diff options
Diffstat (limited to '37459-8.txt')
| -rw-r--r-- | 37459-8.txt | 8081 |
1 files changed, 8081 insertions, 0 deletions
diff --git a/37459-8.txt b/37459-8.txt new file mode 100644 index 0000000..a9cb0ab --- /dev/null +++ b/37459-8.txt @@ -0,0 +1,8081 @@ +The Project Gutenberg EBook of Polly in New York, by Lillian Elizabeth Roy + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Polly in New York + +Author: Lillian Elizabeth Roy + +Illustrator: H. S. Barbour + +Release Date: September 17, 2011 [EBook #37459] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK POLLY IN NEW YORK *** + + + + +Produced by Roger Frank and the Online Distributed +Proofreading Team at https://www.pgdp.net (This book was +produced from images made available by the HathiTrust +Digital Library.) + + + + + + +[Illustration: ELEANOR HELD OUT THE SEAL, BUT JIM LOOKED FORLORN. +(_Page 77_)] + + + + + POLLY + IN NEW YORK + + BY + LILLIAN ELIZABETH ROY + + _Author of_ + + POLLY OF PEBBLY PIT, POLLY IN NEW YORK, + POLLY AND HER FRIENDS ABROAD, POLLY'S + BUSINESS VENTURE. + + ILLUSTRATED BY + H. S. BARBOUR + + NEW YORK + GROSSET & DUNLAP + PUBLISHERS + + Made in the United States of America + + + + +POLLY IN NEW YORK + + + + +CHAPTER I--IN THE BIG CITY + + +The long Pullman train, that left Denver behind and carried Polly +Brewster away on her first venture from the ranch-home, was fitted up as +luxuriously as capital could do it. Eleanor Maynard, Polly's bosom +friend, enjoyed her companion's awe and wonderment--that a mere _car_ +should be so furnished. + +"Nolla," whispered Polly, furtively glancing about, "how different are +these cars from the ones that come in and go out at Oak Creek!" + +Eleanor, whose pet name was Nolla, laughed. "I should think they would +be, Polly. Why, those 'ancients' that rock back and forth between Denver +and Oak Creek, are the 'only originals' now in existence. They'll be in +Barnum's Show next Season as curios." + +Polly seemed to fully appreciate the comfort of her traveling carriage, +and remarked, "One would hardly believe these cars are going at all! +They run so smoothly and without any awful screeching of the joints." + +Anne Stewart, the teacher to whose charge these two girls had been +committed, had been studying the time-table, but she smiled at Polly's +words. Then she turned to her mother, a sweet-faced woman who was +enjoying the trip almost as much as the young girls were, and said: +"Mother, we'll have at least seven hours in Chicago before we have to +take the New York train. We can visit Paul all that time." + +"Goody! Then Poll can visit John and I can see Daddy," exclaimed +Eleanor, eagerly. "But we must first charter the wash-room to turn +ourselves from dusty travelers into respectable citizens." + +"There isn't a fleck of dust to be seen, Anne," objected Polly, glancing +around the tidy interior, then at herself and friends. + +"Wait till after we have crossed the plains and passed through all kinds +of towns--we won't look like the same people." + +To Polly, that journey was a source of great interest and fun. The +dining-car, the folding tables for games or work, the sleeping +arrangements--all were so strangely different from the vast open-air +life of the ranch. + +Then the express train reached Chicago and the recess hours were filled +with greetings, visits and then good-bys, before the little party of +four was on its last lap of the journey. + +After leaving Chicago, Eleanor asked curiously: "What did you think of +our city, Polly?" + +"I never saw such crowds of troubled people! Everyone looked as if the +worries of the universe rested upon his mind. And not one soul walked or +acted as if there was a moment to spare before the end of the world +would throw everything into chaos!" + +Polly's graphic description caused her companions to laugh, and Eleanor +added: "If that is what you think of Chicago, just wait until you reach +New York. The folks, there, are simply wild! Now Chicago is considered +quite slow, in comparison." + +Polly stared unbelievingly at Eleanor, and Anne Stewart laughed. But +Mrs. Stewart placed a calm hand over the amazed girl's throbbing wrist, +and said sweetly: "Nolla is joking as usual." + +The four members which composed this little group of travelers arrived +at Grand Central just before noon. Polly gazed in consternation at the +vast station where the constant going and coming of trains and people +made a most interesting sight for her. + +"We'll stop at the Commodore for a few days, girls, as it is so +convenient for us," remarked Anne, telling a porter to conduct them to +the hotel mentioned. + +Placed in a comfortable suite, Anne remarked: "I think we will call up +the Evans or the Latimers, next. You remember, we were told to let them +know the moment we arrived." + +The others agreed to this suggestion, so Anne telephoned the two +families. Mrs. Latimer was out, but Mrs. Evans said she would come right +down town to meet the new-comers. + +"Well, we can unpack our bags while we are waiting for her," suggested +Anne. "But we must manage to get to a store this afternoon, and do some +shopping for Polly." + +"Dear me! I was hoping you would show us all the sky-scrapers I've read +about," said Polly, eagerly. + +"I planned to let the sight-seeing wait for a few days, as we _must_ +secure a place to live in, first of all. Here it is the middle of +September, and I have to start school work the first of October, you +know. In a great city like New York, the desirable apartments are +generally taken as early as July and August. So we are up against it, in +beginning to seek so late in the season." + +"But we can't hunt at night, Anne, and you might take us out to show us +the Great White Way--as the boys call it," urged Eleanor. + +Mrs. Evans came down in time to have luncheon with the Westerners, and +in the hour she visited with them, it was learned that Mrs. Latimer and +she had scoured the uptown west-side for suitable apartments for Mrs. +Stewart, but everything had been leased long before. She concluded with: + +"So I really do not see what you are going to do, unless you just happen +to stumble over a place which has recently been resigned. There is +absolutely no use in doing any place above Ninety-sixth street, as we +sought diligently from that street up as far as One Hundred and +Sixty-eighth street, and not a decent thing to be seen or had!" + +"But Ninety-sixth street is awfully far uptown, isn't it?" asked Anne, +to whom the city was as yet a small middle-west town. + +"Oh, dear, no! It is about the center of the city, between North and +South, these days." + +"I'm sure we will find just what we want, dear Mrs. Evans, but we are +grateful to you for being so kind to us," said Polly. + +"My dear child, I feel that I have done _nothing_ in comparison to all +you have done for me and mine. To know that my dear brother had friends +during the last days of his life, means so much to me. I always had a +horrible feeling that he died in the Klondike without money or friends;" +and Mrs. Evans hurriedly dried the tears welling up in her eyes. + +Of course, that launched the conversation about Old Man Montresor, and +so interested were all concerned, that Mrs. Evans started when she heard +the mantel clock chime the hour. + +"Merciful goodness! Here am I--my first call, and staying all day!" she +laughed. + +"It's not late, Mrs. Evans. We were only going to look up a first-class +shop where Polly can buy a few things," replied Anne. + +"Perhaps I can be of service in recommending a place?" + +Several shops of quality were spoken of, and as these were located on +Fifth avenue, not far from Forty-second street, everyone felt relieved. +It would not take much time to do this necessary shopping, but Mrs. +Stewart preferred to remain at the hotel. + +Mrs. Evans said good-by and the three young folks walked to Fifth +avenue. It was about four o'clock and the avenue presented an endless +stream of automobiles--one line going down, and the other line going +uptown. The crowds of people hurrying to and fro made Polly tremble. + +"For goodness' sake, Anne, where _do_ all these folks come from, and +where are they rushing to?" + +Anne and Eleanor laughed. + +"Well! If this is your wonderful Fifth avenue, I don't think much of +it," declared Polly, a few moments later. + +"Why--it's simply great!" exclaimed Eleanor, having a far different +view-point of the city. + +"Great! Why, just look how narrow the street is? Main street, in Oak +Creek, is twice as wide. And Denver has nicer streets than this famous +alley you hear so much about," scorned Polly. + +Again her companions laughed merrily. At this moment a traffic policeman +sounded a shrill whistle. Instantly the mass of pedestrians, backed up +on the curbs, started to cross. Or to use Polly's own description in the +letter she wrote home that night: "Really, dearies, they catapulted back +and forth like rockets! We had to rush with them, or be trampled upon. +It is just awful! + +"And such freaks, mother! Nolla says it is style. Well, all I can say +is, spare me from such outrageous styles! Most every woman and girl I +met had faces covered thick with layers of white chalk, with a daub of +red on each cheek, and lips as scarlet as a clown's. In fact, I had to +stand stock-still and look at one queer creature--she looked exactly as +if she was made up for a circus. Anne and Nolla laugh at me, all the +time. But I don't care, so! These horrid painted things are not _nice_! + +"If I hadn't set my heart on being an interior decorator, I'd take up +lecturing, and teach these crazy New Yorkers how to look and enjoy a +simple life." + +From the above account you can see how one day's experience in New York +impressed the girl of the Mountain Ranges in the West. + +Polly, accustomed as she was to the overstocked store in Oak Creek, +where shelves were stacked high with all sorts of merchandise, opened +her eyes as Anne led her into a quiet parlor-like room that opened +directly from Fifth avenue. She stared around for a glimpse of the gowns +she expected to see; but nothing like one was to be seen. The dignified +lady who met Anne, and a few other well-dressed women who conversed in +low tones with each other, did not look like Polly's idea of shop-girls. + +Anne's lady conducted them to a lift, and they shot up two stories. +Again they came out into a lovely lounging-room, but still no sign of +dresses. The lady pushed a button, and another woman hurried in. + +"Measurements of this young lady. She will need several gowns for +afternoon and street wear; possibly, an evening dress." + +Then Polly was scientifically measured, and in a short time a number of +models were brought for her inspection and approval. These were placed +upon forms, and every desirable detail of the gowns was pointed out to +Anne and the girls. + +"Oh, I just love that one, Poll!" cried Eleanor, gazing with rapt eyes +at an imported model. + +"Isn't it clumsy at the back? And see how narrow the bottom of the skirt +is. Maybe they didn't have enough goods to make it any wider?" commented +Polly. + +Eleanor giggled but Anne explained to Polly. The saleslady seemed not to +have heard the western girl's objection to the gown. + +Then it was tried on Polly, and she saw how very becoming it was. But +when she endeavored to walk over to the full-length mirror, she almost +fell down upon the rug. + +"Mercy, Anne! I never can amble about in this binder! Get me something +sensible," complained Polly. + +But Eleanor liked the dress and as it fitted her, also, she said she +would take it as long as Polly didn't. + +"Take it and welcome, Nolla! but I pity _you_ if you try to scoot over +the crossings of Fifth avenue in _that_ skirt," laughed Polly. + +Other gowns were brought and Polly finally found several that she liked, +with wide enough skirts to suit her comfort. Then Anne asked for the +bills. The list was added up and when the total was mentioned Polly +almost fainted. If she had not been seated, she might have crumpled to +the floor. + +"We'll take that gown with us, the others you may send," said Anne, +taking up the one to be wrapped. Then she gave the name and address +where the other dresses were to be sent. A fat roll of yellow bills now +came from Anne's hand-bag, and she paid the enormous sum--or, at least, +Polly thought it was enormous for so few dresses. + +Safely out of hearing of the fashionable sales-ladies, Polly whispered: +"Anne, you paid _hundreds_ of dollars for those things!" + +Anne nodded, smilingly. Eleanor said: "Why, that wasn't much for what we +got, Poll. The dress I bought is _imported_! And a model, at that. It +was a bargain at that price." + +Polly sighed. Would she ever be able to accommodate herself to such a +changed life as this one now seemed to be? Her friends laughed at the +sigh and expression of doubt on her face. + +As Anne led her protegées past the hotel desk, a very polite clerk said: +"A 'phone call for you, Miss Stewart, at five-ten P. M." + +Anne was handed the slip and read: "Mr. Latimer called up. Said he would +call again at six-thirty." + +"Maybe he wants us to go somewhere, to-night!" suggested Eleanor, +eagerly. + +"Well, you won't go to-night, if he does ask you. It's bed at nine, for +everyone of us, because we have a hard day of house-hunting before us, +to-morrow," decreed Anne, courageously. + +But Eleanor was given no cause to argue that evening, for Mr. Latimer +called up to invite them all to go to the Mardi Gras at Coney Island the +following evening. He said the Evans and Latimers would call at the +hotel, in two cars, about six o'clock and take them to supper at the +Island. + +"Oh, goody! I never saw Coney Island but I've heard so much about it!" +cried Eleanor, dancing about the room. + +"I have read how dreadful a place it is," ventured Polly. + +"That's another point of view, Polly. If you go down there to enjoy the +fun and games, and see the ocean, then you will have nothing but frolic +and sea. But if one is in quest of crime, then it can be found festering +there, just as it is in every other section of a large city," explained +Anne. + +"But we are only going for a frolic," added Eleanor. + +"I should hope so!" Polly said, so fervently, that Anne had to laugh +heartily. + +After dinner that night, Anne said: "I think Polly ought to see a sight +that no other city can offer--that is the wondrous advertising signs on +Broadway about Times Square, at night." + +"I am too weary to go out, daughter, but you take the girls," Mrs. +Stewart remarked, so they hurriedly donned their hats and gloves. + +When they reached the famous corner of Forty-second street and Broadway, +and stood at the uptown side of Times Square Triangle to look at the +lights, Polly was speechless. + +"Why, it's as bright as day, everywhere," whispered she. + +"And just see the moving ads. up on the roofs!" cried Eleanor, +delighting in the scene. + +"I thought there were hordes of mad folks on the streets this afternoon, +but this beats everything!" exclaimed Polly, watching both sides of +Broadway from her vantage ground. "Honestly, Anne, do they not act +obsessed, jostling and rushing as if Death drove them? They never seem +to mind trolleys, autos, or policemen. They swirl and fly every which +way, regardless of everyone and everything." + +"I just love this excitement!" sighed Eleanor, smiling. + +"Well, I hope to goodness we will live far enough away from all this to +let me forget it once in a while," said Polly. + +"Oh, you'll love it, too, pretty soon," Eleanor said, confidently. + +"Never! This is Bedlam to me. When I write home about it, I shall tell +father that it reminds me of the story of Sodom and Gomorrah when fire +and brimstone fell and destroyed those cities. I bet the folks never +acted any wilder, there, than these New Yorkers do, here." + +Anne laughed at Polly's vivid disgust, and suggested that they return to +the hotel. + +"Oh, no, Anne! It is only eight-thirty. And for New York that only +begins an evening, you know. Let's get up on top of one of the buses on +Fifth avenue and take the round trip. That ride will show Polly lots of +sights: the Flat Iron Building, Riverside Drive and the Hudson, and +heaps of things." + +Eleanor prevailed, and after a delightful drive of an hour, the little +party was glad to get to the hotel and drop into bed. + + + + +CHAPTER II--HOUSE HUNTING IN NEW YORK + + +Before the westerners awake to the new day, let us renew our +acquaintance with them. + +Polly Brewster, of Pebbly Pit, born and reared on that wonderful ranch +in Colorado where the lava-jewels were found, is for the first time in +her fourteen years, away from home. As she is at the most impressionable +age, her wise mother authorized Anne Stewart, the young teacher who had +spent the summer with the Brewsters and who was engaged to John +Brewster, to spare no money when fitting Polly out for her life in New +York. Mrs. Brewster wished Polly to feel herself the equal of anyone she +met, if it pertained to dress. And style was about the only thing that +Polly lacked, having all fine qualities in her character. + +Eleanor Maynard, of Chicago, now Polly's dearest friend, never had to +count the cost of anything, as her father was the best known and richest +banker of that great city. But because of her ill health, being a +protegée of Anne Stewart for the past two years, this association had +taught Eleanor to think twice before she wasted her allowance. + +And Anne Stewart, just past twenty-one, was experienced for her age, +because of her mother's dependence on her for most things, since the +father died many years before this story opens. And Paul, her younger +brother now at college in Chicago (where the other boys also studied), +was there because his sister earned the money with which to pay his +expenses. Now that Anne would participate in the shares of the gold mine +that had been discovered the day of the escape on Grizzly Slide, the +Stewarts had no need to practise such strict economy as hitherto. + +In the morning Polly was awakened by a knock at her door. "Poll, someone +wants to speak to you over the 'phone," said Anne. + +"Me? Why, who can it be? I never talked into one of those funny little +black horns in my life, Anne. Wait, and help me." + +In another moment Polly, in a pretty negligée--one of the purchases of +the previous afternoon--ran out of her room. Anne sat her upon a stool +before the small stand and showed her how to hold the instrument. + +"Hello!" whispered Polly, half afraid that something would pop out at +her. + +Eleanor had crept out of her room by this time, and stood back of Polly, +grinning at her friend's nervousness. + +"Speak louder," admonished Anne in Polly's ear. + +"Hello!" shouted Polly, trying to adjust her senses to the unfamiliar +method of conversing with an unseen individual. + +Then a merry laugh and a familiar voice sounded in her ear. Her face +expressed amazement, then pleased surprise, and then excitement. She +glanced up at Eleanor as the voice continued speaking. + +"Oh, we're _so_ glad to hear you are in the city. Now we shall have +_lovely_ times!" exclaimed Polly, finally. + +A joyous boy's voice continued talking but suddenly it ceased, and Polly +looked at Anne for an explanation. The telephone receiver began clicking +strangely in her ear, and she held it at arm's length in fear of what +might be going to explode inside that queer tube. + +Eleanor laughed and said, "Let me do the talking--it sounds like Jim +Latimer--is it?" + +"Yes, Ken and he landed from the West at midnight, and they are going to +the Mardi Gras with us to-night." + +Eleanor now took the telephone, and by the time the operator managed to +connect the interrupted wires, she was ready to chat as if she had +nothing else to do. After ten minutes of silly boy and girl talk, Anne +whispered: "Oh, do stop, Nolla! It is eight o'clock and we want to fill +a good day with work." + +"I've got to ring off, now, Jim, but we'll see you to-night. Good-by!" +Then Eleanor turned to her companions, and said: + +"Well, that's good news, Polly! To have the boys in the city to show us +a good time before we start school." + +Without saying anything to cause the girls to object because this "good +time" with the boys might be indefinitely postponed, Anne made up her +mind that a home would and _must_ be secured before anyone planned for +pleasure or fun. + +That day, they sought in buildings on every block uptown that had been +left uninspected by Mrs. Latimer and Mrs. Evans, but with no success. If +an apartment of five to seven rooms was found, it would be found to be +dark, dirty, or in an objectionable neighborhood. They were ready to pay +a high rent for six or seven rooms, but nothing suitable could be found. + +When they returned to the hotel, at five o'clock, to wash and dress for +the outing that evening, everyone felt discouraged. "And these poor +deluded New Yorkers call the band-boxes we saw to-day, apartment rooms?" +said Polly, sneering at the homes but not at the poor inmates. + +"Owners dare not build the rooms larger, Polly, because real estate in +this city is so valuable and taxable. Every inch of property has to be +made the most of. You know, that is why a builder, in large cities, runs +his structures up in the sky--the sky doesn't charge taxes on so much +per foot, but the ground the building stands on does." + +"Oh, I never thought of that! So that is why New York houses go up +twenty and thirty stories, eh? The owner has to get his rents out of the +air and sky, and pay it over to the land-assessor," Polly exclaimed, in +a tone of understanding. + +Her friends laughed. "You are an apt pupil, Poll," said Anne. + +When their hosts for the evening called for Anne and her party, they +were all ready and eager to start. So they were soon seated in the two +cars; Jim driving one, with Polly seated beside him, and Ken, Eleanor +and Anne in the back seat. Mrs. Stewart was welcomed with the two ladies +and the two men in the other car. + +"Now, Jim," called Mr. Latimer, "you be sure and trail me. I'll go +first, as I know every foot of the road to Coney Island." + +Polly had never been in an automobile before, and at first she felt +frightened; but Jim chatted as he drove, and seemed to take it all so +naturally, that she soon overcame the desire to clutch hold on the side +of the car. + +There were hundreds of other automobiles all going in the same +direction, and when our two cars reached the Boulevard, there was such a +gay stream of machines and people as the girls never dreamed of before. +Confetti, paper ribbons, horns and what-not, were used by the passengers +on trolleys and in automobiles along the road until the lighted spires +of The Park, and other pleasure-giving resorts of Coney Island were +seen. + +Polly looked so different in her smart clothes that Jim Latimer wondered +what had happened to turn this pretty ranch girl into such a stunning +city girl in so short a time. + +He kept glancing at her oval face, rounded with health and vigor; at her +straight little nose, her wide-open, deep, soulful eyes that seemed to +weigh all things wisely; the heavy wavy hair that was becomingly looped +back from her face, and above all, the rich glow in her cheeks, and the +creamy complexion and fine texture of her skin. "Nothing made-up there!" +thought Jim. + +But Polly was happily unaware of Jim's wondering approval, for she was +too completely absorbed in the sights about her. She could not have told +anyone what Jim looked like in his city clothes. In fact, after the +first hasty glance at Ken and him, and the realization that they had +doffed their mountain outfits, she gave no second thought to their +clothes. + +At Coney Island, that night, the girls enjoyed one continual lark. Even +Mrs. Stewart was urged to go with the elder Latimers and the Evans upon +the chutes, the merry-go-rounds, the Twister, the Winsome Waves, and +what-not. Such a reckless spirit of fun seemed to possess everyone in +the place, that it was contagious. + +When the evening was almost over, and Polly sighed with very surfeit of +so much fun, the boys managed to "lose" the elders and took the two +girls to the beach. + +"Oh, how wonderful! I never thought of the ocean. There was so much to +see and to do that I forgot Coney Island was right on the sea," +exclaimed Eleanor. + +But Polly said not a word. She was suddenly confronted with the restless +mighty ocean that she had always longed to see. The sense of frivolity +that had filled her for the last few hours vanished, and she gave +herself up to the power of that calm, never-ceasing roll of water. A few +minutes before and she had been weary from so much laughter and sport, +but now a wonderful peace and rest pervaded her being. + +The boys understood this unusual effect of the ocean upon one who had +never seen anything like it, and finally Polly heaved a sigh. + +"Well, this is better than all else. It's worth coming so far east to +see. It's the only decent thing of which New York can boast." + +Her companions laughed; after digging in the soft sand for a short time, +and exchanging youthful view-points about everything in the universe, +they all sauntered back to the place where the two cars had been parked. + +A shout greeted them. "There, I _knew_ you boys had dodged us on +purpose. But Miss Stewart thought you were lost in this crowd." + +As everyone felt tired before the cars reached New York City again, the +conversation was intermittent. But just before Mr. Latimer drove his car +up to the hotel, Mrs. Stewart learned how Dr. and Mrs. Evans, Mrs. +Latimer, and the two boys, Jim and Ken, had spent that entire day +home-hunting for the westerners with no success. + +"It seems very strange that in such a vast city one is not able to find +a decent apartment," complained Mrs. Stewart. + +"We are told 'because of the war.' The war is blamed for everything +these days, but the real excuse for owners not building now is because +of the high cost of material and labor. They are all waiting for better +times; meantime people must take what can be had, or go without," said +Mr. Latimer. + +"After hunting the way we have for more than a week, and not having +found a suitable place, Mrs. Stewart, I would suggest your finding a +nice boarding-house for the winter. If you put it off too long, even +those places will be filled," advised Mrs. Latimer. + +"Dear me!" sighed Mrs. Stewart. "That was suggested this morning, but I +said it seemed dreadful, when I came East just to make a home and keep +house for the three girls." + +"Yes, it would be much pleasanter for everyone to have a home, but in +cases like this Fall's shortage of apartments, one must do what is most +expedient," returned Mrs. Latimer. + +Mrs. Stewart told the girls, that night, what had been said, but they +all felt sure something _must_ turn up in the next day or two. So the +next morning before starting out, they laid out a regular plan of work. + +"Mother and Eleanor will start where we left off, yesterday, and weave a +search back and forth downtown until they reach the hotel. I will take +Polly and, beginning at Washington Square, work uptown until we finish. +If either of us find anything at all decent, and in an agreeable +neighborhood, pay down a deposit to hold it and be sure to get a receipt +as a binder--Mr. Latimer told me that much. Then we will all go for the +second inspection and decide. Dr. Evans said we'd better pay down +several deposits rather than lose a place, as we can quickly sell out +any option we have for more than we paid down." + +Having instructed her friends, Anne added one last bit of advice: "We +will go as high as $3,000 a year for seven rooms, or $1,500 for four to +five rooms--no more, as that is all shelter is worth. If we can't find a +place at that price, we'll stay in a hotel!" + +So the second day of house-hunting went forward by two divisions instead +of one, and all that day Mrs. Stewart and Eleanor experienced the same +snubs, weariness, and failures, as thousands of other home-hunters in +New York had. And at evening they returned wearily to the hotel to hear +what Anne had accomplished. + +"Polly and she have not yet arrived," announced Eleanor, as Mrs. Stewart +and she entered their suite. + +"I hope she has had better luck than we can brag about," added Mrs. +Stewart, dropping into an easy chair. + +A long time after the "first division" had returned, baffled, to the +hotel, Anne and Polly burst into the room with happy faces. + +"Oh, we just found the most wonderful place! Polly and I actually +_discovered_ it. We were giving up all hope of ever finding a decent +apartment at any reasonable figure, and had started for the subway when +we saw this one. The flower-boxes caught Polly's eye, so we are really +indebted to her for having secured our home." + +Anne's enthusiasm was contagious, and instantly Mrs. Stewart and Eleanor +wanted to know where it was located. + +Anne and Polly exchanged smiling glances, as if the secret was too +precious to impart to others. + +"I suppose you two did up the entire upper sections, to-day, eh?" asked +Anne, countering their eager queries. + +"Did we? I should say we did! I got a taxi for the day and we flew from +one pile of stone and marble to the next, and so many rides up and down +in gorgeous elevators all day has kept my head still spinning. But we +had the same results as yesterday. When you inspect one of these modern +honey-combs you see them all. The only difference being that a few +owners manage to retain the elevator and telephone operators, while the +majority of superintendents apologise by saying, 'My help went on a +strike, to-day.' + +"It really looks, Anne, as if these poor New Yorkers will have to move +out to the country if they want to live this year," remarked Mrs. +Stewart, earnestly. + +Her companions laughed and Anne said: "Mother, you are too precocious. +But now listen to our 'find'! + +"As I planned, you two went uptown while Polly and I went downtown from +here. We covered all the lower sections by criss-crossing back and +forth, but we came away from the Gramercy Park section, late this +afternoon, with an utter sense of failure. In fact, I was silently +planning to inquire about good boarding-houses, when we hailed a +Lexington avenue car, going north. + +"Being woolly westerners, we failed to ascertain how far northwards the +car went, and having paid our fares, sat down. I remember turning to +Polly and saying, 'This is actually the first car in New York that I +have been on that wasn't crowded to the platforms.'" + +Polly laughed at the remembrance, and Anne smiled. "But it was our +salvation, Anne," ventured the former. + +Anne nodded and continued her story. "Then we soon learned why there +were vacant seats on that car. A pleasant-faced, grey-haired man of +about fifty, must have overheard my comment because he spoke to us after +we were seated. + +"'Perhaps you did not know that this car goes no farther north than the +next block? It is switched back downtown, from that point. Did not the +conductor mention it to you?' + +"I was furious, and I replied: 'No! he never said a word when I paid the +fares.' + +"By this time the car stopped and the conductor called out: 'All +out--dis car goes no furder. We switch back next corner!' + +"So Polly and I had to get off with the others. When we stepped down +from the car, the nice man lifted his hat to us and said: 'I judge you +are strangers in the city. Can I direct you anywhere?' + +"I thanked him and told him we were only going as far as Forty-second +street to the hotel. Then I added, sarcastically: 'But there may be no +cars which run as far north as that street!' + +"He laughed and said: 'You had better walk over to Fourth avenue and get +the car there. It takes you through the tunnel much quicker than the +Lexington avenue car runs to Forty-second street. But be careful and do +not board a car that stops at the car-house on Thirty-second street.' + +"We all laughed at that, as it would have been just like me to do so; +then we thanked him and started along Thirty-first street to reach the +car. And there we found our Haven of Hope!" + +"Where? Not on Thirty-first street, I trust!" exclaimed Mrs. Stewart. +"Isn't that section of the city dreadful?" + +"Not the block where we found a home," explained Anne. "It has several +remodeled houses and several other flat houses on it." + +"But just wait until you see our house--it's fine!" said Polly, eagerly. + +"Polly caught hold of my arm and exclaimed: 'Oh, Anne! see the lovely +flower-boxes in that cute little house!' + +"I saw three narrow windows on the second floor with green flower-boxes +on the outside sills, but then my eyes dropped lower and I spied a +swinging sign at a side-door. It merely said: 'To Let' inquire, etc. +Polly saw it at the same moment, so we stood and gazed at each other. + +"'Let's try and peep in at this window,' suggested Polly. + +"I agreed, and we did our best to see what was within; but the long +iron-lattice that covered the four slits in the wide front doors, were +covered from the inside. So we went to hunt up the agent. + +"His office was only a few blocks down Fourth avenue, so Polly and I +hurried there before it should be closed for the day. A boy was told to +accompany us and we were soon inspecting the premises. Our escort +offered all the information he had heard in the real estate office. + +"'This hain't been on our books more'n a day. I just hung out the sign +this morning. The last man what lived here was an artist and he fixed up +everything like you see it now. But he wanted the owner to take out the +stable doors and put in a studio-winder, and when the owner wouldn't +spend a cent, the artist up and moved. My boss said the next tenant +would insist on having the doors taken out, so you might as well kick +about them being here, and see if you'se kin get the winder in.'" + +Anne's mimicry of the office-boy was perfect and her hearers laughed, +but Mrs. Stewart had caught the significant words: "Stable doors," and +now she looked deeply concerned. Anne hastened to end her narrative when +she saw her mother's expression. + +"So Polly and I went back to the agent's, heard the price of the place, +and paid down half a month's rent to hold it until you all can go with +us to-morrow morning to approve of our selection." + +"Oh, Anne! how much was it a month?" exclaimed Eleanor, eagerly, while +Mrs. Stewart looked dubious over such recklessness. + +"One-fifty a month, and we can have a straight lease--no humbugging +about clauses." + +"And how many rooms, did you say, dear?" gasped Mrs. Stewart. + +"I didn't say, mother, and I told Poll not to say more until after you +see it in the morning." + +"But I like it, and it really does seem as if Providence sent us through +that street," added Polly, sighing with content. + +"Eleanor, did you hear Anne say it had stable-doors?" now ventured Mrs. +Stewart, fearfully. + +"No! did you, Anne? Why would it have stable-doors?" + +"Because in the days of horses and carriages, it was some rich man's +private stable," laughed Anne, enjoying the horror on her mother's face. + +"A stable! Ha, ha, ha--for a Maynard of Chicago! Oh--ha, ha, ha!" +laughed Eleanor, rocking back and forth. + +Even Mrs. Stewart had to laugh at the picture Eleanor's exclamation +suggested--Mrs. Maynard and Barbara calling upon a member of their +family who was living in an East Side stable! + +Any doubt of this being just the place they wanted vanished in the +morning when Anne and Polly proudly escorted Mrs. Stewart and Eleanor +about their future domicile. True, it had all the ear-marks of a stable +from the _outside_, but once you were within, there was only an artistic +home to be seen. The ground-floor which had once held four stalls and a +harness-room, with space for two carriages, was now partitioned off in a +manner that made the most of the space. A large living-room across the +front acted as entrance-hall and passageway to the rear rooms and second +floor. In the corner of the living-room, where the small brick chimney +had served as smoke-vent for the stove of former days, there now was a +wide tiled fire-place which would hold great logs. + +Double glass-paneled doors led from the front room to the dining-room +with its two high-set square windows opening to the sunlight in the +rear. Also a single door went to the kitchen, which also had two high +windows like those in the adjoining room. From the kitchen, a back door +opened upon a tiny grass-platted garden of about twenty feet square. A +fine locust tree grew in one corner of the plot and gave shade in the +afternoon. + +Anne explained certain peculiar features regarding the windows of the +back-rooms. "Don't you see why they are so high? It is because they were +once the ventilators to the stalls. Each horse had his own window for +air. But I think they now make the rooms look quaint, don't you?" + +The others agreed with her, and Eleanor said: "If we had a shelf running +along under the windows, it would look better." + +"And we can use it for china," added Polly. + +Anne now started to go upstairs, followed by the other three; they all +examined the bedrooms and were delighted with them. There were two large +front and two smaller rear rooms, with a fine tiled bathroom between the +back rooms. Not one of the rooms was as small as the largest chambers +seen in the modern apartments. + +"And all for a hundred and fifty a month!" exclaimed Eleanor, joyously. + +"I reckon we'd better take it at once, children," said Mrs. Stewart, +approvingly. + +"But remember," said Anne, on the way to the agent's office, "we have to +make all inside repairs, or redecorate as we want. There is no steam +heat or hot water supplied, either, like the swell apartment houses, +uptown, offer us." + +"I'd rather have it so, Anne dear," replied Mrs. Stewart. "I've always +been used to a coal range and those fandangled gas ideas worried me, but +I didn't say anything to you-all. I noticed what a fine little kitchen +stove this one has, so you'll always have hot water--never fear. As for +heat! Well, a great open fire-place in the front room will help heat +upstairs, and there is a register in the bathroom that comes from the +kitchen stove-pipe." + +"We can use electric or gas radiators, Anne," added Eleanor, eagerly, +"in very cold weather." + +"I never knew what heated bedrooms were like, in Pebbly Pit, Anne," +Polly said, anxious to have a word. + +"Besides we may have a very mild winter," remarked Anne. + +So the lease was signed and the first month's rent paid. "We'll give you +any assistance you may need in getting the place in order, Mrs. +Stewart," said the agent, as he handed the papers to his new tenant. + +"That will be very nice, and we will take advantage of your offer, at +once. I want the kitchen range and stove pipe put in perfect working +order, and please see that the radiator in the bathroom is not +obstructed in any way," said the lady. + +Anne and the agent exchanged looks and laughed. "I can see where Mrs. +Stewart expects to enjoy herself this winter. Well, I told my wife the +other day, we were more comfortable when we had an old-fashioned flat +with a kitchen range, than we now are with all the latest modern +improvements," returned the agent. + +"Anne, Polly and I want our rooms repapered and painted," whispered +Eleanor, tugging at Anne's sleeve. + +"I was about to suggest that you have all the woodwork given one coat of +nice fresh paint, but the paper now on the walls is very expensive and +artistic, so I wouldn't be in too great a hurry to have it done over. +The last tenant imported his own paper at a great expense for that +place," explained the agent. + +"I think you are very kind and sensible to advise us in this way. So +we'll have the men do the paint but not touch the paper until we have +had time to look it over again," said Anne. + +"When can we move in?" questioned Polly. + +"Any time you like; but I would advise having the painters out first. I +will send two men to begin work in there to-morrow." + +Then the four delighted tenants left the office, and on the walk back to +the corner where they wished to board the car they eagerly planned how +they would furnish their home. + + + + +CHAPTER III--FURNISHING THE STABLE + + +"Anne, if we hurry and get the furniture, we can settle our home before +school starts," suggested Eleanor, eagerly. + +"If you-all had only let me ship my stuff from Denver you wouldn't have +to buy a stick!" declared Mrs. Stewart. + +They were standing on the corner waiting for an uptown car but not one +was in sight. Anne showed signs of impatience but exclaimed at her +mother's remark: + +"Mother, you know very well what the crating and freight would have +cost, and you sold your stuff for more than it was worth. I think you +are most fortunate to have that little roll of money on hand, when you +consider the wear and tear your furniture has had in the last thirty +years." + +"Anyway, Mrs. Stewart, I don't want Victorian period in our house. Polly +and I want to furnish and decorate our own rooms as we like. This is to +be our first experiment in real artistic work," said Eleanor, +comfortingly. + +Polly nodded her head at these words; but standing with her back to the +curb, her face was opposite a large show-window in the corner building. +Now, as if by some magnet, her eyes were attracted to what that window +contained. + +"Why, just see there! Right near our street is a furniture shop!" With +this exclamation, Polly ran over to inspect the objects displayed in the +window. A carved four-poster, and other rare antiques, drew the +attention of the little group. + +Polly glanced around to see what furniture shop it was that was so near +their new home. + +"Why! It's an auction place. Surely, it cannot be that such wonderful +things are sold in a junk room," exclaimed Mrs. Stewart. + +That made the other three look also, and Eleanor added: "It doesn't +follow that just because this is an auction house, that it must be a +junk room." + +"Well, I never saw anything but awful junk in the second-hand place in +Oak Creek," explained Polly. + +"Even the Denver dealers sell only junk, Nolla. But it may be different +in New York. Everything seems to be different," said Anne. + +"Of course it is! Why wouldn't it be when you stop to think of it. In +the first place, no one in Oak Creek ever had anything but junk to sell. +And in Denver, where everyone hangs on to every stick they have, simply +because it is so difficult to get anything worth while, the poor +second-hand dealer starves for want of trade. But here, as well as in +Chicago, folks send stuff to places like this for sale, when they can't +find a place to move into. I just bet there will be thousands of +families that will have to sell out this