diff options
Diffstat (limited to '37962-h/37962-h.htm')
| -rw-r--r-- | 37962-h/37962-h.htm | 20846 |
1 files changed, 20846 insertions, 0 deletions
diff --git a/37962-h/37962-h.htm b/37962-h/37962-h.htm new file mode 100644 index 0000000..e5ba51b --- /dev/null +++ b/37962-h/37962-h.htm @@ -0,0 +1,20846 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" +"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> + <head> +<meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> +<title> + The Project Gutenberg eBook of Plays vol 1, by W. S. Maugham. +</title> +<style type="text/css"> + p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:2%;} + +.c {text-align:center;text-indent:0%;} + +.charc {text-align:center;text-indent:0%;margin:3% auto 3% auto;} + +.cb {text-align:center;text-indent:0%;font-weight:bold;} + +.hang {text-indent:-2%;margin-left:2%;} + +.dir {text-align:right;margin-right: 5%;} + +.r {text-align:right;margin-right: 10%;} + +small {font-size: 70%;} + +.title {text-align:center;text-indent:0%;font-weight:bold; +font-size:120%;margin-top:8%;} + + h1,h2 {margin:8% auto 2% auto;text-align:center;clear:both;} + + hr.full {width: 50%;margin:5% auto 5% auto;border:4px double gray;} + + table {margin-left:auto;margin-right:auto;border:none;text-align:left;} + + body{margin-left:2%;margin-right:2%;background:#fdfdfd;color:black;font-family:"Times New Roman", serif;font-size:medium;} + + ul {list-style-type:none;text-indent:-1em;} + +.un {text-decoration:underline;} + +a:link {background-color:#ffffff;color:blue;text-decoration:none;} + + link {background-color:#ffffff;color:blue;text-decoration:none;} + +a:visited {background-color:#ffffff;color:purple;text-decoration:none;} + +a:hover {background-color:#ffffff;color:#FF0000;text-decoration:underline;} + +.smcap {font-variant:small-caps;font-size:95%;} + +.blockquot {margin:10% 25% 10% 25%;} +</style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Plays: Lady Frederick, The Explorer, A Man +of Honor, by William Somerset Maugham + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Plays: Lady Frederick, The Explorer, A Man of Honor + +Author: William Somerset Maugham + +Release Date: November 9, 2011 [EBook #37962] +[Last updated: October 21, 2021] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PLAYS *** + + + + +Produced by Chuck Greif and the Online Distributed +Proofreading Team at http://www.pgdp.net (This file was +produced from images available at The Internet Archive) + + + + + + +</pre> + +<hr class="full" /> + +<ul> +<li><a href="#LADY_FREDERICK"><b>LADY FREDERICK</b></a> +<ul> +<li><a href="#THE_FIRST_ACT_F"><b>THE FIRST ACT</b></a></li> +<li><a href="#THE_SECOND_ACT_F"><b>THE SECOND ACT</b></a></li> +<li><a href="#THIRD_ACT_F"><b>THIRD ACT</b></a></li> +</ul></li> + +<li><a href="#THE_EXPLORER"><b>THE EXPLORER</b></a> + +<ul> +<li><a href="#THE_FIRST_ACT_E"><b>THE FIRST ACT</b></a></li> +<li><a href="#THE_SECOND_ACT_E"><b>THE SECOND ACT</b></a></li> +<li><a href="#THE_THIRD_ACT_E"><b>THE THIRD ACT</b></a></li> +<li><a href="#THE_FOURTH_ACT_E"><b>THE FOURTH ACT</b></a></li> +</ul> +</li> + +<li><a href="#A_MAN_OF_HONOUR"><b>A MAN OF HONOUR</b></a> + +<ul> +<li><a href="#THE_FIRST_ACT_H"><b>THE FIRST ACT</b></a></li> +<li><a href="#THE_SECOND_ACT_H"><b>THE SECOND ACT</b></a></li> +<li><a href="#THE_THIRD_ACT_H"><b>THE THIRD ACT</b></a></li> +<li><a href="#THE_FOURTH_ACT_H"><b>THE FOURTH ACT.</b></a></li> +</ul> +</li> +</ul> + +<h1><i><a name="LADY_FREDERICK" id="LADY_FREDERICK"></a>LADY FREDERICK</i></h1> + +<p class="c"><span class="un"><i><big>HEINEMANN'S MODERN PLAYS</big></i></span><br /> +16mo. Each price is 6d paper, or 2s 6d cloth<br /><br /> +By the same Author<br /><br /> +<i>A MAN OF HONOUR</i><br /> +<i>JACK STRAW</i><br /><br /> +<i>THE PLAYS OF SIR ARTHUR W. PINERO</i><br /> +Complete Edition Twenty-three Volumes<br /> +<br /> +<i>PLAYS OF HUBERT HENRY DAVIES</i><br /> +Two Volumes<br /> +<br /> +<i>PLAYS OF C. HADDON CHAMBERS</i><br /> +Two Volumes<br /> +<br /> +<i>THE PLAYS OF W. E. HENLEY AND R. L. STEVENSON</i><br /> +Four Volumes<br /> +Also in One Volume, crown 8vo, buckram, Price 6s<br /> +<br /> +<i>THE COLLECTED WORKS OF HENRIK IBSEN</i><br /> +Copyright Edition entirely revised by<br /> +<span class="smcap">William Archer</span><br /> +<br /> +Complete in Eleven Volumes, crown 8vo, Price 4s each.<br /> +</p> + +<p class="c">————</p> + +<p class="c"><i>LONDON: WILLIAM HEINEMANN</i><br /> +<i>21 Bedford St., W.C.</i></p> + +<h1><i><span class="smcap"><big>Lady Frederick</big></span></i></h1> + +<p class="r"><i>A COMEDY</i><br /> +<i>In Three Acts</i></p> + +<p class="c"><i><span class="smcap">By</span> W. S. MAUGHAM</i></p> + +<p> +<br /> +<br /> +<br /> +<br /> +</p> + +<p class="hang"><i>LONDON: WILLIAM HEINEMANN</i><br /> +<i>MCMXII</i><br /> +</p> + +<p> +<br /> +<br /> +<br /> +<br /> +</p> + +<p class="c"><i>Copyright: London William Heinemann 1912</i></p> + +<p> +<br /> +<br /> +<br /> +<br /> +</p> + +<table border="0" cellpadding="2" cellspacing="0" summary=""> +<tr><td colspan="2">This play was produced at the Court Theatre on<br /> +Saturday, October 26, 1907, with the following cast:</td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick Berolles</span></td><td align="left"><span class="smcap">Ethel Irving</span></td></tr> +<tr><td align="left"><span class="smcap">Sir Gerald O'Mara</span></td><td align="left"><span class="smcap">Edmund Breon</span></td></tr> +<tr><td align="left"><span class="smcap">Mr. Paradine Fouldes</span></td><td align="left"><span class="smcap">C. M. Lowne</span></td></tr> +<tr><td align="left"><span class="smcap">Marchioness of Mereston</span></td><td align="left"><span class="smcap">Beryl Faber</span></td></tr> +<tr><td align="left"><span class="smcap">Marquess of Mereston</span></td><td align="left"><span class="smcap">W. Graham Brown</span></td></tr> +<tr><td align="left"><span class="smcap">Captain Montgomerie</span></td><td align="left"><span class="smcap">Arthur Holmes-Gore</span></td></tr> +<tr><td align="left"><span class="smcap">Admiral Carlisle</span></td><td align="left"><span class="smcap">E. W. Garden</span></td></tr> +<tr><td align="left"><span class="smcap">Rose</span></td><td align="left"><span class="smcap">Beatrice Terry</span></td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick's Dressmaker</span></td><td align="left"><span class="smcap">Florence Wood</span></td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick's Footman</span></td><td align="left"><span class="smcap">Claude Vernon</span></td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick's Maid</span></td><td align="left"><span class="smcap">Ina Pelly</span></td></tr> +<tr><td align="left"><span class="smcap">Thompson</span></td><td align="left"><span class="smcap">Reginald Eyre</span></td></tr> +<tr><td align="left"><span class="smcap">A Waiter</span></td><td align="left"><span class="smcap">Heath J. Haviland</span></td></tr> +</table> + +<p class="title"><i>LADY FREDERICK</i></p> + +<p> +<br /> +<br /> +</p> + +<table border="0" cellpadding="0" cellspacing="0" summary=""> +<tr><td align="center"><i>CHARACTERS</i></td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick Berolles</span></td></tr> +<tr><td align="left"><span class="smcap">Sir Gerald O'Mara</span></td></tr> +<tr><td align="left"><span class="smcap">Mr. Paradine Fouldes</span></td></tr> +<tr><td align="left"><span class="smcap">Marchioness of Mereston</span></td></tr> +<tr><td align="left"><span class="smcap">Marquess of Mereston</span></td></tr> +<tr><td align="left"><span class="smcap">Admiral Carlisle</span></td></tr> +<tr><td align="left"><span class="smcap">Rose</span></td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick's Dressmaker</span></td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick's Footman</span></td></tr> +<tr><td align="left"><span class="smcap">Lady Frederick's Maid</span></td></tr> +<tr><td align="left"><span class="smcap">Thompson</span></td></tr> +<tr><td align="left"><span class="smcap">A Waiter at the Hotel Splendide</span></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="smcap">Time</span>: <i>The Present Day</i></td></tr> +<tr><td align="center"><span class="smcap">Acts</span> I and II—<i>Drawing-room at the Hotel Splendide, Monte Carlo.</i></td></tr> +<tr><td align="center"><span class="smcap">Act</span> III—<i>Lady Frederick's Dressing-Room.</i></td></tr> +</table> + +<div class="blockquot"><p><i>The Performing Rights of this play are +fully protected, and permission to perform +it, whether by Amateurs or Professionals, +must be obtained in advance from the +author's Sole Agent, R. Golding Bright, +20 Green Street, Leicester Square, London, +W.C., from whom all particulars can +be obtained.</i></p></div> + +<h1>LADY FREDERICK</h1> + +<h2><a name="THE_FIRST_ACT_F" id="THE_FIRST_ACT_F"></a>THE FIRST ACT</h2> + +<p class="hang"><span class="smcap">Scene</span>: <i>Drawing-room of the Hotel Splendide at Monte +Carlo. A large, handsomely furnished room, +with doors right and left, and French windows at +the back leading to a terrace. Through these is +seen the starry southern night. On one side is +a piano, on the other a table with papers neatly +laid out on it. There is a lighted stove.</i></p> + +<p class="hang"><span class="smcap">Lady Mereston</span>, <i>in evening dress, rather magnificently +attired, is reading the papers. She is a handsome +woman of forty. She puts down the paper impatiently +and rings the bell. A servant answers. +He has a French accent.</i></p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Did Mr. Paradine Fouldes come this evening?</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Yes, miladi.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Is he in the hotel now?</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Yes, miladi.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Will you send some one up to his room to say I'm +waiting to see him?</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Pardon, miladi, but the gentleman say 'e was on no +account to be disturbed.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Nonsense. Mr. Fouldes is my brother. You must +go to him immediately.</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Mr. Fouldes his valet is in the 'all. Will your +ladyship speak with him?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Mr. Fouldes is more difficult to see than a cabinet +minister. Send his servant to me.</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Very good, miladi.</p> + +<p>[<i>Exit Servant, and presently</i> <span class="smcap">Thompson</span>, Mr. +Fouldes' <i>man, comes in</i>.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Your ladyship wished to see me.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Good evening, Thompson. I hope you had a comfortable +journey.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Yes, my lady. Mr. Fouldes always has a comfortable +journey.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Was the sea calm when you crossed?</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Yes, my lady. Mr. Fouldes would look upon it as +a great liberty if the sea was not calm.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Will you tell Mr. Fouldes that I should like to see +him at once?</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>[<i>Looking at his watch.</i>] Excuse me, my lady, but Mr. +Fouldes said no one was to disturb him till ten o'clock. +It's more than my place is worth to go to him at five +minutes to.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>But what on earth's he doing?</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>I don't know at all, my lady.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>How long have you been with Mr. Fouldes?</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Twenty-five years, my lady.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I should have thought you knew how he spent +every minute of his day.</p> + +<p class="dir">[<span class="smcap">Paradine</span> <i>comes in. He is a very well-dressed<br /> +man of forty-odd. Self-possessed, worldly,<br /> +urbane. He is never at a loss or put out<br /> +of countenance. He overhears</i> <span class="smcap">Lady<br /> +Mereston's</span> <i>last words</i>.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>When I engaged Thompson I told him the first +thing he must learn was the very difficult feat of +keeping his eyes open and shut at one and the same +time.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>My dear Paradine, I've been waiting to see you for +the last two hours. How tiresome you are.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You may give me a kiss, Maud, but don't be rough.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Kissing his cheek.</i>] You ridiculous creature. You +really might have come to see me at once.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear, you cannot grudge me a little repose +after a long and tedious journey. I had to repair the +ravages to my person caused by twenty-seven hours +in the train.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Don't be so absurd. I'm sure your person is never +ravished.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Ravaged, my dear, ravaged. I should look upon it +as an affectation at my age if I were not a little upset +by the journey from London to Monte Carlo.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I'll be bound you ate a very hearty dinner.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Thompson, did I eat any dinner at all?</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>[<i>Stolidly.</i>] Soup, sir.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I remember looking at it.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Fish, sir.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I trifled with a fried sole.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Bouchées à la Reine, sir.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>They have left absolutely no impression upon me.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Tournedos à la Splendide.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>They were distinctly tough, Thompson. You must +lodge a complaint in the proper quarter.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Roast pheasant, sir.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Yes, yes, now you mention it, I do remember the +pheasant.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Chocolate ice, sir.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It was too cold, Thompson. It was distinctly too +cold.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>My dear Paradine, I think you dined uncommonly +well.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I have reached an age when love, ambition and +wealth pale into insignificance beside a really well-grilled +steak. That'll do, Thompson.</p> + +<p class="charc"><span class="smcap">Thompson.</span></p> + +<p>Very well, sir.</p> + +<p class="dir">[<i>He goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>It's too bad of you, Paradine, to devour a substantial +meal when I'm eating out my very heart with +anxiety.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It seems to agree with you very well. I've not +seen you look better for years.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>For heaven's sake be serious and listen to me.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I started immediately I got your telegram. Pray +tell me what I can do for you?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>My dear Paradine, Charlie's head over ears in love.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It's not altogether an unexpected condition for a +young man of twenty-two. If the lady's respectable, +marry him and resign yourself to being a dowager. +If she's not, give her five hundred pounds and pack +her off to Paris or London or wherever else she +habitually practises her arts and graces.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I wish I could. But who d'you think it is?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear, there's nothing I detest more than +riddles. I can imagine quite a number of fair ladies +who would look without disdain upon a young +marquess with fifty thousand a year.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Lady Frederick Berolles.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By Jupiter!</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>She's fifteen years older than he is.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Then she's not old enough to be his mother, which +is a distinct advantage.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>She dyes her hair.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>She dyes it uncommonly well.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>She paints.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Much better than a Royal Academician.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>And poor Charlie's simply infatuated. He rides +with her all the morning, motors with her all the +afternoon, and gambles with her half the night. I +never see him.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But why should you think Lady Frederick cares +two straws for him?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Don't be ridiculous, Paradine. Every one knows +she hasn't a penny, and she's crippled with debts.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>One has to keep up appearances in this world. Life +nowadays for the woman of fashion is a dilemma of +which one horn is the Bankruptcy Court and the other—dear +Sir Francis Jeune.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I wish I knew how she manages to dress so beautifully. +It's one of the injustices of fate that clothes +only hang on a woman really well when she's lost every +shred of reputation.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear, you must console yourself with the thought +that she'll probably frizzle for it hereafter.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I hope I'm not wicked, Paradine, but to wear +draperies and wings in the next world offers me no +compensation for looking dowdy in a Paquin gown in +this.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I surmised she was on the verge of bankruptcy +when I heard she'd bought a new motor. And you +seriously think Charlie wants to marry her?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I'm sure of it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And what d'you want me to do?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Good heavens, I want you to prevent it. After all +he has a magnificent position; he's got every chance +of making a career for himself. There's no reason +why he shouldn't be Prime Minister—it's not fair to +the boy to let him marry a woman like that.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Of course you know Lady Frederick?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>My dear Paradine, we're the greatest friends. You +don't suppose I'm going to give her the advantage of +quarrelling with me. I think I shall ask her to +luncheon to meet you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Women have such an advantage over men in affairs +of this sort. They're troubled by no scruples, and, +like George Washington, never hesitate to lie.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I look upon her as an abandoned creature, and I tell +you frankly I shall stop at nothing to save my son +from her clutches.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Only a thoroughly good woman could so calmly +announce her intention of using the crookedest ways +to gain her ends.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Looking at him.</i>] There must be some incident in +her career which she wouldn't like raked up. If we +could only get hold of that....</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Blandly.</i>] How d'you imagine I can help you?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>A reformed burglar is always the best detective.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear, I wish you could be frank without being +sententious.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>You've run through two fortunes, and if we all got +our deserts you would be starving now instead of being +richer than ever.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My second cousins have a knack of dying at the +psychological moment.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>You've been a horrid, dissipated wretch all your +life, and heaven knows the disreputable people who've +been your bosom friends.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>With my knowledge of the world and your entire +lack of scruple we should certainly be a match for one +defenceless woman.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Looking at him sharply.</i>] Common report says that +at one time you were very much in love with her.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Common report is an ass whose long ears only catch +its own braying.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I was wondering how far things went. If you +could tell Charlie of the relations between you....</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My good Maud, there were no relations—unfortunately.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Poor George was very uneasy about you at the +time.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Your deceased husband, being a strictly religious +man, made a point of believing the worst about his +neighbours.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Don't, Paradine; I know you didn't like one another, +but remember that I loved him with all my heart. I +shall never get over his death.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear girl, you know I didn't mean to wound you.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>After all, it was largely your fault. He was +deeply religious, and as the president of the Broad +Church Union he couldn't countenance your mode of +life.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>With great unction.</i>] Thank God in my day I've +been a miserable sinner!</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Laughing.</i>] You're quite incurable, Paradine. But +you will help me now. Since his father's death, the +boy and I have lived a very retired life, and now we're +quite helpless. It would break my heart if Charlie +married that woman.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I'll do my best. I think I can promise you that +nothing will come of it.</p> + +<p class="dir">[<i>The door is flung open, and</i> <span class="smcap">Lady Frederick</span><br /> +<i>enters, followed by</i> <span class="smcap">Mereston</span>, <i>a young<br /> +boyish man of twenty-two; by her brother</i>,<br /> +<span class="smcap">Sir Gerald O'Mara</span>, <i>a handsome fellow of<br /> +six-and-twenty; by</i> <span class="smcap">Captain Montgomerie</span>,<br /> +<span class="smcap">Admiral Carlisle</span>, <i>and</i> <span class="smcap">Rose</span>, <i>his daughter</i>.<br /> +<span class="smcap">Lady Frederick</span> <i>is a handsome Irish<br /> +woman of thirty to thirty-five, beautifully<br /> +dressed. She is very vivacious, and light-hearted.<br /> +She has all the Irish recklessness<br /> +and unconcern for the morrow. Whenever<br /> +she wants to get round anybody she falls<br /> +into an Irish brogue, and then, as she knows<br /> +very well, she is quite irresistible.</i> <span class="smcap">Captain<br /> +Montgomerie</span> <i>is a polished, well-groomed<br /> +man of thirty-five, with suave manners</i>.<br /> +<span class="smcap">The Admiral</span> <i>is bluff and downright</i>.<br /> +<span class="smcap">Rose</span> <i>is a pretty ingénue of nineteen</i>.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Here they are.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Enthusiastically going to him with open arms.</i>] +Paradine! Paradine! Paradine!</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Oh, my prophetic soul, mine uncle!</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Shaking hands with</i> <span class="smcap">Lady Frederick.</span>] I heard +you were at the Casino.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Charlie lost all his money, so I brought him away.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I wish you wouldn't gamble, Charlie dear.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>My dear mother, I've only lost ten thousand francs.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>To</i> <span class="smcap">Paradine Fouldes.</span>] I see you're in your usual +robust health.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You needn't throw it in my face. I shall probably +be very unwell to-morrow.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>D'you know Admiral Carlisle? This is my brother +Gerald.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Shaking hands.</i>] How d'you do?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Introducing.</i>] Captain Montgomerie.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I think we've met before.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I'm very pleased to hear it. How d'you do. [<i>To</i> +<span class="smcap">Mereston</span>.] Are you having a good time in Monte +Carlo, Charles?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>A 1, thanks.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And what do you do with yourself?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Oh, hang about generally, you know—and there's +always the tables.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>That's right, my boy; I'm glad to see that you +prepare yourself properly for your duties as a +hereditary legislator.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Laughing.</i>] Oh, shut it, Uncle Paradine.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I rejoice also to find that you have already a +certain command of the vernacular.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Well, if you can browbeat a London cabby and +hold your own in repartee with a barmaid, it oughtn't +to be difficult to get on all right in the House of Lords.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But let me give you a solemn warning. You have +a magnificent chance, dear boy, with all the +advantages of wealth and station. I beseech you not +to throw it away by any exhibition of talent. The +field is clear and the British people are waiting for +a leader. But remember that the British people +like their leaders dull. Capacity they mistrust, +versatility they cannot bear, and wit they utterly +abhor. Look at the fate of poor Lord Parnaby. His +urbanity gained him the premiership, but his +brilliancy overthrew him. How could the fortunes +of the nation be safe with a man whose speeches were +pointed and sparkling, whose mind was so quick, so +agile, that it reminded you of a fencer's play? Every +one is agreed that Lord Parnaby is flippant and +unsubstantial; we doubt his principles and we have +grave fears about his morality. Take warning, my +dear boy, take warning. Let the sprightly epigram +never lighten the long periods of your speech nor the +Attic salt flavour the roast beef of your conversation. +Be careful that your metaphors show no imagination +and conceal your brains as you would a discreditable +secret. Above all, if you have a sense of humour, +crush it. Crush it.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>My dear uncle, you move me very much. I will +be as stupid as an owl.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>There's a good, brave boy.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I will be heavy and tedious.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I see already the riband of the Garter adorning +your shirt-front. Remember, there's no damned +merit about that.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>None shall listen to my speeches without falling +into a profound sleep.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Seizing his hand.</i>] The premiership itself is within +your grasp.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Dear Paradine, let us take a stroll on the terrace +before we go to bed.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And you shall softly whisper all the latest scandal +in my ear.</p> + +<p class="dir">[<i>He puts on her cloak and they go out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>May I speak to you, Admiral?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Certainly, certainly. What can I do for you?</p> + +<p class="dir">[<i>While</i> <span class="smcap">Lady Frederick</span> <i>and the</i> <span class="smcap">Admiral</span> <i>talk,<br /> +the others go slowly out. Through the<br /> +conversation she uses her Irish brogue.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Are you in a good temper?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Fairly, fairly.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm glad of that because I want to make you a +proposal of marriage.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>My dear Lady Frederick, you take me entirely by +surprise.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] Not on my own behalf, you know.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Oh, I see.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>The fact is, my brother Gerald has asked your +daughter to marry him, and she has accepted.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Rose is a minx, Lady Frederick, and she's much +too young to marry.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now don't fly into a passion. We're going to talk +it over quite calmly.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I tell you I won't hear of it. The boy's penniless.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That's why it's so lucky you're rich.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Eh?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You've been talking of buying a place in Ireland. +You couldn't want anything nicer than Gerald's—gravel +soil, you know. And you simply dote on +Elizabethan architecture.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I can't bear it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>How fortunate, then, that the house was burnt +down in the eighteenth century and rebuilt in the +best Georgian style.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Ugh.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And you'd love to have little grandsons to dandle +on your knee.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>How do I know they wouldn't be girls?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, it's most unusual in our family.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I tell you I won't hear of it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You know, it's not bad to have the oldest baronetcy +in the country but one.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I suppose I shall have to pack Rose off to England.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And break her heart?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Women's hearts are like old china, none the worse +for a break or two.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Did you ever know my husband, Admiral?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I was married to him at seventeen because my +mother thought it a good match, and I was desperately +in love with another man. Before we'd +been married a fortnight he came home blind drunk, +and I had never seen a drunken man before. Then +I found out he was a confirmed tippler. I was so +ashamed. If you only knew what my life was for the +ten years I lived with him. I've done a lot of foolish +things in my time, but, my God, I have suffered.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Yes, I know, I know.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And believe me, when two young things love one +another it's better to let them marry. Love is so +very rare in this world. One really ought to make +the most of it when it's there.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I'm very sorry, but I've made up my mind.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Ah, but won't you alter it—like Nelson. Don't be +hard on Rose. She's really in love with Gerald. Do +give them a chance. Won't you? Ah, do—there's a +dear.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I don't want to hurt your feelings, but Sir Gerald +is about the most ineligible young man that I've ever +come across.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Triumphantly.</i>] There, I knew we should agree. +That's precisely what I told him this morning.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I understand his place is heavily mortgaged.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No one will lend a penny more on it. If they +would Gerald would borrow it at once.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>He's got nothing but his pay to live upon.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And his tastes are very extravagant.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>He's a gambler.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Yes, but then he's so good looking.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Eh?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm glad that we agree so entirely about him. Now +there's nothing left but to call the young things in, +join their hands and give them our united blessing.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Before I consent to this marriage, madam, I'll see +your brother——</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Damned?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Yes, madam, damned.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now listen to me quietly, will you?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I should warn you, Lady Frederick, that when I +once make up my mind about a thing, I never +change it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now that is what I really admire. I like a man +of character. You know, I've always been impressed +by your strength and determination.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I don't know about that. But when I say a thing, +I do it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Yes, I know. And in five minutes you're going to +say that Gerald may marry your pretty Rose.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>No, no, no.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now look here, don't be obstinate, I don't like +you when you're obstinate.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I'm not obstinate. I'm firm.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>After all, Gerald has lots of good qualities. He's +simply devoted to your daughter. He's been a little +wild, but you know you wouldn't give much for a +young man who hadn't.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>[<i>Gruffly.</i>] I don't want a milksop for a son-in-law.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>As soon as he's married, he'll settle into a model +country squire.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Well, he's a gambler, and I can't get over that.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Shall he promise you never to play cards again? +Now, don't be horrid. You don't want to make me +utterly wretched, do you?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>[<i>Unwillingly.</i>] Well, I'll tell you what I'll do—they +shall marry if he doesn't gamble for a year.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, you duck. [<i>She impulsively throws her arms +round his neck and kisses him. He is a good deal +taken aback.</i>] I beg your pardon, I couldn't help it.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I don't altogether object, you know.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Upon my word, in some ways you're rather +fascinating.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>D'you think so, really?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I do indeed.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I rather wish that proposal of marriage had been +on your own behalf.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Ah, with me, dear Admiral, experience triumphs +over hope. I must tell the children. [<i>Calling.</i>] +Gerald, come here. Rose.</p> + +<p class="dir">[<span class="smcap">Gerald</span> <i>and</i> <span class="smcap">Rose</span> <i>come in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I always knew your father was a perfect darling, +Rose.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Oh, papa, you are a brick.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I thoroughly disapprove of the marriage, my dear, +but—it's not easy to say no to Lady Frederick.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>It's awfully good of you, Admiral, and I'll do my +best to make Rose a ripping husband.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Not so fast, young man, not so fast. There's a +condition.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Oh, father!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Gerald is to behave himself for a year, and then +you may marry.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>But won't Gerald grow very dull if he behaves +himself?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I have no doubt of it. But dullness is the first +requisite of a good husband.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Now you must pack off to bed, my dear. I'm going +to smoke my pipe before turning in.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>[<i>Kissing</i> <span class="smcap">Lady Frederick.</span>] Good-night, dearest. +I'll never forget your kindness.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You'd better not thank me till you've been married +a few years.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>[<i>Holding out her hand to</i> <span class="smcap">GERALD.</span>] Good-night.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>[<i>Taking it and looking at her.</i>] Good-night.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>[<i>Gruffly.</i>] You may as well do it in front of my +face as behind my back.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>[<i>Lifting up her lips.</i>] Good-night.</p> + +<p>[<i>He kisses her, and the</i> <span class="smcap">Admiral</span> <i>and</i> <span class="smcap">Rose</span> +<i>go out.</i></p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh lord, I wish I were eighteen.</p> + +<p>[<i>She sinks into a chair, and an expression of +utter weariness comes over her face.</i></p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I say, what's up?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Starting.</i>] I thought you'd gone. Nothing.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Come, out with it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, my poor boy, if you only knew. I'm so worried +that I don't know what on earth to do.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Money?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Last year I made a solemn determination to be +economical. And it's ruined me.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>My dear, how could it?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I can't make it out. It seems very unfair. The +more I tried not to be extravagant, the more I spent.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Can't you borrow?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] I have borrowed. That's just it.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Well, borrow again.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I've tried to. But no one's such a fool as to lend +me a penny.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Did you say I'd sign anything they liked?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I was so desperate I said we'd both sign anything. +It was Dick Cohen.</p> + +<p class="charc"><span class="smcap">Gerald</span>.</p> + +<p>Oh lord, what did he say?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Imitating a Jewish accent.</i>] What's the good of +wathting a nithe clean sheet of paper, my dear lady?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>[<i>Shouting with laughter.</i>] By George, don't I +know it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>For heaven's sake don't let's talk of my affairs. +They're in such a state that if I think of them at all +I shall have a violent fit of hysterics.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>But look here, what d'you really mean?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, if you want it—I owe my dressmaker seven +hundred pounds, and last year I signed two horrid +bills, one for fifteen hundred and the other for two +thousand. They fall due the day after to-morrow, +and if I can't raise the money I shall have to go +through the Bankruptcy Court.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>By George, that's serious.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's so serious that I can't help thinking something +will happen. Whenever I've got in a really +tight fix something has turned up and put me on my +legs again. Last time, Aunt Elizabeth had an +apoplectic fit. But of course it wasn't really very +profitable because mourning is so desperately expensive.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Why don't you marry?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, my dear Gerald, you know I'm always unlucky +at games of chance.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Charlie Mereston's awfully gone on you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That must be obvious to the meanest intelligence.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Well, why don't you have him?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Good heavens, I'm old enough to be his mother.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Nonsense. You're only ten years older than he is, +and nowadays no nice young man marries a woman +younger than himself.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>He's such a good fellow. I couldn't do him a +nasty turn like that.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>How about Montgomerie? He simply stinks of +money, and he's not a bad sort.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Surprised.</i>] My dear boy, I hardly know him.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Well, I'm afraid it means marriage or bankruptcy.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Here's Charlie. Take him away, there's a dear. I +want to talk to Paradine.</p> + +<p class="dir"><i>Enter</i> <span class="smcap">Paradine Fouldes</span> <i>with</i> <span class="smcap">Mereston</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>What, still here, Lady Frederick?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>As large as life.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>We've been taking a turn on the terrace.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>To</i> <span class="smcap">Mereston</span>.] And has your astute uncle been +pumping you, Charlie?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Eh, what?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I don't think he got much out of me.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Good-naturedly.</i>] All I wanted, dear boy. There's +no one so transparent as the person who thinks he's +devilish deep. By the way, what's the time?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>About eleven, isn't it?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Ah! How old are you, Charlie?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Twenty-two.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Then it's high time you went to bed.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Charlie's not going to bed till I tell him. Are you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Of course not.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Has it escaped your acute intelligence, my friend, +that I want to talk to Lady Frederick?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Not at all. But I have no reason to believe that +Lady Frederick wants to talk to you.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Let's go and have a game of pills, Charlie.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>D'you want to be left alone with the old villain?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You show no respect for my dyed hairs, young man.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I've not seen him for years, you know.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Oh, all right. I say, you're coming for a ride to-morrow, +aren't you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Certainly. But it must be in the afternoon.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I'm sorry, but Charles has arranged to motor me +over to Nice in the afternoon.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>To</i> <span class="smcap">Lady Frederick</span>.] That'll suit me A 1. I +had an engagement, but it was quite unimportant.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then that's settled. Good-night.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Good-night.</p> + +<p class="dir">[<i>He goes out with</i> <span class="smcap">Gerald</span>. <span class="smcap">Lady Frederick</span><br /> +<i>turns and good-humouredly scrutinises</i><br /> +<span class="smcap">Paradine Fouldes</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You wear excellently, Paradine.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Thanks.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>How do you manage it?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By getting up late and never going to bed early, +by eating whatever I like and drinking whenever I'm +thirsty, by smoking strong cigars, taking no exercise, +and refusing under any circumstances to be bored.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm sorry you had to leave town in such a hurry. +Were you amusing yourself?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I come to the Riviera every year.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I daresay, but not so early.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I've never surrendered so far to middle age as to +make habits.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear Paradine, the day before yesterday, Lady +Mereston, quite distracted, went to the post office +and sent you the following wire: "Come at once, +your help urgently needed. Charlie in toils designing +female, Maud." Am I right?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I never admit even to myself that a well-dressed +woman is mistaken.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>So you started post-haste, bent upon protecting +your nephew, and were infinitely surprised to learn +that the designing female was no other than your +humble servant.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You'd be irresistible, Lady Frederick, if you didn't +know you were so clever.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And now what are you going to do?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear lady, I'm not a police officer, but a very +harmless, inoffensive old bachelor.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>With more wiles than the mother of many daughters +and the subtlety of a company promoter.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Maud seems to think that as I've racketted about a +little in my time, I'm just the sort of man to deal +with you. Set a thief to catch a thief, don't you +know? She's rather fond of proverbs.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>She should have thought rather of: When Greek +meets Greek, then comes the tug of war. I hear +Lady Mereston has been saying the most agreeable +things about me.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Ah, that's women's fault; they always show their +hand. You're the only woman I ever knew who +didn't.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a brogue.</i>] You should have avoided the +Blarney Stone when you went to Ireland.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Look here, d'you want to marry Charlie?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Why should I?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Because he's got fifty thousand a year, and you're +head over ears in debt. You've got to raise something +like four thousand pounds at once, or you go +under. You've got yourself a good deal talked about +during the last ten years, but people have stood you +because you had plenty of money. If you go broke +they'll drop you like a hot potato. And I daresay it +wouldn't be inconvenient to change Lady Frederick +Berolles into Lady Mereston. My sister has always +led me to believe that it is rather attractive to be a +Marchioness.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Unlike a duchess, its cheap without being gaudy.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You asked me why you might want to marry a +boy from ten to fifteen years younger than yourself, +and I've told you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And now perhaps you'll tell me why you're going +to interfere in my private concerns?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, you see his mother happens to be my sister, +and I'm rather fond of her. It's true her husband +was the most sanctimonious prig I've ever met in my +life.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I remember him well. He was president of the +Broad Church Union and wore side-whiskers.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But she stuck to me through thick and thin. I've +been in some pretty tight places in my day, and she's +always given me a leg up when I wanted it. I've got +an idea it would just about break her heart if Charlie +married you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Thanks.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You know, I don't want to be offensive, but I think +it would be a pity myself. And besides, unless I'm +much mistaken, I've got a little score of my own that +I want to pay off.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Have you?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You've got a good enough memory not to have +forgotten that you made a blithering fool of me once. +I swore I'd get even with you, and by George, I mean +to do it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] And how do you propose to stop me +if I make up my mind that I'm going to accept +Charlie?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, he's not proposed yet, has he?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not yet, but I've had to use every trick and device +I can think of to prevent him.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Look here, I'm going to play this game with my +cards on the table.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then I shall be on my guard. You're never so +dangerous as when you pretend to be frank.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I'm sorry you should think so badly of me.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't. Only it was a stroke of genius when +Nature put the soul of a Jesuit priest into the body +of a Yorkshire squire.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I wonder what you're paying me compliments for. +You must be rather afraid of me.</p> + +<p class="dir">[<i>They look at one another for a moment.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, let's look at these cards.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>First of all, there's this money you've got to raise.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>This is my sister's suggestion.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That means you don't much like it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>If you'll refuse the boy and clear out—we'll give +you forty thousand pounds.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I suppose you'd be rather surprised if I boxed your +ears.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Now, look here, between you and me high falutin's +rather absurd, don't you think so? You're in desperate +want of money, and I don't suppose it would amuse +you much to have a young hobbledehoy hanging about +your skirts for the rest of your life.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Very well, we'll have no high falutin! You may +tell Lady Mereston that if I really wanted the money +I shouldn't be such an idiot as to take forty thousand +down when I can have fifty thousand a year for the +asking.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I told her that.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You showed great perspicacity. Now for the second +card.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear, it's no good getting into a paddy over it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I've never been calmer in my life.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You always had the very deuce of a temper. I +suppose you've not given Charlie a sample of it yet, +have you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] Not yet.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, the second card's your reputation.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But I haven't got any. I thought that such an +advantage.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You see Charlie is a young fool. He thinks you a +paragon of all the virtues, and it's never occurred to +him that you've rather gone the pace in your time.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's one of my greatest consolations to think that +even a hundred horse-power racing motor couldn't be +more rapid than I've been.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Still it'll be rather a shock to Charlie when he hears +that this modest flower whom he trembles to adore +has....</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Very nearly eloped with his own uncle. But you +won't tell him that story because you hate looking a +perfect ass.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Madam, when duty calls, Paradine Fouldes consents +even to look ridiculous. But I was thinking +of the Bellingham affair.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Ah, of course, there's the Bellingham affair. I'd +forgotten it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Nasty little business that, eh?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Horrid.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Don't you think it would choke him off?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I think it very probable.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, hadn't you better cave in?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Ringing the bell.</i>] Ah, but you've not seen my +cards yet. [<i>A servant enters.</i>] Tell my servant to +bring down the despatch-box which is on my writing-table.</p> + +<p>SERVANT.</p> + +<p>Yes, miladi.</p> + +<p class="dir">[<i>Exit.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>What's up now?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, four or five years ago I was staying at this +hotel, and Mimi la Bretonne had rooms here.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I never heard of the lady, but her name suggests +that she had an affectionate nature.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>She was a little singer at the Folies Bergères, and +she had the loveliest emeralds I ever saw.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But you don't know Maud's.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>The late Lord Mereston had a passion for emeralds. +He always thought they were such pure stones.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Quickly.</i>] I beg your pardon?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, Mimi fell desperately ill, and there was no one +to look after her. Of course the pious English ladies +in the hotel wouldn't go within a mile of her, so I +went and did the usual thing, don't you know.</p> + +<p class="dir">[<span class="smcap">Lady Frederick's</span> <i>man comes in with a small<br /> +despatch-box which he places on a table. He<br /> +goes out.</i> <span class="smcap">Lady Frederick</span> <i>as she talks,<br /> +unlocks it</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Thank God I'm a bachelor, and no ministering +angel ever smoothes my pillow when I particularly +want to be left alone.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I nursed her more or less through the whole illness, +and afterwards she fancied she owed me her worthless +little life. She wanted to give me the precious +emeralds, and when I refused was so heart-broken +that I said I'd take one thing if I might.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And what was that?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>A bundle of letters. I'd seen the address on the +back of the envelope, and then I recognised the writing. +I thought they'd be much safer in my hands than in +hers. [<i>She takes them out of the box and hands them to</i> +<span class="smcap">Paradine</span>.] Here they are.</p> + +<p class="dir">[<i>He looks and starts violently.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>89 Grosvenor Square. It's Mereston's writing. +You don't mean? What! Ah, ah, ah. [<i>He bursts +into a shout of laughter.</i>] The old sinner. And +Mereston wouldn't have me in the house, if you please, +because I was a dissolute libertine. And he was the +president of the Broad Church Union. Good Lord, +how often have I heard him say: "Gentlemen, I take +my stand on the morality, the cleanliness and the +purity of English Family Life." Oh, oh, oh.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I've often noticed that the religious temperament +is very susceptible to the charms of my sex.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>May I look?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, I don't know. I suppose so.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Reading.</i>] "Heart's delight".... And he signs +himself, "your darling chickabiddy." The old +ruffian.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>She was a very pretty little thing.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I daresay, but thank heaven, I have some sense of +decency left, and it outrages all my susceptibilities +that a man in side-whiskers should call himself anybody's +chickabiddy.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Protestations of undying affection are never +ridiculous when they are accompanied by such +splendid emeralds.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Starting and growing suddenly serious.</i>] And what +about Maud?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Poor girl, it'd simply break her heart. He +preached at her steadily for twenty years, and she +worshipped the very ground he trod on. She'd have +died of grief at his death except she felt it her duty +to go on with his work.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I know.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By Jove, it's a good card. You were quite right +to refuse the emeralds: these letters are twice as +valuable.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Would you like to burn them?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Betsy!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>There's the stove. Put them in.</p> + +<p class="dir">[<i>He takes them up in both hands and hurries to<br /> +the stove. But he stops and brings them<br /> +back, he throws them on the sofa.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>No, I won't.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Why not?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It's too dooced generous. I'll fight you tooth and +nail, but it's not fair to take an advantage over me +like that. You'll bind my hands with fetters.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Very well. You've had your chance.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But, by Jove, you must have a good hand to throw +away a card like that. What have you got—a +straight flush?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I may be only bluffing, you know.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Lord, it does me good to hear your nice old Irish +brogue again.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Faith, and does it?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I believe you only put it on to get over people.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Smiling.</i>] Begorrah, it's not easy to get over you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Lord, I was in love with you once, wasn't I?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not more than lots of other people have been.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And you did treat me abominably.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Ah, that's what they all said. But you got over it +very well.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I didn't. My digestion was permanently impaired +by your brutal treatment.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Is that why you went to Carlsbad afterwards instead +of the Rocky Mountains?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You may laugh, but the fact remains that I've only +been in love once, and that was with you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Smiling as she holds out her hand.</i>] Good-night.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>For all that I'm going to fight you now for all I'm +worth.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm not frightened of you, Paradine.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Good-night.</p> + +<p class="dir">[<i>As he goes out</i>, <span class="smcap">Captain Montgomerie</span> <i>enters</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Yawning and stretching her arms.</i>] Oh I'm so +sleepy.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I'm sorry for that. I wanted to have a talk with +you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Smiling.</i>] I daresay I can keep awake for five +minutes, you know—especially if you offer me a +cigarette.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Here you are.</p> + +<p class="dir">[<i>He hands her his case and lights her cigarette.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a sigh.</i>] Oh, what a comfort.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I wanted to tell you, I had a letter this morning +from my solicitor to say that he's just bought +Crowley Castle on my behalf.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Really. But it's a lovely place. You must ask +me to come and stay.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I should like you to stay there indefinitely.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a quick look.</i>] That's charming of you, but +I never desert my London long.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Smiling.</i>] I have a very nice house in Portman +Square.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Surprised.</i>] Really?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>And I'm thinking of going into Parliament at the +next election.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It appears to be a very delightful pastime to govern +the British nation, dignified without being laborious.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Lady Frederick, although I've been in the service +I have rather a good head for business, and I hate +beating about the bush. I wanted to ask you to +marry me.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's nice of you not to make a fuss about it. I'm +very much obliged but I'm afraid I can't.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Why not?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, you see, I don't know you.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>We could spend the beginning of our married life +so usefully in making one another's acquaintance.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It would be rather late in the day then to come to +the conclusion that we couldn't bear the sight of one +another.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Shall I send my banker's book so that you may see +that my antecedents are respectable and my circumstances—such +as to inspire affection.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I have no doubt it would be very interesting—but +not to me.</p> + +<p class="dir">[<i>She makes as if to go.</i><br /> +</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Ah, don't go yet. Won't you give me some +reason?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>If you insist. I'm not in the least in love with +you.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>D'you think that much matters?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're a friend of Gerald's, and he says you're a +very good sort. But I really can't marry every one +that Gerald rather likes.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>He said he'd put in a good word for me.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>If I ever marry again it shall be to please myself, +not to please my brother.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I hope I shall induce you to alter your mind.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm afraid I can give you no hope of that.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>You know, when I determine to do a thing, I +generally do it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That sounds very like a threat.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>You may take it as such if you please.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And you've made up your mind that you're going +to marry me?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Quite.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, I've made up mine that you shan't. So +we're quits.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Why don't you talk to your brother about it?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Because it's no business of his.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Isn't it? Ask him!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>What do you mean by that?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Ask him? Good-night.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Good-night. [<i>He goes out.</i> <span class="smcap">Lady Frederick</span> <i>goes +to the French window that leads to the terrace and +calls</i>.] Gerald!</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Hulloa!</p> + +<p class="dir">[<i>He appears and comes into the room.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Did you know that Captain Montgomerie was going +to propose to me?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Is there any reason why I should marry him?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Only that I owe him nine hundred pounds.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Aghast.</i>] Oh, why didn't you tell me?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>You were so worried, I couldn't. Oh, I've been +such a fool. I tried to make a <i>coup</i> for Rose's sake.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Is it a gambling debt?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Ironically.</i>] What they call a debt of honour?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I must pay it the day after to-morrow without fail.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But that's the day my two bills fall due. And if +you don't?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I shall have to send in my papers, and I shall lose +Rosie. And then I shall blow out my silly brains.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But who is the man?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>He's the son of Aaron Levitzki, the money-lender.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Half-comic, half-aghast.</i>] Oh lord!</p> + +<p> +<br /> +<br /> +</p> + +<p class="cb">END OF THE FIRST ACT</p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THE_SECOND_ACT_F" id="THE_SECOND_ACT_F"></a>THE SECOND ACT</h2> + +<p class="hang"><i>The scene is the same as in</i> <span class="smcap">Act I</span>. <span class="smcap">Admiral Carlisle</span> +<i>is sleeping in an armchair with a handkerchief +over his face</i>. <span class="smcap">Rose</span> <i>is sitting on a grandfather's +chair, and</i> <span class="smcap">Gerald</span> <i>is leaning over the back</i>.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Isn't papa a perfectly adorable chaperon?</p> + +<p class="dir">[<i>The</i> <span class="smcap">Admiral</span> <i>snores</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Perfectly.</p> + +<p class="dir">[<i>A pause.</i><br /> +</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>I've started fifteen topics of conversation in the +last quarter of an hour, Gerald.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>[<i>Smiling.</i>] Have you?