diff options
Diffstat (limited to '36598-8.txt')
| -rw-r--r-- | 36598-8.txt | 1470 |
1 files changed, 1470 insertions, 0 deletions
diff --git a/36598-8.txt b/36598-8.txt new file mode 100644 index 0000000..4aedacd --- /dev/null +++ b/36598-8.txt @@ -0,0 +1,1470 @@ +The Project Gutenberg EBook of American Antiquities, by Wm. B. Norman + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: American Antiquities + Auction Catalogue, January 8, 1898 + +Author: Wm. B. Norman + +Release Date: July 3, 2011 [EBook #36598] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES *** + + + + +Produced by Barbara Tozier, Bill Tozier and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + AMERICAN ANTIQUITIES. + + Pre-historic Stone Implements, Mound + Builders’ Relics, Revolutionary + and Foreign Arms, + Etc., Etc. + + SALE BY AUCTION, + + AT THE + + Fifth Avenue Auction Rooms, + + No. 238 FIFTH AVENUE, NEW YORK, + + JANUARY 8, 1898. + + _WM. B. NORMAN, Auctioneer._ + + + + +_This entire Collection will be on exhibit at the Fifth Avenue Auction +House, No. 238 Fifth Avenue, New York, on Thursday and Friday, January +6 and 7, 1898, from 10 A.M. to 6 P.M.; and on the day of the Sale, +during the morning hours._ + +_Orders will be carefully executed by the Auctioneers and Dealers in +Archæology._ + + + + + COLLECTION + OF + AMERICAN ARCHAEOLOGY, + STONE IMPLEMENTS, + REVOLUTIONARY AND FOREIGN ARMS, + ETC., ETC., ETC., + + INCLUDING MANY SPECIMENS OF RARITY AND VALUE. + + Mound Builders’ Relics, Celts, Grooved Axes, Arrow and + Spear Heads, Knives, Wampum Treaty Belts and Money, + Necklaces, Beads, Shell Ornaments, Effigy and Ceremonial + Pipes, Tomahawks, Objects in Hematite + and Obsidian, Terra Cotta Figures, Ornaments, + Temple Chalices of the Incas, Aztec Ornaments, + Revolutionary Arms, Blunderbusses, + Pistols, Swords, Rapiers, + Claymores, War Clubs, + Dirks, Etc., Etc. + + THE PROPERTY OF A RETIRING COLLECTOR. + + Sale by Auction without Reserve, + AT THE 5th AVENUE AUCTION ROOMS, 238 5th AVE., NEW YORK, + SATURDAY, JANUARY 8th, 1898, + BEGINNING AT 2 O’CLOCK, P. M. + _WM. B. NORMAN, Auctioneer._ + + _CATALOGUE BY ED. FROSSARD. 151st AUCTION SALE._ + + 108 East Fourteenth Street, New York. + + BOSTON: + T. R. MARVIN & SON, NUMISMATIC PRINTERS. + 1897. + + + + +_The Archaeological Collection described in the following pages was +formed by a well-known Collector, who now, for private reasons, +relinquishes the pleasurable pursuit which for so many years engrossed +his moments of leisure. Every specimen in the Collection was selected +with deliberate discrimination, with the view of exemplifying the best +forms of arms and implements conceived and fashioned by the +pre-historic man of that part of the North American Continent embraced +within the present United States. Such objects are of great interest +and value to all those interested in this branch of Archaeology, and +the opportunity offered of adding perfect specimens, at their own +price, to their cabinets, is one seldom occurring. + +Among the objects of marked interest will be found a Wampum Treaty +Belt; a large number of Ceremonial Pipes, including some very rare +forms; various objects in hematite, obsidian, copper, etc.; the rare +Idols from Arizona; Incas Temple Vases in beaten silver from the +necropolis of Ancona, etc., etc. The arms, foreign and Revolutionary, +at the end of Catalogue, will be recognized by all interested in the +subject as valuable specimens, worthy to figure in the best +Collections. + +Every object in this Collection will be sold, with the guarantee, by +the Cataloguer, of its absolute authenticity and genuineness, both as +regards material and attribution. + +Orders faithfully executed by the Auctioneers and Art Dealers +generally._ + + + + +CATALOGUE. + + + + +PRE-HISTORIC STONE IMPLEMENTS. + + +CELTS. + +1 SMALL CELT, reddish stone. Washington Co., Ohio. 2½ in. + +2 Another. Gray stone. Knox Co., O. 2¼ in. + +3 Another. Blue stone. Athens Co., O. 3¼ in. + +4 Another. Diorite. Very fine. Athens Co., O. 3¼ in. + +5 Another. Granite. Very fine. Vinton Co., O. 3½ in. + +6 Another. Blue stone. Moss Co., O. 3¾ in. + +7 Large Celt. Granite, polished edge. Very fine. Mercer Co., Ky. +5¼ in. + +8 Another. Granite, polished edge. Very fine. Mercer Co., Ky. 5¾ in. + +9 Another. Blue slate, edge slightly chipped. Delaware Co., O. 6½ in. + +10 Another. Blue slate, edge slightly chipped, but fine. Delaware Co., +O. 7¾ in. + +11 Small Celt. Blue slate, polished edge, perfect. Syria. 