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+<title>Lay Morals, by Robert Louis Stevenson</title>
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+<pre>
+
+The Project Gutenberg eBook, Lay Morals, by Robert Louis Stevenson, Edited
+by Sidney Colvin
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Lay Morals
+ and Other Papers
+
+
+Author: Robert Louis Stevenson
+
+Editor: Sidney Colvin
+
+Release Date: October 20, 2010 [eBook #373]
+First Posted: November 1995
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK LAY MORALS***
+</pre>
+<p>Transcribed from the Chatto and Windus 1911 edition by David
+Price, email ccx074@pglaf.org</p>
+<h1>LAY MORALS</h1>
+<p style="text-align: center">And Other Papers</p>
+<p style="text-align: center"><span class="smcap">by</span><br />
+ROBERT LOUIS STEVENSON</p>
+<p>&nbsp;</p>
+<p style="text-align: center">
+<a href="images/p0b.jpg">
+<img alt=
+"Graphic"
+title=
+"Graphic"
+src="images/p0s.jpg" />
+</a></p>
+<p style="text-align: center">A NEW EDITION<br />
+WITH A PREFACE BY<br />
+MRS. STEVENSON</p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center">LONDON<br />
+CHATTO &amp; WINDUS<br />
+1911</p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><!-- page iv--><a
+name="pageiv"></a><span class="pagenum">p. iv</span><i>All rights
+reserved.</i></p>
+<h2><!-- page v--><a name="pagev"></a><span class="pagenum">p.
+v</span>PREFACE<br />
+BY MRS. ROBERT LOUIS STEVENSON <a name="citation0"></a><a
+href="#footnote0" class="citation">[0]</a></h2>
+<p>In<span class="smcap"> </span>our long voyage on the yacht
+<i>Casco</i>, we visited many islands; I believe on every one we
+found the scourge of leprosy.&nbsp; In the Marquesas there was a
+regular leper settlement, though the persons living there seemed
+free to wander where they wished, fishing on the beach, or
+visiting friends in the villages.&nbsp; I remember one afternoon,
+at Anaho, when my husband and I, tired after a long quest for
+shells, sat down on the sand to rest awhile, a native man stepped
+out from under some cocoanut trees, regarding us hesitatingly as
+though fearful of intruding.&nbsp; My husband waved an invitation
+to the stranger to join us, offering his cigarette to the man in
+the island fashion.&nbsp; The cigarette was accepted and, after a
+puff or two, courteously passed back again according to native
+etiquette.&nbsp; The hand that held it was the maimed hand of a
+leper.&nbsp; To my consternation my husband took the cigarette
+and smoked it out.&nbsp; Afterwards when we were alone <!-- page
+vi--><a name="pagevi"></a><span class="pagenum">p. vi</span>and I
+spoke of my horror he said, &lsquo;I could not mortify the
+man.&nbsp; And if you think I <i>liked</i> doing it&mdash;that
+was another reason; because I <i>didn&rsquo;t</i> want
+to.&rsquo;</p>
+<p>Another day, while we were still anchored in Anaho Bay, a
+messenger from round a distant headland came in a whale-boat with
+an urgent request that we go to see a young white girl who was
+ill with some mysterious malady.&nbsp; We had supposed that, with
+the beach-comber &lsquo;Charley the red,&rsquo; we were the only
+white people on our side of the island.&nbsp; Though there was
+much wind that day and the sea ran high, we started at once,
+impelled partly by curiosity and partly by the pathetic nature of
+the message.&nbsp; Fortunately we took our luncheon with us,
+eating it on the beach before we went up to the house where the
+sick girl lay.&nbsp; Our hostess, the girl&rsquo;s mother, met us
+with regrets that we had already lunched, saying, &lsquo;I have a
+most excellent cook; here he is, now.&rsquo;&nbsp; She turned, as
+she spoke, to an elderly Chinaman who was plainly in an advanced
+stage of leprosy.&nbsp; When the man was gone, my husband asked
+if she had no fear of contagion.&nbsp; &lsquo;I don&rsquo;t
+believe in contagion,&rsquo; was her reply.&nbsp; But there was
+little doubt as to what ailed her daughter.&nbsp; She was
+certainly suffering from leprosy.&nbsp; We could only advise that
+the girl be taken to the French post at Santa Maria Bay where
+there was a doctor.</p>
+<p>On our return to the <i>Casco</i> we confessed to each <!--
+page vii--><a name="pagevii"></a><span class="pagenum">p.
+vii</span>other with what alarm and repugnance we touched the
+miserable girl.&nbsp; We talked long that evening of Father
+Damien, his sublime heroism, and his martyrdom which was already
+nearing its sad end.&nbsp; Beyond all noble qualities my husband
+placed courage.&nbsp; The more he saw of leprosy, and he saw much
+in the islands, the higher rose his admiration for the simple
+priest of Molokai.&nbsp; &lsquo;I must see Molokai,&rsquo; he
+said many times.&nbsp; &lsquo;I must somehow manage to see
+Molokai.&rsquo;</p>
+<p>In January 1889, we arrived in Honolulu, settling in a
+pleasant cottage by the sea to rest until we were ready to return
+to England.&nbsp; The <i>Casco</i> we sent back to San Francisco
+with the captain.&nbsp; But the knowledge that every few days
+some vessel was leaving Honolulu to cruise among islands we had
+not seen, and now should never see, was more than we could
+bear.&nbsp; First we engaged passage on a missionary ship, but
+changed our minds&mdash;my husband would not be allowed to smoke
+on board, for one reason&mdash;and chartered the trading schooner
+<i>Equator</i>.&nbsp; This was thought too rough a voyage for my
+mother-in-law, as indeed it would have been; so she was sent,
+somewhat protesting, back to Scotland.</p>
+<p>My husband was still intent on seeing Molokai.&nbsp; After the
+waste of much time and red tape, he finally received an official
+permission to visit the leper settlement.&nbsp; It did not occur
+to him it would be necessary <!-- page viii--><a
+name="pageviii"></a><span class="pagenum">p. viii</span>to get a
+separate official permission to <i>leave</i> Molokai; hence he
+was nearly left behind when the vessel sailed out.&nbsp; He only
+saved himself by a prodigious leap which landed him on board the
+boat, whence nothing but force could dislodge him.&nbsp; By the
+doctor&rsquo;s orders he took gloves to wear as a precautionary
+measure against contagion, but they were never worn.&nbsp; At
+first he avoided shaking hands, but when he played croquet with
+the young leper girls he would not listen to the Mother
+Superior&rsquo;s warning that he must wear gloves.&nbsp; He
+thought it might remind them of their condition.&nbsp;
+&lsquo;What will you do if you find you have contracted
+leprosy?&rsquo; I asked.&nbsp; &lsquo;Do?&rsquo; he replied;
+&lsquo;why, you and I would spend the rest of our lives in
+Molokai and become humble followers of Father
+Damien.&rsquo;&nbsp; As Mr. Balfour says in the Life of
+Stevenson, he was as stern with his family as he was with
+himself, and as exacting.</p>
+<p>He talked very little to us of the tragedy of Molokai, though
+I could see it lay heavy on his spirits; but of the great work
+begun by Father Damien and carried on by his successors he spoke
+fully.&nbsp; He had followed the life of the priest like a
+detective until there seemed nothing more to learn.&nbsp; Mother
+Mary Ann, the Mother Superior, he could never mention without
+deep emotion.&nbsp; One of the first things he did on his return
+to Honolulu was to send her a grand piano for the use of her
+girls&mdash;<!-- page ix--><a name="pageix"></a><span
+class="pagenum">p. ix</span>the girls with whom he had played
+croquet.&nbsp; He also sent toys, sewing materials, small tools
+for the younger children, and other things that I have
+forgotten.&nbsp; After his death a letter was found among his
+papers, of which I have only the last few lines.&nbsp; &lsquo;I
+cannot suppose you remember me, but I won&rsquo;t forget you, nor
+God won&rsquo;t forget you for your kindness to the blind white
+leper at Molokai.&rsquo;</p>
+<p>During my husband&rsquo;s absence I had made every preparation
+for our voyage on the <i>Equator</i>, so but little time was lost
+before we found ourselves on board, our sails set for the
+south.&nbsp; The <i>Equator</i>, which had easily lived through
+the great Samoan hurricane, made no such phenomenal runs as the
+<i>Casco</i>, but we could trust her, and she had no
+&lsquo;tricks and ways&rsquo; that we did not understand.&nbsp;
+We liked the sailors, we loved the ship and her captain, so it
+was with heart-felt regret we said farewell in the harbour of
+Apia after a long and perfect cruise.</p>
+<p>After reading the letters that awaited us in Apia, we looked
+over the newspapers.&nbsp; Our indignation may be imagined when
+we read in one item that, owing to the publication of a letter by
+a well-known Honolulu missionary, depicting Father Damien as a
+dirty old peasant who had contracted leprosy through his immoral
+habits, the project to erect a monument to his memory would be
+abandoned.&nbsp; &lsquo;I&rsquo;ll not believe it,&rsquo; <!--
+page x--><a name="pagex"></a><span class="pagenum">p.
+x</span>said my husband, &lsquo;unless I see it with my own eyes;
+for it is too damnable for belief!&rsquo;</p>
+<p>But see it he did, in spite of his incredulity, for in Sydney,
+a month or two later, the very journal containing the letter
+condemnatory of Father Damien was among the first we chanced to
+open.&nbsp; I shall never forget my husband&rsquo;s ferocity of
+indignation, his leaping stride as he paced the room holding the
+offending paper at arm&rsquo;s-length before his eyes that burned
+and sparkled with a peculiar flashing light.&nbsp; His cousin Mr.
+Balfour, in his <i>Life of Robert Louis Stevenson</i>, says:
+&lsquo;his eyes . . . when he was moved to anger or any fierce
+emotion seemed literally to blaze and glow with a burning
+light.&rsquo;&nbsp; In another moment he disappeared through the
+doorway, and I could hear him, in his own room, pulling his chair
+to the table, and the sound of his inkstand being dragged towards
+him.</p>
+<p>That afternoon he called us together&mdash;my son, my
+daughter, and myself&mdash;saying that he had something serious
+to lay before us.&nbsp; He went over the circumstances
+succinctly, and then we three had the incomparable experience of
+hearing its author read aloud the defence of Father Damien while
+it was still red-hot from his indignant soul.</p>
+<p>As we sat, dazed and overcome by emotion, he pointed out to us
+that the subject-matter was libellous in the highest degree, and
+the publication of the <!-- page xi--><a name="pagexi"></a><span
+class="pagenum">p. xi</span>article might cause the loss of his
+entire substance.&nbsp; Without our concurrence he would not take
+such a risk.&nbsp; There was no dissenting voice; how could there
+be?&nbsp; The paper was published with almost no change or
+revision, though afterwards my husband said he considered this a
+mistake.&nbsp; He thought he should have waited for his anger to
+cool, when he might have been more impersonal and less
+egotistic.</p>
+<p>The next day he consulted an eminent lawyer, more from
+curiosity than from any other reason.&nbsp; Mr. Moses&mdash;I
+think that was his name&mdash;was at first inclined to be
+jocular.&nbsp; I remember his smiling question: &lsquo;Have you
+called him a hell-hound or an atheist?&nbsp; Otherwise there is
+no libel.&rsquo;&nbsp; But when he looked over the manuscript his
+countenance changed.&nbsp; &lsquo;This is a serious
+affair,&rsquo; he said; &lsquo;however, no one will publish it
+for you.&rsquo;&nbsp; In that Mr. Moses was right; no one dared
+publish the pamphlet.&nbsp; But that difficulty was soon
+overcome.&nbsp; My husband hired a printer by the day, and the
+work was rushed through.&nbsp; We then, my daughter, my son, and
+myself, were set to work helping address the pamphlets, which
+were scattered far and wide.</p>
+<p>Father Damien was vindicated by a stranger, a man of another
+country and another religion from his own.</p>
+<p style="text-align: right">F. V. <span class="smcap">de
+</span>G. S.</p>
+<h2><!-- page xiii--><a name="pagexiii"></a><span
+class="pagenum">p. xiii</span>Contents:</h2>
+<p>&nbsp;&nbsp;&nbsp;Preface by Mrs. Robert Louis Stevenson<br />
+&nbsp;&nbsp; Lay Morals<br />
+&nbsp;&nbsp; Father Damien<br />
+&nbsp;&nbsp; The Pentland Rising<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp; The Causes of the
+Revolt<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; II.&nbsp; The Beginning<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; III.&nbsp; The March of the
+Rebels<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; IV.&nbsp; Rullion Green<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; V.&nbsp; A Record of Blood<br />
+&nbsp;&nbsp; The Day After To-morrow<br />
+&nbsp;&nbsp; College Papers<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp; Edinburgh Students in
+1824<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; II.&nbsp; The Modern Student<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; III.&nbsp; Debating Societies<br
+/>
+&nbsp;&nbsp; Criticisms<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp; Lord Lytton&rsquo;s
+&ldquo;Fables in Song&rdquo;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; II.&nbsp; Salvini&rsquo;s
+Macbeth<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; III.&nbsp; Bagster&rsquo;s
+&ldquo;Pilgrim&rsquo;s Progress&rdquo;<br />
+&nbsp;&nbsp; Sketches<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp; The Satirist<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; II.&nbsp; Nuits Blanches<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; III.&nbsp; The Wreath of
+Immortelles<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; IV.&nbsp; Nurses<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; V.&nbsp; A Character<br />
+&nbsp; <!-- page xiv--><a name="pagexiv"></a><span
+class="pagenum">p. xiv</span>The Great North Road<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp; Nance at the &ldquo;Green
+Dragon&rdquo;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; II.&nbsp; In which Mr. Archer is
+Installed<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; III.&nbsp; Jonathan Holdaway<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; IV.&nbsp; Mingling Threads<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; V.&nbsp; Life in the Castle<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; IV.&nbsp; The Bad Half-Crown<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; VII.&nbsp; The Bleaching-Green<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; VIII.&nbsp; The Mail Guard<br />
+&nbsp;&nbsp; The Young Chevalier<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Prologue: The Wine-Seller&rsquo;s
+Wife<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp; The Prince<br />
+&nbsp;&nbsp; Heathercat<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I.&nbsp; Traqairs of
+Montroymont<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; II.&nbsp; Francie<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; III.&nbsp; The Hill-End of
+Drumlowe</p>
+<h2>LAY MORALS</h2>
+<p><i>The following chapters of a projected treatise on Ethics
+were drafted at Edinburgh in the spring of</i> 1879.&nbsp;
+<i>They are unrevised</i>, <i>and must not be taken as
+representing</i>, <i>either as to matter or form</i>, <i>their
+author&rsquo;s final thoughts</i>; <i>but they contain much that
+is essentially characteristic of his mind</i>.</p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><i>Copyright in the United States
+of America</i>.</p>
+<h3>CHAPTER I</h3>
+<p>The problem of education is twofold: first to know, and then
+to utter.&nbsp; Every one who lives any semblance of an inner
+life thinks more nobly and profoundly than he speaks; and the
+best of teachers can impart only broken images of the truth which
+they perceive.&nbsp; Speech which goes from one to another
+between two natures, and, what is worse, between two experiences,
+is doubly relative.&nbsp; The speaker buries his meaning; it is
+for the hearer to dig it up again; and all speech, written or
+spoken, is in a dead language until it finds a willing and
+prepared hearer.&nbsp; Such, moreover, is the complexity of life,
+that when we condescend upon details in our advice, we may be
+sure we condescend on error; and the best of education is to
+throw out some magnanimous hints.&nbsp; No man was ever so poor
+that he could express all he has in him by words, looks, or
+actions; his true knowledge is eternally incommunicable, for it
+is a knowledge of himself; and his best wisdom comes to him by no
+process of the mind, but in a supreme self-dictation, which keeps
+varying from hour to hour in its dictates with the variation of
+events and circumstances.</p>
+<p>A few men of picked nature, full of faith, courage, and
+contempt for others, try earnestly to set forth as much as they
+can grasp of this inner law; but the vast majority, when they
+come to advise the young, must be content to retail certain
+doctrines which have been already retailed to them in their own
+youth.&nbsp; Every generation has to educate another which it has
+brought upon the stage.&nbsp; People who readily accept the
+responsibility of parentship, having very different matters in
+their eye, are apt to feel rueful when that responsibility falls
+due.&nbsp; What are they to tell the child about life and
+conduct, subjects on which they have themselves so few and such
+confused opinions?&nbsp; Indeed, I do not know; the least said,
+perhaps, the soonest mended; and yet the child keeps asking, and
+the parent must find some words to say in his own defence.&nbsp;
+Where does he find them? and what are they when found?</p>
+<p>As a matter of experience, and in nine hundred and ninety-nine
+cases out of a thousand, he will instil into his wide-eyed brat
+three bad things: the terror of public opinion, and, flowing from
+that as a fountain, the desire of wealth and applause.&nbsp;
+Besides these, or what might be deduced as corollaries from
+these, he will teach not much else of any effective value: some
+dim notions of divinity, perhaps, and book-keeping, and how to
+walk through a quadrille.</p>
+<p>But, you may tell me, the young people are taught to be
+Christians.&nbsp; It may be want of penetration, but I have not
+yet been able to perceive it.&nbsp; As an honest man, whatever we
+teach, and be it good or evil, it is not the doctrine of
+Christ.&nbsp; What he taught (and in this he is like all other
+teachers worthy of the name) was not a code of rules, but a
+ruling spirit; not truths, but a spirit of truth; not views, but
+a view.&nbsp; What he showed us was an attitude of mind.&nbsp;
+Towards the many considerations on which conduct is built, each
+man stands in a certain relation.&nbsp; He takes life on a
+certain principle.&nbsp; He has a compass in his spirit which
+points in a certain direction.&nbsp; It is the attitude, the
+relation, the point of the compass, that is the whole body and
+gist of what he has to teach us; in this, the details are
+comprehended; out of this the specific precepts issue, and by
+this, and this only, can they be explained and applied.&nbsp; And
+thus, to learn aright from any teacher, we must first of all,
+like a historical artist, think ourselves into sympathy with his
+position and, in the technical phrase, create his
+character.&nbsp; A historian confronted with some ambiguous
+politician, or an actor charged with a part, have but one
+pre-occupation; they must search all round and upon every side,
+and grope for some central conception which is to explain and
+justify the most extreme details; until that is found, the
+politician is an enigma, or perhaps a quack, and the part a
+tissue of fustian sentiment and big words; but once that is
+found, all enters into a plan, a human nature appears, the
+politician or the stage-king is understood from point to point,
+from end to end.&nbsp; This is a degree of trouble which will be
+gladly taken by a very humble artist; but not even the terror of
+eternal fire can teach a business man to bend his imagination to
+such athletic efforts.&nbsp; Yet without this, all is vain; until
+we understand the whole, we shall understand none of the parts;
+and otherwise we have no more than broken images and scattered
+words; the meaning remains buried; and the language in which our
+prophet speaks to us is a dead language in our ears.</p>
+<p>Take a few of Christ&rsquo;s sayings and compare them with our
+current doctrines.</p>
+<p>&lsquo;Ye cannot,&rsquo; he says, &lsquo;<i>serve God and
+Mammon</i>.&rsquo;&nbsp; Cannot?&nbsp; And our whole system is to
+teach us how we can!</p>
+<p>&lsquo;<i>The children of this world are wiser in their
+generation than the children of light</i>.&rsquo;&nbsp; Are
+they?&nbsp; I had been led to understand the reverse: that the
+Christian merchant, for example, prospered exceedingly in his
+affairs; that honesty was the best policy; that an author of
+repute had written a conclusive treatise &lsquo;How to make the
+best of both worlds.&rsquo;&nbsp; Of both worlds indeed!&nbsp;
+Which am I to believe then&mdash;Christ or the author of
+repute?</p>
+<p>&lsquo;<i>Take no thought for the morrow</i>.&rsquo;&nbsp; Ask
+the Successful Merchant; interrogate your own heart; and you will
+have to admit that this is not only a silly but an immoral
+position.&nbsp; All we believe, all we hope, all we honour in
+ourselves or our contemporaries, stands condemned in this one
+sentence, or, if you take the other view, condemns the sentence
+as unwise and inhumane.&nbsp; We are not then of the &lsquo;same
+mind that was in Christ.&rsquo;&nbsp; We disagree with
+Christ.&nbsp; Either Christ meant nothing, or else he or we must
+be in the wrong.&nbsp; Well says Thoreau, speaking of some texts
+from the New Testament, and finding a strange echo of another
+style which the reader may recognise: &lsquo;Let but one of these
+sentences be rightly read from any pulpit in the land, and there
+would not be left one stone of that meeting-house upon
+another.&rsquo;</p>
+<p>It may be objected that these are what are called &lsquo;hard
+sayings&rsquo;; and that a man, or an education, may be very
+sufficiently Christian although it leave some of these sayings
+upon one side.&nbsp; But this is a very gross delusion.&nbsp;
+Although truth is difficult to state, it is both easy and
+agreeable to receive, and the mind runs out to meet it ere the
+phrase be done.&nbsp; The universe, in relation to what any man
+can say of it, is plain, patent and staringly
+comprehensible.&nbsp; In itself, it is a great and travailing
+ocean, unsounded, unvoyageable, an eternal mystery to man; or,
+let us say, it is a monstrous and impassable mountain, one side
+of which, and a few near slopes and foothills, we can dimly study
+with these mortal eyes.&nbsp; But what any man can say of it,
+even in his highest utterance, must have relation to this little
+and plain corner, which is no less visible to us than to
+him.&nbsp; We are looking on the same map; it will go hard if we
+cannot follow the demonstration.&nbsp; The longest and most
+abstruse flight of a philosopher becomes clear and shallow, in
+the flash of a moment, when we suddenly perceive the aspect and
+drift of his intention.&nbsp; The longest argument is but a
+finger pointed; once we get our own finger rightly parallel, and
+we see what the man meant, whether it be a new star or an old
+street-lamp.&nbsp; And briefly, if a saying is hard to
+understand, it is because we are thinking of something else.</p>
+<p>But to be a true disciple is to think of the same things as
+our prophet, and to think of different things in the same
+order.&nbsp; To be of the same mind with another is to see all
+things in the same perspective; it is not to agree in a few
+indifferent matters near at hand and not much debated; it is to
+follow him in his farthest flights, to see the force of his
+hyperboles, to stand so exactly in the centre of his vision that
+whatever he may express, your eyes will light at once on the
+original, that whatever he may see to declare, your mind will at
+once accept.&nbsp; You do not belong to the school of any
+philosopher, because you agree with him that theft is, on the
+whole, objectionable, or that the sun is overhead at noon.&nbsp;
+It is by the hard sayings that discipleship is tested.&nbsp; We
+are all agreed about the middling and indifferent parts of
+knowledge and morality; even the most soaring spirits too often
+take them tamely upon trust.&nbsp; But the man, the philosopher
+or the moralist, does not stand upon these chance adhesions; and
+the purpose of any system looks towards those extreme points
+where it steps valiantly beyond tradition and returns with some
+covert hint of things outside.&nbsp; Then only can you be certain
+that the words are not words of course, nor mere echoes of the
+past; then only are you sure that if he be indicating anything at
+all, it is a star and not a street-lamp; then only do you touch
+the heart of the mystery, since it was for these that the author
+wrote his book.</p>
+<p>Now, every now and then, and indeed surprisingly often, Christ
+finds a word that transcends all common-place morality; every now
+and then he quits the beaten track to pioneer the unexpressed,
+and throws out a pregnant and magnanimous hyperbole; for it is
+only by some bold poetry of thought that men can be strung up
+above the level of everyday conceptions to take a broader look
+upon experience or accept some higher principle of conduct.&nbsp;
+To a man who is of the same mind that was in Christ, who stands
+at some centre not too far from his, and looks at the world and
+conduct from some not dissimilar or, at least, not opposing
+attitude&mdash;or, shortly, to a man who is of Christ&rsquo;s
+philosophy&mdash;every such saying should come home with a thrill
+of joy and corroboration; he should feel each one below his feet
+as another sure foundation in the flux of time and chance; each
+should be another proof that in the torrent of the years and
+generations, where doctrines and great armaments and empires are
+swept away and swallowed, he stands immovable, holding by the
+eternal stars.&nbsp; But alas! at this juncture of the ages it is
+not so with us; on each and every such occasion our whole
+fellowship of Christians falls back in disapproving wonder and
+implicitly denies the saying.&nbsp; Christians! the farce is
+impudently broad.&nbsp; Let us stand up in the sight of heaven
+and confess.&nbsp; The ethics that we hold are those of Benjamin
+Franklin.&nbsp; <i>Honesty is the best policy</i>, is perhaps a
+hard saying; it is certainly one by which a wise man of these
+days will not too curiously direct his steps; but I think it
+shows a glimmer of meaning to even our most dimmed intelligences;
+I think we perceive a principle behind it; I think, without
+hyperbole, we are of the same mind that was in Benjamin
+Franklin.</p>
+<h3>CHAPTER II</h3>
+<p>But, I may be told, we teach the ten commandments, where a
+world of morals lies condensed, the very pith and epitome of all
+ethics and religion; and a young man with these precepts engraved
+upon his mind must follow after profit with some conscience and
+Christianity of method.&nbsp; A man cannot go very far astray who
+neither dishonours his parents, nor kills, nor commits adultery,
+nor steals, nor bears false witness; for these things, rightly
+thought out, cover a vast field of duty.</p>
+<p>Alas! what is a precept?&nbsp; It is at best an illustration;
+it is case law at the best which can be learned by precept.&nbsp;
+The letter is not only dead, but killing; the spirit which
+underlies, and cannot be uttered, alone is true and
+helpful.&nbsp; This is trite to sickness; but familiarity has a
+cunning disenchantment; in a day or two she can steal all beauty
+from the mountain tops; and the most startling words begin to
+fall dead upon the ear after several repetitions.&nbsp; If you
+see a thing too often, you no longer see it; if you hear a thing
+too often, you no longer hear it.&nbsp; Our attention requires to
+be surprised; and to carry a fort by assault, or to gain a
+thoughtful hearing from the ruck of mankind, are feats of about
+an equal difficulty and must be tried by not dissimilar
+means.&nbsp; The whole Bible has thus lost its message for the
+common run of hearers; it has become mere words of course; and
+the parson may bawl himself scarlet and beat the pulpit like a
+thing possessed, but his hearers will continue to nod; they are
+strangely at peace, they know all he has to say; ring the old
+bell as you choose, it is still the old bell and it cannot
+startle their composure.&nbsp; And so with this byword about the
+letter and the spirit.&nbsp; It is quite true, no doubt; but it
+has no meaning in the world to any man of us.&nbsp; Alas! it has
+just this meaning, and neither more nor less: that while the
+spirit is true, the letter is eternally false.</p>
+<p>The shadow of a great oak lies abroad upon the ground at noon,
+perfect, clear, and stable like the earth.&nbsp; But let a man
+set himself to mark out the boundary with cords and pegs, and
+were he never so nimble and never so exact, what with the
+multiplicity of the leaves and the progression of the shadow as
+it flees before the travelling sun, long ere he has made the
+circuit the whole figure will have changed.&nbsp; Life may be
+compared, not to a single tree, but to a great and complicated
+forest; circumstance is more swiftly changing than a shadow,
+language much more inexact than the tools of a surveyor; from day
+to day the trees fall and are renewed; the very essences are
+fleeting as we look; and the whole world of leaves is swinging
+tempest-tossed among the winds of time.&nbsp; Look now for your
+shadows.&nbsp; O man of formul&aelig;, is this a place for
+you?&nbsp; Have you fitted the spirit to a single case?&nbsp;
+Alas, in the cycle of the ages when shall such another be
+proposed for the judgment of man?&nbsp; Now when the sun shines
+and the winds blow, the wood is filled with an innumerable
+multitude of shadows, tumultuously tossed and changing; and at
+every gust the whole carpet leaps and becomes new.&nbsp; Can you
+or your heart say more?</p>
+<p>Look back now, for a moment, on your own brief experience of
+life; and although you lived it feelingly in your own person, and
+had every step of conduct burned in by pains and joys upon your
+memory, tell me what definite lesson does experience hand on from
+youth to manhood, or from both to age?&nbsp; The settled tenor
+which first strikes the eye is but the shadow of a
+delusion.&nbsp; This is gone; that never truly was; and you
+yourself are altered beyond recognition.&nbsp; Times and men and
+circumstances change about your changing character, with a speed
+of which no earthly hurricane affords an image.&nbsp; What was
+the best yesterday, is it still the best in this changed theatre
+of a to-morrow?&nbsp; Will your own Past truly guide you in your
+own violent and unexpected Future?&nbsp; And if this be
+questionable, with what humble, with what hopeless eyes, should
+we not watch other men driving beside us on their unknown
+careers, seeing with unlike eyes, impelled by different gales,
+doing and suffering in another sphere of things?</p>
+<p>And as the authentic clue to such a labyrinth and change of
+scene, do you offer me these two score words? these five bald
+prohibitions?&nbsp; For the moral precepts are no more than five;
+the first four deal rather with matters of observance than of
+conduct; the tenth, <i>Thou shalt not covet</i>, stands upon
+another basis, and shall be spoken of ere long.&nbsp; The Jews,
+to whom they were first given, in the course of years began to
+find these precepts insufficient; and made an addition of no less
+than six hundred and fifty others!&nbsp; They hoped to make a
+pocket-book of reference on morals, which should stand to life in
+some such relation, say, as Hoyle stands in to the scientific
+game of whist.&nbsp; The comparison is just, and condemns the
+design; for those who play by rule will never be more than
+tolerable players; and you and I would like to play our game in
+life to the noblest and the most divine advantage.&nbsp; Yet if
+the Jews took a petty and huckstering view of conduct, what view
+do we take ourselves, who callously leave youth to go forth into
+the enchanted forest, full of spells and dire chimeras, with no
+guidance more complete than is afforded by these five
+precepts?</p>
+<p><i>Honour thy father and thy mother</i>.&nbsp; Yes, but does
+that mean to obey? and if so, how long and how far?&nbsp; <i>Thou
+shall not kill</i>.&nbsp; Yet the very intention and purport of
+the prohibition may be best fulfilled by killing.&nbsp; <i>Thou
+shall not commit adultery</i>.&nbsp; But some of the ugliest
+adulteries are committed in the bed of marriage and under the
+sanction of religion and law.&nbsp; <i>Thou shalt not bear false
+witness</i>.&nbsp; How? by speech or by silence also? or even by
+a smile?&nbsp; <i>Thou shalt not steal</i>.&nbsp; Ah, that
+indeed!&nbsp; But what is <i>to steal</i>?</p>
+<p>To steal?&nbsp; It is another word to be construed; and who is
+to be our guide?&nbsp; The police will give us one construction,
+leaving the word only that least minimum of meaning without which
+society would fall in pieces; but surely we must take some higher
+sense than this; surely we hope more than a bare subsistence for
+mankind; surely we wish mankind to prosper and go on from
+strength to strength, and ourselves to live rightly in the eye of
+some more exacting potentate than a policeman.&nbsp; The approval
+or the disapproval of the police must be eternally indifferent to
+a man who is both valorous and good.&nbsp; There is extreme
+discomfort, but no shame, in the condemnation of the law.&nbsp;
+The law represents that modicum of morality which can be squeezed
+out of the ruck of mankind; but what is that to me, who aim
+higher and seek to be my own more stringent judge?&nbsp; I
+observe with pleasure that no brave man has ever given a rush for
+such considerations.&nbsp; The Japanese have a nobler and more
+sentimental feeling for this social bond into which we all are
+born when we come into the world, and whose comforts and
+protection we all indifferently share throughout our
+lives:&mdash;but even to them, no more than to our Western saints
+and heroes, does the law of the state supersede the higher law of
+duty.&nbsp; Without hesitation and without remorse, they
+transgress the stiffest enactments rather than abstain from doing
+right.&nbsp; But the accidental superior duty being thus
+fulfilled, they at once return in allegiance to the common duty
+of all citizens; and hasten to denounce themselves; and value at
+an equal rate their just crime and their equally just submission
+to its punishment.</p>
+<p>The evading of the police will not long satisfy an active
+conscience or a thoughtful head.&nbsp; But to show you how one or
+the other may trouble a man, and what a vast extent of frontier
+is left unridden by this invaluable eighth commandment, let me
+tell you a few pages out of a young man&rsquo;s life.</p>
+<p>He was a friend of mine; a young man like others; generous,
+flighty, as variable as youth itself, but always with some high
+motions and on the search for higher thoughts of life.&nbsp; I
+should tell you at once that he thoroughly agrees with the eighth
+commandment.&nbsp; But he got hold of some unsettling works, the
+New Testament among others, and this loosened his views of life
+and led him into many perplexities.&nbsp; As he was the son of a
+man in a certain position, and well off, my friend had enjoyed
+from the first the advantages of education, nay, he had been kept
+alive through a sickly childhood by constant watchfulness,
+comforts, and change of air; for all of which he was indebted to
+his father&rsquo;s wealth.</p>
+<p>At college he met other lads more diligent than himself, who
+followed the plough in summer-time to pay their college fees in
+winter; and this inequality struck him with some force.&nbsp; He
+was at that age of a conversible temper, and insatiably curious
+in the aspects of life; and he spent much of his time scraping
+acquaintance with all classes of man- and woman-kind.&nbsp; In
+this way he came upon many depressed ambitions, and many
+intelligences stunted for want of opportunity; and this also
+struck him.&nbsp; He began to perceive that life was a handicap
+upon strange, wrong-sided principles; and not, as he had been
+told, a fair and equal race.&nbsp; He began to tremble that he
+himself had been unjustly favoured, when he saw all the avenues
+of wealth, and power, and comfort closed against so many of his
+superiors and equals, and held unwearyingly open before so idle,
+so desultory, and so dissolute a being as himself.&nbsp; There
+sat a youth beside him on the college benches, who had only one
+shirt to his back, and, at intervals sufficiently far apart, must
+stay at home to have it washed.&nbsp; It was my friend&rsquo;s
+principle to stay away as often as he dared; for I fear he was no
+friend to learning.&nbsp; But there was something that came home
+to him sharply, in this fellow who had to give over study till
+his shirt was washed, and the scores of others who had never an
+opportunity at all.&nbsp; <i>If one of these could take his
+place</i>, he thought; and the thought tore away a bandage from
+his eyes.&nbsp; He was eaten by the shame of his discoveries, and
+despised himself as an unworthy favourite and a creature of the
+back-stairs of Fortune.&nbsp; He could no longer see without
+confusion one of these brave young fellows battling up-hill
+against adversity.&nbsp; Had he not filched that fellow&rsquo;s
+birthright?&nbsp; At best was he not coldly profiting by the
+injustice of society, and greedily devouring stolen goods?&nbsp;
+The money, indeed, belonged to his father, who had worked, and
+thought, and given up his liberty to earn it; but by what justice
+could the money belong to my friend, who had, as yet, done
+nothing but help to squander it?&nbsp; A more sturdy honesty,
+joined to a more even and impartial temperament, would have drawn
+from these considerations a new force of industry, that this
+equivocal position might be brought as swiftly as possible to an
+end, and some good services to mankind justify the appropriation
+of expense.&nbsp; It was not so with my friend, who was only
+unsettled and discouraged, and filled full of that trumpeting
+anger with which young men regard injustices in the first blush
+of youth; although in a few years they will tamely acquiesce in
+their existence, and knowingly profit by their
+complications.&nbsp; Yet all this while he suffered many
+indignant pangs.&nbsp; And once, when he put on his boots, like
+any other unripe donkey, to run away from home, it was his best
+consolation that he was now, at a single plunge, to free himself
+from the responsibility of this wealth that was not his, and do
+battle equally against his fellows in the warfare of life.</p>
+<p>Some time after this, falling into ill-health, he was sent at
+great expense to a more favourable climate; and then I think his
+perplexities were thickest.&nbsp; When he thought of all the
+other young men of singular promise, upright, good, the prop of
+families, who must remain at home to die, and with all their
+possibilities be lost to life and mankind; and how he, by one
+more unmerited favour, was chosen out from all these others to
+survive; he felt as if there were no life, no labour, no devotion
+of soul and body, that could repay and justify these
+partialities.&nbsp; A religious lady, to whom he communicated
+these reflections, could see no force in them whatever.&nbsp;
+&lsquo;It was God&rsquo;s will,&rsquo; said she.&nbsp; But he
+knew it was by God&rsquo;s will that Joan of Arc was burnt at
+Rouen, which cleared neither Bedford nor Bishop Cauchon; and
+again, by God&rsquo;s will that Christ was crucified outside
+Jerusalem, which excused neither the rancour of the priests nor
+the timidity of Pilate.&nbsp; He knew, moreover, that although
+the possibility of this favour he was now enjoying issued from
+his circumstances, its acceptance was the act of his own will;
+and he had accepted it greedily, longing for rest and
+sunshine.&nbsp; And hence this allegation of God&rsquo;s
+providence did little to relieve his scruples.&nbsp; I promise
+you he had a very troubled mind.&nbsp; And I would not laugh if I
+were you, though while he was thus making mountains out of what
+you think molehills, he were still (as perhaps he was)
+contentedly practising many other things that to you seem black
+as hell.&nbsp; Every man is his own judge and mountain-guide
+through life.&nbsp; There is an old story of a mote and a beam,
+apparently not true, but worthy perhaps of some
+consideration.&nbsp; I should, if I were you, give some
+consideration to these scruples of his, and if I were he, I
+should do the like by yours; for it is not unlikely that there
+may be something under both.&nbsp; In the meantime you must hear
+how my friend acted.&nbsp; Like many invalids, he supposed that
+he would die.&nbsp; Now, should he die, he saw no means of
+repaying this huge loan which, by the hands of his father,
+mankind had advanced him for his sickness.&nbsp; In that case it
+would be lost money.&nbsp; So he determined that the advance
+should be as small as possible; and, so long as he continued to
+doubt his recovery, lived in an upper room, and grudged himself
+all but necessaries.&nbsp; But so soon as he began to perceive a
+change for the better, he felt justified in spending more freely,
+to speed and brighten his return to health, and trusted in the
+future to lend a help to mankind, as mankind, out of its
+treasury, had lent a help to him.</p>
+<p>I do not say but that my friend was a little too curious and
+partial in his view; nor thought too much of himself and too
+little of his parents; but I do say that here are some scruples
+which tormented my friend in his youth, and still, perhaps, at
+odd times give him a prick in the midst of his enjoyments, and
+which after all have some foundation in justice, and point, in
+their confused way, to some more honourable honesty within the
+reach of man.&nbsp; And at least, is not this an unusual gloss
+upon the eighth commandment?&nbsp; And what sort of comfort,
+guidance, or illumination did that precept afford my friend
+throughout these contentions?&nbsp; &lsquo;Thou shalt not
+steal.&rsquo;&nbsp; With all my heart!&nbsp; But <i>am</i> I
+stealing?</p>
+<p>The truly quaint materialism of our view of life disables us
+from pursuing any transaction to an end.&nbsp; You can make no
+one understand that his bargain is anything more than a bargain,
+whereas in point of fact it is a link in the policy of mankind,
+and either a good or an evil to the world.&nbsp; We have a sort
+of blindness which prevents us from seeing anything but
+sovereigns.&nbsp; If one man agrees to give another so many
+shillings for so many hours&rsquo; work, and then wilfully gives
+him a certain proportion of the price in bad money and only the
+remainder in good, we can see with half an eye that this man is a
+thief.&nbsp; But if the other spends a certain proportion of the
+hours in smoking a pipe of tobacco, and a certain other
+proportion in looking at the sky, or the clock, or trying to
+recall an air, or in meditation on his own past adventures, and
+only the remainder in downright work such as he is paid to do, is
+he, because the theft is one of time and not of money,&mdash;is
+he any the less a thief?&nbsp; The one gave a bad shilling, the
+other an imperfect hour; but both broke the bargain, and each is
+a thief.&nbsp; In piecework, which is what most of us do, the
+case is none the less plain for being even less material.&nbsp;
+If you forge a bad knife, you have wasted some of mankind&rsquo;s
+iron, and then, with unrivalled cynicism, you pocket some of
+mankind&rsquo;s money for your trouble.&nbsp; Is there any man so
+blind who cannot see that this is theft?&nbsp; Again, if you
+carelessly cultivate a farm, you have been playing fast and loose
+with mankind&rsquo;s resources against hunger; there will be less
+bread in consequence, and for lack of that bread somebody will
+die next winter: a grim consideration.&nbsp; And you must not
+hope to shuffle out of blame because you got less money for your
+less quantity of bread; for although a theft be partly punished,
+it is none the less a theft for that.&nbsp; You took the farm
+against competitors; there were others ready to shoulder the
+responsibility and be answerable for the tale of loaves; but it
+was you who took it.&nbsp; By the act you came under a tacit
+bargain with mankind to cultivate that farm with your best
+endeavour; you were under no superintendence, you were on parole;
+and you have broke your bargain, and to all who look closely, and
+yourself among the rest if you have moral eyesight, you are a
+thief.&nbsp; Or take the case of men of letters.&nbsp; Every
+piece of work which is not as good as you can make it, which you
+have palmed off imperfect, meagrely thought, niggardly in
+execution, upon mankind who is your paymaster on parole and in a
+sense your pupil, every hasty or slovenly or untrue performance,
+should rise up against you in the court of your own heart and
+condemn you for a thief.&nbsp; Have you a salary?&nbsp; If you
+trifle with your health, and so render yourself less capable for
+duty, and still touch, and still greedily pocket the
+emolument&mdash;what are you but a thief?&nbsp; Have you double
+accounts? do you by any time-honoured juggle, deceit, or
+ambiguous process, gain more from those who deal with you than it
+you were bargaining and dealing face to face in front of
+God?&mdash;What are you but a thief?&nbsp; Lastly, if you fill an
+office, or produce an article, which, in your heart of hearts,
+you think a delusion and a fraud upon mankind, and still draw
+your salary and go through the sham man&oelig;uvres of this
+office, or still book your profits and keep on flooding the world
+with these injurious goods?&mdash;though you were old, and bald,
+and the first at church, and a baronet, what are you but a
+thief?&nbsp; These may seem hard words and mere curiosities of
+the intellect, in an age when the spirit of honesty is so
+sparingly cultivated that all business is conducted upon lies and
+so-called customs of the trade, that not a man bestows two
+thoughts on the utility or honourableness of his pursuit.&nbsp; I
+would say less if I thought less.&nbsp; But looking to my own
+reason and the right of things, I can only avow that I am a thief
+myself, and that I passionately suspect my neighbours of the same
+guilt.</p>
+<p>Where did you hear that it was easy to be honest?&nbsp; Do you
+find that in your Bible?&nbsp; Easy!&nbsp; It is easy to be an
+ass and follow the multitude like a blind, besotted bull in a
+stampede; and that, I am well aware, is what you and Mrs. Grundy
+mean by being honest.&nbsp; But it will not bear the stress of
+time nor the scrutiny of conscience.&nbsp; Even before the lowest
+of all tribunals,&mdash;before a court of law, whose business it
+is, not to keep men right, or within a thousand miles of right,
+but to withhold them from going so tragically wrong that they
+will pull down the whole jointed fabric of society by their
+misdeeds&mdash;even before a court of law, as we begin to see in
+these last days, our easy view of following at each other&rsquo;s
+tails, alike to good and evil, is beginning to be reproved and
+punished, and declared no honesty at all, but open theft and
+swindling; and simpletons who have gone on through life with a
+quiet conscience may learn suddenly, from the lips of a judge,
+that the custom of the trade may be a custom of the devil.&nbsp;
+You thought it was easy to be honest.&nbsp; Did you think it was
+easy to be just and kind and truthful?&nbsp; Did you think the
+whole duty of aspiring man was as simple as a horn-pipe? and you
+could walk through life like a gentleman and a hero, with no more
+concern than it takes to go to church or to address a
+circular?&nbsp; And yet all this time you had the eighth
+commandment! and, what makes it richer, you would not have broken
+it for the world!</p>
+<p>The truth is, that these commandments by themselves are of
+little use in private judgment.&nbsp; If compression is what you
+want, you have their whole spirit compressed into the golden
+rule; and yet there expressed with more significance, since the
+law is there spiritually and not materially stated.&nbsp; And in
+truth, four out of these ten commands, from the sixth to the
+ninth, are rather legal than ethical.&nbsp; The police-court is
+their proper home.&nbsp; A magistrate cannot tell whether you
+love your neighbour as yourself, but he can tell more or less
+whether you have murdered, or stolen, or committed adultery, or
+held up your hand and testified to that which was not; and these
+things, for rough practical tests, are as good as can be
+found.&nbsp; And perhaps, therefore, the best condensation of the
+Jewish moral law is in the maxims of the priests, &lsquo;neminem
+l&aelig;dere&rsquo; and &lsquo;suum cuique tribuere.&rsquo;&nbsp;
+But all this granted, it becomes only the more plain that they
+are inadequate in the sphere of personal morality; that while
+they tell the magistrate roughly when to punish, they can never
+direct an anxious sinner what to do.</p>
+<p>Only Polonius, or the like solemn sort of ass, can offer us a
+succinct proverb by way of advice, and not burst out blushing in
+our faces.&nbsp; We grant them one and all and for all that they
+are worth; it is something above and beyond that we desire.&nbsp;
+Christ was in general a great enemy to such a way of teaching; we
+rarely find him meddling with any of these plump commands but it
+was to open them out, and lift his hearers from the letter to the
+spirit.&nbsp; For morals are a personal affair; in the war of
+righteousness every man fights for his own hand; all the six
+hundred precepts of the Mishna cannot shake my private judgment;
+my magistracy of myself is an indefeasible charge, and my
+decisions absolute for the time and case.&nbsp; The moralist is
+not a judge of appeal, but an advocate who pleads at my
+tribunal.&nbsp; He has to show not the law, but that the law
+applies.&nbsp; Can he convince me? then he gains the cause.&nbsp;
+And thus you find Christ giving various counsels to varying
+people, and often jealously careful to avoid definite
+precept.&nbsp; Is he asked, for example, to divide a
+heritage?&nbsp; He refuses: and the best advice that he will
+offer is but a paraphrase of that tenth commandment which figures
+so strangely among the rest.&nbsp; <i>Take heed, and beware of
+covetousness</i>.&nbsp; If you complain that this is vague, I
+have failed to carry you along with me in my argument.&nbsp; For
+no definite precept can be more than an illustration, though its
+truth were resplendent like the sun, and it was announced from
+heaven by the voice of God.&nbsp; And life is so intricate and
+changing, that perhaps not twenty times, or perhaps not twice in
+the ages, shall we find that nice consent of circumstances to
+which alone it can apply.</p>
+<h3>CHAPTER III</h3>
+<p>Although the world and life have in a sense become commonplace
+to our experience, it is but in an external torpor; the true
+sentiment slumbers within us; and we have but to reflect on
+ourselves or our surroundings to rekindle our astonishment.&nbsp;
+No length of habit can blunt our first surprise.&nbsp; Of the
+world I have but little to say in this connection; a few strokes
+shall suffice.&nbsp; We inhabit a dead ember swimming wide in the
+blank of space, dizzily spinning as it swims, and lighted up from
+several million miles away by a more horrible hell-fire than was
+ever conceived by the theological imagination.&nbsp; Yet the dead
+ember is a green, commodious dwelling-place; and the
+reverberation of this hell-fire ripens flower and fruit and
+mildly warms us on summer eves upon the lawn.&nbsp; Far off on
+all hands other dead embers, other flaming suns, wheel and race
+in the apparent void; the nearest is out of call, the farthest so
+far that the heart sickens in the effort to conceive the
+distance.&nbsp; Shipwrecked seamen on the deep, though they
+bestride but the truncheon of a boom, are safe and near at home
+compared with mankind on its bullet.&nbsp; Even to us who have
+known no other, it seems a strange, if not an appalling, place of
+residence.</p>
+<p>But far stranger is the resident, man, a creature compact of
+wonders that, after centuries of custom, is still wonderful to
+himself.&nbsp; He inhabits a body which he is continually
+outliving, discarding and renewing.&nbsp; Food and sleep, by an
+unknown alchemy, restore his spirits and the freshness of his
+countenance.&nbsp; Hair grows on him like grass; his eyes, his
+brain, his sinews, thirst for action; he joys to see and touch
+and hear, to partake the sun and wind, to sit down and intently
+ponder on his astonishing attributes and situation, to rise up
+and run, to perform the strange and revolting round of physical
+functions.&nbsp; The sight of a flower, the note of a bird, will
+often move him deeply; yet he looks unconcerned on the impassable
+distances and portentous bonfires of the universe.&nbsp; He
+comprehends, he designs, he tames nature, rides the sea, ploughs,
+climbs the air in a balloon, makes vast inquiries, begins
+interminable labours, joins himself into federations and populous
+cities, spends his days to deliver the ends of the earth or to
+benefit unborn posterity; and yet knows himself for a piece of
+unsurpassed fragility and the creature of a few days.&nbsp; His
+sight, which conducts him, which takes notice of the farthest
+stars, which is miraculous in every way and a thing defying
+explanation or belief, is yet lodged in a piece of jelly, and can
+be extinguished with a touch.&nbsp; His heart, which all through
+life so indomitably, so athletically labours, is but a capsule,
+and may be stopped with a pin.&nbsp; His whole body, for all its
+savage energies, its leaping and its winged desires, may yet be
+tamed and conquered by a draught of air or a sprinkling of cold
+dew.&nbsp; What he calls death, which is the seeming arrest of
+everything, and the ruin and hateful transformation of the
+visible body, lies in wait for him outwardly in a thousand
+accidents, and grows up in secret diseases from within.&nbsp; He
+is still learning to be a man when his faculties are already
+beginning to decline; he has not yet understood himself or his
+position before he inevitably dies.&nbsp; And yet this mad,
+chimerical creature can take no thought of his last end, lives as
+though he were eternal, plunges with his vulnerable body into the
+shock of war, and daily affronts death with unconcern.&nbsp; He
+cannot take a step without pain or pleasure.&nbsp; His life is a
+tissue of sensations, which he distinguishes as they seem to come
+more directly from himself or his surroundings.&nbsp; He is
+conscious of himself as a joyer or a sufferer, as that which
+craves, chooses, and is satisfied; conscious of his surroundings
+as it were of an inexhaustible purveyor, the source of aspects,
+inspirations, wonders, cruel knocks and transporting
+caresses.&nbsp; Thus he goes on his way, stumbling among delights
+and agonies.</p>
+<p>Matter is a far-fetched theory, and materialism is without a
+root in man.&nbsp; To him everything is important in the degree
+to which it moves him.&nbsp; The telegraph wires and posts, the
+electricity speeding from clerk to clerk, the clerks, the glad or
+sorrowful import of the message, and the paper on which it is
+finally brought to him at home, are all equally facts, all
+equally exist for man.&nbsp; A word or a thought can wound him as
+acutely as a knife of steel.&nbsp; If he thinks he is loved, he
+will rise up and glory to himself, although he be in a distant
+land and short of necessary bread.&nbsp; Does he think he is not
+loved?&mdash;he may have the woman at his beck, and there is not
+a joy for him in all the world.&nbsp; Indeed, if we are to make
+any account of this figment of reason, the distinction between
+material and immaterial, we shall conclude that the life of each
+man as an individual is immaterial, although the continuation and
+prospects of mankind as a race turn upon material
+conditions.&nbsp; The physical business of each man&rsquo;s body
+is transacted for him; like a sybarite, he has attentive valets
+in his own viscera; he breathes, he sweats, he digests without an
+effort, or so much as a consenting volition; for the most part he
+even eats, not with a wakeful consciousness, but as it were
+between two thoughts.&nbsp; His life is centred among other and
+more important considerations; touch him in his honour or his
+love, creatures of the imagination which attach him to mankind or
+to an individual man or woman; cross him in his piety which
+connects his soul with heaven; and he turns from his food, he
+loathes his breath, and with a magnanimous emotion cuts the knots
+of his existence and frees himself at a blow from the web of
+pains and pleasures.</p>
+<p>It follows that man is twofold at least; that he is not a
+rounded and autonomous empire; but that in the same body with him
+there dwell other powers tributary but independent.&nbsp; If I
+now behold one walking in a garden, curiously coloured and
+illuminated by the sun, digesting his food with elaborate
+chemistry, breathing, circulating blood, directing himself by the
+sight of his eyes, accommodating his body by a thousand delicate
+balancings to the wind and the uneven surface of the path, and
+all the time, perhaps, with his mind engaged about America, or
+the dog-star, or the attributes of God&mdash;what am I to say, or
+how am I to describe the thing I see?&nbsp; Is that truly a man,
+in the rigorous meaning of the word? or is it not a man and
+something else?&nbsp; What, then, are we to count the centre-bit
+and axle of a being so variously compounded?&nbsp; It is a
+question much debated.&nbsp; Some read his history in a certain
+intricacy of nerve and the success of successive digestions;
+others find him an exiled piece of heaven blown upon and
+determined by the breath of God; and both schools of theorists
+will scream like scalded children at a word of doubt.&nbsp; Yet
+either of these views, however plausible, is beside the question;
+either may be right; and I care not; I ask a more particular
+answer, and to a more immediate point.&nbsp; What is the
+man?&nbsp; There is Something that was before hunger and that
+remains behind after a meal.&nbsp; It may or may not be engaged
+in any given act or passion, but when it is, it changes,
+heightens, and sanctifies.&nbsp; Thus it is not engaged in lust,
+where satisfaction ends the chapter; and it is engaged in love,
+where no satisfaction can blunt the edge of the desire, and where
+age, sickness, or alienation may deface what was desirable
+without diminishing the sentiment.&nbsp; This something, which is
+the man, is a permanence which abides through the vicissitudes of
+passion, now overwhelmed and now triumphant, now unconscious of
+itself in the immediate distress of appetite or pain, now rising
+unclouded above all.&nbsp; So, to the man, his own central self
+fades and grows clear again amid the tumult of the senses, like a
+revolving Pharos in the night.&nbsp; It is forgotten; it is hid,
+it seems, for ever; and yet in the next calm hour he shall behold
+himself once more, shining and unmoved among changes and
+storm.</p>
+<p>Mankind, in the sense of the creeping mass that is born and
+eats, that generates and dies, is but the aggregate of the outer
+and lower sides of man.&nbsp; This inner consciousness, this
+lantern alternately obscured and shining, to and by which the
+individual exists and must order his conduct, is something
+special to himself and not common to the race.&nbsp; His joys
+delight, his sorrows wound him, according as <i>this</i> is
+interested or indifferent in the affair; according as they arise
+in an imperial war or in a broil conducted by the tributary
+chieftains of the mind.&nbsp; He may lose all, and <i>this</i>
+not suffer; he may lose what is materially a trifle, and
+<i>this</i> leap in his bosom with a cruel pang.&nbsp; I do not
+speak of it to hardened theorists: the living man knows keenly
+what it is I mean.</p>
+<p>&lsquo;Perceive at last that thou hast in thee something
+better and more divine than the things which cause the various
+effects, and, as it were, pull thee by the strings.&nbsp; What is
+that now in thy mind? is it fear, or suspicion, or desire, or
+anything of that kind?&rsquo;&nbsp; Thus far Marcus Aurelius, in
+one of the most notable passages in any book.&nbsp; Here is a
+question worthy to be answered.&nbsp; What is in thy mind?&nbsp;
+What is the utterance of your inmost self when, in a quiet hour,
+it can be heard intelligibly?&nbsp; It is something beyond the
+compass of your thinking, inasmuch as it is yourself; but is it
+not of a higher spirit than you had dreamed betweenwhiles, and
+erect above all base considerations?&nbsp; This soul seems hardly
+touched with our infirmities; we can find in it certainly no
+fear, suspicion, or desire; we are only conscious&mdash;and that
+as though we read it in the eyes of some one else&mdash;of a
+great and unqualified readiness.&nbsp; A readiness to what? to
+pass over and look beyond the objects of desire and fear, for
+something else.&nbsp; And this something else? this something
+which is apart from desire and fear, to which all the kingdoms of
+the world and the immediate death of the body are alike
+indifferent and beside the point, and which yet regards
+conduct&mdash;by what name are we to call it?&nbsp; It may be the
+love of God; or it may be an inherited (and certainly well
+concealed) instinct to preserve self and propagate the race; I am
+not, for the moment, averse to either theory; but it will save
+time to call it righteousness.&nbsp; By so doing I intend no
+subterfuge to beg a question; I am indeed ready, and more than
+willing, to accept the rigid consequence, and lay aside, as far
+as the treachery of the reason will permit, all former meanings
+attached to the word righteousness.&nbsp; What is right is that
+for which a man&rsquo;s central self is ever ready to sacrifice
+immediate or distant interests; what is wrong is what the central
+self discards or rejects as incompatible with the fixed design of
+righteousness.</p>
+<p>To make this admission is to lay aside all hope of
+definition.&nbsp; That which is right upon this theory is
+intimately dictated to each man by himself, but can never be
+rigorously set forth in language, and never, above all, imposed
+upon another.&nbsp; The conscience has, then, a vision like that
+of the eyes, which is incommunicable, and for the most part
+illuminates none but its possessor.&nbsp; When many people
+perceive the same or any cognate facts, they agree upon a word as
+symbol; and hence we have such words as <i>tree</i>, <i>star</i>,
+<i>love</i>, <i>honour</i>, or <i>death</i>; hence also we have
+this word <i>right</i>, which, like the others, we all
+understand, most of us understand differently, and none can
+express succinctly otherwise.&nbsp; Yet even on the straitest
+view, we can make some steps towards comprehension of our own
+superior thoughts.&nbsp; For it is an incredible and most
+bewildering fact that a man, through life, is on variable terms
+with himself; he is aware of tiffs and reconciliations; the
+intimacy is at times almost suspended, at times it is renewed
+again with joy.&nbsp; As we said before, his inner self or soul
+appears to him by successive revelations, and is frequently
+obscured.&nbsp; It is from a study of these alternations that we
+can alone hope to discover, even dimly, what seems right and what
+seems wrong to this veiled prophet of ourself.</p>
+<p>All that is in the man in the larger sense, what we call
+impression as well as what we call intuition, so far as my
+argument looks, we must accept.&nbsp; It is not wrong to desire
+food, or exercise, or beautiful surroundings, or the love of sex,
+or interest which is the food of the mind.&nbsp; All these are
+craved; all these should be craved; to none of these in itself
+does the soul demur; where there comes an undeniable want, we
+recognise a demand of nature.&nbsp; Yet we know that these
+natural demands may be superseded; for the demands which are
+common to mankind make but a shadowy consideration in comparison
+to the demands of the individual soul.&nbsp; Food is almost the
+first prerequisite; and yet a high character will go without food
+to the ruin and death of the body rather than gain it in a manner
+which the spirit disavows.&nbsp; Pascal laid aside mathematics;
+Origen doctored his body with a knife; every day some one is thus
+mortifying his dearest interests and desires, and, in
+Christ&rsquo;s words, entering maim into the Kingdom of
+Heaven.&nbsp; This is to supersede the lesser and less harmonious
+affections by renunciation; and though by this ascetic path we
+may get to heaven, we cannot get thither a whole and perfect
+man.&nbsp; But there is another way, to supersede them by
+reconciliation, in which the soul and all the faculties and
+senses pursue a common route and share in one desire.&nbsp; Thus,
+man is tormented by a very imperious physical desire; it spoils
+his rest, it is not to be denied; the doctors will tell you, not
+I, how it is a physical need, like the want of food or
+slumber.&nbsp; In the satisfaction of this desire, as it first
+appears, the soul sparingly takes part; nay, it oft unsparingly
+regrets and disapproves the satisfaction.&nbsp; But let the man
+learn to love a woman as far as he is capable of love; and for
+this random affection of the body there is substituted a steady
+determination, a consent of all his powers and faculties, which
+supersedes, adopts, and commands the other.&nbsp; The desire
+survives, strengthened, perhaps, but taught obedience and changed
+in scope and character.&nbsp; Life is no longer a tale of
+betrayals and regrets; for the man now lives as a whole; his
+consciousness now moves on uninterrupted like a river; through
+all the extremes and ups and downs of passion, he remains
+approvingly conscious of himself.</p>
+<p>Now to me, this seems a type of that rightness which the soul
+demands.&nbsp; It demands that we shall not live alternately with
+our opposing tendencies in continual see-saw of passion and
+disgust, but seek some path on which the tendencies shall no
+longer oppose, but serve each other to a common end.&nbsp; It
+demands that we shall not pursue broken ends, but great and
+comprehensive purposes, in which soul and body may unite like
+notes in a harmonious chord.&nbsp; That were indeed a way of
+peace and pleasure, that were indeed a heaven upon earth.&nbsp;
+It does not demand, however, or, to speak in measure, it does not
+demand of me, that I should starve my appetites for no purpose
+under heaven but as a purpose in itself; or, in a weak despair,
+pluck out the eye that I have not yet learned to guide and enjoy
+with wisdom.&nbsp; The soul demands unity of purpose, not the
+dismemberment of man; it seeks to roll up all his strength and
+sweetness, all his passion and wisdom, into one, and make of him
+a perfect man exulting in perfection.&nbsp; To conclude
