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diff --git a/36612-h/36612-h.htm b/36612-h/36612-h.htm new file mode 100644 index 0000000..b0c2c51 --- /dev/null +++ b/36612-h/36612-h.htm @@ -0,0 +1,8399 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of The Princess and Curdie, by George MacDonald</title> + <style type="text/css"> + + body { + margin-left:10%; + margin-right:10%; + } + + #booktitle { + letter-spacing:3px; + } + + .cen, + .center, + .centered { + text-align:center; + font-weight:bold; + } + + div.center, + div.centered { + text-align:center; + } + + div.centered table { + margin-left:auto; + margin-right:auto; + text-align:left; + } + + .figure, + .figcenter, + .figleft, + .figright { + padding:1em; + text-align:center; + font-size:0.8em; + margin:0; + text-indent:1em; + } + + .figure img, + .figcenter img, + .figleft img, + .figright img { + } + + .figure p, + .figcenter p, + .figleft p, + .figright p { + margin:0; + text-indent:1em; + } + + .figcenter { + margin:auto; + } + + .h1 { + font-size:2em; + margin:.67em 0; + } + + .h1, + .h2, + .h3, + .h4, + .h5, + .h6 { + font-weight:bolder; + text-align:center; + text-indent:0; + } + + h1, + h2, + h3, + h4, + h5, + h6, + hr { + text-align:center; + } + + .h2 { + font-size:1.5em; + margin:.75em 0; + } + + h2 + h3 { + margin-bottom:2em; + } + + .h3 { + font-size:1.17em; + margin:.83em 0; + } + + .h4 { + margin:1.12em 0 ; + } + + .h5 { + font-size:.83em; + margin:1.5em 0 ; + } + + h5 { + margin-bottom:1%; + margin-top:1%; + } + + .h6 { + font-size:.75em; + margin:1.67em 0; + } + + hr { + margin-right:25%; + margin-left:25%; + width:50%; + } + + hr.chapter { + margin-top:6em; + margin-bottom:4em; + } + + hr.tb { + margin:2em 25%; + width:50%; + } + + img.dropimg { + float: left; + margin-left : .4em; + margin-top : -.2em; + margin-right: .5em; + margin-bottom: 0; + border : 0; + } + + .noin { + text-indent:0; + } + + p { + font-size:175%; + text-align:justify; + margin-top:.6em; + margin-bottom:.6em; + text-indent:1em; + } + + p.c { + margin-top:.2em; + margin-bottom:.2em; + text-align:center; + text-indent:0; + } + + p.caption { + text-indent:0; + text-align:center; + font-weight:bold; + margin-bottom:2em; + } + + p.spacer { + margin-top:2em; + margin-bottom:3em; + } + + p.tb { + margin-top:2em; + } + + .pagenum { +/* visibility:hidden; remove comment out to hide page numbers */ + position:absolute; + right:2%; + font-size:75%; + color:gray; + background-color:inherit; + text-align:right; + text-indent:0; + font-style:normal; + font-weight:normal; + font-variant:normal; + } + + .sc, + .smcap { + font-variant:small-caps; + } + + span.in1 { + margin-left:1em; + } + + span.in2 { + margin-left:2em; + } + + span.in3 { + margin-left:3em; + } + + .tdl { + text-align:left; + } + + .tdr { + text-align:right; + padding-right:1em; + } + + .tdrfirst { + text-align:right; + padding-right:1em; + font-size:80%; + } + + .topbox { + margin-left:15%; + margin-right:15%; + margin-top:5%; + margin-bottom:5%; + padding:1em; + color:black; + border:2px solid black; + } + + p.pg { font-size:100%; + text-align:left; + margin-top:.6em; + margin-bottom:.6em; + text-indent:0em; } + hr.full { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 4px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + pre {font-size: 85%;} + </style> +</head> +<body> +<h1>The Project Gutenberg eBook, The Princess and Curdie, by George MacDonald, +Illustrated by James Allen</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p class="pg">Title: The Princess and Curdie</p> +<p class="pg">Author: George MacDonald</p> +<p class="pg">Release Date: July 4, 2011 [eBook #36612]</p> +<p class="pg">Language: English</p> +<p class="pg">Character set encoding: ISO-8859-1</p> +<p class="pg">***START OF THE PROJECT GUTENBERG EBOOK THE PRINCESS AND CURDIE***</p> +<p> </p> +<h4>E-text prepared by Matthew Wheaton, Suzanne Shell,<br /> + and the Online Distributed Proofreading Team<br /> + (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br /> + from page images generously made available by<br /> + Internet Archive/American Libraries<br /> + (<a href="http://www.archive.org/details/americana">http://www.archive.org/details/americana</a>)</h4> +<p> </p> +<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> + <tr> + <td valign="top"> + Note: + </td> + <td> + Images of the original pages are available through + Internet Archive/American Libraries. See + <a href="http://www.archive.org/details/princesscurdie00macdiala"> + http://www.archive.org/details/princesscurdie00macdiala</a> + </td> + </tr> +</table> +<p> </p> +<hr class="full" /> +<p> </p> + +<div> + +<br /> + +<br /> + +<div class="figcenter"> +<img id="coverpage" src="images/cover.jpg" alt="Cover" /> +</div> + +<p class="h3">THE PRINCESS AND CURDIE</p> + +<p class="h5">BY<br /> +GEORGE MACDONALD +</p> + +<p class="spacer"></p> + +<div class="figcenter"><img border="1px" src="images/tp.jpg" alt="Title Page" /></div> + +<p class="h3">THE PRINCESS AND CURDIE</p> + +<p class="h5">BY<br /> +GEORGE MACDONALD, LL.D<br /> +<br /> +<i>WITH ELEVEN ILLUSTRATIONS BY JAMES ALLEN</i><br /> +<br /><br /><br /><br /><br /><br /> +PHILADELPHIA:<br /> +J. B. LIPPINCOTT & CO.<br /> +1883. +</p> + +<p class="spacer"> </p> + +<div class="figcenter"> +<img src="images/gs01.jpg" alt="gs01" /> +</div> + +<p class="caption"><i>"Come in, Curdie," said the voice.</i></p> + +<p class="spacer"> </p> + +<p><span class="pagenum">[v]</span></p> + +<h2>CONTENTS.</h2> + +<div class="centered"> + +<table border="0" cellpadding="2" cellspacing="0" width="80%" summary="Table of Contents"> + +<tr> + <td class="tdrfirst" width="10%">CHAP.</td> + <td class="tdl"></td> + <td class="tdr">PAGE</td> +</tr> +<tr> + <td class="tdr">I.</td> + <td class="tdl">THE MOUNTAIN</td> + <td class="tdr"><a href="#CHAPTER_I">1</a></td> +</tr> +<tr> + <td class="tdr">II.</td> + <td class="tdl">THE WHITE PIGEON</td> + <td class="tdr"><a href="#CHAPTER_II">9</a></td> +</tr> +<tr> + <td class="tdr">III.</td> + <td class="tdl">THE MISTRESS OF THE SILVER MOON</td> + <td class="tdr"><a href="#CHAPTER_III">18</a></td> +</tr> +<tr> + <td class="tdr">IV.</td> + <td class="tdl">CURDIE'S FATHER AND MOTHER</td> + <td class="tdr"><a href="#CHAPTER_IV">33</a></td> +</tr> +<tr> + <td class="tdr">V.</td> + <td class="tdl">THE MINERS</td> + <td class="tdr"><a href="#CHAPTER_V">39</a></td> +</tr> +<tr> + <td class="tdr">VI.</td> + <td class="tdl">THE EMERALD</td> + <td class="tdr"><a href="#CHAPTER_VI">45</a></td> +</tr> +<tr> + <td class="tdr">VII.</td> + <td class="tdl">WHAT IS IN A NAME</td> + <td class="tdr"><a href="#CHAPTER_VII">51</a></td> +</tr> +<tr> + <td class="tdr">VIII.</td> + <td class="tdl">CURDIE'S MISSION</td> + <td class="tdr"><a href="#CHAPTER_VIII">61</a></td> +</tr> +<tr> + <td class="tdr">IX.</td> + <td class="tdl">HANDS</td> + <td class="tdr"><a href="#CHAPTER_IX">80</a></td> +</tr> +<tr> + <td class="tdr">X.</td> + <td class="tdl">THE HEATH</td> + <td class="tdr"><a href="#CHAPTER_X">86</a></td> +</tr> +<tr> + <td class="tdr">XI.</td> + <td class="tdl">LINA</td> + <td class="tdr"><a href="#CHAPTER_XI">91</a></td> +</tr> +<tr> + <td class="tdr">XII.</td> + <td class="tdl">MORE CREATURES</td> + <td class="tdr"><a href="#CHAPTER_XII">97</a></td> +</tr> +<tr> + <td class="tdr">XIII.</td> + <td class="tdl">THE BAKER'S WIFE</td> + <td class="tdr"><a href="#CHAPTER_XIII">101</a></td> +</tr> +<tr> + <td class="tdr">XIV.</td> + <td class="tdl">THE DOGS OF GWYNTYSTORM</td> + <td class="tdr"><a href="#CHAPTER_XIV">109</a></td> +</tr> +<tr> + <td class="tdr">XV.</td> + <td class="tdl">DERBA AND BARBARA</td> + <td class="tdr"><a href="#CHAPTER_XV">116</a></td> +</tr> +<tr> + <td class="tdr">XVI.</td> + <td class="tdl">THE MATTOCK</td> + <td class="tdr"><a href="#CHAPTER_XVI">122</a></td> +</tr> +<tr> + <td class="tdr">XVII.</td> + <td class="tdl">THE WINE CELLAR</td> + <td class="tdr"><a href="#CHAPTER_XVII">130</a></td> +</tr> +<tr> + <td class="tdr">XVIII.</td> + <td class="tdl">THE KING'S KITCHEN</td> + <td class="tdr"><a href="#CHAPTER_XVIII">136</a></td> +</tr> +<tr> + <td class="tdr">XIX.</td> + <td class="tdl">THE KING'S CHAMBER</td> + <td class="tdr"><a href="#CHAPTER_XIX">142</a></td> +</tr> +<tr> + <td class="tdr">XX.</td> + <td class="tdl">COUNTER-PLOTTING</td> + <td class="tdr"><a href="#CHAPTER_XX">153</a></td> +</tr> +<tr> + <td class="tdr">XXI.</td> + <td class="tdl">THE LOAF</td> + <td class="tdr"><a href="#CHAPTER_XXI">161</a></td> +</tr> +<tr> + <td class="tdr">XXII.</td> + <td class="tdl">THE LORD CHAMBERLAIN</td> + <td class="tdr"><a href="#CHAPTER_XXII">167</a></td> +</tr> +<tr> + <td class="tdr">XXIII.</td> + <td class="tdl"><span class="pagenum">[vi]</span>DR. KELMAN</td> + <td class="tdr"><a href="#CHAPTER_XXIII">175</a></td> +</tr> +<tr> + <td class="tdr">XXIV.</td> + <td class="tdl">THE PROPHECY</td> + <td class="tdr"><a href="#CHAPTER_XXIV">183</a></td> +</tr> +<tr> + <td class="tdr">XXV.</td> + <td class="tdl">THE AVENGERS</td> + <td class="tdr"><a href="#CHAPTER_XXV">192</a></td> +</tr> +<tr> + <td class="tdr">XXVI.</td> + <td class="tdl">THE VENGEANCE</td> + <td class="tdr"><a href="#CHAPTER_XXVI">199</a></td> +</tr> +<tr> + <td class="tdr">XXVII.</td> + <td class="tdl">MORE VENGEANCE</td> + <td class="tdr"><a href="#CHAPTER_XXVII">207</a></td> +</tr> +<tr> + <td class="tdr">XXVIII.</td> + <td class="tdl">THE PREACHER</td> + <td class="tdr"><a href="#CHAPTER_XXVIII">214</a></td> +</tr> +<tr> + <td class="tdr">XXIX.</td> + <td class="tdl">BARBARA</td> + <td class="tdr"><a href="#CHAPTER_XXIX">221</a></td> +</tr> +<tr> + <td class="tdr">XXX.</td> + <td class="tdl"><span class="smcap">PETER</span></td> + <td class="tdr"><a href="#CHAPTER_XXX">226</a></td> +</tr> +<tr> + <td class="tdr">XXXI.</td> + <td class="tdl"><span class="smcap">THE SACRIFICE</span></td> + <td class="tdr"><a href="#CHAPTER_XXXI">229</a></td> +</tr> +<tr> + <td class="tdr">XXXII.</td> + <td class="tdl"><span class="smcap">THE KING'S ARMY</span></td> + <td class="tdr"><a href="#CHAPTER_XXXII">234</a></td> +</tr> +<tr> + <td class="tdr">XXXIII.</td> + <td class="tdl"><span class="smcap">THE BATTLE</span></td> + <td class="tdr"><a href="#CHAPTER_XXXIII">241</a></td> +</tr> +<tr> + <td class="tdr">XXXIV.</td> + <td class="tdl"><span class="smcap">JUDGMENT</span></td> + <td class="tdr"><a href="#CHAPTER_XXXIV">247</a></td> +</tr> +<tr> + <td class="tdr">XXXV.</td> + <td class="tdl"><span class="smcap">THE END</span></td> + <td class="tdr"><a href="#CHAPTER_XXXV">252</a></td> +</tr> +</table> +</div> + +<p><span class="pagenum">[1]</span></p> + +<p class="spacer"> </p> + +<h1 id="booktitle">THE PRINCESS AND CURDIE.</h1> + +<hr class="chapter" /> + +<h2><a name="CHAPTER_I" id="CHAPTER_I"></a>CHAPTER I.</h2> + +<p class="h2">THE MOUNTAIN.</p> + +<img class="dropimg" src="images/drop_c.jpg" alt="C" /> +<p class="noin"><span style="font-weight:bold">URDIE</span> +was the son of Peter the miner. He lived with his father and mother in +a cottage built on a mountain, and he +worked with his father inside the mountain.</p> + +<p>A mountain is a strange and awful thing. In old +times, without knowing so much of their strangeness and +awfulness as we do, people were yet more afraid of +mountains. But then somehow they had not come to +see how beautiful they are as well as awful, and they +hated them,—and what people hate they must fear. +Now that we have learned to look at them with admiration, +perhaps we do not always feel quite awe enough +of them. To me they are beautiful terrors.<span class="pagenum">[2]</span></p> + +<p>I will try to tell you what they are. They are portions +of the heart of the earth that have escaped from the +dungeon down below, and rushed up and out. For +the heart of the earth is a great wallowing mass, not +of blood, as in the hearts of men and animals, but of +glowing hot melted metals and stones. And as our hearts +keep us alive, so that great lump of heat keeps the +earth alive: it is a huge power of buried sunlight—that +is what it is. Now think: out of that caldron, +where all the bubbles would be as big as the Alps if +it could get room for its boiling, certain bubbles +have bubbled out and escaped—up and away, and +there they stand in the cool, cold sky—mountains. +Think of the change, and you will no more wonder that +there should be something awful about the very look +of a mountain: from the darkness—for where the light +has nothing to shine upon, it is much the same as +darkness—from the heat, from the endless tumult of +boiling unrest—up, with a sudden heavenward shoot, into +the wind, and the cold, and the starshine, and a cloak of +snow that lies like ermine above the blue-green mail of +the glaciers; and the great sun, their grandfather, up +there in the sky; and their little old cold aunt, the +moon, that comes wandering about the house at night; +and everlasting stillness, except for the wind that turns +the rocks and caverns into a roaring organ for the young +<span class="pagenum">[3]</span> +archangels that are studying how to let out the pent-up +praises of their hearts, and the molten music of the +streams, rushing ever from the bosoms of the glaciers +fresh-born. Think too of the change in their own +substance—no longer molten and soft, heaving and +glowing, but hard and shining and cold. Think of the +creatures scampering over and burrowing in it, and the +birds building their nests upon it, and the trees growing +out of its sides, like hair to clothe it, and the lovely +grass in the valleys, and the gracious flowers even at the +very edge of its armour of ice, like the rich embroidery +of the garment below, and the rivers galloping down +the valleys in a tumult of white and green! And along +with all these, think of the terrible precipices down +which the traveller may fall and be lost, and the frightful +gulfs of blue air cracked in the glaciers, and the dark +profound lakes, covered like little arctic oceans with +floating lumps of ice. All this outside the mountain! +But the inside, who shall tell what lies there? Caverns +of awfullest solitude, their walls miles thick, sparkling +with ores of gold or silver, copper or iron, tin or +mercury, studded perhaps with precious stones—perhaps +a brook, with eyeless fish in it, running, running ceaseless, +cold and babbling, through banks crusted with +carbuncles and golden topazes, or over a gravel of which +some of the stones are rubies and emeralds, perhaps<span class="pagenum">[4]</span> +diamonds and sapphires—who can tell?—and whoever +can't tell is free to think—all waiting to flash, waiting for +millions of ages—ever since the earth flew off from the +sun, a great blot of fire, and began to cool. Then there +are caverns full of water, numbing cold, fiercely hot—hotter +than any boiling water. From some of these the +water cannot get out, and from others it runs in +channels as the blood in the body: little veins bring it +down from the ice above into the great caverns of the +mountain's heart, whence the arteries let it out again, +gushing in pipes and clefts and ducts of all shapes and +kinds, through and through its bulk, until it springs newborn +to the light, and rushes down the mountain side in +torrents, and down the valleys in rivers—down, down, +rejoicing, to the mighty lungs of the world, that is the +sea, where it is tossed in storms and cyclones, heaved +up in billows, twisted in waterspouts, dashed to mist +upon rocks, beaten by millions of tails, and breathed by +millions of gills, whence at last, melted into vapour by +the sun, it is lifted up pure into the air, and borne by +the servant winds back to the mountain tops and the +snow, the solid ice, and the molten stream.</p> + +<p>Well, when the heart of the earth has thus come +rushing up among her children, bringing with it gifts of +all that she possesses, then straightway into it rush her +children to see what they can find there. With pickaxe<span class="pagenum">[5]</span> +and spade and crowbar, with boring chisel and blasting +powder, they force their way back: is it to search for +what toys they may have left in their long-forgotten +nurseries? Hence the mountains that lift their heads +into the clear air, and are dotted over with the dwellings +of men, are tunnelled and bored in the darkness of their +bosoms by the dwellers in the houses which they hold +up to the sun and air.</p> + +<p>Curdie and his father were of these: their business +was to bring to light hidden things; they sought silver +in the rock and found it, and carried it out. Of the +many other precious things in their mountain they knew +little or nothing. Silver ore was what they were sent to +find, and in darkness and danger they found it. But +oh, how sweet was the air on the mountain face when +they came out at sunset to go home to wife and mother! +They did breathe deep then!</p> + +<p>The mines belonged to the king of the country, and +the miners were his servants, working under his overseers +and officers. He was a real king—that is one who ruled +for the good of his people, and not to please himself, +and he wanted the silver not to buy rich things for +himself, but to help him to govern the country, and pay +the armies that defended it from certain troublesome +neighbours, and the judges whom he set to portion out +righteousness amongst the people, that so they might<span class="pagenum">[6]</span> +learn it themselves, and come to do without judges at all. +Nothing that could be got from the heart of the earth +could have been put to better purposes than the silver +the king's miners got for him. There were people in +the country who, when it came into their hands, +degraded it by locking it up in a chest, and then it grew +diseased and was called <i>mammon</i>, and bred all sorts of +quarrels; but when first it left the king's hands it never +made any but friends, and the air of the world kept it +clean.</p> + +<p>About a year before this story began, a series of very +remarkable events had just ended. I will narrate as +much of them as will serve to show the tops of the roots +of my tree.</p> + +<p>Upon the mountain, on one of its many claws, stood +a grand old house, half farmhouse, half castle, belonging +to the king; and there his only child, the Princess Irene, +had been brought up till she was nearly nine years old, +and would doubtless have continued much longer, but +for the strange events to which I have referred.</p> + +<p>At that time the hollow places of the mountain were +inhabited by creatures called goblins, who for various +reasons and in various ways made themselves troublesome +to all, but to the little princess dangerous. Mainly +by the watchful devotion and energy of Curdie, however, +their designs had been utterly defeated, and made to<span class="pagenum">[7]</span> +recoil upon themselves to their own destruction, so that +now there were very few of them left alive, and the +miners did not believe there was a single goblin remaining +in the whole inside of the mountain.</p> + +<p>The king had been so pleased with the boy—then +approaching thirteen years of age—that when he carried +away his daughter he asked him to accompany them; +but he was still better pleased with him when he found +that he preferred staying with his father and mother. +He was a right good king, and knew that the love of a +boy who would not leave his father and mother to be +made a great man, was worth ten thousand offers to die +for his sake, and would prove so when the right time +came. For his father and mother, they would have +given him up without a grumble, for they were just as +good as the king, and he and they perfectly understood +each other; but in this matter, not seeing that he could +do anything for the king which one of his numerous +attendants could not do as well, Curdie felt that it was +for him to decide. So the king took a kind farewell +of them all and rode away, with his daughter on his +horse before him.</p> + +<p>A gloom fell upon the mountain and the miners when +she was gone, and Curdie did not whistle for a whole +week. As for his verses, there was no occasion to make +any now. He had made them only to drive away the<span class="pagenum">[8]</span> +goblins, and they were all gone—a good riddance—only +the princess was gone too! He would rather have had +things as they were, except for the princess's sake. But +whoever is diligent will soon be cheerful, and though the +miners missed the household of the castle, they yet +managed to get on without them.</p> + +<p>Peter and his wife, however, were troubled with the +fancy that they had stood in the way of their boy's good +fortune. It would have been such a fine thing for him +and them too, they thought, if he had ridden with the +good king's train. How beautiful he looked, they said, +when he rode the king's own horse through the river that +the goblins had sent out of the hill! He might soon +have been a captain, they did believe! The good, kind +people did not reflect that the road to the next duty is +the only straight one, or that, for their fancied good, we +should never wish our children or friends to do what we +would not do ourselves if we were in their position. We +must accept righteous sacrifices as well as make them.</p> +<br /> + +<hr class="chapter" /> + +<p><span class="pagenum">[9]</span></p> + +<h2><a name="CHAPTER_II" id="CHAPTER_II"></a>CHAPTER II.</h2> + +<p class="h2">THE WHITE PIGEON.</p> + +<img class="dropimg" src="images/drop_w.jpg" alt="W" /> +<p class="noin"><span style="font-weight:bold">HEN</span> +in the winter they had had their +supper and sat about the fire, or when in +the summer they lay on the border of the +rock-margined stream that ran through +their little meadow, close by the door of their cottage, +issuing from the far-up whiteness often folded in +clouds, Curdie's mother would not seldom lead the conversation +to one peculiar personage said and believed to +have been much concerned in the late issue of events. +That personage was the great-great-grandmother of the +princess, of whom the princess had often talked, but whom +neither Curdie nor his mother had ever seen. Curdie +could indeed remember, although already it looked more +like a dream than he could account for if it had really +taken place, how the princess had once led him up many +stairs to what she called a beautiful room in the top of +the tower, where she went through all the—what should<span class="pagenum">[10]</span> +he call it?—the behaviour of presenting him to her +grandmother, talking now to her and now to him, while +all the time he saw nothing but a bare garret, a heap of +musty straw, a sunbeam, and a withered apple. Lady, +he would have declared before the king himself, young +or old, there was none, except the princess herself, who +was certainly vexed that he could not see what she at +least believed she saw. And for his mother, she had +once seen, long before Curdie was born, a certain +mysterious light of the same description with one Irene +spoke of, calling it her grandmother's moon; and Curdie +himself had seen this same light, shining from above the +castle, just as the king and princess were taking their +leave. Since that time neither had seen or heard anything +that could be supposed connected with her. +Strangely enough, however, nobody had seen her go +away. If she was such an old lady, she could hardly be +supposed to have set out alone and on foot when all the +house was asleep. Still, away she must have gone, for of +course, if she was so powerful, she would always be +about the princess to take care of her.</p> + +<p>But as Curdie grew older, he doubted more and +more whether Irene had not been talking of some +dream she had taken for reality: he had heard it said +that children could not always distinguish betwixt dreams +and actual events. At the same time there was his<span class="pagenum">[11]</span> +mother's testimony: what was he to do with that? His +mother, through whom he had learned everything, could +hardly be imagined by her own dutiful son to have mistaken +a dream for a fact of the waking world. So he +rather shrunk from thinking about it, and the less he +thought about it, the less he was inclined to believe it +when he did think about it, and therefore, of course, the +less inclined to talk about it to his father and mother; +for although his father was one of those men who for one +word they say think twenty thoughts, Curdie was well +assured that he would rather doubt his own eyes than his +wife's testimony. There were no others to whom he could +have talked about it. The miners were a mingled company—some +good, some not so good, some rather bad—none +of them so bad or so good as they might have +been; Curdie liked most of them, and was a favourite +with all; but they knew very little about the upper +world, and what might or might not take place there. +They knew silver from copper ore; they understood the +underground ways of things, and they could look very +wise with their lanterns in their hands searching after this +or that sign of ore, or for some mark to guide their way +in the hollows of the earth; but as to great-great-grandmothers, +they would have mocked him all the rest of his +life for the absurdity of not being absolutely certain that +the solemn belief of his father and mother was nothing<span class="pagenum">[12]</span> +but ridiculous nonsense. Why, to them the very word +"great-great-grandmother" would have been a week's +laughter! I am not sure that they were able quite to +believe there were such persons as great-great-grandmothers; +they had never seen one. They were not +companions to give the best of help towards progress, +and as Curdie grew, he grew at this time faster in body +than in mind—with the usual consequence, that he was +getting rather stupid—one of the chief signs of which +was that he believed less and less of things he had never +seen. At the same time I do not think he was ever so +stupid as to imagine that this was a sign of superior +faculty and strength of mind. Still, he was becoming +more and more a miner, and less and less a man of the +upper world where the wind blew. On his way to and +from the mine he took less and less notice of bees and +butterflies, moths and dragon-flies, the flowers and the +brooks and the clouds. He was gradually changing into +a commonplace man. There is this difference between +the growth of some human beings and that of others: in +the one case it is a continuous dying, in the other a +continuous resurrection. One of the latter sort comes at +length to know at once whether a thing is true the +moment it comes before him; one of the former class +grows more and more afraid of being taken in, so afraid +of it that he takes himself in altogether, and comes at<span class="pagenum">[13]</span> +length to believe in nothing but his dinner: to be sure of +a thing with him is to have it between his teeth. Curdie +was not in a very good way then at that time. His father +and mother had, it is true, no fault to find with him—and +yet—and yet—neither of them was ready to sing when +the thought of him came up. There must be something +wrong when a mother catches herself sighing over the +time when her boy was in petticoats, or the father looks +sad when he thinks how he used to carry him on his +shoulder. The boy should enclose and keep, as his life, +the old child at the heart of him, and never let it go. He +must still, to be a right man, be his mother's darling, and +more, his father's pride, and more. The child is not +meant to die, but to be for ever fresh-born.</p> + +<p>Curdie had made himself a bow and some arrows, and +was teaching himself to shoot with them. One evening +in the early summer, as he was walking home from the +mine with them in his hand, a light flashed across his +eyes. He looked, and there was a snow-white pigeon +settling on a rock in front of him, in the red light of the +level sun. There it fell at once to work with one of its +wings, in which a feather or two had got some sprays +twisted, causing a certain roughness unpleasant to the +fastidious creature of the air. It was indeed a lovely +being, and Curdie thought how happy it must be flitting +through the air with a flash—a live bolt of light. For a<span class="pagenum">[14]</span> +moment he became so one with the bird that he seemed +to feel both its bill and its feathers, as the one adjusted +the other to fly again, and his heart swelled with the +pleasure of its involuntary sympathy. Another moment +and it would have been aloft in the waves of rosy light—it +was just bending its little legs to spring: that moment +it fell on the path broken-winged and bleeding from +Curdie's cruel arrow. With a gush of pride at his skill, +and pleasure at its success, he ran to pick up his prey. I +must say for him he picked it up gently—perhaps it was +the beginning of his repentance. But when he had the +white thing in his hands—its whiteness stained with +another red than that of the sunset flood in which it had +been revelling—ah God! who knows the joy of a bird, +the ecstasy of a creature that has neither storehouse nor +barn!—when he held it, I say, in his victorious hands, +the winged thing looked up in his face—and with such +eyes! asking what was the matter, and where the red sun +had gone, and the clouds, and the wind of its flight. +Then they closed, but to open again presently, with the +same questions in them. And so they closed and opened +several times, but always when they opened, their look was +fixed on his. It did not once flutter or try to get away; +it only throbbed and bled and looked at him. Curdie's +heart began to grow very large in his bosom. What +could it mean? It was nothing but a pigeon, and why +<span class="pagenum">[15]</span>should he not kill a pigeon? But the fact was, that not +till this very moment had he ever known what a pigeon +was. A good many discoveries of a similar kind have to +be made by most of us. Once more it opened its eyes—then +closed them again, and its throbbing ceased. Curdie +gave a sob: its last look reminded him of the princess—he +did not know why. He remembered how hard he had +laboured to set her beyond danger, and yet what dangers +she had had to encounter for his sake: they had been +saviours to each other—and what had he done now? +He had stopped saving, and had begun killing! What +had he been sent into the world for? Surely not to be a +death to its joy and loveliness. He had done the thing +that was contrary to gladness; he was a destroyer! He +was not the Curdie he had been meant to be! Then the +underground waters gushed from the boy's heart. And +with the tears came the remembrance that a white +pigeon, just before the princess went away with her +father, came from somewhere—yes, from the grandmother's +lamp, and flew round the king and Irene and +himself, and then flew away: this might be that very +pigeon! Horrible to think! And if it wasn't, yet it was +a white pigeon, the same as it. And if she kept a great +many pigeons—and white ones, as Irene had told him, +then whose pigeon could he have killed but the grand +old princess's? Suddenly everything round about him +<span class="pagenum">[16]</span> +seemed against him. The red sunset stung him: the +rocks frowned at him; the sweet wind that had been +laving his face as he walked up the hill, dropped—as if +he wasn't fit to be kissed any more. Was the whole +world going to cast him out? Would he have to stand +there for ever, not knowing what to do, with the dead +pigeon in his hand? Things looked bad indeed. Was +the whole world going to make a work about a pigeon—a +white pigeon? The sun went down. Great clouds +gathered over the west, and shortened the twilight. The +wind gave a howl, and then lay down again. The clouds +gathered thicker. Then came a rumbling. He thought +it was thunder. It was a rock that fell inside the +mountain. A goat ran past him down the hill, followed +by a dog sent to fetch him home. He thought they were +goblin creatures, and trembled. He used to despise +them. And still he held the dead pigeon tenderly in his +hand. It grew darker and darker. An evil something +began to move in his heart. "What a fool I am!" he said +to himself. Then he grew angry, and was just going to +throw the bird from him and whistle, when a brightness +shone all round him. He lifted his eyes, and saw a +great globe of light—like silver at the hottest heat: he +had once seen silver run from the furnace. It shone +from somewhere above the roofs of the castle: it +must be the great old princess's moon! How could she +<span class="pagenum">[17]</span> +be there? Of course she was not there! He had +asked the whole household, and nobody knew anything +about her or her globe either. It couldn't be! And yet +what did that signify, when there was the white globe +shining, and here was the dead white bird in his hand? +That moment the pigeon gave a little flutter. "<i>It's not +dead!</i>" cried Curdie, almost with a shriek. The same +instant he was running full speed towards the castle, +never letting his heels down, lest he should shake the +poor wounded bird.<span class="pagenum">[18]</span></p> + +<div class="centered"> +<img src="images/gs02.jpg" alt="gs02" /> +</div> + +<p class="caption">"<i>That moment the pigeon fell on the path, broken-winged +and bleeding.</i>"</p> + +<br /> + +<hr class="chapter" /> + +<p><span class="pagenum">[14]</span></p> + +<h2><a name="CHAPTER_III" id="CHAPTER_III"></a>CHAPTER III.</h2> + +<p class="h2">THE MISTRESS OF THE SILVER MOON.</p> + +<img class="dropimg" src="images/drop_w.jpg" alt="W" /> +<p class="noin"><span style="font-weight:bold">HEN</span> +Curdie reached the castle, and ran +into the little garden in front of it, there +stood the door wide open. This was as +he had hoped, for what could he have +said if he had had to knock at it? Those whose +business it is to open doors, so often mistake and shut +them! But the woman now in charge often puzzled +herself greatly to account for the strange fact that however +often she shut the door, which, like the rest, she +took a great deal of unnecessary trouble to do, she was +certain, the next time she went to it, to find it open. I +speak now of the great front door, of course: the back +door she as persistently kept wide: if people <i>could</i> only +go in by that, she said, she would then know what sort +they were, and what they wanted. But she would neither +have known what sort Curdie was, nor what he wanted, +and would assuredly have denied him admittance, for she<span class="pagenum">[19]</span> +knew nothing of who was in the tower. So the front +door was left open for him, and in he walked.</p> + +<p>But where to go next he could not tell. It was not +quite dark: a dull, shineless twilight filled the place. +All he knew was that he must go up, and that proved +enough for the present, for there he saw the great staircase +rising before him. When he reached the top of it, +he knew there must be more stairs yet, for he could not +be near the top of the tower. Indeed by the situation of +the stair, he must be a good way from the tower itself. +But those who work well in the depths more easily +understand the heights, for indeed in their true nature +they are one and the same: mines are in mountains; +and Curdie from knowing the ways of the king's mines, +and being able to calculate his whereabouts in them, was +now able to find his way about the king's house. He +knew its outside perfectly, and now his business was to +get his notion of the inside right with the outside. So +he shut his eyes and made a picture of the outside of +it in his mind. Then he came in at the door of the +picture, and yet kept the picture before him all the time—for +you can do that kind of thing in your mind,—and +took every turn of the stair over again, always watching +to remember, every time he turned his face, how the +tower lay, and then when he came to himself at the top +where he stood, he knew exactly where it was, and walked<span class="pagenum">[20]</span> +at once in the right direction. On his way, however, he +came to another stair, and up that he went of course, +watching still at every turn how the tower must lie. At +the top of this stair was yet another—they were the stairs +up which the princess ran when first, without knowing it, +she was on her way to find her great-great-grandmother. +At the top of the second stair he could go no farther, +and must therefore set out again to find the tower, which, +as it rose far above the rest of the house, must have the +last of its stairs inside itself. Having watched every +turn to the very last, he still knew quite well in what +direction he must go to find it, so he left the stair and +went down a passage that led, if not exactly towards it, +yet nearer it. This passage was rather dark, for it was +very long, with only one window at the end, and although +there were doors on both sides of it, they were all shut. +At the distant window glimmered the chill east, with a +few feeble stars in it, and its light was dreary and old, +growing brown, and looking as if it were thinking about +the day that was just gone. Presently he turned into +another passage, which also had a window at the end of +it; and in at that window shone all that was left of the +sunset, a few ashes, with here and there a little touch of +warmth: it was nearly as sad as the east, only there was +one difference—it was very plainly thinking of to-morrow. +But at present Curdie had nothing to do with to-day or<span class="pagenum">[21]</span> +to-morrow; his business was with the bird, and the tower +where dwelt the grand old princess to whom it belonged. +So he kept on his way, still eastward, and came to yet +another passage, which brought him to a door. He was +afraid to open it without first knocking. He knocked, +but heard no answer. He was answered nevertheless; +for the door gently opened, and there was a narrow stair—and +so steep that, big lad as he was, he too, like the +Princess Irene before him, found his hands needful for +the climbing. And it was a long climb, but he reached +the top at last—a little landing, with a door in front and +one on each side. Which should he knock at?</p> + +<p>As he hesitated, he heard the noise of a spinning-wheel. +He knew it at once, because his mother's spinning-wheel +had been his governess long ago, and still +taught him things. It was the spinning-wheel that first +taught him to make verses, and to sing, and to think +whether all was right inside him; or at least it had helped +him in all these things. Hence it was no wonder he +should know a spinning-wheel when he heard it sing—even +although as the bird of paradise to other birds was +the song of that wheel to the song of his mother's.</p> + +<p>He stood listening so entranced that he forgot to +knock, and the wheel went on and on, spinning in his +brain songs and tales and rhymes, till he was almost +asleep as well as dreaming, for sleep does not <i>always</i><span class="pagenum">[22]</span> +come first. But suddenly came the thought of the poor +bird, which had been lying motionless in his hand all the +time, and that woke him up, and at once he knocked.</p> + +<p>"Come in, Curdie," said a voice.</p> + +<p>Curdie shook. It was getting rather awful. The heart +that had never much heeded an army of goblins, trembled +at the soft word of invitation. But then there was the +red-spotted white thing in his hand! He dared not +hesitate, though. Gently he opened the door through +which the sound came, and what did he see? Nothing +at first—except indeed a great sloping shaft of moonlight, +that came in at a high window, and rested on the +floor. He stood and stared at it, forgetting to shut the door.</p> + +<p>"Why don't you come in, Curdie?" said the voice. +"Did you never see moonlight before?"</p> + +<p>"Never without a moon," answered Curdie, in a +trembling tone, but gathering courage.</p> + +<p>"Certainly not," returned the voice, which was thin and +quavering: "<i>I</i> never saw moonlight without a moon."</p> + +<p>"But there's no moon outside," said Curdie.</p> + +<p>"Ah! but you're inside now," said the voice.</p> + +<p>The answer did not satisfy Curdie; but the voice +went on.</p> + +<p>"There are more moons than you know of, Curdie. +Where there is one sun there are many moons—and of +many sorts. Come in and look out of my window, and<span class="pagenum">[23]</span> +you will soon satisfy yourself that there is a moon looking +in at it."</p> + +<p>The gentleness of the voice made Curdie remember +his manners. He shut the door, and drew a step or two +nearer to the moonlight.</p> + +<p>All the time the sound of the spinning had been going +on and on, and Curdie now caught sight of the wheel. +Oh, it was such a thin, delicate thing—reminding him of +a spider's web in a hedge! It stood in the middle of +the moonlight, and it seemed as if the moonlight had +nearly melted it away. A step nearer, he saw, with a +start, two little hands at work with it. And then at last, +in the shadow on the other side of the moonlight which +came like a river between, he saw the form to which the +hands belonged: a small, withered creature, so old that +no age would have seemed too great to write under her +picture, seated on a stool beyond the spinning-wheel, +which looked very large beside her, but, as I said, very +thin, like a long-legged spider holding up its own web, +which was the round wheel itself. She sat crumpled +together, a filmy thing that it seemed a puff would blow +away, more like the body of a fly the big spider had +sucked empty and left hanging in his web, than anything +else I can think of.</p> + +<p>When Curdie saw her, he stood still again, a good deal +in wonder, a very little in reverence, a little in doubt, and,<span class="pagenum">[24]</span> +I must add, a little in amusement at the odd look of the +old marvel. Her grey hair mixed with the moonlight so +that he could not tell where the one began and the other +ended. Her crooked back bent forward over her chest, +her shoulders nearly swallowed up her head between +them, and her two little hands were just like the grey +claws of a hen, scratching at the thread, which to Curdie +was of course invisible across the moonlight. Indeed +Curdie laughed within himself, just a little, at the sight; +and when he thought of how the princess used to talk +about her huge great old grandmother, he laughed more. +But that moment the little lady leaned forward into the +moonlight, and Curdie caught a glimpse of her eyes, and +all the laugh went out of him.</p> + +<p>"What do you come here for, Curdie?" she said, as +gently as before.</p> + +<p>Then Curdie remembered that he stood there as a +culprit, and worst of all, as one who had his confession +yet to make. There was no time to hesitate over it.