year just because there are not +enough homes for all of them." Eleanor's logic was sound, and Polly +ventured a suggestion. + +"I'd love to go in there and see what they do with such pieces. There +are lots of well-dressed people going in--come on." + +Nothing loath to see the interior of a New York second-hand shop, the +westerners went to the front door. There a colored porter stood and +bowed politely. + +"Sale goin' on in third room, right, ladies; have a catalogue?" + +As the uniformed attendant offered Anne a pamphlet of about twenty +pages, he waved them inside out of the doorway. Then he repeated his +directions to the next couple who followed directly after Mrs. Stewart's +party. + +To say the four friends were astonished at the size and quality of the +auction-rooms is speaking mildly. Not a piece of furniture but looked +rare and expensive. It seemed improbable that it all was for sale. + +A second attendant now came up and said: "Sale now going on in south +gallery, ladies." + +Then Anne took her courage in her hands. "We have never visited a sale +before, so you will confer a favor by showing us where to go, or what to +do. We are about to furnish a house." + +The man sensed a good customer, and gallantly showed them through +several well-stocked rooms until they reached the last, where a smiling +smooth-tongued individual sat behind a raised desk and spoke +conversationally to the crowd which sat in rows before him. + +"Jake, find me four chairs, in a hurry," whispered the man who was +conducting Anne's party. + +Without confusion and in a moment's time, Jake carried over four +wonderful Jacobean chairs, two in each hand, their backs to each other, +and handled as recklessly as if the fine carving was made of unbreakable +metal. + +"Now, ladies, enjoy yourselves," the smiling attendant said; then he +stopped for a moment at the desk to say a word to the auctioneer who +continued his selling as if no new victims had been introduced. + +One marvelous article after another was brought forth and placed for +exhibition upon the Persian rug that covered the platform in front of +the audience. And one after another, the objects of art and beauty were +sold to different buyers at a preposterously low figure. + +But the wily auctioneer took notice that not a member of the newly +arrived party was bidding on anything. He decided that this must not be, +so he stood up to address the assembly. + +"Friends, I know that you are here to buy and not to waste your time in +mere curiosity. If there is any particular article you need, or have +seen on the premises, speak out and I will oblige you by introducing it +in this sale." + +He glanced over the crowd and finally allowed his gaze to rest upon the +four who sat in the front row. They all felt guilty of using his time +and room when they had no idea of buying any particular thing. Mrs. +Stewart was about to whisper to Anne that they had better go when +Eleanor spoke up fearlessly. + +"I saw a four-poster in the show-window before I came in. Is it for +sale?" + +Her three companions felt the shock that is experienced when one does an +unusual or unexpected thing. But they each felt thrilled, too, at the +courage of that one. + +"I regret exceedingly, my dear young lady, that that particular set of +antique mahogany cannot be sold until day after to-morrow. In fact, only +the contents of _this_ vast room is for sale to-day. We take them in +turn, you see. To-morrow the adjoining room goes, and the day following +that everything is sold and cleared out of the third room--where the bed +is." + +"But we have a four-poster in this sale, Mr. Winters," quickly said one +of the floor-men. + +"Ah, indeed! Perhaps the young lady will like it as well as the other +one. Bring it forward, Joe." + +Without the slightest delay, the floor-men then pulled and pushed a very +elaborately carved four-posted bed out upon the dais. It was similar to +the one in the window but it was smaller, this one being four feet wide +while the one on exhibition for Friday's sale was full sized. + +The auctioneer spoke of all the points about this particular piece of +furniture, and then began to offer it for sale. The four visitors in the +front row sat as if hypnotized at his manner. + +"What, no one here to appreciate this marvelous work of other days, now +to be sold for three hundred dollars?" + +Not a sound encouraged him, so he sighed and said: "Well, is there +anyone who will give two hundred for it?" + +Eleanor's heart thumped. She was willing to give it but she found her +tongue cleave to the roof of her mouth at the very idea of securing the +bed at such a price. + +"Too bad! Then I shall have to ask if anyone will pay me one hundred +dollars? Is this bed not worth that to you, young lady--or perhaps you +need a full-sized bed?" The auctioneer looked at Eleanor but failed to +see the dazzling glint that shot into her eyes when he offered the bed +for one hundred. He really had no hope of starting it at that figure so +he over-did it that time. + +"All right, friends, I am perfectly willing to have you set your own +price on this magnificent piece of carving that is no less than a +hundred and fifty years old. Now what is your pleasure? Fifty, forty, +thirty--what? did I hear a bargain-hunter say twenty-five? Oh, +impossible?" + +Eleanor almost fainted at such a dreadful sacrifice, and would have +stood up to offer him the hundred, had not a man in the rear called out +"Fifty." + +"Ah, that is better--thank you. Now, fifty, fifty, fifty--who says +seventy-five? I want seventy-five--fifty, fifty, fifty, fif--fif-tee, +tee, t-e-e--what, no one here willing to pay more than fifty dollars for +this bee-u--utiful bit of antique mahogany? Fif-fif-fif--Ah!" + +Eleanor swallowed hard, half-stood up, and the auctioneer caught her eye +at last. He smiled, acknowledged her expression, and now called: + +"Seventy-five! I now have seventy-five, seven, seven, +sev-sev-seventy--seventy-fi-ifvvve! I have seventy-five dollars for this +wonderful mahogany bed that is really worth seven hundred dollars in any +store to-day. And I only have seventy-five dollars bid. Seven-tee----" + +Again Eleanor half-stood up and this time she managed to say "One +hundred, please!" + +"Thank you, young lady--you certainly understand fine furniture. I am +now offered one hundred dollars by one who knows the value of this +bed--one hundred, one hundred--hundred--one, h-u-ndred dollars +offered--who will give a hundred and ten--only ten more gets it?" + +Polly was so amazed when Eleanor said "One hundred dollars" that she +giggled hysterically; but not wishing to have her friend brag how "she +bid at this auction and her friends were too shy," Polly looked +anxiously at the auctioneer. He saw that look and understood. + +"Don't hesitate, young lady. You know 'he who hesitates is lost'--in +this case, loses a great bargain. If you wish to bid, never fear +competing with a friend. In this business there are no friends--all men +are strangers. Shall I say one hundred and ten for you?" + +Polly nodded eagerly and smiled broadly at Eleanor. The two girls were +so delighted with themselves at daring to speak out so bravely in a city +like _New York_ that they failed to realize the auctioneer had knocked +down the bed to Polly. + +"This young lady in front. I _must_ say she appreciates fine furniture!" +declared the suave auctioneer to everyone in general. + +"W-h-y, Pol--le-ee! Is that your bed?" gasped Mrs. Stewart. + +"I'm sure I don't know. Is it, Nolla?" laughed Polly. + +Just then a brusque voice said: "Name and address please--and +twenty-five per cent deposit money." The girls looked up in +bewilderment. Who was the man? + +He seemed to read their thoughts, for he smiled. "I am the cashier. +Everyone has to pay down a cash deposit on their bids. Everything you +buy has to be removed by Saturday, or we are not responsible for it +after that." + +"Oh!" Polly and Eleanor looked at each other. They were trying to figure +out how much money he wanted. + +"Here--I'll pay the deposit. About thirty dollars, isn't it?" said Anne, +in a business-like tone. + +"Yes, thank you. Now name and address, please?" + +"What's the number of our stable, Anne?" laughed Eleanor. + +When Anne gave the address the cashier looked surprised. "Oh, have you +rented the Studio down the street?" + +The girls bowed wonderingly, and he added: "The artist who lived there +for a number of years, used to drop in here every week just for the +entertainment of picking up curios. In fact, I saw him here a few +minutes ago. He told me he would give fifty percent advance to the +tenant who leased that place. Here's a chance for you to make money if +you want to give up the Studio." + +"We want a home more than money, mister!" declared Polly. + +"You've said it, Poll! If we give up this studio we may have to go back +and live in our gold mine, because New York hasn't any homes left, this +year," laughed Eleanor. + +The cashier had not missed the mention of "our gold mine" and determined +to do his utmost to please these ladies. Hence he whispered: "I'll look +after everything you buy here, and don't worry about moving it away on +Saturday. Next week will do, if you are not ready to get things out this +week." + +"Polly, Polly! There goes a high-boy that matches the bed you got!" +cried Eleanor, at this moment. + +"They are pieces of the same set. Strange to say, they came from the +very place you rented. The artist has to sell out because he cannot find +an apartment, and there is no storage room for his furniture," explained +the cashier. + +So Polly secured the high-boy for sixty dollars and felt very proud of +her purchases. Eleanor bought a pair of brass fire-dogs and irons, and +Anne bid on a large etching. When it was knocked down to her, she turned +to her mother and said: "I really do not want it. What under the sun did +I get it for?" + +And Mrs. Stewart laughed. "It's always the way at these vendues. One +gets all kinds of things one never needs." + +"Then let's get out. Girls, I'm going now," whispered Anne, rising to +leave. + +The cashier hurried over when he saw the four new customers about to go, +and said, "The artist would like very much to meet his successors to the +Studio." + +At the same moment, a grey-haired gentleman bowed and smiled, and the +group waited expectantly. Anne and Polly smiled also. + +"You are the kind friend who advised us, yesterday, when we had to leave +the car," Anne said, pleasantly. + +"Yes, but I never dreamed I was directing you right to my front door," +rejoined the artist. + +"Well, Mr. Fabian, as long as you've met before, I'll go about my +business," and the cashier hurried away, leaving the five people in the +adjoining room. + +Anne proceeded to introduce her friends and then added: "It was +providential that we went through that street. Now we have a home to our +liking." + +"I am delighted that my successors will appreciate the place, but I am +still seeking for quarters. Had I choked my anger and swallowed my +pride, when the owner refused to keep his word about the stable-doors, I +would still be enjoying my cozy Studio." + +Mr. Fabian then told the ladies how he had taken the stable in its raw +state and turned it into the lovely dwelling it now was. He had paid for +all the hardwood floors, for the partitions on the ground-floor, and for +the kitchen plumbing. + +"Why, it must have cost you a small fortune," ventured Anne. "And now it +seems too bad that you can't enjoy it." + +"But I did enjoy it, my dear young lady--for five years. And I only paid +sixty dollars a month, during that time, too. When the owner raised me, +this year, to ninety I rebelled, because I had spent so much money on +beautifying the rooms. I thought he would really relent and say I could +have it for about seventy-five a month. I was mistaken." + +"We're paying a hundred and fifty a month and make all repairs, +ourselves," Anne ventured. + +"He took advantage of the unusual conditions. But you have a better +bargain, even so, than if you had rented a seven-room apartment, uptown, +for two or three thousand a year." + +By this time they were standing on the corner once more, and Mr. Fabian +seemed ready to leave them. Then Polly remembered that the cashier had +said the bed and high-boy she just bought had come from the Studio. + +"Oh, Mr. Fabian, excuse me for speaking of it, but did you really own +the four-poster I got at the sale just now?" + +"Yes, my dear. It was in the room my little daughter occupied when she +was home. She is now in Paris taking an art course." The girls were +deeply interested in this intimate information. "That box-spring with +the mattress on the bed was made to order of the best material I could +buy. You'll find the silk-floss in that mattress is so soft you'll never +care to get up, once you rest upon it." + +"But I didn't know the spring and mattress went with the bed," Polly +said, amazed. + +"Oh, yes. That is the way they generally sell other folks' goods. But I +wish to say, that Nancy only used the bed a few weeks, as she had a +splendid opportunity to enter a class in a friend's school in Paris, so +we started her across without delay. My wife went, too, to look after +her; that is one reason I refused to pay the increased rent; I thought +it was too much for one lone man to pay." + +"It almost makes me feel as if we ought to take you in to live with us," +said Mrs. Stewart, sympathetically. "If there only was one extra +bedroom, now, we could make you a member of our family just as well as +not." + +"But we haven't that extra room!" laughed Anne, wondering what this +stranger would think of her mother's free western hospitality. + +What he thought was soon expressed. "I certainly appreciate such unusual +kindness and I see it is genuine. So I will dare to do this: I shall +love to drop in, now and then, and see how you all are doing. Perhaps I +can be of some assistance to you, in various ways." + +"I know you can!" declared Eleanor, eagerly. "Polly and I are taking up +art and interior decorating and we need lots of ideas from grown-ups who +have had experience. You can advise us that way." + +"Begin your regular home visits a week from Sunday, Mr. Fabian. We will +be settled then and ready to welcome you to our house," added Anne. + +Then they parted and Mr. Fabian went downtown, while the four companions +walked northwards to the hotel. As they walked, Anne said: "It certainly +was queer how that gentleman sent us past his own home and we saw it. +Now, he turns out to be just the kind of a friend Polly and Eleanor will +need to advise them about art school." + +"Anne, what shall we do with the rest of the afternoon? We still have +two hours before dinner-time," said Eleanor, glancing at her wristwatch. + +"We can go over to the nearest shop and get Polly an everyday hat. I +can't bear to see this lovely one hacked out at auction rooms. She needs +complete outfits of underwear, too, but we may be too late at the shops, +for that." + +"Anne, I saw in the paper this morning, when you were looking for +apartments, that a fine Fifth avenue shop is having a sale of early fall +models. Let's go up and get Polly's hat there," advised Eleanor, +eagerly. + +Anne laughed. "You are willing to get one for yourself, too, eh?" + +So both girls were supplied with chic hats before they returned to the +hotel. There they found an invitation from the Latimers to come, +informally, and dine with them that night. Dr. and Mrs. Evans would try +to come in later. + +"It's now five-thirty. Can we get dressed and make it, in time?" asked +Eleanor, anxiously. + +"Oh, yes; we haven't far to go, you know. A taxi will take us there in +ten minutes," replied Anne. + +All was hurry and bustle, then, and when the two girls emerged from +their rooms dressed in their new gowns, Anne felt that they did her +credit. She could not but remark at the great improvement that clothes, +well-fitting and of fine material, made in Polly's appearance. Now the +girl looked positively beautiful. + +A pleasant evening ensued, Jim and Ken insisting upon the right to +escort the ladies home after everyone had said good-night. + +"You know, girls, Ken and I are going to Yale next week?" said Jim, as +they started down Broadway. + +"So your father said, to-night. We will miss you, Jim," returned Anne. + +"But we'll be home every chance we get--Thanksgiving, Christmas and +other times," Kenneth said, hopefully. + +"Nolla and I will be awfully busy in school, and in trying to get +started in the art classes," added Polly. + +"I hope you have the stable settled before we leave the city. We want to +give you-all a house-warming," said Kenneth. + +"That will be great! Let's have it, anyway, even if everything is not in +apple-pie order in the house," exclaimed Polly. + +So before they parted, that night, it was all arranged that the +house-warming should take place the next Tuesday evening. The boys were +leaving for college on Thursday, and the last few days before starting +in the new school, would be busy ones for the girls. + +"All right, we'll tell the folks the fun is on for next Tuesday, then," +said Jim, as they shook hands. + +"And it must be a regular surprise, you know--we bring our own +refreshments and everything," laughed Kenneth. + +"Oh, no! That is the least we can do in return for all you folks have +done for us. We will furnish your refreshments!" declared Eleanor, +positively. + +"As long as you furnish plenty, all right. But remember, girls, that Ken +and I still have our Rocky Mountain appetites!" + + + + +CHAPTER IV--BARGAINS, BARGAINS EVERYWHERE! + + +With the worry of house-hunting gone, the young friends felt at liberty +to be deliberate while apportioning their time. Anne took Polly and +Eleanor to the West End School, the morning following their meeting with +Mr. Fabian, and introduced them to the proprietress as the two young +ladies she had written about. + +Polly thought the elegant mansion that looked more like a prince's +residence than a school, would keep her from concentrating upon her +lessons. While Anne and the principal of the select school talked +business, Polly glanced about the reception room. + +The rugs were beautiful, most of them having the faded soft colors of +the antique Persian and Turkish. But the furniture was too gorgeous in +upholstering for the type of room. Then there were heavy boxed oil +paintings in rich gilt frames, hanging on the walls; and teakwood +pedestals holding statuettes and busts; and onyx stands with palms. The +mantel was loaded with bric-a-brac of all sorts. Many other minor items +showed bad taste in whoever furnished the room. + +Polly felt all this, but could not explain just why she resented such a +conglomeration of color and furnishings. But Eleanor, having had the +results of a decorator's judgment displayed in her home, in Chicago, +felt inclined to smile at what she saw about her. It was sure evidence +of Polly's improvement in artistic interiors since the day she thought +the green window-shades quite the thing, to this time when the +indiscriminate mixing of colors offended her eyes. + +"I really am relieved to hear that you will not be resident here, Miss +Stewart, as I need your room for two boarders. I had planned to enlarge +the dormitory this year, but everything costs so much that I postponed +it. Now this extra room will come in very nicely for me," Mrs. +Wellington was saying when Polly and Eleanor had finished a survey of +the room, and rejoined Anne. + +"Girls, Mrs. Wellington says we may have a look at the class-rooms. +Would you like to go with me?" said Anne. + +Without demur they followed the lady of the house. They passed through +the formal parlor where guests of distinction were entertained. Here the +two girls also saw the lack of taste in furnishing. Gilded furniture +with delicate satin upholstery, fought with wallpaper of heavy +Spanish-leather design. Curtains and portières were of velour, heavily +edged with fringe. Valances of velour were over the windows, and on the +mantel. Instead of having a delicate French carpet on the floor, there +were thick napped dark-toned Beloochistan rugs. + +The long library opened out from the parlor, and here there was an +atmosphere of rest, because the entire wall spaces were lined with dark +cabinets whose shelves were well filled with volumes in bindings made to +harmonize with the rich paper that showed above the book-cases. The +window-seats were built in and upholstered in tapestry to match the +paper. The tables and leather armchairs were not so glaringly out of +keeping with the room as the furniture in the first two rooms had been. + +Mrs. Wellington waved her hand carelessly at this room: "When I bought +this house, all the books went with it, just as you see them now. The +window-seats are still covered as they were, but I hope soon to spend +some money in making this library more cheerful for the girls. I like +bright colors, but that dun wall paper and that dull tapestry on the +window cushions gives me the blues. If the books had not been such a +bargain--the executor of the estate was most anxious to dispose of +them--I never would have taken them. Their dull green morocco bindings +make the room seem heavy, don't you think?" + +"Oh, no! I was just thinking how lovely the glint of the gold lettering +on each dark book makes the room seem. If only there was a dark polished +floor to reflect the chair and table legs, the room would be wonderful! +But this large carpet spoils that effect!" Nolla exclaimed impetuously. + +Mrs. Wellington straightened her spine and looked in hurt amazement at +this inexperienced miss who babbled like an expert decorator. No one had +ever criticised that carpet rug before! + +Anne saw the look and comprehended at once, so she dropped oil on the +troubled waters. "Oh, Nolla! you are so carried away with your hobby of +studying decorating that you needs must practise it and criticise +everywhere. Now, I'm sure, Mrs. Wellington never would have dreamed of +your ambition had you not showed it so plainly in your words just now." + +Eleanor understood Anne's motive in speaking thus, and smiled benignly. +Polly was still trying to grasp the handle to Anne's remark when the +lady of the house led them forth again. + +"Here are a number of smaller rooms where girls may sit and read or +study in the evening. And now we will go up to the class rooms." + +If Eleanor and Polly had been able to find flaws with the lack of taste +shown in the furnishings of the first-floor, they could not detect the +slightest item missing in the equipment and furnishing of the different +school rooms. Every known modern device and object for the comfort, +health and help of scholars, were in evidence. Anne smiled with pleasure +as she looked around. + +"It will be a delight to teach in such a room as this, Mrs. Wellington; +and I'm sure the scholars appreciate all you do for them." + +"No, that is the strange part of it, Miss Stewart. The girls who come +here seldom think of all I do for them in providing these rooms. They +take it as a matter of course that I should spend so much money in +keeping everything as I do, while my competitors ask higher rates and +spend less;" the lady looked troubled over it. + +"Now I have a friend down on Seventy-second street, who has conducted a +most exclusive school for years; but she will not spend a cent in these +ideal accommodations yet she gets higher prices than I do. And her +waiting list of well-known names is endless. I only have a list of about +a dozen applicants and they are not daughters of millionaires, either." + +"Perhaps," Anne remarked kindly, "the girls _you_ graduate make +something of themselves in life, whereas those other society girls +merely skim over lessons and never know how to spell their own names." + +"Yes, that is true; I secure the very best teachers and try to instill +knowledge wisely. And I am sure, my girls, upon leaving here, can +compete with anyone." + +"I should say that was a great comfort. To look back some day and be +able to say: 'I taught that girl how to combat ignorance.' And the girls +who sincerely admit what you have done, will rise up and call you +blessed--for giving them these expensive modern helps to acquire +wisdom." + +Madam seemed pleased with this point of view, and said: "You will stop +and have luncheon with me, won't you, dears?" + +"We really cannot, Mrs. Wellington. You see we have to furnish the home +that we just leased, yesterday. We are most anxious to have everything +in order before starting with our school work on the first," Anne +explained, politely. + +"Oh, of course, that is wise. Then I will look for you Monday +morning--the first of October. If there is anything you wish to know, +you can call me up any time during the mornings. And if you are in this +neighborhood before the first, do come in and have tea." + +After the girls had gone, Madam smiled and thought to herself: "I +certainly made no mistake in engaging _that_ young teacher. She seems to +be the best one I have ever interviewed. And the girls will take to her, +I'm sure." + +Anne led the way to a Broadway trolley, and soon they were at the hotel. +Mrs. Stewart was impatiently awaiting them, so they had an early +luncheon and then hurried downtown to the "Art Galleries" on Fourth +avenue. + +The sale had just opened, and they were able to secure front chairs. A +list had been made of pieces of furniture they really needed to start +house-keeping with, and now they hoped to be able to find just the +things they had pictured for the Studio. + +A solid mahogany gate-leg table was knocked down to Anne for fourteen +dollars and a half. Then a wing-chair with quaint lines, upholstered in +orchid blue velour, was sold to Eleanor for nineteen dollars. + +"Dear me, that was a lovely chair, Nolla. I wish I had one like it," +sighed Polly. + +"Isn't my table a dear!" whispered Anne, eagerly. + +"But it has as many legs as a centipede," replied Polly. + +The others laughed gaily at her criticism but at that moment, a +comfortable Turkish arm-chair was placed upon the dais. It was +upholstered in a rich tapestry, and looked oh! so luxurious. + +Polly watched the bidders anxiously. She had a sudden desire for that +chair, but she couldn't manage to get in at the bidding, at all. But +when she saw a woman opposite, hold up a hand above her head, and so +learned that that was one way to catch the auctioneer's attention, she, +too, followed suit. + +She instantly held up her hand, and just saved the chair from being sold +to a man at the back. So it was knocked down to her at seventeen-fifty. + +"There! That is Mrs. Stewart's chair. I saw the look in her eye when it +was placed upon the dais; and I know just how she will enjoy it when she +has done preparing our dinners. That chair, out before the open +fire-place giving rest to a tired house-keeper, will make one feel like +new!" Polly said. + +"But, Polly, child! you must not spend your money buying _me_ such +things!" exclaimed Mrs. Stewart. + +"I will if I want to! This is the first stick you've got for your room. +And without you, I'd like to know what kind of a home we'd have. So +don't you say another word if I want to buy other things for you." + +Anne objected. "Maybe this one chair is all right, Polly, but no more, +please." + +"Anne, just see all the money we're saving on buying our furniture, this +way. Why can't I use the surplus as I want to? I say I _will_--if I see +anything I want very much to give you or your mother." + +Anne knew when Polly was determined to have her way, and believed the +best plan now would be to buy what was needed for herself and her +mother, so as to forestall Polly or Eleanor. + +So that afternoon Anne got two single brass beds with brand new springs +and mattresses. The auctioneer explained that the bedding was sent in by +the Manhattan Factory, because of an order that had been cancelled +before delivery of goods. So Anne secured the bedding at half price. + +Neither of the girls suspected Anne of any secret plot when she bought +other articles at that sale for the two bedrooms she needed to furnish; +but when Eleanor eagerly bid on a Priscilla work-table of mahogany and +got it for Mrs. Stewart, Anne felt annoyed. + +"My goodness, Anne, it was only five-fifty. Who ever saw a work-table as +cheap as that, before? I know your mother will love to darn stockings +for us all, now--with a nice place in which to keep her wools," argued +Eleanor, laughingly. + +"Maybe mother would rather not darn stockings but let you keep the +table, yourself," suggested Anne. + +Before they left the Art Gallery that day, they found they had really +bought enough articles to start in with if they liked. They could add +rugs, bric-a-brac, and different luxurious chairs, at any time. + +"But we need dishes and utensils, girls," said Mrs. Stewart. + +"We'll get them in a department store, and have them delivered at once," +replied Anne. + +"Let's run over and see if the painters have done anything," suggested +Polly. + +"Might as well, Anne--we are right here, you see," added Eleanor. + +So they turned the corner and walked down the street to reach the Studio +in time to see the painters finish the work on the ground floor. + +"How nice and fresh it looks. But the wallpaper looks dusty," said Mrs. +Stewart. + +"It is dusty, madam. I was just sayin' to my friend here you ought to +have someone clean it all off with bread crumbs. It is a swell paper if +it is clean," remarked the painter. + +"Bread-crumbs?" ejaculated Anne. + +"Yes'm. Best thing known to clean fine paper. I'll get a man to do it if +you say so. He knows his job." + +"I wish you would. And ask him to supply the bread, too, as we are +stopping at a hotel where it is hard to get such things." + +"An' I was goin' to mention--the porcelain tubs and basins oughta be +cleaned fer you'se. When we finish painting I will scour and polish 'em, +if you say so." + +"Yes, please do! And the floors ought to be polished, too." + +"We'll take care of all that, if you just tell us to go ahead and clean +up as we see fit," said the painter. + +"All right; but don't make us wait too long before we can move in. We +are going to have a house-warming, here, next week," explained Eleanor, +anxiously. + +"I've got an extra man comin' on to-morrow, and we'll be out of here by +Saturday. Especially if we work Sat'aday afternoon--but that means +double pay, you know." + +"Never mind that; finish the job as soon as possible, for we will save +that much extra money in hotel bills," said Anne. + +"All right! We'll turn it over for you Sat'aday night!" + +Everything seemed to be going so well, not only with their Studio-home, +but with furnishings and decorators, that the girls felt elated. + +The next day they again met Mr. Fabian at the Art Galleries, and he +proved a very welcome member to their party, as he knew all about rugs, +porcelains, and antiques. Having shown them and explained all about the +few rare pieces still for sale in the auction rooms, he said: + +"Some day you must go with me to some of the other places. There are +dozens of these shops in New York, and each one seems to incline to some +particular line of furnishing. Then, too, one can see more wonderful +antiques in these shabby little shops along the avenue, than one would +believe possible. + +"I often pick up rare things in these places. They are run, mostly, by +Hebrews who merely know when an object is antique, or in demand. But +they seldom can tell you the period or name of many of their most +valuable items. It was in this way that a friend of mine once discovered +a treasure. + +"His wife wanted a necklace for Christmas--something odd and different +than any that her friends had. So he came to me and said: 'Fabian, I +can't afford Tiffany prices, but I wish I could find something unusual. +I want to please my wife, because she has been such a good sport during +the time I was hanging over the edge of bankruptcy. Now what would you +suggest?' + +"I offered to go with him. So we sauntered out of the Studio and walked +over here, to Fourth avenue. We stopped in every little collector's shop +along the street, but could not find just what appealed to him. Then we +entered that shop across the street--the one near the corner. + +"I knew the old Hebrew well, having often looked over his trays filled +with every old thing conceivable. So I said upon entering: 'Got any odd +kind of necklace or chain, Moses? Something to go around a lady's neck, +you know?' I had to demonstrate my words as I spoke. + +"'Ya, ya! Shure, I got a chain. I show him you?' + +"It was a long antique-silver chain, the great flat links being +beautifully filigreed. But it was not what my friend wanted, so I bought +it for Nancy. Then the shop-keeper looked wistful. + +"'Ain't I got it what you like? Tell me what for you want him?' + +"My friend replied: 'For my wife. She goes to balls and like pearls, or +other stones, in a necklace.' + +"'Ah, ha! I got yust what you like. A pearl necklace vot come in las' +veek wid a lot of odder fine tings.' Then the old man rooted around +under the counter until he found the tray he wanted. It was coated with +dust from the floor, but he blew this off and carelessly placed the +heaped-up tray before us. + +"Such a tangle of all kinds of jewelry I never _did_ see! Finally I got +the string of pearls free from the snarls of ordinary glass beads and +other trash, and handed it over to my friend. He curled a lip in scorn +at the soiled trinket. + +"'Avery, drive a bargain with him for this. I honestly think those +pearls are quite good. Let me rub one up on my sleeve, while you draw +the fellow's attention from what I am doing,' I whispered. + +"While Avery tried to bargain, I cleaned up one of the gems and felt +sure they were unusually good even for artificial pearls. + +"We actually bought the string for twelve dollars, but my friend feared +lest he had been taken in. So I smiled and said: 'Leave them with me and +I'll see that they are polished up like new by to-morrow night. I'll +take them to an old jeweler down the street and have them washed and the +gold links cleaned. Your wife won't know but that they came from +Tiffany's. + +"Avery laughed and left them with me. So I hurried down to Union Square +and showed them to the old jeweler I knew, there. + +"He puckered his brow at first, then ran for his magnifying glasses. +After an unusually keen inspection he called to his associate. Both of +them then examined the string most carefully, and the old man finally +looked up. + +"'If I didn't know you to be an honest man I should say: "Where did you +steal them?"--but I will ask: "How came you by these?" + +"I was astonished, as you may know, but I tried to appear wise, so I +laughingly replied: 'They are not mine, my dear, sir. I only wish they +were! I just got them from a friend to have someone, who is responsible, +clean them nicely. I must hand them back as soon as you have finished.' + +"'Mr. Fabian, I can't undertake such a job. I have no bonded man to do +such work and I dare not send them out. They may be substituted, you +know.' + +"Then I couldn't help saying: 'My good man! You don't value them so +highly as that, do you? Why, I carried them downtown in my pocket!' + +"'Ha, ha!' he laughed, 'I never saw a better matched string of perfect +pearls in my life and I am nigh onto sixty. If I had to handle that +necklace, I should instantly insure it with a broker for a hundred +thousand dollars.' + +"Fancy, my friends, how I felt! My knees gave way and I had to sit down. +I loosened my collar which seemed suddenly to grow too tight, but I +couldn't say a word." + +Polly and Eleanor stood listening with eyes bulging and mouths +half-open. Anne and her mother were also deeply interested. + +Mr. Fabian smiled to himself before he continued his tale, "Well, I took +the pearls and hailed a taxi. I was taken to Tiffany's, and asked for +the manager, at once. Of course they wanted to know why I wished to see +him, and I said, courageously: 'To turn over a valuable pearl necklace +and insure it for a hundred thousand.' + +"That brought the manager running. We went to a small private room and I +placed the string of pearls before him. He took it carefully, examined +it casually, then more minutely. He seemed perturbed and got up. 'Don't +leave this room and do not allow anyone to come in and see it. I'll be +back in a moment with our expert.' + +"I felt sure, then, that Avery had actually found a _real_ bargain. But +I never dreamed of getting anything out of it for myself. The manager +returned with, not only the gem expert, but also with the president of +the company. He closed the door and locked it. + +"The gem expert used all sorts of tests on the pearls and then said in a +trembling tone: 'M'sieur, I see like I nevair saw in my life! A string +of perfect match pearls, each one well worth a fortune. But I see more, +M'sieu! I will bring my acid to clean the engraved clasp set with +diamonds. Maybe we find interesting fack.' + +"Everyone felt nervous during the intermission granted us, but we said +not a word to each other. Then the Frenchman returned. He was so +careful, almost reverent, I should say, in touching and cleaning the +clasp, that I laughed to myself at the memory of Old Izaacs shelving the +pearls with a heap of junk, on a tray that was shoved on the floor under +a counter. + +"After many minutes of impatient waiting on our side, and as long in a +most delicate cleansing process of the pearls on the part of the expert, +he said: 'Ah! Now vee zee.' + +"He adjusted his eyeglass and studied the lettering on the clasp. Then +he jerked forward and peered breathlessly at it again. Suddenly he +dropped the necklace upon the pad and leaned back in the chair. 