summaryrefslogtreecommitdiff
path: root/37414.txt
diff options
context:
space:
mode:
Diffstat (limited to '37414.txt')
-rw-r--r--37414.txt1057
1 files changed, 1057 insertions, 0 deletions
diff --git a/37414.txt b/37414.txt
new file mode 100644
index 0000000..ce3d0a4
--- /dev/null
+++ b/37414.txt
@@ -0,0 +1,1057 @@
+The Project Gutenberg EBook of The World Turned Upside Down, by E. C. Clayton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The World Turned Upside Down
+
+Author: E. C. Clayton
+
+Release Date: September 13, 2011 [EBook #37414]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE WORLD TURNED UPSIDE DOWN ***
+
+
+
+
+Produced by Emmy, Marilynda Fraser-Cunliffe and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by the University of Florida Digital Collections.)
+
+
+
+
+
+
+
+
+[Illustration: Lith. Emrik & Binger, Haarlem.]
+
+
+
+
+[Illustration]
+
+_THE WORLD TURNED UPSIDE DOWN._
+
+BY E. C. CLAYTON.
+
+
+ LONDON:
+ DEAN & SON, 160A, FLEET STREET, E.C.,
+ PUBLISHERS AND CHRISTMAS CARD MANUFACTURERS.
+
+
+
+
+THE FOOLISH COAT.
+
+
+THE Coat was in a downright rage.
+
+"To be beaten, and caned, and cuffed, and shaken, two or three times
+a-day," cried he, whisking his tails about like an angry lion, "I say
+it's a shame."
+
+"If you were not well thrashed," said the Cane, "you'd soon get thick
+with dust, and _then_ I'd like to know how you'd look."
+
+"So _I_ say," remarked the Hat.
+
+"It's all very well for you to talk, Mr. Cane," said the Coat, still
+more in a rage. "Nobody ever hits you, and if they did, you could hit
+back. And as for you, Mr. Hat, nobody ever thinks of punching you,
+except in fun. You have a nice soft brush all to yourself."
+
+"Well, are you not brushed as well?" asked the Hat.
+
+"I don't mind being brushed," said the Coat, "but the next time Mr.
+Valet comes along, and hits me, I'll--I'll--" then he growled something
+to himself, whisked his tails, and added, "_See_ if I don't."
+
+In came the Valet, and bustled about. The Coat eyed him, and when he
+came close, caught him up with _such_ a clutch.
+
+"Hallo, hallo, hallo!" cried the Valet. "What are you doing?"
+
+But the Coat hung the Valet on a nail, and snatched up the Cane.
+
+"Now, look here, Mister Valet," said he. "I'm not going to be dusted and
+beaten and thumped. I'm just going to show you what it feels like,
+Mister Valet."
+
+"What are you talking about, you stupid old Coat?" said the Valet.
+
+"I'll let you see," said the Coat, flourishing the Cane.
+
+The Cane could not help himself, for he was thin.
+
+Thump, thump, thump, went the Coat, blowing out such clouds and clouds
+of dust from the Valet's clothes, never remembering he was covering
+himself with dust, and making himself look shockingly shabby. The Valet
+called out as loud as he could for help, but nobody heard him, and the
+Coat kept on thumping till his sleeves fairly ached. Then he dropped the
+Cane, fell on the dirty floor, and whisked his tails with great
+satisfaction.
+
+The Cane jumped up, and lifted down the Valet, who went off to his own
+room.
+
+A few days after, the master came in, and looked at the Coat, which he
+had meant to wear at a jolly garden party.
+
+"Oh," said he, "how dreadfully shabby that Coat looks."
+
+"Yes, sir," said the Valet, "he won't allow himself to be brushed or
+dusted."
+
+"Oh, won't he?" said the Master, "that's all very fine, but it won't do
+for me." So he seized the Cane, and gave the Coat one good thump. But
+such a cloud of dust came out of the Coat that the Master threw down the
+Cane, and ran to the door.
+
+"Oh," cried he, "I can't wear that frightful old thing any more. It is
+disgracefully shabby and dusty. Sell it to the first 'ole clo'' man that
+comes along." But he took the Hat, and went to the nice party.