</p> + +<p>"Oh, ma'am! see here," he said, and advanced a step +or two, holding out the dead pigeon.</p> + +<p>"What have you got there?" she asked.</p> + +<p>Again Curdie advanced a few steps, and held out his +hand with the pigeon, that she might see what it was, +into the moonlight. The moment the rays fell upon it +the pigeon gave a faint flutter. The old lady put out<span class="pagenum">[25]</span> +her old hands and took it, and held it to her bosom, +and rocked it, murmuring over it as if it were a sick baby.</p> + +<p>When Curdie saw how distressed she was he grew +sorrier still, and said,—</p> + +<p>"I didn't mean to do any harm, ma'am. I didn't +think of its being yours."</p> + +<p>"Ah, Curdie! if it weren't mine, what would become +of it now?" she returned. "You say you didn't mean +any harm: did you mean any good, Curdie?"</p> + +<p>"No," answered Curdie.</p> + +<p>"Remember, then, that whoever does not mean good +is always in danger of harm. But I try to give everybody +fair play; and those that are in the wrong are in far +more need of it always than those who are in the right: +they can afford to do without it. Therefore I say for +you that when you shot that arrow you did not know +what a pigeon is. Now that you do know, you are sorry. +It is very dangerous to do things you don't know about."</p> + +<p>"But, please, ma'am—I don't mean to be rude or to +contradict you," said Curdie, "but if a body was never to +do anything but what he knew to be good, he would have +to live half his time doing nothing."</p> + +<p>"There you are much mistaken," said the old quavering +voice. "How little you must have thought! Why, +you don't seem even to know the good of the things you +are constantly doing. Now don't mistake me. I don't<span class="pagenum">[26]</span> +mean you are good for doing them. It is a good thing +to eat your breakfast, but you don't fancy it's very good +of you to do it. The thing is good—not you."</p> + +<p>Curdie laughed.</p> + +<p>"There are a great many more good things than bad +things to do. Now tell me what bad thing you have +done to-day besides this sore hurt to my little white +friend."</p> + +<p>While she talked Curdie had sunk into a sort of reverie, +in which he hardly knew whether it was the old lady or +his own heart that spoke. And when she asked him +that question, he was at first much inclined to consider +himself a very good fellow on the whole. "I really +don't think I did anything else that was very bad all +day," he said to himself. But at the same time he could +not honestly feel that he was worth standing up for. All at +once a light seemed to break in upon his mind, and he +woke up, and there was the withered little atomy of the +old lady on the other side of the moonlight, and there +was the spinning-wheel singing on and on in the middle +of it!</p> + +<p>"I know now, ma'am; I understand now," he said. +"Thank you, ma'am for spinning it into me with your +wheel. I see now that I have been doing wrong the +whole day, and such a many days besides! Indeed, I +don't know when I ever did right, and yet it seems as if I<span class="pagenum">[27]</span> +had done right some time and had forgotten how. When +I killed your bird I did not know I was doing wrong, just +because I was always doing wrong, and the wrong had +soaked all through me."</p> + +<p>"What wrong were you doing all day, Curdie? It is +better to come to the point, you know," said the old lady, +and her voice was gentler even than before.</p> + +<p>"I was doing the wrong of never wanting or trying to +be better. And now I see that I have been letting things +go as they would for a long time. Whatever came into +my head I did, and whatever didn't come into my head +I didn't do. I never sent anything away, and never +looked out for anything to come. I haven't been attending +to my mother—or my father either. And now I +think of it, I know I have often seen them looking +troubled, and I have never asked them what was the +matter. And now I see too that I did not ask because +I suspected it had something to do with me and my +behaviour, and didn't want to hear the truth. And I +know I have been grumbling at my work, and doing a +hundred other things that are wrong."</p> + +<p>"You have got it, Curdie," said the old lady, in a +voice that sounded almost as if she had been crying. +"When people don't care to be better they must be +doing everything wrong. I am so glad you shot my +bird!"<span class="pagenum">[28]</span></p> + +<p>"Ma'am!" exclaimed Curdie. "How <i>can</i> you be?"</p> + +<p>"Because it has brought you to see what sort you +were when you did it, and what sort you will grow to be +again, only worse, if you don't mind. Now that you are +sorry, my poor bird will be better. Look up, my dovey."</p> + +<p>The pigeon gave a flutter, and spread out one of its +red-spotted wings across the old woman's bosom.</p> + +<p>"I will mend the little angel," she said, "and in a +week or two it will be flying again. So you may ease +your heart about the pigeon."</p> + +<p>"Oh, thank you! thank you!" cried Curdie. "I don't +know how to thank you."</p> + +<p>"Then I will tell you. There is only one way I care +for. Do better, and grow better, and be better. And +never kill anything without a good reason for it."</p> + +<p>"Ma'am, I will go and fetch my bow and arrows, and +you shall burn them yourself."</p> + +<p>"I have no fire that would burn your bow and arrows, +Curdie."</p> + +<p>"Then I promise you to burn them all under my +mother's porridge-pot to-morrow morning."</p> + +<p>"No, no, Curdie. Keep them, and practise with +them every day, and grow a good shot. There are plenty +of bad things that want killing, and a day will come when +they will prove useful. But I must see first whether you +will do as I tell you."<span class="pagenum">[29]</span></p> + +<p>"That I will!" said Curdie. "What is it, ma'am?"</p> + +<p>"Only something not to do," answered the old lady; +"if you should hear any one speak about me, never to +laugh or make fun of me."</p> + +<p>"Oh, ma'am!" exclaimed Curdie, shocked that she +should think such a request needful.</p> + +<p>"Stop, stop," she went on. "People hereabout sometimes +tell very odd and in fact ridiculous stories of an +old woman who watches what is going on, and occasionally +interferes. They mean me, though what they +say is often great nonsense. Now what I want of you is +not to laugh, or side with them in any way; because +they will take that to mean that you don't believe there +is any such person a bit more than they do. Now that +would not be the case—would it, Curdie?"</p> + +<p>"No indeed, ma'am. I've seen you."</p> + +<p>The old woman smiled very oddly.</p> + +<p>"Yes, you've seen me," she said. "But mind," she +continued, "I don't want you to say anything—only +to hold your tongue, and not seem to side with them."</p> + +<p>"That will be easy," said Curdie, "now that I've seen +you with my very own eyes, ma'am."</p> + +<p>"Not so easy as you think, perhaps," said the old +lady, with another curious smile. "I want to be your +friend," she added after a little pause, "but I don't quite +know yet whether you will let me."<span class="pagenum">[30]</span></p> + +<p>"Indeed I will, ma'am," said Curdie.</p> + +<p>"That is for me to find out," she rejoined, with yet +another strange smile. "In the meantime all I can say +is, come to me again when you find yourself in any trouble, +and I will see what I can do for you—only the <i>canning</i> +depends on yourself. I am greatly pleased with you +for bringing me my pigeon, doing your best to set right +what you had set wrong."</p> + +<p>As she spoke she held out her hand to him, and +when he took it she made use of his to help herself +up from her stool, and—when or how it came +about, Curdie could not tell—the same instant she +stood before him a tall, strong woman—plainly very old, +but as grand as she was old, and only <i>rather</i> severe-looking. +Every trace of the decrepitude and witheredness +she showed as she hovered like a film about her wheel, +had vanished. Her hair was very white, but it hung +about her head in great plenty, and shone like silver in +the moonlight. Straight as a pillar she stood before the +astonished boy, and the wounded bird had now spread out +both its wings across her bosom, like some great mystical +ornament of frosted silver.</p> + +<p>"Oh, now I can never forget you!" cried Curdie. "I +see now what you really are!"</p> + +<div class="figcenter"> +<img src="images/gs03.jpg" alt="gs03" /> +</div> + +<p class="caption"><i>"The wounded bird now spread out both its wings across her bosom."</i></p> + +<br clear="all" /> + +<p>"Did I not tell you the truth when I sat at my wheel?" said the old lady.</p> + +<p><span class="pagenum">[31]</span></p><p>"Yes, ma'am," answered Curdie.</p> + +<p>"I can do no more than tell you the truth now," she +rejoined. "It is a bad thing indeed to forget one +who has told us the truth. Now go."</p> + +<p>Curdie obeyed, and took a few steps towards the door.</p> + +<p>"Please, ma'am,"—"what am I to call you?" he was +going to say; but when he turned to speak, he saw +nobody. Whether she was there or not he could not +tell, however, for the moonlight had vanished, and the +room was utterly dark. A great fear, such as he had +never before known, came upon him, and almost overwhelmed +him. He groped his way to the door, and +crawled down the stair—in doubt and anxiety as to how +he should find his way out of the house in the dark. And +the stair seemed ever so much longer than when he came +up. Nor was that any wonder, for down and down he +went, until at length his foot struck on a door, and when +he rose and opened it, he found himself under the starry, +moonless sky at the foot of the tower. He soon discovered +the way out of the garden, with which he had +some acquaintance already, and in a few minutes was +climbing the mountain with a solemn and cheerful heart. +It was rather dark, but he knew the way well. As he +passed the rock from which the poor pigeon fell wounded +with his arrow, a great joy filled his heart at the thought +that he was delivered from the blood of the little bird,<span class="pagenum">[32]</span> +and he ran the next hundred yards at full speed up +the hill. Some dark shadows passed him: he did +not even care to think what they were, but let them +run. When he reached home, he found his father and +mother waiting supper for him.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[33]</span></p> + +<h2><a name="CHAPTER_IV" id="CHAPTER_IV"></a>CHAPTER IV.</h2> + +<p class="h2">CURDIE'S FATHER AND MOTHER.</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HE</span> +eyes of the fathers and mothers are +quick to read their children's looks, and +when Curdie entered the cottage, his +parents saw at once that something unusual +had taken place. When he said to his mother, +"I beg your pardon for being so late," there was +something in the tone beyond the politeness that went +to her heart, for it seemed to come from the place where +all lovely things were born before they began to grow +in this world. When he set his father's chair to the table, +an attention he had not shown him for a long time, +Peter thanked him with more gratitude than the boy +had ever yet felt in all his life. It was a small thing +to do for the man who had been serving him since ever +he was born, but I suspect there is nothing a man can be +so grateful for as that to which he has the most right. +There was a change upon Curdie, and father and mother<span class="pagenum">[34]</span> +felt there must be something to account for it, and +therefore were pretty sure he had something to tell them. +For when a child's heart is <i>all</i> right, it is not likely he +will want to keep anything from his parents. But the +story of the evening was too solemn for Curdie to come +out with all at once. He must wait until they had had +their porridge, and the affairs of this world were over for +the day. But when they were seated on the grassy bank +of the brook that went so sweetly blundering over the +great stones of its rocky channel, for the whole meadow +lay on the top of a huge rock, then he felt that the right +hour had come for sharing with them the wonderful +things that had come to him. It was perhaps the +loveliest of all hours in the year. The summer was +young and soft, and this was the warmest evening they +had yet had—dusky, dark even below, while above the +stars were bright and large and sharp in the blackest blue +sky. The night came close around them, clasping them +in one universal arm of love, and although it neither +spoke nor smiled, seemed all eye and ear, seemed to see +and hear and know everything they said and did. It is +a way the night has sometimes, and there is a reason for +it. The only sound was that of the brook, for there was +no wind, and no trees for it to make its music upon if +there had been, for the cottage was high up on the +mountain, on a great shoulder of stone where trees would<span class="pagenum">[35]</span> +not grow. There, to the accompaniment of the water, as +it hurried down to the valley and the sea, talking +busily of a thousand true things which it could not +understand, Curdie told his tale, outside and in, to his +father and mother. What a world had slipped in +between the mouth of the mine and his mother's cottage! +Neither of them said a word until he had ended.</p> + +<p>"Now what am I to make of it, mother? It's so +strange!" he said, and stopped.</p> + +<p>"It's easy enough to see what Curdie has got to make +of it—isn't it, Peter?" said the good woman, turning her +face towards all she could see of her husband's.</p> + +<p>"It seems so to me," answered Peter, with a smile, +which only the night saw, but his wife felt in the tone +of his words. They were the happiest couple in that +country, because they always understood each other, +and that was because they always meant the same thing, +and that was because they always loved what was fair +and true and right better—not than anything else, but +than everything else put together.</p> + +<p>"Then will you tell Curdie?" said she.</p> + +<p>"You can talk best, Joan," said he. "You tell him, +and I will listen—and learn how to say what I think," +he added, laughing.</p> + +<p>"<i>I</i>," said Curdie, "don't know what to think."</p> + +<p>"It does not matter so much," said his mother. "If<span class="pagenum">[36]</span> +only you know what to make of a thing, you'll know +soon enough what to think of it. Now I needn't +tell you, surely, Curdie, what you've got to do with +this?"</p> + +<p>"I suppose you mean, mother," answered Curdie, +"that I must do as the old lady told me?"</p> + +<p>"That is what I mean: what else could it be? Am +I not right, Peter?"</p> + +<p>"Quite right, Joan," answered Peter, "so far as my +judgment goes. It is a very strange story, but you see +the question is not about believing it, for Curdie +knows what came to him."</p> + +<p>"And you remember, Curdie," said his mother, "that +when the princess took you up that tower once before, +and there talked to her great-great-grandmother, you +came home quite angry with her, and said there was +nothing in the place but an old tub, a heap of straw—oh, +I remember your inventory quite well!—an old tub, +a heap of straw, a withered apple, and a sunbeam. According +to your eyes, that was all there was in the great +old musty garret. But now you have had a glimpse of +the old princess herself!"</p> + +<p>"Yes, mother, I <i>did</i> see her—or if I didn't,—" said +Curdie very thoughtfully—then began again. "The +hardest thing to believe, though I saw it with my own +eyes, was when the thin, filmy creature, that seemed<span class="pagenum">[37]</span> +almost to float about in the moonlight like a bit of the +silver paper they put over pictures, or like a handkerchief +made of spider-threads, took my hand, and rose up. She +was taller and stronger than you, mother, ever so much!—at +least, she looked so."</p> + +<p>"And most certainly was so, Curdie, if she looked so," +said Mrs. Peterson.</p> + +<p>"Well, I confess," returned her son, "that one thing, +if there were no other, would make me doubt whether I +was not dreaming after all, for as wide awake as I +fancied myself to be."</p> + +<p>"Of course," answered his mother, "it is not for me +to say whether you were dreaming or not if you are doubtful +of it yourself; but it doesn't make me think I am +dreaming when in the summer I hold in my hand the +bunch of sweet-peas that make my heart glad with their +colour and scent, and remember the dry, withered-looking +little thing I dibbled into the hole in the same spot in +the spring. I only think how wonderful and lovely it all +is. It seems just as full of reason as it is of wonder. +How it is done I can't tell, only there it is! And there +is this in it too, Curdie—of which you would not be so +ready to think—that when you come home to your +father and mother, and they find you behaving more like a +dear good son than you have behaved for a long time, they +at least are not likely to think you were only dreaming."<span class="pagenum">[38]</span></p> + +<p>"Still," said Curdie, looking a little ashamed, "I +might have dreamed my duty."</p> + +<p>"Then dream often, my son; for there must then be +more truth in your dreams than in your waking thoughts. +But however any of these things may be, this one point +remains certain: there can be no harm in doing as she +told you. And, indeed, until you are sure there is no +such person, you are bound to do it, for you promised."</p> + +<p>"It seems to me," said his father, "that if a lady +comes to you in a dream, Curdie, and tells you not to +talk about her when you wake, the least you can do is to +hold your tongue."</p> + +<p>"True, father!—Yes, mother, I'll do it," said Curdie.</p> + +<p>Then they went to bed, and sleep, which is the night +of the soul, next took them in its arms and made them +well.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[39]</span></p> + +<h2><a name="CHAPTER_V" id="CHAPTER_V"></a>CHAPTER V.</h2> + +<p class="h2">THE MINERS.</p> + +<img class="dropimg" src="images/drop_i.jpg" alt="I" /> +<p class="noin"><span style="font-weight:bold">T</span> +much increased Curdie's feeling of the +strangeness of the whole affair, that, the +next morning, when they were at work +in the mine, the party of which he +and his father were two, just as if they had known +what had happened to him the night before, began +talking about all manner of wonderful tales that were +abroad in the country, chiefly of course those connected +with the mines, and the mountains in which they +lay. Their wives and mothers and grandmothers were +their chief authorities. For when they sat by their +firesides they heard their wives telling their children the +selfsame tales, with little differences, and here and there +one they had not heard before, which they had heard +their mothers and grandmothers tell in one or other +of the same cottages. At length they came to speak of a +certain strange being they called Old Mother Wotherwop.<span class="pagenum">[40]</span> +Some said their wives had seen her. It appeared as +they talked that not one had seen her more than once. +Some of their mothers and grandmothers, however, had +seen her also, and they all had told them tales about her +when they were children. They said she could take any +shape she liked, but that in reality she was a withered +old woman, so old and so withered that she was as thin +as a sieve with a lamp behind it; that she was never +seen except at night, and when something terrible had +taken place, or was going to take place—such as the +falling in of the roof of a mine, or the breaking out of +water in it. She had more than once been seen—it was +always at night—beside some well, sitting on the brink +of it, and leaning over and stirring it with her forefinger, +which was six times as long as any of the rest. And +whoever for months after drank of that well was sure to +be ill. To this one of them, however, added that he +remembered his mother saying that whoever in bad +health drank of the well was sure to get better. But the +majority agreed that the former was the right version of +the story—for was she not a witch, an old hating witch, +whose delight was to do mischief? One said he had +heard that she took the shape of a young woman sometimes, +as beautiful as an angel, and then was most +dangerous of all, for she struck every man who looked +upon her stone-blind. Peter ventured the question<span class="pagenum">[41]</span> +whether she might not as likely be an angel that took the +form of an old woman, as an old woman that took the form +of an angel. But nobody except Curdie, who was holding +his peace with all his might, saw any sense in the question. +They said an old woman might be very glad to make +herself look like a young one, but who ever heard of a +young and beautiful one making herself look old and +ugly? Peter asked why they were so much more ready +to believe the bad that was said of her than the good. +They answered because she was bad. He asked why +they believed her to be bad, and they answered, because +she did bad things. When he asked how they knew +that, they said, because she was a bad creature. Even if +they didn't know it, they said, a woman like that was so +much more likely to be bad than good. Why did she +go about at night? Why did she appear only now and +then, and on such occasions? One went on to tell how +one night when his grandfather had been having a jolly +time of it with his friends in the market town, she had +served him so upon his way home that the poor man +never drank a drop of anything stronger than water after it +to the day of his death. She dragged him into a bog, and +tumbled him up and down in it till he was nearly dead.</p> + +<p>"I suppose that was her way of teaching him what +a good thing water was," said Peter; but the man, who +liked strong drink, did not see the joke.<span class="pagenum">[42]</span></p> + +<p>"They do say," said another, "that she has lived in +the old house over there ever since the little princess left +it. They say too that the housekeeper knows all about +it, and is hand and glove with the old witch. I don't +doubt they have many a nice airing together on broomsticks. +But I don't doubt either it's all nonsense, and +there's no such person at all."</p> + +<p>"When our cow died," said another, "she was seen +going round and round the cowhouse the same night. +To be sure she left a fine calf behind her—I mean +the cow did, not the witch. I wonder she didn't +kill that too, for she'll be a far finer cow than ever +her mother was."</p> + +<p>"My old woman came upon her one night, not long +before the water broke out in the mine, sitting on a stone +on the hill-side with a whole congregation of cobs about +her. When they saw my wife they all scampered off as +fast as they could run, and where the witch was sitting +there was nothing to be seen but a withered bracken +bush. I make no doubt myself she was putting them up +to it."</p> + +<p>And so they went on with one foolish tale after +another, while Peter put in a word now and then, and +Curdie diligently held his peace. But his silence at last +drew attention upon it, and one of them said,—</p> + +<p>"Come, young Curdie, what are you thinking of?"<span class="pagenum">[43]</span></p> + +<p>"How do you know I'm thinking of anything?" asked +Curdie.</p> + +<p>"Because you're not saying anything."</p> + +<p>"Does it follow then that, as you are saying so much, +you're not thinking at all?" said Curdie.</p> + +<p>"I know what he's thinking," said one who had +not yet spoken; "—he's thinking what a set of fools +you are to talk such rubbish; as if ever there was or +could be such an old woman as you say! I'm sure +Curdie knows better than all that comes to."</p> + +<p>"I think," said Curdie, "it would be better that he +who says anything about her should be quite sure it +is true, lest she should hear him, and not like to be +slandered."</p> + +<p>"But would she like it any better if it were true?" +said the same man. "If she is what they say—I +don't know—but I never knew a man that wouldn't +go in a rage to be called the very thing he was."</p> + +<p>"If bad things were true of her, and I <i>knew</i> it," said +Curdie, "I would not hesitate to say them, for I will +never give in to being afraid of anything that's bad. I +suspect that the things they tell, however, if we knew all +about them, would turn out to have nothing but good in +them; and I won't say a word more for fear I should say +something that mightn't be to her mind."</p> + +<p>They all burst into a loud laugh.<span class="pagenum">[44]</span></p> + +<p>"Hear the parson!" they cried. "He believes in the +witch! Ha! ha!"</p> + +<p>"He's afraid of her!"</p> + +<p>"And says all she does is good!"</p> + +<p>"He wants to make friends with her, that she may help +him to find the gangue."</p> + +<p>"Give me my own eyes and a good divining rod before +all the witches in the world! and so I'd advise you too, +Master Curdie; that is, when your eyes have grown to be +worth anything, and you have learned to cut the hazel fork."</p> + +<p>Thus they all mocked and jeered at him, but he did +his best to keep his temper and go quietly on with his +work. He got as close to his father as he could, however, +for that helped him to bear it. As soon as they +were tired of laughing and mocking, Curdie was friendly +with them, and long before their midday meal all between +them was as it had been.</p> + +<p>But when the evening came, Peter and Curdie felt that +they would rather walk home together without other +company, and therefore lingered behind when the rest of +the men left the mine.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[45]</span></p> + +<h2><a name="CHAPTER_VI" id="CHAPTER_VI"></a>CHAPTER VI.</h2> + +<p class="h2">THE EMERALD.</p> + +<img class="dropimg" src="images/drop_f.jpg" alt="F" /> +<p class="noin"><span style="font-weight:bold">ATHER</span> +and son had seated themselves +on a projecting piece of the rock at a +corner where three galleries met—the one +they had come along from their work, one +to the right leading out of the mountain, and the +other to the left leading far into a portion of it +which had been long disused. Since the inundation +caused by the goblins, it had indeed been rendered impassable +by the settlement of a quantity of the water, +forming a small but very deep lake, in a part where was +a considerable descent. They had just risen and were +turning to the right, when a gleam caught their eyes, and +made them look along the whole gangue. Far up they +saw a pale green light, whence issuing they could not +tell, about halfway between floor and roof of the passage. +They saw nothing but the light, which was like a large +star, with a point of darker colour yet brighter radiance<span class="pagenum">[46]</span> +in the heart of it, whence the rest of the light shot out in +rays that faded towards the ends until they vanished. It +shed hardly any light around it, although in itself it was +so bright as to sting the eyes that beheld it. Wonderful +stories had from ages gone been current in the mines +about certain magic gems which gave out light of themselves, +and this light looked just like what might be supposed +to shoot from the heart of such a gem. They +went up the old gallery to find out what it could be.</p> + +<p>To their surprise they found, however, that, after +going some distance, they were no nearer to it, so far as +they could judge, than when they started. It did +not seem to move, and yet they moving did not +approach it. Still they persevered, for it was far too +wonderful a thing to lose sight of so long as they could +keep it. At length they drew near the hollow where the +water lay, and still were no nearer the light. Where +they expected to be stopped by the water, however, water +was none: something had taken place in some part of +the mine that had drained it off, and the gallery lay open +as in former times. And now, to their surprise, the light, +instead of being in front of them, was shining at the same +distance to the right, where they did not know there was +any passage at all. Then they discovered, by the light +of the lanterns they carried, that there the water had +broken through, and made an adit to a part of the moun<span class="pagenum">[47]</span>tain +of which Peter knew nothing. But they were hardly +well into it, still following the light, before Curdie +thought he recognised some of the passages he had so +often gone through when he was watching the goblins. +After they had advanced a long way, with many turnings, +now to the right, now to the left, all at once their eyes +seemed to come suddenly to themselves, and they became +aware that the light which they had taken to be a great +way from them was in reality almost within reach of their +hands. The same instant it began to grow larger and +thinner, the point of light grew dim as it spread, the +greenness melted away, and in a moment or two, instead +of the star, a dark, dark and yet luminous face was looking +at them with living eyes. And Curdie felt a great +awe swell up in his heart, for he thought he had seen +those eyes before.</p> + +<p>"I see you know me, Curdie," said a voice.</p> + +<p>"If your eyes are you, ma'am, then I know you," said +Curdie. "But I never saw your face before."</p> + +<p>"Yes, you have seen it, Curdie," said the voice.</p> + +<p>And with that the darkness of its complexion melted +away, and down from the face dawned out the form that +belonged to it, until at last Curdie and his father beheld +a lady, "beautiful exceedingly," dressed in something pale +green, like velvet, over which her hair fell in cataracts of +a rich golden colour. It looked as if it were pouring<span class="pagenum">[48]</span> +down from her head, and, like the water of the Dustbrook, +vanishing in a golden vapour ere it reached the +floor. It came flowing from under the edge of a coronet +of gold, set with alternated pearls and emeralds. In +front of the crown was a great emerald, which looked +somehow as if out of it had come the light they had +followed. There was no ornament else about her, except +on her slippers, which were one mass of gleaming emeralds, +of various shades of green, all mingling lovely like the +waving of grass in the wind and sun. She looked about +five-and-twenty years old. And for all the difference, +Curdie knew somehow or other, he could not have told +how, that the face before him was that of the old princess, +Irene's great-great-grandmother.</p> + +<p>By this time all around them had grown light, and +now first they could see where they were. They stood +in a great splendid cavern, which Curdie recognised as +that in which the goblins held their state assemblies. +But, strange to tell, the light by which they saw came +streaming, sparkling, and shooting from stones of many +colours in the sides and roof and floor of the cavern—stones +of all the colours of the rainbow, and many more. +It was a glorious sight—the whole rugged place flashing +with colours—in one spot a great light of deep carbuncular +red, in another of sapphirine blue, in another of +topaz-yellow; while here and there were groups of stones<span class="pagenum">[49]</span> +of all hues and sizes, and again nebulous spaces of thousands +of tiniest spots of brilliancy of every conceivable +shade. Sometimes the colours ran together, and made a +little river or lake of lambent interfusing and changing +tints, which, by their variegation, seemed to imitate the +flowing of water, or waves made by the wind. Curdie +would have gazed entranced, but that all the beauty of +the cavern, yes, of all he knew of the whole creation, +seemed gathered in one centre of harmony and loveliness +in the person of the ancient lady who stood before him +in the very summer of beauty and strength. Turning +from the first glance at the circumfulgent splendour, it +dwindled into nothing as he looked again at the lady. +Nothing flashed or glowed or shone about her, and yet +it was with a prevision of the truth that he said,—</p> + +<p>"I was here once before, ma'am."</p> + +<p>"I know that, Curdie," she replied.</p> + +<p>"The place was full of torches, and the walls gleamed, +but nothing as they do now, and there is no light in the +place."</p> + +<p>"You want to know where the light comes from?" she +said, smiling.</p> + +<p>"Yes, ma'am."</p> + +<p>"Then see: I will go out of the cavern. Do not be +afraid, but watch."</p> + +<p>She went slowly out. The moment she turned her<span class="pagenum">[50]</span> +back to go, the light began to pale and fade; the +moment she was out of their sight the place was +black as night, save that now the smoky yellow-red +of their lamps, which they thought had gone out long +ago, cast a dusky glimmer around them.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[51]</span></p> + +<h2><a name="CHAPTER_VII" id="CHAPTER_VII"></a>CHAPTER VII.</h2> + +<p class="h2">WHAT <i>IS</i> IN A NAME?</p> + +<img class="dropimg" src="images/drop_f.jpg" alt="F" /> +<p class="noin"><span style="font-weight:bold">OR</span> +a time that seemed to them long, the +two men stood waiting, while still the +Mother of Light did not return. So long +was she absent that they began to grow +anxious: how were they to find their way from the +natural hollows of the mountain crossed by goblin +paths, if their lamps should go out? To spend the +night there would mean to sit and wait until an earthquake +rent the mountain, or the earth herself fell back +into the smelting furnace of the sun whence she had +issued—for it was all night and no faintest dawn in the +bosom of the world. So long did they wait unrevisited, +that, had there not been two of them, either would at +length have concluded the vision a home-born product of +his own seething brain. And their lamps <i>were</i> going out, +for they grew redder and smokier! But they did not lose +courage, for there is a kind of capillary attraction in the<span class="pagenum">[52]</span> +facing of two souls, that lifts faith quite beyond the level +to which either could raise it alone: they knew that they +had seen the lady of emeralds, and it was to give them +their own desire that she had gone from them, and +neither would yield for a moment to the half-doubts and +half-dreads that awoke in his heart. And still she who +with her absence darkened their air did not return. They +grew weary, and sat down on the rocky floor, for wait +they would—indeed, wait they must. Each set his lamp +by his knee, and watched it die. Slowly it sank, dulled, +looked lazy and stupid. But ever as it sank and dulled, +the image in his mind of the Lady of Light grew +stronger and clearer. Together the two lamps panted +and shuddered. First one, then the other went out, +leaving for a moment a great red, evil-smelling snuff. +Then all was the blackness of darkness up to their very +hearts and everywhere around them. Was it? No. Far +away—it looked miles away—shone one minute faint +point of green light—where, who could tell? They +only knew that it shone. It grew larger, and seemed to +draw nearer, until at last, as they watched with speechless +delight and expectation, it seemed once more within +reach of an outstretched hand. Then it spread and +melted away as before, and there were eyes—and a face—and +a lovely form—and lo! the whole cavern blazing +with lights innumerable, and gorgeous, yet soft and inter<span class="pagenum">[53]</span>fused—so +blended, indeed, that the eye had to search and +see in order to separate distinct spots of special colour.</p> + +<p>The moment they saw the speck in the vast distance +they had risen and stood on their feet. When it came +nearer they bowed their heads. Yet now they looked +with fearless eyes, for the woman that was old and yet +young was a joy to see, and filled their hearts with +reverent delight. She turned first to Peter.</p> + +<p>"I have known you long," she said. "I have met you +going to and from the mine, and seen you working in it +for the last forty years."</p> + +<p>"How should it be, madam, that a grand lady like +you should take notice of a poor man like me?" said +Peter, humbly, but more foolishly than he could then have +understood.</p> + +<p>"I am poor as well as rich," said she. "I too work +for my bread, and I show myself no favour when I pay +myself my own wages. Last night when you sat by the +brook, and Curdie told you about my pigeon, and my +spinning, and wondered whether he could believe that +he had actually seen me, I heard all you said to each +other. I am always about, as the miners said the other +night when they talked of me as Old Mother Wotherwop."</p> + +<p>The lovely lady laughed, and her laugh was a lightning +of delight in their souls.</p> + +<p>"Yes," she went on, "you have got to thank me that<span class="pagenum">[54]</span> +you are so poor, Peter. I have seen to that, and it has +done well for both you and me, my friend. Things come +to the poor that can't get in at the door of the rich. +Their money somehow blocks it up. It is a great +privilege to be poor, Peter—one that no man ever +coveted, and but a very few have sought to retain, +but one that yet many have learned to prize. You must +not mistake, however, and imagine it a virtue; it is but +a privilege, and one also that, like other privileges, may +be terribly misused. Hadst thou been rich, my Peter, +thou wouldst not have been so good as some rich men I +know. And now I am going to tell you what no one +knows but myself: you, Peter, and your wife have both +the blood of the royal family in your veins. I have been +trying to cultivate your family tree, every branch of which +is known to me, and I expect Curdie to turn out a +blossom on it. Therefore I have been training him for +a work that must soon be done. I was near losing him, +and had to send my pigeon. Had he not shot it, that +would have been better; but he repented, and that shall +be as good in the end."</p> + +<p>She turned to Curdie and smiled.</p> + +<p>"Ma'am," said Curdie, "may I ask questions?"</p> + +<p>"Why not, Curdie?"</p> + +<p>"Because I have been told, ma'am, that nobody must +ask the king questions."<span class="pagenum">[55]</span></p> + +<p>"The king never made that law," she answered, +with some displeasure. "You may ask me as many +as you please—that is, so long as they are sensible. +Only I may take a few thousand years to answer +some of them. But that's nothing. Of all things time +is the cheapest."</p> + +<p>"Then would you mind telling me now, ma'am, for I +feel very confused about it—are you the Lady of the +Silver Moon?"</p> + +<p>"Yes, Curdie; you may call me that if you like. +What it means is true."</p> + +<p>"And now I see you dark, and clothed in green, and +the mother of all the light that dwells in the stones +of the earth! And up there they call you Old +Mother Wotherwop! And the Princess Irene told +me you were her great-great-grandmother! And you +spin the spider-threads, and take care of a whole +people of pigeons; and you are worn to a pale +shadow with old age; and are as young as anybody +can be, not to be too young; and as strong, I do +believe, as I am."</p> + +<p>The lady stooped towards a large green stone bedded +in the rock of the floor, and looking like a well of grassy +light in it. She laid hold of it with her fingers, broke it +out, and gave it to Peter.</p> + +<p>"There!" cried Curdie, "I told you so. Twenty<span class="pagenum">[56]</span> +men could not have done that. And your fingers are +white and smooth as any lady's in the land. I don't +know what to make of it."</p> + +<p>"I could give you twenty names more to call me, +Curdie, and not one of them would be a false one. What +does it matter how many names if the person is one?"</p> + +<p>"Ah! but it is not names only, ma'am. Look at +what you were like last night, and what I see you +now!"</p> + +<p>"Shapes are only dresses, Curdie, and dresses are only +names. That which is inside is the same all the time."</p> + +<p>"But then how can all the shapes speak the truth?"</p> + +<p>"It would want thousands more to speak the truth, +Curdie; and then they could not. But there is a point +I must not let you mistake about. It is one thing the +shape I choose to put on, and quite another the shape +that foolish talk and nursery tale may please to put upon +me. Also, it is one thing what you or your father may +think about me, and quite another what a foolish or bad +man may see in me. For instance, if a thief were to +come in here just now, he would think he saw the demon +of the mine, all in green flames, come to protect her +treasure, and would run like a hunted wild goat. I +should be all the same, but his evil eyes would see me as +I was not."</p> + +<p>"I think I understand," said Curdie.<span class="pagenum">[57]</span></p> + +<p>"Peter," said the lady, turning then to him, "you will +have to give up Curdie for a little while."</p> + +<p>"So long as he loves us, ma'am, that will not matter—much."</p> + +<p>"Ah! you are right there, my friend," said the beautiful +princess.</p> + +<p>And as she said it she put out her hand, and took the +hard, horny hand of the miner in it, and held it for a +moment lovingly.</p> + +<p>"I need say no more," she added, "for we understand +each other—you and I, Peter."</p> + +<p>The tears came into Peter's eyes. He bowed his head +in thankfulness, and his heart was much too full to +speak.</p> + +<p>Then the great old young beautiful princess turned to +Curdie.</p> + +<p>"Now, Curdie, are you ready?" she said.</p> + +<p>"Yes, ma'am," answered Curdie.</p> + +<p>"You do not know what for."</p> + +<p>"You do, ma'am. That is enough."</p> + +<p>"You could not have given me a better answer, or +done more to prepare yourself, Curdie," she returned, +with one of her radiant smiles. "Do you think you will +know me again?"</p> + +<p>"I think so. But how can I tell what you may look +like next?"<span class="pagenum">[58]</span></p> + +<p>"Ah, that indeed! How can you tell? Or how could +I expect you should? But those who know me <i>well</i>, +know me whatever new dress or shape or name I may be +in; and by-and-by you will have learned to do so too."</p> + +<p>"But if you want me to know you again, ma'am, for +certain sure," said Curdie, "could you not give me some +sign, or tell me something about you that never changes—or +some other way to know you, or thing to know +you by?"