+ascetically is to give up, and not to solve, the problem.&nbsp;
+The ascetic and the creeping hog, although they are at different
+poles, have equally failed in life.&nbsp; The one has sacrificed
+his crew; the other brings back his seamen in a cock-boat, and
+has lost the ship.&nbsp; I believe there are not many
+sea-captains who would plume themselves on either result as a
+success.</p>
+<p>But if it is righteousness thus to fuse together our divisive
+impulses and march with one mind through life, there is plainly
+one thing more unrighteous than all others, and one declension
+which is irretrievable and draws on the rest.&nbsp; And this is
+to lose consciousness of oneself.&nbsp; In the best of times, it
+is but by flashes, when our whole nature is clear, strong and
+conscious, and events conspire to leave us free, that we enjoy
+communion with our soul.&nbsp; At the worst, we are so fallen and
+passive that we may say shortly we have none.&nbsp; An arctic
+torpor seizes upon men.&nbsp; Although built of nerves, and set
+adrift in a stimulating world, they develop a tendency to go
+bodily to sleep; consciousness becomes engrossed among the reflex
+and mechanical parts of life; and soon loses both the will and
+power to look higher considerations in the face.&nbsp; This is
+ruin; this is the last failure in life; this is temporal
+damnation, damnation on the spot and without the form of
+judgment.&nbsp; &lsquo;What shall it profit a man if he gain the
+whole world and <i>lose himself</i>?&rsquo;</p>
+<p>It is to keep a man awake, to keep him alive to his own soul
+and its fixed design of righteousness, that the better part of
+moral and religious education is directed; not only that of words
+and doctors, but the sharp ferule of calamity under which we are
+all God&rsquo;s scholars till we die.&nbsp; If, as teachers, we
+are to say anything to the purpose, we must say what will remind
+the pupil of his soul; we must speak that soul&rsquo;s dialect;
+we must talk of life and conduct as his soul would have him think
+of them.&nbsp; If, from some conformity between us and the pupil,
+or perhaps among all men, we do in truth speak in such a dialect
+and express such views, beyond question we shall touch in him a
+spring; beyond question he will recognise the dialect as one that
+he himself has spoken in his better hours; beyond question he
+will cry, &lsquo;I had forgotten, but now I remember; I too have
+eyes, and I had forgot to use them!&nbsp; I too have a soul of my
+own, arrogantly upright, and to that I will listen and
+conform.&rsquo;&nbsp; In short, say to him anything that he has
+once thought, or been upon the point of thinking, or show him any
+view of life that he has once clearly seen, or been upon the
+point of clearly seeing; and you have done your part and may
+leave him to complete the education for himself.</p>
+<p>Now, the view taught at the present time seems to me to want
+greatness; and the dialect in which alone it can be intelligibly
+uttered is not the dialect of my soul.&nbsp; It is a sort of
+postponement of life; nothing quite is, but something different
+is to be; we are to keep our eyes upon the indirect from the
+cradle to the grave.&nbsp; We are to regulate our conduct not by
+desire, but by a politic eye upon the future; and to value acts
+as they will bring us money or good opinion; as they will bring
+us, in one word, <i>profit</i>.&nbsp; We must be what is called
+respectable, and offend no one by our carriage; it will not do to
+make oneself conspicuous&mdash;who knows? even in virtue? says
+the Christian parent!&nbsp; And we must be what is called prudent
+and make money; not only because it is pleasant to have money,
+but because that also is a part of respectability, and we cannot
+hope to be received in society without decent possessions.&nbsp;
+Received in society! as if that were the kingdom of heaven!&nbsp;
+There is dear Mr. So-and-so;&mdash;look at him!&mdash;so much
+respected&mdash;so much looked up to&mdash;quite the Christian
+merchant!&nbsp; And we must cut our conduct as strictly as
+possible after the pattern of Mr. So-and-so; and lay our whole
+lives to make money and be strictly decent.&nbsp; Besides these
+holy injunctions, which form by far the greater part of a
+youth&rsquo;s training in our Christian homes, there are at least
+two other doctrines.&nbsp; We are to live just now as well as we
+can, but scrape at last into heaven, where we shall be
+good.&nbsp; We are to worry through the week in a lay,
+disreputable way, but, to make matters square, live a different
+life on Sunday.</p>
+<p>The train of thought we have been following gives us a key to
+all these positions, without stepping aside to justify them on
+their own ground.&nbsp; It is because we have been disgusted
+fifty times with physical squalls, and fifty times torn between
+conflicting impulses, that we teach people this indirect and
+tactical procedure in life, and to judge by remote consequences
+instead of the immediate face of things.&nbsp; The very desire to
+act as our own souls would have us, coupled with a pathetic
+disbelief in ourselves, moves us to follow the example of others;
+perhaps, who knows? they may be on the right track; and the more
+our patterns are in number, the better seems the chance; until,
+if we be acting in concert with a whole civilised nation, there
+are surely a majority of chances that we must be acting
+right.&nbsp; And again, how true it is that we can never behave
+as we wish in this tormented sphere, and can only aspire to
+different and more favourable circumstances, in order to stand
+out and be ourselves wholly and rightly!&nbsp; And yet once more,
+if in the hurry and pressure of affairs and passions you tend to
+nod and become drowsy, here are twenty-four hours of Sunday set
+apart for you to hold counsel with your soul and look around you
+on the possibilities of life.</p>
+<p>This is not, of course, all that is to be, or even should be,
+said for these doctrines.&nbsp; Only, in the course of this
+chapter, the reader and I have agreed upon a few catchwords, and
+been looking at morals on a certain system; it was a pity to lose
+an opportunity of testing the catchwords, and seeing whether, by
+this system as well as by others, current doctrines could show
+any probable justification.&nbsp; If the doctrines had come too
+badly out of the trial, it would have condemned the system.&nbsp;
+Our sight of the world is very narrow; the mind but a pedestrian
+instrument; there&rsquo;s nothing new under the sun, as Solomon
+says, except the man himself; and though that changes the aspect
+of everything else, yet he must see the same things as other
+people, only from a different side.</p>
+<p>And now, having admitted so much, let us turn to
+criticism.</p>
+<p>If you teach a man to keep his eyes upon what others think of
+him, unthinkingly to lead the life and hold the principles of the
+majority of his contemporaries, you must discredit in his eyes
+the one authoritative voice of his own soul.&nbsp; He may be a
+docile citizen; he will never be a man.&nbsp; It is ours, on the
+other hand, to disregard this babble and chattering of other men
+better and worse than we are, and to walk straight before us by
+what light we have.&nbsp; They may be right; but so, before
+heaven, are we.&nbsp; They may know; but we know also, and by
+that knowledge we must stand or fall.&nbsp; There is such a thing
+as loyalty to a man&rsquo;s own better self; and from those who
+have not that, God help me, how am I to look for loyalty to
+others?&nbsp; The most dull, the most imbecile, at a certain
+moment turn round, at a certain point will hear no further
+argument, but stand unflinching by their own dumb, irrational
+sense of right.&nbsp; It is not only by steel or fire, but
+through contempt and blame, that the martyr fulfils the calling
+of his dear soul.&nbsp; Be glad if you are not tried by such
+extremities.&nbsp; But although all the world ranged themselves
+in one line to tell you &lsquo;This is wrong,&rsquo; be you your
+own faithful vassal and the ambassador of God&mdash;throw down
+the glove and answer &lsquo;This is right.&rsquo;&nbsp; Do you
+think you are only declaring yourself?&nbsp; Perhaps in some dim
+way, like a child who delivers a message not fully understood,
+you are opening wider the straits of prejudice and preparing
+mankind for some truer and more spiritual grasp of truth;
+perhaps, as you stand forth for your own judgment, you are
+covering a thousand weak ones with your body; perhaps, by this
+declaration alone, you have avoided the guilt of false witness
+against humanity and the little ones unborn.&nbsp; It is good, I
+believe, to be respectable, but much nobler to respect oneself
+and utter the voice of God.&nbsp; God, if there be any God,
+speaks daily in a new language by the tongues of men; the
+thoughts and habits of each fresh generation and each new-coined
+spirit throw another light upon the universe and contain another
+commentary on the printed Bibles; every scruple, every true
+dissent, every glimpse of something new, is a letter of
+God&rsquo;s alphabet; and though there is a grave responsibility
+for all who speak, is there none for those who unrighteously keep
+silence and conform?&nbsp; Is not that also to conceal and cloak
+God&rsquo;s counsel?&nbsp; And how should we regard the man of
+science who suppressed all facts that would not tally with the
+orthodoxy of the hour?</p>
+<p>Wrong?&nbsp; You are as surely wrong as the sun rose this
+morning round the revolving shoulder of the world.&nbsp; Not
+truth, but truthfulness, is the good of your endeavour.&nbsp; For
+when will men receive that first part and prerequisite of truth,
+that, by the order of things, by the greatness of the universe,
+by the darkness and partiality of man&rsquo;s experience, by the
+inviolate secrecy of God, kept close in His most open
+revelations, every man is, and to the end of the ages must be,
+wrong?&nbsp; Wrong to the universe; wrong to mankind; wrong to
+God.&nbsp; And yet in another sense, and that plainer and nearer,
+every man of men, who wishes truly, must be right.&nbsp; He is
+right to himself, and in the measure of his sagacity and
+candour.&nbsp; That let him do in all sincerity and zeal, not
+sparing a thought for contrary opinions; that, for what it is
+worth, let him proclaim.&nbsp; Be not afraid; although he be
+wrong, so also is the dead, stuffed Dagon he insults.&nbsp; For
+the voice of God, whatever it is, is not that stammering, inept
+tradition which the people holds.&nbsp; These truths survive in
+travesty, swamped in a world of spiritual darkness and confusion;
+and what a few comprehend and faithfully hold, the many, in their
+dead jargon, repeat, degrade, and misinterpret.</p>
+<p>So far of Respectability; what the Covenanters used to call
+&lsquo;rank conformity&rsquo;: the deadliest gag and wet blanket
+that can be laid on men.&nbsp; And now of Profit.&nbsp; And this
+doctrine is perhaps the more redoubtable, because it harms all
+sorts of men; not only the heroic and self-reliant, but the
+obedient, cowlike squadrons.&nbsp; A man, by this doctrine, looks
+to consequences at the second, or third, or fiftieth turn.&nbsp;
+He chooses his end, and for that, with wily turns and through a
+great sea of tedium, steers this mortal bark.&nbsp; There may be
+political wisdom in such a view; but I am persuaded there can
+spring no great moral zeal.&nbsp; To look thus obliquely upon
+life is the very recipe for moral slumber.&nbsp; Our intention
+and endeavour should be directed, not on some vague end of money
+or applause, which shall come to us by a ricochet in a month or a
+year, or twenty years, but on the act itself; not on the approval
+of others, but on the rightness of that act.&nbsp; At every
+instant, at every step in life, the point has to be decided, our
+soul has to be saved, heaven has to be gained or lost.&nbsp; At
+every step our spirits must applaud, at every step we must set
+down the foot and sound the trumpet.&nbsp; &lsquo;This have I
+done,&rsquo; we must say; &lsquo;right or wrong, this have I
+done, in unfeigned honour of intention, as to myself and
+God.&rsquo;&nbsp; The profit of every act should be this, that it
+was right for us to do it.&nbsp; Any other profit than that, if
+it involved a kingdom or the woman I love, ought, if I were
+God&rsquo;s upright soldier, to leave me untempted.</p>
+<p>It is the mark of what we call a righteous decision, that it
+is made directly and for its own sake.&nbsp; The whole man, mind
+and body, having come to an agreement, tyrannically dictates
+conduct.&nbsp; There are two dispositions eternally opposed: that
+in which we recognise that one thing is wrong and another right,
+and that in which, not seeing any clear distinction, we fall back
+on the consideration of consequences.&nbsp; The truth is, by the
+scope of our present teaching, nothing is thought very wrong and
+nothing very right, except a few actions which have the
+disadvantage of being disrespectable when found out; the more
+serious part of men inclining to think all things <i>rather
+wrong</i>, the more jovial to suppose them <i>right enough for
+practical purposes</i>.&nbsp; I will engage my head, they do not
+find that view in their own hearts; they have taken it up in a
+dark despair; they are but troubled sleepers talking in their
+sleep.&nbsp; The soul, or my soul at least, thinks very
+distinctly upon many points of right and wrong, and often differs
+flatly with what is held out as the thought of corporate humanity
+in the code of society or the code of law.&nbsp; Am I to suppose
+myself a monster?&nbsp; I have only to read books, the Christian
+Gospels for example, to think myself a monster no longer; and
+instead I think the mass of people are merely speaking in their
+sleep.</p>
+<p>It is a commonplace, enshrined, if I mistake not, even in
+school copy-books, that honour is to be sought and not
+fame.&nbsp; I ask no other admission; we are to seek honour,
+upright walking with our own conscience every hour of the day,
+and not fame, the consequence, the far-off reverberation of our
+footsteps.&nbsp; The walk, not the rumour of the walk, is what
+concerns righteousness.&nbsp; Better disrespectable honour than
+dishonourable fame.&nbsp; Better useless or seemingly hurtful
+honour, than dishonour ruling empires and filling the mouths of
+thousands.&nbsp; For the man must walk by what he sees, and leave
+the issue with God who made him and taught him by the fortune of
+his life.&nbsp; You would not dishonour yourself for money; which
+is at least tangible; would you do it, then, for a doubtful
+forecast in politics, or another person&rsquo;s theory in
+morals?</p>
+<p>So intricate is the scheme of our affairs, that no man can
+calculate the bearing of his own behaviour even on those
+immediately around him, how much less upon the world at large or
+on succeeding generations!&nbsp; To walk by external prudence and
+the rule of consequences would require, not a man, but God.&nbsp;
+All that we know to guide us in this changing labyrinth is our
+soul with its fixed design of righteousness, and a few old
+precepts which commend themselves to that.&nbsp; The precepts are
+vague when we endeavour to apply them; consequences are more
+entangled than a wisp of string, and their confusion is
+unrestingly in change; we must hold to what we know and walk by
+it.&nbsp; We must walk by faith, indeed, and not by
+knowledge.</p>
+<p>You do not love another because he is wealthy or wise or
+eminently respectable: you love him because you love him; that is
+love, and any other only a derision and grimace.&nbsp; It should
+be the same with all our actions.&nbsp; If we were to conceive a
+perfect man, it should be one who was never torn between
+conflicting impulses, but who, on the absolute consent of all his
+parts and faculties, submitted in every action of his life to a
+self-dictation as absolute and unreasoned as that which bids him
+love one woman and be true to her till death.&nbsp; But we should
+not conceive him as sagacious, ascetical, playing off his
+appetites against each other, turning the wing of public
+respectable immorality instead of riding it directly down, or
+advancing toward his end through a thousand sinister compromises
+and considerations.&nbsp; The one man might be wily, might be
+adroit, might be wise, might be respectable, might be gloriously
+useful; it is the other man who would be good.</p>
+<p>The soul asks honour and not fame; to be upright, not to be
+successful; to be good, not prosperous; to be essentially, not
+outwardly, respectable.&nbsp; Does your soul ask profit?&nbsp;
+Does it ask money?&nbsp; Does it ask the approval of the
+indifferent herd?&nbsp; I believe not.&nbsp; For my own part, I
+want but little money, I hope; and I do not want to be decent at
+all, but to be good.</p>
+<h3>CHAPTER IV</h3>
+<p>We have spoken of that supreme self-dictation which keeps
+varying from hour to hour in its dictates with the variation of
+events and circumstances.&nbsp; Now, for us, that is
+ultimate.&nbsp; It may be founded on some reasonable process, but
+it is not a process which we can follow or comprehend.&nbsp; And
+moreover the dictation is not continuous, or not continuous
+except in very lively and well-living natures; and between-whiles
+we must brush along without it.&nbsp; Practice is a more
+intricate and desperate business than the toughest theorising;
+life is an affair of cavalry, where rapid judgment and prompt
+action are alone possible and right.&nbsp; As a matter of fact,
+there is no one so upright but he is influenced by the
+world&rsquo;s chatter; and no one so headlong but he requires to
+consider consequences and to keep an eye on profit.&nbsp; For the
+soul adopts all affections and appetites without exception, and
+cares only to combine them for some common purpose which shall
+interest all.&nbsp; Now, respect for the opinion of others, the
+study of consequences, and the desire of power and comfort, are
+all undeniably factors in the nature of man; and the more
+undeniably since we find that, in our current doctrines, they
+have swallowed up the others and are thought to conclude in
+themselves all the worthy parts of man.&nbsp; These, then, must
+also be suffered to affect conduct in the practical domain, much
+or little according as they are forcibly or feebly present to the
+mind of each.</p>
+<p>Now, a man&rsquo;s view of the universe is mostly a view of
+the civilised society in which he lives.&nbsp; Other men and
+women are so much more grossly and so much more intimately
+palpable to his perceptions, that they stand between him and all
+the rest; they are larger to his eye than the sun, he hears them
+more plainly than thunder, with them, by them, and for them, he
+must live and die.&nbsp; And hence the laws that affect his
+intercourse with his fellow-men, although merely customary and
+the creatures of a generation, are more clearly and continually
+before his mind than those which bind him into the eternal system
+of things, support him in his upright progress on this whirling
+ball, or keep up the fire of his bodily life.&nbsp; And hence it
+is that money stands in the first rank of considerations and so
+powerfully affects the choice.&nbsp; For our society is built
+with money for mortar; money is present in every joint of
+circumstance; it might be named the social atmosphere, since, in
+society, it is by that alone that men continue to live, and only
+through that or chance that they can reach or affect one
+another.&nbsp; Money gives us food, shelter, and privacy; it
+permits us to be clean in person, opens for us the doors of the
+theatre, gains us books for study or pleasure, enables us to help
+the distresses of others, and puts us above necessity so that we
+can choose the best in life.&nbsp; If we love, it enables us to
+meet and live with the loved one, or even to prolong her health
+and life; if we have scruples, it gives us an opportunity to be
+honest; if we have any bright designs, here is what will smooth
+the way to their accomplishment.&nbsp; Penury is the worst
+slavery, and will soon lead to death.</p>
+<p>But money is only a means; it presupposes a man to use
+it.&nbsp; The rich can go where he pleases, but perhaps please
+himself nowhere.&nbsp; He can buy a library or visit the whole
+world, but perhaps has neither patience to read nor intelligence
+to see.&nbsp; The table may be loaded and the appetite wanting;
+the purse may be full, and the heart empty.&nbsp; He may have
+gained the world and lost himself; and with all his wealth around
+him, in a great house and spacious and beautiful demesne, he may
+live as blank a life as any tattered ditcher.&nbsp; Without an
+appetite, without an aspiration, void of appreciation, bankrupt
+of desire and hope, there, in his great house, let him sit and
+look upon his fingers.&nbsp; It is perhaps a more fortunate
+destiny to have a taste for collecting shells than to be born a
+millionaire.&nbsp; Although neither is to be despised, it is
+always better policy to learn an interest than to make a thousand
+pounds; for the money will soon be spent, or perhaps you may feel
+no joy in spending it; but the interest remains imperishable and
+ever new.&nbsp; To become a botanist, a geologist, a social
+philosopher, an antiquary, or an artist, is to enlarge
+one&rsquo;s possessions in the universe by an incalculably higher
+degree, and by a far surer sort of property, than to purchase a
+farm of many acres.&nbsp; You had perhaps two thousand a year
+before the transaction; perhaps you have two thousand five
+hundred after it.&nbsp; That represents your gain in the one
+case.&nbsp; But in the other, you have thrown down a barrier
+which concealed significance and beauty.&nbsp; The blind man has
+learned to see.&nbsp; The prisoner has opened up a window in his
+cell and beholds enchanting prospects; he will never again be a
+prisoner as he was; he can watch clouds and changing seasons,
+ships on the river, travellers on the road, and the stars at
+night; happy prisoner! his eyes have broken jail!&nbsp; And again
+he who has learned to love an art or science has wisely laid up
+riches against the day of riches; if prosperity come, he will not
+enter poor into his inheritance; he will not slumber and forget
+himself in the lap of money, or spend his hours in counting idle
+treasures, but be up and briskly doing; he will have the true
+alchemic touch, which is not that of Midas, but which transmutes
+dead money into living delight and satisfaction.&nbsp;
+<i>&Ecirc;tre et pas avoir</i>&mdash;to be, not to
+possess&mdash;that is the problem of life.&nbsp; To be wealthy, a
+rich nature is the first requisite and money but the
+second.&nbsp; To be of a quick and healthy blood, to share in all
+honourable curiosities, to be rich in admiration and free from
+envy, to rejoice greatly in the good of others, to love with such
+generosity of heart that your love is still a dear possession in
+absence or unkindness&mdash;these are the gifts of fortune which
+money cannot buy and without which money can buy nothing.&nbsp;
+For what can a man possess, or what can he enjoy, except
+himself?&nbsp; If he enlarge his nature, it is then that he
+enlarges his estates.&nbsp; If his nature be happy and valiant,
+he will enjoy the universe as if it were his park and
+orchard.</p>
+<p>But money is not only to be spent; it has also to be
+earned.&nbsp; It is not merely a convenience or a necessary in
+social life; but it is the coin in which mankind pays his wages
+to the individual man.&nbsp; And from this side, the question of
+money has a very different scope and application.&nbsp; For no
+man can be honest who does not work.&nbsp; Service for
+service.&nbsp; If the farmer buys corn, and the labourer ploughs
+and reaps, and the baker sweats in his hot bakery, plainly you
+who eat must do something in your turn.&nbsp; It is not enough to
+take off your hat, or to thank God upon your knees for the
+admirable constitution of society and your own convenient
+situation in its upper and more ornamental stories.&nbsp; Neither
+is it enough to buy the loaf with a sixpence; for then you are
+only changing the point of the inquiry; and you must first have
+<i>bought the sixpence</i>.&nbsp; Service for service: how have
+you bought your sixpences?&nbsp; A man of spirit desires
+certainty in a thing of such a nature; he must see to it that
+there is some reciprocity between him and mankind; that he pays
+his expenditure in service; that he has not a lion&rsquo;s share
+in profit and a drone&rsquo;s in labour; and is not a sleeping
+partner and mere costly incubus on the great mercantile concern
+of mankind.</p>
+<p>Services differ so widely with different gifts, and some are
+so inappreciable to external tests, that this is not only a
+matter for the private conscience, but one which even there must
+be leniently and trustfully considered.&nbsp; For remember how
+many serve mankind who do no more than meditate; and how many are
+precious to their friends for no more than a sweet and joyous
+temper.&nbsp; To perform the function of a man of letters it is
+not necessary to write; nay, it is perhaps better to be a living
+book.&nbsp; So long as we love we serve; so long as we are loved
+by others, I would almost say that we are indispensable; and no
+man is useless while he has a friend.&nbsp; The true services of
+life are inestimable in money, and are never paid.&nbsp; Kind
+words and caresses, high and wise thoughts, humane designs,
+tender behaviour to the weak and suffering, and all the charities
+of man&rsquo;s existence, are neither bought nor sold.</p>
+<p>Yet the dearest and readiest, if not the most just, criterion
+of a man&rsquo;s services, is the wage that mankind pays him or,
+briefly, what he earns.&nbsp; There at least there can be no
+ambiguity.&nbsp; St. Paul is fully and freely entitled to his
+earnings as a tentmaker, and Socrates fully and freely entitled
+to his earnings as a sculptor, although the true business of each
+was not only something different, but something which remained
+unpaid.&nbsp; A man cannot forget that he is not superintended,
+and serves mankind on parole.&nbsp; He would like, when
+challenged by his own conscience, to reply: &lsquo;I have done so
+much work, and no less, with my own hands and brain, and taken so
+much profit, and no more, for my own personal
+delight.&rsquo;&nbsp; And though St. Paul, if he had possessed a
+private fortune, would probably have scorned to waste his time in
+making tents, yet of all sacrifices to public opinion none can be
+more easily pardoned than that by which a man, already
+spiritually useful to the world, should restrict the field of his
+chief usefulness to perform services more apparent, and possess a
+livelihood that neither stupidity nor malice could call in
+question.&nbsp; Like all sacrifices to public opinion and mere
+external decency, this would certainly be wrong; for the soul
+should rest contented with its own approval and indissuadably
+pursue its own calling.&nbsp; Yet, so grave and delicate is the
+question, that a man may well hesitate before he decides it for
+himself; he may well fear that he sets too high a valuation on
+his own endeavours after good; he may well condescend upon a
+humbler duty, where others than himself shall judge the service
+and proportion the wage.</p>
+<p>And yet it is to this very responsibility that the rich are
+born.&nbsp; They can shuffle off the duty on no other; they are
+their own paymasters on parole; and must pay themselves fair
+wages and no more.&nbsp; For I suppose that in the course of
+ages, and through reform and civil war and invasion, mankind was
+pursuing some other and more general design than to set one or
+two Englishmen of the nineteenth century beyond the reach of
+needs and duties.&nbsp; Society was scarce put together, and
+defended with so much eloquence and blood, for the convenience of
+two or three millionaires and a few hundred other persons of
+wealth and position.&nbsp; It is plain that if mankind thus acted
+and suffered during all these generations, they hoped some
+benefit, some ease, some wellbeing, for themselves and their
+descendants; that if they supported law and order, it was to
+secure fair-play for all; that if they denied themselves in the
+present, they must have had some designs upon the future.&nbsp;
+Now, a great hereditary fortune is a miracle of man&rsquo;s
+wisdom and mankind&rsquo;s forbearance; it has not only been
+amassed and handed down, it has been suffered to be amassed and
+handed down; and surely in such a consideration as this, its
+possessor should find only a new spur to activity and honour,
+that with all this power of service he should not prove
+unserviceable, and that this mass of treasure should return in
+benefits upon the race.&nbsp; If he had twenty, or thirty, or a
+hundred thousand at his banker&rsquo;s, or if all Yorkshire or
+all California were his to manage or to sell, he would still be
+morally penniless, and have the world to begin like Whittington,
+until he had found some way of serving mankind.&nbsp; His wage is
+physically in his own hand; but, in honour, that wage must still
+be earned.&nbsp; He is only steward on parole of what is called
+his fortune.&nbsp; He must honourably perform his
+stewardship.&nbsp; He must estimate his own services and allow
+himself a salary in proportion, for that will be one among his
+functions.&nbsp; And while he will then be free to spend that
+salary, great or little, on his own private pleasures, the rest
+of his fortune he but holds and disposes under trust for mankind;
+it is not his, because he has not earned it; it cannot be his,
+because his services have already been paid; but year by year it
+is his to distribute, whether to help individuals whose
+birthright and outfit have been swallowed up in his, or to
+further public works and institutions.</p>
+<p>At this rate, short of inspiration, it seems hardly possible
+to be both rich and honest; and the millionaire is under a far
+more continuous temptation to thieve than the labourer who gets
+his shilling daily for despicable toils.&nbsp; Are you
+surprised?&nbsp; It is even so.&nbsp; And you repeat it every
+Sunday in your churches.&nbsp; &lsquo;It is easier for a camel to
+pass through the eye of a needle than for a rich man to enter the
+kingdom of God.&rsquo;&nbsp; I have heard this and similar texts
+ingeniously explained away and brushed from the path of the
+aspiring Christian by the tender Great-heart of the parish.&nbsp;
+One excellent clergyman told us that the &lsquo;eye of a
+needle&rsquo; meant a low, Oriental postern through which camels
+could not pass till they were unloaded&mdash;which is very likely
+just; and then went on, bravely confounding the &lsquo;kingdom of
+God&rsquo; with heaven, the future paradise, to show that of
+course no rich person could expect to carry his riches beyond the
+grave&mdash;which, of course, he could not and never did.&nbsp;
+Various greedy sinners of the congregation drank in the
+comfortable doctrine with relief.&nbsp; It was worth the while
+having come to church that Sunday morning!&nbsp; All was
+plain.&nbsp; The Bible, as usual, meant nothing in particular; it
+was merely an obscure and figurative school-copybook; and if a
+man were only respectable, he was a man after God&rsquo;s own
+heart.</p>
+<p>Alas! I fear not.&nbsp; And though this matter of a
+man&rsquo;s services is one for his own conscience, there are
+some cases in which it is difficult to restrain the mind from
+judging.&nbsp; Thus I shall be very easily persuaded that a man
+has earned his daily bread; and if he has but a friend or two to
+whom his company is delightful at heart, I am more than persuaded
+at once.&nbsp; But it will be very hard to persuade me that any
+one has earned an income of a hundred thousand.&nbsp; What he is
+to his friends, he still would be if he were made penniless
+to-morrow; for as to the courtiers of luxury and power, I will
+neither consider them friends, nor indeed consider them at
+all.&nbsp; What he does for mankind there are most likely
+hundreds who would do the same, as effectually for the race and
+as pleasurably to themselves, for the merest fraction of this
+monstrous wage.&nbsp; Why it is paid, I am, therefore, unable to
+conceive, and as the man pays it himself, out of funds in his
+detention, I have a certain backwardness to think him honest.</p>
+<p>At least, we have gained a very obvious point: that <i>what a
+man spends upon himself</i>, <i>he shall have earned by services
+to the race</i>.&nbsp; Thence flows a principle for the outset of
+life, which is a little different from that taught in the present
+day.&nbsp; I am addressing the middle and the upper classes;
+those who have already been fostered and prepared for life at
+some expense; those who have some choice before them, and can
+pick professions; and above all, those who are what is called
+independent, and need do nothing unless pushed by honour or
+ambition.&nbsp; In this particular the poor are happy; among
+them, when a lad comes to his strength, he must take the work
+that offers, and can take it with an easy conscience.&nbsp; But
+in the richer classes the question is complicated by the number
+of opportunities and a variety of considerations.&nbsp; Here,
+then, this principle of ours comes in helpfully.&nbsp; The young
+man has to seek, not a road to wealth, but an opportunity of
+service; not money, but honest work.&nbsp; If he has some strong
+propensity, some calling of nature, some over-weening interest in
+any special field of industry, inquiry, or art, he will do right
+to obey the impulse; and that for two reasons: the first
+external, because there he will render the best services; the
+second personal, because a demand of his own nature is to him
+without appeal whenever it can be satisfied with the consent of
+his other faculties and appetites.&nbsp; If he has no such
+elective taste, by the very principle on which he chooses any
+pursuit at all he must choose the most honest and serviceable,
+and not the most highly remunerated.&nbsp; We have here an
+external problem, not from or to ourself, but flowing from the
+constitution of society; and we have our own soul with its fixed
+design of righteousness.&nbsp; All that can be done is to present
+the problem in proper terms, and leave it to the soul of the
+individual.&nbsp; Now, the problem to the poor is one of
+necessity: to earn wherewithal to live, they must find
+remunerative labour.&nbsp; But the problem to the rich is one of
+honour: having the wherewithal, they must find serviceable
+labour.&nbsp; Each has to earn his daily bread: the one, because
+he has not yet got it to eat; the other, who has already eaten
+it, because he has not yet earned it.</p>
+<p>Of course, what is true of bread is true of luxuries and
+comforts, whether for the body or the mind.&nbsp; But the
+consideration of luxuries leads us to a new aspect of the whole
+question, and to a second proposition no less true, and maybe no
+less startling, than the last.</p>
+<p>At the present day, we, of the easier classes, are in a state
+of surfeit and disgrace after meat.&nbsp; Plethora has filled us
+with indifference; and we are covered from head to foot with the
+callosities of habitual opulence.&nbsp; Born into what is called
+a certain rank, we live, as the saying is, up to our
+station.&nbsp; We squander without enjoyment, because our fathers
+squandered.&nbsp; We eat of the best, not from delicacy, but from
+brazen habit.&nbsp; We do not keenly enjoy or eagerly desire the
+presence of a luxury; we are unaccustomed to its absence.&nbsp;
+And not only do we squander money from habit, but still more
+pitifully waste it in ostentation.&nbsp; I can think of no more
+melancholy disgrace for a creature who professes either reason or
+pleasure for his guide, than to spend the smallest fraction of
+his income upon that which he does not desire; and to keep a
+carriage in which you do not wish to drive, or a butler of whom
+you are afraid, is a pathetic kind of folly.&nbsp; Money, being a
+means of happiness, should make both parties happy when it
+changes hands; rightly disposed, it should be twice blessed in
+its employment; and buyer and seller should alike have their
+twenty shillings worth of profit out of every pound.&nbsp;
+Benjamin Franklin went through life an altered man, because he
+once paid too dearly for a penny whistle.&nbsp; My concern
+springs usually from a deeper source, to wit, from having bought
+a whistle when I did not want one.&nbsp; I find I regret this, or
+would regret it if I gave myself the time, not only on personal
+but on moral and philanthropical considerations.&nbsp; For,
+first, in a world where money is wanting to buy books for eager
+students and food and medicine for pining children, and where a
+large majority are starved in their most immediate desires, it is
+surely base, stupid, and cruel to squander money when I am pushed
+by no appetite and enjoy no return of genuine satisfaction.&nbsp;
+My philanthropy is wide enough in scope to include myself; and
+when I have made myself happy, I have at least one good argument
+that I have acted rightly; but where that is not so, and I have
+bought and not enjoyed, my mouth is closed, and I conceive that I
+have robbed the poor.&nbsp; And, second, anything I buy or use
+which I do not sincerely want or cannot vividly enjoy, disturbs
+the balance of supply and demand, and contributes to remove
+industrious hands from the production of what is useful or
+pleasurable and to keep them busy upon ropes of sand and things
+that are a weariness to the flesh.&nbsp; That extravagance is
+truly sinful, and a very silly sin to boot, in which we
+impoverish mankind and ourselves.&nbsp; It is another question
+for each man&rsquo;s heart.&nbsp; He knows if he can enjoy what
+he buys and uses; if he cannot, he is a dog in the manger; nay,
+it he cannot, I contend he is a thief, for nothing really belongs
+to a man which he cannot use.&nbsp; Proprietor is connected with
+propriety; and that only is the man&rsquo;s which is proper to
+his wants and faculties.</p>
+<p>A youth, in choosing a career, must not be alarmed by
+poverty.&nbsp; Want is a sore thing, but poverty does not imply
+want.&nbsp; It remains to be seen whether with half his present
+income, or a third, he cannot, in the most generous sense, live
+as fully as at present.&nbsp; He is a fool who objects to
+luxuries; but he is also a fool who does not protest against the
+waste of luxuries on those who do not desire and cannot enjoy
+them.&nbsp; It remains to be seen, by each man who would live a
+true life to himself and not a merely specious life to society,
+how many luxuries he truly wants and to how many he merely
+submits as to a social propriety; and all these last he will
+immediately forswear.&nbsp; Let him do this, and he will be
+surprised to find how little money it requires to keep him in
+complete contentment and activity of mind and senses.&nbsp; Life
+at any level among the easy classes is conceived upon a principle
+of rivalry, where each man and each household must ape the tastes
+and emulate the display of others.&nbsp; One is delicate in
+eating, another in wine, a third in furniture or works of art or
+dress; and I, who care nothing for any of these refinements, who
+am perhaps a plain athletic creature and love exercise, beef,
+beer, flannel shirts and a camp bed, am yet called upon to
+assimilate all these other tastes and make these foreign
+occasions of expenditure my own.&nbsp; It may be cynical: I am
+sure I shall be told it is selfish; but I will spend my money as
+I please and for my own intimate personal gratification, and
+should count myself a nincompoop indeed to lay out the colour of
+a halfpenny on any fancied social decency or duty.&nbsp; I shall
+not wear gloves unless my hands are cold, or unless I am born
+with a delight in them.&nbsp; Dress is my own affair, and that of
+one other in the world; that, in fact and for an obvious reason,
+of any woman who shall chance to be in love with me.&nbsp; I
+shall lodge where I have a mind.&nbsp; If I do not ask society to
+live with me, they must be silent; and even if I do, they have no
+further right but to refuse the invitation!&nbsp; There is a kind
+of idea abroad that a man must live up to his station, that his
+house, his table, and his toilette, shall be in a ratio of
+equivalence, and equally imposing to the world.&nbsp; If this is
+in the Bible, the passage has eluded my inquiries.&nbsp; If it is
+not in the Bible, it is nowhere but in the heart of the
+fool.&nbsp; Throw aside this fancy.&nbsp; See what you want, and
+spend upon that; distinguish what you do not care about, and
+spend nothing upon that.&nbsp; There are not many people who can
+differentiate wines above a certain and that not at all a high
+price.&nbsp; Are you sure you are one of these?&nbsp; Are you
+sure you prefer cigars at sixpence each to pipes at some fraction
+of a farthing?&nbsp; Are you sure you wish to keep a gig?&nbsp;
+Do you care about where you sleep, or are you not as much at your
+ease in a cheap lodging as in an Elizabethan manor-house?&nbsp;
+Do you enjoy fine clothes?&nbsp; It is not possible to answer
+these questions without a trial; and there is nothing more
+obvious to my mind, than that a man who has not experienced some
+ups and downs, and been forced to live more cheaply than in his
+father&rsquo;s house, has still his education to begin.&nbsp; Let
+the experiment be made, and he will find to his surprise that he
+has been eating beyond his appetite up to that hour; that the
+cheap lodging, the cheap tobacco, the rough country clothes, the
+plain table, have not only no power to damp his spirits, but
+perhaps give him as keen pleasure in the using as the dainties
+that he took, betwixt sleep and waking, in his former callous and
+somnambulous submission to wealth.</p>
+<p>The true Bohemian, a creature lost to view under the imaginary
+Bohemians of literature, is exactly described by such a principle
+of life.&nbsp; The Bohemian of the novel, who drinks more than is
+good for him and prefers anything to work, and wears strange
+clothes, is for the most part a respectable Bohemian, respectable
+in disrespectability, living for the outside, and an
+adventurer.&nbsp; But the man I mean lives wholly to himself,
+does what he wishes, and not what is thought proper, buys what he
+wants for himself, and not what is thought proper, works at what
+he believes he can do well and not what will bring him in money
+or favour.&nbsp; You may be the most respectable of men, and yet
+a true Bohemian.&nbsp; And the test is this: a Bohemian, for as
+poor as he may be, is always open-handed to his friends; he knows
+what he can do with money and how he can do without it, a far
+rarer and more useful knowledge; he has had less, and continued
+to live in some contentment; and hence he cares not to keep more,
+and shares his sovereign or his shilling with a friend.&nbsp; The
+poor, if they are generous, are Bohemian in virtue of their
+birth.&nbsp; Do you know where beggars go?&nbsp; Not to the great
+houses where people sit dazed among their thousands, but to the
+doors of poor men who have seen the world; and it was the widow
+who had only two mites, who cast half her fortune into the
+treasury.</p>
+<p>But a young man who elects to save on dress or on lodging, or
+who in any way falls out of the level of expenditure which is
+common to his level in society, falls out of society
+altogether.&nbsp; I suppose the young man to have chosen his
+career on honourable principles; he finds his talents and
+instincts can be best contented in a certain pursuit; in a
+certain industry, he is sure that he is serving mankind with a
+healthy and becoming service; and he is not sure that he would be
+doing so, or doing so equally well, in any other industry within
+his reach.&nbsp; Then that is his true sphere in life; not the
+one in which he was born to his father, but the one which is
+proper to his talents and instincts.&nbsp; And suppose he does
+fall out of society, is that a cause of sorrow?&nbsp; Is your
+heart so dead that you prefer the recognition of many to the love
+of a few?&nbsp; Do you think society loves you?&nbsp; Put it to
+the proof.&nbsp; Decline in material expenditure, and you will
+find they care no more for you than for the Khan of
+Tartary.&nbsp; You will lose no friends.&nbsp; If you had any,
+you will keep them.&nbsp; Only those who were friends to your
+coat and equipage will disappear; the smiling faces will
+disappear as by enchantment; but the kind hearts will remain
+steadfastly kind.&nbsp; Are you so lost, are you so dead, are you
+so little sure of your own soul and your own footing upon solid
+fact, that you prefer before goodness and happiness the
+countenance of sundry diners-out, who will flee from you at a
+report of ruin, who will drop you with insult at a shadow of
+disgrace, who do not know you and do not care to know you but by
+sight, and whom you in your turn neither know nor care to know in
+a more human manner?&nbsp; Is it not the principle of society,
+openly avowed, that friendship must not interfere with business;
+which being paraphrased, means simply that a consideration of
+money goes before any consideration of affection known to this
+cold-blooded gang, that they have not even the honour of thieves,
+and will rook their nearest and dearest as readily as a
+stranger?&nbsp; I hope I would go as far as most to serve a
+friend; but I declare openly I would not put on my hat to do a
+pleasure to society.&nbsp; I may starve my appetites and control
+my temper for the sake of those I love; but society shall take me
+as I choose to be, or go without me.&nbsp; Neither they nor I
+will lose; for where there is no love, it is both laborious and
+unprofitable to associate.</p>
+<p>But it is obvious that if it is only right for a man to spend
+money on that which he can truly and thoroughly enjoy, the
+doctrine applies with equal force to the rich and to the poor, to
+the man who has amassed many thousands as well as to the youth
+precariously beginning life.&nbsp; And it may be asked, Is not
+this merely preparing misers, who are not the best of
+company?&nbsp; But the principle was this: that which a man has
+not fairly earned, and, further, that which he cannot fully
+enjoy, does not belong to him, but is a part of mankind&rsquo;s
+treasure which he holds as steward on parole.&nbsp; To mankind,
+then, it must be made profitable; and how this should be done is,
+once more, a problem which each man must solve for himself, and
+about which none has a right to judge him.&nbsp; Yet there are a
+few considerations which are very obvious and may here be
+stated.&nbsp; Mankind is not only the whole in general, but every
+one in particular.&nbsp; Every man or woman is one of
+mankind&rsquo;s dear possessions; to his or her just brain, and
+kind heart, and active hands, mankind intrusts some of its hopes
+for the future; he or she is a possible well-spring of good acts
+and source of blessings to the race.&nbsp; This money which you
+do not need, which, in a rigid sense, you do not want, may
+therefore be returned not only in public benefactions to the
+race, but in private kindnesses.&nbsp; Your wife, your children,
+your friends stand nearest to you, and should be helped the
+first.&nbsp; There at least there can be little imposture, for
+you know their necessities of your own knowledge.&nbsp; And
+consider, if all the world did as you did, and according to their
+means extended help in the circle of their affections, there
+would be no more crying want in times of plenty and no more cold,
+mechanical charity given with a doubt and received with
+confusion.&nbsp; Would not this simple rule make a new world out
+of the old and cruel one which we inhabit?</p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center">[<i>After two more sentences the
+fragment breaks off</i>.]</p>
+<h2>FATHER DAMIEN<br />
+AN OPEN LETTER TO THE REVEREND DR. HYDE OF HONOLULU</h2>
+<p style="text-align: right"><span
+class="smcap">Sydney</span>,<br />
+<i>February</i> 25, 1890.</p>
+<p>Sir,&mdash;It may probably occur to you that we have met, and
+visited, and conversed; on my side, with interest.&nbsp; You may
+remember that you have done me several courtesies, for which I
+was prepared to be grateful.&nbsp; But there are duties which
+come before gratitude, and offences which justly divide friends,
+far more acquaintances.&nbsp; Your letter to the Reverend H. B.
+Gage is a document which, in my sight, if you had filled me with
+bread when I was starving, if you had sat up to nurse my father
+when he lay a-dying, would yet absolve me from the bonds of
+gratitude.&nbsp; You know enough, doubtless, of the process of
+canonisation to be aware that, a hundred years after the death of
+Damien, there will appear a man charged with the painful office
+of the <i>devil&rsquo;s advocate</i>.&nbsp; After that noble
+brother of mine, and of all frail clay, shall have lain a century
+at rest, one shall accuse, one defend him.&nbsp; The circumstance
+is unusual that the devil&rsquo;s advocate should be a volunteer,
+should be a member of a sect immediately rival, and should make
+haste to take upon himself his ugly office ere the bones are
+cold; unusual, and of a taste which I shall leave my readers free
+to qualify; unusual, and to me inspiring.&nbsp; If I have at all
+learned the trade of using words to convey truth and to arouse
+emotion, you have at last furnished me with a subject.&nbsp; For
+it is in the interest of all mankind, and the cause of public
+decency in every quarter of the world, not only that Damien
+should be righted, but that you and your letter should be
+displayed at length, in their true colours, to the public
+eye.</p>
+<p>To do this properly, I must begin by quoting you at large: I
+shall then proceed to criticise your utterance from several
+points of view, divine and human, in the course of which I shall
+attempt to draw again, and with more specification, the character
+of the dead saint whom it has pleased you to vilify: so much
+being done, I shall say farewell to you for ever.</p>
+<blockquote><p style="text-align: right">&lsquo;<span
+class="smcap">Honolulu</span>,<br />
+&lsquo;<i>August</i> 2, 1889.</p>
+<p>&lsquo;Rev. <span class="smcap">H. B. Gage</span>.</p>
+<p>&lsquo;Dear Brother,&mdash;In answer to your inquiries about
+Father Damien, I can only reply that we who knew the man are
+surprised at the extravagant newspaper laudations, as if he was a
+most saintly philanthropist.&nbsp; The simple truth is, he was a
+coarse, dirty man, head-strong and bigoted.&nbsp; He was not sent
+to Molokai, but went there without orders; did not stay at the
+leper settlement (before he became one himself), but circulated
+freely over the whole island (less than half the island is
+devoted to the lepers), and he came often to Honolulu.&nbsp; He
+had no hand in the reforms and improvements inaugurated, which
+were the work of our Board of Health, as occasion required and
+means were provided.&nbsp; He was not a pure man in his relations
+with women, and the leprosy of which he died should be attributed
+to his vices and carelessness.&nbsp; Others have done much for
+the lepers, our own ministers, the government physicians, and so
+forth, but never with the Catholic idea of meriting eternal
+life.&mdash;Yours, etc.,</p>
+<p style="text-align: right">&lsquo;<span class="smcap">C. M.
+Hyde</span>.&rsquo; <a name="citation65"></a><a
+href="#footnote65" class="citation">[65]</a></p>
+</blockquote>
+<p>To deal fitly with a letter so extraordinary, I must draw at
+the outset on my private knowledge of the signatory and his
+sect.&nbsp; It may offend others; scarcely you, who have been so
+busy to collect, so bold to publish, gossip on your rivals.&nbsp;
+And this is perhaps the moment when I may best explain to you the
+character of what you are to read: I conceive you as a man quite
+beyond and below the reticences of civility: with what measure
+you mete, with that shall it be measured you again; with you, at
+last, I rejoice to feel the button off the foil and to plunge
+home.&nbsp; And if in aught that I shall say I should offend
+others, your colleagues, whom I respect and remember with
+affection, I can but offer them my regret; I am not free, I am
+inspired by the consideration of interests far more large; and
+such pain as can be inflicted by anything from me must be indeed
+trifling when compared with the pain with which they read your
+letter.&nbsp; It is not the hangman, but the criminal, that
+brings dishonour on the house.</p>
+<p>You belong, sir, to a sect&mdash;I believe my sect, and that
+in which my ancestors laboured&mdash;which has enjoyed, and
+partly failed to utilise, an exceptional advantage in the islands
+of Hawaii.&nbsp; The first missionaries came; they found the land
+already self-purged of its old and bloody faith; they were
+embraced, almost on their arrival, with enthusiasm; what troubles
+they supported came far more from whites than from Hawaiians; and
+to these last they stood (in a rough figure) in the shoes of
+God.&nbsp; This is not the place to enter into the degree or
+causes of their failure, such as it is.&nbsp; One element alone
+is pertinent, and must here be plainly dealt with.&nbsp; In the
+course of their evangelical calling, they&mdash;or too many of
+them&mdash;grew rich.&nbsp; It may be news to you that the houses
+of missionaries are a cause of mocking on the streets of
+Honolulu.&nbsp; It will at least be news to you, that when I
+returned your civil visit, the driver of my cab commented on the
+size, the taste, and the comfort of your home.&nbsp; It would
+have been news certainly to myself, had any one told me that
+afternoon that I should live to drag such matter into
+print.&nbsp; But you see, sir, how you degrade better men to your
+own level; and it is needful that those who are to judge betwixt
+you and me, betwixt Damien and the devil&rsquo;s advocate, should
+understand your letter to have been penned in a house which could
+raise, and that very justly, the envy and the comments of the
+passers-by.&nbsp; I think (to employ a phrase of yours which I
+admire) it &lsquo;should be attributed&rsquo; to you that you
+have never visited the scene of Damien&rsquo;s life and
+death.&nbsp; If you had, and had recalled it, and looked about
+your pleasant rooms, even your pen perhaps would have been
+stayed.</p>
+<p>Your sect (and remember, as far as any sect avows me, it is
+mine) has not done ill in a worldly sense in the Hawaiian
+Kingdom.&nbsp; When calamity befell their innocent parishioners,
+when leprosy descended and took root in the Eight Islands, a
+<i>quid pro quo</i> was to be looked for.&nbsp; To that
+prosperous mission, and to you, as one of its adornments, God had
+sent at last an opportunity.&nbsp; I know I am touching here upon
+a nerve acutely sensitive.&nbsp; I know that others of your
+colleagues look back on the inertia of your Church, and the
+intrusive and decisive heroism of Damien, with something almost
+to be called remorse.&nbsp; I am sure it is so with yourself; I
+am persuaded your letter was inspired by a certain envy, not
+essentially ignoble, and the one human trait to be espied in that
+performance.&nbsp; You were thinking of the lost chance, the past
+day; of that which should have been conceived and was not; of the
+service due and not rendered.&nbsp; Time was, said the voice in
+your ear, in your pleasant room, as you sat raging and writing;
+and if the words written were base beyond parallel, the rage, I
+am happy to repeat&mdash;it is the only compliment I shall pay
+you&mdash;the rage was almost virtuous.&nbsp; But, sir, when we
+have failed, and another has succeeded; when we have stood by,
+and another has stepped in; when we sit and grow bulky in our
+charming mansions, and a plain, uncouth peasant steps into the
+battle, under the eyes of God, and succours the afflicted, and
+consoles the dying, and is himself afflicted in his turn, and
+dies upon the field of honour&mdash;the battle cannot be
+retrieved as your unhappy irritation has suggested.&nbsp; It is a
+lost battle, and lost for ever.&nbsp; One thing remained to you
+in your defeat&mdash;some rags of common honour; and these you
+have made haste to cast away.</p>
+<p>Common honour; not the honour of having done anything right,
+but the honour of not having done aught conspicuously foul; the
+honour of the inert: that was what remained to you.&nbsp; We are
+not all expected to be Damiens; a man may conceive his duty more
+narrowly, he may love his comforts better; and none will cast a
+stone at him for that.&nbsp; But will a gentleman of your
+reverend profession allow me an example from the fields of
+gallantry?&nbsp; When two gentlemen compete for the favour of a
+lady, and the one succeeds and the other is rejected, and (as
+will sometimes happen) matter damaging to the successful
+rival&rsquo;s credit reaches the ear of the defeated, it is held
+by plain men of no pretensions that his mouth is, in the
+circumstance, almost necessarily closed.&nbsp; Your Church and
+Damien&rsquo;s were in Hawaii upon a rivalry to do well: to help,
+to edify, to set divine examples.&nbsp; You having (in one huge
+instance) failed, and Damien succeeded, I marvel it should not
+have occurred to you that you were doomed to silence; that when
+you had been outstripped in that high rivalry, and sat inglorious
+in the midst of your wellbeing, in your pleasant room&mdash;and
+Damien, crowned with glories and horrors, toiled and rotted in
+that pigsty of his under the cliffs of Kalawao&mdash;you, the
+elect who would not, were the last man on earth to collect and
+propagate gossip on the volunteer who would and did.</p>
+<p>I think I see you&mdash;for I try to see you in the flesh as I
+write these sentences&mdash;I think I see you leap at the word
+pigsty, a hyperbolical expression at the best.&nbsp; &lsquo;He
+had no hand in the reforms,&rsquo; he was &lsquo;a coarse, dirty
+man&rsquo;; these were your own words; and you may think it
+possible that I am come to support you with fresh evidence.&nbsp;
+In a sense, it is even so.&nbsp; Damien has been too much
+depicted with a conventional halo and conventional features; so
+drawn by men who perhaps had not the eye to remark or the pen to
+express the individual; or who perhaps were only blinded and
+silenced by generous admiration, such as I partly envy for
+myself&mdash;such as you, if your soul were enlightened, would
+envy on your bended knees.&nbsp; It is the least defect of such a
+method of portraiture that it makes the path easy for the
+devil&rsquo;s advocate, and leaves for the misuse of the
+slanderer a considerable field of truth.&nbsp; For the truth that
+is suppressed by friends is the readiest weapon of the
+enemy.&nbsp; The world, in your despite, may perhaps owe you
+something, if your letter be the means of substituting once for
+all a credible likeness for a wax abstraction.&nbsp; For, if that
+world at all remember you, on the day when Damien of Molokai
+shall be named Saint, it will be in virtue of one work: your
+letter to the Reverend H. B. Gage.</p>
+<p>You may ask on what authority I speak.&nbsp; It was my
+inclement destiny to become acquainted, not with Damien, but with
+Dr. Hyde.&nbsp; When I visited the lazaretto, Damien was already
+in his resting grave.&nbsp; But such information as I have, I
+gathered on the spot in conversation with those who knew him well
+and long: some indeed who revered his memory; but others who had
+sparred and wrangled with him, who beheld him with no halo, who
+perhaps regarded him with small respect, and through whose
+unprepared and scarcely partial communications the plain, human
+features of the man shone on me convincingly.&nbsp; These gave me
+what knowledge I possess; and I learnt it in that scene where it
+could be most completely and sensitively
+understood&mdash;Kalawao, which you have never visited, about
+which you have never so much as endeavoured to inform yourself;
+for, brief as your letter is, you have found the means to stumble
+into that confession.&nbsp; &lsquo;<i>Less than one-half</i> of
+the island,&rsquo; you say, &lsquo;is devoted to the
+lepers.&rsquo;&nbsp; Molokai&mdash;&lsquo;<i>Molokai
+ahina</i>,&rsquo; the &lsquo;grey,&rsquo; lofty, and most
+desolate island&mdash;along all its northern side plunges a front
+of precipice into a sea of unusual profundity.&nbsp; This range
+of cliff is, from east to west, the true end and frontier of the
+island.&nbsp; Only in one spot there projects into the ocean a
+certain triangular and rugged down, grassy, stony, windy, and
+rising in the midst into a hill with a dead crater: the whole
+bearing to the cliff that overhangs it somewhat the same relation
+as a bracket to a wall.&nbsp; With this hint you will now be able
+to pick out the leper station on a map; you will be able to judge
+how much of Molokai is thus cut off between the surf and
+precipice, whether less than a half, or less than a quarter, or a
+fifth, or a tenth&mdash;or, say, a twentieth; and the next time
+you burst into print you will be in a position to share with us
+the issue of your calculations.</p>
+<p>I imagine you to be one of those persons who talk with
+cheerfulness of that place which oxen and wain-ropes could not
+drag you to behold.&nbsp; You, who do not even know its situation
+on the map, probably denounce sensational descriptions,
+stretching your limbs the while in your pleasant parlour on
+Beretania Street.&nbsp; When I was pulled ashore there one early
+morning, there sat with me in the boat two sisters, bidding
+farewell (in humble imitation of Damien) to the lights and joys
+of human life.&nbsp; One of these wept silently; I could not
+withhold myself from joining her.&nbsp; Had you been there, it is
+my belief that nature would have triumphed even in you; and as
+the boat drew but a little nearer, and you beheld the stairs
+crowded with abominable deformations of our common manhood, and
+saw yourself landing in the midst of such a population as only
+now and then surrounds us in the horror of a nightmare&mdash;what
+a haggard eye you would have rolled over your reluctant shoulder
+towards the house on Beretania Street!&nbsp; Had you gone on; had
+you found every fourth face a blot upon the landscape; had you
+visited the hospital and seen the butt-ends of human beings lying
+there almost unrecognisable, but still breathing, still thinking,
+still remembering; you would have understood that life in the
+lazaretto is an ordeal from which the nerves of a man&rsquo;s
+spirit shrink, even as his eye quails under the brightness of the
+sun; you would have felt it was (even to-day) a pitiful place to
+visit and a hell to dwell in.&nbsp; It is not the fear of
+possible infection.&nbsp; That seems a little thing when compared
+with the pain, the pity, and the disgust of the visitor&rsquo;s
+surroundings, and the atmosphere of affliction, disease, and
+physical disgrace in which he breathes.&nbsp; I do not think I am
+a man more than usually timid; but I never recall the days and
+nights I spent upon that island promontory (eight days and seven
+nights), without heartfelt thankfulness that I am somewhere
+else.&nbsp; I find in my diary that I speak of my stay as a
+&lsquo;grinding experience&rsquo;: I have once jotted in the
+margin, &lsquo;<i>Harrowing</i> is the word&rsquo;; and when the
+<i>Mokolii</i> bore me at last towards the outer world, I kept
+repeating to myself, with a new conception of their pregnancy,
+those simple words of the song&mdash;</p>
+<blockquote><p>&lsquo;&rsquo;Tis the most distressful country
+that ever yet was seen.&rsquo;</p>
+</blockquote>
+<p>And observe: that which I saw and suffered from was a
+settlement purged, bettered, beautified; the new village built,
+the hospital and the Bishop-Home excellently arranged; the
+sisters, the doctor, and the missionaries, all indefatigable in
+their noble tasks.&nbsp; It was a different place when Damien
+came there and made his great renunciation, and slept that first
+night under a tree amidst his rotting brethren: alone with
+pestilence; and looking forward (with what courage, with what
+pitiful sinkings of dread, God only knows) to a lifetime of
+dressing sores and stumps.</p>
+<p>You will say, perhaps, I am too sensitive, that sights as
+painful abound in cancer hospitals and are confronted daily by
+doctors and nurses.&nbsp; I have long learned to admire and envy
+the doctors and the nurses.&nbsp; But there is no cancer hospital
+so large and populous as Kalawao and Kalaupapa; and in such a
+matter every fresh case, like every inch of length in the pipe of
+an organ, deepens the note of the impression; for what daunts the
+onlooker is that monstrous sum of human suffering by which he
+stands surrounded.&nbsp; Lastly, no doctor or nurse is called
+upon to enter once for all the doors of that gehenna; they do not
+say farewell, they need not abandon hope, on its sad threshold;
+they but go for a time to their high calling, and can look
+forward as they go to relief, to recreation, and to rest.&nbsp;
+But Damien shut-to with his own hand the doors of his own
+sepulchre.</p>
+<p>I shall now extract three passages from my diary at
+Kalawao.</p>
+<p><i>A</i>.&nbsp; &lsquo;Damien is dead and already somewhat
+ungratefully remembered in the field of his labours and
+sufferings.&nbsp; &ldquo;He was a good man, but very
+officious,&rdquo; says one.&nbsp; Another tells me he had fallen
+(as other priests so easily do) into something of the ways and
+habits of thought of a Kanaka; but he had the wit to recognise
+the fact, and the good sense to laugh at&rsquo; [over]
+&lsquo;it.&nbsp; A plain man it seems he was; I cannot find he
+was a popular.&rsquo;</p>
+<p><i>B</i>.&nbsp; &lsquo;After Ragsdale&rsquo;s death&rsquo;
+[Ragsdale was a famous Luna, or overseer, of the unruly
+settlement] &lsquo;there followed a brief term of office by
+Father Damien which served only to publish the weakness of that
+noble man.&nbsp; He was rough in his ways, and he had no
+control.&nbsp; Authority was relaxed; Damien&rsquo;s life was
+threatened, and he was soon eager to resign.&rsquo;</p>
+<p><i>C</i>.&nbsp; &lsquo;Of Damien I begin to have an
+idea.&nbsp; He seems to have been a man of the peasant class,
+certainly of the peasant type: shrewd, ignorant and bigoted, yet
+with an open mind, and capable of receiving and digesting a
+reproof if it were bluntly administered; superbly generous in the
+least thing as well as in the greatest, and as ready to give his
+last shirt (although not without human grumbling) as he had been
+to sacrifice his life; essentially indiscreet and officious,
+which made him a troublesome colleague; domineering in all his
+ways, which made him incurably unpopular with the Kanakas, but
+yet destitute of real authority, so that his boys laughed at him
+and he must carry out his wishes by the means of bribes.&nbsp; He
+learned to have a mania for doctoring; and set up the Kanakas
+against the remedies of his regular rivals: perhaps (if anything
+matter at all in the treatment of such a disease) the worst thing
+that he did, and certainly the easiest.&nbsp; The best and worst
+of the man appear very plainly in his dealings with Mr.
