summaryrefslogtreecommitdiff
path: root/3712-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:22:09 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:22:09 -0700
commitc719d90fbbb0f185042019ed542754f24915b52e (patch)
treeed041003cae19722928c561464b33d3b738da587 /3712-h
initial commit of ebook 3712HEADmain
Diffstat (limited to '3712-h')
-rw-r--r--3712-h/3712-h.htm1399
1 files changed, 1399 insertions, 0 deletions
diff --git a/3712-h/3712-h.htm b/3712-h/3712-h.htm
new file mode 100644
index 0000000..2fa2da3
--- /dev/null
+++ b/3712-h/3712-h.htm
@@ -0,0 +1,1399 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>The Chateau of Prince Polignac, by Anthony Trollope</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ P.gutsumm { margin-left: 5%;}
+ P.poetry {margin-left: 3%; }
+ .GutSmall { font-size: 0.7em; }
+ H1, H2 {
+ text-align: center;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ }
+ H3, H4, H5 {
+ text-align: center;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 10%;
+ margin-right: 10%;
+ }
+ table { border-collapse: collapse; }
+table {margin-left:auto; margin-right:auto;}
+ td { vertical-align: top; border: 1px solid black;}
+ td p { margin: 0.2em; }
+ .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */
+
+ .smcap {font-variant: small-caps;}
+
+ .pagenum {position: absolute;
+ left: 92%;
+ font-size: small;
+ text-align: right;
+ font-weight: normal;
+ color: gray;
+ }
+ img { border: none; }
+ img.dc { float: left; width: 50px; height: 50px; }
+ p.gutindent { margin-left: 2em; }
+ div.gapspace { height: 0.8em; }
+ div.gapline { height: 0.8em; width: 100%; border-top: 1px solid;}
+ div.gapmediumline { height: 0.3em; width: 40%; margin-left:30%;
+ border-top: 1px solid; }
+ div.gapmediumdoubleline { height: 0.3em; width: 40%; margin-left:30%;
+ border-top: 1px solid; border-bottom: 1px solid;}
+ div.gapshortdoubleline { height: 0.3em; width: 20%;
+ margin-left: 40%; border-top: 1px solid;
+ border-bottom: 1px solid; }
+ div.gapdoubleline { height: 0.3em; width: 50%;
+ margin-left: 25%; border-top: 1px solid;
+ border-bottom: 1px solid;}
+ div.gapshortline { height: 0.3em; width: 20%; margin-left:40%;
+ border-top: 1px solid; }
+ .citation {vertical-align: super;
+ font-size: .8em;
+ text-decoration: none;}
+ img.floatleft { float: left;
+ margin-right: 1em;
+ margin-top: 0.5em; margin-bottom: 0.5em; }
+ img.floatright { float: right;
+ margin-left: 1em; margin-top: 0.5em;
+ margin-bottom: 0.5em; }
+ img.clearcenter {display: block;
+ margin-left: auto;
+ margin-right: auto; margin-top: 0.5em;
+ margin-bottom: 0.5em}
+ -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<pre>
+
+The Project Gutenberg eBook, The Chateau of Prince Polignac, by Anthony
+Trollope
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: The Chateau of Prince Polignac
+
+
+Author: Anthony Trollope
+
+
+
+Release Date: January 16, 2015 [eBook #3712]
+[This file was first posted on July 31, 2001]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE CHATEAU OF PRINCE POLIGNAC***
+</pre>
+<p>Transcribed from the 1864 Chapman and Hall &ldquo;Tales of All
+Countries&rdquo; edition by David Price, email
+ccx074@pglaf.org</p>
+<h1>THE CH&Acirc;TEAU OF PRINCE POLIGNAC.</h1>
+<p><span class="smcap">Few</span> Englishmen or Englishwomen are
+intimately acquainted with the little town of Le Puy.&nbsp; It is
+the capital of the old province of Le Velay, which also is now
+but little known, even to French ears, for it is in these days
+called by the imperial name of the Department of the Haute
+Loire.&nbsp; It is to the south-east of Auvergne, and is nearly
+in the centre of the southern half of France.</p>
+<p>But few towns, merely as towns, can be better worth
+visiting.&nbsp; In the first place, the volcanic formation of the
+ground on which it stands is not only singular in the extreme, so
+as to be interesting to the geologist, but it is so picturesque
+as to be equally gratifying to the general tourist.&nbsp; Within
+a narrow valley there stand several rocks, rising up from the
+ground with absolute abruptness.&nbsp; Round two of these the
+town clusters, and a third stands but a mile distant, forming the
+centre of a faubourg, or suburb.&nbsp; These rocks appear to be,
+and I believe are, the harder particles of volcanic matter, which
+have not been carried away through successive ages by the joint
+agency of water and air.</p>
+<p>When the tide of lava ran down between the hills the surface
+left was no doubt on a level with the heads of these rocks; but
+here and there the deposit became harder than elsewhere, and
+these harder points have remained, lifting up their steep heads
+in a line through the valley.</p>
+<p>The highest of these is called the Rocher de Corneille.&nbsp;
+Round this and up its steep sides the town stands.&nbsp; On its
+highest summit there was an old castle; and there now is, or will
+be before these pages are printed, a colossal figure in bronze of
+the Virgin Mary, made from the cannon taken at Sebastopol.&nbsp;
+Half-way down the hill the cathedral is built, a singularly
+gloomy edifice,&mdash;Romanesque, as it is called, in its style,
+but extremely similar in its mode of architecture to what we know
+of Byzantine structures.&nbsp; But there has been no surface on
+the rock side large enough to form a resting-place for the
+church, which has therefore been built out on huge supporting
+piles, which form a porch below the west front; so that the
+approach is by numerous steps laid along the side of the wall
+below the church, forming a wondrous flight of stairs.&nbsp; Let
+all men who may find themselves stopping at Le Puy visit the top
+of these stairs at the time of the setting sun, and look down
+from thence through the framework of the porch on the town
+beneath, and at the hill-side beyond.</p>
+<p>Behind the church is the seminary of the priests, with its
+beautiful walks stretching round the Rocher de Corneille, and
+overlooking the town and valley below.</p>
+<p>Next to this rock, and within a quarter of a mile of it, is
+the second peak, called the Rock of the Needle.&nbsp; It rises
+narrow, sharp, and abrupt from the valley, allowing of no
+buildings on its sides.&nbsp; But on its very point has been
+erected a church sacred to St. Michael, that lover of rock
+summits, accessible by stairs cut from the stone.&nbsp; This,
+perhaps&mdash;this rock, I mean&mdash;is the most wonderful of
+the wonders which Nature has formed at La Puy.</p>
+<p>Above this, at a mile&rsquo;s distance, is the rock of
+Espailly, formed in the same way, and almost equally
+precipitous.&nbsp; On its summit is a castle, having its own
+legend, and professing to have been the residence of Charles
+VII., when little of France belonged to its kings but the
+provinces of Berry, Auvergne, and Le Velay.&nbsp; Some three
+miles farther up there is another volcanic rock, larger, indeed,
+but equally sudden in its spring,&mdash;equally remarkable as
+rising abruptly from the valley,&mdash;on which stands the castle
+and old family residence of the house of Polignac.&nbsp; It was
+lost by them at the Revolution, but was repurchased by the
+minister of Charles X., and is still the property of the head of
+the race.</p>
+<p>Le Puy itself is a small, moderate, pleasant French town, in
+which the language of the people has not the pure Parisian aroma,
+nor is the glory of the boulevards of the capital emulated in its
+streets.&nbsp; These are crooked, narrow, steep, and intricate,
+forming here and there excellent sketches for a lover of street
+picturesque beauty; but hurtful to the feet with their small,
+round-topped paving stones, and not always as clean as pedestrian
+ladies might desire.</p>
+<p>And now I would ask my readers to join me at the morning table
+d&rsquo;h&ocirc;te at the Hotel des Ambassadeurs.&nbsp; It will
