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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Notes and Queries, Vol. IV, Number 90, July 19, 1851 + A Medium of Inter-communication for Literary Men, Artists, + Antiquaries, Geneologists, etc. + +Author: Various + +Editor: George Bell + +Release Date: October 1, 2011 [EBook #37593] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, JULY 19, 1851 *** + + + + +Produced by Charlene Taylor, Jonathan Ingram and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + + + + + +</pre> + + +<h1> +<span id="idno">Vol. IV.—No. 90.</span> + +<span>NOTES <small>AND</small> QUERIES:</span> + +<span id="id1"> A MEDIUM OF INTER-COMMUNICATION</span> +<span id="id2"> FOR</span> +<span id="id3"> LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.</span> +</h1> + +<div class="center1"> +<p class="noindent"><b>"When found, make a note of."</b>—C<span class="smcap lowercase">APTAIN</span> C<span class="smcap lowercase">UTTLE.</span></p> +</div> + +<p class="noindent center smaller">V<span class="smcap lowercase">OL</span>. IV.—No. 90.</p> +<p class="noindent center smaller">S<span class="smcap lowercase">ATURDAY</span>, J<span class="smcap lowercase">ULY</span> 19. 1851.</p> + +<p class="noindent center smaller"> Price Threepence. Stamped Edition, 4<i>d.</i></p> + + + + + +<h2><span>CONTENTS.</span></h2> + + +<p class="larger"> N<span class="smcap lowercase">OTES</span>:— </p> + +<div class="toc"> +<p class="indh i5"> A Caxton Memorial suggested, by Bolton Corney <a href="#notes33">33</a></p> + +<p class="indh i5"> Supposed Witchcraft <a href="#con35"> 35</a></p> + +<p class="indh i5"> The late Sir John Graham Dalyell <a href="#con35"> 35</a></p> + +<p class="indh i5"> Appropriation of a Thought, by James Cornish <a href="#ble36"> 36</a></p> + +<p class="indh i5"> The "Eisell" Controversy, by Samuel Hickson <a href="#ble36">36</a></p> + +<p class="indh i5"> Minor Notes:—"Miserrimus"—The Dog and Duck, + St. George's Fields—The Habit of profane Swearing + by the English—Tennyson's Use of the Word "Cycle"—A Moiety <a href="#that37">37</a> </p> +</div> + +<p class="larger">Q<span class="smcap lowercase">UERIES</span>:—</p> + +<div class="toc"> +<p class="indh i5"> Etymology of Fontainebleau, by H. H. Breen <a href="#ate38">38</a></p> + +<p class="indh i5"> Force of Conscience <a href="#ate38">38</a></p> + +<p class="indh i5"> English Literature in the North, by George Stephens <a href="#ate38">38</a></p> + +<p class="indh i5"> Minor Queries:—Painted Portraits of Overton—Fourth + Fare—John Wood, Architect—Derivation of + "Spon"—Dell, in what County—Bummaree or Bumaree—Thread + the Needle—Proof of a Sword—Shelley's + Children—Ackey Trade—Baskerville the + Printer—Statue of Charles II.—La Mère Jeanne—Man + Of War, why a Ship Of War so called—Secret + Service Money of Charles II.—Hampton Court <a href="#acc39">39</a></p> + +<p class="indh i5">M<span class="smcap lowercase">INOR</span> Q<span class="smcap lowercase">UERIES</span> +A<span class="smcap lowercase">NSWERED</span>:—De Rebus Hibernicis—Abridgment + of the Assizes—Life Of Cromwell <a href="#tee41">41</a></p> +</div> + +<p class="larger"> R<span class="smcap lowercase">EPLIES</span>:—</p> + +<div class="toc"> +<p class="indh i5"> Written Sermons and Extempore Preaching <a href="#tee41">41</a></p> + +<p class="indh i5"> Fest Sittings <a href="#your42">42</a></p> + +<p class="indh i5"> Histoire des Sévérambes, by H. H. Breen <a href="#word43">43</a></p> + +<p class="indh i5"> Salting the Dead <a href="#word43">43</a></p> + +<p class="indh i5"> Replies to Minor Queries:—Bogatsky—Baronette—Rifles—Miss—Lady + Flora Hastings' Bequest—English + Sapphics—Welwood—Bellarmio's Monstrous + Paradox—Jonah and the Whale—Book Plates <a href="#dictu44">44</a></p> +</div> + +<p class="larger">M<span class="smcap lowercase">ISCELLANEOUS</span>:—</p> + +<div class="toc"> +<p class="indh i5">Notes on Books, Sales, Catalogues, &c. <a href="#gint46">46</a></p> + +<p class="indh i5"> Books and Odd Volumes wanted <a href="#gint46"> 46</a></p> + +<p class="indh i5"> Notices to Correspondents <a href="#Fleet47">47</a></p> + +<p class="indh i5"> Advertisements <a href="#Fleet47">47</a> </p> + +<p class="indh i5"> <a id="was_added1"></a><a title="Go to list of vol. +numbers and pages" href="#pageslist1" class="fnanchor">List of Notes & Queries volumes and pages</a> +<span class="pagenum">[33]</span><a id="notes33"></a></p> +</div> + + +<h2><span class="bla">Notes.</span></h2> + +<h3><span>A CAXTON MEMORIAL SUGGESTED.</span></h3> + +<p>After Caxton had slept with his fathers for three centuries, remembered +only by a few antiquaries, it was deemed fit that a public monument +should record his merits.</p> + +<p>The Roxburghe club, much to the honour of its members, undertook to bear +the cost of it, and to superintend its execution. With regard to its +location, there was no question as to the paramount claims of +Westminster. It was proposed, in the first instance, to place it in the +collegiate church of St. Peter, within the precincts of which church +Caxton had exercised his art. The want of a convenient space was rather +an obstacle to that plan: a more serious obstacle was the amount of fees +demanded on such occasions. It was then decided, and perhaps with more +propriety, that it should be placed in the parish church of St. +Margaret; and the execution of the monument, which was to be of the +tablet form, was entrusted to the younger Westmacott.<a id="Westmacott1"></a><a title="Go to footnote 1." href="#fn1" class="fnanchor">[1]</a> An engraving of +it has been published.<a id="been2"></a><a title="Go to footnote 2." href="#fn2" class="fnanchor">[2]</a> The inscription is</p> + + <p class="center"> "<i>To the memory</i></p> + <p class="center">of William Caxton</p> + <p class="center">who first introduced into Great Britain</p> + <p class="center">the art of printing</p> + <p class="center">and who <span class="smcap lowercase">A.D.</span> 1477 or earlier</p> + <p class="center">exercised that art</p> + <p class="center"> in the abbey of Westminster.</p> + <p class="center">This tablet</p> + <p class="center"> <i>in remembrance</i> of one</p> + <p class="center"> to whom</p> + <p class="center">the literature of his country</p> + <p class="center"> is so largely indebted</p> + <p class="center">was raised</p> + <p class="center"> anno Domini <span class="smcap lowercase">MDCCCXX</span></p> + <p class="center"> by the Roxburghe club</p> + <p class="center"> earl Spencer, <span class="smcap lowercase">K.G.</span> president."</p> + +<p class="footnote"><a id="fn1"></a><a title="Return to text." href="#Westmacott1" class="label">[1]</a> T. F. Dibdin, <i>Reminiscences of a literary life</i>. + London, 1836. 8vo. i. 386.</p> + +<p class="footnote"><a id="fn2"></a><a title="Return to text." href="#been2" class="label">[2]</a> J. Martin, <i>A catalogue of books privately printed</i>. + London, 1834. 8vo. p. 486.</p> + +<p>The monument, as a piece of sculpture, is simplicity itself, and +therefore suitable to the place of its destination. To the inscription I +venture to make some slight objections: 1. Whether Caxton "introduced +into Great Britain the art of printing" admits of a doubt. There is no +evidence to invalidate the colophon of the <i>Exposicio S. Jeronimi in +simbolo Apostolorum</i>.<a id="posto3"></a><a title="Go to footnote 3." href="#fn3" class="fnanchor">[3]</a> + Dibdin fully believed in its authenticity.<a id="its4"></a><a title="Go to footnote 4." href="#fn4" class="fnanchor">[4]</a> +2. Caxton is very imperfectly designated. He was a well-informed writer, +a most assiduous translator, and a very careful editor. As early as +1548, he was classed among the <i>Illustres majoris Britanniæ +scriptores</i><a id="script5"></a><a title="Go to footnote 5." href="#fn5" class="fnanchor">[5]</a> —<a id="but34"></a> but<span class="pagenum">[34]</span> we are on the decline, it seems, in point of +tact and intelligence. 3. The date of his decease, and the place of his +burial, should have been stated. The facts are recorded in the accounts +of the churchwardens of this very parish, and <i>nowhere else</i>.<a id="and6"></a><a title="Go to footnote 6." href="#fn6" class="fnanchor">[6]</a> 4. The +inscription, as a composition, wants terseness: on this point, I content +myself with giving a hint <i>typographically</i>.</p> + +<p class="footnote"><a id="fn3"></a><a title="Return to text." href="#posto3" class="label">[3]</a> S. W. Singer, <i>Some account of the book printed at + Oxford in 1468</i>. London, 1812. 8vo. p. 44.</p> + +<p class="footnote"><a id="fn4"></a><a title="Return to text." href="#its4" class="label">[4]</a> <i>Typographical antiquities</i>, by Joseph Ames, etc. + London, 1810. 4to. <i>Life of Caxton</i>, p. 75.</p> + +<p class="footnote"><a id="fn5"></a><a title="Return to text." href="#script5" class="label">[5]</a> <i>Illvstrivm maíoris Britanniae scriptorvm + summari[=u] avtore Ioanne Balaeo.</i> Gippeswici, 1548. 4to. fol. 208.</p> + +<p class="footnote"><a id="fn6"></a><a title="Return to text." href="#and6" class="label">[6]</a> John Nichols, <i>Illustrations of the manners and + expences of ancient times</i>. London, 1797. 4to. p. 3.</p> + +<p>In 1847 a fresh attempt as made to revive the memory of Caxton. After +due notice, a public meeting was held on the 12th of June to "promote +the erection of a monument to commemorate the introduction of printing +into England, and in honour of William Caxton, the earliest English +printer"—the lord Morpeth in the chair. The meeting was extremely well +attended. The form of monument proposed was, the combination of a +fountain by day and a light by night—the poetical conception of the +rev. H. H. Milman. Some excellent speeches were made—and I cannot but +particularize that of the noble chairman; considerable sums were +subscribed—the messieurs Clowes tendering 100<i>l.</i>; a committee, a +sub-committee, a treasurer, and a secretary, were appointed.<a id="appo7"></a><a title="Go to footnote 7." href="#fn7" class="fnanchor">[7]</a> —With +the proceedings of that meeting, as publicly reported, my information +terminated.</p> + +<p class="footnote"><a id="fn7"></a><a title="Return to text." href="#appo7" class="label">[7]</a> + <i>The Times</i>, June 14, 1847.</p> + +<p>After a lapse of four years, a meeting of the subscribers to the <i>Caxton +Testimonial</i> was advertised for the 10th of July, to "consider an offer +made by the Coalbrookdale Iron Company to erect an <i>iron statue of +Caxton</i>—and, in the event of the proposal being adopted, to determine +the best means of carrying the same into effect." I was much astonished +at this announcement. A meeting to consider an offer to perpetuate a +fiction in connexion with an art which surpasses all other arts in its +power of establishing truth! On reflection, I became calm; and felt that +Mr. Henry Cole, the honorary secretary, was perfectly right in adopting +the customary phraseology. The result of this meeting is a desideratum. +It seems to have been private; for an examination of 300 columns of <i>The +Times</i>, being, the history of four days, did not lead to the discovery +of one word on the <i>iron statue of Caxton</i>.</p> + +<p>If the statue-mania did not now prevail to an unexampled extent, I +should feel much confidence in the sound sense of the subscribers—but I +have my misgivings.</p> + +<p>According to <i>my</i> feelings, which I avail myself of this opportunity of +recording, we may commemorate an eminent individual in better ways than +by the erection of a statue; the philanthropist, by an alms-house—the +scholar, by scholarships—the naval commander, by a sea-mark—etc. +Admitting that a statue may sometimes be the most desirable form of +monument, the <i>statue</i> of an individual of whose features we are in +entire ignorance is a misnomer. It is scarcely less than an absurdity.</p> + +<p>As I have intimated that there is no authentic portrait of Caxton, I +must now justify my conviction. Ames published a woodcut as a portrait +of our venerable Caxton:<a id="Caxton8"></a><a title="Go to footnote 8." href="#fn8" class="fnanchor">[8]</a> Dibdin discovered it to be a "portrait of +Burchiello,"<a id="Burch9"></a><a title="Go to footnote 9." href="#fn9" class="fnanchor">[9]</a> an eccentric Florentine barber!—le poète le plus +bizarre qui ait jamais écrit! Horace Walpole published a print said to +represent earl Rivers "introducing Caxton to Edward IV."<a id="Ed10"></a><a title="Go to footnote 10." href="#fn10" class="fnanchor">[10]</a> It was +copied from an illuminated MS. in the archiepiscopal library at Lambeth, +No. 265. Now, what says Mr. Todd? "That Caxton <i>printed this book</i> in +1477, is well known. But what has that circumstance to do with the earl +<i>presenting or attending the presentation of his own manuscript</i>? The +figure here introduced by the earl is evidently, by the tonsure and +habit, a <i>priest</i>; which Caxton was not."<a id="not11"></a><a title="Go to footnote 11." href="#fn11" class="fnanchor">[11]</a> I have heard of no other +engraved portraits of Caxton.</p> + +<p class="footnote"><a id="fn8"></a><a title="Return to text." href="#Caxton8" class="label">[8]</a> <i>Typographical antiquities.</i> London, 1749. 4to. p. + 54.</p> + +<p class="footnote"><a id="fn9"></a><a title="Return to text." href="#Burch9" class="label">[9]</a> <i>The bibliographical decameron.</i> London, 1817. 8vo. + ii. 288.</p> + +<p class="footnote"><a id="fn10"></a><a title="Return to text." href="#Ed10" class="label">[10]</a> <i>Catalogue of royal and noble authors.</i> + Strawberry-hill, 1758. 8vo. i. 60.</p> + +<p class="footnote"><a id="fn11"></a><a title="Return to text." href="#not11" class="label">[11]</a> <i>Catalogue of the archiepiscopal manuscripts at + Lambeth.</i> London, 1812. Fol. p. 37.</p> + +<p>Viewing Caxton as a man of considerable literary abilities, and as the +<i>first English printer</i>, I have now to propose for him a monument which +shall do justice to his merits in both capacities—a monument which +shall be visible at all times, and in all places: I propose a collective +impression of his original compositions. Such a volume would be the best +account of his life and works. It would also exhibit much of the +literary history of the times—some sound criticism and notions on +editorship—and curious specimens of the style of our forefathers. It +would comprise what no wealth could procure—what no single library +could produce. It would be, to use the forcible words of messieurs +Visconti and Castellan, on a somewhat similar occasion, "un monument +plus utile et plus durable que ceux même que l'on peut ériger avec le +marbre et le bronze."<a id="bronze12"></a><a title="Go to footnote 12." href="#fn12" class="fnanchor">[12]</a> </p> + +<p class="footnote"><a id="fn12"></a><a title="Return to text." href="#bronze12" class="label">[12]</a> <i>Journal + des savans.</i> 1818. 4to. p. 389.</p> + +<p class="center"><i>Proposed Conditions.</i></p> + + +<p class="blockquot"> 1. A volume, to be entitled <span class="larger bla">The Caxton Memorial</span>, shall be printed + for subscribers under approved editorship, and shall contain all + the original compositions of +W<span class="smcap lowercase">ILLIAM</span> C<span class="smcap lowercase">AXTON</span>, as proems, notes, + colophons, etc., with specimens of his translations, and + fac-simile cuts of his device and types.</p> + +<p class="blockquot"> 2. In order to expedite the progress of the volume, and to ensure + the <i>perfect accuracy</i> of its contents,<a id="con35"></a> <span class="pagenum">[35]</span> there shall be + three co-editors—one of whom shall act as secretary.