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+The Project Gutenberg EBook of Res Judicatae, by Augustine Birrell
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Res Judicatae
+ Papers and Essays
+
+Author: Augustine Birrell
+
+Release Date: August 22, 2011 [EBook #37159]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK RES JUDICATAE ***
+
+
+
+
+Produced by Hunter Monroe, Suzanne Shell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+ RES JUDICATAE
+
+
+
+
+
+ _IN UNIFORM BINDING_
+
+
+ =ANDREW LANG=
+
+ Letters to Dead Authors $1 00
+
+
+ =AUGUSTINE BIRRELL=
+
+ Obiter Dicta--First Series 1 00
+ Obiter Dicta--Second Series 1 00
+ Res Judicatae 1 00
+
+
+ =W. E. HENLEY=
+
+ Views and Reviews--Literature 1 00
+
+
+
+ RES JUDICATAE
+
+ _PAPERS AND ESSAYS_
+
+ BY
+
+ AUGUSTINE BIRRELL AUTHOR OF 'OBITER DICTA,' ETC.
+
+
+
+ 'It need hardly be added that such sentences do not any more
+ than the records of the superior courts conclude as to matters
+ which may or may not have been controverted.'--_See_ BLACKHAM'S
+ _Case I. Salkeld 290_
+
+
+ NEW YORK CHARLES SCRIBNER'S SONS 1892
+
+ COPYRIGHT, 1892, BY
+
+ CHARLES SCRIBNER'S SONS.
+
+
+
+
+ PREFACE
+
+
+The first two essays in this volume were composed as lectures, and are
+now printed for the first time; the others have endured that indignity
+before. The papers on 'The Letters of Charles Lamb' and 'Authors in
+Court' originally appeared in _Macmillan's Magazine_; and the short
+essays entitled 'William Cowper' and 'George Borrow' in the _Reflector_,
+a lively sheet which owed its existence to and derived its inspiration
+from the energy and genius of the late Mr. J. K. Stephen, whose too
+early death has not only eclipsed the gaiety of many gatherings, but has
+robbed the country of the service of a noble and truth-loving man.
+
+The other papers appeared either in _Scribner's Magazine_ or in the
+columns of the _Speaker_ newspaper.
+
+Although, by the kindness of my present publishers, I have always been
+practically a 'protected article' in the States, I cannot help
+expressing my pleasure in finding myself in the enjoyment of the same
+modest rights as an author in the new home of my people as in the old.
+
+ A. B.
+
+ LINCOLN'S INN, LONDON.
+
+
+
+
+ CONTENTS
+ PAGE
+
+ I. SAMUEL RICHARDSON 1
+
+ II. EDWARD GIBBON 39
+
+ III. WILLIAM COWPER 84
+
+ IV. GEORGE BORROW 115
+
+ V. CARDINAL NEWMAN 140
+
+ VI. MATTHEW ARNOLD 181
+
+ VII. WILLIAM HAZLITT 224
+
+ VIII. THE LETTERS OF CHARLES LAMB 232
+
+ IX. AUTHORS IN COURT 253
+
+ X. NATIONALITY 274
+
+ XI. THE REFORMATION 284
+
+ XII. SAINTE-BEUVE 298
+
+
+
+
+
+ SAMUEL RICHARDSON
+
+ A LECTURE
+
+
+It is difficult to describe mankind either in a book or in a breath, and
+none but the most determined of philosophers or the most desperate of
+cynics have attempted to do so, either in one way or the other. Neither
+the philosophers nor the cynics can be said to have succeeded. The
+descriptions of the former are not recognisable and therefore as
+descriptions at all events, whatever may be their other merits, must be
+pronounced failures; whilst those of the cynics describe something which
+bears to ordinary human nature only the same sort of resemblance that
+chemically polluted waters bear to the stream as it flows higher up than
+the source of contamination, which in this case is the cynic himself.
+
+But though it is hard to describe mankind, it is easy to distinguish
+between people. You may do this in a great many different ways: for
+example, and to approach my subject, there are those who can read
+Richardson's novels, and those who cannot. The inevitable third-class
+passenger, no doubt, presents himself and clamours for a ticket: I mean
+the man or woman who has never tried. But even a lecturer should have
+courage, and I say boldly that I provide no accommodation for that
+person tonight. If he feels aggrieved, let him seek his
+remedy--elsewhere.
+
+ * * * * *
+
+Mr. Samuel Richardson, of Salisbury Court, Fleet Street, printer, was,
+if you have only an eye for the outside, a humdrum person enough.
+Witlings, writing about him in the magazines, have often, out of
+consideration for their pretty little styles, and in order to avoid the
+too frequent repetition of his highly respectable if unromantic name,
+found it convenient to dub him the 'little printer.'
+
+He undoubtedly was short of stature, and in later life, obese in figure,
+but had he stood seven feet high in his stockings, these people would
+never have called him the 'big printer.' Richardson has always been
+exposed to a strong under-current of ridicule. I have known people to
+smile at the mention of his name, as if he were a sort of
+man-milliner--or, did the thing exist, as some day it may do, a male
+nursery-governess. It is at first difficult to account for this strange
+colouring of the bubble reputation. Richardson's life, admirable as is
+Mrs. Barbauld's sketch, cannot be said to have been written--his
+letters, those I mean, he wrote in his own name, not the nineteen
+volumes he made his characters write, have not been reprinted for more
+than eighty years. He of all men might be suffered to live only in his
+works, and when we turn to those works, what do we find? _Pamela_ and
+_Clarissa_ are both terribly realistic; they contain passages of horror,
+and are in parts profoundly pathetic, whilst _Clarissa_ is desperately
+courageous. Fielding, with all his swagger and bounce, gold lace and
+strong language, has no more of the boldness than he has of the
+sublimity of the historian of Clarissa Harlowe. But these qualities
+avail poor Richardson nothing. The taint of afternoon tea still clings
+to him. The facts--the harmless, nay, I will say the attractive,
+facts--that he preferred the society of ladies to that of his own sex,
+and liked to be surrounded by these, surely not strange creatures, in
+his gardens and grottos, first at North End, Hammersmith, and afterwards
+at Parsons Green, are still remembered against him. Life is indeed full
+of pitfalls, if estimates of a man's genius are to be formed by the
+garden-parties he gave, and the tea he consumed a century and a quarter
+ago. The real truth I believe to be this: we are annoyed with Richardson
+because he violates a tradition. The proper place for an
+eighteenth-century novelist was either the pot or the sponging house. He
+ought to be either disguised in liquor or confined for debt. Richardson
+was never the one or the other. Let us see how this works: take Dr.
+Johnson; we all know how to describe him. He is our great moralist, the
+sturdy, the severe, the pious, the man who, as Carlyle puts it in his
+striking way, worshipped at St. Clement Danes in the era of Voltaire,
+or, as he again puts it, was our real primate, the true spiritual
+edifier and soul's teacher of all England? Well, here is one of his
+reminiscences: 'I remember writing to Richardson from a sponging-house
+and was so sure of my deliverance through his kindness and liberality,
+that before his reply was brought I knew I could afford to joke with the
+rascal who had me in custody, and did so over a pint of adulterated wine
+for which at that moment I had no money to pay.'
+
+Now, there we have the true, warm-hearted, literary tradition of the
+eighteenth century. It is very amusing, it is full of good feeling and
+fellowship, but the morality of the transaction from the great
+moralist's point of view is surely, like his linen, a trifle dingy. The
+soul's teacher of all England, laid by the heels in a sponging-house,
+and cracking jokes with a sheriff's officer over a pint of wine on the
+chance of another man paying for it, is a situation which calls for
+explanation. It is not my place to give it. It could, I think, easily be
+given. Dr. Johnson was, in my judgment, all Carlyle declared him to be,
+and to have been called upon to set him free was to be proudly
+privileged, and, after all, why make such a fuss about trifles? The
+debt and costs together only amounted to L5 18s., so that the six
+guineas Richardson promptly sent more than sufficed to get our 'real
+primate' out of prison, and to pay for the pint. All I feel concerned to
+say here is, that the praise of this anecdote belongs to the little
+printer, and not to the great lexicographer. The hero of the parable of
+the Good Samaritan is the Good Samaritan himself, and not the
+unfortunate, and therefore probably foolish, traveller who must need
+fall amongst thieves.
+
+But if you violate traditions, and disturb people's notions as to what
+it is becoming for you to be, to do, or to suffer, you have to pay for
+it. An eighteenth-century novelist who made a fortune first by honest
+labour and the practice of frugality, and wrote his novels afterwards;
+who was fond of the society of ladies, and a vegetarian in later life;
+who divided his time between his shop and his villa, and became in due
+course master of a city company, is not what we have a right to expect,
+and makes a figure which strongly contrasts with that of Richardson's
+great contemporary, the entirely manly Henry Fielding, whose very name
+rings in the true tradition; whilst as for his books, to take up _Tom
+Jones_ is like re-entering in middle life your old college rooms, where,
+so at least Mr. Lowell assures us,
+
+ 'You feel o'er you stealing
+ The old, familiar, warm, champagny, brandy-punchy feeling.'
+
+It may safely be said of Richardson that, after attaining to
+independence, he did more good every week of his life--for he was a wise
+and most charitable man--than Fielding was ever able to do throughout
+the whole of his; but this cannot alter the case or excuse a violated
+tradition.
+
+The position, therefore, of Richardson in our literature is that of a
+great Nonconformist. He was not manufactured according to any
+established process. If I may employ a metaphor borrowed from his own
+most honourable craft, he was set up in a new kind of type. He was born
+in 1689 in a Derbyshire village, the name of which, for some
+undiscovered reason, he would never tell. The son of poor parents--his
+father was a joiner--he had never any but a village school education,
+nor did he in later life worry much about learning, or seek, as so many
+printers have done, to acquire foreign tongues. At fourteen years of age
+he was bound apprentice to a printer in Aldersgate Street, and for seven
+years toiled after a fashion which would certainly nowadays be forbidden
+by Act of Parliament, were there the least likelihood of anybody either
+demanding or performing drudgery so severe. When out of his
+apprenticeship, he worked for eight years as a compositor, reader, and
+overseer, and then, marrying his late master's daughter, set up for
+himself, and slowly but steadily grew prosperous and respected. His
+first wife dying, he married again, the daughter of a bookseller of
+Bath. At the age of fifty he published his first novel, _Pamela_. John
+Bunyan's life was not more unlike an Archbishop of Canterbury's than was
+Richardson's unlike the life of an ordinary English novelist of his
+period.
+
+This simile to Nonconformity also holds good a little when we seek to
+ascertain the ambit of Richardson's popularity. To do this we must take
+wide views. We must not confine our attention to what may be called the
+high and dry school of literary orthodoxy. There, no doubt, Richardson
+has his admirers, just as Spurgeon's sermons have been seen peeping out
+from under a heap of archidiaconal, and even episcopal Charges, although
+the seat of Spurgeon's popularity is not in bishops' palaces, but in
+shop parlours. I do not mean by this that Richardson is now a popular
+novelist, for the fact, I suppose, is otherwise; but I mean that to take
+the measure of his popularity, you must look over the wide world and not
+merely at the clans and the cliques, the noble army of writers, and the
+ever lessening body of readers who together constitute what are called
+literary circles. Of Richardson's great fame on the Continent, it will
+be time enough to speak in a few minutes; for the moment I will stop at
+home. Mr. Leslie Stephen, who has been called to be editor of our first
+really great Dictionary of National Biography, and has in that capacity
+to sit like a coroner's jury upon every dead author, and to decide
+whether his exploits are to be squeezed into one miserable paragraph,
+or may be allowed proudly to expand over a page--he, I say, pronounces
+_Pamela_ to be neither moral nor amusing. Poor Pamela, who through two
+mortal volumes thinks of nothing but her virtue, and how to get married
+according to law! to be thus dismissed by her most recent, most
+distinguished editor! But, I repeat, we must take wide views. We must
+not be content with the verdict of the university; we must seek that of
+the kitchen: nor is the distance ever great between these institutions.
+Two months ago a cook in a family of my acquaintance, one Saturday
+evening, when like old Caspar 'her work was done,' suddenly bethought
+herself of _Pamela_, a book she had not read since girlhood. Rest was
+impossible--get it forthwith she must. The housemaid proffered her _The
+Heir of Redclyffe_, and the kitchen-maid, a somewhat oppressed damsel,
+timidly produced _Gates Ajar_. The cook was not to be trifled with after
+any such feeble fashion. The spell of _Pamela_ was upon her, and out she
+sallied, arrayed in her majesty, to gratify her soul's desire. Had she
+been a victim of what is called 'Higher Education of Women,' and
+therefore in the habit of frequenting orthodox bookshops, she would
+doubtless have found the quest at so late an hour as hopeless as that of
+the _Holy Grail_; but she was not that sort of person, and the shop she
+had in her mind, and whither she straightway bent her steps, was a small
+stationer's where are vended _Family Heralds_ and _Ballads_ and
+_Pamelas_; for the latter, in cheap sixpenny guise--and I hope complete,
+but for this I cannot vouch--is a book which is constantly reprinted for
+sale amongst the poor. The cook, having secured her prize, returned to
+her home in triumph, where a dinner worthy of the name was not to be had
+until Pamela's virtue was rewarded, which, as you doubtless remember, it
+only was when her master brings her a license and presses for a day. She
+desires it may be on a Thursday, and gives her reasons. He rallies her
+agreeably on that head. The Thursday following is fixed upon. She
+reflects seriously on the near prospect of her important change of
+condition, and is diffident of her own worthiness, and prays for
+humility that her new condition may not be a snare to her, and makes up
+her mind how to behave herself to the servants, she herself having been
+one.
+
+There are well-authenticated instances of the extraordinary power
+_Pamela_ possesses of affecting those who are not much in the habit of
+reading. There is a story of its being read aloud by a blacksmith round
+his anvil night after night, to a band of eager rustics, all dreadfully
+anxious good Mr. Richardson would only move on a little faster, and yet
+unwilling to miss a single one of poor Pamela's misadventures; and of
+their greeting by hearty rounds of British cheers, the happy issue out
+of her afflictions that awaits her, namely, her marriage with the cause
+of every one of them.
+
+There are living writers who have written some admirable novels, and I
+have known people to be glad when they were finished, but never to the
+pitch of three times three.
+
+I am not, of course, recommending anyone to read _Pamela_; to do so
+would be an impertinence. You have all done so, or tried to do so. 'I do
+not remember,' says Charles Lamb, 'a more whimsical surprise than
+having been once detected by a familiar damsel, reclining at my ease
+upon the grass on Primrose Hill, reading _Pamela_. There was nothing in
+the book to make a man seriously ashamed at the exposure; but as she
+seated herself down by me, and seemed determined to read in company, I
+could have wished it had been--any other book. We read on very socially
+for a few pages; and not finding the author much to her taste, she got
+up and went away. Gentle casuist, I leave it to thee to conjecture
+whether the blush (for there was one between us) was the property of the
+nymph or the swain in the dilemma. From me you shall never learn the
+secret.'[1]
+
+Miss Pamela Andrews was, to tell the truth, a vulgar young person. There
+is nothing heroic or romantic about her; she has not a touch or a trace
+of the moral sublimity of Jeannie Deans, who though of the same rank of
+life, belonged to another country and had had an entirely different
+up-bringing. What a reply was that of Jeannie's to the Rev. Mr.
+Staunton, George Robertson's father, when he, entirely misapprehending
+the purport of her famous journey, lets her perceive that he fancies she
+is plotting for her own marriage with his son. Says the father to the
+son: 'Perhaps you intend to fill up the cup of disobedience and
+profligacy by forming a low and disgraceful marriage; but let me bid you
+beware.' 'If you were feared for sic a thing happening with me, sir,'
+said Jeannie, 'I can only say that not for all the land that lies
+between the twa ends of the rainbow, wad I be the woman that should wed
+your son.' 'There is something very singular in all this,' said the
+elder Staunton; and so Pamela would have thought. She, honest girl that
+she was, was always ready to marry anybody's son, only she must have the
+marriage lines to keep in her desk and show to her dear parents.
+
+The book's origin ought not to be overlooked. Some London booksellers,
+knowing Mr. Richardson to be a grave man of decorous life, and with a
+talent for moralising, desired him to write a series of familiar letters
+on the behaviour of young women going out to service for the first
+time; they never intended a novel: they wanted a manual of conduct--that
+conduct which, according to a precise Arithmetician is three-fourths, or
+some other fraction, of human life. It was in this spirit that
+Richardson sat down to write _Pamela_ and make himself famous. He had a
+facile pen, and the book, as it grew under his hand, outstripped its
+design, but never lost sight of it. It was intended for Pamelas, and is
+_bourgeois_ to the very last degree. The language is simple, but its
+simplicity is not the noble, soul-stirring simplicity of Bunyan, nor is
+it the manly simplicity of Cobbett or Hugh Miller: it is the ignoble,
+and at times almost the odious, simplicity of a merely uncultured life.
+It abounds in vulgar phrases and vulgar thoughts; still, it reflects
+powerfully the scenes it portrays, and you feel as you read a fine
+affinity between the communicating medium, the language, and the thing
+communicated, the story. When people said, in the flush of their first
+enthusiasm, as they did say, that there were but two good books in the
+world, the _Bible_, and _Pamela_, this is what, perhaps unconsciously
+they were thinking of; otherwise they were talking nonsense. Pamela
+spoke a language still understood of many, and if she was not romantic
+or high-flown, there are others like her. We are always well pleased,
+and it is perhaps lucky for the majority of novelists that it should be
+so, to read about people who do not in the least resemble us; still,
+anyone who describes us as we are, 'strikes the electric chain wherewith
+we are darkly bound,' and makes humanity quiver right down the
+centuries. Pamela was a vulgar little thing, and saucy withal: her
+notions of honour and dishonour were neither lofty nor profound; but she
+had them and stuck to them in perilous paths along which the defenceless
+of her sex are too often called to tread; and when finally her virtue is
+rewarded, and she is driven off in a chariot drawn by the four
+long-tailed mares upon whom she had been cruelly twitted for setting her
+affections, I for one am quite prepared to join with the rustics round
+the blacksmith's anvil in loud cheers for Pamela.
+
+Ten years after _Pamela_ came _Clarissa_. It is not too much to say that
+not only Great Britain and Ireland, (the latter country not yet
+deprived of her liberties by the Act of Union, and therefore in a
+position to pirate popular authors, after the agreeable fashion of our
+American cousins,[2]) but also France, Germany, and Holland, simply
+gulped _Clarissa_ down; and she was in seven volumes. It was a kind of
+gospel, something good and something new. Its author was a stout
+tradesman of sixty, but he was not in the very least degree what is now
+called--perhaps to the point of nausea--a Philistine. By a Philistine I
+suppose we must understand someone who lives and moves and has his being
+in the realm of ordinary stock conventional ideas--a man who is as blind
+to the future as he is deaf to the past. For example, that Dr. Drummond,
+Archbishop of York, who just about this very time told the Rev. Mr.
+Conyers, one of his clergy, 'that he would be better employed preaching
+the morality of Socrates than canting about the New Birth,' was a
+Philistine--I doubt not a very amiable one, but, being a Philistine, he
+had no chance of recognising what this nascent methodism was, and as
+for dreaming what it might become--had he been capable of this--he would
+not have been a Philistine or, probably, Archbishop of York!
+
+Richardson on the other hand had his quiver full of new ideas; he had
+his face to the east; he was no mere inheritor, he was a progenitor. He
+is, in short, as has been often said, our Rousseau; his characters were
+not stock characters. Think of Fielding's characters, his Tom Joneses
+and Booths, his Amelias and Sophias. They are stage properties as old as
+the Plantagenets. They are quite unidea'd, if I may use a word which, as
+applied to girls, has the authority of Dr. Johnson. Fielding's men are
+either good fellows with large appetites, which they gratify openly, or
+sneaks with equally large appetites, which they gratify on the sly;
+whilst the characters of his women are made to hinge solely upon their
+willingness or unwillingness to turn a blind eye. If they are ready to
+do this, they are angels; Sophia comes upon the stage in a chapter
+headed 'A short hint of what we can do in the sublime, and a description
+of Miss Sophia Western.' Poor neglected Amelia, whenever she is
+forgiving her husband, is described as 'all one blaze of beauty;' but if
+they are not willing to play this _role_, why then they are unsexed and
+held up to the ridicule and reprobation of all good fellows and pretty
+women. This sort of thing was abhorrent to the soul of the little
+printer; he hated Fielding's boisterous drunkards with an entire hatred.
+I believe he would have hated them almost as much if Fielding had not
+been a rival of his fame. He said he was not able to read any more than
+the first volume of _Amelia_, and as for _Tom Jones_, in the year 1750,
+he was audacious enough to say that its run was over. Regarded merely as
+writers, there can, I suppose, be no real rivalry between Fielding and
+Richardson. The superiority of Fielding is apparent on every page. Wit,
+good-humour, a superb lusty style which carries you along like a pair of
+horses over a level moorland road, incidents, adventures, inns, and all
+the glory of motion, high spirits, huge appetites, pretty women--what a
+catalogue it makes of things no doubt smacking of this world and the
+kingdom thereof, but none the less delightful on that account! No
+wonder _Tom Jones_ is still running; where, I should like to know, is
+the man bold enough to stop him. But for all this, Richardson was the
+more remarkable and really interesting man of the two; and for the
+reason that he was the evangel of the new sentimentalism, that word
+which so puzzled one of his most charming correspondents that she wrote
+to ask him what it meant--this new word sentimental which was just
+beginning to be in everybody's mouth. We have heard a good deal of it
+since.
+
+_Clarissa Harlowe_ has a place not merely amongst English novels, but
+amongst English women.
+
+It was a new thing for a woman to be described as being not only in
+herself but by herself commendable and altogether lovely, as triumphing
+in her own right over the cruelest dishonour, and rejecting, with a
+noble scorn new to literature, the hand in marriage of the villain who
+had done her wrong. The book opened the flood-gates of human tears. The
+waters covered the earth. We cannot weep as they used to do in 'the
+brave days of old.'
+
+Listen to the wife of a Lancashire baronet: 'I verily believe I have
+shed a pint of tears, my heart is still bursting though they cease not
+to flow at this moment, nor will I fear for some time.... Had you seen
+me I surely should have moved your pity. When alone in agonies would I
+lay down the book, take it up again, walk about the room, let fall a
+flood of tears, wipe my eyes, read again, perhaps not three lines, throw
+away the book, crying out: "Excuse me, good Mr. Richardson, I cannot go
+on, it is your fault, you have done more than I can bear;" threw myself
+upon my couch to compose; again I read, again I acted the same part,
+sometimes agreeably interrupted by my dear man, who was at that time
+labouring through the sixth volume with a heart capable of impressions
+equal to my own--tho' the effects shown in a more justifiable
+manner--which I believe may be compared to what Mr. Belfort felt when he
+found the beauteous sufferer in her prison-room. Something rose in my
+throat, I knew not what, which made me guggle as it were for speech.'
+
+Nor did the men escape; a most grave and learned man writes:
+
+'That _Pamela_ and _Clarissa_ have again "obtained the _honour_ of my
+perusal," do you say, my dear Mr. Richardson. I assure you I think it an
+_honour_ to be able to say I have read, and as long as I have eyes will
+read, all your three most excellent _pieces_ at least once a year, that
+I am capable of doing it with increasing pleasure which is perpetually
+doubled by the reflection, that this good man, this charming author, is
+_my friend_. I have been this day weeping over the seventh volume of
+_Clarissa_ as if I had attended her dying bed and assisted at her
+funeral procession. Oh may my latter end be like hers!'
+
+It is no wonder the author of _Clarissa_ had soon a great correspondence
+with ladies, married and single, young and old, virtuous and the
+reverse. Had he not written seven volumes, all about a girl? had he not
+made her beautiful, wise and witty and learned withal? had he not
+depicted with extraordinary skill the character of the fascinating--the
+hitherto resistless Lovelace, who, though accomplishing Clarissa's ruin
+does thereby but establish her triumph and confound himself? It is no
+doubt unhappily the case that far too many of Richardson's fair
+correspondents lacked the splendid courage of their master, and to his
+infinite annoyance fell in love with his arch-scamp, and prayed his
+creator that Lovelace might first be led to see the error of his ways,
+and then to the altar with the divine Clarissa. But the heroic printer
+was adamant to their cries, and he was right if ever man was. As well
+might _King Lear_ end happily as _Clarissa Harlowe_.
+
+The seven volumes caused immense talk and discussion, and it was all
+Clarissa, Clarissa, Clarissa. Sophia Western was, as we have seen, a
+comely girl enough, but she was as much like Clarissa as a ship in dock
+is like a ship at sea and on fire. What can you find to say of her or to
+her?[3] When you have dug Tom Jones in the ribs, and called him a lucky
+dog, and wished her happy, you turn away with a yawn; but Clarissa is
+immense. Do you remember Thackeray's account in the _Roundabout Papers_
+of Macaulay's rhapsody in the Athenaeum Club? 'I spoke to him once about
+_Clarissa_. "Not read _Clarissa_?" he cried out. "If you have once
+thoroughly entered on _Clarissa_ and are infected by it, you can't leave
+off. When I was in India I passed one hot season at the hills, and there
+were the governor-general, the secretary of government, the
+commander-in-chief and their wives. I had _Clarissa_ with me, and as
+soon as they began to read the whole station was in a passion of
+excitement about Miss Harlowe and her misfortunes, and her scoundrelly
+Lovelace. The governor's wife seized the book, and the secretary waited
+for it, and the chief justice could not read it for tears." He acted the
+whole scene, he paced up and down the Athenaeum Library. I dare say he
+could have spoken pages of the book, of that book, and of what countless
+piles of others.'
+
+I must be permitted to observe that lawyers have been great
+Richardsonians. The Rev. Mr. Loftus, writing to our author from Ireland,
+says: 'I will tell you a story about your sweet girl Pamela. Our late
+lord chancellor,[4] who was a man more remarkable for the goodness of
+his heart than even for the abilities of his head, which were of the
+most exalted kind, was so struck with her history that he sat up reading
+it the whole night, although it was then the middle of term, and
+declared to his family he could not find it in his heart to quit his
+book, nor imagined it to be so late by many hours.'
+
+The eminent Sergeant Hill, though averse to literature, used to set
+Clarissa's will before his pupils, and bid them determine how many of
+its uses and trusts could be supported in court. I am sorry to have to
+add that in the learned sergeant's opinion, poor Clarissa, in addition
+to all her other misfortunes, died intestate.
+
+All this commotion and excitement and Clarissa-worship meant that
+something was brewing, and that good Mr. Richardson, with his fat,
+round face flushed with the fire, had his ladle in the pan and was busy
+stirring it about. What is called the correspondence of Samuel
+Richardson, which was edited by that admirable woman, Mrs. Barbauld, and
+published in six volumes in 1804, is mostly made up, not of letters
+from, but to, the author of _Clarissa_. All the more effectually on that
+account does it let us into the manufactory of his mind. The letters a
+man receives are perhaps more significant of his real character than
+those he writes. People did not write to Mr. Richardson about themselves
+or about their business, or about literature, unless it were to say they
+did not like _Tom Jones_, or about politics, or other sports, but they
+wrote to him about himself and his ideas, his good woman, Clarissa, his
+good man, Sir Charles, and the true relation between the sexes. They are
+immense fun, these letters, but they ought also to be taken seriously;
+Mr. Richardson took them as seriously as he always took himself. There
+was, perhaps, only one subject Richardson regarded as of equal
+importance with himself, and that was the position of woman. This is
+why he hated Fielding, the triumphant, orthodox Fielding, to whom man
+was a rollicking sinner, and woman a loving slave. He pondered on this
+subject, until the anger within him imparts to his style a virility and
+piquancy not usually belonging to it. The satire in the following
+extract from a letter he wrote to the good lady who shed a pint of tears
+over _Clarissa_, is pungent: 'Man is an animal that must bustle in the
+world, go abroad, converse, fight battles, encounter other dangers of
+seas, winds, and I know not what, in order to protect, provide for,
+maintain in ease and plenty, women. Bravery, anger, fierceness are made
+familiar to them. They buffet and are buffeted by the world; are
+impatient and uncontrollable; they talk of honour, run their heads
+against stone walls to make good their pretensions to it, and often
+quarrel with one another and fight duels upon any other silly thing that
+happens to raise their choler--their shadows if you please; while women
+are meek, passive, good creatures, who used to stay at home, set their
+maids at work, and formerly themselves, get their houses in order to
+receive, comfort, oblige, give joy to their fierce, fighting, bustling,
+active protectors, providers, maintainers, divert him with pretty pug's
+tricks, tell him soft tales of love, and of who and who's together, what
+has been done in his absence, bring to him little master, so like his
+own dear papa, and little pretty miss, a soft, sweet, smiling soul, with
+her sampler in her hand, so like what her meek mamma was at her years.'
+
+You cannot, indeed, lay hold of many specific things which Richardson
+advocated. Ignorant of the classics himself, he was by no means disposed
+to advocate the teaching of them to women. Clarissa, indeed, knew Latin,
+but Harriet Byron did not. The second Mrs. Richardson was just a little
+bit too much for her husband, and he was consequently led to hold what
+may be called 'high doctrine' as to the duty of wives obeying their
+husbands. Though never was man less of a revolutionary than Richardson,
+still he was on the side of the revolution. He had an ethical system
+different from that which stood beside him. This did not escape the
+notice of a keen-witted contemporary, the great Smollett, whose own
+Roderick Randoms and Peregrine Pickles are such unmitigated,
+high-coloured ruffians as to induce Sir Walter Scott to call him the
+Rubens of fiction, but who none the less had an eye for the future; he
+in his history speaks in terms of high admiration of the sublime code of
+ethics of the author of _Clarissa_. Richardson was fierce against
+duelling, and also against corporal punishment. He had the courage to
+deplore the evil effects produced by the works of Homer, 'that fierce,
+fighting _Iliad_,' as he called it. We may be sure his children were
+never allowed to play with tin soldiers, at least, not with their
+father's consent.
+
+Having written _Clarissa_ it became inevitable that Richardson should
+proceed further and write _Grandison_. In reading his correspondence we
+hail Sir Charles afar off. Richardson had deeply grieved to see how many
+of his ladies had fallen in love with the scoundrelly Lovelace. It
+wounded him to the quick, for he could not but feel that he was not in
+the least like Lovelace himself. He turns almost savagely upon some of
+his fair correspondents and upbraids them, telling them indeed plainly
+that he feared they were no better than they should be. They had but one
+answer: 'Ah, dear Mr. Richardson, in _Clarissa_ you have shown us the
+good woman we all would be. Now show us the good man we all should
+love.' And he set about doing so seriously, aye and humbly, too. He
+writes with a sad sincerity a hundred years cannot hide:
+
+'How shall a man obscurely situated, never in his life delighting in
+public entertainments, nor in his youth able to frequent them from
+narrowness of fortune; one of the most attentive of men to the calls of
+business--his situation for many years producing little but prospects of
+a numerous family--a business that seldom called him abroad when he
+might in the course of it see and know a little of the world, as some
+employments give opportunities to do--naturally shy and sheepish, and
+wanting more encouragement by smiles to draw him out than anybody
+thought it worth their while to give him--and blest (in this he will
+say blest) with a mind that set him above dependence, and making an
+absolute reliance on Providence and his own endeavours--how I say, shall
+such a man pretend to describe and enter into characters in upper life?'
+
+However, he set about it, and in 1754 produced _Sir Charles Grandison_,
+or as he had originally intended to call it, the _Good Man_, in six
+octavo volumes.
+
+I am not going to say he entirely succeeded with his good man, who I
+know has been called an odious prig. I have read _Sir Charles Grandison_
+once--I cannot promise ever to read it again, and yet who knows what may
+happen? Sir Walter Scott, in his delightful, good-humoured fashion,
+tells a tale of a venerable lady of his acquaintance, who, when she
+became subject to drowsy fits, chose to have _Sir Charles_ read to her
+as she sat in her elbow chair in preference to any other work; because,
+said she, 'should I drop asleep in the course of the reading, I am sure
+when I awake I shall have lost none of the story, but shall find the
+party where I left them, conversing in the cedar-parlour.'
+
+After _Sir Charles_, Richardson wrote no more. Indeed, there was nothing
+to write about, unless he had taken the advice of a morose clerical
+friend who wrote to him: 'I hope you intend to give us a bad
+woman--expensive, imperious, lewd, and, at last, a drammer. This is a
+fruitful and necessary subject which will strike and entertain to a
+miracle.' Mr. Richardson replied jocosely that if the Rev. Mr. Skelton
+would only sketch the she-devil for him, he would find room for her
+somewhere, and the subject dropped. The wife of the celebrated German
+poet, Klopstock, wrote to him in her broken English: 'Having finished
+your _Clarissa_ (oh, the heavenly book!) I would prayed you to write the
+history of a manly _Clarissa_, but I had not courage enough at that
+time. I should have it no more to-day, as this is only my first English
+letter; but I am now Klopstock's wife, and then I was only the single
+young girl. You have since written the manly _Clarissa_ without my
+prayer. Oh, you have done it to the great joy and thanks of all your
+happy readers! Now you can write no more. You must write the history of
+an Angel.'
+
+The poor lady died the following year under melancholy circumstances,
+but her prophecy proved true. Richardson wrote no more. He died in 1761,
+seventy-two years of age. His will, after directing numerous
+mourning-rings to be given to certain friends, proceeds as follows: 'Had
+I given rings to all the ladies who have honoured me with their
+correspondence, and whom I sincerely venerate for their amiable
+qualities, it would even in this last solemn act appear like
+ostentation.'
+
+It now only remains to say two or three words about Richardson's great
+popularity abroad. Until quite recently, he and Sterne may be said to
+have been the only popular English authors abroad; perhaps Goldsmith
+should be added to the party. Foreigners never felt any difficulty about
+him or about the tradition he violated. The celebrated author of _Manon
+Lescaut_ translated _Clarissa_ into French, though it was subsequently
+better done by a less famous hand. She was also turned into German and
+Dutch. Foreigners, of course, could not be expected to appreciate the
+hopeless absurdity of a man who lived at Parson's Green attempting to
+describe the upper classes. Horace Walpole when in Paris did his best to
+make this plain, but he failed. Say what he might, _Clarissa_ lay on the
+toilet tables of the French Princesses, and everybody was raving about
+her. Lady Mary Wortley Montagu was also very angry. 'Richardson,' says
+she, writing to the Countess of Bute, 'has no idea of the manners of
+high life. Such liberties as pass between Mr. Lovelace and his cousins
+are not to be excused by the relation. I should have been much
+astonished if Lord Denbigh should have offered to kiss me; and, I dare
+swear Lord Trentham never attempted such impertinence to you.' To the
+English reader these criticisms of Lady Mary's have immense value; but
+the French sentimentalist, with his continental insolence, did not care
+a sou what impertinences Lord Denbigh and Lord Trentham might or might
+not have attempted towards their female cousins. He simply read his
+_Clarissa_ and lifted up his voice and wept: and so, to do her justice,
+did Lady Mary herself. 'This Richardson,' she writes, 'is a strange
+fellow. I heartily despise him and eagerly read him, nay, sob over his
+works in a most scandalous manner.'
+
+The effect produced upon Rousseau by Richardson is historical. Without
+_Clarissa_ there would have been no _Nouvelle Heloise_, and had there
+been no _Nouvelle Heloise_ everyone of us would have been somewhat
+different from what we are.
+
+The elaborate eulogy of Diderot is well-known, and though extravagant in
+parts is full of true criticism. One sentence only I will quote: 'I have
+observed,' he says, 'that in a company where the works of Richardson
+were reading either privately or aloud the conversation at once became
+more interesting and animating.' This, surely, is a legitimate test to
+which to submit a novel. You sometimes hear people say of a book, 'Oh,
+it is not worth talking about! I was only reading it.'
+
+The great Napoleon was a true Richardsonian. Only once did he ever seem
+to take any interest in an Englishman. It was whilst he was first
+consul and when he was introduced to an officer called Lovelace, 'Why,'
+he exclaimed with emotion, 'that is the name of the man in _Clarissa_!'
+When our own great critic, Hazlitt, heard of this incident he fell in
+love with Napoleon on the spot, and subsequently wrote his life in
+numerous volumes.
+
+In Germany _Clarissa_ had a great sale, and those of you who are
+acquainted with German sentiment, will have no difficulty in tracing a
+good deal of it to its original fountain in Fleet Street.
+
+As a man, Richardson had perhaps only two faults. He was very nervous on
+the subject of his health and he was very vain. His first fault gave a
+great deal of trouble to his wives and families, his second afforded
+nobody anything but pleasure. The vanity of a distinguished man, if at
+the same time he happens to be a good man, is a quality so agreeable in
+its manifestations that to look for it and not to find it would be to
+miss a pleasure. When the French poet Boileau was invited to Versailles
+by Louis Quatorze, he was much annoyed by the vanity of that monarch.
+'Whenever,' said he, 'the conversation left the king's doings'--and, let
+us guess, just approached the poet's verses--'his majesty always had a
+yawning-fit, or suggested a walk on the terrace.' The fact is, it is not
+vanity, but contending vanities, that give pain.
+
+As for those of you who cannot read Richardson's nineteen volumes, it
+can only be said you are a large and intelligent class of persons. You
+number amongst you poets like Byron--for I presume Byron is still among
+the poets--and philosophers like d'Alembert, who, when asked whether
+Richardson was not right in imitating Nature, replied, 'Yes, but not to
+the point of ennui.' We must not bear you malice or blacken your private
+characters. On the other hand, you must not sneer at us or call us
+milksops. There is nothing to be proud of, I can assure you, in not
+being able to read _Clarissa Harlowe_, or to appreciate the genius which
+created Lovelace.