+of course be understood that this does not mean a breakfast in
+the ordinary fashion of England, consisting of tea or coffee,
+bread and butter, and perhaps a boiled egg.&nbsp; It comprises
+all the requisites for a composite dinner, excepting soup; and as
+one gets farther south in France, this meal is called
+dinner.&nbsp; It is, however, eaten without any prejudice to
+another similar and somewhat longer meal at six or seven
+o&rsquo;clock, which, when the above name is taken up by the
+earlier enterprise, is styled supper.</p>
+<p>The d&eacute;je&ucirc;ner, or dinner, at the H&ocirc;tel des
+Ambassadeurs, on the morning in question, though very elaborate,
+was not a very gay affair.&nbsp; There were some fourteen persons
+present, of whom half were residents in the town, men employed in
+some official capacity, who found this to be the cheapest, the
+most luxurious, and to them the most comfortable mode of
+living.&nbsp; They clustered together at the head of the table,
+and as they were customary guests at the house, they talked their
+little talk together&mdash;it was very little&mdash;and made the
+most of the good things before them.&nbsp; Then there were two or
+three commis-voyageurs, a chance traveller or two, and an English
+lady with a young daughter.&nbsp; The English lady sat next to
+one of the accustomed guests; but he, unlike the others, held
+converse with her rather than with them.&nbsp; Our story at
+present has reference only to that lady and to that
+gentleman.</p>
+<p>Place aux dames.&nbsp; We will speak first of the lady, whose
+name was Mrs. Thompson.&nbsp; She was, shall I say, a young woman
+of about thirty-six.&nbsp; In so saying, I am perhaps creating a
+prejudice against her in the minds of some readers, as they will,
+not unnaturally, suppose her, after such an announcement, to be
+in truth over forty.&nbsp; Any such prejudice will be
+unjust.&nbsp; I would have it believed that thirty-six was the
+outside, not the inside of her age.&nbsp; She was good-looking,
+lady-like, and considering that she was an Englishwoman, fairly
+well dressed.&nbsp; She was inclined to be rather full in her
+person, but perhaps not more so than is becoming to ladies at her
+time of life.&nbsp; She had rings on her fingers and a brooch on
+her bosom which were of some value, and on the back of her head
+she wore a jaunty small lace cap, which seemed to tell, in
+conjunction with her other appointments, that her circumstances
+were comfortable.</p>
+<p>The little girl who sat next to her was the youngest of her
+two daughters, and might be about thirteen years of age.&nbsp;
+Her name was Matilda, but infantine circumstances had invested
+her with the nickname of Mimmy, by which her mother always called
+her.&nbsp; A nice, pretty, playful little girl was Mimmy
+Thompson, wearing two long tails of plaited hair hanging, behind
+her head, and inclined occasionally to be rather loud in her
+sport.</p>
+<p>Mrs. Thompson had another and an elder daughter, now some
+fifteen years old, who was at school in Le Puy; and it was with
+reference to her tuition that Mrs. Thompson had taken up a
+temporary residence at the H&ocirc;tel des Ambassadeurs in that
+town.&nbsp; Lilian Thompson was occasionally invited down to dine
+or breakfast at the inn, and was visited daily at her school by
+her mother.</p>
+<p>&ldquo;When I&rsquo;m sure that she&rsquo;ll do, I shall leave
+her there, and go back to England,&rdquo; Mrs. Thompson had said,
+not in the purest French, to the neighbour who always sat next to
+her at the table d&rsquo;h&ocirc;te, the gentleman, namely, to
+whom we have above alluded.&nbsp; But still she had remained at
+Le Puy a month, and did not go; a circumstance which was
+considered singular, but by no means unpleasant, both by the
+innkeeper and by the gentleman in question.</p>
+<p>The facts, as regarded Mrs. Thompson, were as
+follows:&mdash;She was the widow of a gentleman who had served
+for many years in the civil service of the East Indies, and who,
+on dying, had left her a comfortable income of&mdash;it matters
+not how many pounds, but constituting quite a sufficiency to
+enable her to live at her ease and educate her daughters.</p>
+<p>Her children had been sent home to England before her
+husband&rsquo;s death, and after that event she had followed
+them; but there, though she was possessed of moderate wealth, she
+had no friends and few acquaintances, and after a little while
+she had found life to be rather dull.&nbsp; Her customs were not
+those of England, nor were her propensities English; therefore
+she had gone abroad, and having received some recommendation of
+this school at Le Puy, had made her way thither.&nbsp; As it
+appeared to her that she really enjoyed more consideration at Le
+Puy than had been accorded to her either at Torquay or
+Leamington, there she remained from day to day.&nbsp; The total
+payment required at the H&ocirc;tel des Ambassadeurs was but six
+francs daily for herself and three and a half for her little
+girl; and where else could she live with a better junction of
+economy and comfort?&nbsp; And then the gentleman who always sat
+next to her was so exceedingly civil!</p>
+<p>The gentleman&rsquo;s name was M. Lacordaire.&nbsp; So much
+she knew, and had learned to call him by his name very
+frequently.&nbsp; Mimmy, too, was quite intimate with M.
+Lacordaire; but nothing more than his name was known of
+him.&nbsp; But M. Lacordaire carried a general letter of
+recommendation in his face, manner, gait, dress, and tone of
+voice.&nbsp; In all these respects there was nothing left to be
+desired; and, in addition to this, he was decorated, and wore the
+little red ribbon of the Legion of Honour, ingeniously twisted
+into the shape of a small flower.</p>
+<p>M. Lacordaire might be senior in age to Mrs. Thompson by about
+ten years, nor had he about him any of the airs or graces of a
+would-be young man.&nbsp; His hair, which he wore very short, was
+grizzled, as was also the small pretence of a whisker which came
+down about as far as the middle of his ear; but the tuft on his
+chin was still brown, without a gray hair.&nbsp; His eyes were
+bright and tender, his voice was low and soft, his hands were
+very white, his clothes were always new and well fitting, and a
+better-brushed hat could not be seen out of Paris, nor perhaps in
+it.</p>
+<p>Now, during the weeks which Mrs. Thompson had passed at La
+Puy, the acquaintance which she had formed with M. Lacordaire had
+progressed beyond the prolonged meals in the salle &agrave;
+manger.&nbsp; He had occasionally sat beside her evening table as
+she took her English cup of tea in her own room, her bed being
+duly screened off in its distant niche by becoming curtains; and
+then he had occasionally walked beside her, as he civilly
+escorted her to the lions of the place; and he had once
+accompanied her, sitting on the back seat of a French voiture,
+when she had gone forth to see something of the surrounding
+country.</p>
+<p>On all such occasions she had been accompanied by one of her
+daughters, and the world of Le Puy had had nothing material to
+say against her.&nbsp; But still the world of Le Puy had
+whispered a little, suggesting that M. Lacordaire knew very well
+what he was about.&nbsp; But might not Mrs. Thompson also know as
+well what she was about?&nbsp; At any rate, everything had gone
+on very pleasantly since the acquaintance had been made.&nbsp;
+And now, so much having been explained, we will go back to the
+elaborate breakfast at the H&ocirc;tel des Ambassadeurs.</p>
+<p>Mrs. Thompson, holding Mimmy by the hand, walked into the room
+some few minutes after the last bell had been rung, and took the
+place which was now hers by custom.&nbsp; The gentlemen who
+constantly frequented the house all bowed to her, but M.
