diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:07:20 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:07:20 -0700 |
| commit | 59df71c91439b9e8724a48a4de8dd6a3602c9469 (patch) | |
| tree | f8443beba874c6f1840fc466dd4afc977264efe2 /37166.txt | |
Diffstat (limited to '37166.txt')
| -rw-r--r-- | 37166.txt | 3972 |
1 files changed, 3972 insertions, 0 deletions
diff --git a/37166.txt b/37166.txt new file mode 100644 index 0000000..0f6e3c6 --- /dev/null +++ b/37166.txt @@ -0,0 +1,3972 @@ +The Project Gutenberg EBook of Mr. Punch at the Seaside, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Mr. Punch at the Seaside + +Author: Various + +Editor: J. A. Hammerton + +Illustrator: Various + +Release Date: August 23, 2011 [EBook #37166] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH AT THE SEASIDE *** + + + + +Produced by Neville Allen, Chris Curnow and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + + + + + + + + + MR. PUNCH AT THE SEASIDE + + [Illustration] + + PUNCH LIBRARY OF HUMOUR + + Edited by J. A. HAMMERTON + + Designed to provide in a series of volumes, each complete in + itself, the cream of national humour, contributed by the masters of + comic draughtsmanship and the leading wits of the age to "Punch", + from its beginning in 1841 to the present day. + + * * * * * + +[Illustration: "BY THE SILVER SEA" + +This is _not_ Jones's dog.] + + * * * * * + + MR. PUNCH AT THE SEASIDE + + AS PICTURED BY + +CHARLES KEENE, JOHN LEECH, GEORGE DU MAURIER, PHIL MAY, L. RAVEN-HILL, +J. BERNARD PARTRIDGE, GORDON BROWNE, E. T. REED, AND OTHERS.... + +_WITH 200 ILLUSTRATIONS_ + +[Illustration] + +PUBLISHED BY ARRANGEMENT WITH THE PROPRIETORS OF "PUNCH" + +THE EDUCATIONAL BOOK CO. LTD. + + * * * * * + +THE PUNCH LIBRARY OF HUMOUR + +_Twenty-five volumes, crown 8vo. 192 pages +fully illustrated_ + +LIFE IN LONDON + +COUNTRY LIFE + +IN THE HIGHLANDS + +SCOTTISH HUMOUR + +IRISH HUMOUR + +COCKNEY HUMOUR + +IN SOCIETY + +AFTER DINNER STORIES + +IN BOHEMIA + +AT THE PLAY + +MR. PUNCH AT HOME + +ON THE CONTINONG + +RAILWAY BOOK + +AT THE SEASIDE + +MR. PUNCH AFLOAT + +IN THE HUNTING FIELD + +MR. PUNCH ON TOUR + +WITH ROD AND GUN + +MR. PUNCH AWHEEL + +BOOK OF SPORTS + +GOLF STORIES + +IN WIG AND GOWN + +ON THE WARPATH + +BOOK OF LOVE + +WITH THE CHILDREN + +[Illustration] + + * * * * * + +EDITOR'S NOTE + +[Illustration] + +One of the leading characteristics of the nineteenth century was the +tremendous change effected in the social life of Great Britain by the +development of cheap railway travel. The annual holiday at the seaside +speedily became as inevitable a part of the year's progress as the +milkman's morning call is of the day's routine. What at first had been a +rare and memorable event in a life-time developed into a habit, to +which, with our British love for conventions, all of us conform. + +Whether or not our French critics are justified in saying that we +Britishers take our pleasures sadly, these pages from the seaside +chronicles of Mr. Punch will bear witness, and while at times they may +seem to support the case of our critics, at others the evidence is +eloquent against them. This at least is certain, that whatever the +temperament of the British as displayed during the holiday season at our +popular resorts, the point of view of our national jester, Mr. Punch, is +unfailingly humorous, and such sadness as some of our countrymen may +bring to their pleasures is but food for the mirth of merry Mr. Punch, +who, we are persuaded, stands for the sum total of John Bull's good +humour in his outlook on the life of his countrymen. + +As the real abstract and brief chronicler of our time, Mr. Punch has +mirrored in little the social history of the last sixty-five years, and +apart from the genuine entertainment which this book presents, it is +scarcely less instructive as a pictorial history of British manners +during this period. One may here follow in the vivid sketches of the +master-draughtsmen of the age the ceaseless and bewildering changes of +fashion--the passing of the crinoline, the coming and going of the +bustle, the chignon, and similar vanities, and the evolution of the +present-day styles of dress both of men and women. + +It is also curious to notice how little seaside customs, amusements, +troubles and delights, have varied in the last half-century. Landladies +are at the end what they were at the beginning; the same old type of +bathing-machine is still in use; our forefathers and their womenfolk in +the days when Mr. Punch was young behaved themselves by "the silver sea" +just as their children's children do to-day. Nothing has changed, except +that the most select of seaside places is no longer so select as it was +in the pre-railway days, and that the wealthier classes, preferring the +attractions of Continental resorts, are less in evidence at our own +watering-places. + +The motto of this little work, as of all those in the series to which it +belongs, is "Our true intent is all for your delight", but if the book +carry with it some measure of instruction, we trust that may not be the +less to its credit. + + + + +MR. PUNCH AT THE SEASIDE + +_Mrs. Dorset_ (_of "Dorset's Sugar and Butter Stores", Mile End Road_). +"Why on earth can't we go to a more _dressy_ place than this, 'Enery? +I'm sick of this dreary 'ole, year after year. It's nothing but sand and +water, sand and water!" + +_Mr. Dorset._ "If it wasn't for sand and water, you wouldn't get no +'olerday." + + * * * * * + +[Illustration: A FASHIONABLE WATERING PLACE] + + * * * * * + +SEASIDE MEM.--The Society recently started to abolish Tied-houses will +not include Bathing Machines within the scope of its operations. + + * * * * * + +"WHERE'S RAMSGATE?" + +[Illustration: BIDDY-FORD] + + [_Mr. Justice Hawkins._ Where is Ramsgate? + + _Mr. Dickens._ It is in Thanet, your lordship. + _Report of Twyman v. Bligh._] + + "Where's Ramsgate?" Justice Hawkins cried. + "Where on our earthly planet?" + The learned Dickens straight replied, + "'Tis in the Isle of Thanet. + + "Ramsgate is where the purest air + Will make your head or leg well, + Will jaded appetite repair, + With the shrimp cure of Pegwell. + + "Where's Ramsgate? It is near the place + Where Julius Caesar waded, + And nearer still to where his Grace + Augustine come one day did. + + "All barristers should Ramsgate know: + I speak of it with pleasure", + Quoth Dickens. "There I often go + When wanting a refresher. + + "Where's Ramsgate? Where I've often seen. + Both S-mb-rne and Du M-r-_er_, + When I have gone by 3.15 + Granville Express, Victori_er_. + + "With Thanet Harriers, when you are + Well mounted on a pony, + You'll say, for health who'd go so far + As Cannes, Nice, or Mentone? + + "With Poland, of the Treasury, + Recorder eke of Dover, + I oft go down for pleasurey. + Alack! 'tis too soon over! + + "O'er Thanet's Isle where'er you trudge, + My Lud, you'll find no land which----" + "Dickens take Ramsgate!" quote the Judge. + "Luncheon! I'm off to Sandwich!" + + * * * * * + +[Illustration: A JUDGE BY APPEARANCE + +_Bathing Guide._ "Bless 'is 'art! I know'd he'd take to it kindly--by +the werry looks on 'im!"] + + * * * * * + +THE WONDERS OF THE SEA-SHORE + + _Contributed by_ "GLAUCUS", _who is staying at a quiet + watering-place, five miles from anywhere, and three miles from a + Railway Station_. + +[Illustration] + + _Monday_(?) _after breakfast, lying on the beach._ + +Wonder if it is Monday, or Tuesday? + +Wonder what time it is? + +Wonder if it will be a fine day? + +Wonder what I shall do if it is? On second thoughts, wonder what I shall +do if it isn't? + +Wonder if there are any letters? + +Wonder who that is in a white petticoat with her hair down? + +Wonder if she came yesterday or the day before? + +Wonder if she's pretty? + +Wonder what I've been thinking about the last ten minutes? + +Wonder how the boatmen here make a livelihood by lying all day at full +length on the beach? + +Wonder why every one who sits on the shore throws pebbles into the sea? + +Wonder what there is for dinner? + +Wonder what I shall do all the afternoon? + + * * * * * + + _Same day, after lunch, lying on the beach._ + +Wonder who in the house beside myself is partial to my dry sherry? + +Wonder what there is for dinner? + +Wonder what's in the paper to-day? + +Wonder if it's hot in London? Should say it was. + +Wonder how I ever could live in London? + +Wonder if there's any news from America? + +Wonder what tooral looral means in a chorus? + +Children playing near me, pretty, very? + +Wonder if that little boy intended to hit me on the nose with a stone? + +Wonder if he's going to do it again? Hope not. + +Wonder if I should like to be a shrimp? + + * * * * * + + _Same day, after an early dinner, lying on the beach._ + +Wonder why I can never get any fish? + +Wonder why my landlady introduces cinders into the gravy? + +Wonder more than ever who there is at my lodgings so partial to my dry +sherry? + +Wonder if that's the coast of France in the distance? + +Feel inclined for a quiet conversation with my fellow-man. + +[Illustration: EXMOUTH] + +A boatman approaches. I wonder (to the boatman) if it will be a fine day +tomorrow? He wonders too? We both wonder together? + +Wonder (again to the boatman) if the rail will make much difference to +the place? He shakes his head and says "Ah! he wonders!" and leaves me. + +Wonder what age I was last birthday? + +Wonder if police inspectors are as a rule fond of bathing? + +Wonder what gave me that idea? + +Wonder what I shall do all this evening? + +[Illustration: A HIGH SEA OVER THE BAR] + + _Same day, after supper, Moonlight, lying on the beach._ + +Wonder if there ever was such a creature as a mermaid? + +Wonder several times more than ever who it is that's so fond of my dry +sherry? + +Wonder if the Pope can swim? + +Wonder what made me think of that? + +Wonder if I should like to go up in a balloon? + +Wonder what Speke and Grant had for dinner to-day? + +Wonder if the Zoological Gardens are open at sunrise? + +Wonder what I shall do to-morrow? + + * * * * * + +FRUIT TO BE AVOIDED BY BATHERS.--Currants. + + * * * * * + +[Illustration: SHOPPING + +_Lady_ (_at Seaside "Emporium"_). "How much are those--ah--improvers?" + +_Shopman._ "Improv--hem!--They're not, ma'am"--(_confused_)--"not--not +the article you require, ma'am. They're fencing-masks, ma'am!" + + [_Tableau!_ + +] + + * * * * * + +[Illustration: DEA EX MACHINA! (_A Reminiscence_)] + + * * * * * + +[Illustration: A LARGE BUMP OF CAUTION + +_Flora._ "Oh, let us sit here, aunt, the breeze is so delightful." + +_Aunt._ "Yes--it's very nice, I dare say; but I won't come any nearer to +the cliff, for I am always afraid of _slipping through those +railings_!"] + + * * * * * + +[Illustration: A BOAT FOR AN HOUR + +_Stout Gentleman._ "What! is that the only boat you have in?"] + + * * * * * + +A SEASIDE REVERIE + +[Illustration] + + I think, as I sit at my ease on the shingle, + And list to the musical voice of the Sea, + How gaily my Landlady always will mingle + From my little caddy her matutine tea. + And vainly the bitter remembrance I banish + Of mutton just eaten, my heart is full sore, + To think after one cut it's certain to vanish, + And never be seen on my board any more. + + Some small store of spirit to moisten my throttle + I keep, and indulge in it once in a way; + But, bless you, it seems to fly out of the bottle + And swiftly decrease, though untouched all the day. + My sugar and sardines, my bread and my butter, + Are eaten, and vainly I fret and I frown; + My Landlady, just like an AEsthete's too utter + A fraud, and I vow that I'll go back to Town. + + * * * * * + +[Illustration: THE MORNING PAPERS + +Sketch from our window, 10 A.M., at Sludgeborough Ness.] + + * * * * * + +[Illustration] + +THE NURSEMAID'S FRIEND + +Science has given us the baby-jumper, by which we are enabled to carry +out the common exclamation of "Hang those noisy children" without an act +of infanticide, by suspending our youngsters in the air; and perhaps +allowing them to have their full swing, without getting into mischief; +but the apparatus for the nursery will not be complete until we have +something in the shape of coops for our pretty little chickens, when +they are "out with nurse", and she happens to have something better--or +worse--to do than to look after them. + +How often, in a most interesting part of a novel, or in the midst of a +love passage of real life, in which the nurse is herself the heroine, +how often, alas! is she not liable to be disturbed by the howl of a +brat, with a cow's horn in his eye, a dog's teeth in his heels, or in +some other awkward dilemma, which could not have arisen had the domestic +Child-coop been an article of common use in the Metropolitan parks, or +on the sands at the seaside? + +[Illustration: YARMOUTH] + +There is something very beautiful in the comparison of helpless infancy +to a brood of young chickens, with its attendant imagery of "mother's +wing", and all that sort of thing, but the allegory would be rendered +much more complete by the application of the hencoop to domestic +purposes. We intend buying one for our own stud of _piccoli_--which +means little pickles--and we hope to see all heads of families taking it +into their heads to follow our example. + + * * * * * + +MIDSUMMER MADNESS.