+the packers fared badly, the butler in particular. Each servant
+in the house, almost without exception, was shown to be in
+possession of property which was indisputably Mrs. Lamb's. Their
+mistress' attitude was one of magnanimity. She declined to
+prefer a charge against them, at any rate just then, whatever
+she might do later. Though, of course, under the circumstances,
+to pay them anything in the shape of wages was altogether out of
+the question. All she wanted to do was to see their backs. And
+she saw them. A shamefaced, miserable, draggle-tailed crew they
+looked, as, one after the other, under the policeman's cold
+official glance, they took their boxes out into the street. Then
+Mrs. Lamb presented that zealous young officer with a sovereign.
+He made short work of clearing the debris away from the front.
+
+So Mrs. Lamb was left alone in that great mansion without a
+servant to wait on her of any sort or kind.
+
+She went into the boudoir; that and her bedroom, and indeed the
+whole house, was exactly in the same condition in which she had
+found it in the morning. It seemed as if no one had moved a
+finger to put anything in order. Removing her hat, she sat down
+and tried to think. The result was a failure. Her thoughts would
+not travel on the lines she wished; they would launch out in
+undesirable directions. She had scarcely been there a minute
+before she began to become conscious of an unpleasant feeling
+that she was not alone, when, all the time, she knew she was. An
+odd, morbid obsession began to overpower her, as, directly she
+was alone, it had shown an uncomfortable aptitude to do of late.
+Putting her hands up to her eyes she rubbed them with her palms,
+as if she were endeavouring to rub something away from them.
+Then, removing her hands again, she looked about her, queerly.
+
+"Of course it's ridiculous, and I suppose the real explanation
+is that I'm not so well as I ought to be; but it's funny how I'm
+always seeming to be back in his room, and how plainly I can see
+it all; and the bed--the bed." There was a rigid expression on
+her face which it was not agreeable to observe, as she herself
+seemed to understand. Standing up she gave herself a little
+shake, as if she were trying to shake something from off her.
+"This won't do--it won't do. It's not healthy. And yet there's
+something which I ought to look at--to see; to understand. It's
+something in the room. It's not the bed--not only the bed; it's
+something else. I wish I could think what it was; I wish I could
+understand; then perhaps it might go."
+
+The overturned decanter which had been on the buhl table in the
+morning was still there. She picked it up, holding it up to the
+light. It was empty. She went to what seemed to be a buhl
+liqueur case which stood on the floor in a corner. It was
+locked. She went to her bedroom to look for the key. It was not
+in its usual place.
+
+"I can't think where I put it; those brutes can't have had it. I
+had it myself last night, I know. Where did I put it? I can't
+wait to think--I can't wait; besides it doesn't matter. Anything
+will do to open it."
+
+She took a polished brass poker. With it she made a hole in the
+lid of the case large enough to enable her to insert her
+fingers. Then, with her hands, she tore the lid away--a
+sufficiently easy task, since the wood proved to be less than an
+eighth of an inch in thickness. The case contained six bottles.
+She took out one; it was labelled "Pure Ether--Poison".
+Withdrawing the stopper, paying no attention to the statement on
+the label, she poured out nearly a wineglassful, which she
+instantly swallowed, coupling with it, as it were, a somewhat
+gruesome sentiment. "Here's to Isaac Luker! I wish he was in
+reach; I'd like to kill him."
+
+Scarcely were the words out of her lips than the door opened to
+admit her husband. He stared at her.
+
+"Belle, there doesn't seem to be a servant in the place--not a
+creature. Where are they all off to? What's it mean?"
+
+She replied to his question with another.
+
+"Gregory, doesn't there seem to you to be something singular
+about this bedroom?"
+
+"Bedroom? It's not a bedroom; it's a boudoir. What do you mean?
+Belle, what's the matter with the house? What have you got in
+your hand? What are you drinking?"
+
+Mrs. Lamb was looking round her in a fashion which induced her
+husband to draw back, as if in doubt.
+
+"Have you ever seen it before--anywhere? Isn't there something
+strange about it?--especially the bed?"
+
+Mr. Lamb seemed to be of opinion that his wife's manner was
+distinctly disagreeable; apparently he did not know what to make
+of it.
+
+"Bed?--what bed? There's no bed here. You're--you're not well.
+Don't talk like that; you make me go all over creeps. I say,
+Belle, I do wish you'd give me some coin--if it's only a tenner.
+I'm broke to the wide."
+
+"Gregory!"
+
+"Well?"
+
+"Come here; I want to speak to you."
+
+"Thank you, I'm awfully sorry, but I've got an appointment with
+a man; I can't stop. About that money--Belle! now, what's up?"
+
+With a swift, unexpected movement, interposing herself between
+him and the door, his wife had slipped her arm through his, and
+was looking at him with something in her big black eyes which
+made him more uncomfortable than he would have cared to admit.
+Considering the bold, ringing, almost blusterous tones in which
+she was wont to speak, there was something unpleasantly
+significant in the half-whisper in which she addressed him now.
+
+"Gregory, you must stop--you mustn't go. There's something which
+I wish to say to you--a great deal which I wish to say to you,
+and I must say it to you now--here"--her voice sank still
+lower--"in Cuthbert Grahame's bedroom."
+
+
+
+
+ CHAPTER XXVIII
+
+ MR. LAMB IN A COMMUNICATIVE MOOD
+
+
+In the evening of that day Margaret Wallace and Harry Talfourd
+dined with Dr. Twelves. The young lady, who throughout the day
+had remained in a curious mood, was indisposed to avail herself
+of the doctor's hospitality; but she was over-persuaded by the
+doctor, who was insistent, and by Mr. Talfourd, who was on his
+side. Throughout the day they had talked and talked and talked.
+Harry was of opinion that, on a certain theme, they had talked
+too much. There was something about Margaret which was new to
+him; which he did not understand. It troubled him. So when the
+doctor changed the subject by asking them to dine with him he
+accepted, for himself, at once; and when Margaret hummed and
+hawed, and began to make excuses, for her also. He told her that
+she would have to dine with the doctor--and she had to. The two
+men bore her off with them in triumph.
+
+The doctor entertained his guests at the Holborn Restaurant. In
+his youth he had known the place when it was a dancing-hall; had
+visited it while undergoing various transformations during his
+recurrent trips to town, and, whenever he came to London, made a
+point of patronising it still. The meal was hardly a jovial one.
+The host and Harry did all they could to keep the conversation
+on impersonal and frivolous lines, but Margaret would have none
+of it. She could scarcely be induced to open her lips to put
+food between them; talk she would not. The colloquial gifts for
+which she was famous seemed to have deserted her entirely; she
+was tongue-tied. When, in a dinner party of three, the lady, who
+is both young and charming, cannot be persuaded to speak, the
+meal is apt to prove but a qualified success. The doctor's
+little festive gathering turned out to be not quite so festive
+as it might have been.
+
+As chance, or fate, had it, the two men's well-meant efforts to
+keep the conversation in exhilarating channels were doomed to
+meet with complete fiasco. After the meal was finished, as they
+strolled along Holborn, enjoying the fine evening, considering
+whether to take a cab, and if so, where to tell the cabman to
+take them to--for the doctor was firm in his conviction that
+this was an occasion on which they were bound to make a night of
+it--the issue was taken out of their hands in a wholly
+unexpected fashion. A gentleman, who did not seem to be so
+capable of seeing where he was going as he ought to have been,
+all but cannoned against Mr. Talfourd, drawing back to apologise
+just in time.
+
+"Beg pardon! Why, it's Talfourd! Hollo, Talfourd! who's the
+lady? and who's----" The speaker was staring at the doctor.
+"Hollo! I've seen you somewhere before!"
+
+The doctor was returning him look for look.
+
+"And I've seen you. You're Mr. Gregory Lamb, who lodged one
+time at David Blair's over the other side of Pitmuir, to
+whom I was foolish enough to loan a brace of sovereigns, for
+four-and-twenty hours, as I understood, but which you've never
+paid me back unto this day."
+
+Mr. Lamb was not at all abashed; he never was by reminders of
+that kind--they were legion.
+
+"Why, of course, it's the doctor--the cranky old doctor. I
+remember you quite well. How are you, old chap? You haven't--you
+haven't a brace of sovereigns on you now?"
+
+"I have not a brace which you are likely to be able to bag, Mr.
+Lamb. I understand that you have married since I saw you last."
+
+"Since you saw me! I was married then."
+
+"Indeed? But I gathered that you had since married the widow of
+an old friend of mine--Mrs. Cuthbert Grahame."
+
+"Widow? She wasn't his widow; she never was his wife."
+
+"Pardon me, but she went through the Scotch form of marriage
+with him in my presence."
+
+"That was all her dashed impudence. She was my wife long before
+that; before she ever knew that he was in the world. Doctor, my
+wife's a devil of a woman, and she's been treating me in a devil
+of a way. If I were to tell you all that she's been doing, so
+far as I can understand, mind you--it's quite between
+ourselves--you'd go straight to a police station, and you'd
+ask for a warrant; but I'm her husband, so I can't. Listen to
+me--this is between ourselves--if you'll come to a place I know,
+and where they know me--most respectable place--and do me the
+pleasure of having a drink with me--and Talfourd, and the
+lady--never leave out a lady when it's a question of a little
+refreshment--I'll tell you what she's just been telling me, not
+five minutes ago. It'll surprise you. Good as confessed to
+committing murder; half expected her to murder me--give you my
+word it's a fact. Come and have a little something and I'll tell
+you all about it--between ourselves, you know."
+
+The doctor exchanged glances with Mr. Talfourd and with
+Margaret.
+
+"It seems to me, Mr. Lamb, that you've had more than a little
+something already."
+
+"You're wrong, old chap--quite wrong; do assure you. It's
+ether--beastly ether."
+
+"Ether?"
+
+"Ever heard of the stuff before? I never did. Seems she lives
+on it; takes it in quarts. She crammed some of it down my
+throat--fairly took me by the throat and crammed it down. I'm
+like a child in her hands--give you my word. She's a devil of a
+woman. Never tasted anything like it before; seems to have sent
+me stark staring mad. Don't know whether I'm standing on my head
+or heels. Let's go and have some Christian liquor, and I'll tell
+you all about it."
+
+Again the doctor exchanged glances with his companions.
+
+"If you'll allow me to offer you a seat in my cab I'll take you
+to a friend who'll be able to give you some of the finest whisky
+in England, and there, at your leisure, you can tell us all
+about it."
+
+"My dear old chap, when they called you cranky I always said
+that there was more in you than they might think, and I stand to
+it to the present moment. I say----"
+
+The doctor did not wait to hear what he said; he bundled him
+into a four-wheeled cab after Margaret and Harry. When the cab
+had started Margaret asked--
+
+"Where are you taking us?"
+
+"I am taking you to my friend, Andrew McTavish, who has a
+commodious residence in Mecklenburg Square--just handy. There,
+over a glass of whisky, Mr. Lamb will be able to tell us just
+what his wife told him. He'll find us interested listeners."
+
+There was a dryness in the doctor's tone which was lost upon the
+gentleman at his side, who occupied the short distance they had
+to traverse by protestations of the regard he had always felt
+for the old acquaintance whom fortune, or destiny, had again
+thrown across his path.
+
+That night Mr. Brown was his partner's guest at dinner. Both
+gentlemen were still smarting from the outrage to which Mrs.
+Gregory Lamb had subjected them that afternoon. Dinner was
+finished; they were in the library, planning schemes of
+vengeance, when the servant announced that Dr. Twelves was
+outside, and was desirous of seeing Mr. McTavish. Before the
+servant was able to explain that the visitor was not alone, the
+doctor himself marched in with his retinue. The partners rose
+from their chairs in surprise.
+
+"McTavish--Brown--I have the honour to introduce you to Miss
+Margaret Wallace, a young lady of whom you have heard a good
+deal, and whom I am sure you'll be delighted to know. This is
+Mr. Harry Talfourd, of whom you may have also heard something.
+And this, gentlemen--this is Mr. Gregory Lamb, the husband of
+the lady of whom, I fancy, you have perhaps heard rather too
+much."
+
+If the look upon the partners' faces meant anything, there could
+be no doubt upon the latter point. Both Mr. McTavish and Mr.
+Brown stared at Mr. Lamb as if he were not only the strangest,
+but also the most unwelcome, object they had ever beheld. Then
+Mr. McTavish turned to the doctor, with a gasp.
+
+"I'd have you to know, Dr. Twelves, that you're taking a great
+liberty. You're presuming on our friendship in venturing to
+bring this individual to my house, and at this time of night.
+Brown, I'll trouble you to ring the bell. Mr. Lamb shall be
+shown to the door, before we have him behaving as his wife did
+this afternoon."
+
+Mr. McTavish had become rubicund with agitation; the doctor
+remained placid.
+
+"In less than five minutes, Andrew, you'll be acknowledging that
+I've done you a very considerable service in bringing Mr. Lamb
+to this house, and you'll be begging my pardon for the remarks
+which you have just made."
+
+Mr. Brown, obedient to his partner's request, had rung the bell.
+A servant appeared. Him Dr. Twelves addressed before Mr.
+McTavish had a chance of speaking.
+
+"You'll have the goodness to bring a decanter of whisky, and the
+other necessaries, at once."
+
+When the man looked at his master for an endorsement of this
+order the doctor explained.
+
+"Andrew, Mr. Lamb has a communication to make which I think you
+will find of interest; he proposes to make it while enjoying a
+glass of prime whisky."
+
+"I cannot imagine what Mr. Lamb has to say which can be of
+interest to me, but, since you wish it--John, bring the whisky."
+
+A decanter being placed upon a table, the doctor prepared a
+potent mixture which he handed to Mr. Lamb.
+
+"I think, Mr. Lamb, I understood you to say that Mrs. Lamb was
+married to you before she met Cuthbert Grahame?"
+
+"Of course she was--ever so long. She was never his wife; that
+was only her bluff. This is something like whisky. Gentlemen,
+your very good health, and the lady's--never overlook a lady."
+
+"You perceive, Andrew, that Mrs. Lamb was already Mrs. Lamb when
+she encountered your late client, Mr. Cuthbert Grahame, and,
+therefore, any document in which she is described as his wife
+is, I believe, on the face of it, null and void."
+
+Mr. McTavish made as if about to speak, but a movement of the
+doctor's left eyelid seemed to act as a check. The doctor turned
+to Mr. Lamb, grimly affable.
+
+"You like this whisky, Mr. Lamb?" Judging from the fact that
+that gentleman had already emptied his tumbler it seemed as if
+he did. "Allow me to fill your glass." The speaker suited the
+action to the word; he did very nearly fill the glass with neat
+spirit. "From what you said I should imagine that you have
+recently had rather a singular scene with your wife, Mr. Lamb.
+You were about to tell us what occurred. Was it anything very
+remarkable?"
+
+"I should think it was remarkable. Your very good health,
+gentlemen. After the stuff she forced down my throat this is
+something like whisky; ether she forced down my throat--rank
+poison. Why, do you know she sees things--actually sees
+things--give you my word--makes your blood cold to hear her
+talking. She made out we were in a bedroom--Cuthbert Grahame's
+bedroom she called it; it was only the boudoir. She talked
+about the things which were in it just as if they were in it,
+when of course they were nothing of the kind--just the ordinary
+furniture! 'You see that bed?' she said. Of course I didn't;
+there wasn't a bed to see; not even the ghost of a bed. 'That's
+Cuthbert Grahame lying in it. You see how he's propped up by
+pillows?' The idea of such a thing in a boudoir! 'Now I'm going
+to pull away those pillows from under his head.' She actually
+pretended to be pulling at pillows, or something--positive fact!
+'Now,' she said, 'you see how his head's fallen? You hear what a
+noise he makes in trying to breathe? He's choking. I've only got
+to leave him like that for a time and he'll be dead. He almost
+choked to death when a pillow slipped the other day, so I know.'
+Quite serious she was all the time--frightfully serious; made me
+all over creeps to hear her--give you my word."
+
+"Do we understand you to tell us that she said, 'Now I'm going
+to pull away those pillows from under his head,' and that then,
+in pantomime, she went through the action of pulling them?"
+
+"Certainly; that's just what she did do--just exactly. Then she
+pretended to drop them on to the floor, and talked about the
+noise he made in trying to breathe. Awful!--really awful!"
+
+"Was that all she said? or did?"
+
+"I should think not; there were all sorts of things; she kept on
+for a devil of a time. But I can't remember just what they were
+just now--strange how you do forget things. Oh yes! there was
+one thing--I remember one thing!--most extraordinary thing. She
+said, 'You see that fireplace'. Of course there wasn't a
+fireplace; she was standing right back in front of a window.
+Absurd! But she saw it--stake my life she saw it--you could
+tell. 'There's something about that fireplace which I ought to
+see, but I can't think what it is; something which I ought to
+understand, but I can't. If I only could!' You never heard
+anything like the way she said it; you never heard anything more
+impressive on the stage--positive fact! 'You see those two
+wooden posts,' she went on. Of course I saw nothing of the kind,
+because, as I've told you, there was nothing to see--I don't see
+things. 'Those two pillar things, I mean, which have been carved
+out of the woodwork of the mantelpiece, one on either side, just
+near the bottom. Do you know, Gregory, I believe that there's
+something about those two posts which I ought to see, which I
+ought to understand! But I can't! I can't!' Give you my word
+that she began to cry; twisted her hands together and went on
+like anything--actually. Seemed so silly! 'I believe,' she
+cried,' that if I could only see, if I could only understand, I
+should know where Cuthbert Grahame's money is, that I should
+find the quarter of a million which is lost.'"
+
+As Mr. Lamb gave a dramatic imitation of his wife's manner,
+which, considering all the circumstances, was not so bad,
+Margaret, who hitherto had remained in the background, came to
+the front with a question.
+
+"Are you sure she said that there was something about those two
+posts which--if she saw, if she understood it--would make known
+to her where Cuthbert Grahame's money was?"
+
+Mr. Lamb had something of an aggrieved air as he replied.
+
+"Am I sure? Of course I'm sure; I shouldn't say she said it if I
+wasn't sure. My statements are absolutely to be relied upon,
+Miss Whoever-you-are."
+
+The doctor glanced from Mr. Lamb to Margaret.
+
+"What's he mean, or what's she mean about two wooden posts? It's
+all double Dutch to me; I don't understand in the least. Is it
+any plainer to you?"
+
+"I think that it is all quite plain to me; that I can understand
+what she doesn't; that I can see what she can't." Her voice
+sank. Although she spoke gently her tones, to adopt Mr. Lamb's
+word, were most "impressive". "I believe that, unwittingly, she
+has delivered herself into my hands; that the duel which she and
+I are fighting has advanced another stage; that soon we shall be
+exchanging shots; and that then there will be but one of us two
+left to tell how it all fell out."
+
+
+
+
+ CHAPTER XXIX
+
+ MARGARET PAYS A CALL
+
+
+The next morning, between eleven o'clock and noon, Margaret went
+out visiting. She had paid much attention to her costume, more
+than she was wont to do. Her mind travelled back to the day on
+which she had been repulsed from Cuthbert Grahame's door; she
+endeavoured to recall what on that occasion she had worn. Women
+have a mnemonic system of their own; with them clothes and
+events are inseparably associated. They recall one by a
+reference to the other. Miss Wallace had no difficulty in
+recollecting precisely what garments she had worn; she had even
+a fair perception of how she had looked in them. She made it her
+immediate purpose to look again as much as possible as she had
+looked then. Almost providentially, as it seemed, the dress
+itself was still in existence, hidden away at the bottom of a
+box. She had never worn it since. First, because, although cheap
+enough, it was fashioned of very delicate material, and the hot
+water which had been poured upon her had blotched it here and
+there with stains which she had found it impossible to attempt
+to conceal. Then it was connected with an episode which,
+whenever she saw it, would instantly recur. The recurrence
+afforded her no pleasure. As, after excavating it, she surveyed
+its many creases, she meditated.
+
+"It almost looks as if, from the first, I had preserved it with
+a particular end in view, with the intention of producing it,
+when the mathematical moment arrived, as what the French call a
+_pičce de conviction_. It's ages behind the fashion, but that
+will only serve to impress its significance more forcibly on
+her."
+
+She contrived something in the way of head-gear which was
+reminiscent of the hat she had worn that day. Her nimble fingers
+reproduced the various trifles which in a woman's attire are of
+such capital importance; she even dressed her hair in a fashion
+which was obsolete. When, fully costumed, she surveyed herself
+in a looking-glass, it seemed to her that the results were most
+surprising.
+
+"Wonderful how the modes do change! It is not so many years ago,
+and I am sure that then I was up-to-date; but now I look as if I
+had come out of the ark; I might be in fancy-dress. I shall have
+to take a cab; I should never dare to walk through the streets
+like this; they'd take me for a guy. When Mrs. Gregory Lamb sees
+me, if she's still in anything like the state of mind which that
+charming husband of hers described last night, it won't be
+wonderful if she takes me for a ghost."
+
+She put in a portfolio certain drawings which she had risen at a
+very matutinal hour to make; the portfolio she placed beneath
+her arm, and, thus equipped, she sallied forth upon her errand.
+The street in which she had her lodging being of modest
+pretensions, was but little frequented by cabs. She had a five
+minutes' walk before she found one. And during that short
+promenade she was the object of so much attention, especially
+from the females as she passed, that she was glad when, seated
+in a hansom, she was at least partially concealed by the
+friendly apron.
+
+She found the door of Mrs. Lamb's residence in Connaught Square
+wide open. On the steps stood a shabbily dressed man, with his
+hands in his trouser pockets, an ancient bowler pressed tightly
+down upon his head, and a clay pipe between his lips. When
+Margaret addressed him he moved neither his hat, nor himself,
+nor his pipe.
+
+"Is Mrs. Lamb in?"
+
+"From what the governor told me I shouldn't be surprised but
+what she's gone back to bed."
+
+Margaret considered the man's words. His manner was not exactly
+rude, it was peculiar.
+
+"Which is her bedroom?"
+
+"That's more than I can tell you. I ain't been upstairs myself.
+I've got a bad leg, and ain't too fond of going up and down
+stairs, especially when there ain't no need of it. But you'll
+find it somewhere that way, I expect."
+
+"May I ask who you are?"
+
+"Me?" Taking his pipe out, the man drew the back of his hand
+across his lips. "I'm representing the landlord; that's what I
+am."
+
+"Representing the landlord? Do you mean that you're a bailiff?"
+
+"A bailiff--that's it! I'm in possession; three quarters'
+rent--nearly four. My governor was only just in time. Seems
+there's a bill of sale on the furniture. They came up with their
+vans as my governor was going over the place; wanted to clear
+everything out, they did. Of course my governor soon put a
+stopper on that. There was a bit of a talk. I shouldn't be
+surprised if they was to pay my governor out. It's a queer
+business from what I hear."
+
+"Please let me pass, I want to see Mrs. Lamb."
+
+The man drew well back into the house.
+
+"Certainly; any lady can see Mrs. Lamb for what I care. I expect
+you'll find her somewhere about upstairs."
+
+As she ascended the staircase Miss Wallace indulged in inward
+comments.
+
+"The house looked very different the night before last; nobody
+would have guessed then that the shadow of ruin was already
+hovering over it. She must be a curious person to give a party
+to all that crowd of people when she knew that at any hour the
+brokers might be in for rent. And to talk of financing Harry's
+play! and paying him three hundred a year for doing nothing! But
+then she is a curious person. The house looks as if nothing had
+been touched in it since Mrs. Lamb's reception came to a
+premature conclusion--it smells like it too. What have we here?
+What a state of things!"
+
+She glanced into the drawing-rooms, which remained in a state of
+amazing confusion. Mounting to the floor above she found herself
+confronted by two closed doors.
+
+"I wonder if one of these is her bedroom. I'll try this."
+
+She turned the handle of the door which was directly in front of
+her, softly, and walked right in. It was the lady's bedroom, and
+the lady was in bed. Margaret had entered so quietly that
+apparently not the slightest sound had informed the mistress of
+the house that any one was there. The girl stood still.
+
+"Pah! what an atmosphere! I'd sooner have every pane of glass
+broken than breathe air like this. I shouldn't think the windows
+have been open for days." She glanced at the bed. "Is she
+asleep?--at this hour?--with the broker's man downstairs?"
+
+Laying her portfolio on a small table, she moved closer to the
+bed. Its occupant continued motionless. The girl, leaning
+forward, touched her, lightly, on the shoulder. Still no sign of
+life. The girl exchanged the light touch for a sudden, vigorous
+grip, giving the shoulder a wrench which must have roused the
+soundest sleeper. The woman started up in bed.
+
+"Luker! is that you?" she cried.
+
+When freshly roused from slumber, she saw who it was; her first
+impression seemed to be that she was still the victim of some
+haunting dream. Speechless, she stared at the girl, drawing
+farther and farther back the longer she stared. Her whole
+frame--her pose, her limbs, the muscles of her face--seemed to
+become rigid, set, as if she were afflicted by some new and
+awful form of tetanus. She appeared to be incapable of twitching
+a lip or of moving an eyelid. Even when Margaret spoke she
+persisted in her fixed and dreadful glare, as if she were some
+unpleasant statue.
+
+"I am Margaret Wallace--as you are aware. I am she whom you
+drove from Cuthbert Grahame's door, pretending you were Nannie
+Foreshaw. These are the clothes I was wearing when you drove me
+away with lies and with hot water. See--here are the stains of
+that hot water still. Your sin has found you out; judgment is
+pronounced; your punishment has already begun. Between you and
+me it is a duel to the death. It is your choice, not mine, but
+since you have forced it on me, I will fight you to the end, and
+I shall win. I know all about you--who you are, what you've
+done. I know that you were already a wife when you pretended to
+marry Cuthbert Grahame; that you committed bigamy. I know that
+you got that will from him by means of a trick. I know that so
+soon as you had got it you murdered him. You snatched the
+pillows from under his head--see! like that!" She caught up the
+two pillows which lay upon the bolster and dropped them on the
+floor. "Can't you hear the noise he makes in trying to breathe?
+He's choking. You've only to leave him like that for a little
+while, and he'll be dead. And you left him! I know--I know."
+
+The woman listened to the hot, eager words which streamed from
+the girl's lips as if the speaker were some supernatural
+visitor, and the accusations were being hurled at her from on
+high; and still she never moved a muscle, she even seemed to
+cease to breathe.
+
+"You see!--we are in Cuthbert Grahame's bedroom, you and I. I
+know it as well as you do--better--and you know it very well.
+You'll never forget it--never!--to the last moment of your life.
+There is the mantelpiece; it is made of wood--carved wood. It is
+old; old as the house itself; beautifully carved. You see there
+are two wooden pillars, one on either side, carved so that they
+stand out. You are quite right in supposing that there is
+something about them which you ought to see, to understand. I
+have come to tell you--to show you--what it is."
+
+Taking from her portfolio two drawings she held first one and
+then the other in front of the motionless woman.
+
+"I have made a drawing of the mantelpiece, just as you see it,
+and as I see it, and as it is. Is it not like it? Here are the
+two side-posts; but here"--exchanging one drawing for the
+other--"is only one of them. That is a picture of the pillar
+which is on the left-hand side of the mantelpiece as you stand
+in front of it--you will remember, on the left-hand side. I have
+written down an exact description of it in case you should
+forget, because there is only one thing which you will never
+forget, and that is on the bed. Look closely at the drawing; it
+represents the pillar exactly. This long, slender part, which
+runs from here to here, is called the shaft. You hold it with
+both hands, or, as you are very strong, you will perhaps be
+able to manage with one, and you turn it right round in its
+socket--completely round. It will probably be a little stiff, as
+it has not been touched for so long; but you'll find that you'll
+be able to make it move. This narrow piece at the top is called
+the neck. After you have turned the column you pull it to the
+left. It slides in two grooves. It may be a little stiff, like
+the column, but if you push, or pull, hard enough, and long
+enough, it will yield. This still narrower piece near the foot
+of the column, just above the plinth--the plinth in the bottom
+of a column is called the _torus_, or the _tore_ (_torus_
+is a Latin word which architects use, and it just means
+swelling)--when you have turned the pillar, and slipped the
+neck, you get as firm a grip on the top of the torus as you can,
+give a smart jerk, and it will fall over on a hinge. Have you
+ever read _The Arabian Nights?_ You don't look as if you had
+read anything. If you haven't, you never will; you'll never have
+a chance. But I suppose you've heard of Ali Baba and the Forty
+Thieves; the cave in which they kept their treasure; the
+password, 'Open Sesame,' which caused the cave to open. All
+these man[oe]uvres of which I have been telling you--turning the
+shaft, sliding the neck, pulling forward the torus--are the
+'Open Sesame' which will lead you to the place where the
+treasure is--greater treasure than was in the cave of the forty
+thieves. These performances which you will have gone through
+will have unlocked, unbolted and unbarred. All that remains is
+that you slide that whole side of the mantelpiece to the left.
+You'll have no difficulty. Behind you'll discover a cupboard,
+deep though narrow, going far back into the wall, with shelves
+laden with treasures. On those shelves is the quarter of a
+million of money--I daresay more--which once was Cuthbert
+Grahame's, waiting for some one to carry it away! Here are the
+two drawings which are the key to the riddle. I present them to
+you freely. They were made specially for you. Although the
+broker's man is in for rent, and the bill of sale men clamour at
+the door, and you are penniless, and ruin stares you in the
+face--ruin utter and complete--though your need of it's so
+great, you'll not get that money which is hidden in the
+mantelpiece--you'll not dare! you'll not dare! Because the bed
+still stands in the room--you can see it now!--the bed on which
+you murdered Cuthbert Grahame; and Cuthbert Grahame still lies
+on it--you can see him too!--waiting and watching for you to
+return to where you threw the pillows on the floor--waiting and
+watching for you. You'll not dare go back into that room again,
+because in it the dead hand is waiting to grip you by the
+throat. And after to-morrow it will be too late--Cuthbert
+Grahame's money will be there no longer. Here are the drawings.
+I will leave them with you, as I said. You will be able to study
+them at your leisure, conscious of who is looking over your
+shoulder."
+
+Margaret laid the drawings on the coverlet. With her portfolio
+again beneath her arm she quitted the room, as noiselessly as
+she had entered. All the time Mrs. Gregory Lamb had not moved or
+spoken a word.
+
+
+
+
+ CHAPTER XXX
+
+ MRS. LAMB IN SEARCH OF ADVICE
+
+
+On the evening of that same day, at the door of Mr. Isaac
+Luker's little house in that _cul-de-sac_ near Stamford Street,
+some one knocked, in a rather unusual manner, as if after a
+prescribed fashion, then whistled half-a-dozen sharp, shrill
+notes up the scale. This performance was repeated thrice before
+anything happened to show that it had attracted attention
+within. Then a window was opened above; the solicitor's head
+came out.
+
+"Who's there?"
+
+A feminine voice replied--
+
+"It's me--Isabel. I want to speak to you. Don't keep me waiting
+out here. Come down! let me in at once."
+
+There was a brief pause before the answer came, as if the man of
+law was endeavouring to see as much of his visitor as he could.
+
+"Not much--I won't have you in this house; don't you think it;
+I'm not a fool. If you won't go without a fuss I'll soon get
+those who'll shift you."
+
+"You are a fool. I don't want money from you, or anything of
+that kind. I want to tell you something--that's all."
+
+"Then tell it me from where you are; I'm listening."
+
+Mrs. Lamb's voice dropped, so that her words were only just
+audible to the man above.
+
+"Cuthbert Grahame's money's found."
+
+Another pause, possibly of doubt.
+
+"Is that a lie?"
+
+"I'll swear it isn't; it's as true as I stand here."
+
+"Where is it?"
+
+"It's in his house"
+
+"His house? What house? I didn't know he'd got a house."
+
+"His house at Pitmuir--where I met him--where he died."
+
+"How do you know it's there?"
+
+"I'll tell you all about it if you'll let me in."
+
+"You'll tell me before I let you in."
+
+"Margaret Wallace--that girl--you know--she came this morning
+and told me it was there."
+
+"I don't believe it. Why should she, of all people, come and
+tell you a thing like that? Tell that for a tale."
+
+"She did; I swear she did. The money's there--I know just
+where--a quarter of a million at least."
+
+"A quarter of a million?"
+
+"At least! If I was there I'd have it in my hands inside two
+minutes. I'm as sure of it as I am that I'm alive. Don't be
+silly; let me in, and let's talk where we can be alone. I'm on
+the square--I swear it. I don't want anything from you; I just
+want your advice--that's all."
+
+There was another pause.
+
+"Mrs. Lamb, I've got a telephone installed in these premises.
+I'm going to telephone to a friend that you're here; I'm going
+to ask him to step round in a few minutes. If, when he comes,
+you've been making trouble, there'll be trouble for you--you'll
+be the sorriest woman that ever lived. I give you my word; when
+I give you my word on a point like that you know it goes. You
+wait there until I'm ready."
+
+The head was withdrawn; the window closed; the lady waited,
+impatiently enough. Her patience was sufficiently tried. It
+seemed to her that she waited an hour; she certainly did wait
+twenty minutes. More than once she was on the point of sounding
+a loud rat-a-tat on the knocker by way of a little reminder. It
+was only with an effort she restrained herself, being conscious
+that possibly Mr. Luker's decision still hung in the balance,
+and that it needed but little to turn the balance against her.
+She had just arrived at a final conclusion that he had played
+her false, or, at any rate, intended to ignore her existence,
+when the door was opened, on the chain.
+
+"I've telephoned to my friend; he's coming; so, if you're in an
+argumentative frame of mind, you'd better take my strong advice
+and stay outside. No argument will be allowed in here."
+
+It seemed to Mrs. Lamb that the wary Mr. Luker was carrying his
+wariness almost a trifle too far. She was unable to altogether
+conceal that this was her feeling.
+
+"Bless the man! I don't want to argue! I just want to explain
+exactly how the matter stands. When you've opened that door
+you'll find that I mean just what I say, neither more nor less."
+
+"My friend, when he arrives, will see that you don't mean more;
+you can take my word for that. Come inside!"
+
+Mr. Luker removed the chain; the lady entered; he led the way to
+a room on the ground floor at the back. It was much better
+furnished than the exterior of the house, and its occupant's
+appearance, might have led one to expect. A telephone, on its
+bracket against the wall, was one of the most prominent objects
+the room contained. Mr. Luker called her attention to its
+presence.
+
+"You see? I'm not so much alone here as you might think; I'm in
+constant communication with my friend; and as he'll be here very
+shortly, perhaps you'll say what you have to say as quickly as
+you can."
+
+"It'd have been said already, if you hadn't kept me cooling my
+heels outside while you were playing the fool in here with your
+telephone."
+
+As clearly and succinctly as possible--she could keep to the
+point when she liked--Mrs. Lamb told her tale, exhibiting
+Margaret's drawings, partly by way of corroboration and partly
+to elucidate certain points which needed explanation.
+
+"And you believe it?"
+
+"Believe that the money's inside that mantelpiece? I'm as
+certain of it as I am that I see you."
+
+"What makes you so sure?"
+
+"His will was hidden in one corner of the room. All along I've
+felt sure that there were more hiding-places in it than one. I
+shouldn't be surprised if there were half a dozen. It's just the
+kind of room, and he's just the kind of man. As for the
+mantelpiece, I've been bothered all along by a feeling that
+there was something about it which I ought to understand, and
+didn't. Now I know what it is. Cuthbert Grahame's money's there
+as certainly as you are here. I tell you he was just the sort of
+curiosity--he wasn't a man when I knew him!--who might be
+expected to play a trick like that."
+
+"But why should the girl come and tell you the tale when it was
+to her advantage to keep it dark--especially from you?"
+
+"That's more than I can say. I know she's a white-faced little
+devil, and that I hate her. I lay she didn't do it out of any
+love for me."
+
+"That, I think, we may take for granted--which makes the puzzle
+more. It looks to me as if she expects you to walk headlong into
+a trap which she has carefully baited."
+
+"Curse her traps! What do I care for her traps? She can't set
+one which will catch me. The money's there, and the money's
+mine--and I'll get it."
+
+"Then get it. It will be useful to you just now, even if there's
+less than a quarter of a million."
+
+"Useful!--my God!--useful!" Stretching out her arms on
+either side, she drew a long breath. "But, Luker--that's the
+mischief!--it's in his room; the one in which he died."
+
+"Well; you've told me that already--what of it?"
+
+"What of it? Why!"--she laughed; there was something in the
+sound of her laughter which caused him to bunch himself
+together, as if touched by a sudden chill--"I daren't go in it."
+
+"You daren't go in it? What do you mean? The house is your own,
+isn't it? What's there to be afraid of? Who's to keep you out?"
+
+"That's it!--I don't know! I don't know! Luker, there's
+something come over me lately; I didn't used to be troubled with
+nerves."
+
+"You didn't."
+
+"I never was afraid of anything--or any one."
+
+"You weren't; you've always had the devil's own courage since
+you were a girl."
+
+"There's been nothing I daren't do."
+
+"It would have been better for you, perhaps, if there had been
+something; there's such a thing as daring to do too much."
+
+"You think so? Perhaps that's it; perhaps I have dared to do too
+much."
+
+"As to that you know better than I do; I'm not your father
+confessor, nor wish to be. The Lord forbid!"
+
+"I don't know how it is, but, lately, I've gone all to pieces.
+I'm afraid of all sorts of things. When that girl came this
+morning I was afraid of her; she frightened me out of my senses.
+I thought she was a ghost; I couldn't have moved or spoken to
+save my life; I listened to her like a stuck pig. Luker, things
+have upset me more than I thought anything could have done.
+I'm--I'm all a bundle of nerves."
+
+"It's that stuff you've been drinking."
+
+"Stuff? What stuff?"
+
+"When I was at your place yesterday I saw a decanter lying on
+the table; some of the contents had been spilled. I dipped my
+finger into the stuff and tasted it. It was ether. When women of
+your temperament take to drinking ether, that's an end of them."
+
+"But I've got to drink it!--I've got to! I never touch it unless
+I'm forced! Luker, if I didn't, sometimes, I should go stark,
+staring mad."
+
+"Then you'll go stark, staring mad. Ether's a royal road to
+madness for such as you. Better stick to gin."
+
+"Gin!--gin's no good; a barrelful would be no good when I'm like
+that."
+
+"I see--that's the point you've got to." He was eyeing her
+intently. "Is there any particular reason why you should be
+afraid of going into the room where that man died?"
+
+She became instantly conscious of the keenness of his scrutiny,
+perceiving that in it there was a new quality. Her manner
+changed.
+
+"Any particular reason? No; there's only the general reason that
+I'm all mops and brooms; that I start at shadows. Besides, I'm
+going into it, and you're going with me."
+
+"Am I? That's news."
+
+"Luker, if you'll come with me to Pitmuir, and stick to me while
+I find Cuthbert Grahame's money, I'll give you five hundred
+pounds."
+
+"Hard cash?--before we start?"
+
+"I can't do that; you know I can't do that. But, Luker, I'll
+give you a thousand when I've found the money. I'll set down my
+promise in writing; give you any sort of undertaking you like."
+
+"Yes; but suppose you don't find the money; suppose what that
+girl told you is nothing but a cock-and-bull story? I tell you
+plainly that I can't make head or tail of the whole business.
+I've no faith in the girl, or her story, or her motives. And I'm
+pretty sure that she has no intention, under any circumstances
+or on any conditions, of presenting you with Cuthbert Grahame's
+fortune, or of putting you in the way of getting it for yourself
+either."
+
+"But I know it's there. I can't explain to you how I know it--I
+don't understand myself--but I do. And though it seems queer, at
+the back of my head I've known it all the time. Luker, as sure
+as you are living, that money's there."
+
+"Then, in that case, instead of going yourself, why not instruct
+some one on the spot to examine the premises on your behalf; to
+pull down this famous mantelpiece, or the whole house if
+necessary, and report the results to you?"
+
+"Who shall I instruct? Before they move they'll perhaps want
+money--I expect my position is pretty generally known--and where
+am I to find it? In any case, they'll take their own time, and
+time is precious. Besides, there are enough fingers meddling in
+my affairs already. And who am I to trust? I don't want any one
+except myself to know how much I find. To speak of nothing else,
+shouldn't I have to pay succession duty if it were known?"
+
+"I suppose you would. Isabel, you're a curious person; a little
+too fond, perhaps, of doing things for yourself; yet, in
+delicate matters--in very delicate matters--it's a fault on the
+right side. How do you know you can trust me?"
+
+"You and I have seen too much of each other for me not to know
+when, and where, and how far I can trust you. I'm not afraid."
+
+"You're right; you needn't be. I don't think I am likely to
+round on you. But, on the other hand, frankly, I'm afraid of
+you."
+
+"Nor need you be afraid of me. It's only when I'm upset
+that--that I'm trying--that's all."
+
+"Even if it is all, it's a pretty big all."
+
+"About the thousand pounds. As I said, I'll give you any sort of
+bond you like, undertaking, if you stick to me, to pay you the
+moment I get the money in my hands. Anyhow you know that you'll
+be safe. It's not bad pay for what I'm asking you to do."
+
+"I don't say it is. When do you propose to start?"
+
+"To-morrow morning, by the ten o'clock train from King's Cross.
+I planned it all out before I came."
+
+"That's quick work."
+
+"It'll have to be quick work. If I don't have money, and plenty
+of it, within forty-eight hours, I'm undone."
+
+"I understand. By the way, I presume that you're prepared to pay
+all out-of-pocket expenses, for both parties, as we go on. For
+instance, I shall require you to hand me a return ticket to
+wherever we are going before I set foot inside the train. I'm a
+poor man, although you sometimes amuse yourself by pretending to
+think otherwise, and I, at any rate, can afford to take no
+risks."
+
+"You shall have your ticket, and I'll pay everything. I've the
+money to do it--but it's about as much as I have got."
+
+"Ah, but by to-morrow, about this time, you'll be more than a
+millionaire. I've always understood that that wonderful quarter
+of a million of Mr. Grahame's produced, on an average, more than
+twenty per cent.; so that if you had a million, averaging a
+modest three per cent.--and some millionaires would be glad to
+get as much--your income would be less. Then there are the
+arrears, which have been accruing! Think of the arrears, Mrs.
+Lamb--on a quarter of a million, at twenty per cent.! Now if you
+will sit down here, and will give me, on this sheet of paper,
+that little undertaking you mentioned, I think that, on my part,
+I can undertake to accompany you on your little trip to the
+north."
+
+
+
+
+ CHAPTER XXXI
+
+ MRS. LAMB RETURNS TO PITMUIR
+
+
+When Mr. Isaac Luker and his client, Mrs. Gregory Lamb, arrived
+at the small roadside station, in the county of Forfar, towards
+which they had been journeying throughout the day, they were
+neither of them in the best of tempers. It had been a long day's
+journey. There had been some misunderstanding about the
+connection of the trains at Dundee. They had missed the one by
+which they had meant to travel; there had been a dreary wait for
+the next. When at last they started on the last stage of their
+journey the engine went dawdling along the branch line in a
+style which both, in their then frame of mind, found equally
+trying. They would hardly, at any time, have been called a
+sympathetic couple. Neither, for instance, would have selected
+the other as an only companion on a desert island. By the time
+the train paused for, so far as they were concerned, its final
+stoppage, either would have been almost willing to fly to a
+desert island to escape the other's society.
+
+It was between nine and ten at night--a misty night. The damp
+seemed to be rising out of the ground, and to be covering the
+country with a corpse-like pallor. There was a faint movement in
+the air, which it did not need a very imaginative mind to
+compare to a whisper of death. They were the only passengers who
+alighted at the station, which seemed to consist of but a narrow
+strip of bare earth, about the centre of which was constructed
+what looked like a ramshackle shed. Illumination was given by
+two or three oil lamps, and by a lantern which the only visible
+official carried in his hand. To this personage Mrs. Lamb
+addressed herself.
+
+"Is any one waiting for me?"
+
+The official proved to be a Scotsman of a peculiarly Scotch
+type; his manners and his temper were both his own. No attempt
+is made to reproduce the dialect in which he spoke.
+
+"And who might you happen to be?"
+
+"I'm Mrs. Gregory Lamb."
+
+"Never heard the name. Pass out! Tickets!"
+
+Mr. Luker nudged the lady's arm.
+
+"I thought you telegraphed under the name of Mrs. Cuthbert
+Grahame?"
+
+She made a somewhat ill-considered attempt to correct the error
+she had made.
+
+"I mean that I'm Mrs. Cuthbert Grahame."
+
+"Mrs. Cuthbert Grahame? You said just now that you were Mrs.
+Gregory Lamb."
+
+"I spoke without thinking. I telegraphed some instructions to
+the station-master in the name of Mrs. Cuthbert Grahame."
+
+"In the name of Mrs. Cuthbert Grahame? A body can't have two
+names."
+
+"I ordered a close carriage to meet Mrs. Cuthbert Grahame by the
+train before this, then, when I found I'd missed it, I sent a
+wire from Dundee to order the carriage to wait for the next."
+
+"There's no carriage within miles."
+
+"No carriage? Then what is there?"
+
+"There's what they call a fly."
+
+"And is the fly here?"
+
+"Sam Harris wouldn't let it come."
+
+"Who's Sam Harris?"
+
+"He's the man that owns it."
+
+"And pray why wouldn't Mr. Harris let it come?"
+
+"You'd better be asking him instead of me. He lives about two
+miles from here--perhaps a trifle over."
+
+"Two miles! Then is there nothing here to meet us?"
+
+"There's a cart."
+
+"A cart!--an open cart!--in this weather! What kind of cart?"
+
+"He was outside the gate when I saw him last, but maybe by now
+he's grown tired of waiting, and he's gone. If you go outside
+you'll be able to see for yourself what kind of cart it is
+better than I can tell you. Any way, you can't stop here; I'm
+off home. Tickets!--and if you haven't your tickets you'll have
+to pay your fare--that's all."
+
+The two passengers surrendered their tickets. With such dignity
+as she could muster the lady strode towards the little wooden
+gate, Mr. Luker following limply behind. He made no attempt to
+feign a sense of dignity which he did not possess. To judge from
+his appearance and his attitude he had not only sunk into the
+lowest stage of depression, but he was willing that all the
+world should know it. A very woebegone figure he looked: so tall
+and so thin, with the pronounced stoop; in the old familiar
+garments which he had worn for so many years in town, a costume
+which seemed singularly out of place on that spot just then; the
+frayed, shabby frock-coat, tightly buttoned up the front, the
+collar of which he now wore turned up about his chin; the
+trousers which were at once too baggy and too short; the ancient
+top-hat, which had seen so many better days.
+
+Outside the gate was what, in the semi-darkness, looked
+uncommonly like an ordinary farmer's cart, and not too
+comfortable, or cleanly, an example of its class. Mrs. Lamb
+stared at it in disgust.
+
+"Have you brought that thing for me?"
+
+As regards manners the driver seemed to be a near relation of
+the railway official's, if anything his were more pronounced.
+
+"I don't know who you are. How am I to know?"
+
+"I'm Mrs. Cuthbert Grahame of Pitmuir."
+
+"Oh; that's what you call yourself--ah!"
+
+"You appear to be an impudent fellow."
+
+"And you appear to be a free-spoken woman."
+
+"How dare you talk to me like that? I ask you again, have you
+brought this thing for me?"
+
+"I've brought this thing, as you call it, which is as decent a
+cart as ever you saw, and more decent maybe than you deserve to
+sit in, to carry the person as calls herself Mrs. Cuthbert
+Grahame to Pitmuir, and I'm beginning to wish I hadn't."
+
+"Why is there no fly here?"
+
+"Because Sam Harris wouldn't let his come."
+
+"Why not? I ordered it."
+
+"You ordered it! Mr. Harris said that he wasn't going to have
+the likes of you sitting in a fly of his--that's why. So he sent
+this cart instead. If this cart isn't good enough, I'll take it
+back at once. I'll take it back anyhow if there's much more
+talking."
+
+The lady and her solicitor exchanged glances. While they were
+apparently seeking for words the driver volunteered another
+remark, in keeping with those which had gone before.
+
+"There's another thing. I'm to be paid before I started; Mr.
+Harris said I was."
+
+"You'll be paid when you reach Pitmuir."
+
+"Shall I? Then I'll say good-night."
+
+The man gathered up his reins as if about to depart.
+
+"Stop! What are you doing? You appear to be a pleasant
+character."
+
+"From all accounts, ma'am, that's more than can be said of you."
+
+Under other circumstances the fellow might perhaps have
+regretted his temerity. Mrs. Lamb was not a lady to quietly
+endure impertinence from any one. As matters stood she was at
+his mercy, a fact of which he was evidently aware. She had to
+choke back her resentment as best she could.
+
+"How much do you mean to charge?"
+
+"There's twelve shillings for driving you; there's three for
+waiting; there's five for myself--that's a sovereign."
+
+"A sovereign!--monstrous!"
+
+"Very well; there's no call for you to pay it. I tell you again,
+I'll say good-night."
+
+Mr. Luker interposed.
+
+"How far is it?"
+
+"Better than five miles."
+
+"And how long will it take, in this delectable vehicle of yours,
+to get us there?"
+
+"An hour or thereabouts. The road's none so good, and it's not
+easy going on a night like this. It's thicker over yonder."
+
+"And for an hour, or thereabouts, I'm to be jolted, over a bad
+road, through this death-like mist. Thank you; the prospect is
+not inviting. I think we had better go over in the morning.
+Where, in the neighbourhood, can we get a night's lodging?"
+
+"Nowhere."
+
+"Nowhere? Are you sure?"
+
+"If you think you know better than me you'd better go and look
+for yourself. I tell you there's not a house round here where
+they'd have you under the roof--nor her either. I wouldn't, nor
+yet Mr. Harris, nor any one else."
+
+"This is delightful--thoroughly delightful."
+
+Anything less suggestive of delight than his tone could hardly
+be imagined. The lady spoke.
+
+"I telegraphed to an old servant of mine, Martha Blair, to go up
+to the house and to take some one with her, or if she couldn't
+go herself then to get two other girls to go, to light fires and
+to make things ready for my coming. Do you know who has gone?"
+
+"No one's gone; I do know that. You'd get no woman from round
+here to go up to Pitmuir at night, especially if it was known
+that you were coming."
+
+"Prospects grow more and more delightful."
+
+This was a groan from Mr. Luker. The lady, taking him by the
+coat sleeve, began to talk to him in an undertone. The driver
+promptly interrupted.
+
+"If you two are going to talk things over between yourselves you
+can do it after I'm gone. I'm off; I've had enough of waiting,
+so I'll wish you both good-night."
+
+The lady stopped him; she drew out her purse.
+
+"Here's a sovereign. Now drive us to Pitmuir, and be as quick as
+you can."
+
+The man examined the coin as well as he could in such a light;
+he even tested its quality with his teeth. Drawing a bag from
+some mysterious receptacle inside his waistcoat, he untied a
+piece of cord which tied it round the neck, placed the coin
+carefully within, feeling it to make sure that it was, retied
+the bag, and returned it to its place. These operations took
+some time; before they were concluded his two passengers were
+more tired of waiting than he was. Mrs. Lamb mounted to the seat
+beside the driver. Mr. Luker scrambled into the vehicle itself.
+There was nothing for him to do but to squat upon the floor,
+making himself as comfortable as he could by leaning his back
+against the side. Then the cart started.
+
+The driver had been perfectly correct in stating that it was not
+a very good road. So far as could be judged in the mist and the
+darkness, when one had to rely entirely on the sense of feeling,
+it consisted for the most part of ruts and ditches. The springs
+upon which the body of the cart was hung were not very
+resilient, indeed they were rudimentary. Mrs. Lamb had all she
+could do to keep on the seat; the gentleman behind was shaken in
+such a style that he had traversed the whole interior of the
+vehicle before he had gone two miles. Considering all things, it
+was perhaps as well that the rate of progress was not more
+rapid, though the driver had a somewhat disconcerting knack when
+the road was excruciatingly bad of seeming to move faster than
+was absolutely necessary, and when it was comparatively smooth
+of going slower than he need. More than once Mrs. Lamb tried to
+engage him in conversation, putting questions to him on subjects
+on which she was particularly anxious to obtain information. She
+desired to know if Nannie Foreshaw was still in the flesh; how
+Dr. Twelves was getting on; if he yet practised, and so on. But
+the man either paid no heed at all, or, if he replied, his
+answers were of such an unsatisfactory nature, conveying such
+extremely unflattering allusions, that the lady was finally
+convinced that she had better remain, however unwillingly, in
+ignorance than attempt to obtain enlightenment from such an
+impossible quarter. She would have liked to have taken the
+fellow suddenly by the shoulders and flung him out of the cart.
+He would possibly have found her capable of doing it. More than
+once she was on the point of making the effort, only an
+overwhelming consciousness of the greatness of the issue which
+was at stake restrained her.
+
+At last, after what seemed very much more than an hour's drive,
+he brought the vehicle to a sudden stop.
+
+"You'll get out here," he intimated to them curtly.
+
+"Get out?" The lady peered about her through the mist and
+darkness. "This is not the house."
+
+"Yon's Pitmuir."
+
+"Pitmuir? But I paid you to drive us to the house; I can see no
+signs of it."
+
+"You did not. I'd not drive you to the house for a pocketful of
+money."
+
+"What fresh trick are you going to try on now? And what
+tomfoolery are you talking?"
+
+"It's tomfoolery maybe, and maybe it isn't. You said, carry you
+to Pitmuir, and I've carried you. Do you know they say that
+Cuthbert Grahame's walking about among the trees, waiting in the
+avenue, looking for the woman who called herself his wife. Do
+you think I'll take you to meet him? Not while I've my senses.
+If you are set on meeting him, you'll not meet him in my
+company--that's my last word. Yon's Pitmuir. That's the gate in
+front, not a dozen yards from where we are--that's nearer than I
+care for. You'll just both of you get out."
+
+
+
+
+ CHAPTER XXXII
+
+ AT THE GATE
+
+
+Verbal discussion was plainly useless; it was soon made
+sufficiently clear that nothing short of physical force would
+persuade that driver. Situated as they were it was not easy to
+see how they could resort to that method of convincing him of
+the error of his ways. Mrs. Lamb told him, with the lucidity of
+which under such circumstances she was past mistress, what she
+thought of him, and what treatment she would have accorded him
+if the conditions had only been a little different. In a tongue
+fight the man proved to be her match; he could pack at least as
+many disagreeable allusions into a sentence as she could. For
+ten minutes or a quarter of an hour they wrangled, then the
+driver delivered himself of an ultimatum.
+
+"I'm not going to stay here all night listening to you. If you
+won't get down I'll drive you back. Now which is it to be? I'm
+off!"
+
+"Off! Yes, you are off, as I'll soon show you."
+
+She showed him there and then. Whirling round on her seat, she
+gave the driver a sudden push; over he went on to the road.
+Snatching the reins in one hand, the whip in the other, before
+he quite knew what had happened, she was urging the horse to
+pursue its onward career.
+
+"Stop! stop!" he yelled. "I'm under the wheel! You're driving
+over me!"
+
+"Then if you don't want me to drive over you, you'll get from
+under the wheel; I'm going on."
+
+"Are you? I'll teach you, you----!"
+
+The fellow's language was full-blooded. Scrambling up as best he
+could, he made a vigorous attempt to board the vehicle and expel
+her from the seat she had usurped. She was not disposed to
+yield. Down came the whip upon his head and shoulders. There
+ensued a lively few moments.
+
+"When you two have quite finished your little conversation
+perhaps you'll let me know," groaned Mr. Luker from the rear.
+
+The "little conversation" came to a rapid, and, perhaps on the
+whole, not surprising termination. The quadruped between the
+shafts, an animal apparently of the cart-horse kind, was, also
+apparently, a creature of an extremely patient disposition. But
+even the most enduring patience has its limits; that horse
+reached the end of his. Mrs. Lamb and the driver were, between
+them, tugging at the reins in a fashion to which he was, no
+doubt, entirely unaccustomed, while the whip-lash, when it
+missed the driver, occasionally alighted on the animal's flanks.
+Probably wholly at a loss to understand what was happening, not
+unreasonably the creature finally made up his mind that he had
+had enough of it, whatever it was. Suddenly the vehicle was set
+in motion; both parties persisting in sticking to the reins, and
+also, in a sense, to each other, the course steered was of the
+most erratic kind. Before the horse had gone very far there was
+a lurch which was more ominous than any which had gone before,
+and they had been pregnant with meaning; the cart was turned
+clean over; the three persons concerned were thrown out of it.
+Mr. Luker was the first to give expression to his feelings.
+Clinging to the side as the thing went over, he had alighted
+with comparative gentleness on the ground.
+
+"I'm alive," he announced. "I don't know if any one else is."
+
+It seemed that the lady was in the same, so far as it went,
+satisfactory condition.
+
+"There's not much the matter with me. I'm a bit shaken, and my
+clothes are all anyhow; my hat's torn right off my head--but
+that doesn't matter."
+
+"Where's the driver? Driver, where are you?" There was no
+answer. "That extremely civil gentleman seems disposed to be a
+little more silent than he was just now. Driver!"
+
+"It'll serve him right if he's killed. Hollo, I've just stepped
+on him; he's lying on the road. Driver!" Still no answer.
+"Stunned; lost his senses or something--not that he'd many
+senses to lose--cantankerous brute!"
+
+"It's to be hoped that he hasn't lost them for ever, It'll be
+awkward for us if he has--especially for you. Your popularity in
+this neighbourhood does not appear to be so great that you can
+afford to throw any of it away."
+
+"Confound my popularity! What do I care if I'm popular? If that
+brute is killed he brought it on himself; if I'd wrung his neck
+for him it'd have been no more than he deserved. I've got a
+lantern in my bag. I knew what sort of a hole, and what sort of
+beasts, I was coming to, and guessed that I'd better be prepared
+for the worst. If it isn't smashed to splinters I'll light it
+and have a look at him--you can see nothing in this darkness."
+
+The lantern was not broken. Presently its rays were illuminating
+the surrounding gloom. She turned them on to the recumbent
+figure, not showing too much sympathy as she did so.
+
+"Now then--move yourself! Don't pretend you're dead--I know
+better." Possibly by way of exhibiting her superior knowledge,
+she shook him by the shoulder. He groaned; she chose to
+interpret the sound as having a favourable significance. "He's
+not dead; he's all right. Broken a bone, or put his shoulder
+out, or something. He won't hurt if we leave him here; we could
+do nothing for him if we wanted to. Let's see what's happened to
+the cart."
+
+It was not difficult to do that; the explanation of what had
+occurred was almost painfully simple. The horse, influenced by
+such eccentric guidance, had conducted the vehicle into a ditch.
+The jolt of the sudden descent had loosened one of the wheels;
+it lay in one direction, the cart in another. The question as to
+whether they were or were not to drive in it up to the house was
+finally settled. The horse, seemingly none the worse for his
+little experience, making no attempt to get up, reclined at his
+ease between the shafts, apparently under the not erroneous
+impression that he was as comfortable there as anywhere else.
+Mrs. Lamb recognised that, so far as any more riding was
+concerned, the fates were against her.
+
+"We shall have to walk," she observed. "It's not so very far
+from here, along the avenue. Here's the gate."
+
+She went to the gate, revealing its whereabouts by the light of
+her lantern. Mr. Luker moving towards her, spoke in lowered
+tones.
+
+"Without wishing to alarm you unnecessarily, or endorsing your
+coachman's remarks about Mr. Cuthbert Grahrame's singular
+habits, I may tell you that my impression is that if he isn't
+walking about among the trees, somebody is."
+
+"Luker, don't talk like that! Don't be a fool."
+
+"If I weren't a fool I doubt if I should be here with you now;
+but, apart from that, I can only inform you that for some time I
+have had a suspicion that our movements were being observed by
+some one among the trees, who can see us better than we could
+see him, and who was taking a lively interest in all that was
+occurring."
+
+"Luker, how do you know? How could you tell?"
+
+"By the sense of sound; I wasn't so absorbed in fighting the
+driver. That some one, or something, has been moving among the
+trees, keeping pace with us as we went, I'll swear, and I don't
+think it was an animal."
+
+"Speak plainly; what do you mean?"
+
+"I think it possible that you and I are the objects of a
+conspiracy--especially you. Every step you take you are walking
+farther and farther into the trap which Miss Margaret Wallace
+has set for you."
+
+"Don't talk rubbish! Have you got that old bee in your bonnet
+again? I'm not afraid of Miss Margaret Wallace."
+
+"Aren't you? Then that's all right, because I fancy that her
+agents are about you on every side."
+
+"Her agents? What do you mean by her agents?"
+
+"I imagine that Miss Margaret Wallace is more popular in this
+part of the world than you are. I can put two and two together.
+From what I've seen, and heard, since our arrival, I shouldn't
+be surprised to learn that she has nobbled every creature in
+the neighbourhood. The station-master has received a hint from
+her--that explains the peculiarity of his manner; nothing else
+could. That poor wretch lying on the ground has been acting on
+her instructions. Don't you make any mistake; I'm sure of it.
+I'm equally sure that other friends of hers are waiting for you
+in there."
+
+He pointed over the gate, along the avenue. His words, far from
+causing her alarm, seemed to act as a fillip.
+
+"Friends of hers upon my property!--if they dare! Do you
+think that I'm afraid of what you call her friends?--of any
+number of them?--of the tricks they've set themselves to play?
+I'd like to see them; I'd like to meet them. This is my
+property--mine!--every stick and stone on it! Neither Margaret
+Wallace nor any one else has a right to set foot upon it without
+my sanction. If I do find any trespassers I promise you that it
+won't be me who'll come off worst. Are you coming? You
+understand, if you're to earn that thousand pounds you're to
+stick to me through thick and thin--to the end! If you show the
+white feather, the bond is cancelled."
+
+"Are you going to accept the invitation of the spider to the
+fly? You intend to walk into the trap?"
+
+"Trap! Do you think that any trap was ever set that could catch
+me? I believe you're talking the purest piffle; but if there is
+a trap, and I do walk into it, it'll be to smash it all to
+pieces. Once more, are you coming?"
+
+"Oh, I'm coming. I'll do my best to earn the thousand, though
+I'm beginning to perceive that it wants more earning than I
+supposed. Lead on; where you lead I'll not only follow, I'll
+keep as close to your side as circumstances permit."
+
+She threw the gate wide open. It swung back on its rusty hinges
+with a harsh, creaking sound. Then they entered the avenue, the
+lantern swinging in her hand.
+
+
+
+
+ CHAPTER XXXIII
+
+ AT THE DOOR
+
+
+Between the trees the darkness was as if you might have cut it.
+Where the lantern looked there were momentary revelations as
+they strode along. Its rays seemed to cut pieces out of the
+surrounding gloom. But the pieces were small. Its penetrating
+power was slight; where its penetration ceased the darkness was
+blacker than before. The silence which prevailed had its own
+peculiar property; it served to exaggerate the slightest
+disturbance. Their very footsteps were differentiated with an
+almost morbid clearness. The firm, resolute descent of the
+woman's foot, the loose, indeterminate shuffle of the man's; the
+sounds seemed to set themselves against each other and to ring
+through the trees. They gradually became conscious of the
+movements of unseen creatures among the grasses and the herbage,
+disturbed by their approach. Once she observed, as she swung the
+lantern to one side--
+
+"That's a rabbit. There used to be thousands of them when I was
+here. I expect there are more now. I daresay the whole place is
+overrun with them."
+
+"It may be a rabbit, though, with due deference to your superior
+woodcraft, I doubt if there are many rabbits abroad at this hour
+of the night----But that's not!"
+
+"What? Where?"
+
+"Are there deer about the place as well?"
+
+"Deer? I don't think so. I don't remember seeing any."
+
+"Then give me the lantern!"
+
+Mrs. Lamb was holding the lantern out in front of her. Snatching
+it, he swung it slightly round. As he did so it went out.
+
+"Luker!" she exclaimed. "How did you manage that? What a clumsy
+fool you are!"
+
+There was a new intonation in his voice.
+
+"Some one blew it out. Hollo, where are you coming to? Who the
+devil, sir, are you? Confound the man, where's he gone?"
+
+"Luker, what's the matter?"
+
+"Some one was walking behind us--didn't you hear him? I not only
+heard but I felt him; he was as close as that. When I swung the
+lantern round I almost dashed it against his face. He blew it
+out. He tried to snatch it from me; I felt his fingers. Can you
+hear him?"
+
+"Is that a footstep?"
+
+"He stepped upon a twig. There's more than one. I tell you
+they're all round us. The lantern serves as a beacon; they can
+see us though we can't see them."
+
+They were speaking in whispers.
+
+"Is that another footstep?"
+
+"Curse the fellow, I believe he's still within three or four
+feet of us. I believe I heard him breathe. I've a revolver in my
+pocket; I've half a mind----"
+
+"I also have a revolver, and I've a whole mind. Look out! I'm
+going to fire!"
+
+There was a flash; a report which seemed to wake the echoes of
+the forest for miles and miles; then a scream which rose high
+above the echoes, and seemed to hang quivering in, and rending,
+the silent air. The stillness which again ensued was rendered
+the more striking by its contrast with the previous turmoil.
+
+"You've shot some one."
+
+"Not I!--that wasn't a man. I shouldn't be surprised if it was
+some kind of a bird. There are birds in these woods which make
+noises at night which go right through you. Where's your
+friend?"
+
+"I'll strike a match and try to get a light again. You cover me
+while I'm doing it."
+
+The instant the match flickered into flame there was a crashing
+sound among the bushes as of a heavy object in headlong flight.
+
+"There he is! He's making off! I'll have another pop at him!"
+
+Again a revolver clamoured, but this time there was no answering
+sound, only stillness followed. Luker had succeeded in lighting
+the lantern. He held it well out. Together they peered into the
+cave of light which it hollowed out in front of them. It was
+broken by trees, by bushes, by bracken, but, so far as they
+could see, by nothing else. Luker spoke in a whisper.
+
+"He's gone. They're too much for us, and too many. For all we
+can tell there's some one behind each of those trees; they're
+all of them big enough to shelter a man. This kind of thing's a
+new experience to me--altogether out of my usual line. It's a
+job for which I have no sort of stomach. What the game is I
+don't know, but it's one in which all the odds are against us--I
+do know that. I wish to the devil I'd stayed in town!"
+
+"You didn't; you've come down into the country with me, and in
+the country for the present you've got to stay. Give me that
+lantern, and don't you snatch at it again. Whoever blows it out
+while I've got hold of it will be clever. Pretend to be a man,
+even if you aren't one. As for that game about which you're
+talking, if there is one on, I promise you that whoever scores
+in it, I shall."
+
+They continued their progress, the lady again holding the
+lantern, moving onwards with her long, regular strides, swinging
+it a little as she walked. Mr. Luker, shuffling alongside,
+seemed to be unwilling to drop behind, and to find it difficult
+to keep up with her. As he went he glanced continually from side
+to side, and over his shoulder at the darkness which followed
+them. There was no attempt on either side at conversation, they
+simply went straight on.
+
+They had gone some distance without anything happening to
+occasion them further concern, when the lady came to a sudden
+stop.
+
+"Here we are!" she exclaimed. "That's the house in front of us."
+She held out the lantern, so that its farthest rays just touched
+a building which loomed mysteriously in the blackness. There was
+a note of triumph in her voice as she went on. "Luker, you're
+nearer to that thousand pounds than you perhaps think, and in a
+very few minutes I'll be within reach of that quarter of a
+million. Then I'll show them!--all the lot of them!"
+
+Quite what she meant by that last vague threat she only knew.
+Before she had a chance to offer an explanation, if it was her
+intention to offer one, she was interrupted by Mr. Luker, who
+seemed destined that night to act as a harbinger of coming evil.
+
+"What's that?" he cried. "Who--my God!--who is this coming along
+the path?"
+
+He was not only shrinking as close to her as he could get, he
+was gripping her arm with convulsive fingers, which she could
+feel were trembling. He was looking in one direction, she in
+another. She turned to see what he was staring at; when she saw,
+it is possible that she began to be in a less exultant mood.
+
+Some one, something, was moving along the avenue and coming
+towards them. It was not easy to determine what it was; it came
+and went. It was rendered visible by a light which seemed to
+emanate from its own body, as if it were a kind of
+phosphorescence. When the light gleamed it was there plainly, if
+dimly, to be seen; when the light ceased to gleam, it--the
+something!--seemed to go with it; there was nothing but the
+black darkness. This continued, this coming and going, for
+perhaps thirty seconds. Then, suddenly, the light not only grew
+brighter, it remained. They could see what the something was--it
+was a man. But what a man! A huge, unwieldy, bloated, shapeless
+creature, covered from head to foot with some white garment
+which was swathed round him like a sheet. He seemed to be
+floating, rather than walking. They could see no movement of his
+limbs, and yet he came steadily towards them until he was within
+five or six feet of where they were standing, when the light
+faded as suddenly as it had come, and there was nothing but
+darkness there.
+
+For some instants they remained motionless, both being probably
+under the impression that though the figure was no longer
+visible it still was advancing towards them. While they waited,
+on the alert to discover what was next about to happen, the
+silence was broken by a curious noise, as by a series of quick,
+broken gasps, as if some one panted, struggled, for breath.
+
+When all again was still, Mr. Luker asked, in a tone of voice in
+which was what sounded uncommonly like a note of banter--
+
+"Well, my friend, aren't we to see any more of you? Is that the
+end of the performance? Won't you favour us with another private
+view?"
+
+In Mrs. Lamb's voice, on the other hand, there was a suggestion
+of preternatural gravity.
+
+"It was Cuthbert Grahame."
+
+"What?"
+
+"It was Cuthbert Grahame. Didn't you hear him fighting for
+breath?"
+
+"Cuthbert fiddlesticks! It was some damned trick, and not over
+well done either. This entertainment has been prepared for our
+special benefit; it occurs to me that it has been insufficiently
+rehearsed. We've been treated to the first part up to now; the
+second part is waiting for us inside the house--if we ever get
+as far. The prelude's been mere foolery. I imagine that the
+serious business is to come."
+
+"It was Cuthbert Grahame."
+
+"Nonsense! Where were your eyes, not to speak of your senses?
+Didn't you notice----"
+
+"He is waiting for us inside the house."
+
+"Mrs. Lamb, if you'll exercise a little common-sense and allow
+me to finish, I think I shall be able to prove, even to your
+satisfaction, that what you've just now witnessed----"
+
+"Don't you see him? He beckons to us. Can't you hear how hard he
+fights for his breath?"
+
+"No; nor you either. Aren't you well? Is this one of those fits
+of which you were telling me trying to come back, in which you
+see things? If so, keep it off as long as you conveniently can.
+So far as I'm concerned it will only need that to put a crown
+and climax on my night's enjoyment. Listen to me, Isabel----"
+
+"Come!" Taking him by the arm, she led him up to the house. When
+they reached the front door she took a key out of the bag which
+she still carried. After a momentary hesitation she held it up,
+as if to call his attention to something that was taking place
+within. "Listen! Don't you hear? He calls to us! Let us go to
+him. I've often heard him calling to me like that in the
+night--often."
+
+During the last few seconds, for some occult reason, a change
+had taken place in her which had apparently revolutionised the
+whole woman externally as well as internally; her bearing, her
+manner, her voice, and especially her face, had changed. The
+alteration in the latter was nothing short of amazing. Just now
+its predominating expression was one of boldness, defiance,
+reckless rage. She had looked as if she feared neither man nor
+devil; her looks had probably only mirrored her actual feelings.
+This air of wildness, of careless contempt for the unknown,
+unseen perils, which, according to her companion, hemmed her in
+on every side, had been accentuated by the fact that, having
+lost her hat when the cart was overturned, her thick black hair
+had broken loose from its fastenings and hung in tangled masses
+about her face. She had looked what she emphatically was, a
+dangerous woman in a dangerous frame of mind. Now all that had
+changed. She looked no longer angry or defiant; all traces of
+boldness had vanished altogether. Instead, a stolid, fixed
+expression had come upon her face, one which, as it were, was
+void of all expression. In her wide-open eyes there was a
+strained, staring look, which conveyed an uncomfortable
+impression that she was gazing at something which only she could
+see, gazing with a fixed intensity of vision as if she was bent
+on not losing even the minutest details.
+
+As she stood there, with uplifted face, the rays of the lantern
+lighting up her rigid features, Mr. Luker observed her with an
+appearance of unmistakable discomfort. The significance of the
+change which had taken place in her was borne in on him with
+uncomfortable force. The change in her affected him; he was
+obviously becoming each second more uneasy. He seemed to make a
+desperate attempt to conquer his own increasing apprehension,
+and to restore her to her former state of mind.
+
+"Isabel, you didn't use to be an utter fool. Before you put that
+key into the lock, before you move another step, rub that look
+of stark, staring midsummer madness off your face. It doesn't
+become you, God knows. Listen to what I have to say; try not to
+be a fool. Don't you understand----"
+
+Before he could explain what was the appeal he was about to make
+to her understanding, some one, or something, came swirling at
+them from the side of the house. The light disappeared in the
+lantern; the lantern itself was snatched from the lady's hands.
+She made no effort to regain it, nor to ascertain how the thing
+had happened. She stood in the darkness, motionless. Presently
+she said--
+
+"Luker! Luker!"
+
+There was no answer. She put out her hand to feel for her
+companion who, a moment before, had been standing close at her
+side. He was not there.
+
+
+
+
+ CHAPTER XXXIV
+
+ TOWARDS JUDGMENT
+
+
+For possibly a couple of minutes she continued on the doorstep
+immobile, as if she not only did not understand what had
+happened, but as if she also still failed to realise that her
+legal adviser was at least no longer where he was. She repeated
+his name, at intervals--"Luker! Luker!"--almost as if she was a
+child who repeated, parrot-like, a meaningless formula. Then,
+after a while, when still there came no answer, she thrust her
+hand, as if mechanically, into the bosom of her dress, feeling
+for something. Presently it emerged, holding a flask. In the
+same odd, automatic fashion, as if her actions were not the
+product of her own volition, unscrewing the stopper, she placed
+the neck between her lips. After a perceptible interval,
+suddenly slipping between her fingers, it dropped on to the step
+with a clatter. It had contained ether; she had swallowed its
+entire contents.
+
+What were the exact physical or mental results of what would
+have been a poison to an unaccustomed subject, it would be
+difficult to say. One fact may be baldly stated, it robbed her
+of her senses. Her capacity of judging between the real and the
+unreal had been trembling in the balance. When she emptied that
+flask unreality became all that was real. Not perhaps on the
+instant, but certainly after the expiration of a very few
+seconds.
+
+At first she stood trembling, so that one might almost have
+expected to see her sink to the ground from sheer inability to
+stand. She stretched out her arms into the darkness, as if
+seeking for support, and found none. Then, putting her hands up
+to her face, she began to rub them up and down before her eyes,
+as if endeavouring to rub away some film which obscured her
+sight, and she began to cry, softly, beneath her breath. Then,
+dropping her hands to her sides, she began to see the things
+which were not, those visions which, in some form, are the
+inseparable companions of a mind diseased.
+
+"I am coming!--I heard you!--you need not call so loud!"
+
+The words were uttered not loudly, but with such clearness of
+intonation that, proceeding from her as she stood there all
+alone in the outer darkness, and addressed apparently to the
+circumambient air, they might have produced on unintentional
+listeners not an agreeable effect. She turned, making as if to
+insert the key which she still held into the lock of the door
+behind her, to find that the door already stood wide open, and
+that in the hall beyond there was a faint light which was just
+sufficient to render objects visible.
+
+In her normal condition the fact that the door had seemingly
+opened of its own accord would have occasioned her something
+more than wonder; she would at least have taken it for granted
+that somewhere in its immediate neighbourhood were helping
+hands; and she would promptly have set herself to discover to
+whom they belonged, and just where their owners might be found.
+In her then state no notion of the kind seemed to enter her
+brain. That the fact that the door was open occasioned her
+surprise was obvious; but it was surprise of a singular quality,
+and it was accompanied by abject terror. The woman seemed all at
+once to become stunted, to shrink into sheer physical
+insignificance.
+
+"Cuthbert Grahame," she muttered, "why did you open the door?
+How did you get out of your bed to open the door?" With a sound
+which was part wail, part sob, she stumbled across the threshold
+into the hall. "Where shall I go? Shall I go into the room into
+which I first went on that first night? Perhaps I'll be safe in
+there--perhaps I'll be safe. I don't want to go upstairs--not
+yet--not just yet. I daren't--I daren't. Listen! how he calls to
+me--how he calls."
+
+She glanced up the staircase, which she approached even while
+she shrank from it, and she saw, in the dim, mysterious light,
+leaning over the banister, looking down at her from above, a
+woman's face--Nannie Foreshaw. She did not stop to ask herself
+if the appearance might by any chance be real, a creature of
+warm flesh and blood. It was some moments before she realised
+who it was that looked at her. When she did, the presence there
+was so unexpected, so wholly unforeseen, and thrust so deeply at
+her conscience, that it is not impossible that the mere shock
+which resulted from the sight was sufficient to disintegrate her
+few remaining wits. She at once took it for granted that she was
+gazing at a spectre, a shade returned from the tomb to afflict
+her before her time. Cowering back against the wall, she broke
+into screams of agony.
+
+"Nannie! Nannie!--I didn't kill you!--I didn't kill you! Don't
+look at me like that!--don't! don't! don't!" Covering her face
+with her hands, she began to sob with such violence that one
+could see her shaking as she leaned against the wall. When,
+removing her hands, she again ventured to look up, there was no
+one there. "She's gone! she's gone!"
+
+The words were uttered with a gasp of relief which it was not
+pleasant to hear. For a moment it seemed as if she might be
+restored to something like her proper self. Then, while she
+seemed to waver, without apparent rhyme or reason, all her
+tremors returned. Again she broke into shrieks and cries.
+
+"She's waiting for me in his room! in his room! in his
+room!--she's waiting for me! My God! what am I to do?--help
+me! help me! I'll have to go to him. Listen how he calls to
+me!--listen how he calls! I'm coming!--don't call so loud!" She
+began stumbling up the staircase, blunderingly, blindly, as if
+she could not see where she was going. Stopping every two or
+three steps, clutching at the wall, the rails; glancing back,
+looking as though if she could she would descend. But each time,
+just as she was about to beat a retreat, there came to her that
+insistent voice, summoning her to her fate. She gasped out
+expostulations even as she stumbled upwards. "Don't call so
+loud! don't call so loud! I'm coming."
+
+And she did come. A singular spectacle she presented as she
+went. No one would have recognised in that ill-shaped, mouthing,
+struggling woman--though she alone knew what it was with which
+she struggled; who seemed unable to stand up straight, and to
+experience as much difficulty in ascending an ordinary staircase
+as if it had been the scarred surface of some precipitous cliff
+which she was forced, very much against her will, to climb--the
+flamboyant and somewhat overwhelming lady who was known among a
+certain set in London as the handsome Mrs. Lamb. There were no
+traces of beauty about her then.
+
+When she had gained the landing her terror seemed, if the thing
+were possible, to increase. Descending to her knees, clutching
+the railing with both hands, she crawled, as if drawn by some
+invisible force, against which all the strength of her
+resistance was in vain, towards the room, the bedroom, in which
+Cuthbert Grahame had passed so much of the latter part of his
+life, and in which, through her action, he had died. And all the
+while she protested.
+
+"I won't come! I won't come!" For an instant she would cling not
+only with her hands, but, as it were, with her whole body, to
+the railings, as if she had finally resolved that nothing should
+constrain her to advance another inch. Then again she was
+possessed by a paroxysm of terror. "I will come!--don't call so
+loud! I am coming!"
+
+When she was in front of the door of the room she did halt for
+perhaps more than a minute, crouching in a heap on the floor,
+covering her face with her hands, overtaken by such a fury of
+weeping that the violence of her sobs seemed as if it would tear
+her to pieces. Then, as if actuated by some sudden irresistible
+impulse, she rose to her feet, and exclaimed, still weeping--
+
+"Cuthbert Grahame, I hear you calling--I am here".
+
+She threw open the dead man's bedroom door.
+
+
+
+
+ CHAPTER XXXV
+
+ JUDGES
+
+
+In the room was the same faint, luminous glow which had been
+noticeable in the hall and on the stairs. There could have
+been no more eloquent testimony of her condition than the fact
+that she accepted its presence as a matter of course; that it
+never seemed to occur to her that there was something about
+it which required elucidation; still less that a few shrewd,
+well-directed inquiries might result in a very simple
+explanation. She stood on the threshold, all dishevelled, bent,
+weeping; always before her eyes the things which she alone could
+see, stricken with a mad agony of fear by the horror of the
+sight.
+
+She came a little farther towards the room, staring towards the
+bed. When she had taken a step or two it seemed as if her legs
+refused to uphold her any longer. Down she sank on to her knees
+again; again she covered her face with her hands, as if by such
+means she could shut off from herself the hideous imaginings of
+her haunted brain.
+
+"Don't! don't! don't!" she wailed.
+
+While still she remained in that attitude of humility and
+penitence there came a voice which called her by what had once
+been her name.
+
+"Isabel Burney!"
+
+That she heard it there could be no doubt. At the sound of it
+she shivered more than ever. But it may be that she was in doubt
+whether it was a material voice, or whether it was a fresh
+manifestation of those too-well remembered tones, which kept
+calling to her all the time. For it is possible that a
+disordered mind may be conscious that there is a difference
+between the real and the imaginary without being capable of
+satisfactorily perceiving what it is. She did not answer. It
+came again, not loud, yet distinct and dominating.
+
+"Isabel Burney."
+
+This time she repeated her former wail, with renewed force of
+entreaty.
+
+"Don't! don't!"
+
+If it was intended for a cry of appeal to be left alone, it went
+unheeded. The voice returned, asking what was emphatically a
+leading question.
+
+"Did you murder Cuthbert Grahame?"
+
+She made not the slightest attempt to shirk the very weighty
+responsibility which attended the reply to such a question. An
+affirmative was bursting from her lips almost before it was
+asked.
+
+"Yes! yes! yes!"
+
+"How did you murder him?"
+
+Again the wail--
+
+"Don't! don't! don't!"
+
+"How did you murder him?"
+
+The wail became hysterical cries.
+
+"Oh! oh! oh!"
+
+But the voice persisted.
+
+"How did you murder him?"
+
+Confused words came stumbling from her lips, as if they were
+being forcibly extracted.
+
+"The pillows--dragged---from under--he choked."
+
+"You dragged the pillows from under him, so that his head fell
+down, and he was choked."
+
+"Yes."
+
+"Why did you murder him?"
+
+Here again the answer came rapidly and clearly.
+
+"Because I didn't want him to destroy the will which I had
+tricked him into signing."
+
+"How did you trick him?"
+
+"He made me draw up a will which left all his property to
+Margaret Wallace."
+
+"And then?"
+
+"I drew up a will in which he left everything to me."
+
+"And then?"
+
+"I covered it with a sheet of paper, and got him to sign it,
+thinking that he was signing the other."
+
+"Did he know what you had done?"
+
+"Yes; I killed him before he could tell any one else and have
+the will destroyed."
+
+The voice was still. There was silence, broken by the sound of
+some one moving. The room was filled with a bright light. The
+voice came again.
+
+"Isabel Burney!"
+
+The woman on her knees, dropping her hands, looked round. By a
+lighted lamp which rested on a writing-table stood Margaret
+Wallace. Whether Mrs. Lamb realised that she was looking at the
+girl herself, or supposed that she was confronted by a
+materialised phantom, has never been certainly known. She stared
+at her surlily, unblinkingly, affrightedly, as one might stare
+at some unpleasing object in a dream. The girl repeated the
+questions which had already been answered. As one listened the
+last remnants of doubt vanished as to whose was the voice which
+had already made itself so prominent.
+
+"Did you trick Cuthbert Grahame into signing a will in which he
+left all that he had to you, when he supposed himself to be
+signing one in which he left it all to me?"
+
+There was a momentary hesitation, then the answer, spoken
+sullenly, half beneath her breath, yet plain enough.
+
+"Yes; I did."
+
+"And did you then kill him because you feared discovery of what
+you had done?"
+
+"Yes; I did."
+
+There was another movement on the other side of the room. When
+Mrs. Lamb looked round she found herself looking at Dr. Twelves,
+who put a question to her on his own account.
+
+"So you lied to me when you said those pillows must have
+slipped--you knew better. As I suspected, you dragged them
+away--you female fiend!"
+
+His invective went unnoticed; there came the rather monotonous
+refrain--
+
+"Yes; I did".
+
+There were other movements proceeding from all parts of the
+room. On one side of her were Andrew McTavish and his partner,
+Mr. Brown. Mr. McTavish was evidently very angry.
+
+"And you lied to us when you pretended that you suspected us of
+robbing you! You knew all along that the only robbery you
+yourself had committed--you impudent swindler!"
+
+He only received the same reply--
+
+"Yes; I did".
+
+Dr. Twelves wagged his finger at her, gruesomely.
+
+"You shall hang for it, Isabel Burney--you shall hang by the
+neck until you're dead!"
+
+Mr. McTavish cried--
+
+"At any rate, you shall be sent to penal servitude for the fraud
+you have committed on us!"
+
+She showed no signs of resentment, as only a very short time
+before she undoubtedly would have done, when her resentment
+would probably have taken a sufficiently active turn. From her
+demeanour it was difficult to determine if she comprehended what
+was being said to her. She gazed stolidly about the room. Near a
+window stood Nannie Foreshaw, leaning on a stick, holding with
+one hand the curtain from behind which she had just emerged. At
+sight of her she shrank backwards, as if she would withdraw
+herself as far as she could. Before the door, as if he would bar
+her retreat, was Harry Talfourd. When she saw him she seemed to
+be moved more than she had been by any of the others; she turned
+aside, with a low cry, and covered her face. Possibly, in some
+tangled fashion, she remembered how, so recently, she had played
+to him the _rôle_ of the great lady, the benefactress; how
+willing she had been to be something more to him than that; and
+she was vaguely conscious of what a contrast she was exhibiting
+to him now.
+
+Margaret had been seated at a table writing. Now, rising, she
+turned to the woman who was still on her knees upon the floor.
+
+"I have set down upon this sheet of paper a short confession of
+your guilt. If you will sign it you shall not hang; you shall
+not be sent to prison. You shall receive your only punishment
+from your own conscience. I think that is to condemn you to the
+greater punishment. I will read to you what I have written."
+
+She read aloud from the paper which she took in her hand:--
+
+"'I confess that Cuthbert Grahame instructed me to draw up a
+will in which he left all that he had in the world to Margaret
+Wallace; that, without his knowledge, I substituted for it
+another form of will, according to which he left his property to
+me, and that I induced him to sign this fraudulent form by means
+of a trick. I also confess that I murdered Cuthbert Grahame in
+order to avoid an exposure of the trick by means of which I had
+induced him to sign the substituted fraudulent form of will.' If
+you will attach your name to this confession you shall receive
+no punishment beyond that which you award yourself--that will be
+a sufficient one. Come here and sign."
+
+As if automatically, Mrs. Lamb rose to her feet, moved towards
+the table, seated herself on the chair which Margaret had
+occupied, accepted the pen which the girl offered, and wrote her
+name in full on the sheet of paper which was set before her.
+When she had signed, leaning back, she looked from one to the
+other. They waited for her to speak, expecting perhaps some
+burst of tardy anger. Then, on a sudden, without a word or a
+movement, she slid from the chair on to the floor. When they
+gathered round her she lay still.
+
+
+
+
+ CHAPTER XXXVI
+
+ PLEASANT DREAMS!
+
+
+The duel had been fought to a finish, and Margaret had won.
+
+When Mrs. Gregory Lamb was brought back out of that fit by which
+she had been overtaken she was lying on Cuthbert Grahame's bed,
+on which he had lived for so long, and died at her hand; the bed
+whose image had been borne in upon her phantom-haunted brain
+with such horrible persistency. Dr. Twelves was bending over
+her, standing where he had stood many a time to bend over the
+man she slew. She was little better than a babbling idiot. She
+is not much more than that now. She is a certified lunatic,
+under kindly, yet watchful, guardianship, the expense of which
+is paid by the girl whom she so cruelly wronged.
+
+The physical and mental strain which had been placed upon her
+during that period of increasing financial pressure had been
+great; her attempts to relieve it by a resort to ether had made
+it ten times greater. How much of the spirit she drank has not
+been exactly ascertained. She must have consumed large
+quantities. Probably only the natural strength of her
+constitution enabled her to resist its effects so long as she
+did. Undoubtedly the habit of ether drinking had increased in
+her to such an extent that in any case it would ultimately have
+produced insanity. Her reason was already tottering when she was
+brought face to face with Margaret Wallace on the night of her
+reception, and was put to such dire confusion. It is believed
+that she touched no solid food afterwards, subsisting solely
+upon ether. Isaac Luker asserted that she carried a large bottle
+of it in her bag when they journeyed together from London, and
+was sipping its contents throughout the day.
+
+It was not strange that when the moment came she was ripe to
+fall a ready victim to Margaret's carefully laid lures. The girl
+fought her with weapons to which she was incapable of offering
+resistance.
+
+Cuthbert Grahame's money, which had been searched for so long in
+vain, was found deposited in the hiding-place the secret of
+which she had revealed to Mrs. Lamb, intending, by working on
+her guilty conscience and so extorting from her a confession,
+which it was certain could never be obtained from her by any
+other means, to destroy her when she went to seek it. Margaret
+is now Mrs. Henry Talfourd. She is married to one who loved and
+loves her, and for the love of whom she was willing to sacrifice
+all. She is a rich woman. Bearing in mind the singularity of the
+circumstances under which it has come into her possession, she
+was desirous of having nothing to do with the dead man's money.
+But it was pointed out that, excepting herself, there was no
+possible claimant. She regards herself as an almoner, as a
+steward of Cuthbert Grahame's great possessions rather than
+their owner, and employs by far the larger portion of the income
+they produce in works of benefaction. She still produces
+pictures in black and white and in colour; there are few women
+artists who have achieved a more substantial success.
+
+Her husband has not realised his dreams. "The Gordian Knot" has
+never been produced. He burnt the play with his own hands, and
+has never written another. He alone knows why, though his wife
+may have a shrewd suspicion. So far he has been content to act
+as his wife's right-hand man, an occupation which hitherto has
+kept him fully employed.
+
+Dr. Twelves lives and flourishes. He has been heard to declare
+that never again will he proffer assistance to any strange woman
+whom he finds by the wayside. Nannie Foreshaw is dead. Messrs.
+McTavish & Brown have, if anything, improved their standing as
+family solicitors of undoubted integrity; Mrs. Talfourd is one
+of their most valued clients.
+
+Mrs. Talfourd presented Mr. Gregory Lamb with a passage to South
+Africa, and with a sum of money when he landed. As he has never
+asked for any more money, and nothing has been heard of him
+since, the presumption is that he has perished in that grave of
+many reputations. His wife's solicitor continues to exist, and
+is still a very well-known gentleman in certain extremely
+crooked walks of life.
+
+Cuthbert Grahame's home has been turned into a sanatorium and
+holiday home for children. It could hardly be employed for a
+better purpose. Boys and girls scamper among the trees; their
+voices and their laughter ring through the house. They people it
+with fresh associations; the old ghosts are gone. They find
+health and happiness in the place where once was neither. And
+when, at night, they lay their tired heads upon their pillows,
+they dream only pleasant dreams. When they wake in the morning,
+whether actually the skies be fair or clouded, to them it is
+always as if the sun was shining.
+
+
+
+ THE ABERDEEN UNIVERSITY PRESS LIMITED
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+<title>A Duel</title>
+<meta name="Author" content="Richard Marsh">
+
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+<meta name="Date" content="1904">
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+
+The Project Gutenberg EBook of A Duel, by Richard Marsh
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Duel
+
+Author: Richard Marsh
+
+Release Date: November 18, 2011 [EBook #38054]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A DUEL ***
+
+
+
+
+Produced by Charles Bowen, from page scans provided by Google Books
+
+
+
+
+
+</pre>
+
+
+
+
+
+<br>
+
+<br>
+
+<br>
+
+<p class="hang1">Transcriber's Note:<br>
+
+
+1. Page scan source:<br>
+
+http://books.google.com/books?id=szQPAAAAQAAJ</p>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2>A DUEL</h2>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<table style="width:50%; margin-left:25%; font-weight:bold">
+<tr>
+<td><h4>BY THE SAME AUTHOR</h4></td>
+</tr><tr>
+<td style="line-height:200%">
+The Beetle: A Mystery<br>
+
+Garnered<br>
+
+A Metamorphosis<br>
+
+The Twickenham Peerage<br>
+
+Both Sides of the Veil<br>
+
+The Seen and the Unseen<br>
+
+Marvels and Mysteries<br>
+
+Miss Arnott's Marriage<br>
+
+The Goddess: a Demon<br>
+
+The Joss: a Reversion<br>
+
+The Crime and the Criminal
+</td></tr></table>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h1>A DUEL</h1>
+<br>
+
+<br>
+
+<br>
+
+<h5>BY</h5>
+<h2>RICHARD MARSH</h2>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h4>METHUEN &amp; CO.<br>
+
+36 ESSEX STREET W.C.<br>
+
+LONDON</h4>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h5><i>First published</i>, 1904</h5>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2>CONTENTS</h2>
+<br>
+
+
+<h3><a name="div1Ref_book1" href="#div1_book1">BOOK I.--<span class="sc">Wife</span></a></h3>
+<br>
+
+
+<h4><a name="div1Ref_01" href="#div1_01">CHAPTER I</a></h4>
+
+<p class="continue"><span class="sc">The End of the Honeymoon.</span></p>
+<br>
+
+
+<h4><a name="div1Ref_02" href="#div1_02">CHAPTER II</a></h4>
+
+<p class="continue"><span class="sc">An Offer of Marriage.</span></p>
+<br>
+
+<h4><a name="div1Ref_03" href="#div1_03">CHAPTER III</a></h4>
+
+<p class="continue"><span class="sc">Whom God hath Joined.</span></p>
+<br>
+
+<h4><a name="div1Ref_04" href="#div1_04">CHAPTER IV</a></h4>
+
+<p class="continue"><span class="sc">A Second Honeymoon.</span></p>
+<br>
+
+<h4><a name="div1Ref_05" href="#div1_05">CHAPTER V</a></h4>
+
+<p class="continue"><span class="sc">A Conversation with the Doctor.</span></p>
+<br>
+
+<h4><a name="div1Ref_06" href="#div1_06">CHAPTER VI</a></h4>
+
+<p class="continue"><span class="sc">Husband and Wife.</span></p>
+<br>
+
+<h4><a name="div1Ref_07" href="#div1_07">CHAPTER VII</a></h4>
+
+<p class="continue"><span class="sc">A Tug of War.</span></p>
+<br>
+
+<h4><a name="div1Ref_08" href="#div1_08">CHAPTER VIII</a></h4>
+
+<p class="continue"><span class="sc">The Miniature.</span></p>
+<br>
+
+<h4><a name="div1Ref_09" href="#div1_09">CHAPTER IX</a></h4>
+
+<p class="continue"><span class="sc">The Sliding Panel.</span></p>
+<br>
+
+<h4><a name="div1Ref_10" href="#div1_10">CHAPTER X</a></h4>
+
+<p class="continue"><span class="sc">The Girl at the Door.</span></p>
+<br>
+
+<h4><a name="div1Ref_11" href="#div1_11">CHAPTER XI</a></h4>
+
+<p class="continue"><span class="sc">Hot Water.</span></p>
+<br>
+
+<h4><a name="div1Ref_12" href="#div1_12">CHAPTER XII</a></h4>
+
+<p class="continue"><span class="sc">Signing the Will.</span></p>
+<br>
+
+<h4><a name="div1Ref_13" href="#div1_13">CHAPTER XIII</a></h4>
+
+<p class="continue"><span class="sc">The Encounter in the Wood.</span></p>
+<br>
+
+<h4><a name="div1Ref_14" href="#div1_14">CHAPTER XIV</a></h4>
+
+<p class="continue"><span class="sc">In Cuthbert Grahame's Room.</span></p>
+<br>
+
+<br>
+
+
+<h3><a name="div1Ref_book2" href="#div1_book2">BOOK II.--<span class="sc">The Widow</span></a></h3>
+<br>
+
+<h4><a name="div1Ref_15" href="#div1_15">CHAPTER XV</a></h4>
+
+<p class="continue"><span class="sc">&quot;The Gordian Knot&quot;.</span></p>
+<br>
+
+<h4><a name="div1Ref_16" href="#div1_16">CHAPTER XVI</a></h4>
+
+<p class="continue"><span class="sc">Margaret is Puzzled.</span></p>
+<br>
+
+<h4><a name="div1Ref_17" href="#div1_17">CHAPTER XVII</a></h4>
+
+<p class="continue"><span class="sc">An Unexpected Visitor.</span></p>
+<br>
+
+<h4><a name="div1Ref_18" href="#div1_18">CHAPTER XVIII</a></h4>
+
+<p class="continue"><span class="sc">Cronies.</span></p>
+<br>
+
+<h4><a name="div1Ref_19" href="#div1_19">CHAPTER XIX</a></h4>
+
+<p class="continue"><span class="sc">In Council.</span></p>
+<br>
+
+<h4><a name="div1Ref_20" href="#div1_20">CHAPTER XX</a></h4>
+
+<p class="continue"><span class="sc">The Impending Sword.</span></p>
+<br>
+
+<h4><a name="div1Ref_21" href="#div1_21">CHAPTER XXI</a></h4>
+
+<p class="continue"><span class="sc">Out of the Blue.</span></p>
+<br>
+
+<h4><a name="div1Ref_22" href="#div1_22">CHAPTER XXII</a></h4>
+
+<p class="continue"><span class="sc">Margaret Settles the Question.</span></p>
+<br>
+
+<h4><a name="div1Ref_23" href="#div1_23">CHAPTER XXIII</a></h4>
+
+<p class="continue"><span class="sc">Margaret Resolves to Fight.</span></p>
+<br>
+
+<h4><a name="div1Ref_24" href="#div1_24">CHAPTER XXIV</a></h4>
+
+<p class="continue"><span class="sc">The Interior.</span></p>
+<br>
+
+<h4><a name="div1Ref_25" href="#div1_25">CHAPTER XXV</a></h4>
+
+<p class="continue"><span class="sc">Alarums and Excursions.</span></p>
+<br>
+
+<h4><a name="div1Ref_26" href="#div1_26">CHAPTER XXVI</a></h4>
+
+<p class="continue"><span class="sc">Solicitor and Client.</span></p>
+<br>
+
+<h4><a name="div1Ref_27" href="#div1_27">CHAPTER XXVII</a></h4>
+
+<p class="continue"><span class="sc">Pure Ether.</span></p>
+<br>
+
+<h4><a name="div1Ref_28" href="#div1_28">CHAPTER XXVIII</a></h4>
+
+<p class="continue"><span class="sc">Mr. Lamb in a Communicative Mood.</span></p>
+<br>
+
+<h4><a name="div1Ref_29" href="#div1_29">CHAPTER XXIX</a></h4>
+
+<p class="continue"><span class="sc">Margaret Pays a Call.</span></p>
+<br>
+
+<h4><a name="div1Ref_30" href="#div1_30">CHAPTER XXX</a></h4>
+
+<p class="continue"><span class="sc">Mrs. Lamb in Search of Advice.</span></p>
+<br>
+
+<h4><a name="div1Ref_31" href="#div1_31">CHAPTER XXXI</a></h4>
+
+<p class="continue"><span class="sc">Mrs. Lamb Returns to Pitmuir.</span></p>
+<br>
+
+<h4><a name="div1Ref_32" href="#div1_32">CHAPTER XXXII</a></h4>
+
+<p class="continue"><span class="sc">At the Gate.</span></p>
+<br>
+
+<h4><a name="div1Ref_33" href="#div1_33">CHAPTER XXXIII</a></h4>
+
+<p class="continue"><span class="sc">At the Door.</span></p>
+<br>
+
+<h4><a name="div1Ref_34" href="#div1_34">CHAPTER XXXIV</a></h4>
+
+<p class="continue"><span class="sc">Towards Judgment.</span></p>
+<br>
+
+<h4><a name="div1Ref_35" href="#div1_35">CHAPTER XXXV</a></h4>
+
+<p class="continue"><span class="sc">Judges.</span></p>
+
+<h4><a name="div1Ref_36" href="#div1_36">CHAPTER XXXVI</a></h4>
+
+<p class="continue"><span class="sc">Pleasant Dreams!</span></p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_book1" href="#div1Ref_book1">BOOK I</a></h2>
+
+<h3>WIFE</h3>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h1>A DUEL</h1>
+<br>
+
+
+<h2><a name="div1_01" href="#div1Ref_01">CHAPTER I</a></h2>
+
+<h3>THE END OF THE HONEYMOON</h3>
+<br>
+
+
+<p class="normal">Isabel waited till the rat-tat was repeated a second time, then
+she went down to the front door. Since Mrs. Macconichie and her
+husband were both out, and she had the house to herself, there
+was nothing else for her to do, unless she wished the postman to
+depart with the letters. As it was, when she appeared at the
+door, he grumbled at being delayed.</p>
+
+<p class="normal">&quot;These Scotchmen are all boors,&quot; she told herself, in her
+bitterness.</p>
+
+<p class="normal">She looked at the letter which had been thrust into her hand. It
+was addressed to &quot;Mr. G. Lamb&quot;. The sight of it reopened the
+fountains of her scorn.</p>
+
+<p class="normal">&quot;They might at least have put G. Lamb, Esq. G. Lamb! What a
+fool I've been!&quot;</p>
+
+<p class="normal">Further consideration of the envelope led her to the conclusion
+that it was the letter they had both been waiting for--the
+answer to her husband's plea for help. She pressed it between
+her fingers to learn, if possible by the sense of touch, what
+the envelope contained.</p>
+
+<p class="normal">&quot;I believe there's only a letter--no cheque, nor anything. If
+there isn't, then we are done.&quot;</p>
+
+<p class="normal">She hesitated a moment, then tore it open. It contained merely a
+sheet of common writing-paper, on the front page of which was
+this brief note:--</p>
+<br>
+
+
+<p class="normal">&quot;<span class="sc">Dear Gregory</span>,</p>
+
+<p style="text-indent:10%">&quot;I like the idea of your asking me to help you. You've had all
+the help you'll ever have from me. The shop won't bear it;
+business is getting worse. If it weren't, you'd get no more
+money out of me.</p>
+
+<p class="normal">&quot;You'd better get your wife to keep you.</p>
+
+<p style="text-indent:40%">&quot;<span class="sc">Susan Lamb</span>.&quot;</p>
+<br>
+
+
+<p class="normal">Susan Lamb! That was his mother, the mother of the man she had
+married. So the truth was out at last. His mother kept a shop;
+he had been sponging on her for the money he had scattered
+broadcast. There was neither address nor date upon the letter,
+but the postmark on the envelope was Islington. Islington! His
+mother was a small shopkeeper in that haunt of the needy clerk!
+And she had believed him when he had posed before her as a
+&quot;swell&quot;--an aristocrat; when he had talked about his &quot;coin&quot; and
+his &quot;gees&quot;. He had jockeyed her into supposing that money was a
+matter of complete indifference to him; that, as she boasted to
+her friends and rivals, &quot;he rolled in it&quot;. So successfully had
+he hoodwinked her that she married him within a month of their
+first meeting--she, Belle Burney, the queen of song and dance!
+Had thrown up all her engagements to do it, too; and she was
+beginning to get some engagements which were not to be despised.</p>
+
+<p class="normal">At the commencement he had done things in style: had taken her
+up to Edinburgh, leisurely, in a motor. She had imagined that
+the motor was his own. At Edinburgh it vanished; he told her to
+receive some trifling repairs. But she, having already
+discovered he was a liar, suspected him of having sold it. Later
+she learned that the machine had only been hired for a
+fortnight.</p>
+
+<p class="normal">Already, at Edinburgh, money began to run short. He did his best
+to conceal from her the state of the case, but the thing was so
+obvious that his attempts at concealment were vain. He had lied
+bravely, protesting that, in some inexplicable way, his
+remittances had gone wrong; that in the course of a post or two
+he would be in possession of an indefinitely large sum of money.
+The posts came and went, but they brought no money. So they
+drifted hither and thither, each time to humbler quarters. Now,
+within six weeks of marriage, they were stranded at a remote
+spot in Forfarshire, within a drive of Carnoustie. Isabel had
+reason to suspect that, at the time of their marriage, her
+husband had less than two hundred pounds in the world. He had
+squandered more than that already; the motor had made a hole in
+it. The pawnbroker had come to the rescue when the coin was
+gone. They were penniless; owed for a week's food and lodging;
+their landlady was already showing signs of anxiety. Now the
+much-talked-of and long-expected letter had arrived which was to
+bring the munificent remittance.</p>
+
+<p class="normal">It turned out to be half-a-dozen lines from his shopkeeping
+mother, who declined to advance him a single stiver!</p>
+
+<p class="normal">When the young wife realised, or thought she realised, all that
+the curt epistle meant, she told herself that now indeed the
+worst had come. She had just had another bitter scene with her
+husband; had, in fact, driven him out into the night before the
+tempest of her scorn and opprobrium. The landlady had departed
+on an errand of her own. Isabel told herself that now, if ever,
+an opportunity presented itself to cut herself free from the
+bonds in which she had foolishly allowed herself to be entwined.
+She went upstairs, put on her hat and jacket, crammed a few of
+her scanty possessions into a leather handbag, and then--and
+only then--paused to think.</p>
+
+<p class="normal">It was nearly nine o'clock, late for that part of the world. The
+nearest railway station was at Carnoustie, more than seven miles
+away. She knew that there was an early train which would take
+her to Dundee, and thence to London; but, supposing she caught
+it, how about the fare? The fare to London was nearly two
+pounds; she had not a shilling. She did not doubt that, once in
+London, she could live, as she always had lived; but she had to
+get there first, across five hundred miles of intervening
+country.</p>
+
+<p class="normal">She arrived at a sudden resolution, one, however, which had
+probably been at the back of her mind from the first. Yesterday,
+going suddenly into the landlady's own sitting-room, she had
+taken the old lady unawares. Mrs. Macconichie had what Isabel
+felt sure were coins--gold coins--in one hand, and in the other
+the lid of a tobacco jar which stood in a corner of the china
+cupboard. Although seeming to notice nothing, Mrs. Lamb, struck
+by the old lady's state of fluster, leaped to the conclusion
+that that tobacco jar was her cash-box. Now, bag in hand, she
+came downstairs to learn if her surmise had been correct.</p>
+
+<p class="normal">Although she was aware that the sitting-room was empty, she was
+conscious of an odd disinclination to enter, dallying for some
+seconds with the handle in her hand. Once in, she lost no time
+in ascertaining what she wished to learn, meeting, however, with
+an unlooked-for obstacle. The china cupboard was locked; no
+doubt Mrs. Macconichie had the key in her pocket. She took out
+her own keys; not one of them was any use. She could see the
+tobacco jar on the other side of the glass door. She did
+not hesitate long; moments were precious. Taking a metal
+paper-weight off the mantelshelf she smashed the pane, breaking
+it right away to enable her to gain free access to the jar. She
+removed the lid. The jar was full of odds and ends; she did not
+examine them closely enough to gather what they were. At the
+bottom, under everything else, was a canvas bag. She took it
+out. It was tied round the neck with pink tape. It undoubtedly
+contained coins; perhaps twenty or thirty. Should she open it,
+and borrow two or three? or should she take it as it was?</p>
+
+<p class="normal">The answer was acted, not spoken. Slipping the bag between the
+buttons of her bodice, she passed from the room and from the
+house. So soon as she was in the open air she thought she heard
+the sound of approaching footsteps; as if involuntarily she
+shrank back into the doorway, listening. She had been mistaken;
+there was not a sound. She came out into the street again,
+drawing a long breath. She looked to the right and left; not a
+creature was in sight. She set off in the direction of
+Carnoustie.</p>
+
+<p class="normal">Her knowledge of the surrounding country was of the vaguest
+kind. She had not gone far before it began to dawn on her that
+this was a foolhardy venture in which she was engaged. It was a
+habit of hers to act first and think afterwards, or she would
+never have become Mrs. Gregory Lamb. Hard-headed enough when she
+chose to give her wits fair play, she was, at that period of her
+career, too much inclined to become a creature of impulse. The
+impulses to which she was prone to yield were only too apt to be
+wrong ones. For instance, she had not long left Mrs.
+Macconichie's before she perceived clearly enough that the
+chances were possibly a hundred to one against her reaching
+Carnoustie in the darkness on foot. Houses were few and far
+between; the road was a lonely one; it was quite on the cards
+that she might not meet a soul from whom to make inquiries. If
+she had given the thing any thought at all, she would have
+perceived from the first how slight her chances were, in which
+case, since it was no use jumping out of the frying-pan into the
+fire, she would certainly have postponed her departure. Now it
+was too late to return. The pane of glass in the china cupboard
+was broken; the canvas bag was inside her bodice. With the best
+will in the world she might find it difficult to conceal what
+had happened, not to speak of the possibility of Mrs.
+Macconichie's having already discovered her loss. So she pressed
+on.</p>
+
+<p class="normal">Indeed, shortly she could not have gone back if she had wished.
+She had not started half an hour before she was forced to admit
+that she had lost her bearings utterly; that she had not the
+faintest notion in which direction Carnoustie lay, nor
+whereabouts she was. She was on a black road; that was all she
+knew. A rough, uneven road, which apparently straggled over open
+moorland. She could make out trees here and there, but the road
+itself seemed to have no boundaries. So far as she could make
+out, there was nothing on either side in the shape of a hedge or
+landmark.</p>
+
+<p class="normal">Soon she was not at all sure that she was not off the road; that
+she was not roaming, blindly, over the open country. It seemed
+impossible that any road could be so uneven. She kept stumbling
+over unseen obstacles. Once she caught herself descending what
+seemed to be the steep sides of some sort of pit. With a sense
+of shock she drew back in time. She listened; she seemed to hear
+the sound of running waters. Could she be standing on the bank
+of some stream or river, into which, in another second, she
+might have descended? Anxious, even a little alarmed, turning
+right about face, she moved forward in what she supposed was the
+opposite direction. She seemed to be stumbling over a succession
+of hillocks. This could not be the road; she must have gone
+entirely astray. If she did not take care she would be running
+into some serious danger.</p>
+
+<p class="normal">All at once her foot caught in some trailing root or plant; she
+went headforemost to the ground. Fortunately, she came down
+lightly enough. The fall was of little consequence, but when she
+tried to regain her perpendicular she learned, to her dismay,
+that her ankle refused to support her. Willy-nilly, she had to
+remain squatted where she had fallen.</p>
+
+<p class="normal">&quot;I seem to be in for a real good thing,&quot; she groaned. &quot;Am I to
+stay here all night? I shall be frozen to the bone before the
+morning, to say nothing of waiting like a rat in a trap for Mrs.
+Macconichie to catch me.&quot;</p>
+
+<p class="normal">She had to wait there for probably more than an hour, not
+exactly on the same spot. She managed, at intervals, to half
+hobble, half crawl across, perhaps another couple of hundred
+yards of ground. But the labour was thrown away. At that rate
+she would not have covered a mile before daybreak. Yielding to
+necessity, still clutching her bag, crouching on the turf, she
+watched for the light to come. She felt no need for sleep; she
+was only consumed by a great impatience, in that all things
+seemed to be against her.</p>
+
+<p class="normal">The skies were clouded like her fate. Nowhere was there a
+glimmer of a star. A cool breeze was coming from what she judged
+to be the sea. It made itself more and more felt as the time
+stole on. By degrees it began to bring a mist with it. As she
+had foreseen, she became chilled to the marrow of her bones.</p>
+
+<p class="normal">&quot;If this goes on I shall freeze to death.&quot;</p>
+
+<p class="normal">The idea recurred to her like a sort of formula. She kept
+telling herself again and again that that night would be the end
+of her.</p>
+
+<p class="normal">When her vitality seemed at its lowest point the stillness of
+the night was broken by a sound--the sound of wheels.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_02" href="#div1Ref_02">CHAPTER II</a></h2>
+
+<h3>AN OFFER OF MARRIAGE</h3>
+<br>
+
+
+<p class="normal">She raised her head to listen, thinking that her senses must be
+playing her a trick. No; it certainly was the sound of wheels,
+coming nearer and nearer. Some one was driving fast through the
+darkness, so fast that in what seemed to her to be less than a
+minute the driver was close upon her. Apparently nearly in front
+of her, although she could not see it, was a road along which
+the vehicle was approaching. It carried no lights; nothing broke
+the shadows; but, if her ears could be trusted, within a
+stone's-throw of where she was some wheeled conveyance was
+hurrying past. She stood upon her one sound foot and shouted:--</p>
+
+<p class="normal">&quot;Hallo!--hallo-o!--hallo-o-o!&quot; again and again.</p>
+
+<p class="normal">Her first shouts went unheeded. Possessed by a wild fear that
+she might remain unnoticed, raising her voice to a desperate
+yell, she started to scream herself hoarse.</p>
+
+<p class="normal">This time her tones travelled. Suddenly the vehicle ceased to
+move. An answering shout came back to her:--</p>
+
+<p class="normal">&quot;Who's there? What's the matter with you?&quot;</p>
+
+<p class="normal">The accent was broad Scotch. Had it been the purest Cockney
+it could not have seemed more welcome. She replied to the
+inquiry:--</p>
+
+<p class="normal">&quot;I've sprained my ankle so that I can hardly move&quot;.</p>
+
+<p class="normal">This time in the other voice there was an unmistakable
+suggestion of surprise.</p>
+
+<p class="normal">&quot;Is it a woman?&quot;</p>
+
+<p class="normal">&quot;Yes.&quot;</p>
+
+<p class="normal">Her tone was fainter.</p>
+
+<p class="normal">&quot;And what might you be doing here at this hour of the morning?&quot;</p>
+
+<p class="normal">&quot;I'm going to Carnoustie.&quot;</p>
+
+<p class="normal">&quot;Carnoustie! You're going to Carnoustie!--along this road?
+You're joking! Can you get as far as this, so that I can have a
+look at you?&quot;</p>
+
+<p class="normal">&quot;I'll try.&quot;</p>
+
+<p class="normal">She did try. It was a distance of barely a hundred yards, but
+traversing it was a work of time. When the space was covered it
+was only by clutching at the wheel of the trap that she saved
+herself from subsiding in a heap upon the ground. In an instant
+the driver was off his seat, and with his arm about her.</p>
+
+<p class="normal">&quot;Is it so bad as that?&quot;</p>
+
+<p class="normal">&quot;It is pretty bad,&quot; she stammered.</p>
+
+<p class="normal">&quot;For the Lord's sake, don't faint! We've no time to waste upon
+such trifles.&quot;</p>
+
+<p class="normal">&quot;I'm not going to faint.&quot; At any rate the tone was faint enough.
+Suddenly she seemed to pull herself together, as if stirred by a
+spirit of resentment. &quot;I never have fainted in my life--I'm not
+going to begin to do it now.&quot;</p>
+
+<p class="normal">He laughed--that is, the little husky sound he made might have
+been intended for a laugh.</p>
+
+<p class="normal">&quot;If you'll keep quite still I'll lift you up into the trap
+somehow, though, by the feel of you, you're as big as I am, and,
+maybe, heavier. The mare won't move. She's one of the few female
+things I ever met that wasn't troubled with the fidgets.&quot;</p>
+
+<p class="normal">As he put it, &quot;somehow&quot; he did get her up into the trap, then
+climbed on to the seat beside her. Presently they were bowling
+along together. For some seconds neither spoke. She was
+endeavouring to accustom herself to her new position. He,
+possibly--as his questions immediately showed--was wondering who
+it was that he had chanced upon.</p>
+
+<p class="normal">&quot;You're English?&quot;</p>
+
+<p class="normal">&quot;I am.&quot;</p>
+
+<p class="normal">&quot;Staying in these parts?&quot;</p>
+
+<p class="normal">&quot;I'm on a walking tour.&quot;</p>
+
+<p class="normal">&quot;A walking tour at one o'clock in the morning!&quot;</p>
+
+<p class="normal">&quot;It wasn't one o'clock when I started. I've been where you found
+me for hours and hours.&quot;</p>
+
+<p class="normal">&quot;Where were you making for?&quot;</p>
+
+<p class="normal">&quot;I've told you, I was going to Carnoustie.&quot;</p>
+
+<p class="normal">&quot;Going from Carnoustie, you mean. You'll never be finding it in
+this part of the country.&quot;</p>
+
+<p class="normal">&quot;I daresay. Since it became dark I've been hobbling round about
+just anywhere. I don't know where I am; I've lost myself
+completely.&quot; He was silent, as if he found something in her
+words which made him think. Then she took up the <i>rôle</i> of
+questioner: &quot;Where are you going?&quot;</p>
+
+<p class="normal">&quot;To a man that's dying.&quot;</p>
+
+<p class="normal">&quot;Are you a doctor?&quot;</p>
+
+<p class="normal">&quot;It's my trade.&quot;</p>
+
+<p class="normal">&quot;Then you'll be able to look at my ankle. I hope it's nothing
+serious, but it seems to be getting worse instead of better.&quot;</p>
+
+<p class="normal">&quot;I'll look at your ankle, never fear. I'll find you an easier
+patient than the one I'm bound for.&quot;</p>
+
+<p class="normal">Little more was said on either side. The doctor seemed to be by
+nature a taciturn man, or perhaps he was too preoccupied for
+speech. Isabel was feeling too miserable to talk. She was cold
+and wet; her ankle was occasioning her no little pain. She could
+hardly have been less inclined for conversation, and she, also,
+had at times a gift of silence. During the twenty or thirty
+minutes the drive continued probably not half-a-dozen words were
+exchanged.</p>
+
+<p class="normal">At last the doctor brought his mare to a standstill.</p>
+
+<p class="normal">&quot;I suppose you couldn't get down and open a gate? There's one
+right in front of us. I can see it's closed.&quot;</p>
+
+<p class="normal">His eyes must have had the cat's quality of being able to
+penetrate the darkness; she could see nothing.</p>
+
+<p class="normal">&quot;I might be able to get down--if I had to tumble, but I doubt if
+I'd ever be able to get up again.&quot;</p>
+
+<p class="normal">He grunted as if in disapprobation.</p>
+
+<p class="normal">&quot;Can you hold the reins while I get down?&quot;</p>
+
+<p class="normal">&quot;I daresay I could do that.&quot;</p>
+
+<p class="normal">He passed her the reins and descended. She heard a gate swing
+back upon its hinges. He reappeared at the horse's head.</p>
+
+<p class="normal">&quot;I'd better lead her through and up to the house; it's as black
+as the devil's painted under the trees. I ought to have brought
+my lamps, but I came away in such a hurry. When some folks are
+dying they will not wait.&quot;</p>
+
+<p class="normal">They passed through a darkness which was so intense that she
+could not see the horse which was drawing her on. The avenue
+seemed a long one. It was some minutes before, drawing clear of
+the overhanging foliage, they stopped in front of a house which
+loomed grim and ominous in the shadows. Apparently their
+approach had been heard. No sooner had they stopped than the
+door was thrown wide open. The figure of a woman was seen
+peering out into the darkness, with a lamp in her hand.</p>
+
+<p class="normal">&quot;Is it the doctor?&quot; she demanded.</p>
+
+<p class="normal">&quot;Yes, it's the doctor. And how is he now?&quot;</p>
+
+<p class="normal">&quot;He's as near to death as he can be to be still alive. I believe
+he's only keeping the breath in his body till he gets a sight of
+you.&quot;</p>
+
+<p class="normal">&quot;To be sure that's uncommonly good of him. Now, madam, will that
+ankle of yours permit you to tumble down with the help of a hand
+from me?&quot;</p>
+
+<p class="normal">Without answering Isabel commenced a laborious and painful
+descent. At sight of her the woman on the doorstep evinced a
+lively curiosity.</p>
+
+<p class="normal">&quot;Why, doctor, who is it you're bringing with you?&quot;</p>
+
+<p class="normal">&quot;It's a visitor for you, and another patient for me, Nannie.
+You'll have to find her a corner somewhere while I go up to see
+the laird. When I've done with him I'll have to start with her.
+I'm hoping that she'll be the easier job of the two. Come, lend
+a hand. It's beyond my power to get her into the house alone,
+and it seems that by herself she'll never do it.&quot;</p>
+
+<p class="normal">Between them they got her up the steps, through the door and
+into a room which, immediately after passing it, was entered on
+the right. They placed her on a couch.</p>
+
+<p class="normal">&quot;Now, madam,&quot; observed the doctor, &quot;here you'll have to stay
+until I've seen my other patient. And since Heaven only knows
+how long he'll keep me, you'll have to make the best of it until
+I come. So keep up the character you told me of and don't you
+faint, or any silliness of that kind, but just make yourself as
+comfortable as ever you can.&quot;</p>
+
+<p class="normal">With that the speaker left her, the woman going with him. She
+had placed on a table the lamp which she had borne in her hand.
+It was a common glass affair, which did not give too good a
+light. For some minutes Isabel showed no inclination to avail
+herself of its assistance to learn in what manner of place she
+was. By degrees, however, as the time continued to pass, and
+there were still no signs of any one appearing, she began to
+show a languid interest in her surroundings. She was dimly
+conscious that the room was not a large one; that it was
+sparely, even austerely, furnished. She was aware that the couch
+on which she lay was of the old-fashioned horsehair kind, both
+slippery and uncomfortable. She had a vague suspicion that if
+she was not careful she would slip right off it, and her misty
+imaginings became mistier still. Before she knew it she was
+asleep.</p>
+
+<p class="normal">She slept for two good hours before she was disturbed; at least
+that period of time had elapsed before the doctor made his
+reappearance in the room. The sight of the sleeping woman seemed
+to occasion him surprise. He observed her with a slight smile
+adding another pucker to his wrinkled cheeks. He was a little,
+thin man, clean shaven and bald-headed. He had a big, aquiline
+nose. His eyes were sunk deep in his head, looking out from
+overhanging shaggy eyebrows. His lips were drawn so tightly
+together as to hint at a paucity of teeth.</p>
+
+<p class="normal">&quot;Who are you, I wonder? You've youth, health, good looks--three
+good things for a woman to have. You're not ill-dressed. And yet
+there's that about you, as you lie sleeping there--we're all of
+us apt to give ourselves away when we're asleep--which makes me
+wonder who you are, and how you came to sprain your ankle on
+Crag Moor when going to Carnoustie. However that may be, there's
+an adventure lying ready to your hand--if you've a fancy for
+adventures. And, unless I'm much mistaken, I think you have.&quot;</p>
+
+<p class="normal">He laid his hand upon the sleeper's shoulder. The touch was a
+light one, but it was sufficient to arouse her. With a start she
+sprang up to a sitting posture, crying--</p>
+
+<p class="normal">&quot;You shan't! It's a lie! You shan't.&quot; She put her hand to her
+bodice, as if to guard something which was hidden there. The
+doctor said nothing; he stood and watched. Waking to a clearer
+sense of her surroundings, she perceived him standing by her
+side. &quot;Oh, it's you. How long have I been asleep?&quot;</p>
+
+<p class="normal">&quot;Sufficiently long, I hope, to rest you. Will you allow me to
+introduce myself? My name is Twelves--David Twelves, M.D., of
+Edinburgh. May I ask if you have any objection to introduce
+yourself to me, and tell me your name?&quot;</p>
+
+<p class="normal">&quot;Not the least; why should I have? I'm not ashamed of my name.
+Why do you want to know it?&quot;</p>
+
+<p class="normal">&quot;Because the immediate object of my presence here is to make you
+what is to all intents and purposes an offer of, say, twenty
+thousand pounds, and I have a not unnatural desire to know to
+whom I am offering it.&quot;</p>
+
+<p class="normal">She sat more upright on the couch, swinging round so as to bring
+her feet upon the floor, looking at him with eyes which were now
+wide open.</p>
+
+<p class="normal">&quot;What do you mean? You are making fun of me.&quot;</p>
+
+<p class="normal">&quot;I am doing nothing of the kind. This is likely to be one of the
+most serious moments of your life. I am not disposed to lighten
+it by misplaced attempts at playfulness.&quot; Yet even as he spoke
+again that nebulous smile seemed to add another pucker to his
+cheeks. &quot;What I say is said very much in earnest. There is a man
+upstairs who's dying. Perhaps he is already dead while I stand
+here talking to you. If he's not dead, before he dies he wants
+another curious thing--a wife.&quot;</p>
+
+<p class="normal">&quot;A wife!--and you say he's dying!&quot;</p>
+
+<p class="normal">&quot;It's because he's dying that he wants her. He has had no need
+of such an encumbrance living. I have come to ask you if you'll
+be his wife.&quot;</p>
+
+<p class="normal">&quot;I be his wife!&quot;</p>
+
+<p class="normal">Instinctively she doubled up the finger on which was the
+wedding-ring. She still wore her gloves, so it had remained
+unnoticed.</p>
+
+<p class="normal">&quot;Yes, you. You're the only woman within reach, except old
+Nannie, who hardly counts, or I wouldn't trouble you. Answer me
+shortly--yes or no--will you be his wife?&quot;</p>
+
+<p class="normal">&quot;Marry a perfect stranger!--a man I've never seen!--who you say
+is dying!&quot;</p>
+
+<p class="normal">&quot;Precisely; it is a mere formula to which I'm asking your
+subscription. He'll certainly be dead inside two hours, possibly
+in very much less. You'll be a widow in one of the shortest
+times on record; in possession of a wife's share of all his
+worldly goods--and that, by all accounts, should be worth fully
+twenty thousand pounds.&quot;</p>
+
+<p class="normal">&quot;Twenty thousand pounds! But why should he want to marry any one
+if he's dying?&quot;</p>
+
+<p class="normal">&quot;There's not much time for explanation, but I'll explain this
+much. He's made a will in favour of a certain person. That will
+he is anxious to revoke. If he marries it will become invalid.
+As matters stand it will be easier for him to take a wife than
+to make another will.&quot;</p>
+
+<p class="normal">&quot;You are sure he will be dead within two hours?&quot;</p>
+
+<p class="normal">&quot;Quite. I shall not be surprised to learn that he's dead
+already. You are losing your chances of becoming a well-to-do
+widow by lingering here.&quot;</p>
+
+<p class="normal">&quot;You are certain he will leave me twenty thousand pounds?&quot;</p>
+
+<p class="normal">&quot;The simple fact of his death will make it yours. So soon as the
+breath is out of his body you will become entitled to a wife's
+inheritance--if you are his wife.&quot;</p>
+
+<p class="normal">&quot;You are not playing me any trick? It is all just as you say?&quot;</p>
+
+<p class="normal">&quot;On my honour, it is all just as I say. There is no trick. If
+you will come with me upstairs you will be able to judge for
+yourself.&quot;</p>
+
+<p class="normal">&quot;But how can we be married at a moment's notice? Is there a
+clergyman in the house?&quot;</p>
+
+<p class="normal">&quot;You forget you are in Scotland. Neither notice nor clergyman is
+needed. It will be sufficient for you to recognise each other as
+husband and wife in the presence of witnesses; that act of
+mutual recognition will in itself constitute a legal marriage
+which all the lawyers will not be able to break. That is why it
+will be easier for him to marry than to make another will.&quot;</p>
+
+<p class="normal">&quot;There is not the least doubt that he will be dead within two
+hours?&quot;</p>
+
+<p class="normal">&quot;Not the least--unless a miracle intervenes.&quot;</p>
+
+<p class="normal">She was sitting with her hands clenched in her lap, a
+perceptible interval of silence intervening before the words
+burst from her lips--</p>
+
+<p class="normal">&quot;Then I'll marry him!&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_03" href="#div1Ref_03">CHAPTER III</a></h2>
+
+<h3>WHOM GOD HATH JOINED</h3>
+<br>
+
+
+<p class="normal">Dr. Twelves showed no sign of either surprise or gratification.
+He looked at her dispassionately, almost apathetically, from
+under his overhanging eyebrows.</p>
+
+<p class="normal">&quot;Can you walk upstairs without assistance?&quot;</p>
+
+<p class="normal">&quot;I'm afraid not. I don't think my ankle is any better.&quot;</p>
+
+<p class="normal">He stooped down.</p>
+
+<p class="normal">&quot;It's swollen; it looks as if it were going to be an awkward
+business. Your boot and stocking will have to be cut away; but
+there's no time to do it now--moments are precious. You will
+have to wait until you're married. It's only on the first floor.
+Do you think you'll be able to get up with the aid of my arm and
+of the baluster?&quot;</p>
+
+<p class="normal">&quot;I'll try.&quot;</p>
+
+<p class="normal">&quot;Might I suggest, before we start, that it would do no harm if
+you were to remove your hat and jacket. It would seem more in
+keeping.&quot;</p>
+
+<p class="normal">She acted on his suggestion.</p>
+
+<p class="normal">&quot;I ought to wash and tidy myself; I know I'm all anyhow.&quot;</p>
+
+<p class="normal">&quot;Now you will do very well. Your future husband is too far gone
+to be able to tell if your hair is straight or crooked; at the
+point he's reached that sort of thing doesn't matter.&quot; When they
+had reached the landing at the top of the stairs the doctor said
+to her: &quot;By the way, the name of your future husband is
+Grahame--Cuthbert Grahame. May I ask what yours is? It is just as
+well that he should know it.&quot;</p>
+
+<p class="normal">She hesitated a moment.</p>
+
+<p class="normal">&quot;My name is Isabel Burney.&quot;</p>
+
+<p class="normal">&quot;Miss Burney, allow me to introduce you to Mr. Grahame's room.&quot;</p>
+
+<p class="normal">He threw open the door of the room in front of which they had
+been standing. As he did so Isabel slipped off her left-hand
+glove, bringing with it, at the same time, her wedding-ring.
+Crumpling up her glove she squeezed it into her waistband, the
+ring inside it. On the doctor's arm she hobbled to a big
+armchair, into which she sank with a sigh of unmistakable
+relief.</p>
+
+<p class="normal">The room in which she found herself, although low-ceilinged, was
+a spacious one. It seemed to her that all the furniture it
+contained was old-fashioned, a fact which, although she did not
+know it, increased its value perhaps a hundred-fold. She thought
+it simply dowdy. A huge Chippendale bed was in the centre of the
+room. In it, propped up on pillows, was the figure of a man
+which, if only from the point of size, fitly matched the bed.
+Leaning over him, on the other side, was Nannie, the old woman
+who had admitted them into the house. The doctor addressed
+himself to her.</p>
+
+<p class="normal">&quot;How is he?&quot;</p>
+
+<p class="normal">&quot;About the same.&quot;</p>
+
+<p class="normal">Although they had both spoken in a whisper their voices were
+audible to the man in the bed.</p>
+
+<p class="normal">&quot;Is that that old devil Twelves come back again?&quot;</p>
+
+<p class="normal">The tone was harsh, and it was obvious that the speaker spoke
+with difficulty, but the words themselves were plain enough. The
+doctor evinced no sign of annoyance at the other's somewhat
+uncomplimentary reference to himself; on the contrary, he chose
+to apply to himself the other's epithet as he answered:--</p>
+
+<p class="normal">&quot;Yes, it's the old devil back again, and, what's more, he's
+brought the young devil too--begging your pardon, Miss Burney,
+for speaking of you in such a manner. But it's the fashion in
+this house to use strong language, and always has been. Laird,
+I've brought the lady.&quot;</p>
+
+<p class="normal">&quot;Where is she?&quot;</p>
+
+<p class="normal">&quot;At this moment she's sitting in your armchair. As I told you,
+she's sprained her ankle, which makes it difficult for her to
+walk, or even stand.&quot;</p>
+
+<p class="normal">&quot;Damn her ankle!&quot;</p>
+
+<p class="normal">&quot;By all means. You should know more about that sort of thing
+than I do. You're nearer to it than I am.&quot;</p>
+
+<p class="normal">&quot;You think that hurts me?&quot;</p>
+
+<p class="normal">&quot;Not I. I know that nothing hurts you. I doubt if even the
+torments of hell will trouble you much. You're past all hurting.
+Shall I tell Miss Burney she isn't wanted, and can go again?&quot;</p>
+
+<p class="normal">&quot;What's her name?&quot;</p>
+
+<p class="normal">&quot;Burney--Isabel Burney. At least, she says so.&quot;</p>
+
+<p class="normal">&quot;Isabel Burney, you are my wife; you're Mrs. Cuthbert Grahame. I
+acknowledge you as my wife, and I wish all men to acknowledge
+you also. Are you content that it should be so?&quot;</p>
+
+<p class="normal">&quot;I am.&quot;</p>
+
+<p class="normal">&quot;You hear, Nannie? You hear, Twelves? You're both witnesses. I
+take Isabel Burney to be my wife, and she agrees.&quot;</p>
+
+<p class="normal">&quot;I hear. But does she take you for her husband--eh, Miss
+Burney?&quot;</p>
+
+<p class="normal">&quot;I do. I take Cuthbert Grahame to be my husband in the sight of
+God and man.&quot;</p>
+
+<p class="normal">Isabel had returned to one of her old faults--overemphasis.
+There was a theatrical intensity about both her manner and her
+words which was singularly out of place when compared with the
+matter-of-fact ribaldry which seemed to mark the husky utterance
+of the man in the bed. Its inappropriateness seemed to strike
+the others. After a perceptible pause the man in the bed
+wheezed--</p>
+
+<p class="normal">&quot;Leave God out of it&quot;. Presently he added, still more wheezily,
+&quot;Come here, Mrs. Cuthbert Grahame&quot;.</p>
+
+<p class="normal">The doctor moved towards her.</p>
+
+<p class="normal">&quot;Can I assist you, Mrs. Grahame, to your husband's side?&quot; With
+the doctor's aid she gained the bed. &quot;Laird, here's your wife;
+can you see her?&quot;</p>
+
+<p class="normal">Isabel saw the man whom she had taken to be her husband. The
+sight of him shocked her. She told herself that she had never
+seen a more dreadful object even in her dreams. His size was
+abnormal. Not only was he naturally a big man, but his frame had
+become swollen and bloated till it was monstrous--a horror to
+look upon. His head and face were covered with scanty red hair,
+which needed cutting. He had a huge head, and his neck was so
+short and thick that it conveyed a grotesque impression that his
+head sprang directly from his trunk. His whole form seemed to be
+afflicted with some sort of tetanus, so that he was rigid,
+immovable. He lay on his back, with his arms straight down at
+his sides. Through his parted lips came jerky, stertorous
+breaths. His eyelids were partially open, but only the whites of
+his eyes were visible; his own words made it clear that they
+were of little use to him as organs of sight.</p>
+
+<p class="normal">&quot;See her? No, I can't see her. I don't want to.&quot;</p>
+
+<p class="normal">As he spoke a tremor passed all over him. His whole frame
+heaved; as if seized by a sudden convulsion he began fighting
+for his life. The doctor spoke to her.</p>
+
+<p class="normal">&quot;You had better go, unless you'd like to see the last of him.