+
+A French critic, M. Scherer, has had the audacity to doubt whether
+_Tristram Shandy_ is much read in England, and it is commonly asserted
+in France that _Clarissa_ is too good for us. Tristram may be left to
+his sworn admirers who could at any moment take the field with all the
+pomp and circumstance of war, but with Clarissa it is different. Her
+bodyguard is small and often in need of recruits. This indeed is my
+apology for the trouble I have put you to.
+
+
+
+
+ EDWARD GIBBON
+
+ A LECTURE
+
+
+'It was at Rome, on the 15th of October, 1764, as I sat musing amidst
+the ruins of the Capitol, while the bare-footed fryars were singing
+vespers in the Temple of Jupiter that the idea of writing the Decline
+and Fall of the City first started to my mind.
+
+'It was on the day, or rather night, of the 27th of June, 1787, between
+the hours of eleven and twelve, that I wrote the last lines of the last
+page, in a summer-house in my garden. After laying down my pen I took
+several turns in a _berceau_, or covered walk of acacias, which commands
+a prospect of the country, the lake and the mountains. The air was
+temperate, the sky was serene, the silver orb of the moon was reflected
+from the waters and all nature was silent. I will not dissemble the
+first emotions of joy on recovery of my freedom and perhaps of the
+establishment of my fame. But my pride was soon humbled and a sober
+melancholy was spread over my mind by the idea that I had taken an
+everlasting leave of an old and agreeable companion, and that whatever
+might be the future date of my history, the life of the historian must
+be short and precarious.'
+
+Between these two passages lies the romance of Gibbon's life--a romance
+which must be looked for, not, indeed, in the volumes, whether the
+original quartos or the subsequent octavos, of his history--but in the
+elements which went to make that history what it is: the noble
+conception, the shaping intellect, the mastered learning, the stately
+diction and the daily toil.
+
+Mr. Bagehot has declared that the way to reverence Gibbon is not to read
+him at all, but to look at him, from outside, in the bookcase, and think
+how much there is within; what a course of events, what a muster-roll of
+names, what a steady solemn sound. All Mr. Bagehot's jokes have a kernel
+inside them. The supreme merit of Gibbon's history is not to be found in
+deep thoughts, or in wide views, or in profound knowledge of human
+nature, or prophetic vision. Seldom was there an historian less
+well-equipped with these fine things than he. Its glory is its
+architecture, its structure, its organism. There it is, it is worth
+looking at, for it is invulnerable, indispensable, immortal. The
+metaphors which have been showered upon it, prove how fond people have
+been of looking at it from outside. It has been called a Bridge, less
+obviously an Aqueduct, more prosaically a Road. We applaud the design
+and marvel at the execution.
+
+There is something mournful in this chorus of approbation in which it is
+not difficult to detect the notes of surprise. It tells a tale of
+infirmity both of life and purpose. A complete thing staggers us. We are
+accustomed to failure.
+
+ 'What act proves all its thought had been?'
+
+The will is weak, opportunities are barren, temper uncertain and life
+short.
+
+ 'I thought all labour, yet no less,
+ Bear up beneath their unsuccess;
+ Look at the end of work: contrast
+ The petty done--the undone vast.'
+
+
+It is Gibbon's triumph that he made his thoughts acts. He is not exactly
+what you call a pious writer, but he is provocative of at least one
+pious feeling. A sabbatical calm results from the contemplation of his
+labours. Succeeding scholars have read his history and pronounced it
+good. It is likewise finished. Hence this feeling of surprise.
+
+Gibbon's life has the simplicity of an epic. His work was to write his
+history. Nothing else was allowed to rob this idea of its majesty. It
+brooked no rival near its throne. It dominated his life, for though a
+man of pleasure, and, to speak plainly, a good bit of a coxcomb, he had
+always the cadences of the _Decline and Fall_ in his ears. It has been
+wittily said of him, that he came at last to believe that he was the
+Roman Empire, or, at all events, something equally majestic and
+imposing. His life had, indeed, its episodes, but so has an epic.
+Gibbon's episodes are interesting, abrupt, and always concluded. In his
+sixteenth year he, without the aid of a priest or the seductions of
+ritual, read himself into the Church of Rome, and was one fine June
+morning in 1753 baptized by a Jesuit father. By Christmas, 1754, he had
+read himself out again. Gibbon's conversion was perfectly genuine and
+should never be spoken of otherwise than respectfully, but it was
+entirely a matter of books and reading. 'Persons influence us,' cries
+Dr. Newman, 'voices melt us, looks subdue us, deeds inflame us. Many a
+man will live and die upon a dogma; no man will be a martyr for a
+conclusion.' It takes all sorts to make a world, and our plump historian
+was one of those whose actions are determined in libraries, whose lives
+are unswayed by personal influences, to whom conclusions may mean a
+great deal, but dogmas certainly nothing. Whether Gibbon on leaving off
+his Catholicism ever became a Protestant again, except in the sense that
+Bayle declared himself one, is doubtful. But all this makes an
+interesting episode. The second episode is his well-known love affair
+with Mademoiselle Curchod, afterwards Madame Neckar and the mother of
+that social portent, Madame de Stael. Gibbon, of course, behaved badly
+in this affair. He fell in love, made known his plight, obtained
+mademoiselle's consent, and then speeded home to tell his father.
+'Love,' said he, 'will make me eloquent.' The elder Gibbon would not
+hear of it: the younger tamely acquiesced. His very acquiescence, like
+all else about him, has become classical. 'I sighed as a lover, I obeyed
+as a son.' He proceeds: 'My wound was insensibly healed by time, absence
+and the habits of a new life.' It is shocking. Never, surely, was love
+so flouted before. Gibbon is charitably supposed by some persons to have
+regretted Paganism, but it was lucky for both him and for me that the
+gods had abandoned Olympus, since otherwise it would have required the
+pen of a Greek dramatist to depict the horrors that must have eventually
+overtaken him for so impious an outrage; as it was, he simply grew
+fatter every day. A very recent French biographer of Madame Neckar, who
+has published some letters of Gibbon's for the first time, evidently
+expects his readers to get very angry with this perfidious son of
+Albion. It is much too late to get angry. Of all the many wrongs women
+suffer at the hands of men, that of not marrying them, is the one they
+ought to find it easiest to forgive; they generally do forgive. Madame
+Neckar forgave, and if she, why not you and I? Years after she welcomed
+Gibbon to her house, and there he used to sit, fat and famous, tapping
+his snuff-box and arranging his ruffles, and watching with a smile of
+complacency the infantine, yet I doubt not, the pronounced gambols of
+the vivacious Corinne. After Neckar's fall, Gibbon writes to Madame:
+'Your husband's condition is always worthy of envy, he knows himself,
+his enemies respect him, Europe admires him, _you_ love him.' I decline
+to be angry with such a man.
+
+His long residence in Switzerland, an unusual thing in those days, makes
+a third episode, which, in so far as it led him to commence author in
+the French language, and to study Pascal as a master of style, was not
+without its effects on his history, but it never diverted him from his
+studies or changed their channels. Though he lived fifteen years in
+Lausanne, he never climbed a mountain or ever went to the foot of one,
+for though not wholly indifferent to Nature, he loved to see her framed
+in a window. He actually has the audacity, in a note to his fifty-ninth
+chapter, to sneer at St. Bernard because that true lover of nature on
+one occasion, either because his joy in the external world at times
+interfered with his devotions, or, as I think, because he was bored by
+the vulgar rhapsodies of his monkish companions, abstained from looking
+at the lake of Geneva. Gibbon's note is characteristic, 'To admire or
+despise St. Bernard as he ought, the reader should have before the
+windows of his library the beauty of that incomparable landscape.' St.
+Bernard was to Gibbon, as Wordsworth to Pope,
+
+ 'A forest seer,
+ A minstrel of the natural year,
+ A lover true who knew by heart
+ Each joy the mountain dales impart.'
+
+He was proud to confess that whatever knowledge he had of the scriptures
+he had acquired chiefly in the woods and the fields, and that beeches
+and oaks had been his best teachers of the Word of God. One cannot fancy
+Gibbon in a forest. But if Gibbon had not been fonder of the library
+than of the lake, though he might have known more than he did of 'moral
+evil and of good,' he would hardly have been the author he was.
+
+But the _Decline and Fall_ was threatened from a quarter more likely to
+prove dangerous than the 'incomparable landscape.' On September 10th,
+1774, Gibbon writes:
+
+'Yesterday morning about half-past seven, as I was destroying an army of
+barbarians, I heard a double rap at the door and my friend Mr. Eliot was
+soon introduced. After some idle conversation he told me that if I was
+desirous of being in parliament he had an _independent_ seat, very much
+at my service. This is a fine prospect opening upon me, and if next
+spring I should take my seat and publish my book--(he meant the first
+volume only)--it will be a very memorable era in my life. I am ignorant
+whether my borough will be Liskeard or St. Germains.'
+
+Mr. Eliot controlled four boroughs and it was Liskeard that became
+Gibbon's, and for ten years, though not always for Liskeard, he sat in
+parliament. Ten most eventful years they were too, both in our national
+and parliamentary history. This might have been not an episode, but a
+catastrophe. Mr. Eliot's untimely entrance might not merely have
+postponed the destruction of a horde of barbarians, but have destroyed
+the history itself. However Mr. Gibbon never opened his mouth in the
+House of Commons; 'I assisted,' says he, in his magnificent way, 'at,'
+(mark the preposition,) 'at the debates of a free assembly,' that is, he
+supported Lord North. He was not from the first content to be a mute; he
+prepared a speech and almost made up his mind to catch Sir Fletcher
+Norton's eye. The subject, no mean one, was to be the American war; but
+his courage oozed away, he did not rise in his place. A month after he
+writes from Boodle's: 'I am still a mute, it is more tremendous than I
+imagined; the great speakers fill me with despair, the bad ones with
+terror.' In 1779 his silent assistance was rewarded with a seat at the
+Board of Trade, and a salary of between seven and eight hundred a year.
+Readers of Burke's great speech on Economical Reform will remember the
+twenty minutes he devoted to this marvellous Board of Trade, with its
+perpetual virtual adjournment and unbroken sitting vacation. Such was
+Gibbon's passion for style that he listened to the speech with delight,
+and gives us the valuable assurance that it was spoken just as it reads,
+and that nobody enjoyed either hearing or reading it more than he did.
+What a blessing it is to have a good temper! But Gibbon's constituency
+did not approve of his becoming a minister's man, and he lost his seat
+at the general election of 1783. 'Mr. Eliot,' this is Gibbon's account
+of it, 'Mr. Eliot was now deeply engaged in the measures of opposition
+and the electors of Liskeard are commonly of the same opinion as Mr.
+Eliot.' Lord North found him another seat, and for a short time he sat
+in the new parliament for the important seaport of Lymington, but his
+office being abolished in 1784, he bade parliament and England farewell,
+and, taking his library with him, departed for Lausanne to conclude his
+history.
+
+Gibbon, after completing his history, entertained notions of writing
+other books, but, as a matter of fact, he had but one thing left him to
+do in order to discharge his duty to the universe. He had written a
+magnificent history of the Roman Empire. It remained to write the
+history of the historian. Accordingly we have the autobiography. These
+two immortal works act and react upon one another; the history sends us
+to the autobiography, and the autobiography returns us to the history.
+
+The style of the autobiography is better than that of the history. The
+awful word 'verbose' has been launched against certain pages of the
+history by a critic, formidable and friendly--the great Porson. There is
+not a superfluous word in the autobiography. The fact is, in this matter
+of style, Gibbon took a great deal more pains with himself than he did
+with the empire. He sent the history, except the first volume, straight
+to his printer from his first rough copy. He made six different sketches
+of the autobiography. It is a most studied performance, and may be
+boldly pronounced perfect. Not to know it almost by heart is to deny
+yourself a great and wholly innocent pleasure. Of the history it is
+permissible to say with Mr. Silas Wegg, 'I haven't been, not to say
+right slap through him very lately, having been otherwise employed, Mr.
+Boffin;' but the autobiography is no more than a good-sized pamphlet. It
+has had the reward of shortness. It is not only our best, but our best
+known autobiography. Almost its first sentence is about the style it is
+to be in: 'The style shall be simple and familiar, but style is the
+image of character, and the habits of correct writing may produce
+without labour or design the appearance of art and study.' There is
+nothing artless or unstudied about the autobiography, but is it not
+sometimes a relief to exchange the quips and cranks of some of our
+modern writers, whose humour it is to be as it were for ever slapping
+their readers in the face or grinning at them from unexpected corners,
+for the stately roll of the Gibbonian sentence? The style settled, he
+proceeds to say something about the pride of race, but the pride of
+letters soon conquers it, and as we glance down the page we see
+advancing to meet us, curling its head, as Shakespeare says of billows
+in a storm, the god-like sentence which makes it for ever certain, not
+indeed that there will never be a better novel than _Tom Jones_, for
+that I suppose is still just possible, but that no novel can ever
+receive so magnificent a compliment. The sentence is well known but
+irresistible.
+
+'Our immortal Fielding was of the younger branch of the Earls of Denbigh
+who draw their origin from the Counts of Hapsburg. Far different have
+been the fortunes of the English and German divisions of the family. The
+former, the knights and sheriffs of Leicestershire, have slowly risen to
+the dignity of a peerage, the latter, the Emperors of Germany and Kings
+of Spain, have threatened the liberty of the old and invaded the
+treasures of the new world. The successors of Charles the Fifth may
+disdain their brethren of England, but the romance of _Tom Jones_, that
+exquisite picture of human manners, will outlive the Palace of the
+Escurial, and the imperial eagle of the House of Austria.'
+
+Well might Thackeray exclaim in his lecture on Fielding, 'There can be
+no gainsaying the sentence of this great judge. To have your name
+mentioned by Gibbon is like having it written on the dome of St.
+Peter's. Pilgrims from all the world admire and behold it.'
+
+After all this preliminary magnificence Gibbon condescends to approach
+his own pedigree. There was not much to tell, and the little there was
+he did not know. A man of letters whose memory is respected by all
+lovers of old books and Elizabethan lyrics, Sir Egerton Brydges, was a
+cousin of Gibbon's, and as genealogies were this unfortunate man's
+consuming passion, he of course knew all that Gibbon ought to have known
+about the family, and speaks with a herald's contempt of the historian's
+perfunctory investigations. 'It is a very unaccountable thing,' says Sir
+Egerton, 'that Gibbon was so ignorant of the immediate branch of the
+family whence he sprang'; but the truth is that Gibbon was far prouder
+of his Palace of the Escurial, and his imperial eagle of the House of
+Austria, than of his family tree, which was indeed of the most ordinary
+hedge-row description. His grandfather was a South Sea director, and
+when the bubble burst he was compelled by act of parliament to disclose
+on oath his whole fortune. He returned it at L106,543 5s. 6d., exclusive
+of antecedent settlements. It was all confiscated, and then L10,000 was
+voted the poor man to begin again upon. Such bold oppression, says the
+grandson, can scarcely be shielded by the omnipotence of parliament. The
+old man did not keep his L10,000 in a napkin, and speedily began, as his
+grandson puts it, to erect on the ruins of the old, the edifice of a new
+fortune. The ruins must, I think, have been more spacious than the
+affidavit would suggest, for when only sixteen years afterwards, the
+elder Gibbon died he was found to be possessed of considerable property
+in Sussex, Hampshire, Buckinghamshire, and the New River Company, as
+well as of a spacious house with gardens and grounds at Putney. A
+fractional share of this inheritance secured to our historian the
+liberty of action so necessary for the accomplishment of his great
+design. Large fortunes have their uses. Mr. Milton, the scrivener, Mr.
+Gibbon, the South Sea director, and Dr. Darwin of Shrewsbury had
+respectively something to do with _Paradise Lost_, _The Decline and
+Fall_, and _The Origin of Species_.
+
+The most, indeed the only, interesting fact about the Gibbon _entourage_
+is that the greatest of English mystics, William Law, the inimitable
+author of _A Serious Call to a Devout and Holy Life, adapted to the
+State and Conditions of all Orders of Christians_, was long tutor to the
+historian's father, and in that capacity accompanied the future
+historian to Emanuel College, Cambridge, and was afterwards, and till
+the end of his days, spiritual director to Miss Hester Gibbon, the
+historian's eccentric maiden aunt.
+
+It is an unpleasing impertinence for anyone to assume that nobody save
+himself reads any particular book. I read with astonishment the other
+day that Sir Humphry Davy's _Consolations in Travel; or, The Closing
+Days of a Philosopher's Life_, was a curious and totally forgotten work.
+It is, however, always safe to say of a good book that it is not read
+as much as it ought to be, and of Law's _Serious Call_ you may add, 'or
+as much as it used to be.' It is a book with a strange and moving
+spiritual pedigree. Dr. Johnson, one remembers, took it up carelessly at
+Oxford, expecting to find it a dull book, 'as,' (the words are his, not
+mine,) 'such books generally are; but,' he proceeds, 'I found Law an
+overmatch for me, and this was the first occasion of my thinking in
+earnest.' George Whitfield writes, 'Soon after my coming up to the
+university, seeing a small edition of Mr. Law's _Serious Call_ in a
+friend's hand, I soon purchased it. God worked powerfully upon my soul
+by that excellent treatise.' The celebrated Thomas Scott, of Aston
+Sandford, with the confidence of his school, dates the beginning of his
+spiritual life from the hour when he 'carelessly,' as he says, 'took up
+Mr. Law's _Serious Call_, a book I had hitherto treated with contempt.'
+When we remember how Newman in his _Apologia_ speaks of Thomas Scott as
+the writer 'to whom, humanly speaking, I almost owe my soul,' we become
+lost amidst a mazy dance of strange, spectral influences which flit
+about the centuries and make us what we are. Splendid achievement though
+the _History of the Decline and Fall_ may be, glorious monument though
+it is, more lasting than brass, of learning and industry, yet in sundry
+moods it seems but a poor and barren thing by the side of a book which,
+like Law's _Serious Call_, has proved its power
+
+ 'To pierce the heart and tame the will.'
+
+But I must put the curb on my enthusiasm, or I shall find myself
+re-echoing the sentiment of a once celebrated divine who brought down
+Exeter Hall by proclaiming, at the top of his voice, that he would
+sooner be the author of _The Washerwoman on Salisbury Plain_ than of
+_Paradise Lost_.
+
+But Law's _Serious Call_, to do it only bare literary justice, is a
+great deal more like _Paradise Lost_ than _The Washerwoman on Salisbury
+Plain_, and deserves better treatment at the hands of religious people
+than to be reprinted, as it too often is, in a miserable, truncated,
+witless form which would never have succeeded in arresting the
+wandering attention of Johnson or in saving the soul of Thomas Scott.
+The motto of all books of original genius is:
+
+ 'Love me or leave me alone.'
+
+Gibbon read Law's _Serious Call_, but it left him where it found him.
+'Had not,' so he writes, 'Law's vigorous mind been clouded by
+enthusiasm, he might be ranked with the most agreeable and ingenious
+writers of his time.'
+
+Upon the death of Law in 1761, it is sad to have to state that Miss
+Hester Gibbon cast aside the severe rule of female dress which he had
+expounded in his _Serious Call_, and she had practised for sixty years
+of her life. She now appeared like Malvolio, resplendent in yellow
+stockings. Still, it was something to have kept the good lady's feet
+from straying into such evil garments for so long. Miss Gibbon had a
+comfortable estate; and our historian, as her nearest male relative,
+kept his eye upon the reversion. The fifteenth and sixteenth chapters
+had created a coolness, but he addressed her a letter in which he
+assured her that, allowing for differences of expression, he had the
+satisfaction of feeling that practically he and she thought alike on the
+great subject of religion. Whether she believed him or not I cannot say;
+but she left him her estate in Sussex. I must stop a moment to consider
+the hard and far different fate of Porson. Gibbon had taken occasion to
+refer to the seventh verse of the fifth chapter of the First Epistle of
+St. John as spurious. It has now disappeared from our Bibles, without
+leaving a trace even in the margin. So judicious a writer as Dean Alford
+long ago, in his Greek Testament, observed, 'There is not a shadow of a
+reason for supposing it genuine.' An archdeacon of Gibbon's period
+thought otherwise, and asserted the genuineness of the text, whereupon
+Porson wrote a book and proved it to be no portion of the inspired text.
+On this a female relative who had Porson down in her will for a
+comfortable annuity of L300, revoked that part of her testamentary
+disposition, and substituted a paltry bequest of L30: 'for,' said she,
+'I hear he has been writing against the Holy Scriptures.' As Porson only
+got L16 for writing the book, it certainly cost him dear. But the book
+remains a monument of his learning and wit. The last quarter of the
+annuity must long since have been paid.
+
+Gibbon, the only one of a family of five who managed to grow up at all,
+had no school life; for though a short time at Westminster, his feeble
+health prevented regularity of attendance. His father never won his
+respect, nor his mother (who died when he was ten) his affection. 'I am
+tempted,' he says, 'to enter my protest against the trite and lavish
+praise of the happiness of our boyish years which is echoed with so much
+affectation in the world. That happiness I have never known.' Upon which
+passage Ste. Beuve characteristically remarks 'that it is those who have
+been deprived of a mother's solicitude, of the down and flower of tender
+affection, of the vague yet penetrating charm of dawning impressions,
+who are most easily denuded of the sentiment of religion.'
+
+Gibbon was, however, born free of the 'fair brotherhood' Macaulay so
+exquisitely described in his famous poem, written after the Edinburgh
+election. Reading became his sole employment. He enjoyed all the
+advantages of the most irregular of educations, and in his fifteenth
+year arrived at Oxford, to use his celebrated words, though for that
+matter almost every word in the _Autobiography_ is celebrated, with a
+stock of erudition that might have puzzled a doctor, and a degree of
+ignorance of which a schoolboy would have been ashamed--for example, he
+did not know the Greek alphabet, nor is there any reason to suppose that
+he would have been taught it at Oxford.
+
+I do not propose to refer to what he says about his university. I hate
+giving pain, besides which there have been new statutes since 1752. In
+Gibbon's time there were no public examinations at all, and no
+class-lists--a Saturnian reign which I understand it is now sought to
+restore. Had Gibbon followed his father's example and gone to Cambridge,
+he would have found the Mathematical Tripos fairly started on its
+beneficent career, and might have taken as good a place in it as Dr.
+Dodd had just done, a divine who is still year after year referred to
+in the University Calendar as the author of _Thoughts in Prison_, the
+circumstance that the thinker was later on taken from prison, and hung
+by the neck until he was dead being no less wisely than kindly omitted
+from a publication, one of the objects of which is to inspire youth with
+confidence that the path of mathematics is the way to glory.
+
+On his profession of Catholicism, Gibbon, _ipso facto_ ceased to be a
+member of the university, and his father, with a sudden accession of
+good sense, packed off the young pervert, who at that time had a very
+big head and a very small body, and was just as full of controversial
+theology as he could hold, to a Protestant pastor's at Lausanne, where
+in an uncomfortable house, with an ill-supplied table and a scarcity of
+pocket-money, the ex-fellow-commoner of Magdalen was condemned to live
+from his sixteenth to his twenty-first year. His time was mainly spent
+in reading. Here he learnt Greek; here also he fell in love with
+Mademoiselle Curchod. In the spring of 1758 he came home. He was at
+first very shy, and went out but little, pursuing his studies even in
+lodgings in Bond Street. But he was shortly to be shaken out of his
+dumps, and made an Englishman and a soldier.
+
+If anything could provoke Gibbon's placid shade, it would be the light
+and airy way his military experiences are often spoken of, as if, like a
+modern volunteer, he had but attended an Easter Monday review. I do not
+believe the history of literature affords an equally striking example of
+self-sacrifice. He was the most sedentary of men. He hated exercise, and
+rarely took any. Once after spending some weeks in the summer at Lord
+Sheffield's country place, when about to go, his hat was missing.
+'When,' he was asked, 'did you last see it?' 'On my arrival,' he
+replied. 'I left it on the hall-table; I have had no occasion for it
+since.' Lord Sheffield's guests always knew that they would find Mr.
+Gibbon in the library, and meet him at the dinner-table. He abhorred a
+horse. His one vocation, and his only avocation, was reading, not lazy
+glancing and skipping, but downright savage reading--geography,
+chronology, and all the tougher sides of history. What glorious, what
+martial times, indeed, must those have been that made Mr. Gibbon leap
+into the saddle, desert his books, and for two mortal years and a half
+live in camps! He was two months at Blandford, three months at
+Cranbrook, six months at Dover, four months at Devizes, as many at
+Salisbury, and six more at Southampton, where the troops were disbanded.
+During all this time Captain Gibbon was energetically employed. He
+dictated the orders and exercised the battalion. It did him a world of
+good. What a pity Carlyle could not have been subjected to the same
+discipline! The cessation, too, of his habit of continued reading, gave
+him time for a little thinking, and when he returned to his father's
+house, in Hampshire, he had become fixed in his determination to write a
+history, though of what was still undecided.
+
+I am rather afraid to say it, for no two men could well be more unlike
+one another, but Gibbon always reminds me in an odd inverted way of
+Milton. I suppose it is because as the one is our grandest author, so
+the other is our most grandiose. Both are self-conscious and make no
+apology--Milton magnificently self-conscious, Gibbon splendidly so.
+Everyone knows the great passages in which Milton, in 1642, asked the
+readers of his pamphlet on the reason of Church government urged against
+prelacy, to go on trust with him for some years for his great unwritten
+poem, as 'being a work not to be raised from the heat of youth or the
+vapour of wine, like that which flows at waste from the pen of some
+vulgar amorist or the trencher fury of a rhyming parasite, nor to be
+obtained by the invocation of Dame Memory and her seven daughters, but
+by devout prayer to that Eternal Spirit who can enrich with all
+utterance and knowledge, and sends out His seraphim with the hallow'd
+fire of His Altar to touch and purify the lips of whom He pleases: to
+this must be added industrious and select reading, study, observation
+and insight into all seemly opinions, arts, and affairs.' Different men,
+different minds. There are things terrestrial as well as things
+celestial. Certainly Gibbon's _Autobiography_ contains no passages like
+those which are to be found in Milton's pamphlets; but for all that he,
+in his mundane way, consecrated himself for his self-imposed task, and
+spared no toil to equip himself for it. He, too, no less than Milton,
+had his high hope and his hard attempting. He tells us in his stateliest
+way how he first thought of one subject, and then another, and what
+progress he had made in his different schemes before he abandoned them,
+and what reasons induced him so to do. Providence watched over the
+future historian of the Roman Empire as surely as it did over the future
+author of _Paradise Lost_, as surely as it does over everyone who has it
+in him to do anything really great. Milton, we know, in early life was
+enamoured of King Arthur, and had it in his mind to make that blameless
+king the hero of his promised epic, but
+
+ 'What resounds
+ In fable or romance of Uther's son,
+ Begirt with British and Amoric knights,'
+
+can brook a moment's comparison with the baffled hero of _Paradise
+Lost_; so too, what a mercy that Gibbon did not fritter away his
+splendid energy, as he once contemplated doing, on Sir Walter Raleigh,
+or squander his talents on a history of Switzerland or even of Florence!
+
+After the disbanding of the militia Gibbon obtained his father's consent
+to spend the money it was originally proposed to lay out in buying him a
+seat in Parliament, upon foreign travel, and early in 1763 he reached
+Paris, where he abode three months. An accomplished scholar whose too
+early death all who knew him can never cease to deplore, Mr. Cotter
+Morison, whose sketch of Gibbon is, by general consent, admitted to be
+one of the most valuable books of a delightful series, does his best,
+with but partial success, to conceal his annoyance at Gibbon's stupidly
+placid enjoyment of Paris and French cookery. 'He does not seem to be
+aware,' says Mr. Morison, 'that he was witnessing one of the most
+singular social phases which have ever yet been presented in the history
+of man.' Mr. Morison does not, indeed, blame Gibbon for this, but
+having, as he had, the most intimate acquaintance with this period of
+French history, and knowing the tremendous issues involved in it, he
+could not but be chagrined to notice how Gibbon remained callous and
+impervious. And, indeed, when the Revolution came it took no one more by
+surprise than it did the man who had written the _Decline and Fall of
+the Roman Empire_. Writing, in 1792, to Lord Sheffield, Gibbon says,
+'Remember the proud fabric of the French monarchy: not four years ago it
+stood founded, and might it not seem on the rock of time, force, and
+opinion, supported by the triple authority of the Church, the Nobility,
+and the Parliament?' But the Revolution came for all that; and what,
+when it did come, did it teach Mr. Gibbon? 'Do not, I beseech you,
+tamper with Parliamentary representation. If you begin to improve the
+Constitution, you may be driven step by step from the disfranchisement
+of Old Sarum to the King in Newgate; the Lords voted useless, the
+bishops abolished, the House of Commons _sans culottes_.' The importance
+of shutting off the steam and sitting on the safety-valve was what the
+French Revolution taught Mr. Gibbon. Mr. Bagehot says: 'Gibbon's horror
+of the French Revolution was derived from the fact that he had arrived
+at the conclusion that he was the sort of person a populace invariably
+kills.' An excellent reason, in my opinion, for hating revolution, but
+not for misunderstanding it.
+
+After leaving Paris Gibbon lived nearly a year in Lausanne, reading hard
+to prepare himself for Italy. He made his own handbook. At last he felt
+himself fit to cross the Alps, which he did seated in an osier basket
+planted on a man's shoulders. He did not envy Hannibal his elephant. He
+lingered four months in Florence, and then entered Rome in a spirit of
+the most genuine and romantic enthusiasm. His zeal made him positively
+active, though it is impossible to resist a smile at the picture he
+draws of himself 'treading with a lofty step the ruins of the Forum.' He
+was in Rome eighteen weeks; there he had, as we saw at the beginning,
+his heavenly vision, to which he was not disobedient. He paid a visit of
+six weeks' duration to Naples, and then returned home more rapidly.
+'The spectacle of Venice,' he says, 'afforded some hours of
+astonishment.' Gibbon has sometimes been called 'long-winded,' but when
+he chooses, nobody can be shorter with either a city or a century.
+
+He returned to England in 1765, and for five rather dull years lived in
+his father's house in the country or in London lodgings. In 1770 his
+father died, and in 1772 Gibbon took a house in Bentinck Street,
+Manchester Square, filled it with books--for in those days it must not
+be forgotten there was no public library of any kind in London--and
+worked hard at his first volume, which appeared in February, 1775. It
+made him famous, also infamous, since it concluded with the fifteenth
+and sixteenth chapters on Christianity. In 1781 two more volumes
+appeared. In 1783 he gave up Parliament and London, and rolled over
+Westminster Bridge in a post-chaise, on his way to Lausanne, where he
+had his home for the rest of his days. In May, 1788, the three last
+volumes appeared. He died in St. James's Street whilst on a visit to
+London, on the 15th of January, 1794, of a complaint of a most
+pronounced character, which he had with characteristic and almost
+criminal indolence totally neglected for thirty years. He was buried in
+Fletching Churchyard, Sussex, in the family burial-place of his faithful
+friend and model editor, the first Lord Sheffield. He had not completed
+his fifty-eighth year.
+
+ * * * * *
+
+Before concluding with a few very humble observations on Gibbon's
+writings, something ought to be said about him as a social being. In
+this aspect he had distinguished merit, though his fondness of, and
+fitness for, society came late. He had no schooldays, no college days,
+no gilded youth. From sixteen to twenty-one he lived poorly in Lausanne,
+and came home more Swiss than English. Nor was his father of any use to
+him. It took him a long time to rub off his shyness; but the militia,
+Paris, and Rome, and, above all, the proud consciousness of a noble
+design, made a man of him, and after 1772, he became a well-known figure
+in London society. He was a man of fashion as well as of letters. In
+this respect, and, indeed, in all others, except their common love of
+learning, he differed from Dr. Johnson. Lords and ladies, remarked that
+high authority, don't like having their mouths shut. Gibbon never shut
+anybody's mouth, and in Johnson's presence rarely opened his own.
+Johnson's dislike of Gibbon does not seem to have been based upon his
+heterodoxy, but his ugliness. 'He is such an amazing ugly fellow,' said
+that Adonis. Boswell follows suit, and, with still less claim to be
+critical, complains loudly of Gibbon's ugliness. He also hated him very
+sincerely. 'The fellow poisons the whole club to me,' he cries. I feel
+sorry for Boswell, who has deserved well of the human race. Ironical
+people like Gibbon are rarely tolerant of brilliant folly. Gibbon, no
+doubt, was ugly. We get a glance at him in one of Horace Walpole's
+letters, which, sparkling as it does with vanity, spite, and humour, is
+always pleasant. He is writing to Mr. Mason:
+
+'You will be diverted to hear that Mr. Gibbon has quarrelled with me. He
+lent me his second volume in the middle of November; I returned it with
+a most civil panegyric. He came for more incense. I gave it, but, alas!
+with too much sincerity; I added: "Mr. Gibbon, I am sorry _you_ should
+have pitched on so disgusting a subject as the Constantinopolitan
+history. There is so much of the Arians and Eunomians and
+semi-Pelagians; and there is such a strange contrast between Roman and
+Gothic manners, that, though you have written the story as well as it
+could be written, I fear few will have patience to read it." He
+coloured, all his round features squeezed themselves into sharp angles;
+he screwed up his button-mouth, and rapping his snuff-box, said, "It had
+never been put together before"--so _well_ he meant to add, but gulped
+it. He meant so _well_, certainly, for Tillemont, whom he quotes in
+every page, has done the very thing. Well, from that hour to this, I
+have never seen him, though he used to call once or twice a week; nor
+has he sent me the third volume, as he promised. I well knew his vanity,
+even about his ridiculous face and person, but thought he had too much
+sense to avow it so palpably.' 'So much,' adds Walpole, with sublime
+nescience of the verdict of posterity upon his own most amusing self,
+'so much for literature and its fops.'
+
+Male ugliness is an endearing quality, and in a man of great talents it
+assists his reputation. It mollifies our inferiority to be able to add
+to our honest admiration of anyone's great intellectual merit, 'But did
+you ever see such a chin!'
+
+Nobody except Johnson, who was morbid on the subject of looks, liked
+Gibbon the less for having a button-mouth and a ridiculous nose. He was,
+Johnson and Boswell apart, a popular member of the club. Sir Joshua and
+he were, in particular, great cronies, and went about to all kinds of
+places, and mixed in every sort of society. In May, June, and July,
+1779, Gibbon sat for his picture--that famous portrait to be found at
+the beginning of every edition of the History. Sir Joshua notes in his
+Diary: 'No new sitters--hard at work repainting the "Nativity," and busy
+with sittings of Gibbon.'
+
+If we are to believe contemporary gossip, this was not the first time
+Reynolds had depicted the historian. Some years earlier the great
+painter had executed a celebrated portrait of Dr. Beattie, still
+pleasingly remembered by the lovers of old-fashioned poetry as the poet
+of _The Minstrel_, but who, in 1773, was better known as the author of
+an _Essay on Truth_. This personage, who in later life, it is melancholy
+to relate, took to drinking, is represented in Reynolds's picture in his
+Oxford gown of Doctor of Laws, with his famous essay under his arm,
+while beside him is Truth, habited as an angel, holding in one hand a
+pair of scales, and with the other thrusting down three frightful
+figures emblematic of Sophistry, Scepticism, and Infidelity. That
+Voltaire and Hume stood for two of these figures was no secret, but it
+was whispered Gibbon was the third. Even if so, an incident so trifling
+was not likely to ruffle the composure, or prevent the intimacy, of two
+such good-tempered men as Reynolds and Gibbon. The latter was immensely
+proud of Reynolds's portrait--the authorised portrait, of course--the
+one for which he had paid. He had it hanging up in his library at
+Lausanne, and, if we may believe Charles Fox, was fonder of looking at
+it than out of the window upon that incomparable landscape, with
+indifference to which he had twitted St. Bernard.
+
+But, as I have said, Gibbon was a man of fashion as well as a man of
+letters. In another volume of Walpole we have a glimpse of him playing a
+rubber of whist. His opponents were Horace himself, and Lady Beck. His
+partner was a lady whom Walpole irreverently calls the Archbishopess of
+Canterbury.[5] At Brooks's, White's, and Boodle's, Gibbon was a prime
+favourite. His quiet manner, ironical humour, and perpetual good temper
+made him excellent company. He is, indeed, reported once, at Brooks's,
+to have expressed a desire to see the heads of Lord North and half a
+dozen ministers on the table; but as this was only a few days before he
+accepted a seat at the Board of Trade at their hands, his wrath was
+evidently of the kind that does not allow the sun to go down upon it.
+His moods were usually mild:
+
+ 'Soon as to Brooks's thence thy footsteps bend,
+ What gratulations thy approach attend!
+ See Gibbon rap his box, auspicious sign
+ That classic wit and compliment combine.'