</p> + +<p>"No, Curdie; that would be to keep you from knowing +me. You must know me in quite another way from +that. It would not be the least use to you or me either +if I were to make you know me in that way. It would +be but to know the sign of me—not to know me myself. +It would be no better than if I were to take this emerald +out of my crown and give it you to take home with you, +and you were to call it me, and talk to it as if it heard +and saw and loved you. Much good that would do you, +Curdie! No; you must do what you can to know me, +and if you do, you will. You shall see me again—in +very different circumstances from these, and, I will tell +you so much, it <i>may</i> be in a very different shape. But +come now, I will lead you out of this cavern; my good +Joan will be getting too anxious about you. One word +more: you will allow that the men knew little what they +were talking about this morning, when they told all those<span class="pagenum">[59]</span> +tales of Old Mother Wotherwop; but did it occur to you +to think how it was they fell to talking about me at all?—It +was because I came to them; I was beside them all the +time they were talking about me, though they were far +enough from knowing it, and had very little besides +foolishness to say."</p> + +<p>As she spoke she turned and led the way from the +cavern, which, as if a door had been closed, sunk into +absolute blackness behind them. And now they saw +nothing more of the lady except the green star, which +again seemed a good distance in front of them, and to +which they came no nearer, although following it at a +quick pace through the mountain. Such was their confidence +in her guidance, however, and so fearless were +they in consequence, that they felt their way neither with +hand nor foot, but walked straight on through the pitch +dark galleries. When at length the night of the upper +world looked in at the mouth of the mine, the green +light seemed to lose its way amongst the stars, and they +saw it no more.</p> + +<p>Out they came into the cool, blessed night. It was +very late, and only starlight. To their surprise, three +paces away they saw, seated upon a stone, an old +countrywoman, in a cloak which they took for black. +When they came close up to it, they saw it was red.</p> + +<p>"Good evening!" said Peter.<span class="pagenum">[60]</span></p> + +<p>"Good evening!" returned the old woman, in a +voice as old as herself.</p> + +<p>But Curdie took off his cap and said,—</p> + +<p>"I am your servant, princess."</p> + +<p>The old woman replied,—</p> + +<p>"Come to me in the dove-tower to-morrow night, +Curdie—alone."</p> + +<p>"I will, ma'am," said Curdie.</p> + +<p>So they parted, and father and son went home to wife +and mother—two persons in one rich, happy woman.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[61]</span></p> + +<h2><a name="CHAPTER_VIII" id="CHAPTER_VIII"></a>CHAPTER VIII.</h2> + +<p class="h2">CURDIE'S MISSION.</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HE</span> +next night Curdie went home from the +mine a little earlier than usual, to make +himself tidy before going to the dove-tower. +The princess had not appointed +an exact time for him to be there; he would go as +near the time he had gone first as he could. On +his way to the bottom of the hill, he met his father +coming up. The sun was then down, and the warm +first of the twilight filled the evening. He came rather +wearily up the hill: the road, he thought, must have +grown steeper in parts since he was Curdie's age. His +back was to the light of the sunset, which closed him all +round in a beautiful setting, and Curdie thought what a +grand-looking man his father was, even when he was +tired. It is greed and laziness and selfishness, not +hunger or weariness or cold, that take the dignity out of +a man, and make him look mean.<span class="pagenum">[62]</span></p> + +<p>"Ah, Curdie! there you are!" he said, seeing his son +come bounding along as if it were morning with him and +not evening.</p> + +<p>"You look tired, father," said Curdie.</p> + +<p>"Yes, my boy. I'm not so young as you."</p> + +<p>"Nor so old as the princess," said Curdie.</p> + +<p>"Tell me this," said Peter: "why do people talk +about going down hill when they begin to get old? +It seems to me that then first they begin to go +up hill."</p> + +<p>"You looked to me, father, when I caught sight of +you, as if you had been climbing the hill all your life, +and were soon to get to the top."</p> + +<p>"Nobody can tell when that will be," returned Peter. +"We're so ready to think we're just at the top when it +lies miles away. But I must not keep you, my boy, for +you are wanted; and we shall be anxious to know what +the princess says to you—that is, if she will allow you to +tell us."</p> + +<p>"I think she will, for she knows there is nobody more +to be trusted than my father and mother," said Curdie, +with pride.</p> + +<p>And away he shot, and ran, and jumped, and seemed +almost to fly down the long, winding, steep path, until +he came to the gate of the king's house.</p> + +<p>There he met an unexpected obstruction: in the open<span class="pagenum">[63]</span> +door stood the housekeeper, and she seemed to broaden +herself out until she almost filled the doorway.</p> + +<p>"So!" she said; "it's you, is it, young man? You +are the person that comes in and goes out when he +pleases, and keeps running up and down my stairs, without +ever saying by your leave, or even wiping his shoes, +and always leaves the door open! Don't you know that +this is my house?"</p> + +<p>"No, I do not," returned Curdie, respectfully. "You +forget, ma'am, that it is the king's house."</p> + +<p>"That is all the same. The king left it to me to take +care of, and that you shall know!"</p> + +<p>"Is the king dead, ma'am, that he has left it to you?" +asked Curdie, half in doubt from the self-assertion of the +woman.</p> + +<p>"Insolent fellow!" exclaimed the housekeeper. "Don't +you see by my dress that I am in the king's service?"</p> + +<p>"And am I not one of his miners?"</p> + +<p>"Ah! that goes for nothing. I am one of his household. +You are an out-of-doors labourer. You are a +nobody. You carry a pickaxe. I carry the keys at my +girdle. See!"</p> + +<p>"But you must not call one a nobody to whom the +king has spoken," said Curdie.</p> + +<p>"Go along with you!" cried the housekeeper, and +would have shut the door in his face, had she not been<span class="pagenum">[64]</span> +afraid that when she stepped back he would step in ere +she could get it in motion, for it was very heavy, and +always seemed unwilling to shut. Curdie came a pace +nearer. She lifted the great house key from her side, +and threatened to strike him down with it, calling aloud +on Mar and Whelk and Plout, the men-servants under +her, to come and help her. Ere one of them could +answer, however, she gave a great shriek and turned and +fled, leaving the door wide open.</p> + +<p>Curdie looked behind him, and saw an animal whose +gruesome oddity even he, who knew so many of the +strange creatures, two of which were never the same, +that used to live inside the mountain with their masters +the goblins, had never seen equalled. Its eyes were +flaming with anger, but it seemed to be at the housekeeper, +for it came cowering and creeping up, and laid +its head on the ground at Curdie's feet. Curdie hardly +waited to look at it, however, but ran into the house, +eager to get up the stairs before any of the men should +come to annoy—he had no fear of their preventing him. +Without halt or hindrance, though the passages were +nearly dark, he reached the door of the princess's workroom, +and knocked.</p> + +<p>"Come in," said the voice of the princess.</p> + +<p>Curdie opened the door,—but, to his astonishment, +saw no room there. Could he have opened a wrong<span class="pagenum">[65]</span> +door? There was the great sky, and the stars, and beneath +he could see nothing—only darkness! But what +was that in the sky, straight in front of him? A great wheel +of fire, turning and turning, and flashing out blue lights!</p> + +<p>"Come in, Curdie," said the voice again.</p> + +<p>"I would at once, ma'am," said Curdie, "if I were +sure I was standing at your door."</p> + +<p>"Why should you doubt it, Curdie?"</p> + +<p>"Because I see neither walls nor floor, only darkness +and the great sky."</p> + +<p>"That is all right, Curdie. Come in."</p> + +<p>Curdie stepped forward at once. He was indeed, for +the very crumb of a moment, tempted to feel before him +with his foot; but he saw that would be to distrust the +princess, and a greater rudeness he could not offer her. +So he stepped straight in—I will not say without a little +tremble at the thought of finding no floor beneath his +foot. But that which had need of the floor found it, and +his foot was satisfied.</p> + +<p>No sooner was he in than he saw that the great revolving +wheel in the sky was the princess's spinning-wheel, +near the other end of the room, turning very fast. +He could see no sky or stars any more, but the wheel +was flashing out blue—oh such lovely sky-blue light!—and +behind it of course sat the princess, but whether an +old woman as thin as a skeleton leaf, or a glorious lady<span class="pagenum">[66]</span> +as young as perfection, he could not tell for the turning +and flashing of the wheel.</p> + +<p>"Listen to the wheel," said the voice which had +already grown dear to Curdie: its very tone was precious +like a jewel, not <i>as</i> a jewel, for no jewel could compare +with it in preciousness.</p> + +<p>And Curdie listened and listened.</p> + +<p>"What is it saying?" asked the voice.</p> + +<p>"It is singing," answered Curdie.</p> + +<p>"What is it singing?"</p> + +<p>Curdie tried to make out, but thought he could not; +for no sooner had he got a hold of something than it +vanished again. Yet he listened, and listened, entranced +with delight.</p> + +<p>"Thank you, Curdie," said the voice.</p> + +<p>"Ma'am," said Curdie, "I did try hard for a while, +but I could not make anything of it."</p> + +<p>"Oh, yes, you did, and you have been telling it to me! +Shall I tell you again what I told my wheel, and my +wheel told you, and you have just told me without +knowing it?"</p> + +<p>"Please, ma'am."</p> + +<p>Then the lady began to sing, and her wheel spun an +accompaniment to her song, and the music of the wheel +was like the music of an Æolian harp blown upon by +the wind that bloweth where it listeth. Oh! the sweet<span class="pagenum">[67]</span> +sounds of that spinning-wheel! Now they were gold, +now silver, now grass, now palm-trees, now ancient cities, +now rubies, now mountain brooks, now peacock's feathers, +now clouds, now snowdrops, and now mid-sea islands. +But for the voice that sang through it all, about that I +have no words to tell. It would make you weep if I +were able to tell you what that was like, it was so beautiful +and true and lovely. But this is something like the +words of its song:—</p> + +<div style="margin-left:10em"> +<p style="font-size:125%">The stars are spinning their threads,<br /> +<span class="in1">And the clouds are the dust that flies,</span><br /> +And the suns are weaving them up<br /> +<span class="in1">For the time when the sleepers shall rise.</span><br /> +<br /> +The ocean in music rolls,<br /> +<span class="in1">And gems are turning to eyes,</span><br /> +And the trees are gathering souls<br /> +<span class="in1">For the time when the sleepers shall rise.</span><br /> +<br /> +The weepers are learning to smile,<br /> +<span class="in1">And laughter to glean the sighs;</span><br /> +Burn and bury the care and guile,<br /> +<span class="in1">For the day when the sleepers shall rise.</span><br /> +<br /> +Oh, the dews and the moths and the daisy-red,<br /> +<span class="in1">The larks and the glimmers and flows!</span><br /> +The lilies and sparrows and daily bread,<br /> +<span class="in1">And the something that nobody knows!</span></p> +</div> + +<p>The princess stopped, her wheel stopped, and she<span class="pagenum">[68]</span> +laughed. And her laugh was sweeter than song and +wheel; sweeter than running brook and silver bell; +sweeter than joy itself, for the heart of the laugh was +love.</p> + +<p>"Come now, Curdie, to this side of my wheel, and +you will find me," she said; and her laugh seemed +sounding on still in the words, as if they were made of +breath that had laughed.</p> + +<p>Curdie obeyed, and passed the wheel, and there she +stood to receive him!—fairer than when he saw her last, +a little younger still, and dressed not in green and +emeralds, but in pale blue, with a coronet of silver set +with pearls, and slippers covered with opals, that +gleamed every colour of the rainbow. It was some +time before Curdie could take his eyes from the marvel +of her loveliness. Fearing at last that he was rude, he +turned them away; and, behold, he was in a room that +was for beauty marvellous! The lofty ceiling was all +a golden vine, whose great clusters of carbuncles, rubies, +and chrysoberyls, hung down like the bosses of groined +arches, and in its centre hung the most glorious lamp +that human eyes ever saw—the Silver Moon itself, a +globe of silver, as it seemed, with a heart of light so +wondrous potent that it rendered the mass translucent, +and altogether radiant.</p> + +<p>The room was so large that, looking back, he could<span class="pagenum">[69]</span> +scarcely see the end at which he entered; but the +other was only a few yards from him—and there he saw +another wonder: on a huge hearth a great fire was +burning, and the fire was a huge heap of roses, and yet +it was fire. The smell of the roses filled the air, and the +heat of the flames of them glowed upon his face. He +turned an inquiring look upon the lady, and saw that +she was now seated in an ancient chair, the legs of +which were crusted with gems, but the upper part like a +nest of daisies and moss and green grass.</p> + +<p>"Curdie," she said in answer to his eyes, "you have +stood more than one trial already, and have stood them +well: now I am going to put you to a harder. Do you +think you are prepared for it?"</p> + +<p>"How can I tell, ma'am?" he returned, "seeing I do +not know what it is, or what preparation it needs? Judge +me yourself, ma'am."</p> + +<p>"It needs only trust and obedience," answered the +lady.</p> + +<p>"I dare not say anything, ma'am. If you think me +fit, command me."</p> + +<p>"It will hurt you terribly, Curdie, but that will be all; +no real hurt, but much real good will come to you from +it."</p> + +<p>Curdie made no answer, but stood gazing with parted +lips in the lady's face.<span class="pagenum">[70]</span></p> + +<p>"Go and thrust both your hands into that fire," she +said quickly, almost hurriedly.</p> + +<p>Curdie dared not stop to think. It was much too +terrible to think about. He rushed to the fire, and +thrust both his hands right into the middle of the heap of +flaming roses, and his arms halfway up to the elbows. +And it <i>did</i> hurt! But he did not draw them back. He +held the pain as if it were a thing that would kill him if +he let it go—as indeed it would have done. He was in +terrible fear lest it should conquer him. But when it +had risen to the pitch that he thought he <i>could</i> bear it no +longer, it began to fall again, and went on growing less +and less until by contrast with its former severity it had +become rather pleasant. At last it ceased altogether, +and Curdie thought his hands must be burnt to cinders if +not ashes, for he did not feel them at all. The princess +told him to take them out and look at them. He did so, +and found that all that was gone of them was the rough +hard skin; they were white and smooth like the princess's.</p> + +<p>"Come to me," she said.</p> + +<p>He obeyed, and saw, to his surprise, that her face +looked as if she had been weeping.</p> + +<p>"Oh, princess! what <i>is</i> the matter?" he cried. "Did +I make a noise and vex you?"</p> + +<p>"No, Curdie," she answered; "but it was very bad."</p> + +<p>"Did you feel it too then?"<span class="pagenum">[71]</span></p> + +<p>"Of course I did. But now it is over, and all is well.—Would +you like to know why I made you put your +hands in the fire?"</p> + +<p>Curdie looked at them again—then said,—</p> + +<p>"To take the marks of the work off them, and make +them fit for the king's court, I suppose."</p> + +<p>"No, Curdie," answered the princess, shaking her head, +for she was not pleased with the answer. "It would be a +poor way of making your hands fit for the king's court to +take off them all signs of his service. There is a far +greater difference on them than that. Do you feel none?"</p> + +<p>"No, ma'am."</p> + +<p>"You will, though, by and by, when the time comes. +But perhaps even then you might not know what had +been given you, therefore I will tell you.—Have you ever +heard what some philosophers say—that men were all +animals once?"</p> + +<p>"No, ma'am."</p> + +<p>"It is of no consequence. But there is another thing +that is of the greatest consequence—this: that all men, +if they do not take care, go down the hill to the animals' +country; that many men are actually, all their lives, +going to be beasts. People knew it once, but it is long +since they forgot it."</p> + +<p>"I am not surprised to hear it, ma'am, when I think of +some of our miners."<span class="pagenum">[72]</span></p> + +<p>"Ah! but you must beware, Curdie, how you say of this +man or that man that he is travelling beastward. There +are not nearly so many going that way as at first sight you +might think. When you met your father on the hill to-night, +you stood and spoke together on the same spot; +and although one of you was going up and the other +coming down, at a little distance no one could have told +which was bound in the one direction and which in the +other. Just so two people may be at the same spot +in manners and behaviour, and yet one may be getting +better and the other worse, which is just the greatest of +all differences that could possibly exist between them."</p> + +<p>"But, ma'am," said Curdie, "where is the good of +knowing that there is such a difference, if you can never +know where it is?"</p> + +<p>"Now, Curdie, you must mind exactly what words I +use, because although the right words cannot do exactly +what I want them to do, the wrong words will certainly +do what I do not want them to do. I did not say <i>you +can never know</i>. When there is a necessity for your +knowing, when you have to do important business with +this or that man, there is always a way of knowing enough +to keep you from any great blunder. And as you will +have important business to do by and by, and that with +people of whom you yet know nothing, it will be necessary +that you should have some better means than usual of<span class="pagenum">[73]</span> +learning the nature of them. Now listen. Since it is +always what they <i>do</i>, whether in their minds or their +bodies, that makes men go down to be less than men, +that is, beasts, the change always comes first in their +hands—and first of all in the inside hands, to which +the outside ones are but as the gloves. They do not +know it of course; for a beast does not know that he is +a beast, and the nearer a man gets to being a beast the +less he knows it. Neither can their best friends, or their +worst enemies indeed, <i>see</i> any difference in their hands, +for they see only the living gloves of them. But there +are not a few who feel a vague something repulsive in the +hand of a man who is growing a beast. Now here is +what the rose-fire has done for you: it has made your +hands so knowing and wise, it has brought your real +hands so near the outside of your flesh-gloves, that you +will henceforth be able to know at once the hand of a +man who is growing into a beast; nay, more—you will +at once feel the foot of the beast he is growing, just as +if there were no glove made like a man's hand between +you and it. Hence of course it follows that you will be +able often, and with further education in zoology, will +be able always to tell, not only when a man is growing a +beast, but what beast he is growing to, for you will know +the foot—what it is and what beast's it is. According +then to your knowledge of that beast, will be your know<span class="pagenum">[74]</span>ledge +of the man you have to do with. Only there is +one beautiful and awful thing about it, that if any one +gifted with this perception once uses it for his own ends, +it is taken from him, and then, not knowing that it is +gone, he is in a far worse condition than before, for he +trusts to what he has not got."</p> + +<p>"How dreadful!" said Curdie. "I must mind what +I am about."</p> + +<p>"Yes, indeed, Curdie."</p> + +<p>"But may not one sometimes make a mistake without +being able to help it?"</p> + +<p>"Yes. But so long as he is not after his own ends, he +will never make a serious mistake."</p> + +<p>"I suppose you want me, ma'am, to warn every one +whose hand tells me that he is growing a beast—because, +as you say, he does not know it himself."</p> + +<p>The princess smiled.</p> + +<p>"Much good that would do, Curdie! I don't say there +are no cases in which it would be of use, but they are +very rare and peculiar cases, and if such come you will +know them. To such a person there is in general no +insult like the truth. He cannot endure it, not because +he is growing a beast, but because he is ceasing to be a +man. It is the dying man in him that it makes uncomfortable, +and he trots, or creeps, or swims, or flutters out +of its way—calls it a foolish feeling, a whim, an old<span class="pagenum">[75]</span> +wives' fable, a bit of priests' humbug, an effete superstition, +and so on."</p> + +<p>"And is there no hope for him? Can nothing be +done? It's so awful to think of going down, down, down +like that!"</p> + +<p>"Even when it is with his own will?"</p> + +<p>"That's what seems to me to make it worst of all," +said Curdie.</p> + +<p>"You are right," answered the princess, nodding her +head; "but there is this amount of excuse to make for +all such, remember—that they do not know what or how +horrid their coming fate is. Many a lady, so delicate and +nice that she can bear nothing coarser than the finest +linen to touch her body, if she had a mirror that could +show her the animal she is growing to, as it lies waiting +within the fair skin and the fine linen and the silk and +the jewels, would receive a shock that might possibly +wake her up."</p> + +<p>"Why then, ma'am, shouldn't she have it?"</p> + +<p>The princess held her peace.</p> + +<p>"Come here, Lina," she said after a long pause.</p> + +<p>From somewhere behind Curdie, crept forward the +same hideous animal which had fawned at his feet at the +door, and which, without his knowing it, had followed +him every step up the dove-tower. She ran to the +princess, and lay down at her feet, looking up at her with<span class="pagenum">[76]</span> +an expression so pitiful that in Curdie's heart it overcame +all the ludicrousness of her horrible mass of incongruities. +She had a very short body, and very long legs made +like an elephant's, so that in lying down she kneeled +with both pairs. Her tail, which dragged on the floor +behind her, was twice as long and quite as thick as her +body. Her head was something between that of a polar +bear and a snake. Her eyes were dark green, with a +yellow light in them. Her under teeth came up like a +fringe of icicles, only very white, outside of her upper lip. +Her throat looked as if the hair had been plucked off. +It showed a skin white and smooth.</p> + +<p>"Give Curdie a paw, Lina," said the princess.</p> + +<p>The creature rose, and, lifting a long fore leg, held up +a great dog-like paw to Curdie. He took it gently. +But what a shudder, as of terrified delight, ran through +him, when, instead of the paw of a dog, such as it seemed +to his eyes, he clasped in his great mining fist the soft, +neat little hand of a child! He took it in both of his, +and held it as if he could not let it go. The green eyes +stared at him with their yellow light, and the mouth was +turned up towards him with its constant half-grin; but +here <i>was</i> the child's hand! If he could but pull the +child out of the beast! His eyes sought the princess. +She was watching him with evident satisfaction.</p> + +<p>"Ma'am, here is a child's hand!" said Curdie.<span class="pagenum">[77]</span></p> + +<p>"Your gift does more for you than it promised. It is +yet better to perceive a hidden good than a hidden evil."</p> + +<p>"But," began Curdie.</p> + +<p>"I am not going to answer any more questions this +evening," interrupted the princess. "You have not half +got to the bottom of the answers I have already given +you. That paw in your hand now might almost teach +you the whole science of natural history—the heavenly +sort, I mean."</p> + +<p>"I will think," said Curdie. "But oh! please! one +word more: may I tell my father and mother all about +it?"</p> + +<p>"Certainly—though perhaps now it may be their turn +to find it a little difficult to believe that things went just +as you must tell them."</p> + +<p>"They shall see that I believe it all this time," said +Curdie.</p> + +<p>"Tell them that to-morrow morning you must set out +for the court—not like a great man, but just as poor as +you are. They had better not speak about it. Tell them +also that it will be a long time before they hear of you +again, but they must not lose heart. And tell your +father to lay that stone I gave him last night in a safe +place—not because of the greatness of its price, although +it is such an emerald as no prince has in his crown, but +because it will be a news-bearer between you and him.<span class="pagenum">[78]</span> +As often as he gets at all anxious about you, he must +take it and lay it in the fire, and leave it there when +he goes to bed. In the morning he must find it in the +ashes, and if it be as green as ever, then all goes well +with you; if it have lost colour, things go ill with you; +but if it be very pale indeed, then you are in great +danger, and he must come to me."</p> + +<p>"Yes, ma'am," said Curdie. "Please, am I to go +now?"</p> + +<p>"Yes," answered the princess, and held out her hand +to him.</p> + +<p>Curdie took it, trembling with joy. It was a very +beautiful hand—not small, very smooth, but not very +soft—and just the same to his fire-taught touch that it +was to his eyes. He would have stood there all night +holding it if she had not gently withdrawn it.</p> + +<p>"I will provide you a servant," she said, "for your +journey, and to wait upon you afterwards."</p> + +<p>"But where am I to go, ma'am, and what am I to do? +You have given me no message to carry, neither have you +said what I am wanted for. I go without a notion +whether I am to walk this way or that, or what I am to +do when I get I don't know where."</p> + +<p>"Curdie!" said the princess, and there was a tone of +reminder in his own name as she spoke it, "did I not +tell you to tell your father and mother that you were to<span class="pagenum">[79]</span> +set out for the court? and you <i>know</i> that lies to the north. +You must learn to use far less direct directions than +that. You must not be like a dull servant that needs to +be told again and again before he will understand. You +have orders enough to start with, and you will find, as you +go on, and as you need to know, what you have to do. +But I warn you that perhaps it will not look the least like +what you may have been fancying I should require of +you. I have one idea of you and your work, and you +have another. I do not blame you for that—you +cannot help it yet; but you must be ready to let my +idea, which sets you working, set your idea right. Be true +and honest and fearless, and all shall go well with you +and your work, and all with whom your work lies, and so +with your parents—and me too, Curdie," she added +after a little pause.</p> + +<p>The young miner bowed his head low, patted the +strange head that lay at the princess's feet, and turned away.</p> + +<p>As soon as he passed the spinning-wheel, which +looked, in the midst of the glorious room, just like any +wheel you might find in a country cottage—old and worn +and dingy and dusty—the splendour of the place +vanished, and he saw but the big bare room he seemed at +first to have entered, with the moon—the princess's moon +no doubt—shining in at one of the windows upon the +spinning-wheel.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[80]</span></p> + +<h2><a name="CHAPTER_IX" id="CHAPTER_IX"></a>CHAPTER IX.</h2> + +<p class="h2">HANDS.</p> + +<img class="dropimg" src="images/drop_c.jpg" alt="C" /> +<p class="noin"><span style="font-weight:bold">URDIE</span> +went home, pondering much, and +told everything to his father and mother. +As the old princess had said, it was now +their turn to find what they heard hard to +believe. If they had not been able to trust Curdie +himself, they would have refused to believe more than +the half of what he reported, then they would have refused +that half too, and at last would most likely for +a time have disbelieved in the very existence of the +princess, what evidence their own senses had given them +notwithstanding. For he had nothing conclusive to show +in proof of what he told them. When he held out his +hands to them, his mother said they looked as if he had +been washing them with soft soap, only they did smell of +something nicer than that, and she must allow it was more +like roses than anything else she knew. His father could +not see any difference upon his hands, but then it was<span class="pagenum">[81]</span> +night, he said, and their poor little lamp was not enough +for his old eyes. As to the feel of them, each of his own +hands, he said, was hard and horny enough for two, and +it must be the fault of the dulness of his own thick skin +that he felt no change on Curdie's palms.</p> + +<p>"Here, Curdie," said his mother, "try my hand, and +see what beast's paw lies inside it."</p> + +<p>"No, mother," answered Curdie, half-beseeching, half-indignant, +"I will not insult my new gift by making +pretence to try it. That would be mockery. There is +no hand within yours but the hand of a true woman, my +mother."</p> + +<p>"I should like you just to take hold of my hand, +though," said his mother. "You are my son, and may +know all the bad there is in me."</p> + +<p>Then at once Curdie took her hand in his. And +when he had it, he kept it, stroking it gently with his +other hand.</p> + +<p>"Mother," he said at length, "your hand feels just like +that of the princess."</p> + +<p>"What! my horny, cracked, rheumatic old hand, with +its big joints, and its short nails all worn down to the quick +with hard work—like the hand of the beautiful princess! +Why, my child, you will make me fancy your fingers have +grown very dull indeed, instead of sharp and delicate, if +you talk such nonsense. Mine is such an ugly hand I<span class="pagenum">[82]</span> +should be ashamed to show it to any but one that +loved me. But love makes all safe—doesn't it, +Curdie?"</p> + +<p>"Well, mother, all I can say is that I don't feel a +roughness, or a crack, or a big joint, or a short nail. +Your hand feels just and exactly, as near as I can +recollect, and it's not now more than two hours since I +had it in mine,—well, I will say, very like indeed to that +of the old princess."</p> + +<p>"Go away, you flatterer," said his mother, with a smile +that showed how she prized the love that lay beneath +what she took for its hyperbole. The praise even which +one cannot accept is sweet from a true mouth. "If that +is all your new gift can do, it won't make a warlock of +you," she added.</p> + +<p>"Mother, it tells me nothing but the truth," insisted +Curdie, "however unlike the truth it may seem. It +wants no gift to tell what anybody's outside hands are +like. But by it I <i>know</i> your inside hands are like the +princess's."</p> + +<p>"And I am sure the boy speaks true," said Peter. +"He only says about your hand what I have known ever +so long about yourself, Joan. Curdie, your mother's foot +is as pretty a foot as any lady's in the land, and where her +hand is not so pretty it comes of killing its beauty for +you and me, my boy. And I can tell you more, Curdie.<span class="pagenum">[83]</span> +I don't know much about ladies and gentlemen, but I am +sure your inside mother must be a lady, as her hand tells +you, and I will try to say how I know it. This is how: +when I forget myself looking at her as she goes about her +work—and that happens oftener as I grow older—I fancy +for a moment or two that I am a gentleman; and when +I wake up from my little dream, it is only to feel the +more strongly that I must do everything as a gentleman +should. I will try to tell you what I mean, Curdie. If +a gentleman—I mean a real gentleman, not a pretended +one, of which sort they say there are a many above +ground—if a real gentleman were to lose all his money +and come down to work in the mines to get bread for his +family—do you think, Curdie, he would work like the +lazy ones? Would he try to do as little as he could for +his wages? I know the sort of the true gentleman—pretty +near as well as he does himself. And my wife, +that's your mother, Curdie, she's a true lady, you may +take my word for it, for it's she that makes me want to be +a true gentleman. Wife, the boy is in the right about +your hand."</p> + +<p>"Now, father, let me feel yours," said Curdie, daring +a little more.</p> + +<p>"No, no, my boy," answered Peter. "I don't want to +hear anything about my hand or my head or my heart. +I am what I am, and I hope growing better, and that's<span class="pagenum">[84]</span> +enough. No, you shan't feel my hand. You must go to +bed, for you must start with the sun."</p> + +<p>It was not as if Curdie had been leaving them to go +to prison, or to make a fortune, and although they were +sorry enough to lose him, they were not in the least +heart-broken or even troubled at his going.</p> + +<p>As the princess had said he was to go like the poor +man he was, Curdie came down in the morning from his +little loft dressed in his working clothes. His mother, +who was busy getting his breakfast for him, while his +father sat reading to her out of an old book, would have +had him put on his holiday garments, which, she said, +would look poor enough amongst the fine ladies and +gentlemen he was going to. But Curdie said he did not +know that he was going amongst ladies and gentlemen, +and that as work was better than play, his work-day +clothes must on the whole be better than his play-day +clothes; and as his father accepted the argument, his +mother gave in.</p> + +<p>When he had eaten his breakfast, she took a pouch +made of goatskin, with the long hair on it, filled it with +bread and cheese, and hung it over his shoulder. Then +his father gave him a stick he had cut for him in the +wood, and he bade them good-bye rather hurriedly, for +he was afraid of breaking down. As he went out, he +caught up his mattock and took it with him. It had on<span class="pagenum">[85]</span> +the one side a pointed curve of strong steel, for loosening +the earth and the ore, and on the other a steel hammer +for breaking the stones and rocks. Just as he crossed +the threshold the sun showed the first segment of his +disc above the horizon.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[86]</span></p> + +<h2><a name="CHAPTER_X" id="CHAPTER_X"></a>CHAPTER X.</h2> + +<p class="h2">THE HEATH.</p> + +<img class="dropimg" src="images/drop_h.jpg" alt="H" /> +<p class="noin"><span style="font-weight:bold">E</span> +had to go to the bottom of the hill to +get into a country he could cross, for +the mountains to the north were full of +precipices, and it would have been losing +time to go that way. Not until he had reached +the king's house was it any use to turn northwards. +Many a look did he raise, as he passed it, to the +dove-tower, and as long as it was in sight, but he saw +nothing of the lady of the pigeons.</p> + +<p>On and on he fared, and came in a few hours to a +country where there were no mountains more—only hills, +with great stretches of desolate heath. Here and there +was a village, but that brought him little pleasure, for the +people were rougher and worse-mannered than those in +the mountains, and as he passed through, the children +came behind and mocked him.<span class="pagenum">[87]</span></p> + +<p>"There's a monkey running away from the mines!" +they cried.</p> + +<p>Sometimes their parents came out and encouraged +them.</p> + +<p>"He don't want to find gold for the king any longer,—the +lazybones!" they would say. "He'll be well taxed +down here though, and he won't like that either."</p> + +<p>But it was little to Curdie that men who did not +know what he was about should not approve of his +proceedings. He gave them a merry answer now and +then, and held diligently on his way. When they got so +rude as nearly to make him angry, he would treat them +as he used to treat the goblins, and sing his own songs to +keep out their foolish noises. Once a child fell as he +turned to run away after throwing a stone at him. He +picked him up, kissed him, and carried him to his +mother. The woman had run out in terror when she +saw the strange miner about, as she thought, to take +vengeance on her boy. When he put him in her arms, +she blessed him, and Curdie went on his way rejoicing.</p> + +<p>And so the day went on, and the evening came, and in +the middle of a great desolate heath he began to feel +tired, and sat down under an ancient hawthorn, through +which every now and then a lone wind that seemed to +come from nowhere and to go nowhither sighed and +hissed. It was very old and distorted. There was not<span class="pagenum">[88]</span> +another tree for miles all around. It seemed to have +lived so long, and to have been so torn and tossed by the +tempests on that moor, that it had at last gathered a +wind of its own, which got up now and then, tumbled +itself about, and lay down again.</p> + +<p>Curdie had been so eager to get on that he had eaten +nothing since his breakfast. But he had had plenty of +water, for many little streams had crossed his path. He +now opened the wallet his mother had given him, and +began to eat his supper. The sun was setting. A few +clouds had gathered about the west, but there was not a +single cloud anywhere else to be seen.</p> + +<p>Now Curdie did not know that this was a part of the +country very hard to get through. Nobody lived there, +though many had tried to build in it. Some died very +soon. Some rushed out of it. Those who stayed longest +went raving mad, and died a terrible death. Such as +walked straight on, and did not spend a night there, got +through well, and were nothing the worse. But those +who slept even a single night in it were sure to meet +with something they could never forget, and which often +left a mark everybody could read. And that old +hawthorn might have been enough for a warning—it +looked so like a human being dried up and distorted with +age and suffering, with cares instead of loves, and things +instead of thoughts. Both it and the heath around it,<span class="pagenum">[89]</span> +which stretched on all sides as far as he could see, were +so withered that it was impossible to say whether they +were alive or not.</p> + +<p>And while Curdie ate there came a change. Clouds +had gathered over his head, and seemed drifting about in +every direction, as if not "shepherded by the slow, +unwilling wind," but hunted in all directions by wolfish +flaws across the plains of the sky. The sun was going +down in a storm of lurid crimson, and out of the west +came a wind that felt red and hot the one moment, and +cold and pale the other. And very strangely it sung in +the dreary old hawthorn tree, and very cheerily it blew +about Curdie, now making him creep close up to the tree +for shelter from its shivery cold, now fan himself with his +cap, it was so sultry and stifling. It seemed to come +from the death-bed of the sun, dying in fever and ague.</p> + +<p>And as he gazed at the sun, now on the verge of the +horizon, very large and very red and very dull—for though +the clouds had broken away a dusty fog was spread all +over him—Curdie saw something strange appear against +him, moving about like a fly over his burning face. It +looked as if it were coming out of his hot furnace-heart, +and was a living creature of some kind surely; but its +shape was very uncertain, because the dazzle of the light +all around it melted its outlines. It was growing larger, +it must be approaching! It grew so rapidly that by the<span class="pagenum">[90]</span> +time the sun was half down its head reached the top of +his arch, and presently nothing but its legs were to be +seen, crossing and recrossing the face of the vanishing +disc. When the sun was down he could see nothing of +it more, but in a moment he heard its feet galloping +over the dry crackling heather, and seeming to come +straight for him. He stood up, lifted his pickaxe, and +threw the hammer end over his shoulder: he was going +to have a fight for his life! And now it appeared again, +vague, yet very awful, in the dim twilight the sun had left +behind him. But just before it reached him, down from +its four long legs it dropped flat on the ground, +and came crawling towards him, wagging a huge tail +as it came.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[91]</span></p> + +<h2><a name="CHAPTER_XI" id="CHAPTER_XI"></a>CHAPTER XI.</h2> + +<p class="h2">LINA.</p> + +<img class="dropimg" src="images/drop_i.jpg" alt="I" /> +<p class="noin"><span style="font-weight:bold">T</span> +was Lina. All at once Curdie recognised +her—the frightful creature he had seen +at the princess's. He dropped his pickaxe, +and held out his hand. She crept +nearer and nearer, and laid her chin in his palm, +and he patted her ugly head. Then she crept away +behind the tree, and lay down, panting hard. +Curdie did not much like the idea of her being behind +him. Horrible as she was to look at, she seemed to his +mind more horrible when he was not looking at her. +But he remembered the child's hand, and never thought +of driving her away. Now and then he gave a glance +behind him, and there she lay flat, with her eyes closed +and her terrible teeth gleaming between her two huge +fore-paws.