+This is likely to be the end. He'll hardly win through another
+bout.&quot;</p>
+
+<p class="normal">He moved towards the bed, Nannie joining him. Isabel was left to
+her own devices. Powerless to move far unaided it was all she
+could do to stagger to the nearest chair. In it she sat,
+waiting, watching, listening, like an unwilling spectator in
+some bad dream. It was a scene which she never wholly forgot.
+The dim light, the quaintly furnished room, the figures of the
+old man and woman bending this way, then that, as they struggled
+with the creature on the bed. What ailed him she did not know;
+she vaguely surmised that he might be in the throes of some kind
+of epileptic fit. His contortions shook the bed, indeed the
+room. He kept uttering sounds which had a disagreeable
+resemblance to the half-strangled yelps of some wild beast.</p>
+
+<p class="normal">How long it lasted she did not know. Long enough to strain her
+already highly strung nerves almost beyond endurance. At last
+there came a lull. The man on the bed was first quieter, then
+still. She took advantage of the silence to exclaim:--</p>
+
+<p class="normal">&quot;Can't you take me away somewhere? You know I can't move. If I
+have to stay here much longer I--I shall make a fool of myself.&quot;</p>
+
+<p class="normal">The doctor and Nannie paid her no heed. Side by side they were
+stooping together over the silent figure. After affording them
+what she deemed a more than sufficient opportunity to answer,
+she appealed to them again.</p>
+
+<p class="normal">&quot;Can't you hear me? Take me away somewhere--I don't care where!
+I'll go mad if you don't.&quot;</p>
+
+<p class="normal">The doctor did not answer her directly; he spoke to Nannie.</p>
+
+<p class="normal">&quot;Do as she bids you; take her away.&quot;</p>
+
+<p class="normal">&quot;Where'll I take her?&quot; the woman asked.</p>
+
+<p class="normal">&quot;Take her and put her to bed in the best bedroom. Remember that
+she's now the mistress of this house.&quot;</p>
+
+<p class="normal">Nannie moved towards Isabel. For a woman, she was tall and
+brawny, but she was probably well past fifty, and Isabel
+certainly had not credited her with the capacity to do what she
+immediately did. She eyed the stranger for a moment in silence,
+then she asked, in the broadest Scotch:--</p>
+
+<p class="normal">&quot;Can't you walk by your own self?&quot;</p>
+
+<p class="normal">Isabel resented both the tone and the scrutiny.</p>
+
+<p class="normal">&quot;You know I can't.&quot;</p>
+
+<p class="normal">Without more ado the woman, stooping, put her arms about her and
+lifted her bodily from the chair as if she were some great
+child. Isabel was taken by surprise, and a little alarmed.</p>
+
+<p class="normal">&quot;You'll drop me!&quot; she cried.</p>
+
+<p class="normal">&quot;I'll not drop you; you're nothing of a weight.&quot;</p>
+
+<p class="normal">As if to prove it, the old woman bore her from the room, across
+the landing, to another room on the other side, one which was in
+darkness. But Nannie seemed to know its geography by instinct.
+She deposited her burden on what Isabel realised was a bed.
+Striking a match on a box which she took from her pocket, she
+lit some candles which stood on the mantelshelf. Isabel,
+remaining where she had been placed, eyed her as she moved
+about.</p>
+
+<p class="normal">&quot;You're very strong.&quot;</p>
+
+<p class="normal">&quot;I'm not so strong as once I was. There was a time when I'd have
+carried four of you, and thought nothing of it either. Now can
+you undress yourself, or will you be needing me to do it for
+you?&quot;</p>
+
+<p class="normal">&quot;Thank you, I think I can undress myself; but if you would help
+me take the boot off my bad foot.&quot;</p>
+
+<p class="normal">Nannie bent over the foot which the other extended. She regarded
+it in silence, then, still without a word, she left the room. So
+soon as she was gone Isabel dragged the glove which contained
+her wedding-ring out of her belt, and the canvas bag which had
+come out of Mrs. Macconichie's tobacco jar from her bodice, and
+thrust them as far as possible under the bolster which was
+beneath the pillow on which she was reclining. Scarcely had she
+done this when Nannie reappeared, in her hands a pair of large
+scissors. With their aid she proceeded, still speechless, to
+cut, first, the laces of Isabel's boot, and then the boot
+itself, till it came away from her foot. As it came away she did
+what she boasted she had never before done in her life--she
+fainted. When she came to herself again she found that Nannie,
+who had apparently remained indifferent to the fact that her
+senses had left her, having bathed her foot and ankle, was
+putting the finishing touches to the bandages in which she had
+swathed it. When the bandage was completed the old woman, still
+without vouchsafing a word, began to undress her, and did it
+with a deftness and neatness which would have done her credit
+had she played the part of lady's-maid her whole life long.
+Almost before she knew it, she was ready for the sheets, and so
+soon as she was ready she was placed between them.</p>
+
+<p class="normal">&quot;You're very good to me,&quot; she murmured, with a luxurious sigh,
+as she recognised what a delicious feeling it was to be between
+them.</p>
+
+<p class="normal">&quot;I'm not good to you--anyway I'm not wanting to be good to you.&quot;</p>
+
+<p class="normal">Isabel looked up with surprise; the tone was almost savage.</p>
+
+<p class="normal">&quot;Why not? Don't you think that you will like me?&quot;</p>
+
+<p class="normal">&quot;Like you!--like you!&quot;</p>
+
+<p class="normal">The emphasis with which the words were repeated was
+unmistakable. It would have been difficult for scorn to have
+been more eloquent. Without condescending to further speech, as
+if everything had been said which could be said, Nannie moved
+towards the door. Isabel put a question to her as she reached
+it.</p>
+
+<p class="normal">&quot;Is my husband dead?&quot;</p>
+
+<p class="normal">Nannie turned swiftly round to her.</p>
+
+<p class="normal">&quot;Your--what?&quot;</p>
+
+<p class="normal">&quot;My husband.&quot;</p>
+
+<p class="normal">&quot;Your husband!--your husband!&quot;</p>
+
+<p class="normal">Again the repetition was marked by the same wealth of scorn.
+Isabel was moved to some show of resentment.</p>
+
+<p class="normal">&quot;He is my husband--you know he's my husband.&quot;</p>
+
+<p class="normal">&quot;Oh, he's your husband, Mrs. Cuthbert Grahame. I'm not doubting
+it, ma'am, or that you're a fit and proper wife for him. I'm
+ready to tell to any one that you're a well-matched pair.&quot;</p>
+
+<p class="normal">&quot;Is he dead?&quot;</p>
+
+<p class="normal">As she repeated her inquiry Isabel's manner was a trifle more
+subdued; she was finding Nannie a difficult person to contend
+with.</p>
+
+<p class="normal">&quot;You'd better be asking Dr. Twelves if your husband's dead,
+ma'am; he's a surer judge of dead folk than I am. You'll be
+feeling anxious till you know, and so I'll tell the doctor. When
+a woman's been acquainted with a man so long as you've been
+acquainted with your man, so that you've come to know all the
+secrets of his heart, and the very shape and fashion of the soul
+which God has lent him, to be sure all her nature stirs within
+her when she begins to fear he's near to dying. It's hard to
+lose the husband to whom you've only been married a couple of
+minutes, so I'll tell the doctor to hurry and let you know if
+you're a widow before you're a wife.&quot;</p>
+
+<p class="normal">Without giving Isabel a chance to retort, Nannie opened the door
+with a swishing movement, which was in harmony with her state of
+mind, and vanished from the chamber.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_04" href="#div1Ref_04">CHAPTER IV</a></h2>
+
+<h3>A SECOND HONEYMOON</h3>
+<br>
+
+
+<p class="normal">She had slept well; Isabel admitted so much. She suspected
+something else, that the morning was far advanced. There was
+that in the atmosphere which conveyed that impression.
+Apparently some one had been in while she still slept and put
+the room in order. The blinds were up, the curtains drawn back,
+the sun streamed in through the small square windows which were
+set deep in the thickness of the wall. As she looked about her,
+from her vantage place on the pillow, she felt that this was the
+queerest place she ever had been in. Everything, including the
+room itself, seemed to her to be hundreds of years old. The
+paper on the walls was like nothing she had ever seen before.
+The furniture was of the oddest shapes; indeed, what some of the
+articles might be intended for was beyond her comprehension. As
+she gradually absorbed it all, she began to be conscious of an
+almost eerie feeling that she had woke up in some ancient
+habitation and in some bygone age of which she had no knowledge.</p>
+
+<p class="normal">Then something else forced itself on her attention, she felt
+that she was helpless. As she tried to turn in bed, the better
+to enable her to see what was to be seen, a spasm of pain passed
+over her, which was so acute that she had to shut her eyes and
+bite her lips to prevent herself from crying out. For some
+moments she lay quite still, waiting for the pain to go. It was
+some time before it diminished; even when it was easier she
+learnt, to her dismay, that she would have to be very careful in
+her movements if she did not wish it to return with probably
+increasing violence. Her foot seemed, from the feel of it, to be
+about as bad as it could be. It was not only useless, it held
+her prisoner. The slightest attempt to move it in any direction
+resulted in the keenest anguish. It seemed that relief from
+almost unendurable torment could only be obtained by remaining
+entirely quiescent. That meant, in effect, that she was chained,
+possibly for an indefinite period, to the bed in which she was
+lying. An agreeable prospect!</p>
+
+<p class="normal">As the true inwardness of the position began to dawn on her, in
+phantasmagoric procession the events of the previous night
+flashed across her mind. The letter to her husband--to Gregory
+Lamb--which she had opened and read, the letter with the
+Islington post-mark, containing the curt refusal to accord him
+further help; the resolution to leave him, which she had
+instantly arrived at after its perusal; her visit to Mrs.
+Macconichie's sitting-room; her forcible entry into the china
+cupboard; her abstraction of the canvas bag from the tobacco
+jar.</p>
+
+<p class="normal">At this point, her thoughts branching off in another direction,
+she felt, gingerly enough, for it seemed that movement of any
+sort meant pain, under the bolster, and produced from it the
+bag in question and the glove in which she had secreted the
+wedding-ring. The sight of the ring started her thoughts
+travelling again.</p>
+
+<p class="normal">To her flight through the darkness, with the leather handbag. By
+the way, what had become of that bag? She had no recollection of
+having done anything with it. Possibly she had put it down when
+she had sprained her ankle, and, in her trouble, had forgotten
+its existence; in which case it might be still upon the moor. If
+it were found, and nothing could be learned of her, what
+deductions would be drawn? She wondered. One thing was certain,
+it contained all her worldly possessions. Without it she had not
+so much as a pocket-handkerchief, not to speak of such a
+necessity of existence as a brush and comb.</p>
+
+<p class="normal">Then the trap had come through the night, and borne her to the
+house in which she lay. There she had been married to a man upon
+his death-bed. Such a man and such a death-bed! Could it be
+possible? She clenched her fists, and asked herself if the whole
+business had not been the wild imaginings of some disordered
+dream. Even to herself she could not furnish a satisfactory
+answer.</p>
+
+<p class="normal">Why had she suffered herself to be dragged through such a
+farce?--to play a part in such an odious scene? Because that old
+man who called himself a doctor had told her that the creature
+would be dead within two hours, and that then she would be
+richer by twenty thousand pounds. Twenty thousand pounds! Could
+that part of the tale be possible? Why, in that case, this
+house, the very room in which she was, the queer furniture which
+filled it, all might be hers. She would be a wealthy woman, who
+had won her wealth so easily without incurring risk worth
+mention. Because, even in the storm and stress of the moment,
+she had understood that bigamy was bigamy, even though one of
+the marriages into which she had entered was a Scotch one. Of
+course, nothing could make that marriage of the night before a
+real one, since she was a wife already. But, as the man was
+dead, and she was supposed to be his widow, if fortune favoured
+her the truth never need come out. She believed that she was
+clever enough to conceal it--at any rate from whom it was worth
+her while to do so. Only let her get hold of the twenty thousand
+pounds, or so much of it as could be turned into ready cash--let
+them find out afterwards what they chose--they would find it
+hard to get the money back from her. Twenty thousand pounds! She
+fancied herself letting go of such a sum as that if she once had
+it in her grip!</p>
+
+<p class="normal">The first thing she had to do was to inform herself as fully as
+possible as to the actual situation. If she was a widow, and her
+husband had died without a will--he had certainly not made one
+after marrying her, while the doctor had assured her that
+marriage had rendered nugatory any he might have made
+before--then this house, and all that it contained, if it had
+been his property, was now hers. At least she hoped it was,
+because, after a little muddled consideration, it began to occur
+to her that, by English law, a wife did not necessarily inherit
+all that a husband who had died intestate left behind him.
+Exactly what share was hers she was not sure, but she had a more
+or less dim conviction that it was less than the whole. The same
+objectionable law might obtain in Scotland, or even a worse one.
+The sooner she ascertained exactly how the ground lay the better
+it would be for her peace of mind. So she began to call
+attention to the fact that she was wide awake. Since there was
+apparently no bell within reach, she had to make the best use of
+her voice.</p>
+
+<p class="normal">&quot;Nannie!&quot; she called. &quot;Nannie! Nannie!&quot; And she kept on calling,
+because there was none that answered. Her voice was a strong
+one--she exerted it to the utmost--but it seemed that it was not
+strong enough to reach any one outside that room. She shouted
+till she was hoarse, and angry too, quite in vain; nothing
+resulted.</p>
+
+<p class="normal">&quot;If there's any one in the house they must hear me, and I expect
+they do, only they don't choose to come. Oh, if it weren't for
+this foot of mine! That Nannie's an insolent hag. She knows
+perfectly well that I can't move, and thinks she can treat me as
+she likes. If I could move I'd soon show her. Nannie! Nannie!&quot;
+She shouted till she could really shout no longer. No one came;
+nor was there anything to show that she was heard. She began to
+be possessed by a fresh alarm. &quot;I wonder if the house is empty?
+Suppose that old hag has gone off and left me alone in the house
+with that--that dead man. I'll be bound she's quite capable of
+doing it--old wretch! I shall starve to death! Nannie! Nannie!&quot;</p>
+
+<p class="normal">But all the strength had gone out of her voice--it was not
+strange that those muffled tones remained unheeded--a fact of
+which she herself was conscious. At last, wholly exhausted, she
+lay and thought hard things of every one. She was genuinely
+hungry. She told herself that if some one did not come soon and
+bring her food something would have to be done, though she had
+not the faintest notion what. Self-help was out of the question;
+she was as powerless to move as if she had been riveted to the
+bed.</p>
+
+<p class="normal">She was rapidly reaching a despairing stage when Nannie entered
+with a tray in her hand, quite calmly, as if it were the most
+natural thing in the world that she should come just then and
+not before. Isabel broke into angry expostulation.</p>
+
+<p class="normal">&quot;Why have you kept me waiting. Why didn't you come before? You
+must have heard me long ago--you're not stone deaf. I've
+screamed myself hoarse.&quot;</p>
+
+<p class="normal">Nannie placed the tray upon a table. Then, with the most
+matter-of-fact air, putting her arms about the angry woman, she
+raised her to a sitting posture, arranging the pillows so that
+they formed a prop for her back. Divided between indignation and
+bewilderment, Isabel submitted in silence; she was so helpless,
+the old woman's manner was so masterful, that to expostulate
+seemed vain. The tray was put beside her on the coverlet, Nannie
+observing--</p>
+
+<p class="normal">&quot;When you've eaten your fill I'll come and take a look at that
+foot of yours&quot;.</p>
+
+<p class="normal">&quot;It's ever so much worse. I've been in agony--and am still. I
+believe I've broken a bone.&quot;</p>
+
+<p class="normal">&quot;Not you; it's no but a sprain.&quot;</p>
+
+<p class="normal">&quot;It's more than a sprain--much more, I'm convinced of it.
+Where's Dr. Twelves? He ought to attend to it at once. He said
+he would come and see me. Why hasn't he been?&quot;</p>
+
+<p class="normal">&quot;He's been and gone hours ago.&quot;</p>
+
+<p class="normal">&quot;Been and gone! Why didn't you let me know that he was here?&quot;</p>
+
+<p class="normal">&quot;What for should I let you know?&quot;</p>
+
+<p class="normal">&quot;You knew that I wished to see him.&quot;</p>
+
+<p class="normal">&quot;You never said it; and, anyway, he never said that he was
+wishing to see you.&quot;</p>
+
+<p class="normal">&quot;You're taking advantage of me! You think I'm at your mercy, and
+that you can do as you like with me because I can't move! You're
+a wicked old woman!&quot;</p>
+
+<p class="normal">&quot;Am I? Then I'm reckoning that age is the only difference there
+is between us.&quot;</p>
+
+<p class="normal">Burning words flamed to Isabel's lips, but she had enough
+prudence and self-control not to allow them to go any farther.
+She was at the other's mercy, and she knew it. The only way to
+obtain from her some slight consideration was to endeavour to
+appease, not anger her. Instead of giving her anger vent, she
+put to her a question, the one she had put the night before.</p>
+
+<p class="normal">&quot;Is my husband dead?&quot;</p>
+
+<p class="normal">She received what was practically the same answer.</p>
+
+<p class="normal">&quot;Didn't I tell you that for that you must ask Dr. Twelves, since
+he's knowing when folks are dead better than me?&quot;</p>
+
+<p class="normal">Without affording Isabel another opportunity to speak Nannie
+left the room.</p>
+
+<p class="normal">If the new Mrs. Grahame could have got out of bed there would
+have been some lively doings. It is not impossible that Nannie
+would have found that she had met her match. When that lady was
+really roused, and had a fair chance to show it, she was a
+difficult person to deal with. But she was, literally, held by
+the leg; as incapable of doing what she would have liked to have
+done as if she had been an infant in arms.</p>
+
+<p class="normal">When, after an interval of no long duration, the ancient
+servitor returned, Isabel did treat her to what she meant to be
+a taste of her claws. For all the effect she produced she might
+have saved herself the trouble. The Scotchwoman evinced a serene
+indifference to anything she might say or do, which influenced
+her more than she would have cared to own. Then the pain she
+endured was exquisite. Nannie's ministrations were deft enough.
+She set about her task like one who understood well what she had
+to do, and was capable of doing it. She removed the bandages,
+bathed the injured foot, applied hot poultices; so far as Isabel
+was able to judge, did all that could be done. But the most
+delicate touches could not prevent her suffering agony. By the
+time the other had finished her anger was forgotten. All she
+desired was rest--peace--to be left alone.</p>
+
+<p class="normal">For seven days Isabel remained, willy-nilly, in bed. All the
+time the only person she saw was Nannie. Dr. Twelves never came
+near her. Whether the fault was his or her attendant's was more
+than she could determine. She heard no news of any sort or kind.
+Nothing could be got out of Nannie. No answers to any of her
+questions; only the fewest possible words on unimportant
+subjects.</p>
+
+<p class="normal">It is true that during the first two or three days her ankle
+gave her so much trouble, her sufferings from it were so
+intense, that she was, in a measure, content to be left alone
+and in ignorance. But as the pain lessened her impatience, and
+indignation, grew apace. More than once she attempted to get out
+of bed and to start on a voyage of exploration through the house
+to acquire information on her own account. Since, however, her
+attempts only resulted in disaster, and it was made plain that
+they only postponed her convalescence, common-sense gained the
+upper hand. She resolved to endure with as much calmness as she
+could command till the time arrived when, at least to some
+extent, she should again be mistress of her own powers of
+locomotion.</p>
+
+<p class="normal">After the longest week she had ever known she decided that that
+time was not far off. She informed Nannie that, since her foot
+was now on the high road to recovery, on the morrow she would be
+capable of getting out of bed, and that, therefore, get out of
+bed she would. Nannie, as was her wont, kept silence when this
+piece of information was vouchsafed to her. But that she was
+impressed by it was evident when on the morrow in question,
+instead of the old woman, Dr. Twelves came into the room. It
+seemed as if Nannie must have told him that the time had now
+come when it was desirable that he should make his re-entry on
+the scene. At least that was the conclusion at which, at sight
+of him, the lady in the bed instantly arrived.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_05" href="#div1Ref_05">CHAPTER V</a></h2>
+
+<h3>A CONVERSATION WITH THE DOCTOR</h3>
+<br>
+
+
+<p class="normal">&quot;So you've come, have you, at last! I suppose that old hag told
+you you had better before I came to you? I should have come in
+half an hour.&quot;</p>
+
+<p class="normal">That was the greeting the angry lady accorded her tardy visitor.</p>
+
+<p class="normal">Dr. Twelves seemed to be in no haste to answer. Coming to within
+a foot or two of her bed-side he stood and eyed her. He looked
+very old in the daylight, older than she had thought he was.
+Short; thin to the point of emaciation. There was something
+almost sinister in his attitude, in the way in which, inclining
+his head a little forward, his arms held close to his sides, he
+examined her keenly, as if he were some bird of prey, and she an
+object on which he was doubtful whether or not to pounce. As she
+gave him glance for glance she understood that this was a person
+who was not so frail as he might at first sight appear. But want
+of courage was not a deficiency which could justly be laid to
+the lady's charge. When he did reply it was with a question.</p>
+
+<p class="normal">&quot;Why do you speak to me like that?&quot;</p>
+
+<p class="normal">&quot;You know very well why! You promised that first night that you
+would attend to my foot; but though I've asked for you again and
+again you've never been near me once, till you were afraid that
+I should be after you.&quot;</p>
+
+<p class="normal">&quot;You've been in good hands. Nannie has done all for you that I
+could have done.&quot;</p>
+
+<p class="normal">&quot;I don't doubt that.&quot;</p>
+
+<p class="normal">&quot;Then of what do you complain?&quot;</p>
+
+<p class="normal">&quot;You've kept me a prisoner.&quot;</p>
+
+<p class="normal">&quot;Kept you a prisoner! I! Madam, you jest. Has not your foot had
+something to do with your confinement? Is it not holding you a
+prisoner still?&quot;</p>
+
+<p class="normal">&quot;It won't do long, so don't you think it. I'll be out and about
+before the day's over, and when I am I'll make things hum. Is my
+husband dead?&quot;</p>
+
+<p class="normal">&quot;Your husband?&quot;</p>
+
+<p class="normal">&quot;My husband! Are you deaf?&quot;</p>
+
+<p class="normal">&quot;No, madam, not yet. So far age has not robbed me of my hearing.
+But to whom do you refer when you speak of your husband?&quot;</p>
+
+<p class="normal">There was that in the fashion in which he asked the question
+which caused her to clench her fists, tighten her lips and
+descend to vulgarity--unfortunately an easy descent for her to
+make when her temper waxed warm.</p>
+
+<p class="normal">&quot;What are you playing at? Do you think you're clever, or that
+I'm an utter fool? You're wrong if you do, you may take it from
+me. Is my husband, Cuthbert Grahame, dead? I've not been able to
+get an answer out of that old harridan, but I'll get one out of
+you.&quot;</p>
+
+<p class="normal">&quot;Then is Cuthbert Grahame your husband?&quot;</p>
+
+<p class="normal">&quot;Is he! Isn't he? Didn't he marry me the other night in front of
+you and that old woman?&quot;</p>
+
+<p class="normal">&quot;Have you a certificate or any writing to show it?&quot;</p>
+
+<p class="normal">&quot;A certificate! What do I want with a certificate? You said
+nothing about a certificate! Look here, old man, don't you try
+to play any fool-tricks with me, or you'll be sorry. Are you
+trying to make out that he's not my husband?&quot;</p>
+
+<p class="normal">&quot;Not at all; I am trying to do nothing. I should like to ask you
+a question, to which, before you answer it, I would suggest that
+you should give a little careful consideration. Would you rather
+be Cuthbert Grahame's wife or not?&quot;</p>
+
+<p class="normal">&quot;I am his wife, and you very well know it, so it's no use
+talking, and that's enough said. I ask you again, is my husband
+dead?&quot;</p>
+
+<p class="normal">&quot;Your husband? That is the point which I am gradually
+approaching. Mr. Cuthbert Grahame is not dead.&quot;</p>
+
+<p class="normal">Her jaw dropped open.</p>
+
+<p class="normal">&quot;Not dead?&quot;</p>
+
+<p class="normal">&quot;Not dead.&quot;</p>
+
+<p class="normal">&quot;But you told me----&quot;</p>
+
+<p class="normal">&quot;Precisely; I am aware that I told you. You will, however,
+remember that I made an express reservation in favour of a
+miracle. The miracle has happened.&quot;</p>
+
+<p class="normal">&quot;How long will he live?&quot;</p>
+
+<p class="normal">&quot;Madam, I am not omniscient. I have once, within your knowledge,
+failed as a prophet; I should not care to fail again.&quot;</p>
+
+<p class="normal">&quot;Is he dying?&quot;</p>
+
+<p class="normal">&quot;I may venture to say that, at the present moment, to the best
+of my knowledge and belief, he is not.&quot;</p>
+
+<p class="normal">&quot;You are beating about the bush. You can at least say if he is
+likely to live long.&quot;</p>
+
+<p class="normal">&quot;It is possible, madam, that he may outlive me--even you.&quot;</p>
+
+<p class="normal">&quot;Then you have cheated me!--cheated me! You have got me into
+this mess by your lies.&quot;</p>
+
+<p class="normal">&quot;Any injustice I may have done you was unintentional. You will
+also be so good as to observe that I have just now offered you
+something which was intended to be in the nature of a loophole
+out of the dilemma in which you are placed.&quot;</p>
+
+<p class="normal">&quot;You mean when you asked me if I wanted to be his wife. Am I his
+wife, or am I not?&quot;</p>
+
+<p class="normal">&quot;It might present a pretty point for the lawyers. If you had
+chosen to repudiate the connection, it might not have been easy
+to establish. Nannie and I can hold our tongues--that I beg you
+to believe. The occasion for a wife having passed, he might have
+preferred to hold his too.&quot;</p>
+
+<p class="normal">&quot;Would he rather be unmarried?&quot;</p>
+
+<p class="normal">&quot;That is not a matter on which I should care to positively
+pronounce.&quot;</p>
+
+<p class="normal">&quot;Then why was he so eager?&quot;</p>
+
+<p class="normal">&quot;I explained at the time. He had made a will in favour of a
+certain person, which he desired to render ineffective; marriage
+makes null and void any will which a man may have previously
+made; under the circumstances that seemed to be the easiest and
+the shortest way out of it. As matters have turned out the
+measure seems to have been a little drastic, since he can now,
+if he chooses, make a dozen new wills each day.&quot;</p>
+
+<p class="normal">&quot;Is he so far recovered as that?&quot;</p>
+
+<p class="normal">The doctor seemed desirous to consider before he answered. He
+put up his long, thin hand to stroke his bristly chin. Moving a
+few steps, he leaned over the foot of the bed, and from that
+point attentively regarded her.</p>
+
+<p class="normal">&quot;Madam, I do not wish to trouble you with the medical names of
+all the complicated diseases with which Mr. Grahame is
+afflicted. I am not sure that I am myself acquainted with them
+all; some of them puzzle even me. Among other troubles he is
+paralysed. He cannot move hand or foot of his own volition, or
+crook a finger. Again, straying into the paths of prophecy, I
+dare assert that he never will be able to. He has his
+senses--after a fashion; he is sane--also after a fashion. That
+is, he is legally capable of making a will, or of taking a wife.
+But if he desires to affix his signature to a document a pen
+will have to be placed between his fingers, his hand will have
+to be guided. To that extent he has recovered, beyond that he
+almost certainly will never go.&quot;</p>
+
+<p class="normal">&quot;But he is not dying?&quot;</p>
+
+<p class="normal">&quot;No, madam, he is not dying.&quot;</p>
+
+<p class="normal">&quot;Nor likely to die?&quot;</p>
+
+<p class="normal">&quot;No office would insure his life for four-and-twenty hours,
+though it is quite within the range of possibility that the
+breath may continue in his body for years. Such cases have been
+known. Some people death takes at the first call; some have to
+be called again and again; some seem to go beyond the portal and
+yet return. Cuthbert Grahame is one of them. He'll not go till
+death is very much in earnest; when that will be I cannot say. I
+mistook death's mood the other night--the oldest of us make such
+mistakes at times. In this case my mistake may seem to press a
+little hardly upon you.&quot;</p>
+
+<p class="normal">She looked at him askance. There was a whimsical gravity in his
+tone which was a little beyond her comprehension, a something
+which was almost sympathetic. She changed the subject; a fresh
+intonation had come into her voice also.</p>
+
+<p class="normal">&quot;I wish you'd look at my foot. It's better. I think that before
+long I'll be able to get about again as usual. I want to very
+much; it's awful being a prisoner in bed. I'm not good at
+keeping still.&quot;</p>
+
+<p class="normal">He did as she requested, then pronounced a verdict.</p>
+
+<p class="normal">&quot;Your foot is better--much better, as you say. There is no
+reason why you should not get up, though it may be some little
+time before you have the entire use of it again.&quot;</p>
+
+<p class="normal">&quot;At any rate I'll get out of bed--at once.&quot;</p>
+
+<p class="normal">&quot;And, then, what do you propose to do when you are up?&quot;</p>
+
+<p class="normal">&quot;I'm going to see my husband.&quot;</p>
+
+<p class="normal">&quot;Your husband?&quot;</p>
+
+<p class="normal">&quot;Can't I? Why can't I?&quot;</p>
+
+<p class="normal">&quot;Mrs. Grahame!--if it is your wish that you should be Mrs.
+Grahame.&quot;</p>
+
+<p class="normal">&quot;Aren't I Mrs. Grahame? If I am, what's the good of pretending
+that I'm not? I am Mrs. Grahame, so there's an end of it.&quot;</p>
+
+<p class="normal">&quot;Mrs. Grahame, haven't you any friends?&quot;</p>
+
+<p class="normal">&quot;What do you mean by friends?&quot;</p>
+
+<p class="normal">&quot;Haven't you any relatives? Is there no one to whom you are near
+and dear? no one to whom you are in any sense responsible for
+your actions; with whom in a measure your happiness or
+unhappiness must be shared?&quot;</p>
+
+<p class="normal">&quot;No one in this world!&quot;</p>
+
+<p class="normal">He smiled at her vehemence, observing her closely all the time.</p>
+
+<p class="normal">&quot;Since I am, in a degree, responsible for the--we will call it
+situation--you are in, I am not unnaturally desirous of having
+my conscience as clear as I conveniently can. I would,
+therefore, beg you earnestly to let the first thing you do be
+this: If you have--we will say an acquaintance--on whose
+judgment you can rely, write to him; lay the facts before him
+clearly, and await his response before you take any further step
+whatever--certainly before you seek to have an interview with
+Mr. Grahame.&quot;</p>
+
+<p class="normal">&quot;There is no such person.&quot;</p>
+
+<p class="normal">&quot;It is unfortunate, since you are so young, and, therefore
+necessarily, so inexperienced, that you should be so entirely
+alone in the world. Will you allow me to offer you some advice?&quot;</p>
+
+<p class="normal">&quot;What's the use? I've had enough of your advice already--too
+much.&quot;</p>
+
+<p class="normal">&quot;How do you make out your case? I am unconscious of having
+offered you any advice.&quot;</p>
+
+<p class="normal">&quot;You advised me to marry that man.&quot;</p>
+
+<p class="normal">&quot;I advised you!&quot;</p>
+
+<p class="normal">&quot;Of course you did. There are more ways than one of offering
+advice; you chose the roundabout way. You told me that if I
+married him he'd be dead inside two hours, then I'd be richer by
+twenty thousand pounds. This is what comes of acting on your
+tip! No thank you. I've had enough and to spare of your advice;
+now and henceforward I'm going to act upon my own.&quot;</p>
+
+<p class="normal">&quot;None the less I'm going to give you a piece of advice--of very
+sincere advice. You have been subjected to some slight
+inconvenience--though, perhaps, inconvenience is hardly the
+proper word.&quot;</p>
+
+<p class="normal">&quot;I should think not.&quot;</p>
+
+<p class="normal">&quot;My advice to you is: When your foot permits leave this house--I
+assure you it is not a pleasant one to live in; accept a
+reasonable sum by way of compensation; then blot the whole
+episode from your memory.&quot;</p>
+
+<p class="normal">&quot;What do you call a reasonable sum?&quot;</p>
+
+<p class="normal">&quot;Say a hundred pounds.&quot;</p>
+
+<p class="normal">&quot;A hundred pounds?--the idea! when you talked of twenty
+thousand! None of your kid's talk for me! Look here, Dr.
+Twelves, you're an old fox. Don't you think I don't know it
+however hard you try to play the lamb? You've got some game of
+your own on. I don't know what it is, but I soon will. If you
+offer me a hundred pounds to go, I'm dead sure it'll be worth a
+good deal more than that to me to stay--and I'm going to stay!
+This is my house; I'm the mistress here; and all the more the
+mistress because my husband's a rich man who can't look after
+himself. I'll look after him! I'll show you who's who and what's
+what!--and every one else as well!--you can take that straight
+from me!&quot;</p>
+
+<p class="normal">As he rubbed his chin, as if he found comfort in the feel of the
+bristles, the doctor's smile grew more pronounced.</p>
+
+<p class="normal">&quot;Content, Mrs. Grahame, content! Only--still a further scrap of
+advice!--postpone your first call on your husband till you are
+able to move about as you please.&quot;</p>
+
+<p class="normal">This piece of advice the lady did act upon, for the simple
+reason that she was powerless to do otherwise. When she did get
+out of bed it was agony to hop even as far as the couch. Three
+more days passed before she was able to stand without flinching
+overmuch; another whole week had gone before she was able to
+hobble unaided to the door.</p>
+
+<p class="normal">During that time she perhaps suffered more than she had done
+while she was still in bed. To her restless nature the
+compulsory inaction was almost unendurable. Her desire to attack
+the problem which confronted her, to solve it if she could--at
+any rate to learn what really was the position in which she
+stood--possessed her like a consuming fever. Nothing could be
+got out of Nannie; she was impervious to questions of every sort
+and kind. Arguments, coaxing, threats, alike were unavailing.
+The old woman could scarcely have been more taciturn had she
+taken on herself a vow of silence. And after that one visit she
+saw no more of Dr. Twelves; she could even hear nothing of him
+from Nannie. That angered her almost more than anything, that he
+should seem to ignore her so completely! She swore to herself
+that he should smart for it before very long.</p>
+
+<p class="normal">During that week she laid up a fund of resentment against both
+the doctor and Nannie which she promised herself she would pour
+forth upon their heads at the earliest possible moment. Only let
+her be able to get about again as of old, and they should see!</p>
+
+<p class="normal">On the eighth day she decided that her time had come, or, at
+least, that it had begun to come. She said nothing to Nannie,
+but having proved by actual experiment that she could move about
+with comparative ease, she dressed herself, waited till the old
+woman had paid her her usual morning call, then set out on a
+voyage of exploration. Hobbling to the door, she opened it as
+quietly as possible, then stood and listened She could hear
+Nannie moving about downstairs. Then she moved towards the door
+which was on the opposite side of the landing. Had she had a
+stick on which to lean her progress might have been quicker. In
+spite of her reiterated requests Nannie had failed to provide
+her with one. Without support of any sort she moved very slowly.
+But she did get to her destination at last. She laid her hand
+upon the handle, paused a moment to learn if her movements had
+been observed, then turned it as quietly as she could.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_06" href="#div1Ref_06">CHAPTER VI</a></h2>
+
+<h3>HUSBAND AND WIFE</h3>
+<br>
+
+
+<p class="normal">She stood just inside the threshold of the room, with the handle
+of the open door between her fingers, and listened. She had
+moved so noiselessly that, quite possibly, to the ear alone her
+entry had been imperceptible. She looked about her, recalling
+the picture which it had presented to her mind on that first
+night. For some reason which she would have found it hard to
+explain a shiver passed all over her; a sudden chill seemed to
+penetrate to her very bones.</p>
+
+<p class="normal">The room looked different by daylight, the windows wide open,
+the sun sending wide, warm splashes of yellow light from wall to
+wall. One of them came right at her as she remained there
+motionless. As she lifted her face she was blinded by the glare.
+It was odd that she should shiver in that glow of sunshine.
+Everything was so neat and orderly; there was such an absence of
+any signs of occupation, such complete stillness prevailed, that
+her first impression was that she had in some way made a
+mistake; that the room was empty. It was only when her wandering
+glance reached the great bed, which stood in such a position
+that it was partially screened by the door which she still held
+open, that she understood.</p>
+
+<p class="normal">Its occupant was asleep, or--he was so motionless, so silent,
+her own heart seemed to cease beating--could he be dead? With
+unexpected ease she moved closer to the bed. No, he certainly
+was not dead; he merely slept, to all appearance, as peacefully
+as a little child.</p>
+
+<p class="normal">Sleep produced no improvement in his looks. She went still
+nearer, so that, by leaning over, she could examine him in
+detail.</p>
+
+<p class="normal">The conviction which she had had at first sight of him recurred
+with, if anything, even greater force. Beyond a doubt she had
+never seen a more unprepossessing-looking man. She had an almost
+morbid liking for good looks in a man. Gregory Lamb's handsome
+face had had almost as much to do with winning her as his lying
+tongue, which dowered him with splendid wealth. Her ideas of
+good looks were probably her own--Gregory was there to show it.
+But her attachment to them was so marked that she could with
+difficulty be civil to a man who was positively plain. An
+absolutely ugly man was to her an object of aversion; her first
+feeling towards such an one was actual physical repulsion, as if
+he were some unclean thing.</p>
+
+<p class="normal">There could be no sort of doubt as to the ugliness of the man in
+the bed. His huge size was in itself a sufficiently unpleasant
+feature. It lent to him an uncomfortable aspect which was almost
+inhuman. He seemed to have swelled and swelled till his skin had
+become as tight as a drum. One had a disagreeable notion that if
+one pricked him, like some distended bladder, he would burst. He
+was all bloated, not only his body, but his head as well, and,
+above all, his neck. She had once had an aunt who had died of
+dropsy. This man seemed dropsical from the crown of his head to
+the tip of his toe--monstrously dropsical.</p>
+
+<p class="normal">Nor was his appearance improved by the manner in which his head
+and face were covered with long sandy red hair, growing in
+scanty tufts, with bare spaces in between. The hair matched ill
+with his complexion, which was brick red, tinged, as it were,
+with a suggestion of pallid blue. He slept so quietly that it
+was difficult to be sure, at first sight, that his condition was
+one of slumber, not death. As Isabel bent over, she did not
+hesitate to tell herself that she wished he was as dead as he
+seemed. The sight of him afflicted her with such a sensation of
+aversion that she was then and there filled with an almost
+irresistible desire to crush him out of existence, as if
+he had been some loathsome reptile. She was possessed by a
+shrewd suspicion that she had only to strike him a hearty
+blow--anywhere!--to bring him to an end upon the spot. It would
+be so easy. She had been tricked; he ought to have been dead ere
+then. What was the use of such a creature living, and what
+enjoyment could he get out of life? Where should she strike him?
+She clenched her fist as if it had been actuated by an
+involuntary tightening of the muscles. As she did so, he opened
+his eyes, and looked at her.</p>
+
+<p class="normal">It was a curious moment for both of them--so both of them seemed
+to think. There was in his gaze such a take-it-for-granted air
+that one could not but wonder if he had not been conscious of
+her presence even while he slept. The sight of a strange woman
+leaning over his bed, with such a queer expression on her
+countenance, did not seem to surprise him in the least. That she
+was strange to him was plain. He seemed to be searching in his
+muddy brain for some clue which would tell him who she was. The
+search did not seem to be meeting with much success.</p>
+
+<p class="normal">For probably more than a minute they continued to look at each
+other, the contrast between the fashion of their looks being
+almost grotesque in its completeness. Her bold, handsome face
+was, at the same time, illuminated by keen intelligence, and
+marked by an expression of vindictiveness which gave it an
+unpleasanter effect than if it had been actually ugly. His face,
+on the other hand, was vacuous, expressionless; more, it was
+incapable of expression. It reminded one, in some uncomfortable
+way, of a piece of blubber, without form and void.</p>
+
+<p class="normal">The eyes, particularly in comparison with the rest of him, were
+small; with the exception of the pupils they were blood-shot.
+One wondered how much, or how little, they could see; they
+regarded Isabel blankly, as if she had been a wooden doll.</p>
+
+<p class="normal">After an inspection which lasted, as it seemed, an unnatural
+length of time, it was he who broke the silence. His voice was a
+little clearer than when she had heard it first, but not much.
+It still had the peculiar quality of appearing to belong to some
+one who was at a distance.</p>
+
+<p class="normal">&quot;Who are you?&quot;</p>
+
+<p class="normal">There was a significant pause before she answered. In her tone
+was significance of another kind.</p>
+
+<p class="normal">&quot;I'm your wife.&quot;</p>
+
+<p class="normal">Either her words took him by surprise, or he did not gather what
+she meant, or disliked what he did gather. He was still again,
+as if ruminating on what she had said. When he did speak the
+remark he made was a little startling.</p>
+
+<p class="normal">&quot;Damn you!&quot;</p>
+
+<p class="normal">The unparliamentary utterance, especially as addressed to a
+lady, was accentuated by the matter-of-fact stolidity which
+marked it. It was not impossible that for a moment or two she
+was moved to give him back as good as he sent--and better.
+Possibly, however, the impulse was changed, as regards form, in
+the making. Instead of imitating the vigour of his epithet, she
+cut at him with a lash of her own.</p>
+
+<p class="normal">&quot;You're my husband.&quot; It would have been difficult for the
+strongest language to have been more scathing than her plain
+pronouncement of a simple fact. As if desirous of driving her
+dart still further home, she repeated her own words, with an
+even added bitterness--&quot;You're my husband!--you!&quot;</p>
+
+<p class="normal">It would appear that the man, object as he was, was not without
+some sense of humour, and, also, that his feelings were not of
+the kind which are unduly sensitive. After what seemed to be due
+consideration of her words, he endorsed their correctness with a
+brevity which in itself was eloquent.</p>
+
+<p class="normal">&quot;I am.&quot;</p>
+
+<p class="normal">There was something in the two little monosyllables which seemed
+to sting her more than his curse had done. She gave a movement,
+as if she were disposed to let her resentment take some active
+and visible form. But, again, maybe, her impulse changed in the
+making; she endeavoured to put a meaning into her repetition of
+a simple statement, which should make it strike him with greater
+force than a blow could have done.</p>
+
+<p class="normal">&quot;I am your wife.&quot;</p>
+
+<p class="normal">Once more he showed himself to be her match in the game of give
+and take. Hardly were the words out of her mouth than he
+endorsed them again, with what was almost like the semblance of
+a grin upon his blubber-like face.</p>
+
+<p class="normal">&quot;You are.&quot;</p>
+
+<p class="normal">&quot;And I propose to let you see that I'm your wife.&quot;</p>
+
+<p class="normal">&quot;No doubt.&quot;</p>
+
+<p class="normal">&quot;Your real, actual wife, not a puppet, a thing you can pull by a
+string.&quot;</p>
+
+<p class="normal">&quot;Quite so.&quot;</p>
+
+<p class="normal">&quot;You may imagine, perhaps, that I'm a mere dummy, an automaton,
+which can be set in movement only when you choose. If you do,
+you're wrong, as I intend to show you, Mr. Cuthbert Grahame.&quot;</p>
+
+<p class="normal">&quot;Precisely, Mrs. Cuthbert Grahame.&quot;</p>
+
+<p class="normal">It seemed, for an instant, as if a torrent of words was
+trembling at the tip of her tongue, needing but a touch to set
+them loose; if so, the touch did not come. Turning, she went and
+stood by an open window; resting her hand on the sill she leaned
+out, as if she needed fresh air. She looked out on to a garden
+which was evidently of considerable size, but which sadly needed
+attention. The grass could not have been cut for months; it
+competed with weeds for possession of the footpaths. There were
+flowers, but they needed pruning; the weeds threatened to
+choke them in their own beds. Beyond, the ground rose;
+everywhere the slopes were covered with trees, pines for the
+most part--scarcely a cheerful framework to what was already
+bidding fair to become a scene of desolation. In spite of the
+sweet, clean air and of the brilliant sunshine, in her
+surroundings, as she saw them, there was a hint of something
+uncongenial, unfriendly, which did not tend to make her mood a
+gayer one.</p>
+
+<p class="normal">While she still seemed to be absorbing the spirit of the
+landscape, Mr. Grahame's voice came to her out of the bed.</p>
+
+<p class="normal">&quot;I want to speak to you.&quot;</p>
+
+<p class="normal">She heard him, but it was not until he had repeated the same
+sentence three times that she chose to favour him with her
+attention. Bringing her head back into the room she turned her
+face slightly towards the speaker.</p>
+
+<p class="normal">&quot;Well?&quot;</p>
+
+<p class="normal">&quot;Why did you marry me?&quot;</p>
+
+<p class="normal">&quot;Because I was told that you would be dead inside two hours.&quot;</p>
+
+<p class="normal">Although the reply was brutal in its plainness, it did not seem
+to hurt him in the least--indeed, it seemed rather to amuse him.</p>
+
+<p class="normal">&quot;That's a poor reason. What were you to gain by my death?&quot;</p>
+
+<p class="normal">&quot;Dr. Twelves told me that I should have twenty thousand pounds.&quot;</p>
+
+<p class="normal">&quot;Did he? I see. That was the bait. You're a ready-witted young
+woman.&quot;</p>
+
+<p class="normal">&quot;You mean that you think I'm a fool.&quot;</p>
+
+<p class="normal">&quot;Not at all; no more than the rest of your sex, or, for the
+matter of that, of mine. We're all fools; only some of us are
+fools of a special brand. Who are you?&quot;</p>
+
+<p class="normal">&quot;I'm your wife.&quot;</p>
+
+<p class="normal">&quot;You've told me that already. I mean who were you before you
+were my wife?&quot;</p>
+
+<p class="normal">She moved her hand to and fro, restlessly, upon the window sill.</p>
+
+<p class="normal">&quot;I've half a mind to tell you.&quot;</p>
+
+<p class="normal">&quot;Make it a whole one. Yours should be a story not without
+features of interest. Besides, a husband ought to know something
+about his wife.&quot;</p>
+
+<p class="normal">She stood up straighter, her back to the window, looking towards
+the bed with gleaming eyes. It was evidently easier to provoke
+her to an exhibition of temper than him.</p>
+
+<p class="normal">&quot;I'll tell you nothing. I'm your wife; that's all I'll tell you;
+and that ought to be enough.&quot;</p>
+
+<p class="normal">&quot;It is--more than enough. You're an embodied epigram. I think I
+can guess at part of your story.&quot; The indifferent, almost
+assured tone in which he said it brought her near to wincing.
+&quot;My eyes are not so bright as they were--no, not so bright--but
+they're bright enough to enable me to perceive that you're
+young, and not bad-looking--after a sufficiently common type.
+You appear to be one of those big, bouncing, blusterous,
+bonny--four b's--young females who spring out of the gutter by
+the mere force of their own vitality; who push and elbow
+themselves through life with but one thing continually in
+view--self. You're probably ill-bred, ignorant, impudent and
+imbecile--four i's--four which are apt to go together--and, in
+consequence, blundering along rather than advancing by any
+reasonable method of progression, you'll keep tumbling into
+ditches and scrambling out again, until you tumble into one
+which will be too deep for you to scramble out of, and in that
+you'll lie for ever.&quot;</p>
+
+<p class="normal">To hear him, in his dim, distant, uninterested tones, mapping
+out, as it were, a chart of her life and conduct, affected her
+unpleasantly. When he had finished she had to pull herself
+together before she could deliver a retort which she was
+conscious was sufficiently futile.</p>
+
+<p class="normal">&quot;I daresay you think yourself clever.&quot;</p>
+
+<p class="normal">&quot;I'm afraid you're disappointed. If I'm not altogether to be
+congratulated on having you for a wife, neither are you to be
+altogether congratulated on having me for a husband.&quot;</p>
+
+<p class="normal">&quot;Congratulated! My stars!&quot;</p>
+
+<p class="normal">&quot;Exactly--your lucky stars. Come, I've drawn a little fancy
+sketch of the kind of wife you appear to me to be; tell me, what
+kind of husband do you think I am?&quot;</p>
+
+<p class="normal">&quot;Think! I don't think; I'm sure you're a monster. You ought to
+be in Barnum's show--that's where you ought to be.&quot;</p>
+
+<p class="normal">&quot;That is your candid opinion? Your tone has the ring of genuine
+candour. It's an illustration of how one changes. Would you
+believe that once--not so long ago--I was remarkable for my good
+looks as well as my figure?&quot;</p>
+
+<p class="normal">&quot;Tell that for a tale!&quot;</p>
+
+<p class="normal">&quot;I'm telling it for a tale that is told--and over. It must have
+been a disappointment when you learned that I was not dead.&quot;</p>
+
+<p class="normal">&quot;It was. I could have shook old Twelves when he told me. Perhaps
+I'll do it yet.&quot;</p>
+
+<p class="normal">&quot;Will you? That will be nice for Twelves. I should like to be
+present at the shaking. You look as if you could shake him.&quot;</p>
+
+<p class="normal">&quot;I should think I could--shake the bones right out of his body.
+I'm as strong as a horse--stronger than most men. I once thought
+of coming out as a strong woman, only I didn't fancy the
+training.&quot;</p>
+
+<p class="normal">&quot;Didn't you? By training do you mean clean and healthy living?
+Is that what you disliked?&quot;</p>
+
+<p class="normal">She had already repented her lapse into the autobiographical.</p>
+
+<p class="normal">&quot;Never you mind what I mean.&quot;</p>
+
+<p class="normal">&quot;We won't; why should we? May I take it that you have got over
+the disappointment of not finding me dead, and have become
+reconciled to the idea of my living?&quot;</p>
+
+<p class="normal">&quot;You don't look to me as if you would live long, considering
+that you're as good as dead already.&quot;</p>
+
+<p class="normal">&quot;You think so. We've not been long at arriving at that stage of
+perfect candour which, I fancy, marks the career of the average
+husband and wife. I think you're wrong. I am one of those beings
+who are very tenacious of life. I'm only fifty, whatever I may
+look. There's no real reason--your friend Dr. Twelves will tell
+you--why I shouldn't live another five-and-twenty years.&quot;</p>
+
+<p class="normal">&quot;I don't care what he says after what he told me. I'll bet you
+don't.&quot;</p>
+
+<p class="normal">&quot;Suppose I do, would you propose to spend them with me?&quot;</p>
+
+<p class="normal">&quot;I should do as I like.&quot;</p>
+
+<p class="normal">&quot;I begin to suspect you'd try to. Let me put the case in another
+way. What would you want to leave this house and never re-enter
+it again?&quot;</p>
+
+<p class="normal">&quot;Twenty thousand pounds.&quot;</p>
+
+<p class="normal">&quot;Is that your lowest figure?&quot;</p>
+
+<p class="normal">&quot;It is.&quot;</p>
+
+<p class="normal">&quot;Thank you. I will give the matter my careful consideration. In
+the meanwhile may I ask you to leave me for a time? My
+conversational powers soon become exhausted; with them I am apt
+to become exhausted too. A little rest might do you good.&quot;</p>
+
+<p class="normal">&quot;Listen to me. I came here so that you and I might understand
+each other.&quot;</p>
+
+<p class="normal">&quot;We have gone some distance in that direction, haven't we?&quot;</p>
+
+<p class="normal">&quot;I don't think you have, or you wouldn't talk to me like that.
+It may be clever, and cutting, and that kind of thing, but I
+don't like it. I'm your wife, your equal, more than your equal,
+since you're lying there like a log, already more than three
+parts dead. I'm the mistress of this house; this room is as much
+mine as yours.&quot;</p>
+
+<p class="normal">&quot;Is it?&quot;</p>
+
+<p class="normal">&quot;It is. That's what you've got to understand. When I choose to
+leave it I will, but not a moment before. So don't you order me
+about, because I don't intend to let you, and there'll be
+trouble if you try.&quot;</p>
+
+<p class="normal">&quot;Am I to understand when I ask you to leave the room, my
+bedroom, in spite of your courteous hint of a moment back, that
+you refuse?&quot;</p>
+
+<p class="normal">&quot;You are; you bet you are. And you're to understand more than
+that; you're to understand that if you're not careful what airs
+and graces you take on with me, I'll stuff a handkerchief into
+your mouth. Then we'll see what you'll do next. A helpless lump
+like you to talk to me--your lawful wife!--as if I were nothing
+and no one. I'll soon show you.&quot;</p>
+
+<p class="normal">&quot;Will you? Maybe you'll first be shown a thing or two yourself,
+my lady!&quot;</p>
+
+<p class="normal">The tones were familiar. They were not those of the man in the
+bed. Looking round Isabel found that Nannie was glaring at her
+from the other side of the room.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_07" href="#div1Ref_07">CHAPTER VII</a></h2>
+
+<h3>A TUG OF WAR</h3>
+<br>
+
+
+<p class="normal">Perceiving that Isabel made no reply, Nannie addressed her
+again, with both in her manner and her words perhaps a
+superfluity of truculence.</p>
+
+<p class="normal">&quot;What for have you left your room and come here disturbing Mr.
+Grahame, you bold-faced hussy?&quot;</p>
+
+<p class="normal">Nannie's appearance and the vigour of her speech, both of which
+were probably a trifle unexpected, seemed to take Isabel
+somewhat aback. It was not unlikely that a rapid debate was
+taking place in her mind as to what exactly was the <i>rôle</i> it
+was most advisable that she should play.</p>
+
+<p class="normal">One point was obvious, that the moment had come when it would
+have to be decided, possibly finally, just what position in the
+household hers was going to be. If she was to be its real
+mistress--as she had boasted that she was, and would be!--then
+it was out of the question that Nannie should be allowed to
+speak to her in such terms as she had just employed. How was she
+to be prevented? In her own way Isabel was not a bad judge of
+character. In the course of her short life her adventures had
+been so many and various that it had grown to be a habit to
+measure herself against nearly every one with whom she was
+brought in contact. Nannie was a dour old Scotchwoman. Isabel
+was perfectly conscious that she was not likely to be
+subdued--to the point to which she desired to bring her--by
+words alone. She herself was wholly devoid of scruples. As to
+self-respect, she was incapable of realising what it meant. She
+had been brought up in a school in which that sort of thing was
+not taught. Her early days had been spent among women who were
+quite as ready to resort to physical force as the men, which was
+saying not a little. As she had grown older she had never
+hesitated to use her muscles when her tongue was beaten. She was
+quick to perceive that this was a case in which she would have
+to use her muscles again, if she did not wish to degenerate into
+something worse than a figure-head in the house which she
+aspired to rule.</p>
+
+<p class="normal">The only question she had to decide was whether she would be a
+match for the Scotchwoman. It would be worse than vain to
+challenge conclusions if she was likely to be proved the weaker.
+Brief consideration, however, persuaded her that there was but
+little fear of that. Her ankle was against her, and the fact
+that she had been inactive for a fortnight. But, on the other
+hand, though tough and brawny, Nannie might be old enough to be
+her grandmother. Even though handicapped by her ankle, Isabel
+did not doubt that she excelled her both in sheer strength and
+in agility, while as to knowledge of how to make the best of her
+powers she was convinced that, as compared with her, the other
+was nowhere.</p>
+
+<p class="normal">She resolved to bring the question as to who was to be mistress
+to an issue then and there--if necessary, in the presence of the
+man in the bed. Instead of answering Nannie she put a question
+to him.</p>
+
+<p class="normal">&quot;Who is this objectionable old woman?&quot;</p>
+
+<p class="normal">&quot;My housekeeper.&quot;</p>
+
+<p class="normal">&quot;Then, perhaps, you'll tell your housekeeper that, where I'm
+concerned, if she can't keep a civil tongue in her head and mend
+her manners, she won't be your housekeeper long--or mine
+either.&quot;</p>
+
+<p class="normal">&quot;Hadn't you better tell her so yourself?&quot;</p>
+
+<p class="normal">&quot;Does that mean you're afraid to?&quot;</p>
+
+<p class="normal">&quot;Never interfered in the housekeeping since the day I was born,
+nor with Nannie either. She's always run this house as if it
+were her own.&quot;</p>
+
+<p class="normal">&quot;Then the sooner she understands that she's not going to do so
+any longer the better it will be. If you won't make that plain
+to her, then I will. Now, my woman, remember that I'm your
+mistress, and that I'll stand impertinence from no one--least of
+all from a servant of mine. Leave this room at once; I'll talk
+to you when we're alone.&quot;</p>
+
+<p class="normal">Nannie seemed to be surprised almost into speechlessness by the
+other's attitude and manner of addressing her. It was a second
+or two before she could find words with which to illustrate her
+feelings.</p>
+
+<p class="normal">&quot;Of all the brazen impudence! That a nameless besom, picked up
+from the roadside in the middle of the night, should have the
+face to speak to me like that! And you to call yourself Mr.
+Cuthbert's wife! Why, you're nothing but a shameless trollop!
+And though the doctor said that Mr. Cuthbert was to be kept as
+quiet as possible, if needs be I'll take you out of this room in
+my two arms, as you well know I did before. So out you come
+before I make you!&quot;</p>
+
+<p class="normal">&quot;Go it, Nannie!&quot;</p>
+
+<p class="normal">The mocking encouragement from the man in the bed was to Isabel
+as the final straw. She did not allow him to range himself,
+before her face, on the woman's side. From words she proceeded
+to measures. Traversing the room with a rapidity which wholly
+ignored the twinges which proceeded from her injured ankle, she
+planted herself immediately in front of Nannie.</p>
+
+<p class="normal">&quot;Are you going to leave this room, or am I to put you out of
+it?&quot;</p>
+
+<p class="normal">&quot;Me to leave Mr. Cuthbert's room, and ordered out of it by you!
+It'll be you that'll be put out of it, and that pretty quick,
+you----&quot;</p>
+
+<p class="normal">Isabel did not wait for her to finish; she anticipated the
+volley of compliments which had no doubt been intended to follow
+by straightening her left arm in the most approved fashion, and
+striking the other full on the nose with a vigour and
+unexpectedness which caused the old woman to lose her balance
+and go toppling over on to the floor. Before she had a chance to
+recover, Isabel had the door wide open, and began bundling the
+still prostrate Nannie unceremoniously through it. She was
+conscious that words were proceeding from the man in the bed,
+but what they were she neither knew nor cared. It was not her
+intention, if she could help it, to continue the proceedings in
+his room. Having got the other out of the room somehow, she shut
+the door behind her, determined to let him know as little of
+what was to follow as circumstances would permit, at any rate
+till all was over.</p>
+
+<p class="normal">Then she waited for Nannie to rise, which she did with an
+agility which did credit to her years. As the other had possibly
+foreseen, the old woman was beside herself with rage. She rushed
+blindly at her opponent, who was at once cooler and more
+experienced in little discussions of the kind. Although hampered
+by her ankle she had no difficulty in evading the other's mad
+onrush, at least sufficiently long to enable her to receive her
+with a hail of blows directed impartially at her face and body.
+The proceedings had only lasted a few seconds, and were waxing
+momentarily warmer, when they were interrupted by some one who
+ascended the stairs. It was Dr. Twelves. As was only natural,
+being very far from edified by the spectacle by which he was
+confronted, he raised his voice to remonstrate.</p>
+
+<p class="normal">&quot;What does this mean? Have you two women gone mad, that you
+behave like drunken fishwives? Nannie!--Mrs. Grahame!--shame on
+you!&quot;</p>
+
+<p class="normal">Nannie, who had been severely pommelled, and had so far got much
+the worst of it, abstained, for the moment, from her attempts to
+return some of the marks of esteem with which she had been
+presented, and proceeded to vouchsafe some sort of explanation.
+As, however, she talked at the top of her voice, which failed
+her badly, and had to stop at uncomfortably short intervals to
+gasp, it was rather difficult to make out what she said, and
+when that was done it was not easy to join her observations with
+each other and supply them with a meaning.</p>
+
+<p class="normal">&quot;Put me out of Mr. Cuthbert's room!--ordered me out!--hit me in
+the face, that had never been laid hands on by any but my
+mother!--knocked me about as if I were an old rag-bag!--a
+bold-faced besom that's nothing in the world but the clothes she
+stands in!--and less character than that!--before I've done with
+her I'll strip her to her impudent skin!&quot;</p>
+
+<p class="normal">Nannie proceeded to do it. The attempt could scarcely have been
+called successful, because no sooner had she brought herself
+within the reach of the other's dangerous left arm than she
+received a smashing blow in the face which sent her staggering
+backwards. The course of the combat had brought her near the
+head of the stairs, uncomfortably near, as the event immediately
+showed. Before she was able to recover herself, reaching the
+topmost stair, she went crashing down it on to the doctor who
+stood remonstrating below. Luckily for him he was on the bottom
+step but one, so that he had time to move somewhat aside before
+she was in his immediate neighbourhood. As it was she sent him
+cannoning with uncomfortable violence against the wall, while
+she herself came toppling on to the landing with a bang which
+shook the house.</p>
+
+<p class="normal">Silence followed--a speaking silence. Above was Isabel, a really
+striking figure, as, with flushed cheeks, flaming eyes, clenched
+fists, straightened arms, she stared down on her victim in the
+depths below. The doctor, more startled than hurt, seemed to be
+in two minds what to do or say. With one eye, as it were, he
+looked at Isabel up above, and with the other at Nannie down
+below. At last he spoke, addressing himself to the triumphant
+figure up above.</p>
+
+<p class="normal">&quot;For all you know you may have killed her.&quot;</p>
+
+<p class="normal">&quot;It will serve her right if I have!&quot; came the defiant response.</p>
+
+<p class="normal">That she was not killed was soon made plain by Nannie herself.</p>
+
+<p class="normal">&quot;She's broken my leg!--and I'll be bound half the bones in my
+body!--the she-devil! Oh, doctor, what'll I do?&quot;</p>
+
+<p class="normal">There came the voice from above.</p>
+
+<p class="normal">&quot;You'll stop that noise! and if you're wise you'll cut out your
+tongue! Because the next time you say a rude thing to me, or of
+me, as sure as you're lying there, I'll have you dragged into
+the road, and there you shall be left; you shall never set foot
+inside this house again--I promise you that!&quot;</p>
+
+<p class="normal">The doctor had been leaning over her, as if to ascertain the
+nature of her injuries.</p>
+
+<p class="normal">&quot;I believe you have broken her leg.&quot;</p>
+
+<p class="normal">&quot;To be sure she has! Oh, doctor, doctor, I told you we'd rue the
+day you brought her into the house!&quot;</p>
+
+<p class="normal">&quot;Next time I'll not be content with breaking half the bones in
+her body--I'll break them all!&quot;</p>
+
+<p class="normal">&quot;Hush, woman! you forget yourself; have you no pity?&quot;</p>
+
+<p class="normal">&quot;I've pity for those who deserve it, but not for an unmannerly
+servant who tries to bully her mistress, and then whines when
+she herself gets thrashed instead! And look here, Dr. Twelves,
+don't you think that I'm an ordinary woman, because I'm not----&quot;</p>
+
+<p class="normal">&quot;That I am rapidly beginning to believe.&quot;</p>
+
+<p class="normal">&quot;Don't you interrupt me when I'm speaking, not even by attempts
+to be smart, especially as you happen to be one of those silly
+old men who are not meant to shine in that line. If you'd got an
+ordinary woman into the mess you've got me by your lies and
+humbug, I daresay you'd have been able to do as you liked with
+her. I suppose that's what you and that old woman have been
+reckoning on. But I want you to understand just once, and once
+for all, that you're mistaken. It's going to be the other way
+round; I'm going to play this game, in my way, not yours; I'm
+going to do as I like with you. You'll take your instructions
+from me, and from me only. If you want to be allowed on these
+premises you'll treat me as a lady and as the mistress of the
+house ought to be treated. Who's that down there? I heard you
+sneaking about and listening! Come up here and let me look at
+you.&quot; A shock-headed young woman appeared, followed, at a
+respectful distance, by one still younger. &quot;If you two are my
+servants--and I suppose you are, or you wouldn't be there--if
+that old woman can't walk alone pick her up, carry her to her
+room and put her to bed, and leave her there; then go on with
+your work and let me have no nonsense.&quot;</p>
+
+<p class="normal">All this time Nannie, who still lay motionless, had been
+groaning in what was evidently genuine pain. The doctor, who had
+been bending over her, remarked a little dryly:--</p>
+
+<p class="normal">&quot;I trust you will pardon me, Mrs. Grahame, but I think her leg
+is broken&quot;.</p>
+
+<p class="normal">&quot;Well, what of it? It's her fault, not mine; she's brought it on
+herself. She may think herself lucky that her neck's not broken
+after the way she's behaved. I'd have thrown her out of a window
+if there'd been one handy, and it would have served her
+thoroughly well right. I suppose you don't want her to lie
+there, littering up the stairs, even if her leg is broken. She
+carried me to my room as if I were a sack of potatoes, now they
+shall carry her. Do you hear what I say, you two?&quot;</p>
+
+<p class="normal">So Nannie was borne to her room with anything but the honours of
+war.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_08" href="#div1Ref_08">CHAPTER VIII</a></h2>
+
+<h3>THE MINIATURE</h3>
+<br>
+
+
+<p class="normal">Like some other persons, so long as she had her own way, and
+nothing occurred to annoy her, Isabel could be quite agreeable.
+Now that Nannie was laid low, and Dr. Twelves accorded her the
+respect she demanded--at least outwardly, for she continually
+suspected him of having his tongue in his cheek--she proceeded
+to show that there was a side to her character which was not
+altogether unpleasant. The household--what remained of
+it--consisted of two raw damsels, whose English was of such a
+quality that Isabel not infrequently found herself at a loss to
+understand what they were saying. They made no secret of the
+fact that they were by no means heart-broken at Nannie's
+discomfiture. She had ruled them with a rod of iron, and they
+were by no means sorry that some one had tried her hand at
+ruling her--with distinctly solid results. Especially was this
+the case when they learned that the new mistress was inclined to
+be as lax as the dethroned one had been rigid. So long as the
+work of the house was done--and there was not much of it as
+Isabel managed things--they were free to do pretty well as they
+chose, even to the extent of there being practically no watch
+kept on their outgoings and incomings.</p>
+
+<p class="normal">The truth was that the new Mrs. Grahame was above all things
+desirous that no watch should be kept on her. Most of her time
+was spent in ransacking the house from top to bottom--an
+occupation she enjoyed immensely, and found no little to her
+profit. Now that Nannie was laid on her back, and--since at her
+time of life a broken leg is no small matter--promised to remain
+there for some time, there was no one to say her nay. Isabel
+turned out every cupboard and every drawer; waded through every
+scrap of writing they contained; appraised every article she
+found--and, indeed, assembled quite a nice collection of what
+she deemed the more valuable trifles in her own apartment, for
+her personal use and consolation. She lighted on what, to her,
+was a considerable sum of money. On this, she learned, Nannie
+had been accustomed to draw for various current expenses. She,
+of course, regarded it, there and then, as her own personal
+property.</p>
+
+<p class="normal">Her first appearance out of doors took the form of a visit to a
+neighbouring small town--not Carnoustie--where she purchased
+such articles of attire as she imagined she required, together
+with a trunk to contain them. These she paid for out of Nannie's
+store. She did not think it necessary to inform Mr. Grahame how
+she had used what was, after all, his money. She did not seem to
+think it worth her while to tell him anything.</p>
+
+<p class="normal">Her mind was occupied with various problems. First and foremost,
+she was extremely anxious to ascertain how much money the man
+she called her husband actually had, where it was, and how it
+could be got at, say by one who had a right to get at it. Almost
+as if he were conscious of what was transpiring in her brain,
+Cuthbert Grahame took advantage of an opportunity which arose,
+or which he, perhaps, made himself, to volunteer some
+information on the subject on his own account. The afternoon on
+which the conversation took place would have been memorable for
+something else, even if he had not seen fit to make her the
+receptacle of some very interesting confidences.</p>
+
+<p class="normal">Isabel was an active young woman; healthy, full-blooded,
+vigorous, one in whose veins the blood ran strong. Inaction to
+her was punishment. So soon as her ankle permitted, and it
+proceeded to a rapid and complete recovery, she spent a portion
+of each day in taking the air--that portion of the day which was
+not spent in prying into everything the house contained. As her
+researches drew to a conclusion--as even the most thorough
+investigation allowed them to do in time--that unoccupied
+portion became more and more. So, having examined the inside of
+the house she turned her attention to the outside, to learn that
+her husband's estate was of considerable extent. She wandered up
+and down it, to and fro, till she began to be almost as
+intimately acquainted with it as with the contents of the
+residence. One afternoon she was indulging in one of these
+rambles when she received what really amounted to a shock.</p>
+
+<p class="normal">She was passing through one of the woods of which her husband's
+property seemed chiefly to consist, and was resting on the bole
+of a tree, when she heard the sound of wheels. She was perhaps
+in a peculiar mood, because it immediately brought back to her
+that night on which she had listened--with what an anxious
+heart!--to the wheels of Dr. Twelves' approaching trap.
+Passers-by, thereabouts, were few and far between; for days
+together she would not encounter any. She had grown to love
+seclusion, possibly for sufficient reasons of her own. She was
+seated on a slope. The road began at the foot, perhaps thirty
+feet away. She instinctively altered her position, so that,
+while she could see herself, the trunk of the tree almost
+entirely screened her from observation. She wondered who was
+coming, peeping round to see. When she did see she drew back
+with a start.</p>
+
+<p class="normal">In the dogcart which presently appeared was her husband--her
+real husband--Gregory Lamb. The sight of him took her wholly by
+surprise, and filled her with unwonted perturbation. What was he
+doing there? What could have brought him to that neighbourhood?
+She had taken it for granted that he had long since returned to
+London. Even Mrs. Macconichie's--supposing he was still there,
+which seemed unlikely--was a good twelve miles away. She was
+conscious that he was not alone in the trap. Who his companion
+was she had not noticed; she had not time.</p>
+
+<p class="normal">The vehicle drew rapidly level with the tree on which she
+rested. She decided that she might venture to peep again, and
+was just doing so when the horse shied so violently that the
+cart was almost overturned. Recovering itself, apparently
+getting the bit between its teeth, it bolted like a thing
+possessed, and vanished from her sight, though not before she
+had nearly convinced herself that the man with her husband--the
+one who was driving--was Dr. Twelves. She had only seen him from
+the back, and then had had but occasional glimpses through
+intervening trees for half-a-dozen seconds, but she was almost
+sure that it was he. There was, however, just a possibility that
+she was mistaken, and it was that possibility which worried her.
+She would have liked to have been certain, either one way or the
+other. Then, in the case of the worst, she might have been
+prepared.</p>
+
+<p class="normal">For the juxtaposition could but mean trouble for her. She was
+too clear-sighted to delude herself with the notion that the
+doctor was anxious to be a friend of hers. He had, to outward
+seeming, accepted the situation; probably, in part, because, as
+she herself put it, she was no ordinary woman; and partly
+because, under the circumstances, considering the part which he
+himself had played, he did not see what else there was for him
+to do. Let him, however, learn how wholly baseless was her claim
+to occupy the place which she had arrogated to herself, and she
+did not for a moment doubt that he would use that knowledge to
+oust her from it in the shortest possible space of time.</p>
+
+<p class="normal">The only two points on which she had her doubts were: Was it
+really the doctor who was driving Gregory Lamb? and, if so, had
+Gregory Lamb given him cause to even suspect the relation in
+which she stood to him? On a third point there was no doubt--the
+dogcart had been moving from, not towards the house, so that in
+any case the peril was not actually approaching her now.</p>
+
+<p class="normal">Another thought suddenly occurred to her, one which set her
+heart beating faster than was altogether agreeable. The doctor
+and her husband might have been to the house already, in which
+case danger might be awaiting her return to what she had learned
+to call her home.</p>
+
+<p class="normal">That was a question which might be quickly resolved--she would
+resolve it quickly. She started off homewards then and there,
+telling herself as she went that, whatever had happened, or
+might happen, they should only be rid of her on terms of her
+own.</p>
+
+<p class="normal">It turned out that, so far, nothing had happened; to that
+extent, at least, her agitation had been uncalled for. No one
+had been near the house since she had left it; nothing had
+happened which was in any way out of the common. The relief she
+felt at learning even so much showed how real she had imagined
+the danger was. With some vague idea of subjecting him to
+cross-examination and learning if he had suspicions of her of
+any sort or kind, so soon as she had removed her hat she paid a
+visit to Cuthbert Grahame's room.</p>
+
+<p class="normal">As usual, he lay immobile between the sheets, preserving that
+death-in-life rigidity which, it seemed, was to continue his
+condition to the end. The sight of him struck in her an unwonted
+note.</p>
+
+<p class="normal">&quot;Don't you get tired of lying there?--especially on a day like
+this, when the sun is shining and the breeze is stealing among
+the trees and flowers?&quot;</p>
+
+<p class="normal">She did not strike a responsive note in him. He was silent for
+some seconds, then he asked, in his strange, far-away voice,
+which was like a husky whisper--</p>
+
+<p class="normal">&quot;Aren't you well?&quot;</p>
+
+<p class="normal">&quot;Oh yes, I'm well enough. I'm only wondering if you're not tired
+of being ill. It seems to me that you might as well be dead as
+keep on lying there with only your voice alive--and that's
+pretty nearly done for.&quot;</p>
+
+<p class="normal">She had returned to her more familiar mood.</p>
+
+<p class="normal">&quot;Tired!--tired!&quot; He repeated the word twice, then after an
+interval went on: &quot;What's the use of being tired of what has to
+be? I'm tired of you, but it seems you have to be--so what's the
+use?&quot;</p>
+
+<p class="normal">&quot;I don't see why you need be tired of me. I'm no more to you
+than a chair or table.&quot;</p>
+
+<p class="normal">&quot;You're my wife.&quot;</p>
+
+<p class="normal">&quot;Your wife! It's because I'm your wife that I'm likely to get
+tired instead of you. I'm not a helpless statue--I'm a woman; I
+don't want a dead log--I want a man.&quot;</p>
+
+<p class="normal">&quot;I was once a man.&quot;</p>
+
+<p class="normal">&quot;You a man!&quot;</p>
+
+<p class="normal">&quot;Seems queer, doesn't it?&quot;</p>
+
+<p class="normal">&quot;I don't believe it.&quot;</p>
+
+<p class="normal">&quot;Yet I was, physically, not a bad sample of a man. Now the Lord
+knows what I am!--a husk, I suppose. There's a man inside me
+somewhere still.&quot;</p>
+
+<p class="normal">&quot;You look as if there were, and you sound it.&quot;</p>
+
+<p class="normal">She laughed, not pleasantly. It was one of her defects that her
+laughter seldom had a pleasant sound, as if it were only the
+spirit of malice which had power to move her to mirth.</p>
+
+<p class="normal">&quot;You've confessed why you married me. Do you know why I wanted
+to marry you, or any one? I'd have married your friend Nannie if
+she'd agreed, but she refused point-blank.&quot;</p>
+
+<p class="normal">&quot;Is that true?&quot;</p>
+
+<p class="normal">&quot;Quite. It was only when she persisted in her refusal that the
+doctor thought of the woman he'd found in a ditch. Since
+anything in the shape of a woman would serve he hauled you up
+the stairs.&quot; She was still. She was standing in her favourite
+position by the open window, looking out at the woods on the
+slope of the hill. &quot;Shall I tell you why, when already looking
+into hell--and I had a good look, I promise you!--I wanted to
+marry any one?&quot;</p>
+
+<p class="normal">&quot;I know.&quot;</p>
+
+<p class="normal">&quot;Who told you?&quot;</p>
+
+<p class="normal">&quot;Dr. Twelves.&quot;</p>
+
+<p class="normal">&quot;He seems to have imparted to you a good deal of useful
+information. What did he tell you?&quot;</p>
+
+<p class="normal">&quot;That you'd made a will in some one's favour, which you wanted
+to break, and that was the easiest way to break it.&quot;</p>
+
+<p class="normal">&quot;Did he tell you who the some one was?&quot;</p>
+
+<p class="normal">&quot;No.&quot;</p>
+
+<p class="normal">&quot;It was a woman. Do you hear--it was a woman!&quot;</p>
+
+<p class="normal">&quot;I hear.&quot;</p>
+
+<p class="normal">&quot;A young woman--younger than you and prettier. Prettier? My God!
+You're not bad-looking in a way, but there's a streak of the
+vulgar in you now. No one could ever mistake you for a lady.
+You're one of the blowzy sort; you'll become impossible;
+hard-featured; flame-coloured cheeks; bold, staring eyes; huge,
+unwieldy, gross. She!--she's the most perfect woman God ever
+made, and she'll only improve as the years go by.&quot;</p>
+
+<p class="normal">&quot;I've met that kind of woman before.&quot;</p>
+
+<p class="normal">&quot;Not you. She's not to be found in the sort of society in which
+you've moved.&quot;</p>
+
+<p class="normal">&quot;She's to be found in the penny novelettes--never out of them.
+You and your perfect women! In spite of her perfection you don't
+seem to have found her all milk and honey, or you wouldn't have
+been so keen to break that will of yours.&quot;</p>
+
+<p class="normal">&quot;Do you know why I wanted to break it?&quot;</p>
+
+<p class="normal">&quot;Some silly nonsense. Because she tried to scratch your eyes
+out, I daresay--serve you right if she did.&quot;</p>
+
+<p class="normal">&quot;Because she wouldn't marry me.&quot;</p>
+
+<p class="normal">&quot;Because----!&quot; She stopped to burst into noisy, strident
+laughter. &quot;She must have been a fool. I should have thought any
+one would have married you if you'd made it worth their while.&quot;</p>
+
+<p class="normal">&quot;I told you that she was not the kind of woman you have ever
+met; she's clean beyond your understanding. Put your hand
+underneath my pillow--gently. You'll find a case; take it out.&quot;</p>
+
+<p class="normal">Isabel looked at him, hesitating, as if in doubt of his meaning,
+then she did as he had told her. He was propped up on a nicely
+graduated series of pillows. As she withdrew her hand, the case
+between her fingers, she dragged one of the pillows with it
+right from under the one on which his head reposed, so that,
+denuded of its support, his head fell back. In a second he began
+to choke before her eyes. His face grew bluer and bluer; the
+veins stood out through his skin; he fought for breath; his
+stertorous gasps shook him from head to foot. She raised his
+head to its normal position, returning the pillow to its place.
+As she watched him struggle back to what--to him--was life, she
+laughed.</p>
+
+<p class="normal">&quot;It wouldn't take long to make an end of you.&quot;</p>
+
+<p class="normal">By degrees he regained the use of his attenuated voice.</p>
+
+<p class="normal">&quot;I do want careful handling--that's so. Still I wouldn't murder
+me if I were you--it would be murder. Murder has to be paid for
+in full. It would be hardly worth your while to be compelled to
+render full payment for such a remnant as I am. Have you got the
+case? Open it.&quot;</p>
+
+<p class="normal">She held a square Russia leather case, in corn-flower blue. She
+looked for a spring or for something which would enable her to
+get at its interior, but found nothing.</p>
+
+<p class="normal">&quot;Does it open? I don't see how.&quot;</p>
+
+<p class="normal">&quot;It's a little idea of my own that spring. I didn't want any one
+to see what is inside but me. But it's so long since I've seen
+that I have grown hungry for a look, so you shall have one too.
+I think I should like you to have one. Hold the case between
+your finger and thumb, one of them exactly in the centre of each
+side, then press firmly.&quot;</p>
+
+<p class="normal">Obeying him, immediately one of the sides flew open in the
+middle, revealing, framed in the other, the miniature of a young
+girl. Isabel was no artist; she was incapable of appreciating
+the artistic value of the portrait which confronted her. What
+struck her instantly was that it was surrounded by what looked
+like three rows of precious stones--pearls, sapphires, diamonds.</p>
+
+<p class="normal">&quot;Are they real?&quot; she inquired.</p>
+
+<p class="normal">&quot;Do you mean the stones in the setting? They are. The pearls are
+there because she is the queen of pearls; the sapphires, because
+they are her favourite stones; the diamonds, because I chose to
+have them.&quot;</p>
+
+<p class="normal">&quot;They must be very valuable.&quot;</p>
+
+<p class="normal">&quot;They cost a lot of money, and they'd fetch a lot. That is the
+girl I wanted to marry me. What do you think of her?&quot;</p>
+
+<p class="normal">&quot;She is pretty.&quot;</p>
+
+<p class="normal">&quot;Pretty! She's beautiful.&quot;</p>
+
+<p class="normal">&quot;She's too fair for me.&quot;</p>
+
+<p class="normal">&quot;That's because you're dark. I hate dark women--always have
+done. Hold the case open in front of me. Let me look at her.&quot;</p>
+
+<p class="normal">She did as he asked. No change took place in his expression;
+none could take place. His voice remained the same; that also
+was incapable of modulation. Yet she knew that an alteration had
+taken place in him; that as he gazed the man of whom he had
+spoken, who was inside him somewhere, was stirred to his inmost
+depths.</p>
+
+<p class="normal">&quot;Not beautiful! She's the most beautiful creature in the world.
+She always has been; she always will be. God bless her! though
+He has been hard on me.&quot; Then, after a pause, &quot;Take the case
+away and shut it, and put it back beneath my pillow--gently.
+That glimpse will last me a long time, thank you. Though I may
+never look at her again, her face will be with me always to the
+end. Before you close the case you might look at her again more
+carefully. Perhaps, after you have gazed at her attentively,
+understanding may come to you; you may begin to perceive the
+beauty which was hidden from you at the first.&quot;</p>
+
+<p class="normal">She returned, the case still open in her hand, to the window in
+front of which she had been standing.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_09" href="#div1Ref_09">CHAPTER IX</a></h2>
+
+<h3>THE SLIDING PANEL</h3>
+<br>
+
+
+<p class="normal">The silence remained unbroken for some seconds. Then he asked--</p>
+
+<p class="normal">&quot;Well, what do you think of her now?&quot;</p>
+
+<p class="normal">&quot;I think she's pretty, as I said. You may think her beautiful. I
+daresay plenty of men would; that sort of thing's a question of
+taste. I tell you what I do think beautiful--that's these
+diamonds. The sapphires and the pearls are all very well, but
+the diamonds are the stones for me.&quot;</p>
+
+<p class="normal">&quot;You would think that. You're the sort of woman who'd admire a
+gaudy frame, and have no eyes for the picture that was in it. If
+you like I'll tell you who she is and all about her. It may seem
+like sacrilege to talk of her to you, but I think I'll tell you
+all the same.&quot;</p>
+
+<p class="normal">&quot;Tell away. I suppose it's the old, old story: she met some one
+she fancied more than you. Men always do think that sort of
+thing is wonderful. But I don't mind listening.&quot;</p>
+
+<p class="normal">&quot;Yes, there was some one she liked better than me. That was the
+trouble.&quot;</p>
+
+<p class="normal">&quot;It generally is, while it lasts; then it turns out to be a
+blessing. But, of course, you've never had the chance.&quot;</p>
+
+<p class="normal">&quot;As you say, I've never had the chance. Her name--I won't tell
+you her name--though why shouldn't I? Her name is Margaret
+Wallace.&quot;</p>
+
+<p class="normal">&quot;Scotch, is she?&quot;</p>
+
+<p class="normal">&quot;Her father was Scotch, her mother English. He was my dearest
+friend. When he died----&quot;</p>
+
+<p class="normal">&quot;He left his only daughter, then a mere child, and that was
+all.&quot;</p>
+
+<p class="normal">&quot;That was all, and as you say she was a mere child. You seem to
+have had some experiences of your own.&quot;</p>
+
+<p class="normal">&quot;One or two. I'm more than seven.&quot;</p>
+
+<p class="normal">&quot;So I should imagine.&quot;</p>
+
+<p class="normal">&quot;You took her to your own home, found her in food and washing,
+and pocket-money now and then. As she grew older her wondrous
+beauty and her many virtues--especially the first lot--warmed
+your withered heart. When she attained to womanhood you breathed
+to her the secret of your passion, which she had spotted about
+eighteen years before; but as she didn't happen to be taking
+any, of course the band began to play. Isn't that the sort of
+story you were going to tell, only I daresay you wouldn't have
+told it in quite that way?&quot;</p>
+
+<p class="normal">&quot;I certainly shouldn't have told it in quite that way.&quot;</p>
+
+<p class="normal">&quot;You had expended on her two hundred and forty-nine pounds
+nineteen and sixpence ha'penny, besides any amount of fuss, so
+her ingratitude stung you to the marrow. Still you might have
+borne with her; you might not even have altered the will which
+you had made in her favour, and which you kept shaking in her
+face; only when she took up with another chap she seemed to be
+coming it a bit too thick. You cried in your anger, 'I'll make
+you smart for this, my beauty!' So you started to make her
+smart; but it seems to me that you've done most of the smarting
+up to now. Was it her cruelty which made you the pretty sight
+you are?&quot;</p>
+
+<p class="normal">&quot;Not altogether.&quot;</p>
+
+<p class="normal">&quot;Not altogether! You don't mean to say that when you wanted her
+to be your wife you were anything like what you are now? A nice
+kind of love yours must have been!&quot;</p>
+
+<p class="normal">&quot;I appear to have acquired a really delightful wife.&quot;</p>
+
+<p class="normal">&quot;If you weren't a dead log it might be that you'd find out how
+true that was. Any man with a touch of spice in him would give
+the eyes out of his head for a wife like me, and there have been
+plenty who were ready to do it.&quot;</p>
+
+<p class="normal">&quot;As you yourself observed, these things are a question of taste.
+So you think she was justified in treating me as she did?&quot;</p>
+
+<p class="normal">&quot;Justified for not wanting to marry a thing like you! You ought
+to have been drowned for hinting at it.&quot;</p>
+
+<p class="normal">&quot;I am myself beginning to think that your point of view may not
+be wholly incorrect, and that, therefore, it was fortunate that
+I did not die on the night we were married.&quot;</p>
+
+<p class="normal">&quot;I don't.&quot;</p>
+
+<p class="normal">&quot;You wouldn't--you have, of course, your own point of view. From
+mine it is fortunate that I have been spared to enable me to
+make another will.&quot;</p>
+
+<p class="normal">&quot;How are you going to make a will, when you can't move so much
+as a finger?&quot;</p>
+
+<p class="normal">&quot;I can have one drawn up according to my instructions. You will
+find that I'm capable of signing it. Would you have any
+objection?&quot;</p>
+
+<p class="normal">&quot;It would depend on what there was in it.&quot;</p>
+
+<p class="normal">&quot;I see. May I ask if you are under the impression that if I die
+without a will--even supposing our marriage is valid----&quot;</p>
+
+<p class="normal">&quot;It's valid enough, don't you be afraid.&quot;</p>
+
+<p class="normal">&quot;I'm not afraid; you, I fancy, have the cause to fear. But I
+say, supposing our marriage is a marriage--as to which I say
+nothing either one way or the other--if I die intestate do you
+imagine that you will necessarily come into possession of all I
+have?&quot;</p>
+
+<p class="normal">&quot;Have you any relatives?&quot;</p>
+
+<p class="normal">&quot;Not one in the whole wide world.&quot;</p>
+
+<p class="normal">&quot;Then you bet I shall.&quot;</p>
+
+<p class="normal">&quot;You may bet you won't.&quot;</p>
+
+<p class="normal">&quot;Who's got more right to what you leave behind than your lawful
+wife?&quot;</p>
+
+<p class="normal">&quot;It depends. Under no circumstances would you inherit more than
+half of my personal property, and a third of my real estate; the
+rest would go to the Crown.&quot;</p>
+
+<p class="normal">&quot;Half's something! Look here, Dr. Twelves told me that if I
+married you I should have twenty thousand pounds. Have you got
+as much?&quot;</p>
+
+<p class="normal">There was an interval before an answer came. Possibly the man in
+the bed was considering what answer he should make to such a
+very leading question.</p>
+
+<p class="normal">&quot;I cannot tell you exactly what I have got, but I may safely
+venture to assert this much: If all I possess--land, houses,
+shares and so on--were to be turned into cash to-morrow, I
+should find myself with at least two hundred thousand pounds.&quot;</p>
+
+<p class="normal">&quot;Two hundred thousand pounds! Go on!&quot;</p>
+
+<p class="normal">&quot;This is a curious world, and Fortune is a curious jade; she
+bestows her gifts with feminine irresponsibility. She gives one
+health and strength and youth--and empty pockets--just when he
+could get enjoyment out of full ones. To another, crippled
+limbs, physical helplessness, premature old age--and pockets
+brimming over--just when money is of as little use to him as
+pictures to the blind. I have been denied most things except
+fortune. Sounds ironical, doesn't it? As with Midas, everything
+I have touched has turned to gold--in my case a thing wholly
+worthless. I never made a bad money speculation in my life. I
+doubt if I ever made an investment which did not pay me ten per
+cent. Some of my investments have paid me forty and fifty per
+cent, for years, and are worth ten times what I gave for them. I
+wasn't worth twenty thousand pounds when I began life; now, to
+adopt your phraseology, I'll bet I'm worth more than a quarter
+of a million.&quot;</p>
+
+<p class="normal">&quot;And yet you live in a place like this, without a horse in the
+stable, and the garden like a wilderness!&quot;</p>
+
+<p class="normal">&quot;Why shouldn't I? Where would you have me live? In a castle?
+with an array of servants who would take my money and from whom
+I should have to hide. A well-bred servant wouldn't be able to
+endure the sight of such an object as I am. All I need is a bed
+to lie on, some one to put food between my lips, money to pay
+for it. Since here I have those things, here I have all I need.
+Besides, you should bear in mind that, as nothing is being
+spent, there will be all the more to leave behind.&quot;</p>
+
+<p class="normal">She was silent; her face turned towards the open window, the
+miniature in its jewelled case still in her hand. His words had
+fired her imagination. A quarter of a million!--this man worth a
+quarter of a million!--and he supposed himself to be her
+husband! Not long ago she had told herself that a certain and
+clear five pounds a week earned by singing and dancing at the
+minor music halls would be her idea of fortune. She had married
+that deceitful humbug, Gregory Lamb, because she believed that
+he might possibly have as much as a thousand a year. What was a
+thousand a year compared to a quarter of a million! If he died
+without a will half of it would be hers, or was it a third? Why
+shouldn't she have more than that? If he had no relatives to
+make a fuss, why shouldn't she have it all?</p>
+
+<p class="normal">Even as she asked herself the question an answer came to her
+dimly, yet with sufficient clearness to start her trembling. It
+was born of an idea which would have disposed most women to do
+more than tremble. Her breath came faster; her eyes brightened;
+something like a smile wrinkled her lips; the vista presented to
+her imagination, which would have appalled most persons,
+titillated her.</p>
+
+<p class="normal">After a while she asked, without turning her head--</p>
+
+<p class="normal">&quot;If you were to make a will, what would you put in it?&quot;</p>
+
+<p class="normal">&quot;I'll show you.&quot;</p>
+
+<p class="normal">&quot;When?&quot;</p>
+
+<p class="normal">&quot;Now. There's a secret hiding-place in this room. If you tried
+do you think that you could find it?&quot;</p>
+
+<p class="normal">&quot;I'd find it fast enough.&quot;</p>
+
+<p class="normal">&quot;Then find it.&quot;</p>
+
+<p class="normal">&quot;What sort of place is it?&quot;</p>
+
+<p class="normal">&quot;That's asking for assistance. I'll give you this much. It's in
+the wall, concealed by a panel of wood. Now I've given you the
+scent, follow it to a finish--if you can.&quot;</p>
+
+<p class="normal">&quot;In a room like this there might be fifty hiding-places.&quot;</p>
+
+<p class="normal">&quot;There might.&quot;</p>
+
+<p class="normal">&quot;It would take days to examine it thoroughly; however long it
+might take me I'd find it. I'd strip the walls of everything
+before I'd give it up.&quot;</p>
+
+<p class="normal">&quot;I don't think you need go so far as that just yet. Look round;
+you've hawk's eyes; I've given you a hint; can't you make a
+likely guess, like the sharp-witted child who is playing
+hide-and-seek?&quot;</p>
+
+<p class="normal">Isabel's glances were travelling round the room searchingly,
+resting here and there, allowing nothing to escape them. When
+they had traversed the whole apartment from floor to ceiling in
+one direction they returned in another.</p>
+
+<p class="normal">&quot;You are not tricking me? There really is a secret
+hiding-place?&quot;</p>
+
+<p class="normal">&quot;There really is.&quot;</p>
+
+<p class="normal">&quot;And you say it's behind a panel in the wall?&quot;</p>
+
+<p class="normal">&quot;That's it.&quot;</p>
+
+<p class="normal">Her eyes in their return journey had reached the great wooden
+fireplace. Although she did not know it, it was a fine specimen
+of old carving. What she did notice were the rounded posts which
+served as pillars. There were four, two longer and two shorter,
+each supporting a shelf on which there were ornaments. She
+wondered if the posts would turn. Probably something recurred to
+her mind which she had read about a movable post, though she
+could not have said just what it was or where she had read it.
+She had a notion that she would try if the posts in the
+fireplace turned, when she was stopped by a remark which came
+from the man in the bed.</p>
+
+<p class="normal">&quot;You're looking in the wrong place; so as I don't want your
+search to occupy you days, I'll tell you where it is.&quot; Even as
+he spoke it struck her--rather as a vague suspicion than
+anything else--that he did not want her to pay too much
+attention to the fireplace. She waited for him to continue,
+which he did at once. &quot;You see the bracket in the corner on my
+left. Go to it. Take down the vase which stands upon it, then
+lift the bracket out of its socket.&quot; She did as he told her.
+&quot;You see the boss just at the top of the socket. That releases
+the catch. Press it, then slide upwards that part of the panel
+which is immediately at your right.&quot;</p>
+
+<p class="normal">Again she followed his directions. A portion of the woodwork,
+three or four inches wide, and about a foot in length, yielding
+to her touch, disclosed an open space behind.</p>
+
+<p class="normal">&quot;There's an envelope in it, a blue envelope; take it out.&quot;</p>
+
+<p class="normal">There was an envelope, apparently nothing else. On the front was
+an inscription, whose crabbed characters had apparently been
+written by a feminine hand. &quot;This envelope contains Cuthbert
+Grahame's will, and is not to be opened till after his death.&quot;
+The two flaps at the back were secured by big red seals.</p>
+
+<p class="normal">&quot;Never mind what it says. I'm Cuthbert Grahame, and I tell you
+to open the envelope, although I don't happen to be dead. Take
+out the paper which you'll find inside. Read it; you can read it
+aloud if you like.&quot;</p>
+
+<p class="normal">She read it aloud. The handwriting was identical with the
+cramped caligraphy on the envelope.</p>
+
+<p class="normal">&quot;'I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Margaret Wallace,
+absolutely, for her sole use and benefit.--CUTHBERT GRAHAME.
+Witnesses, NANNIE FORESHAW, DAVID TWELVES, M.D., Edin.'&quot;</p>
+
+<p class="normal">With the exception of a date at the top that was all the paper
+contained.</p>
+
+<p class="normal">&quot;That is the will you broke by marrying me, or, if you prefer
+it, which I broke by marrying you. There isn't much to be said
+for the phraseology--it wasn't drafted in a lawyer's office.
+Nannie wrote it down to my dictation--at that table over by the
+window there. She doesn't write a very excellent fist, but it'll
+serve. That's as sound a will as if it had been drawn by a
+council of lawyers, and, to the lay mind, a good deal plainer
+than they'd have made it.&quot;</p>
+
+<p class="normal">&quot;Do you mean to say that what's on this paper is enough to put
+Margaret Wallace into undisputed possession of a quarter of a
+million of money?&quot;</p>
+
+<p class="normal">&quot;It would have been if I hadn't married you; my marriage has
+made it so much waste-paper. You may tear it up, or keep it if
+you please; it makes no difference. I intend to make another
+will.&quot;</p>
+
+<p class="normal">&quot;What are you going to put in it?&quot;</p>
+
+<p class="normal">&quot;Exactly what's in that, only the date will be different. It's
+the date in that which renders it nugatory.&quot;</p>
+
+<p class="normal">&quot;Aren't you going to leave me anything?&quot;</p>
+
+<p class="normal">&quot;Why should I?&quot;</p>
+
+<p class="normal">&quot;Dr. Twelves told me that if I married you I should have twenty
+thousand pounds.&quot;</p>
+
+<p class="normal">&quot;I'm not responsible for what Dr. Twelves may assert.&quot;</p>
+
+<p class="normal">&quot;You are--in a way, and you know it. Because he only brought me
+up so that you might die in peace, and, I expect, at your own
+express command.&quot;</p>
+
+<p class="normal">Mr. Grahame was silent, possibly considering her words.</p>
+
+<p class="normal">&quot;A cheque for a hundred pounds would amply repay you for what
+you've done--or I might make it a hundred guineas.&quot;</p>
+
+<p class="normal">&quot;A hundred guineas! Listen to me--you're my husband.&quot;</p>
+
+<p class="normal">&quot;You've observed that on some previous occasion.&quot;</p>
+
+<p class="normal">&quot;And I'm your wife.&quot;</p>
+
+<p class="normal">&quot;That also has already become ancient history.&quot;</p>
+
+<p class="normal">&quot;I want you to understand just the way in which I see it. I'm
+the mistress of this house, and no one sets foot in it--or in
+your room--without my express sanction and approval.&quot;</p>
+
+<p class="normal">&quot;Won't any one? We shall see.&quot;</p>
+
+<p class="normal">&quot;We <i>shall</i> see! I'll write you just the will you want, as
+Nannie did, if you'll let me add a sentence leaving me--say,
+five thousand pounds. It ought to be more--twenty thousand was
+what Dr. Twelves promised--and you can make it as much more as
+you like, but I'll do it if you make it that.&quot; As, when she
+stopped, he was silent, she again went on: &quot;If you don't let me
+add such a sentence you shall make no will at all--as sure as
+I'm alive I swear you shan't. I'll have my bed brought in here
+to stop you doing it at night--you may trust me to take care you
+don't do it by day. As your wife I've my rights, and you're a
+helpless man. I mean to take advantage of my rights--to the
+fullest possible extent!--and of your helplessness. You ought to
+know by now that in such a matter I'm the sort of woman that
+keeps her word.&quot;</p>
+
+<p class="normal">&quot;I have a sort of notion that you might do your best in that
+direction--from what I've seen--and heard--of you.&quot;</p>
+
+<p class="normal">&quot;You can bet on it!&quot;</p>
+
+<p class="normal">&quot;Let me follow you clearly. Am I to understand that you will
+draw up yourself a will identical in all respects with the one
+you have in your hand, if I allow you to add an additional
+clause by which you are to benefit to the extent of five
+thousand pounds?&quot;</p>
+
+<p class="normal">&quot;That's what you're to understand--just that.&quot;</p>
+
+<p class="normal">&quot;And that you'll assist me to sign it in the presence of two
+witnesses?&quot;</p>
+
+<p class="normal">&quot;I'll assist you all I can.&quot;</p>
+
+<p class="normal">&quot;I'll think it over. Five thousand pounds is a deal of money for
+what you've done, and for the sort of woman you are; but--I'll
+think it over. When would you do it?&quot;</p>
+
+<p class="normal">&quot;If you say the word I'll do it right now.&quot;</p>
+
+<p class="normal">There was a considerable pause, then he repeated his former
+observation:--</p>
+
+<p class="normal">&quot;I'll think it over.&quot; After a pause he added: &quot;Put back that
+miniature underneath my pillow--this time gently, if you please.
+Close the panel; replace the bracket and the vase. You may take
+the will with you if you like, so that you may get it well
+into your head. I'm tired--I've talked enough. I want to be
+still--and think.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_10" href="#div1Ref_10">CHAPTER X</a></h2>
+
+<h3>THE GIRL AT THE DOOR</h3>
+<br>
+
+
+<p class="normal">When Isabel left Cuthbert Grahame's room her brain was in a
+tumult. She had so much of which to think that she found it hard
+to think at all. The discovery that his wealth was so altogether
+beyond anything of which she had dreamed as possible; the
+unearthing of his will--from such a hiding-place; the facts she
+had learned of Margaret Wallace, and which she had herself
+embroidered--these things were in themselves enough to occupy
+her mind to its full capacity for some time to come. Yet they
+were far from being all she had to think about. The miniature,
+in its jewelled setting--especially the jeweled setting!--was
+likely to be a subject of covetous contemplation until--well,
+until something had happened to it, or to her. Then there were
+the pillars in the fireplace. Something--she could not have told
+what--had filled her with the conviction that the recess behind
+the sliding panel was not the only hiding-place the room
+contained. She was possessed by a desire to examine those four
+rounded posts--to examine them closely--to ascertain whether in
+their construction there was anything peculiar.</p>
+
+<p class="normal">But beyond and above all these sufficient causes for mental
+agitation there was still another, one far greater--the will she
+might have to draft, which she felt certain she would be asked
+to draft. The idea which she had at the back of her head, which
+had prompted her suggestion, was of such a character that it
+almost frightened her. Like Cuthbert Grahame, she wanted time
+and opportunity for thought. She had it in contemplation to risk
+everything upon the hazard of a single throw--everything, in the
+widest sense of that comprehensive word. To put her notion into
+execution needed courage of a diabolical kind. Failure involved
+utter and eternal ruin. Success, on the other hand, would bring
+in its train all the pleasures of which she had scarcely dared
+to dream.</p>
+
+<p class="normal">On her return from her walk, having learned that Gregory Lamb
+had not put in the appearance she had feared, she had sent the
+two maids on an errand. They were raw, country wenches,
+ignorant, slow-witted. It seemed hardly likely that, under any
+circumstances, she would find them dangerous, yet she was
+strongly of opinion that it was advisable, if, as was possible,
+the deserted Gregory did call, that she should be the person to
+receive him. Nannie was still confined to her room, so that
+Isabel had but to be rid of the underlings to have practically
+the whole house at her mercy.</p>
+
+<p class="normal">It has been said that small things make great generals, since it
+is the eye for trivial details which wins big battles. The
+little act of foresight which prompted Isabel Lamb to clear the
+premises of that pair of Scotch wenches not impossibly changed
+the whole course of her life--not because what she had foreseen
+happened; what actually occurred she had not even looked for.</p>
+
+<p class="normal">The dining-room had a large bay window which commanded the path
+leading to the front door. As she stood there, with her brain in
+a state of almost chaotic confusion, something caught her eye--a
+figure on the carriage drive. It was still at some distance; it
+disappeared nearly as soon as she saw it. She kept her glance
+fixed on its vanishing point. As for some moments nothing was
+visible, she was beginning to suppose that she must have been
+mistaken, when she saw it again. It was still to a great extent
+hidden by the trees and brushwood, but it certainly was there.
+Isabel instinctively drew back, although in any case she must
+have been entirely invisible. Instantly her brain became clear.
+The perception of approaching danger, which had on her the
+effect of bracing her up, restored to her at once the full use
+of her faculties.</p>
+
+<p class="normal">&quot;Is it Gregory?&quot; she asked herself.</p>
+
+<p class="normal">If it had been he would have had a warm reception. But it was
+not, as was immediately made clear. The figure was that of a
+woman--reaching a point where the ground was clearer, she could
+be plainly seen. She was walking very fast, with long, even
+strides.</p>
+
+<p class="normal">&quot;Who is it?&quot; the woman at the window asked herself. &quot;It can't be
+one of the girls--they won't be back for a couple of hours or
+more. I know them! Besides, they don't move like that. Nothing
+feminine's been near the place since I've been in it. So far as
+I know, there's nothing feminine hereabouts to come. As for
+callers, we don't have them. What's likely to attract a woman to
+a house like this? Why, I do believe it's a lady--that dress was
+never made in this parish. And--she's young! Where on earth have
+I seen her before? I have seen her, but where? My stars!--the
+miniature! It's Margaret Wallace!--come to see the man she
+jilted! Here's a nice to-do!&quot;</p>
+
+<p class="normal">The approaching figure had come clear of the carriage drive, and
+was now in full sight. As Isabel had acknowledged to herself, it
+was unmistakably that of a lady. The dress might be proof itself
+to another woman's keen perception, but there was other evidence
+as well. The way in which the stranger bore herself--her
+carriage, the easy grace which marked her movements, at least
+suggested breeding. As the face became visible all doubt was at
+an end. This was certainly a lady who, as it seemed, was coming
+to call.</p>
+
+<p class="normal">Was the purport of her presence here merely to pay a passing
+call? Did she simply wish to make a few inquiries, and then
+return from whence she came? Would she be content with a few
+more or less civil words being spoken to her at the partly open
+door, or would she insist on entering and being allowed to visit
+Cuthbert Grahame in his room? In that case Isabel's domination
+would be at an end. The chances were that those two had but to
+exchange half-a-dozen words, and the castle which she had
+already in imagination builded would resolve itself into an
+edifice even less substantial than a house of cards. The wild
+scheme of which she had conceived the embryo would never move
+from that condition. The situation out of which she had
+determined to wrest a great opportunity would be there and then
+at an end if Margaret Wallace won her way past that front door.</p>
+
+<p class="normal">But would she win it? The fates were on Isabel's side. Nannie
+upstairs helpless in her bed; Cuthbert Grahame still more
+helpless in his; the two girls out--Margaret Wallace would have
+to reckon with her. Isabel overrated herself if, in such a
+contest as was likely to ensue, she did not prove the better of
+the pair.</p>
+
+<p class="normal">A sudden thought occurring to her she hurried into the hall. By
+some fortunate chance the front door was closed, so that she
+remained unseen by the approaching visitor. She remembered that
+she had closed it when she herself had come in; as a rule it
+stood wide open. If it had been then it would have been
+impossible for her to perform the part she proposed to play. As
+soon as she reached it she turned the key--only just in time.
+Within thirty seconds the handle was tried by some one on the
+other side.</p>
+
+<p class="normal">&quot;That settles it,&quot; observed Isabel to herself. &quot;I didn't look at
+the face in the miniature so closely as all that, it was the
+setting which occupied me. I might have mistaken the likeness,
+and it mightn't have been Margaret Wallace after all. But the
+style in which she turned that handle gives her away. She's come
+in and out of this house too often not to be aware that, even if
+the door does happen to be shut, you've only got to turn the
+handle to come in. When she found that it wouldn't open, I'll
+bet that she had a bit of a shock. Holloa! it seems that she
+can't believe it now. I daresay it's the first time in all her
+life that she's found that door closed against her.&quot;</p>
+
+<p class="normal">Something of the kind did seem possible. The person on the other
+side was giving the handle various twists and turns, as if
+unable to credit that the door was actually locked. It was only
+after continued efforts that the fact was realised. There was an
+interval, as if the person without was considering the position.</p>
+
+<p class="normal">&quot;Now what'll she do?&quot; wondered Isabel. &quot;Go round to the back,
+and see if she can't get in that way? She won't think it a
+possible thing that both doors can be locked. The odds are that
+she's come in one way as often as the other. She won't come in
+that way this time, and so I'll show her.&quot;</p>
+
+<p class="normal">On stealthy feet Isabel, stealing to the back of the house, both
+locked and bolted the door which gave ingress to the house on
+that side. As she was ramming the top bolt home a bell clanged
+through the house followed by the rat-tat-tat of a knocker.</p>
+
+<p class="normal">&quot;So she's concluded not to give herself the trouble of trying
+the back door, at least for the present. Now what'll I do? One
+thing's sure, I'm not going to be in any haste to answer either
+her ringing or her knocking. Possibly if no one does answer
+she'll be tricked into thinking the house is empty.&quot; The bell
+and knocker were audible again.</p>
+
+<p class="normal">&quot;She's pretty impatient; she doesn't give a person over-much
+time to answer, even if one wanted to. What a row that bell does
+make--sounds as if it were rusty. I daresay it isn't rung more
+than once a year. It'll startle those two upstairs--it's a time
+since they heard it. There she is again. She'll hurt that bell
+if she isn't careful. I'd like to hurt her--if she doesn't watch
+out I will before she's finished. That's right, my dear, give
+another pull at it! Pretty rough on Grahame. If he only knew who
+was ringing what wouldn't he give to get at her--especially if
+he understood that this is the only chance he'll ever have; and
+to have to lie there like a log, and let it slip between his
+fingers! As for Nannie--that old woman's got the nose of a
+bloodhound--I shouldn't be surprised if she smells who's at the
+door. If she does I shouldn't wonder if, broken leg or no broken
+leg, she tumbles out of bed and tries to get down somehow to
+open it. She hadn't better. She'll break it again if she
+does--if I have to help her do it! No one's going to interfere
+with that door but me! I'm not going to have her hammering and
+clanging till those two girls come back, that won't suit my book
+at all. And as she looks like doing it the sooner I get rid of
+her the better.&quot;</p>
+
+<p class="normal">The upper panels of the front door were of coloured glass, the
+panes, which were of different hues, shapes and sizes, being set
+in leaden frames. While it was possible for whoever was within
+to obtain a vague impression of some one without, it was
+impossible for whoever was without to see anything of the person
+within. It was of this fact that the quick-witted Isabel
+proposed to take advantage. Among the various accomplishments
+which fitted her, in her opinion, to shine in the halls was that
+of mimicry. Drawing close up to the glass panels she exclaimed,
+in tones which were intended to represent the broken-legged
+Nannie's--</p>
+
+<p class="normal">&quot;Who's that as wants to break the bell of a decent body's
+house?&quot;</p>
+
+<p class="normal">That the assumption was not entirely unsuccessful was shown by
+the response which came instantly from the other side of the
+door.</p>
+
+<p class="normal">&quot;Is that you, Nannie? You silly old thing! Where have you
+been? What have you been doing? And why have you locked this
+door?--open it at once!&quot;</p>
+
+<p class="normal">&quot;And to whom will I open it, please?&quot;</p>
+
+<p class="normal">There came a peal of girlish laughter as a prelude to this
+reply.</p>
+
+<p class="normal">&quot;Nannie, you are an old stupid! Do you mean to say that you
+don't recognise my voice as well as I do yours? Why, I'm Meg
+come back to see you again!--open the door at once, you goose!&quot;</p>
+
+<p class="normal">&quot;I'll no open the door this day.&quot;</p>
+
+<p class="normal">&quot;Nannie!&quot;</p>
+
+<p class="normal">&quot;Margaret Wallace, I tell you I'll no open the door for you this
+day, so back you go from where you came.&quot;</p>
+
+<p class="normal">&quot;Nannie! how can you speak to me like that! How dare you!&quot;</p>
+
+<p class="normal">&quot;I'm but obeying Mr. Cuthbert's orders, and it's not fear of you
+that'll stay me from doing that.&quot;</p>
+
+<p class="normal">&quot;Do you mean to tell me that Cuthbert Grahame forbade you to let
+me into the house?&quot;</p>
+
+<p class="normal">&quot;He did a great deal more. He said that if you ever came near it
+he'd bring half-a-dozen dogs to set them at you. So take
+yourself off, and be quick about it.&quot;</p>
+
+<p class="normal">&quot;But, Nannie, I don't understand.&quot;</p>
+
+<p class="normal">&quot;None of your lies! It's plain enough! So be off to where you're
+wanted--if it's anywhere.&quot;</p>
+
+<p class="normal">&quot;But, Nannie, what have I done that you should speak to me like
+this? You always used to take my part.&quot;</p>
+
+<p class="normal">&quot;It's no part of yours I'll ever take again. Are you going?&quot;</p>
+
+<p class="normal">&quot;I only want to talk to you. If you'll only open the door I
+promise you I won't try to get in if you don't want me to.&quot;</p>
+
+<p class="normal">&quot;I can have all the talk I want with you as we are. Will you be
+off?&quot;</p>
+
+<p class="normal">&quot;Won't you let me have one look at you, Nannie, and give you
+just one kiss?&quot;</p>
+
+<p class="normal">&quot;I'll have none of your kisses, and I never want to look at you
+again till you're lying in your coffin.&quot;</p>
+
+<p class="normal">&quot;Nannie! there's something about the way you talk which I don't
+understand. It's not you to speak to me like this. I insist upon
+your opening the door. I don't believe Cuthbert Grahame ever
+told you not to--I know him too well to think that's possible. I
+shall keep on ringing and knocking till you do open, and so I
+tell you.&quot;</p>
+
+<p class="normal">&quot;Then you'll keep on some time, I promise you that. I know what
+Mr. Cuthbert's orders are better than you. If I was to empty his
+gun at you I'd only do what he'd wish me to.&quot;</p>
+
+<p class="normal">&quot;Nannie! But, Nannie, I've come all the way from London. It's a
+very long way, and costs a deal of money, and nowadays I haven't
+much money, as you know. You're not going to send me back like
+this.&quot;</p>
+
+<p class="normal">&quot;Is it the fare back to London that you're wanting? If it's to
+beg you've come, I'll give you the fare out of my own pocket, so
+that Mr. Cuthbert may be rid of you in peace.&quot;</p>
+
+<p class="normal">This time in the girlish voice there was a ring of unmistakable
+indignation.</p>
+
+<p class="normal">&quot;Nannie! you're a wicked old woman! I believe that you've some
+wicked scheme in your head of which Cuthbert Grahame knows
+nothing. You sound as if you were capable of anything. If you
+don't let me in this moment I'll get in without your help.&quot;</p>
+
+<p class="normal">&quot;How are you going to do that, pray?&quot;</p>
+
+<p class="normal">&quot;Do you think I can't? I'll soon show you! If you think I'm
+still a foolish girl to be tyrannised over by you, you're very
+much mistaken. I won't believe that Cuthbert Grahame doesn't
+wish to see me till he tells me so with his own lips.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_11" href="#div1Ref_11">CHAPTER XI</a></h2>
+
+<h3>HOT WATER</h3>
+<br>
+
+
+<p class="normal">A hand was raised on the other side of the door and brought
+smartly against the glass. The whole panel shivered; the blow
+would only have to be repeated two or three times to destroy it
+altogether. Whipping the key out of the lock, Isabel hurried up
+the staircase, slipping it into her pocket as she went. Although
+she had no fear of an entry being made, she was very far from
+desirous of being seen. That would involve the discovery of the
+fraud she had been practising. If Miss Wallace learned that it
+was not Nannie who had been addressing her in such
+uncompromising terms, it was scarcely likely, even if driven by
+force from the house, that she would leave the neighbourhood
+without effecting her purpose of seeing Cuthbert Grahame. So
+Isabel, determined that that should not happen, resolved to
+adopt extreme measures.</p>
+
+<p class="normal">When she gained the top of the stairs she could already hear the
+glass shivering in the door below. Rushing into the bath-room,
+snatching up a couple of pails which the not too tidy maids had
+left there, and filling them at the tap, she strode with them to
+the landing-window which overlooked the entrance. She had filled
+them at the hot-water tap, and the steam came against her hand.</p>
+
+<p class="normal">&quot;It isn't very hot,&quot; she told herself. &quot;There's just enough
+sting in it to make her a little warmer than she is already.&quot;</p>
+
+<p class="normal">The window was wide open. She peeped out to see that the girl
+was immediately below. Balancing both pails on the sill she
+turned them over together. That the contents had reached the
+mark was immediately made plain by the cries which ascended from
+below.</p>
+
+<p class="normal">&quot;Nannie! Nannie! you've scalded me! you've scalded me!&quot;</p>
+
+<p class="normal">Isabel replied, still taking care not to allow so much as the
+tip of her nose to be seen through the window--</p>
+
+<p class="normal">&quot;I'll scald you again in half a minute--you'll find the water's
+boiling next time, I promise you. What's more, I'll take Mr.
+Cuthbert's gun to you, as he bade me. You shameless hussy! to go
+breaking his windows because he won't have you set your foot
+inside the house that you've disgraced!&quot;</p>
+
+<p class="normal">This diatribe from the supposititious Nannie was followed by
+silence below. Isabel, who found the suspense a little trying,
+was half disposed to venture on a glance to learn what was
+taking place. Unmistakable sounds, however, arose just as she
+had made up her mind to run the risk. Margaret Wallace was
+crying. Presently she exclaimed, in tones which were broken by
+her sobs--</p>
+
+<p class="normal">&quot;I'm going, Nannie. You needn't trouble to get Mr. Cuthbert's
+gun, nor to wait till the water's boiling. Whatever Mr.
+Cuthbert's orders may have been--and I know I've used him badly,
+and deserve anything from him--I never thought you'd have
+treated me like this. I've never done you any harm, and you've
+always pretended that you loved me. I hope you'll never regret
+driving me away like this from the house that has always been a
+home to me! Oh, Nannie! Nannie!&quot;</p>
+
+<p class="normal">The girl uttered the last two words in such poignant tones that
+Isabel thought it extremely possible that they penetrated to the
+woman to whom they were actually addressed. After a moment's
+interval footsteps were audible below. Then, as Isabel drew back
+behind the curtain, she could see through the loophole that
+Margaret Wallace was returning whence she came. She moved with a
+very different step to that which had marked her approach. Her
+feet seemed to lag, her head hung down, and she kept putting her
+hand up to her eyes to relieve them of blinding tears. Her
+attitude was significant of the most extreme despondency.
+Apparently some remnants of her pride still lingered. It was
+probably those fragments of her self-respect which prevented her
+from once looking round to glance at the house from whose
+precincts she was being so contemptuously dismissed.</p>
+
+<p class="normal">Isabel watched the defeated mien which characterised the girl's
+whole bearing in the moment of her humiliation with a smile of
+triumph.</p>
+
+<p class="normal">&quot;That's one to me. It's on the cards that it's the one that's
+going to win the game. I guess she's feeling pretty bad. It
+can't be nice, if your pockets aren't too well lined, to come
+all the way from London just for this. I daresay she meant to do
+the conscience-stricken act--tell him how sorry she was, ask his
+forgiveness, have an affecting reconciliation, and all that kind
+of thing. I expect she was drawing pictures of how it all was
+going to be as she came along in the train. I rather fancy those
+pictures won't get beyond the outline. She'll be trying her hand
+at sketches of another kind as she goes back again. I wonder how
+she'd feel if she knew how she's been bluffed by an insolent
+adventuress, and that Nannie hadn't had a hand in the game at
+all. She'd feel pretty mad! I wonder how Nannie feels if she so
+much as guesses at what's been going on. I'll give the old lady
+a call; and I'll call on Mr. Cuthbert Grahame. But before I do
+that I think I'll write a few lines on a sheet of paper--on a
+couple of sheets.&quot;</p>
+
+<p class="normal">Before she quitted her post of observation the unhappy girl had
+vanished from sight. Isabel waited for some minutes after she
+had disappeared lest something should transpire which might
+cause her to change her mind and return. As time passed and
+nothing more was seen of her, Isabel decided that she had gone
+for good. Descending to the dining-room, seating herself at a
+writing-table, Isabel drew from a drawer two large sheets of
+paper, similar to the one contained in the envelope which
+Cuthbert Grahame had instructed her to take from behind the
+sliding panel. On one of these sheets she wrote, in her large,
+bold, round hand, a facsimile of the will which marriage had
+rendered invalid.</p>
+
+<p class="normal">&quot;I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Margaret Wallace,
+absolutely, for her sole use and benefit.&quot; When she had finished
+she surveyed what she had written, then added--&quot;With the
+exception of five thousand pounds in cash, which I give and
+bequeath to Isabel Burney, and which it is my wish shall be paid
+to her, free of legacy duty, within seven days of my being
+buried&quot;.</p>
+
+<p class="normal">&quot;That only needs his signature and the signatures of the
+witnesses. Shall I date it, or leave the date open? I think I'll
+be safe in dating it to-morrow. Now for another document very
+much like it, but not quite, though as far as appearance goes it
+must be as exactly like it as it can be conveniently made.&quot;</p>
+
+<p class="normal">She then wrote on the second sheet what was, with some slight,
+but important, differences, an exact reproduction of the words
+she had written on the other.</p>
+
+<p class="normal">&quot;I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Isabel Burney&quot;--she
+hesitated, then wrote--&quot;whom I have acknowledged to be my wife,
+in the presence of Dr. Twelves and Nannie Foreshaw, absolutely,
+for her sole use and benefit&quot;--she hesitated again, and this
+time added--&quot;with the exception of five farthings in cash, which
+I give and bequeath to Margaret Wallace, and which it is my wish
+shall be paid to her, free of legacy duty, within seven days of
+my being buried.&quot;</p>
+
+<p class="normal">&quot;That also needs but the signatures and--a little ingenuity.&quot;
+She had made them, in all respects, so much alike, fitting into
+the same space the extra words on the second sheet that at a
+little distance it was easy to mistake one for the other. &quot;Now
+we'll tear up that old thing, which my appearance on the scene
+was so unfortunate as to spoil, and we'll put the new will in
+its place--with its brother.&quot;</p>
+
+<p class="normal">She did as she said, folding up the two sheets in precisely the
+same creases, putting them into the one envelope. Then she went
+upstairs to see Nannie.</p>
+
+<p class="normal">The old lady's leg bade fair to be a long time healing, nor was
+a cure likely to be hastened by her impatience and general
+unwillingness to take things easily. So soon as Isabel put her
+head inside the room, Nannie, sitting up in bed, aimed at her a
+volley of questions.</p>
+
+<p class="normal">&quot;Why haven't you been here before? What's all the clatter been
+about--like as if the house was coming down? Such ringing and
+hammering I never heard the likes of. What's been the meaning of
+it all? Where's them two girls? Why didn't one of you open the
+door, like as if it was a Christian house? Why did you suffer
+such a hubbub--enough to disturb the countryside? Who's been
+talking in a voice like a cracked tin trumpet?&quot;</p>
+
+<p class="normal">It occurred to Isabel that the last analogy was unfortunate,
+since a &quot;cracked tin trumpet&quot; was a not inadequate description
+of the screech in which Nannie herself was even then indulging.
+The old lady presented a peculiar spectacle--in a huge, ancient
+nightcap, tied in a big bow beneath her chin; a vivid tartan
+shawl about her shoulders. The visitor replied to the whole of
+the inquiries with an unhesitating lie.</p>
+
+<p class="normal">&quot;Nannie, do you know that a dreadful man's been begging, and
+trying to force his way into the house. If I hadn't turned the
+key just in time I don't know what would have happened.&quot; She did
+not, but the happenings would have run on different lines to
+those which she suggested. &quot;As it was he broke the front-door
+window, and I had to pour a couple of buckets of water over him
+before he'd go.&quot;</p>
+
+<p class="normal">&quot;A man been begging, and trying to force his way into the house!
+Such a thing's never happened in all the days I've known the
+place.&quot;</p>
+
+<p class="normal">&quot;I daresay I expect it was some one who's heard that you were
+confined to your bed, and thought that I might be easily
+tackled. He's found out his mistake.&quot;</p>
+
+<p class="normal">&quot;Where's them two girls?&quot;</p>
+
+<p class="normal">&quot;I've sent them on an errand. Perhaps he knew that too, and that
+made him bolder.&quot;</p>
+
+<p class="normal">&quot;I thought I heard a voice I knew.&quot;</p>
+
+<p class="normal">&quot;That must have been mine.&quot;</p>
+
+<p class="normal">&quot;Yours! I haven't heard a sound of you. Who was it screeching?&quot;</p>
+
+<p class="normal">&quot;That was me. I was imitating your voice, Nannie. You see I
+thought it might frighten him more than mine--and it did.&quot;</p>
+
+<p class="normal">&quot;My voice! Do you mean to tell me that that rasping, creaking
+screech was meant to be an imitation of my voice? I'd like to
+know whoever heard me talk in that way.&quot;</p>
+
+<p class="normal">&quot;Why, Nannie, I'm hearing you talk that way now. Don't you know
+your own musical accents when you hear them?--and me giving you
+a taste of them to your face!&quot;</p>
+
+<p class="normal">Laughingly, Isabel treated Nannie to another imitation of her
+curious nasal utterance then and there, and was out of the room
+before the old lady had recovered sufficiently from her
+astonishment to pronounce a candid criticism of the impertinent
+performance.</p>
+
+<p class="normal">From Nannie Isabel descended to the master of the house, to be
+greeted by some very similar inquiries.</p>
+
+<p class="normal">&quot;What's been the meaning of all this uproar?&quot; Isabel repeated
+the lie she had told Nannie. &quot;That was no man's voice I heard.
+It was a woman's, and I could have sworn one I knew.&quot;</p>
+
+<p class="normal">&quot;I expect the voice you thought you knew was Nannie. I was
+favouring the ruffian with as close an imitation of her genial
+tongue as I could manage.&quot;</p>
+
+<p class="normal">&quot;That's not what I mean. I heard you imitating Nannie. Will you
+swear it was a man at the door?&quot;</p>
+
+<p class="normal">&quot;Of course I'll swear it. Whatever do you mean?&quot;</p>
+
+<p class="normal">&quot;What was he like?&quot;</p>
+
+<p class="normal">She seemed to consider.</p>
+
+<p class="normal">&quot;He was rather tall and very broad, with a big red beard. He had
+a cloth cap on the back of his head; his coat over his arm; and
+he carried a huge stick--about as undesirable-looking a person
+to encounter on a lonely road as you could very well imagine. I
+should know him anywhere if I saw him again. Do you recognise
+him from my description?&quot;</p>
+
+<p class="normal">&quot;I do not. I heard nothing of any man speaking, the voice I
+heard was a woman's.&quot;</p>
+
+<p class="normal">&quot;Of course it was; I tell you that that was me imitating Nannie.
+Don't you understand?&quot;</p>
+
+<p class="normal">&quot;It was neither your voice nor Nannie's. It was one I have heard
+too often, and know too well, ever to mistake for another. I
+could have sworn it was hers; I could have sworn I heard her
+pronounce my name. I was not dreaming--I could not have been.
+That I should lie here, chained and helpless, and she almost
+within touch of me! Why didn't Nannie go down to the door?&quot;</p>
+
+<p class="normal">&quot;Nannie?--she's as helpless as you are.&quot;</p>
+
+<p class="normal">&quot;Where are those two servants?&quot;</p>
+
+<p class="normal">&quot;I sent them out on an errand long ago.&quot;</p>
+
+<p class="normal">&quot;So that you've had me at your mercy, and if it was her, you've
+had her also. That God should permit it! If you are lying to
+me--and I believe you can lie like truth!--may you soon be
+consigned to hell fire, to rot there to all eternity.&quot;</p>
+
+<p class="normal">&quot;If the worst comes to the worst, that's a trip on which I hope
+to follow you.&quot;</p>
+
+<p class="normal">&quot;Swear to me by all that you hold sacred--if there's
+anything!--that it wasn't Margaret Wallace at the door.&quot;</p>
+
+<p class="normal">&quot;Margaret Wallace!--are you stark mad?&quot;</p>
+
+<p class="normal">&quot;I believe you're tricking me! I believe I heard her voice! I
+believe I heard her pronounce my name!&quot;</p>
+
+<p class="normal">&quot;If I had thought that you could have got such an idea into your
+head as that, I'd have thrown the door wide open, and invited
+that murderous ruffian to walk upstairs to you. Then you would
+have seen how much he was like Margaret Wallace--that is, if
+she's anything like the picture which you showed me. You've been
+talking and thinking so much about Margaret Wallace that you've
+got her on the brain. Do you think that if it had been her I
+wouldn't have brought her right up to you? You're very much
+mistaken if you do. I'm no saint, any more than you are, but I'd
+no more rob a woman of her happiness than you would--perhaps not
+so much. You did try to rob her, and you got me to be your
+accomplice--blindfold, as it were. If I'd known what you've told
+me this afternoon I'd have seen you--and old Twelves!--the other
+side of Jordan before I'd let you make a tool of me. Now that I
+do know, I won't rest quiet till you've put her back into the
+position in which she was before. Here's that will I spoke to
+you about. It's the same as the one which was spoilt, except
+that it leaves me five thousand pounds. Five thousand pounds
+will be of no consequence to her, while it will make all the
+difference in the world to me. After the way in which you've
+treated me I ought to have something, and that's the something I
+mean to have.&quot;</p>
+
+<p class="normal">Taking out the will which left everything to Margaret Wallace
+except the Ł5,000, she held it out in front of Cuthbert Grahame.
+He read it through.</p>
+
+<p class="normal">&quot;That seems all right. Will you help me sign it?&quot;</p>
+
+<p class="normal">&quot;Of course I'll help you sign it--now if you choose, though I've
+dated it to-morrow, because I thought that would give you a
+chance to think things over. I tell you that I shan't rest till
+that girl's back into her own again.&quot; For some moments he was
+silent, then he said--</p>
+
+<p class="normal">&quot;Perhaps I was mistaken.&quot;</p>
+
+<p class="normal">&quot;Mistaken about what?&quot;</p>
+
+<p class="normal">&quot;Perhaps it wasn't her voice I heard.&quot;</p>
+
+<p class="normal">&quot;Man, I tell you you were dreaming.&quot;</p>
+
+<p class="normal">&quot;Perhaps I was. If you'd driven her from the door you'd hardly
+bring me a will like that directly after. Even if you'd let her
+in, you might have guessed that she wouldn't have wanted to rob
+you of your five thousand.&quot;</p>
+
+<p class="normal">&quot;Of course she wouldn't, any more than I wanted to rob her. We
+women are not so bad as that, whatever you men may think.&quot;</p>
+
+<p class="normal">&quot;Put the will under my pillow--gently--with her miniature. As
+you say, I'll think things over. Maybe I'll sign it to-morrow.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_12" href="#div1Ref_12">CHAPTER XII</a></h2>
+
+<h3>SIGNING THE WILL</h3>
+<br>
+
+
+<p class="normal">Cuthbert Grahame did sign his last will and testament on the
+morrow, though hardly in the fashion he intended. The way in
+which he was tricked was this.</p>
+
+<p class="normal">Before the woman who called herself his wife went down to her
+breakfast she paid him a morning call. He had had a more restful
+night than usual, so that he was in an exceptional good-humour.
+The sight of her seemed almost to give him pleasure. She was all
+smiles and sweetness, which were real enough, since she hoped to
+be shortly in possession of a boundless stock of happiness. He
+began on the subject directly he saw her.</p>
+
+<p class="normal">&quot;I'll sign that will of yours.&quot;</p>
+
+<p class="normal">&quot;That's right; so you shall. But won't you wait till after
+breakfast, then we can have up Jane and Martha to be witnesses.&quot;</p>
+
+<p class="normal">Jane and Martha were the two serving-maids whose absence
+yesterday had been so opportune.</p>
+
+<p class="normal">&quot;I'll wait. You'll have to have me propped up a little higher; I
+shan't be able to sign like this.&quot;</p>
+
+<p class="normal">&quot;I'll see to that; I'll do everything I can.&quot; And she did. She
+communed with herself as she ate a substantial meal. &quot;Propped
+up? I'll see he's propped up high enough, I promise him--the
+higher the better. He can't be propped up high enough for me. It
+seems a dangerous game to try to change one paper for the other
+right under his very nose, but I fancy I know how it can be
+done--and with complete impunity. If he could move so much as a
+finger it might be difficult, but propped up as he'll be he'll
+be wholly at the mercy of my two hands. I think they're skilful
+enough for the job they've got to do.&quot; Spreading out the second
+sheet of paper on the breakfast-table in front of her, she
+studied it carefully, with every appearance of complacency.
+&quot;Such a little difference and yet so much--only the substitution
+of one word for another, and all the world is changed. I think
+'whom I have acknowledged to be my wife in the presence of Dr.
+Twelves and Nannie Foreshaw' is a positive stroke of genius. It
+commits me to nothing, and establishes my position, because
+while he admits his desire to claim me for his wife, there is no
+reference to any wish on my part to have him for a husband. The
+only trouble will be to prevent his noticing the difference in
+the appearance of the two papers, which, however neatly I've
+done it, is the necessary consequence of inserting those few
+words. But I think I know how to manage that.&quot;</p>
+
+<p class="normal">She did; she credited herself with no capacity which she did not
+possess. In every respect she proved herself to be fully equal
+to all the requirements of the occasion.</p>
+
+<p class="normal">She returned to Cuthbert Grahame's bedroom so soon as she had
+finished breakfast, the personification of brisk, hearty
+good-humour.</p>
+
+<p class="normal">&quot;Now are you ready? Shall we get to business? Is the will still
+underneath your pillow? Shall I get it out?&quot; She took from its
+resting-place the paper which he supposed himself to be about to
+sign. With the aid of some pillows she raised him to a more
+upright position. Then she spread the paper out in front of him.
+&quot;You see, there's the will. Is that just as you want it to be?&quot;</p>
+
+<p class="normal">He read it through.</p>
+
+<p class="normal">&quot;That's all right.&quot;</p>
+
+<p class="normal">&quot;Then I'll call up Martha and Jane to act as witnesses, and then
+you'll be able to sign it in their presence.&quot; She called up the
+two girls, who came up rubbing their hands on their aprons. She
+said to him, &quot;Hadn't you better explain to them what it is you
+want them to do?&quot;</p>
+
+<p class="normal">He explained.</p>
+
+<p class="normal">&quot;I'm going to make a new will. Mrs. Grahame,&quot;--he paused; one
+almost suspected him of a desire to give the name satiric
+emphasis--&quot;has been drawing up a will at my dictation. I'm going
+to sign it. I want you to act as witnesses of my signature.
+Stand close to the bed so that you can see what I am doing. My
+dear&quot;--this was to Isabel; again there was the hint of an
+ironical intention--&quot;if you will bring me the will which you
+have been so good as to draft for me I won't keep these young
+women a moment longer than I can help.&quot;</p>
+
+<p class="normal">She brought him the will--or, rather, a will. It was spread out
+on a slope, and covered with a sheet of blotting-paper on which
+she kept her fingers to prevent it slipping. Only the last four
+lines were visible--&quot;it is my wish shall be paid to her, free of
+legacy duty, within seven days of my being buried&quot;. What went
+before was hidden; the familiar conclusion seemed to be all that
+he cared to see. Leaning over him, raising his right arm, as
+gingerly as if it had been a piece of delicate porcelain, she
+placed his dreadful, helpless fingers somehow about a pen. He
+spoke to the two girls.</p>
+
+<p class="normal">&quot;As you know, I can do nothing by myself, so Mrs. Grahame, at my
+request, is going to guide my hand so as to enable me to sign my
+will. You understand, it is I who am signing it, not she.&quot;</p>
+
+<p class="normal">It was a strange signature--&quot;Cuthbert Grahame,&quot; in big,
+sprawling letters; some of them unattached to each other, all
+slanting in different directions. The owner of the name,
+however, seemed to view the result with undiluted satisfaction.</p>
+
+<p class="normal">&quot;That's my signature--clear enough for any one to read. Now I
+want you two girls to attach your names as witnesses to the fact
+that I have signed my will in your presence.&quot;</p>
+
+<p class="normal">Isabel removed the slope to the writing-table against the wall.