</p> + +<p class="blockquot">3. The volume shall be printed in Roman type, with the ancient + orthography and punctuation; and in two sizes—in royal octavo, + and in demy octavo.</p> + +<p class="blockquot">4. Subscribers of 1<i>l.</i> 1<i>s.</i> shall be entitled to a copy on + royal paper, and subscribers of 10<i>s.</i> 6<i>d.</i> to a copy on demy + paper.</p> + +<p class="blockquot"> 5. Each editor shall be entitled to the same number of copies as + are allowed by the Camden and other similar societies.</p> + +<p class="blockquot"> 6. The number of copies printed shall not exceed the number for + which subscriptions shall have been received, except as required + by the fifth rule, and as presents to such public libraries, or + private collectors, as may furnish a part of the materials.</p> + +<p class="blockquot"> 7. Printers and publishers subscribing for six copies shall be + allowed a discount of 25 per cent.</p> + +<p class="blockquot"> 8. The names of the subscribers, and an account of the receipts + and expenditure, shall be added to the volume.</p> + + +<p>The project now announced was formed by me, as to its principal +features, at the close of the year 1849; but not a line was written +before the appearance of the advertisement of the 5th instant. It had +been communicated, however, in private, to the editor of + "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>." To this fact I have no doubt he will cheerfully bear witness. +As the previous scheme of a <i>Caxton Testimonial</i> was then almost +forgotten, the idea could not have been conceived in spirit of rivalry. +Nevertheless, if need be, I would oppose to the utmost of my ability, +and fearless of any array of names which the rolls of literature may +furnish, the P<span class="smcap lowercase">ERPETUATION OF A</span> F<span class="smcap lowercase">ICTION</span>.</p> + +<p class="right"> B<span class="smcap lowercase">OLTON</span> C<span class="smcap lowercase">ORNEY</span>.</p> +<p class="left"> Barnes Terrace, Surrey, July 15.</p> + + + +<h3><span>SUPPOSED WITCHCRAFT.</span></h3> + +<p>Cole, in his manuscript volume xlvi. p. 340, gives the copy of a paper +written at the beginning of the seventeenth century, addressed to some +Justices in Quarter Sessions, though of what county is not mentioned:—</p> + +<p class="blockquot"> "Maye it please your worships to understand what troubles, + sicknesse, and losses the Petitioner hath suffered, and in what + manner theye happened, and by plaine tokens and lyklyhood, by the + meanes of this woman and others; but chiefly by her, as is + gathered by all conjectures. And first of all, a Boare which I + have, was in such case, that he could not crye nor grunt as + beforetyme; neither could he goe, but creepe, until we used some + meanes to recover him; but all was to no purpose, untill such + tyme as we sent for Nicholas Wesgate, who, when he saw him, said, + 'He was madd or bewitched;' and my Wyfe using meanes to give him + some Milke, he bit her by the hand, and I fearing he was madd, + sent after my wyfe, being toward Norwich, that she might get + something at the Apothecaries to prevent the danger we feared: + and that Horse which my man did ryde upon after my wife, was + taken lame as he returned back again, and suddenly after was + swollen lyke a Bladder which is blown, and died within eight + dayes. Nexte a Calfe was taken lame, the legg turning upward, + which was a strange sight to them whoe did beholde the same. + Suddenly after that I had fyve Calves more, which should have + sold for xiij<i>s.</i> iiij<i>d.</i> the Calfe, being sound and well in the + evening, and the next daye in the morning they were in such case + as wee could not endure to come nigh them, by reason of a filthy + noisome savour, theyre hayre standinge upright on theyre backes, + and theye shakinge in such sorte as I never sawe, nor any other, + I suppose, lyveynge. Againe within a short space I had another + Calfe, which was taken so strangely, as if the backe were broken, + and much swollen, and within the space of three or four dayes it + dyed. And within two or three dayes after, another Calfe was + taken in such sorte that it turned round about, and did goe as if + the backe were broken. Then was I wished to burne it, and I + carried the Calfe to burne it, and after it was burned, I was + taken with paynes and gripings, and soe continued in such sort, + untyll shee came to my House; whereupon I did earnestly chide + her, and said I would beate her, and that daye, I prayse God, I + was restored to my former health." +</p> + + +<p class="right"> H. E.</p> + + + +<h3><span>THE LATE SIR JOHN GRAHAM DALYELL, BARONET, OF BINNS, N.B.</span></h3> + +<p>This learned and accomplished gentleman was born in 1776. He was +educated for the Scottish bar, to which he was called in the year 1797. +Within a year or two after he was enrolled as a member of the Faculty, +he produced his first quarto, <i>Fragments of Scottish History</i>. This was +followed, in the year 1801, by a collection of <i>Scottish Poems of the +Sixteenth Century</i>, in two octavo volumes. In 1809 appeared a <i>Tract +chiefly relative to Monastic Antiquities, with some Account of a recent +Search for the Remains of the Scottish Kings interred in the Abbey of +Dunfermline</i>, the first of four or five thin octavos, in which Mr. +Graham Dalyell called attention to those ecclesiastical records of the +north, so many of which have since been printed by the Bannatyne, +Maitland, and Spalding Clubs, under the editorial care of Mr. Cosmo +Innes. A later and more laborious work was his <i>Essay on the Darker +Superstitions of Scotland</i>; a performance which embodies the fruit of +much patient study in rare and little read works, and affords many +curious glimpses of the popular mythology of the north. The long list of +the productions of Sir John Graham Dalyell closes with his <i>Musical +Memoirs of Scotland</i>, published little more than a twelvemonth ago. The +deceased baronet was distinguished also by his acquaintance with +mechanical science, and still more by his knowledge of Natural History. +Of the zeal with which he prosecuted this last pursuit, he has left a +signal monument in his <i>Rare and Remarkable<a id="ble36"></a> <span class="pagenum">[36]</span> Animals of +Scotland</i>. Sir John succeeded to the family title and estates, as sixth +baronet, on the death of his elder brother, Sir James Dalyell, on +February 1, 1841. He had previously been advanced to the honours of +knighthood, by patent under the Great Seal, in the year 1836. He had +been for some time in infirm health, and died at his residence, Great +King Street, Edinburgh, on May 17, 1851, in his seventy-fourth year. +Dying unmarried, he is succeeded by his younger brother, now Sir William +Cunningham Cavendish Dalyell, of Binns, baronet, Commander R.N., Royal +Hospital, Greenwich.</p> + + +<p class="right"> A<span class="smcap lowercase">BERDENIENSIS</span>.</p> + + + +<h3><span>APPROPRIATION OF A THOUGHT—OLDHAM, DRYDEN, AND BYRON.—THE STATE OF +MIND IN THE PROGRESS OF COMPOSITION.</span></h3> + +<div class="poem"> + <p>"How when the Fancy, lab'ring for a birth,</p> + <p>With unfelt Throws brings its rude issue forth:</p> + <p>How after, when imperfect, shapeless thought</p> + <p>Is by the judgment into Fashion wrought,</p> + <p>When at first search I traverse o'er my mind,</p> + <p>Nought but a dark and empty void I find:</p> + <p>Some little hints at length like sparks break thence,</p> + <p><i>And glimmering thoughts just dawning into sense:</i></p> + <p><i>Confus'd awhile the mixt ideas lie,</i></p> + <p><i>With nought of mark to be discover'd by,</i></p> + <p><i>Like colours undistinguish'd in the night,</i></p> + <p><i>Till the dusk images, moved to the light,</i></p> + <p><i>Teach the discerning Faculty to choose</i></p> + <p><i>Which it had best adopt and which refuse.</i>"</p> + +<p class="author">"Some New Pieces" in Oldham's Works, pp. 126-27., 1684.</p> +</div> + +<p>Dryden, alluding to his work:</p> + +<p class="blockquot"> "When it was only a confused mass of thoughts <i>tumbling</i> over one + another in the dark; when the fancy was yet in its <i>first work</i>, + moving the <i>sleeping images of things</i> towards the light, there + to be distinguished, and there either to be <i>chosen</i> or rejected + by the <i>judgment</i>."—Dedication to the <i>Rival Ladies</i>.</p> + +<p>Lord Byron's appropriation of the same idea:</p> + +<div class="poem"> + <p class="i5"> ——"As yet 'tis but a chaos</p> + <p> Of darkly brooding thoughts: my fancy is</p> + <p>In her <i>first work</i>, more nearly to the light</p> + <p> Holding the sleeping images of things</p> + <p> For the selection of the pausing judgment."</p> + <p class="author"> <i>Doge of Venice.</i></p> +</div> + +<p>Had Oldham or Dryden the prior claim to the thought? Byron derived <i>his</i> +plagiarism from D'Israeli, "On the Literary Character" (vol. i. p. 284., +1828), where Dryden's Dedication to his <i>Rival Ladies</i> is quoted, and +<i>not</i> from the Dedication itself, as the <i>Retrospective Review</i> imagined +(vol. vii. p. 158.), "by levying contributions in the most secret and +lonely recesses of our literature."</p> + + <p class="right"> J<span class="smcap lowercase">AMES</span> C<span class="smcap lowercase">ORNISH</span>.</p> + + + + +<h3><span>THE "EISELL" CONTROVERSY.</span></h3> + +<p>When Polonius proposed to use the players according to their desert, +Hamlet rebuked him with "Much better man! use every man after his +desert, and who shall 'scape whipping? Use them after your own honour +and dignity!" I do not think it necessary to notice that what is merely +coarse and vulgar in an unprovoked attack upon myself, feeling that I +have no right to expect the man who has no consideration for his own +dignity to think of mine. But when an attempt is made to sow dissension +between me and those whose opinions I value, and whose characters I +esteem, I feel that in justice to myself and in satisfaction to them, a +few words are not out of place.</p> + +<p>Some few of your readers may have seen a pamphlet in reply to + M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">INGER</span>, on the meaning of <i>eisell</i> and from certain insinuations about +"pegs and wires," and a "literary coterie," it might be supposed that +there existed some other bond for the support of "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>" +than a common object affords. I wish then to inform such of them as may +not happen to belong to the "coterie" in question (which I suppose +exists somewhere—perhaps holds a sort of witch's-sabbath on some +inaccessible peak in the pamphleteer's imagination), that I have never, +to my knowledge, even seen either M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">INGER</span> or the editor of + "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>;" and that, so far from meaning offence to the angry gentleman +who seems disposed to run-a-muck against all who come in his way, I +actually supposed all meant in good part, and characterised his remarks +as "pleasant criticism."</p> + +<p>From an apparent inability, however, of this pamphleteer to distinguish +between pleasantry and acrimony, he has attempted to fix on me offences +against others when I have ventured to dissent from their conclusions. +All I can say is, that I have never written anything inconsistent with +the very high respect I feel for the abilities and the great services +rendered by the gentlemen I have had occasion to allude to.</p> + +<p>Dire is the wrath of the pamphleteer that he should have been charged by +M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">INGER</span> with "want of truth." That gentleman doubtless saw what I did +not, the implied insinuation—since burst into full flower—about a +"coterie." Yet the candid controversialist, now, after due deliberation, +insinuates that a "canon of criticism," which I ventured to suggest, and +at which he now finds it convenient to sneer, was remembered for the +purpose of "bolstering up" M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">INGER'S</span> "bad argument." So far from this +being the case, he knows that I used + M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">INGER'S</span> argument—at the close +of, and apart from the main purpose of my letter, to illustrate mine. +So, in another place, in the attempt to show up my "charming and +off-hand modesty," he quotes my opinion that<a id="that37"></a> <span class="pagenum">[37]</span> the meaning of +"rack" might be "settled at once and for ever," suppressing the fact +that I made the assertion with a view of "testing the correctness of my +opinion that the question was not one of etymology, but of construction. +In short, an adept in the use of those weapons which are of value only +where victory seems a higher aim than truth, his honesty would appear to +be upon a level with his taste.</p> + +<p>I have now done with this gentleman. Of the importance of inquiries into +nice verbal distinctions there might be a question, but that they +sometimes furnish a clue to more valuable discoveries but for this fact +I should little regard them. At all events, the remark about the +difference "'twixt tweedle-dum and tweedle-dee," comes with strange +inconsistency from one who has written fifty-two pages with no other +result than raising the question whether "bitter" was not "sour," and +proving how both qualities may be combined in a truly "nauseous +medicament."</p> + + <p class="right"> S<span class="smcap lowercase">AMUEL</span> H<span class="smcap lowercase">ICKSON</span>.</p> + <p class="left"> St. John's Wood.</p> + +<p class="blockquot"> [Our attention having, been directed by the preceding letter to + Mr. Causton's pamphlet, we procured and read it, with feelings of + deep pain, not for ourselves but for the writer. We are content + to rest the justification of our conduct in abridging, or, as Mr. + Causton terms it, "mutilating," that gentleman's communication, + on the very passages which we omitted, and he has reprinted. Mr. + Causton's pamphlet, written in defence of his literary + reputation, proves that that reputation has no enemy so dangerous + as himself. We may add that we propose next week publishing a + summary of the evidence on both sides of this disputed question, + written not by Mr. Causton nor Mr. Hickson, but by a + correspondent who, like those gentlemen, is personally unknown to + us.]</p> + + + + + +<h3><span class="bla">Minor Notes.</span></h3> + +<h4><span>"<i>Miserrimus.</i>"</span></h4> + +<p>—I have an extraordinary little volume, which, I am +told, was written by Frederic Mansell Reynolds, who died in June, 1850, +entitled, "<i>Miserrimus</i>. On a gravestone in Worcester Cathedral is this +inscription, 'Miserrimus,' with neither name, date, nor comment. + N<span class="smcap lowercase">OT</span> P<span class="smcap lowercase">UBLISHED</span>. Printed by Davison, Simmons, & Co., 1832," 12mo.</p> + +<p>The work purports to be a sort of autobiography of a most miserable +wretch, and we are left to suppose that his remains lie under the stone +in question, for we are not furnished with any preface or introduction. +Whether the author was aware of the name of the person over whom so +singular an inscription was placed does not appear; but there is no +reason to believe that the repulsive and painful aberrations he details +had any relation to the individual buried under the memorial of +"Miserrimus," whose name is recorded in Chambers's <i>Biographical +Illustrations of Worcestershire</i>, p. 310., as the Rev. Thomas Morris, +who was deprived of all ecclesiastical preferment for refusing to +acknowledge the king's supremacy at the Revolution, and died, it is +stated, in 1748, silvered over with the weight and infirmities of +eighty-eight years—"Miserrimus."