+Chapman&rsquo;s money; he had originally laid it out&rsquo;
+[intended to lay it out] &lsquo;entirely for the benefit of
+Catholics, and even so not wisely; but after a long, plain talk,
+he admitted his error fully and revised the list.&nbsp; The sad
+state of the boys&rsquo; home is in part the result of his lack
+of control; in part, of his own slovenly ways and false ideas of
+hygiene.&nbsp; Brother officials used to call it
+&ldquo;Damien&rsquo;s Chinatown.&rdquo;&nbsp; &ldquo;Well,&rdquo;
+they would say, &ldquo;your China-town keeps
+growing.&rdquo;&nbsp; And he would laugh with perfect
+good-nature, and adhere to his errors with perfect
+obstinacy.&nbsp; So much I have gathered of truth about this
+plain, noble human brother and father of ours; his imperfections
+are the traits of his face, by which we know him for our fellow;
+his martyrdom and his example nothing can lessen or annul; and
+only a person here on the spot can properly appreciate their
+greatness.&rsquo;</p>
+<p>I have set down these private passages, as you perceive,
+without correction; thanks to you, the public has them in their
+bluntness.&nbsp; They are almost a list of the man&rsquo;s
+faults, for it is rather these that I was seeking: with his
+virtues, with the heroic profile of his life, I and the world
+were already sufficiently acquainted.&nbsp; I was besides a
+little suspicious of Catholic testimony; in no ill sense, but
+merely because Damien&rsquo;s admirers and disciples were the
+least likely to be critical.&nbsp; I know you will be more
+suspicious still; and the facts set down above were one and all
+collected from the lips of Protestants who had opposed the father
+in his life.&nbsp; Yet I am strangely deceived, or they build up
+the image of a man, with all his weaknesses, essentially heroic,
+and alive with rugged honesty, generosity, and mirth.</p>
+<p>Take it for what it is, rough private jottings of the worst
+sides of Damien&rsquo;s character, collected from the lips of
+those who had laboured with and (in your own phrase) &lsquo;knew
+the man&rsquo;;&mdash;though I question whether Damien would have
+said that he knew you.&nbsp; Take it, and observe with wonder how
+well you were served by your gossips, how ill by your
+intelligence and sympathy; in how many points of fact we are at
+one, and how widely our appreciations vary.&nbsp; There is
+something wrong here; either with you or me.&nbsp; It is
+possible, for instance, that you, who seem to have so many ears
+in Kalawao, had heard of the affair of Mr. Chapman&rsquo;s money,
+and were singly struck by Damien&rsquo;s intended
+wrong-doing.&nbsp; I was struck with that also, and set it fairly
+down; but I was struck much more by the fact that he had the
+honesty of mind to be convinced.&nbsp; I may here tell you that
+it was a long business; that one of his colleagues sat with him
+late into the night, multiplying arguments and accusations; that
+the father listened as usual with &lsquo;perfect good-nature and
+perfect obstinacy&rsquo;; but at the last, when he was
+persuaded&mdash;&lsquo;Yes,&rsquo; said he, &lsquo;I am very much
+obliged to you; you have done me a service; it would have been a
+theft.&rsquo;&nbsp; There are many (not Catholics merely) who
+require their heroes and saints to be infallible; to these the
+story will be painful; not to the true lovers, patrons, and
+servants of mankind.</p>
+<p>And I take it, this is a type of our division; that you are
+one of those who have an eye for faults and failures; that you
+take a pleasure to find and publish them; and that, having found
+them, you make haste to forget the overvailing virtues and the
+real success which had alone introduced them to your
+knowledge.&nbsp; It is a dangerous frame of mind.&nbsp; That you
+may understand how dangerous, and into what a situation it has
+already brought you, we will (if you please) go hand-in-hand
+through the different phrases of your letter, and candidly
+examine each from the point of view of its truth, its
+appositeness, and its charity.</p>
+<p>Damien was <i>coarse</i>.</p>
+<p>It is very possible.&nbsp; You make us sorry for the lepers,
+who had only a coarse old peasant for their friend and
+father.&nbsp; But you, who were so refined, why were you not
+there, to cheer them with the lights of culture?&nbsp; Or may I
+remind you that we have some reason to doubt if John the Baptist
+were genteel; and in the case of Peter, on whose career you
+doubtless dwell approvingly in the pulpit, no doubt at all he was
+a &lsquo;coarse, headstrong&rsquo; fisherman!&nbsp; Yet even in
+our Protestant Bibles Peter is called Saint.</p>
+<p>Damien was <i>dirty</i>.</p>
+<p>He was.&nbsp; Think of the poor lepers annoyed with this dirty
+comrade!&nbsp; But the clean Dr. Hyde was at his food in a fine
+house.</p>
+<p>Damien was <i>headstrong</i>.</p>
+<p>I believe you are right again; and I thank God for his strong
+head and heart.</p>
+<p>Damien was <i>bigoted</i>.</p>
+<p>I am not fond of bigots myself, because they are not fond of
+me.&nbsp; But what is meant by bigotry, that we should regard it
+as a blemish in a priest?&nbsp; Damien believed his own religion
+with the simplicity of a peasant or a child; as I would I could
+suppose that you do.&nbsp; For this, I wonder at him some way
+off; and had that been his only character, should have avoided
+him in life.&nbsp; But the point of interest in Damien, which has
+caused him to be so much talked about and made him at last the
+subject of your pen and mine, was that, in him, his bigotry, his
+intense and narrow faith, wrought potently for good, and
+strengthened him to be one of the world&rsquo;s heroes and
+exemplars.</p>
+<p>Damien <i>was not sent to Molokai</i>, <i>but went there
+without orders</i>.</p>
+<p>Is this a misreading? or do you really mean the words for
+blame?&nbsp; I have heard Christ, in the pulpits of our Church,
+held up for imitation on the ground that His sacrifice was
+voluntary.&nbsp; Does Dr. Hyde think otherwise?</p>
+<p>Damien <i>did not stay at the settlement</i>, <i>etc.</i></p>
+<p>It is true he was allowed many indulgences.&nbsp; Am I to
+understand that you blame the father for profiting by these, or
+the officers for granting them?&nbsp; In either case, it is a
+mighty Spartan standard to issue from the house on Beretania
+Street; and I am convinced you will find yourself with few
+supporters.</p>
+<p>Damien <i>had no hand in the reforms</i>, <i>etc.</i></p>
+<p>I think even you will admit that I have already been frank in
+my description of the man I am defending; but before I take you
+up upon this head, I will be franker still, and tell you that
+perhaps nowhere in the world can a man taste a more pleasurable
+sense of contrast than when he passes from Damien&rsquo;s
+&lsquo;Chinatown&rsquo; at Kalawao to the beautiful Bishop-Home
+at Kalaupapa.&nbsp; At this point, in my desire to make all fair
+for you, I will break my rule and adduce Catholic
+testimony.&nbsp; Here is a passage from my diary about my visit
+to the Chinatown, from which you will see how it is (even now)
+regarded by its own officials: &lsquo;We went round all the
+dormitories, refectories, etc.&mdash;dark and dingy enough, with
+a superficial cleanliness, which he&rsquo; [Mr. Dutton, the
+lay-brother] &lsquo;did not seek to defend.&nbsp; &ldquo;It is
+almost decent,&rdquo; said he; &ldquo;the sisters will make that
+all right when we get them here.&rdquo;&rsquo;&nbsp; And yet I
+gathered it was already better since Damien was dead, and far
+better than when he was there alone and had his own (not always
+excellent) way.&nbsp; I have now come far enough to meet you on a
+common ground of fact; and I tell you that, to a mind not
+prejudiced by jealousy, all the reforms of the lazaretto, and
+even those which he most vigorously opposed, are properly the
+work of Damien.&nbsp; They are the evidence of his success; they
+are what his heroism provoked from the reluctant and the
+careless.&nbsp; Many were before him in the field; Mr. Meyer, for
+instance, of whose faithful work we hear too little: there have
+been many since; and some had more worldly wisdom, though none
+had more devotion, than our saint.&nbsp; Before his day, even you
+will confess, they had effected little.&nbsp; It was his part, by
+one striking act of martyrdom, to direct all men&rsquo;s eyes on
+that distressful country.&nbsp; At a blow, and with the price of
+his life, he made the place illustrious and public.&nbsp; And
+that, if you will consider largely, was the one reform needful;
+pregnant of all that should succeed.&nbsp; It brought money; it
+brought (best individual addition of them all) the sisters; it
+brought supervision, for public opinion and public interest
+landed with the man at Kalawao.&nbsp; If ever any man brought
+reforms, and died to bring them, it was he.&nbsp; There is not a
+clean cup or towel in the Bishop-Home, but dirty Damien washed
+it.</p>
+<p>Damien <i>was not a pure man in his relations with women</i>,
+<i>etc.</i></p>
+<p>How do you know that?&nbsp; Is this the nature of the
+conversation in that house on Beretania Street which the cabman
+envied, driving past?&mdash;racy details of the misconduct of the
+poor peasant priest, toiling under the cliffs of Molokai?</p>
+<p>Many have visited the station before me; they seem not to have
+heard the rumour.&nbsp; When I was there I heard many shocking
+tales, for my informants were men speaking with the plainness of
+the laity; and I heard plenty of complaints of Damien.&nbsp; Why
+was this never mentioned? and how came it to you in the
+retirement of your clerical parlour?</p>
+<p>But I must not even seem to deceive you.&nbsp; This scandal,
+when I read it in your letter, was not new to me.&nbsp; I had
+heard it once before; and I must tell you how.&nbsp; There came
+to Samoa a man from Honolulu; he, in a public-house on the beach,
+volunteered the statement that Damien had &lsquo;contracted the
+disease from having connection with the female lepers&rsquo;; and
+I find a joy in telling you how the report was welcomed in a
+public-house.&nbsp; A man sprang to his feet; I am not at liberty
+to give his name, but from what I heard I doubt if you would care
+to have him to dinner in Beretania Street.&nbsp; &lsquo;You
+miserable little&mdash;&rsquo; (here is a word I dare not print,
+it would so shock your ears).&nbsp; &lsquo;You miserable
+little&mdash;,&rsquo; he cried, &lsquo;if the story were a
+thousand times true, can&rsquo;t you see you are a million times
+a lower&mdash;for daring to repeat it?&rsquo;&nbsp; I wish it
+could be told of you that when the report reached you in your
+house, perhaps after family worship, you had found in your soul
+enough holy anger to receive it with the same expressions; ay,
+even with that one which I dare not print; it would not need to
+have been blotted away, like Uncle Toby&rsquo;s oath, by the
+tears of the recording angel; it would have been counted to you
+for your brightest righteousness.&nbsp; But you have deliberately
+chosen the part of the man from Honolulu, and you have played it
+with improvements of your own.&nbsp; The man from
+Honolulu&mdash;miserable, leering creature&mdash;communicated the
+tale to a rude knot of beach-combing drinkers in a public-house,
+where (I will so far agree with your temperance opinions) man is
+not always at his noblest; and the man from Honolulu had himself
+been drinking&mdash;drinking, we may charitably fancy, to
+excess.&nbsp; It was to your &lsquo;Dear Brother, the Reverend H.
+B. Gage,&rsquo; that you chose to communicate the sickening
+story; and the blue ribbon which adorns your portly bosom forbids
+me to allow you the extenuating plea that you were drunk when it
+was done.&nbsp; Your &lsquo;dear brother&rsquo;&mdash;a brother
+indeed&mdash;made haste to deliver up your letter (as a means of
+grace, perhaps) to the religious papers; where, after many
+months, I found and read and wondered at it; and whence I have
+now reproduced it for the wonder of others.&nbsp; And you and
+your dear brother have, by this cycle of operations, built up a
+contrast very edifying to examine in detail.&nbsp; The man whom
+you would not care to have to dinner, on the one side; on the
+other, the Reverend Dr. Hyde and the Reverend H. B. Gage: the
+Apia bar-room, the Honolulu manse.</p>
+<p>But I fear you scarce appreciate how you appear to your
+fellow-men; and to bring it home to you, I will suppose your
+story to be true.&nbsp; I will suppose&mdash;and God forgive me
+for supposing it&mdash;that Damien faltered and stumbled in his
+narrow path of duty; I will suppose that, in the horror of his
+isolation, perhaps in the fever of incipient disease, he, who was
+doing so much more than he had sworn, failed in the letter of his
+priestly oath&mdash;he, who was so much a better man than either
+you or me, who did what we have never dreamed of daring&mdash;he
+too tasted of our common frailty.&nbsp; &lsquo;O, Iago, the pity
+of it!&rsquo;&nbsp; The least tender should be moved to tears;
+the most incredulous to prayer.&nbsp; And all that you could do
+was to pen your letter to the Reverend H. B. Gage!</p>
+<p>Is it growing at all clear to you what a picture you have
+drawn of your own heart?&nbsp; I will try yet once again to make
+it clearer.&nbsp; You had a father: suppose this tale were about
+him, and some informant brought it to you, proof in hand: I am
+not making too high an estimate of your emotional nature when I
+suppose you would regret the circumstance? that you would feel
+the tale of frailty the more keenly since it shamed the author of
+your days? and that the last thing you would do would be to
+publish it in the religious press?&nbsp; Well, the man who tried
+to do what Damien did, is my father, and the father of the man in
+the Apia bar, and the father of all who love goodness; and he was
+your father too, if God had given you grace to see it.</p>
+<h2>THE PENTLAND RISING<br />
+<span class="smcap">a page of history</span><br />
+1666</h2>
+<blockquote><p>&lsquo;A cloud of witnesses lyes here,<br />
+Who for Christ&rsquo;s interest did appear.&rsquo;</p>
+</blockquote>
+<p style="text-align: right"><i>Inscription on Battlefield at
+Rullion Green</i>.</p>
+<h3>CHAPTER I&mdash;THE CAUSES OF THE REVOLT</h3>
+<blockquote><p>&lsquo;Halt, passenger; take heed what thou dost
+see,<br />
+This tomb doth show for what some men did die.&rsquo;</p>
+</blockquote>
+<p style="text-align: right"><i>Monument</i>,
+<i>Greyfriars&rsquo; Churchyard</i>,<i> Edinburgh</i>,<br />
+1661&ndash;1668. <a name="citation85"></a><a href="#footnote85"
+class="citation">[85]</a></p>
+<p>Two hundred years ago a tragedy was enacted in Scotland, the
+memory whereof has been in great measure lost or obscured by the
+deep tragedies which followed it.&nbsp; It is, as it were, the
+evening of the night of persecution&mdash;a sort of twilight,
+dark indeed to us, but light as the noonday when compared with
+the midnight gloom which followed.&nbsp; This fact, of its being
+the very threshold of persecution, lends it, however, an
+additional interest.</p>
+<p>The prejudices of the people against Episcopacy were
+&lsquo;out of measure increased,&rsquo; says Bishop Burnet,
+&lsquo;by the new incumbents who were put in the places of the
+ejected preachers, and were generally very mean and despicable in
+all respects.&nbsp; They were the worst preachers I ever heard;
+they were ignorant to a reproach; and many of them were openly
+vicious.&nbsp; They . . . were indeed the dreg and refuse of the
+northern parts.&nbsp; Those of them who arose above contempt or
+scandal were men of such violent tempers that they were as much
+hated as the others were despised.&rsquo; <a
+name="citation86"></a><a href="#footnote86"
+class="citation">[86]</a>&nbsp; It was little to be wondered at,
+from this account that the country-folk refused to go to the
+parish church, and chose rather to listen to outed ministers in
+the fields.&nbsp; But this was not to be allowed, and their
+persecutors at last fell on the method of calling a roll of the
+parishioners&rsquo; names every Sabbath, and marking a fine of
+twenty shillings Scots to the name of each absenter.&nbsp; In
+this way very large debts were incurred by persons altogether
+unable to pay.&nbsp; Besides this, landlords were fined for their
+tenants&rsquo; absences, tenants for their landlords&rsquo;,
+masters for their servants&rsquo;, servants for their
+masters&rsquo;, even though they themselves were perfectly
+regular in their attendance.&nbsp; And as the curates were
+allowed to fine with the sanction of any common soldier, it may
+be imagined that often the pretexts were neither very sufficient
+nor well proven.</p>
+<p>When the fines could not be paid at once, Bibles, clothes, and
+household utensils were seized upon, or a number of soldiers,
+proportionate to his wealth, were quartered on the
+offender.&nbsp; The coarse and drunken privates filled the houses
+with woe; snatched the bread from the children to feed their
+dogs; shocked the principles, scorned the scruples, and
+blasphemed the religion of their humble hosts; and when they had
+reduced them to destitution, sold the furniture, and burned down
+the roof-tree which was consecrated to the peasants by the name
+of Home.&nbsp; For all this attention each of these soldiers
+received from his unwilling landlord a certain sum of money per
+day&mdash;three shillings sterling, according to
+<i>Naphtali</i>.&nbsp; And frequently they were forced to pay
+quartering money for more men than were in reality &lsquo;cessed
+on them.&rsquo;&nbsp; At that time it was no strange thing to
+behold a strong man begging for money to pay his fines, and many
+others who were deep in arrears, or who had attracted attention
+in some other way, were forced to flee from their homes, and take
+refuge from arrest and imprisonment among the wild mosses of the
+uplands. <a name="citation87a"></a><a href="#footnote87a"
+class="citation">[87a]</a></p>
+<p>One example in particular we may cite:</p>
+<p>John Neilson, the Laird of Corsack, a worthy man, was,
+unfortunately for himself, a Nonconformist.&nbsp; First he was
+fined in four hundred pounds Scots, and then through cessing he
+lost nineteen hundred and ninety-three pounds Scots.&nbsp; He was
+next obliged to leave his house and flee from place to place,
+during which wanderings he lost his horse.&nbsp; His wife and
+children were turned out of doors, and then his tenants were
+fined till they too were almost ruined.&nbsp; As a final stroke,
+they drove away all his cattle to Glasgow and sold them. <a
+name="citation87b"></a><a href="#footnote87b"
+class="citation">[87b]</a>&nbsp; Surely it was time that
+something were done to alleviate so much sorrow, to overthrow
+such tyranny.</p>
+<p>About this time too there arrived in Galloway a person calling
+himself Captain Andrew Gray, and advising the people to
+revolt.&nbsp; He displayed some documents purporting to be from
+the northern Covenanters, and stating that they were prepared to
+join in any enterprise commenced by their southern
+brethren.&nbsp; The leader of the persecutors was Sir James
+Turner, an officer afterwards degraded for his share in the
+matter.&nbsp; &lsquo;He was naturally fierce, but was mad when he
+was drunk, and that was very often,&rsquo; said Bishop
+Burnet.&nbsp; &lsquo;He was a learned man, but had always been in
+armies, and knew no other rule but to obey orders.&nbsp; He told
+me he had no regard to any law, but acted, as he was commanded,
+in a military way.&rsquo; <a name="citation88"></a><a
+href="#footnote88" class="citation">[88]</a></p>
+<p>This was the state of matters, when an outrage was committed
+which gave spirit and determination to the oppressed countrymen,
+lit the flame of insubordination, and for the time at least
+recoiled on those who perpetrated it with redoubled force.</p>
+<h3>CHAPTER II&mdash;THE BEGINNING</h3>
+<blockquote><p>I love no warres,<br />
+I love no jarres,<br />
+Nor strife&rsquo;s fire.<br />
+May discord cease,<br />
+Let&rsquo;s live in peace:<br />
+This I desire.</p>
+<p>If it must be<br />
+Warre we must see<br />
+(So fates conspire),<br />
+May we not feel<br />
+The force of steel:<br />
+This I desire.</p>
+</blockquote>
+<p style="text-align: right"><span class="smcap">T.
+Jackson</span>, 1651 <a name="citation89"></a><a
+href="#footnote89" class="citation">[89]</a></p>
+<p>Upon Tuesday, November 13th, 1666, Corporal George Deanes and
+three other soldiers set upon an old man in the clachan of Dalry
+and demanded the payment of his fines.&nbsp; On the old
+man&rsquo;s refusing to pay, they forced a large party of his
+neighbours to go with them and thresh his corn.&nbsp; The field
+was a certain distance out of the clachan, and four persons,
+disguised as countrymen, who had been out on the moors all night,
+met this mournful drove of slaves, compelled by the four soldiers
+to work for the ruin of their friend.&nbsp; However, chided to
+the bone by their night on the hills, and worn out by want of
+food, they proceeded to the village inn to refresh
+themselves.&nbsp; Suddenly some people rushed into the room where
+they were sitting, and told them that the soldiers were about to
+roast the old man, naked, on his own girdle.&nbsp; This was too
+much for them to stand, and they repaired immediately to the
+scene of this gross outrage, and at first merely requested that
+the captive should be released.&nbsp; On the refusal of the two
+soldiers who were in the front room, high words were given and
+taken on both sides, and the other two rushed forth from an
+adjoining chamber and made at the countrymen with drawn
+swords.&nbsp; One of the latter, John M&lsquo;Lellan of Barscob,
+drew a pistol and shot the corporal in the body.&nbsp; The pieces
+of tobacco-pipe with which it was loaded, to the number of ten at
+least, entered him, and he was so much disturbed that he never
+appears to have recovered, for we find long afterwards a petition
+to the Privy Council requesting a pension for him.&nbsp; The
+other soldiers then laid down their arms, the old man was
+rescued, and the rebellion was commenced. <a
+name="citation90"></a><a href="#footnote90"
+class="citation">[90]</a></p>
+<p>And now we must turn to Sir James Turner&rsquo;s memoirs of
+himself; for, strange to say, this extraordinary man was
+remarkably fond of literary composition, and wrote, besides the
+amusing account of his own adventures just mentioned, a large
+number of essays and short biographies, and a work on war,
+entitled <i>Pallas Armata</i>.&nbsp; The following are some of
+the shorter pieces &lsquo;Magick,&rsquo;
+&lsquo;Friendship,&rsquo; &lsquo;Imprisonment,&rsquo;
+&lsquo;Anger,&rsquo; &lsquo;Revenge,&rsquo; &lsquo;Duells,&rsquo;
+&lsquo;Cruelty,&rsquo; &lsquo;A Defence of some of the Ceremonies
+of the English Liturgie&mdash;to wit&mdash;Bowing at the Name of
+Jesus, The frequent repetition of the Lord&rsquo;s Prayer and
+Good Lord deliver us, Of the Doxologie, Of Surplesses, Rotchets,
+Canonnicall Coats,&rsquo; etc.&nbsp; From what we know of his
+character we should expect &lsquo;Anger&rsquo; and
+&lsquo;Cruelty&rsquo; to be very full and instructive.&nbsp; But
+what earthly right he had to meddle with ecclesiastical subjects
+it is hard to see.</p>
+<p>Upon the 12th of the month he had received some information
+concerning Gray&rsquo;s proceedings, but as it was excessively
+indefinite in its character, he paid no attention to it.&nbsp; On
+the evening of the 14th, Corporal Deanes was brought into
+Dumfries, who affirmed stoutly that he had been shot while
+refusing to sign the Covenant&mdash;a story rendered singularly
+unlikely by the after conduct of the rebels.&nbsp; Sir James
+instantly dispatched orders to the cessed soldiers either to come
+to Dumfries or meet him on the way to Dalry, and commanded the
+thirteen or fourteen men in the town with him to come at nine
+next morning to his lodging for supplies.</p>
+<p>On the morning of Thursday the rebels arrived at Dumfries with
+50 horse and 150 foot.&nbsp; Neilson of Corsack, and Gray, who
+commanded, with a considerable troop, entered the town, and
+surrounded Sir James Turner&rsquo;s lodging.&nbsp; Though it was
+between eight and nine o&rsquo;clock, that worthy, being unwell,
+was still in bed, but rose at once and went to the window.</p>
+<p>Neilson and some others cried, &lsquo;You may have fair
+quarter.&rsquo;</p>
+<p>&lsquo;I need no quarter,&rsquo; replied Sir James; &lsquo;nor
+can I be a prisoner, seeing there is no war
+declared.&rsquo;&nbsp; On being told, however, that he must
+either be a prisoner or die, he came down, and went into the
+street in his night-shirt.&nbsp; Here Gray showed himself very
+desirous of killing him, but he was overruled by Corsack.&nbsp;
+However, he was taken away a prisoner, Captain Gray mounting him
+on his own horse, though, as Turner naively remarks, &lsquo;there
+was good reason for it, for he mounted himself on a farre better
+one of mine.&rsquo;&nbsp; A large coffer containing his clothes
+and money, together with all his papers, were taken away by the
+rebels.&nbsp; They robbed Master Chalmers, the Episcopalian
+minister of Dumfries, of his horse, drank the King&rsquo;s health
+at the market cross, and then left Dumfries. <a
+name="citation92"></a><a href="#footnote92"
+class="citation">[92]</a></p>
+<h3>CHAPTER III&mdash;THE MARCH OF THE REBELS</h3>
+<blockquote><p>&lsquo;Stay, passenger, take notice what thou
+reads,<br />
+At Edinburgh lie our bodies, here our heads;<br />
+Our right hands stood at Lanark, these we want,<br />
+Because with them we signed the Covenant.&rsquo;</p>
+</blockquote>
+<p style="text-align: right"><i>Epitaph on a Tombstone at
+Hamilton</i>. <a name="citation93"></a><a href="#footnote93"
+class="citation">[93]</a></p>
+<p>On Friday the 16th, Bailie Irvine of Dumfries came to the
+Council at Edinburgh, and gave information concerning this
+&lsquo;horrid rebellion.&rsquo;&nbsp; In the absence of Rothes,
+Sharpe presided&mdash;much to the wrath of some members; and as
+he imagined his own safety endangered, his measures were most
+energetic.&nbsp; Dalzell was ordered away to the West, the guards
+round the city were doubled, officers and soldiers were forced to
+take the oath of allegiance, and all lodgers were commanded to
+give in their names.&nbsp; Sharpe, surrounded with all these
+guards and precautions, trembled&mdash;trembled as he trembled
+when the avengers of blood drew him from his chariot on Magus
+Muir,&mdash;for he knew how he had sold his trust, how he had
+betrayed his charge, and he felt that against him must their
+chiefest hatred be directed, against him their direst
+thunder-bolts be forged.&nbsp; But even in his fear the apostate
+Presbyterian was unrelenting, unpityingly harsh; he published in
+his manifesto no promise of pardon, no inducement to
+submission.&nbsp; He said, &lsquo;If you submit not you must
+die,&rsquo; but never added, &lsquo;If you submit you may
+live!&rsquo; <a name="citation94a"></a><a href="#footnote94a"
+class="citation">[94a]</a></p>
+<p>Meantime the insurgents proceeded on their way.&nbsp; At
+Carsphairn they were deserted by Captain Gray, who, doubtless in
+a fit of oblivion, neglected to leave behind him the coffer
+containing Sir James&rsquo;s money.&nbsp; Who he was is a
+mystery, unsolved by any historian; his papers were evidently
+forgeries&mdash;that, and his final flight, appear to indicate
+that he was an agent of the Royalists, for either the King or the
+Duke of York was heard to say, &lsquo;That, if he might have his
+wish, he would have them all turn rebels and go to arms.&rsquo;
+<a name="citation94b"></a><a href="#footnote94b"
+class="citation">[94b]</a></p>
+<p>Upon the 18th day of the month they left Carsphairn and
+marched onwards.</p>
+<p>Turner was always lodged by his captors at a good inn,
+frequently at the best of which their halting-place could
+boast.&nbsp; Here many visits were paid to him by the ministers
+and officers of the insurgent force.&nbsp; In his description of
+these interviews he displays a vein of satiric severity,
+admitting any kindness that was done to him with some qualifying
+souvenir of former harshness, and gloating over any injury,
+mistake, or folly, which it was his chance to suffer or to
+hear.&nbsp; He appears, notwithstanding all this, to have been on
+pretty good terms with his cruel &lsquo;phanaticks,&rsquo; as the
+following extract sufficiently proves:</p>
+<p>&lsquo;Most of the foot were lodged about the church or
+churchyard, and order given to ring bells next morning for a
+sermon to be preached by Mr. Welch.&nbsp; Maxwell of Morith, and
+Major M&lsquo;Cullough invited me to heare &ldquo;that phanatick
+sermon&rdquo; (for soe they merrilie called it).&nbsp; They said
+that preaching might prove an effectual meane to turne me, which
+they heartilie wished.&nbsp; I answered to them that I was under
+guards, and that if they intended to heare that sermon, it was
+probable I might likewise, for it was not like my guards wold goe
+to church and leave me alone at my lodgeings.&nbsp; Bot to what
+they said of my conversion, I said it wold be hard to turne a
+Turner.&nbsp; Bot because I founde them in a merrie humour, I
+said, if I did not come to heare Mr. Welch preach, then they
+might fine me in fortie shillings Scots, which was double the
+suome of what I had exacted from the phanatics.&rsquo; <a
+name="citation95"></a><a href="#footnote95"
+class="citation">[95]</a></p>
+<p>This took place at Ochiltree, on the 22nd day of the
+month.&nbsp; The following is recounted by this personage with
+malicious glee, and certainly, if authentic, it is a sad proof of
+how chaff is mixed with wheat, and how ignorant, almost impious,
+persons were engaged in this movement; nevertheless we give it,
+for we wish to present with impartiality all the alleged facts to
+the reader:</p>
+<p>&lsquo;Towards the evening Mr. Robinsone and Mr. Crukshank
+gaue me a visite; I called for some ale purposelie to heare one
+of them blesse it.&nbsp; It fell Mr. Robinsone to seeke the
+blessing, who said one of the most bombastick graces that ever I
+heard in my life.&nbsp; He summoned God Allmightie very
+imperiouslie to be their secondarie (for that was his
+language).&nbsp; &ldquo;And if,&rdquo; said he, &ldquo;thou wilt
+not be our Secondarie, we will not fight for thee at all, for it
+is not our cause bot thy cause; and if thou wilt not fight for
+our cause and thy oune cause, then we are not obliged to fight
+for it.&nbsp; They say,&rdquo; said he, &ldquo;that Dukes,
+Earles, and Lords are coming with the King&rsquo;s General
+against us, bot they shall be nothing bot a threshing to
+us.&rdquo;&nbsp; This grace did more fullie satisfie me of the
+folly and injustice of their cause, then the ale did quench my
+thirst.&rsquo; <a name="citation96a"></a><a href="#footnote96a"
+class="citation">[96a]</a></p>
+<p>Frequently the rebels made a halt near some roadside alehouse,
+or in some convenient park, where Colonel Wallace, who had now
+taken the command, would review the horse and foot, during which
+time Turner was sent either into the alehouse or round the
+shoulder of the hill, to prevent him from seeing the disorders
+which were likely to arise.&nbsp; He was, at last, on the 25th
+day of the month, between Douglas and Lanark, permitted to behold
+their evolutions.&nbsp; &lsquo;I found their horse did consist of
+four hundreth and fortie, and the foot of five hundreth and
+upwards. . . . The horsemen were armed for most part with suord
+and pistoll, some onlie with suord.&nbsp; The foot with musket,
+pike, sith (scythe), forke, and suord; and some with suords great
+and long.&rsquo;&nbsp; He admired much the proficiency of their
+cavalry, and marvelled how they had attained to it in so short a
+time. <a name="citation96b"></a><a href="#footnote96b"
+class="citation">[96b]</a></p>
+<p>At Douglas, which they had just left on the morning of this
+great wapinshaw, they were charged&mdash;awful picture of
+depravity!&mdash;with the theft of a silver spoon and a
+nightgown.&nbsp; Could it be expected that while the whole
+country swarmed with robbers of every description, such a rare
+opportunity for plunder should be lost by rogues&mdash;that among
+a thousand men, even though fighting for religion, there should
+not be one Achan in the camp?&nbsp; At Lanark a declaration was
+drawn up and signed by the chief rebels.&nbsp; In it occurs the
+following:</p>
+<p>&lsquo;The just sense whereof &rsquo;&mdash;the sufferings of
+the country&mdash;&lsquo;made us choose, rather to betake
+ourselves to the fields for self-defence, than to stay at home,
+burdened daily with the calamities of others, and tortured with
+the fears of our own approaching misery.&rsquo; <a
+name="citation97"></a><a href="#footnote97"
+class="citation">[97]</a></p>
+<p>The whole body, too, swore the Covenant, to which ceremony the
+epitaph at the head of this chapter seems to refer.</p>
+<p>A report that Dalzell was approaching drove them from Lanark
+to Bathgate, where, on the evening of Monday the 26th, the
+wearied army stopped.&nbsp; But at twelve o&rsquo;clock the cry,
+which served them for a trumpet, of &lsquo;Horse! horse!&rsquo;
+and &lsquo;Mount the prisoner!&rsquo; resounded through the
+night-shrouded town, and called the peasants from their
+well-earned rest to toil onwards in their march.&nbsp; The wind
+howled fiercely over the moorland; a close, thick, wetting rain
+descended.&nbsp; Chilled to the bone, worn out with long fatigue,
+sinking to the knees in mire, onward they marched to
+destruction.&nbsp; One by one the weary peasants fell off from
+their ranks to sleep, and die in the rain-soaked moor, or to seek
+some house by the wayside wherein to hide till daybreak.&nbsp;
+One by one at first, then in gradually increasing numbers, at
+every shelter that was seen, whole troops left the waning
+squadrons, and rushed to hide themselves from the ferocity of the
+tempest.&nbsp; To right and left nought could be descried but the
+broad expanse of the moor, and the figures of their
+fellow-rebels, seen dimly through the murky night, plodding
+onwards through the sinking moss.&nbsp; Those who kept
+together&mdash;a miserable few&mdash;often halted to rest
+themselves, and to allow their lagging comrades to overtake
+them.&nbsp; Then onward they went again, still hoping for
+assistance, reinforcement, and supplies; onward again, through
+the wind, and the rain, and the darkness&mdash;onward to their
+defeat at Pentland, and their scaffold at Edinburgh.&nbsp; It was
+calculated that they lost one half of their army on that
+disastrous night-march.</p>
+<p>Next night they reached the village of Colinton, four miles
+from Edinburgh, where they halted for the last time. <a
+name="citation98"></a><a href="#footnote98"
+class="citation">[98]</a></p>
+<h3>CHAPTER IV&mdash;RULLION GREEN</h3>
+<blockquote><p>&lsquo;From Covenanters with uplifted hands,<br />
+From Remonstrators with associate bands,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Good Lord,
+deliver us!&rsquo;</p>
+</blockquote>
+<p style="text-align: right"><i>Royalist Rhyme</i>, <span
+class="smcap">Kirkton</span>, p. 127.</p>
+<p>Late on the fourth night of November, exactly twenty-four days
+before Rullion Green, Richard and George Chaplain, merchants in
+Haddington, beheld four men, clad like West-country Whigamores,
+standing round some object on the ground.&nbsp; It was at the
+two-mile cross, and within that distance from their homes.&nbsp;
+At last, to their horror, they discovered that the recumbent
+figure was a livid corpse, swathed in a blood-stained
+winding-sheet. <a name="citation99"></a><a href="#footnote99"
+class="citation">[99]</a>&nbsp; Many thought that this apparition
+was a portent of the deaths connected with the Pentland
+Rising.</p>
+<p>On the morning of Wednesday, the 28th of November 1666, they
+left Colinton and marched to Rullion Green.&nbsp; There they
+arrived about sunset.&nbsp; The position was a strong one.&nbsp;
+On the summit of a bare, heathery spur of the Pentlands are two
+hillocks, and between them lies a narrow band of flat marshy
+ground.&nbsp; On the highest of the two mounds&mdash;that nearest
+the Pentlands, and on the left hand of the main body&mdash;was
+the greater part of the cavalry, under Major Learmont; on the
+other Barscob and the Galloway gentlemen; and in the centre
+Colonel Wallace and the weak, half-armed infantry.&nbsp; Their
+position was further strengthened by the depth of the valley
+below, and the deep chasm-like course of the Rullion Burn.</p>
+<p>The sun, going down behind the Pentlands, cast golden lights
+and blue shadows on their snow-clad summits, slanted obliquely
+into the rich plain before them, bathing with rosy splendour the
+leafless, snow-sprinkled trees, and fading gradually into shadow
+in the distance.&nbsp; To the south, too, they beheld a
+deep-shaded amphitheatre of heather and bracken; the course of
+the Esk, near Penicuik, winding about at the foot of its gorge;
+the broad, brown expanse of Maw Moss; and, fading into blue
+indistinctness in the south, the wild heath-clad Peeblesshire
+hills.&nbsp; In sooth, that scene was fair, and many a yearning
+glance was cast over that peaceful evening scene from the spot
+where the rebels awaited their defeat; and when the fight was
+over, many a noble fellow lifted his head from the blood-stained
+heather to strive with darkening eyeballs to behold that
+landscape, over which, as over his life and his cause, the
+shadows of night and of gloom were falling and thickening.</p>
+<p>It was while waiting on this spot that the fear-inspiring cry
+was raised: &lsquo;The enemy!&nbsp; Here come the
+enemy!&rsquo;</p>
+<p>Unwilling to believe their own doom&mdash;for our insurgents
+still hoped for success in some negotiations for peace which had
+been carried on at Colinton&mdash;they called out, &lsquo;They
+are some of our own.&rsquo;</p>
+<p>&lsquo;They are too blacke&rsquo; (<i>i.e.</i> numerous),
+&lsquo;fie! fie! for ground to draw up on,&rsquo; cried Wallace,
+fully realising the want of space for his men, and proving that
+it was not till after this time that his forces were finally
+arranged. <a name="citation101a"></a><a href="#footnote101a"
+class="citation">[101a]</a></p>
+<p>First of all the battle was commenced by fifty Royalist horse
+sent obliquely across the hill to attack the left wing of the
+rebels.&nbsp; An equal number of Learmont&rsquo;s men met them,
+and, after a struggle, drove them back.&nbsp; The course of the
+Rullion Burn prevented almost all pursuit, and Wallace, on
+perceiving it, dispatched a body of foot to occupy both the burn
+and some ruined sheep-walls on the farther side.</p>
+<p>Dalzell changed his position, and drew up his army at the foot
+of the hill, on the top of which were his foes.&nbsp; He then
+dispatched a mingled body of infantry and cavalry to attack
+Wallace&rsquo;s outpost, but they also were driven back.&nbsp; A
+third charge produced a still more disastrous effect, for Dalzell
+had to check the pursuit of his men by a reinforcement.</p>
+<p>These repeated checks bred a panic in the
+Lieutenant-General&rsquo;s ranks, for several of his men flung
+down their arms.&nbsp; Urged by such fatal symptoms, and by the
+approaching night, he deployed his men, and closed in
+overwhelming numbers on the centre and right flank of the
+insurgent army.&nbsp; In the increasing twilight the burning
+matches of the firelocks, shimmering on barrel, halbert, and
+cuirass, lent to the approaching army a picturesque effect, like
+a huge, many-armed giant breathing flame into the darkness.</p>
+<p>Placed on an overhanging hill, Welch and Semple cried aloud,
+&lsquo;The God of Jacob! The God of Jacob!&rsquo; and prayed with
+uplifted hands for victory. <a name="citation101b"></a><a
+href="#footnote101b" class="citation">[101b]</a></p>
+<p>But still the Royalist troops closed in.</p>
+<p>Captain John Paton was observed by Dalzell, who determined to
+capture him with his own hands.&nbsp; Accordingly he charged
+forward, presenting his pistols.&nbsp; Paton fired, but the balls
+hopped off Dalzell&rsquo;s buff coat and fell into his
+boot.&nbsp; With the superstition peculiar to his age, the
+Nonconformist concluded that his adversary was rendered
+bullet-proof by enchantment, and, pulling some small silver coins
+from his pocket, charged his pistol therewith.&nbsp; Dalzell,
+seeing this, and supposing, it is likely, that Paton was putting
+in larger balls, hid behind his servant, who was killed. <a
+name="citation102"></a><a href="#footnote102"
+class="citation">[102]</a></p>
+<p>Meantime the outposts were forced, and the army of Wallace was
+enveloped in the embrace of a hideous
+boa-constrictor&mdash;tightening, closing, crushing every
+semblance of life from the victim enclosed in his toils.&nbsp;
+The flanking parties of horse were forced in upon the centre, and
+though, as even Turner grants, they fought with desperation, a
+general flight was the result.</p>
+<p>But when they fell there was none to sing their coronach or
+wail the death-wail over them.&nbsp; Those who sacrificed
+themselves for the peace, the liberty, and the religion of their
+fellow-countrymen, lay bleaching in the field of death for long,
+and when at last they were buried by charity, the peasants dug up
+their bodies, desecrated their graves, and cast them once more
+upon the open heath for the sorry value of their
+winding-sheets!</p>
+<p><i>Inscription on stone at Rullion Green</i>:</p>
+<blockquote><p style="text-align: center"><span
+class="smcap">here</span><br />
+<span class="smcap">and near to</span><br />
+<span class="smcap">this place lyes the</span><br />
+<span class="smcap">reverend mr john crookshank</span><br />
+<span class="smcap">and mr andrew mccormick</span><br />
+<span class="smcap">ministers of the gospel and</span><br />
+<span class="smcap">about fifty other true covenanted</span><br
+/>
+<span class="smcap">presbyterians who were</span><br />
+<span class="smcap">killed in this place in their own</span><br
+/>
+<span class="smcap">inocent self defence and deffence</span><br
+/>
+<span class="smcap">of the covenanted</span><br />
+<span class="smcap">work of reformation by</span><br />
+<span class="smcap">thomas dalzeel of bins</span><br />
+<span class="smcap">upon the 28 of november</span><br />
+1666.&nbsp; <span class="smcap">rev.</span> 12. 11. <span
+class="smcap">erected</span><br />
+<span class="smcap">sept.</span> 28 1738.</p>
+</blockquote>
+<p style="text-align: center"><i>Back of stone</i>:</p>
+<blockquote><p>A Cloud of Witnesses lyes here,<br />
+Who for Christ&rsquo;s Interest did appear,<br />
+For to restore true Liberty,<br />
+O&rsquo;erturn&egrave;d then by tyranny.<br />
+And by proud Prelats who did Rage<br />
+Against the Lord&rsquo;s Own heritage.<br />
+They sacrificed were for the laws<br />
+Of Christ their king, his noble cause.<br />
+These heroes fought with great renown;<br />
+By falling got the Martyr&rsquo;s crown. <a
+name="citation103"></a><a href="#footnote103"
+class="citation">[103]</a></p>
+</blockquote>
+<h3>CHAPTER V&mdash;A RECORD OF BLOOD</h3>
+<blockquote><p>&lsquo;They cut his hands ere he was dead,<br />
+And after that struck of his head.<br />
+His blood under the altar cries<br />
+For vengeance on Christ&rsquo;s enemies.&rsquo;</p>
+</blockquote>
+<p style="text-align: right"><i>Epitaph on Tomb at Longcross of
+Clermont</i>. <a name="citation104"></a><a href="#footnote104"
+class="citation">[104]</a></p>
+<p>Master Andrew Murray, an outed minister, residing in the
+Potterrow, on the morning after the defeat, heard the sounds of
+cheering and the march of many feet beneath his window.&nbsp; He
+gazed out.&nbsp; With colours flying, and with music sounding,
+Dalzell, victorious, entered Edinburgh.&nbsp; But his banners
+were dyed in blood, and a band of prisoners were marched within
+his ranks.&nbsp; The old man knew it all.&nbsp; That martial and
+triumphant strain was the death-knell of his friends and of their
+cause, the rust-hued spots upon the flags were the tokens of
+their courage and their death, and the prisoners were the
+miserable remnant spared from death in battle to die upon the
+scaffold.&nbsp; Poor old man! he had outlived all joy.&nbsp; Had
+he lived longer he would have seen increasing torment and
+increasing woe; he would have seen the clouds, then but gathering
+in mist, cast a more than midnight darkness over his native
+hills, and have fallen a victim to those bloody persecutions
+which, later, sent their red memorials to the sea by many a
+burn.&nbsp; By a merciful Providence all this was spared to
+him&mdash;he fell beneath the first blow; and ere four days had
+passed since Rullion Green, the aged minister of God was gathered
+to is fathers. <a name="citation105a"></a><a href="#footnote105a"
+class="citation">[105a]</a></p>
+<p>When Sharpe first heard of the rebellion, he applied to Sir
+Alexander Ramsay, the Provost, for soldiers to guard his
+house.&nbsp; Disliking their occupation, the soldiers gave him an
+ugly time of it.&nbsp; All the night through they kept up a
+continuous series of &lsquo;alarms and incursions,&rsquo;
+&lsquo;cries of &ldquo;Stand!&rdquo; &ldquo;Give
+fire!&rdquo;&rsquo; etc., which forced the prelate to flee to the
+Castle in the morning, hoping there to find the rest which was
+denied him at home. <a name="citation105b"></a><a
+href="#footnote105b" class="citation">[105b]</a>&nbsp; Now,
+however, when all danger to himself was past, Sharpe came out in
+his true colours, and scant was the justice likely to be shown to
+the foes of Scottish Episcopacy when the Primate was by.&nbsp;
+The prisoners were lodged in Haddo&rsquo;s Hole, a part of St.
+Giles&rsquo; Cathedral, where, by the kindness of Bishop Wishart,
+to his credit be it spoken, they were amply supplied with food.
+<a name="citation105c"></a><a href="#footnote105c"
+class="citation">[105c]</a></p>
+<p>Some people urged, in the Council, that the promise of quarter
+which had been given on the field of battle should protect the
+lives of the miserable men.&nbsp; Sir John Gilmoure, the greatest
+lawyer, gave no opinion&mdash;certainly a suggestive
+circumstance&mdash;but Lord Lee declared that this would not
+interfere with their legal trial, &lsquo;so to bloody executions
+they went.&rsquo; <a name="citation105d"></a><a
+href="#footnote105d" class="citation">[105d]</a>&nbsp; To the
+number of thirty they were condemned and executed; while two of
+them, Hugh M&lsquo;Kail, a young minister, and Neilson of
+Corsack, were tortured with the boots.</p>
+<p>The goods of those who perished were confiscated, and their
+bodies were dismembered and distributed to different parts of the
+country; &lsquo;the heads of Major M&lsquo;Culloch and the two
+Gordons,&rsquo; it was resolved, says Kirkton, &lsquo;should be
+pitched on the gate of Kirkcudbright; the two Hamiltons and
+Strong&rsquo;s head should be affixed at Hamilton, and Captain
+Arnot&rsquo;s sett on the Watter Gate at Edinburgh.&nbsp; The
+armes of all the ten, because they hade with uplifted hands
+renewed the Covenant at Lanark, were sent to the people of that
+town to expiate that crime, by placing these arms on the top of
+the prison.&rsquo; <a name="citation106"></a><a
+href="#footnote106" class="citation">[106]</a>&nbsp; Among these
+was John Neilson, the Laird of Corsack, who saved Turner&rsquo;s
+life at Dumfries; in return for which service Sir James
+attempted, though without success, to get the poor man
+reprieved.&nbsp; One of the condemned died of his wounds between
+the day of condemnation and the day of execution.&nbsp;
+&lsquo;None of them,&rsquo; says Kirkton, &lsquo;would save their
+life by taking the declaration and renouncing the Covenant,
+though it was offered to them. . . . But never men died in
+Scotland so much lamented by the people, not only spectators, but
+those in the country.&nbsp; When Knockbreck and his brother were
+turned over, they clasped each other in their armes, and so
+endured the pangs of death.&nbsp; When Humphrey Colquhoun died,
+he spoke not like an ordinary citizen, but like a heavenly
+minister, relating his comfortable Christian experiences, and
+called for his Bible, and laid it on his wounded arm, and read
+John iii. 8, and spoke upon it to the admiration of all.&nbsp;
+But most of all, when Mr. M&lsquo;Kail died, there was such a
+lamentation as was never known in Scotland before; not one dry
+cheek upon all the street, or in all the numberless windows in
+the mercate place.&rsquo; <a name="citation107a"></a><a
+href="#footnote107a" class="citation">[107a]</a></p>
+<p>The following passage from this speech speaks for itself and
+its author:</p>
+<p>&lsquo;Hereafter I will not talk with flesh and blood, nor
+think on the world&rsquo;s consolations.&nbsp; Farewell to all my
+friends, whose company hath been refreshful to me in my
+pilgrimage.&nbsp; I have done with the light of the sun and the
+moon; welcome eternal light, eternal life, everlasting love,
+everlasting praise, everlasting glory.&nbsp; Praise to Him that
+sits upon the throne, and to the Lamb for ever!&nbsp; Bless the
+Lord, O my soul, that hath pardoned all my iniquities in the
+blood of His Son, and healed all my diseases.&nbsp; Bless Him, O
+all ye His angels that excel in strength, ye ministers of His
+that do His pleasure.&nbsp; Bless the Lord, O my soul!&rsquo; <a
+name="citation107b"></a><a href="#footnote107b"
+class="citation">[107b]</a></p>
+<p>After having ascended the gallows ladder he again broke forth
+in the following words of touching eloquence: &lsquo;And now I
+leave off to speak any more to creatures, and begin my
+intercourse with God, which shall never be broken off.&nbsp;
+Farewell father and mother, friends and relations!&nbsp; Farewell
+the world and all delights!&nbsp; Farewell meat and drink!&nbsp;
+Farewell sun, moon, and stars!&mdash;Welcome God and
+Father!&nbsp; Welcome sweet Jesus Christ, the Mediator of the new
+covenant!&nbsp; Welcome blessed Spirit of grace and God of all
+consolation!&nbsp; Welcome glory!&nbsp; Welcome eternal
+life!&nbsp; Welcome Death!&rsquo; <a name="citation107c"></a><a
+href="#footnote107c" class="citation">[107c]</a></p>
+<p>At Glasgow, too, where some were executed, they caused the
+soldiers to beat the drums and blow the trumpets on their closing
+ears.&nbsp; Hideous refinement of revenge!&nbsp; Even the last
+words which drop from the lips of a dying man&mdash;words surely
+the most sincere and the most unbiassed which mortal mouth can
+utter&mdash;even these were looked upon as poisoned and as
+poisonous.&nbsp; &lsquo;Drown their last accents,&rsquo; was the
+cry, &lsquo;lest they should lead the crowd to take their part,
+or at the least to mourn their doom!&rsquo; <a
+name="citation108a"></a><a href="#footnote108a"
+class="citation">[108a]</a>&nbsp; But, after all, perhaps it was
+more merciful than one would think&mdash;unintentionally so, of
+course; perhaps the storm of harsh and fiercely jubilant noises,
+the clanging of trumpets, the rattling of drums, and the hootings
+and jeerings of an unfeeling mob, which were the last they heard
+on earth, might, when the mortal fight was over, when the river
+of death was passed, add tenfold sweetness to the hymning of the
+angels, tenfold peacefulness to the shores which they had
+reached.</p>
+<p>Not content with the cruelty of these executions, some even of
+the peasantry, though these were confined to the shire of
+Mid-Lothian, pursued, captured, plundered, and murdered the
+miserable fugitives who fell in their way.&nbsp; One strange
+story have we of these times of blood and persecution: Kirkton
+the historian and popular tradition tell us alike of a flame
+which often would arise from the grave, in a moss near Carnwath,
+of some of those poor rebels: of how it crept along the ground;
+of how it covered the house of their murderer; and of how it
+scared him with its lurid glare.</p>
+<p>Hear Daniel Defoe: <a name="citation108b"></a><a
+href="#footnote108b" class="citation">[108b]</a></p>
+<blockquote><p>&lsquo;If the poor people were by these
+insupportable violences made desperate, and driven to all the
+extremities of a wild despair, who can justly reflect on them
+when they read in the Word of God &ldquo;That oppression makes a
+wise man mad&rdquo;?&nbsp; And therefore were there no other
+original of the insurrection known by the name of the Rising of
+Pentland, it was nothing but what the intolerable oppressions of
+those times might have justified to all the world, nature having
+dictated to all people a right of defence when illegally and
+arbitrarily attacked in a manner not justifiable either by laws
+of nature, the laws of God, or the laws of the
+country.&rsquo;</p>
+</blockquote>
+<p>Bear this remonstrance of Defoe&rsquo;s in mind, and though it
+is the fashion of the day to jeer and to mock, to execrate and to
+contemn, the noble band of Covenanters&mdash;though the bitter
+laugh at their old-world religious views, the curl of the lip at
+their merits, and the chilling silence on their bravery and their
+determination, are but too rife through all society&mdash;be
+charitable to what was evil and honest to what was good about the
+Pentland insurgents, who fought for life and liberty, for country
+and religion, on the 28th of November 1666, now just two hundred
+years ago.</p>
+<div class="gapspace">&nbsp;</div>
+<p><span class="smcap">Edinburgh</span>, 28<i>th November</i>
+1866.</p>
+<h2>THE DAY AFTER TO-MORROW</h2>
+<p>History is much decried; it is a tissue of errors, we are
+told, no doubt correctly; and rival historians expose each
+other&rsquo;s blunders with gratification.&nbsp; Yet the worst
+historian has a clearer view of the period he studies than the
+best of us can hope to form of that in which we live.&nbsp; The
+obscurest epoch is to-day; and that for a thousand reasons of
+inchoate tendency, conflicting report, and sheer mass and
+multiplicity of experience; but chiefly, perhaps, by reason of an
+insidious shifting of landmarks.&nbsp; Parties and ideas
+continually move, but not by measurable marches on a stable
+course; the political soil itself steals forth by imperceptible
+degrees, like a travelling glacier, carrying on its bosom not
+only political parties but their flag-posts and cantonments; so
+that what appears to be an eternal city founded on hills is but a
+flying island of Laputa.&nbsp; It is for this reason in
+particular that we are all becoming Socialists without knowing
+it; by which I would not in the least refer to the acute case of
+Mr. Hyndman and his horn-blowing supporters, sounding their
+trumps of a Sunday within the walls of our individualist
+Jericho&mdash;but to the stealthy change that has come over the
+spirit of Englishmen and English legislation.&nbsp; A little
+while ago, and we were still for liberty; &lsquo;crowd a few more
+thousands on the bench of Government,&rsquo; we seemed to cry;
+&lsquo;keep her head direct on liberty, and we cannot help but
+come to port.&rsquo;&nbsp; This is over; <i>laisser faire</i>
+declines in favour; our legislation grows authoritative, grows
+philanthropical, bristles with new duties and new penalties, and
+casts a spawn of inspectors, who now begin, note-book in hand, to
+darken the face of England.&nbsp; It may be right or wrong, we
+are not trying that; but one thing it is beyond doubt: it is
+Socialism in action, and the strange thing is that we scarcely
+know it.</p>
+<p>Liberty has served us a long while, and it may be time to seek
+new altars.&nbsp; Like all other principles, she has been proved
+to be self-exclusive in the long run.&nbsp; She has taken wages
+besides (like all other virtues) and dutifully served Mammon; so
+that many things we were accustomed to admire as the benefits of
+freedom and common to all were truly benefits of wealth, and took
+their value from our neighbours&rsquo; poverty.&nbsp; A few
+shocks of logic, a few disclosures (in the journalistic phrase)
+of what the freedom of manufacturers, landlords, or shipowners
+may imply for operatives, tenants, or seamen, and we not
+unnaturally begin to turn to that other pole of hope, beneficent
+tyranny.&nbsp; Freedom, to be desirable, involves kindness,
+wisdom, and all the virtues of the free; but the free man as we
+have seen him in action has been, as of yore, only the master of
+many helots; and the slaves are still ill-fed, ill-clad,
+ill-taught, ill-housed, insolently treated, and driven to their
+mines and workshops by the lash of famine.&nbsp; So much, in
+other men&rsquo;s affairs, we have begun to see clearly; we have
+begun to despair of virtue in these other men, and from our seat
+in Parliament begin to discharge upon them, thick as arrows, the
+host of our inspectors.&nbsp; The landlord has long shaken his
+head over the manufacturer; those who do business on land have
+lost all trust in the virtues of the shipowner; the professions
+look askance upon the retail traders and have even started their
+co-operative stores to ruin them; and from out the smoke-wreaths
+of Birmingham a finger has begun to write upon the wall the
+condemnation of the landlord.&nbsp; Thus, piece by piece, do we
+condemn each other, and yet not perceive the conclusion, that our
+whole estate is somewhat damnable.&nbsp; Thus, piece by piece,
+each acting against his neighbour, each sawing away the branch on
+which some other interest is seated, do we apply in detail our
+Socialistic remedies, and yet not perceive that we are all
+labouring together to bring in Socialism at large.&nbsp; A
+tendency so stupid and so selfish is like to prove invincible;
+and if Socialism be at all a practicable rule of life, there is
+every chance that our grand-children will see the day and taste
+the pleasures of existence in something far liker an ant-heap
+than any previous human polity.&nbsp; And this not in the least
+because of the voice of Mr. Hyndman or the horns of his
+followers; but by the mere glacier movement of the political
+soil, bearing forward on its bosom, apparently undisturbed, the
+proud camps of Whig and Tory.&nbsp; If Mr. Hyndman were a man of
+keen humour, which is far from my conception of his character, he
+might rest from his troubling and look on: the walls of Jericho
+begin already to crumble and dissolve.&nbsp; That great servile
+war, the Armageddon of money and numbers, to which we looked
+forward when young, becomes more and more unlikely; and we may
+rather look to see a peaceable and blindfold evolution, the work
+of dull men immersed in political tactics and dead to political
+results.</p>
+<p>The principal scene of this comedy lies, of course, in the
+House of Commons; it is there, besides, that the details of this
+new evolution (if it proceed) will fall to be decided; so that
+the state of Parliament is not only diagnostic of the present but
+fatefully prophetic of the future.&nbsp; Well, we all know what
+Parliament is, and we are all ashamed of it.&nbsp; We may pardon
+it some faults, indeed, on the ground of Irish
+obstruction&mdash;a bitter trial, which it supports with notable
+good humour.&nbsp; But the excuse is merely local; it cannot
+apply to similar bodies in America and France; and what are we to
+say of these?&nbsp; President Cleveland&rsquo;s letter may serve
+as a picture of the one; a glance at almost any paper will
+convince us of the weakness of the other.&nbsp; Decay appears to
+have seized on the organ of popular government in every land; and
+this just at the moment when we begin to bring to it, as to an
+oracle of justice, the whole skein of our private affairs to be
+unravelled, and ask it, like a new Messiah, to take upon itself
+our frailties and play for us the part that should be played by
+our own virtues.&nbsp; For that, in few words, is the case.&nbsp;
+We cannot trust ourselves to behave with decency; we cannot trust
+our consciences; and the remedy proposed is to elect a round
+number of our neighbours, pretty much at random, and say to
+these: &lsquo;Be ye our conscience; make laws so wise, and
+continue from year to year to administer them so wisely, that
+they shall save us from ourselves and make us righteous and
+happy, world without end.&nbsp; Amen.&rsquo;&nbsp; And who can
+look twice at the British Parliament and then seriously bring it
+such a task?&nbsp; I am not advancing this as an argument against
+Socialism: once again, nothing is further from my mind.&nbsp;
+There are great truths in Socialism, or no one, not even Mr.