+Then each of the girls wrote her name in turn. When they had
+done so they left the room. So soon as they had gone Cuthbert
+Grahame spoke to Isabel.</p>
+
+<p class="normal">&quot;Now let me have a look at that will of mine in its finished
+condition. Thank goodness it is done. It's a weight off my
+mind--a relief for which I have to thank you.&quot;</p>
+
+<p class="normal">Isabel stood at the writing-table, looking down, with a smile on
+her face, at the paper he had signed.</p>
+
+<p class="normal">&quot;Do you say that you want to see your will now that it's all
+signed, sealed and finished?&quot;</p>
+
+<p class="normal">&quot;Yes; didn't you hear what I said? Then I want you to put it
+under my pillow. I'll show it Twelves when he comes. He'll laugh
+when he sees it.&quot;</p>
+
+<p class="normal">&quot;I expect he will laugh. Is Dr. Twelves coming to-day?&quot;</p>
+
+<p class="normal">&quot;He said something about it. If not, then he'll be here
+to-morrow. It will keep till then.&quot;</p>
+
+<p class="normal">&quot;Oh yes; it will keep till then.&quot;</p>
+
+<p class="normal">&quot;What are you waiting for? Why don't you bring the will? Don't I
+tell you I want to read it again?&quot;</p>
+
+<p class="normal">She went to the bed, the sheet of paper extended between her two
+hands.</p>
+
+<p class="normal">&quot;Here's your will, Mr. Grahame; by all means read it again.&quot;</p>
+
+<p class="normal">He read it, once, twice, then again. Then he tried to speak. It
+seemed that his voice failed him. It was not pleasant to notice
+the stammer which seemed to mark his struggles for breath.</p>
+
+<p class="normal">&quot;What--what folly's this? That's not the will I signed.&quot;</p>
+
+<p class="normal">Her eyes were dancing with laughter. There was a merry ring in
+her voice, as if she was in the enjoyment of an excellent joke.</p>
+
+<p class="normal">&quot;Oh yes, it is.&quot;</p>
+
+<p class="normal">&quot;It's not the one you drafted.&quot;</p>
+
+<p class="normal">&quot;Oh yes, it is.&quot;</p>
+
+<p class="normal">&quot;It isn't the one you showed me just now.&quot;</p>
+
+<p class="normal">&quot;Isn't it? Are you quite, quite sure?&quot;</p>
+
+<p class="normal">&quot;Of course I'm sure! It's a trick!--a fraud! This is not my
+will!&quot;</p>
+
+<p class="normal">&quot;But, dear Mr. Grahame--I noticed how you called me your
+dear!--it is your will. Here's your signature, attested by two
+witnesses. After all, there's only a slight difference between
+the one you saw and this.&quot;</p>
+
+<p class="normal">&quot;A slight difference, you--you----!&quot;</p>
+
+<p class="normal">In his efforts to find an expletive to fit the occasion, his
+struggles for breath became greater. She went gaily on.</p>
+
+<p class="normal">&quot;The only difference is that I get everything instead of
+Margaret Wallace, and that instead of my five thousand pounds
+she gets five farthings. Surely the trifling substitution of a
+few words won't matter to you in the least, Mr. Grahame.&quot;</p>
+
+<p class="normal">It seemed that it mattered a good deal. After a tremendous
+effort he regained some portion of his voice, enough to enable
+him to burst into a string of expletives.</p>
+
+<p class="normal">&quot;You--you----! You----! It's a fraud! a----fraud! It's a
+swindle! Don't you flatter yourself that it will stand! Don't
+you think I'll let it stand! Wait till Twelves comes, then I'll
+show you!&quot;</p>
+
+<p class="normal">&quot;Wait till Dr. Twelves comes? Suppose he never comes?&quot;</p>
+
+<p class="normal">&quot;What do you mean? What are you doing with that pillow?&quot;</p>
+
+<p class="normal">&quot;Suppose Dr. Twelves never comes, what is to prevent this will
+from standing?&quot;</p>
+
+<p class="normal">&quot;What are you doing with that pillow, you----!&quot;</p>
+
+<p class="normal">&quot;I'm going to stop your saying such dreadful things. It pains me
+to have to listen to such language.&quot;</p>
+
+<p class="normal">She snatched away one pillow from beneath his head, and then a
+second. She had propped him in such a way that when he was
+deprived of their support his head fell back, and there recurred
+the scene of the previous afternoon. He began to choke; his
+unwieldy frame was shaken by convulsive efforts to breathe;
+stertorous gasps proceeded from the region of his chest. He
+presented a dreadful spectacle.</p>
+
+<p class="normal">The sight did not seem to in any way affect the woman who was
+standing by his bed, with the pillows still in her hand. She
+pressed the bolster farther up his back so that his head
+declined at an acute angle; applying her palm to the point of
+his chin she forced it lower still. Then she said--</p>
+
+<p class="normal">&quot;I'll place the will as you wished me, Mr. Grahame, under your
+pillow&quot;.</p>
+
+<p class="normal">She placed it there, under the single pillow which remained;
+then she left the room.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_13" href="#div1Ref_13">CHAPTER XIII</a></h2>
+
+<h3>THE ENCOUNTER IN THE WOOD</h3>
+<br>
+
+
+<p class="normal">Isabel crossed to her own room, put on her hat, smiling at
+herself in the looking-glass as she arranged it to her
+satisfaction, then went downstairs, and out of the house without
+a word to any one. It was perhaps because she was conscious that
+Martha was peeping at her through the stillroom window that she
+began to whistle. She was still whistling one of the latest
+possible melodies when, entering the drive, she turned off among
+the trees and struck into the woods. Whistling was one of her
+accomplishments: she whistled very well. The sound of her clear
+pipe travelled far and wide. No one to hear her, or, for the
+matter of that, to look at her either, would have supposed that
+she had a care upon her mind. She bore herself like some
+lighthearted, happy girl, who, with unstained conscience, looks
+the whole world in the face, thinking what a delightful place it
+was for a pretty girl to be in.</p>
+
+<p class="normal">As a matter of fact it was the bright side of the picture which
+presented itself to her--the bright side only. In imagination
+she saw herself, as she would herself have phrased it, with
+&quot;tons of money&quot; and &quot;heaps of friends&quot;; the bright particular
+star of a radiant circle. Everywhere she was greeted with
+outstretched hands, glad faces and pćans of welcome. Her frocks
+were the most numerous and the &quot;sweetest,&quot; her carriages and
+horses were the finest, everything she had was of the very best,
+and she had everything the heart--her heart!--could desire.</p>
+
+<p class="normal">With that union of the practical with the imaginative which was
+not the least prominent of her characteristics she there and
+then began to inquire of herself what exactly in her new
+position she should do. To begin with, there was the delicate
+question of what she should call herself. Should she be Mrs.
+Lamb or Mrs. Grahame? Should she revert to her maiden
+patronymic, or should she start life again, with a fresh name
+altogether, one more in consonance with her new position? These
+were points she felt which would depend largely upon
+circumstances; she might not have so much freedom in the matter
+as she might desire. Then there was the question of domicile.
+Where should she reside? One thing was certain, she would not
+stay where she was--nothing would induce her. If she had her own
+way she would never come near the place again--never! As for
+living in his house!--in the middle of her brilliant imaginings
+the mere thought of such a thing seemed to make her blood run
+cold.</p>
+
+<p class="normal">On the instant her mood was changed. She stood still, amid the
+trees and bushes. With clenched fists, a new expression in her
+eyes, she looked behind her, first over one shoulder, then the
+other, then to the right and to the left, as if in search of
+something she had no desire to see. A sudden, strange reluctance
+seemed to clog her limbs. She listened: there was only the
+cawing of some distant rooks and the whisper of the breeze among
+the pines. With a laugh at her stupidity, breaking through the
+something which constrained her, she went striding on.</p>
+
+<p class="normal">But she had not gone far when a very genuine sound brought her
+to a halt. In itself a commonplace, there it was the most
+unusual of noises: it was the sound of footsteps, of some one
+tramping through the forest. In all the time she had known the
+place she had never heard a step except her own. Could it be
+Margaret Wallace, still lingering about the haunts she probably
+knew well and loved? It would be disconcerting if it were. If
+they met--but that was hardly a woman's step. Could it be the
+doctor? What was he doing in the forest on foot? Besides, she
+had noticed what little pattering steps he took; this person was
+striding.</p>
+
+<p class="normal">The walker was hidden from her by a clump of bracken which rose
+to a height of some six or seven feet. He was moving in her
+direction. Should she retreat? It could probably be done, and
+before he caught a glimpse of her. Should she advance and meet
+him? or should she wait until he came to her? While she
+hesitated, the decision was taken out of her hands. The walker,
+threading his way among the bracken, reached a point where the
+stalks were shorter. All at once she found herself confronted
+by--Gregory Lamb.</p>
+
+<p class="normal">She stared at him with as much amazement as he stared at her,
+and her amazement was unbounded. Possibly he was the last person
+with whom she would have associated the advancing footsteps; no
+thought of him had crossed her mind. Not improbably, since she
+at least had cause to suspect that he might be in the
+neighbourhood, his surprise was even greater than hers. He stood
+looking at her in bewildered silence, as if unable to believe
+the evidence of his own eyes. When he did speak the observation
+which he made was characteristic.</p>
+
+<p class="normal">&quot;Well, I'm hanged!&quot;</p>
+
+<p class="normal">Her retort was equally in character.</p>
+
+<p class="normal">&quot;I wish you were!&quot;</p>
+
+<p class="normal">&quot;I daresay; but I rather fancy that when it does come to
+hanging, where you and I are concerned, it will be a case of the
+lady first. Where the deuce have you been all this time? and
+what on earth are you doing here?&quot;</p>
+
+<p class="normal">&quot;What business is that of yours? Do you know you're
+trespassing?&quot;</p>
+
+<p class="normal">&quot;What business is it of mine? and do I know I'm trespassing?
+Well, that's pretty good, considering you're my wife, and the
+way you've behaved. Do you happen to know that the police are
+scouring the country for you, and that they're only lying low
+because they think you're dead, or something?&quot;</p>
+
+<p class="normal">&quot;It's a lie! You're a natural born liar; you tell nothing but
+lies.&quot;</p>
+
+<p class="normal">&quot;Don't you think you've a little gift of you're own in that
+direction? I do! It was bad enough to sneak off from me like
+that; but to steal the old girl's money was playing it too low
+down!&quot;</p>
+
+<p class="normal">&quot;What are you talking about? What do you mean?&quot;</p>
+
+<p class="normal">&quot;You know very well what I'm talking about! Do you think that I
+don't know--and that everybody doesn't know--that you broke into
+Mrs. Macconichie's cupboard and stole her savings? A pretty mess
+I got into because you were a thief! You don't happen to know, I
+suppose, that they locked me up for what you'd done, and that
+they only let me go when I proved that that sort of thing wasn't
+quite in my line.&quot;</p>
+
+<p class="normal">&quot;Serve you right!&quot;</p>
+
+<p class="normal">&quot;What served me right?--locking me up, or letting me go?&quot;</p>
+
+<p class="normal">&quot;Anything would serve you right, you brute!&quot;</p>
+
+<p class="normal">&quot;Brute, am I? All right, my lady! if that's the way you're going
+to talk to me I'll soon let the police know whereabouts you are,
+and then they'll serve you right. A good taste of prison would
+do you good, you dirty thief!&quot;</p>
+
+<p class="normal">&quot;Don't shout like that!&quot;</p>
+
+<p class="normal">&quot;Then don't you call me names. I'm not a thief whatever else I
+am.&quot;</p>
+
+<p class="normal">&quot;I'm not so sure of that. What are you doing here?&quot;</p>
+
+<p class="normal">&quot;What do you mean, what am I doing here?&quot;</p>
+
+<p class="normal">&quot;I thought you'd gone back to London long ago.&quot;</p>
+
+<p class="normal">&quot;Then you're wrong, because I haven't; and what's more, I'm not
+likely to go. I've been having a real bad time, that's what I've
+been having.&quot;</p>
+
+<p class="normal">&quot;Haven't those rich friends of yours sent that remittance you
+were always gassing about?&quot;</p>
+
+<p class="normal">&quot;No, they haven't.&quot; After a pause, he added, sullenly, &quot;My old
+mother's allowing me a pound a week, and I'm living on that. So
+now you know.&quot;</p>
+
+<p class="normal">&quot;Honest?&quot;</p>
+
+<p class="normal">&quot;It's the gospel truth. So you'll be able to judge for yourself
+how likely I am to be able to get back to London on that,
+especially as she won't let me have a penny in advance.&quot;</p>
+
+<p class="normal">&quot;A nice sort you are!--after the lies you told me about the tons
+of money you'd got yourself, and the other tons your friends had
+got!--a pound a week!&quot;</p>
+
+<p class="normal">&quot;Anyhow I'm not a thief.&quot;</p>
+
+<p class="normal">&quot;And I shouldn't have been a thief if I hadn't listened to your
+lies; and very well you know it. I've had enough of you; take
+yourself off!&quot;</p>
+
+<p class="normal">&quot;Take myself off?&quot;</p>
+
+<p class="normal">&quot;Yes, take yourself off, before I tell some one to take you.&quot;</p>
+
+<p class="normal">&quot;Well! you've got a face! If I do go I'll put the police on to
+you, and then you'll sing a different song.&quot;</p>
+
+<p class="normal">&quot;You dare!&quot;</p>
+
+<p class="normal">&quot;Dare!&quot; he laughed, not pleasantly. &quot;What is there to dare? I'd
+think as little of putting the police on to you as I would of
+putting a dog on to a cat. They'd soon show you your place, you
+thief!&quot;</p>
+
+<p class="normal">There was an interval of silence, during which she looked at him
+over the intervening bracken. If looks could kill he would have
+dropped dead where he stood.</p>
+
+<p class="normal">&quot;Well, are you going to take yourself off, or am I to tell them
+to take you?&quot;</p>
+
+<p class="normal">&quot;Who's them?--tell away! I think that when I tell them you're my
+wife, and that the police have been looking for you for quite a
+while, they--whoever they may be!--won't be so keen to interfere
+with me as you perhaps fancy. There's another thing: you seem to
+be forgetting that you're my wife. When I do go you'll go with
+me.&quot;</p>
+
+<p class="normal">&quot;Will I? We'll see.&quot;</p>
+
+<p class="normal">&quot;We will see; or, if you prefer it, it shall be the other way
+about, I'll go with you.&quot;</p>
+
+<p class="normal">&quot;Will you?&quot;</p>
+
+<p class="normal">&quot;It'll have to be one or the other, you may take it from me.
+Well, are you going to call those friends of yours? Are you
+coming with me, or am I to go with you? Which is it to be? I'm
+in no hurry; take your time. I'll have a pipe while you're
+thinking it over.&quot;</p>
+
+<p class="normal">He filled a pipe which he took from his pocket, while she glared
+at him.</p>
+
+<p class="normal">&quot;I'm as strong as you; I believe I'm stronger; I believe I could
+kill you if I chose.&quot;</p>
+
+<p class="normal">&quot;Be a murderer as well as a thief, would you? I shouldn't be
+surprised. You mightn't find it so easy to bring off this job as
+you did the other; killing a man is not so simple as killing a
+pig, take my word for it.&quot;</p>
+
+<p class="normal">&quot;Listen to me, Gregory Lamb.&quot;</p>
+
+<p class="normal">&quot;I'm listening, Mrs. Lamb, and it gives me real pleasure to do
+it.&quot;</p>
+
+<p class="normal">&quot;I'll make a rich man of you if you'll take yourself off.&quot;</p>
+
+<p class="normal">He stayed the lighted match on its passage to his pipe.</p>
+
+<p class="normal">&quot;You'll make a rich man of me? Now you're singing in quite
+another key. How are you going to do it?&quot;</p>
+
+<p class="normal">&quot;I'm staying in the house of a man who's dying.&quot;</p>
+
+<p class="normal">&quot;Dying is he? Then what does he want you in the house for? Have
+you turned nurse? Is that your latest caper?&quot;</p>
+
+<p class="normal">&quot;Never mind what I've turned. He's a rich man.&quot;</p>
+
+<p class="normal">&quot;What do you call rich?--like me?&quot;</p>
+
+<p class="normal">&quot;You fool! He owns all this&quot;--she threw out her arms--&quot;and ever
+so much besides.&quot;</p>
+
+<p class="normal">&quot;Owns all this? Is it Cuthbert Grahame you're talking about?&quot;</p>
+
+<p class="normal">&quot;What do you know about Cuthbert Grahame?&quot;</p>
+
+<p class="normal">&quot;Only that I happen to be living in one of his cottages--just
+over there--and a nice hole it is. But you can't expect much in
+the way of board and lodging for a pound a week, especially when
+you want some change left out of it. You're living in Cuthbert
+Grahame's house? Why, then--great Scot!--you must be the woman
+they're talking about who dropped from the skies.&quot; A change took
+place in the expression of his countenance which in its way was
+comical. &quot;A pretty sort of she-devil you must be!&quot;</p>
+
+<p class="normal">&quot;Now what are you talking about?&quot;</p>
+
+<p class="normal">&quot;I know everything. Why, one of the servants up at Cuthbert
+Grahame's--Martha Blair--is the daughter of the people I'm
+lodging with. They talk of nothing else but you. You've been
+passing yourself off as Cuthbert Grahame's wife.&quot;</p>
+
+<p class="normal">&quot;Well, what of it?&quot;</p>
+
+<p class="normal">&quot;What of it?--that's good! First theft, then bigamy!&quot;</p>
+
+<p class="normal">&quot;You fool! he's dying.&quot;</p>
+
+<p class="normal">&quot;I don't see what difference that makes; from what I understand
+he's been dying for years.&quot;</p>
+
+<p class="normal">&quot;He's made a will in my favour.&quot;</p>
+
+<p class="normal">&quot;Did he tell you?&quot;</p>
+
+<p class="normal">&quot;He did. He's left me everything--every shilling he has in the
+world.&quot;</p>
+
+<p class="normal">&quot;You're a beauty, upon my soul you are!&quot;</p>
+
+<p class="normal">&quot;And I tell you that he's dying while we are standing here. The
+odds are that he'll be dead by the time that I get back.&quot;</p>
+
+<p class="normal">&quot;How do you know?&quot;</p>
+
+<p class="normal">&quot;Then everything he has will be mine--ours.&quot;</p>
+
+<p class="normal">&quot;Ours?&quot;</p>
+
+<p class="normal">&quot;Ours!--yours and mine!--if you can keep a still tongue in your
+head, and keep on pretending that you know nothing about me.&quot;</p>
+
+<p class="normal">He was trembling.</p>
+
+<p class="normal">&quot;What about the Mrs. Grahame?&quot;</p>
+
+<p class="normal">&quot;Stuff the Mrs. Grahame! After he's dead I can soon be Mrs. Lamb
+again. What's to stop me?&quot;</p>
+
+<p class="normal">&quot;Shall we have to live here?&quot;</p>
+
+<p class="normal">She shuddered, involuntarily.</p>
+
+<p class="normal">&quot;Live here?--not much! We'll clear out of this in double quick
+time. We'll take a house in London, and live like princes.&quot;</p>
+
+<p class="normal">He moistened his lips with his tongue.</p>
+
+<p class="normal">&quot;You'll act on the square with me?&quot;</p>
+
+<p class="normal">&quot;Of course I will, if you'll act on the square with me. Look
+here, there's a ten-pound note for you. It's all I've got about
+me, but as you seem hard up you may find it useful. You go back,
+and unless I'm mistaken by to-morrow morning you'll hear he's
+dead. It won't take me long to put things ship-shape. Don't you
+write or try to see me, unless I give you the office. I'll keep
+you posted in how things are going. And so soon as I can lay
+hands on a good lot of the ready, if you like we'll go up to
+town together, and we'll have a real old spree as we go.&quot;</p>
+
+<p class="normal">&quot;Belle, you--you're----&quot;</p>
+
+<p class="normal">He stopped, as if his vocabulary failed him altogether.</p>
+
+<p class="normal">&quot;Yes, I know I am; I'm all that, and more besides.&quot;</p>
+
+<p class="normal">She laughed, and he laughed. In the laughter of neither of them
+was there any merriment. The sounds they emitted were merely
+mechanical.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_14" href="#div1Ref_14">CHAPTER XIV</a></h2>
+
+<h3>IN CUTHBERT GRAHAME'S ROOM</h3>
+<br>
+
+
+<p class="normal">On Isabel's return to the house she was greeted on the threshold
+by Martha, the Martha Blair whose connection with Gregory Lamb's
+present place of residence seemed destined to have a
+considerable bearing on Isabel's future life, and, at least, to
+settle the debated question of what her future name and title
+were to be. Martha's whole attitude was significant of some
+great happening. Her hands were raised; it seemed that if
+possible her hair would have been raised too; her eyebrows were
+elevated to quite a perceptible degree. Her eyes and mouth were
+wide open; agitation, of a not unpleasant kind, streamed from
+every pore of her. Behind was Jane, every whit as interested as
+her companion; but as she happened to be both the younger and
+the smaller her opportunities for display were less pronounced.
+Outside stood Dr. Twelves' dogcart; the horse, untended and
+untethered, apparently content to stand still as long as any one
+desired.</p>
+
+<p class="normal">Martha broke into speech before Isabel had a chance to plant her
+foot upon the doorstep.</p>
+
+<p class="normal">&quot;Oh, Mrs. Grahame, the master! Mr. Cuthbert, ma'am!&quot;</p>
+
+<p class="normal">&quot;Mr. Cuthbert, ma'am!&quot; echoed Jane from the rear.</p>
+
+<p class="normal">&quot;Mr. Cuthbert? Well, what's the matter with Mr. Cuthbert? Let me
+come in, don't stand there blocking up the way! Do you hear,
+what's the matter with Mr. Cuthbert?&quot;</p>
+
+<p class="normal">&quot;He's dead, ma'am--he's dead.&quot;</p>
+
+<p class="normal">The words broke from both the girls in chorus.</p>
+
+<p class="normal">&quot;Dead? What do you mean? What nonsense are you talking? He was
+well enough when I went out. I've never seen him better.&quot;</p>
+
+<p class="normal">&quot;He's had an accident, ma'am, and it's killed him.&quot;</p>
+
+<p class="normal">&quot;Accident? How could he have an accident? Is Dr. Twelves in the
+house? Where is he?&quot;</p>
+
+<p class="normal">&quot;The doctor is in Mr. Cuthbert's room. He's been there this
+half-hour and more.&quot;</p>
+
+<p class="normal">She went upstairs to Mr. Cuthbert's room. Her pulse did not
+quicken; inwardly as well as outwardly she remained calm; she
+was a woman whose self-control was above the average; yet she
+was reluctant to enter that room. It was with an effort she
+induced herself to grip the handle; when she had done so she had
+to force herself to give it the necessary twist. Even then she
+lingered on the threshold.</p>
+
+<p class="normal">&quot;Who's there?&quot; came the doctor's voice, in accents of inquiry.
+She showed herself.</p>
+
+<p class="normal">&quot;What's happened? What's the matter?&quot;</p>
+
+<p class="normal">The doctor was standing at the head of the bed. He had something
+in either hand. Instead of replying to her inquiries he looked
+at her from beneath his overhanging brows, as if he had been her
+accuser.</p>
+
+<p class="normal">&quot;Why do you look at me like that? Do you hear me ask you what
+has happened? Have you all lost your senses? Why don't you
+answer?&quot; He waved his hand towards the bed. Her gaze followed
+his gesture, with an effort. She knew what she would see; she
+did not want to see it. Instantly her glance returned to the
+doctor.</p>
+
+<p class="normal">&quot;Is he--is he dead?&quot;</p>
+
+<p class="normal">&quot;Quite dead.&quot;</p>
+
+<p class="normal">&quot;But I don't understand. When I left him he seemed brighter and
+better than I have ever seen him before.&quot;</p>
+
+<p class="normal">&quot;He's been killed.&quot;</p>
+
+<p class="normal">&quot;Killed! What do you mean, he's been killed?&quot;</p>
+
+<p class="normal">&quot;Come here, I'll show you.&quot; She went a little closer,
+unwillingly. &quot;Come this side of the bed.&quot; She did as he bade
+her, with leaden feet. &quot;You see, the pillows have fallen; he's
+been choked.&quot;</p>
+
+<p class="normal">&quot;But how can they have fallen? They were all right when I left
+him. Has any one been in since?&quot;</p>
+
+<p class="normal">&quot;Are you sure they were all right when you left him?&quot;</p>
+
+<p class="normal">&quot;Perfectly sure. I tell you I have never seen him in better
+health or in brighter spirits.&quot;</p>
+
+<p class="normal">&quot;He could not have pushed them from under him himself.&quot;</p>
+
+<p class="normal">&quot;He might have done it in a fit.&quot;</p>
+
+<p class="normal">&quot;Perhaps; but it would have had to be a singular sort of a fit.
+You say you are sure they were in their usual position when you
+left him?&quot;</p>
+
+<p class="normal">&quot;Why do you ask me that again? Why do you look at me like that,
+and speak in such a tone? Are you suggesting that I have had a
+hand in his death?&quot;</p>
+
+<p class="normal">&quot;I am suggesting nothing.&quot;</p>
+
+<p class="normal">&quot;It seems to me that you are suggesting a good deal, which you
+dare not say right out. At least your manner is peculiar--but
+that it generally is. If you have anything to say, say it--like
+a man!--at once! Don't hint it, like a sneak. I hate your
+underhanded ways.&quot;</p>
+
+<p class="normal">&quot;I found this under his pillow--his one remaining pillow.&quot;</p>
+
+<p class="normal">&quot;It's his will. He made it this morning.&quot;</p>
+
+<p class="normal">&quot;So I am told by the two servants. I perceive it is in your
+writing. Did he dictate to you this document?&quot;</p>
+
+<p class="normal">&quot;He did. I wrote it from his dictation, word for word as he told
+me. I wrote it yesterday afternoon. He read it through, and kept
+it under his pillow all night. He signed it this morning.&quot;</p>
+
+<p class="normal">&quot;It seems odd that, after completing such a will as this, he
+should have immediately died--in such a manner. If he could come
+to life again I wonder what he'd say.&quot;</p>
+
+<p class="normal">&quot;Give me that will, if you please, Dr. Twelves.&quot;</p>
+
+<p class="normal">&quot;Hadn't I better hand it to his lawyer for safe keeping?&quot;</p>
+
+<p class="normal">&quot;His lawyer? His lawyer is now my lawyer; I will give all
+necessary instructions. The will will be in safe keeping with
+me. Give it me at once.&quot; He gave it her. &quot;What have you in your
+other hand? Some more property of mine?&quot;</p>
+
+<p class="normal">&quot;It is the miniature of the woman he loved best in the world.
+Don't you think it might go with him, in his coffin, to the
+grave?&quot;</p>
+
+<p class="normal">&quot;Give it me. I will give all necessary instructions, as I have
+already told you. Your interference is not desired, nor will it
+be tolerated. To be quite frank with you, Dr. Twelves--it is
+always my desire to be frank and open--I have endured too much
+from you already; I will endure nothing more. The less I see, or
+hear, of you in the future the better I shall be pleased, since
+you are, in all respects, the most objectionable person I ever
+met. Don't you venture to intrude yourself again; if medical
+attendance is required it will be obtained elsewhere. I
+am now the mistress of this house--since there is no master,
+its mistress in the most literal sense. Everything is
+mine--everything. Be so good as to bear that in mind.&quot;</p>
+
+<p class="normal">He looked at her, and smiled.</p>
+
+<p class="normal">&quot;I am not likely to forget that--ever.&quot;</p>
+
+<p class="normal">She did not know which she liked least--his tone, his look, or
+his smile.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_book2" href="#div1Ref_book2">BOOK II</a></h2>
+
+<h3>THE WIDOW</h3>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_15" href="#div1Ref_15">CHAPTER XV</a></h2>
+
+<h3>&quot;THE GORDIAN KNOT&quot;</h3>
+<br>
+
+
+<p class="normal">Mr. Talfourd twiddled the bunch of La France roses between his
+fingers with a smile which was scarcely one of satisfaction.
+They were very fine roses--in just that stage of bursting bud in
+which the La France is seen at its best. In London La France
+roses cost money, even when they are poor examples of their
+kind; those were good enough for exhibition. There were a great
+many of them, and they were tied about with a beautiful green
+ribbon, in charming contrast with the blooms. They had probably
+cost some one at least half a sovereign. They were for him; they
+had cost him nothing; yet they did not seem to afford him
+pleasure.</p>
+
+<p class="normal">The fact was he was puzzled. He did not quite know what to make
+of the situation; what he did understand he did not like.</p>
+
+<p class="normal">&quot;This gets beyond a jest,&quot; he told himself. &quot;Because I happened
+to mention, accidentally, that La France roses were my favourite
+flowers, I didn't expect to find a bouquet of them on my table
+every morning awaiting my arrival. Either it means something or
+it doesn't; either way I don't like it. I'm getting three
+hundred pounds a year in cash for doing I don't quite know what,
+and apparently half as much again in flowers. It won't do--it
+will not do.&quot; He gave the unoffending roses an impatient twirl.
+&quot;The point of the joke is that when I said La France roses were
+my favourite flowers I was speaking a little beside the mark. I
+don't know that I have a favourite flower. They're Meg's--I was
+thinking of her at the time, as I generally am. I don't want
+Mrs. Lamb to think that she is giving me flowers, when she is
+really giving them to Meg, to whom I invariably pass them on. I
+don't know that she would really relish the notion of my giving
+her flowers to some one else. Confound her impudence!&quot;</p>
+
+<p class="normal">He threw the roses from him on to the table with a show of
+roughness which they, at any rate, had done nothing to deserve.
+As if conscious that his temper was being vented in the wrong
+quarter, picking them up again he regarded them with looks of
+whimsical self-reproach.</p>
+
+<p class="normal">While he was still eyeing them the door was opened, and a
+masculine voice inquired from without--</p>
+
+<p class="normal">&quot;May I come in?&quot;</p>
+
+<p class="normal">Without waiting for a reply the inquirer entered. It was Mr.
+Gregory Lamb. A much more resplendent Gregory Lamb than the one
+whose acquaintance we have previously made. The Gregory Lamb we
+met in the wood was purely an affair of make-believe--not of
+very plausible make-believe. His attire then looked as if it
+wished you to think it had cost a great deal of money--but the
+trained eye knew better. There could be no doubt that everything
+about this Gregory Lamb was the most expensive of its kind--only
+the trained eye knew really how expensive. The impression he
+conveyed was that he had got as much on him in the way of money
+as he conveniently could--probably that impression was not far
+wrong. Yet the result was scarcely satisfactory. Especially was
+this shown to be the case when he brought himself into
+comparison with the man who was already in the room.</p>
+
+<p class="normal">Both were young; both bore themselves well; both were
+good-looking; yet there could not be a moment's doubt as to
+which was the pleasanter to look upon. It was not only that one
+was obviously a gentleman, and the other just as obviously was
+not; nor was it that one looked a clever, an intellectual, man,
+and the other emphatically did not; still less was it an affair
+of costume, since Gregory Lamb was overdressed and Harry
+Talfourd's attire was simply plain and neat. It was something
+subtler than any of these things which made the one attractive
+and the other the reverse. Gregory Lamb had never made a friend
+worth having in all his life--and never would; Talfourd made
+friends wherever he went. He could not himself have said why; it
+was certainly not because he tried.</p>
+
+<p class="normal">To begin with, Mr. Lamb's manner was unfortunate. His intention
+was to be on terms of hail-fellow-well-met with every one; to be
+no respecter of persons; to be &quot;my dear chap&quot; with Tom, Dick and
+Harry. As a matter of fact, there was an air of patronage about
+everything he said and did which was perhaps the more
+insufferable because unconscious. He came into the room with
+what he meant to be an air of jaunty geniality.</p>
+
+<p class="normal">&quot;All alone? I thought you would be. It's not your time for
+receiving visitors, is it? Just come; I heard you knock; must
+have time to breathe before you let them in--eh? Those are fine
+roses.&quot;</p>
+
+<p class="normal">&quot;They are not bad ones.&quot;</p>
+
+<p class="normal">&quot;Bad ones!--I should think they weren't. They oughtn't to be; I
+happen to know what my wife paid for them.&quot; He laughed, as if he
+sneered. &quot;Sends you them every morning, doesn't she? Standing
+order, I hear. Talfourd, you're in luck.&quot;</p>
+
+<p class="normal">Mr. Talfourd's manner was as cold as the other's was warm.</p>
+
+<p class="normal">&quot;Mrs. Lamb is very kind--kinder than I deserve.&quot;</p>
+
+<p class="normal">&quot;Perhaps she knows what you deserve better than you do--trust
+her, she's no simpleton. When she takes a fancy she has her
+reasons. I say, old man, I want you to do me a favour.&quot;</p>
+
+<p class="normal">&quot;I shall be happy to do you a service if I can.&quot;</p>
+
+<p class="normal">&quot;There's no doubt about the can--not the least in the
+world--you'll find that it's as easy as winking. I want you to
+get my wife to let me go for a little run to Monte Carlo.&quot;</p>
+
+<p class="normal">&quot;I beg your pardon?--I don't understand.&quot;</p>
+
+<p class="normal">&quot;It's this way. I'll be frank with you, Talfourd. I look upon
+you as a friend, my boy. I can't go without cash; I'm
+stony-broke; my wife holds the money-bags. You tell her--you
+know how!&quot;--Mr. Lamb winked--&quot;that you think the run would do me
+good, and tell her to give me a thousand to do it with,
+and--I'll do as much for you one day, upon my soul I will.&quot;</p>
+
+<p class="normal">Mr. Talfourd stared at the speaker in undisguised amazement.</p>
+
+<p class="normal">&quot;You credit me with powers of persuasion which are altogether
+beyond any I possess.&quot;</p>
+
+<p class="normal">&quot;Oh no, I don't&quot;--Mr. Lamb laughed again--&quot;I know better than
+that! You tell her what I've asked you to tell her, and I bet
+you anything I cross by to-night's boat, with notes for a
+thousand in my pocket. She'd send me to the North Pole at a hint
+from you.&quot;</p>
+
+<p class="normal">There was scarcely such a friendly expression on Mr. Talfourd's
+face as on the other's.</p>
+
+<p class="normal">&quot;Are you not forgetting that Mrs. Lamb is my employer? that I am
+merely her servant since I receive her wages?&quot;</p>
+
+<p class="normal">&quot;Her servant?&quot;--the laugh again--&quot;I hope she doesn't overwork
+you. Come, Talfourd, be the good sort you are, help a lame dog
+over a stile. I'm spoiling for a flutter, and I'm dead sure that
+the only chance I have of getting it is by means of a helping
+word from you.&quot;</p>
+
+<p class="normal">&quot;You must excuse me, Mr. Lamb. I am engaged to do clerical work
+for Mrs. Lamb. I should not presume to speak to her on the
+subject you have mentioned.&quot;</p>
+
+<p class="normal">&quot;Presume?--what ho! Now Talfourd, you're no kid any more than I
+am. You know as well as I do that you can twist my wife round
+your finger. All I want you to do is to give her a twist for my
+particular benefit.&quot;</p>
+
+<p class="normal">&quot;I can give you no answer but the one I have already given.&quot;</p>
+
+<p class="normal">&quot;Oh yes, you can--and you will. I'll look in for it to-morrow
+morning--by that time you'll have thought it over. You're
+not so crusty as you make yourself out to be. That'll be
+four-and-twenty hours clean thrown away; and when you're
+spoiling for a burst like I am, that's a deuce of time. But I
+shall have every confidence in your kind offices when you've had
+a chance to see just what I'm driving at.&quot;</p>
+
+<p class="normal">When Mr. Lamb had retired Mr. Talfourd seemed unhappy.</p>
+
+<p class="normal">&quot;Every time that man talks to me I want to kick him. I wonder if
+he affects other people in the same way--the unmentionable
+animal! If, as the husband of his wife, he thinks himself
+entitled to talk to me like that, it's time for me to think
+things over. I must know where I am moving. Three hundred pounds
+are three hundred pounds--I know that as well as any one--but
+they may be earned too dearly. It is one thing to be Mrs. Lamb's
+secretary, quite another to be----&quot; He did not finish the
+sentence even mentally. Sitting down to the table he drew
+towards him the little heap of correspondence which was supposed
+to justify his secretarial existence. There were about a dozen
+envelopes, mostly containing circulars of different kinds. &quot;I
+believe that the letters are examined, and any of the slightest
+importance retained, before they are sent to me. The idea of my
+receiving three hundred pounds a year for opening circulars is
+too thin.&quot;</p>
+
+<p class="normal">While he sat with both elbows on the table, staring ruefully in
+front of him, the door opened again, and Mrs. Lamb came in.</p>
+
+<p class="normal">&quot;At work? I hope I'm not disturbing you.&quot;</p>
+
+<p class="normal">She had changed more than her husband, whether for the better or
+for the worse was not easy to determine. So far as appearance
+went she had become a much better imitation of a lady. Society,
+or what with her passed as society, had smoothed away some of
+the angles. She had the air of a woman who had to do with many
+persons of different sorts, and had learned to adapt herself to
+them all. One felt that she was probably a popular character on
+the stage on which she had chosen to perform--successful, at
+least within certain limits. One did not wonder that it was so,
+if only because, in her own way, she was good to look at.</p>
+
+<p class="normal">That way, however, did not happen to be Mr. Talfourd's--which
+was unfortunate. Indeed, she inspired him with a curious
+feeling. He was afraid of her. It seemed absurd, but he was. For
+one thing, he realised that she was not only a clever, an
+unusually clever woman, but that her cleverness lay in a
+direction in which he was incompetent, and would perhaps
+prefer to be. Again, he felt that she read him like an open
+book, knew him to his finger-tips, while she was beyond his
+comprehension--where, again, he would possibly prefer her to
+remain. He had an uncomfortable suspicion that she saw in him
+something which was not savoury; that her keenest glances were
+continually directed on his weakest points; that it would please
+her to find him an undesirable creature. He had no overt cause
+to suppose this was so. So far she had been to him nothing but a
+friend--a friend in need. But on such a point even the vaguest
+shadow of a doubt was disquieting.</p>
+
+<p class="normal">He rose as she came in.</p>
+
+<p class="normal">&quot;It is not possible for you to disturb me--I wish it were.&quot;</p>
+
+<p class="normal">&quot;You wish it were? Why?&quot;</p>
+
+<p class="normal">&quot;Because in that case I should be really doing some genuine
+work--which I never am. My post is too much of a sinecure; my
+conscience will not allow me to remain your secretary much
+longer if there continues to be nothing to do.&quot;</p>
+
+<p class="normal">&quot;You want something to do? You shall have it--very soon--at
+least, I think so. I have been reading your play.&quot;</p>
+
+<p class="normal">&quot;My play?&quot;</p>
+
+<p class="normal">He had noticed that she was carrying in her hand what looked
+like some typewritten MSS., in brown-paper covers. Now, with a
+start, he recognised them as his own.</p>
+
+<p class="normal">&quot;'The Gordian Knot.' Mr. Winton gave it me to read.&quot;</p>
+
+<p class="normal">&quot;Winton! What right----&quot;</p>
+
+<p class="normal">He was about to ask what right Winton had to do anything of the
+kind, but perceiving that that would scarcely be a civil
+inquiry, he stopped, not, however, before she understood what
+had been on the tip of his tongue.</p>
+
+<p class="normal">&quot;Mr. Winton had every right to give it me to read, as, I think,
+you will yourself admit when I explain. I have, of course, known
+for a long time that Mr. Winton would like to commence
+management on his own account. The other afternoon he told me
+that he had a play which he would produce at once if he could
+only find some one who would furnish at any rate part of the
+necessary capital. I asked by whom it was. He said, 'It's by a
+man named Talfourd--Harry Talfourd'. You may easily believe that
+that did arouse my interest.&quot; She said this in a tone which
+seemed to make him go all over pins and needles; it was almost
+as if she had caressed him. &quot;I mentioned to Mr. Winton that,
+given certain conditions, it was possible that I might be
+tempted to enter into such a speculation. He offered to send me
+the MS. It reached me yesterday. I read it last night and again
+this morning--not once, but three or four times. Mr. Talfourd,
+it's first-rate.&quot;</p>
+
+<p class="normal">&quot;It's very good of you to say so.&quot;</p>
+
+<p class="normal">&quot;It's not good of me. It's a simple statement of a simple fact.
+If it were rubbish I should tell you so plainly--if you were the
+dearest friend I have in the world. On such matters I have no
+hesitation; and I think you will confess that this is a matter
+on which I do know something. Your play's first-rate. If we can
+agree about terms it shall have an immediate production.&quot;</p>
+
+<p class="normal">&quot;I hardly know what to say to you.&quot;</p>
+
+<p class="normal">He did not. On that play he had founded more hopes than he would
+have cared to mention to that friendly lady. Its success would
+mean so much to him, and to the woman he loved. It had gone the
+usual round of the untried dramatist's play. Hope deferred again
+and again had made his heart sick. He had begun almost to
+despair that it would ever see the light. Yet now that he was
+told that if there was only an agreement about terms--as if
+there was any likelihood of a disagreement!--it should have an
+immediate production, he was not at all sure that his feelings
+were what, under the circumstances, he had supposed they would
+have been. It was perfectly true, he did not know what to say to
+her. She was glib enough.</p>
+
+<p class="normal">&quot;Say?--say nothing. Let's talk business, and stick to that. I
+mean to. You understand that this is purely a business
+proposition which I am about to make to you, and absolutely
+nothing else. If I go into this matter it will be on strictly
+commercial grounds, and on those only.&quot;</p>
+
+<p class="normal">&quot;I wish I were sure of it.&quot;</p>
+
+<p class="normal">&quot;It's not nice of you to doubt my word, Mr. Talfourd; before I
+have finished you will be sorry for having done so. Before
+entering into negotiations for the production of your play, do
+you know what would be one of the preliminary conditions I
+should be disposed to make?&quot;</p>
+
+<p class="normal">&quot;I have not a notion.&quot;</p>
+
+<p class="normal">&quot;That I should be your leading lady.&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb!&quot;</p>
+
+<p class="normal">&quot;Mr. Talfourd! I presume you are aware that I can act?&quot;</p>
+
+<p class="normal">&quot;I know that you have made some successful appearances in--in
+amateur theatricals.&quot;</p>
+
+<p class="normal">&quot;Mr. Winton will inform you that those amateur theatricals were
+not greatly below the standard of any professional
+representations you have seen. Apart from that--this is strictly
+between ourselves--I may mention that once upon a time I was
+professionally connected with the stage.&quot; She did not think it
+necessary to mention with what branch of it. &quot;Your heroine, Lady
+Glover----&quot;</p>
+
+<p class="normal">&quot;Lady Glover is hardly my heroine.&quot;</p>
+
+<p class="normal">&quot;She is the leading feminine character--the pivotal character;
+the one about whom the whole thing turns. To my mind the one
+creature of real flesh and blood.&quot;</p>
+
+<p class="normal">&quot;I had hoped that Agnes Eliot was a character of some
+importance.&quot;</p>
+
+<p class="normal">&quot;Agnes Eliot?--pooh!--namby-pamby, bread-and-butter miss! She's
+not bad in her way, and, I suppose, in a pit-and-gallery sense,
+she's the heroine--and not an ineffective one either; but I
+assure you I have not the slightest wish to play Agnes Eliot.
+Susan Stone, who becomes Lady Glover, is a woman who, in the
+face of all obstacles, achieves success; continually confronted
+by difficulties, she treats them as so many Gordian knots; she
+cuts them and walks straight on. Quite indifferent as to the
+means she employs, she always gets there. Considering the
+present craze among actresses for what they are pleased to call
+sympathetic parts, I think you will agree that that is not a
+character which would appeal to every one.&quot;</p>
+
+<p class="normal">&quot;Certainly. Winton is of opinion that in casting the play the
+chief difficulty would be to find an adequate representative. As
+you say, many actresses don't like to act wicked women.&quot;</p>
+
+<p class="normal">&quot;I don't know about an adequate representative, but I'm quite
+willing to act Lady Glover, and, although I say it myself, I
+think you'll find that I shall be equal to the occasion. Indeed,
+I am ready to make a sporting bet with you that, in my hands,
+Lady Glover will take the town by storm. There's a popular
+fallacy that people don't like wicked women--it is a fallacy.
+When they're of the right brand, they love 'em--especially men.
+Give me a chance, and I'll prove it. I'll guarantee that
+seventy-five per cent, of masculine playgoers shall fall in love
+with Lady Glover--if I play her. What do you say?&quot;</p>
+
+<p class="normal">&quot;I don't understand why you should wish to play her.&quot;</p>
+
+<p class="normal">&quot;How's that?&quot;</p>
+
+<p class="normal">&quot;The answer seems so obvious. You--a lady of position, of
+fortune, with troops of friends!&quot;</p>
+
+<p class="normal">&quot;Change, Mr. Talfourd, is the salt of life. I'm very fond of
+salt. Before I read your play I had no more idea of doing
+anything of the kind than I had of flying to the moon. But Lady
+Glover went straight to my heart. I saw at once what magnificent
+fun it would be to give to the stage a really adequate
+representation of the naughty feminine. I knew I could do
+it--and I can. So why shouldn't I?&quot;</p>
+
+<p class="normal">&quot;You understand that Mr. Winton has the refusal of the play, and
+that I should first have to consult him.&quot;</p>
+
+<p class="normal">&quot;Of course I understand that Winton has the refusal of the play,
+and of course I understand that you will have to consult him.
+I'm not afraid of Winton. He shall be the leading man, and cast
+the other parts as he pleases. I'll be Lady Glover, and find the
+money. I'll be an ideal Lady Glover. I believe in your heart you
+know it. Winton and I between us will make of the play a
+monstrous success, and so your fortune will be made, and a few
+shillings added to my own. I should dearly like to make your
+fortune, if only for one reason--because you don't like me.&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb!&quot;</p>
+
+<p class="normal">&quot;Which is the more odd, because men generally do. Do you
+remember our first meeting?&quot;</p>
+
+<p class="normal">&quot;I'm never likely to forget it.&quot;</p>
+
+<p class="normal">&quot;You don't say that in a tone which suggests an unsophisticated
+compliment. I had read that thing of yours in the <i>Cornhill</i>.
+Frank Staines said that he had the honour of your acquaintance;
+that you were clever on quite unusual lines--as he put it, 'a
+cut above the market'--and that in consequence you'd been having
+a pretty rough time. You recollect that it was at an early stage
+of our acquaintance that I offered you the post of private
+secretary.&quot;</p>
+
+<p class="normal">&quot;I wonder if, when you did so, you knew that I'd nearly reached
+my last shilling?&quot;</p>
+
+<p class="normal">&quot;I'd an inkling. If you hadn't you'd have said no.&quot; This was so
+literally the truth that he was silent. She understood him so
+much better than he did her. He had an irritating feeling that
+she was treating him as if he were some plastic material, which
+she was gradually fashioning into the shape she desired. &quot;I've
+done you nothing else than good turns----&quot;</p>
+
+<p class="normal">&quot;I know it, quite well.&quot;</p>
+
+<p class="normal">&quot;And yet, actually, I believe, on that account, you seem to
+dislike me more and more.&quot;</p>
+
+<p class="normal">&quot;I do assure you, Mrs. Lamb, that you are wrong. I do hope I'm
+not the blackguard you seem to imagine.&quot;</p>
+
+<p class="normal">&quot;I am not wrong, Mr. Talfourd--in a matter of that sort I seldom
+am. And you're not a blackguard; you're altogether the other
+way. It's a case of Dr. Fell--the reason why you don't like me
+you cannot tell. It's not your fault at all--it's sort of
+congenital. Don't worry! But that being so, since I have already
+done you one or two good turns, it would be delightful to be
+able to do you a crowning good turn--to make your fortune; to
+make you the most successful man of the day--you, the only man I
+ever met who really did, and does, dislike me.</p>
+
+<p class="normal">&quot;Mrs. Lamb, I--I can't tell you how you make me feel.&quot;</p>
+
+<p class="normal">&quot;I wouldn't try.&quot;</p>
+
+<p class="normal">He did not. She looked at him and smiled, while he stood before
+her, with flushed cheeks and downcast eyes, like some shamefaced
+schoolboy.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_16" href="#div1Ref_16">CHAPTER XVI</a></h2>
+
+<h3>MARGARET IS PUZZLED</h3>
+<br>
+
+
+<p class="normal">Miss Dorothy Johnson, balancing herself on the edge of the
+table, was playing catch-ball with a pair of gloves.</p>
+
+<p class="normal">&quot;Margaret Wallace, you're one of the sillies!&quot;</p>
+
+<p class="normal">&quot;Evidently you are not the only person who is of that opinion.&quot;</p>
+
+<p class="normal">&quot;That's right--put the worst construction on everything I say,
+and think yourself smart.&quot;</p>
+
+<p class="normal">&quot;It's just as well that some one should think so. Dollie,
+sometimes I'm very near to the conviction that it's no
+good--that nothing's any good, and, especially, that I'm no
+good; that I might as well own myself beaten right away.&quot;</p>
+
+<p class="normal">&quot;Well, you are beaten this time, that's sure. What ought
+to be just as sure is that you don't mean to be beaten every
+time--there's the whole philosophy of life for you in a
+nutshell.&quot;</p>
+
+<p class="normal">&quot;But suppose I'm dragging Harry down? I shouldn't be surprised
+if it's all through me that his MSS. keep on being returned.
+I said to him, 'Let me make drawings to illustrate your
+stories--I'd love to'. And I do love to! 'Then we'll send the
+stories and the drawings to the editors together.' But they
+nearly all come back. I've a horrid feeling that it's my
+drawings which ruin them.&quot;</p>
+
+<p class="normal">&quot;Stuff! It's Harry's work that's no good.&quot;</p>
+
+<p class="normal">&quot;No good? How dare you! You've said yourself over and over again
+that it's splendid.&quot;</p>
+
+<p class="normal">&quot;That's what's against it--it's splendid.&quot; Miss Johnson,
+stretching her right arm to its extreme length, dangled her
+gloves between the tips of her fingers. &quot;Margaret Wallace,
+literature means to me at least three pounds a week, it may be
+four, if possible, five. I can live on three, be comfortable on
+four, a swell on five. The problem being thus stated in all its
+beautiful simplicity, it only remains for me to discover the
+quickest and easiest solution. I have learned, from experience,
+that the <i>Home Muddler</i> is willing to give me half a guinea for
+a column of drivel, and the <i>Hearthstone Smasher</i> fifteen
+shillings for another. The <i>Family Flutterer</i> prints eight or
+ten thousand words of an endless serial at five shillings a
+thousand--one of these days I mean to strike for seven-and-six.
+But in the meantime there you are--the pursuit of literature has
+brought me bread and cheese. Why doesn't your Harry tread the
+same path?&quot;</p>
+
+<p class="normal">&quot;The idea!&quot;</p>
+
+<p class="normal">&quot;Of course!--the idea!--and that's where he gets left. It's my
+experience that in literature----&quot;</p>
+
+<p class="normal">&quot;Literature!&quot;</p>
+
+<p class="normal">&quot;I said literature. I was observing, when you interrupted, that
+it is my experience that in literature&quot;--Miss Johnson paused,
+Miss Wallace was contemptuously silent--&quot;men always get paid at
+least twice as much as the women. I don't know why; it seems to
+be one of the rules of the game. It therefore follows that if
+your Harry did as I do he would earn six, eight, ten pounds a
+week, which, with management, would keep two--not to speak of
+your drawings, which ought to bring in something. I believe the
+<i>Family Flutterer</i> pays as much as seven-and-six for a full
+page.&quot;</p>
+
+<p class="normal">&quot;My dear Dollie, you know as well as I do that we both of us
+would rather starve.&quot;</p>
+
+<p class="normal">&quot;Sweet Meg, I'm not saying you're right or wrong, only, if you
+have resolved to eschew the easily earned loaves and fishes,
+don't revile because, having set out on the track of the
+rarer creatures, you discover--what every one knows, and you
+know!--that they are difficult to find. My private opinion
+is that Harry will find them one day--if he keeps on long
+enough--though I don't know when.&quot;</p>
+
+<p class="normal">&quot;You're a comforting sort of person.&quot;</p>
+
+<p class="normal">&quot;I'm a practical sort of person, which is better. Cheer up, Meg!
+he'll get there--and perhaps you will too--though of course his
+stories are better than your drawings.&quot;</p>
+
+<p class="normal">&quot;I don't need you to tell me that.&quot;</p>
+
+<p class="normal">Miss Johnson, descending from the table, put her arm round the
+girl who was seated on the other side.</p>
+
+<p class="normal">&quot;You poor darling! I'm a perfect pig! I say, Meg, are you hard
+up?&quot;</p>
+
+<p class="normal">&quot;I always am.&quot;</p>
+
+<p class="normal">&quot;Beyond the ordinary, I mean?&quot;</p>
+
+<p class="normal">&quot;If you mean, can you lend me, or give me, any money, you
+can't--thank you very much. I'm going to hoe my own furrow,
+right to the end.&quot;</p>
+
+<p class="normal">&quot;How about Harry? He gets some of his stuff accepted; then
+there's the three hundred pounds a year certain which he gets
+for being that party's secretary. I call that practicality, if
+you like! He ought to be getting on first-rate.&quot;</p>
+
+<p class="normal">&quot;He doesn't seem to think so, anyhow. As for what you call the
+three hundred pounds a year certain, I doubt if anything could
+be more uncertain, the engagement may terminate any day. I
+believe that Harry is really more worried than I am, and--and
+that's saying a good deal.&quot;</p>
+
+<p class="normal">&quot;Then the marriage is not coming off just yet?&quot;</p>
+
+<p class="normal">&quot;Marriage!--and you call yourself a practical person!--how can
+you be so absurd?&quot;</p>
+
+<p class="normal">&quot;I am not sure that I am absurd. If I ever loved a man--which I
+am never likely to do, men are such beings!--really loved him,
+and knew that he loved me, I shouldn't hesitate to marry him on
+a pound a week. Marriage, properly understood, is a spur; it's
+not, necessarily, anything like the clog romantic people like
+you seem to think it is.&quot;</p>
+
+<p class="normal">When Miss Johnson had gone Margaret Wallace went and stood
+before a photograph which hung over the mantelpiece--the
+photograph of a man.</p>
+
+<p class="normal">&quot;I think, Cuthbert Grahame, it's possible that you'll shortly be
+revenged; if you knew just how things are I fancy you'd be of
+opinion that you're revenged already. If you'd been even a
+shadowy semblance of the father you once professed to be, I--I
+shouldn't be wondering where I'm to get my dinner from.&quot;</p>
+
+<p class="normal">She examined the physiognomy of the man in front of her as if,
+instead of being the most familiar of faces, she saw it now for
+the first time. Going back to her seat at the table, she was
+examining the drawings which had accompanied the returned MS.,
+as if desirous of learning what improvement she could make in
+them, when there came a tap at the door.</p>
+
+<p class="normal">&quot;Come in.&quot; Mr. Talfourd entered. In a moment she was in his
+arms. &quot;Harry!&quot;</p>
+
+<p class="normal">&quot;Meg!--more roses for you.&quot; He handed her the La France roses
+which had been presented to him by Mrs. Lamb. &quot;What are you
+doing?&quot;</p>
+
+<p class="normal">She was eyeing the roses, without any great show of enthusiasm,
+which was possibly lacking because she knew from whom they had
+originally come.</p>
+
+<p class="normal">&quot;Harry, I've more bad news for you--I never seem to have
+anything else. The story's back from the <i>Searchlight</i>.&quot;</p>
+
+<p class="normal">&quot;What does it matter?&quot;</p>
+
+<p class="normal">&quot;I don't like to hear you talk like that, because, you see, we
+both know that it matters, dear. Harry, do you think that it
+may have been returned because my drawings aren't up to the
+mark--honestly?&quot;</p>
+
+<p class="normal">&quot;Honestly, I am certain it has not. Your drawings are at least
+as good as my story. I have never met any one who can illustrate
+me as well as you do.&quot;</p>
+
+<p class="normal">&quot;You mean that? If I weren't Margaret Wallace would you say so
+still?&quot;</p>
+
+<p class="normal">&quot;I should. I should congratulate myself on having met some one
+who could illustrate me as I like to be illustrated. You
+misunderstood me just now. I said what does it matter, because
+it doesn't matter, in view of something of much greater
+importance which I have to say to you.&quot;</p>
+
+<p class="normal">&quot;Harry! what is it?&quot;</p>
+
+<p class="normal">&quot;I hardly know how to begin, it's such a queer position. It's
+this--in a way, my play's accepted.&quot;</p>
+
+<p class="normal">&quot;'The Gordian Knot'?--by Mr. Winton?&quot;</p>
+
+<p class="normal">&quot;No, not by Winton, by Mrs. Lamb.&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb?--Harry!&quot; He told her how the play had come into Mrs.
+Lamb's hands, and how that lady had expressed her willingness to
+give it immediate production, on the understanding that she was
+to create Lady Glover. &quot;But I didn't know she could act. Why
+should she want to anyhow?--she a rich woman!--especially such a
+part! Lady Glover's a horrible creature! I suppose you think
+she'd make a mess of it--and of course she would. She must be a
+very conceited person.&quot;</p>
+
+<p class="normal">&quot;Sweetheart, shall I tell you, quite frankly, what I really
+think?&quot;</p>
+
+<p class="normal">&quot;You hadn't better tell me anything else.&quot;</p>
+
+<p class="normal">&quot;Then I'll make you my father confessor. I've a strong feeling,
+amounting to a positive conviction, that she'd make a
+magnificent Lady Glover. That's one reason why I hesitate.&quot;</p>
+
+<p class="normal">&quot;Now I don't understand. If she makes a success of the part,
+what else do you want?&quot;</p>
+
+<p class="normal">&quot;I'll endeavour to explain. For one thing, I think it possible
+that she'll make it the part of the play, and so put Winton in
+the shade entirely. In the theatre he proposes to manage I'm
+certain he's no intention to be overshadowed by any one. Not
+that, in such a matter, I'm likely to be too sensitive about his
+feelings--but there it is. What, from my point of view, would be
+more serious, is that it is extremely probable that, by her
+rendition of Lady Glover, she'll warp the play out of what I
+intended to be its setting. As she was talking just now it
+dawned upon me that, in her hands, the play might become
+transformed--something altogether different to what I meant it
+to be.&quot;</p>
+
+<p class="normal">&quot;But if it's a success?&quot;</p>
+
+<p class="normal">&quot;Meg, I find it difficult to put into words just what's in my
+mind. Of course if it's successful it will mean----&quot;</p>
+
+<p class="normal">&quot;It will mean everything.&quot;</p>
+
+<p class="normal">&quot;It will mean a good deal; but it will mean everything I'd
+rather it didn't mean if the success is owing to her.&quot;</p>
+
+<p class="normal">&quot;But it will be your play. In one sense its success will always
+be dependent upon others. Really, Harry, I don't follow you.
+What is your objection to Mrs. Lamb? She's never done you any
+harm.&quot;</p>
+
+<p class="normal">&quot;No, she hasn't done me any harm--as yet.&quot;</p>
+
+<p class="normal">&quot;As yet! Do you think she means to? Considering that she
+proposes to produce your play, and bids fair to make a great
+success of it, it doesn't look as if she did.&quot;</p>
+
+<p class="normal">&quot;Meg--you'll laugh at me--I'm afraid of her.&quot;</p>
+
+<p class="normal">&quot;Afraid of her?--of Mrs. Lamb!--Harry!&quot;</p>
+
+<p class="normal">&quot;I've never been comfortable in her presence since the first
+moment I've met her. When she's there I have the sort of feeling
+which I imagine a nervous person might have in the neighbourhood
+of a dangerous lunatic. I don't know when or how she will break
+out, but I feel that sometime, somehow, she will, and that then
+I shall have to struggle with her for my life.&quot;</p>
+
+<p class="normal">&quot;Harry! are you in earnest?&quot;</p>
+
+<p class="normal">He laughed oddly.</p>
+
+<p class="normal">&quot;Meg, upon my word, I can't tell you. She hypnotises me, that
+woman--she hypnotises me. Her influence is on me even after I
+have left her.&quot;</p>
+
+<p class="normal">&quot;She must be a curious person. I should like to meet her.&quot;</p>
+
+<p class="normal">&quot;Meet her?&quot;</p>
+
+<p class="normal">He shuddered, involuntarily. &quot;Rather than that you should meet
+her I'd---- If I can prevent it you shall not meet her.&quot;</p>
+
+<p class="normal">&quot;Why not? I know plenty of people who have met her, and who seem
+to think her a distinctly agreeable person--hospitable, good
+company, amusing, kindhearted, generous to a degree. Tell me,
+Harry, has she ever behaved to you in any way as she ought not
+to have done?&quot;</p>
+
+<p class="normal">&quot;She has not, in one jot or tittle.&quot;</p>
+
+<p class="normal">&quot;To your knowledge has she ever done, or even said, anything
+wrong?&quot;</p>
+
+<p class="normal">&quot;No. Still, I would rather she did not produce my play,
+especially if she is to act Lady Glover.&quot;</p>
+
+<p class="normal">&quot;Will she produce it if she doesn't?&quot;</p>
+
+<p class="normal">&quot;I doubt it.&quot;</p>
+
+<p class="normal">&quot;There is something at the back of your mind which you're
+keeping to yourself. When I think of all that the success of
+'The Gordian Knot' would mean to us, of how you've looked
+forward to its production, of how we've talked and talked of it,
+your present attitude is incomprehensible. It doesn't follow
+that because Mrs. Lamb produces your play--and even acts in
+it!--that you need therefore make of her a bosom friend if you'd
+rather not. I don't suppose it's only generosity which impels
+her; I daresay she has an axe of her own to grind.&quot;</p>
+
+<p class="normal">&quot;You may be sure of it.&quot;</p>
+
+<p class="normal">&quot;Then so have you. I don't see how it matters if it's A, B, or C
+who grinds it, so long as it's ground--properly ground; and you
+seem sure that it will be that.&quot;</p>
+
+<p class="normal">&quot;I have little doubt of it.&quot;</p>
+
+<p class="normal">&quot;Then tell me, Harry, what is the real, downright reason why you
+don't wish Mrs. Lamb to produce your play, and act in it?&quot;</p>
+
+<p class="normal">&quot;Because, Meg, I'm afraid of her.&quot;</p>
+
+<p class="normal">&quot;Afraid of her!--of a woman!--who you yourself admit has never
+done you anything but good! Harry, you're beyond my
+comprehension.&quot;</p>
+
+<p class="normal">Before he could answer there was a knock at the door. A servant
+entered with a card on a tray.</p>
+
+<p class="normal">&quot;A gentleman wishes to see you, miss.&quot;</p>
+
+<p class="normal">She looked at the card.</p>
+
+<p class="normal">&quot;'David Twelves, M.D., Edin.'. It can't be Dr. Twelves of
+Pitmuir?&quot;</p>
+
+<p class="normal">A voice came from the door.</p>
+
+<p class="normal">&quot;It's that same man.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_17" href="#div1Ref_17">CHAPTER XVII</a></h2>
+
+<h3>AN UNEXPECTED VISITOR</h3>
+<br>
+
+
+<p class="normal">In appearance the doctor had altered but little since we saw him
+last. He was the same little wizened old man, with the slight
+stoop, and the sunken eyes which looked out so keenly from under
+the thick, overhanging thatch of his shaggy eyebrows. When she
+heard his voice, and saw him, Margaret, running to him--before
+Harry, before the servant--put her arms about his neck (she
+could easily do it, since he was the shorter), and, after
+looking at him fixedly, as if to make sure that he was still the
+same man, kissed him on the lips.</p>
+
+<p class="normal">&quot;Dr. Twelves, to think of your coming to see me after all these
+years!&quot;</p>
+
+<p class="normal">&quot;And whose fault is it that I haven't come before? whose fault
+I'd like to know?&quot;</p>
+
+<p class="normal">&quot;It certainly isn't mine.&quot;</p>
+
+<p class="normal">&quot;Not yours? when I hadn't a notion where to look for you, and
+you took care that I hadn't? It's only by the grace of God I've
+chanced upon you now. I was looking in a bit of a magazine, at
+an illustration which seemed to me to be pretty fair, when I saw
+your name in the corner--Margaret Wallace--in your own
+handwriting. I can tell you I jumped--there, in the railway
+carriage--so that I daresay my fellow-passengers thought that
+I'd a sudden gouty twinge or, maybe, rheumatism, for none can
+say that I look like a gouty subject. I went straight to the
+office where the magazine is published, and I asked them to tell
+me where you might be found. I believe they thought I'd designs
+upon your life, or, at least, upon your purse. I had to tell
+them such a yarn before they'd tell me. Then I took care to
+follow the girl up the stairs, so that, if you meant to deny
+yourself, you shouldn't have a chance.&quot;</p>
+
+<p class="normal">&quot;Deny myself?--to you?--doctor! what a notion!--as if I should!&quot;
+By now the servant had retired; Miss Wallace, who still retained
+a hand upon her visitor's shoulder, had brought him into the
+room. &quot;Harry, this is Dr. Twelves, of whom you have so often
+heard me speak. Doctor, this is Mr. Talfourd, whose wife I hope
+one day to be.&quot;</p>
+
+<p class="normal">&quot;I trust, young gentleman, that your deserts are equal to your
+good fortune, and that you're properly conscious how great that
+is. I've known this lassie since the time she seemed all hair
+and legs, for those were the parts of her you noticed most, and
+there hasn't been a day on which I haven't wanted her to be my
+wife.&quot;</p>
+
+<p class="normal">&quot;Now, doctor, that's contrary to the fact; you know you told me
+more than once that Providence had marked you out to be a
+bachelor.&quot;</p>
+
+<p class="normal">&quot;And wasn't that self-evident, since you wouldn't have me? Now,
+Margaret Wallace, what have you been doing?&quot;</p>
+
+<p class="normal">&quot;Doing? I was talking to Harry when you came in.&quot;</p>
+
+<p class="normal">&quot;I'll be bound that it's plenty of talking to Harry that you do,
+and will do--particularly later on, when you're Mrs. Harry.&quot;</p>
+
+<p class="normal">&quot;Doctor!&quot;</p>
+
+<p class="normal">&quot;What I mean was, have you made your fortune? or are you drawing
+pictures for your daily bread?&quot;</p>
+
+<p class="normal">She looked at Mr. Talfourd quizzically.</p>
+
+<p class="normal">&quot;I have one eye upon my daily bread.&quot;</p>
+
+<p class="normal">&quot;And it isn't too much of it you see, by the looks of you.
+You're peaked, and you're thin.&quot;</p>
+
+<p class="normal">&quot;Oh, doctor! I'm sure I'm not.&quot;</p>
+
+<p class="normal">&quot;And I'm sure you are, and by virtue of my profession I ought to
+know. It's a pretty market to which you've brought your pigs.
+You might be one of the richest women in England, instead of
+being half-starved--with white cheeks and tired eyes.&quot;</p>
+
+<p class="normal">&quot;Doctor, how dare you say such things! It's not true! You've not
+improved!&quot;</p>
+
+<p class="normal">&quot;I'm thinking you've not improved either. You've a stubborn
+heart. Why, all this time, haven't you let some of us know
+something about you?--if it was only where a line might reach
+you.&quot;</p>
+
+<p class="normal">&quot;You know very well why, and I did go to see Mr. Grahame.&quot;</p>
+
+<p class="normal">&quot;You went to see Cuthbert Grahame? When?&quot; She mentioned the
+date. &quot;Girl, you're dreaming. It was the day after that he
+died.&quot;</p>
+
+<p class="normal">&quot;The day after that he died? I knew he was dead. I heard of it
+long afterwards by a side wind; but I have never heard any
+particulars. You none of you told me anything.&quot;</p>
+
+<p class="normal">&quot;How were we to, when you'd hidden yourself from us in this
+great city?&quot;</p>
+
+<p class="normal">&quot;Of what did he die?&quot;</p>
+
+<p class="normal">&quot;If you ask what was on the certificate I can tell you; but if
+you want to know how death came to him you must inquire of his
+wife.&quot;</p>
+
+<p class="normal">&quot;His wife?&quot;</p>
+
+<p class="normal">&quot;When he died he was a married man, according to the law of
+Scotland.&quot;</p>
+
+<p class="normal">&quot;Dr. Twelves, are you jesting?&quot;</p>
+
+<p class="normal">&quot;I'm not. On the day he died he made a will leaving her all that
+he had in the world--and she had it.&quot;</p>
+
+<p class="normal">&quot;Who was she?&quot;</p>
+
+<p class="normal">&quot;Beyond saying that she was no better than she ought to be, I
+can tell you nothing.&quot;</p>
+
+<p class="normal">&quot;Was she some one from the neighbourhood?&quot;</p>
+
+<p class="normal">&quot;She was not; she was from England. She dropped from the clouds.
+I should say--if I may be allowed to do so in this company--on
+her road to hell. What passed between you and Cuthbert Grahame
+when you saw him on that day before he died?&quot;</p>
+
+<p class="normal">&quot;I didn't see him. Nannie wouldn't let me.&quot;</p>
+
+<p class="normal">&quot;Nannie wouldn't let you?&quot;</p>
+
+<p class="normal">&quot;She would not. She said that Mr. Grahame had forbidden her to
+admit me into the house.&quot;</p>
+
+<p class="normal">&quot;She's never spoken a word to me about it. What's been the
+matter with the woman? But there's something ails your story.
+That day, and for many days afterwards, she was lying in bed
+with a broken leg. Was it from her bedroom that she shouted out
+to you?&quot;</p>
+
+<p class="normal">&quot;From her bedroom?--nothing of the kind. She told me through the
+front door that Mr. Grahame had forbidden her to let me in. When
+I said that I would come in, and began to break the window to
+show that I was in earnest, she went to the window above, and
+poured two buckets of boiling water over me.&quot;</p>
+
+<p class="normal">&quot;Margaret Wallace! it's dreaming you must have been.&quot;</p>
+
+<p class="normal">&quot;It was a curious kind of dream. The water scalded my neck, and
+left a scar which was visible for weeks--wasn't it?&quot;</p>
+
+<p class="normal">She turned to Mr. Talfourd, as if for corroboration.</p>
+
+<p class="normal">&quot;It was. When I saw it I was disposed to go straight off to
+Scotland, and give the old harridan a taste of my quality.&quot;</p>
+
+<p class="normal">&quot;It's as queer a story as any I've heard. Seeing that Nannie was
+as if she had been glued to her bed, how could she walk about
+the house as you say, and pour buckets of boiling water on to
+you through a window?&quot;</p>
+
+<p class="normal">&quot;I only know that she did.&quot;</p>
+
+<p class="normal">&quot;Did you see her?&quot;</p>
+
+<p class="normal">She considered a moment.</p>
+
+<p class="normal">&quot;No, I didn't. She took care not to show herself.&quot;</p>
+
+<p class="normal">&quot;She took care not to show herself?&quot;</p>
+
+<p class="normal">&quot;She hadn't the courage to let me see her face, but she let me
+hear her voice, and plenty of it. It was not necessary for me to
+see her when I heard her. I've been acquainted with Nannie
+Foreshaw's voice for too many years to be likely to mistake it
+for any one else's.&quot;</p>
+
+<p class="normal">&quot;You're sure? I doubt----&quot; The doctor seemed to be considering
+in his turn. &quot;I can't put the pieces of the puzzle together so
+that they just fit, but I've a notion that I'm on the way.
+Margaret Wallace, I've a suspicion that I've been a greater fool
+even than I thought. After the chances I've had to get wisdom,
+to get understanding, that's not a nice feeling to have. Between
+us--you've had a hand!--we've muddled things to a marvel. I'll
+communicate with Nannie with reference to that little
+conversation you say you had with her; when I've heard from her
+I'll talk to you again.&quot; He turned to Mr. Talfourd.</p>
+
+<p class="normal">&quot;And you, sir, do you make drawings?&quot;</p>
+
+<p class="normal">&quot;No; I write stories.&quot;</p>
+
+<p class="normal">The doctor looked him up and down as if he were a specimen of a
+species which was new to him.</p>
+
+<p class="normal">&quot;Stories? Oh! and is that a man's work? I come of a good old
+Scottish stock. My forebears have always held that a man should
+do a man's work. Is writing stories that?&quot;</p>
+
+<p class="normal">&quot;It isn't easy, if that's what you mean.&quot;</p>
+
+<p class="normal">&quot;Not easy? I should have thought you would have found it as easy
+as lying. I've written them myself; I didn't find it hard. It's
+just a waste of time. However, I'm not judging you. Is that all
+you do, write stories?&quot;</p>
+
+<p class="normal">&quot;Just at present I'm doing something else as well. I'm acting as
+private secretary to a lady.&quot;</p>
+
+<p class="normal">&quot;Private secretary to a lady? You've your own notions of what's
+a man's work, Mr. Talfourd.&quot;</p>
+
+<p class="normal">Harry flushed; Margaret laughed.</p>
+
+<p class="normal">&quot;And you country Scotchmen have your own ideas of what you're
+entitled to say.&quot;</p>
+
+<p class="normal">&quot;You're Scotch yourself, my lassie, on the best side of you;
+don't gird at your own birth. I ask your pardon, Mr. Talfourd,
+if I've said anything I ought not to say; but I've known this
+lassie all her days. She's been to me as the apple of my eye,
+and--she tells me that you're to be her husband. Would it be
+going too far, Mr. Talfourd, if I were to ask you what's the
+name of the lady to whom you're acting as private secretary?&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb--Mrs. Gregory Lamb.&quot;</p>
+
+<p class="normal">&quot;Mrs. Gregory Lamb? That's odd.&quot;</p>
+
+<p class="normal">&quot;How is it odd? I hope there's nothing improper about the name.&quot;</p>
+
+<p class="normal">&quot;It's not that it's improper; it's that I once met a Gregory
+Lamb. What sort's your Gregory Lamb?&quot;</p>
+
+<p class="normal">&quot;He's about my own age, perhaps a little older; not ill-looking;
+not, I should imagine, a bad fellow in his way.&quot;</p>
+
+<p class="normal">&quot;Is he a poor man?&quot;</p>
+
+<p class="normal">&quot;I believe his wife is very rich.&quot;</p>
+
+<p class="normal">&quot;His wife? Of course, there's the wife--and she's very rich. The
+rich woman who married the Gregory Lamb I know would be a very
+foolish female.&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb is certainly not that.&quot;</p>
+
+<p class="normal">&quot;Then her Gregory's not mine, though it's an unusual conjunction
+of names. I'm thinking that none but a fool of a woman would
+ever have married him.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_18" href="#div1Ref_18">CHAPTER XVIII</a></h2>
+
+<h3>CRONIES</h3>
+<br>
+
+
+<p class="normal">That evening Dr. Twelves dined with a fellow Scot, J. Andrew
+McTavish, of McTavish &amp; Brown. Mr. McTavish lived in Mecklenberg
+Square. Although a bachelor he liked plenty of house room, and
+in Mecklenberg Square he had it. His house was perhaps the
+largest in the Square, and certainly not the least comfortable.
+Comfort was to Mr. McTavish a sort of fetish: excepting money he
+set it above everything. He looked as if he did. Of medium
+height, he was of more than average size, his waist measurement
+was approaching a significant figure; his neck loved a generous
+collar, his chin overlapped; he had slight side whiskers, dark
+gray in hue, and the top of his head was so completely bald that
+one wondered if it could ever have been anything else. He and
+his guest presented an amazing contrast: three or four replicas
+of Dr. Twelves could have been contained in Mr. McTavish.</p>
+
+<p class="normal">They dined <i>tęte-ŕ-tęte</i> at a small round table which stood in
+the centre of a big room. Mr. McTavish liked big rooms; he was
+never comfortable in a small one. During the meal the
+conversation was of a desultory character, principally hovering
+around Pitmuir, where Mr. McTavish had lived till he came to
+London. Questions were asked and answered touching every soul in
+the parish Mr. McTavish could think of, and his memory was
+extensive. There was hardly a man, woman or child about Pitmuir
+whose name had not been mentioned before dinner was finished. If
+the inquiries were slightly acid, so were the replies. It seemed
+as if these two gentlemen had made it a point of honour to say
+nothing nice of any one. According to them the folk about
+Pitmuir were a very human lot--at least they had most of
+humanity's failings.</p>
+
+<p class="normal">After dinner they retired to the study, another fine apartment.
+There they had a cup of coffee, a liqueur, and a cigar apiece.
+The doctor seemed lost in the huge chair which he had been
+invited to fill. His host regarded him with twinkling eyes.</p>
+
+<p class="normal">&quot;Have you had a good dinner, David?&quot;</p>
+
+<p class="normal">&quot;You feed yourself too well; you're a hundred years behind the
+age.&quot;</p>
+
+<p class="normal">&quot;How do you show it?&quot;</p>
+
+<p class="normal">&quot;Our great-grandfathers pampered their bellies. We know better;
+we have learnt that it is the part of wisdom to starve them.
+You're still where our grandsires were.&quot;</p>
+
+<p class="normal">&quot;And where are you?&quot;</p>
+
+<p class="normal">&quot;I'm on the high road to as fine an attack of indigestion as a
+man need have, and live.&quot;</p>
+
+<p class="normal">&quot;I can give you the name of one of the greatest authorities on
+indigestion.&quot;</p>
+
+<p class="normal">&quot;I dare swear you can give me the names of one or two. I
+shouldn't be surprised if that sucking-pig proves to be the
+death of me, beyond the skill of all your authorities.&quot;</p>
+
+<p class="normal">&quot;It was cooked to a turn.&quot;</p>
+
+<p class="normal">&quot;I ought to know how it was cooked, considering the way that I
+behaved to it. It's wicked to set such meat before a man. And
+now, I've something which I wish to say to you.&quot;</p>
+
+<p class="normal">&quot;You've said one or two things already--what's the other?&quot;</p>
+
+<p class="normal">The doctor, taking the cigar out of his mouth, regarded the ash
+on the tip.</p>
+
+<p class="normal">&quot;You remember Wallace's daughter?&quot;</p>
+
+<p class="normal">&quot;Cuthbert Grahame's girl?&quot;</p>
+
+<p class="normal">The doctor nodded.</p>
+
+<p class="normal">&quot;I've seen her this afternoon.&quot;</p>
+
+<p class="normal">&quot;No? I wondered what had become of her, more than once. I've
+seen and heard nothing of her since he turned her out.&quot;</p>
+
+<p class="normal">&quot;He didn't turn her out, she turned herself out. I had the story
+from his own lips.&quot;</p>
+
+<p class="normal">&quot;So had I. To all intents and purposes he turned her out,
+however he may have put it to himself or to you.&quot;</p>
+
+<p class="normal">&quot;He asked her to marry him, and she wouldn't.&quot;</p>
+
+<p class="normal">&quot;He asked her not once or twice, but again and again, until he
+made it plain that his house was no place for her unless she
+meant to be his wife. So, as she didn't, there was nothing for
+her but to go.&quot;</p>
+
+<p class="normal">&quot;It was a fool business.&quot;</p>
+
+<p class="normal">&quot;On both sides. Why he wanted to marry her I don't know. I never
+do know why a man wants to marry. I'd sooner have a buzz saw in
+every room in the house than a wife in one. Why she wouldn't
+marry him, I know still less.&quot;</p>
+
+<p class="normal">&quot;There was the difference in their years. Then he was already
+threatening to be what he afterwards became--physically, I
+mean.&quot;</p>
+
+<p class="normal">&quot;Well, what of it? If a girl in her position has to marry, I
+should say that there are two things which she ought to look for
+first of all--money, and a sick husband; if possible, one who is
+already sick unto death. In Grahame she'd have had both.&quot;</p>
+
+<p class="normal">There was silence, as if both parties were giving to Mr.
+McTavish's words the consideration due to a profound aphorism.
+It was the doctor who spoke next.</p>
+
+<p class="normal">&quot;He always believed that she would come back again, saying yes.&quot;</p>
+
+<p class="normal">&quot;I'd no patience with the man, he was all kinds of a fool. If he
+wanted her to be his wife, he didn't go the right way to get
+her. When she said no, instead of thanking God for his
+undeserved escape, he stormed and raved, fretted and fumed,
+until he became only fit to be exhibited in a booth at a fair.&quot;</p>
+
+<p class="normal">&quot;When he heard that she was in love with some one else, it was
+that that was the death of him.&quot;</p>
+
+<p class="normal">&quot;A good thing too. It'd have been a good thing if it had been
+the death of both of them. I've no bowels for such tomfoolery.
+Where is she? What's she doing? Is she married to the other
+fool? If she is, don't they both wish that they were dead?&quot;</p>
+
+<p class="normal">&quot;You've a sharp tongue, Andrew--if your wits were like it! Not
+all married folks wish that they were dead; there's just as much
+desire to live among the married as among the single--maybe
+more. To hear you talk one would suppose that one had only to
+remain single to be happy. You and I know better than that.&quot;</p>
+
+<p class="normal">&quot;Speak for yourself, David, speak for yourself--I'm happy
+enough.&quot;</p>
+
+<p class="normal">&quot;Then your looks belie you.&quot;</p>
+
+<p class="normal">&quot;What's the matter with my looks, you old croaker?&quot;</p>
+
+<p class="normal">&quot;I'm a doctor of medicine, Andrew McTavish; I've learned to turn
+the smoothest side to a patient; so you must excuse me if to
+your inquiry I return no answer.&quot;</p>
+
+<p class="normal">&quot;After the dinner I've given him!&quot;</p>
+
+<p class="normal">&quot;It's the ill-assorted food you have caused me to cram down my
+throat that I'm beginning to fancy has given me a touch of the
+spleen.&quot;</p>
+
+<p class="normal">&quot;Something has. The next time you dine in this house it will be
+off porridge.&quot;</p>
+
+<p class="normal">&quot;We'll leave the next time till it comes. To return to Margaret
+Wallace. She's not married yet, and, so far as I can judge,
+she's not likely to be. It's want of pence, both with him and
+with her. If she had some of Cuthbert Grahame's money, as she
+ought to have, it'd make all the difference.&quot;</p>
+
+<p class="normal">&quot;It's in part your fault that she hasn't.&quot;</p>
+
+<p class="normal">&quot;I'm not denying it, and I'm not forgetting it. If I've been
+guilty of the unforgivable sin, it was when I brought that woman
+to Cuthbert Grahame's bedside. I sometimes think that I'll see
+it chalked up against me in letters of fire when I'm brought up
+before the throne.&quot;</p>
+
+<p class="normal">&quot;Stuff!&quot;</p>
+
+<p class="normal">&quot;Maybe--to you. You're devoid of decent feeling, Andrew
+McTavish; to you all's stuff. What's become of the woman?&quot;</p>
+
+<p class="normal">&quot;What woman?&quot;</p>
+
+<p class="normal">&quot;She who calls herself Mrs. Grahame?&quot;</p>
+
+<p class="normal">&quot;She calls herself Mrs. Grahame no longer.&quot;</p>
+
+<p class="normal">&quot;How's that?&quot;</p>
+
+<p class="normal">&quot;She's married again.&quot;</p>
+
+<p class="normal">&quot;The creature! The poor fool she's married! What is his name?&quot;</p>
+
+<p class="normal">&quot;Gregory Lamb.&quot;</p>
+
+<p class="normal">Dr. Twelves rose from his chair as if impelled by a spring.
+Opening his mouth in apparent forgetfulness of what was between
+his lips, his cigar fell to the floor, where it remained
+apparently unnoticed.</p>
+
+<p class="normal">&quot;What's that?&quot;</p>
+
+<p class="normal">&quot;What's what?&quot;</p>
+
+<p class="normal">&quot;What name was that you said?&quot;</p>
+
+<p class="normal">&quot;Why, man, what's the matter now? I'm wondering whether the
+sucking-pig's mounted to your head instead of descending to your
+stomach. David, you're easily upset these days. Pick up your
+cigar, it's burning a hole in my floor covering.&quot;</p>
+
+<p class="normal">&quot;Damn the cigar!&quot;</p>
+
+<p class="normal">&quot;And welcome! It's not that I mind. What I object to is your
+cigar damning my carpet. Pick it up at once, sir.&quot;</p>
+
+<p class="normal">&quot;You're fussy about your old carpet.&quot;</p>
+
+<p class="normal">&quot;Old carpet! it cost me a guinea a yard not twelve months
+since.&quot;</p>
+
+<p class="normal">&quot;You're wasteful with your money.&quot;</p>
+
+<p class="normal">&quot;I am, when I spend it entertaining such as you.&quot;</p>
+
+<p class="normal">&quot;What's the name of the man you say that woman married?&quot;</p>
+
+<p class="normal">&quot;Gregory Lamb.&quot;</p>
+
+<p class="normal">&quot;It's past believing!&quot;</p>
+
+<p class="normal">&quot;Is it? I haven't found it so.&quot;</p>
+
+<p class="normal">&quot;That's because you're walking in darkness. Do you know that the
+youngster Margaret's plighted to is private secretary to Mrs.
+Gregory Lamb?&quot;</p>
+
+<p class="normal">&quot;Is he? Then I should say that that's presumptive evidence that
+he's not bad looking. She has an eye for a good-looking man.&quot;</p>
+
+<p class="normal">&quot;Gregory Lamb was staying at Pitmuir when she was at
+Cuthbert Grahame's, calling herself his wife. A half-bred,
+ill-conditioned young scamp he was.&quot;</p>
+
+<p class="normal">&quot;I should imagine that Mr. Lamb was not born in the caste of
+Vere de Vere.&quot;</p>
+
+<p class="normal">&quot;Were they acquainted then? What was there between them? How
+come they to be married now?--he without a penny, to my
+knowledge, she with all that money. She'd not marry such a
+creature as he was--for love, that I'll swear. They were birds
+of a feather, only he was more fool than knave, and she more
+knave than fool.&quot;</p>
+
+<p class="normal">&quot;That about describes them now--if a lawyer may say as
+much--under privilege.&quot;</p>
+
+<p class="normal">&quot;Andrew, can you keep a still tongue?&quot;</p>
+
+<p class="normal">&quot;If I couldn't I shouldn't be sitting here.&quot;</p>
+
+<p class="normal">&quot;I've always had a suspicion that there was something wrong
+about that will.&quot;</p>
+
+<p class="normal">&quot;Do you mean the one under which she inherits? You needn't
+confine yourself to suspicion upon that point--it's about as
+wrong as it could be. If there had been substantial opposition
+she'd have found it hard to bring it in.&quot;</p>
+
+<p class="normal">&quot;I'm not meaning it in your sense. I know that Grahame signed it
+in the presence of those two daft lassies; but I don't believe
+that he knew what he was signing, although the evidence is all
+the other way. I've kept my doubts to myself until this moment,
+and even now I can't tell you just why I don't believe it--but I
+don't.&quot;</p>
+
+<p class="normal">&quot;Quite possibly you're right, but you can't prove it.&quot;</p>
+
+<p class="normal">&quot;I know I can't, and there's something else that I can't prove.&quot;</p>
+
+<p class="normal">&quot;What's that?&quot;</p>
+
+<p class="normal">&quot;I believe she murdered him.&quot;</p>
+
+<p class="normal">&quot;David!&quot;</p>
+
+<p class="normal">&quot;She was equal to it; and I'm beginning to see more clearly how
+she brought herself to the sticking point. The day before his
+death Margaret Wallace called----&quot;</p>
+
+<p class="normal">&quot;Margaret Wallace? you don't say!&quot;</p>
+
+<p class="normal">&quot;She told me so herself this afternoon. She was refused
+admission as she supposed by Nannie Foreshaw. I happen to know
+that Nannie couldn't have got out of bed and gone downstairs to
+save her life--that woman had taken care of that. Before I came
+to you I wrote to Nannie asking if she did, to make sure. I
+believe that woman played at being Nannie, imitating her voice.
+She may have known Margaret's story, probably Grahame had told
+her, and was aware that if she returned and saw him her reign
+was at an end. So she precipitated matters. She juggled that
+will into existence, and, directly she had done so, killed him.&quot;</p>
+
+<p class="normal">&quot;It's a weighty charge you're making, David; be careful how you
+make it.&quot;</p>
+
+<p class="normal">&quot;Do you think I don't know that it's a weighty charge? I'm not
+making it. I'm only telling you what's in my mind, as between
+friends. I'll not breathe a word of the matter to any one but
+you till I can bring it into court, and prove it. At present, in
+your lawyer's sense, I've not proof enough to cover a pin's
+point. But, Andrew, though the mills of God grind slowly, they
+grind surely, and exceeding fine. Maybe one day God's finger
+will press her in between the stones, then you'll know that the
+conviction which is implanted in my breast is of the nature of
+the prophetic vision. God has shown me, though I cannot tell you
+how.&quot;</p>
+
+<p class="normal">There was silence. The doctor, still standing, bent over the
+table on which stood the coffee and liqueurs, pointing with one
+skinny finger upwards. He continued in that attitude for a
+perceptible period after he had ceased to speak. Then Mr.
+McTavish's voice broke the spell which he seemed to have cast
+upon the air.</p>
+
+<p class="normal">&quot;David, you use big words. I don't--it's not my way. But
+confidence begets confidence. I'll tell you something in
+return--and that without insulting you by asking if you can keep
+a still tongue--because I know you can.&quot;</p>
+
+<p class="normal">The doctor returned to a more normal attitude, seeming to do so
+with an effort, as if he were shaking something from him. He
+spoke in his ordinary tones.</p>
+
+<p class="normal">&quot;Let me light another cigar before you begin. This sort of
+talk's disquieting, especially after such a dinner as I've had.
+I think a tonic might not be amiss.&quot; He sipped his liqueur.
+&quot;Andrew, this is not bad brandy.&quot;</p>
+
+<p class="normal">&quot;A hogshead wouldn't hurt you.&quot;</p>
+
+<p class="normal">&quot;Wouldn't it? Is it your custom to drink brandy by the hogshead?
+I thought you didn't use big words.&quot;</p>
+
+<p class="normal">&quot;It's a figure of speech, David--a figure of speech. If you have
+that cigar properly lighted, and will sit down like a decent
+creature, I'll have my say--that is, if you have not had enough
+of the matter under discussion.&quot;</p>
+
+<p class="normal">&quot;You're not more ready to talk than I am to listen. Now, Andrew,
+I'm at your service.&quot;</p>
+
+<p class="normal">&quot;Well, you suspect this lady of something more than
+misdemeanour. I may tell you that I doubt if she would have done
+what she did do--if she did it!--if she had known what she knows
+now.&quot;</p>
+
+<p class="normal">&quot;You speak in parables.&quot;</p>
+
+<p class="normal">&quot;I'll be plain enough. Did you know anything about Cuthbert
+Grahame's affairs?--his financial affairs, I mean.&quot;</p>
+
+<p class="normal">&quot;Something.&quot;</p>
+
+<p class="normal">&quot;Had you any idea how much he was worth?&quot;</p>
+
+<p class="normal">&quot;He told me himself, not once but frequently, that he was worth
+nearer three hundred thousand pounds than two hundred thousand.
+He said, moreover, that his investments brought him in an
+average interest of over ten per cent. He had made several lucky
+hits.&quot;</p>
+
+<p class="normal">&quot;That's what he told us; it seems that that's what he told her.
+Did you see on what amount probate duty was paid?&quot;</p>
+
+<p class="normal">&quot;Not I; I took no interest in the matter then. I was too
+disgusted with myself and everything. My one desire was to get
+the whole business out of my head; the trouble is that I haven't
+been able to do it.&quot;</p>
+
+<p class="normal">&quot;Under forty thousand pounds; and I may tell you that it was
+well under forty thousand pounds.&quot;</p>
+
+<p class="normal">&quot;What's become of the rest?&quot;</p>
+
+<p class="normal">&quot;That's the mystery which we should like to solve--which she
+especially would like to solve; and what she's subjected us to
+in her efforts to arrive at a solution no language at my command
+is adequate to describe. She's a remarkable woman--a very
+remarkable woman. Because she has long since passed the limits
+of our endurance is one reason why I am rounding on her to you.
+It is not often that I am conscious of such a yearning, but we
+have arrived at a position in which I should actually like to
+have your advice. That's why I asked you here tonight.&quot;</p>
+
+<p class="normal">&quot;Then it wasn't just for old friendship's sake.&quot;</p>
+
+<p class="normal">The doctor glowered from the recesses of the huge chair,
+expelling the smoke of his cigar from his lips and nostrils. Mr.
+McTavish laughed.</p>
+
+<p class="normal">&quot;Well--in a measure. Did you ever think he was romancing when he
+talked about his moneys?&quot;</p>
+
+<p class="normal">&quot;I did not--and I don't. He was in earnest. I never knew him
+tell a lie when he was in earnest. I'd match his veracity
+against my own.&quot;</p>
+
+<p class="normal">&quot;Then it's queer--it's queer. At the time of his death we held
+securities for him representing some ten thousand pounds lent on
+mortgage; the bankers held about as much more. His widow turned
+into cash everything that there was to turn, with the exception
+of the house, which she will neither sell nor let.&quot;</p>
+
+<p class="normal">&quot;I know. It's going to rack and ruin; they say no one's set foot
+in it since the day he was buried.&quot;</p>
+
+<p class="normal">&quot;I daresay--it's one of her notions--she'll let no one even talk
+of it; it's her bogey. Altogether she's had scarcely thirty
+thousand pounds.&quot;</p>
+
+<p class="normal">&quot;It's in the house.&quot;</p>
+
+<p class="normal">&quot;Not it. It's been thoroughly searched by competent hands; she
+herself has overhauled it more than once.&quot;</p>
+
+<p class="normal">&quot;The money must be somewhere; I'm convinced he had it.&quot;</p>
+
+<p class="normal">&quot;Have you any notion where it is? Can you give me any sort of
+clue as to its possible whereabouts?&quot;</p>
+
+<p class="normal">&quot;Not I. I know no more about it than--this cigar. Is it likely?
+I wasn't his man of business--you were.&quot;</p>
+
+<p class="normal">&quot;She says we have it.&quot;</p>
+
+<p class="normal">&quot;No!&quot;</p>
+
+<p class="normal">&quot;Yes. She says we have it, or that we know where it is, and are
+joined in a conspiracy to keep it out of her possession. The way
+she's talked--and treated us! David, she's a remarkable woman.&quot;</p>
+
+<p class="normal">&quot;She is that. Don't I know it?--to my cost!&quot;</p>
+
+<p class="normal">&quot;We've had to change the lock on our office door. She let
+herself into it with a pass-key--my own, I fear, for I lost it,
+though I don't know how; I've never seen it since. She ransacked
+everything the place contained. Got into the safe. By some
+extraordinary mischance, in which it is quite possible she had a
+hand, that night it wasn't locked. She went right through it.
+She saw a good deal we had rather she hadn't seen, but she saw
+nothing of Grahame's money.&quot;</p>
+
+<p class="normal">&quot;Did you catch her in the act?&quot;</p>
+
+<p class="normal">&quot;Catch her! We've never been able to prove it against her yet,
+but the presumption's as strong as Hercules. She went to
+Brown's, and made him swear by all his gods that he knew nothing
+about it; then she made him open his safe, and went through all
+his private papers.&quot;</p>
+
+<p class="normal">&quot;Brown must be a fine sort of a man.&quot;</p>
+
+<p class="normal">&quot;She's a fine sort of a woman. She drugged me in my own house.&quot;</p>
+
+<p class="normal">&quot;No?&quot;</p>
+
+<p class="normal">&quot;I say yes! She came here one night. I offered her a little
+something to drink--I was having something to drink, and I
+couldn't see her sitting dry. I've no doubt that when my back
+was turned she put something into my glass which took away my
+senses in a flash. When I came to it was early morning; the
+daylight was streaming through the blinds; she was gone; the
+whole place was upside down.&quot;</p>
+
+<p class="normal">&quot;You're a lawyer: didn't you give her a taste of the law?&quot;</p>
+
+<p class="normal">&quot;What was the use? She'd pose as an injured woman--her grievance
+is real enough. We'd get no good; it might do us harm. The
+mischief is that she's got what she chooses to regard as some
+sort of groundwork for her suspicions. It's this way. She met
+the secretary of the Hardwood Company. The Hardwood Company's
+paid dividends averaging thirty per cent, ever since it started.
+The fellow got friendly with her--as plenty of men do get within
+five minutes of their meeting her. He told her that only one
+original shareholder remained on their lists, and, since the
+shares rushed to a premium directly the issue was made, that
+therefore he was the only person who received the full benefit
+of the thirty per cent. He added that the shareholder's name was
+Grahame--Cuthbert Grahame (you may see her pricking her ears at
+that!)--and (she always leading him by the nose!) that the
+dividends had not been paid to him direct, but to his
+solicitors, Messrs. McTavish &amp; Brown, of Southampton Row. He was
+a talkable body, that secretary man--men are apt to be talkative
+when she gets them alone with her in a corner. He told her
+something else: that the queerest part of the business was that
+while the shares still stood in Grahame's name, the dividends
+had remained unclaimed for quite a while, so that a considerable
+sum was waiting for some one to take it. The next morning she
+came to us running over with the story. Now I remembered those
+shares--an investment which returns thirty per cent, these hard
+times one has to remember. He had ten thousand of them; they
+were in our charge; we did collect the dividends. But one day he
+wrote asking us to send them to him, which we did do. My lady of
+course wanted proof. Do you know we couldn't give it her.&quot;</p>
+
+<p class="normal">&quot;I don't see why.&quot;</p>
+
+<p class="normal">&quot;Under ordinary circumstances nothing could have been simpler.
+Such a thing has never before happened in the whole course of my
+experience, but by some infernal accident we couldn't lay our
+hands on either his letter of instructions, or his
+acknowledgment of receipt.&quot;</p>
+
+<p class="normal">&quot;There was still the letter advising their despatch.&quot;</p>
+
+<p class="normal">&quot;David, ever since that woman appeared on the scene we have been
+persecuted by a malignant fate.&quot;</p>
+
+<p class="normal">&quot;Big words, Andrew, big words.&quot;</p>
+
+<p class="normal">&quot;She moves me to them. On the day Grahame's letter came I
+happened to be going abroad. Brown sent a clerk here with his
+letter and the shares, so that I might check them and see that
+they were right. I packed the clerk back, and sent the shares
+myself; but in my haste--I was running the boat train pretty
+close!--I was idiot enough not to take a copy of my own letter,
+and what I did with Grahame's I have not the dimmest
+recollection.&quot;</p>
+
+<p class="normal">&quot;Very unbusiness-like.&quot;</p>
+
+<p class="normal">&quot;Don't I know it, man! Of course she declined to credit a word
+of the story; said that she believed it was a fabrication from
+beginning to end; and that she was more than ever convinced that
+she was dealing with a set of rogues. The climax is to come! The
+day after she had drugged me she came to my office, and produced
+a Hardwood Company's share, which she had the assurance to
+assert that she had taken out of my own safe when I was in a
+state of unconsciousness!--think of it! She had taken it round
+to the Company's offices, and it had there been identified as
+one of the shares which were standing in Cuthbert Grahame's
+name.&quot;</p>
+
+<p class="normal">&quot;Was it one of his shares?&quot;</p>
+
+<p class="normal">&quot;It was, beyond a doubt.&quot;</p>
+
+<p class="normal">&quot;And had she taken it out of your safe?&quot;</p>
+
+<p class="normal">&quot;David, I can only tell you that she swore she had; and I'm
+bound to admit that if she hadn't, I don't know where she got it
+from. On the other hand, if she did I have not the vaguest
+notion how it got there. Plague take the thing!&quot;</p>
+
+<p class="normal">Mr. McTavish, emptying his liqueur glass, immediately refilled
+it.</p>
+
+<p class="normal">&quot;Don't you know what's in your own safe?&quot;</p>
+
+<p class="normal">&quot;Do you take me for a feather-brain? I knew every trifle it
+contained, or thought I did. She says that she took up a bundle
+of papers, and that the share dropped out of one of them. If it
+did, no one knows less than I do who put it there. The only
+conclusion at which I can arrive is that, in returning the
+shares to Grahame, I overlooked one of them, and that, in my
+hurry, it got mixed up with some of the papers which I keep in
+my safe, and which were lying on my table at the time. Of all
+the evil chances that ever befel a man!&quot;</p>
+
+<p class="normal">&quot;And what was the inference she drew?&quot;</p>
+
+<p class="normal">&quot;The inference she drew! What do you suppose? Why, of course,
+that the other nine thousand nine hundred and ninety-nine shares
+were hidden somewhere in my house, exactly as that one had been.
+She had brought a solicitor with her to the office--think of it,
+David!--a pettifogging rascal of the name of Luker, who'd do
+anything for six-and-eightpence; and in his presence--picture
+it, David!--she told me that if I didn't permit her to subject
+my private premises to a thorough examination she should
+immediately commence proceedings for the recovery of the missing
+shares. And the creature Luker had the audacity to advise me to
+accede to her reasonable request--he called it her reasonable
+request! And I complied!--I complied! She, the wretched Luker,
+Brown, and myself, we went through every nook and cranny in the
+house, all of us together. The humiliation of it!--the maddening
+humiliation!&quot;</p>
+
+<p class="normal">With his handkerchief Mr. McTavish wiped his capacious brow,
+which was moist with indignant sweat.</p>
+
+<p class="normal">&quot;And did they find the missing shares?&quot;</p>
+
+<p class="normal">&quot;David! Do you want me to make an end of you? The reptile Luker
+wrote that if restitution of the shares was not made at once he
+was instructed to immediately commence proceedings for their
+recovery. And that's only the beginning! If something isn't done
+to stop her it's very possible that she'll try to jockey us, by
+legal process, out of all the money that she supposes Cuthbert
+Grahame to have had. The law on such matters is in such a
+state--when twisted by such as Luker!--that there's no knowing
+what may be the issue; the one thing certain being that she may
+be the occasion to us of the gravest injury.&quot; The doctor emitted
+a sound which forced a startled inquiry from the other. &quot;What's
+the matter with you, man?&quot;</p>
+
+<p class="normal">&quot;I was laughing, to think that a couple of lawyers should be so
+mishandled by one of the laity! It's the funniest thing that
+ever I heard.&quot;</p>
+
+<p class="normal">&quot;It's no laughing matter, David, I can tell you that. Think of
+the scandal--that at the age to which I'm come I should be used
+as if I were a misbegotten rogue! She's a devil of a woman! And
+what's driving her is that she's come to the end of her tether.&quot;</p>
+
+<p class="normal">&quot;Do you mean that she's spent all her cash?&quot;</p>
+
+<p class="normal">&quot;I've reason to know she has, or nearly all. She lives in a
+great house, has an expensive establishment, spends money like a
+queen. She took it for granted that long before this the bulk of
+Grahame's money would turn up. Now that it hasn't she's
+desperate. She means to get it out of somebody, somehow--or as
+much of it as she can--if it's only out of such poor creatures
+as McTavish and Brown.&quot;</p>
+
+<p class="normal">&quot;You're a pair of weans, you and Brown.&quot;</p>
+
+<p class="normal">&quot;So you see, David, how it is I have come to you for help--to
+you, my oldest friend. Why it is that I ask you to search your
+brain and see if you can give us no clue as to what Cuthbert
+Grahame did with his money. No one was more intimate with him
+than you, and on such a point there is no one who is more likely
+to be able to give us help.&quot;</p>
+
+<p class="normal">&quot;If that's so then you'll get help from no one, for it's certain
+you'll get none from me. I tell you I know nothing of the
+matter.&quot;</p>
+
+<p class="normal">&quot;Do you think Miss Wallace could help us? She had an intimate
+knowledge of Grahame and of his peculiarities. She might be able
+to tell us something which would prove to be of assistance.&quot;</p>
+
+<p class="normal">&quot;I'll ask her, if you wish it. But I doubt if you'll gain.&quot;</p>
+
+<p class="normal">&quot;Do, David, do. And&quot;--Mr. McTavish tapped his forefinger on the
+arm of his chair--&quot;the sooner the better. As to advice, David,
+you know this woman; you've had dealings with her before; in a
+sense, so far as we're concerned, you're responsible for her
+existence. You see the dilemma we are in. What advice have you
+to offer?&quot;</p>
+
+<p class="normal">&quot;None--not a ha'porth. I'm not advising.&quot;</p>
+
+<p class="normal">&quot;David!&quot;</p>
+
+<p class="normal">&quot;I tell you I'm not, and it's just because I've had dealings
+with the woman already. I've tried one fall with her, and I'm
+suffering from it still.&quot;</p>
+
+<p class="normal">&quot;She's an awful creature!--awful!&quot;</p>
+
+<p class="normal">&quot;There's only one thing I can say to you, Andrew, and that I've
+said already, and then you sort of sniggered. But to my mind
+it's a comfortable thought when we come to deal with persons
+like Mrs. Cuthbert Grahame, or Mrs. Gregory Lamb, or whatever
+she calls herself, and it's this, that if the mills of God do
+grind slowly, they also do grind surely, and they grind
+exceeding small.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_19" href="#div1Ref_19">CHAPTER XIX</a></h2>
+
+<h3>IN COUNCIL</h3>
+<br>
+
+
+<p class="normal">There were five of them assembled in Margaret Wallace's
+sitting-room. Margaret herself, in a linen gown of
+cornflower-blue, the product of her own deft fingers, which
+became her hugely. Miss Dorothy Johnson, from the rooms below,
+who indulged her fondness for unconventional attitudes by
+perching herself on the back of one chair and her feet on the
+seat of another. Bertram Winton, one of the handsomest of our
+actors, tall and dark, with big eyes and curly hair, whose
+clothes fitted him with a creaseless perfection which won the
+admiration of that considerable feminine public which bought his
+photographs and wrote for his autograph. Frank Staines, who was
+something of a mystery. He wrote a little, and painted a little,
+and drew a little, and sang a little, and played a little, and
+talked so much that there were people who said that he could do
+that better than he could do anything else. He had money. The
+exact quantity was not generally known, but there appeared to be
+enough of it to enable him to live in very considerable comfort,
+without rendering it necessary for him, to adopt his own
+phraseology, to descend into the market-place and &quot;huckster&quot; his
+brain. Between Miss Johnson and him there was a state of
+continual war, tempered by peaceful intervals of the briefest
+duration. It was commonly understood that he was very much in
+love with her, had frequently proposed to her and had been
+accepted several times, but that on each occasion a rupture had
+followed before they were able to make an interesting
+announcement to their friends and acquaintances.</p>
+
+<p class="normal">Miss Johnson made a remark to Harry Talfourd, who stood leaning
+against the window with an air of almost sombre gloom, which
+caused hostilities to break out upon the spot.</p>
+
+<p class="normal">&quot;Let's get to the bed-rock of common-sense. It always seems to
+me that in matters of this sort commonsense is the one thing
+needed. Harry, what is it you want? You want your play to be
+successful--that is, you want it to bring you cash and kudos;
+and that is all you want. The question, therefore, which you
+have to ask yourself is, if Mrs. Lamb produces 'The Gordian
+Knot' will it bring me those two things? To that question you
+have only to supply a simple yes or no, and the problem's
+solved.&quot;</p>
+
+<p class="normal">To which Mr. Staines replied--</p>
+
+<p class="normal">&quot;That is exactly the sort of remark one expects you to
+make--utilitarian, material, sordid. I opine that the one thing
+Harry requires you have not mentioned--that is, satisfaction for
+his artistic soul.&quot;</p>
+
+<p class="normal">&quot;Artistic tommy-rot.&quot;</p>
+
+<p class="normal">&quot;My dear Dollie, it is not necessary for you to be vulgar in
+order to inform us that you know nothing about the soul--we are
+aware of it.&quot;</p>
+
+<p class="normal">&quot;My dear Frankie, don't be under the delusion that you need open
+your mouth to let the world know that you drivel--it is written
+on your countenance.&quot;</p>
+
+<p class="normal">&quot;Thank you, Miss Johnson.&quot;</p>
+
+<p class="normal">&quot;Don't mention it, Mr. Staines.&quot;</p>
+
+<p class="normal">Margaret interposed.</p>
+
+<p class="normal">&quot;While those two are thinking of some more nice things to say to
+each other, I should like to know, Mr. Winton, what you really
+think.&quot;</p>
+
+<p class="normal">&quot;I am afraid, Miss Wallace, that my point of view would be
+described by Staines as utilitarian. I propose to conduct my
+theatre--when I get it--on a commercial basis.&quot;</p>
+
+<p class="normal">&quot;One takes it for granted that an actor-manager is commercial or
+nothing.&quot;</p>
+
+<p class="normal">&quot;If he isn't commercial, my dear Staines, he's less than
+nothing--he's a bankrupt. No one loves a bankrupt, not even your
+artistic soul. My intention is to get a theatre; to have it
+properly equipped; to give the public as good plays as I can
+get; to have them as well acted as circumstances permit. If Mrs.
+Lamb is willing to place me in a position to carry out my
+intention--on my own terms--I don't know that I have any serious
+objection to her playing a part in my initial venture,
+particularly as that happens to be a part which, as Talfourd is
+aware, I have not hitherto been able to fit with a quite
+adequate representative. I realise that the position is not so
+simple as it appears, and am conscious that I run the risk of
+being overshadowed by the lady's personality. But that is
+certainly my risk rather than Talfourd's, and I am willing to
+run it in order to gain the end I have in view.&quot;</p>
+
+<p class="normal">&quot;Then you say, let Mrs. Lamb play Lady Glover?&quot;</p>
+
+<p class="normal">&quot;I do, since I incline to the opinion that she would not play it
+in a fashion which would militate against the success of the
+piece.&quot;</p>
+
+<p class="normal">&quot;You hear, Harry?&quot;</p>
+
+<p class="normal">&quot;I do; I have heard Winton on the point before.&quot;</p>
+
+<p class="normal">&quot;Then why don't you leave matters entirely in his hands, and let
+him arrange everything?&quot;</p>
+
+<p class="normal">Harry exchanged glances with the actor. He said, dryly--</p>
+
+<p class="normal">&quot;I am willing. If I am allowed to--say, run abroad, or remove
+myself into the country well out of reach, until, at any rate,
+the play's produced, I am content to let Winton do just as he
+pleases.&quot;</p>
+
+<p class="normal">&quot;I doubt if that would meet Mrs. Lamb's views. I imagine that
+she might regard your withdrawal as a personal affront.
+Talfourd, will you allow me to explain to Miss Wallace what I
+imagine is your exact position in this matter?&quot;</p>
+
+<p class="normal">Miss Johnson addressed a question to Mr. Staines before Margaret
+could reply.</p>
+
+<p class="normal">&quot;Frank, you can be honest sometimes, and you can be sensible.
+Try to be both of them now. What do you think of Mrs. Lamb?&quot;</p>
+
+<p class="normal">&quot;It is a delicate subject, on which I should not presume to
+offer an opinion.&quot;</p>
+
+<p class="normal">&quot;That means that you don't love her.&quot;</p>
+
+<p class="normal">&quot;I have only loved one person in my life, and it certainly was
+not her.&quot;</p>
+
+<p class="normal">Miss Johnson looked straight in front of her, as if she desired
+to convey the impression that she had no idea that any allusion
+was intended. Margaret urged Mr. Winton.</p>
+
+<p class="normal">&quot;Come, tell me what Harry's position really is, since I am quite
+unable to get it out of him.&quot;</p>
+
+<p class="normal">&quot;Shall I, Talfourd?&quot;</p>
+
+<p class="normal">&quot;You may say what you choose, only give me leave to doubt if you
+are so well informed as you yourself imagine. I don't understand
+myself as well as I should like to.&quot;</p>
+
+<p class="normal">&quot;I fancy I understand pretty well. The truth is, Miss Wallace,
+Mrs. Lamb is fonder of Talfourd than he is of her.&quot;</p>
+
+<p class="normal">&quot;I am quite aware of that.&quot;</p>
+
+<p class="normal">&quot;I don't think you altogether appreciate my meaning. If there
+were no Mr. Lamb, Mrs. Lamb would not object to being Mrs.
+Talfourd--which is why she wants to produce 'The Gordian Knot,'
+and why Talfourd doesn't want her to.&quot;</p>
+
+<p class="normal">&quot;Do you mean that she's in love with him? Harry! is this true?
+You told me that she had never said anything to you she ought
+not to have done.&quot;</p>
+
+<p class="normal">&quot;Nor has she. Winton speaks crudely. I don't know what is his
+authority for his statement, he certainly has had none from me.&quot;</p>
+
+<p class="normal">&quot;Is it simply because--she feels for you like that--that she
+wants to produce your play?&quot;</p>
+
+<p class="normal">&quot;Honestly, Meg, I don't know what her reasons are. I wish I
+did.&quot;</p>
+
+<p class="normal">&quot;Does she know that you're--engaged?&quot;</p>
+
+<p class="normal">&quot;Not that I am aware of. So far as possible I have carefully
+avoided speaking to her of myself. Frankly, Meg, it's no use
+blinking the fact that as Mrs. Lamb's private secretary there's
+nothing for me to do; that she has not the slightest real need
+for such a functionary; and that I am very much exercised in my
+mind as to the motives which would actuate her in the production
+of 'The Gordian Knot'. Although I am quite aware that he meant
+well, I should have been obliged to Winton if he hadn't said a
+word to her about the thing.&quot;</p>
+
+<p class="normal">&quot;At that time I had no actual knowledge of how the land was
+lying.&quot;</p>
+
+<p class="normal">&quot;But you guessed.&quot; This was Margaret.</p>
+
+<p class="normal">&quot;Well, if you will permit me to be quite plain, Miss Wallace, I
+don't know that I regarded it as a drawback even if I did guess.
+An actor depends for his existence on personal favour. He has to
+please the public in the mass, and, also, as individuals. When a
+woman tells me she admires me I expect her to take a stall to
+see me act; if she admires me very much, I expect her to take
+two or three, or a box. There have been women who have admired
+me so much that they have booked seats for an entire season.
+Now proceed a step farther. I can conceive of it as possible
+that a woman might provide me with the means to take a theatre
+because her admiration for me was so great. I shouldn't stop to
+ask myself trivial questions as to whether she was married
+or single, I should regard the matter as purely one of
+business--one proof of my success--and take the good the gods
+provided, while, at the same time, my position in the affair
+would be entirely a platonic one. I want Talfourd to treat the
+matter from my point of view, but it seems he can't.&quot;</p>
+
+<p class="normal">&quot;I'm sorry.&quot;</p>
+
+<p class="normal">&quot;I'm not sorry!&quot; The first remark came from Harry, the second
+from Margaret. She went on: &quot;Now I begin to understand. Of
+course it's quite inconceivable, Harry, how any one could fall
+in love with you; but supposing any woman to be so foolish, I
+certainly don't want you to trade on her affection. I'm not
+saying it with any desire to wound you, Mr. Winton.&quot;</p>
+
+<p class="normal">&quot;Don't be afraid, I'm not easily wounded.&quot;</p>
+
+<p class="normal">&quot;But, you see, in this case there are other circumstances to be
+considered--there's me. I'm a factor in the question. And shall
+I tell you to what conclusion I'm drifting?&quot;</p>
+
+<p class="normal">&quot;Let's have it.&quot;</p>
+
+<p class="normal">&quot;I should like to see Mrs. Lamb. You men know her, but I don't.
+She hasn't even come within range of my vision, and though I've
+the highest respect for you, as men, when it comes to your
+opinion of a woman, I don't think a man's opinion worth
+anything.&quot;</p>
+
+<p class="normal">&quot;You're quite right--it isn't.&quot; This was Miss Johnson.</p>
+
+<p class="normal">&quot;I used to have a high opinion of you.&quot; This was Mr. Staines.</p>
+
+<p class="normal">&quot;You used to have!--that I should ever have been so belittled!&quot;</p>
+
+<p class="normal">Miss Johnson turned disdainfully from Mr. Staines to Margaret.</p>
+
+<p class="normal">&quot;What you say is perfectly correct, my dear, only a woman's
+opinion of a woman is of the slightest value.&quot;</p>
+
+<p class="normal">&quot;The other day I heard a woman express her opinion of you in
+terms which, if I repeated them to you, might cause you to
+change your views.&quot;</p>
+
+<p class="normal">&quot;Some women!&quot;</p>
+
+<p class="normal">&quot;I don't know that I go quite so far as Dollie, and there is
+something in what Mr. Staines hints, for, of course, there are
+women whose opinions of each other are merely so many libels.&quot;</p>
+
+<p class="normal">&quot;Hear! hear!&quot;</p>
+
+<p class="normal">&quot;Do be still! Will somebody sit on Mr. Staines?&quot;</p>
+
+<p class="normal">&quot;But this appears to be a case in which a woman's opinion should
+be the only thing which ought to count--especially if I'm
+the woman; and, lest you accuse me of overweening conceit,
+let me hasten to explain. Mrs. Lamb is, I presume, a lady of
+beauty----&quot;</p>
+
+<p class="normal">&quot;She's not bad-looking.&quot; This was Mr. Staines to, of course,
+Dolly.</p>
+
+<p class="normal">&quot;Much you know about a woman's looks!&quot;</p>
+
+<p class="normal">&quot;I used to admire yours.&quot;</p>
+
+<p class="normal">&quot;Pooh!&quot;</p>
+
+<p class="normal">&quot;Apparently of fortune, conceivably of taste. She is supposed to
+entertain certain sentiments towards a certain gentleman which
+she ought not to entertain. Actuated by those sentiments she
+proposes to play the part of a feminine Mćcenas and pose as a
+patron of the drama. These are the allegations which are made
+against her. Introduce me to her; let me talk to her for half an
+hour, and I will engage to settle there and then--and
+finally!--the question as to whether she is a fit and proper
+person to produce 'The Gordian Knot' and play Lady Glover.&quot;</p>
+
+<p class="normal">&quot;I'm content!&quot; cried Harry.</p>
+
+<p class="normal">Mr. Winton was more deliberate.</p>
+
+<p class="normal">&quot;Well, under ordinary circumstances, I should be inclined to do
+more than hesitate before accepting a lady as arbitrator in such
+a matter, but I have such a high opinion of Miss Wallace, though
+she herself appraises a masculine estimate of such a subject at
+less than nothing----&quot;</p>
+
+<p class="normal">&quot;I make an exception in your case, Mr. Winton--thank you very
+much.&quot;</p>
+
+<p class="normal">&quot;If she will allow me to say so, I esteem her wide-minded
+liberality so greatly, and set such value on her keen-sighted
+appreciation of character----&quot;</p>
+
+<p class="normal">&quot;Dear! dear! Margaret, bow!&quot;</p>
+
+<p class="normal">&quot;Dollie! don't interrupt!&quot;</p>
+
+<p class="normal">&quot;That I am quite willing to go so far as this: If, after talking
+the matter over with Mrs. Lamb, fully and frankly, and weighing
+all the pros and cons, you tell me that you think it would be
+better, for all parties interested, that she should have nothing
+to do with the play, then, so far as I am concerned, the
+question will be settled--she shan't.&quot;</p>
+
+<p class="normal">&quot;The point is,&quot; struck in Dollie, &quot;how is the poor dear child to
+become acquainted with this wonderful woman, who ought to be
+immensely flattered if she knows how much you have her in your
+thoughts?&quot;</p>
+
+<p class="normal">&quot;There will be no difficulty about that. The lady has an 'At
+Home' to-morrow evening, to which, practically, all the world is
+welcome. I'll tell her, Meg, that you'd like to make her
+acquaintance, and ask her permission to bring you.&quot;</p>
+
+<p class="normal">&quot;You'll ask her?&quot;</p>
+
+<p class="normal">Mr. Staines looked at Mr. Talfourd with, in his glance, a
+satirical intention which the other ignored.</p>
+
+<p class="normal">&quot;Why not? Nothing could be simpler.&quot;</p>
+
+<p class="normal">&quot;No--nothing could be simpler--only I thought you said she
+didn't know you were engaged. Do you propose to tell her in what
+relation Miss Wallace stands to you?&quot;</p>
+
+<p class="normal">&quot;Certainly! Why do you look at me like that?&quot;</p>
+
+<p class="normal">&quot;I should like to see her face when she receives the
+communication, and, again, when she meets Miss Wallace. I know
+something of Mrs. Gregory Lamb. I fancy they may both of them be
+rather dramatic moments.&quot;</p>
+
+<p class="normal">Margaret told him, laughing--</p>
+
+<p class="normal">&quot;Dear Mr. Staines, you may study the expression of her
+countenance when she meets me to your heart's content, if you
+choose. Suppose we all of us go together?&quot;</p>
+
+<p class="normal">Mr. Winton rose from his chair.</p>
+
+<p class="normal">&quot;Thank you; that is a proposal which I am afraid I must decline.
+Mrs. Lamb might suspect us of conspiracy if we bore down on her
+in force. I will be in Connaught Square to-morrow evening, but
+perhaps a little late, when I think it possible, Miss Wallace,
+that one glance at your countenance will be sufficient to tell
+me exactly how the matter stands. Remember the arbitrament of my
+fate--as a manager, an issue of no slight consequence--is in
+your hands.&quot;</p>
+
+<p class="normal">&quot;Poor, innocent, ignorant Mrs. Lamb!&quot; exclaimed Miss Johnson.
+&quot;Meg, if she only knew what issues of life and death you are
+bringing with you, I don't believe she'd let you into her
+house--however nicely Harry might ask her permission to bring
+you.&quot;</p>
+
+<p class="normal">The young lady spoke much truer than she knew.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_20" href="#div1Ref_20">CHAPTER XX</a></h2>
+
+<h3>THE IMPENDING SWORD</h3>
+<br>
+
+
+<p class="normal">&quot;I must have ten thousand pounds, and&quot;--Mrs. J. Lamb
+paused--&quot;within a week.&quot;</p>
+
+<p class="normal">&quot;Must!&quot;</p>
+
+<p class="normal">Mr. Isaac Luker folded his hands together with a gesture which
+suggested the act of prayer. He seemed singularly out of place
+in his environment. They were in the apartment which Mrs. Lamb
+called her boudoir, a word which has a different meaning in the
+mouths of different women. In this case it stood for a room
+which represented what was possibly the last word in gorgeous
+decoration. Everything was of the costliest. If the result was a
+trifle vivid, it was not altogether unpleasing. It was a room in
+which one could be very much at one's ease--in certain moods--if
+one were of a certain constitution. There was something in its
+atmosphere which made a not ineffective appeal to the senses,
+not so much to the sense of beauty or of intellect, as to that
+of physical well-being. In some subtle way the owner's strong
+personality impregnated the whole place. On crossing the
+threshold a person of delicate perception might have become
+immediately conscious of something which could scarcely have
+been called healthy.</p>
+
+<p class="normal">But the prevailing note was gorgeousness, and anything less
+gorgeous than Mr. Isaac Luker one could hardly conceive. Mrs.
+Lamb's costume harmonised with the apartment, it was so
+evidently the product of one of those artists in dress to whom
+expense is no object. And it became her very well. In it she
+looked not only a handsome woman, but almost a real great lady.
+Mr. Luker's apparel, on the other hand, was not only unbecoming
+and ill-fitting, but it was apparently in the last stage of
+decay. None of the garments seemed to have been made for him,
+and they were all of them odd ones. He was tall and thin. He
+wore an old pair of black-and-white checked trousers, which were
+too short in the leg and too big everywhere else; an old black
+frock-coat, which he kept closely buttoned, and which must
+certainly have been intended for some one who was both
+shorter and broader. His long thin neck was surrounded by a
+suspicious-looking collar, which was certainly not made of
+linen, and he wore by way of a necktie something which might
+have once done duty as a band on a bowler hat. One understood,
+after a very cursory inspection, why a gentleman who had such a
+keen regard for appearances as Mr. Andrew McTavish should object
+to being brought into involuntary, and unsatisfactory,
+professional contact with Mr. Isaac Luker.</p>
+
+<p class="normal">Yet those who knew had reason to believe that Mr. Luker did a
+considerable business of a kind--though it was emphatically of a
+kind. He had one or two peculiarities. He was an habitual gin
+drinker, and though he could seldom be said to be positively
+drunk, he could just as rarely be called entirely sober. To all
+intents and purposes he lived on gin. He had it for breakfast,
+lunch, dinner, and for afternoon tea and supper, and he did not
+seem to find it a very nourishing food. Then, perhaps partially
+owing to the monotonous regularity of his diet, he seemed to be
+incapable of saying what he meant, while his yeas and his nays
+were as worthless as his oaths. For a solicitor to be a
+notorious liar and drunkard one would suppose would be a serious
+handicap in his profession. Oddly enough, with Mr. Luker it was,
+if anything, the other way. The sort of clients he courted
+wanted just the sort of man he was. He, speaking generally,
+never did any clean business; he was only at home when dealing
+with what was unclean; and as there is more of that kind of
+commerce about than might be imagined--and some of it is
+amazingly lucrative--he did tolerably well. Indeed, there were
+those who declared that, although he did not look it, he was
+uncommonly well-off, it being one of his characteristics that he
+was as incapable of spending money as he was of telling the
+truth or giving up gin.</p>
+
+<p class="normal">As he stood there, with his hands folded in front of him in an
+attitude of prayer, Mrs. Lamb regarded him with what could
+hardly be regarded as glances of admiration. When she addressed
+him it was with a frankness which was hardly in keeping with her
+<i>rôle</i> of great lady, and which is not usual when one deals with
+one's legal adviser.</p>
+
+<p class="normal">&quot;Listen to me, Luker. I want none of your humbug, and I want
+none of your lies. I want ten thousand pounds inside a week--and
+you've got to get them. I'll give fifteen thousand for the ten,
+so there won't be a bad profit for some one.&quot;</p>
+
+<p class="normal">&quot;How long do you want the money for?&quot;</p>
+
+<p class="normal">&quot;Oh--three months.&quot;</p>
+
+<p class="normal">&quot;On what security?&quot;</p>
+
+<p class="normal">&quot;What security? On the security of my property.&quot;</p>
+
+<p class="normal">&quot;Your property?&quot; Mr. Luker did not smile--a smile was probably
+another thing of which he was incapable--but his wizened
+features assumed a curious aspect. &quot;Of what does your property
+consist?&quot;</p>
+
+<p class="normal">&quot;None of your nonsense. To begin with, there are those ten
+thousand shares in the Hardwood Company. As you know very well,
+they're worth over fifty thousand pounds at the present moment.&quot;</p>
+
+<p class="normal">&quot;They would be if you had them--but you haven't.&quot;</p>
+
+<p class="normal">&quot;McTavish &amp; Brown have got them, and you're going to make them
+disgorge.&quot;</p>
+
+<p class="normal">&quot;We've first of all to prove that they've got them.&quot;</p>
+
+<p class="normal">&quot;Oh no, we haven't; they have to prove that they handed them
+over to Cuthbert Grahame, which is a very different thing, as
+you know very well.&quot;</p>
+
+<p class="normal">&quot;My dear Isabel, you're a very clever woman; your fault is that,
+if anything, you're too clever.&quot;</p>
+
+<p class="normal">&quot;I've heard you called too clever before to-day.&quot;</p>
+
+<p class="normal">&quot;My dear----&quot;</p>
+
+<p class="normal">&quot;Don't you call me your dear! I won't have it.&quot;</p>
+
+<p class="normal">&quot;Very well, although it is possible that few men have a better
+right----&quot;</p>
+
+<p class="normal">&quot;Right! Don't you dare to talk to me about right!--you!--don't
+you talk to me like that, Mr. Luker! You just simply listen to
+me. I want ten thousand pounds before this day week, and you've
+got to get it. No one in London knows better than you from whom
+and how to get it.&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb--by the way, how is your worthy husband?&quot;</p>
+
+<p class="normal">&quot;Never mind my worthy husband--you keep to the point.&quot;</p>
+
+<p class="normal">&quot;Even supposing we are able to saddle McTavish &amp; Brown
+with the responsibility for the Hardwood shares--which is
+problematical--it'll take a good deal more than three months to
+do it. It is not to be supposed that they'll accept an adverse
+decision without taking the case through every court available.
+That may take years. If in the end it is decided that they will
+have to pay, it is not by any means certain that they will be
+able to. Costs will have swollen the original total enormously;
+it all will have to come from them. There is nothing to show
+that they are in a position to pay such a huge sum as that will
+be.&quot;</p>
+
+<p class="normal">&quot;Oh yes, there is; they're rolling in money; I've seen enough of
+them to know so much.&quot;</p>
+
+<p class="normal">&quot;You think you have. I doubt if that is a matter on which your
+judgment can be trusted. If the case ultimately goes against
+them, the possibilities--I should say the probabilities--are
+that they will declare themselves bankrupt. Then where will you
+be? You will have to pay your own costs, and, instead of getting
+the amount adjudged, after another interval of dreary waiting,
+you may receive, as a final quittance, perhaps sixpence, or a
+shilling, in the pound. And in the meantime, you must remember,
+you will have to live.&quot;</p>
+
+<p class="normal">&quot;You old croaker!&quot;</p>
+
+<p class="normal">&quot;Let me make a suggestion.&quot;</p>
+
+<p class="normal">&quot;Your suggestions!&quot;</p>
+
+<p class="normal">She brought her fist down on the back of an armchair with an
+emphasis which almost suggested that she would have liked that
+chair to have been some portion of his body.</p>
+
+<p class="normal">&quot;Let me lay the whole case before a friend of mine, and, after
+he has given it careful consideration, it is possible that he
+may make you a proposition.&quot;</p>
+
+<p class="normal">&quot;What sort of proposition?&quot;</p>
+
+<p class="normal">&quot;That I cannot tell you--the best he can.&quot;</p>
+
+<p class="normal">&quot;You understand that I must have ten thousand pounds within a
+week?&quot;</p>
+
+<p class="normal">&quot;I hear you say so. If my friend can see his way no doubt he
+will let you have them.&quot;</p>
+
+<p class="normal">&quot;Mind he does see his way!&quot;</p>
+
+<p class="normal">&quot;As to that----&quot;</p>
+
+<p class="normal">Mr. Gregory Lamb's sudden appearance in the doorway perhaps
+allowed to serve as an excuse for his sentence to remain
+unfinished.</p>
+
+<p class="normal">&quot;You here!&quot; exclaimed Mr. Lamb, as if he were not too well
+pleased to see him. &quot;I didn't know.&quot;</p>
+
+<p class="normal">Mr. Luker's greeting, although well meant, was a little
+peculiar.</p>
+
+<p class="normal">&quot;My dear Mr. Lamb, how well you are always looking!--and always
+so beautifully dressed. What a lovely pin you have in your
+pretty necktie! Now I know a friend who would give you----&quot;</p>
+
+<p class="normal">&quot;I don't want to know what your friend would give me! Confound
+it, Luker, I never see you but you tell me what some one you
+know would give me for something I have on. You might be a
+marine store-dealer.&quot;</p>
+
+<p class="normal">&quot;There are worse trades, Mr. Lamb--there are worse trades. Now
+with regard to that exquisite pair of trousers----&quot;</p>
+
+<p class="normal">&quot;Look here, Luker, if you're going to tell me what some one you
+know will give me for my trousers, I'll throw something at you.&quot;</p>
+
+<p class="normal">&quot;You mustn't do that, Mr. Lamb, it might be something worth
+money--everything in the room is so very beautiful. Mrs. Lamb, I
+wish you good-morning.&quot;</p>
+
+<p class="normal">&quot;Now, no nonsense, Luker. I want that within a week--and you've
+got to see I have it--if you don't want trouble!&quot;</p>
+
+<p class="normal">&quot;I understand perfectly, and will bear what you have said well
+in mind. You shall hear from me again very shortly.&quot;</p>
+
+<p class="normal">&quot;I will see I do!&quot;</p>
+
+<p class="normal">&quot;I have had clients, Mr. Lamb, who would have conveyed that pin
+without paying for it--it presents such temptations to an honest
+man. I do hope it's properly secured. Good-morning!&quot;</p>
+
+<p class="normal">When Mr. Luker had retired Mr. Lamb turned to his wife, with
+knitted brows.</p>
+
+<p class="normal">&quot;Isabel, it's beyond my comprehension why you have anything to
+do with that animal. He's got scoundrel written large all over
+him.&quot;</p>
+
+<p class="normal">&quot;I shouldn't have thought that would have prejudiced him in your
+eyes.&quot;</p>
+
+<p class="normal">&quot;I suppose you think that's smart. I know there was a time when
+we both of us had to sail pretty close to the wind, but I
+thought that time had gone for ever. You've told me so over and
+over again. You're a woman of large fortune, of assured
+position, a person of importance. I should have thought that
+from the point of view of policy alone it would have been worth
+your while to have dealings with solicitors of standing only,
+and to have nothing to do with such a brute as that. Aren't you
+ashamed to have him seen going in and out of the house, or to
+have the servants know that he is here?&quot;</p>
+
+<p class="normal">&quot;I'm not easily ashamed--you ought to know that. Is that all
+you've come for?--to tell me what you think about what is no
+concern of yours?&quot;</p>
+
+<p class="normal">&quot;What's this I hear about your bringing out a play, and acting
+in it yourself?&quot;</p>
+
+<p class="normal">&quot;Who told you that?&quot;</p>
+
+<p class="normal">&quot;Winton--to my amazement!&quot;</p>
+
+<p class="normal">&quot;What did he tell you?&quot;</p>
+
+<p class="normal">&quot;Something about your producing a play of
+Talfourd's--Talfourd's, of all people in the world! My hat! he
+said that you proposed to act one of the principal parts in it
+yourself. Isabel, that's going too far; I won't stand it.&quot;</p>
+
+<p class="normal">&quot;You won't what?&quot;</p>
+
+<p class="normal">There was something in the lady's tone and in her attitude
+before which he obviously quailed.</p>
+
+<p class="normal">&quot;I don't think that it's becoming in a woman of your position,
+as--as my wife.&quot;</p>
+
+<p class="normal">&quot;It's not my fault that I'm your wife.&quot;</p>
+
+<p class="normal">&quot;Still the fact remains that you are. By the way, has Talfourd
+been saying anything to you about me?&quot;</p>
+
+<p class="normal">&quot;What should he say?--except to advise me to sew you in a sack
+and drop you into the river.&quot;</p>
+
+<p class="normal">&quot;That's just what he'd like--he's that sort of man.&quot;</p>
+
+<p class="normal">&quot;Is he? He's what you never were, never will be, never could
+be--a gentleman. Why you don't even begin to understand what a
+gentleman is.&quot;</p>
+
+<p class="normal">&quot;'Pon my word, I wonder that I let you talk to me like this. I
+don't want to quarrel with you--I hate quarrelling!--I really
+do. You couldn't treat me worse if I were a shoeblack.&quot;</p>
+
+<p class="normal">&quot;I never met any one yet whose shoes you were worthy to black.