+
+And what do you think became of this foolish Coat? Why, he was hung on a
+stick in a field to make a scare-crow. And serve him right, a stupid
+thing.
+
+
+
+
+ALF AND THE PARROT.
+
+
+ The old Poll Parrot was in a rage;
+ He bounced and spluttered about in his cage.
+
+ The reason he felt so much displeased
+ Was because young Alf had worried and teased.
+
+ He pecked, and bobbed, and knocked with his beak,
+ Too much enraged to be able to speak.
+
+ To tease him was a scandalous shame:
+ Alf was a bad boy, and much to blame.
+
+ "I tell you, young Alf," at last Poll said,
+ "If you don't leave off, I'll snap off your head.
+
+ "You think you're allowed to tease a bird.
+ Now, that idea's extremely absurd.
+
+ "One thing, young Alf, is certain and sure--
+ Your worry and bother no more I'll endure.
+
+ "Another thing, Alf, is also clear:
+ I mean to walk out, and lock you in here."
+
+ Poor Alfy screamed and bawled with rage
+ When Poll marched out, and put _him_ in the cage!
+
+ Cried Alf, "I think this horrible bird
+ Is going to be as good as his word."
+
+ Laughed old Poll, as he perched on a chair,
+ "You thought to punish you I'd never dare.
+
+ "You may bawl or howl, or scream and rage--
+ I'm going to lock the door of the cage!"
+
+ Alfy did cry out--Oh! didn't he shout,
+ When he found the Parrot would not let him out!
+
+ Said Poll, "My dear boy, it's now _our_ turn;
+ The world's upside down, as you have to learn."
+
+ So Alf was forced to make up his mind
+ In the cage of the Parrot to be confined.
+
+[Illustration]
+
+
+
+
+THE CLEVER HARE.
+
+
+"TO be hunted, and trapped, and watched for by night, and--and--I don't
+know what, is most abominable!" said the Hare.
+
+Some dogs had frightened him, and he had run--run like a hare, in fact,
+and then sat down upon his form to think. The dogs had not stood upon
+ceremony, so he didn't choose to stand upon forms, but sat down
+comfortably.
+
+He twitched his ears, and scratched his wig, and thought.
+
+"And I won't put up with it--_there_," said he, aloud. "It's only
+cowardice putting up with things. I'll get some fellows to help me, and
+we'll hunt the dogs."
+
+At that moment he heard a sound.
+
+"Wow! bow, wow, wow!" barked some dog, a little way off.
+
+The Hare jumped up again, and flew off as quick as his legs would carry
+him. After running some distance, he sat down again, but this time he
+found neither forms nor ceremonies.
+
+But he found something that was better. A gun and a sportsman's bag were
+lying near, and he eyed them.
+
+"I wonder if that gun would go off if I touched it!" he said to himself.
+
+He walked round and round it, and then cautiously pawed it. No: it
+didn't seem to have the least idea of going off.
+
+Then he lifted it up, and grew quite bold.
+
+"I wonder if I could shoot anything?" thought he.
+
+He aimed at a bird, and brought it down.
+
+[Illustration]
+
+"Bravo, bravo, bravo!" cried he. "I'll take this gun, and then if
+anybody tries to torment or to catch me, I'll--I'll kill them."
+
+He hung the bag round his waist, and put the gun on his shoulder, then
+walked off to his home. On the way, a boy ran at him, and cried "Bo!"
+but he just pointed the gun, and the boy ran away.
+
+The Hare lived all by himself, but he was very comfortable. Nobody could
+bother him, and he would have been quite content only for the men and
+the dogs.
+
+Every day he practised with his gun till he got to be very skilful.
+
+ "Just let them come along
+ And they shall all soon see,
+ That they're all in the wrong
+ To plague and bother me.
+
+ Although I'm but a hare,
+ I think I'm very smart,
+ And can--let them beware--
+ Right well take my own part."
+
+So he sang, as he sat one day polishing up his gun.