+Lacordaire rose from his seat and offered her his hand.</p>
+<p>&ldquo;And how is Mees Meemy this morning?&rdquo; said he; for
+&rsquo;twas thus he always pronounced her name.</p>
+<p>Miss Mimmy, answering for herself, declared that she was very
+well, and suggested that M. Lacordaire should give her a fig from
+off a dish that was placed immediately before him on the
+table.&nbsp; This M. Lacordaire did, presenting it very elegantly
+between his two fingers, and making a little bow to the little
+lady as he did so.</p>
+<p>&ldquo;Fie, Mimmy!&rdquo; said her mother; &ldquo;why do you
+ask for the things before the waiter brings them
+round?&rdquo;</p>
+<p>&ldquo;But, mamma,&rdquo; said Mimmy, speaking English,
+&ldquo;M. Lacordaire always gives me a fig every
+morning.&rdquo;</p>
+<p>&ldquo;M. Lacordaire always spoils you, I think,&rdquo;
+answered Mrs. Thompson, in French.&nbsp; And then they went
+thoroughly to work at their breakfast.&nbsp; During the whole
+meal M. Lacordaire attended assiduously to his neighbour; and did
+so without any evil result, except that one Frenchman with a
+black moustache, at the head of the table, trod on the toe of
+another Frenchman with another black moustache&mdash;winking as
+he made the sign&mdash;just as M. Lacordaire, having selected a
+bunch of grapes, put it on Mrs. Thompson&rsquo;s plate with
+infinite grace.&nbsp; But who among us all is free from such
+impertinences as these?</p>
+<p>&ldquo;But madame really must see the ch&acirc;teau of Prince
+Polignac before she leaves Le Puy,&rdquo; said M. Lacordaire.</p>
+<p>&ldquo;The ch&acirc;teau of who?&rdquo; asked Mimmy, to whose
+young ears the French words were already becoming familiar.</p>
+<p>&ldquo;Prince Polignac, my dear.&nbsp; Well, I really
+don&rsquo;t know, M. Lacordaire;&mdash;I have seen a great deal
+of the place already, and I shall be going now very soon;
+probably in a day or two,&rdquo; said Mrs. Thompson.</p>
+<p>&ldquo;But madame must positively see the
+ch&acirc;teau,&rdquo; said M. Lacordaire, very impressively; and
+then after a pause he added, &ldquo;If madame will have the
+complaisance to commission me to procure a carriage for this
+afternoon, and will allow me the honour to be her guide, I shall
+consider myself one of the most fortunate of men.&rdquo;</p>
+<p>&ldquo;Oh, yes, mamma, do go,&rdquo; said Mimmy, clapping her
+hands.&nbsp; &ldquo;And it is Thursday, and Lilian can go with
+us.&rdquo;</p>
+<p>&ldquo;Be quiet, Mimmy, do.&nbsp; Thank you, no, M.
+Lacordaire.&nbsp; I could not go to-day; but I am extremely
+obliged by your politeness.&rdquo;</p>
+<p>M. Lacordaire still pressed the matter, and Mrs. Thompson
+still declined till it was time to rise from the table.&nbsp; She
+then declared that she did not think it possible that she should
+visit the ch&acirc;teau before she left Le Puy; but that she
+would give him an answer at dinner.</p>
+<p>The most tedious time in the day to Mrs. Thompson were the two
+hours after breakfast.&nbsp; At one o&rsquo;clock she daily went
+to the school, taking Mimmy, who for an hour or two shared her
+sister&rsquo;s lessons.&nbsp; This and her little excursions
+about the place, and her shopping, managed to make away with her
+afternoon.&nbsp; Then in the evening, she generally saw something
+of M. Lacordaire.&nbsp; But those two hours after breakfast were
+hard of killing.</p>
+<p>On this occasion, when she gained her own room, she as usual
+placed Mimmy on the sofa with a needle.&nbsp; Her custom then was
+to take up a novel; but on this morning she sat herself down in
+her arm-chair, and resting her head upon her hand and elbow,
+began to turn over certain circumstances in her mind.</p>
+<p>&ldquo;Mamma,&rdquo; said Mimmy, &ldquo;why won&rsquo;t you go
+with M. Lacordaire to that place belonging to the prince?&nbsp;
+Prince&mdash;Polly something, wasn&rsquo;t it?&rdquo;</p>
+<p>&ldquo;Mind your work, my dear,&rdquo; said Mrs. Thompson.</p>
+<p>&ldquo;But I do so wish you&rsquo;d go, mamma.&nbsp; What was
+the prince&rsquo;s name?&rdquo;</p>
+<p>&ldquo;Polignac.&rdquo;</p>
+<p>&ldquo;Mamma, ain&rsquo;t princes very great
+people?&rdquo;</p>
+<p>&ldquo;Yes, my dear; sometimes.&rdquo;</p>
+<p>&ldquo;Is Prince Polly-nac like our Prince Alfred?&rdquo;</p>
+<p>&ldquo;No, my dear; not at all.&nbsp; At least, I suppose
+not.&rdquo;</p>
+<p>&ldquo;Is his mother a queen?&rdquo;</p>
+<p>&ldquo;No, my dear.&rdquo;</p>
+<p>&ldquo;Then his father must be a king?&rdquo;</p>
+<p>&ldquo;No, my dear.&nbsp; It is quite a different thing
+here.&nbsp; Here in France they have a great many
+princes.&rdquo;</p>
+<p>&ldquo;Well, at any rate I should like to see a prince&rsquo;s
+ch&acirc;teau; so I do hope you&rsquo;ll go.&rdquo;&nbsp; And
+then there was a pause.&nbsp; &ldquo;Mamma, could it come to
+pass, here in France, that M. Lacordaire should ever be a
+prince?&rdquo;</p>
+<p>&ldquo;M. Lacordaire a prince!&nbsp; No; don&rsquo;t talk such
+nonsense, but mind your work.&rdquo;</p>
+<p>&ldquo;Isn&rsquo;t M. Lacordaire a very nice man?&nbsp;
+Ain&rsquo;t you very fond of him?&rdquo;</p>
+<p>To this question Mrs. Thompson made no answer.</p>
+<p>&ldquo;Mamma,&rdquo; continued Mimmy, after a moment&rsquo;s
+pause, &ldquo;won&rsquo;t you tell me whether you are fond of M.