</p> + + + <p class="right"> F. R. A.</p> + + + + +<h4><span><i>The Dog and Duck, St. George's Fields.</i></span></h4> + +<p>—It is not generally known, +that the <i>old stone sign</i> of that celebrated place of public resort is +still in existence, and is preserved by being imbedded in the brick wall +of the garden of Bedlam Hospital (visible from the road), representing a +dog squatting on his haunches with a duck in his mouth; and the date +1617. It was placed here on removal of the old house which stood on, or +very close to, the spot; and in the superintendent's (Mr. Nicholl's) +room is a very pretty drawing of that ancient place of amusement. I have +had a sketch made of it in large.</p> + +<p>Any information respecting the Dog and Duck, its guests, visitors, or +landlords, would be most acceptable to</p> + +<p class="right"> G. C<span class="smcap lowercase">REED</span>.</p> + + + + +<h4><span><i>The Habit of Profane Swearing by the English.</i></span></h4> + +<p>—The revolting habit of +swearing—which, of late years, has happily diminished—has been a +marked characteristic of the English for <i>many centuries</i>; and the +national adjuration which has given us a <i>nick-name</i> on the continent, +appears to have prevailed at an earlier period than is generally +supposed.</p> + +<p>"The English," observes Henry, "were remarkable in this period (between +1399 and 1485) among the nations of Europe, for the absurd and impious +practice of profane swearing in conversation."</p> + +<p>The Count of Luxemburg, accompanied by the Earls of Warwick and +Stafford, visited the Maid of Orleans in her prison at Rouen, where she +was chained to the floor and loaded with irons. The Count, who had sold +her to the English, pretended that he had come to treat with her about +her ransom. After addressing him with contempt and disdain, she turned +her eyes towards the two Earls, and said,—"I know that you English are +determined to put me to death, and imagine that, after I am dead, you +will conquer France: but, though there were a hundred thousand <i>G—— +dammees</i> more in France than there are, they will never conquer that +kingdom." So early had the English got this odious nick-name by their +frequent and common use of that horrid and disgusting imprecation.</p> + + <p class="right"> T. W<span class="smcap lowercase">E</span>.</p> + + + + +<h4><span><i>Tennyson's Use of the Word "Cycle."</i></span></h4> + +<p>—A Moiety.—There is a line in +<i>Locksley Hall</i> which has always appeared to me a sad blemish in a fine +poem, and which may, perhaps, puzzle posterity as much as any of those +which have been illustrated<a id="ate38"></a> <span class="pagenum">[38]</span> by G. P. (Vol. iii., p. 319.) I +allude to that in stanza 92.:</p> + + +<div class="poem"><p> "Better fifty years of Europe than a cycle of Cathay."</p></div> + + +<p>Posterity will easily learn that the Chinese cycle was just "sixty +years," and will have some difficulty in believing that Tennyson should +have rated the disparity between life in Europe and in China no higher +than as six to five. It is evident that the poet used a "cycle" in the +signification of a long period of years; but will posterity be able to +find any authority for this use of the word? Can any one refer to a +dictionary which explains it in that sense, or to any other good author +who has so used it?</p> + +<p>This use of the word "cycle" is associated in my mind with a use (or +rather <i>abuse</i>) of the word "moiety," which prevails in the north of +Ireland, and perhaps elsewhere. It properly signifies "one half," but +many employ it in the sense of a very small portion. I hope no one will +introduce it into poetry with this signification.</p> + +<p class="right"> M<span class="smcap lowercase">ATTER OF </span>F<span class="smcap lowercase">ACT</span>.</p> + + + + + +<h2><span class="bla">Queries.</span></h2> + + +<h3><span>ETYMOLOGY OF FONTAINEBLEAU.</span></h3> + +<p>The <i>Description Routière et Géographique de l'Empire Français</i>, already +cited by me on the subject of Bicêtre, furnishes the following +particulars respecting the derivation of Fontainebleau:</p> + +<p class="blockquot"> "Ce bassin sert de décharge à la fontaine, qui a donné, dit-on, + son nom à Fontainebleau. Elle est nommée, dans les anciennes + chartes, <i>Fons Blaudi</i>. Quelques modernes substituent à cette + étymologie celle de <i>belle eau</i>, d'où ils font également dériver + Fontainebleau. L'une et l'autre sont rejetées par Expilly, et + remplacées par une troisième de sa façon, qui est évidente, selon + lui, et qui, selon ses lecteurs, est la plus absurde de toutes. + Je vais citer ce passage pour faire sentir jusqu'à quel travers + d'esprit peut conduire la manie des étymologies. 'Pourquoi,' + dit-il, 'se donner la torture à ce sujet? Il suffit de la moindre + notion de la chasse pour savoir que, quand le chasseur appelle + les chiens, il crie: <i>Thia hillaut!</i> N'est-il pas vraisemblable + que le château ayant été bâti en pays de chasse, les habitans des + environs, entendant continuellement le mot <i>hillaut</i>, + l'appellèrent de ce nom, auquel ils joignirent celui de la + fontaine près de laquelle il avait été bâti. De <i>Fontaine + hillaut</i> on fit insensiblement Fontainebleau.'"</p> + +<p>T<span class="smcap lowercase">WO</span> Queries suggest themselves here. Who or what was <i>Blaudus</i> or +<i>Blaudum</i>? Is our <i>Tally-ho</i> derived from <i>Thia hillaut</i>, or <i>vice +versâ</i>? As to the "travers d'esprit," so gravely imputed to Expilly, it +is clear to me that his solution of the matter must be taken as a +burlesque on etymologists, rather than as any evidence of his own +extravagance in that respect.</p> + +<p class="right"> H<span class="smcap lowercase">ENRY</span> H. B<span class="smcap lowercase">REEN</span>.</p> +<p class="left"> St. Lucia, June, 1851.</p> + + + + +<h3><span>FORCE OF CONSCIENCE.</span></h3> + +<p>The following relation has often been reprinted in religious magazines +and the like. It is given by Dr. Fordyce, Professor of Philosophy at +Aberdeen, in his <i>Dialogues concerning Education</i> (London, 1748, vol. +ii. p. 401.), as "a true story, <i>which happened in a neighbouring state +not many years ago</i>." Can any of your readers furnish me with Dr. F.'s +authority for the assertion?—the Doctor himself gives none. One would +think that, if true, its truth might be easily verified. If its truth +cannot be satisfactorily established, to reprint such tales cannot but +be most mischievous:—</p> + +<p class="blockquot"> "A jeweller of considerable wealth having occasion to travel to + some distance from the place of his abode, took with him a + servant in order to take care of his portmanteau. Having occasion + to dismount on the road, the servant, watching his opportunity, + took a pistol from his master's saddle and shot him dead on the + spot; then rifled him of his money and jewels, and threw the body + into the nearest river. With this booty he made off to a distant + part of the country.... He was at length admitted to a share of + the government of the town, and rose from one post to another, + till at length he was chosen to be chief magistrate.... One day + as he sat on the bench with some of his brethren in the + magistracy, a criminal was brought before him who was accused of + murdering his master. The evidence was full; the jury brought in + their verdict that the prisoner was guilty; and the whole + assembly awaited the sentence of the President of the court, + which he happened to be on that day.... At length coming down + from the bench he placed himself by the guilty man at the bar and + made a full confession of his own guilt, and of all its + aggravations.... We may easily suppose the great amazement of all + the assembly, and especially of his fellow-judges. They + proceeded, however, upon this confession, to pass sentence upon + him, and he died with all the symptoms of penitent mind."</p> + + <p class="right"> J. K.</p> + + + +<h3><span>ENGLISH LITERATURE IN THE NORTH.</span></h3> + +<p>English letters are exciting a daily increasing interest in the north of +Europe—that hardy and romantic country whence we ourselves are +descended. But their means for purchase are very scanty, and I have been +requested by the chief librarians of the Royal Library, Stockholm, and +the University Library, Copenhagen, to endeavour to procure them English +books <i>by gift</i> from private individuals and public societies and +libraries.</p> + +<p>Can you assist me in this work by making this their prayer known in your +widely-spread columns?</p> + +<p>Any English works, large or small, old or new, in any department of +literature, but especially in archæology, folk-lore, history, theology, +belles-lettres, &c., particularly books <i>privately printed</i>, or +otherwise scarce or dear, will be most acceptable.<a id="acc39"></a> <span class="pagenum">[39]</span> Every donor +will have the goodness to state for which library his gift is intended. +So many have duplicates, or copies of books, which they no longer use or +need, that many will doubtless be able to assist in this pleasant +book-gathering for our Scandinavian cousins.</p> + + <p class="right"> G<span class="smcap lowercase">EORGE</span> S<span class="smcap lowercase">TEPHENS</span>,<br /> + Professor of English Literature in the<br /> + University of Copenhagen.</p> + +<p class="left"> Mill Farm, Barnes, Surrey, July, 1851.</p> + +<p>[We have good reason to know the great interest which our Scandinavian +brethren take in the literature of this country, and hope this appeal of +M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">TEPHENS</span> will be liberally responded to. Any donations for the +libraries in question, which, we believe, are both public libraries, may +be left for him at the office of "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>."]</p> + + + + + + +<h3><span class="bla">Minor Queries.</span></h3> + +<h4><span>1. <i>Painted Prints of Overton.</i></span></h4> + +<p>—In Vol. iii., pp. 324, 325., under the +title "The Bellman and his History," are quoted some lines from Gay's +<i>Trivia</i>, book ii. p. 482. The last line is—</p> + +<div class="poem"> <p > "The colour'd prints of Overton appear."</p></div> + +<p>Who was Overton, and what were his prints that Gay in these lines makes +the companions of the bellman's song?</p> + +<p class="right"> F. L. H.</p> + + + + +<h4><span>2. <i>Fourth Fare.</i></span></h4> + +<p>—In the accounts of the churchwardens of St. Edmund's, +Sarum, temp. Edw. IV., this item often occurs, for which a payment was +made. Does it not mean the dying knell, from the German "to depart."</p> + + <p class="right"> H. T. E.</p> +<p class="left"> Clyst St. George, June 3. 1851.</p> + + + + +<h4><span>3. <i>John Wood, Architect.</i></span></h4> + +<p>—Can any of your readers inform me if any +likeness is in existence of the author of <i>An Essay towards a +Description of Bath</i>? or if any of his descendants are still living? He +built the Bristol Exchange; and Bath is indebted to him for many of its +most noble edifices. He was a magistrate for the county of Somerset, and +died in 1754.</p> + +<p class="right"> G<span class="smcap lowercase">AMMA</span>.</p> + + + + +<h4><span>4. <i>Derivation of "Spon."</i></span></h4> + +<p>—Can you or your readers give me a derivation +of the word "spon," in its application to street names? There is "Spon +End," and also "Spon Street," in Coventry, "Spon Lane" at West Bromwich, +and "Spon Terrace" at Birmingham. Can you supply any other instances?</p> + +<p>Mr. Halliwell merely says, "<i>Spon</i>, a shaving of wood;" and it is used +in this sense in Scott's <i>Sir Tristrem</i>, p. 119.:</p> + + + <div class="poem"> + <p>"Bi water he sent adoun</p> + <p class="i3">Light linden spon."</p> +</div> + +<p class="right"> C. H. B.</p> +<p class="left"> Clarence Street, Islington.</p> + + + + +<h4><span>5. <i>Dell, in what County?</i></span></h4> + +<p>—I shall feel obliged if any of your +correspondents can tell me whereabouts this place is, and in what +county?</p> + +<p class="right"> J. N. C.</p> + + + + +<h4><span>6. <i>Bummaree or Bumaree.</i></span></h4> + +<p>—There is a large class of salesmen in +Billingsgate Market not recognised as such by the trade, but styled +Bumarees, who get a living by purchasing large parcels of fish of the +factor or common salesman, and selling it out in smaller quantities to +the fishmongers and other retailing buyers. This whole-sale retailing of +fish is also called bummareeing it, hence the name of these +(self-styled) salesmen.</p> + +<p>I have not been able to find any clue to the meaning of this word thus +used in any authority that I possess, though the word has been +recognised in statutes and bye-laws of the markets for upwards of one +hundred years.</p> + +<p>As I feel very interested in this matter, may I be allowed to call the +attention of some of your very learned correspondents to this matter, +and ask for the probable etymology and exact orthography of the word.</p> + +<p>I have been informed that the only other use of the word known is with +the confectioners, who use <i>Bummaree</i> pans.</p> + +<p>The prefix "bum" is used to express the lowest of the kind in +bum-bailiff, and also further additionally in connexion with selling in +"bum-boat." I cannot think that "bona venalia," goods set to sale, among +the Romans, give any clue to Bummaree. This, and other derivations +equally unsatisfactory, have been submitted by those who have hitherto +directed their attention to this subject.</p> + +<p class="right"> B<span class="smcap lowercase">LOWEN</span>.</p> + + + + +<h4><span>7. <i>Thread the Needle.</i></span></h4> + +<p>—What is the game so called? and what its +origin?</p> + +<p>In it these words occur:</p> + + <div class="poem"> + <p> "How far hence to Hebron?</p> + <p> Threescore miles and ten!</p> + <p> Can I be there to-night?</p> + <p> Yes! and back again!"</p> +</div> + +<p>I have somewhere seen the name of Thread-the-Needle-Gate. Where is, or +was, it? and whence was the London street so named?</p> + +<p class="right"> R. S. H.</p> +<p class="left"> Morwenstow.</p> + + + + +<h4><span>8. <i>Proof of a Sword.</i></span></h4> + +<p>—Is the following statement correct and true (I +mean, as to the trial of the sword blade, not the anecdote)?</p> + +<p class="blockquot"> "A troop of horse are riding along under the command of 'Duke + William' of Cumberland, in the '45. A little old Highlander joins + the march; a strong lusty soldier laughs at, and insults him. He + is allowed to demand satisfaction, and fight it out at once: he + craves the loan of a sword; one is handed to him. But Donald had + seen too many snows to trust his life to the blade of untried + metal: he minutely examined the handle, the edge, the point, and + the <i>spring</i>, and finally turning aside to <i>a pool</i> of water, and + applying the <i>flat</i><a id="flat40"></a> <span class="pagenum">[40]</span> side of the blade to its surface, + with one smart stroke broke it in two."</p> + +<p>Is this a good test of a sword blade? Would <i>any</i> sword stand it?</p> + +<p>Would the Toledo blade, at the Crystal Palace, that <i>rolls</i> up into the +form of a serpent, bear it?</p> + +<p>What is the usual test of a good blade?</p> + + <p class="right"> E<span class="smcap lowercase">NSIS</span>.