summaryrefslogtreecommitdiff
path: root/3700-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '3700-0.txt')
-rw-r--r--3700-0.txt1715
1 files changed, 1715 insertions, 0 deletions
diff --git a/3700-0.txt b/3700-0.txt
new file mode 100644
index 0000000..dd4cf3b
--- /dev/null
+++ b/3700-0.txt
@@ -0,0 +1,1715 @@
+The Project Gutenberg eBook, The Courtship of Susan Bell, by Anthony
+Trollope, Illustrated by Marcus Stone
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: The Courtship of Susan Bell
+
+
+Author: Anthony Trollope
+
+
+
+Release Date: January 16, 2015 [eBook #3700]
+[This file was first posted on July 25, 2001]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE COURTSHIP OF SUSAN BELL***
+
+
+Transcribed from the 1864 Chapman & Hall, “Tales of All Countries,”
+edition by David Price, email ccx074@pglaf.org
+
+ [Picture: The Courtship of Susan Bell, a frontispiece by Marcus Stone]
+
+
+
+
+
+ THE COURTSHIP OF SUSAN BELL.
+
+
+JOHN MUNROE BELL had been a lawyer in Albany, State of New York, and as
+such had thriven well. He had thriven well as long as thrift and
+thriving on this earth had been allowed to him. But the Almighty had
+seen fit to shorten his span.
+
+Early in life he had married a timid, anxious, pretty, good little wife,
+whose whole heart and mind had been given up to do his bidding and
+deserve his love. She had not only deserved it but had possessed it, and
+as long as John Munroe Bell had lived, Henrietta Bell—Hetta as he called
+her—had been a woman rich in blessings. After twelve years of such
+blessings he had left her, and had left with her two daughters, a second
+Hetta, and the heroine of our little story, Susan Bell.
+
+A lawyer in Albany may thrive passing well for eight or ten years, and
+yet not leave behind him any very large sum of money if he dies at the
+end of that time. Some small modicum, some few thousand dollars, John
+Bell had amassed, so that his widow and daughters were not absolutely
+driven to look for work or bread.
+
+In those happy days when cash had begun to flow in plenteously to the
+young father of the family, he had taken it into his head to build for
+himself, or rather for his young female brood, a small neat house in the
+outskirts of Saratoga Springs. In doing so he was instigated as much by
+the excellence of the investment for his pocket as by the salubrity of
+the place for his girls. He furnished the house well, and then during
+some summer weeks his wife lived there, and sometimes he let it.
+
+How the widow grieved when the lord of her heart and master of her mind
+was laid in the grave, I need not tell. She had already counted ten
+years of widowhood, and her children had grown to be young women beside
+her at the time of which I am now about to speak. Since that sad day on
+which they had left Albany they had lived together at the cottage at the
+Springs. In winter their life had been lonely enough; but as soon as the
+hot weather began to drive the fainting citizens out from New York, they
+had always received two or three boarders—old ladies generally, and
+occasionally an old gentleman—persons of very steady habits, with whose
+pockets the widow’s moderate demands agreed better than the hotel
+charges. And so the Bells lived for ten years.
+
+That Saratoga is a gay place in July, August, and September, the world
+knows well enough. To girls who go there with trunks full of muslin and
+crinoline, for whom a carriage and pair of horses is always waiting
+immediately after dinner, whose fathers’ pockets are bursting with
+dollars, it is a very gay place. Dancing and flirtations come as a
+matter of course, and matrimony follows after with only too great
+rapidity. But the place was not very gay for Hetta or Susan Bell.
+
+In the first place the widow was a timid woman, and among other fears
+feared greatly that she should be thought guilty of setting traps for
+husbands. Poor mothers! how often are they charged with this sin when
+their honest desires go no further than that their bairns may be
+“respectit like the lave.” And then she feared flirtations; flirtations
+that should be that and nothing more, flirtations that are so destructive
+of the heart’s sweetest essence. She feared love also, though she longed
+for that as well as feared it;—for her girls, I mean; all such feelings
+for herself were long laid under ground;—and then, like a timid creature
+as she was, she had other indefinite fears, and among them a great fear
+that those girls of hers would be left husbandless,—a phase of life which
+after her twelve years of bliss she regarded as anything but desirable.
+But the upshot was,—the upshot of so many fears and such small
+means,—that Hetta and Susan Bell had but a dull life of it.
+
+Were it not that I am somewhat closely restricted in the number of my
+pages, I would describe at full the merits and beauties of Hetta and
+Susan Bell. As it is I can but say a few words. At our period of their
+lives Hetta was nearly one-and-twenty, and Susan was just nineteen.
+Hetta was a short, plump, demure young woman, with the softest smoothed
+hair, and the brownest brightest eyes. She was very useful in the house,
+good at corn cakes, and thought much, particularly in these latter
+months, of her religious duties. Her sister in the privacy of their own
+little room would sometimes twit her with the admiring patience with
+which she would listen to the lengthened eloquence of Mr. Phineas
+Beckard, the Baptist minister. Now Mr. Phineas Beckard was a bachelor.
+
+Susan was not so good a girl in the kitchen or about the house as was her
+sister; but she was bright in the parlour, and if that motherly heart
+could have been made to give out its inmost secret—which however, it
+could not have been made to give out in any way painful to dear
+Hetta—perhaps it might have been found that Susan was loved with the
+closest love. She was taller than her sister, and lighter; her eyes were
+blue as were her mother’s; her hair was brighter than Hetta’s, but not
+always so singularly neat. She had a dimple on her chin, whereas Hetta
+had none; dimples on her cheeks too, when she smiled; and, oh, such a
+mouth! There; my allowance of pages permits no more.
+
+One piercing cold winter’s day there came knocking at the widow’s door—a
+young man. Winter days, when the ice of January is refrozen by the wind
+of February, are very cold at Saratoga Springs. In these days there was
+not often much to disturb the serenity of Mrs. Bell’s house; but on the
+day in question there came knocking at the door—a young man.
+
+Mrs. Bell kept an old domestic, who had lived with them in those happy
+Albany days. Her name was Kate O’Brien, but though picturesque in name
+she was hardly so in person. She was a thick-set, noisy, good-natured
+old Irishwoman, who had joined her lot to that of Mrs. Bell when the
+latter first began housekeeping, and knowing when she was well off; had
+remained in the same place from that day forth. She had known Hetta as a
+baby, and, so to say, had seen Susan’s birth.
+
+“And what might you be wanting, sir?” said Kate O’Brien, apparently not
+quite pleased as she opened the door and let in all the cold air.
+
+“I wish to see Mrs. Bell. Is not this Mrs. Bell’s house?” said the young
+man, shaking the snow from out of the breast of his coat.
+
+He did see Mrs. Bell, and we will now tell who he was, and why he had
+come, and how it came to pass that his carpet-bag was brought down to the
+widow’s house and one of the front bedrooms was prepared for him, and
+that he drank tea that night in the widow’s parlour.
+
+His name was Aaron Dunn, and by profession he was an engineer. What
+peculiar misfortune in those days of frost and snow had befallen the line
+of rails which runs from Schenectady to Lake Champlain, I never quite
+understood. Banks and bridges had in some way come to grief, and on
+Aaron Dunn’s shoulders was thrown the burden of seeing that they were
+duly repaired. Saratoga Springs was the centre of these mishaps, and
+therefore at Saratoga Springs it was necessary that he should take up his
+temporary abode.
+
+Now there was at that time in New York city a Mr. Bell, great in railway
+matters—an uncle of the once thriving but now departed Albany lawyer. He
+was a rich man, but he liked his riches himself; or at any rate had not
+found himself called upon to share them with the widow and daughters of
+his nephew. But when it chanced to come to pass that he had a hand in
+despatching Aaron Dunn to Saratoga, he took the young man aside and
+recommended him to lodge with the widow. “There,” said he, “show her my
+card.” So much the rich uncle thought he might vouchsafe to do for the
+nephew’s widow.