+
+As he was busily at work, he heard a noise, and cocked his ear. Tramp,
+tramp, tramp, came along some one--a man. It was a poacher, who said to
+himself he was going to catch a fine fat Hare. The man cast an eye
+round, but the Hare hid, and watched.
+
+Then the man stole nearer, and peeped round a tree.
+
+"Aha!" said the Hare. "You want to catch me, and eat me, don't you? But
+I am going to catch you, and boil you for my supper."
+
+The man only laughed, for it was preposterous the idea of a Hare
+catching a man, instead of a man catching a hare.
+
+And the Hare just cocked his gun, put it to his shoulder, and fired.
+Then he did kill the poacher, and took him home, and stewed him with
+mushrooms for supper.
+
+[Illustration]
+
+
+
+
+THE STRONG MAN AND THE INVALID
+
+
+"WHERE'S the good of going on grumble, grumble, grumble, all the day
+long?" said the strong Man to the Invalid. "Why, you get petted and have
+extra nice things to eat, beautiful bunches of grapes, and boiled
+chickens, and I don't know what."
+
+"If you were _me_, you would not talk like that," said the Invalid, in a
+poor sick weak voice. "I'd eat dry bread, and never ask to be petted at
+all if I were strong, like you."
+
+The Strong Man laughed, as if he didn't believe the Invalid.
+
+"I have to work hard all day, and nobody seems to care a bit whether I'm
+tired or not," said he. "But if you only have a finger ache, everybody
+is running about trying to find something to do you good. And they come
+and read to you, and bring you flowers, and--and--"
+
+"You just take my place for a day or two, and see how you'd like it,"
+said the Invalid.
+
+"Um--well, I shouldn't like to be ill, you know," said the Strong Man.
+"I shouldn't like to lie in bed, nor have the doctor coming to see me,
+because he'd give me nasty stuff to take."
+
+"I'll be your doctor," said the Invalid. "But you must lie in bed. Come,
+take my place."
+
+The Strong Man was ashamed to refuse.
+
+"Well, now you are comfortable, I suppose," said the Invalid, tucking
+him in. "You must try to doze a little."
+
+[Illustration: Lith. Emrik & Binger, Haarlem.]
+
+"But I'm not sleepy," said the Strong Man.
+
+"You'll soon be tired, and go to sleep," said the Invalid. "I'm going
+away, but shall be back in an hour or two."
+
+When he went away, the place seemed dreadfully dull. Not a sound was to
+be heard except the barking of a dog in a farm-yard near, and the cluck
+cluck of some hens.
+
+"Dear, dear," said the Strong Man, "this is very tiresome."
+
+Presently an old lady looked in.
+
+"Poor dear, poor dear," said she, "I will read a nice book to you."
+
+So she sat down and read out of a book. But the Strong Man didn't care
+about the book, and he thought the old lady stupid.
+
+Then she went away, and by-and-by, a kind old gentleman came in with
+some chicken, and a glass of wine, and some beautiful white bread.
+
+"Here," said he, "Take this, it will do you good."
+
+But the Strong Man didn't feel hungry, and he was tired and cross by
+this time, so he wouldn't have any of it. Then some more people came in,
+and talked to him, and told him the Invalid had gone to see the reapers,
+and tried to be kind to him. Then at last everybody stole away on
+tiptoe, and left him alone.
+
+Then the Invalid came back. But by that time the Strong Man had had
+quite enough of being shut up in a sick room, so he jumped up, and ran
+to the door.
+
+"I see you are not much to be envied," said he to the Invalid. "I don't
+think I shall ever envy anybody again so long as I have health and
+strength."
+
+
+
+
+THE KITE'S LITTLE GAME
+
+
+THE Kite laughed and chuckled to himself until his paper fairly
+crackled.
+
+"We shall have such a game," said he to his paper Tails.
+
+"We mostly do," squeaked the Tails.
+
+There were eighteen of them, and they were all very frisky.
+
+The Kite first winked one eye, then the other, then winked both
+together.
+
+I'm afraid he was rather a vulgar sort of a Kite, but he was very jolly.