</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>You always agree with me, and there's an end of +it. So I have to rack my brains again.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>All you say is so very wise and sensible. Of course +I agree.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>I wonder if you'll think me sensible and wise in +ten years.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I'm quite sure I shall.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Why, then, I'm afraid we shan't cultivate any great +brilliancy of repartee.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Be good, sweet maid, and let who will be clever.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Oh, don't say that. When a man's in love, he at +once makes a pedestal of the Ten Commandments +and stands on the top of them with his arms akimbo. +When a woman's in love she doesn't care two straws +for Thou Shalt and Thou Shalt Not.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>When a woman's in love she can put her heart on +the slide of a microscope and examine how it beats. +When a man's in love, what do you think he cares +for science and philosophy and all the rest of it!</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>When a man's in love he can only write sonnets to +the moon. When a woman's in love she can still cook +his dinner and darn her own stockings.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I wish you wouldn't cap all my observations.</p> + +<p class="dir">[<i>She lifts up her face, and he kisses her lips.</i><br /> +</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>I'm beginning to think you're rather nice, you +know.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>That's reassuring, at all events.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>But no one could accuse you of being a scintillating +talker.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Have you ever watched the lovers in the Park +sitting on the benches hour after hour without saying +a word?</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Why?</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Because I've always thought that they must be +bored to the verge of tears. Now I know they're +only happy.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>You're certainly my soldier, so I suppose I'm your +nursery-maid.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>You know, when I was at Trinity College, +Dublin——</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>[<i>Interrupting.</i>] Were you there? I thought you +went to Oxford.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>No, why?</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Only all my people go to Magdalen.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>And I've decided that if I ever have a son he shall +go there too.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Admiral</span> <i>starts and pulls the handkerchief<br /> +off his face. The others do not notice him.<br /> +He is aghast and astounded at the conversation.</i><br /> +<span class="smcap">Lady Frederick</span> <i>comes in later and<br /> +stands smiling as she listens</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>My darling, you know I hate to thwart you in any +way, but I've quite made up my mind that my son shall +go to Dublin as I did.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>I'm awfully sorry, Gerald, but the boy must be +educated like a gentleman.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>There I quite agree, Rose, but first of all he's an +Irishman, and it's right that he should be educated in +Ireland.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Darling Gerald, a mother's love is naturally the +safest guide in these things.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Dearest Rose, a father's wisdom is always the most +reliable.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Pardon my interfering, but—aren't you just a +little previous?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>[<i>Bursting out.</i>] Did you ever hear such a conversation +in your life between a young unmarried +couple?</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>My dear papa, we must be prepared for everything.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>In my youth young ladies did not refer to things +of that sort.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, I don't suppose they're any the worse for +having an elementary knowledge of natural history. +Personally I doubt whether ignorance is quite the +same thing as virtue, and I'm not quite sure that a +girl makes a better wife because she's been brought +up like a perfect fool.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I am old-fashioned, Lady Frederick; and my idea +of a modest girl is that when certain topics are +mentioned she should swoon. Swoon, madam, swoon. +They always did it when I was a lad.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Well, father, I've often tried to faint when I +wanted something that you wouldn't give me, and I've +never been able to manage it. So I'm sure I couldn't +swoon.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>And with regard to this ridiculous discussion as to +which University your son is to be sent, you seem to +forget that I have the right to be consulted.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>My dear Admiral, I don't see how it can possibly +matter to you.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>And before we go any further I should like you to +know that the very day Rose was born I determined +that her son should go to Cambridge.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>My dear papa, I think Gerald and I are far and +away the best judges of our son's welfare.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>The boy must work, Rose. I will have no good-for-nothing +as my grandson.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Exactly. And that is why I'm resolved he shall go +to Dublin.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>The important thing is that he should have really +nice manners, and that they teach at Oxford if they +teach nothing else.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, don't you think you'd better wait another +twenty years or so before you discuss this?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>There are some matters which must be settled at +once, Lady Frederick.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You know, young things are fairly independent +nowadays. I don't know what they'll be in twenty +years' time.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>The first thing the boy shall learn is obedience.</p> + +<p class="charc"><span class="smcap">Rose.</span> +Certainly. There's nothing so hateful as a disobedient +child.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I can't see my grandson venturing to disobey me.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then you're all agreed. So that's settled. I came +to tell you your carriage was ready.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Go and put on your bonnet, Rose. [<i>To</i> <span class="smcap">Lady +Frederick</span>.] Are you coming with us?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm afraid I can't. Au revoir.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>A tout à l'heure.</p> + +<p class="dir">[<i>He and</i> <span class="smcap">Rose</span> <i>go out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Have you ever seen in your life any one so entirely +delightful as Rose?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] Only when I've looked in the glass.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>My dear Elizabeth, how vain you are.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're very happy, my Gerald.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>It's such a relief to have got over all the difficulties. +I thought it never would come right. You are a +brick, Elizabeth.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I really think I am rather.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>The moment you promised to arrange things I felt +as safe as a house.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I said I'd do my best, didn't I? And I told you +not to worry.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>[<i>Turning round suddenly.</i>] Isn't it all right?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No, it's about as wrong as it can possibly be. I +knew Cohen was staying here, and I thought I could +get him to hold the bills over for a few days.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>And won't he?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>He hasn't got them any more.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>[<i>Startled.</i>] What!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>They've been negotiated, and he swears he doesn't +know who has them.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>But who could have been such a fool?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't know, that's just the awful part of it. It +was bad enough before. I knew the worst Cohen +could do, but now.... It couldn't be Paradine.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>And then there's Montgomerie.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I shall see him to-day.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>What are you going to say to him?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I haven't an idea. I'm rather frightened of him.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>You know, dear, if the worst comes to the +worst....</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Whatever happens you shall marry Rose. I promise +you that.</p> + +<p class="dir">[<span class="smcap">Paradine Fouldes</span> <i>appears</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>May I come in?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Gaily.</i>] It's a public room. I don't see how we +can possibly prevent you.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I'm just going to take a stroll.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Do.</p> + +<p class="dir">[<i>He goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well? How are things going?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Quite well, thank you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I've left Charlie with his mother. I hope you can +spare him for a couple of hours.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I told him he must spend the afternoon with her. +I don't approve of his neglecting his filial duty.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Ah!... I saw Dick Cohen this morning.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Quickly.</i>] Did you?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It seems to interest you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not at all. Why should it?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Smiling.</i>] Nice little man, isn't he?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Good humouredly.</i>] I wish I had something to +throw at you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>With a laugh.</i>] Well, I haven't got the confounded +bills. I was too late.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Did you try?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Oh—yes, I thought it would interest Charlie to +know how extremely needful it was for you to marry +him.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then who on earth has got them?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I haven't an idea, but they must make you very +uncomfortable. Three thousand five hundred, eh?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Don't say it all at once. It sounds so much.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You wouldn't like to exchange those letters of +Mereston's for seven thousand pounds, would you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] No.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Ah.... By the way, d'you mind if I tell Charlie +the full story of your—relations with me?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Why should I? It's not I who'll look ridiculous.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Thanks. I may avail myself of your permission.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I daresay you've noticed that Charlie has a very +keen sense of humour.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>If you're going to be disagreeable to me I shall go. +[<i>He stops.</i>] I say, are you quite sure there's nothing +else that can be brought up against you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] Quite sure, thanks.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My sister's very jubilant to-day. What about the +Bellingham affair?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Merely scandal, my friend.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, look out. She's a woman, and she'll stick at +nothing.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I wonder why you warn me.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>For the sake of old times, my dear.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're growing sentimental, Paradine. It's the +punishment which the gods inflict on a cynic when +he grows old.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It may be, but for the life of me I can't forget that +once——</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Interrupting.</i>] My dear friend, don't rake up my +lamentable past.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I don't think I've met any one so entirely devoid +of sentiment as you are.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Let us agree that I have every vice under the sun +and have done with it.</p> + +<p class="dir">[<i>A</i> <span class="smcap">Servant</span> <i>comes in</i>.]<br /> +</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Madame Claude wishes to see your ladyship.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, my dressmaker.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Another bill?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That's the worst of Monte. One meets as many +creditors as in Bond Street. Say I'm engaged.</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Madame Claude says she will wait till miladi is +free.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You make a mistake. One should always be polite +to people whose bills one can't pay.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Show her in.</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Yes, miladi.</p> + +<p class="dir">[<i>Exit</i> <span class="smcap">Servant.</span><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Is it a big one?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, no; only seven hundred pounds.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By Jove.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear friend, one must dress. I can't go about +in fig-leaves.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>One can dress simply.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I do. That's why it costs so much.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You know, you're devilish extravagant.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm not. I'm content with the barest necessities +of existence.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You've got a maid.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Of course I've got a maid. I was never taught to +dress myself.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And you've got a footman.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I've always had a footman. And my mother +always had a footman. I couldn't live a day without +him.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>What does he do for you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>He inspires confidence in tradesmen.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And you have the most expensive suite of rooms in +the hotel.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm in such a dreadful mess. If I hadn't got nice +rooms I should brood over it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Then, as if that weren't enough, you fling your +money away at the tables.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>When you're as poor as I am, a few louis more or +less can make absolutely no difference.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>With a laugh.</i>] You're quite incorrigible.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's really not my fault. I do try to be economical, +but money slips through my fingers like water. I +can't help it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You want a sensible sort of a man to look after you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I want a very rich sort of a man to look after me.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>If you were my wife, I should advertise in the +papers that I wasn't responsible for your debts.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>If you were my husband, I'd advertise immediately +underneath that I wasn't responsible for your +manners.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I wonder why you're so reckless.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>When my husband was alive I was so utterly +wretched. And afterwards, when I looked forward +to a little happiness, my boy died. Then I didn't +care any more. I did everything I could to stupefy +myself. I squandered money as other women take +morphia—that's all.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It's the same dear scatter-brained, good-hearted +Betsy that I used to know.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're the only person who calls me Betsy now. To +all the others I'm only Elizabeth.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Look here, what are you going to do with this +dressmaker?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't know. I always trust to the inspiration of +the moment.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>She'll make a devil of a fuss, won't she?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, no; I shall be quite nice to her.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I daresay. But won't she be very disagreeable to +you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You don't know what a way I have with my +creditors.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I know it's not a paying way.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Isn't it? I bet you a hundred louis that I offer +her the money and she refuses it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I'll take that.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Here she is.</p> + +<p class="dir">[<span class="smcap">Madame Claude</span> <i>enters, ushered in by the</i><br /> +<span class="smcap">Servant</span>. <i>She is a stout, genteel person,<br /> +very splendidly gowned, with a Cockney<br /> +accent. Her face is set to sternness, decision<br /> +to make a scene, and general sourness.</i><br /> +</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Madame Claude.</p> + +<p class="dir">[<i>Exit</i> <span class="smcap">Servant</span>. <span class="smcap">Lady Frederick</span> <i>goes up to<br /> +her enthusiastically and takes both her<br /> +hands</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Best of women. This is a joyful surprise.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>Drawing herself up.</i>] I 'eard quite by chance that +your ladyship was at Monte.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>So you came to see me at once. That was nice of +you. You're the very person I wanted to see.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>Significantly.</i>] I'm glad of that, my lady, I must +confess.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You dear creature. That's one advantage of Monte +Carlo, one meets all one's friends. Do you know Mr. +Fouldes? This is Madame Claude, an artist, my dear +Paradine, a real artist.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>Grimly.</i>] I'm pleased that your ladyship should +think so.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>How d'you do.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now, this gown. Look, look, look. In this skirt +there's genius, <i>mon cher</i>. In the way it hangs my +whole character is expressed. Observe the fullness of +it, that indicates those admirable virtues which make +me an ornament to Society, while the frill at the +bottom just suggests those foibles—you can hardly +call them faults—which add a certain grace and +interest to my personality. And the flounce. Paradine, +I beseech you to look at it carefully. I would +sooner have designed this flounce than won the Battle +of Waterloo.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Your ladyship is very kind.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not at all, not at all. You remember that rose +chiffon. I wore it the other day, and the dear Archduchess +came up to me and said: "My dear, my +dear." I thought she was going to have a fit. But +when she recovered she kissed me on both cheeks and +said: "Lady Frederick, you have a dressmaker +worth her weight in gold." You heard her, Paradine, +didn't you?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You forget that I only arrived last night.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Of course. How stupid of me. She'll be perfectly +delighted to hear that you're in Monte Carlo. But I +shall have to break it to her gently.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>Unmoved.</i>] I'm sorry to intrude upon your +ladyship.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now what are you talking about? If you hadn't +come to see me I should never have forgiven you.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>I wanted to have a little talk with your ladyship.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, but I hope we shall have many little talks. +Have you brought your motor down?</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That's charming. You shall take me for a drive +in it every day. I hope you're going to stay some +time.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>That depends on circumstances, Lady Frederick. I +'ave a little business to do here.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then let me give you one warning—don't gamble.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Oh, no, my lady. I gamble quite enough in my +business as it is. I never know when my customers +will pay their bills—if ever.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Slightly taken aback.</i>] Ha, ha, ha.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>With a deep guffaw.</i>] Ho, ho, ho.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Isn't she clever? I must tell that to the Archduchess. +She'll be so amused. Ha, ha, ha, ha. The +dear Archduchess, you know she loves a little joke. +You must really meet her. Will you come and lunch? +I know you'd hit it off together.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>More genially.</i>] That's very kind of your ladyship.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear, you know perfectly well that I've always +looked upon you as one of my best friends. Now who +shall we have? There's you and me and the Archduchess. +Then I'll ask Lord Mereston.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>The Marquess of Mereston, Lady Frederick?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Yes. And Mr. Fouldes, his uncle.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Excuse me, are you the Mr. Paradine Fouldes?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Bowing.</i>] At your service, madam.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>I'm so glad to make your acquaintance, Mr. Fouldes. +[<i>Unctuously.</i>] I've always heard you're such a bad +man.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Madam, you overwhelm me with confusion.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Believe me, Mr. Fouldes, it's not the ladies that +are married to saints who take the trouble to dress +well.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now we want a third man. Shall we ask my +brother—you know Sir Gerald O'Mara, don't you? +Or shall we ask Prince Doniani? Yes, I think we'll +ask the Prince. I'm sure you'd like him. Such a +handsome man! That'll make six.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>It's very kind of you, Lady Frederick, but—well, +I'm only a tradeswoman, you know.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>A tradeswoman? How can you talk such nonsense. +You are an artist—a real artist, my dear. And an +artist is fit to meet a king.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Well, I don't deny that I'd be ashamed to dress +my customers in the gowns I see painted at the +Royal Academy.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then it's quite settled, isn't it, Madame Claude—oh, +may I call you Ada?</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Oh, Lady Frederick, I should be very much flattered. +But how did you know that was my name?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Why you wrote me a letter only the other day.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Did I?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And such a cross letter too.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>Apologetically.</i>] Oh, but Lady Frederick, that was +only in the way of business. I don't exactly remember +what expressions I may have made use of——</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Interrupting, as if the truth had suddenly flashed +across her.</i>] Ada! I do believe you came here to-day +about my account.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Oh, no, my lady, I promise you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You did; I know you did. I see it in your face. +Now that really wasn't nice of you. I thought you +came as a friend.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>I did, Lady Frederick.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No, you wanted to dun me. I'm disappointed in +you. I did think, after all the things I've had from +you, you wouldn't treat me like that.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>But I assure your ladyship....</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not another word. You came to ask for a cheque. +You shall have it.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>No, Lady Frederick, I wouldn't take it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>What is the exact figure, Madame Claude?</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>I—I don't remember.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Seven hundred and fifty pounds, seventeen and +ninepence. You see, I remember. You came for +your cheque and you shall have it.</p> + +<p class="dir">[<i>She sits down and takes a pen.</i><br /> +</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Now, Lady Frederick, I should look upon that as +most unkind. It's treating me like a very second-rate +establishment.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm sorry, but you should have thought of that +before. Now I haven't got a cheque; how tiresome.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Oh, it doesn't matter, Lady Frederick. I promise +you it never entered my 'ead.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>What shall I do?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You can write it on a sheet of paper, you know.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a look, aside to him.</i>] Monster! [<i>Aloud.</i>] Of +course I can. I hadn't thought of that. [<i>She takes a +sheet of paper.</i>] But how on earth am I to get a +stamp?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Much amused.</i>] I happen to have one on me.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I wonder why on earth you should have English +stamps in Monte Carlo?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Handing her one.</i>] A penny stamp may sometimes +save one a hundred louis.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Ironically.</i>] Thanks so much. I write the name +of my bank on the top, don't I? Pay Madame +Claude....</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Now, it's no good, Lady Frederick, I won't take it. +After all I 'ave my self-respect to think of.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's too late now.</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>Sniffing a little.</i>] No, no, Lady Frederick. Don't +be too 'ard on me. As one lady to another I ask you +to forgive me. I did come about my account, but—well, +I don't want the money.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Looking up good-humouredly.</i>] Well, well. [<i>She looks +at the cheque.</i>] It shall be as you wish. There. [<i>She +tears it up.</i>]</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>Oh, thank you, Lady Frederick. I look upon that +as a real favour. And now I really must be getting +off.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Must you go? Well, good-bye. Paradine, take +Madame Claude to her motor. Ada!</p> + +<p class="dir">[<i>She kisses her on the cheek.</i><br /> +</p> + +<p class="charc"><span class="smcap">Madame Claude.</span></p> + +<p>[<i>Going.</i>] I am pleased to have seen you.</p> + +<p class="dir">[<span class="smcap">Paradine</span> <i>offers his arm and goes out with</i><br /> +<span class="smcap">Madame Claude</span>. <span class="smcap">Lady Frederick</span> <i>goes<br /> +to the window, stands on a chair and waves<br /> +her handkerchief. While she is doing this</i><br /> +<span class="smcap">Captain Montgomerie</span> <i>enters</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>How d'you do?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Getting down.</i>] How nice of you to come. I +wanted to see you.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>May I sit down?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Of course. There are one or two things I'd like to +talk to you about.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Yes?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>First I must thank you for your great kindness to +Gerald. I didn't know last night that he owed you +a good deal of money.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>It's a mere trifle.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You must be very rich to call nine hundred pounds +that?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I am.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a laugh.</i>] All the same it's extremely good of +you to give him plenty of time.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I told Gerald he could have till to-morrow.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Obviously he wants to settle with you as soon as +ever he can.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Quietly.</i>] I often wonder why gambling debts are +known as debts of honour.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Looking at him steadily.</i>] Of course I realise that if +you choose to press for the money and Gerald can't +pay—he'll have to send in his papers.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Lightly.</i>] You may be quite sure I have no wish +to bring about such a calamity. By the way, have +you thought over our little talk of last night?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>You would have been wise to do so.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear Captain Montgomerie, you really can't +expect me to marry you because my brother has been +so foolish as to lose more money at poker than he can +afford.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Did you ever hear that my father was a money-lender?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>A lucrative profession, I believe.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>He found it so. He was a Polish Jew called Aaron +Levitzki. He came to this country with three +shillings in his pocket. He lent half-a-crown of it +to a friend on the condition that he should be paid +back seven and six in three days.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm not good at figures, but the interest sounds +rather high.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>It is. That was one of my father's specialities. +From these humble beginnings his business grew to +such proportions that at his death he was able to +leave me the name and arms of the great family of +Montgomerie and something over a million of money.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>The result of thrift, industry, and good fortune.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>My father was able to gratify all his ambitions but +one. He was eaten up with the desire to move in +good society, and this he was never able to achieve. +His dying wish was that I should live in those circles +which he knew only....</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Across the counter?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Precisely. But my poor father was a little ignorant +in these matters. To him one lord was as good as +another. He thought a Marquess a finer man than an +Earl, and a Viscount than a Baron. He would never +have understood that a penniless Irish baronet might +go into better society than many a belted earl.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And what is the application of this?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I wanted to explain to you one of the reasons which +emboldened me last night to make you a proposal of +marriage.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But surely you know some very nice people. I saw +you lunching the other day with the widow of a city +knight.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Many very excellent persons are glad to have me +to dine with them. But I know quite well that +they're not the real article. I'm as far off as ever +from getting into those houses which you have been +used to all your life. I'm not content with third-rate +earls and rather seedy dowagers.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Forgive my frankness, but—aren't you rather a +snob?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>My father, Aaron Levitzki, married an English +woman, and I have all the English virtues.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But I'm not quite sure that people would swallow +you even as my husband.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>They'd make a face, but they'd swallow me right +enough. And when I asked them down to the best +shoot in England they'd come to the conclusion that +I agreed with them very well.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Still rather amused.</i>] Your offer is eminently +businesslike, but you see I'm not a business woman. +It doesn't appeal to me.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I only ask you to perform such of the duties of a +wife as are required by Society. They are few enough +in all conscience. I should wish you to entertain +largely and receive my guests, be polite to me, at +least in public, and go with me to the various places +people go to. Otherwise I leave you entire freedom. +You will find me generous and heedful to all your +wishes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Captain Montgomerie, I don't know how much of +all that you have said is meant seriously. But, surely +you're not choosing the right time to make such a +proposal when my brother owes you so much money +that if you care to be hard you can ruin him.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Why not?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>D'you mean to say...?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I will be quite frank with you. I should never +have allowed Gerald to lose so much money which +there was no likelihood of his being able to pay, if I +had not thought it earned me some claim upon your +gratitude.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Shortly.</i>] Gerald will pay every penny he owes +you to-morrow.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Blandly.</i>] Where d'you suppose he'll get it?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I have no doubt I shall be able to manage something.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Have you not tried this morning, entirely without +success?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Startled.</i>] What?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>You do not forget that you have sundry moneys of +your own which are payable to-morrow?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>How d'you know that?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I told you that when I took a thing in hand I +carried it through. You went to Dick Cohen, and he +told you he'd parted with the bills. Didn't you +guess that only one man could have the least interest +in taking them over?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, God.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Come, come, don't be worried over it. There's +nothing to be alarmed about. I'm a very decent +chap—if you'd accepted me right away you would +never have known that those bills were in my +possession. Think it over once more. I'm sure we +should get on well together. I can give you what +you most need, money and the liberty to fling it +away as recklessly as you choose; you can give me +the assured and fixed position on which—my father's +heart was set.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And if I don't accept, you'll make me a bankrupt +and you'll ruin Gerald?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I refuse to consider that very unpleasant alternative.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh! I can't, I can't.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Laughing.</i>] But you must, you must. When shall +I come for your answer? To-morrow? I'll come +with the bills and Gerald's I.O.U. in my pocket, and +you shall burn them yourself. Good-bye.</p> + +<p class="dir">[<i>He kisses her hand and goes out.</i> <span class="smcap">Lady<br /> +Frederick</span> <i>remains staring in front of<br /> +her</i>. <span class="smcap">Mereston</span> <i>enters, followed by</i> <span class="smcap">Lady<br /> +Mereston</span> <i>and</i> <span class="smcap">Paradine</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Going to her eagerly.</i>] Hulloa! I wondered what on +earth had become of you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a laugh.</i>] It's only two hours since I chased +you away from me.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm afraid I bore you to death.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Don't be so silly. You know you don't.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Where are you going now?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I have rather a headache. I'm going to lie down.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm so sorry.</p> + +<p class="dir">[<span class="smcap">Lady Frederick</span> <i>goes out</i>. <span class="smcap">Mereston</span> <i>stares<br /> +after her anxiously, and makes a step<br /> +towards the door</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Sharply.</i>] Where are you going, Charlie?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I never asked Lady Frederick if I could do anything.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Good heavens, there are surely plenty of servants +in the hotel to get her anything she wants.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Don't you think a drive in the motor would do her +good?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Unable to control herself.</i>] Oh, I have no patience +with you. I never saw such a ridiculous infatuation +in my life.</p> + +<p class="charc"><span class="smcap">Paradine.</span></p> + +<p>Steady, old girl, steady.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>What on earth d'you mean, mother?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Presumably you're not going to deny that you're +in love with that woman.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Growing pale.</i>] Would you mind speaking of her +as Lady Frederick?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>You try me very much, Charlie. Please answer +my question.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I don't want to seem unkind to you, mother, but I +think you have no right to ask about my private +affairs.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>If you're going to talk this matter over you're more +likely to come to an understanding if you both keep +your tempers.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>There's nothing I wish to discuss.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Don't be absurd, Charlie. You're with Lady +Frederick morning, noon and night. She can never +stir a yard from the hotel but you go flying after. +You pester her with your ridiculous attentions.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Blandly.</i>] One's relations have always such an +engaging frankness. Like a bad looking-glass, they +always represent you with a crooked nose and a cast +in your eye.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>To</i> <span class="smcap">Mereston</span>.] I have certainly a right to know +what you mean by all this and what is going to come +of it.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I don't know what will come of it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>The question that excites our curiosity is this: are +you going to ask Lady Frederick to marry you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I refuse to answer that. It seems to me excessively +impertinent.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Come, come, my boy, you're too young to play the +heavy father. We're both your friends. Hadn't you +better make a clean breast of it? After all, your +mother and I are interested in nothing so much as +your welfare.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Imploring.</i>] Charlie!</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Of course I'd ask her to marry me if I thought for +a moment that she'd accept. But I'm so terrified +that she'll refuse, and then perhaps I shall never see +her again.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>The boy's stark, staring mad.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I don't know what I should do if she sent me about +my business. I'd rather continue in this awful +uncertainty than lose all hope for ever.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By George. You're pretty far gone, my son. The +lover who's diffident is in a much worse way than the +lover who protests.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>With a little laugh.</i>] I must say it amuses me that +Lady Frederick should have had both my brother and +my son dangling at her skirts. Your respective +passions are separated by quite a number of years.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Lady Frederick has already told me of that +incident.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>With the usual indiscretion of her sex.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>It appears that she was very unhappy and you, +with questionable taste, made love to her.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Do your best not to preach at me, dear boy. It +reminds me of your lamented father.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>And at last she promised to go away with you. +You were to meet at Waterloo Station.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Such a draughty place for an assignation.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Your train was to start at nine, and you were going +to take the boat over to the Channel Isles.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Lady Frederick has a very remarkable memory. I +remember hoping the sea wouldn't be rough.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>And just as the train was starting her eye fell on +the clock. At that moment her child was coming +down to breakfast and would ask for her. Before +you could stop her she'd jumped out of the carriage. +The train was moving, and you couldn't get out, so +you were taken on to Weymouth—alone.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>You must have felt a quite egregious ass, +Paradine.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I did, but you need not rub it in.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Doesn't it occur to you, Charlie, that a woman +who loves so easily can't be very worthy of your +affection?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>But, my dear mother, d'you think she cared for my +uncle?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>What the dickens d'you mean?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>D'you suppose if she loved you she would have +hesitated to come? D'you know her so little as that? +She thought of her child only because she was quite +indifferent to you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Crossly.</i>] You know nothing about it, and you're +an impertinent young jackanapes.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>My dear Paradine, what can it matter if Lady +Frederick was in love with you or not?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Calming down.</i>] Of course it doesn't matter a bit.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I have no doubt you mistook wounded vanity for a +broken heart.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Acidly.</i>] My dear, you sometimes say things which +explain to me why my brother-in-law so frequently +abandoned his own fireside for the platform of Exeter +Hall.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>It may also interest you to learn that I am perfectly +aware of Lady Frederick's financial difficulties. I +know she has two bills falling due to-morrow.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>She's a very clever woman.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I've implored her to let me lend her the money, and +she absolutely refuses. You see, she's kept nothing +from me at all.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>My dear Charlie, it's a very old dodge to confess +what doesn't matter in order to conceal what does.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>What do you mean, mother?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Lady Frederick has told you nothing of the +Bellingham affair?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Why should she?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>It is surely expedient you should know that the +woman you have some idea of marrying escaped the +divorce court only by the skin of her teeth.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I don't believe that, mother.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Remember that you're talking to your respected +parent, my boy.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm sorry that my mother should utter base and +contemptible libels on—my greatest friend.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>You may be quite sure that I say nothing which +I can't prove.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I won't listen to anything against Lady Frederick.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>But you must.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Are you quite indifferent to the great pain you +cause me?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I can't allow you to marry a woman who's hopelessly +immoral.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Mother, how dare you say that?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>This isn't the sort of thing I much like, but hadn't +you better hear the worst at once?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Very well. But if my mother insists on saying +things, she must say them in Lady Frederick's +presence.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>That I'm quite willing to do.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Good.</p> + +<p class="dir">[<i>He rings the bell. A servant enters.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You'd better take care, Maudie. Lady Frederick's +a dangerous woman to play the fool with.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>To the servant.</i>] Go to Lady Frederick Berolles and +say Lord Mereston is extremely sorry to trouble +her ladyship, but would be very much obliged if she'd +come to the drawing-room for two minutes.</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Very well, my lord.</p> + +<p class="dir">[<i>Exit.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>What are you going to do, Maud?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I knew there was a letter in existence in Lady +Frederick's handwriting which proved all I've said +about her. I've moved heaven and earth to get +hold of it, and it came this morning.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Don't be such a fool. You're not going to use +that?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>I am indeed.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Your blood be upon your own head. Unless I'm +vastly mistaken you'll suffer the greatest humiliation +that you can imagine.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>That's absurd. I have nothing to fear.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span> <i>comes in.</i></p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm so sorry to disturb you. I hope you don't +mind?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not at all. I knew you wouldn't have sent for me +in that fashion without good cause.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm afraid you'll think me dreadfully impertinent.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Really you need not apologise so much, Charlie.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>My mother has something to say against you, and +I think it right that she should say it in your +presence.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That's very nice of you, Charlie—though I confess +I prefer people to say horrid things of me only +behind my back. Especially if they're true.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Look here, I think all this is rather nonsense. +We've most of us got something in our past history +that we don't want raked up, and we'd all better let +bygones be bygones.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm waiting, Lady Mereston.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>It's merely that I thought my son should know +that Lady Frederick had been the mistress of Roger +Bellingham. [<span class="smcap">Lady Frederick</span> <i>turns quickly and +looks at her</i>; <i>then bursts into a peal of laughter</i>. +<span class="smcap">Lady Mereston</span> <i>springs up angrily and hands her a +letter</i>.] Is this in your handwriting?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Not at all disconcerted.</i>] Dear me, how did you get +hold of this?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>You see that I have ample proof, Lady Frederick.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Handing the letter to</i> <span class="smcap">Mereston</span>.] Would you like +to read it? You know my writing well enough to be +able to answer Lady Mereston's question.</p> + +<p class="dir">[<i>He reads it through and looks at her in dismay.</i><br /> +</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Good God!... What does it mean?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Pray read it aloud.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I can't.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then give it to me. [<i>She takes it from him.</i>] It's +addressed to my brother-in-law, Peter Berolles. The +Kate to whom it refers was his wife. [<i>Reads.</i>] Dear +Peter: I'm sorry you should have had a row with +Kate about Roger Bellingham. You are quite wrong +in all you thought. There is absolutely nothing +between them. I don't know where Kate was on +Tuesday night, but certainly she was not within a +hundred miles of Roger. This I know because....</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Interrupting.</i>] For God's sake don't go on.</p> + +<p class="dir">[<span class="smcap">Lady Frederick</span> <i>looks at him and shrugs her<br /> +shoulders</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's signed Elizabeth Berolles. And there's a postscript: +You may make what use of this letter you +like.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>What does it mean? What does it mean?</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Surely it's very clear? You can't want a more +explicit confession of guilt.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I tried to make it as explicit as possible.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Won't you say something? I'm sure there must +be some explanation.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't know how you got hold of this letter, Lady +Mereston. I agree with you, it is compromising. +But Kate and Peter are dead now, and there's nothing +to prevent me from telling the truth.</p> + +<p class="dir">[<span class="smcap">Paradine Fouldes</span> <i>takes a step forward and<br /> +watches her</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My sister-in-law was a meek and mild little person, +as demure as you can imagine, and no one would have +suspected her for a moment of kicking over the traces. +Well, one morning she came to me in floods of tears +and confessed that she and Roger Bellingham [<i>with +a shrug</i>] had been foolish. Her husband suspected +that something was wrong and had kicked up a row.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Drily.</i>] There are men who will make a scene on +the smallest provocation.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>To shield herself she told the first lie that came +into her head. She said to Peter that Roger Bellingham +was my lover—and she threw herself on my mercy. +She was a poor, weak little creature, and if there'd +been a scandal she'd have gone to the dogs altogether. +It had only been a momentary infatuation for Roger, +and the scare had cured her. At the bottom of her +heart she loved her husband still. I was desperately +unhappy, and I didn't care much what became of me. +She promised to turn over a new leaf and all that +sort of thing. I thought I'd better give her another +chance of going straight. I did what she wanted. +I wrote that letter taking all the blame on myself, +and Kate lived happily with her husband till she +died.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>It was just like you.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>But Lord and Lady Peter are dead?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>And Roger Bellingham?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>He's dead too.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Then how can you prove your account of this +affair?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I can't.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>And does this convince you, Charlie?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Of course.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>Impatiently.</i>] Good heavens, the boy's out of his +senses. Paradine, for Heaven's sake say something.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, much as it may displease you, my dear, I'm +afraid I agree with Charlie.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>You don't mean to say you believe this cock-and-bull +story?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I do.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Why?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, you see, Lady Frederick's a very clever +woman. She would never have invented such an +utterly improbable tale, which can't possibly be proved. +If she'd been guilty, she'd have had ready at least a +dozen proofs of her innocence.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>But that's absurd.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Besides, I've known Lady Frederick a long time, +and she has at least a thousand faults.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With flashing eyes.</i>] Thanks.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But there's something I will say for her. She's +not a liar. If she tells me a thing, I don't hesitate +for a moment to believe it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's not a matter of the smallest importance if any +of you believe me or not. Be so good as to ring, +Charlie.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Certainly.</p> + +<p class="dir">[<i>He rings, and a</i> <span class="smcap">Servant</span> <i>immediately comes in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Tell my servant that he's to come here at once and +bring the despatch-box which is in my dressing-room.</p> + +<p class="charc"><span class="smcap">Servant.</span></p> + +<p>Yes, miladi.</p> + +<p class="dir">[<i>Exit.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Quickly.</i>] I say, what are you going to do?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That is absolutely no business of yours.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Be a brick, Betsy, and don't give her those letters.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I think I've had enough of this business. I'm +proposing to finish with it.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Temper, temper.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Stamping her foot.</i>] Don't say temper to me, +Paradine.</p> + +<p class="dir">[<i>She walks up and down angrily.</i> <span class="smcap">Paradine</span><br /> +<i>sits at the piano and with one finger strums<br /> +"Rule Britannia."</i><br /> +</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Shut up.</p> + +<p class="dir">[<i>He takes a book, flings it at his head and<br /> +misses.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Good shot, sir.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I often wonder how you got your reputation for +wit, Paradine.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By making a point of laughing heartily at other +people's jokes.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Footman</span> <i>enters with the despatch-box,<br /> +which</i> <span class="smcap">Lady Frederick</span> <i>opens. She takes<br /> +a bundle of letters from it.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Betsy, Betsy, for heaven's sake don't! Have +mercy.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Was mercy shown to me? Albert!</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Yes, miladi.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You'll go to the proprietor of the hotel and tell him +that I propose to leave Monte Carlo to-morrow.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Aghast.</i>] Are you going?</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Very well, my lady.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Have you a good memory for faces?</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Yes, my lady.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're not likely to forget Lord Mereston?</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>No, my lady.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then please take note that if his lordship calls +upon me in London I'm not at home.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Lady Frederick!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>To</i> <span class="smcap">Footman</span>.] Go.</p> + +<p class="dir">[<i>Exit</i> <span class="smcap">Footman</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>What d'you mean? What have I done?</p> + +<p class="dir">[<i>Without answering</i> <span class="smcap">Lady Frederick</span> <i>takes<br /> +the letters</i>. <span class="smcap">Paradine</span> <i>is watching her<br /> +anxiously. She goes up to the stove and<br /> +throws them in one by one.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>What on earth is she doing?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I have some letters here which would ruin the +happiness of a very worthless woman I know. I'm +burning them so that I may never have the temptation +to use them.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I never saw anything so melodramatic.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Hold your tongue, Paradine. [<i>Turning to</i> +<span class="smcap">Mereston</span>.] My dear Charlie, I came to Monte +Carlo to be amused. Your mother has persecuted +me incessantly. Your uncle—is too well-bred to talk +to his servants as he has talked to me. I've been +pestered in one way and another, and insulted till my +blood boiled, because apparently they're afraid you +may want to marry me. I'm sick and tired of it. +I'm not used to treatment of this sort; my patience +is quite exhausted. And since you are the cause of +the whole thing I have an obvious remedy. I would +much rather not have anything more to do with you. +If we meet one another in the street you need not +trouble to look my way because I shall cut you dead.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>In an undertone.</i>] Thank God for that.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Mother, mother. [<i>To</i> <span class="smcap">Lady Frederick</span>.] I'm +awfully sorry. I feel that you have a right to be +angry. For all that you've suffered I beg your +pardon most humbly. My mother has said and done +things which I regret to say are quite unjustifiable.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Charlie!</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>On her behalf and on mine I apologise with all my +heart.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Smiling.</i>] Don't take it too seriously. It really +doesn't matter. But I think it's far wiser that we +shouldn't see one another again.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>But I can't live without you.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>[<i>With a gasp.</i>] Ah!</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Don't you know that my whole happiness is wrapped +up in you? I love you with all my heart and soul. +I can never love any one but you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>To</i> <span class="smcap">Lady Mereston</span>.] Now you've done it. You've +done it very neatly.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Don't think me a presumptuous fool. I've been +wanting to say this ever since I knew you, but I +haven't dared. You're brilliant and charming and +fascinating, but I have nothing whatever to offer you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Gently.</i>] My dear Charlie.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>But if you can overlook my faults, I daresay you +could make something of me. Won't you marry me? +I should look upon it as a great honour, and I would +love you always to the end of my life. I'd try to be +worthy of my great happiness and you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're very much too modest, Charlie. I'm enormously +flattered and grateful. You must give me +time to think it over.</p> + +<p class="charc"><span class="smcap">Lady Mereston.</span></p> + +<p>Time?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>But I can't wait. Don't you see how I love you? +You'll never meet any one who'll care for you as I do.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I think you can wait a little. Come and see me +to-morrow morning at ten, and I'll give you an +answer.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Very well, if I must.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Smiling.</i>] I'm afraid so.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>To</i> <span class="smcap">Lady Frederick</span>.] I wonder what the deuce +your little game is now.</p> + +<p class="dir">[<i>She smiles triumphantly and gives him a deep,<br /> +ironical curtsey.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Sir, your much obliged and very obedient, humble +servant.</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">END OF THE SECOND ACT.</p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THIRD_ACT_F" id="THIRD_ACT_F"></a>THIRD ACT</h2> + +<p class="hang"><span class="smcap">Scene</span>: <span class="smcap">Lady Frederick's</span> <i>dressing-room. At the back +is a large opening, curtained, which leads to the bedroom; +on the right a door leading to the passage; +on the left a window. In front of the window, of +which the blind is drawn, is a dressing-table.</i> +<span class="smcap">Lady Frederick's</span> <i>maid is in the room, a very +neat pretty Frenchwoman. She speaks with a +slight accent. She rings the bell, and the</i> <span class="smcap">Footman</span> +<i>enters</i>.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>As soon as Lord Mereston arrives he is to be +shown in.</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>[<i>Surprised.</i>] Here?</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Where else?</p> + +<p class="dir">[<i>The</i> <span class="smcap">Footman</span> <i>winks significantly. The</i> <span class="smcap">Maid</span><br /> +<i>draws herself up with dignity, and with a<br /> +dramatic gesture points to the door</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Depart.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Footman</span> <i>goes out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>From the bedroom.</i>] Have you drawn the blind, +Angélique?</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>I will do so, miladi. [<i>She draws the blind, and the +light falls brightly on the dressing-table.</i>] But miladi +will never be able to stand it. [<i>She looks at herself in +the glass.</i>] Oh, the light of the sun in the morning! +I cannot look at myself.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>As before.</i>] There's no reason that you should—especially +in my glass.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>But if 'is lordship is coming, miladi must let me +draw the blind. Oh, it is impossible.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Do as you're told and don't interfere.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Footman</span> <i>enters to announce</i> <span class="smcap">Mereston</span>.<br /> +<i>The</i> <span class="smcap">Maid</span> <i>goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Lord Mereston.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>As before.</i>] Is that you, Charlie? You're very +punctual.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I've been walking about outside till the clock +struck.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm not nearly dressed, you know. I've only just +had my bath.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Must I go?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No, of course not. You can talk to me while I'm +finishing.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>All right. How are you this morning?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't know. I haven't looked at myself in the +glass yet. How are you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>A 1, thanks.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Are you looking nice?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Going to the glass.</i>] I hope so. By Jove, what a +strong light. You must be pretty sure of your +complexion to be able to stand that.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Appearing.</i>] I am.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Going forward eagerly.</i>] Ah.</p> + +<p class="dir">[<i>She comes through the curtains. She wears a<br /> +kimono, her hair is all dishevelled, hanging<br /> +about her head in a tangled mop. She is<br /> +not made up and looks haggard and yellow<br /> +and lined. When</i> <span class="smcap">Mereston</span> <i>sees her he<br /> +gives a slight start of surprise. She plays<br /> +the scene throughout with her broadest<br /> +brogue.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Good-morning.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Staring at her in dismay.</i>] Good-morning.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, what have you to say to me?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Embarrassed.</i>] I—er—hope you slept all right.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] Did you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I forget.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I believe you slept like a top, Charlie. You really +might have lain awake and thought of me. What is +the matter? You look as if you'd seen a ghost.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Oh no, not at all.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're not disappointed already?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>No, of course not. Only—you look so different +with your hair not done.