+
+Mrs. Bell and both her daughters were in the parlour when Aaron Dunn was
+shown in, snow and all. He told his story in a rough, shaky voice, for
+his teeth chattered; and he gave the card, almost wishing that he had
+gone to the empty big hotel, for the widow’s welcome was not at first
+quite warm.
+
+The widow listened to him as he gave his message, and then she took the
+card and looked at it. Hetta, who was sitting on the side of the
+fireplace facing the door, went on demurely with her work. Susan gave
+one glance round—her back was to the stranger—and then another; and then
+she moved her chair a little nearer to the wall, so as to give the young
+man room to come to the fire, if he would. He did not come, but his eyes
+glanced upon Susan Bell; and he thought that the old man in New York was
+right, and that the big hotel would be cold and dull. It was a pretty
+face to look on that cold evening as she turned it up from the stocking
+she was mending.
+
+“Perhaps you don’t wish to take winter boarders, ma’am?” said Aaron Dunn.
+
+“We never have done so yet, sir,” said Mrs. Bell timidly. Could she let
+this young wolf in among her lamb-fold? He might be a wolf;—who could
+tell?
+
+“Mr. Bell seemed to think it would suit,” said Aaron.
+
+Had he acquiesced in her timidity and not pressed the point, it would
+have been all up with him. But the widow did not like to go against the
+big uncle; and so she said, “Perhaps it may, sir.”
+
+“I guess it will, finely,” said Aaron. And then the widow seeing that
+the matter was so far settled, put down her work and came round into the
+passage. Hetta followed her, for there would be housework to do. Aaron
+gave himself another shake, settled the weekly number of dollars—with
+very little difficulty on his part, for he had caught another glance at
+Susan’s face; and then went after his bag. ’Twas thus that Aaron Dunn
+obtained an entrance into Mrs. Bell’s house. “But what if he be a wolf?”
+she said to herself over and over again that night, though not exactly in
+those words. Ay, but there is another side to that question. What if he
+be a stalwart man, honest-minded, with clever eye, cunning hand, ready
+brain, broad back, and warm heart; in want of a wife mayhap; a man that
+can earn his own bread and another’s;—half a dozen others’ when the half
+dozen come? Would not that be a good sort of lodger? Such a question as
+that too did flit, just flit, across the widow’s sleepless mind. But
+then she thought so much more of the wolf! Wolves, she had taught
+herself to think, were more common than stalwart, honest-minded,
+wife-desirous men.
+
+“I wonder mother consented to take him,” said Hetta, when they were in
+the little room together.
+
+“And why shouldn’t she?” said Susan. “It will be a help.”
+
+“Yes, it will be a little help,” said Hetta. “But we have done very well
+hitherto without winter lodgers.”
+
+“But uncle Bell said she was to.”
+
+“What is uncle Bell to us?” said Hetta, who had a spirit of her own. And
+she began to surmise within herself whether Aaron Dunn would join the
+Baptist congregation, and whether Phineas Beckard would approve of this
+new move.
+
+“He is a very well-behaved young man at any rate,” said Susan, “and he
+draws beautifully. Did you see those things he was doing?”
+
+“He draws very well, I dare say,” said Hetta, who regarded this as but a
+poor warranty for good behaviour. Hetta also had some fear of wolves—not
+for herself perhaps; but for her sister.
+
+Aaron Dunn’s work—the commencement of his work—lay at some distance from
+the Springs, and he left every morning with a lot of workmen by an early
+train—almost before daylight. And every morning, cold and wintry as the
+mornings were, the widow got him his breakfast with her own hands. She
+took his dollars and would not leave him altogether to the awkward
+mercies of Kate O’Brien; nor would she trust her girls to attend upon the
+young man. Hetta she might have trusted; but then Susan would have asked
+why she was spared her share of such hardship.
+
+In the evening, leaving his work when it was dark, Aaron always returned,
+and then the evening was passed together. But they were passed with the
+most demure propriety. These women would make the tea, cut the bread and
+butter, and then sew; while Aaron Dunn, when the cups were removed, would
+always go to his plans and drawings.
+
+On Sundays they were more together; but even on this day there was cause
+of separation, for Aaron went to the Episcopalian church, rather to the
+disgust of Hetta. In the afternoon, however, they were together; and
+then Phineas Beckard came in to tea on Sundays, and he and Aaron got to
+talking on religion; and though they disagreed pretty much, and would not
+give an inch either one or the other, nevertheless the minister told the
+widow, and Hetta too probably, that the lad had good stuff in him, though
+he was so stiff-necked.
+
+“But he should be more modest in talking on such matters with a
+minister,” said Hetta.
+
+The Rev. Phineas acknowledged that perhaps he should; but he was honest
+enough to repeat that the lad had stuff in him. “Perhaps after all he is
+not a wolf,” said the widow to herself.
+
+Things went on in this way for above a month. Aaron had declared to
+himself over and over again that that face was sweet to look upon, and
+had unconsciously promised to himself certain delights in talking and
+perhaps walking with the owner of it. But the walkings had not been
+achieved—nor even the talkings as yet. The truth was that Dunn was
+bashful with young women, though he could be so stiff-necked with the
+minister.
+
+And then he felt angry with himself, inasmuch as he had advanced no
+further; and as he lay in his bed—which perhaps those pretty hands had
+helped to make—he resolved that he would be a thought bolder in his
+bearing. He had no idea of making love to Susan Bell; of course not.
+But why should he not amuse himself by talking to a pretty girl when she
+sat so near him, evening after evening?
+
+“What a very quiet young man he is,” said Susan to her sister.
+
+“He has his bread to earn, and sticks to his work,” said Hetta. “No
+doubt he has his amusement when he is in the city,” added the elder
+sister, not wishing to leave too strong an impression of the young man’s
+virtue.
+
+They had all now their settled places in the parlour. Hetta sat on one
+side of the fire, close to the table, having that side to herself. There
+she sat always busy. She must have made every dress and bit of linen
+worn in the house, and hemmed every sheet and towel, so busy was she
+always. Sometimes, once in a week or so, Phineas Beckard would come in,
+and then place was made for him between Hetta’s usual seat and the table.
+For when there he would read out loud. On the other side, close also to
+the table, sat the widow, busy, but not savagely busy as her elder
+daughter. Between Mrs. Bell and the wall, with her feet ever on the
+fender, Susan used to sit; not absolutely idle, but doing work of some
+slender pretty sort, and talking ever and anon to her mother. Opposite
+to them all, at the other side of the table, far away from the fire,
+would Aaron Dunn place himself with his plans and drawings before him.
+
+“Are you a judge of bridges, ma’am?” said Aaron, the evening after he had
+made his resolution. ’Twas thus he began his courtship.
+
+“Of bridges?” said Mrs. Bell—“oh dear no, sir.” But she put out her hand
+to take the little drawing which Aaron handed to her.
+
+“Because that’s one I’ve planned for our bit of a new branch from Moreau
+up to Lake George. I guess Miss Susan knows something about bridges.”
+
+“I guess I don’t,” said Susan—“only that they oughtn’t to tumble down
+when the frost comes.”
+
+“Ha, ha, ha; no more they ought. I’ll tell McEvoy that.” McEvoy had
+been a former engineer on the line. “Well, that won’t burst with any
+frost, I guess.”
+
+“Oh my! how pretty!” said the widow, and then Susan of course jumped up
+to look over her mother’s shoulder.
+
+The artful dodger! he had drawn and coloured a beautiful little sketch of
+a bridge; not an engineer’s plan with sections and measurements,
+vexatious to a woman’s eye, but a graceful little bridge with a string of
+cars running under it. You could almost hear the bell going.