+Why, Luker's a man compared to you. He doesn't sponge upon a
+woman.&quot;</p>
+
+<p class="normal">&quot;It's not fair of you to speak to me like this--it is not! I
+know you're not fond of me----&quot;</p>
+
+<p class="normal">&quot;Fond of you!--fond!&quot;</p>
+
+<p class="normal">The lady flung out her arm, as if the idea of her entertaining
+any feeling of that kind for her husband was a grotesque one,
+and she laughed. As he continued his tone suggested a snarl.</p>
+
+<p class="normal">&quot;I don't know that I'm particularly fond of you. You don't go
+out of your way to make yourself agreeable to a fellow. You've
+only got to say the word to be rid of me for--well, at any rate,
+a good long time.&quot;</p>
+
+<p class="normal">&quot;What's the word? L.S.D.?&quot;</p>
+
+<p class="normal">Mr. Lamb coughed.</p>
+
+<p class="normal">&quot;A fellow can't go away with empty pockets.&quot;</p>
+
+<p class="normal">&quot;I thought so. Out with it! What are you at?&quot;</p>
+
+<p class="normal">&quot;The truth is, Isabel, I'm not feeling very well.&quot;</p>
+
+<p class="normal">&quot;If you were feeling as I'd like you to feel you'd be feeling
+very much worse.&quot;</p>
+
+<p class="normal">&quot;That's frank! A nice thing for a wife to say to her husband! I
+believe you're capable of anything.&quot;</p>
+
+<p class="normal">&quot;I am--I always have been--and I always shall be, you bear that
+constantly in mind. Why can't you say what you want? If it is
+prussic acid to use upon yourself I'll give you money enough to
+buy a barrelful.&quot;</p>
+
+<p class="normal">The expression of Mr. Lamb's countenance was sullen, so also was
+the tone of his voice, which perhaps on the whole was not to be
+wondered at.</p>
+
+<p class="normal">&quot;I want to go to the Riviera.&quot;</p>
+
+<p class="normal">&quot;That means Monte Carlo. Well go--at once--and never come back
+again.&quot;</p>
+
+<p class="normal">&quot;If you'll give me the coin I'll start in a jiffy.&quot;</p>
+
+<p class="normal">&quot;How much do you want?&quot;</p>
+
+<p class="normal">&quot;I daresay I could manage with a thousand. I've hit upon a
+system.&quot;</p>
+
+<p class="normal">&quot;You've hit upon a system!&quot;</p>
+
+<p class="normal">&quot;If you'll only keep still for a moment I'll tell you what it
+is, and then you'll see for yourself it's an absolute cert. I'll
+turn the thou. into fifty in less than no time. I can't help
+doing it!--you see!--and then I'll give you half.&quot;</p>
+
+<p class="normal">&quot;You'll give me half! Then am I to understand that you won't go
+unless I give you a thousand pounds?&quot;</p>
+
+<p class="normal">&quot;I couldn't do it on less--the system I mean. I've worked out
+all the details and I really couldn't. I'll show you if you
+like. It's want of capital that wrecks a man in a thing like
+this. If you haven't got the proper amount--the lowest possible
+amount that's absolutely necessary--you might as well throw your
+money into the sea.&quot;</p>
+
+<p class="normal">&quot;Then you'll never go at all, because I haven't a thousand
+pounds to give you.&quot;</p>
+
+<p class="normal">&quot;What do you mean?&quot;</p>
+
+<p class="normal">&quot;It's simple. I don't think I've fifty pounds at my bankers, and
+I'm pretty sure that they won't honour my cheque if I overdraw.&quot;</p>
+
+<p class="normal">&quot;Isabel!&quot;</p>
+
+<p class="normal">&quot;You owe money, don't you?&quot;</p>
+
+<p class="normal">&quot;I daresay I owe a bit here and there.&quot;</p>
+
+<p class="normal">&quot;So I've been given to understand. I also owe a bit. And my
+creditors, like yours, won't wait.&quot;</p>
+
+<p class="normal">&quot;Mine will have to.&quot;</p>
+
+<p class="normal">&quot;Will they? I thought that was just what they wouldn't do.&quot;</p>
+
+<p class="normal">&quot;Who's been telling you tales about me?&quot;</p>
+
+<p class="normal">&quot;A little bird. So you see, Gregory, I'm more in want of a
+thousand pounds, because you can't carry on a house like this
+for long on fifty pounds, even if I have so much at the bank,
+which, as I say, I doubt.&quot;</p>
+
+<p class="normal">&quot;Fifty pounds! You're playing the fool with me--it's a favourite
+game of yours. What's become of the quarter of a million you
+told me that man Grahame had left you?&quot;</p>
+
+<p class="normal">&quot;That's what I should like to know.&quot;</p>
+
+<p class="normal">&quot;You don't mean you've spent it? You can't have done--not in the
+time.&quot;</p>
+
+<p class="normal">&quot;I've never had it to spend.&quot;</p>
+
+<p class="normal">&quot;What rot are you talking? What game are you playing? Have you
+all along been telling me nothing but lies?&quot;</p>
+
+<p class="normal">&quot;Cuthbert Grahame told me himself that he was worth more than a
+quarter of a million; soon after he died I told you that only a
+small portion of the money could be found.&quot;</p>
+
+<p class="normal">&quot;You told me nothing of the kind--you've never told me anything.
+Whenever I asked you a question you've always shut me up. You've
+kept me all along in the dark.&quot;</p>
+
+<p class="normal">&quot;Then I tell you now. Only a small sum was ever found, and
+that's been spent--and more than spent.&quot;</p>
+
+<p class="normal">&quot;Then am I to understand that he was fooling you when he talked
+about his quarter of a million?&quot;</p>
+
+<p class="normal">&quot;I don't believe that he was. I believe he was telling the
+truth; that he was worth what he said; only it's never been
+found, and no one seems to know where it is.&quot; She held out her
+clenched fists in front of her, shaking them, as if she were
+endeavouring, by the exercise of sheer physical force, to assist
+her mental process. &quot;Sometimes I feel that I know--that I am
+very near to knowing--that if I could do something I should know
+quite. It's as if I'd been told something in a dream, and, on
+waking, had forgotten what it was. I don't like to think of the
+time he died--I can't.&quot; She looked about her, as if unconscious
+of his presence, with something on her face, in her eyes, which
+startled him. &quot;Yet if I could--if I could! I believe it would
+all come back to me what I have forgotten, and I should know
+where the money is. But I can't! I can't! Since--since the
+pillow slipped from under him, I--I've never been the same.&quot;</p>
+
+<p class="normal">She dropped into a chair, looking straight in front of her, with
+her hands dangling at her sides, as if she saw--she alone knew
+what. This was such a new mood for her that its very novelty
+scared Mr. Lamb.</p>
+
+<p class="normal">&quot;Don't look like that, Belle! What are you looking at?&quot;</p>
+
+<p class="normal">&quot;God knows! God knows!&quot;</p>
+
+<p class="normal">Mr. Lamb squirmed.</p>
+
+<p class="normal">&quot;Don't! I say, drop it! You're a cheerful sort of person, upon
+my word! I come here to get a pound or two, and you go on like
+this! Do you mean to tell me straight that we're hard up?&quot;</p>
+
+<p class="normal">&quot;There are three things that can save us, and three things only.
+If I could think I might find the money.&quot;</p>
+
+<p class="normal">&quot;Then, for the Lord's sake, think! Only don't think like that;
+it gives me the creeps to hear you.&quot;</p>
+
+<p class="normal">&quot;I can't think, anyhow, about that; I've tried, and I can't. If
+I could get the money out of McTavish &amp; Brown, that would be
+something.&quot;</p>
+
+<p class="normal">&quot;Get it out of any one, but please remember that sharp's the
+word.&quot;</p>
+
+<p class="normal">&quot;Then there's the play--Harry Talfourd's play--I believe there's
+fame and fortune in that--and safety. Do you know what that
+means--safety?&quot;</p>
+
+<p class="normal">&quot;Gracious, Isabel! don't shout at me like that! My nerves were
+all mops and brooms when I came; you've made them ever so much
+worse. I'm all of a twitter. I'll talk to you when you're in a
+more reasonable mood; you'll upset me altogether if I stay much
+longer.&quot; Mr. Lamb withdrew, to return immediately, at least so
+far as his head and shoulders were concerned, the rest of his
+body he kept on the other side of the door. &quot;Deal fairly with a
+chap--do! I must have cash from somewhere, or I shall be in a
+deuce of a hole. Can you let me have fifty?&quot;</p>
+
+<p class="normal">&quot;I can't.&quot;</p>
+
+<p class="normal">&quot;Can you make it twenty-five?&quot;</p>
+
+<p class="normal">&quot;I can't. I can't let you have anything. Do you want me to yell
+at you? I--can't--let--you--have--anything! Do you hear that?&quot;</p>
+
+<p class="normal">&quot;All right! don't shout at a man like that! I should think you
+must be going off your head. I never saw you in such a cranky
+mood before.&quot;</p>
+
+<p class="normal">Mr. Lamb beat a precipitate retreat, this time finally. His
+wife, left alone, remained seated on her chair in that very
+curious attitude, with that very curious look upon her face.</p>
+
+<p class="normal">&quot;It must be imagination--what they call an optical delusion.
+Perhaps, as he says, I'm going off my head. One thing's certain,
+it can't be real. This is not his room; that's not his bed;
+that's not----&quot; She veiled her eyes with the palms of her hands.
+&quot;No! no!--I'm too much alone. I shall go mad if I'm so much
+alone--mad!&quot;</p>
+
+<p class="normal">She sat silent for some moments, with her features all
+contorted, as if she were wrestling with actual physical pain.
+Then, rising, she took out of a small cupboard in an ormolu
+cabinet a decanter containing some colourless liquid. Pouring
+some of it into a wineglass she swallowed it at a draught.</p>
+
+<p class="normal">It was pure ether. She resorted to it to minister to a mind
+diseased.</p>
+
+<p class="normal">When, later, she descended to the apartment which was called, as
+it almost seemed ironically, Mr. Talfourd's workroom, that
+gentleman rose to greet her with a smile. She also smiled. To
+all outward seeming she was herself again--self-possessed,
+satisfied with herself and with the world, at peace with every
+one. They exchanged a few banal sentences, both remaining on
+their feet, she looking at him with eyes which, to phrase it
+diplomatically, flattered, he meeting her glance with an
+appearance of serene unconsciousness that there was anything in
+it which was singular. Presently she touched on the topic which
+was to the front in both their minds.</p>
+
+<p class="normal">&quot;About the play--have you thought it over? Am I to play Lady
+Glover?&quot;</p>
+
+<p class="normal">He still was diplomatic.</p>
+
+<p class="normal">&quot;You will understand that I, being a conceited and self-centred
+author, the matter of my play bulges out until it assumes for me
+what you will probably, and correctly, consider exaggerated
+proportions. Will you let me think it over a little longer? In
+the first place, I have settled nothing with Mr. Winton, and, in
+the second, I want to ask you to do me a favour.&quot;</p>
+
+<p class="normal">&quot;You are aware that between you and me for you it is but to ask
+and to have--anything, everything, I have to give.&quot;</p>
+
+<p class="normal">If her words were significant, the manner in which they were
+spoken underlined them. Neither the manner nor the matter of his
+reply could be termed sympathetic.</p>
+
+<p class="normal">&quot;I don't know if you are aware that I am engaged to be married.&quot;</p>
+
+<p class="normal">If something flickered across her face which was not there a
+moment before, it went as quickly as it came.</p>
+
+<p class="normal">&quot;No, I wasn't. Are you?&quot;</p>
+
+<p class="normal">&quot;I, of course, don't expect you to be interested in the
+trivialities of my life, and I only mention it as a mere detail,
+but--the lady would very much like to know you. May she?&quot;</p>
+
+<p class="normal">&quot;My dear Mr. Talfourd! hadn't you better put it the other way?
+May I know her? and when? May I call on her? or will she pay me
+the great compliment of coming to see me?&quot;</p>
+
+<p class="normal">&quot;You're very kind. With your permission she will come and see
+you to-night.&quot;</p>
+
+<p class="normal">&quot;To-night? I'm at home--of course! Do you know I'd almost
+forgotten it. Bring her by all means. Tell her she's to come
+early, before the people, and that she's to stop late, after the
+crowd has gone.&quot;</p>
+
+<p class="normal">Of such clay are we constituted. She had not the dimmest notion
+that in giving that very warm invitation she was hanging up over
+her own head a sword of Damocles, which, in this case, was
+suspended by something which was almost less than a single hair.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_21" href="#div1Ref_21">CHAPTER XXI</a></h2>
+
+<h3>OUT OF THE BLUE</h3>
+<br>
+
+
+<p class="normal">Mrs. Gregory Lamb's &quot;At Home&quot; was crowded by rather a
+nondescript gathering. The lady's hospitality was scarcely of
+the kind which discriminates. Had she set herself to pick and
+choose her acquaintances, their number might have been
+considerably less. She had learnt that the people she wished to
+know were apt not to be anxious to know her; rather the other
+way. She had to be content with the society of those who did
+wish to know her. Whether she was particularly desirous of the
+honour of their acquaintance was another matter altogether. As
+she wished to know somebody, using the word in the sense of a
+noun of multitude, she had to put up with what she could get.
+The result was a little confusing. This is not to say that there
+were no decent persons among the hordes which thronged her
+rooms: there were. Possibly the chief objection which could be
+urged against them was that, for the most part, they were
+hungry. Not only as regards the physical appetite; though a
+large proportion of them were quite willing to consume all the
+food they could obtain, and all the drink. They were hungry in
+every sense of the word. To use a significant euphemism, a very
+great majority of Mrs. Lamb's guests were &quot;on the make&quot;. They
+all wanted something. Many wanted a great many things, and
+wanted them very badly. There was a generous fringe of what is
+called the &quot;literary, musical and artistic world&quot;--those
+excellent people who will go into every house into which they
+can gain admittance. Singers who are looking for people who will
+listen while they sing, and who will pay for listening. Authors
+in search of an &quot;opening,&quot; victims of that quaint delusion that
+in order to achieve popularity it is necessary to keep one's
+person well in the public eye, as if it were not easier for the
+novelist who lives in the centre of Timbuctoo to gain, and keep,
+a circulation of a hundred thousand copies--that consummation so
+devoutly to be desired!--than for the pet of London
+drawing-rooms. Composers who wanted some one to hear their
+&quot;works&quot;; musicians who were apparently content to play on their
+various instruments, and keep on playing, whether they were
+listened to or not; artists who nourished more or less timid
+hope that, having provided them with food, and drink, and
+house-room, their hostess would purchase half a dozen of their
+&quot;sketches,&quot; by way of providing a pleasant climax to their
+evening's entertainment; actors--and actresses!--who were
+willing to do anything, from the &quot;splits&quot; to &quot;Hamlet,&quot; and
+to do it then and there; dramatists, who could have told you
+tales--and tried to!--of managerial incompetence which would
+have made your blood run cold, if they had not been so
+monotonously alike. These worthy folk, foredoomed to failure,
+were at Mrs. Lamb's in force.</p>
+
+<p class="normal">There were others. Birds, some of them, of the same plumage, who
+had achieved a more successful flight, and promised to sustain
+it, and perhaps fly even higher. Men and women who had won for
+themselves prominent places in their several callings--perhaps
+not quite in the front rank, but still near enough--who, having
+been in many such, understood what kind of house it was that
+they were in. It is to be feared that they regarded their
+hostess at best with but amusement, wondering, if she really had
+as much money as people said, how it was that she was willing to
+get so little for it.</p>
+
+<p class="normal">Then there were the nondescripts--that large battalion. Some
+actually with titles, though probably a trifle smirched. People
+who were the Lord alone knew who, or what they did for a living.
+Persons who claimed to be something in the City, and no doubt
+were; whose wives, if they had them, gave you the impression
+that their husbands were in the same line of business as the
+Rothschilds. There was probably no trade or profession, from the
+highest to the lowest, which went unrepresented that night in
+Connaught Square.</p>
+
+<p class="normal">And besides all these there were the score or so of individuals
+whom the hostess really knew, or thought she did. And among them
+moved Mrs. Lamb, as if she knew them all. Beautifully dressed,
+probably the best, without doubt the most expensively, dressed
+woman there. There were diamonds on her fingers, her wrists, on
+her bosom, about her neck, in her hair. If they were real, and
+it were blasphemy to doubt it, she would have been reduced into
+something worth having if she had been put up to auction as she
+stood. She looked, if not exactly divine, then certainly not
+unprepossessing. There were many present, both male and female,
+who thought her lovely, one of the loveliest women they had ever
+seen. That was just the assemblage to which such charms as hers
+would make their most strenuous appeal, so that, since a woman
+loves appreciation, in her generation she was wise.</p>
+
+<p class="normal">For one so young, and in years she still was very young, she
+bore herself with singular ease. She had cast herself for the
+<i>rôle</i> of great lady. If the type on which she had fashioned
+herself smacked somewhat of the theatre, her success was none
+the less, but rather all the more, on that account. In her way
+she really and truly was irresistible. So full of smiles and of
+sweetness, so good to look upon. So tall and well set, with such
+splendid arms and shoulders, such a rounded neck, such
+good-humour in her face. There was such a suggestion of youth
+about her--the youth which must prevail, of vital force, of
+physical vigour. She presented in herself such a striking
+example of the creed that's all for the best in this best of all
+possible worlds. She was such an excellent product of that great
+and shining god, Success. He had showered on her all his gifts,
+and she on her part seemed quite willing to divide them with
+whoever would. She seemed to have the knack of saying the right
+thing to the right person, being possessed either of a wonderful
+memory for names and faces, or, in an almost miraculous degree,
+of the trick of arriving, on the instant, at just conclusions
+from the scantiest data. She knew who wrote songs; what songs
+they had written; even what songs they were about to write; and
+who liked it to be thought that they were distant connections of
+the Rothschilds. She either had this information stored away in
+innumerable cells in her illimitable brain, or she picked it
+from people while they talked to her, out of their eyes, lips,
+pockets, without their suspecting that she was doing anything of
+the kind.</p>
+
+<p class="normal">She might have stood as the personification of human happiness,
+as the possessor of everything that the heart could desire.
+There were many there who credited her with being both these
+things, envying her more or less, admiring her perhaps even
+more. They would have readily believed that in her bed of roses
+there was not one crumpled leaf. Her radiant bearing, her
+beaming visage, seemed to suggest that she lived, and moved, and
+had her being in the lotus-land of happy dreams, which, for her,
+had grown realities.</p>
+
+<p class="normal">As the evening advanced she seemed to become, if anything, more
+light-hearted--gayer still--as if the success of her gathering,
+the happy looks with which she everywhere was greeted, had
+inoculated her with some subtle essence which raised her out of
+herself. Harry Talfourd and Margaret Wallace came, in a
+&quot;growler,&quot; when she was at her best and brightest. Although it
+was late, and some of the earliest comers were going, others
+were still arriving. A long line of vehicles were slowly
+depositing their occupants at the front door. In this line Mr.
+Talfourd's cab took its proper place, in the rear, and in that
+line it bade fair to continue for some considerable time. The
+lady and gentleman soon grew impatient.</p>
+
+<p class="normal">&quot;Are we going to stay in this cab all night?&quot; inquired Margaret.</p>
+
+<p class="normal">The gentleman put his head out of the window.</p>
+
+<p class="normal">&quot;It looks as if we were. We're about half a mile from the house,
+and there seems to be no end of confusion; people are both
+coming and going, and there's a fine old muddle. I say, Meg,
+it's quite fine and dry; do you think you could get out and walk
+the rest of the way? or would it make a mess of you?&quot;</p>
+
+<p class="normal">&quot;Make a mess of me! what do you mean? Open that door; I'll soon
+show you.&quot;</p>
+
+<p class="normal">He opened the door, and she showed him.</p>
+
+<p class="normal">Getting through the wide open portals of Mrs. Lamb's residence,
+and then up the staircase, on which people were ascending and
+descending in a continual stream, occupied some time.</p>
+
+<p class="normal">&quot;I feel,&quot; observed Margaret, when they had reached the
+drawing-room door, &quot;as if I had gone through a course of the
+'home-exerciser,' or whatever they call the thing which is
+guaranteed to give employment to every muscle in your body. If
+all these persons are Mrs. Lamb's friends she must be a
+well-loved woman.&quot;</p>
+
+<p class="normal">In the drawing-rooms themselves there was room to move slowly,
+if one observed a few necessary precautions. At their first
+entrance nothing could be seen of their hostess. As Harry
+piloted her through the room Margaret found sufficient
+occupation in the spectacle presented by her fellow-guests. In
+the course of her somewhat varied experiences she had met some
+curiosities, but never before had she encountered such specimens
+of humanity as were about her now. While she was wondering who
+they could be, and where they could have come from, Harry gently
+pressed her arm.</p>
+
+<p class="normal">&quot;There's Mrs. Lamb in the other room; I'll introduce you.&quot;</p>
+
+<p class="normal">Margaret looked, and saw, in the smaller room which was beyond,
+a woman standing, with her back towards her, whom she became
+instinctively conscious was her hostess. Not only was she the
+most striking figure in that great crowd, but she was surrounded
+by a number of people, to all of whom she seemed to be talking
+at once. Her head being turned away, her face was not visible
+from where they were, so that it could have told her nothing;
+yet so singular sometimes is feminine human nature, that Harry
+had hardly finished speaking when Margaret replied--</p>
+
+<p class="normal">&quot;Please don't introduce me to that woman; I'd rather you didn't.
+Take me away at once.&quot;</p>
+
+<p class="normal">There was something so unusual in the girl's tone that Harry
+stared at her in amazement.</p>
+
+<p class="normal">&quot;Meg! is there anything wrong?&quot;</p>
+
+<p class="normal">&quot;Thank you, there is nothing wrong, only--I want to go.&quot;</p>
+
+<p class="normal">&quot;Go! You can't go now--it's impossible--before I've introduced
+you, since you're here for that special purpose.&quot;</p>
+
+<p class="normal">&quot;I don't want to be introduced. I'd rather you didn't. Harry,
+you mustn't!&quot;</p>
+
+<p class="normal">&quot;Meg, don't look like that. She's not an ogre; she won't bite
+you. Child, what's gone wrong with you all of a sudden? You
+needn't stop more than five minutes--and this atmosphere's
+enough to asphyxiate any one; but, after what I said to her this
+morning, and since you have come, the commonest courtesy compels
+me to introduce you; afterwards we can go at once; any excuse
+will serve. Anyhow it's too late now for us to think of going
+before I've made you known to her.&quot;</p>
+
+<p class="normal">What Mr. Talfourd said seemed to be the fact. The current had
+borne them so close to their hostess that she had but to turn
+round to find herself within arm's length of them. Margaret was
+silent. Harry did not look at her face; he was careful not to do
+so. The sudden curious change in the girl's manner had affected
+him more than he would have cared to admit. He knew that she was
+not a person who was liable to be beset by fantastic whims and
+fancies, and that there was probably some substantial reason for
+the alteration which had taken place in her. His wish was to get
+through the ceremony of introduction with as much speed, and as
+little ostentation, as he could, and then depart, if the feat
+were possible, more quickly than they had come. With this
+intention, taking the bull a little by the horns, he addressed
+their hostess while her back was still turned towards them.</p>
+
+<p class="normal">&quot;Mrs. Lamb!&quot;</p>
+
+<p class="normal">At the sound of the voice, for whose accents she had been
+listening all the evening, the lady moved round with quite a
+little swirl of her draperies; there was just sufficient open
+space about her to enable her to do it.</p>
+
+<p class="normal">&quot;Mr. Talfourd! I thought you had forgotten me, and were never
+coming. And--have you brought the lady?&quot;</p>
+
+<p class="normal">&quot;I have. Permit me to introduce to you Miss Margaret Wallace.&quot;</p>
+
+<p class="normal">There have possibly been moments in most of our lives when we
+have been visited by something of the nature of a thunderbolt,
+and sometimes it has seemed to drop out of the clearest of blue
+skies. That was the moment in her life in which the thunderbolt
+descended on Mrs. Lamb, and with such crushing force that, for a
+too perceptible period of time, it left her literally bereft of
+her right senses. Its utter unexpectedness was no slight factor
+in the havoc which it wrought. Possibly more than she had been
+able to do for a considerable interval she had succeeded in
+putting behind her matters which were wont to press too closely;
+for the moment she had forgotten Pitmuir--all that it meant.
+This was a case in which forgetfulness meant happiness, or a
+very tolerable substitute. If only for a few fleeting minutes
+her mind was at peace.</p>
+
+<p class="normal">And, on a sudden, without a moment's warning, not dreaming that
+such a meeting was even within the range of possibility, she
+found herself confronted by the one person in the world whom she
+would have traversed the universe to avoid. There, in her own
+drawing-room, within two feet of her was the girl who was the
+only living creature whose image haunted her, both awake and
+asleep.</p>
+
+<p class="normal">She had had communion of late with ghosts--unwillingly enough,
+for she had resorted to every means with which she was
+acquainted to drive them from her. Yet come they would.
+Therefore it was not, after all, so strange, that in the first
+moments of what practically amounted to delirium, she supposed
+that this bonny, fair-haired, blue-eyed girl, whom she so hated
+and so feared, was one of them.</p>
+
+<p class="normal">When she heard her name, and saw her face, she moved back upon
+the people who were behind, oblivious that they were there. The
+whole fashion of her countenance was changed. She held out her
+arms, as if to ward off something whose approach she feared. And
+she exclaimed, in a voice which none of those about had heard
+from her before--</p>
+
+<p class="normal">&quot;You can't come in!--you can't! He says you're not to--and you
+shan't! Go away! go away!&quot;</p>
+
+<p class="normal">Not one person in the throng which was around her had a notion
+what she meant, Margaret no more than any of them. She herself
+drew back and clung to Mr. Talfourd's arm, as if in fear. But
+her fear was as nothing to the other's. Their hostess offered in
+herself a picture for her guests' inspection which it was not
+pleasant to behold. She seemed to have all at once become
+transformed into a gibbering idiot. While she persistently drew
+farther and farther back, she kept repeating--</p>
+
+<p class="normal">&quot;You shan't come in!--you shan't! He says you're not to--and you
+shan't! you shan't! I say you shan't!&quot;</p>
+
+<p class="normal">There was among the onlookers a medical man, one who had had
+experience of different phases of lunacy. Perceiving that this
+was a case which entered into his domain, he forced himself to
+the front. He put his hand upon his hostess' bare shoulder.</p>
+
+<p class="normal">&quot;Mrs. Lamb! what has affected you? There is nothing here to
+cause you the slightest disturbance. Control yourself, I beg.&quot;</p>
+
+<p class="normal">His tone of calm authority had instant effect. Mrs. Lamb was
+still, she ceased to gibber. Her arms fell to her sides. She
+remained motionless, staring in front of her, as one in a dream.
+Putting her hands up to her face, a convulsion seemed to pass
+all over her. When she removed her hands she was awake, and
+understood, and knew what she had done. The knowledge was more
+than she could bear.</p>
+
+<p class="normal">&quot;Let me pass,&quot; she cried.</p>
+
+<p class="normal">They let her pass. She swept through her guests, who huddled
+themselves together to let her go, like some incensed wild
+creature, out of the room, from their sight.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_22" href="#div1Ref_22">CHAPTER XXII</a></h2>
+
+<h3>MARGARET SETTLES THE QUESTION</h3>
+<br>
+
+
+<p class="normal">Harry Talfourd hurried Margaret Wallace into the street as fast
+as circumstances permitted, while the guests at Mrs. Lamb's were
+looking at each other, exchanging whispers, asking what had
+happened, what the thing which had happened meant. A few seconds
+after the hostess' departure the crowded rooms were filled with
+the buzz of voices, which rose higher and higher until it became
+a pandemonium of noise. Mrs. Lamb's &quot;At Home&quot; had resolved
+itself into chaos.</p>
+
+<p class="normal">Outside in the street Mr. Talfourd did not find it easy to get a
+cab; the chaos within was already beginning to make itself felt
+without. The whole roadway was a confusion of vehicles.
+Perceiving that it was inadvisable to stand still, since they
+immediately became the cynosure of curious, and even
+impertinent, eyes, Harry marched resolutely onward, holding the
+girl tightly by the arm. They had to go some little distance
+before they could find a four-wheeled cab which would condescend
+to give them shelter.</p>
+
+<p class="normal">So soon as they were in, Margaret drew back into the corner of
+her seat with a movement so eloquent that Harry seemed to hear
+her shiver. He was silent, trying to collect his thoughts. He
+was as much at a loss as any of the excited people they were
+leaving behind. When he spoke it was lightly, as if he desired
+to make as little of the matter as might be. He was conscious
+that in the farther corner, as far away from him as she could
+get, was the girl he loved, in a mood wholly unlike any that he
+had known before. He was fearful of what might be coming next.
+So he endeavoured not to be serious.</p>
+
+<p class="normal">&quot;This promises to be a night of adventure. Did you ever see such
+a scramble for cabs? People were rushing out of the house as if
+it were on fire. We'll hope there'll be no accident before
+they've finished. What did you think of Mrs. Gregory Lamb?
+Something must have occurred to upset her equilibrium; she
+showed quite a new side of her character.&quot; Margaret was still.
+He seemed to hear her breathe; he wondered if it were possible
+that she was crying. He put out his hand, touching hers gently
+with his finger-tips. Although she did not repulse him she
+remained impassive, not in any way acknowledging his caress.
+&quot;Meg, I hope you're not worrying yourself about that woman's
+behaviour. She's not quite responsible, I fancy. She certainly
+wasn't to-night, but there was nothing that need trouble you.&quot;</p>
+
+<p class="normal">&quot;I am wondering what she meant.&quot;</p>
+
+<p class="normal">&quot;Meant? My dear child, she meant nothing, absolutely nothing.
+She's a trifle mad, that's all.&quot;</p>
+
+<p class="normal">&quot;I'm not so sure. I believe she did mean something.&quot;</p>
+
+<p class="normal">&quot;What on earth makes you think that? What could she mean?&quot;</p>
+
+<p class="normal">&quot;I can't explain. At present I don't understand myself; but I
+shall--I know I shall. Only I'm afraid.&quot;</p>
+
+<p class="normal">&quot;Afraid! Sweetheart, don't talk like that! You make me feel as
+if I had done something I oughtn't to have done.&quot;</p>
+
+<p class="normal">&quot;You have done nothing. Still I wish you hadn't introduced me. I
+asked you not to.&quot;</p>
+
+<p class="normal">&quot;But, Meg! the whole thing was your own proposition; the whole
+idea was yours from first to last.&quot;</p>
+
+<p class="normal">&quot;Yes, I know; but then I didn't understand.&quot;</p>
+
+<p class="normal">&quot;What didn't you understand?&quot;</p>
+
+<p class="normal">&quot;I hadn't seen her.&quot;</p>
+
+<p class="normal">&quot;You hadn't seen her? Meg, have you ever seen Mrs. Lamb before?&quot;</p>
+
+<p class="normal">&quot;Never.&quot;</p>
+
+<p class="normal">&quot;Has she ever seen you?&quot;</p>
+
+<p class="normal">&quot;That's what I'm wondering; that's what I'm trying to make out.&quot;</p>
+
+<p class="normal">&quot;It's a very mysterious business altogether; and the way you're
+taking it seems to me to be not the least mysterious part of the
+whole affair--and I can't say that I'm fond of mysteries.
+However, as some one or other says in a play, though I'm afraid
+I can't tell you what play, 'Time will show'.&quot;</p>
+
+<p class="normal">When they reached Margaret's rooms they found that Frank Staines
+and Mr. Winton had arrived already, and were waiting for them at
+the street door. They all went up together. So soon as they were
+in the room Mr. Winton asked his question--</p>
+
+<p class="normal">&quot;Well, Miss Wallace, is Mrs. Lamb to create Lady Glover?&quot;</p>
+
+<p class="normal">Had he put to her an inquiry on the answer to which the whole
+happiness of her life was dependent, it could hardly have moved
+her more.</p>
+
+<p class="normal">&quot;Never! never! never!&quot;</p>
+
+<p class="normal">She repeated the word three times over, with each time an
+additional emphasis. Mr. Winton, probably accustomed to
+strenuous utterances on the part of ladies to whom the theatre
+was the chief end and aim of their existence, appeared to be
+entertained by her intensity. Putting his hands behind his back
+he regarded her with smiling face.</p>
+
+<p class="normal">&quot;And isn't she to produce the play?--that is, if she's willing
+to do so if she's not to be allowed to play in it?&quot;</p>
+
+<p class="normal">&quot;She is to have nothing to do with it--nothing.&quot;</p>
+
+<p class="normal">&quot;You appear to have arrived, Miss Wallace, at a decision which
+is final and conclusive, and to have done so in a very short
+space of time.&quot;</p>
+
+<p class="normal">&quot;I have.&quot;</p>
+
+<p class="normal">&quot;The matter is placed beyond the pale of my discussion?&quot;</p>
+
+<p class="normal">&quot;It is.&quot;</p>
+
+<p class="normal">Mr. Winton turned to Harry with a little gesture of amusement.</p>
+
+<p class="normal">&quot;Then, Talfourd, we shall have to seek for another capitalist,
+and as that is not a bird which is easy to find, 'The Gordian
+Knot' will have to be shelved for a still further indefinite
+period. Let's trust that some of us will live to see it
+produced.&quot;</p>
+
+<p class="normal">In her turn Margaret faced Harry with an air of penitence.</p>
+
+<p class="normal">&quot;I'm so sorry, but I would rather that it were never produced at
+all than that it should owe anything to that woman--and you know
+how I have set my heart on its success.&quot;</p>
+
+<p class="normal">He tried to comfort her, as if the loss were hers.</p>
+
+<p class="normal">&quot;'The Gordian Knot' won't spoil by keeping; don't let it trouble
+you a little bit; dismiss Mrs. Lamb from your mind as if she had
+never been. She's nothing to you, or to me, or to any of us;
+she's just--like that!&quot;</p>
+
+<p class="normal">He snapped his fingers in the air, as if by the action he
+expressed her valuation. Margaret answered with an enigmatic
+smile.</p>
+
+<p class="normal">&quot;Like that? I don't think she'll be to me like that--ever.&quot;</p>
+
+<p class="normal">&quot;But, my dear girl, why not? why not?&quot;</p>
+
+<p class="normal">&quot;Ah! that I cannot tell you, because I don't know. But I shall
+know, and, when I do, I daresay I shall wish I didn't.&quot;</p>
+
+<p class="normal">Harry threw up his hands in the air as if it were a case which
+baffled him. Frank Staines, who had been listening with a
+twinkle in his eyes, observed--</p>
+
+<p class="normal">&quot;I understand, Miss Wallace, that your appearance at Mrs. Lamb's
+furnished the occasion for quite a dramatic interlude&quot;.</p>
+
+<p class="normal">Margaret moved her shoulders, as if the recollection made her
+shudder.</p>
+
+<p class="normal">&quot;I'd rather not talk about it, if you don't mind--thank you very
+much. I'm awfully sorry to turn you people out, but--I think I'd
+like to go to bed, if I may.&quot;</p>
+
+<p class="normal">When the three men found themselves in the street Winton said to
+Harry--</p>
+
+<p class="normal">&quot;Miss Wallace's idea does not seem to have been altogether a
+success&quot;.</p>
+
+<p class="normal">Harry did not reply at once; when he did his tone was a little
+grim.</p>
+
+<p class="normal">&quot;I'm not so sure. My own impression is--though if you were to
+ask me I could not tell you in so many set terms on what it's
+founded--that we're well rid of the lady, and that we are rid of
+her I think there's very little doubt.&quot;</p>
+
+<p class="normal">Frank Staines remarked--</p>
+
+<p class="normal">&quot;If the lady's mad, or if she's subject to fits of madness--and
+if she isn't I don't know what she is--it's just as well that
+you've discovered it before it was too late&quot;.</p>
+
+<p class="normal">Judging from their silence that seemed to be the opinion of the
+others also.</p>
+
+<p class="normal">The next morning Miss Wallace was distinctly in an
+uncommunicative mood, as Miss Johnson, who paid her a very
+matutinal call, found, whereupon the young lady expressed
+herself with characteristic frankness.</p>
+
+<p class="normal">&quot;Really, Meg, I've known you for quite a time, and I was just
+beginning to think that you were a really Christian person, but
+now it's actually bursting on me that you can be nothing of the
+kind. You sit there, mumchance, looking all sorts of things and
+saying nothing; and if there can be anything more exasperating
+than that, I should like to know what, it is. You promised, last
+night, before you went to Mrs. Lamb, that you would tell me
+everything that happened--I'm sure something did happen, by the
+looks of you--yet the more I ask you questions, the more you
+won't answer them. Do you call that being as good as your word?
+I don't--so that's plain. I'm disappointed in you, Margaret
+Wallace.&quot;</p>
+
+<p class="normal">Margaret smiled, a little wanly.</p>
+
+<p class="normal">&quot;I hope you'll forgive me, Dollie, please! but I can't talk to
+you just now, and especially about last night. Ask Harry, or Mr.
+Staines, they'll tell you everything, and perhaps a little later
+I will myself, but just now I really and truly can't.&quot;</p>
+
+<p class="normal">Dollie, eyeing her shrewdly, perceiving she was in earnest,
+bowed to the inevitable.</p>
+
+<p class="normal">&quot;Very well; I shouldn't dream of asking anything of Mr. Frank
+Staines, he might treat me even worse than you are doing. But
+it's possible that I may put a few questions to your Harry. The
+fact is that if some one doesn't tell me something soon I shall
+simply burst with curiosity. I have never concealed from any one
+that curiosity's my ruling passion--it's the case with all
+literary persons, my dear! Meg!&quot;--she went and put her arm about
+the girl's neck, and the tone of her voice was changed--&quot;if
+anything horrid happened at that woman's, never mind; after all,
+horrid things don't really matter, they generally turn out much
+better than they seem. I once had thirteen MSS. rejected in one
+week, and yet I bore up, and I planted them all before I'd done
+with them. I've never seen you look like this before, and I
+don't half like it. I always make you the heroine of all my
+stories, because you're the best plucked girl I ever met; so
+buck up, and stop it as soon as you conveniently can.&quot;</p>
+
+<p class="normal">Miss Johnson had not departed very long before Margaret had
+another visitor--Dr. Twelves. He found her much more talkative
+than Dollie had done.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_23" href="#div1Ref_23">CHAPTER XXIII</a></h2>
+
+<h3>MARGARET RESOLVES TO FIGHT</h3>
+<br>
+
+
+<p class="normal">So soon as the doctor appeared in the doorway Margaret ran to
+him with outstretched hands, in her voice a curious, eager note.</p>
+
+<p class="normal">&quot;I knew you'd come!--I knew it!&quot;</p>
+
+<p class="normal">The doctor took her soft hands in his well-worn ones, regarding
+her from under the pent-house of his overhanging brows with his
+keen hawk's eyes, which age had not perceptibly dimmed, as if he
+sought for something which he fancied might be hidden in some
+corner of her face.</p>
+
+<p class="normal">&quot;Did you? How did you know it?&quot;</p>
+
+<p class="normal">&quot;I don't know; but I did--I was sure.&quot;</p>
+
+<p class="normal">&quot;Maybe you've the gift of second sight. I've heard it said it
+was in your father's family.&quot;</p>
+
+<p class="normal">&quot;I wish I had; it would be the most useful gift I could have
+just now.&quot;</p>
+
+<p class="normal">&quot;Would it? How's that? Maybe you knew I'd come because you
+wanted me.&quot;</p>
+
+<p class="normal">&quot;Wanted you! Doctor, don't you feel unduly flattered! But
+there's no one in the world I wanted half so much as you.&quot;</p>
+
+<p class="normal">&quot;Is that so? Then it's queer, because I just happen to be
+wanting you nearly as much. But before we fall to talking come
+to the light, and let me see your face. There's something there
+which puzzles me, which I've never seen on it before; it's sure
+I am it wasn't there the other day.&quot;</p>
+
+<p class="normal">Taking her by the arm he would have led her to the window, but
+she placed her hand against his chest and stopped him.</p>
+
+<p class="normal">&quot;No, no, doctor, you mustn't take me to the light, and you
+mustn't look at my face either. I'd rather you turned right
+round and look at the wall. There's quite a pretty paper on the
+wall, and some drawings of mine which you'll find deserve your
+very closest attention. I just want to talk to you, and I want
+you to talk to me, and answer some questions which I'm going to
+ask--and that's all.&quot;</p>
+
+<p class="normal">&quot;And that's all? I see. And I'm not to look at your face? Good.
+It's prettier than the paper, and far more deserving of
+attention than the drawings, but far be it from me to quiz a
+lady when she'd rather I didn't. Yet before you start the
+talking--perhaps when you've started you'll be slow to
+finish--let me say a word. You remember what you told me about
+that visit you paid to Cuthbert Grahame--that last visit when
+they wouldn't let you in?&quot;</p>
+
+<p class="normal">&quot;It's exactly about that I wish to speak to you.&quot;</p>
+
+<p class="normal">&quot;Then that's queerer still, because it's about that I've come to
+talk. You told me that it was Nannie Foreshaw who refused you
+admission, and that she poured some water on you; and I told you
+that I didn't see how she could have very well done that, since,
+at that very time, she was lying, with her leg broken, in bed.
+When I left I wrote and asked her what she had to say. I've had
+an answer from her, and here it is.&quot; He took an envelope from
+his pocket, and from the envelope a letter, speaking all the
+time. &quot;You'll bear in mind that Nannie's not so young as she
+was, and that, of late, things have fared ill with her, as they
+have a trick of doing when one grows old. She's had a broken
+leg, and that's no trifle when the marrow's getting dry in the
+bone; and her master--whom she'd had in her arms even before
+he'd lain in his mother's--had come to his death in a way that
+wasn't so plain as it might have been. She's never quite got the
+better of that broken leg; she walks with a stick, and she'll
+never walk without one; and she'll never be rid of the thought
+that, when Cuthbert Grahame died, though she was only just
+above, she couldn't get down to him, or shut his eyes, or see
+him before he was put in his coffin, or stand by his grave when
+he was buried. That thought troubles her more than the other.
+Between the one and the other, and the stress of advancing
+years, she's not so good a penwoman as she used to be. And so it
+comes about that this letter which I have here was not written
+by her own hand, though I have no doubt that they're just her
+own words which are set down in it.&quot;</p>
+
+<p class="normal">Unfolding the sheet of paper he proceeded to read aloud.</p>
+
+<p class="normal">&quot;'Dear Mr. David'--she's called me that these forty years, and
+before that it was Master David, and it doesn't seem as if she
+could break herself of the habit, though, mind you, I'm an M.D.
+of Edinburgh University, and legally entitled to the prefix
+'Doctor,' which is more than can be said for a good many that's
+called it. 'It's beyond my thinking'--it's very colloquially
+written is this letter, which makes me the more sure that it's
+just her words which are set down in it--'It's beyond my
+thinking how you could have supposed that I could ever have
+turned my darling away from the door?--I never supposed anything
+of the kind, but that's by the way--'and refuse to let her in?
+My dear Miss Margaret! Mr. David, if I were dying I'd open the
+door if I knew that she was there--ay, I believe I would climb
+out of my grave to do it.' You observe what exaggerated language
+the woman uses? That's her all over. 'And to think that it
+should have been her on the day of which you speak--that awful
+day! I'll never forgive myself now that I know it.' That's her
+again. 'And, Mr. David, I'll find it hard to forgive you
+either.' That's the woman to a T--logical. 'If you'd never
+brought the creature to the house none of it would ever have
+happened, and my darling would never have been denied the door.
+And hot water thrown on her sweet head! How slow is the judgment
+of God!' Observe how she flies off at a tangent. 'Now I'll tell
+you the whole story. That day as I was lying in my bed, where
+she had laid me, I heard a great clatter in the house. When,
+after it was over, she came up to see me, I asked her what it
+was about. She said that a strange man had come begging to the
+house, and had tried to force himself into it, but that she had
+had to imitate my voice, to make him think it was me that was
+talking to him, before he would go. The insolence of her, that
+she should try to imitate her betters, and tell me of it to my
+face. And now it seems that it was no strange man at all, but
+just my darling who had come begging to be let into her own
+home. That wicked woman! Tell my sweet, when you see her, Mr.
+David, just how it was. And tell her if I had known it was she I
+would have crawled down, if it had been on my hands and knees,
+to undo the door, and bid her welcome. And say to her that
+there's none dearer to me in all the world than she is, and well
+she ought to know it. There is one prayer I offer constantly,
+that I may be spared to see her sweet face again, and hold her
+in my arms, and listen to her dear, soft voice. There is much
+more that I would say, but it cannot be written; it is only for
+her and for me.' Then the old woman goes off rambling; there is
+more, but nothing to the point. Here is her letter; you may read
+it for yourself if you like; there are tender messages by the
+yard. You'll see that that is not the epistle of a woman who
+would drive you from her door.&quot;</p>
+
+<p class="normal">&quot;But I don't understand. Who does she mean imitated her voice?&quot;</p>
+
+<p class="normal">&quot;The woman who called herself Mrs. Cuthbert Grahame.&quot;</p>
+
+<p class="normal">&quot;Who called herself Mrs. Cuthbert Grahame? I've heard something
+about some woman, but nothing that was at all plain. Tell me who
+she was, and how she came to call herself by his name.&quot;</p>
+
+<p class="normal">The doctor told, as succinctly as he could, the story of the
+woman he had picked up by the wayside; how, though he had found
+her helpless, she had proved herself to be more than a match for
+them all. Margaret listened with eyes which grew wider and wider
+open. When he had finished she broke into exclamation.</p>
+
+<p class="normal">&quot;Then Nannie is right; it was through you that it all happened.&quot;</p>
+
+<p class="normal">He resorted to his favourite trick--he stroked his bristly chin,
+as if the action assisted him in the search for an appropriate
+answer.</p>
+
+<p class="normal">&quot;In a measure, young lady--in a measure. My original intention
+was to perform an act of mercy. You would not have had me leave
+the creature there in the night to perish. The whole business is
+but an illustration of the truth of how great events from little
+causes spring.&quot;</p>
+
+<p class="normal">&quot;To give her assistance, shelter--that was right enough; but,
+according to your own statement, you were responsible for that
+mockery of marriage.&quot;</p>
+
+<p class="normal">The rubbing of the bristles went on with redoubled energy.</p>
+
+<p class="normal">&quot;I might say something on that point, but I'll not; I'll just
+admit I'm guilty. And I'll do it the more willingly because
+there hasn't been a day on which I haven't told myself that if
+there's a creature on God's earth that needed well and regular
+hiding that creature's me, because of what I did that night. I
+did a great wrong, a great folly, and a great sin. Margaret,
+though I am old and you are young, I am ready, if you wish
+it--and you'll be right to wish it--to humble myself in the dust
+at your feet. My only consolation is that in His infinite mercy,
+ultimately, there may be forgiveness even for me.&quot; He paused,
+then added, with in his voice and manner a suggestion of utter
+self-abasement which was in itself pathetic, &quot;And the worst I've
+still to add&quot;.</p>
+
+<p class="normal">&quot;The worst?&quot;</p>
+
+<p class="normal">She shrank from him, with what seemed to be a gesture of
+involuntary and almost unconscious repulsion.</p>
+
+<p class="normal">&quot;Ay, the very worst. Only don't draw yourself from me like that,
+lassie--for the love of Christ; for I'm but a poor old man
+that's sinned, and that's very near his end, and that would do
+all he can to repair his sin before death has him by the
+throat.&quot;</p>
+
+<p class="normal">&quot;I--I didn't mean to be unkind, but--what were you going to
+say?&quot;</p>
+
+<p class="normal">&quot;One thing's about his money--Cuthbert Grahame's money. Several
+times he spoke to me about you--more than kindly. I believe he
+had it in his mind--as I had, and have it, in mine--to repair
+the wrong he'd done you. I have reason to think that it was his
+intention to leave you at least a large portion of his fortune,
+to re-make the will I had helped him break. I believe that, with
+one of his cranky notions to be revenged on her for the part
+she'd played, he communicated his intention to her; that he went
+so far as to instruct her to draw up such a form of will as he
+required. My own impression is that she either actually did do
+this, or pretended to, and that, when the time came for him to
+affix his signature, she performed some feat of jugglery, which,
+under the circumstances, was easy enough, and so got him to sign
+a document which expressed the exact opposite of his wishes.&quot;</p>
+
+<p class="normal">&quot;Do you mean that he thought he was leaving me his money when
+actually he was leaving it to her?&quot;</p>
+
+<p class="normal">&quot;That's about the truth of it--I believe it strongly. I am
+persuaded that the will she produced she got from him by means
+of a trick. But that is not the worst.&quot;</p>
+
+<p class="normal">&quot;Doctor, you're--you're like the old fable, you pile Pelion on
+Ossa.&quot;</p>
+
+<p class="normal">&quot;I believe that when she had got the will into her possession,
+all signed and witnessed, she was confronted by the fact that
+exposure of its contents might render it invalid at any moment.
+That is probably what would have happened, and in a very short
+time, so that to make sure, she killed him then and there.&quot;</p>
+
+<p class="normal">&quot;Killed him!&quot;</p>
+
+<p class="normal">&quot;I am convinced that Cuthbert Grahame was killed by the woman
+who called herself his wife, and that within ten minutes of the
+signing of his will. She propped him up with pillows, then, by
+suddenly withdrawing those which supported his head, she let it
+hang down, and so choked him. In order to avoid suffocation it
+was always necessary to keep his head well raised, a fact with
+which no doubt she had made herself acquainted.&quot;</p>
+
+<p class="normal">&quot;Doctor! But was there no inquest?&quot;</p>
+
+<p class="normal">&quot;Certainly; and I gave evidence. But what could I say? I had no
+proof--not an iota. I could only express my conviction that it
+was impossible for him to have moved the pillows himself; and I
+did. I doubt if that bare statement had any effect upon the
+verdict. She was a very clever woman.&quot;</p>
+
+<p class="normal">&quot;Clever! you call her!--clever! If you are right she was an
+awful woman--you mustn't call her clever. That sort of thing's
+not cleverness.&quot;</p>
+
+<p class="normal">&quot;Isn't it? I don't know what it is then. If we had realised her
+cleverness from the first we might have been prepared for her;
+she might have met her match. It is only by fully recognising
+the fact that we have to deal with an uncommonly clever woman
+that we shall have the slightest chance of getting the better of
+her, and bringing her to book.&quot;</p>
+
+<p class="normal">&quot;Bringing her to book! Doctor! where is she? Is she at Pitmuir?&quot;</p>
+
+<p class="normal">&quot;That's not the least strange part of the whole strange
+business--where she is. I've been wondering if it's a sign that
+God's finger has been slowly moving to set on her His brand. The
+young gentleman in whom, I presume, you take a certain amount of
+interest, since, one day, you design to honour him by allowing
+him to make of you his wife--Mr. Harry Talfourd--told me that he
+acts as secretary to a lady.&quot;</p>
+
+<p class="normal">&quot;I know.&quot;</p>
+
+<p class="normal">&quot;The lady's name is Lamb--Mrs. Gregory Lamb.&quot;</p>
+
+<p class="normal">&quot;Yes.&quot;</p>
+
+<p class="normal">Margaret, as she uttered the word, was conscious of a catching
+in her breath; she herself did not know why.</p>
+
+<p class="normal">&quot;Mrs. Gregory Lamb is the woman I found by the roadside; who
+told me that her name was Isabel Burney; who called herself Mrs.
+Cuthbert Grahame; who juggled into existence the will under
+which she inherits; who murdered the man out of whom she got it
+by a trick.&quot;</p>
+
+<p class="normal">Margaret was silent, curiously silent. Then she drew a long
+breath, and she said--</p>
+
+<p class="normal">&quot;Now I understand&quot;.</p>
+
+<p class="normal">The doctor was struck by something in her intonation which was
+odd.</p>
+
+<p class="normal">&quot;Just what is it you understand?&quot;</p>
+
+<p class="normal">She repeated her own words.</p>
+
+<p class="normal">&quot;Now I understand. The veil which seemed to obscure my sight is
+being torn away; things are getting plainer and plainer. She was
+not mad, as we thought; it was we who were ignorant. Doctor, I
+believe that the finger of God, of which you spoke just now, has
+moved already.&quot;</p>
+
+<p class="normal">&quot;It is likely. It is some time since I looked for it to move,
+but He chooses His own time. As for what you say about your
+understanding, to me your words are cryptic--unriddle them,
+young lady, if you please.&quot;</p>
+
+<p class="normal">Margaret, in her turn, told her tale: of her visit to Mrs.
+Gregory Lamb; of its abrupt and singular termination. The doctor
+listened with every sign of the liveliest interest.</p>
+
+<p class="normal">&quot;As you observe,&quot; he cried, when she had done, &quot;it would seem
+that the finger of God has moved already. She knew you although
+you did not know her, and the sight of you was as though one had
+risen from the grave; it filled her with unescapable terror.&quot;</p>
+
+<p class="normal">&quot;It's difficult to explain--I've not been able to explain it to
+myself until this minute--but I did know her, that is, I felt as
+if I ought to know her. Directly Harry pointed her out to me,
+something struck at my heart and set me trembling. I don't
+often tremble, but I did then. It was as if I were confronted by
+some dreadful danger, which had threatened me before, and from
+which I had then only escaped by the skin of my teeth. And
+yet I don't know that the feeling which affected me most
+strongly was terror. No, I don't think it was. It was something
+else--something which I can't describe. I believe--doctor, I
+believe it was hatred. I hated that woman with a hatred which
+was altogether beyond anything of which I had dreamed as
+possible, of which I had supposed myself to be capable. I don't
+hate people as a rule; I don't remember ever having met any one
+whom I seriously disliked. I do think that in almost every one I
+have come across I have seen something which I liked. But--in
+her! I didn't want Harry to introduce me, to take me nearer,
+because I was filled with what seemed even to me an insane,
+indeed a demoniacal desire to kill her where she stood.&quot;</p>
+
+<p class="normal">While the girl was speaking her appearance seemed to gradually
+change, till, when she stopped, she seemed to stand before the
+old man like some rhadamanthine, accusatory spirit, ready to
+pronounce judgment and to execute the judgment which she herself
+pronounced. The doctor watched her with a visage which remained
+immobile, almost expressionless.</p>
+
+<p class="normal">&quot;Your words suggest a kind of justice which has become
+extinct--in politer circles.&quot;</p>
+
+<p class="normal">&quot;Yet justice shall be done!--it shall be done! I will see to it.
+I never did her a harm, nor wished her one. Yet she has done me
+all the mischief that she could, for wickedness' sake. If she
+killed Cuthbert Grahame, she should have killed me also, for, if
+I live, I will bring her to the judgment-seat. You say she is in
+enjoyment of the money which she won from him by a trick, and
+whose safe possession she insured to herself by murder----&quot;</p>
+
+<p class="normal">&quot;Pardon me; to her that's the fly in the ointment. It's
+precisely the money which she hasn't got--which is doubly hard,
+since, to gain it, she did all that she did.&quot;</p>
+
+<p class="normal">&quot;I thought you said that she had it.&quot;</p>
+
+<p class="normal">&quot;She has the will under which she inherits, but, so far, she has
+inherited comparatively little. Did Grahame ever talk to you
+about his money?&quot;</p>
+
+<p class="normal">&quot;In those latter days, when I began to be a woman, there were
+only two things about which he would talk, one was his money,
+the other his desire that I should be his wife. I loved him
+dearly! No daughter ever loved her father better than I loved
+him, but not like that!--not like that! When I said no, he would
+talk of his money, holding it out as a bait.&quot;</p>
+
+<p class="normal">&quot;Did he ever tell you how much of it there was?&quot;</p>
+
+<p class="normal">&quot;He was always saying all sorts of things; I cannot remember all
+he said. I know he told me again and again that he had been
+saving his money for years for my sake, for me to use when I
+became his wife--his wife! He said more than once that there
+were fifty thousand pounds a year waiting for me if--if I would
+only say the word.&quot;</p>
+
+<p class="normal">&quot;Fifty thousand pounds a year? A nice little bait with which to
+cover the hook. Some girls would have swallowed the bait and
+never minded the hook.&quot;</p>
+
+<p class="normal">&quot;Doctor!&quot;</p>
+
+<p class="normal">&quot;Calm yourself, young lady; don't blast me with the lightning of
+your eyes. I'm but saying what's well known to all the world.
+And did he say where that snug little income came from?&quot;</p>
+
+<p class="normal">&quot;From his investments. He was always boasting of the lucky
+investments he had made.&quot;</p>
+
+<p class="normal">&quot;Did he ever tell you in what?&quot;</p>
+
+<p class="normal">&quot;He wanted to often, but I wouldn't listen. I daresay he did
+mention some of the names, but I paid no attention and have
+forgotten them if he did. I hated to hear of his money. I knew
+what it meant to him, and I couldn't get him to understand that
+it didn't--and never would!--mean the same to me. His talk about
+his money helped to poison my life.&quot;</p>
+
+<p class="normal">&quot;One knows that to a young girl money has a way of not meaning
+so much as to some of us older folk, so I humbly ask your pardon
+if I seem to dwell on it too long. Yet I would ask you to cast
+back in your mind and think if he ever dropped a hint as to
+where the securities, the documents which represented these
+investments, might be found?&quot;</p>
+
+<p class="normal">&quot;Weren't they at the bank? or with his lawyers?&quot;</p>
+
+<p class="normal">&quot;They were not. Cannot you recall a hint which he may at
+sometime have let fall as to their whereabouts?&quot;</p>
+
+<p class="normal">She put her hands up to her temples, either to ease her
+throbbing temples or to aid her memory in its task of looking
+back.</p>
+
+<p class="normal">&quot;I can't think! I can't think!--not now! There are so many
+things of which I have to think, that they seem to have left me
+no power to think of anything else. Some day something which he
+once said may come back; I haven't forgotten much he did say to
+me; it's all somewhere in my brain, only I can't tell you just
+where--not at this very moment. At this moment I can only think
+of her.&quot;</p>
+
+<p class="normal">&quot;Of whom?&quot;</p>
+
+<p class="normal">The voice which made the inquiry was Harry Talfourd's. He stood
+in the open doorway with his hat in his hand. Perceiving that
+his appearance seemed to have taken them by surprise he
+proceeded to explain.</p>
+
+<p class="normal">&quot;I did knock--twice; but I presume that you were so much
+engrossed by what you were saying to each other that my modest
+raps went unheeded. I heard you say, Meg, in tragic, not to say
+melodramatic tones, that you can only think of her. Shall I be
+impertinent if I venture to ask who is the lucky person who so
+fully occupies your thoughts?&quot;</p>
+
+<p class="normal">&quot;The lucky person, as you call her, is Mrs. Gregory Lamb. Harry,
+they say that in England the duelling days are over. They may
+be--that is, so far as so-called 'affairs of honour' are
+concerned--but for duels of another sort the day is never over.
+I am going to engage in a duel with Mrs. Gregory Lamb. You and
+Dr. Twelves here will be my seconds. I shall need all the
+assistance that seconds may honourably give to their principal,
+for it will be a duel to the death.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_24" href="#div1Ref_24">CHAPTER XXIV</a></h2>
+
+<h3>THE INTERIOR</h3>
+<br>
+
+
+<p class="normal">Rather a curious state of things prevailed in Mrs. Lamb's
+residence in Connaught Square. The largest and best regulated
+establishments are apt to be disorganised when festival has been
+kept the night before--that is true enough. But in this case the
+disorganisation was something altogether out of the common. Mr.
+Lamb, who never attended his wife's receptions, and so pleased
+himself and the lady, had come home with the milk, just sober
+enough to wonder why the place was in such a state of singular
+confusion. The servants seemed to be occupying the reception
+rooms, enjoying themselves in a fashion in which servants are
+not supposed to do. He had a vague recollection of having a
+drink with a footman or some such menial while endeavouring to
+ascertain what was the meaning of the proceedings, and of
+pledging a housemaid's health in what he was convinced was a
+glass of his wife's champagne. But as, later, he was only too
+glad to be assisted upstairs by any one and every one, his
+memory of what took place was scarcely to be relied upon.</p>
+
+<p class="normal">His wife had shut herself in her room, constraining her guests
+to take their departure without affording them an opportunity of
+saying good-bye to their hostess, and offering her their thanks
+for a very pleasant evening. Exactly what occurred behind that
+locked door she alone knew. When her senses returned she was
+still in her splendour of the previous night. She half lay, half
+sat, upon her boudoir floor, with her head upon a couch. A
+broken wine-glass was at her side. A decanter which had held
+ether was overturned on a buhl table. The day streamed through
+the windows.</p>
+
+<p class="normal">It was some seconds before she recognised these facts. Then she
+rose to her feet and looked about her. The first thing she did
+was to go to the boudoir door and try if it was locked. When she
+found that it was, and that the key was nicely adjusted in the
+keyhole, so as to prevent any one peeping in from without, she
+strode through another door, which stood ajar, into her bedroom,
+which adjoined. She tried the outer door of that, to find that
+it also was locked. She glanced at a silver clock which stood
+upon the mantelpiece. According to it the time was twenty
+minutes to one, so that more than half of the day had already
+gone. Then she went to a cheval glass, which mirrored her from
+head to foot, and glanced at herself.</p>
+
+<p class="normal">What she saw seemed to afford her a grim sort of amusement. Her
+hair was all in disorder, one long tress trailed down her neck.
+Her eyes were dull and heavy. Her cheeks were smeared; such
+&quot;aids to beauty&quot; as she patronised had become misplaced. Her
+gown was all creased and crumpled; a stain straggled right
+across the bodice. In a few curt words she recognised the
+situation so far as the dress was concerned.</p>
+
+<p class="normal">&quot;That's done for.&quot;</p>
+
+<p class="normal">It looked as if it were, it might have been worn twenty times
+instead of only once. She removed her jewels--her bracelets from
+her wrists, rings from her fingers, her necklace, ornaments from
+her hair. When they were all off she took them in her hands and
+stared at them.</p>
+
+<p class="normal">&quot;At any rate, you're worth money. I daresay I could get
+something on you if I tried, though perhaps not so much as some
+might think.&quot;</p>
+
+<p class="normal">She tossed them on to the dressing-table with a mirthless laugh.
+Disrobing herself, donning her nightdress, she ensconced herself
+between the sheets. There she tossed and tumbled about in such a
+fashion that one was almost disposed to suspect her of indulging
+in some new form of physical exercise. When she had got the bed
+into a condition which suggested that it had been occupied
+throughout the entire night by some peculiarly restless person,
+ceasing to turn and twist, for some minutes she lay quite still,
+as if she listened.</p>
+
+<p class="normal">&quot;Those servants of mine don't seem to be making much noise;
+there aren't many sounds of their moving about the house. I
+should like to know where Stephanie is; she ought to have woke
+me long before this.&quot;</p>
+
+<p class="normal">Stretching out her arm she pressed the electric button which was
+by her bedside--once, twice, thrice, indeed half-a-dozen times,
+on each occasion for an unusual length of time, and with a fair
+interval between each pressure. Nothing, however, transpired to
+show that she had rung at all, certainly no one answered her
+summons. As she began to realise that apparently she was not
+meeting with attention of any sort or kind, her temper did not
+improve. She kept up a continuous ringing; still no one
+answered, nor was there aught to show that there was any that
+heard. She began to be concerned.</p>
+
+<p class="normal">&quot;Has every one taken French leave, and am I alone in the house?
+What's it mean?&quot;</p>
+
+<p class="normal">She kept her finger on the button for another good five minutes,
+then she decided that the moment had arrived when it would
+probably be desirable that she should make some inquiries on her
+own account. Rising, she put on some clothes, over them a
+dressing-gown. Then, unlocking the bedroom door, she went out on
+to the landing. Nothing could be heard. She descended to the
+floor below, on which were the drawing-rooms. No attempt to tidy
+them had been made since the guests departed; they were in a
+state of almost picturesque confusion. Not even the electric
+lights had been turned off; they were blazing away as merrily as
+if it were still the middle of the night. The apartments
+contained certain articles which, as refreshments were provided
+in the dining-room, could scarcely have been there when the
+guests retired. Bottles and glasses were everywhere--all kinds
+of bottles and all kinds of glasses, indeed Mrs. Lamb had nearly
+stumbled over what looked like an empty brandy bottle as she
+came out of her bedroom door. To Mrs. Lamb the sight of those
+various empty receptacles was pregnant with meaning.</p>
+
+<p class="normal">&quot;The beauties! I suppose they're sleeping it off. They shall
+smart for this, every one of them.&quot;</p>
+
+<p class="normal">She turned towards the staircase which led to the servants'
+quarters, with the intention, no doubt, of making them smart,
+when she encountered one of them. An unkempt, untidy figure,
+clad in a nondescript costume, consisting of checked tweed
+trousers, carpet slippers, dress-coat and waistcoat, crumpled
+shirt and collar and no necktie, came strolling leisurely down
+the stairs as Mrs. Lamb was about to ascend them. It was James
+Cottrell, the butler, in general, so far as appearances went,
+the most immaculate of beings. His mistress stared at him in not
+unnatural surprise.</p>
+
+<p class="normal">&quot;Cottrell!--you!--in that state!--at this time of day!--why,
+you're not even dressed.&quot;</p>
+
+<p class="normal">So far from showing any signs of being ashamed or disconcerted,
+Mr. Cottrell's manner was not only self-possessed, it was
+affability itself. Thrusting his hands into his trouser pockets,
+he tilted himself on his heels, till his legs touched the stair
+behind, and he smiled.</p>
+
+<p class="normal">&quot;No, Mrs. Lamb, I am not dressed--that is, my costume is not in
+that perfect state of completeness which I prefer. It is not my
+habit to make personal remarks, but since we are on the subject,
+I may observe that you're not dressed either. I shouldn't call
+that dressing-gown full dress--would you? Your hair don't
+look--to me--as if it had been done for days, and you really
+must excuse my mentioning that your complexion seems to have got
+itself all mixed up anyhow.&quot;</p>
+
+<p class="normal">&quot;Cottrell, you're drunk; how dare you speak to me like that?&quot;</p>
+
+<p class="normal">&quot;No, Mrs. Lamb, I am not drunk; I do assure you that I am at
+least as sober as you are. If you want to know what drink can do
+for a man, I recommend you to go and look at your husband--there
+is a drunkard, if you like; he's like a perambulating sponge.
+Last night it took six of us to get him upstairs; that man ought
+to be black-listed. As for daring to speak to you, Mrs. Lamb,
+there may be some folks whom you inspire with awe, but you don't
+inspire me with any.&quot;</p>
+
+<p class="normal">&quot;Don't you think I'll let you speak to me like that, although
+you are a man and I'm a woman. You'll leave my service at
+once--and without a character.&quot;</p>
+
+<p class="normal">&quot;As for a character, any character which you might give me, Mrs.
+Lamb, would, in all human probability, do me more harm than
+good. It will be my constant endeavour to conceal the fact that
+I ever occupied a position in your establishment; it might do me
+a serious injury were it to become known. As to leaving your
+service, I shall be only too glad to do so inside sixty seconds;
+only there's a little formality which I should like to have
+completed before I go. I should like to have my overdue wages,
+Mrs. Lamb. They are more than three months overdue, and I should
+like to see the colour of my money, Mrs. Lamb.&quot;</p>
+
+<p class="normal">&quot;You shall have your wages; you needn't be afraid.&quot;</p>
+
+<p class="normal">&quot;Thank you; that is good news. Because, to be quite frank, I was
+beginning to be afraid--in fact, we all were.&quot;</p>
+
+<p class="normal">&quot;You impertinent brute! Where are those other creatures?&quot;</p>
+
+<p class="normal">&quot;Other creatures? You refer to my colleagues, male and female?
+We are all of us creatures, Mrs. Lamb--including you. I believe
+that two or three of them have already quitted your service,
+including the young Frenchwoman who was supposed to be your own
+particular maid. She said that she never bargained to wait on a
+woman of your class, so she's gone. I noticed two young women in
+the kitchen when I was down there just now. They seemed to be in
+a more or less tearful condition. Poor wretches! perhaps they
+never expected to find themselves in such a place as this. As
+for the rest of my colleagues, I fancy they are still in bed. I
+do not doubt that if you take them their overdue wages they'll
+get up, and get out of the house also, as quickly as you like. I
+imagine they'll be only too glad of the chance.&quot;</p>
+
+<p class="normal">Mrs. Lamb looked at Mr. Cottrell as if she were meditating
+measures of a distinctly active kind. Although he might not have
+been conscious of it, for some seconds he stood in imminent
+peril of realising that, at least physically, his mistress was
+more than a match for the average man. But, apparently, after
+thinking things over she changed her mind and postponed
+hostilities.</p>
+
+<p class="normal">&quot;You shall be paid for this, my man--they all shall--just wait a
+bit.&quot; She moved, as if to return to her bedroom, then paused.
+&quot;There's some one at the door.&quot;</p>
+
+<p class="normal">There did seem to be some one at the front door, some one who
+saluted with equal vigour both the bell and the knocker. Mr.
+Cottrell was philosophical.</p>
+
+<p class="normal">&quot;Ah! there's been one or two already this morning. You've
+perhaps been in such a queer state yourself that you didn't hear
+them, though they made noise enough; but there have been several
+visitors. Jones the fishmonger wants his little account, and
+Franks the butcher wants his, and Murphy the greengrocer, and
+the baker, and the grocer, and the milkman, and, I think, the
+laundry, and three or four more besides. They all want their
+little accounts--good big ones some of them are. I peeped
+through the dining-room window, but I didn't notice just who was
+there, and I didn't open to them either. I've had about enough
+of opening to those kind of people; they won't go round to the
+side entrance, and it's no use asking them to. But that sounds
+as if it was the landlord come to put the brokers in for rent. A
+landlord always thinks himself entitled to make as much noise as
+he likes at his own front door.&quot;</p>
+
+<p class="normal">Some one seemed to consider himself at liberty to make as much
+clatter as he liked.</p>
+
+<p class="normal">&quot;Cottrell, go down at once and see who is at the door.&quot;</p>
+
+<p class="normal">&quot;Wouldn't you like to go and see yourself, Mrs. Lamb?&quot;</p>
+
+<p class="normal">&quot;If you don't obey my orders and go at once I'll throw you out
+of the house with my own hands, and you shall whistle for your
+wages.&quot;</p>
+
+<p class="normal">&quot;Like this? Do I look as if I were in a fit state of attire to
+open the door of even such a lady as yourself, Mrs. Lamb?&quot;</p>
+
+<p class="normal">&quot;Are you going?&quot;</p>
+
+<p class="normal">The lady mounted two or three steps; there was something so
+significant in her manner that Mr. Cottrell temporised.</p>
+
+<p class="normal">&quot;I shall be only too happy to open the door as I am!--if you
+will allow me to pass.&quot; She allowed him, and he passed, firing a
+passing shot as he went. &quot;You must understand that I intend to
+be perfectly frank with whoever's there--perfectly frank, and
+truthful. I have had more than sufficient of telling lies on
+your account, Mrs. Lamb.&quot; At this point, throwing the hall-door
+wide open, he addressed some unseen individuals who were without
+in tones which were perhaps unnecessarily loud. &quot;If any of you
+people want money--and by the look of you I can see you do--it's
+no use your asking me, and so I may tell you at once, because I
+want money too, and from the same person, and that's Mrs. Lamb;
+and as Mrs. Lamb happens to be standing at this moment at the
+top of the staircase, in her dressing-gown and with her hair all
+over the place, perhaps you'll step in right away, and just say
+to her what you've got to say. Well, sir, and what might you
+happen to be wanting? Oh, it's Mr. Luker, is it? May I ask, sir,
+what you mean by pushing me about as if I was a mechanical toy?&quot;</p>
+
+<p class="normal">It was indeed Mr. Isaac Luker, who had come into the hall with
+complete disregard of the fact that Mr. Cottrell was standing in
+the doorway. Being in, the visitor regarded the voluble butler
+with characteristic impassivity. Then, stretching out the
+forefinger of his right hand, he tapped at the centre of Mr.
+Cottrell's crumpled shirt-front, and he delivered himself
+thus:--</p>
+
+<p class="normal">&quot;My advice to you is to put your head under the pump if there is
+one, and under the tap if there isn't, and let the water run for
+a good half-hour, for a complaint like yours it's the best
+medicine you can possibly have&quot;.</p>
+
+<p class="normal">It seemed that Mr. Cottrell was so taken aback by the proffer of
+this very handsome advice that for a moment or two he was at a
+loss for a retort; before he found one his mistress had
+interposed.</p>
+
+<p class="normal">&quot;Luker, come up here!&quot;</p>
+
+<p class="normal">Mr. Luker looked at the lady at the head of the staircase, at
+Mr. Cottrell, at the invisible persons who still remained
+without. He seemed to hesitate, as if in doubt whether or not to
+take a hand in the game just where he was; then, arriving at a
+sudden resolution, he did as the lady requested: he went
+upstairs, followed by the retort which Mr. Cottrell had found at
+last.</p>
+
+<p class="normal">&quot;Perhaps if you were to try a little of that medicine you
+recommend on your own account it mightn't do you any harm.&quot;</p>
+
+<p class="normal">The observation went unheeded. Mr. Luker was captured by the
+lady the moment he reached the topmost stair. She pointed to the
+flight in front.</p>
+
+<p class="normal">&quot;Up you go!&quot; Up he went, with her at his heels. On the next
+landing she called his attention to the open bedroom door. &quot;In
+you go.&quot; Perceiving what the apartment was he favoured her with
+what he perhaps meant for a whimsical glance, and in he went.
+&quot;Go straight through into the next room--that's my boudoir.&quot; He
+went straight through, and she also. Closing the door of her
+bedroom she stood with her back to it, putting to him a question
+almost as if she were aiming a pistol at his head. &quot;Have you
+brought that money?&quot;</p>
+
+<p class="normal">Mr. Luker did not at once give her the answer she so
+imperatively demanded. Instead, holding his ancient top-hat in
+front of him as if it were some precious possession, he ventured
+on a remark of his own.</p>
+
+<p class="normal">&quot;Things seem a little at sixes and sevens; they almost suggest
+that domestic relations are a trifle strained. That man who
+calls himself a butler is not behaving as if he were a butler;
+and I regret to notice something about the establishment which
+one hardly expects to find in a lady's high-class mansion.&quot;</p>
+
+<p class="normal">&quot;Cottrell's going--at once. All the servants are going--lot of
+drunken brutes! I'm only waiting for the money to pay them their
+wages.&quot;</p>
+
+<p class="normal">&quot;Oh, I see. And--those other persons on the doorstep, do they
+want money also?&quot;</p>
+
+<p class="normal">&quot;I don't know who's there, and I don't care; but I daresay every
+one wants money. I do! Did you hear me ask if you've brought
+that money I told you to bring?&quot;</p>
+
+<p class="normal">&quot;To what money are you alluding?&quot;</p>
+
+<p class="normal">&quot;You know very well! None of your fooling! Have you brought that
+ten thousand pounds?&quot;</p>
+
+<p class="normal">&quot;Ten thousand pounds!&quot; He held up his hands, with his top-hat
+between them. &quot;Ten thousand pounds! She speaks of that great sum
+as if it were a mere nothing!&quot;</p>
+
+<p class="normal">&quot;Have you brought it?&quot;</p>
+
+<p class="normal">&quot;I certainly have not.&quot;</p>
+
+<p class="normal">&quot;Then what have you brought?&quot;</p>
+
+<p class="normal">&quot;I have brought--nothing.&quot;</p>
+
+<p class="normal">&quot;Look here, Luker, I'm in an ugly temper. You ought to know the
+signs of it as well as any man, so I advise you to take care. I
+told you you were to bring me ten thousand pounds. When I said
+it I meant it; why haven't you brought it?&quot;</p>
+
+<p class="normal">&quot;My dear Isabel----&quot;</p>
+
+<p class="normal">&quot;Haven't I told you not to call me that?&quot;</p>
+
+<p class="normal">&quot;Very well; it's a matter of utter indifference to me what I
+call you--utter! I was merely about to remark that I have laid
+your proposition before my friend, and, as I anticipated, he has
+decided that he doesn't care to lend money except on adequate
+security.&quot;</p>
+
+<p class="normal">&quot;Adequate security! Don't you call a quarter of a million
+adequate security?&quot;</p>
+
+<p class="normal">&quot;Certainly, if you had it, but you haven't. And you have nothing
+tangible to show that you ever will have, or any part of it.&quot;</p>
+
+<p class="normal">&quot;There are those Hardwood Company shares--ten thousand of them.&quot;</p>
+
+<p class="normal">&quot;You tell me that you are in an ugly temper, and I can perceive
+for myself that you are not so calm as I should wish, otherwise
+I should ask for permission to be quite frank with you.&quot;</p>
+
+<p class="normal">&quot;You had better be frank! Never you mind about my temper; it
+won't be improved by your shuffling. Out with what you've got to
+say!&quot;</p>
+
+<p class="normal">&quot;Remember, it will only be said at your express invitation.&quot;</p>
+
+<p class="normal">&quot;Do you hear? Out with it!&quot;</p>
+
+<p class="normal">&quot;Then briefly and plainly it's this: If you were anybody else
+it's possible that money--some money--might be got on your
+expectation of the Hardwood Company's shares, but, as things
+are, it's out of the question.&quot;</p>
+
+<p class="normal">&quot;Why? What's the matter with my being me?&quot;</p>
+
+<p class="normal">&quot;A good deal, as you're as well aware as I am. In a matter of
+this sort it's character which tells, and, unfortunately--I say
+it with deep sorrow!--your character's against you.&quot;</p>
+
+<p class="normal">&quot;What's my character got to do with a thing of this kind?&quot;</p>
+
+<p class="normal">&quot;Everything. Suppose my friend were to advance you money upon
+your expectation of these shares, from your point of view you'd
+have him between your finger and thumb, and you'd keep him
+there.&quot;</p>
+
+<p class="normal">&quot;How do you make that out?&quot;</p>
+
+<p class="normal">&quot;The process of extracting compensation from Messrs. McTavish &amp;
+Brown would be, at best, both a lengthy and a tiresome one, one,
+moreover, in which not a step could be taken without your active
+assistance. You'd find that out, and you'd say, 'If you won't
+let me have so much more I won't move a finger, then you'll lose
+all that you've advanced already'. And you'd mould your conduct
+on those lines to the bitter end--my friend might find it a very
+bitter end. That would not suit him at all.&quot;</p>
+
+<p class="normal">&quot;You----! I've half a mind to kill you!&quot;</p>
+
+<p class="normal">&quot;Keep it at half a mind; many of my friends and clients have
+found it wiser to stop right there.&quot;</p>
+
+<p class="normal">&quot;Then do you mean to tell me that I can't get money out of any
+one--anyhow?&quot;</p>
+
+<p class="normal">&quot;Not at all; money can always be obtained upon security. You
+have personal property--the furniture of this house, jewels, and
+so on.&quot;</p>
+
+<p class="normal">&quot;What I might get out of that sort of thing would be gone before
+I got it.&quot;</p>
+
+<p class="normal">&quot;Then you might get money out of Messrs. McTavish &amp; Brown.&quot;</p>
+
+<p class="normal">&quot;You've told me over and over again that it would take no
+end of a time to do that. I can't wait; I want money--a lot of
+it!--now.&quot;</p>
+
+<p class="normal">&quot;There's such a thing as compromise.&quot;</p>
+
+<p class="normal">&quot;Compromise? What do you mean?&quot;</p>
+
+<p class="normal">&quot;If you insist on receiving the full amount of your demand, no
+doubt Messrs. McTavish &amp; Brown will keep you waiting as long as
+they can--if you ever succeed in getting it at all. But,
+supposing you agree to accept half----&quot;</p>
+
+<p class="normal">&quot;Or three-quarters.&quot;</p>
+
+<p class="normal">&quot;Or three-quarters. The major sum might be mentioned first; but,
+if time is of importance, I should advise you to allow yourself
+to be persuaded to accept half, or even a trifle less, and to
+give a full quittance for all claims, on condition, say, that
+the amount agreed upon is paid within four-and-twenty hours.&quot;</p>
+
+<p class="normal">&quot;They shall pay it!--I'll see to that! And then when I've got it
+I'll go at 'em for the rest.&quot;</p>
+
+<p class="normal">&quot;Ahem! I cannot allow myself to be associated with any such
+scheme as that.&quot;</p>
+
+<p class="normal">&quot;Can't you? We'll see! You stop where you are. I'll dress, and
+then you shall go with me to Messrs. McTavish &amp; Brown as my
+legal adviser! and when I leave them I'll be richer than when I
+started, or they'll be sorry!&quot; Mrs. Lamb passed into her
+bedroom, through the partially open door of which her voice
+proceeded: &quot;Don't you go meddling with any of the things in
+there; I know exactly what there is, so don't you think I don't.
+If I suspected you of taking so much as a paper-knife, I'd have
+it out of you if I had to strip every rag of clothing off you to
+get at it.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_25" href="#div1Ref_25">CHAPTER XXV</a></h2>
+
+<h3>ALARUMS AND EXCURSIONS</h3>
+<br>
+
+
+<p class="normal">Messrs. McTavish &amp; Brown, solicitors, of Southampton Row,
+London, W.C., had a large, sound and lucrative family
+connection. They numbered among their clients several people of
+really excellent position, persons whose names ought to have
+been in the <i>Doomsday Book</i>, and were in Burke's <i>Landed
+Gentry</i>, and in various other places in which one would
+desire one's name to be found. Among those names was that of
+Dykes--Lady Julia Dykes, relict of Sir Eastman Dykes, third
+baronet of Fennington Park, Essex. Sir Eastman had himself been
+one of the firm's clients, one whom they had every reason to
+value highly. His testamentary dispositions had been of such a
+kind that the administration of his estate had practically been
+left in the hands of Messrs. McTavish &amp; Brown until the coming
+of age of his eldest son. A handsome income had been left to his
+well-beloved wife, together with the nominal guardianship of
+everything which once was his; actually, however, she did
+nothing of the slightest importance except with the cognisance
+and approval of the gentlemen in Southampton Row.</p>
+
+<p class="normal">Lady Dykes was a lady of a certain age, and of almost more than
+a certain presence. She was one of those persons who are
+constitutionally prone to lean--metaphorically!--upon some one
+or something, and she leaned upon Messrs. McTavish &amp; Brown
+rather more than they altogether cared for. She consulted them
+not only every week, but sometimes on each day of the week;
+often on matters which had no connection with the law, and had
+nothing to do with them either.</p>
+
+<p class="normal">She had been known to ask their advice on the question of the
+retention or dismissal of a cook. On one memorable occasion she
+had actually written to them to learn if they thought that it
+would be becoming for her to attend a drawing-room in a scarlet
+satin gown. To make the matter worse, that letter was addressed
+to Mr. McTavish in person. As it was a standing joke with Mr.
+Brown, who allowed himself an indecorous latitude in matters of
+real importance, that her ladyship had matrimonial designs upon
+that well-seasoned bachelor, it was a painful moment to Mr.
+McTavish when he learned that she requested his advice upon
+what, to his thinking, was a matter of such singular delicacy.</p>
+
+<p class="normal">On the afternoon on which Mrs. Gregory Lamb set out with Mr.
+Luker to visit Messrs. McTavish &amp; Brown, Lady Dykes was paying
+one of her very numerous visits to her solicitors. She was
+closeted with both partners in Mr. McTavish's private room, the
+senior partner having insisted on summoning the junior to take
+part in the inevitable conference, he having an almost morbid
+disinclination to be left alone with her. McTavish had an
+uncomfortable feeling, however much he might try to hide the
+fact from Brown, that her ladyship was disposed to show herself
+much more friendly when he had no one to keep him in
+countenance. Had they dared, both men would have made it a
+general rule to put her off on to one of their managing clerks,
+but they had learned from experience that though the soul of
+generosity she was quick to take offence, and, therefore, if she
+would talk nonsense, all they could do was to make her pay for
+it--which they did.</p>
+
+<p class="normal">The time had arrived for her eldest hope, Eastman, to take up
+his residence at the university. On the present occasion she had
+called to renew, for the fiftieth time, the interminable
+discussion as to what was the exact annual amount he was to be
+allowed while there, and what exactly he was to do with it.</p>
+
+<p class="normal">&quot;I am particularly anxious,&quot; she explained, as she had done over
+and over and over again (some ladies think that the more they
+repeat themselves the more emphatic they become--which is a
+mistake), &quot;that he should not waste his money, and worse than
+waste his money, on what I cannot but consider, and every mother
+would consider--every mother who cares for her child (and how
+many mothers do!)--extremely undesirable connections. For
+instance&quot;--she started on a little story which her legal
+advisers had heard from her lips more than a dozen times--&quot;Mrs.
+Adams was telling me only a few weeks ago that her second son,
+Bernard, who is at Cambridge, at Caius College, or Trinity, or
+Keble, or St. John's--it's one or the other--I'm not sure which,
+though I know he's in some part of the building&quot;--she always
+spoke of a university as if it consisted of one large
+building, though she must have known better--&quot;has been
+lavishing--positively lavishing!--articles of various kinds,
+gifts, presents of every description, from bon-bons to gloves,
+and from shoes to ribbons, and I don't know what else beside--it
+seems he kept a list of them, I don't know why, and she found
+it--it made me dizzy to hear her merely read it through, it was
+that long!--upon, of all creatures in the world--it seems
+inconceivable, for I've known the boy from a baby, and so did
+Sir Eastman--but it was a young woman in a tobacconist's shop.
+Picture what his mother's feelings were; picture what mine would
+be if I made a similar discovery. If there is one rule to which
+I have adhered through life it is to allow no one connected with
+me to have anything to do with females of questionable
+antecedents. And a tobacconist shop! Am I not right?&quot;</p>
+
+<p class="normal">She looked directly at Mr. McTavish, who coughed, and answered--</p>
+
+<p class="normal">&quot;Certainly, Lady Dykes; quite right&quot;.</p>
+
+<p class="normal">Mr. Brown said nothing; he looked the more.</p>
+
+<p class="normal">&quot;You yourselves, although of the opposite sex, know perfectly
+well how necessary it is to have such a rule. You would not have
+built up this great business were it not universally known that
+you invariably refuse to accept as clients persons--especially
+when they are of the feminine gender--who are not of the highest
+respectability. I myself should not be here at the present
+moment were I not assured that was the case--of course that you
+understand. You would no more allow a woman of a certain class
+to enter your private office, Mr. McTavish, than I should allow
+a navvy to enter my drawing-room.&quot;</p>
+
+<p class="normal">It was perhaps a trifle unfortunate that Mrs. Gregory Lamb,
+attended by Mr. Isaac Luker, should have chosen that particular
+moment to introduce herself into the premises of Messrs.
+McTavish &amp; Brown. On the road Mr. Luker had endeavoured to
+persuade the lady to leave the negotiations as much as possible
+in his hands, a suggestion which she had repudiated with scorn.</p>
+
+<p class="normal">&quot;If any one can play this sort of game better than I can, I've
+never met them. All you have to do is to chime in when I tell
+you. If I fail to jockey some coin out of them somehow, then it
+will be time for you to try your hand.&quot;</p>
+
+<p class="normal">&quot;I am not so sure of that. It occurs to me as at least possible
+that if you fail it won't be worth any one's while to take a
+hand.&quot;</p>
+
+<p class="normal">It was not in consonance with the lady's plan of campaign to
+resort, throughout the entire proceedings, to any of the minor
+civilities of life. For instance she deemed it neither necessary
+nor advisable to announce her presence by knocking at the outer
+door. She simply swung it right back on to its hinges, and
+strode straight in, not with the lightest strides. In the outer
+office it was customary for visitors to mention who it was they
+wished to see, possibly, also, the nature of their business, and
+then wait in patience till it was intimated to them that they
+were at liberty to penetrate farther. No such formula was likely
+to suit Mrs. Lamb, for one reason if for no other. She was well
+aware that if the heads of the firm had their way nothing would
+induce them to suffer her to enter their presence. Indeed so
+soon as the clerks in the outer office recognised who it was,
+one of them, starting up, prepared to rush to his principals to
+warn them of her coming. But the lady was too quick for him.
+While he was already half-way through the farther door, the
+lady, catching him by the shoulder, swung him round in a fashion
+which was a sufficient testimony to the fact that her arm still
+retained at least a good deal of its pristine vigour. Before he
+had a chance to recover she was in the apartment which was
+reserved as a sanctum for the senior clerks, her appearance
+causing a sensation among those respectable elderly gentlemen,
+which was both ludicrous and surprising. The senior engrossing
+clerk, Mr. Riseley, was the only one among them who retained
+even a fragment of presence of mind. He endeavoured to interpose
+his person between the lady and the approach to Mr. McTavish's
+private sitting-room.</p>
+
+<p class="normal">&quot;Mrs. Lamb, what is the meaning of this behaviour? Such conduct
+is not to be endured; I must ask you to leave this room at
+once!&quot;</p>
+
+<p class="normal">&quot;Get out of the way,&quot; was the only answer which Mrs. Lamb
+vouchsafed.</p>
+
+<p class="normal">&quot;I shall do nothing of the kind--certainly not; my duty to my
+employers forbids it. You can see neither Mr. McTavish nor Mr.
+Brown, they--they are both of them most particularly engaged.&quot;</p>
+
+<p class="normal">Mrs. Lamb condescended to waste no more words on him. He was
+rather larger than the other clerk, so she used both arms,
+darting them out in front of her as if they were battering-rams,
+dashing her half-open palms against him with such force as to
+drive him against a neighbouring table, overturning both it and
+its proper occupant with a clatter on to the ground. Then she
+went rushing into the senior partner's holy of holies as if she
+had been some mad bull, crying &quot;Come along, Luker,&quot; as she
+rushed.</p>
+
+<p class="normal">Mr. Luker went along, not quite so demonstratively as she did,
+still, considering his build and the difference in his methods,
+he managed pretty well. Yet he did not move fast enough for his
+energetic client. As he was coming through the door, seizing him
+by the arm, she gave it a jerk which sent him whirling half
+across the room and his hat flying into a corner. The instant
+she was in she slammed the door behind her, snapped the lock,
+and pocketed the key.</p>
+
+<p class="normal">As Lady Dykes had just been dwelling on her consciousness of the
+fact that under no consideration whatever would Messrs. McTavish
+&amp; Brown allow doubtful female persons to set foot inside their
+offices, it was rather an unfortunate moment for her to make her
+entry. So both the partners decidedly seemed to think. As for
+Lady Dykes, she started from her chair with as much agility as
+her figure would permit, and stared at the intruder open-eyed.</p>
+
+<p class="normal">&quot;Good gracious!&quot; she exclaimed. &quot;Who is this person? and what
+does she want?&quot;</p>
+
+<p class="normal">Mr. Brown, having his wits about him, made for the second door
+(most lawyers have at least two entrances to their own
+particular preserves), observing as he moved--</p>
+
+<p class="normal">&quot;Lady Dykes, might I ask you to----&quot;</p>
+
+<p class="normal">He got no farther; Mrs. Lamb cut him short. Her wits were even
+more on the alert than his. Perceiving, on the instant, his
+objective, dashing after him, pushing him aside as if he were
+some insignificant thing, she gained the second door, banged it
+to, locked it, and pocketed that key also. Then, turning, she
+confronted her victims with a laugh which did not by any means
+ring pleasantly in their ears.</p>
+
+<p class="normal">&quot;It seems as if I had arrived in the very nick of time. I
+couldn't have bagged the pair of you more neatly if I'd had an
+appointment with you--could I?&quot;</p>
+
+<p class="normal">Lady Dykes, who was the most nervous of her sex, was trembling
+almost as if she were a species of human jelly-fish.</p>
+
+<p class="normal">&quot;Dear! dear!&quot; she gasped. &quot;Who is this person? and what does she
+want? Make her open the door at once, and let me out! My footman
+will be wondering what has become of me.&quot;</p>
+
+<p class="normal">Mrs. Lamb favoured her with an answer--of a kind.</p>
+
+<p class="normal">&quot;I'll tell you who I am. I'm one of their clients! I'm one of
+the helpless, ignorant women whom they've robbed and plundered,
+but before all's finished they'll find that I'm not so helpless
+and ignorant as they thought. And I'll tell you what I want: I
+want back some of the money they've stolen, and before anybody
+leaves this room I'll have it. I've stood their shuffling long
+enough, but I won't stand it any longer, as I'm here to show
+them.&quot;</p>
+
+<p class="normal">Mr. Brown, who still seemed to have most control over his
+tongue, addressed himself to Mr. Luker.</p>
+
+<p class="normal">&quot;Mr. Luker, I believe you are a fully admitted solicitor. As
+such I call on you to notice that Mrs. Lamb's words are
+actionable. And I request you, unless you wish to get yourself
+and her into serious trouble, to insist on her opening the two
+doors which she has improperly locked, and on her leaving these
+premises at once. Surely it is not necessary for me to point out
+that, otherwise, the consequences to both of you will be of the
+gravest possible kind.&quot;</p>
+
+<p class="normal">Mrs. Lamb placed herself in front of the irate Mr. Brown.</p>
+
+<p class="normal">&quot;Don't you waste your breath talking to Mr. Luker; he's not on
+in this scene--not just at present, anyhow. If you've anything
+to say, you say it to me; it's me you have to deal with, not
+him.&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb, I will have nothing to do with you of any sort or
+kind; after the monstrous fashion in which you have behaved it
+is the sheerest absurdity to suppose that we can have any
+communication with you except through a properly accredited
+representative.&quot;</p>
+
+<p class="normal">&quot;So I've behaved in a monstrous fashion, have I? I'll teach you
+to talk to me like that.&quot;</p>
+
+<p class="normal">She began the lesson then and there. Gripping him by both
+shoulders she shook him as a terrier shakes a rat. He was a
+slightly built man, not physically strong; had he been a rat he
+could scarcely have seemed more helpless in her hands. When,
+presumably, she was of opinion that the first lesson had lasted
+long enough, she honoured him with a few remarks.</p>
+
+<p class="normal">&quot;You take from me everything on which you can lay your claws;
+you strip me of every shilling I possess; and then, when I ask
+for some of it back, you insult me. You--dirty--thief!&quot; Here
+there was another bout of shaking. &quot;There are men doing penal
+servitude who aren't half such mean, sneaking scamps as you
+are--and plenty of them.&quot;</p>
+
+<p class="normal">She flung him from her against the wall, leaving him to struggle
+for breath as best he might. Lady Dykes, in an armchair, was
+developing what promised to be a very fine attack of hysterics.
+She was beginning to make as much noise as Mrs. Lamb herself.
+Mr. McTavish, who, judging from his appearance, had been in
+imminent peril of a stroke of apoplexy, seemed all at once to
+regain his power of speech.</p>
+
+<p class="normal">&quot;Upon my word, you're--you're--you're the most dangerous woman I
+ever heard of!&quot;</p>
+
+<p class="normal">&quot;And you're the most dangerous thief! Perhaps before I've done
+with you you'll find that thieving's almost as dangerous to
+yourself as to those on whom you practise.&quot;</p>
+
+<p class="normal">There came a smart rapping on one of the doors, and a voice from
+without.</p>
+
+<p class="normal">&quot;Shall we send for a policeman, sir?&quot;</p>
+
+<p class="normal">&quot;By all means!--at once! Let him break down the door if he can't
+get in any other way! This--this woman's--positively dangerous.&quot;</p>
+
+<p class="normal">&quot;You're right there; I am--you've made me dangerous. And don't
+you think that a policeman, or ten policemen, will keep me from
+being even with you if I once get started; not all the policemen
+in London couldn't do it!&quot;</p>
+
+<p class="normal">Mr. Luker, seemingly under the impression that his client was
+going a little too far, even for her, ventured on an
+interposition.</p>
+
+<p class="normal">&quot;Pardon me, Mrs. Lamb, but, if you will allow me to say so, I
+think this matter can be settled on a perfectly peaceful basis.
+If these gentlemen are disposed to be reasonable, and I feel
+sure they are, everything can be arranged without unpleasantness
+of any sort or kind. The point is----&quot;</p>
+
+<p class="normal">Mrs. Lamb took the words out of his mouth, substituting, that
+is, words of her own.</p>
+
+<p class="normal">&quot;The point is, that, among other things, you've robbed me of ten
+thousand Hardwood Company's shares.&quot;</p>
+
+<p class="normal">&quot;It's an infamous falsehood! We've done nothing of the kind!&quot;</p>
+
+<p class="normal">&quot;Haven't you? I know you have, and so do you; but you're one of
+those brazen-faced old sinners who would go to the gallows with
+a lie on your lips. Those shares are worth fifty thousand
+pounds, and more; but as you've robbed me of every penny I have
+in the world, and left me with nothing but starvation staring me
+in the face----&quot;</p>
+
+<p class="normal">&quot;It's--it's incredible how any one should dare to say such
+things!--incredible!&quot;</p>
+
+<p class="normal">&quot;So there's nothing left for me but to try to come to terms with
+the robbers, and that's what I have come for. If you'll give me
+a cheque for forty thousand pounds--now!--this minute!--you may
+keep the other ten, and much good may it do you. So just you
+move yourself. Sit down at that table and write me a cheque for
+forty thousand pounds.&quot;</p>
+
+<p class="normal">&quot;Forty thousand pounds! Do you suppose----&quot;</p>
+
+<p class="normal">&quot;I suppose nothing. You do as I tell you, or you'll be sorry.&quot;</p>
+
+<p class="normal">Again Mr. Luker ventured on an interposition.</p>
+
+<p class="normal">&quot;If, once more, you will excuse me, Mrs. Lamb, if you will
+permit me I will point out to Mr. McTavish how much more than
+moderate you are disposed to be in your demands. I have Mrs.
+Lamb's permission to inform you, Mr. McTavish, that she is in
+absolute want of ready cash; that she is practically in a state
+of destitution; and that therefore she is willing to waive her
+lawful claims to such an extent that she is prepared to accept
+the sum of five-and-twenty thousand pounds; a fair proportion to
+be paid at once, and the balance on a given date; and to give
+you in exchange a discharge in full for all her claims against
+you respecting the Hardwood Company's shares.&quot;</p>
+
+<p class="normal">Mrs. Lamb's manner, as she acquiesced in her solicitor's
+modification of her terms, was not precisely gracious.</p>
+
+<p class="normal">&quot;If I take twenty-five thousand pounds that will be going
+halves. If I am to be robbed I suppose I may as well be properly
+robbed; but I'll have at least ten thousand pounds in cash. So,
+now, Mr. McTavish, without any more fuss, perhaps you'll let me
+have a cheque for that ten thousand.&quot;</p>
+
+<p class="normal">&quot;Ten thousand pounds! I'll not give you a cheque for tenpence.&quot;</p>
+
+<p class="normal">&quot;You're two men, and I'm only a woman, but you'll find that I'm
+much more than a match for the pair of you; and if you're not
+careful I'll thrash you both till within an inch of your lives;
+I'll leave marks on you which you'll carry to your graves. As
+for you, you bloated old whisky barrel, I've only got to give
+you one or two smart ones in the proper place, and you'll be in
+your grave before you think. So if you want to keep on living,
+you'll make no more bones about handing me that cheque.&quot;</p>
+
+<p class="normal">&quot;This--this is worse than highway robbery! In my own office
+you--you positively threaten----&quot;</p>
+
+<p class="normal">&quot;Threaten! I'll do more than threaten! Quick! Are you going to
+fork up or am I to break every bone in your body?&quot;</p>
+
+<p class="normal">&quot;I--I--I will not be bullied----&quot;</p>
+
+<p class="normal">&quot;Bullied! I'll show you!&quot; She snatched up a stout malacca cane
+which stood by Mr. McTavish's table, and which was that
+gentleman's property. &quot;To start with, I'll splinter this over
+your bodies, then I'll smash everything else in the place, and
+you into the bargain. Now is it going to be the coin or----&quot;</p>
+
+<p class="normal">The hand holding the stick went up into the air, the gesture
+rounding off the sentence with sufficient significance.</p>
+
+<p class="normal">&quot;You wicked woman! how dare you threaten me with my own stick?
+Help! Where is that policeman?&quot;</p>
+
+<p class="normal">&quot;Policeman! Do you think I care for a policeman? Not that much!&quot;</p>
+
+<p class="normal">Down came the stick with a swishing sound through the air. As it
+descended Mr. Luker caught the lady by the wrist.</p>
+
+<p class="normal">&quot;Mrs. Lamb, I do implore you to pause a moment for
+consideration. I reiterate my conviction that if you will only
+exercise a little patience this matter can be settled amicably
+and without violence.&quot;</p>
+
+<p class="normal">&quot;Luker, if you don't want to let yourself in for a little
+handling on your own account you'll let go of my wrist.&quot;</p>
+
+<p class="normal">&quot;On the contrary, Mr. Luker, I beg you will keep a tight
+hold--the woman must be stark mad.&quot;</p>
+
+<p class="normal">&quot;Mad!&quot; With a sudden twist Mrs. Lamb wrenched herself loose from
+Mr. Luker, and that same moment there was a smart rapping at the
+door, and an authoritative voice was heard without.</p>
+
+<p class="normal">&quot;I'm a police constable. What's going on in there? Open this
+door at once.&quot;</p>
+
+<p class="normal">&quot;Break it open, constable, break it open. I'm Mr. McTavish, and
+I authorise you. We're--we're in actual danger of our lives.&quot;</p>
+
+<p class="normal">There must have been some one on the other side who knew how to
+deal with a locked door, for in a surprisingly short space of
+time it was open. A constable was revealed, supported by a
+considerable body of clerks, of all ages, in the background. The
+representative of law and order advanced into the room.</p>
+
+<p class="normal">&quot;What's taking place in here?&quot;</p>
+
+<p class="normal">&quot;I'm Mr. McTavish, officer, the senior partner in this firm.
+This--this woman has been endeavouring to extract money by means
+of threats. I must request you to eject her from these premises
+at once.&quot;</p>
+
+<p class="normal">&quot;Do you charge her?&quot;</p>
+
+<p class="normal">&quot;Not at this moment, though, no doubt, later proceedings will be
+taken which will bring home to her a sense of her misconduct. At
+present all I want you to do is to turn her out.&quot;</p>
+
+<p class="normal">&quot;And this woman also?&quot;</p>
+
+<p class="normal">The allusion was to Lady Dykes. Mr. McTavish was shocked.</p>
+
+<p class="normal">&quot;Dear me, no; that is Lady Dykes, of Fennington Park, one of our
+most esteemed clients, who has already been subjected to the
+most terrible annoyance. The man&quot;--pointing to Mr. Luker--&quot;you
+will turn out with the woman.&quot;</p>
+
+<p class="normal">The constable touched Mr. Luker on the arm.</p>
+
+<p class="normal">&quot;Now, sir, offer the lady a good example, and show her the way
+out.&quot;</p>
+
+<p class="normal">Mr. Luker put his hat on, and, without a word, prepared to act
+on the officer's advice. Mrs. Lamb caught him by the shoulder.</p>
+
+<p class="normal">&quot;You cur! Don't be a fool, Luker, and do as he tells you.&quot;</p>
+
+<p class="normal">The constable smiled, good-humouredly.</p>
+
+<p class="normal">&quot;If you're a wise man, sir, you will do as I tell you, and
+you'll talk the matter over with the lady afterwards.&quot;</p>
+
+<p class="normal">Mr. Luker seemed to incline to the opinion that the policeman's
+was the voice of wisdom. Withdrawing himself from the lady's
+detaining fingers, still without a word, he left the room. The
+constable addressed himself to Mrs. Lamb.</p>
+
+<p class="normal">&quot;Now, madam, we policemen hate to have to be rude to a lady;
+might I ask you to oblige me by following your friend's very
+excellent example? That's the way out.&quot;</p>
+
+<p class="normal">He jerked his thumb towards the open door. Mrs. Lamb looked at
+him and at the others. Apparently what she saw forced her to the
+conclusion that what she called &quot;the game&quot; was &quot;up&quot;. She brought
+Mr. McTavish's malacca cane on to a writing-table with a
+resounding thwack.</p>
+
+<p class="normal">&quot;You couple of thieves! I'll wring your necks for you yet before
+I've done!&quot;</p>
+
+<p class="normal">She dashed the stick upon the floor and went, the clerks
+treading on each others' toes in their anxiety to give her as
+much room as she required.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_26" href="#div1Ref_26">CHAPTER XXVI</a></h2>
+
+<h3>SOLICITOR AND CLIENT</h3>
+<br>
+
+
+<p class="normal">A pseudo-historical utterance was paraphrased by Mr. Luker when
+the lady joined him in the street without.</p>
+
+<p class="normal">&quot;It may have been magnificent, but it wasn't war.&quot;</p>
+
+<p class="normal">It is possible that Mrs. Lamb knew very little about the charge
+at Balaclava. It is certain that she had never heard of the
+phrase with which the critical French general has been credited.
+And she was in a red-hot temper, so that in any case she was in
+no mood to appreciate her legal adviser's recondite allusions.
+The lady's own remark was idiomatic in the extreme.</p>
+
+<p class="normal">&quot;Luker, I'd like to knock your head clean off your shoulders. If
+it hadn't been for you I'd have got all the ready I wanted out
+of that couple of cripples, or----&quot;</p>
+
+<p class="normal">&quot;Or you'd have been on your road to the lock-up. There's no 'or'
+about it; if it hadn't been for me you would have been. My dear
+Isabel----&quot;</p>
+
+<p class="normal">&quot;Don't call me----&quot;</p>
+
+<p class="normal">&quot;All right; I won't. If I were to call you all that I think you
+ought to be called, you mightn't like it. I was merely about to
+remark that your methods are too primitive. In London you can't
+go into an office and get all the money you want out of a couple
+of lawyers, old or young, with the aid of a stick. It can't be
+done. If it could be done people would be doing it all day
+long.&quot;</p>
+
+<p class="normal">&quot;Can't I?&quot; Mrs. Lamb's tone was grim. &quot;You don't know me yet.
+You wait till I get them to myself, either together or singly,
+and I'll lay you the National Debt to sixpence that I don't
+leave 'em till I've got what I want. I've my own methods, and
+I've found them pay me very well up to now.&quot;</p>
+
+<p class="normal">&quot;I don't doubt your capacity; when I think of where you were and
+of where you are I've no reason to. But in dealing with people
+like McTavish &amp; Brown, with a strong case like yours, diplomacy
+pays better than violence. If you'd left the conduct of the
+affair to me I'd have at any rate exacted from them the promise
+of a satisfactory sum in settlement of all claims. As it is,
+where are you?&quot;</p>
+
+<p class="normal">He held out his hand, palm uppermost, as if to show that there
+was nothing in it. She walked by his side for some little
+distance in silence; when she spoke her tone was still grim.</p>
+
+<p class="normal">&quot;I'll tell you where I am--I'm with you. And I tell you what it
+is--as I couldn't get any money out of them, I'm going to get it
+out of you.&quot;</p>
+
+<p class="normal">&quot;Are you? I don't see how.&quot;</p>
+
+<p class="normal">&quot;Don't you? I do.&quot;</p>
+
+<p class="normal">&quot;You can't get blood out of a stone.&quot;</p>
+
+<p class="normal">&quot;No; because there's no blood in a stone. But I can get money
+out of you, because you've plenty.&quot;</p>
+
+<p class="normal">&quot;I wish I had.&quot;</p>
+
+<p class="normal">&quot;Don't you worry; your wish was granted before it was uttered.
+I'll show you where some of it is, if you like.&quot;</p>
+
+<p class="normal">In his turn Mr. Luker for a while was still. Then stopping, he
+held out his hand.</p>
+
+<p class="normal">&quot;I wish you good-afternoon, Mrs. Lamb.&quot;</p>
+
+<p class="normal">&quot;You needn't; I'm coming with you.&quot;</p>
+
+<p class="normal">&quot;I'm afraid I have an appointment which will prevent my enjoying
+the pleasure of your company any longer.&quot;</p>
+
+<p class="normal">&quot;Oh no, you haven't. Besides, it will make no difference if you
+have--I'm coming with you.&quot;</p>
+
+<p class="normal">&quot;You are coming with me? What do you mean?&quot;</p>
+
+<p class="normal">&quot;I mean that I'm going to accompany you to your private
+residence, Mr. Luker. I want to have a quiet chat with you. I
+can have it there better than anywhere else. We shall be snug,
+and all by ourselves.&quot;</p>
+
+<p class="normal">He looked at her with his bleared, half-open eyes--he seemed
+to be physically incapable of opening them to their full
+extent--with an expression which some ladies would not have
+considered flattering, nor were his words exactly complimentary.</p>
+
+<p class="normal">&quot;I would as soon go home with a tigress as with you in your
+present mood--indeed, of the two, I think I would prefer the
+tigress. I have been in too many tight places to feel inclined
+to walk, with my eyes open, into quite such a tight place as
+that would be. Once more I have to inform you that I have an
+appointment which will prevent my having the pleasure of your
+company any farther, so I wish you good-afternoon.&quot;</p>
+
+<p class="normal">&quot;And once more I tell you that I'm coming home with you.&quot;</p>
+
+<p class="normal">&quot;Oh no, you're not.&quot;</p>
+
+<p class="normal">&quot;Oh yes, I am.&quot;</p>
+
+<p class="normal">&quot;I think you are mistaken.&quot;</p>
+
+<p class="normal">He beckoned to a policeman who happened to be standing by the
+kerb at a little distance from where they were.</p>
+
+<p class="normal">&quot;What do you want with him?&quot; she demanded.</p>
+
+<p class="normal">&quot;I am going to appeal to that officer for protection, and I
+don't think you will find that I shall do so in vain. You will
+compel people to summon the police--it is extremely unwise.&quot;</p>
+
+<p class="normal">The constable was sauntering towards them. Recognising,
+apparently, that there was logic in what Mr. Luker said,
+without waiting for the policeman to approach, also without
+going through the empty formula of wishing the solicitor
+good-afternoon, she marched off and left Mr. Luker alone. When she
+had gone, perhaps, a hundred yards, she stopped and looked back.
+Mr. Luker, who was still where she had left him, was seemingly
+enjoying a little friendly converse with the constable. She
+continued her progress for, possibly, another hundred yards, and
+then again looked back. This time Mr. Luker had vanished. She
+could distinguish the stalwart figure of the constable striding
+along in solitary state in the distance. She signalled to a
+hansom. &quot;Stamford Street, Blackfriars Bridge end,&quot; was the
+direction she gave the driver. When the vehicle had brought her
+to the point she desired, descending, she dismissed it. She
+stood for two or three minutes, scanning the passers-by, keenly
+observing, so far as she was able, every one in sight. Then,
+turning into Stamford Street, she presently turned again into a
+street on her right. She was coming into a very shady
+neighbourhood, in which one opined that women of her appearance
+were very occasional visitants. She twisted and turned, however,
+with the unerring rapidity of one who knew it uncommonly well,
+until at last she found herself in what was rather an alley than
+a street, and a cul-de-sac at that, for at the end was nothing
+but a high blank wall. Here the tenements were not only
+extremely small, apparently consisting of five or six rooms at
+most, they were also of disreputable appearance. Pausing in
+front of one she regarded it with an attentive eye. The fact
+that the blinds were down gave it a deserted look. She knocked
+once, twice--there was no bell. When no one answered she drew a
+conclusion of her own.</p>
+
+<p class="normal">&quot;He's not come yet; I'll wait.&quot;</p>
+
+<p class="normal">She did wait, for a good half-hour, with exemplary patience, in
+spite of the fact that long before the period of waiting was at
+an end she had become an object of much interest to a large
+number of curious eyes. Just as the observers were beginning to
+wonder how long she did intend to stop, the object of her
+flattering quest came into sight, in the shape of the legal
+gentleman from whom she had so lately parted--Mr. Isaac Luker.
+Contrary to her hopes and expectations he was not alone; once
+more her wily old friend had proved equal to the needs of the
+occasion. On either side of him were men whose character, or,
+rather, want of character, was written large all over them--two
+more unmistakable ruffians one would have to go far to see. At
+sight of her Mr. Luker came to a standstill.</p>
+
+<p class="normal">&quot;I thought I should find you waiting for me here; your presence
+is not at all unexpected. So, as in this neighbourhood the
+police are not much protection, and I suspected that I might
+stand in need of protection, I brought my two friends here with
+me. They think little of putting a woman of your sort into the
+river, as gentlemen of their profession generally do, so I'll
+leave them to deal with you after the mode with which they are
+most familiar.&quot;</p>
+
+<p class="normal">&quot;Is this 'er?&quot; inquired one of the friends, a beetle-browed
+person, with an open gash running right down his filthy cheek.</p>
+
+<p class="normal">&quot;That's her, my good friend. You talk to her, in any way you
+please, while I go inside.&quot;</p>
+
+<p class="normal">As he produced his latch-key Mrs. Lamb moved towards him in a
+forlorn-hope sort of spirit.</p>
+
+<p class="normal">&quot;Let me come in! There's something which I must say to you.&quot;</p>
+
+<p class="normal">Without giving her a hint of his intention the beetle-browed
+person struck her with his clenched fist on the shoulder in such
+fashion that, had she not lurched against the wall, Mrs. Lamb
+would have gone headlong to the ground. Mr. Luker stood to
+comment on the action.</p>
+
+<p class="normal">&quot;That's right, my friend; that's how she likes to talk to
+others.&quot;</p>
+
+<p class="normal">He disappeared into the house; they heard him locking and
+bolting the door. The beetle-browed person placed himself in
+unpleasant proximity to Mrs. Lamb; his manner was, if possible,
+even more eloquent than his words.</p>
+
+<p class="normal">&quot;Now then, are you going to take yourself off, or have we got to
+move you? Make up your mind, because our time's valuable.&quot;</p>
+
+<p class="normal">She made up her mind, there and then. Realising that she was
+doomed to still another disappointment, she took herself off,
+with Mr. Luker's two &quot;friends&quot; at her heels. When she was back
+again into Stamford Street she stopped and spoke to them.</p>
+
+<p class="normal">&quot;There are police here, as, if you try to follow me another
+step, you'll find.&quot;</p>
+
+<p class="normal">&quot;We don't want to follow you--not much! We only want to keep you
+off the governor, that's all. You can go where you like, and you
+can do what you like, but if you come near his crib again we'll
+mark you.&quot;</p>
+
+<p class="normal">Hailing another hansom Mrs. Lamb left Mr. Luker's two &quot;friends&quot;
+standing on the pavement.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_27" href="#div1Ref_27">CHAPTER XXVII</a></h2>
+
+<h3>PURE ETHER</h3>
+<br>
+
+
+<p class="normal">At the house in Connaught Square Mrs. Lamb had to knock and ring
+four times without, apparently, attracting the attention of any
+one inside. She was meditating gaining admittance through the
+area door, when a fifth assault upon the bell and knocker was
+productive of a more definite result. After a good deal of what
+seemed unnecessary fumbling with the handle, the door was opened
+sufficiently wide to admit of Cottrell, the butler, being seen
+within. He was attired in the same extremely undignified costume
+in which he had greeted his mistress in the morning, which,
+however, showed certain signs of what might be called
+degeneration. The shirt-front was, if possible, more crumpled
+than before; the collar was gone; the waistcoat had, in some
+mysterious way, strayed out of the straight, so that while it
+was on one side of his body the shirt was on the other; his hair
+was rumpled; the whole man looked as if a plentiful application
+of cold, clean water might do him a great deal of good.</p>
+
+<p class="normal">He held the door just wide enough open to enable him to display
+his person and to see who was there, seeming to be not at all
+abashed when he perceived that it was his mistress.</p>
+
+<p class="normal">&quot;So it's you, is it! So you've come at last; it's about time;
+we thought you never were coming. I hope you've brought some
+money--everybody hopes so. It's no good your coming into this
+house if you haven't--not the least.&quot;</p>
+
+<p class="normal">Mrs. Lamb was in a bad temper, which, perhaps, on the whole was
+not surprising. She had been in a bad temper when she had
+started to visit Messrs. McTavish &amp; Brown. The incidents which
+had marked the afternoon had not tended to sweeten it. On the
+contrary, for quite a time she had been looking for somebody on
+whom, to use an expressive euphemism, she might &quot;let herself
+go&quot;. Had Mr. Cottrell been aware of the lady's state of mind,
+even in his then peculiar condition, he might have realised that
+there are occasions on which discretion is the better part of
+valour. He would certainly hardly have afforded her not only so
+excellent an opportunity of giving expression to her feelings,
+but also so capital an occasion of making her quarrel just. She
+looked at Mr. Cottrell with something in her eyes which should
+in itself have been sufficient to serve as a warning; there was
+still time for him to perform a strategic retreat. Without a
+word she went quickly up the steps, flung the door wide open,
+seized him by the shoulders, and sent him spinning into the
+street. He sat, for some moments, on the kerb, as if overcome.
+Then, exceeding rash, he retraced his way up the steps as best
+he could, with the apparent intention of inquiring why he had
+been handled in such unceremonious fashion. Before, however, he
+had gained the actual summit, he went flying backwards, with the
+lady's assistance, in such summary fashion that it was only the
+back of his head being brought into contact with the pavement
+that stopped him.</p>
+
+<p class="normal">When he understood, dimly, what had happened, he began to raise
+an agreeable hullabaloo, mingling imprecations on all and
+sundry, with curses on the lady in particular, and cries of help
+to the public and the police. Mrs. Lamb, for the third time that
+day, was brought into contact with a constable. A policeman
+appearing round the corner, perceiving Mr. Cottrell
+gesticulating on the pavement, came sauntering up to learn what
+was wrong. The butler explained.</p>
+
+<p class="normal">&quot;I give her into custody, that's what I do!--tried to murder me,
+that's what she's done!--broken my brains out!--assault and
+battery, that's what it is; and that's what I charge her with,
+policeman. You put the handcuffs on her, and take her to the
+station, and I'll come round and give all the evidence that's
+wanted.&quot;</p>
+
+<p class="normal">The officer was calmer than Mr. Cottrell. He heard the butler to
+an end, then he glanced at his mistress.</p>
+
+<p class="normal">&quot;What's wrong?&quot;</p>
+
+<p class="normal">She explained.</p>
+
+<p class="normal">&quot;That man's my butler, although you would not think it to look
+at him. He has taken advantage of my absence to get into that
+condition. He kept me waiting for more than twenty minutes on
+the doorstep, and then when he opened he was not only drunk but
+insolent. I have dismissed him from my service, and put him into
+the street, and out in the street he stops. I should be obliged
+by your moving him away, and preventing his making a disturbance
+in front of the house.&quot;</p>
+
+<p class="normal">The policeman, who was young, leaped to the conclusion that
+right was on the side of the lady. He was disposed to give the
+butler but a short shrift.</p>
+
+<p class="normal">&quot;Now, then, move on! Away you go! We don't want any of your
+nonsense here!&quot;</p>
+
+<p class="normal">Mr. Cottrell vehemently objected.</p>
+
+<p class="normal">&quot;Don't talk to me like that, policeman! She owes me three
+months' wages; there's another nearly due, and another instead
+of notice. You let her pay me five months' wages before she
+talks of putting me out into the street.&quot;</p>
+
+<p class="normal">The policeman looked up at the lady.</p>
+
+<p class="normal">&quot;Is what he says true?&quot;</p>
+
+<p class="normal">&quot;It's an entire falsehood. Any claim he may have to make must be
+made in the proper quarter.&quot;</p>
+
+<p class="normal">She threw the door wide open. By now other members of the
+household had, unwisely enough, come up to see what the
+discussion was about. Her action revealed them.</p>
+
+<p class="normal">&quot;You see, officer, here are some more of my servants. They,
+also, have taken advantage of my absence, and are like that
+man--drunk. I dismiss them all--now. Perhaps you won't mind
+coming in and seeing their boxes packed; I suspect them of
+having property of mine in their possession.&quot;</p>
+
+<p class="normal">The policeman went in--Mr. Cottrell went in also, with his
+assistance; he saw their boxes packed. It was a process in which
+the packers fared badly, the butler in particular. Each servant
+in the house, almost without exception, was shown to be in
+possession of property which was indisputably Mrs. Lamb's. Their
+mistress' attitude was one of magnanimity. She declined to
+prefer a charge against them, at any rate just then, whatever
+she might do later. Though, of course, under the circumstances,
+to pay them anything in the shape of wages was altogether out of
+the question. All she wanted to do was to see their backs. And
+she saw them. A shamefaced, miserable, draggle-tailed crew they
+looked, as, one after the other, under the policeman's cold
+official glance, they took their boxes out into the street. Then
+Mrs. Lamb presented that zealous young officer with a sovereign.
+He made short work of clearing the debris away from the front.</p>
+
+<p class="normal">So Mrs. Lamb was left alone in that great mansion without a
+servant to wait on her of any sort or kind.</p>
+
+<p class="normal">She went into the boudoir; that and her bedroom, and indeed the
+whole house, was exactly in the same condition in which she had
+found it in the morning. It seemed as if no one had moved a
+finger to put anything in order. Removing her hat, she sat down
+and tried to think. The result was a failure. Her thoughts would
+not travel on the lines she wished; they would launch out in
+undesirable directions. She had scarcely been there a minute
+before she began to become conscious of an unpleasant feeling
+that she was not alone, when, all the time, she knew she was. An
+odd, morbid obsession began to overpower her, as, directly she
+was alone, it had shown an uncomfortable aptitude to do of late.
+Putting her hands up to her eyes she rubbed them with her palms,
+as if she were endeavouring to rub something away from them.
+Then, removing her hands again, she looked about her, queerly.</p>
+
+<p class="normal">&quot;Of course it's ridiculous, and I suppose the real explanation
+is that I'm not so well as I ought to be; but it's funny how I'm
+always seeming to be back in his room, and how plainly I can see
+it all; and the bed--the bed.&quot; There was a rigid expression on
+her face which it was not agreeable to observe, as she herself
+seemed to understand. Standing up she gave herself a little
+shake, as if she were trying to shake something from off her.
+&quot;This won't do--it won't do. It's not healthy. And yet there's
+something which I ought to look at--to see; to understand. It's
+something in the room. It's not the bed--not only the bed; it's
+something else. I wish I could think what it was; I wish I could
+understand; then perhaps it might go.&quot;</p>
+
+<p class="normal">The overturned decanter which had been on the buhl table in the
+morning was still there. She picked it up, holding it up to the
+light. It was empty. She went to what seemed to be a buhl
+liqueur case which stood on the floor in a corner. It was
+locked. She went to her bedroom to look for the key. It was not
+in its usual place.</p>
+
+<p class="normal">&quot;I can't think where I put it; those brutes can't have had it. I
+had it myself last night, I know. Where did I put it? I can't
+wait to think--I can't wait; besides it doesn't matter. Anything
+will do to open it.&quot;</p>
+
+<p class="normal">She took a polished brass poker. With it she made a hole in the
+lid of the case large enough to enable her to insert her
+fingers. Then, with her hands, she tore the lid away--a
+sufficiently easy task, since the wood proved to be less than an
+eighth of an inch in thickness. The case contained six bottles.
+She took out one; it was labelled &quot;Pure Ether--Poison&quot;.
+Withdrawing the stopper, paying no attention to the statement on
+the label, she poured out nearly a wineglassful, which she
+instantly swallowed, coupling with it, as it were, a somewhat
+gruesome sentiment. &quot;Here's to Isaac Luker! I wish he was in
+reach; I'd like to kill him.&quot;</p>
+
+<p class="normal">Scarcely were the words out of her lips than the door opened to
+admit her husband. He stared at her.</p>
+
+<p class="normal">&quot;Belle, there doesn't seem to be a servant in the place--not a
+creature. Where are they all off to? What's it mean?&quot;</p>
+
+<p class="normal">She replied to his question with another.</p>
+
+<p class="normal">&quot;Gregory, doesn't there seem to you to be something singular
+about this bedroom?&quot;</p>
+
+<p class="normal">&quot;Bedroom? It's not a bedroom; it's a boudoir. What do you mean?
+Belle, what's the matter with the house? What have you got in
+your hand? What are you drinking?&quot;</p>
+
+<p class="normal">Mrs. Lamb was looking round her in a fashion which induced her
+husband to draw back, as if in doubt.</p>
+
+<p class="normal">&quot;Have you ever seen it before--anywhere? Isn't there something
+strange about it?--especially the bed?&quot;</p>
+
+<p class="normal">Mr. Lamb seemed to be of opinion that his wife's manner was
+distinctly disagreeable; apparently he did not know what to make
+of it.</p>
+
+<p class="normal">&quot;Bed?--what bed? There's no bed here. You're--you're not well.
+Don't talk like that; you make me go all over creeps. I say,
+Belle, I do wish you'd give me some coin--if it's only a tenner.
+I'm broke to the wide.&quot;</p>
+
+<p class="normal">&quot;Gregory!&quot;</p>
+
+<p class="normal">&quot;Well?&quot;</p>
+
+<p class="normal">&quot;Come here; I want to speak to you.&quot;</p>
+
+<p class="normal">&quot;Thank you, I'm awfully sorry, but I've got an appointment with
+a man; I can't stop. About that money--Belle! now, what's up?&quot;</p>
+
+<p class="normal">With a swift, unexpected movement, interposing herself between
+him and the door, his wife had slipped her arm through his, and
+was looking at him with something in her big black eyes which
+made him more uncomfortable than he would have cared to admit.
+Considering the bold, ringing, almost blusterous tones in which
+she was wont to speak, there was something unpleasantly
+significant in the half-whisper in which she addressed him now.</p>
+
+<p class="normal">&quot;Gregory, you must stop--you mustn't go. There's something which
+I wish to say to you--a great deal which I wish to say to you,
+and I must say it to you now--here&quot;--her voice sank still
+lower--&quot;in Cuthbert Grahame's bedroom.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_28" href="#div1Ref_28">CHAPTER XXVIII</a></h2>
+
+<h3>MR. LAMB IN A COMMUNICATIVE MOOD</h3>
+<br>
+
+
+<p class="normal">In the evening of that day Margaret Wallace and Harry Talfourd
+dined with Dr. Twelves. The young lady, who throughout the day
+had remained in a curious mood, was indisposed to avail herself
+of the doctor's hospitality; but she was over-persuaded by the
+doctor, who was insistent, and by Mr. Talfourd, who was on his
+side. Throughout the day they had talked and talked and talked.
+Harry was of opinion that, on a certain theme, they had talked
+too much. There was something about Margaret which was new to
+him; which he did not understand. It troubled him. So when the
+doctor changed the subject by asking them to dine with him he
+accepted, for himself, at once; and when Margaret hummed and
+hawed, and began to make excuses, for her also. He told her that
+she would have to dine with the doctor--and she had to. The two
+men bore her off with them in triumph.</p>
+
+<p class="normal">The doctor entertained his guests at the Holborn Restaurant. In
+his youth he had known the place when it was a dancing-hall; had
+visited it while undergoing various transformations during his
+recurrent trips to town, and, whenever he came to London, made a
+point of patronising it still. The meal was hardly a jovial one.
+The host and Harry did all they could to keep the conversation
+on impersonal and frivolous lines, but Margaret would have none
+of it. She could scarcely be induced to open her lips to put
+food between them; talk she would not. The colloquial gifts for
+which she was famous seemed to have deserted her entirely; she
+was tongue-tied. When, in a dinner party of three, the lady, who
+is both young and charming, cannot be persuaded to speak, the
+meal is apt to prove but a qualified success. The doctor's
+little festive gathering turned out to be not quite so festive
+as it might have been.</p>
+
+<p class="normal">As chance, or fate, had it, the two men's well-meant efforts to
+keep the conversation in exhilarating channels were doomed to
+meet with complete fiasco. After the meal was finished, as they
+strolled along Holborn, enjoying the fine evening, considering
+whether to take a cab, and if so, where to tell the cabman to
+take them to--for the doctor was firm in his conviction that
+this was an occasion on which they were bound to make a night of
+it--the issue was taken out of their hands in a wholly
+unexpected fashion. A gentleman, who did not seem to be so
+capable of seeing where he was going as he ought to have been,
+all but cannoned against Mr. Talfourd, drawing back to apologise
+just in time.</p>
+
+<p class="normal">&quot;Beg pardon! Why, it's Talfourd! Hollo, Talfourd! who's the
+lady? and who's----&quot; The speaker was staring at the doctor.
+&quot;Hollo! I've seen you somewhere before!&quot;</p>
+
+<p class="normal">The doctor was returning him look for look.</p>
+
+<p class="normal">&quot;And I've seen you. You're Mr. Gregory Lamb, who lodged one
+time at David Blair's over the other side of Pitmuir, to
+whom I was foolish enough to loan a brace of sovereigns, for
+four-and-twenty hours, as I understood, but which you've never
+paid me back unto this day.&quot;</p>
+
+<p class="normal">Mr. Lamb was not at all abashed; he never was by reminders of
+that kind--they were legion.</p>
+
+<p class="normal">&quot;Why, of course, it's the doctor--the cranky old doctor. I
+remember you quite well. How are you, old chap? You haven't--you
+haven't a brace of sovereigns on you now?&quot;</p>
+
+<p class="normal">&quot;I have not a brace which you are likely to be able to bag, Mr.
+Lamb. I understand that you have married since I saw you last.&quot;</p>
+
+<p class="normal">&quot;Since you saw me! I was married then.&quot;</p>
+
+<p class="normal">&quot;Indeed? But I gathered that you had since married the widow of
+an old friend of mine--Mrs. Cuthbert Grahame.&quot;</p>
+
+<p class="normal">&quot;Widow? She wasn't his widow; she never was his wife.&quot;</p>
+
+<p class="normal">&quot;Pardon me, but she went through the Scotch form of marriage
+with him in my presence.&quot;</p>
+
+<p class="normal">&quot;That was all her dashed impudence. She was my wife long before
+that; before she ever knew that he was in the world. Doctor, my
+wife's a devil of a woman, and she's been treating me in a devil
+of a way. If I were to tell you all that she's been doing, so
+far as I can understand, mind you--it's quite between
+ourselves--you'd go straight to a police station, and you'd
+ask for a warrant; but I'm her husband, so I can't. Listen to
+me--this is between ourselves--if you'll come to a place I know,
+and where they know me--most respectable place--and do me the
+pleasure of having a drink with me--and Talfourd, and the
+lady--never leave out a lady when it's a question of a little
+refreshment--I'll tell you what she's just been telling me, not
+five minutes ago. It'll surprise you. Good as confessed to
+committing murder; half expected her to murder me--give you my
+word it's a fact. Come and have a little something and I'll tell
+you all about it--between ourselves, you know.&quot;</p>
+
+<p class="normal">The doctor exchanged glances with Mr. Talfourd and with
+Margaret.</p>
+
+<p class="normal">&quot;It seems to me, Mr. Lamb, that you've had more than a little
+something already.&quot;</p>
+
+<p class="normal">&quot;You're wrong, old chap--quite wrong; do assure you. It's
+ether--beastly ether.&quot;</p>
+
+<p class="normal">&quot;Ether?&quot;</p>
+
+<p class="normal">&quot;Ever heard of the stuff before? I never did. Seems she lives
+on it; takes it in quarts. She crammed some of it down my
+throat--fairly took me by the throat and crammed it down. I'm
+like a child in her hands--give you my word. She's a devil of a
+woman. Never tasted anything like it before; seems to have sent
+me stark staring mad. Don't know whether I'm standing on my head
+or heels. Let's go and have some Christian liquor, and I'll tell
+you all about it.&quot;</p>
+
+<p class="normal">Again the doctor exchanged glances with his companions.</p>
+
+<p class="normal">&quot;If you'll allow me to offer you a seat in my cab I'll take you
+to a friend who'll be able to give you some of the finest whisky
+in England, and there, at your leisure, you can tell us all
+about it.&quot;</p>
+
+<p class="normal">&quot;My dear old chap, when they called you cranky I always said
+that there was more in you than they might think, and I stand to
+it to the present moment. I say----&quot;</p>
+
+<p class="normal">The doctor did not wait to hear what he said; he bundled him
+into a four-wheeled cab after Margaret and Harry. When the cab
+had started Margaret asked--</p>
+
+<p class="normal">&quot;Where are you taking us?&quot;</p>
+
+<p class="normal">&quot;I am taking you to my friend, Andrew McTavish, who has a
+commodious residence in Mecklenburg Square--just handy. There,
+over a glass of whisky, Mr. Lamb will be able to tell us just
+what his wife told him. He'll find us interested listeners.&quot;</p>
+
+<p class="normal">There was a dryness in the doctor's tone which was lost upon the
+gentleman at his side, who occupied the short distance they had
+to traverse by protestations of the regard he had always felt
+for the old acquaintance whom fortune, or destiny, had again
+thrown across his path.</p>
+
+<p class="normal">That night Mr. Brown was his partner's guest at dinner. Both
+gentlemen were still smarting from the outrage to which Mrs.
+Gregory Lamb had subjected them that afternoon. Dinner was
+finished; they were in the library, planning schemes of
+vengeance, when the servant announced that Dr. Twelves was
+outside, and was desirous of seeing Mr. McTavish. Before the
+servant was able to explain that the visitor was not alone, the
+doctor himself marched in with his retinue. The partners rose
+from their chairs in surprise.</p>
+
+<p class="normal">&quot;McTavish--Brown--I have the honour to introduce you to Miss
+Margaret Wallace, a young lady of whom you have heard a good
+deal, and whom I am sure you'll be delighted to know. This is
+Mr. Harry Talfourd, of whom you may have also heard something.
+And this, gentlemen--this is Mr. Gregory Lamb, the husband of
+the lady of whom, I fancy, you have perhaps heard rather too
+much.&quot;</p>
+
+<p class="normal">If the look upon the partners' faces meant anything, there could
+be no doubt upon the latter point. Both Mr. McTavish and Mr.
