summaryrefslogtreecommitdiff
path: root/37581-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 20:08:18 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 20:08:18 -0700
commit0d6d6e41a4b0717b961fed87173eb66319539643 (patch)
tree711285662b1fde86da4c52c097dfc5851916db46 /37581-h
initial commit of ebook 37581HEADmain
Diffstat (limited to '37581-h')
-rw-r--r--37581-h/37581-h.htm5322
-rw-r--r--37581-h/images/i_005.pngbin0 -> 82340 bytes
-rw-r--r--37581-h/images/i_006.pngbin0 -> 73238 bytes
-rw-r--r--37581-h/images/i_014.pngbin0 -> 119797 bytes
-rw-r--r--37581-h/images/i_024a.pngbin0 -> 73810 bytes
-rw-r--r--37581-h/images/i_024b.pngbin0 -> 53815 bytes
-rw-r--r--37581-h/images/i_030a.pngbin0 -> 33654 bytes
-rw-r--r--37581-h/images/i_030b.pngbin0 -> 89889 bytes
-rw-r--r--37581-h/images/i_064a.pngbin0 -> 13716 bytes
-rw-r--r--37581-h/images/i_064b.pngbin0 -> 110113 bytes
-rw-r--r--37581-h/images/i_067.pngbin0 -> 157593 bytes
-rw-r--r--37581-h/images/i_074a.pngbin0 -> 17150 bytes
-rw-r--r--37581-h/images/i_074b.pngbin0 -> 109502 bytes
-rw-r--r--37581-h/images/i_095.pngbin0 -> 21200 bytes
-rw-r--r--37581-h/images/i_102.pngbin0 -> 27500 bytes
-rw-r--r--37581-h/images/i_116.pngbin0 -> 50299 bytes
-rw-r--r--37581-h/images/i_127.pngbin0 -> 108313 bytes
-rw-r--r--37581-h/images/i_133.pngbin0 -> 51302 bytes
-rw-r--r--37581-h/images/i_186.pngbin0 -> 138978 bytes
-rw-r--r--37581-h/images/i_cover.jpgbin0 -> 71384 bytes
20 files changed, 5322 insertions, 0 deletions
diff --git a/37581-h/37581-h.htm b/37581-h/37581-h.htm
new file mode 100644
index 0000000..7459162
--- /dev/null
+++ b/37581-h/37581-h.htm
@@ -0,0 +1,5322 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of The Cricket on the Hearth, by Charles Dickens.
+ </title>
+ <style type="text/css">
+
+ p {margin-top: .75em;
+ text-align: justify;
+ text-indent: 1.25em;
+ margin-bottom: .75em;
+ }
+ img {border: 0;}
+ .tnote {border: dashed 1px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em;
+ padding-left: .5em; padding-right: .5em;}
+ ins {text-decoration:none; border-bottom: thin dotted gray;}
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ hr { margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+
+ table {margin-left: auto; margin-right: auto;}
+
+ body{margin-left: 10%;
+ margin-right: 10%;
+ }
+ .split {
+ float: left;
+ clear: left;
+ padding-right: 2%;
+ padding-left: 0;
+ padding-top: 0;
+ padding-bottom: 0;
+ margin-left:-1em;
+ }
+
+ .splitr {
+ float: right;
+ clear: right;
+ padding-right: 0;
+ padding-left: 2%;
+ padding-top: 0;
+ padding-bottom: 0;
+ }
+
+ .splitfull {
+ float: left;
+ clear: left;
+ padding-right: 2%;
+ padding-top: 0;
+ padding-bottom: 0;
+ margin-right: 100%;
+ margin-left:-1em;
+ }
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+ } /* page numbers */
+ .copyright {text-align: center; font-size: 70%;}
+ .blockquot{margin-left: 5%; margin-right: 10%; text-align: justify;}
+
+ .bbox {border: solid 2px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em;
+ padding-left: .5em; padding-right: .5em;}
+ .small {font-size: 70%;}
+ .smaller {font-size: 50%;}
+ .big {font-size: 110%;}
+ .bigger {font-size: 170%;}
+
+ .author {font-size: 120%; text-align: center;}
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ .chaptertitle {text-align: center; font-size: 110%; font-weight: bold; margin-bottom: 1.5em;}
+
+ .caption {font-weight: bold; font-size: 90%;}
+
+ .figcenter {margin: auto; text-align: center;}
+
+ .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top:
+ 1em; margin-right: 1em; padding: 0; text-align: center;}
+
+ .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em;
+ margin-top: 1em; margin-right: 0; padding: 0; text-align: center;}
+
+ .unindent {margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+ .right {text-align: right;}
+ .poem {margin-left: 30%; text-align: left;}
+ .poem2 {margin-left: 15%; text-align: left;}
+ .sig {margin-right: 10%; text-align: right;}
+
+ .hang1 {text-indent: -3em; margin-left: 3em;}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Cricket on the Hearth, by Charles Dickens
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Cricket on the Hearth
+ A Fairy Tale of Home
+
+Author: Charles Dickens
+
+Illustrator: Daniel Maclise
+ Richard Doyle
+ Clarkson Stanfield
+ John Leech
+ Edwin Landseer
+
+Release Date: October 1, 2011 [EBook #37581]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE CRICKET ON THE HEARTH ***
+
+
+
+
+Produced by Chris Curnow, Emmy and the Online Distributed
+Proofreading Team at https://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive)
+
+
+
+
+
+
+</pre>
+
+
+
+
+
+
+<div class="figcenter" style="width: 351px;">
+<img src="images/i_cover.jpg" width="351" height="600" alt="Cover" title="" />
+</div>
+<hr style="width: 65%;" />
+<h1>THE<br />
+
+CRICKET ON THE HEARTH.</h1>
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 350px;"><a name="frontis" id="frontis"></a>
+<img src="images/i_005.png" width="350" height="600" alt="Sitting by the hearth" title="" />
+</div>
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 362px;"><a name="title" id="title"></a>
+<img src="images/i_006.png" width="362" height="600" alt="THE CRICKET ON THE HEARTH" title="" />
+</div>
+
+
+
+<h4>There are several editions of this ebook in the Project Gutenberg collection. Various characteristics of each ebook are listed to aid in selecting the preferred file.<br />Click on any of the filenumbers below to quickly view each ebook.
+</h4>
+
+
+<table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3">
+
+<tr><td>
+ <b><a href="https://www.gutenberg.org/files/20795/20795-h/20795-h.htm">
+20795</a> </b> </td><td>(Some black and white illustrations)
+</td></tr>
+
+<tr><td>
+ <b><a href="https://www.gutenberg.org/files/37581/37581-h/37581-h.htm">
+37581</a></b></td><td>(Many fine black and white illustrations)
+</td></tr>
+
+<tr><td>
+ <b><a href="https://www.gutenberg.org/files/678/678-h/678-h.htm">
+678</a></b> </td><td>(Not illustrated)
+</td></tr>
+
+</table>
+
+
+
+
+<hr style="width: 65%;" />
+<h1><span class='small'>THE</span><br />
+
+CRICKET ON THE HEARTH.<br />
+
+<span class='smaller'>A</span><br />
+
+<span class='small'>FAIRY TALE OF HOME.</span></h1>
+
+
+
+<div class='center'>&mdash;&mdash;&mdash;&mdash;&mdash;<br /><br />BY<br />
+
+<span class='author'>CHARLES DICKENS.</span><br />
+
+<br />
+<br />
+<b>ELEVENTH EDITION.</b><br />
+<br /><br /><br /><br />
+<b>London:</b><br />
+<span class='small'>PRINTED AND PUBLISHED FOR THE AUTHOR,</span><br />
+&mdash;&mdash;&mdash;<br />
+BY BRADBURY AND EVANS, 90, FLEET STREET,<br />
+AND WHITEFRIARS.<br />
+&mdash;&mdash;&mdash;<br />
+<span class='small'>MDCCCXLVI.</span><br />
+</div>
+
+
+<hr style="width: 65%;" />
+
+<div class='copyright'>
+LONDON:<br />
+BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.<br />
+</div>
+
+
+
+<hr style="width: 65%;" />
+<div class='center'>
+<span class='small'>TO</span><br />
+<br />
+<span class='big'>LORD JEFFREY</span><br />
+<br />
+<span class='small'>THIS LITTLE STORY IS INSCRIBED,</span><br />
+<br />
+<span class='small'>WITH</span><br />
+<br />
+<span class='small'>THE AFFECTION AND ATTACHMENT OF HIS FRIEND,</span><br />
+<br />
+<span style="margin-left: 12em;">THE AUTHOR.</span><br />
+<br />
+<span style="margin-right: 6em;"><i>December</i>, 1845.</span><br />
+</div>
+
+
+
+<hr style="width: 65%;" />
+<h2>ILLUSTRATIONS.</h2>
+
+
+
+
+<div class='center'>
+<table border="0" cellpadding="4" cellspacing="0" summary="List of Illustrations">
+<tr><td align='left'>&nbsp;</td><td align='center'><i>Engraver.</i></td><td align='center'><i>Artist.</i></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#frontis">Frontispiece</a></span></td><td align='left'><i>Thompson.</i></td><td align='left'><span class="smcap">D. Maclise, R.A.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#title">Title</a></span></td><td align='left'><i>G. Dalziel.</i></td><td align='left'><span class="smcap">D. Maclise, R.A.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#chirp_the_first">Chirp the First</a></span></td><td align='left'><i>G. Dalziel.</i></td><td align='left'><span class="smcap">R. Doyle.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Carriers_Cart">The Carrier's Cart</a></span></td><td align='left'><i>T. Williams.</i></td><td align='left'><span class="smcap">C. Stanfield, R.A.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Johns_Arrival">John's Arrival</a></span></td><td align='left'><i>E. Dalziel.</i></td><td align='left'><span class="smcap">J. Leech.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#John_and_Dot">John and Dot</a></span></td><td align='left'><i>Swain.</i></td><td align='left'><span class="smcap">J. Leech.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Chirp_the_Second">Chirp the Second</a></span></td><td align='left'><i>E. Dalziel.</i></td><td align='left'><span class="smcap">R. Doyle.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Caleb_at_Work">Caleb at Work</a></span></td><td align='left'><i>G. Dalziel.</i></td><td align='left'><span class="smcap">J. Leech.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Boxer">Boxer</a></span></td><td align='left'><i>T. Williams.</i></td><td align='left'><span class="smcap">E. Landseer, R.A.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Tilly_Slowboy">Tilly Slowboy</a></span></td><td align='left'><i>Groves.</i></td><td align='left'><span class="smcap">J. Leech.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Mrs_Fieldings_Lecture">Mrs. Fielding's Lecture</a></span></td><td align='left'><i>E. Dalziel.</i></td><td align='left'><span class="smcap">J. Leech.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Chirp_the_Third">Chirp the Third</a></span></td><td align='left'><i>T. Williams.</i></td><td align='left'><span class="smcap">R. Doyle.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#Johns_Reverie">John's Reverie</a></span></td><td align='left'><i>Groves.</i></td><td align='left'><span class="smcap">J. Leech.</span></td></tr>
+<tr><td align='left'><span class="smcap"><a href="#The_Dance">The Dance</a></span></td><td align='left'><i>Swain.</i></td><td align='left'><span class="smcap">J. Leech.</span></td></tr>
+</table></div>
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_1" id="Page_1">[1]</a></span></p>
+
+<div class="figcenter" style="width: 600px;"><a name="chirp_the_first" id="chirp_the_first"></a>
+<img src="images/i_014.png" width="600" height="989" alt="Chirp the First The Kettle began it! Don&#39;t tell me what Mrs. Peerybingle said. I know better." title="" />
+</div>
+
+
+<p><span class='pagenum'><a name="Page_2" id="Page_2">[2]</a></span></p>
+
+<div class='unindent'>Mrs. Peerybingle may leave it on record to the
+end of time that she couldn't say which of them
+began it; but I say the Kettle did. I ought to know,
+I hope? The Kettle began it, full five minutes by
+the little waxy-faced Dutch clock in the corner before
+the Cricket uttered a chirp.</div>
+
+<p>As if the clock hadn't finished striking, and the
+convulsive little Haymaker at the top of it, jerking
+away right and left with a scythe in front of a
+Moorish Palace, hadn't mowed down half an acre
+of imaginary grass before the Cricket joined in
+at all!</p>
+
+<p>Why, I am not naturally positive. Every one
+knows that. I wouldn't set my own opinion against
+the opinion of Mrs. Peerybingle, unless I were quite
+sure, on any account whatever. Nothing should induce
+me. But this is a question of fact. And the fact
+is, that the Kettle began it, at least five minutes
+before the Cricket gave any sign of being in existence.
+Contradict me: and I'll say ten.</p>
+
+<p>Let me narrate exactly how it happened. I should
+have proceeded to do so, in my very first word, but
+for this plain consideration&mdash;if I am to tell a story I<span class='pagenum'><a name="Page_3" id="Page_3">[3]</a></span>
+must begin at the beginning; and how is it possible
+to begin at the beginning, without beginning at the
+Kettle?</p>
+
+<p>It appeared as if there were a sort of match, or
+trial of skill, you must understand, between the
+Kettle and the Cricket. And this is what led to it,
+and how it came about.</p>
+
+<p>Mrs. Peerybingle going out into the raw twilight,
+and clicking over the wet stones in a pair of pattens
+that worked innumerable rough impressions of the
+first proposition in Euclid all about the yard&mdash;Mrs.
+Peerybingle filled the Kettle at the water butt.
+Presently returning, less the pattens: and a good
+deal less, for they were tall and Mrs. Peerybingle
+was but short: she set the Kettle on the fire. In
+doing which she lost her temper, or mislaid it for an
+instant; for the water&mdash;being uncomfortably cold, and
+in that slippy, slushy, sleety sort of state wherein it
+seems to penetrate through every kind of substance,
+patten rings included&mdash;had laid hold of Mrs. Peerybingle's
+toes, and even splashed her legs. And
+when we rather plume ourselves (with reason too)
+upon our legs, and keep ourselves particularly neat<span class='pagenum'><a name="Page_4" id="Page_4">[4]</a></span>
+in point of stockings, we find this, for the moment,
+hard to bear.</p>
+
+<p>Besides, the Kettle was aggravating and obstinate.
+It wouldn't allow itself to be adjusted on the top
+bar; it wouldn't hear of accommodating itself kindly
+to the knobs of coal; it would lean forward with a
+drunken air, and dribble, a very Idiot of a Kettle,
+on the hearth. It was quarrelsome; and hissed and
+spluttered morosely at the fire. To sum up all, the
+lid, resisting Mrs. Peerybingle's fingers, first of all
+turned topsy-turvy, and then, with an ingenious pertinacity
+deserving of a better cause, dived sideways
+in&mdash;down to the very bottom of the Kettle. And the
+hull of the Royal George has never made half the
+monstrous resistance to coming out of the water,
+which the lid of that Kettle employed against Mrs.
+Peerybingle, before she got it up again.</p>
+
+<p>It looked sullen and pig-headed enough, even
+then; carrying its handle with an air of defiance,
+and cocking its spout pertly and mockingly at Mrs.
+Peerybingle, as if it said, "I won't boil. Nothing
+shall induce me!"</p>
+
+<p>But Mrs. Peerybingle, with restored good humour,<span class='pagenum'><a name="Page_5" id="Page_5">[5]</a></span>
+dusted her chubby little hands against each other,
+and sat down before the Kettle: laughing. Meantime,
+the jolly blaze uprose and fell, flashing and
+gleaming on the little Haymaker at the top of the
+Dutch clock, until one might have thought he stood
+stock still before the Moorish Palace, and nothing
+was in motion but the flame.</p>
+
+<p>He was on the move, however; and had his spasms,
+two to the second, all right and regular. But his
+sufferings when the clock was going to strike, were
+frightful to behold; and when a Cuckoo looked out of
+a trap-door in the Palace, and gave note six times, it
+shook him, each time, like a spectral voice&mdash;or like a
+something wiry, plucking at his legs.</p>
+
+<p>It was not until a violent commotion and a whirring
+noise among the weights and ropes below him
+had quite subsided, that this terrified Haymaker became
+himself again. Nor was he startled without
+reason; for these rattling, bony skeletons of clocks are
+very disconcerting in their operation, and I wonder
+very much how any set of men, but most of all how
+Dutchmen, can have had a liking to invent them.
+For there is a popular belief that Dutchmen love<span class='pagenum'><a name="Page_6" id="Page_6">[6]</a></span>
+broad cases and much clothing for their own lower
+selves; and they might know better than to leave
+their clocks so very lank and unprotected, surely.</p>
+
+<p>Now it was, you observe, that the Kettle began to
+spend the evening. Now it was, that the Kettle,
+growing mellow and musical, began to have irrepressible
+gurglings in its throat, and to indulge in short
+vocal snorts, which it checked in the bud, as if it
+hadn't quite made up its mind yet, to be good company.
+Now it was, that after two or three such vain
+attempts to stifle its convivial sentiments, it threw off
+all moroseness, all reserve, and burst into a stream of
+song so cosy and hilarious, as never maudlin nightingale
+yet formed the least idea of.</p>
+
+<p>So plain, too! Bless you, you might have understood
+it like a book&mdash;better than some books you and
+I could name, perhaps. With its warm breath gushing
+forth in a light cloud which merrily and gracefully
+ascended a few feet, then hung about the chimney-corner
+as its own domestic Heaven, it trolled its
+song with that strong energy of cheerfulness, that
+its iron body hummed and stirred upon the fire; and
+the lid itself, the recently rebellious lid&mdash;such is the<span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span>
+influence of a bright example&mdash;performed a sort of
+jig, and clattered like a deaf and dumb young cymbal
+that had never known the use of its twin brother.</p>
+
+<p>That this song of the Kettle's, was a song of invitation
+and welcome to somebody out of doors; to
+somebody at that moment coming on, towards the
+snug small home and the crisp fire; there is no doubt
+whatever. Mrs. Peerybingle knew it, perfectly, as
+she sat musing, before the hearth. It's a dark night,
+sang the Kettle, and the rotten leaves are lying by
+the way; and above, all is mist and darkness, and
+below, all is mire and clay; and there's only one
+relief in all the sad and murky air; and I don't know
+that it is one, for it's nothing but a glare, of deep
+and angry crimson, where the sun and wind together,
+set a brand upon the clouds for being guilty of such
+weather; and the widest open country is a long dull
+streak of black; and there's hoar-frost on the
+finger-post, and thaw upon the track; and the ice it
+isn't water, and the water isn't free; and you couldn't
+say that anything is what it ought to be; but he's
+coming, coming, coming!&mdash;&mdash;</p>
+
+<p>And here, if you like, the Cricket <span class="smcap">did</span> chime in!<span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span>
+with a Chirrup, Chirrup, Chirrup of such magnitude,
+by way of chorus; with a voice, so astoundingly disproportionate
+to its size, as compared with the Kettle;
+(size! you couldn't See it!) that if it had then
+and there burst itself like an overcharged gun: if it
+had fallen a victim on the spot, and chirruped its
+little body into fifty pieces: it would have seemed a
+natural and inevitable consequence, for which it had
+expressly laboured.</p>
+
+<p>The Kettle had had the last of its solo performance.
+It persevered with undiminished ardour; but the
+Cricket took first fiddle and kept it. Good Heaven,
+how it chirped! Its shrill, sharp, piercing voice
+resounded through the house, and seemed to twinkle
+in the outer darkness like a Star. There was an
+indescribable little trill and tremble in it, at its loudest,
+which suggested its being carried off its legs, and made
+to leap again, by its own intense enthusiasm. Yet
+they went very well together, the Cricket and the
+Kettle. The burden of the song was still the same;
+and louder, louder, louder still, they sang it in their
+emulation.</p>
+
+<p>The fair little listener; for fair she was, and young&mdash;though<span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span>
+something of what is called the dumpling
+shape; but I don't myself object to that&mdash;lighted a
+candle; glanced at the Haymaker on the top of the
+clock, who was getting in a pretty average crop of
+minutes; and looked out of the window, where she
+saw nothing, owing to the darkness, but her own
+face imaged in the glass. And my opinion is (and so
+would your's have been), that she might have looked
+a long way, and seen nothing half so agreeable.
+When she came back, and sat down in her former
+seat, the Cricket and the Kettle were still keeping it
+up, with a perfect fury of competition. The Kettle's
+weak side clearly being that he didn't know when he
+was beat.</p>
+
+<p>There was all the excitement of a race about it.
+Chirp, chirp, chirp! Cricket a mile ahead. Hum,
+hum, hum&mdash;m&mdash;m! Kettle making play in the
+distance, like a great top. Chirp, chirp, chirp!
+Cricket round the corner. Hum, hum, hum&mdash;m&mdash;m!
+Kettle sticking to him in his own way; no idea of
+giving in. Chirp, chirp, chirp! Cricket fresher
+than ever. Hum, hum, hum&mdash;m&mdash;m! Kettle slow
+and steady. Chirp, chirp, chirp! Cricket going in<span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span>
+to finish him. Hum, hum, hum&mdash;m&mdash;m! Kettle
+not to be finished. Until at last, they got so jumbled
+together, in the hurry-skurry, helter-skelter, of
+the match, that whether the Kettle chirped and the
+Cricket hummed, or the Cricket chirped and the Kettle
+hummed, or they both chirped and both hummed, it
+would have taken a clearer head than your's or mine
+to have decided with anything like certainty. But of
+this, there is no doubt: that the Kettle and the
+Cricket, at one and the same moment, and by some
+power of amalgamation best known to themselves,
+sent, each, his fireside song of comfort streaming into
+a ray of the candle that shone out through the window;
+and a long way down the lane. And this light,
+bursting on a certain person who, on the instant,
+approached towards it through the gloom, expressed
+the whole thing to him, literally in a twinkling, and
+cried, "Welcome home, old fellow! Welcome home,
+my Boy!"</p>
+<div><a name="Carriers_Cart" id="Carriers_Cart"></a>
+<img src="images/i_024a.png" alt="i024a" width="600" height="384" class="split" />
+
+<img src="images/i_024b.png" alt="i024b" width="359" height="575" class="split" />
+
+<p>This end attained, the Kettle, being dead beat,
+boiled over, and was taken off the fire. Mrs. Peerybingle
+then went running to the door, where, what
+with the wheels of a cart, the tramp of a horse, the<span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span>
+voice of a man, the
+tearing in and out
+of an excited dog,
+and the surprising and
+mysterious appearance
+of a Baby, there
+was soon the very
+What's-his-name to
+pay.</p>
+
+
+
+<p>Where the Baby
+came from, or how
+Mrs. Peerybingle got
+hold of it in that flash of time, <i>I</i> don't know. But a
+live Baby there was, in Mrs. Peerybingle's arms; and<span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span>
+a pretty tolerable amount of pride she seemed to have
+in it, when she was drawn gently to the fire, by a
+sturdy figure of a man, much taller and much older
+than herself; who had to stoop a long way down, to
+kiss her. But she was worth the trouble. Six foot
+six, with the lumbago, might have done it.</p>
+</div>
+<p>"Oh goodness, John!" said Mrs. P. "What a
+state you're in with the weather!"</p>
+
+<p>He was something the worse for it, undeniably.
+The thick mist hung in clots upon his eyelashes
+like candied thaw; and between the fog and fire
+together, there were rainbows in his very whiskers.</p>
+
+<p>"Why, you see, Dot," John made answer, slowly,
+as he unrolled a shawl from about his throat; and
+warmed his hands; "it&mdash;it an't exactly summer
+weather. So, no wonder."</p>
+
+<p>"I wish you wouldn't call me Dot, John. I don't
+like it," said Mrs. Peerybingle: pouting in a way
+that clearly showed she <i>did</i> like it, very much.</p>
+
+<p>"Why what else are you?" returned John, looking
+down upon her with a smile, and giving her
+waist as light a squeeze as his huge hand and arm
+could give. "A dot and"&mdash;here he glanced at the<span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span>
+Baby&mdash;"a dot and carry&mdash;I won't say it, for fear I
+should spoil it; but I was very near a joke. I don't
+know as ever I was nearer."</p>
+
+<p>He was often near to something or other very
+clever, by his own account: this lumbering, slow,
+honest John; this John so heavy but so light of spirit;
+so rough upon the surface, but so gentle at the core;
+so dull without, so quick within; so stolid, but so good!
+Oh Mother Nature, give thy children the true Poetry
+of Heart that hid itself in this poor Carrier's breast&mdash;he
+was but a Carrier by the way&mdash;and we can bear
+to have them talking Prose, and leading lives of
+Prose; and bear to bless Thee for their company!</p>
+
+<p>It was pleasant to see Dot, with her little figure
+and her Baby in her arms: a very doll of a Baby:
+glancing with a coquettish thoughtfulness at the fire,
+and inclining her delicate little head just enough on
+one side to let it rest in an odd, half-natural, half-affected,
+wholly nestling and agreeable manner, on
+the great rugged figure of the Carrier. It was
+pleasant to see him, with his tender awkwardness,
+endeavouring to adapt his rude support to her slight
+need, and make his burly middle-age a leaning-staff<span class='pagenum'><a name="Page_14" id="Page_14">[14]</a></span>
+not inappropriate to her blooming youth. It was
+pleasant to observe how Tilly Slowboy, waiting in the
+background for the Baby, took special cognizance
+(though in her earliest teens) of this grouping; and
+stood with her mouth and eyes wide open, and her
+head thrust forward, taking it in as if it were air.
+Nor was it less agreeable to observe how John the
+Carrier, reference being made by Dot to the aforesaid
+Baby, checked his hand when on the point of
+touching the infant, as if he thought he might crack
+it; and bending down, surveyed it from a safe distance,
+with a kind of puzzled pride: such as an
+amiable mastiff might be supposed to show, if he
+found himself, one day, the father of a young canary.</p>
+
+<p>"An't he beautiful, John? Don't he look precious
+in his sleep?"</p>
+
+<p>"Very precious," said John. "Very much so.
+He generally <i>is</i> asleep, an't he?"</p>
+
+<p>"Lor John! Good gracious no!"</p>
+
+<p>"Oh," said John, pondering. "I thought his
+eyes was generally shut. Halloa!"</p>
+
+<p>"Goodness John, how you startle one!"</p>
+
+<p>"It an't right for him to turn 'em up in that<span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span>
+way!" said the astonished Carrier, "is it? See
+how he's winking with both of 'em at once! and
+look at his mouth! why he's gasping like a gold and
+silver fish!"</p>
+
+<p>"You don't deserve to be a father, you don't,"
+said Dot, with all the dignity of an experienced
+matron. "But how should you know what little
+complaints children are troubled with, John! You
+wouldn't so much as know their names, you stupid
+fellow." And when she had turned the Baby over
+on her left arm, and had slapped its back as a restorative,
+she pinched her husband's ear, laughing.</p>
+
+<p>"No," said John, pulling off his outer coat. "It's
+very true, Dot. I don't know much about it. I
+only know that I've been fighting pretty stiffly with
+the Wind to-night. It's been blowing north-east,
+straight into the cart, the whole way home."</p>
+
+<p>"Poor old man, so it has!" cried Mrs. Peerybingle,
+instantly becoming very active. "Here!