</p> + +<p>After his supper and his long day's journey it was no +wonder Curdie should now be sleepy. Since the sun<span class="pagenum">[92]</span> +set the air had been warm and pleasant. He lay down +under the tree, closed his eyes, and thought to sleep. +He found himself mistaken however. But although he +could not sleep, he was yet aware of resting delightfully. +Presently he heard a sweet sound of singing somewhere, +such as he had never heard before—a singing as of +curious birds far off, which drew nearer and nearer. At +length he heard their wings, and, opening his eyes, saw a +number of very large birds, as it seemed, alighting +around him, still singing. It was strange to hear song +from the throats of such big birds. And still singing, +with large and round but not the less bird-like voices, +they began to weave a strange dance about him, moving +their wings in time with their legs. But the dance seemed +somehow to be troubled and broken, and to return upon +itself in an eddy, in place of sweeping smoothly on. +And he soon learned, in the low short growls behind him, +the cause of the imperfection: they wanted to dance all +round the tree, but Lina would not permit them to come +on her side.</p> + +<p>Now Curdie liked the birds, and did not altogether +<i>like</i> Lina. But neither, nor both together, made a <i>reason</i> +for driving away the princess's creature. Doubtless she +<i>had been</i> a goblins' creature, but the last time he saw her +was in the king's house and the dove-tower, and at the +old princess's feet. So he left her to do as she would,<span class="pagenum">[93]</span> +and the dance of the birds continued only a semicircle, +troubled at the edges, and returning upon itself. But +their song and their motions, nevertheless, and the +waving of their wings, began at length to make him very +sleepy. All the time he had kept doubting every now +and then whether they could really be birds, and the +sleepier he got, the more he imagined them something +else, but he suspected no harm. Suddenly, just as he was +sinking beneath the waves of slumber, he awoke in fierce +pain. The birds were upon him—all over him—and had +begun to tear him with beaks and claws. He had +but time, however, to feel that he could not move under +their weight, when they set up a hideous screaming, and +scattered like a cloud. Lina was amongst them, snapping +and striking with her paws, while her tail knocked them +over and over. But they flew up, gathered, and descended +on her in a swarm, perching upon every part of her +body, so that he could see only a huge misshapen mass, +which seemed to go rolling away into the darkness. He +got up and tried to follow, but could see nothing, and +after wandering about hither and thither for some time, +found himself again beside the hawthorn. He feared +greatly that the birds had been too much for Lina, and +had torn her to pieces. In a little while, however, she +came limping back, and lay down in her old place. +Curdie also lay down, but, from the pain of his wounds,<span class="pagenum">[94]</span> +there was no sleep for him. When the light came he +found his clothes a good deal torn and his skin as well, +but gladly wondered why the wicked birds had not at +once attacked his eyes. Then he turned looking for +Lina. She rose and crept to him. But she was in far +worse plight than he—plucked and gashed and torn +with the beaks and claws of the birds, especially about +the bare part of her neck, so that she was pitiful to see. +And those worst wounds she could not reach to lick.</p> + +<p>"Poor Lina!" said Curdie; "you got all those helping +me."</p> + +<p>She wagged her tail, and made it clear she understood +him. Then it flashed upon Curdie's mind that perhaps +this was the companion the princess had promised +him. For the princess did so many things differently +from what anybody looked for! Lina was no beauty +certainly, but already, the first night, she had saved his +life.</p> + +<p>"Come along, Lina," he said; "we want water."</p> + +<p>She put her nose to the earth, and after snuffing for a +moment, darted off in a straight line. Curdie followed. +The ground was so uneven, that after losing sight of her +many times, at last he seemed to have lost her altogether. +In a few minutes, however, he came upon her waiting for +him. Instantly she darted off again. After he had lost +and found her again many times, he found her the last<span class="pagenum">[95]</span> +time lying beside a great stone. As soon as he came up +she began scratching at it with her paws. When he had +raised it an inch or two, she shoved in first her nose +and then her teeth, and lifted with all the might of her +strong neck.</p> + +<p>When at length between them they got it up, there +was a beautiful little well. He filled his cap with the +clearest and sweetest water, and drank. Then he gave +to Lina, and she drank plentifully. Next he washed her +wounds very carefully. And as he did so, he noted how +much the bareness of her neck added to the strange +repulsiveness of her appearance. Then he bethought +him of the goatskin wallet his mother had given him, and +taking it from his shoulders, tried whether it would do to +make a collar of for the poor animal. He found there +was just enough, and the hair so similar in colour to +Lina's, that no one could suspect it of having grown +somewhere else. He took his knife, ripped up the seams +of the wallet, and began trying the skin to her neck. It +was plain she understood perfectly what he wished, for +she endeavoured to hold her neck conveniently, turning +it this way and that while he contrived, with his rather +scanty material, to make the collar fit. As his mother +had taken care to provide him with needles and thread, +he soon had a nice gorget ready for her. He laced it on +with one of his boot-laces, which its long hair covered.<span class="pagenum">[96]</span> +Poor Lina looked much better in it. Nor could any one +have called it a piece of finery. If ever green eyes with +a yellow light in them looked grateful, hers did.</p> + +<p>As they had no longer any bag to carry them in, +Curdie and Lina now ate what was left of the provisions. +Then they set out again upon their journey. For seven days +it lasted. They met with various adventures, and in all +of them Lina proved so helpful, and so ready to risk her +life for the sake of her companion, that Curdie grew not +merely very fond but very trustful of her, and her ugliness, +which at first only moved his pity, now actually +increased his affection for her. One day, looking at +her stretched on the grass before him, he said,—</p> + +<p>"Oh, Lina! if the princess would but burn you in her +fire of roses!"</p> + +<p>She looked up at him, gave a mournful whine like a dog, +and laid her head on his feet. What or how much he +could not tell, but clearly she had gathered something +from his words.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[97]</span></p> + +<h2><a name="CHAPTER_XII" id="CHAPTER_XII"></a>CHAPTER XII.</h2> +<p class="h2">MORE CREATURES.</p> + +<img class="dropimg" src="images/drop_o.jpg" alt="O" /> +<p class="noin"><span style="font-weight:bold">NE</span> +day from morning till night they had +been passing through a forest. As soon as +the sun was down Curdie began to be +aware that there were more in it than +themselves. First he saw only the swift rush of a +figure across the trees at some distance. Then he saw +another and then another at shorter intervals. Then +he saw others both further off and nearer. At last, +missing Lina and looking about after her, he saw an +appearance almost as marvellous as herself steal up to +her, and begin conversing with her after some beast +fashion which evidently she understood.</p> + +<p>Presently what seemed a quarrel arose between them, +and stranger noises followed, mingled with growling. +At length it came to a fight, which had not lasted +long, however, before the creature of the wood threw +itself upon its back, and held up its paws to Lina. She<span class="pagenum">[98]</span> +instantly walked on, and the creature got up and followed +her. They had not gone far before another strange +animal appeared, approaching Lina, when precisely the +same thing was repeated, the vanquished animal rising +and following with the former. Again, and yet again +and again, a fresh animal came up, seemed to be +reasoned and certainly was fought with and overcome by +Lina, until at last, before they were out of the wood, she +was followed by forty-nine of the most grotesquely ugly, +the most extravagantly abnormal animals imagination can +conceive. To describe them were a hopeless task. I +knew a boy who used to make animals out of heather +roots. Wherever he could find four legs, he was pretty +sure to find a head and a tail. His beasts were a most +comic menagerie, and right fruitful of laughter. But +they were not so grotesque and extravagant as Lina and +her followers. One of them, for instance, was like a boa +constrictor walking on four little stumpy legs near its tail. +About the same distance from its head were two little +wings, which it was for ever fluttering as if trying to fly +with them. Curdie thought it fancied it did fly with +them, when it was merely plodding on busily with its +four little stumps. How it managed to keep up he +could not think, till once when he missed it from the +group: the same moment he caught sight of something +at a distance plunging at an awful serpentine rate<span class="pagenum">[99]</span> +through the trees, and presently, from behind a huge +ash, this same creature fell again into the group, quietly +waddling along on its four stumps. Watching it after this, +he saw that, when it was not able to keep up any longer, +and they had all got a little space ahead, it shot into +the wood away from the route, and made a great round, +serpenting along in huge billows of motion, devouring +the ground, undulating awfully, galloping as if it were all +legs together, and its four stumps nowhere. In this +mad fashion it shot ahead, and, a few minutes after, +toddled in again amongst the rest, walking peacefully +and somewhat painfully on its few fours.</p> + +<p>From the time it takes to describe one of them it +will be readily seen that it would hardly do to attempt a +description of each of the forty-nine. They were not a +goodly company, but well worth contemplating nevertheless; +and Curdie had been too long used to the goblins' +creatures in the mines and on the mountain, to feel the +least uncomfortable at being followed by such a herd. +On the contrary the marvellous vagaries of shape they +manifested amused him greatly, and shortened the journey +much. Before they were all gathered, however, it had +got so dark that he could see some of them only a part +at a time, and every now and then, as the company +wandered on, he would be startled by some extraordinary +limb or feature, undreamed of by him before, thrusting<span class="pagenum">[100]</span> +itself out of the darkness into the range of his ken. +Probably there were some of his old acquaintances +among them, although such had been the conditions of +semi-darkness in which alone he had ever seen any of +them, that it was not likely he would be able to identify +any of them.</p> + +<p>On they marched solemnly, almost in silence, for +either with feet or voice the creatures seldom made any +noise. By the time they reached the outside of the +wood it was morning twilight. Into the open trooped +the strange torrent of deformity, each one following +Lina. Suddenly she stopped, turned towards them, and +said something which they understood, although to +Curdie's ear the sounds she made seemed to have no +articulation. Instantly they all turned, and vanished +in the forest, and Lina alone came trotting lithely and +clumsily after her master.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[101]</span></p> + +<h2><a name="CHAPTER_XIII" id="CHAPTER_XIII"></a>CHAPTER XIII.</h2> + +<p class="h2">THE BAKER'S WIFE.</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HEY</span> +were now passing through a lovely +country of hill and dale and rushing +stream. The hills were abrupt, with +broken chasms for water-courses, and deep +little valleys full of trees. But now and then they +came to a larger valley, with a fine river, whose level +banks and the adjacent meadows were dotted all over +with red and white kine, while on the fields above, +that sloped a little to the foot of the hills, grew oats and +barley and wheat, and on the sides of the hills themselves +vines hung and chestnuts rose. They came at last to a +broad, beautiful river, up which they must go to arrive at +the city of Gwyntystorm, where the king had his court. +As they went the valley narrowed, and then the river, +but still it was wide enough for large boats. After this, +while the river kept its size, the banks narrowed, until +there was only room for a road between the river and the<span class="pagenum">[102]</span> +great cliffs that overhung it. At last river and road took +a sudden turn, and lo! a great rock in the river, which +dividing flowed around it, and on the top of the rock the +city, with lofty walls and towers and battlements, and +above the city the palace of the king, built like a strong +castle. But the fortifications had long been neglected, +for the whole country was now under one king, and all +men said there was no more need for weapons or walls. +No man pretended to love his neighbour, but every one +said he knew that peace and quiet behaviour was the +best thing for himself, and that, he said, was quite as +useful, and a great deal more reasonable. The city was +prosperous and rich, and if anybody was not comfortable, +everybody else said he ought to be.</p> + +<p>When Curdie got up opposite the mighty rock, which +sparkled all over with crystals, he found a narrow bridge, +defended by gates and portcullis and towers with loopholes. +But the gates stood wide open, and were dropping +from their great hinges; the portcullis was eaten +away with rust, and clung to the grooves evidently immovable; +while the loopholed towers had neither floor +nor roof, and their tops were fast filling up their interiors. +Curdie thought it a pity, if only for their old story, +that they should be thus neglected. But everybody in +the city regarded these signs of decay as the best proof +of the prosperity of the place. Commerce and self-<span class="pagenum">[103]</span>interest, +they said, had got the better of violence, and +the troubles of the past were whelmed in the riches +that flowed in at their open gates. Indeed there was +one sect of philosophers in it which taught that it would +be better to forget all the past history of the city, were it +not that its former imperfections taught its present inhabitants +how superior they and their times were, and enabled +them to glory over their ancestors. There were even certain +quacks in the city who advertised pills for enabling +people to think well of themselves, and some few bought +of them, but most laughed, and said, with evident truth, +that they did not require them. Indeed, the general +theme of discourse when they met was, how much wiser +they were than their fathers.</p> + +<p>Curdie crossed the river, and began to ascend the +winding road that led up to the city. They met a good +many idlers, and all stared at them. It was no wonder +they should stare, but there was an unfriendliness in +their looks which Curdie did not like. No one, however, +offered them any molestation: Lina did not invite +liberties. After a long ascent, they reached the principal +gate of the city and entered.</p> + +<p>The street was very steep, ascending towards the +palace, which rose in great strength above all the houses. +Just as they entered, a baker, whose shop was a few +doors inside the gate, came out in his white apron, and<span class="pagenum">[104]</span> +ran to the shop of his friend the barber on the opposite +side of the way. But as he ran he stumbled and fell +heavily. Curdie hastened to help him up, and found he +had bruised his forehead badly. He swore grievously at +the stone for tripping him up, declaring it was the third +time he had fallen over it within the last month; and +saying what was the king about that he allowed such a +stone to stick up for ever on the main street of his royal +residence of Gwyntystorm! What was a king for if he +would not take care of his people's heads! And he +stroked his forehead tenderly.</p> + +<p>"Was it your head or your feet that ought to bear the +blame of your fall?" asked Curdie.</p> + +<p>"Why, you booby of a miner! my feet, of course," +answered the baker.</p> + +<p>"Nay, then," said Curdie, "the king can't be to +blame."</p> + +<p>"Oh, I see!" said the baker. "You're laying a trap +for me. Of course, if you come to that, it was my head +that ought to have looked after my feet. But it is the king's +part to look after us all, and have his streets smooth."</p> + +<p>"Well, I don't see," said Curdie, "why the king +should take care of the baker, when the baker's head +won't take care of the baker's feet."</p> + +<p>"Who are you to make game of the king's baker?" +cried the man in a rage.<span class="pagenum">[105]</span></p> + +<p>But, instead of answering, Curdie went up to the +bump on the street which had repeated itself on the +baker's head, and turning the hammer end of his +mattock, struck it such a blow that it flew wide in pieces. +Blow after blow he struck, until he had levelled it with +the street.</p> + +<p>But out flew the barber upon him in a rage.</p> + +<p>"What do you break my window for, you rascal, with +your pickaxe?"</p> + +<p>"I am very sorry," said Curdie. "It must have been +a bit of stone that flew from my mattock. I couldn't +help it, you know."</p> + +<p>"Couldn't help it! A fine story! What do you go +breaking the rock for—the very rock upon which the city +stands?"</p> + +<p>"Look at your friend's forehead," said Curdie. "See +what a lump he has got on it with falling over that +same stone."</p> + +<p>"What's that to my window?" cried the barber. "His +forehead can mend itself; my poor window can't."</p> + +<p>"But he's the king's baker," said Curdie, more and +more surprised at the man's anger.</p> + +<p>"What's that to me? This is a free city. Every man +here takes care of himself, and the king takes care of us +all. I'll have the price of my window out of you, or the +exchequer shall pay for it."<span class="pagenum">[106]</span></p> + +<p>Something caught Curdie's eye. He stooped, picked +up a piece of the stone he had just broken, and put it in +his pocket.</p> + +<p>"I suppose you are going to break another of my +windows with that stone!" said the barber.</p> + +<p>"Oh no," said Curdie. "I didn't mean to break your +window, and I certainly won't break another."</p> + +<p>"Give me that stone," said the barber.</p> + +<p>Curdie gave it to him, and the barber threw it over the +city wall.</p> + +<p>"I thought you wanted the stone," said Curdie.</p> + +<p>"No, you fool!" answered the barber. "What should +I want with a stone?"</p> + +<p>Curdie stooped and picked up another.</p> + +<p>"Give me that stone," said the barber.</p> + +<p>"No," answered Curdie. "You have just told me +you don't want a stone, and I do."</p> + +<p>The barber took Curdie by the collar.</p> + +<p>"Come, now! you pay me for that window."</p> + +<p>"How much?" asked Curdie.</p> + +<p>The barber said, "A crown." But the baker, annoyed +at the heartlessness of the barber, in thinking more of his +broken window than the bump on his friend's forehead, +interfered.</p> + +<p>"No, no," he said to Curdie; "don't you pay any +such sum. A little pane like that cost only a quarter."<span class="pagenum">[107]</span></p> + +<p>"Well, to be certain," said Curdie, "I'll give him a +half." For he doubted the baker as well as the barber. +"Perhaps one day, if he finds he has asked too much, he +will bring me the difference."</p> + +<p>"Ha! ha!" laughed the barber. "A fool and his +money are soon parted."</p> + +<p>But as he took the coin from Curdie's hand he grasped +it in affected reconciliation and real satisfaction. In +Curdie's, his was the cold smooth leathery palm of a +monkey. He looked up, almost expecting to see him +pop the money in his cheek; but he had not yet got so +far as that, though he was well on the road to it: then he +would have no other pocket.</p> + +<p>"I'm glad that stone is gone, anyhow," said the baker. +"It was the bane of my life. I had no idea how easy +it was to remove it. Give me your pickaxe, young miner, +and I will show you how a baker can make the stones +fly."</p> + +<p>He caught the tool out of Curdie's hand, and flew at +one of the foundation stones of the gateway. But he +jarred his arm terribly, scarcely chipped the stone, +dropped the mattock with a cry of pain, and ran into his +own shop. Curdie picked up his implement, and looking +after the baker, saw bread in the window, and followed +him in. But the baker, ashamed of himself, and thinking +he was coming to laugh at him, popped out of the<span class="pagenum">[108]</span> +back door, and when Curdie entered, the baker's wife +came from the bakehouse to serve him. Curdie requested +to know the price of a certain good-sized loaf.</p> + +<p>Now the baker's wife had been watching what had +passed since first her husband ran out of the shop, and +she liked the look of Curdie. Also she was more honest +than her husband. Casting a glance to the back door, +she replied,—</p> + +<p>"That is not the best bread. I will sell you a loaf of +what we bake for ourselves." And when she had spoken +she laid a finger on her lips. "Take care of yourself in +this place, my son," she added. "They do not love +strangers. I was once a stranger here, and I know what +I say." Then fancying she heard her husband,—"That +is a strange animal you have," she said, in a louder +voice.</p> + +<p>"Yes," answered Curdie. "She is no beauty, but she +is very good, and we love each other. Don't we, Lina?"</p> + +<p>Lina looked up and whined. Curdie threw her the +half of his loaf, which she ate while her master and the +baker's wife talked a little. Then the baker's wife gave +them some water, and Curdie having paid for his loaf, he +and Lina went up the street together.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[109]</span></p> + +<h2><a name="CHAPTER_XIV" id="CHAPTER_XIV"></a>CHAPTER XIV.</h2> + +<p class="h2">THE DOGS OF GWYNTYSTORM.</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HE</span> +steep street led them straight up to a +large market-place, with butchers' shops, +about which were many dogs. The +moment they caught sight of Lina, one +and all they came rushing down upon her, giving +her no chance of explaining herself. When Curdie +saw the dogs coming he heaved up his mattock over +his shoulder, and was ready, if they would have it +so. Seeing him thus prepared to defend his follower, +a great ugly bull-dog flew at him. With the first +blow Curdie struck him through the brain, and the +brute fell dead at his feet. But he could not at once +recover his weapon, which stuck in the skull of his foe, +and a huge mastiff, seeing him thus hampered, flew at +him next. Now Lina, who had shown herself so brave +upon the road thither, had grown shy upon entering the +city, and kept always at Curdie's heel. But it was her<span class="pagenum">[110]</span> +turn now. The moment she saw her master in danger +she seemed to go mad with rage. As the mastiff jumped +at Curdie's throat, Lina flew at his, seized him with her +tremendous jaws, gave one roaring grind, and he lay +beside the bull-dog with his neck broken. They were +the best dogs in the market, after the judgment of the +butchers of Gwyntystorm. Down came their masters, +knife in hand.</p> + +<p>Curdie drew himself up fearlessly, mattock on shoulder, +and awaited their coming, while at his heel his awful +attendant showed not only her outside fringe of icicle-teeth, +but a double row of right serviceable fangs she wore +inside her mouth, and her green eyes flashed yellow as +gold. The butchers not liking the look either of them +or of the dogs at their feet, drew back, and began to +remonstrate in the manner of outraged men.</p> + +<p>"Stranger," said the first, "that bull-dog is mine."</p> + +<p>"Take him, then," said Curdie, indignant.</p> + +<p>"You've killed him!"</p> + +<p>"Yes—else he would have killed me."</p> + +<p>"That's no business of mine."</p> + +<p>"No?"</p> + +<p>"No."</p> + +<p>"That makes it the more mine, then."</p> + +<p>"This sort of thing won't do, you know," said the +other butcher.<span class="pagenum">[111]</span></p> + +<p>"That's true," said Curdie.</p> + +<p>"That's my mastiff," said the butcher.</p> + +<p>"And as he ought to be," said Curdie.</p> + +<p>"Your brute shall be burnt alive for it," said the +butcher.</p> + +<p>"Not yet," answered Curdie. "We have done no +wrong. We were walking quietly up your street, when +your dogs flew at us. If you don't teach your dogs how +to treat strangers, you must take the consequences."</p> + +<p>"They treat them quite properly," said the butcher. +"What right has any one to bring an abomination like +that into our city? The horror is enough to make an +idiot of every child in the place."</p> + +<p>"We are both subjects of the king, and my poor +animal can't help her looks. How would you like to be +served like that because you were ugly? She's not a bit +fonder of her looks than you are—only what can she do +to change them?"</p> + +<p>"I'll do to change them," said the fellow.</p> + +<p>Thereupon the butchers brandished their long knives +and advanced, keeping their eyes upon Lina.</p> + +<p>"Don't be afraid, Lina," cried Curdie. "I'll kill one—you +kill the other."</p> + +<p>Lina gave a howl that might have terrified an +army, and crouched ready to spring. The butchers +turned and ran.<span class="pagenum">[112]</span></p> + +<p>By this time a great crowd had gathered behind the +butchers, and in it a number of boys returning from +school, who began to stone the strangers. It was a way +they had with man or beast they did not expect to make +anything by. One of the stones struck Lina; she caught +it in her teeth and crunched it that it fell in gravel from +her mouth. Some of the foremost of the crowd saw +this, and it terrified them. They drew back; the rest +took fright from their retreat; the panic spread; and at +last the crowd scattered in all directions. They ran, and +cried out, and said the devil and his dam were come to +Gwyntystorm. So Curdie and Lina were left standing +unmolested in the market-place. But the terror of them +spread throughout the city, and everybody began to shut +and lock his door, so that by the time the setting sun +shone down the street, there was not a shop left open, +for fear of the devil and his horrible dam. But all the +upper windows within sight of them were crowded with +heads watching them where they stood lonely in the +deserted market-place.</p> + +<p>Curdie looked carefully all round, but could not see +one open door. He caught sight of the sign of an inn +however, and laying down his mattock, and telling Lina +to take care of it, walked up to the door of it and knocked. +But the people in the house, instead of opening the door, +threw things at him from the windows. They would not<span class="pagenum">[113]</span> +listen to a word he said, but sent him back to Lina with +the blood running down his face. When Lina saw that, +she leaped up in a fury and was rushing at the house, +into which she would certainly have broken; but Curdie +called her, and made her lie down beside him while he +bethought him what next he should do.</p> + +<p>"Lina," he said, "the people keep their gates open, +but their houses and their hearts shut."</p> + +<p>As if she knew it was her presence that had brought +this trouble upon him, she rose, and went round and +round him, purring like a tigress, and rubbing herself +against his legs.</p> + +<p>Now there was one little thatched house that stood +squeezed in between two tall gables, and the sides of the +two great houses shot out projecting windows that nearly +met across the roof of the little one, so that it lay in the +street like a doll's house. In this house lived a poor old +woman, with a grandchild. And because she never +gossiped or quarrelled, or chaffered in the market, but +went without what she could not afford, the people +called her a witch, and would have done her many an +ill turn if they had not been afraid of her. Now while +Curdie was looking in another direction the door opened, +and out came a little dark-haired, black-eyed, gipsy-looking +child, and toddled across the market-place towards +the outcasts. The moment they saw her coming, Lina<span class="pagenum">[114]</span> +lay down flat on the road, and with her two huge fore-paws +covered her mouth, while Curdie went to meet her, +holding out his arms. The little one came straight to +him, and held up her mouth to be kissed. Then she +took him by the hand, and drew him towards the house, +and Curdie yielded to the silent invitation. But when +Lina rose to follow, the child shrunk from her, frightened +a little. Curdie took her up, and holding her on one +arm, patted Lina with the other hand. Then the child +wanted also to pat doggy, as she called her by a right +bountiful stretch of courtesy, and having once patted her, +nothing would serve but Curdie must let her have a ride +on doggy. So he set her on Lina's back, holding her +hand, and she rode home in merry triumph, all unconscious +of the hundreds of eyes staring at her foolhardiness +from the windows about the market-place, or the +murmur of deep disapproval that rose from as many lips. +At the door stood the grandmother to receive them. She +caught the child to her bosom with delight at her courage, +welcomed Curdie, and showed no dread of Lina. Many +were the significant nods exchanged, and many a one +said to another that the devil and the witch were old +friends. But the woman was only a wise woman, who +having seen how Curdie and Lina behaved to each other, +judged from that what sort they were, and so made them +welcome to her house. She was not like her fellow-<span class="pagenum">[115]</span>townspeople, +for that they were strangers recommended +them to her.</p> + +<p>The moment her door was shut, the other doors began +to open, and soon there appeared little groups about +here and there a threshold, while a few of the more +courageous ventured out upon the square—all ready to +make for their houses again, however, upon the least +sign of movement in the little thatched one.</p> + +<p>The baker and the barber had joined one of these +groups, and were busily wagging their tongues against +Curdie and his horrible beast.</p> + +<p>"He can't be honest," said the barber; "for he +paid me double the worth of the pane he broke in my +window."</p> + +<p>And then he told them how Curdie broke his window +by breaking a stone in the street with his hammer. There +the baker struck in.</p> + +<p>"Now that was the stone," said he, "over which I had +fallen three times within the last month: could it be by +fair means he broke that to pieces at the first blow? +Just to make up my mind on that point I tried his own +hammer against a stone in the gate; it nearly broke both +my arms, and loosened half the teeth in my head!"</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[116]</span></p> + +<h2><a name="CHAPTER_XV" id="CHAPTER_XV"></a>CHAPTER XV.</h2> + +<p class="h2">DERBA AND BARBARA.</p> + +<img class="dropimg" src="images/drop_m.jpg" alt="M" /> +<p class="noin"><span style="font-weight:bold">EANTIME</span> +the wanderers were hospitably +entertained by the old woman and her +grandchild, and they were all very comfortable +and happy together. Little Barbara +sat upon Curdie's knee, and he told her stories about +the mines and his adventures in them. But he never +mentioned the king or the princess, for all that +story was hard to believe. And he told her about +his mother and his father, and how good they were. +And Derba sat and listened. At last little Barbara +fell asleep in Curdie's arms, and her grandmother +carried her to bed.</p> + +<p>It was a poor little house, and Derba gave up her own +room to Curdie, because he was honest and talked wisely. +Curdie saw how it was, and begged her to allow him to +lie on the floor, but she would not hear of it.</p> + +<p>In the night he was waked by Lina pulling at him.<span class="pagenum">[117]</span> +As soon as he spoke to her she ceased, and Curdie, +listening, thought he heard some one trying to get in. He +rose, took his mattock, and went about the house, listening +and watching; but although he heard noises now at +one place, now at another, he could not think what they +meant, for no one appeared. Certainly, considering how +she had frightened them all in the day, it was not likely +any one would attack Lina at night. By-and-by the +noises ceased, and Curdie went back to his bed, and +slept undisturbed.</p> + +<p>In the morning, however, Derba came to him in great +agitation, and said they had fastened up the door, so that +she could not get out. Curdie rose immediately and +went with her: they found that not only the door, but +every window in the house was so secured on the outside +that it was impossible to open one of them without +using great force. Poor Derba looked anxiously in +Curdie's face. He broke out laughing.</p> + +<p>"They are much mistaken," he said, "if they fancy +they could keep Lina and a miner in any house in +Gwyntystorm—even if they built up doors and windows."</p> + +<p>With that he shouldered his mattock. But Derba +begged him not to make a hole in her house just yet. She +had plenty for breakfast, she said, and before it was +time for dinner they would know what the people meant +by it.<span class="pagenum">[118]</span></p> + +<p>And indeed they did. For within an hour appeared +one of the chief magistrates of the city, accompanied by +a score of soldiers with drawn swords, and followed by a +great multitude of the people, requiring the miner and +his brute to yield themselves, the one that he might be +tried for the disturbance he had occasioned and the +injury he had committed, the other that she might be +roasted alive for her part in killing two valuable and +harmless animals belonging to worthy citizens. The +summons was preceded and followed by flourish of +trumpet, and was read with every formality by the city +marshal himself.</p> + +<p>The moment he ended, Lina ran into the little passage, +and stood opposite the door.</p> + +<p>"I surrender," cried Curdie.</p> + +<p>"Then tie up your brute, and give her here."</p> + +<p>"No, no," cried Curdie through the door. "I surrender; +but I'm not going to do your hangman's work. +If you want my dog, you must take her."</p> + +<p>"Then we shall set the house on fire, and burn witch +and all."</p> + +<p>"It will go hard with us but we shall kill a few dozen +of you first," cried Curdie. "We're not the least afraid +of you."</p> + +<p>With that Curdie turned to Derba, and said:—</p> + +<p>"Don't be frightened. I have a strong feeling that all<span class="pagenum">[119]</span> +will be well. Surely no trouble will come to you for +being good to strangers."</p> + +<p>"But the poor dog!" said Derba.</p> + +<p>Now Curdie and Lina understood each other more +than a little by this time, and not only had he seen +that she understood the proclamation, but when she +looked up at him after it was read, it was with such a +grin, and such a yellow flash, that he saw also she was +determined to take care of herself.</p> + +<p>"The dog will probably give you reason to think a +little more of her ere long," he answered. "But now," he +went on, "I fear I must hurt your house a little. I have +great confidence, however, that I shall be able to make +up to you for it one day."</p> + +<p>"Never mind the house, if only you can get safe off," +she answered. "I don't think they will hurt this precious +lamb," she added, clasping little Barbara to her bosom. +"For myself, it is all one; I am ready for anything."</p> + +<p>"It is but a little hole for Lina I want to make," said +Curdie. "She can creep through a much smaller one +than you would think."</p> + +<p>Again he took his mattock, and went to the back +wall.</p> + +<p>"They won't burn the house," he said to himself. +"There is too good a one on each side of it."</p> + +<p>The tumult had kept increasing every moment, and<span class="pagenum">[120]</span> +the city marshal had been shouting, but Curdie had not +listened to him. When now they heard the blows of his +mattock, there went up a great cry, and the people +taunted the soldiers that they were afraid of a dog and +his miner. The soldiers therefore made a rush at the +door, and cut its fastenings.</p> + +<p>The moment they opened it, out leaped Lina, with a +roar so unnaturally horrible that the sword-arms of the +soldiers dropped by their sides, paralysed with the terror +of that cry; the crowd fled in every direction, shrieking +and yelling with mortal dismay; and without even knocking +down with her tail, not to say biting a man of them +with her pulverizing jaws, Lina vanished—no one knew +whither, for not one of the crowd had had courage to +look upon her.</p> + +<p>The moment she was gone, Curdie advanced and gave +himself up. The soldiers were so filled with fear, shame, +and chagrin, that they were ready to kill him on the spot. +But he stood quietly facing them, with his mattock on +his shoulder; and the magistrate wishing to examine +him, and the people to see him made an example of, the +soldiers had to content themselves with taking him. +Partly for derision, partly to hurt him, they laid his +mattock against his back, and tied his arms to it.</p> + +<p>They led him up a very steep street, and up another +still, all the crowd following. The king's palace-castle<span class="pagenum">[121]</span> +rose towering above them; but they stopped before they +reached it, at a low-browed door in a great, dull, heavy-looking +building.</p> + +<p>The city marshal opened it with a key which hung at +his girdle, and ordered Curdie to enter. The place +within was dark as night, and while he was feeling his +way with his feet, the marshal gave him a rough push. +He fell, and rolled once or twice over, unable to help +himself because his hands were tied behind him.</p> + +<p>It was the hour of the magistrate's second and more +important breakfast, and until that was over he never +found himself capable of attending to a case with concentration +sufficient to the distinguishing of the side upon +which his own advantage lay; and hence was this respite +for Curdie, with time to collect his thoughts. But indeed +he had very few to collect, for all he had to do, so far as +he could see, was to wait for what would come next. +Neither had he much power to collect them, for he was +a good deal shaken.</p> + +<p>In a few minutes he discovered, to his great relief, +that, from the projection of the pick-end of his mattock +beyond his body, the fall had loosened the ropes tied round +it. He got one hand disengaged, and then the other; +and presently stood free, with his good mattock once +more in right serviceable relation to his arms and legs.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[122]</span></p> + +<h2><a name="CHAPTER_XVI" id="CHAPTER_XVI"></a>CHAPTER XVI.</h2> + +<p class="h2">THE MATTOCK.</p> + +<img class="dropimg" src="images/drop_w.jpg" alt="W" /> +<p class="noin"><span style="font-weight:bold">HILE</span> +the magistrate reinvigorated his selfishness +with a greedy breakfast, Curdie found +doing nothing in the dark rather wearisome +work. It was useless attempting to think +what he should do next, seeing the circumstances in +which he was presently to find himself were altogether +unknown to him. So he began to think about his +father and mother in their little cottage home, high +in the clear air of the open mountain-side, and the +thought, instead of making his dungeon gloomier by the +contrast, made a light in his soul that destroyed the +power of darkness and captivity. But he was at length +startled from his waking dream by a swell in the noise +outside. All the time there had been a few of the more +idle of the inhabitants about the door, but they had been +rather quiet. Now, however, the sounds of feet and voices +began to grow, and grew so rapidly that it was plain a<span class="pagenum">[123]</span> +multitude was gathering. For the people of Gwyntystorm +always gave themselves an hour of pleasure after their +second breakfast, and what greater pleasure could they +have than to see a stranger abused by the officers of +justice? The noise grew till it was like the roaring of +the sea, and that roaring went on a long time, for the +magistrate, being a great man, liked to know that he was +waited for: it added to the enjoyment of his breakfast, +and, indeed, enabled him to eat a little more after he had +thought his powers exhausted. But at length, in the +waves of the human noises rose a bigger wave, and by +the running and shouting and outcry, Curdie learned +that the magistrate was approaching.</p> + +<p>Presently came the sound of the great rusty key in the +lock, which yielded with groaning reluctance; the door +was thrown back, the light rushed in, and with it came +the voice of the city marshal, calling upon Curdie, by +many legal epithets opprobrious, to come forth and be +tried for his life, inasmuch as he had raised a tumult in +his majesty's city of Gwyntystorm, troubled the hearts of +the king's baker and barber, and slain the faithful dogs +of his majesty's well-beloved butchers.</p> + +<p>He was still reading, and Curdie was still seated in the +brown twilight of the vault, not listening, but pondering +with himself how this king the city marshal talked of +could be the same with the majesty he had seen ride<span class="pagenum">[124]</span> +away on his grand white horse, with the Princess Irene +on a cushion before him, when a scream of agonized +terror arose on the farthest skirt of the crowd, and, swifter +than flood or flame, the horror spread shrieking. In a +moment the air was filled with hideous howling, cries of +unspeakable dismay, and the multitudinous noise of running +feet. The next moment, in at the door of the vault +bounded Lina, her two green eyes flaming yellow as sunflowers, +and seeming to light up the dungeon. With one +spring she threw herself at Curdie's feet, and laid her +head upon them panting. Then came a rush of two or +three soldiers darkening the doorway, but it was only to +lay hold of the key, pull the door to, and lock it; so that +once more Curdie and Lina were prisoners together.</p> + +<p>For a few moments Lina lay panting hard: it is breathless +work leaping and roaring both at once, and that in a +way to scatter thousands of people. Then she jumped +up, and began snuffing about all over the place; and +Curdie saw what he had never seen before—two faint spots +of light cast from her eyes upon the ground, one on each +side of her snuffing nose. He got out his tinder-box—a +miner is never without one—and lighted a precious bit of +candle he carried in a division of it—just for a moment, +for he must not waste it.