+
+“Well; that is a pretty bridge,” said Susan. “Isn’t it, Hetta?”
+
+“I don’t know anything about bridges,” said Hetta, to whose clever eyes
+the dodge was quite apparent. But in spite of her cleverness Mrs. Bell
+and Susan had soon moved their chairs round to the table, and were
+looking through the contents of Aaron’s portfolio. “But yet he may be a
+wolf,” thought the poor widow, just as she was kneeling down to say her
+prayers.
+
+That evening certainly made a commencement. Though Hetta went on
+pertinaciously with the body of a new dress, the other two ladies did not
+put in another stitch that night. From his drawings Aaron got to his
+instruments, and before bedtime was teaching Susan how to draw parallel
+lines. Susan found that she had quite an aptitude for parallel lines,
+and altogether had a good time of it that evening. It is dull to go on
+week after week, and month after month, talking only to one’s mother and
+sister. It is dull though one does not oneself recognise it to be so. A
+little change in such matters is so very pleasant. Susan had not the
+slightest idea of regarding Aaron as even a possible lover. But young
+ladies do like the conversation of young gentlemen. Oh, my exceedingly
+proper prim old lady, you who are so shocked at this as a general
+doctrine, has it never occurred to you that the Creator has so intended
+it?
+
+Susan understanding little of the how and why, knew that she had had a
+good time, and was rather in spirits as she went to bed. But Hetta had
+been frightened by the dodge.
+
+“Oh, Hetta, you should have looked at those drawings. He is so clever!”
+said Susan.
+
+“I don’t know that they would have done me much good,” replied Hetta.
+
+“Good! Well, they’d do me more good than a long sermon, I know,” said
+Susan; “except on a Sunday, of course,” she added apologetically. This
+was an ill-tempered attack both on Hetta and Hetta’s admirer. But then
+why had Hetta been so snappish?
+
+“I’m sure he’s a wolf;” thought Hetta as she went to bed.
+
+“What a very clever young man he is!” thought Susan to herself as she
+pulled the warm clothes round about her shoulders and ears.
+
+“Well that certainly was an improvement,” thought Aaron as he went
+through the same operation, with a stronger feeling of self-approbation
+than he had enjoyed for some time past.
+
+In the course of the next fortnight the family arrangements all altered
+themselves. Unless when Beckard was there Aaron would sit in the widow’s
+place, the widow would take Susan’s chair, and the two girls would be
+opposite. And then Dunn would read to them; not sermons, but passages
+from Shakspeare, and Byron, and Longfellow. “He reads much better than
+Mr. Beckard,” Susan had said one night. “Of course you’re a competent
+judge!” had been Hetta’s retort. “I mean that I like it better,” said
+Susan. “It’s well that all people don’t think alike,” replied Hetta.
+
+And then there was a deal of talking. The widow herself, as unconscious
+in this respect as her youngest daughter, certainly did find that a
+little variety was agreeable on those long winter nights; and talked
+herself with unaccustomed freedom. And Beckard came there oftener and
+talked very much. When he was there the two young men did all the
+talking, and they pounded each other immensely. But still there grew up
+a sort of friendship between them.
+
+“Mr. Beckard seems quite to take to him,” said Mrs. Bell to her eldest
+daughter.
+
+“It is his great good nature, mother,” replied Hetta.
+
+It was at the end of the second month when Aaron took another step in
+advance—a perilous step. Sometimes on evenings he still went on with his
+drawing for an hour or so; but during three or four evenings he never
+asked any one to look at what he was doing. On one Friday he sat over
+his work till late, without any reading or talking at all; so late that
+at last Mrs. Bell said, “If you’re going to sit much longer, Mr. Dunn,
+I’ll get you to put out the candles.” Thereby showing, had he known it
+or had she, that the mother’s confidence in the young man was growing
+fast. Hetta knew all about it, and dreaded that the growth was too
+quick.
+
+“I’ve finished now,” said Aaron; and he looked carefully at the cardboard
+on which he had been washing in his water-colours. “I’ve finished now.”
+He then hesitated a moment; but ultimately he put the card into his
+portfolio and carried it up to his bedroom. Who does not perceive that
+it was intended as a present to Susan Bell?
+
+The question which Aaron asked himself that night, and which he hardly
+knew how to answer, was this. Should he offer the drawing to Susan in
+the presence of her mother and sister, or on some occasion when they two
+might be alone together? No such occasion had ever yet occurred, but
+Aaron thought that it might probably be brought about. But then he
+wanted to make no fuss about it. His first intention had been to chuck
+the drawing lightly across the table when it was completed, and so make
+nothing of it. But he had finished it with more care than he had at
+first intended; and then he had hesitated when he had finished it. It
+was too late now for that plan of chucking it over the table.
+
+On the Saturday evening when he came down from his room, Mr. Beckard was
+there, and there was no opportunity that night. On the Sunday, in
+conformity with a previous engagement, he went to hear Mr. Beckard
+preach, and walked to and from meeting with the family. This pleased
+Mrs. Bell, and they were all very gracious that afternoon. But Sunday
+was no day for the picture.
+
+On Monday the thing had become of importance to him. Things always do
+when they are kept over. Before tea that evening when he came down Mrs.
+Bell and Susan only were in the room. He knew Hetta for his foe, and
+therefore determined to use this occasion.
+
+“Miss Susan,” he said, stammering somewhat, and blushing too, poor fool!
+“I have done a little drawing which I want you to accept,” and he put his
+portfolio down on the table.
+
+“Oh! I don’t know,” said Susan, who had seen the blush.
+
+Mrs. Bell had seen the blush also, and pursed her mouth up, and looked
+grave. Had there been no stammering and no blush, she might have thought
+nothing of it.
+
+Aaron saw at once that his little gift was not to go down smoothly. He
+was, however, in for it now, so he picked it out from among the other
+papers in the case and brought it over to Susan. He endeavoured to hand
+it to her with an air of indifference, but I cannot say that he
+succeeded.
+
+It was a very pretty, well-finished, water-coloured drawing, representing
+still the same bridge, but with more adjuncts. In Susan’s eyes it was a
+work of high art. Of pictures probably she had seen but little, and her
+liking for the artist no doubt added to her admiration. But the more she
+admired it and wished for it, the stronger was her feeling that she ought
+not to take it.
+
+Poor Susan! she stood for a minute looking at the drawing, but she said
+nothing; not even a word of praise. She felt that she was red in the
+face, and uncourteous to their lodger; but her mother was looking at her
+and she did not know how to behave herself.
+
+Mrs. Bell put out her hand for the sketch, trying to bethink herself as
+she did so in what least uncivil way she could refuse the present. She
+took a moment to look at it collecting her thoughts, and as she did so
+her woman’s wit came to her aid.
+
+“Oh dear, Mr. Dunn, it is very pretty; quite a beautiful picture. I
+cannot let Susan rob you of that. You must keep that for some of your
+own particular friends.”
+
+“But I did it for her,” said Aaron innocently.
+
+Susan looked down at the ground, half pleased at the declaration. The
+drawing would look very pretty in a small gilt frame put over her
+dressing-table. But the matter now was altogether in her mother’s hands.
+
+“I am afraid it is too valuable, sir, for Susan to accept.”
+
+“It is not valuable at all,” said Aaron, declining to take it back from
+the widow’s hand.
+
+“Oh, I am quite sure it is. It is worth ten dollars at least—or twenty,”
+said poor Mrs. Bell, not in the very best taste. But she was perplexed,
+and did not know how to get out of the scrape. The article in question
+now lay upon the table-cloth, appropriated by no one, and at this moment
+Hetta came into the room.
+
+“It is not worth ten cents,” said Aaron, with something like a frown on
+his brow. “But as we had been talking about the bridge, I thought Miss
+Susan would accept it.”