+
+To praise Gibbon heartily, you must speak in low tones. 'His cheek,'
+says Mr. Morison, 'rarely flushes in enthusiasm for a good cause.' He
+was, indeed, not obviously on the side of the angels. But he was a
+dutiful son to a trying father, an affectionate and thoughtful stepson
+to a stepmother who survived him, and the most faithful and warm-hearted
+of friends. In this article of friendship he not only approaches, but
+reaches, the romantic. While in his teens he made friends with a Swiss
+of his own age. A quarter of a century later on, we find the boyish
+companions chumming together, under the same roof at Lausanne, and
+delighting in each other's society. His attachment to Lord Sheffield is
+a beautiful thing. It is impossible to read Gibbon's letters without
+responding to the feeling which breathes through Lord Sheffield's
+preface to the miscellaneous writings:
+
+'The letters will prove how pleasant, friendly, and amiable Mr. Gibbon
+was in private life; and if in publishing letters so flattering to
+myself I incur the imputation of vanity, I meet the charge with a frank
+confession that I am indeed highly vain of having enjoyed for so many
+years the esteem, the confidence, and the affection of a man whose
+social qualities endeared him to the most accomplished society, whose
+talents, great as they were, must be acknowledged to have been fully
+equalled by the sincerity of his friendship.'
+
+To have been pleasant, friendly, amiable and sincere in friendship, to
+have written the _Decline and Fall of the Roman Empire_, and the
+_Autobiography_, must be Gibbon's excuse for his unflushing cheek.
+
+To praise Gibbon is not wholly superfluous; to commend his history would
+be so. In May, 1888, it attained, as a whole, its hundredth year. Time
+has not told upon it. It stands unaltered, and with its authority
+unimpaired. It would be invidious to name the histories it has seen
+born and die. Its shortcomings have been pointed out--it is well; its
+inequalities exposed--that is fair; its style criticised--that is just.
+But it is still read. 'Whatever else is read,' says Professor Freeman,
+'Gibbon must be.'
+
+The tone he thought fit to adopt towards Christianity was, quite apart
+from all particular considerations, a mistaken one. No man is big enough
+to speak slightingly of the constructions his fellow-men have from time
+to time put upon the Infinite. And conduct which in a philosopher is
+ill-judged, is in an historian ridiculous. Gibbon's sneers could not
+alter the fact that his History, which he elected to style the _Decline
+and Fall of the Roman Empire_, might equally well, as Dean Stanley has
+observed, have been called the 'Rise and Progress of the Christian
+Church.' This tone of Gibbon's was the more unfortunate because he was
+not of those men who are by the order of their minds incapable of
+theology. He was an admirable theologian, and, even as it is, we have
+Cardinal Newman's authority for the assertion, that Gibbon is the only
+Church historian worthy of the name who has written in English.
+
+Gibbon's love of the unseemly may also be deprecated. His is not the
+boisterous impropriety which may sometimes be observed staggering across
+the pages of Mr. Carlyle, but the more offensive variety which is
+overheard sniggering in the notes.
+
+The importance, the final value, of Gibbon's History has been assailed
+in high quarters. Coleridge, in a well-known passage in his _Table
+Talk_--too long to be quoted--said Gibbon was a man of immense reading;
+but he had no philosophy. 'I protest,' he adds, 'I do not remember a
+single philosophical attempt made throughout the work to fathom the
+ultimate causes of the decline and fall of the empire.' This spoiled
+Gibbon for Coleridge, who has told us that 'though he had read all the
+famous histories, and he believed some history of every country or
+nation, that is or ever existed, he had never done so for the story
+itself--the only thing interesting to him being the principles to be
+evolved from and illustrated by the facts.'
+
+I am not going to insult the majestic though thickly-veiled figure of
+the Philosophy of History. Every sensible man, though he might blush to
+be called a philosopher, must wish to be the wiser for his reading; but
+it may, I think, be fairly said that the first business of an historian
+is to tell his story, nobly and splendidly, with vivacity and vigour.
+Then I do not see why we children of a larger growth may not be
+interested in the annals of mankind simply as a story, without worrying
+every moment to evolve principles from each part of it. If I choose to
+be interested in the colour of Mary Queen of Scots' eyes, or the
+authorship of the _Letters of Junius_, I claim the right to be so. Of
+course, if I imagine either of these subjects to be matters of
+importance--if I devote my life to their elucidation, if I bore my
+friends with presentation pamphlets about them--why, then, I am either a
+feeble fribble or an industrious fool; but if I do none of these things
+I ought to be left in peace, and not ridiculed by those who seem to
+regard the noble stream of events much as Brindley did rivers--mainly
+as something which fills their ugly canals of dreary and frequently
+false comment.
+
+But, thirdly, whilst yielding the first place to philosophy, divine
+philosophy, as I suppose, when one comes to die, one will be glad to
+have done, it is desirable that the text and the comment should be kept
+separate and apart. The historian who loads his frail craft with that
+perilous and shifting freight, philosophy, adds immensely to the dangers
+of his voyage across the ocean of Time. Gibbon was no fool, yet it is as
+certain as anything can be, that had he put much of his philosophy into
+his history, both would have gone to the bottom long ago. And even
+better philosophy than Gibbon's would have been, is apt to grow mouldy
+in a quarter of a century, and to need three new coats of good oily
+rhetoric, to make it presentable to each new generation.
+
+Gibbon was neither a great thinker nor a great man. He had neither light
+nor warmth. This is what, doubtless, prompted Sir James Mackintosh's
+famous exclamation, that you might scoop Gibbon's mind out of Burke's
+without missing it. But hence, I say, the fitness of things that chained
+Gibbon to his library chair, and set him as his task, to write the
+history of the Roman Empire, whilst leaving Burke at large to illuminate
+the problems of his own time.
+
+Gibbon avowedly wrote for fame. He built his History meaning it to last.
+He got L6,000 for writing it. The booksellers netted L60,000 by printing
+it. Gibbon did not mind. He knew it would be the volumes of his History,
+and not the banking books of his publishers, who no doubt ran their
+trade risks, which would keep their place upon men's shelves. He did an
+honest piece of work, and he has had a noble reward. Had he attempted to
+know the ultimate causes of the decline and fall of the Roman Empire, he
+must have failed, egregiously, childishly. He abated his pretensions as
+a philosopher, was content to attempt some picture of the thing
+acted--of the great pageant of history--and succeeded.
+
+
+
+
+ WILLIAM COWPER
+
+
+The large and weighty family of Gradgrinds may, from their various
+well-cushioned coigns of advantage, give forcible utterance to their
+opinions as to what are the really important things in this life; but
+the fact remains, distasteful as it may be to those of us who accomplish
+the disciplinary end of vexing our fathers' souls by other means than
+'penning stanzas,' that the lives of poets, even of people who have
+passed for poets, eclipse in general and permanent interest the lives of
+other men. Whilst above the sod, these poets were often miserable
+enough. But charm hangs over their graves. The sternest pedestrian, even
+he who is most bent on making his inn by the precise path he has, with
+much study of the map, previously prescribed for himself, will yet often
+veer to the right or to the left, to visit the lonely churchyard where,
+as he hears by the way, lie the ashes of some brother of the tuneful
+quill. It may well be that this brother's verses are not frequently on
+our lips. It is not the lot of every bard to make quotations. It may
+sometimes happen to you, as you stand mournfully surveying the little
+heap, to rack your brains unavailingly for so much as a single couplet;
+nay, so treacherous is memory, the very title of his best-known poem
+may, for the moment, have slipped you. But your heart is melted all the
+same, and you feel it would indeed have been a churlish thing to go on
+your original way, unmindful of the fact that
+
+ 'In yonder grave a Druid lies!'
+
+And you have your reward. When you have reached your desired haven, and
+are sitting alone after dinner in the coffee-room, neat-handed Phyllis
+(were you not fresh from a poet's grave, a homelier name might have
+served her turn) having administered to your final wants, and
+disappeared with a pretty flounce, the ruby-coloured wine the dead poet
+loved, the bottled sunshine of a bygone summer, glows the warmer in
+your cup as you muse over minstrels now no more, whether
+
+ 'Of mighty poets in their misery dead,'
+
+or of such a one as he whose neglected grave you have just visited.
+
+It was a pious act, you feel, to visit that grave. You commend yourself
+for doing so. As the night draws on, this very simple excursion down a
+rutty lane and across a meadow, begins to wear the hues of devotion and
+of love; and unless you are very stern with yourself, the chances are
+that by the time you light your farthing dip, and are proceeding on your
+dim and perilous way to your bedroom at the end of a creaking passage,
+you will more than half believe you were that poet's only unselfish
+friend, and that he died saying so.
+
+All this is due to the charm of poetry. Port has nothing to do with it.
+Indeed, as a plain matter of fact, who would drink port at a village
+inn? Nobody feels a bit like this after visiting the tombs of soldiers,
+lawyers, statesmen, or divines. These pompous places, viewed through the
+haze of one's recollections of the 'careers' of the men whose names
+they vainly try to perpetuate, seem but, if I may slightly alter some
+words of old Cowley's, 'An ill show after a sorry sight.'
+
+It would be quite impossible, to enumerate one half of the reasons which
+make poets so interesting. I will mention one, and then pass on to the
+subject-matter. They often serve to tell you the age of men and books.
+This is most interesting. There is Mr. Matthew Arnold. How impossible it
+would be to hazard even a wide solution of the problem of his age, but
+for the way he has of writing about Lord Byron! Then we know
+
+ 'The thought of Byron, of his cry
+ Stormily, sweet, his Titan agony.'
+
+And again:
+
+ 'What boots it now that Byron bore,
+ With haughty scorn which mocked the smart,
+ Through Europe to the AEtolian shore,
+ The pageant of his bleeding heart?'
+
+Ask any man born in the fifties, or even the later forties, what he
+thinks of Byron's Titan agony, and his features will probably wear a
+smile. Insist upon his giving his opinion about the pageant of the
+Childe's bleeding heart, and more likely than not he will laugh
+outright. But, I repeat, how interesting to be able to tell the age of
+one distinguished poet from his way of writing of another!
+
+So, too, with books. Miss Austen's novels are dateless things. Nobody in
+his senses would speak of them as 'old novels.' _John Inglesant_ is an
+old novel, so is _Ginx's Baby_. But _Emma_ is quite new, and, like a
+wise woman, affords few clues as to her age. But when, taking up _Sense
+and Sensibility_, we read Marianne Dashwood's account of her sister's
+lover--
+
+'And besides all this, I am afraid, mamma, he has no real taste. Music
+seems scarcely to attract him, and though he admires Elinor's drawings
+very much, it is not the admiration of a person who can understand their
+worth. He admires as a lover, and not as a connoisseur. Oh, mamma! how
+spiritless, how tame was Edward's manner in reading last night! I felt
+for my sister most severely. I could hardly keep my seat to hear those
+beautiful lines which have frequently almost driven me wild, pronounced
+with such impenetrable calmness, such dreadful indifference!' 'He would
+certainly [says Mrs. Dashwood] have done more justice to simple and
+elegant prose. I thought so, at the time, but you _would_ give him
+Cowper.' 'Nay, mamma, if he is not to be animated by Cowper!'--when we
+read this, we know pretty well when Miss Austen was born. It is surely
+pleasant to be reminded of a time when sentimental girls used Cowper as
+a test of a lover's sensibility. One of our modern swains is no more
+likely to be condemned as a Philistine for not reading _The Task_ with
+unction, than he is to be hung for sheep-stealing, or whipped at the
+cart's tail for speaking evil of constituted authorities; but the
+position probably still has its perils, and the Marianne Dashwoods of
+the hour are quite capable of putting their admirers on to _Rose Mary_,
+or _The Blessed Damosel_, and then flouting their insensibility. The
+fact, of course, is, that each generation has a way of its own, and
+poets are interesting because they are the mirrors in which their
+generation saw its own face; and what is more, they are magic mirrors,
+since they retain the power of reflecting the image long after what was
+pleased to call itself the substance has disappeared into thin air.
+
+There is no more interesting poet than Cowper, and hardly one the area
+of whose influence was greater. No man, it is unnecessary to say,
+courted popularity less, yet he threw a very wide net, and caught a
+great shoal of readers. For twenty years after the publication of _The
+Task_ in 1785, his general popularity never flagged, and even when in
+the eyes of the world it was eclipsed, when Cowper became in the opinion
+of fierce Byronians and moss-trooping Northerners, 'a coddled Pope' and
+a milksop, our great, sober, Puritan middle-class took him to their warm
+firesides for two generations more. Some amongst these were not, it must
+be owned, lovers of poetry at all; they liked Cowper because he is full
+of a peculiar kind of religious phraseology, just as some of Burns'
+countrymen love Burns because he is full of a peculiar kind of strong
+drink called whisky. This was bad taste; but it made Cowper all the more
+interesting, since he thus became, by a kind of compulsion, the
+favourite because the only poet, of all these people's children; and the
+children of the righteous do not wither like the green herb, neither do
+they beg their bread from door to door, but they live in slated houses
+and are known to read at times. No doubt, by the time it came to these
+children's children the spell was broken, and Cowper went out of fashion
+when Sunday travelling and play-going came in again. But his was a long
+run, and under peculiar conditions. Signs and tokens are now abroad,
+whereby the judicious are beginning to infer that there is a renewed
+disposition to read Cowper, and to love him, not for his faults, but for
+his great merits, his observing eye, his playful wit, his personal
+charm.
+
+Hayley's _Life of Cowper_ is now obsolete, though since it is adorned
+with vignettes by Blake it is prized by the curious. Hayley was a kind
+friend to Cowper, but he possessed, in a highly developed state, that
+aversion to the actual facts of a case which is unhappily so
+characteristic of the British biographer. Southey's _Life_ is horribly
+long-winded and stuffed out; still, like Homer's _Iliad_, it remains
+the best. It was long excluded from strict circles because of its
+worldly tone, and also because it more than hinted that the Rev. John
+Newton was to blame for his mode of treating the poet's delusions. Its
+place was filled by the Rev. Mr. Grimshaw's _Life_ of the poet, which is
+not a nice book. Mr. Benham's recent _Life_, prefixed to the cheap Globe
+edition of _Cowper's Poems_, is marvellously good and compressed. Mr.
+Goldwin Smith's account of the poet in Mr. Morley's series could not
+fail to be interesting, though it created in the minds of some readers a
+curious sensation of immense distance from the object described. Mr.
+Smith seemed to discern Cowper clearly enough, but as somebody very far
+off. This, however, may be fancy.
+
+The wise man will not trouble the biographers. He will make for himself
+a short list of dates, so that he may know where he is at any particular
+time, and then, poking the fire and (his author notwithstanding)
+lighting his pipe--
+
+ 'Oh, pernicious weed, whose scent the fair annoys--'
+
+he will read Cowper's letters. There are five volumes of them in
+Southey's edition. It would be to exaggerate to say you wish there were
+fifty, but you are, at all events, well content there should be five. In
+the course of them Cowper will tell you the story of his own life, as it
+ought to be told, as it alone can be told, in the purest of English and
+with the sweetest of smiles. For a combination of delightful qualities,
+Cowper's letters have no rivals. They are playful, witty, loving,
+sensible, ironical, and, above all, as easy as an old shoe. So easy,
+indeed, that after you have read half a volume or so, you begin to think
+their merits have been exaggerated, and that anybody could write letters
+as good as Cowper's. Even so the man who never played billiards, and who
+sees Mr. Roberts play that game, might hastily opine that he, too, could
+go and do likewise.
+
+To form anything like a fair estimate of Cowper, it is wise to ignore as
+much as possible his mental disease, and always to bear in mind the
+manner of man he naturally was. He belonged essentially to the order of
+wags. He was, it is easy to see, a lover of trifling things, elegantly
+finished. He hated noise, contention, and the public gaze, but society
+he ever insisted upon.
+
+ 'I praise the Frenchman, his remark was shrewd,
+ How sweet, how passing sweet, is solitude!
+ But grant me still a friend in my retreat,
+ Whom I may whisper--"solitude is sweet."'
+
+He loved a jest, a barrel of oysters, and a bottle of wine. His
+well-known riddle on a kiss is Cowper from top to toe:
+
+ 'I am just two and two; I am warm, I am cold,
+ And the parent of numbers that cannot be told.
+ I am lawful, unlawful, a duty, a fault,
+ I am often sold dear, good for nothing when bought,
+ An extraordinary boon, and a matter of course,
+ And yielded with pleasure when taken by force.'
+
+Why, it is a perfect dictionary of kisses in six lines!
+
+Had Cowper not gone mad in his thirty-second year, and been frightened
+out of the world of trifles, we should have had another Prior, a wittier
+Gay, an earlier Praed, an English La Fontaine. We do better with _The
+Task_ and the _Lines to Mary_, but he had a light touch.
+
+ ''Tis not that I design to rob
+ Thee of thy birthright, gentle Bob,
+ For thou art born sole heir and single
+ Of dear Mat Prior's easy jingle.
+ Not that I mean while thus I knit
+ My threadbare sentiments together,
+ To show my genius or my wit,
+ When God and you know I have neither,
+ Or such as might be better shown
+ By letting poetry alone.'
+
+This lightness of touch, this love of trifling, never deserted Cowper,
+not even when the pains of hell got hold of him, and he believed himself
+the especially accursed of God. In 1791, when things were very black, we
+find him writing to his good Dissenting friend, the Rev. William Bull
+('Charissime Taurorum'), as follows:
+
+'Homer, I say, has all my time, except a little that I give every day to
+no very cheering prospects of futurity. I would I were a Hottentot, or
+even a Dissenter, so that my views of an hereafter were more
+comfortable. But such as I am, Hope, if it please God, may visit even
+me. Should we ever meet again, possibly we may part no more. Then, if
+Presbyterians ever find their way to heaven, you and I may know each
+other in that better world, and rejoice in the recital of the terrible
+things that we endured in this. I will wager sixpence with you now, that
+when that day comes you shall acknowledge my story a more wonderful one
+than yours; only order your executors to put sixpence in your mouth when
+they bury you, that you may have wherewithal to pay me.'
+
+Whilst living in the Temple, which he did for twelve years, chiefly it
+would appear on his capital, he associated with a race of men, of whom
+report has reached us, called 'wits.' He belonged to the Nonsense Club;
+he wrote articles for magazines. He went to balls, to Brighton, to the
+play. He went once, at all events, to the gallery of the House of
+Commons, where he witnessed an altercation between a placeman and an
+alderman--two well-known types still in our midst. The placeman had
+misquoted Terence, and the alderman had corrected him; whereupon the
+ready placeman thanked the worthy alderman for teaching him Latin, and
+volunteered in exchange to teach the alderman English. Cowper must at
+this time have been a considerable reader, for all through life he is
+to be found quoting his authors, poets, and playwrights, with an easy
+appositeness, all the more obviously genuine because he had no books in
+the country to refer to. 'I have no English History,' he writes, 'except
+Baker's _Chronicle_, and that I borrowed three years ago from Mr.
+Throckmorton.' This was wrong, but Baker's _Chronicle_ (Sir Roger de
+Coverley's favourite Sunday reading) is not a book to be returned in a
+month.
+
+After this easy fashion Cowper acquired what never left him--the style
+and manner of an accomplished worldling.
+
+The story of the poet's life does not need telling; but as Owen Meredith
+says, probably not even for the second time, 'after all, old things are
+best.' Cowper was born in the rectory at Great Berkhampstead, in 1735.
+His mother dying when he was six years old, he was despatched to a
+country academy, where he was horribly bullied by one of the boys, the
+reality of whose persecution is proved by one terrible touch in his
+victim's account of it: 'I had such a dread of him, that I did not dare
+lift my eyes to his face. I knew him best by his shoe-buckle.' The
+odious brute! Cowper goes on to say he had forgiven him, which I can
+believe, but when he proceeds to ejaculate a wish to meet his persecutor
+again in heaven, doubt creeps in. When ten years old he was sent to
+Westminster, where there is nothing to show that he was otherwise than
+fairly happy; he took to his classics very kindly, and (so he says)
+excelled in cricket and football. This is evidence, but as Dr. Johnson
+once confessed about the evidence for the immortality of the soul, 'one
+would like more.' He was for some time in the class of Vincent Bourne,
+who, though born in 1695, and a Fellow of Trinity College, Cambridge,
+ranks high amongst the Latin poets. Whether Cowper was bullied at
+Westminster is a matter of controversy. Bourne was bullied. About that
+there can be no doubt. Cowper loved him, and relates with delight how on
+one occasion the Duke of Richmond (Burke's Duke, I suppose) set fire to
+the greasy locks of this latter-day Catullus, and then, alarmed at the
+spread of the conflagration, boxed his master's ears to put it out. At
+eighteen Cowper left Westminster, and after doing nothing (at which he
+greatly excelled) for nine months in the country, returned to town, and
+was articled to an attorney in Ely Place, Holborn, for three years. At
+the same time, being intended for the Bar, he was entered at the Middle,
+though he subsequently migrated to the Inner Temple. These three years
+in Ely Place Cowper fribbled away agreeably enough. He had as his
+desk-companion Edward Thurlow, the most tremendous of men. Hard by Ely
+Place is Southampton Row, and in Southampton Row lived Ashley Cowper,
+the poet's uncle, with a trio of affable daughters, Theodora Jane,
+Harriet, afterwards Lady Hesketh, and a third, who became the wife of
+Sir Archer Croft. According to Cowper, a great deal of giggling went on
+in Southampton Row. He fell in love with Theodora, and Theodora fell in
+love with him. He wrote her verses enough to fill a volume. She was
+called Delia in his lays. In 1752, his articles having expired, he took
+chambers in the Temple, and in 1754 was called to the Bar.
+
+Ashley Cowper, a very little man, who used to wear a white hat lined
+with yellow silk, and was on that account likened by his nephew to a
+mushroom, would not hear of his daughter marrying her cousin; and being
+a determined little man, he had his own way, and the lovers were parted
+and saw one another no more. Theodora Cowper wore the willow all the
+rest of her long life. Her interest in her cousin never abated. Through
+her sister, Lady Hesketh, she contributed in later years generously to
+his support. He took the money and knew where it came from, but they
+never wrote to one another, nor does her name ever appear in Cowper's
+correspondence. She became, so it is said, morbid on the subject during
+her latter days, and dying twenty-four years after her lover, she
+bequeathed to a nephew a mysterious packet she was known to cherish. It
+was found to contain Cowper's love-verses.
+
+In 1756 Cowper's father died, and the poet's patrimony proved to be a
+very small one. He was made a Commissioner of Bankrupts. The salary was
+L60 a year. He knew one solicitor, but whether he ever had a brief is
+not known. He lived alone in his chambers till 1763, when, under
+well-known circumstances, he went raving mad, and attempted to hang
+himself in his bedroom, and very nearly succeeded. He was removed to Dr.
+Cotton's asylum, where he remained a year. This madness, which in its
+origin had no more to do with religion than it had with the Binomial
+Theorem, ultimately took the turn of believing that it was the will of
+God that he should kill himself, and that as he had failed to do so he
+was damned everlastingly. In this faith, diversified by doubt, Cowper
+must be said henceforth to have lived and died.
+
+On leaving St. Albans, the poet, in order to be near his only brother,
+the Rev. John Cowper, Fellow of Corpus, Cambridge, and a most delightful
+man, had lodgings in Huntingdon; and there, one eventful Tuesday in
+1765, he made the acquaintance of Mary Unwin. Mrs. Unwin's husband, a
+most scandalously non-resident clergyman--whom, however, Cowper
+composedly calls a veritable Parson Adams--was living at this time, not
+in his Norfolk rectory of Grimston, but contentedly enough in
+Huntingdon, where he took pupils. Cowper became a lodger in the family,
+which consisted of the rector and his wife, a son at Cambridge, and a
+daughter, also one or two pupils. In 1767 Mr. Unwin was thrown from his
+horse and fractured his skull. Church-reformers pointed out, at the
+time, that had the Rector of Grimston been resident, this accident could
+not have occurred in Huntingdon. They then went on to say, but less
+convincingly, that Mr. Unwin's death was the judgment of Heaven upon
+him. Mr. Unwin dead, the poet and the widow moved to Olney, where they
+lived together for nineteen years in a tumble-down house, and on very
+slender means. Their attraction to Olney was in the fact that John
+Newton was curate-in-charge. Olney was not an ideal place by any means.
+Cowper and Mrs. Unwin lived in no fools' paradise, for they visited the
+poor and knew the manner of their lives. The inhabitants were mostly
+engaged in lace-making and straw-plaiting; they were miserably poor,
+immoral, and drunken. There is no idyllic nonsense in Cowper's poetry.
+
+In 1773 he had another most violent attack of suicidal mania, and
+attempted his life more than once. Writing in 1786 to Lady Hesketh,
+Cowper gives her an account of his illness, of which at the time she
+knew nothing, as her acquaintance with her cousin was not renewed till
+1785:
+
+'Know then, that in the year '73, the same scene that was acted at St.
+Albans opened upon me again at Olney, only covered with a still deeper
+shade of melancholy, and ordained to be of much longer duration. I
+believed that everybody hated me, and that Mrs. Unwin hated me most of
+all; was convinced that all my food was poisoned, together with ten
+thousand megrims of the same stamp. Dr. Cotton was consulted. He replied
+that he could do no more for me than might be done at Olney, but
+recommended particular vigilance, lest I should attempt my life; a
+caution for which there was the greatest occasion. At the same time that
+I was convinced of Mrs. Unwin's aversion to me, I could endure no other
+companion. The whole management of me consequently devolved upon her,
+and a terrible task she had; she performed it, however, with a
+cheerfulness hardly ever equalled on such an occasion, and I have often
+heard her say that if ever she praised God in her life, it was when she
+found she was to have all the labour. She performed it accordingly, but
+as I hinted once before, very much to the hurt of her own constitution.'
+
+Just before this outbreak, Cowper and Mrs. Unwin had agreed to marry,
+but after it they felt the subject was not to be approached, and so the
+poor things spoke of it no more. Still, it was well they had spoken out.
+'Love me, and tell me so,' is a wise maxim of behaviour.
+
+Stupid people, themselves leading, one is glad to believe, far duller
+lives than Cowper and Mary Unwin, have been known to make dull,
+ponderous jokes about this _menage_ at Olney--its country walks, its
+hymn tunes, its religious exercises. But it is pleasant to note how
+quick Sainte Beuve, whose three papers on Cowper are amongst the glories
+of the _Causeries du Lundi_, is to recognise how much happiness and
+pleasantness was to be got out of this semi-monastic life and close
+social relation.
+
+Cowper was indeed the very man for it. One can apply to him his own
+well-known lines about the winter season, and crown him
+
+ 'The King of intimate delights,
+ Fireside enjoyments, and homeborn happiness.'
+
+No doubt he went mad at times. It was a terrible affliction. But how
+many men have complaints of the liver, and are as cheerful to live with
+as the Black Death, or Young's _Night Thoughts_. Cowper had a famous
+constitution. Not even Dr. James's powder, or the murderous practices of
+the faculty, could undermine it. Sadness is not dulness.
+
+ 'Dear saints, it is not sorrow, as I hear,
+ Nor suffering that shuts up eye and ear
+ To all which has delighted them before,
+ And lets us be what we were once no more!
+ No! we may suffer deeply, yet retain
+ Power to be moved and soothed, for all our pain,
+ By what of old pleased us, and will again.
+ No! 'tis the gradual furnace of the world,
+ In whose hot air our spirits are upcurled
+ Until they crumble, or else grow like steel,
+ Which kills in us the bloom, the youth, the spring,
+ Which leaves the fierce necessity to feel,
+ But takes away the power--this can avail
+ By drying up our joy in everything,
+ To make our former pleasures all seem stale.'
+
+I can think of no one to whom these beautiful lines of Mr. Arnold's are
+so exquisitely appropriate as to Cowper. Nothing could knock the
+humanity out of him. Solitude, sorrow, madness, found him out, threw him
+down and tore him, as did the devils their victims in the days of old;
+but when they left him for a season, he rose from his misery as sweet
+and as human, as interested and as interesting as ever. His descriptions
+of natural scenery and country-side doings are amongst his best things.
+He moralises enough, heaven knows! but he keeps his morality out of his
+descriptions. This is rather a relief after overdoses of Wordsworth's
+pantheism and Keats's paganism. Cowper's Nature is plain county Bucks.
+
+ 'The sheepfold here
+ Pours out its fleecy tenants o'er the glebe.
+ At first progressive as a stream, they seek
+ The middle field; but scattered by degrees,
+ Each to his choice, soon whiten all the land.'
+
+The man who wrote that had his eye on the object; but lest the quotation
+be thought too woolly by a generation which has a passion for fine
+things, I will allow myself another:
+
+ 'Nor rural sights alone, but rural sounds,
+ Exhilarate the spirit and restore
+ The tone of languid nature, mighty winds
+ That sweep the skirt of some far-spreading wood
+ Of ancient growth, make music not unlike
+ The dash of ocean on his winding shore
+ . . . . . . . . . . . . . .
+ . . . . . . . . . of rills that slip
+ Through the cleft rock, and chiming as they fall
+ Upon loose pebbles, lose themselves at length
+ In matted grass, that with a livelier green
+ Betrays the secret of their silent course.'
+
+In 1781 began the episode of Lady Austen. That lady was doing some small
+shopping in Olney, in company with her sister, the wife of a
+neighbouring clergyman, when our poet first beheld her. She pleased his
+eye. Whether in the words of one of his early poems he made free to
+comment on her shape I cannot say; but he hurried home and made Mrs.
+Unwin ask her to tea. She came. Cowper was seized with a fit of shyness,
+and very nearly would not go into the room. He conquered the fit, went
+in and swore eternal friendship. To the very end of her days Mrs. Unwin
+addressed the poet, her true lover though he was, as 'Mr. Cowper.' In a
+week, Lady Austen and he were 'Sister Ann' and 'William' one to another.
+Sister Ann had a furnished house in London. She gave it up. She came to
+live in Olney, next door. She was pretty, she was witty, she played, she
+sang. She told Cowper the story of John Gilpin, she inspired his _Wreck
+of the Royal George_. _The Task_ was written at her bidding. Day in and
+day out, Cowper and Lady Austen and Mrs. Unwin were together. One turns
+instinctively to see what Sainte Beuve has to say about Lady Austen.
+'C'etait Lady Austen, veuve d'un baronet. Cette rare personne etait
+douee des plus heureux dons; elle n'etait plus tres-jeune ni dans la
+fleur de beaute; elle avait ce qui est mieux, une puissance d'attraction
+et d'enchantement qui tenait a la transparence de l'ame, une faculte de
+reconnaissance, de sensibilite emue jusqu'aux larmes pour toute marque
+de bienveillance dont elle etait l'objet. Tout en elle exprimait une
+vivacite pure, innocente et tendre. C'etait une creature _sympathique_,
+et elle devait tout-a-fait justifier dans le cas present ce mot de
+Bernardin de Saint-Pierre: "Il y a dans la femme une gaiete legere qui
+dissipe la tristesse de l'homme."'
+
+That odd personage, Alexander Knox, who had what used to be called a
+'primitive,' that is, a fourth-century mind, and on whom the Tractarian
+movement has been plausibly grandfathered, and who was (incongruously)
+employed by Lord Castlereagh to help through the Act of Union with
+Ireland, of which we have lately heard, but who remained all the time
+primitively unaware that any corruption was going on around him--this
+odd person, I say, was exercised in his mind about Lady Austen, of whom
+he had been reading in Hayley's _Life_. In October, 1806, he writes to
+Bishop Jebb in a solemn strain: 'I have rather a severer idea of Lady A.
+than I should wish to put into writing for publication. I almost suspect
+she was a very artful woman. But I need not enlarge.' He puts it rather
+differently from Sainte Beuve, but I dare say they both meant much the
+same thing. If Knox meant more it would be necessary to get angry with
+him. That Lady Austen fell in love with Cowper and would have liked to
+marry him, but found Mrs. Unwin in the way, is probable enough; but
+where was the artfulness? Poor Cowper was no catch. The grandfather of
+Tractarianism would have been better employed in unmasking the
+corruption amongst which he had lived, than in darkly suspecting a
+lively lady of designs upon a penniless poet, living in the utmost
+obscurity, on the charity of his relatives.
+
+But this state of things at Olney did not last very long. 'Of course
+not,' cackle a chorus of cynics. 'It could not!' The Historical Muse,
+ever averse to theory, is content to say, 'It did not,' but as she
+writes the words she smiles. The episode began in 1781, it ended in
+1784. It became necessary to part. Cowper may have had his qualms, but
+he concealed them manfully and remained faithful to Mrs. Unwin--
+
+ 'The patient flower
+ Who possessed his darker hour.'
+
+Lady Austen flew away, and afterwards, as if to prove her levity
+incurable, married a Frenchman. She died in 1802. English literature
+owes her a debt of gratitude. Her name is writ large over much that is
+best in Cowper's poetry. Not indeed over the very best; _that_ bears the
+inscription _To Mary_. And it was right that it should be so, for Mrs.
+Unwin had to put up with a good deal.
+
+_The Task_ and _John Gilpin_ were published together in 1785, and some
+of Cowper's old friends (notably Lady Hesketh) rallied round the now
+known poet once more. Lady Hesketh soon begins to fill the chair vacated
+by Lady Austen, and Cowper's letters to her are amongst his most
+delightful. Her visits to Olney were eagerly expected, and it was she
+who persuaded the pair to leave the place for good and all, and move to
+Weston, which they did in 1786. The following year Cowper went mad
+again, and made another most desperate attempt upon his life. Again Mary
+Unwin stood by the poor maniac's side, and again she stood alone. He got
+better, and worked away at his translation of Homer as hard and wrote
+letters as charming as ever. But Mrs. Unwin was pretty well done for.
+Cowper published his Homer by subscription, and must be pronounced a
+dab hand in the somewhat ignoble art of collecting subscribers. I am not
+sure that he could not have given Pope points. Pope had a great
+acquaintance, but he had barely six hundred subscribers. Cowper scraped
+together upwards of five hundred. As a beggar he was unabashed. He
+quotes in one of his letters, and applies to himself patly enough,
+Ranger's observation in the _Suspicious Husband_, 'There is a degree of
+assurance in you modest men, that we impudent fellows can never arrive
+at!' The University of Oxford was, however, too much for him. He beat
+her portals in vain. She had but one answer, 'We subscribe to nothing.'
+Cowper was very angry, and called her 'a rich old vixen.' She did not
+mind. The book appeared in 1791. It has many merits, and remains unread.
+
+The clouds now gathered heavily over the biography of Cowper. Mrs. Unwin
+had two paralytic strokes, the old friends began to torture one another.
+She was silent save when she was irritable, indifferent except when
+exacting. At last, not a day too soon, Lady Hesketh came to Weston.
+They were moved into Norfolk--but why prolong the tale? Mrs. Unwin died
+at East Dereham on the 17th of December, 1796. Thirty-one years had gone
+since the poet and she first met by chance in Huntingdon. Cowper himself
+died in April, 1800. His last days were made physically comfortable by
+the kindness of some Norfolk cousins, and the devotion of a Miss
+Perowne. But he died in wretchedness and gloom.
+
+The _Castaway_ was his last original poem:
+
+ 'I therefore purpose not or dream
+ Descanting on his fate,
+ To give the melancholy theme
+ A more enduring date;
+ But misery still delights to trace
+ Its semblance in another's case.'
+
+Everybody interested in Cowper has of course to make out, as best he
+may, a picture of the poet for his own use. It is curious how sometimes
+little scraps of things serve to do this better than deliberate efforts.
+In 1800, the year of Cowper's death, his relative, a Dr. Johnson, wrote
+a letter to John Newton, sending good wishes to the old gentleman, and
+to his niece, Miss Catlett; and added: 'Poor dear Mr. Cowper, oh that he
+were as tolerable as he was, even in those days when, dining at his
+house in Buckinghamshire with you and that lady, I could not help
+smiling to see his pleasant face when he said, "Miss Catlett, shall I
+give you a piece of cutlet?"' It was a very small joke indeed, and it is
+a very humble little quotation, but for me it has long served, in the
+mind's eye, for a vignette of the poet, doomed yet _debonnaire_.
+Romney's picture, with that frightful nightcap and eyes gleaming with
+madness, is a pestilent thing one would forget if one could. Cowper's
+pleasant face when he said, 'Miss Catlett, shall I give you a piece of
+cutlet?' is a much more agreeable picture to find a small corner for in
+one's memory.
+
+
+
+
+ GEORGE BORROW
+
+
+Mr. Robert Louis Stevenson, in his delightful _Memories and Portraits_,
+takes occasion to tell us, amongst a good many other things of the sort,
+that he has a great fancy for _The Bible in Spain_, by Mr. George
+Borrow. He has not, indeed, read it quite so often as he has Mr. George
+Meredith's _Egoist_, but still he is very fond of it. It is interesting
+to know this, interesting, that is, to the great Clan Stevenson who owe
+suit and service to their liege lord; but so far as Borrow is concerned,
+it does not matter, to speak frankly, two straws. The author of
+_Lavengro_, _The Romany Rye_, _The Bible in Spain_, and _Wild Wales_ is
+one of those kings of literature who never need to number their tribe.
+His personality will always secure him an attendant company, who, when
+he pipes, must dance. A queer company it is too, even as was the
+company he kept himself, composed as it is of saints and sinners, gentle
+and simple, master and man, mistresses and maids; of those who, learned
+in the tongues, have read everything else, and of those who have read
+nothing else and do not want to. People there are for whom Borrow's
+books play the same part as did horses and dogs for the gentleman in the
+tall white hat, whom David Copperfield met on the top of the Canterbury
+coach. ''Orses and dorgs,' said that gentleman, 'is some men's fancy.
+They are wittles and drink to me, lodging, wife and children, reading,
+writing, and 'rithmetic, snuff, tobacker, and sleep.'