</p> + +<p>The light revealed a vault without any window or other +opening than the door. It was very old and much<span class="pagenum">[125]</span> +neglected. The mortar had vanished from between the +stones, and it was half filled with a heap of all sorts of +rubbish, beaten down in the middle, but looser at the +sides; it sloped from the door to the foot of the opposite +wall: evidently for a long time the vault had been left +open, and every sort of refuse thrown into it. A single +minute served for the survey, so little was there to note.</p> + +<p>Meantime, down in the angle between the back wall +and the base of the heap Lina was scratching furiously +with all the eighteen great strong claws of her mighty +feet.</p> + +<p>"Ah, ha!" said Curdie to himself, catching sight of +her, "if only they will leave us long enough to ourselves!"</p> + +<p>With that he ran to the door, to see if there was any +fastening on the inside. There was none: in all its long +history it never had had one. But a few blows of the +right sort, now from the one, now from the other end of +his mattock, were as good as any bolt, for they so ruined +the lock that no key could ever turn in it again. Those +who heard them fancied he was trying to get out, and +laughed spitefully. As soon as he had done, he extinguished +his candle, and went down to Lina.</p> + +<p>She had reached the hard rock which formed the floor of +the dungeon, and was now clearing away the earth a little +wider. Presently she looked up in his face and whined,<span class="pagenum">[126]</span> +as much as to say, "My paws are not hard enough to +get any further."</p> + +<p>"Then get out of my way, Lina," said Curdie, "and +mind you keep your eyes shining, for fear I should hit +you."</p> + +<p>So saying, he heaved his mattock, and assailed with +the hammer end of it the spot she had cleared.</p> + +<p>The rock was very hard, but when it did break it broke +in good-sized pieces. Now with hammer, now with +pick, he worked till he was weary, then rested, and then +set to again. He could not tell how the day went, as he +had no light but the lamping of Lina's eyes. The darkness +hampered him greatly, for he would not let Lina +come close enough to give him all the light she could, +lest he should strike her. So he had, every now and +then, to feel with his hands to know how he was getting +on, and to discover in what direction to strike: the exact +spot was a mere imagination.</p> + +<p>He was getting very tired and hungry, and beginning +to lose heart a little, when out of the ground, as if +he had struck a spring of it, burst a dull, gleamy, lead-coloured +light, and the next moment he heard a hollow +splash and echo. A piece of rock had fallen out of the +floor, and dropped into water beneath. Already Lina, +who had been lying a few yards off all the time he +worked, was on her feet and peering through the hole.<span class="pagenum">[127]</span> +Curdie got down on his hands and knees, and looked. +They were over what seemed a natural cave in the +rock, to which apparently the river had access, for, +at a great distance below, a faint light was gleaming +upon water. If they could but reach it, they might get +out; but even if it was deep enough, the height was very +dangerous. The first thing, whatever might follow, was +to make the hole larger. It was comparatively easy to +break away the sides of it, and in the course of another +hour he had it large enough to get through.</p> + +<p>And now he must reconnoitre. He took the rope they +had tied him with—for Curdie's hindrances were always +his furtherance—and fastened one end of it by a slip-knot +round the handle of his pickaxe, then dropped the other +end through, and laid the pickaxe so that, when he was +through himself, and hanging on to the edge, he could +place it across the hole to support him on the rope. This +done, he took the rope in his hands, and, beginning to +descend, found himself in a narrow cleft widening into a +cave. His rope was not very long, and would not do +much to lessen the force of his fall—he thought with himself—if +he should have to drop into the water; but he +was not more than a couple of yards below the dungeon +when he spied an opening on the opposite side of the +cleft: it might be but a shallow hole, or it might lead +them out. He dropped himself a little below its level,<span class="pagenum">[128]</span> +gave the rope a swing by pushing his feet against the side +of the cleft, and so penduled himself into it. Then he +laid a stone on the end of the rope that it should not +forsake him, called to Lina, whose yellow eyes were +gleaming over the mattock-grating above, to watch there +till he returned, and went cautiously in.</p> + +<p>It proved a passage, level for some distance, then +sloping gently up. He advanced carefully, feeling his +way as he went. At length he was stopped by a door—a +small door, studded with iron. But the wood was in +places so much decayed that some of the bolts had +dropped out, and he felt sure of being able to open it. +He returned, therefore, to fetch Lina and his mattock. +Arrived at the cleft, his strong miner arms bore him +swiftly up along the rope and through the hole into the +dungeon. There he undid the rope from his mattock, +and making Lina take the end of it in her teeth, and get +through the hole, he lowered her—it was all he could do, +she was so heavy. When she came opposite the passage, +with a slight push of her tail she shot herself into it, and +let go the rope, which Curdie drew up. Then he lighted +his candle and searching in the rubbish found a bit of +iron to take the place of his pickaxe across the hole. +Then he searched again in the rubbish, and found half an +old shutter. This he propped up leaning a little over the +hole, with a bit of stick, and heaped against the back of<span class="pagenum">[129]</span> +it a quantity of the loosened earth. Next he tied his +mattock to the end of the rope, dropped it, and let it +hang. Last, he got through the hole himself, and pulled +away the propping stick, so that the shutter fell over the +hole with a quantity of earth on the top of it. A few +motions of hand over hand, and he swung himself and +his mattock into the passage beside Lina. There he +secured the end of the rope, and they went on together +to the door.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[130]</span></p> + +<h2><a name="CHAPTER_XVII" id="CHAPTER_XVII"></a>CHAPTER XVII.</h2> + +<p class="h2">THE WINE-CELLAR.</p> + +<img class="dropimg" src="images/drop_h.jpg" alt="H" /> +<p class="noin"><span style="font-weight:bold">E</span> +lighted his candle and examined it. +Decayed and broken as it was, it was +strongly secured in its place by hinges on +the one side, and either lock or bolt, he +could not tell which, on the other. A brief use of +his pocket-knife was enough to make room for his +hand and arm to get through, and then he found a +great iron bolt—but so rusty that he could not move it. +Lina whimpered. He took his knife again, made the +hole bigger, and stood back. In she shot her small head +and long neck, seized the bolt with her teeth, and dragged +it grating and complaining back. A push then opened +the door. It was at the foot of a short flight of steps. +They ascended, and at the top Curdie found himself in a +space which, from the echo to his stamp, appeared of +some size, though of what sort he could not at first tell, +for his hands, feeling about, came upon nothing. Presently, +however, they fell on a great thing: it was a wine-cask.</p> + +<div class="figcenter"> +<img src="images/gs04.jpg" alt="gs04" /> +</div> + +<p class="caption">"<i>Curdie was just setting out to explore the place when he heard steps +coming down a stair.</i>"</p> + +<br clear="all" /> + +<p><span class="pagenum">[131]</span></p><p>He was just setting out to explore the place by a +thorough palpation, when he heard steps coming down +a stair. He stood still, not knowing whether the door +would open an inch from his nose or twenty yards behind +his back. It did neither. He heard the key turn +in the lock, and a stream of light shot in, ruining the +darkness, about fifteen yards away on his right.</p> + +<p>A man carrying a candle in one hand and a large silver +flagon in the other, entered, and came towards him. The +light revealed a row of huge wine-casks, that stretched +away into the darkness of the other end of the long vault. +Curdie retreated into the recess of the stair, and peeping +round the corner of it, watched him, thinking what he +could do to prevent him from locking them in. +He came on and on, until Curdie feared he would pass +the recess and see them. He was just preparing to rush +out, and master him before he should give alarm, not +in the least knowing what he should do next, when, to his +relief, the man stopped at the third cask from where he +stood. He set down his light on the top of it, removed +what seemed a large vent-peg, and poured into the cask +a quantity of something from the flagon. Then he +turned to the next cask, drew some wine, rinsed the +flagon, threw the wine away, drew and rinsed and threw +away again, then drew and drank, draining to the bottom.<span class="pagenum">[132]</span> +Last of all, he filled the flagon from the cask he had first +visited, replaced then the vent-peg, took up his candle, +and turned towards the door.</p> + +<p>"There is something wrong here!" thought Curdie.</p> + +<p>"Speak to him, Lina," he whispered.</p> + +<p>The sudden howl she gave made Curdie himself start +and tremble for a moment. As to the man, he answered +Lina's with another horrible howl, forced from him by +the convulsive shudder of every muscle of his body, then +reeled gasping to and fro, and dropped his candle. But +just as Curdie expected to see him fall dead he recovered +himself, and flew to the door, through which he darted, +leaving it open behind him. The moment he ran, Curdie +stepped out, picked up the candle still alight, sped after +him to the door, drew out the key, and then returned to +the stair and waited. In a few minutes he heard the +sound of many feet and voices. Instantly he turned the +tap of the cask from which the man had been drinking, +set the candle beside it on the floor, went down the steps +and out of the little door, followed by Lina, and closed +it behind them.</p> + +<p>Through the hole in it he could see a little, and hear +all. He could see how the light of many candles filled +the place, and could hear how some two dozen feet ran +hither and thither through the echoing cellar; he could +hear the clash of iron, probably spits and pokers, now and<span class="pagenum">[133]</span> +then; and at last heard how, finding nothing remarkable +except the best wine running to waste, they all turned on +the butler, and accused him of having fooled them with a +drunken dream. He did his best to defend himself, +appealing to the evidence of their own senses that he was +as sober as they were. They replied that a fright was no +less a fright that the cause was imaginary, and a dream +no less a dream that the fright had waked him from it. +When he discovered, and triumphantly adduced as +corroboration, that the key was gone from the door, they +said it merely showed how drunk he had been—either +that or how frightened, for he had certainly dropped it. +In vain he protested that he had never taken it out of the +lock—that he never did when he went in, and certainly +had not this time stopped to do so when he came out; +they asked him why he had to go to the cellar at such a +time of the day, and said it was because he had already +drunk all the wine that was left from dinner. He said if he +had dropped the key, the key was to be found, and they +must help him to find it. They told him they wouldn't +move a peg for him. He declared, with much language, +he would have them all turned out of the king's service. +They said they would swear he was drunk. And so +positive were they about it, that at last the butler himself +began to think whether it was possible they could be in +the right. For he knew that sometimes when he had<span class="pagenum">[134]</span> +been drunk he fancied things had taken place which he +found afterwards could not have happened. Certain of +his fellow-servants, however, had all the time a doubt +whether the cellar goblin had not appeared to him, or at +least roared at him, to protect the wine. In any case +nobody wanted to find the key for him; nothing could +please them better than that the door of the wine-cellar +should never more be locked. By degrees the hubbub +died away, and they departed, not even pulling to the +door, for there was neither handle nor latch to it.</p> + +<p>As soon as they were gone, Curdie returned, knowing +now that they were in the wine-cellar of the palace, as, +indeed, he had suspected. Finding a pool of wine in a +hollow of the floor, Lina lapped it up eagerly: she had +had no breakfast, and was now very thirsty as well as +hungry. Her master was in a similar plight, for he had +but just begun to eat when the magistrate arrived +with the soldiers. If only they were all in bed, he +thought, that he might find his way to the larder! For +he said to himself that, as he was sent there by the young +princess's great-great-grandmother to serve her or her +father in some way, surely he must have a right to his +food in the palace, without which he could do nothing. +He would go at once and reconnoitre.</p> + +<p>So he crept up the stair that led from the cellar. At +the top was a door, opening on a long passage, dimly<span class="pagenum">[135]</span> +lighted by a lamp. He told Lina to lie down upon the +stair while he went on. At the end of the passage he +found a door ajar, and, peeping through, saw right into a +great stone hall, where a huge fire was blazing, and through +which men in the king's livery were constantly coming and +going. Some also in the same livery were lounging about +the fire. He noted that their colours were the same with +those he himself, as king's miner, wore; but from what +he had seen and heard of the habits of the place, he +could not hope they would treat him the better for that.</p> + +<p>The one interesting thing at the moment, however, was +the plentiful supper with which the table was spread. It +was something at least to stand in sight of food, and he +was unwilling to turn his back on the prospect so long as +a share in it was not absolutely hopeless. Peeping thus, +he soon made up his mind that if at any moment the +hall should be empty, he would at that moment rush in +and attempt to carry off a dish. That he might lose no +time by indecision, he selected a large pie upon which to +pounce instantaneously. But after he had watched for +some minutes, it did not seem at all likely the chance +would arrive before supper-time, and he was just about to +turn away and rejoin Lina, when he saw that there was not +a person in the place. Curdie never made up his mind +and then hesitated. He darted in, seized the pie, and +bore it, swiftly and noiselessly, to the cellar stair.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[136]</span></p> + +<h2><a name="CHAPTER_XVIII" id="CHAPTER_XVIII"></a>CHAPTER XVIII.</h2> + +<p class="h2">THE KING'S KITCHEN.</p> + +<img class="dropimg" src="images/drop_b.jpg" alt="B" /> +<p class="noin"><span style="font-weight:bold">ACK</span> +to the cellar Curdie and Lina sped +with their booty, where, seated on the +steps, Curdie lighted his bit of candle for +a moment. A very little bit it was now, +but they did not waste much of it in examination +of the pie; that they effected by a more summary +process. Curdie thought it the nicest food he had +ever tasted, and between them they soon ate it up. +Then Curdie would have thrown the dish along with the +bones into the water, that there might be no traces of +them; but he thought of his mother, and hid it instead; +and the very next minute they wanted it to draw some +wine into. He was careful it should be from the cask of +which he had seen the butler drink. Then they sat down +again upon the steps, and waited until the house should +be quiet. For he was there to do something, and if it +did not come to him in the cellar, he must go to meet<span class="pagenum">[137]</span> +it in other places. Therefore, lest he should fall +asleep, he set the end of the helve of his mattock on the +ground, and seated himself on the cross part, leaning +against the wall, so that as long as he kept awake he +should rest, but the moment he began to fall asleep he +must fall awake instead. He quite expected some +of the servants would visit the cellar again that +night, but whether it was that they were afraid +of each other, or believed more of the butler's +story than they had chosen to allow, not one of +them appeared.</p> + +<p>When at length he thought he might venture, he +shouldered his mattock and crept up the stair. The +lamp was out in the passage, but he could not miss his +way to the servants' hall. Trusting to Lina's quickness +in concealing herself, he took her with him.</p> + +<p>When they reached the hall they found it quiet and +nearly dark. The last of the great fire was glowing red, +but giving little light. Curdie stood and warmed himself +for a few moments: miner as he was, he had found +the cellar cold to sit in doing nothing; and standing +thus he thought of looking if there were any bits of +candle about. There were many candlesticks on the +supper-table, but to his disappointment and indignation +their candles seemed to have been all left to burn out, +and some of them, indeed, he found still hot in the neck.<span class="pagenum">[138]</span></p> + +<p>Presently, one after another, he came upon seven men +fast asleep, most of them upon tables, one in a chair, and +one on the floor. They seemed, from their shape and +colour, to have eaten and drunk so much that they might +be burned alive without waking. He grasped the hand +of each in succession, and found two ox-hoofs, three +pig-hoofs, one concerning which he could not be sure +whether it was the hoof of a donkey or a pony, +and one dog's paw. "A nice set of people to +be about a king!" thought Curdie to himself, and +turned again to his candle hunt. He did at last +find two or three little pieces, and stowed them away +in his pockets.</p> + +<p>They now left the hall by another door, and entered +a short passage, which led them to the huge kitchen, +vaulted, and black with smoke. There too the fire was +still burning, so that he was able to see a little of the state +of things in this quarter also. The place was dirty and +disorderly. In a recess, on a heap of brushwood, lay a +kitchenmaid, with a table-cover around her, and a skillet +in her hand: evidently she too had been drinking. In +another corner lay a page, and Curdie noted how like his +dress was to his own. In the cinders before the hearth +were huddled three dogs and five cats, all fast asleep, +while the rats were running about the floor. Curdie's +heart ached to think of the lovely child-princess living<span class="pagenum">[139]</span> +over such a sty. The mine was a paradise to a palace +with such servants in it.</p> + +<p>Leaving the kitchen, he got into the region of the +sculleries. There horrible smells were wandering about, +like evil spirits that come forth with the darkness. +He lighted a candle—but only to see ugly sights. Everywhere +was filth and disorder. Mangy turn-spit dogs were +lying about, and gray rats were gnawing at refuse in the +sinks. It was like a hideous dream. He felt as if he +should never get out of it, and longed for one glimpse of +his mother's poor little kitchen, so clean and bright and +airy. Turning from it at last in miserable disgust, he +almost ran back through the kitchen, re-entered the hall, +and crossed it to another door.</p> + +<p>It opened upon a wider passage, leading to an arch in +a stately corridor, all its length lighted by lamps in +niches. At the end of it was a large and beautiful hall, +with great pillars. There sat three men in the royal +livery, fast asleep, each in a great arm-chair, with his feet +on a huge footstool. They looked like fools dreaming +themselves kings; and Lina looked as if she longed to +throttle them. At one side of the hall was the grand +staircase, and they went up.</p> + +<p>Everything that now met Curdie's eyes was rich—not +glorious like the splendours of the mountain cavern, but +rich and soft—except where, now and then, some rough<span class="pagenum">[140]</span> +old rib of the ancient fortress came through, hard and +discoloured. Now some dark bare arch of stone, now +some rugged and blackened pillar, now some huge beam, +brown with the smoke and dust of centuries, looked like +a thistle in the midst of daisies, or a rock in a smooth +lawn.</p> + +<p>They wandered about a good while, again and again +finding themselves where they had been before. Gradually, +however, Curdie was gaining some idea of the place. By-and-by +Lina began to look frightened, and as they went +on Curdie saw that she looked more and more frightened. +Now, by this time he had come to understand that what +made her look frightened was always the fear of frightening, +and he therefore concluded they must be drawing +nigh to somebody. At last, in a gorgeously-painted +gallery, he saw a curtain of crimson, and on the curtain a +royal crown wrought in silks and stones. He felt sure +this must be the king's chamber, and it was here he was +wanted; or, if it was not the place he was bound for, +something would meet him and turn him aside; for he +had come to think that so long as a man wants to do +right he may go where he can: when he can go no further, +then it is not the way. "Only," said his father, in +assenting to the theory, "he must really want to do right, +and not merely fancy he does. He must want it with his +heart and will, and not with his rag of a tongue."<span class="pagenum">[141]</span></p> + +<p>So he gently lifted the corner of the curtain, and there +behind it was a half-open door. He entered, and the +moment he was in, Lina stretched herself along the +threshold between the curtain and the door.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[142]</span></p> + +<h2><a name="CHAPTER_XIX" id="CHAPTER_XIX"></a>CHAPTER XIX.</h2> + +<p class="h2">THE KING'S CHAMBER.</p> + +<img class="dropimg" src="images/drop_h.jpg" alt="H" /> +<p class="noin"><span style="font-weight:bold">E</span> +found himself in a large room, dimly +lighted by a silver lamp that hung from +the ceiling. Far at the other end was +a great bed, surrounded with dark heavy +curtains. He went softly towards it, his heart beating +fast. It was a dreadful thing to be alone in the king's +chamber at the dead of night. To gain courage he +had to remind himself of the beautiful princess who +had sent him. But when he was about halfway to +the bed, a figure appeared from the farther side of it, +and came towards him, with a hand raised warningly. +He stood still. The light was dim, and he could distinguish +little more than the outline of a young girl. +But though the form he saw was much taller than +the princess he remembered, he never doubted it was +she. For one thing, he knew that most girls would have +been frightened to see him there in the dead of the night,<span class="pagenum">[143]</span> +but like a true princess, and the princess he used to +know, she walked straight on to meet him. As she came +she lowered the hand she had lifted, and laid the forefinger +of it upon her lips. Nearer and nearer, quite +near, close up to him she came, then stopped, and stood +a moment looking at him.</p> + +<p>"You are Curdie," she said.</p> + +<p>"And you are the Princess Irene," he returned.</p> + +<p>"Then we know each other still," she said, with a sad +smile of pleasure. "You will help me."</p> + +<p>"That I will," answered Curdie. He did not say, "If I +can;" for he knew that what he was sent to do, that he +could do. "May I kiss your hand, little princess?"</p> + +<p>She was only between nine and ten, though indeed she +looked several years older, and her eyes almost those of +a grown woman, for she had had terrible trouble of late.</p> + +<p>She held out her hand.</p> + +<p>"I am not the <i>little</i> princess any more. I have grown +up since I saw you last, Mr. Miner."</p> + +<p>The smile which accompanied the words had in it a +strange mixture of playfulness and sadness.</p> + +<p>"So I see, Miss Princess," returned Curdie; "and +therefore, being more of a princess, you are the more +my princess. Here I am, sent by your great-great-grandmother, +to be your servant.—May I ask why you are +up so late, princess?"<span class="pagenum">[144]</span></p> + +<p>"Because my father wakes <i>so</i> frightened, and I don't +know what he <i>would</i> do if he didn't find me by his bedside. +There! he's waking now."</p> + +<p>She darted off to the side of the bed she had come +from. Curdie stood where he was.</p> + +<p>A voice altogether unlike what he remembered of the +mighty, noble king on his white horse came from the +bed, thin, feeble, hollow, and husky, and in tone like that +of a petulant child:—</p> + +<p>"I will not, I will not. I am a king, and I <i>will</i> be a +king. I hate you and despise you, and you shall not +torture me!"</p> + +<p>"Never mind them, father dear," said the princess. +"I am here, and they shan't touch you. They dare not, +you know, so long as you defy them."</p> + +<p>"They want my crown, darling; and I can't give them +my crown, can I? for what is a king without his crown?"</p> + +<p>"They shall never have your crown, my king," said +Irene. "Here it is—all safe, you see. I am watching it +for you."</p> + +<p>Curdie drew near the bed on the other side. There +lay the grand old king—he looked grand still, and twenty +years older. His body was pillowed high; his beard +descended long and white over the crimson coverlid; +and his crown, its diamonds and emeralds gleaming in +the twilight of the curtains, lay in front of him, his long,<span class="pagenum">[145]</span> +thin old hands folded round the rigol, and the ends +of his beard straying among the lovely stones. His +face was like that of a man who had died fighting nobly; +but one thing made it dreadful: his eyes, while they +moved about as if searching in this direction and in that, +looked more dead than his face. He saw neither his +daughter nor his crown: it was the voice of the one and +the touch of the other that comforted him. He kept +murmuring what seemed words, but was unintelligible to +Curdie, although, to judge from the look of Irene's face, +she learned and concluded from it.</p> + +<p>By degrees his voice sank away and the murmuring +ceased, although still his lips moved. Thus lay the old +king on his bed, slumbering with his crown between his +hands; on one side of him stood a lovely little maiden, +with blue eyes, and brown hair going a little back from +her temples, as if blown by a wind that no one felt but +herself; and on the other a stalwart young miner, with +his mattock over his shoulder. Stranger sight still was +Lina lying along the threshold—only nobody saw her just +then.</p> + +<p>A moment more and the king's lips ceased to move. +His breathing had grown regular and quiet. The +princess gave a sigh of relief, and came round to Curdie.</p> + +<p>"We can talk a little now," she said, leading him +towards the middle of the room. "My father will sleep<span class="pagenum">[146]</span> +now till the doctor wakes him to give him his medicine. +It is not really medicine, though, but wine. Nothing but +that, the doctor says, could have kept him so long alive. +He always comes in the middle of the night to give it +him with his own hands. But it makes me cry to see +him waked up when so nicely asleep."</p> + +<p>"What sort of man is your doctor?" asked Curdie.</p> + +<p>"Oh, such a dear, good, kind gentleman!" replied the +princess. "He speaks so softly, and is so sorry for his +dear king! He will be here presently, and you shall see +for yourself. You will like him very much."</p> + +<p>"Has your king-father been long ill?" asked +Curdie.</p> + +<p>"A whole year now," she replied. "Did you not +know? That's how your mother never got the red +petticoat my father promised her. The lord chancellor +told me that not only Gwyntystorm but the whole land +was mourning over the illness of the good man."</p> + +<p>Now Curdie himself had not heard a word of his +majesty's illness, and had no ground for believing that a +single soul in any place he had visited on his journey +had heard of it. Moreover, although mention had been +made of his majesty again and again in his hearing since +he came to Gwyntystorm, never once had he heard an +allusion to the state of his health. And now it dawned +upon him also that he had never heard the least expres<span class="pagenum">[147]</span>sion +of love to him. But just for the time he thought +it better to say nothing on either point.</p> + +<p>"Does the king wander like this every night?" he +asked.</p> + +<p>"Every night," answered Irene, shaking her head +mournfully. "That is why I never go to bed at night. +He is better during the day—a little, and then I sleep—in +the dressing-room there, to be with him in a moment +if he should call me. It is <i>so</i> sad he should have only me +and not my mamma! A princess is nothing to a queen!"</p> + +<p>"I wish he would like me," said Curdie, "for then +I might watch by him at night, and let you go to bed, +princess."</p> + +<p>"Don't you know then?" returned Irene, in wonder. +"How was it you came?—Ah! you said my grandmother +sent you. But I thought you knew that he wanted you."</p> + +<p>And again she opened wide her blue stars.</p> + +<p>"Not I," said Curdie, also bewildered, but very glad.</p> + +<p>"He used to be constantly saying—he was not so ill +then as he is now—that he wished he had you about +him."</p> + +<p>"And I never to know it!" said Curdie, with displeasure.</p> + +<p>"The master of the horse told papa's own secretary +that he had written to the miner-general to find you and +send you up; but the miner-general wrote back to the<span class="pagenum">[148]</span> +master of the horse, and he told the secretary, and the +secretary told my father, that they had searched every +mine in the kingdom and could hear nothing of you. +My father gave a great sigh, and said he feared the +goblins had got you after all, and your father and mother +were dead of grief. And he has never mentioned you since, +except when wandering. I cried very much. But one +of my grandmother's pigeons with its white wing flashed +a message to me through the window one day, and then +I knew that my Curdie wasn't eaten by the goblins, for +my grandmother wouldn't have taken care of him one +time to let him be eaten the next. Where were you, +Curdie, that they couldn't find you?"</p> + +<p>"We will talk about that another time, when we are +not expecting the doctor," said Curdie.</p> + +<p>As he spoke, his eyes fell upon something shining on +the table under the lamp. His heart gave a great throb, +and he went nearer.—Yes, there could be no doubt;—it +was the same flagon that the butler had filled in the wine-cellar.</p> + +<p>"It looks worse and worse!" he said to himself, and +went back to Irene, where she stood half dreaming.</p> + +<p>"When will the doctor be here?" he asked once +more—this time hurriedly.</p> + +<p>The question was answered—not by the princess, but +by something which that instant tumbled heavily into<span class="pagenum">[149]</span> +the room. Curdie flew towards it in vague terror about +Lina.</p> + +<p>On the floor lay a little round man, puffing and +blowing, and uttering incoherent language. Curdie +thought of his mattock, and ran and laid it aside.</p> + +<p>"Oh, dear Dr. Kelman!" cried the princess, running +up and taking hold of his arm; "I am <i>so</i> sorry!" She +pulled and pulled, but might almost as well have tried to +set up a cannon-ball. "I hope you have not hurt yourself?"</p> + +<p>"Not at all, not at all," said the doctor, trying to +smile and to rise both at once, but finding it impossible +to do either.</p> + +<p>"If he slept on the floor he would be late for breakfast," +said Curdie to himself, and held out his hand to +help him.</p> + +<p>But when he took hold of it, Curdie very nearly let +him fall again, for what he held was not even a foot: it +was the belly of a creeping thing. He managed, +however, to hold both his peace and his grasp, and +pulled the doctor roughly on his legs—such as they +were.</p> + +<p>"Your royal highness has rather a thick mat at the +door," said the doctor, patting his palms together. "I +hope my awkwardness may not have startled his +majesty."<span class="pagenum">[150]</span></p> + +<p>While he talked Curdie went to the door: Lina was +not there.</p> + +<p>The doctor approached the bed.</p> + +<p>"And how has my beloved king slept to-night?" he +asked.</p> + +<p>"No better," answered Irene, with a mournful shake of +her head.</p> + +<p>"Ah, that is very well!" returned the doctor, his fall +seeming to have muddled either his words or his meaning. +"We must give him his wine, and then he will be +better still."</p> + +<p>Curdie darted at the flagon, and lifted it high, as +if he had expected to find it full, but had found it +empty.</p> + +<p>"That stupid butler! I heard them say he was +drunk!" he cried in a loud whisper, and was gliding +from the room.</p> + +<p>"Come here with that flagon, you! page!" cried the +doctor.</p> + +<p>Curdie came a few steps towards him with the flagon +dangling from his hand, heedless of the gushes that fell +noiseless on the thick carpet.</p> + +<p>"Are you aware, young man," said the doctor, "that +it is not every wine can do his majesty the +benefit I intend he should derive from my prescription?"<span class="pagenum">[151]</span></p> + +<p>"Quite aware, sir," answered Curdie. "The wine +for his majesty's use is in the third cask from the +corner."</p> + +<p>"Fly, then," said the doctor, looking satisfied.</p> + +<p>Curdie stopped outside the curtain and blew an audible +breath—no more: up came Lina noiseless as a shadow. +He showed her the flagon.</p> + +<p>"The cellar, Lina: go," he said.</p> + +<p>She galloped away on her soft feet, and Curdie had +indeed to fly to keep up with her. Not once did she +make even a dubious turn. From the king's gorgeous +chamber to the cold cellar they shot. Curdie dashed the +wine down the back stair, rinsed the flagon out as he had +seen the butler do, filled it from the cask of which he had +seen the butler drink, and hastened with it up again to +the king's room.</p> + +<p>The little doctor took it, poured out a full glass, smelt, +but did not taste it, and set it down. Then he leaned +over the bed, shouted in the king's ear, blew upon +his eyes, and pinched his arm: Curdie thought he saw +him run something bright into it. At last the king +half woke. The doctor seized the glass, raised his +head, poured the wine down his throat, and let his +head fall back on the pillow again. Tenderly wiping his +beard, and bidding the princess good-night in paternal +tones, he then took his leave. Curdie would gladly have<span class="pagenum">[152]</span> +driven his pick into his head, but that was not in his +commission, and he let him go.</p> + +<p>The little round man looked very carefully to his feet +as he crossed the threshold.</p> + +<p>"That attentive fellow of a page has removed the +mat," he said to himself, as he walked along the +corridor. "I must remember him."</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[153]</span></p> + +<h2><a name="CHAPTER_XX" id="CHAPTER_XX"></a>CHAPTER XX.</h2> + +<p class="h2">COUNTER-PLOTTING.</p> + +<img class="dropimg" src="images/drop_c.jpg" alt="C" /> +<p class="noin"><span style="font-weight:bold">URDIE</span> +was already sufficiently enlightened +as to how things were going, to see that +he must have the princess of one mind +with him, and they must work together. +It was clear that amongst those about the king there +was a plot against him: for one thing, they had +agreed in a lie concerning himself; and it was plain also +that the doctor was working out a design against the +health and reason of his majesty, rendering the question +of his life a matter of little moment. It was in itself +sufficient to justify the worst fears, that the people outside +the palace were ignorant of his majesty's condition: he +believed those inside it also—the butler excepted—were +ignorant of it as well. Doubtless his majesty's councillors +desired to alienate the hearts of his subjects from +their sovereign. Curdie's idea was that they intended +to kill the king, marry the princess to one of them<span class="pagenum">[154]</span>selves, +and found a new dynasty; but whatever their +purpose, there was treason in the palace of the worst sort: +they were making and keeping the king incapable, in +order to effect that purpose. The first thing to be seen +to therefore was, that his majesty should neither eat +morsel nor drink drop of anything prepared for him in +the palace. Could this have been managed without the +princess, Curdie would have preferred leaving her in +ignorance of the horrors from which he sought to deliver +her. He feared also the danger of her knowledge +betraying itself to the evil eyes about her; but it must be +risked—and she had always been a wise child.</p> + +<p>Another thing was clear to him—that with such traitors +no terms of honour were either binding or possible, and +that, short of lying, he might use any means to foil them. +And he could not doubt that the old princess had sent +him expressly to frustrate their plans.</p> + +<p>While he stood thinking thus with himself, the princess +was earnestly watching the king, with looks of childish +love and womanly tenderness that went to Curdie's heart. +Now and then with a great fan of peacock feathers she +would fan him very softly; now and then, seeing a cloud +begin to gather upon the sky of his sleeping face, she +would climb upon the bed, and bending to his ear whisper +into it, then draw back and watch again—generally +to see the cloud disperse. In his deepest slumber, the<span class="pagenum">[155]</span> +soul of the king lay open to the voice of his child, and +that voice had power either to change the aspect of his +visions, or, which was better still, to breathe hope into his +heart, and courage to endure them.</p> + +<p>Curdie came near, and softly called her.</p> + +<p>"I can't leave papa just yet," she returned, in a low +voice.</p> + +<p>"I will wait," said Curdie; "but I want very much to +say something."</p> + +<p>In a few minutes she came to him where he stood +under the lamp.</p> + +<p>"Well, Curdie, what is it?" she said.</p> + +<p>"Princess," he replied, "I want to tell you that I have +found why your grandmother sent me."</p> + +<p>"Come this way, then," she answered, "where I can +see the face of my king."</p> + +<p>Curdie placed a chair for her in the spot she chose, +where she would be near enough to mark any slightest +change on her father's countenance, yet where their low-voiced +talk would not disturb him. There he sat down +beside her and told her all the story—how her grandmother +had sent her good pigeon for him, and how she +had instructed him, and sent him there without telling +him what he had to do. Then he told her what he had +discovered of the state of things generally in Gwyntystorm, +and specially what he had heard and seen in the +palace that night.<span class="pagenum">[156]</span></p> + +<p>"Things are in a bad state enough," he said in +conclusion;—"lying and selfishness and inhospitality +and dishonesty everywhere; and to crown all, they speak +with disrespect of the good king, and not a man of them +knows he is ill."</p> + +<p>"You frighten me dreadfully," said Irene, trembling.</p> + +<p>"You must be brave for your king's sake," said +Curdie.</p> + +<p>"Indeed I will," she replied, and turned a long loving +look upon the beautiful face of her father. "But what <i>is</i> +to be done? And how <i>am</i> I to believe such horrible +things of Dr. Kelman?"</p> + +<p>"My dear princess," replied Curdie, "you know +nothing of him but his face and his tongue, and they are +both false. Either you must beware of him, or you +must doubt your grandmother and me; for I tell you, by +the gift she gave me of testing hands, that this man is a +snake. That round body he shows is but the case of a +serpent. Perhaps the creature lies there, as in its nest, +coiled round and round inside."</p> + +<p>"Horrible!" said Irene.</p> + +<p>"Horrible indeed; but we must not try to get rid of +horrible things by refusing to look at them, and saying +they are not there. Is not your beautiful father sleeping +better since he had the wine?"</p> + +<p>"Yes."<span class="pagenum">[157]</span></p> + +<p>"Does he always sleep better after having it?"</p> + +<p>She reflected an instant.</p> + +<p>"No; always worse—till to-night," she answered.</p> + +<p>"Then remember that was the wine I got him—not +what the butler drew. Nothing that passes through any +hand in the house except yours or mine must henceforth, +till he is well, reach his majesty's lips."</p> + +<p>"But how, dear Curdie?" said the princess, almost +crying.</p> + +<p>"That we must contrive," answered Curdie. "I know +how to take care of the wine; but for his food—now we +must think."</p> + +<p>"He takes hardly any," said the princess, with a +pathetic shake of her little head which Curdie had +almost learned to look for.</p> + +<p>"The more need," he replied, "there should be no +poison in it." Irene shuddered. "As soon as he has +honest food he will begin to grow better. And you +must be just as careful with yourself, princess," Curdie +went on, "for you don't know when they may begin to +poison you too."</p> + +<p>"There's no fear of me; don't talk about me," said +Irene. "The good food!—how are we to get it, Curdie? +That is the whole question."</p> + +<p>"I am thinking hard," answered Curdie. "The good +food? Let me see—let me see!—Such servants as I saw<span class="pagenum">[158]</span> +below are sure to have the best of everything for themselves: +I will go and see what I can find on their +supper-table."</p> + +<p>"The chancellor sleeps in the house, and he and the +master of the king's horse always have their supper +together in a room off the great hall, to the right as you +go down the stair," said Irene. "I would go with you, +but I dare not leave my father. Alas! he scarcely ever +takes more than a mouthful. I can't think how he lives! +And the very thing he would like, and often asks for—a +bit of bread—I can hardly ever get for him: Dr. Kelman +has forbidden it, and says it is nothing less than +poison to him."