--Going to the seaside in search of quiet. + + * * * * * + +[Illustration: LOCAL INTELLIGENCE + +"D'year as 'ow old Bob Osborne 'ave give up shrimpin' an took ter +winklin'?" + +"Well, I'm blest!"] + + * * * * * + +[Illustration: THE INGRATITUDE OF SOME SERVANTS + +You give them a change by taking them to the seaside--all they have to +do is to look after the children--and yet they don't seem to appreciate +it.] + + * * * * * + +[Illustration: A NATIVE HOISTER] + + * * * * * + +[Illustration: GOING DOWN TO A WATERING PLACE] + + * * * * * + +ON THE SPOT + +Shall we like Pierpoint, to which favourite and healthy seaside resort +we finally resolved to come, after a period of much indecision and +uncertainty, and where we arrived, in heavy rain, in two cabs, with +thirteen packages, on Saturday? + +Shall we be comfortable at 62, Convolution Street, dining-room floor, +two guineas and a half a week, and all and perhaps rather more than the +usual extras? + +Shall we like Mrs. Kittlespark? + +Shall we find Kate all that a Kate ought to be? + +Shall we lock everything up, or repose a noble confidence in Mrs. +Kittlespark and Kate? + +Shall we get to know the people in the drawing-room? + +Shall we subscribe to the Pier, or pay each time we go on it? + +Shall we subscribe to that most accommodating Circulating Library, +Pigram's, where we can exchange our books at pleasure, _but not oftener +than once a day_? + +Shall we relax our minds with the newest novels, or give our intellects +a bracing course of the best standard works? + +Shall we dine late or early? + +Shall we call on the Denbigh Flints, who, according to the _Pierpoint +Pioneer_, are staying at 10, Ocean Crescent? + +Shall we carefully avoid the Wilkiesons, whom the same unerring guide +reports at 33, Blue Lion Street? + +Shall we be satisfied with our first weekly bill? + +Shall we find in it any unexpected and novel extras, such as +knife-cleaning, proportion of the water-rate, loan of latch-key, &c.? + +Shall we get our meat at Round's, who displays the Prince of Wales's +Feathers over his shop door, and plumes himself on being "purveyor" to +His Royal Highness; or at Cleaver's, who boasts of the patronage of the +Hereditary Grand Duke of Seltersland? + +Shall we find everything dearer here than it is at home? + +Shall we be happy in our laundress? + +Shall we be photographed? + +Shall we, as Mrs. Kittlespark has a spare bed-room, invite our Cousin +Amelia Staythorp, from whom we have expectations, and who is +Constance Edith Amelia's Godmother, to come down and stay a week with +us? + +Shall we be praiseworthily economical, and determine not to spend a +single unnecessary sixpence; or shall we, as we _have_ come to +Pierpoint, enjoy ourselves to the utmost, go in for all the amusements +of the place--pier, public gardens, theatre, concerts, Oceanarium, +bathing, boating, fishing, driving, riding, and rinking--make +excursions, be ostentatiously liberal to the Town Band, and buy +everything that is offered to us on the Beach? + +A month hence, shall we be glad or sorry to leave Pierpoint, and go back +to Paddington? + + * * * * * + +[Illustration: GOING TO BRIGHTON] + + * * * * * + +[Illustration: WHAT WE COULD BEAR A GOOD DEAL OF] + + * * * * * + +[Illustration: A VIEW OF COWES] + + * * * * * + +[Illustration: SCENE AT SANDBATH + +The Female Blondin Outdone! Grand Morning Performance on the Narrow +Plank by the Darling ----] + + * * * * * + +[Illustration: A LITTLE FAMILY BREEZE + +_Mrs. T._ "What a wretch you must be, T.; why don't you take me off? +Don't you see I'm overtook with the tide, and I shall be drownded!" + +_T._ "Well, then--will you promise not to kick up such a row when I stop +out late of a Saturday?"] + + * * * * * + +POSTSCRIPT TO A SEASIDE LETTER.--"The sea is as smooth, and clear, as a +looking-glass. The oysters might see to shave in it." + + * * * * * + +[Illustration: ALL IN THE DAY'S WORK + +"And look here! I want you to take my friend here and myself just far +enough to be up to our chins, you know, and no further!"] + + * * * * * + +[Illustration: BANGOR] + + * * * * * + +WHAT THE WILD WAVES ARE SAYING + +That the lodging-house keepers are on the look out for the weary +Londoners and their boxes. + +That the sea breezes will attract all the world from the Metropolis to +the coast. + +That Britons should prefer Ramsgate, Eastbourne, Scarborough, and the +like, to Dieppe, Dinard, and Boulogne. + +That paterfamilias should remember, when paying the bill, that a two +months' letting barely compensates for an empty house during the +remainder of the year. + +That the shore is a place of recreation for all but the bathing-machine +horse. + +That the circulating libraries are stocked with superfluous copies of +unknown novels waiting to be read. + +That, finally, during the excursion season, 'Arry will have to be +tolerated, if not exactly loved. + + * * * * * + +[Illustration: [_The "Lancet" advocates taking holidays in Midwinter +instead of Midsummer._] + +View of the sands of Anywhere-on-Sea if the suggestion is adopted. + +Time--December or January.] + + * * * * * + +[Illustration: _Mrs. Fydgetts_ (_screaming_). "My child! My child!" + +_Mr. Fydgetts._ "What's the use of making that noise? Can't you be +quiet?" + +_Mrs. F._ "You're a brute, sir." + +_Mr. F._ "I wish I were; for then I should be able to swim." + +_Mrs. F._ "Mr. Fydgetts! Ain't you a-coming to help me?" + +_Mr. F._ "No! It serves you right for bringing me down to this stupid +place." + +_Mrs. F._ "_I_, indeed. Why, I wanted to go to Brighton and you would +come to Margate--you said it was cheaper." + +_Mr. F._ "It's false; I said no such thing." + +_Mrs. F._ "You did, you did!" + +_Mr. F._ "O, woman! woman! Where do you expect to go to?" + +_Mrs. F._ "To the bottom; unless you come and help me!" + +_Mr. F._ "Help yourself. I'm s-i-n-k-i-n-g"-- + +_Mrs. F._ "My child! My child!" + +_Mr. F._ (_rising from the water_). "Be quiet, can't you! Woo-o-m--" (_the +rest is inaudible, but the watery pair are saved just in time, and renew +their dispute in the boat as soon as they are rescued from their +perilous position_).] + + * * * * * + +[Illustration: _Mabel_ (_soliloquising_). "Dear me, this relaxing +climate makes even one's parasol seem too heavy to hold!"] + + * * * * * + +HOLIDAY HAUNTS + +_By Jingle Junior on the Jaunt_ + + +I.--GREAT YARMOUTH + +[Illustration: PUFFINS] + +Why Great?--where's Little Yarmouth?--or Mid-Sized Yarmouth?--give it +up--don't know--hate people who ask conundrums--feel well cured directly +you get here--good trademark for dried-fish sellers, "The Perfect +Cure"--if you stay a fortnight, get quite kipperish--stay a month, talk +kipperish! Principal attractions--Bloaters and Rows--first eat--second +see--song, "_Speak gently of the Herring_"--"long shore" ones +splendid--kippers delicious--song, "_What's a' the steer, +Kipper?_"--song, "_Nobody's rows like our Rows_"--more they +are--varied--picturesque--tumbledown--paradise for painters--very +narrow--capital support for native Bloater going home after dinner--odd +names--Ramp, Kitty Witches--Gallon Can, Conge! Fancy oneself quite the +honest toiler of the sea--ought to go about in dried haddock suit--feel +inclined to emulate _Mr. Peggotty_--run into quiet taverns--thump tables +violently--say "gormed!" Whole neighbourhood recalls _Ham_ and _Little +Em'ly_--_David, Steerforth, Mrs. Gummidge_--recall ham myself--if well +broiled--lunch--pleasant promenades on piers--plenty of amusement in +watching the bloateric commerce--fresh water fishing in adjacent Broads, +if you like--if not, let it alone--broad as it's long! The Denes--not +sardines--nor rural deans--good places for exercise--plenty of +antiquities--old customs--quaint traditions! Picturesque ancient +taverns--capital modern hotels--stopping in one of the latter--polite +waiter just appeared--dinner served--soup'll get cold--mustn't +wait--never insult good cook by being unpunctual--rather let Editor go +short than hurt cook's feelings[1]--so no more at present--from Yours +Truly. + +[Illustration] + +[Footnote 1:] Don't like this sentiment. Is J. J. a Cook's +Tourist?--ED. + + +II.--LITTLEHAMPTON. + +[Illustration] + +Emphatically the Sea on the strict Q T--no bustle at +railway-station--train glides in noiselessly--passengers ooze +away--porters good-tempered and easy-going--like suffragan Bishops in +corduroys--bless boxes--read pastorals on portmanteaux--no one in a +hurry--locomotive coos softly in an undertone--fly-drivers suggest +possibility of your requiring their services in a whisper! Place +full--no lodgings to be had--visitors manage to efface themselves--no +one about--all having early dinners--or gone to bed--or pretending to be +somewhere else--a one-sided game of hide and seek--everybody hiding, +nobody seeking! Seems always afternoon--dreamy gleamy sunshine--a dense +quietude that you might cut in slices--no braying brass-bands--no +raucous niggers--no seaside harpies--Honfleur packet only excitement--no +one goes to see it start--visitors don't like to be excited! Chief +amusements, Common, Sands, and Pony-chaises--first, good to roll +on--second, good to stroll on--first two, gratuitous and breezy--third, +inexpensive and easy--might be driven out of your mind for +three-and-six--notwithstanding this, everybody presumably sane. Capital +place for children--cricket for boys--shrimping for girls--bare +legs--picturesque dress--not much caught--salt water good for +ankles--excellent bathing--rows of bathing-tents--admirable notion! +Interesting excursions--Arundel Castle--Bramber--Bognor--Chichester +--Petworth House! Good things to eat--Arundel mullet--Amberley trout +--Tarring figs! Delightful air--omnipotent ozone--uninterrupted +quiet--just the place to recover your balance, either mental or +monetary--I wish to recover both--that's the reason I'm here--send +cheque at once to complete cure.[2] + +[Footnote 2:] We have sent him the price of a third-class fare to town, +with orders to return instantly: possibly this is hardly the sort of +check that our friend "J. J." expected.--ED. + +[Illustration: RAMSGATE] + + +III.--SCARBOROUGH. + +Long way from London--no matter--fast train--soon here--once here don't +wish to leave--palatial hotels--every luxury--good _tables +d'hote_--pleasant balls--lively society! Exhilarating air--good as +champagne without "morning after"--up early--go to bed late--authorities +provide something better than a broken-down pier, a circulating library, +and a rickety bathing-machine--authorities disburse large sums for +benefit of visitors--visitors spend lots of money in town--mutual +satisfaction--place crowded--capital bands--excellent theatricals +--varied entertainments--right way to do it! The Spa--first +discovered 1620--people been discovering it ever since--some drink +it--more walk on it--lounge on it--smoke on it--flirt on it--wonderful +costumes in the morning--more wonderful in the afternoon--most wonderful +in the evening! North Sands--South Sands--fine old Castle well +placed--picturesque old town--well-built modern terraces, squares and +streets--pony-chaises--riding-horses--Lift for lazy ones! +Capital excursions--Oliver's Mount--Carnelian Bay--Scalby +Mill--Hackness--Wykeham--Filey! Delightful gardens--secluded seats +--hidden nooks--shady bowers--well-screened corners--Northern +Belles--bright eyes--soft nothings--eloquent sighs--squozen +hands--before you know where you are--ask papa--all up--dangerous very! +Overcome by feelings--can't write any more--friend asks me to drink +waters--query North Chalybeate or South Salt Well--wonder which--if in +doubt try soda qualified with brandy--good people scarce--better run no +risk! + +[Illustration: A CUTTER MAKING FOR THE PEER HEAD] + + * * * * * + +COSTUME IN KEEPING.--"Of all sweet things", said Bertha, "for the +seaside, give me a serge." The Ancient Mariner shook his head. He didn't +see the joke. + + * * * * * + +BOARD AND LODGING!--_Landlady._ "Yes, sir, the board were certingly to +be a guinea a week, but I didn't know as you was a-going to bathe in the +sea before breakfast and take bottles of tonic during the day!" + + * * * * * + +[Illustration: THE DONKEYS' HOLIDAY + +With compliments to the S.P.C.A.] + + * * * * * + +[Illustration: LABELLED!] + + * * * * * + +[Illustration: NAUGHTICAL? + +_Yachting Friend_ (_playfully_). "Have you any experience of squalls, +Brown?" + +_Brown._ "Squalls!" (_Seriously._) "My dear sir, I've brought up ten in +family!"] + + * * * * * + +[Illustration: SOCIAL BEINGS + +Wearied by London dissipation, the Marjoribanks Browns go, for the sake +of perfect quiet, to that picturesque little watering-place, +Shrimpington-super-Mare, where they trust that they will not meet a +single soul they know. + +Oddly enough, the Cholmondeley Joneses go to the same spot with the same +purpose. + +Now, these Joneses and Browns cordially detest each other in London, and +are not even on speaking terms; yet such is the depressing effect of +"perfect quiet" that, as soon as they meet at Shrimpington-super-Mare, +they rush into each other's arms with a wild sense of relief!] + + * * * * * + +[Illustration: HEARTS OF OAK + +_Angelina_ (_who has never seen a revolving light before_). "How patient +and persevering those sailors must be, Edwin! The wind has blown that +light out six times since they first lit it, and they've lighted it +again each time!"] + + * * * * * + +[Illustration: SHANKLIN] + + * * * * * + +[Illustration: SCILLY] + + * * * * * + +[Illustration: HAYLING ISLAND] + + * * * * * + +[Illustration: MUMBLES] + + * * * * * + +[Illustration: "Now, mind, if any of those nasty people with cameras +come near, you're to send them away!"] + + * * * * * + +SEASIDE SOLITUDE + +HIGHBURYBARN-ON-SEA + +(_From our Special Commissioner_) + +[Illustration: A CUTTER ROUNDING THE BUOY] + +Dear Mr. Punch,--This is a spot, which, according to your instructions, +I reached last evening. In these same instructions you described it as +"a growing place." I fancy it must be of the asparagus order, that +vegetable, as you are well aware, taking three years in which to develop +itself to perfection. Highburybarn-on-Sea is, I regret to say, in the +first stage--judged from an asparagus point of view. I cannot entertain +the enthusiastic description of the candid correspondent (I refer to the +cutting forwarded by you from an eminent daily paper under the heading, +"By the Golden Ocean.") He describes it as "an oasis on the desert coast +of Great Britain." Far be it from me to deny the desert--all I object +to is the oasis. + +[Illustration: Limpets] + +I ask you, sir, if you ever, in the course of the travels in which you +have out-rivalled Stanley, Cameron, Livingstone, Harry de Windt, and, +may I add, De Rougemont, ever came across an oasis, consisting of two +score villas, built with scarcely baked bricks, reposing on an arid +waste amid a number of tumbled-down cottages, and surmounted by a mighty +workhouse-like hotel looking down on a pre-Adamite beershop? + +The sky was blue, the air was fresh, the waves had retreated to sea when +I arrived in a jolting omnibus at Highburybarn-on-Sea, and deposited +myself and luggage at the Metropolitan Hotel. A page-boy was playing +airs on a Jew's-harp when I alighted on the sand-driven steps of the +hostelry. He seemed surprised at my arrival, but in most respectful +fashion placed his organ of minstrelsy in his jacket pocket, the while +he conveyed my Gladstone bag to my apartment, secured by an interview +with an elderly dame, who gave an intelligent but very wan smile when I +suggested dinner. She referred me to the head waiter. This functionary +pointed in grandiose fashion to the coffee-room, wherein some artistic +wall-papering wag had committed atrocities on which it would be libel to +comment. + +[Illustration: TAKING A DIP AND GETTING A BLOW] + +There was only one occupant, a short clean-shaven gentleman with white +hair and a red nose, who was apparently chasing space. This turned out +to be a militant blue-bottle. Meantime, the head-waiter produced his +bill of fare, or rather the remains of it. Nearly every dish had +apparently been consumed, for the most tempting _plats_ were removed +from the _menu_ by a liberal application of red pencil. Finally, I +decided on a fried sole and a steak. The white-haired man still pursued +the blue-bottle. + +I went up to my room, and after washing with no soap I returned to the +coffee-room. The blue-bottle still had the best of it. The head-waiter, +after the lapse of an hour, informed me that the sole would not be long. +When it arrived, I found that he spoke the truth. If you have any +recollection of the repast which _Porthos_ endured when entertained by +_Madame Coquenard_, you will have some notion of my feast. The +head-waiter told me that some bare-legged persons who had waded into the +water were shrimp-catchers. I only wished that I were one of them, for +at least they found food. + +[Illustration: BIRCHINGTON] + +Later on I retired to rest. I was visited in the hours of darkness, to +which I had consigned myself, by a horde of mosquitoes, imported, so I +was informed in the morning, by American travellers, who never tipped +the waiters. I fulfilled their obligations, still gazing on the auburn +sand-drift, still looking on the sea, still feeling hungry and murmuring +to myself, "Highburybarn-on-Sea would be a capital place for children, +if I could only see any cows." A melancholy cocoa-nut shy by the +station appeared to afford all the milk in the place. + + Yours despondently, + NIBBLETHORPE NOBBS. + + * * * * * + +EMBARRASSMENT OF RICHES: MARGATE.