+Take the precious darling, Tilly, while I make
+myself of some use. Bless it, I could smother it with
+kissing it; I could! Hie then, good dog! Hie
+Boxer, boy! Only let me make the tea first, John;<span class='pagenum'><a name="Page_16" id="Page_16">[16]</a></span>
+and then I'll help you with the parcels, like a busy
+bee. 'How doth the little'&mdash;and all the rest of it,
+you know John. Did you ever learn 'how doth the
+little,' when you went to school, John?"</p>
+<div><a name="Johns_Arrival" id="Johns_Arrival"></a>
+<img src="images/i_030a.png" alt="i030a" width="394" height="414" class="split" />
+
+<img src="images/i_030b.png" alt="i030b" width="600" height="612" class="split" />
+
+<p>"Not to quite know it," John returned. "I was
+very near it once. But I should only have spoilt it,
+I dare say."</p>
+
+<p>"Ha ha!" laughed Dot. She had the blithest
+little laugh you ever heard. "What a dear old
+darling of a dunce you are, John, to be sure!"</p>
+
+
+
+<p>Not at all disputing this position, John went out
+to see that the boy with the lantern, which had been
+dancing to and fro before the door and window, like a
+Will of the Wisp, took due care of the horse; who
+was fatter than you would quite believe, if I gave you
+his measure, and so old that his birthday was lost
+in the mists of antiquity. Boxer, feeling that his
+attentions were due to the family in general, and
+must be impartially distributed, dashed in and out
+with bewildering inconstancy: now describing a circle
+of short barks round the horse, where he was being
+rubbed down at the stable-door; now feigning to
+make savage rushes at his mistress, and facetiously<span class='pagenum'><a name="Page_17" id="Page_17">[17]</a></span>
+bringing himself to sudden
+stops; now eliciting
+a shriek from Tilly
+Slowboy, in the
+low nursing-chair
+near the fire, by
+the unexpected
+application of his<span class='pagenum'><a name="Page_18" id="Page_18">[18]</a></span>
+moist nose to her countenance; now exhibiting an
+obtrusive interest in the Baby; now going round and
+round upon the hearth, and lying down as if he had
+established himself for the night; now getting up again,
+and taking that nothing of a fag-end of a tail of his,
+out into the weather, as if he had just remembered
+an appointment, and was off, at a round trot, to keep it.</p>
+</div>
+<p>"There! There's the teapot, ready on the hob!"
+said Dot; as briskly busy as a child at play at keeping
+house. "And there's the cold knuckle of ham;
+and there's the butter; and there's the crusty loaf,
+and all! Here's a clothes-basket for the small
+parcels, John, if you've got any there&mdash;where are
+you, John? Don't let the dear child fall under the
+grate, Tilly, whatever you do!"</p>
+
+<p>It may be noted of Miss Slowboy, in spite of her
+rejecting the caution with some vivacity, that she
+had a rare and surprising talent for getting this Baby
+into difficulties: and had several times imperilled its
+short life, in a quiet way peculiarly her own. She
+was of a spare and straight shape, this young lady,
+insomuch that her garments appeared to be in constant
+danger of sliding off those sharp pegs, her<span class='pagenum'><a name="Page_19" id="Page_19">[19]</a></span>
+shoulders, on which they were loosely hung. Her
+costume was remarkable for the partial development
+on all possible occasions of some flannel vestment of
+a singular structure; also for affording glimpses, in
+the region of the back, of a corset, or pair of stays,
+in colour a dead-green. Being always in a state of gaping
+admiration at everything, and absorbed, besides,
+in the perpetual contemplation of her mistress's perfections
+and the Baby's, Miss Slowboy, in her little
+errors of judgment, may be said to have done equal
+honour to her head and to her heart; and though
+these did less honour to the Baby's head, which they
+were the occasional means of bringing into contact
+with deal doors, dressers, stair-rails, bedposts, and
+other foreign substances, still they were the honest
+results of Tilly Slowboy's constant astonishment at
+finding herself so kindly treated, and installed in such
+a comfortable home. For the maternal and paternal
+Slowboy were alike unknown to Fame, and Tilly had
+been bred by public charity, a Foundling; which
+word, though only differing from Fondling by one
+vowel's length, is very different in meaning, and
+expresses quite another thing.<span class='pagenum'><a name="Page_20" id="Page_20">[20]</a></span></p>
+
+<p>To have seen little Mrs. Peerybingle come back
+with her husband; tugging at the clothes-basket,
+and making the most strenuous exertions to do nothing
+at all (for he carried it); would have amused you,
+almost as much as it amused him. It may have
+entertained the Cricket too, for anything I know; but,
+certainly, it now began to chirp again, vehemently.</p>
+
+<p>"Heyday!" said John, in his slow way. "It's
+merrier than ever, to-night, I think."</p>
+
+<p>"And it's sure to bring us good fortune, John!
+It always has done so. To have a Cricket on the
+Hearth, is the luckiest thing in all the world!"</p>
+
+<p>John looked at her as if he had very nearly got
+the thought into his head, that she was his Cricket
+in chief, and he quite agreed with her. But it was
+probably one of his narrow escapes, for he said
+nothing.</p>
+
+<p>"The first time I heard its cheerful little note,
+John, was on that night when you brought me
+home&mdash;when you brought me to my new home here;
+its little mistress. Nearly a year ago. You recollect,
+John?"</p>
+
+<p>Oh yes. John remembered. I should think so!<span class='pagenum'><a name="Page_21" id="Page_21">[21]</a></span></p>
+
+<p>"Its chirp was such a welcome to me! It seemed
+so full of promise and encouragement. It seemed to
+say, you would be kind and gentle with me, and
+would not expect (I had a fear of that, John, then) to
+find an old head on the shoulders of your foolish
+little wife."</p>
+
+<p>John thoughtfully patted one of the shoulders,
+and then the head, as though he would have said
+No, No; he had had no such expectation; he had
+been quite content to take them as they were. And
+really he had reason. They were very comely.</p>
+
+<p>"It spoke the truth, John, when it seemed to say
+so: for you have ever been, I am sure, the best, the
+most considerate, the most affectionate of husbands
+to me. This has been a happy home, John; and I
+love the Cricket for its sake!"</p>
+
+<p>"Why so do I then," said the Carrier. "So do
+I, Dot."</p>
+
+<p>"I love it for the many times I have heard it, and
+the many thoughts its harmless music has given me.
+Sometimes, in the twilight, when I have felt a little
+solitary and down-hearted, John&mdash;before Baby was
+here, to keep me company and make the house<span class='pagenum'><a name="Page_22" id="Page_22">[22]</a></span>
+gay; when I have thought how lonely you would be
+if I should die; how lonely I should be, if I could
+know that you had lost me, dear; its Chirp, Chirp,
+Chirp upon the hearth, has seemed to tell me of
+another little voice, so sweet, so very dear to me,
+before whose coming sound, my trouble vanished like
+a dream. And when I used to fear&mdash;I did fear once,
+John; I was very young you know&mdash;that ours might
+prove to be an ill-assorted marriage: I being such a
+child, and you more like my guardian than my husband:
+and that you might not, however hard you
+tried, be able to learn to love me, as you hoped and
+prayed you might; its Chirp, Chirp, Chirp, has
+cheered me up again, and filled me with new trust
+and confidence. I was thinking of these things
+to-night, dear, when I sat expecting you; and I love
+the Cricket for their sake!"</p>
+
+<p>"And so do I," repeated John. "But Dot? <i>I</i>
+hope and pray that I might learn to love you? How
+you talk! I had learnt that, long before I brought
+you here, to be the Cricket's little mistress, Dot!"</p>
+
+<p>She laid her hand, an instant, on his arm, and
+looked up at him with an agitated face, as if she<span class='pagenum'><a name="Page_23" id="Page_23">[23]</a></span>
+would have told him something. Next moment, she
+was down upon her knees before the basket; speaking
+in a sprightly voice, and busy with the parcels.</p>
+
+<p>"There are not many of them to-night, John, but
+I saw some goods behind the cart, just now; and
+though they give more trouble, perhaps, still they pay
+as well; so we have no reason to grumble, have we?
+Besides, you have been delivering, I dare say, as you
+came along?"</p>
+
+<p>Oh yes, John said. A good many.</p>
+
+<p>"Why what's this round box? Heart alive,
+John, it's a wedding-cake!"</p>
+
+<p>"Leave a woman alone, to find out that," said
+John admiringly. "Now a man would never have
+thought of it! whereas, it's my belief that if you was
+to pack a wedding-cake up in a tea-chest, or a
+turn-up bedstead, or a pickled salmon keg, or any
+unlikely thing, a woman would be sure to find it out
+directly. Yes; I called for it at the pastry-cook's."</p>
+
+<p>"And it weighs I don't know what&mdash;whole
+hundredweights!" cried Dot, making a great
+demonstration of trying to lift it. "Whose is it,
+John? Where is it going?"<span class='pagenum'><a name="Page_24" id="Page_24">[24]</a></span></p>
+
+<p>"Read the writing on the other side," said John.</p>
+
+<p>"Why, John! My Goodness, John!"</p>
+
+<p>"Ah! who'd have thought it!" John returned.</p>
+
+<p>"You never mean to say," pursued Dot, sitting on
+the floor and shaking her head at him, "that it's
+Gruff and Tackleton the toymaker!"</p>
+
+<p>John nodded.</p>
+
+<p>Mrs. Peerybingle nodded also, fifty times at least.
+Not in assent: in dumb and pitying amazement;
+screwing up her lips, the while, with all their little
+force (they were never made for screwing up; I am
+clear of that), and looking the good Carrier through
+and through, in her abstraction. Miss Slowboy, in
+the mean time, who had a mechanical power of
+reproducing scraps of current conversation for the
+delectation of the Baby, with all the sense struck out
+of them, and all the Nouns changed into the Plural
+number, enquired aloud of that young creature, Was
+it Gruffs and Tackletons the toymakers then, and
+Would it call at Pastry-cooks for wedding-cakes, and
+Did its mothers know the boxes when its fathers
+brought them homes; and so on.</p>
+
+<p>"And that is really to come about!" said Dot.<span class='pagenum'><a name="Page_25" id="Page_25">[25]</a></span>
+"Why, she and I were girls at school together,
+John."</p>
+
+<p>He might have been thinking of her: or nearly
+thinking of her, perhaps: as she was in that same
+school time. He looked upon her with a thoughtful
+pleasure, but he made no answer.</p>
+
+<p>"And he's as old! As unlike her!&mdash;Why, how
+many years older than you, is Gruff and Tackleton
+John?"</p>
+
+<p>"How many more cups of tea shall I drink to-night
+at one sitting, than Gruff and Tackleton ever
+took in four, I wonder!" replied John, good-humouredly,
+as he drew a chair to the round table,
+and began at the cold Ham. "As to eating, I eat
+but little; but that little I enjoy, Dot."</p>
+
+<p>Even this; his usual sentiment at meal times; one
+of his innocent delusions (for his appetite was always
+obstinate, and flatly contradicted him); awoke no smile
+in the face of his little wife, who stood among the
+parcels, pushing the cake-box slowly from her with
+her foot, and never once looked, though her eyes
+were cast down too, upon the dainty shoe she generally
+was so mindful of. Absorbed in thought, she stood<span class='pagenum'><a name="Page_26" id="Page_26">[26]</a></span>
+there, heedless alike of the tea and John (although he
+called to her, and rapped the table with his knife to
+startle her), until he rose and touched her on the arm;
+when she looked at him for a moment, and hurried to
+her place behind the teaboard, laughing at her negligence.
+But not as she had laughed before. The
+manner, and the music, were quite changed.</p>
+
+<p>The Cricket, too, had stopped. Somehow the room
+was not so cheerful as it had been. Nothing like it.</p>
+
+<p>"So, these are all the parcels, are they, John?"
+she said: breaking a long silence, which the honest
+Carrier had devoted to the practical illustration of one
+part of his favourite sentiment&mdash;certainly enjoying
+what he ate, if it couldn't be admitted that he ate
+but little. "So these are all the parcels; are they,
+John?"</p>
+
+<p>"That's all," said John. "Why&mdash;no&mdash;I&mdash;" laying
+down his knife and fork, and taking a long breath. "I
+declare&mdash;I've clean forgotten the old gentleman!"</p>
+
+<p>"The old gentleman?"</p>
+
+<p>"In the cart," said John. "He was asleep,
+among the straw, the last time I saw him. I've very
+nearly remembered him, twice, since I came in; but<span class='pagenum'><a name="Page_27" id="Page_27">[27]</a></span>
+he went out of my head again. Halloa! Yahip there!
+rouse up! That's my hearty!"</p>
+
+<p>John said these latter words, outside the door,
+whither he had hurried with the candle in his hand.</p>
+
+<p>Miss Slowboy, conscious of some mysterious reference
+to The Old Gentleman, and connecting in her mystified
+imagination certain associations of a religious
+nature with the phrase, was so disturbed, that hastily
+rising from the low chair by the fire to seek protection
+near the skirts of her mistress, and coming into contact
+as she crossed the doorway with an ancient Stranger,
+she instinctively made a charge or butt at him with
+the only offensive instrument within her reach. This
+instrument happening to be the Baby, great commotion
+and alarm ensued, which the sagacity of Boxer
+rather tended to increase; for that good dog, more
+thoughtful than his master, had, it seemed, been
+watching the old gentleman in his sleep lest he should
+walk off with a few young Poplar trees that were tied
+up behind the cart; and he still attended on him very
+closely; worrying his gaiters in fact, and making
+dead sets at the buttons.</p>
+
+<p>"You're such an undeniable good sleeper, Sir,"<span class='pagenum'><a name="Page_28" id="Page_28">[28]</a></span>
+said John when tranquillity was restored; in the
+mean time the old gentleman had stood, bare-headed
+and motionless, in the centre of the room; "that I
+have half a mind to ask you where the other six are:
+only that would be a joke, and I know I should spoil
+it. Very near though," murmured the Carrier, with
+a chuckle; "very near!"</p>
+
+<p>The Stranger, who had long white hair; good
+features, singularly bold and well defined for an old
+man; and dark, bright, penetrating eyes; looked
+round with a smile, and saluted the Carrier's wife by
+gravely inclining his head.</p>
+
+<p>His garb was very quaint and odd&mdash;a long, long
+way behind the time. Its hue was brown, all over.
+In his hand he held a great brown club or walking-stick;
+and striking this upon the floor, it fell
+asunder, and became a chair. On which he sat
+down, quite composedly.</p>
+
+<p>"There!" said the Carrier, turning to his wife.
+"That's the way I found him, sitting by the roadside!
+upright as a milestone. And almost as deaf."</p>
+
+<p>"Sitting in the open air, John!"</p>
+
+<p>"In the open air," replied the Carrier, "just at<span class='pagenum'><a name="Page_29" id="Page_29">[29]</a></span>
+dusk. 'Carriage Paid,' he said; and gave me
+eighteenpence. Then he got in. And there he is."</p>
+
+<p>"He's going, John, I think!"</p>
+
+<p>Not at all. He was only going to speak.</p>
+
+<p>"If you please, I was to be left till called for," said
+the Stranger, mildly. "Don't mind me."</p>
+
+<p>With that, he took a pair of spectacles from one of
+his large pockets, and a book from another; and
+leisurely began to read. Making no more of Boxer
+than if he had been a house lamb!</p>
+
+<p>The Carrier and his wife exchanged a look of perplexity.
+The Stranger raised his head; and glancing
+from the latter to the former, said:</p>
+
+<p>"Your daughter, my good friend?"</p>
+
+<p>"Wife," returned John.</p>
+
+<p>"Niece?" said the Stranger.</p>
+
+<p>"Wife," roared John.</p>
+
+<p>"Indeed?" observed the Stranger. "Surely?
+Very young!"</p>
+
+<p>He quietly turned over, and resumed his reading.
+But, before he could have read two lines, he again
+interrupted himself, to say:</p>
+
+<p>"Baby, yours?"<span class='pagenum'><a name="Page_30" id="Page_30">[30]</a></span></p>
+
+<p>John gave him a gigantic nod; equivalent to an
+answer in the affirmative, delivered through a speaking-trumpet.</p>
+
+<p>"Girl?"</p>
+
+<p>"Bo-o-oy!" roared John.</p>
+
+<p>"Also very young, eh?"</p>
+
+<p>Mrs. Peerybingle instantly struck in. "Two
+months and three da-ays! Vaccinated just six
+weeks ago-o! Took very fine-ly! Considered, by
+the doctor, a remarkably beautiful chi-ild! Equal to
+the general run of children at five months o-old!
+Takes notice, in a way quite won-der-ful! May seem
+impossible to you, but feels his legs al-ready!"</p>
+
+<p>Here the breathless little mother, who had been
+shrieking these short sentences into the old man's
+ear, until her pretty face was crimsoned, held up the
+Baby before him as a stubborn and triumphant fact;
+while Tilly Slowboy, with a melodious cry of Ketcher,
+Ketcher&mdash;which sounded like some unknown words,
+adapted to a popular Sneeze&mdash;performed some cow-like
+gambols round that all unconscious Innocent.</p>
+
+<p>"Hark! He's called for, sure enough," said John.
+"There's somebody at the door. Open it, Tilly."<span class='pagenum'><a name="Page_31" id="Page_31">[31]</a></span></p>
+
+<p>Before she could reach it, however, it was opened
+from without; being a primitive sort of door, with a
+latch, that any one could lift if he chose&mdash;and a good
+many people did choose, I can tell you; for all kinds
+of neighbours liked to have a cheerful word or two
+with the Carrier, though he was no great talker for
+the matter of that. Being opened, it gave admission
+to a little, meagre, thoughtful, dingy-faced man, who
+seemed to have made himself a great-coat from the
+sack-cloth covering of some old box; for when he
+turned to shut the door, and keep the weather out,
+he disclosed upon the back of that garment, the inscription
+G &amp; T in large black capitals. Also
+the word GLASS in bold characters.</p>
+
+<p>"Good evening John!" said the little man.
+"Good evening Mum. Good evening Tilly. Good
+evening Unbeknown! How's Baby Mum? Boxer's
+pretty well I hope?"</p>
+
+<p>"All thriving, Caleb," replied Dot. "I am sure
+you need only look at the dear child, for one, to
+know that."</p>
+
+<p>"And I'm sure I need only look at you for
+another," said Caleb.<span class='pagenum'><a name="Page_32" id="Page_32">[32]</a></span></p>
+
+<p>He didn't look at her though; for he had a
+wandering and thoughtful eye which seemed to be
+always projecting itself into some other time and
+place, no matter what he said; a description which
+will equally apply to his voice.</p>
+
+<p>"Or at John for another," said Caleb. "Or at
+Tilly, as far as that goes. Or certainly at Boxer."</p>
+
+<p>"Busy just now, Caleb?" asked the Carrier.</p>
+
+<p>"Why, pretty well John," he returned, with the
+distraught air of a man who was casting about for
+the Philosopher's stone, at least. "Pretty much so.
+There's rather a run on Noah's Arks at present. I
+could have wished to improve upon the Family, but I
+don't see how it's to be done at the price. It would
+be a satisfaction to one's mind, to make it clearer
+which was Shems and Hams, and which was Wives.
+Flies an't on that scale neither, as compared with
+elephants you know! Ah! well! Have you got
+anything in the parcel line for me John?"</p>
+
+<p>The Carrier put his hand into a pocket of the coat
+he had taken off; and brought out, carefully preserved
+in moss and paper, a tiny flower-pot.</p>
+
+<p>"There it is!" he said, adjusting it with great<span class='pagenum'><a name="Page_33" id="Page_33">[33]</a></span>
+care. "Not so much as a leaf damaged. Full of
+Buds!"</p>
+
+<p>Caleb's dull eye brightened, as he took it, and
+thanked him.</p>
+
+<p>"Dear, Caleb," said the Carrier. "Very dear at
+this season."</p>
+
+<p>"Never mind that. It would be cheap to me,
+whatever it cost," returned the little man. "Anything
+else, John?"</p>
+
+<p>"A small box," replied the Carrier. "Here you
+are!"</p>
+
+<p>"'For Caleb Plummer,'" said the little man, spelling
+out the direction. "'With Cash.' With Cash
+John? I don't think it's for me."</p>
+
+<p>"With Care," returned the Carrier, looking over
+his shoulder. "Where do you make out cash?"</p>
+
+<p>"Oh! To be sure!" said Caleb. "It's all
+right. With care! Yes, yes; that's mine. It might
+have been with cash, indeed, if my dear Boy in the
+Golden South Americas had lived, John. You loved
+him like a son; didn't you? You needn't say you
+did. <i>I</i> know, of course. 'Caleb Plummer. With
+<ins title="Transcriber's Note: original reads 'care'">Care</ins>.' Yes, yes, it's all right. It's a box of dolls'<span class='pagenum'><a name="Page_34" id="Page_34">[34]</a></span>
+eyes for my daughter's work. I wish it was her own
+sight in a box, John."</p>
+
+<p>"I wish it was, or could be!" cried the
+Carrier.</p>
+
+<p>"Thankee," said the little man. "You speak
+very hearty. To think that she should never see the
+Dolls; and them a staring at her, so bold, all day
+long! That's where it cuts. What's the damage,
+John?"</p>
+
+<p>"I'll damage you," said John, "if you inquire.
+Dot! Very near?"</p>
+
+<p>"Well! it's like you to say so," observed the little
+man. "It's your kind way. Let me see. I think
+that's all."</p>
+
+<p>"I think not," said the Carrier. "Try again."</p>
+
+<p>"Something for our Governor, eh?" said Caleb,
+after pondering a little while. "To be sure. That's
+what I came for; but my head's so running on
+them Arks and things! He hasn't been here, has
+he?"</p>
+
+<p>"Not he," returned the Carrier. "He's too
+busy, courting."</p>
+
+<p>"He's coming round though," said Caleb; "for<span class='pagenum'><a name="Page_35" id="Page_35">[35]</a></span>
+he told me to keep on the near side of the road going
+home, and it was ten to one he'd take me up. I
+had better go, by the bye.&mdash;You couldn't have the
+goodness to let me pinch Boxer's tail, Mum, for
+half a moment, could you?"</p>
+
+<p>"Why Caleb! what a question!"</p>
+
+<p>"Oh never mind, Mum," said the little man.
+"He mightn't like it perhaps. There's a small
+order just come in, for barking dogs; and I should
+wish to go as close to Natur' as I could, for sixpence.
+That's all. Never mind Mum."</p>
+
+<p>It happened opportunely, that Boxer, without
+receiving the proposed stimulus, began to bark with
+great zeal. But as this implied the approach of
+some new visitor, Caleb, postponing his study from
+the life to a more convenient season, shouldered the
+round box, and took a hurried leave. He might
+have spared himself the trouble, for he met the
+visitor upon the threshold.</p>
+
+<p>"Oh! You are here, are you? Wait a bit. I'll
+take you home. John Peerybingle, my service to
+you. More of my service to your pretty wife. Handsomer
+every day! Better too, if possible! And<span class='pagenum'><a name="Page_36" id="Page_36">[36]</a></span>
+younger," mused the speaker, in a low voice;
+"that's the Devil of it."</p>
+
+<p>"I should be astonished at your paying compliments,
+Mr. Tackleton," said Dot, not with the best
+grace in the world; "but for your condition."</p>
+
+<p>"You know all about it then?"</p>
+
+<p>"I have got myself to believe it, somehow," said
+Dot.</p>
+
+<p>"After a hard struggle, I suppose?"</p>
+
+<p>"Very."</p>
+
+<p>Tackleton the Toy merchant, pretty generally
+known as Gruff and Tackleton&mdash;for that was the firm,
+though Gruff had been bought out long ago; only
+leaving his name, and as some said his nature, according
+to its Dictionary meaning, in the business&mdash;Tackleton
+the Toy merchant, was a man whose vocation
+had been quite misunderstood by his Parents
+and Guardians. If they had made him a Money-Lender,
+or a sharp Attorney, or a Sheriff's Officer,
+or a Broker, he might have sown his discontented
+oats in his youth, and after having had the full-run of
+himself in ill-natured transactions, might have turned
+out amiable, at last, for the sake of a little freshness<span class='pagenum'><a name="Page_37" id="Page_37">[37]</a></span>
+and novelty. But, cramped and chafing in the
+peaceable pursuit of toy-making, he was a domestic
+Ogre, who had been living on children all his life,
+and was their implacable enemy. He despised all
+toys; wouldn't have bought one for the world; delighted,
+in his malice, to insinuate grim expressions
+into the faces of brown-paper farmers who drove
+pigs to market, bellmen who advertised lost lawyers'
+consciences, moveable old ladies who darned stockings
+or carved pies; and other like samples of his stock
+in trade. In appalling masks; hideous, hairy, red-eyed
+Jacks in Boxes; Vampire Kites; demoniacal
+Tumblers who wouldn't lie down, and were perpetually
+flying forward, to stare infants out of countenance;
+his soul perfectly revelled. They were his only
+relief, and safety-valve. He was great in such inventions.