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a little cry.</i>] Oh, I'd forgotten all about it. +Angélique, come and do my hair.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>[<i>Appearing.</i>] Yes, miladi.</p> + +<p class="dir">[<span class="smcap">Lady Frederick</span> <i>sits down at the dressing-table.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now, take pains, Angélique. I want to look my +very best. Angélique is a jewel of incalculable value.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Miladi is very kind.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>If I'm light-hearted, she does it one way. If I'm +depressed she does it another.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Oh, miladi, the perruquier who taught me said +always that a good hairdresser could express every +mood and every passion of the human heart.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Good heavens, you don't mean to say you can do +all that?</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Miladi, he said I was his best pupil.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Very well. Express—express a great crisis in my +affairs.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>That is the easiest thing in the world, miladi. I +bring the hair rather low on the forehead, and that +expresses a crisis in her ladyship's affairs.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But I always wear my hair low on the forehead.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Then it is plain her ladyship's affairs are always in +a critical condition.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>So they are. I never thought of that.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>You've got awfully stunning hair, Lady Frederick.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>D'you like it, really?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>The colour's perfectly beautiful.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It ought to be. It's frightfully expensive.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>You don't mean to say it's dyed?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, no. Only touched up. That's quite a different +thing.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Is it?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's like superstition, you know, which is what +other people believe. My friends dye their hair, but +I only touch mine up. Unfortunately, it costs just +as much.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>And you have such a lot.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, heaps. [<i>She opens a drawer and takes out a long +switch.</i>] Give him a bit to look at.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Yes, miladi.</p> + +<p class="dir">[<i>She gives it to him.</i><br /> +</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Er—yes. [<i>Not knowing what on earth to say.</i>] How +silky it is.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>A poor thing, but mine own. At least, I paid for +it. By the way, have I paid for it yet, Angélique?</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Not yet, miladi. But the man can wait.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Taking it from</i> <span class="smcap">Mereston.</span>] A poor thing, then, +but my hairdresser's. Shall I put it on?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I wouldn't, if I were you.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>If her ladyship anticipates a tragic situation, I +would venture to recommend it. A really pathetic +scene is impossible without a quantity of hair worn +quite high on the head.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, I know. Whenever I want to soften the hard +heart of a creditor I clap on every bit I've got. But +I don't think I will to-day. I'll tell you what, a +temple curl would just fit the case.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Then her ladyship inclines to comedy. Very well, +I say no more.</p> + +<p class="dir">[<span class="smcap">Lady Frederick</span> <i>takes two temple-curls from<br /> +the drawer.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Aren't they dears?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You've admired them very often, Charlie, haven't +you? I suppose you never knew they cost a guinea +each?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>It never occurred to me they were false.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>The masculine intelligence is so gross. Didn't +your mother tell you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>My mother told me a great deal.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I expect she overdid it. There. Now that's done. +D'you think it looks nice?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Charming.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Angélique, his lordship is satisfied. You may +disappear.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Yes, miladi.</p> + +<p class="dir">[<i>She goes.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now, tell me you think I'm the most ravishing +creature you ever saw in your life.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I've told you that so often.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Stretching out her hands.</i>] You are a nice boy. It +was charming of you to say—what you did yesterday. +I could have hugged you there and then.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Could you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, my dear, don't be so cold.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm very sorry, I didn't mean to be.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Haven't you got anything nice to say to me at all?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I don't know what I can say that I've not said a +thousand times already.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Tell me what you thought of all night when you +tossed on that sleepless pillow of yours.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I was awfully anxious to see you again.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Didn't you have a dreadful fear that I shouldn't +be as nice as you imagined? Now, come—honestly.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Well, yes, I suppose it crossed my mind.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And am I?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Of course.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're sure you're not disappointed?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Quite sure.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>What a relief! You know, I've been tormenting +myself dreadfully. I said to myself: "He'll go on +thinking of me till he imagines I'm the most +beautiful woman in the world, and then, when he +comes here and sees the plain reality, it'll be an awful +blow."</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>What nonsense! How could you think anything +of the kind?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Are you aware that you haven't shown the least +desire to kiss me yet?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I thought—I thought you might not like it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It'll be too late in a minute.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Why?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Because I'm just going to make up, you silly boy.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>How? I don't understand.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You said I must be very sure of my complexion. +Of course I am. Here it is.</p> + +<p class="dir">[<i>She runs her fingers over a row of little pots<br /> +and vases.</i><br /> +</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Oh, I see. I beg your pardon.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You don't mean to say you thought it natural?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>It never occurred to me it might be anything else.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's really too disheartening. I spend an hour +every day of my life making the best complexion in +Monte Carlo, and you think it's natural. Why, I +might as well be a dairymaid of eighteen.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm very sorry.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I forgive you.... You may kiss my hand. [<i>He does +so.</i>] You dear boy. [<i>Looking at herself in the glass.</i>] +Oh, Betsy, you're not looking your best to-day. +[<i>Shaking her finger at the glass.</i>] This won't do, Betsy, +my dear. You're very nearly looking your age. +[<i>Turning round quickly.</i>] D'you think I look forty?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I never asked myself how old you were.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, I'm not, you know. And I shan't be as long +as there's a pot of rouge and a powder puff in the +world. [<i>She rubs grease paint all over her face.</i>]</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>What <i>are</i> you doing?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I wish I were an actress. They have such an +advantage. They only have to make up to look well +behind the footlights; but I have to expose myself to +that beastly sun.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Nervously.</i>] Yes, of course.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Is your mother dreadfully annoyed with you? And +Paradine must be furious. I shall call him Uncle +Paradine next time I see him. It'll make him feel +so middle-aged. Charlie, you don't know how grateful +I am for what you did yesterday. You acted like a +real brick.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>It's awfully good of you to say so.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Turning.</i>] Do I look a fright?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Oh, no, not at all.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I love this powder. It plays no tricks with you. +Once I put on a new powder that I bought in Paris, and +as soon as I went into artificial light it turned a bright +mauve. I was very much annoyed. You wouldn't +like to go about with a mauve face, would you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>No, not at all.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Fortunately I had a green frock on. And mauve +and green were very fashionable that year. Still I'd +sooner it hadn't been on my face.... There. I think +that'll do as a foundation. I'm beginning to feel +younger already. Now for the delicate soft bloom of +youth. The great difficulty, you know, is to make +both your cheeks the same colour. [<i>Turning to him.</i>] +Charlie, you're not bored, are you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>No, no.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I always think my observations have a peculiar +piquancy when I have only one cheek rouged. I +remember once I went out to dinner, and as soon as I +sat down I grew conscious of the fact that one of my +cheeks was much redder than the other.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>By George, that was awkward.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Charlie, you are a good-looking boy. I had no +idea you were so handsome. And you look so young +and fresh, it's quite a pleasure to look at you.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Laughing awkwardly.</i>] D'you think so? What +did you do when you discovered your predicament?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, by a merciful interposition of Providence, I +had a foreign diplomatist on my right side which +bloomed like a rose, and a bishop on my left which +was white like the lily. The diplomatist told +me risky stories all through dinner so it was quite +natural that this cheek should blush fiery red. And +as the Bishop whispered in my left ear harrowing +details of distress in the East End, it was only decent +that the other should exhibit a becoming pallor. +[<i>Meanwhile she has been rouging her cheeks.</i>] Now +look carefully, Charlie, and you'll see how I make the +Cupid's bow which is my mouth. I like a nice +healthy colour on the lips, don't you?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Isn't it awfully uncomfortable to have all that +stuff on?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Ah, my dear boy, it's woman's lot to suffer in this +world. But it's a great comfort to think that one is +submitting to the decrees of Providence and at the +same time adding to one's personal attractiveness. +But I confess I sometimes wish I needn't blow my +nose so carefully. Smile, Charlie. I don't think +you're a very ardent lover, you know.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm sorry. What would you like me to do?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I should like you to make me impassioned speeches.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'm afraid they'd be so hackneyed.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Never mind that. I've long discovered that under +the influence of profound emotion a man always +expresses himself in the terms of the <i>Family Herald</i>.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>You must remember that I'm awfully inexperienced.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, I'll let you off this time—because I like +your curly hair. [<i>She sighs amorously.</i>] Now for +the delicate arch of my eyebrows. I don't know what +I should do without this. I've got no eyebrows at +all really.... Have you ever noticed that dark line +under the eyes which gives such intensity to my expression?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Yes, often.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Holding out the pencil.</i>] Well, here it is. Ah, my +dear boy, in this pencil you have at will roguishness +and languor, tenderness and indifference, sprightliness, +passion, malice, what you will. Now be very +quiet for one moment. If I overdo it my whole +day will be spoilt. You mustn't breathe even. +Whenever I do this I think how true those lines are:</p> + +<p> +"The little more and how much it is.<br /> +The little less and what worlds away."<br /> +</p> + +<p>There! Now just one puff of powder, and the whole +world's kind. [<i>Looking at herself in the glass and sighing +with satisfaction.</i>] Ah! I feel eighteen. I think +it's a success, and I shall have a happy day. Oh, +Betsy, Betsy, I think you'll do. You know, you're +not unattractive, my dear. Not strictly beautiful, +perhaps; but then I don't like the chocolate-box sort +of woman. I'll just go and take off this dressing-gown. +[<span class="smcap">Mereston</span> <i>gets up.</i>] No, don't move. I'll go +into my bedroom. I shall only be one moment. +[<span class="smcap">Lady Frederick</span> <i>goes through the curtains.</i>] Angélique.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Maid</span> <i>enters.</i><br /> +</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Yes, miladi.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Just clear away those things on the dressing-table.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>[<i>Doing so.</i>] Very well, miladi.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You may have a cigarette, Charlie.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Thanks. My nerves are a bit dicky this morning.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, blow the thing! Angélique, come and help +me.</p> + +<p class="charc"><span class="smcap">Maid.</span></p> + +<p>Yes, miladi.</p> + +<p class="dir">[<i>She goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>At last.</p> + +<p class="dir">[<i>She comes in, having changed the kimono for<br /> +a very beautiful dressing-gown of silk and<br /> +lace.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now, are you pleased?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Of course I'm pleased.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then you may make love to me.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>You say such disconcerting things.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] Well, Charlie, you've found no difficulty +in doing it for the last fortnight. You're not +going to pretend that you're already at a loss for +pretty speeches?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>When I came here, I had a thousand things to say +to you, but you've driven them all out of my head. +Won't you give me an answer now?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>What to?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>You've not forgotten that I asked you to marry +me?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No, but you asked me under very peculiar circumstances. +I wonder if you can repeat the offer now in +cold blood?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Of course. What a cad you must think me!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Are you sure you want to marry me still—after +having slept over it?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You are a good boy, and I'm a beast to treat you +so abominably. It's awfully nice of you.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Well, what is the answer?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear, I've been giving it you for the last half-hour.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>How?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You don't for a moment suppose I should have let +you into those horrible mysteries of my toilette if I'd +had any intention of marrying you? Give me credit +for a certain amount of intelligence and good feeling. +I should have kept up the illusion, at all events till +after the honeymoon.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Are you going to refuse me?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Aren't you rather glad?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>No, no, no.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Putting her arm through his.</i>] Now let us talk it +over sensibly. You're a very nice boy, and I'm +awfully fond of you. But you're twenty-two, and +heaven only knows my age. You see, the church in +which I was baptized was burnt down the year I was +born, so I don't know how old I am.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>[<i>Smiling.</i>] Where was it burnt?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>In Ireland.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I thought so.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Just at present I can make a decent enough show +by taking infinite pains; and my hand is not so heavy +that the innocent eyes of your sex can discover how +much of me is due to art. But in ten years you'll +only be thirty-two, and then, if I married you, my +whole life would be a mortal struggle to preserve +some semblance of youth. Haven't you seen those +old hags who've never surrendered to Anno Domini, +with their poor, thin, wrinkled cheeks covered with +paint, and the dreadful wigs that hide a hairless pate? +Rather cock-eyed, don't you know, and invariably +flaxen. You've laughed at their ridiculous graces, and +you've been disgusted too. Oh, I'm so sorry for them, +poor things. And I should become just like that, +for I should never have the courage to let my hair +be white so long as yours was brown. But if I +don't marry you, I can look forward to the white +hairs fairly happily. The first I shall pluck out, and +the second I shall pluck out. But when the third +comes I'll give in, and I'll throw my rouge and my +poudre de riz and my pencils into the fire.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>But d'you think I should ever change?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear boy, I'm sure of it. Can't you imagine +what it would be to be tied to a woman who was +always bound to sit with her back to the light? And +sometimes you might want to kiss me.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I think it very probable.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, you couldn't—in case you disarranged my +complexion. [<span class="smcap">Mereston</span> <i>sighs deeply.</i>] Don't sigh, +Charlie. I daresay I was horrid to let you fall in +love with me, but I'm only human, and I was +desperately flattered.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Was that all?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And rather touched. That is why I want to give +a cure with my refusal.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>But you break my heart.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear, men have said that to me ever since I was +fifteen, but I've never noticed that in consequence +they ate their dinner less heartily.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I suppose you think it was only calf-love?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm not such a fool as to imagine a boy can love +any less than a man. If I'd thought your affection +ridiculous I shouldn't have been so flattered.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>It doesn't hurt any the less because the wounds you +make are clean cut.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But they'll soon heal. And you'll fall in love with +a nice girl of your own age, whose cheeks flush with +youth and not with rouge, and whose eyes sparkle +because they love you, and not because they're +carefully made up.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>But I wanted to help you. You're in such an +awful scrape, and if you'll only marry me it can all +be set right.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, my dear, don't go in for self-sacrifice. You +must leave that to women. They're so much more +used to it.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Isn't there anything I can do for you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No, dear. I shall get out of the mess somehow. I +always do. You really need not worry about me.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>You know, you <i>are</i> a brick.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then it's all settled, isn't it? And you're not going +to be unhappy?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>I'll try not to be.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'd like to imprint a chaste kiss on your forehead, +only I'm afraid it would leave a mark.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Footman</span> <i>comes in and announces</i> <span class="smcap">Paradine<br /> +Fouldes.</span><br /> +</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Mr. Paradine Fouldes.</p> + +<p class="dir">[<i>Exit.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Do I disturb?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not at all. We've just finished our conversation.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>If any one wants to know who the best woman in +the world is send 'em to me, and I'll tell them.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Taking his hand.</i>] You dear! Good-bye.</p> + +<p class="charc"><span class="smcap">Mereston.</span></p> + +<p>Good-bye. And thanks for being so kind to me.</p> + +<p class="dir">[<i>He goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Do I see in front of me my prospective niece?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Why d'you ask, Uncle Paradine?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Singularly enough because I want to know.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Well, it so happens—you don't.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You've refused him?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I have.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Then will you tell me why you've been leading us +all such a devil of a dance?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Because you interfered with me, and I allow no +one to do that.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Hoity-toity.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You weren't really so foolish as to imagine I should +marry a boy who set me up on a pedestal and vowed +he was unworthy to kiss the hem of my garment?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Why not?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear Paradine, I don't want to commit suicide +by sheer boredom. There's only one thing in the +world more insufferable than being in love.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And what is that, pray?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Why, having some one in love with you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I've suffered from it all my life.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Think of living up to the ideal Charlie has of me. +My hair would turn a hydrogen yellow in a week. +And then to be so desperately adored as all that—oh, +it's so dull! I should have to wear a mask all day +long. I could never venture to be natural in case +I shocked him. And notwithstanding all my efforts +I should see the illusions tumbling about his ears +one by one till he realised I was no ethereal goddess, +but a very ordinary human woman neither better +nor worse than anybody else.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Your maxim appears to be, marry any one you like +except the man that's in love with you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Ah, but don't you think I might find a man who +loved me though he knew me through and through? +I'd far rather that he saw my faults and forgave +them than that he thought me perfect.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But how d'you know you've choked the boy off for +good?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I took good care. I wanted to cure him. If it +had been possible I would have shown him my naked +soul. But I couldn't do that, so I let him see....</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Interrupting.</i>] What!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Laughing.</i>] No, not quite. I had a dressing-gown +on and other paraphernalia. But I made him come +here when I wasn't made up, and he sat by while I +rouged my cheeks.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And the young fool thought there was nothing +more in you than a carefully prepared complexion?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>He was very nice about it. But I think he was +rather relieved when I refused him.</p> + +<p>[<i>There is a knock at the door.</i>]</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>[<i>Outside.</i>] May we come in?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Yes do.</p> + +<p><i>Enter</i> <span class="smcap">Gerald</span> <i>and</i> <span class="smcap">Rose</span> <i>and the</i> <span class="smcap">Admiral</span>.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>[<i>Excitedly.</i>] I say, it's all right. The Admiral's +come down like a real brick. I've told him everything.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>What do you mean? Good-morning, dear Admiral.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Good-morning.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I've made a clean breast of it. I talked it over +with Rosie.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>And we went to papa together.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>And told him that I owed Montgomerie nine +hundred pounds.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>And we thought papa would make an awful scene.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Raise Cain, don't you know.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>But he never said a word.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>He was simply ripping over it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Putting her hands to her ears.</i>] Oh, oh, oh. For +heaven's sake be calm and coherent.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>My dear, you don't know what a relief it is.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>I saw Gerald was dreadfully worried, and I wormed +it out of him.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I'm so glad to be out of the clutches of that brute.</p> + +<p class="charc"><span class="smcap">Rose.</span></p> + +<p>Now we're going to live happily ever afterwards.</p> + +<p>[<i>All the while the</i> <span class="smcap">Admiral</span> <i>has been trying to +get a word in, but each time he is about to +start one of the others has broken in.</i></p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Silence. [<i>He puffs and blows.</i>] I never saw such a +pair in my life.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Now do explain it all, Admiral. I can't make head +or tail out of these foolish creatures.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Well, they came and told me that Montgomerie +had an I.O.U. of Gerald's for nine hundred pounds +and was using it to blackmail you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Is that a fact?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I never liked the man's face. And when they said +his terms were that you were to marry him or Gerald +would have to send in his papers, I said ...</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Damn his impudence.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>How did you know?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Because I'd have said it myself.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>And the Admiral stumped up like a man. He +gave me a cheque for the money, and I've just this +moment sent it on to Montgomerie.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Taking both his hands.</i>] It's awfully good of you, +and I'm sure you'll never regret that you gave Gerald +a chance.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>May I have a few words' private conversation with +you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Of course. [<i>To the others.</i>] Make yourselves scarce.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>We'll go on the balcony, shall we?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I'm sorry to trouble you, but it'll only take three +minutes.</p> + +<p>[<span class="smcap">Gerald</span> <i>and</i> <span class="smcap">Rose</span> <i>and</i> <span class="smcap">Fouldes</span> <i>go on to the +balcony</i>.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>When they've gone.</i>] There.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Well, what I wanted to say to you was this: I +like Gerald, but I think he wants guiding. D'you +follow me?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm sure he will take your advice always.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>It's a woman's hand that he wants. Now if you +and I were to join forces we could keep him out of +mischief, couldn't we?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, I'll come and stay with you whenever you ask +me. I love giving good advice when I'm quite sure it +won't be taken.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I was thinking of a more permanent arrangement. +Look here, why don't you marry me?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear Admiral!</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I don't think an attractive woman like you ought +to live alone. She's bound to get in a scrape.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's awfully good of you, but....</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>You don't think I'm too old, do you?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Of course not. You're in the very prime of life.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>There's life in the old dog yet, I can tell you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I feel sure of that. I never doubted it for a +moment.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Then what have you got against me?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You wouldn't like to commit polygamy, would +you?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Eh?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You see, it's not a question of marrying me only, +but all my tradespeople.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I hadn't thought of that.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Besides, you're Rose's father, and I'm Gerald's +sister. If we married I should be my brother's +mother-in-law, and my step-daughter would be my +sister. Your daughter would be your sister-in-law, +and your brother would just snap his fingers at your +fatherly advice.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>[Confused.] Eh?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't know if the prayer-book allows things like +that, but if it does I think it's hopelessly immoral.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Well, shall I tell them I've changed my mind and +they can't marry?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Then there'd be no reason for us to—commit the +crime, would there?</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>I hadn't thought of that. I suppose not.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>You're not cross with me, are you? I'm very +much flattered, and I thank you from the bottom of +my heart.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Not at all, not at all. I only thought it might save +trouble.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Calling.</i>] Gerald. Come along. [<i>They come in.</i>] +We've had our little talk.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Everything satisfactory?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>With a look at the</i> <span class="smcap">Admiral.</span>] Quite.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>[<i>Gruffly.</i>] Quite.</p> + +<p class="charc"><span class="smcap">Lady Frederick's Footman</span> <i>enters.</i></p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Captain Montgomerie wishes to know if he may see +your ladyship.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'd forgotten all about him.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Let me go to him, shall I?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No, I'm not afraid of him any longer. He can't do +anything to you. And as far as I'm concerned it +doesn't matter.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>Then I'll tell him to go to the devil.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>No, I'm going to tell him that myself. [<i>To the</i> +<span class="smcap">Footman.</span>] Ask Captain Montgomerie to come here.</p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Yes, miladi.</p> + +<p class="dir">[<i>Exit.</i><br /> +</p> + +<p>Lady Frederick.</p> + +<p>[<i>Walking up and down furiously.</i>] I'm going to tell +him that myself.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Now keep calm, Betsy.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Very deliberately.</i>] I shall not keep calm.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Remember that you're a perfect lady.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Don't interfere with me. I ate humble pie yesterday, +and it didn't agree with me at all.</p> + +<p>[<span class="smcap">Footman</span> <i>enters to announce</i> <span class="smcap">Captain Montgomerie</span>, +<i>who follows him, and immediately +withdraws.</i></p> + +<p class="charc"><span class="smcap">Footman.</span></p> + +<p>Captain Montgomerie.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>How d'you do.</p> + +<p>[<i>He is obviously surprised to see the others.</i></p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Pleasantly.</i>] Quite a party, aren't we?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Yes. [<i>A pause.</i>] I hope you don't mind my coming +so early?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Not at all. You made an appointment for half-past +ten.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I trust you have good news for me.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Captain Montgomerie, every one here knows the +circumstances that have brought you.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I should have thought it wiser for both our sakes +not to make them too public.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Very amiably.</i>] I don't see why you should be +ashamed because you made me a proposal of +marriage?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I'm sorry you should think it a laughing matter, +Lady Frederick.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't. I never laugh at an impertinence.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Taken aback.</i>] I beg your pardon.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Surely the receipt of my brother's letter was +sufficient answer for you. After that you must have +guessed there was no likelihood that I should change +my mind.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>What letter? I don't understand.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I sent you a note this morning enclosing a cheque +for the money I lost to you.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I've not received it.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>It must be waiting for you at the hotel.</p> + +<p class="dir">[<span class="smcap">Captain Montgomerie</span> <i>pauses and looks meditatively<br /> +at the assembled company</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I think there's nothing for which I need detain +you longer.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Smiling.</i>] I don't think I've quite finished yet. +Has it slipped your memory that the two bills fall due +to-day? Allow me to present them.</p> + +<p class="dir">[<i>He takes them out of his pocket-book.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I'm very sorry I can't pay them—at present.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I regret that I can't wait. You must pay them.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I tell you it's impossible.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Then I shall get an order against you.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>That you may do to your heart's content.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>You realise the consequences. It's not very nice +to be an undischarged bankrupt.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Much nicer than to marry a rascally money-lender.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>May I look at these interesting documents?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Certainly. [<i>Blandly.</i>] I haven't the least wish to +be offensive.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Taking them.</i>] You fail lamentably in achieving +your wish. Three thousand five hundred pounds in +all. It seems hardly worth while to make a fuss about +so small a sum.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>I'm in urgent need of money.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Ironically.</i>] So rich a man as you?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Even a rich man may be temporarily embarrassed.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Then be so good as to wait for one moment. [<i>He sits +down at a table and writes a cheque.</i>] No sight is +more affecting than that of a millionaire in financial +straits.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Paradine!</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>[<i>Handing the cheque.</i>] Now, sir, I think that settles +it. Will you exchange my cheque for those bills?</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>Damn you, I forgot you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You may not be aware that it's unusual to swear in +the presence of ladies.</p> + +<p class="charc"><span class="smcap">Captain Montgomerie.</span></p> + +<p>[<i>Looking at the cheque.</i>] I suppose it's all right.</p> + +<p class="dir">[<span class="smcap">Paradine</span> <i>goes to the door and opens it</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>There is the window, and here is the door. Which +will you choose?</p> + +<p class="dir">[<span class="smcap">Captain Montgomerie</span> <i>looks at him without<br /> +answering, shrugs his shoulders and goes<br /> +out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, Paradine, you are a brick.</p> + +<p class="charc"><span class="smcap">Gerald.</span></p> + +<p>I say it's awfully good of you.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Nonsense. I've got a strong sense of effect, and I +always cultivate the dramatic situation.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I shall never be able to pay you back, Paradine.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>My dear, I'm not entirely devoid of intelligence.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Well, well, I must be off to take my constitutional.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>And Rose and Gerald must take care of you. We +shall all meet at luncheon.</p> + +<p class="charc"><span class="smcap">Admiral.</span></p> + +<p>Yes, yes.</p> + +<p>[<i>The</i> <span class="smcap">Admiral</span>, <span class="smcap">Rose</span> <i>and</i> <span class="smcap">Gerald</span> <i>go out.</i> <span class="smcap">Lady +Frederick</span> <i>goes up to</i> <span class="smcap">Paradine</span> <i>and takes +his hands.</i></p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Thanks awfully. You are a good friend.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By George, how your eyes glitter!</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>It's only belladonna, you know.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I'm not such a fool as my nephew, my dear.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Why did you do it?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>D'you know what gratitude is?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Thanks for past favours and a lively sense of benefits +to come.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, yesterday you had my sister in the hollow of +your hand. She gave you great provocation, and you +burnt those confounded letters.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>My dear Paradine, I can't get over my own +magnanimity. And what are the benefits to come?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well it might be five per cent. on the capital.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I don't know why you should squeeze my hands all +the time.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>But it isn't. Look here, don't you get awfully tired +of racketting about?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, my dear friend, I'm sick to death of it. I've +got half a mind to retire from the world and bury +myself in a hermitage.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>So have I, and I've bought the lease of a little +house in Norfolk Street, Park Lane.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Just the place for a hermitage—fashionable without +being vulgar.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And I propose to live there quite quietly, and I +shall just subsist on a few dried herbs, don't you +know.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>But do have them cooked by a really good French +chef; it makes such a difference.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>And what d'you say to joining me?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>You.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, I <i>am</i> a success to-day. That's another proposal +of marriage.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>It sounds very much like it.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>I've already had three this morning.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Then I should think you've said "no" quite often +enough.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Come at ten o'clock to-morrow, and you shall see me +make up.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>D'you think that would choke me off? D'you +suppose I don't know that behind that very artificial +complexion there's a dear little woman called Betsy +who's genuine to the bottom of her soul?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>Oh, don't be so sentimental or I shall cry.</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Well, what is it to be?</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Her voice breaking.</i>] D'you like me still, Paradine, +after all these years?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>Yes. [<i>She looks at him, her lips quivering. He +stretches out his arms, and she, breaking down, hides +her face on his shoulder.</i>] Now don't be an ass, +Betsy.... I know you'll say in a minute I'm the +only man you ever loved.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Looking up with a laugh.</i>] I shan't.... But what +will your sister say?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>I'll tell her there was only one way in which I +could save Charlie from your clutches.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>What?</p> + +<p class="charc"><span class="smcap">Fouldes.</span></p> + +<p>By marrying you myself.</p> + +<p class="charc"><span class="smcap">Lady Frederick.</span></p> + +<p>[<i>Putting up her face.</i>] Monster.</p> + +<p>[<i>He kisses her lips.</i>]</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">THE END.</p> + +<p class="title"><a name="THE_EXPLORER" id="THE_EXPLORER"></a><i>THE EXPLORER</i></p> + +<p> +<br /> +<br /> +</p> + +<table border="0" cellpadding="0" cellspacing="0" summary=""> +<tr><td align="center"><i>BY THE SAME AUTHOR</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center">(<i>Uniform with this Volume</i>)</td></tr> +<tr><td align="left"><span style="margin-left: -2em;"><i>PLAYS</i>:</span></td></tr> +<tr><td align="left"><i>A MAN OF HONOUR</i></td></tr> +<tr><td align="left"><i>LADY FREDERICK</i></td></tr> +<tr><td align="left"><i>JACK STRAW</i></td></tr> +<tr><td align="left"><i>MRS. DOT</i></td></tr> +<tr><td align="left"><i>PENELOPE</i></td></tr> +<tr><td> </td></tr> +<tr><td align="left"> (<i>In Preparation</i>)</td></tr> +<tr><td align="left"><i>SMITH</i></td></tr> +<tr><td align="left"><i>THE TENTH MAN</i></td></tr> +<tr><td align="left"><i>GRACE</i></td></tr> +<tr><td align="left"><i>LOAVES AND FISHES</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>LONDON: WILLIAM HEINEMANN</i></td></tr> +</table> + +<h1><i><span class="smcap">The Explorer</span></i></h1> + +<p class="r">A MELODRAMA<br /> +In Four Acts<br /><br /> +<br /> +By W. S. MAUGHAM</p> + +<p> +<br /> +<br /> +</p> + +<p class="c"><i>LONDON: WILLIAM HEINEMANN<br /> +MCMXII</i><br /> +</p> + +<p> +<br /> +<br /> +</p> + +<p class="c"><i>All rights reserved</i></p> + +<p> +<br /> +<br /> +</p> + +<table border="0" cellpadding="0" cellspacing="0" summary=""> +<tr><td colspan="2" align="left">This play was first produced at the Lyric Theatre on<br /> +Saturday, June 13, 1908, with the following cast:</td></tr> +<tr><td> </td></tr> +<tr class="smcap"><td align="left">Alexander Mackenzie</td><td align="right">Lewis Waller</td></tr> +<tr class="smcap"><td align="left">Richard Lomas</td><td align="right">A. E. George</td></tr> +<tr class="smcap"><td align="left">Dr. Adamson</td><td align="right">Charles Rock</td></tr> +<tr class="smcap"><td align="left">Sir Robert Boulger, Bt.</td><td align="right">Owen Roughwood</td></tr> +<tr class="smcap"><td align="left">George Allerton</td><td align="right">Shiel Barry</td></tr> +<tr class="smcap"><td align="left">Rev. James Carbery</td><td align="right">S. J. Warmington</td></tr> +<tr class="smcap"><td align="left">Captain Mallins</td><td align="right">A. Caton Woodville</td></tr> +<tr class="smcap"><td align="left">Miller</td><td align="right">Charles Cecil</td></tr> +<tr class="smcap"><td align="left">Charles</td><td align="right">P. Digan</td></tr> +<tr class="smcap"><td align="left">Mrs. Crowley</td><td align="right">Eva Moore</td></tr> +<tr class="smcap"><td align="left">Lady Kelsey</td><td align="right">Mary Rorke</td></tr> +<tr class="smcap"><td align="left">Lucy Allerton</td><td align="right">Evelyn Millard</td></tr> +</table> + +<p class="title"><i>THE EXPLORER</i></p> + +<p> +<br /> +<br /> +</p> + +<table border="0" cellpadding="0" cellspacing="0" summary=""> +<tr><td align="left"><i><big>CHARACTERS</big></i></td></tr> +<tr><td> </td></tr> +<tr class="smcap"><td align="left">Alexander Mackenzie</td></tr> +<tr class="smcap"><td align="left">Richard Lomas</td></tr> +<tr class="smcap"><td align="left">Dr. Adamson</td></tr> +<tr class="smcap"><td align="left">Sir Robert Boulger, Bt.</td></tr> +<tr class="smcap"><td align="left">George Allerton</td></tr> +<tr class="smcap"><td align="left">The Rev. James Carbery</td></tr> +<tr class="smcap"><td align="left">Captain Mallins</td></tr> +<tr class="smcap"><td align="left">Miller</td></tr> +<tr class="smcap"><td align="left">Charles</td></tr> +<tr class="smcap"><td align="left">Lady Kelsey</td></tr> +<tr class="smcap"><td align="left">Mrs. Crowley</td></tr> +<tr class="smcap"><td align="left">Lucy Allerton</td></tr> +</table> + +<p class="charc"><span class="smcap">Time</span>: <i>The Present Day.</i></p> + +<p class="hang"><span class="smcap">Scene</span>: <i>The First and Third Acts take place at Lady Kelsey's +house; the Second at Mackenzie's camp in Central Africa; +and the Fourth at the house of Richard Lomas.</i></p> + +<div class="blockquot"><p><i>The Performing Rights of this play are +fully protected, and permission to perform it, +whether by Amateurs or Professionals, must +be obtained in advance from the author's Sole +Agent, R. Golding Bright, 20 Green Street, +Leicester Square, London, W.C., from whom +all particulars can be obtained.</i></p></div> + +<p class="title">THE EXPLORER</p> + +<h2><a name="THE_FIRST_ACT_E" id="THE_FIRST_ACT_E"></a>THE FIRST ACT</h2> + +<p class="hang"><span class="smcap">Scene</span>: <span class="smcap">Lady Kelsey's</span> <i>drawing-room in Mayfair. +At the back is a window leading on to a balcony. +On the right a door leads to the staircase, and on +the left is another door. It is the sumptuous room +of a rich woman.</i></p> + +<p class="hang">[<span class="smcap">Lady Kelsey</span> <i>is seated, dressed in black; she is a +woman of fifty, kind, emotional, and agitated. +She is drying her eyes.</i> <span class="smcap">Mrs. Crowley</span>, <i>a pretty +little woman of twenty-eight, very beautifully +dressed, vivacious and gesticulative, is watching +her quietly. The</i> <span class="smcap">Rev. James Carbery</span>, <i>a young +curate, tall and impressive in appearance, ponderous +and self-important, is very immaculate in a silk +waistcoat and a large gold cross.</i></p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I cannot tell you how sincerely I feel for you in this +affliction, Lady Kelsey.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>You're very kind. Every one has been very kind. +But I shall never get over it. I shall never hold up +my head again.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Nonsense! You talk as if the whole thing weren't +perfectly monstrous. Surely you don't for a moment +suppose that your brother-in-law won't be able to +explain everything away?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>God forbid! But still, it's dreadful to think that +at this very moment my poor sister's husband is +standing in the felon's dock.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>Dreadful, dreadful!</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>If you only knew the agonies I've suffered since +Fred was arrested! At first I couldn't believe it, I +wouldn't believe it. If I'd only known such a thing +was possible, I'd have done anything to help him.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>But had you any idea he was in difficulties?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>He came to me and said he must have three +thousand pounds at once. But I'd given him money +so often since my poor sister died, and every one said +I oughtn't to give him any more. After all, someone +must look after his children, and if I don't hoard my +money a little, George and Lucy will be penniless.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Oh, you were quite right to refuse.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I thought it would only go in senseless extravagances +as all the rest has gone, and when he said it was a matter +of life and death, I couldn't believe it. He'd said that +so often.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>It's shocking to think a man of his position and +abilities should have come to such a pass.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Dear Mr. Carbery, don't draw the very obvious +moral. We're all quite wretched enough as it is.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>And two days later Lucy came to me with a white +face to say that he had been arrested for forging a +cheque.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I only met him once, and I'm bound to say I +thought him a most charming man.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Ah, that's what ruined him. He was always so +entirely delightful. He could never say no to any one. +But there's not an atom of harm in him. I'm quite +certain he's never done anything criminal; he may +have been foolish, but wicked never.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Of course he'll be able to clear himself. There's +not the least doubt about that.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>But think of the disgrace of it. A public trial. +And Fred Allerton of all people! The Allertons were +always so proud of their family. It was almost a +mania with them.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>For centuries they've cherished the firm belief that +there was no one in the county fit to black their +boots.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>Pride goeth before a fall.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Smiling.</i>] And proverbs before a clergyman.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>They wouldn't give him bail, so he's remained in +prison till now. Of course, I made Lucy and George +come here.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You've been quite charming, Lady Kelsey, as every +one knew you'd be. But don't think of these wretched +weeks of suspense. Think only that Mr. Allerton +has got his chance at last. Why, the trial may be +over now, and he may this very minute be on his way +to this house.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>What will he do when it's over? The position will +be surely a little unpleasant.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I've talked it over with Lucy, and—I've made it +possible for them all to go abroad. They'll need rest +and quiet. Poor things, poor things!</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I suppose Miss Allerton and George are at the Old +Bailey.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>No, their father begged them to stay away. They've +been in all day, waiting for the papers.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But who is going to bring you the news? Surely +you're not going to wait for the papers?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Oh, no, Dick Lomas is coming. He's one of the +witnesses for Fred, and my nephew Bobby Boulger.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>And what about Mr. Mackenzie? He told me he +would be there.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>Is that the great traveller? I thought I saw in +the paper that he'd already started for Africa.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Not yet. He's going at the beginning of the month. +Oh, he's been so good to us during this time. All +our friends have been good to us.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I shouldn't have thought there was much of the +milk of human kindness to overflow in Alexander +Mackenzie. By all accounts he dealt with the slave-traders +in Africa with a good deal of vigour.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>The slave-traders must be quaking in their shoes +if they know he's starting out again, for he's made +up his mind to exterminate them, and when Alec +Mackenzie makes up his mind to do a thing, he +appears to do it.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>He has the reputation of a hard man, but no one +could be more delightful than he has been to me.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I don't think I like him, but he's certainly a strong +man, and in England just now every one's so weak +and floppy, it's rather a relief to come across somebody +who's got a will of iron and nerves of steel.</p> + +<p class="dir">[<span class="smcap">George Allerton</span> <i>comes in</i>. <i>He is a very<br /> +young man, good-looking, though at the<br /> +moment pale and haggard, with a rather<br /> +weak face.</i><br /> +</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I thought Lucy was here. [<i>To</i> <span class="smcap">Carbery</span> <i>and</i> <span class="smcap">Mrs. +Crowley</span>.] How d'you do? Have you seen Lucy?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I went to her room for a moment.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>What is she doing?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Reading.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I wish I could take it as calmly as she does. An +outsider would think there was nothing the matter +at all. Oh, it's too awful!</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>My dear, you must bear up. We must all hope +for the best.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>But there is no best. Whatever happens, it means +disgrace and dishonour. How could he? How could +he?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>No one knows your father as I do, George. I'm +sure he's never been anything but thoughtless and +foolish.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Of course he's not been actually criminal. That's +absurd. But it's bad enough as it is.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You mustn't take it too much to heart. In another +half-hour at the utmost your father will be here with +everything cleared up, and you'll be able to go back +to Oxford with a clear conscience.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>D'you think I can go to Oxford again when my +father has been tried for forgery? No, no! No, no! +I'd rather shoot myself.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>My poor boy.... Where have you been all day?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Heaven knows! I've walked through the streets +till I'm dog-tired. Oh, the suspense is too awful. +My feet carried me to the Old Bailey, and I would +have given anything to go in and see how things +were going, but I'd promised the Pater I wouldn't.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>How did he look this morning?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>He was most awfully worn and ill. I don't believe +he'll ever get over it. I saw his counsel before the +case began. They told me it was bound to come all +right.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Is there anything in the evening papers?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I haven't dared to look. The placards are awful.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>Why, what do they say?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Can't you imagine? "Gentleman charged with +forgery." "County gentleman at the Old Bailey." +And all the rest of it. Damn them! Damn them!</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>It may be all over by now.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I feel that I shall never sleep again. I couldn't +close my eyes last night. To think that one's own +father....</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>For goodness' sake be quiet.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Starting.</i>] There's a ring at the bell.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I've given orders that no one is to be admitted but +Dick Lomas and Bobbie.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It must be finished by now. It's one or the other +of them come to tell you the result.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Oh, I'm so frightfully anxious.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Aunt, you don't think....</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>No, no, of course not. They <i>must</i> find him not +guilty.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Butler</span> <i>enters followed by</i> <span class="smcap">Dick Lomas</span>,<br /> +<i>a clean-shaven dapper man, with a sharp<br /> +face and good-natured smile. He is between<br /> +thirty-five and forty, but slim and youthful.<br /> +With him comes</i> <span class="smcap">Sir Robert Boulger</span>,<br /> +<span class="smcap">Lady Kelsey's</span> <i>nephew, a good-looking,<br /> +spruce youth of twenty-two</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Mr. Lomas, Sir Robert Boulger.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Excitedly.</i>] Well, well? For God's sake tell us +quickly.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear people, I have nothing to tell.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Oh!</p> + +<p class="dir">[<i>He staggers with sudden faintness and falls<br /> +to the floor.</i><br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Hulloa! What's this?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Poor boy!</p> + +<p class="dir">[<i>They crowd round him.</i><br /> +</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>It's all right. What a fool I am! I was so +strung up.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You'd better come to the window.</p> + +<p class="dir">[<i>He and</i> <span class="smcap">Boulger</span> <i>take the boy's arms and lead<br /> +him to the window</i>. <span class="smcap">George</span> <i>leans against<br /> +the balcony</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I'm afraid I must go away. Every Wednesday at +four I read <i>Little Lord Fauntleroy</i> to forty charwomen.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Good-bye. And thanks so much for coming.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Shaking hands with him.</i>] Good-bye. A clergyman +always helps one so much to bear other people's +misfortunes.</p> + +<p class="dir">[<span class="smcap">Carbery</span> <i>goes out, and in a moment</i> <span class="smcap">Robert<br /> +Boulger</span> <i>comes back into the room</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Is he better?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Oh, much. He'll be all right in a minute. [<span class="smcap">Lady +Kelsey</span> <i>goes to the window, and he turns to</i> <span class="smcap">Mrs. +Crowley</span>.] You are a brick to come here to-day, when +they're all in such awful trouble.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>With a little hesitation.</i>] Did you really come away +before the trial was ended?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Why, of course. What did you think? You don't +imagine they'll convict him?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It's too dreadful.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Where is Lucy? I was hoping to get a glimpse +of her.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I wouldn't trouble her to-day if I were you. I +think she most wants to be left alone.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I wanted to tell her that if I could do anything at +all, she had only to command.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I think she knows that. But I'll give her the +message if you like.... You're very devoted.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I've been madly in love with her ever since I +was ten.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Take care then. There's nothing so tedious as the +constant lover.</p> + +<p class="dir">[<span class="smcap">Dick</span> <i>comes into the room and speaks to</i><br /> +<span class="smcap">Robert Boulger</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>George is quite well now. He wants you to smoke +a cigarette with him.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Certainly.</p> + +<p class="dir">[<i>He goes on to the balcony.</i><br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>When</i> <span class="smcap">Boulger</span> <i>is gone</i>.] At least, he will the +moment he sees you.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>What do you mean by that?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Merely that I wanted to talk to you. And Robert +Boulger, being a youth of somewhat limited intelligence, +seemed in the way.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Why did you leave the Old Bailey?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear lady, I couldn't stand it. You don't know +what it is to sit there and watch a man tortured, a +man you've known all your life, whom you've dined +with times out of number, in whose house you've +stayed. He had just the look of a hunted beast, and +his face was grey with terror.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>How was the case going?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I couldn't judge. I could only see those haggard, +despairing eyes.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But you're a barrister. You must have heard his +answers. What did he reply to all the questions?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>He seemed quite dazed. I don't think he took in +the gist of his cross-examination.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But the man's innocent.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Yes, we all hope that.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>What d'you mean? There can be no doubt about +that. When he was arrested Lucy went to him and +begged him to tell her the exact truth. He swore +that he wasn't guilty.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Poor Lucy! She's borne up wonderfully. She'll +stick to her father through thick and thin.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Abruptly.</i>] Mr. Lomas, you're trying to put me off. +It's not fair to let Lucy buoy herself up with false +hopes. She's absolutely convinced that her father +will be acquitted.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Well, in another half-hour we shall all know. +When I left, the judge was just going to sum up.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Mr. Lomas, what is your opinion?</p> + +<p class="dir">[<i>He looks at her steadily for a moment.</i><br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Were you very much surprised when you heard +Fred Allerton was arrested?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Good heavens, I was overwhelmed!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Dryly.</i>] Ah!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>If you aggravate me I shall box your ears.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>When first I knew Fred he was a very rich man. +You know that the Allertons are one of the oldest +families in Cheshire?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Yes. I think Lucy's only failing is an inordinate +pride in her family. She thinks it very snobbish to +have any particular respect for a peer of the realm, +but only natural to look up to persons of good family.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Ah, you see, you and I who have a quite indecent +lack of ancestors, can't realise what the cult of family +may be. There are families in the remote parts of +England—not very rich, not very clever, and not very +good-looking—who would look askance at a belted +earl who came to demand their daughter's hand in +marriage. They have a natural conviction that they're +the salt of the earth, and in their particular corner +they rule more absolutely than half the monarchs +in Europe. The Allertons were like that. But +Fred somehow seemed to belong to a different stock. +The first thing he did was to play ducks and drakes +with his fortune.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But men ought to be extravagant. That's what +they're there for.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Women always took his side because he had an +irresistible charm of manner.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I think George has, too, a little.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I hope for Lucy's sake he will turn out a different +man from his father. I wish he weren't so like him +in appearance. At last Fred Allerton had squandered +every penny, and he married Lady Kelsey's sister, +one of the three rich daughters of a Liverpool +merchant. But he ran through her money, too, +gambling, racing, and so forth, and she died of a +broken heart—adoring him still.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You're as well informed as an encyclopædia, Mr. +Lomas.