</p> + + + + +<h4><span>9. <i>Shelley's Children.</i></span></h4> + +<p>—Are any of Shelley's children, by his first +wife, still living and where?—a friend of mine, who was her companion, +having a relic of her, which she would gladly give into their +possession.</p> + +<p class="right"> P<span class="smcap lowercase">HILO</span>.</p> + + + + +<h4><span>10. <i>Ackey Trade.</i></span></h4> + +<p>—I have in my cabinet a silver coin (shilling size) +which has on the obverse, besides the bust of the kind, the date 1818, +and the legend, the following under the head (between it and the +legend), "<i>½ Ackey Trade</i>;" and I shall be glad to have an +explanation of what is meant by the "<i>Ackey Trade</i>?" The reverse has the +arms and crest of the African Company. The legend is "Free Trade to +Africa by Act of Parliament, 1750."</p> + +<p class="right"> J. N. C.</p> + + + +<h4><span>11. <i>Baskerville the Printer.</i></span></h4> + +<p>—I was informed in 1835, by a friend +living at Birmingham, that the coffin containing the body of that +celebrated printer was then lying in a timber yard in that town under a +pile of deals—a fact which was well known there.</p> + +<p>Is it still in the same place? And why? And is there any portrait, +engraved or otherwise, of him? Mr. Merridew of Coventry, and others, +have assured me there was not.</p> + + +<p class="right"> G. C.</p> + + + + +<h4><span>12. <i>Statue of Charles II.</i></span></h4> + +<p>—What became of the fine statue of Charles +II. on horseback which formerly stood in Stock's Market, the site of the +present Mansion House?</p> + +<p>It was placed on a conduit at the "sole cost and charges of that worthy +citizen and alderman Sir Robert Viner, Bart." I have seen a print of it, +folio. (London, pub. 1708.)</p> + + <p class="right"> G. C<span class="smcap lowercase">REED.</span></p> + + + + +<h4><span>13. <i>La Mère Jeanne.</i></span></h4> + +<p>—In Hallam's <i>Literature of Europe</i>, 2nd edition, +vol. i. p. 461., I read this passage:—</p> + +<p class="blockquot"> "Two crude Attempts at introducing the Eastern tongues were made + soon afterwards (1530). One of these was by William Postel, a man + of some parts, and more reading; but chiefly known, while he was + remembered at all, for mad reveries of fanaticism, and an + idolatrous veneration for a saint of his own manufacture, La Mère + Jeanne, the Joanna Southcote of the sixteenth century."</p> + +<p>Has any account of the character and proceedings of "La Mère Jeanne" +been handed down to us; and, if so, where is it to be found?</p> + +<p class="right"> H<span class="smcap lowercase">ENRY</span> H. B<span class="smcap lowercase">REEN</span>.</p> + <p class="left">St. Lucia, June, 1851.</p> + + + + +<h4><span>14. <i>Man of War, why a Ship of War so called.</i></span></h4> + +<p>—Will any of your readers +inform me the origin of a ship of a certain number of guns being called +"a man of war?" In Shakspeare the term is applied to Falstaff: Davy +inquires of Shallow:</p> + +<div class="poem"> <p> "Doth the man of war stay all night, Sir?"</p></div> + +<p>And it is singular to remark, in the same scene, the first of Act V., +the Second Part of <i>Henry IV.</i>, that the dinner ordered by Shallow for +Falstaff is just such as any country gentleman would now provide for an +unexpected guest:—</p> + + + <p class="blockquot"> Some pigeons, Davy; a couple of short-legged hens; a joint of + mutton; and any pretty little tiny kickshaws, tell William cook."</p> + + +<p>The only difference is the sex of the cook, as country gentlemen in +these days have females in that capacity.</p> + + +<p class="right"> A<span class="smcap lowercase">N</span> M. D.</p> + + + + +<h4><span>15. <i>Secret Service Money of Charles II.</i></span></h4> + +<p>—In Mr. Akerman's preface to +this work, just published by the Camden Society, I find this passage:</p> + + <p class="blockquot"> "Amongst these (sums lavished on female favourites) the payments + to the Duchess of Portsmouth are most conspicuous. No less a sum + than 136,688<i>l.</i> 10<i>s.</i> appears to have been bestowed by the + profligate monarch on this woman <i>within the space of one + year</i>."—See <i>Payments under the year 1681</i>, p. 42.</p> + +<p>Now, on turning to the year and page designated, I find that the <i>whole +of the class</i> in which the Duchess's name appears amounts for <i>that +year</i> only to about 22,000<i>l.</i>, of which the Duchess of Portsmouth +appears to have received about 12,000 in several quarterly payments on +account of an annual pension or pensions of that amount: so in other +years. This is a very different sum from 136,000<i>l.</i> I would beg leave +to inquire of the editor, or of any of your <i>Camdenite</i> correspondents, +whether there is an error in Mr. Akerman's statement, or only in my way +of reading it?</p> + + <p class="right"> C.</p> + + + + +<h4><span>16. <i>Hampton Court.</i></span></h4> + +<p>—Miss Strickland, in the <i>Queens of England</i>, after +saying that the Queen (Elizabeth of York, Henry VII.'s wife) had stayed +at Hampton Court eight days, continues:</p> + + <p class="blockquot"> "It is worth noticing that Hampton Court was a favourite + residence of Elizabeth of York long before Cardinal Wolsey had it."</p> + +<p>Now, in the <i>Gentleman's Magazine</i> for January, 1834, is a copy of the +lease from the prior of St. John of Jerusalem to Cardinal Wolsey of +their manor of Hampton Court, it having been in the possession of the +Knights Hospitallers of St. John since 1211, when Joan Lady Grey left it +by will to that order. Where, then, was Elizabeth of York's residence? +Did she hold a lease of the manor and manor-house of Hampton of the +Knights Hospitallers? Or was there another royal residence in that +locality?</p> + + +<p class="right"> T<span class="smcap lowercase">EE </span>B<span class="smcap lowercase">EE</span>. +<a id="tee41"></a> <span class="pagenum">[41]</span></p> + + + + + + +<h3><span class="bla">Minor Queries Answered.</span></h3> + +<h4><span><i>De Rebus Hibernicis.—</i></span></h4> + +<p>1. Silvester Giraldus Cambrensis, born in Wales, +<span class="smcap lowercase">A.D.</span> 1145, was the author of numerous works. Can any one furnish a list +of them?</p> + +<p>2. What is the date of the <i>Annals of the Four Masters</i>?</p> + +<p>3. Who was Tigernach, and when did he live?</p> + +<p>4. What are the <i>Annals of Ulster</i>, and when were they written?</p> + + + <p class="right">W<span class="smcap lowercase">ILLIAM</span> E. C. N<span class="smcap lowercase">OURSE</span>.</p> + + + + <p class="blockquot"> [1. The printed works, as well as the manuscript collections, of + Giraldus, are so numerous, and deposited in so many different + libraries, that we must refer our correspondent to Sir R. C. + Hoare's description of them in his Introduction to the + translation of Giraldus' <i>Itinerary of Archbishop Baldwin through + Wales</i>, vol. i. pp. liv.-lxxii. 4to. 1806.</p> + + <p class="blockquot">2. <i>The Annals of Dunagall</i>, otherwise called <i>The Annals of the + Four Masters</i>, were compiled between <span class="smcap lowercase">A.D</span>. 1632 and 1636. From a + MS. in the Duke of Buckingham's library at Stowe, Dr. O'Conor + published the first part of these <i>Annals</i>, extending from the + earliest period to <span class="smcap lowercase">A.D</span>. 1172, in his <i>Rerum Hibernicarum + Scriptores</i>. The latter portion has since been edited, with a + translation and notes, by John O'Donovan, Esq., M.R.I.A., in 3 vols. 4to.</p> + + <p class="blockquot"> 3. Tigernach was Abbot of Cluain-mac-nois, and died <span class="smcap lowercase">A.D</span>. 1088. He + wrote the <i>Annals of Ireland</i>, from <span class="smcap lowercase">A.M.</span> 3596 to his own time.</p> + + <p class="blockquot">4. <i>The Annals of Ulster</i> were compiled by Cathald Mac Magnus + (Charles Maguire), who died <span class="smcap lowercase">A.D</span>. 1498. They commence with the + reign of Feradach Fionnfachtnach, monarch of Ireland, <span class="smcap lowercase">A.D</span>. 60, + and are carried down to the author's own time. They were + afterwards continued to the year 1504, by Roderick O'Cassidy, + Archdeacon of Clogher. See O' Reilly's <i>Chronological Account of + Irish Writers</i>.]</p> + + + + +<h4><span><i>Abridgment of the Assizes.</i></span></h4> + +<p>—Where can one see, or what is the correct +title of the book containing <i>Abridgment of the Assizes, and Iters of +Pickring and Lancaster</i>? It is referred to in Manwood <i>on Forest Laws</i>.</p> + +<p class="right"> S. S.</p> + + <p class="blockquot"> [Richard Tottle, dwelling at the Hand and Star in Fleet Street, + and who was "licensed to print all manner of books touching the + common laws of England," published in the middle of the sixteenth + century the following work:—"<i>The Abridgment of the Book of + Assises</i>, lately perused over and corrected, and now newely + imprinted by Richard Tottle, the last day of September, 1555." It + is probable that the <i>Iters of Pickring and Lancaster</i> are still + in manuscript.]</p> + + + + +<h4><span><i>Life of Cromwell.</i></span></h4> + +<p>—I have in my possession a <i>Life of Cromwell</i>, +written by R. B. "without passion or partiality," printed by N. Crouch +in the Poultry, 1715. Query, who was this R. B.?</p> + +<p class="right"> P<span class="smcap lowercase">HILO.</span></p> + + + +<p class="blockquot"> [The author was Richard or Robert Burton, <i>alias</i> Nathaniel + Crouch, who, says Dunton in his <i>Life and Errors</i>, "melted down + the best of our English histories into twelve penny books, which + are filled with wonders, rarities, and curiosities." The first + edition of <i>The History of Cromwell</i> was published in 1693, + "relating only matters of fact without reflection or + observation."]</p> + + + + + + +<h2><span class="bla">Replies.</span></h2> + + +<h3><span>WRITTEN SERMONS AND EXTEMPORE PREACHING.<br /> +(Vol. iii., pp. 478. 526.; Vol. iv., p. 8.)</span></h3> + +<p>Your versatile correspondent M<span class="smcap lowercase">R</span>. G<span class="smcap lowercase">ATTY</span> has been led astray by an +incorrect assertion of Bingham's (magni nominis vir), that Origen was +the first who preached extempore. The passage to which Bingham refers +us, in Eusebius, asserts nothing of this sort; but simply that Origen +would not suffer his sermons to be taken down by the short-hand writers +till he was sixty years old,—a sufficient proof, if any were needed, +that the custom of taking down sermons by notaries in the third century +was not unusual.</p> + +<p>Some rogue has stolen my Number of the "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>" in which the +inquiry on the subject of written sermons was made; but, if I remember +rightly, the <i>question</i> was put correctly, it having been asked when +written sermons were first preached. As I at one time took some pains to +look into this point, and as no one else seems inclined to take it up, +perhaps you will allow me space for a few remarks.</p> + +<p>1. I suppose no one will be disposed to question the extreme +improbability of the "sermons" in the Apostolic are having been +<i>written</i> discourses: if, however, this be considered doubtful, I am +willing to argue the point, and be set right if I am wrong in thinking +it unquestionable.</p> + +<p>2. I believe it is almost as improbable, that in what Professor Brunt +calls the "post-Apostolic" times sermons were written, not only from the +complete silence of the Apostolic Fathers on the point—for that would +really prove next to nothing,—but because it seems quite incredible +that no vestige of any such sermon should have come down to us; no +forgery of one, no legend or tradition of the existence of one if the +practice of writing sermons had prevailed at all.</p> + +<p>3. In the Apologies of Justin and Tertullian [Justin, ed. Otto, i. 270.; +Tertullian, <i>Ap.</i> ch. xxxix.] there is a description of the addresses +delivered in the congregations of their times, which appears to me to +prove that they knew of no such practice as reading a sermon and the +passage from Origen contra Cels., which De la Cerda gives in his note on +Tertullian, though it is only quoted in the Latin, surely shows the same +(vol. i. p. 190.). I came across something of the sort in Cyprian about +two years ago and, if I may dare trust my memory, it appeared to me at +the time to be more satisfactory than the passages above referred to; +but I made no note of it,—and I was hunting for other game when I met +with it. Still, if your<a id="your42"></a> <span class="pagenum">[42]</span> querist is going into the subject as a +student into a matter of history, I dare stay I could find the +paragraph.</p> + +<p>4. I have really no acquaintance with the post-Nicene fathers, the mere +desultory reading out of some few of the works of the Arian period +counting for something less than nothing; but, as far as secondary +sources are to be trusted, I certainly never met with anything that +would lead me to conclude that sermons were ever read in the fourth or +fifth centuries. [I shall come to the only shadow of an argument in +favour of such a practice having prevailed so early, presently.] +Certainly, St. Ambrose, St. Augustine, St. Chrysostom, St. Cyril of +Jerusalem, were extempore preachers by Bingham's showing. Gregory the +Great, much later, for all that appears to the contrary, never wrote his +sermons at all, and even preached his homilies on Ezekiel almost without +any preparation. Indeed the prevalence of that most abominable system of +applauding the preacher, which St. Chrysostom protests against in the +magnificent sermon on 1Cor.xiv.38., could scarcely have been universal +where sermons were read.</p> + +<p>5. I come now to the argument which Bingham deduces from a passage in +Sidonius Apollinaris; where, in speaking of Faustus, Bishop of Riez, he +says that he was "raucus plausor," while hearing "tuas prædicationes, +nunc repentinas, nunc, cum ratio poposcisset, elucubratas." Until I had +turned up the passage itself, I thought there was no doubt that Bingham +was right in explaining it as referring partly to extempore, partly to +written-and-read sermons; but taking the passage as it stands, I would +submit that the "prædicationes elucubratas" were not at all <i>read</i> +sermons, though prepared and studied beforehand, and that the +"prædicationes repentinas" were such as St. Augustine sometimes +delivered, viz., on a text which suggested itself to him during the time +of service, or in consequence of some unforeseen event having happened +just before his ascending the pulpit.</p> + +<p>6. I have as yet dealt only with the negative evidence; but the positive +testimony against the reading, and in favour of the reciting or +preaching sermons, is far from small. I should look upon man as crazy +who ventured to speak slightingly of Bingham, and should as soon think +of setting up myself against that great man as of challenging Goliah of +Gath to fisty-cuffs; but I can never get rid of the thought that Bingham +had a strong prejudice against extempore preaching, and treated the +history of sermons somewhat unfairly: <i>e.g.</i>, in his 22nd section of +that 4th chap. of the xivth book (with which chap. I take it for granted +my readers are acquainted), he somewhat roguishly misrepresents Mabillon +and the Council of Vaison; and as to every other passage he quotes or +refers to, every one asserts that the sermons were to be preached or +<i>recited</i>, not one says a word about reading.</p> + +<p>The Council of Vaison is, of course, that which was held in <span class="smcap lowercase">A.D.