+His eyes were inclined to be goggly, yellow round the outside, with red
+in the middle. He was not a particularly good-looking Kite--in fact, he
+was really ugly--but he was very funny, and loved a joke.
+
+The string suddenly wakened up out of a nap, hearing talk going on, "Eh,
+what's that?" said he.
+
+"Don't know," said the Tails.
+
+The Kite laughed again, and shook his round ears, and showed all his
+teeth in one wide grin. "We'll have a game this afternoon," said he,
+once more.
+
+"Oh," said the String. "We mostly do."
+
+The Kite stuck up his pointed chin, and shook his red paper beard. "I
+mean a different sort of game to what _you_ mean," said he. "You mean,
+we have a game when young Walter takes us out. But I don't mean _that_."
+
+"Then what _do_ you mean?" said the String, who didn't care about
+guessing.
+
+"When he takes us out, we have to go where _he_ likes, and fly when he
+chooses us to fly," said the Kite. "Now _I_ mean, we'll fly young
+Walter."
+
+"Eh?" said the String.
+
+[Illustration]
+
+The String was rather sleepy-headed, and didn't take in new ideas very
+quickly. He was so astonished now that he unrolled himself several
+yards, and wriggled about round the Kite, to look at him, as if he must
+be out of his mind.
+
+"Eh?" said all the Tails, after a flutter of surprise. But they thought
+it was a joke, and that the Kite only meant to be funny. The Kite
+straightened himself, and looked very important. "When I say a thing, I
+mean it," said he, in a dignified manner.
+
+"Well, but--" said one Tail, timidly.
+
+"_Well_, but what?" snapped the Kite. "You don't know what you're
+talking about. I say we'll fly--"
+
+At that minute up came Walter. He took hold of the Kite, and was winding
+up the String, when the Kite said--
+
+"Master Walter, let's fly _you_ to day!"
+
+Walter stared and laughed.
+
+"You couldn't," said he. "You're only made of paper."
+
+"Let us try," said the Kite.
+
+"I mustn't go far, then," said Walter, "because my mother would wonder
+where I was."
+
+So the String was tied about Walter, and up he flew. It was very jolly,
+and he flew here and there like a bird. The Kite and the String were
+delighted, and the Tails kept on a chatter, chatter, chatter, like
+eighteen little magpies all in a row. But the Kite found it hard work
+after a time. He had to mind the string, and watch lest Walter should
+tumble down, and keep on doing this and doing that, instead of
+pleasantly fluttering about. He got cross and grumpy at last. "I think
+the old way's the best," said he. "Next time I'll go up. Old ways are
+best, after all."
+
+[Illustration]
+
+
+
+
+THE BIRDS AND THE FISHES.
+
+
+ I think you will own
+ That it is very rare
+ To see fishes and frogs
+ Sail about in the air,
+
+ While the birds and the poultry
+ Are swimming about
+ Like so many mackerel
+ Or pikes, sprats, or trout,
+
+ In old times, the fishes,
+ And birds, were content
+ To remain all their lives
+ In their _own_ element.
+
+ Things are different now:
+ They have changed the old times,
+ Turned the world topsy-turvy,
+ With no reasons or rhymes.
+
+ But I think you'll agree
+ It is simply absurd
+ For a fish to pretend
+ He is just like a bird.
+
+ But for birds to be fishes
+ Is really as bad:
+ One would fancy they all
+ Had surely gone mad.
+
+ For fishes cold water,
+ For birds a warm nest,
+ Of all places, truly,
+ Is _the_ very best.
+
+[Illustration]
+
+[Illustration: Lith. Emrik & Binger, Haarlem.]
+
+
+
+
+THE WONDERFUL SHOW.
+
+
+ONE fine summer's afternoon, the Lion went trotting home in high good
+humour. As he went along, he kept muttering and grinning to himself, as
+if mightily pleased. When he got home, he banged at the door of his den
+with his tail. A Lion's tail is very strong and hard, you know, stronger
+and harder than any bell rope. The Lioness, his wife, was out at the
+back, combing out the manes of her young Lions, but presently she came
+and opened the door.