+
+“Accept what?” said Hetta. And then her eye fell upon the drawing and
+she took it up.
+
+“It is beautifully done,” said Mrs. Bell, wishing much to soften the
+matter; perhaps the more so that Hetta the demure was now present. “I am
+telling Mr. Dunn that we can’t take a present of anything so valuable.”
+
+“Oh dear no,” said Hetta. “It wouldn’t be right.”
+
+It was a cold frosty evening in March, and the fire was burning brightly
+on the hearth. Aaron Dunn took up the drawing quietly—very quietly—and
+rolling it up, as such drawings are rolled, put it between the blazing
+logs. It was the work of four evenings, and his chef-d’œuvre in the way
+of art.
+
+Susan, when she saw what he had done, burst out into tears. The widow
+could very readily have done so also, but she was able to refrain
+herself, and merely exclaimed—“Oh, Mr. Dunn!”
+
+“If Mr. Dunn chooses to burn his own picture, he has certainly a right to
+do so,” said Hetta.
+
+Aaron immediately felt ashamed of what he had done; and he also could
+have cried, but for his manliness. He walked away to one of the
+parlour-windows, and looked out upon the frosty night. It was dark, but
+the stars were bright, and he thought that he should like to be walking
+fast by himself along the line of rails towards Balston. There he stood,
+perhaps for three minutes. He thought it would be proper to give Susan
+time to recover from her tears.
+
+“Will you please to come to your tea, sir?” said the soft voice of Mrs.
+Bell.
+
+He turned round to do so, and found that Susan was gone. It was not
+quite in her power to recover from her tears in three minutes. And then
+the drawing had been so beautiful! It had been done expressly for her
+too! And there had been something, she knew not what, in his eye as he
+had so declared. She had watched him intently over those four evenings’
+work, wondering why he did not show it, till her feminine curiosity had
+become rather strong. It was something very particular, she was sure,
+and she had learned that all that precious work had been for her. Now
+all that precious work was destroyed. How was it possible that she
+should not cry for more than three minutes?
+
+The others took their meal in perfect silence, and when it was over the
+two women sat down to their work. Aaron had a book which he pretended to
+read, but instead of reading he was bethinking himself that he had
+behaved badly. What right had he to throw them all into such confusion
+by indulging in his passion? He was ashamed of what he had done, and
+fancied that Susan would hate him. Fancying that, he began to find at
+the same time that he by no means hated her.
+
+At last Hetta got up and left the room. She knew that her sister was
+sitting alone in the cold, and Hetta was affectionate. Susan had not
+been in fault, and therefore Hetta went up to console her.
+
+“Mrs. Bell,” said Aaron, as soon as the door was closed, “I beg your
+pardon for what I did just now.”
+
+“Oh, sir, I’m so sorry that the picture is burnt,” said poor Mrs. Bell.
+
+“The picture does not matter a straw,” said Aaron. “But I see that I
+have disturbed you all,—and I am afraid I have made Miss Susan unhappy.”
+
+“She was grieved because your picture was burnt,” said Mrs. Bell, putting
+some emphasis on the “your,” intending to show that her daughter had not
+regarded the drawing as her own. But the emphasis bore another meaning;
+and so the widow perceived as soon as she had spoken.
+
+“Oh, I can do twenty more of the same if anybody wanted them,” said
+Aaron. “If I do another like it, will you let her take it, Mrs.
+Bell?—just to show that you have forgiven me, and that we are friends as
+we were before?”
+
+Was he, or was he not a wolf? That was the question which Mrs. Bell
+scarcely knew how to answer. Hetta had given her voice, saying he was
+lupine. Mr. Beckard’s opinion she had not liked to ask directly. Mr.
+Beckard she thought would probably propose to Hetta; but as yet he had
+not done so. And, as he was still a stranger in the family, she did not
+like in any way to compromise Susan’s name. Indirectly she had asked the
+question, and, indirectly also, Mr. Beckard’s answer had been favourable.
+
+“But it mustn’t mean anything, sir,” was the widow’s weak answer, when
+she had paused on the question for a moment.
+
+“Oh no, of course not,” said Aaron, joyously, and his face became radiant
+and happy. “And I do beg your pardon for burning it; and the young
+ladies’ pardon too.” And then he rapidly got out his cardboard, and set
+himself to work about another bridge. The widow, meditating many things
+in her heart, commenced the hemming of a handkerchief.
+
+In about an hour the two girls came back to the room and silently took
+their accustomed places. Aaron hardly looked up, but went on diligently
+with his drawing. This bridge should be a better bridge than that other.
+Its acceptance was now assured. Of course it was to mean nothing. That
+was a matter of course. So he worked away diligently, and said nothing
+to anybody.
+
+When they went off to bed the two girls went into the mother’s room.
+“Oh, mother, I hope he is not very angry,” said Susan.
+
+“Angry!” said Hetta, “if anybody should be angry, it is mother. He ought
+to have known that Susan could not accept it. He should never have
+offered it.”
+
+“But he’s doing another,” said Mrs. Bell.
+
+“Not for her,” said Hetta.
+
+“Yes he is,” said Mrs. Bell, “and I have promised that she shall take
+it.” Susan as she heard this sank gently into the chair behind her, and
+her eyes became full of tears. The intimation was almost too much for
+her.
+
+“Oh, mother!” said Hetta.
+
+“But I particularly said that it was to mean nothing.”
+
+“Oh, mother, that makes it worse.”
+
+Why should Hetta interfere in this way, thought Susan to herself. Had
+she interfered when Mr. Beckard gave Hetta a testament bound in Morocco?
+had not she smiled, and looked gratified, and kissed her sister, and
+declared that Phineas Beckard was a nice dear man, and by far the most
+elegant preacher at the Springs? Why should Hetta be so cruel?
+
+“I don’t see that, my dear,” said the mother. Hetta would not explain
+before her sister, so they all went to bed.
+
+On the Thursday evening the drawing was finished. Not a word had been
+said about it, at any rate in his presence, and he had gone on working in
+silence. “There,” said he, late on the Thursday evening, “I don’t know
+that it will be any better if I go on daubing for another hour. There,
+Miss Susan; there’s another bridge. I hope that will neither burst with
+the frost, nor yet be destroyed by fire,” and he gave it a light flip
+with his fingers and sent it skimming over the table.
+
+Susan blushed and smiled, and took it up. “Oh, it is beautiful,” she
+said. “Isn’t it beautifully done, mother?” and then all the three got up
+to look at it, and all confessed that it was excellently done.
+
+“And I am sure we are very much obliged to you,” said Susan after a
+pause, remembering that she had not yet thanked him.
+
+“Oh, it’s nothing,” said he, not quite liking the word “we.” On the
+following day he returned from his work to Saratoga about noon. This he
+had never done before, and therefore no one expected that he would be
+seen in the house before the evening. On this occasion, however, he went
+straight thither, and as chance would have it, both the widow and her
+elder daughter were out. Susan was there alone in charge of the house.
+
+He walked in and opened the parlour door. There she sat, with her feet
+on the fender, with her work unheeded on the table behind her, and the
+picture, Aaron’s drawing, lying on her knees. She was gazing at it
+intently as he entered, thinking in her young heart that it possessed all
+the beauties which a picture could possess.
+
+“Oh, Mr. Dunn,” she said, getting up and holding the telltale sketch
+behind the skirt of her dress.
+
+“Miss Susan, I have come here to tell your mother that I must start for
+New York this afternoon and be there for six weeks, or perhaps longer.”
+
+“Mother is out,” said she; “I’m so sorry.”
+
+“Is she?” said Aaron.
+
+“And Hetta too. Dear me. And you’ll be wanting dinner. I’ll go and see
+about it.”
+
+Aaron began to swear that he could not possibly eat any dinner. He had
+dined once, and was going to dine again;—anything to keep her from going.