+Lacordaire?&nbsp; I&rsquo;m quite sure of this,&mdash;that
+he&rsquo;s very fond of you.&rdquo;</p>
+<p>&ldquo;What makes you think that?&rdquo; asked Mrs. Thompson,
+who could not bring herself to refrain from the question.</p>
+<p>&ldquo;Because he looks at you in that way, mamma, and
+squeezes your hand.&rdquo;</p>
+<p>&ldquo;Nonsense, child,&rdquo; said Mrs. Thompson; &ldquo;hold
+your tongue.&nbsp; I don&rsquo;t know what can have put such
+stuff into your head.&rdquo;</p>
+<p>&ldquo;But he does, mamma,&rdquo; said Mimmy, who rarely
+allowed her mother to put her down.</p>
+<p>Mrs. Thompson made no further answer, but again sat with her
+head resting on her hand.&nbsp; She also, if the truth must be
+told, was thinking of M. Lacordaire and his fondness for
+herself.&nbsp; He had squeezed her hand and he had looked into
+her face.&nbsp; However much it may have been nonsense on
+Mimmy&rsquo;s part to talk of such things, they had not the less
+absolutely occurred.&nbsp; Was it really the fact that M.
+Lacordaire was in love with her?</p>
+<p>And if so, what return should she, or could she make to such a
+passion?&nbsp; He had looked at her yesterday, and squeezed her
+hand to-day. Might it not be probable that he would advance a
+step further to-morrow?&nbsp; If so, what answer would she be
+prepared to make to him?</p>
+<p>She did not think&mdash;so she said to herself&mdash;that she
+had any particular objection to marrying again.&nbsp; Thompson
+had been dead now for four years, and neither his friends, nor
+her friends, nor the world could say she was wrong on that
+score.&nbsp; And as to marrying a Frenchman, she could not say
+she felt within herself any absolute repugnance to doing
+that.&nbsp; Of her own country, speaking of England as such, she,
+in truth, knew but little&mdash;and perhaps cared less.&nbsp; She
+had gone to India almost as a child, and England had not been
+specially kind to her on her return.&nbsp; She had found it dull
+and cold, stiff, and almost ill-natured.&nbsp; People there had
+not smiled on her and been civil as M. Lacordaire had done.&nbsp;
+As far as England and Englishmen were considered she saw no
+reason why she should not marry M. Lacordaire.</p>
+<p>And then, as regarded the man; could she in her heart say that
+she was prepared to love, honour, and obey M. Lacordaire?&nbsp;
+She certainly knew no reason why she should not do so.&nbsp; She
+did not know much of him, she said to herself at first; but she
+knew as much, she said afterwards, as she had known personally of
+Mr. Thompson before their marriage.&nbsp; She had known, to be
+sure, what was Mr. Thompson&rsquo;s profession and what his
+income; or, if not, some one else had known for her.&nbsp; As to
+both these points she was quite in the dark as regarded M.
+Lacordaire.</p>
+<p>Personally, she certainly did like him, as she said to herself
+more than once.&nbsp; There was a courtesy and softness about him
+which were very gratifying to her; and then, his appearance was
+so much in his favour.&nbsp; He was not very young, she
+acknowledged; but neither was she young herself.&nbsp; It was
+quite evident that he was fond of her children, and that he would
+be a kind and affectionate father to them.&nbsp; Indeed, there
+was kindness in all that he did.</p>
+<p>Should she marry again,&mdash;and she put it to herself quite
+hypothetically,&mdash;she would look for no romance in such a
+second marriage.&nbsp; She would be content to sit down in a
+quiet home, to the tame dull realities of life, satisfied with
+the companionship of a man who would be kind and gentle to her,
+and whom she could respect and esteem.&nbsp; Where could she find
+a companion with whom this could be more safely anticipated than
+with M. Lacordaire?</p>
+<p>And so she argued the question within her own breast in a
+manner not unfriendly to that gentleman.&nbsp; That there was as
+yet one great hindrance she at once saw; but then that might be
+remedied by a word.&nbsp; She did not know what was his income or
+his profession.&nbsp; The chambermaid, whom she had interrogated,
+had told her that he was a &ldquo;marchand.&rdquo;&nbsp; To
+merchants, generally, she felt that she had no objection.&nbsp;
+The Barings and the Rothschilds were merchants, as was also that
+wonderful man at Bombay, Sir Hommajee Bommajee, who was worth she
+did no know how many thousand lacs of rupees.</p>
+<p>That it would behove her, on her own account and that of her
+daughters, to take care of her own little fortune in contracting
+any such connection, that she felt strongly.&nbsp; She would
+never so commit herself as to put security in that respect out of
+her power.&nbsp; But then she did not think that M. Lacordaire
+would ever ask her to do so; at any rate, she was determined on
+this, that there should never be any doubt on that matter; and as
+she firmly resolved on this, she again took up her book, and for
+a minute or two made an attempt to read.</p>
+<p>&ldquo;Mamma,&rdquo; said Mummy, &ldquo;will M. Lacordaire go
+up to the school to see Lilian when you go away from
+this?&rdquo;</p>
+<p>&ldquo;Indeed, I cannot say, my dear.&nbsp; If Lilian is a
+good girl, perhaps he may do so now and then.&rdquo;</p>
+<p>&ldquo;And will he write to you and tell you how she
+is?&rdquo;</p>
+<p>&ldquo;Lilian can write for herself; can she not?&rdquo;</p>
+<p>&ldquo;Oh yes; I suppose she can; but I hope M. Lacordaire
+will write too.&nbsp; We shall come back here some day;
+shan&rsquo;t we, mamma?&rdquo;</p>
+<p>&ldquo;I cannot say, my dear.&rdquo;</p>
+<p>&ldquo;I do so hope we shall see M. Lacordaire again.&nbsp; Do
+you know what I was thinking, mamma?&rdquo;</p>
+<p>&ldquo;Little girls like you ought not to think,&rdquo; said
+Mrs. Thompson, walking slowly out of the room to the top of the
+stairs and back again; for she had felt the necessity of
+preventing Mimmy from disclosing any more of her thoughts.&nbsp;
+&ldquo;And now, my dear, get yourself ready, and we will go up to
+the school.&rdquo;</p>
+<p>Mrs. Thompson always dressed herself with care, though not in
+especially fine clothes, before she went down to dinner at the
+table d&rsquo;h&ocirc;te; but on this occasion she was more than
+usually particular.&nbsp; She hardly explained to herself why she
+did this; but, nevertheless, as she stood before the glass, she
+did in a certain manner feel that the circumstances of her future
+life might perhaps depend on what might be said and done that
+evening.&nbsp; She had not absolutely decided whether or no she
+would go to the Prince&rsquo;s ch&acirc;teau; but if she did
+go&mdash;.&nbsp; Well, if she did; what then?&nbsp; She had sense
+enough, as she assured herself more than once, to regulate her
+own conduct with propriety in any such emergency.</p>
+<p>During the dinner, M. Lacordaire conversed in his usual
+manner, but said nothing whatever about the visit to
+Polignac.&nbsp; He was very kind to Mimmy, and very courteous to
+her mother, but did not appear to be at all more particular than
+usual.&nbsp; Indeed, it might be a question whether he was not
+less so.&nbsp; As she had entered the room Mrs. Thompson had said
+to herself that, perhaps, after all, it would be better that
+there should be nothing more thought about it; but before the
+four of five courses were over, she was beginning to feel a
+little disappointed.</p>
+<p>And now the fruit was on the table, after the consumption of
+which it was her practice to retire.&nbsp; It was certainly open
+to her to ask M. Lacordaire to take tea with her that evening, as
+she had done on former occasions; but she felt that she must not
+do this now, considering the immediate circumstances of the
+case.&nbsp; If any further steps were to be taken, they must be
+taken by him, and not by her;&mdash;or else by Mimmy, who, just
+as her mother was slowly consuming her last grapes, ran round to
+the back of M. Lacordaire&rsquo;s chair, and whispered something
+into his ear.&nbsp; It may be presumed that Mrs. Thompson did not
+see the intention of the movement in time to arrest it, for she
+did nothing till the whispering had been whispered; and then she
+rebuked the child, bade her not to be troublesome, and with more
+than usual austerity in her voice, desired her to get herself
+ready to go up stairs to their chamber.</p>
+<p>As she spoke she herself rose from her chair, and made her
+final little bow to the table, and her other final little bow and
+smile to M. Lacordaire; but this was certain to all who saw it,
+that the smile was not as gracious as usual.</p>
+<p>As she walked forth, M. Lacordaire rose from his
+chair&mdash;such being his constant practice when she left the
+table; but on this occasion he accompanied her to the door.</p>
+<p>&ldquo;And has madame decided,&rdquo; he asked, &ldquo;whether
+she will permit me to accompany her to the
+ch&acirc;teau?&rdquo;</p>
+<p>&ldquo;Well, I really don&rsquo;t know,&rdquo; said Mrs.