--_Mother._ "Now, Tommy, which would +you rather do--have a donkey ride or watch father bathe?" + + * * * * * + +[Illustration: _Bathing Woman._ "Master Franky wouldn't cry! No! Not +he!--He'll come to his Martha, and bathe like a man!"] + + * * * * * + +[Illustration: THE BATHING QUESTION + +Master Tommy is emphatically of the opinion that the sexes ought not to +bathe together.] + + * * * * * + +[Illustration: WHITBOROUGH. LOW TIDE. ARRIVAL OF THE SCARBY STEAMER] + + * * * * * + +[Illustration: "DENUDATION" + +_Niece_ (_after a header_). "Oh, aunt, you're not coming in with your +spectacles on?" + +_Aunt Clarissa_ (_who is not used to bathe in the "open"_). "My dear, I +positively won't take off anything more, I'm determined!!"] + + * * * * * + +TO THE FIRST BATHING-MACHINE + +(_After Wordsworth_) + +[Illustration: MOORINGS] + + O Blank new-comer! I have seen, + I see thee with a start: + So gentle looking a Machine, + Infernal one thou art! + + When first the sun feels rather hot, + Or even rather warm, + From some dim, hibernating spot + Rolls forth thy clumsy form. + + Perhaps thou babblest to the sea + Of sunshine and of flowers; + Thou bringest but a thought to me + Of such bad quarter hours. + + I, grasping tightly, pale with fear, + Thy very narrow bench, + Thou, bounding on in wild career, + All shake, and jolt, and wrench. + + Till comes an unexpected stop; + My forehead hits the door, + And I, with cataclysmic flop, + Lie on thy sandy floor. + + Then, dressed in Nature's simplest style, + I, blushing, venture out; + And find the sea is still a mile + Away, or thereabout. + + Blithe little children on the sand + Laugh out with childish glee; + Their nurses, sitting near at hand, + All giggling, stare at me. + + Unnerved, unwashed, I rush again + Within thy tranquil shade, + And wait until the rising main + Shall banish child and maid. + + Thy doors I dare not open now, + Thy windows give no view; + 'Tis late; I will not bathe, I vow; + I dress myself anew. + + * * * * * + +[Illustration: "THALATTA! THALATTA!" + +_General chorus_ (_as the children's excursion nears its destination_). +"Oh, I say! There's the sea! 'Ooray!!" + +_Small boy._ "I'll be in fust!"] + + * * * * * + +HOW TO ENJOY A HOLIDAY + +_A Social Contrast_ + +[Illustration: ILE OF MAN] + + +I.--THE WRONG WAY + +_Pater._ Here at last! A nice reward for a long and tedious journey! + +_Mater._ Well, you were always complaining in town. + +_Pater._ Broken chairs, rickety table, and a hideous wall-paper! + +_Mater._ Well, I didn't buy the chairs, make the table, or choose the +wall-paper. Discontent is your strong point. + +_Pater._ And is likely to remain so. Really, that German band is +unbearable! + +_Mater._ My dear, you have no ear for music. Why, you don't even care +for my songs! You used to say you liked them once. + +_Pater._ So I did--thirty years ago! + +_Mater._ Before our marriage! And I have survived thirty years! + +_Pater._ Eh? What do you mean by that, madam? + +_Mater._ Anything you please. But come--dinner's ready. + +_Pater._ Dinner! The usual thing, I suppose--underdone fish and overdone +meat! + +_Mater._ Well, I see that you are determined to make the best of +everything, my dear! + +_Pater._ I am glad you think so, my darling! + + [_And so they sit down to dinner._ + + +II.--THE RIGHT WAY. + +_Pater._ Here at last! What a charming spot! A fitting sequel to a very +pleasant journey! + +_Mater._ And yet you are very fond of town! + +_Pater._ This room reminds me of my own cozy study. Venerable chairs, a +strange old table, and a quaintly-designed wall-paper. + +_Mater._ Well, I think if I had had to furnish the house, I should have +chosen the same things myself. But had they been ever so ugly, I feel +sure that you would have liked them. You know, sir, that content is your +strong point. + +_Pater._ I am sure that I shall find no opportunity of getting any merit +(after the fashion of _Mark Tapley_) for being contented in this +pleasant spot. What a capital German band! + +_Mater._ I don't believe that you understand anything about music, sir. +Why, you even pretend that you like my old songs! + +_Pater._ And so I do. Every day I live I like them better and better. +And yet I heard them for the first time thirty years ago! + +_Mater._ When we were married! And so I have survived thirty years! + +_Pater._ Eh? What do you mean by that, madam? + +_Mater._ That I am a living proof that kindness never kills. How happy +we have been! But come--dinner's ready. + +_Pater._ Dinner! The usual thing, I suppose--a nice piece of fish and a +juicy joint. Now, that's just what I like. So much better than our +pretentious London dinners! Not that a London dinner is not very good in +its proper place. + +_Mater._ Well, I see that you are determined to make the best of +everything, my dear. + +_Pater._ I am glad you think so, my darling! + + [_And so they sit down to dinner._ + + * * * * * + +[Illustration: A GOAT AND TWO KIDS] + + * * * * * + +[Illustration: AWFUL SCENE ON THE CHAIN PIER, BRIGHTON + +_Nursemaid._ "Lawk! There goes Charley, and he's took his mar's parasol. +What _will_ missus say?"] + + * * * * * + +[Illustration: _Temperance Enthusiast._ "Look at the beautiful lives our +first parents led. Do you suppose _they_ ever gave way to strong drink?" + +_The Reprobate._ "I 'xpect Eve must 'a' done. She saw snakes!"] + + * * * * * + +[Illustration: A POWERFUL QUARTET + +(At all events it looks and sounds like one)] + + * * * * * + +[Illustration] + +SWEETS OF THE SEASIDE. + +_Shingleton, near Dulborough._ + +SYMPATHISING MR. PUNCH, + +With the desire of enjoying a few days of tranquillity and a few dips in +the sea, I have arrived and taken lodgings at this "salubrious +watering-place" (as the guide-books choose to call it), having heard +that it was quiet, and possessed of a steep, cleanly, and bathe-inviting +beach. As to the latter point, I find that fame has not belied it; but +surely with a view to tempt me into suicide, some demon must have +coupled the term "quiet" with this place. Quiet! Gracious Powers of +Darkness! if this be your idea of a quiet spot to live in, I wonder +what, according to your notion, need be added to its tumult to make a +noisy town. Here is a list of aural tortures wherewith we are tormented, +which may serve by way of time-table to advertise the musical +attractions of the place:-- + +1 A.M.--Voices of the night. Revellers returning home. + +1.30 A.M.--Duet, "_Io t'amo_", squealed upon the tiles, by the famous +feline vocalists Mademoiselle Minette and Signor Catterwaulini. + +2 A.M.--Barc-arole and chorus, "_Bow wow wow_" (BACH), by the Bayers of +the Moon. + +3 A.M.--Song without words, by the early village cock. + +3.30 A.M.--Chorus by his neighbours, high and low, mingling the treble +of the Bantam with the Brahma's thorough bass. + +[Illustration: ENJOYING THE HEIGHT OF THE SEAS-ON] + +4 A.M.--Twittering of swallows, and chirping of early birds, before they +go to catch their worms. + +4.45 A.M.--Meeting of two natives, of course _just_ under your window, +who converse in a stage-whisper at the tip-top of their voices. + +5 A.M.--Stampede of fishermen, returning from their night's work in +their heavy boots. + +6 A.M.--Start of shrimpers, barefooted, but occasionally bawling. + +7 A.M.--Shutters taken down, and small boys sally forth and shout to one +another from the two ends of the street. + +7.15 A.M.--"So-holes! fine fresh so-holes!" + +7.30 A.M.--"Mack'reel! fower a shillun! Ma-a-ack'reel!" + +8 A.M.--Piano play begins, and goes on until midnight. + +8.25 A.M.--Barrel-organ at the corner. Banjo in the distance. + +9 A.M.--German band to right of you. Ophicleide out of time, clarionette +out of tune. + +9.30 A.M.--"Pa-aper, mornin' pa-aper! _Daily Telegraft!_" + +9.45 A.M.--German band to left of you. Clarionette and cornet both out +of time and tune. + +10.15 A.M.--A key-bugler and a bag-piper a dozen yards apart. + +11 A.M.--Performance of Punch and Toby, who barks more than is good for +him. + +11.30 A.M.--Bellowing black-faced ballad-bawlers, with their banjoes and +their bones. + +Such is our daily programme of music until noon, and such, with sundry +variations, it continues until midnight. Small wonder that I have so +little relish for my meals, and that, in spite of the sea air, I can +hardly sleep a wink. I shall return to Town to-morrow, for surely all +the street tormentors must be out of it, judging by the numbers that now +plague the sad seaside. + + MISERRIMUS. + + * * * * * + +[Illustration: REDCAR] + + * * * * * + +[Illustration: MEETING OF THE OLD AND NEW PEERS AT BRIGHTON] + + * * * * * + +[Illustration: WALTON ON THE NAZE] + + * * * * * + +[Illustration: "THE MEAT SUPPLY" + +_Bathing-man._ "Yes, mum, he's a good old 'orse yet. And he's been in +the salt water so long, he'll make capital biled beef when we're done +with him!!!"] + + * * * * * + +_Our Poetess._ "Do not talk to me of dinner, Edwin. I must stay by this +beautiful Sea, and _drink it all in_!" + +_Bill the Boatman._ "Lor! She's a thirsty one too!" + + * * * * * + +[Illustration: HOW TO KILL TIME AT THE SEASIDE + +Hire bath-chairs, put the bath-chairmen inside, and drag them as fast as +you can up and down the parade.] + + * * * * * + +[Illustration: INOPPORTUNE + +_Enthusiast of the "No Hat Brigade"_ (_to elderly gentleman, who has +just lost his hat_). "Fine idea this, sir, for the hair, eh?"] + + * * * * * + +[Illustration: _Jones._ "Hullo, Brown, what's the matter with you and +Mrs. Brown?" + +_Brown._ "Matter? Why, do you know what they call us down here? They +call us Beauty and the Beast! Now I should like to know what my poor +wife has done to get such a name as that!"] + + * * * * * + +THE TREACHEROUS TIDE + +[Illustration] + + I sat on a slippery rock, + In the grey cliff's opal shade, + And the wanton waves went curvetting by + Like a roystering cavalcade. + And they doffed their crested plumes, + As they kissed the blushing sand, + Till her rosy face dimpled over with smiles + At the tricks of the frolicsome band. + + Then the kittywake laughed, "Ha! ha!" + And the sea-mew wailed with pain, + As she sailed away on the shivering wind + To her home o'er the surging main. + And the jelly-fish quivered with rage, + While the dog-crabs stood by to gaze, + And the star-fish spread all her fingers abroad, + And sighed for her grandmothers' days. + + And the curlew screamed, "Fie! fie!" + And the great gull groaned at the sight, + And the albatross rose and fled with a shriek + To her nest on the perilous height. + + * * * * * + + Good gracious! the place where I sat + With sea-water was rapidly filling, + And a hoarse voice cried, "Sir, you're caught by the tide! + And I'll carry ye off for a shilling!" + + * * * * * + +[Illustration] + + * * * * * + +[Illustration: A SAIL OVER THE BAY] + + * * * * * + +"LOCAL COLOUR."--PLACE: South Parade, Cheapenham-on-Sea.--_Edith._ +"Mabel dear, would you get me _Baedeker's Switzerland_ and the last +Number of the _World_." + +_Mabel._ "What do you want _them_ for?" + +_Edith._ "Oh, I'm writing letters, and we're in the Engadine, you know, +and I just want to describe some of our favourite haunts, and mention a +few of the people who are staying there--here, I mean." + + * * * * * + +[Illustration: SCENT BEES] + + * * * * * + +THE LAY OF THE LAST LODGER + +[Illustration] + +I. + + Oh dreary, dreary, dreary me! + My jaw is sore with yawning-- + I'm weary of the dreary sea, + With its roaring beach + Where sea-gulls screech, + And shrimpers shrimp, + And limpets limp, + And winkles wink, + And trousers shrink; + And the groaning, moaning, droning tide + Goes splashing and dashing from side to side, + With all its might, from morn to night, + And from night to morning's dawning. + +II. + + The shore's a flood of puddly mud, + And the rocks are limy and slimy-- + And I've tumbled down with a thud--good lud!