</span> 529, +and at which Cæsarius of Arles presided: but the 2nd canon does not say +a word about reading; so far from it, it commands that the homilies +which the deacons preached should be recited [<i>recitentur</i>, Labbe, iv. p +1679.], as though the practice of reading a sermon were not known. So, +with regard to the other passages from St. Augustine, there is not a +hint about reading: if a man could not make his own sermons, he was to +take another's; but to take care to commit it to memory, and then +deliver it.</p> + +<p>I should be glad to furnish you with a few "more last words" on this +subject, but I fear that these remarks have already proceeded to too +great a length: still, if you give me any encouragement, I should like +to take up the matter again.</p> + +<p>I should be glad to be informed whether it be true, as I have heard, +that the practice of learning their sermons by heart is universal and +avowed by the preachers in Germany; and whether it be really a common +thing for a preacher there to deny himself on a Saturday, on the plea +that he is getting his sermon by heart?</p> + +<p class="right"> A<span class="smcap lowercase">JAX</span>.</p> +<p class="left"> Papworth St. Agnes, July 8. 1851.</p> + + + + +<h4><span><i>Written Sermons</i></span><span> (Vol. iii., p. 478.).</span></h4> + +<p>—Your querist M. C. L. may be +referred to Dr. Short's <i>History of the Church of England</i>, § 223.; or +to Burnet's <i>Reformation</i>, vol. i. p. 317., folio; where he will find +that the practice commenced about the year 1542.</p> + + +<p class="right"> N. E. R. (a Subscriber.)</p> + + + + +<h3><span>FEST SITTINGS.<br /> +(Vol. iii., pp. 328. 396.)</span></h3> + +<p>Not questioning the meaning given to the word <i>Fest</i> by R. V<span class="smcap lowercase">INCENT</span>, I +take leave to refer you to Dr. Willan's list of words in use in the +mountainous districts of the West Riding of Yorkshire, in the +seventeenth volume of the <i>Archæologia</i>. You will there find: "F<span class="smcap lowercase">EST</span>, to +board from home." The word is used in that sense at the present time. A +gentleman resident in the West Riding writes to me:</p> + + <p class="blockquot">"I have heard the term 'fest' used generally as applying to + sending out cattle to pasture, and so says Carr in his <i>Dialect + of Craven</i>. I have also frequently heard it used in this manner: + 'I have fest my lad out apprentice to so and so.' In my own + neighbourhood, in the West Riding, it is a frequent practice for + poor man who possesses a cow, but no pasture, to 'fest' her with + some occupier of land at a certain sum by the week, or for some + other term. So a gamekeeper is said 'to fest' his master's + pointer, when he agrees with a farmer to keep it for a time. In + these cases the boy, the cow, the pointer, 'are boarded from + home.'"</p> + + +<p>As to "statutes" or "sittings," the word<a id="word43"></a> <span class="pagenum">[43]</span> "statutes" is explained +in Blount's <i>Dictionary</i> as follows:</p> + +<p class="blockquot"> "It is also used in our vulgar discourse for the Petty Sessions + which are yearly kept for the disposing of servants in service by + the statute 5 Eliz. chap. iv." (§ 48.)</p> + +<p>See in the <i>Archaic and Provincial Dictionary</i>, "S<span class="smcap lowercase">ITTINGS</span>" and +"S<span class="smcap lowercase">TATUTE</span>." In Holderness (I collect it from the Query of F. R. H.) the +term "sittings" is used in the same sense as "statute" in the West +Riding, and in many other parts of the kingdom. "Fest sittings" appear +then to mean "the annual assemblage of servants who hire themselves to +board from home." In many places the "statute" or "stattie" is connected +with the fair.</p> + + <p class="blockquot">"Statute Fairs," my friend writes, "are held at Settle, Long + Preston, and other places, which don't occur to me, in our + district (Craven). At Settle servants wishing to hire stand with + a small white wand in their hands, to show their object. In like + manner horses, when taken to a fair, wear on their heads a white + leather kind of bridle; and (to come nearer home) when a young + lady has attained a certain age, and begins to look with anxious + eye to future prospects, we say that she also has put on the + white bridle."</p> + +<p>He adds: "I have myself had servants hired at Long Preston Statute +Fair." Another friend writes to me:</p> + + <p class="blockquot"> "Richmond Statties are very famous, every servant desirous of + hiring having a peeled twig or stick. At Penrith they put a straw + in their mouths. I remember a poor girl being killed by an + infuriated cow at Penrith; and the poor thing had the straw in + her mouth when dead."</p> + +<p>In the East Riding, Pocklington Statute is well known; and York has its +Statute Fair. At these "statutes" or "statties" ("Stattie Fairs" and +"Sittings," or Fest Sittings), servants "fest themselves," that is, hire +themselves to board from home.</p> + +<p>Standing in the market-place to be hired will occur to any one who may +take the trouble of reading these desultory observations.</p> + +<p>Excuse my adding irrelevantly the following use of the word "sitting." +It is said that a young man is "sitting a young woman," when he is +wooing or courting her.</p> + +<p class="right"> F. W. T.</p> + + + + +<h3><span>HISTOIRE DES SÉVÉRAMBES.<br /> +(Vol. iii., pp. 4. 72. 147. 374.)</span></h3> + +<p>In Quérard's <i>France Littéraire</i> (Didot, Paris, 1839), tome x. p. 10., I +read the following notice of the author of <i>Histoire des Sévérambes</i>:—</p> + + + <p class="blockquot"> "Vairasse (Denis) d'Alais, écrivain français du XVII. Siècle.</p> + + <p class="blockquot">"—— Grammaire raisonnée et méthodique, contenant en abrégé les + principes de cet art et les règles les plus nécessaires de la + langue français. Nouv. édit. Paris, D. Mariette, 1702, in-12.</p> + + <p class="blockquot">"La première édition a paru en 1681.</p> + + <p class="blockquot">"—— Histoire des Sévérambes (Roman politique) nouv. édit. + Amsterdam, Etienne Roger, 1716, 2 vol. in-12.</p> + + <p class="blockquot">"La première édition parut de 1677 à 1679, en trois vol. in-12.</p> + + <p class="blockquot">"Cet ouvrage a été réimprimé dans la collection des Voyages + imaginaires."</p> + + +<p><i>La France Littéraire</i> is a compilation of extraordinary labour and +research; and, in the absence of more authentic information, I believe +we may safely rely on the above statement. The facts, therefore, in so +far as they have been brought to light, may be summed up as follows:—</p> + +<p>1. The original work was written in English, was entitled <i>History of +the Sevarites</i>, and published in 1675.</p> + +<p>2. That work suggested the idea of the <i>Histoire des Sévérambes</i>, which +was published in 1677-9, and in all essential respects may be said to be +an original composition.</p> + +<p>3. The Captain <i>Liden</i> of one edition, and the Captain <i>Siden</i> of +another (from whose memoirs the work is said to have been translated), +are one and the same imaginary personage.</p> + +<p>4. The author of the <i>History of the Sevarites</i> has not been +ascertained; the claims of Vairasse, Algernon Sidney, and Isaac Vossius, +being founded on mere conjecture.</p> + +<p>5. There seems no reason to doubt that Denis Vairasse d'Alais was the +author of <i>Histoire des Sévérambes</i>; supported as that opinion is by the +testimony of Christian Thomasius, Barbier, and Quérard.</p> + +<p class="right"> H<span class="smcap lowercase">ENRY</span> H. B<span class="smcap lowercase">REEN</span>.</p> +<p class="left"> St. Lucia, June, 1851.</p> + + + + +<h3><span>SALTING THE DEAD.<br /> +(Vol. iv., p. 6.)</span></h3> + +<p>An amusing instance of this custom—perhaps even now, under certain +circumstances, prevalent in some parts of England—occurs in Mrs. Bray's +<i>Letters on the Superstitions, &c. of Devonshire</i>. A traveller while +passing over one of the large uninclosed tracts of land near Tavistock, +was overtaken by a violent snowstorm, which compelled him to seek a +night's shelter from the inhabitants of a lonely cottage on the moor. In +the chamber assigned for his repose, he observed a curiously carved oak +chest of antique appearance.</p> + + <p class="blockquot"> "He noticed or made some remarks upon it to the old woman who had + lighted him up stairs, in order to see that all things in his + room might be as comfortable as circumstances would permit for + his rest. There was something he thought shy and odd about the + manner of the woman when he observed the chest; and after she was + gone, he had half a mind to take a peep into it."</p> + +<p>After a while he does, and <i>horribile dictu!</i> a<a id="dictu44"></a> <span class="pagenum">[44]</span> human corpse, +stiff and cold, lay before his sight! After a night spent in the most +agonizing apprehensions he descends to breakfast, and his fears become +somewhat lightened by the savoury fumes of the morning meal.</p> + + <p class="blockquot">"Indeed so much did he feel reassured and elevated by the + extinction of his personal fears, that, just as the good woman + was broiling him another rasher, he out with the secret of the + chest, and let them know that he had been somewhat surprised by + its contents; venturing to ask, in a friendly tone, for an + explanation of so remarkable a circumstance. 'Bless your heart, + your honour, 'tis nothing at all,' said her son; 'tis only + fayther!'—'Father! your father!' cried the traveller; 'what do + you mean?'—'Why, you know, your honour,' replied the peasant, + 'the snaw being so thick, and making the roads so cledgy like, + when old fayther died, two weeks agon, we couldn't carry un to + Tavistock to bury un, and so mother put un in the old box, and + salted un in: mother's a fine hand at salting un in.'"—Vol. i. + pp. 29. 32.</p> + +<p>In connexion with this subject you will perhaps permit me to observe, +that the custom of placing a plate of salt on the body is still retained +in many parts of the country. An instance of its use in the metropolis +came under my notice only last week. The reason assigned for this is, +that it prevents the spread of any noxious vapours. But query, is it not +an ancient superstitious observance? According to Moresin:</p> + + <p class="blockquot"> "Salem abhorrere constat diabolum et ratione optima nititur, quia + Sal æternitatis est et immortalitatis signum, neque putredine + neque corruptione infestatur unquam, sed ipse ab his omnia + vendicat."—<i>Moresini Papatus</i>, p. 154.</p> + + <p class="right"> S<span class="smcap lowercase">PERIEND</span>.</p> + + + + +<h3><span class="bla">Replies to Minor Queries.</span></h3> + +<h4><span><i>Bogatsky</i></span> <span>(Vol. iii., p. 478.).</span></h4> + +<p>—A very satisfactory biographical +sketch of Bogatsky, author of the <i>Golden Treasury</i>, will be found in +<i>Evangelical Christendom</i>, vol. iii. for 1849, pp. 69. and 101.</p> + +<p class="right"> C. W. B.</p> + + + + +<h4><span><i>Baronette</i></span><span> (Vol. iii., p. 450.).</span></h4> + +<p>—Selden was of opinion that Baronet +was used for Banneret, as may be seen in the following extracts from the +second part of <i>Titles of Honor</i>.</p> + +<p>Chap. iii. sect. 23.:</p> + + + <p class="blockquot"> "Bannerets ... some have stiled them Baronets, as if they had a + diminitive title of Barons."</p> + + +<p>Chap. v. sect. 25.:</p> + + + <p class="blockquot"> "And whereas in the statutes of the same King" (Richard II.), "as + we read them in English, every Archbishop, Bishop, Abbot, Prior, + Duke, Earl, Baron, Baronet, Knight of the Shire, &c., are + commanded under paine of amerciament or other punishment, + according to ancient use, to appear in Parlament; the French, + both of the Roll and of those Books that are truly printed, hath + Banneret and by some little mistake Barneret for the same word. + And as when mention is in the old stories of Knight Banneret, the + word Baronet (which runnes easier from the tongue) is often for + Banneret; so fell it not only in the English print of our + statutes, but also in a report of a case that is of a later time + than that to which our present division confines us, that Baronet + (for Banneret) is likewise used for a Baron. For in an attaint + under Henry the Sixt, one of the Jury challenged himselfe because + his ancestors had been Baronets and Seigneurs des Parlements. I + cannot doubt but that the title of Banneret in this sense was + meant there."</p> + +<p>Chap. v. sect. 39.:</p> + + <p class="blockquot"> "Of the name of Banneret as it sometimes expressed a Baron of + Parlament enough is before said. And as in that notion of it, + Baronet was often miswritten for it, so also in this." (Milites + vexilliferi): "Neither only have the old stories Baronetti very + frequent for Banneretti, but even in a patent passed to Sir Ralph + Fane, a Knight-Banneret under Edward the Sixt, he is called + Baronettus for Bannerettus."</p> + + <p class="right"> L<span class="smcap lowercase">LEWELLYN</span>.</p> + + + + +<h4><span><i>Rifles</i></span> <span>(Vol. iii., p. 517.).</span></h4> + +<p>—In reply to A. C., I can safely assert +that the <i>best</i> American rifles are nearly equal, in point of +workmanship, to the <i>common</i> ones made in Birmingham, and that there is +no "<i>use for which an American rifle is to be preferred to an English</i>," +French, or Belgian one; and further, that the American rifles will not +bear comparison with those of any London maker.</p> + +<p>Colt's revolvers were submitted to our Government twelve or fourteen +years ago, and not approved. The present revolvers, made in England, +have always been considered improvements upon them.</p> + +<p>I do not pretend to be the "highest authority," though I profess to know +something of the subject.</p> + + <p class="right"> T<span class="smcap lowercase">HE</span> A<span class="smcap lowercase">UTHOR OF</span><br /> + "E<span class="smcap lowercase">NGINES OF</span> W<span class="smcap lowercase">AR.</span>"</p> + + + + +<h4><span><i>Miss</i> </span><span>(Vol. iv., p. 6.).</span></h4> + +<p>—Evelyn's notice of this word is prior to the +instance cited by your correspondent. Under the 9th of January, 1662, he +has,—</p> + + <p class="blockquot"> "I saw acted <i>The Third Part of the Siege of Rhodes</i>. In this + acted ye faire and famous comedian call'd Roxalana, from ye part + she perform'd; and I think it was ye last, she being taken to be + ye Earle of Oxford's <i>Misse</i> (as at this time they began to call + lewd women)."</p> + + <p class="right"> S<span class="smcap lowercase">PERIEND</span>.</p> + + + + +<h4><span><i>Lady Flora Hastings' Bequest</i></span> <span>(Vol. iii., p. 522.).</span></h4> + +<p>—I can state +positively, that the lines with the above title were "in reality written +by that lamented lady." I was not aware they had ever appeared in print, +nor do I think her family are aware either. I am truly sorry that a +"Christian Lady" should have been guilty of such a shameless, heartless +act of literary piracy.</p> + +<p>I here take the opportunity of remarking that, in the last stanza but +one, and sixth line, "upon" is a misprint for "uprose."</p> + + <p class="right"> E<span class="smcap lowercase">RZA</span>.<a id="rza45"></a> <span class="pagenum">[45]</span></p> + + + + + + +<h4><span><i>English Sapphics</i></span><span> (Vol. iii., p. 494.).