+
+"My dear," cried the Lion, "_such_ a piece of news!"
+
+"Oh, indeed?" said the Lioness. "Have you found some travellers to eat?"
+
+"Better than _that_," said the Lion, all a-glow, rubbing his paws.
+
+"Oh, in-_deed_," said the Lioness, smiling. "Then it must be very good
+indeed."
+
+"Yes," said the Lion. "Just guess, my love."
+
+"How _can_ I guess? I never was good at guessing. Besides, you could
+tell me quicker than I could guess," said the Lion's wife.
+
+"How clever you are," said the Lion, putting his tawny head on one side,
+and looking admiringly at his queen. "Perhaps telling _is_ the quickest
+way after all. Well--" Then he stopped, as if to tantalize.
+
+"Well--what? How tiresome you are," said the Lioness.
+
+"They have brought a cageful of humans to the town, and all the Beasts
+and all the Birds are going to see the show."
+
+"_What!_" cried the Lioness, so astonished that she could hardly believe
+her ears.
+
+The Lion skipped right round the parlour three times, snapping his
+claws like castanets. "Yes," said he, gleefully, "they used to lock _us_
+up, and let people pay to see us, and call us Wild Beasts, and
+Carnivora, and all sorts of ugly names. But times are changed. I wonder
+how they'll like it? We'll take our little beasts of children to see the
+show."
+
+"You _shouldn't_ call the little ducks Beasts," said the Lioness. "I
+wonder you don't call them a parcel of Cubs."
+
+"Well, they _are_ Beasts and Cubs, ain't they?" said the Lion.
+
+"Well, never mind, I won't have them spoken of like that," said his
+wife. "When will you take me and the darling pets to see this wonderful
+show?"
+
+"Come now," said the Lion, jingling his money in the purse he carried in
+the end of his tail.
+
+"Oh, I'm not dressed," said the Lioness.
+
+"You never are," said the Lion.
+
+"That's true," said his wife. "Well, here! children! come along and see
+the Tame Humans."
+
+The young cubs came rolling in, all tumbling over one another, like
+jolly little brutes as they were, and set up a wild roar of delight at
+hearing they were going out for the day. When they got half way, the
+Lion suddenly stopped and considered.
+
+"I think," said he, "as we are going to change places with the humans,
+we ought to have all the fine things they used to have, so we'll buy
+some clothes."
+
+"All right, my dear," said the Lioness.
+
+[Illustration]
+
+So they went into a shop, which they found belonged to a very civil
+elephant. They were quickly fitted out with nice suits, and then trotted
+contentedly on. A large crowd of beasts and birds was going the same
+way, and at the door it was hard to get in. The greatest excitement
+prevailed--which means, you know, that people--animals, I mean--were
+laughing and talking, and wondering, and squeezing, and pushing, and
+treading on one another's toes, and saying "Where are you shoving to?"
+and "There's plenty of room," and "Don't be disagreeable," and "Don't
+lose your temper, pray," and asking questions, and all that kind of
+thing. The Lion and his wife were afraid to take in the children, so
+left them outside with an old Cow, who was herself too frightened to
+venture, and too fat to squeeze through the throng. Inside, the animals
+were all staring their hardest. The humans in the cages didn't at all
+relish being shown, and were very cross. A Wolf with a long stick was
+telling about all their ways, and poking them up to make them roar. One
+young man in a blue coat howled with rage, until a good-natured old
+Rhinoceros, with a red shawl, threw him a bun. He was so ungrateful as
+to kick it out of his cage, which offended the old Rhinoceros, as you
+may imagine.
+
+"Times are changed, ain't they?" said a jolly old Bear to the Lion,
+chuckling.
+
+"Quite time too," answered the Lion.
+
+The Ostrich craned his long neck, and stared as hard as he could, as did
+all the animals. The Lioness was very well pleased, but she hurried out
+to see after her children, while the Lion stayed to have a good look. In
+fact, there never had been such a sight seen in Beastland before, and I
+don't suppose there ever will be such a one again.