-- + And I fear I swore, + For something tore; + And my shoes are full + Of the stagnant pool; + And hauling, sprawling, crawling crabs + Have got in my socks with star-fish and dabs; + And my pockets are swarming with polypes and prawns, + And noisome beasts with shells and horns, + That scrunch and scrape, and goggle and gape, + Are up my sleeve, I firmly believe-- + And I'm horribly rimy and grimy. + +III. + + I'm sick of the strand, and the sand, and the band, + And the niggers and jiggers and dodgers; + And the cigars of rather doubtful brand; + And my landlady's "rights", + And the frequent fights + On wretched points + Of ends of joints, + Which disappear, with my brandy and beer, + In a way that, to say the least, is queer. + And to mingle among the throng I long, + And to poke my joke and warble my song-- + But there's no one near + On sands or pier, + For everyone's gone and I'm left alone, + The Last of the Seaside Lodgers! + + * * * * * + +[Illustration: FILEY] + + * * * * * + +NOTE BY OUR MAN OUT OF TOWN--Watering places--resorts where the visitor +is pumped dry. + + * * * * * + +[Illustration: A STARTLING PROPOSITION + +_Seedy Individual_ (_suddenly and with startling vigour_)-- + + "Aoh! Floy with me ercross ther sea, + Ercross ther dork lergoon!!" + +] + + * * * * * + +[Illustration: CROWDED STATE OF LODGING HOUSES + +_Lodging-House Keeper._ "On'y this room to let, mem. A four-post--a +tent--and a very comfortable double-bedded chest of drawers for the +young gentlemen."] + + * * * * * + +A WET DAY AT THE SEASIDE + +Why does not some benefactor to his species discover and publish to a +grateful world some rational way of spending a wet day at the seaside? +Why should it be something so unutterably miserable and depressing that +its mere recollection afterwards makes one shudder? + +This is the first really wet day that we have had for a fortnight, but +what a day! From morn to dewy eve, a summer's day, and far into the +black night, the pitiless rain has poured and poured and poured. I broke +the unendurable monotony of gazing from the weeping windows of my +seaside lodging, by rushing out wildly and plunging madly into the rainy +sea, and got drenched to the skin both going and returning. After +changing everything, as people say but don't mean, and thinking I saw +something like a break in the dull leaden clouds, I again rushed out, +and called on Jones, who has rooms in an adjacent terrace, and, with +some difficulty, persuaded him to accompany me to the only billiard +table in the miserable place. We both got gloriously wet on our way to +this haven of amusement, and were received with the pleasing +intelligence that it was engaged by a private party of two, who had +taken it until the rain ceased, and, when that most improbable event +happened, two other despairing lodgers had secured the reversion. +Another rush home, another drenching, another change of everything, +except the weather, brought the welcome sight of dinner, over which we +fondly lingered for nearly two mortal hours. + +But one cannot eat all day long, even at the seaside on a wet day, and +accordingly at four o'clock I was again cast upon my own resources. +I received, I confess, a certain amount of grim satisfaction at seeing +Brown--Bumptious Brown, as we call him in the City, he being a common +councilman, or a liveryman, or something of that kind--pass by in a fly, +with heaps of luggage and children, all looking so depressingly +wet,--and if he had not the meanness to bring with him, in a half-dozen +hamper, six bottles of his abominable Gladstone claret! He grinned at +me as he passed, like a Chester cat, I think they call that remarkable +animal, and I afterwards learnt the reason. He had been speculating for +a rise in wheat, and, as he vulgarly said, the rain suited his book, and +he only hoped it would last for a week or two! Ah! the selfishness of +some men! What cared he about my getting wet through twice in one day, +so long as it raised the price of his wretched wheat? + +My wife coolly recommended me to read the second volume of a new novel +she had got from the Library, called, I think, _East Glynne_, or some +such name, but how can a man read in a room with four stout healthy boys +and a baby, especially when the said baby is evidently very +uncomfortable, and the four boys are playing at leap-frog? Women have +this wonderful faculty, my wife to a remarkable extent. I have often, +with unfeigned astonishment, seen her apparently lost in the sentimental +troubles of some imaginary heroine, while the noisy domestic realities +around her have gone on unheeded. + +I again took my place at the window, and gazed upon the melancholy sea, +and remembered, with a smile of bitter irony, how I had agreed to pay an +extra guinea a week for the privilege of facing the sea!--and such a +sea! It was, of course, very low water--it generally is at this charming +place; and the sea had retired to its extremest distance, as if utterly +ashamed of its dull, damp, melancholy appearance. And there stood that +ridiculous apology for a pier, with its long, lanky, bandy legs, on +which I have been dragged every evening to hear the band play. Such a +band! The poor wheezy cornet was bad enough, but the trombone, with its +two notes that it jerked out like the snorts of a starting train, was a +caution. Oh! that poor "_Sweetheart_", with which we were favoured every +evening! I always pictured her to myself sitting at a window listening, +enraptured, to a serenade from that trombone! + +But there's no band to-night, not a solitary promenader on the +bandy-legged pier, I even doubt if the pier master is sitting as usual +at the receipt of custom, and I pull down the blind, to shut out the +miserable prospect, with such an energetic jerk that I bring down the +whole complicated machinery, and nearly frighten baby into a fit, while +the four irreverent boys indulge in a loud guffaw. + +Thank goodness, on Saturday I exchange our miserable, wheezy, asthmatic +band for the grand orchestra of the Covent Garden Promenade Concerts, +and the awful perfume of rotten seaweed for the bracing atmosphere of +glorious London. + + AN OUTSIDER. + + * * * * * + +[Illustration: BOATMAN SECURING A LIVELY-HOOD] + + * * * * * + +[Illustration: ON HIS HONEYMOON TOO! + +_Man with Sand Ponies._ "Now then, Mister, you an' the young lady, a +pony apiece? 'Ere y'are!" + +_Snobley_ (_loftily_). "Aw--I'm not accustomed to that class of animal." + +_Man_ (_readily_). "Ain't yer, sir? Ne' mind." (_To boy._) "'Ere, Bill, +look sharp! Gent'll have a donkey!"] + + * * * * * + +SEASIDE SPLITTERS + +[Illustration: + +LOW-TIED + +ROCKS + +SEE-WEED + +MUSCLE GATHERERS + +A KNAW WESTER + +HIGH TIED] + + * * * * * + +[Illustration: LIFE WOULD BE PLEASANT, BUT FOR ITS "PLEASURES."--_Sir +Cornewall Lewis_ + +In consequence of the English watering-places being crowded, people are +glad to find sleeping accommodation in the bathing-machines. + +_Boots_ (_from Jones's Hotel_). "I've brought your shaving water, sir; +and you'll please to take care of your boots on the steps, gents: the +tide's just a comin' in!"] + + * * * * * + +[Illustration: RETURNING HOME FROM THE SEASIDE + +All the family have colds, except the under-nurse, who has a face-ache. +Poor materfamilias, who originated the trip, is in despair at all the +money spent for nothing, and gives way to tears. Paterfamilias +endeavours to console her with the reflection that "_he_ knew how it +would be, but that, after all, St. John's Wood, where they live, is such +a healthy place that, with care and doctoring, they _will soon be nearly +as well as if they had never left it_!" + + [_Two gay bachelors may be seen contemplating paterfamilias and his + little group. Their interest is totally untinged with envy._ + +] + + * * * * * + +[Illustration: OVERHEARD AT SCARBOROUGH + +"Do you know anything good for a cold?" + +"Yes." + +"What is it?" + +"Have you got the price of two Scotch whiskies on you?" + +"No." + +"Then it's no use my telling you."] + + * * * * * + +[Illustration: _Snobson_ (_to inhabitant of out-of-way seaside resort_). +"What sort of people do you get down here in the summer?" + +_Inhabitant._ "Oh, all sorts, zur. There be fine people an' common +people, an' some just half-an'-half, like yourself, zur."] + + * * * * * + +[Illustration: THE OYSTERS AT WHITSTABLE FROZEN IN THEIR BEDS! + +(_See Daily Papers_)] + + * * * * * + +[Illustration: A DELICIOUS DIP. + +_Bathing Attendant._ "Here, Bill! The gent wants to be took out +deep--take 'im _into the drain_!!"] + + * * * * * + +[Illustration: _She._ "How much was old Mr. Baskerville's estate sworn +at by his next-of-kin?" + +_He._ "Oh--a pretty good lot." + +_She._ "Really? Why, I heard he died worth hardly anything!" + +_He._ "Yes, so he did--that's just it."] + + * * * * * + +[Illustration: EVIDENCE OLFACTORY + +_Angelina_ (_scientific_). "Do you smell the iodine from the sea, Edwin? +Isn't it refreshing?" + +_Old Salt_ (_overhearing_). "What you smell ain't the sea, miss. It's +the town drains as flows out just 'ere!"] + + * * * * * + +[Illustration: OBLIGING. + +_Excursionist_ (_to himself_). "Ullo! 'ere's one o' them artists. +'Dessay 'e'll want a genteel figger for 'is foreground. I'll _stand for +'im_!!!"] + + * * * * * + +TRUE DIPSOMANIA.--Overbathing at the seaside. + + * * * * * + +AN IDLE HOLIDAY. + + When the days are bright and hot, + In the month of August, + When the sunny hours are not + Marred by any raw gust, + Then I turn from toil with glee, + Sing a careless canto, + And to somewhere by the sea + Carry my portmanteau. + + Shall I, dreaming on the sand, + Pleased with all things finite, + Envy Jones who travels and + Climbs an Apennine height-- + Climbs a rugged peak with pain, + Literally speaking, + Only to descend again + Fagged with pleasure-seeking? + + Smith, who, worn with labour, went + Off for rest and leisure, + Races round the Continent + In pursuit of pleasure: + Having lunched at Bale, he will + At Lucerne his tea take, + Riding till he's faint and ill, + Tramping till his feet ache. + + Shall I, dreaming thus at home, + Left ashore behind here, + Envy restless men who roam + Seeking what I find here? + Since beside my native sea, + Where I sit to woo it, + Pleasure always comes to me, + Why should I pursue it? + + * * * * * + +[Illustration: THE MURMUR OF THE TIED] + + * * * * * + +EXTRA SPECIAL.--_Paterfamilias_ (_inspecting bill, to landlady_). I +thought you said, Mrs. Buggins, when I took these apartments, that there +were no extras, but here I find boots, lights, cruets, fire, +table-linen, sheets, blankets and kitchen fire charged. + +_Mrs. Buggins._ Lor' bless you, sir, they're not extras, but +necessaries. + +_Paterfamilias._ What, then, do you consider extras? + +_Mrs. Buggins._ Well, sir, that's a difficult question to answer, but I +should suggest salad oil, fly-papers, and turtle soup. + + [_Paterfamilias drops the subject and pays his account._ + + * * * * * + +[Illustration: SUSPICION + +_Stout Visitor_ (_on discovering that, during his usual nap after +luncheon, he has been subjected to a grossly personal practical joke_). +"It's one o' those dashed artists that are staying at the 'Lord Nelson' +'a' done this, I know!"] + + * * * * * + +[Illustration: _Aunt Jane._ "It's wonderful how this wireless telegraphy +is coming into use!"] + + * * * * * + +[Illustration: A DREAM OF THE SEA + +Ethel, who is not to have a seaside trip this year, dreams every night +that she and her mamma and aunt and sisters spread their sash-bows and +panniers and fly away to the yellow sands.] + + * * * * * + +THE MARGATE BATHING-WOMAN'S LAMENT + + It nearly broke my widowed art, + When first I tuk the notion, + That parties didn't as they used, + Take reglar to the ocean. + + The hinfants, darling little soles, + Still cum quite frequent, bless 'em! + But they is only sixpence each, + Which hardly pays to dress 'em. + + The reason struck me all at once, + Says I, "It's my opinion, + The grown-up folks no longer bathes + Because of them vile Sheenions." + + The last as cum drest in that style, + Says, as she tuk it horf her, + "I'm sure I shall not know the way + To re-arrange my quoffur!" + + By which she ment the ed of air, + Which call it wot they will, sir; + Cum doubtless off a convict at + Millbank or Pentonville, sir. + + The Parliament should pass a law, + Which there's sufficient reason; + That folks as wear the Sheenions should + Bathe reg'lar in the season. + + * * * * * + +[Illustration: A LANCASHIRE WATERING-PLACE] + + * * * * * + +"MERRY MARGIT" + +(_Another communication from the side of the dear sea waves_) + +I was told it was greatly improved--that there were alterations in the +sea-front suggestive of the best moments of the Thames Embankment--that +quite "smart" people daily paraded the pier. So having had enough of +"Urn-bye", I moved on. The improvements scarcely made themselves felt at +the railway station. Seemingly they had not attracted what Mr. Jeames +would call "the upper suckles." There were the customary British +middle-class matron from Peckham, looking her sixty summers to the full +in a sailor hat; the seaside warrior first cousin to the billiard-marker +captain with flashy rings, beefy hands, and a stick of pantomime +proportions, and the theatrical lady whose connection with the stage I +imagine was confined to capering before the footlights. However, they +all were there, as I had seen them any summer these twenty years. + +But I had been told to go to the Pier, and so to the Pier I went, +glancing on my way at the entertainers on the sands, many of whom I +found to be old friends. Amongst them was the "h"-less phrenologist, +whose insight into character apparently satisfied the parents of any +child whose head he selected to examine. Thus, if he said that a +particularly stupid-looking little boy would make a good architect, +schoolmaster, or traveller for fancy goods, a gentleman in an +alpaca-coat and a wide-awake hat would bow gratified acquiescence, a +demonstration that would also be evoked from a lady in a dust cloak, +when the lecturer insisted that a giggling little girl would make a +"first-rate dressmaker and cutter-out." + +Arrived at the Pier, I found there was twopence to pay for the privilege +of using the extension, which included a restaurant, a band, some +talented fleas, and a shop with a window partly devoted to the display +of glass tumblers, engraved with legends of an amusing character, such +as "Good old Mother-in-Law", "Jack's Night Cap", "Aunt Julia's Half +Pint", and so on. There were a number of seats and shelters, and below +the level of the shops was a landing-stage, at which twice a day two +steamers from or to London removed or landed passengers. During the rest +of the four-and-twenty hours it seemed to be occupied by a solitary +angler, catching chiefly seaweed. The Band, in spite of its uniform, was +not nearly so military as that at "Urn Bye." It contained a +pianoforte--an instrument upon which I found the young gentleman who +sold the programmes practising during a pause between the morning's +selection and the afternoon's performances. But still the Band was a +very tuneful one, and increased the pleasure that the presence of so +many delightful promenaders was bound to produce. Many of the ladies who +walked round and round, talking courteously to 'Arry in all his +varieties, wore men's _habits_, _pur et simple_ (giving them the +semblance of appearing in their shirt-sleeves), while