+Anything suggestive of a Pony-nightmare,
+was delicious to him. He had even lost money (and
+he took to that toy very kindly) by getting up Goblin
+slides for magic lanterns, whereon the Powers of
+Darkness were depicted as a sort of supernatural
+shell-fish, with human faces. In intensifying the portraiture
+of Giants, he had sunk quite a little capital;<span class='pagenum'><a name="Page_38" id="Page_38">[38]</a></span>
+and, though no painter himself, he could indicate, for
+the instruction of his artists, with a piece of chalk,
+a certain furtive leer for the countenances of those
+monsters, that was safe to destroy the peace of mind
+of any young gentleman between the ages of six
+and eleven, for the whole Christmas or Midsummer
+Vacation.</p>
+
+<p>What he was in toys, he was (as most men are)
+in all other things. You may easily suppose, therefore,
+that within the great green cape, which
+reached down to the calves of his legs, there was
+buttoned up to the chin an uncommonly pleasant
+fellow; and that he was about as choice a spirit
+and as agreeable a companion, as ever stood in a
+pair of bull-headed looking boots with mahogany-colored
+tops.</p>
+
+<p>Still, Tackleton, the Toy merchant, was going to
+be married. In spite of all this, he was going to be
+married. And to a young wife too; a beautiful
+young wife.</p>
+
+<p>He didn't look much like a Bridegroom, as he
+stood in the Carrier's kitchen, with a twist in his dry
+face, and a screw in his body, and his hat jerked<span class='pagenum'><a name="Page_39" id="Page_39">[39]</a></span>
+over the bridge of his nose, and his hands stuck down
+into the bottoms of his pockets, and his whole sarcastic
+ill-conditioned self peering out of one little
+corner of one little eye, like the concentrated essence
+of any number of ravens. But, a Bridegroom he
+designed to be.</p>
+
+<p>"In three days' time. Next Thursday. The last
+day of the first month in the year. That's my wedding-day,"
+said Tackleton.</p>
+
+<p>Did I mention that he had always one eye wide
+open, and one eye nearly shut; and that the one
+eye nearly shut, was always the expressive eye? I
+don't think I did.</p>
+
+<p>"That's my wedding-day!" said Tackleton,
+rattling his money.</p>
+
+<p>"Why, it's our wedding-day too," exclaimed the
+Carrier.</p>
+
+<p>"Ha ha!" laughed Tackleton. "Odd! You're
+just such another couple. Just!"</p>
+
+<p>The indignation of Dot at this presumptuous assertion
+is not to be described. What next? His
+imagination would compass the possibility of just
+such another Baby, perhaps. The man was mad.<span class='pagenum'><a name="Page_40" id="Page_40">[40]</a></span></p>
+
+<p>"I say! A word with you," murmured Tackleton,
+nudging the Carrier with his elbow, and taking him a
+little apart. "You'll come to the wedding? We're
+in the same boat, you know."</p>
+
+<p>"How in the same boat?" inquired the Carrier.</p>
+
+<p>"A little disparity, you know;" said Tackleton,
+with another nudge. "Come and spend an evening
+with us, beforehand."</p>
+
+<p>"Why?" demanded John, astonished at this pressing
+hospitality.</p>
+
+<p>"Why?" returned the other. "That's a new
+way of receiving an invitation. Why, for pleasure;
+sociability, you know, and all that!"</p>
+
+<p>"I thought you were never sociable," said John,
+in his plain way.</p>
+
+<p>"Tchah! It's of no use to be anything but
+free with you I see," said Tackleton. "Why,
+then, the truth is you have a&mdash;what tea-drinking
+people call a sort of a comfortable appearance together:
+you and your wife. We know better, you
+know, but&mdash;"</p>
+
+<p>"No, we don't know better," interposed John.
+"What are you talking about?"<span class='pagenum'><a name="Page_41" id="Page_41">[41]</a></span></p>
+
+<p>"Well! We <i>don't</i> know better then," said
+Tackleton. "We'll agree that we don't. As you
+like; what does it matter? I was going to say, as
+you have that sort of appearance, your company will
+produce a favorable effect on Mrs. Tackleton that will
+be. And though I don't think your good lady's very
+friendly to me, in this matter, still she can't help herself
+from falling into my views, for there's a compactness
+and cosiness of appearance about her that always
+tells, even in an indifferent case. You'll say you'll
+come?"</p>
+
+<p>"We have arranged to keep our Wedding-Day (as
+far as that goes) at home," said John. "We have
+made the promise to ourselves these six months. We
+think, you see, that home&mdash;"</p>
+
+<p>"Bah! what's home?" cried Tackleton. "Four
+walls and a ceiling! (why don't you kill that Cricket;
+<i>I</i> would! I always do. I hate their noise.) There
+are four walls and a ceiling at my house. Come
+to me!"</p>
+
+<p>"You kill your Crickets, eh?" said John.</p>
+
+<p>"Scrunch 'em, sir," returned the other, setting his
+heel heavily on the floor. "You'll say you'll come?<span class='pagenum'><a name="Page_42" id="Page_42">[42]</a></span>
+It's as much your interest as mine, you know, that
+the women should persuade each other that they're
+quiet and contented, and couldn't be better off. I
+know their way. Whatever one woman says, another
+woman is determined to clinch, always. There's
+that spirit of emulation among 'em, Sir, that if
+your wife says to my wife, 'I'm the happiest
+woman in the world, and mine's the best husband
+in the world, and I dote on him,' my wife will
+say the same to your's, or more, and half believe
+it."</p>
+
+<p>"Do you mean to say she don't, then?" asked
+the Carrier.</p>
+
+<p>"Don't!" cried Tackleton, with a short, sharp
+laugh. "Don't what?"</p>
+
+<p>The Carrier had had some faint idea of adding,
+"dote upon you." But happening to meet the half-closed
+eye, as it twinkled upon him over the turned-up
+collar of the cape, which was within an ace of poking
+it out, he felt it such an unlikely part and parcel of
+anything to be doted on, that he substituted, "that
+she don't believe it?"</p>
+
+<p>"Ah you dog! you're joking," said Tackleton.<span class='pagenum'><a name="Page_43" id="Page_43">[43]</a></span></p>
+
+<p>But the Carrier, though slow to understand the
+full drift of his meaning, eyed him in such a serious
+manner, that he was obliged to be a little more
+explanatory.</p>
+
+<p>"I have the humour," said Tackleton: holding up
+the fingers of his left hand, and tapping the forefinger,
+to imply 'there I am, Tackleton to wit:' "I
+have the humour, Sir, to marry a young wife and a
+pretty wife:" here he rapped his little finger, to
+express the Bride; not sparingly, but sharply; with
+a sense of power. "I'm able to gratify that
+humour and I do. It's my whim. But&mdash;now look
+there."</p>
+
+<p>He pointed to where Dot was sitting, thoughtfully,
+before the fire; leaning her dimpled chin upon her
+hand, and watching the bright blaze. The Carrier
+looked at her, and then at him, and then at her, and
+then at him again.</p>
+
+<p>"She honors and obeys, no doubt, you know,"
+said Tackleton; "and that, as I am not a man
+of sentiment, is quite enough for <i>me</i>. But do you
+think there's anything more in it?"</p>
+
+<p>"I think," observed the Carrier, "that I should<span class='pagenum'><a name="Page_44" id="Page_44">[44]</a></span>
+chuck any man out of window, who said there
+wasn't."</p>
+
+<p>"Exactly so," returned the other with an unusual
+alacrity of assent. "To be sure! Doubtless you
+would. Of course. I'm certain of it. Good night.
+Pleasant dreams!"</p>
+
+<p>The good Carrier was puzzled, and made uncomfortable
+and uncertain, in spite of himself. He
+couldn't help showing it, in his manner.</p>
+
+<p>"Good night, my dear friend!" said Tackleton,
+compassionately. "I'm off. We're exactly alike, in
+reality, I see. You won't give us to-morrow evening?
+Well! Next day you go out visiting, I know. I'll
+meet you there, and bring my wife that is to be.
+It'll do her good. You're agreeable? Thankee.
+What's that!"</p>
+
+<p>It was a loud cry from the Carrier's wife; a loud,
+sharp, sudden cry, that made the room ring, like
+a glass vessel. She had risen from her seat, and
+stood like one transfixed by terror and surprise. The
+Stranger had advanced towards the fire, to warm
+himself, and stood within a short stride of her
+chair. But quite still.<span class='pagenum'><a name="Page_45" id="Page_45">[45]</a></span></p>
+
+<p>"Dot!" cried the Carrier. "Mary! Darling!
+what's the matter?"</p>
+
+<p>They were all about her in a moment. Caleb, who
+had been dozing on the cake-box, in the first imperfect
+recovery of his suspended presence of mind
+seized Miss Slowboy by the hair of her head; but
+immediately apologised.</p>
+
+<p>"Mary!" exclaimed the Carrier, supporting her in
+his arms. "Are you ill! what is it? Tell me dear!"</p>
+
+<p>She only answered by beating her hands together,
+and falling into a wild fit of laughter. Then, sinking
+from his grasp upon the ground, she covered her face
+with her apron, and wept bitterly. And then, she
+laughed again; and then, she cried again; and then,
+she said how cold it was, and suffered him to lead her
+to the fire, where she sat down as before. The old
+man standing, as before; quite still.</p>
+
+<p>"I'm better, John," she said. "I'm quite well
+now&mdash;I&mdash;"</p>
+
+<p>John! But John was on the other side of her.
+Why turn her face towards the strange old gentleman,
+as if addressing him! Was her brain wandering?<span class='pagenum'><a name="Page_46" id="Page_46">[46]</a></span></p>
+
+<p>"Only a fancy, John dear&mdash;a kind of shock&mdash;a
+something coming suddenly before my eyes&mdash;I don't
+know what it was. It's quite gone; quite gone."</p>
+
+<p>"I'm glad it's gone," muttered Tackleton, turning
+the expressive eye all round the room. "I wonder
+where it's gone, and what it was. Humph! Caleb,
+come here! Who's that with the grey hair?"</p>
+
+<p>"I don't know Sir," returned Caleb in a whisper.
+"Never see him before, in all my life. A beautiful
+figure for a nut-cracker; quite a new model. With
+a screw-jaw opening down into his waistcoat, he'd be
+lovely."</p>
+
+<p>"Not ugly enough," said Tackleton.</p>
+
+<p>"Or for a firebox, either," observed Caleb, in deep
+contemplation, "what a model! Unscrew his head
+to put the matches in; turn him heels up'ards for
+the light; and what a firebox for a gentleman's
+mantel-shelf, just as he stands!"</p>
+
+<p>"Not half ugly enough," said Tackleton. "Nothing
+in him at all. Come! Bring that box! All
+right now, I hope?"</p>
+
+<p>"Oh quite gone! Quite gone!" said the little
+woman, waving him hurriedly away. "Good night!"<span class='pagenum'><a name="Page_47" id="Page_47">[47]</a></span></p>
+
+<p>"Good night," said Tackleton. "Good night,
+John Peerybingle! Take care how you carry that
+box, Caleb. Let it fall, and I'll murder you! Dark
+as pitch, and weather worse than ever, eh? Good
+night!"</p>
+
+<p>So, with another sharp look round the room, he
+went out at the door; followed by Caleb with the
+wedding-cake on his head.</p>
+
+<p>The Carrier had been so much astounded by his
+little wife, and so busily engaged in soothing and
+tending her, that he had scarcely been conscious of the
+Stranger's presence, until now, when he again stood
+there, their only guest.</p>
+
+<p>"He don't belong to them, you see," said John.
+"I must give him a hint to go."</p>
+
+<p>"I beg your pardon, friend," said the old gentleman,
+advancing to him; "the more so, as I fear your
+wife has not been well; but the Attendant whom my
+infirmity," he touched his ears and shook his head,
+"renders almost indispensable, not having arrived,
+I fear there must be some mistake. The bad night
+which made the shelter of your comfortable cart
+(may I never have a worse!) so acceptable, is still as<span class='pagenum'><a name="Page_48" id="Page_48">[48]</a></span>
+bad as ever. Would you, in your kindness, suffer
+me to rent a bed here?"</p>
+
+<p>"Yes, yes," cried Dot. "Yes! Certainly!"</p>
+
+<p>"Oh!" said the Carrier, surprised by the rapidity
+of this consent. "Well! I don't object; but still
+I'm not quite sure that&mdash;"</p>
+
+<p>"Hush!" she interrupted. "Dear John!"</p>
+
+<p>"Why, he's stone deaf," urged John.</p>
+
+<p>"I know he is, but&mdash;Yes Sir, certainly. Yes!
+certainly! I'll make him up a bed, directly, John."</p>
+
+<p>As she hurried off to do it, the flutter of her spirits,
+and the agitation of her manner, were so strange, that
+the Carrier stood looking after her, quite confounded.</p>
+
+<p>"Did its mothers make it up a Beds then!" cried
+Miss Slowboy to the Baby; "and did its hair grow
+brown and curly, when its caps was lifted off, and
+frighten it, a precious Pets, a sitting by the fires!"</p>
+
+<p>With that unaccountable attraction of the mind to
+trifles, which is often incidental to a state of doubt
+and confusion, the Carrier, as he walked slowly
+to and fro, found himself mentally repeating even
+these absurd words, many times. So many times
+that he got them by heart, and was still conning<span class='pagenum'><a name="Page_49" id="Page_49">[49]</a></span>
+them over, and over, like a lesson, when Tilly, after
+administering as much friction to the little bald head
+with her hand as she thought wholesome (according
+to the practice of nurses), had once more tied the
+Baby's cap on.</p>
+
+<p>"And frighten it a Precious Pets, a sitting by the
+fire. What frightened Dot, I wonder!" mused the
+Carrier, pacing to and fro.</p>
+
+<p>He scouted, from his heart, the insinuations of the
+Toy merchant, and yet they filled him with a vague,
+indefinite uneasiness; for Tackleton was quick and
+sly; and he had that painful sense, himself, of being
+a man of slow perception, that a broken hint was
+always worrying to him. He certainly had no intention
+in his mind of linking anything that Tackleton
+had said, with the unusual conduct of his wife; but
+the two subjects of reflection came into his mind
+together, and he could not keep them asunder.</p>
+
+<p>The bed was soon made ready; and the visitor,
+declining all refreshment but a cup of tea, retired.
+Then Dot: quite well again, she said: quite well
+again: arranged the great chair in the chimney corner
+for her husband; filled his pipe and gave it him;<span class='pagenum'><a name="Page_50" id="Page_50">[50]</a></span>
+and took her usual little stool beside him on the
+hearth.</p>
+<div><a name="John_and_Dot" id="John_and_Dot"></a>
+<img src="images/i_064a.png" alt="i064a" width="385" height="163" class="split" />
+
+<img src="images/i_064b.png" alt="i064b" width="600" height="641" class="split" />
+
+<p>She always <i>would</i> sit on that little stool; I think
+she must have had a kind of notion that it was a
+coaxing, wheedling, little stool.</p>
+
+<p>She was, out and out, the very best filler of a pipe,
+I should say, in the four quarters of the globe. To
+see her put that chubby little finger in the bowl, and
+then blow down the pipe to clear the tube; and
+when she had done so, affect to think that there was
+really something in the tube, and blow a dozen times,
+and hold it to her eye like a telescope, with a most
+provoking twist in her capital little face, as she
+looked down it; was quite a brilliant thing. As to
+the tobacco, she was perfect mistress of the subject;
+and her lighting of the pipe, with a wisp of paper,
+when the Carrier had it in his mouth&mdash;going so very
+near his nose, and yet not scorching it&mdash;was Art:
+high Art, Sir.</p>
+
+<p>And the Cricket and the Kettle, tuning up again,
+acknowledged it! The bright fire, blazing up again,
+acknowledged it! The little Mower on the clock, in
+his unheeded work, acknowledged it! The Carrier,<span class='pagenum'><a name="Page_51" id="Page_51">[51]</a></span>
+in his smoothing forehead and expanding face, acknowledged
+it, the readiest of all.</p>
+
+
+
+<p>And as he soberly
+and thoughtfully
+puffed at his
+old pipe; and as the Dutch clock ticked; and as the
+red fire gleamed; and as the Cricket chirped; that<span class='pagenum'><a name="Page_52" id="Page_52">[52]</a></span>
+Genius of his Hearth and Home (for such the Cricket
+was) came out, in fairy shape, into the room, and
+summoned many forms of Home about him. Dots of
+all ages, and all sizes, filled the chamber. Dots who
+were merry children, running on before him, gathering
+flowers, in the fields; coy Dots, half shrinking from,
+half yielding to, the pleading of his own rough image;
+newly-married Dots, alighting at the door, and taking
+wondering possession of the household keys; motherly
+little Dots, attended by fictitious Slowboys, bearing
+babies to be christened; matronly Dots, still young and
+blooming, watching Dots of daughters, as they danced
+at rustic balls; fat Dots, encircled and beset by troops
+of rosy grand-children; withered Dots, who leaned on
+sticks, and tottered as they crept along. Old Carriers
+too, appeared, with blind old Boxers lying at their
+feet; and newer carts with younger drivers ("Peerybingle
+Brothers" on the tilt); and sick old Carriers,
+tended by the gentlest hands; and graves of dead
+and gone old Carriers, green in the churchyard. And
+as the Cricket showed him all these things&mdash;he saw
+them plainly, though his eyes were fixed upon the
+fire&mdash;the Carrier's heart grew light and happy, and<span class='pagenum'><a name="Page_53" id="Page_53">[53]</a></span>
+he thanked his Household Gods with all his might,
+and cared no more for Gruff and Tackleton than
+you do.</p>
+</div>
+<hr style="width: 45%;" />
+
+<p>But what was that young figure of a man, which
+the same Fairy Cricket set so near Her stool, and
+which remained there, singly and alone? Why did
+it linger still, so near her, with its arm upon the
+chimney-piece, ever repeating "Married! and not
+to me!"</p>
+
+<p>Oh Dot! Oh failing Dot! There is no place for it
+in all your husband's visions; why has its shadow
+fallen on his hearth!</p>
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_54" id="Page_54">[54]</a></span></p>
+
+<div class="figcenter" style="width: 600px;"><a name="Chirp_the_Second" id="Chirp_the_Second"></a>
+<img src="images/i_067.png" width="600" height="986" alt="CHIRP the SECOND Caleb Plummer and his Blind Daughter lived all alone by" title="" />
+</div>
+
+
+<p><span class='pagenum'><a name="Page_55" id="Page_55">[55]</a></span></p>
+<div class='unindent'>themselves, as the Story-Books say&mdash;and my blessing,
+with yours to back it I hope, on the Story-books,
+for saying anything in this workaday world!&mdash;Caleb
+Plummer and his Blind Daughter lived
+all alone by themselves, in a little cracked nutshell
+of a wooden house, which was, in truth,
+no better than a pimple on the prominent red-brick
+nose of Gruff and Tackleton. The premises of Gruff
+and Tackleton were the great feature of the street;
+but you might have knocked down Caleb Plummer's
+dwelling with a hammer or two, and carried off the
+pieces in a cart.</div>
+
+<p>If any one had done the dwelling-house of Caleb
+Plummer the honour to miss it after such an inroad,
+it would have been, no doubt, to commend its demolition
+as a vast improvement. It stuck to the premises
+of Gruff and Tackleton, like a barnacle to a ship's
+keel, or a snail to a door, or a little bunch of toadstools
+to the stem of a tree. But it was the germ
+from which the full-grown trunk of Gruff and Tackleton
+had sprung; and under its crazy roof, the Gruff
+before last, had, in a small way, made toys for a
+generation of old boys and girls, who had played<span class='pagenum'><a name="Page_56" id="Page_56">[56]</a></span>
+with them, and found them out, and broken them,
+and gone to sleep.</p>
+
+<p>I have said that Caleb and his poor Blind Daughter
+lived here; but I should have said that Caleb lived
+here, and his poor Blind Daughter somewhere else;
+in an enchanted home of Caleb's furnishing, where
+scarcity and shabbiness were not, and trouble never
+entered. Caleb was no Sorcerer, but in the only magic
+art that still remains to us: the magic of devoted,
+deathless love: Nature had been the mistress of his
+study; and from her teaching, all the wonder came.</p>
+
+<p>The Blind Girl never knew that ceilings were discoloured;
+walls blotched, and bare of plaster here and
+there; high crevices unstopped, and widening every
+day; beams mouldering and tending downward.
+The Blind Girl never knew that iron was rusting,
+wood rotting, paper peeling off; the very size, and
+shape, and true proportion of the dwelling, withering
+away. The Blind Girl never knew that ugly shapes
+of delf and earthenware were on the board; that
+sorrow and faint-heartedness were in the house; that
+Caleb's scanty hairs were turning greyer and more
+grey before her sightless face. The Blind Girl never<span class='pagenum'><a name="Page_57" id="Page_57">[57]</a></span>
+knew they had a master, cold, exacting and uninterested:
+never knew that Tackleton was Tackleton
+in short; but lived in the belief of an eccentric
+humourist who loved to have his jest with them;
+and while he was the Guardian Angel of their lives,
+disdained to hear one word of thankfulness.</p>
+
+<p>And all was Caleb's doing; all the doing of her
+simple father! But he too had a Cricket on his
+Hearth; and listening sadly to its music when the
+motherless Blind Child was very young, that Spirit
+had inspired him with the thought that even her great
+deprivation might be almost changed into a blessing,
+and the girl made happy by these little means. For
+all the Cricket Tribe are potent Spirits, even though
+the people who hold converse with them do not know
+it (which is frequently the case); and there are not
+in the Unseen World, Voices more gentle and more
+true; that may be so implicitly relied on, or that are
+so certain to give none but tenderest counsel; as the
+Voices in which the Spirits of the Fireside and the
+Hearth, address themselves to human kind.</p>
+
+<p>Caleb and his daughter were at work together in
+their usual working-room, which served them for<span class='pagenum'><a name="Page_58" id="Page_58">[58]</a></span>
+their ordinary living room as well; and a strange
+place it was. There were houses in it, finished and
+unfinished, for Dolls of all stations in life. Suburban
+tenements for Dolls of moderate means; kitchens
+and single apartments for Dolls of the lower classes;
+capital town residences for Dolls of high estate.
+Some of these establishments were already furnished
+according to estimate, with a view to the convenience
+of Dolls of limited income; others could be
+fitted on the most expensive scale, at a moment's
+notice, from whole shelves of chairs and tables, sofas,
+bedsteads, and upholstery. The nobility and gentry
+and public in general, for whose accommodation these
+tenements were designed, lay, here and there, in
+baskets, staring straight up at the ceiling; but in
+denoting their degrees in society, and confining them
+to their respective stations (which experience shows
+to be lamentably difficult in real life), the makers
+of these Dolls had far improved on Nature, who is
+often froward and perverse; for they, not resting on
+such arbitrary marks as satin, cotton-print, and bits
+of rag, had superadded striking personal differences
+which allowed of no mistake. Thus, the Doll-lady of<span class='pagenum'><a name="Page_59" id="Page_59">[59]</a></span>
+Distinction had wax limbs of perfect symmetry; but
+only she and her compeers; the next grade in the
+social scale being made of leather; and the next of
+coarse linen stuff. As to the common-people, they
+had just so many matches out of tinder-boxes for
+their arms and legs, and there they were&mdash;established
+in their sphere at once, beyond the possibility
+of getting out of it.</p>
+
+<p>There were various other samples of his handicraft
+besides Dolls, in Caleb Plummer's room. There
+were Noah's Arks, in which the Birds and Beasts
+were an uncommonly tight fit, I assure you; though
+they could be crammed in, anyhow, at the roof, and
+rattled and shaken into the smallest compass. By a
+bold poetical license, most of these Noah's Arks had
+knockers on the doors; inconsistent appendages
+perhaps, as suggestive of morning callers and a Postman,
+yet a pleasant finish to the outside of the building.
+There were scores of melancholy little carts
+which, when the wheels went round, performed most
+doleful music. Many small fiddles, drums, and other
+instruments of torture; no end of cannon, shields,
+swords, spears, and guns. There were little tumblers<span class='pagenum'><a name="Page_60" id="Page_60">[60]</a></span>
+in red breeches, incessantly swarming up high obstacles
+of red-tape, and coming down, head first, upon the
+other side; and there were innumerable old gentlemen
+of respectable, not to say venerable appearance,
+insanely flying over horizontal pegs, inserted, for the
+purpose, in their own street doors. There were beasts
+of all sorts; horses, in particular, of every breed; from
+the spotted barrel on four pegs, with a small tippet
+for a mane, to the thoroughbred rocker on his highest
+mettle. As it would have been hard to count the dozens
+upon dozens of grotesque figures that were ever
+ready to commit all sorts of absurdities, on the
+turning of a handle; so it would have been no easy
+task to mention any human folly, vice, or weakness,
+that had not its type, immediate or remote, in Caleb
+Plummer's room. And not in an exaggerated form;
+for very little handles will move men and women to as
+strange performances, as any Toy was ever made to
+undertake.</p>
+<div><a name="Caleb_at_Work" id="Caleb_at_Work"></a>
+<img src="images/i_074a.png" alt="i064a" width="405" height="243" class="split" />
+
+<img src="images/i_074b.png" alt="i064b" width="600" height="618" class="split" />
+
+<p>In the midst of all these objects, Caleb and his
+daughter sat at work. The Blind Girl busy as a
+Doll's dressmaker; and Caleb painting and glazing
+the four-pair front of a desirable family mansion.<span class='pagenum'><a name="Page_61" id="Page_61">[61]</a></span></p>
+
+
+
+<p>The care imprinted in
+the lines of Caleb's face,
+and his absorbed
+and dreamy
+manner, which
+would have sat
+well on some alchemist or abstruse student, were at
+first sight an odd contrast to his occupation, and the
+trivialities about him. But trivial things, invented and<span class='pagenum'><a name="Page_62" id="Page_62">[62]</a></span>
+pursued for bread, become very serious matters of
+fact; and, apart from this consideration, I am not at
+all prepared to say, myself, that if Caleb had been a
+Lord Chamberlain, or a Member of Parliament, or a
+lawyer, or even a great speculator, he would have
+dealt in toys one whit less whimsical; while I have
+a very great doubt whether they would have been as
+harmless.</p>
+</div>
+<p>"So you were out in the rain last night, father,
+in your beautiful, new, great-coat," said Caleb's
+daughter.</p>
+
+<p>"In my beautiful new great-coat," answered
+Caleb, glancing towards a clothes-line in the room,
+on which the sackcloth garment previously described,
+was carefully hung up to dry.</p>
+
+<p>"How glad I am you bought it, father!"</p>
+
+<p>"And of such a tailor, too," said Caleb.
+"Quite a fashionable tailor. It's too good for
+me."</p>
+
+<p>The Blind Girl rested from her work, and laughed
+with delight. "Too good, father! What can be
+too good for you?"</p>
+
+<p>"I'm half-ashamed to wear it though," said<span class='pagenum'><a name="Page_63" id="Page_63">[63]</a></span>
+Caleb, watching the effect of what he said, upon her
+brightening face; "upon my word. When I hear
+the boys and people say behind me, 'Hal-loa! Here's
+a swell!' I don't know which way to look. And when
+the beggar wouldn't go away last night; and, when
+I said I was a very common man, said 'No, your
+Honor! Bless your Honor don't say that!' I was
+quite ashamed. I really felt as if I hadn't a right to
+wear it."</p>
+
+<p>Happy Blind Girl! How merry she was, in her
+exultation!</p>
+
+<p>"I see you, father," she said, clasping her hands,
+"as plainly, as if I had the eyes I never want when
+you are with me. A blue coat"&mdash;</p>
+
+<p>"Bright blue," said Caleb.</p>
+
+<p>"Yes, yes! Bright blue!" exclaimed the girl,
+turning up her radiant face; "the colour I can just
+remember in the blessed sky! You told me it was
+blue before! A bright blue coat"&mdash;</p>
+
+<p>"Made loose to the figure," suggested Caleb.</p>
+
+<p>"Yes! loose to the figure!" cried the Blind
+Girl, laughing heartily; "and in it you, dear father,
+with your merry eye, your smiling face, your free<span class='pagenum'><a name="Page_64" id="Page_64">[64]</a></span>
+step, and your dark hair: looking so young and
+handsome!"</p>
+
+<p>"Halloa! Halloa!" said Caleb. "I shall be
+vain, presently."</p>
+
+<p>"<i>I</i> think you are, already," cried the Blind Girl,
+pointing at him, in her glee. "I know you father!