'Mon +Dieu!' was all he could gasp. + +"The president then caught up the pearls and adjusted the glass and +studied the clasp. He also gasped and turned pale. The manager took the +string from his superior and eagerly read the lettering aloud, 'To my +queen from Bonaparte.' And then followed the date and year in tiny +figures." + +Mr. Fabian smiled as he saw the impression his story had made, and +waited to be asked questions concerning the pearls. + +"Oh, do finish the story!" cried Eleanor. + +"Were they really that famous pearl necklace?" asked Anne. + +But Polly was too amazed to ask anything. + +"It was the famous necklace of purest pearls that had been lost for the +past sixty years. It was worth about two hundred and fifty thousand +dollars, at the time it disappeared. To-day it would be worth much more. +But it belonged to the French Museum, and a reward of two hundred +thousand francs had been offered for trace of it, or its return. So long +ago had that reward been recorded in every civilized land, that the +present generation had never heard of it--except in history. + +"Well, I took a receipt from Tiffany for its safe-keeping, and they +assured me that they would communicate with the French Ambassador, +without delay. Meanwhile I was to communicate with my friend Avery. +Naturally I withheld all information as to the manner in which the +necklace had been discovered. + +"I went to Avery's office, immediately, and acted very sorry as I said: +'Avery, if I were to tell you that I lost that necklace, what would you +do to me?' + +"He only laughed and said: 'I'd make you buy my wife one as good, or one +she _might_ prefer to that greasy one!' + +"Then I said: 'Avery, I never had, nor do I expect to have as much money +as that necklace is worth! Man alive, it is now in Tiffany's safe, +insured for two hundred and fifty thousand dollars, against fire or +theft!' + +"I thought Avery would faint, but when he had managed to collect his +wits, he whispered hoarsely, 'I don't understand--were they _genuine_ +pearls?' + +"So I told him the story and we both rushed away to hire a taxi and then +we drove madly to Tiffany's, again. I introduced Avery as the owner of +the pearls, and he was treated to a sight of his little twelve-dollar +bargain. + +"Well, the upshot of it was, Avery received a 'present' of a hundred +thousand dollars from the French Government, and in return he signed a +release for himself, his wife, his heirs, friends, acquaintances, and, +in fact, every American citizen in the census. He was told that he would +be held responsible, thereafter, for all claims or lawsuits instituted +against France to recover the necklace. And he accepted the burden, +considering he had such a price paid for the job. + +"One day Izaacs got a present through the mail, of a draft for a +thousand dollars and to this day he doesn't know who the signer 'William +Avery,' can be. + +"My old jeweler on Union Square got another thousand, and I--well, I +refused everything, and Avery called me a numb-skull and an easy mark! +So he invested half of all he received in my wife and Nancy's name, and +that is how they went to Europe." Mr. Fabian smiled reminiscently at the +end of the story. + + + + +CHAPTER V--FIRST DAYS AT SCHOOL + + +Polly and her friends had moved into the Studio and were recovering from +the orgy of the house-warming given them by the Evans and Latimers the +previous evening, when the two boys came to say good-by. + +"Ah, come on, Nolla--bring Polly and see us to the train," coaxed Jim, +watching the clock on the mantel. + +"But, Jim, we honestly haven't the time! If you _knew_ all we had to do +this week!" sighed Eleanor. + +"Why, we could have _been_ there in the time you have taken to explain +how busy you are," grumbled Jim. + +"Then get out! If I have wasted so much precious time it is because you +stand there and make me. Good-by, old pal, now scat!" Eleanor held out +her hand and laughed. But Jim was not so easily daunted. + +"Where's Ken all this time? Oh, I say, Ken! Come on!" + +"I think Ken and Polly went down the street while you two were out in +the garden hunting for the grass," said Mrs. Stewart, without a smile. + +Jim laughed. And Eleanor caught up her hat from the divan and ran to the +door. "If they go away like that, then you and I will, too." + +Having reached the corner, however, Jim and Eleanor saw Ken and Polly +intently studying something held in the latter's palm. + +"Come on--we will see what it is they caught?" said Eleanor. + +"Oh, Nolla, see what Ken gave me for a keep-sake. We found it over at +Old Izaac's," exclaimed Polly, holding out the strange trinket for her +friend to admire. + +"Why, it's a real scarab. Isn't it a beauty," said Eleanor, then +suddenly wishing Jim had thought of giving her a keep-sake. + +"That's why I wanted you to come out with me. I told Ken you girls'd +forget about us the minute we were out of sight, unless you had +something to remind you of us," explained Jim. + +"Come on, then, and let Nolla pick out what she wants," added Ken, +laughingly. + +"I'll take the queen's pearl necklace!" and young hearts made merry of +the pearls that had cost so many lives and so much misery. + +Eleanor selected a peculiar seal set in a strange stone. "There, I will +use it on the first letter I write you," she said. + +"Now that you are here, you may as well jump on the car and take us to +the train," begged Jim. + +And this time he had his way. But they did not catch the four o'clock +express to New Haven, as it was four-ten when they reached the gates and +found them closed. + +"Now we'll have to sit and talk until five," laughed Jim, exultantly. + +"We'll do nothing of the sort! I told you we had no time to waste on you +boys, and we only came thus far to be polite in exchange for the +keep-sakes. But you can have them back if you think it gives you the +right to order me around." + +Eleanor held out the seal, but Jim looked forlorn. Then she laughed +because he felt bad at her teasing. + +"Come now, Jimmy, say good-by like an old dear, and tell Polly and me to +run home." + +"I wish you were my sister!" sighed Jim. + +"Your sister? What good would that do you?" asked Eleanor. + +"Because you'd let me kiss you good-by!" retorted he. + +They all laughed merrily, and Polly said: "You'd never want to kiss her +if she was a sister. You wouldn't even have asked her to come to the +station with you." + +"You're right, Poll! Now I'm going--good-by, boys!" and Eleanor held +forth both hands--one to each boy. + +After many repeated good-bys, the girls left and slowly walked down the +avenue. When they had reached the parkway that runs over the car-tunnel, +and is known by the name of Madison avenue, Polly said: "Why wouldn't +you wait for the train, Nolla?" + +"Because, Polly, I like both those boys and I don't want to lose them so +soon. If a male thinks we females will run at beck and call for them, +they quickly weary of such a game. It is the one who refuses to be wound +about a finger, that always keeps the beaux on a string." + +Polly laughed. "You are too worldly-wise for me. Now I never should have +dreamed of such a thing." + +"Well, I'm right! One reason Bob never has a beau is just because she +shows how anxious she is for one." + +"Oh, no, Nolla! The reason Bob hasn't any beaux is on account of her +disposition--you know that!" + +"That, too, Polly. But mostly, because she throws herself at the head of +any eligible man. I tell you, a man won't have it so!" + +"Never mind, Nolla. You and I are never going to have beaux, so we +should worry! We will marry our profession!" said Polly. + +The following Monday, Anne escorted her two charges to the school on +West End avenue. It was a wonderful Autumn day and the girls pictured +how beautiful the mountains about Pebbly Pit must look on such a clear +day. + +As the Fifth avenue bus was most convenient for Polly and her +companions, boarding it at Thirtieth street and leaving it at the corner +of Seventy-second street where West End avenue started northward, they +had but a short walk to reach the school. + +Eleanor had been most particular with Polly's, and her own appearance, +that morning. "For," said she, "first impressions are lasting. We must +be sure and make a favorable dent in these girls." + +"But we don't know one of them, Nolla," argued Polly. + +"All the more reason why we should take the head of the line!" retorted +Eleanor, tossing her head. + +Anne laughed, and thought to herself, "They will surely take the head in +everything, for I never saw two such live girls." + +But to Eleanor's chagrin the examinations classed Polly with girls of +fifteen to sixteen, while she was placed with girls of fourteen years. +This caused the temperamental girl to feel discouraged and she began to +blame her ill-health for her backwardness. + +In every other way, Polly and she ranked equal; and not a girl in the +whole exclusive school could boast of better or more fashionable dresses +than these two western scholars. Eleanor was most talkative, describing +her home in Chicago and the people the Maynards knew. Then she +whispered, covertly, how rich Polly Brewster was--she owned a great gold +mine all in her own rights. She spoke thrillingly of Rainbow Cliffs and +the tons upon tons of rare stones to be found there, until every girl +sighed in envy. But Eleanor failed to mention that the stones would have +to be cut and polished before they would be of any use to anyone. + +A few stray sentences of these conversations reached Anne's ears, and +she felt puzzled to know what was best to do. Eleanor was not bragging +because she needed place or power in the group, but the teacher +understood that she was exaggerating for Polly's sake. She wanted all +the girls to look up to Polly as a subject would to a queen. She knew +how Barbara had felt toward the simple ranch people, and these girls +were of the same ilk--society's pets. And they could make life unhappy +for Polly, or a dream of joy. + +That afternoon, as school closed, Anne overheard one of the girls +repeating Eleanor's words, but they had not lost in the repetition. In +fact, Anne was sure Eleanor did not say quite all that she was credited +with. On the way to the Studio, therefore, she determined to speak to +Eleanor about the matter. + +"Eleanor, you seemed to make a bushel of friends without any trouble," +said Anne. + +"I always do. It's best to have done with it, and then you can sift out +those you don't like, afterward," laughed Eleanor. + +"How about you, Polly?" questioned Anne. + +"I was too busy with my lessons to bother about anyone, but I thought +the girls acted rather queer this afternoon. I caught some of them +whispering about me, and some were casting envious glances my way. I +can't understand why they should?" + +Eleanor gasped. Here was a danger she had not thought of. She wouldn't +risk Polly's peace or popularity for anything in the world, but she may +have unconsciously done just that very thing! + +"I heard some of the girls talking of your gold mine and Rainbow Cliffs, +and I wondered if you had made such close friends, so soon," ventured +Anne, guilefully. + +"Oh, _I_ did that! Nothing like putting on a lot of 'dog' if you want to +make a splash in the puddle," hastily explained Eleanor. + +Anne felt like laughing but she hid her face, and Polly turned pale with +annoyance. + +"Why, Nolla! How could you? You know I'd rather be considered a nobody +than stand in a false light. Now what can I do to clear this up?" + +"It isn't false light at all, Polly. You can't do anything now without +making me out a fibber," retorted Eleanor. + +"You are acting just like your sister Bob might have done! That's the +worst thing I can say to _you_," scorned Polly. + +"And I did it all for you, too!" whimpered Eleanor. + +"Didn't I tell you, back at Pebbly Pit, that I wanted to cut my own +cloth? For goodness' sake, don't interfere in my private life again!" + +"But you've got to let folks know you're someone, or you will never +climb to the top of the heap," argued Eleanor, stubbornly. + +"I have my own method of reaching the top, Eleanor, and it is not _that_ +way. I was Polly Brewster before you ever knew me and I am that same +Polly Brewster even after having a gold mine and a mile of lava-jewels +thrust down my throat. Don't say another word!" + +Polly turned her back and went to the end seat on the bus, leaving Anne +to console poor Eleanor. + +"Look'a here, Anne--did I do anything so awful?" + +"You made a serious mistake, Nolla, when you talked to those strange +girls about Polly. You tried to make her appear as if she approved of +your method of bragging about the mine and money." + +"W-h-y, I never dreamed of such a thing! I only wanted these New York +girls to get it straight from the start that our Polly of Pebbly Pit was +'some punkins';" Eleanor tried to laugh. + +"And you succeeded in not only humiliating Polly, but me also, because I +am responsible for both of you, to a certain degree." + +"Humiliate Polly and you!" gasped Eleanor. + +"Exactly what you did. I have been placed in command of this little +family, and the first day at school, you deliberately thrust yourself +forward--take my place, so to speak--and tell all the strangers there +who Polly is, and who you and I are. In fact, you give out information +that should come only from me." + +"I'm sorry, but for goodness' sake let's drop it, now." + +"We'd better settle the matter once for all, Nolla, before we drop it. +If Polly and you are to continue the wonderful friendship begun this +Summer at the ranch, you must never again say, or do anything, that +trespasses on her rights. Remember that each one of us has an individual +right to impart what we like about our private affairs--be it family or +fortune. But the moment another speaks for us, then it becomes gossip +and scandal on the part of that impertinent one. + +"I do not propose having my time and thoughts disturbed by any inharmony +rising between you two girls, and if another occasion comes up, when +Polly and you disagree as you have to-day, I'll wire to your father to +come and take you home. If Polly is to blame, then I'll send her home. +But, thus far, it is you who trespassed on Polly's rights. + +"If you'll think this over quietly, and without prejudice, I'm sure +you'll agree that I am just and right in my stand." + +That evening, Eleanor apologised to Anne and Polly for her thoughtless +impulse that day, and fervently prayed that she never be tempted to open +her lips again. + +It was not Polly's nature to sulk or remember unpleasant episodes, so +everything went along smoothly after that first day at school. + +Tuesday evening Mr. Fabian called, and was welcomed to his erstwhile +fireside. During that visit, it developed that he had accepted an offer +which several of his friends had urged upon him. He was to teach, three +times a week, a class in art designing at Cooper Union Institute. And +before he said good-night to the ladies, it had been suggested and +settled, that Polly and Eleanor were to join the evening classes on the +three nights a week that their friend taught at the school. + +Mrs. Stewart worried lest the girls would be wearing themselves out with +too much study. But it was found that the work in the art classes under +Mr. Fabian's watchful eye, was a pleasure rather than a study or work. + +Thus they started to build on a firm foundation, and by degrees they +mastered the rudiments of geometrical drawing, then went on to +ornamental designing, next taking up the study of architecture in so far +as it applied to interior decorating, and at the end of the year they +were drawing free hand and perspective sketches. But that was not until +the school term was almost over. + +By the end of the first week at Mrs. Wellington's school, the girls had +chosen their friends for the term. It was most interesting to Anne to +note that a certain social element looked up to Eleanor as their natural +leader, while the quiet persistent sort silently fell in line with +Polly. Both girls were admired and heartily liked, by teachers as well +as scholars, but there was one disturbing young lady who resented the +usurping of her former undisputed sway in the school by the two +new-comers. + +Elizabeth Dalken was the pretty, but vain daughter of a superficial +society woman who thought of nothing but self-indulgence, leaving the +training of her child to Fate. Hence, Elizabeth was the usual product: +selfish, proud, arrogant and hypocritical. She was but fifteen, yet she +could slyly cheat at bridge, smoke her mother's cigarettes, and flirt +with the men who frequented her home, as cleverly as her mother could. + +For two previous years she had taken the reins of leadership at +Wellington's school and she had returned the third Fall fully expecting +to resume her authority. + +To learn that a western ranch-girl without a record in "Who's Who," and +a mere _Chicago_ Miss, governed her former subjects, turned Elizabeth +white with rage. She could say nothing about it, however, without +starting her school friends' teasing and laughing at her downfall. And +she could not leave the school, because her mother had deserted her +husband. He was the cashier for all the luxuries Mrs. Dalken and her +daughter indulged themselves in, and he had selected Wellington's school +for the girl, and had paid the tuition fee in advance, so it stood to +reason that he would not consent to a change, now, on account of her +jealousy. + +So on that first Friday evening, upon leaving school, Elizabeth promised +herself that she would "get square" with those "two nobodys" in short +order! She would show those other girls at Mrs. Wellington's just who +_she_ was, and why they should have kept her as their leader! + +But the western girls were not shamming their lovable characters, and as +time went on, their companions appreciated, more and more, the sterling +qualities in their chosen leaders. Thus Elizabeth found it no easy task +to influence the girls against them. + +October passed and November began, with the girls at Mrs. Wellington's +planning for a Thanksgiving entertainment to close their school for the +holiday. Here Polly was discounted, as she had never taken part in +amateur theatricals, and knew nothing about them. Had anyone asked her +to differentiate between the Tuscan, Doric, Ionic, Corinthian or +Composite order of classic periods of architecture, she could have +described either, or all of them, almost as well as Mr. Fabian himself +could do. But the scholars at Mrs. Wellington's never dreamed of Polly's +ambition and knowledge along such lines of study. + +So Elizabeth found herself the one to whom everyone appealed about +costumes, parts, and the general management of affairs. Eleanor resented +the obvious fact that _she_ was completely ignored when the various +important parts were distributed, but Polly never gave it a thought. + +"We couldn't accept a part, anyway, Nolla, with all the time we have +planned to give to exhibitions and lectures, this month," Polly reminded +her. + +"And your Daddy will be visiting New York that last week, Nolla, and you +must devote your spare time to his entertainment--not be fussing with a +lot of girls over a silly poem," added Anne. + +Thus the sharp sting was withdrawn and Eleanor forgot all about her +injured feelings. But Elizabeth Dalken believed she was merely +pretending that she felt no grudge against the Director of the Play. And +it gave Elizabeth great satisfaction to believe she had actually +offended the two popular western girls. + +During November afternoons, and on several evenings, Mr. Fabian took the +three friends to the Metropolitan Museum where wonderful exhibits of +private collections were given. Here every New Yorker was admitted free +to see genuine antiques of furniture, paintings, tapestries and rugs, +plate and ornaments. And with such a marvelous judge to escort them +about and explain details that might have escaped other than his knowing +eye, Anne and her two charges felt well repaid for their time. It proved +not only instructive but very absorbing--these personal talks with Mr. +Fabian about the rare and ancient articles. + +Valuable volumes treating on subjects which most aspirants of art are +acquainted with, began to fill the shelves in the rooms on the first +floor of the stable-studio; and quite often, Mr. Fabian brought in a +"treasure" he had picked up at a second-hand book shop. He would read +aloud in a cultivated voice, such bits as he thought would interest +young and ambitious girls. Then, after he had bid his hostesses +good-night, he generally left the volume behind. + +Perhaps the very fact that Polly and Eleanor seemed to be apart from the +other school-girls and their pastimes, made them all the more desirable +to court. Not but that the two western girls liked fun and frolic as +much as anyone, but they seemed always to have engagements with people +the school-girls had never met, nor heard of. + +Now and then, Mrs. Wellington took her girls to a matinee, and then +Polly and Eleanor laughed and enjoyed the play as heartily as the +others. But while other school-girls were foolishly mincing up and down +the Peacock Allies of the large hotels, and sipping tea in company with +young men, the two girl chums were eagerly listening to a lecture given +at one of the art buildings, or admiring a private collection only open +to the public for a few afternoons. + +A few days before Thanksgiving, Mr. Maynard arrived and then the routine +of the girls' daily life suddenly changed. + +Eleanor insisted upon her father taking her room while she went to +Polly's chamber to sleep upon the day-bed there. Mr. Maynard wanted to +remain at the hotel to save the girls any inconvenience, but the girls +would not hear of his being away from Eleanor. + +The school play was scheduled for the Tuesday evening before +Thanksgiving Day. But all the ball-rooms and other auditoriums, had been +engaged weeks before November, so Mrs. Wellington had to take what she +could get, or postpone the date of the play. Elizabeth Dalken was +determined to have it on the evening set, and so the poor lady started +again, to seek for some available hall, with Elizabeth accompanying her. +Finally they secured a small assembly hall near Central Park West, but +it was far from being desirable for the girls. + +The dirty walls had to be hidden beneath flags and bunting, and the +tarnished gas chandeliers had to be covered with crepe paper. The crude +stage was decorated with pine branches and palms, and in places where +the doors or windows were located, (minus the doors,) the girls grouped +palms and evergreens, so that the hall looked quite inviting before +evening. + +A bevy of happy girls superintended the decorations while butlers, +grooms, and even the chauffeurs, did the hard work. Polly and Eleanor +joined the merry group and instantly offered to work, but Elizabeth +Dalken scorned their assistance. + +"People who live in a _stable_ can know nothing about decorating!" she +said, insultingly. + +Polly sent her a glance of pity, but Eleanor retorted: "Stable! Well, +the richest and most respected banker of Chicago is visiting us in that +stable! And he is my very own father, too! If you were out there, now, +I'd hate to think of what we'd do to _you_!" + +Elizabeth sneered and was about to reply, but Polly dragged her friend +away, forcibly, and they were soon leaving the room. + +Mrs. Wellington had been thoroughly enjoying her conversation with the +pleasant banker from Chicago, and now she smilingly said: "I can readily +see where Eleanor gets her common sense and pleasing manners." + +Mr. Maynard laughed and watched the two girls hurry over to join him. A +glance at his daughter's face, however, told him that something had gone +wrong, but Mrs. Wellington hoped to check the complaint at that moment. +She suddenly turned her head, seemed to hear someone call, and then +spoke to Polly. + +"Come with me, dears, I believe we are wanted in the dressing rooms." + +Once out of ear-shot of Mr. Maynard, she whispered: "Oh, do not allow +Eleanor to say one word to her father that will spoil everything. I will +look into this matter myself after to-night. But so much depends on this +play going smoothly, and how can it if some one causes an explosion?" + +Polly felt sorry for poor Mrs. Wellington, for she really did have a +hard life of it, trying to keep peace continually where so many girls +were concerned. And she promised to try and calm Eleanor's fury and +determination to oust Elizabeth Dalken from the Wellington School for +Young Ladies. + + + + +CHAPTER VI--THE NIGHT OF THE PLAY + + +Of the sixty odd pupils in Mrs. Wellington's school, at least fifteen of +them were to participate in the play. There was to be a Chorus of six +girls, and a Ballet, besides the principals who also acted the drama to +follow. Consequently the representative scholars not appearing on the +stage, had been asked to act as ushers, and general supervisors of +harmony. + +Mr. Fabian and Mr. Maynard conducted Anne and her mother to the seats +reserved for them, and soon the friends and families of the scholars +filed in and took their seats. As the hall was generally used for other +purposes, the floor was not graded, and the seats were not attached to +the floor. They were ordinary wooden folding chairs to be piled up at +the end of the performance. + +The pianist and other music teachers from school formed the orchestra, +and their opening number was rendered so well that an encore followed. + +[Illustration: POLLY STAGGERED OUT OF THE DOOR CARRYING ELIZABETH ON +HER SHOULDER.] + +Eleanor whispered comically to Polly, as they stood in the entrance +door: "Maybe the friends hope to postpone the acting a little longer." + +When the curtain was drawn aside and the first act of the playlet began, +individuals in the audience became interested in watching their own +girls in the troupe. The Chorus did very well, and the Ballet danced as +gracefully as well-taught girls should, but once the actual acting +began, there was a slight disappointment felt by the spectators. + +The leading lady (the programme said it was Miss Elizabeth Dalken) was +the whole show. She managed to keep in the lime-light even when she was +not speaking, or acting a part. And so much of one actress, whether good +or bad, was bound to pall on the audience. + +"Polly, she's spoiling the whole play! I wonder the other girls stood +for it at the rehearsals," whispered Eleanor. + +"She didn't act that way, before, I'm sure. Marion King told me all +about it. She's doing it now just to show off!" + +"Not to her family! because not one of her folks are here. I heard her +tell Estelle that her mother was going to a fashionable ball, and, of +course, her father wouldn't come because he had no invitation from +Elizabeth." + +"Well," persisted Polly, feeling sorry for the girl, "she must have +uncles or aunts or cousins, here." + +"She hasn't any in New York. Her father comes from upstate and his folks +lived there. No one knows who her mother was, so she hasn't a soul, +here, but the chauffeur. He's downstairs having refreshments." + +The second act ended and everyone sighed in relief because the play was +foolish and so poorly acted, even for amateurs. Mrs. Wellington felt +deeply hurt when she found how Elizabeth had chosen chums rather than +actors for the principal parts in the play. + +The third act began, in which Elizabeth was dressed in a spangled green +ball-gown. It was very tight about the ankles and very low about the +neck. It was too daring, even for a young girl acting a part. The gown +had a long swishing tail at the back that could have been graceful on a +vampire, but not on this posing girl. + +Mrs. Wellington shook her head disapprovingly at sight of Elizabeth, and +wished, more than once, that she had taken more time to review the +actors and their costumes, before they appeared in public. + +The Assembly Hall building where the play was given, had four stories. +The first floor was used for refreshments, with a kitchen at the back. +The second was a billiard parlor for the use of private clubs. The third +floor was given over to the Hall, and the fourth floor was turned into +dressing-rooms, card-rooms, smoking-room, et cetera. + +As no late arrivals were expected after the third act had opened the +ushers, placed at the doors, closed them to shut out the talking and +laughing in the billiard rooms. Then they sat down at either side of the +door, to watch the play. + +The third act was progressing slowly, when the ushers heard sounds of +confusion coming from downstairs. But they merely exchanged glances and +thought some men were quarreling over a game of billiards. + +Soon afterward, a faint odor and a haze of smoke penetrated through the +chinks of the doors, and Polly jumped up quickly to investigate. The +moment she opened a door, however, a thick cloud of smoke poured in. She +had to cough, but she remembered to instantly slam the door again. + +The other girls saw the smoke and a panic might have followed, had not +Anne immediately jumped upon the stage and shouted: + +"Remember--do not lose your heads! That is the only danger. We can all +get out safely if everyone will be calm and orderly." + +Mr. Maynard took Mrs. Stewart with one arm, and caught Eleanor in his +other, then called to Mr. Fabian to do the same with Anne and Polly. But +there was such a dense mob at the only exit doors, that it was +impossible to force a way through there, and the heavy smoke was now +rapidly filling the hall. + +To add to the scene of fear and confusion, the women in the assembly +cried, some screamed, the girls ran back and forth, and the men were +venting their fears in calling upon Deity,--some scarcely audible, and +others in shrill screams of excitement. + +Outside, one could hear the mingled calls and shouts of onlookers, the +clanging of bells on the engines, and the yells of the people who had +escaped and wanted to help their friends out. There were four front +windows of the hall where the school entertainment was being given, but +these were now jammed with women who sought that way to gain a breath of +air, but were too timid to jump out to the street; and there were no +fire-escapes to be found. The hallways and several doors opening to +them, were a pitiful sight. The men, women, and children were crying, +jostling, and stampeding each other in their vain efforts to get out and +find the stairway in the dense smoke that kept pouring up from below. + +Mr. Fabian saw the panic and realized that his friends must seek a rear +exit, or remain until the tardy firemen brought the ladders up to the +building to help them out. So he hurried to the door back of the stage. +It had escaped the frightened eyes of others. Having learned that this +door opened upon an entry that ran to a rear window, he next discovered +the usual fire-escape that ran down to the yard, and up to the roof. It +took him but a moment to assure himself that the escape was safe, then +he rushed back. + +"This way! Follow me--everyone!" he shouted to his friends. + +They all hurried to the window and Mr. Fabian went first, in order to +assist the ladies out to the iron-slatted platform, and then to start +them, sure-footed, on the upward climb of the narrow iron steps. + +Mrs. Stewart went first, but she was so nervous that Mr. Fabian followed +closely behind her to steady her trembling form. Anne followed after her +mother in climbing through the window, and Mr. Maynard followed her. The +two girls were about to climb out on the platform when they heard a +moan, and then a shrill cry, from the small dressing-room back of the +stage. + +Anne ordered the girls to come out, but Polly turned and ran back. +Eleanor followed, and Anne, distracted, climbed back, too. + +"Nolla, tie something over your mouth and nose--use your chiffon scarf," +commanded Polly, winding a wide silk sash about her own head. + +The girls groped along the entry but could not distinguish a thing in +the thick, choking haze. Then Polly came to the dressing-room back of +the stage. This was comparatively clear from smoke, and there the girls +saw Elizabeth Dalken stretched upon the floor, a cut in her forehead +attesting to the cause of her sharp scream. + +"Great Scott, Polly! What can we do now?" cried Eleanor, as the idea of +trying to carry the girl up the steep ladder-way flashed across her mind +only to be spurned. She had no idea of leaving her there to her fate, +however. + +"If we only had a rope!" wailed Polly. + +"But we haven't! If I only knew this house better I might find a +back-stairway. Most city houses have them and I should think this place +would have one." + +"Of course! Nolla, close this door to keep out smoke. I'll look for the +stairs." + +The few excited sentences were muttered through the mufflers tied over +the girls' mouths and noses. Then both girls began groping their way to +the rear, hunting for the back-stairs. + +The mass of people that had surged from the Hall had made for the wide +front stairs, and but few remembered to seek for a back exit. And these +had speedily found a way down. Polly and Eleanor also found the narrow +back stairs, then Polly hastily commanded: + +"Run and tell Anne--she can call to your Dad and explain. Then tell her +to come this way, with us. I'll lift Elizabeth over my shoulders and +start down with her--Anne and you follow, at once!" + +In another moment, Polly was back in the dressing-room while Eleanor was +running for the rear window to advise Anne. But she found her already +inside tying a veil over her mouth and nose. + +"Nolla--where's Polly?" + +"All right--come on!" + +"I told your father--they are safe on the roof--hurry now!" + +Eleanor led Anne through the smoke, and just as they reached the entry, +Polly staggered out of the stage-door with the unconscious girl hanging +over her shoulder. + +"Polly! Polly! You never can carry her!" cried Anne, in a smothered +voice through the veiling. + +But Polly kept her mouth closed and struggled on to the back stairs. +Anne began to cough and choke as a reward for trying to speak, but she +reached the stairs first and rushed on down to see if there was a safe +passage below. Eleanor was close upon her heels, and Polly followed more +circumspectly. + +They reached the kitchen of the house without trouble but the heat as +they passed by the second floor was terrific. Once down on the ground +floor they found the rear of the place quite free from smoke, but it +might only be because the fire overhead was blazing upward. At any +moment the wall or upper floors might crash down and fall upon them. + +"Nolla--how can we get out of this pen?" cried Anne. + +"If the house is anything like Chicago's, I'll show you. There must be +an area or cellar exit to the street." + +The kitchen light was still burning but it looked weird in the +smoke-laden atmosphere. Eleanor tried different doors but found that +they opened into passages leading to closets or to the front rooms. +Finally she opened one and caught a whiff of fresh uncontaminated air. + +"Thank heavens! Here it is, but I don't know where it ends." + +Anne and she pushed out, with Polly behind them. They were in a dark +alley, now, and had to trust to good fortune to come out somewhere, in +safety. Down several stone steps, and along another dark, damp area they +went, and then Eleanor stumbled against a closed door. + +"Oh, mercy! Are we locked in here?" she yelled desperately, beating the +door with her clenched fists. + +"Nolla--let me feel for a handle--you are hysterical!" cried Anne, +swiftly passing her hands over the rough wood. + +"Hurry, hurry! I can't carry this weight a minute longer!" breathed +Polly, hoarsely. + +Just at that moment, Anne's hand struck an iron bolt. In a second she +had shot it backwards, and the heavy door swung open to give them an +exit to the side street. + +All three girls ran frantically forward and Polly dropped her heavy +burden upon a grass strip which edged the curb. Eleanor sobbed with +relief and Anne fell upon her knees in silent thanksgiving. + +"I'm off, girls, to see if I can help, in front. Have a care for +Elizabeth," cried Polly, and away she flew. + +That silenced Eleanor's hysteria quicker than anything else, and in +another moment she was gone after her friend, leaving Anne to watch the +still unconscious girl on the grass. + +The scene in front of the building was one of spectacular interest. +Seeing the crowds of fashionably-dressed people grouped opposite the +flaring house, it would seem that everyone of the guests had escaped. +But there was a deafening mixture of cries and shouts from every +direction. Some were crying for lost friends, some wailed for help +because of injuries inflicted by the stampede; firemen signaled their +associates; the old proprietor of the Hall ran madly to and fro shouting +and gesticulating wildly to everyone; in fact, it was a scene that +shocked Polly to witness because she thought city people had great +presence of mind. + +Streams of water were pouring upon the flames that shot from the +second-story windows, but the scaling ladders had not yet arrived, and +the firemen were striving to enter the front door in order to carry the +hose nozzle to a more effectual spot. + +The Chief had sent some men through adjacent houses to reach the roofs +and work downwards from that vantage spot. But they had not yet appeared +when Polly saw how she could assist. + +Acting upon an impulse, and doing exactly as she would do if she was +witnessing a fire at Oak Creek, where the ranchers turn out and try to +subdue the flames, Polly hastily dropped the clinging skirt of her +evening dress. Having already removed the silk sash while in the Hall, +she now dipped it in the flood of water that poured from the hydrant on +the curb and tied it over her mouth and nose. Then she made a dash +across the street. + +She caught a coil of rope from the hook where it hung on the back of the +engine, and pushed a way through the staring men. Before anyone dreamed +of her plan, or the firemen could restrain her she had reached the +corner of the building and was agilely climbing the height by holding to +the copper leader. + +A chorus of breathless gasps and frightened screams came from the crowd +but Polly heard them not. She was too intent on her work. Being nimble +and so light-weight, and thoroughly accustomed to climb up almost +perpendicular cliffs, or along dizzy peaks, this ascent seemed like play +to the mountain girl. But the onlookers were thrilled to silence as they +watched her climb to the roof, and then safely crawl over the ledge. +Instantly there was such a wild cheer from the street, that Polly +wondered if something dreadful had happened. She never thought that the +acclamation was meant for her. + +Without hesitation, she ran over to a nearby chimney and wound one end +of the long rope about it, then lowered the other end to the street. The +Chief saw the purpose, at once, and signaling back to the girl who was +leaning over the edge of the roof, he had his men tie the rope ladder to +the rope. Then Polly began hoisting it slowly, until its end came over +the cornice. + +Meantime, when Eleanor found her friend halfway up the building, +clinging to the leader and finding foothold in the crevices between the +bricks, or on the steel bands that held the metal pipe to its moorings, +she also ran across the street, and attempted to break through the +cordon which had been formed to permit the men to hold out a life-net in +case the daring climber should fall. + +"I want to help Polly--she is my best friend!" cried Eleanor, when the +fireman made her turn back. + +Then she remembered the rear entrance from which they had escaped. She +turned to the Chief and called hurriedly: "Send some men with me--I'll +show them the cellar entrance where they can reach the roof and +different floors from the back!" + +"Hallam! Colter! Take your equipment and follow this girl to a back +door. You know what to do!" + +The men detailed for this duty, beckoned a few others, and all ran after +Eleanor who now made for the area door. She flew past Anne who was +holding Elizabeth's head upon her lap, but forgot to glance that way. +Having gained the cellar door, she was about to go in but Hallam stopped +her. + +"No, Miss--we dare not permit anyone to enter a burning building, you +know." + +"Oh, but I want to join Polly on the roof! The only reason I showed you +this way was to get through myself!" + +"I'd lose my place in the contest for prize medals, Miss, if I broke +rules. You wouldn't want me to lose my promotion?" + +Eleanor felt that he had the best of the argument, so she very +reluctantly turned and went back to the front of the house. There she +saw that the firemen had climbed the ladder and were stationed on the +roof and on window ledges, holding the hose from which the water poured +in torrents upon the fire inside. + +Then the multitude now gathered on both streets and the corners of the +Parkway, were treated to another thrill. The strand of rope Polly had +taken with her, was now used by her for descent. Down the taut rope like +a trained monkey, came she, and safely jumped to the street. + +Before she reached the ground however, a chorus of wild yells and +hurrahs went forth from everyone in the crowd. The Chief called +imperative orders to his men waiting with him, and the moment he had +caught Polly, he forced his way across the street, carrying her in his +arms as if she were a babe. + +His men began climbing the rope ladder taking a hose with them. From the +vantage-points gained by Polly's courage, the firemen now kept steady +streams of water playing through the open windows upon the fire beneath, +and thus managed to subdue it before the hook-and-ladder truck wheeled +up beside the building. + +The men, led by Eleanor to the back-stairs, directed their efforts from +that side, and soon the whole second and third floors became a bed of +wet smoldering embers. The rest of the structure was saved. + +It was learned, later, that the club members giving the "smoker" to +friends, had been careless of butts and papers, and thus the fire must +have originated. + +The family living in the beautiful house opposite the fire, took Polly +in charge, and kept away the mob of curious people who wished to see and +talk with the heroine. + +Polly was all right, and wondered why she should be kept indoors when +others on the outside might need assistance. Suddenly she remembered her +discarded skirt! + +"Oh, mercy me! Did I climb up that pipe looking like this?" she cried, +blushing furiously and burying her face in the cushions of the divan. + +"My dear child! It was a wonderful sight! No one gave the slightest +thought to your bloomers. But now you shall have one of Ruth's skirts," +returned the lady of the house, fervently. + + + + +CHAPTER VII--MRS. WELLINGTON'S THANKSGIVING + + +The moment Polly was given a skirt, she donned it gratefully and said to +Mrs. Ashby, her hostess: "Now I must find Elizabeth and have her cared +for. I left her with Anne." + +"Where--where is she? I'll send James for them. But I want you to keep +quiet, or you'll be prostrated, dear child." + +Polly smiled--she prostrated! But she explained: "Anne is sitting on the +grass on the side street around the corner, taking care of the girl who +fainted in the back-room of the theatre." + +James was summoned from the front window where he had been watching the +fight against the fire, and now took his orders eagerly. Polly pointed +out the corner where she had left her friends and, in another moment, +the butler was gone. + +"I s'pose I ought to go and hunt up my friends who escaped over the +roofs," ventured Polly. + +"You'll rest here upon this divan, or your parents will sue me!" +retorted Mrs. Ashby, trying to compel, with gentle hands, obedience to +her command. + +Polly laughed softly. "My parents would sue you if you prevented me from +doing my duty to others. Why, you-all make such a fuss over that +pipe-climbing, and it is next to nothing for a Rocky Mountain girl. A +day in a blizzard on the cliffs is ten times more hazardous." + +Mrs. Ashby was consumed with curiosity to ask this handsome girl who she +was, and all about herself, but she controlled herself admirably, for +she knew her guest ought to keep quiet. + +The door-bell rang and its echo pealed through the house, but the +servants were out watching the exciting events of the fire, and James +had been sent for the other girls. So Mrs. Ashby opened the door. + +"I just heard that Polly Brewster was here--oh! is she all right!" cried +the excited voice of Mrs. Wellington. + +"Right as a trivet, dear Mrs. Wellington!" called Polly springing from +the couch to greet the lady. + +"Oh--oh! Thank God! I've worried and cried over you three precious girls +until my eyes are blinded! They told me that everyone was out of the +place but you three!" + +"Did everyone manage to escape safely?" asked Polly, anxiously. + +"Everyone got out, but oh! such a panic! Some are torn, and battered +black and blue, from the stampede down through those front stairs and +hall. I don't believe a single soul got out with a whole gown! They tell +me it was all the fault of that 'Pool Club' on the second floor; they +gave a 'smoker' to-night, and when the fire was discovered on their +floor, they caused the dreadful block in the front halls." + +"Gowns are of no account if everyone escaped with life," said Mrs. +Ashby. + +"But it is most unfortunate for me, just now. The story getting into the +newspapers, will ruin my reputation as a school principal. Folks will +ask, 'Why did she ever choose such a place for an entertainment;' but +they will never know that I tried everywhere else, first, and found +everything engaged for this week. I begged the girl who started the idea +to postpone the play until the week after Thanksgiving holiday, but she +stubbornly refused. So I took what I could get. I dare not tell the +reporters that it was merely to _please_ Elizabeth Dalken, and because +Elizabeth's father pays strictly in advance and has his daughter take +all 'extras.' + +"You have no idea what it means to me. I am paying off the mortgages on +that house where the school is located, so that I might be able to take +a deep breath before I am too old to work. But this unhappy accident +will ruin my reputation as a careful superintendent." + +"Elizabeth Dalken! I know her father very well, and we think he is one +of the finest of men. We seldom meet Mrs. Dalken or the daughter, as we +do not belong to the same set. Since Mr. Dalken separated from his wife, +we have not seen her at all, but he was here and dined with us, this +very evening," said Mrs. Ashby. + +"If I could only explain to him just how this happened, he might not +blame me for his daughter's injury." + +"Was she hurt?" exclaimed Mrs. Ashby. Then James came in, followed by +three girls, and the adults who had escaped over the roofs. + +"Here we are, Polly--safe and sound," Mr. Maynard's cheery voice greeted +the girl who jumped up at sight of them. + +Excited cries, and hugs, and happy laughs now followed as each one found +the others without a hurt, Elizabeth Dalken being the only one who had +received an injury, and that was merely a flesh-wound cut by the edge of +the door as her head struck it. + +Mrs. Ashby took charge of Elizabeth, and washed her face; then placed a +strip of court plaster over the cut to keep it clean. + +The fire was out and the crowd had dispersed before the firemen finished +their work in and about the house. The Chief came to Mrs. Ashby's door +and asked for the young lady who was such a marvellous climber. So he +was invited in to see for himself. + +"Young lady, I want to make a record of this deed, as I have to report +everything to the police department, you