3 in. + +12 Small hand pick. Blue slate. Harrisburg, Pa. 4¼ in. + +13 Another. Granite, round top, polished edge. Lincoln Co., Tenn. +4¼ in. + + +GROOVED AXES, ETC. + +14 GROOVED AXE of diorite, deeply grooved, fine edge (a head cracker). +Beaver Co., Pa. 4 in. + +15 Another. Greenish stone, deeply grooved, fine edge. Rhea Co., Tenn. +4 in. + +16 Another. Granite, grooved and perfect. Seneca Co., O. 4½ in. + +17 Another. Diorite, deeply grooved and perfect. Athens Co., O. 5 in. + +18 Another. Mottled granite, deeply grooved. Very fine. Calhoun Co., +Ill. 5 in. + +19 Another. Dark stone, flat head, entire surface polished and +perfect. Breckenridge Co., Ky. 5 in. + +20 Another. Shows marks of ancient pecking. Warren Co., O. 6 in. + +21 Another. Palaeolithic sandstone. Greene Co., Va. 5 in. + +22 Another. Same. Greene Co., Va. 4 in. + +23 Another. Granite, fine and perfect blade, deep groove, polished +from long use; fine and desirable. Breckenridge Co., Ky. 6 in. + +24 Another. Granite, fine perfect blade, good shape, deep groove, also +very desirable. Lincoln Co., Tenn. 5 × 6½ in. + +25 Another. Fine grained granite, extra long and perfect blade, finely +grooved; rare. Athens Co., O. 4½ × 8½ in. + +26 Another. Rough pebbly granite; of great size and weight, perfect +edge. S. W. North Carolina. 6½ × 8½ in. + +27 ANVIL or Nut stone. Circular, with pitted cavity on each side; +smooth, nice specimen. Ohio. 4½ × 5 in. + +28 HAMMER STONE. Granite. Central Ohio. 3 × 3½ in. + +29 Another. White quartz. Central Ohio. 2½ × 3 in. + +30 Another. Granite, light groove. Washington Co., R. I. 2 × 2¼ in. + +31 Another. Sand stone, deep groove. New London, Conn. 2¼ × 2¾ in. + +32 LARGE HOE. Gray chert, fine large flaking, point polished from long +use. From Elliptical mound, East St. Louis. 8¼ in. + +33 PESTLE. Pebbly stone, perfect, cylindrical. Eastern Penn. 11 in. + +34 Another. Sandstone; similar. Cincinnati, O. 14 in. + +35 Another. Hard gray stone, with carving of animal’s head at one end. +Cylindrical, broken in centre but substantially mended. The largest +and most remarkable example I have seen. Border of Saratoga Lake, N. +Y. 22½ in. + +36 Another. Round, pecked sandstone, with handle of mushroom shape. +Meade Co., Ky. 4 × 6 in. + +37 Another. Base has a slight concavity for cracking nuts, smooth from +long use. Very fine. Ohio. 3½ × 5 in. + +38 Another. As last, base chipped. Ohio. 3 × 5 in. + +39 AMULET. Heart-shaped concretion, (see interesting description +attached). Fine and rare. Texas. 4½ × 4½ in. + +40 QUOIT. Flint, beautifully flaked, extra fine. Tenn. 4 × 4¾ in. + +41 Quoit or large knife; extra fine. Tenn. 3½ × 5¼ in. + +42 BOLAS STONE. Egg-shaped, white quartz, one end slightly flattened. +Hall Co., Ga. 1¾ × 2¼ in. + +43 Another. Dark stone, curious and rare. Hall Co., Ga. 1¾ × 2¼ in. + +44 Saddle-shaped stone, base and ends flat, sides and top rounded to a +half-circle, with half-inch perforation through its length. Hard dark +stone. Randolph Co., Tenn. 1½ × 2¼ × 3¼ in. + +45 Boat-shaped object, top hollowed out, two perforations, steatite or +soapstone, a perfect and rare specimen. Hancock Co., Tenn. 1? × 6¼ in. + +46 Similar. Micaceous stone. Gwinnett Co., Ga. 1? × 3¼ in. + +47 Another. No perforations, ends grooved. Gwinnett Co., Ga. +1¼ × 2? in. + +48 Another. Different shape, no cavity but perforated with two holes, +also a rare object. Gwinnett Co., Ga. 1 × 3¾ in. + +49 CEREMONIAL AXE (so called). Yellowish material, perforated with a +half-inch hole, fine and rare. Saratoga Lake, N. Y. 3? in. + +50 Another. Slate. Williams Co., O. 4½ in. + +51 BANNER STONE. Butterfly shape, light-colored granite, the usual +perforation begun and half finished; uncommon form, and rare on +account of its size. James Co., Tenn. 6¾ in. + +52 Neat perforated fragment, at the bottom of which is a nipple +showing process employed in drilling, viz., with sand and hollow reed. +1½ × 2½ in. + +53 GORGET. Two perforations, slate. Shelby Co., O. 3¾ in. + +54 Another. One perforation, slate. Marion Co., O. 1¾ × 3½. + +55 Another. Banded slate, very fine. Hardin Co., O. 3¼ in. + +56 Gorget ornament. Banded slate, diamond shape. Hardin Co., O. 2? in. + +57 Object in steatite, two large holes, edge with notches. Columbia +Co., O. 2½ in. + +58 PENDANT. Steatite, oval shape, perforated, with carving of a human +face; a curious object. Georgia. 2½ in. + +59 POTTERY BUST. Face, front view. Mound, S. E. Missouri. 2½ in. + +60 PLUMMET or Slung Shot of quartz, egg-shaped. Massac Co., Ill. +2 × 3½ in. + +61 DISCOIDAL or Game Stone, with concavity on each side. Very +symmetrical, fine and rare. Ohio. 1½ × 2½ in. + +62 Two, similar, one with centre perforation, both of soft stone. +Ohio. 3¼ × 1? in. 2 pcs + +63 STONE BALL. Incised lines quartering, etc. Very curious. Shelby +Co., O. 1? in. + +64 PEARL SHELL. From grave, small perforation, one side covered with +incised dots in fanciful design. Santa Barbara, Cal. 2½ × 4½ in. + +65 Mussel Shell from mound, one side encrusted with limestone +concretion. Pike Co., Ill. 4 in. + +66 Mussel Shell. A circular hole through centre. Pike Co., Ill. 3½ in. + + +ARROW AND SPEAR HEADS, ETC. + +67 ARROW HEADS. A small collection, some fine. Ohio. 20 pcs + +68 Arrow Heads. White quartz. Suffolk Co., N. Y. 3 pcs + +69 Arrow Heads. Larger size, all perfect. Ohio. 5 pcs + +70 Arrow Heads. Of mottled stone. Cole Co., Mo. 8 pcs + +71 SPEAR POINTS. Black flint and chert, all fine, average 4 in. long. +Ohio. 7 pcs + +72 Spear Points. White flint and chert, all fine, average 4½ in. long. +Ohio. 4 pcs + +73 KNIFE. Black flint, finely finished. Clay Co., Ky. 3½ in. + +74 Another. Light colored flint, an elegant specimen. St. Clair Co., +Ill. 3¼ in. + +75 Another. White colored flint, very symmetrical. St. Clair Co., Ill. +3¼ in. + +76 Another. Dark chert, finely flaked and chipped. Marion Co., Ill. +5 in. + +77 Another. Dark chert, ruder shape than preceding. Ohio. 3½ in. + +78 ARROW POINT. Pure white quartz, hollow base, the war point type; a +beauty. Georgia. 