+Hyndman, would be found to hold it; and if it came, and did
+one-tenth part of what it offers, I for one should make it
+welcome.&nbsp; But if it is to come, we may as well have some
+notion of what it will be like; and the first thing to grasp is
+that our new polity will be designed and administered (to put it
+courteously) with something short of inspiration.&nbsp; It will
+be made, or will grow, in a human parliament; and the one thing
+that will not very hugely change is human nature.&nbsp; The
+Anarchists think otherwise, from which it is only plain that they
+have not carried to the study of history the lamp of human
+sympathy.</p>
+<p>Given, then, our new polity, with its new waggon-load of laws,
+what headmarks must we look for in the life?&nbsp; We chafe a
+good deal at that excellent thing, the income-tax, because it
+brings into our affairs the prying fingers, and exposes us to the
+tart words, of the official.&nbsp; The official, in all degrees,
+is already something of a terror to many of us.&nbsp; I would not
+willingly have to do with even a police-constable in any other
+spirit than that of kindness.&nbsp; I still remember in my dreams
+the eye-glass of a certain <i>attach&eacute;</i> at a certain
+embassy&mdash;an eyeglass that was a standing indignity to all on
+whom it looked; and my next most disagreeable remembrance is of a
+bracing, Republican postman in the city of San Francisco.&nbsp; I
+lived in that city among working folk, and what my neighbours
+accepted at the postman&rsquo;s hands&mdash;nay, what I took from
+him myself&mdash;it is still distasteful to recall.&nbsp; The
+bourgeois, residing in the upper parts of society, has but few
+opportunities of tasting this peculiar bowl; but about the
+income-tax, as I have said, or perhaps about a patent, or in the
+halls of an embassy at the hands of my friend of the eye-glass,
+he occasionally sets his lips to it; and he may thus imagine (if
+he has that faculty of imagination, without which most faculties
+are void) how it tastes to his poorer neighbours, who must drain
+it to the dregs.&nbsp; In every contact with authority, with
+their employer, with the police, with the School Board officer,
+in the hospital, or in the workhouse, they have equally the
+occasion to appreciate the light-hearted civility of the man in
+office; and as an experimentalist in several out-of-the-way
+provinces of life, I may say it has but to be felt to be
+appreciated.&nbsp; Well, this golden age of which we are speaking
+will be the golden age of officials.&nbsp; In all our concerns it
+will be their beloved duty to meddle, with what tact, with what
+obliging words, analogy will aid us to imagine.&nbsp; It is
+likely these gentlemen will be periodically elected; they will
+therefore have their turn of being underneath, which does not
+always sweeten men&rsquo;s conditions.&nbsp; The laws they will
+have to administer will be no clearer than those we know to-day,
+and the body which is to regulate their administration no wiser
+than the British Parliament.&nbsp; So that upon all hands we may
+look for a form of servitude most galling to the
+blood&mdash;servitude to many and changing masters, and for all
+the slights that accompany the rule of jack-in-office.&nbsp; And
+if the Socialistic programme be carried out with the least
+fulness, we shall have lost a thing, in most respects not much to
+be regretted, but as a moderator of oppression, a thing nearly
+invaluable&mdash;the newspaper.&nbsp; For the independent journal
+is a creature of capital and competition; it stands and falls
+with millionaires and railway bonds and all the abuses and
+glories of to-day; and as soon as the State has fairly taken its
+bent to authority and philanthropy, and laid the least touch on
+private property, the days of the independent journal are
+numbered.&nbsp; State railways may be good things and so may
+State bakeries; but a State newspaper will never be a very
+trenchant critic of the State officials.</p>
+<p>But again, these officials would have no sinecure.&nbsp; Crime
+would perhaps be less, for some of the motives of crime we may
+suppose would pass away.&nbsp; But if Socialism were carried out
+with any fulness, there would be more contraventions.&nbsp; We
+see already new sins ringing up like mustard&mdash;School Board
+sins, factory sins, Merchant Shipping Act sins&mdash;none of
+which I would be thought to except against in particular, but all
+of which, taken together, show us that Socialism can be a hard
+master even in the beginning.&nbsp; If it go on to such heights
+as we hear proposed and lauded, if it come actually to its ideal
+of the ant-heap, ruled with iron justice, the number of new
+contraventions will be out of all proportion multiplied.&nbsp;
+Take the case of work alone.&nbsp; Man is an idle animal.&nbsp;
+He is at least as intelligent as the ant; but generations of
+advisers have in vain recommended him the ant&rsquo;s
+example.&nbsp; Of those who are found truly indefatigable in
+business, some are misers; some are the practisers of delightful
+industries, like gardening; some are students, artists,
+inventors, or discoverers, men lured forward by successive hopes;
+and the rest are those who live by games of skill or
+hazard&mdash;financiers, billiard-players, gamblers, and the
+like.&nbsp; But in unloved toils, even under the prick of
+necessity, no man is continually sedulous.&nbsp; Once eliminate
+the fear of starvation, once eliminate or bound the hope of
+riches, and we shall see plenty of skulking and
+malingering.&nbsp; Society will then be something not wholly
+unlike a cotton plantation in the old days; with cheerful,
+careless, demoralised slaves, with elected overseers, and,
+instead of the planter, a chaotic popular assembly.&nbsp; If the
+blood be purposeful and the soil strong, such a plantation may
+succeed, and be, indeed, a busy ant-heap, with full granaries and
+long hours of leisure.&nbsp; But even then I think the whip will
+be in the overseer&rsquo;s hands, and not in vain.&nbsp; For,
+when it comes to be a question of each man doing his own share or
+the rest doing more, prettiness of sentiment will be
+forgotten.&nbsp; To dock the skulker&rsquo;s food is not enough;
+many will rather eat haws and starve on petty pilferings than put
+their shoulder to the wheel for one hour daily.&nbsp; For such as
+these, then, the whip will be in the overseer&rsquo;s hand; and
+his own sense of justice and the superintendence of a chaotic
+popular assembly will be the only checks on its employment.&nbsp;
+Now, you may be an industrious man and a good citizen, and yet
+not love, nor yet be loved by, Dr. Fell the inspector.&nbsp; It
+is admitted by private soldiers that the disfavour of a sergeant
+is an evil not to be combated; offend the sergeant, they say, and
+in a brief while you will either be disgraced or have
+deserted.&nbsp; And the sergeant can no longer appeal to the
+lash.&nbsp; But if these things go on, we shall see, or our sons
+shall see, what it is to have offended an inspector.</p>
+<p>This for the unfortunate.&nbsp; But with the fortunate also,
+even those whom the inspector loves, it may not be altogether
+well.&nbsp; It is concluded that in such a state of society,
+supposing it to be financially sound, the level of comfort will
+be high.&nbsp; It does not follow: there are strange depths of
+idleness in man, a too-easily-got sufficiency, as in the case of
+the sago-eaters, often quenching the desire for all besides; and
+it is possible that the men of the richest ant-heaps may sink
+even into squalor.&nbsp; But suppose they do not; suppose our
+tricksy instrument of human nature, when we play upon it this new
+tune, should respond kindly; suppose no one to be damped and none
+exasperated by the new conditions, the whole enterprise to be
+financially sound&mdash;a vaulting supposition&mdash;and all the
+inhabitants to dwell together in a golden mean of comfort: we
+have yet to ask ourselves if this be what man desire, or if it be
+what man will even deign to accept for a continuance.&nbsp; It is
+certain that man loves to eat, it is not certain that he loves
+that only or that best.&nbsp; He is supposed to love comfort; it
+is not a love, at least, that he is faithful to.&nbsp; He is
+supposed to love happiness; it is my contention that he rather
+loves excitement.&nbsp; Danger, enterprise, hope, the novel, the
+aleatory, are dearer to man than regular meals.&nbsp; He does not
+think so when he is hungry, but he thinks so again as soon as he
+is fed; and on the hypothesis of a successful ant-heap, he would
+never go hungry.&nbsp; It would be always after dinner in that
+society, as, in the land of the Lotos-eaters, it was always
+afternoon; and food, which, when we have it not, seems
+all-important, drops in our esteem, as soon as we have it, to a
+mere prerequisite of living.</p>
+<p>That for which man lives is not the same thing for all
+individuals nor in all ages; yet it has a common base; what he
+seeks and what he must have is that which will seize and hold his
+attention.&nbsp; Regular meals and weatherproof lodgings will not
+do this long.&nbsp; Play in its wide sense, as the artificial
+induction of sensation, including all games and all arts, will,
+indeed, go far to keep him conscious of himself; but in the end
+he wearies for realities.&nbsp; Study or experiment, to some rare
+natures, is the unbroken pastime of a life.&nbsp; These are
+enviable natures; people shut in the house by sickness often
+bitterly envy them; but the commoner man cannot continue to exist
+upon such altitudes: his feet itch for physical adventure; his
+blood boils for physical dangers, pleasures, and triumphs; his
+fancy, the looker after new things, cannot continue to look for
+them in books and crucibles, but must seek them on the breathing
+stage of life.&nbsp; Pinches, buffets, the glow of hope, the
+shock of disappointment, furious contention with obstacles: these
+are the true elixir for all vital spirits, these are what they
+seek alike in their romantic enterprises and their unromantic
+dissipations.&nbsp; When they are taken in some pinch closer than
+the common, they cry, &lsquo;Catch me here again!&rsquo; and sure
+enough you catch them there again&mdash;perhaps before the week
+is out.&nbsp; It is as old as <i>Robinson Crusoe</i>; as old as
+man.&nbsp; Our race has not been strained for all these ages
+through that sieve of dangers that we call Natural Selection, to
+sit down with patience in the tedium of safety; the voices of its
+fathers call it forth.&nbsp; Already in our society as it exists,
+the bourgeois is too much cottoned about for any zest in living;
+he sits in his parlour out of reach of any danger, often out of
+reach of any vicissitude but one of health; and there he
+yawns.&nbsp; If the people in the next villa took pot-shots at
+him, he might be killed indeed, but so long as he escaped he
+would find his blood oxygenated and his views of the world
+brighter.&nbsp; If Mr. Mallock, on his way to the publishers,
+should have his skirts pinned to a wall by a javelin, it would
+not occur to him&mdash;at least for several hours&mdash;to ask if
+life were worth living; and if such peril were a daily matter, he
+would ask it never more; he would have other things to think
+about, he would be living indeed&mdash;not lying in a box with
+cotton, safe, but immeasurably dull.&nbsp; The aleatory, whether
+it touch life, or fortune, or renown&mdash;whether we explore
+Africa or only toss for halfpence&mdash;that is what I conceive
+men to love best, and that is what we are seeking to exclude from
+men&rsquo;s existences.&nbsp; Of all forms of the aleatory, that
+which most commonly attends our working men&mdash;the danger of
+misery from want of work&mdash;is the least inspiriting: it does
+not whip the blood, it does not evoke the glory of contest; it is
+tragic, but it is passive; and yet, in so far as it is aleatory,
+and a peril sensibly touching them, it does truly season the
+men&rsquo;s lives.&nbsp; Of those who fail, I do not
+speak&mdash;despair should be sacred; but to those who even
+modestly succeed, the changes of their life bring interest: a job
+found, a shilling saved, a dainty earned, all these are wells of
+pleasure springing afresh for the successful poor; and it is not
+from these but from the villa-dweller that we hear complaints of
+the unworthiness of life.&nbsp; Much, then, as the average of the
+proletariat would gain in this new state of life, they would also
+lose a certain something, which would not be missed in the
+beginning, but would be missed progressively and progressively
+lamented.&nbsp; Soon there would be a looking back: there would
+be tales of the old world humming in young men&rsquo;s ears,
+tales of the tramp and the pedlar, and the hopeful
+emigrant.&nbsp; And in the stall-fed life of the successful
+ant-heap&mdash;with its regular meals, regular duties, regular
+pleasures, an even course of life, and fear excluded&mdash;the
+vicissitudes, delights, and havens of to-day will seem of epic
+breadth.&nbsp; This may seem a shallow observation; but the
+springs by which men are moved lie much on the surface.&nbsp;
+Bread, I believe, has always been considered first, but the
+circus comes close upon its heels.&nbsp; Bread we suppose to be
+given amply; the cry for circuses will be the louder, and if the
+life of our descendants be such as we have conceived, there are
+two beloved pleasures on which they will be likely to fall back:
+the pleasures of intrigue and of sedition.</p>
+<p>In all this I have supposed the ant-heap to be financially
+sound.&nbsp; I am no economist, only a writer of fiction; but
+even as such, I know one thing that bears on the economic
+question&mdash;I know the imperfection of man&rsquo;s faculty for
+business.&nbsp; The Anarchists, who count some rugged elements of
+common sense among what seem to me their tragic errors, have said
+upon this matter all that I could wish to say, and condemned
+beforehand great economical polities.&nbsp; So far it is obvious
+that they are right; they may be right also in predicting a
+period of communal independence, and they may even be right in
+thinking that desirable.&nbsp; But the rise of communes is none
+the less the end of economic equality, just when we were told it
+was beginning.&nbsp; Communes will not be all equal in extent,
+nor in quality of soil, nor in growth of population; nor will the
+surplus produce of all be equally marketable.&nbsp; It will be
+the old story of competing interests, only with a new unit; and,
+as it appears to me, a new, inevitable danger.&nbsp; For the
+merchant and the manufacturer, in this new world, will be a
+sovereign commune; it is a sovereign power that will see its
+crops undersold, and its manufactures worsted in the
+market.&nbsp; And all the more dangerous that the sovereign power
+should be small.&nbsp; Great powers are slow to stir; national
+affronts, even with the aid of newspapers, filter slowly into
+popular consciousness; national losses are so unequally shared,
+that one part of the population will be counting its gains while
+another sits by a cold hearth.&nbsp; But in the sovereign commune
+all will be centralised and sensitive.&nbsp; When jealousy
+springs up, when (let us say) the commune of Poole has
+overreached the commune of Dorchester, irritation will run like
+quicksilver throughout the body politic; each man in Dorchester
+will have to suffer directly in his diet and his dress; even the
+secretary, who drafts the official correspondence, will sit down
+to his task embittered, as a man who has dined ill and may expect
+to dine worse; and thus a business difference between communes
+will take on much the same colour as a dispute between diggers in
+the lawless West, and will lead as directly to the arbitrament of
+blows.&nbsp; So that the establishment of the communal system
+will not only reintroduce all the injustices and heart-burnings
+of economic inequality, but will, in all human likelihood,
+inaugurate a world of hedgerow warfare.&nbsp; Dorchester will
+march on Poole, Sherborne on Dorchester, Wimborne on both; the
+waggons will be fired on as they follow the highway, the trains
+wrecked on the lines, the ploughman will go armed into the field
+of tillage; and if we have not a return of ballad literature, the
+local press at least will celebrate in a high vein the victory of
+Cerne Abbas or the reverse of Toller Porcorum.&nbsp; At least
+this will not be dull; when I was younger, I could have welcomed
+such a world with relief; but it is the New-Old with a vengeance,
+and irresistibly suggests the growth of military powers and the
+foundation of new empires.</p>
+<h2>COLLEGE PAPERS</h2>
+<h3>CHAPTER I&mdash;EDINBURGH STUDENTS IN 1824</h3>
+<p>On the 2nd of January 1824 was issued the prospectus of the
+<i>Lapsus Lingu&aelig;</i>; <i>or</i>, <i>the College Tatler</i>;
+and on the 7th the first number appeared.&nbsp; On Friday the 2nd
+of April &lsquo;<i>Mr. Tatler</i> became speechless.&rsquo;&nbsp;
+Its history was not all one success; for the editor (who applies
+to himself the words of Iago, &lsquo;I am nothing if I am not
+critical&rsquo;) overstepped the bounds of caution, and found
+himself seriously embroiled with the powers that were.&nbsp;
+There appeared in No. <span class="smcap">xvi.</span> a most
+bitter satire upon Sir John Leslie, in which he was compared to
+Falstaff, charged with puffing himself, and very prettily
+censured for publishing only the first volume of a class-book,
+and making all purchasers pay for both.&nbsp; Sir John Leslie
+took up the matter angrily, visited Carfrae the publisher, and
+threatened him with an action, till he was forced to turn the
+hapless <i>Lapsus</i> out of doors.&nbsp; The maltreated
+periodical found shelter in the shop of Huie, Infirmary Street;
+and No. <span class="smcap">xvii.</span> was duly issued from the
+new office.&nbsp; No. <span class="smcap">xvii.</span> beheld
+<i>Mr. Tatler&rsquo;s</i> humiliation, in which, with fulsome
+apology and not very credible assurances of respect and
+admiration, he disclaims the article in question, and advertises
+a new issue of No. <span class="smcap">xvi.</span> with all
+objectionable matter omitted.&nbsp; This, with pleasing
+euphemism, he terms in a later advertisement, &lsquo;a new and
+improved edition.&rsquo;&nbsp; This was the only remarkable
+adventure of <i>Mr. Tatler&rsquo;s</i> brief existence; unless we
+consider as such a silly Chaldee manuscript in imitation of
+<i>Blackwood</i>, and a letter of reproof from a divinity student
+on the impiety of the same dull effusion.&nbsp; He laments the
+near approach of his end in pathetic terms.&nbsp; &lsquo;How
+shall we summon up sufficient courage,&rsquo; says he, &lsquo;to
+look for the last time on our beloved little devil and his
+inestimable proof-sheet?&nbsp; How shall we be able to pass No.
+14 Infirmary Street and feel that all its attractions are
+over?&nbsp; How shall we bid farewell for ever to that excellent
+man, with the long greatcoat, wooden leg and wooden board, who
+acts as our representative at the gate of <i>Alma
+Mater</i>?&rsquo;&nbsp; But alas! he had no choice: <i>Mr.
+Tatler</i>, whose career, he says himself, had been successful,
+passed peacefully away, and has ever since dumbly implored
+&lsquo;the bringing home of bell and burial.&rsquo;</p>
+<p><i>Alter et idem</i>.&nbsp; A very different affair was the
+<i>Lapsus Lingu&aelig;</i> from the <i>Edinburgh University
+Magazine</i>.&nbsp; The two prospectuses alone, laid side by
+side, would indicate the march of luxury and the repeal of the
+paper duty.&nbsp; The penny bi-weekly broadside of session
+1828&ndash;4 was almost wholly dedicated to Momus.&nbsp;
+Epigrams, pointless letters, amorous verses, and University
+grievances are the continual burthen of the song.&nbsp; But
+<i>Mr. Tatler</i> was not without a vein of hearty humour; and
+his pages afford what is much better: to wit, a good picture of
+student life as it then was.&nbsp; The students of those polite
+days insisted on retaining their hats in the class-room.&nbsp;
+There was a cab-stance in front of the College; and
+&lsquo;Carriage Entrance&rsquo; was posted above the main arch,
+on what the writer pleases to call &lsquo;coarse, unclassic
+boards.&rsquo;&nbsp; The benches of the &lsquo;Speculative&rsquo;
+then, as now, were red; but all other Societies (the
+&lsquo;Dialectic&rsquo; is the only survivor) met downstairs, in
+some rooms of which it is pointedly said that &lsquo;nothing else
+could conveniently be made of them.&rsquo;&nbsp; However horrible
+these dungeons may have been, it is certain that they were paid
+for, and that far too heavily for the taste of session
+1823&ndash;4, which found enough calls upon its purse for porter
+and toasted cheese at Ambrose&rsquo;s, or cranberry tarts and
+ginger-wine at Doull&rsquo;s.&nbsp; Duelling was still a
+possibility; so much so that when two medicals fell to fisticuffs
+in Adam Square, it was seriously hinted that single combat would
+be the result.&nbsp; Last and most wonderful of all, Gall and
+Spurzheim were in every one&rsquo;s mouth; and the Law student,
+after having exhausted Byron&rsquo;s poetry and Scott&rsquo;s
+novels, informed the ladies of his belief in phrenology.&nbsp; In
+the present day he would dilate on &lsquo;Red as a rose is
+she,&rsquo; and then mention that he attends Old
+Greyfriars&rsquo;, as a tacit claim to intellectual
+superiority.&nbsp; I do not know that the advance is much.</p>
+<p>But <i>Mr. Tatler&rsquo;s</i> best performances were three
+short papers in which he hit off pretty smartly the
+idiosyncrasies of the &lsquo;<i>Divinity</i>,&rsquo; the
+&lsquo;<i>Medical</i>,&rsquo; and the &lsquo;<i>Law</i>&rsquo; of
+session 1823&ndash;4.&nbsp; The fact that there was no notice of
+the &lsquo;<i>Arts</i>&rsquo; seems to suggest that they stood in
+the same intermediate position as they do now&mdash;the epitome
+of student-kind.&nbsp; <i>Mr. Tatler&rsquo;s</i> satire is, on
+the whole, good-humoured, and has not grown superannuated in
+<i>all</i> its limbs.&nbsp; His descriptions may limp at some
+points, but there are certain broad traits that apply equally
+well to session 1870&ndash;1.&nbsp; He shows us the
+<i>Divinity</i> of the period&mdash;tall, pale, and
+slender&mdash;his collar greasy, and his coat bare about the
+seams&mdash;&lsquo;his white neckcloth serving four days, and
+regularly turned the third&rsquo;&mdash;&lsquo;the rim of his hat
+deficient in wool&rsquo;&mdash;and &lsquo;a weighty volume of
+theology under his arm.&rsquo;&nbsp; He was the man to buy cheap
+&lsquo;a snuff-box, or a dozen of pencils, or a six-bladed knife,
+or a quarter of a hundred quills,&rsquo; at any of the public
+sale-rooms.&nbsp; He was noted for cheap purchases, and for
+exceeding the legal tender in halfpence.&nbsp; He haunted
+&lsquo;the darkest and remotest corner of the Theatre
+Gallery.&rsquo;&nbsp; He was to be seen issuing from
+&lsquo;aerial lodging-houses.&rsquo;&nbsp; Withal, says mine
+author, &lsquo;there were many good points about him: he paid his
+landlady&rsquo;s bill, read his Bible, went twice to church on
+Sunday, seldom swore, was not often tipsy, and bought the
+<i>Lapsus Lingu&aelig;</i>.&rsquo;</p>
+<p>The <i>Medical</i>, again, &lsquo;wore a white greatcoat, and
+consequently talked loud&rsquo;&mdash;(there is something very
+delicious in that <i>consequently</i>).&nbsp; He wore his hat on
+one side.&nbsp; He was active, volatile, and went to the top of
+Arthur&rsquo;s Seat on the Sunday forenoon.&nbsp; He was as quiet
+in a debating society as he was loud in the streets.&nbsp; He was
+reckless and imprudent: yesterday he insisted on your sharing a
+bottle of claret with him (and claret was claret then, before the
+cheap-and-nasty treaty), and to-morrow he asks you for the loan
+of a penny to buy the last number of the <i>Lapsus</i>.</p>
+<p>The student of <i>Law</i>, again, was a learned man.&nbsp;
+&lsquo;He had turned over the leaves of Justinian&rsquo;s
+<i>Institutes</i>, and knew that they were written in
+Latin.&nbsp; He was well acquainted with the title-page of
+Blackstone&rsquo;s <i>Commentaries</i>, and <i>argal</i> (as the
+gravedigger in <i>Hamlet</i> says) he was not a person to be
+laughed at.&rsquo;&nbsp; He attended the Parliament House in the
+character of a critic, and could give you stale sneers at all the
+celebrated speakers.&nbsp; He was the terror of essayists at the
+Speculative or the Forensic.&nbsp; In social qualities he seems
+to have stood unrivalled.&nbsp; Even in the police-office we find
+him shining with undiminished lustre.&nbsp; &lsquo;If a
+<i>Charlie</i> should find him rather noisy at an untimely hour,
+and venture to take him into custody, he appears next morning
+like a Daniel come to judgment.&nbsp; He opens his mouth to
+speak, and the divine precepts of unchanging justice and Scots
+law flow from his tongue.&nbsp; The magistrate listens in
+amazement, and fines him only a couple of guineas.&rsquo;</p>
+<p>Such then were our predecessors and their College
+Magazine.&nbsp; Barclay, Ambrose, Young Amos, and Fergusson were
+to them what the Caf&eacute;, the Rainbow, and Rutherford&rsquo;s
+are to us.&nbsp; An hour&rsquo;s reading in these old pages
+absolutely confuses us, there is so much that is similar and so
+much that is different; the follies and amusements are so like
+our own, and the manner of frolicking and enjoying are so
+changed, that one pauses and looks about him in philosophic
+judgment.&nbsp; The muddy quadrangle is thick with living
+students; but in our eyes it swarms also with the phantasmal
+white greatcoats and tilted hats of 1824.&nbsp; Two races meet:
+races alike and diverse.&nbsp; Two performances are played before
+our eyes; but the change seems merely of impersonators, of
+scenery, of costume.&nbsp; Plot and passion are the same.&nbsp;
+It is the fall of the spun shilling whether seventy-one or
+twenty-four has the best of it.</p>
+<p>In a future number we hope to give a glance at the
+individualities of the present, and see whether the cast shall be
+head or tail&mdash;whether we or the readers of the <i>Lapsus</i>
+stand higher in the balance.</p>
+<h3>CHAPTER II&mdash;THE MODERN STUDENT CONSIDERED GENERALLY</h3>
+<p>We have now reached the difficult portion of our task.&nbsp;
+<i>Mr. Tatler</i>, for all that we care, may have been as
+virulent as he liked about the students of a former; but for the
+iron to touch our sacred selves, for a brother of the Guild to
+betray its most privy infirmities, let such a Judas look to
+himself as he passes on his way to the Scots Law or the
+Diagnostic, below the solitary lamp at the corner of the dark
+quadrangle.&nbsp; We confess that this idea alarms us.&nbsp; We
+enter a protest.&nbsp; We bind ourselves over verbally to keep
+the peace.&nbsp; We hope, moreover, that having thus made you
+secret to our misgivings, you will excuse us if we be dull, and
+set that down to caution which you might before have charged to
+the account of stupidity.</p>
+<p>The natural tendency of civilisation is to obliterate those
+distinctions which are the best salt of life.&nbsp; All the fine
+old professional flavour in language has evaporated.&nbsp; Your
+very gravedigger has forgotten his avocation in his electorship,
+and would quibble on the Franchise over Ophelia&rsquo;s grave,
+instead of more appropriately discussing the duration of bodies
+under ground.&nbsp; From this tendency, from this gradual
+attrition of life, in which everything pointed and characteristic
+is being rubbed down, till the whole world begins to slip between
+our fingers in smooth undistinguishable sands, from this, we say,
+it follows that we must not attempt to join <i>Mr. Taller</i> in
+his simple division of students into <i>Law</i>, <i>Divinity</i>,
+and <i>Medical</i>.&nbsp; Nowadays the Faculties may shake hands
+over their follies; and, like Mrs. Frail and Mrs. Foresight (in
+<i>Love for Love</i>) they may stand in the doors of opposite
+class-rooms, crying: &lsquo;Sister, Sister&mdash;Sister
+everyway!&rsquo;&nbsp; A few restrictions, indeed, remain to
+influence the followers of individual branches of study.&nbsp;
+The Divinity, for example, must be an avowed believer; and as
+this, in the present day, is unhappily considered by many as a
+confession of weakness, he is fain to choose one of two ways of
+gilding the distasteful orthodox bolus.&nbsp; Some swallow it in
+a thin jelly of metaphysics; for it is even a credit to believe
+in God on the evidence of some crack-jaw philosopher, although it
+is a decided slur to believe in Him on His own authority.&nbsp;
+Others again (and this we think the worst method), finding German
+grammar a somewhat dry morsel, run their own little heresy as a
+proof of independence; and deny one of the cardinal doctrines
+that they may hold the others without being laughed at.</p>
+<p>Besides, however, such influences as these, there is little
+more distinction between the faculties than the traditionary
+ideal, handed down through a long sequence of students, and
+getting rounder and more featureless at each successive
+session.&nbsp; The plague of uniformity has descended on the
+College.&nbsp; Students (and indeed all sorts and conditions of
+men) now require their faculty and character hung round their
+neck on a placard, like the scenes in Shakespeare&rsquo;s
+theatre.&nbsp; And in the midst of all this weary sameness, not
+the least common feature is the gravity of every face.&nbsp; No
+more does the merry medical run eagerly in the clear winter
+morning up the rugged sides of Arthur&rsquo;s Seat, and hear the
+church bells begin and thicken and die away below him among the
+gathered smoke of the city.&nbsp; He will not break Sunday to so
+little purpose.&nbsp; He no longer finds pleasure in the mere
+output of his surplus energy.&nbsp; He husbands his strength, and
+lays out walks, and reading, and amusement with deep
+consideration, so that he may get as much work and pleasure out
+of his body as he can, and waste none of his energy on mere
+impulse, or such flat enjoyment as an excursion in the
+country.</p>
+<p>See the quadrangle in the interregnum of classes, in those two
+or three minutes when it is full of passing students, and we
+think you will admit that, if we have not made it &lsquo;an
+habitation of dragons,&rsquo; we have at least transformed it
+into &lsquo;a court for owls.&rsquo;&nbsp; Solemnity broods
+heavily over the enclosure; and wherever you seek it, you will
+find a dearth of merriment, an absence of real youthful
+enjoyment.&nbsp; You might as well try</p>
+<blockquote><p>&lsquo;To move wild laughter in the throat of
+death&rsquo;</p>
+</blockquote>
+<p>as to excite any healthy stir among the bulk of this staid
+company.</p>
+<p>The studious congregate about the doors of the different
+classes, debating the matter of the lecture, or comparing
+note-books.&nbsp; A reserved rivalry sunders them.&nbsp; Here are
+some deep in Greek particles: there, others are already
+inhabitants of that land</p>
+<blockquote><p>&lsquo;Where entity and quiddity,<br />
+&lsquo;Like ghosts of defunct bodies fly&mdash;<br />
+Where Truth in person does appear<br />
+Like words congealed in northern air.&rsquo;</p>
+</blockquote>
+<p>But none of them seem to find any relish for their
+studies&mdash;no pedantic love of this subject or that lights up
+their eyes&mdash;science and learning are only means for a
+livelihood, which they have considerately embraced and which they
+solemnly pursue.&nbsp; &lsquo;Labour&rsquo;s pale priests,&rsquo;
+their lips seem incapable of laughter, except in the way of
+polite recognition of professorial wit.&nbsp; The stains of ink
+are chronic on their meagre fingers.&nbsp; They walk like Saul
+among the asses.</p>
+<p>The dandies are not less subdued.&nbsp; In 1824 there was a
+noisy dapper dandyism abroad.&nbsp; Vulgar, as we should now
+think, but yet genial&mdash;a matter of white greatcoats and loud
+voices&mdash;strangely different from the stately frippery that
+is rife at present.&nbsp; These men are out of their element in
+the quadrangle.&nbsp; Even the small remains of boisterous
+humour, which still clings to any collection of young men, jars
+painfully on their morbid sensibilities; and they beat a hasty
+retreat to resume their perfunctory march along Princes
+Street.&nbsp; Flirtation is to them a great social duty, a
+painful obligation, which they perform on every occasion in the
+same chill official manner, and with the same commonplace
+advances, the same dogged observance of traditional
+behaviour.&nbsp; The shape of their raiment is a burden almost
+greater than they can bear, and they halt in their walk to
+preserve the due adjustment of their trouser-knees, till one
+would fancy he had mixed in a procession of Jacobs.&nbsp; We
+speak, of course, for ourselves; but we would as soon associate
+with a herd of sprightly apes as with these gloomy modern
+beaux.&nbsp; Alas, that our Mirabels, our Valentines, even our
+Brummels, should have left their mantles upon nothing more
+amusing!</p>
+<p>Nor are the fast men less constrained.&nbsp; Solemnity, even
+in dissipation, is the order of the day; and they go to the devil
+with a perverse seriousness, a systematic rationalism of
+wickedness that would have surprised the simpler sinners of
+old.&nbsp; Some of these men whom we see gravely conversing on
+the steps have but a slender acquaintance with each other.&nbsp;
+Their intercourse consists principally of mutual bulletins of
+depravity; and, week after week, as they meet they reckon up
+their items of transgression, and give an abstract of their
+downward progress for approval and encouragement.&nbsp; These
+folk form a freemasonry of their own.&nbsp; An oath is the
+shibboleth of their sinister fellowship.&nbsp; Once they hear a
+man swear, it is wonderful how their tongues loosen and their
+bashful spirits take enlargement, under the consciousness of
+brotherhood.&nbsp; There is no folly, no pardoning warmth of
+temper about them; they are as steady-going and systematic in
+their own way as the studious in theirs.</p>
+<p>Not that we are without merry men.&nbsp; No.&nbsp; We shall
+not be ungrateful to those, whose grimaces, whose ironical
+laughter, whose active feet in the &lsquo;College Anthem&rsquo;
+have beguiled so many weary hours and added a pleasant variety to
+the strain of close attention.&nbsp; But even these are too
+evidently professional in their antics.&nbsp; They go about
+cogitating puns and inventing tricks.&nbsp; It is their vocation,
+Hal.&nbsp; They are the gratuitous jesters of the class-room;
+and, like the clown when he leaves the stage, their merriment too
+often sinks as the bell rings the hour of liberty, and they pass
+forth by the Post-Office, grave and sedate, and meditating fresh
+gambols for the morrow.</p>
+<p>This is the impression left on the mind of any observing
+student by too many of his fellows.&nbsp; They seem all frigid
+old men; and one pauses to think how such an unnatural state of
+matters is produced.&nbsp; We feel inclined to blame for it the
+unfortunate absence of <i>University feeling</i> which is so
+marked a characteristic of our Edinburgh students.&nbsp;
+Academical interests are so few and far between&mdash;students,
+as students, have so little in common, except a peevish
+rivalry&mdash;there is such an entire want of broad college
+sympathies and ordinary college friendships, that we fancy that
+no University in the kingdom is in so poor a plight.&nbsp; Our
+system is full of anomalies.&nbsp; A, who cut B whilst he was a
+shabby student, curries sedulously up to him and cudgels his
+memory for anecdotes about him when he becomes the great
+so-and-so.&nbsp; Let there be an end of this shy, proud reserve
+on the one hand, and this shuddering fine ladyism on the other;
+and we think we shall find both ourselves and the College
+bettered.&nbsp; Let it be a sufficient reason for intercourse
+that two men sit together on the same benches.&nbsp; Let the
+great A be held excused for nodding to the shabby B in Princes
+Street, if he can say, &lsquo;That fellow is a
+student.&rsquo;&nbsp; Once this could be brought about, we think
+you would find the whole heart of the University beat
+faster.&nbsp; We think you would find a fusion among the
+students, a growth of common feelings, an increasing sympathy
+between class and class, whose influence (in such a heterogeneous
+company as ours) might be of incalculable value in all branches
+of politics and social progress.&nbsp; It would do more than
+this.&nbsp; If we could find some method of making the University
+a real mother to her sons&mdash;something beyond a building of
+class-rooms, a Senatus and a lottery of somewhat shabby
+prizes&mdash;we should strike a death-blow at the constrained and
+unnatural attitude of our Society.&nbsp; At present we are not a
+united body, but a loose gathering of individuals, whose inherent
+attraction is allowed to condense them into little knots and
+coteries.&nbsp; Our last snowball riot read us a plain lesson on
+our condition.&nbsp; There was no party spirit&mdash;no unity of
+interests.&nbsp; A few, who were mischievously inclined, marched
+off to the College of Surgeons in a pretentious file; but even
+before they reached their destination the feeble inspiration had
+died out in many, and their numbers were sadly thinned.&nbsp;
+Some followed strange gods in the direction of Drummond Street,
+and others slunk back to meek good-boyism at the feet of the
+Professors.&nbsp; The same is visible in better things.&nbsp; As
+you send a man to an English University that he may have his
+prejudices rubbed off, you might send him to Edinburgh that he
+may have them ingrained&mdash;rendered indelible&mdash;fostered
+by sympathy into living principles of his spirit.&nbsp; And the
+reason of it is quite plain.&nbsp; From this absence of
+University feeling it comes that a man&rsquo;s friendships are
+always the direct and immediate results of these very
+prejudices.&nbsp; A common weakness is the best master of
+ceremonies in our quadrangle: a mutual vice is the readiest
+introduction.&nbsp; The studious associate with the studious
+alone&mdash;the dandies with the dandies.&nbsp; There is nothing
+to force them to rub shoulders with the others; and so they grow
+day by day more wedded to their own original opinions and
+affections.&nbsp; They see through the same spectacles
+continually.&nbsp; All broad sentiments, all real catholic
+humanity expires; and the mind gets gradually stiffened into one
+position&mdash;becomes so habituated to a contracted atmosphere,
+that it shudders and withers under the least draught of the free
+air that circulates in the general field of mankind.</p>
+<p>Specialism in Society then is, we think, one cause of our
+present state.&nbsp; Specialism in study is another.&nbsp; We
+doubt whether this has ever been a good thing since the world
+began; but we are sure it is much worse now than it was.&nbsp;
+Formerly, when a man became a specialist, it was out of affection
+for his subject.&nbsp; With a somewhat grand devotion he left all
+the world of Science to follow his true love; and he contrived to
+find that strange pedantic interest which inspired the man
+who</p>
+<blockquote><p>&lsquo;Settled <i>Hoti&rsquo;s</i>
+business&mdash;let it be&mdash;<br />
+&nbsp;&nbsp; Properly based <i>Oun&mdash;</i><br />
+Gave us the doctrine of the enclitic <i>De</i>,<br />
+&nbsp;&nbsp; Dead from the waist down.&rsquo;</p>
+</blockquote>
+<p>Nowadays it is quite different.&nbsp; Our pedantry wants even
+the saving clause of Enthusiasm.&nbsp; The election is now matter
+of necessity and not of choice.&nbsp; Knowledge is now too broad
+a field for your Jack-of-all-Trades; and, from beautifully
+utilitarian reasons, he makes his choice, draws his pen through a
+dozen branches of study, and behold&mdash;John the
+Specialist.&nbsp; That this is the way to be wealthy we shall not
+deny; but we hold that it is <i>not</i> the way to be healthy or
+wise.&nbsp; The whole mind becomes narrowed and circumscribed to
+one &lsquo;punctual spot&rsquo; of knowledge.&nbsp; A rank
+unhealthy soil breeds a harvest of prejudices.&nbsp; Feeling
+himself above others in his one little branch&mdash;in the
+classification of toadstools, or Carthaginian history&mdash;he
+waxes great in his own eyes and looks down on others.&nbsp;
+Having all his sympathies educated in one way, they die out in
+every other; and he is apt to remain a peevish, narrow, and
+intolerant bigot.&nbsp; Dilettante is now a term of reproach; but
+there is a certain form of dilettantism to which no one can
+object.&nbsp; It is this that we want among our students.&nbsp;
+We wish them to abandon no subject until they have seen and felt
+its merit&mdash;to act under a general interest in all branches
+of knowledge, not a commercial eagerness to excel in one.</p>
+<p>In both these directions our sympathies are constipated.&nbsp;
+We are apostles of our own caste and our own subject of study,
+instead of being, as we should, true men and <i>loving</i>
+students.&nbsp; Of course both of these could be corrected by the
+students themselves; but this is nothing to the purpose: it is
+more important to ask whether the Senatus or the body of alumni
+could do nothing towards the growth of better feeling and wider
+sentiments.&nbsp; Perhaps in another paper we may say something
+upon this head.</p>
+<p>One other word, however, before we have done.&nbsp; What shall
+we be when we grow really old?&nbsp; Of yore, a man was thought
+to lay on restrictions and acquire new deadweight of mournful
+experience with every year, till he looked back on his youth as
+the very summer of impulse and freedom.&nbsp; We please ourselves
+with thinking that it cannot be so with us.&nbsp; We would fain
+hope that, as we have begun in one way, we may end in another;
+and that when we are in fact the octogenarians that we
+<i>seem</i> at present, there shall be no merrier men on
+earth.&nbsp; It is pleasant to picture us, sunning ourselves in
+Princes Street of a morning, or chirping over our evening cups,
+with all the merriment that we wanted in youth.</p>
+<h3>CHAPTER III&mdash;DEBATING SOCIETIES</h3>
+<p>A debating society is at first somewhat of a
+disappointment.&nbsp; You do not often find the youthful
+Demosthenes chewing his pebbles in the same room with you; or,
+even if you do, you will probably think the performance little to
+be admired.&nbsp; As a general rule, the members speak shamefully
+ill.&nbsp; The subjects of debate are heavy; and so are the
+fines.&nbsp; The Ballot Question&mdash;oldest of dialectic
+nightmares&mdash;is often found astride of a somnolent
+sederunt.&nbsp; The Greeks and Romans, too, are reserved as sort
+of <i>general-utility</i> men, to do all the dirty work of
+illustration; and they fill as many functions as the famous
+waterfall scene at the &lsquo;Princess&rsquo;s,&rsquo; which I
+found doing duty on one evening as a gorge in Peru, a haunt of
+German robbers, and a peaceful vale in the Scottish
+borders.&nbsp; There is a sad absence of striking argument or
+real lively discussion.&nbsp; Indeed, you feel a growing contempt
+for your fellow-members; and it is not until you rise yourself to
+hawk and hesitate and sit shamefully down again, amid
+eleemosynary applause, that you begin to find your level and
+value others rightly.&nbsp; Even then, even when failure has
+damped your critical ardour, you will see many things to be
+laughed at in the deportment of your rivals.</p>
+<p>Most laughable, perhaps, are your indefatigable strivers after
+eloquence.&nbsp; They are of those who &lsquo;pursue with
+eagerness the phantoms of hope,&rsquo; and who, since they expect
+that &lsquo;the deficiencies of last sentence will be supplied by
+the next,&rsquo; have been recommended by Dr. Samuel Johnson to
+&lsquo;attend to the History of Rasselas, Prince of
+Abyssinia.&rsquo;&nbsp; They are characterised by a hectic
+hopefulness.&nbsp; Nothing damps them.&nbsp; They rise from the
+ruins of one abortive sentence, to launch forth into another with
+unabated vigour.&nbsp; They have all the manner of an
+orator.&nbsp; From the tone of their voice, you would expect a
+splendid period&mdash;and lo! a string of broken-backed,
+disjointed clauses, eked out with stammerings and
+throat-clearings.&nbsp; They possess the art (learned from the
+pulpit) of rounding an uneuphonious sentence by dwelling on a
+single syllable&mdash;of striking a balance in a top-heavy period
+by lengthening out a word into a melancholy quaver.&nbsp; Withal,
+they never cease to hope.&nbsp; Even at last, even when they have
+exhausted all their ideas, even after the would-be peroration has
+finally refused to perorate, they remain upon their feet with
+their mouths open, waiting for some further inspiration, like
+Chaucer&rsquo;s widow&rsquo;s son in the dung-hole, after</p>
+<blockquote><p>&lsquo;His throat was kit unto the nekk&eacute;
+bone,&rsquo;</p>
+</blockquote>
+<p>in vain expectation of that seed that was to be laid upon his
+tongue, and give him renewed and clearer utterance.</p>
+<p>These men may have something to say, if they could only say
+it&mdash;indeed they generally have; but the next class are
+people who, having nothing to say, are cursed with a facility and
+an unhappy command of words, that makes them the prime nuisances
+of the society they affect.&nbsp; They try to cover their absence
+of matter by an unwholesome vitality of delivery.&nbsp; They look
+triumphantly round the room, as if courting applause, after a
+torrent of diluted truism.&nbsp; They talk in a circle, harping
+on the same dull round of argument, and returning again and again
+to the same remark with the same sprightliness, the same
+irritating appearance of novelty.</p>
+<p>After this set, any one is tolerable; so we shall merely hint
+at a few other varieties.&nbsp; There is your man who is
+pre-eminently conscientious, whose face beams with sincerity as
+he opens on the negative, and who votes on the affirmative at the
+end, looking round the room with an air of chastened pride.&nbsp;
+There is also the irrelevant speaker, who rises, emits a joke or
+two, and then sits down again, without ever attempting to tackle
+the subject of debate.&nbsp; Again, we have men who ride
+pick-a-back on their family reputation, or, if their family have
+none, identify themselves with some well-known statesman, use his
+opinions, and lend him their patronage on all occasions.&nbsp;
+This is a dangerous plan, and serves oftener, I am afraid, to
+point a difference than to adorn a speech.</p>
+<p>But alas! a striking failure may be reached without tempting
+Providence by any of these ambitious tricks.&nbsp; Our own
+stature will be found high enough for shame.&nbsp; The success of
+three simple sentences lures us into a fatal parenthesis in the
+fourth, from whose shut brackets we may never disentangle the
+thread of our discourse.&nbsp; A momentary flush tempts us into a
+quotation; and we may be left helpless in the middle of one of
+Pope&rsquo;s couplets, a white film gathering before our eyes,
+and our kind friends charitably trying to cover our disgrace by a
+feeble round of applause.&nbsp; <i>Amis lecteurs</i>, this is a
+painful topic.&nbsp; It is possible that we too, we, the
+&lsquo;potent, grave, and reverend&rsquo; editor, may have
+suffered these things, and drunk as deep as any of the cup of
+shameful failure.&nbsp; Let us dwell no longer on so delicate a
+subject.</p>
+<p>In spite, however, of these disagreeables, I should recommend
+any student to suffer them with Spartan courage, as the benefits
+he receives should repay him an hundredfold for them all.&nbsp;
+The life of the debating society is a handy antidote to the life
+of the classroom and quadrangle.&nbsp; Nothing could be conceived
+more excellent as a weapon against many of those <i>peccant
+humours</i> that we have been railing against in the jeremiad of
+our last &lsquo;College Paper&rsquo;&mdash;particularly in the
+field of intellect.&nbsp; It is a sad sight to see our
+heather-scented students, our boys of seventeen, coming up to
+College with determined views&mdash;<i>rou&eacute;s</i> in
+speculation&mdash;having gauged the vanity of philosophy or
+learned to shun it as the middle-man of heresy&mdash;a company of
+determined, deliberate opinionists, not to be moved by all the
+sleights of logic.&nbsp; What have such men to do with
+study?&nbsp; If their minds are made up irrevocably, why burn the
+&lsquo;studious lamp&rsquo; in search of further
+confirmation?&nbsp; Every set opinion I hear a student deliver I
+feel a certain lowering of my regard.&nbsp; He who studies, he
+who is yet employed in groping for his premises, should keep his
+mind fluent and sensitive, keen to mark flaws, and willing to
+surrender untenable positions.&nbsp; He should keep himself
+teachable, or cease the expensive farce of being taught.&nbsp; It
+is to further this docile spirit that we desire to press the
+claims of debating societies.&nbsp; It is as a means of melting
+down this museum of premature petrifactions into living and
+impressionable soul that we insist on their utility.&nbsp; If we
+could once prevail on our students to feel no shame in avowing an
+uncertain attitude towards any subject, if we could teach them
+that it was unnecessary for every lad to have his
+<i>opinionette</i> on every topic, we should have gone a far way
+towards bracing the intellectual tone of the coming race of
+thinkers; and this it is which debating societies are so well
+fitted to perform.</p>
+<p>We there meet people of every shade of opinion, and make
+friends with them.&nbsp; We are taught to rail against a man the
+whole session through, and then hob-a-nob with him at the
+concluding entertainment.&nbsp; We find men of talent far
+exceeding our own, whose conclusions are widely different from
+ours; and we are thus taught to distrust ourselves.&nbsp; But the
+best means of all towards catholicity is that wholesome rule
+which some folk are most inclined to condemn&mdash;I mean the law
+of <i>obliged speeches</i>.&nbsp; Your senior member commands;
+and you must take the affirmative or the negative, just as suits
+his best convenience.&nbsp; This tends to the most perfect
+liberality.&nbsp; It is no good hearing the arguments of an
+opponent, for in good verity you rarely follow them; and even if
+you do take the trouble to listen, it is merely in a captious
+search for weaknesses.&nbsp; This is proved, I fear, in every
+debate; when you hear each speaker arguing out his own prepared
+<i>sp&eacute;cialit&eacute;</i> (he never intended speaking, of
+course, until some remarks of, etc.), arguing out, I say, his own
+<i>coached-up</i> subject without the least attention to what has
+gone before, as utterly at sea about the drift of his
+adversary&rsquo;s speech as Panurge when he argued with
+Thaumaste, and merely linking his own prelection to the last by a
+few flippant criticisms.&nbsp; Now, as the rule stands, you are
+saddled with the side you disapprove, and so you are forced, by
+regard for your own fame, to argue out, to feel with, to
+elaborate completely, the case as it stands against yourself; and
+what a fund of wisdom do you not turn up in this idle digging of
+the vineyard!&nbsp; How many new difficulties take form before
+your eyes? how many superannuated arguments cripple finally into
+limbo, under the glance of your enforced eclecticism!</p>
+<p>Nor is this the only merit of Debating Societies.&nbsp; They
+tend also to foster taste, and to promote friendship between
+University men.&nbsp; This last, as we have had occasion before
+to say, is the great requirement of our student life; and it will
+therefore be no waste of time if we devote a paragraph to this
+subject in its connection with Debating Societies.&nbsp; At
+present they partake too much of the nature of a
+<i>clique</i>.&nbsp; Friends propose friends, and mutual friends
+second them, until the society degenerates into a sort of family
+party.&nbsp; You may confirm old acquaintances, but you can
+rarely make new ones.&nbsp; You find yourself in the atmosphere
+of your own daily intercourse.&nbsp; Now, this is an unfortunate
+circumstance, which it seems to me might readily be
+rectified.&nbsp; Our Principal has shown himself so friendly
+towards all College improvements that I cherish the hope of
+seeing shortly realised a certain suggestion, which is not a new
+one with me, and which must often have been proposed and
+canvassed heretofore&mdash;I mean, a real <i>University Debating
+Society</i>, patronised by the Senatus, presided over by the
+Professors, to which every one might gain ready admittance on
+sight of his matriculation ticket, where it would be a favour and
+not a necessity to speak, and where the obscure student might
+have another object for attendance besides the mere desire to
+save his fines: to wit, the chance of drawing on himself the
+favourable consideration of his teachers.&nbsp; This would be
+merely following in the good tendency, which has been so
+noticeable during all this session, to increase and multiply
+student societies and clubs of every sort.&nbsp; Nor would it be
+a matter of much difficulty.&nbsp; The united societies would
+form a nucleus: one of the class-rooms at first, and perhaps
+afterwards the great hall above the library, might be the place
+of meeting.&nbsp; There would be no want of attendance or
+enthusiasm, I am sure; for it is a very different thing to speak
+under the bushel of a private club on the one hand, and, on the
+other, in a public place, where a happy period or a subtle
+argument may do the speaker permanent service in after
+life.&nbsp; Such a club might end, perhaps, by rivalling the
+&lsquo;Union&rsquo; at Cambridge or the &lsquo;Union&rsquo; at
+Oxford.</p>
+<h3>CHAPTER IV&mdash;THE PHILOSOPHY OF UMBRELLAS <a
+name="citation151"></a><a href="#footnote151"
+class="citation">[151]</a></h3>
+<p>It is wonderful to think what a turn has been given to our
+whole Society by the fact that we live under the sign of
+Aquarius&mdash;that our climate is essentially wet.&nbsp; A mere
+arbitrary distinction, like the walking-swords of yore, might
+have remained the symbol of foresight and respectability, had not
+the raw mists and dropping showers of our island pointed the
+inclination of Society to another exponent of those
+virtues.&nbsp; A ribbon of the Legion of Honour or a string of
+medals may prove a person&rsquo;s courage; a title may prove his
+birth; a professorial chair his study and acquirement; but it is
+the habitual carriage of the umbrella that is the stamp of
+Respectability.&nbsp; The umbrella has become the acknowledged
+index of social position.</p>
+<p>Robinson Crusoe presents us with a touching instance of the
+hankering after them inherent in the civilised and educated
+mind.&nbsp; To the superficial, the hot suns of Juan Fernandez
+may sufficiently account for his quaint choice of a luxury; but
+surely one who had borne the hard labour of a seaman under the
+tropics for all these years could have supported an excursion
+after goats or a peaceful <i>constitutional</i> arm in arm with
+the nude Friday.&nbsp; No, it was not this: the memory of a
+vanished respectability called for some outward manifestation,
+and the result was&mdash;an umbrella.&nbsp; A pious castaway
+might have rigged up a belfry and solaced his Sunday mornings
+with the mimicry of church-bells; but Crusoe was rather a
+moralist than a pietist, and his leaf-umbrella is as fine an
+example of the civilised mind striving to express itself under
+adverse circumstances as we have ever met with.</p>
+<p>It is not for nothing, either, that the umbrella has become
+the very foremost badge of modern civilisation&mdash;the Urim and
+Thummim of respectability.&nbsp; Its pregnant symbolism has taken
+its rise in the most natural manner.&nbsp; Consider, for a
+moment, when umbrellas were first introduced into this country,
+what manner of men would use them, and what class would adhere to
+the useless but ornamental cane.&nbsp; The first, without doubt,
+would be the hypochondriacal, out of solicitude for their health,
+or the frugal, out of care for their raiment; the second, it is
+equally plain, would include the fop, the fool, and the
+Bobadil.&nbsp; Any one acquainted with the growth of Society, and
+knowing out of what small seeds of cause are produced great
+revolutions, and wholly new conditions of intercourse, sees from
+this simple thought how the carriage of an umbrella came to
+indicate frugality, judicious regard for bodily welfare, and
+scorn for mere outward adornment, and, in one word, all those
+homely and solid virtues implied in the term <span
+class="smcap">respectability</span>.&nbsp; Not that the
+umbrella&rsquo;s costliness has nothing to do with its great
+influence.&nbsp; Its possession, besides symbolising (as we have
+already indicated) the change from wild Esau to plain Jacob
+dwelling in tents, implies a certain comfortable provision of
+fortune.&nbsp; It is not every one that can expose twenty-six
+shillings&rsquo; worth of property to so many chances of loss and
+theft.&nbsp; So strongly do we feel on this point, indeed, that
+we are almost inclined to consider all who possess really
+well-conditioned umbrellas as worthy of the Franchise.&nbsp; They
+have a qualification standing in their lobbies; they carry a
+sufficient stake in the common-weal below their arm.&nbsp; One
+who bears with him an umbrella&mdash;such a complicated structure
+of whalebone, of silk, and of cane, that it becomes a very
+microcosm of modern industry&mdash;is necessarily a man of
+peace.&nbsp; A half-crown cane may be applied to an
+offender&rsquo;s head on a very moderate provocation; but a
+six-and-twenty shilling silk is a possession too precious to be
+adventured in the shock of war.</p>
+<p>These are but a few glances at how umbrellas (in the general)
+came to their present high estate.&nbsp; But the true
+Umbrella-Philosopher meets with far stranger applications as he
+goes about the streets.</p>
+<p>Umbrellas, like faces, acquire a certain sympathy with the
+individual who carries them: indeed, they are far more capable of
+betraying his trust; for whereas a face is given to us so far
+ready made, and all our power over it is in frowning, and
+laughing, and grimacing, during the first three or four decades
+of life, each umbrella is selected from a whole shopful, as being
+most consonant to the purchaser&rsquo;s disposition.&nbsp; An
+undoubted power of diagnosis rests with the practised
+Umbrella-Philosopher.&nbsp; O you who lisp, and amble, and change
+the fashion of your countenances&mdash;you who conceal all these,
+how little do you think that you left a proof of your weakness in
+our umbrella-stand&mdash;that even now, as you shake out the
+folds to meet the thickening snow, we read in its ivory handle
+the outward and visible sign of your snobbery, or from the
+exposed gingham of its cover detect, through coat and waistcoat,
+the hidden hypocrisy of the &lsquo;<i>dickey</i>&rsquo;!&nbsp;
+But alas! even the umbrella is no certain criterion.&nbsp; The
+falsity and the folly of the human race have degraded that
+graceful symbol to the ends of dishonesty; and while some
+umbrellas, from carelessness in selection, are not strikingly
+characteristic (for it is only in what a man loves that he
+displays his real nature), others, from certain prudential
+motives, are chosen directly opposite to the person&rsquo;s
+disposition.&nbsp; A mendacious umbrella is a sign of great moral
+degradation.&nbsp; Hypocrisy naturally shelters itself below a
+silk; while the fast youth goes to visit his religious friends
+armed with the decent and reputable gingham.&nbsp; May it not be
+said of the bearers of these inappropriate umbrellas that they go
+about the streets &lsquo;with a lie in their right
+hand&rsquo;?</p>
+<p>The kings of Siam, as we read, besides having a graduated
+social scale of umbrellas (which was a good thing), prevented the
+great bulk of their subjects from having any at all, which was
+certainly a bad thing.&nbsp; We should be sorry to believe that
+this Eastern legislator was a fool&mdash;the idea of an
+aristocracy of umbrellas is too philosophic to have originated in
+a nobody&mdash;and we have accordingly taken exceeding pains to
+find out the reason of this harsh restriction.&nbsp; We think we
+have succeeded; but, while admiring the principle at which he
+aimed, and while cordially recognising in the Siamese potentate
+the only man before ourselves who had taken a real grasp of the
+umbrella, we must be allowed to point out how unphilosophically
+the great man acted in this particular.&nbsp; His object,
+plainly, was to prevent any unworthy persons from bearing the
+sacred symbol of domestic virtues.&nbsp; We cannot excuse his
+limiting these virtues to the circle of his court.&nbsp; We must
+only remember that such was the feeling of the age in which he
+lived.&nbsp; Liberalism had not yet raised the war-cry of the
+working classes.&nbsp; But here was his mistake: it was a
+needless regulation.&nbsp; Except in a very few cases of
+hypocrisy joined to a powerful intellect, men, not by nature
+<i>umbrellarians</i>, have tried again and again to become so by
+art, and yet have failed&mdash;have expended their patrimony in
+the purchase of umbrella after umbrella, and yet have
+systematically lost them, and have finally, with contrite spirits
+and shrunken purses, given up their vain struggle, and relied on
+theft and borrowing for the remainder of their lives.&nbsp; This
+is the most remarkable fact that we have had occasion to notice;
+and yet we challenge the candid reader to call it in
+question.&nbsp; Now, as there cannot be any <i>moral
+selection</i> in a mere dead piece of furniture&mdash;as the
+umbrella cannot be supposed to have an affinity for individual
+men equal and reciprocal to that which men certainly feel toward
+individual umbrellas&mdash;we took the trouble of consulting a
+scientific friend as to whether there was any possible physical
+explanation of the phenomenon.&nbsp; He was unable to supply a
+plausible theory, or even hypothesis; but we extract from his
+letter the following interesting passage relative to the physical
+peculiarities of umbrellas: &lsquo;Not the least important, and
+by far the most curious property of the umbrella, is the energy
+which it displays in affecting the atmospheric strata.&nbsp;
+There is no fact in meteorology better established&mdash;indeed,
+it is almost the only one on which meteorologists are
+agreed&mdash;than that the carriage of an umbrella produces
+desiccation of the air; while if it be left at home, aqueous
+vapour is largely produced, and is soon deposited in the form of
+rain.&nbsp; No theory,&rsquo; my friend continues,
+&lsquo;competent to explain this hygrometric law has been given
+(as far as I am aware) by Herschel, Dove, Glaisher, Tait, Buchan,
+or any other writer; nor do I pretend to supply the defect.&nbsp;
+I venture, however, to throw out the conjecture that it will be
+ultimately found to belong to the same class of natural laws as
+that agreeable to which a slice of toast always descends with the
+buttered surface downwards.&rsquo;</p>
+<p>But it is time to draw to a close.&nbsp; We could expatiate
+much longer upon this topic, but want of space constrains us to
+leave unfinished these few desultory remarks&mdash;slender
+contributions towards a subject which has fallen sadly backward,
+and which, we grieve to say, was better understood by the king of
+Siam in 1686 than by all the philosophers of to-day.&nbsp; If,
+however, we have awakened in any rational mind an interest in the
+symbolism of umbrellas&mdash;in any generous heart a more
+complete sympathy with the dumb companion of his daily
+walk&mdash;or in any grasping spirit a pure notion of
+respectability strong enough to make him expend his
+six-and-twenty shillings&mdash;we shall have deserved well of the
+world, to say nothing of the many industrious persons employed in
+the manufacture of the article.</p>
+<h3>CHAPTER V&mdash;THE PHILOSOPHY OF NOMENCLATURE</h3>
+<blockquote><p>&lsquo;How many C&aelig;sars and Pompeys, by mere
+inspirations of the names, have been rendered worthy of
+them?&nbsp; And how many are there, who might have done exceeding
+well in the world, had not their characters and spirits been
+totally depressed and Nicodemus&rsquo;d into
+nothing?&rsquo;&mdash;<i>Tristram Shandy</i>, vol. <span
+class="smcap">i.</span> chap xix.</p>
+</blockquote>
+<p>Such were the views of the late Walter Shandy, Esq., Turkey
+merchant.&nbsp; To the best of my belief, Mr. Shandy is the first
+who fairly pointed out the incalculable influence of nomenclature
+upon the whole life&mdash;who seems first to have recognised the
+one child, happy in an heroic appellation, soaring upwards on the
+wings of fortune, and the other, like the dead sailor in his
+shotted hammock, haled down by sheer weight of name into the
+abysses of social failure.&nbsp; Solomon possibly had his eye on
+some such theory when he said that &lsquo;a good name is better
+than precious ointment&rsquo;; and perhaps we may trace a similar
+spirit in the compilers of the English Catechism, and the
+affectionate interest with which they linger round the
+catechumen&rsquo;s name at the very threshold of their
+work.&nbsp; But, be these as they may, I think no one can censure
+me for appending, in pursuance of the expressed wish of his son,
+the Turkey merchant&rsquo;s name to his system, and pronouncing,
+without further preface, a short epitome of the &lsquo;Shandean
+Philosophy of Nomenclature.&rsquo;</p>
+<p>To begin, then: the influence of our name makes itself felt
+from the very cradle.&nbsp; As a schoolboy I remember the pride
+with which I hailed Robin Hood, Robert Bruce, and Robert le
+Diable as my name-fellows; and the feeling of sore disappointment
+that fell on my heart when I found a freebooter or a general who
+did not share with me a single one of my numerous
+<i>pr&aelig;nomina</i>.&nbsp; Look at the delight with which two
+children find they have the same name.&nbsp; They are friends
+from that moment forth; they have a bond of union stronger than
+exchange of nuts and sweetmeats.&nbsp; This feeling, I own, wears
+off in later life.&nbsp; Our names lose their freshness and
+interest, become trite and indifferent.&nbsp; But this, dear
+reader, is merely one of the sad effects of those &lsquo;shades
+of the prison-house&rsquo; which come gradually betwixt us and
+nature with advancing years; it affords no weapon against the
+philosophy of names.</p>
+<p>In after life, although we fail to trace its working, that
+name which careless godfathers lightly applied to your
+unconscious infancy will have been moulding your character, and
+influencing with irresistible power the whole course of your
+earthly fortunes.&nbsp; But the last name, overlooked by Mr.