know. And I am proud to say, +our records are never kept in the dark when visitors come in to see our +engine house. It's seldom we can talk about, or show a page, with such a +brave act as yours, written upon it." + +Polly smiled. "But it really wasn't anything to fuss over. It wasn't +dangerous, you know, and for anyone who can climb as well as I can, it +would have been cowardly to stand by and _not_ act. You needed a light, +agile climber whose weight would not break that leader away from the +wall; and I happened to be that one." + +The Chief and Mrs. Ashby exchanged glances, then laughed. "I guess it's +no use trying to make a heroine of her--she won't have it so!" said he. + +Then Eleanor spoke up. "That's because she's accustomed to doing such +great deeds out in the mountains where she comes from--walking on the +heads of rattle-snakes, killing grizzlies and lions as if they were +rabbits, saving a lot of tenderfeet from blizzards and landslides--these +are but a few of the _little_ things she does out there!" + +The New Yorkers gasped in astonishment; even James, the butler, stood +gaping with open mouth at a real live heroine--never seen before by him +except on the movie screen. So intensely interested was he, that he +failed to hear his master enter by the front door, followed by a +gentleman. They both burst into the room and stood amazed. + +Then Mr. Ashby apologised for the abrupt entrance: "Dalken and I were at +the Club when we heard of the fire so near my place. And when Dalken +heard that it was Mrs. Wellington's school-girls who were entertaining +on the third floor, he came with me to see if his daughter is safe. Does +anyone know where Elizabeth is?" + +"Here--right here, Mr. Dalken," Mrs. Ashby quickly assured the father. +And she beckoned Mrs. Wellington to bring the girl from the alcove where +she had been resting. + +"My poor little girl!" quavered the father, taking the meek and +broken-spirited Elizabeth in his arms. "Are you badly hurt?" + +She began to cry softly against his coat collar but Mrs. Ashby reassured +Mr. Dalken. "Only a scratch. Her forehead may swell a bit and be +discolored for a few days, but that is all. Elizabeth owes her life to +these two girls here, Mr. Dalken. One carried her out of the building +after she had fainted, and the other went first and found a way down the +back stairs." + +"Not really!" the amazed man gasped. "Tell me about it." + +But Polly was a poor narrator, so Anne decided to speak. She was bound +that Polly should not belittle this deed as she had the climbing to the +fourth floor of the burning building. + +That Mr. Dalken was deeply moved, everyone could see, and when he shook +hands with the two girls he said gravely, "I shall never forget how you +kept me from being childless. My baby boy died three years ago to-night, +and I could not have stood losing my little girl, too, on the +anniversary of that sad experience." + +Elizabeth then remembered the date and hiding her face, ran back to the +alcove to cry softly to herself. Mrs. Ashby and Mrs. Wellington knew the +sad story, so they allowed her to weep alone. But Mr. Dalken, +tender-hearted, would have gone to comfort the girl, had not Mrs. Ashby +placed a detaining hand upon his arm and said: "No, dear friend--better +leave her to remember and realize everything." + +Polly and Eleanor saw and heard and could not understand, but they +thought it was no concern of theirs, so they forgot it. + +Everyone had been introduced informally to everyone else, and at last +Mrs. Ashby said: "I have had a bit of refreshment served for you, in the +dining room, before you go home. After such exposures and excitement, I +think we all will need something." + +Mr. Fabian wished to excuse himself, but his friends would not hear of +it. Then Mr. Dalken came over and spoke to him. "Are you Mr. Fabian, the +artist?" + +"They say I am an artist, but I doubt it, myself," replied Mr. Fabian, +humbly, but smiling at the questioner. + +"Then I am delighted to have met you, for I have a niece studying in +Paris, and she writes me pages upon pages about Mrs. Fabian and the +daughter Nancy, and how lovely they have been to take her about with +them." + +His wife and daughter were Mr. Fabian's pet subject so now he seemed to +expand marvellously, and smiled benignly upon everyone present. On the +way to the dining-room, Mr. Dalken and the artist exchanged +heart-to-heart ideas and were soon fast friends. + +But scarcely had they seated themselves ere another mad peal of the +door-bell took James from the pleasant task of serving an impromptu +supper. He was heard arguing with someone in the hall, then Mrs. Ashby +turned to her husband and said: "You go and see what is the matter." + +After a short time, three re-entered the room--James, Mr. Ashby, and an +ambitious-looking young man with alert bright eyes. + +"Representative from the Press wants us to give him all the inside news +about the fire," explained Mr. Ashby, looking at the circle about the +table. + +Mrs. Wellington turned pale and gazed beseechingly at Mr. Maynard, +hoping he could help her out in the inevitable story that would be +written up about her school. But Mr. Dalken saw the look and +comprehended immediately. + +"Hello, Dunlap! How'd you get this assignment from the night-editor?" + +"Oh--it's Mr. Dalken. I'm delighted to see you, sir," returned the +reporter, very respectfully. + +"Yes, these are friends of mine. Some of them are the dearest friends I +have, so I do not wish them to be annoyed by finding a garbled story in +the papers to-morrow morning. Consequently, I will, with the assistance +of these friends, give you the facts, simple and straightforward, but +see that you add nothing to them nor delete a line. Tell your boss that +I said so!" + +"I sure will, Mr. Dalken, and maybe I won't be the thankful guy if you +tell me the story! Can I say it came from you?" was the eager reply of +the man Dunlap. + +"No, sir! I am not in this at all, except as one who rushed here to help +friends. Now this is the story for your paper." + +Mrs. Wellington had been anxiously whispering to Mr. Fabian, and the +latter now secured Mr. Dalken's attention. "May I have a word with you, +in private, before the reporter takes down any notes?" + +Out of hearing of the others, Mr. Fabian then explained that Elizabeth +had stubbornly refused to postpone the entertainment, and because of her +insistence, Mrs. Wellington had taken whatever hall she could find. But +she did not want Elizabeth to be made to bear any of the blame, so she +wants you to touch wisely on anything that has to do with the +theatricals. + +"I certainly appreciate Mrs. Wellington's thoughtfulness and I will +remember this. I'll see what can be done with Dunlap." + +"Mr. Dalken is a born story-teller, Dunlap, and that is why he is so +popular, I think," remarked Mr. Ashby, just then. + +"Sit down there by Fabian, Dunlap, and join our circle," cordially +invited the story-teller, after he had frowned threateningly at his +host. + +"Give Dunlap some coffee and don't let him jot down a word until I've +done talking. Then we will pick out the notes he is to have," added Mr. +Dalken. + +"Oh, you can tell it so well, do let me write as you narrate?" begged +the reporter. + +"No, sir! I can't read short-hand and you may get in a word I don't want +you to take. Here, James, remove the pencil and pad from that young +man." + +Everyone laughed, and Dunlap meekly surrendered the articles mentioned. +Directly Mr. Dalken began his story, the wily reporter had another +pencil and pad before him. But Fabian stealthily took possession of +these also, and the laugh went against the young man that time. + +While Mr. Dalken wove a veritable thriller out of the material provided +by the fire, Mrs. Wellington wondered how it was possible to present the +facts so well and at the same time prove, beyond doubt, that the young +ladies of Mrs. Wellington's school were so perfectly trained and +educated that they were a great factor in saving lives and property that +night. At the end of the story, Mr. Dalken said that some bright +investor might find a handsome revenue in building a fire-proof Hall +where just such entertainments could be given--high-school girls who +loved to give parties but could not lease one of the hotel ball-rooms, +weeks in advance and pay exorbitant prices, and then possibly change +their plans before the event. + +"You can make a separate paragraph of what I said, if you like, and +preface it with the remark: 'When asked what he thought about the fire, +Mr. Dalken, who viewed the blaze from a house opposite the scene, said': +you know the rest," the famous financier saw that the reporter +comprehended, and then he turned to the others seated about the table. + +"Anything to add to my story?" + +"It was very fine, especially about our dear Principal, but you didn't +say enough about Polly carrying Elizabeth safely out," Eleanor said, +eagerly. + +"I followed a lead given me by Mr. Fabian. We all think it best not to +mention names, but to make the incident impersonal," explained Mr. +Dalken. + +Eleanor pouted, for she wanted to have Polly given all the credit for +what she did. But a sly look from the reporter gave her an idea, and she +smiled back understandingly. + +Then the story was pieced out for Dunlap and when he had taken down all +his notes, he jumped up and said: "I know you will excuse me for rushing +away, but I want to get this in type at once. In case you have forgotten +something, or wish to send me a photograph of anyone, call 10000 Greeley +and I'll see to it, without fail." + +"That's all you'll get on this occasion," laughed Mr. Dalken as James +started to show the young man to the door. But in passing Eleanor, +Dunlap sent her a mental telegram, and she closed one eye significantly. + +"Oh--he left his pencils and paper!" exclaimed Eleanor, jumping up +instantly and running with them to the front door. + +"Mr. Dunlap--here is your private property that Mr. Fabian had charge +of," was what the guests in the dining-room heard. But to Dunlap she +hurriedly whispered: "I'll 'phone you after I leave here." + +Before the party broke up that night, Mrs. Ashby learned that Mrs. +Maynard was an old schoolmate of hers, and expressed a wish that Polly +and Eleanor would visit her again and meet Ruth who was then visiting +friends for Thanksgiving week. + +"I really cannot voice my gratitude to all these kind friends," said +Mrs. Wellington, as they stood in the reception hall saying good-night. +"Not only has dear Mr. Dalken turned harsh public condemnation from my +doors, but the story as he told it, actually brings glory to the +school." + +"And why should it not, my dear Madam? Have you not fought and struggled +with every girl in your charge, to perfect and express just the +qualities I have given you credit for?" said Mr. Dalken. + +"Oh, yes, _I_ have tried so hard, but how many people, or even parents, +would credit me with such endeavors? Once they read it in the papers +they will accept the statement, but it is so hard to impress folks by +actual demonstration," sighed the thankful lady. + +"Thank heavens, Mrs. Wellington, that you have a whole day of peace +before you, in which to remember that you have found a group of people, +here, who not only appreciate your efforts but have tried to make others +approve them," said Mrs. Ashby, earnestly. + +"Indeed I have! I expect to have the very best of Thanksgivings, due to +all of you dear people. Some day I will be able to show my gratitude for +this." And the lady's voice quavered with emotion. + +"And you'll find the story in the papers will not only spare you any +criticism, but actually praise your school," added Mr. Ashby. + +"You may be overwhelmed with new scholars," suggested Polly, innocently. + +"That's so! I've always heard that discreet publicity is the finest kind +of advertising," Eleanor declared. "This fine tale about your scholars +ought to bring back fifty percent returns." + +Everyone laughed heartily at hearing so young a girl talk so +business-like, and Mr. Dalken said: "I am interested to know just where +you got that information?" + +"Isn't it true?" demanded Eleanor, turning her bright eyes on him. "You +see, Polly and I are going into business together, pretty soon, and I +have to take notice of all approved methods of winning success. I am to +be the business manager while Polly is the decorator." + +The new acquaintances were highly amused at such talk, and Mr. Ashby +laughingly inquired: "What profession have you chosen?" + +"Interior decorators. We have started, already; we go to Cooper Union +three nights a week and Mr. Fabian takes us to all the lectures and +exhibitions on any subject that will give us ideas and help." + +"Well!" exclaimed Mr. Dalken, finding the girls were really serious. +Mrs. Ashby was deeply interested, but her husband took each of the +prospective decorators by the hand and shaking them cordially, said: +"Let us congratulate each other, for I am already established as a +decorator. I want to help you onward in every possible way, my dear +girls, so call on me whenever you want help. Just as Fabian takes you to +these valuable exhibitions and lectures, so the four of us pulling +together ought to arrive somewhere." + +Mr. Fabian was as pleased at the news as either of his protegées, and +they left the Ashbys feeling very much at peace with the world and +everything in it. + +As Eleanor ran down the shallow brown-stone steps to the sidewalk, she +turned back and called to Mr. Ashby: "Who knows! We may end by going +into partnership with you, some day!" + +He laughed, and said: "Who knows?" + + + + +CHAPTER VIII--A WEEK OF PLEASURE + + +As Mr. Maynard occupied Eleanor's room at the Studio, and she used the +couch moved into Polly's room for the time being, it seemed difficult +for Eleanor to follow her desire to communicate with Dunlap, the +reporter, as soon as she got home. + +Everyone was dog-tired from the excitement and the visit at the Ashbys +afterward, so there was no time lost before tumbling into bed. Eleanor +found it very hard to keep her eyes open until she could hear Polly +sleeping heavily. Then she crept from the bed. + +Downstairs was the print of a photograph taken a few weeks before, of a +group of Mrs. Wellington's scholars. Polly and herself were in this +group, and Eleanor planned to get it into the reporter's hands for +reproduction to print a picture of Polly in the morning's paper. + +She found the photograph without noise or trouble and then sat down +before the telephone stand in the corner of the living room. "I hope to +goodness no one upstairs will hear me talk," thought Eleanor to herself, +as she gave the number to Central. + +"Hello--is this 10000 Greeley? + +"Give me Mr. Dunlap, please. + +"The lady who said she would call him about the fire. + +"No, you won't do! I want Dunlap! + +"He isn't in? I don't believe you! Get off the wire! + +"Hello--hello! H-e-l-lo! I want editor's desk--10000 Greeley, and be +quick about it!" snapped Eleanor, feeling quite irritable because of the +loss of sleep, and the strange reporter's laugh at her. + +"Is this the night-editor?" now asked Eleanor, eagerly. + +"U--um! May I speak to Mr. Dunlap--the reporter you assigned on the fire +story uptown, to-night? + +"Oh--he isn't in? Well, but he said he would wait to take some important +notes from me. I can't believe he is out. + +"Well, then, you may be the night-editor, but you sound exactly like +that fresh reporter who spoke to me a moment ago. I cannot understand +why you employ such rude youths as he is." + +Eleanor grinned to herself for she was quite sure she was speaking to +the same reporter who answered the call, at first. An answering laugh +convinced her she was right, and she hissed through the telephone: "If +you knew who I was, you wouldn't keep me sitting in the cold like this. +Now you can either call Dunlap or I'll give my story to your enemy +downtown. The reporters of that paper are just dying to get my story." + +That proved miraculous. To prevent the downtown competitor from getting +the story, the unknown was willing to turn it over to his opponent, +Dunlap. + +Eleanor recognised Dunlap's voice the moment he took the 'phone, and she +gave him some interesting personal facts about Polly and herself, and +why they were now studying in New York. She talked for half-an-hour, +praising Polly and her wonderful character, and finally began telling +about the escape from Grizzly Peak at the time of the landslide. But +Dunlap interrupted her with: + +"I can't get all of that in--we go to press very shortly." + +"Oh, dear! Can't you run over here and get this photo of Polly, that I +have ready for you?" + +"For the morning edition?" gasped Dunlap. + +"Yes, to accompany the story of the fire." + +"My dear young lady--do you know how long it takes to make a plate for +the paper?" + +"A plate? I said 'a photograph,' Mr. Dunlap." + +"But we have to make a reproduction of yours, then print it on a plate, +then give it an acid bath, then etch and rout, and mount--and it all +takes time before the plate is ready to be stereotyped for the printing +in the paper." + +"Oh! I thought you just took the picture and copied it in the paper. Of +course, I never stopped to inquire into what process it went through. +But if you say you can't use it, I'm sorry." + +"So'm I. But you might bring it in early in the morning and I'll see if +there is enough interest in the story to rake up an evening's yarn." + +"Very well. I'll do that." + +"Come in, anyway, and bring your friends. I'll show you through the +engraving plant of the paper. You'll be interested." + +"Thank you--good-by." + +Eleanor hung up the receiver and listened intently to hear if anyone was +stirring upstairs. All was quiet, so she placed the photograph back on +the shelf and crept upstairs again. She jumped into bed shivering, after +being exposed so long to the cold, downstairs. But utter weariness soon +brought her sleep and all was forgotten until breakfast time. + +Mr. Maynard, speaking, woke Eleanor. She sat up and rubbed her eyes +sleepily. "Thank goodness, we do not have to go to school for a whole +week!" declared she, throwing a shoe at Polly's half-buried head. + +"Polly! Pol-le--ee! Wake up!" + +"Wha-foh?" grunted Polly, half-dazed. + +Then both girls heard Mr. Maynard call: "I'll be right back to +breakfast, Mrs. Stewart--I'm going to the corner for the papers." + +Eleanor suddenly remembered her share in the telling of the story about +the fire, and she jumped out of bed. "I'm going to hurry down and read +what the paper says about the fire," said she. + +Polly turned over and stretched lazily. "I don't care what they say. I'm +going to sleep all day." + +Eleanor was annoyed. "No, you won't! We've got to keep a date with Mr. +Fabian this noon, and you've _got to_ get up!" + +"Oh, that's so! Mr. Fabian is going to take us to Grand Central Palace +to show us how carpets are made. I forgot that exhibition was to-day." +And Polly jumped up at that remembrance when other things had failed to +move her. + +The girls were downstairs in time to open the front door for Mr. +Maynard. He was grinning teasingly, as he tried to keep a great mass of +morning papers from slipping out from under his arm. He held out an +opened sheet for the girls to see. + +"Oh, what a horrid face! Who is it?" exclaimed Eleanor. + +"The paper states it is you, my dear," laughed her father. + +"What--never! Oh, what awful people these newspaper men are! Dad, can't +you go down there and horse-whip them? I never looked like that in all +my life!" and Eleanor stamped her foot in a fury. + +Polly had been gazing at the two faces printed on the front sheet of the +morning paper, but now she laughed. "Oh, if I looked like that picture, +I could have put out the fire by merely turning my face to it!" + +Anne and her mother came in when they heard Mr. Maynard's loud laughter. +They, too, stared at the oval-framed pictures said to be "The two +heroines of the dreadful fire at Assembly Hall." + +"Anne, where under the sun did the newspapers get those two pictures?" +asked Polly, tittering every time she saw the ovals. + +"Every newspaper has a department known as the 'morgue,' or some such +name. They keep, filed away, pictures of every well-known person in the +world. In the package indexed under the proper name, are one or two +'cuts' ready to use in case of a hurry. Then when a person dies, or is +married, or something or other happens, the newspaper rushes to its +files and gets out the picture, or cut, needed. + +"It is the same with famous buildings, or ships, or objects of any kind. +If something comes up that brings the thing to the public attention, +there the papers have the pictures all ready to print. + +"Now they keep lots of photographs, just like these two, which they buy +from cheap photographers. They buy a hundred in a job lot, and if they +want a picture and can't secure a legitimate one, or a snap-shot from +the reporter's kodak, they use what they have on hand. + +"It would be extremely amusing to be present when these girls see their +faces in the paper. It will prove almost as funny as seeing you two +girls scorning these strange faces." + +But Mr. Maynard had been reading the article while Anne had explained +the methods of many newspapers, and now he exclaimed: "By jove! Dalken +never said a word about all this life-history!" + +"What's that, Daddy? Read it to us," begged Eleanor, eagerly. + +"Why--wh-y-y--the young rascal hit it right on the head, all right! But +where did he get it?" continued Mr. Maynard. + +"For pity's sake--read it aloud!" commanded Eleanor, hardly able to hold +her tongue about the story. + +Then Mr. Maynard read it, and it lost none of its vivid coloring by his +reading, either. When he had almost concluded, Polly began to grow +angry. When he finished, she was furious. + +"I'm going up to that office and I'll fight that reporter. He had no +more right to print that than those other men had to use someone else's +photographs and call them ours. So there!" + +Mr. Maynard had been thinking seriously, and now he nailed Eleanor with +a penetrating look. "Nolla, did you tell that young rascal this story +when you ran to the door with his pencil and paper last night?" + +"No, indeed! I did not, Daddy! You can ask the butler if I ever did! He +stood right there when I handed Dunlap the pencil!" + +Eleanor's denial was so emphatic that everyone believed she was innocent +of any such plot; so they never found out who was the guilty one. + +While at breakfast, the telephone rang. "This is Mr. Latimer, Anne. We +have just read the papers and were so surprised! When we saw the +pictures of the two heroines, we feared some dreadful thing had happened +to distort their faces so that we failed to recognise them, and I +hastened to inquire. Do you need Dr. Evans' services to straighten out +those faces?" + +An amused laugh could be heard over the wire, and Anne laughed back. +"No, thanks; a good night's rest has brought back their natural looks. +The faces in the paper must have been taken by the flickering flame of +the burning dwelling." + +"Jim and Ken came home late last night for the Holiday. We wanted to +congratulate you girls on trying so hard for the Carnegie Medal, but now +Jim wants to say 'good-morning.'" + +In another moment, Jim's voice was heard speaking. "Oh, good-morning, +Anne. Have you used Pears Soap?" Then a gay laugh. + +"We have, but you haven't! Your father just told me you got in at +midnight, and if you're up as early as this, I'm sure the sleep hasn't +been washed from your eyes," retorted Anne. + +Polly and Eleanor crowded close and hung over the 'phone so they could +hear what Jim had to say. + +"I only wanted to say, I've got tickets for the show, to-night, and the +girls are not to go anywhere else." + +"Oh, tell him we're out of town on a week-end party," Eleanor whispered, +hurriedly to Anne. + +"Are the tickets good for Eleanor's father and my mother, in case the +girls go out of town?" teased Anne. + +"Say--you really don't mean that?" Jim's voice sounded very sad. + +"I cannot tell a lie--I am like George, you see, and I'll let the girls +fib for themselves," laughed Anne, getting up from the stool and handing +the instrument to Polly. + +"Oh, here, Nolla! You do it! You know I don't like this jiggery quivery +thing!" cried Polly, quickly placing the telephone apparatus on the +table and making room for Eleanor on the chair. + +Eleanor was delighted to talk with Jim, and she kept at it until a +clicking in her ear notified her that someone wanted to get them on the +wire, so she hurriedly rang Jim off. + +"Hello!" called Eleanor to the next inquirer. + +"Hello--1234 Madison Square?" + +"Yes." + +"This is Mr. Ashby speaking. Is this one of the heroines?" + +"Oh, Mr. Ashby! Yes, it is Nolla. What do you think of the story in the +paper--and the funny photographs?" laughed Eleanor. + +"I laughed myself sick over it at breakfast. My wife and I wondered how +that young rascal got them, and James explained." + +Here Eleanor turned white, for she wondered if the butler really had +seen her wink at Dunlap. "My, but I'm thankful I got at this wire +instead of Anne," said she to herself. + +"Two of our maids had their postal-card pictures taken the other day, +and upon rushing out of the front door to watch the fire last night, +they laid them upon the hall table. James saw them there, later, but +thinking the girls would soon be coming in to take them upstairs, he did +nothing about it. + +"Then in the excitement of watching Miss Polly climb the front of the +house, and have the Chief carry her over to our house, the pictures were +completely forgotten. As the young reporter went out, James saw Miss +Eleanor take his hat from the stand and hand it to him. But nothing was +thought about the cards. Later, however, they were gone. + +"This morning the papers have the photographs of Mary, the waitress, and +Gladys, the upstairs girl, as heroines of the fire. Maybe our maids are +not tickled to pieces to find themselves so famous." + +Eleanor heard both Mr. and Mrs. Ashby laughing merrily over the mistake, +and then she said: "Do you suppose I handed the cards to Dunlap when I +picked up his papers and hat?" + +"Undoubtedly. But the joke is, he thinks you meant to do it very +secretly, you see, so he never mentioned it but hurried the work on the +pictures so as to have them in the morning's paper. He most likely +believes that that was why you ran after him--to manage to give him +those two photographs to use. I think the laugh is entirely on him, +don't you, Eleanor?" + +But Eleanor did not say. She sat and studied the pattern in the rug for +a time, refusing to answer all the questions asked. Then she decided +that Mr. Ashby must have heard from Dunlap that morning, and was told +how she had added many facts to Mr. Dalken's story. But this funny error +of using the maid's photographs, was retribution on her head. + +The young people, with Anne to chaperone them, enjoyed the play that +night, and then the boys outlined the programme they had made for the +week. + +The next day, being Thanksgiving, the entire party was to dine at the +Latimers'. Then they would go for an automobile drive, and in the +evening all would enjoy an impromptu supper and dance at the Evans'. + +Friday morning the boys would take the girls skating at St. Nicholas +Rink. They begged to attend Mr. Fabian and the girls in the afternoon at +the Textile Exhibition, then dinner at the Studio, and another play at +night. + +Saturday morning the girls were going to visit Mr. Ashby's famous +decorating establishment, and get a glimpse first-hand of what a modern +decorator must do and know to succeed. In the afternoon the boys wanted +to take in a matinee, but the girls were invited to dinner at the +Ashbys, and to spend the evening with their daughter Ruth. So Jim said +nothing, but he instantly planned how to meet the Ashbys. + +"Now don't go and make any more dates for next week, without asking us, +understand!" declared Jim, when he heard that Saturday was engaged and +Sunday, partly so. + +"How can we help it if our parents and chaperones do it without our +knowledge," queried Eleanor, innocently. + +"Well, I'll speak to them, then. Ken and I will have to be off again +next week; so for the few days we have at home we want you girls to pass +up all other fun. You've got all the year for other beaux, you know," +grumbled Jim. + +Polly and Eleanor laughed. "Oh, yes," said the latter, "we just keep on +the go continually, every afternoon and evening, with a devoted swain +each day to replace the ones of the day before." + +"Where do you meet them?" demanded Jim, jealously. + +"We-ll--the first one Polly and I snared, we 'picked up' at an art sale. +But we have many opportunities to meet others, you know." + +"Yes," added Polly, entering the joke, "at night school, you know, there +are loads of young men; and at lectures and exhibitions--and +everywhere." + +"Is that why you both are so crazy to go to these dry lecture affairs?" +jeered Kenneth, thinking himself very clever, indeed. + +But they failed to get the girls to break the engagement with the +Ashbys, and Jim barely managed, through his father's kind auspices, to +meet Mr. Dalken Saturday morning, and thus open the way to call on the +Ashbys that evening. + +Mr. Dalken was young in spirit if not in years, and he enjoyed helping +the two boys work out the little plot so as to be present with Polly and +Eleanor at the Ashbys, that evening. But the boys never knew that their +benefactor passed up an exciting game of chess at his club, that +Saturday night, in order to introduce them to his friends. + +There were so many wonderful things to do during that Holiday Week, that +the girls could not attend them all. Many of their school-friends were +eager to have them at teas and parties and matinees, but all these had +to be refused with regrets. Eleanor remarked: "Wait for school to open. +We'll be the most popular girls there. In fact, every last girl will +want to fag for us!" + +"Why?" asked Polly, wonderingly. + +"Because they think we are in such demand, everywhere, that we can't +accept any invitations of theirs. Don't you suppose they have told each +other? Lots of those girls travel around together, and they talk +everything over. But I guess they are wondering who takes us out so +much, and what society we travel in." Eleanor laughed. + +Polly looked at her with pity. "Nolla, sometimes I feel _so_ sorry for +you! All your joy and pleasure in having others act nice or kind to you, +is lost because of the education you've had in Bob's school. Now I don't +believe those girls ask us just to cater to us because we are popular. I +think they really like us and would love to have us with them. If I +wasn't so frightfully busy with school at night, and other worth-while +occupations, I'd jaunt about with them." + +Eleanor said nothing more, but she did a lot of thinking. + + + + +CHAPTER IX--POLLY'S MUSCLE + + +Mr. Maynard was delighted with Eleanor's evident improvement in health, +and all fears of the New York climate vanished entirely, before he +finished his visit in New York. He remained a week and then said +good-by, reminding Mrs. Stewart that she had invited him for the +Christmas Holidays. They all laughed because he was welcome, at all +times, to remain as long as he could. + +Regular studies began again after the Thanksgiving Holiday and, with the +reopening of the classes, the girls started in on a new line of art at +Cooper Union. Anne Stewart used to escort the girls to and from the +school on class-nights, but it was such a tiresome trip for her to make, +after a hard day at school, and with lessons to go over at home, that +the girls insisted upon her staying home. + +Mr. Fabian generally conducted them home after class, and then went on +to his own rooms. As it was hardly dark by seven-thirty, in October and +early November, it was no more hazardous for the two girls to walk or +ride down to the Square than it would be in the daytime. + +But the days were becoming so much shorter after Thanksgiving, that it +was quite dark by six o'clock. Hence Anne worried about their going +downtown, alone, even though it was but a few blocks. + +The second week of class in December, found Mr. Fabian absent. He had +taken a severe cold and thought better of risking his health in the +bitter wind and Scotch mist that night. + +Polly and Eleanor did not speak of it to Anne, as she, too, felt +wretched that day; and they would rather have stayed at home than have +had her accompany them to night school in her state of health. + +"You're not to worry about us, Anne, if we do not come in as early as +usual," said Eleanor, upon opening the door to go out. + +"Why--where will you be?" asked Anne, instantly. + +"Exams. Some of the teachers are testing us in all the work we did this +last term, and we have to write our answers. We may be a full hour later +than usual; but we'll come uptown, together, so there's nothing to worry +about," explained Polly. + +Anne thought she meant Mr. Fabian by "we-all" but Polly meant several of +the students who lived a few blocks north of the Square. + +Both girls were well bundled up in heavy storm coats, mufflers, and +close-fitting woollen caps pulled down over their ears. Besides their +books and other materials, they had umbrellas to carry but it was too +windy to open them. + +The examination questions proved to be most interesting; and the answers +required a great deal of careful thought, before describing the various +types, methods and ideals of architecture and decoration. + +Polly described at large such questions as: "Can you describe the +different types that go to make up the Egyptian people?" or the +question: "How does plant-life affect Egyptian ornament--sketch two such +plants." + +"What is a torus molding? Where is echinus molding used? Sketch the cyma +recta." + +When Polly found the questions: "Describe a scarabæus," and "Why did +ancient Egyptians prepare their dead as they did, and describe a mummy +and the methods used for its preservation," she was elated, for she had +made a particular study of these subjects at the Metropolitan Museum +where the collection of Egyptian antiques is unsurpassed. + +There were many other interesting questions, all of which Polly was +eager to answer, but time was too limited for her to say all she wished +to. For instance, she wanted to describe, at length, Greek art and the +Greek nation that was characteristic for its own type of art and +ornament. + +She was anxious to tell what she knew about color and its importance in +art. Of polychromy and what it was. In fact, she needed hours in which +to speak fully of the difference between Greek, Egyptian and Assyrian +art and ornament. + +Eleanor on her part, wrote graphically of the difference between the +Arabs and Persians, and how their modes and habits had a corresponding +effect on art. She liked to describe the style of Romanesque art and how +it governed all Eastern Europe at one time. + +Eleanor leaned to the Moorish classics and had a weakness for Turkish +designs; she loved the warm coloring used by the Moors in their work, +and the harsh bright colors employed by the Turks. She had no hesitation +in selecting from samples shown, the Mohammedan designs, the Chinese, +the Byzantine, or Arabian patterns. She was expert in stating why the +fall of Rome affected all art in Eastern and Western Europe, and what +was its highest development and its period of all architecture. + +It was more than an hour later than usual, when the two girls put away +their work and started out for home. The scholars who lived on streets +uptown, had gone long before, and Polly and Eleanor found that the high +wind made it impossible for them to open their umbrellas. + +"It's so icy we will have to use them as props," laughed Polly. + +"My! But this sleet in one's face is cold, isn't it?" gasped Eleanor. + +"Let's take a short cut across the Plaza," suggested Polly, breaking +into a run across the diamond that separates the streets at Third and +Fourth avenues, and Eighth street. + +Having reached the small oasis about the subway station, Eleanor said: +"Why not take the subway, here, to Twenty-eighth street, Poll?" + +"Oh, I hate those subways! This wonderful sleet and the quiet hissing of +the ice on the windows and walks makes me feel as if I were home. No +clatter of wheels, no shouting of burly men, no _nothing_ that makes a +city so horrid. Let's walk all the way home." + +"All right," laughed Eleanor. "I'm game!" + +So they started up Fourth avenue, past Wanamakers, and were soon lost to +their surroundings in their discussion of the examinations. + +"What answer did you give to the question 'Tell the basis of religions +existing with the Persians and the Arabs: describe the differences,' +Polly?" + +"I was not quite sure of that, Nolla, but I did make a good thing of +that question 'Why did Egyptians use bright colors in art?' And also +that question that read: 'When colors of the pattern contrast with the +colors of the back-ground, what general rule must govern?' You know, I +just love to ferret out these ideas." + +"So do I. But I never dreamed there was so much wonderful knowledge to +be obtained in a course of this kind," said Eleanor, holding her arm +before her face in order to speak distinctly. + +They had now reached Eleventh street, and were passing a saloon still +brightly lighted, in spite of Prohibition Laws. In the doorway lounged +three tough-looking young men; but the red-cheeked girls scarcely saw +them--they were too interested in their conversation. An empty auto +stood by the curb, but no other vehicle or person was in sight. + +When the girls came under the arc of light that reflected from the +globes in the saloon-window, one of the flippant young men said, quite +loud enough for Polly and Eleanor to hear: "I say! Ain't them two goils +peaches, though!" + +His two companions laughed rudely, but the girls hastened on without a +word or look. Another of the trio then said: "Betcha they'd be glad of +comp'ny. I'll try it." + +Eleanor whispered anxiously to Polly: "What time do you think it is?" + +"It was almost eleven when we stopped writing. It must be nearly +eleven-thirty now." + +"Pretty late for such a bad night. We'll take the subway at Fourteenth +street, Polly." + +"Reckon we'd better. Are there no policemen about these corners?" + +"Not when you need one. On fine summer nights you will see them +strolling about, maybe." + +The girls tittered, but instantly hushed when they heard voices directly +behind them. + +"Pretty evenin' fer a walk, goils." + +No reply was vouchsafed to this remark but the girls kept right on with +their customary swift gait. + +"Ain't che hankerin' fer comp'ny?" chuckled another tough. + +"Ah, come on back, fellers. What's th' use foolin' wid a coupla +high-brows on such a nasty night!" argued one of the three. + +Polly and Eleanor fervently hoped they would go back, but the other +fellow replied: "G'wan back, if yeh wants. Bill and me er goin' to have +some fun. Come on, Bill." + +Polly now glanced at Eleanor and said in a low tone: "Get a good grip on +your umbrella. Thank heavens we haven't any books or papers to carry, as +we usually have." + +Then the fellow called Bill, said: "You amble up to the peacherino on +the outside, whiles I take to the inside one, Andy." + +"There's the boss's car waiting fer nuttin. We kin give them a ride--a +joy ride fer us," harshly laughed Andy. + +Bill joined in the suggestive laugh, and both girls unconsciously +hastened their steps. + +"No hurry, my pretties. There ain't a cop twixt here an' the saloon on +Fourteenth street. Don't we'se know this districk? Ha-ha!" + +"Ready for a fight, Nolla!" hissed Polly, suddenly wheeling and facing +the accosters. + +Eleanor also turned, a second later, and both men were taken by +surprise. Polly's eyes blazed and she gave the roughs such a scornful +look that it should have withered them as they stood there. + +"Now you two out-laws turn-about-face and march downtown as fast as you +know how!" commanded she. + +[Illustration: "NOW YOU TWO OUT-LAWS TURN-ABOUT-FACE AND MARCH!" +COMMANDED POLLY.] + +"Ah, ha, Bill! I envy you your choice! She turns out to be a regerler +sport. See them eyes shoot fire? Let me have a kiss, me pritty, afore +Bill gits them all!" As the fellow Andy spoke insinuatingly, he stepped +forward to take hold of Polly. + +At the same moment her umbrella swung back over her head and the +muscular young arm instantly brought down the heavy metal knob upon the +soft cap that covered the head of the ruffian. The blow was so +unexpected, and forceful as well, that it staggered Polly's assailant. + +Both men cursed fluently, then, and Bill threatened: "Jus' fer dat, +you'se is goin' to get what's comin' to yeh!" + +Eleanor wanted to turn and run, but she would not have deserted Polly +for all the world, so she screamed "Help! Help!" with all her +lung-power--and she had plenty of it. + +Bill hesitated to attack Eleanor as she yelled and screamed for help, +but Andy was raging and tried to close in with Polly. The umbrella was +flung aside, and in another minute Polly launched at his face with a +closed fist. It struck him between the eyes and caused a howl of pain. + +Before he could collect himself, the daring girl had struck him another +fearful blow under the chin. This sent him back flat upon his back, and +while he was trying to crawl up on his knees, the amateur pugilist +turned and sent a blow at Bill. But he had stood gaping at the amazing +encounter with his pal, and he now dodged his own undoing. + +Eleanor saw her opportunity. She had no time to lift her umbrella for a +blow, and it had no solid handle like Polly's, but she fiercely rammed +the steel-capped end of the rod into the pit of the rascal's stomach, so +that, instantly, he buckled up. He sank down groaning while he struggled +to get his breath. + +Andy was up on his feet again by this time, but Bill was out of the +fight, so both girls gave full attention to the second villain. He +fought now, as slum ruffians will, but he was no match for the hard +knuckles, steel muscles and lithe movements, of the Rocky Mountain maid +who had grappled with wild animals and had won out. + +The groveling Bill now managed to reach out a hand, planning to catch +Eleanor by the ankle and trip her. But at that moment a silent-running +automobile slid up to the curb and, at the instant of its stopping, the +door flew open and a gentleman leaped out. In his hand he pointed a +revolver, and Andy immediately threw up both hands. + +"W-h-y--Mr. Dalken. Oh, thank goodness you came!" cried Eleanor, +trembling nervously. + +The chauffeur was standing guard over Bill at the same time, so Mr. +Dalken asked frowningly: "What are you girls doing down here at this +hour?