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You see, I was made the trustee for the poor +remains of Mrs. Allerton's fortune, and I know how +Lucy has managed to keep all their heads above +water. She's wonderful. Ever since she was a child +she's held the reins in her own hands. She's stuck +to her father, though Lady Kelsey implored her to +leave him to his own foolish ways. She saw that +George was decently educated. She hid from the +world all the little shifts and devices to which she +had to resort in order to keep up an appearance of +decency.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I suppose you, too, think Fred Allerton little +better than a scamp?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear lady, when a man has had to leave his +club because he plays cards too well, it's at least +permissible to suppose that there's something odd +about him.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Here's Lady Kelsey. For heaven's sake try and +amuse her a little.</p> + +<p>[<span class="smcap">Lady Kelsey</span> <i>comes back into the room</i>.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Oh, Dick, I'm so full of my own troubles, I forgot +to ask about yours. I'm so sorry to hear that +you're ill.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>On the contrary, I'm in the very best of health.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>But I saw in the papers that you were going to +give up your seat in the House owing to ill-health.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Of course, I'd forgotten. My heart is seriously +deranged.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>How dreadful! What is the matter with it?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Can you ask? I've banged it about at your feet +so long that its functions are excessively impaired. +And it's beaten all my waistcoats out of shape.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Don't be so foolish. I was quite alarmed.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I'm going to retire.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>From the bar as well?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>From the bar as well. Henceforth I shall cultivate +only such arts and graces as are proper to the man of +leisure. My fellow men are a great deal too strenuous, +and I propose to offer them the spectacle of a complete +idler who demands from the world neither honours +nor profit, but only entertainment.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>D'you mean to say you're going to give up a large +practice and a position which may be very important +merely to gratify a foolish whim?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I haven't time to work. Life is so much too short. +A little while ago it occurred to me that I was nearly +forty. [<i>To</i> <span class="smcap">Mrs. Crowley</span>.] D'you know the feeling?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>No, of course not. Don't be so uncivil.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>By the way, how old are you?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Twenty-nine!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Nonsense! There's no such age.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I beg your pardon, upper parlourmaids are always +twenty-nine.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>For years I've spent eight hours a day meddling +with silly persons' silly quarrels, and eight hours +more governing the nation. I've never been able +to spend more than half my income. I'm merely +working myself to death in order to leave a fortune +to my nieces, two desperately plain girls with red +noses.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>But what are you going to do?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, I don't know. Perhaps I'll try my hand at +big game shooting, if Alec will take me on this +expedition of his. I've always thought shooting +would be an agreeable pastime if partridges were the +size of well-grown sheep and pheasants a little larger +than a cow.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Then the breakdown in your health is all humbug?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Absolute humbug. If I were to tell the truth +people would shut me up in a lunatic asylum. I've +come to the conclusion that there's only one game in +the world worth playing, and that's the game of life. +I'm rich enough to devote myself to it entirely.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But you'll get bored to death.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Not I! Why, I'm growing younger every day. +My dear Mrs. Crowley, I don't feel a day more than +eighteen.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You certainly look quite twenty-five.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I haven't a white hair in my head.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I suppose your servant plucks them out every +morning.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, very rarely. One a month at the outside.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I think I see one on the left temple.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Really! How careless of Charles! I must speak +to him.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Let me pluck it out.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I shall allow you to do nothing so familiar.</p> + +<p class="dir">[<span class="smcap">George</span> <i>comes hurriedly into the room</i>.<br /> +</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>There's Alec Mackenzie. He's just driven up in +a cab.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>He must have come from the trial. Then it's +all over.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Quick! Go to the stairs, or Miller won't let him up.</p> + +<p class="dir">[<span class="smcap">George</span> <i>runs across the room and opens the door</i>.<br /> +</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Calling.</i>] Miller, Miller, Mr. Mackenzie's to +come up.</p> + +<p>[<span class="smcap">Lucy Allerton</span>, <i>hearing a commotion, comes +in. She is older than George, a tall girl, +white now, with eyes heavy from want of +sleep. She has lived in the country all her +life, and has brought up to London a sort of +remoteness from the world. She is beautiful +in a very English manner, and her +clear-cut features are an index to a character +in which the moral notions are peculiarly +rigid. Self-control is a quality which she +possesses in a marked degree, and one which +she enormously admires in others</i>.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Who is it?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>It's Alec Mackenzie. He's come from the trial!</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Then it's finished at last. [<i>She shakes hands with</i> +<span class="smcap">Dick.</span>] It's so good of you to come.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>You're perfectly wonderful, Lucy. How can you +be so calm?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Because I'm quite sure of the result. D'you +imagine I'd doubt my father for a moment?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, Lucy, for heaven's sake don't be so sure. You +must be prepared for everything.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, no, I know my father. D'you think I've not +studied him during these years that I've looked after +him? He's a child, with all a child's thoughtlessness +and simplicity. And God knows, he's weak. I know +his faults better than any one, but it would be impossible +for him to do anything criminal.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Butler</span> <i>enters, followed by</i> <span class="smcap">Alec Mackenzie</span>.<br /> +<span class="smcap">Alec</span> <i>is a tall, wiry man, well-knit,<br /> +with dark hair and a small red<br /> +moustache and beard, cut close to the face.<br /> +He is about five-and-thirty. He has great<br /> +ease of manner, and there is about him an<br /> +air as though he were accustomed that<br /> +people should do as he told them.</i><br /> +</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Mr. Mackenzie!</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Is it finished? For God's sake tell us quickly, +old man.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Why didn't father come with you? Is he following?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Yes, it's all over.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Thank goodness. The suspense was really too +dreadful.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I knew they'd acquit him. Thank God!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Looking at</i> <span class="smcap">Alec's</span> <i>face</i>.] Take care, George.</p> + +<p class="dir">[<i>Suddenly</i> <span class="smcap">Lucy</span> <i>goes up to</i> <span class="smcap">Alec</span> <i>and looks at<br /> +him. An expression of horror distorts her<br /> +features.</i><br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Lucy, what is it?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I don't know how I am going to tell you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You say the trial was over when you came away?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>The jury had given their verdict?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Lucy, what are you driving at? You don't +think...?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Your father asked me to come and break it to you.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>He's not dead?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Perhaps it would be better if he were.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>They found him guilty?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>With a groan of despair.</i>] Oh! But it's impossible.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Putting her hand on his arm.</i>] Ssh!</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>My God, my God! I'm thankful that his wife is +dead.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I'm awfully stupid, but if he was innocent, how +could they find him guilty? I don't know what +you mean.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I am afraid it's very clear.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>There must be some horrible mistake.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I wish there were.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Breaking down into tears and sinking into a chair.</i>] +Oh, God! What shall I do?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Don't do that, George. We want all our calmness +now.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Don't you see they all expected it? It was only +you and I who believed in his innocence.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>To</i> <span class="smcap">Alec</span>.] Did you hear the evidence?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>And you followed it carefully?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Very.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>What impression did it leave on your mind?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>What can it matter how it affected me?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I want to know.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Lucy, you're torturing us all.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>If you had been on the jury would your verdict +have been the same as theirs?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I should have been obliged to judge according to +my conscience.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I see. And you have no doubt that he was guilty?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Don't ask me these horrible questions.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>But it's very important. I know that you are a +perfectly honest and upright man. If you think he +was guilty, there is nothing more to be said.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>The case was so plain that the jury were not out +of the box for more than ten minutes.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Did the judge say anything?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Hesitatingly.</i>] He said there could be no doubt about +the justice of the verdict.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>What else?... [<i>He looks at her without answering.</i>] +You had better tell me now. I shall see it in the +papers to-morrow.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>As though the words were dragged out of him.</i>] +He called it a very mean and shameful crime, +worse than another man's because your father was +a gentleman of ancient family and bore a name of +great honour.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>To</i> <span class="smcap">Mrs. Crowley</span>.] These judges have a weakness +for pointing a moral.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>And what was the sentence? [<i>A pause.</i>] Well?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Seven years' penal servitude.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Oh, God!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear girl, I can't tell you how sorry I am.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Lucy, what is it? You frighten me.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Try and bear up, George. We want all the +strength we've got, you and I.</p> + +<p>[<span class="smcap">Mrs. Crowley</span> <i>puts her arms round</i> <span class="smcap">Lucy</span> +<i>and kisses her.</i></p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Oh, my dear, my dear!</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Disengaging herself.</i>] You're all very kind, and I +know you sympathise with me....</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Interrupting her.</i>] You know that we'll do +everything we can to help you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>It's so good of you. There's really nothing that +any one can do. Would you all mind leaving me +alone with George? We must talk this over by +ourselves.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Very well. Mr. Lomas, will you put me into a cab?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Certainly. [<i>To</i> <span class="smcap">Lucy</span>.] Good-bye, dear, and God +bless you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Shaking hands with him.</i>] Don't worry too much +about me. If there's anything I want, I'll let you +know.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Thanks.</p> + +<p class="dir">[<i>He goes out with</i> <span class="smcap">Mrs. Crowley</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>May I speak to you for a few minutes alone?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Not now, Mr. Mackenzie. I don't want to seem +rude, but ...</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Interrupting.</i>] I know, and I wouldn't insist unless +it were a matter of the most urgent importance.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Very well. George, will you take Aunt Alice to +her room? I shall want you in a moment.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>To</i> <span class="smcap">Lady Kelsey</span>.] Won't you lie down and try +and sleep a little? You must be dreadfully exhausted.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Ah, don't think of me now, dear. Think of yourself.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Smiling.</i>] It's purely selfish. It eases me a little +to fuss about you.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I'll wait in the smoking-room, Lucy.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Do!</p> + +<p>[<span class="smcap">George</span> <i>and</i> <span class="smcap">Lady Kelsey</span> <i>go out.</i></p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I think your self-command is wonderful. I've +never admired you more than at this moment.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You make me feel such a prig. It's not really very +strange if I keep my head, because I've had an +immensely long training. Since I was fifteen I've +been alone to care for George and my father.... +Won't you sit down?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I can say what I want in a very few words. You +know that in a week I start for Mombassa to take +charge of the expedition in North-East Africa. I +may be away for three or four years, and I shall be +exposed to a certain amount of danger. When I left +Africa last time to gather supplies, I determined I +would crush those wretched slave-traders, and now I +think I have the means to do it.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I think you are engaged on a very great work.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I don't know whether you ever noticed that—that +I cared more for you than for any one in the world. +But with the long journey in front of me I didn't +think it was right to say anything to you. It wasn't +fair to ask you to bind yourself during my long +absence. And there was always the risk that a +stray bullet might put an end to me. I made up +my mind that I must wait till I returned. But +things have changed now. Lucy, I love you with all +my heart. Will you marry me before I go?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>No, I can't do that. It's very generous of you, but +I couldn't.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Why not? Don't you know that I love you? It +would help me so much if I knew that you were +waiting for me at home.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I must look after my father. I shall go and live +near the—prison, so that I can see him whenever it's +possible.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You can do that as well if you're my wife.... +You have before you a very difficult and trying time. +Won't you let me help you?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I couldn't. Heaven knows, I'm grateful to you for +offering to marry me on this day of my bitter humiliation. +I shall never forget your great kindness. But +I must stand alone. I must devote myself to my +father. When he's released I must have a home to +bring him to, and I must tend him and care for him. +Ah, now he wants me more than ever.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You're very proud.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Giving him her hand.</i>] Dear friend, don't think +hardly of me. I think I love you as much as it's +possible for a woman to love a man.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Lucy!</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>With a smile.</i>] Did you want me to tell you that in +so many words? I admire you, and I trust you. I +should be very happy if George could grow into so +brave and honest a man as you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>They're very modest crumbs with which you want +me to be satisfied.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I know in your heart you think I'm right. You +would never seek to dissuade me from what I'm +convinced is my duty.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Can't I do anything for you at all?</p> + +<p>[<i>She looks at him for a moment intently. She +rings the bell.</i></p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Yes, you can do me the greatest possible service.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm so glad. What is it you mean?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Wait, and I'll tell you. [<i>The</i> <span class="smcap">Butler</span> <i>enters.</i>] Ask +Mr. George to come here, please.</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Very well, Miss.</p> + +<p class="dir">[<i>He goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I want you to help me.</p> + +<p class="dir">[<span class="smcap">George</span> <i>comes in.</i><br /> +</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Yes, Lucy?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I want to give into your charge what I love most +in the world.... George, have you thought at all +what you're going to do now? I'm afraid you can't +go back to Oxford.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>No, I don't know what's to become of me. I wish +I were dead.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>An idea has just come to me. I'm going to ask +Mr. Mackenzie to take you with him to Africa. Will +you go?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Yes, yes! I'd do anything to get away from +England. I daren't face my friends—I'm too +ashamed.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Ah, but it's not to hide yourself that I want you to +go. Mr. Mackenzie, I daresay you know that we've +always been very proud of our name. And now it's +hopelessly dishonoured.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Lucy, for God's sake ...</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Turning to him.</i>] Now our only hope is in you. +You have the opportunity of achieving a great thing. +You can bring back the old name to its old honour. +Oh, I wish I were a man. I can do nothing but +wait and watch. If I could only fill you with my +courage and with my ambition! Mr. Mackenzie, +you asked if you could do anything for me. You can +give George the chance of wiping out the shame of +our family.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Do you know that he will have to suffer every sort +of danger and privation, that often he will be parched +by the heat, and often soaked to the skin for days +together? Sometimes he'll not have enough to eat, +and he'll have to work harder than a navvy.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Do you hear, George? Are you willing to go?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I'll do anything you want me to, Lucy.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>And you know that he may get killed. There may +be a good deal of fighting.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>If he dies a brave man's death, I have nothing +more to ask.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>To</i> <span class="smcap">George</span>.] Very well. Come with me, and I'll +do my best for you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Ah, thanks. You are really my friend.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>And when I come back?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Then, if you still care, ask your question again.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>And the answer?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>With a little smile.</i>] The answer, perhaps, will be +different.</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">END OF THE FIRST ACT</p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THE_SECOND_ACT_E" id="THE_SECOND_ACT_E"></a>THE SECOND ACT</h2> + +<p class="hang"><span class="smcap">Scene</span>: <span class="smcap">Alec Mackenzie's</span> <i>tent in North-East Africa. +It is night. The place is dimly lighted. There is +a little camp bed in one corner with a mosquito net +over it. There are two or three folding chairs, some +tin cases, and a table. On this a gun is lying.</i></p> + +<p class="hang"><span class="smcap">Dick</span> <i>is seated with his head on his hands, leaning on +the table, fast asleep</i>. <span class="smcap">Dr. Adamson</span>, <i>the surgeon +of the expedition, comes in. He is a large-boned +brawny fellow with a Scotch accent. He looks at</i> +<span class="smcap">Dick</span> <i>and smiles</i>.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Hulloa, there! [<span class="smcap">Dick</span> <i>starts up and seizes the gun. +The</i> <span class="smcap">Doctor</span> <i>laughs</i>.] All right. Don't shoot. It's +only me.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>With a laugh.</i>] Why the dickens did you wake me +up? I was dreaming—dreaming of a high-heeled +boot and a neat ankle, and the swish of a white lace +petticoat.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I thought I'd just have a look at your arm.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>It's one of the most æsthetic sights I know.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Your arm?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>A pretty woman crossing Piccadilly at Swan and +Edgar's. You are a savage, my good doctor, and a +barbarian. You don't know the care and forethought, +the hours of anxious meditation, it has needed for her +to hold up that well-made skirt with the elegant grace +which enchants you.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I'm afraid you're a very immoral man, Lomas.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Ah, my dear fellow, at my time of life I have to +content myself with condemning the behaviour of the +younger generation. Even a camp bed in a stuffy +tent with mosquitoes buzzing all around me has allurements +greater than those of youth and beauty. And +I declare for all women to hear that I am proof +against their wiles. Give me a comfortable bed to +sleep in, plenty to eat, tobacco to smoke, and +Amaryllis may go hang.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Well, let's look at this wound of yours. Has it +been throbbing at all?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, it's not worth bothering about. It'll be all +right to-morrow.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I'll put a clean dressing on all the same.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>All right. [<i>He takes off his coat and rolls up his +sleeve. His arm is bandaged, and during the next +speeches the</i> <span class="smcap">Doctor</span> <i>puts on a dressing and a clean +bandage</i>.] You must be pretty well done up, aren't +you?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Just about dropping. But I've got a deuce of a lot +more work before I turn in.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>The thing that amuses me is to remember that I +came to Africa thinking I was going to have a rattling +good time.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>You couldn't exactly describe it as a picnic, could +you? But I don't suppose any of us knew it would +be such a tough job as it's turned out.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My friend, if ever I return to my native land, I +will never be such a crass and blithering idiot as to +give way again to a spirit of adventure.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>[<i>With a laugh.</i>] You're not the sort of chap whom +one would expect to take to African work. Why the +blazes did you come?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>That's precisely what I've been asking myself ever +since we landed in this God-forsaken swamp.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>The wound looks healthy enough. It'll hardly even +leave a scar.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I'm glad that my fatal beauty won't be injured.... +You see, Alec's about the oldest friend I have. And +then there's young Allerton, I've known him ever +since he was a kid.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>That's an acquaintance that most of us wouldn't +boast about.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I had an idea I'd like Bond Street all the better +when I got back. I never knew that I should be +eaten alive by every kind of disgusting animal by +night and day. I say, Doctor, do you ever think of +a rump steak?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>When?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>With a wave of the hand.</i>] Sometimes, when we're +marching under a sun that just about takes the roof +of your head off, and we've had the scantiest and +most uncomfortable breakfast possible, I have a +vision.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>D'you mind only gesticulating with one arm?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I see the dining-room of my club and myself +sitting at a little table by the window looking out on +Piccadilly, and there's a spotless tablecloth, and all +the accessories are spick and span. An obsequious +servant brings me a rump steak, grilled to perfection, +and so tender that it melts in the mouth. And he +puts by my side a plate of crisp, fried potatoes. +Can't you smell them?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>[<i>Laughing.</i>] Shut up!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And then another obsequious servant brings me a +pewter tankard, and into it he pours a bottle, a large +bottle, mind you, of foaming ale.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>You've certainly added considerably to our cheerfulness.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>With a shrug of the shoulders.</i>] I've often been +driven to appease the pangs of raging hunger with +a careless epigram, and by the laborious composition +of a limerick I have sought to deceive a most unholy +thirst.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Well, last night I thought you'd made your last +joke, old man, and that I had given my last dose of +quinine.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>We were in rather a tight corner, weren't we?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>This is the third expedition I've gone with +Mackenzie against the slave-raiders, and I promise +you I've never been so certain that all was over +with us.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Funny thing death is, you know. When you +think of it beforehand, it makes you squirm in your +shoes, but when you've just got it face to face, it +seems so obvious that you forget to be afraid. It's +one of my principles never to be impressed by a +platitude.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>It's only by a miracle we escaped. If those Arabs +hadn't hesitated to attack us just those ten minutes +we should have been wiped out.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Alec was splendid, wasn't he?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Yes, by Jove! He thought we were done for.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>What makes you think that?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Well, you see, I know him pretty well. He's been +a pal of yours for twenty years in England, but I've +been with him out here three times, and I tell you +there's not much about a man that you don't know +then.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Well, when things are going smoothly and everything's +flourishing, he's apt to be a bit irritable. He +keeps rather to himself, and he doesn't say much +unless you do something he doesn't approve of.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And then, by Jove, he comes down on one like a +thousand of bricks. It's not for nothing the natives +call him Thunder and Lightning.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>But when things begin to look black, his spirits go +up like one o'clock. And the worse they are, the +more cheerful he is.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>It's one of his most irritating characteristics.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>When every one is starving with hunger, and dead +tired, and soaked to the skin, Mackenzie fairly bubbles +over with good-humour.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>When I'm in a bad temper, I much prefer every one +else to be in a bad temper too.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>These last few days, he's been positively hilarious. +Yesterday he was cracking jokes with the natives.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Dryly.</i>] Scotch jokes. I daresay they sound +funny in an African dialect.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I've never seen him more cheerful. I said to +myself: By the Lord Harry, the chief thinks we're +in a devil of a bad way.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Thank Heaven, it's all over now. We've none of +us had any sleep for three days, and when I once get +off, I don't mean to wake up for a week.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I must go and see the rest of my patients. Perkins +has got a bad dose of fever this time. He was quite +delirious a while ago.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>By Jove, I'd almost forgotten. How one changes +out here! Here am I feeling happy and comfortable +and inclined to make a little jest or two, and I've +forgotten already that poor Richardson is dead and +Lord knows how many natives.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Poor chap, we could ill spare him. The fates +never choose the right man.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>What do you mean by that?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>If we had to lose some one, it would have been a +damned sight better if that young cub had got the +bullet which killed poor Richardson.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>George Allerton?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>He wouldn't have been much loss, would he?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>No, I'm afraid he wouldn't.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Mackenzie has been very patient with him. I +wonder he didn't send him back to the coast +months ago, when he sacked Macinnery.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Poor George, everything has been against him.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Some men have got natures so crooked that with +every chance in the world to go straight they can't +manage it. The only thing is to let them go to the +devil as best they may.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Alec was bound to give him another chance. [<span class="smcap">Alec +Mackenzie</span> <i>comes in</i>.] Hulloa, Alec! Where have +you been?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I've been going the round of the outlying sentries.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>All serene?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Yes. I've just seen a native messenger that +Mindabi sent to me.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Anything important?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Curtly.</i>] Yes. How's the arm, Dick?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, that's nothing. It's only a scratch.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You'd better not make too light of it. The +smallest wound has a way of being troublesome in +this country.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>He'll be all right in a day or two.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>How are the others?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>They're going on pretty well on the whole. +Perkins, of course, will be down for some days +longer. And some of the natives are rather badly +hurt. Those devils have got explosive bullets.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Any one in great danger?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>No, I don't think so. There are two men who are +in rather a bad way, but all they want is rest.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I see.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I say, have you had anything to eat lately?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a laugh.</i>] Good Lord! I quite forgot. I +wonder when the dickens I had some food last.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Smiling.</i>] You've had nothing to-day, have you?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No, I don't think so. Those Arabs kept us so +confoundedly busy.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You must be devilish hungry.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Now you mention it, I think I am. And thirsty, +by Jove! I wouldn't give my thirst for an elephant +tusk.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And to think there's nothing but tepid water to +drink!</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I'll go and tell the boy to bring you some food. +It's a rotten game to play tricks with your digestion +like that.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Gaily.</i>] Stern man, the doctor, isn't he? It won't +hurt me once in a way. And I shall enjoy it all the +more now.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>[<i>Calling.</i>] Selim!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No, don't trouble. The poor chap's just turned in, +dropping with sleep. I told him he might till I +called him. I don't want much, and I can easily get +it myself. [<i>He goes to a case and takes out a tin of +meat and some ship's biscuits.</i>] It's rather a nuisance +that we've not been able to get any game lately.</p> + +<p class="dir">[<i>He sets the food down before him, sits down,<br /> +and begins to eat.</i><br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Ironically.</i>] Appetising, isn't it?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Splendid!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You have all the instincts of the primeval savage, +Alec. It enrages and disgusts me.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a laugh.</i>] Why?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You take food for the gross and bestial purpose of +appeasing your hunger. You have no appreciation +for the delicacies of eating as a fine art.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>The meat's getting rather mouldy, isn't it?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Damnable! It's been a source of great anxiety to +me in England.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>What is he talking about now?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I was going on with the thread of my observations, +which you interrupted with the entirely obvious +remark that the tinned meat was getting mouldy.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I apologise profusely. Pray go on!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I was about to observe that even in England you +will eat the most carefully ordered meal with an +indifference which is an outrage to decency. Indeed, +you pay less attention to it than here, because at all +events you do notice that the meat is mouldy. But +if any one gives you a good dinner, you notice +nothing. I've given him priceless port, Doctor, and +he drank it as though it were cooking sherry.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I confess it is lamentable. But why is it a source +of anxiety to you?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>What on earth is to happen to him in his old age?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Explain yourself, my friend. Clearly but with as +much brevity as possible.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>The pleasure of eating is the only pleasure that +remains to the old. Love—what is love when +you lose your figure, and your hair grows thin? +Knowledge—one can never know everything, and +the desire passes with the fire of youth. Even +ambition fails you in the end. But to those who +have lived wisely and well, there remain three +pleasures every day of their lives: their breakfast, +their luncheon, and their dinner.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a laugh.</i>] I wouldn't worry about my old age +if I were you, Dick.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Why?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Because I think it's ten to one that we shall all be +dead to-morrow morning.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>What?</p> + +<p class="dir">[<i>There is a slight pause while both men stare<br /> +at him.</i><br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Is this one of your little jokes, Alec?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You have often observed that I joke with difficulty.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>But what's wrong now?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You'll neither of you sleep in your beds to-night. +Another sell for the mosquitoes, isn't it? I propose +to break up the camp and start marching as soon as +the moon goes down.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I say, it's a bit thick after a day like this. We're +all so done up that we shan't be able to go a mile.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Nonsense, you will have had two hours' rest.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>But some of those fellows who are wounded can't +possibly be moved.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>They must!</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>I won't answer for their lives.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>We must take the risk. Our only chance is to +make a bold dash for it, and we can't leave the +wounded here.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I suppose there's going to be a deuce of a row?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Grimly.</i>] There is.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Your companions seldom have a chance to complain +of the monotony of their existence, Alec. What are +you going to do now?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>At this moment, I'm going to fill my pipe.</p> + +<p class="dir">[<i>There is a pause while</i> <span class="smcap">Alec</span> <i>fills and lights<br /> +his pipe</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I gather from the general amiability of your +demeanour that we're in a rather tight place?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Tighter than any of your patent-leather boots, my +friend.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Gravely.</i>] Have we any chance of getting through, +old man?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Lightly.</i>] Oh, I don't know. There's always a +chance.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Don't grin at me in that irritating fashion.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You must wish you were treading the light +fantastic toe in a London ball-room, Dick.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Frankly I do.... I suppose we're going to fight +again?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Like Kilkenny cats.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Briskly.</i>] Well, at all events that's some comfort. +If I am going to be done out of my night's rest, I +should like to take it out of some one.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>If things turn out all right, we shall have come +near finishing the job, and there won't be much more +slave-raiding in this part of Africa.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And if things don't turn out all right?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Why, then I'm afraid the tea-tables of Mayfair +will be deprived of your scintillating repartee forever.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Well, I've had a very good time in my life. I've +loved a little, I've looked at some good pictures, read +some thundering fine books, and I've worked and +played. If I can only account for a few more of +those damned scoundrels before I die, I shouldn't +think I had much to complain of.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Smiling.</i>] You're a philosopher, Dick.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Doesn't the possibility of an extremely unpleasant +demise tempt you to a few appropriate reflections?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I don't know that it does. I'm a bit of a fatalist, +and my theory is that when my time comes nothing +can help me, but at the bottom of my heart I can't +resist the conviction that I shan't die till I let myself.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Well, I must go and put things in order. I'll +bandage those fellows up, and I hope they'll stand the +jolting.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>What about Perkins?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Lord knows! I'll try and keep him quiet with +chloral.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You needn't say anything about striking camp. I +don't propose that any one should know till a quarter +of an hour before we start.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>But that won't give them time.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It must. I've trained them often enough to get +on the march quickly.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Very well.</p> + +<p class="dir">[<span class="smcap">George Allerton</span> <i>comes in as the</i> <span class="smcap">Doctor</span> <i>is<br /> +on the point of going</i>.<br /> +</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Can I come in?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Yes ... Doctor!</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Hulloa!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You might stay a minute, will you?</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>[<i>Coming back.</i>] Certainly.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Didn't Selim tell you that I wanted to speak +to you?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>That's why I've come.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You've taken your time about it.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I say, could you give me a drink of brandy? I'm +awfully done up.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Shortly.</i>] There's no brandy left.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Hasn't the doctor got some?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No!</p> + +<p class="dir">[<i>There is a pause.</i> <span class="smcap">Alec</span> <i>looks at him slowly</i>.<br /> +</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Why are you all looking at me like that? You +look as if you were going to try me for something.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Nonsense! Don't be so nervous.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Abruptly.</i>] Do you know anything about the +death of that Turkana woman?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>No! How should I?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Come now, you must know something about it. +Last Tuesday you came into camp and told me the +Turkana were very excited.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Unwillingly.</i>] Oh, yes! I remember something +about it. It had slipped my memory.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I'm not very clear about it. The woman had been +shot, hadn't she? One of our station boys had been +playing the fool with her, and he seems to have +shot her.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Have you made no inquiries as to who the man +was?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>In a surly way.</i>] I haven't had time. We've all +been worked off our legs during these three days.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Do you suspect no one?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I don't think so.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Think a moment.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>The only man who might have done it is that big +scoundrel whom we got on the coast, the Swahili.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>What makes you think that?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>He's been making an awful nuisance of himself, +and I know he was running after her.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I understand she complained about him to you?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Do you think that would be enough evidence to +punish him on?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>He's a thorough blackguard, and after all, if one +does make a mistake, he's only a nigger.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You'll be surprised to hear that when the woman +was found she wasn't dead.</p> + +<p class="dir">[<span class="smcap">George</span> <i>gives a movement of consternation</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>She didn't die for nearly an hour.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>After a short pause.</i>] Was she able to say anything?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>She accused you of having shot her.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Me?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It appears that <i>you</i> were playing the fool with her, +and when she got angry you took out a revolver and +fired point blank. Presumably that she should tell +no tales.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>It's a stupid lie. You know what they are. It's +just like them to tell an absurd lie like that. You +wouldn't believe a parcel of niggers rather than me, +would you? After all, my word's worth more than +theirs.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Taking from his pocket an exploded cartridge.</i>] This +was found about two yards from the body. As you +see, it's a revolver cartridge. It was brought to me +this evening.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I don't know what that proves.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You know just as well as I do that none of our +natives has a revolver. Besides ourselves only two or +three of the servants have them.</p> + +<p class="dir">[<span class="smcap">George</span> <i>becomes white with fear, he takes out<br /> +his handkerchief and wipes his face</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Quietly.</i>] Will you give me your revolver?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I haven't got it. I lost it in the skirmish this +afternoon. I didn't tell you as I thought you'd be +annoyed.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I saw you cleaning it less than an hour ago.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>With a shrug of the shoulders.</i>] Perhaps it's in my +tent, I'll go and see.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Sharply.</i>] Stop here.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Angrily.</i>] You've no right to talk to me like that. +I'm sick to death of being ordered about. You seem +to think I'm a dog. I came out here of my own free +will, and I won't let you treat me as if I were a +servant.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>If you put your hand to your hip pocket, I think +you'll find your revolver there.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I'm not going to give it to you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Quietly.</i>] D'you want me to come and take it from +you myself?</p> + +<p class="dir">[<i>The two men stare at one another for a moment.<br /> +Then</i> <span class="smcap">George</span> <i>slowly puts his hand to his<br /> +pocket. He lakes out the revolver and<br /> +suddenly aims at</i> <span class="smcap">Alec</span>. <span class="smcap">Dick</span> <i>beats up<br /> +his arm as he fires, and the</i> <span class="smcap">Doctor</span>,<br /> +<i>springing forward, seizes him round the<br /> +waist</i>. <span class="smcap">Alec</span> <i>remains still</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>During the struggle.</i>] You young blackguard!</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Let me go, damn you!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You need not hold him.</p> + +<p class="dir">[<i>They leave go of</i> <span class="smcap">George</span>, <i>who sinks cowering<br /> +into a chair</i>. <span class="smcap">Dick</span> <i>hands the revolver to</i><br /> +<span class="smcap">Alec</span>. <i>He silently fits into a chamber the<br /> +cartridge that had been brought to him.</i><br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You see that it fits. Hadn't you better make a +clean breast of it?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Cowed.</i>] Yes, I shot her. She made a row, and +the devil got into me. I didn't know I'd done +anything till she screamed and I saw the blood.... +What a fool I was to throw the cartridge away! +I wanted to have all the chambers charged.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Do you remember that two months ago I hanged +a man to the nearest tree because he'd outraged a +native woman?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Springing up in terror.</i>] You wouldn't do that to +me, Alec. Oh, God, no, Alec, have mercy on me. +You wouldn't hang me. Oh, why did I ever come to +this damned place?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You need not be afraid. I'm not going to do that. +In any case I must preserve the native respect for +the white man.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I was half drunk when I saw that woman. I +wasn't responsible for my actions.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>The result is that the whole tribe has turned +against us. The chief is my friend, and he sent a +message to tell me he couldn't hold them in. It's +from him I got the cartridge. It wouldn't be so +serious, only the best fighting part of our forces are +the Turkana, and we must expect treachery. They've +stirred up the neighbouring tribes against us, and all +the work we've been doing for a year is undone. +That's the explanation of the Arabs' attack three +days ago.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Sullenly.</i>] I knew it was all my fault.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>The natives have made up their minds to join the +slave-traders, and we shall be attacked on all sides +to-morrow. We can't hold out against God knows +how many thousands.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>D'you mean you'll all be killed?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>If we remain here there's no escape.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>In a whisper.</i>] What are you going to do to me, +Alec?</p> + +<p class="dir">[<span class="smcap">Alec</span> <i>walks up and down the tent</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Presently.</i>] I think you might go and see your +patients now, doctor.</p> + +<p class="charc"><span class="smcap">Doctor.</span></p> + +<p>Very well.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Shall I go too, Alec?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No, you can stay here. But don't open your +mouth till you're spoken to.</p> + +<p>[<span class="smcap">The Doctor</span> <i>goes out</i>.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I'm sorry I did that silly thing just now. I'm +glad I didn't hit you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It doesn't matter at all. I'd forgotten all about it.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I lost my head, I didn't know what I was doing.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You need not trouble about that. In Africa even +the strongest people are apt to get excited and lose +their balance.</p> + +<p>[<span class="smcap">Alec</span> <i>re-lights his pipe, and there its a very +short pause</i>.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Did you ever know that before we came away +I asked Lucy to marry me?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I knew you cared for her.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>She asked me to bring you here in the hope that +you would regain the good name of your family. +I think that is the object she has most at heart in the +world. It's as great as her love for you. The plan +hasn't been much of a success, has it?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>She ought to have known that I wasn't suited for +this kind of life.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I saw very soon that you were weak and irresolute. +But I hoped to make something of you. Your +intentions seemed good enough, but you never had +the strength to carry them out.... I'm sorry if I +seem to be preaching to you.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Bitterly.</i>] Oh, d'you think I care what any one +says to me now?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Gravely, but not unkindly.</i>] Then I found you were +drinking. I told you that no man could stand liquor +in this country, and you gave me your word of honour +that you wouldn't touch it again.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Yes, I broke it. I couldn't help it; the temptation +was too strong.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>When we came to the station at Muneas you and +Macinnery got blind drunk, and the whole camp saw +you. I ought to have sent you back to the coast then, +but it would have broken Lucy's heart.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>It was Macinnery's fault.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It's because I thought he was to blame that I sent +him back alone. I wanted to give you another chance. +It struck me that the feeling of authority might have +some influence on you, and so when we came to the +lake I left you to guard the ferry. I put the chief +part of the stores in your care and marched on. I +needn't remind you what happened then.</p> + +<p>[<span class="smcap">George</span> <i>looks down sulkily, and in default of +excuses keeps silent</i>.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I came to the conclusion that it was hopeless. You +seemed to me rotten through and through.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>With a little laugh.</i>] Like my father before me.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I couldn't believe a word you said. You did everything +you shouldn't have done. The result was that +the men mutinied, and if I hadn't come back in the +nick of time they'd have killed you and looted all +the stores.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>You always blame me for everything. A man's +not responsible for what he does when he's down +with fever.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It was too late to send you back to the coast then, +and I was obliged to take you on. And now the end +has come. Your murder of that woman has put us all +in deadly peril. Already to your charge lie the deaths +of Richardson and almost twenty natives. Tribes that +were friendly have joined with the Arabs, and we're +as near destruction as we can possibly be.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>What are you going to do?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>We're far away from the coast, and I must take the +law into my own hands.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>With a gasp.</i>] You're not going to kill me?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Are you fond of Lucy?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>[<i>Brokenly.</i>] You—you know I am. Why d'you +remind me of her now? I've made a rotten mess of +everything, and I'm better out of the way. But think +of the disgrace of it. It'll kill Lucy.... And she +was hoping I'd do so much.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Listen to me. Our only chance of escaping from +the confounded fix we're in is to make a sudden attack +on the Arabs before the natives join them. We shall +be enormously outnumbered, but we may just smash +them if we can strike to-night. My plan is to start +marching as if I didn't know that the Turkana were +going to turn against us. After an hour all the +whites but one, and the Swahilis whom I can trust +implicitly, will take a short cut. The Arabs will have +had news of our starting, and they'll try to cut us off +at the pass. I shall fall on them just as they begin to +attack. D'you understand?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Now I must have one white man to head the +Turkana, and that man will run the greatest possible +danger. I'd go myself, only the Swahilis won't fight +unless I lead them.... Are you willing to take that +post?</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>I?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I could order you, but the job's too dangerous for +me to force it on any one. If you refuse, I shall call +the others together and ask some one to volunteer. +In that case you will have to find your way back alone +as best you can to the coast.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>No, no! Anything rather than the shame of that.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I won't hide from you that it means almost certain +death. But there's no other way of saving ourselves. +On the other hand, if you show perfect courage at the +moment the Arabs attack and the Turkana find that +we've given them the slip, you may escape. If you +do, I promise nothing shall be said of all that has +happened here.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>All right. I'll do that. And I thank you with all +my heart for giving me the chance.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm glad you've accepted. Whatever happens +you'll have done a brave action in your life. [<i>He holds +out his hand to</i> <span class="smcap">George</span>, <i>who takes it</i>.] I think there's +nothing more to be said. You must be ready to start +in half an hour. Here's your revolver. Remember +that one chamber's empty. You'd better put in +another cartridge.</p> + +<p class="charc"><span class="smcap">George.</span></p> + +<p>Yes, I'll do that.</p> + +<p class="dir">[<i>He goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>D'you think he has any chance of escaping?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>If he has pluck he may get through.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Well!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>To-morrow we shall know if he has that last virtue +of a blackguard—courage.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And if he hasn't, it's death you're sending him to?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Yes. It's death!</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">END OF THE SECOND ACT</p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THE_THIRD_ACT_E" id="THE_THIRD_ACT_E"></a>THE THIRD ACT</h2> + +<p class="hang"><span class="smcap">Scene</span>: <i>A smoking-room at</i> <span class="smcap">Lady Kelsey's</span>, <i>leading by +an archway into a drawing-room at the back. On +the right is a glass door which leads into the garden. +On one side is a sofa; on the other a table with +cigarettes, matches, whiskey, sodas, etc.</i></p> + +<p class="hang"><span class="smcap">Lady Kelsey</span> <i>is giving a dance, and the music of the +Lancers is heard vaguely from the ball-room as +the curtain rises</i>. <span class="smcap">Mrs. Crowley</span> <i>and</i> <span class="smcap">Sir Robert +Boulger</span> <i>are sitting down</i>. <span class="smcap">Lady Kelsey</span> <i>comes +in with the</i> <span class="smcap">Rev. James Carbery</span>.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Oh, you wretched people, why aren't you dancing? +It's too bad of you to hide yourselves here!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>We thought no one would find us in the smoking-room. +But why have you abandoned your guests, +Lady Kelsey?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Oh, I've got them all comfortably settled in the +Lancers, and I'm free to rest myself for a quarter of +an hour. You don't know what agonies I've been +suffering the whole evening.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Good gracious me! Why?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I'm so afraid Alec Mackenzie will come.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>You needn't worry about that, Aunt Alice. He'll +never venture to show his face.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I didn't know what to do. It was impossible to +put the dance off. It's too dreadful that these +horrible revelations should....</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>[<i>Supplying the word.</i>] Transpire.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Yes, transpire on the very day I've at last +persuaded Lucy to come into the world again. I +wish Dick would come.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Yes, he'll be able to tell us something.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But will he?</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>Wherever I go people are talking about Mr. +Mackenzie, and I'm bound to say I've found nobody +who has a good word for him.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Bitterly.</i>] Humpty-dumpty's had a great fall.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I wonder if I might have a cigarette?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I'm sure you might. And if you press me dreadfully, +I'll have one, too.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Don't press her. She's already had far too many.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Well, I'll forego the pressing, but not the cigarette.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>[<i>Handing her the box and giving her a light.</i>] It's +against all my principles, you know.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>What <i>is</i> the use of principles except to give one an +agreeable sensation of wickedness when one doesn't +act up to them?</p> + +<p>[<span class="smcap">Dick</span> <i>comes in as she speaks.</i></p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear lady, you're as epigrammatic as a +dramatist. Do you say such things from choice or +necessity?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p><i>Dick!</i></p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Dick!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Mr. Lomas!</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>Ah!</p> + +<p>[<i>The four exclamations are simultaneous.</i></p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>This enthusiasm at my appearance is no less +gratifying than unexpected.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I'm so glad you've come at last. Now we shall get +at the truth.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Impatiently.</i>] Well?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear people, what <i>are</i> you talking about?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Oh, don't be such an ass!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Good heavens, didn't you read the <i>Times</i> this +morning?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I only came back from Paris to-night. Besides, I +never read the papers except in August.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Raising her eyebrows.</i>] When there's nothing in +them?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Pardon me, I'm an eager student of the sea-serpent +and the giant gooseberry.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>My dear Dick, it's too shocking. I wish I'd had +the courage to write and ask Mr. Mackenzie not to +come. But since you both came back from Africa a +month ago he's been here nearly every day. And +he's been so good and kind to us, I couldn't treat +him as though there was no doubt the story was true.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>There can't be the least doubt about it. By +George, I should like to kick him.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Dryly.</i>] My dear chap, Alec is a hardy Scot and +bigger than you, so I shouldn't advise you to try.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I was engaged to dine with him to-night, but I +wired to say I had a headache.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>What will he think if he sees you here?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>He can think what he jolly well likes.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I hope he has the sense to stay away.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I think you're pretty safe now, Lady Kelsey. It's +growing late.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Will some one kindly explain?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>D'you mean to say you really don't know—seriously? +After all, you were with him.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>My dear Dick, there are two columns of fiery +denunciation in this morning's <i>Times</i>.</p> + +<p>[<span class="smcap">Dick</span> <i>is a little startled, but at once collects +himself</i>.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, that's only the reaction. That's nothing. +Since he arrived in Mombassa, after three years in +the heart of Africa, he's made almost a triumphal +progress. Of course, it couldn't last. The reaction +was bound to come.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Looking at him steadily.</i>] The article is signed by +a man named Macinnery.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Calmly.</i>] Alec found Macinnery half starving at +Mombassa, and took him solely out of charity. But +he was a worthless rascal, and he had to send him +back.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>He gives ample proof for every word he says.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Whenever an explorer comes home, there's some +one to tell nasty stories about him. People forget +that kid gloves are not much use in a tropical forest, +and grow very indignant when they hear that a +man has used a little brute force to make himself +respected.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Oh, my dear Dick, it's much worse than that. +First poor Lucy's father died....