+Shandy, is no whit less important as a condition of
+success.&nbsp; Family names, we must recollect, are but inherited
+nicknames; and if the <i>sobriquet</i> were applicable to the
+ancestor, it is most likely applicable to the descendant
+also.&nbsp; You would not expect to find Mr. M&lsquo;Phun acting
+as a mute, or Mr. M&lsquo;Lumpha excelling as a professor of
+dancing.&nbsp; Therefore, in what follows, we shall consider
+names, independent of whether they are first or last.&nbsp; And
+to begin with, look what a pull <i>Cromwell</i> had over
+<i>Pym</i>&mdash;the one name full of a resonant imperialism, the
+other, mean, pettifogging, and unheroic to a degree.&nbsp; Who
+would expect eloquence from <i>Pym</i>&mdash;who would read poems
+by <i>Pym</i>&mdash;who would bow to the opinion of
+<i>Pym</i>?&nbsp; He might have been a dentist, but he should
+never have aspired to be a statesman.&nbsp; I can only wonder
+that he succeeded as he did.&nbsp; Pym and Habakkuk stand first
+upon the roll of men who have triumphed, by sheer force of
+genius, over the most unfavourable appellations.&nbsp; But even
+these have suffered; and, had they been more fitly named, the one
+might have been Lord Protector, and the other have shared the
+laurels with Isaiah.&nbsp; In this matter we must not forget that
+all our great poets have borne great names.&nbsp; Chaucer,
+Spenser, Shakespeare, Milton, Pope, Wordsworth,
+Shelley&mdash;what a constellation of lordly words!&nbsp; Not a
+single common-place name among them&mdash;not a Brown, not a
+Jones, not a Robinson; they are all names that one would stop and
+look at on a door-plate.&nbsp; Now, imagine if <i>Pepys</i> had
+tried to clamber somehow into the enclosure of poetry, what a
+blot would that word have made upon the list!&nbsp; The thing was
+impossible.&nbsp; In the first place a certain natural
+consciousness that men would have held him down to the level of
+his name, would have prevented him from rising above the Pepsine
+standard, and so haply withheld him altogether from attempting
+verse.&nbsp; Next, the booksellers would refuse to publish, and
+the world to read them, on the mere evidence of the fatal
+appellation.&nbsp; And now, before I close this section, I must
+say one word as to <i>punnable</i> names, names that stand alone,
+that have a significance and life apart from him that bears
+them.&nbsp; These are the bitterest of all.&nbsp; One friend of
+mine goes bowed and humbled through life under the weight of this
+misfortune; for it is an awful thing when a man&rsquo;s name is a
+joke, when he cannot be mentioned without exciting merriment, and
+when even the intimation of his death bids fair to carry laughter
+into many a home.</p>
+<p>So much for people who are badly named.&nbsp; Now for people
+who are <i>too</i> well named, who go top-heavy from the font,
+who are baptized into a false position, and find themselves
+beginning life eclipsed under the fame of some of the great ones
+of the past.&nbsp; A man, for instance, called William
+Shakespeare could never dare to write plays.&nbsp; He is thrown
+into too humbling an apposition with the author of
+<i>Hamlet</i>.&nbsp; Its own name coming after is such an
+anti-climax.&nbsp; &lsquo;The plays of William
+Shakespeare&rsquo;? says the reader&mdash;&lsquo;O no!&nbsp; The
+plays of William Shakespeare Cockerill,&rsquo; and he throws the
+book aside.&nbsp; In wise pursuance of such views, Mr. John
+Milton Hengler, who not long since delighted us in this favoured
+town, has never attempted to write an epic, but has chosen a new
+path, and has excelled upon the tight-rope.&nbsp; A marked
+example of triumph over this is the case of Mr. Dante Gabriel
+Rossetti.&nbsp; On the face of the matter, I should have advised
+him to imitate the pleasing modesty of the last-named gentleman,
+and confine his ambition to the sawdust.&nbsp; But Mr. Rossetti
+has triumphed.&nbsp; He has even dared to translate from his
+mighty name-father; and the voice of fame supports him in his
+boldness.</p>
+<p>Dear readers, one might write a year upon this matter.&nbsp; A
+lifetime of comparison and research could scarce suffice for its
+elucidation.&nbsp; So here, if it please you, we shall let it
+rest.&nbsp; Slight as these notes have been, I would that the
+great founder of the system had been alive to see them.&nbsp; How
+he had warmed and brightened, how his persuasive eloquence would
+have fallen on the ears of Toby; and what a letter of praise and
+sympathy would not the editor have received before the month was
+out!&nbsp; Alas, the thing was not to be.&nbsp; Walter Shandy
+died and was duly buried, while yet his theory lay forgotten and
+neglected by his fellow-countrymen.&nbsp; But, reader, the day
+will come, I hope, when a paternal government will stamp out, as
+seeds of national weakness, all depressing patronymics, and when
+godfathers and godmothers will soberly and earnestly debate the
+interest of the nameless one, and not rush blindfold to the
+christening.&nbsp; In these days there shall be written a
+&lsquo;Godfather&rsquo;s Assistant,&rsquo; in shape of a
+dictionary of names, with their concomitant virtues and vices;
+and this book shall be scattered broadcast through the land, and
+shall be on the table of every one eligible for godfathership,
+until such a thing as a vicious or untoward appellation shall
+have ceased from off the face of the earth.</p>
+<h2>CRITICISMS</h2>
+<h3>CHAPTER I&mdash;LORD LYTTON&rsquo;S &lsquo;FABLES IN
+SONG&rsquo;</h3>
+<p>It seems as if Lord Lytton, in this new book of his, had found
+the form most natural to his talent.&nbsp; In some ways, indeed,
+it may be held inferior to <i>Chronicles and Characters</i>; we
+look in vain for anything like the terrible intensity of the
+night-scene in <i>Irene</i>, or for any such passages of massive
+and memorable writing as appeared, here and there, in the earlier
+work, and made it not altogether unworthy of its model,
+Hugo&rsquo;s <i>Legend of the Ages</i>.&nbsp; But it becomes
+evident, on the most hasty retrospect, that this earlier work was
+a step on the way towards the later.&nbsp; It seems as if the
+author had been feeling about for his definite medium, and was
+already, in the language of the child&rsquo;s game, growing
+hot.&nbsp; There are many pieces in <i>Chronicles and
+Characters</i> that might be detached from their original
+setting, and embodied, as they stand, among the <i>Fables in
+Song</i>.</p>
+<p>For the term Fable is not very easy to define
+rigorously.&nbsp; In the most typical form some moral precept is
+set forth by means of a conception purely fantastic, and usually
+somewhat trivial into the bargain; there is something playful
+about it, that will not support a very exacting criticism, and
+the lesson must be apprehended by the fancy at half a hint.&nbsp;
+Such is the great mass of the old stories of wise animals or
+foolish men that have amused our childhood.&nbsp; But we should
+expect the fable, in company with other and more important
+literary forms, to be more and more loosely, or at least largely,
+comprehended as time went on, and so to degenerate in conception
+from this original type.&nbsp; That depended for much of its
+piquancy on the very fact that it was fantastic: the point of the
+thing lay in a sort of humorous inappropriateness; and it is
+natural enough that pleasantry of this description should become
+less common, as men learn to suspect some serious analogy
+underneath.&nbsp; Thus a comical story of an ape touches us quite
+differently after the proposition of Mr. Darwin&rsquo;s
+theory.&nbsp; Moreover, there lay, perhaps, at the bottom of this
+primitive sort of fable, a humanity, a tenderness of rough
+truths; so that at the end of some story, in which vice or folly
+had met with its destined punishment, the fabulist might be able
+to assure his auditors, as we have often to assure tearful
+children on the like occasions, that they may dry their eyes, for
+none of it was true.</p>
+<p>But this benefit of fiction becomes lost with more
+sophisticated hearers and authors: a man is no longer the dupe of
+his own artifice, and cannot deal playfully with truths that are
+a matter of bitter concern to him in his life.&nbsp; And hence,
+in the progressive centralisation of modern thought, we should
+expect the old form of fable to fall gradually into desuetude,
+and be gradually succeeded by another, which is a fable in all
+points except that it is not altogether fabulous.&nbsp; And this
+new form, such as we should expect, and such as we do indeed
+find, still presents the essential character of brevity; as in
+any other fable also, there is, underlying and animating the
+brief action, a moral idea; and as in any other fable, the object
+is to bring this home to the reader through the intellect rather
+than through the feelings; so that, without being very deeply
+moved or interested by the characters of the piece, we should
+recognise vividly the hinges on which the little plot
+revolves.&nbsp; But the fabulist now seeks analogies where before
+he merely sought humorous situations.&nbsp; There will be now a
+logical nexus between the moral expressed and the machinery
+employed to express it.&nbsp; The machinery, in fact, as this
+change is developed, becomes less and less fabulous.&nbsp; We
+find ourselves in presence of quite a serious, if quite a
+miniature division of creative literature; and sometimes we have
+the lesson embodied in a sober, everyday narration, as in the
+parables of the New Testament, and sometimes merely the statement
+or, at most, the collocation of significant facts in life, the
+reader being left to resolve for himself the vague, troublesome,
+and not yet definitely moral sentiment which has been thus
+created.&nbsp; And step by step with the development of this
+change, yet another is developed: the moral tends to become more
+indeterminate and large.&nbsp; It ceases to be possible to append
+it, in a tag, to the bottom of the piece, as one might write the
+name below a caricature; and the fable begins to take rank with
+all other forms of creative literature, as something too
+ambitious, in spite of its miniature dimensions, to be resumed in
+any succinct formula without the loss of all that is deepest and
+most suggestive in it.</p>
+<p>Now it is in this widest sense that Lord Lytton understands
+the term; there are examples in his two pleasant volumes of all
+the forms already mentioned, and even of another which can only
+be admitted among fables by the utmost possible leniency of
+construction.&nbsp; &lsquo;Composure,&rsquo; &lsquo;Et
+C&aelig;tera,&rsquo; and several more, are merely similes
+poetically elaborated.&nbsp; So, too, is the pathetic story of
+the grandfather and grandchild: the child, having treasured away
+an icicle and forgotten it for ten minutes, comes back to find it
+already nearly melted, and no longer beautiful: at the same time,
+the grandfather has just remembered and taken out a bundle of
+love-letters, which he too had stored away in years gone by, and
+then long neglected; and, behold! the letters are as faded and
+sorrowfully disappointing as the icicle.&nbsp; This is merely a
+simile poetically worked out; and yet it is in such as these, and
+some others, to be mentioned further on, that the author seems at
+his best.&nbsp; Wherever he has really written after the old
+model, there is something to be deprecated: in spite of all the
+spirit and freshness, in spite of his happy assumption of that
+cheerful acceptation of things as they are, which, rightly or
+wrongly, we come to attribute to the ideal fabulist, there is
+ever a sense as of something a little out of place.&nbsp; A form
+of literature so very innocent and primitive looks a little
+over-written in Lord Lytton&rsquo;s conscious and highly-coloured
+style.&nbsp; It may be bad taste, but sometimes we should prefer
+a few sentences of plain prose narration, and a little Bewick by
+way of tail-piece.&nbsp; So that it is not among those fables
+that conform most nearly to the old model, but one had nearly
+said among those that most widely differ from it, that we find
+the most satisfactory examples of the author&rsquo;s manner.</p>
+<p>In the mere matter of ingenuity, the metaphysical fables are
+the most remarkable; such as that of the windmill who imagined
+that it was he who raised the wind; or that of the grocer&rsquo;s
+balance (&lsquo;Cogito ergo sum&rsquo;) who considered himself
+endowed with free-will, reason, and an infallible practical
+judgment; until, one fine day, the police made a descent upon the
+shop, and find the weights false and the scales unequal; and the
+whole thing is broken up for old iron.&nbsp; Capital fables,
+also, in the same ironical spirit, are &lsquo;Prometheus
+Unbound,&rsquo; the tale of the vainglorying of a champagne-cork,
+and &lsquo;Teleology,&rsquo; where a nettle justifies the ways of
+God to nettles while all goes well with it, and, upon a change of
+luck, promptly changes its divinity.</p>
+<p>In all these there is still plenty of the fabulous if you
+will, although, even here, there may be two opinions possible;
+but there is another group, of an order of merit perhaps still
+higher, where we look in vain for any such playful liberties with
+Nature.&nbsp; Thus we have &lsquo;Conservation of Force&rsquo;;
+where a musician, thinking of a certain picture, improvises in
+the twilight; a poet, hearing the music, goes home inspired, and
+writes a poem; and then a painter, under the influence of this
+poem, paints another picture, thus lineally descended from the
+first.&nbsp; This is fiction, but not what we have been used to
+call fable.&nbsp; We miss the incredible element, the point of
+audacity with which the fabulist was wont to mock at his
+readers.&nbsp; And still more so is this the case with
+others.&nbsp; &lsquo;The Horse and the Fly&rsquo; states one of
+the unanswerable problems of life in quite a realistic and
+straightforward way.&nbsp; A fly startles a cab-horse, the coach
+is overset; a newly-married pair within and the driver, a man
+with a wife and family, are all killed.&nbsp; The horse continues
+to gallop off in the loose traces, and ends the tragedy by
+running over an only child; and there is some little pathetic
+detail here introduced in the telling, that makes the
+reader&rsquo;s indignation very white-hot against some one.&nbsp;
+It remains to be seen who that some one is to be: the fly?&nbsp;
+Nay, but on closer inspection, it appears that the fly, actuated
+by maternal instinct, was only seeking a place for her eggs: is
+maternal instinct, then, &lsquo;sole author of these mischiefs
+all&rsquo;?&nbsp; &lsquo;Who&rsquo;s in the Right?&rsquo; one of
+the best fables in the book, is somewhat in the same vein.&nbsp;
+After a battle has been won, a group of officers assemble inside
+a battery, and debate together who should have the honour of the
+success; the Prince, the general staff, the cavalry, the engineer
+who posted the battery in which they then stand talking, are
+successively named: the sergeant, who pointed the guns, sneers to
+himself at the mention of the engineer; and, close by, the
+gunner, who had applied the match, passes away with a smile of
+triumph, since it was through his hand that the victorious blow
+had been dealt.&nbsp; Meanwhile, the cannon claims the honour
+over the gunner; the cannon-ball, who actually goes forth on the
+dread mission, claims it over the cannon, who remains idly
+behind; the powder reminds the cannon-ball that, but for him, it
+would still be lying on the arsenal floor; and the match caps the
+discussion; powder, cannon-ball, and cannon would be all equally
+vain and ineffectual without fire.&nbsp; Just then there comes on
+a shower of rain, which wets the powder and puts out the match,
+and completes this lesson of dependence, by indicating the
+negative conditions which are as necessary for any effect, in
+their absence, as is the presence of this great fraternity of
+positive conditions, not any one of which can claim priority over
+any other.&nbsp; But the fable does not end here, as perhaps, in
+all logical strictness, it should.&nbsp; It wanders off into a
+discussion as to which is the truer greatness, that of the
+vanquished fire or that of the victorious rain.&nbsp; And the
+speech of the rain is charming:</p>
+<blockquote><p>&lsquo;Lo, with my little drops I bless again<br
+/>
+And beautify the fields which thou didst blast!<br />
+Rend, wither, waste, and ruin, what thou wilt,<br />
+But call not Greatness what the Gods call Guilt.<br />
+Blossoms and grass from blood in battle spilt,<br />
+And poppied corn, I bring.<br />
+&lsquo;Mid mouldering Babels, to oblivion built,<br />
+My violets spring.<br />
+Little by little my small drops have strength<br />
+To deck with green delights the grateful earth.&rsquo;</p>
+</blockquote>
+<p>And so forth, not quite germane (it seems to me) to the matter
+in hand, but welcome for its own sake.</p>
+<p>Best of all are the fables that deal more immediately with the
+emotions.&nbsp; There is, for instance, that of &lsquo;The Two
+Travellers,&rsquo; which is profoundly moving in conception,
+although by no means as well written as some others.&nbsp; In
+this, one of the two, fearfully frost-bitten, saves his life out
+of the snow at the cost of all that was comely in his body; just
+as, long before, the other, who has now quietly resigned himself
+to death, had violently freed himself from Love at the cost of
+all that was finest and fairest in his character.&nbsp; Very
+graceful and sweet is the fable (if so it should be called) in
+which the author sings the praises of that &lsquo;kindly
+perspective,&rsquo; which lets a wheat-stalk near the eye cover
+twenty leagues of distant country, and makes the humble circle
+about a man&rsquo;s hearth more to him than all the possibilities
+of the external world.&nbsp; The companion fable to this is also
+excellent.&nbsp; It tells us of a man who had, all his life
+through, entertained a passion for certain blue hills on the far
+horizon, and had promised himself to travel thither ere he died,
+and become familiar with these distant friends.&nbsp; At last, in
+some political trouble, he is banished to the very place of his
+dreams.&nbsp; He arrives there overnight, and, when he rises and
+goes forth in the morning, there sure enough are the blue hills,
+only now they have changed places with him, and smile across to
+him, distant as ever, from the old home whence he has come.&nbsp;
+Such a story might have been very cynically treated; but it is
+not so done, the whole tone is kindly and consolatory, and the
+disenchanted man submissively takes the lesson, and understands
+that things far away are to be loved for their own sake, and that
+the unattainable is not truly unattainable, when we can make the
+beauty of it our own.&nbsp; Indeed, throughout all these two
+volumes, though there is much practical scepticism, and much
+irony on abstract questions, this kindly and consolatory spirit
+is never absent.&nbsp; There is much that is cheerful and, after
+a sedate, fireside fashion, hopeful.&nbsp; No one will be
+discouraged by reading the book; but the ground of all this
+hopefulness and cheerfulness remains to the end somewhat
+vague.&nbsp; It does not seem to arise from any practical belief
+in the future either of the individual or the race, but rather
+from the profound personal contentment of the writer.&nbsp; This
+is, I suppose, all we must look for in the case.&nbsp; It is as
+much as we can expect, if the fabulist shall prove a shrewd and
+cheerful fellow-wayfarer, one with whom the world does not seem
+to have gone much amiss, but who has yet laughingly learned
+something of its evil.&nbsp; It will depend much, of course, upon
+our own character and circumstances, whether the encounter will
+be agreeable and bracing to the spirits, or offend us as an
+ill-timed mockery.&nbsp; But where, as here, there is a little
+tincture of bitterness along with the good-nature, where it is
+plainly not the humour of a man cheerfully ignorant, but of one
+who looks on, tolerant and superior and smilingly attentive, upon
+the good and bad of our existence, it will go hardly if we do not
+catch some reflection of the same spirit to help us on our
+way.&nbsp; There is here no impertinent and lying proclamation of
+peace&mdash;none of the cheap optimism of the well-to-do; what we
+find here is a view of life that would be even grievous, were it
+not enlivened with this abiding cheerfulness, and ever and anon
+redeemed by a stroke of pathos.</p>
+<p>It is natural enough, I suppose, that we should find wanting
+in this book some of the intenser qualities of the author&rsquo;s
+work; and their absence is made up for by much happy description
+after a quieter fashion.&nbsp; The burst of jubilation over the
+departure of the snow, which forms the prelude to &lsquo;The
+Thistle,&rsquo; is full of spirit and of pleasant images.&nbsp;
+The speech of the forest in &lsquo;Sans Souci&rsquo; is inspired
+by a beautiful sentiment for nature of the modern sort, and
+pleases us more, I think, as poetry should please us, than
+anything in <i>Chronicles and Characters</i>.&nbsp; There are
+some admirable felicities of expression here and there; as that
+of the hill, whose summit</p>
+
+<blockquote><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&lsquo;Did
+print<br />
+The azure air with pines.&rsquo;</p>
+</blockquote>
+<p>Moreover, I do not recollect in the author&rsquo;s former work
+any symptom of that sympathetic treatment of still life, which is
+noticeable now and again in the fables; and perhaps most
+noticeably, when he sketches the burned letters as they hover
+along the gusty flue, &lsquo;Thin, sable veils, wherein a
+restless spark Yet trembled.&rsquo;&nbsp; But the description is
+at its best when the subjects are unpleasant, or even
+grisly.&nbsp; There are a few capital lines in this key on the
+last spasm of the battle before alluded to.&nbsp; Surely nothing
+could be better, in its own way, than the fish in &lsquo;The Last
+Cruise of the Arrogant,&rsquo; &lsquo;the shadowy, side-faced,
+silent things,&rsquo; that come butting and staring with lidless
+eyes at the sunken steam-engine.&nbsp; And although, in yet
+another, we are told, pleasantly enough, how the water went down
+into the valleys, where it set itself gaily to saw wood, and on
+into the plains, where it would soberly carry grain to town; yet
+the real strength of the fable is when it dealt with the shut
+pool in which certain unfortunate raindrops are imprisoned among
+slugs and snails, and in the company of an old toad.&nbsp; The
+sodden contentment of the fallen acorn is strangely significant;
+and it is astonishing how unpleasantly we are startled by the
+appearance of her horrible lover, the maggot.</p>
+<p>And now for a last word, about the style.&nbsp; This is not
+easy to criticise.&nbsp; It is impossible to deny to it rapidity,
+spirit, and a full sound; the lines are never lame, and the sense
+is carried forward with an uninterrupted, impetuous rush.&nbsp;
+But it is not equal.&nbsp; After passages of really admirable
+versification, the author falls back upon a sort of loose,
+cavalry manner, not unlike the style of some of Mr.
+Browning&rsquo;s minor pieces, and almost inseparable from
+wordiness, and an easy acceptation of somewhat cheap
+finish.&nbsp; There is nothing here of that compression which is
+the note of a really sovereign style.&nbsp; It is unfair,
+perhaps, to set a not remarkable passage from Lord Lytton side by
+side with one of the signal masterpieces of another, and a very
+perfect poet; and yet it is interesting, when we see how the
+portraiture of a dog, detailed through thirty odd lines, is
+frittered down and finally almost lost in the mere laxity of the
+style, to compare it with the clear, simple, vigorous delineation
+that Burns, in four couplets, has given us of the
+ploughman&rsquo;s collie.&nbsp; It is interesting, at first, and
+then it becomes a little irritating; for when we think of other
+passages so much more finished and adroit, we cannot help
+feeling, that with a little more ardour after perfection of form,
+criticism would have found nothing left for her to censure.&nbsp;
+A similar mark of precipitate work is the number of adjectives
+tumultuously heaped together, sometimes to help out the sense,
+and sometimes (as one cannot but suspect) to help out the sound
+of the verses.&nbsp; I do not believe, for instance, that Lord
+Lytton himself would defend the lines in which we are told how
+Laoco&ouml;n &lsquo;Revealed to Roman crowds, now
+<i>Christian</i> grown, That <i>Pagan</i> anguish which, in
+<i>Parian</i> stone, The <i>Rhodian</i> artist,&rsquo; and so
+on.&nbsp; It is not only that this is bad in itself; but that it
+is unworthy of the company in which it is found; that such verses
+should not have appeared with the name of a good versifier like
+Lord Lytton.&nbsp; We must take exception, also, in conclusion,
+to the excess of alliteration.&nbsp; Alliteration is so liable to
+be abused that we can scarcely be too sparing of it; and yet it
+is a trick that seems to grow upon the author with years.&nbsp;
+It is a pity to see fine verses, such as some in
+&lsquo;Demos,&rsquo; absolutely spoiled by the recurrence of one
+wearisome consonant.</p>
+<h3>CHAPTER II&mdash;SALVINI&rsquo;S MACBETH</h3>
+<p>Salvini closed his short visit to Edinburgh by a performance
+of <i>Macbeth</i>.&nbsp; It was, perhaps, from a sentiment of
+local colour that he chose to play the Scottish usurper for the
+first time before Scotsmen; and the audience were not insensible
+of the privilege.&nbsp; Few things, indeed, can move a stronger
+interest than to see a great creation taking shape for the first
+time.&nbsp; If it is not purely artistic, the sentiment is surely
+human.&nbsp; And the thought that you are before all the world,
+and have the start of so many others as eager as yourself, at
+least keeps you in a more unbearable suspense before the curtain
+rises, if it does not enhance the delight with which you follow
+the performance and see the actor &lsquo;bend up each corporal
+agent&rsquo; to realise a masterpiece of a few hours&rsquo;
+duration.&nbsp; With a player so variable as Salvini, who trusts
+to the feelings of the moment for so much detail, and who, night
+after night, does the same thing differently but always well, it
+can never be safe to pass judgment after a single hearing.&nbsp;
+And this is more particularly true of last week&rsquo;s
+<i>Macbeth</i>; for the whole third act was marred by a
+grievously humorous misadventure.&nbsp; Several minutes too soon
+the ghost of Banquo joined the party, and after having sat
+helpless a while at a table, was ignominiously withdrawn.&nbsp;
+Twice was this ghostly Jack-in-the-box obtruded on the stage
+before his time; twice removed again; and yet he showed so little
+hurry when he was really wanted, that, after an awkward pause,
+Macbeth had to begin his apostrophe to empty air.&nbsp; The
+arrival of the belated spectre in the middle, with a jerk that
+made him nod all over, was the last accident in the chapter, and
+worthily topped the whole.&nbsp; It may be imagined how lamely
+matters went throughout these cross purposes.</p>
+<p>In spite of this, and some other hitches, Salvini&rsquo;s
+Macbeth had an emphatic success.&nbsp; The creation is worthy of
+a place beside the same artist&rsquo;s Othello and Hamlet.&nbsp;
+It is the simplest and most unsympathetic of the three; but the
+absence of the finer lineaments of Hamlet is redeemed by gusto,
+breadth, and a headlong unity.&nbsp; Salvini sees nothing great
+in Macbeth beyond the royalty of muscle, and that courage which
+comes of strong and copious circulation.&nbsp; The moral
+smallness of the man is insisted on from the first, in the
+shudder of uncontrollable jealousy with which he sees Duncan
+embracing Banquo.&nbsp; He may have some northern poetry of
+speech, but he has not much logical understanding.&nbsp; In his
+dealings with the supernatural powers he is like a savage with
+his fetich, trusting them beyond bounds while all goes well, and
+whenever he is crossed, casting his belief aside and calling
+&lsquo;fate into the list.&rsquo;&nbsp; For his wife, he is
+little more than an agent, a frame of bone and sinew for her
+fiery spirit to command.&nbsp; The nature of his feeling towards
+her is rendered with a most precise and delicate touch.&nbsp; He
+always yields to the woman&rsquo;s fascination; and yet his
+caresses (and we know how much meaning Salvini can give to a
+caress) are singularly hard and unloving.&nbsp; Sometimes he lays
+his hand on her as he might take hold of any one who happened to
+be nearest to him at a moment of excitement.&nbsp; Love has
+fallen out of this marriage by the way, and left a curious
+friendship.&nbsp; Only once&mdash;at the very moment when she is
+showing herself so little a woman and so much a high-spirited
+man&mdash;only once is he very deeply stirred towards her; and
+that finds expression in the strange and horrible transport of
+admiration, doubly strange and horrible on Salvini&rsquo;s
+lips&mdash;&lsquo;Bring forth men-children only!&rsquo;</p>
+<p>The murder scene, as was to be expected, pleased the audience
+best.&nbsp; Macbeth&rsquo;s voice, in the talk with his wife, was
+a thing not to be forgotten; and when he spoke of his
+hangman&rsquo;s hands he seemed to have blood in his
+utterance.&nbsp; Never for a moment, even in the very article of
+the murder, does he possess his own soul.&nbsp; He is a man on
+wires.&nbsp; From first to last it is an exhibition of hideous
+cowardice.&nbsp; For, after all, it is not here, but in broad
+daylight, with the exhilaration of conflict, where he can assure
+himself at every blow he has the longest sword and the heaviest
+hand, that this man&rsquo;s physical bravery can keep him up; he
+is an unwieldy ship, and needs plenty of way on before he will
+steer.</p>
+<p>In the banquet scene, while the first murderer gives account
+of what he has done, there comes a flash of truculent joy at the
+&lsquo;twenty trench&egrave;d gashes&rsquo; on Banquo&rsquo;s
+head.&nbsp; Thus Macbeth makes welcome to his imagination those
+very details of physical horror which are so soon to turn sour in
+him.&nbsp; As he runs out to embrace these cruel circumstances,
+as he seeks to realise to his mind&rsquo;s eye the reassuring
+spectacle of his dead enemy, he is dressing out the phantom to
+terrify himself; and his imagination, playing the part of
+justice, is to &lsquo;commend to his own lips the ingredients of
+his poisoned chalice.&rsquo;&nbsp; With the recollection of
+Hamlet and his father&rsquo;s spirit still fresh upon him, and
+the holy awe with which that good man encountered things not
+dreamt of in his philosophy, it was not possible to avoid looking
+for resemblances between the two apparitions and the two men
+haunted.&nbsp; But there are none to be found.&nbsp; Macbeth has
+a purely physical dislike for Banquo&rsquo;s spirit and the
+&lsquo;twenty trench&egrave;d gashes.&rsquo;&nbsp; He is afraid
+of he knows not what.&nbsp; He is abject, and again
+blustering.&nbsp; In the end he so far forgets himself, his
+terror, and the nature of what is before him, that he rushes upon
+it as he would upon a man.&nbsp; When his wife tells him he needs
+repose, there is something really childish in the way he looks
+about the room, and, seeing nothing, with an expression of almost
+sensual relief, plucks up heart enough to go to bed.&nbsp; And
+what is the upshot of the visitation?&nbsp; It is written in
+Shakespeare, but should be read with the commentary of
+Salvini&rsquo;s voice and expression:&mdash;&lsquo;O! <i>siam
+nell&rsquo; opra ancor fanciulli</i>&rsquo;&mdash;&lsquo;We are
+yet but young in deed.&rsquo;&nbsp; Circle below circle.&nbsp; He
+is looking with horrible satisfaction into the mouth of
+hell.&nbsp; There may still be a prick to-day; but to-morrow
+conscience will be dead, and he may move untroubled in this
+element of blood.</p>
+<p>In the fifth act we see this lowest circle reached; and it is
+Salvini&rsquo;s finest moment throughout the play.&nbsp; From the
+first he was admirably made up, and looked Macbeth to the full as
+perfectly as ever he looked Othello.&nbsp; From the first moment
+he steps upon the stage you can see this character is a creation
+to the fullest meaning of the phrase; for the man before you is a
+type you know well already.&nbsp; He arrives with Banquo on the
+heath, fair and red-bearded, sparing of gesture, full of pride
+and the sense of animal wellbeing, and satisfied after the battle
+like a beast who has eaten his fill.&nbsp; But in the fifth act
+there is a change.&nbsp; This is still the big, burly, fleshly,
+handsome-looking Thane; here is still the same face which in the
+earlier acts could be superficially good-humoured and sometimes
+royally courteous.&nbsp; But now the atmosphere of blood, which
+pervades the whole tragedy, has entered into the man and subdued
+him to its own nature; and an indescribable degradation, a
+slackness and puffiness, has overtaken his features.&nbsp; He has
+breathed the air of carnage, and supped full of horrors.&nbsp;
+Lady Macbeth complains of the smell of blood on her hand: Macbeth
+makes no complaint&mdash;he has ceased to notice it now; but the
+same smell is in his nostrils.&nbsp; A contained fury and disgust
+possesses him.&nbsp; He taunts the messenger and the doctor as
+people would taunt their mortal enemies.&nbsp; And, indeed, as he
+knows right well, every one is his enemy now, except his
+wife.&nbsp; About her he questions the doctor with something like
+a last human anxiety; and, in tones of grisly mystery, asks him
+if he can &lsquo;minister to a mind diseased.&rsquo;&nbsp; When
+the news of her death is brought him, he is staggered and falls
+into a seat; but somehow it is not anything we can call grief
+that he displays.&nbsp; There had been two of them against God
+and man; and now, when there is only one, it makes perhaps less
+difference than he had expected.&nbsp; And so her death is not
+only an affliction, but one more disillusion; and he redoubles in
+bitterness.&nbsp; The speech that follows, given with tragic
+cynicism in every word, is a dirge, not so much for her as for
+himself.&nbsp; From that time forth there is nothing human left
+in him, only &lsquo;the fiend of Scotland,&rsquo; Macduff&rsquo;s
+&lsquo;hell-hound,&rsquo; whom, with a stern glee, we see baited
+like a bear and hunted down like a wolf.&nbsp; He is inspired and
+set above fate by a demoniacal energy, a lust of wounds and
+slaughter.&nbsp; Even after he meets Macduff his courage does not
+fail; but when he hears the Thane was not born of woman, all
+virtue goes out of him; and though he speaks sounding words of
+defiance, the last combat is little better than a suicide.</p>
+<p>The whole performance is, as I said, so full of gusto and a
+headlong unity; the personality of Macbeth is so sharp and
+powerful; and within these somewhat narrow limits there is so
+much play and saliency that, so far as concerns Salvini himself,
+a third great success seems indubitable.&nbsp; Unfortunately,
+however, a great actor cannot fill more than a very small
+fraction of the boards; and though Banquo&rsquo;s ghost will
+probably be more seasonable in his future apparitions, there are
+some more inherent difficulties in the piece.&nbsp; The company
+at large did not distinguish themselves.&nbsp; Macduff, to the
+huge delight of the gallery, out-Macduff&rsquo;d the average
+ranter.&nbsp; The lady who filled the principal female part has
+done better on other occasions, but I fear she has not metal for
+what she tried last week.&nbsp; Not to succeed in the
+sleep-walking scene is to make a memorable failure.&nbsp; As it
+was given, it succeeded in being wrong in art without being true
+to nature.</p>
+<p>And there is yet another difficulty, happily easy to reform,
+which somewhat interfered with the success of the
+performance.&nbsp; At the end of the incantation scene the
+Italian translator has made Macbeth fall insensible upon the
+stage.&nbsp; This is a change of questionable propriety from a
+psychological point of view; while in point of view of effect it
+leaves the stage for some moments empty of all business.&nbsp; To
+remedy this, a bevy of green ballet-girls came forth and pointed
+their toes about the prostrate king.&nbsp; A dance of High Church
+curates, or a hornpipe by Mr. T. P. Cooke, would not be more out
+of the key; though the gravity of a Scots audience was not to be
+overcome, and they merely expressed their disapprobation by a
+round of moderate hisses, a similar irruption of Christmas
+fairies would most likely convulse a London theatre from pit to
+gallery with inextinguishable laughter.&nbsp; It is, I am told,
+the Italian tradition; but it is one more honoured in the breach
+than the observance.&nbsp; With the total disappearance of these
+damsels, with a stronger Lady Macbeth, and, if possible, with
+some compression of those scenes in which Salvini does not
+appear, and the spectator is left at the mercy of Macduffs and
+Duncans, the play would go twice as well, and we should be better
+able to follow and enjoy an admirable work of dramatic art.</p>
+<h3>CHAPTER III&mdash;BAGSTER&rsquo;S &lsquo;PILGRIM&rsquo;S
+PROGRESS&rsquo;</h3>
+<p>I have here before me an edition of the <i>Pilgrim&rsquo;s
+Progress</i>, bound in green, without a date, and described as
+&lsquo;illustrated by nearly three hundred engravings, and memoir
+of Bunyan.&rsquo;&nbsp; On the outside it is lettered
+&lsquo;Bagster&rsquo;s Illustrated Edition,&rsquo; and after the
+author&rsquo;s apology, facing the first page of the tale, a
+folding pictorial &lsquo;Plan of the Road&rsquo; is marked as
+&lsquo;drawn by the late Mr. T. Conder,&rsquo; and engraved by J.
+Basire.&nbsp; No further information is anywhere vouchsafed;
+perhaps the publishers had judged the work too unimportant; and
+we are still left ignorant whether or not we owe the woodcuts in
+the body of the volume to the same hand that drew the plan.&nbsp;
+It seems, however, more than probable.&nbsp; The literal
+particularity of mind which, in the map, laid down the
+flower-plots in the devil&rsquo;s garden, and carefully
+introduced the court-house in the town of Vanity, is closely
+paralleled in many of the cuts; and in both, the architecture of
+the buildings and the disposition of the gardens have a kindred
+and entirely English air.&nbsp; Whoever he was, the author of
+these wonderful little pictures may lay claim to be the best
+illustrator of Bunyan. <a name="citation183"></a><a
+href="#footnote183" class="citation">[183]</a>&nbsp; They are not
+only good illustrations, like so many others; but they are like
+so few, good illustrations of Bunyan.&nbsp; Their spirit, in
+defect and quality, is still the same as his own.&nbsp; The
+designer also has lain down and dreamed a dream, as literal, as
+quaint, and almost as apposite as Bunyan&rsquo;s; and text and
+pictures make but the two sides of the same homespun yet
+impassioned story.&nbsp; To do justice to the designs, it will be
+necessary to say, for the hundredth time, a word or two about the
+masterpiece which they adorn.</p>
+<p>All allegories have a tendency to escape from the purpose of
+their creators; and as the characters and incidents become more
+and more interesting in themselves, the moral, which these were
+to show forth, falls more and more into neglect.&nbsp; An
+architect may command a wreath of vine-leaves round the cornice
+of a monument; but if, as each leaf came from the chisel, it took
+proper life and fluttered freely on the wall, and if the vine
+grew, and the building were hidden over with foliage and fruit,
+the architect would stand in much the same situation as the
+writer of allegories.&nbsp; The <i>Fa&euml;ry Queen</i> was an
+allegory, I am willing to believe; but it survives as an
+imaginative tale in incomparable verse.&nbsp; The case of Bunyan
+is widely different; and yet in this also Allegory, poor nymph,
+although never quite forgotten, is sometimes rudely thrust
+against the wall.&nbsp; Bunyan was fervently in earnest; with
+&lsquo;his fingers in his ears, he ran on,&rsquo; straight for
+his mark.&nbsp; He tells us himself, in the conclusion to the
+first part, that he did not fear to raise a laugh; indeed, he
+feared nothing, and said anything; and he was greatly served in
+this by a certain rustic privilege of his style, which, like the
+talk of strong uneducated men, when it does not impress by its
+force, still charms by its simplicity.&nbsp; The mere story and
+the allegorical design enjoyed perhaps his equal favour.&nbsp; He
+believed in both with an energy of faith that was capable of
+moving mountains.&nbsp; And we have to remark in him, not the
+parts where inspiration fails and is supplied by cold and merely
+decorative invention, but the parts where faith has grown to be
+credulity, and his characters become so real to him that he
+forgets the end of their creation.&nbsp; We can follow him step
+by step into the trap which he lays for himself by his own entire
+good faith and triumphant literality of vision, till the trap
+closes and shuts him in an inconsistency.&nbsp; The allegories of
+the Interpreter and of the Shepherds of the Delectable Mountains
+are all actually performed, like stage-plays, before the
+pilgrims.&nbsp; The son of Mr. Great-grace visibly &lsquo;tumbles
+hills about with his words.&rsquo;&nbsp; Adam the First has his
+condemnation written visibly on his forehead, so that Faithful
+reads it.&nbsp; At the very instant the net closes round the
+pilgrims, &lsquo;the white robe falls from the black man&rsquo;s
+body.&rsquo;&nbsp; Despair &lsquo;getteth him a grievous
+crab-tree cudgel&rsquo;; it was in &lsquo;sunshiny weather&rsquo;
+that he had his fits; and the birds in the grove about the House
+Beautiful, &lsquo;our country birds,&rsquo; only sing their
+little pious verses &lsquo;at the spring, when the flowers appear
+and the sun shines warm.&rsquo;&nbsp; &lsquo;I often,&rsquo; says
+Piety, &lsquo;go out to hear them; we also ofttimes keep them
+tame on our house.&rsquo;&nbsp; The post between Beulah and the
+Celestial City sounds his horn, as you may yet hear in country
+places.&nbsp; Madam Bubble, that &lsquo;tall, comely dame,
+something of a swarthy complexion, in very pleasant attire, but
+old,&rsquo; &lsquo;gives you a smile at the end of each
+sentence&rsquo;&mdash;a real woman she; we all know her.&nbsp;
+Christiana dying &lsquo;gave Mr. Stand-fast a ring,&rsquo; for no
+possible reason in the allegory, merely because the touch was
+human and affecting.&nbsp; Look at Great-heart, with his
+soldierly ways, garrison ways, as I had almost called them; with
+his taste in weapons; his delight in any that &lsquo;he found to
+be a man of his hands&rsquo;; his chivalrous point of honour,
+letting Giant Maul get up again when he was down, a thing fairly
+flying in the teeth of the moral; above all, with his language in
+the inimitable tale of Mr. Fearing: &lsquo;I thought I should
+have lost my
+man&rsquo;&mdash;&lsquo;chicken-hearted&rsquo;&mdash;&lsquo;at
+last he came in, and I will say that for my lord, he carried it
+wonderful lovingly to him.&rsquo;&nbsp; This is no Independent
+minister; this is a stout, honest, big-busted ancient, adjusting
+his shoulder-belts, twirling his long moustaches as he
+speaks.&nbsp; Last and most remarkable, &lsquo;My sword,&rsquo;
+says the dying Valiant-for-Truth, he in whom Great-heart
+delighted, &lsquo;my sword I give to him that shall succeed me in
+my pilgrimage, <i>and my courage and skill to him that can get
+it</i>.&rsquo;&nbsp; And after this boast, more arrogantly
+unorthodox than was ever dreamed of by the rejected Ignorance, we
+are told that &lsquo;all the trumpets sounded for him on the
+other side.&rsquo;</p>
+<p>In every page the book is stamped with the same energy of
+vision and the same energy of belief.&nbsp; The quality is
+equally and indifferently displayed in the spirit of the
+fighting, the tenderness of the pathos, the startling vigour and
+strangeness of the incidents, the natural strain of the
+conversations, and the humanity and charm of the
+characters.&nbsp; Trivial talk over a meal, the dying words of
+heroes, the delights of Beulah or the Celestial City, Apollyon
+and my Lord Hate-good, Great-heart, and Mr. Worldly-Wiseman, all
+have been imagined with the same clearness, all written of with
+equal gusto and precision, all created in the same mixed element,
+of simplicity that is almost comical, and art that, for its
+purpose, is faultless.</p>
+<p>It was in much the same spirit that our artist sat down to his
+drawings.&nbsp; He is by nature a Bunyan of the pencil.&nbsp; He,
+too, will draw anything, from a butcher at work on a dead sheep,
+up to the courts of Heaven.&nbsp; &lsquo;A Lamb for Supper&rsquo;
+is the name of one of his designs, &lsquo;Their Glorious
+Entry&rsquo; of another.&nbsp; He has the same disregard for the
+ridiculous, and enjoys somewhat of the same privilege of style,
+so that we are pleased even when we laugh the most.&nbsp; He is
+literal to the verge of folly.&nbsp; If dust is to be raised from
+the unswept parlour, you may be sure it will &lsquo;fly
+abundantly&rsquo; in the picture.&nbsp; If Faithful is to lie
+&lsquo;as dead&rsquo; before Moses, dead he shall lie with a
+warrant&mdash;dead and stiff like granite; nay (and here the
+artist must enhance upon the symbolism of the author), it is with
+the identical stone tables of the law that Moses fells the
+sinner.&nbsp; Good and bad people, whom we at once distinguish in
+the text by their names, Hopeful, Honest, and Valiant-for-Truth,
+on the one hand, as against By-ends, Sir Having Greedy, and the
+Lord Old-man on the other, are in these drawings as simply
+distinguished by their costume.&nbsp; Good people, when not armed
+<i>cap-&agrave;-pie</i>, wear a speckled tunic girt about the
+waist, and low hats, apparently of straw.&nbsp; Bad people
+swagger in tail-coats and chimney-pots, a few with knee-breeches,
+but the large majority in trousers, and for all the world like
+guests at a garden-party.&nbsp; Worldly-Wiseman alone, by some
+inexplicable quirk, stands before Christian in laced hat,
+embroidered waistcoat, and trunk-hose.&nbsp; But above all
+examples of this artist&rsquo;s intrepidity, commend me to the
+print entitled &lsquo;Christian Finds it Deep.&rsquo;&nbsp;
+&lsquo;A great darkness and horror,&rsquo; says the text, have
+fallen on the pilgrim; it is the comfortless deathbed with which
+Bunyan so strikingly concludes the sorrows and conflicts of his
+hero.&nbsp; How to represent this worthily the artist knew not;
+and yet he was determined to represent it somehow.&nbsp; This was
+how he did: Hopeful is still shown to his neck above the water of
+death; but Christian has bodily disappeared, and a blot of solid
+blackness indicates his place.</p>
+<p>As you continue to look at these pictures, about an inch
+square for the most part, sometimes printed three or more to the
+page, and each having a printed legend of its own, however
+trivial the event recorded, you will soon become aware of two
+things: first, that the man can draw, and, second, that he
+possesses the gift of an imagination.&nbsp; &lsquo;Obstinate
+reviles,&rsquo; says the legend; and you should see Obstinate
+reviling.&nbsp; &lsquo;He warily retraces his steps&rsquo;; and
+there is Christian, posting through the plain, terror and speed
+in every muscle.&nbsp; &lsquo;Mercy yearns to go&rsquo; shows you
+a plain interior with packing going forward, and, right in the
+middle, Mercy yearning to go&mdash;every line of the girl&rsquo;s
+figure yearning.&nbsp; In &lsquo;The Chamber called Peace&rsquo;
+we see a simple English room, bed with white curtains, window
+valance and door, as may be found in many thousand unpretentious
+houses; but far off, through the open window, we behold the sun
+uprising out of a great plain, and Christian hails it with his
+hand:</p>
+<blockquote><p>&lsquo;Where am I now! is this the love and
+care<br />
+Of Jesus, for the men that pilgrims are!<br />
+Thus to provide!&nbsp; That I should be forgiven!<br />
+And dwell already the next door to heaven!&rsquo;</p>
+</blockquote>
+<p>A page or two further, from the top of the House Beautiful,
+the damsels point his gaze toward the Delectable Mountains:
+&lsquo;The Prospect,&rsquo; so the cut is ticketed&mdash;and I
+shall be surprised, if on less than a square inch of paper you
+can show me one so wide and fair.&nbsp; Down a cross road on an
+English plain, a cathedral city outlined on the horizon, a hazel
+shaw upon the left, comes Madam Wanton dancing with her fair
+enchanted cup, and Faithful, book in hand, half pauses.&nbsp; The
+cut is perfect as a symbol; the giddy movement of the sorceress,
+the uncertain poise of the man struck to the heart by a
+temptation, the contrast of that even plain of life whereon he
+journeys with the bold, ideal bearing of the wanton&mdash;the
+artist who invented and portrayed this had not merely read
+Bunyan, he had also thoughtfully lived.&nbsp; The Delectable
+Mountains&mdash;I continue skimming the first part&mdash;are not
+on the whole happily rendered.&nbsp; Once, and once only, the
+note is struck, when Christian and Hopeful are seen coming,
+shoulder-high, through a thicket of green shrubs&mdash;box,
+perhaps, or perfumed nutmeg; while behind them, domed or pointed,
+the hills stand ranged against the sky.&nbsp; A little further,
+and we come to that masterpiece of Bunyan&rsquo;s insight into
+life, the Enchanted Ground; where, in a few traits, he has set
+down the latter end of such a number of the would-be good; where
+his allegory goes so deep that, to people looking seriously on
+life, it cuts like satire.&nbsp; The true significance of this
+invention lies, of course, far out of the way of drawing; only
+one feature, the great tedium of the land, the growing weariness
+in well-doing, may be somewhat represented in a symbol.&nbsp; The
+pilgrims are near the end: &lsquo;Two Miles Yet,&rsquo; says the
+legend.&nbsp; The road goes ploughing up and down over a rolling
+heath; the wayfarers, with outstretched arms, are already sunk to
+the knees over the brow of the nearest hill; they have just
+passed a milestone with the cipher two; from overhead a great,
+piled, summer cumulus, as of a slumberous summer afternoon,
+beshadows them: two miles! it might be hundreds.&nbsp; In dealing
+with the Land of Beulah the artist lags, in both parts, miserably
+behind the text, but in the distant prospect of the Celestial
+City more than regains his own.&nbsp; You will remember when
+Christian and Hopeful &lsquo;with desire fell sick.&rsquo;&nbsp;
+&lsquo;Effect of the Sunbeams&rsquo; is the artist&rsquo;s
+title.&nbsp; Against the sky, upon a cliffy mountain, the radiant
+temple beams upon them over deep, subjacent woods; they, behind a
+mound, as if seeking shelter from the splendour&mdash;one
+prostrate on his face, one kneeling, and with hands ecstatically
+lifted&mdash;yearn with passion after that immortal city.&nbsp;
+Turn the page, and we behold them walking by the very shores of
+death; Heaven, from this nigher view, has risen half-way to the
+zenith, and sheds a wider glory; and the two pilgrims, dark
+against that brightness, walk and sing out of the fulness of
+their hearts.&nbsp; No cut more thoroughly illustrates at once
+the merit and the weakness of the artist.&nbsp; Each pilgrim
+sings with a book in his grasp&mdash;a family Bible at the least
+for bigness; tomes so recklessly enormous that our second,
+impulse is to laughter.&nbsp; And yet that is not the first
+thought, nor perhaps the last.&nbsp; Something in the attitude of
+the manikins&mdash;faces they have none, they are too small for
+that&mdash;something in the way they swing these monstrous
+volumes to their singing, something perhaps borrowed from the
+text, some subtle differentiation from the cut that went before
+and the cut that follows after&mdash;something, at least, speaks
+clearly of a fearful joy, of Heaven seen from the deathbed, of
+the horror of the last passage no less than of the glorious
+coming home.&nbsp; There is that in the action of one of them
+which always reminds me, with a difference, of that haunting last
+glimpse of Thomas Idle, travelling to Tyburn in the cart.&nbsp;
+Next come the Shining Ones, wooden and trivial enough; the
+pilgrims pass into the river; the blot already mentioned settles
+over and obliterates Christian.&nbsp; In two more cuts we behold
+them drawing nearer to the other shore; and then, between two
+radiant angels, one of whom points upward, we see them mounting
+in new weeds, their former lendings left behind them on the inky
+river.&nbsp; More angels meet them; Heaven is displayed, and if
+no better, certainly no worse, than it has been shown by
+others&mdash;a place, at least, infinitely populous and glorious
+with light&mdash;a place that haunts solemnly the hearts of
+children.&nbsp; And then this symbolic draughtsman once more
+strikes into his proper vein.&nbsp; Three cuts conclude the first
+part.&nbsp; In the first the gates close, black against the glory
+struggling from within.&nbsp; The second shows us
+Ignorance&mdash;alas! poor Arminian!&mdash;hailing, in a sad
+twilight, the ferryman Vain-Hope; and in the third we behold him,
+bound hand and foot, and black already with the hue of his
+eternal fate, carried high over the mountain-tops of the world by
+two angels of the anger of the Lord.&nbsp; &lsquo;Carried to
+Another Place,&rsquo; the artist enigmatically names his
+plate&mdash;a terrible design.</p>
+<p>Wherever he touches on the black side of the supernatural his
+pencil grows more daring and incisive.&nbsp; He has many true
+inventions in the perilous and diabolic; he has many startling
+nightmares realised.&nbsp; It is not easy to select the best;
+some may like one and some another; the nude, depilated devil
+bounding and casting darts against the Wicket Gate; the scroll of
+flying horrors that hang over Christian by the Mouth of Hell; the
+horned shade that comes behind him whispering blasphemies; the
+daylight breaking through that rent cave-mouth of the mountains
+and falling chill adown the haunted tunnel; Christian&rsquo;s
+further progress along the causeway, between the two black pools,
+where, at every yard or two, a gin, a pitfall, or a snare awaits
+the passer-by&mdash;loathsome white devilkins harbouring close
+under the bank to work the springes, Christian himself pausing
+and pricking with his sword&rsquo;s point at the nearest noose,
+and pale discomfortable mountains rising on the farther side; or
+yet again, the two ill-favoured ones that beset the first of
+Christian&rsquo;s journey, with the frog-like structure of the
+skull, the frog-like limberness of limbs&mdash;crafty, slippery,
+lustful-looking devils, drawn always in outline as though
+possessed of a dim, infernal luminosity.&nbsp; Horrid fellows are
+they, one and all; horrid fellows and horrific scenes.&nbsp; In
+another spirit that Good-Conscience &lsquo;to whom Mr. Honest had
+spoken in his lifetime,&rsquo; a cowled, grey, awful figure, one
+hand pointing to the heavenly shore, realises, I will not say
+all, but some at least of the strange impressiveness of
+Bunyan&rsquo;s words.&nbsp; It is no easy nor pleasant thing to
+speak in one&rsquo;s lifetime with Good-Conscience; he is an
+austere, unearthly friend, whom maybe Torquemada knew; and the
+folds of his raiment are not merely claustral, but have something
+of the horror of the pall.&nbsp; Be not afraid, however; with the
+hand of that appearance Mr. Honest will get safe across.</p>
+<p>Yet perhaps it is in sequences that this artist best displays
+himself.&nbsp; He loves to look at either side of a thing: as,
+for instance, when he shows us both sides of the
+wall&mdash;&lsquo;Grace Inextinguishable&rsquo; on the one side,
+with the devil vainly pouring buckets on the flame, and
+&lsquo;The Oil of Grace&rsquo; on the other, where the Holy
+Spirit, vessel in hand, still secretly supplies the fire.&nbsp;
+He loves, also, to show us the same event twice over, and to
+repeat his instantaneous photographs at the interval of but a
+moment.&nbsp; So we have, first, the whole troop of pilgrims
+coming up to Valiant, and Great-heart to the front, spear in hand
+and parleying; and next, the same cross-roads, from a more
+distant view, the convoy now scattered and looking safely and
+curiously on, and Valiant handing over for inspection his
+&lsquo;right Jerusalem blade.&rsquo;&nbsp; It is true that this
+designer has no great care after consistency: Apollyon&rsquo;s
+spear is laid by, his quiver of darts will disappear, whenever
+they might hinder the designer&rsquo;s freedom; and the
+fiend&rsquo;s tail is blobbed or forked at his good
+pleasure.&nbsp; But this is not unsuitable to the illustration of
+the fervent Bunyan, breathing hurry and momentary
+inspiration.&nbsp; He, with his hot purpose, hunting sinners with
+a lasso, shall himself forget the things that he has written
+yesterday.&nbsp; He shall first slay Heedless in the Valley of
+the Shadow, and then take leave of him talking in his sleep, as
+if nothing had happened, in an arbour on the Enchanted
+Ground.&nbsp; And again, in his rhymed prologue, he shall assign
+some of the glory of the siege of Doubting Castle to his
+favourite Valiant-for-the-Truth, who did not meet with the
+besiegers till long after, at that dangerous corner by
+Deadman&rsquo;s Lane.&nbsp; And, with all inconsistencies and
+freedoms, there is a power shown in these sequences of cuts: a
+power of joining on one action or one humour to another; a power
+of following out the moods, even of the dismal subterhuman fiends
+engendered by the artist&rsquo;s fancy; a power of sustained
+continuous realisation, step by step, in nature&rsquo;s order,
+that can tell a story, in all its ins and outs, its pauses and
+surprises, fully and figuratively, like the art of words.</p>
+<p>One such sequence is the fight of Christian and
+Apollyon&mdash;six cuts, weird and fiery, like the text.&nbsp;
+The pilgrim is throughout a pale and stockish figure; but the
+devil covers a multitude of defects.&nbsp; There is no better
+devil of the conventional order than our artist&rsquo;s Apollyon,
+with his mane, his wings, his bestial legs, his changing and
+terrifying expression, his infernal energy to slay.&nbsp; In cut
+the first you see him afar off, still obscure in form, but
+already formidable in suggestion.&nbsp; Cut the second,
+&lsquo;The Fiend in Discourse,&rsquo; represents him, not
+reasoning, railing rather, shaking his spear at the pilgrim, his
+shoulder advanced, his tail writhing in the air, his foot ready
+for a spring, while Christian stands back a little, timidly
+defensive.&nbsp; The third illustrates these magnificent words:
+&lsquo;Then Apollyon straddled quite over the whole breadth of
+the way, and said, I am void of fear in this matter: prepare
+thyself to die; for I swear by my infernal den that thou shalt go
+no farther: here will I spill thy soul!&nbsp; And with that he
+threw a flaming dart at his breast.&rsquo;&nbsp; In the cut he
+throws a dart with either hand, belching pointed flames out of
+his mouth, spreading his broad vans, and straddling the while
+across the path, as only a fiend can straddle who has just sworn
+by his infernal den.&nbsp; The defence will not be long against
+such vice, such flames, such red-hot nether energy.&nbsp; And in
+the fourth cut, to be sure, he has leaped bodily upon his victim,
+sped by foot and pinion, and roaring as he leaps.&nbsp; The fifth
+shows the climacteric of the battle; Christian has reached nimbly
+out and got his sword, and dealt that deadly home-thrust, the
+fiend still stretched upon him, but &lsquo;giving back, as one
+that had received his mortal wound.&rsquo;&nbsp; The raised head,
+the bellowing mouth, the paw clapped upon the sword, the one wing
+relaxed in agony, all realise vividly these words of the
+text.&nbsp; In the sixth and last, the trivial armed figure of
+the pilgrim is seen kneeling with clasped hands on the betrodden
+scene of contest and among the shivers of the darts; while just
+at the margin the hinder quarters and the tail of Apollyon are
+whisking off, indignant and discounted.</p>
+<p>In one point only do these pictures seem to be unworthy of the
+text, and that point is one rather of the difference of arts than
+the difference of artists.&nbsp; Throughout his best and worst,
+in his highest and most divine imaginations as in the narrowest
+sallies of his sectarianism, the human-hearted piety of Bunyan
+touches and ennobles, convinces, accuses the reader.&nbsp;
+Through no art beside the art of words can the kindness of a
+man&rsquo;s affections be expressed.&nbsp; In the cuts you shall
+find faithfully parodied the quaintness and the power, the
+triviality and the surprising freshness of the author&rsquo;s
+fancy; there you shall find him out-stripped in ready symbolism
+and the art of bringing things essentially invisible before the
+eyes: but to feel the contact of essential goodness, to be made
+in love with piety, the book must be read and not the prints
+examined.</p>
+<p>Farewell should not be taken with a grudge; nor can I dismiss
+in any other words than those of gratitude a series of pictures
+which have, to one at least, been the visible embodiment of
+Bunyan from childhood up, and shown him, through all his years,
+Great-heart lungeing at Giant Maul, and Apollyon breathing fire
+at Christian, and every turn and town along the road to the
+Celestial City, and that bright place itself, seen as to a stave
+of music, shining afar off upon the hill-top, the candle of the
+world.</p>
+<h2>SKETCHES</h2>
+<h3>I.&nbsp; THE SATIRIST</h3>
+<p>My companion enjoyed a cheap reputation for wit and
+insight.&nbsp; He was by habit and repute a satirist.&nbsp; If he
+did occasionally condemn anything or anybody who richly deserved
+it, and whose demerits had hitherto escaped, it was simply
+because he condemned everything and everybody.&nbsp; While I was
+with him he disposed of St. Paul with an epigram, shook my
+reverence for Shakespeare in a neat antithesis, and fell foul of
+the Almighty Himself, on the score of one or two out of the ten
+commandments.&nbsp; Nothing escaped his blighting censure.&nbsp;
+At every sentence he overthrew an idol, or lowered my estimation
+of a friend.&nbsp; I saw everything with new eyes, and could only
+marvel at my former blindness.&nbsp; How was it possible that I
+had not before observed A&rsquo;s false hair, B&rsquo;s
+selfishness, or C&rsquo;s boorish manners?&nbsp; I and my
+companion, methought, walked the streets like a couple of gods
+among a swarm of vermin; for every one we saw seemed to bear
+openly upon his brow the mark of the apocalyptic beast.&nbsp; I
+half expected that these miserable beings, like the people of
+Lystra, would recognise their betters and force us to the altar;
+in which case, warned by the late of Paul and Barnabas, I do not
+know that my modesty would have prevailed upon me to
+decline.&nbsp; But there was no need for such churlish
+virtue.&nbsp; More blinded than the Lycaonians, the people saw no
+divinity in our gait; and as our temporary godhead lay more in
+the way of observing than healing their infirmities, we were
+content to pass them by in scorn.</p>
+<p>I could not leave my companion, not from regard or even from
+interest, but from a very natural feeling, inseparable from the
+case.&nbsp; To understand it, let us take a simile.&nbsp; Suppose
+yourself walking down the street with a man who continues to
+sprinkle the crowd out of a flask of vitriol.&nbsp; You would be
+much diverted with the grimaces and contortions of his victims;
+and at the same time you would fear to leave his arm until his
+bottle was empty, knowing that, when once among the crowd, you
+would run a good chance yourself of baptism with his biting
+liquor.&nbsp; Now my companion&rsquo;s vitriol was
+inexhaustible.</p>
+<p>It was perhaps the consciousness of this, the knowledge that I
+was being anointed already out of the vials of his wrath, that
+made me fall to criticising the critic, whenever we had
+parted.</p>
+<p>After all, I thought, our satirist has just gone far enough
+into his neighbours to find that the outside is false, without
+caring to go farther and discover what is really true.&nbsp; He
+is content to find that things are not what they seem, and
+broadly generalises from it that they do not exist at all.&nbsp;
+He sees our virtues are not what they pretend they are; and, on
+the strength of that, he denies us the possession of virtue
+altogether.&nbsp; He has learnt the first lesson, that no man is
+wholly good; but he has not even suspected that there is another
+equally true, to wit, that no man is wholly bad.&nbsp; Like the
+inmate of a coloured star, he has eyes for one colour
+alone.&nbsp; He has a keen scent after evil, but his nostrils are
+plugged against all good, as people plugged their nostrils before
+going about the streets of the plague-struck city.</p>
+<p>Why does he do this?&nbsp; It is most unreasonable to flee the
+knowledge of good like the infection of a horrible disease, and
+batten and grow fat in the real atmosphere of a
+lazar-house.&nbsp; This was my first thought; but my second was
+not like unto it, and I saw that our satirist was wise, wise in
+his generation, like the unjust steward.&nbsp; He does not want
+light, because the darkness is more pleasant.&nbsp; He does not
+wish to see the good, because he is happier without it.&nbsp; I
+recollect that when I walked with him, I was in a state of divine
+exaltation, such as Adam and Eve must have enjoyed when the
+savour of the fruit was still unfaded between their lips; and I
+recognise that this must be the man&rsquo;s habitual state.&nbsp;
+He has the forbidden fruit in his waist-coat pocket, and can make
+himself a god as often and as long as he likes.&nbsp; He has
+raised himself upon a glorious pedestal above his fellows; he has
+touched the summit of ambition; and he envies neither King nor
+Kaiser, Prophet nor Priest, content in an elevation as high as
+theirs, and much more easily attained.&nbsp; Yes, certes, much
+more easily attained.&nbsp; He has not risen by climbing himself,
+but by pushing others down.&nbsp; He has grown great in his own
+estimation, not by blowing himself out, and risking the fate of
+&AElig;sop&rsquo;s frog, but simply by the habitual use of a
+diminishing glass on everybody else.&nbsp; And I think altogether
+that his is a better, a safer, and a surer recipe than most
+others.</p>
+<p>After all, however, looking back on what I have written, I
+detect a spirit suspiciously like his own.&nbsp; All through, I
+have been comparing myself with our satirist, and all through, I
+have had the best of the comparison.&nbsp; Well, well, contagion
+is as often mental as physical; and I do not think my readers,
+who have all been under his lash, will blame me very much for
+giving the headsman a mouthful of his own sawdust.</p>
+<h3>II.&nbsp; NUITS BLANCHES</h3>
+<p>If any one should know the pleasure and pain of a sleepless
+night, it should be I.&nbsp; I remember, so long ago, the sickly
+child that woke from his few hours&rsquo; slumber with the sweat
+of a nightmare on his brow, to lie awake and listen and long for
+the first signs of life among the silent streets.&nbsp; These
+nights of pain and weariness are graven on my mind; and so when
+the same thing happened to me again, everything that I heard or
+saw was rather a recollection than a discovery.</p>
+<p>Weighed upon by the opaque and almost sensible darkness, I
+listened eagerly for anything to break the sepulchral
+quiet.&nbsp; But nothing came, save, perhaps, an emphatic crack
+from the old cabinet that was made by Deacon Brodie, or the dry
+rustle of the coals on the extinguished fire.&nbsp; It was a
+calm; or I know that I should have heard in the roar and clatter
+of the storm, as I have not heard it for so many years, the wild
+career of a horseman, always scouring up from the distance and
+passing swiftly below the window; yet always returning again from
+the place whence first he came, as though, baffled by some higher
+power, he had retraced his steps to gain impetus for another and
+another attempt.</p>
+<p>As I lay there, there arose out of the utter stillness the
+rumbling of a carriage a very great way off, that drew near, and
+passed within a few streets of the house, and died away as
+gradually as it had arisen.&nbsp; This, too, was as a
+reminiscence.</p>
+<p>I rose and lifted a corner of the blind.&nbsp; Over the black
+belt of the garden I saw the long line of Queen Street, with here
+and there a lighted window.&nbsp; How often before had my nurse
+lifted me out of bed and pointed them out to me, while we
+wondered together if, there also, there were children that could
+not sleep, and if these lighted oblongs were signs of those that
+waited like us for the morning.</p>
+<p>I went out into the lobby, and looked down into the great deep
+well of the staircase.&nbsp; For what cause I know not, just as
+it used to be in the old days that the feverish child might be
+the better served, a peep of gas illuminated a narrow circle far
+below me.&nbsp; But where I was, all was darkness and silence,
+save the dry monotonous ticking of the clock that came
+ceaselessly up to my ear.</p>
+<p>The final crown of it all, however, the last touch of
+reproduction on the pictures of my memory, was the arrival of
+that time for which, all night through, I waited and longed of
+old.&nbsp; It was my custom, as the hours dragged on, to repeat
+the question, &lsquo;When will the carts come in?&rsquo; and
+repeat it again and again until at last those sounds arose in the
+street that I have heard once more this morning.&nbsp; The road
+before our house is a great thoroughfare for early carts.&nbsp; I
+know not, and I never have known, what they carry, whence they
+come, or whither they go.&nbsp; But I know that, long ere dawn,
+and for hours together, they stream continuously past, with the
+same rolling and jerking of wheels and the same clink of
+horses&rsquo; feet.&nbsp; It was not for nothing that they made
+the burthen of my wishes all night through.&nbsp; They are really
+the first throbbings of life, the harbingers of day; and it
+pleases you as much to hear them as it must please a shipwrecked
+seaman once again to grasp a hand of flesh and blood after years
+of miserable solitude.&nbsp; They have the freshness of the
+daylight life about them.&nbsp; You can hear the carters cracking
+their whips and crying hoarsely to their horses or to one
+another; and sometimes even a peal of healthy, harsh
+horse-laughter comes up to you through the darkness.&nbsp; There
+is now an end of mystery and fear.&nbsp; Like the knocking at the
+door in <i>Macbeth</i>, <a name="citation205"></a><a
+href="#footnote205" class="citation">[205]</a> or the cry of the
+watchman in the <i>Tour de Nesle</i>, they show that the horrible
+c&aelig;sura is over and the nightmares have fled away, because
+the day is breaking and the ordinary life of men is beginning to
+bestir itself among the streets.</p>
+<p>In the middle of it all I fell asleep, to be wakened by the
+officious knocking at my door, and I find myself twelve years
+older than I had dreamed myself all night.</p>
+<h3>III.&nbsp; THE WREATH OF IMMORTELLES</h3>
+<p>It is all very well to talk of death as &lsquo;a pleasant
+potion of immortality&rsquo;, but the most of us, I suspect, are
+of &lsquo;queasy stomachs,&rsquo; and find it none of the
+sweetest. <a name="citation206a"></a><a href="#footnote206a"
+class="citation">[206a]</a>&nbsp; The graveyard may be cloak-room
+to Heaven; but we must admit that it is a very ugly and offensive
+vestibule in itself, however fair may be the life to which it
+leads.&nbsp; And though Enoch and Elias went into the temple
+through a gate which certainly may be called Beautiful, the rest
+of us have to find our way to it through Ezekiel&rsquo;s
+low-bowed door and the vault full of creeping things and all
+manner of abominable beasts.&nbsp; Nevertheless, there is a
+certain frame of mind to which a cemetery is, if not an antidote,
+at least an alleviation.&nbsp; If you are in a fit of the blues,
+go nowhere else.&nbsp; It was in obedience to this wise
+regulation that the other morning found me lighting my pipe at
+the entrance to Old Greyfriars&rsquo;, thoroughly sick of the
+town, the country, and myself.</p>
+<p>Two of the men were talking at the gate, one of them carrying
+a spade in hands still crusted with the soil of graves.&nbsp;
+Their very aspect was delightful to me; and I crept nearer to
+them, thinking to pick up some snatch of sexton gossip, some
+&lsquo;talk fit for a charnel,&rsquo; <a
+name="citation206b"></a><a href="#footnote206b"
+class="citation">[206b]</a> something, in fine, worthy of that
+fastidious logician, that adept in coroner&rsquo;s law, who has
+come down to us as the patron of Yaughan&rsquo;s liquor, and the
+very prince of gravediggers.&nbsp; Scots people in general are so
+much wrapped up in their profession that I had a good chance of
+overhearing such conversation: the talk of fish-mongers running
+usually on stockfish and haddocks; while of the Scots sexton I
+could repeat stories and speeches that positively smell of the
+graveyard.&nbsp; But on this occasion I was doomed to
+disappointment.&nbsp; My two friends were far into the region of
+generalities.&nbsp; Their profession was forgotten in their
+electorship.&nbsp; Politics had engulfed the narrower economy of
+grave-digging.&nbsp; &lsquo;Na, na,&rsquo; said the one,
+&lsquo;ye&rsquo;re a&rsquo; wrang.&rsquo;&nbsp; &lsquo;The
+English and Irish Churches,&rsquo; answered the other, in a tone
+as if he had made the remark before, and it had been called in
+question&mdash;&lsquo;The English and Irish Churches have
+<i>impoverished</i> the country.&rsquo;</p>
+<p>&lsquo;Such are the results of education,&rsquo; thought I as
+I passed beside them and came fairly among the tombs.&nbsp; Here,
+at least, there were no commonplace politics, no diluted
+this-morning&rsquo;s leader, to distract or offend me.&nbsp; The
+old shabby church showed, as usual, its quaint extent of roofage
+and the relievo skeleton on one gable, still blackened with the
+fire of thirty years ago.&nbsp; A chill dank mist lay over
+all.&nbsp; The Old Greyfriars&rsquo; churchyard was in perfection
+that morning, and one could go round and reckon up the
+associations with no fear of vulgar interruption.&nbsp; On this
+stone the Covenant was signed.&nbsp; In that vault, as the story
+goes, John Knox took hiding in some Reformation broil.&nbsp; From
+that window Burke the murderer looked out many a time across the
+tombs, and perhaps o&rsquo; nights let himself down over the sill
+to rob some new-made grave.&nbsp; Certainly he would have a
+selection here.&nbsp; The very walks have been carried over
+forgotten resting-places; and the whole ground is uneven, because
+(as I was once quaintly told) &lsquo;when the wood rots it stands
+to reason the soil should fall in,&rsquo; which, from the law of
+gravitation, is certainly beyond denial.&nbsp; But it is round
+the boundary that there are the finest tombs.&nbsp; The whole
+irregular space is, as it were, fringed with quaint old
+monuments, rich in death&rsquo;s-heads and scythes and
+hour-glasses, and doubly rich in pious epitaphs and Latin
+mottoes&mdash;rich in them to such an extent that their proper
+space has run over, and they have crawled end-long up the shafts
+of columns and ensconced themselves in all sorts of odd corners
+among the sculpture.&nbsp; These tombs raise their backs against
+the rabble of squalid dwelling-houses, and every here and there a
+clothes-pole projects between two monuments its fluttering trophy
+of white and yellow and red.&nbsp; With a grim irony they recall
+the banners in the Invalides, banners as appropriate perhaps over
+the sepulchres of tailors and weavers as these others above the
+dust of armies.&nbsp; Why they put things out to dry on that
+particular morning it was hard to imagine.&nbsp; The grass was
+grey with drops of rain, the headstones black with
+moisture.&nbsp; Yet, in despite of weather and common sense,
+there they hung between the tombs; and beyond them I could see
+through open windows into miserable rooms where whole families
+were born and fed, and slept and died.&nbsp; At one a girl sat
+singing merrily with her back to the graveyard; and from another
+came the shrill tones of a scolding woman.&nbsp; Every here and
+there was a town garden full of sickly flowers, or a pile of
+crockery inside upon the window-seat.&nbsp; But you do not grasp
+the full connection between these houses of the dead and the
+living, the unnatural marriage of stately sepulchres and squalid
+houses, till, lower down, where the road has sunk far below the
+surface of the cemetery, and the very roofs are scarcely on a
+level with its wall, you observe that a proprietor has taken
+advantage of a tall monument and trained a chimney-stack against
+its back.&nbsp; It startles you to see the red, modern pots
+peering over the shoulder of the tomb.</p>
+<p>A man was at work on a grave, his spade clinking away the
+drift of bones that permeates the thin brown soil; but my first
+disappointment had taught me to expect little from
+Greyfriars&rsquo; sextons, and I passed him by in silence.&nbsp;
+A slater on the slope of a neighbouring roof eyed me
+curiously.&nbsp; A lean black cat, looking as if it had battened
+on strange meats, slipped past me.&nbsp; A little boy at a window
+put his finger to his nose in so offensive a manner that I was
+put upon my dignity, and turned grandly off to read old epitaphs
+and peer through the gratings into the shadow of vaults.</p>
+<p>Just then I saw two women coming down a path, one of them old,
+and the other younger, with a child in her arms.&nbsp; Both had
+faces eaten with famine and hardened with sin, and both had
+reached that stage of degradation, much lower in a woman than a
+man, when all care for dress is lost.&nbsp; As they came down
+they neared a grave, where some pious friend or relative had laid
+a wreath of immortelles, and put a bell glass over it, as is the
+custom.&nbsp; The effect of that ring of dull yellow among so
+many blackened and dusty sculptures was more pleasant than it is
+in modern cemeteries, where every second mound can boast a
+similar coronal; and here, where it was the exception and not the
+rule, I could even fancy the drops of moisture that dimmed the
+covering were the tears of those who laid it where it was.&nbsp;
+As the two women came up to it, one of them kneeled down on the
+wet grass and looked long and silently through the clouded shade,
+while the second stood above her, gently oscillating to and fro
+to lull the muling baby.&nbsp; I was struck a great way off with
+something religious in the attitude of these two unkempt and
+haggard women; and I drew near faster, but still cautiously, to
+hear what they were saying.&nbsp; Surely on them the spirit of
+death and decay had descended; I had no education to dread here:
+should I not have a chance of seeing nature?&nbsp; Alas! a
+pawnbroker could not have been more practical and commonplace,
+for this was what the kneeling woman said to the woman
+upright&mdash;this and nothing more: &lsquo;Eh, what
+extravagance!&rsquo;</p>
+<p>O nineteenth century, wonderful art thou
+indeed&mdash;wonderful, but wearisome in thy stale and deadly
+uniformity.&nbsp; Thy men are more like numerals than men.&nbsp;
+They must bear their idiosyncrasies or their professions written
+on a placard about their neck, like the scenery in
+Shakespeare&rsquo;s theatre.&nbsp; Thy precepts of economy have
+pierced into the lowest ranks of life; and there is now a decorum
+in vice, a respectability among the disreputable, a pure spirit
+of Philistinism among the waifs and strays of thy Bohemia.&nbsp;
+For lo! thy very gravediggers talk politics; and thy castaways
+kneel upon new graves, to discuss the cost of the monument and
+grumble at the improvidence of love.</p>
+<p>Such was the elegant apostrophe that I made as I went out of
+the gates again, happily satisfied in myself, and feeling that I
+alone of all whom I had seen was able to profit by the silent
+poem of these green mounds and blackened headstones.</p>
+<h3>IV.&nbsp; NURSES</h3>
+<p>I knew one once, and the room where, lonely and old, she
+waited for death.&nbsp; It was pleasant enough, high up above the
+lane, and looking forth upon a hill-side, covered all day with
+sheets and yellow blankets, and with long lines of underclothing
+fluttering between the battered posts.&nbsp; There were any
+number of cheap prints, and a drawing by one of &lsquo;her
+children,&rsquo; and there were flowers in the window, and a
+sickly canary withered into consumption in an ornamental
+cage.&nbsp; The bed, with its checked coverlid, was in a
+closet.&nbsp; A great Bible lay on the table; and her drawers
+were full of &lsquo;scones,&rsquo; which it was her pleasure to
+give to young visitors such as I was then.</p>
+<p>You may not think this a melancholy picture; but the canary,
+and the cat, and the white mouse that she had for a while, and
+that died, were all indications of the want that ate into her
+heart.&nbsp; I think I know a little of what that old woman felt;
+and I am as sure as if I had seen her, that she sat many an hour
+in silent tears, with the big Bible open before her clouded
+eyes.</p>
+<p>If you could look back upon her life, and feel the great chain
+that had linked her to one child after another, sometimes to be
+wrenched suddenly through, and sometimes, which is infinitely
+worse, to be torn gradually off through years of growing neglect,
+or perhaps growing dislike!&nbsp; She had, like the mother,
+overcome that natural repugnance&mdash;repugnance which no man
+can conquer&mdash;towards the infirm and helpless mass of putty
+of the earlier stage.&nbsp; She had spent her best and happiest
+years in tending, watching, and learning to love like a mother
+this child, with which she has no connection and to which she has
+no tie.&nbsp; Perhaps she refused some sweetheart (such things
+have been), or put him off and off, until he lost heart and
+turned to some one else, all for fear of leaving this creature
+that had wound itself about her heart.&nbsp; And the end of it
+all&mdash;her month&rsquo;s warning, and a present perhaps, and
+the rest of the life to vain regret.&nbsp; Or, worse still, to
+see the child gradually forgetting and forsaking her, fostered in
+disrespect and neglect on the plea of growing manliness, and at
+last beginning to treat her as a servant whom he had treated a
+few years before as a mother.&nbsp; She sees the Bible or the
+Psalm-book, which with gladness and love unutterable in her heart
+she had bought for him years ago out of her slender savings,
+neglected for some newer gift of his father, lying in dust in the
+lumber-room or given away to a poor child, and the act applauded
+for its unfeeling charity.&nbsp; Little wonder if she becomes
+hurt and angry, and attempts to tyrannise and to grasp her old
+power back again.&nbsp; We are not all patient Grizzels, by good
+fortune, but the most of us human beings with feelings and
+tempers of our own.</p>
+<p>And so, in the end, behold her in the room that I
+described.&nbsp; Very likely and very naturally, in some fling of
+feverish misery or recoil of thwarted love, she has quarrelled
+with her old employers and the children are forbidden to see her
+or to speak to her; or at best she gets her rent paid and a
+little to herself, and now and then her late charges are sent up
+(with another nurse, perhaps) to pay her a short visit.&nbsp; How
+bright these visits seem as she looks forward to them on her
+lonely bed!&nbsp; How unsatisfactory their realisation, when the
+forgetful child, half wondering, checks with every word and
+action the outpouring of her maternal love!&nbsp; How bitter and
+restless the memories that they leave behind!&nbsp; And for the
+rest, what else has she?&mdash;to watch them with eager eyes as
+they go to school, to sit in church where she can see them every
+Sunday, to be passed some day unnoticed in the street, or
+deliberately cut because the great man or the great woman are
+with friends before whom they are ashamed to recognise the old
+woman that loved them.</p>
+<p>When she goes home that night, how lonely will the room appear
+to her!&nbsp; Perhaps the neighbours may hear her sobbing to
+herself in the dark, with the fire burnt out for want of fuel,
+and the candle still unlit upon the table.</p>
+<p>And it is for this that they live, these
+quasi-mothers&mdash;mothers in everything but the travail and the
+thanks.&nbsp; It is for this that they have remained virtuous in
+youth, living the dull life of a household servant.&nbsp; It is
+for this that they refused the old sweetheart, and have no
+fireside or offspring of their own.</p>
+<p>I believe in a better state of things, that there will be no
+more nurses, and that every mother will nurse her own offspring;
+for what can be more hardening and demoralising than to call
+forth the tenderest feelings of a woman&rsquo;s heart and cherish
+them yourself as long as you need them, as long as your children
+require a nurse to love them, and then to blight and thwart and
+destroy them, whenever your own use for them is at an end.&nbsp;
+This may be Utopian; but it is always a little thing if one
+mother or two mothers can be brought to feel more tenderly to
+those who share their toil and have no part in their reward.</p>
+<h3>V.&nbsp; A CHARACTER</h3>
+<p>The man has a red, bloated face, and his figure is short and
+squat.&nbsp; So far there is nothing in him to notice, but when
+you see his eyes, you can read in these hard and shallow orbs a
+depravity beyond measure depraved, a thirst after wickedness, the
+pure, disinterested love of Hell for its own sake.&nbsp; The
+other night, in the street, I was watching an omnibus passing
+with lit-up windows, when I heard some one coughing at my side as
+though he would cough his soul out; and turning round, I saw him
+stopping under a lamp, with a brown greatcoat buttoned round him
+and his whole face convulsed.&nbsp; It seemed as if he could not
+live long; and so the sight set my mind upon a train of thought,
+as I finished my cigar up and down the lighted streets.</p>
+<p>He is old, but all these years have not yet quenched his
+thirst for evil, and his eyes still delight themselves in
+wickedness.&nbsp; He is dumb; but he will not let that hinder his
+foul trade, or perhaps I should say, his yet fouler amusement,
+and he has pressed a slate into the service of corruption.&nbsp;
+Look at him, and he will sign to you with his bloated head, and
+when you go to him in answer to the sign, thinking perhaps that
+the poor dumb man has lost his way, you will see what he writes
+upon his slate.&nbsp; He haunts the doors of schools, and shows
+such inscriptions as these to the innocent children that come
+out.&nbsp; He hangs about picture-galleries, and makes the
+noblest pictures the text for some silent homily of vice.&nbsp;
+His industry is a lesson to ourselves.&nbsp; Is it not wonderful
+how he can triumph over his infirmities and do such an amount of
+harm without a tongue?&nbsp; Wonderful industry&mdash;strange,
+fruitless, pleasureless toil?&nbsp; Must not the very devil feel
+a soft emotion to see his disinterested and laborious
+service?&nbsp; Ah, but the devil knows better than this: he knows
+that this man is penetrated with the love of evil and that all
+his pleasure is shut up in wickedness: he recognises him,
+perhaps, as a fit type for mankind of his satanic self, and
+watches over his effigy as we might watch over a favourite
+likeness.&nbsp; As the business man comes to love the toil, which
+he only looked upon at first as a ladder towards other desires
+and less unnatural gratifications, so the dumb man has felt the
+charm of his trade and fallen captivated before the eyes of
+sin.&nbsp; It is a mistake when preachers tell us that vice is
+hideous and loathsome; for even vice has her H&ouml;rsel and her
+devotees, who love her for her own sake.</p>
+<h2>THE GREAT NORTH ROAD</h2>
+<h3>CHAPTER I&mdash;NANCE AT THE &lsquo;GREEN DRAGON&rsquo;</h3>
+<p>Nance Holdaway was on her knees before the fire blowing the
+green wood that voluminously smoked upon the dogs, and only now
+and then shot forth a smothered flame; her knees already ached
+and her eyes smarted, for she had been some while at this
+ungrateful task, but her mind was gone far away to meet the
+coming stranger.&nbsp; Now she met him in the wood, now at the
+castle gate, now in the kitchen by candle-light; each fresh
+presentment eclipsed the one before; a form so elegant, manners
+so sedate, a countenance so brave and comely, a voice so winning
+and resolute&mdash;sure such a man was never seen!&nbsp; The
+thick-coming fancies poured and brightened in her head like the
+smoke and flames upon the hearth.</p>
+<p>Presently the heavy foot of her uncle Jonathan was heard upon
+the stair, and as he entered the room she bent the closer to her
+work.&nbsp; He glanced at the green fagots with a sneer, and
+looked askance at the bed and the white sheets, at the strip of
+carpet laid, like an island, on the great expanse of the stone
+floor, and at the broken glazing of the casement clumsily
+repaired with paper.</p>
+<p>&lsquo;Leave that fire a-be,&rsquo; he cried.&nbsp;
+&lsquo;What, have I toiled all my life to turn innkeeper at the
+hind end?&nbsp; Leave it a-be, I say.&rsquo;</p>
+<p>&lsquo;La, uncle, it doesn&rsquo;t burn a bit; it only
+smokes,&rsquo; said Nance, looking up from her position.</p>
+<p>&lsquo;You are come of decent people on both sides,&rsquo;
+returned the old man.&nbsp; &lsquo;Who are you to blow the coals
+for any Robin-run-agate?&nbsp; Get up, get on your hood, make
+yourself useful, and be off to the &ldquo;Green
+Dragon.&rdquo;&rsquo;</p>
+<p>&lsquo;I thought you was to go yourself,&rsquo; Nance
+faltered.</p>
+<p>&lsquo;So did I,&rsquo; quoth Jonathan; &lsquo;but it appears
+I was mistook.&rsquo;</p>
+<p>The very excess of her eagerness alarmed her, and she began to
+hang back.&nbsp; &lsquo;I think I would rather not, dear
+uncle,&rsquo; she said.&nbsp; &lsquo;Night is at hand, and I
+think, dear, I would rather not.&rsquo;</p>
+<p>&lsquo;Now you look here,&rsquo; replied Jonathan, &lsquo;I
+have my lord&rsquo;s orders, have I not?&nbsp; Little he gives
+me, but it&rsquo;s all my livelihood.&nbsp; And do you fancy, if
+I disobey my lord, I&rsquo;m likely to turn round for a lass like
+you?&nbsp; No, I&rsquo;ve that hell-fire of pain in my old knee,
+I wouldn&rsquo;t walk a mile, not for King George upon his bended
+knees.&rsquo;&nbsp; And he walked to the window and looked down
+the steep scarp to where the river foamed in the bottom of the
+dell.</p>
+<p>Nance stayed for no more bidding.&nbsp; In her own room, by
+the glimmer of the twilight, she washed her hands and pulled on
+her Sunday mittens; adjusted her black hood, and tied a dozen
+times its cherry ribbons; and in less than ten minutes, with a
+fluttering heart and excellently bright eyes, she passed forth
+under the arch and over the bridge, into the thickening shadows
+of the groves.&nbsp; A well-marked wheel-track conducted
+her.&nbsp; The wood, which upon both sides of the river dell was
+a mere scrambling thicket of hazel, hawthorn, and holly, boasted
+on the level of more considerable timber.&nbsp; Beeches came to a
+good growth, with here and there an oak; and the track now passed
+under a high arcade of branches, and now ran under the open sky
+in glades.&nbsp; As the girl proceeded these glades became more
+frequent, the trees began again to decline in size, and the wood
+to degenerate into furzy coverts.&nbsp; Last of all there was a
+fringe of elders; and beyond that the track came forth upon an
+open, rolling moorland, dotted with wind-bowed and scanty bushes,
+and all golden brown with the winter, like a grouse.&nbsp; Right
+over against the girl the last red embers of the sunset burned
+under horizontal clouds; the night fell clear and still and
+frosty, and the track in low and marshy passages began to crackle
+under foot with ice.</p>
+<p>Some half a mile beyond the borders of the wood the lights of
+the &lsquo;Green Dragon&rsquo; hove in sight, and running close
+beside them, very faint in the dying dusk, the pale ribbon of the
+Great North Road.&nbsp; It was the back of the post-house that
+was presented to Nance Holdaway; and as she continued to draw
+near and the night to fall more completely, she became aware of
+an unusual brightness and bustle.&nbsp; A post-chaise stood in
+the yard, its lamps already lighted: light shone hospitably in
+the windows and from the open door; moving lights and shadows
+testified to the activity of servants bearing lanterns.&nbsp; The
+clank of pails, the stamping of hoofs on the firm causeway, the
+jingle of harness, and, last of all, the energetic hissing of a
+groom, began to fall upon her ear.&nbsp; By the stir you would
+have thought the mail was at the door, but it was still too early
+in the night.&nbsp; The down mail was not due at the &lsquo;Green
+Dragon&rsquo; for hard upon an hour; the up mail from Scotland
+not before two in the black morning.</p>
+<p>Nance entered the yard somewhat dazzled.&nbsp; Sam, the tall
+ostler, was polishing a curb-chain wit sand; the lantern at his
+feet letting up spouts of candle-light through the holes with
+which its conical roof was peppered.</p>
+<p>&lsquo;Hey, miss,&rsquo; said he jocularly, &lsquo;you
+won&rsquo;t look at me any more, now you have gentry at the
+castle.&rsquo;</p>
+<p>Her cheeks burned with anger.</p>
+<p>&lsquo;That&rsquo;s my lord&rsquo;s chay,&rsquo; the man
+continued, nodding at the chaise, &lsquo;Lord
+Windermoor&rsquo;s.&nbsp; Came all in a fluster&mdash;dinner,
+bowl of punch, and put the horses to. For all the world like a
+runaway match, my dear&mdash;bar the bride.&nbsp; He brought Mr.