--all alone, too!" + +By this time the truant officer ran over to the group and wanted to know +what was wrong. Mr. Dalken turned on him in just anger. "Wrong--why, you +were not on the beat! That's what's wrong." + +"But I was--I got a beat bigger than any Fift' avenoo cop what only has +to parade in front of a swell's house." + +"You needn't try to bull-doze me, my man. Evidently you fail to +recognise me, but we will talk this over at the City Hall, in the +morning. Now arrest these two foot-pads." As the officer snapped +hand-cuffs on his prisoners, Dalken added, "By the way, why is a saloon +open at this hour--to sell soft drinks?" + +The scorn in Mr. Dalken's tone silenced the policeman. "Now, girls, jump +into the car and I will take you home," offered their rescuer. But the +officer interfered when they would have stepped inside the car. + +"Your names, please, and addresses. And how do I know that you will take +these young ladies to their home?" The tone of the man was insulting. + +"If it were not for the fact that I want to hurry these children to +their family as quickly as possible, I'd take the keenest pleasure in +answering you in a manner that you'd understand and respect. Now you go +about your tardy business and I will see to mine. Here's my card. The +girls do not appear in this matter at all. I am the man who caused the +ruffians' arrest, and I will answer in Court." + +Mr. Dalken followed the girls into the car and the driver instantly shot +away; in a short time the car stopped in front of the Studio. As Polly +and Eleanor gratefully took Mr. Dalken's hand, he advised them. "Better +not speak of this affair to anyone--leave it to me to settle. But, +hereafter, do not dream of going about so late at night, unattended. One +never can tell!" + +"But we can't expect Anne to trot about with us when she is tired out at +night," explained Eleanor. + +"Then use my car on the nights you have to go to school. I'll send down +my Sedan, after this, because the butler understands its tricks +thoroughly. He seldom has anything to do on those evenings you go to +school, and he can oblige us by driving that car should I need Henri for +this car." + +The girls thanked him again, and then hurried indoors. + +"Where _have_ you been so late, dears?" cried Anne, anxiously, as they +came in. + +"We told you we would be late," began Polly. + +"But it is past twelve, now; I was about to call up the police-station +at Ninth street, and find out if anything had happened." + +The two girls laughed and Eleanor pulled Anne's ear playfully, as she +said: "Now, silly, what could happen to us!" + + + + +CHAPTER X--CHRISTMAS AND WHAT IT BROUGHT + + +Anne never suspected that Polly and Eleanor had had a "hold-up" at any +time, but she wondered why Mr. Dalken should be so kind as to loan his +car to the girls on school-nights. Polly explained simply. "Why, he +never forgot what we did for Elizabeth, and when he learned we were +trudging back and forth alone, he just wouldn't have it." + +"He said he couldn't bear the thought of our even having to travel in +the subway, alone, late at night," added Eleanor. + +So Anne, although she read about the two ruffians who had tried to rob a +wealthy broker, one night, never dreamed that _her_ two girls were +victimized before Mr. Dalken appeared to rescue them. + +Madam Wellington's school prospered splendidly from the publicity given +it in the papers directly after the fire. And later, when it was learned +that Mr. Ashby, Mr. Dalken, and two other wealthy men had purchased the +corner which had always been disfigured by the old four-story amusement +hall, and proposed erecting a twelve-story high-class apartment house on +the land, the mention of the fire and the bravery of the Wellington +School girls again appeared in the papers. + +Letters between Pebbly Pit and New York passed twice a week, and the +last news from home was: "How we should love to have you spend Christmas +with us, Polly dearest. It will not seem like a real Christmas with both +my children away from home." + +The letter made Polly feel home-sick and she wrote to her mother +immediately, saying: "I feel that I shall have to come home even if it +takes a month out of school and delays me in my art studies, unless you +can plan some other way that we might see each other this Christmas." + +Polly had a very clever plan that suddenly came to her, as she read her +mother's words, and her reply was the first step in working out her plan +successfully. + +The second step was to go downtown and call upon Mr. Latimer at his +office. She was welcomed there and asked what good wind blew her +downtown. + +Polly laughed. "It's a blizzard from the Rockies--that is why I'm here." +Then she told him about her mother's home-sick words. "And this is what +we must do, Mr. Latimer, or I'll have to leave school and go back home." + +"Dear me, I will do anything rather than lose you from New York, Polly," +Mr. Latimer laughingly replied. + +"You must find some excuse on the mining or jewel business, that needs +Daddy's personal presence here in New York. Make it necessary for him to +be here just before, or after Christmas. Then I will write and let them +know that you told me about it, and insist upon having mother come East +with father, for her Christmas. Why, even John and Paul might join us +here without much expense or trouble." + +Mr. Latimer smiled. "There is no harm in trying the plan, even if your +father _won't_ leave his ranch while it is under six feet of snow." + +Polly laughed at that. "Exactly! Dad doesn't have to stick there in +winter-time, any more than I do. Especially with Jeb on hand to take +care of everything." + +Then remembering a warning, she said: "But you've got to find a real +worthy reason for his coming East, because I know my Dad!" + +"I'll have you approve the reason before I send it West--how will that +do?" + +"I think you will do well. Because I may be able to make a +suggestion--knowing my father as I do." + +Mr. Latimer laughed and patted Polly on the head. "Well, now that that +is settled, let us talk about Jim and Ken. You know, do you not, that we +expect them home in a few days?" + +"I didn't know, but I took for granted that they would soon be home for +the Holidays. Although it seems like yesterday that they were home for +Thanksgiving Week." + +"Not to Jim's mother and me. We miss him very much, as he always was +such a lively boy at home." + +"I'm afraid we won't see much of him this time. He never even called us +on the 'phone when he came from New Haven to see Ruth Ashby, two weeks +ago Sunday," said Polly, never dreaming that his father was ignorant of +the visit. + +"He didn't! Then Ken should have called on you. He did not come to see a +girl, too, did he?" + +"Oh, Ken never knew Jim was coming--so Ruth told us. Jim telephoned her +early Sunday morning and found she would be home, so he ran in Town on +the noon train and stayed until the nine o'clock." + +"I'll see that Jim does not go back on his first loves quite so +suddenly," laughed Mr. Latimer, thinking of the teasing he would give +Jim. + +"But we are not 'loves' at all--Nolla and I are only good pals for the +boys," corrected Polly, anxiously. + +"Whatever you call it, Jim ought to be well advised on such matters, as +long as legal advice costs him nothing." + +Polly failed to follow Mr. Latimer, and he immediately changed the +subject. "Now that you are here and it is lunch-hour, why not come with +me. I promised to take you to the Café Savarin or the Lawyer's Club, +some day, and this is the day." + +"Oh, it would be lovely, but I just couldn't leave Nolla out of the +treat, you know!" exclaimed Polly, eagerly. + +"If Nolla is at home, we will have her down in twenty minutes. We'll +wait for her, and meanwhile I'll dictate a letter to your father for you +to O.K." + +Eleanor was moping around the house, wondering where Polly could be, +when the telephone rang and she was invited to join her friends at +luncheon. So in less than half-an-hour the trio were having a merry time +in the sumptuous private restaurant on lower Broadway. + +The letter that Polly approved, reached Sam Brewster, and he showed it +to his wife. "Ah have been thinking, dear, that we-all might surprise +Polly by dropping in on her just about Christmas time, eh?" + +"Rather than let her come West and lose all that time from classes, I +should say 'yes,' Sam." + +"We really have nothing to tie us down at the ranch for a few weeks, +unless the snow buries us for the winter." + +"Sary would be in her glory could she keep house alone with Jeb for a +time. Ever since they returned from their honeymoon in Denver, she has +been sighing to run the house," said Mrs. Brewster, "feeding the fire" +carefully. + +"Let's go! By the Great Horned Spoon, I feel like taking a vacation to +some other part of the world--so New York will do!" + +Then it was quickly decided that they would start on Monday, and this +being Friday, there was no time to lose. + +Sary and Jeb accepted the amazing news with smiles and exchange of +knowing looks. But they were relieved when Mrs. Brewster herself +suggested to Sary: "Have all the good times you want, Sary, while we are +gone. Invite your friends, and neighbors, if they can get through the +drifts, and have apple-parties, corn-poppers, Virginia Reels, and +anything on earth you like!" + +"Would you-all keer if we-all ast as much as twenty to a time?" asked +Sary, fearfully. + +"Ask forty, if you like--and if you can find them," laughed Mrs. +Brewster, recklessly. + +"Only see to it that they leave the roof, Sary," ha-hawed Sam Brewster. +"And that the sky-larkin' is all over when we return." + +Sary nodded understandingly. She had instantly planned how to create +envy in the souls of her old friends at Yellow Jacket Pass, by asking +them all to her parties. + +The Brewsters sent John a wire to say that they would spend a few hours +in Chicago, and would like him to keep that time open. But when they +reached Chicago, John was standing on the platform holding a suit-case +in his hand. Tom Latimer and Paul Stewart stood beside him. + +John explained: "Paul and Tom are going, too. Some good fairy sent us +round-trip tickets, but we don't know who it was. Not a line came with +the tickets. So here we are--ready to help in the surprise." + +John then introduced Paul, and Mrs. Brewster took his hand as she looked +into his face. "You are the image of our Anne, Paul; I would have known +you anywhere." + +"That he is," added Sam Brewster, shaking Paul's hand heartily. So the +party of five continued on the journey, smiling as they pictured the +glad surprise to be given the family at the Studio. Little did they +dream that the Studio family were busy preparing for a gladsome +Christmas for them all. For Mr. Latimer had told them about the telegram +from Pebbly Pit, and that he had heard from Tom that he and John and +Paul were going to join the party coming East. But he did not say that +he, incognito, had mailed the tickets. + +The Twentieth Century had a long line of Pullmans to take to New York +that trip, and it was small wonder that passengers having berths in the +last coach, should fail to meet anyone traveling in the first one. So it +was with speechless amazement, that the Brewsters met the Maynards at +Grand Central Station when both parties were waiting to get taxi-cabs. + +"Well, well, Ah believe it's Mr. Maynard!" exclaimed Sam Brewster, in +his deep western thunder. + +"Brewster? so it is! Indeed I am glad to see you here. Come to cheer up +the little girl, eh?" and Eleanor's father grasped the ranchman's big +hands. + +Mrs. Brewster and her two young male companions (Tom had gone to +telephone) were now introduced to Barbara and Mrs. Maynard. The latter +had never met the Brewster family, and Barbara, thinking it wiser to +assume indifference, smiled coldly. + +"We're stopping at the Park Hotel, Brewster--what about you folks? Might +as well go where we do," suggested Mr. Maynard. + +"I wired there for accommodations; Polly mentioned it in several of her +letters as being quite near the Studio." + +"Fine! Then we will go right along. Here Taxi! eight of us and baggage." + +"You mean seven, Mr. Maynard?" ventured John, politely. + +"No--didn't you know Pete was here with us? He came on another coach +with some chums who were coming East." + +"I haven't seen much of Pete, this term. I've been cramming every +moment, so as to finish and be ready to help in the mine, you see," +explained John, hesitatingly. + +Mr. Maynard saw the expression and said nothing, but he determined to +find out why Pete had not seen much of Paul and John and Tom, that term. +Three young men who could be of great advantage to a wild young student +should be cultivated, he thought. + +When Sam Brewster did anything, he never did it by halves; consequently +when he wired the Park Hotel for rooms, the day he left Denver, he +engaged a whole suite. No better accommodations than he had, were to be +found in the building, and the Maynards had to accept second-best. + +When Mr. Maynard found the ranchman had the very finest the hotel +afforded, he chuckled delightedly to himself, for he had silently +watched the manner in which Barbara received the greetings of the people +who were so kind to her that Summer. + +Mrs. Maynard was furious with her husband. "My dear! what possessed you +to come to this horrid place. Don't you know that Bob's position must be +catered to? Even the best hotels here are rather too ordinary. She +should be stopping at the newest and most exclusive one uptown." + +"When she marries that little numb-skull you've tagged to her skirts, +she can stop where she likes. But her Dad is running this show. I'm here +to visit Nolla, and I stop where I can call and see her, or she can run +in to see us, without wasting time traveling on the streets." + +"You always did spoil Nolla--while poor Bob has to take third place in +your affections," complained Mrs. Maynard. + +"Bob's mother makes up for any lack in me. That's why I have to give +double love to Nolla and Pete--Bob has _all_ of yours." + +The usual ending to similar scenes might have resulted, had not Mr. +Maynard gone out to hurry over to the Studio. But his wife and Barbara +sulkily unpacked their trunks and made very fine toilets before they +thought of calling at the Studio. + +Mr. Maynard rang at the front door of the Studio, but he had to wait a +few moments before the door opened. From within, merry laughter and +joyous shouting could be heard. Then in another moment, Eleanor was in +her father's arms and was dragging him into the happy circle. + +The Brewsters, and Paul and Pete were already there, so that the +newcomer's appearance added another reason for Polly and Eleanor's +happiness. + +"I haven't enough china to go around for such a family!" Mrs. Stewart +said plaintively; as she came into the room with her arms dusted with +flour. + +"And only half of us here, too!" laughed Mr. Maynard. + +"What--more on the way?" exclaimed Anne. + +"Nolla's mother and Bob will be, shortly." + +"Mother--and Bob!" cried Eleanor, eagerly, happy that her mother and +sister cared enough for her to come and visit her. + +"Now that adds to all my troubles," Mrs. Stewart declared as she dropped +into a nearby chair. + +"But why--the more the merrier," laughed Mrs. Brewster. + +"Why--because there are only seven straight chairs in this stable. All +the others are great cushiony things that won't do in a small +dining-room such as ours." + +"Motherkins!" said Paul, laughingly picking his mother up and seating +her upon his strong knees, "Did her think we-all would permit her to +cook a great supper for such a mob?" + +"Of course--I like it, dear, but I am staggered at the +limitations--china and chairs." + +"Mrs. Stewart, we are not going to eat a crumb in this house during the +Holidays, unless it be a theatre supper or afternoon tea! That is all +settled beforehand. Run upstairs and put on your evening dress. We +propose making a party of it this first night," called Mr. Maynard, +trying to make himself heard above the general din. + +"Is it your party, Dad?" asked Eleanor, gayly. + +"Yes, and to please Bob it is to be at the Ritz. To-morrow it will be +Brewster's turn, and that's up to him to say where we go." + +"Oh, Daddy--I know a place!" exclaimed Polly, eagerly. "Eleanor and I +have never been, but we've heard lots about it and this is the chance. +We'll all go down to Chinatown, to-morrow!" + +A wild chorus of laughter greeted this proposal, and Polly looked +surprised. To make matters worse, she added explanatorily: "Why, the +girls say chop-suey is great! And at Christmas time the Chinks' stores +are beautiful! The lovely things one can buy then are the best that are +imported from the Orient." + +"We'll do Chinatown, thoroughly, Poll, but it may not be to-morrow +night," promised John, who had hitherto been completely engaged with +Anne's whispers and looks. + +Thereafter followed delight upon delight, each day filled with new plans +and exciting fulfillments. Ken and his parents, the four Latimers, the +Ashbys, Mr. Fabian, and even Mr. Dalken, were included in the gay whirl +of these pleasure-seekers. Mrs. Maynard and Barbara actually enjoyed the +wholesome fun and almost forgot to be affected or snobbish. To associate +intimately with Mr. Dalken, whose social standing was well-known in +Chicago, as well as in other large cities, was excuse enough to accept +all the other friends. But added to that pleasure, the friendship and +evident intimacy the Ashbys and Latimers entertained for Polly and +Eleanor, made Mrs. Maynard feel there might be hope for Nolla in the +future. + +Christmas fell on the Thursday after the Westerners had arrived in New +York; and considering all the fun and gadding that had been indulged in, +on the days preceding the twenty-fifth, that day passed quietly for all. +Each family enjoyed its own gathering and gifts, and all assembled at +the Ashbys in the evening, to enjoy music and dancing, and everyone +declared it had been a fine day! + +Friday started anew the excitement of planning and enjoying whatever +came in the way of the party. But Saturday night had been set aside for +Mr. Dalken's Christmas party. Elizabeth was invited to bring her +friends, and everyone in Polly's and Eleanor's friendship ring were +included. + +Mr. Dalken lived in modest but very large rooms of a bachelor apartment +house, downtown, and here he had an enormous tree fixed in the center of +the living-room. No one was allowed to see that room until all had +assembled, but when the doors were opened, there were "ahs" and "ohs" +from everyone. + +The tree was so beautifully trimmed that it seemed a pity that it should +ever be dismantled. But soon, the attractive white packages tied with +red ribbons, filled the guests with curiosity; and once Eleanor had +peeped at the name written on one box, there was no peace but her host +must distribute the gifts. + +Mr. Dalken never spared time or money when he did anything for his +friends, and his Christmas Party was to be one all would remember. The +gifts were carefully selected for each individual and those for the four +girls--Elizabeth, Ruth Ashby, Polly and Eleanor, were exquisite and +costly. Elizabeth had craved a ring. She had it. Ruth, Polly, and +Eleanor each had a long barpin of platinum daintily jewelled. + +With her usual impetuosity, Eleanor suddenly sprang up and hugged Mr. +Dalken gratefully for her gift. Polly smiled and shyly shook hands, +while Ruth said he must have read her thoughts, for she had asked Dad +for a pin and had been refused. Now she had it, anyway, and from her +second-best Dad. Elizabeth was pleased, too, but merely murmured +"Thanks, Papa." + +"How do you like the jewels in the pins, girls?" asked Mr. Latimer, +quizzically, as no one had mentioned the gems. + +Suddenly Polly looked up at him. She caught the twinkle in his eyes, and +instantly wheeled to look at the other men. Each one was smiling as if +there was a fine secret here. + +"I just know these are Rainbow Cliff jewels!" exclaimed Polly, joyously. + +"No--are they?" demanded Eleanor, holding the pin aloft to let the light +flash over and through them. + +"Now I am deeply offended! I want the girls to see that I got the very +best and finest stones in New York, and someone dares suggest that they +may be lava!" grumbled Mr. Dalken, trying to be peevish. + +"I can find out by taking mine to Tiffany's, to-morrow," said Ruth, +wisely. + +"No, you won't--Tiffany says his store is to be closed all day +to-morrow," laughed Mr. Ashby. + +"Why--some one in his family dead?" asked Elizabeth. + +"No--but it is Sunday, and he is a church member." + +Every one laughed, as it had been forgotten the Sabbath was so near at +hand. Then Eleanor had an idea. + +"Why wait for Tiffany? Maybe the box will give us a clue." So she found +her box and examined it. Inside the silk-padded lid were the words in +gold ink: "Rainbow Cliffs' Jewel Company." + +"Oh, oh! It is our lava! Polly, now you can carry a little of Pebbly Pit +about with you!" cried Eleanor, dancing about. + +"Yes, it is a bit of Polly's own dear heath. These are the very first +jewels the company perfected. And as I am one of the corporation, I +wheedled the cutter into giving me his first output. So, girls, you not +only have pretty pins, but also you have what may be considered a +curiosity," explained Mr. Dalken. + +"Are you one of our company?" Polly asked, eagerly. + +"Yes, Mr. Ashby and I took stock soon after the fire, because we said +this was going to be a big thing, some day." + +"I'm so _glad_, Mr. Dalken," said Polly simply, and in a voice that only +he could hear. "I like you _so_ much, and I'm happy to know that you and +I are members, together, in something." + +"Polly, dear, that is the very best Christmas gift I have had in years," +murmured Mr. Dalken, feelingly. + + + + +CHAPTER XI--THE VALENTINES + + +With the passing of this gay Holiday Season, the two girls began to feel +that it would be a relief to sit down once more and spend a quiet +evening at school. Two weeks of constant going and dissipation had +become tiresome. + +The Westerners had gone home again; John, Tom, Paul and Pete back to +Chicago, and the two boys, Ken and Jim, back at Yale; and then Mrs. +Wellington's school reopened. Lessons went on as if there never had been +a vacation, and on Wednesday evening of that same week, the art school +resumed classes. + +This term was to be devoted to Applied Design and its uses in +architecture and decorations of interiors. After having had such +interesting work as Egyptian ornament, art, and symbols, it seemed +rather dry to start out the New Year with drawing straight lines an inch +long. + +Then to draw a dozen of these lines--next to connect them and make a +design of these dozen simple lines. But the next lesson was still more +foolish. They were told to draw a square. Then this large square of +twenty inches each side was divided into smaller squares. And in each of +these squares the pupils were told to draw whatever they liked, but each +square must repeat the first one figure designed. + +Thus the scholars found that they had a pattern of the design. This +began to look more promising, and Eleanor wished she had paid more +attention to the squares so that the design would have been neater. + +The next lesson was on grouping certain designs. The talk given by Mr. +Fabian that evening was on eye-measurement and judgment in lines. + +"Unless one has a good eye for lines in anything, it is a waste of time +to study a profession that is based fundamentally on a true judgment of +lines--whether of beauty, grace, or usefulness. Unless one has a true +sense of 'line' one can never know where to build a window, a door, or a +fire-place. + +"Not only does 'line' govern the size of rooms and halls, but the entire +building is dependent upon true lines. Also, this basis line governs +furniture and decorations in an interior. + +"Can you picture a room where the portières are all of different +lengths?--because the decorator had no sense of 'line value?' And what +would one say if the chairs had legs of various lengths? Is not 'line +value' to be used here, too? It is found necessary, everywhere." + +So the lessons and lectures continued until the girls took up the study +of colors. This was very interesting, and soon, both Polly and Eleanor +knew that yellow, blue and red were primary colors and they could glibly +tell you what that meant, and how important a part the knowledge played, +in the progressive art of decorating. + +When the demonstration of these lessons began in the painting, the girls +realized that they were actually going to be able to carry home samples +of their work. From that time on, they showed more zeal in doing +everything as correctly and perfectly as possible. And Mr. Fabian, at +his next monthly report to Mr. Ashby (which were quite unknown to Polly +and Eleanor) said: "They're deeply interested in the actual art and not +merely for the fun of some day going into business." + +"I am glad to hear it. There is so much of this idea of taking up +interior decorating because it is comparatively a new field, but so few +really ought to be in it. It should be made a matter of diplomas the +same as other professions. Then the restriction would soon clear away +all the quacks in the art. If these two girls but escape the snares of +matrimony until they are finished artists, I shall be rejoiced to +welcome them to our fold." + +Mr. Fabian nodded approvingly, and murmured: "I have faith in them. I'm +sure that both these girls are sensible and not to be easily influenced +by a good looking beau." + +Mr. Ashby smiled. "They're much safer in New York than if they lived in +smaller towns. Girls in this city haven't time to find beaux or think of +husbands." + +"Don't be so sure, Mr. Ashby," retorted Mr. Fabian. "If the girls are as +pretty as my two are, and clever and rich as well, they'd find it hard +to escape." + +"But you are speaking of society girls, while these two students seldom +give that empty life a thought--I'm glad to say." + +Which conversation goes to show that more than one adult was watching +the experiment these two girls were unconsciously making of their school +days, with intense interest and a desire to aid. + +Polly and Eleanor were not aware of all that had been done to insure +them perfect freedom and liberty to continue their art classes. Had they +known the arguments Mr. Latimer had had with Jim and Ken to keep those +boys from usurping so much of the time the girls had to devote to study! +Then Jim had blustered and boasted of all he would do once he was at +college: His father wouldn't know how many letters he would write, nor +the visits to the girls, of an evening! + +And one reason Tom Latimer and John seldom wrote to Polly and Eleanor, +was because of Anne's suggestion--to leave the girls to plan their spare +time for their very own work, and not be made to feel that they had +letters to answer, all the time. + +It was Tom who had begged Jim not to waste his own, or the girls' time, +in writing silly letters or in traveling back and forth from college to +New York. And Tom, wise big brother that he was, took Jim into his +confidence and explained how anxious John and he were to have Polly +climb to the top of the ladder in her art. That she had to make good in +New York those first two years or go back home and starve her artistic +soul on a lonesome ranch. + +But Valentine's Day was coming, and Jim felt that on that day he would +be privileged to not only write to the girls, but to send each one a +fine valentine, describing his sentiments. + +Polly and Eleanor could not forget Valentine's Day was at hand, for +every shop-window they passed invited sentimental people to step in and +see the love cards. + +"I'd like to send a perfect dear to Mr. Dalken, Nolla," said Polly, +reading the verse on a card. + +"To Mr. Dalken! Why, Poll, he is an old married man!" + +"But what of that! Can't I send him a card that states how much I like +him?" + +"Oh, ye-es--I suppose so; but valentines are really meant for lovers, +you see." + +"It's nothing of the kind, Nolla. Dear old St. Valentine never meant all +his notes for lovers; but for everyone he _loved!_ and that is very +different, I think." + +"Well, send yours to anyone you like, but I am going to buy one for +Jim," said Eleanor, searching over the piles of cards on the tray, but +not finding what she sought. + +"Oh, Nolla," laughed Polly, teasingly. "Are you selecting Jim for your +first love?" + +"First love! I should say double no! I am hunting for a _comic_ one for +him--just because he is so sentimental and sits with moony eyes when he +is near any pretty girl. I thought I would die with laughter that night +he sat and gazed with soulful eyes at Ruth." + +Finally the girls found several very funny cards which had sarcastic +lines under the pictures. These they were going to mail to Jim and Ken. +Then Eleanor had an idea. + +"I just guess I'll mail one each to John, Tom, Pete and Paul, too. If I +dared, I'd get Pete to re-mail one to Bob so she wouldn't know who sent +it. Being postmarked 'Chicago' she'd break her head trying to think who +sent it to her." + +"Oh, that will be fun, Nolla. Have them remailed so the boys won't know +we sent them. Let's do that with all of ours." + +The need of secrecy, and the trouble of selecting appropriate lines for +each of their friends, took time. But Eleanor wired her father to keep +the secret and do the mailing for them, and he wired back his consent. +So the valentines meant for the Chicago friends went to Mr. Maynard, and +duly reached each one as had been intended. + +And those for Jim and Ken were handed to a porter on the train that ran +to New Haven, with a liberal tip if he would drop them in a letter-box +when he jumped from the train. His wide grin showed he was ready to abet +the pranks such generous pretty young misses planned to tease their +beaux. + +Elizabeth Dalken had taken a violent fancy to Jim Latimer when she met +him at the different Christmas parties, and Valentine's Day being an +opportunity for love-lorn misses and youths, she bought a very expensive +Valentine, with sentiment as soft as down, and suggestive of heart-aches +and sighs and what-not. + +But Elizabeth had no independence, whatever, and once she had the +Valentine boxed and ready to post, she wished she knew someone who would +address it. She feared to have her own cramped writing seen on it. + +In Mrs. Wellington's school was a clever girl who could imitate +hand-writing to perfection, and Elizabeth presented her with a box of +bon-bons a few days before Valentine's Day. Then the following day she +asked a favor. Would Myrtle address a box for her? + +Myrtle comprehended, but the candies had been delicious so she laughed: +"Got a valentine to send?" + +"Yes, but it is a joke. I want the receiver to believe Eleanor Maynard +sent it. Can you imitate her writing?" + +"Easy as pie. Get me her exercise from this noon's class." + +And in short order the box was addressed in Eleanor's hand-writing. +Elizabeth mailed it, and the day following the 14th, Jim mailed, what he +considered, a lover's work of art--such ardent lines and such sentiment +seldom entered his thoughts, but the mushy words of the valentine +excused his letter. + +"W-e-ll--Jim's gone clean mad!" gasped Eleanor. + +"Is the thick letter from him?" asked Polly. + +"Yes, but read it, Poll, and tell me what ails him." + +Polly read, but not without giggles and many a lifted eyebrow when she +came to the extra fine phrases of love-making. + +"Nolla, he sure is daffy. Can you see through it?" + +"Not at all. I expected a comic from him--not this." + +"Nolla, do you think anyone we know would send him a soft valentine and +pretend it came from you?" + +"Maybe--for a joke! Now who would do it?" + +They asked Anne, and showed her the letter. She laughed with them, but +when they were not present, she sat down and wrote to Jim--a nice +sisterly letter cuttingly blunt that told him that she had her hands +full with school and girls, and house, so that any extra care would +drive her insane. Letters such as the one that came to Nolla, were the +worst danger she had to ward off from the girls. + +By the last mail on the thirteenth and during the day of the fourteenth +other valentines came for Polly and Eleanor; some of real merit as +tokens of friendship; some of beauty; and many with a little line of +love. But Polly received no vague or sentimental one during Valentine's +day. + +That evening, however, the bell rang, and Mrs. Stewart asked who was +there. The girls were already upstairs. + +"Messenger with a box." + +"Mother--wait till I get there!" called Anne, anxiously. + +In another moment, Anne, in a negligée, ran downstairs and opened the +street-door which opened into a vestibule. + +A large long box was handed in and Anne signed the book. It was +addressed to "Miss Polly Brewster, Studio, 1003 East Thirtieth Street, +New York." + +"Polly, here's a great box of flowers from someone," Anne called, +standing at the foot of the stairs. + +"For me?" + +"Your name is on the tag," said Anne. + +Instantly, Polly and Eleanor scrambled downstairs and Polly tremblingly +tried to untie the string about the box. + +"Dear me--it won't even break!" said she, trying to tear the cord by +pulling at it. + +"Here--take the knife!" cried Eleanor, having dashed to the dining-room +to catch up a silver knife, and returning with it. + +The string was cut, the lid taken off, and several wrappers of oiled +paper removed. Then, there, upon a bed of lace-paper rested a dozen of +magnificent American Beauties, with stems more than a yard long. And to +the cluster, about the middle of the stems, was attached a fine golden +cord holding a papier maché heart. The heart had a golden arrow +half-buried in its plump center. + +"What wonderful roses!" breathed Polly. + +"Isn't the heart cute!" giggled Eleanor. + +"No card, or sign, to say where they came from?" asked Anne, picking the +heart up carefully. + +"Oh, there's another heart--see! On the point of the arrow at the back," +cried Eleanor. And there was another heart fastened to the first one by +means of the sharp arrow. + +The girls sought carefully for some clue of the sender, but the sweet +perfume wafted from the roses was all that rewarded their search. + +"Whoever it was, he is a dear!" said Polly, fondly touching the waxen +stems. + +"And we'll try to keep them as long as possible so, whoever it was, will +see that we appreciate the flowers," said Anne, going for water. + +"At last I have found a use for that tall vase I bought that first week +of auctions," laughed Eleanor, taking the glass from under the +window-seat. + +Scarcely were the roses arranged to satisfy the admiring group, when the +bell rang again. Eleanor being nearest the door, ran out to the small +vestibule and peeped through the window in the street-door. + +"Well, of all things! Another messenger. Maybe he has a valentine for +me." + +The door was opened, Eleanor said "yes" to his query if Mrs. Stewart +lived there, and having signed the book, hurried in with a tier of +boxes. There were four in all. + +"Miss Anne Stewart the first on top," read Polly. + +The second was for Mrs. Stewart, and the third for Polly, the last being +Eleanor's. Each box contained a beautiful spray of cut flowers but no +card. Not even a suggestion of the sender. + +"Well, it beats all. Why couldn't our admirers have sent our flowers in +the morning," laughed Anne. + +Again the bell pealed. "It surely can't be more flowers!" laughed Polly, +running to the door. But it was. A card on the outside read: "Say it +with Flowers," to Miss Anne Stewart. + +By this time everyone was laughing and trying to guess who could have +sent the blossoms. And had the bell sounded again, no one would have +been surprised. But it didn't, and after guessing of all impossible +persons who might be the senders of the flower-valentines, Anne +ventured: "Someone may have telegraphed to New York this morning, you +know, to send us these flowers, at once. I've heard said, the florists +were so rushed to-day with valentine orders that they couldn't secure +enough flowers from the wholesale shops." + +"That's about it!" declared Eleanor. "John sent you this last box, and +maybe Daddy sent us each the smaller boxes. But _who_ could have sent +Polly a hundred dollars' worth of American Beauties?" + +Finally they went to bed with the great question still unsolved; and +Polly often wondered, thereafter, if Mr. Dalken could have sent her +those roses? Had she guessed the truth, would she have been content to +go on so serenely with her studies of interior decorating? + + + + +CHAPTER XII--MR. FABIAN PLOTS FOR FACTS + + +The roses kept for more than two weeks, filling the Studio rooms with +fragrance, but keeping their secret as to who had sent them to Polly. +She had gone to everyone she knew and tried to find out who had given +them to her. Then she beguiled Mr. Ashby into finding out if Mr. Dalken +was the guilty one. And when he was found innocent, she bribed Mr. +Dalken to find out if the Latimers or the Evans sent them--but she could +not see why anyone should spend so much money on her, and try to hide +the fact. + +When Mr. Fabian was satisfied that it was not one of their old friends +who had sent the roses, he thought of a way to find out. The box had had +the name on its cover, of one of Fifth avenue's most fashionable +florists, so he went there and tried to learn what he wanted to know, by +asking the proprietor. + +But the man smiled and shook his head. "We are never allowed to divulge +state secrets, Mr. Fabian." + +"Not even when that secret concerns a protegée of mine? I do not wish to +use the knowledge, but merely to relieve my mind." + +"If I were to tell you, Mr. Fabian, I should have to also tell the six +other individuals who begged me to tell them confidentially who ordered +the roses." + +"Six others! Have others been here to ask this same question?" asked Mr. +Fabian, amazed. + +The florist laughed. "Yes, that pretty miss seems to be very popular. +Who is she, anyway?" + +"A little girl that attends my art class, and I am bound to keep her +mind free from nonsense until her education is finished." + +"Can you keep a secret--on your oath?" asked the florist. + +"Yes, yes!" eagerly agreed Mr. Fabian, thinking he was now going to hear +who sent the roses. + +"Well, then, this much I may tell you--just to ease your fears: the +individual who sent those roses is as anxious as you can be, to keep the +girl's heart and mind free from nonsense and to allow her to complete +her art education without thoughts of beaux." + +"Is that all you've got to say?" + +"My goodness, don't you appreciate that much! You only wanted to know +something to ease your mind, and now I have told you." + +"How do _you_ know what the gentleman thinks or wants?" + +"I was told so by the one who ordered the roses. But I did not tell you +it was a gentleman." + +This was still more disconcerting to Mr. Fabian, but he never told a +soul that he had visited the florist. He did wonder, however, if the man +had given the others the same confidence he had imparted confidentially +to him. + +Polly, the cause of all this secret concern of her friends, had +forgotten all about the valentine, and was devoting her entire time and +attention to the absorbing lessons at art school. + +Easter Week came early, and the term beginning immediately after the +Easter Holidays, would start a course on mural decorations, and the +study of tapestries. So interesting had their night-classes become, that +Polly and Eleanor neglected their studies at day-school. Anne noticed +their daily marks and worried over it. At last she consulted with Mr. +Fabian. + +"You must realize, Mr. Fabian, that the girls are still young. Even if +they were prepared to enter the profession they are proposing to follow +they would be too young in years to make a success of it. People are not +apt to turn over contracts for art or decorating, to girls under twenty. +Therefore I advise you to make them drop their night school until after +they have caught up in their day classes." + +Mr. Fabian was secretly pleased at the news that his two pet scholars +preferred _his_ teachings to the dry high-school lessons. But he dared +not express his satisfaction to Anne. + +"All you say is true, but there is no need for my girls to give up their +art class. The night school closes for a two weeks' holiday at Easter, +and then, as warm weather comes on apace, I find my pupils begin to lose +zeal in their constant attendance at class. You will see that Polly and +Eleanor will turn more to their day studies, then. But I would not +advise you to cut off their pursuit in art work, now. It will only +create deeper zest for it, and turn their thoughts completely from +day-studies." + +Anne replied that this was logical, and so the girls never knew that +they had been standing upon the danger-line of having to suspend their +favorite studies. + +Mr. Fabian was roused to a more temperate art "diet" for the two girls, +thereafter. And Polly and Eleanor found, as Spring advanced, that +lessons in night school were simpler and not quite so absorbing to their +time, as those of the recent weeks had been. + +In the mural decoration study that began with the new Spring term, the +pupils found that, beginning with the order of antiquity, Egyptian +first, and then Greek, Roman, Medieval, Moresque and Persian +styles--much of their work done in the other classes now proved useful. +In fact, the historical studies of these races of people and their +periods of time, proved valuable in review, for the further perfection +of mural art. + +So when they were given a design to do in "wave ornament" it was at once +recognised as Egyptian art. Or should a wall decoration be required +where geometrical forms were the principle, the pupils remembered the +religion of the Arabs and Moors which restricted them to the use of +natural forms which would not conflict with their worship. + +Thus Polly and Eleanor began to understand how important their previous +lessons had been, and how necessary it was for every earnest student of +art to be present at each class, that no connecting link in instruction +might be dropped and lost. + +As the weeks went by, and the end of the term drew near, the night +classes thinned out perceptibly, many of the less enthusiastic pupils +preferring outdoor sports to close application to art pursuits. But +Polly and Eleanor found their pleasure in hearing all Mr. Fabian had to +say to them on various subjects. + +Perhaps the