</p> + +<p>"Bread at least he <i>shall</i> have," said Curdie; "and +that, with the honest wine, will do as well as anything, +I do believe. I will go at once and look for some. But +I want you to see Lina first, and know her, lest, coming +upon her by accident at any time, you should be frightened."</p> + +<p>"I should like much to see her," said the princess.</p> + +<p>Warning her not to be startled by her ugliness, he went +to the door and called her.</p> + +<p>She entered, creeping with downcast head, and dragging +her tail over the floor behind her. Curdie watched +the princess as the frightful creature came nearer and +nearer. One shudder went from head to foot of her, and<span class="pagenum">[159]</span> +next instant she stepped to meet her. Lina dropped flat +on the floor, and covered her face with her two big paws. +It went to the heart of the princess: in a moment she +was on her knees beside her, stroking her ugly head, +and patting her all over.</p> + +<p>"Good dog! Dear ugly dog!" she said.</p> + +<p>Lina whimpered.</p> + +<p>"I believe," said Curdie, "from what your grandmother +told me, that Lina is a woman, and that she was +naughty, but is now growing good."</p> + +<p>Lina had lifted her head while Irene was caressing her; +now she dropped it again between her paws; but the +princess took it in her hands, and kissed the forehead +betwixt the gold-green eyes.</p> + +<p>"Shall I take her with me or leave her?" asked +Curdie.</p> + +<p>"Leave her, poor dear," said Irene, and Curdie, +knowing the way now, went without her.</p> + +<p>He took his way first to the room the princess had +spoken of, and there also were the remains of supper; +but neither there nor in the kitchen could he find a scrap +of plain wholesome-looking bread. So he returned and +told her that as soon as it was light he would go into the +city for some, and asked her for a handkerchief to tie it +in. If he could not bring it himself, he would send it by +Lina, who could keep out of sight better than he, and as<span class="pagenum">[160]</span> +soon as all was quiet at night he would come to her +again. He also asked her to tell the king that he was in +the house.</p> + +<p>His hope lay in the fact that bakers everywhere go to +work early. But it was yet much too early. So he persuaded +the princess to lie down, promising to call her if +the king should stir.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[161]</span></p> + +<h2><a name="CHAPTER_XXI" id="CHAPTER_XXI"></a>CHAPTER XXI.</h2> + +<p class="h2">THE LOAF.</p> + +<img class="dropimg" src="images/drop_h.jpg" alt="H" /> +<p class="noin"><span style="font-weight:bold">IS</span> +majesty slept very quietly. The dawn +had grown almost day, and still Curdie +lingered, unwilling to disturb the princess.</p> + +<p>At last, however, he called her, and she +was in the room in a moment. She had slept, she +said, and felt quite fresh. Delighted to find her +father still asleep, and so peacefully, she pushed her +chair close to the bed, and sat down with her hands +in her lap.</p> + +<p>Curdie got his mattock from where he had hidden it +behind a great mirror, and went to the cellar, followed by +Lina. They took some breakfast with them as they +passed through the hall, and as soon as they had eaten +it went out the back way.</p> + +<p>At the mouth of the passage Curdie seized the rope, +drew himself up, pushed away the shutter, and entered +the dungeon. Then he swung the end of the rope to<span class="pagenum">[162]</span> +Lina, and she caught it in her teeth. When her master +said, "Now, Lina!" she gave a great spring, and he ran +away with the end of the rope as fast as ever he could. +And such a spring had she made, that by the time he had +to bear her weight she was within a few feet of the hole. +The instant she got a paw through, she was all through.</p> + +<p>Apparently their enemies were waiting till hunger +should have cowed them, for there was no sign of any +attempt having been made to open the door. A blow or +two of Curdie's mattock drove the shattered lock clean +from it, and telling Lina to wait there till he came back, +and let no one in, he walked out into the silent street, +and drew the door to behind him. He could hardly +believe it was not yet a whole day since he had been +thrown in there with his hands tied at his back.</p> + +<p>Down the town he went, walking in the middle of the +street, that, if any one saw him, he might see he was not +afraid, and hesitate to rouse an attack on him. As to +the dogs, ever since the death of their two companions, a +shadow that looked like a mattock was enough to make +them scamper. As soon as he reached the archway of +the city gate he turned to reconnoitre the baker's shop, +and perceiving no sign of movement, waited there watching +for the first.</p> + +<p>After about an hour, the door opened, and the baker's +man appeared with a pail in his hand. He went to a<span class="pagenum">[163]</span> +pump that stood in the street, and having filled his pail +returned with it into the shop. Curdie stole after him, +found the door on the latch, opened it very gently, +peeped in, saw nobody, and entered. Remembering +perfectly from what shelf the baker's wife had taken the +loaf she said was the best, and seeing just one upon it, +he seized it, laid the price of it on the counter, and sped +softly out, and up the street. Once more in the dungeon +beside Lina, his first thought was to fasten up the door +again, which would have been easy, so many iron fragments +of all sorts and sizes lay about; but he bethought +himself that if he left it as it was, and they came to find +him, they would conclude at once that they had made +their escape by it, and would look no farther so as to discover +the hole. He therefore merely pushed the door +close and left it. Then once more carefully arranging +the earth behind the shutter, so that it should again fall +with it, he returned to the cellar.</p> + +<p>And now he had to convey the loaf to the princess. +If he could venture to take it himself, well; if not, +he would send Lina. He crept to the door of the +servants' hall, and found the sleepers beginning to stir. +One said it was time to go to bed; another, that he would +go to the cellar instead, and have a mug of wine to +waken him up; while a third challenged a fourth to give +him his revenge at some game or other.<span class="pagenum">[164]</span></p> + +<p>"Oh, hang your losses!" answered his companion; +"you'll soon pick up twice as much about the house, if +you but keep your eyes open."</p> + +<p>Perceiving there would be risk in attempting to pass +through, and reflecting that the porters in the great hall +would probably be awake also, Curdie went back to the +cellar, took Irene's handkerchief with the loaf in it, tied it +round Lina's neck, and told her to take it to the +princess.</p> + +<p>Using every shadow and every shelter, Lina slid +through the servants like a shapeless terror through a +guilty mind, and so, by corridor and great hall, up the +stair to the king's chamber.</p> + +<p>Irene trembled a little when she saw her glide soundless +in across the silent dusk of the morning, that filtered +through the heavy drapery of the windows, but she +recovered herself at once when she saw the bundle about +her neck, for it both assured her of Curdie's safety, and +gave her hope of her father's. She untied it with joy, +and Lina stole away, silent as she had come. Her joy +was the greater that the king had woke up a little while +before, and expressed a desire for food—not that he felt +exactly hungry, he said, and yet he wanted something. +If only he might have a piece of nice fresh bread! Irene +had no knife, but with eager hands she broke a great +piece from the loaf, and poured out a full glass of wine.<span class="pagenum">[165]</span> +The king ate and drank, enjoyed the bread and the wine +much, and instantly fell asleep again.</p> + +<p>It was hours before the lazy people brought their +breakfast. When it came, Irene crumbled a little about, +threw some into the fire-place, and managed to make the +tray look just as usual.</p> + +<p>In the meantime, down below in the cellar, Curdie was +lying in the hollow between the upper sides of two of the +great casks, the warmest place he could find. Lina was +watching. She lay at his feet, across the two casks, and +did her best so to arrange her huge tail that it should be +a warm coverlid for her master.</p> + +<p>By-and-by Dr. Kelman called to see his patient; and +now that Irene's eyes were opened, she saw clearly enough +that he was both annoyed and puzzled at finding his +majesty rather better. He pretended however to congratulate +him, saying he believed he was quite fit to see the +lord chamberlain: he wanted his signature to something +important; only he must not strain his mind to understand +it, whatever it might be: if his majesty did, he would not +be answerable for the consequences. The king said he +would see the lord chamberlain, and the doctor went. +Then Irene gave him more bread and wine, and the king +ate and drank, and smiled a feeble smile, the first real +one she had seen for many a day. He said he felt much +better, and would soon be able to take matters into his<span class="pagenum">[166]</span> +own hands again. He had a strange miserable feeling, +he said, that things were going terribly wrong, although +he could not tell how. Then the princess told him that +Curdie was come, and that at night, when all was quiet, +for nobody in the palace must know, he would pay his +majesty a visit. Her great-great-grandmother had sent +him, she said. The king looked strangely upon her, but, +the strange look passed into a smile clearer than the first, +and Irene's heart throbbed with delight.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[167]</span></p> + +<h2><a name="CHAPTER_XXII" id="CHAPTER_XXII"></a>CHAPTER XXII.</h2> + +<p class="h2">THE LORD CHAMBERLAIN.</p> + +<img class="dropimg" src="images/drop_a.jpg" alt="A" /> +<p class="noin"><span style="font-weight:bold">T</span> +noon the lord chamberlain appeared. +With a long, low bow, and paper in hand, +he stepped softly into the room. Greeting +his majesty with every appearance of the +profoundest respect, and congratulating him on the +evident progress he had made, he declared himself +sorry to trouble him, but there were certain papers, he +said, which required his signature—and therewith drew +nearer to the king, who lay looking at him doubtfully. He +was a lean, long, yellow man, with a small head, bald over +the top, and tufted at the back and about the ears. He +had a very thin, prominent, hooked nose, and a quantity +of loose skin under his chin and about the throat, which +came craning up out of his neckcloth. His eyes were +very small, sharp, and glittering, and looked black as jet. +He had hardly enough of a mouth to make a smile with. +His left hand held the paper, and the long, skinny fingers +of his right a pen just dipped in ink.<span class="pagenum">[168]</span></p> + +<p>But the king, who for weeks had scarcely known what +he did, was to-day so much himself as to be aware that he +was not quite himself; and the moment he saw the paper, +he resolved that he would not sign without understanding +and approving of it. He requested the lord chamberlain +therefore to read it. His lordship commenced at once +but the difficulties he seemed to encounter, and the fits +of stammering that seized him, roused the king's suspicion +tenfold. He called the princess.</p> + +<p>"I trouble his lordship too much," he said to her: +"you can read print well, my child—let me hear how you +can read writing. Take that paper from his lordship's +hand, and read it to me from beginning to end, while my +lord drinks a glass of my favourite wine, and watches for +your blunders."</p> + +<p>"Pardon me, your majesty," said the lord chamberlain, +with as much of a smile as he was able to extemporize, +"but it were a thousand pities to put the attainments of +her royal highness to a test altogether too severe. Your +majesty can scarcely with justice expect the very organs +of her speech to prove capable of compassing words so +long, and to her so unintelligible."</p> + +<p>"I think much of my little princess and her capabilities," +returned the king, more and more aroused. "Pray, +my lord, permit her to try."</p> + +<p>"Consider, your majesty: the thing would be alto<span class="pagenum">[169]</span>gether +without precedent. It would be to make sport of +statecraft," said the lord chamberlain.</p> + +<p>"Perhaps you are right, my lord," answered the king +with more meaning than he intended should be manifest +while to his growing joy he felt new life and power +throbbing in heart and brain. "So this morning we shall +read no farther. I am indeed ill able for business of such +weight."</p> + +<p>"Will your majesty please sign your royal name +here?" said the lord chamberlain, preferring the request as +a matter of course, and approaching with the feather end +of the pen pointed to a spot where was a great red seal.</p> + +<p>"Not to-day, my lord," replied the king.</p> + +<p>"It is of the greatest importance, your majesty," softly +insisted the other.</p> + +<p>"I descried no such importance in it," said the king.</p> + +<p>"Your majesty heard but a part."</p> + +<p>"And I can hear no more to-day."</p> + +<p>"I trust your majesty has ground enough, in a case +of necessity like the present, to sign upon the representation +of his loyal subject and chamberlain?—Or shall I +call the lord chancellor?" he added, rising.</p> + +<p>"There is no need. I have the very highest opinion of +your judgment, my lord," answered the king; "—that is, +with respect to means: we <i>might</i> differ as to ends."</p> + +<p>The lord chamberlain made yet further attempts at<span class="pagenum">[170]</span> +persuasion; but they grew feebler and feebler, and he +was at last compelled to retire without having gained his +object. And well might his annoyance be keen! For +that paper was the king's will, drawn up by the attorney-general; +nor until they had the king's signature to it was +there much use in venturing farther. But his worst +sense of discomfiture arose from finding the king with so +much capacity left, for the doctor had pledged himself so +to weaken his brain that he should be as a child in their +hands, incapable of refusing anything requested of him: +his lordship began to doubt the doctor's fidelity to the +conspiracy.</p> + +<p>The princess was in high delight. She had not for +weeks heard so many words, not to say words of such +strength and reason, from her father's lips: day by day he +had been growing weaker and more lethargic. He was +so much exhausted however after this effort, that he asked +for another piece of bread and more wine, and fell fast +asleep the moment he had taken them.</p> + +<p>The lord chamberlain sent in a rage for Dr. Kelman. +He came, and while professing himself unable to understand +the symptoms described by his lordship, yet +pledged himself again that on the morrow the king should +do whatever was required of him.</p> + +<p>The day went on. When his majesty was awake, the +princess read to him—one story-book after another; and<span class="pagenum">[171]</span> +whatever she read, the king listened as if he had never +heard anything so good before, making out in it the +wisest meanings. Every now and then he asked for a +piece of bread and a little wine, and every time he ate +and drank he slept, and every time he woke he seemed +better than the last time. The princess bearing her part, +the loaf was eaten up and the flagon emptied before night. +The butler took the flagon away, and brought it back +filled to the brim, but both were thirsty as well as hungry +when Curdie came again.</p> + +<p>Meantime he and Lina, watching and waking alternately, +had plenty of sleep. In the afternoon, peeping +from the recess, they saw several of the servants enter +hurriedly, one after the other, draw wine, drink it, and +steal out; but their business was to take care of the king, +not of his cellar, and they let them drink. Also, when +the butler came to fill the flagon, they restrained themselves, +for the villain's fate was not yet ready for him. +He looked terribly frightened, and had brought with him +a large candle and a small terrier—which latter indeed +threatened to be troublesome, for he went roving and +sniffing about until he came to the recess where they +were. But as soon as he showed himself, Lina opened +her jaws so wide, and glared at him so horribly, that, +without even uttering a whimper, he tucked his tail between +his legs and ran to his master. He was drawing<span class="pagenum">[172]</span> +the wicked wine at the moment, and did not see him, +else he would doubtless have run too.</p> + +<p>When supper-time approached, Curdie took his place +at the door into the servants' hall; but after a long hour's +vain watch, he began to fear he should get nothing: +there was so much idling about, as well as coming and +going. It was hard to bear—chiefly from the attractions +of a splendid loaf, just fresh out of the oven, which he +longed to secure for the king and princess. At length +his chance did arrive: he pounced upon the loaf and +carried it away, and soon after got hold of a pie.</p> + +<p>This time, however, both loaf and pie were missed. +The cook was called. He declared he had provided +both. One of themselves, he said, must have carried +them away for some friend outside the palace. Then a +housemaid, who had not long been one of them, said she +had seen some one like a page running in the direction +of the cellar with something in his hands. Instantly all +turned upon the pages, accusing them, one after another. +All denied, but nobody believed one of them: where +there is no truth there can be no faith.</p> + +<p>To the cellar they all set out to look for the missing +pie and loaf. Lina heard them coming, as well she +might, for they were talking and quarrelling loud, and +gave her master warning. They snatched up everything, +and got all signs of their presence out at the back door<span class="pagenum">[173]</span> +before the servants entered. When they found nothing, +they all turned on the chambermaid, and accused her, +not only of lying against the pages, but of having taken +the things herself. Their language and behaviour so disgusted +Curdie, who could hear a great part of what +passed, and he saw the danger of discovery now so much +increased, that he began to devise how best at once to +rid the palace of the whole pack of them. That however, +would be small gain so long as the treacherous +officers of state continued in it. They must be first dealt +with. A thought came to him, and the longer he looked +at it the better he liked it.</p> + +<p>As soon as the servants were gone, quarrelling and +accusing all the way, they returned and finished their +supper. Then Curdie, who had long been satisfied that +Lina understood almost every word he said, communicated +his plan to her, and knew by the wagging of her +tail and the flashing of her eyes that she comprehended +it. Until they had the king safe through the worst part +of the night, however, nothing could be done.</p> + +<p>They had now merely to go on waiting where they were +till the household should be asleep. This waiting and +waiting was much the hardest thing Curdie had to do in +the whole affair. He took his mattock, and going +again into the long passage, lighted a candle-end, and +proceeded to examine the rock on all sides. But this<span class="pagenum">[174]</span> +was not merely to pass the time: he had a reason for it. +When he broke the stone in the street, over which the +baker fell, its appearance led him to pocket a fragment for +further examination; and since then he had satisfied himself +that it was the kind of stone in which gold is found, +and that the yellow particles in it were pure metal. If +such stone existed here in any plenty, he could soon +make the king rich, and independent of his ill-conditioned +subjects. He was therefore now bent on an examination +of the rock; nor had he been at it long before he was +persuaded that there were large quantities of gold in the +half-crystalline white stone, with its veins of opaque white +and of green, of which the rock, so far as he had been +able to inspect it, seemed almost entirely to consist. +Every piece he broke was spotted with particles and little +lumps of a lovely greenish yellow—and that was gold. +Hitherto he had worked only in silver, but he had read, +and heard talk, and knew therefore about gold. As soon +as he had got the king free of rogues and villains, he +would have all the best and most honest miners, with his +father at the head of them, to work this rock for the +king.</p> + +<p>It was a great delight to him to use his mattock once +more. The time went quickly, and when he left the +passage to go to the king's chamber, he had already a +good heap of fragments behind the broken door.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[175]</span></p> + +<h2><a name="CHAPTER_XXIII" id="CHAPTER_XXIII"></a>CHAPTER XXIII.</h2> + +<p class="h2">DR. KELMAN.</p> + +<img class="dropimg" src="images/drop_a.jpg" alt="A" /> +<p class="noin"><span style="font-weight:bold">S</span> +soon as he had reason to hope the way +was clear, Curdie ventured softly into the +hall, with Lina behind him. There was +no one asleep on the bench or floor, but +by the fading fire sat a girl weeping. It was the same +who had seen him carrying off the food, and had been +so hardly used for saying so. She opened her eyes +when he appeared, but did not seem frightened at him.</p> + +<p>"I know why you weep," said Curdie; "and I am +sorry for you."</p> + +<p>"It <i>is</i> hard not to be believed just <i>because</i> one speaks +the truth," said the girl, "but that seems reason enough +with some people. My mother taught me to speak the +truth, and took such pains with me that I should find +it hard to tell a lie, though I could invent many a story +these servants would believe at once; for the truth is a<span class="pagenum">[176]</span> +strange thing here, and they don't know it when they see +it. Show it them, and they all stare as if it were a +wicked lie, and that with the lie yet warm that has just +left their own mouths!—You are a stranger," she said, +and burst out weeping afresh, "but the stranger you are +to such a place and such people the better!"</p> + +<p>"I am the person," said Curdie, "whom you saw carrying +the things from the supper-table." He showed her +the loaf. "If you can trust, as well as speak the truth, I +will trust you.—Can you trust me?"</p> + +<p>She looked at him steadily for a moment.</p> + +<p>"I can," she answered.</p> + +<p>"One thing more," said Curdie: "have you courage as +well as faith?"</p> + +<p>"I think so."</p> + +<p>"Look my dog in the face and don't cry out.—Come +here, Lina."</p> + +<p>Lina obeyed. The girl looked at her, and laid her +hand on her head.</p> + +<p>"Now I know you are a true woman," said Curdie. +"—I am come to set things right in this house. Not +one of the servants knows I am here. Will you tell them +to-morrow morning, that, if they do not alter their ways, +and give over drinking, and lying, and stealing, and unkindness, +they shall every one of them be driven from +the palace?"<span class="pagenum">[177]</span></p> + +<p>"They will not believe me."</p> + +<p>"Most likely; but will you give them the chance?"</p> + +<p>"I will."</p> + +<p>"Then I will be your friend. Wait here till I come +again."</p> + +<p>She looked him once more in the face, and sat down.</p> + +<p>When he reached the royal chamber, he found his +majesty awake, and very anxiously expecting him. He +received him with the utmost kindness, and at once as it +were put himself in his hands by telling him all he knew +concerning the state he was in. His voice was feeble, +but his eye was clear, and although now and then his +words and thoughts seemed to wander, Curdie could +not be certain that the cause of their not being intelligible +to him did not lie in himself. The king told him +that for some years, ever since his queen's death, he had +been losing heart over the wickedness of his people. He +had tried hard to make them good, but they got worse +and worse. Evil teachers, unknown to him, had crept +into the schools; there was a general decay of truth and +right principle at least in the city; and as that set the +example to the nation, it must spread. The main cause +of his illness was the despondency with which the +degeneration of his people affected him. He could not +sleep, and had terrible dreams; while, to his unspeakable +shame and distress, he doubted almost everybody. He<span class="pagenum">[178]</span> +had striven against his suspicion, but in vain, and his +heart was sore, for his courtiers and councillors were +really kind; only he could not think why none of their +ladies came near his princess. The whole country was +discontented, he heard, and there were signs of gathering +storm outside as well as inside his borders. The master +of the horse gave him sad news of the insubordination of +the army; and his great white horse was dead, they told +him; and his sword had lost its temper: it bent double +the last time he tried it!—only perhaps that was in a +dream; and they could not find his shield; and one of +his spurs had lost the rowel. Thus the poor king went +wandering in a maze of sorrows, some of which were +purely imaginary, while others were truer than he understood. +He told how thieves came at night and tried to +take his crown, so that he never dared let it out of +his hands even when he slept; and how, every night, an +evil demon in the shape of his physician came and +poured poison down his throat. He knew it to be +poison, he said, somehow, although it tasted like wine.</p> + +<p>Here he stopped, faint with the unusual exertion of +talking. Curdie seized the flagon, and ran to the wine-cellar.</p> + +<p>In the servants' hall the girl still sat by the fire, waiting +for him. As he returned he told her to follow him, +and left her at the chamber door till he should rejoin her.</p> + +<div class="figcenter"> +<img src="images/gs05.jpg" alt="gs05" /> +</div> + +<p class="caption"><i>Curdie brings wine to the king.</i></p> + +<br clear="all" /> + +<p>When the king had had a little wine, he informed him +that he had already discovered certain of his majesty's +enemies, and one of the worst of them was the doctor, +for it was no other demon than the doctor himself who +had been coming every night, and giving him a slow +poison.</p> + +<p>"So!" said the king. "Then I have not been suspicious +enough, for I thought it was but a dream! Is it +possible Kelman can be such a wretch? Who then am I +to trust?"</p> + +<p>"Not one in the house, except the princess and myself," +said Curdie.</p> + +<p>"I will not go to sleep," said the king.</p> + +<p>"That would be as bad as taking the poison," said +Curdie. "No, no, sire; you must show your confidence +by leaving all the watching to me, and doing all the sleeping +your majesty can."</p> + +<p>The king smiled a contented smile, turned on his side, +and was presently fast asleep. Then Curdie persuaded +the princess also to go to sleep, and telling Lina to watch, +went to the housemaid. He asked her if she could +inform him which of the council slept in the palace, and +show him their rooms. She knew every one of them, she +said, and took him the round of all their doors, telling +him which slept in each room. He then dismissed her, +and returning to the king's chamber, seated himself be<span class="pagenum">[180]</span>hind +a curtain at the head of the bed, on the side farthest +from the king. He told Lina to get under the bed, and +make no noise.</p> + +<p>About one o'clock the doctor came stealing in. He +looked round for the princess, and seeing no one, smiled +with satisfaction as he approached the wine where it stood +under the lamp. Having partly filled a glass, he took +from his pocket a small phial, and filled up the glass +from it. The light fell upon his face from above, and +Curdie saw the snake in it plainly visible. He had never +beheld such an evil countenance: the man hated the +king, and delighted in doing him wrong.</p> + +<p>With the glass in his hand, he drew near the bed, set it +down, and began his usual rude rousing of his majesty. +Not at once succeeding, he took a lancet from his pocket, +and was parting its cover with an involuntary hiss of hate +between his closed teeth, when Curdie stooped and +whispered to Lina, "Take him by the leg, Lina." She +darted noiselessly upon him. With a face of horrible +consternation, he gave his leg one tug to free it; the +next instant Curdie heard the one scrunch with which she +crushed the bone like a stick of celery. He tumbled on +the floor with a yell.</p> + +<p>"Drag him out, Lina," said Curdie.</p> + +<p>Lina took him by the collar, and dragged him out. +Her master followed to direct her, and they left him lying +<span class="pagenum">[181]</span>across the lord chamberlain's door, where he gave another +horrible yell, and fainted.</p> + +<div class="figcenter"> +<img src="images/gs06.jpg" alt="gs06" /> +</div> + +<p class="caption"><i>Lina darted noiselessly upon him.</i></p> + +<br clear="all" /> + +<p>The king had waked at his first cry, and by the time +Curdie re-entered he had got at his sword where it hung +from the centre of the tester, had drawn it, and was trying +to get out of bed. But when Curdie told him all was +well, he lay down again as quietly as a child comforted by +his mother from a troubled dream. Curdie went to the +door to watch.</p> + +<p>The doctor's yells had roused many, but not one had +yet ventured to appear. Bells were rung violently, but +none were answered; and in a minute or two Curdie had +what he was watching for. The door of the lord chamberlain's +room opened, and, pale with hideous terror, his +lordship peeped out. Seeing no one, he advanced to step +into the corridor, and tumbled over the doctor. Curdie +ran up, and held out his hand. He received in it the +claw of a bird of prey—vulture or eagle, he could not tell +which.</p> + +<p>His lordship, as soon as he was on his legs, taking him +for one of the pages, abused him heartily for not coming +sooner, and threatened him with dismissal from the +king's service for cowardice and neglect. He began indeed +what bade fair to be a sermon on the duties of a page, but +catching sight of the man who lay at his door, and seeing +it was the doctor, he fell out upon Curdie afresh for stand<span class="pagenum">[182]</span>ing +there doing nothing, and ordered him to fetch immediate +assistance. Curdie left him, but slipped into the +king's chamber, closed and locked the door, and left the +rascals to look after each other. Ere long he heard +hurrying footsteps, and for a few minutes there was a great +muffled tumult of scuffling feet, low voices, and deep +groanings; then all was still again.</p> + +<p>Irene slept through the whole—so confidently did she +rest, knowing Curdie was in her father's room watching +over him.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[183]</span></p> + +<h2><a name="CHAPTER_XXIV" id="CHAPTER_XXIV"></a>CHAPTER XXIV.</h2> + +<p class="h2">THE PROPHECY.</p> + +<img class="dropimg" src="images/drop_c.jpg" alt="C" /> +<p class="noin"><span style="font-weight:bold">URDIE</span> +sat and watched every motion of +the sleeping king. All the night, to his +ear, the palace lay as quiet as a nursery +of healthful children. At sunrise he +called the princess.</p> + +<p>"How has his Majesty slept?" were her first words as +she entered the room.</p> + +<p>"Quite quietly," answered Curdie; "that is, since the +doctor was got rid of."</p> + +<p>"How did you manage that?" inquired Irene; and +Curdie had to tell all about it.</p> + +<p>"How terrible!" she said. "Did it not startle the +king dreadfully?"</p> + +<p>"It did rather. I found him getting out of bed, sword +in hand."</p> + +<p>"The brave old man!" cried the princess.</p> + +<p>"Not so old!" said Curdie, "—as you will soon see.<span class="pagenum">[184]</span> +He went off again in a minute or so; but for a little +while he was restless, and once when he lifted his hand +it came down on the spikes of his crown, and he half +waked."</p> + +<p>"But where <i>is</i> the crown?" cried Irene, in sudden +terror.</p> + +<p>"I stroked his hands," answered Curdie, "and took +the crown from them; and ever since he has slept +quietly, and again and again smiled in his sleep."</p> + +<p>"I have never seen him do that," said the princess. +"But what have you done with the crown, Curdie?"</p> + +<p>"Look," said Curdie, moving away from the bedside.</p> + +<p>Irene followed him—and there, in the middle of the +floor, she saw a strange sight. Lina lay at full length, +fast asleep, her tail stretched out straight behind her and +her fore-legs before her: between the two paws meeting in +front of it, her nose just touching it behind, glowed and +flashed the crown, like a nest for the humming-birds of +heaven.</p> + +<p>Irene gazed, and looked up with a smile.</p> + +<p>"But what if the thief were to come, and she not to +wake?" she said. "Shall I try her?" And as she +spoke she stooped towards the crown.</p> + +<p>"No, no, no!" cried Curdie, terrified. "She would +frighten you out of your wits. I would do it to show you, +but she would wake your father. You have no concep<span class="pagenum">[185]</span>tion +with what a roar she would spring at my throat. +But you shall see how lightly she wakes the moment I +speak to her.—Lina!"</p> + +<p>She was on her feet the same instant, with her great tail +sticking out straight behind her, just as it had been lying.</p> + +<p>"Good dog!" said the princess, and patted her head. +Lina wagged her tail solemnly, like the boom of an +anchored sloop. Irene took the crown, and laid it where +the king would see it when he woke.</p> + +<p>"Now, princess," said Curdie, "I must leave you for a +few minutes. You must bolt the door, please, and not +open it to any one."</p> + +<p>Away to the cellar he went with Lina, taking care, as +they passed through the servants' hall, to get her a good +breakfast. In about one minute she had eaten what he +gave her, and looked up in his face: it was not more she +wanted, but work. So out of the cellar they went +through the passage, and Curdie into the dungeon, where +he pulled up Lina, opened the door, let her out, and shut +it again behind her. As he reached the door of the +king's chamber, Lina was flying out of the gate of +Gwyntystorm as fast as her mighty legs could carry her.</p> + +<hr class="tb" /> + +<p>"What's come to the wench?" growled the men-servants +one to another, when the chambermaid appeared +among them the next morning. There was something in<span class="pagenum">[186]</span> +her face which they could not understand, and did not +like.</p> + +<p>"Are we all dirt?" they said. "What are you thinking +about? Have you seen yourself in the glass this +morning, miss?"</p> + +<p>She made no answer.</p> + +<p>"Do you want to be treated as you deserve, or will +you speak, you hussy?" said the first woman-cook. "I +would fain know what right <i>you</i> have to put on a face like +that!"</p> + +<p>"You won't believe me," said the girl.</p> + +<p>"Of course not. What is it?"</p> + +<p>"I must tell you, whether you believe me or not," she +said.</p> + +<p>"Of course you must."</p> + +<p>"It is this, then: if you do not repent of your bad ways, +you are all going to be punished—all turned out of the +palace together."</p> + +<p>"A mighty punishment!" said the butler. "A good riddance, +say I, of the trouble of keeping minxes like you in +order! And why, pray, should we be turned out? What +have I to repent of now, your holiness?"</p> + +<p>"That you know best yourself," said the girl.</p> + +<p>"A pretty piece of insolence! How should <i>I</i> know, +forsooth, what a menial like you has got against me! +There <i>are</i> people in this house—oh! I'm not blind to<span class="pagenum">[187]</span> +their ways! but every one for himself, say I!—Pray, Miss +Judgment, who gave you such an impertinent message to +his majesty's household?"</p> + +<p>"One who is come to set things right in the king's +house."</p> + +<p>"Right, indeed!" cried the butler; but that moment +the thought came back to him of the roar he had heard in +the cellar, and he turned pale and was silent.</p> + +<p>The steward took it up next.</p> + +<p>"And pray, pretty prophetess," he said, attempting to +chuck her under the chin, "what have <i>I</i> got to repent +of?"</p> + +<p>"That you know best yourself," said the girl. "You +have but to look into your books or your heart."</p> + +<p>"Can you tell <i>me</i>, then, what I have to repent of?" said +the groom of the chambers.</p> + +<p>"That you know best yourself," said the girl once +more. "The person who told me to tell you said the +servants of this house had to repent of thieving, and lying, +and unkindness, and drinking; and they will be made to +repent of them one way, if they don't do it of themselves +another."</p> + +<p>Then arose a great hubbub; for by this time all the +servants in the house were gathered about her, and all +talked together, in towering indignation.</p> + +<p>"Thieving, indeed!" cried one. "A pretty word in a<span class="pagenum">[188]</span> +house where everything is left lying about in a shameless +way, tempting poor innocent girls!—a house where nobody +cares for anything, or has the least respect to the value of +property!"</p> + +<p>"I suppose you envy me this brooch of mine," said +another. "There was just a half-sheet of note-paper +about it, not a scrap more, in a drawer that's always open +in the writing-table in the study! What sort of a place is +that for a jewel? Can you call it stealing to take a thing +from such a place as that? Nobody cared a straw about +it. It might as well have been in the dust-hole! If it +had been locked up—then, to be sure!"</p> + +<p>"Drinking!" said the chief porter, with a husky laugh. +"And who wouldn't drink when he had a chance? Or +who would repent it, except that the drink was gone? +Tell me that, Miss Innocence."</p> + +<p>"Lying!" said a great, coarse footman. "I suppose +you mean when I told you yesterday you were a pretty +girl when you didn't pout? Lying, indeed! Tell us +something worth repenting of! Lying is the way of +Gwyntystorm. You should have heard Jabez lying to the +cook last night! He wanted a sweetbread for his pup, +and pretended it was for the princess! Ha! ha! ha!"</p> + +<p>"Unkindness! I wonder who's unkind! Going and +listening to any stranger against her fellow-servants, and +then bringing back his wicked words to trouble them!"<span class="pagenum">[189]</span> +said the oldest and worst of the housemaids. "—One of +ourselves, too!—Come, you hypocrite! this is all an +invention of yours and your young man's, to take your +revenge of us because we found you out in a lie last +night. Tell true now:—wasn't it the same that stole the +loaf and the pie that sent you with the impudent +message?"</p> + +<p>As she said this, she stepped up to the housemaid and +gave her, instead of time to answer, a box on the ear that +almost threw her down; and whoever could get at her +began to push and hustle and pinch and punch her.</p> + +<p>"You invite your fate," she said quietly.</p> + +<p>They fell furiously upon her, drove her from the hall +with kicks and blows, hustled her along the passage, and +threw her down the stair to the wine-cellar, then locked +the door at the top of it, and went back to their breakfast.</p> + +<p>In the meantime the king and the princess had had +their bread and wine, and the princess, with Curdie's +help, had made the room as tidy as she could—they were +terribly neglected by the servants. And now Curdie set +himself to interest and amuse the king, and prevent +him from thinking too much, in order that he might the +sooner think the better. Presently, at his majesty's request, +he began from the beginning, and told everything +he could recall of his life, about his father and mother<span class="pagenum">[190]</span> +and their cottage on the mountain, of the inside of the +mountain and the work there, about the goblins and his +adventures with them. When he came to finding the +princess and her nurse overtaken by the twilight on the +mountain, Irene took up her share of the tale, and told +all about herself to that point, and then Curdie took it +up again; and so they went on, each fitting in the part +that the other did not know, thus keeping the hoop of +the story running straight; and the king listened with +wondering and delighted ears, astonished to find what he +could so ill comprehend, yet fitting so well together from +the lips of two narrators. At last, with the mission given +him by the wonderful princess and his consequent adventures, +Curdie brought up the whole tale to the present +moment. Then a silence fell, and Irene and Curdie +thought the king was asleep. But he was far from it; +he was thinking about many things. After a long pause +he said:—</p> + +<p>"Now at last, my children, I am compelled to believe +many things I could not and do not yet understand—things +I used to hear, and sometimes see, as often as I +visited my mother's home. Once, for instance, I heard +my mother say to her father—speaking of me—'He is a +good, honest boy, but he will be an old man before he +understands;' and my grandfather answered, 'Keep up +your heart, child: my mother will look after him.' I<span class="pagenum">[191]</span> +thought often of their words, and the many strange things +besides I both heard and saw in that house; but by +degrees, because I could not understand them, I +gave up thinking of them. And indeed I had almost +forgotten them, when you, my child, talking that day about +the Queen Irene and her pigeons, and what you had +seen in her garret, brought them all back to my mind in +a vague mass. But now they keep coming back to me, +one by one, every one for itself; and I shall just hold +my peace, and lie here quite still, and think about them +all till I get well again."</p> + +<p>What he meant they could not quite understand, but +they saw plainly that already he was better.</p> + +<p>"Put away my crown," he said. "I am tired of +seeing it, and have no more any fear of its safety."</p> + +<p>They put it away together, withdrew from the bedside, +and left him in peace.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[192]</span></p> + +<h2><a name="CHAPTER_XXV" id="CHAPTER_XXV"></a>CHAPTER XXV.</h2> + +<p class="h2">THE AVENGERS.