</span></h4> + +<p>—In the translation of the +Psalms of David by Sir P. Sidney and his sister, the Countess of +Pembroke, the 125th Psalm is rendered in Sapphics. The first stanza is +as follows:</p> + + <div class="poem"> <p>"As Sion standeth very firmly steadfast,</p> + <p>Never once shaking: so on high Jehova</p> + <p> Who his hope buildeth, very firmly steadfast</p> + <p class="i11"> Ever abideth."</p></div> + + +<p>The 120th Psalm is in Alcaics, and, I think, very successful, +considering the difficulty of the metre. It commences thus:</p> + + <div class="poem"> <p> "As to th' Eternall often in anguishes</p> + <p> Erst have I called, never unanswered,</p> + <p class="i3"> Againe I call, againe I calling</p> + <p class="i3"> Doubt not againe to receave an answer."</p></div> + +<p>There are also specimens of other Latin metres in the same collection.</p> + +<p>I remember about eighteen or twenty years ago an "Ode to December," in +<i>Blackwood's Magazine</i>, the first stanza of which was as follows (I +quote from memory):</p> + + <div class="poem"> <p> "O'er the bare hill tops moan the gusty breezes,</p> + <p> From the dark branches sweeping the sere leaves,</p> + <p> South comes the polar duck; and the gliding grey gull</p> + <p class="i9">Shrieks to her shelter."</p></div> + + <p class="right"> M. W.</p> + + + + +<h4><span><i>Welwood</i></span> <span>(Vol. iv., p. 1.).</span></h4> + +<p>—The imprint of the first edition of his +<i>Memoirs</i> is "London, for Tim. Goodwin, 1700." The Museum copy which +bears the press-mark 808. f. is a distinct impression.</p> + + <p class="right"> B<span class="smcap lowercase">OLTON</span> C<span class="smcap lowercase">ORNEY</span>.</p> + + + + + +<h4><span><i>Bellarmin's Monstrous Paradox</i> </span><span>(Vol. iii., p. 497.).</span></h4> + +<p>—In your paper of +June 21st, there is a question inserted as to the precise text in which +Cardinal Bellarmin is said to maintain that "should the Pope command the +commission of vice, and forbid the practice of virtue, it would become +the duty of Catholics to perform the one and to avoid the other." To +that question you have replied by quoting a passage from the fourth book +of the cardinal's great work. It is quite true that the words quoted by +you occur at that place; it is quite as untrue that the "monstrous +paradox" is there attempted to be maintained. A reference to the book +will show at once that this paradox is simply used as an argument to +enable the cardinal to prove his point by the common method of a +<i>reductio ad absurdum</i>. If what I maintain, says the cardinal, is false, +then it follows that "should the Pope," &c. Of course, the rest of the +argument fully stated would be: But this consequence is not true, +therefore neither is the antecedent true; that is to say, "what I +maintain" is true. So that instead of maintaining in this passage the +monstrous paradox alleged, the cardinal, in reality, is only quoting it +as a monstrous absurdity, which he himself <i>condemns</i>, and which would +result from the contradiction of his proposition. In justice to the +memory of a great man, who has been much and most unjustly slandered +upon this very point, may I ask for the insertion of this letter.</p> + + <p class="right"> J. W. C<span class="smcap lowercase">T</span>.</p> + + + + +<h4><span><i>Jonah and the Whale</i></span> <span>(Vol. iii., p. 517.).</span></h4> + +<p>—E. J. K. probably founds +his unqualified rejection of the word "whale" on the English version, as +a presumed more correct interpretation of the corresponding term in the +original Hebrew. But it should not be forgotten, that the equal, or +perhaps superior authority of the Seventy translators, to that of our +best modern interpreters, is becoming daily more apparent. At all +events, without a reference to such collateral aid, it is scarcely safe +to pronounce on the meaning of any word or passage in the Old Testament. +On this subject, among many other works, may be consulted the valuable +Lexicon of the Rev. Dr. Wilson, Canon of Winchester; and the learned +<i>Apology for the Septuagint</i>, by the Rev. E. W. Grinfield.</p> + +<p>In the present case, it is certainly of little consequence, whether the +Greek word + <ins title="[Greek: kêtos]">κῆτος</ins>, +and the Latin <i>cetus</i>, be translated "whale," +or "great fish," both of which may be comprehended under them. Though +the former is the usual interpretation, and though the English +translators employ the term "great fish" in the passages + "<ins title="[Greek: Kai prosetaxe Kyrios Kêtei megalô]">Καὶ + προσέταξε + Κύριος + κήτει + μεγάλῳ</ins>," +and +"<ins title="[Greek: en tê koilia tou kêtous]">ἐν + τῇ +κοιλίᾳ +τοῦ +κήτους</ins>," +the commonly accepted word seems more in accordance with an authority of +unquestionable importance.</p> + + <p class="right"> C. H. P.</p> + + <p class="left"> Brighton, June 28. 1851.</p> + +<p>It must have escaped the memory of your correspondent E. J. K., in +speaking of the supposed error of calling the "great fish" which +swallowed Jonah a "whale," that our Lord, in giving this sign to the +Jews, calls it in our English version a "whale" +(<ins title="[Greek: tou kêtous]">τοῦ κήτους</ins>, +St. Matt. xii. 40., this being the word used in the Septuagint version, +from which the Evangelists quoted the SS. of the Old Testament).</p> + +<p>Surely then there is not any <i>popular</i> error in the term "whale" as +expressing the "great fish" of the prophet Jonah, for your correspondent +does not go beyond the English version, nor can I say what the word used +in the original Hebrew would strictly signify. <ins title="[Greek: Kêtos]">Κῆτος</ins>, it is +true, may not, and probably does not, mean anything more definite than +the "great fish" of the Hebrew; but certainly our translators, by +adopting the term "whale" in the Gospels, have so sanctioned the +interpretation, that the error, if such, must be referred to them, and +not to any later period, and therefore can hardly be reckoned amongst +those of the <i>popular</i> class.</p> + + <p class="right"> O<span class="smcap lowercase">XONIENSIS</span>.</p> + + <p class="left"> Walthamstow, June 30. 1851</p> + +<p>Great disputes have been raised what the fish was. As it is called a +whale in the Septuagint,<a id="gint46"></a> <span class="pagenum">[46]</span> and in St. Matthew, xii. 40., one can +hardly call it a vulgar error to speak of it commonly as a whale.</p> + + <p class="right"> C. B.</p> + + + + +<h4><span><i>Book Plates</i></span> <span>(Vol. iii., p. 495.).</span></h4> + +<p>—Your correspondent inquiring about +book plates mentions, that 1698 is the earliest date he has heard of. In +a sale at Sotheby's, commencing on the 21st inst., there is a copy of +Evelyn's <i>Silva</i>, presented by him to Sir Robert Clayton, Lord Mayor of +London, with his book plate in it, date 1679.</p> + + <p class="right"> E. N. W.</p> + <p class="left"> Southwark, July, 1851.</p> + + + + + +<h2><span class="bla">Miscellaneous.</span></h2> + + +<h3><span>NOTES ON BOOKS, SALES, CATALOGUES, ETC.</span></h3> + +<p><i>The Canons and Decrees of the Council of Trent, with a Supplement, +containing the Condemnations of the Early Reformers, and other matters +relating to the Council. Literally translated into English by</i> Theodore +Alois Buckley, B.A., of <i>Christ Church, Oxford</i>, is the title of a +volume which has just been issued; and which many of our readers will +probably consider a very well-timed volume. It is not, however, because +we admit with Mr. Buckley that "to try Rome fairly we must hear her +plead her own cause" (for with polemics we have nothing to do), that we +direct their attention to it; but because we agree with him that the +Decrees and Canons of the Council of Trent are documents as valuable in +a legal and historical, as in a religious point of view, and because +there must be many who would gladly learn what these Canons and Decrees +were, yet are not acquainted with the language in which they were +originally recorded. By such persons Mr. Buckley's name on the +title-page may be received as a sufficient guarantee of the accuracy of +the present translation.</p> + +<p>The first volume of a history of the book-trade in Germany, containing +notices of some booksellers of the fifteenth and sixteenth centuries, +has just been published at Leipsic, under the title of <i>Beitrage zur +Geschichte des Deutschen Buchhandels</i>. The author is Albrecht Kirchhoff, +and the work, short as it is, will be found very useful to parties +engaged in bibliographical investigations.</p> + +<p>Our valued correspondent, the Rev. Dr. Todd of Dublin, has just +published <i>Three Treatises by John Wycklyffe, D.D.</i> I. <i>Of the Church +and her Members.</i> II. <i>Of the Apostacy of the Church.</i> III. <i>Of +Antichrist and his Meynee. Now first printed from a Manuscript in the +Library of Trinity College, Dublin.</i> The Treatises, which, in Dr. Todd's +opinion, contain internal evidence of having been written within the +last year of the Reformer's life, are accompanied by Notes and a copious +Glossary; and the work has been undertaken not without a hope that the +publication of these Treatises may direct the attention of influential +scholars to the importance of collecting and printing all the existing +writings which remain in our libraries under the name of Wycklyffe and +his followers. We sincerely trust that this hope will soon be realised.</p> + +<p>Messrs. Puttick and Simpson announce for approaching sale the highly +important collection of Autograph Letters and Historical MSS. of Mons. +A. Donnadieu. The series of English Royal Autographs alone extends to +nearly three hundred articles; nearly all the letters after Henry VII. +being entirely autograph. This fact alone will give some idea of the +extent and value of this extraordinary collection.</p> + + + + +<h3><span>BOOKS AND ODD VOLUMES<br /> +WANTED TO PURCHASE.</span></h3> + +<ul> +<li> W<span class="smcap lowercase">ILLIS'S</span> A<span class="smcap lowercase">RCHITECTURE OF THE</span> M<span class="smcap lowercase">IDDLE</span> A<span class="smcap lowercase">GES.</span></li> + +<li> C<span class="smcap lowercase">LARKSON'S</span> H<span class="smcap lowercase">ISTORY OF</span> R<span class="smcap lowercase">ICHMOND</span>, 2nd Edition 4to.</li> + +<li> B<span class="smcap lowercase">RITISH</span> P<span class="smcap lowercase">OETS</span>. Whittingham's Edition, boards or quires, without the Plates.</li> + +<li> B<span class="smcap lowercase">EBELII</span> E<span class="smcap lowercase">CCLESIA</span> A<span class="smcap lowercase">NTE</span>-D<span class="smcap lowercase">ILUVIANA</span>, &c. Argent. 4to. 1665.</li> + +<li> T<span class="smcap lowercase">YNDALE'S</span> "P<span class="smcap lowercase">ARABLE OF THE</span> W<span class="smcap lowercase">ICKED</span> M<span class="smcap lowercase">AMMON</span>." Any Edition prior to 1550.</li> + +<li> T<span class="smcap lowercase">HE </span>D<span class="smcap lowercase">APHNIS AND</span> C<span class="smcap lowercase">HLOE OF</span> L<span class="smcap lowercase">ONGUS</span>. Courier's French Translation.</li> + +<li> B<span class="smcap lowercase">ELL'S</span> S<span class="smcap lowercase">YSTEM OF </span>S<span class="smcap lowercase">URGERY</span>. Vol. I.</li> + +<li> T<span class="smcap lowercase">HE</span> C<span class="smcap lowercase">HIRURGICAL</span> W<span class="smcap lowercase">ORKS OF</span> P<span class="smcap lowercase">ERCIVAL</span> P<span class="smcap lowercase">OTTS</span>. Vol. I.</li> + +<li> B<span class="smcap lowercase">RYANT</span>, D<span class="smcap lowercase">ISSERT ON THE</span>. W<span class="smcap lowercase">AR OF</span> T<span class="smcap lowercase">ROY.</span> 4to.</li> + +<li> —— O<span class="smcap lowercase">BSERV. ON</span> L<span class="smcap lowercase">E</span> C<span class="smcap lowercase">HEVALIER'S</span> P<span class="smcap lowercase">LAIN OF</span> T<span class="smcap lowercase">ROY</span>. 4to.</li> + +<li> —— M<span class="smcap lowercase">ORETT'S</span> V<span class="smcap lowercase">INDIC. OF</span> H<span class="smcap lowercase">OMER</span>. 4to.</li> + +<li> B<span class="smcap lowercase">RYDGES</span>, R<span class="smcap lowercase">ES</span> L<span class="smcap lowercase">ITERARIÆ</span>, B<span class="smcap lowercase">IBL</span>. A<span class="smcap lowercase">ND</span> C<span class="smcap lowercase">RITICAL</span>. 3 Vols. 8vo.</li> + +<li> B<span class="smcap lowercase">YRES</span>, E<span class="smcap lowercase">TRURIAN</span> A<span class="smcap lowercase">NTIQUITIES</span>, by Howard. Folio.</li> + +<li> C<span class="smcap lowercase">RITICAL</span> O<span class="smcap lowercase">BSERVATIONS ON </span>B<span class="smcap lowercase">OOKS</span>; A<span class="smcap lowercase">NCIENT AND</span> M<span class="smcap lowercase">ODERN</span>. 5 Vols. 8vo.</li> + +<li> D<span class="smcap lowercase">OMESDAY</span> B<span class="smcap lowercase">OOK</span>. 4 Vols. Folio.</li> + +<li> D<span class="smcap lowercase">RUMMOND</span>, H<span class="smcap lowercase">ISTORY OF</span> N<span class="smcap lowercase">OBLE</span> B<span class="smcap lowercase">RITISH</span> F<span class="smcap lowercase">AMILIES</span>.</li> + +<li> C<span class="smcap lowercase">ORONA</span> M<span class="smcap lowercase">ISTICA</span> B<span class="smcap lowercase">EATE</span> V<span class="smcap lowercase">IRGINIS</span> M<span class="smcap lowercase">ARIE </span> G<span class="smcap lowercase">LORIOSE</span>. Impressa Antewerpie per G. Leeu, 1492.</li> + +<li> P<span class="smcap lowercase">ASSIONAEL EFTE DAT</span> L<span class="smcap lowercase">EVENT DER</span> H<span class="smcap lowercase">EILIGEN</span>. Folio. Basil. 1522.</li> + +<li> B<span class="smcap lowercase">ROEMEL</span>, M. C. H., F<span class="smcap lowercase">EST</span>-T<span class="smcap lowercase">ANZEN DER</span> E<span class="smcap lowercase">RSTEN</span> C<span class="smcap lowercase">HRISTEN</span>. Jena 8vo. 1705.</li> + +<li> A<span class="smcap lowercase">LLAN</span> C<span class="smcap lowercase">UNNINGHAM'S</span> T<span class="smcap lowercase">RADITIONARY</span> T<span class="smcap lowercase">ALES OF THE </span> P<span class="smcap lowercase">EASANTRY</span>. 2 Vols. 12mo. Two copies wanted.</li> + +<li> S<span class="smcap lowercase">TEWART'S</span> P<span class="smcap lowercase">HILOSOPHY OF THE</span> H<span class="smcap lowercase">UMAN</span> M<span class="smcap lowercase">IND</span>. 4to. Vol. I.</li> + +<li> A<span class="smcap lowercase">RTHUR</span> Y<span class="smcap lowercase">OUNG'S</span> T<span class="smcap lowercase">RAVELS IN</span> I<span class="smcap lowercase">TALY</span>.</li> + +<li> T<span class="smcap lowercase">HE</span> D<span class="smcap lowercase">EMON</span>, &c., by James Hinton, London: J. Mason.</li> + +<li> W<span class="smcap lowercase">ANDELINI</span>, IV E<span class="smcap lowercase">XERCITATIONES IN</span> P<span class="smcap lowercase">ERIODUM</span> A<span class="smcap lowercase">NTE</span>-D<span class="smcap lowercase">ILUVIANUM</span> H<span class="smcap lowercase">ISTORÆ</span> S<span class="smcap lowercase">ACRÆ</span> V<span class="smcap lowercase">ET</span>. T<span class="smcap lowercase">EST</span>. Hafniæ. 4to. 1652.</li> + +<li> S<span class="smcap lowercase">TEPHANI</span> T<span class="smcap lowercase">HESAURUS</span>. Valpy. Parts I. II. X. XI. and XXIX.</li> + +<li> The <i>Second Vol.</i> of C<span class="smcap lowercase">HAMBERS'</span> C<span class="smcap lowercase">YCLOPÆDIA OF</span> E<span class="smcap lowercase">NGLISH</span> L<span class="smcap lowercase">ITERATURE</span>.</li> + +<li> A<span class="smcap lowercase">IKIN'S</span> S<span class="smcap lowercase">ELECT</span> W<span class="smcap lowercase">ORKS OF THE </span>B<span class="smcap lowercase">RITISH</span> P<span class="smcap lowercase">OETS</span>. 