girls might not have been so keen for school during the warm +evenings, had not Mr. Fabian's knowledge and fascinating descriptions of +anything pertaining to his profession, been so freely given them at all +times. He continued to discover exhibits, lectures, and other +educational pastimes, to which he conducted his favorite pupils, so that +there was no dearth of material to aid and demonstrate his teachings. + +As June came in, Polly found New York not nearly as cool and pleasant an +abode as Pebbly Pit with its altitude upon the crests of the Rockies. +And she longed for a breath of the mountain air that would renew jaded +senses. Both Eleanor and Polly began to show the strain of the close +application to study that they had had since October, so Anne was +thankful that the schools would soon close for the Summer. + +Then the last class in Cooper Union ended, and Mr. Fabian escorted his +girls to their home. Already, they were planning for the coming year of +work, but their instructor smiled and interrupted. + +"I have refused an offer to continue my classes in the school, so I will +not be there next year." + +"What!" gasped Polly. + +"Not teach us!" cried Eleanor. + +"Not teach at Cooper--no. I feel that I am not strong enough to keep up +such arduous labors; and so many there do not seem to appreciate what I +am sacrificing for them. I find there are some people who think that, +because a thing is free, it is not as valuable as if they had to pay for +it. You can see, for yourselves, how many scholars dropped out of the +classes when other diversions offered themselves. They join an art class +and attend it when nothing else can be had. They take my thought and +time, and when they weary of the routine, they fail to appear. It is +very disheartening. But it is so every year, and I am tired of trying to +keep up the interest of such lazy leeches." + +Polly and Eleanor heard their dear professor's words in sorry silence. +What would night school be without him? + +"But I have planned a far different school beginning with next October. +I have chosen the faithful few who really mean business, and to these I +shall offer my services for a small return. I feel sure that this will +mean greater benefit to individuals in a small class, as I can devote +much more time to each student and give better advice wherever it is +needed. I have thought of seven scholars for my little school." + +"Oh, Mr. Fabian--I do hope Polly and I are among them!" exclaimed +Eleanor, anxiously. + +Mr. Fabian smiled. "Perhaps it was because of Polly and you that I +thought of this idea. You two girls really should have personal +instruction, instead of having to waste hours in a general class waiting +for delinquents to catch up with you. + +"That has always been the weak spot in any large class; there are those +who forge ahead eagerly, and the lazy ones who miss a class every few +nights, causing the whole body to delay and wait while they work to +catch up on what they have missed. + +"When the few ambitious workers can be grouped together and not hampered +by the leeches, one can readily see how much better it is for all +concerned. This is what I propose doing." + +"Oh, it will be splendid! and I am glad, for one, to be able to look +forward to such teachings. To know that we can ask all the questions +freely, and not have to wait to have the easiest lesson explained to the +thick-headed, will be a great relief," said Polly, gratefully. + +At the door of the Studio, Mr. Fabian said good-by. "I am planning to +sail for Europe very soon, my dears, and I am looking forward to a good +time with my little family. We intend visiting all the famous places of +interest to an artist, and when I return in the Fall, I will be able to +tell you about the great cathedrals, the wonderful collections of +antiques, and other sights." + +"As for Polly and me--we won't be able to give you any such tales, as we +are going to spend our vacation at Pebbly Pit, again. But we will bring +back plenty of health and renewed zeal," laughed Eleanor. + +"Ah! That is what I need of you now, children. See that you fill out the +hollows in your cheeks, and gather ample strength and health for another +strenuous year in New York. I plan to put both of you on the firing-line +next school-year." + +"We'll not fail you, Mr. Fabian," promised Polly, taking his hand a +second time and patting it fondly. + +"Then I'll not fail _you_, dear students!" responded Mr. Fabian, +stooping and kissing each girl affectionately on the forehead, then +taking his leave. + +A few days after this the Studio was swathed in dust-covers, the windows +locked and shuttered, the burglar alarm attached, and at last the front +door was closed by a representative from the insurance company. The four +tenants were on their way to Grand Central where Jim Latimer and Kenneth +Evans were to meet them. They then were going to take the Twentieth +Century Limited to Chicago. + +Jim and Ken had been engaged by Carew, to join his camp of surveyors in +the mountains for this second season's work; and, as Polly and her +friends were to spend the summer vacation at Pebbly Pit, it was quite +natural that all six should journey westward, together. + +Mr. Dalken and the Ashbys came to see the friends off, and as the parent +Latimers and Evans were with their boys to the last, there was a large +merry party to accompany the travelers to the Pullman. + +"Don't be surprised to see me bring the Ashbys to Pebbly Pit in my +touring car, some fine day, soon," announced Mr. Dalken. + +"Oh, that would be lovely!" cried Polly, eagerly. + +"And leave Ruth with us for the Summer?" added Eleanor. + +"Yes, yes, Daddy--I'd love to spend my vacation with Polly and Eleanor +at the ranch!" exclaimed Ruth Ashby. + +"Where would you put us all--even if we did come?" asked Mrs. Ashby, who +had heard of the limitations of the ranch-house. + +"Oh, you forget! John writes that we will be surprised to find the +marvelous work that has gone on at the Cliffs. Not only is the great +road down through the Devil's Causeway completed for heavy traffic, but +rows and rows of buildings back of the Imps are ready for occupancy, the +moment the machinery is set up for work on the lava. If the miners have +not yet taken possession of the barracks we could invite loads of people +to visit the ranch." + +Polly spoke eagerly, and her eyes shone as she beheld her friends +enjoying the Brewster hospitality. + +Everyone laughed at her anxiety to have them visit her, and Mr. Dalken +promised: "I'll do my best to bring my friends, Polly." + +A quizzical look in his eyes suddenly caused Polly to remember the +valentine she had sent him. She smiled back at him, but as suddenly +another thought flashed into her mind. + +"Oh, Mr. Dalken, I've wanted to ask you for the _longest_ time! Now that +it is ancient history, you won't mind confessing, will you?" + +Mr. Dalken shook his head as a concession to her eager look. And Polly +continued: "_Did_ you send me those American Beauties' valentine?" + +A roar greeted this question, as everyone of the grown-ups had asked the +same question of Mr. Dalken months before. And Mr. Dalken not only +repudiated any knowledge of the valentine but told how he had visited +the florist and had not been able to ascertain who the Cupid really was. + +"Polly, I will confess, as they say that open confession is good for the +soul. I was guilty of sending four boxes of flowers to the Studio on +Valentine Day, to four charming friends, but I showed no partiality, I +think, in the bouquets. I would like to know, myself, who the Cupid was +who sent such gorgeous roses as you received." + +"I wonder! I'm sure it wasn't Jim," here Polly looked searchingly at the +young student, and he shook his head laughingly. + +"I couldn't have, had I wanted to. My pocket money went for that +love-sonnet that was so harshly condemned," said he. + +"And I'm sure Ken never dreamed of doing it. Then there is Mr. Latimer +and the doctor--they are both innocent, I know, as they never think of +anything other than the old patented jewel cutter." + +As Polly explained thus in earnest tones, everyone laughed at the two +men so calmly criticised for their absorption in patents. + +"So I am inclined to believe it was my _own_ Daddy. He always did send +me the cutest valentines each year, and I received no card from him this +year--so that is who it was!" declared Polly. + +"And the only kind of a Cupid to have, these days, Polly," approved Mr. +Dalken. + +But the happy circle standing on the platform of the train-shed were now +notified that the passengers must get on as the train would leave in a +few moments. + +Good-bys were said, hands shaken, kisses wafted from the girls to the +group remaining in New York, and then the travelers were gone. + +Scarcely had the train slowed up in the Chicago Terminal before John and +Tom Latimer were on board, pushing a way through the Pullmans, in search +of familiar faces. + +"There they are--there comes John!" cried Polly, excitedly, jumping up +and pointing to the other end of the coach. + +"Oh--!" sighed Anne, flushing joyously as her glance rested upon her +fiancé. + +But John had no eyes for anyone but Anne. Polly was left standing with +hands out-stretched, her whole soul quivering with anticipation of her +beloved brother's greeting, and now he forgot she was alive! Then Paul +Stewart and Pete Maynard ran in. + +Mrs. Stewart was embraced by Paul, and Pete hugged his sister Eleanor. +Tom Latimer stood a pace apart, his features working desperately to +control his feelings as he saw John joyously scanning Anne's face, and +Polly limply sitting down in the parlor chair. Then he quickly went over +and greeted her. + +"Polly, and you boys"--turning to Jim and Kenneth--"we sure are happy to +see you-all again. My, what a change New York has made in you. I see +quite a wonderful young lady, where once I remember my little ranch pal +with pigtails." Tom tried to laugh merrily. + +Kenneth suddenly launched into a silly conversation to cheer Polly. But +Polly never could dissimulate, and she was too deeply hurt at her +brother's neglect to pretend to be merry. John, however, now turned to +embrace and kiss his sister, and evidently had had no thought of +neglecting her. + +"Come, children, we must get out or we'll be carried to the +round-house," suggested Jim Latimer, taking up certain bags. + +Once on the platform where Mr. Maynard welcomed them, Tom said: "When do +Ken and you go on to Denver?" + +"On the next train, leaving here at two. That gives us an hour and a +half with you." + +"Anyone want dinner, or did you eat on the train?" now asked Paul +Stewart. + +"All dined, but now waiting for someone to suggest a party for Ken and +I, as we go on in a little while," said Jim. + +"Here!" offered Mr. Maynard. "Pile into taxis and we'll be at the house +in a jiffy. No place like home when there's no other place to go to." + +So, laughing, the entire party bundled itself into cabs, John managing +to get Anne and her luggage to himself. Immediately, he signalled the +driver to start off. + +Mr. Maynard, Paul and Mrs. Stewart got in another cab and Jim, Ken, and +Eleanor in another. That left Polly and Tom Latimer, with the remaining +bags, to get in the last taxi. It was all done in such noisy confusion, +that no one dreamed how one clever manager had so manipulated matters as +to have Polly alone in the last cab. + +"Well, Polly, I hear you are soaring in your ambition. Mr. Fabian wrote +me how interested he was in Nolla and you." + +"Oh, did the dear man write you? I didn't know he and you corresponded." + +"I took a great fancy to the idealist, and having always loved art for +itself, I told him I would consider it a great pleasure if he would +exchange letters with me when he had the opportunity. He has done better +for me than I had any right to expect. He writes the most interesting +letters--just as clever as his talks on art." + +Having found a willing listener in Tom, Polly expanded on her private +opinion of such a wonderful teacher as Mr. Fabian was, and before the +taxi drew up in front of the Maynard's brown-stone mansion, Tom had the +comforting assurance that Polly had quite forgotten her brother John's +unintentional neglect. + +Jim and Ken enjoyed their hasty visit and then took their departure to +catch their train going west. When Mrs. Maynard and Barbara dispensed +tea, the three young men, John, Tom and Paul, had to enter into service +for the hostess; but they would greatly have preferred to enjoy their +time as each inclined--John alone with Anne in the conservatory, Tom and +Polly talking art, and Paul making merry with Eleanor. + +Barbara, who a year ago would have resented oblivion for herself, now +smiled contentedly and gazed upon a huge solitaire. + +"Bob, shall we announce it?" whispered her mother. + +"No, they do not know Percival, and, moreover, not one of these people +appreciate his social standing." + +So the young people now gathered about Mrs. Maynard's tea-table were +deprived (so Bob thought) of the greatest event of the past social +season--her engagement to one of the most aristocratic and wealthiest +eligibles on the market, Percival Weston. + +Barbara twirled her solitaire smilingly, nor cared that her Percival was +bald and diminutive, past the prime in life, and not over-brilliant. Had +he not been the catch at Newport the previous Summer? And had he not +attached himself to her as soon as she appeared in the Adirondack Camp +presided over by the famous society leader of New York? + + + + +CHAPTER XIII--BACK AGAIN AT PEBBLY PIT + + +"Oh, Nolla! Isn't this great after old New York?" cried Polly, as they +were all jostled in the big ranch-wagon driven by Mr. Brewster, as it +rumbled over the trail to Pebbly Pit. + +"We-all think it's great, Poll; but wait till you see what your going to +New York did to the old Pit! No one to blame for it but yourself," +laughed her father. + +"We heard there was a row of buildings down behind the Imps, and that a +fine roadway was constructed through the Devil's Causeway," said Polly, +eagerly. + +"But no one told you how John and Tom came here as soon as college +closed, and brought a railroad man with them to see about building a +spur from Bear Forks to the valley at the foot of Grizzly Slide. It's +twenty miles nearer Denver than Oak Creek, so the company agreed to risk +the work if Pebbly Pit would guarantee a certain amount of travel and +freight over the road." + +"Well--did you, Daddy?" asked Polly, eagerly. + +"Tom Latimer did. Agreed to put up bonds for same." + +"Tom? Why Tom Latimer?" asked Eleanor. + +"Oh, Tom is mighty ambitious, you know, and seems as if he liked this +section better than the East. However, it is Tom we-all can thank for +that new railroad. When you-all come home next year, you-all will be +riding over your own tracks." Mr. Brewster chuckled. + +"Is Tom going to join that crew of engineers that John and he were with +last year?" now asked Eleanor. + +"No, indeed! Tom and John will be right here with us this summer. We-all +need their help in working out the problems of the mine and Rainbow +Cliffs," responded Sam Brewster. + +"I don't suppose we'll see a bit of John as long as Anne and her mother +remain in Denver, visiting their old friends," pouted Polly, jealously. + +Her father glanced slyly at her, and smiled. He felt sorry for his +little girl who had always felt that her brother John was her own +personal property. Now that someone claimed first love and attention +from him it was mighty hard for her, as well as for Mrs. Brewster. + +"Ah should wonder at John if he failed in gallantry to his sweetheart," +was all Sam Brewster said aloud. + +"Oh! Everyone makes me tired! Anyone'd think Anne Stewart was a saint. +She's only a girl the same as Nolla, or me. And no one is found going +mad over either one of _us_!" cried Polly, pettishly. + +Eleanor laughed. "Give us a few years and then see!" + +Polly curled her lip impatiently. "A few years from now and I'll be in +Europe with dear old Fabian, studying art. I won't want attention from +anyone, then." + +"Seems to me," ventured Mr. Brewster, gently, "my little girl is +hankering for homage or a beau--which is it?" + +Polly stared aghast. "Neither one! How dare you say so." + +"You-all were speaking of attention." + +"But I was only thinking of _John_. He'll have Anne for a wife all his +life long--after next year. But he won't have _me_ after I finish +school." + +In spite of the tearful tone, Mr. Brewster had to laugh. "Don't waste +your time on John, Polly girl. Let me make up for him and be your +devoted attendant. Ah'll always be at your beck and call!" + +"Oh, Dad! That reminds me!" exclaimed Polly, turning square around to +face her father, and forgetting her recent misery over John. "_How_ did +you ever manage about that rose valentine you sent me?" + +Sam Brewster let the reins dangle recklessly as he, in turn, stared at +his daughter. "What valentine?" + +Polly winked roguishly and laughed. "You can't pull the wool over my +eyes, Daddy. I've spent a whole year in New York to some advantage, you +see. I have seen lots of such feigned innocence as yours." + +"But honest, Poll, Ah don't even know what you-all are talking about; Ah +got your sweet valentine, and so did maw." + +Polly frowned at her father. "Didn't you wire to a florist in New York +and order a dozen great roses for my valentine? And tie the two hearts +pierced by a golden arrow, about the center of the flower-stems?" + +"Positively, this is the first word Ah've heard of it!" declared Sam +Brewster so emphatically, that the girls believed him. + +"Now, Polly, the hunt is narrowing down," laughed Eleanor. "We know it +was no one in New York, and it wasn't Jim or Ken. Your father says he +didn't do it, so it leaves only a few more to ask." + +Suddenly Polly clasped her hands. Her face was radiant. "Why, of course! +How could I forget? It was dear old John! He, too, always remembered me +on Valentine Day." Then turning to her father, and shaking a finger at +him, she added: "But you didn't remember me, this year, bad man." + +"Tell truth, Polly, there was so much to think about and so much to do, +over the buildings and mines, that Ah clean forgot there ever was such a +day, until I got your card. Then I felt sorry." + +"Well, thank goodness, John remembered!" sighed Polly. And Eleanor +noticed that she smiled again in forgiveness of her brother's +shortcomings. + +When the wagon stopped at the porch of the ranch-house, Eleanor laughed: +"Just as we drove up last year--but oh, how different this year!" + +Mrs. Brewster hurried out to welcome her dear girls, and laughed at +Eleanor's remark. "Still making Irish bulls, Nolla!" + +They all laughed merrily, and then Sary rushed from her kitchen, and +clasped Polly to her ample bosom. Eleanor came in for her share of the +maid's embrace before she had to hurry back to the dinner. + +"Ah'se cookin' cabbige soup, Miss Nolla," she explained. + +"Why, Sary, that first night we were here last summer, you had +'cabbidge' soup, too!" + +"We-all has to hev it once a week reg'ler now, 'cause Jeb loves it, an' +he is a foreman, you know." Sary's pride in her spouse's promotion was +most evident. + +While Polly and her mother cozily sat together on the porch and smiled +happily to be in each other's company, once more, Eleanor walked to the +barns with Mr. Brewster. She had an object in view, and she never +delayed in finding out what she wanted to know, should the opportunity +come and offer itself to her. + +"Mr. Brewster, do tell me honestly--_did_ you send the roses, or do you +know who did send them to Polly?" + +"Nolla, Ah never heard of them until to-day. Ah'm as curious as you, to +know who sent them. What were they like, anyway?" + +"Well, you must know, Mr. Brewster, that American Beauty roses like they +were, cost a small fortune in New York, at that time of the year. Each +one of those roses cost not less than five or six dollars. And the +trinket that was bound to the stems was not a cheap thing, either. In +fact, the chain was of fine, gold-plated links, and the arrows were +gold-plated, too. It was an imported curio." + +"By the Great Horned Spoon! Roses that cost like that! Why, they wilted, +didn't they?" gasped Sam Brewster. + +Eleanor laughed merrily. "Sure thing! But we kept them as long as +possible. That is just where the joy comes in of getting costly +roses--they wilt. And anyone, who will spend that much money on one, +must think a heap of her first--see?" + +Mr. Brewster stood stock-still. He caught at Eleanor's arm. "Ah've got +it!" + +"What--who?" Eleanor was breathless in her eagerness. + +"Find the silly swain that's making eyes at my Polly, and you've caught +the rascal who sent the roses." + +Eleanor screamed with laughter. "Oh, you're funny! But isn't that +exactly what everyone's been doing?" + +"Oh--have they?" + +"Sure! I learned that Mr. Fabian tried to find out who the fellow was. +And then Mr. Dalken wanted to know. The Latimers and Evans put Jim and +Ken through the third degree, but no one confessed to it. Now do _you_ +believe John sent them?" + +"I do not!" was the positive reply. + +"Neither do I! Because John sent Anne a bunch of roses for _her_ +valentine but they were only seven dollars. She got a dozen, the usual +short-stemmed Bride Roses. He wouldn't dare send his sister such +gorgeous ones and only give his fiancée cheaper ones." + +Sam Brewster smiled at his companion. "Nolla, you're a wise little owl." + +"Anyone would be, after having had the social training that was fed to +me from the bottle up!" + +Mr. Brewster laughed at this, and Eleanor then said: "Guess I'll be +going back, now, Mr. Brewster. I wanted to know your opinion about John +and the roses." + +"Wait, Nolla. Have you any answer to it yourself?" + +"U--m, yes--I have a sort of a suspicion. But it isn't fair to anyone to +even hint at it. So don't ask me." + +"This much you might answer, however, seeing that Ah'm Polly's father +and the most concerned in the beaux she has. Do you fancy it might have +been your brother Pete?" + +"_Pete!_" The very tone made Mr. Brewster smile as he saw that Eleanor +had never thought of him. "Anyway, Pete and Poll hardly know each +other." + +"Ah wonder if it could have been Paul Stewart--he seemed dreadfully +attentive to her that time when we-all were visiting you-all in New +York." Mr. Brewster watched Eleanor shrewdly. + +"I just guess it _wasn't_ Paul! He sent me a lovely card for a +valentine; and while we were home in Chicago, I asked him about flowers. +He never thought to wire a florist about sending me any flowers, he +said. So I know Paul hadn't anything to do with it." + +"Ah! Well, Nolla, now we know who he was, eh?" laughed Sam Brewster, +tweaking Eleanor's ear and hastening away to the barns. + +Eleanor stood watching him. Then she laughed softly: "He sure did put +one over on me, that time!" + +As she walked slowly back to the ranch-house she soliloquized to +herself. "That's just who it was. Gee! It's almost as fine as having a +romance of my very own. But Polly doesn't want it so. + +"All the same, when John and Tom come down here, I'm going to tease Tom +about the wonderful roses Polly's brother sent her. Then we'll see what +we'll see!" + +Eleanor could keep her own counsel as well as Sam Brewster, but the two +exchanged wise looks, now and then, when no one was watching. Still, +never a word was said again on the rose subject. + +A week after the two girls got home, the others in the party came down +from Denver. Mrs. Stewart was to be Mrs. Brewster's guest that Summer, +Eleanor was Polly's, and Anne said she was John's visitor. Then Tom +Latimer laughed and said: "I'll have to be Mr. Brewster's pal." + +"I can promise you that you won't have your head turned by any pretty +school-girl, Tom, if you are _my_ guest," chuckled Sam Brewster. + +Eleanor tittered, Tom flushed, but the others laughed at such a speech. + +Plans had been made to take a three-day trip up over Top Notch Trail, +and inspect the progress on the mine, but Mrs. Brewster and her guest +would remain at home, by preference. + +The merry cavalcade started out, Polly on her beloved Noddy as usual, +and Eleanor on Choko. The others rode their horses, and Jeb led an extra +horse with the packs. + +There was no planned order in riding; first one girl would have one of +the escort, and then another would ride up and "cut in" to urge the +other onward. Thus everyone was laughing and teasing and talking merrily +until they reached the falls on top of the mountains. Here, where Polly +had caught the trout, the year before, they all had dinner. + +"My goodness! Folks in New York never know what they miss by never +coming to the Rockies," declared Polly, her eyes wandering to the +far-off line of mountain-ranges. + +"And folks who live near these mountains are never happy until they get +to New York," remarked Mr. Brewster. + +Polly laughed. "Oh, that is when one needs education. I have always had +too _much_ mountain and not enough of other good things. But now that I +am tasting a little of everything, I like my mountains as well as +anything I've seen." + +"D'ye think you-all will stay at home after this?" eagerly asked her +father. + +"Double no!" affirmed Polly, emphatically. + +Everyone laughed at the expressive slang, and Polly added: "At least, +not until I have seen Europe, year after next, and tried a hand in my +profession. Maybe--if I fall in love, some day--I'll come back to Pebbly +Pit to raise my family." + +John Brewster thought this so funny that he ha-ha-haed loudly, but the +others smiled doubtfully. Eleanor could not help sending a swift look at +Tom Latimer to see how he received the information. But Tom was +scrambling to his feet, so his face could not be observed. Eleanor +glanced away from him to Sam Brewster, and saw the latter with a twinkle +cornering his eyes as he noticed Tom's awkward movement. + +"U--m!" muttered Eleanor. "I've got your number, Tom Latimer!" But no +one overheard her whispered thought. + +As the riders proceeded on their way, Paul Stewart said: "I don't see +why you folks should think this such a tough trail. I consider it rather +broad and good." + +"Humph! It's a highway these days, what with all the riding up and down. +But last year you wouldn't have been able to see any thing but trees and +rocks," Polly returned. + +It was as Polly said: almost as clear a trail as any woodland road. At +Four-Mile-Blaze where the girls were well-nigh lost on their first ride +over the trail, there now was a good but narrow bridle-path. Thence it +was easy going up the steep side to Grizzly Slide. + +"W-ell! See the crowd of men working up there? And hear the sound of +tools and machinery!" exclaimed Polly, as she rode out of the screening +forest, and came to a man-made clearing. + +"Of all things! Trees chopped down and turned into huts; an army of +workmen living here as if they belonged," added Eleanor. + +"We are blasting and clearing away the rubble that hides your mine. We +had both ends working a few weeks ago, but now we are trying to drop a +shaft from the top," said Mr. Brewster. + +The visitors camped at the miners' settlement, that night, and the next +day the girls were taken about to see the great progress made according +to the plans to mine the ore. + +A cable-road was being built from Choko's Cave down the steep +mountain-side, to the valley, and this was to be used to carry the +ore-cars up and down. As the girls stood on top of the ledge that +overhung the cave, they could look straight down the awesome +mountain-side, where the forest had been cleared for the cable-line. + +"It looks as if it all cost a heap of money," said Polly. + +She had been so engaged in looking at the change wrought in her beloved +mountain, that she failed to see that the others had wandered away. But +someone stood behind her. She felt it. As no reply came to her +statement, she turned and found Tom Latimer waiting for her. + +"Oh, where are the others?" + +"Gone over to the other side where the underground river comes out, you +know." + +"I was saying, Tom, that this must have taken a lot of money." + +"More than we figured on, but once we begin to get out the ore, it will +roll back four-fold." + +Polly was impressed, but still wondered "Where did all the money come +from, Tom?" + +"Stocks. We wanted to keep most of the Capital for you and the first +owners, you know; but investors wouldn't put up so much money without a +vote. So we had to sell out some of the voting shares. That's where Mr. +Dalken came in--he bought a big block of your stock, and it is his money +that's doing this." + +"I think he is the nicest man! I used to think he sent me a wonderful +bunch of American Beauty roses for a valentine, but I only learned the +other day that it was John! Wasn't it funny?" + +Tom laughed with Polly, and said: "What made you think Mr. Dalken sent +them?" + +"Oh, something happened once to Nolla and me, in New York that nobody +knows--so don't you go and tell on us, Tom!" Polly waited anxiously to +get Tom's promise, then she proceeded. + +"And Mr. Dalken happened along in time to save us from the beasts. After +that he made us use his small automobile when we went to night-school. +We were awfully grateful to him for it. + +"Then when Valentine Day came along, I suggested to Nolla that we send +him a lovely card telling him how good he was to us. I sent it, and late +that night the roses came. I felt sure, all the time, that he sent them; +I thought he had forgotten it was Valentine Day until after my card +reached him. I always wondered why he didn't put Nolla's name on the +card, too, as well as mine. But now I know he never sent them." + +"Does John know you've found him out?" asked Tom. + +"No, not yet; but some day I'll tease him about it." + +"Don't! let him think you are still trying to guess who sent the roses. +It will tickle him to pieces to believe you think it is an ardent +admirer of yours." Tom laughed merrily with Polly at the very idea. + +"That's just what I will! And you and I will sometimes pretend _you_ +sent the roses to me, and then we will watch John's face. Maybe he will +up and tell the truth!" added Polly. + +"No, I doubt it. You see, Polly, John is a wonderful actor, and one +never knows just what he thinks. If he managed to keep a close mouth to +me, his best friend, all this time, it must be because he didn't want +Anne to find out he sent you such roses." + +Then the two conspirators walked back to join the others, but Polly and +Tom felt that they had a good joke between them, thereafter. + + + + +CHAPTER XIV--ANOTHER YEAR AT SCHOOL + + +The summer vacation passed quickly for Polly and Eleanor, and September +came in with wonderful Autumn weather, when riding and mountain-climbing +were just the thing. However, all such outings ended to plan for the +return to New York. + +A letter had arrived from Mr. Fabian, in which he spoke of his +delightful visit with his wife and daughter. They had gone to various +places in Europe and England, inspecting and studying all the famous old +works of art, and the ancient buildings that made fitting caskets for +these rare curios. + +"When I read this letter, of all Mr. Fabian has done with his Summer, I +feel guilty," said Polly to her friend, Nolla. + +"Why should you? We had to rest and drop all idea of study so's to be +fresh for this year's work. Didn't we do it?" + +"Yes, we rested, all right, Nolla; but it seems we might have done some +of the work we planned to do, before we left New York. There is that +chest with our colors, paper and other things--we never as much as +unlocked it." + +"Polly, I can paint any sort of drapery you want, and in any light or +shadow. I can paint a vase, a chair or a lamp; I can draw a hall, or a +room, or a window. What more do you want? Why should we sit down and +make loads of these things all summer, when we know how to do the work, +already?" + +"I don't know, Nolla, except that we ought to practise!" + +"Pooh! I'm ready for all the work they want to pile up on me, now and +I'm glad I've been so lazy all summer." + +"To tell the truth, Nolla, _I_ am more than ready to work with all my +heart. I feel as if I would dry up if I played any more," admitted +Polly, laughingly. + +With this desire to again take up their studies in New York, the girls +left Pebbly Pit the second week in September. By the last of the month, +they were eagerly planning with Mr. Fabian for the new year's school +work in art and decoration. + +"I have a pleasant surprise for you, girls," announced Mr. Fabian, after +greetings were exchanged. They all sat under the locust tree in the +little yard of the Studio. + +"'On with the dance,'" laughed Eleanor. + +"As you know, I landed in New York the first week of September, and +found most of my friends still away in the country. But Mr. Dalken was +in evidence, as ever, eager to offer me his hospitality, until I located +for the Winter. + +"We sat in the medieval library of his apartment, and I remarked, +casually, at the unusual size of his rooms. + +"'Yes,' replied he. 'That's the advantage of leasing one of the +old-fashioned apartments not so far uptown. One gets the benefit of +being near the center of activities in the city, and at the same time +one can have the great rooms once occupied by the old gentry of the +town.' + +"'What a splendid room for gatherings,' I said, never dreaming of his +inspiration. + +"'Seeing that you are looking for a suitable room in which to conduct +your little private class of art decorators, why not use this library? I +have all kinds of reference books in the cases and I am so seldom at +home in the early part of the evening that you will be undisturbed.' + +"I was astonished, as you may imagine, and I said, 'But, Mr. Dalken, we +couldn't think of using this room and the apartment, without some return +for your kindness.' + +"He laughed. 'What do I want of rent or its equivalent? I am only too +glad to do you and those charming students of yours a good turn. You +see, I still owe Polly and Eleanor a great balance which can never be +paid. Were it not for those two girls I would not have a child--even +though I seldom see my little one.' + +"I felt that he was so earnest about the offer that I said we would talk +it over with Mr. Ashby and let him judge. Not that I did not see the +advantage of using the rooms, but I wanted an impartial friend of Mr. +Dalken's to decide whether or no he might regret the generous offer, +later; and then not care to tell us that we bothered him with our +regular classes three nights a week. + +"So we visited the Ashbys the following evening, and to my amazement, +Mr. Ashby was enthusiastic over the plan. He said: 'Now you've started +out right, Dalk, and to prove how much I think of your offer, I am going +to have Ruth join the class this year--if Mr. Fabian will take her. It +might be rather nice to have Elizabeth join the class, also, even though +she may not show any talent for the work.' + +"'Now, Ashby, you must pardon me if I speak frankly,' Mr. Dalken then +said. 'One of the main reasons for Mr. Fabian's resignation from Cooper, +and giving all his valuable time to a small class, is to urge those +talented ones forward. If my little girl, who detests application to +study of any sort, were to join this class, the basic idea would be +ruined. The class would be held back by one delinquent. But I appreciate +your motive in suggesting a way that I might enjoy the companionship of +Elizabeth so often, without the tyranny and incompatibility of her +mother's temper.' + +"Mr. Ashby colored, as he thought he had been diplomatic in his hint," +concluded Mr. Fabian. "So now it is settled that Ruth Ashby joins our +art class, this year, and we will meet at Mr. Dalken's rooms for our +work. That is nice for you girls, as it is only a short walk of a few +blocks from the Studio." + +"_Nice_ for us--why, it is just scrumptious!" exclaimed Eleanor. + +"And such a wonderful environment as that library, will give us +inspiration, too," added Polly. "I never _did_ see such a kind man as +Mr. Dalken! If I had my way to accomplish it, I'd shower all the joys +and successes in heaven or earth upon his generous heart." + +"He _is_ great and good, and it seems as if justice must be sleeping, +when such a man must suffer alone because of a silly moth of a wife. If +he would only hearken to his friends and seek freedom from such galling +bonds! but he doesn't think divorce ever righted a wrong, and he still +hopes he can bring Mrs. Dalken to a sense of her family-obligations and +gratitude, for all she has been so unselfishly given. Poor fellow!" Mr. +Fabian shook his head despondently over their benefactor's future. + +"Polly and I never knew what was the trouble in the Dalken family, Mr. +Fabian, but what we have seen and known of our dear friend, I'm sure +that _he_ was never to blame for it," said Eleanor, defensively. + +"I never care to gossip or to repeat a story, children, but now I think +you ought to know why Mr. Dalken lives alone so much as he does. If we +are to use his rooms, you must know what a magnificent character he is, +and then should you hear any disagreeable gossip that can be traced to +his wife, you will understand the situation." + +"Whatever you say, Mr. Fabian, will never be repeated by either Nolla or +me," promised Polly, solemnly. + +"I know it, that is why I feel I ought to tell you. + +"Mr. Dalken, as you know, is a descendant of one of the oldest Dutch +Settlers in America. His family, from olden times down to the present +day, were patriotic and loyal Americans. He is as staunch an American as +you will find, anywhere. + +"Mrs. Dalken was a poor girl, and not over-brilliant. But Mr. Dalken +admired her prettiness when she was a young miss, and when he was but a +slip of a youth. They went to entertainments together in the small town +where they both lived, and enjoyed each other's company for two or three +years. + +"Then the young man went to college and saw the world. He realized how +superficial Amy Lathrop was, and as time went by, he would have +forgotten her completely, had she not kept up her side of the +correspondence. And gradually a suggestive note crept into her letters. + +"When his college days were over, young Dalken returned to his +birth-place to settle the country estate that was his. Then he met Amy +again, and she found him so chivalrous that it was an easy matter to +give him to understand that she had waited for him these five +years--that she had been the soul of faithfulness. + +"Without consulting his friends, or mentioning the matter to others in +the town, he became engaged to her on the claim from her, that it had so +been understood before he went to college. + +"Well, they were married, one day, and then our poor friend's martyrdom +began. Amy Dalken was of no use in anything or in any way. True, she had +two children, but it may have been much better had she never become a +mother. She had no affection for them or the father, and only thought of +spending money and enjoying herself to the utmost. + +"Dalken was wealthy before he married Amy, and his alert mind coupled +with his unusual foresightedness in finance soon rolled up fortunes for +him. His wife spent money like water, and was sought after by the +vultures of society--those who fawn and fondle as long as they can get +something out of the victim. + +"Mrs. Dalken's balls and bridge-parties were famous--I might say, +notorious--for at the former the extravagance was a matter of newspaper +comment, and at the latter, the stakes were so high that others lifted +their eyebrows at the losses and gains. + +"Little Billie Dalken was eighteen months old, and the joy of our good +friend's life, when a dreadful thing happened. Billie was a chubby, +handsome little chap exactly like his father--the same intelligent brown +eyes, the same fine features, and he was unusually clever and large for +his age. + +"Mr. Dalken had been called to Washington on business one day, and that +same day his wife was about to give a grand dinner and bridge, later. +There were plenty of servants in the household, but on such an occasion +everyone was busy with the extra work. Billie's own nurse gave him his +supper and was about to put him to bed when she discovered a wheezing +sound in his throat. She feared another attack of croup. She was about +to apply the remedies she knew of, when Mrs. Dalken's maid came to the +nursery. + +"'The mistress says you are to go to her at once and I am to sit with +the baby for a while. She wants her head massaged because it aches so!' + +"And the nurse answered as she thought proper, 'Go and tell your +mistress that Billie has a bad cold and I must remain to take care of +him.' + +"The maid tossed her head and left the room. She hadn't any desire to +remain with a baby, especially if it was wheezing and beginning to +cough. So she may have exaggerated the reply somewhat. However, that did +not excuse Mrs. Dalken from her next act. She was furious and sent the +butler to the nursery to pay off the nurse and see that she left the +house at once! + +"Then she sent the parlor-maid to sit in the nursery with the child. +That dinner was a great success, but just before the card-party began, +the maid sent down word that Mrs. Dalken was to come up to the nursery +at once, and see what ailed the baby--he was so red in the face and had +a fever, she said. + +"Mrs. Dalken whispered a reply: 'I'll be up as soon as I can get the +tables started.' Then she never gave it another thought. + +"Three times during that evening the frightened parlor-maid sent down +for the mother to come up. And three times the hostess smiled and nodded +and then forgot all about the call. Before midnight, the boy began +choking and gagging and the hysterical maid ran back and forth hoping to +find the butler, or someone, who would help in this extremity. + +"Every servant in the house was busy serving drinks, cards, or +cigarettes, and none had time to call up a doctor. Then the daring maid +telephoned for a doctor she knew. But he lived so far uptown that it +took half an hour to arrive at the house. + +"Before he got there, little Billie Dalken was sleeping in the last long +rest. No one was with him but the parlor-maid when he strangled to +death; but the awful contortions of his face and body showed the +suffering he endured during the convulsions. + +"Mr. Dalken came home early in the morning, the Washington business +having been successfully consummated without any loss of time. It was +not yet seven o'clock, but everyone in the house seemed astir. The heavy +fumes of smoke and the aftermath of a riotous night's play were evident +throughout the first floor rooms. He smiled sardonically at it all, then +rushed upstairs