+
+[Illustration]
+
+
+
+
+THE UNKIND TREES.
+
+
+"YOU know it's ridiculous, and we mustn't put up with it any longer,"
+said the Plane Tree. He wasn't called the Plane Tree because he was not
+good looking, but because he always spoke his mind.
+
+"That's what _I_ say," grumbled the Elm.
+
+"To be sure," cried the Oak, in a deep, deep, deep voice--you would have
+fancied it came out of his boots. But I forgot: of course Oaks don't
+wear boots--but that does not signify.
+
+The Aspen and the Sycamore sighed, and shook their leaves, and looked
+wise.
+
+The Chestnut and the Beech whispered to one another, and waved their
+boughs indignantly.
+
+"Yes," said the Poplar, a tall, straight, stiff tree, with a squeaky
+voice, "I _do_ think it's a shame the Wood-cutters should be allowed to
+come here and cut us up whenever they choose. The Government, or the
+Parish, or the Local Authorities, or--or--_somebody_, ought to hinder
+them."
+
+"Everybody encourages them to do it," said the Box Tree, angrily. The
+Box Tree was rather fond of fighting, and that's how he came by his
+name.
+
+"I know what we ought to do," said the Birch, "Whip them."
+
+"Chop them up," cried the Plane Tree, who was fond of carpentry.
+
+The trees all fluttered their leaves. They were rather frightened at the
+ideas of the Birch and Plane.
+
+"Well," growled the Oak. But he couldn't think of anything to say, so
+was obliged to stop.
+
+The Ivy had not said a word, but listened to everything. Now she lifted
+up her head, and spoke--so softly that it seemed as if the summer wind
+was rustling through her leaves.
+
+[Illustration: Lith. Emrik & Binger, Haarlem]
+
+"I think," said the gentle Ivy--and though she spoke so sweetly, her
+voice could be heard by every tree--"I think when there are so many
+branches to spare, and when it is an improvement to the trees to be
+lopped and pruned a little bit, it is foolish to object. And when we
+know the poor wood-cutters make their living by cutting wood in the
+forest, and when poor children are often shivering in the winter for
+want of fire, it is selfish to grumble about a few fagots of wood."
+
+There was a deep stillness. Not a word did any tree speak, till the Elm
+said, with a bit of a sneer, "Ivy does not know what she is talking
+about."
+
+"She means well," said the Cedar, "but she does talk nonsense." "So she
+does," murmured some other trees.
+
+Ivy hung her head, and heard with grief and displeasure that the very
+next wood-cutter who came through the forest should be chopped up, as an
+example. In the afternoon, Hans came along, singing gaily to himself.
+He looked about, and noticed some branches that might be cut off without
+spoiling the trees, for he loved the trees, and would not have hurt them
+for the world. But as he laid down his saw on his wooden horse, it was
+snatched by the Birch with its long arms, and he felt himself whipped
+up.
+
+"Oh, oh, oh," cried Hans.
+
+"Ho, ho, ho," cried the trees, maliciously.
+
+Ivy covered herself with her own leaves, for she could not bear to see
+so sad a sight, and she cried. So Hans was cut up, and his poor children
+had nobody to earn any money to buy them food, for their mother was
+dead. And the wood-cutters were afraid to come near the forest, lest
+they should be served like Hans. And what happened? Why, there was
+nobody to prune the trees, and they grew so thick that their branches
+all got entangled and twisted, and they smothered one another.
+
+ * * * * *
+
+Transcriber's Notes:
+
+Obvious punctuation errors repaired.
+
+Word "too" added to text (was herself too frightened)
+
+"Chesnut" changed to "Chestnut" (The Chestnut and the Beech)
+
+Word "not" added to text on final paragraph, (for she could not bear)
+
+
+
+
+
+End of Project Gutenberg's The World Turned Upside Down, by E. C. Clayton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE WORLD TURNED UPSIDE DOWN ***
+
+***** This file should be named 37414.txt or 37414.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/7/4/1/37414/
+
+Produced by Emmy, Marilynda Fraser-Cunliffe and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by the University of Florida Digital Collections.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.