+Archer in the chay with him.&rsquo;</p>
+<p>&lsquo;Is that Holdaway?&rsquo; cried the landlord from the
+lighted entry, where he stood shading his eyes.</p>
+<p>&lsquo;Only me, sir,&rsquo; answered Nance.</p>
+<p>&lsquo;O, you, Miss Nance,&rsquo; he said.&nbsp; &lsquo;Well,
+come in quick, my pretty.&nbsp; My lord is waiting for your
+uncle.&rsquo;</p>
+<p>And he ushered Nance into a room cased with yellow wainscot
+and lighted by tall candles, where two gentlemen sat at a table
+finishing a bowl of punch.&nbsp; One of these was stout, elderly,
+and irascible, with a face like a full moon, well dyed with
+liquor, thick tremulous lips, a short, purple hand, in which he
+brandished a long pipe, and an abrupt and gobbling
+utterance.&nbsp; This was my Lord Windermoor.&nbsp; In his
+companion Nance beheld a younger man, tall, quiet, grave,
+demurely dressed, and wearing his own hair.&nbsp; Her glance but
+lighted on him, and she flushed, for in that second she made sure
+that she had twice betrayed herself&mdash;betrayed by the
+involuntary flash of her black eyes her secret impatience to
+behold this new companion, and, what was far worse, betrayed her
+disappointment in the realisation of her dreams.&nbsp; He,
+meanwhile, as if unconscious, continued to regard her with
+unmoved decorum.</p>
+<p>&lsquo;O, a man of wood,&rsquo; thought Nance.</p>
+<p>&lsquo;What&mdash;what?&rsquo; said his lordship.&nbsp;
+&lsquo;Who is this?&rsquo;</p>
+<p>&lsquo;If you please, my lord, I am Holdaway&rsquo;s
+niece,&rsquo; replied Nance, with a curtsey.</p>
+<p>&lsquo;Should have been here himself,&rsquo; observed his
+lordship.&nbsp; &lsquo;Well, you tell Holdaway that I&rsquo;m
+aground, not a stiver&mdash;not a stiver.&nbsp; I&rsquo;m running
+from the beagles&mdash;going abroad, tell Holdaway.&nbsp; And he
+need look for no more wages: glad of &rsquo;em myself, if I could
+get &rsquo;em.&nbsp; He can live in the castle if he likes, or go
+to the devil.&nbsp; O, and here is Mr. Archer; and I recommend
+him to take him in&mdash;a friend of mine&mdash;and Mr. Archer
+will pay, as I wrote.&nbsp; And I regard that in the light of a
+precious good thing for Holdaway, let me tell you, and a set-off
+against the wages.&rsquo;</p>
+<p>&lsquo;But O, my lord!&rsquo; cried Nance, &lsquo;we live upon
+the wages, and what are we to do without?&rsquo;</p>
+<p>&lsquo;What am I to do?&mdash;what am I to do?&rsquo; replied
+Lord Windermoor with some exasperation.&nbsp; &lsquo;I have no
+wages.&nbsp; And there is Mr. Archer.&nbsp; And if Holdaway
+doesn&rsquo;t like it, he can go to the devil, and you with
+him!&mdash;and you with him!&rsquo;</p>
+<p>&lsquo;And yet, my lord,&rsquo; said Mr. Archer, &lsquo;these
+good people will have as keen a sense of loss as you or I;
+keener, perhaps, since they have done nothing to deserve
+it.&rsquo;</p>
+<p>&lsquo;Deserve it?&rsquo; cried the peer.&nbsp;
+&lsquo;What?&nbsp; What?&nbsp; If a rascally highwayman comes up
+to me with a confounded pistol, do you say that I&rsquo;ve
+deserved it?&nbsp; How often am I to tell you, sir, that I was
+cheated&mdash;that I was cheated?&rsquo;</p>
+<p>&lsquo;You are happy in the belief,&rsquo; returned Mr. Archer
+gravely.</p>
+<p>&lsquo;Archer, you would be the death of me!&rsquo; exclaimed
+his lordship.&nbsp; &lsquo;You know you&rsquo;re drunk; you know
+it, sir; and yet you can&rsquo;t get up a spark of
+animation.&rsquo;</p>
+<p>&lsquo;I have drunk fair, my lord,&rsquo; replied the younger
+man; &lsquo;but I own I am conscious of no
+exhilaration.&rsquo;</p>
+<p>&lsquo;If you had as black a look-out as me, sir,&rsquo; cried
+the peer, &lsquo;you would be very glad of a little innocent
+exhilaration, let me tell you.&nbsp; I am glad of it&mdash;glad
+of it, and I only wish I was drunker.&nbsp; For let me tell you
+it&rsquo;s a cruel hard thing upon a man of my time of life and
+my position, to be brought down to beggary because the world is
+full of thieves and rascals&mdash;thieves and rascals.&nbsp;
+What?&nbsp; For all I know, you may be a thief and a rascal
+yourself; and I would fight you for a pinch of snuff&mdash;a
+pinch of snuff,&rsquo; exclaimed his lordship.</p>
+<p>Here Mr. Archer turned to Nance Holdaway with a pleasant
+smile, so full of sweetness, kindness, and composure that, at one
+bound, her dreams returned to her.&nbsp; &lsquo;My good Miss
+Holdaway,&rsquo; said he, &lsquo;if you are willing to show me
+the road, I am even eager to be gone.&nbsp; As for his lordship
+and myself, compose yourself; there is no fear; this is his
+lordship&rsquo;s way.&rsquo;</p>
+<p>&lsquo;What? what?&rsquo; cried his lordship.&nbsp; &lsquo;My
+way?&nbsp; Ish no such a thing, my way.&rsquo;</p>
+<p>&lsquo;Come, my lord,&rsquo; cried Archer; &lsquo;you and I
+very thoroughly understand each other; and let me suggest, it is
+time that both of us were gone.&nbsp; The mail will soon be
+due.&nbsp; Here, then, my lord, I take my leave of you, with the
+most earnest assurance of my gratitude for the past, and a
+sincere offer of any services I may be able to render in the
+future.&rsquo;</p>
+<p>&lsquo;Archer,&rsquo; exclaimed Lord Windermoor, &lsquo;I love
+you like a son.&nbsp; Le&rsquo; &rsquo;s have another
+bowl.&rsquo;</p>
+<p>&lsquo;My lord, for both our sakes, you will excuse me,&rsquo;
+replied Mr. Archer.&nbsp; &lsquo;We both require caution; we must
+both, for some while at least, avoid the chance of a
+pursuit.&rsquo;</p>
+<p>&lsquo;Archer,&rsquo; quoth his lordship, &lsquo;this is a
+rank ingratishood.&nbsp; What?&nbsp; I&rsquo;m to go firing away
+in the dark in the cold po&rsquo;chaise, and not so much as a
+game of &eacute;cart&eacute; possible, unless I stop and play
+with the postillion, the postillion; and the whole country
+swarming with thieves and rascals and highwaymen.&rsquo;</p>
+<p>&lsquo;I beg your lordship&rsquo;s pardon,&rsquo; put in the
+landlord, who now appeared in the doorway to announce the chaise,
+&lsquo;but this part of the North Road is known for safety.&nbsp;
+There has not been a robbery, to call a robbery, this five
+years&rsquo; time.&nbsp; Further south, of course, it&rsquo;s
+nearer London, and another story,&rsquo; he added.</p>
+<p>&lsquo;Well, then, if that&rsquo;s so,&rsquo; concluded my
+lord, &lsquo;le&rsquo; &rsquo;s have t&rsquo;other bowl and a
+pack of cards.&rsquo;</p>
+<p>&lsquo;My lord, you forget,&rsquo; said Archer, &lsquo;I might
+still gain; but it is hardly possible for me to lose.&rsquo;</p>
+<p>&lsquo;Think I&rsquo;m a sharper?&rsquo; inquired the
+peer.&nbsp; &lsquo;Gen&rsquo;leman&rsquo;s parole&rsquo;s all I
+ask.&rsquo;</p>
+<p>But Mr. Archer was proof against these blandishments, and said
+farewell gravely enough to Lord Windermoor, shaking his hand and
+at the same time bowing very low.&nbsp; &lsquo;You will never
+know,&rsquo; says he, &lsquo;the service you have done
+me.&rsquo;&nbsp; And with that, and before my lord had finally
+taken up his meaning, he had slipped about the table, touched
+Nance lightly but imperiously on the arm, and left the
+room.&nbsp; In face of the outbreak of his lordship&rsquo;s
+lamentations she made haste to follow the truant.</p>
+<h3>CHAPTER II&mdash;IN WHICH MR. ARCHER IS INSTALLED</h3>
+<p>The chaise had been driven round to the front door; the
+courtyard lay all deserted, and only lit by a lantern set upon a
+window-sill.&nbsp; Through this Nance rapidly led the way, and
+began to ascend the swellings of the moor with a heart that
+somewhat fluttered in her bosom.&nbsp; She was not afraid, but in
+the course of these last passages with Lord Windermoor Mr. Archer
+had ascended to that pedestal on which her fancy waited to instal
+him.&nbsp; The reality, she felt, excelled her dreams, and this
+cold night walk was the first romantic incident in her
+experience.</p>
+<p>It was the rule in these days to see gentlemen unsteady after
+dinner, yet Nance was both surprised and amused when her
+companion, who had spoken so soberly, began to stumble and waver
+by her side with the most airy divagations.&nbsp; Sometimes he
+would get so close to her that she must edge away; and at others
+lurch clear out of the track and plough among deep heather.&nbsp;
+His courtesy and gravity meanwhile remained unaltered.&nbsp; He
+asked her how far they had to go; whether the way lay all upon
+the moorland, and when he learned they had to pass a wood
+expressed his pleasure.&nbsp; &lsquo;For,&rsquo; said he,
+&lsquo;I am passionately fond of trees.&nbsp; Trees and fair
+lawns, if you consider of it rightly, are the ornaments of
+nature, as palaces and fine approaches&mdash;&rsquo;&nbsp; And
+here he stumbled into a patch of slough and nearly fell.&nbsp;
+The girl had hard work not to laugh, but at heart she was lost in
+admiration for one who talked so elegantly.</p>
+<p>They had got to about a quarter of a mile from the
+&lsquo;Green Dragon,&rsquo; and were near the summit of the rise,
+when a sudden rush of wheels arrested them.&nbsp; Turning and
+looking back, they saw the post-house, now much declined in
+brightness; and speeding away northward the two tremulous bright
+dots of my Lord Windermoor&rsquo;s chaise-lamps.&nbsp; Mr. Archer
+followed these yellow and unsteady stars until they dwindled into
+points and disappeared.</p>
+<p>&lsquo;There goes my only friend,&rsquo; he said.&nbsp;
+&lsquo;Death has cut off those that loved me, and change of
+fortune estranged my flatterers; and but for you, poor bankrupt,
+my life is as lonely as this moor.&rsquo;</p>
+<p>The tone of his voice affected both of them.&nbsp; They stood
+there on the side of the moor, and became thrillingly conscious
+of the void waste of the night, without a feature for the eye,
+and except for the fainting whisper of the carriage-wheels
+without a murmur for the ear.&nbsp; And instantly, like a
+mockery, there broke out, very far away, but clear and jolly, the
+note of the mail-guard&rsquo;s horn.&nbsp; &lsquo;Over the
+hills&rsquo; was his air.&nbsp; It rose to the two watchers on
+the moor with the most cheerful sentiment of human company and
+travel, and at the same time in and around the &lsquo;Green
+Dragon&rsquo; it woke up a great bustle of lights running to and
+fro and clattering hoofs.&nbsp; Presently after, out of the
+darkness to southward, the mail grew near with a growing
+rumble.&nbsp; Its lamps were very large and bright, and threw
+their radiance forward in overlapping cones; the four cantering
+horses swarmed and steamed; the body of the coach followed like a
+great shadow; and this lit picture slid with a sort of
+ineffectual swiftness over the black field of night, and was
+eclipsed by the buildings of the &lsquo;Green Dragon.&rsquo;</p>
+<p>Mr. Archer turned abruptly and resumed his former walk; only
+that he was now more steady, kept better alongside his young
+conductor, and had fallen into a silence broken by sighs.&nbsp;
+Nance waxed very pitiful over his fate, contrasting an imaginary
+past of courts and great society, and perhaps the King himself,
+with the tumbledown ruin in a wood to which she was now
+conducting him.</p>
+<p>&lsquo;You must try, sir, to keep your spirits up,&rsquo; said
+she.&nbsp; &lsquo;To be sure this is a great change for one like
+you; but who knows the future?&rsquo;</p>
+<p>Mr. Archer turned towards her in the darkness, and she could
+clearly perceive that he smiled upon her very kindly.&nbsp;
+&lsquo;There spoke a sweet nature,&rsquo; said he, &lsquo;and I
+must thank you for these words.&nbsp; But I would not have you
+fancy that I regret the past for any happiness found in it, or
+that I fear the simplicity and hardship of the country.&nbsp; I
+am a man that has been much tossed about in life; now up, now
+down; and do you think that I shall not be able to support what
+you support&mdash;you who are kind, and therefore know how to
+feel pain; who are beautiful, and therefore hope; who are young,
+and therefore (or am I the more mistaken?)
+discontented?&rsquo;</p>
+<p>&lsquo;Nay, sir, not that, at least,&rsquo; said Nance;
+&lsquo;not discontented.&nbsp; If I were to be discontented, how
+should I look those that have real sorrows in the face?&nbsp; I
+have faults enough, but not that fault; and I have my merits too,
+for I have a good opinion of myself.&nbsp; But for beauty, I am
+not so simple but that I can tell a banter from a
+compliment.&rsquo;</p>
+<p>&lsquo;Nay, nay,&rsquo; said Mr. Archer, &lsquo;I had half
+forgotten; grief is selfish, and I was thinking of myself and not
+of you, or I had never blurted out so bold a piece of
+praise.&nbsp; &rsquo;Tis the best proof of my sincerity.&nbsp;
+But come, now, I would lay a wager you are no coward?&rsquo;</p>
+<p>&lsquo;Indeed, sir, I am not more afraid than another,&rsquo;
+said Nance.&nbsp; &lsquo;None of my blood are given to
+fear.&rsquo;</p>
+<p>&lsquo;And you are honest?&rsquo; he returned.</p>
+<p>&lsquo;I will answer for that,&rsquo; said she.</p>
+<p>&lsquo;Well, then, to be brave, to be honest, to be kind, and
+to be contented, since you say you are so&mdash;is not that to
+fill up a great part of virtue?&rsquo;</p>
+<p>&lsquo;I fear you are but a flatterer,&rsquo; said Nance, but
+she did not say it clearly, for what with bewilderment and
+satisfaction, her heart was quite oppressed.</p>
+<p>There could be no harm, certainly, in these grave compliments;
+but yet they charmed and frightened her, and to find favour, for
+reasons however obscure, in the eyes of this elegant, serious,
+and most unfortunate young gentleman, was a giddy elevation, was
+almost an apotheosis, for a country maid.</p>
+<p>But she was to be no more exercised; for Mr. Archer,
+disclaiming any thought of flattery, turned off to other
+subjects, and held her all through the wood in conversation,
+addressing her with an air of perfect sincerity, and listening to
+her answers with every mark of interest.&nbsp; Had open flattery
+continued, Nance would have soon found refuge in good sense; but
+the more subtle lure she could not suspect, much less
+avoid.&nbsp; It was the first time she had ever taken part in a
+conversation illuminated by any ideas.&nbsp; All was then true
+that she had heard and dreamed of gentlemen; they were a race
+apart, like deities knowing good and evil.&nbsp; And then there
+burst upon her soul a divine thought, hope&rsquo;s glorious
+sunrise: since she could understand, since it seemed that she
+too, even she, could interest this sorrowful Apollo, might she
+not learn? or was she not learning?&nbsp; Would not her soul
+awake and put forth wings?&nbsp; Was she not, in fact, an
+enchanted princess, waiting but a touch to become royal?&nbsp;
+She saw herself transformed, radiantly attired, but in the most
+exquisite taste: her face grown longer and more refined; her tint
+etherealised; and she heard herself with delighted wonder talking
+like a book.</p>
+<p>Meanwhile they had arrived at where the track comes out above
+the river dell, and saw in front of them the castle, faintly
+shadowed on the night, covering with its broken battlements a
+bold projection of the bank, and showing at the extreme end,
+where were the habitable tower and wing, some crevices of
+candle-light.&nbsp; Hence she called loudly upon her uncle, and
+he was seen to issue, lantern in hand, from the tower door, and,
+where the ruins did not intervene, to pick his way over the
+swarded courtyard, avoiding treacherous cellars and winding among
+blocks of fallen masonry.&nbsp; The arch of the great gate was
+still entire, flanked by two tottering bastions, and it was here
+that Jonathan met them, standing at the edge of the bridge, bent
+somewhat forward, and blinking at them through the glow of his
+own lantern.&nbsp; Mr. Archer greeted him with civility; but the
+old man was in no humour of compliance.&nbsp; He guided the
+newcomer across the court-yard, looking sharply and quickly in
+his face, and grumbling all the time about the cold, and the
+discomfort and dilapidation of the castle.&nbsp; He was sure he
+hoped that Mr. Archer would like it; but in truth he could not
+think what brought him there.&nbsp; Doubtless he had a good
+reason&mdash;this with a look of cunning scrutiny&mdash;but,
+indeed, the place was quite unfit for any person of repute; he
+himself was eaten up with the rheumatics.&nbsp; It was the most
+rheumaticky place in England, and some fine day the whole
+habitable part (to call it habitable) would fetch away bodily and
+go down the slope into the river.&nbsp; He had seen the cracks
+widening; there was a plaguy issue in the bank below; he thought
+a spring was mining it; it might be to-morrow, it might be next
+day; but they were all sure of a come-down sooner or later.&nbsp;
+&lsquo;And that is a poor death,&rsquo; said he, &lsquo;for any
+one, let alone a gentleman, to have a whole old ruin dumped upon
+his belly.&nbsp; Have a care to your left there; these cellar
+vaults have all broke down, and the grass and hemlock hide
+&rsquo;em.&nbsp; Well, sir, here is welcome to you, such as it
+is, and wishing you well away.&rsquo;</p>
+<p>And with that Jonathan ushered his guest through the tower
+door, and down three steps on the left hand into the kitchen or
+common room of the castle.&nbsp; It was a huge, low room, as
+large as a meadow, occupying the whole width of the habitable
+wing, with six barred windows looking on the court, and two into
+the river valley.&nbsp; A dresser, a table, and a few chairs
+stood dotted here and there upon the uneven flags.&nbsp; Under
+the great chimney a good fire burned in an iron fire-basket; a
+high old settee, rudely carved with figures and Gothic lettering,
+flanked it on either side; there was a hinge table and a stone
+bench in the chimney corner, and above the arch hung guns, axes,
+lanterns, and great sheaves of rusty keys.</p>
+<p>Jonathan looked about him, holding up the lantern, and
+shrugged his shoulders, with a pitying grimace.&nbsp; &lsquo;Here
+it is,&rsquo; he said.&nbsp; &lsquo;See the damp on the floor,
+look at the moss; where there&rsquo;s moss you may be sure that
+it&rsquo;s rheumaticky.&nbsp; Try and get near that fire for to
+warm yourself; it&rsquo;ll blow the coat off your back.&nbsp; And
+with a young gentleman with a face like yours, as pale as a
+tallow-candle, I&rsquo;d be afeard of a churchyard cough and a
+galloping decline,&rsquo; says Jonathan, naming the maladies with
+gloomy gusto, &lsquo;or the cold might strike and turn your
+blood,&rsquo; he added.</p>
+<p>Mr. Archer fairly laughed.&nbsp; &lsquo;My good Mr.
+Holdaway,&rsquo; said he, &lsquo;I was born with that same
+tallow-candle face, and the only fear that you inspire me with is
+the fear that I intrude unwelcomely upon your private
+hours.&nbsp; But I think I can promise you that I am very little
+troublesome, and I am inclined to hope that the terms which I can
+offer may still pay you the derangement.&rsquo;</p>
+<p>&lsquo;Yes, the terms,&rsquo; said Jonathan, &lsquo;I was
+thinking of that.&nbsp; As you say, they are very small,&rsquo;
+and he shook his head.</p>
+<p>&lsquo;Unhappily, I can afford no more,&rsquo; said Mr.
+Archer.&nbsp; &lsquo;But this we have arranged already,&rsquo; he
+added with a certain stiffness; &lsquo;and as I am aware that
+Miss Holdaway has matter to communicate, I will, if you permit,
+retire at once.&nbsp; To-night I must bivouac; to-morrow my trunk
+is to follow from the &ldquo;Dragon.&rdquo;&nbsp; So if you will
+show me to my room I shall wish you a good slumber and a better
+awakening.&rsquo;</p>
+<p>Jonathan silently gave the lantern to Nance, and she, turning
+and curtseying in the doorway, proceeded to conduct their guest
+up the broad winding staircase of the tower.&nbsp; He followed
+with a very brooding face.</p>
+<p>&lsquo;Alas!&rsquo; cried Nance, as she entered the room,
+&lsquo;your fire black out,&rsquo; and, setting down the lantern,
+she clapped upon her knees before the chimney and began to
+rearrange the charred and still smouldering remains.&nbsp; Mr.
+Archer looked about the gaunt apartment with a sort of
+shudder.&nbsp; The great height, the bare stone, the shattered
+windows, the aspect of the uncurtained bed, with one of its four
+fluted columns broken short, all struck a chill upon his
+fancy.&nbsp; From this dismal survey his eyes returned to Nance
+crouching before the fire, the candle in one hand and artfully
+puffing at the embers; the flames as they broke forth played upon
+the soft outline of her cheek&mdash;she was alive and young,
+coloured with the bright hues of life, and a woman.&nbsp; He
+looked upon her, softening; and then sat down and continued to
+admire the picture.</p>
+<p>&lsquo;There, sir,&rsquo; said she, getting upon her feet,
+&lsquo;your fire is doing bravely now.&nbsp;
+Good-night.&rsquo;</p>
+<p>He rose and held out his hand.&nbsp; &lsquo;Come,&rsquo; said
+he, &lsquo;you are my only friend in these parts, and you must
+shake hands.&rsquo;</p>
+<p>She brushed her hand upon her skirt and offered it,
+blushing.</p>
+<p>&lsquo;God bless you, my dear,&rsquo; said he.</p>
+<p>And then, when he was alone, he opened one of the windows, and
+stared down into the dark valley.&nbsp; A gentle wimpling of the
+river among stones ascended to his ear; the trees upon the other
+bank stood very black against the sky; farther away an owl was
+hooting.&nbsp; It was dreary and cold, and as he turned back to
+the hearth and the fine glow of fire, &lsquo;Heavens!&rsquo; said
+he to himself, &lsquo;what an unfortunate destiny is
+mine!&rsquo;</p>
+<p>He went to bed, but sleep only visited his pillow in uneasy
+snatches.&nbsp; Outbreaks of loud speech came up the staircase;
+he heard the old stones of the castle crack in the frosty night
+with sharp reverberations, and the bed complained under his
+tossings.&nbsp; Lastly, far on into the morning, he awakened from
+a doze to hear, very far off, in the extreme and breathless
+quiet, a wailing flourish on the horn.&nbsp; The down mail was
+drawing near to the &lsquo;Green Dragon.&rsquo;&nbsp; He sat up
+in bed; the sound was tragical by distance, and the modulation
+appealed to his ear like human speech.&nbsp; It seemed to call
+upon him with a dreary insistence&mdash;to call him far away, to
+address him personally, and to have a meaning that he failed to
+seize.&nbsp; It was thus, at least, in this nodding castle, in a
+cold, miry woodland, and so far from men and society, that the
+traffic on the Great North Road spoke to him in the intervals of
+slumber.</p>
+<h3>CHAPTER III&mdash;JONATHAN HOLDAWAY</h3>
+<p>Nance descended the tower stair, pausing at every step.&nbsp;
+She was in no hurry to confront her uncle with bad news, and she
+must dwell a little longer on the rich note of Mr. Archer&rsquo;s
+voice, the charm of his kind words, and the beauty of his manner
+and person.&nbsp; But, once at the stair-foot, she threw aside
+the spell and recovered her sensible and workaday self.</p>
+<p>Jonathan was seated in the middle of the settle, a mug of ale
+beside him, in the attitude of one prepared for trouble; but he
+did not speak, and suffered her to fetch her supper and eat of
+it, with a very excellent appetite, in silence.&nbsp; When she
+had done, she, too, drew a tankard of home-brewed, and came and
+planted herself in front of him upon the settle.</p>
+<p>&lsquo;Well?&rsquo; said Jonathan.</p>
+<p>&lsquo;My lord has run away,&rsquo; said Nance.</p>
+<p>&lsquo;What?&rsquo; cried the old man.</p>
+<p>&lsquo;Abroad,&rsquo; she continued; &lsquo;run away from
+creditors.&nbsp; He said he had not a stiver, but he was drunk
+enough.&nbsp; He said you might live on in the castle, and Mr.
+Archer would pay you; but you was to look for no more wages,
+since he would be glad of them himself.&rsquo;</p>
+<p>Jonathan&rsquo;s face contracted; the flush of a black,
+bilious anger mounted to the roots of his hair; he gave an
+inarticulate cry, leapt upon his feet, and began rapidly pacing
+the stone floor.&nbsp; At first he kept his hands behind his back
+in a tight knot; then he began to gesticulate as he turned.</p>
+<p>&lsquo;This man&mdash;this lord,&rsquo; he shouted, &lsquo;who
+is he?&nbsp; He was born with a gold spoon in his mouth, and I
+with a dirty straw.&nbsp; He rolled in his coach when he was a
+baby.&nbsp; I have dug and toiled and laboured since I was that
+high&mdash;that high.&rsquo;&nbsp; And he shouted again.&nbsp;
+&lsquo;I&rsquo;m bent and broke, and full of pains.&nbsp;
+D&rsquo; ye think I don&rsquo;t know the taste of sweat?&nbsp;
+Many&rsquo;s the gallon I&rsquo;ve drunk of it&mdash;ay, in the
+midwinter, toiling like a slave.&nbsp; All through, what has my
+life been?&nbsp; Bend, bend, bend my old creaking back till it
+would ache like breaking; wade about in the foul mire, never a
+dry stitch; empty belly, sore hands, hat off to my Lord Redface;
+kicks and ha&rsquo;pence; and now, here, at the hind end, when
+I&rsquo;m worn to my poor bones, a kick and done with
+it.&rsquo;&nbsp; He walked a little while in silence, and then,
+extending his hand, &lsquo;Now you, Nance Holdaway,&rsquo; says
+he, &lsquo;you come of my blood, and you&rsquo;re a good
+girl.&nbsp; When that man was a boy, I used to carry his gun for
+him.&nbsp; I carried the gun all day on my two feet, and many a
+stitch I had, and chewed a bullet for.&nbsp; He rode upon a
+horse, with feathers in his hat; but it was him that had the
+shots and took the game home.&nbsp; Did I complain?&nbsp; Not
+I.&nbsp; I knew my station.&nbsp; What did I ask, but just the
+chance to live and die honest?&nbsp; Nance Holdaway, don&rsquo;t
+let them deny it to me&mdash;don&rsquo;t let them do it.&nbsp;
+I&rsquo;ve been as poor as Job, and as honest as the day, but
+now, my girl, you mark these words of mine, I&rsquo;m getting
+tired of it.&rsquo;</p>
+<p>&lsquo;I wouldn&rsquo;t say such words, at least,&rsquo; said
+Nance.</p>
+<p>&lsquo;You wouldn&rsquo;t?&rsquo; said the old man
+grimly.&nbsp; &lsquo;Well, and did I when I was your age?&nbsp;
+Wait till your back&rsquo;s broke and your hands tremble, and
+your eyes fail, and you&rsquo;re weary of the battle and ask no
+more but to lie down in your bed and give the ghost up like an
+honest man; and then let there up and come some insolent, ungodly
+fellow&mdash;ah! if I had him in these hands!&nbsp;
+&ldquo;Where&rsquo;s my money that you gambled?&rdquo; I should
+say.&nbsp; &ldquo;Where&rsquo;s my money that you drank and
+diced?&rdquo;&nbsp; &ldquo;Thief!&rdquo; is what I would say;
+&ldquo;Thief!&rdquo;&rsquo; he roared,
+&lsquo;&ldquo;Thief&rdquo;&rsquo;</p>
+<p>&lsquo;Mr. Archer will hear you if you don&rsquo;t take
+care,&rsquo; said Nance, &lsquo;and I would be ashamed, for one,
+that he should hear a brave, old, honest, hard-working man like
+Jonathan Holdaway talk nonsense like a boy.&rsquo;</p>
+<p>&lsquo;D&rsquo; ye think I mind for Mr. Archer?&rsquo; he
+cried shrilly, with a clack of laughter; and then he came close
+up to her, stooped down with his two palms upon his knees, and
+looked her in the eyes, with a strange hard expression, something
+like a smile.&nbsp; &lsquo;Do I mind for God, my girl?&rsquo; he
+said; &lsquo;that&rsquo;s what it&rsquo;s come to be now, do I
+mind for God?&rsquo;</p>
+<p>&lsquo;Uncle Jonathan,&rsquo; she said, getting up and taking
+him by the arm; &lsquo;you sit down again, where you were
+sitting.&nbsp; There, sit still; I&rsquo;ll have no more of this;
+you&rsquo;ll do yourself a mischief.&nbsp; Come, take a drink of
+this good ale, and I&rsquo;ll warm a tankard for you.&nbsp; La,
+we&rsquo;ll pull through, you&rsquo;ll see.&nbsp; I&rsquo;m
+young, as you say, and it&rsquo;s my turn to carry the bundle;
+and don&rsquo;t you worry your bile, or we&rsquo;ll have
+sickness, too, as well as sorrow.&rsquo;</p>
+<p>&lsquo;D&rsquo; ye think that I&rsquo;d forgotten you?&rsquo;
+said Jonathan, with something like a groan; and thereupon his
+teeth clicked to, and he sat silent with the tankard in his hand
+and staring straight before him.</p>
+<p>&lsquo;Why,&rsquo; says Nance, setting on the ale to mull,
+&lsquo;men are always children, they say, however old; and if
+ever I heard a thing like this, to set to and make yourself sick,
+just when the money&rsquo;s failing.&nbsp; Keep a good heart up;
+you haven&rsquo;t kept a good heart these seventy years, nigh
+hand, to break down about a pound or two.&nbsp; Here&rsquo;s this
+Mr. Archer come to lodge, that you disliked so much.&nbsp; Well,
+now you see it was a clear Providence.&nbsp; Come, let&rsquo;s
+think upon our mercies.&nbsp; And here is the ale mulling lovely;
+smell of it; I&rsquo;ll take a drop myself, it smells so
+sweet.&nbsp; And, Uncle Jonathan, you let me say one word.&nbsp;
+You&rsquo;ve lost more than money before now; you lost my aunt,
+and bore it like a man.&nbsp; Bear this.&rsquo;</p>
+<p>His face once more contracted; his fist doubled, and shot
+forth into the air, and trembled.&nbsp; &lsquo;Let them look
+out!&rsquo; he shouted.&nbsp; &lsquo;Here, I warn all men;
+I&rsquo;ve done with this foul kennel of knaves.&nbsp; Let them
+look out!&rsquo;</p>
+<p>&lsquo;Hush, hush! for pity&rsquo;s sake,&rsquo; cried
+Nance.</p>
+<p>And then all of a sudden he dropped his face into his hands,
+and broke out with a great hiccoughing dry sob that was horrible
+to hear.&nbsp; &lsquo;O,&rsquo; he cried, &lsquo;my God, if my
+son hadn&rsquo;t left me, if my Dick was here!&rsquo; and the
+sobs shook him; Nance sitting still and watching him, with
+distress.&nbsp; &lsquo;O, if he were here to help his
+father!&rsquo; he went on again.&nbsp; &lsquo;If I had a son like
+other fathers, he would save me now, when all is breaking down;
+O, he would save me!&nbsp; Ay, but where is he?&nbsp; Raking
+taverns, a thief perhaps.&nbsp; My curse be on him!&rsquo; he
+added, rising again into wrath.</p>
+<p>&lsquo;Hush!&rsquo; cried Nance, springing to her feet:
+&lsquo;your boy, your dead wife&rsquo;s boy&mdash;Aunt
+Susan&rsquo;s baby that she loved&mdash;would you curse
+him?&nbsp; O, God forbid!&rsquo;</p>
+<p>The energy of her address surprised him from his mood.&nbsp;
+He looked upon her, tearless and confused.&nbsp; &lsquo;Let me go
+to my bed,&rsquo; he said at last, and he rose, and, shaking as
+with ague, but quite silent, lighted his candle, and left the
+kitchen.</p>
+<p>Poor Nance! the pleasant current of her dreams was all
+diverted.&nbsp; She beheld a golden city, where she aspired to
+dwell; she had spoken with a deity, and had told herself that she
+might rise to be his equal; and now the earthly ligaments that
+bound her down had been tightened.&nbsp; She was like a tree
+looking skyward, her roots were in the ground.&nbsp; It seemed to
+her a thing so coarse, so rustic, to be thus concerned about a
+loss in money; when Mr. Archer, fallen from the sky-level of
+counts and nobles, faced his changed destiny with so immovable a
+courage.&nbsp; To weary of honesty; that, at least, no one could
+do, but even to name it was already a disgrace; and she beheld in
+fancy her uncle, and the young lad, all laced and feathered, hand
+upon hip, bestriding his small horse.&nbsp; The opposition seemed
+to perpetuate itself from generation to generation; one side
+still doomed to the clumsy and the servile, the other born to
+beauty.</p>
+<p>She thought of the golden zones in which gentlemen were bred,
+and figured with so excellent a grace; zones in which wisdom and
+smooth words, white linen and slim hands, were the mark of the
+desired inhabitants; where low temptations were unknown, and
+honesty no virtue, but a thing as natural as breathing.</p>
+<h3>CHAPTER IV&mdash;MINGLING THREADS</h3>
+<p>It was nearly seven before Mr. Archer left his
+apartment.&nbsp; On the landing he found another door beside his
+own opening on a roofless corridor, and presently he was walking
+on the top of the ruins.&nbsp; On one hand he could look down a
+good depth into the green court-yard; on the other his eye roved
+along the downward course of the river, the wet woods all
+smoking, the shadows long and blue, the mists golden and rosy in
+the sun, here and there the water flashing across an
+obstacle.&nbsp; His heart expanded and softened to a grateful
+melancholy, and with his eye fixed upon the distance, and no
+thought of present danger, he continued to stroll along the
+elevated and treacherous promenade.</p>
+<p>A terror-stricken cry rose to him from the courtyard.&nbsp; He
+looked down, and saw in a glimpse Nance standing below with hands
+clasped in horror and his own foot trembling on the margin of a
+gulf.&nbsp; He recoiled and leant against a pillar, quaking from
+head to foot, and covering his face with his hands; and Nance had
+time to run round by the stair and rejoin him where he stood
+before he had changed a line of his position.</p>
+<p>&lsquo;Ah!&rsquo; he cried, and clutched her wrist;
+&lsquo;don&rsquo;t leave me.&nbsp; The place rocks; I have no
+head for altitudes.&rsquo;</p>
+<p>&lsquo;Sit down against that pillar,&rsquo; said Nance.&nbsp;
+&lsquo;Don&rsquo;t you be afraid; I won&rsquo;t leave you, and
+don&rsquo;t look up or down: look straight at me.&nbsp; How white
+you are!&rsquo;</p>
+<p>&lsquo;The gulf,&rsquo; he said, and closed his eyes again and
+shuddered.</p>
+<p>&lsquo;Why,&rsquo; said Nance, &lsquo;what a poor climber you
+must be!&nbsp; That was where my cousin Dick used to get out of
+the castle after Uncle Jonathan had shut the gate.&nbsp;
+I&rsquo;ve been down there myself with him helping me.&nbsp; I
+wouldn&rsquo;t try with you,&rsquo; she said, and laughed
+merrily.</p>
+<p>The sound of her laughter was sincere and musical, and perhaps
+its beauty barbed the offence to Mr. Archer.&nbsp; The blood came
+into his face with a quick jet, and then left it paler than
+before.&nbsp; &lsquo;It is a physical weakness,&rsquo; he said
+harshly, &lsquo;and very droll, no doubt, but one that I can
+conquer on necessity.&nbsp; See, I am still shaking.&nbsp; Well,
+I advance to the battlements and look down.&nbsp; Show me your
+cousin&rsquo;s path.&rsquo;</p>
+<p>&lsquo;He would go sure-foot along that little ledge,&rsquo;
+said Nance, pointing as she spoke; &lsquo;then out through the
+breach and down by yonder buttress.&nbsp; It is easier coming
+back, of course, because you see where you are going.&nbsp; From
+the buttress foot a sheep-walk goes along the scarp&mdash;see,
+you can follow it from here in the dry grass.&nbsp; And now,
+sir,&rsquo; she added, with a touch of womanly pity, &lsquo;I
+would come away from here if I were you, for indeed you are not
+fit.&rsquo;</p>
+<p>Sure enough Mr. Archer&rsquo;s pallor and agitation had
+continued to increase; his cheeks were deathly, his clenched
+fingers trembled pitifully.&nbsp; &lsquo;The weakness is
+physical,&rsquo; he sighed, and had nearly fallen.&nbsp; Nance
+led him from the spot, and he was no sooner back in the
+tower-stair, than he fell heavily against the wall and put his
+arm across his eyes.&nbsp; A cup of brandy had to be brought him
+before he could descend to breakfast; and the perfection of
+Nance&rsquo;s dream was for the first time troubled.</p>
+<p>Jonathan was waiting for them at table, with yellow,
+blood-shot eyes and a peculiar dusky complexion.&nbsp; He hardly
+waited till they found their seats, before, raising one hand, and
+stooping with his mouth above his plate, he put up a prayer for a
+blessing on the food and a spirit of gratitude in the eaters, and
+thereupon, and without more civility, fell to.&nbsp; But it was
+notable that he was no less speedily satisfied than he had been
+greedy to begin.&nbsp; He pushed his plate away and drummed upon
+the table.</p>
+<p>&lsquo;These are silly prayers,&rsquo; said he, &lsquo;that
+they teach us.&nbsp; Eat and be thankful, that&rsquo;s no such
+wonder.&nbsp; Speak to me of starving&mdash;there&rsquo;s the
+touch.&nbsp; You&rsquo;re a man, they tell me, Mr. Archer, that
+has met with some reverses?&rsquo;</p>
+<p>&lsquo;I have met with many,&rsquo; replied Mr. Archer.</p>
+<p>&lsquo;Ha!&rsquo; said Jonathan.&nbsp; &lsquo;None reckons but
+the last.&nbsp; Now, see; I tried to make this girl here
+understand me.&rsquo;</p>
+<p>&lsquo;Uncle,&rsquo; said Nance, &lsquo;what should Mr. Archer
+care for your concerns?&nbsp; He hath troubles of his own, and
+came to be at peace, I think.&rsquo;</p>
+<p>&lsquo;I tried to make her understand me,&rsquo; repeated
+Jonathan doggedly; &lsquo;and now I&rsquo;ll try you.&nbsp; Do
+you think this world is fair?&rsquo;</p>
+<p>&lsquo;Fair and false!&rsquo; quoth Mr. Archer.</p>
+<p>The old man laughed immoderately.&nbsp; &lsquo;Good,&rsquo;
+said he, &lsquo;very good, but what I mean is this: do you know
+what it is to get up early and go to bed late, and never take so
+much as a holiday but four: and one of these your own marriage
+day, and the other three the funerals of folk you loved, and all
+that, to have a quiet old age in shelter, and bread for your old
+belly, and a bed to lay your crazy bones upon, with a clear
+conscience?&rsquo;</p>
+<p>&lsquo;Sir,&rsquo; said Mr. Archer, with an inclination of his
+head, &lsquo;you portray a very brave existence.&rsquo;</p>
+<p>&lsquo;Well,&rsquo; continued Jonathan, &lsquo;and in the end
+thieves deceive you, thieves rob and rook you, thieves turn you
+out in your old age and send you begging.&nbsp; What have you got
+for all your honesty?&nbsp; A fine return!&nbsp; You that might
+have stole scores of pounds, there you are out in the rain with
+your rheumatics!&rsquo;</p>
+<p>Mr. Archer had forgotten to eat; with his hand upon his chin
+he was studying the old man&rsquo;s countenance.&nbsp; &lsquo;And
+you conclude?&rsquo; he asked.</p>
+<p>&lsquo;Conclude!&rsquo; cried Jonathan.&nbsp; &lsquo;I
+conclude I&rsquo;ll be upsides with them.&rsquo;</p>
+<p>&lsquo;Ay,&rsquo; said the other, &lsquo;we are all tempted to
+revenge.&rsquo;</p>
+<p>&lsquo;You have lost money?&rsquo; asked Jonathan.</p>
+<p>&lsquo;A great estate,&rsquo; said Archer quietly.</p>
+<p>&lsquo;See now!&rsquo; says Jonathan, &lsquo;and where is
+it?&rsquo;</p>
+<p>&lsquo;Nay, I sometimes think that every one has had his share
+of it but me,&rsquo; was the reply.&nbsp; &lsquo;All England hath
+paid his taxes with my patrimony: I was a sheep that left my wool
+on every briar.&rsquo;</p>
+<p>&lsquo;And you sit down under that?&rsquo; cried the old
+man.&nbsp; &lsquo;Come now, Mr. Archer, you and me belong to
+different stations; and I know mine&mdash;no man better&mdash;but
+since we have both been rooked, and are both sore with it, why,
+here&rsquo;s my hand with a very good heart, and I ask for yours,
+and no offence, I hope.&rsquo;</p>
+<p>&lsquo;There is surely no offence, my friend,&rsquo; returned
+Mr. Archer, as they shook hands across the table; &lsquo;for,
+believe me, my sympathies are quite acquired to you.&nbsp; This
+life is an arena where we fight with beasts; and, indeed,&rsquo;
+he added, sighing, &lsquo;I sometimes marvel why we go down to it
+unarmed.&rsquo;</p>
+<p>In the meanwhile a creaking of ungreased axles had been heard
+descending through the wood; and presently after, the door
+opened, and the tall ostler entered the kitchen carrying one end
+of Mr. Archer&rsquo;s trunk.&nbsp; The other was carried by an
+aged beggar man of that district, known and welcome for some
+twenty miles about under the name of &lsquo;Old
+Cumberland.&rsquo;&nbsp; Each was soon perched upon a settle,
+with a cup of ale; and the ostler, who valued himself upon his
+affability, began to entertain the company, still with half an
+eye on Nance, to whom in gallant terms he expressly dedicated
+every sip of ale.&nbsp; First he told of the trouble they had to
+get his Lordship started in the chaise; and how he had dropped a
+rouleau of gold on the threshold, and the passage and doorstep
+had been strewn with guinea-pieces.&nbsp; At this old Jonathan
+looked at Mr. Archer.&nbsp; Next the visitor turned to news of a
+more thrilling character: how the down mail had been stopped
+again near Grantham by three men on horseback&mdash;a white and
+two bays; how they had handkerchiefs on their faces; how Tom the
+guard&rsquo;s blunderbuss missed fire, but he swore he had winged
+one of them with a pistol; and how they had got clean away with
+seventy pounds in money, some valuable papers, and a watch or
+two.</p>
+<p>&lsquo;Brave! brave!&rsquo; cried Jonathan in ecstasy.&nbsp;
+&lsquo;Seventy pounds!&nbsp; O, it&rsquo;s brave!&rsquo;</p>
+<p>&lsquo;Well, I don&rsquo;t see the great bravery,&rsquo;
+observed the ostler, misapprehending him.&nbsp; &lsquo;Three men,
+and you may call that three to one.&nbsp; I&rsquo;ll call it
+brave when some one stops the mail single-handed; that&rsquo;s a
+risk.&rsquo;</p>
+<p>&lsquo;And why should they hesitate?&rsquo; inquired Mr.
+Archer.&nbsp; &lsquo;The poor souls who are fallen to such a way
+of life, pray what have they to lose?&nbsp; If they get the
+money, well; but if a ball should put them from their troubles,
+why, so better.&rsquo;</p>
+<p>&lsquo;Well, sir,&rsquo; said the ostler, &lsquo;I believe
+you&rsquo;ll find they won&rsquo;t agree with you.&nbsp; They
+count on a good fling, you see; or who would risk it?&mdash;And
+here&rsquo;s my best respects to you, Miss Nance.&rsquo;</p>
+<p>&lsquo;And I forgot the part of cowardice,&rsquo; resumed Mr.