two steps at a time to peep at his beloved children. + +"Elizabeth was weeping fearfully in her little crib that stood in the +room connecting with the nursery. The moment she saw her father she +screamed with relief. + +"'Oh, Daddy! Billie's so twisted and queer--and he won't answer when I +call him.' + +"Poor Dalken had a sudden premonition of catastrophe and rushed into the +nursery. He almost collapsed at what he saw there. A strange woman was +about to take up the stiff little form and do for it what a loving +mother should reverently insist upon doing. + +"The father, with a broken heart, took his beloved boy and prepared him +for his last resting-place. All through the three days elapsing after +the night of Billie's death, Mrs. Dalken remained locked in her boudoir, +her maid seeing that the smelling salts were handy whenever her lady +called for them. Between the visits of condolence from her intimates, +and the fittings of the deep mourning, the mother was kept too busy to +meet her husband, or watch with the remains of her baby. + +"But after the funeral (that also buried most of Dalken's joy in living) +he insisted upon a serious talk with his butterfly wife. She promised +everything, even to giving up her gambling games, if he would but +refrain from the publicity of the cause of Billie's death and the +subsequent separation. She used her sharpest weapon to gain her +point--Elizabeth. + +"So several more months went by, but the poor man was a mere +money-machine in his own home. Even his little daughter began to believe +that society was everything, and love or home-ties only a necessity that +interfered with one's pet pleasures and freedom. + +"Without consulting her husband, Mrs. Dalken planned to visit Europe +with a party of friends. To keep her grasp on her money-supplier she +took Elizabeth with her. A nurse looked after the girl. She remained +abroad for more than a year, and when she returned she went directly to +a fashionable hotel instead of seeing that her home was reopened in New +York. + +"She had ordered everything swathed and packed for the time she was +abroad, and had left but two rooms livable for the owner and master of +the magnificent dwelling. + +"Dalken lived there in gloomy sorrow for a few months and finally his +friends insisted upon his going to the Club where he could meet cheerful +companions and stop brooding over his irreparable loss. + +"Mrs. Dalken was in no hurry to reopen her home, and all that Winter she +remained at the hotel, while her husband stopped at his club. She +allowed him to call upon her two or three times a week, when others were +present, and she not only accepted all the checks he offered her, but +ran up fearful debts everywhere. He was permitted to take Elizabeth out +at certain times, but Mrs. Dalken was clever enough to keep hold on the +girl, as she knew it was her only hope of keeping her clutch on her +provider. + +"Just after the Holidays, that season, she went to Palm Beach, but she +entered Elizabeth in a boarding school out of the city. Dalken tried, in +many ways, to learn where his child was, but he had no success in his +search. + +"Then he wired his wife that she must turn over the girl to him while +she was running around, or he would instantly stop her income and sue +her for desertion. Then she came back to New York and took Elizabeth out +of school again, but matters got worse and worse for poor Dalken. +Finally his dear friends, who loved him for what he was and is, +persuaded him to sue for a legal separation. They hoped Mrs. Dalken +would turn over the girl whom she had no natural love for, to the +father, as a hostage. + +"But she was a wise woman, by this time. She accepted the separation +without demur, but refused to give up Elizabeth. It was then agreed that +the girl might choose which one of the parents she preferred to live +with. Having had so many years of life with her mother, the girl became +like her--selfish, vain, and arrogant. No love or gratitude was found in +her character. + +"Just at this time, Mr. Dalken was taken very ill, and his mother (who +is a dear, you will find, when you meet her) came from England to nurse +him. He was ill for more than a year, so Elizabeth chose to remain with +her mother for the time being. + +"Mrs. Dalken, Senior, took her only child back to England with her, as +soon as he could travel, and there she kept him well-nursed and cared +for, in her cousin's English country-house, until he had regained his +strength and fairly good health. Then mother and son went to the +Continent to visit the scenes of the famous battle-fields, and then on +to the Riviera for a month. + +"The wise mother knew that taking Mr. Dalken's thoughts from his own +miserable state, and making him think of other's woes, would the sooner +brace him up to face his life-problem. And so it was. + +"Elizabeth elected to remain with her frivolous mother but Mr. Dalken +supports her handsomely, and often bribes her to spend an afternoon or +evening with him, by having a valuable gift awaiting her coming. Mr. +Ashby, and other friends, have advised Dalken against this pernicious +way of baiting the inclinations of the girl, but he says they do not +know his heart-hunger, and so cannot judge his actions." + +"Oh, Mr. Fabian! Our poor, dear Mr. Dalken!" sobbed Polly, when the +speaker had ended his story. + +"If I ever meet that horrid woman I shall tear her hair out, I know I +shall!" wept Eleanor, vehemently. + +"If only we could do something, Nolla, to make up to our dear Dalk, for +all his sorrow," sighed Polly, drying her eyes. + +"You can love him the more for this story, girls, but do not refer to +it, as he is still tender over his loss." + + + + +CHAPTER XV--THE FOUNDLING + + +The sad story told the girls, about their friend Mr. Dalken, filled them +with love and compassion for the great-hearted man, and they wondered +how they could do _something_ for him that would not only show their +appreciation of his kindness to them, but at the same time give him +pleasure or happiness. But there seemed no material thing that he +needed, and really, nothing that one could do for him. + +"There must be times when he sits alone brooding over his boy and how +different things might have been had he married a different type of +woman," remarked Eleanor, one evening, after leaving their new +class-room. + +"Yes; but it seems to me he should have been able to see through such a +shallow thing as that woman must have been, when he returned from +college and found her apparently waiting for him," Polly replied. + +"But he's so tender-hearted, you see, he couldn't bear to give her any +pain or trouble. That must have been the only reason why he allowed her +to get him." + +"I suppose so. Why, even now, he is an easy prey to the scheming people +who know he has barrels of money, and who simply pretend to be friendly +for what they can get out of him." + +"It's too bad he can't be satisfied with just Mr. Ashby and Mr. Fabian +for man friends, and we few women for his women friends," mused Eleanor. +"We'd love him for himself." + +Polly smiled. "Wouldn't you and I give him a gay time--with high-school +keeping us employed every week-day, and art class every other night in +the week, to say nothing of lectures, exhibitions, and other things that +Mr. Fabian has us do, in line with our work." + +The two girls had crossed Madison and Fourth avenues by this time, and +were slowly walking down the street towards the Studio. It was a +beautiful Fall night, and the moon was almost full, hence they were in +no hurry to reach home and go indoors. + +"I hear Anne singing--she must have company," said Polly as they neared +the house. + +[Illustration: HE WAS A CHUBBY LITTLE FELLOW.] + +"Yes; the windows are open in the living-room, and I can peep under the +shades and see Anne at the piano," whispered Eleanor. + +Just then the breeze wafted one of the shades back from the window, and +the girls recognised Mrs. Evans and Mrs. Latimer as the guests of Anne. + +"Let's hurry in!" exclaimed Eleanor, suddenly turning from the front +window and darting into the vestibule. + +The outside door was open wide, and as Eleanor ran up the one step that +raised the tiled entrance from the sidewalk, she stumbled over a soft +bundle that seemed pushed against the wall. + +By this time, Polly also reached the vestibule, but the inside door +being closed and locked for protection, it was too dark in the vestibule +for either of the girls to see what the huge bundle contained. + +"It feels like a bundle of old clothes. Maybe some servant hid it here +for a time--she may be going to come back for it," observed Eleanor, +prodding the bundle with her foot. + +But to the surprise of both girls, a little squeal issued from the roll. +In the semi-darkness, they stood spell-bound and gazed at each other. + +"It's a baby--of all things!" cried Polly, hastily trying the handle of +the door. + +"Ring--ring the bell like mad. I'll pick it up!" Eleanor exclaimed, +excitably. + +"Open the door--Anne--hurry up! We've found a baby!" called Polly, +leaning over the iron rail that projected over the area door, in front +of the windows. + +Both girls forgot that they had latch keys, but Mrs. Evans sat nearest +the window where Polly stood, and quickly answered her call. Eleanor, +meanwhile, had carefully picked up the rolled-up baby and, the moment +the door was flung open, carried it indoors. + +"Where did you find it?" exclaimed four amazed women. + +"Right at our door--in the vestibule," said Eleanor, placing her bundle +on the divan and proceeding to open it. + +"Wasn't anyone in sight?" asked Mrs. Latimer, cautiously. + +"Not that we noticed; but, of course, we never thought to look, when we +found what was in the bundle," explained Polly, nervously eager to +assist Eleanor in what she was doing. + +Before the swaddling blankets were released from the baby, it began to +utter baby-talk. The females, grouped closely in front of the divan, +smiled appreciatively. + +Finally the last wrapper, which was of mosquito netting, came off, and +there lay a chubby little fellow of about fifteen months. He had a fist +in his mouth, and with the other dimpled hand he clutched at Polly's +hair as she leaned over him. + +"Oh! Isn't he a darling! He must belong to a neighbor!" exclaimed Mrs. +Stewart. + +"He certainly is not starved or poorly cared for," added Mrs. Evans, +with experienced voice. + +"But he only has on his nightie! Not another stitch to be found," said +Anne, carefully rolling the baby over to see if he had any clothes under +him. + +"There's a note--pinned on the blanket!" cried Polly, anxiously removing +the pin and taking the paper over to the light. + +"It says--just one word--'Billy.' Did you ever!" exclaimed Polly, +glancing from one to the other of the friends who were waiting +expectantly to hear about the boy. + +"Let's see!" demanded Eleanor, frowning at such a short explanation. + +Polly handed the slip of paper to her friend and joined Anne at the +divan where she was divesting the boy of his nightie to see if further +clues might be found. About his fat neck was a very fine gold chain, and +suspended from that was a tiny flat heart-shaped locket. It did not +open, but on the plain gold face was a monogram of three letters: B-- +D-- W--. + +"Now we've got something to work on! 'B' stands for Billy, of course, +but what can 'D' and 'W' mean?" Eleanor said excitedly. + +"No child is christened 'Billy,'" Anne contradicted. "He would be +'William'--and that is what the 'W' is for. Children are nicknamed +'Billy' or 'Willy' later. Now his middle and last name must begin with +the 'B' and 'D'--or vice versa." + +"Shake out the blankets carefully--perhaps another paper is pinned to +one of them," said Polly, eagerly. + +But there was no other message in the blankets. + +"Let's take off his flannel shirt! There may be something there," +ventured Mrs. Stewart. + +In less than a minute, the pins were out and the woven shirt of Merino +was removed, but no further information rewarded the anxious seekers. So +the shirt was carefully replaced and the boy's nightie slipped over his +head again. + +"It's all hand-made of fine linen," remarked Mrs. Latimer, as she felt +of the hem at the bottom. + +"And one can see that he is no slum child," added Mrs. Evans. + +"_Who_ can he be? and why should anyone want to leave him?" were the +perplexing questions Polly asked of the others. + +They all shook their heads and wondered. But the boy had no use for such +condolences; he crawled over the divan and when he found not what he was +in search of, he screwed up his dimpled face and began a lusty call. + +Anne instantly took him up and began to chirp to him. He smiled a +cheerful thanks and showed eight little front teeth. That brought all +his new friends to his feet--metaphorically speaking. + +"_Isn't_ he a dear!" declared Mrs. Stewart to no one in particular. + +"Yes, but we have to advertise him at once. It may be that a villain +kidnapped him and ran away with him just to get a reward. He may have +been seen, or chased by the police, and then dropped the baby in our +vestibule," said Mrs. Latimer. + +Anne laughed. "Which analysis shows that one of us married a +lawyer--Mrs. Latimer gives us good advice." + +"Or he may belong to a young mother who cannot longer earn a living for +him," added Mrs. Stewart. + +"That's not likely, mother," returned Anne. "As the child would look +thin and sickly if a mother found it hard to support it. I rather think +it is a babe that belongs to some distracted mother in the neighborhood. +He has evidently been put to bed for the night. Possibly a vindictive +nurse-girl took him from his home to make his parents seek for him and +then left him at the most convenient door." + +"Anne's reason sounds the most plausible, and we'd better 'phone the +police-stations at once. Billy's parents may even now be wild with +despair, for we do not know how long he was in the vestibule. All we +know is, he was not there when we came in, about eight o'clock," said +Mrs. Evans. + +So she telephoned the police-stations, near by, and also asked the +morning papers to run a short notice under a suitable caption. Before +she had finished this work, however, Master Billy began his complaints +again, and now he was beginning to look as impatient as such a +good-natured baby could. + +"Maybe he's hungry?" suddenly suggested Mrs. Stewart. + +"That's just what ails him--but we haven't any bottle!" exclaimed Mrs. +Evans. + +"Perhaps he drinks from a cup--he is old enough to have been weaned, you +know," ventured Mrs. Latimer. + +A cup of warmed milk was brought in short order, and Mrs. Stewart held +it out to Anne, as she was still holding the baby. The moment Billy saw +the cup, he almost leaped from Anne's arms, and immediately began +gurgling for very glee. + +Everyone laughed at his antics, and Anne was about to hold the cup to +his lips, when two fat hands clutched at it in a hungry endeavor to +reach the contents. Of course, part of the milk spilled on his nightie +but the remainder he drank greedily. + +"He's well-trained--whoever he is. I should say that he has had every +attention in the past, to have him act like this at his age," said Mrs. +Latimer. + +"But we don't know how old he is. He may be months older than we thought +for," argued Mrs. Evans. + +"Well, he isn't more than eighteen months at the most," declared Mrs. +Stewart. + +Polly and Eleanor stood silently by listening to these experienced +mothers, but Anne smiled indulgently at them, and kept her opinions to +herself. + +Dr. Evans and Mr. Latimer stopped for their wives, and when they had +heard and been shown the fine boy, they gave their masculine opinions. + +"A baby who was boarded out, and the parents hadn't paid up recently. So +the woman left him on the first door-step to get rid of him," was the +doctor's verdict. + +"There spoke the doctor who knows of such cases," said Anne. + +"That isn't it, however," remarked Mr. Latimer. "I am of the opinion +that this child is of wealthy parentage. He likely is a stumbling-block +for some heirs, who wish him safely out of the way so they may claim the +estate." + +Anne laughed again. "There speaks the attorney. But you should have had +the jealous heirs remove this monogramed locket before they tried to get +rid of all evidence of a barrier to their inheritance." + +"Reckon we'd better stop romancing and put Billy to bed," said Polly, in +a matter-of-fact voice. + +Her common sense caused a general laugh, and Dr. Evans added: "Well, +ladies! Come on, if we are to get home to-night." + +With a last look at the sleepy cherub, and a good-night to the friends +living in the Studio, the four New Yorkers went out. + +"Where shall he sleep to-night?" asked Anne. + +"Let me have him?" cried Polly. + +"Oh--I found him first--let me have him," begged Eleanor. + +"No, girls; babies should sleep absolutely alone. I will get a drawer +from the high-boy and rig him up a nice little bed therein. To-morrow +night he will be in his own home, most likely," explained Mrs. Stewart. + +So saying, she hurried upstairs, and in a short time returned, carrying +the drawer. Anne and the two girls helped cushion it softly, and then +they placed Billy in it. + +He was asleep almost before the bed was ready, and the moment his head +sank into the soft pillow, he closed his eyes. + +"He seems unusually good, Anne," ventured Mrs. Stewart, as the four +foster mothers stood gazing down at the flushed little baby-face. + +"And very pretty for a young child," added Anne. + +"Well," sighed Polly, "I suppose we'll have to hand him back in the +morning." + +"Some time during the night, most likely," grumbled Eleanor. "The police +will tell his folks where he is, and they will be at our door ten +minutes later." + +But no one called for Billy, that night, and in the morning the papers +told the story of the foundling. A minute description of his appearance +and clothing was given, and the telephone number of the family where he +was to be found. Mrs. Evans had wisely refrained from giving any names +of the tenants of the Studio. + +Before seven o'clock that morning, the telephone began ringing. Anne +answered it, but described the baby left on their door-step differently +from what the anxious mother on the other end of the wire had expected. + +By eight-thirty, the telephone had called Anne or Polly five times. At +last Polly said: "My goodness! how can five mothers lose boys like ours +in one evening? Can't they take care of them?" + +Eleanor then said, "Why, in Chicago, there are records of more than a +score of babies lost every day. Most of them find their parents again, +but lots of them don't." + +"What happens to the poor tots who can't find their folks again?" asked +Polly, horrified. + +"They go to the orphan asylum--or the Children's Home." + +With a gasp, Polly glanced at their laughing little Billy. Then she +looked anxiously at her three companions. They had all thought of the +same thing, it seems. + +"I just couldn't let him go to a foundling home," Polly whimpered. + +"We can afford to keep him, Polly. You and I can adopt him," declared +Eleanor. + +But Anne did not seem to approve of the plan. She shook her head as she +gazed at the curly-haired boy who was banging the breakfast table with a +teaspoon. "That would never do for you, girls." + +But another ring on the telephone interrupted further argument on that +subject. Anne described Billy all over again--"Large brown eyes, very +soft silky hair--yellow and curly. About thirty pounds weight, eight +front teeth, aged about sixteen months." + +Before she had completed her description of the foundling, the +distracted mother at the other end of the wire sighed: "He's not +mine--thank you." + +"Polly and I are not going to school this morning, Anne," Eleanor now +informed the young teacher. + +"I don't see why not?" demanded she. + +"First, your mother can't be chasing back and forth to the 'phone all +day; and secondly, we do not propose having a stranger calling and +stealing our baby. Unless the parents present perfectly satisfactory +evidence that Billy is theirs, no one shall get him." + +Anne smiled, but seeing that it was almost nine o'clock, she consented +to the two girls remaining home that session; furthermore, she promised +to explain to Mrs. Wellington about the magnet that had kept them at +home. + +Later in the morning, Dr. Evans stopped in to see if any one had called +for the baby. Polly and Eleanor were in the midst of giving Billy his +bath in the large tub. Such laughing and shouting had never been heard +in that bathroom before. Even Mrs. Stewart laughed in sympathy, as she +told the doctor what a fine well-behaved child Billy was. + +"I'll call again this evening, Mrs. Stewart. If he has not been claimed +by that time, I will see what I can do to relieve you of his care." + +"Oh--he is no care whatever, doctor; and I doubt whether the girls will +consent to your taking him to a home--for a few days, at any rate. They +think someone will call for him." + +"But you haven't any clothes or other necessities for him, have you?" +asked the doctor. + +"We didn't have at first, but Nolla and Polly ran to a department store +on Fifth avenue--it's only a few blocks over, you know,--and bought him +everything he needs. When he had his shoes on he stood up and began +walking about while he held fast to the chairs. He certainly is a bright +child." + +"Well, the girls ought not to go silly over him. Buying clothes and +shoes and everything--until they know who he is." + +"If no one ever calls, Billy has to have clothes; anyway, we thought we +ought to get them, now, instead of later." + +"I can see, Mrs. Stewart, that you are as foolish about the baby, as the +two girls are themselves," laughed Dr. Evans, as he took up his hat to +depart. + +Mrs. Stewart laughed, but the moment the doctor was out of the front +door, she hurried upstairs to help dress the boy after his bath. + +Once he was dressed in his new clothing, and had had a full cup of warm +milk and gruel, he cuddled down for his nap. + +"Now, no use talking! he is a wonder!" declared Eleanor. + +"We can keep him, as well as not. He isn't one mite of trouble," added +Polly. + +Having waited until Billy was fast asleep, Mrs. Stewart tip-toed from +the bedroom, beckoning the girls to follow her out. + +The police-department had sent their detective to get all the facts from +Eleanor and Polly, and the press had sent to find out if there was any +other clue or information about the boy; then, no further interruptions +took place that day. + +The two girls sat out under the locust tree in the yard, because there +they could hear the first whimper from Billy, when he awoke from his +nap. As they sat there, they discussed his future. + +"If no one ever calls for him, what _shall_ we do with him?' asked +Polly, giving Eleanor a penetrating look. + +"You've got something on your mind--what is it?" countered Eleanor. + +"Yes, I have, but I want to hear what _you_ have to say." + +"I'd love to keep him, Polly--at least as long as we are in New York. I +suppose it would be impossible to take him abroad with us, next summer," +returned Eleanor. + +"Yes--impossible. And if we keep him with us, we will have to hire a +nurse-maid, as poor Mrs. Stewart can't look after a lively youngster all +day, while we are at school." + +"What was your idea, then?" wondered Eleanor. + +"Can't you guess, Nolla? And his name is Billy, too!" + +For an instant Eleanor's face looked too surprised to allow her to +speak. Then she stammered: "Well--of all things!" + +"What do you make of it?" laughed Polly. + +"Wonderful--but what is your plan?" + +"Seeing his name is Billy, and his eyes are dark brown and his hair +golden curls, and he is about sixteen months old--all of which are in +his favor to advance my little scheme, I should say that we try to keep +him a few weeks, right now, and see if we can add to Billy's winsome +ways. Meanwhile, we will use every effort to find if he has any +relatives; then should he be a veritable foundling, we will present him +to dear Mr. Dalken for his very own." + +"Splendiferous! Perfectly great!" cried Eleanor, slapping her friend on +the back in her delight. + +"We will quietly advertise for and select a fine elderly nurse for +Billy, right off, and when we have him all ready to be given away, he +will be a little wonder that no one can refuse." + +"Oh, Mr. Dalken won't think of refusing him, I know! He will be so happy +to have a boy again," Eleanor said, enthusiastically. + +Several times during the day, the telephone rang and someone asked for a +description of the baby. Also a number of wild looking people called at +the address to have a look at the child, but all departed with forlorn +hopes. + +As that night was not a class-evening, the girls were free to do as they +liked with their time. Anne and her mother were amusing themselves, as +much as the baby, by teaching him to say 'Billy.' Polly and Eleanor were +eagerly watching results. But harshly upon this sweet scene, the +door-bell jangled. + +"I'll go!" called Eleanor, and in another minute she had opened the +door. + +"Oh, Mr. Fabian. Do come in and see our baby!" + +Then another admirer joined the circle of worshippers around Billy's +feet. Mr. Fabian had heard the story from Dr. Evans and dropped in to +see if the boy was still with his friends. + +"He is a dear little shaver, isn't he?" laughed Mr. Fabian. "But what +will you do with him if no one claims him?" + +"We really haven't thought of that," said Anne. + +"I'm afraid, if we keep him here with us a week, or more, we won't want +to give him up again," added Mrs. Stewart. + +Mr. Fabian saw, from the corner of his eye, that Polly was behind him +trying to draw his attention. So he managed to turn his head without +attracting Anne's or Mrs. Stewart's attention, and saw the two girls +shake their heads wisely, meantime their fingers rested upon their lips +in sign of keeping silence. + +Consequently no more was said, that evening, about Billy, and when Mr. +Fabian was ready to leave, Polly and Eleanor said they believed they +would walk to the corner with their old friend. The baby had been in bed +for some time, and Anne was busy writing manuscript, so no one objected +to the proposal. Mrs. Stewart merely remarked: "Don't go any farther +than the corner, dearies. And hurry right back home." + + + + +CHAPTER XVI--BILLY FINDS A FATHER + + +The moment the two girls had Mr. Fabian outside of the Studio, where +they could talk in perfect freedom, they told him of their secret plan. + +"We are going to keep the baby for a few weeks and see that he is +perfectly trained, then we are going to present him to dear Mr. Dalken," +began Polly, eagerly. + +"Oh, but we will try and find a sensible woman who will take all care of +him, and Mr. Dalken can enjoy Billy when he is at home with nothing else +to do," added Eleanor. + +Mr. Fabian was speechless, then he smiled. "Does our friend know about +this?" + +"Mercy sakes, no! We want to surprise him. We thought it would be fine, +if we could keep the baby that long, to leave him at Mr. Dalken's +apartment on Thanksgiving morning," returned Polly. + +"Don't you think he would like that?" from Eleanor, eagerly. + +"Mr. Dalken is now out west on important business, so of course, he +doesn't know a thing about Billy, unless he read about it in the New +York papers," remarked Mr. Fabian, thoughtfully. "I don't suppose he +will take time to glance over every news item in the papers, as he is +too preoccupied, at present, with the financial pages." + +"Well, what has that to do with our plan?" asked Eleanor. + +"He won't know a thing about the baby, and you can easily keep the idea +secret until Thanksgiving, if you can get the right kind of a woman to +take daily care of the boy. Of course, you were going to do that, +anyway, were you not?" + +"I suppose so--we really hadn't got as far as that in our planning," +admitted Polly. + +"But we will, Mr. Fabian, now that you have mentioned it. How shall we +know if we have the right sort of nurse?" added Eleanor. + +"I'll call up Ashby. I was there for dinner to-night, and they told me +of a woman they know well, who is compelled to earn her living, because +of family reverses. Shall we stop in the hotel across the street and use +the booth there?" + +"Oh, yes! Let's, Mr. Fabian!" exclaimed Eleanor. + +"No time like the present when you have any important work to do," added +Polly. + +Mr. Fabian left the door of the telephone booth slightly ajar so the two +girls could assist in the conversation. He soon had Mr. Ashby's house +number and asked if Mr. or Mrs. Ashby were in. + +Shortly thereafter a man's voice was heard talking on the wire. "Is this +Fabian--oh, yes. What can I do for you, old man?" + +Then Mr. Fabian replied: "Why, I called upon my girls at the Studio this +evening, after I left you, and I found the most astonishing addition to +their family circle. A little baby boy was left on their door-step, it +seems. A fine little fellow, too. + +"So far, no one has called to claim him, and should no one come, the two +girls have a plan to place him in a good home. They told me all about +it, and I rather approve of the idea, too. But what they need, at once, +is an experienced, capable woman to take care of the boy, until +Thanksgiving Day--perhaps after that, if she is found to be +satisfactory. + +"I thought, at once, of that woman that Mrs. Ashby and you were speaking +of, at table, to-night. Do you suppose she would consider a position as +second-mother to a baby?" + +The girls strained their ears to hear the reply but Mr. Ashby spoke too +low, and they could but judge what he said by Mr. Fabian's words +afterward. + +"Fine! If Mrs. Ashby will not consider it too much trouble. And she will +bring Martha down to-morrow afternoon when the girls are home from +school?" + +Polly and Eleanor smiled with relief, and Mr. Fabian said over the +'phone, "All right! Thanks, Ashby. And thank your wife for the two +girls, too, who are waiting here for the verdict." + +As the three left the hotel again, Mr. Fabian said: "Now that much is +satisfactorily settled for you, and Billy shall have a good woman to +look after him, if he is still unclaimed to-morrow afternoon." + +The girls were altogether too inexperienced to realize that it was +curious how easily the Ashbys, Mr. Dalken's most intimate friends, and +Mr. Fabian agreed to such a strange plan as trying to saddle a foundling +baby on a man who lived a hermit's life when in his own home. + +They never questioned the readiness with which these friends accepted +their proposition, but they were delighted at the "lucky chance" that +brought a woman to Mrs. Ashby on the very day that they began to think +of employing a woman-nurse for the baby. + +Mr. Fabian walked back to the Studio door with them, smiling at their +dreams of future bliss for Mr. Dalken. In fact, their thoughts traveled +so far into the future, that they saw Billy a fine young man and Mr. +Dalken, white-haired and bent, depending on his beloved adopted son for +everything. + +The four inmates of the Studio were not aware that they had been kept +singularly free from constant annoyance from reporters and police. Nor +did they realize that the short news article that had appeared in the +papers, had been a wonderful story to catch the eyes of curious readers, +but _some_one in authority had ordered it "cut" to an inch. + +The afternoon following Mr. Fabian's visit to the girls, they hurried +home from school and found Mrs. Ashby's car in front of the house. They +quickly entered the front door and greeted her with a smiling welcome. + +"I see you have Billy in hand, already," laughed Polly. + +"Yes; isn't he a friendly little fellow?" replied Mrs. Ashby. + +"Wonderful! We never knew babies were so easy to live with," added +Eleanor. + +"Mrs. Stewart took Martha upstairs to show her how you managed for the +baby. He may need extra things, or other conveniences," suggested Mrs. +Ashby. + +Even as she spoke, the sound of steps was heard descending the front +stairs, and soon after, Mrs. Stewart led Martha in, and introduced her +to Polly and Eleanor. The girls liked the refined look and quiet +sensible words and manners of the nurse-to-be. + +"Isn't it splendid that Martha should have been relieved, last week, of +just such a position as we now need her for? She was in the country +taking charge of a baby of about this boy's age, but some friends came +and took him away, so she was free to find another position," explained +Mrs. Ashby. + +Martha handled Billy as if she was an expert, and the boy crowed and +tried to talk to her, as if he had known her all his life. + +"I never saw a friendlier baby than this one. He smiles and is contented +with anybody, and that will make it fine for Martha," remarked Mrs. +Stewart. + +So it was immediately decided to retain Martha during the day, but she +would have to find a place to lodge, nearby and leave Billy with the +girls during the night. This pleased them well, for they did not wish to +relinquish all rights of attendance on their baby to a stranger. + +"I may as well remain for the rest of this afternoon, Madam," said +Martha, speaking to Mrs. Ashby, "as I have no other place to go." + +"How about seeking for a room in the neighborhood and taking it to-day? +You may not have a free half hour, like this, again," suggested Mrs. +Ashby. + +Martha silently acquiesced but she cast a troubled gaze at the child; +when Eleanor picked him up by the arms, she immediately corrected the +mistake, by saying, "Miss, you should always hold a baby at his age, +about the waist--a hand on each side of him. _Never_ by the arms!" + +Mrs. Ashby offered to drive Martha about to hunt up a furnished room, so +the girls said good-by to their callers. + +That evening was school-night again, and Mr. Fabian was interested in +hearing if Martha had proved satisfactory. Even Ruth Ashby took a +personal interest in the baby-boy, now that Martha was to be his nurse. + +"Do you know Martha?" asked Polly, surprised. + +"Of course. Wasn't she mother's nurse, years ago?" + +"Oh--I thought she was a lady of means who had just lost everything," +remarked Eleanor. + +"Well, it is this way. When mother was a little mite Martha was a girl +of about fourteen. Grandma engaged her to push mother's carriage out for +a walk every day. Then Martha grew up and married and mother never saw +her again, for a long time. + +"Her husband's nephew came to live with them, as Martha never had any +children, but her nephew grew up and married. Then Martha's husband +died, and she went to live with the nephew and his wife. They were +well-to-do young people, and Martha had an easy life there. + +"They had a baby, and Martha took care of him, as if she was his own +mother. Then the nephew enlisted in the war and was killed 'over there.' +His wife pined a lot, and during the epidemic of the flu, last Winter, +she took it and died, too. + +"That left Martha with the baby, but she hadn't a cent to live on, +because there was only the money the baby ought to have had from the +Government, because of losing his father in battle. But Martha didn't +understand how to go about getting it, and when a friend of hers offered +to find a good home for the baby, the poor great-aunt consented. She had +no other choice, as she would have to work herself, and could not be +hampered by a little boy. + +"Then she came to mother and that is how it all happened." + +"I wonder what became of her grand-nephew?" asked Polly. + +"Mother begged of me not to mention it, and never to refer to the past, +when Martha was about," said Ruth, seriously. + +"I suppose the poor thing misses her little nephew so much!" observed +Polly, sympathetically. + +"Yes, that must be the reason," agreed Ruth. + +Mr. Fabian listened attentively and approved of Mrs. Ashby's advice to +her daughter. + +No one came to claim Billy, and the days passed swiftly for the +self-appointed mothers of the boy. He was so merry and good-natured a +child, that Mrs. Stewart sighed when she thought of the Studio without +him. Before November passed, he could walk all alone and even tried to +climb the stairs. + +Martha was a jewel with him. She never seemed too tired to do things for +him. She it was, who taught him his table manners and insisted upon his +saying "Plee" and "Tant" for anything. He could say "Dadda" and +"Biddy"--the latter meaning himself. + +Polly and Eleanor spent every spare moment teaching him new +accomplishments, so that before the middle of Thanksgiving month, the +boy really was unusually precocious and well-behaved. + +Mr. Dalken returned to New York the third week in November and +immediately sent out cards to his friends for a dinner-party. It was +very private, only the circle acquainted with Polly and Eleanor were to +be his guests. But they had a good time, nevertheless, and Mr. Dalken +appeared more cheerful than of yore. + +"Now what do you suppose I called you together for?" said he, after the +table had been cleared of the roast and everyone was ready to listen +while waiting for salad. + +"Dear me, I hope you are not going to spring a sensational surprise on +us!" Eleanor said, her face expressing worry. + +Everyone laughed, but Mr. Dalken said: "What would you call a +sensation?" + +"Oh, well! in case you were married while in Chicago! That would ruin my +hopes," interpolated Polly, anxiously. + +A general laugh greeted this, and Mr. Dalken retorted: + +"I hadn't even dreamed of such a possibility, but now that you plainly +show me how you have been hoping I would propose to you, I may as well +take my medicine like a man!" + +"Me--you--propose! What _are_ you talking of?" cried Polly, aghast. + +Everyone laughed teasingly, but Eleanor explained quickly. "He +misunderstood your reason for worrying, Polly. Just like a man--they +think one is always thinking of marriage, even when there are great +charities being perfected." + +Mr. Dalken now showed his surprise, and asked what really was the cause +of Polly's anxiety. + +"Oh, you'll see some day. We can't tell you now!" laughed Eleanor. + +"Then I may as well confess to you-all and tell you what my surprise is. + +"I finished my business in Chicago much sooner than I had hoped for, and +went on to Pebbly Pit to see how things were progressing. I had a +delightful visit at the ranch, and am able to say that work has reached +the point, now, where the mining machines will start working next week, +unless snow stops everything." + +"Oh, then you saw father and mother!" cried Polly, eagerly. + +"Yes, and I have all sorts of good things for you from home. A jar of +preserves, and a dozen or more of glasses filled with jelly and other +delectable sweets that Sary insisted that I carry to you. I did my best +to explain that it would be cheaper and safer if she sent them by +express or parcel post--but no! She told me 'A bird in th' hand is wuth +two er three in a bush.'" + +Polly and Eleanor instantly visualized Sary as she made this remark, and +they laughed merrily. + +Mr. Dalken then repeated minutest details of the work on Rainbow Cliffs, +and the gold mine on Grizzly Slide. As everything promised so well, the +girls felt elated at their future prospects. + +Mr. Ashby wanted to know if his friend had succeeded in buying any more +stock for him, and Mr. Dalken replied: "You'll have to wait until +Latimer issues another block. No one I know of will sell any of what +they hold." + +The evening passed pleasantly with intimate matters to speak of, and at +last Anne said: "We must be going, Mr. Dalken. The girls have one of +their long class days, to-morrow, you know." + +"Yes, and Martha will want to go to bed," added Mrs. Stewart. + +"Who's Martha? Got a servant at last?" asked Mr. Dalken. + +"Why, no, Martha--" Mrs. Stewart began innocently, but the two girls +wildly interrupted her. Polly shouted unusually loud for her, "Oh, I am +so tired!" + +Eleanor had managed to wink her eyes warningly at Mrs. Stewart, and that +lady realized that she had almost "put her foot in it." Mr. Dalken +noticed something was disturbing the two girls, but he never dreamed +what it was. + +The following evening, at art class, Mr. Fabian had news for the two +girls. "Mr. Ashby has invited Mr. Dalken to have his Thanksgiving Dinner +with his family, and that will give you the opportunity you need, to get +Billy settled in his new home." + +"Oh, how can we part from him!" sighed Eleanor, wiping an eye, as she +pictured the lonely rooms. + +"Yes--" sighed Polly, mournfully. "That's the worst of having a dog or a +baby that you become so fond of." + +"But you will see Billy three nights a week, and you never could have +kept him for yourselves, you know," said Mr. Fabian. + +Thanksgiving Day Martha seemed all upset. The idea of moving the baby to +a new home, and perhaps not being welcome, made her cry softly, now and +then. The little family at the Studio, instead of being very grateful +for all the blessings they had had during the past year, went about +looking forlorn and miserable. + +They went to the Latimers for dinner that noon, and left Martha with the +baby. It had been planned that they would get back home by eight o'clock +and accompany their baby-gift over to Mr. Dalken's apartment. Billy +would be placed in bed where his new foster father would find him, and +then would come the joy of it all. + +The plans worked out as expected to a certain degree. Mr. Dalken went up +to the Ashbys for dinner, and a little after eight o'clock, a mournful +procession wended its way from the Studio door. Martha carried Billy +carefully. Polly and Eleanor carried the tub, chair, and other articles +of use for the baby. Anne carried the bundles of clothing, and Mrs. +Stewart carried the milk-warmer, the other food-equipment, and the extra +blankets. + +Mr. Dalken's chauffeur opened the door to admit the visitors, but when +he saw the burdens the ladies carried, he was speechless. Eleanor tried +to explain that they had a new boy for Mr. Dalken, but Henri seemed not +to appreciate the fact. + +Billy was gurgling and trying to get his active fists out of the quilted +blanket, but Martha held him firmly until she had him in the bedroom +where Mr. Dalken slept. + +"We are going to leave him right in the middle of this big bed, Henri, +so his new father will find him when he comes in to-night," explained +Eleanor, arranging the baby's bedding on the large expanse of +bed-spread. + +Billy was arrayed for the night, and everyone kissed him tearfully, as +if he was about to be placed in his coffin. Then Martha gave him a drink +of warm milk and placed him in his blankets. + +Hardly had they tucked him up, before the bell at the entrance rang +imperatively. Henri glanced distractedly at