+
+“But you must have something, Mr. Dunn,” and she walked towards the door.
+
+But he put his back to it. “Miss Susan,” said he, “I guess I’ve been
+here nearly two months.”
+
+“Yes, sir, I believe you have,” she replied, shaking in her shoes, and
+not knowing which way to look.
+
+“And I hope we have been good friends.”
+
+“Yes, sir,” said Susan, almost beside herself as to what she was saying.
+
+“I’m going away now, and it seems to be such a time before I’ll be back.”
+
+“Will it, Sir?”
+
+“Six weeks, Miss Susan!” and then he paused, looking into her eyes, to
+see what he could read there. She leant against the table, pulling to
+pieces a morsel of half-ravelled muslin which she held in her hand; but
+her eyes were turned to the ground, and he could hardly see them.
+
+“Miss Susan,” he continued, “I may as well speak out now as at another
+time.” He too was looking towards the ground, and clearly did not know
+what to do with his hands. “The truth is just this. I—I love you
+dearly, with all my heart. I never saw any one I ever thought so
+beautiful, so nice, and so good;—and what’s more, I never shall. I’m not
+very good at this sort of thing, I know; but I couldn’t go away from
+Saratoga for six weeks and not tell you.” And then he ceased. He did
+not ask for any love in return. His presumption had not got so far as
+that yet. He merely declared his passion, leaning against the door, and
+there he stood twiddling his thumbs.
+
+Susan had not the slightest conception of the way in which she ought to
+receive such a declaration. She had never had a lover before; nor had
+she ever thought of Aaron absolutely as a lover, though something very
+like love for him had been crossing over her spirit. Now, at this
+moment, she felt that he was the beau-idéal of manhood, though his boots
+were covered with the railway mud, and though his pantaloons were tucked
+up in rolls round his ankles. He was a fine, well-grown, open-faced
+fellow, whose eye was bold and yet tender, whose brow was full and broad,
+and all his bearing manly. Love him! Of course she loved him. Why else
+had her heart melted with pleasure when her mother said that that second
+picture was to be accepted?
+
+But what was she to say? Anything but the open truth; she well knew
+that. The open truth would not do at all. What would her mother say and
+Hetta if she were rashly to say that? Hetta, she knew, would be dead
+against such a lover, and of her mother’s approbation she had hardly more
+hope. Why they should disapprove of Aaron as a lover she had never asked
+herself. There are many nice things that seem to be wrong only because
+they are so nice. Maybe that Susan regarded a lover as one of them.
+“Oh, Mr. Dunn, you shouldn’t.” That in fact was all that she could say.
+
+“Should not I?” said he. “Well, perhaps not; but there’s the truth, and
+no harm ever comes of that. Perhaps I’d better not ask you for an answer
+now, but I thought it better you should know it all. And remember this—I
+only care for one thing now in the world, and that is for your love.”
+And then he paused, thinking possibly that in spite of what he had said
+he might perhaps get some sort of an answer, some inkling of the state of
+her heart’s disposition towards him.
+
+But Susan had at once resolved to take him at his word when he suggested
+that an immediate reply was not necessary. To say that she loved him was
+of course impossible, and to say that she did not was equally so. She
+determined therefore to close at once with the offer of silence.
+
+When he ceased speaking there was a moment’s pause, during which he
+strove hard to read what might be written on her down-turned face. But
+he was not good at such reading. “Well, I guess I’ll go and get my
+things ready now,” he said, and then turned round to open the door.
+
+“Mother will be in before you are gone, I suppose,” said Susan.
+
+“I have only got twenty minutes,” said he, looking at his watch. “But,
+Susan, tell her what I have said to you. Goodbye.” And he put out his
+hand. He knew he should see her again, but this had been his plan to get
+her hand in his.
+
+“Good-bye, Mr. Dunn,” and she gave him her hand.
+
+He held it tight for a moment, so that she could not draw it away,—could
+not if she would. “Will you tell your mother?” he asked.
+
+“Yes,” she answered, quite in a whisper. “I guess I’d better tell her.”
+And then she gave a long sigh. He pressed her hand again and got it up
+to his lips.
+
+“Mr. Dunn, don’t,” she said. But he did kiss it. “God bless you, my own
+dearest, dearest girl! I’ll just open the door as I come down. Perhaps
+Mrs. Bell will be here.” And then he rushed up stairs.
+
+But Mrs. Bell did not come in. She and Hetta were at a weekly service at
+Mr. Beckard’s meeting-house, and Mr. Beckard it seemed had much to say.
+Susan, when left alone, sat down and tried to think. But she could not
+think; she could only love. She could use her mind only in recounting to
+herself the perfections of that demigod whose heavy steps were so audible
+overhead, as he walked to and fro collecting his things and putting them
+into his bag.
+
+And then, just when he had finished, she bethought herself that he must
+be hungry. She flew to the kitchen, but she was too late. Before she
+could even reach at the loaf of bread he descended the stairs, with a
+clattering noise, and heard her voice as she spoke quickly to Kate
+O’Brien.
+
+“Miss Susan,” he said, “don’t get anything for me, for I’m off.”
+
+“Oh, Mr. Dunn, I am so sorry. You’ll be so hungry on your journey,” and
+she came out to him in the passage.
+
+“I shall want nothing on the journey, dearest, if you’ll say one kind
+word to me.”
+
+Again her eyes went to the ground. “What do you want me to say, Mr.
+Dunn?”
+
+“Say, God bless you, Aaron.”
+
+“God bless you, Aaron,” said she; and yet she was sure that she had not
+declared her love. He however thought otherwise, and went up to New York
+with a happy heart.
+
+Things happened in the next fortnight rather quickly. Susan at once
+resolved to tell her mother, but she resolved also not to tell Hetta.
+That afternoon she got her mother to herself in Mrs. Bell’s own room, and
+then she made a clean breast of it.
+
+“And what did you say to him, Susan?”
+
+“I said nothing, mother.”
+
+“Nothing, dear!”
+
+“No, mother; not a word. He told me he didn’t want it.” She forgot how
+she had used his Christian name in bidding God bless him.
+
+“Oh dear!” said the widow.
+
+“Was it very wrong?” asked Susan.
+
+“But what do you think yourself, my child?” asked Mrs. Bell after a
+while. “What are your own feelings.”
+
+Mrs. Bell was sitting on a chair and Susan was standing opposite to her
+against the post of the bed. She made no answer, but moving from her
+place, she threw herself into her mother’s arms, and hid her face on her
+mother’s shoulder. It was easy enough to guess what were her feelings.
+
+“But, my darling,” said her mother, “you must not think that it is an
+engagement.”
+
+“No,” said Susan, sorrowfully.
+
+“Young men say those things to amuse themselves.” Wolves, she would have
+said, had she spoken out her mind freely.
+
+“Oh, mother, he is not like that.”
+
+The daughter contrived to extract a promise from the mother that Hetta
+should not be told just at present. Mrs. Bell calculated that she had
+six weeks before her; as yet Mr. Beckard had not spoken out, but there
+was reason to suppose that he would do so before those six weeks would be
+over, and then she would be able to seek counsel from him.
+
+Mr. Beckard spoke out at the end of six days, and Hetta frankly accepted
+him. “I hope you’ll love your brother-in-law,” said she to Susan.
+
+“Oh, I will indeed,” said Susan; and in the softness of her heart at the
+moment she almost made up her mind to tell; but Hetta was full of her own
+affairs, and thus it passed off.
+
+It was then arranged that Hetta should go and spend a week with Mr.
+Beckard’s parents. Old Mr. Beckard was a farmer living near Utica, and
+now that the match was declared and approved, it was thought well that
+Hetta should know her future husband’s family. So she went for a week,
+and Mr. Beckard went with her. “He will be back in plenty of time for me
+to speak to him before Aaron Dunn’s six weeks are over,” said Mrs. Bell
+to herself.