+Archer.&nbsp; &lsquo;All men fear.&rsquo;</p>
+<p>&lsquo;O, surely not!&rsquo; cried Nance.</p>
+<p>&lsquo;All men,&rsquo; reiterated Mr. Archer.</p>
+<p>&lsquo;Ay, that&rsquo;s a true word,&rsquo; observed Old
+Cumberland, &lsquo;and a thief, anyway, for it&rsquo;s a
+coward&rsquo;s trade.&rsquo;</p>
+<p>&lsquo;But these fellows, now,&rsquo; said Jonathan, with a
+curious, appealing manner&mdash;&lsquo;these fellows with their
+seventy pounds!&nbsp; Perhaps, Mr. Archer, they were no true
+thieves after all, but just people who had been robbed and tried
+to get their own again.&nbsp; What was that you said, about all
+England and the taxes?&nbsp; One takes, another gives; why,
+that&rsquo;s almost fair.&nbsp; If I&rsquo;ve been rooked and
+robbed, and the coat taken off my back, I call it almost fair to
+take another&rsquo;s.&rsquo;</p>
+<p>&lsquo;Ask Old Cumberland,&rsquo; observed the ostler;
+&lsquo;you ask Old Cumberland, Miss Nance!&rsquo; and he bestowed
+a wink upon his favoured fair one.</p>
+<p>&lsquo;Why that?&rsquo; asked Jonathan.</p>
+<p>&lsquo;He had his coat taken&mdash;ay, and his shirt
+too,&rsquo; returned the ostler.</p>
+<p>&lsquo;Is that so?&rsquo; cried Jonathan eagerly.&nbsp;
+&lsquo;Was you robbed too?&rsquo;</p>
+<p>&lsquo;That was I,&rsquo; replied Cumberland, &lsquo;with a
+warrant!&nbsp; I was a well-to-do man when I was
+young.&rsquo;</p>
+<p>&lsquo;Ay!&nbsp; See that!&rsquo; says Jonathan.&nbsp;
+&lsquo;And you don&rsquo;t long for a revenge?&rsquo;</p>
+<p>&lsquo;Eh!&nbsp; Not me!&rsquo; answered the beggar.&nbsp;
+&lsquo;It&rsquo;s too long ago.&nbsp; But if you&rsquo;ll give me
+another mug of your good ale, my pretty lady, I won&rsquo;t say
+no to that.&rsquo;</p>
+<p>&lsquo;And shalt have!&nbsp; And shalt have!&rsquo; cried
+Jonathan.&nbsp; &lsquo;Or brandy even, if you like it
+better.&rsquo;</p>
+<p>And as Cumberland did like it better, and the ostler chimed
+in, the party pledged each other in a dram of brandy before
+separating.</p>
+<p>As for Nance, she slipped forth into the ruins, partly to
+avoid the ostler&rsquo;s gallantries, partly to lament over the
+defects of Mr. Archer.&nbsp; Plainly, he was no hero.&nbsp; She
+pitied him; she began to feel a protecting interest mingle with
+and almost supersede her admiration, and was at the same time
+disappointed and yet drawn to him.&nbsp; She was, indeed,
+conscious of such unshaken fortitude in her own heart, that she
+was almost tempted by an occasion to be bold for two.&nbsp; She
+saw herself, in a brave attitude, shielding her imperfect hero
+from the world; and she saw, like a piece of heaven, his
+gratitude for her protection.</p>
+<h3>CHAPTER V&mdash;LIFE IN THE CASTLE</h3>
+<p>From that day forth the life of these three persons in the
+ruin ran very smoothly.&nbsp; Mr. Archer now sat by the fire with
+a book, and now passed whole days abroad, returning late, dead
+weary.&nbsp; His manner was a mask; but it was half transparent;
+through the even tenor of his gravity and courtesy profound
+revolutions of feeling were betrayed, seasons of numb despair, of
+restlessness, of aching temper.&nbsp; For days he would say
+nothing beyond his usual courtesies and solemn compliments; and
+then, all of a sudden, some fine evening beside the kitchen fire,
+he would fall into a vein of elegant gossip, tell of strange and
+interesting events, the secrets of families, brave deeds of war,
+the miraculous discovery of crime, the visitations of the
+dead.&nbsp; Nance and her uncle would sit till the small hours
+with eyes wide open: Jonathan applauding the unexpected incidents
+with many a slap of his big hand; Nance, perhaps, more pleased
+with the narrator&rsquo;s eloquence and wise reflections; and
+then, again, days would follow of abstraction, of listless
+humming, of frequent apologies and long hours of silence.&nbsp;
+Once only, and then after a week of unrelieved melancholy, he
+went over to the &lsquo;Green Dragon,&rsquo; spent the afternoon
+with the landlord and a bowl of punch, and returned as on the
+first night, devious in step but courteous and unperturbed of
+speech.</p>
+<p>If he seemed more natural and more at his ease it was when he
+found Nance alone; and, laying by some of his reserve, talked
+before her rather than to her of his destiny, character and
+hopes.&nbsp; To Nance these interviews were but a doubtful
+privilege.&nbsp; At times he would seem to take a pleasure in her
+presence, to consult her gravely, to hear and to discuss her
+counsels; at times even, but these were rare and brief, he would
+talk of herself, praise the qualities that she possessed, touch
+indulgently on her defects, and lend her books to read and even
+examine her upon her reading; but far more often he would fall
+into a half unconsciousness, put her a question and then answer
+it himself, drop into the veiled tone of voice of one
+soliloquising, and leave her at last as though he had forgotten
+her existence.&nbsp; It was odd, too, that in all this random
+converse, not a fact of his past life, and scarce a name, should
+ever cross his lips.&nbsp; A profound reserve kept watch upon his
+most unguarded moments.&nbsp; He spoke continually of himself,
+indeed, but still in enigmas; a veiled prophet of egoism.</p>
+<p>The base of Nance&rsquo;s feelings for Mr. Archer was
+admiration as for a superior being; and with this, his treatment,
+consciously or not, accorded happily.&nbsp; When he forgot her,
+she took the blame upon herself.&nbsp; His formal politeness was
+so exquisite that this essential brutality stood excused.&nbsp;
+His compliments, besides, were always grave and rational; he
+would offer reason for his praise, convict her of merit, and thus
+disarm suspicion.&nbsp; Nay, and the very hours when he forgot
+and remembered her alternately could by the ardent fallacies of
+youth be read in the light of an attention.&nbsp; She might be
+far from his confidence; but still she was nearer it than any
+one.&nbsp; He might ignore her presence, but yet he sought
+it.</p>
+<p>Moreover, she, upon her side, was conscious of one point of
+superiority.&nbsp; Beside this rather dismal, rather effeminate
+man, who recoiled from a worm, who grew giddy on the castle wall,
+who bore so helplessly the weight of his misfortunes, she felt
+herself a head and shoulders taller in cheerful and sterling
+courage.&nbsp; She could walk head in air along the most
+precarious rafter; her hand feared neither the grossness nor the
+harshness of life&rsquo;s web, but was thrust cheerfully, if need
+were, into the briar bush, and could take hold of any crawling
+horror.&nbsp; Ruin was mining the walls of her cottage, as
+already it had mined and subverted Mr. Archer&rsquo;s
+palace.&nbsp; Well, she faced it with a bright countenance and a
+busy hand.&nbsp; She had got some washing, some rough seamstress
+work from the &lsquo;Green Dragon,&rsquo; and from another
+neighbour ten miles away across the moor.&nbsp; At this she
+cheerfully laboured, and from that height she could afford to
+pity the useless talents and poor attitude of Mr. Archer.&nbsp;
+It did not change her admiration, but it made it bearable.&nbsp;
+He was above her in all ways; but she was above him in one.&nbsp;
+She kept it to herself, and hugged it.&nbsp; When, like all young
+creatures, she made long stories to justify, to nourish, and to
+forecast the course of her affection, it was this private
+superiority that made all rosy, that cut the knot, and that, at
+last, in some great situation, fetched to her knees the dazzling
+but imperfect hero.&nbsp; With this pretty exercise she beguiled
+the hours of labour, and consoled herself for Mr. Archer&rsquo;s
+bearing.</p>
+<p>Pity was her weapon and her weakness.&nbsp; To accept the
+loved one&rsquo;s faults, although it has an air of freedom, is
+to kiss the chain, and this pity it was which, lying nearer to
+her heart, lent the one element of true emotion to a fanciful and
+merely brain-sick love.</p>
+<p>Thus it fell out one day that she had gone to the &lsquo;Green
+Dragon&rsquo; and brought back thence a letter to Mr.
+Archer.&nbsp; He, upon seeing it, winced like a man under the
+knife: pain, shame, sorrow, and the most trenchant edge of
+mortification cut into his heart and wrung the steady composure
+of his face.</p>
+<p>&lsquo;Dear heart! have you bad news?&rsquo; she cried.</p>
+<p>But he only replied by a gesture and fled to his room, and
+when, later on, she ventured to refer to it, he stopped her on
+the threshold, as if with words prepared beforehand.&nbsp;
+&lsquo;There are some pains,&rsquo; said he, &lsquo;too acute for
+consolation, or I would bring them to my kind consoler.&nbsp; Let
+the memory of that letter, if you please, be buried.&rsquo;&nbsp;
+And then as she continued to gaze at him, being, in spite of
+herself, pained by his elaborate phrase, doubtfully sincere in
+word and manner: &lsquo;Let it be enough,&rsquo; he added
+haughtily, &lsquo;that if this matter wring my heart, it doth not
+touch my conscience.&nbsp; I am a man, I would have you to know,
+who suffers undeservedly.&rsquo;</p>
+<p>He had never spoken so directly: never with so convincing an
+emotion; and her heart thrilled for him.&nbsp; She could have
+taken his pains and died of them with joy.</p>
+<p>Meanwhile she was left without support.&nbsp; Jonathan now
+swore by his lodger, and lived for him.&nbsp; He was a fine
+talker.&nbsp; He knew the finest sight of stories; he was a man
+and a gentleman, take him for all in all, and a perfect credit to
+Old England.&nbsp; Such were the old man&rsquo;s declared
+sentiments, and sure enough he clung to Mr. Archer&rsquo;s side,
+hung upon his utterance when he spoke, and watched him with
+unwearing interest when he was silent.&nbsp; And yet his feeling
+was not clear; in the partial wreck of his mind, which was
+leaning to decay, some after-thought was strongly present.&nbsp;
+As he gazed in Mr. Archer&rsquo;s face a sudden brightness would
+kindle in his rheumy eyes, his eye-brows would lift as with a
+sudden thought, his mouth would open as though to speak, and
+close again on silence.&nbsp; Once or twice he even called Mr.
+Archer mysteriously forth into the dark courtyard, took him by
+the button, and laid a demonstrative finger on his chest; but
+there his ideas or his courage failed him; he would shufflingly
+excuse himself and return to his position by the fire without a
+word of explanation.&nbsp; &lsquo;The good man was growing
+old,&rsquo; said Mr. Archer with a suspicion of a shrug.&nbsp;
+But the good man had his idea, and even when he was alone the
+name of Mr. Archer fell from his lips continually in the course
+of mumbled and gesticulative conversation.</p>
+<h3>CHAPTER VI&mdash;THE BAD HALF-CROWN</h3>
+<p>However early Nance arose, and she was no sluggard, the old
+man, who had begun to outlive the earthly habit of slumber, would
+usually have been up long before, the fire would be burning
+brightly, and she would see him wandering among the ruins,
+lantern in hand, and talking assiduously to himself.&nbsp; One
+day, however, after he had returned late from the market town,
+she found that she had stolen a march upon that indefatigable
+early riser.&nbsp; The kitchen was all blackness.&nbsp; She
+crossed the castle-yard to the wood-cellar, her steps printing
+the thick hoarfrost.&nbsp; A scathing breeze blew out of the
+north-east and slowly carried a regiment of black and tattered
+clouds over the face of heaven, which was already kindled with
+the wild light of morning, but where she walked, in shelter of
+the ruins, the flame of her candle burned steady.&nbsp; The
+extreme cold smote upon her conscience.&nbsp; She could not bear
+to think this bitter business fell usually to the lot of one so
+old as Jonathan, and made desperate resolutions to be earlier in
+the future.</p>
+<p>The fire was a good blaze before he entered, limping dismally
+into the kitchen.&nbsp; &lsquo;Nance,&rsquo; said he, &lsquo;I be
+all knotted up with the rheumatics; will you rub me a
+bit?&rsquo;&nbsp; She came and rubbed him where and how he bade
+her.&nbsp; &lsquo;This is a cruel thing that old age should be
+rheumaticky,&rsquo; said he.&nbsp; &lsquo;When I was young I
+stood my turn of the teethache like a man! for why? because it
+couldn&rsquo;t last for ever; but these rheumatics come to live
+and die with you.&nbsp; Your aunt was took before the time came;
+never had an ache to mention.&nbsp; Now I lie all night in my
+single bed and the blood never warms in me; this knee of mine it
+seems like lighted up with rheumatics; it seems as though you
+could see to sew by it; and all the strings of my old body ache,
+as if devils was pulling &rsquo;em.&nbsp; Thank you kindly;
+that&rsquo;s someways easier now, but an old man, my dear, has
+little to look for; it&rsquo;s pain, pain, pain to the end of the
+business, and I&rsquo;ll never be rightly warm again till I get
+under the sod,&rsquo; he said, and looked down at her with a face
+so aged and weary that she had nearly wept.</p>
+<p>&lsquo;I lay awake all night,&rsquo; he continued; &lsquo;I do
+so mostly, and a long walk kills me.&nbsp; Eh, deary me, to think
+that life should run to such a puddle!&nbsp; And I remember long
+syne when I was strong, and the blood all hot and good about me,
+and I loved to run, too&mdash;deary me, to run!&nbsp; Well,
+that&rsquo;s all by.&nbsp; You&rsquo;d better pray to be took
+early, Nance, and not live on till you get to be like me, and are
+robbed in your grey old age, your cold, shivering, dark old age,
+that&rsquo;s like a winter&rsquo;s morning&rsquo;; and he
+bitterly shuddered, spreading his hands before the fire.</p>
+<p>&lsquo;Come now,&rsquo; said Nance, &lsquo;the more you say
+the less you&rsquo;ll like it, Uncle Jonathan; but if I were you
+I would be proud for to have lived all your days honest and
+beloved, and come near the end with your good name: isn&rsquo;t
+that a fine thing to be proud of?&nbsp; Mr. Archer was telling me
+in some strange land they used to run races each with a lighted
+candle, and the art was to keep the candle burning.&nbsp; Well,
+now, I thought that was like life: a man&rsquo;s good conscience
+is the flame he gets to carry, and if he comes to the
+winning-post with that still burning, why, take it how you will,
+the man&rsquo;s a hero&mdash;even if he was low-born like you and
+me.&rsquo;</p>
+<p>&lsquo;Did Mr. Archer tell you that?&rsquo; asked
+Jonathan.</p>
+<p>&lsquo;No, dear,&rsquo; said she, &lsquo;that&rsquo;s my own
+thought about it.&nbsp; He told me of the race.&nbsp; But see,
+now,&rsquo; she continued, putting on the porridge, &lsquo;you
+say old age is a hard season, but so is youth.&nbsp; You&rsquo;re
+half out of the battle, I would say; you loved my aunt and got
+her, and buried her, and some of these days soon you&rsquo;ll go
+to meet her; and take her my love and tell her I tried to take
+good care of you; for so I do, Uncle Jonathan.&rsquo;</p>
+<p>Jonathan struck with his fist upon the settle.&nbsp;
+&lsquo;D&rsquo; ye think I want to die, ye vixen?&rsquo; he
+shouted.&nbsp; &lsquo;I want to live ten hundred
+years.&rsquo;</p>
+<p>This was a mystery beyond Nance&rsquo;s penetration, and she
+stared in wonder as she made the porridge.</p>
+<p>&lsquo;I want to live,&rsquo; he continued, &lsquo;I want to
+live and to grow rich.&nbsp; I want to drive my carriage and to
+dice in hells and see the ring, I do.&nbsp; Is this a life that I
+lived?&nbsp; I want to be a rake, d&rsquo; ye understand?&nbsp; I
+want to know what things are like.&nbsp; I don&rsquo;t want to
+die like a blind kitten, and me seventy-six.&rsquo;</p>
+<p>&lsquo;O fie!&rsquo; said Nance.</p>
+<p>The old man thrust out his jaw at her, with the grimace of an
+irreverent schoolboy.&nbsp; Upon that aged face it seemed a
+blasphemy.&nbsp; Then he took out of his bosom a long leather
+purse, and emptying its contents on the settle, began to count
+and recount the pieces, ringing and examining each, and suddenly
+he leapt like a young man.&nbsp; &lsquo;What!&rsquo; he
+screamed.&nbsp; &lsquo;Bad?&nbsp; O Lord!&nbsp; I&rsquo;m robbed
+again!&rsquo;&nbsp; And falling on his knees before the settle he
+began to pour forth the most dreadful curses on the head of his
+deceiver.&nbsp; His eyes were shut, for to him this vile
+solemnity was prayer.&nbsp; He held up the bad half-crown in his
+right hand, as though he were displaying it to Heaven, and what
+increased the horror of the scene, the curses he invoked were
+those whose efficacy he had tasted&mdash;old age and poverty,
+rheumatism and an ungrateful son.&nbsp; Nance listened appalled;
+then she sprang forward and dragged down his arm and laid her
+hand upon his mouth.</p>
+<p>&lsquo;Whist!&rsquo; she cried.&nbsp; &lsquo;Whist ye, for
+God&rsquo;s sake!&nbsp; O my man, whist ye!&nbsp; If Heaven were
+to hear; if poor Aunt Susan were to hear!&nbsp; Think, she may be
+listening.&rsquo;&nbsp; And with the histrionism of strong
+emotion she pointed to a corner of the kitchen.</p>
+<p>His eyes followed her finger.&nbsp; He looked there for a
+little, thinking, blinking; then he got stiffly to his feet and
+resumed his place upon the settle, the bad piece still in his
+hand.&nbsp; So he sat for some time, looking upon the half-crown,
+and now wondering to himself on the injustice and partiality of
+the law, now computing again and again the nature of his
+loss.&nbsp; So he was still sitting when Mr. Archer entered the
+kitchen.&nbsp; At this a light came into his face, and after some
+seconds of rumination he dispatched Nance upon an errand.</p>
+<p>&lsquo;Mr. Archer,&rsquo; said he, as soon as they were alone
+together, &lsquo;would you give me a guinea-piece for
+silver?&rsquo;</p>
+<p>&lsquo;Why, sir, I believe I can,&rsquo; said Mr. Archer.</p>
+<p>And the exchange was just effected when Nance re-entered the
+apartment.&nbsp; The blood shot into her face.</p>
+<p>&lsquo;What&rsquo;s to do here?&rsquo; she asked rudely.</p>
+<p>&lsquo;Nothing, my dearie,&rsquo; said old Jonathan, with a
+touch of whine.</p>
+<p>&lsquo;What&rsquo;s to do?&rsquo; she said again.</p>
+<p>&lsquo;Your uncle was but changing me a piece of gold,&rsquo;
+returned Mr. Archer.</p>
+<p>&lsquo;Let me see what he hath given you, Mr. Archer,&rsquo;
+replied the girl.&nbsp; &lsquo;I had a bad piece, and I fear it
+is mixed up among the good.&rsquo;</p>
+<p>&lsquo;Well, well,&rsquo; replied Mr. Archer, smiling,
+&lsquo;I must take the merchant&rsquo;s risk of it.&nbsp; The
+money is now mixed.&rsquo;</p>
+<p>&lsquo;I know my piece,&rsquo; quoth Nance.&nbsp; &lsquo;Come,
+let me see your silver, Mr. Archer.&nbsp; If I have to get it by
+a theft I&rsquo;ll see that money,&rsquo; she cried.</p>
+<p>&lsquo;Nay, child, if you put as much passion to be honest as
+the world to steal, I must give way, though I betray
+myself,&rsquo; said Mr. Archer.&nbsp; &lsquo;There it is as I
+received it.&rsquo;</p>
+<p>Nance quickly found the bad half-crown.</p>
+<p>&lsquo;Give him another,&rsquo; she said, looking Jonathan in
+the face; and when that had been done, she walked over to the
+chimney and flung the guilty piece into the reddest of the
+fire.&nbsp; Its base constituents began immediately to run; even
+as she watched it the disc crumbled, and the lineaments of the
+King became confused.&nbsp; Jonathan, who had followed close
+behind, beheld these changes from over her shoulder, and his face
+darkened sorely.</p>
+<p>&lsquo;Now,&rsquo; said she, &lsquo;come back to table, and
+to-day it is I that shall say grace, as I used to do in the old
+times, day about with Dick&rsquo;; and covering her eyes with one
+hand, &lsquo;O Lord,&rsquo; said she with deep emotion,
+&lsquo;make us thankful; and, O Lord, deliver us from evil!&nbsp;
+For the love of the poor souls that watch for us in heaven, O
+deliver us from evil.&rsquo;</p>
+<h3>CHAPTER VII&mdash;THE BLEACHING-GREEN</h3>
+<p>The year moved on to March; and March, though it blew bitter
+keen from the North Sea, yet blinked kindly between whiles on the
+river dell.&nbsp; The mire dried up in the closest covert; life
+ran in the bare branches, and the air of the afternoon would be
+suddenly sweet with the fragrance of new grass.</p>
+<p>Above and below the castle the river crooked like the letter
+&lsquo;S.&rsquo;&nbsp; The lower loop was to the left, and
+embraced the high and steep projection which was crowned by the
+ruins; the upper loop enclosed a lawny promontory, fringed by
+thorn and willow.&nbsp; It was easy to reach it from the castle
+side, for the river ran in this part very quietly among
+innumerable boulders and over dam-like walls of rock.&nbsp; The
+place was all enclosed, the wind a stranger, the turf smooth and
+solid; so it was chosen by Nance to be her bleaching-green.</p>
+<p>One day she brought a bucketful of linen, and had but begun to
+wring and lay them out when Mr. Archer stepped from the thicket
+on the far side, drew very deliberately near, and sat down in
+silence on the grass.&nbsp; Nance looked up to greet him with a
+smile, but finding her smile was not returned, she fell into
+embarrassment and stuck the more busily to her employment.&nbsp;
+Man or woman, the whole world looks well at any work to which
+they are accustomed; but the girl was ashamed of what she
+did.&nbsp; She was ashamed, besides, of the sun-bonnet that so
+well became her, and ashamed of her bare arms, which were her
+greatest beauty.</p>
+<p>&lsquo;Nausicaa,&rsquo; said Mr. Archer at last, &lsquo;I find
+you like Nausicaa.&rsquo;</p>
+<p>&lsquo;And who was she?&rsquo; asked Nance, and laughed in
+spite of herself, an empty and embarrassed laugh, that sounded in
+Mr. Archer&rsquo;s ears, indeed, like music, but to her own like
+the last grossness of rusticity.</p>
+<p>&lsquo;She was a princess of the Grecian islands,&rsquo; he
+replied.&nbsp; &lsquo;A king, being shipwrecked, found her
+washing by the shore.&nbsp; Certainly I, too, was
+shipwrecked,&rsquo; he continued, plucking at the grass.&nbsp;
+&lsquo;There was never a more desperate castaway&mdash;to fall
+from polite life, fortune, a shrine of honour, a grateful
+conscience, duties willingly taken up and faithfully discharged;
+and to fall to this&mdash;idleness, poverty, inutility,
+remorse.&rsquo;&nbsp; He seemed to have forgotten her presence,
+but here he remembered her again.&nbsp; &lsquo;Nance,&rsquo; said
+he, &lsquo;would you have a man sit down and suffer or rise up
+and strive?&rsquo;</p>
+<p>&lsquo;Nay,&rsquo; she said.&nbsp; &lsquo;I would always
+rather see him doing.&rsquo;</p>
+<p>&lsquo;Ha!&rsquo; said Mr. Archer, &lsquo;but yet you speak
+from an imperfect knowledge.&nbsp; Conceive a man damned to a
+choice of only evil&mdash;misconduct upon either side, not a
+fault behind him, and yet naught before him but this choice of
+sins.&nbsp; How would you say then?&rsquo;</p>
+<p>&lsquo;I would say that he was much deceived, Mr.
+Archer,&rsquo; returned Nance.&nbsp; &lsquo;I would say there was
+a third choice, and that the right one.&rsquo;</p>
+<p>&lsquo;I tell you,&rsquo; said Mr. Archer, &lsquo;the man I
+have in view hath two ways open, and no more.&nbsp; One to wait,
+like a poor mewling baby, till Fate save or ruin him; the other
+to take his troubles in his hand, and to perish or be saved at
+once.&nbsp; It is no point of morals; both are wrong.&nbsp;
+Either way this step-child of Providence must fall; which shall
+he choose, by doing or not doing?&rsquo;</p>
+<p>&lsquo;Fall, then, is what I would say,&rsquo; replied
+Nance.&nbsp; &lsquo;Fall where you will, but do it!&nbsp; For O,
+Mr. Archer,&rsquo; she continued, stooping to her work,
+&lsquo;you that are good and kind, and so wise, it doth sometimes
+go against my heart to see you live on here like a sheep in a
+turnip-field!&nbsp; If you were braver&mdash;&rsquo; and here she
+paused, conscience-smitten.</p>
+<p>&lsquo;Do I, indeed, lack courage?&rsquo; inquired Mr. Archer
+of himself.&nbsp; &lsquo;Courage, the footstool of the virtues,
+upon which they stand?&nbsp; Courage, that a poor private
+carrying a musket has to spare of; that does not fail a weasel or
+a rat; that is a brutish faculty?&nbsp; I to fail there, I
+wonder?&nbsp; But what is courage, then?&nbsp; The constancy to
+endure oneself or to see others suffer?&nbsp; The itch of
+ill-advised activity: mere shuttle-wittedness, or to be still and
+patient?&nbsp; To inquire of the significance of words is to rob
+ourselves of what we seem to know, and yet, of all things,
+certainly to stand still is the least heroic.&nbsp; Nance,&rsquo;
+he said, &lsquo;did you ever hear of <i>Hamlet</i>?&rsquo;</p>
+<p>&lsquo;Never,&rsquo; said Nance.</p>
+<p>&lsquo;&rsquo;Tis an old play,&rsquo; returned Mr. Archer,
+&lsquo;and frequently enacted.&nbsp; This while I have been
+talking Hamlet.&nbsp; You must know this Hamlet was a Prince
+among the Danes,&rsquo; and he told her the play in a very good
+style, here and there quoting a verse or two with solemn
+emphasis.</p>
+<p>&lsquo;It is strange,&rsquo; said Nance; &lsquo;he was then a
+very poor creature?&rsquo;</p>
+<p>&lsquo;That was what he could not tell,&rsquo; said Mr.
+Archer.&nbsp; &lsquo;Look at me, am I as poor a
+creature?&rsquo;</p>
+<p>She looked, and what she saw was the familiar thought of all
+her hours; the tall figure very plainly habited in black, the
+spotless ruffles, the slim hands; the long, well-shapen, serious,
+shaven face, the wide and somewhat thin-lipped mouth, the dark
+eyes that were so full of depth and change and colour.&nbsp; He
+was gazing at her with his brows a little knit, his chin upon one
+hand and that elbow resting on his knee.</p>
+<p>&lsquo;Ye look a man!&rsquo; she cried, &lsquo;ay, and should
+be a great one!&nbsp; The more shame to you to lie here idle like
+a dog before the fire.&rsquo;</p>
+<p>&lsquo;My fair Holdaway,&rsquo; quoth Mr. Archer, &lsquo;you
+are much set on action.&nbsp; I cannot dig, to beg I am
+ashamed.&rsquo;&nbsp; He continued, looking at her with a
+half-absent fixity, &lsquo;&rsquo;Tis a strange thing, certainly,
+that in my years of fortune I should never taste happiness, and
+now when I am broke, enjoy so much of it, for was I ever happier
+than to-day?&nbsp; Was the grass softer, the stream pleasanter in
+sound, the air milder, the heart more at peace?&nbsp; Why should
+I not sink?&nbsp; To dig&mdash;why, after all, it should be
+easy.&nbsp; To take a mate, too?&nbsp; Love is of all grades
+since Jupiter; love fails to none; and children&rsquo;&mdash;but
+here he passed his hand suddenly over his eyes.&nbsp; &lsquo;O
+fool and coward, fool and coward!&rsquo; he said bitterly;
+&lsquo;can you forget your fetters?&nbsp; You did not know that I
+was fettered, Nance?&rsquo; he asked, again addressing her.</p>
+<p>But Nance was somewhat sore.&nbsp; &lsquo;I know you keep
+talking,&rsquo; she said, and, turning half away from him, began
+to wring out a sheet across her shoulder.&nbsp; &lsquo;I wonder
+you are not wearied of your voice.&nbsp; When the hands lie abed
+the tongue takes a walk.&rsquo;</p>
+<p>Mr. Archer laughed unpleasantly, rose and moved to the
+water&rsquo;s edge.&nbsp; In this part the body of the river
+poured across a little narrow fell, ran some ten feet very
+smoothly over a bed of pebbles, then getting wind, as it were, of
+another shelf of rock which barred the channel, began, by
+imperceptible degrees, to separate towards either shore in
+dancing currents, and to leave the middle clear and
+stagnant.&nbsp; The set towards either side was nearly equal;
+about one half of the whole water plunged on the side of the
+castle, through a narrow gullet; about one half ran ripping past
+the margin of the green and slipped across a babbling rapid.</p>
+<p>&lsquo;Here,&rsquo; said Mr. Archer, after he had looked for
+some time at the fine and shifting demarcation of these currents,
+&lsquo;come here and see me try my fortune.&rsquo;</p>
+<p>&lsquo;I am not like a man,&rsquo; said Nance; &lsquo;I have
+no time to waste.&rsquo;</p>
+<p>&lsquo;Come here,&rsquo; he said again.&nbsp; &lsquo;I ask you
+seriously, Nance.&nbsp; We are not always childish when we seem
+so.&rsquo;</p>
+<p>She drew a little nearer.</p>
+<p>&lsquo;Now,&rsquo; said he, &lsquo;you see these two
+channels&mdash;choose one.&rsquo;</p>
+<p>&lsquo;I&rsquo;ll choose the nearest, to save time,&rsquo;
+said Nance.</p>
+<p>&lsquo;Well, that shall be for action,&rsquo; returned Mr.
+Archer.&nbsp; &lsquo;And since I wish to have the odds against
+me, not only the other channel but yon stagnant water in the
+midst shall be for lying still.&nbsp; You see this?&rsquo; he
+continued, pulling up a withered rush.&nbsp; &lsquo;I break it in
+three.&nbsp; I shall put each separately at the top of the upper
+fall, and according as they go by your way or by the other I
+shall guide my life.&rsquo;</p>
+<p>&lsquo;This is very silly,&rsquo; said Nance, with a movement
+of her shoulders.</p>
+<p>&lsquo;I do not think it so,&rsquo; said Mr. Archer.</p>
+<p>&lsquo;And then,&rsquo; she resumed, &lsquo;if you are to try
+your fortune, why not evenly?&rsquo;</p>
+<p>&lsquo;Nay,&rsquo; returned Mr. Archer with a smile, &lsquo;no
+man can put complete reliance in blind fate; he must still cog
+the dice.&rsquo;</p>
+<p>By this time he had got upon the rock beside the upper fall,
+and, bidding her look out, dropped a piece of rush into the
+middle of the intake.&nbsp; The rusty fragment was sucked at once
+over the fall, came up again far on the right hand, leaned ever
+more and more in the same direction, and disappeared under the
+hanging grasses on the castle side.</p>
+<p>&lsquo;One,&rsquo; said Mr. Archer, &lsquo;one for standing
+still.&rsquo;</p>
+<p>But the next launch had a different fate, and after hanging
+for a while about the edge of the stagnant water, steadily
+approached the bleaching-green and danced down the rapid under
+Nance&rsquo;s eyes.</p>
+<p>&lsquo;One for me,&rsquo; she cried with some exultation; and
+then she observed that Mr. Archer had grown pale, and was
+kneeling on the rock, with his hand raised like a person
+petrified.&nbsp; &lsquo;Why,&rsquo; said she, &lsquo;you do not
+mind it, do you?&rsquo;</p>
+<p>&lsquo;Does a man not mind a throw of dice by which a fortune
+hangs?&rsquo; said Mr. Archer, rather hoarsely.&nbsp; &lsquo;And
+this is more than fortune.&nbsp; Nance, if you have any kindness
+for my fate, put up a prayer before I launch the next
+one.&rsquo;</p>
+<p>&lsquo;A prayer,&rsquo; she cried, &lsquo;about a game like
+this?&nbsp; I would not be so heathen.&rsquo;</p>
+<p>&lsquo;Well,&rsquo; said he, &lsquo;then without,&rsquo; and
+he closed his eyes and dropped the piece of rush.&nbsp; This time
+there was no doubt.&nbsp; It went for the rapid as straight as
+any arrow.</p>
+<p>&lsquo;Action then!&rsquo; said Mr. Archer, getting to his
+feet; &lsquo;and then God forgive us,&rsquo; he added, almost to
+himself.</p>
+<p>&lsquo;God forgive us, indeed,&rsquo; cried Nance, &lsquo;for
+wasting the good daylight!&nbsp; But come, Mr. Archer, if I see
+you look so serious I shall begin to think you was in
+earnest.&rsquo;</p>
+<p>&lsquo;Nay,&rsquo; he said, turning upon her suddenly, with a
+full smile; &lsquo;but is not this good advice?&nbsp; I have
+consulted God and demigod; the nymph of the river, and what I far
+more admire and trust, my blue-eyed Minerva.&nbsp; Both have said
+the same.&nbsp; My own heart was telling it already.&nbsp;
+Action, then, be mine; and into the deep sea with all this
+paralysing casuistry.&nbsp; I am happy to-day for the first
+time.&rsquo;</p>
+<h3>CHAPTER VIII&mdash;THE MAIL GUARD</h3>
+<p>Somewhere about two in the morning a squall had burst upon the
+castle, a clap of screaming wind that made the towers rock, and a
+copious drift of rain that streamed from the windows.&nbsp; The
+wind soon blew itself out, but the day broke cloudy and dripping,
+and when the little party assembled at breakfast their humours
+appeared to have changed with the change of weather.&nbsp; Nance
+had been brooding on the scene at the river-side, applying it in
+various ways to her particular aspirations, and the result, which
+was hardly to her mind, had taken the colour out of her
+cheeks.&nbsp; Mr. Archer, too, was somewhat absent, his thoughts
+were of a mingled strain; and even upon his usually impassive
+countenance there were betrayed successive depths of depression
+and starts of exultation, which the girl translated in terms of
+her own hopes and fears.&nbsp; But Jonathan was the most altered:
+he was strangely silent, hardly passing a word, and watched Mr.
+Archer with an eager and furtive eye.&nbsp; It seemed as if the
+idea that had so long hovered before him had now taken a more
+solid shape, and, while it still attracted, somewhat alarmed his
+imagination.</p>
+<p>At this rate, conversation languished into a silence which was
+only broken by the gentle and ghostly noises of the rain on the
+stone roof and about all that field of ruins; and they were all
+relieved when the note of a man whistling and the sound of
+approaching footsteps in the grassy court announced a
+visitor.&nbsp; It was the ostler from the &lsquo;Green
+Dragon&rsquo; bringing a letter for Mr. Archer.&nbsp; Nance saw
+her hero&rsquo;s face contract and then relax again at sight of
+it; and she thought that she knew why, for the sprawling, gross
+black characters of the address were easily distinguishable from
+the fine writing on the former letter that had so much disturbed
+him.&nbsp; He opened it and began to read; while the ostler sat
+down to table with a pot of ale, and proceeded to make himself
+agreeable after his fashion.</p>
+<p>&lsquo;Fine doings down our way, Miss Nance,&rsquo; said
+he.&nbsp; &lsquo;I haven&rsquo;t been abed this blessed
+night.&rsquo;</p>
+<p>Nance expressed a polite interest, but her eye was on Mr.
+Archer, who was reading his letter with a face of such extreme
+indifference that she was tempted to suspect him of
+assumption.</p>
+<p>&lsquo;Yes,&rsquo; continued the ostler, &lsquo;not been the
+like of it this fifteen years: the North Mail stopped at the
+three stones.&rsquo;</p>
+<p>Jonathan&rsquo;s cup was at his lip, but at this moment he
+choked with a great splutter; and Mr. Archer, as if startled by
+the noise, made so sudden a movement that one corner of the sheet
+tore off and stayed between his finger and thumb.&nbsp; It was
+some little time before the old man was sufficiently recovered to
+beg the ostler to go on, and he still kept coughing and crying
+and rubbing his eyes.&nbsp; Mr. Archer, on his side, laid the
+letter down, and, putting his hands in his pocket, listened
+gravely to the tale.</p>
+<p>&lsquo;Yes,&rsquo; resumed Sam, &lsquo;the North Mail was
+stopped by a single horseman; dash my wig, but I admire
+him!&nbsp; There were four insides and two out, and poor Tom
+Oglethorpe, the guard.&nbsp; Tom showed himself a man; let fly
+his blunderbuss at him; had him covered, too, and could swear to
+that; but the Captain never let on, up with a pistol and fetched
+poor Tom a bullet through the body.&nbsp; Tom, he squelched upon
+the seat, all over blood.&nbsp; Up comes the Captain to the
+window.&nbsp; &ldquo;Oblige me,&rdquo; says he, &ldquo;with what
+you have.&rdquo;&nbsp; Would you believe it?&nbsp; Not a man says
+cheep!&mdash;not them.&nbsp; &ldquo;Thy hands over thy
+head.&rdquo;&nbsp; Four watches, rings, snuff-boxes,
+seven-and-forty pounds overhead in gold.&nbsp; One Dicksee, a
+grazier, tries it on: gives him a guinea.&nbsp; &ldquo;Beg your
+pardon,&rdquo; says the Captain, &ldquo;I think too highly of you
+to take it at your hand.&nbsp; I will not take less than ten from
+such a gentleman.&rdquo;&nbsp; This Dicksee had his money in his
+stocking, but there was the pistol at his eye.&nbsp; Down he
+goes, offs with his stocking, and there was thirty golden
+guineas.&nbsp; &ldquo;Now,&rdquo; says the Captain,
+&ldquo;you&rsquo;ve tried it on with me, but I scorns the
+advantage.&nbsp; Ten I said,&rdquo; he says, &ldquo;and ten I
+take.&rdquo;&nbsp; So, dash my buttons, I call that man a
+man!&rsquo; cried Sam in cordial admiration.</p>
+<p>&lsquo;Well, and then?&rsquo; says Mr. Archer.</p>
+<p>&lsquo;Then,&rsquo; resumed Sam, &lsquo;that old fat fagot
+Engleton, him as held the ribbons and drew up like a lamb when he
+was told to, picks up his cattle, and drives off again.&nbsp;
+Down they came to the &ldquo;Dragon,&rdquo; all singing like as
+if they was scalded, and poor Tom saying nothing.&nbsp; You would
+&lsquo;a&rsquo; thought they had all lost the King&rsquo;s crown
+to hear them.&nbsp; Down gets this Dicksee.&nbsp;
+&ldquo;Postmaster,&rdquo; he says, taking him by the arm,
+&ldquo;this is a most abominable thing,&rdquo; he says.&nbsp;
+Down gets a Major Clayton, and gets the old man by the other
+arm.&nbsp; &ldquo;We&rsquo;ve been robbed,&rdquo; he cries,
+&ldquo;robbed!&rdquo;&nbsp; Down gets the others, and all around
+the old man telling their story, and what they had lost, and how
+they was all as good as ruined; till at last Old Engleton says,
+says he, &ldquo;How about Oglethorpe?&rdquo; says he.&nbsp;
+&ldquo;Ay,&rdquo; says the others, &ldquo;how about the
+guard?&rdquo;&nbsp; Well, with that we bousted him down, as white
+as a rag and all blooded like a sop.&nbsp; I thought he was
+dead.&nbsp; Well, he ain&rsquo;t dead; but he&rsquo;s dying, I
+fancy.&rsquo;</p>
+<p>&lsquo;Did you say four watches?&rsquo; said Jonathan.</p>
+<p>&lsquo;Four, I think.&nbsp; I wish it had been forty,&rsquo;
+cried Sam.&nbsp; &lsquo;Such a party of soused herrings I never
+did see&mdash;not a man among them bar poor Tom.&nbsp; But us
+that are the servants on the road have all the risk and none of
+the profit.&rsquo;</p>
+<p>&lsquo;And this brave fellow,&rsquo; asked Mr. Archer, very
+quietly, &lsquo;this Oglethorpe&mdash;how is he now?&rsquo;</p>
+<p>&lsquo;Well, sir, with my respects, I take it he has a hole
+bang through him,&rsquo; said Sam.&nbsp; &lsquo;The doctor
+hasn&rsquo;t been yet.&nbsp; He&rsquo;d &lsquo;a&rsquo; been
+bright and early if it had been a passenger.&nbsp; But, doctor or
+no, I&rsquo;ll make a good guess that Tom won&rsquo;t see
+to-morrow.&nbsp; He&rsquo;ll die on a Sunday, will poor Tom; and
+they do say that&rsquo;s fortunate.&rsquo;</p>
+<p>&lsquo;Did Tom see him that did it?&rsquo; asked Jonathan.</p>
+<p>&lsquo;Well, he saw him,&rsquo; replied Sam, &lsquo;but not to
+swear by.&nbsp; Said he was a very tall man, and very big, and
+had a &rsquo;ankerchief about his face, and a very quick shot,
+and sat his horse like a thorough gentleman, as he is.&rsquo;</p>
+<p>&lsquo;A gentleman!&rsquo; cried Nance.&nbsp; &lsquo;The dirty
+knave!&rsquo;</p>
+<p>&lsquo;Well, I calls a man like that a gentleman,&rsquo;
+returned the ostler; &lsquo;that&rsquo;s what I mean by a
+gentleman.&rsquo;</p>
+<p>&lsquo;You don&rsquo;t know much of them, then,&rsquo; said
+Nance.</p>
+<p>&lsquo;A gentleman would scorn to stoop to such a thing.&nbsp;
+I call my uncle a better gentleman than any thief.&rsquo;</p>
+<p>&lsquo;And you would be right,&rsquo; said Mr. Archer.</p>
+<p>&lsquo;How many snuff-boxes did he get?&rsquo; asked
+Jonathan.</p>
+<p>&lsquo;O, dang me if I know,&rsquo; said Sam; &lsquo;I
+didn&rsquo;t take an inventory.&rsquo;</p>
+<p>&lsquo;I will go back with you, if you please,&rsquo; said Mr.
+Archer.&nbsp; &lsquo;I should like to see poor Oglethorpe.&nbsp;
+He has behaved well.&rsquo;</p>
+<p>&lsquo;At your service, sir,&rsquo; said Sam, jumping to his
+feet.&nbsp; &lsquo;I dare to say a gentleman like you would not
+forget a poor fellow like Tom&mdash;no, nor a plain man like me,
+sir, that went without his sleep to nurse him.&nbsp; And excuse
+me, sir,&rsquo; added Sam, &lsquo;you won&rsquo;t forget about
+the letter neither?&rsquo;</p>
+<p>&lsquo;Surely not,&rsquo; said Mr. Archer.</p>
+<p>Oglethorpe lay in a low bed, one of several in a long garret
+of the inn.&nbsp; The rain soaked in places through the roof and
+fell in minute drops; there was but one small window; the beds
+were occupied by servants, the air of the garret was both close
+and chilly.&nbsp; Mr. Archer&rsquo;s heart sank at the threshold
+to see a man lying perhaps mortally hurt in so poor a sick-room,
+and as he drew near the low bed he took his hat off.&nbsp; The
+guard was a big, blowsy, innocent-looking soul with a thick lip
+and a broad nose, comically turned up; his cheeks were crimson,
+and when Mr. Archer laid a finger on his brow he found him
+burning with fever.</p>
+<p>&lsquo;I fear you suffer much,&rsquo; he said, with a catch in
+his voice, as he sat down on the bedside.</p>
+<p>&lsquo;I suppose I do, sir,&rsquo; returned Oglethorpe;
+&lsquo;it is main sore.&rsquo;</p>
+<p>&lsquo;I am used to wounds and wounded men,&rsquo; returned
+the visitor.&nbsp; &lsquo;I have been in the wars and nursed
+brave fellows before now; and, if you will suffer me, I propose
+to stay beside you till the doctor comes.&rsquo;</p>
+<p>&lsquo;It is very good of you, sir, I am sure,&rsquo; said
+Oglethorpe.&nbsp; &lsquo;The trouble is they won&rsquo;t none of
+them let me drink.&rsquo;</p>
+<p>&lsquo;If you will not tell the doctor,&rsquo; said Mr.
+Archer, &lsquo;I will give you some water.&nbsp; They say it is
+bad for a green wound, but in the Low Countries we all drank
+water when we found the chance, and I could never perceive we
+were the worse for it.&rsquo;</p>
+<p>&lsquo;Been wounded yourself, sir, perhaps?&rsquo; called
+Oglethorpe.</p>
+<p>&lsquo;Twice,&rsquo; said Mr. Archer, &lsquo;and was as proud
+of these hurts as any lady of her bracelets.&nbsp; &rsquo;Tis a
+fine thing to smart for one&rsquo;s duty; even in the pangs of it
+there is contentment.&rsquo;</p>
+<p>&lsquo;Ah, well!&rsquo; replied the guard, &lsquo;if
+you&rsquo;ve been shot yourself, that explains.&nbsp; But as for
+contentment, why, sir, you see, it smarts, as you say.&nbsp; And
+then, I have a good wife, you see, and a bit of a brat&mdash;a
+little thing, so high.&rsquo;</p>
+<p>&lsquo;Don&rsquo;t move,&rsquo; said Mr. Archer.</p>
+<p>&lsquo;No, sir, I will not, and thank you kindly,&rsquo; said
+Oglethorpe.&nbsp; &lsquo;At York they are.&nbsp; A very good lass
+is my wife&mdash;far too good for me.&nbsp; And the little
+rascal&mdash;well, I don&rsquo;t know how to say it, but he sort
+of comes round you.&nbsp; If I were to go, sir, it would be hard
+on my poor girl&mdash;main hard on her!&rsquo;</p>
+<p>&lsquo;Ay, you must feel bitter hardly to the rogue that laid
+you here,&rsquo; said Archer.</p>
+<p>&lsquo;Why, no, sir, more against Engleton and the
+passengers,&rsquo; replied the guard.&nbsp; &lsquo;He played his
+hand, if you come to look at it; and I wish he had shot worse, or
+me better.&nbsp; And yet I&rsquo;ll go to my grave but what I
+covered him,&rsquo; he cried.&nbsp; &lsquo;It looks like
+witchcraft.&nbsp; I&rsquo;ll go to my grave but what he was drove
+full of slugs like a pepper-box.&rsquo;</p>
+<p>&lsquo;Quietly,&rsquo; said Mr. Archer, &lsquo;you must not
+excite yourself.&nbsp; These deceptions are very usual in war;
+the eye, in the moment of alert, is hardly to be trusted, and
+when the smoke blows away you see the man you fired at, taking
+aim, it may be, at yourself.&nbsp; You should observe, too, that
+you were in the dark night, and somewhat dazzled by the lamps,
+and that the sudden stopping of the mail had jolted you.&nbsp; In
+such circumstances a man may miss, ay, even with a blunder-buss,
+and no blame attach to his marksmanship.&rsquo; . . .</p>
+<h2>THE YOUNG CHEVALIER</h2>
+<h3>PROLOGUE&mdash;THE WINE-SELLER&rsquo;S WIFE</h3>
+<p>There was a wine-seller&rsquo;s shop, as you went down to the
+river in the city of the Anti-popes.&nbsp; There a man was served
+with good wine of the country and plain country fare; and the
+place being clean and quiet, with a prospect on the river,
+certain gentlemen who dwelt in that city in attendance on a great
+personage made it a practice (when they had any silver in their
+purses) to come and eat there and be private.</p>
+<p>They called the wine-seller Paradou.&nbsp; He was built more
+like a bullock than a man, huge in bone and brawn, high in
+colour, and with a hand like a baby for size.&nbsp;
+Marie-Madeleine was the name of his wife; she was of Marseilles,
+a city of entrancing women, nor was any fairer than
+herself.&nbsp; She was tall, being almost of a height with
+Paradou; full-girdled, point-device in every form, with an
+exquisite delicacy in the face; her nose and nostrils a delight
+to look at from the fineness of the sculpture, her eyes inclined
+a hair&rsquo;s-breadth inward, her colour between dark and fair,
+and laid on even like a flower&rsquo;s.&nbsp; A faint rose dwelt
+in it, as though she had been found unawares bathing, and had
+blushed from head to foot.&nbsp; She was of a grave countenance,
+rarely smiling; yet it seemed to be written upon every part of
+her that she rejoiced in life.&nbsp; Her husband loved the heels
+of her feet and the knuckles of her fingers; he loved her like a
+glutton and a brute; his love hung about her like an atmosphere;
+one that came by chance into the wine-shop was aware of that
+passion; and it might be said that by the strength of it the
+woman had been drugged or spell-bound.&nbsp; She knew not if she
+loved or loathed him; he was always in her eyes like something
+monstrous&mdash;monstrous in his love, monstrous in his person,
+horrific but imposing in his violence; and her sentiment swung
+back and forward from desire to sickness.&nbsp; But the mean,
+where it dwelt chiefly, was an apathetic fascination, partly of
+horror; as of Europa in mid ocean with her bull.</p>
+<p>On the 10th November 1749 there sat two of the foreign
+gentlemen in the wine-seller&rsquo;s shop.&nbsp; They were both
+handsome men of a good presence, richly dressed.&nbsp; The first
+was swarthy and long and lean, with an alert, black look, and a
+mole upon his cheek.&nbsp; The other was more fair.&nbsp; He
+seemed very easy and sedate, and a little melancholy for so young
+a man, but his smile was charming.&nbsp; In his grey eyes there
+was much abstraction, as of one recalling fondly that which was
+past and lost.&nbsp; Yet there was strength and swiftness in his
+limbs; and his mouth set straight across his face, the under lip
+a thought upon side, like that of a man accustomed to
+resolve.&nbsp; These two talked together in a rude outlandish
+speech that no frequenter of that wine-shop understood.&nbsp; The
+swarthy man answered to the name of <i>Ballantrae</i>; he of the
+dreamy eyes was sometimes called <i>Balmile</i>, and sometimes
+<i>my Lord</i>, or <i>my Lord Gladsmuir</i>; but when the title
+was given him, he seemed to put it by as if in jesting, not
+without bitterness.</p>
+<p>The mistral blew in the city.&nbsp; The first day of that
+wind, they say in the countries where its voice is heard, it
+blows away all the dust, the second all the stones, and the third
+it blows back others from the mountains.&nbsp; It was now come to
+the third day; outside the pebbles flew like hail, and the face
+of the river was puckered, and the very building-stones in the
+walls of houses seemed to be curdled with the savage cold and
+fury of that continuous blast.&nbsp; It could be heard to hoot in
+all the chimneys of the city; it swept about the wine-shop,
+filling the room with eddies; the chill and gritty touch of it
+passed between the nearest clothes and the bare flesh; and the
+two gentlemen at the far table kept their mantles loose about
+their shoulders.&nbsp; The roughness of these outer hulls, for
+they were plain travellers&rsquo; cloaks that had seen service,
+set the greater mark of richness on what showed below of their
+laced clothes; for the one was in scarlet and the other in violet
+and white, like men come from a scene of ceremony; as indeed they
+were.</p>
+<p>It chanced that these fine clothes were not without their
+influence on the scene which followed, and which makes the
+prologue of our tale.&nbsp; For a long time Balmile was in the
+habit to come to the wine-shop and eat a meal or drink a measure
+of wine; sometimes with a comrade; more often alone, when he
+would sit and dream and drum upon the table, and the thoughts
+would show in the man&rsquo;s face in little glooms and
+lightenings, like the sun and the clouds upon a water.&nbsp; For
+a long time Marie-Madeleine had observed him apart.&nbsp; His
+sadness, the beauty of his smile when by any chance he remembered
+her existence and addressed her, the changes of his mind
+signalled forth by an abstruse play of feature, the mere fact
+that he was foreign and a thing detached from the local and the
+accustomed, insensibly attracted and affected her.&nbsp; Kindness
+was ready in her mind; it but lacked the touch of an occasion to
+effervesce and crystallise.&nbsp; Now Balmile had come hitherto
+in a very poor plain habit; and this day of the mistral, when his
+mantle was just open, and she saw beneath it the glancing of the
+violet and the velvet and the silver, and the clustering fineness
+of the lace, it seemed to set the man in a new light, with which
+he shone resplendent to her fancy.</p>
+<p>The high inhuman note of the wind, the violence and continuity
+of its outpouring, and the fierce touch of it upon man&rsquo;s
+whole periphery, accelerated the functions of the mind.&nbsp; It
+set thoughts whirling, as it whirled the trees of the forest; it
+stirred them up in flights, as it stirred up the dust in
+chambers.&nbsp; As brief as sparks, the fancies glittered and
+succeeded each other in the mind of Marie-Madeleine; and the
+grave man with the smile, and the bright clothes under the plain
+mantle, haunted her with incongruous explanations.&nbsp; She
+considered him, the unknown, the speaker of an unknown tongue,
+the hero (as she placed him) of an unknown romance, the dweller
+upon unknown memories.&nbsp; She recalled him sitting there
+alone, so immersed, so stupefied; yet she was sure he was not
+stupid.&nbsp; She recalled one day when he had remained a long
+time motionless, with parted lips, like one in the act of
+starting up, his eyes fixed on vacancy.&nbsp; Any one else must
+have looked foolish; but not he.&nbsp; She tried to conceive what
+manner of memory had thus entranced him; she forged for him a
+past; she showed him to herself in every light of heroism and
+greatness and misfortune; she brooded with petulant intensity on
+all she knew and guessed of him.&nbsp; Yet, though she was
+already gone so deep, she was still unashamed, still unalarmed;
+her thoughts were still disinterested; she had still to reach the
+stage at which&mdash;beside the image of that other whom we love
+to contemplate and to adorn&mdash;we place the image of ourself
+and behold them together with delight.</p>
+<p>She stood within the counter, her hands clasped behind her
+back, her shoulders pressed against the wall, her feet braced
+out.&nbsp; Her face was bright with the wind and her own
+thoughts; as a fire in a similar day of tempest glows and
+brightens on a hearth, so she seemed to glow, standing there, and
+to breathe out energy.&nbsp; It was the first time Ballantrae had
+visited that wine-seller&rsquo;s, the first time he had seen the
+wife; and his eyes were true to her.</p>
+<p>&lsquo;I perceive your reason for carrying me to this very
+draughty tavern,&rsquo; he said at last.</p>
+<p>&lsquo;I believe it is propinquity,&rsquo; returned
+Balmile.</p>
+<p>&lsquo;You play dark,&rsquo; said Ballantrae, &lsquo;but have
+a care!&nbsp; Be more frank with me, or I will cut you out.&nbsp;
+I go through no form of qualifying my threat, which would be
+commonplace and not conscientious.&nbsp; There is only one point
+in these campaigns: that is the degree of admiration offered by
+the man; and to our hostess I am in a posture to make victorious
+love.&rsquo;</p>
+<p>&lsquo;If you think you have the time, or the game worth the
+candle,&rsquo; replied the other with a shrug.</p>
+<p>&lsquo;One would suppose you were never at the pains to
+observe her,&rsquo; said Ballantrae.</p>
+<p>&lsquo;I am not very observant,&rsquo; said Balmile.&nbsp;
+&lsquo;She seems comely.&rsquo;</p>
+<p>&lsquo;You very dear and dull dog!&rsquo; cried Ballantrae;
+&lsquo;chastity is the most besotting of the virtues.&nbsp; Why,
+she has a look in her face beyond singing!&nbsp; I believe, if
+you was to push me hard, I might trace it home to a trifle of a
+squint.&nbsp; What matters?&nbsp; The height of beauty is in the
+touch that&rsquo;s wrong, that&rsquo;s the modulation in a
+tune.&nbsp; &rsquo;Tis the devil we all love; I owe many a
+conquest to my mole&rsquo;&mdash;he touched it as he spoke with a
+smile, and his eyes glittered;&mdash;&lsquo;we are all
+hunchbacks, and beauty is only that kind of deformity that I
+happen to admire.&nbsp; But come!&nbsp; Because you are chaste,
+for which I am sure I pay you my respects, that is no reason why
+you should be blind.&nbsp; Look at her, look at the delicious
+nose of her, look at her cheek, look at her ear, look at her hand
+and wrist&mdash;look at the whole baggage from heels to crown,
+and tell me if she wouldn&rsquo;t melt on a man&rsquo;s
+tongue.&rsquo;</p>
+<p>As Ballantrae spoke, half jesting, half enthusiastic, Balmile
+was constrained to do as he was bidden.&nbsp; He looked at the
+woman, admired her excellences, and was at the same time ashamed
+for himself and his companion.&nbsp; So it befell that when
+Marie-Madeleine raised her eyes, she met those of the subject of
+her contemplations fixed directly on herself with a look that is
+unmistakable, the look of a person measuring and valuing
+another&mdash;and, to clench the false impression, that his
+glance was instantly and guiltily withdrawn.&nbsp; The blood beat
+back upon her heart and leaped again; her obscure thoughts
+flashed clear before her; she flew in fancy straight to his arms
+like a wanton, and fled again on the instant like a nymph.&nbsp;
+And at that moment there chanced an interruption, which not only
+spared her embarrassment, but set the last consecration on her
+now articulate love.</p>
+<p>Into the wine-shop there came a French gentleman, arrayed in
+the last refinement of the fashion, though a little tumbled by
+his passage in the wind.&nbsp; It was to be judged he had come
+from the same formal gathering at which the others had preceded
+him; and perhaps that he had gone there in the hope to meet with
+them, for he came up to Ballantrae with unceremonious
+eagerness.</p>
+<p>&lsquo;At last, here you are!&rsquo; he cried in French.&nbsp;
+&lsquo;I thought I was to miss you altogether.&rsquo;</p>
+<p>The Scotsmen rose, and Ballantrae, after the first greetings,
+laid his hand on his companion&rsquo;s shoulder.</p>
+<p>&lsquo;My lord,&rsquo; said he, &lsquo;allow me to present to
+you one of my best friends and one of our best soldiers, the Lord
+Viscount Gladsmuir.&rsquo;</p>
+<p>The two bowed with the elaborate elegance of the period.</p>
+<p>&lsquo;<i>Monseigneur</i>,&rsquo; said Balmile, &lsquo;<i>je
+n&rsquo;ai pas la pr&eacute;tention de m&rsquo;affubler
+d&rsquo;un titre que la mauvaise fortune de mon roi ne me permet
+pas de porter comma il sied</i>.&nbsp; <i>Je m&rsquo;appelle</i>,
+<i>pour vous servir</i>, <i>Blair de Balmile tout
+court</i>.&rsquo;&nbsp; [My lord, I have not the effrontery to
+cumber myself with a title which the ill fortunes of my king will
+not suffer me to bear the way it should be.&nbsp; I call myself,
+at your service, plain Blair of Balmile.]</p>
+<p>&lsquo;<i>Monsieur le Vicomte ou monsieur Bl&egrave;r&rsquo;
+de Balma&iuml;l</i>,&rsquo; replied the newcomer, &lsquo;<i>le
+nom n&rsquo;y fait rien</i>, <i>et l&rsquo;on conna&icirc;t vos
+beaux faits</i>.&rsquo;&nbsp; [The name matters nothing, your
+gallant actions are known.]</p>
+<p>A few more ceremonies, and these three, sitting down together
+to the table, called for wine.&nbsp; It was the happiness of
+Marie-Madeleine to wait unobserved upon the prince of her
+desires.&nbsp; She poured the wine, he drank of it; and that link
+between them seemed to her, for the moment, close as a
+caress.&nbsp; Though they lowered their tones, she surprised
+great names passing in their conversation, names of kings, the
+names of de Gesvre and Belle-Isle; and the man who dealt in these
+high matters, and she who was now coupled with him in her own
+thoughts, seemed to swim in mid air in a transfiguration.&nbsp;
+Love is a crude core, but it has singular and far-reaching
+fringes; in that passionate attraction for the stranger that now
+swayed and mastered her, his harsh incomprehensible language, and
+these names of grandees in his talk, were each an element.</p>
+<p>The Frenchman stayed not long, but it was plain he left behind
+him matter of much interest to his companions; they spoke
+together earnestly, their heads down, the woman of the wine-shop
+totally forgotten; and they were still so occupied when Paradou
+returned.</p>
+<p>This man&rsquo;s love was unsleeping.&nbsp; The even bluster
+of the mistral, with which he had been combating some hours, had
+not suspended, though it had embittered, that predominant
+passion.&nbsp; His first look was for his wife, a look of hope
+and suspicion, menace and humility and love, that made the
+over-blooming brute appear for the moment almost beautiful.&nbsp;
+She returned his glance, at first as though she knew him not,
+then with a swiftly waxing coldness of intent; and at last,
+without changing their direction, she had closed her eyes.</p>
+<p>There passed across her mind during that period much that
+Paradou could not have understood had it been told to him in
+words: chiefly the sense of an enlightening contrast betwixt the
+man who talked of kings and the man who kept a wine-shop, betwixt
+the love she yearned for and that to which she had been long
+exposed like a victim bound upon the altar.&nbsp; There swelled
+upon her, swifter than the Rhone, a tide of abhorrence and
+disgust.&nbsp; She had succumbed to the monster, humbling herself
+below animals; and now she loved a hero, aspiring to the
+semi-divine.&nbsp; It was in the pang of that humiliating thought
+that she had closed her eyes.</p>
+<p>Paradou&mdash;quick as beasts are quick, to translate
+silence&mdash;felt the insult through his blood; his inarticulate
+soul bellowed within him for revenge.&nbsp; He glanced about the
+shop.&nbsp; He saw the two indifferent gentlemen deep in talk,
+and passed them over: his fancy flying not so high.&nbsp; There
+was but one other present, a country lout who stood swallowing
+his wine, equally unobserved by all and unobserving&mdash;to him
+he dealt a glance of murderous suspicion, and turned direct upon
+his wife.&nbsp; The wine-shop had lain hitherto, a space of
+shelter, the scene of a few ceremonial passages and some
+whispered conversation, in the howling river of the wind; the
+clock had not yet ticked a score of times since Paradou&rsquo;s
+appearance; and now, as he suddenly gave tongue, it seemed as
+though the mistral had entered at his heels.</p>
+<p>&lsquo;What ails you, woman?&rsquo; he cried, smiting on the
+counter.</p>
+<p>&lsquo;Nothing ails me,&rsquo; she replied.&nbsp; It was
+strange; but she spoke and stood at that moment like a lady of
+degree, drawn upward by her aspirations.</p>
+<p>&lsquo;You speak to me, by God, as though you scorned
+me!&rsquo; cried the husband.</p>
+<p>The man&rsquo;s passion was always formidable; she had often
+looked on upon its violence with a thrill, it had been one
+ingredient in her fascination; and she was now surprised to
+behold him, as from afar off, gesticulating but impotent.&nbsp;
+His fury might be dangerous like a torrent or a gust of wind, but
+it was inhuman; it might be feared or braved, it should never be
+respected.&nbsp; And with that there came in her a sudden glow of
+courage and that readiness to die which attends so closely upon
+all strong passions.</p>
+<p>&lsquo;I do scorn you,&rsquo; she said.</p>
+<p>&lsquo;What is that?&rsquo; he cried.</p>
+<p>&lsquo;I scorn you,&rsquo; she repeated, smiling.</p>
+<p>&lsquo;You love another man!&rsquo; said he.</p>
+<p>&lsquo;With all my soul,&rsquo; was her reply.</p>
+<p>The wine-seller roared aloud so that the house rang and shook
+with it.</p>
+<p>&lsquo;Is this the&mdash;?&rsquo; he cried, using a foul word,
+common in the South; and he seized the young countryman and
+dashed him to the ground.&nbsp; There he lay for the least
+interval of time insensible; thence fled from the house, the most
+terrified person in the county.&nbsp; The heavy measure had
+escaped from his hands, splashing the wine high upon the
+wall.&nbsp; Paradou caught it.&nbsp; &lsquo;And you?&rsquo; he
+roared to his wife, giving her the same name in the feminine, and
+he aimed at her the deadly missile.&nbsp; She expected it,
+motionless, with radiant eyes.</p>
+<p>But before it sped, Paradou was met by another adversary, and
+the unconscious rivals stood confronted.&nbsp; It was hard to say
+at that moment which appeared the more formidable.&nbsp; In
+Paradou, the whole muddy and truculent depths of the half-man
+were stirred to frenzy; the lust of destruction raged in him;
+there was not a feature in his face but it talked murder.&nbsp;
+Balmile had dropped his cloak: he shone out at once in his
+finery, and stood to his full stature; girt in mind and body all
+his resources, all his temper, perfectly in command in his face
+the light of battle.&nbsp; Neither spoke; there was no blow nor
+threat of one; it was war reduced to its last element, the
+spiritual; and the huge wine-seller slowly lowered his
+weapon.&nbsp; Balmile was a noble, he a commoner; Balmile exulted
+in an honourable cause.&nbsp; Paradou already perhaps began to be
+ashamed of his violence.&nbsp; Of a sudden, at least, the
+tortured brute turned and fled from the shop in the footsteps of
+his former victim, to whose continued flight his reappearance
+added wings.</p>
+<p>So soon as Balmile appeared between her husband and herself,
+Marie-Madeleine transferred to him her eyes.&nbsp; It might be
+her last moment, and she fed upon that face; reading there
+inimitable courage and illimitable valour to protect.&nbsp; And
+when the momentary peril was gone by, and the champion turned a
+little awkwardly towards her whom he had rescued, it was to meet,
+and quail before, a gaze of admiration more distinct than
+words.&nbsp; He bowed, he stammered, his words failed him; he who
+had crossed the floor a moment ago, like a young god, to smite,
+returned like one discomfited; got somehow to his place by the
+table, muffled himself again in his discarded cloak, and for a
+last touch of the ridiculous, seeking for anything to restore his
+countenance, drank of the wine before him, deep as a porter after
+a heavy lift.&nbsp; It was little wonder if Ballantrae, reading
+the scene with malevolent eyes, laughed out loud and brief, and
+drank with raised glass, &lsquo;To the champion of the
+Fair.&rsquo;</p>
+<p>Marie-Madeleine stood in her old place within the counter; she
+disdained the mocking laughter; it fell on her ears, but it did
+not reach her spirit.&nbsp; For her, the world of living persons
+was all resumed again into one pair, as in the days of Eden;
+there was but the one end in life, the one hope before her, the
+one thing needful, the one thing possible&mdash;to be his.</p>
+<h3>CHAPTER I&mdash;THE PRINCE</h3>
+<p>That same night there was in the city of Avignon a young man
+in distress of mind.&nbsp; Now he sat, now walked in a high
+apartment, full of draughts and shadows.&nbsp; A single candle
+made the darkness visible; and the light scarce sufficed to show
+upon the wall, where they had been recently and rudely nailed, a
+few miniatures and a copper medal of the young man&rsquo;s
+head.&nbsp; The same was being sold that year in London, to
+admiring thousands.&nbsp; The original was fair; he had beautiful
+brown eyes, a beautiful bright open face; a little feminine, a
+little hard, a little weak; still full of the light of youth, but
+already beginning to be vulgarised; a sordid bloom come upon it,
+the lines coarsened with a touch of puffiness.&nbsp; He was
+dressed, as for a gala, in peach-colour and silver; his breast
+sparkled with stars and was bright with ribbons; for he had held
+a levee in the afternoon and received a distinguished personage
+incognito.&nbsp; Now he sat with a bowed head, now walked
+precipitately to and fro, now went and gazed from the uncurtained
+window, where the wind was still blowing, and the lights winked
+in the darkness.</p>
+<p>The bells of Avignon rose into song as he was gazing; and the
+high notes and the deep tossed and drowned, boomed suddenly near
+or were suddenly swallowed up, in the current of the
+mistral.&nbsp; Tears sprang in the pale blue eyes; the expression
+of his face was changed to that of a more active misery, it
+seemed as if the voices of the bells reached, and touched and
+pained him, in a waste of vacancy where even pain was
+welcome.&nbsp; Outside in the night they continued to sound on,
+swelling and fainting; and the listener heard in his memory, as
+it were their harmonies, joy-bells clashing in a northern city,
+and the acclamations of a multitude, the cries of battle, the
+gross voices of cannon, the stridor of an animated life.&nbsp;
+And then all died away, and he stood face to face with himself in
+the waste of vacancy, and a horror came upon his mind, and a
+faintness on his brain, such as seizes men upon the brink of
+cliffs.</p>
+<p>On the table, by the side of the candle, stood a tray of
+glasses, a bottle, and a silver bell.&nbsp; He went thither
+swiftly, then his hand lowered first above the bell, then settled
+on the bottle.&nbsp; Slowly he filled a glass, slowly drank it
+out; and, as a tide of animal warmth recomforted the recesses of
+his nature, stood there smiling at himself.&nbsp; He remembered
+he was young; the funeral curtains rose, and he saw his life
+shine and broaden and flow out majestically, like a river
+sunward.&nbsp; The smile still on his lips, he lit a second
+candle and a third; a fire stood ready built in a chimney, he lit
+that also; and the fir-cones and the gnarled olive billets were
+swift to break in flame and to crackle on the hearth, and the
+room brightened and enlarged about him like his hopes.&nbsp; To
+and fro, to and fro, he went, his hands lightly clasped, his
+breath deeply and pleasurably taken.&nbsp; Victory walked with
+him; he marched to crowns and empires among shouting followers;
+glory was his dress.&nbsp; And presently again the shadows closed
+upon the solitary.&nbsp; Under the gilt of flame and
+candle-light, the stone walls of the apartment showed down bare
+and cold; behind the depicted triumph loomed up the actual
+failure: defeat, the long distress of the flight, exile, despair,
+broken followers, mourning faces, empty pockets, friends
+estranged.&nbsp; The memory of his father rose in his mind: he,
+too, estranged and defied; despair sharpened into wrath.&nbsp;
+There was one who had led armies in the field, who had staked his
+life upon the family enterprise, a man of action and experience,
+of the open air, the camp, the court, the council-room; and he
+was to accept direction from an old, pompous gentleman in a home
+in Italy, and buzzed about by priests?&nbsp; A pretty king, if he
+had not a martial son to lean upon!&nbsp; A king at all?</p>
+<p>&lsquo;There was a weaver (of all people) joined me at St.