their heads were +adorned with fair wigs and sailor hats, apparently fixed on together. + +These free-and-easy-looking damsels did not seem to find favour in the +eyes of certain other ladies of a sedater type, who regarded them (over +their novels) with undisguised contempt. These other ladies, I should +think, from their conversation and appearance, must have been the very +flowers of the flock of Brixton Rise, and the _creme de la creme_ of +Peckham Rye society. Of course there were a number of more or less known +actors and actresses from London, some of them enjoying a brief holiday, +and others engaged in the less lucrative occupation of "resting." + +However, the dropping of "h's", even to the accompaniment of sweet +music, sooner or later becomes monotonous, and so, after awhile, I was +glad to leave the Pier for the attractions of the Upper Cliff. On my way +I passed a Palace of Pleasure or Varieties, or Something wherein a +twopenny wax-work show seemed at the moment to be one of its greatest +attractions. This show contained a Chamber of Horrors, a scene full of +quiet humour of Napoleon the Third Lying in State, and an old effigy of +George the Third. The collection included the waxen head of a +Nonconformist minister, who, according to the lecturer, had been "wery +good to the poor", preserved in a small deal-box. There was also the +"Key-Dyevie" of Egypt, General Gordon, and Mrs. Maybrick. Tearing myself +away from these miscellaneous memories of the past, I ascended to the +East Cliff, which had still the "apartments-furnished" look that was +wont to distinguish it of yore. There was no change there; and as I +walked through the town, which once, as a watering-place, was second +only in importance to Bath,--which a century ago had for its M.C. a +rival of Beau Nash,--I could not help thinking how astonished the ghosts +of the fine ladies and gentlemen who visited "Meregate" in 1789 must be, +if they are able to see their successors of to-day--"Good Old Chawlie +Cadd", and Miss Topsie Stuart Plantagenet, _nee_ Tompkins. + + * * * * * + +[Illustration: DEAL] + + * * * * * + +[Illustration: "NICE FOR THE VISITORS" + +(Sketch outside a fashionable hotel)] + + * * * * * + +[Illustration: _Boy_ (_to Brown, who is exceedingly proud of his +sporting appearance_). "Want a donkey, mister?"] + + * * * * * + +[Illustration: INCORRIGIBLE + +_Visitor._ "Well, my man, I expect it must have cost you a lot of money +to paint your nose that colour!" + +_Reprobate._ "Ah, an' if Oi cud affoord it, Oi'd have it _varnished_ +now!"] + + * * * * * + +[Illustration: "NO ACCOUNTING FOR TASTE" + +_Materfamilias_ (_just arrived at Shrimpville--the children had been +down a month before_). "Well, Jane, have you found it dull?" + +_Nurse._ "It was at fust, M'm. There was nothink to improve the mind, +M'm, till the niggers come down!!"] + + * * * * * + +[Illustration: BY THE SAD SEA WAVES + +"But, are you sure?" + +"Yus, lady. 'E's strong as an 'orse!" + +"But how am I to get on?" + +"Oh, _I'll lift yer_!"] + + * * * * * + +[Illustration: DELICATE ATTENTION + +_Confiding Spinster._ "I'm afraid the sea is too cold for me this +morning, Mr. Swabber." + +_Bathing Man._ "Cold, miss! Lor' bless yer, I just took and powered a +kittle o' bilin' water in to take the chill off when I see you a +comin'!"] + + * * * * * + +[Illustration: HOLIDAY PLEASURES + +_Injured Individual._ "Heigho! I _did_ think I should find some refuge +from the miseries of the seaside in the comforts of a bed! Just look +where my feet are, Maria!" + +_His Wife._ "_Well_, John! it's _only_ for a _month_, you know!"] + + * * * * * + +[Illustration: BLIGHTED HOPES + +_Extract of letter from Laura to Lillie_:--"I declare, dear, I never +gave the absurd creature the slightest encouragement. I did say, one +evening, I thought the little sandy coves about Wobbleswick were +charming, especially one. _The idea!_--of his thinking I was alluding to +him!"----&c., &c.] + + * * * * * + +[Illustration: SENSITIVE + +"I think I told you, in my letter of the first of October, of his absurd +interpretation of an innocent remark of mine about the sandy shores of +Wobbleswick. Well, would you believe it, dear! we were strolling on the +Esplanade, the other day, when he suddenly left Kate and me, and took +himself off in a tremendous huff because we said we liked walking _with +an object_!!" + + [_Extract from a later letter of Laura's to Lillie._ + +] + + * * * * * + +[Illustration: PREHISTORIC PEEPS + +"No bathing to-day!"] + + * * * * * + +[Illustration: PREHISTORIC PEEPS + +A Nocturne which would seem to show that "residential flats" were not +wholly unknown even in primeval times!] + + * * * * * + +[Illustration: _Blinks._ "The sun 'll be over the yard-arm in ten +minutes. _Then_ we'll have a drink!" + +_Jinks._ "I think I'll have one while I'm waiting!"] + + * * * * * + +[Illustration: TRIALS OF A CONVALESCENT + +_Tompkins_ (_in a feeble voice, for the fourth or fifth time, with no +result_). "Chairman!!! chairman!!!" + +_That Awful Boy._ "Lydies and gentlemen----!!"] + + * * * * * + +SEASIDE ASIDES + +(_Paterfamilias in North Cornwall_) + +[Illustration] + + Oh! how delightful now at last to come + Away from town--its dirt, its degradation, + Its never-ending whirl, its ceaseless hum. + (A long chalks better, though, than sheer stagnation.) + + For what could mortal man or maid want more + Than breezy downs to stroll on, rocks to climb up, + Weird labyrinthine caverns to explore? + (There's nothing else to do to fill the time up.) + + Your honest face here earns an honest brown, + You ramble on for miles 'mid gorse and heather, + Sheep hold athletic sports upon the down + (Which makes the mutton taste as tough as leather). + + The place is guiltless, too, of horrid piers. + And likewise is not Christy-Minstrel tooney; + No soul-distressing strains disturb your ears. + (A German band has just played "_Annie Rooney_".) + + The eggs as fresh as paint, the Cornish cream + The boys from school all say is "simply ripping." + The butter, so the girls declare, "a dream." + (The only baccy you can buy quite dripping.) + + A happiness of resting after strife, + Where one forgets all worldly pain and sorrow, + And one contentedly could pass one's life. + (A telegram will take _me_ home to-morrow.) + + * * * * * + +SCENE: MARGATE BEACH ON EASTER MONDAY.--_First Lady._ "Oh, here comes a +steamer. How high she is out of the water." + +_Second Lady._ "Yes, dear, but don't you see? It's because the tide's so +low." + + * * * * * + +[Illustration: AWKWARD + +_The aristocratic Jones_ (_rather ashamed of his loud acquaintance, +Brown_). "You must excuse me, but if there's one thing in the world I +particularly object to, it's to having anybody take my arm!" + +_Brown._ "All right, old fellow!--_you_ take _mine_!"] + + * * * * * + +THE SEASIDE VISITOR'S VADE MECUM. + +_Question._ Is it your intention to leave London at once to benefit by +the ocean breezes on the English coast? + +_Answer._ Certainly, with the bulk of my neighbours. + +_Q._ Then the metropolis will become empty? + +_A._ Practically, for only about three and a half millions out of the +four millions will be left behind. + +_Q._ What do you consider the remaining residuum? + +_A._ From a West End point of view a negligible quantity. + +_Q._ Do not some of the Eastenders visit the seaside? + +_A._ Yes, at an earlier period in the year, when they pay rather more +for their accommodation than their neighbours of the West. + +_Q._ How can this be, if it be assumed that the East is poorer than the +West? + +_A._ The length of the visit is governed by the weight of the purse. +Belgravia stays a couple of months at Eastbourne, while three days at +Margate is enough for Shoreditch. + +_Q._ Has a sojourn by the sea waves any disadvantages? + +_A._ Several. In the first instance, lodgings are frequently expensive +and uncomfortable. Then there is always a chance that the last lodgers +may have occupied their rooms as convalescents. Lastly, it is not +invariably the case that the climate agrees with himself and his family. + +_Q._ And what becomes of the house in town? + +_A._ If abandoned to a caretaker, the reception rooms may be used by her +own family as best chambers, and if let to strangers, the furniture may +be injured irretrievably. + +_Q._ But surely in the last case there would be the certainty of +pecuniary indemnity? + +_A._ Cherished relics cannot be restored by their commonplace value in +money. + +_Q._ Then, taking one thing with another, the benefit of a visit to the +seaside is questionable? + +_A._ Assuredly; and an expression of heartfelt delight at the +termination of the outing and the consequent return home is the +customary finish to the, styled by courtesy, holiday. + +_Q._ But has not the seaside visit a compensating advantage? + +_A._ The seaside visit has a compensating advantage of overwhelming +proportions, which completely swallows up and effaces all suggestions of +discomfort--it is the fashion. + + * * * * * + +[Illustration: PARIS? + +"Not if I know it! Give me a quiet month at the seaside, and leave me +alone, please!"] + + * * * * * + +[Illustration: CONVERSATIONAL PITFALLS + +_Irene._ "Do you remember Kitty Fowler?" + +_Her Friend._ "No, I don't." + +_Irene._ "Oh, you _must_ remember Kitty. She was the plainest girl in +Torquay. But I forgot--that was after you left!"] + + * * * * * + +[Illustration: _Visitor._ "Have you ever seen the sea-serpent?" + +_Boatman._ "No, sir. I'm a temperance man."] + + * * * * * + +[Illustration: SEPARATE INTERESTS + +_Husband._ "Hi! Maria! Take care of the paint!" + +_Painter._ "It don't matter, ma'am. It'll all 'ave to be painted +again!"] + + * * * * * + +[Illustration: CAUTION TO YOUNG LADIES WHO RIDE IN CRINOLINE ON DONKEYS] + + * * * * * + +[Illustration: MARGATE + +_Chatty Visitor._ "I like the place. I always come here. 'Worst of it +is, it's a little too dressy!"] + + * * * * * + +[Illustration: UNLUCKY COMPLIMENTS + +_Shy but Susceptible Youth._ "Er--_could_ you tell me who that young +lady is--sketching?" + +_Affable Stranger._ "She has the misfortune to be my wife!" + +_Shy but Susceptible One_ (_desperately anxious to please, and losing +all presence of mind_). "Oh--the misfortune's entirely _yours_, I'm +_sure_!"] + + * * * * * + +BRILLIANT SUGGESTION (_Overheard at the Seaside_).--_She._ "So much +nicer now that all the visitors have gone. Don't you think so?" + +_He._ "Yes, by Jove! So jolly nice and quiet! Often wonder that +_everybody_ doesn't come now when there's nobody here, don't you know!" + + * * * * * + +[Illustration: A NUISANCE. + +_Miss Priscilla._ "Yes; it's a beautiful view. But tourists are in the +habit of bathing on the opposite shore, and that's rather a drawback." + +_Fair Visitor._ "Dear me! but at such a distance as that--surely----" + +_Miss Priscilla._ "Ah, but with a _telescope_, you know!"] + + * * * * * + +THE SEASIDE PHOTOGRAPHER + +[Illustration] + + I do not mean the Kodak fiend, + Who takes snap-shots of ladies dipping, + And gloats o'er sundry views he's gleaned + Of amatory couples "tripping." + + No, not these playful amateurs + I sing of, but the serious artist, + Who spreads upon the beach his lures, + What time the season's at its smartest. + + His tongue is glib, his terms are cheap, + For ninepence while you wait he'll take you; + Posterity shall, marv'lling, keep + The "tin-type" masterpiece he'll make you. + + What though his camera be antique, + His dark-room just a nose-bag humble, + What if his tripod legs are weak, + And threaten constantly to tumble. + + No swain nor maiden can withstand + His invitation arch, insidious, + To pose _al fresco_ on the strand-- + His _clientele_ are not fastidious. + + "You are so lovely", says the wretch, + "Your picture will be quite entrancing!" + And to the lady in the sketch + I overheard him thus romancing. + + * * * * * + +[Illustration: THE RULING PASSION + +_Sir Talbot Howard Vere de Vere._ "Ah! Good morning, Mrs. Jones! +Dreadful accident just occurred. Poor young lady riding along the King's +Road--horse took fright--reared, and fell back upon her--dreadfully +injured, I'm sorry to say!" + +_Mrs. Woodbee Swellington Jones._ "_Quite_ too shocking, dear Sir +Talbot! Was she--er--a person of position?" + +_Sir Talbot Howard Vere de Vere._ "POSITION, by George!! Dooced +uncomfortable position, too, I should say!"] + + * * * * * + +[Illustration: FOR THE PUBLIC GOOD + +_Bertie._ "Gertie, do just go back to the beach and fetch me a baby +(you'll find a lot about), and I'll show you all the different ways of +saving it from drowning!"] + + * * * * * + +ANNALS OF A WATERING-PLACE THAT HAS "SEEN ITS DAY" + +[Illustration: TYNEMOUTH] + +The weather which, in Mr. Dunstable's varied experience of +five-and-twenty years, he assures me, has never been so bad, having at +length afforded some indications of "breaking", I make the acquaintance, +through Mrs. Cobbler, of Mr. Wisterwhistle, proprietor of the one +bath-chair available for the invalid of Torsington-on-Sea, who, like +myself, stands in need of the salubrious air of that health-giving +resort, but who is ordered by his medical adviser to secure it with the +least possible expenditure of physical strength. + +Both Mr. Wisterwhistle and his chair are peculiar in their respective +ways, and each has a decided history. Mr. Wisterwhistle, growing +confidential over his antecedents, says, "You see, sir, I wasn't brought +up to the bath-chair business, so to speak, for I began in the Royal +Navy, under His Majesty King William the Fourth. Then I took to the +coastguard business, and having put by a matter of thirty pound odd, and +hearing 'she' was in the market,"--Mr. Wisterwhistle always referred to +his bath-chair as 'she,' evidently regarding it from the nautical +stand-point as of the feminine gender,--"and knowing, saving your +presence, sir, that old Bloxer, of whom I bought her, had such a good +crop of cripples the last season or two, that he often touched +two-and-forty shillings a week with 'em, I dropped Her Majesty's +service, and took to this 'ere. But, Lor, sir, the business ain't wot it +wos. Things is changed woeful at Torsington since I took her up. Then +from 9 o'clock, as you might say, to 6 P.M., every hour was took up; +and, mind you, by real downright 'aristocracy,'--real live noblemen, +with gout on 'em, as thought nothink of a two hours' stretch, and didn't +'aggle, savin' your presence, over a extra sixpence for the job either +way. But, bless you, wot's it come to now? Why, she might as well lay up +in a dry dock arf the week, for wot's come of the downright genuine +invalid, savin' your presence, blow'd if I knows. One can see, of +course, sir, in arf a jiffy, as you is touched in the legs with the +rheumatics, or summat like it; but besides you and a old gent on +crutches from Portland Buildings, there ain't no real invalid public +'ere at all, and one can't expect to make a livin' out of you two; for +if you mean to do the thing ever so 'ansome, it ain't reasonable to +expect you and the old gent I was a referring to, to stand seven hours a +day goin' up and down the Esplanade between you, and you see even that +at a bob an hour ain't no great shakes when you come to pay for 'ousing +her and keepin' her lookin' spic and span, with all her brass knobs a +shining and her leather apron fresh polished with patent carriage +blackin': and Lor, sir, you'd not b'lieve me if I was to tell you what a +deal of show some parties expects for their one bob an hour. Why, it was +only the other day that Lady Glumpley (a old party with a front of black +curls and yaller bows in her bonnet, as I dare say you've noticed me a +haulin' up and down the Parade when the band's a playin'), says to me, +says she, 'It ain't so much the easygoin' of your chair, Mr. +Wisterwhistle, as makes me patronise it, as its general genteel +appearance. For there's many a chair at Brighton that can't hold a +candle to it!'" But at this point he was interrupted by the appearance +of a dense crowd that half filled the street, and drew up in silent +expectation opposite my front door. Dear me, I had quite forgotten I had +sent for him. But the boy who cleans the boots and knives has returned, +and brought with him _the One Policeman_! + +[Illustration: INDIAMAN GOING INTO PORT] + + * * * * * + +QUERY AT SOME FASHIONABLE SEASIDE RESORT.