+Brown stared at Mr. Lamb as if he were not only the strangest,
+but also the most unwelcome, object they had ever beheld. Then
+Mr. McTavish turned to the doctor, with a gasp.</p>
+
+<p class="normal">&quot;I'd have you to know, Dr. Twelves, that you're taking a great
+liberty. You're presuming on our friendship in venturing to
+bring this individual to my house, and at this time of night.
+Brown, I'll trouble you to ring the bell. Mr. Lamb shall be
+shown to the door, before we have him behaving as his wife did
+this afternoon.&quot;</p>
+
+<p class="normal">Mr. McTavish had become rubicund with agitation; the doctor
+remained placid.</p>
+
+<p class="normal">&quot;In less than five minutes, Andrew, you'll be acknowledging that
+I've done you a very considerable service in bringing Mr. Lamb
+to this house, and you'll be begging my pardon for the remarks
+which you have just made.&quot;</p>
+
+<p class="normal">Mr. Brown, obedient to his partner's request, had rung the bell.
+A servant appeared. Him Dr. Twelves addressed before Mr.
+McTavish had a chance of speaking.</p>
+
+<p class="normal">&quot;You'll have the goodness to bring a decanter of whisky, and the
+other necessaries, at once.&quot;</p>
+
+<p class="normal">When the man looked at his master for an endorsement of this
+order the doctor explained.</p>
+
+<p class="normal">&quot;Andrew, Mr. Lamb has a communication to make which I think you
+will find of interest; he proposes to make it while enjoying a
+glass of prime whisky.&quot;</p>
+
+<p class="normal">&quot;I cannot imagine what Mr. Lamb has to say which can be of
+interest to me, but, since you wish it--John, bring the whisky.&quot;</p>
+
+<p class="normal">A decanter being placed upon a table, the doctor prepared a
+potent mixture which he handed to Mr. Lamb.</p>
+
+<p class="normal">&quot;I think, Mr. Lamb, I understood you to say that Mrs. Lamb was
+married to you before she met Cuthbert Grahame?&quot;</p>
+
+<p class="normal">&quot;Of course she was--ever so long. She was never his wife; that
+was only her bluff. This is something like whisky. Gentlemen,
+your very good health, and the lady's--never overlook a lady.&quot;</p>
+
+<p class="normal">&quot;You perceive, Andrew, that Mrs. Lamb was already Mrs. Lamb when
+she encountered your late client, Mr. Cuthbert Grahame, and,
+therefore, any document in which she is described as his wife
+is, I believe, on the face of it, null and void.&quot;</p>
+
+<p class="normal">Mr. McTavish made as if about to speak, but a movement of the
+doctor's left eyelid seemed to act as a check. The doctor turned
+to Mr. Lamb, grimly affable.</p>
+
+<p class="normal">&quot;You like this whisky, Mr. Lamb?&quot; Judging from the fact that
+that gentleman had already emptied his tumbler it seemed as if
+he did. &quot;Allow me to fill your glass.&quot; The speaker suited the
+action to the word; he did very nearly fill the glass with neat
+spirit. &quot;From what you said I should imagine that you have
+recently had rather a singular scene with your wife, Mr. Lamb.
+You were about to tell us what occurred. Was it anything very
+remarkable?&quot;</p>
+
+<p class="normal">&quot;I should think it was remarkable. Your very good health,
+gentlemen. After the stuff she forced down my throat this is
+something like whisky; ether she forced down my throat--rank
+poison. Why, do you know she sees things--actually sees
+things--give you my word--makes your blood cold to hear her
+talking. She made out we were in a bedroom--Cuthbert Grahame's
+bedroom she called it; it was only the boudoir. She talked
+about the things which were in it just as if they were in it,
+when of course they were nothing of the kind--just the ordinary
+furniture! 'You see that bed?' she said. Of course I didn't;
+there wasn't a bed to see; not even the ghost of a bed. 'That's
+Cuthbert Grahame lying in it. You see how he's propped up by
+pillows?' The idea of such a thing in a boudoir! 'Now I'm going
+to pull away those pillows from under his head.' She actually
+pretended to be pulling at pillows, or something--positive fact!
+'Now,' she said, 'you see how his head's fallen? You hear what a
+noise he makes in trying to breathe? He's choking. I've only got
+to leave him like that for a time and he'll be dead. He almost
+choked to death when a pillow slipped the other day, so I know.'
+Quite serious she was all the time--frightfully serious; made me
+all over creeps to hear her--give you my word.&quot;</p>
+
+<p class="normal">&quot;Do we understand you to tell us that she said, 'Now I'm going
+to pull away those pillows from under his head,' and that then,
+in pantomime, she went through the action of pulling them?&quot;</p>
+
+<p class="normal">&quot;Certainly; that's just what she did do--just exactly. Then she
+pretended to drop them on to the floor, and talked about the
+noise he made in trying to breathe. Awful!--really awful!&quot;</p>
+
+<p class="normal">&quot;Was that all she said? or did?&quot;</p>
+
+<p class="normal">&quot;I should think not; there were all sorts of things; she kept on
+for a devil of a time. But I can't remember just what they were
+just now--strange how you do forget things. Oh yes! there was
+one thing--I remember one thing!--most extraordinary thing. She
+said, 'You see that fireplace'. Of course there wasn't a
+fireplace; she was standing right back in front of a window.
+Absurd! But she saw it--stake my life she saw it--you could
+tell. 'There's something about that fireplace which I ought to
+see, but I can't think what it is; something which I ought to
+understand, but I can't. If I only could!' You never heard
+anything like the way she said it; you never heard anything more
+impressive on the stage--positive fact! 'You see those two
+wooden posts,' she went on. Of course I saw nothing of the kind,
+because, as I've told you, there was nothing to see--I don't see
+things. 'Those two pillar things, I mean, which have been carved
+out of the woodwork of the mantelpiece, one on either side, just
+near the bottom. Do you know, Gregory, I believe that there's
+something about those two posts which I ought to see, which I
+ought to understand! But I can't! I can't!' Give you my word
+that she began to cry; twisted her hands together and went on
+like anything--actually. Seemed so silly! 'I believe,' she
+cried,' that if I could only see, if I could only understand, I
+should know where Cuthbert Grahame's money is, that I should
+find the quarter of a million which is lost.'&quot;</p>
+
+<p class="normal">As Mr. Lamb gave a dramatic imitation of his wife's manner,
+which, considering all the circumstances, was not so bad,
+Margaret, who hitherto had remained in the background, came to
+the front with a question.</p>
+
+<p class="normal">&quot;Are you sure she said that there was something about those two
+posts which--if she saw, if she understood it--would make known
+to her where Cuthbert Grahame's money was?&quot;</p>
+
+<p class="normal">Mr. Lamb had something of an aggrieved air as he replied.</p>
+
+<p class="normal">&quot;Am I sure? Of course I'm sure; I shouldn't say she said it if I
+wasn't sure. My statements are absolutely to be relied upon,
+Miss Whoever-you-are.&quot;</p>
+
+<p class="normal">The doctor glanced from Mr. Lamb to Margaret.</p>
+
+<p class="normal">&quot;What's he mean, or what's she mean about two wooden posts? It's
+all double Dutch to me; I don't understand in the least. Is it
+any plainer to you?&quot;</p>
+
+<p class="normal">&quot;I think that it is all quite plain to me; that I can understand
+what she doesn't; that I can see what she can't.&quot; Her voice
+sank. Although she spoke gently her tones, to adopt Mr. Lamb's
+word, were most &quot;impressive&quot;. &quot;I believe that, unwittingly, she
+has delivered herself into my hands; that the duel which she and
+I are fighting has advanced another stage; that soon we shall be
+exchanging shots; and that then there will be but one of us two
+left to tell how it all fell out.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_29" href="#div1Ref_29">CHAPTER XXIX</a></h2>
+
+<h3>MARGARET PAYS A CALL</h3>
+<br>
+
+
+<p class="normal">The next morning, between eleven o'clock and noon, Margaret went
+out visiting. She had paid much attention to her costume, more
+than she was wont to do. Her mind travelled back to the day on
+which she had been repulsed from Cuthbert Grahame's door; she
+endeavoured to recall what on that occasion she had worn. Women
+have a mnemonic system of their own; with them clothes and
+events are inseparably associated. They recall one by a
+reference to the other. Miss Wallace had no difficulty in
+recollecting precisely what garments she had worn; she had even
+a fair perception of how she had looked in them. She made it her
+immediate purpose to look again as much as possible as she had
+looked then. Almost providentially, as it seemed, the dress
+itself was still in existence, hidden away at the bottom of a
+box. She had never worn it since. First, because, although cheap
+enough, it was fashioned of very delicate material, and the hot
+water which had been poured upon her had blotched it here and
+there with stains which she had found it impossible to attempt
+to conceal. Then it was connected with an episode which,
+whenever she saw it, would instantly recur. The recurrence
+afforded her no pleasure. As, after excavating it, she surveyed
+its many creases, she meditated.</p>
+
+<p class="normal">&quot;It almost looks as if, from the first, I had preserved it with
+a particular end in view, with the intention of producing it,
+when the mathematical moment arrived, as what the French call a
+<i>pičce de conviction</i>. It's ages behind the fashion, but that
+will only serve to impress its significance more forcibly on
+her.&quot;</p>
+
+<p class="normal">She contrived something in the way of head-gear which was
+reminiscent of the hat she had worn that day. Her nimble fingers
+reproduced the various trifles which in a woman's attire are of
+such capital importance; she even dressed her hair in a fashion
+which was obsolete. When, fully costumed, she surveyed herself
+in a looking-glass, it seemed to her that the results were most
+surprising.</p>
+
+<p class="normal">&quot;Wonderful how the modes do change! It is not so many years ago,
+and I am sure that then I was up-to-date; but now I look as if I
+had come out of the ark; I might be in fancy-dress. I shall have
+to take a cab; I should never dare to walk through the streets
+like this; they'd take me for a guy. When Mrs. Gregory Lamb sees
+me, if she's still in anything like the state of mind which that
+charming husband of hers described last night, it won't be
+wonderful if she takes me for a ghost.&quot;</p>
+
+<p class="normal">She put in a portfolio certain drawings which she had risen at a
+very matutinal hour to make; the portfolio she placed beneath
+her arm, and, thus equipped, she sallied forth upon her errand.
+The street in which she had her lodging being of modest
+pretensions, was but little frequented by cabs. She had a five
+minutes' walk before she found one. And during that short
+promenade she was the object of so much attention, especially
+from the females as she passed, that she was glad when, seated
+in a hansom, she was at least partially concealed by the
+friendly apron.</p>
+
+<p class="normal">She found the door of Mrs. Lamb's residence in Connaught Square
+wide open. On the steps stood a shabbily dressed man, with his
+hands in his trouser pockets, an ancient bowler pressed tightly
+down upon his head, and a clay pipe between his lips. When
+Margaret addressed him he moved neither his hat, nor himself,
+nor his pipe.</p>
+
+<p class="normal">&quot;Is Mrs. Lamb in?&quot;</p>
+
+<p class="normal">&quot;From what the governor told me I shouldn't be surprised but
+what she's gone back to bed.&quot;</p>
+
+<p class="normal">Margaret considered the man's words. His manner was not exactly
+rude, it was peculiar.</p>
+
+<p class="normal">&quot;Which is her bedroom?&quot;</p>
+
+<p class="normal">&quot;That's more than I can tell you. I ain't been upstairs myself.
+I've got a bad leg, and ain't too fond of going up and down
+stairs, especially when there ain't no need of it. But you'll
+find it somewhere that way, I expect.&quot;</p>
+
+<p class="normal">&quot;May I ask who you are?&quot;</p>
+
+<p class="normal">&quot;Me?&quot; Taking his pipe out, the man drew the back of his hand
+across his lips. &quot;I'm representing the landlord; that's what I
+am.&quot;</p>
+
+<p class="normal">&quot;Representing the landlord? Do you mean that you're a bailiff?&quot;</p>
+
+<p class="normal">&quot;A bailiff--that's it! I'm in possession; three quarters'
+rent--nearly four. My governor was only just in time. Seems
+there's a bill of sale on the furniture. They came up with their
+vans as my governor was going over the place; wanted to clear
+everything out, they did. Of course my governor soon put a
+stopper on that. There was a bit of a talk. I shouldn't be
+surprised if they was to pay my governor out. It's a queer
+business from what I hear.&quot;</p>
+
+<p class="normal">&quot;Please let me pass, I want to see Mrs. Lamb.&quot;</p>
+
+<p class="normal">The man drew well back into the house.</p>
+
+<p class="normal">&quot;Certainly; any lady can see Mrs. Lamb for what I care. I expect
+you'll find her somewhere about upstairs.&quot;</p>
+
+<p class="normal">As she ascended the staircase Miss Wallace indulged in inward
+comments.</p>
+
+<p class="normal">&quot;The house looked very different the night before last; nobody
+would have guessed then that the shadow of ruin was already
+hovering over it. She must be a curious person to give a party
+to all that crowd of people when she knew that at any hour the
+brokers might be in for rent. And to talk of financing Harry's
+play! and paying him three hundred a year for doing nothing! But
+then she is a curious person. The house looks as if nothing had
+been touched in it since Mrs. Lamb's reception came to a
+premature conclusion--it smells like it too. What have we here?
+What a state of things!&quot;</p>
+
+<p class="normal">She glanced into the drawing-rooms, which remained in a state of
+amazing confusion. Mounting to the floor above she found herself
+confronted by two closed doors.</p>
+
+<p class="normal">&quot;I wonder if one of these is her bedroom. I'll try this.&quot;</p>
+
+<p class="normal">She turned the handle of the door which was directly in front of
+her, softly, and walked right in. It was the lady's bedroom, and
+the lady was in bed. Margaret had entered so quietly that
+apparently not the slightest sound had informed the mistress of
+the house that any one was there. The girl stood still.</p>
+
+<p class="normal">&quot;Pah! what an atmosphere! I'd sooner have every pane of glass
+broken than breathe air like this. I shouldn't think the windows
+have been open for days.&quot; She glanced at the bed. &quot;Is she
+asleep?--at this hour?--with the broker's man downstairs?&quot;</p>
+
+<p class="normal">Laying her portfolio on a small table, she moved closer to the
+bed. Its occupant continued motionless. The girl, leaning
+forward, touched her, lightly, on the shoulder. Still no sign of
+life. The girl exchanged the light touch for a sudden, vigorous
+grip, giving the shoulder a wrench which must have roused the
+soundest sleeper. The woman started up in bed.</p>
+
+<p class="normal">&quot;Luker! is that you?&quot; she cried.</p>
+
+<p class="normal">When freshly roused from slumber, she saw who it was; her first
+impression seemed to be that she was still the victim of some
+haunting dream. Speechless, she stared at the girl, drawing
+farther and farther back the longer she stared. Her whole
+frame--her pose, her limbs, the muscles of her face--seemed to
+become rigid, set, as if she were afflicted by some new and
+awful form of tetanus. She appeared to be incapable of twitching
+a lip or of moving an eyelid. Even when Margaret spoke she
+persisted in her fixed and dreadful glare, as if she were some
+unpleasant statue.</p>
+
+<p class="normal">&quot;I am Margaret Wallace--as you are aware. I am she whom you
+drove from Cuthbert Grahame's door, pretending you were Nannie
+Foreshaw. These are the clothes I was wearing when you drove me
+away with lies and with hot water. See--here are the stains of
+that hot water still. Your sin has found you out; judgment is
+pronounced; your punishment has already begun. Between you and
+me it is a duel to the death. It is your choice, not mine, but
+since you have forced it on me, I will fight you to the end, and
+I shall win. I know all about you--who you are, what you've
+done. I know that you were already a wife when you pretended to
+marry Cuthbert Grahame; that you committed bigamy. I know that
+you got that will from him by means of a trick. I know that so
+soon as you had got it you murdered him. You snatched the
+pillows from under his head--see! like that!&quot; She caught up the
+two pillows which lay upon the bolster and dropped them on the
+floor. &quot;Can't you hear the noise he makes in trying to breathe?
+He's choking. You've only to leave him like that for a little
+while, and he'll be dead. And you left him! I know--I know.&quot;</p>
+
+<p class="normal">The woman listened to the hot, eager words which streamed from
+the girl's lips as if the speaker were some supernatural
+visitor, and the accusations were being hurled at her from on
+high; and still she never moved a muscle, she even seemed to
+cease to breathe.</p>
+
+<p class="normal">&quot;You see!--we are in Cuthbert Grahame's bedroom, you and I. I
+know it as well as you do--better--and you know it very well.
+You'll never forget it--never!--to the last moment of your life.
+There is the mantelpiece; it is made of wood--carved wood. It is
+old; old as the house itself; beautifully carved. You see there
+are two wooden pillars, one on either side, carved so that they
+stand out. You are quite right in supposing that there is
+something about them which you ought to see, to understand. I
+have come to tell you--to show you--what it is.&quot;</p>
+
+<p class="normal">Taking from her portfolio two drawings she held first one and
+then the other in front of the motionless woman.</p>
+
+<p class="normal">&quot;I have made a drawing of the mantelpiece, just as you see it,
+and as I see it, and as it is. Is it not like it? Here are the
+two side-posts; but here&quot;--exchanging one drawing for the
+other--&quot;is only one of them. That is a picture of the pillar
+which is on the left-hand side of the mantelpiece as you stand
+in front of it--you will remember, on the left-hand side. I have
+written down an exact description of it in case you should
+forget, because there is only one thing which you will never
+forget, and that is on the bed. Look closely at the drawing; it
+represents the pillar exactly. This long, slender part, which
+runs from here to here, is called the shaft. You hold it with
+both hands, or, as you are very strong, you will perhaps be
+able to manage with one, and you turn it right round in its
+socket--completely round. It will probably be a little stiff, as
+it has not been touched for so long; but you'll find that you'll
+be able to make it move. This narrow piece at the top is called
+the neck. After you have turned the column you pull it to the
+left. It slides in two grooves. It may be a little stiff, like
+the column, but if you push, or pull, hard enough, and long
+enough, it will yield. This still narrower piece near the foot
+of the column, just above the plinth--the plinth in the bottom
+of a column is called the <i>torus</i>, or the <i>tore</i> (<i>torus</i>
+is a Latin word which architects use, and it just means
+swelling)--when you have turned the pillar, and slipped the
+neck, you get as firm a grip on the top of the torus as you can,
+give a smart jerk, and it will fall over on a hinge. Have you
+ever read <i>The Arabian Nights?</i> You don't look as if you had
+read anything. If you haven't, you never will; you'll never have
+a chance. But I suppose you've heard of Ali Baba and the Forty
+Thieves; the cave in which they kept their treasure; the
+password, 'Open Sesame,' which caused the cave to open. All
+these man&#339;uvres of which I have been telling you--turning the
+shaft, sliding the neck, pulling forward the torus--are the
+'Open Sesame' which will lead you to the place where the
+treasure is--greater treasure than was in the cave of the forty
+thieves. These performances which you will have gone through
+will have unlocked, unbolted and unbarred. All that remains is
+that you slide that whole side of the mantelpiece to the left.
+You'll have no difficulty. Behind you'll discover a cupboard,
+deep though narrow, going far back into the wall, with shelves
+laden with treasures. On those shelves is the quarter of a
+million of money--I daresay more--which once was Cuthbert
+Grahame's, waiting for some one to carry it away! Here are the
+two drawings which are the key to the riddle. I present them to
+you freely. They were made specially for you. Although the
+broker's man is in for rent, and the bill of sale men clamour at
+the door, and you are penniless, and ruin stares you in the
+face--ruin utter and complete--though your need of it's so
+great, you'll not get that money which is hidden in the
+mantelpiece--you'll not dare! you'll not dare! Because the bed
+still stands in the room--you can see it now!--the bed on which
+you murdered Cuthbert Grahame; and Cuthbert Grahame still lies
+on it--you can see him too!--waiting and watching for you to
+return to where you threw the pillows on the floor--waiting and
+watching for you. You'll not dare go back into that room again,
+because in it the dead hand is waiting to grip you by the
+throat. And after to-morrow it will be too late--Cuthbert
+Grahame's money will be there no longer. Here are the drawings.
+I will leave them with you, as I said. You will be able to study
+them at your leisure, conscious of who is looking over your
+shoulder.&quot;</p>
+
+<p class="normal">Margaret laid the drawings on the coverlet. With her portfolio
+again beneath her arm she quitted the room, as noiselessly as
+she had entered. All the time Mrs. Gregory Lamb had not moved or
+spoken a word.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_30" href="#div1Ref_30">CHAPTER XXX</a></h2>
+
+<h3>MRS. LAMB IN SEARCH OF ADVICE</h3>
+<br>
+
+
+<p class="normal">On the evening of that same day, at the door of Mr. Isaac
+Luker's little house in that <i>cul-de-sac</i> near Stamford Street,
+some one knocked, in a rather unusual manner, as if after a
+prescribed fashion, then whistled half-a-dozen sharp, shrill
+notes up the scale. This performance was repeated thrice before
+anything happened to show that it had attracted attention
+within. Then a window was opened above; the solicitor's head
+came out.</p>
+
+<p class="normal">&quot;Who's there?&quot;</p>
+
+<p class="normal">A feminine voice replied--</p>
+
+<p class="normal">&quot;It's me--Isabel. I want to speak to you. Don't keep me waiting
+out here. Come down! let me in at once.&quot;</p>
+
+<p class="normal">There was a brief pause before the answer came, as if the man of
+law was endeavouring to see as much of his visitor as he could.</p>
+
+<p class="normal">&quot;Not much--I won't have you in this house; don't you think it;
+I'm not a fool. If you won't go without a fuss I'll soon get
+those who'll shift you.&quot;</p>
+
+<p class="normal">&quot;You are a fool. I don't want money from you, or anything of
+that kind. I want to tell you something--that's all.&quot;</p>
+
+<p class="normal">&quot;Then tell it me from where you are; I'm listening.&quot;</p>
+
+<p class="normal">Mrs. Lamb's voice dropped, so that her words were only just
+audible to the man above.</p>
+
+<p class="normal">&quot;Cuthbert Grahame's money's found.&quot;</p>
+
+<p class="normal">Another pause, possibly of doubt.</p>
+
+<p class="normal">&quot;Is that a lie?&quot;</p>
+
+<p class="normal">&quot;I'll swear it isn't; it's as true as I stand here.&quot;</p>
+
+<p class="normal">&quot;Where is it?&quot;</p>
+
+<p class="normal">&quot;It's in his house&quot;</p>
+
+<p class="normal">&quot;His house? What house? I didn't know he'd got a house.&quot;</p>
+
+<p class="normal">&quot;His house at Pitmuir--where I met him--where he died.&quot;</p>
+
+<p class="normal">&quot;How do you know it's there?&quot;</p>
+
+<p class="normal">&quot;I'll tell you all about it if you'll let me in.&quot;</p>
+
+<p class="normal">&quot;You'll tell me before I let you in.&quot;</p>
+
+<p class="normal">&quot;Margaret Wallace--that girl--you know--she came this morning
+and told me it was there.&quot;</p>
+
+<p class="normal">&quot;I don't believe it. Why should she, of all people, come and
+tell you a thing like that? Tell that for a tale.&quot;</p>
+
+<p class="normal">&quot;She did; I swear she did. The money's there--I know just
+where--a quarter of a million at least.&quot;</p>
+
+<p class="normal">&quot;A quarter of a million?&quot;</p>
+
+<p class="normal">&quot;At least! If I was there I'd have it in my hands inside two
+minutes. I'm as sure of it as I am that I'm alive. Don't be
+silly; let me in, and let's talk where we can be alone. I'm on
+the square--I swear it. I don't want anything from you; I just
+want your advice--that's all.&quot;</p>
+
+<p class="normal">There was another pause.</p>
+
+<p class="normal">&quot;Mrs. Lamb, I've got a telephone installed in these premises.
+I'm going to telephone to a friend that you're here; I'm going
+to ask him to step round in a few minutes. If, when he comes,
+you've been making trouble, there'll be trouble for you--you'll
+be the sorriest woman that ever lived. I give you my word; when
+I give you my word on a point like that you know it goes. You
+wait there until I'm ready.&quot;</p>
+
+<p class="normal">The head was withdrawn; the window closed; the lady waited,
+impatiently enough. Her patience was sufficiently tried. It
+seemed to her that she waited an hour; she certainly did wait
+twenty minutes. More than once she was on the point of sounding
+a loud rat-a-tat on the knocker by way of a little reminder. It
+was only with an effort she restrained herself, being conscious
+that possibly Mr. Luker's decision still hung in the balance,
+and that it needed but little to turn the balance against her.
+She had just arrived at a final conclusion that he had played
+her false, or, at any rate, intended to ignore her existence,
+when the door was opened, on the chain.</p>
+
+<p class="normal">&quot;I've telephoned to my friend; he's coming; so, if you're in an
+argumentative frame of mind, you'd better take my strong advice
+and stay outside. No argument will be allowed in here.&quot;</p>
+
+<p class="normal">It seemed to Mrs. Lamb that the wary Mr. Luker was carrying his
+wariness almost a trifle too far. She was unable to altogether
+conceal that this was her feeling.</p>
+
+<p class="normal">&quot;Bless the man! I don't want to argue! I just want to explain
+exactly how the matter stands. When you've opened that door
+you'll find that I mean just what I say, neither more nor less.&quot;</p>
+
+<p class="normal">&quot;My friend, when he arrives, will see that you don't mean more;
+you can take my word for that. Come inside!&quot;</p>
+
+<p class="normal">Mr. Luker removed the chain; the lady entered; he led the way to
+a room on the ground floor at the back. It was much better
+furnished than the exterior of the house, and its occupant's
+appearance, might have led one to expect. A telephone, on its
+bracket against the wall, was one of the most prominent objects
+the room contained. Mr. Luker called her attention to its
+presence.</p>
+
+<p class="normal">&quot;You see? I'm not so much alone here as you might think; I'm in
+constant communication with my friend; and as he'll be here very
+shortly, perhaps you'll say what you have to say as quickly as
+you can.&quot;</p>
+
+<p class="normal">&quot;It'd have been said already, if you hadn't kept me cooling my
+heels outside while you were playing the fool in here with your
+telephone.&quot;</p>
+
+<p class="normal">As clearly and succinctly as possible--she could keep to the
+point when she liked--Mrs. Lamb told her tale, exhibiting
+Margaret's drawings, partly by way of corroboration and partly
+to elucidate certain points which needed explanation.</p>
+
+<p class="normal">&quot;And you believe it?&quot;</p>
+
+<p class="normal">&quot;Believe that the money's inside that mantelpiece? I'm as
+certain of it as I am that I see you.&quot;</p>
+
+<p class="normal">&quot;What makes you so sure?&quot;</p>
+
+<p class="normal">&quot;His will was hidden in one corner of the room. All along I've
+felt sure that there were more hiding-places in it than one. I
+shouldn't be surprised if there were half a dozen. It's just the
+kind of room, and he's just the kind of man. As for the
+mantelpiece, I've been bothered all along by a feeling that
+there was something about it which I ought to understand, and
+didn't. Now I know what it is. Cuthbert Grahame's money's there
+as certainly as you are here. I tell you he was just the sort of
+curiosity--he wasn't a man when I knew him!--who might be
+expected to play a trick like that.&quot;</p>
+
+<p class="normal">&quot;But why should the girl come and tell you the tale when it was
+to her advantage to keep it dark--especially from you?&quot;</p>
+
+<p class="normal">&quot;That's more than I can say. I know she's a white-faced little
+devil, and that I hate her. I lay she didn't do it out of any
+love for me.&quot;</p>
+
+<p class="normal">&quot;That, I think, we may take for granted--which makes the puzzle
+more. It looks to me as if she expects you to walk headlong into
+a trap which she has carefully baited.&quot;</p>
+
+<p class="normal">&quot;Curse her traps! What do I care for her traps? She can't set
+one which will catch me. The money's there, and the money's
+mine--and I'll get it.&quot;</p>
+
+<p class="normal">&quot;Then get it. It will be useful to you just now, even if there's
+less than a quarter of a million.&quot;</p>
+
+<p class="normal">&quot;Useful!--my God!--useful!&quot; Stretching out her arms on
+either side, she drew a long breath. &quot;But, Luker--that's the
+mischief!--it's in his room; the one in which he died.&quot;</p>
+
+<p class="normal">&quot;Well; you've told me that already--what of it?&quot;</p>
+
+<p class="normal">&quot;What of it? Why!&quot;--she laughed; there was something in the
+sound of her laughter which caused him to bunch himself
+together, as if touched by a sudden chill--&quot;I daren't go in it.&quot;</p>
+
+<p class="normal">&quot;You daren't go in it? What do you mean? The house is your own,
+isn't it? What's there to be afraid of? Who's to keep you out?&quot;</p>
+
+<p class="normal">&quot;That's it!--I don't know! I don't know! Luker, there's
+something come over me lately; I didn't used to be troubled with
+nerves.&quot;</p>
+
+<p class="normal">&quot;You didn't.&quot;</p>
+
+<p class="normal">&quot;I never was afraid of anything--or any one.&quot;</p>
+
+<p class="normal">&quot;You weren't; you've always had the devil's own courage since
+you were a girl.&quot;</p>
+
+<p class="normal">&quot;There's been nothing I daren't do.&quot;</p>
+
+<p class="normal">&quot;It would have been better for you, perhaps, if there had been
+something; there's such a thing as daring to do too much.&quot;</p>
+
+<p class="normal">&quot;You think so? Perhaps that's it; perhaps I have dared to do too
+much.&quot;</p>
+
+<p class="normal">&quot;As to that you know better than I do; I'm not your father
+confessor, nor wish to be. The Lord forbid!&quot;</p>
+
+<p class="normal">&quot;I don't know how it is, but, lately, I've gone all to pieces.
+I'm afraid of all sorts of things. When that girl came this
+morning I was afraid of her; she frightened me out of my senses.
+I thought she was a ghost; I couldn't have moved or spoken to
+save my life; I listened to her like a stuck pig. Luker, things
+have upset me more than I thought anything could have done.
+I'm--I'm all a bundle of nerves.&quot;</p>
+
+<p class="normal">&quot;It's that stuff you've been drinking.&quot;</p>
+
+<p class="normal">&quot;Stuff? What stuff?&quot;</p>
+
+<p class="normal">&quot;When I was at your place yesterday I saw a decanter lying on
+the table; some of the contents had been spilled. I dipped my
+finger into the stuff and tasted it. It was ether. When women of
+your temperament take to drinking ether, that's an end of them.&quot;</p>
+
+<p class="normal">&quot;But I've got to drink it!--I've got to! I never touch it unless
+I'm forced! Luker, if I didn't, sometimes, I should go stark,
+staring mad.&quot;</p>
+
+<p class="normal">&quot;Then you'll go stark, staring mad. Ether's a royal road to
+madness for such as you. Better stick to gin.&quot;</p>
+
+<p class="normal">&quot;Gin!--gin's no good; a barrelful would be no good when I'm like
+that.&quot;</p>
+
+<p class="normal">&quot;I see--that's the point you've got to.&quot; He was eyeing her
+intently. &quot;Is there any particular reason why you should be
+afraid of going into the room where that man died?&quot;</p>
+
+<p class="normal">She became instantly conscious of the keenness of his scrutiny,
+perceiving that in it there was a new quality. Her manner
+changed.</p>
+
+<p class="normal">&quot;Any particular reason? No; there's only the general reason that
+I'm all mops and brooms; that I start at shadows. Besides, I'm
+going into it, and you're going with me.&quot;</p>
+
+<p class="normal">&quot;Am I? That's news.&quot;</p>
+
+<p class="normal">&quot;Luker, if you'll come with me to Pitmuir, and stick to me while
+I find Cuthbert Grahame's money, I'll give you five hundred
+pounds.&quot;</p>
+
+<p class="normal">&quot;Hard cash?--before we start?&quot;</p>
+
+<p class="normal">&quot;I can't do that; you know I can't do that. But, Luker, I'll
+give you a thousand when I've found the money. I'll set down my
+promise in writing; give you any sort of undertaking you like.&quot;</p>
+
+<p class="normal">&quot;Yes; but suppose you don't find the money; suppose what that
+girl told you is nothing but a cock-and-bull story? I tell you
+plainly that I can't make head or tail of the whole business.
+I've no faith in the girl, or her story, or her motives. And I'm
+pretty sure that she has no intention, under any circumstances
+or on any conditions, of presenting you with Cuthbert Grahame's
+fortune, or of putting you in the way of getting it for yourself
+either.&quot;</p>
+
+<p class="normal">&quot;But I know it's there. I can't explain to you how I know it--I
+don't understand myself--but I do. And though it seems queer, at
+the back of my head I've known it all the time. Luker, as sure
+as you are living, that money's there.&quot;</p>
+
+<p class="normal">&quot;Then, in that case, instead of going yourself, why not instruct
+some one on the spot to examine the premises on your behalf; to
+pull down this famous mantelpiece, or the whole house if
+necessary, and report the results to you?&quot;</p>
+
+<p class="normal">&quot;Who shall I instruct? Before they move they'll perhaps want
+money--I expect my position is pretty generally known--and where
+am I to find it? In any case, they'll take their own time, and
+time is precious. Besides, there are enough fingers meddling in
+my affairs already. And who am I to trust? I don't want any one
+except myself to know how much I find. To speak of nothing else,
+shouldn't I have to pay succession duty if it were known?&quot;</p>
+
+<p class="normal">&quot;I suppose you would. Isabel, you're a curious person; a little
+too fond, perhaps, of doing things for yourself; yet, in
+delicate matters--in very delicate matters--it's a fault on the
+right side. How do you know you can trust me?&quot;</p>
+
+<p class="normal">&quot;You and I have seen too much of each other for me not to know
+when, and where, and how far I can trust you. I'm not afraid.&quot;</p>
+
+<p class="normal">&quot;You're right; you needn't be. I don't think I am likely to
+round on you. But, on the other hand, frankly, I'm afraid of
+you.&quot;</p>
+
+<p class="normal">&quot;Nor need you be afraid of me. It's only when I'm upset
+that--that I'm trying--that's all.&quot;</p>
+
+<p class="normal">&quot;Even if it is all, it's a pretty big all.&quot;</p>
+
+<p class="normal">&quot;About the thousand pounds. As I said, I'll give you any sort of
+bond you like, undertaking, if you stick to me, to pay you the
+moment I get the money in my hands. Anyhow you know that you'll
+be safe. It's not bad pay for what I'm asking you to do.&quot;</p>
+
+<p class="normal">&quot;I don't say it is. When do you propose to start?&quot;</p>
+
+<p class="normal">&quot;To-morrow morning, by the ten o'clock train from King's Cross.
+I planned it all out before I came.&quot;</p>
+
+<p class="normal">&quot;That's quick work.&quot;</p>
+
+<p class="normal">&quot;It'll have to be quick work. If I don't have money, and plenty
+of it, within forty-eight hours, I'm undone.&quot;</p>
+
+<p class="normal">&quot;I understand. By the way, I presume that you're prepared to pay
+all out-of-pocket expenses, for both parties, as we go on. For
+instance, I shall require you to hand me a return ticket to
+wherever we are going before I set foot inside the train. I'm a
+poor man, although you sometimes amuse yourself by pretending to
+think otherwise, and I, at any rate, can afford to take no
+risks.&quot;</p>
+
+<p class="normal">&quot;You shall have your ticket, and I'll pay everything. I've the
+money to do it--but it's about as much as I have got.&quot;</p>
+
+<p class="normal">&quot;Ah, but by to-morrow, about this time, you'll be more than a
+millionaire. I've always understood that that wonderful quarter
+of a million of Mr. Grahame's produced, on an average, more than
+twenty per cent.; so that if you had a million, averaging a
+modest three per cent.--and some millionaires would be glad to
+get as much--your income would be less. Then there are the
+arrears, which have been accruing! Think of the arrears, Mrs.
+Lamb--on a quarter of a million, at twenty per cent.! Now if you
+will sit down here, and will give me, on this sheet of paper,
+that little undertaking you mentioned, I think that, on my part,
+I can undertake to accompany you on your little trip to the
+north.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_31" href="#div1Ref_31">CHAPTER XXXI</a></h2>
+
+<h3>MRS. LAMB RETURNS TO PITMUIR</h3>
+<br>
+
+
+<p class="normal">When Mr. Isaac Luker and his client, Mrs. Gregory Lamb, arrived
+at the small roadside station, in the county of Forfar, towards
+which they had been journeying throughout the day, they were
+neither of them in the best of tempers. It had been a long day's
+journey. There had been some misunderstanding about the
+connection of the trains at Dundee. They had missed the one by
+which they had meant to travel; there had been a dreary wait for
+the next. When at last they started on the last stage of their
+journey the engine went dawdling along the branch line in a
+style which both, in their then frame of mind, found equally
+trying. They would hardly, at any time, have been called a
+sympathetic couple. Neither, for instance, would have selected
+the other as an only companion on a desert island. By the time
+the train paused for, so far as they were concerned, its final
+stoppage, either would have been almost willing to fly to a
+desert island to escape the other's society.</p>
+
+<p class="normal">It was between nine and ten at night--a misty night. The damp
+seemed to be rising out of the ground, and to be covering the
+country with a corpse-like pallor. There was a faint movement in
+the air, which it did not need a very imaginative mind to
+compare to a whisper of death. They were the only passengers who
+alighted at the station, which seemed to consist of but a narrow
+strip of bare earth, about the centre of which was constructed
+what looked like a ramshackle shed. Illumination was given by
+two or three oil lamps, and by a lantern which the only visible
+official carried in his hand. To this personage Mrs. Lamb
+addressed herself.</p>
+
+<p class="normal">&quot;Is any one waiting for me?&quot;</p>
+
+<p class="normal">The official proved to be a Scotsman of a peculiarly Scotch
+type; his manners and his temper were both his own. No attempt
+is made to reproduce the dialect in which he spoke.</p>
+
+<p class="normal">&quot;And who might you happen to be?&quot;</p>
+
+<p class="normal">&quot;I'm Mrs. Gregory Lamb.&quot;</p>
+
+<p class="normal">&quot;Never heard the name. Pass out! Tickets!&quot;</p>
+
+<p class="normal">Mr. Luker nudged the lady's arm.</p>
+
+<p class="normal">&quot;I thought you telegraphed under the name of Mrs. Cuthbert
+Grahame?&quot;</p>
+
+<p class="normal">She made a somewhat ill-considered attempt to correct the error
+she had made.</p>
+
+<p class="normal">&quot;I mean that I'm Mrs. Cuthbert Grahame.&quot;</p>
+
+<p class="normal">&quot;Mrs. Cuthbert Grahame? You said just now that you were Mrs.
+Gregory Lamb.&quot;</p>
+
+<p class="normal">&quot;I spoke without thinking. I telegraphed some instructions to
+the station-master in the name of Mrs. Cuthbert Grahame.&quot;</p>
+
+<p class="normal">&quot;In the name of Mrs. Cuthbert Grahame? A body can't have two
+names.&quot;</p>
+
+<p class="normal">&quot;I ordered a close carriage to meet Mrs. Cuthbert Grahame by the
+train before this, then, when I found I'd missed it, I sent a
+wire from Dundee to order the carriage to wait for the next.&quot;</p>
+
+<p class="normal">&quot;There's no carriage within miles.&quot;</p>
+
+<p class="normal">&quot;No carriage? Then what is there?&quot;</p>
+
+<p class="normal">&quot;There's what they call a fly.&quot;</p>
+
+<p class="normal">&quot;And is the fly here?&quot;</p>
+
+<p class="normal">&quot;Sam Harris wouldn't let it come.&quot;</p>
+
+<p class="normal">&quot;Who's Sam Harris?&quot;</p>
+
+<p class="normal">&quot;He's the man that owns it.&quot;</p>
+
+<p class="normal">&quot;And pray why wouldn't Mr. Harris let it come?&quot;</p>
+
+<p class="normal">&quot;You'd better be asking him instead of me. He lives about two
+miles from here--perhaps a trifle over.&quot;</p>
+
+<p class="normal">&quot;Two miles! Then is there nothing here to meet us?&quot;</p>
+
+<p class="normal">&quot;There's a cart.&quot;</p>
+
+<p class="normal">&quot;A cart!--an open cart!--in this weather! What kind of cart?&quot;</p>
+
+<p class="normal">&quot;He was outside the gate when I saw him last, but maybe by now
+he's grown tired of waiting, and he's gone. If you go outside
+you'll be able to see for yourself what kind of cart it is
+better than I can tell you. Any way, you can't stop here; I'm
+off home. Tickets!--and if you haven't your tickets you'll have
+to pay your fare--that's all.&quot;</p>
+
+<p class="normal">The two passengers surrendered their tickets. With such dignity
+as she could muster the lady strode towards the little wooden
+gate, Mr. Luker following limply behind. He made no attempt to
+feign a sense of dignity which he did not possess. To judge from
+his appearance and his attitude he had not only sunk into the
+lowest stage of depression, but he was willing that all the
+world should know it. A very woebegone figure he looked: so tall
+and so thin, with the pronounced stoop; in the old familiar
+garments which he had worn for so many years in town, a costume
+which seemed singularly out of place on that spot just then; the
+frayed, shabby frock-coat, tightly buttoned up the front, the
+collar of which he now wore turned up about his chin; the
+trousers which were at once too baggy and too short; the ancient
+top-hat, which had seen so many better days.</p>
+
+<p class="normal">Outside the gate was what, in the semi-darkness, looked
+uncommonly like an ordinary farmer's cart, and not too
+comfortable, or cleanly, an example of its class. Mrs. Lamb
+stared at it in disgust.</p>
+
+<p class="normal">&quot;Have you brought that thing for me?&quot;</p>
+
+<p class="normal">As regards manners the driver seemed to be a near relation of
+the railway official's, if anything his were more pronounced.</p>
+
+<p class="normal">&quot;I don't know who you are. How am I to know?&quot;</p>
+
+<p class="normal">&quot;I'm Mrs. Cuthbert Grahame of Pitmuir.&quot;</p>
+
+<p class="normal">&quot;Oh; that's what you call yourself--ah!&quot;</p>
+
+<p class="normal">&quot;You appear to be an impudent fellow.&quot;</p>
+
+<p class="normal">&quot;And you appear to be a free-spoken woman.&quot;</p>
+
+<p class="normal">&quot;How dare you talk to me like that? I ask you again, have you
+brought this thing for me?&quot;</p>
+
+<p class="normal">&quot;I've brought this thing, as you call it, which is as decent a
+cart as ever you saw, and more decent maybe than you deserve to
+sit in, to carry the person as calls herself Mrs. Cuthbert
+Grahame to Pitmuir, and I'm beginning to wish I hadn't.&quot;</p>
+
+<p class="normal">&quot;Why is there no fly here?&quot;</p>
+
+<p class="normal">&quot;Because Sam Harris wouldn't let his come.&quot;</p>
+
+<p class="normal">&quot;Why not? I ordered it.&quot;</p>
+
+<p class="normal">&quot;You ordered it! Mr. Harris said that he wasn't going to have
+the likes of you sitting in a fly of his--that's why. So he sent
+this cart instead. If this cart isn't good enough, I'll take it
+back at once. I'll take it back anyhow if there's much more
+talking.&quot;</p>
+
+<p class="normal">The lady and her solicitor exchanged glances. While they were
+apparently seeking for words the driver volunteered another
+remark, in keeping with those which had gone before.</p>
+
+<p class="normal">&quot;There's another thing. I'm to be paid before I started; Mr.
+Harris said I was.&quot;</p>
+
+<p class="normal">&quot;You'll be paid when you reach Pitmuir.&quot;</p>
+
+<p class="normal">&quot;Shall I? Then I'll say good-night.&quot;</p>
+
+<p class="normal">The man gathered up his reins as if about to depart.</p>
+
+<p class="normal">&quot;Stop! What are you doing? You appear to be a pleasant
+character.&quot;</p>
+
+<p class="normal">&quot;From all accounts, ma'am, that's more than can be said of you.&quot;</p>
+
+<p class="normal">Under other circumstances the fellow might perhaps have
+regretted his temerity. Mrs. Lamb was not a lady to quietly
+endure impertinence from any one. As matters stood she was at
+his mercy, a fact of which he was evidently aware. She had to
+choke back her resentment as best she could.</p>
+
+<p class="normal">&quot;How much do you mean to charge?&quot;</p>
+
+<p class="normal">&quot;There's twelve shillings for driving you; there's three for
+waiting; there's five for myself--that's a sovereign.&quot;</p>
+
+<p class="normal">&quot;A sovereign!--monstrous!&quot;</p>
+
+<p class="normal">&quot;Very well; there's no call for you to pay it. I tell you again,
+I'll say good-night.&quot;</p>
+
+<p class="normal">Mr. Luker interposed.</p>
+
+<p class="normal">&quot;How far is it?&quot;</p>
+
+<p class="normal">&quot;Better than five miles.&quot;</p>
+
+<p class="normal">&quot;And how long will it take, in this delectable vehicle of yours,
+to get us there?&quot;</p>
+
+<p class="normal">&quot;An hour or thereabouts. The road's none so good, and it's not
+easy going on a night like this. It's thicker over yonder.&quot;</p>
+
+<p class="normal">&quot;And for an hour, or thereabouts, I'm to be jolted, over a bad
+road, through this death-like mist. Thank you; the prospect is
+not inviting. I think we had better go over in the morning.
+Where, in the neighbourhood, can we get a night's lodging?&quot;</p>
+
+<p class="normal">&quot;Nowhere.&quot;</p>
+
+<p class="normal">&quot;Nowhere? Are you sure?&quot;</p>
+
+<p class="normal">&quot;If you think you know better than me you'd better go and look
+for yourself. I tell you there's not a house round here where
+they'd have you under the roof--nor her either. I wouldn't, nor
+yet Mr. Harris, nor any one else.&quot;</p>
+
+<p class="normal">&quot;This is delightful--thoroughly delightful.&quot;</p>
+
+<p class="normal">Anything less suggestive of delight than his tone could hardly
+be imagined. The lady spoke.</p>
+
+<p class="normal">&quot;I telegraphed to an old servant of mine, Martha Blair, to go up
+to the house and to take some one with her, or if she couldn't
+go herself then to get two other girls to go, to light fires and
+to make things ready for my coming. Do you know who has gone?&quot;</p>
+
+<p class="normal">&quot;No one's gone; I do know that. You'd get no woman from round
+here to go up to Pitmuir at night, especially if it was known
+that you were coming.&quot;</p>
+
+<p class="normal">&quot;Prospects grow more and more delightful.&quot;</p>
+
+<p class="normal">This was a groan from Mr. Luker. The lady, taking him by the
+coat sleeve, began to talk to him in an undertone. The driver
+promptly interrupted.</p>
+
+<p class="normal">&quot;If you two are going to talk things over between yourselves you
+can do it after I'm gone. I'm off; I've had enough of waiting,
+so I'll wish you both good-night.&quot;</p>
+
+<p class="normal">The lady stopped him; she drew out her purse.</p>
+
+<p class="normal">&quot;Here's a sovereign. Now drive us to Pitmuir, and be as quick as
+you can.&quot;</p>
+
+<p class="normal">The man examined the coin as well as he could in such a light;
+he even tested its quality with his teeth. Drawing a bag from
+some mysterious receptacle inside his waistcoat, he untied a
+piece of cord which tied it round the neck, placed the coin
+carefully within, feeling it to make sure that it was, retied
+the bag, and returned it to its place. These operations took
+some time; before they were concluded his two passengers were
+more tired of waiting than he was. Mrs. Lamb mounted to the seat
+beside the driver. Mr. Luker scrambled into the vehicle itself.
+There was nothing for him to do but to squat upon the floor,
+making himself as comfortable as he could by leaning his back
+against the side. Then the cart started.</p>
+
+<p class="normal">The driver had been perfectly correct in stating that it was not
+a very good road. So far as could be judged in the mist and the
+darkness, when one had to rely entirely on the sense of feeling,
+it consisted for the most part of ruts and ditches. The springs
+upon which the body of the cart was hung were not very
+resilient, indeed they were rudimentary. Mrs. Lamb had all she
+could do to keep on the seat; the gentleman behind was shaken in
+such a style that he had traversed the whole interior of the
+vehicle before he had gone two miles. Considering all things, it
+was perhaps as well that the rate of progress was not more
+rapid, though the driver had a somewhat disconcerting knack when
+the road was excruciatingly bad of seeming to move faster than
+was absolutely necessary, and when it was comparatively smooth
+of going slower than he need. More than once Mrs. Lamb tried to
+engage him in conversation, putting questions to him on subjects
+on which she was particularly anxious to obtain information. She
+desired to know if Nannie Foreshaw was still in the flesh; how
+Dr. Twelves was getting on; if he yet practised, and so on. But
+the man either paid no heed at all, or, if he replied, his
+answers were of such an unsatisfactory nature, conveying such
+extremely unflattering allusions, that the lady was finally
+convinced that she had better remain, however unwillingly, in
+ignorance than attempt to obtain enlightenment from such an
+impossible quarter. She would have liked to have taken the
+fellow suddenly by the shoulders and flung him out of the cart.
+He would possibly have found her capable of doing it. More than
+once she was on the point of making the effort, only an
+overwhelming consciousness of the greatness of the issue which
+was at stake restrained her.</p>
+
+<p class="normal">At last, after what seemed very much more than an hour's drive,
+he brought the vehicle to a sudden stop.</p>
+
+<p class="normal">&quot;You'll get out here,&quot; he intimated to them curtly.</p>
+
+<p class="normal">&quot;Get out?&quot; The lady peered about her through the mist and
+darkness. &quot;This is not the house.&quot;</p>
+
+<p class="normal">&quot;Yon's Pitmuir.&quot;</p>
+
+<p class="normal">&quot;Pitmuir? But I paid you to drive us to the house; I can see no
+signs of it.&quot;</p>
+
+<p class="normal">&quot;You did not. I'd not drive you to the house for a pocketful of
+money.&quot;</p>
+
+<p class="normal">&quot;What fresh trick are you going to try on now? And what
+tomfoolery are you talking?&quot;</p>
+
+<p class="normal">&quot;It's tomfoolery maybe, and maybe it isn't. You said, carry you
+to Pitmuir, and I've carried you. Do you know they say that
+Cuthbert Grahame's walking about among the trees, waiting in the
+avenue, looking for the woman who called herself his wife. Do
+you think I'll take you to meet him? Not while I've my senses.
+If you are set on meeting him, you'll not meet him in my
+company--that's my last word. Yon's Pitmuir. That's the gate in
+front, not a dozen yards from where we are--that's nearer than I
+care for. You'll just both of you get out.&quot;</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_32" href="#div1Ref_32">CHAPTER XXXII</a></h2>
+
+<h3>AT THE GATE</h3>
+<br>
+
+
+<p class="normal">Verbal discussion was plainly useless; it was soon made
+sufficiently clear that nothing short of physical force would
+persuade that driver. Situated as they were it was not easy to
+see how they could resort to that method of convincing him of
+the error of his ways. Mrs. Lamb told him, with the lucidity of
+which under such circumstances she was past mistress, what she
+thought of him, and what treatment she would have accorded him
+if the conditions had only been a little different. In a tongue
+fight the man proved to be her match; he could pack at least as
+many disagreeable allusions into a sentence as she could. For
+ten minutes or a quarter of an hour they wrangled, then the
+driver delivered himself of an ultimatum.</p>
+
+<p class="normal">&quot;I'm not going to stay here all night listening to you. If you
+won't get down I'll drive you back. Now which is it to be? I'm
+off!&quot;</p>
+
+<p class="normal">&quot;Off! Yes, you are off, as I'll soon show you.&quot;</p>
+
+<p class="normal">She showed him there and then. Whirling round on her seat, she
+gave the driver a sudden push; over he went on to the road.
+Snatching the reins in one hand, the whip in the other, before
+he quite knew what had happened, she was urging the horse to
+pursue its onward career.</p>
+
+<p class="normal">&quot;Stop! stop!&quot; he yelled. &quot;I'm under the wheel! You're driving
+over me!&quot;</p>
+
+<p class="normal">&quot;Then if you don't want me to drive over you, you'll get from
+under the wheel; I'm going on.&quot;</p>
+
+<p class="normal">&quot;Are you? I'll teach you, you----!&quot;</p>
+
+<p class="normal">The fellow's language was full-blooded. Scrambling up as best he
+could, he made a vigorous attempt to board the vehicle and expel
+her from the seat she had usurped. She was not disposed to
+yield. Down came the whip upon his head and shoulders. There
+ensued a lively few moments.</p>
+
+<p class="normal">&quot;When you two have quite finished your little conversation
+perhaps you'll let me know,&quot; groaned Mr. Luker from the rear.</p>
+
+<p class="normal">The &quot;little conversation&quot; came to a rapid, and, perhaps on the
+whole, not surprising termination. The quadruped between the
+shafts, an animal apparently of the cart-horse kind, was, also
+apparently, a creature of an extremely patient disposition. But
+even the most enduring patience has its limits; that horse
+reached the end of his. Mrs. Lamb and the driver were, between
+them, tugging at the reins in a fashion to which he was, no
+doubt, entirely unaccustomed, while the whip-lash, when it
+missed the driver, occasionally alighted on the animal's flanks.
+Probably wholly at a loss to understand what was happening, not
+unreasonably the creature finally made up his mind that he had
+had enough of it, whatever it was. Suddenly the vehicle was set
+in motion; both parties persisting in sticking to the reins, and
+also, in a sense, to each other, the course steered was of the
+most erratic kind. Before the horse had gone very far there was
+a lurch which was more ominous than any which had gone before,
+and they had been pregnant with meaning; the cart was turned
+clean over; the three persons concerned were thrown out of it.
+Mr. Luker was the first to give expression to his feelings.
+Clinging to the side as the thing went over, he had alighted
+with comparative gentleness on the ground.</p>
+
+<p class="normal">&quot;I'm alive,&quot; he announced. &quot;I don't know if any one else is.&quot;</p>
+
+<p class="normal">It seemed that the lady was in the same, so far as it went,
+satisfactory condition.</p>
+
+<p class="normal">&quot;There's not much the matter with me. I'm a bit shaken, and my
+clothes are all anyhow; my hat's torn right off my head--but
+that doesn't matter.&quot;</p>
+
+<p class="normal">&quot;Where's the driver? Driver, where are you?&quot; There was no
+answer. &quot;That extremely civil gentleman seems disposed to be a
+little more silent than he was just now. Driver!&quot;</p>
+
+<p class="normal">&quot;It'll serve him right if he's killed. Hollo, I've just stepped
+on him; he's lying on the road. Driver!&quot; Still no answer.
+&quot;Stunned; lost his senses or something--not that he'd many
+senses to lose--cantankerous brute!&quot;</p>
+
+<p class="normal">&quot;It's to be hoped that he hasn't lost them for ever, It'll be
+awkward for us if he has--especially for you. Your popularity in
+this neighbourhood does not appear to be so great that you can
+afford to throw any of it away.&quot;</p>
+
+<p class="normal">&quot;Confound my popularity! What do I care if I'm popular? If that
+brute is killed he brought it on himself; if I'd wrung his neck
+for him it'd have been no more than he deserved. I've got a
+lantern in my bag. I knew what sort of a hole, and what sort of
+beasts, I was coming to, and guessed that I'd better be prepared
+for the worst. If it isn't smashed to splinters I'll light it
+and have a look at him--you can see nothing in this darkness.&quot;</p>
+
+<p class="normal">The lantern was not broken. Presently its rays were illuminating
+the surrounding gloom. She turned them on to the recumbent
+figure, not showing too much sympathy as she did so.</p>
+
+<p class="normal">&quot;Now then--move yourself! Don't pretend you're dead--I know
+better.&quot; Possibly by way of exhibiting her superior knowledge,
+she shook him by the shoulder. He groaned; she chose to
+interpret the sound as having a favourable significance. &quot;He's
+not dead; he's all right. Broken a bone, or put his shoulder
+out, or something. He won't hurt if we leave him here; we could
+do nothing for him if we wanted to. Let's see what's happened to
+the cart.&quot;</p>
+
+<p class="normal">It was not difficult to do that; the explanation of what had
+occurred was almost painfully simple. The horse, influenced by
+such eccentric guidance, had conducted the vehicle into a ditch.
+The jolt of the sudden descent had loosened one of the wheels;
+it lay in one direction, the cart in another. The question as to
+whether they were or were not to drive in it up to the house was
+finally settled. The horse, seemingly none the worse for his
+little experience, making no attempt to get up, reclined at his
+ease between the shafts, apparently under the not erroneous
+impression that he was as comfortable there as anywhere else.
+Mrs. Lamb recognised that, so far as any more riding was
+concerned, the fates were against her.</p>
+
+<p class="normal">&quot;We shall have to walk,&quot; she observed. &quot;It's not so very far
+from here, along the avenue. Here's the gate.&quot;</p>
+
+<p class="normal">She went to the gate, revealing its whereabouts by the light of
+her lantern. Mr. Luker moving towards her, spoke in lowered
+tones.</p>
+
+<p class="normal">&quot;Without wishing to alarm you unnecessarily, or endorsing your
+coachman's remarks about Mr. Cuthbert Grahrame's singular
+habits, I may tell you that my impression is that if he isn't
+walking about among the trees, somebody is.&quot;</p>
+
+<p class="normal">&quot;Luker, don't talk like that! Don't be a fool.&quot;</p>
+
+<p class="normal">&quot;If I weren't a fool I doubt if I should be here with you now;
+but, apart from that, I can only inform you that for some time I
+have had a suspicion that our movements were being observed by
+some one among the trees, who can see us better than we could
+see him, and who was taking a lively interest in all that was
+occurring.&quot;</p>
+
+<p class="normal">&quot;Luker, how do you know? How could you tell?&quot;</p>
+
+<p class="normal">&quot;By the sense of sound; I wasn't so absorbed in fighting the
+driver. That some one, or something, has been moving among the
+trees, keeping pace with us as we went, I'll swear, and I don't
+think it was an animal.&quot;</p>
+
+<p class="normal">&quot;Speak plainly; what do you mean?&quot;</p>
+
+<p class="normal">&quot;I think it possible that you and I are the objects of a
+conspiracy--especially you. Every step you take you are walking
+farther and farther into the trap which Miss Margaret Wallace
+has set for you.&quot;</p>
+
+<p class="normal">&quot;Don't talk rubbish! Have you got that old bee in your bonnet
+again? I'm not afraid of Miss Margaret Wallace.&quot;</p>
+
+<p class="normal">&quot;Aren't you? Then that's all right, because I fancy that her
+agents are about you on every side.&quot;</p>
+
+<p class="normal">&quot;Her agents? What do you mean by her agents?&quot;</p>
+
+<p class="normal">&quot;I imagine that Miss Margaret Wallace is more popular in this
+part of the world than you are. I can put two and two together.
+From what I've seen, and heard, since our arrival, I shouldn't
+be surprised to learn that she has nobbled every creature in
+the neighbourhood. The station-master has received a hint from
+her--that explains the peculiarity of his manner; nothing else
+could. That poor wretch lying on the ground has been acting on
+her instructions. Don't you make any mistake; I'm sure of it.
+I'm equally sure that other friends of hers are waiting for you
+in there.&quot;</p>
+
+<p class="normal">He pointed over the gate, along the avenue. His words, far from
+causing her alarm, seemed to act as a fillip.</p>
+
+<p class="normal">&quot;Friends of hers upon my property!--if they dare! Do you
+think that I'm afraid of what you call her friends?--of any
+number of them?--of the tricks they've set themselves to play?
+I'd like to see them; I'd like to meet them. This is my
+property--mine!--every stick and stone on it! Neither Margaret
+Wallace nor any one else has a right to set foot upon it without
+my sanction. If I do find any trespassers I promise you that it
+won't be me who'll come off worst. Are you coming? You
+understand, if you're to earn that thousand pounds you're to
+stick to me through thick and thin--to the end! If you show the
+white feather, the bond is cancelled.&quot;</p>
+
+<p class="normal">&quot;Are you going to accept the invitation of the spider to the
+fly? You intend to walk into the trap?&quot;</p>
+
+<p class="normal">&quot;Trap! Do you think that any trap was ever set that could catch
+me? I believe you're talking the purest piffle; but if there is
+a trap, and I do walk into it, it'll be to smash it all to
+pieces. Once more, are you coming?&quot;</p>
+
+<p class="normal">&quot;Oh, I'm coming. I'll do my best to earn the thousand, though
+I'm beginning to perceive that it wants more earning than I
+supposed. Lead on; where you lead I'll not only follow, I'll
+keep as close to your side as circumstances permit.&quot;</p>
+
+<p class="normal">She threw the gate wide open. It swung back on its rusty hinges
+with a harsh, creaking sound. Then they entered the avenue, the
+lantern swinging in her hand.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_33" href="#div1Ref_33">CHAPTER XXXIII</a></h2>
+
+<h3>AT THE DOOR</h3>
+<br>
+
+
+<p class="normal">Between the trees the darkness was as if you might have cut it.
+Where the lantern looked there were momentary revelations as
+they strode along. Its rays seemed to cut pieces out of the
+surrounding gloom. But the pieces were small. Its penetrating
+power was slight; where its penetration ceased the darkness was
+blacker than before. The silence which prevailed had its own
+peculiar property; it served to exaggerate the slightest
+disturbance. Their very footsteps were differentiated with an
+almost morbid clearness. The firm, resolute descent of the
+woman's foot, the loose, indeterminate shuffle of the man's; the
+sounds seemed to set themselves against each other and to ring
+through the trees. They gradually became conscious of the
+movements of unseen creatures among the grasses and the herbage,
+disturbed by their approach. Once she observed, as she swung the
+lantern to one side--</p>
+
+<p class="normal">&quot;That's a rabbit. There used to be thousands of them when I was
+here. I expect there are more now. I daresay the whole place is
+overrun with them.&quot;</p>
+
+<p class="normal">&quot;It may be a rabbit, though, with due deference to your superior
+woodcraft, I doubt if there are many rabbits abroad at this hour
+of the night----But that's not!&quot;</p>
+
+<p class="normal">&quot;What? Where?&quot;</p>
+
+<p class="normal">&quot;Are there deer about the place as well?&quot;</p>
+
+<p class="normal">&quot;Deer? I don't think so. I don't remember seeing any.&quot;</p>
+
+<p class="normal">&quot;Then give me the lantern!&quot;</p>
+
+<p class="normal">Mrs. Lamb was holding the lantern out in front of her. Snatching
+it, he swung it slightly round. As he did so it went out.</p>
+
+<p class="normal">&quot;Luker!&quot; she exclaimed. &quot;How did you manage that? What a clumsy
+fool you are!&quot;</p>
+
+<p class="normal">There was a new intonation in his voice.</p>
+
+<p class="normal">&quot;Some one blew it out. Hollo, where are you coming to? Who the
+devil, sir, are you? Confound the man, where's he gone?&quot;</p>
+
+<p class="normal">&quot;Luker, what's the matter?&quot;</p>
+
+<p class="normal">&quot;Some one was walking behind us--didn't you hear him? I not only
+heard but I felt him; he was as close as that. When I swung the
+lantern round I almost dashed it against his face. He blew it
+out. He tried to snatch it from me; I felt his fingers. Can you
+hear him?&quot;</p>
+
+<p class="normal">&quot;Is that a footstep?&quot;</p>
+
+<p class="normal">&quot;He stepped upon a twig. There's more than one. I tell you
+they're all round us. The lantern serves as a beacon; they can
+see us though we can't see them.&quot;</p>
+
+<p class="normal">They were speaking in whispers.</p>
+
+<p class="normal">&quot;Is that another footstep?&quot;</p>
+
+<p class="normal">&quot;Curse the fellow, I believe he's still within three or four
+feet of us. I believe I heard him breathe. I've a revolver in my
+pocket; I've half a mind----&quot;</p>
+
+<p class="normal">&quot;I also have a revolver, and I've a whole mind. Look out! I'm
+going to fire!&quot;</p>
+
+<p class="normal">There was a flash; a report which seemed to wake the echoes of
+the forest for miles and miles; then a scream which rose high
+above the echoes, and seemed to hang quivering in, and rending,
+the silent air. The stillness which again ensued was rendered
+the more striking by its contrast with the previous turmoil.</p>
+
+<p class="normal">&quot;You've shot some one.&quot;</p>
+
+<p class="normal">&quot;Not I!--that wasn't a man. I shouldn't be surprised if it was
+some kind of a bird. There are birds in these woods which make
+noises at night which go right through you. Where's your
+friend?&quot;</p>
+
+<p class="normal">&quot;I'll strike a match and try to get a light again. You cover me
+while I'm doing it.&quot;</p>
+
+<p class="normal">The instant the match flickered into flame there was a crashing
+sound among the bushes as of a heavy object in headlong flight.</p>
+
+<p class="normal">&quot;There he is! He's making off! I'll have another pop at him!&quot;</p>
+
+<p class="normal">Again a revolver clamoured, but this time there was no answering
+sound, only stillness followed. Luker had succeeded in lighting
+the lantern. He held it well out. Together they peered into the
+cave of light which it hollowed out in front of them. It was
+broken by trees, by bushes, by bracken, but, so far as they
+could see, by nothing else. Luker spoke in a whisper.</p>
+
+<p class="normal">&quot;He's gone. They're too much for us, and too many. For all we
+can tell there's some one behind each of those trees; they're
+all of them big enough to shelter a man. This kind of thing's a
+new experience to me--altogether out of my usual line. It's a
+job for which I have no sort of stomach. What the game is I
+don't know, but it's one in which all the odds are against us--I
+do know that. I wish to the devil I'd stayed in town!&quot;</p>
+
+<p class="normal">&quot;You didn't; you've come down into the country with me, and in
+the country for the present you've got to stay. Give me that
+lantern, and don't you snatch at it again. Whoever blows it out
+while I've got hold of it will be clever. Pretend to be a man,
+even if you aren't one. As for that game about which you're
+talking, if there is one on, I promise you that whoever scores
+in it, I shall.&quot;</p>
+
+<p class="normal">They continued their progress, the lady again holding the
+lantern, moving onwards with her long, regular strides, swinging
+it a little as she walked. Mr. Luker, shuffling alongside,
+seemed to be unwilling to drop behind, and to find it difficult
+to keep up with her. As he went he glanced continually from side
+to side, and over his shoulder at the darkness which followed
+them. There was no attempt on either side at conversation, they
+simply went straight on.</p>
+
+<p class="normal">They had gone some distance without anything happening to
+occasion them further concern, when the lady came to a sudden
+stop.</p>
+
+<p class="normal">&quot;Here we are!&quot; she exclaimed. &quot;That's the house in front of us.&quot;
+She held out the lantern, so that its farthest rays just touched
+a building which loomed mysteriously in the blackness. There was
+a note of triumph in her voice as she went on. &quot;Luker, you're
+nearer to that thousand pounds than you perhaps think, and in a
+very few minutes I'll be within reach of that quarter of a
+million. Then I'll show them!--all the lot of them!&quot;</p>
+
+<p class="normal">Quite what she meant by that last vague threat she only knew.
+Before she had a chance to offer an explanation, if it was her
+intention to offer one, she was interrupted by Mr. Luker, who
+seemed destined that night to act as a harbinger of coming evil.</p>
+
+<p class="normal">&quot;What's that?&quot; he cried. &quot;Who--my God!--who is this coming along
+the path?&quot;</p>
+
+<p class="normal">He was not only shrinking as close to her as he could get, he
+was gripping her arm with convulsive fingers, which she could
+feel were trembling. He was looking in one direction, she in
+another. She turned to see what he was staring at; when she saw,
+it is possible that she began to be in a less exultant mood.</p>
+
+<p class="normal">Some one, something, was moving along the avenue and coming
+towards them. It was not easy to determine what it was; it came
+and went. It was rendered visible by a light which seemed to
+emanate from its own body, as if it were a kind of
+phosphorescence. When the light gleamed it was there plainly, if
+dimly, to be seen; when the light ceased to gleam, it--the
+something!--seemed to go with it; there was nothing but the
+black darkness. This continued, this coming and going, for
+perhaps thirty seconds. Then, suddenly, the light not only grew
+brighter, it remained. They could see what the something was--it
+was a man. But what a man! A huge, unwieldy, bloated, shapeless
+creature, covered from head to foot with some white garment
+which was swathed round him like a sheet. He seemed to be
+floating, rather than walking. They could see no movement of his
+limbs, and yet he came steadily towards them until he was within
+five or six feet of where they were standing, when the light
+faded as suddenly as it had come, and there was nothing but
+darkness there.</p>
+
+<p class="normal">For some instants they remained motionless, both being probably
+under the impression that though the figure was no longer
+visible it still was advancing towards them. While they waited,
+on the alert to discover what was next about to happen, the
+silence was broken by a curious noise, as by a series of quick,
+broken gasps, as if some one panted, struggled, for breath.</p>
+
+<p class="normal">When all again was still, Mr. Luker asked, in a tone of voice in
+which was what sounded uncommonly like a note of banter--</p>
+
+<p class="normal">&quot;Well, my friend, aren't we to see any more of you? Is that the
+end of the performance? Won't you favour us with another private
+view?&quot;</p>
+
+<p class="normal">In Mrs. Lamb's voice, on the other hand, there was a suggestion
+of preternatural gravity.</p>
+
+<p class="normal">&quot;It was Cuthbert Grahame.&quot;</p>
+
+<p class="normal">&quot;What?&quot;</p>
+
+<p class="normal">&quot;It was Cuthbert Grahame. Didn't you hear him fighting for
+breath?&quot;</p>
+
+<p class="normal">&quot;Cuthbert fiddlesticks! It was some damned trick, and not over
+well done either. This entertainment has been prepared for our
+special benefit; it occurs to me that it has been insufficiently
+rehearsed. We've been treated to the first part up to now; the
+second part is waiting for us inside the house--if we ever get
+as far. The prelude's been mere foolery. I imagine that the
+serious business is to come.&quot;</p>
+
+<p class="normal">&quot;It was Cuthbert Grahame.&quot;</p>
+
+<p class="normal">&quot;Nonsense! Where were your eyes, not to speak of your senses?
+Didn't you notice----&quot;</p>
+
+<p class="normal">&quot;He is waiting for us inside the house.&quot;</p>
+
+<p class="normal">&quot;Mrs. Lamb, if you'll exercise a little common-sense and allow
+me to finish, I think I shall be able to prove, even to your
+satisfaction, that what you've just now witnessed----&quot;</p>
+
+<p class="normal">&quot;Don't you see him? He beckons to us. Can't you hear how hard he
+fights for his breath?&quot;</p>
+
+<p class="normal">&quot;No; nor you either. Aren't you well? Is this one of those fits
+of which you were telling me trying to come back, in which you
+see things? If so, keep it off as long as you conveniently can.
+So far as I'm concerned it will only need that to put a crown
+and climax on my night's enjoyment. Listen to me, Isabel----&quot;</p>
+
+<p class="normal">&quot;Come!&quot; Taking him by the arm, she led him up to the house. When
+they reached the front door she took a key out of the bag which
+she still carried. After a momentary hesitation she held it up,
+as if to call his attention to something that was taking place
+within. &quot;Listen! Don't you hear? He calls to us! Let us go to
+him. I've often heard him calling to me like that in the
+night--often.&quot;</p>
+
+<p class="normal">During the last few seconds, for some occult reason, a change
+had taken place in her which had apparently revolutionised the
+whole woman externally as well as internally; her bearing, her
+manner, her voice, and especially her face, had changed. The
+alteration in the latter was nothing short of amazing. Just now
+its predominating expression was one of boldness, defiance,
+reckless rage. She had looked as if she feared neither man nor
+devil; her looks had probably only mirrored her actual feelings.
+This air of wildness, of careless contempt for the unknown,
+unseen perils, which, according to her companion, hemmed her in
+on every side, had been accentuated by the fact that, having
+lost her hat when the cart was overturned, her thick black hair
+had broken loose from its fastenings and hung in tangled masses
+about her face. She had looked what she emphatically was, a
+dangerous woman in a dangerous frame of mind. Now all that had
+changed. She looked no longer angry or defiant; all traces of
+boldness had vanished altogether. Instead, a stolid, fixed
+expression had come upon her face, one which, as it were, was
+void of all expression. In her wide-open eyes there was a
+strained, staring look, which conveyed an uncomfortable
+impression that she was gazing at something which only she could
+see, gazing with a fixed intensity of vision as if she was bent
+on not losing even the minutest details.</p>
+
+<p class="normal">As she stood there, with uplifted face, the rays of the lantern
+lighting up her rigid features, Mr. Luker observed her with an
+appearance of unmistakable discomfort. The significance of the
+change which had taken place in her was borne in on him with
+uncomfortable force. The change in her affected him; he was
+obviously becoming each second more uneasy. He seemed to make a
+desperate attempt to conquer his own increasing apprehension,
+and to restore her to her former state of mind.</p>
+
+<p class="normal">&quot;Isabel, you didn't use to be an utter fool. Before you put that
+key into the lock, before you move another step, rub that look
+of stark, staring midsummer madness off your face. It doesn't
+become you, God knows. Listen to what I have to say; try not to
+be a fool. Don't you understand----&quot;</p>
+
+<p class="normal">Before he could explain what was the appeal he was about to make
+to her understanding, some one, or something, came swirling at
+them from the side of the house. The light disappeared in the
+lantern; the lantern itself was snatched from the lady's hands.
+She made no effort to regain it, nor to ascertain how the thing
+had happened. She stood in the darkness, motionless. Presently
+she said--</p>
+
+<p class="normal">&quot;Luker! Luker!&quot;</p>
+
+<p class="normal">There was no answer. She put out her hand to feel for her
+companion who, a moment before, had been standing close at her
+side. He was not there.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_34" href="#div1Ref_34">CHAPTER XXXIV</a></h2>
+
+<h3>TOWARDS JUDGMENT</h3>
+<br>
+
+
+<p class="normal">For possibly a couple of minutes she continued on the doorstep
+immobile, as if she not only did not understand what had
+happened, but as if she also still failed to realise that her
+legal adviser was at least no longer where he was. She repeated
+his name, at intervals--&quot;Luker! Luker!&quot;--almost as if she was a
+child who repeated, parrot-like, a meaningless formula. Then,
+after a while, when still there came no answer, she thrust her
+hand, as if mechanically, into the bosom of her dress, feeling
+for something. Presently it emerged, holding a flask. In the
+same odd, automatic fashion, as if her actions were not the
+product of her own volition, unscrewing the stopper, she placed
+the neck between her lips. After a perceptible interval,
+suddenly slipping between her fingers, it dropped on to the step
+with a clatter. It had contained ether; she had swallowed its
+entire contents.</p>
+
+<p class="normal">What were the exact physical or mental results of what would
+have been a poison to an unaccustomed subject, it would be
+difficult to say. One fact may be baldly stated, it robbed her
+of her senses. Her capacity of judging between the real and the
+unreal had been trembling in the balance. When she emptied that
+flask unreality became all that was real. Not perhaps on the
+instant, but certainly after the expiration of a very few
+seconds.</p>
+
+<p class="normal">At first she stood trembling, so that one might almost have
+expected to see her sink to the ground from sheer inability to
+stand. She stretched out her arms into the darkness, as if
+seeking for support, and found none. Then, putting her hands up
+to her face, she began to rub them up and down before her eyes,
+as if endeavouring to rub away some film which obscured her
+sight, and she began to cry, softly, beneath her breath. Then,
+dropping her hands to her sides, she began to see the things
+which were not, those visions which, in some form, are the
+inseparable companions of a mind diseased.</p>
+
+<p class="normal">&quot;I am coming!--I heard you!--you need not call so loud!&quot;</p>
+
+<p class="normal">The words were uttered not loudly, but with such clearness of
+intonation that, proceeding from her as she stood there all
+alone in the outer darkness, and addressed apparently to the
+circumambient air, they might have produced on unintentional
+listeners not an agreeable effect. She turned, making as if to
+insert the key which she still held into the lock of the door
+behind her, to find that the door already stood wide open, and
+that in the hall beyond there was a faint light which was just
+sufficient to render objects visible.</p>
+
+<p class="normal">In her normal condition the fact that the door had seemingly
+opened of its own accord would have occasioned her something
+more than wonder; she would at least have taken it for granted
+that somewhere in its immediate neighbourhood were helping
+hands; and she would promptly have set herself to discover to
+whom they belonged, and just where their owners might be found.
+In her then state no notion of the kind seemed to enter her
+brain. That the fact that the door was open occasioned her
+surprise was obvious; but it was surprise of a singular quality,
+and it was accompanied by abject terror. The woman seemed all at
+once to become stunted, to shrink into sheer physical
+insignificance.</p>
+
+<p class="normal">&quot;Cuthbert Grahame,&quot; she muttered, &quot;why did you open the door?
+How did you get out of your bed to open the door?&quot; With a sound
+which was part wail, part sob, she stumbled across the threshold
+into the hall. &quot;Where shall I go? Shall I go into the room into
+which I first went on that first night? Perhaps I'll be safe in
+there--perhaps I'll be safe. I don't want to go upstairs--not
+yet--not just yet. I daren't--I daren't. Listen! how he calls to
+me--how he calls.&quot;</p>
+
+<p class="normal">She glanced up the staircase, which she approached even while
+she shrank from it, and she saw, in the dim, mysterious light,
+leaning over the banister, looking down at her from above, a
+woman's face--Nannie Foreshaw. She did not stop to ask herself
+if the appearance might by any chance be real, a creature of
+warm flesh and blood. It was some moments before she realised
+who it was that looked at her. When she did, the presence there
+was so unexpected, so wholly unforeseen, and thrust so deeply at
+her conscience, that it is not impossible that the mere shock
+which resulted from the sight was sufficient to disintegrate her
+few remaining wits. She at once took it for granted that she was
+gazing at a spectre, a shade returned from the tomb to afflict
+her before her time. Cowering back against the wall, she broke
+into screams of agony.</p>
+
+<p class="normal">&quot;Nannie! Nannie!--I didn't kill you!--I didn't kill you! Don't
+look at me like that!--don't! don't! don't!&quot; Covering her face
+with her hands, she began to sob with such violence that one
+could see her shaking as she leaned against the wall. When,
+removing her hands, she again ventured to look up, there was no
+one there. &quot;She's gone! she's gone!&quot;</p>
+
+<p class="normal">The words were uttered with a gasp of relief which it was not
+pleasant to hear. For a moment it seemed as if she might be
+restored to something like her proper self. Then, while she
+seemed to waver, without apparent rhyme or reason, all her
+tremors returned. Again she broke into shrieks and cries.</p>
+
+<p class="normal">&quot;She's waiting for me in his room! in his room! in his
+room!--she's waiting for me! My God! what am I to do?--help
+me! help me! I'll have to go to him. Listen how he calls to
+me!--listen how he calls! I'm coming!--don't call so loud!&quot; She
+began stumbling up the staircase, blunderingly, blindly, as if
+she could not see where she was going. Stopping every two or
+three steps, clutching at the wall, the rails; glancing back,
+looking as though if she could she would descend. But each time,
+just as she was about to beat a retreat, there came to her that
+insistent voice, summoning her to her fate. She gasped out
+expostulations even as she stumbled upwards. &quot;Don't call so
+loud! don't call so loud! I'm coming.&quot;</p>
+
+<p class="normal">And she did come. A singular spectacle she presented as she
+went. No one would have recognised in that ill-shaped, mouthing,
+struggling woman--though she alone knew what it was with which
+she struggled; who seemed unable to stand up straight, and to
+experience as much difficulty in ascending an ordinary staircase
+as if it had been the scarred surface of some precipitous cliff
+which she was forced, very much against her will, to climb--the
+flamboyant and somewhat overwhelming lady who was known among a
+certain set in London as the handsome Mrs. Lamb. There were no
+traces of beauty about her then.</p>
+
+<p class="normal">When she had gained the landing her terror seemed, if the thing
+were possible, to increase. Descending to her knees, clutching
+the railing with both hands, she crawled, as if drawn by some
+invisible force, against which all the strength of her
+resistance was in vain, towards the room, the bedroom, in which
+Cuthbert Grahame had passed so much of the latter part of his
+life, and in which, through her action, he had died. And all the
+while she protested.</p>
+
+<p class="normal">&quot;I won't come! I won't come!&quot; For an instant she would cling not
+only with her hands, but, as it were, with her whole body, to
+the railings, as if she had finally resolved that nothing should
+constrain her to advance another inch. Then again she was
+possessed by a paroxysm of terror. &quot;I will come!--don't call so
+loud! I am coming!&quot;</p>
+
+<p class="normal">When she was in front of the door of the room she did halt for
+perhaps more than a minute, crouching in a heap on the floor,
+covering her face with her hands, overtaken by such a fury of
+weeping that the violence of her sobs seemed as if it would tear
+her to pieces. Then, as if actuated by some sudden irresistible
+impulse, she rose to her feet, and exclaimed, still weeping--</p>
+
+<p class="normal">&quot;Cuthbert Grahame, I hear you calling--I am here&quot;.</p>
+
+<p class="normal">She threw open the dead man's bedroom door.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_35" href="#div1Ref_35">CHAPTER XXXV</a></h2>
+
+<h3>JUDGES</h3>
+<br>
+
+
+<p class="normal">In the room was the same faint, luminous glow which had been
+noticeable in the hall and on the stairs. There could have
+been no more eloquent testimony of her condition than the fact
+that she accepted its presence as a matter of course; that it
+never seemed to occur to her that there was something about
+it which required elucidation; still less that a few shrewd,
+well-directed inquiries might result in a very simple
+explanation. She stood on the threshold, all dishevelled, bent,
+weeping; always before her eyes the things which she alone could
+see, stricken with a mad agony of fear by the horror of the
+sight.</p>
+
+<p class="normal">She came a little farther towards the room, staring towards the
+bed. When she had taken a step or two it seemed as if her legs
+refused to uphold her any longer. Down she sank on to her knees
+again; again she covered her face with her hands, as if by such
+means she could shut off from herself the hideous imaginings of
+her haunted brain.</p>
+
+<p class="normal">&quot;Don't! don't! don't!&quot; she wailed.</p>
+
+<p class="normal">While still she remained in that attitude of humility and
+penitence there came a voice which called her by what had once
+been her name.</p>
+
+<p class="normal">&quot;Isabel Burney!&quot;</p>
+
+<p class="normal">That she heard it there could be no doubt. At the sound of it
+she shivered more than ever. But it may be that she was in doubt
+whether it was a material voice, or whether it was a fresh
+manifestation of those too-well remembered tones, which kept
+calling to her all the time. For it is possible that a
+disordered mind may be conscious that there is a difference
+between the real and the imaginary without being capable of
+satisfactorily perceiving what it is. She did not answer. It
+came again, not loud, yet distinct and dominating.</p>
+
+<p class="normal">&quot;Isabel Burney.&quot;</p>
+
+<p class="normal">This time she repeated her former wail, with renewed force of
+entreaty.</p>
+
+<p class="normal">&quot;Don't! don't!&quot;</p>
+
+<p class="normal">If it was intended for a cry of appeal to be left alone, it went
+unheeded. The voice returned, asking what was emphatically a
+leading question.</p>
+
+<p class="normal">&quot;Did you murder Cuthbert Grahame?&quot;</p>
+
+<p class="normal">She made not the slightest attempt to shirk the very weighty
+responsibility which attended the reply to such a question. An
+affirmative was bursting from her lips almost before it was
+asked.</p>
+
+<p class="normal">&quot;Yes! yes! yes!&quot;</p>
+
+<p class="normal">&quot;How did you murder him?&quot;</p>
+
+<p class="normal">Again the wail--</p>
+
+<p class="normal">&quot;Don't! don't! don't!&quot;</p>
+
+<p class="normal">&quot;How did you murder him?&quot;</p>
+
+<p class="normal">The wail became hysterical cries.</p>
+
+<p class="normal">&quot;Oh! oh! oh!&quot;</p>
+
+<p class="normal">But the voice persisted.</p>
+
+<p class="normal">&quot;How did you murder him?&quot;</p>
+
+<p class="normal">Confused words came stumbling from her lips, as if they were
+being forcibly extracted.</p>
+
+<p class="normal">&quot;The pillows--dragged---from under--he choked.&quot;</p>
+
+<p class="normal">&quot;You dragged the pillows from under him, so that his head fell
+down, and he was choked.&quot;</p>
+
+<p class="normal">&quot;Yes.&quot;</p>
+
+<p class="normal">&quot;Why did you murder him?&quot;</p>
+
+<p class="normal">Here again the answer came rapidly and clearly.</p>
+
+<p class="normal">&quot;Because I didn't want him to destroy the will which I had
+tricked him into signing.&quot;</p>
+
+<p class="normal">&quot;How did you trick him?&quot;</p>
+
+<p class="normal">&quot;He made me draw up a will which left all his property to
+Margaret Wallace.&quot;</p>
+
+<p class="normal">&quot;And then?&quot;</p>
+
+<p class="normal">&quot;I drew up a will in which he left everything to me.&quot;</p>
+
+<p class="normal">&quot;And then?&quot;</p>
+
+<p class="normal">&quot;I covered it with a sheet of paper, and got him to sign it,
+thinking that he was signing the other.&quot;</p>
+
+<p class="normal">&quot;Did he know what you had done?&quot;</p>
+
+<p class="normal">&quot;Yes; I killed him before he could tell any one else and have
+the will destroyed.&quot;</p>
+
+<p class="normal">The voice was still. There was silence, broken by the sound of
+some one moving. The room was filled with a bright light. The
+voice came again.</p>
+
+<p class="normal">&quot;Isabel Burney!&quot;</p>
+
+<p class="normal">The woman on her knees, dropping her hands, looked round. By a
+lighted lamp which rested on a writing-table stood Margaret
+Wallace. Whether Mrs. Lamb realised that she was looking at the
+girl herself, or supposed that she was confronted by a
+materialised phantom, has never been certainly known. She stared
+at her surlily, unblinkingly, affrightedly, as one might stare
+at some unpleasing object in a dream. The girl repeated the
+questions which had already been answered. As one listened the
+last remnants of doubt vanished as to whose was the voice which
+had already made itself so prominent.</p>
+
+<p class="normal">&quot;Did you trick Cuthbert Grahame into signing a will in which he
+left all that he had to you, when he supposed himself to be
+signing one in which he left it all to me?&quot;</p>
+
+<p class="normal">There was a momentary hesitation, then the answer, spoken
+sullenly, half beneath her breath, yet plain enough.</p>
+
+<p class="normal">&quot;Yes; I did.&quot;</p>
+
+<p class="normal">&quot;And did you then kill him because you feared discovery of what
+you had done?&quot;</p>
+
+<p class="normal">&quot;Yes; I did.&quot;</p>
+
+<p class="normal">There was another movement on the other side of the room. When
+Mrs. Lamb looked round she found herself looking at Dr. Twelves,
+who put a question to her on his own account.</p>
+
+<p class="normal">&quot;So you lied to me when you said those pillows must have
+slipped--you knew better. As I suspected, you dragged them
+away--you female fiend!&quot;</p>
+
+<p class="normal">His invective went unnoticed; there came the rather monotonous
+refrain--</p>
+
+<p class="normal">&quot;Yes; I did&quot;.</p>
+
+<p class="normal">There were other movements proceeding from all parts of the
+room. On one side of her were Andrew McTavish and his partner,
+Mr. Brown. Mr. McTavish was evidently very angry.</p>
+
+<p class="normal">&quot;And you lied to us when you pretended that you suspected us of
+robbing you! You knew all along that the only robbery you
+yourself had committed--you impudent swindler!&quot;</p>
+
+<p class="normal">He only received the same reply--</p>
+
+<p class="normal">&quot;Yes; I did&quot;.</p>
+
+<p class="normal">Dr. Twelves wagged his finger at her, gruesomely.</p>
+
+<p class="normal">&quot;You shall hang for it, Isabel Burney--you shall hang by the
+neck until you're dead!&quot;</p>
+
+<p class="normal">Mr. McTavish cried--</p>
+
+<p class="normal">&quot;At any rate, you shall be sent to penal servitude for the fraud
+you have committed on us!&quot;</p>
+
+<p class="normal">She showed no signs of resentment, as only a very short time
+before she undoubtedly would have done, when her resentment
+would probably have taken a sufficiently active turn. From her
+demeanour it was difficult to determine if she comprehended what
+was being said to her. She gazed stolidly about the room. Near a
+window stood Nannie Foreshaw, leaning on a stick, holding with
+one hand the curtain from behind which she had just emerged. At
+sight of her she shrank backwards, as if she would withdraw
+herself as far as she could. Before the door, as if he would bar
+her retreat, was Harry Talfourd. When she saw him she seemed to
+be moved more than she had been by any of the others; she turned
+aside, with a low cry, and covered her face. Possibly, in some
+tangled fashion, she remembered how, so recently, she had played
+to him the <i>rôle</i> of the great lady, the benefactress; how
+willing she had been to be something more to him than that; and
+she was vaguely conscious of what a contrast she was exhibiting
+to him now.</p>
+
+<p class="normal">Margaret had been seated at a table writing. Now, rising, she
+turned to the woman who was still on her knees upon the floor.</p>
+
+<p class="normal">&quot;I have set down upon this sheet of paper a short confession of
+your guilt. If you will sign it you shall not hang; you shall
+not be sent to prison. You shall receive your only punishment
+from your own conscience. I think that is to condemn you to the
+greater punishment. I will read to you what I have written.&quot;</p>
+
+<p class="normal">She read aloud from the paper which she took in her hand:--</p>
+
+<p class="normal">&quot;'I confess that Cuthbert Grahame instructed me to draw up a
+will in which he left all that he had in the world to Margaret
+Wallace; that, without his knowledge, I substituted for it
+another form of will, according to which he left his property to
+me, and that I induced him to sign this fraudulent form by means
+of a trick. I also confess that I murdered Cuthbert Grahame in
+order to avoid an exposure of the trick by means of which I had
+induced him to sign the substituted fraudulent form of will.' If
+you will attach your name to this confession you shall receive
+no punishment beyond that which you award yourself--that will be
+a sufficient one. Come here and sign.&quot;</p>
+
+<p class="normal">As if automatically, Mrs. Lamb rose to her feet, moved towards
+the table, seated herself on the chair which Margaret had
+occupied, accepted the pen which the girl offered, and wrote her
+name in full on the sheet of paper which was set before her.
+When she had signed, leaning back, she looked from one to the
+other. They waited for her to speak, expecting perhaps some
+burst of tardy anger. Then, on a sudden, without a word or a
+movement, she slid from the chair on to the floor. When they
+gathered round her she lay still.</p>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+<h2><a name="div1_36" href="#div1Ref_36">CHAPTER XXXVI</a></h2>
+
+<h3>PLEASANT DREAMS!</h3>
+<br>
+
+
+<p class="normal">The duel had been fought to a finish, and Margaret had won.</p>
+
+<p class="normal">When Mrs. Gregory Lamb was brought back out of that fit by which
+she had been overtaken she was lying on Cuthbert Grahame's bed,
+on which he had lived for so long, and died at her hand; the bed
+whose image had been borne in upon her phantom-haunted brain
+with such horrible persistency. Dr. Twelves was bending over
+her, standing where he had stood many a time to bend over the
+man she slew. She was little better than a babbling idiot. She
+is not much more than that now. She is a certified lunatic,
+under kindly, yet watchful, guardianship, the expense of which
+is paid by the girl whom she so cruelly wronged.</p>
+
+<p class="normal">The physical and mental strain which had been placed upon her
+during that period of increasing financial pressure had been
+great; her attempts to relieve it by a resort to ether had made
+it ten times greater. How much of the spirit she drank has not
+been exactly ascertained. She must have consumed large
+quantities. Probably only the natural strength of her
+constitution enabled her to resist its effects so long as she
+did. Undoubtedly the habit of ether drinking had increased in
+her to such an extent that in any case it would ultimately have
+produced insanity. Her reason was already tottering when she was
+brought face to face with Margaret Wallace on the night of her
+reception, and was put to such dire confusion. It is believed
+that she touched no solid food afterwards, subsisting solely
+upon ether. Isaac Luker asserted that she carried a large bottle
+of it in her bag when they journeyed together from London, and
+was sipping its contents throughout the day.</p>
+
+<p class="normal">It was not strange that when the moment came she was ripe to
+fall a ready victim to Margaret's carefully laid lures. The girl
+fought her with weapons to which she was incapable of offering
+resistance.</p>
+
+<p class="normal">Cuthbert Grahame's money, which had been searched for so long in
+vain, was found deposited in the hiding-place the secret of
+which she had revealed to Mrs. Lamb, intending, by working on
+her guilty conscience and so extorting from her a confession,
+which it was certain could never be obtained from her by any
+other means, to destroy her when she went to seek it. Margaret
+is now Mrs. Henry Talfourd. She is married to one who loved and
+loves her, and for the love of whom she was willing to sacrifice
+all. She is a rich woman. Bearing in mind the singularity of the
+circumstances under which it has come into her possession, she
+was desirous of having nothing to do with the dead man's money.
+But it was pointed out that, excepting herself, there was no
+possible claimant. She regards herself as an almoner, as a
+steward of Cuthbert Grahame's great possessions rather than
+their owner, and employs by far the larger portion of the income
+they produce in works of benefaction. She still produces
+pictures in black and white and in colour; there are few women
+artists who have achieved a more substantial success.</p>
+
+<p class="normal">Her husband has not realised his dreams. &quot;The Gordian Knot&quot; has
+never been produced. He burnt the play with his own hands, and
+has never written another. He alone knows why, though his wife
+may have a shrewd suspicion. So far he has been content to act
+as his wife's right-hand man, an occupation which hitherto has
+kept him fully employed.</p>
+
+<p class="normal">Dr. Twelves lives and flourishes. He has been heard to declare
+that never again will he proffer assistance to any strange woman
+whom he finds by the wayside. Nannie Foreshaw is dead. Messrs.
+McTavish &amp; Brown have, if anything, improved their standing as
+family solicitors of undoubted integrity; Mrs. Talfourd is one
+of their most valued clients.</p>
+
+<p class="normal">Mrs. Talfourd presented Mr. Gregory Lamb with a passage to South
+Africa, and with a sum of money when he landed. As he has never
+asked for any more money, and nothing has been heard of him
+since, the presumption is that he has perished in that grave of
+many reputations. His wife's solicitor continues to exist, and
+is still a very well-known gentleman in certain extremely
+crooked walks of life.</p>
+
+<p class="normal">Cuthbert Grahame's home has been turned into a sanatorium and
+holiday home for children. It could hardly be employed for a
+better purpose. Boys and girls scamper among the trees; their
+voices and their laughter ring through the house. They people it
+with fresh associations; the old ghosts are gone. They find
+health and happiness in the place where once was neither. And
+when, at night, they lay their tired heads upon their pillows,
+they dream only pleasant dreams. When they wake in the morning,
+whether actually the skies be fair or clouded, to them it is
+always as if the sun was shining.</p>
+<br>
+
+<br>
+
+<br>
+
+<h3>THE ABERDEEN UNIVERSITY PRESS LIMITED</h3>
+<br>
+
+<br>
+
+<br>
+
+<br>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of A Duel, by Richard Marsh
+
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+The Project Gutenberg EBook of A Duel, by Richard Marsh
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Duel
+
+Author: Richard Marsh
+
+Release Date: November 18, 2011 [EBook #38054]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A DUEL ***
+
+
+
+
+Produced by Charles Bowen, from page scans provided by Google Books
+
+
+
+
+
+
+
+Transcriber's Notes:
+ 1. Page scan source:
+ http://books.google.com/books?id=szQPAAAAQAAJ
+ 2. The diphthong oe is represented by [oe].
+
+
+
+
+
+
+ A DUEL
+
+
+
+
+
+
+ BY THE SAME AUTHOR
+
+ The Beetle: A Mystery
+ Garnered
+ A Metamorphosis
+ The Twickenham Peerage
+ Both Sides of the Veil
+ The Seen and the Unseen
+ Marvels and Mysteries
+ Miss Arnott's Marriage
+ The Goddess: a Demon
+ The Joss: a Reversion
+ The Crime and the Criminal
+
+
+
+
+
+ A DUEL
+
+
+
+ BY
+ RICHARD MARSH
+
+
+
+ METHUEN & CO.
+ 36 ESSEX STREET W.C.
+ LONDON
+
+
+
+
+
+ _First published_, 1904
+
+
+
+
+
+ CONTENTS
+
+
+ BOOK I.--Wife
+
+
+ CHAPTER I
+
+ The End of the Honeymoon.
+
+
+ CHAPTER II
+
+ An Offer of Marriage.
+
+
+ CHAPTER III
+
+ Whom God hath Joined.
+
+
+ CHAPTER IV
+
+ A Second Honeymoon.
+
+
+ CHAPTER V
+
+ A Conversation with the Doctor.
+
+
+ CHAPTER VI
+
+ Husband and Wife.
+
+
+ CHAPTER VII
+
+ A Tug of War.
+
+
+ CHAPTER VIII
+
+ The Miniature.
+
+
+ CHAPTER IX
+
+ The Sliding Panel.
+
+
+ CHAPTER X
+
+ The Girl at the Door.
+
+
+ CHAPTER XI
+
+ Hot Water.
+
+
+ CHAPTER XII
+
+ Signing the Will.
+
+
+ CHAPTER XIII
+
+ The Encounter in the Wood.
+
+
+ CHAPTER XIV
+
+ In Cuthbert Grahame's Room.
+
+
+
+ BOOK II.--The Widow
+
+
+ CHAPTER XV
+
+ "The Gordian Knot".
+
+
+ CHAPTER XVI
+
+ Margaret is Puzzled.
+
+
+ CHAPTER XVII
+
+ An Unexpected Visitor.
+
+
+ CHAPTER XVIII
+
+ Cronies.
+
+
+ CHAPTER XIX
+
+ In Council.
+
+
+ CHAPTER XX
+
+ The Impending Sword.
+
+
+ CHAPTER XXI
+
+ Out of the Blue.
+
+
+ CHAPTER XXII
+
+ Margaret Settles the Question.
+
+
+ CHAPTER XXIII
+
+ Margaret Resolves to Fight.
+
+
+ CHAPTER XXIV
+
+ The Interior.
+
+
+ CHAPTER XXV
+
+ Alarums and Excursions.
+
+
+ CHAPTER XXVI
+
+ Solicitor and Client.
+
+
+ CHAPTER XXVII
+
+ Pure Ether.
+
+
+ CHAPTER XXVIII
+
+ Mr. Lamb in a Communicative Mood.
+
+
+ CHAPTER XXIX
+
+ Margaret Pays a Call.
+
+
+ CHAPTER XXX
+
+ Mrs. Lamb in Search of Advice.
+
+
+ CHAPTER XXXI
+
+ Mrs. Lamb Returns to Pitmuir.
+
+
+ CHAPTER XXXII
+
+ At the Gate.
+
+
+ CHAPTER XXXIII
+
+ At the Door.
+
+
+ CHAPTER XXXIV
+
+ Towards Judgment.
+
+
+ CHAPTER XXXV
+
+ Judges.
+
+ CHAPTER XXXVI
+
+ Pleasant Dreams!
+
+
+
+
+
+ BOOK I
+
+ WIFE
+
+
+
+
+ A DUEL
+
+ CHAPTER I
+
+ THE END OF THE HONEYMOON
+
+
+Isabel waited till the rat-tat was repeated a second time, then
+she went down to the front door. Since Mrs. Macconichie and her
+husband were both out, and she had the house to herself, there
+was nothing else for her to do, unless she wished the postman to
+depart with the letters. As it was, when she appeared at the
+door, he grumbled at being delayed.
+
+"These Scotchmen are all boors," she told herself, in her
+bitterness.
+
+She looked at the letter which had been thrust into her hand. It
+was addressed to "Mr. G. Lamb". The sight of it reopened the
+fountains of her scorn.
+
+"They might at least have put G. Lamb, Esq. G. Lamb! What a
+fool I've been!"
+
+Further consideration of the envelope led her to the conclusion
+that it was the letter they had both been waiting for--the
+answer to her husband's plea for help. She pressed it between
+her fingers to learn, if possible by the sense of touch, what
+the envelope contained.
+
+"I believe there's only a letter--no cheque, nor anything. If
+there isn't, then we are done."
+
+She hesitated a moment, then tore it open. It contained merely a
+sheet of common writing-paper, on the front page of which was
+this brief note:--
+
+
+"Dear Gregory,
+
+"I like the idea of your asking me to help you. You've had all
+the help you'll ever have from me. The shop won't bear it;
+business is getting worse. If it weren't, you'd get no more
+money out of me.
+
+"You'd better get your wife to keep you.
+
+ "Susan Lamb."
+
+
+Susan Lamb! That was his mother, the mother of the man she had
+married. So the truth was out at last. His mother kept a shop;
+he had been sponging on her for the money he had scattered
+broadcast. There was neither address nor date upon the letter,
+but the postmark on the envelope was Islington. Islington! His
+mother was a small shopkeeper in that haunt of the needy clerk!
+And she had believed him when he had posed before her as a
+"swell"--an aristocrat; when he had talked about his "coin" and
+his "gees". He had jockeyed her into supposing that money was a
+matter of complete indifference to him; that, as she boasted to
+her friends and rivals, "he rolled in it". So successfully had
+he hoodwinked her that she married him within a month of their
+first meeting--she, Belle Burney, the queen of song and dance!
+Had thrown up all her engagements to do it, too; and she was
+beginning to get some engagements which were not to be despised.
+
+At the commencement he had done things in style: had taken her
+up to Edinburgh, leisurely, in a motor. She had imagined that
+the motor was his own. At Edinburgh it vanished; he told her to
+receive some trifling repairs. But she, having already
+discovered he was a liar, suspected him of having sold it. Later
+she learned that the machine had only been hired for a
+fortnight.
+
+Already, at Edinburgh, money began to run short. He did his best
+to conceal from her the state of the case, but the thing was so
+obvious that his attempts at concealment were vain. He had lied
+bravely, protesting that, in some inexplicable way, his
+remittances had gone wrong; that in the course of a post or two
+he would be in possession of an indefinitely large sum of money.
+The posts came and went, but they brought no money. So they
+drifted hither and thither, each time to humbler quarters. Now,
+within six weeks of marriage, they were stranded at a remote
+spot in Forfarshire, within a drive of Carnoustie. Isabel had
+reason to suspect that, at the time of their marriage, her
+husband had less than two hundred pounds in the world. He had
+squandered more than that already; the motor had made a hole in
+it. The pawnbroker had come to the rescue when the coin was
+gone. They were penniless; owed for a week's food and lodging;
+their landlady was already showing signs of anxiety. Now the
+much-talked-of and long-expected letter had arrived which was to
+bring the munificent remittance.
+
+It turned out to be half-a-dozen lines from his shopkeeping
+mother, who declined to advance him a single stiver!
+
+When the young wife realised, or thought she realised, all that
+the curt epistle meant, she told herself that now indeed the
+worst had come. She had just had another bitter scene with her
+husband; had, in fact, driven him out into the night before the
+tempest of her scorn and opprobrium. The landlady had departed
+on an errand of her own. Isabel told herself that now, if ever,
+an opportunity presented itself to cut herself free from the
+bonds in which she had foolishly allowed herself to be entwined.
+She went upstairs, put on her hat and jacket, crammed a few of
+her scanty possessions into a leather handbag, and then--and
+only then--paused to think.
+
+It was nearly nine o'clock, late for that part of the world. The
+nearest railway station was at Carnoustie, more than seven miles
+away. She knew that there was an early train which would take
+her to Dundee, and thence to London; but, supposing she caught
+it, how about the fare? The fare to London was nearly two
+pounds; she had not a shilling. She did not doubt that, once in
+London, she could live, as she always had lived; but she had to
+get there first, across five hundred miles of intervening
+country.
+
+She arrived at a sudden resolution, one, however, which had
+probably been at the back of her mind from the first. Yesterday,
+going suddenly into the landlady's own sitting-room, she had
+taken the old lady unawares. Mrs. Macconichie had what Isabel
+felt sure were coins--gold coins--in one hand, and in the other
+the lid of a tobacco jar which stood in a corner of the china
+cupboard. Although seeming to notice nothing, Mrs. Lamb, struck
+by the old lady's state of fluster, leaped to the conclusion
+that that tobacco jar was her cash-box. Now, bag in hand, she
+came downstairs to learn if her surmise had been correct.
+
+Although she was aware that the sitting-room was empty, she was
+conscious of an odd disinclination to enter, dallying for some
+seconds with the handle in her hand. Once in, she lost no time
+in ascertaining what she wished to learn, meeting, however, with
+an unlooked-for obstacle. The china cupboard was locked; no
+doubt Mrs. Macconichie had the key in her pocket. She took out
+her own keys; not one of them was any use. She could see the
+tobacco jar on the other side of the glass door. She did
+not hesitate long; moments were precious. Taking a metal
+paper-weight off the mantelshelf she smashed the pane, breaking
+it right away to enable her to gain free access to the jar. She
+removed the lid. The jar was full of odds and ends; she did not
+examine them closely enough to gather what they were. At the
+bottom, under everything else, was a canvas bag. She took it
+out. It was tied round the neck with pink tape. It undoubtedly
+contained coins; perhaps twenty or thirty. Should she open it,
+and borrow two or three? or should she take it as it was?
+
+The answer was acted, not spoken. Slipping the bag between the
+buttons of her bodice, she passed from the room and from the
+house. So soon as she was in the open air she thought she heard
+the sound of approaching footsteps; as if involuntarily she
+shrank back into the doorway, listening. She had been mistaken;
+there was not a sound. She came out into the street again,
+drawing a long breath. She looked to the right and left; not a
+creature was in sight. She set off in the direction of
+Carnoustie.
+
+Her knowledge of the surrounding country was of the vaguest
+kind. She had not gone far before it began to dawn on her that
+this was a foolhardy venture in which she was engaged. It was a
+habit of hers to act first and think afterwards, or she would
+never have become Mrs. Gregory Lamb. Hard-headed enough when she
+chose to give her wits fair play, she was, at that period of her
+career, too much inclined to become a creature of impulse. The
+impulses to which she was prone to yield were only too apt to be
+wrong ones. For instance, she had not long left Mrs.
+Macconichie's before she perceived clearly enough that the
+chances were possibly a hundred to one against her reaching
+Carnoustie in the darkness on foot. Houses were few and far
+between; the road was a lonely one; it was quite on the cards
+that she might not meet a soul from whom to make inquiries. If
+she had given the thing any thought at all, she would have
+perceived from the first how slight her chances were, in which
+case, since it was no use jumping out of the frying-pan into the
+fire, she would certainly have postponed her departure. Now it
+was too late to return. The pane of glass in the china cupboard
+was broken; the canvas bag was inside her bodice. With the best
+will in the world she might find it difficult to conceal what
+had happened, not to speak of the possibility of Mrs.
+Macconichie's having already discovered her loss. So she pressed
+on.
+
+Indeed, shortly she could not have gone back if she had wished.
+She had not started half an hour before she was forced to admit
+that she had lost her bearings utterly; that she had not the
+faintest notion in which direction Carnoustie lay, nor
+whereabouts she was. She was on a black road; that was all she
+knew. A rough, uneven road, which apparently straggled over open
+moorland. She could make out trees here and there, but the road
+itself seemed to have no boundaries. So far as she could make
+out, there was nothing on either side in the shape of a hedge or
+landmark.
+
+Soon she was not at all sure that she was not off the road; that
+she was not roaming, blindly, over the open country. It seemed
+impossible that any road could be so uneven. She kept stumbling
+over unseen obstacles. Once she caught herself descending what
+seemed to be the steep sides of some sort of pit. With a sense
+of shock she drew back in time. She listened; she seemed to hear
+the sound of running waters. Could she be standing on the bank
+of some stream or river, into which, in another second, she
+might have descended? Anxious, even a little alarmed, turning
+right about face, she moved forward in what she supposed was the
+opposite direction. She seemed to be stumbling over a succession
+of hillocks. This could not be the road; she must have gone
+entirely astray. If she did not take care she would be running
+into some serious danger.
+
+All at once her foot caught in some trailing root or plant; she
+went headforemost to the ground. Fortunately, she came down
+lightly enough. The fall was of little consequence, but when she
+tried to regain her perpendicular she learned, to her dismay,
+that her ankle refused to support her. Willy-nilly, she had to
+remain squatted where she had fallen.
+
+"I seem to be in for a real good thing," she groaned. "Am I to
+stay here all night? I shall be frozen to the bone before the
+morning, to say nothing of waiting like a rat in a trap for Mrs.
+Macconichie to catch me."
+
+She had to wait there for probably more than an hour, not
+exactly on the same spot. She managed, at intervals, to half
+hobble, half crawl across, perhaps another couple of hundred
+yards of ground. But the labour was thrown away. At that rate
+she would not have covered a mile before daybreak. Yielding to
+necessity, still clutching her bag, crouching on the turf, she
+watched for the light to come. She felt no need for sleep; she
+was only consumed by a great impatience, in that all things
+seemed to be against her.
+
+The skies were clouded like her fate. Nowhere was there a
+glimmer of a star. A cool breeze was coming from what she judged
+to be the sea. It made itself more and more felt as the time
+stole on. By degrees it began to bring a mist with it. As she
+had foreseen, she became chilled to the marrow of her bones.
+
+"If this goes on I shall freeze to death."
+
+The idea recurred to her like a sort of formula. She kept
+telling herself again and again that that night would be the end
+of her.
+
+When her vitality seemed at its lowest point the stillness of
+the night was broken by a sound--the sound of wheels.
+
+
+
+
+ CHAPTER II
+
+ AN OFFER OF MARRIAGE
+
+
+She raised her head to listen, thinking that her senses must be
+playing her a trick. No; it certainly was the sound of wheels,
+coming nearer and nearer. Some one was driving fast through the
+darkness, so fast that in what seemed to her to be less than a
+minute the driver was close upon her. Apparently nearly in front
+of her, although she could not see it, was a road along which
+the vehicle was approaching. It carried no lights; nothing broke
+the shadows; but, if her ears could be trusted, within a
+stone's-throw of where she was some wheeled conveyance was
+hurrying past. She stood upon her one sound foot and shouted:--
+
+"Hallo!--hallo-o!--hallo-o-o!" again and again.
+
+Her first shouts went unheeded. Possessed by a wild fear that
+she might remain unnoticed, raising her voice to a desperate
+yell, she started to scream herself hoarse.
+
+This time her tones travelled. Suddenly the vehicle ceased to
+move. An answering shout came back to her:--
+
+"Who's there? What's the matter with you?"
+
+The accent was broad Scotch. Had it been the purest Cockney
+it could not have seemed more welcome. She replied to the
+inquiry:--
+
+"I've sprained my ankle so that I can hardly move".
+
+This time in the other voice there was an unmistakable
+suggestion of surprise.
+
+"Is it a woman?"
+
+"Yes."
+
+Her tone was fainter.
+
+"And what might you be doing here at this hour of the morning?"
+
+"I'm going to Carnoustie."
+
+"Carnoustie! You're going to Carnoustie!--along this road?
+You're joking! Can you get as far as this, so that I can have a
+look at you?"
+
+"I'll try."
+
+She did try. It was a distance of barely a hundred yards, but
+traversing it was a work of time. When the space was covered it
+was only by clutching at the wheel of the trap that she saved
+herself from subsiding in a heap upon the ground. In an instant
+the driver was off his seat, and with his arm about her.
+
+"Is it so bad as that?"
+
+"It is pretty bad," she stammered.
+
+"For the Lord's sake, don't faint! We've no time to waste upon
+such trifles."
+
+"I'm not going to faint." At any rate the tone was faint enough.
+Suddenly she seemed to pull herself together, as if stirred by a
+spirit of resentment. "I never have fainted in my life--I'm not
+going to begin to do it now."
+
+He laughed--that is, the little husky sound he made might have
+been intended for a laugh.
+
+"If you'll keep quite still I'll lift you up into the trap
+somehow, though, by the feel of you, you're as big as I am, and,
+maybe, heavier. The mare won't move. She's one of the few female
+things I ever met that wasn't troubled with the fidgets."
+
+As he put it, "somehow" he did get her up into the trap, then
+climbed on to the seat beside her. Presently they were bowling
+along together. For some seconds neither spoke. She was
+endeavouring to accustom herself to her new position. He,
+possibly--as his questions immediately showed--was wondering who
+it was that he had chanced upon.
+
+"You're English?"
+
+"I am."
+
+"Staying in these parts?"
+
+"I'm on a walking tour."
+
+"A walking tour at one o'clock in the morning!"
+
+"It wasn't one o'clock when I started. I've been where you found
+me for hours and hours."
+
+"Where were you making for?"
+
+"I've told you, I was going to Carnoustie."
+
+"Going from Carnoustie, you mean. You'll never be finding it in
+this part of the country."
+
+"I daresay. Since it became dark I've been hobbling round about
+just anywhere. I don't know where I am; I've lost myself
+completely." He was silent, as if he found something in her
+words which made him think. Then she took up the _role_ of
+questioner: "Where are you going?"
+
+"To a man that's dying."
+
+"Are you a doctor?"
+
+"It's my trade."
+
+"Then you'll be able to look at my ankle. I hope it's nothing
+serious, but it seems to be getting worse instead of better."
+
+"I'll look at your ankle, never fear. I'll find you an easier
+patient than the one I'm bound for."
+
+Little more was said on either side. The doctor seemed to be by
+nature a taciturn man, or perhaps he was too preoccupied for
+speech. Isabel was feeling too miserable to talk. She was cold
+and wet; her ankle was occasioning her no little pain. She could
+hardly have been less inclined for conversation, and she, also,
+had at times a gift of silence. During the twenty or thirty
+minutes the drive continued probably not half-a-dozen words were
+exchanged.
+
+At last the doctor brought his mare to a standstill.
+
+"I suppose you couldn't get down and open a gate? There's one
+right in front of us. I can see it's closed."
+
+His eyes must have had the cat's quality of being able to
+penetrate the darkness; she could see nothing.
+
+"I might be able to get down--if I had to tumble, but I doubt if
+I'd ever be able to get up again."
+
+He grunted as if in disapprobation.
+
+"Can you hold the reins while I get down?"
+
+"I daresay I could do that."
+
+He passed her the reins and descended. She heard a gate swing
+back upon its hinges. He reappeared at the horse's head.
+
+"I'd better lead her through and up to the house; it's as black
+as the devil's painted under the trees. I ought to have brought
+my lamps, but I came away in such a hurry. When some folks are
+dying they will not wait."
+
+They passed through a darkness which was so intense that she
+could not see the horse which was drawing her on. The avenue
+seemed a long one. It was some minutes before, drawing clear of
+the overhanging foliage, they stopped in front of a house which
+loomed grim and ominous in the shadows. Apparently their
+approach had been heard. No sooner had they stopped than the
+door was thrown wide open. The figure of a woman was seen
+peering out into the darkness, with a lamp in her hand.
+
+"Is it the doctor?" she demanded.
+
+"Yes, it's the doctor. And how is he now?"
+
+"He's as near to death as he can be to be still alive. I believe
+he's only keeping the breath in his body till he gets a sight of
+you."
+
+"To be sure that's uncommonly good of him. Now, madam, will that
+ankle of yours permit you to tumble down with the help of a hand
+from me?"
+
+Without answering Isabel commenced a laborious and painful
+descent. At sight of her the woman on the doorstep evinced a
+lively curiosity.
+
+"Why, doctor, who is it you're bringing with you?"
+
+"It's a visitor for you, and another patient for me, Nannie.
+You'll have to find her a corner somewhere while I go up to see
+the laird. When I've done with him I'll have to start with her.
+I'm hoping that she'll be the easier job of the two. Come, lend
+a hand. It's beyond my power to get her into the house alone,
+and it seems that by herself she'll never do it."
+
+Between them they got her up the steps, through the door and
+into a room which, immediately after passing it, was entered on
+the right. They placed her on a couch.
+
+"Now, madam," observed the doctor, "here you'll have to stay
+until I've seen my other patient. And since Heaven only knows
+how long he'll keep me, you'll have to make the best of it until
+I come. So keep up the character you told me of and don't you
+faint, or any silliness of that kind, but just make yourself as
+comfortable as ever you can."
+
+With that the speaker left her, the woman going with him. She
+had placed on a table the lamp which she had borne in her hand.
+It was a common glass affair, which did not give too good a
+light. For some minutes Isabel showed no inclination to avail
+herself of its assistance to learn in what manner of place she
+was. By degrees, however, as the time continued to pass, and
+there were still no signs of any one appearing, she began to
+show a languid interest in her surroundings. She was dimly
+conscious that the room was not a large one; that it was
+sparely, even austerely, furnished. She was aware that the couch
+on which she lay was of the old-fashioned horsehair kind, both
+slippery and uncomfortable. She had a vague suspicion that if
+she was not careful she would slip right off it, and her misty
+imaginings became mistier still. Before she knew it she was
+asleep.
+
+She slept for two good hours before she was disturbed; at least
+that period of time had elapsed before the doctor made his
+reappearance in the room. The sight of the sleeping woman seemed
+to occasion him surprise. He observed her with a slight smile
+adding another pucker to his wrinkled cheeks. He was a little,
+thin man, clean shaven and bald-headed. He had a big, aquiline
+nose. His eyes were sunk deep in his head, looking out from
+overhanging shaggy eyebrows. His lips were drawn so tightly
+together as to hint at a paucity of teeth.
+
+"Who are you, I wonder? You've youth, health, good looks--three
+good things for a woman to have. You're not ill-dressed. And yet
+there's that about you, as you lie sleeping there--we're all of
+us apt to give ourselves away when we're asleep--which makes me
+wonder who you are, and how you came to sprain your ankle on
+Crag Moor when going to Carnoustie. However that may be, there's
+an adventure lying ready to your hand--if you've a fancy for
+adventures. And, unless I'm much mistaken, I think you have."
+
+He laid his hand upon the sleeper's shoulder. The touch was a
+light one, but it was sufficient to arouse her. With a start she
+sprang up to a sitting posture, crying--
+
+"You shan't! It's a lie! You shan't." She put her hand to her
+bodice, as if to guard something which was hidden there. The
+doctor said nothing; he stood and watched. Waking to a clearer
+sense of her surroundings, she perceived him standing by her
+side. "Oh, it's you. How long have I been asleep?"
+
+"Sufficiently long, I hope, to rest you. Will you allow me to
+introduce myself? My name is Twelves--David Twelves, M.D., of
+Edinburgh. May I ask if you have any objection to introduce
+yourself to me, and tell me your name?"
+
+"Not the least; why should I have? I'm not ashamed of my name.
+Why do you want to know it?"
+
+"Because the immediate object of my presence here is to make you
+what is to all intents and purposes an offer of, say, twenty
+thousand pounds, and I have a not unnatural desire to know to
+whom I am offering it."
+
+She sat more upright on the couch, swinging round so as to bring
+her feet upon the floor, looking at him with eyes which were now
+wide open.
+
+"What do you mean? You are making fun of me."
+
+"I am doing nothing of the kind. This is likely to be one of the
+most serious moments of your life. I am not disposed to lighten
+it by misplaced attempts at playfulness." Yet even as he spoke
+again that nebulous smile seemed to add another pucker to his
+cheeks. "What I say is said very much in earnest. There is a man
+upstairs who's dying. Perhaps he is already dead while I stand
+here talking to you. If he's not dead, before he dies he wants
+another curious thing--a wife."
+
+"A wife!--and you say he's dying!"
+
+"It's because he's dying that he wants her. He has had no need
+of such an encumbrance living. I have come to ask you if you'll
+be his wife."
+
+"I be his wife!"
+
+Instinctively she doubled up the finger on which was the
+wedding-ring. She still wore her gloves, so it had remained
+unnoticed.
+
+"Yes, you. You're the only woman within reach, except old
+Nannie, who hardly counts, or I wouldn't trouble you. Answer me
+shortly--yes or no--will you be his wife?"
+
+"Marry a perfect stranger!--a man I've never seen!--who you say
+is dying!"
+
+"Precisely; it is a mere formula to which I'm asking your
+subscription. He'll certainly be dead inside two hours, possibly
+in very much less. You'll be a widow in one of the shortest
+times on record; in possession of a wife's share of all his
+worldly goods--and that, by all accounts, should be worth fully
+twenty thousand pounds."
+
+"Twenty thousand pounds! But why should he want to marry any one
+if he's dying?"
+
+"There's not much time for explanation, but I'll explain this
+much. He's made a will in favour of a certain person. That will
+he is anxious to revoke. If he marries it will become invalid.
+As matters stand it will be easier for him to take a wife than
+to make another will."
+
+"You are sure he will be dead within two hours?"
+
+"Quite. I shall not be surprised to learn that he's dead
+already. You are losing your chances of becoming a well-to-do
+widow by lingering here."
+
+"You are certain he will leave me twenty thousand pounds?"
+
+"The simple fact of his death will make it yours. So soon as the
+breath is out of his body you will become entitled to a wife's
+inheritance--if you are his wife."
+
+"You are not playing me any trick? It is all just as you say?"
+
+"On my honour, it is all just as I say. There is no trick. If
+you will come with me upstairs you will be able to judge for
+yourself."
+
+"But how can we be married at a moment's notice? Is there a
+clergyman in the house?"
+
+"You forget you are in Scotland. Neither notice nor clergyman is
+needed. It will be sufficient for you to recognise each other as
+husband and wife in the presence of witnesses; that act of
+mutual recognition will in itself constitute a legal marriage
+which all the lawyers will not be able to break. That is why it
+will be easier for him to marry than to make another will."
+
+"There is not the least doubt that he will be dead within two
+hours?"
+
+"Not the least--unless a miracle intervenes."
+
+She was sitting with her hands clenched in her lap, a
+perceptible interval of silence intervening before the words
+burst from her lips--
+
+"Then I'll marry him!"
+
+
+
+
+ CHAPTER III
+
+ WHOM GOD HATH JOINED
+
+
+Dr. Twelves showed no sign of either surprise or gratification.
+He looked at her dispassionately, almost apathetically, from
+under his overhanging eyebrows.
+
+"Can you walk upstairs without assistance?"
+
+"I'm afraid not. I don't think my ankle is any better."
+
+He stooped down.
+
+"It's swollen; it looks as if it were going to be an awkward
+business. Your boot and stocking will have to be cut away; but
+there's no time to do it now--moments are precious. You will
+have to wait until you're married. It's only on the first floor.
+Do you think you'll be able to get up with the aid of my arm and
+of the baluster?"
+
+"I'll try."
+
+"Might I suggest, before we start, that it would do no harm if
+you were to remove your hat and jacket. It would seem more in
+keeping."
+
+She acted on his suggestion.
+
+"I ought to wash and tidy myself; I know I'm all anyhow."
+
+"Now you will do very well. Your future husband is too far gone
+to be able to tell if your hair is straight or crooked; at the
+point he's reached that sort of thing doesn't matter." When they
+had reached the landing at the top of the stairs the doctor said
+to her: "By the way, the name of your future husband is
+Grahame--Cuthbert Grahame. May I ask what yours is? It is just as
+well that he should know it."
+
+She hesitated a moment.
+
+"My name is Isabel Burney."
+
+"Miss Burney, allow me to introduce you to Mr. Grahame's room."
+
+He threw open the door of the room in front of which they had
+been standing. As he did so Isabel slipped off her left-hand
+glove, bringing with it, at the same time, her wedding-ring.
+Crumpling up her glove she squeezed it into her waistband, the
+ring inside it. On the doctor's arm she hobbled to a big
+armchair, into which she sank with a sigh of unmistakable
+relief.
+
+The room in which she found herself, although low-ceilinged, was
+a spacious one. It seemed to her that all the furniture it
+contained was old-fashioned, a fact which, although she did not
+know it, increased its value perhaps a hundred-fold. She thought
+it simply dowdy. A huge Chippendale bed was in the centre of the
+room. In it, propped up on pillows, was the figure of a man
+which, if only from the point of size, fitly matched the bed.
+Leaning over him, on the other side, was Nannie, the old woman
+who had admitted them into the house. The doctor addressed
+himself to her.
+
+"How is he?"
+
+"About the same."
+
+Although they had both spoken in a whisper their voices were
+audible to the man in the bed.
+
+"Is that that old devil Twelves come back again?"
+
+The tone was harsh, and it was obvious that the speaker spoke
+with difficulty, but the words themselves were plain enough. The
+doctor evinced no sign of annoyance at the other's somewhat
+uncomplimentary reference to himself; on the contrary, he chose
+to apply to himself the other's epithet as he answered:--
+
+"Yes, it's the old devil back again, and, what's more, he's
+brought the young devil too--begging your pardon, Miss Burney,
+for speaking of you in such a manner. But it's the fashion in
+this house to use strong language, and always has been. Laird,
+I've brought the lady."
+
+"Where is she?"
+
+"At this moment she's sitting in your armchair. As I told you,
+she's sprained her ankle, which makes it difficult for her to
+walk, or even stand."
+
+"Damn her ankle!"
+
+"By all means. You should know more about that sort of thing
+than I do. You're nearer to it than I am."
+
+"You think that hurts me?"
+
+"Not I. I know that nothing hurts you. I doubt if even the
+torments of hell will trouble you much. You're past all hurting.
+Shall I tell Miss Burney she isn't wanted, and can go again?"
+
+"What's her name?"
+
+"Burney--Isabel Burney. At least, she says so."
+
+"Isabel Burney, you are my wife; you're Mrs. Cuthbert Grahame. I
+acknowledge you as my wife, and I wish all men to acknowledge
+you also. Are you content that it should be so?"
+
+"I am."
+
+"You hear, Nannie? You hear, Twelves? You're both witnesses. I
+take Isabel Burney to be my wife, and she agrees."
+
+"I hear. But does she take you for her husband--eh, Miss
+Burney?"
+
+"I do. I take Cuthbert Grahame to be my husband in the sight of
+God and man."
+
+Isabel had returned to one of her old faults--overemphasis.
+There was a theatrical intensity about both her manner and her
+words which was singularly out of place when compared with the
+matter-of-fact ribaldry which seemed to mark the husky utterance
+of the man in the bed. Its inappropriateness seemed to strike
+the others. After a perceptible pause the man in the bed
+wheezed--
+
+"Leave God out of it". Presently he added, still more wheezily,
+"Come here, Mrs. Cuthbert Grahame".
+
+The doctor moved towards her.
+
+"Can I assist you, Mrs. Grahame, to your husband's side?" With
+the doctor's aid she gained the bed. "Laird, here's your wife;
+can you see her?"
+
+Isabel saw the man whom she had taken to be her husband. The
+sight of him shocked her. She told herself that she had never
+seen a more dreadful object even in her dreams. His size was
+abnormal. Not only was he naturally a big man, but his frame had
+become swollen and bloated till it was monstrous--a horror to
+look upon. His head and face were covered with scanty red hair,
+which needed cutting. He had a huge head, and his neck was so
+short and thick that it conveyed a grotesque impression that his
+head sprang directly from his trunk. His whole form seemed to be
+afflicted with some sort of tetanus, so that he was rigid,
+immovable. He lay on his back, with his arms straight down at
+his sides. Through his parted lips came jerky, stertorous
+breaths. His eyelids were partially open, but only the whites of
+his eyes were visible; his own words made it clear that they
+were of little use to him as organs of sight.
+
+"See her? No, I can't see her. I don't want to."
+
+As he spoke a tremor passed all over him. His whole frame
+heaved; as if seized by a sudden convulsion he began fighting
+for his life. The doctor spoke to her.
+
+"You had better go, unless you'd like to see the last of him.
+This is likely to be the end. He'll hardly win through another
+bout."
+
+He moved towards the bed, Nannie joining him. Isabel was left to
+her own devices. Powerless to move far unaided it was all she
+could do to stagger to the nearest chair. In it she sat,
+waiting, watching, listening, like an unwilling spectator in
+some bad dream. It was a scene which she never wholly forgot.
+The dim light, the quaintly furnished room, the figures of the
+old man and woman bending this way, then that, as they struggled
+with the creature on the bed. What ailed him she did not know;
+she vaguely surmised that he might be in the throes of some kind
+of epileptic fit. His contortions shook the bed, indeed the
+room. He kept uttering sounds which had a disagreeable
+resemblance to the half-strangled yelps of some wild beast.
+
+How long it lasted she did not know. Long enough to strain her
+already highly strung nerves almost beyond endurance. At last
+there came a lull. The man on the bed was first quieter, then
+still. She took advantage of the silence to exclaim:--
+
+"Can't you take me away somewhere? You know I can't move. If I
+have to stay here much longer I--I shall make a fool of myself."
+
+The doctor and Nannie paid her no heed. Side by side they were
+stooping together over the silent figure. After affording them
+what she deemed a more than sufficient opportunity to answer,
+she appealed to them again.
+
+"Can't you hear me? Take me away somewhere--I don't care where!
+I'll go mad if you don't."
+
+The doctor did not answer her directly; he spoke to Nannie.
+
+"Do as she bids you; take her away."
+
+"Where'll I take her?" the woman asked.
+
+"Take her and put her to bed in the best bedroom. Remember that
+she's now the mistress of this house."
+
+Nannie moved towards Isabel. For a woman, she was tall and
+brawny, but she was probably well past fifty, and Isabel
+certainly had not credited her with the capacity to do what she
+immediately did. She eyed the stranger for a moment in silence,
+then she asked, in the broadest Scotch:--
+
+"Can't you walk by your own self?"
+
+Isabel resented both the tone and the scrutiny.
+
+"You know I can't."
+
+Without more ado the woman, stooping, put her arms about her and
+lifted her bodily from the chair as if she were some great
+child. Isabel was taken by surprise, and a little alarmed.
+
+"You'll drop me!" she cried.
+
+"I'll not drop you; you're nothing of a weight."
+
+As if to prove it, the old woman bore her from the room, across
+the landing, to another room on the other side, one which was in
+darkness. But Nannie seemed to know its geography by instinct.
+She deposited her burden on what Isabel realised was a bed.
+Striking a match on a box which she took from her pocket, she
+lit some candles which stood on the mantelshelf. Isabel,
+remaining where she had been placed, eyed her as she moved
+about.
+
+"You're very strong."
+
+"I'm not so strong as once I was. There was a time when I'd have
+carried four of you, and thought nothing of it either. Now can
+you undress yourself, or will you be needing me to do it for
+you?"
+
+"Thank you, I think I can undress myself; but if you would help
+me take the boot off my bad foot."
+
+Nannie bent over the foot which the other extended. She regarded
+it in silence, then, still without a word, she left the room. So
+soon as she was gone Isabel dragged the glove which contained
+her wedding-ring out of her belt, and the canvas bag which had
+come out of Mrs. Macconichie's tobacco jar from her bodice, and
+thrust them as far as possible under the bolster which was
+beneath the pillow on which she was reclining. Scarcely had she
+done this when Nannie reappeared, in her hands a pair of large
+scissors. With their aid she proceeded, still speechless, to
+cut, first, the laces of Isabel's boot, and then the boot
+itself, till it came away from her foot. As it came away she did
+what she boasted she had never before done in her life--she
+fainted. When she came to herself again she found that Nannie,
+who had apparently remained indifferent to the fact that her
+senses had left her, having bathed her foot and ankle, was
+putting the finishing touches to the bandages in which she had
+swathed it. When the bandage was completed the old woman, still
+without vouchsafing a word, began to undress her, and did it
+with a deftness and neatness which would have done her credit
+had she played the part of lady's-maid her whole life long.
+Almost before she knew it, she was ready for the sheets, and so
+soon as she was ready she was placed between them.
+
+"You're very good to me," she murmured, with a luxurious sigh,
+as she recognised what a delicious feeling it was to be between
+them.
+
+"I'm not good to you--anyway I'm not wanting to be good to you."
+
+Isabel looked up with surprise; the tone was almost savage.
+
+"Why not? Don't you think that you will like me?"
+
+"Like you!--like you!"
+
+The emphasis with which the words were repeated was
+unmistakable. It would have been difficult for scorn to have
+been more eloquent. Without condescending to further speech, as
+if everything had been said which could be said, Nannie moved
+towards the door. Isabel put a question to her as she reached
+it.
+
+"Is my husband dead?"
+
+Nannie turned swiftly round to her.
+
+"Your--what?"
+
+"My husband."
+
+"Your husband!--your husband!"
+
+Again the repetition was marked by the same wealth of scorn.
+Isabel was moved to some show of resentment.
+
+"He is my husband--you know he's my husband."
+
+"Oh, he's your husband, Mrs. Cuthbert Grahame. I'm not doubting
+it, ma'am, or that you're a fit and proper wife for him. I'm
+ready to tell to any one that you're a well-matched pair."
+
+"Is he dead?"
+
+As she repeated her inquiry Isabel's manner was a trifle more
+subdued; she was finding Nannie a difficult person to contend
+with.
+
+"You'd better be asking Dr. Twelves if your husband's dead,
+ma'am; he's a surer judge of dead folk than I am. You'll be
+feeling anxious till you know, and so I'll tell the doctor. When
+a woman's been acquainted with a man so long as you've been
+acquainted with your man, so that you've come to know all the
+secrets of his heart, and the very shape and fashion of the soul
+which God has lent him, to be sure all her nature stirs within
+her when she begins to fear he's near to dying. It's hard to
+lose the husband to whom you've only been married a couple of
+minutes, so I'll tell the doctor to hurry and let you know if
+you're a widow before you're a wife."
+
+Without giving Isabel a chance to retort, Nannie opened the door
+with a swishing movement, which was in harmony with her state of
+mind, and vanished from the chamber.
+
+
+
+
+ CHAPTER IV
+
+ A SECOND HONEYMOON
+
+
+She had slept well; Isabel admitted so much. She suspected
+something else, that the morning was far advanced. There was
+that in the atmosphere which conveyed that impression.
+Apparently some one had been in while she still slept and put
+the room in order. The blinds were up, the curtains drawn back,
+the sun streamed in through the small square windows which were
+set deep in the thickness of the wall. As she looked about her,
+from her vantage place on the pillow, she felt that this was the
+queerest place she ever had been in. Everything, including the
+room itself, seemed to her to be hundreds of years old. The
+paper on the walls was like nothing she had ever seen before.
+The furniture was of the oddest shapes; indeed, what some of the
+articles might be intended for was beyond her comprehension. As
+she gradually absorbed it all, she began to be conscious of an
+almost eerie feeling that she had woke up in some ancient
+habitation and in some bygone age of which she had no knowledge.