+Thompson.</p>
+<p>&ldquo;Mees Meemy,&rdquo; continued M. Lacordaire, &ldquo;is
+very anxious to see the rock, and I may perhaps hope that Mees
+Lilian would be pleased with such a little excursion.&nbsp; As
+for myself&mdash;&rdquo; and then M. Lacordaire put his hand upon
+his heart in a manner that seemed to speak more plainly than he
+had ever spoken.</p>
+<p>&ldquo;Well, if the children would really like it,
+and&mdash;as you are so very kind,&rdquo; said Mrs. Thompson; and
+so the matter was conceded.</p>
+<p>&ldquo;To-morrow afternoon?&rdquo; suggested M.
+Lacordaire.&nbsp; But Mrs. Thompson fixed on Saturday, thereby
+showing that she herself was in no hurry for the expedition.</p>
+<p>&ldquo;Oh, I am so glad!&rdquo; said Mimmy, when they had
+re-entered their own room.&nbsp; &ldquo;Mamma, do let me tell
+Lilian myself when I go up to the school to-morrow!&rdquo;</p>
+<p>But mamma was in no humour to say much to her child on this
+subject at the present moment.&nbsp; She threw herself back on
+her sofa in perfect silence, and began to reflect whether she
+would like to sign her name in future as Fanny Lacordaire,
+instead of Fanny Thompson.&nbsp; It certainly seemed as though
+things were verging towards such a necessity.&nbsp; A
+marchand!&nbsp; But a marchand of what?&nbsp; She had an
+instinctive feeling that the people in the hotel were talking
+about her and M. Lacordaire, and was therefore more than ever
+averse to asking any one a question.</p>
+<p>As she went up to the school the next afternoon, she walked
+through more of the streets of Le Puy than was necessary, and in
+every street she looked at the names which she saw over the doors
+of the more respectable houses of business.&nbsp; But she looked
+in vain.&nbsp; It might be that M. Lacordaire was a marchand of
+so specially high a quality as to be under no necessity to put up
+his name at all.&nbsp; Sir Hommajee Bommajee&rsquo;s name did not
+appear over any door in Bombay;&mdash;at least, she thought
+not.</p>
+<p>And then came the Saturday morning.&nbsp; &ldquo;We shall be
+ready at two,&rdquo; she said, as she left the breakfast-table;
+&ldquo;and perhaps you would not mind calling for Lilian on the
+way.&rdquo;</p>
+<p>M. Lacordaire would be delighted to call anywhere for anybody
+on behalf of Mrs. Thompson; and then, as he got to the door of
+the salon, he offered her his hand.&nbsp; He did so with so much
+French courtesy that she could not refuse it, and then she felt
+that his purpose was more tender than ever it had been.&nbsp; And
+why not, if this was the destiny which Fate had prepared for
+her?</p>
+<p>Mrs. Thompson would rather have got into the carriage at any
+other spot in Le Puy than at that at which she was forced to do
+so&mdash;the chief entrance, namely, of the H&ocirc;tel des
+Ambassadeurs.&nbsp; And what made it worse was this, that an
+appearance of a special fate was given to the occasion.&nbsp; M.
+Lacordaire was dressed in more than his Sunday best.&nbsp; He had
+on new yellow kid gloves.&nbsp; His coat, if not new, was newer
+than any Mrs. Thompson had yet observed, and was lined with silk
+up to the very collar.&nbsp; He had on patent leather boots,
+which glittered, as Mrs. Thompson thought, much too
+conspicuously.&nbsp; And as for his hat, it was quite evident
+that it was fresh that morning from the maker&rsquo;s block.</p>
+<p>In this costume, with his hat in his hand, he stood under the
+great gateway of the hotel, ready to hand Mrs. Thompson into the
+carriage.&nbsp; This would have been nothing if the landlord and
+landlady had not been there also, as well as the man-cook, and
+the four waiters, and the fille de chambre.&nbsp; Two or three
+other pair of eyes Mrs. Thompson also saw, as she glanced round,
+and then Mimmy walked across the yard in her best clothes with a
+f&ecirc;te-day air about her for which her mother would have
+liked to have whipped her.</p>
+<p>But what did it matter?&nbsp; If it was written in the book
+that she should become Madame Lacordaire, of course the world
+would know that there must have been some preparatory
+love-making.&nbsp; Let them have their laugh; a good husband
+would not be dearly purchased at so trifling an expense.&nbsp;
+And so they sallied forth with already half the ceremony of a
+wedding.</p>
+<p>Mimmy seated herself opposite to her mother, and M. Lacordaire
+also sat with his back to the horses, leaving the second place of
+honour for Lilian.&nbsp; &ldquo;Pray make yourself comfortable,
+M. Lacordaire, and don&rsquo;t mind her,&rdquo; said Mrs.
+Thompson.&nbsp; But he was firm in his purpose of civility,
+perhaps making up his mind that when he should in truth stand in
+the place of papa to the young lady, then would be his time for
+having the back seat in the carnage.</p>
+<p>Lilian, also in her best frock, came down the school-steps,
+and three of the school teachers came with her.&nbsp; It would
+have added to Mrs. Thompson&rsquo;s happiness at that moment if
+M. Lacordaire would have kept his polished boots out of sight,
+and put his yellow gloves into his pocket.</p>
+<p>And then they started.&nbsp; The road from Le Puy to Polignac
+is nearly all up hill; and a very steep hill it is, so that there
+was plenty of time for conversation.&nbsp; But the girls had it
+nearly all to themselves.&nbsp; Mimmy thought that she had never
+found M. Lacordaire so stupid; and Lilian told her sister on the
+first safe opportunity that occurred, that it seemed very much as
+though they were all going to church.</p>
+<p>&ldquo;And do any of the Polignac people ever live at this
+place?&rdquo; asked Mrs. Thompson, by way of making conversation;
+in answer to which M. Lacordaire informed madame that the place
+was at present only a ruin; and then there was again silence till
+they found themselves under the rock, and were informed by the
+driver that the rest of the ascent must be made on foot.</p>
+<p>The rock now stood abrupt and precipitous above their
+heads.&nbsp; It was larger in its circumference and with much
+larger space on its summit than those other volcanic rocks in and
+close to the town; but then at the same time it was higher from
+the ground, and quite as inaccessible, except by the single path
+which led up to the ch&acirc;teau.</p>
+<p>M. Lacordaire, with conspicuous gallantry, first assisted Mrs.