</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You're not going to count that as an overwhelming +misfortune? We were unanimous in describing +that gentleman's demise as an uncommonly happy +release.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>But Lucy was heart-broken all the same. And +when her life seemed to grow a little more cheerful, +came her brother's tragic death.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Abruptly, to</i> <span class="smcap">Mrs. Crowley</span>.] What is it exactly?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>The long and short of it is that Mr. Mackenzie was +the cause of George Allerton's death.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Lucy's brother was killed by the slave-traders.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Mackenzie sent him into a confounded trap to save +his own dirty skin.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>And the worst of it is that I think Lucy is in love +with Mr. Mackenzie.</p> + +<p>[<span class="smcap">Boulger</span> <i>makes a slight movement, and for a +moment there is an uncomfortable pause</i>.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I saw him this evening in Piccadilly, and I almost +ran into his arms. It was quite awkward.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Frigidly.</i>] Why?</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I don't think I want to shake the man's hand. +He's nothing short of a murderer.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Savagely.</i>] He's worse than that. He's ten times +worse.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Well, for heaven's sake be polite to him if he +comes to-night.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I really couldn't bring myself to shake hands with +him.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Dryly.</i>] Don't you think you'd better wait for +evidence before you condemn him?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>My dear fellow, the letter in the <i>Times</i> is absolutely +damning. Interviewers went to him from the evening +papers, and he refused to see them.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>What does Lucy say of it? After all, she's the +person most concerned.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>She doesn't know. I took care that she shouldn't +see the paper. I wanted to give her this evening's +enjoyment unalloyed.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Take care, here she is.</p> + +<p>[<span class="smcap">Lucy</span> <i>comes in</i>.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>[<i>Smiling and reaching out her hand.</i>] Well, darling?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Going to</i> <span class="smcap">Lady Kelsey</span>.] Are you growing very +tired, my aunt?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I can rest myself for the time. I don't think any +one else will come now.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Gaily.</i>] You faithless woman, have you forgotten +the guest of the evening?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Mr. Mackenzie?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Bending over her.</i>] My dear, it was charming of +you to hide the paper from me this morning....</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>[<i>Startled.</i>] Did you see the letter? I so wanted +you not to till to-morrow.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Mr. Mackenzie very rightly thought I should know +at once what was said about him and my brother. He +sent me the paper himself this evening.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Did he write to you?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>No, he merely scribbled on a card: "I think you +should read this."</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Well, I'm damned!</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>What did you think of the letter, Lucy?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Proudly.</i>] I didn't believe it.</p> + +<p class="charc"><span class="smcap">BOULGER.</span></p> + +<p>[<i>Bitterly.</i>] You must be blinded by your—friendship +for Alec Mackenzie. I never read anything +more convincing.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I could hardly believe him guilty of such an odious +crime if he confessed it with his own lips.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Of course, he won't do that.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Did I ever tell you how I made acquaintance with +Alec? In the Atlantic—about three hundred miles +from land.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>What a perfectly ridiculous place for an introduction.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I was a silly young fool in those days, and I +habitually played the giddy goat. In the course of +which, I fell overboard and was proceeding to drown +when Alec jumped in after me. It was an incautious +thing to do, because he very nearly got drowned +himself.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>That's not the only heroic thing he's done.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>No, it's one of his hobbies to risk his life to save +unnecessary and useless people. But the funny thing +is that ever since he saved mine, he's been quite +absurdly grateful. He seems to think I did him an +intentional service and fell into the water on purpose +to give him a chance of pulling me out.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>With a long look at</i> <span class="smcap">Dick.</span>] It's very kind and good +of you to have told that story.</p> + +<p>[<i>The</i> <span class="smcap">Butler</span> <i>comes in and announces</i> <span class="smcap">Alec +Mackenzie</span>.</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Mr. Mackenzie.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Blandly.</i>] Ah, I thought I should find you here, +Lady Kelsey.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>[<i>Shaking hands with him.</i>] How d'you do? We've +just been talking of you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Really?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>It's so late, we were afraid you wouldn't come. I +should have been dreadfully disappointed.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It's very kind of you to say so. I've been at the +Travellers', reading various appreciations of my own +character.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>[<i>Somewhat embarrassed.</i>] Oh, I heard there was +something about you in the papers.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>There's a good deal. I really had no idea the world +was so interested in me.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>It's charming of you to come to-night. I'm sure +you hate dances!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Oh, no, they interest me enormously. I remember, +one of the Kings of Uganda gave a dance in my +honour. Ten thousand warriors in war-paint. I +assure you it was most impressive.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear fellow, if paint is the attraction you really +need not go much farther than Mayfair.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Pretending for the first time to notice</i> <span class="smcap">Boulger.</span>] +Ah, there's my little friend Bobbie. I thought you +had a headache?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>[<i>Quickly.</i>] I'm afraid Bobby is dreadfully dissipated. +He's not looking at all well.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Good-humouredly.</i>] You shouldn't keep such late +hours, Bobbie. At your age one wants one's beauty +sleep.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>It's very kind of you to take an interest in me. +My headache has passed off.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm very glad. What do you use—Phenacetin?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>It went away of its own accord—after dinner.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Smiling.</i>] So you resolved to give the girls a treat +by coming to Lady Kelsey's dance? How nice of you +not to disappoint them! [<i>He turns to</i> <span class="smcap">Lucy</span> <i>and holds +out his hand. They look into one another's eyes. She +takes his hand.</i>] I sent you a paper this evening.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>It was very good of you.</p> + +<p>[<span class="smcap">Carbery</span> <i>comes forward and offers his arm.</i></p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I think this is my dance, Miss Allerton. May I +take you in?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Carbery? I saw you in Piccadilly just now! You +were darting about just like a young gazelle. I had +no idea you could be so active.</p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>I didn't see you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I observed that you were deeply interested in the +shop windows as I passed. How are you?</p> + +<p>[<i>He holds out his hand, and for a moment</i> +<span class="smcap">Carbery</span> <i>hesitates to take it. But</i> <span class="smcap">Alec's</span> +<i>steady gaze compels him.</i></p> + +<p class="charc"><span class="smcap">Carbery.</span></p> + +<p>How d'you do?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With an amused smile.</i>] So glad to see you again, +old man.</p> + +<p>[<span class="smcap">Dick</span> <i>gives an audible chuckle, and</i> <span class="smcap">Carbery,</span> +<i>reddening, draws his hand away angrily. +He goes to</i> <span class="smcap">Lucy</span> <i>and offers his arm.</i></p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>To</i> <span class="smcap">Mrs. Crowley.</span>] Shall I take you back?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Do!</p> + +<p class="charc"><span class="smcap">Lady Kesley.</span></p> + +<p>Won't you come, Mr. Mackenzie?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>If you don't mind I'll stay and smoke just one +cigarette with Dick Lomas. You know I'm not a +dancing man.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Very well.</p> + +<p>[<i>All go out except</i> <span class="smcap">Alec</span> <i>and</i> <span class="smcap">Dick</span>.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I suppose you know we were all beseeching +Providence you'd have the grace to stay away +to-night?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a smile.</i>] I suspected it, I confess. I shouldn't +have come only I wanted to see Lucy. I've been +in the country all day, and I knew nothing about +Macinnery's letter till I saw the placards at the +station.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Macinnery proposes to make things rather uncomfortable, +I imagine.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a smile.</i>] I made a mistake, didn't I? I +ought to have dropped him in the river when I had +no further use for him.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>What are you going to do?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It's not easy to clear myself at a dead man's +expense. The earth covers his crime and his sins +and his weakness.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>D'you mean to say that you are going to sit still +and let them throw mud at you?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>When George was dead I wrote to Lucy that he +died like a brave man. I can't now publish to the +whole world that he was a coward and a rogue. I +can't rake up again the story of her father's crime.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Impatiently.</i>] Surely, that's absolutely quixotic.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No, it isn't. I tell you I can't do anything else. +I'm bound hand and foot. Lucy has talked to me of +George's death, and the only thing that has consoled +her is the idea that in a manner he had redeemed his +father's good name. How can I rob her of that? +She placed all her hopes in George. How could she +face the world with the knowledge that her brother +was rotten to the core, as rotten as her father.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>It seems awfully hard.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Besides, when all is said and done, the boy did die +game. Don't you think that should count for something? +No, I tell you I can't give him away now. I +should never cease to reproach myself. I love Lucy +far too much to cause her such bitter pain.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And if it loses you her love?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I think she can do without love better than without +self-respect.</p> + +<p>[<span class="smcap">Lucy</span> <i>comes in with</i> <span class="smcap">Mrs. Crowley</span>.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I've sent my partner away. I felt I must have a +few words alone with you.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Shall I take Mrs. Crowley into a retired corner?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>No, we have nothing to say that you can't hear. +You and Nellie know that we're engaged to be married. +[<i>To</i> <span class="smcap">Alec</span>.] I want you to dance with me.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It's very good of you.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Don't you think that's rather foolish, Lucy?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>To</i> <span class="smcap">Alec</span>.] I want to show them all that I don't +believe that you're guilty of an odious crime.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>They've said horrible things about me?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Not to me. They wanted to hide it from me, but I +knew they were talking.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You'll grow used to hearing shameful things said of +me. I suppose I shall grow used to it, too.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, I hate them.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Ah, it's not that I mind. What torments me is +that it was so easy to despise their praise, and now I +can't despise their blame.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Smiling.</i>] I believe you have some glimmerings of +human nature in you after all.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>When you came to-night, so calm and self-possessed, +I admired you as I'd never admired you before.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It's easy enough to command one's face. I learnt +to do that in Africa when often my life depended on +my seeming to have no fear. But in my heart ... +I never knew that I could feel so bitter. And yet, +after all, it's only your good opinion that I care for.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I've trusted you implicitly from the first day I +saw you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Thank God for that! To-day is the first time I've +wanted to be assured that I was trusted. And yet +I'm ashamed to want it.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Ah, don't be too hard upon yourself. You're so +afraid of letting your tenderness appear.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>The only way to be strong is never to surrender +to one's weakness. Strength is merely a habit like +everything else. I want you to be strong, too. +I want you never to doubt me whatever you may +hear said.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I gave my brother into your hands, and told you +that if he died a brave man's death I could ask for +no more.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I should tell you that I've made up my mind to +make no answer to the charges that are made +against me.</p> + +<p>[<i>There is a very short pause, while he looks at her +steadily.</i></p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But why?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>To</i> <span class="smcap">Lucy</span>.] I can give you my word of honour +that I've done nothing which I regret. I know that +what I did was right with regard to George, and if it +were all to come again I would do exactly as I did +before.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I think I can trust you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I thought of you always, and everything I did was +for your sake. Every single act of mine during these +four years in Africa has been done because I loved you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You must love me always, Alec, for now I have +only you. [<i>He bends down and kisses her hand.</i>] Come!</p> + +<p>[<i>He gives her his arm and they walk out.</i></p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I feel as if I should rather like to cry.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Do you really? So do I.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Don't be so silly.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>By the way, you don't want to dance with me, +do you?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Certainly not. You dance abominably.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>It's charming of you to say so. It puts me at my +ease at once.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Come and sit on the sofa and talk seriously.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Ah, you want to flirt with me, Mrs. Crowley.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Good heavens, what on earth makes you think +that?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>It's what a woman always means when she asks +you to talk sensibly.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I can't bear a man who thinks women are in love +with him.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Bless you, I don't think that. I only think they +want to marry me.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>That's equally detestable.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Not at all. However old, ugly, and generally +undesirable a man is, he'll find a heap of charming +girls who are willing to marry him. Marriage is +still the only decent means of livelihood for a really +nice girl.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But, my dear friend, if a woman really makes up +her mind to marry a man, nothing on earth can +save him.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Don't say that, you terrify me.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You need not be in the least alarmed, because +I shall refuse you.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Thanks, awfully. But all the same I don't think +I'll risk a proposal.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>My dear Mr. Lomas, your only safety is in immediate +flight.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Why?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It must be obvious to the meanest intelligence that +you've been on the verge of proposing to me for the +last month.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, I assure you, you're quite mistaken.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Then I shan't come to the play with you to-morrow?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>But I've taken the seats, and I've ordered an +exquisite dinner at the Carlton.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>What have you ordered?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p> +Potage Bisque... [<i>She makes a little face.</i>]<br /> +Sole Normande... [<i>She shrugs her shoulders.</i>]<br /> +Wild Duck.<br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>With an orange salad?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I don't positively dislike that.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And I've ordered a soufflé with an ice in the middle +of it.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I shan't come.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I shouldn't have thought you kept very well abreast +of dramatic art if you insist on marrying every man +who takes you to a theatre.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Demurely.</i>] I was very nicely brought up.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Of course, if you're going to make yourself systematically +disagreeable unless I marry you, I suppose +I shall have to do it in self-defence.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I don't know if you have the least idea what you're +talking about. I'm sure I haven't!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I was merely asking you in a rather well-turned +phrase to name the day. The lamb shall be ready +for the slaughter!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Couldn't you infuse a little romance into it? You +might begin by going down on your bended knees.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I assure you that's quite out of fashion. Lovers, +nowadays, are much too middle-aged, and their joints +are creaky. Besides, it ruins the trousers.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>At all events, there can be no excuse for your not +saying that you know you're utterly unworthy of me.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Wild horses wouldn't induce me to make a statement +which is so remote from the truth.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>And, of course, you must threaten to commit +suicide if I don't consent.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Women are such sticklers for routine. They have +no originality.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Very well, have it your own way. But I must +have a proposal in due form.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Only four words are needed. [<i>Counting them on +his fingers.</i>] Will you marry me?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>That is both clear and simple. I reply in one: No!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>As though he were not sure that he had heard +correctly.</i>] I beg your pardon?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>The answer is in the negative.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You're joking. You're certainly joking.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I will be a sister to you.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Do you mean to say you deliberately refuse me?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Smiling.</i>] I promised you I would.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>With much seriousness.</i>] I thank you from the +bottom of my heart.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Puzzled.</i>] The man's mad. The man's nothing +short of a raving lunatic.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I wanted to see if you were really attached to me. +You have given me a proof of esteem which I promise +you I will never forget.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Laughing.</i>] You're a perfect idiot, Mr. Lomas!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>It's one of my cherished convictions that a really +nice woman is never so cruel as to marry a man she +cares for.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You're much too flippant to marry anybody, and +you're perfectly odious into the bargain.</p> + +<p>[<i>She goes out.</i> <span class="smcap">Dick</span>, <i>chuckling, lights a cigarette</i>. +<span class="smcap">Alec</span> <i>comes in and lies down lazily on the +sofa</i>.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Why, Dick, what's the matter? You look as +pleased as Punch.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear fellow, I feel like the Terrible Turk. I've +been wrestling, and I thought I was going to have a +fall. But by the display of considerable agility I've +managed to keep my legs.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>What <i>do</i> you mean?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Nothing. It's merely the gaiety of forty-two.</p> + +<p>[<span class="smcap">Boulger</span> <i>comes into the room, followed immediately +by</i> <span class="smcap">Mallins</span> <i>and</i> <span class="smcap">Carbery</span>. <i>He +starts slightly when he sees</i> <span class="smcap">Alec</span>, <i>but then +goes over to the table on which is the +whiskey</i>.</p> + +<p class="charc"><span class="smcap">Mallins.</span></p> + +<p>May we smoke here, Bobby?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Certainly. Dick insisted that this room should be +particularly reserved for that purpose.</p> + +<p>[<i>The</i> <span class="smcap">Butler</span> <i>comes in with a small silver salver, +and takes up one or two dirty glasses</i>.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Lady Kelsey is the most admirable of all hostesses.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Taking a cigarette from his case.</i>] Give me a match, +Bobby, there's a good boy. [<span class="smcap">Boulger</span>, <i>with his back +turned to</i> <span class="smcap">Alec</span>, <i>takes no notice. He pours himself +out some whiskey.</i> <span class="smcap">Alec</span> <i>smiles slightly.</i>] Bobby, throw +me over the matches!</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>With his back still turned.</i>] Miller!</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Yes, sir?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Mr. Mackenzie is asking for something.</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Yes, sir!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You might give me a light, will you?</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Yes, sir!</p> + +<p>[<i>The</i> <span class="smcap">Butler</span> <i>takes the matches to</i> <span class="smcap">Alec</span>, <i>who +lights his cigarette.</i></p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Thank you. [<i>Complete silence is preserved till the</i> +<span class="smcap">Butler</span> <i>leaves the room.</i>] I perceive, Bobbie, that +during my absence you have not added good manners +to your other accomplishments.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>If you want things, you can ask the servants for +them.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Good-humouredly.</i>] Don't be foolish, Bobbie!</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Would you be so kind as to remember that my +name is Boulger?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Smiling.</i>] Perhaps you would like me to call you +Sir Robert?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I should prefer that you would call me nothing at +all. I have absolutely no wish to know you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Which shows that your taste is as bad as your +breeding.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Angrily, walking up to him.</i>] By God, I'll knock +you down!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You could hardly do that when I'm already lying +on my back.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Look here, Mackenzie, I'm not going to let you +play the fool with me. I want to know what answer +you have to make to all these charges that have been +brought against you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Might I suggest that only Miss Allerton has the +least right to receive answers to her questions? And +she hasn't questioned me.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I've given up trying to understand her attitude. +If I were she, it would make me sick with horror to +look at you. Since this morning you've rested under +a direct accusation of causing George's death, and +you've said nothing in self-defence.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Nothing.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>You've been given an opportunity to explain yourself, +and you haven't taken it.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Quite true.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Are you not going to deny the charge?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm not.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Then I can only draw one conclusion. There +appears to be no means of bringing you to justice, +but at least I can refuse to know you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>All is over between us. And shall I return your +letters and your photograph?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I'm not joking.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It's singular that though I'm Scotch and you are +English I should be able to see how ridiculous you +are, while you're quite blind to your own absurdity.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Come, Alec! Remember he's only a boy.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>To</i> <span class="smcap">Dick Lomas.</span>] I'm perfectly able to look after +myself, and I'll thank you not to interfere. [<i>To</i> <span class="smcap">Alec.</span>] +If Lucy's so indifferent to her brother's death that +she's willing to keep up with you, that's her own +affair ...</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Interrupting.</i>] Come, Bobbie, don't make a scene.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Furiously.</i>] Leave me alone, confound you!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Do you think this is quite the place for an altercation? +Wouldn't you gain more notoriety if you +attacked me in my club or at Church parade on +Sunday?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>It's mere shameless impudence that you should +come here to-night. You're using these wretched +women as a shield, because you know that as long as +Lucy sticks to you there are people who won't believe +the story.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I came for the same reason as yourself, dear boy. +Because I was invited.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Now then, Bobbie, shut up!</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I shan't shut up. The man's got no right to force +himself here.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Remember that you're Lady Kelsey's nephew.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I didn't ask him. D'you think I'd have come if I +knew he was going to be here? He's acknowledged +that he has no defence.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Pardon me, I acknowledge nothing and deny +nothing.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>That won't do for me. I want the truth, and I'm +going to get it. I've got a right to know.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Beginning to lose his temper.</i>] Don't make an ass +of yourself, Bobby.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>By God, I'll make you answer!</p> + +<p>[<i>As he says this he goes up to</i> <span class="smcap">Alec</span> <i>furiously, +but</i> <span class="smcap">Alec</span>. <i>with a twist of his arm, hurls +him back.</i></p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I could break your back, you silly boy.</p> + +<p>[<i>With a cry of anger</i> <span class="smcap">Boulger</span> <i>is about to spring +at</i> <span class="smcap">Alec</span> <i>when</i> <span class="smcap">Dick</span> <i>gets in the way.</i></p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Now then, no scenes. And you'll only get the +worst of it, Bobby. Alec could just crumple you up. +Take him away, Mallins. Don't stand there like a +stuffed owl, Carbery.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Let me alone, you fool!</p> + +<p class="charc"><span class="smcap">Mallins.</span></p> + +<p>Come along, old chap.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>To</i> <span class="smcap">Alec.</span>] You damned skunk!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Now then, be off with you. Don't make a silly ass +of yourself.</p> + +<p>[<span class="smcap">Boulger</span>, <span class="smcap">Mallins</span> <i>and</i> <span class="smcap">Carbery</span> <i>go out.</i></p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Poor Lady Kelsey! To-morrow half London will +be saying that you and Bobby had a stand-up fight +in her drawing-room.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Furiously.</i>] The damned cubs!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>The position is growing confoundedly awkward!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>They lick my boots till I loathe them, and then they +turn against me like a pack of curs. Oh, I despise +them—these silly boys who stay at home wallowing in +their ease while men work. Thank God, I've done +with them all now. They think one can fight one's +way through Africa as easily as one walks down +Piccadilly. They think one goes through hardships +and dangers, illness and starvation, to be the lion of a +dinner-party in Mayfair.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My dear Alec, keep calm.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a visible effort containing himself completely, +with studied nonchalance.</i>] D'you think that I look +wildly excited?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Ironically.</i>] I don't think butter would melt in +your mouth.</p> + +<p>[<span class="smcap">Dick</span> <i>and</i> <span class="smcap">Alec</span> <i>go out into the garden. In a +moment</i> <span class="smcap">Boulger</span> <i>comes in with</i> <span class="smcap">Lady +Kelsey.</span></p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Thank heaven, there's nobody here.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I think you're dreadfully foolish, Bobby. You +know how Lucy resents any interference with her +actions.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Won't you sit down? You must be dreadfully +tired.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Why won't you wait till to-morrow?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I feel that it ought to be settled at once.</p> + +<p>[<span class="smcap">Lucy</span> <i>appears</i>.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Did you send for me, my aunt? Mr. Carbery said +you wanted to speak to me here.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Yes, I gave him that message.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I asked Aunt Alice to beg you to come here. I was +afraid you wouldn't if I asked you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Lightly.</i>] What nonsense! I'm always delighted +to see you.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I wanted to speak to you about something, and +I thought Aunt Alice should be present.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Is it so important that it can't wait till to-morrow?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I venture to think it's very important.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Smiling.</i>] I'm all attention.</p> + +<p>[<i>He hesitates for a moment, then braces himself +to the ordeal.</i></p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I've told you often, Lucy, that I've been in love +with you for as many years as I can remember.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Surely you've not snatched me from the unwilling +arm of my partner in order to make me a proposal of +marriage?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I'm perfectly serious, Lucy.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Smiling.</i>] I assure you it doesn't suit you at all.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>The other day I asked you again to marry me, just +before Alec Mackenzie came back.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>It was very charming of you. You mustn't think +that because I laugh at you a little I'm not grateful +for your affection.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Except for that letter in this morning's <i>Times</i>, I +should never have dared to say anything to you again. +But that changes everything.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I don't understand what you mean.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>After a little pause.</i>] I ask you again if you'll +be my wife? When Alec Mackenzie came back I +understood why you were so indifferent to me, but +you can't marry him now.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You have no right to talk to me like this.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I'm the only man who's related to you at all, and I +love you with my whole soul.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I think you should listen to him, Lucy. I'm +growing old, and soon you'll be quite alone in the +world.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>I don't ask you to care for me. I only want to +serve you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I can only repeat that I'm very grateful to you. I +can never marry you.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Beginning to lose his temper again.</i>] Are you going +to continue to know Mackenzie? If you'll take the +advice of any unprejudiced person about that letter, +you'll find that he'll say the same as I. There can be +no shadow of doubt that Mackenzie is guilty of a +monstrous crime.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I don't care what the evidence is. I know he can't +have done a shameful thing.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>But have you forgotten that it's your own brother +he killed? The whole country is up in arms against +him, and you are quite indifferent.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Much moved.</i>] Oh, Bobbie, how can you be so +cruel?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>If you ever really cared for George at all, you must +wish to punish the man who caused his death.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, why d'you torment me? I tell you that he +isn't guilty. It's because I'm convinced of that ...</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>[<i>Interrupting.</i>] But have you asked him?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>No.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>He might give you the truth.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I couldn't do that.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Why not?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>It's very strange that he should insist on this +silence.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Do you believe that story too?</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I don't know what to believe. It's so extraordinary. +If the man's innocent, why doesn't he +speak?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>He knows I trust him. I couldn't cause him the +great pain of asking him questions.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Are you afraid he couldn't answer them?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>No, no, no!</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Well, just try. After all, you owe as much as that +to the memory of George.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I think it's very unreasonable, Lucy. He knows +we're his friends. He can count on our discretion.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I believe in him implicitly. I believe in him with +all the strength I've got.</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Then, surely it can make no difference if you ask +him. There can be no reason for him not to trust +you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, why don't you leave me alone?</p> + +<p class="charc"><span class="smcap">Boulger.</span></p> + +<p>Ask him point blank. If he refuses to answer +you ...</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Hastily.</i>] It would mean nothing. Why should +he answer? I believe in him absolutely. I think +he's the greatest and most honourable man I've ever +known. I care more for his little finger than for the +whole world. I love him with all my heart. And +that's why he can't be guilty of this horrible crime. +Because I've loved him for years, and he's known it. +And he loves me. And he's loved me always.</p> + +<p>[<span class="smcap">Alec</span> <i>and</i> <span class="smcap">Dick</span> <i>stroll in from the garden</i>.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Alec, Alec, I want you! Thank God, you've come!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Going to her quickly.</i>] What is it?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Alec, you must tell them now about you and me.</p> + +<p>[<span class="smcap">Alec</span> <i>looks at</i> <span class="smcap">Lucy</span> <i>for a moment</i>, <i>and then +turns to</i> <span class="smcap">Lady Kelsey</span>.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I think perhaps we ought to have told you before, +Lady Kelsey. But we wanted to enjoy our little +secret by ourselves.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>I'm afraid to understand.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I have asked Lucy to be my wife, and she....</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Interrupting him.</i>] She said she would be honoured +and deeply grateful.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>[<i>Greatly embarrassed.</i>] I hardly know what to +say.... How long have you been engaged?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Won't you tell me you're pleased, my aunt? I +know you want me to be happy.</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Of course, I want you to be happy. But I—I....</p> + +<p class="dir">[<span class="smcap">Boulger</span> <i>turns on his heel and walks out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Offering his arm to</i> <span class="smcap">Lady Kelsey</span>.] Wouldn't you +like to go back to the drawing-room?</p> + +<p class="dir">[<i>She allows herself to be led away, helplessly.</i><br /> +<span class="smcap">Alec</span> <i>and</i> <span class="smcap">Lucy</span> <i>are left alone</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a smile.</i>] I don't think our announcement +has been received with enthusiasm.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You're not angry with me, <span class="smcap">Alec</span>?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Of course not. Everything you do is right and +charming.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I shall really think I'm a wonderful person if I've +taught you to pay compliments.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm so glad to be alone with you. Now, at all +events, people will have the sense to leave us by +ourselves.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Passionately.</i>] I want your love. I want your +love so badly.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Taking her in his arms.</i>] My darling!</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Clinging to him.</i>] The moment I'm with you +I feel so confident and happy.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Only when you're with me? [<span class="smcap">Lucy</span> <i>looks at him +for an instant. He repeats the question in a caressing +voice.</i>] Only when you're with me, darling?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Why d'you think I made you tell them we were +engaged?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You took me by surprise.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I had to tell them. I couldn't keep it back. They +made me suffer so dreadfully.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>The brutes! Tell me what they did.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, they said horrible things about you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No more than that?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>It's nothing to you. But to me.... Oh, you +don't know what agony I endure. I'm such a +coward! I thought I was so much braver.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I don't understand you.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I wanted to burn my ships behind me. I wanted +to reassure myself. [<span class="smcap">Alec</span> <i>makes a slight movement +away from her, but she holds him back anxiously</i>.] +Forgive me, dear. You don't know how terrible it is. +I stand so dreadfully alone. Every one is convinced +that you caused poor George's death—every one +but me. [<span class="smcap">Alec</span> <i>looks at her gravely, without speaking</i>.] +I try to put the thoughts out of my head, but I can't—I +can't. That letter in the <i>Times</i> looks so dreadfully +true. Don't you see what I mean? The uncertainty +is more than I can bear. At the first +moment I felt so absolutely sure of you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>And now you don't?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I trust you just as much as ever. I know it's +impossible that you should have done a shameful +thing. But there it stands in black and white, and +you have nothing to say in answer.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I know it's very difficult. That is why I asked you +to believe in me.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I do, Alec—with all my soul. But have mercy on +me. I'm not so strong as I thought. It's easy for +you to stand alone. You're iron, but I'm a weak +woman.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Oh, no, you're not like other women. I was proud +of your unconquerable spirit.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>It was easy to be brave where my father was concerned, +and George, but you're the man I love, and +it's so different. I don't know any more how to +stand alone.</p> + +<p class="dir">[<span class="smcap">Alec</span> <i>looks at her, thinking, but does not reply<br /> +for a moment</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Do you remember that only an hour ago I told you +that I'd done nothing which I wouldn't do again? I +gave you my word of honour that I could reproach +myself for nothing.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, I know. I'm so utterly ashamed of myself. +But I can't bear the doubt.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Doubt! You've said the word at last.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I tell every one that I don't believe a word of these +horrible charges, and I repeat to myself: I'm certain, +I'm certain that he's innocent. And yet at the +bottom of my heart there's a doubt, and I can't +crush it.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Is that why you told them we were engaged to be +married?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I wanted to kill that gnawing pain of suspicion. I +thought if I stood up before them and cried out that +my trust in you was so great, I was willing to marry +you notwithstanding everything, I should at least +have peace in my own heart.</p> + +<p class="dir">[<span class="smcap">Alec</span> <i>walks up and down. Then he stops in<br /> +front of</i> <span class="smcap">Lucy</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>What is it precisely you want me to do?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I want you to have mercy on me because I love you. +Don't tell the world if you choose not to, but tell me +the truth. I know you're incapable of lying. If I +only have it from your own lips I shall believe, I +want to be certain, certain!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Don't you realise that I would never have asked +you to marry me if my conscience hadn't been quite +clear? Don't you realise that the reasons I have for +holding my tongue must be of overwhelming strength?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>But I am going to be your wife, and I love you, and +you love me.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I implore you not to insist, Lucy. Let us remember +only that the past is gone and we love one +another. It's impossible for me to tell you anything.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, but you must now. If any part of the story is +true, you must give me a chance of judging for myself.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm very sorry, I can't.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>But you'll kill my love for you. The doubt which +lurked at the bottom of my soul now fills me. How +can you let me suffer such maddening torture?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I thought you trusted me.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I'll be satisfied if you'll only tell me one thing: +only tell me that when you sent George on that +expedition you didn't know that he'd be killed. [<span class="smcap">Alec</span> +<i>looks at her steadily</i>.] Only say that, Alec. Say that's +not true, and I'll believe you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Very quietly.</i>] But it is true.</p> + +<p class="dir">[<span class="smcap">Lucy</span> <i>does not answer, but stares at him with<br /> +terrified eyes</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, I don't understand. Oh, my dearest, don't +treat me as a child. Have mercy on me! You must +be serious now. It's a matter of life and death to +both of us.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm perfectly serious.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You knew that you were sending George into a +death-trap? You knew he couldn't escape alive?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Except by a miracle.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>And you don't believe in miracles?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, it can't be true. Oh, Alec, Alec, Alec! Oh, +what shall I do?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I tell you that whatever I did was inevitable.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Then if that's true, the rest must be true also. Oh, +it's awful. I can't realise it. Haven't you anything +to say at all?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>In a low voice.</i>] Only that I've loved you always +with all my soul.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You knew how much I loved my brother. You +knew how much it meant to me that he should live +to wipe out my father's dishonour. All the future +was centred on him, and you sacrificed him.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Hesitatingly.</i>] I think I might tell you this. He +had committed a grave error of judgment. We were +entrapped by the Arabs, and our only chance of escape +entailed the almost certain death of one of us.</p> + +<p class="dir">[<i>An inkling of the truth seizes</i> <span class="smcap">Lucy</span>, <i>and her<br /> +face is suddenly distorted with horror. She<br /> +goes up to him impulsively. Her voice<br /> +trembles with emotion.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Alec, Alec, he didn't do something—unworthy? +You're not trying to shield him?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Hoarsely.</i>] No, no, no!</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>With a gasp of relief, almost to herself.</i>] Thank +God! I couldn't have borne that. [<i>To</i> <span class="smcap">Alec</span>, <i>hopelessly</i>.] +Then I don't understand.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It was not unjust that he should suffer for the +catastrophe which he had brought about.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>At those times one doesn't think of justice. He +was so young, so frank. Wouldn't it have been +nobler to give your life for his?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Oh, my dear, you don't know how easy it is to give +one's life. How little you know me! Do you think +I should have hesitated if my death had been sufficient +to solve the difficulty? I had my work to do. I was +bound by solemn treaties to the surrounding tribes. +It would have been cowardly for me to die. I tell +you, my death would have meant the awful death of +every man in my party.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I can only see one thing, that you took George, +George of all others.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I knew at the time that what I did might cost me +your love, and though you won't believe this, I did it +for your sake.</p> + +<p class="dir">[<i>At this moment</i> <span class="smcap">Mrs. Crowley</span> <i>enters with</i><br /> +<span class="smcap">Sir Robert Boulger</span>. <i>She has a cloak on.</i><br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I was just coming to say good-night. Bobby is +going to drive me home. [<i>She suddenly notices</i> <span class="smcap">Lucy's</span> +<i>agitation</i>.] What on earth's the matter?</p> + +<p class="dir">[<span class="smcap">Lady Kelsey</span> <i>and</i> <span class="smcap">Dick Lomas</span> <i>come in</i>. <span class="smcap">Lady<br /> +Kelsey</span> <i>looks at</i> <span class="smcap">Lucy</span> <i>and then goes up to<br /> +her impulsively</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lady Kelsey.</span></p> + +<p>Lucy, Lucy!</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Brokenly.</i>] I'm no longer engaged to Mr. +Mackenzie. He can't deny that what is said about +him is true.</p> + +<p class="dir">[<i>They look at him in astonishment, but he makes<br /> +no movement.</i><br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>To</i> <span class="smcap">Alec</span>.] Haven't you anything to say at all? +You must have some explanation to offer?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No, I have none whatever.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Alec, old man, have you realised all that this +means?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Quite. I see now that it was inevitable.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>With a sudden burst of furious anger.</i>] You killed +him! You killed him as surely as if you'd strangled +him with your own hands.</p> + +<p class="dir">[<span class="smcap">Robert Boulger</span> <i>goes to the door and flings<br /> +it open</i>. <span class="smcap">Alec</span> <i>gives</i> <span class="smcap">Lucy</span> <i>a look, then<br /> +slightly shrugs his shoulders. He walks<br /> +out without a word. The moment he has<br /> +gone</i> <span class="smcap">Lucy</span> <i>sinks down and bursts into<br /> +passionate tears</i>.<br /> +</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">END OF THE THIRD ACT.</p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THE_FOURTH_ACT_E" id="THE_FOURTH_ACT_E"></a>THE FOURTH ACT</h2> + +<p class="hang"><span class="smcap">Scene.</span>—<i>A library in the house of</i> <span class="smcap">Dick Lomas</span> <i>in +Portman Square</i>.</p> + +<p class="hang"><span class="smcap">Dick</span> <i>and his</i> <span class="smcap">Valet</span>. <span class="smcap">Dick</span> <i>is putting flowers into +a vase</i>.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Has Mr. Mackenzie come in?</p> + +<p class="charc"><span class="smcap">Charles.</span></p> + +<p>Yes, sir. He's gone to his room.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I expect Mrs. Crowley and Miss Allerton to tea. +If any one else comes I'm not at home.</p> + +<p class="charc"><span class="smcap">Charles.</span></p> + +<p>Very well, sir.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And if a caller should ask at what time I'm expected +back, you haven't the least idea.</p> + +<p class="charc"><span class="smcap">Charles.</span></p> + +<p>Very well, sir.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>We shall want breakfast at eight to-morrow. I'm +going down to Southampton to see Mr. Mackenzie +off. But I shall be home to dinner. How about those +cases in the hall?</p> + +<p class="charc"><span class="smcap">Charles.</span></p> + +<p>Mr. Mackenzie said they were to be sent for this +afternoon. They're only labelled Zanzibar. Is that +sufficient, sir?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh, I suppose so. Mr. Mackenzie will have given +the shippers all directions. You'd better bring the +tea at once. Mrs. Crowley is coming at four.</p> + +<p class="charc"><span class="smcap">Charles.</span></p> + +<p>Very well, sir.</p> + +<p class="dir">[<i>He goes out.</i> <span class="smcap">Dick</span> <i>continues to arrange the<br /> +flowers, than goes to the window and looks<br /> +out. He comes back. The door is opened by</i><br /> +<span class="smcap">Charles</span>, <i>who announces</i> <span class="smcap">Mrs. Crowley</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Charles.</span></p> + +<p>Mrs. Crowley.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Going towards her eagerly and taking both her +hands.</i>] Best of women!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You seem quite glad to see me?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I am. But where is Lucy?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>She's coming later.... I don't know why you +should squeeze my hands in this pointed manner.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>What an age it is since I saw you!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>If you bury yourself in Scotland all the summer, +you can't expect to see people who go to Homburg +and the Italian lakes.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Heavens, how you cultivate respectability!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It's a sensitive plant whose vagaries one has to +humour.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Aren't you delighted to be back in town?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>London's the most charming place in the world to +get away from and to come back to. Now tell me all +you've been doing, if I can hear it without blushing +too furiously.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>My behaviour would have done credit to a clergyman's +only daughter. I dragged Alec off to Scotland +after that horrible scene at Lady Kelsey's, and we +played golf.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Was he very wretched, poor thing?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>He didn't say a word. I wanted to comfort him, +but he never gave me a chance. He never mentioned +Lucy's name.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Did he seem unhappy?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>No. He was just the same as ever, impassive and +collected.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Really he's inhuman.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>He's an anomaly in this juvenile century. He's +an ancient Roman who buys his clothes in Savile +Row. An eagle caged with a colony of canaries.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Then he's very much in the way in England, and +it's much better for him that he should go back to +Africa.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>This time to-morrow he'll be half-way down the +channel.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I'm really beginning to think you're a perfect +angel, Mr. Lomas.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Don't say that, it makes me feel so middle-aged. +I'd much sooner be a young sinner than an elderly +cherub.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It was sweet of you to look after him through the +summer and then insist on his staying here till he +went away. How long is he going for this time?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Heaven knows! Perhaps for ever.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Have you told him that Lucy is coming?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>No. I thought that was a pleasing piece of information +which I'd leave you to impart.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Thanks!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>She's only coming to indulge a truly feminine +passion for making scenes, and she's made Alec quite +wretched enough already. Why doesn't she marry +Robert Boulger?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Why should she?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Half the women I know merely married their +husbands to spite somebody else. It appears to be +one of the commonest causes of matrimony.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>With a quizzical look at him.</i>] Talking of which, +what are you going to do when Mr. Mackenzie is +gone?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Talking of the weather and the crops, I propose to +go to Spain.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Opening her eyes wide.</i>] How very extraordinary! +I thought of going there, too.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Then, without a moment's hesitation, I shall go to +Norway.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It'll be dreadfully cold.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Dreadfully. But I shall be supported by the +consciousness of having done my duty.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You don't think there would be room for both of +us in Spain?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I'm convinced there wouldn't. We should always +be running against one another, and you'd insist on +my looking out all your trains in Bradshaw.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I hope you remember that you asked me to tea +to-day?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Pardon me, you asked yourself. I keep the letter +next to my heart and put it under my pillow every +night.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You fibber! Besides, if I did, it was only on +Lucy's account.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>That, I venture to think, is neither polite nor +accurate.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I don't think I should so utterly detest you, if you +hadn't such a good opinion of yourself.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You forget that I vowed on the head of my +maternal grandmother never to speak to you again.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Oh, I'm always doing that. I tell my maid that +time she does my hair badly.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You trifled with the tenderest affection of an +innocent and unsophisticated old bachelor.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Is that you by any chance?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Of course, it's me. D'you think I was talking of +the man in the moon?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Looking at him critically.</i>] With the light behind, +you might still pass for thirty-five.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I've given up youth and its vanities. I no longer +pluck out my white hairs.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Then how on earth do you occupy your leisure?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>For the last three months I've been laboriously +piecing together the fragments of a broken heart.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>If you hadn't been so certain that I was going to +accept you, I should never have refused. I couldn't +resist the temptation of saying "No" just to see how +you took it.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I flatter myself that I took it very well.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You didn't. You showed an entire lack of humour. +You might have known that a nice woman doesn't +marry a man the first time he asks her. It's making +oneself too cheap. It was very silly of you to go off +to Scotland as if you didn't care.... How was I to +know that you meant to wait three months before +asking me again?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I haven't the least intention of asking you again.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Then why in heaven's name did you invite me +to tea?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>May I respectfully remind you, first, that you +invited yourself ...</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Interrupting.</i>] You're so irrelevant.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And, secondly, that an invitation to tea is not +necessarily accompanied by a proposal of marriage.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I'm afraid you're lamentably ignorant of the usages +of good society.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I assure you it's not done in the best circles.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>With a little pout.</i>] I shall be very cross with you +in a minute.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Why?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Because you're not behaving at all prettily.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>D'you know what I'd do if I were you? Propose +to me.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Oh, I couldn't do anything so immodest.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I have registered a vow that I will never offer my +hand and heart to any woman again.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>On the head of your maternal grandmother?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Oh no, far more serious than that. On the grave +of my maiden aunt, who left me all my money.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>What will you say if I do?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>That depends entirely on how you do it. I may +remind you, however, that first you go down on your +bended knees.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Oh, I waived that with you.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>And then you confess you're unworthy of me.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Mr. Lomas, I am a widow. I am twenty-nine and +extremely eligible. My maid is a treasure. My +dressmaker is charming. I am clever enough to laugh +at your jokes, and not so learned as to know where +they come from.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Really you're very long-winded. I said it all in four +words.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>So could I if I might write it down.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You must say it.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But what I'm trying to make you understand is +that I don't want to marry you a bit. You're just +the sort of man who'll beat his wife regularly every +Saturday night.... You will say yes if I ask you, +won't you?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I've never been able to refuse a woman anything.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I have no doubt you will after six months of holy +matrimony.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I never saw any one make such a fuss about so +insignificant a detail as a proposal of marriage.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Dick. [<i>She stretches out her hands, smiling, and he +takes her in his arms.</i>] You really are a detestable +person.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>With a smile, taking a ring from his pocket.</i>] I +bought an engagement ring yesterday on the off +chance of its being useful.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Then you meant to ask me all the time?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Of course I did, you silly.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Oh, I wish I had known that before. I'd have +refused you again.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You absurd creature.</p> + +<p class="dir">[<i>He kisses her.</i><br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Trying to release herself.</i>] There's somebody coming.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>It's only Alec.</p> + +<p class="dir">[<span class="smcap">Alec</span> <i>comes in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Hulloa!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Alec, we've made friends, Mrs. Crowley and I.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It certainly looks very much like it.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>The fact is, I've asked her to marry me, and +she....</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Interrupting, with a smile.</i>] After much pressure—</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Has consented.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm so glad. I heartily congratulate you both. I +was rather unhappy at leaving Dick, Mrs. Crowley. +But now I leave him in your hands, I'm perfectly +content. He's the dearest, kindest old chap I've +ever known.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Shut up, Alec! Don't play the heavy father, or we +shall burst into tears.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>He'll be an admirable husband because he's an +admirable friend.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I know he will. And I'm only prevented from +saying all I think of him and how much I love him, +by the fear that he'll become perfectly unmanageable.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Spare me these chaste blushes which mantle my +youthful brow. Will you pour out the tea ... +Nellie?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Yes ... Dick.</p> + +<p class="dir">[<i>She sits down at the tea-table and</i> <span class="smcap">Dick</span> <i>makes<br /> +himself comfortable in an arm-chair by<br /> +her side</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Well, I'm thankful to say that everything's packed +and ready.