+
+But things did not go exactly as she expected. On the very morning after
+the departure of the engaged couple, there came a letter from Aaron,
+saying that he would be at Saratoga that very evening. The railway
+people had ordered him down again for some days’ special work; then he
+was to go elsewhere, and not to return to Saratoga till June. “But he
+hoped,” so said the letter, “that Mrs. Bell would not turn him into the
+street even then, though the summer might have come, and her regular
+lodgers might be expected.”
+
+“Oh dear, oh dear!” said Mrs. Bell to herself, reflecting that she had no
+one of whom she could ask advice, and that she must decide that very day.
+Why had she let Mr. Beckard go without telling him? Then she told Susan,
+and Susan spent the day trembling. Perhaps, thought Mrs. Bell, he will
+say nothing about it. In such case, however, would it not be her duty to
+say something? Poor mother! She trembled nearly as much as Susan.
+
+It was dark when the fatal knock came at the door. The tea-things were
+already laid, and the tea-cake was already baked; for it would at any
+rate be necessary to give Mr. Dunn his tea. Susan, when she heard the
+knock, rushed from her chair and took refuge up stairs. The widow gave a
+long sigh and settled her dress. Kate O’Brien with willing step opened
+the door, and bade her old friend welcome.
+
+“How are the ladies?” asked Aaron, trying to gather something from the
+face and voice of the domestic.
+
+“Miss Hetta and Mr. Beckard be gone off to Utica, just man-and-wife like!
+and so they are, more power to them.”
+
+“Oh indeed; I’m very glad,” said Aaron—and so he was; very glad to have
+Hetta the demure out of the way. And then he made his way into the
+parlour, doubting much, and hoping much.
+
+Mrs. Bell rose from her chair, and tried to look grave. Aaron glancing
+round the room saw that Susan was not there. He walked straight up to
+the widow, and offered her his hand, which she took. It might be that
+Susan had not thought fit to tell, and in such case it would not be right
+for him to compromise her; so he said never a word.
+
+But the subject was too important to the mother to allow of her being
+silent when the young man stood before her. “Oh, Mr. Dunn,” said she,
+“what is this you have been saying to Susan?”
+
+“I have asked her to be my wife,” said he, drawing himself up and looking
+her full in the face. Mrs. Bell’s heart was almost as soft as her
+daughter’s, and it was nearly gone; but at the moment she had nothing to
+say but, “Oh dear, oh dear!”
+
+“May I not call you mother?” said he, taking both her hands in his.
+
+“Oh dear—oh dear! But will you be good to her? Oh, Aaron Dunn, if you
+deceive my child!”
+
+In another quarter of an hour, Susan was kneeling at her mother’s knee,
+with her face on her mother’s lap; the mother was wiping tears out of her
+eyes; and Aaron was standing by holding one of the widow’s hands.
+
+“You are my mother too, now,” said he. What would Hetta and Mr. Beckard
+say, when they came back? But then he surely was not a wolf!
+
+There were four or five days left for courtship before Hetta and Mr.
+Beckard would return; four or five days during which Susan might be
+happy, Aaron triumphant, and Mrs. Bell nervous. Days I have said, but
+after all it was only the evenings that were so left. Every morning
+Susan got up to give Aaron his breakfast, but Mrs. Bell got up also.
+Susan boldly declared her right to do so, and Mrs. Bell found no
+objection which she could urge.
+
+But after that Aaron was always absent till seven or eight in the
+evening, when he would return to his tea. Then came the hour or two of
+lovers’ intercourse.
+
+But they were very tame, those hours. The widow still felt an undefined
+fear that she was wrong, and though her heart yearned to know that her
+daughter was happy in the sweet happiness of accepted love, yet she
+dreaded to be too confident. Not a word had been said about money
+matters; not a word of Aaron Dunn’s relatives. So she did not leave them
+by themselves, but waited with what patience she could for the return of
+her wise counsellors.
+
+And then Susan hardly knew how to behave herself with her accepted
+suitor. She felt that she was very happy; but perhaps she was most happy
+when she was thinking about him through the long day, assisting in fixing
+little things for his comfort, and waiting for his evening return. And
+as he sat there in the parlour, she could be happy then too, if she were
+but allowed to sit still and look at him,—not stare at him, but raise her
+eyes every now and again to his face for the shortest possible glance, as
+she had been used to do ever since he came there.
+
+But he, unconscionable lover, wanted to hear her speak, was desirous of
+being talked to, and perhaps thought that he should by rights be allowed
+to sit by her, and hold her hand. No such privileges were accorded to
+him. If they had been alone together, walking side by side on the green
+turf, as lovers should walk, she would soon have found the use of her
+tongue,—have talked fast enough no doubt. Under such circumstances, when
+a girl’s shyness has given way to real intimacy, there is in general no
+end to her power of chatting. But though there was much love between
+Aaron and Susan, there was as yet but little intimacy. And then, let a
+mother be ever so motherly—and no mother could have more of a mother’s
+tenderness than Mrs. Bell—still her presence must be a restraint. Aaron
+was very fond of Mrs. Bell; but nevertheless he did sometimes wish that
+some domestic duty would take her out of the parlour for a few happy
+minutes. Susan went out very often, but Mrs. Bell seemed to be a
+fixture.
+
+Once for a moment he did find his love alone, immediately as he came into
+the house. “My own Susan, you do love me? do say so to me once.” And he
+contrived to slip his arm round her waist. “Yes,” she whispered; but she
+slipped like an eel from his hands, and left him only preparing himself
+for a kiss. And then when she got to her room, half frightened, she
+clasped her hands together, and bethought herself that she did really
+love him with a strength and depth of love which filled her whole
+existence. Why could she not have told him something of all this?
+
+And so the few days of his second sojourn at Saratoga passed away, not
+altogether satisfactorily. It was settled that he should return to New
+York on Saturday night, leaving Saratoga on that evening; and as the
+Beckards—Hetta was already regarded quite as a Beckard—were to be back to
+dinner on that day, Mrs. Bell would have an opportunity of telling her
+wondrous tale. It might be well that Mr. Beckard should see Aaron before
+his departure.
+
+On that Saturday the Beckards did arrive just in time for dinner. It may
+be imagined that Susan’s appetite was not very keen, nor her manner very
+collected. But all this passed by unobserved in the importance attached
+to the various Beckard arrangements which came under discussion. Ladies
+and gentlemen circumstanced as were Hetta and Mr. Beckard are perhaps a
+little too apt to think that their own affairs are paramount. But after
+dinner Susan vanished at once, and when Hetta prepared to follow her,
+desirous of further talk about matrimonial arrangements, her mother
+stopped her, and the disclosure was made.
+
+“Proposed to her!” said Hetta, who perhaps thought that one marriage in a
+family was enough at a time.
+
+“Yes, my love—and he did it, I must say, in a very honourable way,
+telling her not to make any answer till she had spoken to me;—now that
+was very nice; was it not, Phineas?” Mrs. Bell had become very anxious
+that Aaron should not be voted a wolf.
+
+“And what has been said to him since?” asked the discreet Phineas.
+
+“Why—nothing absolutely decisive.” Oh, Mrs. Bell! “You see I know
+nothing as to his means.”
+
+“Nothing at all,” said Hetta.
+
+“He is a man that will always earn his bread,” said Mr. Beckard; and Mrs.
+Bell blessed him in her heart for saying it.
+
+“But has he been encouraged?” asked Hetta.
+
+“Well; yes, he has,” said the widow.
+
+“Then Susan I suppose likes him?” asked Phineas.