+
+Then something else forced itself on her attention, she felt
+that she was helpless. As she tried to turn in bed, the better
+to enable her to see what was to be seen, a spasm of pain passed
+over her, which was so acute that she had to shut her eyes and
+bite her lips to prevent herself from crying out. For some
+moments she lay quite still, waiting for the pain to go. It was
+some time before it diminished; even when it was easier she
+learnt, to her dismay, that she would have to be very careful in
+her movements if she did not wish it to return with probably
+increasing violence. Her foot seemed, from the feel of it, to be
+about as bad as it could be. It was not only useless, it held
+her prisoner. The slightest attempt to move it in any direction
+resulted in the keenest anguish. It seemed that relief from
+almost unendurable torment could only be obtained by remaining
+entirely quiescent. That meant, in effect, that she was chained,
+possibly for an indefinite period, to the bed in which she was
+lying. An agreeable prospect!
+
+As the true inwardness of the position began to dawn on her, in
+phantasmagoric procession the events of the previous night
+flashed across her mind. The letter to her husband--to Gregory
+Lamb--which she had opened and read, the letter with the
+Islington post-mark, containing the curt refusal to accord him
+further help; the resolution to leave him, which she had
+instantly arrived at after its perusal; her visit to Mrs.
+Macconichie's sitting-room; her forcible entry into the china
+cupboard; her abstraction of the canvas bag from the tobacco
+jar.
+
+At this point, her thoughts branching off in another direction,
+she felt, gingerly enough, for it seemed that movement of any
+sort meant pain, under the bolster, and produced from it the
+bag in question and the glove in which she had secreted the
+wedding-ring. The sight of the ring started her thoughts
+travelling again.
+
+To her flight through the darkness, with the leather handbag. By
+the way, what had become of that bag? She had no recollection of
+having done anything with it. Possibly she had put it down when
+she had sprained her ankle, and, in her trouble, had forgotten
+its existence; in which case it might be still upon the moor. If
+it were found, and nothing could be learned of her, what
+deductions would be drawn? She wondered. One thing was certain,
+it contained all her worldly possessions. Without it she had not
+so much as a pocket-handkerchief, not to speak of such a
+necessity of existence as a brush and comb.
+
+Then the trap had come through the night, and borne her to the
+house in which she lay. There she had been married to a man upon
+his death-bed. Such a man and such a death-bed! Could it be
+possible? She clenched her fists, and asked herself if the whole
+business had not been the wild imaginings of some disordered
+dream. Even to herself she could not furnish a satisfactory
+answer.
+
+Why had she suffered herself to be dragged through such a
+farce?--to play a part in such an odious scene? Because that old
+man who called himself a doctor had told her that the creature
+would be dead within two hours, and that then she would be
+richer by twenty thousand pounds. Twenty thousand pounds! Could
+that part of the tale be possible? Why, in that case, this
+house, the very room in which she was, the queer furniture which
+filled it, all might be hers. She would be a wealthy woman, who
+had won her wealth so easily without incurring risk worth
+mention. Because, even in the storm and stress of the moment,
+she had understood that bigamy was bigamy, even though one of
+the marriages into which she had entered was a Scotch one. Of
+course, nothing could make that marriage of the night before a
+real one, since she was a wife already. But, as the man was
+dead, and she was supposed to be his widow, if fortune favoured
+her the truth never need come out. She believed that she was
+clever enough to conceal it--at any rate from whom it was worth
+her while to do so. Only let her get hold of the twenty thousand
+pounds, or so much of it as could be turned into ready cash--let
+them find out afterwards what they chose--they would find it
+hard to get the money back from her. Twenty thousand pounds! She
+fancied herself letting go of such a sum as that if she once had
+it in her grip!
+
+The first thing she had to do was to inform herself as fully as
+possible as to the actual situation. If she was a widow, and her
+husband had died without a will--he had certainly not made one
+after marrying her, while the doctor had assured her that
+marriage had rendered nugatory any he might have made
+before--then this house, and all that it contained, if it had
+been his property, was now hers. At least she hoped it was,
+because, after a little muddled consideration, it began to occur
+to her that, by English law, a wife did not necessarily inherit
+all that a husband who had died intestate left behind him.
+Exactly what share was hers she was not sure, but she had a more
+or less dim conviction that it was less than the whole. The same
+objectionable law might obtain in Scotland, or even a worse one.
+The sooner she ascertained exactly how the ground lay the better
+it would be for her peace of mind. So she began to call
+attention to the fact that she was wide awake. Since there was
+apparently no bell within reach, she had to make the best use of
+her voice.
+
+"Nannie!" she called. "Nannie! Nannie!" And she kept on calling,
+because there was none that answered. Her voice was a strong
+one--she exerted it to the utmost--but it seemed that it was not
+strong enough to reach any one outside that room. She shouted
+till she was hoarse, and angry too, quite in vain; nothing
+resulted.
+
+"If there's any one in the house they must hear me, and I expect
+they do, only they don't choose to come. Oh, if it weren't for
+this foot of mine! That Nannie's an insolent hag. She knows
+perfectly well that I can't move, and thinks she can treat me as
+she likes. If I could move I'd soon show her. Nannie! Nannie!"
+She shouted till she could really shout no longer. No one came;
+nor was there anything to show that she was heard. She began to
+be possessed by a fresh alarm. "I wonder if the house is empty?
+Suppose that old hag has gone off and left me alone in the house
+with that--that dead man. I'll be bound she's quite capable of
+doing it--old wretch! I shall starve to death! Nannie! Nannie!"
+
+But all the strength had gone out of her voice--it was not
+strange that those muffled tones remained unheeded--a fact of
+which she herself was conscious. At last, wholly exhausted, she
+lay and thought hard things of every one. She was genuinely
+hungry. She told herself that if some one did not come soon and
+bring her food something would have to be done, though she had
+not the faintest notion what. Self-help was out of the question;
+she was as powerless to move as if she had been riveted to the
+bed.
+
+She was rapidly reaching a despairing stage when Nannie entered
+with a tray in her hand, quite calmly, as if it were the most
+natural thing in the world that she should come just then and
+not before. Isabel broke into angry expostulation.
+
+"Why have you kept me waiting. Why didn't you come before? You
+must have heard me long ago--you're not stone deaf. I've
+screamed myself hoarse."
+
+Nannie placed the tray upon a table. Then, with the most
+matter-of-fact air, putting her arms about the angry woman, she
+raised her to a sitting posture, arranging the pillows so that
+they formed a prop for her back. Divided between indignation and
+bewilderment, Isabel submitted in silence; she was so helpless,
+the old woman's manner was so masterful, that to expostulate
+seemed vain. The tray was put beside her on the coverlet, Nannie
+observing--
+
+"When you've eaten your fill I'll come and take a look at that
+foot of yours".
+
+"It's ever so much worse. I've been in agony--and am still. I
+believe I've broken a bone."
+
+"Not you; it's no but a sprain."
+
+"It's more than a sprain--much more, I'm convinced of it.
+Where's Dr. Twelves? He ought to attend to it at once. He said
+he would come and see me. Why hasn't he been?"
+
+"He's been and gone hours ago."
+
+"Been and gone! Why didn't you let me know that he was here?"
+
+"What for should I let you know?"
+
+"You knew that I wished to see him."
+
+"You never said it; and, anyway, he never said that he was
+wishing to see you."
+
+"You're taking advantage of me! You think I'm at your mercy, and
+that you can do as you like with me because I can't move! You're
+a wicked old woman!"
+
+"Am I? Then I'm reckoning that age is the only difference there
+is between us."
+
+Burning words flamed to Isabel's lips, but she had enough
+prudence and self-control not to allow them to go any farther.
+She was at the other's mercy, and she knew it. The only way to
+obtain from her some slight consideration was to endeavour to
+appease, not anger her. Instead of giving her anger vent, she
+put to her a question, the one she had put the night before.
+
+"Is my husband dead?"
+
+She received what was practically the same answer.
+
+"Didn't I tell you that for that you must ask Dr. Twelves, since
+he's knowing when folks are dead better than me?"
+
+Without affording Isabel another opportunity to speak Nannie
+left the room.
+
+If the new Mrs. Grahame could have got out of bed there would
+have been some lively doings. It is not impossible that Nannie
+would have found that she had met her match. When that lady was
+really roused, and had a fair chance to show it, she was a
+difficult person to deal with. But she was, literally, held by
+the leg; as incapable of doing what she would have liked to have
+done as if she had been an infant in arms.
+
+When, after an interval of no long duration, the ancient
+servitor returned, Isabel did treat her to what she meant to be
+a taste of her claws. For all the effect she produced she might
+have saved herself the trouble. The Scotchwoman evinced a serene
+indifference to anything she might say or do, which influenced
+her more than she would have cared to own. Then the pain she
+endured was exquisite. Nannie's ministrations were deft enough.
+She set about her task like one who understood well what she had
+to do, and was capable of doing it. She removed the bandages,
+bathed the injured foot, applied hot poultices; so far as Isabel
+was able to judge, did all that could be done. But the most
+delicate touches could not prevent her suffering agony. By the
+time the other had finished her anger was forgotten. All she
+desired was rest--peace--to be left alone.
+
+For seven days Isabel remained, willy-nilly, in bed. All the
+time the only person she saw was Nannie. Dr. Twelves never came
+near her. Whether the fault was his or her attendant's was more
+than she could determine. She heard no news of any sort or kind.
+Nothing could be got out of Nannie. No answers to any of her
+questions; only the fewest possible words on unimportant
+subjects.
+
+It is true that during the first two or three days her ankle
+gave her so much trouble, her sufferings from it were so
+intense, that she was, in a measure, content to be left alone
+and in ignorance. But as the pain lessened her impatience, and
+indignation, grew apace. More than once she attempted to get out
+of bed and to start on a voyage of exploration through the house
+to acquire information on her own account. Since, however, her
+attempts only resulted in disaster, and it was made plain that
+they only postponed her convalescence, common-sense gained the
+upper hand. She resolved to endure with as much calmness as she
+could command till the time arrived when, at least to some
+extent, she should again be mistress of her own powers of
+locomotion.
+
+After the longest week she had ever known she decided that that
+time was not far off. She informed Nannie that, since her foot
+was now on the high road to recovery, on the morrow she would be
+capable of getting out of bed, and that, therefore, get out of
+bed she would. Nannie, as was her wont, kept silence when this
+piece of information was vouchsafed to her. But that she was
+impressed by it was evident when on the morrow in question,
+instead of the old woman, Dr. Twelves came into the room. It
+seemed as if Nannie must have told him that the time had now
+come when it was desirable that he should make his re-entry on
+the scene. At least that was the conclusion at which, at sight
+of him, the lady in the bed instantly arrived.
+
+
+
+
+ CHAPTER V
+
+ A CONVERSATION WITH THE DOCTOR
+
+
+"So you've come, have you, at last! I suppose that old hag told
+you you had better before I came to you? I should have come in
+half an hour."
+
+That was the greeting the angry lady accorded her tardy visitor.
+
+Dr. Twelves seemed to be in no haste to answer. Coming to within
+a foot or two of her bed-side he stood and eyed her. He looked
+very old in the daylight, older than she had thought he was.
+Short; thin to the point of emaciation. There was something
+almost sinister in his attitude, in the way in which, inclining
+his head a little forward, his arms held close to his sides, he
+examined her keenly, as if he were some bird of prey, and she an
+object on which he was doubtful whether or not to pounce. As she
+gave him glance for glance she understood that this was a person
+who was not so frail as he might at first sight appear. But want
+of courage was not a deficiency which could justly be laid to
+the lady's charge. When he did reply it was with a question.
+
+"Why do you speak to me like that?"
+
+"You know very well why! You promised that first night that you
+would attend to my foot; but though I've asked for you again and
+again you've never been near me once, till you were afraid that
+I should be after you."
+
+"You've been in good hands. Nannie has done all for you that I
+could have done."
+
+"I don't doubt that."
+
+"Then of what do you complain?"
+
+"You've kept me a prisoner."
+
+"Kept you a prisoner! I! Madam, you jest. Has not your foot had
+something to do with your confinement? Is it not holding you a
+prisoner still?"
+
+"It won't do long, so don't you think it. I'll be out and about
+before the day's over, and when I am I'll make things hum. Is my
+husband dead?"
+
+"Your husband?"
+
+"My husband! Are you deaf?"
+
+"No, madam, not yet. So far age has not robbed me of my hearing.
+But to whom do you refer when you speak of your husband?"
+
+There was that in the fashion in which he asked the question
+which caused her to clench her fists, tighten her lips and
+descend to vulgarity--unfortunately an easy descent for her to
+make when her temper waxed warm.
+
+"What are you playing at? Do you think you're clever, or that
+I'm an utter fool? You're wrong if you do, you may take it from
+me. Is my husband, Cuthbert Grahame, dead? I've not been able to
+get an answer out of that old harridan, but I'll get one out of
+you."
+
+"Then is Cuthbert Grahame your husband?"
+
+"Is he! Isn't he? Didn't he marry me the other night in front of
+you and that old woman?"
+
+"Have you a certificate or any writing to show it?"
+
+"A certificate! What do I want with a certificate? You said
+nothing about a certificate! Look here, old man, don't you try
+to play any fool-tricks with me, or you'll be sorry. Are you
+trying to make out that he's not my husband?"
+
+"Not at all; I am trying to do nothing. I should like to ask you
+a question, to which, before you answer it, I would suggest that
+you should give a little careful consideration. Would you rather
+be Cuthbert Grahame's wife or not?"
+
+"I am his wife, and you very well know it, so it's no use
+talking, and that's enough said. I ask you again, is my husband
+dead?"
+
+"Your husband? That is the point which I am gradually
+approaching. Mr. Cuthbert Grahame is not dead."
+
+Her jaw dropped open.
+
+"Not dead?"
+
+"Not dead."
+
+"But you told me----"
+
+"Precisely; I am aware that I told you. You will, however,
+remember that I made an express reservation in favour of a
+miracle. The miracle has happened."
+
+"How long will he live?"
+
+"Madam, I am not omniscient. I have once, within your knowledge,
+failed as a prophet; I should not care to fail again."
+
+"Is he dying?"
+
+"I may venture to say that, at the present moment, to the best
+of my knowledge and belief, he is not."
+
+"You are beating about the bush. You can at least say if he is
+likely to live long."
+
+"It is possible, madam, that he may outlive me--even you."
+
+"Then you have cheated me!--cheated me! You have got me into
+this mess by your lies."
+
+"Any injustice I may have done you was unintentional. You will
+also be so good as to observe that I have just now offered you
+something which was intended to be in the nature of a loophole
+out of the dilemma in which you are placed."
+
+"You mean when you asked me if I wanted to be his wife. Am I his
+wife, or am I not?"
+
+"It might present a pretty point for the lawyers. If you had
+chosen to repudiate the connection, it might not have been easy
+to establish. Nannie and I can hold our tongues--that I beg you
+to believe. The occasion for a wife having passed, he might have
+preferred to hold his too."
+
+"Would he rather be unmarried?"
+
+"That is not a matter on which I should care to positively
+pronounce."
+
+"Then why was he so eager?"
+
+"I explained at the time. He had made a will in favour of a
+certain person, which he desired to render ineffective; marriage
+makes null and void any will which a man may have previously
+made; under the circumstances that seemed to be the easiest and
+the shortest way out of it. As matters have turned out the
+measure seems to have been a little drastic, since he can now,
+if he chooses, make a dozen new wills each day."
+
+"Is he so far recovered as that?"
+
+The doctor seemed desirous to consider before he answered. He
+put up his long, thin hand to stroke his bristly chin. Moving a
+few steps, he leaned over the foot of the bed, and from that
+point attentively regarded her.
+
+"Madam, I do not wish to trouble you with the medical names of
+all the complicated diseases with which Mr. Grahame is
+afflicted. I am not sure that I am myself acquainted with them
+all; some of them puzzle even me. Among other troubles he is
+paralysed. He cannot move hand or foot of his own volition, or
+crook a finger. Again, straying into the paths of prophecy, I
+dare assert that he never will be able to. He has his
+senses--after a fashion; he is sane--also after a fashion. That
+is, he is legally capable of making a will, or of taking a wife.
+But if he desires to affix his signature to a document a pen
+will have to be placed between his fingers, his hand will have
+to be guided. To that extent he has recovered, beyond that he
+almost certainly will never go."
+
+"But he is not dying?"
+
+"No, madam, he is not dying."
+
+"Nor likely to die?"
+
+"No office would insure his life for four-and-twenty hours,
+though it is quite within the range of possibility that the
+breath may continue in his body for years. Such cases have been
+known. Some people death takes at the first call; some have to
+be called again and again; some seem to go beyond the portal and
+yet return. Cuthbert Grahame is one of them. He'll not go till
+death is very much in earnest; when that will be I cannot say. I
+mistook death's mood the other night--the oldest of us make such
+mistakes at times. In this case my mistake may seem to press a
+little hardly upon you."
+
+She looked at him askance. There was a whimsical gravity in his
+tone which was a little beyond her comprehension, a something
+which was almost sympathetic. She changed the subject; a fresh
+intonation had come into her voice also.
+
+"I wish you'd look at my foot. It's better. I think that before
+long I'll be able to get about again as usual. I want to very
+much; it's awful being a prisoner in bed. I'm not good at
+keeping still."
+
+He did as she requested, then pronounced a verdict.
+
+"Your foot is better--much better, as you say. There is no
+reason why you should not get up, though it may be some little
+time before you have the entire use of it again."
+
+"At any rate I'll get out of bed--at once."
+
+"And, then, what do you propose to do when you are up?"
+
+"I'm going to see my husband."
+
+"Your husband?"
+
+"Can't I? Why can't I?"
+
+"Mrs. Grahame!--if it is your wish that you should be Mrs.
+Grahame."
+
+"Aren't I Mrs. Grahame? If I am, what's the good of pretending
+that I'm not? I am Mrs. Grahame, so there's an end of it."
+
+"Mrs. Grahame, haven't you any friends?"
+
+"What do you mean by friends?"
+
+"Haven't you any relatives? Is there no one to whom you are near
+and dear? no one to whom you are in any sense responsible for
+your actions; with whom in a measure your happiness or
+unhappiness must be shared?"
+
+"No one in this world!"
+
+He smiled at her vehemence, observing her closely all the time.
+
+"Since I am, in a degree, responsible for the--we will call it
+situation--you are in, I am not unnaturally desirous of having
+my conscience as clear as I conveniently can. I would,
+therefore, beg you earnestly to let the first thing you do be
+this: If you have--we will say an acquaintance--on whose
+judgment you can rely, write to him; lay the facts before him
+clearly, and await his response before you take any further step
+whatever--certainly before you seek to have an interview with
+Mr. Grahame."
+
+"There is no such person."
+
+"It is unfortunate, since you are so young, and, therefore
+necessarily, so inexperienced, that you should be so entirely
+alone in the world. Will you allow me to offer you some advice?"
+
+"What's the use? I've had enough of your advice already--too
+much."
+
+"How do you make out your case? I am unconscious of having
+offered you any advice."
+
+"You advised me to marry that man."
+
+"I advised you!"
+
+"Of course you did. There are more ways than one of offering
+advice; you chose the roundabout way. You told me that if I
+married him he'd be dead inside two hours, then I'd be richer by
+twenty thousand pounds. This is what comes of acting on your
+tip! No thank you. I've had enough and to spare of your advice;
+now and henceforward I'm going to act upon my own."
+
+"None the less I'm going to give you a piece of advice--of very
+sincere advice. You have been subjected to some slight
+inconvenience--though, perhaps, inconvenience is hardly the
+proper word."
+
+"I should think not."
+
+"My advice to you is: When your foot permits leave this house--I
+assure you it is not a pleasant one to live in; accept a
+reasonable sum by way of compensation; then blot the whole
+episode from your memory."
+
+"What do you call a reasonable sum?"
+
+"Say a hundred pounds."
+
+"A hundred pounds?--the idea! when you talked of twenty
+thousand! None of your kid's talk for me! Look here, Dr.
+Twelves, you're an old fox. Don't you think I don't know it
+however hard you try to play the lamb? You've got some game of
+your own on. I don't know what it is, but I soon will. If you
+offer me a hundred pounds to go, I'm dead sure it'll be worth a
+good deal more than that to me to stay--and I'm going to stay!
+This is my house; I'm the mistress here; and all the more the
+mistress because my husband's a rich man who can't look after
+himself. I'll look after him! I'll show you who's who and what's
+what!--and every one else as well!--you can take that straight
+from me!"
+
+As he rubbed his chin, as if he found comfort in the feel of the
+bristles, the doctor's smile grew more pronounced.
+
+"Content, Mrs. Grahame, content! Only--still a further scrap of
+advice!--postpone your first call on your husband till you are
+able to move about as you please."
+
+This piece of advice the lady did act upon, for the simple
+reason that she was powerless to do otherwise. When she did get
+out of bed it was agony to hop even as far as the couch. Three
+more days passed before she was able to stand without flinching
+overmuch; another whole week had gone before she was able to
+hobble unaided to the door.
+
+During that time she perhaps suffered more than she had done
+while she was still in bed. To her restless nature the
+compulsory inaction was almost unendurable. Her desire to attack
+the problem which confronted her, to solve it if she could--at
+any rate to learn what really was the position in which she
+stood--possessed her like a consuming fever. Nothing could be
+got out of Nannie; she was impervious to questions of every sort
+and kind. Arguments, coaxing, threats, alike were unavailing.
+The old woman could scarcely have been more taciturn had she
+taken on herself a vow of silence. And after that one visit she
+saw no more of Dr. Twelves; she could even hear nothing of him
+from Nannie. That angered her almost more than anything, that he
+should seem to ignore her so completely! She swore to herself
+that he should smart for it before very long.
+
+During that week she laid up a fund of resentment against both
+the doctor and Nannie which she promised herself she would pour
+forth upon their heads at the earliest possible moment. Only let
+her be able to get about again as of old, and they should see!
+
+On the eighth day she decided that her time had come, or, at
+least, that it had begun to come. She said nothing to Nannie,
+but having proved by actual experiment that she could move about
+with comparative ease, she dressed herself, waited till the old
+woman had paid her her usual morning call, then set out on a
+voyage of exploration. Hobbling to the door, she opened it as
+quietly as possible, then stood and listened She could hear
+Nannie moving about downstairs. Then she moved towards the door
+which was on the opposite side of the landing. Had she had a
+stick on which to lean her progress might have been quicker. In
+spite of her reiterated requests Nannie had failed to provide
+her with one. Without support of any sort she moved very slowly.
+But she did get to her destination at last. She laid her hand
+upon the handle, paused a moment to learn if her movements had
+been observed, then turned it as quietly as she could.
+
+
+
+
+ CHAPTER VI
+
+ HUSBAND AND WIFE
+
+
+She stood just inside the threshold of the room, with the handle
+of the open door between her fingers, and listened. She had
+moved so noiselessly that, quite possibly, to the ear alone her
+entry had been imperceptible. She looked about her, recalling
+the picture which it had presented to her mind on that first
+night. For some reason which she would have found it hard to
+explain a shiver passed all over her; a sudden chill seemed to
+penetrate to her very bones.
+
+The room looked different by daylight, the windows wide open,
+the sun sending wide, warm splashes of yellow light from wall to
+wall. One of them came right at her as she remained there
+motionless. As she lifted her face she was blinded by the glare.
+It was odd that she should shiver in that glow of sunshine.
+Everything was so neat and orderly; there was such an absence of
+any signs of occupation, such complete stillness prevailed, that
+her first impression was that she had in some way made a
+mistake; that the room was empty. It was only when her wandering
+glance reached the great bed, which stood in such a position
+that it was partially screened by the door which she still held
+open, that she understood.
+
+Its occupant was asleep, or--he was so motionless, so silent,
+her own heart seemed to cease beating--could he be dead? With
+unexpected ease she moved closer to the bed. No, he certainly
+was not dead; he merely slept, to all appearance, as peacefully
+as a little child.
+
+Sleep produced no improvement in his looks. She went still
+nearer, so that, by leaning over, she could examine him in
+detail.
+
+The conviction which she had had at first sight of him recurred
+with, if anything, even greater force. Beyond a doubt she had
+never seen a more unprepossessing-looking man. She had an almost
+morbid liking for good looks in a man. Gregory Lamb's handsome
+face had had almost as much to do with winning her as his lying
+tongue, which dowered him with splendid wealth. Her ideas of
+good looks were probably her own--Gregory was there to show it.
+But her attachment to them was so marked that she could with
+difficulty be civil to a man who was positively plain. An
+absolutely ugly man was to her an object of aversion; her first
+feeling towards such an one was actual physical repulsion, as if
+he were some unclean thing.
+
+There could be no sort of doubt as to the ugliness of the man in
+the bed. His huge size was in itself a sufficiently unpleasant
+feature. It lent to him an uncomfortable aspect which was almost
+inhuman. He seemed to have swelled and swelled till his skin had
+become as tight as a drum. One had a disagreeable notion that if
+one pricked him, like some distended bladder, he would burst. He
+was all bloated, not only his body, but his head as well, and,
+above all, his neck. She had once had an aunt who had died of
+dropsy. This man seemed dropsical from the crown of his head to
+the tip of his toe--monstrously dropsical.
+
+Nor was his appearance improved by the manner in which his head
+and face were covered with long sandy red hair, growing in
+scanty tufts, with bare spaces in between. The hair matched ill
+with his complexion, which was brick red, tinged, as it were,
+with a suggestion of pallid blue. He slept so quietly that it
+was difficult to be sure, at first sight, that his condition was
+one of slumber, not death. As Isabel bent over, she did not
+hesitate to tell herself that she wished he was as dead as he
+seemed. The sight of him afflicted her with such a sensation of
+aversion that she was then and there filled with an almost
+irresistible desire to crush him out of existence, as if
+he had been some loathsome reptile. She was possessed by a
+shrewd suspicion that she had only to strike him a hearty
+blow--anywhere!--to bring him to an end upon the spot. It would
+be so easy. She had been tricked; he ought to have been dead ere
+then. What was the use of such a creature living, and what
+enjoyment could he get out of life? Where should she strike him?
+She clenched her fist as if it had been actuated by an
+involuntary tightening of the muscles. As she did so, he opened
+his eyes, and looked at her.
+
+It was a curious moment for both of them--so both of them seemed
+to think. There was in his gaze such a take-it-for-granted air
+that one could not but wonder if he had not been conscious of
+her presence even while he slept. The sight of a strange woman
+leaning over his bed, with such a queer expression on her
+countenance, did not seem to surprise him in the least. That she
+was strange to him was plain. He seemed to be searching in his
+muddy brain for some clue which would tell him who she was. The
+search did not seem to be meeting with much success.
+
+For probably more than a minute they continued to look at each
+other, the contrast between the fashion of their looks being
+almost grotesque in its completeness. Her bold, handsome face
+was, at the same time, illuminated by keen intelligence, and
+marked by an expression of vindictiveness which gave it an
+unpleasanter effect than if it had been actually ugly. His face,
+on the other hand, was vacuous, expressionless; more, it was
+incapable of expression. It reminded one, in some uncomfortable
+way, of a piece of blubber, without form and void.
+
+The eyes, particularly in comparison with the rest of him, were
+small; with the exception of the pupils they were blood-shot.
+One wondered how much, or how little, they could see; they
+regarded Isabel blankly, as if she had been a wooden doll.
+
+After an inspection which lasted, as it seemed, an unnatural
+length of time, it was he who broke the silence. His voice was a
+little clearer than when she had heard it first, but not much.
+It still had the peculiar quality of appearing to belong to some
+one who was at a distance.
+
+"Who are you?"
+
+There was a significant pause before she answered. In her tone
+was significance of another kind.
+
+"I'm your wife."
+
+Either her words took him by surprise, or he did not gather what
+she meant, or disliked what he did gather. He was still again,
+as if ruminating on what she had said. When he did speak the
+remark he made was a little startling.
+
+"Damn you!"
+
+The unparliamentary utterance, especially as addressed to a
+lady, was accentuated by the matter-of-fact stolidity which
+marked it. It was not impossible that for a moment or two she
+was moved to give him back as good as he sent--and better.
+Possibly, however, the impulse was changed, as regards form, in
+the making. Instead of imitating the vigour of his epithet, she
+cut at him with a lash of her own.
+
+"You're my husband." It would have been difficult for the
+strongest language to have been more scathing than her plain
+pronouncement of a simple fact. As if desirous of driving her
+dart still further home, she repeated her own words, with an
+even added bitterness--"You're my husband!--you!"
+
+It would appear that the man, object as he was, was not without
+some sense of humour, and, also, that his feelings were not of
+the kind which are unduly sensitive. After what seemed to be due
+consideration of her words, he endorsed their correctness with a
+brevity which in itself was eloquent.
+
+"I am."
+
+There was something in the two little monosyllables which seemed
+to sting her more than his curse had done. She gave a movement,
+as if she were disposed to let her resentment take some active
+and visible form. But, again, maybe, her impulse changed in the
+making; she endeavoured to put a meaning into her repetition of
+a simple statement, which should make it strike him with greater
+force than a blow could have done.
+
+"I am your wife."
+
+Once more he showed himself to be her match in the game of give
+and take. Hardly were the words out of her mouth than he
+endorsed them again, with what was almost like the semblance of
+a grin upon his blubber-like face.
+
+"You are."
+
+"And I propose to let you see that I'm your wife."
+
+"No doubt."
+
+"Your real, actual wife, not a puppet, a thing you can pull by a
+string."
+
+"Quite so."
+
+"You may imagine, perhaps, that I'm a mere dummy, an automaton,
+which can be set in movement only when you choose. If you do,
+you're wrong, as I intend to show you, Mr. Cuthbert Grahame."
+
+"Precisely, Mrs. Cuthbert Grahame."
+
+It seemed, for an instant, as if a torrent of words was
+trembling at the tip of her tongue, needing but a touch to set
+them loose; if so, the touch did not come. Turning, she went and
+stood by an open window; resting her hand on the sill she leaned
+out, as if she needed fresh air. She looked out on to a garden
+which was evidently of considerable size, but which sadly needed
+attention. The grass could not have been cut for months; it
+competed with weeds for possession of the footpaths. There were
+flowers, but they needed pruning; the weeds threatened to
+choke them in their own beds. Beyond, the ground rose;
+everywhere the slopes were covered with trees, pines for the
+most part--scarcely a cheerful framework to what was already
+bidding fair to become a scene of desolation. In spite of the
+sweet, clean air and of the brilliant sunshine, in her
+surroundings, as she saw them, there was a hint of something
+uncongenial, unfriendly, which did not tend to make her mood a
+gayer one.
+
+While she still seemed to be absorbing the spirit of the
+landscape, Mr. Grahame's voice came to her out of the bed.
+
+"I want to speak to you."
+
+She heard him, but it was not until he had repeated the same
+sentence three times that she chose to favour him with her
+attention. Bringing her head back into the room she turned her
+face slightly towards the speaker.
+
+"Well?"
+
+"Why did you marry me?"
+
+"Because I was told that you would be dead inside two hours."
+
+Although the reply was brutal in its plainness, it did not seem
+to hurt him in the least--indeed, it seemed rather to amuse him.
+
+"That's a poor reason. What were you to gain by my death?"
+
+"Dr. Twelves told me that I should have twenty thousand pounds."
+
+"Did he? I see. That was the bait. You're a ready-witted young
+woman."
+
+"You mean that you think I'm a fool."
+
+"Not at all; no more than the rest of your sex, or, for the
+matter of that, of mine. We're all fools; only some of us are
+fools of a special brand. Who are you?"
+
+"I'm your wife."
+
+"You've told me that already. I mean who were you before you
+were my wife?"
+
+She moved her hand to and fro, restlessly, upon the window sill.
+
+"I've half a mind to tell you."
+
+"Make it a whole one. Yours should be a story not without
+features of interest. Besides, a husband ought to know something
+about his wife."
+
+She stood up straighter, her back to the window, looking towards
+the bed with gleaming eyes. It was evidently easier to provoke
+her to an exhibition of temper than him.
+
+"I'll tell you nothing. I'm your wife; that's all I'll tell you;
+and that ought to be enough."
+
+"It is--more than enough. You're an embodied epigram. I think I
+can guess at part of your story." The indifferent, almost
+assured tone in which he said it brought her near to wincing.
+"My eyes are not so bright as they were--no, not so bright--but
+they're bright enough to enable me to perceive that you're
+young, and not bad-looking--after a sufficiently common type.
+You appear to be one of those big, bouncing, blusterous,
+bonny--four b's--young females who spring out of the gutter by
+the mere force of their own vitality; who push and elbow
+themselves through life with but one thing continually in
+view--self. You're probably ill-bred, ignorant, impudent and
+imbecile--four i's--four which are apt to go together--and, in
+consequence, blundering along rather than advancing by any
+reasonable method of progression, you'll keep tumbling into
+ditches and scrambling out again, until you tumble into one
+which will be too deep for you to scramble out of, and in that
+you'll lie for ever."
+
+To hear him, in his dim, distant, uninterested tones, mapping
+out, as it were, a chart of her life and conduct, affected her
+unpleasantly. When he had finished she had to pull herself
+together before she could deliver a retort which she was
+conscious was sufficiently futile.
+
+"I daresay you think yourself clever."
+
+"I'm afraid you're disappointed. If I'm not altogether to be
+congratulated on having you for a wife, neither are you to be
+altogether congratulated on having me for a husband."
+
+"Congratulated! My stars!"
+
+"Exactly--your lucky stars. Come, I've drawn a little fancy
+sketch of the kind of wife you appear to me to be; tell me, what
+kind of husband do you think I am?"
+
+"Think! I don't think; I'm sure you're a monster. You ought to
+be in Barnum's show--that's where you ought to be."
+
+"That is your candid opinion? Your tone has the ring of genuine
+candour. It's an illustration of how one changes. Would you
+believe that once--not so long ago--I was remarkable for my good
+looks as well as my figure?"
+
+"Tell that for a tale!"
+
+"I'm telling it for a tale that is told--and over. It must have
+been a disappointment when you learned that I was not dead."
+
+"It was. I could have shook old Twelves when he told me. Perhaps
+I'll do it yet."
+
+"Will you? That will be nice for Twelves. I should like to be
+present at the shaking. You look as if you could shake him."
+
+"I should think I could--shake the bones right out of his body.
+I'm as strong as a horse--stronger than most men. I once thought
+of coming out as a strong woman, only I didn't fancy the
+training."
+
+"Didn't you? By training do you mean clean and healthy living?
+Is that what you disliked?"
+
+She had already repented her lapse into the autobiographical.
+
+"Never you mind what I mean."
+
+"We won't; why should we? May I take it that you have got over
+the disappointment of not finding me dead, and have become
+reconciled to the idea of my living?"
+
+"You don't look to me as if you would live long, considering
+that you're as good as dead already."
+
+"You think so. We've not been long at arriving at that stage of
+perfect candour which, I fancy, marks the career of the average
+husband and wife. I think you're wrong. I am one of those beings
+who are very tenacious of life. I'm only fifty, whatever I may
+look. There's no real reason--your friend Dr. Twelves will tell
+you--why I shouldn't live another five-and-twenty years."
+
+"I don't care what he says after what he told me. I'll bet you
+don't."
+
+"Suppose I do, would you propose to spend them with me?"
+
+"I should do as I like."
+
+"I begin to suspect you'd try to. Let me put the case in another
+way. What would you want to leave this house and never re-enter
+it again?"
+
+"Twenty thousand pounds."
+
+"Is that your lowest figure?"
+
+"It is."
+
+"Thank you. I will give the matter my careful consideration. In
+the meanwhile may I ask you to leave me for a time? My
+conversational powers soon become exhausted; with them I am apt
+to become exhausted too. A little rest might do you good."
+
+"Listen to me. I came here so that you and I might understand
+each other."
+
+"We have gone some distance in that direction, haven't we?"
+
+"I don't think you have, or you wouldn't talk to me like that.
+It may be clever, and cutting, and that kind of thing, but I
+don't like it. I'm your wife, your equal, more than your equal,
+since you're lying there like a log, already more than three
+parts dead. I'm the mistress of this house; this room is as much
+mine as yours."
+
+"Is it?"
+
+"It is. That's what you've got to understand. When I choose to
+leave it I will, but not a moment before. So don't you order me
+about, because I don't intend to let you, and there'll be
+trouble if you try."
+
+"Am I to understand when I ask you to leave the room, my
+bedroom, in spite of your courteous hint of a moment back, that
+you refuse?"
+
+"You are; you bet you are. And you're to understand more than
+that; you're to understand that if you're not careful what airs
+and graces you take on with me, I'll stuff a handkerchief into
+your mouth. Then we'll see what you'll do next. A helpless lump
+like you to talk to me--your lawful wife!--as if I were nothing
+and no one. I'll soon show you."
+
+"Will you? Maybe you'll first be shown a thing or two yourself,
+my lady!"
+
+The tones were familiar. They were not those of the man in the
+bed. Looking round Isabel found that Nannie was glaring at her
+from the other side of the room.
+
+
+
+
+ CHAPTER VII
+
+ A TUG OF WAR
+
+
+Perceiving that Isabel made no reply, Nannie addressed her
+again, with both in her manner and her words perhaps a
+superfluity of truculence.
+
+"What for have you left your room and come here disturbing Mr.
+Grahame, you bold-faced hussy?"
+
+Nannie's appearance and the vigour of her speech, both of which
+were probably a trifle unexpected, seemed to take Isabel
+somewhat aback. It was not unlikely that a rapid debate was
+taking place in her mind as to what exactly was the _role_ it
+was most advisable that she should play.
+
+One point was obvious, that the moment had come when it would
+have to be decided, possibly finally, just what position in the
+household hers was going to be. If she was to be its real
+mistress--as she had boasted that she was, and would be!--then
+it was out of the question that Nannie should be allowed to
+speak to her in such terms as she had just employed. How was she
+to be prevented? In her own way Isabel was not a bad judge of
+character. In the course of her short life her adventures had
+been so many and various that it had grown to be a habit to
+measure herself against nearly every one with whom she was
+brought in contact. Nannie was a dour old Scotchwoman. Isabel
+was perfectly conscious that she was not likely to be
+subdued--to the point to which she desired to bring her--by
+words alone. She herself was wholly devoid of scruples. As to
+self-respect, she was incapable of realising what it meant. She
+had been brought up in a school in which that sort of thing was
+not taught. Her early days had been spent among women who were
+quite as ready to resort to physical force as the men, which was
+saying not a little. As she had grown older she had never
+hesitated to use her muscles when her tongue was beaten. She was
+quick to perceive that this was a case in which she would have
+to use her muscles again, if she did not wish to degenerate into
+something worse than a figure-head in the house which she
+aspired to rule.
+
+The only question she had to decide was whether she would be a
+match for the Scotchwoman. It would be worse than vain to
+challenge conclusions if she was likely to be proved the weaker.
+Brief consideration, however, persuaded her that there was but
+little fear of that. Her ankle was against her, and the fact
+that she had been inactive for a fortnight. But, on the other
+hand, though tough and brawny, Nannie might be old enough to be
+her grandmother. Even though handicapped by her ankle, Isabel
+did not doubt that she excelled her both in sheer strength and
+in agility, while as to knowledge of how to make the best of her
+powers she was convinced that, as compared with her, the other
+was nowhere.
+
+She resolved to bring the question as to who was to be mistress
+to an issue then and there--if necessary, in the presence of the
+man in the bed. Instead of answering Nannie she put a question
+to him.
+
+"Who is this objectionable old woman?"
+
+"My housekeeper."
+
+"Then, perhaps, you'll tell your housekeeper that, where I'm
+concerned, if she can't keep a civil tongue in her head and mend
+her manners, she won't be your housekeeper long--or mine
+either."
+
+"Hadn't you better tell her so yourself?"
+
+"Does that mean you're afraid to?"
+
+"Never interfered in the housekeeping since the day I was born,
+nor with Nannie either. She's always run this house as if it
+were her own."
+
+"Then the sooner she understands that she's not going to do so
+any longer the better it will be. If you won't make that plain
+to her, then I will. Now, my woman, remember that I'm your
+mistress, and that I'll stand impertinence from no one--least of
+all from a servant of mine. Leave this room at once; I'll talk
+to you when we're alone."
+
+Nannie seemed to be surprised almost into speechlessness by the
+other's attitude and manner of addressing her. It was a second
+or two before she could find words with which to illustrate her
+feelings.
+
+"Of all the brazen impudence! That a nameless besom, picked up
+from the roadside in the middle of the night, should have the
+face to speak to me like that! And you to call yourself Mr.
+Cuthbert's wife! Why, you're nothing but a shameless trollop!
+And though the doctor said that Mr. Cuthbert was to be kept as
+quiet as possible, if needs be I'll take you out of this room in
+my two arms, as you well know I did before. So out you come
+before I make you!"
+
+"Go it, Nannie!"
+
+The mocking encouragement from the man in the bed was to Isabel
+as the final straw. She did not allow him to range himself,
+before her face, on the woman's side. From words she proceeded
+to measures. Traversing the room with a rapidity which wholly
+ignored the twinges which proceeded from her injured ankle, she
+planted herself immediately in front of Nannie.
+
+"Are you going to leave this room, or am I to put you out of
+it?"
+
+"Me to leave Mr. Cuthbert's room, and ordered out of it by you!
+It'll be you that'll be put out of it, and that pretty quick,
+you----"
+
+Isabel did not wait for her to finish; she anticipated the
+volley of compliments which had no doubt been intended to follow
+by straightening her left arm in the most approved fashion, and
+striking the other full on the nose with a vigour and
+unexpectedness which caused the old woman to lose her balance
+and go toppling over on to the floor. Before she had a chance to
+recover, Isabel had the door wide open, and began bundling the
+still prostrate Nannie unceremoniously through it. She was
+conscious that words were proceeding from the man in the bed,
+but what they were she neither knew nor cared. It was not her
+intention, if she could help it, to continue the proceedings in
+his room. Having got the other out of the room somehow, she shut
+the door behind her, determined to let him know as little of
+what was to follow as circumstances would permit, at any rate
+till all was over.
+
+Then she waited for Nannie to rise, which she did with an
+agility which did credit to her years. As the other had possibly
+foreseen, the old woman was beside herself with rage. She rushed
+blindly at her opponent, who was at once cooler and more
+experienced in little discussions of the kind. Although hampered
+by her ankle she had no difficulty in evading the other's mad
+onrush, at least sufficiently long to enable her to receive her
+with a hail of blows directed impartially at her face and body.
+The proceedings had only lasted a few seconds, and were waxing
+momentarily warmer, when they were interrupted by some one who
+ascended the stairs. It was Dr. Twelves. As was only natural,
+being very far from edified by the spectacle by which he was
+confronted, he raised his voice to remonstrate.
+
+"What does this mean? Have you two women gone mad, that you
+behave like drunken fishwives? Nannie!--Mrs. Grahame!--shame on
+you!"
+
+Nannie, who had been severely pommelled, and had so far got much
+the worst of it, abstained, for the moment, from her attempts to
+return some of the marks of esteem with which she had been
+presented, and proceeded to vouchsafe some sort of explanation.
+As, however, she talked at the top of her voice, which failed
+her badly, and had to stop at uncomfortably short intervals to
+gasp, it was rather difficult to make out what she said, and
+when that was done it was not easy to join her observations with
+each other and supply them with a meaning.
+
+"Put me out of Mr. Cuthbert's room!--ordered me out!--hit me in
+the face, that had never been laid hands on by any but my
+mother!--knocked me about as if I were an old rag-bag!--a
+bold-faced besom that's nothing in the world but the clothes she
+stands in!--and less character than that!--before I've done with
+her I'll strip her to her impudent skin!"
+
+Nannie proceeded to do it. The attempt could scarcely have been
+called successful, because no sooner had she brought herself
+within the reach of the other's dangerous left arm than she
+received a smashing blow in the face which sent her staggering
+backwards. The course of the combat had brought her near the
+head of the stairs, uncomfortably near, as the event immediately
+showed. Before she was able to recover herself, reaching the
+topmost stair, she went crashing down it on to the doctor who
+stood remonstrating below. Luckily for him he was on the bottom
+step but one, so that he had time to move somewhat aside before
+she was in his immediate neighbourhood. As it was she sent him
+cannoning with uncomfortable violence against the wall, while
+she herself came toppling on to the landing with a bang which
+shook the house.
+
+Silence followed--a speaking silence. Above was Isabel, a really
+striking figure, as, with flushed cheeks, flaming eyes, clenched
+fists, straightened arms, she stared down on her victim in the
+depths below. The doctor, more startled than hurt, seemed to be
+in two minds what to do or say. With one eye, as it were, he
+looked at Isabel up above, and with the other at Nannie down
+below. At last he spoke, addressing himself to the triumphant
+figure up above.
+
+"For all you know you may have killed her."
+
+"It will serve her right if I have!" came the defiant response.
+
+That she was not killed was soon made plain by Nannie herself.
+
+"She's broken my leg!--and I'll be bound half the bones in my
+body!--the she-devil! Oh, doctor, what'll I do?"
+
+There came the voice from above.
+
+"You'll stop that noise! and if you're wise you'll cut out your
+tongue! Because the next time you say a rude thing to me, or of
+me, as sure as you're lying there, I'll have you dragged into
+the road, and there you shall be left; you shall never set foot
+inside this house again--I promise you that!"
+
+The doctor had been leaning over her, as if to ascertain the
+nature of her injuries.
+
+"I believe you have broken her leg."
+
+"To be sure she has! Oh, doctor, doctor, I told you we'd rue the
+day you brought her into the house!"
+
+"Next time I'll not be content with breaking half the bones in
+her body--I'll break them all!"
+
+"Hush, woman! you forget yourself; have you no pity?"
+
+"I've pity for those who deserve it, but not for an unmannerly
+servant who tries to bully her mistress, and then whines when
+she herself gets thrashed instead! And look here, Dr. Twelves,
+don't you think that I'm an ordinary woman, because I'm not----"
+
+"That I am rapidly beginning to believe."
+
+"Don't you interrupt me when I'm speaking, not even by attempts
+to be smart, especially as you happen to be one of those silly
+old men who are not meant to shine in that line. If you'd got an
+ordinary woman into the mess you've got me by your lies and
+humbug, I daresay you'd have been able to do as you liked with
+her. I suppose that's what you and that old woman have been
+reckoning on. But I want you to understand just once, and once
+for all, that you're mistaken. It's going to be the other way
+round; I'm going to play this game, in my way, not yours; I'm
+going to do as I like with you. You'll take your instructions
+from me, and from me only. If you want to be allowed on these
+premises you'll treat me as a lady and as the mistress of the
+house ought to be treated. Who's that down there? I heard you
+sneaking about and listening! Come up here and let me look at
+you." A shock-headed young woman appeared, followed, at a
+respectful distance, by one still younger. "If you two are my
+servants--and I suppose you are, or you wouldn't be there--if
+that old woman can't walk alone pick her up, carry her to her
+room and put her to bed, and leave her there; then go on with
+your work and let me have no nonsense."
+
+All this time Nannie, who still lay motionless, had been
+groaning in what was evidently genuine pain. The doctor, who had
+been bending over her, remarked a little dryly:--
+
+"I trust you will pardon me, Mrs. Grahame, but I think her leg
+is broken".
+
+"Well, what of it? It's her fault, not mine; she's brought it on
+herself. She may think herself lucky that her neck's not broken
+after the way she's behaved. I'd have thrown her out of a window
+if there'd been one handy, and it would have served her
+thoroughly well right. I suppose you don't want her to lie
+there, littering up the stairs, even if her leg is broken. She
+carried me to my room as if I were a sack of potatoes, now they
+shall carry her. Do you hear what I say, you two?"
+
+So Nannie was borne to her room with anything but the honours of
+war.
+
+
+
+
+ CHAPTER VIII
+
+ THE MINIATURE
+
+
+Like some other persons, so long as she had her own way, and
+nothing occurred to annoy her, Isabel could be quite agreeable.
+Now that Nannie was laid low, and Dr. Twelves accorded her the
+respect she demanded--at least outwardly, for she continually
+suspected him of having his tongue in his cheek--she proceeded
+to show that there was a side to her character which was not
+altogether unpleasant. The household--what remained of
+it--consisted of two raw damsels, whose English was of such a
+quality that Isabel not infrequently found herself at a loss to
+understand what they were saying. They made no secret of the
+fact that they were by no means heart-broken at Nannie's
+discomfiture. She had ruled them with a rod of iron, and they
+were by no means sorry that some one had tried her hand at
+ruling her--with distinctly solid results. Especially was this
+the case when they learned that the new mistress was inclined to
+be as lax as the dethroned one had been rigid. So long as the
+work of the house was done--and there was not much of it as
+Isabel managed things--they were free to do pretty well as they
+chose, even to the extent of there being practically no watch
+kept on their outgoings and incomings.
+
+The truth was that the new Mrs. Grahame was above all things
+desirous that no watch should be kept on her. Most of her time
+was spent in ransacking the house from top to bottom--an
+occupation she enjoyed immensely, and found no little to her
+profit. Now that Nannie was laid on her back, and--since at her
+time of life a broken leg is no small matter--promised to remain
+there for some time, there was no one to say her nay. Isabel
+turned out every cupboard and every drawer; waded through every
+scrap of writing they contained; appraised every article she
+found--and, indeed, assembled quite a nice collection of what
+she deemed the more valuable trifles in her own apartment, for
+her personal use and consolation. She lighted on what, to her,
+was a considerable sum of money. On this, she learned, Nannie
+had been accustomed to draw for various current expenses. She,
+of course, regarded it, there and then, as her own personal
+property.
+
+Her first appearance out of doors took the form of a visit to a
+neighbouring small town--not Carnoustie--where she purchased
+such articles of attire as she imagined she required, together
+with a trunk to contain them. These she paid for out of Nannie's
+store. She did not think it necessary to inform Mr. Grahame how
+she had used what was, after all, his money. She did not seem to
+think it worth her while to tell him anything.
+
+Her mind was occupied with various problems. First and foremost,
+she was extremely anxious to ascertain how much money the man
+she called her husband actually had, where it was, and how it
+could be got at, say by one who had a right to get at it. Almost
+as if he were conscious of what was transpiring in her brain,
+Cuthbert Grahame took advantage of an opportunity which arose,
+or which he, perhaps, made himself, to volunteer some
+information on the subject on his own account. The afternoon on
+which the conversation took place would have been memorable for
+something else, even if he had not seen fit to make her the
+receptacle of some very interesting confidences.
+
+Isabel was an active young woman; healthy, full-blooded,
+vigorous, one in whose veins the blood ran strong. Inaction to
+her was punishment. So soon as her ankle permitted, and it
+proceeded to a rapid and complete recovery, she spent a portion
+of each day in taking the air--that portion of the day which was
+not spent in prying into everything the house contained. As her
+researches drew to a conclusion--as even the most thorough
+investigation allowed them to do in time--that unoccupied
+portion became more and more. So, having examined the inside of
+the house she turned her attention to the outside, to learn that
+her husband's estate was of considerable extent. She wandered up
+and down it, to and fro, till she began to be almost as
+intimately acquainted with it as with the contents of the
+residence. One afternoon she was indulging in one of these
+rambles when she received what really amounted to a shock.
+
+She was passing through one of the woods of which her husband's
+property seemed chiefly to consist, and was resting on the bole
+of a tree, when she heard the sound of wheels. She was perhaps
+in a peculiar mood, because it immediately brought back to her
+that night on which she had listened--with what an anxious
+heart!--to the wheels of Dr. Twelves' approaching trap.
+Passers-by, thereabouts, were few and far between; for days
+together she would not encounter any. She had grown to love
+seclusion, possibly for sufficient reasons of her own. She was
+seated on a slope. The road began at the foot, perhaps thirty
+feet away. She instinctively altered her position, so that,
+while she could see herself, the trunk of the tree almost
+entirely screened her from observation. She wondered who was
+coming, peeping round to see. When she did see she drew back
+with a start.
+
+In the dogcart which presently appeared was her husband--her
+real husband--Gregory Lamb. The sight of him took her wholly by
+surprise, and filled her with unwonted perturbation. What was he
+doing there? What could have brought him to that neighbourhood?
+She had taken it for granted that he had long since returned to
+London. Even Mrs. Macconichie's--supposing he was still there,
+which seemed unlikely--was a good twelve miles away. She was
+conscious that he was not alone in the trap. Who his companion
+was she had not noticed; she had not time.
+
+The vehicle drew rapidly level with the tree on which she
+rested. She decided that she might venture to peep again, and
+was just doing so when the horse shied so violently that the
+cart was almost overturned. Recovering itself, apparently
+getting the bit between its teeth, it bolted like a thing
+possessed, and vanished from her sight, though not before she
+had nearly convinced herself that the man with her husband--the
+one who was driving--was Dr. Twelves. She had only seen him from
+the back, and then had had but occasional glimpses through
+intervening trees for half-a-dozen seconds, but she was almost
+sure that it was he. There was, however, just a possibility that
+she was mistaken, and it was that possibility which worried her.
+She would have liked to have been certain, either one way or the
+other. Then, in the case of the worst, she might have been
+prepared.
+
+For the juxtaposition could but mean trouble for her. She was
+too clear-sighted to delude herself with the notion that the
+doctor was anxious to be a friend of hers. He had, to outward
+seeming, accepted the situation; probably, in part, because, as
+she herself put it, she was no ordinary woman; and partly
+because, under the circumstances, considering the part which he
+himself had played, he did not see what else there was for him
+to do. Let him, however, learn how wholly baseless was her claim
+to occupy the place which she had arrogated to herself, and she
+did not for a moment doubt that he would use that knowledge to
+oust her from it in the shortest possible space of time.
+
+The only two points on which she had her doubts were: Was it
+really the doctor who was driving Gregory Lamb? and, if so, had
+Gregory Lamb given him cause to even suspect the relation in
+which she stood to him? On a third point there was no doubt--the
+dogcart had been moving from, not towards the house, so that in
+any case the peril was not actually approaching her now.
+
+Another thought suddenly occurred to her, one which set her
+heart beating faster than was altogether agreeable. The doctor
+and her husband might have been to the house already, in which
+case danger might be awaiting her return to what she had learned
+to call her home.
+
+That was a question which might be quickly resolved--she would
+resolve it quickly. She started off homewards then and there,
+telling herself as she went that, whatever had happened, or
+might happen, they should only be rid of her on terms of her
+own.
+
+It turned out that, so far, nothing had happened; to that
+extent, at least, her agitation had been uncalled for. No one
+had been near the house since she had left it; nothing had
+happened which was in any way out of the common. The relief she
+felt at learning even so much showed how real she had imagined
+the danger was. With some vague idea of subjecting him to
+cross-examination and learning if he had suspicions of her of
+any sort or kind, so soon as she had removed her hat she paid a
+visit to Cuthbert Grahame's room.
+
+As usual, he lay immobile between the sheets, preserving that
+death-in-life rigidity which, it seemed, was to continue his
+condition to the end. The sight of him struck in her an unwonted
+note.
+
+"Don't you get tired of lying there?--especially on a day like
+this, when the sun is shining and the breeze is stealing among
+the trees and flowers?"
+
+She did not strike a responsive note in him. He was silent for
+some seconds, then he asked, in his strange, far-away voice,
+which was like a husky whisper--
+
+"Aren't you well?"
+
+"Oh yes, I'm well enough. I'm only wondering if you're not tired
+of being ill. It seems to me that you might as well be dead as
+keep on lying there with only your voice alive--and that's
+pretty nearly done for."
+
+She had returned to her more familiar mood.
+
+"Tired!--tired!" He repeated the word twice, then after an
+interval went on: "What's the use of being tired of what has to
+be? I'm tired of you, but it seems you have to be--so what's the
+use?"
+
+"I don't see why you need be tired of me. I'm no more to you
+than a chair or table."
+
+"You're my wife."
+
+"Your wife! It's because I'm your wife that I'm likely to get
+tired instead of you. I'm not a helpless statue--I'm a woman; I
+don't want a dead log--I want a man."
+
+"I was once a man."
+
+"You a man!"
+
+"Seems queer, doesn't it?"
+
+"I don't believe it."
+
+"Yet I was, physically, not a bad sample of a man. Now the Lord
+knows what I am!--a husk, I suppose. There's a man inside me
+somewhere still."
+
+"You look as if there were, and you sound it."
+
+She laughed, not pleasantly. It was one of her defects that her
+laughter seldom had a pleasant sound, as if it were only the
+spirit of malice which had power to move her to mirth.
+
+"You've confessed why you married me. Do you know why I wanted
+to marry you, or any one? I'd have married your friend Nannie if
+she'd agreed, but she refused point-blank."
+
+"Is that true?"
+
+"Quite. It was only when she persisted in her refusal that the
+doctor thought of the woman he'd found in a ditch. Since
+anything in the shape of a woman would serve he hauled you up
+the stairs." She was still. She was standing in her favourite
+position by the open window, looking out at the woods on the
+slope of the hill. "Shall I tell you why, when already looking
+into hell--and I had a good look, I promise you!--I wanted to
+marry any one?"
+
+"I know."
+
+"Who told you?"
+
+"Dr. Twelves."
+
+"He seems to have imparted to you a good deal of useful
+information. What did he tell you?"
+
+"That you'd made a will in some one's favour, which you wanted
+to break, and that was the easiest way to break it."
+
+"Did he tell you who the some one was?"
+
+"No."
+
+"It was a woman. Do you hear--it was a woman!"
+
+"I hear."
+
+"A young woman--younger than you and prettier. Prettier? My God!
+You're not bad-looking in a way, but there's a streak of the
+vulgar in you now. No one could ever mistake you for a lady.
+You're one of the blowzy sort; you'll become impossible;
+hard-featured; flame-coloured cheeks; bold, staring eyes; huge,
+unwieldy, gross. She!--she's the most perfect woman God ever
+made, and she'll only improve as the years go by."
+
+"I've met that kind of woman before."
+
+"Not you. She's not to be found in the sort of society in which
+you've moved."
+
+"She's to be found in the penny novelettes--never out of them.
+You and your perfect women! In spite of her perfection you don't
+seem to have found her all milk and honey, or you wouldn't have
+been so keen to break that will of yours."
+
+"Do you know why I wanted to break it?"
+
+"Some silly nonsense. Because she tried to scratch your eyes
+out, I daresay--serve you right if she did."
+
+"Because she wouldn't marry me."
+
+"Because----!" She stopped to burst into noisy, strident
+laughter. "She must have been a fool. I should have thought any
+one would have married you if you'd made it worth their while."
+
+"I told you that she was not the kind of woman you have ever
+met; she's clean beyond your understanding. Put your hand
+underneath my pillow--gently. You'll find a case; take it out."
+
+Isabel looked at him, hesitating, as if in doubt of his meaning,
+then she did as he had told her. He was propped up on a nicely
+graduated series of pillows. As she withdrew her hand, the case
+between her fingers, she dragged one of the pillows with it
+right from under the one on which his head reposed, so that,
+denuded of its support, his head fell back. In a second he began
+to choke before her eyes. His face grew bluer and bluer; the
+veins stood out through his skin; he fought for breath; his
+stertorous gasps shook him from head to foot. She raised his
+head to its normal position, returning the pillow to its place.
+As she watched him struggle back to what--to him--was life, she
+laughed.
+
+"It wouldn't take long to make an end of you."
+
+By degrees he regained the use of his attenuated voice.
+
+"I do want careful handling--that's so. Still I wouldn't murder
+me if I were you--it would be murder. Murder has to be paid for
+in full. It would be hardly worth your while to be compelled to
+render full payment for such a remnant as I am. Have you got the
+case? Open it."
+
+She held a square Russia leather case, in corn-flower blue. She
+looked for a spring or for something which would enable her to
+get at its interior, but found nothing.
+
+"Does it open? I don't see how."
+
+"It's a little idea of my own that spring. I didn't want any one
+to see what is inside but me. But it's so long since I've seen
+that I have grown hungry for a look, so you shall have one too.
+I think I should like you to have one. Hold the case between
+your finger and thumb, one of them exactly in the centre of each
+side, then press firmly."
+
+Obeying him, immediately one of the sides flew open in the
+middle, revealing, framed in the other, the miniature of a young
+girl. Isabel was no artist; she was incapable of appreciating
+the artistic value of the portrait which confronted her. What
+struck her instantly was that it was surrounded by what looked
+like three rows of precious stones--pearls, sapphires, diamonds.
+
+"Are they real?" she inquired.
+
+"Do you mean the stones in the setting? They are. The pearls are
+there because she is the queen of pearls; the sapphires, because
+they are her favourite stones; the diamonds, because I chose to
+have them."
+
+"They must be very valuable."
+
+"They cost a lot of money, and they'd fetch a lot. That is the
+girl I wanted to marry me. What do you think of her?"
+
+"She is pretty."
+
+"Pretty! She's beautiful."
+
+"She's too fair for me."
+
+"That's because you're dark. I hate dark women--always have
+done. Hold the case open in front of me. Let me look at her."
+
+She did as he asked. No change took place in his expression;
+none could take place. His voice remained the same; that also
+was incapable of modulation. Yet she knew that an alteration had
+taken place in him; that as he gazed the man of whom he had
+spoken, who was inside him somewhere, was stirred to his inmost
+depths.
+
+"Not beautiful! She's the most beautiful creature in the world.
+She always has been; she always will be. God bless her! though
+He has been hard on me." Then, after a pause, "Take the case
+away and shut it, and put it back beneath my pillow--gently.
+That glimpse will last me a long time, thank you. Though I may
+never look at her again, her face will be with me always to the
+end. Before you close the case you might look at her again more
+carefully. Perhaps, after you have gazed at her attentively,
+understanding may come to you; you may begin to perceive the
+beauty which was hidden from you at the first."
+
+She returned, the case still open in her hand, to the window in
+front of which she had been standing.
+
+
+
+
+ CHAPTER IX
+
+ THE SLIDING PANEL
+
+
+The silence remained unbroken for some seconds. Then he asked--
+
+"Well, what do you think of her now?"
+
+"I think she's pretty, as I said. You may think her beautiful. I
+daresay plenty of men would; that sort of thing's a question of
+taste. I tell you what I do think beautiful--that's these
+diamonds. The sapphires and the pearls are all very well, but
+the diamonds are the stones for me."
+
+"You would think that. You're the sort of woman who'd admire a
+gaudy frame, and have no eyes for the picture that was in it. If
+you like I'll tell you who she is and all about her. It may seem
+like sacrilege to talk of her to you, but I think I'll tell you
+all the same."
+
+"Tell away. I suppose it's the old, old story: she met some one
+she fancied more than you. Men always do think that sort of
+thing is wonderful. But I don't mind listening."
+
+"Yes, there was some one she liked better than me. That was the
+trouble."
+
+"It generally is, while it lasts; then it turns out to be a
+blessing. But, of course, you've never had the chance."
+
+"As you say, I've never had the chance. Her name--I won't tell
+you her name--though why shouldn't I? Her name is Margaret
+Wallace."
+
+"Scotch, is she?"
+
+"Her father was Scotch, her mother English. He was my dearest
+friend. When he died----"
+
+"He left his only daughter, then a mere child, and that was
+all."
+
+"That was all, and as you say she was a mere child. You seem to
+have had some experiences of your own."
+
+"One or two. I'm more than seven."
+
+"So I should imagine."
+
+"You took her to your own home, found her in food and washing,
+and pocket-money now and then. As she grew older her wondrous
+beauty and her many virtues--especially the first lot--warmed
+your withered heart. When she attained to womanhood you breathed
+to her the secret of your passion, which she had spotted about
+eighteen years before; but as she didn't happen to be taking
+any, of course the band began to play. Isn't that the sort of
+story you were going to tell, only I daresay you wouldn't have
+told it in quite that way?"
+
+"I certainly shouldn't have told it in quite that way."
+
+"You had expended on her two hundred and forty-nine pounds
+nineteen and sixpence ha'penny, besides any amount of fuss, so
+her ingratitude stung you to the marrow. Still you might have
+borne with her; you might not even have altered the will which
+you had made in her favour, and which you kept shaking in her
+face; only when she took up with another chap she seemed to be
+coming it a bit too thick. You cried in your anger, 'I'll make
+you smart for this, my beauty!' So you started to make her
+smart; but it seems to me that you've done most of the smarting
+up to now. Was it her cruelty which made you the pretty sight
+you are?"
+
+"Not altogether."
+
+"Not altogether! You don't mean to say that when you wanted her
+to be your wife you were anything like what you are now? A nice
+kind of love yours must have been!"
+
+"I appear to have acquired a really delightful wife."
+
+"If you weren't a dead log it might be that you'd find out how
+true that was. Any man with a touch of spice in him would give
+the eyes out of his head for a wife like me, and there have been
+plenty who were ready to do it."
+
+"As you yourself observed, these things are a question of taste.
+So you think she was justified in treating me as she did?"
+
+"Justified for not wanting to marry a thing like you! You ought
+to have been drowned for hinting at it."
+
+"I am myself beginning to think that your point of view may not
+be wholly incorrect, and that, therefore, it was fortunate that
+I did not die on the night we were married."
+
+"I don't."
+
+"You wouldn't--you have, of course, your own point of view. From
+mine it is fortunate that I have been spared to enable me to
+make another will."
+
+"How are you going to make a will, when you can't move so much
+as a finger?"
+
+"I can have one drawn up according to my instructions. You will
+find that I'm capable of signing it. Would you have any
+objection?"
+
+"It would depend on what there was in it."
+
+"I see. May I ask if you are under the impression that if I die
+without a will--even supposing our marriage is valid----"
+
+"It's valid enough, don't you be afraid."
+
+"I'm not afraid; you, I fancy, have the cause to fear. But I
+say, supposing our marriage is a marriage--as to which I say
+nothing either one way or the other--if I die intestate do you
+imagine that you will necessarily come into possession of all I
+have?"
+
+"Have you any relatives?"
+
+"Not one in the whole wide world."
+
+"Then you bet I shall."
+
+"You may bet you won't."
+
+"Who's got more right to what you leave behind than your lawful
+wife?"
+
+"It depends. Under no circumstances would you inherit more than
+half of my personal property, and a third of my real estate; the
+rest would go to the Crown."
+
+"Half's something! Look here, Dr. Twelves told me that if I
+married you I should have twenty thousand pounds. Have you got
+as much?"
+
+There was an interval before an answer came. Possibly the man in
+the bed was considering what answer he should make to such a
+very leading question.
+
+"I cannot tell you exactly what I have got, but I may safely
+venture to assert this much: If all I possess--land, houses,
+shares and so on--were to be turned into cash to-morrow, I
+should find myself with at least two hundred thousand pounds."
+
+"Two hundred thousand pounds! Go on!"
+
+"This is a curious world, and Fortune is a curious jade; she
+bestows her gifts with feminine irresponsibility. She gives one
+health and strength and youth--and empty pockets--just when he
+could get enjoyment out of full ones. To another, crippled
+limbs, physical helplessness, premature old age--and pockets
+brimming over--just when money is of as little use to him as
+pictures to the blind. I have been denied most things except
+fortune. Sounds ironical, doesn't it? As with Midas, everything
+I have touched has turned to gold--in my case a thing wholly
+worthless. I never made a bad money speculation in my life. I
+doubt if I ever made an investment which did not pay me ten per
+cent. Some of my investments have paid me forty and fifty per
+cent, for years, and are worth ten times what I gave for them. I
+wasn't worth twenty thousand pounds when I began life; now, to
+adopt your phraseology, I'll bet I'm worth more than a quarter
+of a million."
+
+"And yet you live in a place like this, without a horse in the
+stable, and the garden like a wilderness!"
+
+"Why shouldn't I? Where would you have me live? In a castle?
+with an array of servants who would take my money and from whom
+I should have to hide. A well-bred servant wouldn't be able to
+endure the sight of such an object as I am. All I need is a bed
+to lie on, some one to put food between my lips, money to pay
+for it. Since here I have those things, here I have all I need.
+Besides, you should bear in mind that, as nothing is being
+spent, there will be all the more to leave behind."
+
+She was silent; her face turned towards the open window, the
+miniature in its jewelled case still in her hand. His words had
+fired her imagination. A quarter of a million!--this man worth a
+quarter of a million!--and he supposed himself to be her
+husband! Not long ago she had told herself that a certain and
+clear five pounds a week earned by singing and dancing at the
+minor music halls would be her idea of fortune. She had married
+that deceitful humbug, Gregory Lamb, because she believed that
+he might possibly have as much as a thousand a year. What was a
+thousand a year compared to a quarter of a million! If he died
+without a will half of it would be hers, or was it a third? Why
+shouldn't she have more than that? If he had no relatives to
+make a fuss, why shouldn't she have it all?
+
+Even as she asked herself the question an answer came to her
+dimly, yet with sufficient clearness to start her trembling. It
+was born of an idea which would have disposed most women to do
+more than tremble. Her breath came faster; her eyes brightened;
+something like a smile wrinkled her lips; the vista presented to
+her imagination, which would have appalled most persons,
+titillated her.
+
+After a while she asked, without turning her head--
+
+"If you were to make a will, what would you put in it?"
+
+"I'll show you."
+
+"When?"
+
+"Now. There's a secret hiding-place in this room. If you tried
+do you think that you could find it?"
+
+"I'd find it fast enough."
+
+"Then find it."
+
+"What sort of place is it?"
+
+"That's asking for assistance. I'll give you this much. It's in
+the wall, concealed by a panel of wood. Now I've given you the
+scent, follow it to a finish--if you can."
+
+"In a room like this there might be fifty hiding-places."
+
+"There might."
+
+"It would take days to examine it thoroughly; however long it
+might take me I'd find it. I'd strip the walls of everything
+before I'd give it up."
+
+"I don't think you need go so far as that just yet. Look round;
+you've hawk's eyes; I've given you a hint; can't you make a
+likely guess, like the sharp-witted child who is playing
+hide-and-seek?"
+
+Isabel's glances were travelling round the room searchingly,
+resting here and there, allowing nothing to escape them. When
+they had traversed the whole apartment from floor to ceiling in
+one direction they returned in another.
+
+"You are not tricking me? There really is a secret
+hiding-place?"
+
+"There really is."
+
+"And you say it's behind a panel in the wall?"
+
+"That's it."
+
+Her eyes in their return journey had reached the great wooden
+fireplace. Although she did not know it, it was a fine specimen
+of old carving. What she did notice were the rounded posts which
+served as pillars. There were four, two longer and two shorter,
+each supporting a shelf on which there were ornaments. She
+wondered if the posts would turn. Probably something recurred to
+her mind which she had read about a movable post, though she
+could not have said just what it was or where she had read it.
+She had a notion that she would try if the posts in the
+fireplace turned, when she was stopped by a remark which came
+from the man in the bed.
+
+"You're looking in the wrong place; so as I don't want your
+search to occupy you days, I'll tell you where it is." Even as
+he spoke it struck her--rather as a vague suspicion than
+anything else--that he did not want her to pay too much
+attention to the fireplace. She waited for him to continue,
+which he did at once. "You see the bracket in the corner on my
+left. Go to it. Take down the vase which stands upon it, then
+lift the bracket out of its socket." She did as he told her.
+"You see the boss just at the top of the socket. That releases
+the catch. Press it, then slide upwards that part of the panel
+which is immediately at your right."
+
+Again she followed his directions. A portion of the woodwork,
+three or four inches wide, and about a foot in length, yielding
+to her touch, disclosed an open space behind.
+
+"There's an envelope in it, a blue envelope; take it out."
+
+There was an envelope, apparently nothing else. On the front was
+an inscription, whose crabbed characters had apparently been
+written by a feminine hand. "This envelope contains Cuthbert
+Grahame's will, and is not to be opened till after his death."
+The two flaps at the back were secured by big red seals.
+
+"Never mind what it says. I'm Cuthbert Grahame, and I tell you
+to open the envelope, although I don't happen to be dead. Take
+out the paper which you'll find inside. Read it; you can read it
+aloud if you like."
+
+She read it aloud. The handwriting was identical with the
+cramped caligraphy on the envelope.
+
+"'I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Margaret Wallace,
+absolutely, for her sole use and benefit.--CUTHBERT GRAHAME.
+Witnesses, NANNIE FORESHAW, DAVID TWELVES, M.D., Edin.'"
+
+With the exception of a date at the top that was all the paper
+contained.
+
+"That is the will you broke by marrying me, or, if you prefer
+it, which I broke by marrying you. There isn't much to be said
+for the phraseology--it wasn't drafted in a lawyer's office.
+Nannie wrote it down to my dictation--at that table over by the
+window there. She doesn't write a very excellent fist, but it'll
+serve. That's as sound a will as if it had been drawn by a
+council of lawyers, and, to the lay mind, a good deal plainer
+than they'd have made it."
+
+"Do you mean to say that what's on this paper is enough to put
+Margaret Wallace into undisputed possession of a quarter of a
+million of money?"
+
+"It would have been if I hadn't married you; my marriage has
+made it so much waste-paper. You may tear it up, or keep it if
+you please; it makes no difference. I intend to make another
+will."
+
+"What are you going to put in it?"
+
+"Exactly what's in that, only the date will be different. It's
+the date in that which renders it nugatory."
+
+"Aren't you going to leave me anything?"
+
+"Why should I?"
+
+"Dr. Twelves told me that if I married you I should have twenty
+thousand pounds."
+
+"I'm not responsible for what Dr. Twelves may assert."
+
+"You are--in a way, and you know it. Because he only brought me
+up so that you might die in peace, and, I expect, at your own
+express command."
+
+Mr. Grahame was silent, possibly considering her words.
+
+"A cheque for a hundred pounds would amply repay you for what
+you've done--or I might make it a hundred guineas."
+
+"A hundred guineas! Listen to me--you're my husband."
+
+"You've observed that on some previous occasion."
+
+"And I'm your wife."
+
+"That also has already become ancient history."
+
+"I want you to understand just the way in which I see it. I'm
+the mistress of this house, and no one sets foot in it--or in
+your room--without my express sanction and approval."
+
+"Won't any one? We shall see."
+
+"We _shall_ see! I'll write you just the will you want, as
+Nannie did, if you'll let me add a sentence leaving me--say,
+five thousand pounds. It ought to be more--twenty thousand was
+what Dr. Twelves promised--and you can make it as much more as
+you like, but I'll do it if you make it that." As, when she
+stopped, he was silent, she again went on: "If you don't let me
+add such a sentence you shall make no will at all--as sure as
+I'm alive I swear you shan't. I'll have my bed brought in here
+to stop you doing it at night--you may trust me to take care you
+don't do it by day. As your wife I've my rights, and you're a
+helpless man. I mean to take advantage of my rights--to the
+fullest possible extent!--and of your helplessness. You ought to
+know by now that in such a matter I'm the sort of woman that
+keeps her word."
+
+"I have a sort of notion that you might do your best in that
+direction--from what I've seen--and heard--of you."
+
+"You can bet on it!"
+
+"Let me follow you clearly. Am I to understand that you will
+draw up yourself a will identical in all respects with the one
+you have in your hand, if I allow you to add an additional
+clause by which you are to benefit to the extent of five
+thousand pounds?"
+
+"That's what you're to understand--just that."
+
+"And that you'll assist me to sign it in the presence of two
+witnesses?"
+
+"I'll assist you all I can."
+
+"I'll think it over. Five thousand pounds is a deal of money for
+what you've done, and for the sort of woman you are; but--I'll
+think it over. When would you do it?"
+
+"If you say the word I'll do it right now."
+
+There was a considerable pause, then he repeated his former
+observation:--
+
+"I'll think it over." After a pause he added: "Put back that
+miniature underneath my pillow--this time gently, if you please.
+Close the panel; replace the bracket and the vase. You may take
+the will with you if you like, so that you may get it well
+into your head. I'm tired--I've talked enough. I want to be
+still--and think."
+
+
+
+
+ CHAPTER X
+
+ THE GIRL AT THE DOOR
+
+
+When Isabel left Cuthbert Grahame's room her brain was in a
+tumult. She had so much of which to think that she found it hard
+to think at all. The discovery that his wealth was so altogether
+beyond anything of which she had dreamed as possible; the
+unearthing of his will--from such a hiding-place; the facts she
+had learned of Margaret Wallace, and which she had herself
+embroidered--these things were in themselves enough to occupy
+her mind to its full capacity for some time to come. Yet they
+were far from being all she had to think about. The miniature,
+in its jewelled setting--especially the jeweled setting!--was
+likely to be a subject of covetous contemplation until--well,
+until something had happened to it, or to her. Then there were
+the pillars in the fireplace. Something--she could not have told
+what--had filled her with the conviction that the recess behind
+the sliding panel was not the only hiding-place the room
+contained. She was possessed by a desire to examine those four
+rounded posts--to examine them closely--to ascertain whether in
+their construction there was anything peculiar.
+
+But beyond and above all these sufficient causes for mental
+agitation there was still another, one far greater--the will she
+might have to draft, which she felt certain she would be asked
+to draft. The idea which she had at the back of her head, which
+had prompted her suggestion, was of such a character that it
+almost frightened her. Like Cuthbert Grahame, she wanted time
+and opportunity for thought. She had it in contemplation to risk
+everything upon the hazard of a single throw--everything, in the
+widest sense of that comprehensive word. To put her notion into
+execution needed courage of a diabolical kind. Failure involved
+utter and eternal ruin. Success, on the other hand, would bring
+in its train all the pleasures of which she had scarcely dared
+to dream.
+
+On her return from her walk, having learned that Gregory Lamb
+had not put in the appearance she had feared, she had sent the
+two maids on an errand. They were raw, country wenches,
+ignorant, slow-witted. It seemed hardly likely that, under any
+circumstances, she would find them dangerous, yet she was
+strongly of opinion that it was advisable, if, as was possible,
+the deserted Gregory did call, that she should be the person to
+receive him. Nannie was still confined to her room, so that
+Isabel had but to be rid of the underlings to have practically
+the whole house at her mercy.
+
+It has been said that small things make great generals, since it
+is the eye for trivial details which wins big battles. The
+little act of foresight which prompted Isabel Lamb to clear the
+premises of that pair of Scotch wenches not impossibly changed
+the whole course of her life--not because what she had foreseen
+happened; what actually occurred she had not even looked for.
+
+The dining-room had a large bay window which commanded the path
+leading to the front door. As she stood there, with her brain in
+a state of almost chaotic confusion, something caught her eye--a
+figure on the carriage drive. It was still at some distance; it
+disappeared nearly as soon as she saw it. She kept her glance
+fixed on its vanishing point. As for some moments nothing was
+visible, she was beginning to suppose that she must have been
+mistaken, when she saw it again. It was still to a great extent
+hidden by the trees and brushwood, but it certainly was there.
+Isabel instinctively drew back, although in any case she must
+have been entirely invisible. Instantly her brain became clear.
+The perception of approaching danger, which had on her the
+effect of bracing her up, restored to her at once the full use
+of her faculties.
+
+"Is it Gregory?" she asked herself.
+
+If it had been he would have had a warm reception. But it was
+not, as was immediately made clear. The figure was that of a
+woman--reaching a point where the ground was clearer, she could
+be plainly seen. She was walking very fast, with long, even
+strides.
+
+"Who is it?" the woman at the window asked herself. "It can't be
+one of the girls--they won't be back for a couple of hours or
+more. I know them! Besides, they don't move like that. Nothing
+feminine's been near the place since I've been in it. So far as
+I know, there's nothing feminine hereabouts to come. As for
+callers, we don't have them. What's likely to attract a woman to
+a house like this? Why, I do believe it's a lady--that dress was
+never made in this parish. And--she's young! Where on earth have
+I seen her before? I have seen her, but where? My stars!--the
+miniature! It's Margaret Wallace!--come to see the man she
+jilted! Here's a nice to-do!"
+
+The approaching figure had come clear of the carriage drive, and
+was now in full sight. As Isabel had acknowledged to herself, it
+was unmistakably that of a lady. The dress might be proof itself
+to another woman's keen perception, but there was other evidence
+as well. The way in which the stranger bore herself--her
+carriage, the easy grace which marked her movements, at least
+suggested breeding. As the face became visible all doubt was at
+an end. This was certainly a lady who, as it seemed, was coming
+to call.
+
+Was the purport of her presence here merely to pay a passing
+call? Did she simply wish to make a few inquiries, and then
+return from whence she came? Would she be content with a few
+more or less civil words being spoken to her at the partly open
+door, or would she insist on entering and being allowed to visit
+Cuthbert Grahame in his room? In that case Isabel's domination
+would be at an end. The chances were that those two had but to
+exchange half-a-dozen words, and the castle which she had
+already in imagination builded would resolve itself into an
+edifice even less substantial than a house of cards. The wild
+scheme of which she had conceived the embryo would never move
+from that condition. The situation out of which she had
+determined to wrest a great opportunity would be there and then
+at an end if Margaret Wallace won her way past that front door.
+
+But would she win it? The fates were on Isabel's side. Nannie
+upstairs helpless in her bed; Cuthbert Grahame still more
+helpless in his; the two girls out--Margaret Wallace would have
+to reckon with her. Isabel overrated herself if, in such a
+contest as was likely to ensue, she did not prove the better of
+the pair.
+
+A sudden thought occurring to her she hurried into the hall. By
+some fortunate chance the front door was closed, so that she
+remained unseen by the approaching visitor. She remembered that
+she had closed it when she herself had come in; as a rule it
+stood wide open. If it had been then it would have been
+impossible for her to perform the part she proposed to play. As
+soon as she reached it she turned the key--only just in time.
+Within thirty seconds the handle was tried by some one on the
+other side.
+
+"That settles it," observed Isabel to herself. "I didn't look at
+the face in the miniature so closely as all that, it was the
+setting which occupied me. I might have mistaken the likeness,
+and it mightn't have been Margaret Wallace after all. But the
+style in which she turned that handle gives her away. She's come
+in and out of this house too often not to be aware that, even if
+the door does happen to be shut, you've only got to turn the
+handle to come in. When she found that it wouldn't open, I'll
+bet that she had a bit of a shock. Holloa! it seems that she
+can't believe it now. I daresay it's the first time in all her
+life that she's found that door closed against her."
+
+Something of the kind did seem possible. The person on the other
+side was giving the handle various twists and turns, as if
+unable to credit that the door was actually locked. It was only
+after continued efforts that the fact was realised. There was an
+interval, as if the person without was considering the position.
+
+"Now what'll she do?" wondered Isabel. "Go round to the back,
+and see if she can't get in that way? She won't think it a
+possible thing that both doors can be locked. The odds are that
+she's come in one way as often as the other. She won't come in
+that way this time, and so I'll show her."
+
+On stealthy feet Isabel, stealing to the back of the house, both
+locked and bolted the door which gave ingress to the house on
+that side. As she was ramming the top bolt home a bell clanged
+through the house followed by the rat-tat-tat of a knocker.
+
+"So she's concluded not to give herself the trouble of trying
+the back door, at least for the present. Now what'll I do? One
+thing's sure, I'm not going to be in any haste to answer either
+her ringing or her knocking. Possibly if no one does answer
+she'll be tricked into thinking the house is empty." The bell
+and knocker were audible again.
+
+"She's pretty impatient; she doesn't give a person over-much
+time to answer, even if one wanted to. What a row that bell does
+make--sounds as if it were rusty. I daresay it isn't rung more
+than once a year. It'll startle those two upstairs--it's a time
+since they heard it. There she is again. She'll hurt that bell
+if she isn't careful. I'd like to hurt her--if she doesn't watch
+out I will before she's finished. That's right, my dear, give
+another pull at it! Pretty rough on Grahame. If he only knew who
+was ringing what wouldn't he give to get at her--especially if
+he understood that this is the only chance he'll ever have; and
+to have to lie there like a log, and let it slip between his
+fingers! As for Nannie--that old woman's got the nose of a
+bloodhound--I shouldn't be surprised if she smells who's at the
+door. If she does I shouldn't wonder if, broken leg or no broken
+leg, she tumbles out of bed and tries to get down somehow to
+open it. She hadn't better. She'll break it again if she
+does--if I have to help her do it! No one's going to interfere
+with that door but me! I'm not going to have her hammering and
+clanging till those two girls come back, that won't suit my book
+at all. And as she looks like doing it the sooner I get rid of
+her the better."
+
+The upper panels of the front door were of coloured glass, the
+panes, which were of different hues, shapes and sizes, being set
+in leaden frames. While it was possible for whoever was within
+to obtain a vague impression of some one without, it was
+impossible for whoever was without to see anything of the person
+within. It was of this fact that the quick-witted Isabel
+proposed to take advantage. Among the various accomplishments
+which fitted her, in her opinion, to shine in the halls was that
+of mimicry. Drawing close up to the glass panels she exclaimed,
+in tones which were intended to represent the broken-legged
+Nannie's--
+
+"Who's that as wants to break the bell of a decent body's
+house?"
+
+That the assumption was not entirely unsuccessful was shown by
+the response which came instantly from the other side of the
+door.
+
+"Is that you, Nannie? You silly old thing! Where have you
+been? What have you been doing? And why have you locked this
+door?--open it at once!"
+
+"And to whom will I open it, please?"
+
+There came a peal of girlish laughter as a prelude to this
+reply.
+
+"Nannie, you are an old stupid! Do you mean to say that you
+don't recognise my voice as well as I do yours? Why, I'm Meg
+come back to see you again!--open the door at once, you goose!"
+
+"I'll no open the door this day."
+
+"Nannie!"
+
+"Margaret Wallace, I tell you I'll no open the door for you this
+day, so back you go from where you came."
+
+"Nannie! how can you speak to me like that! How dare you!"
+
+"I'm but obeying Mr. Cuthbert's orders, and it's not fear of you
+that'll stay me from doing that."
+
+"Do you mean to tell me that Cuthbert Grahame forbade you to let
+me into the house?"
+
+"He did a great deal more. He said that if you ever came near it
+he'd bring half-a-dozen dogs to set them at you. So take
+yourself off, and be quick about it."
+
+"But, Nannie, I don't understand."
+
+"None of your lies! It's plain enough! So be off to where you're
+wanted--if it's anywhere."
+
+"But, Nannie, what have I done that you should speak to me like
+this? You always used to take my part."
+
+"It's no part of yours I'll ever take again. Are you going?"
+
+"I only want to talk to you. If you'll only open the door I
+promise you I won't try to get in if you don't want me to."
+
+"I can have all the talk I want with you as we are. Will you be
+off?"
+
+"Won't you let me have one look at you, Nannie, and give you
+just one kiss?"
+
+"I'll have none of your kisses, and I never want to look at you
+again till you're lying in your coffin."
+
+"Nannie! there's something about the way you talk which I don't
+understand. It's not you to speak to me like this. I insist upon
+your opening the door. I don't believe Cuthbert Grahame ever
+told you not to--I know him too well to think that's possible. I
+shall keep on ringing and knocking till you do open, and so I
+tell you."
+
+"Then you'll keep on some time, I promise you that. I know what
+Mr. Cuthbert's orders are better than you. If I was to empty his
+gun at you I'd only do what he'd wish me to."
+
+"Nannie! But, Nannie, I've come all the way from London. It's a
+very long way, and costs a deal of money, and nowadays I haven't
+much money, as you know. You're not going to send me back like
+this."
+
+"Is it the fare back to London that you're wanting? If it's to
+beg you've come, I'll give you the fare out of my own pocket, so
+that Mr. Cuthbert may be rid of you in peace."
+
+This time in the girlish voice there was a ring of unmistakable
+indignation.
+
+"Nannie! you're a wicked old woman! I believe that you've some
+wicked scheme in your head of which Cuthbert Grahame knows
+nothing. You sound as if you were capable of anything. If you
+don't let me in this moment I'll get in without your help."
+
+"How are you going to do that, pray?"
+
+"Do you think I can't? I'll soon show you! If you think I'm
+still a foolish girl to be tyrannised over by you, you're very
+much mistaken. I won't believe that Cuthbert Grahame doesn't
+wish to see me till he tells me so with his own lips."
+
+
+
+
+ CHAPTER XI
+
+ HOT WATER
+
+
+A hand was raised on the other side of the door and brought
+smartly against the glass. The whole panel shivered; the blow
+would only have to be repeated two or three times to destroy it
+altogether. Whipping the key out of the lock, Isabel hurried up
+the staircase, slipping it into her pocket as she went. Although
+she had no fear of an entry being made, she was very far from
+desirous of being seen. That would involve the discovery of the
+fraud she had been practising. If Miss Wallace learned that it
+was not Nannie who had been addressing her in such
+uncompromising terms, it was scarcely likely, even if driven by
+force from the house, that she would leave the neighbourhood
+without effecting her purpose of seeing Cuthbert Grahame. So
+Isabel, determined that that should not happen, resolved to
+adopt extreme measures.
+
+When she gained the top of the stairs she could already hear the
+glass shivering in the door below. Rushing into the bath-room,
+snatching up a couple of pails which the not too tidy maids had
+left there, and filling them at the tap, she strode with them to
+the landing-window which overlooked the entrance. She had filled
+them at the hot-water tap, and the steam came against her hand.
+
+"It isn't very hot," she told herself. "There's just enough
+sting in it to make her a little warmer than she is already."
+
+The window was wide open. She peeped out to see that the girl
+was immediately below. Balancing both pails on the sill she
+turned them over together. That the contents had reached the
+mark was immediately made plain by the cries which ascended from
+below.
+
+"Nannie! Nannie! you've scalded me! you've scalded me!"
+
+Isabel replied, still taking care not to allow so much as the
+tip of her nose to be seen through the window--
+
+"I'll scald you again in half a minute--you'll find the water's
+boiling next time, I promise you. What's more, I'll take Mr.
+Cuthbert's gun to you, as he bade me. You shameless hussy! to go
+breaking his windows because he won't have you set your foot
+inside the house that you've disgraced!"
+
+This diatribe from the supposititious Nannie was followed by
+silence below. Isabel, who found the suspense a little trying,
+was half disposed to venture on a glance to learn what was
+taking place. Unmistakable sounds, however, arose just as she
+had made up her mind to run the risk. Margaret Wallace was
+crying. Presently she exclaimed, in tones which were broken by
+her sobs--
+
+"I'm going, Nannie. You needn't trouble to get Mr. Cuthbert's
+gun, nor to wait till the water's boiling. Whatever Mr.
+Cuthbert's orders may have been--and I know I've used him badly,
+and deserve anything from him--I never thought you'd have
+treated me like this. I've never done you any harm, and you've
+always pretended that you loved me. I hope you'll never regret
+driving me away like this from the house that has always been a
+home to me! Oh, Nannie! Nannie!"
+
+The girl uttered the last two words in such poignant tones that
+Isabel thought it extremely possible that they penetrated to the
+woman to whom they were actually addressed. After a moment's
+interval footsteps were audible below. Then, as Isabel drew back
+behind the curtain, she could see through the loophole that
+Margaret Wallace was returning whence she came. She moved with a
+very different step to that which had marked her approach. Her
+feet seemed to lag, her head hung down, and she kept putting her
+hand up to her eyes to relieve them of blinding tears. Her
+attitude was significant of the most extreme despondency.
+Apparently some remnants of her pride still lingered. It was
+probably those fragments of her self-respect which prevented her
+from once looking round to glance at the house from whose
+precincts she was being so contemptuously dismissed.
+
+Isabel watched the defeated mien which characterised the girl's
+whole bearing in the moment of her humiliation with a smile of
+triumph.
+
+"That's one to me. It's on the cards that it's the one that's
+going to win the game. I guess she's feeling pretty bad. It
+can't be nice, if your pockets aren't too well lined, to come
+all the way from London just for this. I daresay she meant to do
+the conscience-stricken act--tell him how sorry she was, ask his
+forgiveness, have an affecting reconciliation, and all that kind
+of thing. I expect she was drawing pictures of how it all was
+going to be as she came along in the train. I rather fancy those
+pictures won't get beyond the outline. She'll be trying her hand
+at sketches of another kind as she goes back again. I wonder how
+she'd feel if she knew how she's been bluffed by an insolent
+adventuress, and that Nannie hadn't had a hand in the game at
+all. She'd feel pretty mad! I wonder how Nannie feels if she so
+much as guesses at what's been going on. I'll give the old lady
+a call; and I'll call on Mr. Cuthbert Grahame. But before I do
+that I think I'll write a few lines on a sheet of paper--on a
+couple of sheets."
+
+Before she quitted her post of observation the unhappy girl had
+vanished from sight. Isabel waited for some minutes after she
+had disappeared lest something should transpire which might
+cause her to change her mind and return. As time passed and
+nothing more was seen of her, Isabel decided that she had gone
+for good. Descending to the dining-room, seating herself at a
+writing-table, Isabel drew from a drawer two large sheets of
+paper, similar to the one contained in the envelope which
+Cuthbert Grahame had instructed her to take from behind the
+sliding panel. On one of these sheets she wrote, in her large,
+bold, round hand, a facsimile of the will which marriage had
+rendered invalid.
+
+"I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Margaret Wallace,
+absolutely, for her sole use and benefit." When she had finished
+she surveyed what she had written, then added--"With the
+exception of five thousand pounds in cash, which I give and
+bequeath to Isabel Burney, and which it is my wish shall be paid
+to her, free of legacy duty, within seven days of my being
+buried".
+
+"That only needs his signature and the signatures of the
+witnesses. Shall I date it, or leave the date open? I think I'll
+be safe in dating it to-morrow. Now for another document very
+much like it, but not quite, though as far as appearance goes it
+must be as exactly like it as it can be conveniently made."
+
+She then wrote on the second sheet what was, with some slight,
+but important, differences, an exact reproduction of the words
+she had written on the other.
+
+"I give and bequeath all the property of which I die possessed,
+both in real and personal estate, to Isabel Burney"--she
+hesitated, then wrote--"whom I have acknowledged to be my wife,
+in the presence of Dr. Twelves and Nannie Foreshaw, absolutely,
+for her sole use and benefit"--she hesitated again, and this
+time added--"with the exception of five farthings in cash, which
+I give and bequeath to Margaret Wallace, and which it is my wish
+shall be paid to her, free of legacy duty, within seven days of
+my being buried."
+
+"That also needs but the signatures and--a little ingenuity."
+She had made them, in all respects, so much alike, fitting into
+the same space the extra words on the second sheet that at a
+little distance it was easy to mistake one for the other. "Now
+we'll tear up that old thing, which my appearance on the scene
+was so unfortunate as to spoil, and we'll put the new will in
+its place--with its brother."
+
+She did as she said, folding up the two sheets in precisely the
+same creases, putting them into the one envelope. Then she went
+upstairs to see Nannie.
+
+The old lady's leg bade fair to be a long time healing, nor was
+a cure likely to be hastened by her impatience and general
+unwillingness to take things easily. So soon as Isabel put her
+head inside the room, Nannie, sitting up in bed, aimed at her a
+volley of questions.
+
+"Why haven't you been here before? What's all the clatter been
+about--like as if the house was coming down? Such ringing and
+hammering I never heard the likes of. What's been the meaning of
+it all? Where's them two girls? Why didn't one of you open the
+door, like as if it was a Christian house? Why did you suffer
+such a hubbub--enough to disturb the countryside? Who's been
+talking in a voice like a cracked tin trumpet?"
+
+It occurred to Isabel that the last analogy was unfortunate,
+since a "cracked tin trumpet" was a not inadequate description
+of the screech in which Nannie herself was even then indulging.
+The old lady presented a peculiar spectacle--in a huge, ancient
+nightcap, tied in a big bow beneath her chin; a vivid tartan
+shawl about her shoulders. The visitor replied to the whole of
+the inquiries with an unhesitating lie.
+
+"Nannie, do you know that a dreadful man's been begging, and
+trying to force his way into the house. If I hadn't turned the
+key just in time I don't know what would have happened." She did
+not, but the happenings would have run on different lines to
+those which she suggested. "As it was he broke the front-door
+window, and I had to pour a couple of buckets of water over him
+before he'd go."
+
+"A man been begging, and trying to force his way into the house!
+Such a thing's never happened in all the days I've known the
+place."
+
+"I daresay I expect it was some one who's heard that you were
+confined to your bed, and thought that I might be easily
+tackled. He's found out his mistake."
+
+"Where's them two girls?"
+
+"I've sent them on an errand. Perhaps he knew that too, and that
+made him bolder."
+
+"I thought I heard a voice I knew."
+
+"That must have been mine."
+
+"Yours! I haven't heard a sound of you. Who was it screeching?"
+
+"That was me. I was imitating your voice, Nannie. You see I
+thought it might frighten him more than mine--and it did."
+
+"My voice! Do you mean to tell me that that rasping, creaking
+screech was meant to be an imitation of my voice? I'd like to
+know whoever heard me talk in that way."
+
+"Why, Nannie, I'm hearing you talk that way now. Don't you know
+your own musical accents when you hear them?--and me giving you
+a taste of them to your face!"
+
+Laughingly, Isabel treated Nannie to another imitation of her
+curious nasal utterance then and there, and was out of the room
+before the old lady had recovered sufficiently from her
+astonishment to pronounce a candid criticism of the impertinent
+performance.
+
+From Nannie Isabel descended to the master of the house, to be
+greeted by some very similar inquiries.
+
+"What's been the meaning of all this uproar?" Isabel repeated
+the lie she had told Nannie. "That was no man's voice I heard.
+It was a woman's, and I could have sworn one I knew."
+
+"I expect the voice you thought you knew was Nannie. I was
+favouring the ruffian with as close an imitation of her genial
+tongue as I could manage."
+
+"That's not what I mean. I heard you imitating Nannie. Will you
+swear it was a man at the door?"
+
+"Of course I'll swear it. Whatever do you mean?"
+
+"What was he like?"
+
+She seemed to consider.
+
+"He was rather tall and very broad, with a big red beard. He had
+a cloth cap on the back of his head; his coat over his arm; and
+he carried a huge stick--about as undesirable-looking a person
+to encounter on a lonely road as you could very well imagine. I
+should know him anywhere if I saw him again. Do you recognise
+him from my description?"
+
+"I do not. I heard nothing of any man speaking, the voice I
+heard was a woman's."
+
+"Of course it was; I tell you that that was me imitating Nannie.
+Don't you understand?"
+
+"It was neither your voice nor Nannie's. It was one I have heard
+too often, and know too well, ever to mistake for another. I
+could have sworn it was hers; I could have sworn I heard her
+pronounce my name. I was not dreaming--I could not have been.
+That I should lie here, chained and helpless, and she almost
+within touch of me! Why didn't Nannie go down to the door?"
+
+"Nannie?--she's as helpless as you are."
+
+"Where are those two servants?"
+
+"I sent them out on an errand long ago."
+
+"So that you've had me at your mercy, and if it was her, you've
+had her also. That God should permit it! If you are lying to
+me--and I believe you can lie like truth!--may you soon be
+consigned to hell fire, to rot there to all eternity."
+
+"If the worst comes to the worst, that's a trip on which I hope
+to follow you."
+
+"Swear to me by all that you hold sacred--if there's
+anything!--that it wasn't Margaret Wallace at the door."
+
+"Margaret Wallace!--are you stark mad?"
+
+"I believe you're tricking me! I believe I heard her voice! I
+believe I heard her pronounce my name!"
+
+"If I had thought that you could have got such an idea into your
+head as that, I'd have thrown the door wide open, and invited
+that murderous ruffian to walk upstairs to you. Then you would
+have seen how much he was like Margaret Wallace--that is, if
+she's anything like the picture which you showed me. You've been
+talking and thinking so much about Margaret Wallace that you've
+got her on the brain. Do you think that if it had been her I
+wouldn't have brought her right up to you? You're very much
+mistaken if you do. I'm no saint, any more than you are, but I'd
+no more rob a woman of her happiness than you would--perhaps not
+so much. You did try to rob her, and you got me to be your
+accomplice--blindfold, as it were. If I'd known what you've told
+me this afternoon I'd have seen you--and old Twelves!--the other
+side of Jordan before I'd let you make a tool of me. Now that I
+do know, I won't rest quiet till you've put her back into the
+position in which she was before. Here's that will I spoke to
+you about. It's the same as the one which was spoilt, except
+that it leaves me five thousand pounds. Five thousand pounds
+will be of no consequence to her, while it will make all the
+difference in the world to me. After the way in which you've
+treated me I ought to have something, and that's the something I
+mean to have."
+
+Taking out the will which left everything to Margaret Wallace
+except the L5,000, she held it out in front of Cuthbert Grahame.
+He read it through.
+
+"That seems all right. Will you help me sign it?"
+
+"Of course I'll help you sign it--now if you choose, though I've
+dated it to-morrow, because I thought that would give you a
+chance to think things over. I tell you that I shan't rest till
+that girl's back into her own again." For some moments he was
+silent, then he said--
+
+"Perhaps I was mistaken."
+
+"Mistaken about what?"
+
+"Perhaps it wasn't her voice I heard."
+
+"Man, I tell you you were dreaming."
+
+"Perhaps I was. If you'd driven her from the door you'd hardly
+bring me a will like that directly after. Even if you'd let her
+in, you might have guessed that she wouldn't have wanted to rob
+you of your five thousand."
+
+"Of course she wouldn't, any more than I wanted to rob her. We
+women are not so bad as that, whatever you men may think."
+
+"Put the will under my pillow--gently--with her miniature. As
+you say, I'll think things over. Maybe I'll sign it to-morrow."
+
+
+
+
+ CHAPTER XII
+
+ SIGNING THE WILL
+
+
+Cuthbert Grahame did sign his last will and testament on the
+morrow, though hardly in the fashion he intended. The way in
+which he was tricked was this.
+
+Before the woman who called herself his wife went down to her
+breakfast she paid him a morning call. He had had a more restful
+night than usual, so that he was in an exceptional good-humour.
+The sight of her seemed almost to give him pleasure. She was all
+smiles and sweetness, which were real enough, since she hoped to
+be shortly in possession of a boundless stock of happiness. He
+began on the subject directly he saw her.
+
+"I'll sign that will of yours."
+
+"That's right; so you shall. But won't you wait till after
+breakfast, then we can have up Jane and Martha to be witnesses."
+
+Jane and Martha were the two serving-maids whose absence
+yesterday had been so opportune.
+
+"I'll wait. You'll have to have me propped up a little higher; I
+shan't be able to sign like this."
+
+"I'll see to that; I'll do everything I can." And she did. She
+communed with herself as she ate a substantial meal. "Propped
+up? I'll see he's propped up high enough, I promise him--the
+higher the better. He can't be propped up high enough for me. It
+seems a dangerous game to try to change one paper for the other
+right under his very nose, but I fancy I know how it can be
+done--and with complete impunity. If he could move so much as a
+finger it might be difficult, but propped up as he'll be he'll
+be wholly at the mercy of my two hands. I think they're skilful
+enough for the job they've got to do." Spreading out the second
+sheet of paper on the breakfast-table in front of her, she
+studied it carefully, with every appearance of complacency.
+"Such a little difference and yet so much--only the substitution
+of one word for another, and all the world is changed. I think
+'whom I have acknowledged to be my wife in the presence of Dr.
+Twelves and Nannie Foreshaw' is a positive stroke of genius. It
+commits me to nothing, and establishes my position, because
+while he admits his desire to claim me for his wife, there is no
+reference to any wish on my part to have him for a husband. The
+only trouble will be to prevent his noticing the difference in
+the appearance of the two papers, which, however neatly I've
+done it, is the necessary consequence of inserting those few
+words. But I think I know how to manage that."
+
+She did; she credited herself with no capacity which she did not
+possess. In every respect she proved herself to be fully equal
+to all the requirements of the occasion.
+
+She returned to Cuthbert Grahame's bedroom so soon as she had
+finished breakfast, the personification of brisk, hearty
+good-humour.
+
+"Now are you ready? Shall we get to business? Is the will still
+underneath your pillow? Shall I get it out?" She took from its
+resting-place the paper which he supposed himself to be about to
+sign. With the aid of some pillows she raised him to a more
+upright position. Then she spread the paper out in front of him.
+"You see, there's the will. Is that just as you want it to be?"
+
+He read it through.
+
+"That's all right."
+
+"Then I'll call up Martha and Jane to act as witnesses, and then
+you'll be able to sign it in their presence." She called up the
+two girls, who came up rubbing their hands on their aprons. She
+said to him, "Hadn't you better explain to them what it is you
+want them to do?"
+
+He explained.
+
+"I'm going to make a new will. Mrs. Grahame,"--he paused; one
+almost suspected him of a desire to give the name satiric
+emphasis--"has been drawing up a will at my dictation. I'm going
+to sign it. I want you to act as witnesses of my signature.
+Stand close to the bed so that you can see what I am doing. My
+dear"--this was to Isabel; again there was the hint of an
+ironical intention--"if you will bring me the will which you
+have been so good as to draft for me I won't keep these young
+women a moment longer than I can help."
+
+She brought him the will--or, rather, a will. It was spread out
+on a slope, and covered with a sheet of blotting-paper on which
+she kept her fingers to prevent it slipping. Only the last four
+lines were visible--"it is my wish shall be paid to her, free of
+legacy duty, within seven days of my being buried". What went
+before was hidden; the familiar conclusion seemed to be all that
+he cared to see. Leaning over him, raising his right arm, as
+gingerly as if it had been a piece of delicate porcelain, she
+placed his dreadful, helpless fingers somehow about a pen. He
+spoke to the two girls.
+
+"As you know, I can do nothing by myself, so Mrs. Grahame, at my
+request, is going to guide my hand so as to enable me to sign my
+will. You understand, it is I who am signing it, not she."
+
+It was a strange signature--"Cuthbert Grahame," in big,
+sprawling letters; some of them unattached to each other, all
+slanting in different directions. The owner of the name,
+however, seemed to view the result with undiluted satisfaction.
+
+"That's my signature--clear enough for any one to read. Now I
+want you two girls to attach your names as witnesses to the fact
+that I have signed my will in your presence."
+
+Isabel removed the slope to the writing-table against the wall.
+Then each of the girls wrote her name in turn. When they had
+done so they left the room. So soon as they had gone Cuthbert
+Grahame spoke to Isabel.
+
+"Now let me have a look at that will of mine in its finished
+condition. Thank goodness it is done. It's a weight off my
+mind--a relief for which I have to thank you."
+
+Isabel stood at the writing-table, looking down, with a smile on
+her face, at the paper he had signed.
+
+"Do you say that you want to see your will now that it's all
+signed, sealed and finished?"
+
+"Yes; didn't you hear what I said? Then I want you to put it
+under my pillow. I'll show it Twelves when he comes. He'll laugh
+when he sees it."
+
+"I expect he will laugh. Is Dr. Twelves coming to-day?"
+
+"He said something about it. If not, then he'll be here
+to-morrow. It will keep till then."
+
+"Oh yes; it will keep till then."
+
+"What are you waiting for? Why don't you bring the will? Don't I
+tell you I want to read it again?"
+
+She went to the bed, the sheet of paper extended between her two
+hands.
+
+"Here's your will, Mr. Grahame; by all means read it again."
+
+He read it, once, twice, then again. Then he tried to speak. It
+seemed that his voice failed him. It was not pleasant to notice
+the stammer which seemed to mark his struggles for breath.
+
+"What--what folly's this? That's not the will I signed."
+
+Her eyes were dancing with laughter. There was a merry ring in
+her voice, as if she was in the enjoyment of an excellent joke.
+
+"Oh yes, it is."
+
+"It's not the one you drafted."
+
+"Oh yes, it is."
+
+"It isn't the one you showed me just now."
+
+"Isn't it? Are you quite, quite sure?"
+
+"Of course I'm sure! It's a trick!--a fraud! This is not my
+will!"
+
+"But, dear Mr. Grahame--I noticed how you called me your
+dear!--it is your will. Here's your signature, attested by two
+witnesses. After all, there's only a slight difference between
+the one you saw and this."
+
+"A slight difference, you--you----!"
+
+In his efforts to find an expletive to fit the occasion, his
+struggles for breath became greater. She went gaily on.
+
+"The only difference is that I get everything instead of
+Margaret Wallace, and that instead of my five thousand pounds
+she gets five farthings. Surely the trifling substitution of a
+few words won't matter to you in the least, Mr. Grahame."
+
+It seemed that it mattered a good deal. After a tremendous
+effort he regained some portion of his voice, enough to enable
+him to burst into a string of expletives.
+
+"You--you----! You----! It's a fraud! a----fraud! It's a
+swindle! Don't you flatter yourself that it will stand! Don't
+you think I'll let it stand! Wait till Twelves comes, then I'll
+show you!"
+
+"Wait till Dr. Twelves comes? Suppose he never comes?"
+
+"What do you mean? What are you doing with that pillow?"
+
+"Suppose Dr. Twelves never comes, what is to prevent this will
+from standing?"
+
+"What are you doing with that pillow, you----!"
+
+"I'm going to stop your saying such dreadful things. It pains me
+to have to listen to such language."
+
+She snatched away one pillow from beneath his head, and then a
+second. She had propped him in such a way that when he was
+deprived of their support his head fell back, and there recurred
+the scene of the previous afternoon. He began to choke; his
+unwieldy frame was shaken by convulsive efforts to breathe;
+stertorous gasps proceeded from the region of his chest. He
+presented a dreadful spectacle.
+
+The sight did not seem to in any way affect the woman who was
+standing by his bed, with the pillows still in her hand. She
+pressed the bolster farther up his back so that his head
+declined at an acute angle; applying her palm to the point of
+his chin she forced it lower still. Then she said--
+
+"I'll place the will as you wished me, Mr. Grahame, under your
+pillow".
+
+She placed it there, under the single pillow which remained;
+then she left the room.
+
+
+
+
+ CHAPTER XIII
+
+ THE ENCOUNTER IN THE WOOD
+
+
+Isabel crossed to her own room, put on her hat, smiling at
+herself in the looking-glass as she arranged it to her
+satisfaction, then went downstairs, and out of the house without
+a word to any one. It was perhaps because she was conscious that
+Martha was peeping at her through the stillroom window that she
+began to whistle. She was still whistling one of the latest
+possible melodies when, entering the drive, she turned off among
+the trees and struck into the woods. Whistling was one of her
+accomplishments: she whistled very well. The sound of her clear
+pipe travelled far and wide. No one to hear her, or, for the
+matter of that, to look at her either, would have supposed that
+she had a care upon her mind. She bore herself like some
+lighthearted, happy girl, who, with unstained conscience, looks
+the whole world in the face, thinking what a delightful place it
+was for a pretty girl to be in.
+
+As a matter of fact it was the bright side of the picture which
+presented itself to her--the bright side only. In imagination
+she saw herself, as she would herself have phrased it, with
+"tons of money" and "heaps of friends"; the bright particular
+star of a radiant circle. Everywhere she was greeted with
+outstretched hands, glad faces and paeans of welcome. Her frocks
+were the most numerous and the "sweetest," her carriages and
+horses were the finest, everything she had was of the very best,
+and she had everything the heart--her heart!--could desire.
+
+With that union of the practical with the imaginative which was
+not the least prominent of her characteristics she there and
+then began to inquire of herself what exactly in her new
+position she should do. To begin with, there was the delicate
+question of what she should call herself. Should she be Mrs.
+Lamb or Mrs. Grahame? Should she revert to her maiden
+patronymic, or should she start life again, with a fresh name
+altogether, one more in consonance with her new position? These
+were points she felt which would depend largely upon
+circumstances; she might not have so much freedom in the matter
+as she might desire. Then there was the question of domicile.
+Where should she reside? One thing was certain, she would not
+stay where she was--nothing would induce her. If she had her own
+way she would never come near the place again--never! As for
+living in his house!--in the middle of her brilliant imaginings
+the mere thought of such a thing seemed to make her blood run
+cold.
+
+On the instant her mood was changed. She stood still, amid the
+trees and bushes. With clenched fists, a new expression in her
+eyes, she looked behind her, first over one shoulder, then the
+other, then to the right and to the left, as if in search of
+something she had no desire to see. A sudden, strange reluctance
+seemed to clog her limbs. She listened: there was only the
+cawing of some distant rooks and the whisper of the breeze among
+the pines. With a laugh at her stupidity, breaking through the
+something which constrained her, she went striding on.
+
+But she had not gone far when a very genuine sound brought her
+to a halt. In itself a commonplace, there it was the most
+unusual of noises: it was the sound of footsteps, of some one
+tramping through the forest. In all the time she had known the
+place she had never heard a step except her own. Could it be
+Margaret Wallace, still lingering about the haunts she probably
+knew well and loved? It would be disconcerting if it were. If
+they met--but that was hardly a woman's step. Could it be the
+doctor? What was he doing in the forest on foot? Besides, she
+had noticed what little pattering steps he took; this person was
+striding.
+
+The walker was hidden from her by a clump of bracken which rose
+to a height of some six or seven feet. He was moving in her
+direction. Should she retreat? It could probably be done, and
+before he caught a glimpse of her. Should she advance and meet
+him? or should she wait until he came to her? While she
+hesitated, the decision was taken out of her hands. The walker,
+threading his way among the bracken, reached a point where the
+stalks were shorter. All at once she found herself confronted
+by--Gregory Lamb.
+
+She stared at him with as much amazement as he stared at her,
+and her amazement was unbounded. Possibly he was the last person
+with whom she would have associated the advancing footsteps; no
+thought of him had crossed her mind. Not improbably, since she
+at least had cause to suspect that he might be in the
+neighbourhood, his surprise was even greater than hers. He stood
+looking at her in bewildered silence, as if unable to believe
+the evidence of his own eyes. When he did speak the observation
+which he made was characteristic.
+
+"Well, I'm hanged!"
+
+Her retort was equally in character.
+
+"I wish you were!"
+
+"I daresay; but I rather fancy that when it does come to
+hanging, where you and I are concerned, it will be a case of the
+lady first. Where the deuce have you been all this time? and
+what on earth are you doing here?"
+
+"What business is that of yours? Do you know you're
+trespassing?"
+
+"What business is it of mine? and do I know I'm trespassing?
+Well, that's pretty good, considering you're my wife, and the
+way you've behaved. Do you happen to know that the police are
+scouring the country for you, and that they're only lying low
+because they think you're dead, or something?"
+
+"It's a lie! You're a natural born liar; you tell nothing but
+lies."
+
+"Don't you think you've a little gift of you're own in that
+direction? I do! It was bad enough to sneak off from me like
+that; but to steal the old girl's money was playing it too low
+down!"
+
+"What are you talking about? What do you mean?"
+
+"You know very well what I'm talking about! Do you think that I
+don't know--and that everybody doesn't know--that you broke into
+Mrs. Macconichie's cupboard and stole her savings? A pretty mess
+I got into because you were a thief! You don't happen to know, I
+suppose, that they locked me up for what you'd done, and that
+they only let me go when I proved that that sort of thing wasn't
+quite in my line."
+
+"Serve you right!"
+
+"What served me right?--locking me up, or letting me go?"
+
+"Anything would serve you right, you brute!"
+
+"Brute, am I? All right, my lady! if that's the way you're going
+to talk to me I'll soon let the police know whereabouts you are,
+and then they'll serve you right. A good taste of prison would
+do you good, you dirty thief!"
+
+"Don't shout like that!"
+
+"Then don't you call me names. I'm not a thief whatever else I
+am."
+
+"I'm not so sure of that. What are you doing here?"
+
+"What do you mean, what am I doing here?"
+
+"I thought you'd gone back to London long ago."
+
+"Then you're wrong, because I haven't; and what's more, I'm not
+likely to go. I've been having a real bad time, that's what I've
+been having."
+
+"Haven't those rich friends of yours sent that remittance you
+were always gassing about?"
+
+"No, they haven't." After a pause, he added, sullenly, "My old
+mother's allowing me a pound a week, and I'm living on that. So
+now you know."
+
+"Honest?"
+
+"It's the gospel truth. So you'll be able to judge for yourself
+how likely I am to be able to get back to London on that,
+especially as she won't let me have a penny in advance."
+
+"A nice sort you are!--after the lies you told me about the tons
+of money you'd got yourself, and the other tons your friends had
+got!--a pound a week!"
+
+"Anyhow I'm not a thief."
+
+"And I shouldn't have been a thief if I hadn't listened to your
+lies; and very well you know it. I've had enough of you; take
+yourself off!"
+
+"Take myself off?"
+
+"Yes, take yourself off, before I tell some one to take you."
+
+"Well! you've got a face! If I do go I'll put the police on to
+you, and then you'll sing a different song."
+
+"You dare!"
+
+"Dare!" he laughed, not pleasantly. "What is there to dare? I'd
+think as little of putting the police on to you as I would of
+putting a dog on to a cat. They'd soon show you your place, you
+thief!"
+
+There was an interval of silence, during which she looked at him
+over the intervening bracken. If looks could kill he would have
+dropped dead where he stood.
+
+"Well, are you going to take yourself off, or am I to tell them
+to take you?"
+
+"Who's them?--tell away! I think that when I tell them you're my
+wife, and that the police have been looking for you for quite a
+while, they--whoever they may be!--won't be so keen to interfere
+with me as you perhaps fancy. There's another thing: you seem to
+be forgetting that you're my wife. When I do go you'll go with
+me."
+
+"Will I? We'll see."
+
+"We will see; or, if you prefer it, it shall be the other way
+about, I'll go with you."
+
+"Will you?"
+
+"It'll have to be one or the other, you may take it from me.
+Well, are you going to call those friends of yours? Are you
+coming with me, or am I to go with you? Which is it to be? I'm
+in no hurry; take your time. I'll have a pipe while you're
+thinking it over."
+
+He filled a pipe which he took from his pocket, while she glared
+at him.
+
+"I'm as strong as you; I believe I'm stronger; I believe I could
+kill you if I chose."
+
+"Be a murderer as well as a thief, would you? I shouldn't be
+surprised. You mightn't find it so easy to bring off this job as
+you did the other; killing a man is not so simple as killing a
+pig, take my word for it."
+
+"Listen to me, Gregory Lamb."
+
+"I'm listening, Mrs. Lamb, and it gives me real pleasure to do
+it."
+
+"I'll make a rich man of you if you'll take yourself off."
+
+He stayed the lighted match on its passage to his pipe.
+
+"You'll make a rich man of me? Now you're singing in quite
+another key. How are you going to do it?"
+
+"I'm staying in the house of a man who's dying."
+
+"Dying is he? Then what does he want you in the house for? Have
+you turned nurse? Is that your latest caper?"
+
+"Never mind what I've turned. He's a rich man."
+
+"What do you call rich?--like me?"
+
+"You fool! He owns all this"--she threw out her arms--"and ever
+so much besides."
+
+"Owns all this? Is it Cuthbert Grahame you're talking about?"
+
+"What do you know about Cuthbert Grahame?"
+
+"Only that I happen to be living in one of his cottages--just
+over there--and a nice hole it is. But you can't expect much in
+the way of board and lodging for a pound a week, especially when
+you want some change left out of it. You're living in Cuthbert
+Grahame's house? Why, then--great Scot!--you must be the woman
+they're talking about who dropped from the skies." A change took
+place in the expression of his countenance which in its way was
+comical. "A pretty sort of she-devil you must be!"
+
+"Now what are you talking about?"
+
+"I know everything. Why, one of the servants up at Cuthbert
+Grahame's--Martha Blair--is the daughter of the people I'm
+lodging with. They talk of nothing else but you. You've been
+passing yourself off as Cuthbert Grahame's wife."
+
+"Well, what of it?"
+
+"What of it?--that's good! First theft, then bigamy!"
+
+"You fool! he's dying."
+
+"I don't see what difference that makes; from what I understand
+he's been dying for years."
+
+"He's made a will in my favour."
+
+"Did he tell you?"
+
+"He did. He's left me everything--every shilling he has in the
+world."
+
+"You're a beauty, upon my soul you are!"
+
+"And I tell you that he's dying while we are standing here. The
+odds are that he'll be dead by the time that I get back."
+
+"How do you know?"
+
+"Then everything he has will be mine--ours."
+
+"Ours?"
+
+"Ours!--yours and mine!--if you can keep a still tongue in your
+head, and keep on pretending that you know nothing about me."
+
+He was trembling.
+
+"What about the Mrs. Grahame?"
+
+"Stuff the Mrs. Grahame! After he's dead I can soon be Mrs. Lamb
+again. What's to stop me?"
+
+"Shall we have to live here?"
+
+She shuddered, involuntarily.
+
+"Live here?--not much! We'll clear out of this in double quick
+time. We'll take a house in London, and live like princes."
+
+He moistened his lips with his tongue.
+
+"You'll act on the square with me?"
+
+"Of course I will, if you'll act on the square with me. Look
+here, there's a ten-pound note for you. It's all I've got about
+me, but as you seem hard up you may find it useful. You go back,
+and unless I'm mistaken by to-morrow morning you'll hear he's
+dead. It won't take me long to put things ship-shape. Don't you
+write or try to see me, unless I give you the office. I'll keep
+you posted in how things are going. And so soon as I can lay
+hands on a good lot of the ready, if you like we'll go up to
+town together, and we'll have a real old spree as we go."
+
+"Belle, you--you're----"
+
+He stopped, as if his vocabulary failed him altogether.
+
+"Yes, I know I am; I'm all that, and more besides."
+
+She laughed, and he laughed. In the laughter of neither of them
+was there any merriment. The sounds they emitted were merely
+mechanical.
+
+
+
+
+ CHAPTER XIV
+
+ IN CUTHBERT GRAHAME'S ROOM
+
+
+On Isabel's return to the house she was greeted on the threshold
+by Martha, the Martha Blair whose connection with Gregory Lamb's
+present place of residence seemed destined to have a
+considerable bearing on Isabel's future life, and, at least, to
+settle the debated question of what her future name and title
+were to be. Martha's whole attitude was significant of some
+great happening. Her hands were raised; it seemed that if
+possible her hair would have been raised too; her eyebrows were
+elevated to quite a perceptible degree. Her eyes and mouth were
+wide open; agitation, of a not unpleasant kind, streamed from
+every pore of her. Behind was Jane, every whit as interested as
+her companion; but as she happened to be both the younger and
+the smaller her opportunities for display were less pronounced.
+Outside stood Dr. Twelves' dogcart; the horse, untended and
+untethered, apparently content to stand still as long as any one
+desired.
+
+Martha broke into speech before Isabel had a chance to plant her
+foot upon the doorstep.
+
+"Oh, Mrs. Grahame, the master! Mr. Cuthbert, ma'am!"
+
+"Mr. Cuthbert, ma'am!" echoed Jane from the rear.
+
+"Mr. Cuthbert? Well, what's the matter with Mr. Cuthbert? Let me
+come in, don't stand there blocking up the way! Do you hear,
+what's the matter with Mr. Cuthbert?"
+
+"He's dead, ma'am--he's dead."
+
+The words broke from both the girls in chorus.
+
+"Dead? What do you mean? What nonsense are you talking? He was
+well enough when I went out. I've never seen him better."
+
+"He's had an accident, ma'am, and it's killed him."
+
+"Accident? How could he have an accident? Is Dr. Twelves in the
+house? Where is he?"
+
+"The doctor is in Mr. Cuthbert's room. He's been there this
+half-hour and more."
+
+She went upstairs to Mr. Cuthbert's room. Her pulse did not
+quicken; inwardly as well as outwardly she remained calm; she
+was a woman whose self-control was above the average; yet she
+was reluctant to enter that room. It was with an effort she
+induced herself to grip the handle; when she had done so she had
+to force herself to give it the necessary twist. Even then she
+lingered on the threshold.
+
+"Who's there?" came the doctor's voice, in accents of inquiry.
+She showed herself.
+
+"What's happened? What's the matter?"
+
+The doctor was standing at the head of the bed. He had something
+in either hand. Instead of replying to her inquiries he looked
+at her from beneath his overhanging brows, as if he had been her
+accuser.
+
+"Why do you look at me like that? Do you hear me ask you what
+has happened? Have you all lost your senses? Why don't you
+answer?" He waved his hand towards the bed. Her gaze followed
+his gesture, with an effort. She knew what she would see; she
+did not want to see it. Instantly her glance returned to the
+doctor.
+
+"Is he--is he dead?"
+
+"Quite dead."
+
+"But I don't understand. When I left him he seemed brighter and
+better than I have ever seen him before."
+
+"He's been killed."
+
+"Killed! What do you mean, he's been killed?"
+
+"Come here, I'll show you." She went a little closer,
+unwillingly. "Come this side of the bed." She did as he bade
+her, with leaden feet. "You see, the pillows have fallen; he's
+been choked."
+
+"But how can they have fallen? They were all right when I left
+him. Has any one been in since?"
+
+"Are you sure they were all right when you left him?"
+
+"Perfectly sure. I tell you I have never seen him in better
+health or in brighter spirits."
+
+"He could not have pushed them from under him himself."
+
+"He might have done it in a fit."
+
+"Perhaps; but it would have had to be a singular sort of a fit.
+You say you are sure they were in their usual position when you
+left him?"
+
+"Why do you ask me that again? Why do you look at me like that,
+and speak in such a tone? Are you suggesting that I have had a
+hand in his death?"
+
+"I am suggesting nothing."
+
+"It seems to me that you are suggesting a good deal, which you
+dare not say right out. At least your manner is peculiar--but
+that it generally is. If you have anything to say, say it--like
+a man!--at once! Don't hint it, like a sneak. I hate your
+underhanded ways."
+
+"I found this under his pillow--his one remaining pillow."
+
+"It's his will. He made it this morning."
+
+"So I am told by the two servants. I perceive it is in your
+writing. Did he dictate to you this document?"
+
+"He did. I wrote it from his dictation, word for word as he told
+me. I wrote it yesterday afternoon. He read it through, and kept
+it under his pillow all night. He signed it this morning."
+
+"It seems odd that, after completing such a will as this, he
+should have immediately died--in such a manner. If he could come
+to life again I wonder what he'd say."
+
+"Give me that will, if you please, Dr. Twelves."
+
+"Hadn't I better hand it to his lawyer for safe keeping?"
+
+"His lawyer? His lawyer is now my lawyer; I will give all
+necessary instructions. The will will be in safe keeping with
+me. Give it me at once." He gave it her. "What have you in your
+other hand? Some more property of mine?"
+
+"It is the miniature of the woman he loved best in the world.
+Don't you think it might go with him, in his coffin, to the
+grave?"
+
+"Give it me. I will give all necessary instructions, as I have
+already told you. Your interference is not desired, nor will it
+be tolerated. To be quite frank with you, Dr. Twelves--it is
+always my desire to be frank and open--I have endured too much
+from you already; I will endure nothing more. The less I see, or
+hear, of you in the future the better I shall be pleased, since
+you are, in all respects, the most objectionable person I ever
+met. Don't you venture to intrude yourself again; if medical
+attendance is required it will be obtained elsewhere. I
+am now the mistress of this house--since there is no master,
+its mistress in the most literal sense. Everything is
+mine--everything. Be so good as to bear that in mind."
+
+He looked at her, and smiled.
+
+"I am not likely to forget that--ever."
+
+She did not know which she liked least--his tone, his look, or
+his smile.
+
+
+
+
+
+ BOOK II
+
+ THE WIDOW
+
+
+
+
+ CHAPTER XV
+
+ "THE GORDIAN KNOT"
+
+
+Mr. Talfourd twiddled the bunch of La France roses between his
+fingers with a smile which was scarcely one of satisfaction.
+They were very fine roses--in just that stage of bursting bud in
+which the La France is seen at its best. In London La France
+roses cost money, even when they are poor examples of their
+kind; those were good enough for exhibition. There were a great
+many of them, and they were tied about with a beautiful green
+ribbon, in charming contrast with the blooms. They had probably
+cost some one at least half a sovereign. They were for him; they
+had cost him nothing; yet they did not seem to afford him
+pleasure.
+
+The fact was he was puzzled. He did not quite know what to make
+of the situation; what he did understand he did not like.
+
+"This gets beyond a jest," he told himself. "Because I happened
+to mention, accidentally, that La France roses were my favourite
+flowers, I didn't expect to find a bouquet of them on my table
+every morning awaiting my arrival. Either it means something or
+it doesn't; either way I don't like it. I'm getting three
+hundred pounds a year in cash for doing I don't quite know what,
+and apparently half as much again in flowers. It won't do--it
+will not do." He gave the unoffending roses an impatient twirl.
+"The point of the joke is that when I said La France roses were
+my favourite flowers I was speaking a little beside the mark. I
+don't know that I have a favourite flower. They're Meg's--I was
+thinking of her at the time, as I generally am. I don't want
+Mrs. Lamb to think that she is giving me flowers, when she is
+really giving them to Meg, to whom I invariably pass them on. I
+don't know that she would really relish the notion of my giving
+her flowers to some one else. Confound her impudence!"
+
+He threw the roses from him on to the table with a show of
+roughness which they, at any rate, had done nothing to deserve.
+As if conscious that his temper was being vented in the wrong
+quarter, picking them up again he regarded them with looks of
+whimsical self-reproach.
+
+While he was still eyeing them the door was opened, and a
+masculine voice inquired from without--
+
+"May I come in?"
+
+Without waiting for a reply the inquirer entered. It was Mr.
+Gregory Lamb. A much more resplendent Gregory Lamb than the one
+whose acquaintance we have previously made. The Gregory Lamb we
+met in the wood was purely an affair of make-believe--not of
+very plausible make-believe. His attire then looked as if it
+wished you to think it had cost a great deal of money--but the
+trained eye knew better. There could be no doubt that everything
+about this Gregory Lamb was the most expensive of its kind--only
+the trained eye knew really how expensive. The impression he
+conveyed was that he had got as much on him in the way of money
+as he conveniently could--probably that impression was not far
+wrong. Yet the result was scarcely satisfactory. Especially was
+this shown to be the case when he brought himself into
+comparison with the man who was already in the room.
+
+Both were young; both bore themselves well; both were
+good-looking; yet there could not be a moment's doubt as to
+which was the pleasanter to look upon. It was not only that one
+was obviously a gentleman, and the other just as obviously was
+not; nor was it that one looked a clever, an intellectual, man,
+and the other emphatically did not; still less was it an affair
+of costume, since Gregory Lamb was overdressed and Harry
+Talfourd's attire was simply plain and neat. It was something
+subtler than any of these things which made the one attractive
+and the other the reverse. Gregory Lamb had never made a friend
+worth having in all his life--and never would; Talfourd made
+friends wherever he went. He could not himself have said why; it
+was certainly not because he tried.
+
+To begin with, Mr. Lamb's manner was unfortunate. His intention
+was to be on terms of hail-fellow-well-met with every one; to be
+no respecter of persons; to be "my dear chap" with Tom, Dick and
+Harry. As a matter of fact, there was an air of patronage about
+everything he said and did which was perhaps the more
+insufferable because unconscious. He came into the room with
+what he meant to be an air of jaunty geniality.
+
+"All alone? I thought you would be. It's not your time for
+receiving visitors, is it? Just come; I heard you knock; must
+have time to breathe before you let them in--eh? Those are fine
+roses."
+
+"They are not bad ones."
+
+"Bad ones!--I should think they weren't. They oughtn't to be; I
+happen to know what my wife paid for them." He laughed, as if he
+sneered. "Sends you them every morning, doesn't she? Standing
+order, I hear. Talfourd, you're in luck."
+
+Mr. Talfourd's manner was as cold as the other's was warm.
+
+"Mrs. Lamb is very kind--kinder than I deserve."
+
+"Perhaps she knows what you deserve better than you do--trust
+her, she's no simpleton. When she takes a fancy she has her
+reasons. I say, old man, I want you to do me a favour."
+
+"I shall be happy to do you a service if I can."
+
+"There's no doubt about the can--not the least in the
+world--you'll find that it's as easy as winking. I want you to
+get my wife to let me go for a little run to Monte Carlo."
+
+"I beg your pardon?--I don't understand."
+
+"It's this way. I'll be frank with you, Talfourd. I look upon
+you as a friend, my boy. I can't go without cash; I'm
+stony-broke; my wife holds the money-bags. You tell her--you
+know how!"--Mr. Lamb winked--"that you think the run would do me
+good, and tell her to give me a thousand to do it with,
+and--I'll do as much for you one day, upon my soul I will."
+
+Mr. Talfourd stared at the speaker in undisguised amazement.
+
+"You credit me with powers of persuasion which are altogether
+beyond any I possess."
+
+"Oh no, I don't"--Mr. Lamb laughed again--"I know better than
+that! You tell her what I've asked you to tell her, and I bet
+you anything I cross by to-night's boat, with notes for a
+thousand in my pocket. She'd send me to the North Pole at a hint
+from you."
+
+There was scarcely such a friendly expression on Mr. Talfourd's
+face as on the other's.
+
+"Are you not forgetting that Mrs. Lamb is my employer? that I am
+merely her servant since I receive her wages?"
+
+"Her servant?"--the laugh again--"I hope she doesn't overwork
+you. Come, Talfourd, be the good sort you are, help a lame dog
+over a stile. I'm spoiling for a flutter, and I'm dead sure that
+the only chance I have of getting it is by means of a helping
+word from you."
+
+"You must excuse me, Mr. Lamb. I am engaged to do clerical work
+for Mrs. Lamb. I should not presume to speak to her on the
+subject you have mentioned."
+
+"Presume?--what ho! Now Talfourd, you're no kid any more than I
+am. You know as well as I do that you can twist my wife round
+your finger. All I want you to do is to give her a twist for my
+particular benefit."
+
+"I can give you no answer but the one I have already given."
+
+"Oh yes, you can--and you will. I'll look in for it to-morrow
+morning--by that time you'll have thought it over. You're
+not so crusty as you make yourself out to be. That'll be
+four-and-twenty hours clean thrown away; and when you're
+spoiling for a burst like I am, that's a deuce of time. But I
+shall have every confidence in your kind offices when you've had
+a chance to see just what I'm driving at."
+
+When Mr. Lamb had retired Mr. Talfourd seemed unhappy.
+
+"Every time that man talks to me I want to kick him. I wonder if
+he affects other people in the same way--the unmentionable
+animal! If, as the husband of his wife, he thinks himself
+entitled to talk to me like that, it's time for me to think
+things over. I must know where I am moving. Three hundred pounds
+are three hundred pounds--I know that as well as any one--but
+they may be earned too dearly. It is one thing to be Mrs. Lamb's
+secretary, quite another to be----" He did not finish the
+sentence even mentally. Sitting down to the table he drew
+towards him the little heap of correspondence which was supposed
+to justify his secretarial existence. There were about a dozen
+envelopes, mostly containing circulars of different kinds. "I
+believe that the letters are examined, and any of the slightest
+importance retained, before they are sent to me. The idea of my
+receiving three hundred pounds a year for opening circulars is
+too thin."
+
+While he sat with both elbows on the table, staring ruefully in
+front of him, the door opened again, and Mrs. Lamb came in.
+
+"At work? I hope I'm not disturbing you."