</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HERE</span> +was nothing now to be dreaded from +Dr. Kelman, but it made Curdie anxious, +as the evening drew near, to think that +not a soul belonging to the court had +been to visit the king, or ask how he did, that day. +He feared, in some shape or other, a more determined +assault. He had provided himself a place in the room, +to which he might retreat upon approach, and whence +he could watch; but not once had he had to betake +himself to it.</p> + +<p>Towards night the king fell asleep. Curdie thought +more and more uneasily of the moment when he must +again leave them for a little while. Deeper and deeper +fell the shadows. No one came to light the lamp. +The princess drew her chair close to Curdie: she would +rather it were not so dark, she said. She was afraid of +something—she could not tell what; nor could she give<span class="pagenum">[193]</span> +any reason for her fear but that all was so dreadfully still. +When it had been dark about an hour, Curdie thought +Lina might be returned; and reflected that the sooner +he went the less danger was there of any assault +while he was away. There was more risk of his own +presence being discovered, no doubt, but things were +now drawing to a crisis, and it must be run. So, telling +the princess to lock all the doors of the bedchamber, and +let no one in, he took his mattock, and with here a run, +and there a halt under cover, gained the door at the head +of the cellar-stair in safety. To his surprise he found it +locked, and the key was gone. There was no time for +deliberation. He felt where the lock was, and dealt it +a tremendous blow with his mattock. It needed but a +second to dash the door open. Some one laid a hand +on his arm.</p> + +<p>"Who is it?" said Curdie.</p> + +<p>"I told you they wouldn't believe me, sir," said the +housemaid. "I have been here all day."</p> + +<p>He took her hand, and said, "You are a good, brave +girl. Now come with me, lest your enemies imprison you +again."</p> + +<p>He took her to the cellar, locked the door, lighted a +bit of candle, gave her a little wine, told her to wait there +till he came, and went out the back way.</p> + +<p>Swiftly he swung himself up into the dungeon. Lina<span class="pagenum">[194]</span> +had done her part. The place was swarming with creatures—animal +forms wilder and more grotesque than ever +ramped in nightmare dream. Close by the hole, waiting +his coming, her green eyes piercing the gulf below, Lina +had but just laid herself down when he appeared. All +about the vault and up the slope of the rubbish-heap lay +and stood and squatted the forty-nine whose friendship +Lina had conquered in the wood. They all came +crowding about Curdie.</p> + +<p>He must get them into the cellar as quickly as ever he +could. But when he looked at the size of some of them, +he feared it would be a long business to enlarge the hole +sufficiently to let them through. At it he rushed, hitting +vigorously at its edge with his mattock. At the very first +blow came a splash from the water beneath, but ere he +could heave a third, a creature like a tapir, only that the +grasping point of its proboscis was hard as the steel of +Curdie's hammer, pushed him gently aside, making room +for another creature, with a head like a great club, which +it began banging upon the floor with terrible force and +noise. After about a minute of this battery, the +tapir came up again, shoved Clubhead aside, and +putting its own head into the hole began gnawing +at the sides of it with the finger of its nose, in +such a fashion that the fragments fell in a continuous +gravelly shower into the water. In a few minutes the<span class="pagenum">[195]</span> +opening was large enough for the biggest creature +amongst them to get through it.</p> + +<p>Next came the difficulty of letting them down: some +were quite light, but the half of them were too heavy for +the rope, not to say for his arms. The creatures themselves +seemed to be puzzling where or how they were to +go. One after another of them came up, looked down +through the hole, and drew back. Curdie thought if he +let Lina down, perhaps that would suggest something; +possibly they did not see the opening on the other side. +He did so, and Lina stood lighting up the entrance of +the passage with her gleaming eyes. One by one the +creatures looked down again, and one by one they drew +back, each standing aside to glance at the next, as if to +say, <i>Now you have a look</i>. At last it came to the turn +of the serpent with the long body, the four short legs +behind, and the little wings before. No sooner had he +poked his head through than he poked it farther through—and +farther, and farther yet, until there was little more +than his legs left in the dungeon. By that time he had +got his head and neck well into the passage beside Lina. +Then his legs gave a great waddle and spring, and he +tumbled himself, far as there was betwixt them, heels +over head into the passage.</p> + +<p>"That is all very well for you, Mr. Legserpent!"<span class="pagenum">[196]</span> +thought Curdie to himself; "but what is to be done +with the rest?"</p> + +<p>He had hardly time to think it however, before the +creature's head appeared again through the floor. He +caught hold of the bar of iron to which Curdie's rope +was tied, and settling it securely across the narrowest +part of the irregular opening, held fast to it with his +teeth. It was plain to Curdie, from the universal hardness +amongst them, that they must all, at one time or +another, have been creatures of the mines.</p> + +<p>He saw at once what this one was after. He had +planted his feet firmly upon the floor of the passage, and +stretched his long body up and across the chasm to serve +as a bridge for the rest. He mounted instantly upon his +neck, threw his arms round him as far as they would go, +and slid down in ease and safety, the bridge just bending +a little as his weight glided over it. But he thought +some of the creatures would try his teeth.</p> + +<p>One by one the oddities followed, and slid down in +safety. When they seemed to be all landed, he counted +them: there were but forty-eight. Up the rope again he +went, and found one which had been afraid to trust himself +to the bridge, and no wonder! for he had neither legs +nor head nor arms nor tail: he was just a round thing, +about a foot in diameter, with a nose and mouth and eyes +on one side of the ball. He had made his journey by<span class="pagenum">[197]</span> +rolling as swiftly as the fleetest of them could run. The +back of the legserpent not being flat, he could not quite +trust himself to roll straight and not drop into the gulf. +Curdie took him in his arms, and the moment he looked +down through the hole, the bridge made itself again, and he +slid into the passage in safety, with Ballbody in his bosom.</p> + +<p>He ran first to the cellar, to warn the girl not to be +frightened at the avengers of wickedness. Then he +called to Lina to bring in her friends.</p> + +<p>One after another they came trooping in, till the cellar +seemed full of them. The housemaid regarded them +without fear.</p> + +<p>"Sir," she said, "there is one of the pages I don't +take to be a bad fellow."</p> + +<p>"Then keep him near you," said Curdie. "And now +can you show me a way to the king's chamber not through +the servants' hall?"</p> + +<p>"There is a way through the chamber of the colonel +of the guard," she answered, "but he is ill, and in bed."</p> + +<p>"Take me that way," said Curdie.</p> + +<p>By many ups and downs and windings and turnings +she brought him to a dimly-lighted room, where lay an +elderly man asleep. His arm was outside the coverlid, +and Curdie gave his hand a hurried grasp as he went by. +His heart beat for joy, for he had found a good, honest +human hand.<span class="pagenum">[198]</span></p> + +<p>"I suppose that is why he is ill," he said to himself.</p> + +<p>It was now close upon supper-time, and when the girl +stopped at the door of the king's chamber, he told her to +go and give the servants one warning more.</p> + +<p>"Say the messenger sent you," he said. "I will be +with you very soon."</p> + +<p>The king was still asleep. Curdie talked to the princess +for a few minutes, told her not to be frightened +whatever noises she heard, only to keep her door locked +till he came, and left her.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[199]</span></p> + +<h2><a name="CHAPTER_XXVI" id="CHAPTER_XXVI"></a>CHAPTER XXVI.</h2> + +<p class="h2">THE VENGEANCE.</p> + +<img class="dropimg" src="images/drop_b.jpg" alt="B" /> +<p class="noin"><span style="font-weight:bold">Y</span> +the time the girl reached the servants' +hall they were seated at supper. A loud, +confused exclamation arose when she entered. +No one made room for her; all +stared with unfriendly eyes. A page, who entered the +next minute by another door, came to her side.</p> + +<p>"Where do <i>you</i> come from, hussy?" shouted the +butler, and knocked his fist on the table with a loud +clang.</p> + +<p>He had gone to fetch wine, had found the stair door +broken open and the cellar-door locked, and had turned +and fled. Amongst his fellows, however, he had now +regained what courage could be called his.</p> + +<p>"From the cellar," she replied. "The messenger +broke open the door, and sent me to you again."</p> + +<p>"The messenger! Pooh! What messenger?"<span class="pagenum">[200]</span></p> + +<p>"The same who sent me before to tell you to repent."</p> + +<p>"What! will you go fooling it still? Haven't you had +enough of it?" cried the butler in a rage, and starting to +his feet, drew near threateningly.</p> + +<p>"I must do as I am told," said the girl.</p> + +<p>"Then why <i>don't</i> you do as <i>I</i> tell you, and hold your +tongue?" said the butler. "Who wants your preachments? +If anybody here has anything to repent of, +isn't that enough—and more than enough for him—but +you must come bothering about, and stirring up, till not +a drop of quiet will settle inside him? You come along +with me, young woman; we'll see if we can't find a lock +somewhere in the house that'll hold you in!"</p> + +<p>"Hands off, Mr. Butler!" said the page, and stepped +between.</p> + +<p>"Oh, ho!" cried the butler, and pointed his fat finger +at him. "That's you, is it, my fine fellow? So it's you +that's up to her tricks, is it?"</p> + +<p>The youth did not answer, only stood with flashing +eyes fixed on him, until, growing angrier and angrier, but +not daring a step nearer, he burst out with rude but +quavering authority,—</p> + +<p>"Leave the house, both of you! Be off, or I'll have +Mr. Steward to talk to you. Threaten your masters, +indeed! Out of the house with you, and show us the +way you tell us of!"<span class="pagenum">[201]</span></p> + +<p>Two or three of the footmen got up and ranged themselves +behind the butler.</p> + +<p>"Don't say <i>I</i> threaten you, Mr. Butler," expostulated +the girl from behind the page. "The messenger said I +was to tell you again, and give you one chance more."</p> + +<p>"Did the <i>messenger</i> mention me in particular?" asked +the butler, looking the page unsteadily in the face.</p> + +<p>"No, sir," answered the girl.</p> + +<p>"I thought not! I should like to hear him!"</p> + +<p>"Then hear him now," said Curdie, who that moment +entered at the opposite corner of the hall. "I speak +of the butler in particular when I say that I know +more evil of him than of any of the rest. He will not +let either his own conscience or my messenger speak to +him: I therefore now speak myself. I proclaim him +a villain, and a traitor to his majesty the king.—But +what better is any one of you who cares only for himself, +eats, drinks, takes good money, and gives vile service in +return, stealing and wasting the king's property, and +making of the palace, which ought to be an example of +order and sobriety, a disgrace to the country?"</p> + +<p>For a moment all stood astonished into silence by this +bold speech from a stranger. True, they saw by his +mattock over his shoulder that he was nothing but a miner +boy, yet for a moment the truth told notwithstanding. +Then a great roaring laugh burst from the biggest of the<span class="pagenum">[202]</span> +footmen as he came shouldering his way through the +crowd towards Curdie.</p> + +<p>"Yes, I'm right," he cried; "I thought as much! +This <i>messenger</i>, forsooth, is nothing but a gallows-bird—a +fellow the city marshal was going to hang, but unfortunately +put it off till he should be starved enough to +save rope and be throttled with a pack-thread. He +broke prison, and here he is preaching!"</p> + +<p>As he spoke, he stretched out his great hand to lay hold +of him. Curdie caught it in his left hand, and heaved +his mattock with the other. Finding, however, nothing +worse than an ox-hoof, he restrained himself, stepped +back a pace or two, shifted his mattock to his left hand, +and struck him a little smart blow on the shoulder. His +arm dropped by his side, he gave a roar, and drew +back.</p> + +<p>His fellows came crowding upon Curdie. Some +called to the dogs; others swore; the women screamed; +the footmen and pages got round him in a half-circle, +which he kept from closing by swinging his mattock, and +here and there threatening a blow.</p> + +<p>"Whoever confesses to having done anything wrong +in this house, however small, however great, and means +to do better, let him come to this corner of the room," +he cried.</p> + +<p>None moved but the page, who went towards him<span class="pagenum">[203]</span> +skirting the wall. When they caught sight of him, the +crowd broke into a hiss of derision.</p> + +<p>"There! see! Look at the sinner! He confesses! +actually confesses! Come, what is it you stole? The +barefaced hypocrite! There's your sort to set up for reproving +other people! Where's the other now?"</p> + +<p>But the maid had left the room, and they let the page +pass, for he looked dangerous to stop. Curdie had just +put him betwixt him and the wall, behind the door, when +in rushed the butler with the huge kitchen poker, the +point of which he had blown red-hot in the fire, followed +by the cook with his longest spit. Through the crowd, +which scattered right and left before them, they came +down upon Curdie. Uttering a shrill whistle, he caught +the poker a blow with his mattock, knocking the point to +the ground, while the page behind him started forward, +and seizing the point of the spit, held on to it with both +hands, the cook kicking him furiously.</p> + +<p>Ere the butler could raise the poker again, or the cook +recover the spit, with a roar to terrify the dead, Lina +dashed into the room, her eyes flaming like candles. +She went straight at the butler. He was down in a moment, +and she on the top of him, wagging her tail +over him like a lioness.</p> + +<p>"Don't kill him, Lina," said Curdie.</p> + +<p>"Oh, Mr. Miner!" cried the butler.<span class="pagenum">[204]</span></p> + +<p>"Put your foot on his mouth, Lina," said Curdie. +"The truth Fear tells is not much better than her lies."</p> + +<p>The rest of the creatures now came stalking, rolling, +leaping, gliding, hobbling into the room, and each as he +came took the next place along the wall, until, solemn +and grotesque, all stood ranged, awaiting orders.</p> + +<p>And now some of the culprits were stealing to the +doors nearest them. Curdie whispered the two creatures +next him. Off went Ballbody, rolling and bounding +through the crowd like a spent cannon shot, and when +the foremost reached the door to the corridor, there he +lay at the foot of it grinning; to the other door scuttled +a scorpion, as big as a huge crab. The rest stood so +still that some began to think they were only boys +dressed up to look awful; they persuaded themselves +they were only another part of the housemaid and page's +vengeful contrivance, and their evil spirits began to rise +again. Meantime Curdie had, with a second sharp blow +from the hammer of his mattock, disabled the cook, so +that he yielded the spit with a groan. He now turned to +the avengers.</p> + +<p>"Go at them," he said.</p> + +<p>The whole nine-and-forty obeyed at once, each for +himself, and after his own fashion. A scene of confusion +and terror followed. The crowd scattered like a dance +of flies. The creatures had been instructed not to hurt +<span class="pagenum">[205]</span>much, but to hunt incessantly, until every one had rushed +from the house. The women shrieked, and ran hither +and thither through the hall, pursued each by her own +horror, and snapped at by every other in passing. If one +threw herself down in hysterical despair, she was instantly +poked or clawed or nibbled up again. Though they were +quite as frightened at first, the men did not run so fast; +and by-and-by some of them, finding they were only +glared at, and followed, and pushed, began to summon +up courage once more, and with courage came impudence. +The tapir had the big footman in charge: the +fellow stood stock-still, and let the beast come up to him, +then put out his finger and playfully patted his nose. +The tapir gave the nose a little twist, and the finger lay +on the floor. Then indeed the footman ran, and did +more than run, but nobody heeded his cries. Gradually +the avengers grew more severe, and the terrors of the +imagination were fast yielding to those of sensuous +experience, when a page, perceiving one of the doors no +longer guarded, sprang at it, and ran out. Another and +another followed. Not a beast went after, until, one by +one, they were every one gone from the hall, and the +whole menie in the kitchen. There they were beginning +to congratulate themselves that all was over, when in +came the creatures trooping after them, and the second +act of their terror and pain began. They were flung<span class="pagenum">[206]</span> +about in all directions; their clothes were torn from +them; they were pinched and scratched any and everywhere; +Ballbody kept rolling up them and over them, +confining his attentions to no one in particular; the +scorpion kept grabbing at their legs with his huge pincers; +a three-foot centipede kept screwing up their bodies, +nipping as he went; varied as numerous were their woes. +Nor was it long before the last of them had fled from +the kitchen to the sculleries. But thither also they were +followed, and there again they were hunted about. They +were bespattered with the dirt of their own neglect; they +were soused in the stinking water that had boiled greens; +they were smeared with rancid dripping; their faces +were rubbed in maggots: I dare not tell all that was done +to them. At last they got the door into a back-yard +open, and rushed out. Then first they knew that the +wind was howling and the rain falling in sheets. But +there was no rest for them even there. Thither also were +they followed by the inexorable avengers, and the only +door here was a door out of the palace: out every soul +of them was driven, and left, some standing, some lying, +some crawling, to the farther buffeting of the waterspouts +and whirlwinds ranging every street of the city. The +door was flung to behind them, and they heard it locked +and bolted and barred against them.</p> + +<div class="figcenter"> +<img src="images/gs07.jpg" alt="gs07" /> +</div> + +<p class="caption"><i>A scene of confusion and terror followed: the crowd scattered like a +dance of flies.</i></p> + +<hr class="chapter" /> + +<p><span class="pagenum">[207]</span></p> + +<h2><a name="CHAPTER_XXVII" id="CHAPTER_XXVII"></a>CHAPTER XXVII.</h2> + +<p class="h2">MORE VENGEANCE.</p> + +<img class="dropimg" src="images/drop_a.jpg" alt="A" /> +<p class="noin"><span style="font-weight:bold">S</span> +soon as they were gone, Curdie brought +the creatures back to the servants' hall, +and told them to eat up everything on +the table. It <i>was</i> a sight to see them all +standing round it—except such as had to get upon it—eating +and drinking, each after its fashion, without a +smile, or a word, or a glance of fellowship in the act. +A very few moments served to make everything eatable +vanish, and then Curdie requested them to clean the +house, and the page who stood by to assist them.</p> + +<p>Every one set about it except Ballbody: he could do +nothing at cleaning, for the more he rolled, the more he +spread the dirt. Curdie was curious to know what he +had been, and how he had come to be such as he was; +but he could only conjecture that he was a gluttonous +alderman whom nature had treated homeopathically.<span class="pagenum">[208]</span></p> + +<p>And now there was such a cleaning and clearing out +of neglected places, such a burying and burning of refuse, +such a rinsing of jugs, such a swilling of sinks, and such +a flushing of drains, as would have delighted the eyes of +all true housekeepers and lovers of cleanliness generally.</p> + +<p>Curdie meantime was with the king, telling him all he +had done. They had heard a little noise, but not much, +for he had told the avengers to repress outcry as much as +possible; and they had seen to it that the more any one +cried out the more he had to cry out upon, while the +patient ones they scarcely hurt at all.</p> + +<p>Having promised his majesty and her royal highness a +good breakfast, Curdie now went to finish the business. +The courtiers must be dealt with. A few who were the +worst, and the leaders of the rest, must be made examples +of; the others should be driven from their beds to +the street.</p> + +<p>He found the chiefs of the conspiracy holding a final +consultation in the smaller room off the hall. These +were the lord chamberlain, the attorney-general, the +master of the horse, and the king's private secretary: the +lord chancellor and the rest, as foolish as faithless, +were but the tools of these.</p> + +<p>The housemaid had shown him a little closet, opening +from a passage behind, where he could overhear all that +passed in that room; and now Curdie heard enough to<span class="pagenum">[209]</span> +understand that they had determined, in the dead of that +night, rather in the deepest dark before the morning, to +bring a certain company of soldiers into the palace, make +away with the king, secure the princess, announce the +sudden death of his majesty, read as his the will they had +drawn up, and proceed to govern the country at their +ease, and with results: they would at once levy severer +taxes, and pick a quarrel with the most powerful of their +neighbours. Everything settled, they agreed to retire, +and have a few hours' quiet sleep first—all but the secretary, +who was to sit up and call them at the proper +moment. Curdie stole away, allowed them half an hour +to get to bed, and then set about completing his purgation +of the palace.</p> + +<p>First he called Lina, and opened the door of the room +where the secretary sat. She crept in, and laid herself +down against it. When the secretary, rising to stretch +his legs, caught sight of her eyes, he stood frozen with +terror. She made neither motion nor sound. Gathering +courage, and taking the thing for a spectral illusion, +he made a step forward. She showed her other teeth, +with a growl neither more than audible nor less than +horrible. The secretary sank fainting into a chair. He +was not a brave man, and besides, his conscience had gone +over to the enemy, and was sitting against the door by +Lina.<span class="pagenum">[210]</span></p> + +<p>To the lord chamberlain's door next, Curdie conducted +the legserpent, and let him in.</p> + +<p>Now his lordship had had a bedstead made for himself, +sweetly fashioned of rods of silver gilt: upon it the +legserpent found him asleep, and under it he crept. But +out he came on the other side, and crept over it next, and +again under it, and so over it, under it, over it, five or six +times, every time leaving a coil of himself behind him, until +he had softly folded all his length about the lord chamberlain +and his bed. This done, he set up his head, looking +down with curved neck right over his lordship's, and +began to hiss in his face. He woke in terror unspeakable, +and would have started up; but the moment he +moved, the legserpent drew his coils closer, and closer +still, and drew and drew until the quaking traitor heard +the joints of his bedstead grinding and gnarring. Presently +he persuaded himself that it was only a horrid +nightmare, and began to struggle with all his strength to +throw it off. Thereupon the legserpent gave his hooked +nose such a bite, that his teeth met through it—but it +was hardly thicker than the bowl of a spoon; and then +the vulture knew that he was in the grasp of his enemy +the snake, and yielded. As soon as he was quiet the +legserpent began to untwist and retwist, to uncoil and +recoil himself, swinging and swaying, knotting and +relaxing himself with strangest curves and convolutions,<span class="pagenum">[211]</span> +always, however, leaving at least one coil around his +victim. At last he undid himself entirely, and crept +from the bed. Then first the lord chamberlain discovered +that his tormentor had bent and twisted the bedstead, +legs and canopy and all, so about him, that he +was shut in a silver cage out of which it was impossible +for him to find a way. Once more, thinking his enemy +was gone, he began to shout for help. But the instant he +opened his mouth his keeper darted at him and bit him, and +after three or four such essays, with like result, he lay still.</p> + +<p>The master of the horse Curdie gave in charge to the +tapir. When the soldier saw him enter—for he was not +yet asleep—he sprang from his bed, and flew at him with +his sword. But the creature's hide was invulnerable to +his blows, and he pecked at his legs with his proboscis +until he jumped into bed again, groaning, and covered +himself up; after which the tapir contented himself with +now and then paying a visit to his toes.</p> + +<p>For the attorney-general, Curdie led to his door a huge +spider, about two feet long in the body, which, having +made an excellent supper, was full of webbing. The +attorney-general had not gone to bed, but sat in a chair +asleep before a great mirror. He had been trying the +effect of a diamond star which he had that morning taken +from the jewel-room. When he woke he fancied himself +paralysed; every limb, every finger even, was motionless:<span class="pagenum">[212]</span> +coils and coils of broad spider-ribbon bandaged his members +to his body, and all to the chair. In the glass he +saw himself wound about, under and over and around, +with slavery infinite. On a footstool a yard off sat the +spider glaring at him.</p> + +<p>Clubhead had mounted guard over the butler, where +he lay tied hand and foot under the third cask. From +that cask he had seen the wine run into a great bath, and +therein he expected to be drowned. The doctor, with +his crushed leg, needed no one to guard him.</p> + +<p>And now Curdie proceeded to the expulsion of the +rest. Great men or underlings, he treated them all +alike. From room to room over the house he went, and +sleeping or waking took the man by the hand. Such was +the state to which a year of wicked rule had reduced the +moral condition of the court, that in it all he found but +three with human hands. The possessors of these he +allowed to dress themselves and depart in peace. When +they perceived his mission, and how he was backed, they +yielded without dispute.</p> + +<p>Then commenced a general hunt, to clear the house of +the vermin. Out of their beds in their night-clothing, +out of their rooms, gorgeous chambers or garret nooks, the +creatures hunted them. Not one was allowed to escape. +Tumult and noise there was little, for the fear was +too deadly for outcry. Ferreting them out everywhere,<span class="pagenum">[213]</span> +following them upstairs and downstairs, yielding no instant +of repose except upon the way out, the avengers persecuted +the miscreants, until the last of them was shivering +outside the palace gates, with hardly sense enough left to +know where to turn.</p> + +<p>When they set out to look for shelter, they found every +inn full of the servants expelled before them, and not one +would yield his place to a superior suddenly levelled with +himself. Most houses refused to admit them on the +ground of the wickedness that must have drawn on +them such a punishment; and not a few would have been +left in the streets all night, had not Derba, roused by the +vain entreaties at the doors on each side of her cottage, +opened hers, and given up everything to them. The +lord chancellor was only too glad to share a mattress +with a stable-boy, and steal his bare feet under his +jacket.</p> + +<p>In the morning Curdie appeared, and the outcasts were +in terror, thinking he had come after them again. But +he took no notice of them: his object was to request +Derba to go to the palace: the king required her services. +She needed take no trouble about her cottage, he said; +the palace was henceforward her home: she was the +king's chastelaine over men and maidens of his household. +And this very morning she must cook his majesty +a nice breakfast.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[214]</span></p> + +<h2><a name="CHAPTER_XXVIII" id="CHAPTER_XXVIII"></a>CHAPTER XXVIII.</h2> + +<p class="h2">THE PREACHER.</p> + +<img class="dropimg" src="images/drop_v.jpg" alt="V" /> +<p class="noin"><span style="font-weight:bold">ARIOUS</span> +reports went undulating through +the city as to the nature of what had +taken place in the palace. The people +gathered, and stared at the house, eyeing +it as if it had sprung up in the night. But it looked +sedate enough, remaining closed and silent, like a +house that was dead. They saw no one come out or +go in. Smoke rose from a chimney or two; there was +hardly another sign of life. It was not for some little +time generally understood that the highest officers of the +crown as well as the lowest menials of the palace had +been dismissed in disgrace: for who was to recognise +a lord chancellor in his night-shirt? and what lord +chancellor would, so attired in the street, proclaim his +rank and office aloud? Before it was day most of the +courtiers crept down to the river, hired boats, and betook +themselves to their homes or their friends in the country.<span class="pagenum">[215]</span> +It was assumed in the city that the domestics had been +discharged upon a sudden discovery of general and unpardonable +peculation; for, almost everybody being +guilty of it himself, petty dishonesty was the crime most +easily credited and least easily passed over in Gwyntystorm.</p> + +<p>Now that same day was Religion day, and not a few of +the clergy, always glad to seize on any passing event to +give interest to the dull and monotonic grind of their +intellectual machines, made this remarkable one the +ground of discourse to their congregations. More +especially than the rest, the first priest of the great temple +where was the royal pew, judged himself, from his relation +to the palace, called upon to "improve the occasion,"—for +they talked ever about improvement at +Gwyntystorm, all the time they were going downhill with +a rush.</p> + +<p>The book which had, of late years, come to be considered +the most sacred, was called The Book of Nations, +and consisted of proverbs, and history traced through +custom: from it the first priest chose his text; and his +text was, <i>Honesty is the best Policy</i>. He was considered +a very eloquent man, but I can offer only a few of the +larger bones of his sermon. The main proof of the verity +of their religion, he said, was, that things always went +well with those who professed it; and its first fundamental<span class="pagenum">[216]</span> +principle, grounded in inborn invariable instinct, was, +that every One should take care of that One. This was +the first duty of Man. If every one would but obey this +law, number one, then would every one be perfectly cared +for—one being always equal to one. But the faculty of +care was in excess of need, and all that overflowed, and +would otherwise run to waste, ought to be gently turned +in the direction of one's neighbour, seeing that this also +wrought for the fulfilling of the law, inasmuch as the +reaction of excess so directed was upon the director of +the same, to the comfort, that is, and well-being of the +original self. To be just and friendly was to build the +warmest and safest of all nests, and to be kind and loving +was to line it with the softest of all furs and feathers, for +the one precious, comfort-loving self there to lie, revelling +in downiest bliss. One of the laws therefore most binding +upon men because of its relation to the first and +greatest of all duties, was embodied in the Proverb +he had just read; and what stronger proof of its wisdom +and truth could they desire than the sudden and complete +vengeance which had fallen upon those worse than +ordinary sinners who had offended against the king's +majesty by forgetting that <i>Honesty is the best Policy</i>?</p> + +<p>At this point of the discourse the head of the legserpent +rose from the floor of the temple, towering above +the pulpit, above the priest, then curving downwards,<span class="pagenum">[217]</span> +with open mouth slowly descended upon him. Horror +froze the sermon-pump. He stared upwards aghast. +The great teeth of the animal closed upon a mouthful of +the sacred vestments, and slowly he lifted the preacher +from the pulpit, like a handful of linen from a wash-tub, +and, on his four solemn stumps, bore him out of the +temple, dangling aloft from his jaws. At the back of it +he dropped him into the dust-hole amongst the remnants +of a library whose age had destroyed its value in the eyes +of the chapter. They found him burrowing in it, a lunatic +henceforth—whose madness presented the peculiar +feature, that in its paroxysms he jabbered sense.</p> + +<p>Bone-freezing horror pervaded Gwyntystorm. If their +best and wisest were treated with such contempt, what +might not the rest of them look for? Alas for their city! +their grandly respectable city! their loftily reasonable city! +Where it was all to end, the Convenient alone could tell!</p> + +<p>But something must be done. Hastily assembling, +the priests chose a new first priest, and in full conclave +unanimously declared and accepted, that the king in his +retirement had, through the practice of the blackest magic, +turned the palace into a nest of demons in the midst of +them. A grand exorcism was therefore indispensable.</p> + +<p>In the meantime the fact came out that the greater +part of the courtiers had been dismissed as well as the +servants, and this fact swelled the hope of the Party of<span class="pagenum">[218]</span> +Decency, as they called themselves. Upon it they proceeded +to act, and strengthened themselves on all sides.</p> + +<p>The action of the king's body-guard remained for a +time uncertain. But when at length its officers were +satisfied that both the master of the horse and their +colonel were missing, they placed themselves under the +orders of the first priest.</p> + +<p>Everyone dated the culmination of the evil from the +visit of the miner and his mongrel; and the butchers +vowed, if they could but get hold of them again, they +would roast both of them alive. At once they formed +themselves into a regiment, and put their dogs in training +for attack.</p> + +<p>Incessant was the talk, innumerable were the suggestions, +and great was the deliberation. The general +consent, however, was that as soon as the priests should +have expelled the demons, they would depose the king, +and, attired in all his regal insignia, shut him in a cage +for public show; then choose governors, with the lord +chancellor at their head, whose first duty should be to +remit every possible tax; and the magistrates, by the +mouth of the city marshal, required all able-bodied citizens, +in order to do their part towards the carrying out +of these and a multitude of other reforms, to be ready +to take arms at the first summons.</p> + +<p>Things needful were prepared as speedily as possible,<span class="pagenum">[219]</span> +and a mighty ceremony, in the temple, in the market-place, +and in front of the palace, was performed for the +expulsion of the demons. This over, the leaders retired +to arrange an attack upon the palace.</p> + +<p>But that night events occurred which, proving the +failure of their first, induced the abandonment of their +second intent. Certain of the prowling order of the +community, whose numbers had of late been steadily on +the increase, reported frightful things. Demons of +indescribable ugliness had been espied careering through +the midnight streets and courts. A citizen—some said +in the very act of house-breaking, but no one cared to +look into trifles at such a crisis—had been seized from +behind, he could not see by what, and soused in the +river. A well-known receiver of stolen goods had had +his shop broken open, and when he came down in the +morning had found everything in ruin on the pavement. +The wooden image of justice over the door +of the city marshal had had the arm that held the sword +<i>bitten</i> off. The gluttonous magistrate had been pulled +from his bed in the dark, by beings of which he could +see nothing but the flaming eyes, and treated to a bath +of the turtle soup that had been left simmering by the +side of the kitchen fire. Having poured it over him, they +put him again into his bed, where he soon learned how +a mummy must feel in its cerements. Worst of all, in<span class="pagenum">[220]</span> +the market-place was fixed up a paper, with the king's +own signature, to the effect that whoever henceforth +should show inhospitality to strangers, and should be +convicted of the same, should be instantly expelled the +city; while a second, in the butchers' quarter, ordained +that any dog which henceforward should attack a +stranger should be immediately destroyed. It was plain, +said the butchers, that the clergy were of no use; <i>they</i> +could not exorcise demons! That afternoon, catching +sight of a poor old fellow in rags and tatters, quietly +walking up the street, they hounded their dogs upon him, +and had it not been that the door of Derba's cottage was +standing open, and was near enough for him to dart in +and shut it ere they reached him, he would have been +torn in pieces.</p> + +<p>And thus things went on for some days.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[221]</span></p> + +<h2><a name="CHAPTER_XXIX" id="CHAPTER_XXIX"></a>CHAPTER XXIX.</h2> + +<p class="h2">BARBARA.</p> + +<img class="dropimg" src="images/drop_i.jpg" alt="I" /> +<p class="noin"><span style="font-weight:bold">N</span> +the meantime, with Derba to minister to +his wants, with Curdie to protect him, and +Irene to nurse him, the king was getting +rapidly stronger. Good food was what he +most wanted, and of that, at least of certain kinds +of it, there was plentiful store in the palace. Everywhere +since the cleansing of the lower regions of it, +the air was clean and sweet, and under the honest +hands of the one housemaid the king's chamber +became a pleasure to his eyes. With such changes +it was no wonder if his heart grew lighter as well as his +brain clearer.</p> + +<p>But still evil dreams came and troubled him, the lingering +result of the wicked medicines the doctor had given +him. Every night, sometimes twice or thrice, he would +wake up in terror, and it would be minutes ere he could +come to himself. The consequence was that he was<span class="pagenum">[222]</span> +always worse in the morning, and had loss to make up +during the day. This retarded his recovery greatly. +While he slept, Irene or Curdie, one or the other, must +still be always by his side.</p> + +<p>One night, when it was Curdie's turn with the king, he +heard a cry somewhere in the house, and as there was no +other child, concluded, notwithstanding the distance of +her grandmother's room, that it must be Barbara. Fearing +something might be wrong, and noting the king's +sleep more quiet than usual, he ran to see. He +found the child in the middle of the floor, weeping +bitterly, and Derba slumbering peacefully in bed. The +instant she saw him the night-lost thing ceased her +crying, smiled, and stretched out her arms to him. Unwilling +to wake the old woman, who had been working hard +all day, he took the child, and carried her with him. She +clung to him so, pressing her tear-wet radiant face against +his, that her little arms threatened to choke him. When +he re-entered the chamber, he found the king sitting +up in bed, fighting the phantoms of some hideous +dream. Generally upon such occasions, although he saw +his watcher, he could not dissociate him from the dream, +and went raving on. But the moment his eyes fell upon +little Barbara, whom he had never seen before, his soul +came into them with a rush, and a smile like the dawn +of an eternal day overspread his countenance: the dream<span class="pagenum">[223]</span> +was nowhere, and the child was in his heart. He +stretched out his arms to her, the child stretched out hers +to him, and in five minutes they were both asleep, each +in the other's embrace. From that night Barbara had a +crib in the king's chamber, and as often as he woke, Irene +or Curdie, whichever was watching, took the sleeping +child and laid her in his arms, upon which, invariably +and instantly, the dream would vanish. A great part of +the day too she would be playing on or about the king's +bed; and it was a delight to the heart of the princess to +see her amusing herself with the crown, now sitting upon +it, now rolling it hither and thither about the room like a +hoop. Her grandmother entering once while she was +pretending to make porridge in it, held up her hands in +horror-struck amazement; but the king would not allow +her to interfere, for the king was now Barbara's playmate, +and his crown their plaything.</p> + +<p>The colonel of the guard also was growing better. +Curdie went often to see him. They were soon friends, +for the best people understand each other the easiest, +and the grim old warrior loved the miner boy as if he were +at once his son and his angel. He was very anxious +about his regiment. He said the officers were mostly +honest men, he believed, but how they might be doing +without him, or what they might resolve, in ignorance of +the real state of affairs, and exposed to every misrepre<span class="pagenum">[224]</span>sentation, +who could tell? Curdie proposed that he +should send for the major, offering to be the messenger. +The colonel agreed, and Curdie went—not without his +mattock, because of the dogs.