+
+“Well; yes, she does,” said the widow. And the conference ended in a
+resolution that Phineas Beckard should have a conversation with Aaron
+Dunn, as to his worldly means and position; and that he, Phineas, should
+decide whether Aaron might, or might not be at once accepted as a lover,
+according to the tenor of that conversation. Poor Susan was not told
+anything of all this. “Better not,” said Hetta the demure. “It will
+only flurry her the more.” How would she have liked it, if without
+consulting her, they had left it to Aaron to decide whether or no she
+might marry Phineas?
+
+They knew where on the works Aaron was to be found, and thither Mr.
+Beckard rode after dinner. We need not narrate at length the conference
+between the young men. Aaron at once declared that he had nothing but
+what he made as an engineer, and explained that he held no permanent
+situation on the line. He was well paid at that present moment, but at
+the end of summer he would have to look for employment.
+
+“Then you can hardly marry quite at present,” said the discreet minister.
+
+“Perhaps not quite immediately.”
+
+“And long engagements are never wise,” said the other.
+
+“Three or four months,” suggested Aaron. But Mr. Beckard shook his head.
+
+The afternoon at Mrs. Bell’s house was melancholy. The final decision of
+the three judges was as follows. There was to be no engagement; of
+course no correspondence. Aaron was to be told that it would be better
+that he should get lodgings elsewhere when he returned; but that he would
+be allowed to visit at Mrs. Bell’s house,—and at Mrs. Beckard’s, which
+was very considerate. If he should succeed in getting a permanent
+appointment, and if he and Susan still held the same mind, why then—&c.
+&c. Such was Susan’s fate, as communicated to her by Mrs. Bell and
+Hetta. She sat still and wept when she heard it; but she did not
+complain. She had always felt that Hetta would be against her.
+
+“Mayn’t I see him, then?” she said through her tears.
+
+Hetta thought she had better not. Mrs. Bell thought she might. Phineas
+decided that they might shake hands, but only in full conclave. There
+was to be no lovers’ farewell. Aaron was to leave the house at half-past
+five; but before he went Susan should be called down. Poor Susan! She
+sat down and bemoaned herself; uncomplaining, but very sad.
+
+Susan was soft, feminine, and manageable. But Aaron Dunn was not very
+soft, was especially masculine, and in some matters not easily
+manageable. When Mr. Beckard in the widow’s presence—Hetta had retired
+in obedience to her lover—informed him of the court’s decision, there
+came over his face the look which he had worn when he burned the picture.
+“Mrs. Bell,” he said, “had encouraged his engagement; and he did not
+understand why other people should now come and disturb it.”
+
+“Not an engagement, Aaron,” said Mrs. Bell piteously.
+
+“He was able and willing to work,” he said, “and knew his profession.
+What young man of his age had done better than he had?” and he glanced
+round at them with perhaps more pride than was quite becoming.
+
+Then Mr. Beckard spoke out, very wisely no doubt, but perhaps a little
+too much at length. Sons and daughters, as well as fathers and mothers,
+will know very well what he said; so I need not repeat his words. I
+cannot say that Aaron listened with much attention, but he understood
+perfectly what the upshot of it was. Many a man understands the purport
+of many a sermon without listening to one word in ten. Mr. Beckard meant
+to be kind in his manner; indeed was so, only that Aaron could not accept
+as kindness any interference on his part.
+
+“I’ll tell you what, Mrs. Bell,” said he. “I look upon myself as engaged
+to her. And I look on her as engaged to me. I tell you so fairly; and I
+believe that’s her mind as well as mine.”
+
+“But, Aaron, you won’t try to see her—or to write to her,—not in secret;
+will you?”
+
+“When I try to see her, I’ll come and knock at this door; and if I write
+to her, I’ll write to her full address by the post. I never did and
+never will do anything in secret.”
+
+“I know you’re good and honest,” said the widow with her handkerchief to
+her eyes.
+
+“Then why do you separate us?” asked he, almost roughly. “I suppose I
+may see her at any rate before I go. My time’s nearly up now, I guess.”
+
+And then Susan was called for, and she and Hetta came down together.
+Susan crept in behind her sister. Her eyes were red with weeping, and
+her appearance was altogether disconsolate. She had had a lover for a
+week, and now she was to be robbed of him.
+
+“Good-bye, Susan,” said Aaron, and he walked up to her without
+bashfulness or embarrassment. Had they all been compliant and gracious
+to him he would have been as bashful as his love; but now his temper was
+hot. “Good-bye, Susan,” and she took his hand, and he held hers till he
+had finished. “And remember this, I look upon you as my promised wife,
+and I don’t fear that you’ll deceive me. At any rate I shan’t deceive
+you.”
+
+“Good-bye, Aaron,” she sobbed.
+
+“Good-bye, and God bless you, my own darling!” And then without saying a
+word to any one else, he turned his back upon them and went his way.
+
+There had been something very consolatory, very sweet, to the poor girl
+in her lover’s last words. And yet they had almost made her tremble. He
+had been so bold, and stern, and confident. He had seemed so utterly to
+defy the impregnable discretion of Mr. Beckard, so to despise the demure
+propriety of Hetta. But of this she felt sure, when she came to question
+her heart, that she could never, never, never cease to love him better
+than all the world beside. She would wait—patiently if she could find
+patience—and then, if he deserted her, she would die.
+
+In another month Hetta became Mrs. Beckard. Susan brisked up a little
+for the occasion, and looked very pretty as bridesmaid. She was
+serviceable too in arranging household matters, hemming linen and sewing
+table-cloths; though of course in these matters she did not do a tenth of
+what Hetta did.
+
+Then the summer came, the Saratoga summer of July, August, and September,
+during which the widow’s house was full; and Susan’s hands saved the pain
+of her heart, for she was forced into occupation. Now that Hetta was
+gone to her own duties, it was necessary that Susan’s part in the
+household should be more prominent.
+
+Aaron did not come back to his work at Saratoga. Why he did not they
+could not then learn. During the whole long summer they heard not a word
+of him nor from him; and then when the cold winter months came and their
+boarders had left them, Mrs. Beckard congratulated her sister in that she
+had given no further encouragement to a lover who cared so little for
+her. This was very hard to bear. But Susan did bear it.
+
+That winter was very sad. They learned nothing of Aaron Dunn till about
+January; and then they heard that he was doing very well. He was engaged
+on the Erie trunk line, was paid highly, and was much esteemed. And yet
+he neither came nor sent! “He has an excellent situation,” their
+informant told them. “And a permanent one?” asked the widow. “Oh, yes,
+no doubt,” said the gentleman, “for I happen to know that they count
+greatly on him.” And yet he sent no word of love.
+
+After that the winter became very sad indeed. Mrs. Bell thought it to be
+her duty now to teach her daughter that in all probability she would see
+Aaron Dunn no more. It was open to him to leave her without being
+absolutely a wolf. He had been driven from the house when he was poor,
+and they had no right to expect that he would return, now that he had
+made some rise in the world. “Men do amuse themselves in that way,” the
+widow tried to teach her.
+
+“He is not like that, mother,” she said again.
+
+“But they do not think so much of these things as we do,” urged the
+mother.
+
+“Don’t they?” said Susan, oh, so sorrowfully; and so through the whole
+long winter months she became paler and paler, and thinner and thinner.
+
+And then Hetta tried to console her with religion, and that perhaps did
+not make things any better. Religious consolation is the best cure for
+all griefs; but it must not be looked for specially with regard to any
+individual sorrow. A religious man, should he become bankrupt through
+the misfortunes of the world, will find true consolation in his religion
+even for that sorrow. But a bankrupt, who has not thought much of such
+things, will hardly find solace by taking up religion for that special
+occasion.
+
+And Hetta perhaps was hardly prudent in her attempts. She thought that
+it was wicked in Susan to grow thin and pale for love of Aaron Dunn, and
+she hardly hid her thoughts. Susan was not sure but that it might be
+wicked, but this doubt in no way tended to make her plump or rosy. So
+that in those days she found no comfort in her sister.