10 Vols. 24mo. Published by Longmans and Co. 1821. Vols. I. V. and VIII. wanted.</li> + +<li> M<span class="smcap lowercase">ARKHAM'S</span> H<span class="smcap lowercase">ISTORY OF</span> F<span class="smcap lowercase">RANCE</span>. Vol. II. 1830.</li> + +<li> M<span class="smcap lowercase">ARKHAM'S</span> H<span class="smcap lowercase">ISTORY OF </span>E<span class="smcap lowercase">NGLAND</span>. Vol. II. 1836. Sixth Edition.</li> + +<li> J<span class="smcap lowercase">AMES'S</span> N<span class="smcap lowercase">AVAL</span> H<span class="smcap lowercase">ISTORY</span>. (6 Vols. 8vo.) 1822-4. Vol. VI.</li> + +<li> H<span class="smcap lowercase">UME'S </span>H<span class="smcap lowercase">ISTORY OF</span> E<span class="smcap lowercase">NGLAND</span> (8 Vols. 1818.) Vol. IV.</li> + +<li> R<span class="smcap lowercase">USSELL'S</span> E<span class="smcap lowercase">UROPE, FROM THE </span> P<span class="smcap lowercase">EACE OF</span> U<span class="smcap lowercase">TRECHT</span>. 4to. 1824. Vol. II.</li> + +<li> W<span class="smcap lowercase">ATT'S</span> B<span class="smcap lowercase">IBLIOTHECA</span> B<span class="smcap lowercase">RITANNICA</span>, Part V. 4to.</li> + +<li> S<span class="smcap lowercase">TRUTT'S</span> M<span class="smcap lowercase">ANNERS AND</span> C<span class="smcap lowercase">USTOMS</span>. Vol. II. 4to.</li> + +<li> O<span class="smcap lowercase">LD</span> B<span class="smcap lowercase">AYLEY</span> S<span class="smcap lowercase">ESSIONS</span> P<span class="smcap lowercase">APERS</span>, 1744 to 1774. or any portion thereof. 4to.</li> + +<li> C<span class="smcap lowercase">OLDEN'S</span> H<span class="smcap lowercase">ISTORY OF THE</span> F<span class="smcap lowercase">IVE</span> I<span class="smcap lowercase">NDIAN</span> N<span class="smcap lowercase">ATIONS OF</span> C<span class="smcap lowercase">ANADA</span>. Vol. I. 12mo. Lond. 1755.</li> + +<li> H<span class="smcap lowercase">EARNE</span> (T.) L<span class="smcap lowercase">ELAND'S</span> I<span class="smcap lowercase">TINERARY</span>. Vols. I. II. III. and VII.</li> + +<li> D'A<span class="smcap lowercase">RBLAY'S</span> D<span class="smcap lowercase">IARY</span>. Vol. III.</li> + +<li> C<span class="smcap lowercase">HEVALIER</span> R<span class="smcap lowercase">AMSAY</span>, E<span class="smcap lowercase">SSAI DE</span> P<span class="smcap lowercase">OLITIQUE</span>, où l'on traite de la Nécessité, de l'Origine, des Droits, des Bornes et des différentes Formes de la Souveraineté, selon les Principes de l'Auteur de Télémaque. 2 Vols. 12mo. La Haye, without date, but printed in 1719.</li> + +<li> The same. Second Edition, under the title "Essai Philosophique sur le Gouvernement Civil, selon les Principes de Fénélon," 12mo. Londres, 1721.</li> + +<li> S<span class="smcap lowercase">IR</span> T<span class="smcap lowercase">HOS.</span> E<span class="smcap lowercase">LYOT</span>, T<span class="smcap lowercase">HE</span> G<span class="smcap lowercase">OVERNOUR</span>. 1st Edit. 1531.</li> + +<li> B<span class="smcap lowercase">ASTWICK</span> (D<span class="smcap lowercase">R</span>. J<span class="smcap lowercase">OS</span>.) S<span class="smcap lowercase">UPPLEMENTUM</span>, &c., 1635.</li> + +<li> E<span class="smcap lowercase">NGRAVED</span> P<span class="smcap lowercase">ORTRAITS OF</span> B<span class="smcap lowercase">ISHOP</span> B<span class="smcap lowercase">UTLER</span>.</li> + +<li> M<span class="smcap lowercase">ARLBOROUGH</span> D<span class="smcap lowercase">ISPATCHES.</span> Volumes IV. and V.</li> + +<li> A<span class="smcap lowercase">RT</span> J<span class="smcap lowercase">OURNAL</span>, 1839 to 1844 inclusive. Also 1849.</li> + +<li> B<span class="smcap lowercase">ULWER'S</span> N<span class="smcap lowercase">OVELS.</span> 12mo. Published at 6s. per Vol. Pilgrims of the Rhine, Alice, and Zanoni.</li> + +<li> D<span class="smcap lowercase">R</span>. A<span class="smcap lowercase">DAMS</span>' S<span class="smcap lowercase">ERMON ON THE</span> O<span class="smcap lowercase">BLIGATION OF</span> V<span class="smcap lowercase">IRTUE</span>. Any edition.</li> +</ul> + + + + +<p class="indh6"><span class="topnum">*</span><span class="botnum">*</span><span class="topnum">*</span> Letters, stating particulars and lowest price, <i>carriage +free</i>, to be sent to M<span class="smcap lowercase">R</span>. B<span class="smcap lowercase">ELL</span>, Publisher of "NOTES AND QUERIES," 186. +Fleet Street.<a id="Fleet47"></a> <span class="pagenum">[47]</span></p> + + + + + +<h3><span class="bla">Notices To Correspondents.</span></h3> + + +<p>R<span class="smcap lowercase">EMIGIUS</span>. <i>"Murder considered as one of the Fine Arts" appeared in</i> +Blackwood's Magazine <i>some twenty years since.</i></p> + +<p>M<span class="smcap lowercase">R</span>. P<span class="smcap lowercase">ARSONS</span>, <i>whose Query on the subject of Book plates appears in our +86th No., is requested to say where a letter may be addressed to him.</i></p> + +<p>C. H. B. <i>We are much obliged for his paper, which has been to our +knowledge transcribed twice before; and is about to be published in a +way in which we are sure</i> C. H. B. <i>will be very pleased to see it. At +present we think we had better not interfere with, we trust, a shortly +forthcoming book.</i></p> + +<p>A C<span class="smcap lowercase">ONSTANT</span> R<span class="smcap lowercase">EADER</span> (Temple) <i>will find a very full account of the</i> +Lambeth Articles <i>in Mr. Hardwick's recently published</i> History of the +Articles.</p> + +<p>J. C. (Falmouth). <i>The</i> Folk Lore Articles <i>alluded to will be received +with thanks.</i></p> + +<p><i>The subscribers who wanted</i> B<span class="smcap lowercase">ORLAND'S</span> D<span class="smcap lowercase">ARIAN</span> <i>and</i> Dens' Theologia, 8 +vols. 12mo., <i>are requested to send their names to the Publisher.</i></p> + +<p>R<span class="smcap lowercase">EPLIES</span> R<span class="smcap lowercase">ECEIVED</span>.—<i>Lady Petre's Monument—Redwing's Nest—Dies +Iræ—Epitaph on Voltaire—Sheridan and Vanbrugh—Quotation from an +old Ballad—Curious Monumental Inscription—Passage from +Virgil—Petty Cury—Dr. Young's Narcissa—Tennyson's In +Memoriam—Anonymous Ravennas—Topical Memory—Plaids and +Tartans—System of Notation—Salting Bodies of the Dead—Passelew +Family—Mark for a Dollar—Lay of the Last Minstrel—Spenser's Age +at his Death—Charles Lamb's Epitaph.</i></p> + +<p>C<span class="smcap lowercase">IRCULATION OF OUR</span> P<span class="smcap lowercase">ROSPECTUSES BY</span> C<span class="smcap lowercase">ORRESPONDENTS</span>. <i>The suggestion of</i> +T. E. H., <i>that by way of hastening the period when we shall be +justified in permanently enlarging our Paper to 24 pages, we should +forward copies of our</i> Prospectus <i>to correspondents who would kindly +enclose them to such friends as they think likely, from their love of +literature, to become subscribers to</i> "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>," <i>has already +been acted upon by several friendly correspondents, to whom we are +greatly indebted. We shall be most happy to forward Prospectuses for +this purpose to any other of our friends able and willing thus to assist +towards increasing our circulation.</i></p> + +<p><i>The commencement of a New Volume with our 88th Number affords a +favourable opportunity to gentlemen resident in the country to commence +the work. The Subscription for the Stamped Edition of</i> +"N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span> " <i>is ten shillings and twopence for six months, which may be +paid by Post-Office Order, drawn in favour of our Publisher</i>, + M<span class="smcap lowercase">R</span>. G<span class="smcap lowercase">EORGE</span> B<span class="smcap lowercase">ELL</span>, No. 186. Fleet Street.</p> + +<p>V<span class="smcap lowercase">OL</span>. III., <i>neatly bound in cloth, and with very copious Index, is now +ready, price</i> 9<i>s.</i> 6<i>d.</i> V<span class="smcap lowercase">OLS</span>. I. <i>and</i> II. <i>may still be had, price</i> +9<i>s.</i> 6<i>d. each.</i></p> + +<p>N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span> <i>may be procured, by order, of all Booksellers and +Newsvenders. It is published at noon on Friday, so that our country +Subscribers ought not to experience any difficulty in procuring it +regularly. Many of the country Booksellers, &c., are, probably, not yet +aware of this arrangement, which will enable them to receive</i> + N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span> <i>in their Saturday parcels.</i></p> + +<p><i>All communications for the Editor of</i> N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span> <i>should be +addressed to the care of</i> M<span class="smcap lowercase">R</span>. B<span class="smcap lowercase">ELL</span>, No. 186. Fleet Street.</p> + +<p><i>Erratum.</i>—Vol. iii., p. 495., for "D<i>um</i>ore Castle" read "Du<i>nm</i>ore +Castle."</p> + + + + + + + +<div class="boxad"> +<p class="center">CHEVALLIER'S TRANSLATION OF THE EARLY CHRISTIAN WRITERS</p> + +<p class="center">In 8vo, price 12<i>s.</i>, the Second Edition of</p> + +<p class="noindent cap">A TRANSLATION of the EPISTLES of CLEMENT of ROME, POLYCARP, and +IGNATIUS; and of the APOLOGIES of JUSTIN MARTYR and TERTULLIAN; with an +Introduction, and brief Notes illustrative of the Ecclesiastical History +of the First Two Centuries. By the R<span class="smcap lowercase">EV</span>. T<span class="smcap lowercase">EMPLE</span> C<span class="smcap lowercase">HEVALLIER</span>, B.D., late +Fellow and Tutor of Catharine Hall, Cambridge; Professor of Mathematics +and Astronomy in the University of Durham.</p> + +<p><span class="topnum">*</span><span class="botnum">*</span><span class="topnum">*</span> The Introduction treats of the Integrity of the Greek Text +of the Epistles of Ignatius, with reference to the Syriac Version lately +edited by Mr. Cureton.</p> + +<p class="center">London: R<span class="smcap lowercase">IVINGTONS</span>, St. Paul's Church Yard, and Waterloo Place; and +Deighton, Cambridge.</p> +</div> + + +<div class="boxad"> + +<p class="center2">FOREIGN BOOKS</p> +<p class="center">AT REDUCED PRICES,<br /> +FOR A LIMITED NUMBER OF COPIES.</p> + +<p class="center">I.</p> + +<p>RADICES LINGUÆ SANSCRITÆ. by W. L. W<span class="smcap lowercase">ESTERGAARD</span>. Imp. 8vo. double volume. +(Published at 34<i>s.</i>) for 15<i>s.</i></p> + +<p class="center">II.</p> + +<p>GESENIUS.—SCRIPTURÆ LINGUÆQUE PHŒNICIÆ MONUMENTA. Add. de Scriptura +et Lingua Phœnicum. 3 vols. 4to. boards, 48 engraved Plates. +(Published at 2<i>l.</i> 14<i>s.</i>) For 16<i>s.</i></p> + +<p class="center">III.</p> + +<p>SAMACHSCHARII LEXICON ARABICUM-PERSICUM; with an Arabic Index. Edited by +J. G. W<span class="smcap lowercase">ETZSTEIN</span>. 4to. boards. For 1<i>l.</i> 7<i>s.</i></p> + +<p class="center">IV.</p> + +<p>DIEFFENBACH.—LEXICON COMPARATIVUM LINGUARUM +INDO-GERMANICARUM.—VERGLEICHENDES WOERTERBUCH DER GERMANISCHEN +SPRACHEN. 2 Vols. 8vo. (Published at 36<i>s.</i>) For 25<i>s.</i></p> + +<p class="center">V.</p> + +<p>FLUEGEL'S OWN GERMAN and ENGLISH DICTIONARY. The Third genuine German +Edition, containing 40,000 words more than the London Edition. 2 very +thick vols. royal 8vo. cloth boards, lettered. (Published in Germany at +2<i>l.</i> 5<i>s.</i>) For 1<i>l.</i> 11<i>s.</i> 6<i>d.</i></p> + +<p class="center">VI.</p> + +<p>NIBELUNGEN-NOT. Translated into Modern German by P<span class="smcap lowercase">FIZER</span>. Illustrated +with many Hundred Woodcuts by S<span class="smcap lowercase">CHNORR</span> and N<span class="smcap lowercase">EUREUTHER</span>. (Published at +21<i>s.</i>) For 15<i>s.</i></p> + +<p class="center">VII.</p> + +<p>SCHAFFARICK.—SLAWISCHE ALTERTHÜMER. Herausg. v. W<span class="smcap lowercase">UTTKE</span>. 2 vols. 8vo. +(Published at 26<i>s.</i>) For 15<i>s.</i> 6<i>d.</i></p> + +<p class="center">VIII.</p> + +<p>GRIMM (JAC.)—DEUTSCHE GRAMMATIK. 4 vols. 8vo. half-bound, very rare. +1822-37. 2<i>l.</i> 15<i>s.</i></p> + +<p class="indh6"><span class="topnum">*</span><span class="botnum">*</span><span class="topnum">*</span> All Grimm's other Works are on hand.</p> + +<p class="center">IX.</p> + +<p>WACKERNAGEL'S HYMNOLOGICAL COLLECTION.—DAS DEUTSCHE KIRCHENLIED. 850 of +the most characteristic G<span class="smcap lowercase">ERMAN</span> and L<span class="smcap lowercase">ATIN</span> H<span class="smcap lowercase">YMNS</span>, both Catholic and +Protestant. 2 vols. 4to. (Published at 21<i>s.</i>) For 10<i>s.</i></p> + +<p class="center">X.</p> + +<p>FICHTE'S COMPLETE WORKS.—SÄMMTLICHE WERKE. 8 Vols. 8vo. Last Edition. +(Published at 3<i>l.</i>) For 1<i>l.</i> 15<i>s.</i></p> + +<p class="center">XI.</p> + +<p>SCHLEGEL'S (FREDERIK) COMPLETE WORKS. 15 Vols. 8vo. Last Edition. +(Published at 3<i>l.</i>) For 2<i>l.</i> 2<i>s.</i></p> + +<p class="center">XII.</p> + +<p class="center">SECOND-HAND CATALOGUES GRATIS.</p> + + <p class="center"> 1. THEOLOGY and METAPHYSICS.<br /> + 2. GREEK and LATIN CLASSICS.<br /> + 3. SCIENTIFIC BOOKS.</p> + +<p class="center">W<span class="smcap lowercase">ILLIAMS</span> and N<span class="smcap lowercase">ORGATE</span>, 14. Henrietta Street, Covent Garden.</p> +</div> + + + + +<div class="boxad"> +<p class="center2">FOREIGN COPYRIGHT QUESTION.</p> + +<p class="center">In a few days will be published, in 8vo., Divisions I. and II. +price 2<i>s.</i> each, and Volume I. price 5<i>s.</i>, of the</p> +<p class="center2">HISTORY OF THE RESTORATION</p> +<p class="center">OF</p> +<p class="center2">MONARCHY IN FRANCE;</p> +<p class="center1">BEING A SEQUEL TO THE 'HISTORY OF THE GIRONDISTS.'</p> +<p class="center1">BY A<span class="smcap lowercase">LPHONSE DE </span>L<span class="smcap lowercase">AMARTINE</span>;</p> + +<p class="center">AND FORMING THE FIRST OF SERIES OF WORKS TO BE SELECTED FROM THE BEST CONTEMPORARY + LITERATURE OF FRANCE, AND TO BE PUBLISHED SIMULTANEOUSLY IN LONDON AND PARIS.</p> +<div class="box"><p class="center"> LONDON: VIZETELLY & COMPANY, 135. FLEET STREET, + (Printers and Publishers for the Proprietors.)</p> +<p class="center">PARIS: C<span class="smcap lowercase">H</span>. GOSSELIN, PAGNERRE, FURNE, LECOU, LIPPERT. + 18. Rue de Seine; 55. Rue St. André des Arts; 10. Rue du Bouloy.</p></div> + +<p class="center">The French Edition may be obtained at the London, and the English Edition at the Paris Establishments</p> +</div> + + + +<div class="boxad"> +<p class="noindent cap">THE EDINBURGH REVIEW, No. CXCI., was published on WEDNESDAY last.</p> + +<p class="center">CONTENTS:</p> + <p> 1. THE GREEK TEXT OF THE NEW TESTAMENT.</p> + <p> 2. JOHNSTON'S NOTES ON NORTH AMERICA.</p> + <p> 3. HARTLEY COLERIDGE.</p> + <p> 4. FATAL ACCIDENTS: HOW FAR PREVENTABLE</p> + <p> 5. PULSZKY'S TALES AND TRADITIONS OF HUNGARY.</p> + <p> 6. SIR EDW. L. BULWER LYTTON'S LETTERS TO JOHN BULL.</p> + <p> 7. THE ROMANS IN BRITAIN.</p> + <p> 8. GROTE'S HISTORY OF GREECE: VOLS. VII. A<span class="smcap lowercase">ND</span> VIII.</p> + <p> 9. DIXON'S LIFE OF PENN.</p> + <p>10. MODERN CHEMISTRY: ITS PROGRESS AND EXTENT.</p> + +<p class="center">London: L<span class="smcap lowercase">ONGMAN</span> and Co. Edinburgh: A. and C. BLACK.</p></div> + + + +<div class="boxad"> +<p class="blockquot cap">SOCIETY OF ARTS, ADELPHI, LONDON.—PHILOSOPHICAL TREATISES on the +various Departments of the G<span class="smcap lowercase">REAT</span> E<span class="smcap lowercase">XHIBITION</span>, which shall set forth the +peculiar Advantages to be derived from each by the Arts, Manufactures, +and Commerce of the country.</p> + +<p>The Council offer, in the name of the Society, the large M<span class="smcap lowercase">EDAL</span> and +25<i>l.