1? in. + +79 Another. White chert, square base, deeply notched. Cooper Co., Mo. +1? in. + +80 Another. Similar to last. Ohio. 2¼ in. + +81 Another. Pink chalcedony, with dark vein of color, perfect. +Missouri. 2¼ in. + +82 Another. ROTARY, rounded base, both edges bevelled and notched. +Illinois. 2¾ in. + +83 Another. Square base, deeply notched and serrated, bevelled edges. +Kentucky. 3 in. + +84 Another. Rounded base, very fine. Illinois. 3½ in. + +85 Another. Similar to last, very fine. 3½ in. + +86 Another. Very remarkable specimen, black flint. Kentucky. 3? in. + +87 Another. Very large base, serrated and bevelled edges, one barb +broken. Mercer Co., O. 2 × 3 in. + +88 SPEAR POINT. Square base, white chert, finely made, perfect. Ohio. +3½ in. + +89 Another. White flint, spade shape, beautifully flaked, very +symmetrical. Gallien Co., O. 3½ in. + +90 Another. Gray flint, round base, deeply notched, serrated edges, +perfect point. Bowling Green, Ky. 3½ in. + +91 Another. Similar, dark flint, extra fine. Bowling Green, Ky. 3¼ in. + + Special attention is requested to the following 16 lots, every + one of which has something special to recommend it, either for + beauty of material, or excellence in design and workmanship. + +92 SPEAR HEAD. White chert, in perfect condition. Pike Co., Ill. +1? × 6¾ in. + +93 Another. Yellow chert, small point from tip. Illinois. 1? × 6 in. + +94 Another. Brown chert, perfect. Illinois. 1¼ × 6 in. + +95 Another. Dark colored stone, fine flaking, two curious lines or +markings running longitudinally, perfect. Illinois. 1? × 5½ in. + +96 Another. White chert, perfect. Illinois. 1½ × 5? in. + +97 Another. Hollowed base, deep notches, serrated edges, tip has been +broken, but has been _repaired_ by the ancient workman. Very fine. +Kentucky. 4¾ in. + +98 Another. Yellow chert, long, square base, point slightly damaged, +but very finely made. Kentucky. 5¾ in. + +99 Another. Black flint, sharp, square base, beautifully flaked, +perfect. Kentucky. 5½ in. + +100 Another. Yellow flint; when held to the light, shows fine cross +marking of dark color; hollow base, very small notches, very beautiful +and desirable. Illinois. 4¾ in. + +101 Another. White chert, long, square base, as No. 96, beautifully +made. Illinois. 4? in. + +102 Another. Bluish flint, fine transverse markings, very wide, flat +base, slightly notched, a perfect and fine specimen. Huron Co., O. +5 in. + +103 Another. Grey flint, square base, deep, heavy notches, beautifully +flaked, choice and rare. Miami Co., O. 3? in. + +104 Another. Reddish or salmon colored, finely flaked and chipped, +very desirable. Jefferson Co., Ark. 8 × 4 in. + +105 Another. Grey flint, square base, deeply notched, of elegant and +symmetrical shape, perfect in every respect, a _chef d’œuvre_ of +primitive workmanship, very choice and desirable. Breckenridge Co., +Ky. + +106 Another. Yellowish chert, small, square base, very heavily +notched, perfect edges, finely flaked, desirable. Missouri. 4¼ in. + +107 KNIFE. White chert, with haft for a handle, flaked and chipped, +extremely rare form. So. Illinois. 7 in. + + Choice specimens neatly mounted on card-board:— + +108 SPEAR POINTS. White chert, localities marked, av. 3¾, all very +fine. 4 pcs + +109 Arrow Points. White quartz. Suffolk Co., N. Y. 5 pcs + +110 Arrow Points. Bluish flint, all perfect, and rare. Mound, Osage +River, Mo. 9 pcs + +111 Arrow Points. White quartz, all fine. Suffolk Co., N. Y. 9 pcs + +112 Spear Points, etc. Grey chert, of different forms, all perfect and +very fine. Wadesboro’, N. C. 7 pcs + +113 Arrow Points. As above, all very fine and perfect. Wadesboro’, +N. C. 11 pcs + +114 Arrow Points. Very desirable specimens; fine color and material, +all perfect. From mound at Osage River, Mo. 9 pcs + +115 Arrow Points. Chosen for singular serrated and notched edges, all +fine and rare. Ohio. 4 pcs + +116 DRILLS. All perfect, 5 from Missouri, 2 from Ohio, 1 from Georgia. +1 (Ohio) is unique as far as known, in length being 4½ in. A very +desirable selection. 8 pcs + +117 Drills. Very pretty and attractive selection. Clay County, Tenn. +6 pcs + +118 ARROW POINTS. Small, all perfect. Ohio. 6 pcs + +119 Arrow Points. Choice lot, all perfect; small points, from Miss., +California and Block Island, as marked on card (2 obsidian). 