+
+But her mother’s pity and soft love did ease her sufferings, though it
+could not make them cease. Her mother did not tell her that she was
+wicked, or bid her read long sermons, or force her to go oftener to the
+meeting-house.
+
+“He will never come again, I think,” she said one day, as with a shawl
+wrapped around her shoulders, she leant with her head upon her mother’s
+bosom.
+
+“My own darling,” said the mother, pressing her child closely to her
+side.
+
+“You think he never will, eh, mother?” What could Mrs. Bell say? In her
+heart of hearts she did not think he ever would come again.
+
+“No, my child. I do not think he will.” And then the hot tears ran
+down, and the sobs came thick and frequent.
+
+“My darling, my darling!” exclaimed the mother; and they wept together.
+
+“Was I wicked to love him at the first,” she asked that night.
+
+“No, my child; you were not wicked at all. At least I think not.”
+
+“Then why—” Why was he sent away? It was on her tongue to ask that
+question; but she paused and spared her mother. This was as they were
+going to bed. The next morning Susan did not get up. She was not ill,
+she said; but weak and weary. Would her mother let her lie that day?
+And then Mrs. Bell went down alone to her room, and sorrowed with all her
+heart for the sorrow of her child. Why, oh why, had she driven away from
+her door-sill the love of an honest man?
+
+On the next morning Susan again did not get up;—nor did she hear, or if
+she heard she did not recognise, the step of the postman who brought a
+letter to the door. Early, before the widow’s breakfast, the postman
+came, and the letter which he brought was as follows:—
+
+ “MY DEAR MRS. BELL,
+
+ “I have now got a permanent situation on the Erie line, and the
+ salary is enough for myself and a wife. At least I think so, and I
+ hope you will too. I shall be down at Saratoga to-morrow evening,
+ and I hope neither Susan nor you will refuse to receive me.
+
+ “Yours affectionately,
+ “AARON DUNN.”
+
+That was all. It was very short, and did not contain one word of love;
+but it made the widow’s heart leap for joy. She was rather afraid that
+Aaron was angry, he wrote so curtly and with such a brusque business-like
+attention to mere facts; but surely he could have but one object in
+coming there. And then he alluded specially to a wife. So the widow’s
+heart leapt with joy.
+
+But how was she to tell Susan? She ran up stairs almost breathless with
+haste, to the bedroom door; but then she stopped; too much joy she had
+heard was as dangerous as too much sorrow; she must think it over for a
+while, and so she crept back again.
+
+But after breakfast—that is, when she had sat for a while over her
+teacup—she returned to the room, and this time she entered it. The
+letter was in her hand, but held so as to be hidden;—in her left hand as
+she sat down with her right arm towards the invalid.
+
+“Susan dear,” she said, and smiled at her child, “you’ll be able to get
+up this morning? eh, dear?”
+
+“Yes, mother,” said Susan, thinking that her mother objected to this
+idleness of her lying in bed. And so she began to bestir herself.
+
+“I don’t mean this very moment, love. Indeed, I want to sit with you for
+a little while,” and she put her right arm affectionately round her
+daughter’s waist.
+
+“Dearest mother,” said Susan.
+
+“Ah! there’s one dearer than me, I guess,” and Mrs. Bell smiled sweetly,
+as she made the maternal charge against her daughter.
+
+Susan raised herself quickly in the bed, and looked straight into her
+mother’s face. “Mother, mother,” she said, “what is it? You’ve
+something to tell. Oh, mother!” And stretching herself over, she struck
+her hand against the corner of Aaron’s letter. “Mother, you’ve a letter.
+Is he coming, mother?” and with eager eyes and open lips, she sat up,
+holding tight to her mother’s arm.
+
+“Yes, love. I have got a letter.”
+
+“Is he—is he coming?”
+
+How the mother answered, I can hardly tell; but she did answer, and they
+were soon lying in each other’s arms, warm with each other’s tears. It
+was almost hard to say which was the happier.
+
+Aaron was to be there that evening—that very evening. “Oh, mother, let
+me get up,” said Susan.
+
+But Mrs. Bell said no, not yet; her darling was pale and thin, and she
+almost wished that Aaron was not coming for another week. What if he
+should come and look at her, and finding her beauty gone, vanish again
+and seek a wife elsewhere!
+
+So Susan lay in bed, thinking of her happiness, dozing now and again, and
+fearing as she waked that it was a dream, looking constantly at that
+drawing of his, which she kept outside upon the bed, nursing her love and
+thinking of it, and endeavouring, vainly endeavouring, to arrange what
+she would say to him.
+
+“Mother,” she said, when Mrs. Bell once went up to her, “you won’t tell
+Hetta and Phineas, will you? Not to-day, I mean?” Mrs. Bell agreed that
+it would be better not to tell them. Perhaps she thought that she had
+already depended too much on Hetta and Phineas in the matter.
+
+Susan’s finery in the way of dress had never been extensive, and now
+lately, in these last sad winter days, she had thought but little of the
+fashion of her clothes. But when she began to dress herself for the
+evening, she did ask her mother with some anxiety what she had better
+wear. “If he loves you he will hardly see what you have on,” said the
+mother. But not the less was she careful to smooth her daughter’s hair,
+and make the most that might be made of those faded roses.
+
+How Susan’s heart beat,—how both their hearts beat as the hands of the
+clock came round to seven! And then, sharp at seven, came the knock;
+that same short bold ringing knock which Susan had so soon learned to
+know as belonging to Aaron Dunn. “Oh mother, I had better go up stairs,”
+she cried, starting from her chair.
+
+“No dear; you would only be more nervous.”
+
+“I will, mother.”
+
+“No, no, dear; you have not time;” and then Aaron Dunn was in the room.
+
+She had thought much what she would say to him, but had not yet quite
+made up her mind. It mattered however but very little. On whatever she
+might have resolved, her resolution would have vanished to the wind.
+Aaron Dunn came into the room, and in one second she found herself in the
+centre of a whirlwind, and his arms were the storms that enveloped her on
+every side.
+
+“My own, own darling girl,” he said over and over again, as he pressed
+her to his heart, quite regardless of Mrs. Bell, who stood by, sobbing
+with joy. “My own Susan.”
+
+“Aaron, dear Aaron,” she whispered. But she had already recognised the
+fact that for the present meeting a passive part would become her well,
+and save her a deal of trouble. She had her lover there quite safe, safe
+beyond anything that Mr. or Mrs. Beckard might have to say to the
+contrary. She was quite happy; only that there were symptoms now and
+again that the whirlwind was about to engulf her yet once more.
+
+“Dear Aaron, I am so glad you are come,” said the innocent-minded widow,
+as she went up stairs with him, to show him his room; and then he
+embraced her also. “Dear, dear mother,” he said.
+
+On the next day there was, as a matter of course, a family conclave.
+Hetta and Phineas came down, and discussed the whole subject of the
+coming marriage with Mrs. Bell. Hetta at first was not quite
+certain;—ought they not to inquire whether the situation was permanent?
+
+“I won’t inquire at all,” said Mrs. Bell, with an energy that startled
+both the daughter and son-in-law. “I would not part them now; no, not
+if—” and the widow shuddered as she thought of her daughter’s sunken
+eyes, and pale cheeks.
+
+“He is a good lad,” said Phineas, “and I trust she will make him a sober
+steady wife;” and so the matter was settled.
+
+During this time, Susan and Aaron were walking along the Balston road;
+and they also had settled the matter—quite as satisfactorily.
+
+Such was the courtship of Susan Dunn.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE COURTSHIP OF SUSAN BELL***
+
+
+******* This file should be named 3700-0.txt or 3700-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/7/0/3700
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+