</i> for the best, and the Society's small Medal and 10<i>l.</i> for the +second best, Treatise on the Objects exhibited in the Section of Raw +Materials and Produce.</p> + +<p>A large Medal and 25<i>l.</i> for the best, and a small Medal and 10<i>l.</i> for +the second best, Treatise on the Objects exhibited in the Section of +Machinery.</p> + +<p>A large Medal and 25<i>l.</i> for the best, and a small Medal and 10<i>l.</i> for +the second best, Treatise on the Objects exhibited in the Section of +Manufactures.</p> + +<p>A large Medal and 25<i>l.</i> for the best, and a small Medal and 10<i>l.</i> for +the second best, Treatise on the Objects exhibited in the Section of +Fine Arts.</p> + +<p>Each Treatise must occupy, as nearly as possible, eighty pages of the +size of the Bridgewater Treatises.</p> + +<p>The Society will also award its large Medal and 25 guineas for the best +General Treatise upon the Exhibition, treated Commercially, Politically, +and Statistically; and small Medals for the best Treatises on any +Special Object or Class of Objects exhibited.</p> + +<p>The successful Treatises are to be the Property of the Society; and +should the Council see fit, they will cause the same to be printed and +published, awarding to the Author the net amount of any profit which may +arise from the publication after the payment of the expenses.</p> + +<p>The Competing Treatises are to be written on foolscap paper, signed with +a motto in the usual manner, and delivered at the Society's House on or +before the T<span class="smcap lowercase">HIRTIETH OF</span> N<span class="smcap lowercase">OVEMBER</span>, 1851, addressed to George Grove, Esq., +Secretary, from whom additional particulars may be learned.</p> + + <p> By order of the Council,</p> +<p class="i11">G<span class="smcap lowercase">EORGE</span> G<span class="smcap lowercase">ROVE</span>, S<span class="smcap lowercase">EC</span>.</p> + <p class="noindent"> Adelphi, June 1. 1851.</p> +</div> + + + +<div class="boxad"> + <p class="center"> This day is published,</p> + +<p class="noindent cap">A LITHOGRAPHIC PRINT OF SHAKESPEARE, from the Portrait by Burbage, of +the same dimensions as the original Picture in the possession of the +Proprietor, William Nicol, of the Shakespeare Press. Proof impressions, +of which only a very limited number have been taken, 2 guineas each. +Prints 1 guinea each.</p> + +<p class="center"> W. N. W<span class="smcap lowercase">RIGHT</span>, Bookseller to the Queen, 60. Pall Mall.</p> +</div> + + + +<div class="boxad"> +<p class="center">The highly Important Collection of Autograph Letters and Historical + MSS. of M. A<span class="smcap lowercase">LCIDE</span> D<span class="smcap lowercase">ONNADIEU</span>.</p> + +<p class="noindent cap">PUTTICK AND SIMPSON, Auctioneers of Literary Property will SELL by +AUCTION, at their Great Room, 191. Piccadilly, on TUESDAY, July 29, and +Four following Days, the V<span class="smcap lowercase">ERY</span> I<span class="smcap lowercase">MPORTANT</span> + C<span class="smcap lowercase">OLLECTION OF</span> A<span class="smcap lowercase">UTOGRAPH</span> L<span class="smcap lowercase">ETTERS</span> +and HISTORICAL MSS. of M. A<span class="smcap lowercase">LCIDE</span> D<span class="smcap lowercase">ONNADIEU</span>. The importance of this +Collection cannot be estimated by a mere list of names, as in every +instance, with a few exceptions where extreme rarity has precluded +choice, each specimen has been selected for its intrinsic literary or +historic worth. Among the English Royal Personages are the Autographs of +Henry V., Henry VI., Edward IV., Richard III., and Henry VII.; (from +this period, nearly all are Letters entirely Autograph of) Henry VIII., +Catherine of Aragon, Catherine Parr, Edward VI., Queen Mary and Philip +of Spain, Elizabeth, Mary Queen of Scots, Henry Stuart, Lord Darnley, +James I. and Anne of Denmark, Henry Prince of Wales, Charles I. as Duke +of York and as King; also, a Document of the greatest Interest, the +Contract of Marriage between Charles I. and the Infanta of Spain, signed +by the parties—Henrietta Maria, Mary Princess of Orange, daughter of +Charles I.; Elizabeth Queen of Bohemia, Frederic King of Bohemia and his +Sons, Prince Rupert, Louisa Princess of Bohemia, her well-known Letter +in Hieroglyphics, Oliver Cromwell, Letters and Documents, and +particularly the original Order to the Lord Mayor of London, directing +him to proclaim Oliver Cromwell Lord Protector of England—Richard +Cromwell, Charles II., Catherine of Braganza, James II., the Depositions +concerning his Marriage with Anne Hyde, signed by the parties; Mary +d'Este, James III., the Pretender; William III., Queen Mary, George I., +and the rest of the House of Hanover to the present Sovereign. All these +Letters, and indeed the whole of the Collection, are in the highest +preservation, and notwithstanding the great rarity of many, several +specimens of most are included. There are Autographs of the Regicides, +temp. Charles I., and unique Letters of the Conspirators Robert Aske and +Robert Catesby. The French Royal Series commences with an extremely rare +and important Autograph of Charles VII., and continues to the close of +the Monarchy. Of Henry IV. alone there are twenty important Letters. +Other Foreign Sovereigns, including the Bonaparte family, several of +Napoleon, particularly a <i>plein pouvoir</i> to Caulincourt, enabling him to +conclude a Treaty of Peace with the Allied Powers at the critical period +of January, 1814—Christina of Sweden, Catherine of Aragon, Catherine +and other of the House of Medici, Diane de France, John sans Peur, 1410, +Jeanne d'Albret, Louise de Savoie, Marguerite d'Autriche, Margaret +Daughter of Francis I., Sovereign Princes of the House of Nassau, &c. +Amongst the Ecclesiastics may be named a Holograph letter of Pope +Clement VIII., the Père Joseph, Janssenius, Martin Luther (about +Purgatory), Père la Chaise, Cardinal Mazarin, St. Francis de Sales, St. +Vincent de Paul, &c. The Autographs of Literary Men include P. Aretino, +Lord Bacon (two), Boileau, Conrart, Fontenelle, Thomas Lord Fairfax, his +Autograph Translation of "Mercurius Trismagistus Pimander"—Kepler, +Lafontaine, Molière (unique), Mirabeau, Marmontel, Malherbe, Newton, +Peiresc, J. J. Rousseau, Scaliger, Salmasius, Sannazarus, Thuanus, B. +Tasso, Visconti, Voltaire, Vespucius, Winckelmann, &c. Amongst the +Artists are Ph. de Champagne, Perrault, Poussin, Rubens, Rembrandt, +Raphael d'Urbino, P. Veronese, Sir C. Wren (about building the +Monument). To this very imperfect sketch of the contents of this +important Collection may be added Autographs of Calas, Clairon, Sir F. +Drake (papers relative to his descent upon the Spaniards), Richard +Hakluyt, Robert Devereux Earl of Essex (Letter supplicating his Life), +La Noue, "Bras de Fer," Duke of Monmouth (Letter supplicating his Life), +Caesar, Nostradamus, Sir W. Raleigh, the Chancellor Seguier, Duke of +Sully, the Sforzas, Edmund de la Pole, Duke of Suffolk and his brother +Richard (both unique), Turenne, Sir H. Vane, &c.</p> + +<p>Catalogues are preparing, and will be sent on application.</p> + +<p>The Catalogue Raisonné is now ready, and will be sent on application, if +in the country, on receipt of six stamps.</p> +</div> + + +<p class="indh"> Printed by T<span class="smcap lowercase">HOMAS</span> C<span class="smcap lowercase">LARK</span> S<span class="smcap lowercase">HAW</span>, of No. 8. New Street Square, at No. + 5. New Street Square, in the Parish of St. Bride in the City of + London, and published by G<span class="smcap lowercase">EORGE</span> B<span class="smcap lowercase">ELL</span> of No. 186. Fleet Street, in + the Parish of St. Dunstan in the West, in the City of London, + Publisher, at No. 186. Fleet Street aforesaid.—Saturday, July + 19, 1851. +</p> + + + + + + +<div class="tnbox"> +<p>Transcriber's Note: Original spelling varieties have not been standardized.</p> +<p><a id="pageslist1"></a><a title="Return to top" href="#was_added1"> Pages + in "Notes & Queries", Vol. I-III</a> </p> + +<pre> + + [List of volumes and pages in "Notes and Queries", Vol. I-IV] + + +---------------+-------------------+-----------+-------------+ + | Notes and Queries Vol. I. | + +---------------+-------------------+-----------+-------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 1 | November 3, 1849 | 1 - 17 | PG # 8603 | + | Vol. I No. 2 | November 10, 1849 | 18 - 32 | PG # 11265 | + | Vol. I No. 3 | November 17, 1849 | 33 - 46 | PG # 11577 | + | Vol. I No. 4 | November 24, 1849 | 49 - 63 | PG # 13513 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 5 | December 1, 1849 | 65 - 80 | PG # 11636 | + | Vol. I No. 6 | December 8, 1849 | 81 - 95 | PG # 13550 | + | Vol. I No. 7 | December 15, 1849 | 97 - 112 | PG # 11651 | + | Vol. I No. 8 | December 22, 1849 | 113 - 128 | PG # 11652 | + | Vol. I No. 9 | December 29, 1849 | 130 - 144 | PG # 13521 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 10 | January 5, 1850 | 145 - 160 | PG # | + | Vol. I No. 11 | January 12, 1850 | 161 - 176 | PG # 11653 | + | Vol. I No. 12 | January 19, 1850 | 177 - 192 | PG # 11575 | + | Vol. I No. 13 | January 26, 1850 | 193 - 208 | PG # 11707 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 14 | February 2, 1850 | 209 - 224 | PG # 13558 | + | Vol. I No. 15 | February 9, 1850 | 225 - 238 | PG # 11929 | + | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193 | + | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 18 | March 2, 1850 | 273 - 288 | PG # 13544 | + | Vol. I No. 19 | March 9, 1850 | 289 - 309 | PG # 13638 | + | Vol. I No. 20 | March 16, 1850 | 313 - 328 | PG # 16409 | + | Vol. I No. 21 | March 23, 1850 | 329 - 343 | PG # 11958 | + | Vol. I No. 22 | March 30, 1850 | 345 - 359 | PG # 12198 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 23 | April 6, 1850 | 361 - 376 | PG # 12505 | + | Vol. I No. 24 | April 13, 1850 | 377 - 392 | PG # 13925 | + | Vol. I No. 25 | April 20, 1850 | 393 - 408 | PG # 13747 | + | Vol. I No. 26 | April 27, 1850 | 409 - 423 | PG # 13822 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 27 | May 4, 1850 | 425 - 447 | PG # 13712 | + | Vol. I No. 28 | May 11, 1850 | 449 - 463 | PG # 13684 | + | Vol. I No. 29 | May 18, 1850 | 465 - 479 | PG # 15197 | + | Vol. I No. 30 | May 25, 1850 | 481 - 495 | PG # 13713 | + +---------------+-------------------+-----------+-------------+ + | Notes and Queries Vol. II. | + +----------------+--------------------+---------+-------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 31 | June 1, 1850 | 1- 15 | PG # 12589 | + | Vol. II No. 32 | June 8, 1850 | 17- 32 | PG # 15996 | + | Vol. II No. 33 | June 15, 1850 | 33- 48 | PG # 26121 | + | Vol. II No. 34 | June 22, 1850 | 49- 64 | PG # 22127 | + | Vol. II No. 35 | June 29, 1850 | 65- 79 | PG # 22126 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 36 | July 6, 1850 | 81- 96 | PG # 13361 | + | Vol. II No. 37 | July 13, 1850 | 97-112 | PG # 13729 | + | Vol. II No. 38 | July 20, 1850 | 113-128 | PG # 13362 | + | Vol. II No. 39 | July 27, 1850 | 129-143 | PG # 13736 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 40 | August 3, 1850 | 145-159 | PG # 13389 | + | Vol. II No. 41 | August 10, 1850 | 161-176 | PG # 13393 | + | Vol. II No. 42 | August 17, 1850 | 177-191 | PG # 13411 | + | Vol. II No. 43 | August 24, 1850 | 193-207 | PG # 13406 | + | Vol. II No. 44 | August 31, 1850 | 209-223 | PG # 13426 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 45 | September 7, 1850 | 225-240 | PG # 13427 | + | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462 | + | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936 | + | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 49 | October 5, 1850 | 289-304 | PG # 13480 | + | Vol. II No. 50 | October 12, 1850 | 305-320 | PG # 13551 | + | Vol. II No. 51 | October 19, 1850 | 321-351 | PG # 15232 | + | Vol. II No. 52 | October 26, 1850 | 353-367 | PG # 22624 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 53 | November 2, 1850 | 369-383 | PG # 13540 | + | Vol. II No. 54 | November 9, 1850 | 385-399 | PG # 22138 | + | Vol. II No. 55 | November 16, 1850 | 401-415 | PG # 15216 | + | Vol. II No. 56 | November 23, 1850 | 417-431 | PG # 15354 | + | Vol. II No. 57 | November 30, 1850 | 433-454 | PG # 15405 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 58 | December 7, 1850 | 457-470 | PG # 21503 | + | Vol. II No. 59 | December 14, 1850 | 473-486 | PG # 15427 | + | Vol. II No. 60 | December 21, 1850 | 489-502 | PG # 24803 | + | Vol. II No. 61 | December 28, 1850 | 505-524 | PG # 16404 | + +----------------+--------------------+---------+-------------+ + | Notes and Queries Vol. III. | + +-----------------+-------------------+---------+-------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 62 | January 4, 1851 | 1- 15 | PG # 15638 | + | Vol. III No. 63 | January 11, 1851 | 17- 31 | PG # 15639 | + | Vol. III No. 64 | January 18, 1851 | 33- 47 | PG # 15640 | + | Vol. III No. 65 | January 25, 1851 | 49- 78 | PG # 15641 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 66 | February 1, 1851 | 81- 95 | PG # 22339 | + | Vol. III No. 67 | February 8, 1851 | 97-111 | PG # 22625 | + | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639 | + | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 70 | March 1, 1851 | 161-174 | PG # 23204 | + | Vol. III No. 71 | March 8, 1851 | 177-200 | PG # 23205 | + | Vol. III No. 72 | March 15, 1851 | 201-215 | PG # 23212 | + | Vol. III No. 73 | March 22, 1851 | 217-231 | PG # 23225 | + | Vol. III No. 74 | March 29, 1851 | 233-255 | PG # 23282 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 75 | April 5, 1851 | 257-271 | PG # 23402 | + | Vol. III No. 76 | April 12, 1851 | 273-294 | PG # 26896 | + | Vol. III No. 77 | April 19, 1851 | 297-311 | PG # 26897 | + | Vol. III No. 78 | April 26, 1851 | 313-342 | PG # 26898 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 79 | May 3, 1851 | 345-359 | PG # 26899 | + | Vol. III No. 80 | May 10, 1851 | 361-382 | PG # 32495 | + | Vol. III No. 81 | May 17, 1851 | 385-399 | PG # 29318 | + | Vol. III No. 82 | May 24, 1851 | 401-415 | PG # 28311 | + | Vol. III No. 83 | May 31, 1851 | 417-440 | PG # 36835 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 84 | June 7, 1851 | 441-472 | PG # 37379 | + | Vol. III No. 85 | June 14, 1851 | 473-488 | PG # 37403 | + | Vol. III No. 86 | June 21, 1851 | 489-511 | PG # 37496 | + | Vol. III No. 87 | June 28, 1851 | 513-528 | PG # 37516 | + +-----------------+-------------------+---------+-------------+ + | Notes and Queries Vol. IV. | + +-----------------+-------------------+---------+-------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +-----------------+-------------------+---------+-------------+ + | Vol. IV No. 88 | July 5, 1851 | 1- 15 | PG # 37548 | + | Vol. IV No. 89 | July 12, 1851 | 17- 31 | PG # 37568 | + +-----------------+-------------------+---------+-------------+ + | Vol I. Index. [Nov. 1849-May 1850] | PG # 13536 | + | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850 | PG # 13571 | + | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851 | PG # 26770 | + +-----------------------------------------------+-------------+ + + +</pre> +</div> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 90, +July 19, 1851, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, JULY 19, 1851 *** + +***** This file should be named 37593-h.htm or 37593-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/7/5/9/37593/ + +Produced by Charlene Taylor, Jonathan Ingram and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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