summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--36598-0.txt1474
-rw-r--r--36598-0.zipbin0 -> 22857 bytes
-rw-r--r--36598-8.txt1470
-rw-r--r--36598-8.zipbin0 -> 22753 bytes
-rw-r--r--36598-h.zipbin0 -> 137941 bytes
-rw-r--r--36598-h/36598-h.htm960
-rw-r--r--36598-h/images/illo1.pngbin0 -> 78731 bytes
-rw-r--r--36598-h/images/illo2.pngbin0 -> 33473 bytes
-rw-r--r--36598.txt1474
-rw-r--r--36598.zipbin0 -> 22862 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
13 files changed, 5394 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/36598-0.txt b/36598-0.txt
new file mode 100644
index 0000000..7bef5ec
--- /dev/null
+++ b/36598-0.txt
@@ -0,0 +1,1474 @@
+The Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: American Antiquities
+ Auction Catalogue, January 8, 1898
+
+Author: Wm. B. Norman
+
+Release Date: July 3, 2011 [EBook #36598]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+ AMERICAN ANTIQUITIES.
+
+ Pre-historic Stone Implements, Mound
+ Builders’ Relics, Revolutionary
+ and Foreign Arms,
+ Etc., Etc.
+
+ SALE BY AUCTION,
+
+ AT THE
+
+ Fifth Avenue Auction Rooms,
+
+ No. 238 FIFTH AVENUE, NEW YORK,
+
+ JANUARY 8, 1898.
+
+ _WM. B. NORMAN, Auctioneer._
+
+
+
+
+_This entire Collection will be on exhibit at the Fifth Avenue Auction
+House, No. 238 Fifth Avenue, New York, on Thursday and Friday, January
+6 and 7, 1898, from 10 A.M. to 6 P.M.; and on the day of the Sale,
+during the morning hours._
+
+_Orders will be carefully executed by the Auctioneers and Dealers in
+Archæology._
+
+
+
+
+ COLLECTION
+ OF
+ AMERICAN ARCHAEOLOGY,
+ STONE IMPLEMENTS,
+ REVOLUTIONARY AND FOREIGN ARMS,
+ ETC., ETC., ETC.,
+
+ INCLUDING MANY SPECIMENS OF RARITY AND VALUE.
+
+ Mound Builders’ Relics, Celts, Grooved Axes, Arrow and
+ Spear Heads, Knives, Wampum Treaty Belts and Money,
+ Necklaces, Beads, Shell Ornaments, Effigy and Ceremonial
+ Pipes, Tomahawks, Objects in Hematite
+ and Obsidian, Terra Cotta Figures, Ornaments,
+ Temple Chalices of the Incas, Aztec Ornaments,
+ Revolutionary Arms, Blunderbusses,
+ Pistols, Swords, Rapiers,
+ Claymores, War Clubs,
+ Dirks, Etc., Etc.
+
+ THE PROPERTY OF A RETIRING COLLECTOR.
+
+ Sale by Auction without Reserve,
+ AT THE 5th AVENUE AUCTION ROOMS, 238 5th AVE., NEW YORK,
+ SATURDAY, JANUARY 8th, 1898,
+ BEGINNING AT 2 O’CLOCK, P. M.
+ _WM. B. NORMAN, Auctioneer._
+
+ _CATALOGUE BY ED. FROSSARD. 151st AUCTION SALE._
+
+ 108 East Fourteenth Street, New York.
+
+ BOSTON:
+ T. R. MARVIN & SON, NUMISMATIC PRINTERS.
+ 1897.
+
+
+
+
+_The Archaeological Collection described in the following pages was
+formed by a well-known Collector, who now, for private reasons,
+relinquishes the pleasurable pursuit which for so many years engrossed
+his moments of leisure. Every specimen in the Collection was selected
+with deliberate discrimination, with the view of exemplifying the best
+forms of arms and implements conceived and fashioned by the
+pre-historic man of that part of the North American Continent embraced
+within the present United States. Such objects are of great interest
+and value to all those interested in this branch of Archaeology, and
+the opportunity offered of adding perfect specimens, at their own
+price, to their cabinets, is one seldom occurring.
+
+Among the objects of marked interest will be found a Wampum Treaty
+Belt; a large number of Ceremonial Pipes, including some very rare
+forms; various objects in hematite, obsidian, copper, etc.; the rare
+Idols from Arizona; Incas Temple Vases in beaten silver from the
+necropolis of Ancona, etc., etc. The arms, foreign and Revolutionary,
+at the end of Catalogue, will be recognized by all interested in the
+subject as valuable specimens, worthy to figure in the best
+Collections.
+
+Every object in this Collection will be sold, with the guarantee, by
+the Cataloguer, of its absolute authenticity and genuineness, both as
+regards material and attribution.
+
+Orders faithfully executed by the Auctioneers and Art Dealers
+generally._
+
+
+
+
+CATALOGUE.
+
+
+
+
+PRE-HISTORIC STONE IMPLEMENTS.
+
+
+CELTS.
+
+1 SMALL CELT, reddish stone. Washington Co., Ohio. 2½ in.
+
+2 Another. Gray stone. Knox Co., O. 2¼ in.
+
+3 Another. Blue stone. Athens Co., O. 3¼ in.
+
+4 Another. Diorite. Very fine. Athens Co., O. 3¼ in.