</p> + +<p>But the officers had been told by the master of the +horse that their colonel was dead, and although they +were amazed he should be buried without the attendance +of his regiment, they never doubted the information. +The handwriting itself of their colonel was +insufficient, counteracted by the fresh reports daily +current, to destroy the lie. The major regarded the +letter as a trap for the next officer in command, +and sent his orderly to arrest the messenger. But +Curdie had had the wisdom not to wait for an +answer.</p> + +<p>The king's enemies said that he had first poisoned the +good colonel of the guard, and then murdered the master +of the horse, and other faithful councillors; and that his +oldest and most attached domestics had but escaped +from the palace with their lives—nor all of them, +for the butler was missing. Mad or wicked, he was +not only unfit to rule any longer, but worse than unfit +to have in his power and under his influence the +young princess, only hope of Gwyntystorm and the +kingdom.</p> + +<p>The moment the lord chancellor reached his house in<span class="pagenum">[225]</span> +the country and had got himself clothed, he began to +devise how yet to destroy his master; and the very next +morning set out for the neighbouring kingdom of Borsagrass, +to invite invasion, and offer a compact with its +monarch.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[226]</span></p> + +<h2><a name="CHAPTER_XXX" id="CHAPTER_XXX"></a>CHAPTER XXX.</h2> + +<p class="h2">PETER.</p> + +<img class="dropimg" src="images/drop_a.jpg" alt="A" /> +<p class="noin"><span style="font-weight:bold">T</span> +the cottage on the mountain everything for +a time went on just as before. It was indeed +dull without Curdie, but as often as they +looked at the emerald it was gloriously +green, and with nothing to fear or regret, and everything +to hope, they required little comforting. One morning, +however, at last, Peter, who had been consulting the gem, +rather now from habit than anxiety, as a farmer his +barometer in undoubtful weather, turned suddenly to his +wife, the stone in his hand, and held it up with a look of +ghastly dismay.</p> + +<p>"Why, that's never the emerald!" said Joan.</p> + +<p>"It is," answered Peter; "but it were small blame to +any one that took it for a bit of bottle glass!"</p> + +<p>For, all save one spot right in the centre, of intensest +and most brilliant green, it looked as if the colour had +been burnt out of it.<span class="pagenum">[227]</span></p> + +<p>"Run, run, Peter!" cried his wife. "Run and tell the +old princess. It may not be too late. The boy must be +lying at death's door."</p> + +<p>Without a word Peter caught up his mattock, darted +from the cottage, and was at the bottom of the hill in +less time than he usually took to get halfway.</p> + +<p>The door of the king's house stood open; he rushed +in and up the stair. But after wandering about in vain +for an hour, opening door after door, and finding no way +farther up, the heart of the old man had well-nigh failed +him. Empty rooms, empty rooms!—desertion and +desolation everywhere.</p> + +<p>At last he did come upon the door to the tower-stair. +Up he darted. Arrived at the top, he found three doors, +and, one after the other, knocked at them all. But +there was neither voice nor hearing. Urged by his faith +and his dread, slowly, hesitatingly, he opened one. It +revealed a bare garret-room, nothing in it but one chair and +one spinning-wheel. He closed it, and opened the next—to +start back in terror, for he saw nothing but a great +gulf, a moonless night, full of stars, and, for all the stars, +dark, dark!—a fathomless abyss. He opened the third +door, and a rush like the tide of a living sea invaded his +ears. Multitudinous wings flapped and flashed in the +sun, and, like the ascending column from a volcano, +white birds innumerable shot into the air, darkening the<span class="pagenum">[228]</span> +day with the shadow of their cloud, and then, with a +sharp sweep, as if bent sideways by a sudden wind, flew +northward, swiftly away, and vanished. The place felt +like a tomb. There seemed no breath of life left in it. +Despair laid hold upon him; he rushed down thundering +with heavy feet. Out upon him darted the housekeeper +like an ogress-spider, and after her came her men; but +Peter rushed past them, heedless and careless—for had +not the princess mocked him?—and sped along the road +to Gwyntystorm. What help lay in a miner's mattock, +a man's arm, a father's heart, he would bear to his boy.</p> + +<p>Joan sat up all night waiting his return, hoping and +hoping. The mountain was very still, and the sky was +clear; but all night long the miner sped northwards, and +the heart of his wife was troubled.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[229]</span></p> + +<h2><a name="CHAPTER_XXXI" id="CHAPTER_XXXI"></a>CHAPTER XXXI.</h2> + +<p class="h2">THE SACRIFICE.</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HINGS</span> +in the palace were in a strange condition: +the king playing with a child and +dreaming wise dreams, waited upon by a little +princess with the heart of a queen, and a +youth from the mines, who went nowhere, not even into +the king's chamber, without his mattock on his shoulder +and a horrible animal at his heels; in a room near by the +colonel of his guard, also in bed, without a soldier to +obey him; in six other rooms, far apart, six miscreants, +each watched by a beast-gaoler; ministers to them all, an +old woman, a young woman, and a page; and in the +wine-cellar, forty-three animals, creatures more grotesque +than ever brain of man invented. None dared approach +its gates, and seldom one issued from them.</p> + +<p>All the dwellers in the city were united in enmity to +the palace. It swarmed with evil spirits, they said,<span class="pagenum">[230]</span> +whereas the evil spirits were in the city, unsuspected. +One consequence of their presence was that, when the +rumour came that a great army was on the march against +Gwyntystorm, instead of rushing to their defences, to +make new gates, free portcullises and drawbridges, and +bar the river, each and all flew first to their treasures, +burying them in their cellars and gardens, and hiding +them behind stones in their chimneys; and, next to +rebellion, signing an invitation to his majesty of Borsagrass +to enter at their open gates, destroy their king, and annex +their country to his own.</p> + +<p>The straits of isolation were soon found in the palace: +its invalids were requiring stronger food, and what was to +be done? for if the butchers sent meat to the palace, was +it not likely enough to be poisoned? Curdie said to +Derba he would think of some plan before morning.</p> + +<p>But that same night, as soon as it was dark, Lina came +to her master, and let him understand she wanted to go +out. He unlocked a little private postern for her, left it +so that she could push it open when she returned, and +told the crocodile to stretch himself across it inside. Before +midnight she came back with a young deer.</p> + +<p>Early the next morning the legserpent crept out of the +wine-cellar, through the broken door behind, shot into +the river, and soon appeared in the kitchen with a +splendid sturgeon. Every night Lina went out hunting,<span class="pagenum">[231]</span> +and every morning Legserpent went out fishing, and both +invalids and household had plenty to eat. As to news, +the page, in plain clothes, would now and then venture +out into the market-place, and gather some.</p> + +<p>One night he came back with the report that the army +of the king of Borsagrass had crossed the border. Two +days after, he brought the news that the enemy was now +but twenty miles from Gwyntystorm.</p> + +<p>The colonel of the guard rose, and began furbishing +his armour—but gave it over to the page, and staggered +across to the barracks, which were in the next street. +The sentry took him for a ghost or worse, ran into the +guard-room, bolted the door, and stopped his ears. The +poor colonel, who was yet hardly able to stand, crawled +back despairing.</p> + +<p>For Curdie, he had already, as soon as the first rumour +reached him, resolved, if no other instructions came, and +the king continued unable to give orders, to call Lina +and the creatures, and march to meet the enemy. If he +died, he died for the right, and there was a right end of +it. He had no preparations to make, except a good +sleep.</p> + +<p>He asked the king to let the housemaid take his place +by his majesty that night, and went and lay down on the +floor of the corridor, no farther off than a whisper would +reach from the door of the chamber. There, with an<span class="pagenum">[232]</span> +old mantle of the king's thrown over him, he was soon +fast asleep.</p> + +<p>Somewhere about the middle of the night, he woke +suddenly, started to his feet, and rubbed his eyes. He +could not tell what had waked him. But could he be +awake, or was he not dreaming? The curtain of the +king's door, a dull red ever before, was glowing a gorgeous, +a radiant purple; and the crown wrought upon it +in silks and gems was flashing as if it burned! What +could it mean? Was the king's chamber on fire? He +darted to the door and lifted the curtain. Glorious +terrible sight!</p> + +<p>A long and broad marble table, that stood at one end +of the room, had been drawn into the middle of it, and +thereon burned a great fire, of a sort that Curdie knew—a +fire of glowing, flaming roses, red and white. In the +midst of the roses lay the king, moaning, but motionless. +Every rose that fell from the table to the floor, +some one, whom Curdie could not plainly see for the +brightness, lifted and laid burning upon the king's face, +until at length his face too was covered with the live +roses, and he lay all within the fire, moaning still, with +now and then a shuddering sob. And the shape that +Curdie saw and could not see, wept over the king as he +lay in the fire, and often she hid her face in handfuls of +her shadowy hair, and from her hair the water of her +<span class="pagenum">[233]</span>weeping dropped like sunset rain in the light of the roses. +At last she lifted a great armful of her hair, and shook it +over the fire, and the drops fell from it in showers, and +they did not hiss in the flames, but there arose instead as +it were the sound of running brooks. And the glow of +the red fire died away, and the glow of the white fire +grew gray, and the light was gone, and on the table all +was black—except the face of the king, which shone from +under the burnt roses like a diamond in the ashes of a +furnace.</p> + +<div class="figcenter"> +<img src="images/gs08.jpg" alt="gs08" /> +</div> + +<p class="caption"><i>In the midst of the roses lay the king, moaning, but motionless.</i></p> + +<br clear="all" /> + +<p>Then Curdie, no longer dazzled, saw and knew the old +princess. The room was lighted with the splendour of +her face, of her blue eyes, of her sapphire crown. Her +golden hair went streaming out from her through the air +till it went off in mist and light. She was large and +strong as a Titaness. She stooped over the table-altar, +put her mighty arms under the living sacrifice, lifted the +king, as if he were but a little child, to her bosom, +walked with him up the floor, and laid him in his bed. +Then darkness fell.</p> + +<p>The miner-boy turned silent away, and laid himself +down again in the corridor. An absolute joy filled his +heart, his bosom, his head, his whole body. All was safe; +all was well. With the helve of his mattock tight in his +grasp, he sank into a dreamless sleep.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[234]</span></p> + +<h2><a name="CHAPTER_XXXII" id="CHAPTER_XXXII"></a>CHAPTER XXXII.</h2> + +<p class="h2">THE KING'S ARMY.</p> + +<img class="dropimg" src="images/drop_h.jpg" alt="H" /> +<p class="noin"><span style="font-weight:bold">E</span> +woke like a giant refreshed with wine.</p> + +<p>When he went into the king's chamber, the +housemaid sat where he had left her, and +everything in the room was as it had been +the night before, save that a heavenly odour of roses +filled the air of it. He went up to the bed. The king +opened his eyes, and the soul of perfect health shone out +of them. Nor was Curdie amazed in his delight.</p> + +<p>"Is it not time to rise, Curdie?" said the king.</p> + +<p>"It is, your majesty. To-day we must be doing," +answered Curdie.</p> + +<p>"What must we be doing to-day, Curdie?"</p> + +<p>"Fighting, sire."</p> + +<p>"Then fetch me my armour—that of plated steel, +in the chest there. You will find the underclothing +with it."<span class="pagenum">[235]</span></p> + +<p>As he spoke, he reached out his hand for his sword, +which hung in the bed before him, drew it, and examined +the blade.</p> + +<p>"A little rusty!" he said, "but the edge is there. +We shall polish it ourselves to-day—not on the wheel. +Curdie, my son, I wake from a troubled dream. A +glorious torture has ended it, and I live. I know not +well how things are, but thou shalt explain them to me +as I get on my armour.—No, I need no bath. I am +clean.—Call the colonel of the guard."</p> + +<p>In complete steel the old man stepped into the +chamber. He knew it not, but the old princess had +passed through his room in the night.</p> + +<p>"Why, Sir Bronzebeard!" said the king, "you are +dressed before me! Thou needest no valet, old man, +when there is battle in the wind!"</p> + +<p>"Battle, sire!" returned the colonel. "—Where then +are our soldiers?"</p> + +<p>"Why, there, and here," answered the king, pointing +to the colonel first, and then to himself. "Where else, +man?—The enemy will be upon us ere sunset, if we be +not upon him ere noon. What other thing was in thy +brave brain when thou didst don thine armour, friend?"</p> + +<p>"Your majesty's orders, sire," answered Sir Bronzebeard.</p> + +<p>The king smiled and turned to Curdie.<span class="pagenum">[236]</span></p> + +<p>"And what was in thine, Curdie—for thy first word +was of battle?"</p> + +<p>"See, your majesty," answered Curdie; "I have +polished my mattock. If your majesty had not taken +the command, I would have met the enemy at the +head of my beasts, and died in comfort, or done +better."</p> + +<p>"Brave boy!" said the king. "He who takes his life +in his hand is the only soldier. Thou shalt head thy +beasts to-day.—Sir Bronzebeard, wilt thou die with me if +need be?"</p> + +<p>"Seven times, my king," said the colonel.</p> + +<p>"Then shall we win this battle!" said the king. +"—Curdie, go and bind securely the six, that we lose not +their guards.—Canst thou find us a horse, think'st thou, +Sir Bronzebeard? Alas! they told us our white charger +was dead."</p> + +<p>"I will go and fright the varletry with my presence, +and secure, I trust, a horse for your majesty, and one +for myself."</p> + +<p>"And look you, brother!" said the king; "bring one +for my miner boy too, and a sober old charger for the +princess, for she too must go to the battle, and conquer +with us."</p> + +<p>"Pardon me, sire," said Curdie; "a miner can fight +best on foot. I might smite my horse dead under me<span class="pagenum">[237]</span> +with a missed blow. And besides, I must be near my +beasts."</p> + +<p>"As you will," said the king. "—Three horses then, +Sir Bronzebeard."</p> + +<p>The colonel departed, doubting sorely in his heart +how to accoutre and lead from the barrack stables three +horses, in the teeth of his revolted regiment.</p> + +<p>In the hall he met the housemaid.</p> + +<p>"Can you lead a horse?" he asked.</p> + +<p>"Yes, sir."</p> + +<p>"Are you willing to die for the king?"</p> + +<p>"Yes, sir."</p> + +<p>"Can you do as you are bid?"</p> + +<p>"I can keep on trying, sir."</p> + +<p>"Come, then. Were I not a man I would be a +woman such as thou."</p> + +<p>When they entered the barrack-yard, the soldiers +scattered like autumn leaves before a blast of winter. +They went into the stable unchallenged—and lo! in a +stall, before the colonel's eyes, stood the king's white +charger, with the royal saddle and bridle hung high +beside him!</p> + +<p>"Traitorous thieves!" muttered the old man in his +beard, and went along the stalls, looking for his own +black charger. Having found him, he returned to saddle +first the king's. But the maid had already the saddle<span class="pagenum">[238]</span> +upon him, and so girt that the colonel could thrust no +finger-tip between girth and skin. He left her to finish +what she had so well begun, and went and graithed his +own. He then chose for the princess a great red horse, +twenty years old, which he knew to possess every equine +virtue. This and his own he led to the palace, and the +maid led the king's.</p> + +<p>The king and Curdie stood in the court, the king in +full armour of silvered steel, with a circlet of rubies and +diamonds round his helmet. He almost leaped for joy +when he saw his great white charger come in, gentle as a +child to the hand of the housemaid. But when the horse +saw his master in his armour, he reared and bounded in +jubilation, yet did not break from the hand that held +him. Then out came the princess attired and ready, with +a hunting-knife her father had given her by her side. +They brought her mother's saddle, splendent with gems +and gold, set it on the great red horse, and lifted her to +it. But the saddle was so big, and the horse so tall, that +the child found no comfort in them.</p> + +<p>"Please, king papa," she said, "can I not have my +white pony?"</p> + +<p>"I did not think of him, little one," said the king. +"Where is he?"</p> + +<p>"In the stable," answered the maid. "I found him +half-starved, the only horse within the gates, the day<span class="pagenum">[239]</span> +after the servants were driven out. He has been well fed +since."</p> + +<p>"Go and fetch him," said the king.</p> + +<p>As the maid appeared with the pony, from a side door +came Lina and the forty-nine, following Curdie.</p> + +<p>"I will go with Curdie and the Uglies," cried the +princess; and as soon as she was mounted she got into +the middle of the pack.</p> + +<p>So out they set, the strangest force that ever went +against an enemy. The king in silver armour sat stately +on his white steed, with the stones flashing on his helmet; +beside him the grim old colonel, armed in steel, rode his +black charger; behind the king, a little to the right, Curdie +walked afoot, his mattock shining in the sun; Lina +followed at his heel; behind her came the wonderful +company of Uglies; in the midst of them rode the +gracious little Irene, dressed in blue, and mounted on the +prettiest of white ponies; behind the colonel, a little to +the left, walked the page, armed in a breastplate, headpiece, +and trooper's sword he had found in the palace, all +much too big for him, and carrying a huge brass trumpet +which he did his best to blow; and the king smiled and +seemed pleased with his music, although it was but the +grunt of a brazen unrest. Alongside of the beasts +walked Derba carrying Barbara—their refuge the mountains, +should the cause of the king be lost; as soon as<span class="pagenum">[240]</span> +they were over the river they turned aside to ascend the +cliff, and there awaited the forging of the day's history. +Then first Curdie saw that the housemaid, whom they had +all forgotten, was following, mounted on the great red +horse, and seated in the royal saddle.</p> + +<p>Many were the eyes unfriendly of women that had stared +at them from door and window as they passed through +the city; and low laughter and mockery and evil words +from the lips of children had rippled about their ears; +but the men were all gone to welcome the enemy, the +butchers the first, the king's guard the last. And now +on the heels of the king's army rushed out the women +and children also, to gather flowers and branches, wherewith +to welcome their conquerors.</p> + +<p>About a mile down the river, Curdie, happening to +look behind him, saw the maid, whom he had supposed +gone with Derba, still following on the great red horse. +The same moment the king, a few paces in front of him, +caught sight of the enemy's tents, pitched where, the cliffs +receding, the bank of the river widened to a little plain.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[241]</span></p> + +<h2><a name="CHAPTER_XXXIII" id="CHAPTER_XXXIII"></a>CHAPTER XXXIII.</h2> + +<p class="h2">THE BATTLE.</p> + +<img class="dropimg" src="images/drop_h.jpg" alt="H" /> +<p class="noin"><span style="font-weight:bold">E</span> +commanded the page to blow his +trumpet; and, in the strength of the +moment, the youth uttered a right war-like +defiance.</p> + +<p>But the butchers and the guard, who had gone +over armed to the enemy, thinking that the king +had come to make his peace also, and that it might +thereafter go hard with them, rushed at once to make +short work with him, and both secure and commend +themselves. The butchers came on first—for the guards +had slackened their saddle-girths—brandishing their +knives, and talking to their dogs. Curdie and the page, +with Lina and her pack, bounded to meet them. Curdie +struck down the foremost with his mattock. The +page, finding his sword too much for him, threw it +away and seized the butcher's knife, which as he rose he<span class="pagenum">[242]</span> +plunged into the foremost dog. Lina rushed raging and +gnashing amongst them. She would not look at a dog +so long as there was a butcher on his legs, and she never +stopped to kill a butcher, only with one grind of her jaws +crushed a leg of him. When they were all down, then +indeed she flashed amongst the dogs.</p> + +<p>Meantime the king and the colonel had spurred +towards the advancing guard. The king clove the major +through skull and collar-bone, and the colonel stabbed +the captain in the throat. Then a fierce combat commenced—two +against many. But the butchers and their +dogs quickly disposed of, up came Curdie and his beasts. +The horses of the guard, struck with terror, turned in spite +of the spur, and fled in confusion.</p> + +<p>Thereupon the forces of Borsagrass, which could see +little of the affair, but correctly imagined a small determined +body in front of them, hastened to the attack. +No sooner did their first advancing wave appear through +the foam of the retreating one, than the king and the +colonel and the page, Curdie and the beasts, went charging +upon them. Their attack, especially the rush of the Uglies, +threw the first line into great confusion, but the second +came up quickly; the beasts could not be everywhere, +there were thousands to one against them, and the king +and his three companions were in the greatest possible +danger.</p> + +<div class="figcenter"> +<img src="images/gs09.jpg" alt="gs09" /> +</div> + +<p class="caption"><i>"The king and the colonel and the page, Curdie and the beasts, went +charging upon them."</i></p> + +<br clear="all" /> + +<p><span class="pagenum">[243]</span></p> +<p>A dense cloud came over the sun, and sank rapidly +towards the earth. The cloud moved "all together," +and yet the thousands of white flakes of which it was +made up moved each for itself in ceaseless and rapid +motion: those flakes were the wings of pigeons. Down +swooped the birds upon the invaders; right in the face of +man and horse they flew with swift-beating wings, blinding +eyes and confounding brain. Horses reared and +plunged and wheeled. All was at once in confusion. +The men made frantic efforts to seize their tormentors, +but not one could they touch; and they outdoubled them +in numbers. Between every wild clutch came a peck of +beak and a buffet of pinion in the face. Generally the +bird would, with sharp-clapping wings, dart its whole +body, with the swiftness of an arrow, against its singled +mark, yet so as to glance aloft the same instant, and descend +skimming; much as the thin stone, shot with horizontal +cast of arm, having touched and torn the surface +of the lake, ascends to skim, touch, and tear again. So +mingled the feathered multitude in the grim game of war. +It was a storm in which the wind was birds, and the sea +men. And ever as each bird arrived at the rear of the +enemy, it turned, ascended, and sped to the front to +charge again.</p> + +<p>The moment the battle began, the princess's pony took +fright, and turned and fled. But the maid wheeled her<span class="pagenum">[244]</span> +horse across the road and stopped him; and they waited +together the result of the battle.</p> + +<p>And as they waited, it seemed to the princess right +strange that the pigeons, every one as it came to the rear, +and fetched a compass to gather force for the re-attack, +should make the head of her attendant on the red horse +the goal around which it turned; so that about them was +an unintermittent flapping and flashing of wings, and a +curving, sweeping torrent of the side-poised wheeling +bodies of birds. Strange also it seemed that the maid +should be constantly waving her arm towards the battle. +And the time of the motion of her arm so fitted with the +rushes of birds, that it looked as if the birds obeyed +her gesture, and she were casting living javelins by the +thousand against the enemy. The moment a pigeon had +rounded her head, it went off straight as bolt from bow, +and with trebled velocity.</p> + +<p>But of these strange things, others besides the princess +had taken note. From a rising ground whence they +watched the battle in growing dismay, the leaders of the +enemy saw the maid and her motions, and, concluding +her an enchantress, whose were the airy legions humiliating +them, set spurs to their horses, made a circuit, outflanked +the king, and came down upon her. But +suddenly by her side stood a stalwart old man in the garb +of a miner, who, as the general rode at her, sword in +<span class="pagenum">[245]</span>hand, heaved his swift mattock, and brought it down +with such force on the forehead of his charger, that he +fell to the ground like a log. His rider shot over his +head and lay stunned. Had not the great red horse +reared and wheeled, he would have fallen beneath that +of the general.</p> + +<div class="figcenter"> +<img src="images/gs10.jpg" alt="gs10" /> +</div> + +<p class="caption"><i>It looked as if the birds obeyed her gesture, and she were casting living +javelins by the thousand against the enemy.</i></p> + +<br clear="all" /> + +<p>With lifted sabre, one of his attendant officers rode at +the miner. But a mass of pigeons darted in the faces of +him and his horse, and the next moment he lay beside +his commander. The rest of them turned and fled, pursued +by the birds.</p> + +<p>"Ah, friend Peter!" said the maid; "thou hast come +as I told thee! Welcome and thanks!"</p> + +<p>By this time the battle was over. The rout was +general. The enemy stormed back upon their own +camp, with the beasts roaring in the midst of them, and +the king and his army, now reinforced by one, pursuing. +But presently the king drew rein.</p> + +<p>"Call off your hounds, Curdie, and let the pigeons do +the rest," he shouted, and turned to see what had become +of the princess.</p> + +<p>In full panic fled the invaders, sweeping down their +tents, stumbling over their baggage, trampling on their +dead and wounded, ceaselessly pursued and buffeted by +the white-winged army of heaven. Homeward they rushed +the road they had come, straight for the borders, many<span class="pagenum">[246]</span> +dropping from pure fatigue, and lying where they fell. +And still the pigeons were in their necks as they ran. +At length to the eyes of the king and his army nothing +was visible save a dust-cloud below, and a bird-cloud +above.</p> + +<p>Before night the bird-cloud came back, flying high over +Gwyntystorm. Sinking swiftly, it disappeared among the +ancient roofs of the palace</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[241]</span></p> + +<h2><a name="CHAPTER_XXXIV" id="CHAPTER_XXXIV"></a>CHAPTER XXXIV.</h2> + +<p class="h2">JUDGMENT.</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HE</span> +king and his army returned, bringing +with them one prisoner only, the lord +chancellor. Curdie had dragged him from +under a fallen tent, not by the hand of a +man, but by the foot of a mule.</p> + +<p>When they entered the city, it was still as the grave. +The citizens had fled home. "We must submit," they +cried, "or the king and his demons will destroy us." +The king rode through the streets in silence, ill-pleased +with his people. But he stopped his horse in the midst +of the market-place, and called, in a voice loud and clear +as the cry of a silver trumpet, "Go and find your own. +Bury your dead, and bring home your wounded." Then +he turned him gloomily to the palace.</p> + +<p>Just as they reached the gates, Peter, who, as they went, +had been telling his tale to Curdie, ended it with the +words,<span class="pagenum">[248]</span>—</p> + +<p>"And so there I was, in the nick of time to save the +two princesses!"</p> + +<p>"The <i>two</i> princesses, father! The one on the great +red horse was the housemaid," said Curdie, and ran to +open the gates for the king.</p> + +<p>They found Derba returned before them, and already +busy preparing them food. The king put up his charger +with his own hands, rubbed him down, and fed him.</p> + +<p>When they had washed, and eaten and drunk, he +called the colonel, and told Curdie and the page to +bring out the traitors and the beasts, and attend him +to the market-place.</p> + +<p>By this time the people were crowding back into the +city, bearing their dead and wounded. And there was +lamentation in Gwyntystorm, for no one could comfort +himself, and no one had any to comfort him. The nation +was victorious, but the people were conquered.</p> + +<p>The king stood in the centre of the market-place, upon +the steps of the ancient cross. He had laid aside his +helmet and put on his crown, but he stood all armed +beside, with his sword in his hand. He called the people +to him, and, for all the terror of the beasts, they dared +not disobey him. Those even, who were carrying their +wounded laid them down, and drew near trembling.</p> + +<p>Then the king said to Curdie and the page,—</p> + +<p>"Set the evil men before me."</p> + +<div class="figcenter"> +<img src="images/gs11.jpg" alt="gs11" /> +</div> + +<p class="caption"><i>To the body of the animal they bound the lord chamberlain, speechless +with horror.</i></p> + +<br clear="all" /> + +<p><span class="pagenum">[249]</span></p><p>He looked upon them for a moment in mingled anger +and pity, then turned to the people and said,—</p> + +<p>"Behold your trust! Ye slaves, behold your leaders! +I would have freed you, but ye would not be free. Now +shall ye be ruled with a rod of iron, that ye may learn +what freedom is, and love it and seek it. These wretches +I will send where they shall mislead you no longer."</p> + +<p>He made a sign to Curdie, who immediately brought +up the leg serpent. To the body of the animal they +bound the lord chamberlain, speechless with horror. +The butler began to shriek and pray, but they bound him +on the back of Clubhead. One after another, upon the +largest of the creatures they bound the whole seven, +each through the unveiling terror looking the villain he +was. Then said the king,—</p> + +<p>"I thank you, my good beasts; and I hope to visit +you ere long. Take these evil men with you, and go to +your place."</p> + +<p>Like a whirlwind they were in the crowd, scattering it +like dust. Like hounds they rushed from the city, their +burdens howling and raving.</p> + +<p>What became of them I have never heard.</p> + +<p>Then the king turned once more to the people and +said, "Go to your houses;" nor vouchsafed them +another word. They crept home like chidden hounds.</p> + +<p>The king returned to the palace. He made the<span class="pagenum">[250]</span> +colonel a duke, and the page a knight, and Peter he +appointed general of all his mines. But to Curdie he +said,—</p> + +<p>"You are my own boy, Curdie. My child cannot +choose but love you, and when you are both grown up—if +you both will—you shall marry each other, and be king +and queen when I am gone. Till then be the king's +Curdie."</p> + +<p>Irene held out her arms to Curdie. He raised her in +his, and she kissed him.</p> + +<p>"And my Curdie too!" she said.</p> + +<p>Thereafter the people called him Prince Conrad; but +the king always called him either just <i>Curdie</i>, or <i>My +miner-boy</i>.</p> + +<p>They sat down to supper, and Derba and the knight +and the housemaid waited, and Barbara sat on the king's +left hand. The housemaid poured out the wine; and as +she poured out for Curdie red wine that foamed in the +cup, as if glad to see the light whence it had been +banished so long, she looked him in the eyes. And +Curdie started, and sprang from his seat, and dropped +on his knees, and burst into tears. And the maid said +with a smile, such as none but one could smile,—</p> + +<p>"Did I not tell you, Curdie, that it might be you +would not know me when next you saw me?"</p> + +<p>Then she went from the room, and in a moment<span class="pagenum">[251]</span> +returned in royal purple, with a crown of diamonds and +rubies, from under which her hair went flowing to the +floor, all about her ruby-slippered feet. Her face was +radiant with joy, the joy overshadowed by a faint mist +as of unfulfilment. The king rose and kneeled on one +knee before her. All kneeled in like homage. Then +the king would have yielded her his royal chair. But +she made them all sit down, and with her own hands +placed at the table seats for Derba and the page. Then +in ruby crown and royal purple she served them all.</p> + +<hr class="chapter" /> + +<p><span class="pagenum">[252]</span></p> + +<h2><a name="CHAPTER_XXXV" id="CHAPTER_XXXV"></a>CHAPTER XXXV.</h2> + +<p class="h2">THE END</p> + +<img class="dropimg" src="images/drop_t.jpg" alt="T" /> +<p class="noin"><span style="font-weight:bold">HE</span> +king sent Curdie out into his dominions +to search for men and women +that had human hands. And many such +he found, honest and true, and brought +them to his master. So a new and upright government, +a new and upright court, was formed, and +strength returned to the nation.</p> + +<p>But the exchequer was almost empty, for the evil men +had squandered everything, and the king hated taxes +unwillingly paid. Then came Curdie and said to the +king that the city stood upon gold. And the king sent +for men wise in the ways of the earth, and they built +smelting furnaces, and Peter brought miners, and they +mined the gold, and smelted it, and the king coined it +into money, and therewith established things well in the +land.</p> + +<p>The same day on which he found his boy, Peter set<span class="pagenum">[253]</span> +out to go home. When he told the good news to Joan +his wife, she rose from her chair and said, "Let us go." +And they left the cottage, and repaired to Gwyntystorm. +And on a mountain above the city they built themselves +a warm house for their old age, high in the clear air.</p> + +<p>As Peter mined one day by himself, at the back of the +king's wine-cellar, he broke into a cavern all crusted with +gems, and much wealth flowed therefrom, and the king +used it wisely.</p> + +<p>Queen Irene—that was the right name of the old +princess—was thereafter seldom long absent from the +palace. Once or twice when she was missing, Barbara, +who seemed to know of her sometimes when nobody else +had a notion whither she had gone, said she was with +the dear old Uglies in the wood. Curdie thought that +perhaps her business might be with others there as well. +All the uppermost rooms in the palace were left to her +use, and when any one was in need of her help, up +thither he must go. But even when she was there, he +did not always succeed in finding her. She, however, +always knew that such a one had been looking for her.</p> + +<p>Curdie went to find her one day. As he ascended the +last stair, to meet him came the well-known scent of her +roses; and when he opened her door, lo! there was the +same gorgeous room in which his touch had been glorified +by her fire! And there burned the fire—a huge<span class="pagenum">[254]</span> +heap of red and white roses. Before the hearth stood +the princess, an old gray-haired woman, with Lina a little +behind her, slowly wagging her tail, and looking like +a beast of prey that can hardly so long restrain itself from +springing as to be sure of its victim. The queen was +casting roses, more and more roses, upon the fire. At last +she turned and said, "Now, Lina!"—and Lina dashed +burrowing into the fire. There went up a black smoke +and a dust, and Lina was never more seen in the palace.</p> + +<p>Irene and Curdie were married. The old king died, +and they were king and queen. As long as they lived +Gwyntystorm was a better city, and good people grew in it. +But they had no children, and when they died the people +chose a king. And the new king went mining and +mining in the rock under the city, and grew more and +more eager after the gold, and paid less and less heed to +his people. Rapidly they sunk towards their old +wickedness. But still the king went on mining, and +coining gold by the pailful, until the people were worse +even than in the old time. And so greedy was the king +after gold, that when at last the ore began to fail, he +caused the miners to reduce the pillars which Peter and +they that followed him had left standing to bear the city. +And from the girth of an oak of a thousand years, they +chipped them down to that of a fir tree of fifty.</p> + +<p>One day at noon, when life was at its highest, the<span class="pagenum">[255]</span> +whole city fell with a roaring crash. The cries of men +and the shrieks of women went up with its dust, and +then there was a great silence.</p> + +<p>Where the mighty rock once towered, crowded with +homes and crowned with a palace, now rushes and raves +a stone-obstructed rapid of the river. All around spreads +a wilderness of wild deer, and the very name of Gwyntystorm +has ceased from the lips of men.</p> + +<p class="centered">THE END.</p> + +<p class="spacer"> </p> + +<p class="h1"><i>PUBLICATIONS OF J. B. LIPPINCOTT & CO.</i></p> + +<div class="topbox"> + +<p class="h1">FAIRY STORY BOOKS</p> + +<p class="h2">ARABIAN NIGHTS' ENTERTAINMENTS.</p> + +<p class="c">Profusely Illustrated. 12mo. Extra cloth. $1.00.</p> + +<p class="h2">THE NEW ARABIAN NIGHTS.</p> + +<p class="c">Containing Stories Omitted in the One Thousand and</p> +<p class="c">One Nights. Translated and Edited by W. F. Kirby.</p> +<p class="c">With over 30 full-page Illustrations. 12mo.</p> +<p class="c">Extra cloth. $2.00.</p> + +<p class="h2">ANDERSEN'S FAIRY TALES.</p> + +<p class="c">German Fairy Tales. By Hans Christian Andersen.</p> +<p class="c">With 14 Illustrations. 12mo. Extra cloth. $1.25.</p> + +<p class="h2">GERMAN FAIRY TALES.</p> + +<p class="c">Translated by Charles A. Dana. 12mo. 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Cloth, gilt extra. $1.25.</p> + +<p class="h2"><i>OUR YOUNG FOLKS IN AFRICA.</i></p> + +<p>The Adventures of Four Young Americans in the Wilds of Africa. By <span class="smcap">James +D. McCabe</span>, author of "Our Young Folks Abroad." Fully Illustrated. 4to. +Boards, $1.75. Extra cloth. $2.25.</p> + +<p class="h2"><i>OUR YOUNG FOLKS ABROAD.</i></p> + +<p>The Adventures of Four American Boys and Girls in a Journey Through +Europe to Constantinople. By <span class="smcap">James D. McCabe</span>, author of "Our Young Folks +in Africa." Profusely Illustrated. 8vo. Extra cloth. $2.25. Illuminated +board covers. $1.75.</p> + +<p class="h2"><i>FIVE WEEKS IN A BALLOON</i>.</p> + +<p>Or, Journey and Discoveries in Africa by Three Englishmen. By <span class="smcap">Jules +Verne</span>. Illustrated. 12mo. Fine cloth. $1.25.</p> + +<p class="h2"><i>IN SEARCH OF THE CASTAWAYS.</i></p> + +<p>A Romantic Narrative of the Loss of Captain Grant, and of the Adventures +of his Children and Friends in his Discovery and Rescue. Being a Voyage +Round the World. By <span class="smcap">Jules Verne</span>. New Edition. Illustrated with 172 +Engravings. 8vo. Extra cloth. $2.50.</p> + +<p class="h2"><i>BIMBI</i>.</p> + +<p>Stories for Children. By "<span class="smcap">Ouida</span>." 12mo. Extra cloth. $1.25.</p> + +<p class="h2"><i>THREE YEARS AT WOLVERTON</i>.</p> + +<p>A Story of a Boy's Life at Boarding-School. Illustrated. 12mo. Extra +cloth. $1.25.</p> + +</div> + +<p class="spacer"> </p> + +<div class="topbox"> + +<p class="h1">JUVENILES BOUND IN ILLUMINATED BOARD COVERS.</p> + +<p class="h2">THE BOYS' AND GIRLS' TREASURY.</p> + +<p>A Collection of Pictures and Stories for Boys and Girls. Edited by <span class="smcap">Uncle +Herbert</span>. Bound in half cloth, gilt back, elegant chromo side. $1.25. +Cloth, extra black and gold. $1.75.</p> + +<p class="h2">THE BUDGET.</p> + +<p>A Picture Book for Boys and Girls. Edited by <span class="smcap">Uncle Herbert</span>. Elegantly +Illustrated. Half bound. $1.25. Cloth, gilt. $1.75.</p> + +<p class="h2">FEET AND WINGS;</p> + +<p>Or, Hours with Beasts and Birds with <span class="smcap">Uncle Herbert</span>. 4to. Illuminated +boards. $1.25. Extra cloth. $2.00.</p> + +<p class="h2">THE PLAYMATE.</p> + +<p>A Picture and Story Book for Boys and Girls. Edited by <span class="smcap">Uncle Herber</span>t. +Very fully Illustrated. Bound in half cloth, gilt back, elegant chromo +side. $1.25. Also in extra cloth, black and gold. $1.75.</p> + +<p class="h2">THE PRATTLER.</p> + +<p>A Story and Picture Book for Boys and Girls. Edited by <span class="smcap">Uncle Herbert</span>. +Bound in half cloth, gilt back, and illuminated boards, $1.25. Full +cloth, extra. $1.75.</p> + +<p class="h2">THE YOUNGSTER.</p> + +<p>By <span class="smcap">Cousin Daisy</span>. With Illustrations. Small 4to. Illuminated board +covers. 75 cents.</p> + +<p class="h2">THE PICTURE ALPHABET.</p> + +<p>Containing Large Letters, with a Full-paged Picture to each Letter, +especially adapted to very young children. By<span class="smcap"> Cousin Daisy</span>. Large 4to. +Boards, with elegant chromo sides. 75 cents.</p> + +<p class="h2">"MY" BOOKS.</p> + +<p>Containing—My Primer; My Pet Book; My Own Book. Three books bound in +one volume. Edited by <span class="smcap">Uncle Herbert</span>. Full cloth, black and gold. $1.50. +Boards. $1.25.</p> + +</div> + +</div> + +<p> </p> +<p> </p> +<hr class="full" /> +<p class="pg">***END OF THE PROJECT GUTENBERG EBOOK THE PRINCESS AND CURDIE***</p> +<p class="pg">******* This file should be named 36612-h.txt or 36612-h.zip *******</p> +<p class="pg">This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/3/6/6/1/36612">http://www.gutenberg.org/3/6/6/1/36612</a></p> +<p class="pg">Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p class="pg">Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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