+
+She had changed more than her husband, whether for the better or
+for the worse was not easy to determine. So far as appearance
+went she had become a much better imitation of a lady. Society,
+or what with her passed as society, had smoothed away some of
+the angles. She had the air of a woman who had to do with many
+persons of different sorts, and had learned to adapt herself to
+them all. One felt that she was probably a popular character on
+the stage on which she had chosen to perform--successful, at
+least within certain limits. One did not wonder that it was so,
+if only because, in her own way, she was good to look at.
+
+That way, however, did not happen to be Mr. Talfourd's--which
+was unfortunate. Indeed, she inspired him with a curious
+feeling. He was afraid of her. It seemed absurd, but he was. For
+one thing, he realised that she was not only a clever, an
+unusually clever woman, but that her cleverness lay in a
+direction in which he was incompetent, and would perhaps
+prefer to be. Again, he felt that she read him like an open
+book, knew him to his finger-tips, while she was beyond his
+comprehension--where, again, he would possibly prefer her to
+remain. He had an uncomfortable suspicion that she saw in him
+something which was not savoury; that her keenest glances were
+continually directed on his weakest points; that it would please
+her to find him an undesirable creature. He had no overt cause
+to suppose this was so. So far she had been to him nothing but a
+friend--a friend in need. But on such a point even the vaguest
+shadow of a doubt was disquieting.
+
+He rose as she came in.
+
+"It is not possible for you to disturb me--I wish it were."
+
+"You wish it were? Why?"
+
+"Because in that case I should be really doing some genuine
+work--which I never am. My post is too much of a sinecure; my
+conscience will not allow me to remain your secretary much
+longer if there continues to be nothing to do."
+
+"You want something to do? You shall have it--very soon--at
+least, I think so. I have been reading your play."
+
+"My play?"
+
+He had noticed that she was carrying in her hand what looked
+like some typewritten MSS., in brown-paper covers. Now, with a
+start, he recognised them as his own.
+
+"'The Gordian Knot.' Mr. Winton gave it me to read."
+
+"Winton! What right----"
+
+He was about to ask what right Winton had to do anything of the
+kind, but perceiving that that would scarcely be a civil
+inquiry, he stopped, not, however, before she understood what
+had been on the tip of his tongue.
+
+"Mr. Winton had every right to give it me to read, as, I think,
+you will yourself admit when I explain. I have, of course, known
+for a long time that Mr. Winton would like to commence
+management on his own account. The other afternoon he told me
+that he had a play which he would produce at once if he could
+only find some one who would furnish at any rate part of the
+necessary capital. I asked by whom it was. He said, 'It's by a
+man named Talfourd--Harry Talfourd'. You may easily believe that
+that did arouse my interest." She said this in a tone which
+seemed to make him go all over pins and needles; it was almost
+as if she had caressed him. "I mentioned to Mr. Winton that,
+given certain conditions, it was possible that I might be
+tempted to enter into such a speculation. He offered to send me
+the MS. It reached me yesterday. I read it last night and again
+this morning--not once, but three or four times. Mr. Talfourd,
+it's first-rate."
+
+"It's very good of you to say so."
+
+"It's not good of me. It's a simple statement of a simple fact.
+If it were rubbish I should tell you so plainly--if you were the
+dearest friend I have in the world. On such matters I have no
+hesitation; and I think you will confess that this is a matter
+on which I do know something. Your play's first-rate. If we can
+agree about terms it shall have an immediate production."
+
+"I hardly know what to say to you."
+
+He did not. On that play he had founded more hopes than he would
+have cared to mention to that friendly lady. Its success would
+mean so much to him, and to the woman he loved. It had gone the
+usual round of the untried dramatist's play. Hope deferred again
+and again had made his heart sick. He had begun almost to
+despair that it would ever see the light. Yet now that he was
+told that if there was only an agreement about terms--as if
+there was any likelihood of a disagreement!--it should have an
+immediate production, he was not at all sure that his feelings
+were what, under the circumstances, he had supposed they would
+have been. It was perfectly true, he did not know what to say to
+her. She was glib enough.
+
+"Say?--say nothing. Let's talk business, and stick to that. I
+mean to. You understand that this is purely a business
+proposition which I am about to make to you, and absolutely
+nothing else. If I go into this matter it will be on strictly
+commercial grounds, and on those only."
+
+"I wish I were sure of it."
+
+"It's not nice of you to doubt my word, Mr. Talfourd; before I
+have finished you will be sorry for having done so. Before
+entering into negotiations for the production of your play, do
+you know what would be one of the preliminary conditions I
+should be disposed to make?"
+
+"I have not a notion."
+
+"That I should be your leading lady."
+
+"Mrs. Lamb!"
+
+"Mr. Talfourd! I presume you are aware that I can act?"
+
+"I know that you have made some successful appearances in--in
+amateur theatricals."
+
+"Mr. Winton will inform you that those amateur theatricals were
+not greatly below the standard of any professional
+representations you have seen. Apart from that--this is strictly
+between ourselves--I may mention that once upon a time I was
+professionally connected with the stage." She did not think it
+necessary to mention with what branch of it. "Your heroine, Lady
+Glover----"
+
+"Lady Glover is hardly my heroine."
+
+"She is the leading feminine character--the pivotal character;
+the one about whom the whole thing turns. To my mind the one
+creature of real flesh and blood."
+
+"I had hoped that Agnes Eliot was a character of some
+importance."
+
+"Agnes Eliot?--pooh!--namby-pamby, bread-and-butter miss! She's
+not bad in her way, and, I suppose, in a pit-and-gallery sense,
+she's the heroine--and not an ineffective one either; but I
+assure you I have not the slightest wish to play Agnes Eliot.
+Susan Stone, who becomes Lady Glover, is a woman who, in the
+face of all obstacles, achieves success; continually confronted
+by difficulties, she treats them as so many Gordian knots; she
+cuts them and walks straight on. Quite indifferent as to the
+means she employs, she always gets there. Considering the
+present craze among actresses for what they are pleased to call
+sympathetic parts, I think you will agree that that is not a
+character which would appeal to every one."
+
+"Certainly. Winton is of opinion that in casting the play the
+chief difficulty would be to find an adequate representative. As
+you say, many actresses don't like to act wicked women."
+
+"I don't know about an adequate representative, but I'm quite
+willing to act Lady Glover, and, although I say it myself, I
+think you'll find that I shall be equal to the occasion. Indeed,
+I am ready to make a sporting bet with you that, in my hands,
+Lady Glover will take the town by storm. There's a popular
+fallacy that people don't like wicked women--it is a fallacy.
+When they're of the right brand, they love 'em--especially men.
+Give me a chance, and I'll prove it. I'll guarantee that
+seventy-five per cent, of masculine playgoers shall fall in love
+with Lady Glover--if I play her. What do you say?"
+
+"I don't understand why you should wish to play her."
+
+"How's that?"
+
+"The answer seems so obvious. You--a lady of position, of
+fortune, with troops of friends!"
+
+"Change, Mr. Talfourd, is the salt of life. I'm very fond of
+salt. Before I read your play I had no more idea of doing
+anything of the kind than I had of flying to the moon. But Lady
+Glover went straight to my heart. I saw at once what magnificent
+fun it would be to give to the stage a really adequate
+representation of the naughty feminine. I knew I could do
+it--and I can. So why shouldn't I?"
+
+"You understand that Mr. Winton has the refusal of the play, and
+that I should first have to consult him."
+
+"Of course I understand that Winton has the refusal of the play,
+and of course I understand that you will have to consult him.
+I'm not afraid of Winton. He shall be the leading man, and cast
+the other parts as he pleases. I'll be Lady Glover, and find the
+money. I'll be an ideal Lady Glover. I believe in your heart you
+know it. Winton and I between us will make of the play a
+monstrous success, and so your fortune will be made, and a few
+shillings added to my own. I should dearly like to make your
+fortune, if only for one reason--because you don't like me."
+
+"Mrs. Lamb!"
+
+"Which is the more odd, because men generally do. Do you
+remember our first meeting?"
+
+"I'm never likely to forget it."
+
+"You don't say that in a tone which suggests an unsophisticated
+compliment. I had read that thing of yours in the _Cornhill_.
+Frank Staines said that he had the honour of your acquaintance;
+that you were clever on quite unusual lines--as he put it, 'a
+cut above the market'--and that in consequence you'd been having
+a pretty rough time. You recollect that it was at an early stage
+of our acquaintance that I offered you the post of private
+secretary."
+
+"I wonder if, when you did so, you knew that I'd nearly reached
+my last shilling?"
+
+"I'd an inkling. If you hadn't you'd have said no." This was so
+literally the truth that he was silent. She understood him so
+much better than he did her. He had an irritating feeling that
+she was treating him as if he were some plastic material, which
+she was gradually fashioning into the shape she desired. "I've
+done you nothing else than good turns----"
+
+"I know it, quite well."
+
+"And yet, actually, I believe, on that account, you seem to
+dislike me more and more."
+
+"I do assure you, Mrs. Lamb, that you are wrong. I do hope I'm
+not the blackguard you seem to imagine."
+
+"I am not wrong, Mr. Talfourd--in a matter of that sort I seldom
+am. And you're not a blackguard; you're altogether the other
+way. It's a case of Dr. Fell--the reason why you don't like me
+you cannot tell. It's not your fault at all--it's sort of
+congenital. Don't worry! But that being so, since I have already
+done you one or two good turns, it would be delightful to be
+able to do you a crowning good turn--to make your fortune; to
+make you the most successful man of the day--you, the only man I
+ever met who really did, and does, dislike me.
+
+"Mrs. Lamb, I--I can't tell you how you make me feel."
+
+"I wouldn't try."
+
+He did not. She looked at him and smiled, while he stood before
+her, with flushed cheeks and downcast eyes, like some shamefaced
+schoolboy.
+
+
+
+
+ CHAPTER XVI
+
+ MARGARET IS PUZZLED
+
+
+Miss Dorothy Johnson, balancing herself on the edge of the
+table, was playing catch-ball with a pair of gloves.
+
+"Margaret Wallace, you're one of the sillies!"
+
+"Evidently you are not the only person who is of that opinion."
+
+"That's right--put the worst construction on everything I say,
+and think yourself smart."
+
+"It's just as well that some one should think so. Dollie,
+sometimes I'm very near to the conviction that it's no
+good--that nothing's any good, and, especially, that I'm no
+good; that I might as well own myself beaten right away."
+
+"Well, you are beaten this time, that's sure. What ought
+to be just as sure is that you don't mean to be beaten every
+time--there's the whole philosophy of life for you in a
+nutshell."
+
+"But suppose I'm dragging Harry down? I shouldn't be surprised
+if it's all through me that his MSS. keep on being returned.
+I said to him, 'Let me make drawings to illustrate your
+stories--I'd love to'. And I do love to! 'Then we'll send the
+stories and the drawings to the editors together.' But they
+nearly all come back. I've a horrid feeling that it's my
+drawings which ruin them."
+
+"Stuff! It's Harry's work that's no good."
+
+"No good? How dare you! You've said yourself over and over again
+that it's splendid."
+
+"That's what's against it--it's splendid." Miss Johnson,
+stretching her right arm to its extreme length, dangled her
+gloves between the tips of her fingers. "Margaret Wallace,
+literature means to me at least three pounds a week, it may be
+four, if possible, five. I can live on three, be comfortable on
+four, a swell on five. The problem being thus stated in all its
+beautiful simplicity, it only remains for me to discover the
+quickest and easiest solution. I have learned, from experience,
+that the _Home Muddler_ is willing to give me half a guinea for
+a column of drivel, and the _Hearthstone Smasher_ fifteen
+shillings for another. The _Family Flutterer_ prints eight or
+ten thousand words of an endless serial at five shillings a
+thousand--one of these days I mean to strike for seven-and-six.
+But in the meantime there you are--the pursuit of literature has
+brought me bread and cheese. Why doesn't your Harry tread the
+same path?"
+
+"The idea!"
+
+"Of course!--the idea!--and that's where he gets left. It's my
+experience that in literature----"
+
+"Literature!"
+
+"I said literature. I was observing, when you interrupted, that
+it is my experience that in literature"--Miss Johnson paused,
+Miss Wallace was contemptuously silent--"men always get paid at
+least twice as much as the women. I don't know why; it seems to
+be one of the rules of the game. It therefore follows that if
+your Harry did as I do he would earn six, eight, ten pounds a
+week, which, with management, would keep two--not to speak of
+your drawings, which ought to bring in something. I believe the
+_Family Flutterer_ pays as much as seven-and-six for a full
+page."
+
+"My dear Dollie, you know as well as I do that we both of us
+would rather starve."
+
+"Sweet Meg, I'm not saying you're right or wrong, only, if you
+have resolved to eschew the easily earned loaves and fishes,
+don't revile because, having set out on the track of the
+rarer creatures, you discover--what every one knows, and you
+know!--that they are difficult to find. My private opinion
+is that Harry will find them one day--if he keeps on long
+enough--though I don't know when."
+
+"You're a comforting sort of person."
+
+"I'm a practical sort of person, which is better. Cheer up, Meg!
+he'll get there--and perhaps you will too--though of course his
+stories are better than your drawings."
+
+"I don't need you to tell me that."
+
+Miss Johnson, descending from the table, put her arm round the
+girl who was seated on the other side.
+
+"You poor darling! I'm a perfect pig! I say, Meg, are you hard
+up?"
+
+"I always am."
+
+"Beyond the ordinary, I mean?"
+
+"If you mean, can you lend me, or give me, any money, you
+can't--thank you very much. I'm going to hoe my own furrow,
+right to the end."
+
+"How about Harry? He gets some of his stuff accepted; then
+there's the three hundred pounds a year certain which he gets
+for being that party's secretary. I call that practicality, if
+you like! He ought to be getting on first-rate."
+
+"He doesn't seem to think so, anyhow. As for what you call the
+three hundred pounds a year certain, I doubt if anything could
+be more uncertain, the engagement may terminate any day. I
+believe that Harry is really more worried than I am, and--and
+that's saying a good deal."
+
+"Then the marriage is not coming off just yet?"
+
+"Marriage!--and you call yourself a practical person!--how can
+you be so absurd?"
+
+"I am not sure that I am absurd. If I ever loved a man--which I
+am never likely to do, men are such beings!--really loved him,
+and knew that he loved me, I shouldn't hesitate to marry him on
+a pound a week. Marriage, properly understood, is a spur; it's
+not, necessarily, anything like the clog romantic people like
+you seem to think it is."
+
+When Miss Johnson had gone Margaret Wallace went and stood
+before a photograph which hung over the mantelpiece--the
+photograph of a man.
+
+"I think, Cuthbert Grahame, it's possible that you'll shortly be
+revenged; if you knew just how things are I fancy you'd be of
+opinion that you're revenged already. If you'd been even a
+shadowy semblance of the father you once professed to be, I--I
+shouldn't be wondering where I'm to get my dinner from."
+
+She examined the physiognomy of the man in front of her as if,
+instead of being the most familiar of faces, she saw it now for
+the first time. Going back to her seat at the table, she was
+examining the drawings which had accompanied the returned MS.,
+as if desirous of learning what improvement she could make in
+them, when there came a tap at the door.
+
+"Come in." Mr. Talfourd entered. In a moment she was in his
+arms. "Harry!"
+
+"Meg!--more roses for you." He handed her the La France roses
+which had been presented to him by Mrs. Lamb. "What are you
+doing?"
+
+She was eyeing the roses, without any great show of enthusiasm,
+which was possibly lacking because she knew from whom they had
+originally come.
+
+"Harry, I've more bad news for you--I never seem to have
+anything else. The story's back from the _Searchlight_."
+
+"What does it matter?"
+
+"I don't like to hear you talk like that, because, you see, we
+both know that it matters, dear. Harry, do you think that it
+may have been returned because my drawings aren't up to the
+mark--honestly?"
+
+"Honestly, I am certain it has not. Your drawings are at least
+as good as my story. I have never met any one who can illustrate
+me as well as you do."
+
+"You mean that? If I weren't Margaret Wallace would you say so
+still?"
+
+"I should. I should congratulate myself on having met some one
+who could illustrate me as I like to be illustrated. You
+misunderstood me just now. I said what does it matter, because
+it doesn't matter, in view of something of much greater
+importance which I have to say to you."
+
+"Harry! what is it?"
+
+"I hardly know how to begin, it's such a queer position. It's
+this--in a way, my play's accepted."
+
+"'The Gordian Knot'?--by Mr. Winton?"
+
+"No, not by Winton, by Mrs. Lamb."
+
+"Mrs. Lamb?--Harry!" He told her how the play had come into Mrs.
+Lamb's hands, and how that lady had expressed her willingness to
+give it immediate production, on the understanding that she was
+to create Lady Glover. "But I didn't know she could act. Why
+should she want to anyhow?--she a rich woman!--especially such a
+part! Lady Glover's a horrible creature! I suppose you think
+she'd make a mess of it--and of course she would. She must be a
+very conceited person."
+
+"Sweetheart, shall I tell you, quite frankly, what I really
+think?"
+
+"You hadn't better tell me anything else."
+
+"Then I'll make you my father confessor. I've a strong feeling,
+amounting to a positive conviction, that she'd make a
+magnificent Lady Glover. That's one reason why I hesitate."
+
+"Now I don't understand. If she makes a success of the part,
+what else do you want?"
+
+"I'll endeavour to explain. For one thing, I think it possible
+that she'll make it the part of the play, and so put Winton in
+the shade entirely. In the theatre he proposes to manage I'm
+certain he's no intention to be overshadowed by any one. Not
+that, in such a matter, I'm likely to be too sensitive about his
+feelings--but there it is. What, from my point of view, would be
+more serious, is that it is extremely probable that, by her
+rendition of Lady Glover, she'll warp the play out of what I
+intended to be its setting. As she was talking just now it
+dawned upon me that, in her hands, the play might become
+transformed--something altogether different to what I meant it
+to be."
+
+"But if it's a success?"
+
+"Meg, I find it difficult to put into words just what's in my
+mind. Of course if it's successful it will mean----"
+
+"It will mean everything."
+
+"It will mean a good deal; but it will mean everything I'd
+rather it didn't mean if the success is owing to her."
+
+"But it will be your play. In one sense its success will always
+be dependent upon others. Really, Harry, I don't follow you.
+What is your objection to Mrs. Lamb? She's never done you any
+harm."
+
+"No, she hasn't done me any harm--as yet."
+
+"As yet! Do you think she means to? Considering that she
+proposes to produce your play, and bids fair to make a great
+success of it, it doesn't look as if she did."
+
+"Meg--you'll laugh at me--I'm afraid of her."
+
+"Afraid of her?--of Mrs. Lamb!--Harry!"
+
+"I've never been comfortable in her presence since the first
+moment I've met her. When she's there I have the sort of feeling
+which I imagine a nervous person might have in the neighbourhood
+of a dangerous lunatic. I don't know when or how she will break
+out, but I feel that sometime, somehow, she will, and that then
+I shall have to struggle with her for my life."
+
+"Harry! are you in earnest?"
+
+He laughed oddly.
+
+"Meg, upon my word, I can't tell you. She hypnotises me, that
+woman--she hypnotises me. Her influence is on me even after I
+have left her."
+
+"She must be a curious person. I should like to meet her."
+
+"Meet her?"
+
+He shuddered, involuntarily. "Rather than that you should meet
+her I'd---- If I can prevent it you shall not meet her."
+
+"Why not? I know plenty of people who have met her, and who seem
+to think her a distinctly agreeable person--hospitable, good
+company, amusing, kindhearted, generous to a degree. Tell me,
+Harry, has she ever behaved to you in any way as she ought not
+to have done?"
+
+"She has not, in one jot or tittle."
+
+"To your knowledge has she ever done, or even said, anything
+wrong?"
+
+"No. Still, I would rather she did not produce my play,
+especially if she is to act Lady Glover."
+
+"Will she produce it if she doesn't?"
+
+"I doubt it."
+
+"There is something at the back of your mind which you're
+keeping to yourself. When I think of all that the success of
+'The Gordian Knot' would mean to us, of how you've looked
+forward to its production, of how we've talked and talked of it,
+your present attitude is incomprehensible. It doesn't follow
+that because Mrs. Lamb produces your play--and even acts in
+it!--that you need therefore make of her a bosom friend if you'd
+rather not. I don't suppose it's only generosity which impels
+her; I daresay she has an axe of her own to grind."
+
+"You may be sure of it."
+
+"Then so have you. I don't see how it matters if it's A, B, or C
+who grinds it, so long as it's ground--properly ground; and you
+seem sure that it will be that."
+
+"I have little doubt of it."
+
+"Then tell me, Harry, what is the real, downright reason why you
+don't wish Mrs. Lamb to produce your play, and act in it?"
+
+"Because, Meg, I'm afraid of her."
+
+"Afraid of her!--of a woman!--who you yourself admit has never
+done you anything but good! Harry, you're beyond my
+comprehension."
+
+Before he could answer there was a knock at the door. A servant
+entered with a card on a tray.
+
+"A gentleman wishes to see you, miss."
+
+She looked at the card.
+
+"'David Twelves, M.D., Edin.'. It can't be Dr. Twelves of
+Pitmuir?"
+
+A voice came from the door.
+
+"It's that same man."
+
+
+
+
+ CHAPTER XVII
+
+ AN UNEXPECTED VISITOR
+
+
+In appearance the doctor had altered but little since we saw him
+last. He was the same little wizened old man, with the slight
+stoop, and the sunken eyes which looked out so keenly from under
+the thick, overhanging thatch of his shaggy eyebrows. When she
+heard his voice, and saw him, Margaret, running to him--before
+Harry, before the servant--put her arms about his neck (she
+could easily do it, since he was the shorter), and, after
+looking at him fixedly, as if to make sure that he was still the
+same man, kissed him on the lips.
+
+"Dr. Twelves, to think of your coming to see me after all these
+years!"
+
+"And whose fault is it that I haven't come before? whose fault
+I'd like to know?"
+
+"It certainly isn't mine."
+
+"Not yours? when I hadn't a notion where to look for you, and
+you took care that I hadn't? It's only by the grace of God I've
+chanced upon you now. I was looking in a bit of a magazine, at
+an illustration which seemed to me to be pretty fair, when I saw
+your name in the corner--Margaret Wallace--in your own
+handwriting. I can tell you I jumped--there, in the railway
+carriage--so that I daresay my fellow-passengers thought that
+I'd a sudden gouty twinge or, maybe, rheumatism, for none can
+say that I look like a gouty subject. I went straight to the
+office where the magazine is published, and I asked them to tell
+me where you might be found. I believe they thought I'd designs
+upon your life, or, at least, upon your purse. I had to tell
+them such a yarn before they'd tell me. Then I took care to
+follow the girl up the stairs, so that, if you meant to deny
+yourself, you shouldn't have a chance."
+
+"Deny myself?--to you?--doctor! what a notion!--as if I should!"
+By now the servant had retired; Miss Wallace, who still retained
+a hand upon her visitor's shoulder, had brought him into the
+room. "Harry, this is Dr. Twelves, of whom you have so often
+heard me speak. Doctor, this is Mr. Talfourd, whose wife I hope
+one day to be."
+
+"I trust, young gentleman, that your deserts are equal to your
+good fortune, and that you're properly conscious how great that
+is. I've known this lassie since the time she seemed all hair
+and legs, for those were the parts of her you noticed most, and
+there hasn't been a day on which I haven't wanted her to be my
+wife."
+
+"Now, doctor, that's contrary to the fact; you know you told me
+more than once that Providence had marked you out to be a
+bachelor."
+
+"And wasn't that self-evident, since you wouldn't have me? Now,
+Margaret Wallace, what have you been doing?"
+
+"Doing? I was talking to Harry when you came in."
+
+"I'll be bound that it's plenty of talking to Harry that you do,
+and will do--particularly later on, when you're Mrs. Harry."
+
+"Doctor!"
+
+"What I mean was, have you made your fortune? or are you drawing
+pictures for your daily bread?"
+
+She looked at Mr. Talfourd quizzically.
+
+"I have one eye upon my daily bread."
+
+"And it isn't too much of it you see, by the looks of you.
+You're peaked, and you're thin."
+
+"Oh, doctor! I'm sure I'm not."
+
+"And I'm sure you are, and by virtue of my profession I ought to
+know. It's a pretty market to which you've brought your pigs.
+You might be one of the richest women in England, instead of
+being half-starved--with white cheeks and tired eyes."
+
+"Doctor, how dare you say such things! It's not true! You've not
+improved!"
+
+"I'm thinking you've not improved either. You've a stubborn
+heart. Why, all this time, haven't you let some of us know
+something about you?--if it was only where a line might reach
+you."
+
+"You know very well why, and I did go to see Mr. Grahame."
+
+"You went to see Cuthbert Grahame? When?" She mentioned the
+date. "Girl, you're dreaming. It was the day after that he
+died."
+
+"The day after that he died? I knew he was dead. I heard of it
+long afterwards by a side wind; but I have never heard any
+particulars. You none of you told me anything."
+
+"How were we to, when you'd hidden yourself from us in this
+great city?"
+
+"Of what did he die?"
+
+"If you ask what was on the certificate I can tell you; but if
+you want to know how death came to him you must inquire of his
+wife."
+
+"His wife?"
+
+"When he died he was a married man, according to the law of
+Scotland."
+
+"Dr. Twelves, are you jesting?"
+
+"I'm not. On the day he died he made a will leaving her all that
+he had in the world--and she had it."
+
+"Who was she?"
+
+"Beyond saying that she was no better than she ought to be, I
+can tell you nothing."
+
+"Was she some one from the neighbourhood?"
+
+"She was not; she was from England. She dropped from the clouds.
+I should say--if I may be allowed to do so in this company--on
+her road to hell. What passed between you and Cuthbert Grahame
+when you saw him on that day before he died?"
+
+"I didn't see him. Nannie wouldn't let me."
+
+"Nannie wouldn't let you?"
+
+"She would not. She said that Mr. Grahame had forbidden her to
+admit me into the house."
+
+"She's never spoken a word to me about it. What's been the
+matter with the woman? But there's something ails your story.
+That day, and for many days afterwards, she was lying in bed
+with a broken leg. Was it from her bedroom that she shouted out
+to you?"
+
+"From her bedroom?--nothing of the kind. She told me through the
+front door that Mr. Grahame had forbidden her to let me in. When
+I said that I would come in, and began to break the window to
+show that I was in earnest, she went to the window above, and
+poured two buckets of boiling water over me."
+
+"Margaret Wallace! it's dreaming you must have been."
+
+"It was a curious kind of dream. The water scalded my neck, and
+left a scar which was visible for weeks--wasn't it?"
+
+She turned to Mr. Talfourd, as if for corroboration.
+
+"It was. When I saw it I was disposed to go straight off to
+Scotland, and give the old harridan a taste of my quality."
+
+"It's as queer a story as any I've heard. Seeing that Nannie was
+as if she had been glued to her bed, how could she walk about
+the house as you say, and pour buckets of boiling water on to
+you through a window?"
+
+"I only know that she did."
+
+"Did you see her?"
+
+She considered a moment.
+
+"No, I didn't. She took care not to show herself."
+
+"She took care not to show herself?"
+
+"She hadn't the courage to let me see her face, but she let me
+hear her voice, and plenty of it. It was not necessary for me to
+see her when I heard her. I've been acquainted with Nannie
+Foreshaw's voice for too many years to be likely to mistake it
+for any one else's."
+
+"You're sure? I doubt----" The doctor seemed to be considering
+in his turn. "I can't put the pieces of the puzzle together so
+that they just fit, but I've a notion that I'm on the way.
+Margaret Wallace, I've a suspicion that I've been a greater fool
+even than I thought. After the chances I've had to get wisdom,
+to get understanding, that's not a nice feeling to have. Between
+us--you've had a hand!--we've muddled things to a marvel. I'll
+communicate with Nannie with reference to that little
+conversation you say you had with her; when I've heard from her
+I'll talk to you again." He turned to Mr. Talfourd.
+
+"And you, sir, do you make drawings?"
+
+"No; I write stories."
+
+The doctor looked him up and down as if he were a specimen of a
+species which was new to him.
+
+"Stories? Oh! and is that a man's work? I come of a good old
+Scottish stock. My forebears have always held that a man should
+do a man's work. Is writing stories that?"
+
+"It isn't easy, if that's what you mean."
+
+"Not easy? I should have thought you would have found it as easy
+as lying. I've written them myself; I didn't find it hard. It's
+just a waste of time. However, I'm not judging you. Is that all
+you do, write stories?"
+
+"Just at present I'm doing something else as well. I'm acting as
+private secretary to a lady."
+
+"Private secretary to a lady? You've your own notions of what's
+a man's work, Mr. Talfourd."
+
+Harry flushed; Margaret laughed.
+
+"And you country Scotchmen have your own ideas of what you're
+entitled to say."
+
+"You're Scotch yourself, my lassie, on the best side of you;
+don't gird at your own birth. I ask your pardon, Mr. Talfourd,
+if I've said anything I ought not to say; but I've known this
+lassie all her days. She's been to me as the apple of my eye,
+and--she tells me that you're to be her husband. Would it be
+going too far, Mr. Talfourd, if I were to ask you what's the
+name of the lady to whom you're acting as private secretary?"
+
+"Mrs. Lamb--Mrs. Gregory Lamb."
+
+"Mrs. Gregory Lamb? That's odd."
+
+"How is it odd? I hope there's nothing improper about the name."
+
+"It's not that it's improper; it's that I once met a Gregory
+Lamb. What sort's your Gregory Lamb?"
+
+"He's about my own age, perhaps a little older; not ill-looking;
+not, I should imagine, a bad fellow in his way."
+
+"Is he a poor man?"
+
+"I believe his wife is very rich."
+
+"His wife? Of course, there's the wife--and she's very rich. The
+rich woman who married the Gregory Lamb I know would be a very
+foolish female."
+
+"Mrs. Lamb is certainly not that."
+
+"Then her Gregory's not mine, though it's an unusual conjunction
+of names. I'm thinking that none but a fool of a woman would
+ever have married him."
+
+
+
+
+ CHAPTER XVIII
+
+ CRONIES
+
+
+That evening Dr. Twelves dined with a fellow Scot, J. Andrew
+McTavish, of McTavish & Brown. Mr. McTavish lived in Mecklenberg
+Square. Although a bachelor he liked plenty of house room, and
+in Mecklenberg Square he had it. His house was perhaps the
+largest in the Square, and certainly not the least comfortable.
+Comfort was to Mr. McTavish a sort of fetish: excepting money he
+set it above everything. He looked as if he did. Of medium
+height, he was of more than average size, his waist measurement
+was approaching a significant figure; his neck loved a generous
+collar, his chin overlapped; he had slight side whiskers, dark
+gray in hue, and the top of his head was so completely bald that
+one wondered if it could ever have been anything else. He and
+his guest presented an amazing contrast: three or four replicas
+of Dr. Twelves could have been contained in Mr. McTavish.
+
+They dined _tete-a-tete_ at a small round table which stood in
+the centre of a big room. Mr. McTavish liked big rooms; he was
+never comfortable in a small one. During the meal the
+conversation was of a desultory character, principally hovering
+around Pitmuir, where Mr. McTavish had lived till he came to
+London. Questions were asked and answered touching every soul in
+the parish Mr. McTavish could think of, and his memory was
+extensive. There was hardly a man, woman or child about Pitmuir
+whose name had not been mentioned before dinner was finished. If
+the inquiries were slightly acid, so were the replies. It seemed
+as if these two gentlemen had made it a point of honour to say
+nothing nice of any one. According to them the folk about
+Pitmuir were a very human lot--at least they had most of
+humanity's failings.
+
+After dinner they retired to the study, another fine apartment.
+There they had a cup of coffee, a liqueur, and a cigar apiece.
+The doctor seemed lost in the huge chair which he had been
+invited to fill. His host regarded him with twinkling eyes.
+
+"Have you had a good dinner, David?"
+
+"You feed yourself too well; you're a hundred years behind the
+age."
+
+"How do you show it?"
+
+"Our great-grandfathers pampered their bellies. We know better;
+we have learnt that it is the part of wisdom to starve them.
+You're still where our grandsires were."
+
+"And where are you?"
+
+"I'm on the high road to as fine an attack of indigestion as a
+man need have, and live."
+
+"I can give you the name of one of the greatest authorities on
+indigestion."
+
+"I dare swear you can give me the names of one or two. I
+shouldn't be surprised if that sucking-pig proves to be the
+death of me, beyond the skill of all your authorities."
+
+"It was cooked to a turn."
+
+"I ought to know how it was cooked, considering the way that I
+behaved to it. It's wicked to set such meat before a man. And
+now, I've something which I wish to say to you."
+
+"You've said one or two things already--what's the other?"
+
+The doctor, taking the cigar out of his mouth, regarded the ash
+on the tip.
+
+"You remember Wallace's daughter?"
+
+"Cuthbert Grahame's girl?"
+
+The doctor nodded.
+
+"I've seen her this afternoon."
+
+"No? I wondered what had become of her, more than once. I've
+seen and heard nothing of her since he turned her out."
+
+"He didn't turn her out, she turned herself out. I had the story
+from his own lips."
+
+"So had I. To all intents and purposes he turned her out,
+however he may have put it to himself or to you."
+
+"He asked her to marry him, and she wouldn't."
+
+"He asked her not once or twice, but again and again, until he
+made it plain that his house was no place for her unless she
+meant to be his wife. So, as she didn't, there was nothing for
+her but to go."
+
+"It was a fool business."
+
+"On both sides. Why he wanted to marry her I don't know. I never
+do know why a man wants to marry. I'd sooner have a buzz saw in
+every room in the house than a wife in one. Why she wouldn't
+marry him, I know still less."
+
+"There was the difference in their years. Then he was already
+threatening to be what he afterwards became--physically, I
+mean."
+
+"Well, what of it? If a girl in her position has to marry, I
+should say that there are two things which she ought to look for
+first of all--money, and a sick husband; if possible, one who is
+already sick unto death. In Grahame she'd have had both."
+
+There was silence, as if both parties were giving to Mr.
+McTavish's words the consideration due to a profound aphorism.
+It was the doctor who spoke next.
+
+"He always believed that she would come back again, saying yes."
+
+"I'd no patience with the man, he was all kinds of a fool. If he
+wanted her to be his wife, he didn't go the right way to get
+her. When she said no, instead of thanking God for his
+undeserved escape, he stormed and raved, fretted and fumed,
+until he became only fit to be exhibited in a booth at a fair."
+
+"When he heard that she was in love with some one else, it was
+that that was the death of him."
+
+"A good thing too. It'd have been a good thing if it had been
+the death of both of them. I've no bowels for such tomfoolery.
+Where is she? What's she doing? Is she married to the other
+fool? If she is, don't they both wish that they were dead?"
+
+"You've a sharp tongue, Andrew--if your wits were like it! Not
+all married folks wish that they were dead; there's just as much
+desire to live among the married as among the single--maybe
+more. To hear you talk one would suppose that one had only to
+remain single to be happy. You and I know better than that."
+
+"Speak for yourself, David, speak for yourself--I'm happy
+enough."
+
+"Then your looks belie you."
+
+"What's the matter with my looks, you old croaker?"
+
+"I'm a doctor of medicine, Andrew McTavish; I've learned to turn
+the smoothest side to a patient; so you must excuse me if to
+your inquiry I return no answer."
+
+"After the dinner I've given him!"
+
+"It's the ill-assorted food you have caused me to cram down my
+throat that I'm beginning to fancy has given me a touch of the
+spleen."
+
+"Something has. The next time you dine in this house it will be
+off porridge."
+
+"We'll leave the next time till it comes. To return to Margaret
+Wallace. She's not married yet, and, so far as I can judge,
+she's not likely to be. It's want of pence, both with him and
+with her. If she had some of Cuthbert Grahame's money, as she
+ought to have, it'd make all the difference."
+
+"It's in part your fault that she hasn't."
+
+"I'm not denying it, and I'm not forgetting it. If I've been
+guilty of the unforgivable sin, it was when I brought that woman
+to Cuthbert Grahame's bedside. I sometimes think that I'll see
+it chalked up against me in letters of fire when I'm brought up
+before the throne."
+
+"Stuff!"
+
+"Maybe--to you. You're devoid of decent feeling, Andrew
+McTavish; to you all's stuff. What's become of the woman?"
+
+"What woman?"
+
+"She who calls herself Mrs. Grahame?"
+
+"She calls herself Mrs. Grahame no longer."
+
+"How's that?"
+
+"She's married again."
+
+"The creature! The poor fool she's married! What is his name?"
+
+"Gregory Lamb."
+
+Dr. Twelves rose from his chair as if impelled by a spring.
+Opening his mouth in apparent forgetfulness of what was between
+his lips, his cigar fell to the floor, where it remained
+apparently unnoticed.
+
+"What's that?"
+
+"What's what?"
+
+"What name was that you said?"
+
+"Why, man, what's the matter now? I'm wondering whether the
+sucking-pig's mounted to your head instead of descending to your
+stomach. David, you're easily upset these days. Pick up your
+cigar, it's burning a hole in my floor covering."
+
+"Damn the cigar!"
+
+"And welcome! It's not that I mind. What I object to is your
+cigar damning my carpet. Pick it up at once, sir."
+
+"You're fussy about your old carpet."
+
+"Old carpet! it cost me a guinea a yard not twelve months
+since."
+
+"You're wasteful with your money."
+
+"I am, when I spend it entertaining such as you."
+
+"What's the name of the man you say that woman married?"
+
+"Gregory Lamb."
+
+"It's past believing!"
+
+"Is it? I haven't found it so."
+
+"That's because you're walking in darkness. Do you know that the
+youngster Margaret's plighted to is private secretary to Mrs.
+Gregory Lamb?"
+
+"Is he? Then I should say that that's presumptive evidence that
+he's not bad looking. She has an eye for a good-looking man."
+
+"Gregory Lamb was staying at Pitmuir when she was at
+Cuthbert Grahame's, calling herself his wife. A half-bred,
+ill-conditioned young scamp he was."
+
+"I should imagine that Mr. Lamb was not born in the caste of
+Vere de Vere."
+
+"Were they acquainted then? What was there between them? How
+come they to be married now?--he without a penny, to my
+knowledge, she with all that money. She'd not marry such a
+creature as he was--for love, that I'll swear. They were birds
+of a feather, only he was more fool than knave, and she more
+knave than fool."
+
+"That about describes them now--if a lawyer may say as
+much--under privilege."
+
+"Andrew, can you keep a still tongue?"
+
+"If I couldn't I shouldn't be sitting here."
+
+"I've always had a suspicion that there was something wrong
+about that will."
+
+"Do you mean the one under which she inherits? You needn't
+confine yourself to suspicion upon that point--it's about as
+wrong as it could be. If there had been substantial opposition
+she'd have found it hard to bring it in."
+
+"I'm not meaning it in your sense. I know that Grahame signed it
+in the presence of those two daft lassies; but I don't believe
+that he knew what he was signing, although the evidence is all
+the other way. I've kept my doubts to myself until this moment,
+and even now I can't tell you just why I don't believe it--but I
+don't."
+
+"Quite possibly you're right, but you can't prove it."
+
+"I know I can't, and there's something else that I can't prove."
+
+"What's that?"
+
+"I believe she murdered him."
+
+"David!"
+
+"She was equal to it; and I'm beginning to see more clearly how
+she brought herself to the sticking point. The day before his
+death Margaret Wallace called----"
+
+"Margaret Wallace? you don't say!"
+
+"She told me so herself this afternoon. She was refused
+admission as she supposed by Nannie Foreshaw. I happen to know
+that Nannie couldn't have got out of bed and gone downstairs to
+save her life--that woman had taken care of that. Before I came
+to you I wrote to Nannie asking if she did, to make sure. I
+believe that woman played at being Nannie, imitating her voice.
+She may have known Margaret's story, probably Grahame had told
+her, and was aware that if she returned and saw him her reign
+was at an end. So she precipitated matters. She juggled that
+will into existence, and, directly she had done so, killed him."
+
+"It's a weighty charge you're making, David; be careful how you
+make it."
+
+"Do you think I don't know that it's a weighty charge? I'm not
+making it. I'm only telling you what's in my mind, as between
+friends. I'll not breathe a word of the matter to any one but
+you till I can bring it into court, and prove it. At present, in
+your lawyer's sense, I've not proof enough to cover a pin's
+point. But, Andrew, though the mills of God grind slowly, they
+grind surely, and exceeding fine. Maybe one day God's finger
+will press her in between the stones, then you'll know that the
+conviction which is implanted in my breast is of the nature of
+the prophetic vision. God has shown me, though I cannot tell you
+how."
+
+There was silence. The doctor, still standing, bent over the
+table on which stood the coffee and liqueurs, pointing with one
+skinny finger upwards. He continued in that attitude for a
+perceptible period after he had ceased to speak. Then Mr.
+McTavish's voice broke the spell which he seemed to have cast
+upon the air.
+
+"David, you use big words. I don't--it's not my way. But
+confidence begets confidence. I'll tell you something in
+return--and that without insulting you by asking if you can keep
+a still tongue--because I know you can."
+
+The doctor returned to a more normal attitude, seeming to do so
+with an effort, as if he were shaking something from him. He
+spoke in his ordinary tones.
+
+"Let me light another cigar before you begin. This sort of
+talk's disquieting, especially after such a dinner as I've had.
+I think a tonic might not be amiss." He sipped his liqueur.
+"Andrew, this is not bad brandy."
+
+"A hogshead wouldn't hurt you."
+
+"Wouldn't it? Is it your custom to drink brandy by the hogshead?
+I thought you didn't use big words."
+
+"It's a figure of speech, David--a figure of speech. If you have
+that cigar properly lighted, and will sit down like a decent
+creature, I'll have my say--that is, if you have not had enough
+of the matter under discussion."
+
+"You're not more ready to talk than I am to listen. Now, Andrew,
+I'm at your service."
+
+"Well, you suspect this lady of something more than
+misdemeanour. I may tell you that I doubt if she would have done
+what she did do--if she did it!--if she had known what she knows
+now."
+
+"You speak in parables."
+
+"I'll be plain enough. Did you know anything about Cuthbert
+Grahame's affairs?--his financial affairs, I mean."
+
+"Something."
+
+"Had you any idea how much he was worth?"
+
+"He told me himself, not once but frequently, that he was worth
+nearer three hundred thousand pounds than two hundred thousand.
+He said, moreover, that his investments brought him in an
+average interest of over ten per cent. He had made several lucky
+hits."
+
+"That's what he told us; it seems that that's what he told her.
+Did you see on what amount probate duty was paid?"
+
+"Not I; I took no interest in the matter then. I was too
+disgusted with myself and everything. My one desire was to get
+the whole business out of my head; the trouble is that I haven't
+been able to do it."
+
+"Under forty thousand pounds; and I may tell you that it was
+well under forty thousand pounds."
+
+"What's become of the rest?"
+
+"That's the mystery which we should like to solve--which she
+especially would like to solve; and what she's subjected us to
+in her efforts to arrive at a solution no language at my command
+is adequate to describe. She's a remarkable woman--a very
+remarkable woman. Because she has long since passed the limits
+of our endurance is one reason why I am rounding on her to you.
+It is not often that I am conscious of such a yearning, but we
+have arrived at a position in which I should actually like to
+have your advice. That's why I asked you here tonight."
+
+"Then it wasn't just for old friendship's sake."
+
+The doctor glowered from the recesses of the huge chair,
+expelling the smoke of his cigar from his lips and nostrils. Mr.
+McTavish laughed.
+
+"Well--in a measure. Did you ever think he was romancing when he
+talked about his moneys?"
+
+"I did not--and I don't. He was in earnest. I never knew him
+tell a lie when he was in earnest. I'd match his veracity
+against my own."
+
+"Then it's queer--it's queer. At the time of his death we held
+securities for him representing some ten thousand pounds lent on
+mortgage; the bankers held about as much more. His widow turned
+into cash everything that there was to turn, with the exception
+of the house, which she will neither sell nor let."
+
+"I know. It's going to rack and ruin; they say no one's set foot
+in it since the day he was buried."
+
+"I daresay--it's one of her notions--she'll let no one even talk
+of it; it's her bogey. Altogether she's had scarcely thirty
+thousand pounds."
+
+"It's in the house."
+
+"Not it. It's been thoroughly searched by competent hands; she
+herself has overhauled it more than once."
+
+"The money must be somewhere; I'm convinced he had it."
+
+"Have you any notion where it is? Can you give me any sort of
+clue as to its possible whereabouts?"
+
+"Not I. I know no more about it than--this cigar. Is it likely?
+I wasn't his man of business--you were."
+
+"She says we have it."
+
+"No!"
+
+"Yes. She says we have it, or that we know where it is, and are
+joined in a conspiracy to keep it out of her possession. The way
+she's talked--and treated us! David, she's a remarkable woman."
+
+"She is that. Don't I know it?--to my cost!"
+
+"We've had to change the lock on our office door. She let
+herself into it with a pass-key--my own, I fear, for I lost it,
+though I don't know how; I've never seen it since. She ransacked
+everything the place contained. Got into the safe. By some
+extraordinary mischance, in which it is quite possible she had a
+hand, that night it wasn't locked. She went right through it.
+She saw a good deal we had rather she hadn't seen, but she saw
+nothing of Grahame's money."
+
+"Did you catch her in the act?"
+
+"Catch her! We've never been able to prove it against her yet,
+but the presumption's as strong as Hercules. She went to
+Brown's, and made him swear by all his gods that he knew nothing
+about it; then she made him open his safe, and went through all
+his private papers."
+
+"Brown must be a fine sort of a man."
+
+"She's a fine sort of a woman. She drugged me in my own house."
+
+"No?"
+
+"I say yes! She came here one night. I offered her a little
+something to drink--I was having something to drink, and I
+couldn't see her sitting dry. I've no doubt that when my back
+was turned she put something into my glass which took away my
+senses in a flash. When I came to it was early morning; the
+daylight was streaming through the blinds; she was gone; the
+whole place was upside down."
+
+"You're a lawyer: didn't you give her a taste of the law?"
+
+"What was the use? She'd pose as an injured woman--her grievance
+is real enough. We'd get no good; it might do us harm. The
+mischief is that she's got what she chooses to regard as some
+sort of groundwork for her suspicions. It's this way. She met
+the secretary of the Hardwood Company. The Hardwood Company's
+paid dividends averaging thirty per cent, ever since it started.
+The fellow got friendly with her--as plenty of men do get within
+five minutes of their meeting her. He told her that only one
+original shareholder remained on their lists, and, since the
+shares rushed to a premium directly the issue was made, that
+therefore he was the only person who received the full benefit
+of the thirty per cent. He added that the shareholder's name was
+Grahame--Cuthbert Grahame (you may see her pricking her ears at
+that!)--and (she always leading him by the nose!) that the
+dividends had not been paid to him direct, but to his
+solicitors, Messrs. McTavish & Brown, of Southampton Row. He was
+a talkable body, that secretary man--men are apt to be talkative
+when she gets them alone with her in a corner. He told her
+something else: that the queerest part of the business was that
+while the shares still stood in Grahame's name, the dividends
+had remained unclaimed for quite a while, so that a considerable
+sum was waiting for some one to take it. The next morning she
+came to us running over with the story. Now I remembered those
+shares--an investment which returns thirty per cent, these hard
+times one has to remember. He had ten thousand of them; they
+were in our charge; we did collect the dividends. But one day he
+wrote asking us to send them to him, which we did do. My lady of
+course wanted proof. Do you know we couldn't give it her."
+
+"I don't see why."
+
+"Under ordinary circumstances nothing could have been simpler.
+Such a thing has never before happened in the whole course of my
+experience, but by some infernal accident we couldn't lay our
+hands on either his letter of instructions, or his
+acknowledgment of receipt."
+
+"There was still the letter advising their despatch."
+
+"David, ever since that woman appeared on the scene we have been
+persecuted by a malignant fate."
+
+"Big words, Andrew, big words."
+
+"She moves me to them. On the day Grahame's letter came I
+happened to be going abroad. Brown sent a clerk here with his
+letter and the shares, so that I might check them and see that
+they were right. I packed the clerk back, and sent the shares
+myself; but in my haste--I was running the boat train pretty
+close!--I was idiot enough not to take a copy of my own letter,
+and what I did with Grahame's I have not the dimmest
+recollection."
+
+"Very unbusiness-like."
+
+"Don't I know it, man! Of course she declined to credit a word
+of the story; said that she believed it was a fabrication from
+beginning to end; and that she was more than ever convinced that
+she was dealing with a set of rogues. The climax is to come! The
+day after she had drugged me she came to my office, and produced
+a Hardwood Company's share, which she had the assurance to
+assert that she had taken out of my own safe when I was in a
+state of unconsciousness!--think of it! She had taken it round
+to the Company's offices, and it had there been identified as
+one of the shares which were standing in Cuthbert Grahame's
+name."
+
+"Was it one of his shares?"
+
+"It was, beyond a doubt."
+
+"And had she taken it out of your safe?"
+
+"David, I can only tell you that she swore she had; and I'm
+bound to admit that if she hadn't, I don't know where she got it
+from. On the other hand, if she did I have not the vaguest
+notion how it got there. Plague take the thing!"
+
+Mr. McTavish, emptying his liqueur glass, immediately refilled
+it.
+
+"Don't you know what's in your own safe?"
+
+"Do you take me for a feather-brain? I knew every trifle it
+contained, or thought I did. She says that she took up a bundle
+of papers, and that the share dropped out of one of them. If it
+did, no one knows less than I do who put it there. The only
+conclusion at which I can arrive is that, in returning the
+shares to Grahame, I overlooked one of them, and that, in my
+hurry, it got mixed up with some of the papers which I keep in
+my safe, and which were lying on my table at the time. Of all
+the evil chances that ever befel a man!"
+
+"And what was the inference she drew?"
+
+"The inference she drew! What do you suppose? Why, of course,
+that the other nine thousand nine hundred and ninety-nine shares
+were hidden somewhere in my house, exactly as that one had been.
+She had brought a solicitor with her to the office--think of it,
+David!--a pettifogging rascal of the name of Luker, who'd do
+anything for six-and-eightpence; and in his presence--picture
+it, David!--she told me that if I didn't permit her to subject
+my private premises to a thorough examination she should
+immediately commence proceedings for the recovery of the missing
+shares. And the creature Luker had the audacity to advise me to
+accede to her reasonable request--he called it her reasonable
+request! And I complied!--I complied! She, the wretched Luker,
+Brown, and myself, we went through every nook and cranny in the
+house, all of us together. The humiliation of it!--the maddening
+humiliation!"
+
+With his handkerchief Mr. McTavish wiped his capacious brow,
+which was moist with indignant sweat.
+
+"And did they find the missing shares?"
+
+"David! Do you want me to make an end of you? The reptile Luker
+wrote that if restitution of the shares was not made at once he
+was instructed to immediately commence proceedings for their
+recovery. And that's only the beginning! If something isn't done
+to stop her it's very possible that she'll try to jockey us, by
+legal process, out of all the money that she supposes Cuthbert
+Grahame to have had. The law on such matters is in such a
+state--when twisted by such as Luker!--that there's no knowing
+what may be the issue; the one thing certain being that she may
+be the occasion to us of the gravest injury." The doctor emitted
+a sound which forced a startled inquiry from the other. "What's
+the matter with you, man?"
+
+"I was laughing, to think that a couple of lawyers should be so
+mishandled by one of the laity! It's the funniest thing that
+ever I heard."
+
+"It's no laughing matter, David, I can tell you that. Think of
+the scandal--that at the age to which I'm come I should be used
+as if I were a misbegotten rogue! She's a devil of a woman! And
+what's driving her is that she's come to the end of her tether."
+
+"Do you mean that she's spent all her cash?"
+
+"I've reason to know she has, or nearly all. She lives in a
+great house, has an expensive establishment, spends money like a
+queen. She took it for granted that long before this the bulk of
+Grahame's money would turn up. Now that it hasn't she's
+desperate. She means to get it out of somebody, somehow--or as
+much of it as she can--if it's only out of such poor creatures
+as McTavish and Brown."
+
+"You're a pair of weans, you and Brown."
+
+"So you see, David, how it is I have come to you for help--to
+you, my oldest friend. Why it is that I ask you to search your
+brain and see if you can give us no clue as to what Cuthbert
+Grahame did with his money. No one was more intimate with him
+than you, and on such a point there is no one who is more likely
+to be able to give us help."
+
+"If that's so then you'll get help from no one, for it's certain
+you'll get none from me. I tell you I know nothing of the
+matter."
+
+"Do you think Miss Wallace could help us? She had an intimate
+knowledge of Grahame and of his peculiarities. She might be able
+to tell us something which would prove to be of assistance."
+
+"I'll ask her, if you wish it. But I doubt if you'll gain."
+
+"Do, David, do. And"--Mr. McTavish tapped his forefinger on the
+arm of his chair--"the sooner the better. As to advice, David,
+you know this woman; you've had dealings with her before; in a
+sense, so far as we're concerned, you're responsible for her
+existence. You see the dilemma we are in. What advice have you
+to offer?"
+
+"None--not a ha'porth. I'm not advising."
+
+"David!"
+
+"I tell you I'm not, and it's just because I've had dealings
+with the woman already. I've tried one fall with her, and I'm
+suffering from it still."
+
+"She's an awful creature!--awful!"
+
+"There's only one thing I can say to you, Andrew, and that I've
+said already, and then you sort of sniggered. But to my mind
+it's a comfortable thought when we come to deal with persons
+like Mrs. Cuthbert Grahame, or Mrs. Gregory Lamb, or whatever
+she calls herself, and it's this, that if the mills of God do
+grind slowly, they also do grind surely, and they grind
+exceeding small."
+
+
+
+
+ CHAPTER XIX
+
+ IN COUNCIL
+
+
+There were five of them assembled in Margaret Wallace's
+sitting-room. Margaret herself, in a linen gown of
+cornflower-blue, the product of her own deft fingers, which
+became her hugely. Miss Dorothy Johnson, from the rooms below,
+who indulged her fondness for unconventional attitudes by
+perching herself on the back of one chair and her feet on the
+seat of another. Bertram Winton, one of the handsomest of our
+actors, tall and dark, with big eyes and curly hair, whose
+clothes fitted him with a creaseless perfection which won the
+admiration of that considerable feminine public which bought his
+photographs and wrote for his autograph. Frank Staines, who was
+something of a mystery. He wrote a little, and painted a little,
+and drew a little, and sang a little, and played a little, and
+talked so much that there were people who said that he could do
+that better than he could do anything else. He had money. The
+exact quantity was not generally known, but there appeared to be
+enough of it to enable him to live in very considerable comfort,
+without rendering it necessary for him, to adopt his own
+phraseology, to descend into the market-place and "huckster" his
+brain. Between Miss Johnson and him there was a state of
+continual war, tempered by peaceful intervals of the briefest
+duration. It was commonly understood that he was very much in
+love with her, had frequently proposed to her and had been
+accepted several times, but that on each occasion a rupture had
+followed before they were able to make an interesting
+announcement to their friends and acquaintances.
+
+Miss Johnson made a remark to Harry Talfourd, who stood leaning
+against the window with an air of almost sombre gloom, which
+caused hostilities to break out upon the spot.
+
+"Let's get to the bed-rock of common-sense. It always seems to
+me that in matters of this sort commonsense is the one thing
+needed. Harry, what is it you want? You want your play to be
+successful--that is, you want it to bring you cash and kudos;
+and that is all you want. The question, therefore, which you
+have to ask yourself is, if Mrs. Lamb produces 'The Gordian
+Knot' will it bring me those two things? To that question you
+have only to supply a simple yes or no, and the problem's
+solved."
+
+To which Mr. Staines replied--
+
+"That is exactly the sort of remark one expects you to
+make--utilitarian, material, sordid. I opine that the one thing
+Harry requires you have not mentioned--that is, satisfaction for
+his artistic soul."
+
+"Artistic tommy-rot."
+
+"My dear Dollie, it is not necessary for you to be vulgar in
+order to inform us that you know nothing about the soul--we are
+aware of it."
+
+"My dear Frankie, don't be under the delusion that you need open
+your mouth to let the world know that you drivel--it is written
+on your countenance."
+
+"Thank you, Miss Johnson."
+
+"Don't mention it, Mr. Staines."
+
+Margaret interposed.
+
+"While those two are thinking of some more nice things to say to
+each other, I should like to know, Mr. Winton, what you really
+think."
+
+"I am afraid, Miss Wallace, that my point of view would be
+described by Staines as utilitarian. I propose to conduct my
+theatre--when I get it--on a commercial basis."
+
+"One takes it for granted that an actor-manager is commercial or
+nothing."
+
+"If he isn't commercial, my dear Staines, he's less than
+nothing--he's a bankrupt. No one loves a bankrupt, not even your
+artistic soul. My intention is to get a theatre; to have it
+properly equipped; to give the public as good plays as I can
+get; to have them as well acted as circumstances permit. If Mrs.
+Lamb is willing to place me in a position to carry out my
+intention--on my own terms--I don't know that I have any serious
+objection to her playing a part in my initial venture,
+particularly as that happens to be a part which, as Talfourd is
+aware, I have not hitherto been able to fit with a quite
+adequate representative. I realise that the position is not so
+simple as it appears, and am conscious that I run the risk of
+being overshadowed by the lady's personality. But that is
+certainly my risk rather than Talfourd's, and I am willing to
+run it in order to gain the end I have in view."
+
+"Then you say, let Mrs. Lamb play Lady Glover?"
+
+"I do, since I incline to the opinion that she would not play it
+in a fashion which would militate against the success of the
+piece."
+
+"You hear, Harry?"
+
+"I do; I have heard Winton on the point before."
+
+"Then why don't you leave matters entirely in his hands, and let
+him arrange everything?"
+
+Harry exchanged glances with the actor. He said, dryly--
+
+"I am willing. If I am allowed to--say, run abroad, or remove
+myself into the country well out of reach, until, at any rate,
+the play's produced, I am content to let Winton do just as he
+pleases."
+
+"I doubt if that would meet Mrs. Lamb's views. I imagine that
+she might regard your withdrawal as a personal affront.
+Talfourd, will you allow me to explain to Miss Wallace what I
+imagine is your exact position in this matter?"
+
+Miss Johnson addressed a question to Mr. Staines before Margaret
+could reply.
+
+"Frank, you can be honest sometimes, and you can be sensible.
+Try to be both of them now. What do you think of Mrs. Lamb?"
+
+"It is a delicate subject, on which I should not presume to
+offer an opinion."
+
+"That means that you don't love her."
+
+"I have only loved one person in my life, and it certainly was
+not her."
+
+Miss Johnson looked straight in front of her, as if she desired
+to convey the impression that she had no idea that any allusion
+was intended. Margaret urged Mr. Winton.
+
+"Come, tell me what Harry's position really is, since I am quite
+unable to get it out of him."
+
+"Shall I, Talfourd?"
+
+"You may say what you choose, only give me leave to doubt if you
+are so well informed as you yourself imagine. I don't understand
+myself as well as I should like to."
+
+"I fancy I understand pretty well. The truth is, Miss Wallace,
+Mrs. Lamb is fonder of Talfourd than he is of her."
+
+"I am quite aware of that."
+
+"I don't think you altogether appreciate my meaning. If there
+were no Mr. Lamb, Mrs. Lamb would not object to being Mrs.
+Talfourd--which is why she wants to produce 'The Gordian Knot,'
+and why Talfourd doesn't want her to."
+
+"Do you mean that she's in love with him? Harry! is this true?
+You told me that she had never said anything to you she ought
+not to have done."
+
+"Nor has she. Winton speaks crudely. I don't know what is his
+authority for his statement, he certainly has had none from me."
+
+"Is it simply because--she feels for you like that--that she
+wants to produce your play?"
+
+"Honestly, Meg, I don't know what her reasons are. I wish I
+did."
+
+"Does she know that you're--engaged?"
+
+"Not that I am aware of. So far as possible I have carefully
+avoided speaking to her of myself. Frankly, Meg, it's no use
+blinking the fact that as Mrs. Lamb's private secretary there's
+nothing for me to do; that she has not the slightest real need
+for such a functionary; and that I am very much exercised in my
+mind as to the motives which would actuate her in the production
+of 'The Gordian Knot'. Although I am quite aware that he meant
+well, I should have been obliged to Winton if he hadn't said a
+word to her about the thing."
+
+"At that time I had no actual knowledge of how the land was
+lying."
+
+"But you guessed." This was Margaret.
+
+"Well, if you will permit me to be quite plain, Miss Wallace, I
+don't know that I regarded it as a drawback even if I did guess.
+An actor depends for his existence on personal favour. He has to
+please the public in the mass, and, also, as individuals. When a
+woman tells me she admires me I expect her to take a stall to
+see me act; if she admires me very much, I expect her to take
+two or three, or a box. There have been women who have admired
+me so much that they have booked seats for an entire season.
+Now proceed a step farther. I can conceive of it as possible
+that a woman might provide me with the means to take a theatre
+because her admiration for me was so great. I shouldn't stop to
+ask myself trivial questions as to whether she was married
+or single, I should regard the matter as purely one of
+business--one proof of my success--and take the good the gods
+provided, while, at the same time, my position in the affair
+would be entirely a platonic one. I want Talfourd to treat the
+matter from my point of view, but it seems he can't."
+
+"I'm sorry."
+
+"I'm not sorry!" The first remark came from Harry, the second
+from Margaret. She went on: "Now I begin to understand. Of
+course it's quite inconceivable, Harry, how any one could fall
+in love with you; but supposing any woman to be so foolish, I
+certainly don't want you to trade on her affection. I'm not
+saying it with any desire to wound you, Mr. Winton."
+
+"Don't be afraid, I'm not easily wounded."
+
+"But, you see, in this case there are other circumstances to be
+considered--there's me. I'm a factor in the question. And shall
+I tell you to what conclusion I'm drifting?"
+
+"Let's have it."
+
+"I should like to see Mrs. Lamb. You men know her, but I don't.
+She hasn't even come within range of my vision, and though I've
+the highest respect for you, as men, when it comes to your
+opinion of a woman, I don't think a man's opinion worth
+anything."
+
+"You're quite right--it isn't." This was Miss Johnson.
+
+"I used to have a high opinion of you." This was Mr. Staines.
+
+"You used to have!--that I should ever have been so belittled!"
+
+Miss Johnson turned disdainfully from Mr. Staines to Margaret.
+
+"What you say is perfectly correct, my dear, only a woman's
+opinion of a woman is of the slightest value."
+
+"The other day I heard a woman express her opinion of you in
+terms which, if I repeated them to you, might cause you to
+change your views."
+
+"Some women!"
+
+"I don't know that I go quite so far as Dollie, and there is
+something in what Mr. Staines hints, for, of course, there are
+women whose opinions of each other are merely so many libels."
+
+"Hear! hear!"
+
+"Do be still! Will somebody sit on Mr. Staines?"
+
+"But this appears to be a case in which a woman's opinion should
+be the only thing which ought to count--especially if I'm
+the woman; and, lest you accuse me of overweening conceit,
+let me hasten to explain. Mrs. Lamb is, I presume, a lady of
+beauty----"
+
+"She's not bad-looking." This was Mr. Staines to, of course,
+Dolly.
+
+"Much you know about a woman's looks!"
+
+"I used to admire yours."
+
+"Pooh!"
+
+"Apparently of fortune, conceivably of taste. She is supposed to
+entertain certain sentiments towards a certain gentleman which
+she ought not to entertain. Actuated by those sentiments she
+proposes to play the part of a feminine Maecenas and pose as a
+patron of the drama. These are the allegations which are made
+against her. Introduce me to her; let me talk to her for half an
+hour, and I will engage to settle there and then--and
+finally!--the question as to whether she is a fit and proper
+person to produce 'The Gordian Knot' and play Lady Glover."
+
+"I'm content!" cried Harry.
+
+Mr. Winton was more deliberate.
+
+"Well, under ordinary circumstances, I should be inclined to do
+more than hesitate before accepting a lady as arbitrator in such
+a matter, but I have such a high opinion of Miss Wallace, though
+she herself appraises a masculine estimate of such a subject at
+less than nothing----"
+
+"I make an exception in your case, Mr. Winton--thank you very
+much."
+
+"If she will allow me to say so, I esteem her wide-minded
+liberality so greatly, and set such value on her keen-sighted
+appreciation of character----"
+
+"Dear! dear! Margaret, bow!"
+
+"Dollie! don't interrupt!"
+
+"That I am quite willing to go so far as this: If, after talking
+the matter over with Mrs. Lamb, fully and frankly, and weighing
+all the pros and cons, you tell me that you think it would be
+better, for all parties interested, that she should have nothing
+to do with the play, then, so far as I am concerned, the
+question will be settled--she shan't."
+
+"The point is," struck in Dollie, "how is the poor dear child to
+become acquainted with this wonderful woman, who ought to be
+immensely flattered if she knows how much you have her in your
+thoughts?"
+
+"There will be no difficulty about that. The lady has an 'At
+Home' to-morrow evening, to which, practically, all the world is
+welcome. I'll tell her, Meg, that you'd like to make her
+acquaintance, and ask her permission to bring you."
+
+"You'll ask her?"
+
+Mr. Staines looked at Mr. Talfourd with, in his glance, a
+satirical intention which the other ignored.
+
+"Why not? Nothing could be simpler."
+
+"No--nothing could be simpler--only I thought you said she
+didn't know you were engaged. Do you propose to tell her in what
+relation Miss Wallace stands to you?"
+
+"Certainly! Why do you look at me like that?"
+
+"I should like to see her face when she receives the
+communication, and, again, when she meets Miss Wallace. I know
+something of Mrs. Gregory Lamb. I fancy they may both of them be
+rather dramatic moments."
+
+Margaret told him, laughing--
+
+"Dear Mr. Staines, you may study the expression of her
+countenance when she meets me to your heart's content, if you
+choose. Suppose we all of us go together?"
+
+Mr. Winton rose from his chair.
+
+"Thank you; that is a proposal which I am afraid I must decline.
+Mrs. Lamb might suspect us of conspiracy if we bore down on her
+in force. I will be in Connaught Square to-morrow evening, but
+perhaps a little late, when I think it possible, Miss Wallace,
+that one glance at your countenance will be sufficient to tell
+me exactly how the matter stands. Remember the arbitrament of my
+fate--as a manager, an issue of no slight consequence--is in
+your hands."
+
+"Poor, innocent, ignorant Mrs. Lamb!" exclaimed Miss Johnson.
+"Meg, if she only knew what issues of life and death you are
+bringing with you, I don't believe she'd let you into her
+house--however nicely Harry might ask her permission to bring
+you."
+
+The young lady spoke much truer than she knew.
+
+
+
+
+ CHAPTER XX
+
+ THE IMPENDING SWORD
+
+
+"I must have ten thousand pounds, and"--Mrs. J. Lamb
+paused--"within a week."
+
+"Must!"
+
+Mr. Isaac Luker folded his hands together with a gesture which
+suggested the act of prayer. He seemed singularly out of place
+in his environment. They were in the apartment which Mrs. Lamb
+called her boudoir, a word which has a different meaning in the
+mouths of different women. In this case it stood for a room
+which represented what was possibly the last word in gorgeous
+decoration. Everything was of the costliest. If the result was a
+trifle vivid, it was not altogether unpleasing. It was a room in
+which one could be very much at one's ease--in certain moods--if
+one were of a certain constitution. There was something in its
+atmosphere which made a not ineffective appeal to the senses,
+not so much to the sense of beauty or of intellect, as to that
+of physical well-being. In some subtle way the owner's strong
+personality impregnated the whole place. On crossing the
+threshold a person of delicate perception might have become
+immediately conscious of something which could scarcely have
+been called healthy.
+
+But the prevailing note was gorgeousness, and anything less
+gorgeous than Mr. Isaac Luker one could hardly conceive. Mrs.
+Lamb's costume harmonised with the apartment, it was so
+evidently the product of one of those artists in dress to whom
+expense is no object. And it became her very well. In it she
+looked not only a handsome woman, but almost a real great lady.
+Mr. Luker's apparel, on the other hand, was not only unbecoming
+and ill-fitting, but it was apparently in the last stage of
+decay. None of the garments seemed to have been made for him,
+and they were all of them odd ones. He was tall and thin. He
+wore an old pair of black-and-white checked trousers, which were
+too short in the leg and too big everywhere else; an old black
+frock-coat, which he kept closely buttoned, and which must
+certainly have been intended for some one who was both
+shorter and broader. His long thin neck was surrounded by a
+suspicious-looking collar, which was certainly not made of
+linen, and he wore by way of a necktie something which might
+have once done duty as a band on a bowler hat. One understood,
+after a very cursory inspection, why a gentleman who had such a
+keen regard for appearances as Mr. Andrew McTavish should object
+to being brought into involuntary, and unsatisfactory,
+professional contact with Mr. Isaac Luker.
+
+Yet those who knew had reason to believe that Mr. Luker did a
+considerable business of a kind--though it was emphatically of a
+kind. He had one or two peculiarities. He was an habitual gin
+drinker, and though he could seldom be said to be positively
+drunk, he could just as rarely be called entirely sober. To all
+intents and purposes he lived on gin. He had it for breakfast,
+lunch, dinner, and for afternoon tea and supper, and he did not
+seem to find it a very nourishing food. Then, perhaps partially
+owing to the monotonous regularity of his diet, he seemed to be
+incapable of saying what he meant, while his yeas and his nays
+were as worthless as his oaths. For a solicitor to be a
+notorious liar and drunkard one would suppose would be a serious
+handicap in his profession. Oddly enough, with Mr. Luker it was,
+if anything, the other way. The sort of clients he courted
+wanted just the sort of man he was. He, speaking generally,
+never did any clean business; he was only at home when dealing
+with what was unclean; and as there is more of that kind of
+commerce about than might be imagined--and some of it is
+amazingly lucrative--he did tolerably well. Indeed, there were
+those who declared that, although he did not look it, he was
+uncommonly well-off, it being one of his characteristics that he
+was as incapable of spending money as he was of telling the
+truth or giving up gin.
+
+As he stood there, with his hands folded in front of him in an
+attitude of prayer, Mrs. Lamb regarded him with what could
+hardly be regarded as glances of admiration. When she addressed
+him it was with a frankness which was hardly in keeping with her
+_role_ of great lady, and which is not usual when one deals with
+one's legal adviser.
+
+"Listen to me, Luker. I want none of your humbug, and I want
+none of your lies. I want ten thousand pounds inside a week--and
+you've got to get them. I'll give fifteen thousand for the ten,
+so there won't be a bad profit for some one."
+
+"How long do you want the money for?"
+
+"Oh--three months."
+
+"On what security?"
+
+"What security? On the security of my property."
+
+"Your property?" Mr. Luker did not smile--a smile was probably
+another thing of which he was incapable--but his wizened
+features assumed a curious aspect. "Of what does your property
+consist?"
+
+"None of your nonsense. To begin with, there are those ten
+thousand shares in the Hardwood Company. As you know very well,
+they're worth over fifty thousand pounds at the present moment."
+
+"They would be if you had them--but you haven't."
+
+"McTavish & Brown have got them, and you're going to make them
+disgorge."
+
+"We've first of all to prove that they've got them."
+
+"Oh no, we haven't; they have to prove that they handed them
+over to Cuthbert Grahame, which is a very different thing, as
+you know very well."
+
+"My dear Isabel, you're a very clever woman; your fault is that,
+if anything, you're too clever."
+
+"I've heard you called too clever before to-day."
+
+"My dear----"
+
+"Don't you call me your dear! I won't have it."
+
+"Very well, although it is possible that few men have a better
+right----"
+
+"Right! Don't you dare to talk to me about right!--you!--don't
+you talk to me like that, Mr. Luker! You just simply listen to
+me. I want ten thousand pounds before this day week, and you've
+got to get it. No one in London knows better than you from whom
+and how to get it."
+
+"Mrs. Lamb--by the way, how is your worthy husband?"
+
+"Never mind my worthy husband--you keep to the point."
+
+"Even supposing we are able to saddle McTavish & Brown
+with the responsibility for the Hardwood shares--which is
+problematical--it'll take a good deal more than three months to
+do it. It is not to be supposed that they'll accept an adverse
+decision without taking the case through every court available.
+That may take years. If in the end it is decided that they will
+have to pay, it is not by any means certain that they will be
+able to. Costs will have swollen the original total enormously;
+it all will have to come from them. There is nothing to show
+that they are in a position to pay such a huge sum as that will
+be."
+
+"Oh yes, there is; they're rolling in money; I've seen enough of
+them to know so much."
+
+"You think you have. I doubt if that is a matter on which your
+judgment can be trusted. If the case ultimately goes against
+them, the possibilities--I should say the probabilities--are
+that they will declare themselves bankrupt. Then where will you
+be? You will have to pay your own costs, and, instead of getting
+the amount adjudged, after another interval of dreary waiting,
+you may receive, as a final quittance, perhaps sixpence, or a
+shilling, in the pound. And in the meantime, you must remember,
+you will have to live."
+
+"You old croaker!"
+
+"Let me make a suggestion."
+
+"Your suggestions!"
+
+She brought her fist down on the back of an armchair with an
+emphasis which almost suggested that she would have liked that
+chair to have been some portion of his body.
+
+"Let me lay the whole case before a friend of mine, and, after
+he has given it careful consideration, it is possible that he
+may make you a proposition."
+
+"What sort of proposition?"
+
+"That I cannot tell you--the best he can."
+
+"You understand that I must have ten thousand pounds within a
+week?"
+
+"I hear you say so. If my friend can see his way no doubt he
+will let you have them."
+
+"Mind he does see his way!"
+
+"As to that----"
+
+Mr. Gregory Lamb's sudden appearance in the doorway perhaps
+allowed to serve as an excuse for his sentence to remain
+unfinished.
+
+"You here!" exclaimed Mr. Lamb, as if he were not too well
+pleased to see him. "I didn't know."
+
+Mr. Luker's greeting, although well meant, was a little
+peculiar.
+
+"My dear Mr. Lamb, how well you are always looking!--and always
+so beautifully dressed. What a lovely pin you have in your
+pretty necktie! Now I know a friend who would give you----"
+
+"I don't want to know what your friend would give me! Confound
+it, Luker, I never see you but you tell me what some one you
+know would give me for something I have on. You might be a
+marine store-dealer."
+
+"There are worse trades, Mr. Lamb--there are worse trades. Now
+with regard to that exquisite pair of trousers----"
+
+"Look here, Luker, if you're going to tell me what some one you
+know will give me for my trousers, I'll throw something at you."
+
+"You mustn't do that, Mr. Lamb, it might be something worth
+money--everything in the room is so very beautiful. Mrs. Lamb, I
+wish you good-morning."
+
+"Now, no nonsense, Luker. I want that within a week--and you've
+got to see I have it--if you don't want trouble!"
+
+"I understand perfectly, and will bear what you have said well
+in mind. You shall hear from me again very shortly."
+
+"I will see I do!"
+
+"I have had clients, Mr. Lamb, who would have conveyed that pin
+without paying for it--it presents such temptations to an honest
+man. I do hope it's properly secured. Good-morning!"
+
+When Mr. Luker had retired Mr. Lamb turned to his wife, with
+knitted brows.
+
+"Isabel, it's beyond my comprehension why you have anything to
+do with that animal. He's got scoundrel written large all over
+him."
+
+"I shouldn't have thought that would have prejudiced him in your
+eyes."
+
+"I suppose you think that's smart. I know there was a time when
+we both of us had to sail pretty close to the wind, but I
+thought that time had gone for ever. You've told me so over and
+over again. You're a woman of large fortune, of assured
+position, a person of importance. I should have thought that
+from the point of view of policy alone it would have been worth
+your while to have dealings with solicitors of standing only,
+and to have nothing to do with such a brute as that. Aren't you
+ashamed to have him seen going in and out of the house, or to
+have the servants know that he is here?"
+
+"I'm not easily ashamed--you ought to know that. Is that all
+you've come for?--to tell me what you think about what is no
+concern of yours?"
+
+"What's this I hear about your bringing out a play, and acting
+in it yourself?"
+
+"Who told you that?"
+
+"Winton--to my amazement!"
+
+"What did he tell you?"
+
+"Something about your producing a play of
+Talfourd's--Talfourd's, of all people in the world! My hat! he
+said that you proposed to act one of the principal parts in it
+yourself. Isabel, that's going too far; I won't stand it."
+
+"You won't what?"
+
+There was something in the lady's tone and in her attitude
+before which he obviously quailed.
+
+"I don't think that it's becoming in a woman of your position,
+as--as my wife."
+
+"It's not my fault that I'm your wife."
+
+"Still the fact remains that you are. By the way, has Talfourd
+been saying anything to you about me?"
+
+"What should he say?--except to advise me to sew you in a sack
+and drop you into the river."
+
+"That's just what he'd like--he's that sort of man."
+
+"Is he? He's what you never were, never will be, never could
+be--a gentleman. Why you don't even begin to understand what a
+gentleman is."
+
+"'Pon my word, I wonder that I let you talk to me like this. I
+don't want to quarrel with you--I hate quarrelling!--I really
+do. You couldn't treat me worse if I were a shoeblack."
+
+"I never met any one yet whose shoes you were worthy to black.
+Why, Luker's a man compared to you. He doesn't sponge upon a
+woman."
+
+"It's not fair of you to speak to me like this--it is not! I
+know you're not fond of me----"
+
+"Fond of you!--fond!"
+
+The lady flung out her arm, as if the idea of her entertaining
+any feeling of that kind for her husband was a grotesque one,
+and she laughed. As he continued his tone suggested a snarl.
+
+"I don't know that I'm particularly fond of you. You don't go
+out of your way to make yourself agreeable to a fellow. You've
+only got to say the word to be rid of me for--well, at any rate,
+a good long time."
+
+"What's the word? L.S.D.?"
+
+Mr. Lamb coughed.
+
+"A fellow can't go away with empty pockets."
+
+"I thought so. Out with it! What are you at?"
+
+"The truth is, Isabel, I'm not feeling very well."
+
+"If you were feeling as I'd like you to feel you'd be feeling
+very much worse."
+
+"That's frank! A nice thing for a wife to say to her husband! I
+believe you're capable of anything."
+
+"I am--I always have been--and I always shall be, you bear that
+constantly in mind. Why can't you say what you want? If it is
+prussic acid to use upon yourself I'll give you money enough to
+buy a barrelful."
+
+The expression of Mr. Lamb's countenance was sullen, so also was
+the tone of his voice, which perhaps on the whole was not to be
+wondered at.
+
+"I want to go to the Riviera."
+
+"That means Monte Carlo. Well go--at once--and never come back
+again."
+
+"If you'll give me the coin I'll start in a jiffy."
+
+"How much do you want?"
+
+"I daresay I could manage with a thousand. I've hit upon a
+system."
+
+"You've hit upon a system!"
+
+"If you'll only keep still for a moment I'll tell you what it
+is, and then you'll see for yourself it's an absolute cert. I'll
+turn the thou. into fifty in less than no time. I can't help
+doing it!--you see!--and then I'll give you half."
+
+"You'll give me half! Then am I to understand that you won't go
+unless I give you a thousand pounds?"
+
+"I couldn't do it on less--the system I mean. I've worked out
+all the details and I really couldn't. I'll show you if you
+like. It's want of capital that wrecks a man in a thing like
+this. If you haven't got the proper amount--the lowest possible
+amount that's absolutely necessary--you might as well throw your
+money into the sea."
+
+"Then you'll never go at all, because I haven't a thousand
+pounds to give you."
+
+"What do you mean?"
+
+"It's simple. I don't think I've fifty pounds at my bankers, and
+I'm pretty sure that they won't honour my cheque if I overdraw."
+
+"Isabel!"
+
+"You owe money, don't you?"
+
+"I daresay I owe a bit here and there."
+
+"So I've been given to understand. I also owe a bit. And my
+creditors, like yours, won't wait."
+
+"Mine will have to."
+
+"Will they? I thought that was just what they wouldn't do."
+
+"Who's been telling you tales about me?"
+
+"A little bird. So you see, Gregory, I'm more in want of a
+thousand pounds, because you can't carry on a house like this
+for long on fifty pounds, even if I have so much at the bank,
+which, as I say, I doubt."
+
+"Fifty pounds! You're playing the fool with me--it's a favourite
+game of yours. What's become of the quarter of a million you
+told me that man Grahame had left you?"
+
+"That's what I should like to know."
+
+"You don't mean you've spent it? You can't have done--not in the
+time."
+
+"I've never had it to spend."
+
+"What rot are you talking? What game are you playing? Have you
+all along been telling me nothing but lies?"
+
+"Cuthbert Grahame told me himself that he was worth more than a
+quarter of a million; soon after he died I told you that only a
+small portion of the money could be found."
+
+"You told me nothing of the kind--you've never told me anything.
+Whenever I asked you a question you've always shut me up. You've
+kept me all along in the dark."
+
+"Then I tell you now. Only a small sum was ever found, and
+that's been spent--and more than spent."
+
+"Then am I to understand that he was fooling you when he talked
+about his quarter of a million?"
+
+"I don't believe that he was. I believe he was telling the
+truth; that he was worth what he said; only it's never been
+found, and no one seems to know where it is." She held out her
+clenched fists in front of her, shaking them, as if she were
+endeavouring, by the exercise of sheer physical force, to assist
+her mental process. "Sometimes I feel that I know--that I am
+very near to knowing--that if I could do something I should know
+quite. It's as if I'd been told something in a dream, and, on
+waking, had forgotten what it was. I don't like to think of the
+time he died--I can't." She looked about her, as if unconscious
+of his presence, with something on her face, in her eyes, which
+startled him. "Yet if I could--if I could! I believe it would
+all come back to me what I have forgotten, and I should know
+where the money is. But I can't! I can't! Since--since the
+pillow slipped from under him, I--I've never been the same."
+
+She dropped into a chair, looking straight in front of her, with
+her hands dangling at her sides, as if she saw--she alone knew
+what. This was such a new mood for her that its very novelty
+scared Mr. Lamb.
+
+"Don't look like that, Belle! What are you looking at?"
+
+"God knows! God knows!"
+
+Mr. Lamb squirmed.
+
+"Don't! I say, drop it! You're a cheerful sort of person, upon
+my word! I come here to get a pound or two, and you go on like
+this! Do you mean to tell me straight that we're hard up?"
+
+"There are three things that can save us, and three things only.
+If I could think I might find the money."
+
+"Then, for the Lord's sake, think! Only don't think like that;
+it gives me the creeps to hear you."
+
+"I can't think, anyhow, about that; I've tried, and I can't. If
+I could get the money out of McTavish & Brown, that would be
+something."
+
+"Get it out of any one, but please remember that sharp's the
+word."
+
+"Then there's the play--Harry Talfourd's play--I believe there's
+fame and fortune in that--and safety. Do you know what that
+means--safety?"
+
+"Gracious, Isabel! don't shout at me like that! My nerves were
+all mops and brooms when I came; you've made them ever so much
+worse. I'm all of a twitter. I'll talk to you when you're in a
+more reasonable mood; you'll upset me altogether if I stay much
+longer." Mr. Lamb withdrew, to return immediately, at least so
+far as his head and shoulders were concerned, the rest of his
+body he kept on the other side of the door. "Deal fairly with a
+chap--do! I must have cash from somewhere, or I shall be in a
+deuce of a hole. Can you let me have fifty?"
+
+"I can't."
+
+"Can you make it twenty-five?"
+
+"I can't. I can't let you have anything. Do you want me to yell
+at you? I--can't--let--you--have--anything! Do you hear that?"
+
+"All right! don't shout at a man like that! I should think you
+must be going off your head. I never saw you in such a cranky
+mood before."
+
+Mr. Lamb beat a precipitate retreat, this time finally. His
+wife, left alone, remained seated on her chair in that very
+curious attitude, with that very curious look upon her face.
+
+"It must be imagination--what they call an optical delusion.
+Perhaps, as he says, I'm going off my head. One thing's certain,
+it can't be real. This is not his room; that's not his bed;
+that's not----" She veiled her eyes with the palms of her hands.
+"No! no!--I'm too much alone. I shall go mad if I'm so much
+alone--mad!"
+
+She sat silent for some moments, with her features all
+contorted, as if she were wrestling with actual physical pain.
+Then, rising, she took out of a small cupboard in an ormolu
+cabinet a decanter containing some colourless liquid. Pouring
+some of it into a wineglass she swallowed it at a draught.
+
+It was pure ether. She resorted to it to minister to a mind
+diseased.
+
+When, later, she descended to the apartment which was called, as
+it almost seemed ironically, Mr. Talfourd's workroom, that
+gentleman rose to greet her with a smile. She also smiled. To
+all outward seeming she was herself again--self-possessed,
+satisfied with herself and with the world, at peace with every
+one. They exchanged a few banal sentences, both remaining on
+their feet, she looking at him with eyes which, to phrase it
+diplomatically, flattered, he meeting her glance with an
+appearance of serene unconsciousness that there was anything in
+it which was singular. Presently she touched on the topic which
+was to the front in both their minds.
+
+"About the play--have you thought it over? Am I to play Lady
+Glover?"
+
+He still was diplomatic.
+
+"You will understand that I, being a conceited and self-centred
+author, the matter of my play bulges out until it assumes for me
+what you will probably, and correctly, consider exaggerated
+proportions. Will you let me think it over a little longer? In
+the first place, I have settled nothing with Mr. Winton, and, in
+the second, I want to ask you to do me a favour."
+
+"You are aware that between you and me for you it is but to ask
+and to have--anything, everything, I have to give."
+
+If her words were significant, the manner in which they were
+spoken underlined them. Neither the manner nor the matter of his
+reply could be termed sympathetic.
+
+"I don't know if you are aware that I am engaged to be married."
+
+If something flickered across her face which was not there a
+moment before, it went as quickly as it came.
+
+"No, I wasn't. Are you?"
+
+"I, of course, don't expect you to be interested in the
+trivialities of my life, and I only mention it as a mere detail,
+but--the lady would very much like to know you. May she?"
+
+"My dear Mr. Talfourd! hadn't you better put it the other way?
+May I know her? and when? May I call on her? or will she pay me
+the great compliment of coming to see me?"
+
+"You're very kind. With your permission she will come and see
+you to-night."
+
+"To-night? I'm at home--of course! Do you know I'd almost
+forgotten it. Bring her by all means. Tell her she's to come
+early, before the people, and that she's to stop late, after the
+crowd has gone."
+
+Of such clay are we constituted. She had not the dimmest notion
+that in giving that very warm invitation she was hanging up over
+her own head a sword of Damocles, which, in this case, was
+suspended by something which was almost less than a single hair.
+
+
+
+
+ CHAPTER XXI
+
+ OUT OF THE BLUE
+
+
+Mrs. Gregory Lamb's "At Home" was crowded by rather a
+nondescript gathering. The lady's hospitality was scarcely of
+the kind which discriminates. Had she set herself to pick and
+choose her acquaintances, their number might have been
+considerably less. She had learnt that the people she wished to
+know were apt not to be anxious to know her; rather the other
+way. She had to be content with the society of those who did
+wish to know her. Whether she was particularly desirous of the
+honour of their acquaintance was another matter altogether. As
+she wished to know somebody, using the word in the sense of a
+noun of multitude, she had to put up with what she could get.
+The result was a little confusing. This is not to say that there
+were no decent persons among the hordes which thronged her
+rooms: there were. Possibly the chief objection which could be
+urged against them was that, for the most part, they were
+hungry. Not only as regards the physical appetite; though a
+large proportion of them were quite willing to consume all the
+food they could obtain, and all the drink. They were hungry in
+every sense of the word. To use a significant euphemism, a very
+great majority of Mrs. Lamb's guests were "on the make". They
+all wanted something. Many wanted a great many things, and
+wanted them very badly. There was a generous fringe of what is
+called the "literary, musical and artistic world"--those
+excellent people who will go into every house into which they
+can gain admittance. Singers who are looking for people who will
+listen while they sing, and who will pay for listening. Authors
+in search of an "opening," victims of that quaint delusion that
+in order to achieve popularity it is necessary to keep one's
+person well in the public eye, as if it were not easier for the
+novelist who lives in the centre of Timbuctoo to gain, and keep,
+a circulation of a hundred thousand copies--that consummation so
+devoutly to be desired!--than for the pet of London
+drawing-rooms. Composers who wanted some one to hear their
+"works"; musicians who were apparently content to play on their
+various instruments, and keep on playing, whether they were
+listened to or not; artists who nourished more or less timid
+hope that, having provided them with food, and drink, and
+house-room, their hostess would purchase half a dozen of their
+"sketches," by way of providing a pleasant climax to their
+evening's entertainment; actors--and actresses!--who were
+willing to do anything, from the "splits" to "Hamlet," and
+to do it then and there; dramatists, who could have told you
+tales--and tried to!--of managerial incompetence which would
+have made your blood run cold, if they had not been so
+monotonously alike. These worthy folk, foredoomed to failure,
+were at Mrs. Lamb's in force.
+
+There were others. Birds, some of them, of the same plumage, who
+had achieved a more successful flight, and promised to sustain
+it, and perhaps fly even higher. Men and women who had won for
+themselves prominent places in their several callings--perhaps
+not quite in the front rank, but still near enough--who, having
+been in many such, understood what kind of house it was that
+they were in. It is to be feared that they regarded their
+hostess at best with but amusement, wondering, if she really had
+as much money as people said, how it was that she was willing to
+get so little for it.
+
+Then there were the nondescripts--that large battalion. Some
+actually with titles, though probably a trifle smirched. People
+who were the Lord alone knew who, or what they did for a living.
+Persons who claimed to be something in the City, and no doubt
+were; whose wives, if they had them, gave you the impression
+that their husbands were in the same line of business as the
+Rothschilds. There was probably no trade or profession, from the
+highest to the lowest, which went unrepresented that night in
+Connaught Square.
+
+And besides all these there were the score or so of individuals
+whom the hostess really knew, or thought she did. And among them
+moved Mrs. Lamb, as if she knew them all. Beautifully dressed,
+probably the best, without doubt the most expensively, dressed
+woman there. There were diamonds on her fingers, her wrists, on
+her bosom, about her neck, in her hair. If they were real, and
+it were blasphemy to doubt it, she would have been reduced into
+something worth having if she had been put up to auction as she
+stood. She looked, if not exactly divine, then certainly not
+unprepossessing. There were many present, both male and female,
+who thought her lovely, one of the loveliest women they had ever
+seen. That was just the assemblage to which such charms as hers
+would make their most strenuous appeal, so that, since a woman
+loves appreciation, in her generation she was wise.
+
+For one so young, and in years she still was very young, she
+bore herself with singular ease. She had cast herself for the
+_role_ of great lady. If the type on which she had fashioned
+herself smacked somewhat of the theatre, her success was none
+the less, but rather all the more, on that account. In her way
+she really and truly was irresistible. So full of smiles and of
+sweetness, so good to look upon. So tall and well set, with such
+splendid arms and shoulders, such a rounded neck, such
+good-humour in her face. There was such a suggestion of youth
+about her--the youth which must prevail, of vital force, of
+physical vigour. She presented in herself such a striking
+example of the creed that's all for the best in this best of all
+possible worlds. She was such an excellent product of that great
+and shining god, Success. He had showered on her all his gifts,
+and she on her part seemed quite willing to divide them with
+whoever would. She seemed to have the knack of saying the right
+thing to the right person, being possessed either of a wonderful
+memory for names and faces, or, in an almost miraculous degree,
+of the trick of arriving, on the instant, at just conclusions
+from the scantiest data. She knew who wrote songs; what songs
+they had written; even what songs they were about to write; and
+who liked it to be thought that they were distant connections of
+the Rothschilds. She either had this information stored away in
+innumerable cells in her illimitable brain, or she picked it
+from people while they talked to her, out of their eyes, lips,
+pockets, without their suspecting that she was doing anything of
+the kind.
+
+She might have stood as the personification of human happiness,
+as the possessor of everything that the heart could desire.
+There were many there who credited her with being both these
+things, envying her more or less, admiring her perhaps even
+more. They would have readily believed that in her bed of roses
+there was not one crumpled leaf. Her radiant bearing, her
+beaming visage, seemed to suggest that she lived, and moved, and
+had her being in the lotus-land of happy dreams, which, for her,
+had grown realities.
+
+As the evening advanced she seemed to become, if anything, more
+light-hearted--gayer still--as if the success of her gathering,
+the happy looks with which she everywhere was greeted, had
+inoculated her with some subtle essence which raised her out of
+herself. Harry Talfourd and Margaret Wallace came, in a
+"growler," when she was at her best and brightest. Although it
+was late, and some of the earliest comers were going, others
+were still arriving. A long line of vehicles were slowly
+depositing their occupants at the front door. In this line Mr.
+Talfourd's cab took its proper place, in the rear, and in that
+line it bade fair to continue for some considerable time. The
+lady and gentleman soon grew impatient.
+
+"Are we going to stay in this cab all night?" inquired Margaret.
+
+The gentleman put his head out of the window.
+
+"It looks as if we were. We're about half a mile from the house,
+and there seems to be no end of confusion; people are both
+coming and going, and there's a fine old muddle. I say, Meg,
+it's quite fine and dry; do you think you could get out and walk
+the rest of the way? or would it make a mess of you?"
+
+"Make a mess of me! what do you mean? Open that door; I'll soon
+show you."
+
+He opened the door, and she showed him.
+
+Getting through the wide open portals of Mrs. Lamb's residence,
+and then up the staircase, on which people were ascending and
+descending in a continual stream, occupied some time.
+
+"I feel," observed Margaret, when they had reached the
+drawing-room door, "as if I had gone through a course of the
+'home-exerciser,' or whatever they call the thing which is
+guaranteed to give employment to every muscle in your body. If
+all these persons are Mrs. Lamb's friends she must be a
+well-loved woman."
+
+In the drawing-rooms themselves there was room to move slowly,
+if one observed a few necessary precautions. At their first
+entrance nothing could be seen of their hostess. As Harry
+piloted her through the room Margaret found sufficient
+occupation in the spectacle presented by her fellow-guests. In
+the course of her somewhat varied experiences she had met some
+curiosities, but never before had she encountered such specimens
+of humanity as were about her now. While she was wondering who
+they could be, and where they could have come from, Harry gently
+pressed her arm.
+
+"There's Mrs. Lamb in the other room; I'll introduce you."
+
+Margaret looked, and saw, in the smaller room which was beyond,
+a woman standing, with her back towards her, whom she became
+instinctively conscious was her hostess. Not only was she the
+most striking figure in that great crowd, but she was surrounded
+by a number of people, to all of whom she seemed to be talking
+at once. Her head being turned away, her face was not visible
+from where they were, so that it could have told her nothing;
+yet so singular sometimes is feminine human nature, that Harry
+had hardly finished speaking when Margaret replied--
+
+"Please don't introduce me to that woman; I'd rather you didn't.
+Take me away at once."
+
+There was something so unusual in the girl's tone that Harry
+stared at her in amazement.
+
+"Meg! is there anything wrong?"
+
+"Thank you, there is nothing wrong, only--I want to go."
+
+"Go! You can't go now--it's impossible--before I've introduced
+you, since you're here for that special purpose."
+
+"I don't want to be introduced. I'd rather you didn't. Harry,
+you mustn't!"
+
+"Meg, don't look like that. She's not an ogre; she won't bite
+you. Child, what's gone wrong with you all of a sudden? You
+needn't stop more than five minutes--and this atmosphere's
+enough to asphyxiate any one; but, after what I said to her this
+morning, and since you have come, the commonest courtesy compels
+me to introduce you; afterwards we can go at once; any excuse
+will serve. Anyhow it's too late now for us to think of going
+before I've made you known to her."
+
+What Mr. Talfourd said seemed to be the fact. The current had
+borne them so close to their hostess that she had but to turn
+round to find herself within arm's length of them. Margaret was
+silent. Harry did not look at her face; he was careful not to do
+so. The sudden curious change in the girl's manner had affected
+him more than he would have cared to admit. He knew that she was
+not a person who was liable to be beset by fantastic whims and
+fancies, and that there was probably some substantial reason for
+the alteration which had taken place in her. His wish was to get
+through the ceremony of introduction with as much speed, and as
+little ostentation, as he could, and then depart, if the feat
+were possible, more quickly than they had come. With this
+intention, taking the bull a little by the horns, he addressed
+their hostess while her back was still turned towards them.
+
+"Mrs. Lamb!"
+
+At the sound of the voice, for whose accents she had been
+listening all the evening, the lady moved round with quite a
+little swirl of her draperies; there was just sufficient open
+space about her to enable her to do it.
+
+"Mr. Talfourd! I thought you had forgotten me, and were never
+coming. And--have you brought the lady?"
+
+"I have. Permit me to introduce to you Miss Margaret Wallace."
+
+There have possibly been moments in most of our lives when we
+have been visited by something of the nature of a thunderbolt,
+and sometimes it has seemed to drop out of the clearest of blue
+skies. That was the moment in her life in which the thunderbolt
+descended on Mrs. Lamb, and with such crushing force that, for a
+too perceptible period of time, it left her literally bereft of
+her right senses. Its utter unexpectedness was no slight factor
+in the havoc which it wrought. Possibly more than she had been
+able to do for a considerable interval she had succeeded in
+putting behind her matters which were wont to press too closely;
+for the moment she had forgotten Pitmuir--all that it meant.
+This was a case in which forgetfulness meant happiness, or a
+very tolerable substitute. If only for a few fleeting minutes
+her mind was at peace.
+
+And, on a sudden, without a moment's warning, not dreaming that
+such a meeting was even within the range of possibility, she
+found herself confronted by the one person in the world whom she
+would have traversed the universe to avoid. There, in her own
+drawing-room, within two feet of her was the girl who was the
+only living creature whose image haunted her, both awake and
+asleep.
+
+She had had communion of late with ghosts--unwillingly enough,
+for she had resorted to every means with which she was
+acquainted to drive them from her. Yet come they would.
+Therefore it was not, after all, so strange, that in the first
+moments of what practically amounted to delirium, she supposed
+that this bonny, fair-haired, blue-eyed girl, whom she so hated
+and so feared, was one of them.
+
+When she heard her name, and saw her face, she moved back upon
+the people who were behind, oblivious that they were there. The
+whole fashion of her countenance was changed. She held out her
+arms, as if to ward off something whose approach she feared. And
+she exclaimed, in a voice which none of those about had heard
+from her before--
+
+"You can't come in!--you can't! He says you're not to--and you
+shan't! Go away! go away!"
+
+Not one person in the throng which was around her had a notion
+what she meant, Margaret no more than any of them. She herself
+drew back and clung to Mr. Talfourd's arm, as if in fear. But
+her fear was as nothing to the other's. Their hostess offered in
+herself a picture for her guests' inspection which it was not
+pleasant to behold. She seemed to have all at once become
+transformed into a gibbering idiot. While she persistently drew
+farther and farther back, she kept repeating--
+
+"You shan't come in!--you shan't! He says you're not to--and you
+shan't! you shan't! I say you shan't!"
+
+There was among the onlookers a medical man, one who had had
+experience of different phases of lunacy. Perceiving that this
+was a case which entered into his domain, he forced himself to
+the front. He put his hand upon his hostess' bare shoulder.
+
+"Mrs. Lamb! what has affected you? There is nothing here to
+cause you the slightest disturbance. Control yourself, I beg."
+
+His tone of calm authority had instant effect. Mrs. Lamb was
+still, she ceased to gibber. Her arms fell to her sides. She
+remained motionless, staring in front of her, as one in a dream.
+Putting her hands up to her face, a convulsion seemed to pass
+all over her. When she removed her hands she was awake, and
+understood, and knew what she had done. The knowledge was more
+than she could bear.
+
+"Let me pass," she cried.
+
+They let her pass. She swept through her guests, who huddled
+themselves together to let her go, like some incensed wild
+creature, out of the room, from their sight.
+
+
+
+
+ CHAPTER XXII
+
+ MARGARET SETTLES THE QUESTION
+
+
+Harry Talfourd hurried Margaret Wallace into the street as fast
+as circumstances permitted, while the guests at Mrs. Lamb's were
+looking at each other, exchanging whispers, asking what had
+happened, what the thing which had happened meant. A few seconds
+after the hostess' departure the crowded rooms were filled with
+the buzz of voices, which rose higher and higher until it became
+a pandemonium of noise. Mrs. Lamb's "At Home" had resolved
+itself into chaos.
+
+Outside in the street Mr. Talfourd did not find it easy to get a
+cab; the chaos within was already beginning to make itself felt
+without. The whole roadway was a confusion of vehicles.
+Perceiving that it was inadvisable to stand still, since they
+immediately became the cynosure of curious, and even
+impertinent, eyes, Harry marched resolutely onward, holding the
+girl tightly by the arm. They had to go some little distance
+before they could find a four-wheeled cab which would condescend
+to give them shelter.
+
+So soon as they were in, Margaret drew back into the corner of
+her seat with a movement so eloquent that Harry seemed to hear
+her shiver. He was silent, trying to collect his thoughts. He
+was as much at a loss as any of the excited people they were
+leaving behind. When he spoke it was lightly, as if he desired
+to make as little of the matter as might be. He was conscious
+that in the farther corner, as far away from him as she could
+get, was the girl he loved, in a mood wholly unlike any that he
+had known before. He was fearful of what might be coming next.
+So he endeavoured not to be serious.
+
+"This promises to be a night of adventure. Did you ever see such
+a scramble for cabs? People were rushing out of the house as if
+it were on fire. We'll hope there'll be no accident before
+they've finished. What did you think of Mrs. Gregory Lamb?
+Something must have occurred to upset her equilibrium; she
+showed quite a new side of her character." Margaret was still.
+He seemed to hear her breathe; he wondered if it were possible
+that she was crying. He put out his hand, touching hers gently
+with his finger-tips. Although she did not repulse him she
+remained impassive, not in any way acknowledging his caress.
+"Meg, I hope you're not worrying yourself about that woman's
+behaviour. She's not quite responsible, I fancy. She certainly
+wasn't to-night, but there was nothing that need trouble you."
+
+"I am wondering what she meant."
+
+"Meant? My dear child, she meant nothing, absolutely nothing.
+She's a trifle mad, that's all."
+
+"I'm not so sure. I believe she did mean something."
+
+"What on earth makes you think that? What could she mean?"
+
+"I can't explain. At present I don't understand myself; but I
+shall--I know I shall. Only I'm afraid."
+
+"Afraid! Sweetheart, don't talk like that! You make me feel as
+if I had done something I oughtn't to have done."
+
+"You have done nothing. Still I wish you hadn't introduced me. I
+asked you not to."
+
+"But, Meg! the whole thing was your own proposition; the whole
+idea was yours from first to last."
+
+"Yes, I know; but then I didn't understand."
+
+"What didn't you understand?"
+
+"I hadn't seen her."
+
+"You hadn't seen her? Meg, have you ever seen Mrs. Lamb before?"
+
+"Never."
+
+"Has she ever seen you?"
+
+"That's what I'm wondering; that's what I'm trying to make out."
+
+"It's a very mysterious business altogether; and the way you're
+taking it seems to me to be not the least mysterious part of the
+whole affair--and I can't say that I'm fond of mysteries.
+However, as some one or other says in a play, though I'm afraid
+I can't tell you what play, 'Time will show'."
+
+When they reached Margaret's rooms they found that Frank Staines
+and Mr. Winton had arrived already, and were waiting for them at
+the street door. They all went up together. So soon as they were
+in the room Mr. Winton asked his question--
+
+"Well, Miss Wallace, is Mrs. Lamb to create Lady Glover?"
+
+Had he put to her an inquiry on the answer to which the whole
+happiness of her life was dependent, it could hardly have moved
+her more.
+
+"Never! never! never!"
+
+She repeated the word three times over, with each time an
+additional emphasis. Mr. Winton, probably accustomed to
+strenuous utterances on the part of ladies to whom the theatre
+was the chief end and aim of their existence, appeared to be
+entertained by her intensity. Putting his hands behind his back
+he regarded her with smiling face.
+
+"And isn't she to produce the play?--that is, if she's willing
+to do so if she's not to be allowed to play in it?"
+
+"She is to have nothing to do with it--nothing."
+
+"You appear to have arrived, Miss Wallace, at a decision which
+is final and conclusive, and to have done so in a very short
+space of time."
+
+"I have."
+
+"The matter is placed beyond the pale of my discussion?"
+
+"It is."
+
+Mr. Winton turned to Harry with a little gesture of amusement.
+
+"Then, Talfourd, we shall have to seek for another capitalist,
+and as that is not a bird which is easy to find, 'The Gordian
+Knot' will have to be shelved for a still further indefinite
+period. Let's trust that some of us will live to see it
+produced."
+
+In her turn Margaret faced Harry with an air of penitence.
+
+"I'm so sorry, but I would rather that it were never produced at
+all than that it should owe anything to that woman--and you know
+how I have set my heart on its success."
+
+He tried to comfort her, as if the loss were hers.
+
+"'The Gordian Knot' won't spoil by keeping; don't let it trouble
+you a little bit; dismiss Mrs. Lamb from your mind as if she had
+never been. She's nothing to you, or to me, or to any of us;
+she's just--like that!"
+
+He snapped his fingers in the air, as if by the action he
+expressed her valuation. Margaret answered with an enigmatic
+smile.
+
+"Like that? I don't think she'll be to me like that--ever."
+
+"But, my dear girl, why not? why not?"
+
+"Ah! that I cannot tell you, because I don't know. But I shall
+know, and, when I do, I daresay I shall wish I didn't."
+
+Harry threw up his hands in the air as if it were a case which
+baffled him. Frank Staines, who had been listening with a
+twinkle in his eyes, observed--
+
+"I understand, Miss Wallace, that your appearance at Mrs. Lamb's
+furnished the occasion for quite a dramatic interlude".
+
+Margaret moved her shoulders, as if the recollection made her
+shudder.
+
+"I'd rather not talk about it, if you don't mind--thank you very
+much. I'm awfully sorry to turn you people out, but--I think I'd
+like to go to bed, if I may."
+
+When the three men found themselves in the street Winton said to
+Harry--
+
+"Miss Wallace's idea does not seem to have been altogether a
+success".
+
+Harry did not reply at once; when he did his tone was a little
+grim.
+
+"I'm not so sure. My own impression is--though if you were to
+ask me I could not tell you in so many set terms on what it's
+founded--that we're well rid of the lady, and that we are rid of
+her I think there's very little doubt."
+
+Frank Staines remarked--
+
+"If the lady's mad, or if she's subject to fits of madness--and
+if she isn't I don't know what she is--it's just as well that
+you've discovered it before it was too late".
+
+Judging from their silence that seemed to be the opinion of the
+others also.
+
+The next morning Miss Wallace was distinctly in an
+uncommunicative mood, as Miss Johnson, who paid her a very
+matutinal call, found, whereupon the young lady expressed
+herself with characteristic frankness.
+
+"Really, Meg, I've known you for quite a time, and I was just
+beginning to think that you were a really Christian person, but
+now it's actually bursting on me that you can be nothing of the
+kind. You sit there, mumchance, looking all sorts of things and
+saying nothing; and if there can be anything more exasperating
+than that, I should like to know what, it is. You promised, last
+night, before you went to Mrs. Lamb, that you would tell me
+everything that happened--I'm sure something did happen, by the
+looks of you--yet the more I ask you questions, the more you
+won't answer them. Do you call that being as good as your word?
+I don't--so that's plain. I'm disappointed in you, Margaret
+Wallace."
+
+Margaret smiled, a little wanly.
+
+"I hope you'll forgive me, Dollie, please! but I can't talk to
+you just now, and especially about last night. Ask Harry, or Mr.
+Staines, they'll tell you everything, and perhaps a little later
+I will myself, but just now I really and truly can't."
+
+Dollie, eyeing her shrewdly, perceiving she was in earnest,
+bowed to the inevitable.
+
+"Very well; I shouldn't dream of asking anything of Mr. Frank
+Staines, he might treat me even worse than you are doing. But
+it's possible that I may put a few questions to your Harry. The
+fact is that if some one doesn't tell me something soon I shall
+simply burst with curiosity. I have never concealed from any one
+that curiosity's my ruling passion--it's the case with all
+literary persons, my dear! Meg!"--she went and put her arm about
+the girl's neck, and the tone of her voice was changed--"if
+anything horrid happened at that woman's, never mind; after all,
+horrid things don't really matter, they generally turn out much
+better than they seem. I once had thirteen MSS. rejected in one
+week, and yet I bore up, and I planted them all before I'd done
+with them. I've never seen you look like this before, and I
+don't half like it. I always make you the heroine of all my
+stories, because you're the best plucked girl I ever met; so
+buck up, and stop it as soon as you conveniently can."
+
+Miss Johnson had not departed very long before Margaret had
+another visitor--Dr. Twelves. He found her much more talkative
+than Dollie had done.
+
+
+
+
+ CHAPTER XXIII
+
+ MARGARET RESOLVES TO FIGHT
+
+
+So soon as the doctor appeared in the doorway Margaret ran to
+him with outstretched hands, in her voice a curious, eager note.
+
+"I knew you'd come!--I knew it!"
+
+The doctor took her soft hands in his well-worn ones, regarding
+her from under the pent-house of his overhanging brows with his
+keen hawk's eyes, which age had not perceptibly dimmed, as if he
+sought for something which he fancied might be hidden in some
+corner of her face.
+
+"Did you? How did you know it?"
+
+"I don't know; but I did--I was sure."
+
+"Maybe you've the gift of second sight. I've heard it said it
+was in your father's family."
+
+"I wish I had; it would be the most useful gift I could have
+just now."
+
+"Would it? How's that? Maybe you knew I'd come because you
+wanted me."
+
+"Wanted you! Doctor, don't you feel unduly flattered! But
+there's no one in the world I wanted half so much as you."
+
+"Is that so? Then it's queer, because I just happen to be
+wanting you nearly as much. But before we fall to talking come
+to the light, and let me see your face. There's something there
+which puzzles me, which I've never seen on it before; it's sure
+I am it wasn't there the other day."
+
+Taking her by the arm he would have led her to the window, but
+she placed her hand against his chest and stopped him.
+
+"No, no, doctor, you mustn't take me to the light, and you
+mustn't look at my face either. I'd rather you turned right
+round and look at the wall. There's quite a pretty paper on the
+wall, and some drawings of mine which you'll find deserve your
+very closest attention. I just want to talk to you, and I want
+you to talk to me, and answer some questions which I'm going to
+ask--and that's all."
+
+"And that's all? I see. And I'm not to look at your face? Good.
+It's prettier than the paper, and far more deserving of
+attention than the drawings, but far be it from me to quiz a
+lady when she'd rather I didn't. Yet before you start the
+talking--perhaps when you've started you'll be slow to
+finish--let me say a word. You remember what you told me about
+that visit you paid to Cuthbert Grahame--that last visit when
+they wouldn't let you in?"
+
+"It's exactly about that I wish to speak to you."
+
+"Then that's queerer still, because it's about that I've come to
+talk. You told me that it was Nannie Foreshaw who refused you
+admission, and that she poured some water on you; and I told you
+that I didn't see how she could have very well done that, since,
+at that very time, she was lying, with her leg broken, in bed.
+When I left I wrote and asked her what she had to say. I've had
+an answer from her, and here it is." He took an envelope from
+his pocket, and from the envelope a letter, speaking all the
+time. "You'll bear in mind that Nannie's not so young as she
+was, and that, of late, things have fared ill with her, as they
+have a trick of doing when one grows old. She's had a broken
+leg, and that's no trifle when the marrow's getting dry in the
+bone; and her master--whom she'd had in her arms even before
+he'd lain in his mother's--had come to his death in a way that
+wasn't so plain as it might have been. She's never quite got the
+better of that broken leg; she walks with a stick, and she'll
+never walk without one; and she'll never be rid of the thought
+that, when Cuthbert Grahame died, though she was only just
+above, she couldn't get down to him, or shut his eyes, or see
+him before he was put in his coffin, or stand by his grave when
+he was buried. That thought troubles her more than the other.
+Between the one and the other, and the stress of advancing
+years, she's not so good a penwoman as she used to be. And so it
+comes about that this letter which I have here was not written
+by her own hand, though I have no doubt that they're just her
+own words which are set down in it."
+
+Unfolding the sheet of paper he proceeded to read aloud.
+
+"'Dear Mr. David'--she's called me that these forty years, and
+before that it was Master David, and it doesn't seem as if she
+could break herself of the habit, though, mind you, I'm an M.D.
+of Edinburgh University, and legally entitled to the prefix
+'Doctor,' which is more than can be said for a good many that's
+called it. 'It's beyond my thinking'--it's very colloquially
+written is this letter, which makes me the more sure that it's
+just her words which are set down in it--'It's beyond my
+thinking how you could have supposed that I could ever have
+turned my darling away from the door?--I never supposed anything
+of the kind, but that's by the way--'and refuse to let her in?
+My dear Miss Margaret! Mr. David, if I were dying I'd open the
+door if I knew that she was there--ay, I believe I would climb
+out of my grave to do it.' You observe what exaggerated language
+the woman uses? That's her all over. 'And to think that it
+should have been her on the day of which you speak--that awful
+day! I'll never forgive myself now that I know it.' That's her
+again. 'And, Mr. David, I'll find it hard to forgive you
+either.' That's the woman to a T--logical. 'If you'd never
+brought the creature to the house none of it would ever have
+happened, and my darling would never have been denied the door.
+And hot water thrown on her sweet head! How slow is the judgment
+of God!' Observe how she flies off at a tangent. 'Now I'll tell
+you the whole story. That day as I was lying in my bed, where
+she had laid me, I heard a great clatter in the house. When,
+after it was over, she came up to see me, I asked her what it
+was about. She said that a strange man had come begging to the
+house, and had tried to force himself into it, but that she had
+had to imitate my voice, to make him think it was me that was
+talking to him, before he would go. The insolence of her, that
+she should try to imitate her betters, and tell me of it to my
+face. And now it seems that it was no strange man at all, but
+just my darling who had come begging to be let into her own
+home. That wicked woman! Tell my sweet, when you see her, Mr.
+David, just how it was. And tell her if I had known it was she I
+would have crawled down, if it had been on my hands and knees,
+to undo the door, and bid her welcome. And say to her that
+there's none dearer to me in all the world than she is, and well
+she ought to know it. There is one prayer I offer constantly,
+that I may be spared to see her sweet face again, and hold her
+in my arms, and listen to her dear, soft voice. There is much
+more that I would say, but it cannot be written; it is only for
+her and for me.' Then the old woman goes off rambling; there is
+more, but nothing to the point. Here is her letter; you may read
+it for yourself if you like; there are tender messages by the
+yard. You'll see that that is not the epistle of a woman who
+would drive you from her door."
+
+"But I don't understand. Who does she mean imitated her voice?"
+
+"The woman who called herself Mrs. Cuthbert Grahame."
+
+"Who called herself Mrs. Cuthbert Grahame? I've heard something
+about some woman, but nothing that was at all plain. Tell me who
+she was, and how she came to call herself by his name."
+
+The doctor told, as succinctly as he could, the story of the
+woman he had picked up by the wayside; how, though he had found
+her helpless, she had proved herself to be more than a match for
+them all. Margaret listened with eyes which grew wider and wider
+open. When he had finished she broke into exclamation.
+
+"Then Nannie is right; it was through you that it all happened."
+
+He resorted to his favourite trick--he stroked his bristly chin,
+as if the action assisted him in the search for an appropriate
+answer.
+
+"In a measure, young lady--in a measure. My original intention
+was to perform an act of mercy. You would not have had me leave
+the creature there in the night to perish. The whole business is
+but an illustration of the truth of how great events from little
+causes spring."
+
+"To give her assistance, shelter--that was right enough; but,
+according to your own statement, you were responsible for that
+mockery of marriage."
+
+The rubbing of the bristles went on with redoubled energy.
+
+"I might say something on that point, but I'll not; I'll just
+admit I'm guilty. And I'll do it the more willingly because
+there hasn't been a day on which I haven't told myself that if
+there's a creature on God's earth that needed well and regular
+hiding that creature's me, because of what I did that night. I
+did a great wrong, a great folly, and a great sin. Margaret,
+though I am old and you are young, I am ready, if you wish
+it--and you'll be right to wish it--to humble myself in the dust
+at your feet. My only consolation is that in His infinite mercy,
+ultimately, there may be forgiveness even for me." He paused,
+then added, with in his voice and manner a suggestion of utter
+self-abasement which was in itself pathetic, "And the worst I've
+still to add".
+
+"The worst?"
+
+She shrank from him, with what seemed to be a gesture of
+involuntary and almost unconscious repulsion.
+
+"Ay, the very worst. Only don't draw yourself from me like that,
+lassie--for the love of Christ; for I'm but a poor old man
+that's sinned, and that's very near his end, and that would do
+all he can to repair his sin before death has him by the
+throat."
+
+"I--I didn't mean to be unkind, but--what were you going to
+say?"
+
+"One thing's about his money--Cuthbert Grahame's money. Several
+times he spoke to me about you--more than kindly. I believe he
+had it in his mind--as I had, and have it, in mine--to repair
+the wrong he'd done you. I have reason to think that it was his
+intention to leave you at least a large portion of his fortune,
+to re-make the will I had helped him break. I believe that, with
+one of his cranky notions to be revenged on her for the part
+she'd played, he communicated his intention to her; that he went
+so far as to instruct her to draw up such a form of will as he
+required. My own impression is that she either actually did do
+this, or pretended to, and that, when the time came for him to
+affix his signature, she performed some feat of jugglery, which,
+under the circumstances, was easy enough, and so got him to sign
+a document which expressed the exact opposite of his wishes."
+
+"Do you mean that he thought he was leaving me his money when
+actually he was leaving it to her?"
+
+"That's about the truth of it--I believe it strongly. I am
+persuaded that the will she produced she got from him by means
+of a trick. But that is not the worst."
+
+"Doctor, you're--you're like the old fable, you pile Pelion on
+Ossa."
+
+"I believe that when she had got the will into her possession,
+all signed and witnessed, she was confronted by the fact that
+exposure of its contents might render it invalid at any moment.
+That is probably what would have happened, and in a very short
+time, so that to make sure, she killed him then and there."
+
+"Killed him!"
+
+"I am convinced that Cuthbert Grahame was killed by the woman
+who called herself his wife, and that within ten minutes of the
+signing of his will. She propped him up with pillows, then, by
+suddenly withdrawing those which supported his head, she let it
+hang down, and so choked him. In order to avoid suffocation it
+was always necessary to keep his head well raised, a fact with
+which no doubt she had made herself acquainted."
+
+"Doctor! But was there no inquest?"
+
+"Certainly; and I gave evidence. But what could I say? I had no
+proof--not an iota. I could only express my conviction that it
+was impossible for him to have moved the pillows himself; and I
+did. I doubt if that bare statement had any effect upon the
+verdict. She was a very clever woman."
+
+"Clever! you call her!--clever! If you are right she was an
+awful woman--you mustn't call her clever. That sort of thing's
+not cleverness."
+
+"Isn't it? I don't know what it is then. If we had realised her
+cleverness from the first we might have been prepared for her;
+she might have met her match. It is only by fully recognising
+the fact that we have to deal with an uncommonly clever woman
+that we shall have the slightest chance of getting the better of
+her, and bringing her to book."
+
+"Bringing her to book! Doctor! where is she? Is she at Pitmuir?"
+
+"That's not the least strange part of the whole strange
+business--where she is. I've been wondering if it's a sign that
+God's finger has been slowly moving to set on her His brand. The
+young gentleman in whom, I presume, you take a certain amount of
+interest, since, one day, you design to honour him by allowing
+him to make of you his wife--Mr. Harry Talfourd--told me that he
+acts as secretary to a lady."
+
+"I know."
+
+"The lady's name is Lamb--Mrs. Gregory Lamb."
+
+"Yes."
+
+Margaret, as she uttered the word, was conscious of a catching
+in her breath; she herself did not know why.
+
+"Mrs. Gregory Lamb is the woman I found by the roadside; who
+told me that her name was Isabel Burney; who called herself Mrs.
+Cuthbert Grahame; who juggled into existence the will under
+which she inherits; who murdered the man out of whom she got it
+by a trick."
+
+Margaret was silent, curiously silent. Then she drew a long
+breath, and she said--
+
+"Now I understand".
+
+The doctor was struck by something in her intonation which was
+odd.
+
+"Just what is it you understand?"
+
+She repeated her own words.
+
+"Now I understand. The veil which seemed to obscure my sight is
+being torn away; things are getting plainer and plainer. She was
+not mad, as we thought; it was we who were ignorant. Doctor, I
+believe that the finger of God, of which you spoke just now, has
+moved already."
+
+"It is likely. It is some time since I looked for it to move,
+but He chooses His own time. As for what you say about your
+understanding, to me your words are cryptic--unriddle them,
+young lady, if you please."
+
+Margaret, in her turn, told her tale: of her visit to Mrs.
+Gregory Lamb; of its abrupt and singular termination. The doctor
+listened with every sign of the liveliest interest.
+
+"As you observe," he cried, when she had done, "it would seem
+that the finger of God has moved already. She knew you although
+you did not know her, and the sight of you was as though one had
+risen from the grave; it filled her with unescapable terror."
+
+"It's difficult to explain--I've not been able to explain it to
+myself until this minute--but I did know her, that is, I felt as
+if I ought to know her. Directly Harry pointed her out to me,
+something struck at my heart and set me trembling. I don't
+often tremble, but I did then. It was as if I were confronted by
+some dreadful danger, which had threatened me before, and from
+which I had then only escaped by the skin of my teeth. And
+yet I don't know that the feeling which affected me most
+strongly was terror. No, I don't think it was. It was something
+else--something which I can't describe. I believe--doctor, I
+believe it was hatred. I hated that woman with a hatred which
+was altogether beyond anything of which I had dreamed as
+possible, of which I had supposed myself to be capable. I don't
+hate people as a rule; I don't remember ever having met any one
+whom I seriously disliked. I do think that in almost every one I
+have come across I have seen something which I liked. But--in
+her! I didn't want Harry to introduce me, to take me nearer,
+because I was filled with what seemed even to me an insane,
+indeed a demoniacal desire to kill her where she stood."
+
+While the girl was speaking her appearance seemed to gradually
+change, till, when she stopped, she seemed to stand before the
+old man like some rhadamanthine, accusatory spirit, ready to
+pronounce judgment and to execute the judgment which she herself
+pronounced. The doctor watched her with a visage which remained
+immobile, almost expressionless.
+
+"Your words suggest a kind of justice which has become
+extinct--in politer circles."
+
+"Yet justice shall be done!--it shall be done! I will see to it.
+I never did her a harm, nor wished her one. Yet she has done me
+all the mischief that she could, for wickedness' sake. If she
+killed Cuthbert Grahame, she should have killed me also, for, if
+I live, I will bring her to the judgment-seat. You say she is in
+enjoyment of the money which she won from him by a trick, and
+whose safe possession she insured to herself by murder----"
+
+"Pardon me; to her that's the fly in the ointment. It's
+precisely the money which she hasn't got--which is doubly hard,
+since, to gain it, she did all that she did."
+
+"I thought you said that she had it."
+
+"She has the will under which she inherits, but, so far, she has
+inherited comparatively little. Did Grahame ever talk to you
+about his money?"
+
+"In those latter days, when I began to be a woman, there were
+only two things about which he would talk, one was his money,
+the other his desire that I should be his wife. I loved him
+dearly! No daughter ever loved her father better than I loved
+him, but not like that!--not like that! When I said no, he would
+talk of his money, holding it out as a bait."
+
+"Did he ever tell you how much of it there was?"
+
+"He was always saying all sorts of things; I cannot remember all
+he said. I know he told me again and again that he had been
+saving his money for years for my sake, for me to use when I
+became his wife--his wife! He said more than once that there
+were fifty thousand pounds a year waiting for me if--if I would
+only say the word."
+
+"Fifty thousand pounds a year? A nice little bait with which to
+cover the hook. Some girls would have swallowed the bait and
+never minded the hook."
+
+"Doctor!"
+
+"Calm yourself, young lady; don't blast me with the lightning of
+your eyes. I'm but saying what's well known to all the world.
+And did he say where that snug little income came from?"
+
+"From his investments. He was always boasting of the lucky
+investments he had made."
+
+"Did he ever tell you in what?"
+
+"He wanted to often, but I wouldn't listen. I daresay he did
+mention some of the names, but I paid no attention and have
+forgotten them if he did. I hated to hear of his money. I knew
+what it meant to him, and I couldn't get him to understand that
+it didn't--and never would!--mean the same to me. His talk about
+his money helped to poison my life."
+
+"One knows that to a young girl money has a way of not meaning
+so much as to some of us older folk, so I humbly ask your pardon
+if I seem to dwell on it too long. Yet I would ask you to cast
+back in your mind and think if he ever dropped a hint as to
+where the securities, the documents which represented these
+investments, might be found?"
+
+"Weren't they at the bank? or with his lawyers?"
+
+"They were not. Cannot you recall a hint which he may at
+sometime have let fall as to their whereabouts?"
+
+She put her hands up to her temples, either to ease her
+throbbing temples or to aid her memory in its task of looking
+back.
+
+"I can't think! I can't think!--not now! There are so many
+things of which I have to think, that they seem to have left me
+no power to think of anything else. Some day something which he
+once said may come back; I haven't forgotten much he did say to
+me; it's all somewhere in my brain, only I can't tell you just
+where--not at this very moment. At this moment I can only think
+of her."
+
+"Of whom?"
+
+The voice which made the inquiry was Harry Talfourd's. He stood
+in the open doorway with his hat in his hand. Perceiving that
+his appearance seemed to have taken them by surprise he
+proceeded to explain.
+
+"I did knock--twice; but I presume that you were so much
+engrossed by what you were saying to each other that my modest
+raps went unheeded. I heard you say, Meg, in tragic, not to say
+melodramatic tones, that you can only think of her. Shall I be
+impertinent if I venture to ask who is the lucky person who so
+fully occupies your thoughts?"
+
+"The lucky person, as you call her, is Mrs. Gregory Lamb. Harry,
+they say that in England the duelling days are over. They may
+be--that is, so far as so-called 'affairs of honour' are
+concerned--but for duels of another sort the day is never over.
+I am going to engage in a duel with Mrs. Gregory Lamb. You and
+Dr. Twelves here will be my seconds. I shall need all the
+assistance that seconds may honourably give to their principal,
+for it will be a duel to the death."
+
+
+
+
+ CHAPTER XXIV
+
+ THE INTERIOR
+
+
+Rather a curious state of things prevailed in Mrs. Lamb's
+residence in Connaught Square. The largest and best regulated
+establishments are apt to be disorganised when festival has been
+kept the night before--that is true enough. But in this case the
+disorganisation was something altogether out of the common. Mr.
+Lamb, who never attended his wife's receptions, and so pleased
+himself and the lady, had come home with the milk, just sober
+enough to wonder why the place was in such a state of singular
+confusion. The servants seemed to be occupying the reception
+rooms, enjoying themselves in a fashion in which servants are
+not supposed to do. He had a vague recollection of having a
+drink with a footman or some such menial while endeavouring to
+ascertain what was the meaning of the proceedings, and of
+pledging a housemaid's health in what he was convinced was a
+glass of his wife's champagne. But as, later, he was only too
+glad to be assisted upstairs by any one and every one, his
+memory of what took place was scarcely to be relied upon.
+
+His wife had shut herself in her room, constraining her guests
+to take their departure without affording them an opportunity of
+saying good-bye to their hostess, and offering her their thanks
+for a very pleasant evening. Exactly what occurred behind that
+locked door she alone knew. When her senses returned she was
+still in her splendour of the previous night. She half lay, half
+sat, upon her boudoir floor, with her head upon a couch. A
+broken wine-glass was at her side. A decanter which had held
+ether was overturned on a buhl table. The day streamed through
+the windows.
+
+It was some seconds before she recognised these facts. Then she
+rose to her feet and looked about her. The first thing she did
+was to go to the boudoir door and try if it was locked. When she
+found that it was, and that the key was nicely adjusted in the
+keyhole, so as to prevent any one peeping in from without, she
+strode through another door, which stood ajar, into her bedroom,
+which adjoined. She tried the outer door of that, to find that
+it also was locked. She glanced at a silver clock which stood
+upon the mantelpiece. According to it the time was twenty
+minutes to one, so that more than half of the day had already
+gone. Then she went to a cheval glass, which mirrored her from
+head to foot, and glanced at herself.
+
+What she saw seemed to afford her a grim sort of amusement. Her
+hair was all in disorder, one long tress trailed down her neck.
+Her eyes were dull and heavy. Her cheeks were smeared; such
+"aids to beauty" as she patronised had become misplaced. Her
+gown was all creased and crumpled; a stain straggled right
+across the bodice. In a few curt words she recognised the
+situation so far as the dress was concerned.
+
+"That's done for."
+
+It looked as if it were, it might have been worn twenty times
+instead of only once. She removed her jewels--her bracelets from
+her wrists, rings from her fingers, her necklace, ornaments from
+her hair. When they were all off she took them in her hands and
+stared at them.
+
+"At any rate, you're worth money. I daresay I could get
+something on you if I tried, though perhaps not so much as some
+might think."
+
+She tossed them on to the dressing-table with a mirthless laugh.
+Disrobing herself, donning her nightdress, she ensconced herself
+between the sheets. There she tossed and tumbled about in such a
+fashion that one was almost disposed to suspect her of indulging
+in some new form of physical exercise. When she had got the bed
+into a condition which suggested that it had been occupied
+throughout the entire night by some peculiarly restless person,
+ceasing to turn and twist, for some minutes she lay quite still,
+as if she listened.
+
+"Those servants of mine don't seem to be making much noise;
+there aren't many sounds of their moving about the house. I
+should like to know where Stephanie is; she ought to have woke
+me long before this."
+
+Stretching out her arm she pressed the electric button which was
+by her bedside--once, twice, thrice, indeed half-a-dozen times,
+on each occasion for an unusual length of time, and with a fair
+interval between each pressure. Nothing, however, transpired to
+show that she had rung at all, certainly no one answered her
+summons. As she began to realise that apparently she was not
+meeting with attention of any sort or kind, her temper did not
+improve. She kept up a continuous ringing; still no one
+answered, nor was there aught to show that there was any that
+heard. She began to be concerned.
+
+"Has every one taken French leave, and am I alone in the house?
+What's it mean?"
+
+She kept her finger on the button for another good five minutes,
+then she decided that the moment had arrived when it would
+probably be desirable that she should make some inquiries on her
+own account. Rising, she put on some clothes, over them a
+dressing-gown. Then, unlocking the bedroom door, she went out on
+to the landing. Nothing could be heard. She descended to the
+floor below, on which were the drawing-rooms. No attempt to tidy
+them had been made since the guests departed; they were in a
+state of almost picturesque confusion. Not even the electric
+lights had been turned off; they were blazing away as merrily as
+if it were still the middle of the night. The apartments
+contained certain articles which, as refreshments were provided
+in the dining-room, could scarcely have been there when the
+guests retired. Bottles and glasses were everywhere--all kinds
+of bottles and all kinds of glasses, indeed Mrs. Lamb had nearly
+stumbled over what looked like an empty brandy bottle as she
+came out of her bedroom door. To Mrs. Lamb the sight of those
+various empty receptacles was pregnant with meaning.
+
+"The beauties! I suppose they're sleeping it off. They shall
+smart for this, every one of them."
+
+She turned towards the staircase which led to the servants'
+quarters, with the intention, no doubt, of making them smart,
+when she encountered one of them. An unkempt, untidy figure,
+clad in a nondescript costume, consisting of checked tweed
+trousers, carpet slippers, dress-coat and waistcoat, crumpled
+shirt and collar and no necktie, came strolling leisurely down
+the stairs as Mrs. Lamb was about to ascend them. It was James
+Cottrell, the butler, in general, so far as appearances went,
+the most immaculate of beings. His mistress stared at him in not
+unnatural surprise.
+
+"Cottrell!--you!--in that state!--at this time of day!--why,
+you're not even dressed."
+
+So far from showing any signs of being ashamed or disconcerted,
+Mr. Cottrell's manner was not only self-possessed, it was
+affability itself. Thrusting his hands into his trouser pockets,
+he tilted himself on his heels, till his legs touched the stair
+behind, and he smiled.
+
+"No, Mrs. Lamb, I am not dressed--that is, my costume is not in
+that perfect state of completeness which I prefer. It is not my
+habit to make personal remarks, but since we are on the subject,
+I may observe that you're not dressed either. I shouldn't call
+that dressing-gown full dress--would you? Your hair don't
+look--to me--as if it had been done for days, and you really
+must excuse my mentioning that your complexion seems to have got
+itself all mixed up anyhow."
+
+"Cottrell, you're drunk; how dare you speak to me like that?"
+
+"No, Mrs. Lamb, I am not drunk; I do assure you that I am at
+least as sober as you are. If you want to know what drink can do
+for a man, I recommend you to go and look at your husband--there
+is a drunkard, if you like; he's like a perambulating sponge.
+Last night it took six of us to get him upstairs; that man ought
+to be black-listed. As for daring to speak to you, Mrs. Lamb,
+there may be some folks whom you inspire with awe, but you don't
+inspire me with any."
+
+"Don't you think I'll let you speak to me like that, although
+you are a man and I'm a woman. You'll leave my service at
+once--and without a character."
+
+"As for a character, any character which you might give me, Mrs.
+Lamb, would, in all human probability, do me more harm than
+good. It will be my constant endeavour to conceal the fact that
+I ever occupied a position in your establishment; it might do me
+a serious injury were it to become known. As to leaving your
+service, I shall be only too glad to do so inside sixty seconds;
+only there's a little formality which I should like to have
+completed before I go. I should like to have my overdue wages,
+Mrs. Lamb. They are more than three months overdue, and I should
+like to see the colour of my money, Mrs. Lamb."
+
+"You shall have your wages; you needn't be afraid."
+
+"Thank you; that is good news. Because, to be quite frank, I was
+beginning to be afraid--in fact, we all were."
+
+"You impertinent brute! Where are those other creatures?"
+
+"Other creatures? You refer to my colleagues, male and female?
+We are all of us creatures, Mrs. Lamb--including you. I believe
+that two or three of them have already quitted your service,
+including the young Frenchwoman who was supposed to be your own
+particular maid. She said that she never bargained to wait on a
+woman of your class, so she's gone. I noticed two young women in
+the kitchen when I was down there just now. They seemed to be in
+a more or less tearful condition. Poor wretches! perhaps they
+never expected to find themselves in such a place as this. As
+for the rest of my colleagues, I fancy they are still in bed. I
+do not doubt that if you take them their overdue wages they'll
+get up, and get out of the house also, as quickly as you like. I
+imagine they'll be only too glad of the chance."