+
+Nothing, indeed, is more disagreeable, even offensive, than to have
+anybody else's favourite author thrust down your throat. 'Love me, love
+my dog,' is a maxim of behaviour which deserves all the odium Charles
+Lamb has heaped upon it. Still, it would be hard to go through life
+arm-in-arm with anyone who had stuck in the middle of _Guy Mannering_,
+or had bidden a final farewell to Jeannie Deans in the barn with the
+robbers near Gunnerly Hill in Lincolnshire. But, oddly enough, Borrow
+excites no such feelings. It is quite possible to live amicably in the
+same house with a person who has stuck hopelessly in the middle of _Wild
+Wales_, and who braves it out (what impudence!) by the assertion that
+the book is full of things like this: 'Nothing worthy of commemoration
+took place during the two following days, save that myself and family
+took an evening walk on the Wednesday up the side of the Berwyn, for the
+purpose of botanising, in which we were attended by John Jones. There,
+amongst other plants, we found a curious moss which our good friend said
+was called in Welsh Corn Carw, or deer's horn, and which he said the
+deer were very fond of. On the Thursday he and I started on an
+expedition on foot to Ruthyn, distant about fourteen miles, proposing to
+return in the evening.'
+
+The book _is_ full of things like this, and must be pronounced as arrant
+a bit of book-making as ever was. But judgment is not always followed by
+execution, and a more mirth-provoking error can hardly be imagined than
+for anyone to suppose that the admission of the fact--sometimes
+doubtless a damaging fact--namely, book-making, will for one moment
+shake the faithful in their certitude that _Wild Wales_ is a delightful
+book; not so delightful, indeed, as _Lavengro_, _The Romany_, or _The
+Bible in Spain_, but still delightful because issuing from the same mint
+as they, stamped with the same physiognomy, and bearing the same
+bewitching inscription.
+
+It is a mercy the people we love do not know how much we must forgive
+them. Oh the liberties they would take, the things they would do, were
+it to be revealed to them that their roots have gone far too deep into
+our soil for us to disturb them under any provocation whatsoever!
+
+George Borrow has to be forgiven a great deal. The Appendix to _The
+Romany Rye_ contains an assault upon the memory of Sir Walter Scott, of
+which every word is a blow. It is savage, cruel, unjustifiable. There is
+just enough of what base men call truth in it, to make it one of the
+most powerful bits of devil's advocacy ever penned. Had another than
+Borrow written thus of the good Sir Walter, some men would travel far
+to spit upon his tomb. Quick and easy would have been his descent to the
+Avernus of oblivion. His books, torn from the shelf, should have long
+stood neglected in the shop of the second-hand, till the hour came for
+them to seek the stall, where, exposed to wind and weather, they should
+dolefully await the sack of the paper-merchant, whose holy office it
+should be to mash them into eternal pulp. But what rhodomontade is this!
+No books are more, in the vile phrase of the craft, 'esteemed' than
+Borrow's. The prices demanded for the early editions already impinge
+upon the absurd, and are steadily rising. The fact is, there is no use
+blinking it, mankind cannot afford to quarrel with George Borrow, and
+will not do so. It is bad enough what he did, but when we remember that
+whatever he had done, we must have forgiven him all the same, it is just
+possible to thank Heaven (feebly) that it was no worse. He might have
+robbed a church!
+
+Borrow is indeed one of those lucky men who, in Bagehot's happy phrase,
+'keep their own atmosphere,' and as a consequence, when in the destined
+hour the born Borrovian--for men are born Borrovians, not made--takes up
+a volume of him, in ten minutes (unless it be _Wild Wales_, and then
+twenty must be allowed) the victory is won; down tumbles the standard of
+Respectability which through a virtuous and perhaps long life has braved
+the battle and the breeze; up flutters the lawless pennon of the Romany
+Chal, and away skims the reader's craft over seas, hitherto untravelled,
+in search of adventures, manifold and marvellous, nor in vain.
+
+If one was in search of a single epithet most properly descriptive of
+Borrow's effect upon his reader, perhaps it would best be found in the
+word 'contagious.' He is one of the most 'catching' of our authors. The
+most inconsistent of men, he compels those who are born subject to his
+charm to share his inconsistencies. He was an agent of the Bible
+Society, and his extraordinary adventures in Spain were encountered, so
+at least his title-page would have us believe, in an attempt to
+circulate the Scriptures in the Peninsula. He was a sound Churchman, and
+would have nothing to do with Dissent, even in Wild Wales, but he had
+also a passion for the ring. Mark his devastations. It is as bad as the
+pestilence. A gentle lady, bred amongst the Quakers, a hater of physical
+force, with eyes brimful of mercy, was lately heard to say, in
+heightened tones, at a dinner-table, where the subject of momentary
+conversation was a late prize-fight: 'Oh! pity was it that ever
+corruption should have crept in amongst them.' 'Amongst whom?' inquired
+her immediate neighbour. 'Amongst the bruisers of England,' was the
+terrific rejoinder. Deep were her blushes--and yet how easy to forgive
+her! The gentle lady spoke as one does in dreams; for, you must know,
+she was born a Borrovian, and only that afternoon had read for the first
+time the famous twenty-fifth chapter of _Lavengro_:
+
+'But what a bold and vigorous aspect pugilism wore at that time! And the
+great battle was just then coming off; the day had been decided upon,
+and the spot--a convenient distance from the old town (Norwich); and to
+the old town were now flocking the bruisers of England, men of
+tremendous renown. Let no one sneer at the bruisers of England; what
+were the gladiators of Rome, or the bull-fighters of Spain, in its
+palmiest days, compared to England's bruisers? Pity that ever corruption
+should have crept in amongst them--but of that I wish not to talk. There
+they come, the bruisers from far London, or from wherever else they
+might chance to be at the time, to the great rendezvous in the old city;
+some came one way, some another: some of tip-top reputation came with
+peers in their chariots, for glory and fame are such fair things that
+even peers are proud to have those invested therewith by their sides;
+others came in their own gigs, driving their own bits of blood; and I
+heard one say: "I have driven through at a heat the whole hundred and
+eleven miles, and only stopped to bait twice!" Oh! the blood horses of
+old England! but they too have had their day--for everything beneath the
+sun there is a season and a time.... So the bruisers of England are come
+to be present at the grand fight speedily coming off; there they are
+met in the precincts of the old town, near the field of the chapel,
+planted with tender saplings at the restoration of sporting Charles,
+which are now become venerable elms, as high as many a steeple; there
+they are met at a fitting rendezvous, where a retired coachman with one
+leg keeps an hotel and a bowling-green. I think I now see them upon the
+bowling-green, the men of renown, amidst hundreds of people with no
+renown at all, who gaze upon them with timid wonder. Fame, after all, is
+a glorious thing, though it lasts only for a day. There's Cribb, the
+champion of England, and perhaps the best man in England--there he is,
+with his huge, massive figure, and face wonderfully like that of a lion.
+There is Belcher the younger--not the mighty one, who is gone to his
+place, but the Teucer Belcher, the most scientific pugilist that ever
+entered a ring, only wanting strength to be--I won't say what.... But
+how shall I name them all? They were there by dozens, and all tremendous
+in their way. There was Bulldog Hudson and fearless Scroggins, who beat
+the conqueror of Sam the Jew. There was Black Richmond--no, he was not
+there, but I knew him well. He was the most dangerous of blacks, even
+with a broken thigh. There was Purcell, who could never conquer till all
+seemed over with him. There was--what! shall I name thee last? Ay, why
+not? I believe that thou art the last of all that strong family still
+above the sod, where may'st thou long continue--true piece of English
+stuff, Tom of Bedford, sharp as Winter, kind as Spring!'
+
+No wonder the gentle lady was undone. It is as good as Homer.
+
+Diderot, it will be remembered, once wrote a celebrated eulogium on
+Richardson, which some have thought exaggerated, because he says in it
+that, on the happening of certain events, in themselves improbable, he
+would keep _Clarissa_ and _Sir Charles_ on the same shelf with the
+writings of Moses, Homer, Euripides, and Sophocles. Why a literary man
+should not be allowed to arrange his library as he chooses, without
+being exposed to so awful a charge as that of exaggeration, it is hard
+to say. But no doubt the whole eulogium is pitched in too high a key for
+modern ears; still, it contains sensible remarks, amongst them this one:
+that he had observed that in a company where the writings of Richardson
+were being read, either privately or aloud, the conversation became at
+once interesting and animated. Books cannot be subjected to a truer
+test. Will they bear talking about? A parcel of friends can talk about
+Borrow's books for ever. The death of his father, as told in the last
+chapter of _Lavengro_. Is there anything of the kind more affecting in
+the library? Somebody is almost sure to say, 'Yes, the death of Le Fevre
+in _Tristram Shandy_.' A third, who always (provoking creature) likes
+best what she read last, will wax eloquent over the death of the little
+princess in Tolstoi's great book. The character-sketch of Borrow's elder
+brother, the self-abnegating artist who declined to paint the portrait
+of the Mayor of Norwich because he thought a friend of his could do it
+better, suggests De Quincey's marvellous sketch of his elder brother.
+And then, what about Benedict Moll, Joey the dog-fancier of Westminster,
+and that odious wretch the London publisher? You had need to be a deaf
+mute to avoid taking part in a conversation like this. Who was Mary
+Fulcher? All the clocks in the parish will have struck midnight before
+that question has been answered. It is not to take a gloomy view of the
+world to say that there are few pleasanter things in it than a good talk
+about George Borrow.
+
+For invalids and delicate persons leading retired lives, there are no
+books like Borrow's. Lassitude and Languor, horrid hags, simply pick up
+their trailing skirts and scuttle out of any room into which he enters.
+They cannot abide him. A single chapter of Borrow is air and exercise;
+and, indeed, the exercise is not always gentle. 'I feel,' said an
+invalid, laying down _The Bible in Spain_, as she spoke, upon the
+counterpane, 'as if I had been gesticulating violently for the space of
+two hours.' She then sank into deep sleep, and is now hale and hearty.
+Miss Martineau, in her _Life in the Sick Room_, invokes a blessing upon
+the head of Christopher North. But there were always those who refused
+to believe in Miss Martineau's illness, and certainly her avowed
+preference for the man whom Macaulay in his wrath, writing to Napier in
+Edinburgh, called 'your grog-drinking, cock-fighting, cudgel-playing
+Professor of Moral Philosophy,' is calculated to give countenance to
+this unworthy suspicion. It was an odd taste for an invalid who, whilst
+craving for vigour, must necessarily hate noise. Borrow is a vigorous
+writer, Wilson a noisy one. It was, however, his _Recreations_ and not
+the _Noctes Ambrosianae_, that Miss Martineau affected. Still the
+_Recreations_ are noisy too, and Miss Martineau must find her best
+excuse, and I am determined to find an excuse for her--for did she not
+write the _Feats on the Fiord_?--in the fact, that when she wrote her
+_Life in the Sick Room_ (a dear little book to read when in rude
+health), Borrow had published nothing of note. Had he done so, she would
+have been of my way of thinking.
+
+How much of Borrow is true and how much is false, is one of those
+questions which might easily set all mankind by the ears, but for the
+pleasing circumstance that it does not matter a dump. Few things are
+more comical than to hear some douce body, unread in Borrow, gravely
+inquiring how far his word may be relied upon. The sole possible
+response takes the exceptionable shape of loud peals of laughter. And
+yet, surely, it is a most reasonable question, or query, as the Scotch
+say. So it is; but after you have read your author you won't ask it--you
+won't want to. The reader can believe what he likes, and as much as he
+likes. In the old woman on London Bridge and her convict son, in the man
+in black (how unlike Goldsmith's!), in the _Flaming Tinman_, in Ursula,
+the wife of Sylvester. There is but one person in whom you must believe,
+every hour of the day and of the night, else are you indeed
+unworthy--you must believe in Isopel Berners. A stranger and more
+pathetic figure than she is not to be seen flitting about in the great
+shadow-dance men call their life. Born and bred though she was in a
+workhouse, where she learnt to read and sew, fear God, and take her own
+part, a nobler, more lovable woman never crossed man's path. Her
+introduction to her historian was quaint. 'Before I could put myself on
+my guard, she struck me a blow on the face, which had nearly brought me
+to the ground.' Alas, poor Isopel! Borrow returned the blow, a deadlier,
+fiercer blow, aimed not at the face but at the heart. Of their life in
+the Dingle let no man speak; it must be read in the last chapters of
+_Lavengro_, and the early ones of _The Romany Rye_. Borrow was certainly
+irritating. One longs to shake him. He was what children call 'a tease.'
+He teased poor Isopel with his confounded philology. Whether he simply
+made a mistake, or whether the girl was right in her final surmise, that
+he was 'at the root mad,' who can say? He offered her his hand, but at
+too late a stage in the proceedings. Isopel Berners left the Dingle to
+go to America, and we hear of her no more. That she lived to become a
+happy 'housemother,' and to start a line of brave men and chaste women,
+must be the prayer of all who know what it is to love a woman they have
+never seen. Of the strange love-making that went on in the Dingle no
+idea can or ought to be given save from the original.
+
+'Thereupon I descended into the Dingle. Belle was sitting before the
+fire, at which the kettle was boiling. "Were you waiting for me?" I
+inquired. "Yes," said Belle, "I thought you would come, and I waited for
+you." "That was very kind," said I. "Not half so kind," said she, "as it
+was of you to get everything ready for me in the dead of last night,
+when there was scarcely a chance of my coming." The tea-things were
+brought forward, and we sat down. "Have you been far?" said Belle.
+"Merely to that public-house," said I, "to which you directed me on the
+second day of our acquaintance." "Young men should not make a habit of
+visiting public-houses," said Belle; "they are bad places." "They may be
+so to some people," said I, "but I do not think the worst public-house
+in England could do me any harm." "Perhaps you are so bad already," said
+Belle with a smile, "that it would be impossible to spoil you." "How
+dare you catch at my words?" said I; "come, I will make you pay for
+doing so--you shall have this evening the longest lesson in Armenian
+which I have yet inflicted upon you." "You may well say inflicted," said
+Belle, "but pray spare me. I do not wish to hear anything about Armenian,
+especially this evening." "Why this evening?" said I. Belle made no
+answer. "I will not spare you," said I; "this evening I intend to make
+you conjugate an Armenian verb." "Well, be it so," said Belle, "for this
+evening you shall command." "To command is hramahyel," said I. "Ram her
+ill indeed," said Belle, "I do not wish to begin with that." "No," said
+I, "as we have come to the verbs we will begin regularly: hramahyel is a
+verb of the second conjugation. We will begin with the first." "First of
+all, tell me," said Belle, "what a verb is?" "A part of speech," said I,
+"which, according to the dictionary, signifies some action or passion;
+for example, 'I command you, or I hate you.'" "I have given you no
+cause to hate me," said Belle, looking me sorrowfully in the face.
+
+'"I was merely giving two examples," said I, "and neither was directed
+at you. In those examples, to command and hate are verbs. Belle, in
+Armenian there are four conjugations of verbs; the first ends in al, the
+second in yel, the third in oul, and the fourth in il. Now, have you
+understood me?"
+
+'"I am afraid, indeed, it will all end ill," said Belle. "Hold your
+tongue!" said I, "or you will make me lose my patience." "You have
+already made me nearly lose mine," said Belle. "Let us have no
+unprofitable interruptions," said I. "The conjugations of the Armenian
+verbs are neither so numerous nor so difficult as the declensions of the
+nouns. Hear that and rejoice. Come, we will begin with the verb hntal, a
+verb of the first conjugation, which signifies to rejoice. Come along:
+hntam, I rejoice; hyntas, thou rejoicest. Why don't you follow, Belle?"
+
+'"I am sure I don't rejoice, whatever you may do," said Belle. "The
+chief difficulty, Belle," said I, "that I find in teaching you the
+Armenian grammar proceeds from your applying to yourself and me every
+example I give. Rejoice, in this instance, is merely an example of an
+Armenian verb of the first conjugation, and has no more to do with your
+rejoicing than lal, which is also a verb of the first conjugation, and
+which signifies to weep, would have to do with your weeping, provided I
+made you conjugate it. Come along: hntam, I rejoice; hntas, thou
+rejoicest; hnta, he rejoices; hntamk, we rejoice. Now repeat those
+words." "I can't bear this much longer," said Belle. "Keep yourself
+quiet," said I. "I wish to be gentle with you, and to convince you, we
+will skip hntal, and also, for the present, verbs of the first
+conjugation, and proceed to the second. Belle, I will now select for you
+to conjugate the prettiest verb in Armenian, not only of the second, but
+also of all the four conjugations. That verb is siriel. Here is the
+present tense: siriem, siries, sire, siriemk, sirek, sirien. Come on,
+Belle, and say siriem." Belle hesitated. "Pray oblige me, Belle, by
+saying siriem." Belle still appeared to hesitate. "You must admit, Belle,
+that it is softer than hntam." "It is so," said Belle, "and to oblige
+you I will say siriem." "Very well indeed, Belle," said I, "and now to
+show you how verbs act upon pronouns in Armenian, I will say siriem
+zkiez. Please to repeat siriem zkiez." "Siriem zkiez," said Belle; "that
+last word is very hard to say." "Sorry that you think so, Belle," said
+I. "Now, please to say siria zis." Belle did so. "Exceedingly well,"
+said I. "Now say girani the sireir zis." "Girane the sireir zis," said
+Belle. "Capital!" said I. "You have now said I love you--love me. Ah!
+would that you would love me!"
+
+'"And I have said all these things?" said Belle. "Yes," said I. "You have
+said them in Armenian." "I would have said them in no language that I
+understood," said Belle. "And it was very wrong of you to take advantage
+of my ignorance, and make me say such things!" "Why so?" said I. "If
+you said them, I said them too."'
+
+ 'Was ever woman in this humour wooed?'
+
+It is, I believe, the opinion of the best critics that _The Bible in
+Spain_ is Borrow's masterpiece. It very likely is so. At the present
+moment I feel myself even more than usually disqualified for so grave a
+consideration by my over-powering delight in its dear, deluding title. A
+quarter of a century ago, in all decent homes, a boy's reading was, by
+the stern decree of his elders, divided rigorously, though at the same
+time it must be admitted crudely, into Sunday books and week-day books.
+'What have you got there?' has before now been an inquiry addressed on a
+Sunday afternoon to some youngster, suspiciously engrossed in a book.
+'Oh, _The Bible in Spain_,' would be the reply. 'It is written by a Mr.
+Borrow, you know, and it is all about'--(then the title-page would serve
+its turn) 'his attempts "to circulate the Scriptures in the Peninsula!"'
+'Indeed! Sounds most suitable,' answers the gulled authority, some
+foolish sisters' governess or the like illiterate, and moves off. And
+then the happy boy would wriggle in his chair, and, as if thirsting to
+taste the first fruits of his wile, hastily seek out a streaky page, and
+there read, for perhaps the hundredth time, the memorable words:
+
+'"Good are the horses of the Moslems," said my old friend; "where will
+you find such? They will descend rocky mountains at full speed, and
+neither trip nor fall; but you must be cautious with the horses of the
+Moslems, and treat them with kindness, for the horses of the Moslems are
+proud, and they like not being slaves. When they are young and first
+mounted, jerk not their mouths with your bit, for be sure if you do,
+they will kill you; sooner or later, you will perish beneath their feet.
+Good are our horses, and good our riders. Yea, very good are the Moslems
+at mounting the horse; who are like them? I once saw a Frank rider
+compete with a Moslem on this beach, and at first the Frank rider had it
+all his own way and he passed the Moslem, but the course was long, very
+long, and the horse of the Frank rider, which was a Frank horse also,
+panted; but the horse of the Moslem panted not, for he was a Moslem
+also, and the Moslem rider at last gave a cry, and the horse sprang
+forward and he overtook the Frank horse, and then the Moslem rider stood
+up in his saddle. How did he stand? Truly he stood on his head, and
+these eyes saw him; he stood on his head in the saddle as he passed the
+Frank rider; and he cried ha! ha! as he passed the Frank rider; and the
+Moslem horse cried ha! ha! as he passed the Frank breed, and the Frank
+lost by a far distance. Good are the Franks, good their horses; but
+better are the Moslems, and better the horses of the Moslems."'
+
+That boy, as he lay curled up in his chair, doting over the enchanted
+page, knew full well, else had he been no Christian boy, that it was not
+a Sunday book which was making his eyes start out of his head; yet,
+reckless, he cried, 'ha! ha!' and read on, and as he read he blessed the
+madcap Borrow for having called his romance by the sober-sounding,
+propitiatory title of _The Bible in Spain_!
+
+ 'Creeds pass, rites change, no altar standeth whole.'
+
+In a world of dust and ashes it is a foolish thing to prophesy
+immortality, or even a long term of years, for any fellow-mortal. Good
+luck does not usually pursue such predictions. England can boast few
+keener, better-qualified critics than that admirable woman, Mrs.
+Barbauld, or, not to dock her of her accustomed sizings, Mrs. Anna
+Laetitia Barbauld. And yet what do we find her saying? 'The young may
+melt into tears at _Julia Mandeville_, and _The Man of Feeling_, the
+romantic will shudder at _Udolpho_, but those of mature age who know
+what human nature is, will take up again and again Dr. Moore's
+_Zeluco_.' One hates to contradict a lady like Mrs. Barbauld, or to
+speak in terms of depreciation of any work of Mrs. Radcliffe's, whose
+name is still as a pleasant savour in the nostrils; therefore I will let
+_Udolpho_ alone. As for Henry Mackenzie's _Man of Feeling_, what was
+good enough for Sir Walter Scott ought surely to be good enough for us,
+most days. I am no longer young, and cannot therefore be expected to
+melt into tears at _Julia Mandeville_, but here my toleration is
+exhausted. Dr. Moore's _Zeluco_ is too much; maturity has many ills to
+bear, but repeated perusals of this work cannot fairly be included
+amongst them.
+
+Still, though prediction is to be avoided, it is impossible to feel
+otherwise than very cheerful about George Borrow. His is a good life.
+Anyhow, he will outlive most people, and that at all events is a
+comfort.
+
+
+
+
+ CARDINAL NEWMAN
+
+ I
+
+
+There are some men whose names are inseparably and exclusively
+associated with movements; there are others who are for ever united in
+human memories with places; it is the happy fortune of the distinguished
+man whose name is at the top of this page to be able to make good both
+titles to an estate in our minds and hearts; for whilst his fierce
+intellectual energy made him the leader of a great movement, his rare
+and exquisite tenderness has married his name to a lovely place.
+Whenever men's thoughts dwell upon the revival of Church authority in
+England and America during this century, they will recall the Vicar of
+St. Mary's, Oxford, who lived to become a Cardinal of Rome, and whenever
+the lover of all things that are quiet, and gentle, and true in life,
+and literature, visits Oxford he will find himself wondering whether
+snap-dragon still grows outside the windows of the rooms in Trinity,
+where once lived the author of the _Apologia_.
+
+The Rev. John Wesley was a distinguished man, if ever there was one, and
+his name is associated with a movement certainly as remarkable as, and a
+great deal more useful than, the one connected with the name of Newman.
+Wesley's great missionary tours in Devon and Cornwall, and the wild,
+remote parts of Lancashire, lack no single element of sublimity. To this
+day the memories of those apostolic journeys are green and precious, and
+a source of strength and joy: the portrait of the eager preacher hangs
+up in almost every miner's cottage, whilst his name is pronounced with
+reverence by a hundred thousand lips. 'You seem a very temperate people
+here,' once observed a thirsty pedestrian (who was, indeed, none other
+than the present writer) to a Cornish miner, 'how did it happen?' He
+replied solemnly, raising his cap, 'There came a man amongst us once,
+and his name was John Wesley.' Wesley was an Oxford man, but he is not
+much in men's thoughts as they visit that city of enchantment. Why is
+this? It is because, great as Wesley was, he lacked charm. As we read
+his diaries and letters, we are interested, we are moved, but we are not
+pleased. Now, Oxford pleases and charms. Therefore it is, that when we
+allow ourselves a day in her quadrangles we find ourselves thinking of
+Dr. Newman, and his Trinity snap-dragon, and how the Rev. William James,
+'some time in the year 1823,' taught him the doctrine of Apostolic
+Succession in the course of a walk round Christchurch Meadow, rather
+than of Wesley and his prayer-meetings at Lincoln, which were proclaimed
+by the authorities as savouring of sedition.
+
+A strong personal attachment of the kind which springs up from reading
+an author, which is distilled through his pages, and turns his foibles,
+even his follies, into pleasant things we would not for the world have
+altered, is apt to cause the reader, who is thus affected, to exaggerate
+the importance of any intellectual movement with which the author
+happened to be associated. There are, I know, people who think this is
+notably so in Dr. Newman's case. Crusty men are to be met with, who
+rudely say they have heard enough of the Oxford movement, and that the
+time is over for penning ecstatic paragraphs about Dr. Newman's personal
+appearance in the pulpit at St. Mary's. I think these crusty people are
+wrong. The movement was no doubt an odd one in some of its aspects--it
+wore a very academic air indeed; and to be academic is to be ridiculous,
+in the opinion of many. Our great Northern towns lived their grimy lives
+amidst the whirl of their machinery, quite indifferent to the movement.
+Our huge Nonconformist bodies knew no more of the University of Oxford
+in those days, than they did of the University of Tuebingen. This
+movement sent no missionaries to the miners, and its tracts were not of
+the kind that are served suddenly upon you in the streets like legal
+process, but were, in fact, bulky treatises stuffed full of the dead
+languages. London, of course, heard about the movement, and, so far as
+she was not tickled by the comicality of the notion of anything really
+important happening outside her cab-radius, was irritated by it. Mr.
+Henry Rogers poked heavy fun at it in the _Edinburgh Review_. Mr. Isaac
+Taylor wrote two volumes to prove that ancient Christianity was a
+drivelling and childish superstition, and in the opinion of some pious
+Churchmen succeeded in doing so. But for the most part people left the
+movement alone, unless they happened to be Bishops or very clerically
+connected. 'The bishops,' says Dr. Newman, 'began charging against us.'
+But bishops' charges are amongst the many seemingly important things
+that do not count in England. It is said to be the duty of an archdeacon
+to read his bishop's charge, but it is undoubted law that a mandamus
+will not be granted to compel him to do so.
+
+But notwithstanding this aspect of the case, it was a genuine
+thought-movement in propagating which these long-coated parsons, with
+their dry jokes, strange smiles, and queer notions were engaged. They
+used to drive about the country in gigs, from one parsonage to another,
+and leave their tracts behind them. They were not concerned with the
+flocks--their message was to the shepherds. As for the Dissenters, they
+had nothing to say to them, except that their very presence in a parish
+was a plenary argument for the necessity of the movement.
+
+The Tractarians met with the usual fortune of those who peddle new
+ideas. Some rectors did not want to be primitive--more did not know what
+it meant; but enough were found pathetically anxious to read a meaning
+into their services and offices, to make it plain that the Tracts really
+were 'for' and not 'against' the times.
+
+The great plot, plan, or purpose, call it what you will, of the
+Tractarian movement was to make Churchmen believe with a personal
+conviction that the Church of England was not a mere National
+Institution, like the House of Commons or the game of cricket, but a
+living branch of that Catholic Church which God had from the beginning,
+endowed with sacramental gifts and graces, with a Priesthood
+apostolically descended, with a Creed, precise and specific, which it
+was the Church's duty to teach, and man's to believe, and with a ritual
+and discipline to be practised and maintained, with daily piety and
+entire submission.
+
+These were new ideas in 1833. When Dr. Newman was ordained in 1824, he
+has told us, he did not look on ordination as a sacramental rite, nor
+did he ascribe to baptism any supernatural virtue.
+
+It cannot be denied that the Tractarians had their work before them. But
+they had forces on their side.
+
+It is always pleasant to rediscover the meaning of words and forms which
+have been dulled by long usage. This is why etymology is so fascinating.
+By the natural bent of our minds we are lovers of whatever things are
+true and real. We hanker after facts. To get a grip of reality is a
+pleasure so keen--most of our faith is so desperate a 'make-believe,'
+that it is not to be wondered at that pious folk should have been found
+who rejoiced to be told that what they had been saying and doing all the
+years of their lives really had a meaning and a history of its own. One
+would have to be very unsympathetic not to perceive that the time we are
+speaking of must have been a very happy one for many a devout soul. The
+dry bones lived--formal devotions were turned into joyous acts of faith
+and piety. The Church became a Living Witness to the Truth. She could be
+interrogated--she could answer. The old calendar was revived, and
+Saint's Day followed Saint's Day, and season season, in the sweet
+procession of the Christian Year. Pretty girls got up early, made the
+sign of the Cross, and, unscared by devils, tripped across the dewy
+meadows to Communion. Grave men read the Fathers, and found themselves
+at home in the Fourth Century.
+
+A great writer had, so it appears, all unconsciously prepared the way
+for this Neo-Catholicism. Dr. Newman has never forgotten to pay tribute
+to Sir Walter Scott.
+
+Sir Walter's work has proved to be of so permanent a character, his
+insight into all things Scotch so deep and true, and his human worth and
+excellence so rare and noble, that it has hardly been worth while to
+remember the froth and effervescence he at first occasioned; but that he
+did create a movement in the Oxford direction is certain. He made the
+old Catholic times interesting. He was not indeed, like the Tractarians,
+a man of 'primitive' mind; but he was romantic, and it all told. For
+this we have the evidence not only of Dr. Newman (a very nice
+observer), but also of the delightful, the bewitching, the never
+sufficiently-to-be-praised George Borrow--Borrow, the Friend of Man, at
+whose bidding lassitude and languor strike their tents and flee; and
+health and spirits, adventure and human comradeship, take up the reins
+of life, whistle to the horses, and away you go!
+
+Borrow has indeed, in the Appendix to the _Romany Rye_, written of Sir
+Walter after a fashion for which I hope he has been forgiven. A piece of
+invective more terrible, more ungenerous, more savagely and exultingly
+cruel, is nowhere to be found. I shudder when I think of it. Had another
+written it, nothing he ever wrote should be in the same room with the
+_Heart of Midlothian_, _Redgauntlet_, and _The Antiquary_. I am not
+going to get angry with George Borrow. I say at once--I cannot afford
+it. But neither am I going to quote from the Appendix. God forbid! I can
+find elsewhere what will suit my purpose just as well. Readers of
+_Lavengro_ will remember the Man in Black. It is hard to forget him, the
+scandalous creature, or his story of the ironmonger's daughter at
+Birmingham 'who screeches to the piano the Lady of the Lake's hymn to
+the Virgin Mary, always weeps when Mary Queen of Scots is mentioned, and
+fasts on the anniversary of the death of that very wise martyr, Charles
+I. Why, said the Man in Black, I would engage to convert such an idiot
+to popery in a week, were it worth my trouble. O Cavaliere Gualtereo,
+avete fatto molto in favore della Santa Sede.'
+
+Another precursor was Coleridge, who (amongst other things) called
+attention to the writings of the earlier Anglican divines--some of whom
+were men of primitive tempers and Catholic aspirations. Andrews and
+Laud, Jackson, Bull, Hammond and Thorndyke--sound divines to a
+man--found the dust brushed off them. The second-hand booksellers, a
+wily and observant race, became alive to the fact that though Paley and
+Warburton, Horsley and Hoadley, were not worth the brown paper they came
+wrapped up in, seventeenth-century theology would bear being marked
+high.
+
+Thus was the long Polar Winter that had befallen Anglican theology
+broken up, and the icebergs began moving about after a haphazard and
+even dangerous fashion--but motion is always something.
+
+What has come to the Movement? It is hard to say. Its great leader has
+written a book of fascinating interest to prove that it was not a
+genuine Anglican movement at all; that it was foreign to the National
+Church, and that neither was its life derived from, nor was its course
+in the direction of, the National Church. But this was after he himself
+had joined the Church of Rome. Nobody, however, ventured to contradict
+him, nor is this surprising when we remember the profusion of argument
+and imagery with which he supported his case.
+
+A point was reached, and then things were allowed to drop. The Church of
+Rome received some distinguished converts with her usual well-bred
+composure, and gave them little things to do in their new places. The
+Tracts for the Times, neatly bound, repose on many shelves. Tract No.
+90, that fierce bomb-shell which once scattered confusion through
+clerical circles, is perhaps the only bit of Dr. Newman's writing one
+does not, on thinking of, wish to sit down at once to re-read. The fact
+is that the movement, as a movement with a terminus _ad quem_, was
+fairly beaten by a power fit to be matched with Rome herself--John
+Bullism. John Bull could not be got to assume a Catholic demeanour. When
+his judges denied that the grace of Baptism was a dogma of his faith,
+Bull, instead of behaving as did the people of Milan when Ambrose was
+persecuted by an Arian Government, was hugely pleased, clapped his
+thigh, and exclaimed, through the mouth of Lord John Russell, that the
+ruling was 'sure to give general satisfaction,' as indeed it did.
+
+The work of the movement can still be seen in the new spirit that has
+descended upon the Church of England and in the general heightening of
+Church principles; but the movement itself is no longer to be seen, or
+much of the temper or modes of thought of the Tractarians. The High
+Church clergyman of to-day is no Theologian--he is an Opportunist. The
+Tractarian took his stand upon Antiquity--he laboured his points, he was
+always ready to prove his Rule of Faith and to define his position. His
+successor, though he has appropriated the results of the struggle, does
+not trouble to go on waging it. He is as a rule no great reader--you may
+often search his scanty library in vain for the works of Bishop Jackson.
+Were you to ask for them, it is quite possible he would not know to what
+bishop of that name you were referring. He is as hazy about the
+Hypostatic Union as are many laymen about the Pragmatic Sanction. He is
+all for the People and for filling his Church. The devouring claims of
+the Church of Rome do not disturb his peace of mind. He thinks it very
+rude of her to dispute the validity of his orders--but, then, foreigners
+are rude! And so he goes on his hard-working way, with his high
+doctrines and his early services, and has neither time nor inclination
+for those studies that lend support to his priestly pretensions.
+
+This temper of mind has given us peace in our time, and has undoubtedly
+promoted the cause of Temperance and other good works; but some day or
+another the old questions will have to be gone into again, and the
+Anglican claim to be a Church, Visible, Continuous, Catholic, and
+Gifted, investigated--probably for the last time.
+
+Cynics may declare that it will be but a storm in a teacup--a dispute in
+which none but 'women, priests, and peers' will be called upon to take
+part--but it is not an obviously wise policy to be totally indifferent
+to what other people are thinking about--simply because your own
+thoughts are running in other directions.
+
+But all this is really no concern of mine. My object is to call
+attention to Dr. Newman's writings from a purely literary point of view.
+
+The charm of Dr. Newman's style necessarily baffles description: as well
+might one seek to analyse the fragrance of a flower, or to expound in
+words the jumping of one's heart when a beloved friend unexpectedly
+enters the room. It is hard to describe charm. Mr. Matthew Arnold, who
+is a poet, gets near it:
+
+ 'And what but gentleness untired,
+ And what but noble feeling warm,
+ Wherever seen, howe'er inspired,
+ Is grace, is charm?'
+
+One can of course heap on words. Dr. Newman's style is pellucid, it is
+animated, it is varied; at times icy cold, it oftener glows with a
+fervent heat; it employs as its obedient and well-trained servant, a
+vast vocabulary, and it does so always with the ease of the educated
+gentleman, who by a sure instinct ever avoids alike the ugly pedantry of
+the book-worm, the forbidding accents of the lawyer, and the stiff
+conceit of the man of scientific theory. Dr. Newman's sentences
+sometimes fall upon the ear like well-considered and final judgments,
+each word being weighed and counted out with dignity and precision; but
+at other times the demeanour and language of the judge are hastily
+abandoned, and, substituted for them, we encounter the impetuous
+torrent--the captivating rhetoric, the brilliant imagery, the frequent
+examples, the repetition of the same idea in different words, of the
+eager and accomplished advocate addressing men of like passions with
+himself.
+
+Dr. Newman always aims at effect, and never misses it. He writes as an
+orator speaks, straight at you. His object is to convince, and to
+convince by engaging your attention, exciting your interest, enlivening
+your fancy. It is not his general practice to address the pure reason.
+He knows (he well may) how little reason has to do with men's
+convictions. 'I do not want,' he says, 'to be converted by a smart
+syllogism.' In another place he observes: 'The heart is commonly reached
+not through the reason--but through the imagination by means of direct
+impressions, by the testimony of facts and events, by history and by
+description. Persons influence us, voices melt us, books subdue us,
+deeds inflame us.' I have elsewhere ventured upon a comparison between
+Burke and Newman. Both men, despite their subtlety and learning and
+super-refinement, their love of fine points and their splendid capacity
+for stating them in language so apt as to make one's admiration
+breathless, took very broad, common-sense, matter-of-fact views of
+humanity, and ever had the ordinary man and woman in mind as they spoke
+and wrote. Politics and Religion existed in their opinion, for the
+benefit of plain folk, for Richard and for Jane, or, in other words, for
+living bundles of hopes and fears, doubts and certainties, prejudices
+and passions. Anarchy and Atheism are in their opinion the two great
+enemies of the Human Race. How are they to be frustrated and confounded,
+men and women being what they are? Dr. Newman, recluse though he is, has
+always got the world stretched out before him; its unceasing roar sounds
+in his ear as does the murmur of ocean in the far inland shell. In one
+of his Catholic Sermons, the sixth of his Discourses to Mixed
+Congregations, there is a gorgeous piece of rhetoric in which he
+describes the people looking in at the shop-windows and reading
+advertisements in the newspapers. Many of his pages positively glow with
+light and heat and colour. One is at times reminded of Fielding. And all
+this comparing, and distinguishing, and illustrating, and appealing, and
+describing, is done with the practised hand of a consummate writer and
+orator. He is as subtle as Gladstone, and as moving as Erskine; but
+whereas Gladstone is occasionally clumsy and Erskine is frequently
+crude, Newman is never clumsy, Newman is never crude, but always
+graceful, always mellowed.
+
+Humour he possesses in a marked degree. A quiet humour, of course, as
+befits his sober profession and the gravity of the subjects on which he
+loves to discourse. It is not the humour that is founded on a lively
+sense of the incongruous. This kind, though the most delightful of all,
+is apt, save in the hands of the great masters, the men whom you can
+count upon your fingers, to wear a slightly professional aspect. It
+happens unexpectedly, but all the same we expect it to happen, and we
+have got our laughter ready. Newman's quiet humour always takes us
+unawares, and is accepted gratefully, partly on account of its intrinsic
+excellence, and partly because we are glad to find that the
+
+ 'Pilgrim pale with Paul's sad girdle bound'
+
+has room for mirth in his heart.
+
+In sarcasm Dr. Newman is pre-eminent. Here his extraordinary powers of
+compression, which are little short of marvellous in one who has also
+such a talent for expansion, come to his aid and enable him to squeeze
+into a couple of sentences, pleadings, argument, judgment, and
+execution. Had he led the secular life, and adopted a Parliamentary
+career, he would have been simply terrific, for his weapons of offence
+are both numerous and deadly. His sentences stab--his invective
+destroys. The pompous high-placed imbecile mouthing his platitudes, the
+wordy sophister with his oven full of half-baked thoughts, the ill-bred
+rhetorician with his tawdry aphorisms, the heartless hate-producing
+satirist, would have gone down before his sword and spear. But God was
+merciful to these sinners: Newman became a Priest and they Privy
+Councillors.
+
+And lastly, all these striking qualities and gifts float about in a
+pleasant atmosphere. As there are some days even in England when merely
+to go out and breathe the common air is joy, and when, in consequence,
+that grim tyrant, our bosom's lord
+
+ 'Sits lightly in his throne,'
+
+so, to take up almost any one of Dr. Newman's books, and they are
+happily numerous--between twenty and thirty volumes--is to be led away
+from 'evil tongues,' and the 'sneers of selfish men,' from the mud and
+the mire, the shoving and pushing that gather and grow round the
+pig-troughs of life, into a diviner ether, a purer air, and is to spend
+your time in the company of one who, though he may sometimes astonish,
+yet never fails to make you feel (to use Carlyle's words about a very
+different author), 'that you have passed your evening well and nobly, as
+in a temple of wisdom, not ill and disgracefully as in brawling tavern
+supper-rooms with fools and noisy persons.'
+
+The tendency to be egotistical noticeable in some persons who are free
+from the faintest taint of egotism is a tendency hard to account
+for--but delightful to watch.
+
+'Anything,' says glorious John Dryden, 'though ever so little, which a
+man speaks of himself--in my opinion, is still too much.' A sound
+opinion most surely, and yet how interesting are the personal touches we
+find scattered up and down Dryden's noble prefaces. So with Newman--his
+dignity, his self-restraint, his taste, are all the greatest stickler
+for a stiff upper lip and the consumption of your own smoke could
+desire, and yet the personal note is frequently sounded. He is never
+afraid to strike it when the perfect harmony that exists between his
+character and his style demands its sound, and so it has come about that
+we love what he has written because he wrote it, and we love him who
+wrote it because of what he has written.
+
+I now approach by far the pleasantest part of my task, namely, the
+selection of two or three passages from Dr. Newman's books by way of
+illustrating what I have taken the liberty to say are notable
+characteristics of his style.
+
+Let me begin with a chance specimen of the precision of his language.
+The passage is from the prefatory notice the Cardinal prefixed to the
+Rev. William Palmer's _Notes of a Visit to the Russian Church in the
+Years 1840, 1841_. It is dated 1882, and is consequently the writing of
+a man over eighty years of age: 'William Palmer was one of those
+earnest-minded and devout men, forty years since, who, deeply convinced
+of the great truth that our Lord had instituted, and still acknowledges
+and protects, a Visible Church--one, individual, and integral; Catholic,
+as spread over the earth, Apostolic, as coeval with the Apostles of
+Christ, and Holy, as being the dispenser of His Word and
+Sacraments--considered it at present to exist in three main branches, or
+rather in a triple presence, the Latin, the Greek, and the Anglican,
+these three being one and the same Church distinguishable from each
+other by secondary, fortuitous, and local, though important
+characteristics. And whereas the whole Church in its fulness was, as
+they believed, at once and severally Anglican, Greek, and Latin, so in
+turn each one of those three was the whole Church; whence it followed
+that, whenever any one of the three was present, the other two, by the
+nature of the case, was absent, and therefore the three could not have
+direct relations with each other, as if they were three substantive
+bodies, there being no real difference between them except the external
+accident of place. Moreover, since, as has been said, on a given
+territory there could not be more than one of the three, it followed
+that Christians generally, wherever they were, were bound to recognise,
+and had a claim to be recognised by that one; ceasing to belong to the
+Anglican Church, as Anglican, when they were at Rome, and ignoring Rome,
+as Rome, when they found themselves at Moscow. Lastly, not to
+acknowledge this inevitable outcome of the initial idea of the Church,
+viz., that it was both everywhere and one, was bad logic, and to act in
+opposition to it was nothing short of setting up altar against altar,
+that is, the hideous sin of schism, and a sacrilege. This I conceive to
+be the formal teaching of Anglicanism.'
+
+The most carefully considered judgments of Lord Westbury or Lord Cairns
+may be searched in vain for finer examples of stern accuracy and
+beautiful aptness of language.
+
+For examples of what may be called Newman's oratorical rush, one has not
+far to look--though when torn from their context and deprived of their
+conclusion they are robbed of three-fourths of their power. Here is a
+passage from his second lecture addressed to the Anglican Party of 1833.
+It is on the Life of the National Church of England.
+
+'Doubtless the National religion is alive. It is a great power in the
+midst of us, it wields an enormous influence; it represses a hundred
+foes; it conducts a hundred undertakings; it attracts men to it, uses
+them, rewards them; it has thousands of beautiful homes up and down the
+country where quiet men may do its work and benefit its people; it
+collects vast sums in the shape of voluntary offerings, and with them it
+builds Churches, prints and distributes innumerable Bibles, books, and
+tracts, and sustains missionaries in all parts of the earth. In all
+parts of the earth it opposes the Catholic Church, denounces her as
+anti-christian, bribes the world against her, obstructs her influence,
+apes her authority, and confuses her evidence. In all parts of the world
+it is the religion of gentlemen, of scholars, of men of substance, and
+men of no personal faith at all. If this be life, if it be life to
+impart a tone to the Court and Houses of Parliament, to Ministers of
+State, to law and literature, to universities and schools, and to
+society, if it be life to be a principle of order in the population, and
+an organ of benevolence and almsgiving towards the poor, if it be life
+to make men decent, respectable, and sensible, to embellish and reform
+the family circle, to deprive vice of its grossness and to shed a glow
+over avarice and ambition; if, indeed, it is the life of religion to be
+the first jewel in the Queen's crown, and the highest step of her
+throne, then doubtless the National Church is replete, it overflows with
+life; but the question has still to be answered: life of what kind?'
+
+For a delightful example of Dr. Newman's humour, which is largely, if
+not entirely, a playful humour, I will remind the reader of the
+celebrated imaginary speech against the British Constitution attributed
+to 'a member of the junior branch of the Potemkin family,' and supposed
+to have been delivered at Moscow in the year 1850. It is too long for
+quotation, but will be found in the first of the _Lectures on the
+Present Position of Catholics in England_. The whole book is one of the
+best humoured books in the English language.
+
+Of his sarcasm, the following example, well-known as it is, must be
+given. It occurs in the _Essay on the Prospects of the Anglican Church_,
+which is reprinted from the _British Critic_ in the first volume of the
+_Essays Critical and Historical_.
+
+'In the present day mistiness is the mother of wisdom. A man who can set
+down half a dozen general propositions, which escape from destroying one
+another only by being diluted into truisms, who can hold the balance
+between opposites so skilfully as to do without fulcrum or beam, who
+never enunciates a truth without guarding himself from being supposed to
+exclude the contradictory, who holds that Scripture is the only
+authority--yet that the Church is to be deferred to, that faith only
+justifies, yet that it does not justify without works, that grace does
+not depend on the sacraments, yet is not given without them, that
+bishops are a divine ordinance--yet those who have them not are in the
+same religious condition as those who have--this is your safe man and
+the hope of the Church; this is what the Church is said to want, not
+party men, but sensible, temperate, sober, well-judging persons to guide
+it through the channel of No-meaning, between the Scylla and Charybdis
+of Aye and No. But, alas! reading sets men thinking. They will not keep
+standing in that very attitude, which you please to call sound
+Church-of-Englandism or orthodox Protestantism. It tires them, it is so
+very awkward, and for the life of them--they cannot continue in it long
+together, where there is neither article nor canon to lean against--they
+cannot go on for ever standing on one leg, or sitting without a chair,
+or walking with their legs tied, or grazing like Tityrus's stags on the
+air. Promises imply conclusions--germs lead to developments; principles
+have issues; doctrines lead to action.'
+
+Of the personal note to which I have made reference--no examples need
+or should be given. Such things must not be transplanted from their own
+homes.
+
+ 'The delicate shells lay on the shore;
+ The bubbles of the latest wave
+ Fresh pearl to their enamel gave;
+ And the bellowing of the savage sea
+ Greeted their safe escape to me.
+ I wiped away the weeds and foam
+ And brought my sea-born treasures home:
+ But the poor, unsightly noisome things
+ Had left their beauty on the shore,
+ With the sun and the sand and the wild uproar.'
+
+If I may suppose this paper read by someone who is not yet acquainted
+with Newman's writings I would advise him, unless he is bent on
+theology, to begin not with the _Sermons_, not even with the _Apologia_,
+but with the _Lectures on the Present Position of Catholics in England_.
+Then let him take up the _Lectures on the Idea of an University_, and on
+_University Subjects_. These may be followed by _Discussions and
+Arguments_, after which he will be well disposed to read the _Lectures
+on the Difficulties felt by Anglicans_. If after he has despatched these
+volumes he is not infected with what one of those charging Bishops
+called 'Newmania,' he is possessed of a devil of obtuseness no wit of
+man can expel.
+
+Of the strength of Dr. Newman's philosophical position, which he has
+explained in his _Grammar of Assent_, it would ill become me to speak.
+He there strikes the shield of John Locke. _Non nostrum est tantas
+componere lites._ But it is difficult for the most ignorant of us not to
+have shy notions and lurking suspicions even about such big subjects and
+great men. Locke maintained that a man's belief in a proposition really
+depended upon and bore a relation to the weight of evidence forthcoming
+in its favour. Dr. Newman asserts that certainty is a quality of
+propositions, and he has discovered in man 'an illative sense' whereby
+conclusions are converted into dogmas and a measured concurrence into an
+unlimited and absolute assurance. This illative sense is hardly a thing
+(if I may use an expression for ever associated with Lord Macaulay) to
+be cocksure about. Wedges, said the mediaeval mechanic to his pupils,
+split wood by virtue of a wood-splitting quality in wedges--but now we
+are indisposed to endow wedges with qualities, and if not wedges, why
+propositions? But the _Grammar of Assent_ is a beautiful book, and with
+a quotation from it I will close my quotations: 'Thus it is that
+Christianity is the fulfilment of the promise made to Abraham and of the
+Mosaic revelations; this is how it has been able from the first to
+occupy the world, and gain a hold on every class of human society to
+which its preachers reached; this is why the Roman power and the
+multitude of religions which it embraced could not stand against it;
+this is the secret of its sustained energy, and its never-flagging
+martyrdoms; this is how at present it is so mysteriously potent, in
+spite of the new and fearful adversaries which beset its path. It has
+with it that gift of stanching and healing the one deep wound of human
+nature, which avails more for its success than a full encyclopaedia of
+scientific knowledge and a whole library of controversy, and therefore
+it must last while human nature lasts.'
+
+It is fitting that our last quotation should be one which leaves the
+Cardinal face to face with his faith.
+
+Dr. Newman's poetry cannot be passed over without a word, though I am
+ill-fitted to do it justice. _Lead, Kindly Light_ has forced its way
+into every hymn-book and heart. Those who go, and those who do not go to
+church, the fervent believer and the tired-out sceptic here meet on
+common ground. The language of the verses in their intense sincerity
+seems to reduce all human feelings, whether fed on dogmas and holy rites
+or on man's own sad heart, to a common denominator.
+
+ 'The night is dark, and I am far from home,
+ Lead Thou me on.'
+
+The believer can often say no more. The unbeliever will never willingly
+say less.
+
+Amongst Dr. Newman's _Verses on Various Occasions_--though in some cases
+the earlier versions to be met with in the _Lyra Apostolica_ are to be
+preferred to the later--poems will be found by those who seek, conveying
+sure and certain evidence of the possession by the poet of the true
+lyrical gift--though almost cruelly controlled by the course of the
+poet's thoughts and the nature of his subjects. One is sometimes
+constrained to cry, 'Oh, if he could only get out into the wild blowing
+airs, how his pinions would sweep the skies!' but such thoughts are
+unlicensed and unseemly. That we have two such religious poets as
+Cardinal Newman and Miss Christina Rossetti is or ought to be matter for
+sincere rejoicing.
+
+
+ II
+
+To the inveterate truth-hunter there has been much of melancholy in the
+very numerous estimates, hasty estimates no doubt, but all manifestly
+sincere, which the death of Cardinal Newman has occasioned.
+
+The nobility of the pursuit after truth wherever the pursuit may lead
+has been abundantly recognised. Nobody has been base enough or cynical
+enough to venture upon a sneer. It has been marvellous to notice what a
+hold an unpopular thinker, dwelling very far apart from the trodden
+paths of English life and thought, had obtained upon men's imaginations.
+The 'man in the street' was to be heard declaring that the dead Cardinal
+was a fine fellow. The newspaper-makers were astonished at the interest
+displayed by their readers. How many of these honest mourners, asked the
+_Globe_, have read a page of Newman's writings? It is a vain inquiry.
+Newman's books have long had a large and increasing sale. They stand on
+all sorts of shelves, and wherever they go a still, small voice
+accompanies them. They are speaking books; an air breathes from their
+pages.
+
+ 'Again I saw and I confess'd
+ Thy speech was rare and high,
+ And yet it vex'd my burden'd breast,
+ And scared I knew not why.'
+
+It is a strange criticism that recently declared Newman's style to lack
+individuality. Oddity it lacked, and mannerisms, but not, so it seems to
+me, individuality.
+
+But this wide recognition of Newman's charm both of character and style
+cannot conceal from the anxious truth-hunter that there has been an
+almost equally wide recognition of the futility of Newman's method and
+position.
+
+Method and position? These were sacred words with the Cardinal. But a
+few days ago he seemed securely posed before the world. It cannot
+surely have been his unrivalled dialectics only that made men keep civil
+tongues in their heads or hesitate to try conclusions with him. It was
+rather, we presume, that there was no especial occasion to speak of him
+otherwise than with the respect and affection due to honoured age. But
+when he is dead--it is different. It is necessary then to gauge his
+method and to estimate his influence, not as a living man, but as a dead
+one.
+
+And what has that estimate been? The saintly life, the mysterious
+presence, are admitted, and well-nigh nothing else. All sorts of reasons
+are named, some plausible, all cunningly contrived, to account for
+Newman's quarrel with the Church of his baptism. A writer in the
+_Guardian_ suggests one, a writer in the _Times_ another, a writer in
+the _Saturday Review_ a third, and so on.
+
+However much these reasons may differ one from another, they all agree
+in this, that of necessity they have ceased to operate. They were
+personal reasons, and perished with the man whose faith and actions they
+controlled. Nobody else, it has been throughout assumed, will become a
+Romanist for the same reasons as John Henry Newman. If he had not been
+brought up an Evangelical, if he had learnt German, if he had married,
+if he had been made an archdeacon, all would have been different.
+
+There is something positively terrible in this natural history of
+opinion. All the passion and the pleading of a life, the thought, and
+the labour, the sustained argument, the library of books, reduced to
+what?--a series of accidents!
+
+Newman himself well knew this aspect of affairs. No one's plummet since
+Pascal's had taken deeper soundings of the infirmity--the oceanic
+infirmity--of the intellect. What actuary, he asks contemptuously, can
+appraise the value of a man's opinions? In how many a superb passage
+does he exhibit the absurd, the haphazard fashion in which men and women
+collect the odds and ends, the bits and scraps they are pleased to place
+in the museum of their minds, and label, in all good faith, their
+convictions! Newman almost revels in such subjects. The solemn pomposity
+which so frequently dignifies with the name of research or inquiry
+feeble scratchings amongst heaps of verbosity had no more determined foe
+than the Cardinal.
+
+But now the same measure is being meted out to him, and we are told of a
+thinker's life--it is nought.
+
+He thought he had constructed a way of escape from the City of
+Destruction for himself and his followers across the bridge of that
+illative sense which turns conclusions into assents, and opinions into
+faiths--but the bridge seems no longer standing.
+
+The writer in the _Guardian_, who attributes Newman's restlessness in
+the English Church to the smug and comfortable life of many of its
+clergy rather than to any especial craving after authority, no doubt
+wrote with knowledge.
+
+A married clergy seemed always to annoy Newman. Readers of _Loss and
+Gain_ are not likely to forget the famous 'pork chop' passage, which
+describes a young parson and his bride bustling into a stationer's shop
+to buy hymnals and tracts. What was once only annoyance at some of the
+ways of John Bull on his knees, soon ripened into something not very
+unlike hatred. Never was any invention less _ben trovato_ than that
+which used to describe Newman as pining after the 'incomparable liturgy'
+or the 'cultured society' of the Church of England. He hated _ex animo_
+all those aspects of Anglicanism which best recommend it to Erastian
+minds. A church of which sanctity is _not_ a note is sure to have many
+friends.
+
+The _Saturday Review_ struck up a fine national tune:
+
+'An intense but narrow conception of personal holiness, and personal
+satisfaction with dogma, ate him (Newman) up--the natural legacy of the
+Evangelical school in which he had been nursed, the great tradition of
+Tory churchmanship, _of pride in the Church of England, as such_, of
+determination to stand shoulder to shoulder in resisting the foreigner,
+whether he came from Rome or from Geneva, from Tuebingen, or from Saint
+Sulpice, of the union of all social and intellectual culture with
+theological learning--the idea which, alone of all such ideas, has made
+education patriotic, and orthodoxy generous, made insufficient appeal to
+him, and for want of it he himself made shipwreck.'
+
+Here is John Bullism, bold and erect. If the Ark of Peter won't hoist
+the Union Jack, John Bull must have an Ark of his own, with patriotic
+clergy of his own manufacture tugging at the oar, and with nothing
+foreign in the hold save some sound old port. 'It will always be
+remembered to Newman's credit,' says this same reviewer, 'that he knew
+good wine if he did not drink much.' Mark the 'If'; there is much virtue
+in it.
+
+We are now provided with two causes of Newman's discomfort in the Church
+of England--its too comfortable clergy, and its too frequent
+introduction of the lion and the unicorn amongst the symbols of
+religion--both effective causes, as may be proved by many passages; but
+to say that either or both availed to drive him out, and compelled him
+to seek shelter at the hands of one whom he had long regarded as a foe,
+is to go very far indeed.
+
+It should not be overlooked that these minimisers of Newman's influence
+are all firmly attached for different reasons to the institution Newman
+left. Their judgments therefore cannot be allowed to pass unchallenged.
+What Disraeli meant when he said that Newman's secession had dealt the
+Church of England a blow under which it still reeled, was that by this
+act Newman expressed before the whole world his profound conviction that
+our so-called National Church was not a branch of the Church Catholic.
+And this really is the point of weakness upon which Newman hurled
+himself. This is the damage he did to the Church of this island.
+Throughout all his writings, in a hundred places, in jests and sarcasms
+as well as in papers and arguments, there crops up this settled
+conviction that England is not a Catholic country, and that John Bull is
+not a member of the Catholic Church.
+
+This may not matter much to the British electorate; but to those who
+care about such things, who rely upon the validity of orders and the
+efficacy of sacraments, who need a pedigree for their faith, who do not
+agree with Emerson that if a man would be great he must be a
+Nonconformist--over these people it would be rash to assume that
+Newman's influence is spent. The general effect of his writings, the
+demands they awaken, the spirit they breathe, are all hostile to
+Anglicanism. They create a profound dissatisfaction with, a distaste
+for, the Church of England as by law established. Those who are affected
+by this spirit will no longer be able comfortably to enjoy the maimed
+rites and practices of their Church. They will feel their place is
+elsewhere, and sooner or later they will pack up and go. It is far too
+early in the day to leave Newman out of sight.
+
+But to end where we began. There has been scant recognition in the
+Cardinal's case of the usefulness of devoting life to anxious inquiries
+after truth. It is very noble to do so, and when you come to die, the
+newspapers, from the _Times_ to the _Sporting Life_, will first point
+out, after their superior fashion, how much better was this pure-minded
+and unworldly thinker than the soiled politician, full of opportunism
+and inconsistency, trying hard to drown the echoes of his past with his
+loud vociferations, and then proceed in a few short sentences to
+establish how out of date is this Thinker's thought, how false his
+reasoning, how impossible his conclusions, and lastly, how dead his
+influence.
+
+It is very puzzling and difficult, and drives some men to collect
+butterflies and beetles. Thinkers are not, however, to be disposed of by
+scratches of the pen. A Cardinal of the Roman Church is not, to say the
+least of it, more obviously a shipwreck than a dean or even a bishop of
+the English establishment. Character, too, counts for something. Of
+Newman it may be said:
+
+ 'Fate gave what chance shall not control,
+ His sad lucidity of soul.'
+
+But the truth-hunter is still unsatisfied.
+
+
+
+
+ MATTHEW ARNOLD
+
+ I
+
+
+The news of Mr. Arnold's sudden death at Liverpool struck a chill into
+many hearts, for although a somewhat constrained writer (despite his
+playfulness) and certainly the least boisterous of men, he was yet most
+distinctly on the side of human enjoyment. He conspired and contrived to
+make things pleasant. Pedantry he abhorred. He was a man of this life
+and this world. A severe critic of the world he indeed was, but finding
+himself in it and not precisely knowing what is beyond it, like a brave
+and true-hearted man he set himself to make the best of it. Its sight
+and sounds were dear to him. The 'uncrumpling fern,' the eternal
+moon-lit snow, 'Sweet William with its homely cottage-smell,' 'the red
+grouse springing at our sound,' the tinkling bells of the
+'high-pasturing kine,' the vagaries of men, women, and dogs, their odd
+ways and tricks, whether of mind or manner, all delighted, amused,
+tickled him. Human loves, joys, sorrows, human relationships, ordinary
+ties interested him:
+
+ 'The help in strife,
+ The thousand sweet still joys of such
+ As hand in hand face earthly life.'
+
+In a sense of the words which is noble and blessed, he was of the Earth
+Earthy.
+
+In his earlier days Mr. Arnold was much misunderstood. That rowdy
+Philistine the _Daily Telegraph_ called him 'a prophet of the kid-glove
+persuasion,' and his own too frequent iteration of the somewhat
+dandiacal phrase 'sweetness and light' helped to promote the notion that
+he was a fanciful, finikin Oxonian,
+
+ 'A fine puss gentleman that's all perfume,'
+
+quite unfit for the most ordinary wear and tear of life. He was in
+reality nothing of the kind, though his literary style was a little in
+keeping with this false conception. His mind was based on the plainest
+possible things. What he hated most was the fantastic--the far-fetched,
+all elaborated fancies, and strained interpretations. He stuck to the
+beaten track of human experience, and the broader the better. He was a
+plain-sailing man. This is his true note. In his much criticised, but as
+I think admirable introduction to the selection he made from
+Wordsworth's poems, he admits that the famous _Ode on Intimations of
+Immortality from Recollections in Early Childhood_ is not one of his
+prime favourites, and in that connection he quotes from Thucydides the
+following judgment on the early exploits of the Greek Race and applies
+it to these intimations of immortality in babies. 'It is impossible to
+speak with certainty of what is so remote, but from all that we can
+really investigate I should say that they were no very great things.'
+
+This quotation is in Mr. Arnold's own vein. His readers will have no
+difficulty in calling to mind numerous instances in which his dislike of
+everything not broadly based on the generally admitted facts of sane
+experience manifests itself. Though fond--perhaps exceptionally
+fond--of pretty things and sayings, he had a severe taste, and hated
+whatever struck him as being in the least degree sickly, or silly, or
+over-heated. No doubt he may often have considered that to be sickly or
+silly which in the opinion of others was pious and becoming. It may be
+that he was over-impatient of men's flirtations with futurity. As his
+paper on Professor Dowden's Life of Shelley shows, he disapproved of
+'irregular relations.' He considered we were all married to plain Fact,
+and objected to our carrying on a flirtation with mystic maybe's and
+calling it Religion. Had it been a man's duty to believe in a specific
+revelation it would have been God's duty to make that revelation
+credible. Such, at all events, would appear to have been the opinion of
+this remarkable man, who though he had even more than his share of an
+Oxonian's reverence for the great Bishop of Durham, was unable to admit
+the force of the main argument of _The Analogy_. Mr. Arnold was indeed
+too fond of parading his inability for hard reasoning. I am not, he
+keeps saying, like the Archbishop of York, or the Bishop of Gloucester
+and Bristol. There was affectation about this, for his professed
+inferiority did not prevent him from making it almost excruciatingly
+clear that in his opinion those gifted prelates were, whilst exercising
+their extraordinary powers, only beating the air, or in plainer words
+busily engaged in talking nonsense. But I must not wander from my point,
+which simply is that Arnold's dislike of anything recondite or remote
+was intense, genuine, and characteristic.
+
+He always asserted himself to be a good Liberal. So in truth he was. A
+better Liberal than many a one whose claim to that title it would be
+thought absurd to dispute. He did not indeed care very much about some
+of the articles of the Liberal creed as now professed. He had taken a
+great dislike to the Deceased Wife's Sister Bill. He wished the Church
+and the State to continue to recognise each other. He had not that
+jealousy of State interference in England which used to be (it is so no
+longer) a note of political Liberalism. He sympathised with Italian
+national aspirations because he thought it wrong to expect a country
+with such a past as Italy to cast in her lot with Austria. He did not
+sympathise with Irish national aspirations because he thought Ireland
+ought to be willing to admit that she was relatively to England an
+inferior and less interesting country, and therefore one which had no
+moral claim for national institutions. He may have been right or wrong
+on these points without affecting his claim to be considered a Liberal.
+Liberalism is not a creed, but a frame of mind. Mr. Arnold's frame of
+mind was Liberal. No living man is more deeply permeated with the grand
+doctrine of Equality than was he. He wished to see his countrymen and
+countrywomen all equal: Jack as good as his master, and Jack's master as
+good as Jack; and neither taking claptrap. He had a hearty un-English
+dislike of anomalies and absurdities. He fully appreciated the French
+Revolution and was consequently a Democrat. He was not a democrat from
+irresistible impulse, or from love of mischief, or from hatred of
+priests, or like the average British workman from a not unnatural
+desire to get something on account of his share of the family
+inheritance--but all roads lead to Rome, and Mr. Arnold was a democrat
+from a sober and partly sorrowful conviction that no other form of
+government was possible. He was an Educationalist, and Education is the
+true Leveller. His almost passionate cry for better middle-class
+education arose from his annoyance at the exclusion of large numbers of
+this great class from the best education the country afforded. It was a
+ticklish job telling this great, wealthy, middle class--which according
+to the newspapers had made England what she is and what everybody else
+wishes to be--that it was, from an educational point of view, beneath
+contempt. 'I hear with surprise,' said Sir Thomas Bazley at Manchester,
+'that the education of our great middle class requires improvement.' But
+Mr. Arnold had courage. Indeed he carried one kind of courage to an
+heroic pitch. I mean the courage of repeating yourself over and over
+again. It is a sound forensic maxim: Tell a judge twice whatever you
+want him to hear. Tell a special jury thrice, and a common jury
+half-a-dozen times the view of a case you wish them to entertain. Mr.
+Arnold treated the middle class as a common jury and hammered away at
+them remorselessly and with the most unblushing iteration. They groaned
+under him, they snorted, and they sniffed--but they listened, and, what
+was more to the purpose, their children listened, and with filial
+frankness told their heavy sires that Mr. Arnold was quite right, and
+that their lives were dull, and hideous, and arid, even as he described
+them as being. Mr. Arnold's work as a School Inspector gave him great
+opportunities of going about amongst all classes of the people. Though
+not exactly apostolic in manner or method, he had something to say both
+to and of everybody. The aristocracy were polite and had ways he
+admired, but they were impotent of ideas and had a dangerous tendency to
+become studiously frivolous. Consequently the Future did not belong to
+them. Get ideas and study gravity, was the substance of his discourse to
+the Barbarians, as, with that trick of his of miscalling God's
+creatures, he had the effrontery to dub our adorable nobility. But it
+was the middle class upon whom fell the full weight of his discourse.
+His sermons to them would fill a volume. Their great need was culture,
+which he declared to be _a study of perfection_, the sentiment for
+beauty and sweetness, the sentiment against hideousness and rawness. The
+middle class, he protested, needed to know all the best things that have
+been said and done in the world since it began, and to be thereby lifted
+out of their holes and corners, private academies and chapels in side
+streets, above their tenth-rate books and miserable preferences, into
+the main stream of national existence. The lower orders he judged to be
+a mere rabble, and thought it was as yet impossible to predict whether
+or not they would hereafter display any aptitude for Ideas, or passion
+for Perfection. But in the meantime he bade them learn to cohere, and to
+read and write, and above all he conjured them not to imitate the middle
+classes.
+
+It is not easy to know everything about everybody, and it may be doubted
+whether Mr. Arnold did not over-rate the degree of acquaintance with
+his countrymen his peregrinations among them had conferred upon him. In
+certain circles he was supposed to have made the completest possible
+diagnosis of dissent, and was credited with being able, after five
+minutes' conversation with any individual Nonconformist, unerringly to
+assign him to his particular chapel, Independent, Baptist, Primitive
+Methodist, Unitarian, or whatever else it might be, and this though they
+had only been talking about the weather. To people who know nothing
+about dissenters, Mr. Arnold might well seem to know everything.
+However, he did know a great deal, and used his knowledge with great
+cunning and effect, and a fine instinctive sense of the whereabouts of
+the weakest points. Mr. Arnold's sense for equality and solidarity was
+not impeded by any exclusive tastes or hobbies. Your collector, even
+though it be but of butterflies, is rarely a democrat. One of Arnold's
+favourite lines in Wordsworth was--
+
+ 'Joy that is in widest commonalty spread.'
+
+The collector's joys are not of that kind. Mr. Arnold was not, I
+believe, a collector of anything. He certainly was not of books. I once
+told him I had been reading a pamphlet, written by him in 1859, on the
+Italian Question. He inquired how I came across it. I said I had picked
+it up in a shop. 'Oh, yes,' said he, 'some old curiosity shop, I
+suppose.' Nor was he joking. He seemed quite to suppose that old books,
+and old clothes, and old chairs were huddled together for sale in the
+same resort of the curious. He did not care about such things. The
+prices given for the early editions of his own poems seemed to tease
+him. His literary taste was broadly democratic. He had no mind for
+fished-up authors, nor did he ever indulge in swaggering rhapsodies over
+second-rate poets. The best was good enough for him. 'The best poetry'
+was what he wanted, 'a clearer, deeper sense of the best in poetry, and
+of the strength and joy to be drawn from it.' So he wrote in his general
+introduction to Mr. Ward's _Selections from the English Poets_. The best
+of everything for everybody. This was his gospel and his prayer.
+
+Approaching Mr. Arnold's writings more nearly, it seems inevitable to
+divide them into three classes. His poems, his theological excursions,
+and his criticism, using the last word in a wide sense as including a
+criticism of life and of politics as well as of books and style.
+
+Of Mr. Arnold's poetry it is hard for anyone who has felt it to the full
+during the most impressionable period of life to speak without emotion
+overcoming reason.
+
+ 'Hardly shall I tell my joys and sorrows,
+ Hopes and fears, belief and unbelieving.'
+
+It is easy to admit, in general terms, its limitations. Mr. Arnold is
+the last man in the world anybody would wish to shove out of his place.
+A poet at all points, armed cap-a-pie against criticism, like Lord
+Tennyson, he certainly was not. Nor had his verse any share of the
+boundless vitality, the fierce pulsation so nobly characteristic of Mr.
+Browning. But these admissions made, we decline to parley any further
+with the enemy. We cast him behind us. Mr. Arnold, to those who cared
+for him at all, was the most _useful_ poet of his day. He lived much
+nearer us than poets of his distinction usually do. He was neither a
+prophet nor a recluse. He lived neither above us, nor away from us.
+There are two ways of being a recluse--a poet may live remote from men,
+or he may live in a crowded street but remote from their thoughts. Mr.
+Arnold did neither, and consequently his verse tells and tingles. None
+of it is thrown away. His readers feel that he bore the same yoke as
+themselves. Theirs is a common bondage with his. Beautiful, surpassingly
+beautiful some of Mr. Arnold's poetry is, but we seize upon the
+_thought_ first and delight in the _form_ afterwards. No doubt the form
+is an extraordinary comfort, for the thoughts are often, as thoughts so
+widely spread could not fail to be, the very thoughts that are too
+frequently expressed rudely, crudely, indelicately. To open Mr. Arnold's
+poems is to escape from a heated atmosphere and a company not wholly
+free from offence even though composed of those who share our
+opinions--from loud-mouthed random talking men into a well-shaded
+retreat which seems able to impart, even to our feverish persuasions
+and crude conclusions, something of the coolness of falling water,
+something of the music of rustling trees. This union of thought,
+substantive thought, with beauty of form--of strength with elegance, is
+rare. I doubt very much whether Mr. Arnold ever realised the devotedness
+his verse inspired in the minds of thousands of his countrymen and
+countrywomen, both in the old world and the new. He is not a bulky poet.
+Three volumes contain him. But hardly a page can be opened without the
+eye lighting on verse which at one time or another has been, either to
+you or to someone dear to you, strength or joy. _The Buried Life_, _A
+Southern Night_, _Dover Beach_, _A Wanderer is Man from his Birth_,
+_Rugby Chapel_, _Resignation_. How easy to prolong the list, and what a
+list it is! Their very names are dear to us even as are the names of
+Mother Churches and Holy Places to the Votaries of the old Religion. I
+read the other day in the _Spectator_ newspaper, an assertion that Mr.
+Arnold's poetry had never consoled anybody. A falser statement was never
+made innocently. It may never have consoled the writer in the
+_Spectator_, but because the stomach of a dram-drinker rejects cold
+water is no kind of reason for a sober man abandoning his morning
+tumbler of the pure element. Mr. Arnold's poetry has been found full of
+consolation. It would be strange if it had not been. It is
+
+ 'No stretched metre of an antique song,'
+
+but quick and to the point. There are finer sonnets in the English
+language than the two following, but there are no better sermons. And if
+it be said that sermons may be found in stones, but ought not to be in
+sonnets, I fall back upon the fact which Mr. Arnold himself so
+cheerfully admitted, that the middle classes, who in England, at all
+events, are Mr. Arnold's chief readers, are serious, and love sermons.
+Some day perhaps they will be content with metrical exercises, ballades,
+and roundels.
+
+ 'EAST LONDON
+
+ ''Twas August, and the fierce sun overhead
+ Smote on the squalid streets of Bethnal Green,
+ And the pale weaver, through his windows seen
+ In Spitalfields, look'd thrice dispirited.
+
+ 'I met a preacher there I knew, and said:
+ "Ill and o'erwork'd, how fare you in this scene?"
+ "Bravely!" said he; "for I of late have been
+ Much cheer'd with thoughts of Christ, _the living bread_."
+
+ 'O human soul! as long as thou canst so
+ Set up a mark of everlasting light,
+ Above the howling senses' ebb and flow,
+ To cheer thee, and to right thee if thou roam--
+ Not with lost toil thou labourest through the night!
+ Thou mak'st the heaven thou hop'st indeed thy home.'
+
+ 'THE BETTER PART
+
+ 'Long fed on boundless hopes, O race of man,
+ How angrily thou spurn'st all simpler fare!
+ "Christ," some one says, "was human as we are;
+ No judge eyes us from Heaven, our sin to scan;
+
+ '"We live no more, when we have done our span."--
+ "Well, then, for Christ," thou answerest, "who can care?
+ From Sin, which Heaven records not, why forbear?
+ Live we like brutes our life without a plan!"
+
+ 'So answerest thou; but why not rather say:
+ "Hath man no second life?--_Pitch this one high!_
+ Sits there no judge in Heaven, our sin to see?
+
+ '"_More strictly, then, the inward judge obey!_
+ Was Christ a man like us?--_Ah! let us try
+ If we then, too, can be such men as he!_"'
+
+Mr. Arnold's love of nature, and poetic treatment of nature, was to many
+a vexed soul a great joy and an intense relief. Mr. Arnold was a
+genuine Wordsworthian--being able to read everything Wordsworth ever
+wrote except _Vaudracour and Julia_. The influence of Wordsworth upon
+him was immense, but he was enabled, by the order of his mind, to reject
+with the heartiest goodwill the cloudy pantheism which robs so much of
+Wordsworth's best verse of the heightened charm of reality, for, after
+all, poetry, like religion, must be true, or it is nothing. This strong
+aversion to the unreal also prevented Mr. Arnold, despite his love of
+the classical forms, from a nonsensical neo-paganism. His was a manlier
+attitude. He had no desire to keep tugging at the dry breasts of an
+outworn creed, nor any disposition to go down on his knees, or _hunkers_
+as the Scotch more humorously call them, before plaster casts of Venus,
+or even of 'Proteus rising from the sea.' There was something very
+refreshing about this. In the long run even a gloomy truth is better
+company than a cheerful falsehood. The perpetual strain of living down
+to a lie, the depressing atmosphere of a circumscribed intelligence
+tell upon the system, and the cheerful falsehood soon begins to look
+puffy and dissipated.
+
+ 'THE YOUTH OF NATURE.
+
+ 'For, oh! is it you, is it you,
+ Moonlight, and shadow, and lake,
+ And mountains, that fill us with joy,
+ Or the poet who sings you so well?
+ . . . . . . .
+ . . . . . . .
+ More than the singer are these
+ . . . . . . .
+ . . . . . . .
+ Yourselves and your fellows ye know not; and me,
+ The mateless, the one, will ye know?
+ Will ye scan me, and read me, and tell
+ Of the thoughts that ferment in my breast,
+ My longing, my sadness, my joy?
+ Will ye claim for your great ones the gift
+ To have rendered the gleam of my skies,
+ To have echoed the moan of my seas,
+ Uttered the voice of my hills?
+ When your great ones depart, will ye say:
+ _All things have suffered a loss,
+ Nature is hid in their grave?_
+
+ Race after race, man after man,
+ Have thought that my secret was theirs,
+ Have dream'd that I lived but for them,
+ That they were my glory and joy.
+ They are dust, they are changed, they are gone!
+ I remain.'
+
+When a poet is dead we turn to his verse with quickened feelings. He
+rests from his labours. We still
+
+ 'Stem across the sea of life by night,'
+
+and the voice, once the voice of the living, of one who stood by our
+side, has for a while an unfamiliar accent, coming to us as it does no
+longer from our friendly earth but from the strange cold caverns of
+death.
+
+ 'Joy comes and goes, hope ebbs and flows
+ Like the wave,
+ Change doth unknit the tranquil strength of men.
+ Love lends life a little grace,
+ A few sad smiles; and then,
+ Both are laid in one cold place,
+ In the grave.
+
+ 'Dreams dawn and fly, friends smile and die
+ Like spring flowers;
+ Our vaunted life is one long funeral.
+ Men dig graves with bitter tears
+ For their dead hopes; and all,
+ Mazed with doubts and sick with fears,
+ Count the hours.
+
+ 'We count the hours! These dreams of ours,
+ False and hollow,
+ Do we go hence and find they are not dead?
+ Joys we dimly apprehend,
+ Faces that smiled and fled,
+ Hopes born here, and born to end,
+ Shall we follow?'
+
+In a poem like this Mr. Arnold is seen at his best; he fairly forces
+himself into the very front ranks. In form almost equal to Shelley, or
+at any rate not so very far behind him, whilst of course in reality, in
+wholesome thought, in the pleasures that are afforded by thinking, it is
+of incomparable excellence.
+
+We die as we do, not as we would. Yet on reading again Mr. Arnold's
+_Wish_, we feel that the manner of his death was much to his mind.
+
+ 'A WISH.
+
+ 'I ask not that my bed of death
+ From bands of greedy heirs be free:
+ For these besiege the latest breath
+ Of fortune's favoured sons, not me.
+
+ 'I ask not each kind soul to keep
+ Tearless, when of my death he hears.
+ Let those who will, if any--weep!
+ There are worse plagues on earth than tears.
+
+ 'I ask but that my death may find
+ The freedom to my life denied;
+ Ask but the folly of mankind
+ Then--then at last to quit my side.
+
+ 'Spare me the whispering, crowded room,
+ The friends who come, and gape, and go;
+ The ceremonious air of gloom--
+ All, which makes death a hideous show!
+
+ 'Nor bring to see me cease to live
+ Some doctor full of phrase and fame
+ To shake his sapient head and give
+ The ill he cannot cure a name.
+
+ 'Nor fetch to take the accustom'd toll
+ Of the poor sinner bound for death
+ His brother-doctor of the soul
+ To canvass with official breath
+
+ 'The future and its viewless things--
+ That undiscover'd mystery
+ Which one who feels death's winnowing wings
+ Must needs read clearer, sure, than he!
+
+ 'Bring none of these; but let me be
+ While all around in silence lies,
+ Moved to the window near, and see
+ Once more before my dying eyes,
+
+ 'Bathed in the sacred dews of morn
+ The wide aerial landscape spread--
+ The world which was ere I was born,
+ The world which lasts when I am dead.
+
+ 'Which never was the friend of _one_,
+ Nor promised love it could not give,
+ But lit for all its generous sun
+ And lived itself and made us live.
+
+ 'Then let me gaze--till I become
+ In soul, with what I gaze on, wed!
+ To feel the universe my home;
+ To have before my mind--instead
+
+ 'Of the sick room, the mortal strife,
+ The turmoil for a little breath--
+ The pure eternal course of life,
+ Not human combatings with death!
+
+ 'Thus feeling, gazing, let me grow
+ Composed, refresh'd, ennobled, clear--
+ Then willing let my spirit go
+ To work or wait, elsewhere or here!'
+
+To turn from Arnold's poetry to his theological writings--if so grim a
+name can be given to these productions--from _Rugby Chapel_ to
+_Literature and Dogma_, from _Obermann_ to _God and the Bible_, from
+_Empedocles on Etna_ to _St. Paul and Protestantism_, is to descend from
+the lofty table-lands,
+
+ 'From the dragon-warder'd fountains
+ Where the springs of knowledge are,
+ From the watchers on the mountains
+ And the bright and morning star,'
+
+to the dusty highroad. It cannot, I think, be asserted that either the
+plan or the style of these books was in keeping with their subjects. It
+was characteristic of Mr. Arnold, and like his practical turn of mind,
+to begin _Literature and Dogma_ in the _Cornhill Magazine_. A book
+rarely shakes off the first draft--_Literature and Dogma_ never did. It
+is full of repetitions and wearisome recapitulations, well enough in a
+magazine where each issue is sure to be read by many who will never see
+another number, but which disfigure a book. The style is likewise too
+jaunty. Bantering the Trinity is not yet a recognised English pastime.
+Bishop-baiting is, but this notwithstanding, most readers of _Literature
+and Dogma_ grew tired of the Bishop of Gloucester and Bristol and of his
+alleged desire to do something for the honour of the Godhead, long
+before Mr. Arnold showed any signs of weariness. But making all these
+abatements, and fully admitting that _Literature and Dogma_ is not
+likely to prove permanently interesting to the English reader, it must
+be pronounced a most valuable and useful book, and one to which the
+professional critics and philosophers never did justice. The object of
+_Literature and Dogma_ was no less than the restoration of the use of
+the Bible to the sceptical laity. It was a noble object, and it was in a
+great measure, as thousands of quiet people could testify, attained. It
+was not a philosophical treatise. In its own way it was the same kind of
+thing as many of Cardinal Newman's writings. It started with an
+assumption, namely, that it is impossible to believe in the miracles
+recorded in the Old and New Testaments. There is no laborious attempt to
+distinguish between one miracle and another, or to lighten the burden of
+faith in any particular. Nor is any serious attempt made to disprove
+miracles. Mr. Arnold did not write for those who find no difficulty in
+believing in the first chapter of St. Luke's gospel, or the sixteenth
+chapter of St. Mark's, but for those who simply cannot believe a word of
+either the one chapter or the other. Mr. Arnold knew well that this
+inability to believe is apt to generate in the mind of the unbeliever an
+almost physical repulsion to open books which are full of supernatural
+events. Mr. Arnold knew this and lamented it. His own love of the Bible
+was genuine and intense. He could read even Jeremiah and Habakkuk. As he
+loved Homer with one side of him, so he loved the Bible with the other.
+He saw how men were crippled and maimed through growing up in ignorance
+of it, and living all the days of their lives outside its influence. He
+longed to restore it to them, to satisfy them that its place in the
+mind of man--that its educational and moral power was not due to the
+miracles it records nor to the dogmas that Catholics have developed or
+Calvanists extracted from its pages, but to its literary excellence and
+to the glow and enthusiasm it has shed over conduct, self-sacrifice,
+humanity, and holy living. It was at all events a worthy object and a
+most courageous task. It exposed him to a heavy cross-fire. The Orthodox
+fell upon his book and abused it, unrestrainedly abused it for its
+familiar handling of their sacred books. They almost grudged Mr. Arnold
+his great acquaintance with the Bible, just as an Englishman might be
+annoyed at finding Moltke acquainted with all the roads from Dover to
+London. This feeling was natural, and on the whole I think it creditable
+to the orthodox party that a book so needlessly pain-giving as
+_Literature and Dogma_ did not goad them into any personal abuse of its
+author. But they could not away with the book. Nor did the philosophical
+sceptic like it much better. The philosophical sceptic is too apt to
+hate the Bible, even as the devil was reported to hate holy water. Its
+spirit condemns him. Its devout, heart-stirring, noble language creates
+an atmosphere which is deadly for pragmatic egotism. To make men once
+more careful students of the Bible was to deal a blow at materialism,
+and consequently was not easily forgiven. 'Why can't you leave the Bible
+alone?' they grumbled--'What have we to do with it?' But Pharisees and
+Sadducees do not exhaust mankind, and Mr. Arnold's contributions to the
+religious controversies of his time were very far from the barren things
+that are most contributions, and indeed most controversies on such
+subjects. I believe I am right when I say that he induced a very large
+number of persons to take up again and make a daily study of the books
+both of the Old and the New Testament.
+
+As a literary critic Mr. Arnold had at one time a great vogue. His
+_Essays in Criticism_, first published in 1865, made him known to a
+larger public than his poems or his delightful lectures on translating
+Homer had succeeded in doing. He had the happy knack of starting
+interesting subjects and saying all sorts of interesting things by the
+way. There was the French Academy. Would it be a good thing to have an
+English Academy? He started the question himself and answered it in the
+negative. The public took it out of his mouth and proceeded to discuss
+it for itself, always on the assumption that he had answered it in the
+affirmative. But that is the way with the public. No sensible man minds
+it. To set something going is the most anybody can hope to do in this
+world. Where it will go to, and what sort of moss it will gather as it
+goes, for despite the proverb there is nothing incompatible between moss
+and motion, no one can say. In this volume, too, he struck the note, so
+frequently and usefully repeated, of self-dissatisfaction. To make us
+dissatisfied with ourselves, alive to our own inferiority, not absolute
+but in important respects, to check the chorus, then so loud, of
+self-approval of our majestic selves--to make us understand why nobody
+who is not an Englishman wants to be one, this was another of the tasks
+of this militant man. We all remember how _Wragg[6] is in custody_. The
+papers on Heine and Spinoza and Marcus Aurelius were read with
+eagerness, with an enjoyment, with a sense of widening horizons too rare
+to be easily forgotten. They were light and graceful, but it would I
+think be unjust to call them slender. They were not written for
+specialists or even for students, but for ordinary men and women,
+particularly for young men and women, who carried away with them from
+the reading of _Essays in Criticism_ something they could not have found
+anywhere else and which remained with them for the rest of their days,
+namely, a way of looking at things. A perfectly safe critic Mr. Arnold
+hardly was. Even in this volume he fusses too much about the De Guerins.
+To some later judgments of his it would be unkind to refer. It was said
+of the late Lord Justice Mellish by Lord Cairns that he went right
+instinctively. That is, he did not flounder into truth. Mr. Arnold never
+floundered, but he sometimes fell. A more delightful critic of
+literature we have not had for long. What pleasant reading are his
+_Lectures on Translating Homer_, which ought to be at once reprinted.
+How full of good things! Not perhaps fit to be torn from their contexts,
+or paraded in a commonplace book, but of the kind which give a reader
+joy--which make literature tempting--which revive, even in dull
+middle-age, something of the enthusiasm of the love-stricken boy. Then,
+too, his _Study of Celtic Literature_. It does not matter much whether
+you can bring yourself to believe in the _Eisteddfod_ or not. In fact
+Mr. Arnold did not believe in it. He knew perfectly well that better
+poetry is to be found every week in the poet's corner of every county
+newspaper in England than is produced annually at the _Eisteddfod_. You
+need not even share Mr. Arnold's opinion as to the inherent value of
+Celtic Literature, though this is of course a grave question, worthy of
+all consideration--but his _Study_ is good enough to be read for love.
+It is full of charming criticism. Most critics are such savages--or if
+they are not savages, they are full of fantasies, and are capable at any
+moment of calling _Tom Jones_ dull, or Sydney Smith a bore. Mr. Arnold
+was not a savage, and could no more have called _Tom Jones_ dull or
+Sydney Smith a bore, than Homer heavy or Milton vulgar. He was no gloomy
+specialist. He knew it took all sorts to make a world. He was alive to
+life. Its great movement fascinated him, even as it had done Burke, even
+as it did Cardinal Newman. He watched the rushing stream, the 'stir of
+existence,' the good and the bad, the false and the true, with an
+interest that never flagged. In his last words on translating Homer he
+says: 'And thus false tendency as well as true, vain effort as well as
+fruitful, go together to produce that great movement of life, to present
+that immense and magic spectacle of human affairs, which from boyhood to
+old age fascinates the gaze of every man of imagination, and which would
+be his terror if it were not at the same time his delight.'
+
+Mr. Arnold never succeeded in getting his countrymen to take him
+seriously as a practical politician. He was regarded as an unauthorised
+practitioner whose prescriptions no respectable chemist would consent to
+make up. He had not the diploma of Parliament, nor was he able, like
+the Secretary of an Early Closing Association, to assure any political
+aspirant that he commanded enough votes to turn an election. When Mr.
+John Morley took occasion after Mr. Arnold's death to refer to him in
+Parliament, the name was received respectfully but coldly. And yet he
+was eager about politics, and had much to say about political questions.
+His work in these respects was far from futile. What he said was never
+inept. It coloured men's thoughts, and contributed to the formation of
+their opinions far more than even public meetings. His introduction to
+his _Report on Popular Education in France_, published in 1861, is as
+instructive a piece of writing as is to be found in any historical
+disquisition of the last three decades. The paper on 'My Countrymen' in
+that most amusing book _Friendship's Garland_ (which ought also to be at
+once reprinted) is full of point.
+
+ * * * * *
+
+But it is time to stop. It is only possible to stop where we began.
+Matthew Arnold is dead. He would have been the last man to expect anyone
+to grow hysterical over the circumstance, and the first to denounce any
+strained emotion. _Il n'y a pas d'homme necessaire._ No one ever grasped
+this great, this comforting, this cooling, this self-destroying truth
+more cordially than he did. As I write the words, I remember how he
+employed them in his preface to the second edition of _Essays in
+Criticism_, where he records a conversation, I doubt not an imaginary
+one, between himself and a portly jeweller from Cheapside--his
+fellow-traveller on the Woodford branch of the Great Eastern line. The
+traveller was greatly perturbed in his mind by the murder then lately
+perpetrated in a railway carriage by the notorious Mueller. Mr. Arnold
+plied him with consolation. 'Suppose the worst to happen,' I said,
+'suppose even yourself to be the victim--_il n'y a pas d'homme
+necessaire_--we should miss you for a day or two on the Woodford Branch,
+but the great mundane movement would still go on, the gravel walks of
+your villa would still be rolled, dividends would still be paid at the
+bank, omnibuses would still run, there would still be the old crush at
+the corner of Fenchurch Street.'
+
+And so it proves for all--for portly jewellers and lovely poets.
+
+ 'The Pillar still broods o'er the fields
+ Which border Ennerdale Lake,
+ And Egremont sleeps by the sea--
+ Nature is fresh as of old,
+ Is lovely; a mortal is dead.'
+
+
+ II
+
+Lord Byron's antipathies were, as a rule, founded on some sound human
+basis, and it may well be that he was quite right for hating an author
+who was all author and nothing else. He could not have hated Matthew
+Arnold on that score, at all events, though perhaps he might have found
+some other ground for gratifying a feeling very dear to his heart. Mr.
+Arnold was many other things as well as a poet, so many other things
+that we need sometimes to be reminded that he was a poet. He allowed
+himself to be distracted in a variety of ways, he poured himself out in
+many strifes; though not exactly eager, he was certainly active. He
+discoursed on numberless themes, and was interested in many things of
+the kind usually called 'topics.'
+
+Personally, we cannot force ourselves to bewail his agility, this
+leaping from bough to bough of the tree of talk and discussion. It
+argues an interest in things, a wide-eyed curiosity. If you find
+yourself in a village fair you do well to examine the booths, and when
+you bring your purchases home, the domestic authority will be wise not
+to scan too severely the trivial wares never meant to please a critical
+taste or to last a lifetime. Mr. Arnold certainly brought home some very
+queer things from his village fair, and was perhaps too fond of taking
+them for the texts of his occasional discourses. But others must find
+fault, we cannot. There is a pleasant ripple of life through Mr.
+Arnold's prose writings. His judgments are human judgments. He did not
+care for strange, out-of-the-way things; he had no odd tastes. He drank
+wine, so he once said, because he liked it--good wine, that is. And it
+was the same with poetry and books. He liked to understand what he
+admired, and the longer it took him to understand anything the less
+disposed he was to like it. Plain things suited him best. What he hated
+most was the far-fetched. He had the greatest respect for Mr. Browning,
+and was a sincere admirer of much of his poetry, but he never made the
+faintest attempt to read any of the poet's later volumes. The reason
+probably was that he could not be bothered. Hazlitt, in a fine passage
+descriptive of the character of a scholar, says: 'Such a one lives all
+his life in a dream of learning, and has never once had his sleep broken
+by a real sense of things.' Mr. Arnold had a real sense of things. The
+writings of such a man could hardly fail to be interesting, whatever
+they might be about, even the burial of Dissenters or the cock of a
+nobleman's hat.
+
+But for all that we are of those who, when we name the name of Arnold,
+mean neither the head-master of Rugby nor the author of _Culture and
+Anarchy_ and _Literature and Dogma_, but the poet who sang, not, indeed,
+with Wordsworth, 'The wonder and bloom of the world,' but a severer,
+still more truthful strain, a life whose secret is not joy, but peace.
+
+Standing on this high breezy ground, we are not disposed to concede
+anything to the enemy, unless, indeed, it be one somewhat ill-defended
+outpost connected with metre. The poet's ear might have been a little
+nicer. Had it been so, he would have spared his readers an occasional
+jar and a panegyric on Lord Byron's poetry. There are, we know, those
+who regard this outpost we have so lightly abandoned as the citadel.
+These rhyming gentry scout what Arnold called the terrible sentence
+passed on a French poet--_il dit tout ce qu'il veut_, _mais
+malheureusement il n'a rien a dire_. They see nothing terrible in a
+sentence which does but condemn them to nakedness. Thought is
+cumbersome. You skip best with nothing on. But the sober-minded English
+people are not the countrymen of Milton and Cowper, of Crabbe and
+Wordsworth, for nothing. They like poetry to be serious. We are fond of
+sermons. We may quarrel with the vicar's five-and-twenty minutes, but we
+let Carlyle go on for twice as many years, and until he had filled
+thirty-four octavo volumes.
+
+The fact is that, though Arnold was fond of girding at the Hebrew in us,
+and used to quote his own Christian name with humorous resignation as
+only an instance of the sort of thing he had to put up with, he was a
+Puritan at heart, and would have been as ill at ease at a Greek festival
+as Newman at a Spanish _auto da fe_.
+
+What gives Arnold's verse its especial charm is his grave and manly
+sincerity. He is a poet without artifice or sham. He does not pretend to
+find all sorts of meanings in all sorts of things. He does not
+manipulate the universe and present his readers with any bottled elixir.
+This has been cast up against him as a reproach. His poetry, so we have
+been told, has no consolation in it. Here is a doctor, it is said, who
+makes up no drugs, a poet who does not proclaim that he sees God in the
+avalanche or hears Him in the thunder. The world will not, so we are
+assured, hang upon the lips of one who bids them not to be too sure that
+the winds are wailing man's secret to the complaining sea, or that
+nature is nothing but a theme for poets. These people may be right. In
+any event it is unwise to prophesy. What will be, will be. Nobody can
+wish to be proved wrong. It is best to be on the side of truth, whatever
+the truth may be. The real atheism is to say, as men are found to do,
+that they would sooner be convicted of error they think pleasing, than
+have recognised an unwelcome truth a moment earlier than its final
+demonstration, if, indeed, such a moment should ever arrive for souls so
+craven. In the meantime, this much is plain, that there is no
+consolation in non-coincidence with fact, and no sweetness which does
+not chime with experience. Therefore, those who have derived consolation
+from Mr. Arnold's noble verse may take comfort. Religion, after all,
+observes Bishop Butler in his tremendous way, is nothing if it is not
+true. The same may be said of the poetry of consolation.
+
+The pleasure it is lawful to take in the truthfulness of Mr. Arnold's
+poetry should not be allowed to lead his lovers into the pleasant paths
+of exaggeration. The Muses dealt him out their gifts with a somewhat
+niggardly hand. He had to cultivate his Sparta. No one of his admirers
+can assert that in Arnold
+
+ 'The force of energy is found,
+ And the sense rises on the wings of sound.'
+
+He is no builder of the lofty rhyme. This he was well aware of. But
+neither had he any ample measure of those 'winged fancies' which wander
+at will through the pages of Apollo's favourite children. His strange
+indifference to Shelley, his severity towards Keats, his lively sense of
+the wantonness of Shakespeare and the Elizabethans, incline us to the
+belief that he was not quite sensible of the advantages of a fruitful as
+compared with a barren soil. His own crop took a good deal of raising,
+and he was perhaps somewhat disposed to regard luxuriant growths with
+disfavour.
+
+But though severe and restricted, and without either grandeur or fancy,
+Arnold's poetry is most companionable. It never teases you--there he has
+the better of Shelley--or surfeits you--there he prevails over Keats. As
+a poet, we would never dare or wish to class him with either Shelley or
+Keats, but as a companion to slip in your pocket before starting to
+spend the day amid
+
+ 'The cheerful silence of the fells,'
+
+you may search far before you find anything better than either of the
+two volumes of Mr. Arnold's poems.
+
+His own enjoyment of the open air is made plain in his poetry. It is no
+borrowed rapture, no mere bookish man's clumsy joy in escaping from his
+library, but an enjoyment as hearty and honest as Izaak Walton's. He has
+a quick eye for things, and rests upon them with a quiet satisfaction.
+No need to give instances; they will occur to all. Sights and sounds
+alike pleased him well. So obviously genuine, so real, though so quiet,
+was his pleasure in our English lanes and dells, that it is still
+difficult to realise that his feet can no longer stir the cowslips or
+his ear hear the cuckoo's parting cry.
+
+Amidst the melancholy of his verse, we detect deep human enjoyment and
+an honest human endeavour to do the best he could whilst here below. The
+best he could do was, in our opinion, his verse, and it is a comfort,
+amidst the wreckage of life, to believe he made the most of his gift,
+cultivating it wisely and well, and enriching man's life with some
+sober, serious, and beautiful poetry. We are, indeed, glad to notice
+that there is to be a new edition of Mr. Arnold's poems in one volume.
+It will, we are afraid, be too stout for the pocket, but most of its
+contents will be well worth lodgment in the head. This new edition will,
+we have no doubt whatever, immensely increase the number of men and
+women who own the charm of Arnold. The times are ripening for his
+poetry, which is full of foretastes of the morrow. As we read we are not
+carried back by the reflection, 'so men once thought,' but rather
+forward along the paths, dim and perilous it may be, but still the paths
+mankind is destined to tread. Truthful, sober, severe, with a capacity
+for deep, if placid, enjoyment of the pageant of the world, and a quick
+eye for its varied sights and an eager ear for its delightful sounds,
+Matthew Arnold is a poet whose limitations we may admit without denying
+his right. Our passion for him is a loyal passion for a most temperate
+king. There is an effort on his brow, we must admit it. It would never
+do to mistake his poetry for what he called the best, and which he was
+ever urging upon a sluggish populace. It intellectualises far too much;
+its method is a known method, not a magical one. But though effort may
+be on his brow, it is a noble effort and has had a noble result.
+
+ 'For most men in a brazen prison live,
+ Where in the sun's hot eye,
+ With heads bent o'er their toil, they languidly
+ Their lives to some unmeaning task-work give,
+ Dreaming of nought beyond their prison wall.
+ And as, year after year,
+ Fresh products of their barren labour fall
+ From their tired hands, and rest
+ Never yet comes more near,
+ Gloom settles slowly down over their breast;
+ And while they try to stem
+ The waves of mournful thought by which they are prest,
+ Death in their prison reaches them
+ Unfreed, having seen nothing, still unblest.'
+
+Or if not a slave he is a madman, sailing where he will on the wild
+ocean of life.
+
+ 'And then the tempest strikes him, and between
+ The lightning bursts is seen
+ Only a driving wreck.
+ And the pale master on his spar-strewn deck,
+ With anguished face and flying hair,
+ Grasping the rudder hard,
+ Still bent to make some port he knows not where,
+ Still standing for some false impossible shore;
+
+ And sterner comes the roar
+ Of sea and wind, and through the deepening gloom
+ Fainter and fainter wreck and helmsman loom,
+ And he too disappears and comes no more.'
+
+To be neither a rebel nor a slave is the burden of much of Mr. Arnold's
+verse--his song we cannot call it. It will be long before men cease to
+read their Arnold; even the rebel or the slave will occasionally find a
+moment for so doing, and when he does it may be written of him:
+
+ 'And then arrives a lull in the hot race
+ Wherein he doth for ever chase
+ That flying and illusive shadow Rest.
+ An air of coolness plays upon his face,
+ And an unwonted calm pervades his breast,
+ And then he thinks he knows
+ The hills where his life rose
+ And the sea where it goes.'
+
+
+
+
+ WILLIAM HAZLITT
+
+
+For an author to fare better dead than alive is good proof of his
+literary vivacity and charm. The rare merit of Hazlitt's writing was
+recognised in his lifetime by good judges, but his fame was obscured by
+the unpopularity of many of his opinions, and the venom he was too apt
+to instil into his personal reminiscences. He was not a safe man to
+confide in. He had a forked crest which he sometimes lifted. Because
+they both wrote essays and were fond of the Elizabethans, it became the
+fashion to link Hazlitt's name with Lamb's. To be compared with the
+incomparable is hard fortune. Hazlitt suffered by the comparison, and
+consequently his admirers, usually in those early days men of keen wits
+and sharp tongues, grew angry, and infused into their just eulogiums too
+much of Hazlitt's personal bitterness, and too little of his wide
+literary sympathies.
+
+But this period of obscurity is now over. No really good thing once come
+into existence and remaining so is ever lost to the world. This is most
+comfortable doctrine, and true, besides. In the long run the world's
+taste is infallible. All it requires is time. How easy it is to give it
+that! Is substantial injustice at this moment done to a single English
+writer of prose or verse who died prior to the 1st of January, 1801? Is
+there a single bad author of this same class who is now read? Both
+questions may be truthfully answered by a joyful shout of, No! This fact
+ought to make the most unpopular of living authors the sweetest-tempered
+of men. The sight of your rival clinging to the cob he has purchased and
+maintains out of the profits of the trashiest of novels should be
+pleasant owing to the reflection that both rival and cob are trotting to
+the same pit of oblivion.
+
+But humorous as is the prospect of the coming occultation of personally
+disagreeable authors, the final establishment of the fame of a dead one
+is a nobler spectacle.
+
+William Hazlitt had to take a thrashing from life. He took it standing
+up like a man, not lying down like a cur; but take it he had to do. He
+died on September 18, 1830, tired out, discomfited, defeated. Nobody
+reviewing the facts of his life can say that it was well spent. There is
+nothing in it of encouragement. He reaped what he sowed, and it proved a
+sorry harvest. When he lay dying he wanted his mother brought to his
+side, but she was at a great distance, and eighty-four years of age, and
+could not come. Carlyle in his old age, grim, worn, and scornful, said
+once, sorrowfully enough, 'What I want is a mother.' It is indeed an
+excellent relationship.
+
+But though Hazlitt got the worst of it in his personal encounter with
+the universe, he nevertheless managed to fling down before he died what
+will suffice to keep his name alive. You cannot kill merit. We are all
+too busily engaged struggling with dulness, our own and other people's,
+and with ennui; we are far too much surrounded by would-be wits and
+abortive thinkers, ever to forget what a weapon against weariness lies
+to our hand in the works of Hazlitt, who is as refreshing as cold
+water, as grateful as shade.
+
+His great charm consists in his hearty reality. Life may be a game, and
+all its enjoyments counters, but Hazlitt, as we find him in his
+writings--and there is now no need to look for him anywhere else--played
+the game and dealt out the counters like a man bent on winning. He cared
+greatly about many things. His admiration was not extravagant, but his
+force is great; in fact, one may say of him as he said of John Cavanagh,
+the famous fives player, 'His service was tremendous.' Indeed, Hazlitt's
+whole description of Cavanagh's play reminds one of his own literary
+method:
+
+'His style of play was as remarkable as his power of execution. He had
+no affectation, no trifling. He did not throw away the game to show off
+an attitude or try an experiment. He was a fine, sensible, manly player,
+who did what he could, but that was more than anyone else could even
+affect to do. His blows were not undecided and ineffectual, lumbering
+like Mr. Wordsworth's epic poetry, nor wavering like Mr. Coleridge's
+lyric prose, nor short of the mark like Mr. Brougham's speeches, nor
+wide of it like Mr. Canning's wit, nor foul like the _Quarterly_, nor
+_let_ balls like the _Edinburgh Review_.'
+
+Wordsworth, Coleridge, Brougham, Canning! was ever a fives player so
+described before? What splendid reading it makes! but we quote it for
+the purpose of applying its sense to Hazlitt himself. As Cavanagh
+played, so Hazlitt wrote.
+
+He is always interesting, and always writes about really interesting
+things. His talk is of poets and players, of Shakespeare and Kean, of
+Fielding and Scott, of Burke and Cobbett, of prize fights and Indian
+jugglers. When he condescends to the abstract, his subjects bring an
+appetite with them. The Shyness of Scholars, the Fear of Death, the
+Identity of an Author with his Books, Effeminacy of Character, the
+Conversation of Lords, On Reading New Books: the very titles make you
+lick your lips.
+
+Hazlitt may have been an unhappy man, but he was above the vile
+affectation of pretending to see nothing in life. Had he not seen Mrs.
+Siddons, had he not read Rousseau, had he not worshipped Titian in the
+Louvre?
+
+No English writer better pays the debt of gratitude always owing to
+great poets, painters, and authors than Hazlitt; but his is a manly, not
+a maudlin, gratitude. No other writer has such gusto as he. The glowing
+passage in which he describes Titian's St. Peter Martyr almost recalls
+the canvas uninjured from the flames which have since destroyed it. We
+seem to see the landscape background, 'with that cold convent spire
+rising in the distance amidst the blue sapphire mountains and the golden
+sky.' His essay on Sir Walter Scott and the _Waverley Novels_ is the
+very best that has ever been written on that magnificent subject.
+
+As a companion at the Feast of Wits commend us to Hazlitt, and as a
+companion for a fortnight's holiday commend us to the admirable
+selection recently made from his works, which are numerous--some twenty
+volumes--by Mr. Ireland, and published at a cheap price by Messrs. F.
+Warne and Co. The task of selection is usually a thankless one. It
+involves of necessity omission and frequently curtailment. It is
+annoying to look in vain for some favourite passage, and your annoyance
+prompts the criticism that a really sound judgment would have made room
+for what you miss. We lodge no complaint against Mr. Ireland. Like a
+wise man, he has allowed to himself ample space, and he has compiled a
+volume of 510 closely though well-printed pages, which has only to be
+read in order to make the reader well acquainted with an author whom not
+to know is a severe mental deprivation.
+
+Mr. Ireland's book is a library in itself, and a marvellous tribute to
+the genius of his author. It seems almost incredible that one man should
+have said so many good things. It is true he does not go very deep as a
+critic, he does not see into the soul of the matter as Lamb and
+Coleridge occasionally do--but he holds you very tight--he grasps the
+subject, he enjoys it himself and makes you do so. Perhaps he does say
+too many good things. His sparkling sentences follow so quickly one upon
+another that the reader's appreciation soon becomes a breathless
+appreciation. There is something almost uncanny in such sustained
+cleverness. This impression, however, must not be allowed to remain as a
+final impression. In Hazlitt the reader will find trains of sober
+thought pursued with deep feeling and melancholy. Turn to the essays,
+_On Living to One's Self_, _On Going a Journey_, _On the Feeling of
+Immortality in Youth_, and read them over again. When you have done so
+you will be indisposed to consider their author as a mere sayer of good
+things. He was much more than that. One smiles when, on reading the
+first Lord Lytton's _Thoughts on the Genius of Hazlitt_, the author of
+_Eugene Aram_, is found declaring that Hazlitt 'had a keen sense of the
+Beautiful and the Subtle; and what is more, he was deeply imbued with
+sympathies for the Humane'; but when Lord Lytton proceeds, 'Posterity
+will do him justice,' we cease to smile, and handling Mr. Ireland's
+book, observe with deep satisfaction, 'It has.'
+
+
+
+
+ THE LETTERS OF CHARLES LAMB[7]
+
+
+Four hundred and seventeen letters of Charles Lamb's, some of them never
+before published, in two well-printed but handy volumes, edited, with
+notes illustrative, explanatory, and biographical, by Canon Ainger, and
+supplied with an admirable index, are surely things to be thankful for
+and to be desired. No doubt the price is prohibitory. They will cost you
+in cash, these two volumes, full as they are from title-page to colophon
+with the sweetness and nobility, the mirth and the melancholy of their
+author's life, touched as every page of them is with traces of a hard
+fate bravely borne, seven shillings and sixpence. None but American
+millionaires and foolish book-collectors can bear such a strain upon
+their purses. It is the cab-fare to and from a couple of dull
+dinner-parties. But Mudie is in our midst, ever ready to supply our very
+modest intellectual wants at so much a quarter, and ward off the
+catastrophe so dreaded by all dust-hating housewives, the accumulation
+of those 'nasty books,' for which indeed but slender accommodation is
+provided in our upholstered homes. Yet these volumes, however acquired,
+whether by purchase, and therefore destined to remain by your side ready
+to be handled whenever the mood seizes you, or borrowed from a library
+to be returned at the week's end along with the last new novel people
+are painfully talking about, cannot fail to excite the interest and stir
+the emotions of all lovers of sound literature and true men.
+
+But first of all, Canon Ainger is to be congratulated on the completion
+of his task. He told us he was going to edit _Lamb's Works and Letters_,
+and naturally one believed him; but in this world there is nothing so
+satisfactory as performance. To see a good work well planned, well
+executed, and entirely finished by the same hand that penned, and the
+same mind that conceived the original scheme, has something about it
+which is surprisingly gratifying to the soul of man, accustomed as he is
+to the wreckage of projects and the failure of hopes.
+
+Canon Ainger's edition of _Lamb's Works and Letters_ stands complete in
+six volumes. Were one in search of sentiment, one might perhaps find it
+in the intimate association existing between the editor and the old
+church by the side of which Lamb was born, and which he ever loved and
+accounted peculiarly his own. Elia was born a Templar.
+
+'I was born and passed the first seven years of my life in the Temple.
+Its church, its halls, its gardens, its fountain, its river, I had
+almost said--for in those young years, what was this king of rivers to
+me but a stream that watered our pleasant places?--these are my oldest
+recollections.'
+
+Thus begins the celebrated essay on 'The Old Benchers of the Inner
+Temple.' As a humble member of that honourable Society, I rejoice that
+its Reader should be the man who has, as a labour of love and by virtue
+of qualifications which cannot be questioned, placed upon the library
+shelf so complete and choice an edition of the works of one whose memory
+is perhaps the pleasantest thing about the whole place.
+
+So far as these two volumes of letters are concerned the course adopted
+by the editor has been, if I may make bold to say so, the right one. He
+has simply edited them carefully and added notes and an index. He has
+not attempted to tell Lamb's life between times. He has already told the
+story of that life in a separate volume. I wish the practice could be
+revived of giving us a man's correspondence all by itself in consecutive
+volumes, as we have the letters of Horace Walpole, of Burke, of
+Richardson, of Cowper, and many others. It is astonishing what
+interesting and varied reading such volumes make. They never tire you.
+You do not stop to be tired. Something of interest is always occurring.
+Some reference to a place you have visited; to a house you have stayed
+at; to a book you have read; to a man or woman you wish to hear about.
+As compared with the measured malice of a set biography, where you feel
+yourself in the iron grasp, not of the man whose life is being
+professedly written, but of the man (whom naturally you dislike) who has
+taken upon himself to write the life, these volumes of correspondence
+have all the ease and grace and truthfulness of nature. There is about
+as much resemblance between reading them and your ordinary biography, as
+between a turn on the treadmill and a saunter into Hertfordshire in
+search of Mackery End. I hope when we get hold of the biographies of
+Lord Beaconsfield, and Dean Stanley, we shall not find ourselves
+defrauded of our dues. But it is of the essence of letters that we
+should have the whole of each. I think it wrong to omit even the merely
+formal parts. They all hang together. The method employed in the
+biography of George Eliot was, in my opinion--I can but state it--a
+vicious method. To serve up letters in solid slabs cut out of longer
+letters is distressing. Every letter a man writes is an incriminating
+document. It tells a tale about him. Let the whole be read or none.
+
+Canon Ainger has adopted the right course. He has indeed omitted a few
+oaths--on the principle that 'damns have had their day.' For my part, I
+think I should have been disposed to leave them alone.
+
+ 'The rough bur-thistle spreading wide
+ Amang the bearded bear,
+ I turn'd my weeding-clips aside
+ And spared the symbol dear.'
+
+But this is not a question to discuss with a dignitary of the Church.
+Leaving out the oaths and, it may perhaps be, here and there a passage
+where the reckless humour of the writer led him to transcend the limits
+of becoming mirth, and mere notelets, we have in these two volumes
+Lamb's letters just as they were written, save in an instance or two
+where the originals have been partially destroyed. The first is to
+Coleridge, and is dated May 27, 1796; the last is to Mrs. Dyer, and was
+written on December 22, 1834. Who, I wonder, ever managed to squeeze
+into a correspondence of forty years truer humour, madder nonsense,
+sounder sense, or more tender sympathy! They do not indeed (these
+letters) prate about first principles, but they contain many things
+conducive to a good life here below.
+
+The earlier letters strike the more solemn notes. As a young man Lamb
+was deeply religious, and for a time the appalling tragedy of his life,
+the death of his mother by his sister's hand, deepened these feelings.
+His letters to Coleridge in September and October, 1769, might very well
+appear in the early chapters of a saint's life. They exhibit the rare
+union of a colossal strength, entire truthfulness, (no single emotion
+being ever exaggerated,) with the tenderest and most refined feelings.
+Some of his sentences remind one of Johnson, others of Rousseau. How
+people reading these letters can ever have the impudence to introduce
+into the tones of their voices when they are referring to Lamb the
+faintest suspicion of condescension, as if they were speaking of one
+weaker than themselves, must always remain an unsolved problem of human
+conceit.
+
+These elevated feelings passed away. He refers to this in a letter
+written in 1801 to Walter Wilson.
+
+'I have had a time of seriousness, and I have known the importance and
+reality of a religious belief. Latterly, I acknowledge, much of my
+seriousness has gone off, whether from new company or some other new
+associations, but I still retain at bottom a conviction of the truth and
+a certainty of the usefulness of religion.'
+
+The fact, I suspect, was that the strain of religious thoughts was
+proving too great for a brain which had once succumbed to madness.
+Religion sits very lightly on some minds. She could not have done so on
+Lamb's. He took refuge in trivialities seriously, and played the fool in
+order to remain sane.
+
+These letters are of the same material as the _Essays of Elia_. The
+germs, nay, the very phrases, of the latter are frequently to be found
+in the former. This does not offend in Lamb's case, though as a rule a
+good letter ought not forcibly to remind us of a good essay by the same
+hand. Admirable as are Thackeray's lately published letters, the parts I
+like best are those which remind me least of a _Roundabout Paper_. The
+author is always apt to steal in, and the author is the very last person
+you wish to see in a letter. But as you read Lamb's letters you never
+think of the author: his personality carries you over everything. He
+manages--I will not say skilfully, for it was the natural result of his
+delightful character, always to address his letter to his
+correspondent--to make it a thing which, apart from the correspondent,
+his habits and idiosyncrasies, could not possibly have existed in the
+shape it does. One sometimes comes across things called letters, which
+might have been addressed to anybody. But these things are not letters:
+they are extracts from journals or circulars, and are usually either
+offensive or dull.
+
+Lamb's letters are not indeed model letters like Cowper's. Though
+natural to Lamb, they cannot be called easy. 'Divine chit-chat' is not
+the epithet to describe them. His notes are all high. He is sublime,
+heartrending, excruciatingly funny, outrageously ridiculous, sometimes
+possibly an inch or two overdrawn. He carries the charm of incongruity
+and total unexpectedness to the highest pitch imaginable. John Sterling
+used to chuckle over the sudden way in which you turn up Adam in the
+following passage from a letter to Bernard Barton:
+
+'DEAR B. B.--You may know my letters by the paper and the folding. For
+the former I live on scraps obtained in charity from an old friend,
+whose stationery is a permanent perquisite; for folding I shall do it
+neatly when I learn to tie my neckcloths. I surprise most of my friends
+by writing to them on ruled paper, as if I had not got past pot-hooks
+and hangers. Sealing-wax I have none in my establishment; wafers of the
+coarsest bran supply its place. When my epistles come to be weighed with
+Pliny's, however superior to them in Roman delicate irony, judicious
+reflections, etc., his gilt post will bribe over the judges to him. All
+the time I was at the E. I. H. I never mended a pen. I now cut 'em to
+the stumps, marring rather than mending the primitive goose-quill. I
+cannot bear to pay for articles I used to get for nothing. When Adam
+laid out his first penny upon nonpareils at some stall in Mesopotamos, I
+think it went hard with him, reflecting upon his old goodly orchard
+where he had so many for nothing.'
+
+There are not many better pastimes for a middle-aged man who does not
+care for first principles or modern novels than to hunt George Dyer
+up-and-down Charles Lamb. Lamb created Dyer as surely as did Cervantes
+Don Quixote, Sterne Toby Shandy, or Charles Dickens Sam Weller. Outside
+Lamb George Dyer is the deadest of dead authors. Inside Lamb he is one
+of the quaintest, queerest, most humorously felicitous of living
+characters. Pursue this sport through Canon Ainger's first volume and
+you will have added to your gallery of whimsicalities the picture of
+George Dyer by a master-hand.
+
+Lamb's relations towards Coleridge and Wordsworth are exceedingly
+interesting. He loved them both as only Lamb could love his friends. He
+admired them both immensely as poets. He recognised what he considered
+their great intellectual superiority over himself. He considered their
+friendship the crowning glory of his life. For Coleridge his affection
+reached devotion. The news of his death was a shock he never got over.
+He would keep repeating to himself, 'Coleridge is dead!' But with what a
+noble, independent, manly mind did he love his friends! How deep, how
+shrewd was his insight into their manifold infirmities! His masculine
+nature and absolute freedom from that curse of literature, coterieship,
+stand revealed on every page of the history of Lamb's friendships.
+
+On page 327 of Canon Ainger's first volume there is a letter of Lamb's,
+never before printed, addressed to his friend Manning, which is
+delightful reading. The editor did not get it in time to put it in the
+text, so the careless reader might overlook it, lurking as it does
+amongst the notes. It is too long for quotation, but a morsel must be
+allowed me:
+
+'I lately received from Wordsworth a copy of the second volume,
+accompanied by an acknowledgment of having received from me many months
+since a copy of a certain tragedy with excuses for not having made any
+acknowledgment sooner, it being owing to an almost insurmountable
+aversion from letter-writing. This letter I answered in due form and
+time, and enumerated several of the passages which had most affected me,
+adding, unfortunately, that no single piece had moved me so forcibly as
+the _Ancient Mariner_, _The Mad Mother_, or the _Lines at Tintern
+Abbey_. The Post did not sleep a moment. I received almost
+instantaneously a long letter of four sweating pages from my Reluctant
+Letter-Writer, the purport of which was, he was sorry his second volume
+had not given me more pleasure (Devil a hint did I give that it had not
+pleased me), and was compelled to wish that my range of sensibility was
+more extended, being obliged to believe that I should receive large
+influxes of happiness and happy thoughts (I suppose from the _Lyrical
+Ballads_). With a deal of stuff about a certain union of Tenderness and
+Imagination, which in the sense he used Imagination was not the
+characteristic of Shakespeare, but which Milton possessed in a degree
+far exceeding other Poets, which union, as the highest species of Poetry
+and chiefly deserving that name "he was most proud to aspire to"; then
+illustrating the said union by two quotations from his own second volume
+which I had been so unfortunate as to miss.'
+
+But my quotation must stop. It has been long enough to prove what I was
+saying about the independence of Lamb's judgment even of his best
+friends. No wonder such a man did not like being called 'gentle-hearted'
+even by S. T. C, to whom he writes:
+
+'In the next edition of the _Anthology_ (which Phoebus avert, those nine
+other wandering maids also!) please to blot out "gentle-hearted," and
+substitute drunken dog, ragged head, seld-shaven, odd-eyed, stuttering,
+or any other epithet which truly and properly belongs to the gentleman
+in question.'
+
+Of downright fun and fooling of the highest intellectual calibre fine
+examples abound on all sides. The 'Dick Hopkins' letter ranks very
+high. Manning had sent Lamb from Cambridge a piece of brawn, and Lamb
+takes into his head, so teeming with whimsical fancies, to pretend that
+it had been sent him by an imaginary Dick Hopkins, 'the swearing
+scullion of Caius,' who 'by industry and agility has thrust himself into
+the important situation (no sinecure, believe me) of cook to Trinity
+Hall'; and accordingly he writes the real donor a long letter, singing
+the praises of this figment of his fancy, and concludes:
+
+'Do me the favour to leave off the business which you may be at present
+upon, and go immediately to the kitchens of Trinity and Caius and make
+my most respectful compliments to Mr. Richard Hopkins and assure him
+that his brawn is most excellent: and that I am moreover obliged to him
+for his innuendo about salt water and bran, which I shall not fail to
+improve. I leave it to you whether you shall choose to pay him the
+civility of asking him to dinner while you stay in Cambridge, or in
+whatever other way you may best like to show your gratitude to _my
+friend_. Richard Hopkins considered in many points of view is a very
+extraordinary character. Adieu. I hope to see you to supper in London
+soon, where we will taste Richard's brawn, and drink his health in a
+cheerful but moderate cup. We have not many such men in any rank of life
+as Mr. R. Hopkins. Crisp, the barber of St. Mary's, was just such
+another. I wonder _he_ never sent me any little token, some chestnuts or
+a puff, or two pound of hair; just to remember him by.'
+
+We have little such elaborate jesting nowadays. I suppose we think it is
+not worth the trouble. The Tartary letter to Manning and the rheumatism
+letters to Crabb Robinson are almost distractingly provocative of deep
+internal laughter. The letter to Cary apologising for the writer's
+getting drunk in the British Museum has its sad side; but if one may
+parody the remark, made by 'the young lady of quality,' to Dr. Johnson,
+which he was so fond of getting Boswell to repeat, though it was to the
+effect that had he (our great moralist) been born out of wedlock his
+genius would have been his mother's excuse, it may be said that such a
+letter as Lamb's was ample atonement for his single frailty.
+
+Lamb does not greatly indulge in sarcasm, though nobody could say more
+thoroughly ill-natured things than he if he chose to do so. George Dawe,
+the Royal Academician, is roughly used by him. The account he gives of
+Miss Berger--Benjay he calls her--is not lacking in spleen. But as a
+rule if Lamb disliked a person he damned him and passed on. He did not
+stop to elaborate his dislikes, or to toss his hatreds up and down, as
+he does his loves and humorous fancies. He hated the second Mrs. Godwin
+with an entire hatred. In a letter written to Manning when in China he
+says:
+
+'Mrs. Godwin grows every day in disfavour with me. I will be buried with
+this inscription over me: "Here lies C. L., the woman hater": I mean
+that hated one woman; for the rest God bless them! How do you like the
+Mandarinesses? Are you on some little footing with any of them?'
+
+Scattered up and down these letters are to be found golden sentences,
+criticisms both of life and of books, to rival which one would have far
+to go. He has not the glitter of Hazlitt--a writer whom it is a shame to
+depreciate; nor does he ever make the least pretence of aspiring to the
+chair of Coleridge. He lived all his life through conscious of a great
+weakness, and therein indeed lay the foundation of the tower of his
+strength. 'You do not know,' he writes to Godwin, 'how sore and weak a
+brain I have, or you would allow for many things in me which you set
+down for whims.' Lamb apologising for himself to Godwin is indeed a
+thing at which the imagination boggles. But his humility must not blind
+us to the fact that there are few men from whom we can learn more.
+
+The most striking note of Lamb's literary criticism is its veracity. He
+is perhaps never mistaken. His judgments are apt to be somewhat too much
+coloured with his own idiosyncrasy to be what the judicious persons of
+the period call final and classical, but when did he ever go utterly
+wrong either in praise or in dispraise? When did he like a book which
+was not a good book? When did either the glamour of antiquity or the
+glare of novelty lead him astray? How free he was from that silly
+chatter about books now so abundant! When did he ever pronounce
+wire-drawn twaddle or sickly fancies, simply reeking of their impending
+dissolution, to be enduring and noble workmanship?
+
+But it must be owned Lamb was not a great reader of new books. That task
+devolved upon his sister. He preferred Burnet's _History of his Own
+Times_, to any novel, even to a 'Waverley.'
+
+'Did you ever read,' he wrote to Manning, 'that garrulous, pleasant
+history? He tells his story like an old man past political service,
+bragging to his sons on winter evenings of the part he took in public
+transactions, when his "old cap was new." Full of scandal, which all
+true history is. No palliatives; but all the stark wickedness, that
+actually gives the _momentum_ to national actors. Quite the prattle of
+age and outlived importance. Truth and sincerity staring out upon you in
+_alto relievo_. Himself a party man, he makes you a party man. None of
+the cursed, philosophical, Humeian indifference, so cold and unnatural
+and inhuman. None of the cursed Gibbonian fine writing so fine, and
+composite! None of Dr. Robertson's periods with three members. None of
+Mr. Roscoe's sage remarks, all so apposite and coming in so clever, lest
+the reader should have had the trouble of drawing an inference.'
+
+On the subject of children's books Lamb held strong opinions, as indeed
+he was entitled to do. What married pair with their quiver full ever
+wrote such tales for children as did this old bachelor and his maiden
+sister?
+
+'I am glad the snuff and Pipos books please. _Goody Two Shoes_ is almost
+out of print. Mrs. Barbauld's stuff has banished all the old classics of
+the nursery, and the shop-man at Newberry's hardly deigned to reach them
+off an old exploded corner of a shelf when Mary asked for them. Mrs.
+Barbauld's and Mrs. Trimmer's nonsense lay in piles about. Knowledge
+insignificant and vapid as Mrs. Barbauld's books convey, it seems must
+come to a child in the _shape of knowledge_, and his empty noddle must
+be turned with conceit of his own powers when he has learnt that a horse
+is an animal, and Billy is better than a horse, and such like--instead
+of that beautiful interest in wild tales which made the child a man,
+while all the time he suspected himself to be no bigger than a child.'
+
+Canon Ainger's six volumes are not very big. They take up but little
+room. They demand no great leisure. But they cannot fail to give immense
+pleasure to generations to come, to purify tastes, to soften hearts, to
+sweeten discourse.
+
+
+
+
+ AUTHORS IN COURT
+
+
+There is always something a little ludicrous about the spectacle of an
+author in pursuit of his legal remedies. It is hard to say why, but like
+a sailor on horseback, or a Quaker at the play, it suggests that
+incongruity which is the soul of things humorous. The courts are of
+course as much open to authors as to the really deserving members of the
+community; and, to do the writing fraternity justice, they have seldom
+shown any indisposition to enter into them--though if they have done so
+joyfully, it must be attributed to their natural temperament, which (so
+we read) is easy, rather than to the mirthful character of legal
+process.
+
+To write a history of the litigations in which great authors have been
+engaged would indeed be _renovare dolorem_, and is no intention of mine;
+though the subject is not destitute of human interest--indeed, quite
+the opposite.
+
+Great books have naturally enough, being longer lived, come into court
+even more frequently than great authors. _Paradise Lost_, _The Whole
+Duty of Man_, _The Pilgrim's Progress_, _Thomson's Seasons_, _Rasselas_,
+all have a legal as well as a literary history. Nay, Holy Writ herself
+has raised some nice points. The king's exclusive prerogative to print
+the authorised version has been based by some lawyers on the commercial
+circumstance that King James paid for it out of his own pocket. Hence,
+argued they, cunningly enough, it became his, and is now his
+successor's. Others have contended more strikingly that the right of
+multiplying copies of the Scriptures necessarily belongs to the king as
+head of the Church. A few have been found to question the right
+altogether, and to call it a job. As her present gracious Majesty has
+been pleased to abandon the prerogative, and has left all her subjects
+free (though at their own charges) to publish the version of her learned
+predecessor, the Bible does not now come into court on its own account.
+But whilst the prerogative was enforced, the king's printers were
+frequently to be found seeking injunctions to restrain the vending of
+the Word of God by (to use Carlyle's language) 'Mr. Thomas Teggs and
+other extraneous persons.' Nor did the judges, on proper proof, hesitate
+to grant what was sought. It is perhaps interesting to observe that the
+king never claimed more than the text. It was always open to anybody to
+publish even King James's version, if he added notes of his own. But how
+shamefully was this royal indulgence abused! Knavish booksellers,
+anxious to turn a dishonest penny out of the very Bible, were known to
+publish Bibles with so-called notes, which upon examination turned out
+not to be _bona-fide_ notes at all, but sometimes mere indications of
+assent with what was stated in the text, and sometimes simple
+ejaculations. And as people as a rule preferred to be without notes of
+this character they used to be thoughtfully printed at the very edge of
+the sheet, so that the scissors of the binder should cut them off and
+prevent them annoying the reader. But one can fancy the question, 'What
+is a _bona-fide_ note?' exercising the legal mind.
+
+Our great lawyers on the bench have always treated literature in the
+abstract with the utmost respect. They have in many cases felt that they
+too, but for the grace of God, might have been authors. Like Charles
+Lamb's solemn Quaker, 'they had been wits in their youth.' Lord
+Mansfield never forgot that, according to Mr. Pope, he was a lost Ovid.
+Before ideas in their divine essence the judges have bowed down. 'A
+literary composition,' it has been said by them, 'so long as it lies
+dormant in the author's mind, is absolutely in his own possession.' Even
+Mr. Horatio Sparkins, of whose brilliant table-talk this observation
+reminds us, could not more willingly have recognised an obvious truth.
+
+But they have gone much further than this. Not only is the repose of the
+dormant idea left undisturbed, but the manuscript to which it, on
+ceasing to be dormant, has been communicated, is hedged round with
+divinity. It would be most unfair to the delicacy of the legal mind to
+attribute this to the fact, no doubt notorious, that whilst it is easy
+(after, say, three years in a pleader's chambers) to draw an indictment
+against a man for stealing paper, it is not easy to do so if he has only
+stolen the ideas and used his own paper. There are some quibbling
+observations in the second book of Justinian's _Institutes_, and a few
+remarks of Lord Coke's which might lead the thoughtless to suppose that
+in their protection of an author's manuscripts the courts were thinking
+more of the paper than of the words put upon it; but that this is not so
+clearly appears from our law as it is administered in the Bankruptcy
+branch of the High Court.
+
+Suppose a popular novelist were to become a bankrupt--a supposition
+which, owing to the immense sums these gentlemen are now known to make,
+is robbed of all painfulness by its impossibility--and his effects were
+found to consist of the three following items: first, his wearing
+apparel; second, a copy of _Whitaker's Almanack_ for the current year;
+and third, the manuscript of a complete and hitherto unpublished novel,
+worth in the Row, let us say, one thousand pounds. These are the days
+of cash payments, so we must not state the author's debts at more than
+fifteen hundred pounds. It would have been difficult for him to owe more
+without incurring the charge of imprudence. Now, how will the law deal
+with the effects of this bankrupt? Ever averse to exposing anyone to
+criminal proceedings, it will return to him his clothing, provided its
+cash value does not exceed twenty pounds, which, as authors have left
+off wearing bloom-coloured garments even as they have left off writing
+_Vicars of Wakefield_, it is not likely to do. This humane rule disposes
+of item number one. As to _Whitaker's Almanack_, it would probably be
+found necessary to take the opinion of the court; since, if it be a tool
+of the author's trade, it will not vest in the official receiver and be
+divisible amongst the creditors, but, like the first item, will remain
+the property of the bankrupt--but otherwise, if not such a tool. On a
+point like this the court would probably wish to hear the evidence of an
+expert--of some man like Mr. George Augustus Sala, who knows the
+literary life to the backbone. This point disposed of, or standing over
+for argument, there remains the manuscript novel, which, as we have
+said, would, if sold in the Row, produce a sum not only sufficient to
+pay the costs of the argument about the _Almanack_ and of all parties
+properly appearing in the bankruptcy, but also, if judiciously handled,
+a small dividend to the creditors. But here our law steps in with its
+chivalrous, almost religious respect for ideas, and declares that the
+manuscript shall not be taken from the bankrupt and published without
+his consent. In ordinary cases everything a bankrupt has, save the
+clothes for his back and the tools of his trade, is ruthlessly torn from
+him. Be it in possession, reversion, or remainder, it all goes. His
+incomes for life, his reversionary hopes, are knocked down to the
+speculator. In vulgar phrase, he is 'cleaned out.' But the manuscripts
+of the bankrupt author, albeit they may be worth thousands, are not
+recognised as property; they are not yet dedicated to the public. The
+precious papers, despite all their writer's misfortunes, remain his--his
+to croon and to dream over, his to alter and re-transcribe, his to
+withhold, ay, his to destroy, if he should deem them, either in calm
+judgment, or in a despairing hour, unhappy in their expression or
+unworthy of his name.
+
+There is something positively tender in this view. The law may be an
+ass, but it is also a gentleman.
+
+Of course, in my imaginary case, if the bankrupt were to withhold his
+consent to publication, his creditors, even though it were held that the
+_Almanack_ was theirs, would get nothing. I can imagine them grumbling,
+and saying (what will not creditors say?): 'We fed this gentleman whilst
+he was writing this precious manuscript. Our joints sustained him, our
+bread filled him, our wine made him merry. Without our goods he must
+have perished. By all legal analogies we ought to have a lien upon that
+manuscript. We are wholly indifferent to the writer's reputation. It may
+be blasted for all we care. It was not as an author but as a customer
+that we supplied his very regular wants. It is now our turn to have
+wants. We want to be paid.'
+
+These amusing, though familiar, cries of distress need not disturb our
+equanimity or interfere with our admiration for the sublime views as to
+the sanctity of unpublished ideas entertained by the Court sitting in
+Bankruptcy.
+
+We have thus found, so far as we have gone, the profoundest respect
+shown by the law both for the dormant ideas and the manuscripts of the
+author. Let us now push boldly on, and inquire what happens when the
+author withdraws his interdict, takes the world into his confidence, and
+publishes his book.
+
+Our old Common Law was clear enough. Subject only to laws or customs
+about licensing and against profane books and the like, the right of
+publishing and selling any book belonged exclusively to the author and
+persons claiming through him. Books were as much the subjects of
+property-rights as lands in Kent or money in the bank. The term of
+enjoyment knew no period. Fine fantastic ideas about genius endowing the
+world and transcending the narrow bounds of property were not
+countenanced by our Common Law. Bunyan's _Pilgrim's Progress_, in the
+year 1680, belonged to Mr. Ponder: _Paradise Lost_, in the year 1739,
+was the property of Mr. Jacob Tonson. Mr. Ponder and Mr. Tonson had
+acquired these works by purchase. Property-rights of this description
+seem strange to us, even absurd. But that is one of the provoking ways
+of property-rights. Views vary. Perhaps this time next century it will
+seem as absurd that Ben Mac Dhui should ever have been private property
+as it now does that in 1739 Mr. Tonson should have been the owner 'of
+man's first disobedience and the fruit of that forbidden tree.' This is
+not said with any covered meaning, but is thrown out gloomily with the
+intention of contributing to the general depreciation of property.
+
+If it be asked how came it about that authors and booksellers allowed
+themselves to be deprived of valuable and well-assured rights--to be in
+fact disinherited, without so much as an expostulatory ode or a single
+epigram--it must be answered, strange as it may sound, it happened
+accidentally and through tampering with the Common Law.
+
+Authors are indeed a luckless race. To be deprived of your property by
+Act of Parliament is a familiar process, calling for no remarks save of
+an objurgatory character; but to petition Parliament to take away your
+property--to get up an agitation against yourself, to promote the
+passage through both Houses of the Act of spoliation, is unusual; so
+unusual indeed that I make bold to say that none but authors would do
+such things. That they did these very things is certain. It is also
+certain that they did not mean to do them. They did not understand the
+effect of their own Act of Parliament. In exchange for a term of either
+fourteen or twenty-one years, they gave up not only for themselves, but
+for all before and after them, the whole of time. Oh! miserable men! No
+enemy did this; no hungry mob clamoured for cheap books; no owner of
+copyrights so much as weltered in his gore. The rights were
+unquestioned: no one found fault with them. The authors accomplished
+their own ruin. Never, surely, since the well-nigh incredible folly of
+our first parents lost us Eden and put us to the necessity of earning
+our living, was so fine a property--perpetual copyright--bartered away
+for so paltry an equivalent.
+
+This is how it happened. Before the Revolution of 1688 printing
+operations were looked after, first by the Court of Star Chamber, which
+was not always engaged, as the perusal of constitutional history might
+lead one to believe, in torturing the unlucky, and afterwards by the
+Stationers' Company. Both these jurisdictions revelled in what is called
+summary process, which lawyers sometimes describe as _brevi manu_, and
+suitors as 'short shrift.' They hailed before them the Mr. Thomas Teggs
+of the period, and fined them heavily and confiscated their stolen
+editions. Authors and their assignees liked this. But then came Dutch
+William and the glorious Revolution. The press was left free; and
+authors and their assignees were reduced to the dull level of unlettered
+persons; that is to say, if their rights were interfered with, they
+were compelled to bring an action, of the kind called 'trespass on the
+case,' and to employ astute counsel to draw pleadings with a pitfall in
+each paragraph, and also to incur costs; and in most cases, even when
+they triumphed over their enemy, it was only to find him a pauper from
+whom it was impossible to recover a penny. Nor had the law power to fine
+the offender or to confiscate the pirated edition; or if it had this
+last power, it was not accustomed to exercise it, deeming it unfamiliar
+and savouring of the Inquisition. Grub Street grew excited. A noise went
+up 'most musical, most melancholy,
+
+ 'As of cats that wail in chorus.'
+
+It was the Augustan age of literature. Authors were listened to. They
+petitioned Parliament, and their prayer was heard. In the eighth year of
+good Queen Anne the first copyright statute was passed which, 'for the
+encouragement of learned men to compose and write useful books,'
+provided that the authors of books already printed who had not
+transferred their rights, and the booksellers or other persons who had
+purchased the copy of any books in order to print or reprint the same,
+should have the sole right of printing them for a term of twenty-one
+years from the tenth of April, 1710, and no longer; and that authors of
+books not then printed, should have the sole right of printing for
+fourteen years, and no longer. Then followed, what the authors really
+wanted the Act for, special penalties for infringement. And there was
+peace in Grub Street for the space of twenty-one years. But at the
+expiration of this period the fateful question was stirred--what had
+happened to the old Common Law right in perpetuity? Did it survive this
+peddling Act, or had it died, ingloriously smothered by a statute? That
+fine old book--once on every settle--_The Whole Duty of Man_, first
+raised the point. Its date of publication was 1657, so it had had its
+term of twenty-one years. That term having expired, what then? The
+proceedings throw no light upon the vexed question of the book's
+authorship. Sir Joseph Jekyll was content with the evidence before him
+that, in 1735 at all events, _The Whole Duty of Man_ was, or would have
+been but for the statute, the property of one Mr. Eyre. He granted an
+injunction, thus in effect deciding that the old Common Law had survived
+the statute. Nor did the defendant appeal, but sat down under the
+affront, and left _The Whole Duty of Man_ alone for the future.
+
+Four years later there came into Lord Hardwicke's court 'silver-tongued
+Murray,' afterwards Lord Mansfield, then Solicitor-General, and on
+behalf of Mr. Jacob Tonson moved for an injunction to restrain the
+publication of an edition of _Paradise Lost_. Tonson's case was, that
+_Paradise Lost_ belonged to him, just as the celebrated ewer by
+Benvenuto Cellini once belonged to the late Mr. Beresford Hope. He
+proved his title by divers mesne assignments and other acts in the law,
+from Mrs. Milton--the poet's third wife, who exhibited such skill in the
+art of widowhood, surviving her husband as she did for fifty-three
+years. Lord Hardwicke granted the injunction. It looked well for the
+Common Law. Thomson's _Seasons_ next took up the wondrous tale. This
+delightful author, now perhaps better remembered by his charming habit
+of eating peaches off the wall with both hands in his pockets, than by
+his great work, had sold the book to Andrew Millar, the bookseller whom
+Johnson respected because, said he, 'he has raised the price of
+literature.' If so, it must have been but low before, for he only gave
+Thomson a hundred guineas for 'Summer,' 'Autumn,' and 'Winter,' and some
+other pieces. The 'Spring' he bought separately, along with the
+ill-fated tragedy, _Sophonisba_, for one hundred and thirty-seven pounds
+ten shillings. A knave called Robert Taylor pirated Millar's Thomson's
+_Seasons_; and on the morrow of All Souls in Michaelmas, in the seventh
+year of King George the Third, Andrew Millar brought his plea of
+trespass on the case against Robert Taylor, and gave pledges of
+prosecution, to wit, John Doe and Richard Roe. The case was recognised
+to be of great importance, and was argued at becoming length in the
+King's Bench. Lord Mansfield and Justices Willes and Aston upheld the
+Common Law. It was, they declared, unaffected by the statute. Mr.
+Justice Yates dissented, and in the course of a judgment occupying
+nearly three hours, gave some of his reasons. It was the first time the
+court had ever finally differed since Mansfield presided over it. Men
+felt the matter could not rest there. Nor did it. Millar died, and went
+to his own place. His executors put up Thomson's _Poems_ for sale by
+public auction, and one Beckett bought them for five hundred and five
+pounds. When we remember that Millar only gave two hundred and forty-two
+pounds ten shillings for them in 1729, and had therefore enjoyed more
+than forty years' exclusive monopoly, we realise not only that Millar
+had made a good thing out of his brother Scot, but what great interests
+were at stake. Thomson's _Seasons_, erst Millar's, now became Beckett's;
+and when one Donaldson of Edinburgh brought out an edition of the poems,
+it became the duty of Beckett to take proceedings, which he did by
+filing a bill in the Court of Chancery.[8]
+
+These proceedings found their way, as all decent proceedings do, to the
+House of Lords--farther than which you cannot go, though ever so minded.
+It was now high time to settle this question, and their lordships
+accordingly, as was their proud practice in great cases, summoned the
+judges of the land before their bar, and put to them five
+carefully-worded questions, all going to the points--what was the old
+Common Law right, and has it survived the statute? Eleven judges
+attended, heard the questions, bowed and retired to consider their
+answers. On the fifteenth of February, 1774, they reappeared, and it
+being announced that they differed, instead of being locked up without
+meat, drink, or firing until they agreed, they were requested to deliver
+their opinions with their reasons, which they straightway proceeded to
+do. The result may be stated with tolerable accuracy thus: by ten to one
+they were of opinion that the old Common Law recognised perpetual
+copyright. By six to five they were of opinion that the statute of Queen
+Anne had destroyed this right. The House of Lords adopted the opinion of
+the majority, reversed the decree of the Court below, and thus Thomson's
+_Seasons_ became your _Seasons_, my _Seasons_, anybody's _Seasons_. But
+by how slender a majority! To make it even more exciting, it was
+notorious that the most eminent judge on the Bench (Lord Mansfield)
+agreed with the minority; but owing to the combined circumstances of his
+having already, in a case practically between the same parties and
+relating to the same matter, expressed his opinion, and of his being not
+merely a judge but a peer, he was prevented (by etiquette) from taking
+any part, either as a judge or as a peer, in the proceedings. Had he not
+been prevented (by etiquette), who can say what the result might have
+been?
+
+Here ends the story of how authors and their assignees were disinherited
+by mistake, and forced to content themselves with such beggarly terms
+of enjoyment as a hostile legislature doles out to them.
+
+As the law now stands, they may enjoy their own during the period of the
+author's life, _plus_ seven years, or the period of forty-two years,
+whichever may chance to prove the longer.
+
+So strangely and so quickly does the law colour men's notions of what is
+inherently decent, that even authors have forgotten how fearfully they
+have been abused and how cruelly robbed. Their thoughts are turned in
+quite other directions. I do not suppose they will care for these
+old-world memories. Their great minds are tossing on the ocean which
+pants dumbly-passionate with dreams of royalties. If they could only
+shame the English-reading population of the United States to pay for
+their literature, all would be well. Whether they ever will, depends
+upon themselves. If English authors will publish their books cheap,
+Brother Sam may, and probably will, pay them a penny a copy, or some
+such sum. If they will not, he will go on stealing. It is wrong, but he
+will do it. 'He says,' observes an American writer, 'that he was born
+of poor but honest parents, _I_ say, "Bah!"'[9]
+
+
+
+
+ NATIONALITY
+
+
+Nothing can well be more offensive than the abrupt asking of questions,
+unless indeed it be the glib assurance which professes to be able to
+answer them without a moment's doubt or consideration. It is hard to
+forgive Sir Robert Peel for having once asked, 'What is a pound?'
+Cobden's celebrated question, 'What next? And next?' was perhaps less
+objectionable, being vast and vague, and to employ Sir Thomas Browne's
+well-known phrase, capable of a wide solution.
+
+But in these disagreeable days we must be content to be disagreeable. We
+must even accept being so as our province. It seems now recognised that
+he is the best Parliamentary debater who is most disagreeable. It is not
+so easy as some people imagine to be disagreeable. The gift requires
+cultivation. It is easier, no doubt, for some than for others.
+
+What is a nation--socially and politically, and as a unit to be dealt
+with by practical politicians? It is not a great many things. It is not
+blood, it is not birth, it is not breeding. A man may have been born at
+Surat and educated at Lausanne, one of his four great-grandfathers may
+have been a Dutchman, one of his four great-grandmothers a French
+refugee, and yet he himself may remain from his cradle in Surat to his
+grave at Singapore, a true-born Englishman, with all an Englishman's
+fine contempt for mixed races and struggling nationalities.
+
+Where the English came from is still a matter of controversy, but where
+they have gone to is writ large over the earth's surface. Yet their
+nationality has suffered no eclipse. Caviare is not so good in London as
+in Moscow, but it is caviare all the same. No foreigner needs to ask the
+nationality of the man who treads on his corns, smiles at his religion,
+and does not want to know anything about his aspirations.
+
+England has all the notes of a nation. She has a National Church, based
+upon a view of history peculiarly her own. She has a National Oath,
+which, without any undue pride, may be pronounced adequate for ordinary
+occasions. She has a Constitution, the admiration of the world, and of
+which a fresh account has to be written every twenty years. She has a
+History, glorious in individual feats, and splendid in accomplished
+facts; she has a Literature which makes the poorest of her children, if
+only he has been taught to read, rich beyond the dreams of avarice. As
+for the national character, it may be said of an Englishman, what has
+been truly said of the great English poet Wordsworth--take him at his
+best and he need own no superior. He cannot always be at his best; and
+when he is at his worst the world shudders.
+
+But what about Scotland and Ireland? Are they nations? If they are not,
+it is not because their separate characteristics have been absorbed by
+John Bullism. Scotland and Ireland are no more England than Holland or
+Belgium. It may be doubted whether, if the three countries had never
+been politically united, their existing unlikeness would have been any
+greater than it is. It is a most accentuated unlikeness. Scotland has
+her own prevailing religion. Mr. Arnold recognised this when he
+observed, in that manner of his which did not always give pleasure, that
+Dr. Chalmers reminded him of a Scotch thistle valorously trying to look
+as much like the rose of Sharon as possible. This distorted view of Mr.
+Arnold's at all events recognises a fact. Then there is Scotch law. If
+there is one legal proposition which John Bull--poor attorney-ridden
+John Bull--has grasped for himself, it is that a promise made without a
+monetary or otherwise valuable consideration, is in its legal aspect a
+thing of nought, which may be safely disregarded. Bull's views about the
+necessity of writing and sixpenny stamps are vague, but he is quite
+sound and certain about promises going for nothing unless something
+passed between the parties. Thus, if an Englishman, moved, let us say,
+by the death of his father, says hastily to a maiden aunt who has made
+the last days of his progenitor easy, 'I will give you fifty pounds a
+year,' and then repents him of his promise, he is under no legal
+obligation to make it good. If he is a gentleman he will send her a
+ten-pound note at Christmas and a fat goose at Michaelmas, and the
+matter drops as being but the babble of the sick-room. But in Scotland
+the maiden aunt, provided she can prove her promise, can secure her
+annuity and live merrily in Peebles for the rest of a voluptuous life.
+Here is a difference indeed!
+
+Then, Scotland has a history of her own. The late Dr. Hill Burton wrote
+it in nine comfortable volumes. She has a thousand traditions, foreign
+connections, feelings to which the English breast must always remain an
+absolute stranger. Scottish fields are different from English fields;
+her farms, roads, walls, buildings, flowers, are different; her schools,
+universities, churches, household ways, songs, foods, drinks, are all as
+different as may be. Boswell's Johnson, Lockhart's Scott! What a host of
+dissimilarities, what an Iliad of unlikenesses, do the two names of
+Johnson and Scott call up from the vasty deep of national differences!
+
+One great note of a nation is possessed to the full by Scotland. I mean
+the power of blending into one state of national feeling all those who
+call what is contained within her geographical boundaries by the sacred
+name of 'Home.' The Lowlander from Dumfries is more at home at Inverness
+than in York. Why is this? Because Scotland is a nation. The great
+Smollett, who challenges Dickens for the foremost place amongst British
+comic writers, had no Celtic blood in his veins. He was neither a Papist
+nor a Jacobite, yet how did his Scottish blood boil whilst listening in
+London to the cowardly exultations of the cockneys over the brutalities
+that followed the English victory at Colloden! and how bitterly--almost
+savagely--did he contrast that cowardly exultation with the depression
+and alarm that had prevailed in London when but a little while before
+the Scotch had reached Derby.
+
+What patriotic feeling breathes through Smollett's noble lines, _The
+Tears of Caledonia_, and with what delightful enthusiasm, with what
+affectionate admiration, does Sir Walter Scott tell us how the last
+stanza came to be written! 'He (Smollett) accordingly read them the
+first sketch of the _Tears of Scotland_ consisting only of six stanzas,
+and on their remarking that the termination of the poem, being too
+strongly expressed, might give offence to persons whose political
+opinions were different, he sat down without reply, and with an air of
+great indignation, subjoined the concluding stanza:
+
+ '"While the warm blood bedews my veins,
+ And unimpaired remembrance reigns,
+ Resentment of my country's fate
+ Within my filial breast shall beat.
+ Yes, spite of thine insulting foe,
+ My sympathising verse shall flow,
+ Mourn, hopeless Caledonia, mourn,
+ Thy banished peace, thy laurels torn."'
+
+In the same sense is the story told by Mr. R. L. Stevenson, how, when
+the famous Celtic regiment, the Black Watch, which then drew its
+recruits from the now unpeopled glens of Ross-shire and Sutherland,
+returned to Scotland after years of foreign service, veterans leaped out
+of the boats and kissed the shore of Galloway.
+
+The notes of Irish nationality have been, by conquest and ill-usage,
+driven deeper in. Her laws were taken from her, and her religion
+brutally proscribed. In the great matter of national education she has
+not been allowed her natural and proper development. Her children have
+been driven abroad to foreign seminaries to get the religious education
+Protestant England denied them at home. Her nationality has thus been
+checked and mutilated, but that it exists in spirit and in fact can
+hardly be questioned by any impartial traveller. Englishmen have many
+gifts, but one gift they have not--that of making Scotsmen and Irishmen
+forget their native land.
+
+The attitude of some Englishmen towards Scotch and Irish national
+feelings requires correction. The Scotsman's feelings are laughed at.
+The Irishman's insulted. So far as the laughter is concerned, it must be
+admitted that it is good-humoured. Burns, Scott, and Carlyle, Scotch
+moors and Scotch whisky, the royal game of golf, all have mollified and
+beautified English feelings. In candour, too, it must be admitted that
+Scotsmen are not conciliatory. They do not meet people half-way. I do
+not think the laughter does much harm. Insults are different....
+
+Mr. Arnold, in a now scarce pamphlet published in 1859, on the Italian
+Question, with the motto prefixed, '_Sed nondum est finis_,' makes the
+following interesting observations:--
+
+'Let an Englishman or a Frenchman, who respectively represent the two
+greatest nationalities of modern Europe, sincerely ask himself what it
+is that makes him take pride in his nationality, what it is which would
+make it intolerable to his feelings to pass, or to see any part of his
+country pass, under foreign dominion. He will find that it is the sense
+of self-esteem generated by knowing the figure which his nation makes in
+history; by considering the achievements of his nation in war,
+government, arts, literature, or industry. It is the sense that his
+people, which have done such great things, merits to exist in freedom
+and dignity, and to enjoy the luxury of self-respect.'
+
+This is admirable, but not, nor does it pretend to be, exhaustive. The
+love of country is something a little more than mere _amour propre_. You
+may love your mother, and wish to make a home for her, even though she
+never dwelt in kings' palaces, and is clad in rags. The children of
+misery and misfortune are not all illegitimate. Sometimes you may
+discern amongst them high hope and pious endeavour. There may be,
+indeed, there is, a Niobe amongst the nations, but tears are not always
+of despair.
+
+'The luxury of self-respect.' It is a wise phrase. To make Ireland and
+Irishmen self-respectful is the task of statesmen.
+
+
+
+
+ THE REFORMATION
+
+
+Long ago an eminent Professor of International Law, at the University of
+Cambridge, lecturing his class, spoke somewhat disparagingly of the
+Reformation as compared with the Renaissance, and regretted there was no
+adequate history of the glorious events called by the latter name. So
+keenly indeed did the Professor feel this gap in his library, that he
+proceeded to say that inconvenient as it had been to him to lecture at
+Cambridge that afternoon, still if what he had said should induce any
+member of the class to write a history of the Renaissance worthy to be
+mentioned with the masterpiece of Gibbon, he (the Professor) would never
+again think it right to refer to the inconvenience he had personally
+been put to in the matter.
+
+It must be twenty years since these words were uttered. The class to
+whom they were addressed is scattered far and wide, even as the
+household referred to in the touching poem of Mrs. Hemans. No one of
+them has written a history of the Renaissance. It is now well-nigh
+certain no one of them ever will. Looking back over those twenty years
+it seems a pity it was never attempted. As Owen Meredith sweetly sings--
+
+ 'And it all seems now in the waste of life
+ Such a very little thing.'
+
+But it has remained undone. Regrets are vain.
+
+For my part, I will make bold to say that the Professor was all wrong.
+Professors do not stand where they did. They have been blown upon. The
+ugliest gap in an Englishman's library is in the shelf which ought to
+contain, but does not, a history of the Reformation of Religion in his
+own country. It is a subject made for an Englishman's hand. At present
+it is but (to employ some old-fashioned words) a hotch-potch, a
+gallimaufry, a confused mingle-mangle of divers things jumbled or put
+together. Puritan and Papist, Anglican and Erastian, pull out what they
+choose, and drop whatever they do not like with a grimace of humorous
+disgust. What faces the early Tractarians used to pull over Bishop
+Jewel! How Dr. Maitland delighted in exhibiting the boundless vulgarity
+of the Puritan party! Lord Macaulay had only a paragraph or two to spare
+for the Reformation; but as we note amongst the contents of his first
+chapter the following heads: 'The Reformation and its Effects,' 'Origin
+of the Church of England,' 'Her Peculiar Character,' we do not need to
+be further reminded of the views of that arch-Erastian.
+
+It is time someone put a stop to this 'help yourself' procedure. What is
+needed to do this is a long, luminous, leisurely history, written by
+somebody who, though wholly engrossed by his subject, is yet absolutely
+indifferent to it.
+
+The great want at present is of common knowledge; common, that is, to
+all parties. The Catholic tells his story, which is much the most
+interesting one, sure of his audience. The Protestant falls back upon
+his Fox, and relights the fires of Smithfield with entire
+self-satisfaction. The Erastian flourishes his Acts of Parliament in the
+face of the Anglican, who burrows like a cony in the rolls of
+Convocation. Each is familiar with one set of facts, and shrinks
+nervously from the honour of an introduction to a totally new set. We
+are not going to change our old '_mumpsimus_' for anybody's new
+'_sumpsimus_.' But we must some day, and we shall when this new history
+gets itself written.
+
+The subject cannot be said to lack charm. Border lands, marshes, passes
+are always romantic. No bagman can cross the Tweed without emotion. The
+wanderer on the Malvern Hills soon learns to turn his eyes from the dull
+eastward plain to where they can be feasted on the dim outlines of wild
+Wales. Border periods of history have something of the same charm. How
+the old thing ceased to be? How the new thing became what it is? How the
+old colours faded, and the old learning disappeared, and the Church of
+Edward the Confessor, and St. Thomas of Canterbury, and William of
+Wykeham, became the Church of George the Third, Archbishop Tait, and
+Dean Stanley? There is surely a tale to be told. Something must have
+happened at the Reformation. Somebody was dispossessed. The common
+people no longer heard 'the blessed mutter of the mass,' nor saw 'God
+made and eaten all day long.' Ancient services ceased, old customs were
+disregarded, familiar words began to go out of fashion. The Reformation
+meant something. On these points the Catholics entertain no kind of
+doubt. That they suffered ejectment they tearfully admit. Nor, to do
+them justice, have they ever acquiesced in the wrong they allege was
+then done them, or exhibited the faintest admiration for the intruder.
+
+ 'Have ye beheld the young God of the Seas,
+ My dispossessor? Have ye seen his face?
+ Have ye beheld his chariot foam'd along
+ By noble wing'd creatures he hath made?
+ I saw him on the calmed waters scud,
+ With such a glow of beauty in his eyes
+ That it enforced me to bid sad farewell
+ To all my empire.'
+
+This has never been the attitude or the language of the Roman Church
+towards the Anglican. 'Canterbury has gone its way, and York is gone,
+and Durham is gone, and Winchester is gone. It was sore to part with
+them.' So spoke Dr. Newman on a memorable occasion. His distress would
+have been no greater had the venerable buildings to which he alluded
+been in the possession of the Baptists.
+
+But against this view must be set the one represented by the somewhat
+boisterous Church of Englandism of Dean Hook, who ever maintained that
+all the Church did at the Reformation was to wash her dirty face, and
+that consequently she underwent only an external and not a corporate
+change during the process.
+
+There are thousands of pious souls to whom the question, What happened
+at the Reformation? is of supreme importance; and yet there is no
+history of the period written by a 'kinless loon,' whose own personal
+indifference to Church Authority shall be as great as his passion for
+facts, his love of adventures and biography, and his taste for theology.
+
+In the meantime, and pending the production of the immortal work, it is
+pleasant to notice that annually the historian's task is being made
+easier. Books are being published, and old manuscripts edited and
+printed, which will greatly assist the good man, and enable him to write
+his book by his own fireside. The Catholics have been very active of
+late years. They have shaken off their shyness and reserve, and however
+reluctant they still may be to allow their creeds to be overhauled and
+their rites curtailed by strangers, they have at least come with their
+histories in their hands and invited criticism. The labours of Father
+Morris of the Society of Jesus, and of the late Father Knox of the
+London Oratory, greatly lighten and adorn the path of the student who
+loves to be told what happened long ago, not in order that he may know
+how to cast his vote at the next election, but simply because it so
+happened, and for no other reason whatsoever.
+
+Father Knox's name has just been brought before the world, not, it is to
+be hoped, for the last time, by the publication of a small book, partly
+his, but chiefly the work of the Rev. T. E. Bridgett, entitled _The True
+Story of the Catholic Hierarchy deposed by Queen Elizabeth, with
+Fuller Memoirs of its Two Last Survivors_ (Burns and Oates).
+
+The book was much wanted. When Queen Mary died, on the 17th of November,
+1558, the dioceses of Oxford, Salisbury, Bangor, Gloucester, and
+Hereford were vacant. The Archbishop of Canterbury, Reginald Pole, died
+a few hours after his royal relative; and the Bishops of Rochester,
+Norwich, Chichester, and Bristol did not long survive her. It thus
+happened that at the opening of 1559 there were only sixteen bishops on
+the bench. What became of them? The book I have just mentioned answers
+this deeply interesting question.
+
+One of them, Oglethorpe of Carlisle, was induced to crown the Queen,
+which service was, however, performed according to the Roman ceremonial,
+and included the Unction, the Pontifical Mass, and the Communion; but
+when the oath prescribed by the Act of Supremacy was tendered to the
+bishops, they all, with one exception, Kitchen of Llandaff, declined to
+take it, and their depositions followed in due course, though at
+different dates, during the year 1559. They were, in plain English,
+turned out, and their places given to others.
+
+A whole hierarchy turned a-begging like this might have been a very
+startling thing--but it does not seem to have been so. There was no
+Ambrose amongst the bishops. The mob showed no disposition to rescue
+Bonner from the Marshalsea. The Queen called them 'a set of lazy
+scamps.' This was hard measure. The reverend authors of the book before
+me call them 'confessors,' which they certainly were. But there is
+something disappointing and non-apostolic about them. They none of them
+came to violent ends. What did happen to them?
+
+The classical passage recording their fortunes occurs in Lord Burghley's
+_Execution of Justice in England_, which appeared in 1583. His lordship
+in a good-tempered vein runs through the list of the deposed bishops one
+by one, and says in substance, and in a style not unlike Lord Russell's,
+that the only hardship put upon them was their removal 'from their
+ecclesiastical offices, which they would not exercise according to
+law.' For the rest, they were 'for a great time retained in bishops'
+houses in very civil and courteous manner, without charge to themselves
+or their friends, until the time the Pope began, by his Bulls and
+messages, to offer trouble to the realm by stirring of rebellion;' then
+Burghley admits, some of them were removed to more quiet places, but
+still without being 'called to any capital or bloody question.'
+
+In this view historians have pretty generally acquiesced. Camden speaks
+of Tunstall of Durham dying at Lambeth 'in free custody'--a happy phrase
+which may be recommended to those of Her Majesty's subjects in Ireland
+who find themselves in prison under a statute of Edward III., not for
+doing anything, but for refusing to say they will not do it again. Even
+that most erudite and delightful of English Catholics, Charles Butler,
+who is one of the pleasantest memories of Lincoln's Inn, made but little
+of the sufferings of these bishops, whilst some Protestant writers have
+thought it quite amazing they were not all burnt as heretics. 'There
+were no retaliatory burnings,' says Canon Perry regretfully. But this
+surely is carrying Anglican assurance to an extraordinary pitch. What
+were they to be burnt for? You are burnt for heresy. That is right
+enough. No one would complain of that. But who in the year 1559 would
+have been bold enough to declare that the Archbishop of York was a
+heretic for refusing an oath prescribed by an Act of the Queen of the
+same year? Why, even now, after three centuries and a quarter of
+possession, I suppose Lord Selborne would hesitate before burning the
+Archbishop of Westminster as a heretic. Hanging is a different matter.
+It is very easy to get hung--but to be burnt requires a combination of
+circumstances not always forthcoming. Canon Perry should have remembered
+this.
+
+These deposed bishops were neither burnt nor hung. The aged Tunstall of
+Durham, who had played a very shabby part in Henry's time, died, where
+he was bound to die, in his bed, very shortly after his deposition; so
+also did the Bishops of Lichfield and Coventry, St. David's, Carlisle,
+and Winchester. Dr. Scott of Chester, after four years in the Fleet
+prison, managed to escape to Belgium, where he died in 1565. Dr. Pate of
+Worcester, who was a Council of Trent man, spent three years in the
+Tower, and then contrived to slip away unobserved. Dr. Poole of
+Peterborough was never in prison at all, but was allowed to live in
+retirement in the neighbourhood of London till his death in 1568. Bishop
+Bonner was kept a close prisoner in the Marshalsea till his death in
+1569. He was not popular in London. As he had burnt about one hundred
+and twenty persons, this need not surprise us. Bishop Bourne of Bath and
+Wells was lodged in the Tower from June, 1560, to the autumn of 1563,
+when the plague breaking out, he was quartered on the new Bishop of
+Lincoln, who had to provide him with bed and board till May, 1566, after
+which date the ex-bishop was allowed to be at large till his death in
+1569. The Bishop of Exeter was kept in the Tower for three years. What
+subsequently became of him is not known. He is supposed to have lived in
+the country. Bishop Thirlby of Ely, after three years in the Tower,
+lived for eleven years with Archbishop Parker, uncomfortably enough,
+without confession or mass. Then he died. It is not to be supposed that
+Parker ever told his prisoner that they both belonged to the same
+Church. Dr. Heath, the Archbishop of York, survived his deprivation
+twenty years, three only of which were spent in prison. He was a man of
+more mark than most of his brethren, and had defended the Papal
+supremacy with power and dignity in his place in Parliament. The Queen,
+who had a liking for him, was very anxious to secure his presence at
+some of the new offices, but he would never go, summing up his
+objections thus:--'Whatever is contrary to the Catholic faith is heresy,
+whatever is contrary to Unity is schism.' On getting out of the Tower,
+Dr. Heath, who had a private estate, lived upon it till his death. Dr.
+Watson of Lincoln was the most learned and the worst treated of the
+deposed bishops. He was in the Tower and the Marshalsea, with short
+intervals, from 1559 to 1577, when he was handed over to the custody of
+the Bishop of Winchester, who passed him on, after eighteen months, to
+his brother of Rochester, from whose charge he was removed to join other
+prisoners in Wisbeach Castle, where very queer things happened. Watson
+died at Wisbeach in 1584. There was now but one bishop left, the by no
+means heroic Goldwell of St. Asaph's, who in June, 1559, proceeded in
+disguise to the sea-coast, and crossed over to the Continent without
+being recognised. He continued to live abroad for the rest of his days,
+which ended on the 3rd of April, 1585. With him the ancient hierarchy
+ceased to exist. That, at least, is the assertion of the reverend
+authors of the book referred to. There are those who maintain the
+contrary.
+
+
+
+
+ SAINTE-BEUVE
+
+
+The vivacious, the in fact far too vivacious, Abbe Galiani, writing to
+Madame d'Epinay, observes with unwonted seriousness: 'Je remarque que le
+caractere dominant des Francais perce toujours. Ils sont causeurs,
+raisonneurs, badins par essence; un mauvais tableau enfante une bonne
+brochure; ainsi, vous parlerez mieux des arts que vous n'en ferez
+jamais. Il se trouvera, au bout du compte, dans quelques siecles, que
+vous aurez le mieux raisonne, le mieux discute ce que toutes les autres
+nations auront fait de mieux.' To affect to foretell the final balance
+of an account which is not to be closed for centuries demands either
+celestial assurance or Neapolitan impudence; but, regarded as a guess,
+the Abbe's was a shrewd one. The _post-mortem_ may prove him wrong, but
+can hardly prove him absurdly wrong.
+
+We owe much to the French--enlightenment, pleasure, variety, surprise;
+they have helped us in a great many ways: amongst others, to play an
+occasional game of hide-and-seek with Puritanism, a distraction in which
+there is no manner of harm; unless, indeed, the demure damsel were to
+turn huffy, and after we had hidden ourselves, refuse to find us again.
+Then, indeed--to use a colloquial expression--there would be the devil
+to pay.
+
+But nowhere have the French been so helpful, in nothing else has the
+change from the native to the foreign article been so delightful, as in
+this very matter of criticism upon which the Abbe Galiani had seized
+more than a hundred years ago. Mr. David Stott has lately published two
+small volumes of translations from the writings of Sainte-Beuve, the
+famous critic, who so long has been accepted as the type of all that is
+excellent in French criticism. French turned into English is always a
+woful spectacle--the pale, smileless corpse of what was once rare and
+radiant; but it is a thousand times better to read Sainte-Beuve or any
+other good foreign author in English than not to read him at all.
+Everybody has not time to emulate the poet Rowe, who learned Spanish in
+order to qualify himself, as he fondly thought, for a snug berth at
+Madrid, only to be told by his scholarly patron that now he could read
+_Don Quixote_ in the original.
+
+We hope these two volumes may be widely read, as they deserve to be, and
+that they may set their readers thinking what it is that makes
+Sainte-Beuve so famous a critic and so delightful a writer. His volumes
+are very numerous. 'All Balzac's novels occupy a shelf,' says Browning's
+Bishop; Sainte-Beuve's criticisms take up quite as much room. The
+_Causeries du Lundi_ and the _Nouveaux Lundis_ fill some twenty-eight
+tomes. _A priori_, one would be disposed to mutter, 'This is too much.'
+Can any man turned fifty truthfully declare that he wishes De Quincey
+had left thirty volumes behind him instead of fifteen? Great is De
+Quincey, but so elaborate are his movements, so tremendous his literary
+contortions, that when you have done with him you feel it would be
+cruelty to keep him stretched upon the rack of his own style for a
+moment longer. Sainte-Beuve is as easy as may be. Never before or since
+has there been an author so well content with his subject, whatever it
+might chance to be; so willing to be bound within its confines, and not
+to travel beyond it. In this excellent 'stay-at-home' quality, he
+reminds the English reader more of Addison than of any of our later
+critics and essayists. These latter are too anxious to please, far too
+disposed to believe that, apart from themselves and their flashing wits,
+their readers can have no possible interest in the subject they have in
+hand. They are ever seeking to adorn their theme instead of exploring
+it. They are always prancing, seldom willing to take a brisk
+constitutional along an honest, turnpike road. Even so admirable, so
+sensible a writer as Mr. Lowell is apt to worry us with his Elizabethan
+profusion of imagery, epithet, and wit. 'Something too much of this,' we
+cry out before we are half-way through. William Hazlitt, again, is
+really too witty. It is uncanny. Sainte-Beuve never teases his readers
+this way. You often catch yourself wondering, so matter-of-fact is his
+narrative, why it is you are interested. The dates of the births and
+deaths of his authors, the facts as to their parentage and education,
+are placed before you with stern simplicity, and without a single one of
+those quips and cranks which Carlyle ('God rest his soul!--he was a
+merry man') scattered with full hands over his explosive pages. But yet
+if you are interested, as for the most part you are, what a triumph for
+sobriety and good sense! A noisy author is as bad as a barrel-organ; a
+quiet one is as refreshing as a long pause in a foolish sermon.
+
+Sainte-Beuve covered an enormous range in his criticism; he took the
+Whole Literature as his province. It is an amusing trait of many living
+authors whose odd craze it is to take themselves and what they are fond
+of calling their 'work'--by which, if you please, they mean their rhymes
+and stories--very seriously indeed, to believe that critics exist for
+the purpose of calling attention to them--these living solemnities--and
+pointing out their varied excellences, or promise of excellence, to an
+eager book-buying public. To detect in some infant's squall the rich
+futurity of a George Eliot, to predict a glorious career for Gus
+Hoskins--this it is to be a true critic. For my part, I think a critic
+better occupied, though he be destitute of the genius of Lamb or
+Coleridge, in calling attention to the real greatnesses or shortcomings
+of dead authors than in dictating to his neighbours what they ought to
+think about living ones. If you teach me or help me to think aright
+about Milton, you can leave me to deal with _The Light of Asia_ on my
+own account. Addison was better employed expounding the beauties of
+_Paradise Lost_ to an unappreciative age than when he was puffing
+Philips and belittling Pope, or even than he would have been had he
+puffed Pope and belittled Philips.
+
+Sainte-Beuve was certainly happier snuffing the 'parfums du passee' than
+when ranging amongst the celebrities of his own day. His admiration for
+Victor Hugo, which so notoriously grew cool, is supposed to have been by
+no means remotely connected with an admiration for Victor Hugo's wife.
+These things cannot be helped, but if you confine yourself to the past
+they cannot happen.
+
+The method pursued by this distinguished critic during the years he was
+producing his weekly _Causerie_, was to shut himself up alone with his
+selected author--that is, with his author's writings, letters, and
+cognate works--for five days in the week. This was his period of
+immersion, of saturation. On the sixth day he wrote his criticism. On
+the seventh he did no manner of work. The following day the _Causerie_
+appeared, and its author shut himself up again with another set of books
+to produce another criticism. This was a workmanlike method.
+Sainte-Beuve had a genuine zeal to be a good workman in his own
+trade--the true instinct of the craftsman, always honoured in France,
+not so honoured as it deserves to be in England.
+
+Sainte-Beuve's most careless reader cannot fail to observe his
+contentment with his subject, his restraint, and his good sense--all
+workmanlike qualities: but a more careful study of his writings fully
+warrants his title to the possession of other qualities it would be
+rash to rank higher, but which, here in England, we are accustomed to
+reward with more lavish praise--namely, insight, sympathy, and feeling.
+
+To begin with, he was endlessly curious about people, without being in
+the least bit a gossip or a tattler. His interest never fails him, yet
+never leads him astray. His skill in collecting the salient facts and in
+emphasising the important ones is marvellous. How unerring was his
+instinct in these matters the English reader is best able to judge by
+his handling of English authors, so diverse and so difficult as Cowper,
+Gibbon, and Chesterfield. He never so much as stumbles. He understands
+Olney as well as Lausanne, Lady Austen and Mrs. Unwin as well as Madame
+Neckar or the Hampshire Militia. One feels sure that he could have
+written a better paper on John Bunyan than Macaulay did, a wiser on John
+Wesley than anybody has ever done.
+
+Next to his curiosity must be ranked his sympathy, a sympathy all the
+more contagious because so quietly expressed, and never purporting to
+be based on intellectual accord. He handles mankind tenderly though
+firmly. His interest in them is not merely scientific--his methods are
+scientific, but his heart is human. Read his three papers on Cowper over
+again, and you will agree with me. How thoroughly he appreciates the
+charm of Cowper's happy hours--his pleasant humour--his scholar-like
+fancies--his witty verse! No clumsy jesting about old women and balls of
+worsted. It is the mixture of insight with sympathy that is so
+peculiarly delightful.
+
+Sainte-Beuve's feeling is displayed doubtless in many ways, but to me it
+is always most apparent when he is upholding modesty and grace and
+wisdom against their loud-mouthed opposites. When he is doing this, his
+words seem to quiver with emotion--the critic almost becomes the
+preacher. I gladly take an example from one of the volumes already
+referred to. It occurs at the close of a paper on Camille Desmoulins, of
+whom Sainte-Beuve does his best to speak kindly, but the reaction
+comes--powerful, overwhelming, sweeping all before it:
+
+'What a longing we feel after reading these pages, encrusted with mire
+and blood--pages which are the living image of the disorder in the souls
+and morals of those times! What a need we experience of taking up some
+wise book, where common-sense predominates, and in which the good
+language is but the reflection of a delicate and honest soul, reared in
+habits of honour and virtue! We exclaim: Oh! for the style of honest
+men--of men who have revered everything worthy of respect; whose innate
+feelings have ever been governed by the principles of good taste! Oh!
+for the polished, pure, and moderate writers! Oh! for Nicole's Essays,
+for D'Aguesseau writing the Life of his Father. Oh! Vauvenargues! Oh!
+Pellisson!'
+
+I have quoted from one volume; let me now quote from the other. I will
+take a passage from the paper on Madame de Souza:--
+
+'In stirring times, in moments of incoherent and confused imagination
+like the present, it is natural to make for the most important point, to
+busy one's self with the general working, and everywhere, even in
+literature, to strike boldly, aim high, and shout through trumpets and
+speaking-tubes. The modest graces will perhaps come back after a while,
+and come with an expression appropriate to their new surroundings. I
+would fain believe it; but while hoping for the best, I feel sure that
+it will not be to-morrow that their sentiments and their speech will
+once more prevail.'
+
+But I must conclude with a sentence from Sainte-Beuve's own pen. Of
+Joubert he says: 'Il a une maniere qui fait qu'il ne dit rien,
+absolument rien comme un autre. Cela est sensible dans les lettres qu'il
+ecrit, et ne laisse pas de fatiguer a la longue.' Of such a judgment,
+one can only scribble in the margin, 'How true!' Sainte-Beuve was always
+willing to write like another man. Joubert was not. And yet, strange
+paradox! there will be always more men able to write in the strained
+style of Joubert than in the natural style of Sainte-Beuve. It is easier
+to be odd, intense, over-wise, enigmatic, than to be sensible, simple,
+and to see the plain truth about things.
+
+
+FOOTNOTES:
+
+[1] _Last Essays of Elia_, 52.
+
+[2] Since abandoned, _Laus Deo!_
+
+[3] Richardson in a letter says this of her, 'the weak, the insipid, the
+runaway, the inn-frequenting Sophia;' and calls her lover 'her
+illegitimate Tom.' But nobody else need say this of Sophia, and as for
+Tom he was declared to be a foundling from the first.
+
+[4] Jocelyn, founder of the Roden peerage.
+
+[5] By which title he refers to Mrs. Cornwallis, a lively lady who used
+to get her right reverend lord, himself a capital hand at whist, into
+great trouble by persisting in giving routs on Sunday.
+
+[6] See _Essays in Criticism_, p. 23.
+
+[7] _Letters of Charles Lamb._ Newly arranged, with additions; and a New
+Portrait. Edited, with Introduction and Notes, by the Rev. Alfred
+Ainger, M.A., Canon of Bristol. 2 vols. London, 1888.
+
+[8] Donaldson was a well-known man in Edinburgh. He was Boswell's first
+publisher, and on one occasion gave that gentleman a dinner consisting
+mainly of pig. Johnson's view of his larcenous proceedings is stated in
+the Life. Thurlow was his counsel in this litigation. Donaldson's
+Hospital in Edinburgh represents the fortune made by this publisher.
+
+[9] I was wrong, and this very volume is protected by law in the United
+States of America--but it still remains pleasingly uncertain whether the
+book-buying public across the water who were willing to buy _Obiter
+Dicta_ for twelve cents will give a dollar for _Res Judicata_.
+
+
+
+_LIST OF VOLUMES OF ESSAYS ON LITERATURE, ART, MUSIC, ETC., PUBLISHED BY
+CHARLES SCRIBNER'S SONS, 743-745 BROADWAY, NEW YORK._
+
+
+HENRY ADAMS.
+
+HISTORICAL ESSAYS. (12mo, $2.00.)
+
+CONTENTS: Primitive Rights of Women--Captaine John Smith--Harvard
+College, 1786-1787--Napoleon I. at St. Domingo--The Bank of England
+Restriction--The Declaration of Paris, 1861--The Legal Tender Act--The
+New York Gold Conspiracy--The Session, 1869-1870.
+
+ "Mr. Adams is thorough in research, exact in statement, judicial in
+ tone, broad of view, picturesque and impressive in description,
+ nervous and expressive in style. His characterizations are terse,
+ pointed, clear."--_New York Tribune._
+
+
+SIR EDWIN ARNOLD.
+
+JAPONICA. Illustrated by Robert Blum. (Large 8vo, $3.00.)
+
+ "Artistic and handsome. In theme, style, illustrations and
+ manufacture, it will appeal to every refined taste, presenting a
+ most thoughtful and graceful study of the fascinating people among
+ whom the author spent a year."--_Cincinnati Enquirer._
+
+
+AUGUSTINE BIRRELL.
+
+OBITER DICTA, First Series. (16mo, $1.00.)
+
+ CONTENTS: Carlyle--On the Alleged Obscurity of Mr. Browning's
+ Poetry--Truth Hunting--Actors--A Rogue's Memoirs--The Via
+ Media--Falstaff.
+
+ "Some admirably written essays, amusing and brilliant. The book is
+ the book of a highly cultivated man, with a real gift of
+ expression, a good deal of humor, a happy fancy."--_Spectator._
+
+OBITER DICTA, Second Series. (16mo, $1.00.)
+
+CONTENTS: Milton--Pope--Johnson--Burke--The Muse of
+History--Lamb--Emerson--The Office of Literature--Worn Out
+Types--Cambridge and the Poets--Book-buying.
+
+ "Neat, apposite, clever, full of quaint allusions, happy thoughts,
+ and apt, unfamiliar quotations."--_Boston Advertiser._
+
+
+THOMAS NELSON PAGE.
+
+THE OLD SOUTH, ESSAYS SOCIAL AND POLITICAL. (12mo. _In Press._)
+
+CONTENTS: The Old South--Authorship in the South before the War--Life in
+Colonial Virginia--Social Life in the South before the War--Old
+Yorktown--The Old Virginia Lawyer--The South's Need of a History--The
+Negro Question.
+
+These essays reveal a new and charming side of Mr. Page's versatility.
+He knows his Virginia as Lowell knew his New England.
+
+
+AUSTIN PHELPS, D.D.
+
+MY NOTE-BOOK: Fragmentary Studies in Theology and Subjects Adjacent
+Thereto (12mo, $1.50)--MEN AND BOOKS; or, Studies in Homiletics (8vo,
+$2.00)--MY PORTFOLIO (12mo, $1.50)--MY STUDY, AND OTHER ESSAYS (12mo,
+$1.50)
+
+ "His great and varied learning, his wide outlook, his profound
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+ his style, and the fertility of his thought, will secure for him a
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+ Tribune._
+
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+NOAH PORTER, LL.D.
+
+BOOKS AND READING. (Crown 8vo, $2.00).
+
+ "It is distinguished by all the rare acumen, discriminating taste
+ and extensive literary knowledge of the author. The chief
+ departments of literature are reviewed in detail."--_N. Y. Times._
+
+
+PHILIP SCHAFF, D.D.
+
+LITERATURE AND POETRY. (With portrait, 8vo, $3.00.)
+
+CONTENTS: Studies on the English Language--The Poetry of the Bible--Dies
+Irae--Stabat Mater--Hymns of St. Bernard--The University, Ancient and
+Modern--Dante Alighieri, The Divina Commedia.
+
+ "There is a great amount of erudition in the collection, but the
+ style is so simple and direct that the reader does not realize that
+ he is following the travels of a close scholar through many learned
+ volumes in many different languages."--_Chautauquan._
+
+
+ROBERT GRANT.
+
+THE REFLECTIONS OF A MARRIED MAN. (12mo, cloth, $1.00; paper, 50
+cents.)
+
+A delicious vein of humor runs through this new book by the author of
+"The Confessions of a Frivolous Girl," who takes the reader into his
+confidence and gives a picture of married life that is as bright and
+entertaining as it is amusing. The experiences described are so typical,
+that it is singular that they have never got into print before.
+
+
+E. J. HARDY.
+
+THE BUSINESS OF LIFE: A Book for Everyone.--HOW TO BE HAPPY THOUGH
+MARRIED: Being a Handbook to Marriage--THE FIVE TALENTS OF WOMAN: A Book
+for Girls and Women--MANNERS MAKYTH MAN. (Each, 12mo, $1.25.)
+
+ "The author has a large store of apposite quotations and anecdotes
+ from which he draws with a lavish hand, and he has the art of
+ brightening his pages with a constant play of humor that makes what
+ he says uniformly entertaining."--_Boston Advertiser._
+
+
+W. E. HENLEY.
+
+VIEWS AND REVIEWS. Essays in Appreciation: Literature. (12mo, $1.00.)
+
+CONTENTS:
+Dickens--Thackeray--Disraeli--Dumas--Meredith--Byron--Hugo--Heine--
+Arnold--Rabelais--Shakespeare--Sidney--Walton--Banville--Berlioz--
+Longfellow--Balzac--Hood--Lever--Congreve--Tolstoi--Fielding,
+etc., etc.
+
+ "Interesting, original, keen and felicitous. His criticism will be
+ found suggestive, cultivated, independent."--_N. Y. Tribune._
+
+
+J. G. HOLLAND.
+
+TITCOMB'S LETTERS TO YOUNG PEOPLE, SINGLE AND MARRIED--GOLD-FOIL,
+HAMMERED FROM POPULAR PROVERBS--LESSONS IN LIFE: A Series of Familiar
+Essays--CONCERNING THE JONES FAMILY--PLAIN TALKS ON FAMILIAR
+SUBJECTS--EVERY-DAY TOPICS, First Series, Second Series. (Each, small
+12mo, $1.25.)
+
+ "Dr. Holland will always find a congenial audience in the homes of
+ culture and refinement. He does not affect the play of the darker
+ and fiercer passions, but delights in the sweet images that cluster
+ around the domestic hearth. He cherishes a strong fellow-feeling
+ with the pure and tranquil life in the modest social circles of the
+ American people, and has thus won his way to the companionship of
+ many friendly hearts."--_N. Y. Tribune._
+
+
+WILLIAM RALPH INGE.
+
+SOCIETY IN ROME UNDER THE CAESARS. (12mo, $1.25.)
+
+ "Every page is brimful of interest. The pictures of life in Rome
+ under the Caesars are graphic and thoroughly
+ intelligible."--_Chicago Herald._
+
+
+ANDREW LANG.
+
+ESSAYS IN LITTLE. (Portrait, 12mo, $1.00.)
+
+CONTENTS: Alexandra Dumas--Mr. Stevenson's Works--Thomas Haynes
+Bayly--Theodore de Banville--Homer and the Study of Greek--The Last
+Fashionable Novel--Thackeray--Dickens--Adventures of Buccaneers--The
+Sagas--Kingsley--Lever--Poems of Sir Walter Scott--Bunyan--Letter to a
+Young Journalist--Kipling's Stories.
+
+ "One of the most entertaining and bracing of books. It ought to win
+ every vote and please every class of readers."--_Spectator_
+ (London).
+
+LETTERS TO DEAD AUTHORS. (16mo, $1.00.)
+
+Letters to Thackeray--Dickens--Herodotus--Pope--Rabelais--Jane Austen--Isaak
+Walton--Dumas--Theocritus--Poe--Scott--Shelley--Moliere--Burns, etc.,
+etc.
+
+ "The book is one of the luxuries of the literary taste. It is meant
+ for the exquisite palate, and is prepared by one of the 'knowing'
+ kind. It is an astonishing little volume."--_N. Y. Evening Post._
+
+
+SIDNEY LANIER.
+
+THE ENGLISH NOVEL AND THE PRINCIPLE OF ITS DEVELOPMENT. (Crown 8vo,
+$2.00.)
+
+ "The critical and analytical portions of his work are always in
+ high key, suggestive, brilliant, rather dogmatic and not free from
+ caprice ... But when all these abatements are made, the lectures
+ remain lofty in tone and full of original
+ inspiration."--_Independent._
+
+
+[Transcriber's Notes: Typographical errors have been corrected as
+follows:
+
+Page 14 - "series of familiar letter" replaced with "series of familiar
+letters"
+
+Page 24 - Question mark added to "Do you remember Thackeray's
+account..."
+
+Page 95 - "pains of hell gat hold" replaced with "pains of hell got
+hold"
+
+Page 108 - "jusqu aux" replaced with "jusqu'aux"
+
+Page 127 - "perference" replaced with "preference"
+
+Page 127 - "inbecile" replaced with "imbecile"
+
+Page 196 - Correct single-double quotes before "We live no more" and
+"More strictly, then"
+
+Page 224 - "vemon" replaced with "venom"
+
+Page 253 - "ligitations" replaced with "litigations"
+
+Page 282 - "his people, which has" replaced with "his people, which
+have"
+
+Page 287 - "marches" replaced with "marshes"]
+
+
+
+
+
+End of the Project Gutenberg EBook of Res Judicatae, by Augustine Birrell
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