+Ha ha ha! I've found you out, you see!"</p>
+
+<p>How different the picture in her mind, from Caleb,
+as he sat observing her! She had spoken of his free
+step. She was right in that. For years and years,
+he never once had crossed that threshold at his own
+slow pace, but with a footfall counterfeited for her
+ear; and never had he, when his heart was heaviest,
+forgotten the light tread that was to render hers so
+cheerful and courageous!</p>
+
+<p>Heaven knows! But I think Caleb's vague bewilderment
+of manner may have half originated in his
+having confused himself about himself and everything
+around him, for the love of his Blind Daughter. How
+could the little man be otherwise than bewildered,
+after labouring for so many years to destroy his own
+identity, and that of all the objects that had any
+bearing on it!<span class='pagenum'><a name="Page_65" id="Page_65">[65]</a></span></p>
+
+<p>"There we are," said Caleb, falling back a pace
+or two to form the better judgment of his work; "as
+near the real thing as sixpenn'orth of halfpence is
+to sixpence. What a pity that the whole front of the
+house opens at once! If there was only a staircase
+in it now, and regular doors to the rooms to go in at!
+But that's the worst of my calling, I'm always deluding
+myself, and swindling myself."</p>
+
+<p>"You are speaking quite softly. You are not tired
+father?"</p>
+
+<p>"Tired," echoed Caleb, with a great burst of animation,
+"what should tire me, Bertha? <i>I</i> was never
+tired. What does it mean?"</p>
+
+<p>To give the greater force to his words, he checked
+himself in an involuntary imitation of two half length
+stretching and yawning figures on the mantel-shelf,
+who were represented as in one eternal state of weariness
+from the waist upwards; and hummed a fragment
+of a song. It was a Bacchanalian song, something
+about a Sparkling Bowl; and he sang it with an
+assumption of a Devil-may-care voice, that made
+his face a thousand times more meagre and more
+thoughtful than ever.<span class='pagenum'><a name="Page_66" id="Page_66">[66]</a></span></p>
+
+<p>"What! you're singing, are you?" said Tackleton,
+putting his head in, at the door. "Go it! <i>I</i> can't
+sing."</p>
+
+<p>Nobody would have suspected him of it. He hadn't
+what is generally termed a singing face, by any means.</p>
+
+<p>"I can't afford to sing," said Tackleton. "I'm glad
+you can. I hope you can afford to work too. Hardly
+time for both, I should think?"</p>
+
+<p>"If you could only see him, Bertha, how he's
+winking at me!" whispered Caleb. "Such a man
+to joke! you'd think, if you didn't know him, he was
+in earnest&mdash;wouldn't you now?"</p>
+
+<p>The Blind Girl smiled, and nodded.</p>
+
+<p>"The bird that can sing and won't sing, must be
+made to sing, they say," grumbled Tackleton. "What
+about the owl that can't sing, and oughtn't to sing,
+and will sing; is there anything that <i>he</i> should be
+made to do?"</p>
+
+<p>"The extent to which he's winking at this
+moment!" whispered Caleb to his daughter. "Oh,
+my gracious!"</p>
+
+<p>"Always merry and light-hearted with us!" cried
+the smiling Bertha.<span class='pagenum'><a name="Page_67" id="Page_67">[67]</a></span></p>
+
+<p>"Oh! you're there, are you?" answered Tackleton.
+"Poor Idiot!"</p>
+
+<p>He really did believe she was an Idiot; and he
+founded the belief, I can't say whether consciously or
+not, upon her being fond of him.</p>
+
+<p>"Well! and being there,&mdash;how are you?" said
+Tackleton; in his grudging way.</p>
+
+<p>"Oh! well; quite well. And as happy as even
+you can wish me to be. As happy as you would
+make the whole world, if you could!"</p>
+
+<p>"Poor Idiot!" muttered Tackleton. "No gleam
+of reason. Not a gleam!"</p>
+
+<p>The Blind Girl took his hand and kissed it; held it
+for a moment in her own two hands; and laid her
+cheek against it tenderly, before releasing it. There
+was such unspeakable affection and such fervent gratitude
+in the act, that Tackleton himself was moved to
+say, in a milder growl than usual:</p>
+
+<p>"What's the matter now?"</p>
+
+<p>"I stood it close beside my pillow when I went to
+sleep last night, and remembered it in my dreams.
+And when the day broke, and the glorious red sun&mdash;the
+<i>red</i> sun, father?"<span class='pagenum'><a name="Page_68" id="Page_68">[68]</a></span></p>
+
+<p>"Red in the mornings and the evenings, Bertha,"
+said poor Caleb, with a woeful glance at his employer.</p>
+
+<p>"When it rose, and the bright light I almost fear
+to strike myself against in walking, came into the
+room, I turned the little tree towards it, and blessed
+Heaven for making things so precious, and blessed
+you for sending them to cheer me!"</p>
+
+<p>"Bedlam broke loose!" said Tackleton under his
+breath. "We shall arrive at the strait-waistcoat and
+mufflers soon. We're getting on!"</p>
+
+<p>Caleb, with his hands hooked loosely in each other,
+stared vacantly before him while his daughter spoke,
+as if he really were uncertain (I believe he was) whether
+Tackleton had done anything to deserve her
+thanks, or not. If he could have been a perfectly
+free agent, at that moment, required, on pain of death,
+to kick the Toy merchant, or fall at his feet, according
+to his merits, I believe it would have been an even
+chance which course he would have taken. Yet
+Caleb knew that with his own hands he had brought
+the little rose tree home for her, so carefully; and that
+with his own lips he had forged the innocent deception
+which should help to keep her from suspecting how<span class='pagenum'><a name="Page_69" id="Page_69">[69]</a></span>
+much, how very much, he every day denied himself,
+that she might be the happier.</p>
+
+<p>"Bertha!" said Tackleton, assuming, for the
+nonce, a little cordiality. "Come here."</p>
+
+<p>"Oh! I can come straight to you! You needn't
+guide me!" she rejoined.</p>
+
+<p>"Shall I tell you a secret, Bertha?"</p>
+
+<p>"If you will!" she answered, eagerly.</p>
+
+<p>How bright the darkened face! How adorned
+with light, the listening head!</p>
+
+<p>"This is the day on which little what's-her-name;
+the spoilt child; Peerybingle's wife; pays her regular
+visit to you&mdash;makes her fantastic Pic-Nic here; an't
+it?" said Tackleton, with a strong expression of
+distaste for the whole concern.</p>
+
+<p>"Yes," replied Bertha. "This is the day."</p>
+
+<p>"I thought so!" said Tackleton. "I should like
+to join the party."</p>
+
+<p>"Do you hear that, father!" cried the Blind Girl
+in an ecstacy.</p>
+
+<p>"Yes, yes, I hear it," murmured Caleb, with the
+fixed look of a sleep-walker; "but I don't believe
+it. It's one of my lies, I've no doubt."<span class='pagenum'><a name="Page_70" id="Page_70">[70]</a></span></p>
+
+<p>"You see I&mdash;I want to bring the Peerybingles a
+little more into company with May Fielding," said
+Tackleton. "I am going to be married to May."</p>
+
+<p>"Married!" cried the Blind Girl, starting from
+him.</p>
+
+<p>"She's such a con-founded idiot," muttered
+Tackleton, "that I was afraid she'd never comprehend
+me. Ah, Bertha! Married! Church, parson,
+clerk, beadle, glass-coach, bells, breakfast, bride-cake,
+favours, marrow-bones, cleavers, and all the rest of
+the tom-foolery. A wedding, you know; a wedding.
+Don't you know what a wedding is?"</p>
+
+<p>"I know," replied the Blind Girl, in a gentle tone.
+"I understand!"</p>
+
+<p>"Do you?" muttered Tackleton. "It's more
+than I expected. Well! on that account I want to
+join the party, and to bring May and her mother.
+I'll send in a little something or other, before the
+afternoon. A cold leg of mutton, or some comfortable
+trifle of that sort. You'll expect me?"</p>
+
+<p>"Yes," she answered.</p>
+
+<p>She had drooped her head, and turned away; and
+so stood, with her hands crossed, musing.<span class='pagenum'><a name="Page_71" id="Page_71">[71]</a></span></p>
+
+<p>"I don't think you will," muttered Tackleton,
+looking at her; "for you seem to have forgotten all
+about it, already. Caleb!"</p>
+
+<p>"I may venture to say I'm here, I suppose,"
+thought Caleb. "Sir!"</p>
+
+<p>"Take care she don't forget what I've been saying
+to her."</p>
+
+<p>"<i>She</i> never forgets," returned Caleb. "It's one
+of the few things she an't clever in."</p>
+
+<p>"Every man thinks his own geese, swans," observed
+the Toy merchant, with a shrug. "Poor
+devil!"</p>
+
+<p>Having delivered himself of which remark, with
+infinite contempt, old Gruff and Tackleton withdrew.</p>
+
+<p>Bertha remained where he had left her, lost in
+meditation. The gaiety had vanished from her downcast
+face, and it was very sad. Three or four times,
+she shook her head, as if bewailing some remembrance
+or some loss; but her sorrowful reflections found no
+vent in words.</p>
+
+<p>It was not until Caleb had been occupied, some
+time, in yoking a team of horses to a waggon by the
+summary process of nailing the harness to the vital<span class='pagenum'><a name="Page_72" id="Page_72">[72]</a></span>
+parts of their bodies, that she drew near to his
+working-stool, and sitting down beside him, said:</p>
+
+<p>"Father, I am lonely in the dark. I want my
+eyes: my patient, willing eyes."</p>
+
+<p>"Here they are," said Caleb. "Always ready.
+They are more your's than mine, Bertha, any hour in
+the four and twenty. What shall your eyes do for
+you, dear?"</p>
+
+<p>"Look round the room, father."</p>
+
+<p>"All right," said Caleb. "No sooner said than
+done, Bertha."</p>
+
+<p>"Tell me about it."</p>
+
+<p>"It's much the same as usual," said Caleb.
+"Homely, but very snug. The gay colors on the
+walls; the bright flowers on the plates and dishes;
+the shining wood, where there are beams or panels;
+the general cheerfulness and neatness of the building;
+make it very pretty."</p>
+
+<p>Cheerful and neat it was, wherever Bertha's hands
+could busy themselves. But nowhere else, were
+cheerfulness and neatness possible, in the old crazy
+shed which Caleb's fancy so transformed.</p>
+
+<p>"You have your working dress on, and are not so<span class='pagenum'><a name="Page_73" id="Page_73">[73]</a></span>
+gallant as when you wear the handsome coat?" said
+Bertha, touching him.</p>
+
+<p>"Not quite so gallant," answered Caleb. "Pretty
+brisk though."</p>
+
+<p>"Father," said the Blind Girl, drawing close to
+his side, and stealing one arm round his neck
+"Tell me something about May. She is very
+fair?"</p>
+
+<p>"She is indeed," said Caleb. And she was
+indeed. It was quite a rare thing to Caleb, not to
+have to draw on his invention.</p>
+
+<p>"Her hair is dark," said Bertha, pensively,
+"darker than mine. Her voice is sweet and musical,
+I know. I have often loved to hear it. Her shape&mdash;"</p>
+
+<p>"There's not a Doll's in all the room to equal
+it," said Caleb. "And her eyes!"&mdash;</p>
+
+<p>He stopped; for Bertha had drawn closer round
+his neck; and, from the arm that clung about him,
+came a warning pressure which he understood too
+well.</p>
+
+<p>He coughed a moment, hammered for a moment,
+and then fell back upon the song about the Sparkling
+Bowl; his infallible resource in all such difficulties.<span class='pagenum'><a name="Page_74" id="Page_74">[74]</a></span></p>
+
+<p>"Our friend, father; our benefactor. I am never
+tired you know of hearing about him.&mdash;Now was I,
+ever?" she said, hastily.</p>
+
+<p>"Of course not," answered Caleb. "And with
+reason."</p>
+
+<p>"Ah! With how much reason!" cried the Blind
+Girl. With such fervency, that Caleb, though his
+motives were so pure, could not endure to meet her
+face; but dropped his eyes, as if she could have read
+in them his innocent deceit.</p>
+
+<p>"Then, tell me again about him, dear father,"
+said Bertha. "Many times again! His face is
+benevolent, kind, and tender. Honest and true, I
+am sure it is. The manly heart that tries to cloak
+all favours with a show of roughness and unwillingness,
+beats in its every look and glance."</p>
+
+<p>"And makes it noble," added Caleb in his
+quiet desperation.</p>
+
+<p>"And makes it noble!" cried the Blind Girl.
+"He is older than May, father."</p>
+
+<p>"Ye-es," said Caleb, reluctantly. "He's a little
+older than May. But that don't signify."</p>
+
+<p>"Oh father, yes! To be his patient companion<span class='pagenum'><a name="Page_75" id="Page_75">[75]</a></span>
+in infirmity and age; to be his gentle nurse in sickness,
+and his constant friend in suffering and sorrow;
+to know no weariness in working for his sake; to
+watch him, tend him; sit beside his bed, and talk to
+him, awake; and pray for him asleep; what privileges
+these would be! What opportunities for proving
+all her truth and her devotion to him! Would
+she do all this, dear father?"</p>
+
+<p>"No doubt of it," said Caleb.</p>
+
+<p>"I love her, father; I can love her from my
+soul!" exclaimed the Blind Girl. And saying so,
+she laid her poor blind face on Caleb's shoulder, and
+so wept and wept, that he was almost sorry to have
+brought that tearful happiness upon her.</p>
+
+<p>In the mean time, there had been a pretty sharp
+commotion at John Peerybingle's; for little Mrs.
+Peerybingle naturally couldn't think of going anywhere
+without the Baby; and to get the Baby under
+weigh, took time. Not that there was much of the
+Baby: speaking of it as a thing of weight and
+measure: but there was a vast deal to do about and
+about it, and it all had to be done by easy stages.
+For instance: when the Baby was got, by hook and<span class='pagenum'><a name="Page_76" id="Page_76">[76]</a></span>
+by crook, to a certain point of dressing, and you
+might have rationally supposed that another touch or
+two would finish him off, and turn him out a tip-top
+Baby, challenging the world, he was unexpectedly
+extinguished in a flannel cap, and hustled off to bed;
+where he simmered (so to speak) between two blankets
+for the best part of an hour. From this state of
+inaction he was then recalled, shining very much and
+roaring violently, to partake of&mdash;well! I would rather
+say, if you'll permit me to speak generally&mdash;of a
+slight repast. After which, he went to sleep again.
+Mrs. Peerybingle took advantage of this interval, to
+make herself as smart in a small way as ever you saw
+anybody in all your life; and during the same short
+truce, Miss Slowboy insinuated herself into a spencer
+of a fashion so surprising and ingenious, that it had
+no connection with herself or anything else in the
+universe, but was a shrunken, dog's-eared, independent
+fact, pursuing its lonely course without the least
+regard to anybody. By this time, the Baby, being
+all alive again, was invested, by the united efforts of
+Mrs. Peerybingle and Miss Slowboy, with a cream-coloured
+mantle for its body, and a sort of nankeen<span class='pagenum'><a name="Page_77" id="Page_77">[77]</a></span>
+raised-pie for its head; and so in course of time they
+all three got down to the door, where the old horse
+had already taken more than the full value of his
+day's toll out of the Turnpike Trust, by tearing up
+the road with his impatient autographs&mdash;and whence
+Boxer might be dimly seen in the remote perspective,
+standing looking back, and tempting him to come on
+without orders.</p>
+
+<p>As to a chair, or anything of that kind for helping
+Mrs. Peerybingle into the cart, you know very little
+of John, I flatter myself, if you think <i>that</i> was necessary.
+Before you could have seen him lift her from
+the ground, there she was in her place, fresh and rosy,
+saying, "John! How can you! Think of Tilly!"</p>
+
+<p>If I might be allowed to mention a young lady's
+legs, on any terms, I would observe of Miss Slowboy's
+that there was a fatality about them which rendered
+them singularly liable to be grazed; and that she
+never effected the smallest ascent or descent, without
+recording the circumstance upon them with a notch,
+as Robinson Crusoe marked the days upon his wooden
+calendar. But as this might be considered ungenteel,
+I'll think of it.<span class='pagenum'><a name="Page_78" id="Page_78">[78]</a></span></p>
+
+<p>"John? You've got the basket with the Veal
+and Ham-Pie and things; and the bottles of Beer?"
+said Dot. "If you haven't, you must turn round
+again, this very minute."</p>
+
+<p>"You're a nice little article," returned the Carrier,
+"to be talking about turning round, after keeping me
+a full quarter of an hour behind my time."</p>
+
+<p>"I am sorry for it, John," said Dot in a great
+bustle, "but I really could not think of going to
+Bertha's&mdash;I wouldn't do it, John, on any account&mdash;without
+the Veal and Ham-Pie and things, and the
+bottles of Beer. Way!"</p>
+
+<p>This monosyllable was addressed to the Horse, who
+didn't mind it at all.</p>
+
+<p>"Oh <i>do</i> Way, John!" said Mrs. Peerybingle.
+"Please!"</p>
+
+<p>"It'll be time enough to do that," returned John,
+"when I begin to leave things behind me. The
+basket's here, safe enough."</p>
+
+<p>"What a hard-hearted monster you must be, John,
+not to have said so, at once, and saved me such a
+turn! I declare I wouldn't go to Bertha's without
+the Veal and Ham-Pie and things, and the bottles<span class='pagenum'><a name="Page_79" id="Page_79">[79]</a></span>
+of Beer, for any money. Regularly once a fortnight
+ever since we have been married, John, have we made
+our little Pic-Nic there. If anything was to go wrong
+with it, I should almost think we were never to be
+lucky again."</p>
+
+<p>"It was a kind thought in the first instance," said
+the Carrier; "and I honour you for it, little woman."</p>
+
+<p>"My dear John," replied Dot, turning very red.
+"Don't talk about honouring <i>me</i>. Good Gracious!"</p>
+
+<p>"By the bye&mdash;" observed the Carrier. "That old
+gentleman,"&mdash;</p>
+
+<p>Again so visibly, and instantly embarrassed.</p>
+
+<p>"He's an odd fish," said the Carrier, looking
+straight along the road before them. "I can't make
+him out. I don't believe there's any harm in him."</p>
+
+<p>"None at all. I'm&mdash;I'm sure there's none at all."</p>
+
+<p>"Yes?" said the Carrier, with his eyes attracted
+to her face by the great earnestness of her manner.
+"I am glad you feel so certain of it, because it's
+a confirmation to me. It's curious that he should
+have taken it into his head to ask leave to go on
+lodging with us; an't it? Things come about so
+strangely."<span class='pagenum'><a name="Page_80" id="Page_80">[80]</a></span></p>
+
+<p>"So very strangely," she rejoined in a low voice:
+scarcely audible.</p>
+
+<p>"However, he's a good-natured old gentleman,"
+said John, "and pays as a gentleman, and I think
+his word is to be relied upon, like a gentleman's. I
+had quite a long talk with him this morning: he can
+hear me better already, he says, as he gets more used
+to my voice. He told me a great deal about himself,
+and I told him a good deal about myself, and a rare
+lot of questions he asked me. I gave him information
+about my having two beats, you know, in my
+business; one day to the right from our house and
+back again; another day to the left from our house
+and back again (for he's a stranger and don't know
+the names of places about here); and he seemed quite
+pleased. 'Why, then I shall be returning home
+to-night your way,' he says, 'when I thought you'd
+be coming in an exactly opposite direction. That's
+capital. I may trouble you for another lift perhaps,
+but I'll engage not to fall so sound asleep again.' He
+<i>was</i> sound asleep, sure-ly!&mdash;Dot! what are you thinking
+of?"</p>
+
+<p>"Thinking of, John? I&mdash;I was listening to you."<span class='pagenum'><a name="Page_81" id="Page_81">[81]</a></span></p>
+
+<p>"Oh! That's all right!" said the honest Carrier.
+"I was afraid, from the look of your face, that I had
+gone rambling on so long, as to set you thinking
+about something else. I was very near it, I'll be bound."</p>
+
+<p>Dot making no reply, they jogged on, for some little
+time, in silence. But it was not easy to remain silent
+very long in John Peerybingle's cart, for everybody on
+the road had something to say; and though it might
+only be "How are you!" and indeed it was very
+often nothing else, still, to give that back again in the
+right spirit of cordiality, required, not merely a nod and
+a smile, but as wholesome an action of the lungs withal,
+as a long-winded Parliamentary speech. Sometimes,
+passengers on foot, or horseback, plodded on a little
+way beside the cart, for the express purpose of having
+a chat; and then there was a great deal to be said,
+on both sides.</p>
+
+<p>Then, Boxer gave occasion to more good-natured
+recognitions of and by the Carrier, than half a dozen
+Christians could have done! Everybody knew him,
+all along the road, especially the fowls and pigs, who
+when they saw him approaching, with his body all on
+one side, and his ears pricked up inquisitively, and that<span class='pagenum'><a name="Page_82" id="Page_82">[82]</a></span>
+knob of a tail making the most of itself in the air,
+immediately withdrew into remote back settlements,
+without waiting for the honor of a nearer acquaintance.
+He had business everywhere; going down all the
+turnings, looking into all the wells, bolting in and out
+of all the cottages, dashing into the midst of all the
+Dame-Schools, fluttering all the pigeons, magnifying
+the tails of all the cats, and trotting into the public
+houses like a regular customer. Wherever he went,
+somebody or other might have been heard to cry,
+"Halloa! Here's Boxer!"</p>
+
+<div class="figcenter" style="width: 455px;"><a name="Boxer" id="Boxer"></a>
+<img src="images/i_095.png" width="455" height="271" alt="Boxer" title="" />
+</div>
+
+<div class='unindent'>and out came that somebody forthwith, accompanied
+by at least two or three other somebodies, to give
+John Peerybingle and his pretty wife, Good Day.</div><p><span class='pagenum'><a name="Page_83" id="Page_83">[83]</a></span></p>
+
+<p>The packages and parcels for the errand cart, were
+numerous; and there were many stoppages to take
+them in and give them out; which were not by any
+means the worst parts of the journey. Some people
+were so full of expectation about their parcels, and
+other people were so full of wonder about their
+parcels, and other people were so full of inexhaustible
+directions about their parcels, and John had such a
+lively interest in all the parcels, that it was as good
+as a play. Likewise, there were articles to carry,
+which required to be considered and discussed, and
+in reference to the adjustment and disposition of which,
+councils had to be holden by the Carrier and the
+senders: at which Boxer usually assisted, in short fits
+of the closest attention, and long fits of tearing round
+and round the assembled sages and barking himself
+hoarse. Of all these little incidents, Dot was the
+amused and open-eyed spectatress from her chair in
+the cart; and as she sat there, looking on: a charming
+little portrait framed to admiration by the tilt:
+there was no lack of nudgings and glancings and
+whisperings and envyings among the younger men,
+I promise you. And this delighted John the Carrier,<span class='pagenum'><a name="Page_84" id="Page_84">[84]</a></span>
+beyond measure; for he was proud to have his little
+wife admired; knowing that she didn't mind it&mdash;that,
+if anything, she rather liked it perhaps.</p>
+
+<p>The trip was a little foggy, to be sure, in the
+January weather; and was raw and cold. But who
+cared for such trifles? Not Dot, decidedly. Not
+Tilly Slowboy, for she deemed sitting in a cart, on
+any terms, to be the highest point of human joys; the
+crowning circumstance of earthly hopes. Not the
+Baby, I'll be sworn; for it's not in Baby nature to be
+warmer or more sound asleep, though its capacity
+is great in both respects, than that blessed young
+Peerybingle was, all the way.</p>
+
+<p>You couldn't see very far in the fog, of course;
+but you could see a great deal, oh a great deal! It's
+astonishing how much you may see, in a thicker fog
+than that, if you will only take the trouble to look for
+it. Why, even to sit watching for the Fairy-rings in
+the fields, and for the patches of hoar-frost still
+lingering in the shade, near hedges and by trees, was
+a pleasant occupation: to make no mention of the
+unexpected shapes in which the trees themselves
+came starting out of the mist, and glided into it<span class='pagenum'><a name="Page_85" id="Page_85">[85]</a></span>
+again. The hedges were tangled and bare, and
+waved a multitude of blighted garlands in the wind;
+but there was no discouragement in this. It was
+agreeable to contemplate; for it made the fireside
+warmer in possession, and the summer greener in
+expectancy. The river looked chilly; but it was in
+motion, and moving at a good pace; which was a
+great point. The canal was rather slow and torpid;
+that must be admitted. Never mind. It would
+freeze the sooner when the frost set fairly in, and
+then there would be skating, and sliding; and the
+heavy old barges, frozen up somewhere, near a wharf,
+would smoke their rusty iron chimney-pipes all day,
+and have a lazy time of it.</p>
+
+<p>In one place, there was a great mound of weeds or
+stubble burning; and they watched the fire, so white
+in the day time, flaring through the fog, with only
+here and there a dash of red in it, until, in consequence
+as she observed of the smoke "getting
+up her nose," Miss Slowboy choked&mdash;she could do
+anything of that sort, on the smallest provocation&mdash;and
+woke the Baby, who wouldn't go to sleep again.
+But Boxer, who was in advance some quarter of a mile<span class='pagenum'><a name="Page_86" id="Page_86">[86]</a></span>
+or so, had already passed the outposts of the town, and
+gained the corner of the street where Caleb and his
+daughter lived; and long before they reached the
+door, he and the Blind Girl were on the pavement
+waiting to receive them.</p>
+
+<p>Boxer, by the way, made certain delicate distinctions
+of his own, in his communication with Bertha, which
+persuade me fully that he knew her to be blind. He
+never sought to attract her attention by looking at
+her, as he often did with other people, but touched
+her, invariably. What experience he could ever have
+had of blind people or blind dogs, I don't know. He
+had never lived with a blind master; nor had Mr.