6 pcs + +120 Arrow Points. Specimens from Willamette River, Oregon, of these +beautiful productions; jasper, moss agate, obsidian, etc., rare. +12 pcs + +121 FISH HOOKS. Black flint; desirable and rare. 2 pcs + +122 Arrow Point. Black flint, rotary, hollow base, finely notched, +bevelled and serrated edge, a perfect and choice specimen of this +prototype of the modern revolving rifle ball. Bowling Green, Ky. + +123 Arrow Point. Rotary, light-colored flint, as last, except base is +square; perfect and rare. Bowling Green, Ky. + +124 Arrow Points. Rotary, gray chert. Perfect, as last, but smaller. +2 pcs + +125 Arrow Points. Clouded chalcedony; fine and perfect specimens from +Clear Water Harbor, west coast of Florida, rare. 3 pcs + +126 Arrow Point. Crystal, narrow, serrated edges, said to be poisoned. +California. + +127 Arrow Point. Thin copper, triangular in shape, Iroquois; small +fish-line stone Sinker. Fleming, Cayuga Co., N. Y. 3 pcs + +128 FISH SPEAR. Copper, rounded base, two perforations at base. +1¼ × 3? in. Highest rarity. Ontonagon River, Mich. + +129 Another. Copper, rounded base with three perforations. 1½ × 2½ in. +Ontonagon River, Mich. + +130 Fish Hooks of copper; small copper arrow head, Phoenicia, Syria. +3 pcs + +131 COPPER CHISEL. Ancient copper tool found at Prairie-du-Chien, +Wis.; sharp cutting edge, sides turned up, gouge form, excessively +rare, 1? in. wide, 2½ long, 1¼ thick. + + +OBJECTS IN HEMATITE, ETC. + + On account of its density and the fine polish it takes, + hematite was a favorite material with the ancient artificer. + Next to copper, hematite is the scarcest material employed by + the pre-historic workman. + +132 AXE. Hematite, deeply grooved, edge polished and of great weight. +Very rare. 2¼ in. thick, 3 wide, 3¼ long. Pulaski Co., Mo. + +133 CELT. Brown hematite, polished, edge slightly broken, very rare. +Pike Co., Ill. + +134 Celt. Edge perfect and sharp, very rare. Pike Co., Ill. + +135 Mammal or Cone. Brown hematite, fine and perfect, base 2? in., +2 in. high. Very rare. Pike Co., Ill. + +136 Plummets, (so called). Brown hematite, oblong, with small groove +around the top, beautiful polish, exceedingly rare. St. Clair and Pike +Co., Ill. 2 pcs + +137 Plummets. Same as last, but made from white limestone; also a rare +relic. 1? × 4 in. Illinois. 2 pcs + +138 Bone awl, made from deer’s horn, pointed end, 1½ × 6 in.; another, +resembles a needle. ¾ × 2½ in. Mound in Arkansas. 2 pcs + +139 Animal (Fox?) carved in bone, ? × 2½ in.; also carved duck 1½ in. +long; each with perforation, curious. Alaska. 2 pcs + +140 Relics from mound, Clay Co., N. C. Two bear’s teeth, four human +teeth, shells, etc. Lot. + +141 Pearl Shells. Perforated in process of making into fish-hooks, +fine iridescent color on one side. San Miguel Island, Cal. 3 pcs + +142 Pearl Shell Ornaments. San Miguel Island, Cal. 5 pcs + +143 Whetstones. Very hard stone, narrow and with pointed ends. Scarce +and desirable. S. W. California. 4 pcs + +144 BIRD CALL. Terra cotta, black, turtle-shaped with head and +flippers, round hole in back, two smaller ones at the side. Curious +and rare object from Indian grave near Los Angeles, Cal. + +145 TERRA COTTA FIGURES. Male and female Idols in red terra cotta. +Decorated in various pigments; old fractures newly mended. Height 15 +and 14 in. Found in ancient water conduit near Mojave, Hackberry, +Ariz. V. rare and curious. 2 pcs + +146 BONE WHISTLE. Made from human thigh bone, the large hole at one +end plugged with a black, pitchy substance. Rare and curious. Santa +Barbara, Cal. + +The four following lots, domestic utensils of the ancient Cherokees, +are from a mound at Edgefield, S. C, dug up by Mr. William I. Scott, +of Augusta, Ga., in 1895. + +147 PIPE, so called, but may be a lamp. Wide bowl surrounded by nine +projecting stems, each perforated and reaching into the bowl. Total +width 4¼ × 1¾ in. Steatite or soapstone, rare and curious. + +148 CUP. Steatite, with handle and spout; rare. 3 × 4 in. + +149 CUP. Steatite, with handle. 4 × 2¼ in. Rare. + +150 DIPPER or SPOON. Short handle. Steatite, perfect and rare. 3½ in. + + + + +MISCELLANEOUS. + +151 Small Collection of Aztec relics, brought from Mexico many years +ago, by Señor Da Costa Gomez. Terra cotta figure, 4½ in.; ancient +Mirrors, polished surface, convex backs, 1½ in. (2); copper Idol, +3 in.; jade Amulet, 1¼ in.; obsidian Lip ornament; green jade +Ornament, perforated, 1¼ in.; polished Pendant, 1½ in.; string of +polished perforated stone Beads, fine colors (7). 15 pcs + +152 AMULET. Heart-shaped, small perf.; fine green stone, jade or +serpentine. 4¼ in. Rare and curious. Mexico. + +153 AZTEC BEADS. A necklace of perforated stone pebbles varying in +size from ½ to 1¼ in., green and mottled colors, fine polish. Rare to +excess. 