--Do the unpleasant odours +noticeable at certain times arise from the fact of the tide being high? +If so, is the tide sometimes higher than usual, as the--ahem!--odours +certainly are? + + * * * * * + +[Illustration: PERIL! + +_Gruff Voice_ (_behind her--she thought she heard her own name_). "She's +a gettin' old, Bill, and she sartain'y ain't no beauty! But you and I'll +smarten her up! Give her a good tarrin' up to the waist, and a streak o' +paint, and they 'ont know her again when the folks come down a' +Whitsun'. Come along, and let's ketch 'old of her, and shove her into +the water fust of all!!" + +_Miss Isabella._ "Oh! the horrid wretches! No policeman in sight! +Nothing for it but flight!" + + [Is off like a bird! + +] + + * * * * * + +[Illustration: PREHISTORIC PEEPS + +There were even then quiet spots by the sea where one could be alone +with Nature undisturbed] + + * * * * * + +[Illustration: A SENSE OF PROPERTY + +_Botanical Old Gent_ (_in the Brighton Gardens_). "Can you tell me, my +good man, if this plant belongs to the 'Arbutus' family?" + +_Gardener_ (_curtly_). "No, sir, it doan't. It b'longs to the +Corporation!"] + + * * * * * + +[Illustration: THE MINOR ILLS OF LIFE + +Portrait of a gentleman attempting to regain his tent after the morning +bath] + + * * * * * + +[Illustration: MERMAIDS' TOILETS IN '67 + +_Blanche._ "I say, some of you, call after aunty! She has taken my +_chignon_, and left me her horrid black one!"] + + * * * * * + +[Illustration: LOW TIDE ON SCARBOROUGH SANDS--BATHING UNDER DIFFICULTIES + +The captain, who is well up in his classics, translates, for his Fanny's +benefit, a celebrated Latin poem (by one Lucretius) to the effect that +it is sweet to gaze from the cliff at the bathing machines vainly +struggling to take the unfortunate bathers into deep water.] + + * * * * * + +[Illustration: SEASIDE PUZZLE + +To find your bathing-machine if you've forgotten the number] + + * * * * * + +[Illustration: VENUS (ANNO DOMINI 1892) RISES FROM THE SEA!!] + + * * * * * + +SEASIDE DRAMA.--_Mrs. de Tomkyns_ (_sotto voce, to Mr. de T._). +"Ludovic, dear, there's Algernon playing with a strange child! _Do_ +prevent it!" + +_Mr. de T._ (_ditto, to Mrs. de T._). "How on earth am I to prevent it, +my love?" + +_Mrs. de T._ "Tell its parents Algernon is just recovering from scarlet +fever, or something!" + +_Mr. de T._ "But it isn't true!" + +_Mrs. de T._ "Oh, never mind! Tell them, all the same!" + +_Mr. de T._ (_aloud_). "Ahem! Sir, you'd better not let your little girl +play with my little boy. He's only just recovering from--er--_Scarlet +Fever_!" + +_Mr. and Mrs. Jenkins_ (_together_). "It's all right, sir!--_so's our +little gal!_" + + * * * * * + +[Illustration: MIXED BATHING + +_Fussy Landlady_ (_to new Lodger_). "Well, sir, if you'll only tell me +when you want a bath, _I'll see you have it_."] + + * * * * * + +BY THE SEASIDE + +(_A Gasp and a Growl from Paterfamilias Fogey_) + +[Illustration] + + In for it here, + Six weeks or more, + Once every year + (Yah, what a bore!) + Daughters and wife + Force me to bide + Mad to "see life" + By the seaside! + + Go out of town + What if we do? + Hither comes down + All the world too; + Vanity Fair, + Fashion and Pride, + Seeking fresh air + By the seaside. + + Drest up all hands-- + Raiment how dear!-- + Down on the sands, + Out on the Pier, + Pace to and fro, + See, as at Ryde, + Off how they show + By the seaside! + + Fops and fine girls, + Swarm, brisk as bees; + Ribbons and curls + Float on the breeze; + Females and males + Eye and are eyed; + Ogling prevails + By the seaside! + + Daughters may see + Some fun in that. + Wife, how can she, + Grown old and fat? + Scene I survey + But to deride, + Idle display + By the seaside. + + Views within reach, + Picturesque scenes, + Rocks on the beach, + Bathing machines, + Shingle and pools, + Left by the tide, + Youth, far from schools, + By the seaside. + + Artists may sketch, + Draw and design, + Pencil, or etch; + Not in my line. + Money, no end, + Whilst I am tied + Here, I must spend, + By the seaside! + + * * * * * + +[Illustration: _Snooks_ (_to new acquaintance_). "Tell yer what, look in +one evenin' and 'ave a bit of supper, if you don't mind 'avin it in the +kitchen. Yer see, we're plain people, and don't put on no side. Of +course, I know as a toff like you 'ud 'ave it in the _drawing-room_!"] + + * * * * * + +[Illustration: TORQUAY (TALKEY)] + + * * * * * + +[Illustration: HASTINGS] + + * * * * * + +[Illustration: GENTILITY IN GREENS + +_Mrs. Brown finds Sandymouth a very different place from what she +remembers it years ago._ + +_Greengrocer._ "Cabbage, mum!? We don't keep no second-class vegetables, +mum. You'll get it at the lower end o' the town!"] + + * * * * * + +SEASIDE VIEWS + +[Illustration: KINGSWEAR] + +_Tom Jones_ (_in love_). The most heavenly place I ever was in. The sun +is warmer, the sky bluer, the sea the calmest I ever knew. Joy sparkles +on every pebble; Art spreads its welcome arms through every spray of +seaweed. True happiness encircles me on every breeze, and Beauty is by +my side. + +_Old Jones._ Beastly slow. All sea and sky, and ugly round stones. You +can't bask in the sun because there is none--it's always raining--and +because the flints worry your back. Confound the children, scraping up +the wet sand and smelling seaweeds! It must be time for them to go to +bed or to lessons or something. Wherever you sit there is sure to be a +draught, and such heaps of old women you can't put your legs up on the +seat. Hang it all, there isn't a young girl in the place, let alone +pretty ones. + +[Illustration: O-SHUN SHELLS!] + +_Young Brown_ (_waiting for a Commission_). Awfully dull. Quite too +excessively detestable. Not a fellow to talk to, you know, who knows +anything about the Leger, or draw-poker, or modern education, you know. +Can't get introduced to Lady Tom Peeper. Nobody to do it. Wish my +moustache would curl. Pull it all day, you know, but it won't come. Lady +Tom smiled, on the Parade to-day. Got very red, but I shall smile too +to-morrow. A man must do something in this dreadful place. + +_Major Brown_ (_Heavies_). Not half bad kind of diggings. Quite in +clover. Found Lydia here--I mean Lady Tom Peeper. Horribly satirical +woman, though. Keeps one up to the mark. I shall have to read up to keep +pace with her. I shouldn't like to be chaffed by her. Better friend than +enemy. Poor Tom Peeper! he must have a bad time of it! Can't say "Bo" +to a gosling. And she knows it. That's why he never comes down here. +Coast clear. Fancy she's rather sweet on me. By Jove! we had a +forty-mile-an-hour-express flirtation before her marriage! Must take +care what I'm about now. Mustn't have a collision with Tom--good old +man, after all, if he is a fool. Take this note round, Charles, to the +same place. + +[Illustration: A CUTTER ON THE BEECH] + +_Mrs. Robinson_ (_Materfamilias_). Scarcely room to swing a cot, for +baby. Thank goodness, all the children are on the beach. I hope Mary Ann +won't let out to the other nurses that Totty had the scarlet fever. He's +quite well now, poor little man, and no one will be any the worse for +it. Horrid! of course. No, it is not a Colorado beetle, Robinson. They +infest the curtains; we did not bring them with us in our trunks. Do go +out and buy some insect-powder, instead of looking stupid behind that +nasty cigar. Oh, and get some soap and some tooth-powder, and order +baby's tonic, and Jane's iron--mind, sesqui-sulphate of iron (I suppose +I must find the prescription), and a box of--what's that stuff for sore +throats? And do hire a perambulator with a hood. And we have no dessert +for to-morrow--you know, or you ought to know, it's Sunday. Some fruit, +and what you like. Oh! and don't forget some biscuits for the dog. What +has become of Tiny? Tiny! Tiny! I know he did not go with the children. +I dare say he has eaten something horrid, and is dying under a chair. +Dear! dear! who would be mother of a family with such a careless, +thoughtless, quite too utterly selfish husband as you are. Of course you +never remembered to-day was my birthday. I ought never to have been +born. A bracelet or a pair of ear-rings--or, by the way, I saw a lovely +chatelaine on the Parade. You might find enough to give me one pleasure +since our wedding. + +_Robinson_ (_Paterfamilias_). I like the seaside, I do. When will it be +over? + + * * * * * + +[Illustration: A SANDY COVE] + + * * * * * + +[Illustration: A FRAGMENT + + Augustus knows a certain snug retreat-- + A little rocky cavern by the sea-- + Where, sheltered from the rain (and every eye), + He fondly hopes to breathe his tale of love + Into his artless Arabella's ear!...] + + * * * * * + +[Illustration: LONGING FOR A NEW SENSATION + +_Jack_ (_a naughty boy, who is always in disgrace, and most +deservedly_). "I say, Effie, do you know what I should like? I should +like to be accused of something I'd never done!"] + + * * * * * + +[Illustration: A LAMENT + +_Dowager._ "It's been the worst season I can remember, Sir James! All +the men seem to have got married, and none of the girls!"] + + * * * * * + +[Illustration: JOYS OF THE SEASIDE + +_Brown._ "What beastly weather! And the glass is going steadily down!" + +_Local Tradesman._ "Oh, that's nothing, sir. The glass has no effect +whatever on _our_ part of the coast!"] + + * * * * * + +THE BETTER THE DAY, THE BETTER THE TALK! + +[Illustration: BROAD-STARES] + +SCENE--_Any fashionable Watering-place where "Church Parade" is a +recognised institution._ + +TIME--_Sunday_, 1 P.M. _Enter_ Brown _and_ Mrs. Brown, _who take +chairs_. + +_Mrs. Brown._ Good gracious! Look another way! Those odious people, the +Stiggingses, are coming towards us! + +_Brown._ Why odious? I think the girls rather nice. + +_Mrs. B._ (_contemptuously_). Oh, _you_ would, because men are so easily +taken in! Nice, indeed! Why, here's Major Buttons. + +_B._ (_moving his head sharply to the right_). Don't see him! Can't +stand the fellow! I always avoid him at the Club! + +_Mrs. B._ Why? Soldiers are always such pleasant men. + +_B._ (_contemptuously_). Buttons a soldier! Years ago he was a +Lieutenant in a marching regiment, and now holds honorary rank in the +Volunteers! Soldier, indeed! Bless me! here's Mrs. Fitz-Flummery--mind +you don't cut her. + +_Mrs. B._ Yes, I shall; the woman is unsupportable. Did you ever see +_such_ a dress. And she has changed the colour of her hair--again! + +_B._ Whether she has or hasn't, she looks particularly pleasing. + +_Mrs. B._ (_drily_). You were always a little eccentric in your taste! +Why, surely there must be Mr. Pennyfather Robson. How smart he looks! +Where _can_ he have come from? + +_B._ The Bankruptcy Court! (_Drily._) You were never particularly famous +for discrimination. As I live, the Plantagenet Smiths! + + [_He bows with effusion._ + +_Mrs. B._ And the Stuart Joneses. (_She kisses her hand gushingly_). By +the way, dear, didn't you say that the Plantagenet Smiths were suspected +of murdering their uncle before they inherited his property? + +_B._ So it is reported, darling. And didn't you tell me, my own, that +the parents of Mr. Stuart Jones were convicts before they became +millionaires? + +_Mrs. B._ So I have heard, loved one. (_Starting up._) Come, Charley, we +must be off at once! The Goldharts! If they catch us, _she_ is sure to +ask me to visit some of her sick poor! + +_B._ And _he_ to beg me to subscribe to an orphanage or a hospital! +Here, take your prayer-book, or people won't know that we have come from +church! + + [_Exeunt hurriedly._ + + * * * * * + +[Illustration: ROW ME O!] + + * * * * * + +[Illustration: CURLEW] + + * * * * * + +AT SCARBOROUGH.