+Boxer the elder, nor Mrs. Boxer, nor any of his
+respectable family on either side, ever been visited
+with blindness, that I am aware of. He may have
+found it out for himself, perhaps, but he had got hold
+of it somehow; and therefore he had hold of Bertha
+too, by the skirt, and kept hold, until Mrs. Peerybingle
+and the Baby, and Miss Slowboy, and the
+basket, were all got safely within doors.</p>
+
+<p>May Fielding was already come; and so was her
+mother&mdash;a little querulous chip of an old lady with a<span class='pagenum'><a name="Page_87" id="Page_87">[87]</a></span>
+peevish face, who, in right of having preserved a
+waist like a bedpost, was supposed to be a most
+transcendant figure; and who, in consequence of
+having once been better off, or of labouring under
+an impression that she might have been, if something
+had happened which never did happen, and seemed
+to have never been particularly likely to come to pass&mdash;but
+it's all the same&mdash;was very genteel and patronising
+indeed. Gruff and Tackleton was also there,
+doing the agreeable; with the evident sensation of
+being as perfectly at home, and as unquestionably in
+his own element, as a fresh young salmon on the top
+of the Great Pyramid.</p>
+
+<p>"May! My dear old friend!" cried Dot, running
+up to meet her. "What a happiness to see you!"</p>
+
+<p>Her old friend was, to the full, as hearty and as glad
+as she; and it really was, if you'll believe me, quite
+a pleasant sight to see them embrace. Tackleton
+was a man of taste, beyond all question. May was
+very pretty.</p>
+
+<p>You know sometimes, when you are used to a pretty
+face, how, when it comes into contact and comparison
+with another pretty face, it seems for the moment<span class='pagenum'><a name="Page_88" id="Page_88">[88]</a></span>
+to be homely and faded, and hardly to deserve the high
+opinion you have had of it. Now, this was not at all
+the case, either with Dot or May; for May's face
+set off Dot's, and Dot's face set off May's, so
+naturally and agreeably, that, as John Peerybingle
+was very near saying when he came into the room,
+they ought to have been born sisters: which was the
+only improvement you could have suggested.</p>
+
+<p>Tackleton had brought his leg of mutton, and,
+wonderful to relate, a tart besides&mdash;but we don't mind
+a little dissipation when our brides are in the case;
+we don't get married every day&mdash;and in addition to
+these dainties, there were the Veal and Ham-Pie, and
+"things," as Mrs. Peerybingle called them; which
+were chiefly nuts and oranges, and cakes, and such
+small deer. When the repast was set forth on the
+board, flanked by Caleb's contribution, which was a
+great wooden bowl of smoking potatoes (he was prohibited,
+by solemn compact, from producing any other
+viands), Tackleton led his intended mother-in-law to
+the Post of Honour. For the better gracing of this
+place at the high Festival, the majestic old Soul had
+adorned herself with a cap, calculated to inspire the<span class='pagenum'><a name="Page_89" id="Page_89">[89]</a></span>
+thoughtless with sentiments of awe. She also wore
+her gloves. But let us be genteel, or die!</p>
+
+<p>Caleb sat next his daughter; Dot and her old
+schoolfellow were side by side; the good Carrier took
+care of the bottom of the table. Miss Slowboy was
+isolated, for the time being, from every article of
+furniture but the chair she sat on, that she might
+have nothing else to knock the Baby's head against.</p>
+
+<div class="figcenter" style="width: 400px;"><a name="Tilly_Slowboy" id="Tilly_Slowboy"></a>
+<img src="images/i_102.png" width="400" height="407" alt="Tilly" title="Tilly" />
+</div>
+
+<p>As Tilly stared about her at the Dolls and Toys,
+they stared at her and at the company. The venerable
+old gentlemen at the street doors (who were all
+in full action) showed especial interest in the party:
+pausing occasionally before leaping, as if they were<span class='pagenum'><a name="Page_90" id="Page_90">[90]</a></span>
+listening to the conversation: and then plunging
+wildly over and over, a great many times, without
+halting for breath,&mdash;as in a frantic state of delight
+with the whole proceedings.</p>
+
+<p>Certainly, if these old gentlemen were inclined to
+have a fiendish joy in the contemplation of Tackleton's
+discomfiture, they had good reason to be
+satisfied. Tackleton couldn't get on at all; and the
+more cheerful his intended Bride became in Dot's
+society, the less he liked it, though he had brought
+them together for that purpose. For he was a
+regular Dog in the Manger, was Tackleton; and when
+they laughed, and he couldn't, he took it into his
+head, immediately, that they must be laughing at him.</p>
+
+<p>"Ah May!" said Dot. "Dear dear, what
+changes! To talk of those merry school-days makes
+one young again."</p>
+
+<p>"Why, you an't particularly old, at any time; are
+you?" said Tackleton.</p>
+
+<p>"Look at my sober, plodding husband there,"
+returned Dot. "He adds Twenty years to my age
+at least. Don't you John?"</p>
+
+<p>"Forty," John replied.<span class='pagenum'><a name="Page_91" id="Page_91">[91]</a></span></p>
+
+<p>"How many <i>you</i>'ll add to May's, I am sure I
+don't know," said Dot, laughing. "But she can't
+be much less than a hundred years of age on her
+next birthday."</p>
+
+<p>"Ha ha!" laughed Tackleton. Hollow as a
+drum, that laugh though. And he looked as if he
+could have twisted Dot's neck: comfortably.</p>
+
+<p>"Dear dear!" said Dot. "Only to remember how
+we used to talk, at school, about the husbands we
+would choose. I don't know how young, and how
+handsome, and how gay, and how lively, mine was not
+to be! and as to May's!&mdash;Ah dear! I don't know
+whether to laugh or cry, when I think what silly girls
+we were."</p>
+
+<p>May seemed to know which to do; for the color
+flashed into her face, and tears stood in her eyes.</p>
+
+<p>"Even the very persons themselves&mdash;real live
+young men&mdash;we fixed on sometimes," said Dot.
+"We little thought how things would come about. I
+never fixed on John I'm sure; I never so much as
+thought of him. And if I had told you, you were
+ever to be married to Mr. Tackleton, why you'd have
+slapped me. Wouldn't you, May?"<span class='pagenum'><a name="Page_92" id="Page_92">[92]</a></span></p>
+
+<p>Though May didn't say yes, she certainly didn't
+say no, or express no, by any means.</p>
+
+<p>Tackleton laughed&mdash;quite shouted, he laughed so
+loud. John Peerybingle laughed too, in his ordinary
+good-natured and contented manner; but his was a
+mere whisper of a laugh, to Tackleton's.</p>
+
+<p>"You couldn't help yourselves, for all that. You
+couldn't resist us, you see," said Tackleton. "Here
+we are! Here we are! Where are your gay young
+bridegrooms now!"</p>
+
+<p>"Some of them are dead," said Dot; "and
+some of them forgotten. Some of them, if they
+could stand among us at this moment, would not
+believe we were the same creatures; would not
+believe that what they saw and heard was real, and
+we <i>could</i> forget them so. No! they would not believe
+one word of it!"</p>
+
+<p>"Why, Dot!" exclaimed the Carrier. "Little
+woman!"</p>
+
+<p>She had spoken with such earnestness and fire,
+that she stood in need of some recalling to herself,
+without doubt. Her husband's check was very gentle,
+for he merely interfered, as he supposed, to shield old<span class='pagenum'><a name="Page_93" id="Page_93">[93]</a></span>
+Tackleton; but it proved effectual, for she stopped,
+and said no more. There was an uncommon agitation,
+even in her silence, which the wary Tackleton,
+who had brought his half-shut eye to bear upon her,
+noted closely; and remembered to some purpose too,
+as you will see.</p>
+
+<p>May uttered no word, good or bad, but sat quite
+still, with her eyes cast down; and made no sign of
+interest in what had passed. The good lady her
+mother now interposed: observing, in the first instance,
+that girls were girls, and byegones byegones, and
+that so long as young people were young and thoughtless,
+they would probably conduct themselves like young
+and thoughtless persons: with two or three other
+positions of a no less sound and incontrovertible character.
+She then remarked, in a devout spirit, that
+she thanked Heaven she had always found in her
+daughter May, a dutiful and obedient child; for which
+she took no credit to herself, though she had every
+reason to believe it was entirely owing to herself.
+With regard to Mr. Tackleton she said, That he was
+in a moral point of view an undeniable individual; and
+That he was in an eligible point of view a son-in-law<span class='pagenum'><a name="Page_94" id="Page_94">[94]</a></span>
+to be desired, no one in their senses could doubt.
+(She was very emphatic here). With regard to
+the family into which he was so soon about, after
+some solicitation, to be admitted, she believed Mr.
+Tackleton knew that, although reduced in purse, it
+had some pretensions to gentility; and that if certain
+circumstances, not wholly unconnected, she would go so
+far as to say, with the Indigo Trade, but to which she
+would not more particularly refer, had happened differently,
+it might perhaps have been in possession of
+Wealth. She then remarked that she would not
+allude to the past, and would not mention that her
+daughter had for some time rejected the suit of
+Mr. Tackleton; and that she would not say a great
+many other things which she did say, at great length.
+Finally, she delivered it as the general result of her
+observation and experience, that those marriages in
+which there was least of what was romantically and
+sillily called love, were always the happiest; and that
+she anticipated the greatest possible amount of bliss&mdash;not
+rapturous bliss; but the solid, steady-going
+article&mdash;from the approaching nuptials. She concluded
+by informing the company that to-morrow<span class='pagenum'><a name="Page_95" id="Page_95">[95]</a></span>
+was the day she had lived for, expressly; and that
+when it was over, she would desire nothing better
+than to be packed up and disposed of, in any genteel
+place of burial.</p>
+
+<p>As these remarks were quite unanswerable: which
+is the happy property of all remarks that are sufficiently
+wide of the purpose: they changed the current
+of the conversation, and diverted the general attention
+to the Veal and Ham-Pie, the cold mutton, the potatoes,
+and the tart. In order that the bottled beer might
+not be slighted, John Peerybingle proposed To-morrow:
+the Wedding-Day: and called upon them to drink
+a bumper to it, before he proceeded on his journey.</p>
+
+<p>For you ought to know that he only rested there,
+and gave the old horse a bait. He had to go some
+four or five miles farther on; and when he returned
+in the evening, he called for Dot, and took another
+rest on his way home. This was the order of the day
+on all the Pic-Nic occasions, and had been ever since
+their institution.</p>
+
+<p>There were two persons present, besides the bride
+and bridegroom elect, who did but indifferent honour
+to the toast. One of these was Dot, too flushed and<span class='pagenum'><a name="Page_96" id="Page_96">[96]</a></span>
+discomposed to adapt herself to any small occurrence
+of the moment; the other Bertha, who rose up
+hurriedly, before the rest, and left the table.</p>
+
+<p>"Good bye!" said stout John Peerybingle, pulling
+on his dreadnought coat. "I shall be back at the
+old time. Good bye all!"</p>
+
+<p>"Good bye John," returned Caleb.</p>
+
+<p>He seemed to say it by rote, and to wave his hand
+in the same unconscious manner; for he stood observing
+Bertha with an anxious wondering face, that
+never altered its expression.</p>
+
+<p>"Good bye young shaver!" said the jolly Carrier,
+bending down to kiss the child; which Tilly Slowboy,
+now intent upon her knife and fork, had deposited
+asleep (and strange to say, without damage) in a little
+cot of Bertha's furnishing; "good bye! Time will
+come, I suppose, when <i>you</i>'ll turn out into the cold,
+my little friend, and leave your old father to enjoy his
+pipe and his rheumatics in the chimney-corner; eh?
+Where's Dot?"</p>
+
+<p>"I'm here John!" she said, starting.</p>
+
+<p>"Come, come!" returned the Carrier, clapping his
+sounding hands. "Where's the Pipe?"<span class='pagenum'><a name="Page_97" id="Page_97">[97]</a></span></p>
+
+<p>"I quite forgot the pipe, John."</p>
+
+<p>Forgot the Pipe! Was such a wonder ever
+heard of! She! Forgot the Pipe!</p>
+
+<p>"I'll&mdash;I'll fill it directly. It's soon done."</p>
+
+<p>But it was not so soon done, either. It lay in the
+usual place; the Carrier's dreadnought pocket; with
+the little pouch, her own work; from which she was
+used to fill it; but her hand shook so, that she
+entangled it (and yet her hand was small enough to
+have come out easily, I am sure), and bungled terribly.
+The filling of the Pipe and lighting it; those little
+offices in which I have commended her discretion, if
+you recollect; were vilely done, from first to last.
+During the whole process, Tackleton stood looking
+on maliciously with the half-closed eye; which, whenever
+it met her's&mdash;or caught it, for it can hardly be
+said to have ever met another eye: rather being a
+kind of trap to snatch it up&mdash;augmented her confusion
+in a most remarkable degree.</p>
+
+<p>"Why, what a clumsy Dot you are, this afternoon!"
+said John. "I could have done it better myself, I
+verily believe!"</p>
+
+<p>With these good-natured words, he strode away;<span class='pagenum'><a name="Page_98" id="Page_98">[98]</a></span>
+and presently was heard, in company with Boxer, and
+the old horse, and the cart, making lively music down
+the road. What time the dreamy Caleb still stood,
+watching his Blind Daughter, with the same expression
+on his face.</p>
+
+<p>"Bertha!" said Caleb, softly. "What has happened?
+How changed you are, my Darling, in a few
+hours&mdash;since this morning. <i>You</i> silent and dull all
+day! What is it? Tell me!</p>
+
+<p>"Oh father, father!" cried the Blind Girl, bursting
+into tears. "Oh my hard, hard Fate!"</p>
+
+<p>Caleb drew his hand across his eyes before he
+answered her.</p>
+
+<p>"But think how cheerful and how happy you have
+been, Bertha! How good, and how much loved, by
+many people."</p>
+
+<p>"That strikes me to the heart, dear father!
+Always so mindful of me! Always so kind to me!"</p>
+
+<p>Caleb was very much perplexed to understand her.</p>
+
+<p>"To be&mdash;to be blind, Bertha, my poor dear,"
+he faltered, "is a great affliction; but&mdash;&mdash;"</p>
+
+<p>"I have never felt it!" cried the Blind Girl. "I
+have never felt it, in its fulness. Never! I have<span class='pagenum'><a name="Page_99" id="Page_99">[99]</a></span>
+sometimes wished that I could see you, or could see
+him; only once, dear father; only for one little
+minute; that I might know what it is I treasure up,"
+she laid her hands upon her breast, "and hold
+here! That I might be sure I have it right! And
+sometimes (but then I was a child) I have wept, in
+my prayers at night, to think that when your images
+ascended from my heart to Heaven, they might not
+be the true resemblance of yourselves. But I have
+never had these feelings long. They have passed
+away, and left me tranquil and contented."</p>
+
+<p>"And they will again," said Caleb.</p>
+
+<p>"But father! Oh my good, gentle father, bear
+with me, if I am wicked!" said the Blind Girl.
+"This is not the sorrow that so weighs me down!"</p>
+
+<p>Her father could not choose but let his moist eyes
+overflow; she was so earnest and pathetic. But he
+did not understand her, yet.</p>
+
+<p>"Bring her to me," said Bertha. "I cannot
+hold it closed and shut within myself. Bring her to
+me, father!"</p>
+
+<p>She knew he hesitated, and said, "May. Bring
+May!"<span class='pagenum'><a name="Page_100" id="Page_100">[100]</a></span></p>
+
+<p>May heard the mention of her name, and coming
+quietly towards her, touched her on the arm. The
+Blind Girl turned immediately, and held her by both
+hands.</p>
+
+<p>"Look into my face, Dear heart, Sweet heart!"
+said Bertha. "Read it with your beautiful eyes, and
+tell me if the Truth is written on it."</p>
+
+<p>"Dear Bertha, Yes!"</p>
+
+<p>The Blind Girl still, upturning the blank sightless
+face, down which the tears were coursing fast, addressed
+her in these words:</p>
+
+<p>"There is not, in my Soul, a wish or thought
+that is not for your good, bright May! There is
+not, in my Soul, a grateful recollection stronger than
+the deep remembrance which is stored there, of the
+many many times when, in the full pride of Sight and
+Beauty, you have had consideration for Blind Bertha,
+even when we two were children, or when Bertha was
+as much a child as ever blindness can be! Every
+blessing on your head! Light upon your happy
+course! Not the less, my dear May;" and she
+drew towards her, in a closer grasp; "not the less,
+my Bird, because, to-day, the knowledge that you<span class='pagenum'><a name="Page_101" id="Page_101">[101]</a></span>
+are to be His wife has wrung my heart almost to
+breaking! Father, May, Mary! oh forgive me that
+it is so, for the sake of all he has done to relieve the
+weariness of my dark life: and for the sake of the
+belief you have in me, when I call Heaven to witness
+that I could not wish him married to a wife more
+worthy of his Goodness!"</p>
+
+<p>While speaking, she had released May Fielding's
+hands, and clasped her garments in an attitude of
+mingled supplication and love. Sinking lower and
+lower down, as she proceeded in her strange confession,
+she dropped at last at the feet of her friend, and
+hid her blind face in the folds of her dress.</p>
+
+<p>"Great Power!" exclaimed her father, smitten
+at one blow with the truth, "have I deceived
+her from her cradle, but to break her heart at
+last!"</p>
+
+<p>It was well for all of them that Dot, that beaming,
+useful, busy little Dot&mdash;for such she was, whatever
+faults she had; however you may learn to hate her,
+in good time&mdash;it was well for all of them, I say, that
+she was there: or where this would have ended, it
+were hard to tell. But Dot, recovering her self-possession,<span class='pagenum'><a name="Page_102" id="Page_102">[102]</a></span>
+interposed, before May could reply, or
+Caleb say another word.</p>
+
+<p>"Come come, dear Bertha! come away with me!
+Give her your arm, May. So! How composed she
+is, you see, already; and how good it is of her to
+mind us," said the cheery little woman, kissing her
+upon the forehead. "Come away, dear Bertha!
+Come! and here's her good father will come with
+her; won't you, Caleb? To&mdash;be&mdash;sure!"</p>
+
+<p>Well, well! she was a noble little Dot in such
+things, and it must have been an obdurate nature that
+could have withstood her influence. When she had
+got poor Caleb and his Bertha away, that they might
+comfort and console each other, as she knew they only
+could, she presently came bouncing back,&mdash;the saying
+is, as fresh as any daisy; <i>I</i> say fresher&mdash;to mount
+guard over that bridling little piece of consequence in
+the cap and gloves, and prevent the dear old creature
+from making discoveries.</p>
+
+<p>"So bring me the precious Baby, Tilly," said she,
+drawing a chair to the fire; "and while I have it in
+my lap, here's Mrs. Fielding, Tilly, will tell me all
+about the management of Babies, and put me right in<span class='pagenum'><a name="Page_103" id="Page_103">[103]</a></span>
+twenty points where I'm as wrong as can be. Won't
+you, Mrs. Fielding?"</p>
+
+<div class="figright" style="width: 351px;"><a name="Mrs_Fieldings_Lecture" id="Mrs_Fieldings_Lecture"></a>
+<img src="images/i_116.png" width="351" height="500" alt="Visiting with Mrs. Fielding" title="" />
+</div>
+
+<p>Not even the Welsh Giant, who, according to the
+popular expression, was so "slow" as to perform a<span class='pagenum'><a name="Page_104" id="Page_104">[104]</a></span>
+fatal surgical operation upon himself, in emulation of
+a juggling-trick achieved by his arch-enemy at breakfast-time;
+not even he fell half so readily into the
+Snare prepared for him, as the old lady into this artful
+Pitfall. The fact of Tackleton having walked out;
+and furthermore, of two or three people having been
+talking together at a distance, for two minutes, leaving
+her to her own resources; was quite enough to
+have put her on her dignity, and the bewailment of
+that mysterious convulsion in the Indigo trade, for
+four-and-twenty hours. But this becoming deference
+to her experience, on the part of the young mother,
+was so irresistible, that after a short affectation of
+humility, she began to enlighten her with the best
+grace in the world; and sitting bolt upright before
+the wicked Dot, she did, in half an hour, deliver
+more infallible domestic recipes and precepts, than
+would (if acted on) have utterly destroyed and done
+up that Young Peerybingle, though he had been an
+Infant Samson.</p>
+
+<p>To change the theme, Dot did a little needlework&mdash;she
+carried the contents of a whole workbox in her
+pocket; how ever she contrived it, <i>I</i> don't know&mdash;then<span class='pagenum'><a name="Page_105" id="Page_105">[105]</a></span>
+did a little nursing; then a little more needlework;
+then had a little whispering chat with May,
+while the old lady dozed; and so in little bits of
+bustle, which was quite her manner always, found it
+a very short afternoon. Then, as it grew dark, and
+as it was a solemn part of this Institution of the Pic-Nic
+that she should perform all Bertha's household
+tasks, she trimmed the fire, and swept the hearth,
+and set the tea-board out, and drew the curtain, and
+lighted a candle. Then, she played an air or two on
+a rude kind of harp, which Caleb had contrived for
+Bertha; and played them very well; for Nature had
+made her delicate little ear as choice a one for music
+as it would have been for jewels, if she had had any
+to wear. By this time it was the established hour
+for having tea; and Tackleton came back again, to
+share the meal, and spend the evening.</p>
+
+<p>Caleb and Bertha had returned some time before,
+and Caleb had sat down to his afternoon's work.
+But he couldn't settle to it, poor fellow, being anxious
+and remorseful for his daughter. It was touching to
+see him sitting idle on his working-stool, regarding
+her so wistfully; and always saying in his face,<span class='pagenum'><a name="Page_106" id="Page_106">[106]</a></span>
+"have I deceived her from her cradle, but to break
+her heart!"</p>
+
+<p>When it was night, and tea was done, and Dot had
+nothing more to do in washing up the cups and
+saucers; in a word&mdash;for I must come to it, and there
+is no use in putting it off&mdash;when the time drew nigh
+for expecting the Carrier's return in every sound of
+distant wheels; her manner changed again; her
+colour came and went; and she was very restless.
+Not as good wives are, when listening for their husbands.
+No, no, no. It was another sort of restlessness
+from that.</p>
+
+<p>Wheels heard. A horse's feet. The barking of a
+dog. The gradual approach of all the sounds. The
+scratching paw of Boxer at the door!</p>
+
+<p>"Whose step is that!" cried Bertha, starting
+up.</p>
+
+<p>"Whose step?" returned the Carrier, standing in
+the portal, with his brown face ruddy as a winter
+berry from the keen night air. "Why, mine."</p>
+
+<p>"The other step," said Bertha. "The man's tread
+behind you!"</p>
+
+<p>"She is not to be deceived," observed the Carrier,<span class='pagenum'><a name="Page_107" id="Page_107">[107]</a></span>
+laughing. "Come along Sir. You'll be welcome,
+never fear!"</p>
+
+<p>He spoke in a loud tone; and as he spoke, the
+deaf old gentleman entered.</p>
+
+<p>"He's not so much a stranger, that you haven't
+seen him once, Caleb," said the Carrier. "You'll
+give him house-room till we go?"</p>
+
+<p>"Oh surely John; and take it as an honour."</p>
+
+<p>"He's the best company on earth, to talk secrets
+in," said John. "I have reasonable good lungs, but
+he tries 'em, I can tell you. Sit down Sir. All
+friends here, and glad to see you!"</p>
+
+<p>When he had imparted this assurance, in a voice
+that amply corroborated what he had said about his
+lungs, he added in his natural tone, "A chair in the
+chimney-corner, and leave to sit quite silent and look
+pleasantly about him, is all he cares for. He's easily
+pleased."</p>
+
+<p>Bertha had been listening intently. She called
+Caleb to her side, when he had set the chair, and
+asked him, in a low voice, to describe their visitor.
+When he had done so (truly now; with scrupulous
+fidelity), she moved, for the first time since he had<span class='pagenum'><a name="Page_108" id="Page_108">[108]</a></span>
+come in; and sighed; and seemed to have no further
+interest concerning him.</p>
+
+<p>The Carrier was in high spirits, good fellow that
+he was; and fonder of his little wife than ever.</p>
+
+<p>"A clumsy Dot she was, this afternoon!" he
+said, encircling her with his rough arm, as she stood,
+removed from the rest; "and yet I like her somehow.
+See yonder, Dot!"</p>
+
+<p>He pointed to the old man. She looked down. I
+think she trembled.</p>
+
+<p>"He's&mdash;ha ha ha!&mdash;he's full of admiration for
+you!" said the Carrier. "Talked of nothing else,
+the whole way here. Why, he's a brave old boy. I
+like him for it!"</p>
+
+<p>"I wish he had had a better subject, John;"
+she said, with an uneasy glance about the room; at
+Tackleton especially.</p>
+
+<p>"A better subject!" cried the jovial John.
+"There's no such thing. Come! off with the great-coat,
+off with the thick shawl, off with the heavy
+wrappers! and a cosy half-hour by the fire! My
+humble service, Mistress. A game at cribbage, you
+and I? That's hearty. The cards and board, Dot.<span class='pagenum'><a name="Page_109" id="Page_109">[109]</a></span>
+And a glass of beer here, if there's any left, small
+wife!"</p>
+
+<p>His challenge was addressed to the old lady, who
+accepting it with gracious readiness, they were soon
+engaged upon the game. At first, the Carrier looked
+about him sometimes, with a smile, or now and then
+called Dot to peep over his shoulder at his hand, and
+advise him on some knotty point. But his adversary
+being a rigid disciplinarian, and subject to an occasional
+weakness in respect of pegging more than she
+was entitled to, required such vigilance on his part,
+as left him neither eyes nor ears to spare. Thus, his
+whole attention gradually became absorbed upon the
+cards; and he thought of nothing else, until a hand
+upon his shoulder restored him to a consciousness of
+Tackleton.</p>
+
+<p>"I am sorry to disturb you&mdash;but a word, directly."</p>
+
+<p>"I'm going to deal," returned the Carrier. "It's
+a crisis."</p>
+
+<p>"It is," said Tackleton. "Come here, man!"</p>
+
+<p>There was that in his pale face which made the
+other rise immediately, and ask him, in a hurry,
+what the matter was.<span class='pagenum'><a name="Page_110" id="Page_110">[110]</a></span></p>
+
+<p>"Hush! John Peerybingle," said Tackleton. "I
+am sorry for this. I am indeed. I have been afraid
+of it. I have suspected it from the first."</p>
+
+<p>"What is it?" asked the Carrier, with a frightened
+aspect.</p>
+
+<p>"Hush! I'll show you, if you'll come with me."</p>
+
+<p>The Carrier accompanied him, without another
+word. They went across a yard, where the stars were
+shining; and by a little side door, into Tackleton's
+own counting-house, where there was a glass window,
+commanding the ware-room: which was closed for the
+night. There was no light in the counting-house
+itself, but there were lamps in the long narrow
+ware-room; and consequently the window was
+bright.</p>
+
+<p>"A moment!" said Tackleton. "Can you bear
+to look through that window, do you think?"</p>
+
+<p>"Why not?" returned the Carrier.</p>
+
+<p>"A moment more," said Tackleton. "Don't
+commit any violence. It's of no use. It's dangerous
+too. You're a strong-made man; and you might
+do Murder before you know it."</p>
+
+<p>The Carrier looked him in the face, and recoiled a<span class='pagenum'><a name="Page_111" id="Page_111">[111]</a></span>
+step as if he had been struck. In one stride he was
+at the window, and he saw&mdash;</p>
+
+<p>Oh Shadow on the Hearth! Oh truthful Cricket!