+
+Mrs. Lamb looked at Mr. Cottrell as if she were meditating
+measures of a distinctly active kind. Although he might not have
+been conscious of it, for some seconds he stood in imminent
+peril of realising that, at least physically, his mistress was
+more than a match for the average man. But, apparently, after
+thinking things over she changed her mind and postponed
+hostilities.
+
+"You shall be paid for this, my man--they all shall--just wait a
+bit." She moved, as if to return to her bedroom, then paused.
+"There's some one at the door."
+
+There did seem to be some one at the front door, some one who
+saluted with equal vigour both the bell and the knocker. Mr.
+Cottrell was philosophical.
+
+"Ah! there's been one or two already this morning. You've
+perhaps been in such a queer state yourself that you didn't hear
+them, though they made noise enough; but there have been several
+visitors. Jones the fishmonger wants his little account, and
+Franks the butcher wants his, and Murphy the greengrocer, and
+the baker, and the grocer, and the milkman, and, I think, the
+laundry, and three or four more besides. They all want their
+little accounts--good big ones some of them are. I peeped
+through the dining-room window, but I didn't notice just who was
+there, and I didn't open to them either. I've had about enough
+of opening to those kind of people; they won't go round to the
+side entrance, and it's no use asking them to. But that sounds
+as if it was the landlord come to put the brokers in for rent. A
+landlord always thinks himself entitled to make as much noise as
+he likes at his own front door."
+
+Some one seemed to consider himself at liberty to make as much
+clatter as he liked.
+
+"Cottrell, go down at once and see who is at the door."
+
+"Wouldn't you like to go and see yourself, Mrs. Lamb?"
+
+"If you don't obey my orders and go at once I'll throw you out
+of the house with my own hands, and you shall whistle for your
+wages."
+
+"Like this? Do I look as if I were in a fit state of attire to
+open the door of even such a lady as yourself, Mrs. Lamb?"
+
+"Are you going?"
+
+The lady mounted two or three steps; there was something so
+significant in her manner that Mr. Cottrell temporised.
+
+"I shall be only too happy to open the door as I am!--if you
+will allow me to pass." She allowed him, and he passed, firing a
+passing shot as he went. "You must understand that I intend to
+be perfectly frank with whoever's there--perfectly frank, and
+truthful. I have had more than sufficient of telling lies on
+your account, Mrs. Lamb." At this point, throwing the hall-door
+wide open, he addressed some unseen individuals who were without
+in tones which were perhaps unnecessarily loud. "If any of you
+people want money--and by the look of you I can see you do--it's
+no use your asking me, and so I may tell you at once, because I
+want money too, and from the same person, and that's Mrs. Lamb;
+and as Mrs. Lamb happens to be standing at this moment at the
+top of the staircase, in her dressing-gown and with her hair all
+over the place, perhaps you'll step in right away, and just say
+to her what you've got to say. Well, sir, and what might you
+happen to be wanting? Oh, it's Mr. Luker, is it? May I ask, sir,
+what you mean by pushing me about as if I was a mechanical toy?"
+
+It was indeed Mr. Isaac Luker, who had come into the hall with
+complete disregard of the fact that Mr. Cottrell was standing in
+the doorway. Being in, the visitor regarded the voluble butler
+with characteristic impassivity. Then, stretching out the
+forefinger of his right hand, he tapped at the centre of Mr.
+Cottrell's crumpled shirt-front, and he delivered himself
+thus:--
+
+"My advice to you is to put your head under the pump if there is
+one, and under the tap if there isn't, and let the water run for
+a good half-hour, for a complaint like yours it's the best
+medicine you can possibly have".
+
+It seemed that Mr. Cottrell was so taken aback by the proffer of
+this very handsome advice that for a moment or two he was at a
+loss for a retort; before he found one his mistress had
+interposed.
+
+"Luker, come up here!"
+
+Mr. Luker looked at the lady at the head of the staircase, at
+Mr. Cottrell, at the invisible persons who still remained
+without. He seemed to hesitate, as if in doubt whether or not to
+take a hand in the game just where he was; then, arriving at a
+sudden resolution, he did as the lady requested: he went
+upstairs, followed by the retort which Mr. Cottrell had found at
+last.
+
+"Perhaps if you were to try a little of that medicine you
+recommend on your own account it mightn't do you any harm."
+
+The observation went unheeded. Mr. Luker was captured by the
+lady the moment he reached the topmost stair. She pointed to the
+flight in front.
+
+"Up you go!" Up he went, with her at his heels. On the next
+landing she called his attention to the open bedroom door. "In
+you go." Perceiving what the apartment was he favoured her with
+what he perhaps meant for a whimsical glance, and in he went.
+"Go straight through into the next room--that's my boudoir." He
+went straight through, and she also. Closing the door of her
+bedroom she stood with her back to it, putting to him a question
+almost as if she were aiming a pistol at his head. "Have you
+brought that money?"
+
+Mr. Luker did not at once give her the answer she so
+imperatively demanded. Instead, holding his ancient top-hat in
+front of him as if it were some precious possession, he ventured
+on a remark of his own.
+
+"Things seem a little at sixes and sevens; they almost suggest
+that domestic relations are a trifle strained. That man who
+calls himself a butler is not behaving as if he were a butler;
+and I regret to notice something about the establishment which
+one hardly expects to find in a lady's high-class mansion."
+
+"Cottrell's going--at once. All the servants are going--lot of
+drunken brutes! I'm only waiting for the money to pay them their
+wages."
+
+"Oh, I see. And--those other persons on the doorstep, do they
+want money also?"
+
+"I don't know who's there, and I don't care; but I daresay every
+one wants money. I do! Did you hear me ask if you've brought
+that money I told you to bring?"
+
+"To what money are you alluding?"
+
+"You know very well! None of your fooling! Have you brought that
+ten thousand pounds?"
+
+"Ten thousand pounds!" He held up his hands, with his top-hat
+between them. "Ten thousand pounds! She speaks of that great sum
+as if it were a mere nothing!"
+
+"Have you brought it?"
+
+"I certainly have not."
+
+"Then what have you brought?"
+
+"I have brought--nothing."
+
+"Look here, Luker, I'm in an ugly temper. You ought to know the
+signs of it as well as any man, so I advise you to take care. I
+told you you were to bring me ten thousand pounds. When I said
+it I meant it; why haven't you brought it?"
+
+"My dear Isabel----"
+
+"Haven't I told you not to call me that?"
+
+"Very well; it's a matter of utter indifference to me what I
+call you--utter! I was merely about to remark that I have laid
+your proposition before my friend, and, as I anticipated, he has
+decided that he doesn't care to lend money except on adequate
+security."
+
+"Adequate security! Don't you call a quarter of a million
+adequate security?"
+
+"Certainly, if you had it, but you haven't. And you have nothing
+tangible to show that you ever will have, or any part of it."
+
+"There are those Hardwood Company shares--ten thousand of them."
+
+"You tell me that you are in an ugly temper, and I can perceive
+for myself that you are not so calm as I should wish, otherwise
+I should ask for permission to be quite frank with you."
+
+"You had better be frank! Never you mind about my temper; it
+won't be improved by your shuffling. Out with what you've got to
+say!"
+
+"Remember, it will only be said at your express invitation."
+
+"Do you hear? Out with it!"
+
+"Then briefly and plainly it's this: If you were anybody else
+it's possible that money--some money--might be got on your
+expectation of the Hardwood Company's shares, but, as things
+are, it's out of the question."
+
+"Why? What's the matter with my being me?"
+
+"A good deal, as you're as well aware as I am. In a matter of
+this sort it's character which tells, and, unfortunately--I say
+it with deep sorrow!--your character's against you."
+
+"What's my character got to do with a thing of this kind?"
+
+"Everything. Suppose my friend were to advance you money upon
+your expectation of these shares, from your point of view you'd
+have him between your finger and thumb, and you'd keep him
+there."
+
+"How do you make that out?"
+
+"The process of extracting compensation from Messrs. McTavish &
+Brown would be, at best, both a lengthy and a tiresome one, one,
+moreover, in which not a step could be taken without your active
+assistance. You'd find that out, and you'd say, 'If you won't
+let me have so much more I won't move a finger, then you'll lose
+all that you've advanced already'. And you'd mould your conduct
+on those lines to the bitter end--my friend might find it a very
+bitter end. That would not suit him at all."
+
+"You----! I've half a mind to kill you!"
+
+"Keep it at half a mind; many of my friends and clients have
+found it wiser to stop right there."
+
+"Then do you mean to tell me that I can't get money out of any
+one--anyhow?"
+
+"Not at all; money can always be obtained upon security. You
+have personal property--the furniture of this house, jewels, and
+so on."
+
+"What I might get out of that sort of thing would be gone before
+I got it."
+
+"Then you might get money out of Messrs. McTavish & Brown."
+
+"You've told me over and over again that it would take no
+end of a time to do that. I can't wait; I want money--a lot of
+it!--now."
+
+"There's such a thing as compromise."
+
+"Compromise? What do you mean?"
+
+"If you insist on receiving the full amount of your demand, no
+doubt Messrs. McTavish & Brown will keep you waiting as long as
+they can--if you ever succeed in getting it at all. But,
+supposing you agree to accept half----"
+
+"Or three-quarters."
+
+"Or three-quarters. The major sum might be mentioned first; but,
+if time is of importance, I should advise you to allow yourself
+to be persuaded to accept half, or even a trifle less, and to
+give a full quittance for all claims, on condition, say, that
+the amount agreed upon is paid within four-and-twenty hours."
+
+"They shall pay it!--I'll see to that! And then when I've got it
+I'll go at 'em for the rest."
+
+"Ahem! I cannot allow myself to be associated with any such
+scheme as that."
+
+"Can't you? We'll see! You stop where you are. I'll dress, and
+then you shall go with me to Messrs. McTavish & Brown as my
+legal adviser! and when I leave them I'll be richer than when I
+started, or they'll be sorry!" Mrs. Lamb passed into her
+bedroom, through the partially open door of which her voice
+proceeded: "Don't you go meddling with any of the things in
+there; I know exactly what there is, so don't you think I don't.
+If I suspected you of taking so much as a paper-knife, I'd have
+it out of you if I had to strip every rag of clothing off you to
+get at it."
+
+
+
+
+ CHAPTER XXV
+
+ ALARUMS AND EXCURSIONS
+
+
+Messrs. McTavish & Brown, solicitors, of Southampton Row,
+London, W.C., had a large, sound and lucrative family
+connection. They numbered among their clients several people of
+really excellent position, persons whose names ought to have
+been in the _Doomsday Book_, and were in Burke's _Landed
+Gentry_, and in various other places in which one would
+desire one's name to be found. Among those names was that of
+Dykes--Lady Julia Dykes, relict of Sir Eastman Dykes, third
+baronet of Fennington Park, Essex. Sir Eastman had himself been
+one of the firm's clients, one whom they had every reason to
+value highly. His testamentary dispositions had been of such a
+kind that the administration of his estate had practically been
+left in the hands of Messrs. McTavish & Brown until the coming
+of age of his eldest son. A handsome income had been left to his
+well-beloved wife, together with the nominal guardianship of
+everything which once was his; actually, however, she did
+nothing of the slightest importance except with the cognisance
+and approval of the gentlemen in Southampton Row.
+
+Lady Dykes was a lady of a certain age, and of almost more than
+a certain presence. She was one of those persons who are
+constitutionally prone to lean--metaphorically!--upon some one
+or something, and she leaned upon Messrs. McTavish & Brown
+rather more than they altogether cared for. She consulted them
+not only every week, but sometimes on each day of the week;
+often on matters which had no connection with the law, and had
+nothing to do with them either.
+
+She had been known to ask their advice on the question of the
+retention or dismissal of a cook. On one memorable occasion she
+had actually written to them to learn if they thought that it
+would be becoming for her to attend a drawing-room in a scarlet
+satin gown. To make the matter worse, that letter was addressed
+to Mr. McTavish in person. As it was a standing joke with Mr.
+Brown, who allowed himself an indecorous latitude in matters of
+real importance, that her ladyship had matrimonial designs upon
+that well-seasoned bachelor, it was a painful moment to Mr.
+McTavish when he learned that she requested his advice upon
+what, to his thinking, was a matter of such singular delicacy.
+
+On the afternoon on which Mrs. Gregory Lamb set out with Mr.
+Luker to visit Messrs. McTavish & Brown, Lady Dykes was paying
+one of her very numerous visits to her solicitors. She was
+closeted with both partners in Mr. McTavish's private room, the
+senior partner having insisted on summoning the junior to take
+part in the inevitable conference, he having an almost morbid
+disinclination to be left alone with her. McTavish had an
+uncomfortable feeling, however much he might try to hide the
+fact from Brown, that her ladyship was disposed to show herself
+much more friendly when he had no one to keep him in
+countenance. Had they dared, both men would have made it a
+general rule to put her off on to one of their managing clerks,
+but they had learned from experience that though the soul of
+generosity she was quick to take offence, and, therefore, if she
+would talk nonsense, all they could do was to make her pay for
+it--which they did.
+
+The time had arrived for her eldest hope, Eastman, to take up
+his residence at the university. On the present occasion she had
+called to renew, for the fiftieth time, the interminable
+discussion as to what was the exact annual amount he was to be
+allowed while there, and what exactly he was to do with it.
+
+"I am particularly anxious," she explained, as she had done over
+and over and over again (some ladies think that the more they
+repeat themselves the more emphatic they become--which is a
+mistake), "that he should not waste his money, and worse than
+waste his money, on what I cannot but consider, and every mother
+would consider--every mother who cares for her child (and how
+many mothers do!)--extremely undesirable connections. For
+instance"--she started on a little story which her legal
+advisers had heard from her lips more than a dozen times--"Mrs.
+Adams was telling me only a few weeks ago that her second son,
+Bernard, who is at Cambridge, at Caius College, or Trinity, or
+Keble, or St. John's--it's one or the other--I'm not sure which,
+though I know he's in some part of the building"--she always
+spoke of a university as if it consisted of one large
+building, though she must have known better--"has been
+lavishing--positively lavishing!--articles of various kinds,
+gifts, presents of every description, from bon-bons to gloves,
+and from shoes to ribbons, and I don't know what else beside--it
+seems he kept a list of them, I don't know why, and she found
+it--it made me dizzy to hear her merely read it through, it was
+that long!--upon, of all creatures in the world--it seems
+inconceivable, for I've known the boy from a baby, and so did
+Sir Eastman--but it was a young woman in a tobacconist's shop.
+Picture what his mother's feelings were; picture what mine would
+be if I made a similar discovery. If there is one rule to which
+I have adhered through life it is to allow no one connected with
+me to have anything to do with females of questionable
+antecedents. And a tobacconist shop! Am I not right?"
+
+She looked directly at Mr. McTavish, who coughed, and answered--
+
+"Certainly, Lady Dykes; quite right".
+
+Mr. Brown said nothing; he looked the more.
+
+"You yourselves, although of the opposite sex, know perfectly
+well how necessary it is to have such a rule. You would not have
+built up this great business were it not universally known that
+you invariably refuse to accept as clients persons--especially
+when they are of the feminine gender--who are not of the highest
+respectability. I myself should not be here at the present
+moment were I not assured that was the case--of course that you
+understand. You would no more allow a woman of a certain class
+to enter your private office, Mr. McTavish, than I should allow
+a navvy to enter my drawing-room."
+
+It was perhaps a trifle unfortunate that Mrs. Gregory Lamb,
+attended by Mr. Isaac Luker, should have chosen that particular
+moment to introduce herself into the premises of Messrs.
+McTavish & Brown. On the road Mr. Luker had endeavoured to
+persuade the lady to leave the negotiations as much as possible
+in his hands, a suggestion which she had repudiated with scorn.
+
+"If any one can play this sort of game better than I can, I've
+never met them. All you have to do is to chime in when I tell
+you. If I fail to jockey some coin out of them somehow, then it
+will be time for you to try your hand."
+
+"I am not so sure of that. It occurs to me as at least possible
+that if you fail it won't be worth any one's while to take a
+hand."
+
+It was not in consonance with the lady's plan of campaign to
+resort, throughout the entire proceedings, to any of the minor
+civilities of life. For instance she deemed it neither necessary
+nor advisable to announce her presence by knocking at the outer
+door. She simply swung it right back on to its hinges, and
+strode straight in, not with the lightest strides. In the outer
+office it was customary for visitors to mention who it was they
+wished to see, possibly, also, the nature of their business, and
+then wait in patience till it was intimated to them that they
+were at liberty to penetrate farther. No such formula was likely
+to suit Mrs. Lamb, for one reason if for no other. She was well
+aware that if the heads of the firm had their way nothing would
+induce them to suffer her to enter their presence. Indeed so
+soon as the clerks in the outer office recognised who it was,
+one of them, starting up, prepared to rush to his principals to
+warn them of her coming. But the lady was too quick for him.
+While he was already half-way through the farther door, the
+lady, catching him by the shoulder, swung him round in a fashion
+which was a sufficient testimony to the fact that her arm still
+retained at least a good deal of its pristine vigour. Before he
+had a chance to recover she was in the apartment which was
+reserved as a sanctum for the senior clerks, her appearance
+causing a sensation among those respectable elderly gentlemen,
+which was both ludicrous and surprising. The senior engrossing
+clerk, Mr. Riseley, was the only one among them who retained
+even a fragment of presence of mind. He endeavoured to interpose
+his person between the lady and the approach to Mr. McTavish's
+private sitting-room.
+
+"Mrs. Lamb, what is the meaning of this behaviour? Such conduct
+is not to be endured; I must ask you to leave this room at
+once!"
+
+"Get out of the way," was the only answer which Mrs. Lamb
+vouchsafed.
+
+"I shall do nothing of the kind--certainly not; my duty to my
+employers forbids it. You can see neither Mr. McTavish nor Mr.
+Brown, they--they are both of them most particularly engaged."
+
+Mrs. Lamb condescended to waste no more words on him. He was
+rather larger than the other clerk, so she used both arms,
+darting them out in front of her as if they were battering-rams,
+dashing her half-open palms against him with such force as to
+drive him against a neighbouring table, overturning both it and
+its proper occupant with a clatter on to the ground. Then she
+went rushing into the senior partner's holy of holies as if she
+had been some mad bull, crying "Come along, Luker," as she
+rushed.
+
+Mr. Luker went along, not quite so demonstratively as she did,
+still, considering his build and the difference in his methods,
+he managed pretty well. Yet he did not move fast enough for his
+energetic client. As he was coming through the door, seizing him
+by the arm, she gave it a jerk which sent him whirling half
+across the room and his hat flying into a corner. The instant
+she was in she slammed the door behind her, snapped the lock,
+and pocketed the key.
+
+As Lady Dykes had just been dwelling on her consciousness of the
+fact that under no consideration whatever would Messrs. McTavish
+& Brown allow doubtful female persons to set foot inside their
+offices, it was rather an unfortunate moment for her to make her
+entry. So both the partners decidedly seemed to think. As for
+Lady Dykes, she started from her chair with as much agility as
+her figure would permit, and stared at the intruder open-eyed.
+
+"Good gracious!" she exclaimed. "Who is this person? and what
+does she want?"
+
+Mr. Brown, having his wits about him, made for the second door
+(most lawyers have at least two entrances to their own
+particular preserves), observing as he moved--
+
+"Lady Dykes, might I ask you to----"
+
+He got no farther; Mrs. Lamb cut him short. Her wits were even
+more on the alert than his. Perceiving, on the instant, his
+objective, dashing after him, pushing him aside as if he were
+some insignificant thing, she gained the second door, banged it
+to, locked it, and pocketed that key also. Then, turning, she
+confronted her victims with a laugh which did not by any means
+ring pleasantly in their ears.
+
+"It seems as if I had arrived in the very nick of time. I
+couldn't have bagged the pair of you more neatly if I'd had an
+appointment with you--could I?"
+
+Lady Dykes, who was the most nervous of her sex, was trembling
+almost as if she were a species of human jelly-fish.
+
+"Dear! dear!" she gasped. "Who is this person? and what does she
+want? Make her open the door at once, and let me out! My footman
+will be wondering what has become of me."
+
+Mrs. Lamb favoured her with an answer--of a kind.
+
+"I'll tell you who I am. I'm one of their clients! I'm one of
+the helpless, ignorant women whom they've robbed and plundered,
+but before all's finished they'll find that I'm not so helpless
+and ignorant as they thought. And I'll tell you what I want: I
+want back some of the money they've stolen, and before anybody
+leaves this room I'll have it. I've stood their shuffling long
+enough, but I won't stand it any longer, as I'm here to show
+them."
+
+Mr. Brown, who still seemed to have most control over his
+tongue, addressed himself to Mr. Luker.
+
+"Mr. Luker, I believe you are a fully admitted solicitor. As
+such I call on you to notice that Mrs. Lamb's words are
+actionable. And I request you, unless you wish to get yourself
+and her into serious trouble, to insist on her opening the two
+doors which she has improperly locked, and on her leaving these
+premises at once. Surely it is not necessary for me to point out
+that, otherwise, the consequences to both of you will be of the
+gravest possible kind."
+
+Mrs. Lamb placed herself in front of the irate Mr. Brown.
+
+"Don't you waste your breath talking to Mr. Luker; he's not on
+in this scene--not just at present, anyhow. If you've anything
+to say, you say it to me; it's me you have to deal with, not
+him."
+
+"Mrs. Lamb, I will have nothing to do with you of any sort or
+kind; after the monstrous fashion in which you have behaved it
+is the sheerest absurdity to suppose that we can have any
+communication with you except through a properly accredited
+representative."
+
+"So I've behaved in a monstrous fashion, have I? I'll teach you
+to talk to me like that."
+
+She began the lesson then and there. Gripping him by both
+shoulders she shook him as a terrier shakes a rat. He was a
+slightly built man, not physically strong; had he been a rat he
+could scarcely have seemed more helpless in her hands. When,
+presumably, she was of opinion that the first lesson had lasted
+long enough, she honoured him with a few remarks.
+
+"You take from me everything on which you can lay your claws;
+you strip me of every shilling I possess; and then, when I ask
+for some of it back, you insult me. You--dirty--thief!" Here
+there was another bout of shaking. "There are men doing penal
+servitude who aren't half such mean, sneaking scamps as you
+are--and plenty of them."
+
+She flung him from her against the wall, leaving him to struggle
+for breath as best he might. Lady Dykes, in an armchair, was
+developing what promised to be a very fine attack of hysterics.
+She was beginning to make as much noise as Mrs. Lamb herself.
+Mr. McTavish, who, judging from his appearance, had been in
+imminent peril of a stroke of apoplexy, seemed all at once to
+regain his power of speech.
+
+"Upon my word, you're--you're--you're the most dangerous woman I
+ever heard of!"
+
+"And you're the most dangerous thief! Perhaps before I've done
+with you you'll find that thieving's almost as dangerous to
+yourself as to those on whom you practise."
+
+There came a smart rapping on one of the doors, and a voice from
+without.
+
+"Shall we send for a policeman, sir?"
+
+"By all means!--at once! Let him break down the door if he can't
+get in any other way! This--this woman's--positively dangerous."
+
+"You're right there; I am--you've made me dangerous. And don't
+you think that a policeman, or ten policemen, will keep me from
+being even with you if I once get started; not all the policemen
+in London couldn't do it!"
+
+Mr. Luker, seemingly under the impression that his client was
+going a little too far, even for her, ventured on an
+interposition.
+
+"Pardon me, Mrs. Lamb, but, if you will allow me to say so, I
+think this matter can be settled on a perfectly peaceful basis.
+If these gentlemen are disposed to be reasonable, and I feel
+sure they are, everything can be arranged without unpleasantness
+of any sort or kind. The point is----"
+
+Mrs. Lamb took the words out of his mouth, substituting, that
+is, words of her own.
+
+"The point is, that, among other things, you've robbed me of ten
+thousand Hardwood Company's shares."
+
+"It's an infamous falsehood! We've done nothing of the kind!"
+
+"Haven't you? I know you have, and so do you; but you're one of
+those brazen-faced old sinners who would go to the gallows with
+a lie on your lips. Those shares are worth fifty thousand
+pounds, and more; but as you've robbed me of every penny I have
+in the world, and left me with nothing but starvation staring me
+in the face----"
+
+"It's--it's incredible how any one should dare to say such
+things!--incredible!"
+
+"So there's nothing left for me but to try to come to terms with
+the robbers, and that's what I have come for. If you'll give me
+a cheque for forty thousand pounds--now!--this minute!--you may
+keep the other ten, and much good may it do you. So just you
+move yourself. Sit down at that table and write me a cheque for
+forty thousand pounds."
+
+"Forty thousand pounds! Do you suppose----"
+
+"I suppose nothing. You do as I tell you, or you'll be sorry."
+
+Again Mr. Luker ventured on an interposition.
+
+"If, once more, you will excuse me, Mrs. Lamb, if you will
+permit me I will point out to Mr. McTavish how much more than
+moderate you are disposed to be in your demands. I have Mrs.
+Lamb's permission to inform you, Mr. McTavish, that she is in
+absolute want of ready cash; that she is practically in a state
+of destitution; and that therefore she is willing to waive her
+lawful claims to such an extent that she is prepared to accept
+the sum of five-and-twenty thousand pounds; a fair proportion to
+be paid at once, and the balance on a given date; and to give
+you in exchange a discharge in full for all her claims against
+you respecting the Hardwood Company's shares."
+
+Mrs. Lamb's manner, as she acquiesced in her solicitor's
+modification of her terms, was not precisely gracious.
+
+"If I take twenty-five thousand pounds that will be going
+halves. If I am to be robbed I suppose I may as well be properly
+robbed; but I'll have at least ten thousand pounds in cash. So,
+now, Mr. McTavish, without any more fuss, perhaps you'll let me
+have a cheque for that ten thousand."
+
+"Ten thousand pounds! I'll not give you a cheque for tenpence."
+
+"You're two men, and I'm only a woman, but you'll find that I'm
+much more than a match for the pair of you; and if you're not
+careful I'll thrash you both till within an inch of your lives;
+I'll leave marks on you which you'll carry to your graves. As
+for you, you bloated old whisky barrel, I've only got to give
+you one or two smart ones in the proper place, and you'll be in
+your grave before you think. So if you want to keep on living,
+you'll make no more bones about handing me that cheque."
+
+"This--this is worse than highway robbery! In my own office
+you--you positively threaten----"
+
+"Threaten! I'll do more than threaten! Quick! Are you going to
+fork up or am I to break every bone in your body?"
+
+"I--I--I will not be bullied----"
+
+"Bullied! I'll show you!" She snatched up a stout malacca cane
+which stood by Mr. McTavish's table, and which was that
+gentleman's property. "To start with, I'll splinter this over
+your bodies, then I'll smash everything else in the place, and
+you into the bargain. Now is it going to be the coin or----"
+
+The hand holding the stick went up into the air, the gesture
+rounding off the sentence with sufficient significance.
+
+"You wicked woman! how dare you threaten me with my own stick?
+Help! Where is that policeman?"
+
+"Policeman! Do you think I care for a policeman? Not that much!"
+
+Down came the stick with a swishing sound through the air. As it
+descended Mr. Luker caught the lady by the wrist.
+
+"Mrs. Lamb, I do implore you to pause a moment for
+consideration. I reiterate my conviction that if you will only
+exercise a little patience this matter can be settled amicably
+and without violence."
+
+"Luker, if you don't want to let yourself in for a little
+handling on your own account you'll let go of my wrist."
+
+"On the contrary, Mr. Luker, I beg you will keep a tight
+hold--the woman must be stark mad."
+
+"Mad!" With a sudden twist Mrs. Lamb wrenched herself loose from
+Mr. Luker, and that same moment there was a smart rapping at the
+door, and an authoritative voice was heard without.
+
+"I'm a police constable. What's going on in there? Open this
+door at once."
+
+"Break it open, constable, break it open. I'm Mr. McTavish, and
+I authorise you. We're--we're in actual danger of our lives."
+
+There must have been some one on the other side who knew how to
+deal with a locked door, for in a surprisingly short space of
+time it was open. A constable was revealed, supported by a
+considerable body of clerks, of all ages, in the background. The
+representative of law and order advanced into the room.
+
+"What's taking place in here?"
+
+"I'm Mr. McTavish, officer, the senior partner in this firm.
+This--this woman has been endeavouring to extract money by means
+of threats. I must request you to eject her from these premises
+at once."
+
+"Do you charge her?"
+
+"Not at this moment, though, no doubt, later proceedings will be
+taken which will bring home to her a sense of her misconduct. At
+present all I want you to do is to turn her out."
+
+"And this woman also?"
+
+The allusion was to Lady Dykes. Mr. McTavish was shocked.
+
+"Dear me, no; that is Lady Dykes, of Fennington Park, one of our
+most esteemed clients, who has already been subjected to the
+most terrible annoyance. The man"--pointing to Mr. Luker--"you
+will turn out with the woman."
+
+The constable touched Mr. Luker on the arm.
+
+"Now, sir, offer the lady a good example, and show her the way
+out."
+
+Mr. Luker put his hat on, and, without a word, prepared to act
+on the officer's advice. Mrs. Lamb caught him by the shoulder.
+
+"You cur! Don't be a fool, Luker, and do as he tells you."
+
+The constable smiled, good-humouredly.
+
+"If you're a wise man, sir, you will do as I tell you, and
+you'll talk the matter over with the lady afterwards."
+
+Mr. Luker seemed to incline to the opinion that the policeman's
+was the voice of wisdom. Withdrawing himself from the lady's
+detaining fingers, still without a word, he left the room. The
+constable addressed himself to Mrs. Lamb.
+
+"Now, madam, we policemen hate to have to be rude to a lady;
+might I ask you to oblige me by following your friend's very
+excellent example? That's the way out."
+
+He jerked his thumb towards the open door. Mrs. Lamb looked at
+him and at the others. Apparently what she saw forced her to the
+conclusion that what she called "the game" was "up". She brought
+Mr. McTavish's malacca cane on to a writing-table with a
+resounding thwack.
+
+"You couple of thieves! I'll wring your necks for you yet before
+I've done!"
+
+She dashed the stick upon the floor and went, the clerks
+treading on each others' toes in their anxiety to give her as
+much room as she required.
+
+
+
+
+ CHAPTER XXVI
+
+ SOLICITOR AND CLIENT
+
+
+A pseudo-historical utterance was paraphrased by Mr. Luker when
+the lady joined him in the street without.
+
+"It may have been magnificent, but it wasn't war."
+
+It is possible that Mrs. Lamb knew very little about the charge
+at Balaclava. It is certain that she had never heard of the
+phrase with which the critical French general has been credited.
+And she was in a red-hot temper, so that in any case she was in
+no mood to appreciate her legal adviser's recondite allusions.
+The lady's own remark was idiomatic in the extreme.
+
+"Luker, I'd like to knock your head clean off your shoulders. If
+it hadn't been for you I'd have got all the ready I wanted out
+of that couple of cripples, or----"
+
+"Or you'd have been on your road to the lock-up. There's no 'or'
+about it; if it hadn't been for me you would have been. My dear
+Isabel----"
+
+"Don't call me----"
+
+"All right; I won't. If I were to call you all that I think you
+ought to be called, you mightn't like it. I was merely about to
+remark that your methods are too primitive. In London you can't
+go into an office and get all the money you want out of a couple
+of lawyers, old or young, with the aid of a stick. It can't be
+done. If it could be done people would be doing it all day
+long."
+
+"Can't I?" Mrs. Lamb's tone was grim. "You don't know me yet.
+You wait till I get them to myself, either together or singly,
+and I'll lay you the National Debt to sixpence that I don't
+leave 'em till I've got what I want. I've my own methods, and
+I've found them pay me very well up to now."
+
+"I don't doubt your capacity; when I think of where you were and
+of where you are I've no reason to. But in dealing with people
+like McTavish & Brown, with a strong case like yours, diplomacy
+pays better than violence. If you'd left the conduct of the
+affair to me I'd have at any rate exacted from them the promise
+of a satisfactory sum in settlement of all claims. As it is,
+where are you?"
+
+He held out his hand, palm uppermost, as if to show that there
+was nothing in it. She walked by his side for some little
+distance in silence; when she spoke her tone was still grim.
+
+"I'll tell you where I am--I'm with you. And I tell you what it
+is--as I couldn't get any money out of them, I'm going to get it
+out of you."
+
+"Are you? I don't see how."
+
+"Don't you? I do."
+
+"You can't get blood out of a stone."
+
+"No; because there's no blood in a stone. But I can get money
+out of you, because you've plenty."
+
+"I wish I had."
+
+"Don't you worry; your wish was granted before it was uttered.
+I'll show you where some of it is, if you like."
+
+In his turn Mr. Luker for a while was still. Then stopping, he
+held out his hand.
+
+"I wish you good-afternoon, Mrs. Lamb."
+
+"You needn't; I'm coming with you."
+
+"I'm afraid I have an appointment which will prevent my enjoying
+the pleasure of your company any longer."
+
+"Oh no, you haven't. Besides, it will make no difference if you
+have--I'm coming with you."
+
+"You are coming with me? What do you mean?"
+
+"I mean that I'm going to accompany you to your private
+residence, Mr. Luker. I want to have a quiet chat with you. I
+can have it there better than anywhere else. We shall be snug,
+and all by ourselves."
+
+He looked at her with his bleared, half-open eyes--he seemed
+to be physically incapable of opening them to their full
+extent--with an expression which some ladies would not have
+considered flattering, nor were his words exactly complimentary.
+
+"I would as soon go home with a tigress as with you in your
+present mood--indeed, of the two, I think I would prefer the
+tigress. I have been in too many tight places to feel inclined
+to walk, with my eyes open, into quite such a tight place as
+that would be. Once more I have to inform you that I have an
+appointment which will prevent my having the pleasure of your
+company any farther, so I wish you good-afternoon."
+
+"And once more I tell you that I'm coming home with you."
+
+"Oh no, you're not."
+
+"Oh yes, I am."
+
+"I think you are mistaken."
+
+He beckoned to a policeman who happened to be standing by the
+kerb at a little distance from where they were.
+
+"What do you want with him?" she demanded.
+
+"I am going to appeal to that officer for protection, and I
+don't think you will find that I shall do so in vain. You will
+compel people to summon the police--it is extremely unwise."
+
+The constable was sauntering towards them. Recognising,
+apparently, that there was logic in what Mr. Luker said,
+without waiting for the policeman to approach, also without
+going through the empty formula of wishing the solicitor
+good-afternoon, she marched off and left Mr. Luker alone. When she
+had gone, perhaps, a hundred yards, she stopped and looked back.
+Mr. Luker, who was still where she had left him, was seemingly
+enjoying a little friendly converse with the constable. She
+continued her progress for, possibly, another hundred yards, and
+then again looked back. This time Mr. Luker had vanished. She
+could distinguish the stalwart figure of the constable striding
+along in solitary state in the distance. She signalled to a
+hansom. "Stamford Street, Blackfriars Bridge end," was the
+direction she gave the driver. When the vehicle had brought her
+to the point she desired, descending, she dismissed it. She
+stood for two or three minutes, scanning the passers-by, keenly
+observing, so far as she was able, every one in sight. Then,
+turning into Stamford Street, she presently turned again into a
+street on her right. She was coming into a very shady
+neighbourhood, in which one opined that women of her appearance
+were very occasional visitants. She twisted and turned, however,
+with the unerring rapidity of one who knew it uncommonly well,
+until at last she found herself in what was rather an alley than
+a street, and a cul-de-sac at that, for at the end was nothing
+but a high blank wall. Here the tenements were not only
+extremely small, apparently consisting of five or six rooms at
+most, they were also of disreputable appearance. Pausing in
+front of one she regarded it with an attentive eye. The fact
+that the blinds were down gave it a deserted look. She knocked
+once, twice--there was no bell. When no one answered she drew a
+conclusion of her own.
+
+"He's not come yet; I'll wait."
+
+She did wait, for a good half-hour, with exemplary patience, in
+spite of the fact that long before the period of waiting was at
+an end she had become an object of much interest to a large
+number of curious eyes. Just as the observers were beginning to
+wonder how long she did intend to stop, the object of her
+flattering quest came into sight, in the shape of the legal
+gentleman from whom she had so lately parted--Mr. Isaac Luker.
+Contrary to her hopes and expectations he was not alone; once
+more her wily old friend had proved equal to the needs of the
+occasion. On either side of him were men whose character, or,
+rather, want of character, was written large all over them--two
+more unmistakable ruffians one would have to go far to see. At
+sight of her Mr. Luker came to a standstill.
+
+"I thought I should find you waiting for me here; your presence
+is not at all unexpected. So, as in this neighbourhood the
+police are not much protection, and I suspected that I might
+stand in need of protection, I brought my two friends here with
+me. They think little of putting a woman of your sort into the
+river, as gentlemen of their profession generally do, so I'll
+leave them to deal with you after the mode with which they are
+most familiar."
+
+"Is this 'er?" inquired one of the friends, a beetle-browed
+person, with an open gash running right down his filthy cheek.
+
+"That's her, my good friend. You talk to her, in any way you
+please, while I go inside."
+
+As he produced his latch-key Mrs. Lamb moved towards him in a
+forlorn-hope sort of spirit.
+
+"Let me come in! There's something which I must say to you."
+
+Without giving her a hint of his intention the beetle-browed
+person struck her with his clenched fist on the shoulder in such
+fashion that, had she not lurched against the wall, Mrs. Lamb
+would have gone headlong to the ground. Mr. Luker stood to
+comment on the action.
+
+"That's right, my friend; that's how she likes to talk to
+others."
+
+He disappeared into the house; they heard him locking and
+bolting the door. The beetle-browed person placed himself in
+unpleasant proximity to Mrs. Lamb; his manner was, if possible,
+even more eloquent than his words.
+
+"Now then, are you going to take yourself off, or have we got to
+move you? Make up your mind, because our time's valuable."
+
+She made up her mind, there and then. Realising that she was
+doomed to still another disappointment, she took herself off,
+with Mr. Luker's two "friends" at her heels. When she was back
+again into Stamford Street she stopped and spoke to them.
+
+"There are police here, as, if you try to follow me another
+step, you'll find."
+
+"We don't want to follow you--not much! We only want to keep you
+off the governor, that's all. You can go where you like, and you
+can do what you like, but if you come near his crib again we'll
+mark you."
+
+Hailing another hansom Mrs. Lamb left Mr. Luker's two "friends"
+standing on the pavement.
+
+
+
+
+ CHAPTER XXVII
+
+ PURE ETHER
+
+
+At the house in Connaught Square Mrs. Lamb had to knock and ring
+four times without, apparently, attracting the attention of any
+one inside. She was meditating gaining admittance through the
+area door, when a fifth assault upon the bell and knocker was
+productive of a more definite result. After a good deal of what
+seemed unnecessary fumbling with the handle, the door was opened
+sufficiently wide to admit of Cottrell, the butler, being seen
+within. He was attired in the same extremely undignified costume
+in which he had greeted his mistress in the morning, which,
+however, showed certain signs of what might be called
+degeneration. The shirt-front was, if possible, more crumpled
+than before; the collar was gone; the waistcoat had, in some
+mysterious way, strayed out of the straight, so that while it
+was on one side of his body the shirt was on the other; his hair
+was rumpled; the whole man looked as if a plentiful application
+of cold, clean water might do him a great deal of good.
+
+He held the door just wide enough open to enable him to display
+his person and to see who was there, seeming to be not at all
+abashed when he perceived that it was his mistress.
+
+"So it's you, is it! So you've come at last; it's about time;
+we thought you never were coming. I hope you've brought some
+money--everybody hopes so. It's no good your coming into this
+house if you haven't--not the least."
+
+Mrs. Lamb was in a bad temper, which, perhaps, on the whole was
+not surprising. She had been in a bad temper when she had
+started to visit Messrs. McTavish & Brown. The incidents which
+had marked the afternoon had not tended to sweeten it. On the
+contrary, for quite a time she had been looking for somebody on
+whom, to use an expressive euphemism, she might "let herself
+go". Had Mr. Cottrell been aware of the lady's state of mind,
+even in his then peculiar condition, he might have realised that
+there are occasions on which discretion is the better part of
+valour. He would certainly hardly have afforded her not only so
+excellent an opportunity of giving expression to her feelings,
+but also so capital an occasion of making her quarrel just. She
+looked at Mr. Cottrell with something in her eyes which should
+in itself have been sufficient to serve as a warning; there was
+still time for him to perform a strategic retreat. Without a
+word she went quickly up the steps, flung the door wide open,
+seized him by the shoulders, and sent him spinning into the
+street. He sat, for some moments, on the kerb, as if overcome.
+Then, exceeding rash, he retraced his way up the steps as best
+he could, with the apparent intention of inquiring why he had
+been handled in such unceremonious fashion. Before, however, he
+had gained the actual summit, he went flying backwards, with the
+lady's assistance, in such summary fashion that it was only the
+back of his head being brought into contact with the pavement
+that stopped him.
+
+When he understood, dimly, what had happened, he began to raise
+an agreeable hullabaloo, mingling imprecations on all and
+sundry, with curses on the lady in particular, and cries of help
+to the public and the police. Mrs. Lamb, for the third time that
+day, was brought into contact with a constable. A policeman
+appearing round the corner, perceiving Mr. Cottrell
+gesticulating on the pavement, came sauntering up to learn what
+was wrong. The butler explained.
+
+"I give her into custody, that's what I do!--tried to murder me,
+that's what she's done!--broken my brains out!--assault and
+battery, that's what it is; and that's what I charge her with,
+policeman. You put the handcuffs on her, and take her to the
+station, and I'll come round and give all the evidence that's
+wanted."
+
+The officer was calmer than Mr. Cottrell. He heard the butler to
+an end, then he glanced at his mistress.
+
+"What's wrong?"
+
+She explained.
+
+"That man's my butler, although you would not think it to look
+at him. He has taken advantage of my absence to get into that
+condition. He kept me waiting for more than twenty minutes on
+the doorstep, and then when he opened he was not only drunk but
+insolent. I have dismissed him from my service, and put him into
+the street, and out in the street he stops. I should be obliged
+by your moving him away, and preventing his making a disturbance
+in front of the house."
+
+The policeman, who was young, leaped to the conclusion that
+right was on the side of the lady. He was disposed to give the
+butler but a short shrift.
+
+"Now, then, move on! Away you go! We don't want any of your
+nonsense here!"
+
+Mr. Cottrell vehemently objected.
+
+"Don't talk to me like that, policeman! She owes me three
+months' wages; there's another nearly due, and another instead
+of notice. You let her pay me five months' wages before she
+talks of putting me out into the street."
+
+The policeman looked up at the lady.
+
+"Is what he says true?"
+
+"It's an entire falsehood. Any claim he may have to make must be
+made in the proper quarter."
+
+She threw the door wide open. By now other members of the
+household had, unwisely enough, come up to see what the
+discussion was about. Her action revealed them.
+
+"You see, officer, here are some more of my servants. They,
+also, have taken advantage of my absence, and are like that
+man--drunk. I dismiss them all--now. Perhaps you won't mind
+coming in and seeing their boxes packed; I suspect them of
+having property of mine in their possession."
+
+The policeman went in--Mr. Cottrell went in also, with his
+assistance; he saw their boxes packed. It was a process in which
+the packers fared badly, the butler in particular. Each servant
+in the house, almost without exception, was shown to be in
+possession of property which was indisputably Mrs. Lamb's. Their
+mistress' attitude was one of magnanimity. She declined to
+prefer a charge against them, at any rate just then, whatever
+she might do later. Though, of course, under the circumstances,
+to pay them anything in the shape of wages was altogether out of
+the question. All she wanted to do was to see their backs. And
+she saw them. A shamefaced, miserable, draggle-tailed crew they
+looked, as, one after the other, under the policeman's cold
+official glance, they took their boxes out into the street. Then
+Mrs. Lamb presented that zealous young officer with a sovereign.
+He made short work of clearing the debris away from the front.
+
+So Mrs. Lamb was left alone in that great mansion without a
+servant to wait on her of any sort or kind.
+
+She went into the boudoir; that and her bedroom, and indeed the
+whole house, was exactly in the same condition in which she had
+found it in the morning. It seemed as if no one had moved a
+finger to put anything in order. Removing her hat, she sat down
+and tried to think. The result was a failure. Her thoughts would
+not travel on the lines she wished; they would launch out in
+undesirable directions. She had scarcely been there a minute
+before she began to become conscious of an unpleasant feeling
+that she was not alone, when, all the time, she knew she was. An
+odd, morbid obsession began to overpower her, as, directly she
+was alone, it had shown an uncomfortable aptitude to do of late.
+Putting her hands up to her eyes she rubbed them with her palms,
+as if she were endeavouring to rub something away from them.
+Then, removing her hands again, she looked about her, queerly.
+
+"Of course it's ridiculous, and I suppose the real explanation
+is that I'm not so well as I ought to be; but it's funny how I'm
+always seeming to be back in his room, and how plainly I can see
+it all; and the bed--the bed." There was a rigid expression on
+her face which it was not agreeable to observe, as she herself
+seemed to understand. Standing up she gave herself a little
+shake, as if she were trying to shake something from off her.
+"This won't do--it won't do. It's not healthy. And yet there's
+something which I ought to look at--to see; to understand. It's
+something in the room. It's not the bed--not only the bed; it's
+something else. I wish I could think what it was; I wish I could
+understand; then perhaps it might go."
+
+The overturned decanter which had been on the buhl table in the
+morning was still there. She picked it up, holding it up to the
+light. It was empty. She went to what seemed to be a buhl
+liqueur case which stood on the floor in a corner. It was
+locked. She went to her bedroom to look for the key. It was not
+in its usual place.
+
+"I can't think where I put it; those brutes can't have had it. I
+had it myself last night, I know. Where did I put it? I can't
+wait to think--I can't wait; besides it doesn't matter. Anything
+will do to open it."
+
+She took a polished brass poker. With it she made a hole in the
+lid of the case large enough to enable her to insert her
+fingers. Then, with her hands, she tore the lid away--a
+sufficiently easy task, since the wood proved to be less than an
+eighth of an inch in thickness. The case contained six bottles.
+She took out one; it was labelled "Pure Ether--Poison".
+Withdrawing the stopper, paying no attention to the statement on
+the label, she poured out nearly a wineglassful, which she
+instantly swallowed, coupling with it, as it were, a somewhat
+gruesome sentiment. "Here's to Isaac Luker! I wish he was in
+reach; I'd like to kill him."
+
+Scarcely were the words out of her lips than the door opened to
+admit her husband. He stared at her.
+
+"Belle, there doesn't seem to be a servant in the place--not a
+creature. Where are they all off to? What's it mean?"
+
+She replied to his question with another.
+
+"Gregory, doesn't there seem to you to be something singular
+about this bedroom?"
+
+"Bedroom? It's not a bedroom; it's a boudoir. What do you mean?
+Belle, what's the matter with the house? What have you got in
+your hand? What are you drinking?"
+
+Mrs. Lamb was looking round her in a fashion which induced her
+husband to draw back, as if in doubt.
+
+"Have you ever seen it before--anywhere? Isn't there something
+strange about it?--especially the bed?"
+
+Mr. Lamb seemed to be of opinion that his wife's manner was
+distinctly disagreeable; apparently he did not know what to make
+of it.
+
+"Bed?--what bed? There's no bed here. You're--you're not well.
+Don't talk like that; you make me go all over creeps. I say,
+Belle, I do wish you'd give me some coin--if it's only a tenner.
+I'm broke to the wide."
+
+"Gregory!"
+
+"Well?"
+
+"Come here; I want to speak to you."
+
+"Thank you, I'm awfully sorry, but I've got an appointment with
+a man; I can't stop. About that money--Belle! now, what's up?"
+
+With a swift, unexpected movement, interposing herself between
+him and the door, his wife had slipped her arm through his, and
+was looking at him with something in her big black eyes which
+made him more uncomfortable than he would have cared to admit.
+Considering the bold, ringing, almost blusterous tones in which
+she was wont to speak, there was something unpleasantly
+significant in the half-whisper in which she addressed him now.
+
+"Gregory, you must stop--you mustn't go. There's something which
+I wish to say to you--a great deal which I wish to say to you,
+and I must say it to you now--here"--her voice sank still
+lower--"in Cuthbert Grahame's bedroom."
+
+
+
+
+ CHAPTER XXVIII
+
+ MR. LAMB IN A COMMUNICATIVE MOOD
+
+
+In the evening of that day Margaret Wallace and Harry Talfourd
+dined with Dr. Twelves. The young lady, who throughout the day
+had remained in a curious mood, was indisposed to avail herself
+of the doctor's hospitality; but she was over-persuaded by the
+doctor, who was insistent, and by Mr. Talfourd, who was on his
+side. Throughout the day they had talked and talked and talked.
+Harry was of opinion that, on a certain theme, they had talked
+too much. There was something about Margaret which was new to
+him; which he did not understand. It troubled him. So when the
+doctor changed the subject by asking them to dine with him he
+accepted, for himself, at once; and when Margaret hummed and
+hawed, and began to make excuses, for her also. He told her that
+she would have to dine with the doctor--and she had to. The two
+men bore her off with them in triumph.
+
+The doctor entertained his guests at the Holborn Restaurant. In
+his youth he had known the place when it was a dancing-hall; had
+visited it while undergoing various transformations during his
+recurrent trips to town, and, whenever he came to London, made a
+point of patronising it still. The meal was hardly a jovial one.
+The host and Harry did all they could to keep the conversation
+on impersonal and frivolous lines, but Margaret would have none
+of it. She could scarcely be induced to open her lips to put
+food between them; talk she would not. The colloquial gifts for
+which she was famous seemed to have deserted her entirely; she
+was tongue-tied. When, in a dinner party of three, the lady, who
+is both young and charming, cannot be persuaded to speak, the
+meal is apt to prove but a qualified success. The doctor's
+little festive gathering turned out to be not quite so festive
+as it might have been.
+
+As chance, or fate, had it, the two men's well-meant efforts to
+keep the conversation in exhilarating channels were doomed to
+meet with complete fiasco. After the meal was finished, as they
+strolled along Holborn, enjoying the fine evening, considering
+whether to take a cab, and if so, where to tell the cabman to
+take them to--for the doctor was firm in his conviction that
+this was an occasion on which they were bound to make a night of
+it--the issue was taken out of their hands in a wholly
+unexpected fashion. A gentleman, who did not seem to be so
+capable of seeing where he was going as he ought to have been,
+all but cannoned against Mr. Talfourd, drawing back to apologise
+just in time.
+
+"Beg pardon! Why, it's Talfourd! Hollo, Talfourd! who's the
+lady? and who's----" The speaker was staring at the doctor.
+"Hollo! I've seen you somewhere before!"
+
+The doctor was returning him look for look.
+
+"And I've seen you. You're Mr. Gregory Lamb, who lodged one
+time at David Blair's over the other side of Pitmuir, to
+whom I was foolish enough to loan a brace of sovereigns, for
+four-and-twenty hours, as I understood, but which you've never
+paid me back unto this day."
+
+Mr. Lamb was not at all abashed; he never was by reminders of
+that kind--they were legion.
+
+"Why, of course, it's the doctor--the cranky old doctor. I
+remember you quite well. How are you, old chap? You haven't--you
+haven't a brace of sovereigns on you now?"
+
+"I have not a brace which you are likely to be able to bag, Mr.
+Lamb. I understand that you have married since I saw you last."
+
+"Since you saw me! I was married then."
+
+"Indeed? But I gathered that you had since married the widow of
+an old friend of mine--Mrs. Cuthbert Grahame."
+
+"Widow? She wasn't his widow; she never was his wife."
+
+"Pardon me, but she went through the Scotch form of marriage
+with him in my presence."
+
+"That was all her dashed impudence. She was my wife long before
+that; before she ever knew that he was in the world. Doctor, my
+wife's a devil of a woman, and she's been treating me in a devil
+of a way. If I were to tell you all that she's been doing, so
+far as I can understand, mind you--it's quite between
+ourselves--you'd go straight to a police station, and you'd
+ask for a warrant; but I'm her husband, so I can't. Listen to
+me--this is between ourselves--if you'll come to a place I know,
+and where they know me--most respectable place--and do me the
+pleasure of having a drink with me--and Talfourd, and the
+lady--never leave out a lady when it's a question of a little
+refreshment--I'll tell you what she's just been telling me, not
+five minutes ago. It'll surprise you. Good as confessed to
+committing murder; half expected her to murder me--give you my
+word it's a fact. Come and have a little something and I'll tell
+you all about it--between ourselves, you know."
+
+The doctor exchanged glances with Mr. Talfourd and with
+Margaret.
+
+"It seems to me, Mr. Lamb, that you've had more than a little
+something already."
+
+"You're wrong, old chap--quite wrong; do assure you. It's
+ether--beastly ether."
+
+"Ether?"
+
+"Ever heard of the stuff before? I never did. Seems she lives
+on it; takes it in quarts. She crammed some of it down my
+throat--fairly took me by the throat and crammed it down. I'm
+like a child in her hands--give you my word. She's a devil of a
+woman. Never tasted anything like it before; seems to have sent
+me stark staring mad. Don't know whether I'm standing on my head
+or heels. Let's go and have some Christian liquor, and I'll tell
+you all about it."
+
+Again the doctor exchanged glances with his companions.
+
+"If you'll allow me to offer you a seat in my cab I'll take you
+to a friend who'll be able to give you some of the finest whisky
+in England, and there, at your leisure, you can tell us all
+about it."
+
+"My dear old chap, when they called you cranky I always said
+that there was more in you than they might think, and I stand to
+it to the present moment. I say----"
+
+The doctor did not wait to hear what he said; he bundled him
+into a four-wheeled cab after Margaret and Harry. When the cab
+had started Margaret asked--
+
+"Where are you taking us?"
+
+"I am taking you to my friend, Andrew McTavish, who has a
+commodious residence in Mecklenburg Square--just handy. There,
+over a glass of whisky, Mr. Lamb will be able to tell us just
+what his wife told him. He'll find us interested listeners."
+
+There was a dryness in the doctor's tone which was lost upon the
+gentleman at his side, who occupied the short distance they had
+to traverse by protestations of the regard he had always felt
+for the old acquaintance whom fortune, or destiny, had again
+thrown across his path.
+
+That night Mr. Brown was his partner's guest at dinner. Both
+gentlemen were still smarting from the outrage to which Mrs.
+Gregory Lamb had subjected them that afternoon. Dinner was
+finished; they were in the library, planning schemes of
+vengeance, when the servant announced that Dr. Twelves was
+outside, and was desirous of seeing Mr. McTavish. Before the
+servant was able to explain that the visitor was not alone, the
+doctor himself marched in with his retinue. The partners rose
+from their chairs in surprise.
+
+"McTavish--Brown--I have the honour to introduce you to Miss
+Margaret Wallace, a young lady of whom you have heard a good
+deal, and whom I am sure you'll be delighted to know. This is
+Mr. Harry Talfourd, of whom you may have also heard something.
+And this, gentlemen--this is Mr. Gregory Lamb, the husband of
+the lady of whom, I fancy, you have perhaps heard rather too
+much."
+
+If the look upon the partners' faces meant anything, there could
+be no doubt upon the latter point. Both Mr. McTavish and Mr.
+Brown stared at Mr. Lamb as if he were not only the strangest,
+but also the most unwelcome, object they had ever beheld. Then
+Mr. McTavish turned to the doctor, with a gasp.
+
+"I'd have you to know, Dr. Twelves, that you're taking a great
+liberty. You're presuming on our friendship in venturing to
+bring this individual to my house, and at this time of night.
+Brown, I'll trouble you to ring the bell. Mr. Lamb shall be
+shown to the door, before we have him behaving as his wife did
+this afternoon."
+
+Mr. McTavish had become rubicund with agitation; the doctor
+remained placid.
+
+"In less than five minutes, Andrew, you'll be acknowledging that
+I've done you a very considerable service in bringing Mr. Lamb
+to this house, and you'll be begging my pardon for the remarks
+which you have just made."
+
+Mr. Brown, obedient to his partner's request, had rung the bell.
+A servant appeared. Him Dr. Twelves addressed before Mr.
+McTavish had a chance of speaking.
+
+"You'll have the goodness to bring a decanter of whisky, and the
+other necessaries, at once."
+
+When the man looked at his master for an endorsement of this
+order the doctor explained.
+
+"Andrew, Mr. Lamb has a communication to make which I think you
+will find of interest; he proposes to make it while enjoying a
+glass of prime whisky."
+
+"I cannot imagine what Mr. Lamb has to say which can be of
+interest to me, but, since you wish it--John, bring the whisky."
+
+A decanter being placed upon a table, the doctor prepared a
+potent mixture which he handed to Mr. Lamb.
+
+"I think, Mr. Lamb, I understood you to say that Mrs. Lamb was
+married to you before she met Cuthbert Grahame?"
+
+"Of course she was--ever so long. She was never his wife; that
+was only her bluff. This is something like whisky. Gentlemen,
+your very good health, and the lady's--never overlook a lady."
+
+"You perceive, Andrew, that Mrs. Lamb was already Mrs. Lamb when
+she encountered your late client, Mr. Cuthbert Grahame, and,
+therefore, any document in which she is described as his wife
+is, I believe, on the face of it, null and void."
+
+Mr. McTavish made as if about to speak, but a movement of the
+doctor's left eyelid seemed to act as a check. The doctor turned
+to Mr. Lamb, grimly affable.
+
+"You like this whisky, Mr. Lamb?" Judging from the fact that
+that gentleman had already emptied his tumbler it seemed as if
+he did. "Allow me to fill your glass." The speaker suited the
+action to the word; he did very nearly fill the glass with neat
+spirit. "From what you said I should imagine that you have
+recently had rather a singular scene with your wife, Mr. Lamb.
+You were about to tell us what occurred. Was it anything very
+remarkable?"
+
+"I should think it was remarkable. Your very good health,
+gentlemen. After the stuff she forced down my throat this is
+something like whisky; ether she forced down my throat--rank
+poison. Why, do you know she sees things--actually sees
+things--give you my word--makes your blood cold to hear her
+talking. She made out we were in a bedroom--Cuthbert Grahame's
+bedroom she called it; it was only the boudoir. She talked
+about the things which were in it just as if they were in it,
+when of course they were nothing of the kind--just the ordinary
+furniture! 'You see that bed?' she said. Of course I didn't;
+there wasn't a bed to see; not even the ghost of a bed. 'That's
+Cuthbert Grahame lying in it. You see how he's propped up by
+pillows?' The idea of such a thing in a boudoir! 'Now I'm going
+to pull away those pillows from under his head.' She actually
+pretended to be pulling at pillows, or something--positive fact!
+'Now,' she said, 'you see how his head's fallen? You hear what a
+noise he makes in trying to breathe? He's choking. I've only got
+to leave him like that for a time and he'll be dead. He almost
+choked to death when a pillow slipped the other day, so I know.'
+Quite serious she was all the time--frightfully serious; made me
+all over creeps to hear her--give you my word."
+
+"Do we understand you to tell us that she said, 'Now I'm going
+to pull away those pillows from under his head,' and that then,
+in pantomime, she went through the action of pulling them?"
+
+"Certainly; that's just what she did do--just exactly. Then she
+pretended to drop them on to the floor, and talked about the
+noise he made in trying to breathe. Awful!--really awful!"
+
+"Was that all she said? or did?"
+
+"I should think not; there were all sorts of things; she kept on
+for a devil of a time. But I can't remember just what they were
+just now--strange how you do forget things. Oh yes! there was
+one thing--I remember one thing!--most extraordinary thing. She
+said, 'You see that fireplace'. Of course there wasn't a
+fireplace; she was standing right back in front of a window.
+Absurd! But she saw it--stake my life she saw it--you could
+tell. 'There's something about that fireplace which I ought to
+see, but I can't think what it is; something which I ought to
+understand, but I can't. If I only could!' You never heard
+anything like the way she said it; you never heard anything more
+impressive on the stage--positive fact! 'You see those two
+wooden posts,' she went on. Of course I saw nothing of the kind,
+because, as I've told you, there was nothing to see--I don't see
+things. 'Those two pillar things, I mean, which have been carved
+out of the woodwork of the mantelpiece, one on either side, just
+near the bottom. Do you know, Gregory, I believe that there's
+something about those two posts which I ought to see, which I
+ought to understand! But I can't! I can't!' Give you my word
+that she began to cry; twisted her hands together and went on
+like anything--actually. Seemed so silly! 'I believe,' she
+cried,' that if I could only see, if I could only understand, I
+should know where Cuthbert Grahame's money is, that I should
+find the quarter of a million which is lost.'"
+
+As Mr. Lamb gave a dramatic imitation of his wife's manner,
+which, considering all the circumstances, was not so bad,
+Margaret, who hitherto had remained in the background, came to
+the front with a question.
+
+"Are you sure she said that there was something about those two
+posts which--if she saw, if she understood it--would make known
+to her where Cuthbert Grahame's money was?"
+
+Mr. Lamb had something of an aggrieved air as he replied.
+
+"Am I sure? Of course I'm sure; I shouldn't say she said it if I
+wasn't sure. My statements are absolutely to be relied upon,
+Miss Whoever-you-are."
+
+The doctor glanced from Mr. Lamb to Margaret.
+
+"What's he mean, or what's she mean about two wooden posts? It's
+all double Dutch to me; I don't understand in the least. Is it
+any plainer to you?"
+
+"I think that it is all quite plain to me; that I can understand
+what she doesn't; that I can see what she can't." Her voice
+sank. Although she spoke gently her tones, to adopt Mr. Lamb's
+word, were most "impressive". "I believe that, unwittingly, she
+has delivered herself into my hands; that the duel which she and
+I are fighting has advanced another stage; that soon we shall be
+exchanging shots; and that then there will be but one of us two
+left to tell how it all fell out."
+
+
+
+
+ CHAPTER XXIX
+
+ MARGARET PAYS A CALL
+
+
+The next morning, between eleven o'clock and noon, Margaret went
+out visiting. She had paid much attention to her costume, more
+than she was wont to do. Her mind travelled back to the day on
+which she had been repulsed from Cuthbert Grahame's door; she
+endeavoured to recall what on that occasion she had worn. Women
+have a mnemonic system of their own; with them clothes and
+events are inseparably associated. They recall one by a
+reference to the other. Miss Wallace had no difficulty in
+recollecting precisely what garments she had worn; she had even
+a fair perception of how she had looked in them. She made it her
+immediate purpose to look again as much as possible as she had
+looked then. Almost providentially, as it seemed, the dress
+itself was still in existence, hidden away at the bottom of a
+box. She had never worn it since. First, because, although cheap
+enough, it was fashioned of very delicate material, and the hot
+water which had been poured upon her had blotched it here and
+there with stains which she had found it impossible to attempt
+to conceal. Then it was connected with an episode which,
+whenever she saw it, would instantly recur. The recurrence
+afforded her no pleasure. As, after excavating it, she surveyed
+its many creases, she meditated.
+
+"It almost looks as if, from the first, I had preserved it with
+a particular end in view, with the intention of producing it,
+when the mathematical moment arrived, as what the French call a
+_piece de conviction_. It's ages behind the fashion, but that
+will only serve to impress its significance more forcibly on
+her."
+
+She contrived something in the way of head-gear which was
+reminiscent of the hat she had worn that day. Her nimble fingers
+reproduced the various trifles which in a woman's attire are of
+such capital importance; she even dressed her hair in a fashion
+which was obsolete. When, fully costumed, she surveyed herself
+in a looking-glass, it seemed to her that the results were most
+surprising.
+
+"Wonderful how the modes do change! It is not so many years ago,
+and I am sure that then I was up-to-date; but now I look as if I
+had come out of the ark; I might be in fancy-dress. I shall have
+to take a cab; I should never dare to walk through the streets
+like this; they'd take me for a guy. When Mrs. Gregory Lamb sees
+me, if she's still in anything like the state of mind which that
+charming husband of hers described last night, it won't be
+wonderful if she takes me for a ghost."
+
+She put in a portfolio certain drawings which she had risen at a
+very matutinal hour to make; the portfolio she placed beneath
+her arm, and, thus equipped, she sallied forth upon her errand.
+The street in which she had her lodging being of modest
+pretensions, was but little frequented by cabs. She had a five
+minutes' walk before she found one. And during that short
+promenade she was the object of so much attention, especially
+from the females as she passed, that she was glad when, seated
+in a hansom, she was at least partially concealed by the
+friendly apron.
+
+She found the door of Mrs. Lamb's residence in Connaught Square
+wide open. On the steps stood a shabbily dressed man, with his
+hands in his trouser pockets, an ancient bowler pressed tightly
+down upon his head, and a clay pipe between his lips. When
+Margaret addressed him he moved neither his hat, nor himself,
+nor his pipe.
+
+"Is Mrs. Lamb in?"
+
+"From what the governor told me I shouldn't be surprised but
+what she's gone back to bed."
+
+Margaret considered the man's words. His manner was not exactly
+rude, it was peculiar.
+
+"Which is her bedroom?"
+
+"That's more than I can tell you. I ain't been upstairs myself.
+I've got a bad leg, and ain't too fond of going up and down
+stairs, especially when there ain't no need of it. But you'll
+find it somewhere that way, I expect."
+
+"May I ask who you are?"
+
+"Me?" Taking his pipe out, the man drew the back of his hand
+across his lips. "I'm representing the landlord; that's what I
+am."
+
+"Representing the landlord? Do you mean that you're a bailiff?"
+
+"A bailiff--that's it! I'm in possession; three quarters'
+rent--nearly four. My governor was only just in time. Seems
+there's a bill of sale on the furniture. They came up with their
+vans as my governor was going over the place; wanted to clear
+everything out, they did. Of course my governor soon put a
+stopper on that. There was a bit of a talk. I shouldn't be
+surprised if they was to pay my governor out. It's a queer
+business from what I hear."
+
+"Please let me pass, I want to see Mrs. Lamb."
+
+The man drew well back into the house.
+
+"Certainly; any lady can see Mrs. Lamb for what I care. I expect
+you'll find her somewhere about upstairs."
+
+As she ascended the staircase Miss Wallace indulged in inward
+comments.
+
+"The house looked very different the night before last; nobody
+would have guessed then that the shadow of ruin was already
+hovering over it. She must be a curious person to give a party
+to all that crowd of people when she knew that at any hour the
+brokers might be in for rent. And to talk of financing Harry's
+play! and paying him three hundred a year for doing nothing! But
+then she is a curious person. The house looks as if nothing had
+been touched in it since Mrs. Lamb's reception came to a
+premature conclusion--it smells like it too. What have we here?
+What a state of things!"
+
+She glanced into the drawing-rooms, which remained in a state of
+amazing confusion. Mounting to the floor above she found herself
+confronted by two closed doors.
+
+"I wonder if one of these is her bedroom. I'll try this."
+
+She turned the handle of the door which was directly in front of
+her, softly, and walked right in. It was the lady's bedroom, and
+the lady was in bed. Margaret had entered so quietly that
+apparently not the slightest sound had informed the mistress of
+the house that any one was there. The girl stood still.
+
+"Pah! what an atmosphere! I'd sooner have every pane of glass
+broken than breathe air like this. I shouldn't think the windows
+have been open for days." She glanced at the bed. "Is she
+asleep?--at this hour?--with the broker's man downstairs?"
+
+Laying her portfolio on a small table, she moved closer to the
+bed. Its occupant continued motionless. The girl, leaning
+forward, touched her, lightly, on the shoulder. Still no sign of
+life. The girl exchanged the light touch for a sudden, vigorous
+grip, giving the shoulder a wrench which must have roused the
+soundest sleeper. The woman started up in bed.
+
+"Luker! is that you?" she cried.
+
+When freshly roused from slumber, she saw who it was; her first
+impression seemed to be that she was still the victim of some
+haunting dream. Speechless, she stared at the girl, drawing
+farther and farther back the longer she stared. Her whole
+frame--her pose, her limbs, the muscles of her face--seemed to
+become rigid, set, as if she were afflicted by some new and
+awful form of tetanus. She appeared to be incapable of twitching
+a lip or of moving an eyelid. Even when Margaret spoke she
+persisted in her fixed and dreadful glare, as if she were some
+unpleasant statue.
+
+"I am Margaret Wallace--as you are aware. I am she whom you
+drove from Cuthbert Grahame's door, pretending you were Nannie
+Foreshaw. These are the clothes I was wearing when you drove me
+away with lies and with hot water. See--here are the stains of
+that hot water still. Your sin has found you out; judgment is
+pronounced; your punishment has already begun. Between you and
+me it is a duel to the death. It is your choice, not mine, but
+since you have forced it on me, I will fight you to the end, and
+I shall win. I know all about you--who you are, what you've
+done. I know that you were already a wife when you pretended to
+marry Cuthbert Grahame; that you committed bigamy. I know that
+you got that will from him by means of a trick. I know that so
+soon as you had got it you murdered him. You snatched the
+pillows from under his head--see! like that!" She caught up the
+two pillows which lay upon the bolster and dropped them on the
+floor. "Can't you hear the noise he makes in trying to breathe?
+He's choking. You've only to leave him like that for a little
+while, and he'll be dead. And you left him! I know--I know."
+
+The woman listened to the hot, eager words which streamed from
+the girl's lips as if the speaker were some supernatural
+visitor, and the accusations were being hurled at her from on
+high; and still she never moved a muscle, she even seemed to
+cease to breathe.
+
+"You see!--we are in Cuthbert Grahame's bedroom, you and I. I
+know it as well as you do--better--and you know it very well.
+You'll never forget it--never!--to the last moment of your life.
+There is the mantelpiece; it is made of wood--carved wood. It is
+old; old as the house itself; beautifully carved. You see there
+are two wooden pillars, one on either side, carved so that they
+stand out. You are quite right in supposing that there is
+something about them which you ought to see, to understand. I
+have come to tell you--to show you--what it is."
+
+Taking from her portfolio two drawings she held first one and
+then the other in front of the motionless woman.
+
+"I have made a drawing of the mantelpiece, just as you see it,
+and as I see it, and as it is. Is it not like it? Here are the
+two side-posts; but here"--exchanging one drawing for the
+other--"is only one of them. That is a picture of the pillar
+which is on the left-hand side of the mantelpiece as you stand
+in front of it--you will remember, on the left-hand side. I have
+written down an exact description of it in case you should
+forget, because there is only one thing which you will never
+forget, and that is on the bed. Look closely at the drawing; it
+represents the pillar exactly. This long, slender part, which
+runs from here to here, is called the shaft. You hold it with
+both hands, or, as you are very strong, you will perhaps be
+able to manage with one, and you turn it right round in its
+socket--completely round. It will probably be a little stiff, as
+it has not been touched for so long; but you'll find that you'll
+be able to make it move. This narrow piece at the top is called
+the neck. After you have turned the column you pull it to the
+left. It slides in two grooves. It may be a little stiff, like
+the column, but if you push, or pull, hard enough, and long
+enough, it will yield. This still narrower piece near the foot
+of the column, just above the plinth--the plinth in the bottom
+of a column is called the _torus_, or the _tore_ (_torus_
+is a Latin word which architects use, and it just means
+swelling)--when you have turned the pillar, and slipped the
+neck, you get as firm a grip on the top of the torus as you can,
+give a smart jerk, and it will fall over on a hinge. Have you
+ever read _The Arabian Nights?_ You don't look as if you had
+read anything. If you haven't, you never will; you'll never have
+a chance. But I suppose you've heard of Ali Baba and the Forty
+Thieves; the cave in which they kept their treasure; the
+password, 'Open Sesame,' which caused the cave to open. All
+these man[oe]uvres of which I have been telling you--turning the
+shaft, sliding the neck, pulling forward the torus--are the
+'Open Sesame' which will lead you to the place where the
+treasure is--greater treasure than was in the cave of the forty
+thieves. These performances which you will have gone through
+will have unlocked, unbolted and unbarred. All that remains is
+that you slide that whole side of the mantelpiece to the left.
+You'll have no difficulty. Behind you'll discover a cupboard,
+deep though narrow, going far back into the wall, with shelves
+laden with treasures. On those shelves is the quarter of a
+million of money--I daresay more--which once was Cuthbert
+Grahame's, waiting for some one to carry it away! Here are the
+two drawings which are the key to the riddle. I present them to
+you freely. They were made specially for you. Although the
+broker's man is in for rent, and the bill of sale men clamour at
+the door, and you are penniless, and ruin stares you in the
+face--ruin utter and complete--though your need of it's so
+great, you'll not get that money which is hidden in the
+mantelpiece--you'll not dare! you'll not dare! Because the bed
+still stands in the room--you can see it now!--the bed on which
+you murdered Cuthbert Grahame; and Cuthbert Grahame still lies
+on it--you can see him too!--waiting and watching for you to
+return to where you threw the pillows on the floor--waiting and
+watching for you. You'll not dare go back into that room again,
+because in it the dead hand is waiting to grip you by the
+throat. And after to-morrow it will be too late--Cuthbert
+Grahame's money will be there no longer. Here are the drawings.
+I will leave them with you, as I said. You will be able to study
+them at your leisure, conscious of who is looking over your
+shoulder."
+
+Margaret laid the drawings on the coverlet. With her portfolio
+again beneath her arm she quitted the room, as noiselessly as
+she had entered. All the time Mrs. Gregory Lamb had not moved or
+spoken a word.
+
+
+
+
+ CHAPTER XXX
+
+ MRS. LAMB IN SEARCH OF ADVICE
+
+
+On the evening of that same day, at the door of Mr. Isaac
+Luker's little house in that _cul-de-sac_ near Stamford Street,
+some one knocked, in a rather unusual manner, as if after a
+prescribed fashion, then whistled half-a-dozen sharp, shrill
+notes up the scale. This performance was repeated thrice before
+anything happened to show that it had attracted attention
+within. Then a window was opened above; the solicitor's head
+came out.
+
+"Who's there?"
+
+A feminine voice replied--
+
+"It's me--Isabel. I want to speak to you. Don't keep me waiting
+out here. Come down! let me in at once."
+
+There was a brief pause before the answer came, as if the man of
+law was endeavouring to see as much of his visitor as he could.
+
+"Not much--I won't have you in this house; don't you think it;
+I'm not a fool. If you won't go without a fuss I'll soon get
+those who'll shift you."
+
+"You are a fool. I don't want money from you, or anything of
+that kind. I want to tell you something--that's all."
+
+"Then tell it me from where you are; I'm listening."
+
+Mrs. Lamb's voice dropped, so that her words were only just
+audible to the man above.
+
+"Cuthbert Grahame's money's found."
+
+Another pause, possibly of doubt.
+
+"Is that a lie?"
+
+"I'll swear it isn't; it's as true as I stand here."
+
+"Where is it?"
+
+"It's in his house"
+
+"His house? What house? I didn't know he'd got a house."
+
+"His house at Pitmuir--where I met him--where he died."
+
+"How do you know it's there?"
+
+"I'll tell you all about it if you'll let me in."
+
+"You'll tell me before I let you in."
+
+"Margaret Wallace--that girl--you know--she came this morning
+and told me it was there."
+
+"I don't believe it. Why should she, of all people, come and
+tell you a thing like that? Tell that for a tale."
+
+"She did; I swear she did. The money's there--I know just
+where--a quarter of a million at least."
+
+"A quarter of a million?"
+
+"At least! If I was there I'd have it in my hands inside two
+minutes. I'm as sure of it as I am that I'm alive. Don't be
+silly; let me in, and let's talk where we can be alone. I'm on
+the square--I swear it. I don't want anything from you; I just
+want your advice--that's all."
+
+There was another pause.
+
+"Mrs. Lamb, I've got a telephone installed in these premises.
+I'm going to telephone to a friend that you're here; I'm going
+to ask him to step round in a few minutes. If, when he comes,
+you've been making trouble, there'll be trouble for you--you'll
+be the sorriest woman that ever lived. I give you my word; when
+I give you my word on a point like that you know it goes. You
+wait there until I'm ready."
+
+The head was withdrawn; the window closed; the lady waited,
+impatiently enough. Her patience was sufficiently tried. It
+seemed to her that she waited an hour; she certainly did wait
+twenty minutes. More than once she was on the point of sounding
+a loud rat-a-tat on the knocker by way of a little reminder. It
+was only with an effort she restrained herself, being conscious
+that possibly Mr. Luker's decision still hung in the balance,
+and that it needed but little to turn the balance against her.
+She had just arrived at a final conclusion that he had played
+her false, or, at any rate, intended to ignore her existence,
+when the door was opened, on the chain.
+
+"I've telephoned to my friend; he's coming; so, if you're in an
+argumentative frame of mind, you'd better take my strong advice
+and stay outside. No argument will be allowed in here."
+
+It seemed to Mrs. Lamb that the wary Mr. Luker was carrying his
+wariness almost a trifle too far. She was unable to altogether
+conceal that this was her feeling.
+
+"Bless the man! I don't want to argue! I just want to explain
+exactly how the matter stands. When you've opened that door
+you'll find that I mean just what I say, neither more nor less."
+
+"My friend, when he arrives, will see that you don't mean more;
+you can take my word for that. Come inside!"
+
+Mr. Luker removed the chain; the lady entered; he led the way to
+a room on the ground floor at the back. It was much better
+furnished than the exterior of the house, and its occupant's
+appearance, might have led one to expect. A telephone, on its
+bracket against the wall, was one of the most prominent objects
+the room contained. Mr. Luker called her attention to its
+presence.
+
+"You see? I'm not so much alone here as you might think; I'm in
+constant communication with my friend; and as he'll be here very
+shortly, perhaps you'll say what you have to say as quickly as
+you can."
+
+"It'd have been said already, if you hadn't kept me cooling my
+heels outside while you were playing the fool in here with your
+telephone."
+
+As clearly and succinctly as possible--she could keep to the
+point when she liked--Mrs. Lamb told her tale, exhibiting
+Margaret's drawings, partly by way of corroboration and partly
+to elucidate certain points which needed explanation.
+
+"And you believe it?"
+
+"Believe that the money's inside that mantelpiece? I'm as
+certain of it as I am that I see you."
+
+"What makes you so sure?"
+
+"His will was hidden in one corner of the room. All along I've
+felt sure that there were more hiding-places in it than one. I
+shouldn't be surprised if there were half a dozen. It's just the
+kind of room, and he's just the kind of man. As for the
+mantelpiece, I've been bothered all along by a feeling that
+there was something about it which I ought to understand, and
+didn't. Now I know what it is. Cuthbert Grahame's money's there
+as certainly as you are here. I tell you he was just the sort of
+curiosity--he wasn't a man when I knew him!--who might be
+expected to play a trick like that."
+
+"But why should the girl come and tell you the tale when it was
+to her advantage to keep it dark--especially from you?"
+
+"That's more than I can say. I know she's a white-faced little
+devil, and that I hate her. I lay she didn't do it out of any
+love for me."
+
+"That, I think, we may take for granted--which makes the puzzle
+more. It looks to me as if she expects you to walk headlong into
+a trap which she has carefully baited."
+
+"Curse her traps! What do I care for her traps? She can't set
+one which will catch me. The money's there, and the money's
+mine--and I'll get it."
+
+"Then get it. It will be useful to you just now, even if there's
+less than a quarter of a million."
+
+"Useful!--my God!--useful!" Stretching out her arms on
+either side, she drew a long breath. "But, Luker--that's the
+mischief!--it's in his room; the one in which he died."
+
+"Well; you've told me that already--what of it?"
+
+"What of it? Why!"--she laughed; there was something in the
+sound of her laughter which caused him to bunch himself
+together, as if touched by a sudden chill--"I daren't go in it."
+
+"You daren't go in it? What do you mean? The house is your own,
+isn't it? What's there to be afraid of? Who's to keep you out?"
+
+"That's it!--I don't know! I don't know! Luker, there's
+something come over me lately; I didn't used to be troubled with
+nerves."
+
+"You didn't."
+
+"I never was afraid of anything--or any one."
+
+"You weren't; you've always had the devil's own courage since
+you were a girl."
+
+"There's been nothing I daren't do."
+
+"It would have been better for you, perhaps, if there had been
+something; there's such a thing as daring to do too much."
+
+"You think so? Perhaps that's it; perhaps I have dared to do too
+much."
+
+"As to that you know better than I do; I'm not your father
+confessor, nor wish to be. The Lord forbid!"
+
+"I don't know how it is, but, lately, I've gone all to pieces.
+I'm afraid of all sorts of things. When that girl came this
+morning I was afraid of her; she frightened me out of my senses.
+I thought she was a ghost; I couldn't have moved or spoken to
+save my life; I listened to her like a stuck pig. Luker, things
+have upset me more than I thought anything could have done.
+I'm--I'm all a bundle of nerves."
+
+"It's that stuff you've been drinking."
+
+"Stuff? What stuff?"
+
+"When I was at your place yesterday I saw a decanter lying on
+the table; some of the contents had been spilled. I dipped my
+finger into the stuff and tasted it. It was ether. When women of
+your temperament take to drinking ether, that's an end of them."
+
+"But I've got to drink it!--I've got to! I never touch it unless
+I'm forced! Luker, if I didn't, sometimes, I should go stark,
+staring mad."
+
+"Then you'll go stark, staring mad. Ether's a royal road to
+madness for such as you. Better stick to gin."
+
+"Gin!--gin's no good; a barrelful would be no good when I'm like
+that."
+
+"I see--that's the point you've got to." He was eyeing her
+intently. "Is there any particular reason why you should be
+afraid of going into the room where that man died?"
+
+She became instantly conscious of the keenness of his scrutiny,
+perceiving that in it there was a new quality. Her manner
+changed.
+
+"Any particular reason? No; there's only the general reason that
+I'm all mops and brooms; that I start at shadows. Besides, I'm
+going into it, and you're going with me."
+
+"Am I? That's news."
+
+"Luker, if you'll come with me to Pitmuir, and stick to me while
+I find Cuthbert Grahame's money, I'll give you five hundred
+pounds."
+
+"Hard cash?--before we start?"
+
+"I can't do that; you know I can't do that. But, Luker, I'll
+give you a thousand when I've found the money. I'll set down my
+promise in writing; give you any sort of undertaking you like."
+
+"Yes; but suppose you don't find the money; suppose what that
+girl told you is nothing but a cock-and-bull story? I tell you
+plainly that I can't make head or tail of the whole business.
+I've no faith in the girl, or her story, or her motives. And I'm
+pretty sure that she has no intention, under any circumstances
+or on any conditions, of presenting you with Cuthbert Grahame's
+fortune, or of putting you in the way of getting it for yourself
+either."
+
+"But I know it's there. I can't explain to you how I know it--I
+don't understand myself--but I do. And though it seems queer, at
+the back of my head I've known it all the time. Luker, as sure
+as you are living, that money's there."
+
+"Then, in that case, instead of going yourself, why not instruct
+some one on the spot to examine the premises on your behalf; to
+pull down this famous mantelpiece, or the whole house if
+necessary, and report the results to you?"
+
+"Who shall I instruct? Before they move they'll perhaps want
+money--I expect my position is pretty generally known--and where
+am I to find it? In any case, they'll take their own time, and
+time is precious. Besides, there are enough fingers meddling in
+my affairs already. And who am I to trust? I don't want any one
+except myself to know how much I find. To speak of nothing else,
+shouldn't I have to pay succession duty if it were known?"
+
+"I suppose you would. Isabel, you're a curious person; a little
+too fond, perhaps, of doing things for yourself; yet, in
+delicate matters--in very delicate matters--it's a fault on the
+right side. How do you know you can trust me?"
+
+"You and I have seen too much of each other for me not to know
+when, and where, and how far I can trust you. I'm not afraid."
+
+"You're right; you needn't be. I don't think I am likely to
+round on you. But, on the other hand, frankly, I'm afraid of
+you."
+
+"Nor need you be afraid of me. It's only when I'm upset
+that--that I'm trying--that's all."
+
+"Even if it is all, it's a pretty big all."
+
+"About the thousand pounds. As I said, I'll give you any sort of
+bond you like, undertaking, if you stick to me, to pay you the
+moment I get the money in my hands. Anyhow you know that you'll
+be safe. It's not bad pay for what I'm asking you to do."
+
+"I don't say it is. When do you propose to start?"
+
+"To-morrow morning, by the ten o'clock train from King's Cross.
+I planned it all out before I came."
+
+"That's quick work."
+
+"It'll have to be quick work. If I don't have money, and plenty
+of it, within forty-eight hours, I'm undone."
+
+"I understand. By the way, I presume that you're prepared to pay
+all out-of-pocket expenses, for both parties, as we go on. For
+instance, I shall require you to hand me a return ticket to
+wherever we are going before I set foot inside the train. I'm a
+poor man, although you sometimes amuse yourself by pretending to
+think otherwise, and I, at any rate, can afford to take no
+risks."
+
+"You shall have your ticket, and I'll pay everything. I've the
+money to do it--but it's about as much as I have got."
+
+"Ah, but by to-morrow, about this time, you'll be more than a
+millionaire. I've always understood that that wonderful quarter
+of a million of Mr. Grahame's produced, on an average, more than
+twenty per cent.; so that if you had a million, averaging a
+modest three per cent.--and some millionaires would be glad to
+get as much--your income would be less. Then there are the
+arrears, which have been accruing! Think of the arrears, Mrs.
+Lamb--on a quarter of a million, at twenty per cent.! Now if you
+will sit down here, and will give me, on this sheet of paper,
+that little undertaking you mentioned, I think that, on my part,
+I can undertake to accompany you on your little trip to the
+north."
+
+
+
+
+ CHAPTER XXXI
+
+ MRS. LAMB RETURNS TO PITMUIR
+
+
+When Mr. Isaac Luker and his client, Mrs. Gregory Lamb, arrived
+at the small roadside station, in the county of Forfar, towards
+which they had been journeying throughout the day, they were
+neither of them in the best of tempers. It had been a long day's
+journey. There had been some misunderstanding about the
+connection of the trains at Dundee. They had missed the one by
+which they had meant to travel; there had been a dreary wait for
+the next. When at last they started on the last stage of their
+journey the engine went dawdling along the branch line in a
+style which both, in their then frame of mind, found equally
+trying. They would hardly, at any time, have been called a
+sympathetic couple. Neither, for instance, would have selected
+the other as an only companion on a desert island. By the time
+the train paused for, so far as they were concerned, its final
+stoppage, either would have been almost willing to fly to a
+desert island to escape the other's society.
+
+It was between nine and ten at night--a misty night. The damp
+seemed to be rising out of the ground, and to be covering the
+country with a corpse-like pallor. There was a faint movement in
+the air, which it did not need a very imaginative mind to
+compare to a whisper of death. They were the only passengers who
+alighted at the station, which seemed to consist of but a narrow
+strip of bare earth, about the centre of which was constructed
+what looked like a ramshackle shed. Illumination was given by
+two or three oil lamps, and by a lantern which the only visible
+official carried in his hand. To this personage Mrs. Lamb
+addressed herself.
+
+"Is any one waiting for me?"
+
+The official proved to be a Scotsman of a peculiarly Scotch
+type; his manners and his temper were both his own. No attempt
+is made to reproduce the dialect in which he spoke.
+
+"And who might you happen to be?"
+
+"I'm Mrs. Gregory Lamb."
+
+"Never heard the name. Pass out! Tickets!"
+
+Mr. Luker nudged the lady's arm.
+
+"I thought you telegraphed under the name of Mrs. Cuthbert
+Grahame?"
+
+She made a somewhat ill-considered attempt to correct the error
+she had made.
+
+"I mean that I'm Mrs. Cuthbert Grahame."
+
+"Mrs. Cuthbert Grahame? You said just now that you were Mrs.
+Gregory Lamb."
+
+"I spoke without thinking. I telegraphed some instructions to
+the station-master in the name of Mrs. Cuthbert Grahame."
+
+"In the name of Mrs. Cuthbert Grahame? A body can't have two
+names."
+
+"I ordered a close carriage to meet Mrs. Cuthbert Grahame by the
+train before this, then, when I found I'd missed it, I sent a
+wire from Dundee to order the carriage to wait for the next."
+
+"There's no carriage within miles."
+
+"No carriage? Then what is there?"
+
+"There's what they call a fly."
+
+"And is the fly here?"
+
+"Sam Harris wouldn't let it come."
+
+"Who's Sam Harris?"
+
+"He's the man that owns it."
+
+"And pray why wouldn't Mr. Harris let it come?"
+
+"You'd better be asking him instead of me. He lives about two
+miles from here--perhaps a trifle over."
+
+"Two miles! Then is there nothing here to meet us?"
+
+"There's a cart."
+
+"A cart!--an open cart!--in this weather! What kind of cart?"
+
+"He was outside the gate when I saw him last, but maybe by now
+he's grown tired of waiting, and he's gone. If you go outside
+you'll be able to see for yourself what kind of cart it is
+better than I can tell you. Any way, you can't stop here; I'm
+off home. Tickets!--and if you haven't your tickets you'll have
+to pay your fare--that's all."
+
+The two passengers surrendered their tickets. With such dignity
+as she could muster the lady strode towards the little wooden
+gate, Mr. Luker following limply behind. He made no attempt to
+feign a sense of dignity which he did not possess. To judge from
+his appearance and his attitude he had not only sunk into the
+lowest stage of depression, but he was willing that all the
+world should know it. A very woebegone figure he looked: so tall
+and so thin, with the pronounced stoop; in the old familiar
+garments which he had worn for so many years in town, a costume
+which seemed singularly out of place on that spot just then; the
+frayed, shabby frock-coat, tightly buttoned up the front, the
+collar of which he now wore turned up about his chin; the
+trousers which were at once too baggy and too short; the ancient
+top-hat, which had seen so many better days.
+
+Outside the gate was what, in the semi-darkness, looked
+uncommonly like an ordinary farmer's cart, and not too
+comfortable, or cleanly, an example of its class. Mrs. Lamb
+stared at it in disgust.
+
+"Have you brought that thing for me?"
+
+As regards manners the driver seemed to be a near relation of
+the railway official's, if anything his were more pronounced.
+
+"I don't know who you are. How am I to know?"
+
+"I'm Mrs. Cuthbert Grahame of Pitmuir."
+
+"Oh; that's what you call yourself--ah!"
+
+"You appear to be an impudent fellow."
+
+"And you appear to be a free-spoken woman."
+
+"How dare you talk to me like that? I ask you again, have you
+brought this thing for me?"
+
+"I've brought this thing, as you call it, which is as decent a
+cart as ever you saw, and more decent maybe than you deserve to
+sit in, to carry the person as calls herself Mrs. Cuthbert
+Grahame to Pitmuir, and I'm beginning to wish I hadn't."
+
+"Why is there no fly here?"
+
+"Because Sam Harris wouldn't let his come."
+
+"Why not? I ordered it."
+
+"You ordered it! Mr. Harris said that he wasn't going to have
+the likes of you sitting in a fly of his--that's why. So he sent
+this cart instead. If this cart isn't good enough, I'll take it
+back at once. I'll take it back anyhow if there's much more
+talking."
+
+The lady and her solicitor exchanged glances. While they were
+apparently seeking for words the driver volunteered another
+remark, in keeping with those which had gone before.
+
+"There's another thing. I'm to be paid before I started; Mr.
+Harris said I was."
+
+"You'll be paid when you reach Pitmuir."
+
+"Shall I? Then I'll say good-night."
+
+The man gathered up his reins as if about to depart.
+
+"Stop! What are you doing? You appear to be a pleasant
+character."
+
+"From all accounts, ma'am, that's more than can be said of you."
+
+Under other circumstances the fellow might perhaps have
+regretted his temerity. Mrs. Lamb was not a lady to quietly
+endure impertinence from any one. As matters stood she was at
+his mercy, a fact of which he was evidently aware. She had to
+choke back her resentment as best she could.
+
+"How much do you mean to charge?"
+
+"There's twelve shillings for driving you; there's three for
+waiting; there's five for myself--that's a sovereign."
+
+"A sovereign!--monstrous!"
+
+"Very well; there's no call for you to pay it. I tell you again,
+I'll say good-night."
+
+Mr. Luker interposed.
+
+"How far is it?"
+
+"Better than five miles."
+
+"And how long will it take, in this delectable vehicle of yours,
+to get us there?"
+
+"An hour or thereabouts. The road's none so good, and it's not
+easy going on a night like this. It's thicker over yonder."
+
+"And for an hour, or thereabouts, I'm to be jolted, over a bad
+road, through this death-like mist. Thank you; the prospect is
+not inviting. I think we had better go over in the morning.
+Where, in the neighbourhood, can we get a night's lodging?"
+
+"Nowhere."
+
+"Nowhere? Are you sure?"
+
+"If you think you know better than me you'd better go and look
+for yourself. I tell you there's not a house round here where
+they'd have you under the roof--nor her either. I wouldn't, nor
+yet Mr. Harris, nor any one else."
+
+"This is delightful--thoroughly delightful."
+
+Anything less suggestive of delight than his tone could hardly
+be imagined. The lady spoke.
+
+"I telegraphed to an old servant of mine, Martha Blair, to go up
+to the house and to take some one with her, or if she couldn't
+go herself then to get two other girls to go, to light fires and
+to make things ready for my coming. Do you know who has gone?"
+
+"No one's gone; I do know that. You'd get no woman from round
+here to go up to Pitmuir at night, especially if it was known
+that you were coming."
+
+"Prospects grow more and more delightful."
+
+This was a groan from Mr. Luker. The lady, taking him by the
+coat sleeve, began to talk to him in an undertone. The driver
+promptly interrupted.
+
+"If you two are going to talk things over between yourselves you
+can do it after I'm gone. I'm off; I've had enough of waiting,
+so I'll wish you both good-night."
+
+The lady stopped him; she drew out her purse.
+
+"Here's a sovereign. Now drive us to Pitmuir, and be as quick as
+you can."
+
+The man examined the coin as well as he could in such a light;
+he even tested its quality with his teeth. Drawing a bag from
+some mysterious receptacle inside his waistcoat, he untied a
+piece of cord which tied it round the neck, placed the coin
+carefully within, feeling it to make sure that it was, retied
+the bag, and returned it to its place. These operations took
+some time; before they were concluded his two passengers were
+more tired of waiting than he was. Mrs. Lamb mounted to the seat
+beside the driver. Mr. Luker scrambled into the vehicle itself.
+There was nothing for him to do but to squat upon the floor,
+making himself as comfortable as he could by leaning his back
+against the side. Then the cart started.
+
+The driver had been perfectly correct in stating that it was not
+a very good road. So far as could be judged in the mist and the
+darkness, when one had to rely entirely on the sense of feeling,
+it consisted for the most part of ruts and ditches. The springs
+upon which the body of the cart was hung were not very
+resilient, indeed they were rudimentary. Mrs. Lamb had all she
+could do to keep on the seat; the gentleman behind was shaken in
+such a style that he had traversed the whole interior of the
+vehicle before he had gone two miles. Considering all things, it
+was perhaps as well that the rate of progress was not more
+rapid, though the driver had a somewhat disconcerting knack when
+the road was excruciatingly bad of seeming to move faster than
+was absolutely necessary, and when it was comparatively smooth
+of going slower than he need. More than once Mrs. Lamb tried to
+engage him in conversation, putting questions to him on subjects
+on which she was particularly anxious to obtain information. She
+desired to know if Nannie Foreshaw was still in the flesh; how
+Dr. Twelves was getting on; if he yet practised, and so on. But
+the man either paid no heed at all, or, if he replied, his
+answers were of such an unsatisfactory nature, conveying such
+extremely unflattering allusions, that the lady was finally
+convinced that she had better remain, however unwillingly, in
+ignorance than attempt to obtain enlightenment from such an
+impossible quarter. She would have liked to have taken the
+fellow suddenly by the shoulders and flung him out of the cart.
+He would possibly have found her capable of doing it. More than
+once she was on the point of making the effort, only an
+overwhelming consciousness of the greatness of the issue which
+was at stake restrained her.
+
+At last, after what seemed very much more than an hour's drive,
+he brought the vehicle to a sudden stop.
+
+"You'll get out here," he intimated to them curtly.
+
+"Get out?" The lady peered about her through the mist and
+darkness. "This is not the house."
+
+"Yon's Pitmuir."
+
+"Pitmuir? But I paid you to drive us to the house; I can see no
+signs of it."
+
+"You did not. I'd not drive you to the house for a pocketful of
+money."
+
+"What fresh trick are you going to try on now? And what
+tomfoolery are you talking?"
+
+"It's tomfoolery maybe, and maybe it isn't. You said, carry you
+to Pitmuir, and I've carried you. Do you know they say that
+Cuthbert Grahame's walking about among the trees, waiting in the
+avenue, looking for the woman who called herself his wife. Do
+you think I'll take you to meet him? Not while I've my senses.
+If you are set on meeting him, you'll not meet him in my
+company--that's my last word. Yon's Pitmuir. That's the gate in
+front, not a dozen yards from where we are--that's nearer than I
+care for. You'll just both of you get out."
+
+
+
+
+ CHAPTER XXXII
+
+ AT THE GATE
+
+
+Verbal discussion was plainly useless; it was soon made
+sufficiently clear that nothing short of physical force would
+persuade that driver. Situated as they were it was not easy to
+see how they could resort to that method of convincing him of
+the error of his ways. Mrs. Lamb told him, with the lucidity of
+which under such circumstances she was past mistress, what she
+thought of him, and what treatment she would have accorded him
+if the conditions had only been a little different. In a tongue
+fight the man proved to be her match; he could pack at least as
+many disagreeable allusions into a sentence as she could. For
+ten minutes or a quarter of an hour they wrangled, then the
+driver delivered himself of an ultimatum.
+
+"I'm not going to stay here all night listening to you. If you
+won't get down I'll drive you back. Now which is it to be? I'm
+off!"
+
+"Off! Yes, you are off, as I'll soon show you."
+
+She showed him there and then. Whirling round on her seat, she
+gave the driver a sudden push; over he went on to the road.
+Snatching the reins in one hand, the whip in the other, before
+he quite knew what had happened, she was urging the horse to
+pursue its onward career.
+
+"Stop! stop!" he yelled. "I'm under the wheel! You're driving
+over me!"
+
+"Then if you don't want me to drive over you, you'll get from
+under the wheel; I'm going on."
+
+"Are you? I'll teach you, you----!"
+
+The fellow's language was full-blooded. Scrambling up as best he
+could, he made a vigorous attempt to board the vehicle and expel
+her from the seat she had usurped. She was not disposed to
+yield. Down came the whip upon his head and shoulders. There
+ensued a lively few moments.
+
+"When you two have quite finished your little conversation
+perhaps you'll let me know," groaned Mr. Luker from the rear.
+
+The "little conversation" came to a rapid, and, perhaps on the
+whole, not surprising termination. The quadruped between the
+shafts, an animal apparently of the cart-horse kind, was, also
+apparently, a creature of an extremely patient disposition. But
+even the most enduring patience has its limits; that horse
+reached the end of his. Mrs. Lamb and the driver were, between
+them, tugging at the reins in a fashion to which he was, no
+doubt, entirely unaccustomed, while the whip-lash, when it
+missed the driver, occasionally alighted on the animal's flanks.
+Probably wholly at a loss to understand what was happening, not
+unreasonably the creature finally made up his mind that he had
+had enough of it, whatever it was. Suddenly the vehicle was set
+in motion; both parties persisting in sticking to the reins, and
+also, in a sense, to each other, the course steered was of the
+most erratic kind. Before the horse had gone very far there was
+a lurch which was more ominous than any which had gone before,
+and they had been pregnant with meaning; the cart was turned
+clean over; the three persons concerned were thrown out of it.
+Mr. Luker was the first to give expression to his feelings.
+Clinging to the side as the thing went over, he had alighted
+with comparative gentleness on the ground.
+
+"I'm alive," he announced. "I don't know if any one else is."
+
+It seemed that the lady was in the same, so far as it went,
+satisfactory condition.
+
+"There's not much the matter with me. I'm a bit shaken, and my
+clothes are all anyhow; my hat's torn right off my head--but
+that doesn't matter."
+
+"Where's the driver? Driver, where are you?" There was no
+answer. "That extremely civil gentleman seems disposed to be a
+little more silent than he was just now. Driver!"
+
+"It'll serve him right if he's killed. Hollo, I've just stepped
+on him; he's lying on the road. Driver!" Still no answer.
+"Stunned; lost his senses or something--not that he'd many
+senses to lose--cantankerous brute!"
+
+"It's to be hoped that he hasn't lost them for ever, It'll be
+awkward for us if he has--especially for you. Your popularity in
+this neighbourhood does not appear to be so great that you can
+afford to throw any of it away."
+
+"Confound my popularity! What do I care if I'm popular? If that
+brute is killed he brought it on himself; if I'd wrung his neck
+for him it'd have been no more than he deserved. I've got a
+lantern in my bag. I knew what sort of a hole, and what sort of
+beasts, I was coming to, and guessed that I'd better be prepared
+for the worst. If it isn't smashed to splinters I'll light it
+and have a look at him--you can see nothing in this darkness."
+
+The lantern was not broken. Presently its rays were illuminating
+the surrounding gloom. She turned them on to the recumbent
+figure, not showing too much sympathy as she did so.
+
+"Now then--move yourself! Don't pretend you're dead--I know
+better." Possibly by way of exhibiting her superior knowledge,
+she shook him by the shoulder. He groaned; she chose to
+interpret the sound as having a favourable significance. "He's
+not dead; he's all right. Broken a bone, or put his shoulder
+out, or something. He won't hurt if we leave him here; we could
+do nothing for him if we wanted to. Let's see what's happened to
+the cart."
+
+It was not difficult to do that; the explanation of what had
+occurred was almost painfully simple. The horse, influenced by
+such eccentric guidance, had conducted the vehicle into a ditch.
+The jolt of the sudden descent had loosened one of the wheels;
+it lay in one direction, the cart in another. The question as to
+whether they were or were not to drive in it up to the house was
+finally settled. The horse, seemingly none the worse for his
+little experience, making no attempt to get up, reclined at his
+ease between the shafts, apparently under the not erroneous
+impression that he was as comfortable there as anywhere else.
+Mrs. Lamb recognised that, so far as any more riding was
+concerned, the fates were against her.
+
+"We shall have to walk," she observed. "It's not so very far
+from here, along the avenue. Here's the gate."
+
+She went to the gate, revealing its whereabouts by the light of
+her lantern. Mr. Luker moving towards her, spoke in lowered
+tones.
+
+"Without wishing to alarm you unnecessarily, or endorsing your
+coachman's remarks about Mr. Cuthbert Grahrame's singular
+habits, I may tell you that my impression is that if he isn't
+walking about among the trees, somebody is."
+
+"Luker, don't talk like that! Don't be a fool."
+
+"If I weren't a fool I doubt if I should be here with you now;
+but, apart from that, I can only inform you that for some time I
+have had a suspicion that our movements were being observed by
+some one among the trees, who can see us better than we could
+see him, and who was taking a lively interest in all that was
+occurring."
+
+"Luker, how do you know? How could you tell?"
+
+"By the sense of sound; I wasn't so absorbed in fighting the
+driver. That some one, or something, has been moving among the
+trees, keeping pace with us as we went, I'll swear, and I don't
+think it was an animal."
+
+"Speak plainly; what do you mean?"
+
+"I think it possible that you and I are the objects of a
+conspiracy--especially you. Every step you take you are walking
+farther and farther into the trap which Miss Margaret Wallace
+has set for you."
+
+"Don't talk rubbish! Have you got that old bee in your bonnet
+again? I'm not afraid of Miss Margaret Wallace."
+
+"Aren't you? Then that's all right, because I fancy that her
+agents are about you on every side."
+
+"Her agents? What do you mean by her agents?"
+
+"I imagine that Miss Margaret Wallace is more popular in this
+part of the world than you are. I can put two and two together.
+From what I've seen, and heard, since our arrival, I shouldn't
+be surprised to learn that she has nobbled every creature in
+the neighbourhood. The station-master has received a hint from
+her--that explains the peculiarity of his manner; nothing else
+could. That poor wretch lying on the ground has been acting on
+her instructions. Don't you make any mistake; I'm sure of it.
+I'm equally sure that other friends of hers are waiting for you
+in there."
+
+He pointed over the gate, along the avenue. His words, far from
+causing her alarm, seemed to act as a fillip.
+
+"Friends of hers upon my property!--if they dare! Do you
+think that I'm afraid of what you call her friends?--of any
+number of them?--of the tricks they've set themselves to play?
+I'd like to see them; I'd like to meet them. This is my
+property--mine!--every stick and stone on it! Neither Margaret
+Wallace nor any one else has a right to set foot upon it without
+my sanction. If I do find any trespassers I promise you that it
+won't be me who'll come off worst. Are you coming? You
+understand, if you're to earn that thousand pounds you're to
+stick to me through thick and thin--to the end! If you show the
+white feather, the bond is cancelled."
+
+"Are you going to accept the invitation of the spider to the
+fly? You intend to walk into the trap?"
+
+"Trap! Do you think that any trap was ever set that could catch
+me? I believe you're talking the purest piffle; but if there is
+a trap, and I do walk into it, it'll be to smash it all to
+pieces. Once more, are you coming?"
+
+"Oh, I'm coming. I'll do my best to earn the thousand, though
+I'm beginning to perceive that it wants more earning than I
+supposed. Lead on; where you lead I'll not only follow, I'll
+keep as close to your side as circumstances permit."
+
+She threw the gate wide open. It swung back on its rusty hinges
+with a harsh, creaking sound. Then they entered the avenue, the
+lantern swinging in her hand.
+
+
+
+
+ CHAPTER XXXIII
+
+ AT THE DOOR
+
+
+Between the trees the darkness was as if you might have cut it.
+Where the lantern looked there were momentary revelations as
+they strode along. Its rays seemed to cut pieces out of the
+surrounding gloom. But the pieces were small. Its penetrating
+power was slight; where its penetration ceased the darkness was
+blacker than before. The silence which prevailed had its own
+peculiar property; it served to exaggerate the slightest
+disturbance. Their very footsteps were differentiated with an
+almost morbid clearness. The firm, resolute descent of the
+woman's foot, the loose, indeterminate shuffle of the man's; the
+sounds seemed to set themselves against each other and to ring
+through the trees. They gradually became conscious of the
+movements of unseen creatures among the grasses and the herbage,
+disturbed by their approach. Once she observed, as she swung the
+lantern to one side--
+
+"That's a rabbit. There used to be thousands of them when I was
+here. I expect there are more now. I daresay the whole place is
+overrun with them."
+
+"It may be a rabbit, though, with due deference to your superior
+woodcraft, I doubt if there are many rabbits abroad at this hour
+of the night----But that's not!"
+
+"What? Where?"
+
+"Are there deer about the place as well?"
+
+"Deer? I don't think so. I don't remember seeing any."
+
+"Then give me the lantern!"
+
+Mrs. Lamb was holding the lantern out in front of her. Snatching
+it, he swung it slightly round. As he did so it went out.
+
+"Luker!" she exclaimed. "How did you manage that? What a clumsy
+fool you are!"
+
+There was a new intonation in his voice.
+
+"Some one blew it out. Hollo, where are you coming to? Who the
+devil, sir, are you? Confound the man, where's he gone?"
+
+"Luker, what's the matter?"
+
+"Some one was walking behind us--didn't you hear him? I not only
+heard but I felt him; he was as close as that. When I swung the
+lantern round I almost dashed it against his face. He blew it
+out. He tried to snatch it from me; I felt his fingers. Can you
+hear him?"
+
+"Is that a footstep?"
+
+"He stepped upon a twig. There's more than one. I tell you
+they're all round us. The lantern serves as a beacon; they can
+see us though we can't see them."
+
+They were speaking in whispers.
+
+"Is that another footstep?"
+
+"Curse the fellow, I believe he's still within three or four
+feet of us. I believe I heard him breathe. I've a revolver in my
+pocket; I've half a mind----"
+
+"I also have a revolver, and I've a whole mind. Look out! I'm
+going to fire!"
+
+There was a flash; a report which seemed to wake the echoes of
+the forest for miles and miles; then a scream which rose high
+above the echoes, and seemed to hang quivering in, and rending,
+the silent air. The stillness which again ensued was rendered
+the more striking by its contrast with the previous turmoil.
+
+"You've shot some one."
+
+"Not I!--that wasn't a man. I shouldn't be surprised if it was
+some kind of a bird. There are birds in these woods which make
+noises at night which go right through you. Where's your
+friend?"
+
+"I'll strike a match and try to get a light again. You cover me
+while I'm doing it."
+
+The instant the match flickered into flame there was a crashing
+sound among the bushes as of a heavy object in headlong flight.
+
+"There he is! He's making off! I'll have another pop at him!"
+
+Again a revolver clamoured, but this time there was no answering
+sound, only stillness followed. Luker had succeeded in lighting
+the lantern. He held it well out. Together they peered into the
+cave of light which it hollowed out in front of them. It was
+broken by trees, by bushes, by bracken, but, so far as they
+could see, by nothing else. Luker spoke in a whisper.
+
+"He's gone. They're too much for us, and too many. For all we
+can tell there's some one behind each of those trees; they're
+all of them big enough to shelter a man. This kind of thing's a
+new experience to me--altogether out of my usual line. It's a
+job for which I have no sort of stomach. What the game is I
+don't know, but it's one in which all the odds are against us--I
+do know that. I wish to the devil I'd stayed in town!"
+
+"You didn't; you've come down into the country with me, and in
+the country for the present you've got to stay. Give me that
+lantern, and don't you snatch at it again. Whoever blows it out
+while I've got hold of it will be clever. Pretend to be a man,
+even if you aren't one. As for that game about which you're
+talking, if there is one on, I promise you that whoever scores
+in it, I shall."
+
+They continued their progress, the lady again holding the
+lantern, moving onwards with her long, regular strides, swinging
+it a little as she walked. Mr. Luker, shuffling alongside,
+seemed to be unwilling to drop behind, and to find it difficult
+to keep up with her. As he went he glanced continually from side
+to side, and over his shoulder at the darkness which followed
+them. There was no attempt on either side at conversation, they
+simply went straight on.
+
+They had gone some distance without anything happening to
+occasion them further concern, when the lady came to a sudden
+stop.
+
+"Here we are!" she exclaimed. "That's the house in front of us."
+She held out the lantern, so that its farthest rays just touched
+a building which loomed mysteriously in the blackness. There was
+a note of triumph in her voice as she went on. "Luker, you're
+nearer to that thousand pounds than you perhaps think, and in a
+very few minutes I'll be within reach of that quarter of a
+million. Then I'll show them!--all the lot of them!"
+
+Quite what she meant by that last vague threat she only knew.
+Before she had a chance to offer an explanation, if it was her
+intention to offer one, she was interrupted by Mr. Luker, who
+seemed destined that night to act as a harbinger of coming evil.
+
+"What's that?" he cried. "Who--my God!--who is this coming along
+the path?"
+
+He was not only shrinking as close to her as he could get, he
+was gripping her arm with convulsive fingers, which she could
+feel were trembling. He was looking in one direction, she in
+another. She turned to see what he was staring at; when she saw,
+it is possible that she began to be in a less exultant mood.
+
+Some one, something, was moving along the avenue and coming
+towards them. It was not easy to determine what it was; it came
+and went. It was rendered visible by a light which seemed to
+emanate from its own body, as if it were a kind of
+phosphorescence. When the light gleamed it was there plainly, if
+dimly, to be seen; when the light ceased to gleam, it--the
+something!--seemed to go with it; there was nothing but the
+black darkness. This continued, this coming and going, for
+perhaps thirty seconds. Then, suddenly, the light not only grew
+brighter, it remained. They could see what the something was--it
+was a man. But what a man! A huge, unwieldy, bloated, shapeless
+creature, covered from head to foot with some white garment
+which was swathed round him like a sheet. He seemed to be
+floating, rather than walking. They could see no movement of his
+limbs, and yet he came steadily towards them until he was within
+five or six feet of where they were standing, when the light
+faded as suddenly as it had come, and there was nothing but
+darkness there.
+
+For some instants they remained motionless, both being probably
+under the impression that though the figure was no longer
+visible it still was advancing towards them. While they waited,
+on the alert to discover what was next about to happen, the
+silence was broken by a curious noise, as by a series of quick,
+broken gasps, as if some one panted, struggled, for breath.
+
+When all again was still, Mr. Luker asked, in a tone of voice in
+which was what sounded uncommonly like a note of banter--
+
+"Well, my friend, aren't we to see any more of you? Is that the
+end of the performance? Won't you favour us with another private
+view?"
+
+In Mrs. Lamb's voice, on the other hand, there was a suggestion
+of preternatural gravity.
+
+"It was Cuthbert Grahame."
+
+"What?"
+
+"It was Cuthbert Grahame. Didn't you hear him fighting for
+breath?"
+
+"Cuthbert fiddlesticks! It was some damned trick, and not over
+well done either. This entertainment has been prepared for our
+special benefit; it occurs to me that it has been insufficiently
+rehearsed. We've been treated to the first part up to now; the
+second part is waiting for us inside the house--if we ever get
+as far. The prelude's been mere foolery. I imagine that the
+serious business is to come."
+
+"It was Cuthbert Grahame."
+
+"Nonsense! Where were your eyes, not to speak of your senses?
+Didn't you notice----"
+
+"He is waiting for us inside the house."
+
+"Mrs. Lamb, if you'll exercise a little common-sense and allow
+me to finish, I think I shall be able to prove, even to your
+satisfaction, that what you've just now witnessed----"
+
+"Don't you see him? He beckons to us. Can't you hear how hard he
+fights for his breath?"
+
+"No; nor you either. Aren't you well? Is this one of those fits
+of which you were telling me trying to come back, in which you
+see things? If so, keep it off as long as you conveniently can.
+So far as I'm concerned it will only need that to put a crown
+and climax on my night's enjoyment. Listen to me, Isabel----"
+
+"Come!" Taking him by the arm, she led him up to the house. When
+they reached the front door she took a key out of the bag which
+she still carried. After a momentary hesitation she held it up,
+as if to call his attention to something that was taking place
+within. "Listen! Don't you hear? He calls to us! Let us go to
+him. I've often heard him calling to me like that in the
+night--often."
+
+During the last few seconds, for some occult reason, a change
+had taken place in her which had apparently revolutionised the
+whole woman externally as well as internally; her bearing, her
+manner, her voice, and especially her face, had changed. The
+alteration in the latter was nothing short of amazing. Just now
+its predominating expression was one of boldness, defiance,
+reckless rage. She had looked as if she feared neither man nor
+devil; her looks had probably only mirrored her actual feelings.
+This air of wildness, of careless contempt for the unknown,
+unseen perils, which, according to her companion, hemmed her in
+on every side, had been accentuated by the fact that, having
+lost her hat when the cart was overturned, her thick black hair
+had broken loose from its fastenings and hung in tangled masses
+about her face. She had looked what she emphatically was, a
+dangerous woman in a dangerous frame of mind. Now all that had
+changed. She looked no longer angry or defiant; all traces of
+boldness had vanished altogether. Instead, a stolid, fixed
+expression had come upon her face, one which, as it were, was
+void of all expression. In her wide-open eyes there was a
+strained, staring look, which conveyed an uncomfortable
+impression that she was gazing at something which only she could
+see, gazing with a fixed intensity of vision as if she was bent
+on not losing even the minutest details.
+
+As she stood there, with uplifted face, the rays of the lantern
+lighting up her rigid features, Mr. Luker observed her with an
+appearance of unmistakable discomfort. The significance of the
+change which had taken place in her was borne in on him with
+uncomfortable force. The change in her affected him; he was
+obviously becoming each second more uneasy. He seemed to make a
+desperate attempt to conquer his own increasing apprehension,
+and to restore her to her former state of mind.
+
+"Isabel, you didn't use to be an utter fool. Before you put that
+key into the lock, before you move another step, rub that look
+of stark, staring midsummer madness off your face. It doesn't
+become you, God knows. Listen to what I have to say; try not to
+be a fool. Don't you understand----"
+
+Before he could explain what was the appeal he was about to make
+to her understanding, some one, or something, came swirling at
+them from the side of the house. The light disappeared in the
+lantern; the lantern itself was snatched from the lady's hands.
+She made no effort to regain it, nor to ascertain how the thing
+had happened. She stood in the darkness, motionless. Presently
+she said--
+
+"Luker! Luker!"
+
+There was no answer. She put out her hand to feel for her
+companion who, a moment before, had been standing close at her
+side. He was not there.
+
+
+
+
+ CHAPTER XXXIV
+
+ TOWARDS JUDGMENT
+
+
+For possibly a couple of minutes she continued on the doorstep
+immobile, as if she not only did not understand what had
+happened, but as if she also still failed to realise that her
+legal adviser was at least no longer where he was. She repeated
+his name, at intervals--"Luker! Luker!"--almost as if she was a
+child who repeated, parrot-like, a meaningless formula. Then,
+after a while, when still there came no answer, she thrust her
+hand, as if mechanically, into the bosom of her dress, feeling
+for something. Presently it emerged, holding a flask. In the
+same odd, automatic fashion, as if her actions were not the
+product of her own volition, unscrewing the stopper, she placed
+the neck between her lips. After a perceptible interval,
+suddenly slipping between her fingers, it dropped on to the step
+with a clatter. It had contained ether; she had swallowed its
+entire contents.
+
+What were the exact physical or mental results of what would
+have been a poison to an unaccustomed subject, it would be
+difficult to say. One fact may be baldly stated, it robbed her
+of her senses. Her capacity of judging between the real and the
+unreal had been trembling in the balance. When she emptied that
+flask unreality became all that was real. Not perhaps on the
+instant, but certainly after the expiration of a very few
+seconds.
+
+At first she stood trembling, so that one might almost have
+expected to see her sink to the ground from sheer inability to
+stand. She stretched out her arms into the darkness, as if
+seeking for support, and found none. Then, putting her hands up
+to her face, she began to rub them up and down before her eyes,
+as if endeavouring to rub away some film which obscured her
+sight, and she began to cry, softly, beneath her breath. Then,
+dropping her hands to her sides, she began to see the things
+which were not, those visions which, in some form, are the
+inseparable companions of a mind diseased.
+
+"I am coming!--I heard you!--you need not call so loud!"
+
+The words were uttered not loudly, but with such clearness of
+intonation that, proceeding from her as she stood there all
+alone in the outer darkness, and addressed apparently to the
+circumambient air, they might have produced on unintentional
+listeners not an agreeable effect. She turned, making as if to
+insert the key which she still held into the lock of the door
+behind her, to find that the door already stood wide open, and
+that in the hall beyond there was a faint light which was just
+sufficient to render objects visible.
+
+In her normal condition the fact that the door had seemingly
+opened of its own accord would have occasioned her something
+more than wonder; she would at least have taken it for granted
+that somewhere in its immediate neighbourhood were helping
+hands; and she would promptly have set herself to discover to
+whom they belonged, and just where their owners might be found.
+In her then state no notion of the kind seemed to enter her
+brain. That the fact that the door was open occasioned her
+surprise was obvious; but it was surprise of a singular quality,
+and it was accompanied by abject terror. The woman seemed all at
+once to become stunted, to shrink into sheer physical
+insignificance.
+
+"Cuthbert Grahame," she muttered, "why did you open the door?
+How did you get out of your bed to open the door?" With a sound
+which was part wail, part sob, she stumbled across the threshold
+into the hall. "Where shall I go? Shall I go into the room into
+which I first went on that first night? Perhaps I'll be safe in
+there--perhaps I'll be safe. I don't want to go upstairs--not
+yet--not just yet. I daren't--I daren't. Listen! how he calls to
+me--how he calls."
+
+She glanced up the staircase, which she approached even while
+she shrank from it, and she saw, in the dim, mysterious light,
+leaning over the banister, looking down at her from above, a
+woman's face--Nannie Foreshaw. She did not stop to ask herself
+if the appearance might by any chance be real, a creature of
+warm flesh and blood. It was some moments before she realised
+who it was that looked at her. When she did, the presence there
+was so unexpected, so wholly unforeseen, and thrust so deeply at
+her conscience, that it is not impossible that the mere shock
+which resulted from the sight was sufficient to disintegrate her
+few remaining wits. She at once took it for granted that she was
+gazing at a spectre, a shade returned from the tomb to afflict
+her before her time. Cowering back against the wall, she broke
+into screams of agony.
+
+"Nannie! Nannie!--I didn't kill you!--I didn't kill you! Don't
+look at me like that!--don't! don't! don't!" Covering her face
+with her hands, she began to sob with such violence that one
+could see her shaking as she leaned against the wall. When,
+removing her hands, she again ventured to look up, there was no
+one there. "She's gone! she's gone!"
+
+The words were uttered with a gasp of relief which it was not
+pleasant to hear. For a moment it seemed as if she might be
+restored to something like her proper self. Then, while she
+seemed to waver, without apparent rhyme or reason, all her
+tremors returned. Again she broke into shrieks and cries.
+
+"She's waiting for me in his room! in his room! in his
+room!--she's waiting for me! My God! what am I to do?--help
+me! help me! I'll have to go to him. Listen how he calls to
+me!--listen how he calls! I'm coming!--don't call so loud!" She
+began stumbling up the staircase, blunderingly, blindly, as if
+she could not see where she was going. Stopping every two or
+three steps, clutching at the wall, the rails; glancing back,
+looking as though if she could she would descend. But each time,
+just as she was about to beat a retreat, there came to her that
+insistent voice, summoning her to her fate. She gasped out
+expostulations even as she stumbled upwards. "Don't call so
+loud! don't call so loud! I'm coming."
+
+And she did come. A singular spectacle she presented as she
+went. No one would have recognised in that ill-shaped, mouthing,
+struggling woman--though she alone knew what it was with which
+she struggled; who seemed unable to stand up straight, and to
+experience as much difficulty in ascending an ordinary staircase
+as if it had been the scarred surface of some precipitous cliff
+which she was forced, very much against her will, to climb--the
+flamboyant and somewhat overwhelming lady who was known among a
+certain set in London as the handsome Mrs. Lamb. There were no
+traces of beauty about her then.
+
+When she had gained the landing her terror seemed, if the thing
+were possible, to increase. Descending to her knees, clutching
+the railing with both hands, she crawled, as if drawn by some
+invisible force, against which all the strength of her
+resistance was in vain, towards the room, the bedroom, in which
+Cuthbert Grahame had passed so much of the latter part of his
+life, and in which, through her action, he had died. And all the
+while she protested.
+
+"I won't come! I won't come!" For an instant she would cling not
+only with her hands, but, as it were, with her whole body, to
+the railings, as if she had finally resolved that nothing should
+constrain her to advance another inch. Then again she was
+possessed by a paroxysm of terror. "I will come!--don't call so
+loud! I am coming!"
+
+When she was in front of the door of the room she did halt for
+perhaps more than a minute, crouching in a heap on the floor,
+covering her face with her hands, overtaken by such a fury of
+weeping that the violence of her sobs seemed as if it would tear
+her to pieces. Then, as if actuated by some sudden irresistible
+impulse, she rose to her feet, and exclaimed, still weeping--
+
+"Cuthbert Grahame, I hear you calling--I am here".
+
+She threw open the dead man's bedroom door.
+
+
+
+
+ CHAPTER XXXV
+
+ JUDGES
+
+
+In the room was the same faint, luminous glow which had been
+noticeable in the hall and on the stairs. There could have
+been no more eloquent testimony of her condition than the fact
+that she accepted its presence as a matter of course; that it
+never seemed to occur to her that there was something about
+it which required elucidation; still less that a few shrewd,
+well-directed inquiries might result in a very simple
+explanation. She stood on the threshold, all dishevelled, bent,
+weeping; always before her eyes the things which she alone could
+see, stricken with a mad agony of fear by the horror of the
+sight.
+
+She came a little farther towards the room, staring towards the
+bed. When she had taken a step or two it seemed as if her legs
+refused to uphold her any longer. Down she sank on to her knees
+again; again she covered her face with her hands, as if by such
+means she could shut off from herself the hideous imaginings of
+her haunted brain.
+
+"Don't! don't! don't!" she wailed.
+
+While still she remained in that attitude of humility and
+penitence there came a voice which called her by what had once
+been her name.
+
+"Isabel Burney!"
+
+That she heard it there could be no doubt. At the sound of it
+she shivered more than ever. But it may be that she was in doubt
+whether it was a material voice, or whether it was a fresh
+manifestation of those too-well remembered tones, which kept
+calling to her all the time. For it is possible that a
+disordered mind may be conscious that there is a difference
+between the real and the imaginary without being capable of
+satisfactorily perceiving what it is. She did not answer. It
+came again, not loud, yet distinct and dominating.
+
+"Isabel Burney."
+
+This time she repeated her former wail, with renewed force of
+entreaty.
+
+"Don't! don't!"
+
+If it was intended for a cry of appeal to be left alone, it went
+unheeded. The voice returned, asking what was emphatically a
+leading question.
+
+"Did you murder Cuthbert Grahame?"
+
+She made not the slightest attempt to shirk the very weighty
+responsibility which attended the reply to such a question. An
+affirmative was bursting from her lips almost before it was
+asked.
+
+"Yes! yes! yes!"
+
+"How did you murder him?"
+
+Again the wail--
+
+"Don't! don't! don't!"
+
+"How did you murder him?"
+
+The wail became hysterical cries.
+
+"Oh! oh! oh!"
+
+But the voice persisted.
+
+"How did you murder him?"
+
+Confused words came stumbling from her lips, as if they were
+being forcibly extracted.
+
+"The pillows--dragged---from under--he choked."
+
+"You dragged the pillows from under him, so that his head fell
+down, and he was choked."
+
+"Yes."
+
+"Why did you murder him?"
+
+Here again the answer came rapidly and clearly.
+
+"Because I didn't want him to destroy the will which I had
+tricked him into signing."
+
+"How did you trick him?"
+
+"He made me draw up a will which left all his property to
+Margaret Wallace."
+
+"And then?"
+
+"I drew up a will in which he left everything to me."
+
+"And then?"
+
+"I covered it with a sheet of paper, and got him to sign it,
+thinking that he was signing the other."
+
+"Did he know what you had done?"
+
+"Yes; I killed him before he could tell any one else and have
+the will destroyed."
+
+The voice was still. There was silence, broken by the sound of
+some one moving. The room was filled with a bright light. The
+voice came again.
+
+"Isabel Burney!"
+
+The woman on her knees, dropping her hands, looked round. By a
+lighted lamp which rested on a writing-table stood Margaret
+Wallace. Whether Mrs. Lamb realised that she was looking at the
+girl herself, or supposed that she was confronted by a
+materialised phantom, has never been certainly known. She stared
+at her surlily, unblinkingly, affrightedly, as one might stare
+at some unpleasing object in a dream. The girl repeated the
+questions which had already been answered. As one listened the
+last remnants of doubt vanished as to whose was the voice which
+had already made itself so prominent.
+
+"Did you trick Cuthbert Grahame into signing a will in which he
+left all that he had to you, when he supposed himself to be
+signing one in which he left it all to me?"
+
+There was a momentary hesitation, then the answer, spoken
+sullenly, half beneath her breath, yet plain enough.
+
+"Yes; I did."
+
+"And did you then kill him because you feared discovery of what
+you had done?"
+
+"Yes; I did."
+
+There was another movement on the other side of the room. When
+Mrs. Lamb looked round she found herself looking at Dr. Twelves,
+who put a question to her on his own account.
+
+"So you lied to me when you said those pillows must have
+slipped--you knew better. As I suspected, you dragged them
+away--you female fiend!"
+
+His invective went unnoticed; there came the rather monotonous
+refrain--
+
+"Yes; I did".
+
+There were other movements proceeding from all parts of the
+room. On one side of her were Andrew McTavish and his partner,
+Mr. Brown. Mr. McTavish was evidently very angry.
+
+"And you lied to us when you pretended that you suspected us of
+robbing you! You knew all along that the only robbery you
+yourself had committed--you impudent swindler!"
+
+He only received the same reply--
+
+"Yes; I did".
+
+Dr. Twelves wagged his finger at her, gruesomely.
+
+"You shall hang for it, Isabel Burney--you shall hang by the
+neck until you're dead!"
+
+Mr. McTavish cried--
+
+"At any rate, you shall be sent to penal servitude for the fraud
+you have committed on us!"
+
+She showed no signs of resentment, as only a very short time
+before she undoubtedly would have done, when her resentment
+would probably have taken a sufficiently active turn. From her
+demeanour it was difficult to determine if she comprehended what
+was being said to her. She gazed stolidly about the room. Near a
+window stood Nannie Foreshaw, leaning on a stick, holding with
+one hand the curtain from behind which she had just emerged. At
+sight of her she shrank backwards, as if she would withdraw
+herself as far as she could. Before the door, as if he would bar
+her retreat, was Harry Talfourd. When she saw him she seemed to
+be moved more than she had been by any of the others; she turned
+aside, with a low cry, and covered her face. Possibly, in some
+tangled fashion, she remembered how, so recently, she had played
+to him the _role_ of the great lady, the benefactress; how
+willing she had been to be something more to him than that; and
+she was vaguely conscious of what a contrast she was exhibiting
+to him now.
+
+Margaret had been seated at a table writing. Now, rising, she
+turned to the woman who was still on her knees upon the floor.
+
+"I have set down upon this sheet of paper a short confession of
+your guilt. If you will sign it you shall not hang; you shall
+not be sent to prison. You shall receive your only punishment
+from your own conscience. I think that is to condemn you to the
+greater punishment. I will read to you what I have written."
+
+She read aloud from the paper which she took in her hand:--
+
+"'I confess that Cuthbert Grahame instructed me to draw up a
+will in which he left all that he had in the world to Margaret
+Wallace; that, without his knowledge, I substituted for it
+another form of will, according to which he left his property to
+me, and that I induced him to sign this fraudulent form by means
+of a trick. I also confess that I murdered Cuthbert Grahame in
+order to avoid an exposure of the trick by means of which I had
+induced him to sign the substituted fraudulent form of will.' If
+you will attach your name to this confession you shall receive
+no punishment beyond that which you award yourself--that will be
+a sufficient one. Come here and sign."
+
+As if automatically, Mrs. Lamb rose to her feet, moved towards
+the table, seated herself on the chair which Margaret had
+occupied, accepted the pen which the girl offered, and wrote her
+name in full on the sheet of paper which was set before her.
+When she had signed, leaning back, she looked from one to the
+other. They waited for her to speak, expecting perhaps some
+burst of tardy anger. Then, on a sudden, without a word or a
+movement, she slid from the chair on to the floor. When they
+gathered round her she lay still.
+
+
+
+
+ CHAPTER XXXVI
+
+ PLEASANT DREAMS!
+
+
+The duel had been fought to a finish, and Margaret had won.
+
+When Mrs. Gregory Lamb was brought back out of that fit by which
+she had been overtaken she was lying on Cuthbert Grahame's bed,
+on which he had lived for so long, and died at her hand; the bed
+whose image had been borne in upon her phantom-haunted brain
+with such horrible persistency. Dr. Twelves was bending over
+her, standing where he had stood many a time to bend over the
+man she slew. She was little better than a babbling idiot. She
+is not much more than that now. She is a certified lunatic,
+under kindly, yet watchful, guardianship, the expense of which
+is paid by the girl whom she so cruelly wronged.
+
+The physical and mental strain which had been placed upon her
+during that period of increasing financial pressure had been
+great; her attempts to relieve it by a resort to ether had made
+it ten times greater. How much of the spirit she drank has not
+been exactly ascertained. She must have consumed large
+quantities. Probably only the natural strength of her
+constitution enabled her to resist its effects so long as she
+did. Undoubtedly the habit of ether drinking had increased in
+her to such an extent that in any case it would ultimately have
+produced insanity. Her reason was already tottering when she was
+brought face to face with Margaret Wallace on the night of her
+reception, and was put to such dire confusion. It is believed
+that she touched no solid food afterwards, subsisting solely
+upon ether. Isaac Luker asserted that she carried a large bottle
+of it in her bag when they journeyed together from London, and
+was sipping its contents throughout the day.
+
+It was not strange that when the moment came she was ripe to
+fall a ready victim to Margaret's carefully laid lures. The girl
+fought her with weapons to which she was incapable of offering
+resistance.
+
+Cuthbert Grahame's money, which had been searched for so long in
+vain, was found deposited in the hiding-place the secret of
+which she had revealed to Mrs. Lamb, intending, by working on
+her guilty conscience and so extorting from her a confession,
+which it was certain could never be obtained from her by any
+other means, to destroy her when she went to seek it. Margaret
+is now Mrs. Henry Talfourd. She is married to one who loved and
+loves her, and for the love of whom she was willing to sacrifice
+all. She is a rich woman. Bearing in mind the singularity of the
+circumstances under which it has come into her possession, she
+was desirous of having nothing to do with the dead man's money.
+But it was pointed out that, excepting herself, there was no
+possible claimant. She regards herself as an almoner, as a
+steward of Cuthbert Grahame's great possessions rather than
+their owner, and employs by far the larger portion of the income
+they produce in works of benefaction. She still produces
+pictures in black and white and in colour; there are few women
+artists who have achieved a more substantial success.
+
+Her husband has not realised his dreams. "The Gordian Knot" has
+never been produced. He burnt the play with his own hands, and
+has never written another. He alone knows why, though his wife
+may have a shrewd suspicion. So far he has been content to act
+as his wife's right-hand man, an occupation which hitherto has
+kept him fully employed.
+
+Dr. Twelves lives and flourishes. He has been heard to declare
+that never again will he proffer assistance to any strange woman
+whom he finds by the wayside. Nannie Foreshaw is dead. Messrs.
+McTavish & Brown have, if anything, improved their standing as
+family solicitors of undoubted integrity; Mrs. Talfourd is one
+of their most valued clients.
+
+Mrs. Talfourd presented Mr. Gregory Lamb with a passage to South
+Africa, and with a sum of money when he landed. As he has never
+asked for any more money, and nothing has been heard of him
+since, the presumption is that he has perished in that grave of
+many reputations. His wife's solicitor continues to exist, and
+is still a very well-known gentleman in certain extremely
+crooked walks of life.
+
+Cuthbert Grahame's home has been turned into a sanatorium and
+holiday home for children. It could hardly be employed for a
+better purpose. Boys and girls scamper among the trees; their
+voices and their laughter ring through the house. They people it
+with fresh associations; the old ghosts are gone. They find
+health and happiness in the place where once was neither. And
+when, at night, they lay their tired heads upon their pillows,
+they dream only pleasant dreams. When they wake in the morning,
+whether actually the skies be fair or clouded, to them it is
+always as if the sun was shining.
+
+
+
+ THE ABERDEEN UNIVERSITY PRESS LIMITED
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