the baby and then at the +other visitors, before he turned to answer the call. It rang a second +time before he opened the door. + +"Let's turn down the light and hide behind the velour portières," +whispered Anne, anxiously. + +The five guilty members of the surprise-party quickly hid themselves as +best they could, but not so soon, but that they heard Henri returning. +He was talking, and other voices were replying. + +"I donno why the missee's come in an' fetch a bebby. Dey say 'He a big +surprise,' Mr. Dalken." + +To the amazement of the hidden ones, Mr. Dalken's voice now replied: +"Never mind, Henri. I'll be out with my visitors, in a moment. I only +want to get a handkerchief from the dresser." + +The five culprits saw him switch up the lights and they then heard Billy +welcome the unusual privilege with a gurgle. Not a sound came from the +man who must have heard the baby-voice and seen the occupant of his +massive four-poster. + +Polly could stand it no longer. She had to peep out at what was going +on. The first thing she saw, was Eleanor's head showing from the side of +the other portière. Both girls watched the scene with bated breath. + +Mr. Dalken stood beside the bed, looking down at the little bundle that +made a dent in the middle of his comfortable mattress. Billy was waving +his fists invitingly, as if to say, "Come on and fight!" + +As the two girls watched him, Mr. Dalken smiled and said: "So _you_ are +Billy Martin, are you?" + +The two eaves-droppers glanced at each other in consternation. "How and +why did Mr. Dalken call _their_ baby Billy Martin?" + +"Well, Billy, suppose we go out and see what your Daddy thinks of you. +For my part, I say you're just about perfect." As Mr. Dalken spoke, he +carefully lifted the willing baby from the bed and cuddled him in his +arms. Then he went from the room. + +"Polly!" hissed Eleanor, anxiously, "did you hear what he said?" + +"S-sh! let us follow and see what's the matter. Someone came in with Mr. +Dalken, you know," returned Polly in a low voice. + +Mrs. Stewart and Anne now crept from behind the heavy window curtains +and tip-toed after Polly and Eleanor. And, last of all, Martha came from +behind the door and followed in the wake of the other four. Then they +heard Mr. Dalken talking. + +"Well, here's the boy, but how he ever got into my rooms I cannot say. +Mrs. Ashby will have to explain that, in a minute, as she is the one who +seemed to know where to find Martha and the baby." + +Martha was still in the hall and could not see who was in the +living-room with Mr. Dalken, but the four conspirators now stood staring +at the group in the center of the lighted room. + +Mr. and Mrs. Ashby were seated in comfortable armchairs, smiling happily +at the two standing men and about to make the baby comfortable. He had +been transferred from Mr. Dalken's arms to those of a younger man who +was trembling with joy at beholding Billy's smiling little face. + +"There, now, Martin. Isn't he worth living for? You said you wanted to +die, when you found your wife was gone. But let me tell you, my boy, +this baby ought to make you brace up." Mr. Dalken patted the strange +young man on the shoulder, and just then Martha burst into the room. + +"Jimmy! Oh, Jimmy--is it you, or is it someone who looks like my dead +Jimmy?" + +"Aunt Martha--Dear Aunt Martha--it is your own Jimmy. I was a long time +coming home, but here I am at last!" + +Then Polly and Eleanor learned the true story about their precious Billy +who was, according to them, to have adopted Mr. Dalken for a father. + +"Girls, I appreciate your great sacrifice to try and make me happy, for +I have heard from the Ashbys how much you wanted to keep Billy, but you +felt that he ought to belong to me. Seeing that he came so near to being +mine, I shall always take a great interest in him and his relatives," +began Mr. Dalken, while Jimmy Martin and Martha went into the other room +to be alone with the baby. + +"You see, Mrs. Ashby is at the bottom of this plot and having roped in +her husband to believe just as she did, the next step was to make the +whole plan seem accidental. + +"So, when Martha was left with the baby, she called on Mrs. Ashby for +help. Seeing that the boy had brown eyes and was named Billy, my anxious +friend decided that he was what I ought to have to cheer me. Martha was +boarded in a country home until I prepared to go west on my business +trip. + +"Just about that time, you found an unknown babe on your door-step, but +had we been able to look behind the scenes, I think you would have seen +the Ashby's car down on the corner, and Martha anxiously waiting to see +if you took Billy in, all right. + +"After that, Billy made his own way with you people, as he is apt to +make it with everyone. And what was so natural, as that you should fall +in with Mr. Fabian's well-learned lesson. The Ashbys made him memorize +just what to say and to do it every day. + +"All went as had been planned, and my dear friends here were so pleased +with themselves at the little scheme, that they planned to return home +with me to-night and see how I liked the baby-surprise. But this is +where an unexpected and unknown actor entered upon the stage. + +"James Martin was not killed in battle. He was wounded and taken +prisoner by the Germans. He was so dangerously injured that he was left +to die in a small town in the interior. But he managed to pull through, +and after many months of convalescence, he worked his way from Germany +back to Paris. + +"It took several months more to identify him and get a passport for him +to America. When he went to his old home town to find his wife and +child, he learned that one was dead and the other was taken away by the +aunt. The shock sent him to the county hospital again, and it was +several months before he could get out to start a hunt for his boy. + +"He learned where Martha had gone, and to-night, James called at the +house to ask Mrs. Ashby if she knew anything about his boy and aunt. I +happened to be in the hall when he came in. + +"So here we are, girls; you lose a protegé and I lose a boy." + +"Oh, but James wins back his boy again!" cried Polly, delightedly. + +"I want to know, Mr. Dalken," demanded Eleanor, frowning, "did Ruth +Ashby know the truth about this when she told us that yarn about +Martha?" + +Mr. Dalken laughed. "No, girls. Poor Ruth is as upset about it as you +could wish her to be. She wants me to adopt Billy, anyway, even with his +real father on hand to claim him. I really think Mrs. Ashby is the one +we have to put through the third degree on this whole plot." + +Mrs. Ashby looked up and smiled. "Well, I told the truth about the +matter, didn't I? But I refrained from telling Ruth that Martha was the +same woman who was aunt to Billy, and I withheld the facts that Billy +was the same baby that you girls found on your door-step--that's all." + +"That's all----" laughed Mr. Dalken. "As if that was not enough! To +deprive me of the son my two pet girls tried to place in my arms." + +Polly flung herself in his arms and hugged him as she said, "Nolla and I +will have to adopt you ourselves, now." + +And he whispered in her ear, so only she could hear: "You haven't any +idea how happy you girls make me. I have found something in life worth +while, since I found all of these good friends." + +Then Mrs. Ashby said: "Dalk, you have been hunting for a reliable man +and wife to take charge of your apartment, so I think it is Providence +that sent Martha and James to you. You will have admirable help in them +and little Billy, too." + + + + +CHAPTER XVII--POLLY AND ELEANOR LEAVE FOR EUROPE + + +"I do declare! here it is the first of May, and it seems as if it were +but yesterday that we came back to New York to study," exclaimed +Eleanor, as Polly and she were returning from art class one evening. + +"And we are no more decided about what we shall do this Summer, than we +were last Fall. If only Dad would consent to our joining the Ashbys and +Mr. Fabian on the European trip, in June," returned Polly. + +"I'm glad father says _I_ may go if your father consents. Of course we +shall have to go, some time or other, Polly, before we could settle down +as experienced decorators; but this is a fine opportunity--to be members +of a party of appreciative people such as is seldom offered to young +beginners as we are." + +"Eleanor, have you thought of what we shall do, next year of school, if +Anne marries John? You know, Mrs. Stewart says she is going back to +Denver to keep house for Paul, as he will graduate with the other boys, +next month." + +"Uh-huh! John and Tom will settle down at Pebbly Pit to superintend the +mine and jewel cliffs, and Paul will join the survey crew in Denver. I +suppose my brother Pete will be hanging about them, somewhere, doing odd +jobs, now and then." + +Eleanor spoke in a half-humorous tone, but Polly was in earnest. + +"Well, then, if Anne is John's wife, and Mrs. Stewart in Denver, where +do we fit in?" + +"I've thought it all out, Polly--never fear! You see Mr. Fabian expects +to bring his wife and daughter back to America this year, as Nancy has +finished her art studies abroad. If we make ourselves agreeable to them, +and then hint gently, on the trip back home, that we have no place to +live in, the coming winter, they'll take us right in with them. How'd +you like that!" + +"Oh, it would be great, Nolla, but would it be quite the proper thing +for us to do--to throw ourselves upon their hospitality?" + +"Polly, they ought to be thankful to have two such nice girls with them! +To say nothing of our eventually becoming the greatest interior +decorators of the present day," exclaimed Eleanor, her well-shaped +little head rearing itself in conscious pride. + +Polly laughed. "Well, Nolla, we will never suffer for lack of +self-esteem. Even if others declare we know nothing, you will be able to +keep the family pride up to high-water mark. If we knew but one-third of +all you _think_ we do, we could take Mr. Ashby in partnership with us, +now." + +"There's another thing, Polly, that is a golden opportunity for us. The +idea of having a successful decorator like Mr. Ashby plan to take us in +his business when we are through school, is enough to turn anyone's +head. But not ours, Polly--we are too sensible!" + +Again Polly laughed at her friend's meekness--so-called. "Mr. Ashby may +change his mind before we are ready to accept his offer. We have two +years still in which to study, you know." + +"That will fly like these past two years have. Why here we are only +sixteen and just see all we know!" + +"Yes, and just see all we have yet to know!" retorted Polly. + +"I tell you what, those Saturday mornings we spent in Mr. Ashby's +sales-rooms were a wonderful help, eh?" + +"Yes; I really believe, Nolla, that I learned as much of textiles, and +fabrics, by simply handling and selling the materials, as if I had given +days to the study of them." + +"It was not only a brilliant idea of Mr. Fabian's, to suggest to Mr. +Ashby that Ruth and we two girls be permitted to act as clerks in his +rooms, but it was as kind and generous of Mr. Ashby to take us. The way +he taught us all about different factories and their best and weakest +points in manufacture; the time he took to demonstrate differences in +lace and silk curtains, the best style of linen for covers and +draperies, the tapestries and carpets of modern factories--why, I can +tell at a glance now, just whose goods I am handling." + +"Yes," admitted Polly. "How many decorators' assistants know the style +of upholstery buttons that ought to be used on a French divan? Or what +shaped button ought to go on a Turkish chair? I never dreamed that there +was any difference, according to art, between a tufted wing-chair and +one that was smoothly upholstered. I bet the majority of people select +one or the other because they like the looks, but very few know that +certain lines in a fireside chair demand tufted upholstery, and another +period must never have buttons or fringe." + +"Exactly! That is what I mean, Polly, when I say I am sure we two know +an awful lot about decorating, already. It is so." + +"Dear old Fabian says, this is our critical year--if we can manage to +pass through the period between second and third years of study without +discovering that we know it all, we may eventually hope to become +average decorators," Polly laughed. + +"Pooh! We both know Mr. Fabian is a dotard about us. If anyone dares to +hint that we are not as advanced as he says we are, he glares like a +jealous cat over her kittens." + +Polly and Eleanor reached the Studio by this time and found Anne reading +a long letter from John. She was smiling happily as she read, and +Eleanor grinned charitably at her. + +Polly sat down to wait till the letter was read. Then Anne glanced over +at the girls. + +"Well, dears, John has definitely settled everything. Tom Latimer and he +are coming on to New York directly their college commencement is over. +Polly's father and mother _may_ decide to come, but that is not yet +certain. As soon as you two girls are off, we will all go back home and +stay." + +"'And they lived happily ever after,'" quoth Eleanor, teasingly. + +Anne smiled. Polly seemed dissatisfied. + +"What do you mean 'as soon as you girls are off?'" + +"Why, off on the European trip. The Ashbys were here to-night and it is +all settled. Mr. Brewster wrote a fine letter and thanked them for their +wonderful offer to chaperone you girls." + +"Oh, oh!" shouted Eleanor, springing up and throwing her arms about +Polly's neck. + +Anne and her mother laughed as the impulsive girl whirled Polly around +and around, until both, exhausted, fell upon the divan. Then Polly asked +the question Eleanor had choked in her throat. + +"What about John, Anne? Are you going to Denver or to Pebbly Pit?" + +"I expect to go to Pebbly Pit, dear," said Anne, blushing. + +"No need to feel embarrassed over it, Anne," laughed Eleanor. "It isn't +as if we had never heard of your plan. Besides we are all in the family, +now--or at least we will be." + +"Where does your relationship come in, Nolla?" asked Mrs. Stewart, +quizzically. + +"Why, didn't you know, Mother Stewart? I propose to become Paul's bride, +some day, but he doesn't know it, either!" and the irrepressible girl +laughed madly as she ran upstairs to her room. + +Her friends in the living-room laughed also, but Polly doubted that it +was said in fun. She rather suspected Eleanor of receiving many nice +letters from Paul Stewart, during her second year in New York. But +Eleanor kept her own secret. + +As June entered and schools were all beginning their examinations, Mrs. +Stewart began to clear up the rooms in the home they had occupied for +two years. Anne's and her own personal property were to be packed and +sent to Denver. Polly and Eleanor's had to be sorted and packed and +stored; the winter clothing in strong moth-proof chests, and the things +they proposed taking abroad with them, in small steamer trunks. + +Mr. Fabian had spoken for the lease on the Studio when Mrs. Stewart's +time expired, and until then, most of the furniture could remain as it +was. Polly and Eleanor were to have the two small rooms and live with +the Fabians, and Mrs. Fabian had written that she would buy back the +things as they stood, thus saving everyone trouble and time. + +As the days of June passed, Anne had another letter from John, begging +her to come to the graduation in Chicago. But Polly and Eleanor needed +her in New York, as everything was in a panic preparing for the ocean +voyage, and working so hard at school, too. + +Before the girls knew it, therefore, the westerners were with them in +New York. Mr. and Mrs. Brewster expected to see Polly off on the +steamer, and John said he had unexpectedly planned to have Anne marry +him before Polly sailed. + +"Oh, that will be great! A wedding and a farewell party all in one," +cried Eleanor. + +But John took Polly aside and whispered: "Polly, I want my only sister +to witness my marriage to the best girl living, so you will have to +persuade Anne to look at it as I do." + +"All right, John," laughingly replied Polly. "I'll do my best to make +her steal my only brother from me." + +Tom Latimer joined them at this moment, and said to Polly: "You have +grown so tall and look such a fine young lady, that I wonder how Anne +can steal any man from you. Now if I were John, I should never _want_ to +be stolen from you." + +"Oh, Tom!" laughed Polly, greatly amused at his words. "You talk exactly +like Winnie Trevors. He's the society pet that expects to marry +Elizabeth Dalken. But you should see him--and hear him talk!" + +"Tom Latimer would never thank you for that left-handed compliment, +Polly, if he could but see the slim little dude you compared to him," +said Eleanor, joining the group. + +"I believe I do know him, Polly--If he is the silver-haired lap-dog I +went to grammar-school with." + +"Yes--he _has_ got whitish hair, Tom!" laughed Eleanor. + +Polly smiled but said nothing. Then Tom said, "Will you take all that +back, Poll, or must I punish you severely, some day?" + +"I never take back a word I once have said--unless I can see where I can +benefit myself. You see, Tom, I have changed woefully, since living in +New York. I am exactly like other citizens here--I am supremely selfish, +these days." + +Tom smiled. "I can offer you a bite of attractive bait. Will you +apologise for calling me 'exactly like Winnie' if I tell you a profound +secret?" + +"That depends! What do you call 'profound,' and will I be concerned in +hearing it?" teased Polly. + +Eleanor had never known Polly to behave so coquettishly before, and to +her astonishment, she beheld her little model of virtue flirt +distractingly with Tom. Or Eleanor _thought_ Polly was flirting, when +she sent a dazzling look at him from her wonderful eyes. + +"It is the secret about the Valentine Roses. At last I have managed to +learn who really sent them to you." + +Eleanor perked up. Here was a delightful situation. Polly had never been +able to find out who had sent the roses, and Tom was ready to confess. + +"Oh, really!" exclaimed Polly, eagerly inquisitive. + +Tom laughed. "Are you concerned? Is it a profound secret?" + +"Yes, oh, yes, Tom!" cried Eleanor, excitedly. "Do tell us what you +know." + +"But Polly has to show her interest, too. If she says she is sorry for +likening me to Winfield, I will tell her who sent the roses." + +"Is he nice, Tom?" asked Polly, anxiously. + +"I have heard people _say_ he is, and _I_ think him great!" + +Eleanor chuckled. This was a scene after her own heart. + +"Is he old--or ugly, Tom?" added Polly. + +"No--he is young, and not _very_ bad-looking." + +Polly thought seriously, then said: "Does he live in New York?" + +"I won't answer any more such questions, Polly, it isn't fair unless you +do your part," laughed Tom. + +"Oh, well, then, please excuse me for ever mentioning you in the same +_breath_ with Winnie," giggled Polly. "Now tell me who sent those +roses." + +"I will, Polly, but not to-day. I did not promise to tell you, at +once--so I will wait until after John's wedding." + +Polly stamped her foot as Tom hurried away, and Eleanor laughed merrily +at the hoax. But there was too much going on all about them, to bother, +now, about roses that were almost two years old. + +Mr. Maynard arrived from Chicago in time for the quiet little wedding at +"The Church around the Corner," and then everyone went to the Studio for +a reception. John and his bride left for a very short honeymoon, and +later, all thoughts centered on Polly and Eleanor. It would be their +turn to say good-by in a few days. + +Tom Latimer outdid himself during the days intervening between John's +wedding and Polly's sailing. Jim and Ken were back from college, but +somehow the two girls who had been such fine young pals out in the +Rockies, and on that Coney Island trip, now seemed several years older +than these boys. They couldn't understand it. + +Mr. Fabian could have explained the change. It was mostly psychological, +due to the advanced mental training his girls had received in their +study of a chosen high profession. They truly were far superior, now, to +either of the two boys at Yale, although they were not aware of it at +the time. + +The day for the sailing of the steamer arrived, and a gay party stood on +the pier just before the good-bys had to be said. Mrs. Brewster gave +Polly many warnings and advices, and Mr. Maynard begged Eleanor not to +bankrupt him during her stay in Paris. + +Books, flowers, fruit and candy, had been piled up in the arms of Ruth +Ashby, Polly and Eleanor, until they could not shake the extended hands +of their friends when the time came to really say good-by. + +"Never mind your hands, we'll kiss your faces!" laughed Mr. Maynard, and +straightway began kissing the pretty struggling girls. + +As everyone in the group was an old friend, each one took toll of the +girls' cheeks, and just as Jim Latimer, the last in the line, caught a +swift brush of Ruth's ear, Tom Latimer strolled up. + +"Hello, Tom! Where have you been?" called his father. + +"Better get your kiss, Tom, or you'll be left," added Jim. + +So Tom managed to get his "good-by" from Ruth and from Eleanor, but +Polly blushed furiously, and reared her head. + +"If another silly man kisses me, I'll--I'll--slap him!" + +Of course everyone laughed uproariously at this, but the guard suddenly +shouted, "All aboard." And the sailing party rushed up the gang-plank. + +Once on deck, however, Polly remembered something she had meant to ask +Tom Latimer. She leaned over the rail and called back: + +"Oh, Tom! you never told me who sent the roses!" + +"You'll find out about it when you reach your stateroom," shouted Tom, +making a megaphone of his hands. "I met him there, talking to the +steward, and you will know as soon as you go down." + +Eleanor giggled. "That's where Tom was when Mr. Dalken dared anyone to +take one of his girls away from him." + +"But who could Tom have met in our stateroom, Nolla? I thought everyone +was on the pier with us?" + +The steamer had already swung down-stream, and the friends on the pier +were mere dots, so the curious girls hurried down to see who had sent +Polly the Valentine roses. Ruth accompanied them, as she felt she should +have been the third in this girl relationship--like triplets, she said, +one day, to her father. + +Then the door was opened, and sweet fragrance greeted the girls. There +in a corner of the stateroom stood a dozen American Beauty roses, each +with a stem almost four feet long. And about the stems a golden cord was +tied, and upon this cord hung a card. + +The three girls stood admiring the great crimson beauties and then Ruth +said: "See who they are from--and who for?" + +"Why, they're Polly's, of course. The same 'old valentine' sent them!" +laughed Eleanor. + +Polly's fingers trembled as she bent forward and read what was written +on the card: "Your Valentine that was, and is, and always will be, in +this world, and in the next, and forever, Tom." + +"Oh, no! No! No! No! I won't have you so, Tom!" cried Polly, throwing +herself in the chair and covering her face with her hands. Eleanor and +Ruth stood perfectly still, not knowing what to do or say. + +Then Polly lifted her face. She was trying to smile. "Dear old Tom only +did that to tease me. Isn't he an old plague?" + +"I should say he was!" exclaimed Ruth, innocently. + +Eleanor with the worldly wisdom learned from her mother, added +guilefully: "He sure is. But you tricked him, Polly." + +"How?" eagerly inquired Polly. + +"He was the only one in the party who didn't get a kiss from you!" +laughed Eleanor. + +"That's so!" admitted Polly, but Eleanor was not sure whether her friend +was sorry or satisfied at the result. + +Then, as the days passed, Eleanor noticed that Polly never mentioned the +roses again, but they were kept as fresh as possible, and weeks later, +Eleanor found one of them carefully pressed with the card still tied to +it. + +But this discovery, and all that happened during that Summer in Europe, +while visiting famous places and viewing rare objects of antiquity, are +told in another volume called "Polly and Eleanor Abroad." + + THE END + + + + + _This Isn't All!_ + +Would you like to know what became of the good friends you have made in +this book? + +Would you like to read other stories continuing their adventures and +experiences, or other books quite as entertaining by the same author? + +On the _reverse side_ of the wrapper which comes with this book, you +will find a wonderful list of stories which you can buy at the same +store where you got this book. + + _Don't throw away the Wrapper_ + +Use it as a handy catalog of the books you want some day to have. But in +case you do mislay it, write to the Publishers for a complete catalog. + + + + +THE POLLY BREWSTER SERIES + +By LILLIAN ELIZABETH ROY + +Durably Bound. Illustrated. Colored Wrappers. + +Every Volume Complete in Itself. + +A delightful series for girls in which they will follow Polly and +Eleanor through many interesting adventures and enjoyable trips to +various places in the United States, Europe and South America. + + POLLY OF PEBBLY PIT + POLLY AND ELEANOR + POLLY IN NEW YORK + POLLY AND HER FRIENDS ABROAD + POLLY'S BUSINESS VENTURE + POLLY'S SOUTHERN CRUISE + POLLY IN SOUTH AMERICA + POLLY IN THE SOUTHWEST + POLLY IN ALASKA + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +THE OUTDOOR GIRLS SERIES + +By LAURA LEE HOPE + +Author of the "Bobbsey Twins," "Bunny Brown" Series, Etc. + +Uniform Style of Binding. Individual Colored Wrappers. + +Every Volume Complete in Itself. + +These are the tales of the various adventures participated in by a group +of bright, fun-loving, up-to-date girls who have a common bond in their +fondness for outdoor life, camping, travel and adventure. They are clean +and wholesome and free from sensationalism. + + THE OUTDOOR GIRLS OF DEEPDALE + THE OUTDOOR GIRLS AT RAINBOW LAKE + THE OUTDOOR GIRLS IN A MOTOR CAR + THE OUTDOOR GIRLS IN A WINTER CAMP + THE OUTDOOR GIRLS IN FLORIDA + THE OUTDOOR GIRLS AT OCEAN VIEW + THE OUTDOOR GIRLS IN ARMY SERVICE + THE OUTDOOR GIRLS ON PINE ISLAND + THE OUTDOOR GIRLS AT THE HOSTESS HOUSE + THE OUTDOOR GIRLS AT BLUFF POINT + THE OUTDOOR GIRLS AT WILD ROSE LODGE + THE OUTDOOR GIRLS IN THE SADDLE + THE OUTDOOR GIRLS AROUND THE CAMPFIRE + THE OUTDOOR GIRLS ON CAPE COD + THE OUTDOOR GIRLS AT FOAMING FALLS + THE OUTDOOR GIRLS ALONG THE COAST + THE OUTDOOR GIRLS AT SPRING HILL FARM + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +THE BLYTHE GIRLS BOOKS + +By LAURA LEE HOPE + +Individual Colored Wrappers and Text Illustrations by + +THELMA GOOCH + +Every Volume Complete in Itself + +The Blythe girls, three in number, were left alone in New York City. +Helen, who went in for art and music, kept the little flat uptown, while +Margy, just out of a business school, obtained a position as a private +secretary and Rose, plain-spoken and business-like, took what she called +a "job" in a department store. + +THE BLYTHE GIRLS: HELEN, MARGY AND ROSE + +A fascinating tale of real happenings in the great metropolis + +THE BLYTHE GIRLS: MARGY'S QUEER INHERITANCE + +The Girls had a peculiar old aunt and when she died she left an unusual +inheritance. + +THE BLYTHE GIRLS: ROSE'S GREAT PROBLEM + +Rose, still at work in the big department store, is one day faced with +the greatest problem of her life. + +THE BLYTHE GIRLS: HELEN'S STRANGE BOARDER + +Helen goes to the assistance of a strange girl, whose real identity is a +puzzle. Who the girl really was comes as a tremendous surprise. + +THE BLYTHE GIRLS: THREE ON A VACATION + +The girls go to the country for two weeks--and fall in with all sorts of +curious and exciting happenings. + +THE BLYTHE GIRLS: MARGY'S SECRET MISSION + +Of course we cannot divulge the big secret, but nevertheless the girls +as usual have many exciting experiences. + +THE BLYTHE GIRLS: ROSE'S ODD DISCOVERY + +A very interesting story, telling how Rose aided an old man in the +almost hopeless search for his daughter. + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +GIRL SCOUTS SERIES + +By LILLIAN ELIZABETH ROY + +Author of the "Polly Brewster Books" + +Handsomely Bound. Colored Wrappers. Illustrated + +Each Volume Complete in Itself. + +Here is a series that holds the same position for girls that the Tom +Slade and Roy Blakeley books hold for boys. They are delightful stories +of Girl Scout camp life amid beautiful surroundings and are filled with +stirring adventures. + +GIRL SCOUTS AT DANDELION CAMP + +This is a story which centers around the making and the enjoying of a +mountain camp, spiced with the fun of a lively troop of Girl Scouts. The +charm of living in the woods, of learning woodcraft of all sorts, of +adventuring into the unknown, combine to make a busy and an exciting +summer for the girls. + +GIRL SCOUTS IN THE ADIRONDACKS + +New scenery, new problems of camping, association with a neighboring +camp of Boy Scouts, and a long canoe trip with them through the Fulton +Chain, all in the setting of the marvelous Adirondacks, bring to the +girls enlargement of horizon, new development, and new joys. + +GIRL SCOUTS IN THE ROCKIES + +On horseback from Denver through Estes Park as far as the Continental +Divide, climbing peaks, riding wild trails, canoeing through canyons, +shooting rapids, encountering a landslide, a summer blizzard, a sand +storm, wild animals, and forest fires, the girls pack the days full with +unforgettable experiences. + +GIRL SCOUTS IN ARIZONA AND NEW MEXICO + +The Girl Scouts visit the mountains and deserts of Arizona and New +Mexico. They travel over the old Sante Fe trail, cross the Painted +Desert, and visit the Grand Canyon. Their exciting adventures form a +most interesting story. + +GIRL SCOUTS IN THE REDWOODS + +The girls spend their summer in the Redwoods of California and +incidentally find a way to induce a famous motion picture director in +Hollywood to offer to produce a film that stars the Girl Scouts of +America. + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +THE LILIAN GARIS BOOKS + +Attractively Bound. Illustrated. Individual Colored Wrappers. + +Every Volume Complete in Itself. + +Lilian Garis is one of the writers who always wrote. She expressed +herself in verse from early school days and it was then predicted that +Lilian Mack would one day become a writer. Justifying this sentiment, +while still at high school, she took charge of the woman's page for a +city paper and her work there attracted such favorable attention that +she left school to take entire charge of woman's work for the largest +daily in an important Eastern city. + +Mrs. Garis turned to girls' books directly after her marriage, and of +these she has written many. She believes in girls, studies them and +depicts them with pen both skilled and sympathetic. + + CLEO'S MISTY RAINBOW + CLEO'S CONQUEST + BARBARA HALE: A DOCTOR'S DAUGHTER + BARBARA HALE AND COZETTE + GLORIA: A GIRL AND HER DAD + GLORIA AT BOARDING SCHOOL + JOAN: JUST GIRL + JOAN'S GARDEN OF ADVENTURE + CONNIE LORING'S AMBITION + CONNIE LORING'S DILEMMA + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +AMY BELL MARLOWE'S BOOKS FOR GIRLS + +Charming, Fresh and Original Stories + +Illustrated. Wrappers Printed in Colors with individual design for each +story + +Miss Marlowe's books for girls are somewhat of the type of Miss Alcott +and also Mrs. Meade; but all are thoroughly up-to-date and wholly +American in scene and action. Good, clean absorbing tales that all girls +thoroughly enjoy. + +THE OLDEST OF FOUR; Or, Natalie's Way Out. + +A sweet story of the struggles of a live girl to keep a family from +want. + +THE GIRLS AT HILLCREST FARM; Or, The Secret of the Rocks. + +Relating the trials of two girls who take boarders on an old farm. + +A LITTLE MISS NOBODY; Or, With the Girls of Pinewood Hall. + +Tells of a school girl who was literally a nobody until she solved the +mystery of her identity. + +THE GIRL FROM SUNSET RANCH; Or, Alone in a Great City. + +A ranch girl comes to New York to meet relatives she has never seen. Her +adventures make unusually good reading. + +WYN'S CAMPING DAYS; Or, The Outing of the GO-AHEAD CLUB. + +A tale of happy days on the water and under canvas, with a touch of +mystery and considerable excitement. + +FRANCES OF THE RANGES; Or, The Old Ranchman's Treasure. + +A vivid picture of life on the great cattle ranges of the West. + +THE GIRLS OF RIVERCLIFF SCHOOL; Or, Beth Baldwin's Resolve. + +This is one of the most entertaining stories centering about a girl's +school that has ever been written. + +WHEN ORIOLE CAME TO HARBOR LIGHT. + +The story of a young girl, cast up by the sea, and rescued by an old +lighthouse keeper. + +WHEN ORIOLE TRAVELED WESTWARD. + +Oriole visits the family of a rich ranchman and enjoys herself +immensely. + +WHEN ORIOLE WENT TO BOARDING SCHOOL. + +How this brave girl bears up under the most trying experiences, makes a +very interesting story. + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +CAROLYN WELLS BOOKS + +Attractively Bound. Illustrated. Colored Wrappers. + +THE MARJORIE BOOKS + +Marjorie is a happy little girl of twelve, up to mischief, but full of +goodness and sincerity. In her and her friends every girl reader will +see much of her own love of fun, play and adventure. + + MARJORIE'S VACATION + MARJORIE'S BUSY DAYS + MARJORIE'S NEW FRIEND + MARJORIE IN COMMAND + MARJORIE'S MAYTIME + MARJORIE AT SEACOTE + +THE TWO LITTLE WOMEN SERIES + +Introducing Dorinda Fayre--a pretty blonde, sweet, serious, timid and a +little slow, and Dorothy Rose--a sparkling brunette, quick, elf-like, +high tempered, full of mischief and always getting into scrapes. + + TWO LITTLE WOMEN + TWO LITTLE WOMEN AND TREASURE HOUSE + TWO LITTLE WOMEN ON A HOLIDAY + +THE DICK AND DOLLY BOOKS + +Dick and Dolly are brother and sister, and their games, their pranks, +their joys and sorrows, are told in a manner which makes the stories +"really true" to young readers. + + DICK AND DOLLY + DICK AND DOLLY'S ADVENTURES + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +THE HONEY BUNCH BOOKS + +By HELEN LOUISE THORNDYKE + +Individual Colored Wrappers and Text Illustrations Drawn by + +WALTER S. ROGERS + +A new line of fascinating tales for little girls. Honey Bunch is a +dainty, thoughtful little girl, and to know her is to take her to your +heart at once. + +HONEY BUNCH: JUST A LITTLE GIRL + +Happy days at home, helping mamma and the washerlady. And Honey Bunch +helped the house painters too--or thought she did. + +HONEY BUNCH: HER FIRST VISIT TO THE CITY + +What wonderful sights Honey Bunch saw when she went to visit her cousins +in New York! And she got lost in a big hotel and wandered into a men's +convention! + +HONEY BUNCH: HER FIRST DAYS ON THE FARM + +Can you remember how the farm looked the first time you visited it? How +big the cows and horses were, and what a roomy place to play in the barn +proved to be? + +HONEY BUNCH: HER FIRST VISIT TO THE SEASHORE + +Honey Bunch soon got used to the big waves and thought playing in the +sand great fun. And she visited a merry-go-round, and took part in a +seaside pageant. + +HONEY BUNCH: HER FIRST LITTLE GARDEN + +It was great sport to dig and to plant with one's own little garden +tools. But best of all was when Honey Bunch won a prize at the flower +show. + +HONEY BUNCH: HER FIRST DAYS IN CAMP + +It was a great adventure for Honey Bunch when she journeyed to Camp +Snapdragon. It was wonderful to watch the men erect the tent, and more +wonderful to live in it and have good times on the shore and in the +water. + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +THE BOBBSEY TWINS BOOKS + +For Little Men and Women + +By LAURA LEE HOPE + +Author of "The Bunny Brown Series," Etc. + +Durably Bound. Illustrated. Uniform Style of Binding. + +Every Volume Complete in Itself. + +These books for boys and girls between the ages of three and ten stands +among children and their parents of this generation where the books of +Louisa May Alcott stood in former days. The haps and mishaps of this +inimitable pair of twins, their many adventures and experiences are a +source of keen delight to imaginative children everywhere. + + THE BOBBSEY TWINS + THE BOBBSEY TWINS IN THE COUNTRY + THE BOBBSEY TWINS AT THE SEASHORE + THE BOBBSEY TWINS AT SCHOOL + THE BOBBSEY TWINS AT SNOW LODGE + THE BOBBSEY TWINS ON A HOUSEBOAT + THE BOBBSEY TWINS AT MEADOW BROOK + THE BOBBSEY TWINS AT HOME + THE BOBBSEY TWINS IN A GREAT CITY + THE BOBBSEY TWINS ON BLUEBERRY ISLAND + THE BOBBSEY TWINS ON THE DEEP BLUE SEA + THE BOBBSEY TWINS IN THE GREAT WEST + THE BOBBSEY TWINS AT CEDAR CAMP + THE BOBBSEY TWINS AT THE COUNTY FAIR + THE BOBBSEY TWINS CAMPING OUT + THE BOBBSEY TWINS AND BABY MAY + THE BOBBSEY TWINS KEEPING HOUSE + THE BOBBSEY TWINS AT CLOVERBANK + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +THE BUNNY BROWN SERIES + +By LAURA LEE HOPE + +Author of the Popular "Bobbsey Twins" Books, Etc. + +Durably Bound. Illustrated. Uniform Style of Binding. + +Every Volume Complete in Itself. + +These stories are eagerly welcomed by the little folks from about five +to ten years of age. Their eyes fairly dance with delight at the lively +doings of inquisitive little Bunny Brown and his cunning, trustful +sister Sue. + + BUNNY BROWN AND HIS SISTER SUE + BUNNY BROWN AND HIS SISTER SUE ON GRANDPA'S FARM + BUNNY BROWN AND HIS SISTER SUE PLAYING CIRCUS + BUNNY BROWN AND HIS SISTER SUE AT CAMP-REST-A-WHILE + BUNNY BROWN AND HIS SISTER SUE AT AUNT LU'S CITY HOME + BUNNY BROWN AND HIS SISTER SUE IN THE BIG WOODS + BUNNY BROWN AND HIS SISTER SUE ON AN AUTO TOUR + BUNNY BROWN AND HIS SISTER SUE AND THEIR SHETLAND PONY + BUNNY BROWN AND HIS SISTER SUE GIVING A SHOW + BUNNY BROWN AND HIS SISTER SUE AT CHRISTMAS TREE COVE + BUNNY BROWN AND HIS SISTER SUE IN THE SUNNY SOUTH + BUNNY BROWN AND HIS SISTER SUE KEEPING STORE + BUNNY BROWN AND HIS SISTER SUE AND THEIR TRICK DOG + BUNNY BROWN AND HIS SISTER SUE AT A SUGAR CAMP + BUNNY BROWN AND HIS SISTER SUE ON THE ROLLING OCEAN + BUNNY BROWN AND HIS SISTER SUE ON JACK FROST ISLAND + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +SIX LITTLE BUNKERS SERIES + +By LAURA LEE HOPE + +Author of The Bobbsey Twins Books, The Bunny Brown Series, The Blythe +Girls Books, Etc. + +Durably Bound. Illustrated. Uniform Style of Binding. Every Volume +Complete in Itself. + +Delightful stories for little boys and girls which sprung into immediate +popularity. To know the six little Bunkers is to take them at once to +your heart, they are so intensely human, so full of fun and cute +sayings. Each story has a little plot of its own--one that can be easily +followed--and all are written in Miss Hope's most entertaining manner. +Clean, wholesome volumes which ought to be on the bookshelf of every +child in the land. + + SIX LITTLE BUNKERS AT GRANDMA BELL'S + SIX LITTLE BUNKERS AT AUNT JO'S + SIX LITTLE BUNKERS AT COUSIN TOM'S + SIX LITTLE BUNKERS AT GRANDPA FORD'S + SIX LITTLE BUNKERS AT UNCLE FRED'S + SIX LITTLE BUNKERS AT CAPTAIN BEN'S + SIX LITTLE BUNKERS AT COWBOY JACK'S + SIX LITTLE BUNKERS AT MAMMY JUNE'S + SIX LITTLE BUNKERS AT FARMER JOEL'S + SIX LITTLE BUNKERS AT MILLER NED'S + SIX LITTLE BUNKERS AT INDIAN JOHN'S + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +THE RIDDLE CLUB BOOKS + +By ALICE DALE HARDY + +Individual Colored Wrappers. Attractively Illustrated. + +Every Volume Complete in Itself. + +Here is as ingenious a series of books for little folks as has ever +appeared since "Alice in Wonderland." The idea of the Riddle books is a +little group of children--three girls and three boys decide to form a +riddle club. Each book is full of the adventures and doings of these six +youngsters, but as an added attraction each book is filled with a lot of +the best riddles you ever heard. + +THE RIDDLE CLUB AT HOME + +An absorbing tale that all boys and girls will enjoy reading. How the +members of the club fixed up a clubroom in the Larue barn, and how they, +later on, helped solve a most mysterious happening, and how one of the +members won a valuable prize, is told in a manner to please every young +reader. + +THE RIDDLE CLUB IN CAMP + +The club members went into camp on the edge of a beautiful lake. Here +they had rousing good times swimming, boating and around the campfire. +They fell in with a mysterious old man known as The Hermit of Triangle +Island. Nobody knew his real name or where he came from until the +propounding of a riddle solved these perplexing questions. + +THE RIDDLE CLUB THROUGH THE HOLIDAYS + +This volume takes in a great number of sports, including skating and +sledding and the building of a huge snowman. It also gives the +particulars of how the club treasurer lost the dues entrusted to his +care and what the melting of the great snowman revealed. + +THE RIDDLE CLUB AT SUNRISE BEACH + +This volume tells how the club journeyed to the seashore and how they +not only kept up their riddles but likewise had good times on the sand +and on the water. Once they got lost in a fog and are marooned on an +island. Here they made a discovery that greatly pleased the folks at +home. + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + +JERRY TODD AND POPPY OTT SERIES + +By LEO EDWARDS + +Durably Bound. Illustrated. Individual Colored Wrappers. + +Every Volume Complete in Itself. + +Hundreds of thousands of boys who laughed until their sides ached over +the weird and wonderful adventures of Jerry Todd and his gang demanded +that Leo Edwards, the author, give them more books like the Jerry Todd +stories with their belt-bursting laughs and creepy shivers. So he took +Poppy Ott, Jerry Todd's bosom chum and created the Poppy Ott Series, and +if such a thing could be possible--they are even more full of fun and +excitement than the Jerry Todds. + + THE POPPY OTT SERIES + POPPY OTT AND THE STUTTERING PARROT + POPPY OTT AND THE SEVEN LEAGUE STILTS + POPPY OTT AND THE GALLOPING SNAIL + POPPY OTT'S PEDIGREED PICKLES + + THE JERRY TODD BOOKS + JERRY TODD AND THE WHISPERING MUMMY + JERRY TODD AND THE ROSE-COLORED CAT + JERRY TODD AND THE OAK ISLAND TREASURE + JERRY TODD AND THE WALTZING HEN + JERRY TODD AND THE TALKING FROG + JERRY TODD AND THE PURRING EGG + JERRY TODD IN THE WHISPERING CAVE + +GROSSET & DUNLAP, Publishers, NEW YORK + + + + + +End of Project Gutenberg's Polly in New York, by Lillian Elizabeth Roy + +*** END OF THIS PROJECT GUTENBERG EBOOK POLLY IN NEW YORK *** + +***** This file should be named 37459-8.txt or 37459-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/7/4/5/37459/ + +Produced by Roger Frank and the Online Distributed +Proofreading Team at https://www.pgdp.net (This book was +produced from images made available by the HathiTrust +Digital Library.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