38 pcs. Lot + +154 ARROW POINTS. Five fine arrow points and four flakings, obsidian. +Mexico. Fine and rare. 9 pcs + +155 NECK ORNAMENT. Aztec, of obsidian, semi-lunar, small perf. at each +end for suspension, ? wide, 3½ in. across. V. fine and rare. + +156 SILVER CHALICE or Temple Cup from Ancona, near Lima, Peru, time of +the Incas. Height 8½ in., width across mouth 2¾ in. Very thin silver, +hammered from one piece of metal; centre of cup bears impress of a +human face with ears and prominent nose; fanciful zig-zag +ornamentation or crown above. In absolutely perfect condition and of +the highest rarity, color black from oxidation. + +157 Silver Chalice. Without decorative ornamentation above the face; +equally fine and perfect, both marvels of workmanship of a by-gone +age, black color. 6? in. + +158 Pottery Jar. Traces of brown-colored pigment, from Chiriqui +graves, Colombia, S. A. 3 × 4 in. + +159 KNIFE. Obsidian, oval shaped, finely flaked; when held to the +light, shows dark, cloudy lines across its surface; very showy and +rare. 5 in. Lassen Co., Cal. + +160 BEADS. Stone Beads from grave, La Salle, Ill. Bead made from the +oliva shell, which is not found nearer than the Florida coast; this +specimen from Indian grave at Peoria, Ill. 2 pcs + +161 Perforated stone Beads, from Lodi, Miss. 1? in. 2 pcs + +162 Plummet or Sinker. Blue stone. Meredith, N. H. + +163 Arrow Point of remarkable shape, notched on each side; the base +runs to a sharp point, perfect. 1¼ × 2¾ in. + +164 COPPER BEADS. Necklace of 24½ in. beads from Indian grave. +Memaloose Is., Oregon. Rare. + +165 Copper Beads. From 1 to 6 in. in length, ¼ in. thick (20). +Flathead Indian graves. Rare lot. + +166 Copper Pendant. Perforated for suspension, four notches at base. +Same locality as No. 164, rare. + +167 Copper Ornaments from graves as above; one small Bracelet, two +Pendants, one long Bead with original string still in the bead. Rare. +4 pcs + +168 Glass Beads. Fine necklace of the Hudson’s Bay Trading Co. beads, +from Flathead Indian grave, Memaloose Is., Oregon. Lot. + +169 EARRINGS. Long earrings, each made from about 120 dentalium +shells. Brass rings for suspension, length, 14 ins., width, 1¾ in. +Very curious and rare. Oregon. 2 pcs + +170 Shell Pendant or Ornament of perforated shell, small copper ball +at bottom. Indian grave, Cayuga, Co., N. Y. Very rare. + +171 NECKLACE of 37 objects: glass beads, bits of copper and catlinite +or red pipe stone cut in fanciful form; of great interest and rarity. +Springport, Cayuga Co., N. Y. + +173 WAMPUM TREATY BELT. This rare relic was found with three others, +by Mr. Wm. W. Adams, at the old Fleming farm, East Cayuga, Cayuga Co., +N. Y., in 1888. One of the four is now in the British Museum; the +present ownership of the other two is unknown to me. This belt, the +fourth of the find, is 2 ft. 3 in. in length and 2½ in. wide; it +contains 1,600 beads; the outer or border row is made from red glass +beads (wampum size); inside the border are seven rows of the _genuine_ +shell wampum or _Wampumpeague_ of the Colonial period; 12 fanciful +designs of dark and yellow beads at intervals in its length. Very rare +and desirable. + +174 SHELL BEADS, etc. A card, 8½ × 9 in., containing an outer string +of 110 perforated shell beads, ? × ½ in. in size; an inner string of +150, more or less, perforated sea-shells; another string of 15 large +and small shell beads from Spang Mound, East Tennessee; and two +splendid examples of the rotary arrow points in black flint and +yellowish chert, both perfect. Rare. Lot. + +175 String of Shell Beads, from burial mound, Ga.; another string of +very small perforated shell-money from the South Sea Islands. Mounted, +rare. 2 pcs + +176 Mounted colored Shells, shell discs. Georgia. 2 pcs + +177 String of small thin perforated Beads, too numerous to count, with +one large flat bead 1? in. diameter. Total length of string about +28 in. Rare. San Miguel Island, Cal. Lot. + +178 String of six enormous perforated shell beads, two are 1½ in. long +and broad, from Lake Creek Mound, Tenn. String of 23 flat perforated +shell discs, Tennessee River, near Nashville. 2 pcs + +179 Shell Hair Pins. Two very fine examples of these rare relics made +from the columella of the Conch Shell or strombus, one 7, the other +6½ in. long; small string of 31 Shell Beads; string of 11 Beads; also +on the card a fine Spear Head of dark stone, 4¾ in. long. Choice and +rare lot, all from Georgia. All mounted. 5 pcs + +180 Shell Beads. String of large perforated Beads; string of 40 beads, +from mound near Cartersville, Ga. Rare. 2 pcs + +181 BONE or porcelain Beads from Indian grave, Rocky Mountains. String +of 42 oblong polished beads; another, smaller size, all very fine and +rare. 2 pcs + +182 Bone and Shell Necklace, one of each, very handsome. Georgia. 2 +lots + +183 Shell Necklace of 21 perf. beads, 22 in. in length. Very choice. +Mound near Hardin, Calhoun Co., Ill. + +184 Curious Necklace of 56 perf. shells, each ground flat, about +20 in. in length; fine example from burial site, mouth Illinois River, +Lincoln Co., Ill. + +185 Shell Ornaments. One large perf. shell; two fine semi-lunar neck +ornaments, ? × 4 in. long. Fine iridescence. California. 