--_Miss Araminta Dove._ Why do they call this the Spa? + +_Mr. Rhino-Ceros._ Oh! I believe the place was once devoted to boxing +exhibitions. + + [_Miss A.D. as wise as ever._ + + * * * * * + +[Illustration: "BY THE SAD SEA WAVES" + +_Landlady_ (_who has just presented her weekly bill_). "I 'ope, ma'am, +as you find the bracing hair agree with you, ma'am, and your good +gentleman, ma'am!" + +_Lady._ "Oh, yes, our appetites are wonderfully improved! For instance, +at home we only eat two loaves a day, and I find, from your account, +that we can manage eight!" + + [_Landlady feels uncomfortable._ + +] + + * * * * * + +[Illustration: RATHER DIFFICULT + +"Oh, I say, here comes that dismal bore, Bulkley! Let's pretend _we +don't see him_!"] + + * * * * * + +[Illustration: PESSIMISM + +_Artist_ (_irritated by the preliminaries of composition and the too +close proximity of an uninteresting native_). "I think you needn't wait +any longer. There's really nothing to look at just now." + +_Native._ "Ay, an' I doot there'll _never_ be muckle to look at there!"] + + * * * * * + +THE DONKEY-BOYS OF ENGLAND + +(_A Song for the Seaside_) + +[Illustration] + + The Donkey-Boys of England, how merrily they fly, + With pleasant chaff upon the tongue and cunning in the eye. + And oh! the donkeys in a mass how patiently they stand, + High on the heath of Hampstead, or down on Ramsgate's sand. + + The Donkey-Boys of England, how sternly they reprove + The brute that won't "come over", with an impressive shove; + And oh! the eel-like animals, how gracefully they swerve + From side to side, but won't advance to spoil true beauty's curve. + + The Donkey-Boys of England, how manfully they fight, + When a probable donkestrian comes suddenly in sight; + From nurse's arms the babies are clutch'd with fury wild, + And on a donkey carried off the mother sees her child. + + The Donkey-Boys of England, how sternly they defy + The pleadings of a parent's shriek, the infant's piercing cry; + As a four-year-old MAZEPPA is hurried from the spot, + Exposed to all the tortures of a donkey's fitful trot. + + The Donkey-Boys of England, how lustily they scream, + When they strive to keep together their donkeys in a team; + And the riders who are anxious to be class'd among genteels, + Have a crowd of ragged Donkey-boys "hallooing" at their heels. + + The Donkey-Boys of England, how well they comprehend + The animal to whom they act as master, guide, and friend; + The understanding that exists between them who'll dispute-- + Or that the larger share of it falls sometimes to the brute? + + * * * * * + +[Illustration: THE JETTY] + + * * * * * + +SEASIDE ACQUAINTANCES (SCENE--The Shady Side of Pall Mall).--_Snob._ My +Lord, you seem to forget me. Don't you recollect our meeting this summer +at Harrogate? + +_Swell._ My dear fellow, I do not forget it in the least. I recollect +vividly we swore eternal friendship at Harrogate, and should it be my +fate to meet you at Harrogate next year, I shall only be too happy to +swear it again. + + [_Lifts his chapeau, and leaves Snob in a state of the most speechless + amazement._ + + * * * * * + +[Illustration: Portrait of a gentleman who sent his wife and family to +the seaside, followed by a later train, and left their address behind. + + [_Sketched after five hours' futile search for them._ + +] + + * * * * * + +[Illustration: A VOICE FROM THE SEA + +"O let me kiss him for his mother!"] + + * * * * * + +REASONS FOR GOING TO BRIGHTON + +(_By the Cynic who stays in London_) + +[Illustration: "HA! RICH!"] + +Because "everybody" is there, and it is consequently so pleasant to see +St. John's Wood, Bayswater, and even Belgravia, so well represented on +the Esplanade. + +Because the shops in the King's Road are _nearly_ as good as those to be +found in Regent Street. + +Because the sea does not _always_ look like the Thames at Greenwich in a +fog. + +Because some of the perambulating bands play very nearly in tune. + +Because the Drive from the Aquarium to the New Pier is quite a mile in +length, and only grows monotonous after the tenth turn. + +Because watching fish confined in tanks is such rollicking fun. + +Because the Hebrews are so numerously represented on the Green. + +Because the Clubs are so inexpensive and select. + +Because the management of the Grand is so very admirable. + +Because it is so pleasant to follow the Harriers on a hired hack in +company with other hired hacks. + +Because the half-deserted Skating Rinks are so very amusing. + +Because it is so nice to hear second-rate scandal about third-rate +people. + +Because the place is not always being visited by the scarlet fever. + +Because it is so cheerful to see the poor invalids taking their morning +airing in their bath-chairs. + +Because the streets are paraded by so many young gentlemen from the +City. + +Because the Brighton belles look so ladylike in their quiet Ulsters and +unpretending hats. + +Because the suburbs are so very cheerful in the winter, particularly +when it snows or rains. + +Because on every holiday the Railway Company brings down such a very +nice assortment of excursionists to fill the streets. + +Because Brighton in November is so very like Margate in July. + +Because, if you did not visit Brighton, you might so very easily go +farther and fare worse. + + * * * * * + +[Illustration: WESTON-SUPER-MARE] + + * * * * * + +[Illustration: SCENE--BY THE SAD SEA WAVES + +_Tomkins, disconsolate on a rock, traces some characters upon the sand._ +_To him, Mrs. Tomkins_ (_whose name is Martha_). + +_Mrs. T._ "Well, Mr. Tomkins, and pray who may Henrietta be?" + + [_Tomkins utters a yell of despair, and falls prostrate._ + +] + + * * * * * + +[Illustration: A VIKING ON MODERN FASHION + +"What does t'lass want wi' yon _boostle_ for? It aren't big enough to +_smoggle_ things, and she can't _steer_ herself wi' it!"] + + * * * * * + +THE TRIPPER + +(_By a Resident_) + + What does he come for? + What does he want? + Why does he wander thus + Careworn and gaunt? + Up street and down street with + Dull vacant stare, + Hither and thither, it + Don't matter where? + + What does he mean by it? + Why does he come + Hundreds of miles to prowl, + Weary and glum, + Blinking at Kosmos with + Lack-lustre eye? + He doesn't enjoy it, he + Don't even try! + + Sunny or soaking, it's + All one to him, + Wandering painfully-- + Curious whim! + Gazing at china-shops. + Gaping at sea, + Guzzling at beer-shops, or + Gorging at tea. + + Why don't he stay at home, + Save his train fare, + Soak at his native beer, + Sunday clothes wear? + No one would grudge it him, + No one would jeer. + Why does he come away? + Why is he here? + + * * * * * + +[Illustration: BLACKPOOL] + + * * * * * + +[Illustration: BRIGHTON] + + * * * * * + +[Illustration: MARGATE] + + * * * * * + +[Illustration: A SLIGHT MISUNDERSTANDING + +_Landlady._ "I hope you slept well, sir?" + +_New Boarder._ "No, I didn't. I've been troubled with insomnia." + +_Landlady._ "Look here, young man. I'll give you a sovereign for every +one you find in that bed!"] + + * * * * * + +[Illustration: TOUCHING APPEAL + +_Testy Old Gent._ (_wearied by the importunities of the Brighton +boatmen_). "Confound it, man! Do I _look_ as if I wanted a boat?"] + + * * * * * + +ROBERT AT THE SEASIDE + +I've bin spending my long Wacation of a fortnite at Northgate. + +Northgate's a nice quiet place, Northgate is, tho' it quite fails in +most things that constitoots reel injoyment at the seaside, such as +Bands and Niggers and Minstrels and all that. + +It's a grand place for weather, for it generally blows hard at +Northgate, and wen it doesn't blow hard it rains hard, which makes a +nice change, and a change is wot we all goes to the seaside for. + +It seems a werry favrite place for inwaleeds, for the place is full on +'em, Bath cheers is in great demand and all the seats on the Prade is +allus occypied by 'em. + +Dr. Scratchem too sends most of his favrite cases there, and you can't +walk on the Peer without facing lots on 'em. + +Brown says the place makes him as sollem as a Common Cryer, and he +hasn't had a good hearty larf since he came here, but then Brown isn't +quite sattisfied with his Lodgings, and has acshally recommended his +Land Lady to turn her house into the Norfolk Howard Hotel, _Unlimited_, +so perhaps she may account for his want of spirits. Northgate's rather a +rum place as regards the tide. Wen it's eye it comes all over the place +and makes such a jolly mess, and wen it's low it runs right out to sea +and you can't see it. Brown tried to persuade me as how as one werry eye +tide was a spring tide, but as it was in September I wasn't so green as +to beleeve that rubbish. + +It seems quite a pet place for Artists, I mean Sculpchers, at least I +s'pose they must be Sculpchers, and that they brings their Moddels with +'em, for the Bathing Machines is stuck close to the Peer, so dreckly +after breakfast the Moddels goes and bathes in the Sea, and the +Sculpchers goes on the Peer, and there's nothink to divert their +attention from their interesting studdys, and many on 'em passes ours +there quietly meditating among the Bathing Machines. + +Brown says, in his sarcastic way, it's the poor Sculpchers as comes +here, who can't afford to pay for their Moddels, so they comes here and +gets 'em free gratis for nothink. + +There's sum werry nice walks in the nayberhood but I never walks 'em, +for it seems to me that the grate joke of every Buysicler and Trysicler, +and the place swarms with 'em, is to cum quietly behind you and see how +close he can go by you without nocking you down. I'm sure the jumps +and the starts and the frites as I had the fust day or too kep my Art in +my mouth till I thort it would have choked me. + +How Ladys, reel Ladys too, can expose theirselves on such things I can't +make out. I herd a young Swell say that wot with them and what with the +Bathing Moddels it was as good as a Burlesk! + +We've got werry cumferrabel Lodgings, we have, just opposite the Gas +Works and near a Brick Field. When the wind is South or West we smells +the bricks and when its East we smells the Gas, but when its doo North +we don't smell nuffen excep just a trifle from the Dranes, and so long +as we keeps quite at the end of the werry long Peer we don't smell +nuffen at all excep the sea weed. + +Our Landlord's a werry respeckabel man and the Stoker on our little +Railway, and so werry fond of nussing our little children that they are +allus as black as young Sweeps. Their gratest treat is to go with him to +the Stashun and stand on the ingin when they are shuntin, so preshus +little they gits of the sea breezes. + +We've had a fust rate Company staying here. I've seen no less than 2 +Aldermen, and 1 Warden of a City Compny, but they didn't stay long. I +don't think the living was good enuff for 'em. It must be a werry trying +change, from every luxery that isn't in season, to meer beef and mutton +and shrimps! and those rayther course. + +I think our Boatmen is about the lazyest set of fellows as ever I seed. +So far from begging on you to have a soft Roe with the Tide, or a hard +Roe against it, they makes all sorts of egscewses for not taking you, +says they're just a going to dinner, or they thinks the wind's a +gitting up, or there ain't enough water! + +Not enuff water in the Sea to flote a Bote! wen any one could see as +there was thousands of galluns there. + +I saw some on 'em this mornin bringin in sum fish, and asked the price +of a pair of Souls, but they axshally said they didn't dare sell one, +for every man Jack of 'em must be sent to Billingsgate! but werry likely +sum on 'em might be sent back again in the arternoon, and then I could +get some at the Fishmonger's! + +What a nice derangemunt! + +There was the butiful fresh fish reddy for eating, there was me and my +family reddy to eat 'em, but no, they must be packed in boxes and +carried to the Station and then sent by Rale to London, and then sent by +Wan to Billingsgate, and that takes I'm told ever so many hours, and +then carried back to the London Stashun, and then sent by Rale to +Northgate, and then carried from the Stashun to the Fishmonger's, and +then I'm allowed to buy 'em! + +Well if that isn't a butiful business like arrangement, my Lord Mare, I +should like to know what is. + +However, as I wunce herd a Deputy say, when things cums to their wust, +things is sure to mend, and I don't think that things can be much wusser +than that. + + (_Signed_) ROBERT. + + * * * * * + +[Illustration: LIGHT PUFFS RAISED A LITTLE SWELL] + + * * * * * + +[Illustration: HEAVY SWELL ON THE BAR] + + * * * * * + +[Illustration: THE BELL BUOY] + + * * * * * + +THE SPIRIT OF THE THING.--_Landlady_ (_to shivering lodger_). No, sir, I +don't object to your dining at a restorong, nor to your taking an +'apenny paper, but I must resent your constant 'abit of locking up your +whiskey, thereby himplying that me, a clergyman's daughter, is prone to +larceny. + + [_Lodger immediately hands her the key as a guarantee of good faith._ + + * * * * * + +[Illustration: THE BORES OF THE BEACH + +So! as it's a fine day, you'll sit on the beach and read the paper +comfortably, will you? Very good! Then we recommend you to get what +guinea-pigs, brandy-balls, boats, and children's socks, to say nothing +of shell-workboxes, lace collars, and the like you may want, before you +settle down.] + + * * * * * + +[Illustration: "Excuse me, sir. I seem to have met you before. Are you +not a relative of Mr. Dan Briggs?" + +"No, madam. I _am_ Mr. Dan Briggs himself." + +"Ah, then that explains the remarkable resemblance!"] + + * * * * * + +[Illustration: ACCOMMODATING + +_Lodger._ "And then, there's that cold pheasant, Mrs. Bilkes"---- + +_Landlady._ "Yes'm, and if you should have enough without it, lor', Mr. +Bilkes wouldn't mind a eatin' of it for his supper, if that's all."] + + * * * * * + +[Illustration: _Mrs. Brown._ "Might I ask how much you gave that +nigger?" + +_Mr. Brown_ (_first day down_). "Sixpence." + +_Mrs. B._ "Oh, indeed! Perhaps, sir, you are not aware that your wife +and family have listened to those same niggers for the last ten days for +a _penny_!"] + + * * * * * + +[Illustration: PLEASURES OF THE SEASIDE + +_Mermaiden._ "I am told you keep a circulating library?" + +_Librarian._ "Yes, miss. _There_ it is! Subscription, two shillings +a-week; one volume at a time; change as often as you please! Would you +like to see a catalogue?"] + + * * * * * + +[Illustration: AN INFORMAL INTRODUCTION + +_Polite Little Girl_ (_suddenly_). "This is my mamma, sir. Will you +please sing her, 'It's the seasoning wot does it!'"] + + * * * * * + +[Illustration: OUT OF TOWN (UNFASHIONABLE INTELLIGENCE) + +_Visitor._ "What a roaring trade the hotels will be doing, with all +these holiday folk!" + +_Head waiter at The George._ "Lor bless yer, sir, no! They all bring +their nosebags with 'em!"] + + * * * * * + +[Illustration: SEASIDE STUDIES + +_Wandering Minstrel._ "Gurls! I'm a doocid fine cha-appie!" &c., &c.] + + * * * * * + +[Illustration: Wiggles and Sprott prefer bathing from the beach to +having a stuffy machine. They are much pleased with the delicate little +attention indicated above!] + + * * * * * + +[Illustration: A QUIET DRIVE BY THE SEA + +A Brighton bath-chairman's idea of a suitable route for an invalid lady] + + * * * * * + +A SEASIDE ROUNDEL + + On the sands as loitering I stand + Where my point of view the scene commands, + I survey the prospect fair and grand + On the sands. + + Niggers, half a dozen German bands, + Photographic touts, persistent, bland, + Chiromancers reading dirty hands, + + Nursemaids, children, preachers, skiffs that land + Trippers