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>I wish you'd stay for our wedding.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Do. You can go just as well by the next boat.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm afraid that everything is settled now. I've +given instructions at Zanzibar to collect bearers, and +I must arrive as quickly as I can.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I wish to goodness you'd give up these horrible +explorations.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>But they're the very breath of my life. You don't +know the exhilaration of the daily dangers—the joy +of treading where only the wild beasts have trodden +before. Oh, already I can hardly bear my impatience +when I think of the boundless country and the +enchanting freedom. Here one grows so small, so +despicable, but in Africa everything is built to a +nobler standard. There a man is really a man; there +one knows what are will and strength and courage. +Oh, you don't know what it is to stand on the edge +of some great plain and breathe the pure keen air +after the terrors of the forest. Then at last you +know what freedom is.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>The boundless plain of Hyde Park is enough for +me, and the aspect of Piccadilly on a fine day in June +gives me quite as many emotions as I want.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But what will you gain by it all, now that your +work in East Africa is over, by all the dangers and +the hardships?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Nothing. I want to gain nothing. Perhaps I +shall discover some new species of antelope or some +unknown plant. Perhaps I shall find some new +waterway. That is all the reward I want. I love +the sense of power and mastery. What do you think +I care for the tinsel rewards of kings and peoples?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I always said you were melodramatic. I never +heard anything so transpontine.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>And the end of it, what will be the end?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>The end is death in some fever-stricken swamp, +obscurely, worn out by exposure and ague and starvation. +And the bearers will seize my gun and my +clothes and leave me to the jackals.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Don't. It's too horrible.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Why, what does it matter? I shall die standing +up. I shall go the last journey as I have gone every +other.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Without fear?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>For all the world like the wicked baronet: Once +aboard the lugger and the girl is mine!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Don't you want men to remember you?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Perhaps they will. Perhaps in a hundred years +or so, in some flourishing town where I discovered +nothing but wilderness, they will commission a +second-rate sculptor to make a fancy statue of me. +And I shall stand in front of the Stock Exchange, a +convenient perch for birds, to look eternally upon +the various shabby deeds of human kind.</p> + +<p class="dir">[<i>During this speech</i> <span class="smcap">Mrs. Crowley</span> <i>makes a sign<br /> +to</i> <span class="smcap">Dick</span>, <i>who walks slowly away and goes<br /> +out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>And is that really everything? I can't help +thinking that at the bottom of your heart is something +that you've never told to a living soul.</p> + +<p class="dir">[<i>He gives her a long look, and then after a<br /> +moment's thought breaks into a little smile.</i><br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Why do you want to know so much?</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Tell me.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I daresay I shall never see you again. Perhaps it +doesn't much matter what I say to you. You'll think +me very silly, but I'm afraid I'm rather—patriotic. +It's only we who live away from England who really +love it. I'm so proud of my country, and I wanted +so much to do something for it. Often in Africa I've +thought of this dear England, and longed not to die till +I had done my work. Behind all the soldiers and the +statesmen whose fame is imperishable, there is a long +line of men who've built up the Empire piece by piece. +Their names are forgotten, and only students know +their history, but each one of them gave a province to +his country. And I, too, have my place among them. +For five years I toiled night and day, and at the end +of it was able to hand over to the Commissioners a +broad tract of land, rich and fertile. After my death +England will forget my faults and my mistakes. I +care nothing for the flouts and gibes with which she +has repaid all my pain, for I have added another fair +jewel to her crown. I don't want rewards. I only +want the honour of serving this dear land of ours.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Why is it, when you're so nice really, that you do +all you can to make people think you utterly horrid?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Don't laugh at me because you've found out that +at heart I'm nothing more than a sentimental old +woman.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Putting her hand on his arm.</i>] What would you +do if Lucy came here to-day?</p> + +<p class="dir">[<span class="smcap">Alec</span> <i>starts, looks at her sharply, then answers<br /> +with deliberation</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I have always lived in polite society. I should +never dream of outraging its conventions. If Miss +Allerton happened to come, you may be sure I should +be scrupulously polite.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Is that all? Lucy has suffered very much.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>And do you suppose I've not suffered? Because I +don't whine my misery to all and sundry, d'you think +I don't care? I'm not the man to fall in and out of +love with every pretty face I meet. All my life I've +kept an ideal before my eyes. Oh, you don't know +what it meant to me to fall in love. I felt that I had +lived all my life in a prison, and at last Lucy came +and took me by the hand and led me out. And for +the first time I breathed the free air of heaven. Oh +God! how I've suffered for it! Why should it have +come to me? Oh, if you knew my agony and the +torture!</p> + +<p class="dir">[<i>He hides his face, trying to master his emotion.</i><br /> +<span class="smcap">Mrs. Crowley</span> <i>goes to him and puts her<br /> +hand on his shoulder</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>Mr. Mackenzie.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Springing up.</i>] Go away. Don't look at me. +How can you stand there and watch my weakness? +Oh God, give me strength.... My love was the last +human weakness I had. It was right that I should +drink that bitter cup. And I've drunk its very dregs. +I should have known that I wasn't meant for happiness +and a life of ease. I have other work to do in +the world. And now that I have overcome this last +temptation, I am ready to do it.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>But haven't you any pity for yourself, haven't you +any thought for Lucy?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Must I tell you, too, that everything I did was for +Lucy's sake? And still I love her with all my heart +and soul....</p> + +<p class="charc"><span class="smcap">Dick</span> <i>comes in</i>.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Here is Lucy!</p> + +<p class="dir">[<span class="smcap">Charles</span> <i>comes in and announces</i> <span class="smcap">Lucy</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Charles.</span></p> + +<p>Miss Allerton!</p> + +<p class="dir">[<i>She enters, and</i> <span class="smcap">Dick</span>, <i>anxious that the meeting<br /> +shall not be more awkward than need be,<br /> +goes up to her very cordially</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Ah, my dear Lucy. So glad you were able to come.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Giving her hand to</i> <span class="smcap">Dick</span>, <i>but looking at</i> <span class="smcap">Alec</span>.] +How d'you do?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>How d'you do? [<i>He forces himself to talk.</i>] How +is Lady Kelsey?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>She's much better, thanks. We've been to Spa, +you know, for her health.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Somebody told me you'd gone abroad. Was it +you, Dick? Dick is an admirable person, a sort of +gazetteer for polite society.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>Won't you have some tea, Lucy?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>No, thanks!</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>Trying on her side also to make conversation.</i>] +We shall miss you dreadfully when you're gone, +Mr. Mackenzie.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>Cheerfully.</i>] Not a bit of it.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Smiling.</i>] London is an excellent place for showing +one of how little importance one is in the world. +One makes a certain figure, and perhaps is tempted +to think oneself of some consequence. Then one goes +away, and on returning is surprised to discover that +nobody has even noticed one's absence.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You're over-modest, Alec. If you weren't, you +might be a great man. Now, I make a point of +telling my friends that I'm indispensable, and they +take me at my word.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You are a leaven of flippancy in the heavy dough +of British righteousness.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>The wise man only takes the unimportant quite +seriously.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>With a smile.</i>] For it is obvious that it needs more +brains to do nothing than to be a cabinet minister.</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>You pay me a great compliment, Alec. You repeat +to my very face one of my favourite observations.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Almost in a whisper.</i>] Haven't I heard you say +that only the impossible is worth doing?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Good heavens, I must have been reading the +headings of a copy-book.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>[<i>To</i> <span class="smcap">Dick</span>.] Are you going to Southampton to see +Mr. Mackenzie off?</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>I shall hide my face on his shoulder and weep salt +tears. It'll be most affecting, because in moments of +emotion I always burst into epigram.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I loathe all solemn leave-takings. I prefer to part +from people with a nod and a smile, whether I'm +going for ever or for a day to Brighton.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>You're very hard.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Dick has been teaching me to take life flippantly. +And I have learnt that things are only serious if you +take them seriously, and that is desperately stupid. +[<i>To</i> <span class="smcap">Lucy</span>.] Don't you agree with me?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>No.</p> + +<p class="dir">[<i>Her tone, almost tragic, makes him pause<br /> +for an instant; but he is determined<br /> +that the conversation shall be purely conventional.</i><br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>It's so difficult to be serious without being absurd. +That is the chief power of women, that life and death +are merely occasions for a change of costume: +marriage a creation in white, and the worship of God +an opportunity for a Paris bonnet.</p> + +<p class="dir">[<span class="smcap">Mrs. Crowley</span> <i>makes up her mind to force a<br /> +crisis, and she gets up</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It's growing late, Dick. Won't you take me round +the house?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm afraid my luggage has made everything very +disorderly.</p> + +<p class="charc"><span class="smcap">Mrs. Crowley.</span></p> + +<p>It doesn't matter. Come, Dick!</p> + +<p class="charc"><span class="smcap">Dick.</span></p> + +<p>[<i>To</i> <span class="smcap">Lucy</span>.] You don't mind if we leave you?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, no.</p> + +<p class="dir">[<span class="smcap">Mrs. Crowley</span> <i>and</i> <span class="smcap">Dick</span> <i>go out. There is a<br /> +moment's silence.</i><br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Do you know that our friend Dick has offered his +hand and heart to Mrs. Crowley this afternoon?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I hope they'll be very happy. They're very much +in love with one another.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Bitterly.</i>] And is that a reason for marrying? +Surely love is the worst possible foundation for +marriage. Love creates illusions, and marriages +destroy them. True lovers should never marry.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Will you open the window? It seems stifling here.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Certainly. [<i>From the window.</i>] You can't think +what a joy it is to look upon London for the last +time. I'm so thankful to get away.</p> + +<p class="dir">[<span class="smcap">Lucy</span> <i>gives a little sob and</i> <span class="smcap">Alec</span> <i>turns to the<br /> +window. He wants to wound her and yet<br /> +cannot bear to see her suffer.</i><br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>To-morrow at this time I shall be well started. +Oh, I long for that infinite surface of the clean and +comfortable sea.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Are you very glad to go?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Turning to her.</i>] I feel quite boyish at the very +thought.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>And is there no one you regret to leave?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You see, Dick is going to marry. When a man +does that, his bachelor friends are wise to depart +gracefully before he shows them that he needs their +company no longer. I have no relations and few +friends. I can't flatter myself that any one will be +much distressed at my departure.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>In a low voice.</i>] You must have no heart at all.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Icily.</i>] If I had, I certainly should not bring it to +Portman Square. That sentimental organ would be +surely out of place in such a neighbourhood.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Gets up and goes to him.</i>] Oh, why do you treat me +as if we were strangers? How can you be so cruel?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>[<i>Gravely.</i>] Don't you think that flippancy is the best +refuge from an uncomfortable position. We should +really be much wiser merely to discuss the weather.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Insisting.</i>] Are you angry because I came?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>That would be ungracious on my part. Perhaps it +wasn't quite necessary that we should meet again.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You've been acting all the time I've been here. +D'you think I didn't see it was unreal when you +talked with such cynical indifference. I know you +well enough to tell when you're hiding your real self +behind a mask.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>If I'm doing that, the inference is obvious that I +wish my real self to be hidden.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I would rather you cursed me than treat me with +such cold politeness.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm afraid you're rather difficult to please.</p> + +<p class="dir">[<span class="smcap">Lucy</span> <i>goes up to him passionately, but he draws<br /> +back so that she may not touch him</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, you're of iron. Alec, Alec, I couldn't let you +go without seeing you once more. Even you would +be satisfied if you knew what bitter anguish I've +suffered. Even you would pity me. I don't want +you to think too badly of me.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Does it much matter what I think? We shall be +so many thousand miles apart.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I suppose that you utterly despise me.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No. I loved you far too much ever to do that. +Believe me, I only wish you well. Now that the +bitterness is past, I see that you did the only possible +thing. I hope that you'll be very happy.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, Alec, don't be utterly pitiless. Don't leave me +without a single word of kindness.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Nothing is changed, Lucy. You sent me away on +account of your brother's death.</p> + +<p class="dir">[<i>There is a long silence, and when she speaks<br /> +it is hesitatingly, as if the words were<br /> +painful to utter.</i><br /> +</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I hated you then, and yet I couldn't crush the love +that was in my heart. I used to try and drive you +away from my thoughts, but every word you had ever +said came back to me. Don't you remember? You +told me that everything you did was for my sake. +Those words hammered at my heart as though it +were an anvil. I struggled not to believe them. +I said to myself that you had sacrificed George coldly, +callously, prudently, but in my heart I knew it wasn't +true. [<i>He looks at her, hardly able to believe what she +is going to say, but does not speak.</i>] Your whole life +stood on one side and only this hateful story on the +other. You couldn't have grown into a different man +in one single instant. I came here to-day to tell you +that I don't understand the reason of what you did. I +don't want to understand. I believe in you now with +all my strength. I know that whatever you did was +right and just—because you did it.</p> + +<p class="dir">[<i>He gives a long, deep sigh.</i><br /> +</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Thank God! Oh, I'm so grateful to you for that.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Haven't you anything more to say to me than that?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You see, it comes too late. Nothing much matters +now, for to-morrow I go away.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>But you'll come back.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I'm going to a part of Africa from which Europeans +seldom return.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>With a sudden outburst of passion.</i>] Oh, that's too +horrible. Don't go, dearest! I can't bear it!</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>I must now. Everything is settled, and there can +be no drawing back.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Don't you care for me any more?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Care for you? I love you with all my heart and +soul.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>[<i>Eagerly.</i>] Then take me with you.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>You!</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>You don't know what I can do. With you to help +me I can be brave. Let me come, Alec?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>No, it's impossible. You don't know what you ask.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Then let me wait for you? Let me wait till you +come back?</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>And if I never come back?</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>I will wait for you still.</p> + +<p class="charc"><span class="smcap">Alec.</span></p> + +<p>Then have no fear. I will come back. My journey +was only dangerous because I wanted to die. I want +to live now, and I shall live.</p> + +<p class="charc"><span class="smcap">Lucy.</span></p> + +<p>Oh, Alec, Alec, I'm so glad you love me.</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">THE END</p> + +<p> +<br /> +<br /> +</p> + +<table border="0" cellpadding="4" cellspacing="0" summary="" +style="border:2px black solid;"> +<tr><td align="center"><i>THE NOVELS OF W. S. MAUGHAM</i></td></tr> +<tr><td align="center" +style="border-bottom:2px black solid;"><i>Each cr. 8vo, Price 6s</i></td></tr> + +<tr><td align="left"><i>THE EXPLORER</i></td></tr> +<tr><td align="left"><i>THE MAGICIAN</i></td></tr> +<tr><td align="left"><i>THE MERRY-GO-ROUND</i></td></tr> +<tr><td +style="border-bottom:2px black solid;" align="left"><i>MRS. CRADDOCK</i></td></tr> +<tr><td align="center"><i>LONDON: WILLIAM HEINEMANN</i></td></tr> +</table> + +<p> +<br /> +<br /> +</p> + +<p class="title"><a name="A_MAN_OF_HONOUR" id="A_MAN_OF_HONOUR"></a><i>A MAN OF HONOUR</i></p> + +<p> +<br /> +<br /> +</p> + +<p class="c"><span class="un"><i><big>HEINEMANN'S MODERN PLAYS</big></i></span><br /> +16mo. Each price is 6d paper, or 2s 6d cloth<br /><br /> +By the same Author<br /><br /> +<i>A MAN OF HONOUR</i><br /> +<i>JACK STRAW</i><br /><br /> +<i>THE PLAYS OF SIR ARTHUR W. PINERO</i><br /> +Complete Edition Twenty-three Volumes<br /> +<br /> +<i>PLAYS OF HUBERT HENRY DAVIES</i><br /> +Two Volumes<br /> +<br /> +<i>PLAYS OF C. HADDON CHAMBERS</i><br /> +Two Volumes<br /> +<br /> +<i>THE PLAYS OF W. E. HENLEY AND R. L. STEVENSON</i><br /> +Four Volumes<br /> +Also in One Volume, crown 8vo, buckram, Price 6s<br /> +<br /> +<i>THE COLLECTED WORKS OF HENRIK IBSEN</i><br /> +Copyright Edition entirely revised by<br /> +<span class="smcap">William Archer</span><br /> +<br /> +Complete in Eleven Volumes, crown 8vo, Price 4s each.<br /> +</p> + +<p class="c">————</p> + +<p class="c"><i>LONDON: WILLIAM HEINEMANN</i><br /> +<i>21 Bedford St., W.C.</i></p> + +<h1><i><span class="smcap">A Man of Honour</span></i></h1> + +<p class="r"><i>A TRAGEDY</i><br /> +<i>In Four Acts</i></p> + +<p> +<br /> +<br /> +</p> + +<p class="r"><i>By W. S. MAUGHAM</i></p> + +<p> +<br /> +<br /> +</p> + +<p><i>LONDON: WILLIAM HEINEMANN</i><br /> +<i>MCMXII</i><br /> +</p> + +<p> +<br /> +<br /> +</p> + +<p class="c"><i>Copyright: London William Heinemann 1912</i></p> + +<p> +<br /> +<br /> +</p> + +<p class="c"> +<i>TO<br /> +GERALD KELLY</i><br /> +</p> + +<p> +<br /> +<br /> +</p> + +<table border="0" cellpadding="0" cellspacing="0" summary="" +style="margin-left:60%;"> +<tr><td align="left">"Ich übersah meine Sache und wusste<br /> +wohin ich wollte."</td></tr> +<tr><td align="center"><span class="smcap">Eckermann</span>, <i>Gespräche mit Goethe</i>.</td></tr> +</table> + +<h2><a name="GENERAL_PREFACE" id="GENERAL_PREFACE"></a>GENERAL PREFACE</h2> + +<p>...For Clisthenes, son of Aristonymus, son of +Myron, son of Andreas, had a daughter whose name +was Agarista: her he resolved to give in marriage to +the man whom he should find the most accomplished +of all the Greeks. When therefore the Olympian +games were being celebrated, Clisthenes, being +victorious in them in the chariot race, made a proclamation; +"that whoever of the Greeks deemed +himself worthy to become the son-in-law of Clisthenes, +should come to Sicyon on the sixtieth day, or even +before; since Clisthenes had determined on the +marriage in a year, reckoning from the sixtieth day." +Thereupon such of the Greeks as were puffed up with +themselves and their country, came as suitors; and +Clisthenes, having made a race-course and palæstra +for them, kept it for this very purpose. From Italy, +accordingly, came Smindyrides, son of Hippocrates, +a Sybarite, who more than any other man reached the +highest pitch of luxury, (and Sybaris was at that +time in a most flourishing condition;) and Damasus +of Siris, son of Amyris called the Wise: these came +from Italy. From the Ionian gulf, Amphimnestus, +son of Epistrophus, an Epidamnian; he came from +the Ionian gulf. An Ætolian came, Males, brother +of that Titormus who surpassed the Greeks in +strength, and fled from the society of men to the +extremity of the Ætolian territory. And from +Peloponnesus, Leocedes, son of Pheidon, tyrant of the +Argives, a decendant of that Pheidon, who introduced +measures among the Peloponnesians, and was the +most insolent of all the Greeks, who having removed +the Elean umpires, himself regulated the games at +Olympia; his son accordingly came. And Amiantus, +son of Lycurgus, an Arcadian from Trapezus; and an +Azenian from the city of Pæos, Laphanes, son of +Euphorion, who, as the story is told in Arcadia, +received the Dioscuri in his house, and after that +entertained all men; and an Elean, Onomastus, son +of Agæus: these accordingly came from the +Peloponnesus itself. From Athens there came +Megacles, son of Alcmæon, the same who had visited +Crœsus, and another, Hippoclides, son of Tisander, +who surpassed the Athenians in wealth and beauty. +From Eretria, which was flourishing at that time, +came Lysanias; he was the only one from Eubœa. +And from Thessaly there came, of the Scopades, +Diactorides a Cranonian; and from the Molossi, Alcon. +So many were the suitors. When they had arrived +on the appointed day, Clisthenes made inquiries of +their country, and the family of each; then detaining +them for a year, he made trial of their manly +qualities, their dispositions, learning, and morals; +holding familiar intercourse with each separately, and +with all together, and leading out to the gymnasia +such of them as were younger; but most of all he +made trial of them at the banquet; for as long as he +detained them, he did this throughout, and at the +same time entertained them magnificently. And +somehow of all the suitors those that had come from +Athens pleased him most, and of these Hippoclides, +son of Tisander, was preferred both on account of +his manly qualities, and because he was distantly +related to the Cypselidæ in Corinth. When the day +appointed for the consummation of the marriage +arrived, and for the declaration of Clisthenes himself, +whom he would choose of them all, Clisthenes, having +sacrificed a hundred oxen, entertained both the suitors +themselves and all the Sicyonians; and when they +had concluded the feast, the suitors had a contest +about music, and any subject proposed for conversation. +As the drinking went on, Hippoclides, who much +attracted the attention of the rest, ordered the flute-player +to play a dance; and when the flute-player +obeyed, he began to dance: and he danced, probably +so as to please himself; but Clisthenes, seeing it, +beheld the whole matter with suspicion. Afterwards, +Hippoclides, having rested awhile, ordered some one +to bring in a table; and when the table came in, he +first danced Laconian figures on it, and then Attic +ones; and in the third place, having leant his head +on the table he gesticulated with his legs. But +Clisthenes, when he danced the first and second time, +revolted from the thought of having Hippoclides for +his son-in-law, on account of his dancing and want +of decorum, yet restrained himself, not wishing to +burst out against him; but when he saw him +gesticulating with his legs, he was no longer able to +restrain himself, and said: "Son of Tisander, you +have danced away your marriage." But Hippoclides +answered: "Hippoclides cares not." Hence this +answer became a proverb. (<span class="smcap">Herodotus</span> VI. 126, +<i>Cary's Translation</i>.)</p> + +<p> +<br /> +<br /> +</p> + +<table border="0" cellpadding="0" cellspacing="0" summary=""> +<tr class="smcap"><td align="left" colspan="2">This play was first performed by the Stage Society<br /> +at the Imperial Theatre on February 22, 1903, with<br /> +the following cast:</td></tr> +<tr class="smcap"><td> </td></tr> +<tr class="smcap"><td align="left">Basil Kent</td><td align="right">H. Granville Barker</td></tr> +<tr class="smcap"><td align="left">Jenny Bush</td><td align="right">Winifred Fraser</td></tr> +<tr class="smcap"><td align="left">James Bush</td><td align="right">O. B. Clarence</td></tr> +<tr class="smcap"><td align="left">John Halliwell</td><td align="right">Dennis Eadie</td></tr> +<tr class="smcap"><td align="left">Mabel</td><td align="right">Gertrude Burnett</td></tr> +<tr class="smcap"><td align="left">Hilda Murray</td><td align="right">Mabel Terry-Lewis</td></tr> +<tr class="smcap"><td align="left">Robert Brackley</td><td align="right">Nigel Playfair</td></tr> +<tr class="smcap"><td align="left">Mrs. Griggs</td><td align="right">Henrietta Cowen</td></tr> +<tr class="smcap"><td align="left">Fanny</td><td align="right">Gertrude de Burgh</td></tr> +<tr class="smcap"><td align="left">Butler</td><td align="right">A. Bowyer</td></tr> +</table> +<p> +<br /> +<br /> +</p> + +<h2><i>A MAN OF HONOUR</i></h2> + +<table border="0" cellpadding="2" cellspacing="0" summary=""> +<tr><td align="center"><i><big>CHARACTERS</big></i></td></tr> +<tr><td> </td></tr> +<tr><td align="left"><span class="smcap">Basil Kent</span></td></tr> +<tr><td align="left"><span class="smcap">Jenny Bush</span></td></tr> +<tr><td align="left"><span class="smcap">James Bush</span></td></tr> +<tr><td align="left"><span class="smcap">John Halliwell</span></td></tr> +<tr><td align="left"><span class="smcap">Mabel</span></td></tr> +<tr><td align="left"><span class="smcap">Hilda Murray</span></td></tr> +<tr><td align="left"><span class="smcap">Robert Brackley</span></td></tr> +<tr><td align="left"><span class="smcap">Mrs. Griggs</span></td></tr> +<tr><td align="left"><span class="smcap">Fanny</span></td></tr> +<tr><td align="left"><span class="smcap">Butler</span></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="smcap">Time</span>: <i>The Present Day</i>.</td></tr> +<tr><td align="center"><span class="smcap">Act I</span>—<i>Basil's lodgings in Bloomsbury</i>.</td></tr> +<tr><td align="center"><span class="smcap">Acts II and IV</span>—<i>The drawing-room of Basil's house at Putney</i>.</td></tr> +<tr><td align="center"><span class="smcap">Act III</span>—<i>Mrs. Murray's house in Charles Street</i>.</td></tr> +</table> + +<div class="blockquot"> +<p><i>The Performing Rights of this Play are +fully protected, and permission to perform +it, whether by Amateurs or Professionals, +must be obtained in advance from the +author's Sole Agent, R. Golding Bright, +20 Green Street, Leicester Square, London, +W.C., from whom all particulars can +be obtained.</i></p></div> + +<p class="title">A MAN OF HONOUR</p> + +<h2><a name="THE_FIRST_ACT_H" id="THE_FIRST_ACT_H"></a>THE FIRST ACT</h2> + +<p class="hang"><span class="smcap">Sitting-room of Basil's Lodgings in Bloomsbury.</span></p> + +<p class="hang"><i>In the wall facing the auditorium, two windows with +little iron balconies, giving a view of London +roofs. Between the windows, against the wall, is +a writing-desk littered with papers and books. On +the right is a door, leading into the passage; on +the left a fire-place with arm-chairs on either side; +on the chimney-piece various smoking utensils. +There are numerous bookshelves filled with books; +while on the walls are one or two Delft plates, +etchings after Rossetti, autotypes of paintings by +Fra Angelico and Botticelli. The furniture is +simple and inexpensive, but there is nothing ugly +in the room. It is the dwelling-place of a person +who reads a great deal and takes pleasure in +beautiful things.</i></p> + +<p class="hang"><span class="smcap">Basil Kent</span> <i>is leaning back in his chair, with his feet +on the writing-table, smoking a pipe and cutting +the pages of a book. He is a very good-looking +man of six-and-twenty, clean-shaven, with a +delicate face and clear-cut features. He is dressed +in a lounge-suit.</i></p> + +<p class="dir">[<i>There is a knock at the door.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Come in.</p> + +<p class="charc"><span class="smcap">Mrs. Griggs.</span></p> + +<p>Did you ring, sir?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes. I expect a lady to tea. And there's a cake +that I bought on my way in.</p> + +<p class="charc"><span class="smcap">Mrs. Griggs.</span></p> + +<p>Very well, sir.</p> + +<p class="dir">[<i>She goes out, and immediately comes in with a<br /> +tray on which are two cups, sugar, milk,<br /> +&c.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, Mrs. Griggs, I want to give up these rooms +this day week. I'm going to be married. I'm sorry +to leave you. You've made me very comfortable.</p> + +<p class="charc"><span class="smcap">Mrs. Griggs.</span></p> + +<p>[<i>With a sigh of resignation.</i>] Ah, well, sir, that's +lodgers all over. If they're gents they get married; +and if they're ladies they ain't respectable.</p> + +<p class="dir">[<i>A ring is heard.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>There's the bell, Mrs. Griggs. I dare say it's the +lady I expect. If any one else comes, I'm not at +home.</p> + +<p class="charc"><span class="smcap">Mrs. Griggs.</span></p> + +<p>Very well, sir.</p> + +<p class="dir">[<i>She goes out, and</i> <span class="smcap">Basil</span> <i>occupies himself for a<br /> +moment in putting things in order</i>. <span class="smcap">Mrs.<br /> +Griggs</span>, <i>opening the door, ushers in the<br /> +new-comers</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mrs. Griggs.</span></p> + +<p>If you please, sir.</p> + +<p class="dir">[<i>She goes out again, and during the next few<br /> +speeches brings two more cups and the tea.</i><br /> +<br /> +[<span class="smcap">Mabel</span> <i>and</i> <span class="smcap">Hilda</span> <i>enter, followed by</i> <span class="smcap">John<br /> +Halliwell</span>. <span class="smcap">Basil</span> <i>going towards them<br /> +very cordially, half stops when he notices<br /> +who they are; and a slight expression of<br /> +embarrassment passes over his face. But<br /> +he immediately recovers himself and is<br /> +extremely gracious.</i> <span class="smcap">Hilda Murray</span> <i>is a<br /> +tall, handsome woman, self-possessed and<br /> +admirably gowned</i>. <span class="smcap">Mabel Halliwell</span> <i>is<br /> +smaller, pretty rather than beautiful,<br /> +younger than her sister, vivacious, very<br /> +talkative, and somewhat irresponsible</i>.<br /> +<span class="smcap">John</span> <i>is of the same age as</i> <span class="smcap">Basil</span>, <i>good-humoured,<br /> +neither handsome nor plain<br /> +blunt of speech and open</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shaking hands.</i>] How d'you do?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Look pleased to see us, Mr. Kent.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I'm perfectly enchanted.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You <i>did</i> ask us to come and have tea with you, +didn't you?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I've asked you fifty times. Hulloa, John! I didn't +see you.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I'm the discreet husband, I keep in the background.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Why don't you praise me instead of praising +yourself? People would think it so much nicer.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>On the contrary, they'd be convinced that when +we were alone I beat you. Besides, I couldn't +honestly say that you kept in the background.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>To</i> <span class="smcap">Basil</span>.] I feel rather ashamed at taking you +unawares.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I was only slacking. I was cutting a book.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>That's ever so much more fun than reading it, isn't +it? [<i>She catches sight of the tea things.</i>] Oh, what a +beautiful cake—and two cups! [<i>She looks at him, +questioning.</i>]</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>A little awkwardly.</i>] Oh—I always have an extra +cup in case some one turns up, you know.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>How unselfish! And do you always have such +expensive cake?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>With a smile, remonstrating.</i>] Mabel!</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Oh, but I know them well, and I love them dearly. +They cost two shillings at the Army and Navy Stores, +but I can't afford them myself.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I wish you'd explain why we've come, or Basil will +think I'm responsible.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Lightly.</i>] I've been trying to remember ever since +we arrived. You say it, Hilda; you invented it.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>With a laugh.</i>] Mabel, I'll never take you out +again. They're perfectly incorrigible, Mr. Kent.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>To</i> <span class="smcap">John</span> <i>and</i> <span class="smcap">Mabel</span>, <i>smiling</i>.] I don't know why +<i>you've</i> come. Mrs. Murry has promised to come and +have tea with me for ages.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Pretending to feel injured.</i>] Well, you needn't turn +me out the moment we arrive. Besides, I refuse to +go till I've had a piece of that cake.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Well, here's the tea! [<span class="smcap">Mrs. Griggs</span> <i>brings it in as +he speaks</i>. <i>He turns to</i> <span class="smcap">Hilda</span>.] I wish you'd pour it +out. I'm so clumsy.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Smiling at him affectionately.</i>] I shall be delighted.</p> + +<p class="dir">[<i>She proceeds to do so, and the conversation goes<br /> +on while</i> <span class="smcap">Basil</span> <i>hands</i> <span class="smcap">Mabel</span> <i>tea and cake</i>.<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I told them it was improper for more than one +woman at a time to call at a bachelor's rooms, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>If you'd warned me I'd have made the show a bit +tidier.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Oh, that's just what we didn't want. We wanted +to see the Celebrity at Home, without lime-light.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Ironically.</i>] You're too flattering.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>By the way, how is the book?</p> + +<p><i>Basil.</i></p> + +<p>Quite well, thanks.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I always forget to ask how it's getting on.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>On the contrary, you never let slip an opportunity +of making kind inquiries.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p><i>I</i> don't believe you've written a word of it.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Nonsense, Mabel. I've read it.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Oh, but you're such a monster of discretion.... +Now I want to see your medals, Mr. Kent.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] What medals?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Don't be coy! You know I mean the medals they +gave you for going to the Cape.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Gets them from a drawer, and with a smile hands +them to</i> <span class="smcap">Mabel</span>.] If you really care to see them, here +they are.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Taking one.</i>] What's this?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, that's just the common or garden South +African medal.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>And the other one?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>That's the D.S.M.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Why didn't they give you the D.S.O.?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I was only a trooper, you know. They only +give the D.S.O. to officers.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>And what did you do to deserve it?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] I really forget.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>It's given for distinguished service in the field, +Mabel.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I knew. Only I wanted to see if Mr. Kent was +modest or vain.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a smile, taking the medals from her and +putting them away.</i>] How spiteful of you!</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>John, why didn't you go to the Cape, and do heroic +things?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I confined my heroism to the British Isles. I +married you, my angel.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Is that funny or vulgar?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Laughing.</i>] Are there no more questions you want +to ask me, Mrs. Halliwell?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Yes, I want to know why you live up six flights of +stairs.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Amused.</i>] For the view, simply and solely.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>But, good heavens, there is no view. There are +only chimney-pots.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>But they're most æsthetic chimney-pots. Do come +and look, Mrs. Murray. [<span class="smcap">Basil</span> <i>and</i> <span class="smcap">Hilda</span> <i>approach +one of the windows, and he opens it</i>.] And at night +they're so mysterious. They look just like strange +goblins playing on the house-tops. And you can't +think how gorgeous the sunsets are: sometimes, after +the rain, the slate roofs glitter like burnished gold. +[<i>To</i> <span class="smcap">Hilda</span>.] Often I think I couldn't have lived without +my view, it says such wonderful things to me. +[<i>Turning to</i> <span class="smcap">Mabel</span> <i>gaily</i>.] Scoff, Mrs. Halliwell, I'm +on the verge of being sentimental.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I was wondering if you'd made that up on the spur +of the moment, or if you'd fished it out of an old +note-book.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>With a look at</i> <span class="smcap">Basil</span>.] May I go out?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes, do come.</p> + +<p class="dir">[<span class="smcap">Hilda</span> <i>and</i> <span class="smcap">Basil</span> <i>step out on the balcony,<br /> +whereupon</i> <span class="smcap">John</span> <i>goes to</i> <span class="smcap">Mabel</span> <i>and tries<br /> +to steal a kiss from her</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Springing up.</i>] Go away, you horror!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Don't be silly. I shall kiss you if I want to.</p> + +<p>[<i>She laughing, walks round the sofa while he +pursues her.</i></p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I wish you'd treat life more seriously.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I wish you wouldn't wear such prominent hats.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>As he puts his arm round her waist.</i>] John, some +body'll see us.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Mabel, I command you to let yourself be kissed.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>How much will you give me?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Sixpence.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Slipping away from him.</i>] I can't do it for less +than half-a-crown.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Laughing.</i>] I'll give you two shillings.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Coaxing.</i>] Make it two-and-three.</p> + +<p class="dir">[<i>He kisses her.</i><br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Now come and sit down quietly.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Sitting down by his side.</i>] John, you mustn't make +love to me. It would look so odd if they came in.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>After all, I am your husband.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>That's just it. If you wanted to make love to me +you ought to have married somebody else. [<i>He puts +his arm round her waist.</i>] John, don't, I'm sure they'll +come in.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I don't care if they do.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Sighing.</i>] John, you do love me?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>And you won't ever care for anybody else?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>No.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>In the same tone.</i>] And you will give me that two-and-threepence, +won't you?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Mabel, it was only two shillings.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Oh, you cheat!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Getting up.</i>] I'm going out on the balcony. I'm +passionately devoted to chimney-pots.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>No, John, I want you.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Isn't it enough for me to say I want you for you +to hurl yourself at my feet immediately?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Oh, you poor thing, can't you do without me for +two minutes?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Now you're taking a mean advantage. It's only +this particular two minutes that I want you. Come +and sit by me like a nice, dear boy.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Now what have you been doing that you shouldn't?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Laughing.</i>] Nothing. But I want you to do something +for me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Ha, ha! I thought so.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>It's merely to tie up my shoe. [<i>She puts out her +foot.</i>]</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Is that all—honour bright?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Laughing.</i>] Yes. [<span class="smcap">John</span> <i>kneels down</i>.]</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But, my good girl, it's not undone.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Then, my good boy, undo it and do it up again.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Starting up.</i>] Mabel, are we playing gooseberry—at +our time of life?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Ironically.</i>] Oh, you are clever! Do you think +Hilda would have climbed six flights of stairs unless +Love had lent her wings?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I wish Love would provide wings for the chaperons +as well.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Don't be flippant. It's a serious matter.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>My dear girl, you really can't expect me to play +the heavy father when we've only been married six +months. It would be almost improper.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Don't be horrid, John.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>It isn't horrid, it's natural history.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Primly.</i>] I was never taught it. It's not thought +nice for young girls to know.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why didn't you tell me that Hilda was fond of +Basil! Does he like her?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I don't know. I expect that's precisely what she's +asking him.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Mabel, do you mean to say you brought me here, +an inoffensive, harmless creature, for your sister to +propose to a pal of mine? It's an outrage.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>She's doing nothing of the sort.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>You needn't look indignant. You can't deny that +you proposed to me.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I can, indeed. If I had I should never have taken +such an unconscionably long time about it.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I wonder why Hilda wants to marry poor Basil!</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Well, Captain Murray left her five thousand a year, +and she thinks Basil Kent a genius.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>There's not a drawing-room in Regent's Park or in +Bayswater that hasn't got its tame genius. I don't +know if Basil Kent is much more than very clever.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Anyhow, I'm sure it's a mistake to marry geniuses. +They're horribly bad-tempered, and they invariably +make love to other people's wives.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Hilda always has gone in for literary people. +That's the worst of marrying a cavalryman, it leads +you to attach so much importance to brains.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Yes, but she needn't marry them. If she wants to +encourage Basil let her do it from a discreet distance. +Genius always thrives best on bread and water and +platonic attachments. If Hilda marries him he'll +only become fat and ugly and bald-headed and +stupid.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why, then he'll make an ideal Member of Parliament.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>and</i> <span class="smcap">Hilda</span> <i>come into the room again</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Maliciously.</i>] Well, what have you been talking +about?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Acidly.</i>] The weather and the crops, Shakespeare +and the Musical Glasses.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Raising her eyebrows.</i>] Oh!</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>It's getting very late, Mabel. We really must be +going.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Getting up.</i>] And I've got to pay at least twelve +calls. I hope every one will be out.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>People are so stupid, they're always in when you +call.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Holding out her hand to</i> <span class="smcap">Basil</span>.] Good-bye.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Coldly.</i>] Thanks so much, Mr. Kent. I'm afraid +we disturbed you awfully.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shaking hands with her.</i>] I've been enchanted to +see you. Good-bye.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Lightly.</i>] We shall see you again before you go to +Italy, shan't we?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I'm not going to Italy now, I've changed all +my plans.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Giving</i> <span class="smcap">John</span> <i>a look</i>.] Oh! Well, good-bye. +Aren't you coming, John.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>No: I think I'll stay and have a little chat with +Basil, while you tread the path of duty.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Well, mind you're in early. We've got a lot of +disgusting people coming to dinner.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>With a smile.</i>] Poor things! Who are they?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I forget who they are. But I know they're loathsome. +That's why I asked them.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>opens the door, and the two women go out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Sitting down and stretching himself.</i>] Now that +we've got rid of our womankind let's make ourselves +comfortable. [<i>Taking a pipe out of his pocket.</i>] I +think I'll sample your baccy if you'll pass it along.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Handing him the jar.</i>] I'm rather glad you stayed, +John. I wanted to talk to you.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Ha! ha!</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>pauses a moment, while</i> <span class="smcap">John</span> <i>looks at<br /> +him with amusement. He fills his pipe.</i><br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Lighting his pipe.</i>] Nice gal, Hilda—ain't she?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Enthusiastically.</i>] Oh, I think she's perfectly +charming.... But what makes you say that?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Innocently.</i>] Oh, I don't know. Passed through +my head.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I say, I've got something to tell you, John.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well, don't be so beastly solemn about it.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] It's a solemn thing.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>No, it ain't. I've done it myself. It's like a high +dive. When you look down at the water it fairly +takes your breath away, but after you've done it—it's +not so bad as you think. You're going to be married, +my boy.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a smile.</i>] How the deuce d'you know?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Gaily.</i>] Saw it with mine own eyes. I congratulate +you, and I give you my blessing. I'll get a new frock-coat +to give the lady away in.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You?... [<i>Suddenly understanding.</i>] You're on +the wrong tack, old man. It's not your sister-in-law +I'm going to marry.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Then why the dickens did you say it was?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I never mentioned her name.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>H'm! I've made rather more than an average ass +of myself, haven't I?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>What on earth made you think...?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Interrupting.</i>] Oh, it was only some stupid idea +of my wife's. Women are such fools, you know. +And they think they're so confoundedly sharp.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Disconcerted</i>—<i>looking at him.</i>] Has Mrs. +Murray...?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>No, of course not! Well, who the deuce are you +going to marry?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Flushing.</i>] I'm going to marry Miss Jenny Bush.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Never heard of her. Is it any one I know?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes, you knew her.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Searching his memory.</i>] Bush ... Bush.... +[<i>With a smile.</i>] The only Jenny Bush <i>I've</i> ever heard +of was a rather pretty little barmaid in Fleet Street. +Presumably you're not going to marry her.</p> + +<p>[<span class="smcap">John</span> <i>has said this quite lightly, not guessing +for a moment that it can have anything to +do with the person</i> <span class="smcap">Basil</span> <i>proposes to marry. +Then, since</i> <span class="smcap">Basil</span> <i>makes no answer</i>, <span class="smcap">John</span> +<i>looks at him sharply: there is a silence +while the two men stare at one another.</i></p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Basil, it's not the woman we used to know before +you went out to the Cape?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Pale and nervous, but determined.</i>] I've just told +you that you used to know Jenny.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Man alive, you're not going to marry the barmaid +of the "Golden Crown"?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Looking at him steadily.</i>] Jenny <i>was</i> a barmaid at +the "Golden Crown."</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But, good Lord, Basil, what d'you mean? You're +not serious?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Perfectly! We're going to be married this day +week.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Are you stark, staring mad? Why on earth d'you +want to marry Jenny Bush?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>That's rather a delicate question, isn't it? [<i>With +a smile.</i>] Presumably because I'm in love with her.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well, that's a silly ass of an answer.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It's quite the most obvious.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Nonsense! Why, I've been in love with twenty +girls, and I haven't married them all. One can't do +that sort of thing in a country where they give you +seven years for bigamy. Every public-house along +the Thames from Barnes to Taplow is the tombstone +of an unrequited passion of my youth. I loved 'em +dearly, but I never asked 'em to marry me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Tightening his lips.</i>] I'd rather you didn't make +jokes about it, John.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Are you sure you're not making an ass of yourself? +If you've got into a mess, surely we can get +you out. Marriage, like hanging, is rather a desperate +remedy.</p> + +<p>[<span class="smcap">Basil</span> <i>is sitting down and moodily shrugs his +shoulders.</i> <span class="smcap">John</span> <i>goes up to him, and +putting his hands on his friend's shoulders +looks into his eyes.</i></p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why are you going to marry her, Basil?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Springing up impatiently.</i>] Damn you, why don't +you mind your own business?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Don't be a fool, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Can't I marry any one I choose? It's nothing to +you, is it? D'you suppose I care if she's a barmaid?</p> + +<p>[<i>He walks up and down excitedly, while</i> <span class="smcap">John</span> +<i>with steady eyes watches him.</i></p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Basil, old man, we've known each other a good +many years now. Don't you think you'd better trust +me?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Setting his teeth.</i>] What d'you want to know?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why are you going to marry her?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Abruptly, fiercely.</i>] Because I must.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Nodding his head quietly.</i>] I see.</p> + +<p>[<i>There is a silence. Then</i> <span class="smcap">Basil</span>, <i>more calmly +turns to</i> <span class="smcap">John</span>.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>D'you remember Jenny?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Yes, rather. Why, we always lunched there in the +old days.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Well, after I came back from the Cape I began +going there again. When I was out there she took +it into her head to write me a letter, rather ill-spelt +and funny—but I was touched that she thought of +me. And she sent some tobacco and some cigarettes.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>My maiden aunt sent you a woollen comforter, but +I'm not aware that in return you ever made her a +proposal of marriage.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>And so in one way and another I came to know +Jenny rather well. She appeared to get rather fond +of me—and I couldn't help seeing it.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But she always pretended to be engaged to that +scrubby little chap with false teeth who used to hang +about the bar and make sheep's eyes at her over +innumerable Scotch-and-sodas.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>He made a scene because I took her out on one of +her off-nights, and she broke it off. I couldn't help +knowing it was on my account.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well, and after that?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>After that I got into the habit of taking her to the +play, and so on. And finally...!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>How long has this been going on?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Several months.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>And then?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Well, the other day she wired for me. I found her +in the most awful state. She was simply crying her +eyes out, poor thing. She'd been seedy and gone to +the doctor's. And he told her ...</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What you might really have foreseen.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes.... She was quite hysterical. She said she +didn't know what to do nor where to go. And she +was in an awful funk about her people. She said she'd +kill herself.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Drily.</i>] Naturally she was very much upset.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I felt the only thing I could do was to ask her to +marry me. And when I saw the joy that came into +her poor, tear-stained face I <i>knew</i> I'd done the right +thing.</p> + +<p>[<i>There is a pause.</i> <span class="smcap">John</span> <i>walks up and down, +then stops suddenly and turns to</i> <span class="smcap">Basil</span>.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Have you thought that you, who've never needed +to economise, will have to look at every shilling you +spend? You've always been careless with your money, +and what you've had you've flung about freely.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shrugging his shoulders.</i>] If I have to submit to +nothing worse than going without a lot of useless +luxuries, I really don't think I need complain.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But you can't afford to keep a wife and an increasing +family.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I suppose I can make money as well as other men.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>By writing books?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I shall set to work to earn my living at the Bar. +Up till now I've never troubled myself.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I don't know any man less fit than you for the +dreary waiting and the drudgery of the Bar.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>We shall see.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>And what d'you think your friends will say to your +marrying—a barmaid?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Contemptuously.</i>] I don't care two straws for +my friends.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>That's pleasant for them. You know, men and women +without end have snapped their fingers at society and +laughed at it, and for a while thought they had the +better of it. But all the time society was quietly smiling +up its sleeve, and suddenly it put out an iron hand—and +scrunched them up.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[Shrugging his shoulders.] It only means that a +few snobs will cut me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Not you—your wife.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I'm not such a cad as to go to a house where I can't +take my wife.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But you're the last man in the world to give up +these things. There's nothing you enjoy more than +going to dinner-parties and staying in country houses. +Women's smiles are the very breath of your nostrils.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You talk of me as if I were a tame cat. I don't +want to brag, John, but after all, I've shown that I'm +fit for something in this world. I went to the Cape +because I thought it was my duty. I intend to marry +Jenny for the same reason.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Seriously.</i>] Will you answer me one question—on +your honour?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Are you in love with her?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>After a pause.</i>] No.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Passionately.</i>] Then, by God, you have no right to +marry her. A man has no right to marry a woman +for pity. It's a cruel thing to do. You can only +end by making yourself and her entirely wretched.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I can't break the poor girl's heart.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>You don't know what marriage is. Even with +two people who are devoted to one another, who +have the same interests and belong to the same +class, it's sometimes almost unbearable. Marriage +is the most terrible thing in the world unless passion +makes it absolutely inevitable.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>My marriage is absolutely inevitable—for another +reason.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>You talk as if such things had never happened +before.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I know, they happen every day. It's no business +of the man's. And as for the girl, let her throw +herself in the river. Let her go to the deuce, and be +hanged to her.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Nonsense. She can be provided for. It only +needs a little discretion—and no one will be a ha'porth +the wiser, nor she a ha'porth the worse.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>But it's not a matter of people knowing. It's a +matter of honour.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Opening his eyes.</i>] And where precisely did the +honour come in when you...?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Good heavens, I'm a man like any other. I have +passions as other men have.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Gravely.</i>] My dear Basil, I wouldn't venture to +judge you. But I think it's rather late in the day to +set up for a moralist.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>D'you think I've not regretted what I did? It's +easy enough afterwards to say that I should have +resisted. The world would be a Sunday School if we +were all as level-headed at night as we are next +morning.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Shaking his head.</i>] After all, it's only a very +regrettable incident due to your youth and—want of +innocence.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With vehement seriousness.</i>] I may have acted like +a cur. I don't know. I acted as I suppose every +other man would. But now I have a plain duty +before me, and, by God, I mean to do it.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Don't you realise that you've only one life and that +mistakes are irreparable? People play with life as if +it were a game of chess in which they can try this +move and that, and when they get into a muddle, +sweep the board clear and begin again.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>But life is a game of chess in which one is always +beaten. Death sits on the other side of the board, and +for every move he has a counter-move. And for all +your deep-laid schemes he has a parry.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But if at the end Death always mates you, the +fight is surely worth the fighting. Don't handicap +yourself at the beginning by foolish quixotry. Life +is so full. It has so much to offer, and you're +throwing away almost everything that makes it +worth the trouble.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Gravely.</i>] Jenny would kill herself if I didn't +marry her.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>You don't seriously think she'd do that. People +don't commit suicide so easily, you know.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You've thought of a great deal, John—you've not +thought of the child. I can't let the child skulk into +the world like a thief. Let him come in openly and +lawfully. And let him go through the world with an +honest name. Good heavens, the world's bad enough +without fettering him all his life with a hideous +stigma.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Oh, my dear Basil ...</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Interrupting.</i>] You can bring forward a thousand +objections, but nothing alters the fact that, under the +circumstances, there's only one way open to a man of +honour.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Drily.</i>] Well, it's a way that may do credit to your +heart, but scarcely to your understanding.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I thought you'd see at once that I was doing the +only possible thing.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>My dear Basil, you talk of pity, and you talk of +duty, but are you sure there's anything more in it than +vanity? You've set yourself up on a sort of moral +pinnacle. Are you sure you don't admire your own +heroism a little too much?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a good-natured smile.</i>] Does it look so petty +as that in your eyes? After all, it's only common +morality.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Impatiently.</i>] But, my dear chap, its absurd to act +according to an unrealisable ideal in a world that's +satisfied with the second-rate. You're tendering +bank-notes to African savages, among whom cowrie +shells are common coin.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] I don't know what you mean.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Society has made its own decalogue, a code that's +just fit for middling people who are not very good and +not very wicked. But Society punishes you equally +if your actions are higher than its ideal or lower.