3 pcs + +186 Stone Beads. Sixteen polished, perforated stone beads, greenish +color, two very large. Rare. Santa Barbara, Cal. + +187 Shell Beads. Three strings of Shell Beads. Fine and perfect +specimens. New Madrid Co., Mo.; Calhoun Co., Ill. and mound, Calhoun +Co., Ill. 3 pcs + +188 Crinoid Beads, etc. Strings Crinoid and shell beads from grave, +Calhoun Co., Ill., burial mound, Pike Co., Mo. and San Miguel, Cal. +5 pcs + +189 Bone Beads. Five bone beads, ? to 1¼ in. (human?). Stanley, Ark. +5 pcs + +190 Shell and Glass. One small string fresh water shells, two strings +of red and blue, long glass beads. Surface finds, Cayuga Co., N. Y. +Rare. 3 pcs + +191 Wampum and Baldrick beads. String of 112 pcs _genuine_ wampum, in +blue and white variety, exceedingly rare; another string of 16 pcs, +shell baldrick beads, one 4½ in. in length. All perforated, exceeding +fine and rare lot, from graves, Cayuga Co., N. Y. 2 pcs + +192 OBSIDIAN. Core from which knives have been chipped, 2½ × 3½ in. +Fine and scarce specimen. Mexico. + +193 TOMAHAWK. Iron, time of French and Indian wars; Seneca Falls, +N. Y. 6 in. length, width of blade 3½ in. Fine and rare. + + +EFFIGY PIPES, ETC. + +194 Large Calumet or Peace Pipe of steatite. Head of an animal, sharp +pointed nose, very large stem aperture. Size, 3½ × 4½ in., a little +rubbed on one side, otherwise perfect. From Silver Creek, near +Morgantown, N. C. + +195 BIRD PIPE. Dark stone, head of a hawk carved on bowl, perforation +for suspension. A remarkable specimen of these now rare types. +Randolph Co., Tenn. 2½ × 3½ in. + +196 FROG PIPE. Grayish stone, body and head of a frog with open mouth +to receive pipe-stem. Size, 3 × 5 in. Perfect, fine and very rare +type. Scott Co., Ky. + +197 CALUMET or Council Pipe. Duck’s head and general outline of that +bird, incised lines for wings, etc. Large bowl and stem for aperture. +Size, 3¾ × 8 in. Greenish micaceous stone. Rare and valuable. For +illustration, see C. C. Jones’s “History of the Southern Indians.” +Bastow Co., Ga. + +198 MASSIVE CALUMET or Council Pipe. Steatite, stem square 2 in. each +way, the bowl rises at a slight outward angle, top broken at one +corner. 5 × 5 in. Very heavy and remarkable example (see C. C. Jones’s +History, etc.). Rare. Cherokee Co., Ga. + +199 CALUMET. Similar to last in form and material, but smaller, being +2¼ × 4 in., top of bowl damaged at two corners. Rare. Hightower River, +Ga. + +200 PLATFORM or PEACE PIPE. Very large and curious form, the pipe +proper lies on a base with rounded edges, large bowl and stem +apertures. Yellowish sandstone. 4 × 4¾ in. Perfect in every respect, +unusual and rare type. Union Co., N. C. + +201 Mound Builder’s Pipe of pottery, long stem, bowl on centre of +stem. 2¾ × 5½ in. A very primitive affair. Rare. From mound, Faulkner +Co., Ark. + +202 LODGE PIPE. A curiosity, in having _two_ stems at right angles +from the bowl, 1? in. deep, 3 in. to end of each stem. Dark soft +stone, very rare. Hancock Co., Tenn. + +203 Round Pipe, bowl and stem, both circular and damaged. Steatite. +2 × 3 in. Walton Co., Ga. + +204 MOUND BUILDER’S PIPE. Long and graceful shape of pottery; stem has +been broken but mended. 7 in. Very rare. Oneida Co., N. Y. + + All pipes from New York State are of great rarity. + +205 PLATFORM PIPE. Dark greenish stone, finely polished, of graceful +outline and excellent workmanship; the platform or stem proper has +been cracked, but neatly repaired. 3½ in. Very fine and rare specimen. +Delaware Co., N. Y. + +206 POLISHED PIPE. Greenish mottled stone with 14 tally marks or +notches on each side of the stem. 3½ in. Very fine and rare. From Fish +Creek, Saratoga Co., N. Y. + +207 PIPE. Conical, with perforated handle at one side, greenish +colored stone; the pipe is always a rarity and another of this variety +is perhaps unknown. 1¾ × 2¼ in. Saratoga, N. Y. + +208 Pipe. Fine polish and shape, dark green color. 1½ × 1½ in. +Another, smaller, bowl broken. Eta River, Ga. 2 pcs + +209 Esquimaux Stone Pipe, of greenish color, fancifully carved +decoration, fine polish. 2? in., no stem. Perfect and interesting. +Labrador. + +210 Mound Builder’s Stone Platform Pipe. Very thick, square base and +low bowl, incised line around bowl and two small circular projections +at end of stem; a rarity. 2¾ in. Lake Wabesha, Wisconsin. + +211 Pottery Pipe. High bowl, short stem. 3¼ in., perfect. Another pipe +or tube also of pottery. 3 in. Asheville, N. C. 2 pcs + +212 Pipe. Pottery, with human face and projecting ears. 1¾ × 3 in., +perfect. Pensacola, Fla. + +213 Pipe. Rude attempt at carving a human face, steatite. 2 × 2 in. +S. C. + +214 TUBE. Unfinished; excessively hard iron stone. 2 × 5½ in. Lewis +Co., N. Y. + +215 Iron pipe. A curiosity, probably of the Colonial period, when “a +pipe was a pipe” and not easily to be replaced. Bowl, ? in., stem, +5¼ in.; very thin, slightly rusted in centre of stem. Rare. Oneida, +N. Y. + +216 Stone Pipe. Red catlinite, heavy silver band at junction of bowl +and stem. Very fine deep red color and polish; length of stem, 8½ in., +height of bowl, 4 in. Modern Sioux, a very choice specimen, duplicate +from the Smithsonian Institute, Wash. + +217 Oregon Bird Points. Fine gem arrow points, from the Willamette +River. Obsidian, jasper, etc., mounted and framed, under glass. +116 pcs + +218 OHIO. Arrow and Spear points of fine form, color and material, +neatly arranged and framed, under glass. 