+Oh perfidious Wife!</p>
+
+<p>He saw her, with the old man; old no longer, but
+erect and gallant: bearing in his hand the false
+white hair that had won his way into their desolate
+and miserable home. He saw her listening to him,
+as he bent his head to whisper in her ear; and suffering
+him to clasp her round the waist, as they moved
+slowly down the dim wooden gallery towards the door
+by which they had entered it. He saw them stop,
+and saw her turn&mdash;&mdash;to have the face, the face he
+loved so, so presented to his view!&mdash;--and saw her,
+with her own hands, adjust the Lie upon his head,
+laughing, as she did it, at his unsuspicious nature!</p>
+
+<p>He clenched his strong right hand at first, as if it
+would have beaten down a lion. But opening it immediately
+again, he spread it out before the eyes of
+Tackleton (for he was tender of her, even then), and
+so, as they passed out, fell down upon a desk, and
+was as weak as any infant.</p>
+
+<p>He was wrapped up to the chin, and busy with his<span class='pagenum'><a name="Page_112" id="Page_112">[112]</a></span>
+horse and parcels, when she came into the room, prepared
+for going home.</p>
+
+<p>"Now John, dear! Good night May! Good
+night Bertha!"</p>
+
+<p>Could she kiss them? Could she be blithe and
+cheerful in her parting? Could she venture to reveal
+her face to them without a blush? Yes. Tackleton
+observed her closely; and she did all this.</p>
+
+<p>Tilly was hushing the Baby; and she crossed
+and re-crossed Tackleton, a dozen times, repeating
+drowsily:</p>
+
+<p>"Did the knowledge that it was to be its wifes,
+then, wring its hearts almost to breaking; and did
+its fathers deceive it from its cradles but to break
+its hearts at last!"</p>
+
+<p>"Now Tilly, give me the Baby. Good night, Mr.
+Tackleton. Where's John, for Goodness' sake?"</p>
+
+<p>"He's going to walk, beside the horse's head,"
+said Tackleton; who helped her to her seat.</p>
+
+<p>"My dear John. Walk? To-night?"</p>
+
+<p>The muffled figure of her husband made a hasty
+sign in the affirmative; and the false Stranger and
+the little nurse being in their places, the old horse<span class='pagenum'><a name="Page_113" id="Page_113">[113]</a></span>
+moved off. Boxer, the unconscious Boxer, running on
+before, running back, running round and round the
+cart, and barking as triumphantly and merrily as ever.</p>
+
+<p>When Tackleton had gone off likewise, escorting
+May and her mother home, poor Caleb sat down by
+the fire beside his daughter; anxious and remorseful
+at the core; and still saying in his wistful contemplation
+of her, "have I deceived her from her cradle,
+but to break her heart at last!"</p>
+
+<p>The toys that had been set in motion for the Baby,
+had all stopped and run down, long ago. In the faint
+light and silence, the imperturbably calm dolls; the
+agitated rocking-horses with distended eyes and nostrils;
+the old gentlemen at the street doors, standing,
+half doubled up, upon their failing knees and ankles;
+the wry-faced nutcrackers; the very Beasts upon their
+way into the Ark, in twos, like a Boarding-School out
+walking; might have been imagined to be stricken
+motionless with fantastic wonder, at Dot being false,
+or Tackleton beloved, under any combination of circumstances.</p>
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_114" id="Page_114">[114]</a></span></p>
+
+<div class="figcenter" style="width: 600px;"><a name="Chirp_the_Third" id="Chirp_the_Third"></a>
+<img src="images/i_127.png" width="600" height="975" alt="Chirp the Third The Dutch clock in the corner struck Ten, when the Carrier sat down by his fireside. So troubled and grief-worn, that he seemed to scare the Cuckoo, who, having cut his ten" title="" />
+</div>
+
+
+<p><span class='pagenum'><a name="Page_115" id="Page_115">[115]</a></span></p>
+<div class='unindent'>melodious announcements as short as possible, plunged
+back into the Moorish Palace again, and clapped his
+little door behind him, as if the unwonted spectacle
+were too much for his feelings.</div>
+
+<p>If the little Haymaker had been armed with the
+sharpest of scythes, and had cut at every stroke into
+the Carrier's heart, he never could have gashed and
+wounded it, as Dot had done.</p>
+
+<p>It was a heart so full of love for her; so bound up
+and held together by innumerable threads of winning
+remembrance, spun from the daily working of her
+many qualities of endearment; it was a heart in which
+she had enshrined herself so gently and so closely; a
+heart so single and so earnest in its Truth: so strong
+in right, so weak in wrong: that it could cherish
+neither passion nor revenge at first, and had only
+room to hold the broken image of its Idol.</p>
+
+<p>But slowly, slowly; as the Carrier sat brooding on
+his hearth, now cold and dark; other and fiercer
+thoughts began to rise within him, as an angry wind
+comes rising in the night. The Stranger was beneath
+his outraged roof. Three steps would take him to
+his chamber door. One blow would beat it in. "You<span class='pagenum'><a name="Page_116" id="Page_116">[116]</a></span>
+might do Murder before you know it," Tackleton had
+said. How could it be Murder, if he gave the Villain
+time to grapple with him hand to hand! He was the
+younger man.</p>
+
+<p>It was an ill-timed thought, bad for the dark mood
+of his mind. It was an angry thought, goading him
+to some avenging act, that should change the cheerful
+house into a haunted place which lonely travellers
+would dread to pass by night; and where the timid
+would see shadows struggling in the ruined windows
+when the moon was dim, and hear wild noises in the
+stormy weather.</p>
+
+<p>He was the younger man! Yes, yes; some lover
+who had won the heart that <i>he</i> had never touched.
+Some lover of her early choice: of whom she had
+thought and dreamed: for whom she had pined and
+pined: when he had fancied her so happy by his side.
+Oh agony to think of it!</p>
+
+<p>She had been above stairs with the Baby, getting
+it to bed. As he sat brooding on the hearth, she
+came close beside him, without his knowledge&mdash;in the
+turning of the rack of his great misery, he lost all
+other sounds&mdash;and put her little stool at his feet. He<span class='pagenum'><a name="Page_117" id="Page_117">[117]</a></span>
+only knew it, when he felt her hand upon his own,
+and saw her looking up into his face.</p>
+
+<p>With wonder? No. It was his first impression, and
+he was fain to look at her again, to set it right. No,
+not with wonder. With an eager and enquiring look;
+but not with wonder. At first it was alarmed and
+serious; then it changed into a strange, wild, dreadful
+smile of recognition of his thoughts; then there was
+nothing but her clasped hands on her brow, and her
+bent head, and falling hair.</p>
+
+<p>Though the power of Omnipotence had been his
+to wield at that moment, he had too much of its Diviner
+property of Mercy in his breast, to have turned
+one feather's weight of it against her. But he could
+not bear to see her crouching down upon the little
+seat where he had often looked on her, with love and
+pride, so innocent and gay; and when she rose and
+left him, sobbing as she went, he felt it a relief to
+have the vacant place beside him rather than her so
+long cherished presence. This in itself was anguish
+keener than all: reminding him how desolate he was
+become, and how the great bond of his life was rent
+asunder.<span class='pagenum'><a name="Page_118" id="Page_118">[118]</a></span></p>
+
+<p>The more he felt this, and the more he knew he
+could have better borne to see her lying prematurely
+dead before him with their little child upon her breast,
+the higher and the stronger rose his wrath against his
+enemy. He looked about him for a weapon.</p>
+
+<p>There was a Gun, hanging on the wall. He took
+it down, and moved a pace or two towards the door of
+the perfidious Stranger's room. He knew the Gun
+was loaded. Some shadowy idea that it was just to
+shoot this man like a Wild Beast, seized him; and
+dilated in his mind until it grew into a monstrous
+demon in complete possession of him, casting out all
+milder thoughts and setting up its undivided empire.</p>
+
+<p>That phrase is wrong. Not casting out his milder
+thoughts, but artfully transforming them. Changing
+them into scourges to drive him on. Turning water
+into blood, Love into hate, Gentleness into blind
+ferocity. Her image, sorrowing, humbled, but still
+pleading to his tenderness and mercy with resistless
+power, never left his mind; but staying there, it urged
+him to the door; raised the weapon to his shoulder;
+fitted and nerved his finger to the trigger; and cried
+"Kill him! In his Bed!"<span class='pagenum'><a name="Page_119" id="Page_119">[119]</a></span></p>
+
+<p>He reversed the Gun to beat the stock upon the
+door; he already held it lifted in the air; some
+indistinct design was in his thoughts of calling out to
+him to fly, for God's sake, by the window&mdash;</p>
+
+<p>When, suddenly, the struggling fire illumined the
+whole chimney with a glow of light; and the Cricket
+on the Hearth began to chirp!</p>
+
+<p>No sound he could have heard; no human voice,
+not even her's; could so have moved and softened
+him. The artless words in which she had told him
+of her love for this same Cricket, were once more
+freshly spoken; her trembling, earnest manner at the
+moment, was again before him; her pleasant voice&mdash;oh
+what a voice it was, for making household music
+at the fireside of an honest man!&mdash;thrilled through
+and through his better nature, and awoke it into life
+and action.</p>
+
+<p>He recoiled from the door, like a man walking in
+his sleep, awakened from a frightful dream; and put
+the Gun aside. Clasping his hands before his face,
+he then sat down again beside the fire, and found
+relief in tears.<span class='pagenum'><a name="Page_120" id="Page_120">[120]</a></span></p>
+
+<p>The Cricket on the Hearth came out into the room,
+and stood in Fairy shape before him.</p>
+
+<div class="figleft" style="width: 404px;"><a name="Johns_Reverie" id="Johns_Reverie"></a>
+<img src="images/i_133.png" width="404" height="450" alt="Found relief in tears" title="" />
+</div>
+
+<p>"'I love it,'" said the Fairy Voice, repeating
+what he well remembered, "'for the many times I
+have heard it, and the many thoughts its harmless
+music has given me.'"<span class='pagenum'><a name="Page_121" id="Page_121">[121]</a></span></p>
+
+<p>"She said so!" cried the Carrier. "True!"</p>
+
+<p>"'This has been a happy Home, John; and I
+love the Cricket for its sake!'"</p>
+
+<p>"It has been, Heaven knows," returned the Carrier.
+"She made it happy, always,&mdash;until now."</p>
+
+<p>"So gracefully sweet-tempered; so domestic, joyful,
+busy, and light-hearted!" said the Voice.</p>
+
+<p>"Otherwise I never could have loved her as I
+did," returned the Carrier.</p>
+
+<p>The Voice, correcting him, said "do."</p>
+
+<p>The Carrier repeated "as I did." But not
+firmly. His faltering tongue resisted his <ins title="Transcriber's Note: original reads 'controul'">control</ins> ,
+and would speak in its own way, for itself and him.</p>
+
+<p>The Figure, in an attitude of invocation, raised its
+hand and said:</p>
+
+<p>"Upon your own hearth"&mdash;</p>
+
+<p>"The hearth she has blighted," interposed the
+Carrier.</p>
+
+<p>"The hearth she has&mdash;how often!&mdash;blessed and
+brightened," said the Cricket: "the hearth which,
+but for her, were only a few stones and bricks and
+rusty bars, but which has been, through her, the
+Altar of your Home; on which you have nightly<span class='pagenum'><a name="Page_122" id="Page_122">[122]</a></span>
+sacrificed some petty passion, selfishness, or care, and
+offered up the homage of a tranquil mind, a trusting
+nature, and an overflowing heart; so that the smoke
+from this poor chimney has gone upward with a better
+fragrance than the richest incense that is burnt before
+the richest shrines in all the gaudy Temples of this
+World!&mdash;Upon your own hearth; in its quiet sanctuary;
+surrounded by its gentle influences and associations;
+hear her! Hear me! Hear everything
+that speaks the language of your hearth and home!"</p>
+
+<p>"And pleads for her?" enquired the Carrier.</p>
+
+<p>"All things that speak the language of your hearth
+and home, <i>must</i> plead for her!" returned the Cricket.
+"For they speak the Truth."</p>
+
+<p>And while the Carrier, with his head upon his
+hands, continued to sit meditating in his chair, the
+Presence stood beside him; suggesting his reflections
+by its power, and presenting them before him, as in
+a Glass or Picture. It was not a solitary Presence.
+From the hearthstone, from the chimney; from the
+clock, the pipe, the kettle, and the cradle; from the
+floor, the walls, the ceiling, and the stairs; from the
+cart without, and the cupboard within, and the household<span class='pagenum'><a name="Page_123" id="Page_123">[123]</a></span>
+implements; from every thing and every place
+with which she had ever been familiar, and with which
+she had ever entwined one recollection of herself in
+her unhappy husband's mind; Fairies came trooping
+forth. Not to stand beside him as the Cricket did, but
+to busy and bestir themselves. To do all honor to
+Her image. To pull him by the skirts, and point to
+it when it appeared. To cluster round it, and embrace
+it, and strew flowers for it to tread on. To try
+to crown its fair head with their tiny hands. To
+show that they were fond of it and loved it; and that
+there was not one ugly, wicked, or accusatory creature
+to claim knowledge of it&mdash;none but their playful and
+approving selves.</p>
+
+<p>His thoughts were constant to her Image. It was
+always there.</p>
+
+<p>She sat plying her needle, before the fire, and
+singing to herself. Such a blithe, thriving, steady
+little Dot! The fairy figures turned upon him all at
+once, by one consent, with one prodigious concentrated
+stare; and seemed to say "Is this the light wife you
+are mourning for!"</p>
+
+<p>There were sounds of gaiety outside: musical instruments,<span class='pagenum'><a name="Page_124" id="Page_124">[124]</a></span>
+and noisy tongues, and laughter. A crowd
+of young merry-makers came pouring in; among
+whom were May Fielding and a score of pretty girls.
+Dot was the fairest of them all; as young as any of
+them too. They came to summon her to join their
+party. It was a dance. If ever little foot were made
+for dancing, hers was, surely. But she laughed, and
+shook her head, and pointed to her cookery on the
+fire, and her table ready spread: with an exulting
+defiance that rendered her more charming than she
+was before. And so she merrily dismissed them:
+nodding to her would-be partners, one by one, as they
+passed out, with a comical indifference, enough to
+make them go and drown themselves immediately if
+they were her admirers&mdash;and they must have been so,
+more or less; they couldn't help it. And yet indifference
+was not her character. Oh no! For presently,
+there came a certain Carrier to the door; and
+bless her what a welcome she bestowed upon him!</p>
+
+<p>Again the staring figures turned upon him all at
+once, and seemed to say "Is this the wife who has
+forsaken you!"</p>
+
+<p>A shadow fell upon the mirror or the picture: call<span class='pagenum'><a name="Page_125" id="Page_125">[125]</a></span>
+it what you will. A great shadow of the Stranger,
+as he first stood underneath their roof; covering its
+surface, and blotting out all other objects. But
+the nimble fairies worked like Bees to clear it off
+again; and Dot again was there. Still bright and
+beautiful.</p>
+
+<p>Rocking her little Baby in its cradle; singing to
+it softly; and resting her head upon a shoulder which
+had its counterpart in the musing figure by which the
+Fairy Cricket stood.</p>
+
+<p>The night&mdash;I mean the real night: not going by
+Fairy clocks&mdash;was wearing now; and in this stage of
+the Carrier's thoughts, the moon burst out, and shone
+brightly in the sky. Perhaps some calm and quiet
+light had risen also, in his mind; and he could think
+more soberly of what had happened.</p>
+
+<p>Although the shadow of the Stranger fell at intervals
+upon the glass&mdash;always distinct, and big, and
+thoroughly defined&mdash;it never fell so darkly as at
+first. Whenever it appeared, the Fairies uttered a
+general cry of consternation, and plied their little arms
+and legs, with inconceivable activity, to rub it out.
+And whenever they got at Dot again, and showed her<span class='pagenum'><a name="Page_126" id="Page_126">[126]</a></span>
+to him once more, bright and beautiful, they cheered
+in the most inspiring manner.</p>
+
+<p>They never showed her, otherwise than beautiful
+and bright, for they were Household Spirits to whom
+Falsehood is annihilation; and being so, what Dot
+was there for them, but the one active, beaming,
+pleasant little creature who had been the light and
+sun of the Carrier's Home!</p>
+
+<p>The Fairies were prodigiously excited when they
+showed her, with the Baby, gossiping among a knot
+of sage old matrons, and affecting to be wondrous old
+and matronly herself, and leaning in a staid, demure
+old way upon her husband's arm, attempting&mdash;she!
+such a bud of a little woman&mdash;to convey the idea of
+having abjured the vanities of the world in general,
+and of being the sort of person to whom it was no
+novelty at all to be a mother; yet in the same breath,
+they showed her, laughing at the Carrier for being
+awkward, and pulling up his shirt-collar to make him
+smart, and mincing merrily about that very room to
+teach him how to dance!</p>
+
+<p>They turned, and stared immensely at him when
+they showed her with the Blind Girl; for though she<span class='pagenum'><a name="Page_127" id="Page_127">[127]</a></span>
+carried cheerfulness and animation with her, wheresoever
+she went, she bore those influences into Caleb
+Plummer's home, heaped up and running over. The
+Blind Girl's love for her, and trust in her, and gratitude
+to her; her own good busy way of setting
+Bertha's thanks aside; her dexterous little arts for
+filling up each moment of the visit in doing something
+useful to the house, and really working hard while
+feigning to make holiday; her bountiful provision of
+those standing delicacies, the Veal and Ham-Pie and
+the bottles of Beer; her radiant little face arriving
+at the door, and taking leave; the wonderful
+expression in her whole self, from her neat foot to the
+crown of her head, of being a part of the establishment&mdash;a
+something necessary to it, which it couldn't
+be without; all this the Fairies revelled in, and loved
+her for. And once again they looked upon him all
+at once, appealingly; and seemed to say, while
+some among them nestled in her dress and fondled
+her, "Is this the Wife who has betrayed your confidence!"</p>
+
+<p>More than once, or twice, or thrice, in the long
+thoughtful night, they showed her to him sitting on<span class='pagenum'><a name="Page_128" id="Page_128">[128]</a></span>
+her favourite seat, with her bent head, her hands
+clasped on her brow, her falling hair. As he had seen
+her last. And when they found her thus, they neither
+turned nor looked upon him, but gathered close round
+her, and comforted and kissed her: and pressed on
+one another to show sympathy and kindness to her:
+and forgot him altogether.</p>
+
+<p>Thus the night passed. The moon went down;
+the stars grew pale; the cold day broke; the sun
+rose. The Carrier still sat, musing, in the chimney
+corner. He had sat there, with his head upon his
+hands, all night. All night the faithful Cricket had
+been Chirp, Chirp, Chirping on the Hearth. All
+night he had listened to its voice. All night, the
+household Fairies had been busy with him. All night,
+she had been amiable and blameless in the Glass,
+except when that one shadow fell upon it.</p>
+
+<p>He rose up when it was broad day, and washed
+and dressed himself. He couldn't go about his customary
+cheerful avocations; he wanted spirit for
+them; but it mattered the less, that it was Tackleton's
+wedding-day, and he had arranged to make his rounds
+by proxy. He had thought to have gone merrily to<span class='pagenum'><a name="Page_129" id="Page_129">[129]</a></span>
+church with Dot. But such plans were at an end.
+It was their own wedding-day too. Ah! how little he
+had looked for such a close to such a year!</p>
+
+<p>The Carrier expected that Tackleton would pay
+him an early visit; and he was right. He had not
+walked to and fro before his own door, many minutes,
+when he saw the Toy Merchant coming in his chaise
+along the road. As the chaise drew nearer, he perceived
+that Tackleton was dressed out sprucely, for
+his marriage: and had decorated his horse's head
+with flowers and favors.</p>
+
+<p>The horse looked much more like a Bridegroom
+than Tackleton: whose half-closed eye was more disagreeably
+expressive than ever. But the Carrier took
+little heed of this. His thoughts had other occupation.</p>
+
+<p>"John Peerybingle!" said Tackleton, with an air
+of condolence. "My good fellow, how do you find
+yourself this morning?"</p>
+
+<p>"I have had but a poor night, Master Tackleton,"
+returned the Carrier shaking his head: "for I have
+been a good deal disturbed in my mind. But it's over
+now! Can you spare me half an hour or so, for some
+private talk?"<span class='pagenum'><a name="Page_130" id="Page_130">[130]</a></span></p>
+
+<p>"I came on purpose," returned Tackleton, alighting.
+"Never mind the horse. He'll stand quiet
+enough, with the reins over this post, if you'll give
+him a mouthful of hay."</p>
+
+<p>The Carrier having brought it from his stable and
+set it before him, they turned into the house.</p>
+
+<p>"You are not married before noon?" he said,
+"I think?"</p>
+
+<p>"No," answered Tackleton. "Plenty of time.
+Plenty of time."</p>
+
+<p>When they entered the kitchen, Tilly Slowboy was
+rapping at the Stranger's door; which was only
+removed from it by a few steps. One of her very red
+eyes (for Tilly had been crying all night long, because
+her mistress cried) was at the keyhole; and she was
+knocking very loud; and seemed frightened.</p>
+
+<p>"If you please I can't make nobody hear," said
+Tilly, looking round. "I hope nobody an't gone and
+been and died if you please!"</p>
+
+<p>This philanthropic wish, Miss Slowboy <ins title="Transcriber's Note: original reads 'emphasied'">emphasised</ins>
+with various new raps and kicks at the door; which
+led to no result whatever.</p>
+
+<p>"Shall I go?" said Tackleton. "It's curious."<span class='pagenum'><a name="Page_131" id="Page_131">[131]</a></span></p>
+
+<p>The Carrier who had turned his face from the door,
+signed to him to go if he would.</p>
+
+<p>So Tackleton went to Tilly Slowboy's relief; and
+he too kicked and knocked; and he too failed to get
+the least reply. But he thought of trying the handle
+of the door; and as it opened easily, he peeped in,
+looked in, went in; and soon came running out again.</p>
+
+<p>"John Peerybingle," said Tackleton, in his ear.
+"I hope there has been nothing&mdash;nothing rash in the
+night."</p>
+
+<p>The Carrier turned upon him quickly.</p>
+
+<p>"Because he's gone!" said Tackleton; "and the
+window's open. I don't see any marks&mdash;to be sure
+it's almost on a level with the garden: but I was
+afraid there might have been some&mdash;some scuffle.
+Eh?"</p>
+
+<p>He nearly shut up the expressive eye, altogether;
+he looked at him so hard. And he gave his eye, and
+his face, and his whole person, a sharp twist. As if
+he would have screwed the truth out of him.</p>
+
+<p>"Make yourself easy," said the Carrier. "He
+went into that room last night, without harm in word
+or deed from me; and no one has entered it since.<span class='pagenum'><a name="Page_132" id="Page_132">[132]</a></span>
+He is away of his own free will. I'd go out gladly at
+that door, and beg my bread from house to house,
+for life, if I could so change the past that he had
+never come. But he has come and gone. And I
+have done with him!"</p>
+
+<p>"Oh!&mdash;Well, I think he has got off pretty easily,"
+said Tackleton, taking a chair.</p>
+
+<p>The sneer was lost upon the Carrier, who sat down
+too: and shaded his face with his hand, for some
+little time, before proceeding.</p>
+
+<p>"You showed me last night," he said at length,
+"my wife; my wife that I love; secretly&mdash;"</p>
+
+<p>"And tenderly," insinuated Tackleton.</p>
+
+<p>"Conniving at that man's disguise, and giving him
+opportunities of meeting her alone. I think there's
+no sight I wouldn't have rather seen than that. I
+think there's no man in the world I wouldn't have
+rather had to show it me."</p>
+
+<p>"I confess to having had my suspicions always,"
+said Tackleton. "And that has made me objectionable
+here, I know."</p>
+
+<p>"But as you did show it me," pursued the Carrier,
+not minding him; "and as you saw her; my wife;<span class='pagenum'><a name="Page_133" id="Page_133">[133]</a></span>
+my wife that I love"&mdash;his voice, and eye, and hand,
+grew steadier and firmer as he repeated these words:
+evidently in pursuance of a stedfast purpose&mdash;"as
+you saw her at this disadvantage, it is right and just
+that you should also see with my eyes, and look into
+my breast, and know what my mind is, upon the subject.
+For it's settled," said the Carrier, regarding
+him attentively. "And nothing can shake it
+now."</p>
+
+<p>Tackleton muttered a few general words of assent,
+about its being necessary to vindicate something or
+other; but he was overawed by the manner of his
+companion. Plain and unpolished as it was, it had a
+something dignified and noble in it, which nothing
+but the soul of generous Honor dwelling in the man,
+could have imparted.</p>
+
+<p>"I am a plain, rough man," pursued the Carrier,
+"with very little to recommend me. I am not a clever
+man, as you very well know. I am not a young man.
+I loved my little Dot, because I had seen her grow up,
+from a child, in her father's house; because I knew
+how precious she was; because she had been my
+Life, for years and years. There's many men I can't<span class='pagenum'><a name="Page_134" id="Page_134">[134]</a></span>
+compare with, who never could have loved my little
+Dot like me, I think!"</p>
+
+<p>He paused, and softly beat the ground a short time
+with his foot, before resuming:</p>
+
+<p>"I often thought that though I wasn't good enough
+for her, I should make her a kind husband, and
+perhaps know her value better than another; and in
+this way I reconciled it to myself, and came to think
+it might be possible that we should be married. And
+in the end, it came about, and we <i>were</i> married."</p>
+
+<p>"Hah!" said Tackleton, with a significant shake of
+his head.</p>
+
+<p>"I had studied myself; I had had experience of
+myself; I knew how much I loved her, and how
+happy I should be," pursued the Carrier. "But I
+had not&mdash;I feel it now&mdash;sufficiently considered her."</p>
+
+<p>"To be sure," said Tackleton. "Giddiness, frivolity,
+fickleness, love of admiration! Not considered!
+All left out of sight! Hah!"</p>
+
+<p>"You had best not interrupt me," said the Carrier,
+with some sternness, "till you understand me; and
+you're wide of doing so. If, yesterday, I'd have
+struck that man down at a blow, who dared to breathe<span class='pagenum'><a name="Page_135" id="Page_135">[135]</a></span>
+a word against her; to-day I'd set my foot upon his
+face, if he was my brother!"</p>
+
+<p>The Toy Merchant gazed at him in astonishment.
+He went on in a softer tone:</p>
+
+<p>"Did I consider," said the Carrier, "that I took
+her; at her age, and with her beauty; from her
+young companions, and the many scenes of which she
+was the ornament; in which she was the brightest
+little star that ever shone; to shut her up from day
+to day in my dull house, and keep my tedious company?