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Sometimes it makes a god of you when you're +dead.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But it takes precious good care to crucify you when +you're alive.</p> + +<p>[<i>There is a knock at the door, and</i> <span class="smcap">Mrs. Griggs</span> +<i>comes in.</i></p> + +<p class="charc"><span class="smcap">Mrs. Griggs.</span></p> + +<p>Some more visitors, Sir.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Show 'em in. [<i>To</i> <span class="smcap">John</span>] It's Jenny. She said she +was coming to tea.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>With a smile.</i>] Oh, the cake was for her, was it? +Would you like me to go?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Not unless you choose. Do you suppose I'm +ashamed?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I thought, after all you've told me, you might not +care for me to see her.</p> + +<p>[<span class="smcap">Jenny Bush</span> <i>and her brother</i> <span class="smcap">James</span> <i>come in. +She is very pretty, with delicate features +and a beautiful complexion: her fair hair +is abundant and very elaborately arranged. +She is dressed smartly, rather showily. It +is the usual type of barmaid, or tea-girl, a +shade more refined perhaps than the common +run. Her manners are unobjectionable, +but not those of a gentlewoman.</i> <span class="smcap">James</span> <i>is +a young man with clean-shaven face and a +sharp expression. He is over-dressed in a +very horsey manner, and is distinctly more +vulgar than his sister. He talks English with +a cockney accent, not invariably dropping +his aitches, but only now and then. He is +over cordial and over genial.</i></p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Going up to</i> <span class="smcap">Basil</span>.] I'm awfully late, I couldn't +come before.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Jocosely.</i>] Don't mind me. Give 'im a kiss, old +tart.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, I brought my brother Jimmie to see you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shaking hands.</i>] How d'you do?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Nicely, thanks. Pleased to make your acquaintance.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Looking at</i> <span class="smcap">John</span> <i>and suddenly recognising him.</i>]</p> + +<p>Well, I never! If that isn't old John Halliwell. I +didn't expect to see you. This is a treat.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>How d'you do?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>What are you doing here?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I've been having a cup of tea with Basil.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Looking at the tea-things.</i>] D'you always drink +out of three cups at once?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>My wife has been here—and her sister.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, I see. Fancy your being married. How d'you +like it?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>All right, thanks.</p> + +<p>[<span class="smcap">Basil</span> <i>pours out a cup of tea, and during the +following speeches gives</i> <span class="smcap">Jenny</span> <i>milk and +sugar and cake.</i></p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>People say it wants a bit of gettin' used to.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Mr. Bush, you're a philosopher.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, I will say this for myself, you'd want to get +up early in the morning to catch me nappin'. I didn't +catch your name.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Halliwell.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>'Alliwell?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Emphasising the H.</i>] Halliwell.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>That's what I say—'Alliwell. I knew a fellow in +the meat trade called 'Alliwell. Any relation?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I don't think so.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Fine business 'e 'ad too. There's a rare lot of money +to be made out of meat.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I dare say.</p> + +<p>Jenny.</p> + +<p>[<i>To</i> <span class="smcap">John</span>.] It <i>is</i> a long time since I've seen you. I +suppose you've quietened down now you're a married +man. You were a hot 'un when you was a bachelor.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Facetiously.</i>] Don't make 'im blush, Jenny. Accidents +will 'appen in the best regulated families. And +boys will be boys, as they say in the Bible.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I think I must be off, Basil.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, I'll be toddlin' too. I only come in just to +say 'ow d'you do to my future brother-in-law. I'm a +fellow as likes to be cordial. There's no 'aughtiness +about me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Politely, but not effusively.</i>] Oh; won't you stay +and have some tea?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>No, thanks. I'm not much of an 'and at tea; I +leave that to females. I like something stronger +myself.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Remonstrating.</i>] Jimmie!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I have some whisky, Mr. Bush.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Oh, blow the Mister and blow the Bush. Call me +Jimmie. I can't stand ceremony. The way I look +on it is this. We're both of us gentlemen. Now, +mind you, I'm not a fellow to praise myself. But I +will say this: I am a gentleman. That's not self-praise, +is it?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Dear me, no. Mere statement of fact.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, as I was saying, I know I'm a gentleman. +It's a thing you can't 'elp, so what's the good of being +proud about it? If I meet a chap in a pub, and he +invites me to have a drink, I don't ask him if he's a +Lord.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>But you just take it.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, you'd do the same yourself, wouldn't you?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I dare say. But will you have a drink now?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Oh, bless you, I know what it is to be engaged. I +don't want to disturb you canary-birds. Me and +'Alliwell 'll go and have a gargle round the corner. I +see you've got a public nice and 'andy. [<i>To</i> <span class="smcap">John</span>.] +I suppose you're not above goin' in there now and +again, eh?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a laugh.</i>] He came into the "Golden Crown" +every day of his life, and chance it!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I'm afraid I'm in a great hurry.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>'Ang it all, one's always got time to have a drop of +Scotch in this life.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>To</i> <span class="smcap">James</span>, <i>handing him the box.</i>] Well, take a +cigar with you.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Taking and examining one.</i>] If you are so pressing. +Villar y Villar.... What do they run you in a +hundred?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>They were given to me, I really don't know what +they cost. [<i>He lights a match.</i>] Won't you take the +label off?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Not if I know it. I don't smoke a Villar y Villar +every day, but when I do, I smoke it with the label +on.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Laughing.</i>] Jimmie, you are a caution!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Shaking hands with</i> <span class="smcap">Jenny</span>.] Good-bye and—my +best wishes.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Thanks. You didn't expect I'd marry Basil when +I used to mix cocktails for you in the "Golden +Crown," did you?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Come on, 'Alliwell. Don't stop there gassing. +You'll only disturb the canary-birds. So long, old +tart, see you later. Ta-ta, Basil, old man.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Good-bye—Jimmie.</p> + +<p>[<span class="smcap">John Halliwell</span> <i>and</i> <span class="smcap">James</span> <i>go out</i>, <span class="smcap">Jenny</span> +<i>goes up to</i> <span class="smcap">Basil</span> <i>impulsively.</i></p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Kiss me. [<i>He kisses her, smiling.</i>] There! Now +I can sit down quietly and talk. How d'you like my +brother?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh—I hardly know him yet. He seems very +amiable.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>He's not a bad sort when you know him. He's +just like my mother.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Raising his brows.</i>] Is he? And—is your father +like that too?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Well, you know, Pa hasn't had the education that +Jimmie's had. Jimmie was at a boarding-school at +Margate.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Was he?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You were at a boarding-school, too, weren't you?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] Yes, I was at Harrow.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Ah, you don't get the fine air at Harrow that you +get at Margate.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Shall I put down your cup?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Placing it on a table.</i>] Oh, thanks, it's all right. +Come and sit by me, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Seating himself on the arm of her chair.</i>] There.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Taking his hand.</i>] I'm so glad we're alone. I +should like to be alone with you all my life. You do +love me, don't you, Basil?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Much?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] Yes.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I'm so glad. Oh, I don't know what I should do +if you didn't love me. If you hadn't been kind to +me I should have thrown myself in the river.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>What nonsense you talk.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I mean it.</p> + +<p>[<i>He passes his hand affectionately over her hair.</i></p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, you <i>are</i> so good, Basil. I'm so proud of you. +I shall be so proud to be your wife.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Gravely.</i>] Don't think too well of me Jenny.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a laugh.</i>] I'm not afraid of that. You're +brave and you're clever and you're a professional man, +and you're everything.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You foolish child.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Passionately.</i>] I can't tell you how much I love +you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I'll try with all my might to be a good husband to +you, Jenny.</p> + +<p class="dir">[<i>She flings her arms round his neck and they<br /> +kiss one another.</i><br /> +</p> + +<p> +<br /> +<br /> +</p> + +<p class="c"><span class="smcap">End of the First Act.</span></p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THE_SECOND_ACT_H" id="THE_SECOND_ACT_H"></a>THE SECOND ACT</h2> + +<p class="c"><span class="smcap">An Interval of One Year Elapses Between +Acts I. and II.</span></p> + +<p class="hang"><i>The drawing-room in Basil's house at Putney. In the +wall facing the auditorium there is a door leading +from the passage. On the right two doors lead +into bedrooms, and opposite these is a bay window. +The same pictures and plates decorate the walls as +in the preceding Scene; the writing-table is between +the side doors.</i> <span class="smcap">Jenny's</span> <i>influence is noticeable in +the cushions in the wicker-work arm-chairs, in the +window curtains and portières of art serge, and in +the huge chrysanthemums of the wall paper</i>.</p> + +<p class="dir">[<span class="smcap">Jenny</span> <i>is sewing while</i> <span class="smcap">James Bush</span> <i>is lounging<br /> +in one of the arm chairs</i>.<br /> +</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Where's his lordship this afternoon?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>He's gone out for a walk.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>With a malevolent laugh.</i>] That's what he tells you, +my dear.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Looking up quickly.</i>] Have you seen him +anywhere?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>No, I can't say I 'ave. And if I 'ad I wouldn't +boast about it.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Insisting.</i>] What did you mean then?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, whenever I come here he's out for a walk.... +I say, old tart, could you oblige me with a couple of +sovereigns till next Saturday?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Pained to refuse.</i>] Oh no, Jimmie, I can't manage +it. Basil made me promise I wouldn't let you have +any more.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>What! He made you promise that?—Ugh, the +mean skinflint.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>We've lent you so much, Jimmie. And ma's had a +lot, too.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, look here, you can manage a sovereign, can't +you? You needn't say anything about it.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I can't really, Jimmie. I would if I could. But +we've got a rare lot of debts worrying us, and the rent +will be coming along next week.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Sulkily.</i>] You can't lend it me because you won't. +I should just like to know what Basil spends his +money on.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>He's had a bad year—it's not his fault. And I was +so ill after the baby died, we had to pay the doctor +nearly fifty pounds.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>With a sneer.</i>] Well, it was a wonderful fine thing +you did when you married him, Jenny. And you +thought you done precious well for yourself, too.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Jimmie, don't!</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I can't stick 'im at any price, and I don't mind who +knows it.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Impetuously.</i>] I won't have you say anything +against him.</p> + +<p class="charc"><span class="smcap">James</span>.</p> + +<p>All right—keep your shirt in. I'm blowed if I know +what you've got to stick up for him about. He don't +care much about you.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Hastily.</i>] How d'you know?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Think I can't see!</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>It's not true. It's not true.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>You can't get round me, Jenny. I suppose you +'aven't been crying to-day?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Flushing.</i>] I had a headache.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I know those sort of headaches.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>We had a little tiff this morning. That's why he +went out.... Oh, don't say he doesn't care for me. +I couldn't live.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>With a laugh.</i>] Go along with you. Basil Kent +ain't the only pebble on the beach.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Vehemently.</i>] Oh, Jimmie, Jimmie, sometimes I +don't know which way to turn, I'm that unhappy. +If the baby had only lived I might have kept my +husband—I might have made him love me. [<i>The +sound is heard of a door being closed.</i>] There's Basil.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Good luck to 'im.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, Jimmie, take care not to say anything to make +him angry.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I'd just like to give 'im a piece of my mind.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, Jimmie, don't. It was my fault that we +quarrelled this morning. I wanted to make him +angry, and I nagged at him. Don't let him see that +I've said anything to you. I'll see—I'll see if I can't +send you a pound to-morrow, Jimmie.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Defiantly.</i>] He'd better not start patronising me, +because I won't put up with it. I'm a gentleman, +and I'm every bit as good as he is—if not better.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>comes in</i>, <i>notices</i> <span class="smcap">James</span>, <i>but does not<br /> +speak</i>.<br /> +</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Afternoon, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Indifferently.</i>] You here again?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Looks like it, don't it.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Quietly.</i>] I'm afraid it does.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Becoming more aggressive as the conversation proceeds.</i>] +Are you? I suppose I can come and see my +own sister?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I suppose it's inevitable.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] Only I should be excessively grateful if +you'd time your coming with my—with my going. +And <i>vice versa</i>.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>That means you want me to get out, I reckon.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You show unusual perspicacity, dear James.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>And who are you with your long words, I should +like to know?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Blandly.</i>] I? A person of not the least importance.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Angrily.</i>] Well, I wouldn't put on so much side if +I was you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I observe that you have not acquired the useful +art of being uncivil without being impertinent.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Look 'ere, I'm not going to stand this. I'm as +good as you are any day.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>That is a fact I should never dream of contradicting.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Indignantly.</i>] Then what 'ave you got to turn up +your nose about, eh? What d'you mean by sneerin' +and snarlin' at me when I come here?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Nervously.</i>] Jimmie, don't!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a smile.</i>] You're very eloquent, James. You +should join a debating society.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Yes, go on. That's right. You seem to think I'm +nobody. I should just like to know why you go on +as if I was I don't know what.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Abruptly.</i>] Because I choose.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>You can bet anything you like I don't come 'ere to +see you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling acidly.</i>] Then I have at least something to +be thankful for.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I've got a right to come here as much as anybody. +I come to see my sister.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Really, that's very thoughtful of you. I was +under the impression you generally came to borrow +money.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Throw that in my face now. I can't 'elp it if I'm +out of work.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I haven't the least objection to your being out +of work. All I protest against—and that very mildly—is +that I should be expected to keep you. How +much did you want to-day?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I don't want your dirty money.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a laugh.</i>] Have you already tried to borrow it +from Jenny?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>No, I 'aven't.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>And she refused, I suppose.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Storming.</i>] I tell you I don't want your dirty +money.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Well, then, we're both quite satisfied. You seemed +to think that because I married Jenny I was bound +to keep the whole gang of you for the rest of your +lives. I'm sorry I can't afford it. And you will +kindly tell the rest of them that I'm sick and tired of +forking out.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I wonder you don't forbid me your house while +you're about it.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Coolly.</i>] You may come here when I'm not at +home—if you behave yourself.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I'm not good enough for you, I suppose?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>No, you're not.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Angrily.</i>] Ah, you're a pretty specimen, you are. +You mean skinflint!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Don't be abusive, James. It's rude.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I shall say what I choose.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>And please don't talk so loud. It annoys me.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Malevolently.</i>] I dare say you'd like to get me out +of the way. But I mean to keep my eye on you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Sharply.</i>] What d'you mean by that?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>You know what I mean. Jenny has something to +put up with, I lay.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Containing his anger.</i>] You'll have the goodness to +leave the relations between Jenny and myself alone—d'you +hear?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Ha, that's touched you up, has it? You think I +don't know what sort of a feller you are. I can just +about see through two of you. And I know a good +deal more about you than you think.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Contemptuously.</i>] Don't be foolish, James.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Sarcastic.</i>] A nice thing Jenny did when she +married you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Recovering himself, with a smile.</i>] Has she been +telling you my numerous faults? [<i>To</i> <span class="smcap">Jenny</span>.] You +must have had plenty to talk about, my love.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Who has been going on with her sewing, looking up +now and then uneasily.</i>] I haven't said a word against +you, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Turning his back on</i> <span class="smcap">James</span>.] Oh, my dear Jenny, +if it amuses you, by all means discuss me with your +brother and your sister and your father and your +mother, and the whole crew of them.... I should +be so dull if I had no faults.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Anxiously.</i>] Tell him I've not said anything +against him, Jimmie.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>It's not for want of something to say, I lay.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Over his shoulder.</i>] I'm getting rather tired, +brother James. I'd go, if I were you.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Very aggressively.</i>] I shan't go till I choose.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Turns round, smiling blandly.</i>] Of course, we're +both Christians, dear James; and there's a good deal +of civilisation kicking about the world nowadays. +But, notwithstanding, the last word is still with the +strongest.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>What d'you mean by that?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Good-humouredly.</i>] Merely that discretion is the +better part of valour. They say that proverbs are +the wealth of nations.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Indignantly.</i>] That's just the sort of thing you'd +do—to 'it a feller smaller than yourself.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I wouldn't hit you for worlds, brother James. +I should merely throw you downstairs.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Making for the door.</i>] I should just like to see you +try it on.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Don't be silly, James. You know you wouldn't +like it at all.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I'm not afraid of you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Of course not. But still—you're not very muscular, +are you?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>You coward!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] Your repartees are not brilliant, James.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Standing at the door for safety's sake.</i>] I'll pay +you out before I've done.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Raising his eyebrows.</i>] James, I told you to get out +five minutes ago.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I'm going. D'you think I want to stay 'ere? +Good-bye, Jenny, I'm not going to stand being +insulted by any one. [<i>He goes out slamming the +door.</i>]</p> + +<p class="dir">[<span class="smcap">Basil</span>, <i>smiling quietly, goes to his writing-table<br /> +and turns over some papers</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>The only compensation in brother James is that he +sometimes causes one a little mild amusement.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You might at least be polite to him, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I used up all my politeness six months ago.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>After all, he is my brother.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>That is a fact I deplore with all my heart, I assure +you.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I don't know what's wrong with him.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Don't you? It doesn't matter.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I know he isn't a Society man.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a laugh.</i>] No, he wouldn't shine at duchesses +tea-parties.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Well, he's none the worse for that, is he?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Not at all.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Then why d'you treat him as if he was a dog?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>My dear Jenny, I don't.... I'm very fond of +dogs.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, you're always sneering. Isn't he as good as I +am? And you condescended to marry me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Coldly.</i>] I really can't see that because I married +you I must necessarily take your whole family to my +bosom.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Why don't you like them? They're honest and +respectable.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a little sigh of boredom.</i>] My dear Jenny, we +don't choose our friends because they're honest and +respectable any more than we choose them because +they change their linen daily.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>They can't help it if they're poor.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>My dear, I'm willing to acknowledge that they +have every grace and every virtue, but they rather +bore me.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>They wouldn't if they were swells.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>gives a short laugh, but does not answer;<br /> +and</i> <span class="smcap">Jenny</span> <i>irritated, continues more<br /> +angrily</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>And after all we're not in such a bad position as +all that. My mother's father was a gentleman.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I wish your mother's son were.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>D'you know what Jimmie says you are?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I don't vastly care. But if it pleases you very +much you may tell me.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Flushing angrily.</i>] He says you're a damned snob.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Is that all? I could have invented far worse +things than that to say of myself.... [<i>With a +change of tone.</i>] You know, Jenny, it's not worth +while to worry ourselves about such trifles. One +can't force oneself to like people. I'm very sorry +that I can't stand your relations. Why on earth +don't you resign yourself and make the best of it?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Vindictively.</i>] You don't think they're good enough +for you to associate with because they're not in swell +positions.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>My dear Jenny, I don't in the least object to their +being grocers and haberdashers. I only wish they'd +sell us things at cost price.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Jimmie isn't a grocer or a haberdasher. He's an +auctioneer's clerk.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Ironically.</i>] I humbly apologise. I thought he +was a grocer, because last time he did us the honour +of visiting us he asked how much a pound we paid +for our tea and offered to sell us some at the +same price.... But then he also offered to insure +our house against fire and to sell me a gold mine in +Australia.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Well, it's better to make a bit as best one can than +to.... [<i>She stops.</i>]</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Smiling.</i>] Go on. Pray don't hesitate for fear of +hurting my feelings.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Defiantly.</i>] Well, then, it's better to do that than +moon about like you do.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shrugging his shoulders.</i>] Really, even to please +you, I'm afraid I can't go about with little samples of +tea in my pocket and sell my friends a pound or two +when I call on them. Besides, I don't believe they'd +ever pay me.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Scornfully.</i>] Oh no, you're a gentleman and a +barrister and an author, and you couldn't do anything +to dirty those white hands that you're so careful +about, could you?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Looking at his hands, then up at</i> <span class="smcap">Jenny</span>.] And +what is it precisely you want me to do?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Well, you've been at the Bar for five years. I +should have thought you could make something after +all that time.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I can't force the wily solicitor to give me briefs.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>How do other fellows manage it?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a laugh.</i>] The simplest way, I believe, is to +marry the wily solicitor's daughter.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Instead of a barmaid?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Gravely.</i>] I didn't say that, Jenny.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Passionately.</i>] Oh no. You didn't say it, but you +hinted it. You never say anything, but you're +always hinting and insinuating—till you drive me +out of my senses.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>After a moment's pause, gravely.</i>] I'm very sorry if +I hurt your feelings. I promise you I don't mean to. +I always try to be kind to you.</p> + +<p class="dir">[<i>He looks at</i> <span class="smcap">Jenny</span>, <i>expecting her to say something<br /> +in forgiveness or in apology. But<br /> +she, shrugging her shoulders, looks down<br /> +sullenly at her work, without a word, and<br /> +begins again to sew. Then</i> <span class="smcap">Basil</span>, <i>tightening<br /> +his lips, picks up writing materials and<br /> +goes towards the door</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Looking up quickly.</i>] Where are you going?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Stopping.</i>] I have some letters to write.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Can't you write them here?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Certainly—if it pleases you.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Don't you want me to see who you're writing to?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I haven't the least objection to your knowing all +about my correspondence.... And that's fortunate, +since you invariably make yourself acquainted with it.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Accuse me of reading your letters now.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a smile.</i>] You always leave my papers in +such disorder after you've been to my desk.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You've got no right to say that.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>pauses and looks at her steadily</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Are you willing to swear that you don't go to my +desk when I'm away to read my letters? Come, +Jenny, answer that question.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Disturbed but forced by his glance to reply.</i>] Well, +I'm you're wife, I have a right to know.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Bitterly.</i>] You have such odd ideas about the +duties of a wife, Jenny. They include reading my +letters and following me in the street. But tolerance +and charity and forbearance don't seem to come in your +scheme of things.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Sullenly.</i>] Why d'you want to write your letters +elsewhere?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shrugging his shoulders.</i>] I thought I should be +quieter.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I suppose I disturb you?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It's a little difficult to write when you're talking.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Why shouldn't I talk? D'you think I'm not good +enough, eh? I should have thought I was more important +than your letters.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>does not answer</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Angrily.</i>] Am I your wife or not?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Ironically.</i>] You have your marriage lines carefully +locked up to prove it.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Then why don't you treat me as your wife? You +seem to think I'm only fit to see after the house and +order the dinner and mend your clothes. And after +that I can go and sit in the kitchen with the servant.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Moving again towards the door.</i>] D'you think it's +worth while making a scene? We seem to have said +all this before so many times.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Interrupting him.</i>] I want to have it out.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Bored.</i>] We've been having it out twice a week +for the last six months—and we've never got anywhere +yet.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I'm not going to be always put upon, I'm your wife +and I'm as good as you are.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a thin smile.</i>] Oh, my dear, if you're going +in for women's rights, you may have my vote by all +means. And you can plump for all the candidates at +once if you choose.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You seem to think it's a joke.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Bitterly.</i>] Oh no, I promise you I don't do that. +It's lasted too long. And God knows where it'll +end.... They say the first year of marriage is the +worst; ours has been bad enough in all conscience.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Aggressively.</i>] And I suppose you think it's my +fault?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Don't you think we're both more or less to blame?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a laugh.</i>] Oh, I'm glad you acknowledge that +you have something to do with it.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I tried to make you happy.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Well, you haven't succeeded very well. Did you +think I was likely to be happy—when you leave me +alone all day and half the night for your swell friends +that I'm not good enough for?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>That's not true. I hardly ever see any of my old +friends.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Except Mrs. Murray, eh?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I've seen Mrs. Murray perhaps a dozen times in the +last year.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, you needn't tell me that. I know it. She's a +lady, isn't she?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Ignoring the charge.</i>] And my work takes me +away from you. I can't always be down here. Think +how bored you'd be.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>A precious lot of good your work does. You can't +earn enough money to keep us out of debt.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Good-humouredly.</i>] We are in debt. But we share +that very respectable condition with half the nobility +and gentry in the kingdom. We're neither of us +good managers, and we've lived a bit beyond our +means this year. But in future we'll be more +economical.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Sullenly.</i>] All the neighbours know that we've got +bills with the tradesmen.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Acidly.</i>] I'm sorry that you shouldn't have made +so good a bargain as you expected when you married +me.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I wonder what you do succeed in? Your book +was very successful, wasn't it? You thought you +were going to set the Thames on fire, and the book +fell flat, flat, flat.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Recovering his good temper.</i>] That is a fate which +has befallen better books than mine.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>It deserved it.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I didn't expect <i>you</i> to appreciate it. It isn't +given to all of us to write about wicked earls and +beautiful duchesses.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Well, I wasn't the only one. The papers praised +it, didn't they?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>The unanimity of their blame was the only thing +that consoled me.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>And one of them advised you to study an English +grammar. And you're the fine gentleman who looks +down on poor things like us!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I often wonder if the reviewer who abuses you for +a printer's error realises what pleasure he causes the +wife of your bosom.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, I've learnt to know you so well this last six +months—since the baby died. You've got no cause +to set yourself up on a pedestal.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a laugh.</i>] My dear Jenny, I never pretended +to be a golden idol.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I know what you are now. And I was such a fool +as to think you a hero. You're merely a failure. +In everything you try you're a miserable failure.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a slight sigh.</i>] Perhaps you're right, Jenny.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>walks up and down; and then, stopping,<br /> +looks at her for a moment meditatively</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I sometimes wonder whether we shouldn't be +happier—if we lived apart.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a start.</i>] What d'you mean?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>We don't seem able to get on very well. And +I see no chance of things going any better.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With staring eyes.</i>] D'you mean to say you want to +separate?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I think it might be better for both of us—at least +for a time. Perhaps later on we might try again.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>And what'll <i>you</i> do?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I should go abroad for a while.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>With Mrs. Murray. Is that it? You want to go +away with her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Impatiently.</i>] No. Of course not.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I don't believe it. You're in love with her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You've got no right to say that.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Haven't I? I suppose I must shut my eyes and +say nothing. You're in love with her. D'you think +I've not seen it in these months? That's why you +want to leave me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It's impossible for us to live together. We shall +never agree, and we shall never be happy. For God's +sake let us separate and have done with it.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You're sick of me. You've had all you want out +of me, and now I can go. The fine lady comes along, +and you send me away like a housemaid. D'you +think I can't see that you're in love with her? You'd +sacrifice me without a thought to save her a moment's +unpleasantness. And because you love her you hate +me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It's not true.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Can you deny that you're in love with her?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You're simply mad. Good heavens, I've done +nothing that could give you the least cause to be +jealous.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Passionately.</i>] Will you swear that you're not in +love with her? Swear it on your honour?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You're mad.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With growing excitement.</i>] Swear it. You can't. +You're simply madly in love with her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Nonsense.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Swear it. Swear it on your honour. Swear you +don't care for her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shrugging his shoulders.</i>] I swear it ... on my +honour.</p> + +<p class="charc"><span class="smcap">Jenny</span>.</p> + +<p>[<i>Scornfully.</i>] It's a lie!... And she's just as +much in love with you as you are with her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Seizing her wrists.</i>] What d'you mean?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>D'you think I haven't got eyes in my head? I +saw it that day she came here. D'you suppose she +came to see me? She despises me. I'm not a +lady. She came here to please <i>you</i>. She was polite +to me to please <i>you</i>. She asked me to go and see her +to please <i>you</i>.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Trying to compose himself.</i>] It's absurd. She was +an old friend of mine. Of course she came.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I know that sort of friend. D'you think I didn't +see the way she looked at you, and how she followed +you with her eyes? She simply hung on every word +you said. When you smiled, she smiled. When you +laughed, she laughed. Oh, I should think she was in +love with you; I know what love is, and I felt it. +And when she looked at me I know she hated me +because I'd robbed her of you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Unable to contain himself.</i>] Oh, what a dog's life it +is we lead! We've been both utterly wretched. It +can't go on—and I only see one way out.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>That's what you've been brooding over this last +week, is it? Separation! I knew there was something, +and I couldn't find out what it was.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I do my best to hold myself in, but sometimes I +feel it's impossible. I shall be led to saying things +that we shall both regret. For Heaven's sake let us +part.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>No.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>We can't go on having these awful quarrels. It's +too degrading. It was a horrible mistake that we +ever married.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Horror-stricken.</i>] Basil!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, you must see that as well as I. We're utterly +unsuited to one another. And the baby's death removed +the only necessity that held us together.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You talk as if we only remained together because +it was convenient.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Passionately.</i>] Let me go, Jenny. I can't stand +it any more. I feel as if I shall go mad.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Full of pain and anguish.</i>] It's nothing at all to +you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Jenny, I did my best for you a year ago. I gave +you all I had to give. It was little enough in all +conscience. Now I ask you to give me back my +freedom.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Distracted.</i>] You only think of yourself. What +is to become of me?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You'll be much happier. It's the best thing for +both of us. I'll do all I can for you, and you can have +your mother and sister to live here.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a cry of grief and passion.</i>] But I love you, +Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You!! Why, you've tortured me for six months +beyond all endurance. You've made all my days a +burden to me. You've made my life a perfect hell.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Gives a long groan of horror and dismay.</i>] Oh!</p> + +<p class="dir">[<i>They stand facing one another, when the<br /> +housemaid</i>, <span class="smcap">Fanny</span>, <i>comes in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Mr. Halliwell.</p> + +<p class="dir">[<span class="smcap">John</span> <i>comes in</i>. <span class="smcap">Jenny</span>, <i>after taking his hand,<br /> +sinks down on a chair, paying no attention<br /> +to the following conversation; she stares in<br /> +front of her, quite distraught</i>. <span class="smcap">Basil</span> <i>tries<br /> +with all his might to appear calm and<br /> +natural</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Hulloa, what are you doing in these parts?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>How d'you do, Mrs. Kent? I've been having an +early lunch at Richmond, and I thought I'd just drop +in on my way back. As it was Saturday afternoon I +thought I might find you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I'm sure we're delighted to see you. [<span class="smcap">John</span> <i>gives +a side-glance at</i> <span class="smcap">Jenny</span>, <i>and slightly raises his eyebrows</i>.] +But you've only just come in time, because I've got to +go up to town. We might travel up together.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Certainly.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Where are you going, Basil?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>To Chancery Lane, to see my agent on business.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Suspiciously.</i>] On Saturday afternoon? Why, +he won't be there.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I have an appointment with him.</p> + +<p class="dir">[<span class="smcap">Jenny</span> <i>does not answer, but is obviously unconvinced</i>.<br /> +<span class="smcap">John</span>, <i>somewhat embarrassed, exerts<br /> +himself to make conversation</i>.<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I was thinking as I came along that one must lead +quite an idyllic existence in the suburbs—with the +river—and one's little garden.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Ironically.</i>] And the spectacle of the fifty little +houses opposite all exactly like one another.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>And the quiet is perfectly enchanting.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, yes. The only vehicles that disturb the peaceful +seclusion are the milk-cart and the barrel-organs. +It's quite idyllic.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I think it's a very nice neighbourhood. And you +get such a superior class of people here.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I'll just go and change. [<i>Looking at his watch.</i> +There's a train at 4.15.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>All right, hurry up.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>goes out of the room</i>. <span class="smcap">Jenny</span> <i>at once<br /> +springs to her feet and goes towards</i> <span class="smcap">John</span>.<br /> +<i>She is distracted and hardly knows what<br /> +she says.</i><br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Can I trust you?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What d'you mean?</p> + +<p class="dir">[<i>She stares into his eyes, doubting, trying to see<br /> +whether he will be willing to help her.</i><br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You used to be a good sort. You never looked down +on me because I was a barmaid. Tell me I can trust +you, John. There's no one I can speak to, and I feel +if I don't speak I shall go off my head.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What is the matter?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Will you tell me the truth if I ask you something?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Of course.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>On your oath?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>On my oath.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>After a momentary pause.</i>] Is there anything +between Basil and Mrs. Murray?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Aghast.</i>] No. Certainly not.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>How d'you know? Are you sure? You wouldn't +tell me, if there was. You're all against me because +I'm not a lady.... Oh, I'm so unhappy.</p> + +<p class="dir">[<i>She tries to restrain her tears, she is half-hysterical.</i><br /> +<span class="smcap">John</span> <i>stares at her, surprised,<br /> +at a loss for words</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>If you only knew what a life we lead! He calls it +a dog's life, and he's right.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I thought you got on so well.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, before you we've always kept up appearances. +He's ashamed to let you know he regrets he ever +married me. He wants to separate.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What!</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Impatiently.</i>] Oh, don't look so surprised. You're +not an utter fool, are you? He proposed it to-day +before you came in. We'd been having one of our +rows.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But what on earth is it all about?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>God knows!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>It's nonsense. It can only be a little passing +quarrel. You must expect to have those.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>No, it isn't. No, it isn't. He doesn't love me. +He's in love with your sister-in-law.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>It's impossible.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>He's always there. He was there twice last week +and twice the week before.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>How d'you know?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I've followed him.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>You followed him in the street, Jenny?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Defiantly.</i>] Yes. If I'm not ladylike enough for +him, I needn't play the lady there. You're shocked +now, I suppose?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I wouldn't presume to judge you, Jenny.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>And I've read his letters, too—because I wanted to +know what he was doing. I steamed one open, and +he saw it, and he never said a word.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Good heavens, why did you do it?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Because I can't live unless I know the truth. I +thought it was Mrs. Murray's handwriting.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Was it from her?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>No. It was a receipt from the coal merchant. I +could see how he despised me when he looked at the +envelope—I didn't stick it down again very well. +And I saw him smile when he found it was only a +receipt.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Upon my word, I don't think you've got much +cause to be jealous.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, you don't know. Last Tuesday he was dining +there, and you should have seen the state he was in. +He was so restless he couldn't sit still. He looked at +his watch every minute. His eyes simply glittered +with excitement, and I could almost hear his heart +beating.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>It can't be true.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>He never loved me. He married me because he +thought it was his duty. And then when the baby died—he +thought I'd entrapped him.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>He didn't say so.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>No. He never says anything—but I saw it in his +eyes. [<i>Passionately clasping her hands.</i>] Oh, you don't +know what our life is. For days he doesn't say a word +except to answer my questions. And the silence +simply drives me mad. I shouldn't mind if he blackguarded +me. I'd rather he hit me than simply look +and look. I can see he's keeping himself in. He's +said more to-day than he's ever said before. I knew +it was getting towards the end.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>With a helpless gesture.</i>] I'm very sorry.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, don't you pity me, too. I've had a great deal +too much pity. I don't want it. Basil married me +from pity. Oh, I wish he hadn't. I can't stand the +unhappiness.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Gravely.</i>] You know, Jenny, he's a man of honour.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, I know he's a man of honour. I wish he had +a little less of it. One doesn't want a lot of fine +sentiments in married life. They don't work.... +Oh, why couldn't I fall in love with a man of my own +class? I should have been so much happier. I used +to be so proud that Basil wasn't a clerk, or something +in the City. He's right, we shall never be +happy.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Trying to calm her.</i>] Oh, yes, you will. You +mustn't take things too seriously.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>It isn't a matter of yesterday, or to-day, or to-morrow. +I can't alter myself. He knew I wasn't +a lady when he married me. My father had to bring +up five children on two-ten a week. You can't +expect a man to send his daughters to a boarding-school +at Brighton on that, and have them finished +in Paris.... He doesn't say a word when I do +something or say something a lady wouldn't—but he +purses up his lips, and looks.... Then I get so mad +that I do things just to aggravate him. Sometimes +I try to be vulgar. One learns a good deal in a bar +in the City, and I know so well the things to say +that'll make Basil curl up. I want to get a bit of +revenge out of him sometimes, and I know exactly +where he's raw and where I can hurt him. [<i>With a +laugh of scorn.</i>] You should see the way he looks +when I don't eat properly, or when I call a man a +Johnny.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Drily.</i>] It opens up endless possibilities of domestic +unhappiness.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, I know it isn't fair to him, but I lose my head. +I can't always be refined. Sometimes I can't help +breaking out. I feel I must let myself go.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why don't you separate, then?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Because I love him. Oh, John, you don't know +how I love him. I'd do anything to make him +happy. I'd give my life if he wanted it. Oh, I +can't say it, but when I think of him my heart burns +so that sometimes I can hardly breathe. I can never +show him that he's all in the world to me; I try to +make him love me, and I only make him hate me. +What can I do to show him? Ah, if he only knew, +I'm sure he'd not regret that he married me. I feel—I +feel as if my heart was full of music, and yet +something prevents me from ever bringing it out.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>D'you think he means it seriously when he talks of +separation?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>He's been brooding over it. I know him so well, +I knew there was something he was thinking over. +Oh, John, I couldn't live without him. I'd rather +die. If he leaves me, I swear I'll kill myself.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Walking up and down.</i>] I wish I could help you. +I don't see anything I can do.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, yes, there is. Speak to your sister-in-law. +Ask her to have mercy on me. Perhaps she doesn't +know what she's doing. Tell her I love him.... +Take care. There's Basil. If he knew what I'd said +he'd never speak to me again.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>comes in, dressed in a frock-coat; with a<br /> +tall hat in his hand</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I'm ready. We've just got time to catch the train.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>All right. Good-bye, Mrs. Kent.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Keeping her eyes fixed on</i> <span class="smcap">Basil</span>.] Good-bye.</p> + +<p class="dir">[<i>The two men go out.</i> <span class="smcap">Jenny</span> <i>runs to the door<br /> +and calls out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Basil, I want you a moment, Basil!</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>appears at the door</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Are you really going to Chancery Lane?</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>makes a movement of impatience and<br /> +goes out again without answering</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Alone.</i>] Oh, well, I'm going to see that for myself. +[<i>Calling to the</i> <span class="smcap">Maid</span>.] Fanny!... Bring my hat +and my jacket. Quick!</p> + +<p class="dir">[<i>She runs to the window and looks out at</i> <span class="smcap">Basil</span><br /> +<i>and</i> <span class="smcap">John</span> <i>going away</i>. <span class="smcap">Fanny</span> <i>appears<br /> +with the clothes</i>. <span class="smcap">Jenny</span> <i>hurriedly puts<br /> +them on</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>As</i> <span class="smcap">Fanny</span> <i>is helping her</i>.] What time is it?</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>[<i>Looking up at the clock.</i>] Five minutes past four.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I think I can catch it. He said 4.15.</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Will you be in to tea, mum?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I don't know. [<i>She runs to the door and rushes out.</i>]</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">END OF THE SECOND ACT.</p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THE_THIRD_ACT_H" id="THE_THIRD_ACT_H"></a>THE THIRD ACT</h2> + +<p class="c"><span class="smcap">The Same Afternoon.</span></p> + +<p class="hang">[<i>A luxuriously furnished drawing-room at</i> <span class="smcap">Mrs. +Murray's</span> <i>house in Charles Street, Mayfair. +Everything in it is beautiful, but suggests in the +owner good taste rather than originality.</i>]</p> + +<p class="hang">[<span class="smcap">Hilda</span> <i>is seated near a tea-table, elaborately gowned, +and with her is</i> <span class="smcap">Mabel</span>. <span class="smcap">Mr. Robert Brackley</span> +<i>is sitting down, a stout, round-faced man, clean-shaven +and very bald; about forty; he is attired +in the height of fashion, in a frock-coat, patent-leather +boots and an eye-glass. He talks very +quickly, in a careless frivolous fashion, and is +always much amused at what he says.</i>]</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>What is the time, Mr. Brackley?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>I shan't tell you again.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>How brutal of you!</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>There's something unhealthy in your passion for +information. I've already told you five times.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>It's very unflattering to us who've been doing our +little best to amuse you.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I can't imagine what's happened to John. He +promised to fetch me here.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>He's sure to come if you'll only wait patiently.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>But I hate waiting patiently.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You shouldn't have let him out of your sight.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>He went to Putney after luncheon to see your +friend Mr. Kent. Have you seen him lately?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>John? I saw him at the Martins yesterday.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Slyly.</i>] I meant Mr. Kent.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Indifferently.</i>] Yes. He called the other day. +[<i>To change the conversation.</i>] You're unusually silent, +Mr. Brackley.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>[<i>Smiling.</i>] I have nothing whatever to say.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>That's usually when clever people talk most.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Are you doing anything now?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Oh yes, I'm writing a play in blank verse.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You brave man. What is it about?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Cleopatra.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Dear me! Shakespeare wrote a play about +Cleopatra, didn't he?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>I daresay. I haven't read it. Shakespeare bores +me. He lived so long ago.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Of course there are people who read him.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Are there? What do they look like?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Smiling.</i>] They bear no distinctive mark of their +eccentricity.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>The English are so original.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I think I shall go and ring up the flat. I wonder +if John has gone straight home.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Do. I'm growing very uneasy about him.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Laughing.</i>] You absurd creature.</p> + +<p class="dir">[<i>She goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You talk more nonsense than anyone I ever met.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>That's my stock in trade. You don't imagine +people would read my poems if they knew that I was +sober, industrious, and economical. As a matter of +fact I lead the virtuous life of a clergyman's daughter, +but not a reviewer would notice me if he knew it.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>And the little things that the indiscreet read of in +the papers....</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Are merely another proof of my passion for duty. +The British public wants its poets to lead romantic +lives.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Are you ever serious?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>May I come to lunch with you on Thursday?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>A little surprised.</i>] Certainly. But why on +Thursday?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Because on that day I intend to ask you to marry +me.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>With a smile.</i>] I'm sorry, I've just remembered +that I'm lunching out.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>You break my heart.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>On the contrary, I provide you with the materials +for a sonnet.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Won't you marry me?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>No.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Why not?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Amused.</i>] I'm not in the least in love with you.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>People who propose to marry should ask themselves +if they can look forward with equanimity to breakfasting +opposite one another for an indefinite number +of years.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You're very unromantic.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>My dear lady, if you want romance I'll send you +my complete works bound in vellum. I've ground +out ten volumes of romance to Phyllis and Chloe and +heaven knows who. The Lord save me from a +romantic wife.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>But I'm afraid I'm hopelessly romantic.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Well, six months of marriage with a poet will cure +you.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I'd rather not be cured.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Won't you be in to luncheon on Thursday?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>No.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Butler</span> <i>comes in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Mr. Halliwell, Mr. Kent.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>and</i> <span class="smcap">John</span> <i>appear</i>, <i>and at the same<br /> +moment</i> <span class="smcap">Mabel</span> <i>comes in from the room in<br /> +which she has been telephoning</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>To</i> <span class="smcap">John</span>.] Wretched creature! I've been trying +to ring you up.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Have I kept you waiting? I went down to +Chancery Lane with Basil.</p> + +<p class="dir">[<span class="smcap">John</span> <i>turns to shake hands with</i> <span class="smcap">Hilda</span> <i>and</i><br /> +<span class="smcap">Brackley</span>, <i>while</i> <span class="smcap">Basil</span>, <i>who has said how<br /> +d'you do to</i> <span class="smcap">Hilda</span>, <i>comes down to speak to</i><br /> +<span class="smcap">Mabel</span>. <i>The conversation between</i> <span class="smcap">Mabel</span><br /> +<i>and</i> <span class="smcap">Basil</span> <i>is in an undertone</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>How d'you do. You must scold me for keeping +John so long.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I didn't really want him, you know.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Pointing with his head to</i> <span class="smcap">Brackley</span>.] I say, who is +that?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Robert Brackley. Don't you know him?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>The poet?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Of course. They say he'd have been given the +Laureateship if it hadn't been abolished at Tennyson's +death.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Tightening his lips.</i>] He's rather a low blackguard, +isn't he?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Heavens, what's the matter with him, poor man? +He's Hilda's latest celebrity. He pretends to adore +her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Don't you remember the Grange case that he was +mixed up in?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>In tones of surprise.</i>] But, my dear Mr. Kent, that +was two years ago.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Mr. Kent, I want to introduce you to Mr. Brackley.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Going up.</i>] How d'you do.</p> + +<p class="dir">[<span class="smcap">John</span> <i>comes down to his wife</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Wretched creature!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I say, Mabel, is Basil often here?