105 pcs + + +REVOLUTIONARY ARMS AND RELICS, ETC. + +219 CAPT. JOHN PAUL JONES. Marine Glass. Brass mounted, 22 in. +Engraved JOHN PAUL 1773. Cardboard attached, with pen and ink portrait +of Capt. Jones, and fol. certificate: _John Paul Jones Mariene Glass +before and after the Revolutionary War. I got it from Wm. Miller, Esq. +a friend of Gen. Jones who got it from Him. It was greatly admired by +all the Generals and my friends. J. T._ (Col. John Trumbull, +aide-de-camp to Washington.) In curious old ornate case, inscribed +COM. JOHN PAUL JONES SPY GLASS. + +220 John Paul Jones. Miniature Portrait painted in India ink on +deer-skin, by John Trumbull, 1776. Colonial frame. + +221 ROBERT MORRIS. Flint Lock Musket, ramrod missing. ROBERT MORRIS +engraved at side. Cardboard certificate inscribed: _Gun carried by +Robert Morris Chief Justice of N. Jersey. J. T._ + +222 Robert Morris. Revolutionary Fire Pan. Iron, flintlock, in good +condition, curious and rare. 8 in. With certificate: _Fire Pan used by +Robert Morris of New Jersey. J. T._ + +223 Robert Morris. Pair brass Spurs. Certificate: _Brass Spurs used by +Robert Morris of N. Jersey. J. T._ + +224 GEN. ALEXANDER HAMILTON. Flintlock Carbine, DEMPSEY maker. A +HAMILTON N. Y. engraved on stock. Certificate on cardboard: _Gen. +Alexander Hamilton’s Gun, a present from the Executors. Clippings +inside. J. T._ (Several clippings published after his death, +inserted). Of great interest. + +225 GEN. FRANCIS RAWDON. Flint Lock Pistol, 22 in. Brass mountings, FR +in crowned monogram engraved, also name ROGER SHERMAN engraved on +side. Cardboard certificate: _Gen. Francis Rawdon’s Pistol. An Eng. +Gen. that fought all through the Rev. War. Pistol found at the Battle +of Bunkers Hill and presented to R. S. by Gen. Putnam. I got it in +exchange for a Painting. J. T._ A unique Revolutionary trophy. + +226 SAMUEL FRAUNCIS. Flint Lock Pistol, stock handsomely engraved, +S. F. cut at side. 18 in. Given by Frauncis of Frauncis Tavern, N. Y., +to Col. John Trumbull, who placed it in his Collection of +Revolutionary Relics. Certificate lost, but attribution of this, as of +every object in this catalogue, guaranteed by Cataloguer. + +227 Colonial Pike. Used by N. E. home guards in Colonial days. Modern +shaft. + +228 DRAGOON SABRE. Heavy scabbard, brass mountings. Used in Colonial +days. Massachusetts. + +229 SWORD. Ivory handle, etc., eagle’s head. Major John Merrill, +Duxbury, Mass., war 1812. + +230 REVOLUTIONARY CANNON BALLS. From the battle field of Long Island. +3 sizes. Lot of 3 pcs + + * * * * * + +231 HUNTING KNIFE. Ivory handle, bronze lion-head pommel; 12 in. blade +engraved with U. S. arms, etc. Once the property of the famous Western +Pioneer, David Crockett. From Peale’s Museum, Phila. + +232 Sioux War Club. Pony tail as handle. 20 in. Modern. + + +FIRE ARMS, SWORDS, ETC. + +233 BLUNDERBUSS. Flint lock, brass barrel and mountings; English make, +in perfect order; an extra fine and heavy specimen. 2 ft. 9½ in. + +234 Blunderbuss. Flint lock, English make, in perfect condition, extra +fine. 2 ft. 4 in. + +235 Blunderbuss. Percussion lock, very fine, carved black stock, +French make. 2 ft. 8 in. + +236 Blunderbuss. Circassia, flint lock, muzzle, 4½ in. diam., barrel +etched, stock inlaid with arabesque patterns, very fine and rare. 1 +ft. 8 in. + +237 PISTOL. Long Algerine flint lock, woodwork overlaid with +ornamental metal covering, repoussé work, no ramrod. 1 ft. 7 in. + +238 Pistol. Turkish, flint lock, carved stock, no ramrod. 1 ft. 7 in. + +239 Pistols. Pair German duelling pistols, percussion locks, sweet +briar handles; locks and barrels finely etched, with gold inlaying, +barrels rifle grooved. _Lindenschmidt Mainz_ on barrel; marked 1 and 2 +respectively; of the finest mechanism. 2 pcs + +240 Pistol. English, flint lock, brass barrel. D. GOFF. Very fine; +small piece from stock. 1 ft. 2 in. + +241 Pistol. French, flint lock, brass barrel. Du Bois & Fils. Very +fine; stock slightly defective at end. 1 ft. ½ in. + +242 REVOLVER. English, 5 barrels, extra fine and very heavy, perfect. +11½ in. + +243 Revolver. French, 6 barrels rifled, finely etched, perfect and +curiously made. 7½ in. + +244 Revolver. French, 8 barrels, also 1 long barrel (9 in all), +_double action_ hammer, in perfect order, once the property of the +notorious Captain Wirz, commandant of the Andersonville, S. C, prison +pen. From General Cameron’s Collection. Wirz was finally executed for +his crimes. 13 in. + +245 Revolver. Colt’s pattern (pepper-box), 5 barrels, a beautiful +unused specimen. 9½ in. + +246 Revolver. ORTMANN LIEGE. 6 barrels, etched, perfect, a curious +little bit. 4½ in. + +247 Revolver. Remington. 4 barrels. Also very curious, perfect. 