+Ninians; he was more of a man than my papa!&rsquo; he
+thought.&nbsp; &lsquo;I saw him lie doubled in his blood and a
+grenadier below him&mdash;and he died for my papa!&nbsp; All died
+for him, or risked the dying, and I lay for him all those months
+in the rain and skulked in heather like a fox; and now he writes
+me his advice! calls me Carluccio&mdash;me, the man of the house,
+the only king in that king&rsquo;s race.&rsquo;&nbsp; He ground
+his teeth.&nbsp; &lsquo;The only king in Europe!&rsquo;&nbsp; Who
+else?&nbsp; Who has done and suffered except me? who has lain and
+run and hidden with his faithful subjects, like a second
+Bruce?&nbsp; Not my accursed cousin, Louis of France, at least,
+the lewd effeminate traitor!&rsquo;&nbsp; And filling the glass
+to the brim, he drank a king&rsquo;s damnation.&nbsp; Ah, if he
+had the power of Louis, what a king were here!</p>
+<p>The minutes followed each other into the past, and still he
+persevered in this debilitating cycle of emotions, still fed the
+fire of his excitement with driblets of Rhine wine: a boy at odds
+with life, a boy with a spark of the heroic, which he was now
+burning out and drowning down in futile reverie and solitary
+excess.</p>
+<p>From two rooms beyond, the sudden sound of a raised voice
+attracted him.</p>
+<p>&lsquo;By . . .</p>
+<h2>HEATHERCAT</h2>
+<h3>CHAPTER I&mdash;TRAQUAIRS OF MONTROYMONT</h3>
+<p>The period of this tale is in the heat of the
+<i>killing-time</i>; the scene laid for the most part in solitary
+hills and morasses, haunted only by the so-called Mountain
+Wanderers, the dragoons that came in chase of them, the women
+that wept on their dead bodies, and the wild birds of the
+moorland that have cried there since the beginning.&nbsp; It is a
+land of many rain-clouds; a land of much mute history, written
+there in prehistoric symbols.&nbsp; Strange green raths are to be
+seen commonly in the country, above all by the kirkyards; barrows
+of the dead, standing stones; beside these, the faint, durable
+footprints and handmarks of the Roman; and an antiquity older
+perhaps than any, and still living and active&mdash;a complete
+Celtic nomenclature and a scarce-mingled Celtic population.&nbsp;
+These rugged and grey hills were once included in the boundaries
+of the Caledonian Forest.&nbsp; Merlin sat here below his
+apple-tree and lamented Gwendolen; here spoke with Kentigern;
+here fell into his enchanted trance.&nbsp; And the legend of his
+slumber seems to body forth the story of that Celtic race,
+deprived for so many centuries of their authentic speech,
+surviving with their ancestral inheritance of melancholy
+perversity and patient, unfortunate courage.</p>
+<p>The Traquairs of Montroymont (<i>Mons Romanus</i>, as the
+erudite expound it) had long held their seat about the
+head-waters of the Dule and in the back parts of the moorland
+parish of Balweary.&nbsp; For two hundred years they had enjoyed
+in these upland quarters a certain decency (almost to be named
+distinction) of repute; and the annals of their house, or what is
+remembered of them, were obscure and bloody.&nbsp; Ninian
+Traquair was &lsquo;cruallie slochtered&rsquo; by the Crozers at
+the kirk-door of Balweary, anno 1482.&nbsp; Francis killed Simon
+Ruthven of Drumshoreland, anno 1540; bought letters of slayers at
+the widow and heir, and, by a barbarous form of compounding,
+married (without tocher) Simon&rsquo;s daughter Grizzel, which is
+the way the Traquairs and Ruthvens came first to an
+intermarriage.&nbsp; About the last Traquair and Ruthven
+marriage, it is the business of this book, among many other
+things, to tell.</p>
+<p>The Traquairs were always strong for the Covenant; for the
+King also, but the Covenant first; and it began to be ill days
+for Montroymont when the Bishops came in and the dragoons at the
+heels of them.&nbsp; Ninian (then laird) was an anxious husband
+of himself and the property, as the times required, and it may be
+said of him, that he lost both.&nbsp; He was heavily suspected of
+the Pentland Hills rebellion.&nbsp; When it came the length of
+Bothwell Brig, he stood his trial before the Secret Council, and
+was convicted of talking with some insurgents by the wayside, the
+subject of the conversation not very clearly appearing, and of
+the reset and maintenance of one Gale, a gardener man, who was
+seen before Bothwell with a musket, and afterwards, for a
+continuance of months, delved the garden at Montroymont.&nbsp;
+Matters went very ill with Ninian at the Council; some of the
+lords were clear for treason; and even the boot was talked
+of.&nbsp; But he was spared that torture; and at last, having
+pretty good friendship among great men, he came off with a fine
+of seven thousand marks, that caused the estate to groan.&nbsp;
+In this case, as in so many others, it was the wife that made the
+trouble.&nbsp; She was a great keeper of conventicles; would ride
+ten miles to one, and when she was fined, rejoiced greatly to
+suffer for the Kirk; but it was rather her husband that
+suffered.&nbsp; She had their only son, Francis, baptized
+privately by the hands of Mr. Kidd; there was that much the more
+to pay for!&nbsp; She could neither be driven nor wiled into the
+parish kirk; as for taking the sacrament at the hands of any
+Episcopalian curate, and tenfold more at those of Curate Haddo,
+there was nothing further from her purposes; and Montroymont had
+to put his hand in his pocket month by month and year by
+year.&nbsp; Once, indeed, the little lady was cast in prison, and
+the laird, worthy, heavy, uninterested man, had to ride up and
+take her place; from which he was not discharged under nine
+months and a sharp fine.&nbsp; It scarce seemed she had any
+gratitude to him; she came out of gaol herself, and plunged
+immediately deeper in conventicles, resetting recusants, and all
+her old, expensive folly, only with greater vigour and openness,
+because Montroymont was safe in the Tolbooth and she had no
+witness to consider.&nbsp; When he was liberated and came back,
+with his fingers singed, in December 1680, and late in the black
+night, my lady was from home.&nbsp; He came into the house at his
+alighting, with a riding-rod yet in his hand; and, on the
+servant-maid telling him, caught her by the scruff of the neck,
+beat her violently, flung her down in the passageway, and went
+upstairs to his bed fasting and without a light.&nbsp; It was
+three in the morning when my lady returned from that conventicle,
+and, hearing of the assault (because the maid had sat up for her,
+weeping), went to their common chamber with a lantern in hand and
+stamping with her shoes so as to wake the dead; it was supposed,
+by those that heard her, from a design to have it out with the
+good man at once.&nbsp; The house-servants gathered on the stair,
+because it was a main interest with them to know which of these
+two was the better horse; and for the space of two hours they
+were heard to go at the matter, hammer and tongs.&nbsp;
+Montroymont alleged he was at the end of possibilities; it was no
+longer within his power to pay the annual rents; she had served
+him basely by keeping conventicles while he lay in prison for her
+sake; his friends were weary, and there was nothing else before
+him but the entire loss of the family lands, and to begin life
+again by the wayside as a common beggar.&nbsp; She took him up
+very sharp and high: called upon him, if he were a Christian? and
+which he most considered, the loss of a few dirty, miry glebes,
+or of his soul?&nbsp; Presently he was heard to weep, and my
+lady&rsquo;s voice to go on continually like a running burn, only
+the words indistinguishable; whereupon it was supposed a victory
+for her ladyship, and the domestics took themselves to bed.&nbsp;
+The next day Traquair appeared like a man who had gone under the
+harrows; and his lady wife thenceforward continued in her old
+course without the least deflection.</p>
+<p>Thenceforward Ninian went on his way without complaint, and
+suffered his wife to go on hers without remonstrance.&nbsp; He
+still minded his estate, of which it might be said he took daily
+a fresh farewell, and counted it already lost; looking ruefully
+on the acres and the graves of his fathers, on the moorlands
+where the wild-fowl consorted, the low, gurgling pool of the
+trout, and the high, windy place of the calling
+curlews&mdash;things that were yet his for the day and would be
+another&rsquo;s to-morrow; coming back again, and sitting
+ciphering till the dusk at his approaching ruin, which no device
+of arithmetic could postpone beyond a year or two.&nbsp; He was
+essentially the simple ancient man, the farmer and landholder; he
+would have been content to watch the seasons come and go, and his
+cattle increase, until the limit of age; he would have been
+content at any time to die, if he could have left the estates
+undiminished to an heir-male of his ancestors, that duty standing
+first in his instinctive calendar.&nbsp; And now he saw
+everywhere the image of the new proprietor come to meet him, and
+go sowing and reaping, or fowling for his pleasure on the red
+moors, or eating the very gooseberries in the Place garden; and
+saw always, on the other hand, the figure of Francis go forth, a
+beggar, into the broad world.</p>
+<p>It was in vain the poor gentleman sought to moderate; took
+every test and took advantage of every indulgence; went and drank
+with the dragoons in Balweary; attended the communion and came
+regularly to the church to Curate Haddo, with his son beside
+him.&nbsp; The mad, raging, Presbyterian zealot of a wife at home
+made all of no avail; and indeed the house must have fallen years
+before if it had not been for the secret indulgence of the
+curate, who had a great sympathy with the laird, and winked hard
+at the doings in Montroymont.&nbsp; This curate was a man very
+ill reputed in the countryside, and indeed in all Scotland.&nbsp;
+&lsquo;Infamous Haddo&rsquo; is Shield&rsquo;s expression.&nbsp;
+But Patrick Walker is more copious.&nbsp; &lsquo;Curate Hall
+Haddo,&rsquo; says he, <i>sub voce</i> Peden, &lsquo;or
+<i>Hell</i> Haddo, as he was more justly to be called, a pokeful
+of old condemned errors and the filthy vile lusts of the flesh, a
+published whore-monger, a common gross drunkard, continually and
+godlessly scraping and skirling on a fiddle, continually
+breathing flames against the remnant of Israel.&nbsp; But the
+Lord put an end to his piping, and all these offences were
+composed into one bloody grave.&rsquo;&nbsp; No doubt this was
+written to excuse his slaughter; and I have never heard it
+claimed for Walker that he was either a just witness or an
+indulgent judge.&nbsp; At least, in a merely human character,
+Haddo comes off not wholly amiss in the matter of these
+Traquairs: not that he showed any graces of the Christian, but
+had a sort of Pagan decency, which might almost tempt one to be
+concerned about his sudden, violent, and unprepared fate.</p>
+<h3>CHAPTER II&mdash;FRANCIE</h3>
+<p>Francie was eleven years old, shy, secret, and rather childish
+of his age, though not backward in schooling, which had been
+pushed on far by a private governor, one M&lsquo;Brair, a
+forfeited minister harboured in that capacity at
+Montroymont.&nbsp; The boy, already much employed in secret by
+his mother, was the most apt hand conceivable to run upon a
+message, to carry food to lurking fugitives, or to stand sentry
+on the skyline above a conventicle.&nbsp; It seemed no place on
+the moorlands was so naked but what he would find cover there;
+and as he knew every hag, boulder, and heather-bush in a circuit
+of seven miles about Montroymont, there was scarce any spot but
+what he could leave or approach it unseen.&nbsp; This dexterity
+had won him a reputation in that part of the country; and among
+the many children employed in these dangerous affairs, he passed
+under the by-name of Heathercat.</p>
+<p>How much his father knew of this employment might be
+doubted.&nbsp; He took much forethought for the boy&rsquo;s
+future, seeing he was like to be left so poorly, and would
+sometimes assist at his lessons, sighing heavily, yawning deep,
+and now and again patting Francie on the shoulder if he seemed to
+be doing ill, by way of a private, kind encouragement.&nbsp; But
+a great part of the day was passed in aimless wanderings with his
+eyes sealed, or in his cabinet sitting bemused over the
+particulars of the coming bankruptcy; and the boy would be absent
+a dozen times for once that his father would observe it.</p>
+<p>On 2nd of July 1682 the boy had an errand from his mother,
+which must be kept private from all, the father included in the
+first of them.&nbsp; Crossing the braes, he hears the clatter of
+a horse&rsquo;s shoes, and claps down incontinent in a hag by the
+wayside.&nbsp; And presently he spied his father come riding from
+one direction, and Curate Haddo walking from another; and
+Montroymont leaning down from the saddle, and Haddo getting on
+his toes (for he was a little, ruddy, bald-pated man, more like a
+dwarf), they greeted kindly, and came to a halt within two
+fathoms of the child.</p>
+<p>&lsquo;Montroymont,&rsquo; the curate said, &lsquo;the
+deil&rsquo;s in &rsquo;t but I&rsquo;ll have to denunciate your
+leddy again.&rsquo;</p>
+<p>&lsquo;Deil&rsquo;s in &rsquo;t indeed!&rsquo; says the
+laird.</p>
+<p>&lsquo;Man! can ye no induce her to come to the kirk?&rsquo;
+pursues Haddo; &lsquo;or to a communion at the least of it?&nbsp;
+For the conventicles, let be! and the same for yon solemn fule,
+M&lsquo;Brair: I can blink at them.&nbsp; But she&rsquo;s got to
+come to the kirk, Montroymont.&rsquo;</p>
+<p>&lsquo;Dinna speak of it,&rsquo; says the laird.&nbsp;
+&lsquo;I can do nothing with her.&rsquo;</p>
+<p>&lsquo;Couldn&rsquo;t ye try the stick to her? it works
+wonders whiles,&rsquo; suggested Haddo.&nbsp; &lsquo;No?&nbsp;
+I&rsquo;m wae to hear it.&nbsp; And I suppose ye ken where
+you&rsquo;re going?&rsquo;</p>
+<p>&lsquo;Fine!&rsquo; said Montroymont.&nbsp; &lsquo;Fine do I
+ken where: bankrup&rsquo;cy and the Bass Rock!&rsquo;</p>
+<p>&lsquo;Praise to my bones that I never married!&rsquo; cried
+the curate.&nbsp; &lsquo;Well, it&rsquo;s a grievous thing to me
+to see an auld house dung down that was here before Flodden
+Field.&nbsp; But naebody can say it was with my wish.&rsquo;</p>
+<p>&lsquo;No more they can, Haddo!&rsquo; says the laird.&nbsp;
+&lsquo;A good friend ye&rsquo;ve been to me, first and
+last.&nbsp; I can give you that character with a clear
+conscience.&rsquo;</p>
+<p>Whereupon they separated, and Montroymont rode briskly down
+into the Dule Valley.&nbsp; But of the curate Francis was not to
+be quit so easily.&nbsp; He went on with his little, brisk steps
+to the corner of a dyke, and stopped and whistled and waved upon
+a lassie that was herding cattle there.&nbsp; This Janet
+M&lsquo;Clour was a big lass, being taller than the curate; and
+what made her look the more so, she was kilted very high.&nbsp;
+It seemed for a while she would not come, and Francie heard her
+calling Haddo a &lsquo;daft auld fule,&rsquo; and saw her running
+and dodging him among the whins and hags till he was fairly
+blown.&nbsp; But at the last he gets a bottle from his plaid-neuk
+and holds it up to her; whereupon she came at once into a
+composition, and the pair sat, drinking of the bottle, and
+daffing and laughing together, on a mound of heather.&nbsp; The
+boy had scarce heard of these vanities, or he might have been
+minded of a nymph and satyr, if anybody could have taken
+long-leggit Janet for a nymph.&nbsp; But they seemed to be huge
+friends, he thought; and was the more surprised, when the curate
+had taken his leave, to see the lassie fling stones after him
+with screeches of laughter, and Haddo turn about and caper, and
+shake his staff at her, and laugh louder than herself.&nbsp; A
+wonderful merry pair, they seemed; and when Francie had crawled
+out of the hag, he had a great deal to consider in his
+mind.&nbsp; It was possible they were all fallen in error about
+Mr. Haddo, he reflected&mdash;having seen him so tender with
+Montroymont, and so kind and playful with the lass Janet; and he
+had a temptation to go out of his road and question her herself
+upon the matter.&nbsp; But he had a strong spirit of duty on him;
+and plodded on instead over the braes till he came near the House
+of Cairngorm.&nbsp; There, in a hollow place by the burnside that
+was shaded by some birks, he was aware of a barefoot boy, perhaps
+a matter of three years older than himself.&nbsp; The two
+approached with the precautions of a pair of strange dogs,
+looking at each other queerly.</p>
+<p>&lsquo;It&rsquo;s ill weather on the hills,&rsquo; said the
+stranger, giving the watchword.</p>
+<p>&lsquo;For a season,&rsquo; said Francie, &lsquo;but the Lord
+will appear.&rsquo;</p>
+<p>&lsquo;Richt,&rsquo; said the barefoot boy;
+&lsquo;wha&rsquo;re ye frae?&rsquo;</p>
+<p>&lsquo;The Leddy Montroymont,&rsquo; says Francie.</p>
+<p>&lsquo;Ha&rsquo;e, then!&rsquo; says the stranger, and handed
+him a folded paper, and they stood and looked at each other
+again.&nbsp; &lsquo;It&rsquo;s unco het,&rsquo; said the boy.</p>
+<p>&lsquo;Dooms het,&rsquo; says Francie.</p>
+<p>&lsquo;What do they ca&rsquo; ye?&rsquo; says the other.</p>
+<p>&lsquo;Francie,&rsquo; says he.&nbsp; &lsquo;I&rsquo;m young
+Montroymont.&nbsp; They ca&rsquo; me Heathercat.&rsquo;</p>
+<p>&lsquo;I&rsquo;m Jock Crozer,&rsquo; said the boy.&nbsp; And
+there was another pause, while each rolled a stone under his
+foot.</p>
+<p>&lsquo;Cast your jaiket and I&rsquo;ll fecht ye for a
+bawbee,&rsquo; cried the elder boy with sudden violence, and
+dramatically throwing back his jacket.</p>
+<p>&lsquo;Na, I&rsquo;ve nae time the now,&rsquo; said Francie,
+with a sharp thrill of alarm, because Crozer was much the heavier
+boy.</p>
+<p>&lsquo;Ye&rsquo;re feared.&nbsp; Heathercat indeed!&rsquo;
+said Crozer, for among this infantile army of spies and
+messengers, the fame of Crozer had gone forth and was resented by
+his rivals.&nbsp; And with that they separated.</p>
+<p>On his way home Francie was a good deal occupied with the
+recollection of this untoward incident.&nbsp; The challenge had
+been fairly offered and basely refused: the tale would be carried
+all over the country, and the lustre of the name of Heathercat be
+dimmed.&nbsp; But the scene between Curate Haddo and Janet
+M&lsquo;Clour had also given him much to think of: and he was
+still puzzling over the case of the curate, and why such ill
+words were said of him, and why, if he were so merry-spirited, he
+should yet preach so dry, when coming over a knowe, whom should
+he see but Janet, sitting with her back to him, minding her
+cattle!&nbsp; He was always a great child for secret, stealthy
+ways, having been employed by his mother on errands when the same
+was necessary; and he came behind the lass without her
+hearing.</p>
+<p>&lsquo;Jennet,&rsquo; says he.</p>
+<p>&lsquo;Keep me,&rsquo; cries Janet, springing up.&nbsp;
+&lsquo;O, it&rsquo;s you, Maister Francie!&nbsp; Save us, what a
+fricht ye gied me.&rsquo;</p>
+<p>&lsquo;Ay, it&rsquo;s me,&rsquo; said Francie.&nbsp;
+&lsquo;I&rsquo;ve been thinking, Jennet; I saw you and the curate
+a while back&mdash;&rsquo;</p>
+<p>&lsquo;Brat!&rsquo; cried Janet, and coloured up crimson; and
+the one moment made as if she would have stricken him with a
+ragged stick she had to chase her bestial with, and the next was
+begging and praying that he would mention it to none.&nbsp; It
+was &lsquo;naebody&rsquo;s business, whatever,&rsquo; she said;
+&lsquo;it would just start a clash in the country&rsquo;; and
+there would be nothing left for her but to drown herself in Dule
+Water.</p>
+<p>&lsquo;Why?&rsquo; says Francie.</p>
+<p>The girl looked at him and grew scarlet again.</p>
+<p>&lsquo;And it isna that, anyway,&rsquo; continued
+Francie.&nbsp; &lsquo;It was just that he seemed so good to
+ye&mdash;like our Father in heaven, I thought; and I thought that
+mebbe, perhaps, we had all been wrong about him from the
+first.&nbsp; But I&rsquo;ll have to tell Mr. M&lsquo;Brair;
+I&rsquo;m under a kind of a bargain to him to tell him
+all.&rsquo;</p>
+<p>&lsquo;Tell it to the divil if ye like for me!&rsquo; cried
+the lass.&nbsp; &lsquo;I&rsquo;ve naething to be ashamed
+of.&nbsp; Tell M&lsquo;Brair to mind his ain affairs,&rsquo; she
+cried again: &lsquo;they&rsquo;ll be hot eneugh for him, if
+Haddie likes!&rsquo;&nbsp; And so strode off, shoving her beasts
+before her, and ever and again looking back and crying angry
+words to the boy, where he stood mystified.</p>
+<p>By the time he had got home his mind was made up that he would
+say nothing to his mother.&nbsp; My Lady Montroymont was in the
+keeping-room, reading a godly book; she was a wonderful frail
+little wife to make so much noise in the world and be able to
+steer about that patient sheep her husband; her eyes were like
+sloes, the fingers of her hands were like tobacco-pipe shanks,
+her mouth shut tight like a trap; and even when she was the most
+serious, and still more when she was angry, there hung about her
+face the terrifying semblance of a smile.</p>
+<p>&lsquo;Have ye gotten the billet, Francie said she; and when
+he had handed it over, and she had read and burned it, &lsquo;Did
+you see anybody?&rsquo; she asked.</p>
+<p>&lsquo;I saw the laird,&rsquo; said Francie.</p>
+<p>&lsquo;He didna see you, though?&rsquo; asked his mother.</p>
+<p>&lsquo;Deil a fear,&rsquo; from Francie.</p>
+<p>&lsquo;Francie!&rsquo; she cried.&nbsp; &lsquo;What&rsquo;s
+that I hear? an aith?&nbsp; The Lord forgive me, have I broughten
+forth a brand for the burning, a fagot for hell-fire?&rsquo;</p>
+<p>&lsquo;I&rsquo;m very sorry, ma&rsquo;am,&rsquo; said
+Francie.&nbsp; &lsquo;I humbly beg the Lord&rsquo;s pardon, and
+yours, for my wickedness.&rsquo;</p>
+<p>&lsquo;H&rsquo;m,&rsquo; grunted the lady.&nbsp; &lsquo;Did ye
+see nobody else?&rsquo;</p>
+<p>&lsquo;No, ma&rsquo;am,&rsquo; said Francie, with the face of
+an angel, &lsquo;except Jock Crozer, that gied me the
+billet.&rsquo;</p>
+<p>&lsquo;Jock Crozer!&rsquo; cried the lady.&nbsp;
+&lsquo;I&rsquo;ll Crozer them!&nbsp; Crozers indeed!&nbsp; What
+next?&nbsp; Are we to repose the lives of a suffering remnant in
+Crozers?&nbsp; The whole clan of them wants hanging, and if I had
+my way of it, they wouldna want it long.&nbsp; Are you aware,
+sir, that these Crozers killed your forebear at the
+kirk-door?&rsquo;</p>
+<p>&lsquo;You see, he was bigger &rsquo;n me,&rsquo; said
+Francie.</p>
+<p>&lsquo;Jock Crozer!&rsquo; continued the lady.&nbsp;
+&lsquo;That&rsquo;ll be Clement&rsquo;s son, the biggest thief
+and reiver in the country-side.&nbsp; To trust a note to
+him!&nbsp; But I&rsquo;ll give the benefit of my opinions to Lady
+Whitecross when we two forgather.&nbsp; Let her look to
+herself!&nbsp; I have no patience with half-hearted carlines,
+that complies on the Lord&rsquo;s day morning with the kirk, and
+comes taigling the same night to the conventicle.&nbsp; The one
+or the other! is what I say: hell or heaven&mdash;Haddie&rsquo;s
+abominations or the pure word of God dreeping from the lips of
+Mr. Arnot,</p>
+<blockquote><p>&lsquo;&ldquo;Like honey from the honeycomb<br />
+&nbsp;&nbsp; That dreepeth, sweeter far.&rdquo;&rsquo;</p>
+</blockquote>
+<p>My lady was now fairly launched, and that upon two congenial
+subjects: the deficiencies of the Lady Whitecross and the
+turpitudes of the whole Crozer race&mdash;which, indeed, had
+never been conspicuous for respectability.&nbsp; She pursued the
+pair of them for twenty minutes on the clock with wonderful
+animation and detail, something of the pulpit manner, and the
+spirit of one possessed.&nbsp; &lsquo;O hellish
+compliance!&rsquo; she exclaimed.&nbsp; &lsquo;I would not suffer
+a complier to break bread with Christian folk.&nbsp; Of all the
+sins of this day there is not one so God-defying, so
+Christ-humiliating, as damnable compliance&rsquo;: the boy
+standing before her meanwhile, and brokenly pursuing other
+thoughts, mainly of Haddo and Janet, and Jock Crozer stripping
+off his jacket.&nbsp; And yet, with all his distraction, it might
+be argued that he heard too much: his father and himself being
+&lsquo;compliers&rsquo;&mdash;that is to say, attending the
+church of the parish as the law required.</p>
+<p>Presently, the lady&rsquo;s passion beginning to decline, or
+her flux of ill words to be exhausted, she dismissed her
+audience.&nbsp; Francie bowed low, left the room, closed the door
+behind him: and then turned him about in the passage-way, and
+with a low voice, but a prodigious deal of sentiment, repeated
+the name of the evil one twenty times over, to the end of which,
+for the greater efficacy, he tacked on &lsquo;damnable&rsquo; and
+&lsquo;hellish.&rsquo;&nbsp; <i>Fas est ab hoste
+doceri</i>&mdash;disrespect is made more pungent by quotation;
+and there is no doubt but he felt relieved, and went upstairs
+into his tutor&rsquo;s chamber with a quiet mind.&nbsp;
+M&lsquo;Brair sat by the cheek of the peat-fire and shivered, for
+he had a quartan ague and this was his day.&nbsp; The great
+night-cap and plaid, the dark unshaven cheeks of the man, and the
+white, thin hands that held the plaid about his chittering body,
+made a sorrowful picture.&nbsp; But Francie knew and loved him;
+came straight in, nestled close to the refugee, and told his
+story.&nbsp; M&lsquo;Brair had been at the College with Haddo;
+the Presbytery had licensed both on the same day; and at this
+tale, told with so much innocency by the boy, the heart of the
+tutor was commoved.</p>
+<p>&lsquo;Woe upon him!&nbsp; Woe upon that man!&rsquo; he
+cried.&nbsp; &lsquo;O the unfaithful shepherd!&nbsp; O the
+hireling and apostate minister!&nbsp; Make my matters hot for me?
+quo&rsquo; she! the shameless limmer!&nbsp; And true it is, that
+he could repose me in that nasty, stinking hole, the Canongate
+Tolbooth, from which your mother drew me out&mdash;the Lord
+reward her for it!&mdash;or to that cold, unbieldy, marine place
+of the Bass Rock, which, with my delicate kist, would be fair
+ruin to me.&nbsp; But I will be valiant in my Master&rsquo;s
+service.&nbsp; I have a duty here: a duty to my God, to myself,
+and to Haddo: in His strength, I will perform it.&rsquo;</p>
+<p>Then he straitly discharged Francie to repeat the tale, and
+bade him in the future to avert his very eyes from the doings of
+the curate.&nbsp; &lsquo;You must go to his place of idolatry;
+look upon him there!&rsquo; says he, &lsquo;but nowhere
+else.&nbsp; Avert your eyes, close your ears, pass him by like a
+three days&rsquo; corp.&nbsp; He is like that damnable monster
+Basiliscus, which defiles&mdash;yea, poisons!&mdash;by the
+sight.&rsquo;&mdash;All which was hardly claratory to the
+boy&rsquo;s mind.</p>
+<p>Presently Montroymont came home, and called up the stairs to
+Francie.&nbsp; Traquair was a good shot and swordsman: and it was
+his pleasure to walk with his son over the braes of the moorfowl,
+or to teach him arms in the back court, when they made a mighty
+comely pair, the child being so lean, and light, and active, and
+the laird himself a man of a manly, pretty stature, his hair (the
+periwig being laid aside) showing already white with many
+anxieties, and his face of an even, flaccid red.&nbsp; But this
+day Francie&rsquo;s heart was not in the fencing.</p>
+<p>&lsquo;Sir,&rsquo; says he, suddenly lowering his point,
+&lsquo;will ye tell me a thing if I was to ask it?&rsquo;</p>
+<p>&lsquo;Ask away,&rsquo; says the father.</p>
+<p>&lsquo;Well, it&rsquo;s this,&rsquo; said Francie: &lsquo;Why
+do you and me comply if it&rsquo;s so wicked?&rsquo;</p>
+<p>&lsquo;Ay, ye have the cant of it too!&rsquo; cries
+Montroymont.&nbsp; &lsquo;But I&rsquo;ll tell ye for all
+that.&nbsp; It&rsquo;s to try and see if we can keep the rigging
+on this house, Francie.&nbsp; If she had her way, we would be
+beggar-folk, and hold our hands out by the wayside.&nbsp; When ye
+hear her&mdash;when ye hear folk,&rsquo; he corrected himself
+briskly, &lsquo;call me a coward, and one that betrayed the Lord,
+and I kenna what else, just mind it was to keep a bed to ye to
+sleep in and a bite for ye to eat.&mdash;On guard!&rsquo; he
+cried, and the lesson proceeded again till they were called to
+supper.</p>
+<p>&lsquo;There&rsquo;s another thing yet,&rsquo; said Francie,
+stopping his father.&nbsp; &lsquo;There&rsquo;s another thing
+that I am not sure that I am very caring for.&nbsp; She&mdash;she
+sends me errands.&rsquo;</p>
+<p>&lsquo;Obey her, then, as is your bounden duty,&rsquo; said
+Traquair.</p>
+<p>&lsquo;Ay, but wait till I tell ye,&rsquo; says the boy.&nbsp;
+&lsquo;If I was to see you I was to hide.&rsquo;</p>
+<p>Montroymont sighed.&nbsp; &lsquo;Well, and that&rsquo;s good
+of her too,&rsquo; said he.&nbsp; &lsquo;The less that I ken of
+thir doings the better for me; and the best thing you can do is
+just to obey her, and see and be a good son to her, the same as
+ye are to me, Francie.&rsquo;</p>
+<p>At the tenderness of this expression the heart of Francie
+swelled within his bosom, and his remorse was poured out.&nbsp;
+&lsquo;Faither!&rsquo; he cried, &lsquo;I said &ldquo;deil&rdquo;
+to-day; many&rsquo;s the time I said it, and <i>damnable</i> too,
+and <i>hellitsh</i>.&nbsp; I ken they&rsquo;re all right;
+they&rsquo;re beeblical.&nbsp; But I didna say them beeblically;
+I said them for sweir words&mdash;that&rsquo;s the truth of
+it.&rsquo;</p>
+<p>&lsquo;Hout, ye silly bairn!&rsquo; said the father,
+&lsquo;dinna do it nae mair, and come in by to your
+supper.&rsquo;&nbsp; And he took the boy, and drew him close to
+him a moment, as they went through the door, with something very
+fond and secret, like a caress between a pair of lovers.</p>
+<p>The next day M&lsquo;Brair was abroad in the afternoon, and
+had a long advising with Janet on the braes where she herded
+cattle.&nbsp; What passed was never wholly known; but the lass
+wept bitterly, and fell on her knees to him among the
+whins.&nbsp; The same night, as soon as it was dark, he took the
+road again for Balweary.&nbsp; In the Kirkton, where the dragoons
+quartered, he saw many lights, and heard the noise of a ranting
+song and people laughing grossly, which was highly offensive to
+his mind.&nbsp; He gave it the wider berth, keeping among fields;
+and came down at last by the water-side, where the manse stands
+solitary between the river and the road.&nbsp; He tapped at the
+back door, and the old woman called upon him to come in, and
+guided him through the house to the study, as they still called
+it, though there was little enough study there in Haddo&rsquo;s
+days, and more song-books than theology.</p>
+<p>&lsquo;Here&rsquo;s yin to speak wi&rsquo; ye, Mr.
+Haddie!&rsquo; cries the old wife.</p>
+<p>And M&lsquo;Brair, opening the door and entering, found the
+little, round, red man seated in one chair and his feet upon
+another.&nbsp; A clear fire and a tallow dip lighted him
+barely.&nbsp; He was taking tobacco in a pipe, and smiling to
+himself; and a brandy-bottle and glass, and his fiddle and bow,
+were beside him on the table.</p>
+<p>&lsquo;Hech, Patey M&lsquo;Briar, is this you?&rsquo; said he,
+a trifle tipsily.&nbsp; &lsquo;Step in by, man, and have a drop
+brandy: for the stomach&rsquo;s sake!&nbsp; Even the deil can
+quote Scripture&mdash;eh, Patey?&rsquo;</p>
+<p>&lsquo;I will neither eat nor drink with you,&rsquo; replied
+M&lsquo;Brair.&nbsp; &lsquo;I am come upon my Master&rsquo;s
+errand: woe be upon me if I should anyways mince the same.&nbsp;
+Hall Haddo, I summon you to quit this kirk which you
+encumber.&rsquo;</p>
+<p>&lsquo;Muckle obleeged!&rsquo; says Haddo, winking.</p>
+<p>&lsquo;You and me have been to kirk and market
+together,&rsquo; pursued M&lsquo;Brair; &lsquo;we have had
+blessed seasons in the kirk, we have sat in the same
+teaching-rooms and read in the same book; and I know you still
+retain for me some carnal kindness.&nbsp; It would be my shame if
+I denied it; I live here at your mercy and by your favour, and
+glory to acknowledge it.&nbsp; You have pity on my wretched body,
+which is but grass, and must soon be trodden under: but O, Haddo!
+how much greater is the yearning with which I yearn after and
+pity your immortal soul!&nbsp; Come now, let us reason
+together!&nbsp; I drop all points of controversy, weighty though
+these be; I take your defaced and damnified kirk on your own
+terms; and I ask you, Are you a worthy minister?&nbsp; The
+communion season approaches; how can you pronounce thir solemn
+words, &ldquo;The elders will now bring forrit the
+elements,&rdquo; and not quail?&nbsp; A parishioner may be
+summoned to-night; you may have to rise from your miserable
+orgies; and I ask you, Haddo, what does your conscience tell
+you?&nbsp; Are you fit?&nbsp; Are you fit to smooth the pillow of
+a parting Christian?&nbsp; And if the summons should be for
+yourself, how then?&rsquo;</p>
+<p>Haddo was startled out of all composure and the better part of
+his temper.&nbsp; &lsquo;What&rsquo;s this of it?&rsquo; he
+cried.&nbsp; &lsquo;I&rsquo;m no waur than my neebours.&nbsp; I
+never set up to be speeritual; I never did.&nbsp; I&rsquo;m a
+plain, canty creature; godliness is cheerfulness, says I; give me
+my fiddle and a dram, and I wouldna hairm a flee.&rsquo;</p>
+<p>&lsquo;And I repeat my question,&rsquo; said M&lsquo;Brair:
+&lsquo;Are you fit&mdash;fit for this great charge? fit to carry
+and save souls?&rsquo;</p>
+<p>&lsquo;Fit?&nbsp; Blethers!&nbsp; As fit&rsquo;s
+yoursel&rsquo;,&rsquo; cried Haddo.</p>
+<p>&lsquo;Are you so great a self-deceiver?&rsquo; said
+M&lsquo;Brair.&nbsp; &lsquo;Wretched man, trampler upon
+God&rsquo;s covenants, crucifier of your Lord afresh.&nbsp; I
+will ding you to the earth with one word: How about the young
+woman, Janet M&lsquo;Clour?&rsquo;</p>
+<p>&lsquo;Weel, what about her? what do I ken?&rsquo; cries
+Haddo.&nbsp; &lsquo;M&rsquo;Brair, ye daft auld wife, I tell ye
+as true&rsquo;s truth, I never meddled her.&nbsp; It was just
+daffing, I tell ye: daffing, and nae mair: a piece of fun,
+like!&nbsp; I&rsquo;m no denying but what I&rsquo;m fond of fun,
+sma&rsquo; blame to me!&nbsp; But for onything
+sarious&mdash;hout, man, it might come to a deposeetion!&nbsp;
+I&rsquo;ll sweir it to ye.&nbsp; Where&rsquo;s a Bible, till you
+hear me sweir?&rsquo;</p>
+<p>&lsquo;There is nae Bible in your study,&rsquo; said
+M&lsquo;Brair severely.</p>
+<p>And Haddo, after a few distracted turns, was constrained to
+accept the fact.</p>
+<p>&lsquo;Weel, and suppose there isna?&rsquo; he cried,
+stamping.&nbsp; &lsquo;What mair can ye say of us, but just that
+I&rsquo;m fond of my joke, and so&rsquo;s she?&nbsp; I declare to
+God, by what I ken, she might be the Virgin Mary&mdash;if she
+would just keep clear of the dragoons.&nbsp; But me! na, deil
+haet o&rsquo; me!&rsquo;</p>
+<p>&lsquo;She is penitent at least,&rsquo; says
+M&lsquo;Brair.</p>
+<p>&lsquo;Do you mean to actually up and tell me to my face that
+she accused me?&rsquo; cried the curate.</p>
+<p>&lsquo;I canna just say that,&rsquo; replied
+M&lsquo;Brair.&nbsp; &lsquo;But I rebuked her in the name of God,
+and she repented before me on her bended knees.&rsquo;</p>
+<p>&lsquo;Weel, I daursay she&rsquo;s been ower far wi&rsquo; the
+dragoons,&rsquo; said Haddo.&nbsp; &lsquo;I never denied
+that.&nbsp; I ken naething by it.&rsquo;</p>
+<p>&lsquo;Man, you but show your nakedness the more
+plainly,&rsquo; said M&lsquo;Brair.&nbsp; &lsquo;Poor, blind,
+besotted creature&mdash;and I see you stoytering on the brink of
+dissolution: your light out, and your hours numbered.&nbsp;
+Awake, man!&rsquo; he shouted with a formidable voice,
+&lsquo;awake, or it be ower late.&rsquo;</p>
+<p>&lsquo;Be damned if I stand this!&rsquo; exclaimed Haddo,
+casting his tobacco-pipe violently on the table, where it was
+smashed in pieces.&nbsp; &lsquo;Out of my house with ye, or
+I&rsquo;ll call for the dragoons.&rsquo;</p>
+<p>&lsquo;The speerit of the Lord is upon me,&rsquo; said
+M&lsquo;Brair with solemn ecstasy.&nbsp; &lsquo;I sist you to
+compear before the Great White Throne, and I warn you the summons
+shall be bloody and sudden.&rsquo;</p>
+<p>And at this, with more agility than could have been expected,
+he got clear of the room and slammed the door behind him in the
+face of the pursuing curate.&nbsp; The next Lord&rsquo;s day the
+curate was ill, and the kirk closed, but for all his ill words,
+Mr. M&lsquo;Brair abode unmolested in the house of
+Montroymont.</p>
+<h3>CHAPTER III&mdash;THE HILL-END OF DRUMLOWE</h3>
+<p>This was a bit of a steep broken hill that overlooked upon the
+west a moorish valley, full of ink-black pools.&nbsp; These
+presently drained into a burn that made off, with little noise
+and no celerity of pace, about the corner of the hill.&nbsp; On
+the far side the ground swelled into a bare heath, black with
+junipers, and spotted with the presence of the standing stones
+for which the place was famous.&nbsp; They were many in that
+part, shapeless, white with lichen&mdash;you would have said with
+age: and had made their abode there for untold centuries, since
+first the heathens shouted for their installation.&nbsp; The
+ancients had hallowed them to some ill religion, and their
+neighbourhood had long been avoided by the prudent before the
+fall of day; but of late, on the upspringing of new requirements,
+these lonely stones on the moor had again become a place of
+assembly.&nbsp; A watchful picket on the Hill-end commanded all
+the northern and eastern approaches; and such was the disposition
+of the ground, that by certain cunningly posted sentries the west
+also could be made secure against surprise: there was no place in
+the country where a conventicle could meet with more quiet of
+mind or a more certain retreat open, in the case of interference
+from the dragoons.&nbsp; The minister spoke from a knowe close to
+the edge of the ring, and poured out the words God gave him on
+the very threshold of the devils of yore.&nbsp; When they pitched
+a tent (which was often in wet weather, upon a communion
+occasion) it was rigged over the huge isolated pillar that had
+the name of Anes-Errand, none knew why.&nbsp; And the
+congregation sat partly clustered on the slope below, and partly
+among the idolatrous monoliths and on the turfy soil of the Ring
+itself.&nbsp; In truth the situation was well qualified to give a
+zest to Christian doctrines, had there been any wanted.&nbsp; But
+these congregations assembled under conditions at once so
+formidable and romantic as made a zealot of the most cold.&nbsp;
+They were the last of the faithful; God, who had averted His face
+from all other countries of the world, still leaned from heaven
+to observe, with swelling sympathy, the doings of His moorland
+remnant; Christ was by them with His eternal wounds, with
+dropping tears; the Holy Ghost (never perfectly realised nor
+firmly adopted by Protestant imaginations) was dimly supposed to
+be in the heart of each and on the lips of the minister.&nbsp;
+And over against them was the army of the hierarchies, from the
+men Charles and James Stuart, on to King Lewie and the Emperor;
+and the scarlet Pope, and the muckle black devil himself, peering
+out the red mouth of hell in an ecstasy of hate and hope.&nbsp;
+&lsquo;One pull more!&rsquo; he seemed to cry; &lsquo;one pull
+more, and it&rsquo;s done.&nbsp; There&rsquo;s only Clydesdale
+and the Stewartry, and the three Bailiaries of Ayr, left for
+God.&rsquo;&nbsp; And with such an august assistance of powers
+and principalities looking on at the last conflict of good and
+evil, it was scarce possible to spare a thought to those old,
+infirm, debile, <i>ab agendo</i> devils whose holy place they
+were now violating.</p>
+<p>There might have been three hundred to four hundred
+present.&nbsp; At least there were three hundred horses tethered
+for the most part in the ring; though some of the hearers on the
+outskirts of the crowd stood with their bridles in their hand,
+ready to mount at the first signal.&nbsp; The circle of faces was
+strangely characteristic; long, serious, strongly marked, the
+tackle standing out in the lean brown cheeks, the mouth set and
+the eyes shining with a fierce enthusiasm; the shepherd, the
+labouring man, and the rarer laird, stood there in their broad
+blue bonnets or laced hats, and presenting an essential identity
+of type.&nbsp; From time to time a long-drawn groan of adhesion
+rose in this audience, and was propagated like a wave to the
+outskirts, and died away among the keepers of the horses.&nbsp;
+It had a name; it was called &lsquo;a holy groan.&rsquo;</p>
+<p>A squall came up; a great volley of flying mist went out
+before it and whelmed the scene; the wind stormed with a sudden
+fierceness that carried away the minister&rsquo;s voice and
+twitched his tails and made him stagger, and turned the
+congregation for a moment into a mere pother of blowing
+plaid-ends and prancing horses; and the rain followed and was
+dashed straight into their faces.&nbsp; Men and women panted
+aloud in the shock of that violent shower-bath; the teeth were
+bared along all the line in an involuntary grimace; plaids,
+mantles, and riding-coats were proved vain, and the worshippers
+felt the water stream on their naked flesh.&nbsp; The minister,
+reinforcing his great and shrill voice, continued to contend
+against and triumph over the rising of the squall and the dashing
+of the rain.</p>
+<p>&lsquo;In that day ye may go thirty mile and not hear a
+crawing cock,&rsquo; he said; &lsquo;and fifty mile and not get a
+light to your pipe; and an hundred mile and not see a smoking
+house.&nbsp; For there&rsquo;ll be naething in all Scotland but
+deid men&rsquo;s banes and blackness, and the living anger of the
+Lord.&nbsp; O, where to find a bield&mdash;O sirs, where to find
+a bield from the wind of the Lord&rsquo;s anger?&nbsp; Do ye call
+<i>this</i> a wind?&nbsp; Bethankit!&nbsp; Sirs, this is but a
+temporary dispensation; this is but a puff of wind, this is but a
+spit of rain and by with it.&nbsp; Already there&rsquo;s a blue
+bow in the west, and the sun will take the crown of the causeway
+again, and your things&rsquo;ll be dried upon ye, and your flesh
+will be warm upon your bones.&nbsp; But O, sirs, sirs! for the
+day of the Lord&rsquo;s anger!&rsquo;</p>
+<p>His rhetoric was set forth with an ear-piercing elocution, and
+a voice that sometimes crashed like cannon.&nbsp; Such as it was,
+it was the gift of all hill-preachers, to a singular degree of
+likeness or identity.&nbsp; Their images scarce ranged beyond the
+red horizon of the moor and the rainy hill-top, the shepherd and
+his sheep, a fowling-piece, a spade, a pipe, a dunghill, a
+crowing cock, the shining and the withdrawal of the sun.&nbsp; An
+occasional pathos of simple humanity, and frequent patches of big
+Biblical words, relieved the homely tissue.&nbsp; It was a poetry
+apart; bleak, austere, but genuine, and redolent of the soil.</p>
+<p>A little before the coming of the squall there was a different
+scene enacting at the outposts.&nbsp; For the most part, the
+sentinels were faithful to their important duty; the Hill-end of
+Drumlowe was known to be a safe meeting-place; and the
+out-pickets on this particular day had been somewhat lax from the
+beginning, and grew laxer during the inordinate length of the
+discourse.&nbsp; Francie lay there in his appointed hiding-hole,
+looking abroad between two whin-bushes.&nbsp; His view was across
+the course of the burn, then over a piece of plain moorland, to a
+gap between two hills; nothing moved but grouse, and some cattle
+who slowly traversed his field of view, heading northward: he
+heard the psalms, and sang words of his own to the savage and
+melancholy music; for he had his own design in hand, and terror
+and cowardice prevailed in his bosom alternately, like the hot
+and the cold fit of an ague.&nbsp; Courage was uppermost during
+the singing, which he accompanied through all its length with
+this impromptu strain:</p>
+<blockquote><p>&lsquo;And I will ding Jock Crozer down<br />
+&nbsp;&nbsp; No later than the day.&rsquo;</p>
+</blockquote>
+<p>Presently the voice of the preacher came to him in wafts, at
+the wind&rsquo;s will, as by the opening and shutting of a door;
+wild spasms of screaming, as of some undiscerned gigantic
+hill-bird stirred with inordinate passion, succeeded to intervals
+of silence; and Francie heard them with a critical ear.&nbsp;
+&lsquo;Ay,&rsquo; he thought at last, &lsquo;he&rsquo;ll do; he
+has the bit in his mou&rsquo; fairly.&rsquo;</p>
+<p>He had observed that his friend, or rather his enemy, Jock
+Crozer, had been established at a very critical part of the line
+of outposts; namely, where the burn issues by an abrupt gorge
+from the semicircle of high moors.&nbsp; If anything was
+calculated to nerve him to battle it was this.&nbsp; The post was
+important; next to the Hill-end itself, it might be called the
+key to the position; and it was where the cover was bad, and in
+which it was most natural to place a child.&nbsp; It should have
+been Heathercat&rsquo;s; why had it been given to Crozer?&nbsp;
+An exquisite fear of what should be the answer passed through his
+marrow every time he faced the question.&nbsp; Was it possible
+that Crozer could have boasted? that there were rumours abroad to
+his&mdash;Heathercat&rsquo;s&mdash;discredit? that his honour was
+publicly sullied?&nbsp; All the world went dark about him at the
+thought; he sank without a struggle into the midnight pool of
+despair; and every time he so sank, he brought back with
+him&mdash;not drowned heroism indeed, but half-drowned courage by
+the locks.&nbsp; His heart beat very slowly as he deserted his
+station, and began to crawl towards that of Crozer.&nbsp;
+Something pulled him back, and it was not the sense of duty, but
+a remembrance of Crozer&rsquo;s build and hateful readiness of
+fist.&nbsp; Duty, as he conceived it, pointed him forward on the
+rueful path that he was travelling.&nbsp; Duty bade him redeem
+his name if he were able, at the risk of broken bones; and his
+bones and every tooth in his head ached by anticipation.&nbsp; An
+awful subsidiary fear whispered him that if he were hurt, he
+should disgrace himself by weeping.&nbsp; He consoled himself,
+boy-like, with the consideration that he was not yet committed;
+he could easily steal over unseen to Crozer&rsquo;s post, and he
+had a continuous private idea that he would very probably steal
+back again.&nbsp; His course took him so near the minister that
+he could hear some of his words: &lsquo;What news, minister, of
+Claver&rsquo;se?&nbsp; He&rsquo;s going round like a roaring
+rampaging lion. . . .</p>
+<div class="gapspace">&nbsp;</div>
+<div class="gapmediumline">&nbsp;</div>
+<p style="text-align: center">Printed by <span
+class="smcap">T.</span> and <span class="smcap">A.
+Constable</span>, Printers to His Majesty<br />
+at the Edinburgh University Press.</p>
+<h2>Footnotes:</h2>
+<p><a name="footnote0"></a><a href="#citation0"
+class="footnote">[0]</a>&nbsp; With special reference to
+<i>Father Damien</i>, pp. 63&ndash;81.</p>
+<p><a name="footnote65"></a><a href="#citation65"
+class="footnote">[65]</a>&nbsp; From the Sydney
+<i>Presbyterian</i>, October 26, 1889.</p>
+<p><a name="footnote85"></a><a href="#citation85"
+class="footnote">[85]</a>&nbsp; <i>Theater of Mortality</i>, p.
+10; Edin. 1713.</p>
+<p><a name="footnote86"></a><a href="#citation86"
+class="footnote">[86]</a>&nbsp; <i>History of My Own Times</i>,
+beginning 1660, by Bishop Gilbert Burnet, p. 158.</p>
+<p><a name="footnote87a"></a><a href="#citation87a"
+class="footnote">[87a]</a>&nbsp; Wodrow&rsquo;s <i>Church
+History</i>, Book II. chap. i. sect. I.</p>
+<p><a name="footnote87b"></a><a href="#citation87b"
+class="footnote">[87b]</a>&nbsp; Crookshank&rsquo;s <i>Church
+History</i>, 1751, second ed. p. 202.</p>
+<p><a name="footnote88"></a><a href="#citation88"
+class="footnote">[88]</a>&nbsp; Burnet, p. 348.</p>
+<p><a name="footnote89"></a><a href="#citation89"
+class="footnote">[89]</a>&nbsp; <i>Fuller&rsquo;s Historie of the
+Holy Warre</i>, fourth ed. 1651.</p>
+<p><a name="footnote90"></a><a href="#citation90"
+class="footnote">[90]</a>&nbsp; Wodrow, vol. ii. p. 17.</p>
+<p><a name="footnote92"></a><a href="#citation92"
+class="footnote">[92]</a>&nbsp; Sir J. Turner&rsquo;s
+<i>Memoirs</i>, pp. 148&ndash;50.</p>
+<p><a name="footnote93"></a><a href="#citation93"
+class="footnote">[93]</a>&nbsp; <i>A Cloud of Witnesses</i>, p.
+376.</p>
+<p><a name="footnote94a"></a><a href="#citation94a"
+class="footnote">[94a]</a>&nbsp; Wodrow, pp. 19, 20.</p>
+<p><a name="footnote94b"></a><a href="#citation94b"
+class="footnote">[94b]</a>&nbsp; <i>A Hind Let Loose</i>, p.
+123.</p>
+<p><a name="footnote95"></a><a href="#citation95"
+class="footnote">[95]</a>&nbsp; Turner, p. 163.</p>
+<p><a name="footnote96a"></a><a href="#citation96a"
+class="footnote">[96a]</a>&nbsp; Turner, p. 198.</p>
+<p><a name="footnote96b"></a><a href="#citation96b"
+class="footnote">[96b]</a>&nbsp; <i>Ibid.</i> p. 167.</p>
+<p><a name="footnote97"></a><a href="#citation97"
+class="footnote">[97]</a>&nbsp; Wodrow, p. 29.</p>
+<p><a name="footnote98"></a><a href="#citation98"
+class="footnote">[98]</a>&nbsp; Turner, Wodrow, and <i>Church
+History</i> by James Kirkton, an outed minister of the
+period.</p>
+<p><a name="footnote99"></a><a href="#citation99"
+class="footnote">[99]</a>&nbsp; Kirkton, p. 244.</p>
+<p><a name="footnote101a"></a><a href="#citation101a"
+class="footnote">[101a]</a>&nbsp; Kirkton.</p>
+<p><a name="footnote101b"></a><a href="#citation101b"
+class="footnote">[101b]</a>&nbsp; Turner.</p>
+<p><a name="footnote102"></a><a href="#citation102"
+class="footnote">[102]</a>&nbsp; Kirkton.</p>
+<p><a name="footnote103"></a><a href="#citation103"
+class="footnote">[103]</a>&nbsp; Kirkton.</p>
+<p><a name="footnote104"></a><a href="#citation104"
+class="footnote">[104]</a>&nbsp; <i>Cloud of Witnesses</i>, p.
+389; Edin. 1765.</p>
+<p><a name="footnote105a"></a><a href="#citation105a"
+class="footnote">[105a]</a>&nbsp; Kirkton, p. 247.</p>
+<p><a name="footnote105b"></a><a href="#citation105b"
+class="footnote">[105b]</a>&nbsp; Ibid. p. 254.</p>
+<p><a name="footnote105c"></a><a href="#citation105c"
+class="footnote">[105c]</a>&nbsp; <i>Ibid.</i> p. 247.</p>
+<p><a name="footnote105d"></a><a href="#citation105d"
+class="footnote">[105d]</a>&nbsp; <i>Ibid.</i> pp. 247, 248.</p>
+<p><a name="footnote106"></a><a href="#citation106"
+class="footnote">[106]</a>&nbsp; Kirkton, p. 248.</p>
+<p><a name="footnote107a"></a><a href="#citation107a"
+class="footnote">[107a]</a>&nbsp; Kirkton, p. 249.</p>
+<p><a name="footnote107b"></a><a href="#citation107b"
+class="footnote">[107b]</a>&nbsp; <i>Naphtali</i>, p. 205;
+Glasgow, 1721.</p>
+<p><a name="footnote107c"></a><a href="#citation107c"
+class="footnote">[107c]</a>&nbsp; Wodrow, p. 59.</p>
+<p><a name="footnote108a"></a><a href="#citation108a"
+class="footnote">[108a]</a>&nbsp; Kirkton, p. 246.</p>
+<p><a name="footnote108b"></a><a href="#citation108b"
+class="footnote">[108b]</a>&nbsp; Defoe&rsquo;s <i>History of the
+Church of Scotland</i>.</p>
+<p><a name="footnote151"></a><a href="#citation151"
+class="footnote">[151]</a>&nbsp; &lsquo;This paper was written in
+collaboration with James Waiter Ferrier, and if reprinted this is
+to be stated, though his principal collaboration was to lie back
+in an easy-chair and laugh.&rsquo;&mdash;[R.L.S., Oct. 25,
+1894.]</p>
+<p><a name="footnote183"></a><a href="#citation183"
+class="footnote">[183]</a>&nbsp; The illustrator was, in fact, a
+lady, Miss Eunice Bagster, eldest daughter of the publisher,
+Samuel Bagster; except in the case of the cuts depicting the
+fight with Apollyon, which were designed by her brother, Mr.
+Jonathan Bagster.&nbsp; The edition was published in 1845.&nbsp;
+I am indebted for this information to the kindness of Mr. Robert
+Bagster, the present managing director of the firm.&mdash;[<span
+class="smcap">Sir Sidney Colvin&rsquo;s Note</span>.]</p>
+<p><a name="footnote205"></a><a href="#citation205"
+class="footnote">[205]</a>&nbsp; See a short essay of De
+Quincey&rsquo;s.</p>
+<p><a name="footnote206a"></a><a href="#citation206a"
+class="footnote">[206a]</a>&nbsp; <i>Religio Medici</i>, Part
+ii.</p>
+<p><a name="footnote206b"></a><a href="#citation206b"
+class="footnote">[206b]</a>&nbsp; <i>Duchess of Malfi</i>.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK LAY MORALS***</p>
+<pre>
+
+
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