+Did I consider how little suited I was to her
+sprightly humour, and how wearisome a plodding man
+like me must be, to one of her quick spirit? Did I
+consider that it was no merit in me, or claim in me,
+that I loved her, when everybody must who knew
+her? Never. I took advantage of her hopeful
+nature and her cheerful disposition; and I married
+her. I wish I never had! For her sake; not for
+mine!"</p>
+
+<p>The Toy Merchant gazed at him, without winking.
+Even the half-shut eye was open now.</p>
+
+<p>"Heaven bless her!" said the Carrier, "for the
+cheerful constancy with which she has tried to keep<span class='pagenum'><a name="Page_136" id="Page_136">[136]</a></span>
+the knowledge of this from me! And Heaven help
+me, that, in my slow mind, I have not found it out
+before! Poor child! Poor Dot! <i>I</i> not to find it
+out, who have seen her eyes fill with tears, when such
+a marriage as our own was spoken of! I, who have
+seen the secret trembling on her lips a hundred times,
+and never suspected it, till last night! Poor girl!
+That I could ever hope she would be fond of me!
+That I could ever believe she was!"</p>
+
+<p>"She made a show of it," said Tackleton. "She
+made such a show of it, that to tell you the truth it
+was the origin of my misgivings."</p>
+
+<p>And here he asserted the superiority of May
+Fielding, who certainly made no sort of show of being
+fond of <i>him</i>.</p>
+
+<p>"She has tried," said the poor Carrier, with
+greater emotion than he had exhibited yet; "I only
+now begin to know how hard she has tried; to be
+my dutiful and zealous wife. How good she has
+been; how much she has done; how brave and strong
+a heart she has; let the happiness I have known
+under this roof bear witness! It will be some help
+and comfort to me, when I am here alone."<span class='pagenum'><a name="Page_137" id="Page_137">[137]</a></span></p>
+
+<p>"Here alone?" said Tackleton. "Oh! Then
+you do mean to take some notice of this?"</p>
+
+<p>"I mean," returned the Carrier, "to do her the
+greatest kindness, and make her the best reparation,
+in my power. I can release her from the daily pain
+of an unequal marriage, and the struggle to conceal it;
+She shall be as free as I can render her."</p>
+
+<p>"Make <i>her</i> reparation!" exclaimed Tackleton,
+twisting and turning his great ears with his hands.
+"There must be something wrong here. You didn't
+say that, of course."</p>
+
+<p>The Carrier set his grip upon the collar of the Toy
+Merchant, and shook him like a reed.</p>
+
+<p>"Listen to me!" he said. "And take care that
+you hear me right. Listen to me. Do I speak
+plainly?"</p>
+
+<p>"Very plainly indeed," answered Tackleton.</p>
+
+<p>"As if I meant it?"</p>
+
+<p>"Very much as if you meant it."</p>
+
+<p>"I sat upon that hearth, last night, all night,"
+exclaimed the Carrier. "On the spot where she has
+often sat beside me, with her sweet face looking into
+mine. I called up her whole life, day by day; I had<span class='pagenum'><a name="Page_138" id="Page_138">[138]</a></span>
+her dear self, in its every passage, in review before
+me. And upon my soul she is innocent, if there is
+One to judge the innocent and guilty!"</p>
+
+<p>Staunch Cricket on the Hearth! Loyal household
+Fairies!</p>
+
+<p>"Passion and distrust have left me!" said the
+Carrier; "and nothing but my grief remains. In an
+unhappy moment some old lover, better suited to her
+tastes and years than I; forsaken, perhaps, for me,
+against her will; returned. In an unhappy moment:
+taken by surprise, and wanting time to think of what
+she did: she made herself a party to his treachery, by
+concealing it. Last night she saw him, in the interview
+we witnessed. It was wrong. But otherwise
+than this, she is innocent if there is Truth on earth!"</p>
+
+<p>"If that is your opinion&mdash;" Tackleton began.</p>
+
+<p>"So, let her go!" pursued the Carrier. "Go, with
+my blessing for the many happy hours she has given
+me, and my forgiveness for any pang she has caused
+me. Let her go, and have the peace of mind I wish
+her! She'll never hate me. She'll learn to like
+me better, when I'm not a drag upon her, and she
+wears the chain I have rivetted, more lightly. This<span class='pagenum'><a name="Page_139" id="Page_139">[139]</a></span>
+is the day on which I took her, with so little thought
+for her enjoyment, from her home. To-day she shall
+return to it; and I will trouble her no more. Her
+father and mother will be here to-day&mdash;we had made
+a little plan for keeping it together&mdash;and they shall
+take her home. I can trust her, there, or anywhere.
+She leaves me without blame, and she will live so I
+am sure. If I should die&mdash;I may perhaps while she is
+still young; I have lost some courage in a few hours&mdash;she'll
+find that I remembered her, and loved her to
+the last! This is the end of what you showed me.
+Now, it's over!"</p>
+
+<p>"Oh no, John, not over. Do not say it's over yet!
+Not quite yet. I have heard your noble words. I
+could not steal away, pretending to be ignorant of
+what has affected me with such deep gratitude.
+Do not say it's over, 'till the clock has struck
+again!"</p>
+
+<p>She had entered shortly after Tackleton; and had
+remained there. She never looked at Tackleton, but
+fixed her eyes upon her husband. But she kept away
+from him, setting as wide a space as possible between
+them; and though she spoke with most impassioned<span class='pagenum'><a name="Page_140" id="Page_140">[140]</a></span>
+earnestness, she went no nearer to him even then.
+How different in this, from her old self!</p>
+
+<p>"No hand can make the clock which will strike
+again for me the hours that are gone," replied the
+Carrier, with a faint smile. "But let it be so, if you
+will, my dear. It will strike soon. It's of little
+matter what we say. I'd try to please you in a
+harder case than that."</p>
+
+<p>"Well!" muttered Tackleton. "I must be off:
+for when the clock strikes again, it'll be necessary for
+me to be upon my way to church. Good morning,
+John Peerybingle. I'm sorry to be deprived of the
+pleasure of your company. Sorry for the loss, and
+the occasion of it too!"</p>
+
+<p>"I have spoken plainly?" said the Carrier, accompanying
+him to the door.</p>
+
+<p>"Oh quite!"</p>
+
+<p>"And you'll remember what I have said?"</p>
+
+<p>"Why, if you compel me to make the observation,"
+said Tackleton; previously taking the precaution of
+getting into his chaise; "I must say that it was so
+very unexpected, that I'm far from being likely to
+forget it."<span class='pagenum'><a name="Page_141" id="Page_141">[141]</a></span></p>
+
+<p>"The better for us both," returned the Carrier.
+"Good bye. I give you joy!"</p>
+
+<p>"I wish I could give it to <i>you</i>," said Tackleton.
+"As I can't; thank'ee. Between ourselves (as I
+told you before, eh?) I don't much think I shall have
+the less joy in my married life, because May hasn't
+been too officious about me, and too demonstrative.
+Good bye! Take care of yourself."</p>
+
+<p>The Carrier stood looking after him until he was
+smaller in the distance than his horse's flowers and
+favours near at hand; and then, with a deep sigh,
+went strolling like a restless, broken man, among
+some neighbouring elms; unwilling to return until
+the clock was on the eve of striking.</p>
+
+<p>His little wife, being left alone, sobbed piteously;
+but often dried her eyes and checked herself, to say
+how good he was, how excellent he was! and once or
+twice she laughed; so heartily, triumphantly, and
+incoherently (still crying all the time), that Tilly was
+quite horrified.</p>
+
+<p>"Ow if you please don't!" said Tilly. "It's
+enough to dead and bury the Baby, so it is if
+you please."<span class='pagenum'><a name="Page_142" id="Page_142">[142]</a></span></p>
+
+<p>"Will you bring him sometimes, to see his father,
+Tilly," enquired her mistress; drying her eyes;
+"when I can't live here, and have gone to my old
+home?"</p>
+
+<p>"Ow if you please don't!" cried Tilly, throwing
+back her head, and bursting out into a howl;
+she looked at the moment uncommonly like Boxer;
+"Ow if you please don't! Ow, what has everybody
+gone and been and done with everybody, making
+everybody else so wretched! Ow-w-w-w!"</p>
+
+<p>The soft-hearted Slowboy trailed off at this juncture,
+into such a deplorable howl: the more tremendous
+from its long suppression: that she must
+infallibly have awakened the Baby, and frightened
+him into something serious (probably convulsions), if
+her eyes had not encountered Caleb Plummer, leading
+in his daughter. This spectacle restoring her to a
+sense of the proprieties, she stood for some few moments
+silent, with her mouth wide open: and then,
+posting off to the bed on which the Baby lay asleep,
+danced in a Weird, Saint Vitus manner on the
+floor, and at the same time rummaged with her
+face and head among the bedclothes: apparently<span class='pagenum'><a name="Page_143" id="Page_143">[143]</a></span>
+deriving much relief from those extraordinary operations.</p>
+
+<p>"Mary!" said Bertha. "Not at the marriage!"</p>
+
+<p>"I told her you would not be there Mum," whispered
+Caleb. "I heard as much last night. But bless
+you," said the little man, taking her tenderly by both
+hands, "<i>I</i> don't care for what they say; <i>I</i> don't
+believe them. There an't much of me, but that
+little should be torn to pieces sooner than I'd trust a
+word against you!"</p>
+
+<p>He put his arms about her neck and hugged her,
+as a child might have hugged one of his own dolls.</p>
+
+<p>"Bertha couldn't stay at home this morning,"
+said Caleb. "She was afraid, I know, to hear the
+Bells ring: and couldn't trust herself to be so near
+them on their wedding-day. So we started in good
+time, and came here. I have been thinking of what
+I have done," said Caleb, after a moment's pause; "I
+have been blaming myself 'till I hardly knew what to do
+or where to turn, for the distress of mind I have caused
+her; and I've come to the conclusion that I'd better,
+if you'll stay with me, Mum, the while, tell her the
+truth. You'll stay with me the while?" he enquired,<span class='pagenum'><a name="Page_144" id="Page_144">[144]</a></span>
+trembling from head to foot. "I don't know what
+effect it may have upon her; I don't know what she'll
+think of me; I don't know that she'll ever care for
+her poor father afterwards. But it's best for her
+that she should be undeceived; and I must bear the
+consequences as I deserve!"</p>
+
+<p>"Mary," said Bertha, "where is your hand! Ah!
+Here it is; here it is!" pressing it to her lips, with
+a smile, and drawing it through her arm. "I heard
+them speaking softly among themselves, last night, of
+some blame against you. They were wrong."</p>
+
+<p>The Carrier's Wife was silent. Caleb answered
+for her.</p>
+
+<p>"They were wrong," he said.</p>
+
+<p>"I knew it!" cried Bertha, proudly. "I told
+them so. I scorned to hear a word! Blame <i>her</i>
+with justice!" she pressed the hand between her
+own, and the soft cheek against her face. "No! I
+am not so Blind as that."</p>
+
+<p>Her father went on one side of her, while Dot
+remained upon the other: holding her hand.</p>
+
+<p>"I know you all," said Bertha, "better than you
+think. But none so well as her. Not even you,<span class='pagenum'><a name="Page_145" id="Page_145">[145]</a></span>
+father. There is nothing half so real and so true
+about me, as she is. If I could be restored to sight
+this instant, and not a word were spoken, I could
+choose her from a crowd! My Sister!"</p>
+
+<p>"Bertha, my dear!" said Caleb, "I have something
+on my mind I want to tell you, while we three
+are alone. Hear me kindly! I have a confession to
+make to you, my Darling."</p>
+
+<p>"A confession, father?"</p>
+
+<p>"I have wandered from the Truth and lost myself,
+my child," said Caleb, with a pitiable expression in
+his bewildered face. "I have wandered from the
+Truth, intending to be kind to you; and have been
+cruel."</p>
+
+<p>She turned her wonder-stricken face towards him,
+and repeated "Cruel!"</p>
+
+<p>"He accuses himself too strongly, Bertha," said
+Dot. "You'll say so, presently. You'll be the first
+to tell him so."</p>
+
+<p>"He cruel to me!" cried Bertha, with a smile of
+incredulity.</p>
+
+<p>"Not meaning it, my child," said Caleb. "But
+I have been; though I never suspected it, 'till yesterday.<span class='pagenum'><a name="Page_146" id="Page_146">[146]</a></span>
+My dear Blind Daughter, hear me and forgive
+me! The world you live in, heart of mine, doesn't
+exist as I have represented it. The eyes you have
+trusted in, have been false to you."</p>
+
+<p>She turned her wonder-stricken face towards
+him still; but drew back, and clung closer to her
+friend.</p>
+
+<p>"Your road in life was rough, my poor one," said
+Caleb, "and I meant to smooth it for you. I have
+altered objects, changed the characters of people,
+invented many things that never have been, to make
+you happier. I have had concealments from you,
+put deceptions on you, God forgive me! and surrounded
+you with fancies."</p>
+
+<p>"But living people are not fancies?" she said
+hurriedly, and turning very pale, and still retiring
+from him. "You can't change them."</p>
+
+<p>"I have done so, Bertha," pleaded Caleb. "There
+is one person that you know, my Dove&mdash;"</p>
+
+<p>"Oh father! why do you say, I know?" she
+answered, in a tone of keen reproach. "What and
+whom do <i>I</i> know! I who have no leader! I so
+miserably blind!"<span class='pagenum'><a name="Page_147" id="Page_147">[147]</a></span></p>
+
+<p>In the anguish of her heart, she stretched out her
+hands, as if she were groping her way; then spread
+them, in a manner most forlorn and sad, upon her
+face.</p>
+
+<p>"The marriage that takes place to-day," said
+Caleb, "is with a stern, sordid, grinding man. A hard
+master to you and me, my dear, for many years.
+Ugly in his looks, and in his nature. Cold and callous
+always. Unlike what I have painted him to you in
+everything, my child. In everything."</p>
+
+<p>"Oh why," cried the Blind Girl, tortured, as it
+seemed, almost beyond endurance, "why did you
+ever do this! Why did you ever fill my heart so
+full, and then come in like Death, and tear away the
+objects of my love! Oh Heaven, how blind I am!
+How helpless and alone!"</p>
+
+<p>Her afflicted father hung his head, and offered no
+reply but in his penitence and sorrow.</p>
+
+<p>She had been but a short time in this passion of
+regret, when the Cricket on the Hearth, unheard by
+all but her, began to chirp. Not merrily, but in a
+low, faint, sorrowing way. It was so mournful, that
+her tears began to flow; and when the Presence<span class='pagenum'><a name="Page_148" id="Page_148">[148]</a></span>
+which had been beside the Carrier all night, appeared
+behind her, pointing to her father, they fell down
+like rain.</p>
+
+<p>She heard the Cricket-voice more plainly soon; and
+was conscious, through her blindness, of the Presence
+hovering about her father.</p>
+
+<p>"Mary," said the Blind Girl, "tell me what my
+Home is. What it truly is."</p>
+
+<p>"It is a poor place, Bertha; very poor and bare
+indeed. The house will scarcely keep out wind
+and rain another winter. It is as roughly shielded
+from the weather, Bertha," Dot continued in a low,
+clear voice, "as your poor father in his sackcloth
+coat."</p>
+
+<p>The Blind Girl, greatly agitated, rose, and led the
+Carrier's little wife aside.</p>
+
+<p>"Those presents that I took such care of; that
+came almost at my wish, and were so dearly welcome
+to me," she said, trembling; "where did they come
+from? Did you send them?"</p>
+
+<p>"No."</p>
+
+<p>"Who then?"</p>
+
+<p>Dot saw she knew, already; and was silent. The<span class='pagenum'><a name="Page_149" id="Page_149">[149]</a></span>
+Blind Girl spread her hands before her face again.
+But in quite another manner now.</p>
+
+<p>"Dear Mary, a moment. One moment! More
+this way. Speak softly to me. You are true, I know.
+You'd not deceive me now; would you?"</p>
+
+<p>"No, Bertha, indeed!"</p>
+
+<p>"No, I am sure you would not. You have too
+much pity for me. Mary, look across the room to
+where we were just now; to where my father is&mdash;my
+father, so compassionate and loving to me&mdash;and
+tell me what you see."</p>
+
+<p>"I see," said Dot, who understood her well; "an
+old man sitting in a chair, and leaning sorrowfully on
+the back, with his face resting on his hand. As if his
+child should comfort him, Bertha."</p>
+
+<p>"Yes, yes. She will. Go on."</p>
+
+<p>"He is an old man, worn with care and work.
+He is a spare, dejected, thoughtful, grey-haired man.
+I see him now, despondent and bowed down, and
+striving against nothing. But Bertha, I have seen
+him many times before; and striving hard in many
+ways for one great sacred object. And I honor his
+grey head, and bless him!"<span class='pagenum'><a name="Page_150" id="Page_150">[150]</a></span></p>
+
+<p>The Blind Girl broke away from her; and throwing
+herself upon her knees before him, took the grey head
+to her breast.</p>
+
+<p>"It is my sight restored. It is my sight!" she
+cried. "I have been blind, and now my eyes are
+open. I never knew him! To think I might have
+died, and never truly seen the father, who has been
+so loving to me!"</p>
+
+<p>There were no words for Caleb's emotion.</p>
+
+<p>"There is not a gallant figure on this earth," exclaimed
+the Blind Girl, holding him in her embrace,
+"that I would love so dearly, and would cherish so
+devotedly, as this! The greyer, and more worn, the
+dearer, father! Never let them say I am blind
+again. There's not a furrow in his face, there's
+not a hair upon his head, that shall be forgotten in
+my prayers and thanks to Heaven!"</p>
+
+<p>Caleb managed to articulate "My Bertha!"</p>
+
+<p>"And in my Blindness, I believed him," said the
+girl, caressing him with tears of exquisite affection,
+"to be so different! And having him beside me,
+day by day, so mindful of me always, never dreamed
+of this!"<span class='pagenum'><a name="Page_151" id="Page_151">[151]</a></span></p>
+
+<p>"The fresh smart father in the blue coat, Bertha,"
+said poor Caleb. "He's gone!"</p>
+
+<p>"Nothing is gone," she answered. "Dearest
+father, no! Everything is here&mdash;in you. The father
+that I loved so well; the father that I never loved
+enough, and never knew; the Benefactor whom I
+first began to reverence and love, because he had such
+sympathy for me; All are here in you. Nothing is
+dead to me. The Soul of all that was most dear to
+me is here&mdash;here, with the worn face, and the grey
+head. And I am <span class="smcap">NOT</span> blind, father, any longer!"</p>
+
+<p>Dot's whole attention had been concentrated, during
+this discourse, upon the father and daughter; but
+looking, now, towards the little Haymaker in the
+Moorish meadow, she saw that the clock was within
+a few minutes of striking; and fell, immediately, into
+a nervous and excited state.</p>
+
+<p>"Father," said Bertha, hesitating. "Mary."</p>
+
+<p>"Yes my dear," returned Caleb. "Here she is."</p>
+
+<p>"There is no change in <i>her</i>. You never told me
+anything of <i>her</i> that was not true?"</p>
+
+<p>"I should have done it my dear, I am afraid,"
+returned Caleb, "if I could have made her better<span class='pagenum'><a name="Page_152" id="Page_152">[152]</a></span>
+than she was. But I must have changed her for the
+worse, if I had changed her at all. Nothing could
+improve her, Bertha."</p>
+
+<p>Confident as the Blind Girl had been when she
+asked the question, her delight and pride in the reply,
+and her renewed embrace of Dot, were charming to
+behold.</p>
+
+<p>"More changes than you think for, may happen
+though, my dear," said Dot. "Changes for the better,
+I mean; changes for great joy to some of us. You
+mustn't let them startle you too much, if any such
+should ever happen, and affect you? Are those
+wheels upon the road? You've a quick ear,
+Bertha. Are they wheels?"</p>
+
+<p>"Yes. Coming very fast."</p>
+
+<p>"I&mdash;I&mdash;I know you have a quick ear," said Dot,
+placing her hand upon her heart, and evidently talking
+on, as fast as she could, to hide its palpitating
+state, "because I have noticed it often, and because
+you were so quick to find out that strange step last
+night. Though why you should have said, as I very
+well recollect you did say, Bertha, 'whose step is
+that!' and why you should have taken any greater<span class='pagenum'><a name="Page_153" id="Page_153">[153]</a></span>
+observation of it than of any other step, I don't know.
+Though as I said just now, there are great changes in
+the world: great changes: and we can't do better
+than prepare ourselves to be surprised at hardly
+anything."</p>
+
+<p>Caleb wondered what this meant; perceiving that
+she spoke to him, no less than to his daughter. He
+saw her, with astonishment, so fluttered and distressed
+that she could scarcely breathe; and holding
+to a chair, to save herself from falling.</p>
+
+<p>"They are wheels indeed!" she panted, "coming
+nearer! Nearer! Very close! And now you hear
+them stopping at the garden gate! And now you
+hear a step outside the door&mdash;the same step Bertha,
+is it not!&mdash;and now!"&mdash;</p>
+
+<p>She uttered a wild cry of uncontrollable delight;
+and running up to Caleb put her hands upon his
+eyes, as a young man rushed into the room, and
+flinging away his hat into the air, came sweeping
+down upon them.</p>
+
+<p>"Is it over?" cried Dot.</p>
+
+<p>"Yes!"</p>
+
+<p>"Happily over?"<span class='pagenum'><a name="Page_154" id="Page_154">[154]</a></span></p>
+
+<p>"Yes!"</p>
+
+<p>"Do you recollect the voice, dear Caleb? Did
+you ever hear the like of it before?" cried Dot.</p>
+
+<p>"If my boy in the Golden South Americas was
+alive"&mdash;said Caleb, trembling.</p>
+
+<p>"He is alive!" shrieked Dot, removing her hands
+from his eyes, and clapping them in ecstacy; "look
+at him! See where he stands before you, healthy
+and strong! Your own dear son! Your own dear
+living, loving brother, Bertha!"</p>
+
+<p>All honor to the little creature for her transports!
+All honor to her tears and laughter, when the three
+were locked in one another's arms! All honor to the
+heartiness with which she met the sunburnt Sailor-fellow,
+with his dark streaming hair, half way, and
+never turned her rosy little mouth aside, but suffered
+him to kiss it, freely, and to press her to his bounding
+heart!</p>
+
+<p>And honor to the Cuckoo too&mdash;why not!&mdash;for
+bursting out of the trap-door in the Moorish Palace
+like a housebreaker, and hiccoughing twelve times on
+the assembled company, as if he had got drunk for
+joy!<span class='pagenum'><a name="Page_155" id="Page_155">[155]</a></span></p>
+
+<p>The Carrier, entering, started back: and well he
+might: to find himself in such good company.</p>
+
+<p>"Look, John!" said Caleb, exultingly, "look
+here! My own boy from the Golden South Americas!
+My own son! Him that you fitted out, and sent
+away yourself; him that you were always such a
+friend to!"</p>
+
+<p>The Carrier advanced to seize him by the hand;
+but recoiling, as some feature in his face awakened a
+remembrance of the Deaf Man in the Cart, said:</p>
+
+<p>"Edward! Was it you?"</p>
+
+<p>"Now tell him all!" cried Dot. "Tell him all,
+Edward; and don't spare me, for nothing shall make
+me spare myself in his eyes, ever again."</p>
+
+<p>"I was the man," said Edward.</p>
+
+<p>"And could you steal, disguised, into the house of
+your old friend?" rejoined the Carrier. "There
+was a frank boy once&mdash;how many years is it, Caleb,
+since we heard that he was dead, and had it proved,
+we thought?&mdash;who never would have done that."</p>
+
+<p>"There was a generous friend of mine, once:
+more a father to me than a friend:" said Edward,
+"who never would have judged me, or any other<span class='pagenum'><a name="Page_156" id="Page_156">[156]</a></span>
+man, unheard. You were he. So I am certain you
+will hear me now."</p>
+
+<p>The Carrier, with a troubled glance at Dot, who
+still kept far away from him, replied, "Well! that's
+but fair. I will."</p>
+
+<p>"You must know that when I left here, a boy,"
+said Edward, "I was in love: and my love was
+returned. She was a very young girl, who perhaps
+(you may tell me) didn't know her own mind. But
+I knew mine; and I had a passion for her."</p>
+
+<p>"You had!" exclaimed the Carrier. "You!"</p>
+
+<p>"Indeed I had," returned the other. "And she
+returned it. I have ever since believed she did; and
+now I am sure she did."</p>
+
+<p>"Heaven help me!" said the Carrier. "This is
+worse than all."</p>
+
+<p>"Constant to her," said Edward, "and returning,
+full of hope, after many hardships and perils, to
+redeem my part of our old contract, I heard,
+twenty miles away, that she was false to me; that
+she had forgotten me; and had bestowed herself
+upon another and a richer man. I had no mind to
+reproach her; but I wished to see her, and to prove<span class='pagenum'><a name="Page_157" id="Page_157">[157]</a></span>
+beyond dispute that this was true. I hoped she
+might have been forced into it, against her own
+desire and recollection. It would be small comfort,
+but it would be some, I thought: and on I came.
+That I might have the truth, the real truth; observing
+freely for myself, and judging for myself,
+without obstruction on the one hand, or presenting
+my own influence (if I had any) before her, on the
+other; I dressed myself unlike myself&mdash;you know
+how; and waited on the road&mdash;you know where.
+You had no suspicion of me; neither had&mdash;had she,"
+pointing to Dot, "until I whispered in her ear at
+that fireside, and she so nearly betrayed me."</p>
+
+<p>"But when she knew that Edward was alive, and
+had come back," sobbed Dot, now speaking for
+herself, as she had burned to do, all through this
+narrative; "and when she knew his purpose, she
+advised him by all means to keep his secret close;
+for his old friend John Peerybingle was much too
+open in his nature, and too clumsy in all artifice&mdash;being
+a clumsy man in general," said Dot, half
+laughing and half crying&mdash;"to keep it for him. And
+when she&mdash;that's me, John," sobbed the little<span class='pagenum'><a name="Page_158" id="Page_158">[158]</a></span>
+woman&mdash;"told him all, and how his sweetheart had
+believed him to be dead; and how she had at last
+been over-persuaded by her mother into a marriage
+which the silly, dear old thing called advantageous;
+and when she&mdash;that's me again, John&mdash;told him
+they were not yet married (though close upon it),
+and that it would be nothing but a sacrifice if
+it went on, for there was no love on her side;
+and when he went nearly mad with joy to hear it;
+then she&mdash;that's me again&mdash;said she would go
+between them, as she had often done before in
+old times, John, and would sound his sweetheart
+and be sure that what she&mdash;me again, John&mdash;said
+and thought was right. And it <span class="smcap">WAS</span> right, John!
+And they were brought together, John! And they
+were married, John, an hour ago! And here's the
+Bride! And Gruff and Tackleton may die a bachelor!