5 in. + +248 Revolver. Allens. 5 barrels, curious side hammer. Early type. +9 in. + +249 Revolver. American Arms Co. 2 barrels. Perfect. 6 in. + +250 Pistol. Flintlock. English, curious. 8 in. + +251 Pistol. Flintlock, hammer on top of barrel, etched. Very early +type. 6 in. + +252 Pistol. VARLEY & CO. LONDON. 2 barrels. Perfect, very fine. 10 in. + +253 Pistol. Small Derringer, early type, rifle barrel, nipple gone. +6 in. + +254 Pistol. Flintlock. R. JOHNSON. CONN. 1842. Polished, unused +specimen. 14½ in. + +255 Pistol. Percussion, U. S. Navy pattern, 1821. Perfect. 16 in. + + +SWORDS, ETC. + +256 CLAYMORE, Scottish, used at Waterloo, open work basket guard. Very +fine. 3 ft. 9 in. + +257 Another. Said to have been used at Culloden, fine open work basket +guard, blade slightly curved. 3 ft. ½ in. + +258 SWORD. Highland, rusty, and has received hard knocks. See +particulars attached. 2 ft. 9 in. + +259 Rapier, blade only, stamped on each side, X TOLEDO MADRIET X and +mark of the _running Fox_. Fine and rare specimen of the famous Toledo +blades. 3 ft. + +260 Rapier. With quillons and pas d’Ane. Good specimen. 3 ft. 3 in. + +261 Scimitar and scabbard, Algerine. Finely decorated and curved +blade. 3 ft. + +262 Rapier. French, open guard, used in Mexico, 1864. 3 ft. 2 in. + +263 Sword. American. Curved blade, open guard. _Circa_ 1800. 2 ft. +11 in. + +264 Sword. Heavy cavalry sword, German; steel scabbard, straight +blade. _Circa_ 1776. 3 ft. 6 in. + +265 Sword. Steel scabbard, curved blade, made by Tiffany & Co., N. Y. +1861-65. 3 ft. 6½ in. + +266 Sword. Two-handed, fac-simile of that used by Sir Wm. Wallace. 5 +ft. 1 in. + +267 Dirk. Highland; old time make, blade, 1½ × 12½ in. 1 ft. 6 in. + +268 Pilgrim’s Staff. Hollow iron handle, with claw and small hatchet, +_sliding_ lance, 2 ft. 7 in. long; that, when not in use, is returned +inside the handle. _Circa_ 1600; very curious. Total length, 6 ft. + +269 Cross-bow shaft, black oak; parts of the leather feathering still +remain; triangular, steel head. 15th century. 1 ft. 4½ in. + +270 TILTING VISOR. Iron, very heavy bars. Rare. 7½ × 8½ in. + +271 WAR CLUB. “Maquahuilt” Aztec, studded with genuine obsidian teeth. +A fac-simile of the original in museum, City of Mexico. 3 ft. + +272 PISTOLS. 4 old _pepper boxes_, Colt’s pattern, one of 3 barrels, +not in good order. 4 pcs + +273 SPURS. Mexican. Enormous rowels. 3 and 4 in. diameter. Very fine. +2 pcs + +274 KEYS. Iron, very old patterns. 4 to 5 in. long, on plaque. 9 pcs + +275 HARPOON. From New London, Conn. 3 pcs + +276 SCALP LOCKS. Mounted, handsomely decorated with colored bead work. +Assiniboin and Sioux. Very rare. 3 pcs + +277 WAR CLUB. Modern Sioux, double pointed stone head, rawhide handle, +feather decoration. 2 ft. 2 in. + +278 WALNUT RELIC CASE. With locks and two glass doors to each section. +Lower portion, 2 ft. 7 in. high, 4 ft. wide, 8 in. deep. Upper +section, 3 ft. 4 in. high, 3 ft. 10 in. wide, 5 in. deep. + +279 CHERRY PISTOL CASE. 4 ft. 11 in. high, 1 ft. 10 in. wide, 5 in. +deep; with lock and glass door. + + + + +CONDITIONS OF SALE. + + +I. The highest bidder is to be the buyer; and if any dispute arise +between two or more bidders, the lot so in dispute shall be +immediately put up again and re-sold. + +II. The purchaser to give in his or her name and residence, and to +make a deposit of 25 per cent., or more, in part of payment, or the +whole of the purchase money, _if required_; in default of which, the +lot or lots so purchased to be immediately put up again and re-sold. + +III. The lots to be taken away and paid for, whether genuine and +authentic or not, with all faults or errors of description, at the +buyer’s expense and risk, within two days from the sale; the Fifth +Avenue Auction Rooms not being responsible for the correct +description, genuineness, or authenticity of, or any fault or defect +in, any lot; and making no warranty whatever, the goods having been on +exhibition for two days before sale. + +IV. To prevent inaccuracy in delivery, and inconvenience in the +settlement of the purchase, no lot can, on any account, be removed +during the time of sale; and the remainder of the purchase money must +absolutely be paid on delivery. + +V. Upon failure of complying with the above conditions, the money +deposited in part of payment shall be forfeited; all lots uncleared +within the time aforesaid shall be re-sold by public or private sale, +and the deficiency (if any) attending such re-sale shall be made good +by the defaulter at this sale. + + WM. B. NORMAN, + _Auctioneer._ + + + + +Transcriber’s Note: Item 172 did not exist in the catalogue. + + + + +End of the Project Gutenberg EBook of American Antiquities, by Wm. B. Norman + +*** END OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES *** + +***** This file should be named 36598.txt or 36598.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/6/5/9/36598/ + +Produced by Barbara Tozier, Bill Tozier and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + |