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I don't know. I met him here last week.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why the Dickens does he come? He's got no +business to.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>You brought him yourself to-day.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I didn't. He insisted on coming—when I said I +had to fetch you.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>Perhaps he came to see me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Fiddledidee! I think you ought to speak to Hilda +about it.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>My dear John, are you mad? She'd jump down +my throat.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Why does she let him hang about her? She must +know she's turning his silly head.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>I daresay she wants to prove to him that he +showed very bad taste a year ago. It is rather +annoying when you're attached to a young man that +he should go and marry somebody else.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well, I don't think she's playing the game, and I +shall tell her so.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>She'll snub you awfully.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I don't care.... Look here, you make a diversion +so that I can get hold of her.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>How?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Dryly.</i>] I don't know. Exercise your invention.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Going towards the others.</i>] Hilda, John is clamouring +for some tea.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Coming down.</i>] Why on earth can't he help +himself?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>My native modesty prevents.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>That's quite a new trait in you.</p> + +<p class="dir">[<span class="smcap">Hilda</span> <i>sits down and pours out tea for</i> <span class="smcap">John</span>.<br /> +<i>He looks at her silently.</i><br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You've been lunching at Richmond?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Yes.... Then I went on to Putney.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You've been making quite a day of it.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Taking the cup.</i>] I say, old gal—you're not going +to make a fool of yourself, are you?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Opening her eyes.</i>] Oh, I hope not. Why?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I thought it might have slipped your memory that +Basil was married about a year ago.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Freezing.</i>] What on earth d'you mean? [<i>Calling</i>] +Mabel.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>One moment.... You can give me a little conversation, +can't you?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I'm afraid you're going to bore me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Good-humouredly.</i>] I assure you I'm not.... +Isn't Basil here rather often?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I wonder you haven't learnt to mind your own +business, John.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Don't you think it's rather rough on that poor little +woman in Putney?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>With a suspicion of contempt.</i>] I went down to see +her. I thought she was vulgar and pretentious. I'm +afraid I can't arouse any interest in her.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Gently.</i>] She may be vulgar, but she told me her +love was like music in her heart. Don't you think +she must have suffered awfully to get hold of a thought +like that?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>After a pause, changing suddenly both voice and +manner.</i>] And d'you think I've not suffered, John? +I'm so unhappy.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Do you really care for him?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>In a low voice hoarse with passion.</i>] No, I don't care +for him. I worship the very ground he treads on.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Very gravely.</i>] Then you must do as you think +best.... You're playing the most dangerous game +in the world. You're playing with human hearts.... +Good-bye.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Taking his hand.</i>] Good-bye, John. You're not +angry with me because I was horrid.... I'm glad +you told me about his wife. Now I shall know what +to do.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Mabel.</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Coming forward.</i>] Yes, we really must be going. +I've not seen my precious baby for two hours.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Taking both her hands.</i>] Good-bye, you happy +child. You've got a precious baby, and you've got a +husband you love. What can you want more?</p> + +<p class="charc"><span class="smcap">Mabel.</span></p> + +<p>[<i>Flippantly.</i>] I want a motor-car.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Kissing her.</i>] Good-bye, darling.</p> + +<p class="dir">[<span class="smcap">Mabel</span> <i>and</i> <span class="smcap">John</span> <i>go out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>I like this room, Mrs. Murray. It never seems to +say to you: now it's really time for you to go away, +as some drawing-rooms do.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Recovering her serenity.</i>] I suppose it's the furniture. +I'm thinking of changing it.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>[<i>With a smile.</i>] Upon my word, that almost suggests +that I've outstayed my welcome.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Gaily.</i>] I shouldn't have said that if I didn't know +that nothing would induce you to go till you wanted +to.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>[<i>Rising.</i>] You know me like your glove. But it +really is growing monstrous late.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You mustn't go till you've told me who the fair +charmer was I saw you with at the play last night.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Ah, the green-eyed monster!</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Laughing.</i>] Don't be so absurd, but I thought +you'd like to know her yellow hair was dyed.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>looks over the pages of a book</i>, <i>somewhat<br /> +annoyed that</i> <span class="smcap">Hilda</span> <i>takes no notice of him</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Of course it was dyed. That was just the charm +of it. Any woman can have yellow hair naturally: +there's no more credit in that than in having it blue +or green.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I've always wanted to make mine purple.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Don't you think women ought to be artificial? It's +just as much their duty to rouge their cheeks and +powder their noses as it is for them to wear nice +frocks.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>But I know many women who wear horrid frocks.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>Oh, those are the others. I treat them as non-existent.</p> + +<p><i>Hilda.</i></p> + +<p>What do you mean?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>There are only two sorts of women in the world—the +women who powder their noses and the others.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>And who are they if you please?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>I haven't examined the matter very carefully, but +I understand they are clergymen's daughters by +profession.</p> + +<p class="dir">[<i>He shakes hands with her.</i><br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>It's so nice of you to have come.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>[<i>Nodding at</i> <span class="smcap">Basil</span>.] Good-bye.... May I come +again soon?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Looking at him quickly.</i>] Were you serious just +now, or were you laughing at me?</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>I've never been more serious in my life.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Then perhaps I shall be in to luncheon on Thursday +after all.</p> + +<p class="charc"><span class="smcap">Brackley.</span></p> + +<p>A thousand thanks. Good-bye.</p> + +<p class="dir">[<i>He nods to</i> <span class="smcap">Basil</span> <i>and goes out</i>. <span class="smcap">Hilda</span> <i>looks<br /> +at</i> <span class="smcap">Basil</span> <i>with a smile</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Is that a very interesting book?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Putting it down.</i>] I thought that man was never +going away.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Laughing.</i>] I suspect he thought precisely the +same of you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Ill-temperedly.</i>] What an ass he is! How <i>can</i> you +stand him?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I'm rather attached to him. I don't take everything +he says very seriously. And young men ought to be +foolish.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>He didn't strike me as so juvenile as all that.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>He's only forty, poor thing—and I've never known +a coming young man who was less than that.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>He's a young man with a very bald head.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Amused.</i>] I wonder why you dislike him!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a jealous glance, icily.</i>] I thought he wasn't +admitted into decent houses.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Opening her eyes.</i>] He comes here, Mr. Kent.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Unable to restrain his ill-temper.</i>] Don't you know +that he's been mixed up in every scandal for the +last twenty years?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Good-humouredly</i>, <i>seeing that</i> <span class="smcap">Basil</span> <i>is merely +jealous</i>.] There must be people in the world to provide +gossip for their neighbours.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It's no business of mine. I have no right to talk +to you like this.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I wonder why you do it?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Almost savagely.</i>] Because I love you.</p> + +<p class="dir">[<i>There is a little pause.</i><br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>With a smile, ironically.</i>] Won't you have some +more tea, Mr. Kent?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Going up to her, speaking with a sort of vehement +gravity.</i>] You don't know what I've suffered. You +don't know what a hell my life is.... I tried so hard +to prevent myself from coming here. When I married +I swore I'd break with all my old friends.... When +I married I found I loved <i>you</i>.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I can't listen to you if you talk like that.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>D'you want me to go?</p> + +<p class="dir">[<i>She does not answer for a moment, but walks<br /> +up and down in agitation. At last she<br /> +stops and faces him.</i><br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Did you hear me tell Mr. Brackley to come on +Thursday?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>He's asked me to be his wife. And on Thursday I +shall give him an answer.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Hilda!</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Earnestly.</i>] It's you who've driven me into it.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Hilda, what are you going to say to him?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I don't know—perhaps, yes?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, Hilda, Hilda, you don't care for him?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Shrugging her shoulders.</i>] He amuses me. I dare +say we should get on very well together.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Passionately.</i>] Oh, you can't. You don't know +what you're doing. I thought—I thought you loved +me.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>It's because I love you that I shall marry Mr. +Brackley.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, it's absurd. I won't let you. You're making +us both utterly wretched. I won't let you sacrifice +our happiness. Oh, Hilda, I love you. I can't live +without you. At first I tried to resist seeing you. +I used to pass your door and look up at your +windows; and the door seemed as if it were waiting +for me. And at the end of the street I used to look +back. Oh, how I used to want to come in and see +you once more! I thought if I saw you just once, I +should get over it. And at last I couldn't help +myself. I'm so weak. Do you despise me?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Almost in a whisper.</i>] I don't know.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>And you were so kind I couldn't help coming again. +I thought I did no harm.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I saw you were unhappy.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I should think I was unhappy. For months I've +dreaded going home. When I saw my house as I +walked along I almost turned sick. You don't know +how fervently I've wished that I'd got killed in the +war. I can't go on.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>But you must. It's your duty.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I think I've had enough of duty and honour. +I've used up all my principles in the last year.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Don't say that, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>After all, it's my own fault. I brought it on myself, +and I must take the consequences.... But I +haven't the strength, I don't love her.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Then don't let her ever find it out. Be kind to +her, and gentle and forbearing.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I can't be kind and gentle and forbearing day after +day, for weeks, and months, and years.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I thought you were a brave man. They wouldn't +have given you that medal if you'd been a coward.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, my dearest, it's not hard to risk your life in +the midst of battle. I can do that—but this needs +more strength than I've got. I tell you I can't +endure it.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Tenderly.</i>] But it'll get better. You'll get used to +one another, and you'll understand one another better.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>We're too different. It's impossible for it to get +better. We can't even go on as we have been. I've +felt that the end was coming.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>But try—try for my sake.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You don't know what it is. Everything she says, +everything she does, jars upon me so frightfully. I +try to restrain myself. I clench my teeth to prevent +myself from breaking out at her. Sometimes I can't +help it, and I say things that I'd give anything to have +left unsaid. She's dragging me down. I'm getting +as common and vulgar as she is.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>How can you say that of your wife?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Don't you think I must have gone through a good +deal before I could acknowledge to myself what she +was? I'm chained to her for all my life. And when +I look into the future—I see her a vulgar, slatternly +shrew like her mother, and myself abject, degraded, +and despicable. The woman never tires in her conflict +with the man, and in the end <i>he</i> always succumbs. +A man, when he marries a woman like that, thinks he's +going to lift her up to his own station. The fool! +It's she who drags him down to hers.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Much disturbed, rising from her seat.</i>] I wanted +you to be so happy.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Going towards her.</i>] Hilda!</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>No—don't.... Please!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>If it weren't for you I couldn't have lived. It was +only by seeing you that I gathered courage to go on +with it. And each time I came here I loved you +more passionately.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Oh, why did you come?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I couldn't help it. I knew it was poison, but I +loved the poison. I would give my whole soul for one +look of your eyes.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>If you care for me at all, do your duty like a brave +man—and let me respect you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Say that you love me, Hilda.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Distracted.</i>] You're making our friendship impossible. +Don't you see that you're preventing me from +ever having you here again?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I can't help it.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I ought never to have seen you again. I thought +there was no harm in your coming, and I—I couldn't +bear to lose you altogether.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Even if I never see you again, I must tell you now +that I love you. I made you suffer, I was blind. But +I love you with all my heart, Hilda. All day I think +of you, and I dream of you in the night. I long to +take you in my arms and kiss you, to kiss your lips, +and your beautiful hair, and your hands. My whole +soul is yours, Hilda.</p> + +<p class="dir">[<i>He goes towards her again to take her in his<br /> +arms.</i><br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Oh, no, go away. For God's sake, go now. I can't +bear it.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Hilda, I can't live without you.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Have mercy on me. Don't you see how weak I am? +Oh, God help me!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You don't love me?</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Vehemently.</i>] You know I love you. But because +of my great love I beseech you to do your duty.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>My duty is to be happy. Let us go where we can +love one another—away from England, to a land +where love isn't sinful and ugly.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Oh, Basil, let us try to walk straight. Think of +your wife, who loves you also—as much as I do. +You're all the world to her. You can't treat her so +shamefully.</p> + +<p class="dir">[<i>She puts her handkerchief to her eyes, and</i> <span class="smcap">Basil</span><br /> +<i>gently takes away her hand</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Don't cry, Hilda. I can't bear it.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>In broken tones.</i>] Don't you understand that we +could never respect ourselves again if we did that +poor creature such a fearful wrong? She would be +always between us with her tears and her sorrows. I +tell you I couldn't bear it. Have mercy on me—if +you love me at all.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Wavering.</i>] Hilda, it's too hard. I can't leave you.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>You must. I <i>know</i> it's better to do our duty. +For my sake, dearest, go back to your wife, and don't +let her ever know that you love me. It's because +we're stronger than she that we must sacrifice +ourselves.</p> + +<p class="dir">[<i>He leans his head on his hands, and sighs<br /> +deeply. For a while they remain in silence.<br /> +At last, with another sigh, he gets up.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I don't know any longer what's right and what's +wrong. It all seems confused. It's very hard.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Hoarsely.</i>] It's just as hard for me, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Broken-hearted.</i>] Good-bye, then. I dare say +you're right. And perhaps I should only make you +very unhappy.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Good-bye, my dearest.</p> + +<p class="dir">[<i>He bends down and kisses her hands. She<br /> +stifles a sob. He goes slowly to the door,<br /> +with his back turned to her; and then</i><br /> +<span class="smcap">Hilda</span>, <i>unable to endure it, gives a groan</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Basil. Don't go.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a cry of joy.</i>] Ah! Hilda.</p> + +<p class="dir">[<i>He clasps her passionately in his arms.</i><br /> +</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Oh, I can't bear it. I won't lose you. Basil, say +you love me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>In a madness of joy.</i>] Yes. I love you with all +my heart.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I could have borne it if you'd been happy.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Now <i>nothing</i> can separate us, Hilda. You belong +to me for ever.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>God help me! What have I done?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>If we lose our souls, what does it matter? We gain +the whole world.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Oh, Basil, I want your love. I want your love so +badly.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Will you come with me, Hilda? I can take you +to a land where the whole earth speaks only of love—and +where only love and youth and beauty matter.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Let us go where we can be together always. We +have so short a time; let us snatch all the happiness +we can.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Kissing her again.</i>] My darling.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>Oh, Basil, Basil.... [<i>She starts away.</i>] Take care!</p> + +<p class="dir">[<i>The</i> <span class="smcap">Butler</span> <i>comes in</i>.]<br /> +</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Mrs. Kent.</p> + +<p class="dir">[<span class="smcap">Jenny</span> <i>enters hurriedly, as he gives her name.<br /> +The</i> <span class="smcap">Butler</span> <i>at once goes out</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Jenny!</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I've caught you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Trying to be urbane</i>—<i>to</i> <span class="smcap">Hilda</span>] I think you know +my wife.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>In a loud angry voice.</i>] Oh, yes, I know her. You +needn't introduce me. I've come for my husband.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Jenny, what are you saying?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, I don't want any of your Society shams. I've +come here to speak out.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>To</i> <span class="smcap">Hilda</span>.] Would you mind leaving us alone?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Also to</i> <span class="smcap">Hilda</span>, <i>passionately</i>.] No, I want to speak +to you. You're trying to get my husband from me. +He's <i>my</i> husband.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Be quiet, Jenny. Are you mad? Mrs. Murray, +for God's sake leave us. She'll insult you.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You think of her, you don't think of me. You +don't care how much I suffer.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Taking her arm.</i>] Come away, Jenny.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Shaking him off.</i>] I won't. You're afraid to +let me see her.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Pale and trembling, conscience-stricken.</i>] Let her +speak.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Going up to</i> <span class="smcap">Hilda</span> <i>threateningly</i>.] You're stealing +my husband from me. Oh, you.... [<i>She is at a loss +for words violent enough.</i></p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>I don't want to make you unhappy, Mrs. Kent.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You can't get round me with polite words. I'm +sick of all that. I want to speak straight.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>To</i> <span class="smcap">Hilda</span>.] Please go. You can do no good.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Still more vehemently.</i>] You're stealing my husband +from me. You're a wicked woman.</p> + +<p class="charc"><span class="smcap">Hilda.</span></p> + +<p>[<i>Almost in a whisper.</i>] If you like I'll promise you +never to see your husband again.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With angry scorn.</i>] Much good your promises will +do me. I wouldn't believe a word you said. I know +what Society ladies are. We know all about them in +the City.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>To</i> <span class="smcap">Hilda</span>.] You <i>must</i> leave us alone.</p> + +<p class="dir">[<i>He opens the door, and she goes out, looking<br /> +away from him.</i><br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Savagely.</i>] She's frightened of me. She daren't +stand up to me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>As</i> <span class="smcap">Hilda</span> <i>goes</i>.] I'm so sorry.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You're sorry for her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Turning on her.</i>] Yes, I am. What d'you mean +by coming here and behaving like this?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I've caught you at last.... You liar! You dirty +liar! You told me you were going to Chancery Lane.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I have been to Chancery Lane.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, I know you have—for five minutes. It was +only an excuse. You might just as well have come +here straight.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Angrily.</i>] How dare you follow me?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I've got a right to follow you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Unable to contain himself.</i>] What d'you want here?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I want you. D'you think I didn't guess what was +going on? I saw you come in with Halliwell. Then +I saw him go out with his wife. Then another man +went out, and I knew you were alone with her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Sharply.</i>] How did you know?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I gave the butler a sovereign, and he told me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Looking for a word to express his contempt.</i>] Oh, +you ... you cad! It's only what I should have +expected you to do.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>And then I waited for you, and you didn't come. +And at last I couldn't wait any longer.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Well, you've finished it now.</p> + +<p>[<span class="smcap">Jenny</span> <i>catches sight of a photograph of</i> <span class="smcap">Basil</span>, +<i>standing on a table</i>.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Pointing to it.</i>] What's she got your photograph +here for?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I gave it to Mrs. Murray before I was married.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>She's got no right to keep it there.</p> + +<p class="dir">[<i>She takes the photograph and flings it violently<br /> +on the floor.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Jenny, what are you doing?</p> + +<p class="dir">[<span class="smcap">Jenny</span> <i>digs her heel into it savagely, viciously</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Hissing the words.</i>] Oh, I hate her. I hate her.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Striving to contain himself.</i>] You drive me perfectly +mad. You'll make me say things that I shall +regret all my life. For Heaven's sake, go.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I shan't go till you come with me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Beside himself.</i>] I choose to remain.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>What d'you mean?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Look here, until to-day I swear to you before God +that I've never done anything or said anything that +you couldn't have known. Do you believe me?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>I don't believe that you're not in love with that +woman.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I don't ask you to.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>What!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I said, until to-day I've been absolutely faithful to +you. Heaven knows, I've tried to do my duty. I've +done all I could to make you happy. And I've +struggled with all my might to love you.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Say it out if you've got anything to say, I'm not +afraid to hear.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I don't wish to deceive you. It's best that you +should know what has happened.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Scornfully.</i>] Now for another thumping lie.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>This afternoon I told Hilda I loved her.... And +she loves me too.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a cry of rage.</i>] Oh!</p> + +<p class="dir">[<i>She hits at his face with her umbrella, but he<br /> +wards the blow, and, snatching the umbrella<br /> +from her, throws it away.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You've brought it on yourself. You made me too +unhappy.</p> + +<p class="dir">[<span class="smcap">Jenny</span>, <i>panting and bewildered, stands helpless,<br /> +trying to control herself</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>And now it's the end. The life we led was impossible. +I tried to do something that was beyond +my power. I'm going away. I can't and I won't +live with you any longer.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Frightened at herself and at what he says.</i>] Basil, +you don't mean that?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I've struggled against it for months. And now +I'm beaten.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>You've got me to count with. I won't let you go.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Bitterly.</i>] What more d'you want? Isn't it enough +that you've ruined my whole life?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Hoarsely.</i>] You don't love me?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I never loved you.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Why did you marry me?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Because you made me.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>In a whisper.</i>] You never loved me—even at the +beginning?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Never.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Basil!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It's too late now to keep it in. I must tell you +and have done with it. <i>You've</i> been having it out for +months—now it's my turn.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Going up to him and trying to put her arm round +his neck.</i>] But I love you, Basil. I'll make you love +me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shrinking from her.</i>] Don't touch me!</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a movement of despair.</i>] I really think you +loathe me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>For Heaven's sake, Jenny, let us finish with it. +I'm very sorry. I don't wish to be unkind to you. +But you must have seen that—that I didn't care for +you. What's the good of going on humbugging, +and pretending, and making ourselves utterly +wretched?</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Yes, I've seen it. But I wouldn't believe it. +When I've put my hand on your shoulder, I've seen +that you could hardly help shuddering. And sometimes +when I've kissed you, I've seen you put out all +your strength to prevent yourself from pushing me +away.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Jenny, I can't help it if I don't love you. I can't +help it if I—if I love some one else.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Dazed and cowed.</i>] What are you going to do?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I'm going away.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Where?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>God knows.</p> + +<p class="dir">[<i>There is a knock at the door.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Come in.</p> + +<p class="dir">[<i>The</i> <span class="smcap">Butler</span> <i>enters with a note, which he gives<br /> +to</i> <span class="smcap">Basil</span>.<br /> +</p> + +<p class="charc"><span class="smcap">Butler.</span></p> + +<p>Mrs. Murray told me to give you this note, Sir.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Taking it.</i>] Thank you.</p> + +<p class="dir">[<i>He opens and reads it as the</i> <span class="smcap">Servant</span> <i>goes out<br /> +of the room, then looks up at</i> <span class="smcap">Jenny</span>, <i>who<br /> +is anxiously watching him</i>.<br /> +</p> + +<p>[<i>Reading.</i>] "You may tell your wife that I've made +up my mind to marry Mr. Brackley. I will never +see you again."</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>What does she mean?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Bitterly.</i>] Isn't it clear? Some one has asked her +to marry him, and she means to accept.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>But you said she loved you.</p> + +<p class="dir">[<i>He shrugs his shoulders without answering.</i><br /> +<span class="smcap">Jenny</span> <i>goes up to him imploringly</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, Basil, if it's true, give me another chance. She +doesn't love you as I love you. I've been selfish and +quarrelsome and exacting, but I've always loved you. +Oh, don't leave me, Basil. Let me try once more if +I can't make you care for me.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Looking down, hoarsely.</i>] I'm very sorry. It's too +late.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>Despairingly.</i>] Oh, God, what shall I do? And +even though she's going to marry somebody else, you +care for her better than any one else in the world?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>In a whisper.</i>] Yes.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>And even if she does marry that other man she'll +love you still. There's no room for me between you. +I can go away like a discharged servant.... Oh, +God! oh, God! what have I done to deserve it?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Touched by her utter misery.</i>] I'm very sorry to +make you so unhappy.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>Oh, don't pity me. D'you think I want your pity +now?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>You had better come away, Jenny.</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>No. You've told me you don't want me any more. +I shall go my own way.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Looks at her for a moment, hesitating; then shrugs +his shoulders.</i>] Then good-bye.</p> + +<p class="dir">[<i>He goes out, and</i> <span class="smcap">Jenny</span>, <i>looking after him,<br /> +passes her hand wearily over her forehead</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Jenny.</span></p> + +<p>[<i>With a sigh.</i>] He's so glad to go.... [<i>She gives a +little sob.</i>] They've got no room for me.</p> + +<p class="dir">[<i>She takes up from the floor the photograph on<br /> +which she stamped, and looks at it; then<br /> +sinks down, burying her face in her hands,<br /> +and bursts into a passion of tears.</i><br /> +</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">END OF THE THIRD ACT.</p> + +<p> +<br /> +<br /> +</p> + +<h2><a name="THE_FOURTH_ACT_H" id="THE_FOURTH_ACT_H"></a>THE FOURTH ACT.</h2> + +<p class="c"><span class="smcap">The Next Morning.</span></p> + +<p class="hang">[<i>The scene is the same as in the Second Act, the drawing-room +at Basil's house in Putney.</i> <span class="smcap">Basil</span> <i>is sitting +at the table, with his head in his hands. He looks +tired and worn; his face is very white, and there +are great black lines under his eyes. His hair is +dishevelled. On the table lies a revolver.</i></p> + +<p class="dir">[<i>A knock at the door.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Without looking up.</i>] Come in.</p> + +<p class="dir">[<span class="smcap">Fanny</span> <i>enters</i>.]<br /> +</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>[<i>Subdued and pale.</i>] I came to see if you wanted +anything, sir.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Looking up at her slowly, his voice is dull and +hoarse.</i>] No.</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Shall I open the windows, Sir? It's a beautiful +morning.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>No, I'm cold. Make up the fire.</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Wouldn't you like a cup of tea? You ought to +'ave something after not going to bed all night.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I don't want anything.... Don't worry, there's +a good woman.</p> + +<p class="dir">[<span class="smcap">Fanny</span> <i>puts coals on the fire, while BASIL<br /> +listlessly watches her</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>How long is it since you sent the telegrams?</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>I took them the moment the office was opened.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>What's the time?</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Well, sir, it must be 'alf-past nine by now.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Good Heavens, how slowly the hours go. I +thought the night would never end.... Oh, God, +what shall I do?</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>I'll make you a strong cup of tea. If you don't +'ave something to pull you together—I don't know +what'll 'appen to you.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Yes, make it quickly, I'm thirsty.... And I'm so +cold.</p> + +<p class="dir">[<i>A ring at the front door is heard.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Jumping up.</i>] There's some one at the door, +Fanny. Hurry up.</p> + +<p class="dir">[<i>She goes out, and he follows her to the door of<br /> +the room.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Fanny, don't let any one up beside Mr. Halliwell. +Say I can see no one. [<i>He waits for a moment, +anxiously.</i>] Is that you, John?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Outside.</i>] Yes.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>To himself.</i>] Thank God!</p> + +<p class="dir">[<span class="smcap">John</span> <i>comes in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I thought you were never coming. I begged you +to come at once.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I started immediately I got your wire.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It seems hours since the girl went to the post-office.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What's the matter?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Hoarsely.</i>] Don't you know? I thought I had +said it in my telegram.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>You simply wired that you were in great trouble.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I suppose I thought you'd see it in the papers.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What on earth d'you mean? I've not seen a paper. +Where's your wife?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>After a pause, almost in a whisper.</i>] She's dead.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Thunderstruck.</i>] Good God!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Impatiently.</i>] Don't look at me like that. Isn't it +plain enough? Don't you understand?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But she was all right yesterday.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Dully.</i>] Yes. She was all right yesterday.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>For goodness sake tell me what you mean, Basil.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>She's dead.... And she was all right yesterday.</p> + +<p class="dir">[<span class="smcap">John</span> <i>does not understand. He is greatly<br /> +distressed, and does not know what to say.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I killed her—as surely as if I'd strangled her with +my own hands.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What d'you mean? She's not really dead!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>In agony.</i>] She threw herself into the river last +night.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>How awful!</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Haven't you got something more to say than how +awful? I feel as if I were going mad.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>But I can't understand! Why did she do it?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh—yesterday we had an awful row ... before +you came.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I know.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Then she followed me to ... to your sister-in-law's. +And she came up and made another scene. +Then I lost my head. I was so furious, I don't know +what I said. I was mad. I told her I'd have +nothing more to do with her.... Oh, I can't bear +it, I can't bear it.</p> + +<p class="dir">[<i>He breaks down and hides his face in his hands,<br /> +sobbing.</i><br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Come, Basil—pull yourself together a bit.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Looking up despairingly.</i>] I can hear her voice +now. I can see the look of her eyes. She asked me +to give her another chance, and I refused. It was +so pitiful to hear the way she appealed to me, only I +was mad, and I couldn't feel it.</p> + +<p class="dir">[<span class="smcap">Fanny</span> <i>comes in with the cup of tea, which</i><br /> +<span class="smcap">Basil</span> <i>silently takes and drinks</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>[<i>To</i> <span class="smcap">John</span>.] He ain't slept a wink all night, sir.... +No more 'ave I, for the matter of that.</p> + +<p class="dir">[<span class="smcap">John</span> <i>nods, but does not answer; and</i> <span class="smcap">Fanny</span>,<br /> +<i>wiping her eyes with her apron, leaves the<br /> +room</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I'd give everything not to have said what I +did. I'd always held myself in before, but yesterday—I +couldn't.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I didn't get back here till nearly ten, and the maid +told me Jenny had just gone out. I thought she'd +gone back to her mother's.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Yes?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>And soon after a constable came up and asked me +to go down to the river. He said there'd been an +accident.... She was dead. A man had seen her +walk along the tow-path and throw herself in.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Where is she now?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Pointing to one of the doors.</i>] In there.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Will you take me in?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Go in alone, John. I daren't, I'm afraid to look +at her. I can't bear the look on her face.... I +killed her—as surely as if I'd strangled her with my +own hands. I've been looking at the door all night, +and once I thought I heard a sound. I thought she +was coming to reproach me for killing her.</p> + +<p class="dir">[<span class="smcap">John</span> <i>goes to the door, and as he opens it</i>, <span class="smcap">Basil</span><br /> +<i>averts his head. When</i> <span class="smcap">John</span> <i>shuts the<br /> +door after him, he looks at it with staring,<br /> +frightened eyes, half mad with agony. He<br /> +tries to contain himself. After a while</i><br /> +<span class="smcap">John</span> <i>comes back, very quietly</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Whispering.</i>] What does she look like?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>There's nothing to be afraid of, Basil. She might +be sleeping.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Clenching his hands.</i>] But the ghastly pallor....</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Gravely.</i>] She's happier than she would ever have +been if she'd lived.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>sighs deeply</i>.<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Seeing the revolver.</i>] What's this for?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With a groan of self-contempt.</i>] I tried to kill +myself in the night.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>H'm!</p> + +<p class="dir">[<i>He takes the cartridges out and puts the revolver<br /> +in his pocket.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Bitterly.</i>] Oh, don't be afraid, I haven't got the +pluck.... I was afraid to go on living. I thought +if I killed myself it would be a reparation for her +death. I went down to the river, and I walked along +the tow-path to the same spot—but I couldn't do it. +The water looked so black and cold and pitiless. And +yet she did it so easily. She just walked along and +threw herself in. [<i>A pause.</i>] Then I came back, and +I thought I'd shoot myself.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>D'you think that would have done any one much +good?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I despised myself. I felt I hadn't the right to +live, and I thought it would be easier just to pull a +trigger.... People say it's cowardly to destroy +oneself, they don't know what courage it wants. I +couldn't face the pain—and then, I don't know what's +on the other side. After all, it may be true that +there's a cruel, avenging God, who will punish us to +all eternity if we break His unknown laws.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I'm very glad you sent for me. You had better +come back to London, and stay with me for the +present.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>And d'you know what happened in the night? I +couldn't go to bed. I felt I could never sleep again—and +then, presently, I dozed off quite quietly in +my chair. And I slept as comfortably—as if Jenny +weren't lying in there, cold and dead. And the maid +pities me because she thinks I passed as sleepless a +night as she did.</p> + +<p class="dir">[<i>A sound of voices is heard outside, in altercation.</i><br /> +<span class="smcap">Fanny</span> <i>comes in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Please, sir, Mr. James.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Angrily.</i>] I won't see him.</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>He won't go away, I told 'im you was too ill to see +anybody.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I won't see him. I knew he'd be round, curse +him!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>After all, I suppose he has a certain right to come +here—under the circumstances. Hadn't you better +see what he wants?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, he'll make a scene. I shall knock him down. +I've suffered too much through him already.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Let <i>me</i> see him. You don't want him to make a +fuss at the inquest.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I've been thinking of that. I know the stories he +and his people will make up. And the papers will +get hold of it, and every one will blackguard me. +They'll say it was my fault.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>D'you mind if I have a talk to him? I think I +can save you from all that.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Shrugging his shoulders, impatiently.</i>] Do whatever +you like.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>To</i> <span class="smcap">Fanny</span>.] Show him up, Fanny.</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Yes, sir.</p> + +<p class="dir">[<i>She goes out.</i><br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Then I shall go.</p> + +<p class="dir">[<span class="smcap">John</span> <i>nods, and</i> <span class="smcap">Basil</span> <i>goes out by the door<br /> +next to that of the room in which</i> <span class="smcap">Jenny</span> <i>is<br /> +lying.</i> <span class="smcap">James Bush</span> <i>appears</i>.<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Grave and cold.</i>] Good morning, Mr. Bush.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Aggressively.</i>] Where's that man?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Raising his eyebrows.</i>] It's usual to take one's hat +off in other people's houses.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I'm a man of principle, I am; and I keep my 'at +on to show it.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Ah, well, we won't discuss the point.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I want to see that man.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>May I ask to whom you're referring? There are +so many men in the world. In fact, it's very over-crowded.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Who are you, I should like to know?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Politely.</i>] My name is Halliwell. I had the +pleasure of meeting you at Basil's rooms in Bloomsbury.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Aggressively.</i>] I know that.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I beg your pardon. I thought you were asking +for information.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I tell you I want to see my brother-in-law.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I'm afraid you can't.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I tell you I will see 'im. He's murdered my +sister. He's a blackguard and a murderer, and I'll +tell him so to his face.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Sarcastic.</i>] Take care he doesn't hear you.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I want him to hear me. I'm not frightened of +him. I should just like to see him touch me now. +[<i>He sidles viciously to</i> <span class="smcap">John</span>.] H'm, you tried to keep +me out, did yer? Said I couldn't come to my sister's +'ouse—and kept me waitin' in the 'all like a tradesman. +Oh, I'll make you all pay for this. I'll get my own +back now. Measley set of West End curs, that's all +you are.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Mr. Bush, you'll be so good as to keep a civil +tongue in your mouth while you're here—and you'll +talk less loudly.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Scornfully.</i>] Who says so?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Looking at him quietly.</i>] I do.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Less decisively.</i>] Don't you try and bully me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Pointing to a chair.</i>] Won't you sit down?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>No, I won't sit down. This ain't the 'ouse that a +gentleman would sit down in. I'll be even with 'im +yet. I'll tell the jury a pretty story. He deserves +to be strung up, he does.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I can't tell you how extremely sorry I am for what +has happened.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Oh, don't try and get round me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Really, Mr. Bush, you have no reason to be indignant +with me.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, I don't think much of you, any 'ow.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I'm very sorry. Last time we met I thought you +a very amiable person. Don't you remember, we +went and had a drink together?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I don't say <i>you</i>'re not a gentleman.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Taking out his cigar-case.</i>] Won't you have a +cigar?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Suspiciously.</i>] Look here, you're not trying to +bluff me, are you?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Certainly not. I wouldn't dream of such a thing.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Taking a cigar.</i>] Larranaga.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>With an acid smile.</i>] Nine pounds a hundred.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>That's one and nine apiece, ain't it?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>How quickly you reckon!</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>You must be pretty oofy to be able to afford that.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Drily.</i>] It does inspire respect, doesn't it?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I don't know what you mean by that. But I +flatter myself I know a good cigar when I see it.</p> + +<p class="dir">[<span class="smcap">John</span> <i>sits down, and</i> <span class="smcap">James Bush</span>, <i>without<br /> +thinking, follows his example</i>.]<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What d'you think you'll get out of making a row +at the inquest? Of course, there'll be an inquest.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Yes, I know there will. And I'm lookin' forward +to it, I can tell you.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I wouldn't have said that if I'd been you.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Quite unconscious of the construction that may be +put on his last words—full of his own grievances.</i>] +I've 'ad something to put up with, I 'ave.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Really?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Oh, he's treated me shockin'! He simply treated +me like dirt. I wouldn't 'ave stood it a minute, +except for Jenny's sake. <i>I</i> wasn't good enough for +'im, if you please. And the way he used to look +right through me as if I wasn't there at all—Oh, I'll +be even with 'im now.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What are you going to do?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Never you mind. I'm going to make it hot for +'im.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>D'you think that'll do you any good?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Springing up.</i>] Yes. And I mean to....</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Interrupting.</i>] Now sit down, there's a good chap, +and let's have a little talk about it.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Angrily.</i>] You're trying to bamboozle me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Nonsense.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Oh, yes, you are. Don't try to deny it. I can see +through you as if you was a pane of glass. You +people in the West End—you think you know everything.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I assure you....</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Interrupting.</i>] But I've had a City training, and +you can lay anything you like there ain't no flies +on me.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>We're both men of the world, Mr. Bush. Will +you do me a great favour as a—friend?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Suspiciously.</i>] That depends on what it is.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>It's merely to listen to me quietly for two or three +minutes.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I don't mind doing that.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well, the fact is—Basil's going away, and he wants +to get rid of the furniture and the house. What +d'you think it's worth, as an auctioneer?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Looking round.</i>] It's a very different business what +a thing's worth, and what it'll fetch.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Of course, but a clever man like you....</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Now then, no bluff. I tell you it won't work with +me.... D'you include plate and linen?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Everything.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Well, if it was well sold—by a man as knew his +business....</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>If you sold it, for instance?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>It might fetch a hundred pounds—it might fetch a +hundred and fifty.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>That wouldn't be a bad present to make to any one, +would it?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>No. I think I can agree with you there.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well, Basil thought of giving the entire contents +of the house to your mother and sister.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>To tell you the truth, it's no more than he ought +to do.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>The condition is, of course, that nothing is said at +the inquest.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>With a sneer.</i>] You make me laugh. D'you think +you can gag me by giving a houseful of furniture to +my mother?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I had no such exalted opinion of your disinterestedness, +Mr. Bush. I come to you now.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Sharply.</i>] What d'you mean by that?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>It appears that you owe Basil a good deal of money. +Can you pay it?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>No.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Also it appears that there was some difficulty with +your accounts in your last place.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>That's a lie.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Possibly. But altogether I fancy we could make +it uncommonly nasty for you if you made a fuss. If +dirty linen is going to be washed in public—there's +generally a good deal to be done on both sides.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I don't care. I mean to get my own back. If I +can only get my knife into that man—I'll take the +consequences.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>On the other hand—if you won't make a fuss at +the inquest, I'll give you fifty pounds.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Jumping up indignantly.</i>] Are you trying to bribe +me?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Calmly.</i>] Yes.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I would 'ave you know that I'm a gentleman, and +what's more, I'm an Englishman. And I'm proud of +it. You ought to be ashamed of yourself. I've never +'ad any one try and bribe me before.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Indifferently.</i>] Otherwise you would, doubtless, +have accepted.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I've got more than half a mind to knock you down.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>With a slight smile.</i>] Come, come, Mr. Bush, don't +be ridiculous. You'd far better keep quiet, you +know.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Scornfully.</i>] What do you think fifty pounds is +to me?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>With a sharp look.</i>] Who spoke of fifty pounds?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>You did.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>You must have mistaken me. A hundred and +fifty.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Oh! [<i>At first he is surprised, then, as the amount +sinks into his mind, grows doubtful.</i>] That's a very +different pair of shoes.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I don't ask you to say anything untrue. After all, +it's not worth while for a man of the world like you—a +business man—to give way to petty spite. And +we don't want to have any scandal. That would be +just as unpleasant for you as for us.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>Undecided.</i>] There's no denying that she was hysterical. +If he'd only treated me like a gentleman, I +shouldn't have had anything to say.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Well?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>With a foxy, keen glance at</i> <span class="smcap">John</span>.] Make it two +'undred, and I'll say done.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Firmly.</i>] No. You can take a hundred and fifty, +or go to the devil.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Oh, well, 'and it over.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Taking a cheque out of his pocket.</i>] I'll give you fifty +now and the rest after the inquest.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>[<i>With a certain admiration.</i>] You're a sharp 'un, +you are.</p> + +<p class="dir">[<span class="smcap">John</span> <i>writes out the cheque and gives it to</i><br /> +<span class="smcap">James Bush</span>.<br /> +</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Shall I give you a receipt? I'm a business man, +you know.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Yes, I know; but it's not necessary. You'll tell +your mother and sister?</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>Don't you fear. I'm a gentleman, and I don't go +back on my friends.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Now I think I'll say good morning to you. You +can understand that Basil isn't fit to see any one.</p> + +<p class="charc"><span class="smcap">James.</span></p> + +<p>I understand. So long.</p> + +<p class="dir">[<i>He stretches out his hand, which</i> <span class="smcap">John</span> <i>shakes<br /> +gravely</i>.]<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Good morning.</p> + +<p class="dir">[<span class="smcap">Fanny</span> <i>comes in by one door as</i> <span class="smcap">James Bush</span><br /> +<i>goes out by another</i>.]<br /> +</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>Good riddance to bad rubbish.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Ah, Fanny, if there were no rogues in the world, +life would really be too difficult for honest men.</p> + +<p class="dir">[<span class="smcap">Fanny</span> <i>goes out, and</i> <span class="smcap">John</span> <i>walks to the door<br /> +and calls</i>.]<br /> +</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Basil—he's gone.... Where are you?</p> + +<p>[<span class="smcap">Basil</span> <i>comes out of the room in which is lying +Jenny's body</i>.]</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I didn't know you were in there.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I wonder if she forgives me?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I wouldn't worry myself too much if I were you, +Basil, old man.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>If you only knew how I despise myself!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Come, come, Basil, you must make an effort....</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I've not told you the worst. I feel such a cad. +There's one thought that's been with me all night. +And I <i>can't</i> drive it away. It's worse than anything +else. It's too shameful.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>What <i>do</i> you mean?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, it's so despicable. And yet it's too strong for +me.... I can't help thinking that I'm—free.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Free?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>It's treachery to her memory. But you don't know +what it is when your prison door is opened. [<i>As he +speaks he grows more and more excited.</i>] I don't want +to die. I want to live, and I want to take life by +both hands and enjoy it. I've got such a desire for +happiness. Let's open the windows, and let the +sunlight in. [<i>He goes to the window and flings it +open.</i>] It's so good just to be alive. How can I help +thinking that now I can start fresh? The slate is +wiped clean, and I can begin again. I <i>will</i> be happy. +God forgive me, I can't help the thought. I'm free. +I made a ghastly mistake, and I suffered for it. +Heaven knows how I suffered, and how hard I tried +to make the best of it. It wasn't all my fault. In +this world we're made to act and think things because +other people have thought them good. We never +have a chance of going our own way. We're bound +down by the prejudices and the morals of everybody +else. For God's sake, let us be free. Let us do this +and that because we want to and because we must, +not because other people think we ought. [<i>He stops +suddenly in front of</i> <span class="smcap">John</span>.] Why don't you say +something? You stare at me as if you thought me +raving mad!</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I don't know what to say.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>Oh, I suppose you're shocked and scandalised. I +ought to go on posing. I ought to act the part +decently to the end. <i>You</i> would never have had the +courage to do what I did, and yet, because I've failed, +you think you can look down on me from the height +of your moral elevation.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Gravely.</i>] I was thinking how far a man may fall +when he attempts to climb the stars.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I gave the world fine gold, and their currency is +only cowrie-shells. I held up an ideal, and they +sneered at me. In this world you must wallow in +the trough with the rest of them.... The only +moral I can see is that if I'd acted like a blackguard—as +ninety-nine men out of a hundred would have +done—and let Jenny go to the dogs, I should have +remained happy and contented and prosperous. And +she, I dare say, wouldn't have died.... It's because +I tried to do my duty and act like a gentleman and a +man of honour, that all this misery has come about.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>Looking at him quietly.</i>] I think I should put it in +another way. One has to be very strong and very +sure of oneself to go against the ordinary view of +things. And if one isn't, perhaps it's better not to +run any risks, but just to walk along the same secure +old road as the common herd. It's not exhilarating, +it's not brave, and it's rather dull. But it's eminently +safe.</p> + +<p class="dir">[<span class="smcap">Basil</span> <i>scarcely hears the last words, but listens<br /> +intently to other sounds outside</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>What's that? I thought I heard a carriage.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>[<i>A little surprised.</i>] Do you expect any one?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>I sent a wire to—to Hilda at the same time as to +you.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Already?</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Excited.</i>] D'you think she'll come?</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>I don't know. [<i>A ring is heard at the front door.</i></p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>Running to the window.</i>] There's some one at the +door.</p> + +<p class="charc"><span class="smcap">John.</span></p> + +<p>Perhaps it's occurred to her also that you're free.</p> + +<p class="charc"><span class="smcap">Basil.</span></p> + +<p>[<i>With the utmost passion.</i>] Oh, she loves me, and +I—I adore her. God forgive me, I can't help it.</p> + +<p class="dir">[<span class="smcap">Fanny</span> <i>comes in</i>.<br /> +</p> + +<p class="charc"><span class="smcap">Fanny.</span></p> + +<p>If you please, sir, the Coroner's officer.</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">THE END.</p> + +<p> +<br /> +<br /> +</p> + +<p class="c"><small>P<small>RINTED BY</small><br /> +BALLANTYNE & COMPANY LTD<br /> +AT THE BALLANTYNE PRESS<br /> +T<small>AVISTOCK</small> S<small>TREET</small> C<small>OVENT</small> G<small>ARDEN</small><br /> +L<small>ONDON</small></small> +</p> + +<hr class="full" /> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Plays: Lady Frederick, The Explorer, A +Man of Honor, by William Somerset Maugham + +*** END OF THIS PROJECT GUTENBERG EBOOK PLAYS *** + +***** This file should be named 37962-h.htm or 37962-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/7/9/6/37962/ + +Produced by Chuck Greif and the Online Distributed +Proofreading Team at http://www.pgdp.net (This file was +produced from images available at The Internet Archive) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> |