+And I'm a happy little woman, May, God bless you!"</p>
+
+<p>She was an irresistible little woman, if that be
+anything to the purpose; and never so completely
+irresistible as in her present transports. There never
+were congratulations so endearing and delicious, as
+those she lavished on herself and on the Bride.<span class='pagenum'><a name="Page_159" id="Page_159">[159]</a></span></p>
+
+<p>Amid the tumult of emotions in his breast, the
+honest Carrier had stood, confounded. Flying, now,
+towards her, Dot stretched out her hand to stop him,
+and retreated as before.</p>
+
+<p>"No John, no! Hear all! Don't love me any
+more John, 'till you've heard every word I have to
+say. It was wrong to have a secret from you, John.
+I'm very sorry. I didn't think it any harm, till I
+came and sat down by you on the little stool last
+night; but when I knew by what was written in your
+face, that you had seen me walking in the gallery
+with Edward; and knew what you thought; I felt
+how giddy and how wrong it was. But oh, dear
+John, how could you, could you, think so!"</p>
+
+<p>Little woman, how she sobbed again! John Peerybingle
+would have caught her in his arms. But no;
+she wouldn't let him.</p>
+
+<p>"Don't love me yet, please John! Not for a long
+time yet! When I was sad about this intended
+marriage, dear, it was because I remembered May
+and Edward such young lovers; and knew that her
+heart was far away from Tackleton. You believe that,
+now. Don't you John?"<span class='pagenum'><a name="Page_160" id="Page_160">[160]</a></span></p>
+
+<p>John was going to make another rush at this
+appeal; but she stopped him again.</p>
+
+<p>"No; keep there, please John! When I laugh
+at you, as I sometimes do, John; and call you clumsy,
+and a dear old goose, and names of that sort, it's
+because I love you John, so well; and take such
+pleasure in your ways; and wouldn't see you altered
+in the least respect to have you made a King to-morrow."</p>
+
+<p>"Hooroar!" said Caleb with unusual vigour.
+"My opinion!"</p>
+
+<p>"And when I speak of people being middle-aged,
+and steady, John, and pretend that we are a humdrum
+couple, going on in a jog-trot sort of way, it's
+only because I'm such a silly little thing, John, that
+I like, sometimes, to act a kind of Play with Baby,
+and all that: and make believe."</p>
+
+<p>She saw that he was coming; and stopped him
+again. But she was very nearly too late.</p>
+
+<p>"No, don't love me for another minute or two, if
+you please John! What I want most to tell you, I
+have kept to the last. My dear, good, generous
+John; when we were talking the other night about<span class='pagenum'><a name="Page_161" id="Page_161">[161]</a></span>
+the Cricket, I had it on my lips to say, that at first I
+did not love you quite so dearly as I do now; that
+when I first came home here, I was half afraid I
+mightn't learn to love you every bit as well as
+I hoped and prayed I might&mdash;being so very young,
+John. But, dear John, every day and hour, I loved
+you more and more. And if I could have loved you
+better than I do, the noble words I heard you say
+this morning, would have made me. But I can't. All
+the affection that I had (it was a great deal John)
+I gave you, as you well deserve, long, long, ago, and
+I have no more left to give. Now, my dear Husband,
+take me to your heart again! That's my home, John;
+and never, never think of sending me to any other!"</p>
+
+<p>You never will derive so much delight from seeing
+a glorious little woman in the arms of a third party,
+as you would have felt if you had seen Dot run into
+the Carrier's embrace. It was the most complete,
+unmitigated, soul-fraught little piece of earnestness
+that ever you beheld in all your days.</p>
+
+<p>You may be sure the Carrier was in a state of
+perfect rapture; and you may be sure Dot was likewise;
+and you may be sure they all were, inclusive<span class='pagenum'><a name="Page_162" id="Page_162">[162]</a></span>
+of Miss Slowboy, who cried copiously for joy,
+and, wishing to include her young charge in the
+general interchange of congratulations, handed round
+the Baby to everybody in succession, as if it were
+something to drink.</p>
+
+<p>But now the sound of wheels was heard again outside
+the door; and somebody exclaimed that Gruff
+and Tackleton was coming back. Speedily that
+worthy gentleman appeared: looking warm and
+flustered.</p>
+
+<p>"Why, what the Devil's this, John Peerybingle!"
+said Tackleton. "There's some mistake. I appointed
+Mrs. Tackleton to meet me at the church;
+and I'll swear I passed her on the road, on her way
+here. Oh! here she is! I beg your pardon Sir;
+I haven't the pleasure of knowing you; but if you
+can do me the favour to spare this young lady, she
+has rather a particular engagement this morning."</p>
+
+<p>"But I can't spare her," returned Edward. "I
+couldn't think of it."</p>
+
+<p>"What do you mean, you vagabond?" said
+Tackleton.</p>
+
+<p>"I mean, that as I can make allowance for your<span class='pagenum'><a name="Page_163" id="Page_163">[163]</a></span>
+being vexed," returned the other, with a smile, "I am
+as deaf to harsh discourse this morning, as I was to
+all discourse last night."</p>
+
+<p>The look that Tackleton bestowed upon him, and
+the start he gave!</p>
+
+<p>"I am sorry Sir," said Edward, holding out May's
+left hand, and especially the third finger, "that the
+young lady can't accompany you to church; but as
+she has been there once, this morning, perhaps you'll
+excuse her."</p>
+
+<p>Tackleton looked hard at the third finger; and
+took a little piece of silver-paper, apparently containing
+a ring, from his waistcoat pocket.</p>
+
+<p>"Miss Slowboy," said Tackleton. "Will you
+have the kindness to throw that in the fire?
+Thank'ee."</p>
+
+<p>"It was a previous engagement: quite an old engagement:
+that prevented my wife from keeping her
+appointment with you, I assure you," said Edward.</p>
+
+<p>"Mr. Tackleton will do me the justice to acknowledge
+that I revealed it to him faithfully; and that
+I told him, many times, I never could forget it," said
+May, blushing.<span class='pagenum'><a name="Page_164" id="Page_164">[164]</a></span></p>
+
+<p>"Oh certainly!" said Tackleton. "Oh to be
+sure. Oh it's all right. It's quite correct. Mrs.
+Edward Plummer, I infer?"</p>
+
+<p>"That's the name," returned the bridegroom.</p>
+
+<p>"Ah! I shouldn't have known you Sir," said
+Tackleton: scrutinizing his face narrowly, and making
+a low bow. "I give you joy Sir!"</p>
+
+<p>"Thank'ee."</p>
+
+<p>"Mrs. Peerybingle," said Tackleton, turning suddenly
+to where she stood with her husband; "I am
+sorry. You haven't done me a very great kindness,
+but upon my life I am sorry. You are better than I
+thought you. John Peerybingle, I am sorry. You
+understand me; that's enough. It's quite correct,
+ladies and gentlemen all, and perfectly satisfactory.
+Good morning!"</p>
+
+<p>With these words he carried it off, and carried
+himself off too: merely stopping at the door, to take
+the flowers and favors from his horse's head, and to
+kick that animal once in the ribs, as a means of
+informing him that there was a screw loose in his
+arrangements.</p>
+
+<p>Of course it became a serious duty now, to make<span class='pagenum'><a name="Page_165" id="Page_165">[165]</a></span>
+such a day of it, as should mark these events for a
+high Feast and Festival in the Peerybingle Calendar
+for evermore. Accordingly, Dot went to work to produce
+such an entertainment, as should reflect undying
+honour on the house and every one concerned; and
+in a very short space of time, she was up to her dimpled
+elbows in flour, and whitening the Carrier's coat,
+every time he came near her, by stopping him to give
+him a kiss. That good fellow washed the greens,
+and peeled the turnips, and broke the plates, and
+upset iron pots full of cold water on the fire, and
+made himself useful in all sorts of ways: while a
+couple of professional assistants, hastily called in from
+somewhere in the neighbourhood, as on a point of life
+or death, ran against each other in all the doorways
+and round all the corners; and everybody tumbled over
+Tilly Slowboy and the Baby, everywhere. Tilly never
+came out in such force before. Her ubiquity was the
+theme of general admiration. She was a stumbling-block
+in the passage at five and twenty minutes past
+two; a man-trap in the kitchen at half-past two
+precisely; and a pitfall in the garret at five and
+twenty minutes to three. The Baby's head was, as it<span class='pagenum'><a name="Page_166" id="Page_166">[166]</a></span>
+were, a test and touchstone for every description of
+matter, animal, vegetable, and mineral. Nothing
+was in use that day that didn't come, at some time or
+other, into close acquaintance with it.</p>
+
+<p>Then, there was a great Expedition set on foot to go
+and find out Mrs. Fielding; and to be dismally penitent
+to that excellent gentlewoman; and to bring her back,
+by force if needful, to be happy and forgiving. And
+when the Expedition first discovered her, she would
+listen to no terms at all, but said, an unspeakable
+number of times, that ever she should have lived
+to see the day! and couldn't be got to say anything
+else, except "Now carry me to the grave;" which
+seemed absurd, on account of her not being dead, or
+anything at all like it. After a time, she lapsed into
+a state of dreadful calmness, and observed, that when
+that unfortunate train of circumstances had occurred
+in the Indigo Trade, she had foreseen that she would
+be exposed, during her whole life, to every species of
+insult and contumely; and that she was glad to find
+it was the case; and begged they wouldn't trouble
+themselves about her,&mdash;for what was she? oh, dear!
+a nobody!&mdash;but would forget that such a being lived,<span class='pagenum'><a name="Page_167" id="Page_167">[167]</a></span>
+and would take their course in life without her.
+From this bitterly sarcastic mood, she passed into
+an angry one, in which she gave vent to the remarkable
+expression that the worm would turn if trodden
+on; and after that, she yielded to a soft regret,
+and said, if they had only given her their confidence,
+what might she not have had it in her
+power to suggest! Taking advantage of this crisis
+in her feelings, the Expedition embraced her; and
+she very soon had her gloves on, and was on her
+way to John Peerybingle's in a state of unimpeachable
+gentility; with a paper parcel at her side containing
+a cap of state, almost as tall, and quite as
+stiff, as a Mitre.</p>
+
+<p>Then, there were Dot's father and mother to come,
+in another little chaise; and they were behind their
+time; and fears were entertained; and there was
+much looking out for them down the road; and Mrs.
+Fielding always would look in the wrong and morally
+impossible direction; and being apprised thereof,
+hoped she might take the liberty of looking where
+she pleased. At last they came: a chubby little
+couple, jogging along in a snug and comfortable little<span class='pagenum'><a name="Page_168" id="Page_168">[168]</a></span>
+way that quite belonged to the Dot family: and Dot
+and her mother, side by side, were wonderful to see.
+They were so like each other.</p>
+
+<p>Then, Dot's mother had to renew her acquaintance
+with May's mother; and May's mother always
+stood on her gentility; and Dot's mother never stood
+on anything but her active little feet. And old Dot:
+so to call Dot's father; I forgot it wasn't his right
+name, but never mind: took liberties, and shook
+hands at first sight, and seemed to think a cap but so
+much starch and muslin, and didn't defer himself at
+all to the Indigo trade, but said there was no help
+for it now; and, in Mrs. Fielding's summing up,
+was a good-natured kind of man&mdash;but coarse, my
+dear.</p>
+
+<p>I wouldn't have missed Dot, doing the honors in
+her wedding-gown: my benison on her bright face!
+for any money. No! nor the good Carrier, so
+jovial and so ruddy, at the bottom of the table. Nor
+the brown, fresh sailor-fellow, and his handsome wife.
+Nor any one among them. To have missed the dinner
+would have been to miss as jolly and as stout a meal
+as man need eat; and to have missed the overflowing<span class='pagenum'><a name="Page_169" id="Page_169">[169]</a></span>
+cups in which they drank The Wedding Day, would
+have been the greatest miss of all.</p>
+
+<p>After dinner, Caleb sang the song about the
+Sparkling Bowl! As I'm a living man: hoping to
+keep so, for a year or two: he sang it through.</p>
+
+<p>And, by-the-by, a most unlooked-for incident
+occurred, just as he finished the last verse.</p>
+
+<p>There was a tap at the door; and a man came
+staggering in, without saying with your leave, or by
+your leave, with something heavy on his head.
+Setting this down in the middle of the table, symmetrically
+in the centre of the nuts and apples, he said:</p>
+
+<p>"Mr. Tackleton's compliments, and as he hasn't
+got no use for the cake himself, p'raps you'll eat it."</p>
+
+<p>And with those words, he walked off.</p>
+
+<p>There was some surprise among the company,
+as you may imagine. Mrs. Fielding, being a lady
+of infinite discernment, suggested that the cake
+was poisoned; and related a narrative of a
+cake, which, within her knowledge, had turned a
+seminary for young ladies, blue. But she was overruled
+by acclamation; and the cake was cut by May,
+with much ceremony and rejoicing.<span class='pagenum'><a name="Page_170" id="Page_170">[170]</a></span></p>
+
+<p>I don't think any one had tasted it, when there
+came another tap at the door; and the same man
+appeared again, having under his arm a vast brown
+paper parcel.</p>
+
+<p>"Mr. Tackleton's compliments, and he's sent a
+few toys for the Babby. They ain't ugly."</p>
+
+<p>After the delivery of which expressions, he retired
+again.</p>
+
+<p>The whole party would have experienced great
+difficulty in finding words for their astonishment, even
+if they had had ample time to seek them. But they
+had none at all; for the messenger had scarcely shut
+the door behind him, when there came another tap,
+and Tackleton himself walked in.</p>
+
+<p>"Mrs. Peerybingle!" said the Toy Merchant,
+hat in hand. "I'm sorry. I'm more sorry than
+I was this morning. I have had time to think of
+it. John Peerybingle! I'm sour by disposition;
+but I can't help being sweetened, more or less,
+by coming face to face with such a man as you.
+Caleb! This unconscious little nurse gave me a
+broken hint last night, of which I have found the
+thread. I blush to think how easily I might have<span class='pagenum'><a name="Page_171" id="Page_171">[171]</a></span>
+bound you and your daughter to me; and what
+a miserable idiot I was, when I took her for one!
+Friends, one and all, my house is very lonely to-night.
+I have not so much as a Cricket on my
+Hearth. I have scared them all away. Be gracious
+to me; let me join this happy party!"</p>
+
+<p>He was at home in five minutes. You never saw
+such a fellow. What <i>had</i> he been doing with himself
+all his life, never to have known, before, his great
+capacity of being jovial! Or what had the Fairies
+been doing with him, to have effected such a change!</p>
+
+<p>"John! you won't send me home this evening; will
+you?" whispered Dot.</p>
+
+<p>He had been very near it though!</p>
+
+<p>There wanted but one living creature to make the
+party complete; and, in the twinkling of an eye, there
+he was: very thirsty with hard running, and engaged
+in hopeless endeavours to squeeze his head into a
+narrow pitcher. He had gone with the cart to its
+journey's-end, very much disgusted with the absence
+of his master, and stupendously rebellious to the
+Deputy. After lingering about the stable for some
+little time, vainly attempting to incite the old horse<span class='pagenum'><a name="Page_172" id="Page_172">[172]</a></span>
+to the mutinous act of returning on his own account,
+he had walked into the tap-room and laid himself down
+before the fire. But suddenly yielding to the conviction
+that the Deputy was a humbug, and must be abandoned,
+he had got up again, turned tail and come home.</p>
+
+<p>There was a dance in the evening. With which
+general mention of that recreation, I should have left
+it alone, if I had not some reason to suppose that it
+was quite an original dance, and one of a most uncommon
+figure. It was formed in an odd way; in this way.</p>
+
+<p>Edward, that sailor-fellow&mdash;a good free dashing sort
+of fellow he was&mdash;had been telling them various marvels
+concerning parrots, and mines, and Mexicans, and gold
+dust, when all at once he took it in his head to jump
+up from his seat and propose a dance; for Bertha's
+harp was there, and she had such a hand upon it as
+you seldom hear. Dot (sly little piece of affectation
+when she chose) said her dancing days were over; <i>I</i>
+think because the Carrier was smoking his pipe, and
+she liked sitting by him, best. Mrs. Fielding had no
+choice, of course, but to say her dancing days were
+over, after that; and everybody said the same, except
+May; May was ready.<span class='pagenum'><a name="Page_173" id="Page_173">[173]</a></span></p>
+
+<div class="figcenter" style="width: 600px;"><a name="The_Dance" id="The_Dance"></a>
+<img src="images/i_186.png" width="600" height="1030" alt="So, May and Edward get up, amid great applause, to dance" title="" />
+</div>
+
+<div class='unindent'>alone; and Bertha plays her liveliest tune.</div>
+
+<p>Well! if you'll believe me, they have not been dancing<span class='pagenum'><a name="Page_174" id="Page_174">[174]</a></span>
+five minutes, when suddenly the Carrier flings his pipe
+away, takes Dot round the waist, dashes out into the
+room, and starts off with her, toe and heel, quite wonderfully.
+Tackleton no sooner sees this, than he skims
+across to Mrs. Fielding, takes her round the waist,
+and follows suit. Old Dot no sooner sees this, than up
+he is, all alive, whisks off Mrs. Dot into the middle of
+the dance, and is the foremost there. Caleb no sooner
+sees this, than he clutches Tilly Slowboy by both hands
+and goes off at score; Miss Slowboy, firm in the belief
+that diving hotly in among the other couples, and
+effecting any number of concussions with them, is your
+only principle of footing it.</p>
+
+<p>Hark! how the Cricket joins the music with its
+Chirp, Chirp, Chirp; and how the kettle hums!</p>
+
+<hr style="width: 45%;" />
+
+<p>But what is this! Even as I listen to them, blithely,
+and turn towards Dot, for one last glimpse of a little
+figure very pleasant to me, she and the rest have
+vanished into air, and I am left alone. A Cricket
+sings upon the Hearth; a broken child's-toy lies upon
+the ground; and nothing else remains.</p>
+
+
+<div class='copyright'>&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;<br />
+LONDON: BRADBURY AND EVANS PRINTERS, WHITEFRIARS.<br />
+</div>
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_175" id="Page_175">[175]</a></span></p>
+
+
+
+
+<div class='center'>
+NEW EDITION OF OLIVER TWIST.<br />
+&mdash;&mdash;&mdash;&mdash;&mdash;<br />
+<i>On the First of January will be published, to be completed in<br />
+Ten Monthly Parts, price One Shilling each,<br />
+No. I. of</i><br />
+<br />
+<span class='bigger'>OLIVER TWIST.</span><br />
+<br />
+A NEW EDITION, REVISED BY THE AUTHOR, UNIFORM WITH<br />
+"THE PICKWICK PAPERS,"<br />
+<br />
+<b>WITH TWENTY-FOUR ILLUSTRATIONS</b><br />
+<br />
+BY GEORGE CRUIKSHANK.<br />
+<br />
+&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;&mdash;<br />
+<br />
+<span class='small'><span class="smcap">London:</span></span><br />
+<span class='small'><span class="smcap">Printed and Published for the Author, by Bradbury and</span></span><br />
+<span class='small'><span class="smcap">Evans, 90, Fleet Street, and Whitefriars.</span></span><br />
+</div>
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_176" id="Page_176">[176]</a></span></p>
+
+<h2>Mr. Dickens's Works.</h2>
+
+
+<div class='hang1'>MARTIN CHUZZLEWIT. With Forty Illustrations
+by "<span class="smcap">Phiz</span>." In one volume, price 21<i>s.</i> cloth boards.</div>
+
+<div class='hang1'>AMERICAN NOTES. <span class="smcap">For General Circulation.</span>
+<i>Fourth Edition.</i> In two volumes, post 8vo, price 21<i>s.</i> cloth.</div>
+
+<div class='hang1'>BARNABY RUDGE; <span class="smcap">A Tale of the Riots of
+Eighty</span>. With Seventy Eight Illustrations by <span class="smcap">G. Cattermole</span>
+and <span class="smcap">H. K. Browne</span>. In one volume, price 13<i>s.</i> cloth.</div>
+
+<div class='hang1'>THE OLD CURIOSITY SHOP. With Seventy Five
+Illustrations by <span class="smcap">G. Cattermole</span> and <span class="smcap">H. K. Browne</span>. In one
+volume, price 13<i>s.</i> cloth.</div>
+
+<div class='hang1'>SKETCHES BY "BOZ." <i>A New Edition</i>, with
+Forty Illustrations by <span class="smcap">George Cruikshank</span>. In one volume, 8vo,
+price 21<i>s.</i> cloth.</div>
+
+<div class='hang1'>THE PICKWICK PAPERS. With Forty Three
+Illustrations by "<span class="smcap">Phiz</span>." In one volume 8vo, price 21<i>s.</i> cloth.</div>
+
+<div class='hang1'>NICHOLAS NICKLEBY. With Forty Illustrations
+by "<span class="smcap">Phiz</span>." In one volume, 8vo, price 21<i>s.</i> cloth.</div>
+
+<div class='hang1'>THE CHIMES. <span class="smcap">A Goblin Story of some Bells
+that Rang an Old Year Out and a New Year In.</span> The
+Illustrations by <span class="smcap">Daniel Maclise</span>, R.A.; <span class="smcap">Clarkson Stanfield</span>,
+R.A.; <span class="smcap">John Leech</span>; and <span class="smcap">Richard Doyle</span>. <i>Twelfth Edition.</i>
+In Foolscap 8vo, price 5<i>s.</i></div>
+
+<div class='hang1'>A CHRISTMAS CAROL. <span class="smcap">In Prose. Being a
+Ghost Story of Christmas.</span> With Four Coloured Etchings,
+and Woodcuts, by <span class="smcap">Leech</span>. <i>Tenth Edition.</i> In Foolscap 8vo,
+price 5<i>s.</i></div>
+
+<div class='hang1'>PORTRAIT OF MR. DICKENS. Engraved by
+<span class="smcap">Finden</span>, from a Painting by <span class="smcap">Daniel Maclise</span>, R.A. Price&mdash;in
+quarto, plain paper, 1<i>s.;</i> folio, India paper, 2<i>s.</i></div>
+
+<hr style="width: 65%;" />
+
+<div class='tnote'><h3>Transcriber's Notes:</h3>
+<p>Obvious punctuation errors repaired.</p>
+<p>Text uses both hers and her's and yours and your's. Varied hyphenation was retained,
+for example, teaboard and tea-board.</p>
+<p>The remaining corrections made are indicated by dotted lines under the corrections. Scroll the mouse over the word and the original text will <ins title="Transcriber's Note: original reads 'apprear'">appear</ins>.</p></div>
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's The Cricket on the Hearth, by Charles Dickens
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE CRICKET ON THE HEARTH ***
+
+***** This file should be named 37581-h.htm or 37581-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/7/5/8/37581/
+
+Produced by Chris Curnow, Emmy and the Online Distributed
+Proofreading Team at https://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/37581-h/images/i_005.png b/37581-h/images/i_005.png
new file mode 100644
index 0000000..2a3e603
--- /dev/null
+++ b/37581-h/images/i_005.png
Binary files differ
diff --git a/37581-h/images/i_006.png b/37581-h/images/i_006.png
new file mode 100644
index 0000000..5d1adbd
--- /dev/null
+++ b/37581-h/images/i_006.png
Binary files differ
diff --git a/37581-h/images/i_014.png b/37581-h/images/i_014.png
new file mode 100644
index 0000000..22cd522
--- /dev/null
+++ b/37581-h/images/i_014.png
Binary files differ
diff --git a/37581-h/images/i_024a.png b/37581-h/images/i_024a.png
new file mode 100644
index 0000000..873c37e
--- /dev/null
+++ b/37581-h/images/i_024a.png
Binary files differ
diff --git a/37581-h/images/i_024b.png b/37581-h/images/i_024b.png
new file mode 100644
index 0000000..6570f73
--- /dev/null
+++ b/37581-h/images/i_024b.png
Binary files differ
diff --git a/37581-h/images/i_030a.png b/37581-h/images/i_030a.png
new file mode 100644
index 0000000..19dcb5f
--- /dev/null
+++ b/37581-h/images/i_030a.png
Binary files differ
diff --git a/37581-h/images/i_030b.png b/37581-h/images/i_030b.png
new file mode 100644
index 0000000..df35637
--- /dev/null
+++ b/37581-h/images/i_030b.png
Binary files differ
diff --git a/37581-h/images/i_064a.png b/37581-h/images/i_064a.png
new file mode 100644
index 0000000..cb82260
--- /dev/null
+++ b/37581-h/images/i_064a.png
Binary files differ
diff --git a/37581-h/images/i_064b.png b/37581-h/images/i_064b.png
new file mode 100644
index 0000000..cb95b5b
--- /dev/null
+++ b/37581-h/images/i_064b.png
Binary files differ
diff --git a/37581-h/images/i_067.png b/37581-h/images/i_067.png
new file mode 100644
index 0000000..40204c8
--- /dev/null
+++ b/37581-h/images/i_067.png
Binary files differ
diff --git a/37581-h/images/i_074a.png b/37581-h/images/i_074a.png
new file mode 100644
index 0000000..8f3c47e
--- /dev/null
+++ b/37581-h/images/i_074a.png
Binary files differ
diff --git a/37581-h/images/i_074b.png b/37581-h/images/i_074b.png
new file mode 100644
index 0000000..4daaa0c
--- /dev/null
+++ b/37581-h/images/i_074b.png
Binary files differ
diff --git a/37581-h/images/i_095.png b/37581-h/images/i_095.png
new file mode 100644
index 0000000..97e3bc1
--- /dev/null
+++ b/37581-h/images/i_095.png
Binary files differ
diff --git a/37581-h/images/i_102.png b/37581-h/images/i_102.png
new file mode 100644
index 0000000..8ca1af3
--- /dev/null
+++ b/37581-h/images/i_102.png
Binary files differ
diff --git a/37581-h/images/i_116.png b/37581-h/images/i_116.png
new file mode 100644
index 0000000..7dd777d
--- /dev/null
+++ b/37581-h/images/i_116.png
Binary files differ
diff --git a/37581-h/images/i_127.png b/37581-h/images/i_127.png
new file mode 100644
index 0000000..bb2b26d
--- /dev/null
+++ b/37581-h/images/i_127.png
Binary files differ
diff --git a/37581-h/images/i_133.png b/37581-h/images/i_133.png
new file mode 100644
index 0000000..f24b386
--- /dev/null
+++ b/37581-h/images/i_133.png
Binary files differ
diff --git a/37581-h/images/i_186.png b/37581-h/images/i_186.png
new file mode 100644
index 0000000..785d56e
--- /dev/null
+++ b/37581-h/images/i_186.png
Binary files differ
diff --git a/37581-h/images/i_cover.jpg b/37581-h/images/i_cover.jpg
new file mode 100644
index 0000000..3361bfc
--- /dev/null
+++ b/37581-h/images/i_cover.jpg
Binary files differ