with cigars of fearful brands, + Donkeys--everything, in short, but sand-- + On the sands. + + * * * * * + +[Illustration: THE LETTER BUT NOT THE SPIRIT + +Old Mr. de Cramwell, being bilious and out of sorts, is ordered to go to +the sea, and take plenty of exercise in the open air. (He begins at +once.)] + + * * * * * + +COMMON OBJECTS OF THE SEASHORE. + +[Illustration: TAKING A ROW] + +The "disguised minstrel", believed by the public to be a peer of the +realm collecting coin for a charity, but who is in reality the +sentimental singer from a perambulating troop of nigger banjoists, +"working on his own." + +The preacher whose appreciation of the value of logic and the aspirate +is on a par. + +The intensely military young man whose occupation during eleven months +in the year is the keeping of ledgers in a small city office. + +The artist who guarantees a pleasing group of lovers for sixpence, frame +included. + +The band that consists of a cornet, a trombone, a clarionet, some bass, +and a big drum, which is quite as effective (thanks to the trombone) +when all the principals have deserted in search of coppers. + +And last (and commonest of all) the cockney who, after a week's +experience of the discomforts of the seaside, is weary of them, and +wants to go home. + + * * * * * + +A WINDY CORNER AT BRIGHTON + +(_By an Impressionist_) + + Old lady first, with hair like winter snows, + Makes moan. + And struggles. Then, with cheeks too richly rose, + A crone, + Gold hair, new teeth, white powder on her nose; + All bone + And skin; an "Ancient Mystery", like those + Of Hone. + Then comes a girl; sweet face that freshly glows! + Well grown. + The neat cloth gown her supple figure shows + Now thrown + In lines of beauty. Last, in graceless pose, + Half prone, + A luckless lout, caught by the blast, one knows + His tone + Means oaths; his hat, straight as fly crows, + Has flown. + I laugh at him, and----Hi! By Jove, there goes + My own! + + * * * * * + +ON THE SANDS + +(_A Sketch at Margate_) + + _Close under the Parade wall a large circle has been formed, + consisting chiefly of Women on chairs and camp-stools, with an + inner ring of small Children, who are all patiently awaiting the + arrival of a troupe of Niggers. At the head of one of the flights + of steps leading up to the Parade, a small and shrewish Child-nurse + is endeavouring to detect and recapture a pair of prodigal younger + Brothers, who have given her the slip._ + +_Sarah_ (_to herself_). Wherever can them two plegs have got to? +(_Aloud; drawing a bow at a venture._) Albert! 'Enery! Come up 'ere this +minnit. _I_ see yer! + +_'Enery_ (_under the steps--to Albert_). I say--d'ye think she +_do_?--'cos if---- + +_Albert._ Not she! Set tight. + + [_They sit tight._ + +_Sarah_ (_as before_). 'Enery! Albert! You've bin and 'alf killed little +Georgie between yer! + +_'Enery_ (_moved, to Albert_). Did you 'ear that, Bert? It wasn't _me_ +upset him--was it now? + +_Albert_ (_impenitent_). 'Oo cares? The Niggers'll be back direckly. + +_Sarah._ Al-bert! 'Enery! Your father's bin down 'ere once after you. +You'll _ketch_ it! + +_Albert_ (_sotto voce_). Not till father ketches _us_, we shan't. Keep +still, 'Enery--we're all right under 'ere! + +_Sarah_ (_more diplomatically_). 'Enery! Albert! Father's bin and left a +'ap'ny apiece for yer. Ain't yer comin' up for it? If yer don't want it, +why, stay where you are, that's all! + +_Albert_ (_to 'Enery_). I _knoo_ we 'adn't done nothin'. An' I'm goin' +up to git that 'ap'ny, I am. + +_'Enery._ So 'm I. + + [_They emerge, and ascend the steps--to be pounced upon immediately by + the ingenious Sarah._ + +_Sarah._ 'Ap'ny, indeed! You won't git no 'apence _'ere_, I can tell +yer--so jest you come along 'ome with me! + + [_Exeunt Albert and 'Enery, in captivity, as the Niggers enter the + circle._ + +_Bones._ We shall commence this afternoon by 'olding our Grand Annual +Weekly Singing Competition, for the Discouragement of Youthful Talent. +Now then, which is the little gal to step out first and git a medal? +(_The Children giggle, but remain seated._) Not one? Now I arsk +_you_--What _is_ the use o' me comin' 'ere throwin' away thousands and +thousands of pounds on golden medals, if you won't take the trouble to +stand up and sing for them? Oh, you'll make me so wild, I shall begin +spittin' 'alf-sovereigns directly--I _know_ I shall! (_A little Girl in +a sun-bonnet comes forward._) Ah, 'ere's a young lady who's bustin' with +melody, _I_ can see. Your name, my dear? Ladies and Gentlemen, I have +the pleasure to announce that Miss Connie Cockle will now appear. Don't +curtsey till the Orchestra gives the chord. (_Chord from the +harmonium--the Child advances, and curtsies with much aplomb._) Oh, lor! +call _that_ a curtsey--that's a _cramp_, that is! Do it all over again! +(_The Child obeys, disconcerted._) That's _worse_! I can see the s'rimps +blushin' for yer inside their paper bags! Now see Me do it. (_Bones +executes a caricature of a curtsey, which the little Girl copies with +terrible fidelity._) That's _ladylike_--that's genteel. Now sing _out_! +(_The Child sings the first verse of a popular music-hall song, in a +squeaky little voice._) Talk about nightingales! Come 'ere, and receive +the reward for extinguished incapacity. On your knees! (_The little Girl +kneels before him while a tin medal is fastened upon her frock._) Rise, +Sir Connie Cockle! Oh, you _lucky_ girl! + + [_The Child returns, swelling with triumph, to her companions, + several of whom come out, and go through the same performance, with + more or less squeakiness and self-possession._ + +_First Admiring Matron_ (_in audience_). I do like to see the children +kep' out o' mischief like this, instead o' goin' paddling and messing +about the sands! + +_Second Ad. Mat._ Just what _I_ say, my dear--they're amused and +edjucated 'ow to beyave at the same time! + +_First Politician_ (_with the "Standard"_). No, but look here--when +Gladstone was asked in the House whether he proposed to give the Dublin +Parliament the control of the police, what was his answer. Why.... + +_The Niggers_ (_striking up chorus_). "'Rum-tumty diddly-umty +doodah-dey! Rum-tumty-diddly-um was all that he could +say. And the Members and the Speaker joined together +in the lay. Of 'Rum-tumty-diddly-umty doodah-dey!'" + +_Second Pol._ (_with the "Star"_). Well, and what more would you have +_'ad_ him say? Come, now! + +_Alf_ (_who has had quite enough ale at dinner--to his fiancee_). These +Niggers ain't up to much Loo. Can't sing for _nuts_! + +_Chorley_ (_his friend, perfidiously_). You'd better go in and show 'em +how, old man. Me and Miss Serge'll stay and see you take the shine out +of 'em! + +_Alf._ P'raps you think I can't. But, if I was to go upon the 'Alls now, +I should make my fortune in no time! Loo's 'eard me when I've been in +form, and she'll tell you---- + +_Miss Serge._ Well, I will say there's +many a professional might learn a lesson from Alf--whether Mr. Perkins +believes it or not. + + [_Cuttingly, to "Chorley"._ + +_Chorley._ Now reelly, Miss Loo, don't come down on a feller like that. +I want to see him do you credit, that's all, and he couldn't 'ave a +better opportunity to distinguish himself--now _could_ he? + +_Miss Serge._ _I'm_ not preventing him. But I don't know--these Niggers +keep themselves very select, and they might object to it. + +_Alf._ I'll soon square _them_. You keep your eye on me, and I'll make +things a bit livelier! + + [_He enters the circle._ + +_Miss Serge_ (_admiringly_). He has got a cheek, I must say! Look at +him, dancing there along with those two Niggers--they don't hardly know +what to make of him yet! + +_Chorley._ Do you notice how they keep kicking him beyind on the sly +like? I wonder he puts up with it! + +_Miss S._ He'll be even with them presently--you see if he isn't. + + [_Alf attempts to twirl a tambourine on his finger, and lets it + fall; derision from audience; Bones pats him on the head and takes + the tambourine away--at which Alf only smiles feebly._ + +_Chorley._ It's a pity he gets so 'ot dancing, and he don't seem to keep +in step with the others. + +_Miss S._ (_secretly disappointed_). He isn't used to doing the +double-shuffle on sand, that's all. + +_The Conductor._ Bones, I observe we have a recent addition to our +company. Perhaps he'll favour us with a solo. (_Aside to Bones._) 'Oo +_is_ he? 'Oo let him in 'ere--_you_? + +_Bones._ _I_ dunno. I thought _you_ did. Ain't he stood nothing? + +_Conductor._ Not a brass farden! + +_Bones_ (_outraged_). All right, you leave him to me. (_To Alf._) Kin it +be? That necktie! them familiar coat-buttons! that paper-dicky! You +are--you _are_ my long-lost convick son, 'ome from Portland! Come to +these legs! (_He embraces Alf, and smothers him with kisses._) Oh, +you've been and rubbed off some of your cheek on my complexion--you +_dirty_ boy! (_He playfully "bashes" Alf's hat in._) Now show the +comp'ny how pretty you can sing. (_Alf attempts a music-hall ditty, in +which he, not unnaturally, breaks down._) It ain't my son's fault, +Ladies and Gentlemen, it's all this little gal in front here, lookin' at +him and makin' him shy! (_To a small Child, severely._) You oughter know +_worse_, you ought! (_Clumps of seaweed and paper-balls are thrown at +Alf who by this time is looking deplorably warm and foolish._) Oh, what +a popilar fav'rite he is, to be sure! + +_Chorley_ (_to Miss S._). Poor fellow, he ain't no match for those +Niggers--not like he is now! Hadn't I better go to the rescue, Miss Loo? + +_Miss S._ (_pettishly_). I'm sure I don't care _what_ you do. + + [_"Chorley" succeeds, after some persuasion, in removing the + unfortunate Alf._ + +_Alf_ (_rejoining his fiancee with a grimy face, a smashed hat, and a +pathetic attempt at a grin_). Well? I _done_ it, you see! + +_Miss S._ (_crushingly_). Yes, you _have_ done it! And the best thing +you can do now, is to go home and wash your face. _I_ don't care to be +seen about with a _laughing-stock_, I can assure you! I've had my +dignity lowered quite enough as it is! + +_Alf._ But look 'ere, my dear girl, I can't leave you here all by +yourself you know! + +_Miss S._ I dare say Mr. Perkins will take care of me. + + [_Mr. P. assents, with effusion._ + +_Alf_ (_watching them move away--with bitterness_). I wish all Niggers +were put down by Act of Parliament, I do! Downright noosances--that's +what _they_ are! + + * * * * * + +[Illustration: STOPPING AT A WATERING PLACE] + + * * * * * + +[Illustration: EAST-BORN] + + * * * * * + +[Illustration: WEST-BORN] + + * * * * * + +[Illustration] + + * * * * * + +[Illustration: TAKING IN SAIL] + + * * * * * + +DELAYS ARE DANGEROUS.--_Young Housekeeper._ "I'm afraid those soles I +bought of you yesterday were not fresh. My husband said they were not +nice at all!" + +_Brighton Fisherman._ "Well, marm, that be your fault--it bean't mine. +I've offered 'em yer every day this week, and you might a' 'ad 'em o' +Monday if you'd a loiked!" + + * * * * * + +AT MARGATE.--_Angelina_ (_very poetical, surveying the rolling ocean_). +"Water, water everywhere, and not a drop to drink." + +_Edwin_ (_very practical_). No drink! Now, hang it all, Angy, if I've +asked you once I've asked you three times within the last five minutes +to come and do a split soda and whiskey! And _I_ can do with it! + + * * * * * + +[Illustration: THE LAST DAY AT THE SEASIDE--PACKING UP + +_Maid_ (_to Paterfamilias_). "Please, sir, missus say you're to come in, +and sit on the boxes; because we can't get 'em to, and they wants to be +corded."] + + * * * * * + +[Illustration: _The General._ "And what are you going to be when you +grow up, young man?" + +_Bobbie._ "Well, I can't quite make up my mind. I don't know which would +be nicest--a soldier, like you, or a sailor, like Mr. Smithers."] + + * * * * * + +[Illustration: "THEM ARTISES!" + +_Lady Artist._ "Do you belong to that ship over there?" + +_Sailor._ "Yes, miss." + +_Lady Artist._ "Then would you mind loosening all those ropes? They are +much too tight, and, besides, I can't draw straight lines!"] + + * * * * * + +[Illustration: THE DISORDER OF THE BATH] + +How Belinda Brown appeared with "waves all over her hair" before taking +a bath in the sea--and + +How she looked after having some more "waves all over it."] + + * * * * * + +[Illustration: CAUTION TO BATHERS + +Don't let them jolt you up the beach till you are dressed. + +_Jones_ (_obliged to hold fast_). "Hullo! Hi! Somebody stop my boots!"] + + * * * * * + +[Illustration: A FIX + +_Separated husband._ "Fetch him out, sir!" + +_Proprietor of moke._ "Why, if I went near her, she'd lie down; she +always goes in just before high water; nothing'll fetch her out till the +tide turns!"] + + * * * * * + +THE HUSBANDS' BOAT, A MARGATE MELODY + + See! what craft Margate Harbour displays, + There are luggers and cutters and yawls, + They sail upon sunshiny days, + For land-sailors arn't partial to squalls. + There's Paterfamilias takes out the lot + Of the progeny he may own, + But the Saturday Evening boat has got + A freight that is hers alone. + By far the most precious of craft afloat, + Is the Saturday Evening "Husbands' Boat". + + There are husbands with luggage, and husbands with none, + There are husbands with parcels in hand, + They bring down to wives whom they lately have won, + Who pretty attentions command. + There are husbands who know whate'er time it may be + Their wives on the jetty will wait + For that Hymeneal argosy, + With its matrimonial freight. + Oh! the most precious of craft afloat + Is the Saturday Evening "Husbands' Boat". + + But the Monday Morning is "Monday black", + That when at school we knew, + For the husbands to business must all go back, + And the wives look monstrous blue; + So loud the bell rings, and the steamer starts + On her way to Thames Haven again, + And amid those who leave are as many sad hearts, + As there are amid those who remain. + Coming or going of craft afloat, + The most prized one is the "Husbands' Boat". + + * * * * * + +[Illustration: FINIS! + +(THE END OF THE SEASON.)] + + * * * * * + +[Illustration: FINIS] + + * * * * * + +BRADBURY, AGNEW & CO. LD., PRINTERS, LONDON AND TONBRIDGE. + + + + + +End of the Project Gutenberg EBook of Mr. Punch at the Seaside, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH AT THE SEASIDE *** + +***** This file should be named 37166.txt or 37166.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/7/1/6/37166/ + +Produced by Neville Allen, Chris Curnow and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