+Thompson from the carriage, and then handed down the two young
+ladies.&nbsp; No lady could have been so difficult to please as
+to complain of him, and yet Mrs. Thompson thought that he was not
+as agreeable as usual.&nbsp; Those horrid boots and those horrid
+gloves gave him such an air of holiday finery that neither could
+he be at his ease wearing them, nor could she, in seeing them
+worn.</p>
+<p>They were soon taken in hand by the poor woman whose privilege
+it was to show the ruins.&nbsp; For a little distance they walked
+up the path in single file; not that it was too narrow to
+accommodate two, but M. Lacordaire&rsquo;s courage had not yet
+been screwed to a point which admitted of his offering his arm to
+the widow.&nbsp; For in France, it must be remembered, that this
+means more than it does in some other countries.</p>
+<p>Mrs. Thompson felt that all this was silly and useless.&nbsp;
+If they were not to be dear friends this coming out f&ecirc;ting
+together, those boots and gloves and new hat were all very
+foolish; and if they were, the sooner they understood each other
+the better.&nbsp; So Mrs. Thompson, finding that the path was
+steep and the weather warm, stood still for a while leaning
+against the wall, with a look of considerable fatigue in her
+face.</p>
+<p>&ldquo;Will madame permit me the honour of offering her my
+arm?&rdquo; said M. Lacordaire.&nbsp; &ldquo;The road is so
+extraordinarily steep for madame to climb.&rdquo;</p>
+<p>Mrs. Thompson did permit him the honour, and so they went on
+till they reached the top.</p>
+<p>The view from the summit was both extensive and grand, but
+neither Lilian nor Mimmy were much pleased with the place.&nbsp;
+The elder sister, who had talked over the matter with her school
+companions, expected a fine castle with turrets, battlements, and
+romance; and the other expected a pretty smiling house, such as
+princes, in her mind, ought to inhabit.</p>
+<p>Instead of this they found an old turret, with steps so broken
+that M. Lacordaire did not care to ascend them, and the ruined
+walls of a mansion, in which nothing was to be seen but the
+remains of an enormous kitchen chimney.</p>
+<p>&ldquo;It was the kitchen of the family,&rdquo; said the
+guide.</p>
+<p>&ldquo;Oh,&rdquo; said Mrs. Thompson.</p>
+<p>&ldquo;And this,&rdquo; said the woman, taking them into the
+next ruined compartment, &ldquo;was the kitchen of monsieur et
+madame.&rdquo;</p>
+<p>&ldquo;What! two kitchens?&rdquo; exclaimed Lilian, upon which
+M. Lacordaire explained that the ancestors of the Prince de
+Polignac had been very great people, and had therefore required
+culinary performances on a great scale.</p>
+<p>And then the woman began to chatter something about an oracle
+of Apollo.&nbsp; There was, she said, a hole in the rock, from
+which in past times, perhaps more than a hundred years ago, the
+oracle used to speak forth mysterious words.</p>
+<p>&ldquo;There,&rdquo; she said, pointing to a part of the rock
+at some distance, &ldquo;was the hole.&nbsp; And if the ladies
+would follow her to a little outhouse which was just beyond, she
+would show them the huge stone mouth out of which the oracle used
+to speak.&rdquo;</p>
+<p>Lilian and Mimmy both declared at once for seeing the oracle,
+but Mrs. Thompson expressed her determination to remain sitting
+where she was upon the turf.&nbsp; So the guide started off with
+the young ladies; and will it be thought surprising that M.
+Lacordaire should have remained alone by the side of Mrs.
+Thompson?</p>
+<p>It must be now or never, Mrs. Thompson felt; and as regarded
+M. Lacordaire, he probably entertained some idea of the same
+kind.&nbsp; Mrs. Thompson&rsquo;s inclinations, though they had
+never been very strong in the matter, were certainly in favour of
+the &ldquo;now.&rdquo;&nbsp; M. Lacordaire&rsquo;s inclinations
+were stronger.&nbsp; He had fully and firmly made up his mind in
+favour of matrimony; but then he was not so absolutely in favour
+of the &ldquo;now.&rdquo;&nbsp; Mrs. Thompson&rsquo;s mind, if
+one could have read it, would have shown a great objection to
+shilly-shallying, as she was accustomed to call it.&nbsp; But M.
+Lacordaire, were it not for the danger which might thence arise,
+would have seen no objection to some slight further
+procrastination.&nbsp; His courage was beginning, perhaps, to
+ooze out from his fingers&rsquo; ends.</p>
+<p>&ldquo;I declare that those girls have scampered away ever so
+far,&rdquo; said Mrs. Thompson.</p>
+<p>&ldquo;Would madame wish that I should call them back?&rdquo;
+said M. Lacordaire, innocently.</p>
+<p>&ldquo;Oh, no, dear children! let them enjoy themselves; it
+will be a pleasure to them to run about the rock, and I suppose
+they will be safe with that woman?&rdquo;</p>
+<p>&ldquo;Oh, yes, quite safe,&rdquo; said M. Lacordaire; and
+then there was another little pause.</p>
+<p>Mrs. Thompson was sitting on a broken fragment of a stone just
+outside the entrance to the old family kitchen, and M. Lacordaire
+was standing immediately before her.&nbsp; He had in his hand a
+little cane with which he sometimes slapped his boots and
+sometimes poked about among the rubbish.&nbsp; His hat was not
+quite straight on his head, having a little jaunty twist to one
+side, with reference to which, by-the-bye, Mrs. Thompson then
+resolved that she would make a change, should ever the gentleman
+become her own property.&nbsp; He still wore his gloves, and was
+very smart; but it was clear to see that he was not at his
+ease.</p>
+<p>&ldquo;I hope the heat does not incommode you,&rdquo; he said
+after a few moments&rsquo; silence.&nbsp; Mrs. Thompson declared
+that it did not, that she liked a good deal of heat, and that, on
+the whole, she was very well where she was.&nbsp; She was afraid,
+however, that she was detaining M. Lacordaire, who might probably
+wish to be moving about upon the rock.&nbsp; In answer to which
+M. Lacordaire declared that he never could be so happy anywhere
+as in her close vicinity.</p>
+<p>&ldquo;You are too good to me,&rdquo; said Mrs. Thompson,
+almost sighing.&nbsp; &ldquo;I don&rsquo;t know what my stay here
+would have been without your great kindness.&rdquo;</p>
+<p>&ldquo;It is madame that has been kind to me,&rdquo; said M.
+Lacordaire, pressing the handle of his cane against his
+heart.</p>
+<p>There was then another pause, after which Mrs. Thompson said
+that that was all his French politeness; that she knew that she
+had been very troublesome to him, but that she would now soon be
+gone; and that then, in her own country, she would never forget
+his great goodness.</p>
+<p>&ldquo;Ah, madame!&rdquo; said M. Lacordaire; and, as he said
+it, much more was expressed in his face than in his words.&nbsp;
+But, then, you can neither accept nor reject a gentleman by what
+he says in his face.&nbsp; He blushed, too, up to his grizzled
+hair, and, turning round, walked a step or two away from the
+widow&rsquo;s seat, and back again.</p>
+<p>Mrs. Thompson the while sat quite still.&nbsp; The displaced
+fragment, lying, as it did, near a corner of the building, made
+not an uncomfortable chair.&nbsp; She had only to be careful that
+she did not injure her hat or crush her clothes, and throw in a
+word here and there to assist the gentleman, should occasion
+permit it.</p>
+<p>&ldquo;Madame!&rdquo; said M. Lacordaire, on his return from a
+second little walk.</p>
+<p>&ldquo;Monsieur!&rdquo; replied Mrs. Thompson, perceiving that
+M. Lacordaire paused in his speech.</p>
+<p>&ldquo;Madame,&rdquo; he began again, and then, as he again
+paused, Mrs. Thompson looked up to him very sweetly;
+&ldquo;madame, what I am going to say will, I am afraid, seem to
+evince by far too great audacity on my part.&rdquo;</p>
+<p>Mrs. Thompson may, perhaps, have thought that, at the present
+moment, audacity was not his fault.&nbsp; She replied, however,
+that she was quite sure that monsieur would say nothing that was
+in any way unbecoming either for him to speak or for her to
+hear.</p>
+<p>&ldquo;Madame, may I have ground to hope that such may be your
+sentiments after I have spoken!&nbsp; Madame&rdquo;&mdash;and now
+he went down, absolutely on his knees, on the hard stones; and
+Mrs. Thompson, looking about into the distance, almost thought
+that she saw the top of the guide&rsquo;s
+cap&mdash;&ldquo;Madame, I have looked forward to this
+opportunity as one in which I may declare for you the greatest
+passion that I have ever yet felt. Madame, with all my heart and
+soul I love you.&nbsp; Madame, I offer to you the homage of my
+heart, my hand, the happiness of my life, and all that I possess
+in this world;&rdquo; and then, taking her hand gracefully
+between his gloves, he pressed his lips against the tips of her
+fingers.</p>
+<p>If the thing was to be done, this way of doing it was,
+perhaps, as good as any other.&nbsp; It was one, at any rate,
+which left no doubt whatever as to the gentleman&rsquo;s
+intentions.&nbsp; Mrs. Thompson, could she have had her own way,
+would not have allowed her lover of fifty to go down upon his
+knees, and would have spared him much of the romance of his
+declaration.&nbsp; So also would she have spared him his yellow
+gloves and his polished boots.&nbsp; But these were a part of the
+necessity of the situation, and therefore she wisely took them as
+matters to be passed over with indifference.&nbsp; Seeing,
+however, that M. Lacordaire still remained on his knees, it was
+necessary that she should take some step toward raising him,
+especially as her two children and the guide would infallibly be
+upon them before long.</p>
+<p>&ldquo;M. Lacordaire,&rdquo; she said, &ldquo;you surprise me
+greatly; but pray get up.&rdquo;</p>
+<p>&ldquo;But will madame vouchsafe to give me some small ground
+for hope?&rdquo;</p>
+<p>&ldquo;The girls will be here directly, M. Lacordaire; pray
+get up.&nbsp; I can talk to you much better if you will stand up,
+or sit down on one of these stones.&rdquo;</p>
+<p>M. Lacordaire did as he was bid; he got up, wiped the knees of
+his pantaloons with his handkerchief, sat down beside her, and
+then pressed the handle of his cane to his heart.</p>
+<p>&ldquo;You really have so surprised me that I hardly know how
+to answer you,&rdquo; said Mrs. Thompson.&nbsp; &ldquo;Indeed, I
+cannot bring myself to imagine that you are in
+earnest.&rdquo;</p>
+<p>&ldquo;Ah, madame, do not be so cruel!&nbsp; How can I have
+lived with you so long, sat beside you for so many days, without
+having received your image into my heart?&nbsp; I am in
+earnest!&nbsp; Alas!&nbsp; I fear too much in
+earnest!&rdquo;&nbsp; And then he looked at her with all his
+eyes, and sighed with all his strength.</p>
+<p>Mrs. Thompson&rsquo;s prudence told her that it would be well
+to settle the matter, in one way or the other, as soon as
+possible.&nbsp; Long periods of love-making were fit for younger
+people than herself and her future possible husband.&nbsp; Her
+object would be to make him comfortable if she could, and that he
+should do the same for her, if that also were possible.&nbsp; As
+for lookings and sighings and pressings of the hand, she had gone
+through all that some twenty years since in India, when Thompson
+had been young, and she was still in her teens.</p>
+<p>&ldquo;But, M. Lacordaire, there are so many things to be
+considered.&nbsp; There!&nbsp; I hear the children coming!&nbsp;
+Let us walk this way for a minute.&rdquo;&nbsp; And they turned
+behind a wall which placed them out of sight, and walked on a few
+paces till they reached a parapet, which stood on the uttermost
+edge of the high rock.&nbsp; Leaning upon this they continued
+their conversation.</p>
+<p>&ldquo;There are so many things to be considered,&rdquo; said
+Mrs. Thompson again.</p>
+<p>&ldquo;Yes, of course,&rdquo; said M. Lacordaire.&nbsp;
+&ldquo;But my one great consideration is this;&mdash;that I love
+madame to distraction.&rdquo;</p>
+<p>&ldquo;I am very much flattered; of course, any lady would so
+feel.&nbsp; But, M. Lacordaire&mdash;&rdquo;</p>
+<p>&ldquo;Madame, I am all attention.&nbsp; But, if you would
+deign to make me happy, say that one word, &lsquo;I love
+you!&rsquo;&rdquo;&nbsp; M. Lacordaire, as he uttered these
+words, did not look, as the saying is, at his best.&nbsp; But
+Mrs. Thompson forgave him.&nbsp; She knew that elderly gentlemen
+under such circumstances do not look at their best.</p>
+<p>&ldquo;But if I consented to&mdash;to&mdash;to such an
+arrangement, I could only do so on seeing that it would be
+beneficial&mdash;or, at any rate, not injurious&mdash;to my
+children; and that it would offer to ourselves a fair promise of
+future happiness.&rdquo;</p>
+<p>&ldquo;Ah, madame; it would be the dearest wish of my heart to
+be a second father to those two young ladies; except,
+indeed&mdash;&rdquo; and then M. Lacordaire stopped the flow of
+his speech.</p>
+<p>&ldquo;In such matters it is so much the best to be explicit
+at once,&rdquo; said Mrs. Thompson.</p>
+<p>&ldquo;Oh, yes; certainly!&nbsp; Nothing can be more wise than
+madame.&rdquo;</p>
+<p>&ldquo;And the happiness of a household depends so much on
+money.&rdquo;</p>
+<p>&ldquo;Madame!&rdquo;</p>
+<p>&ldquo;Let me say a word or two, Monsieur Lacordaire.&nbsp; I
+have enough for myself and my children; and, should I every marry
+again, I should not, I hope, be felt as a burden by my husband;
+but it would, of course, be my duty to know what were his
+circumstances before I accepted him.&nbsp; Of yourself,
+personally, I have seen nothing that I do not like.&rdquo;</p>
+<p>&ldquo;Oh, madame!&rdquo;</p>
+<p>&ldquo;But as yet I know nothing of your
+circumstances.&rdquo;</p>
+<p>M. Lacordaire, perhaps, did feel that Mrs. Thompson&rsquo;s
+prudence was of a strong, masculine description; but he hardly
+liked her the less on this account.&nbsp; To give him his due he
+was not desirous of marrying her solely for her money&rsquo;s
+sake.&nbsp; He also wished for a comfortable home, and proposed
+to give as much as he got; only he had been anxious to wrap up
+the solid cake of this business in a casing of sugar of
+romance.&nbsp; Mrs. Thompson would not have the sugar but the
+cake might not be the worse on that account.</p>
+<p>&ldquo;No, madame, not as yet; but they shall all be made open
+and at your disposal,&rdquo; said M. Lacordaire; and Mrs.
+Thompson bowed approvingly.</p>
+<p>&ldquo;I am in business,&rdquo; continued M. Lacordaire;
+&ldquo;and my business gives me eight thousand francs a
+year.&rdquo;</p>
+<p>&ldquo;Four times eight are thirty-two,&rdquo; said Mrs.
+Thompson to herself; putting the francs into pounds sterling, in
+the manner that she had always found to be the readiest.&nbsp;
+Well, so far the statement was satisfactory.&nbsp; An income of
+three hundred and twenty pounds a year from business, joined to
+her own, might do very well.&nbsp; She did not in the least
+suspect M. Lacordaire of being false, and so far the matter
+sounded well.</p>
+<p>&ldquo;And what is the business?&rdquo; she asked, in a tone
+of voice intended to be indifferent, but which nevertheless
+showed that she listened anxiously for an answer to her
+question.</p>
+<p>They were both standing with their arms upon the wall, looking
+down upon the town of Le Puy; but they had so stood that each
+could see the other&rsquo;s countenance as they talked.&nbsp;
+Mrs. Thompson could now perceive that M. Lacordaire became red in
+the face, as he paused before answering her.&nbsp; She was near
+to him, and seeing his emotion gently touched his arm with her
+hand.&nbsp; This she did to reassure him, for she saw that he was
+ashamed of having to declare that he was a tradesman.&nbsp; As
+for herself, she had made up her mind to bear with this, if she
+found, as she felt sure she would find, that the trade was one
+which would not degrade either him or her.&nbsp; Hitherto,
+indeed,&mdash;in her early days,&mdash;she had looked down on
+trade; but of what benefit had her grand ideas been to her when
+she had returned to England?&nbsp; She had tried her hand at
+English genteel society, and no one had seemed to care for
+her.&nbsp; Therefore, she touched his arm lightly with her
+fingers that she might encourage him.</p>
+<p>He paused for a moment, as I have said, and became red; and
+then feeling that he had shown some symptoms of shame&mdash;and
+feeling also, probably, that it was unmanly in him to do so, he
+shook himself slightly, raised his head up somewhat more proudly
+than was his wont, looked her full in the face with more strength
+of character than she had yet seen him assume; and then, declared
+his business.</p>
+<p>&ldquo;Madame,&rdquo; he said, in a very audible, but not in a
+loud voice, &ldquo;madame&mdash;je suis tailleur.&rdquo;&nbsp;
+And having so spoken, he turned slightly from her and looked down
+over the valley towards Le Puy.</p>
+<p>There was nothing more said upon the subject as they drove
+down from the rock of Polignac back to the town.&nbsp;
+Immediately on receiving the announcement, Mrs. Thompson found
+that she had no answer to make.&nbsp; She withdrew her
+hand&mdash;and felt at once that she had received a blow.&nbsp;
+It was not that she was angry with M. Lacordaire for being a
+tailor; nor was she angry with him in that, being a tailor, he
+had so addressed her.&nbsp; But she was surprised, disappointed,
+and altogether put beyond her ease.&nbsp; She had, at any rate,
+not expected this.&nbsp; She had dreamed of his being a banker;
+thought that, perhaps, he might have been a wine merchant; but
+her idea had never gone below a jeweller or watchmaker.&nbsp;
+When those words broke upon her ear, &ldquo;Madame, je suis
+tailleur,&rdquo; she had felt herself to be speechless.</p>
+<p>But the words had not been a minute spoken when Lilian and
+Mimmy ran up to their mother.&nbsp; &ldquo;Oh, mamma,&rdquo; said
+Lilian, &ldquo;we thought you were lost; we have searched for you
+all over the ch&acirc;teau.&rdquo;</p>
+<p>&ldquo;We have been sitting very quietly here, my dear,
+looking at the view,&rdquo; said Mrs. Thompson.</p>
+<p>&ldquo;But, mamma, I do wish you&rsquo;d see the mouth of the
+oracle.&nbsp; It is so large, and so round, and so ugly.&nbsp; I
+put my arm into it all the way,&rdquo; said Mimmy.</p>
+<p>But at the present moment her mamma felt no interest in the
+mouth of the oracle; and so they all walked down together to the
+carriage.&nbsp; And, though the way was steep, Mrs. Thompson
+managed to pick her steps without the assistance of an arm; nor
+did M. Lacordaire presume to offer it.</p>
+<p>The drive back to town was very silent.&nbsp; Mrs. Thompson
+did make one or two attempts at conversation, but they were not
+effectual.&nbsp; M. Lacordaire could not speak at his ease till
+this matter was settled, and he already had begun to perceive
+that his business was against him.&nbsp; Why is it that the trade
+of a tailor should be less honourable than that of a haberdasher,
+or even a grocer?</p>
+<p>They sat next each other at dinner, as usual; and here, as all
+eyes were upon them, they both made a great struggle to behave in
+their accustomed way.&nbsp; But even in this they failed.&nbsp;
+All the world of the H&ocirc;tel des Ambassadeurs knew that M.
+Lacordaire had gone forth to make an offer to Mrs. Thompson, and
+all that world, therefore, was full of speculation.&nbsp; But all
+the world could make nothing of it.&nbsp; M. Lacordaire did look
+like a rejected man, but Mrs. Thompson did not look like the
+woman who had rejected him.&nbsp; That the offer had been
+made&mdash;in that everybody agreed, from the senior
+habitu&eacute; of the house who always sat at the head of the
+table, down to the junior assistant gar&ccedil;on.&nbsp; But as
+to reading the riddle, there was no accord among them.</p>
+<p>When the dessert was done, Mrs. Thompson, as usual, withdrew,
+and M. Lacordaire, as usual, bowed as he stood behind his own
+chair.&nbsp; He did not, however, attempt to follow her.</p>
+<p>But when she reached the door she called him.&nbsp; He was at
+her side in a moment, and then she whispered in his
+ear&mdash;</p>
+<p>&ldquo;And I, also&mdash;I will be of the same
+business.&rdquo;</p>
+<p>When M. Lacordaire regained the table the senior
+habitu&eacute;, the junior gar&ccedil;on, and all the
+intermediate ranks of men at the H&ocirc;tel des Ambassadeurs
+knew that they might congratulate him.</p>
+<p>Mrs. Thompson had made a great struggle; but, speaking for
+myself, I am inclined to think that she arrived at last at a wise
+decision.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK THE CHATEAU OF PRINCE POLIGNAC***</p>
+<pre>
+
+
+***** This file should be named 3712-h.htm or 3712-h.zip******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/7/1/3712
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre></body>
+</html>