+
+5 Another. Granite. Very fine. Vinton Co., O. 3½ in.
+
+6 Another. Blue stone. Moss Co., O. 3¾ in.
+
+7 Large Celt. Granite, polished edge. Very fine. Mercer Co., Ky.
+5¼ in.
+
+8 Another. Granite, polished edge. Very fine. Mercer Co., Ky. 5¾ in.
+
+9 Another. Blue slate, edge slightly chipped. Delaware Co., O. 6½ in.
+
+10 Another. Blue slate, edge slightly chipped, but fine. Delaware Co.,
+O. 7¾ in.
+
+11 Small Celt. Blue slate, polished edge, perfect. Syria. 3 in.
+
+12 Small hand pick. Blue slate. Harrisburg, Pa. 4¼ in.
+
+13 Another. Granite, round top, polished edge. Lincoln Co., Tenn.
+4¼ in.
+
+
+GROOVED AXES, ETC.
+
+14 GROOVED AXE of diorite, deeply grooved, fine edge (a head cracker).
+Beaver Co., Pa. 4 in.
+
+15 Another. Greenish stone, deeply grooved, fine edge. Rhea Co., Tenn.
+4 in.
+
+16 Another. Granite, grooved and perfect. Seneca Co., O. 4½ in.
+
+17 Another. Diorite, deeply grooved and perfect. Athens Co., O. 5 in.
+
+18 Another. Mottled granite, deeply grooved. Very fine. Calhoun Co.,
+Ill. 5 in.
+
+19 Another. Dark stone, flat head, entire surface polished and
+perfect. Breckenridge Co., Ky. 5 in.
+
+20 Another. Shows marks of ancient pecking. Warren Co., O. 6 in.
+
+21 Another. Palaeolithic sandstone. Greene Co., Va. 5 in.
+
+22 Another. Same. Greene Co., Va. 4 in.
+
+23 Another. Granite, fine and perfect blade, deep groove, polished
+from long use; fine and desirable. Breckenridge Co., Ky. 6 in.
+
+24 Another. Granite, fine perfect blade, good shape, deep groove, also
+very desirable. Lincoln Co., Tenn. 5 × 6½ in.
+
+25 Another. Fine grained granite, extra long and perfect blade, finely
+grooved; rare. Athens Co., O. 4½ × 8½ in.
+
+26 Another. Rough pebbly granite; of great size and weight, perfect
+edge. S. W. North Carolina. 6½ × 8½ in.
+
+27 ANVIL or Nut stone. Circular, with pitted cavity on each side;
+smooth, nice specimen. Ohio. 4½ × 5 in.
+
+28 HAMMER STONE. Granite. Central Ohio. 3 × 3½ in.
+
+29 Another. White quartz. Central Ohio. 2½ × 3 in.
+
+30 Another. Granite, light groove. Washington Co., R. I. 2 × 2¼ in.
+
+31 Another. Sand stone, deep groove. New London, Conn. 2¼ × 2¾ in.
+
+32 LARGE HOE. Gray chert, fine large flaking, point polished from long
+use. From Elliptical mound, East St. Louis. 8¼ in.
+
+33 PESTLE. Pebbly stone, perfect, cylindrical. Eastern Penn. 11 in.
+
+34 Another. Sandstone; similar. Cincinnati, O. 14 in.
+
+35 Another. Hard gray stone, with carving of animal’s head at one end.
+Cylindrical, broken in centre but substantially mended. The largest
+and most remarkable example I have seen. Border of Saratoga Lake, N.
+Y. 22½ in.
+
+36 Another. Round, pecked sandstone, with handle of mushroom shape.
+Meade Co., Ky. 4 × 6 in.
+
+37 Another. Base has a slight concavity for cracking nuts, smooth from
+long use. Very fine. Ohio. 3½ × 5 in.
+
+38 Another. As last, base chipped. Ohio. 3 × 5 in.
+
+39 AMULET. Heart-shaped concretion, (see interesting description
+attached). Fine and rare. Texas. 4½ × 4½ in.
+
+40 QUOIT. Flint, beautifully flaked, extra fine. Tenn. 4 × 4¾ in.
+
+41 Quoit or large knife; extra fine. Tenn. 3½ × 5¼ in.
+
+42 BOLAS STONE. Egg-shaped, white quartz, one end slightly flattened.
+Hall Co., Ga. 1¾ × 2¼ in.
+
+43 Another. Dark stone, curious and rare. Hall Co., Ga. 1¾ × 2¼ in.
+
+44 Saddle-shaped stone, base and ends flat, sides and top rounded to a
+half-circle, with half-inch perforation through its length. Hard dark
+stone. Randolph Co., Tenn. 1½ × 2¼ × 3¼ in.
+
+45 Boat-shaped object, top hollowed out, two perforations, steatite or
+soapstone, a perfect and rare specimen. Hancock Co., Tenn. 1⅜ × 6¼ in.
+
+46 Similar. Micaceous stone. Gwinnett Co., Ga. 1⅞ × 3¼ in.
+
+47 Another. No perforations, ends grooved. Gwinnett Co., Ga.
+1¼ × 2⅜ in.
+
+48 Another. Different shape, no cavity but perforated with two holes,
+also a rare object. Gwinnett Co., Ga. 1 × 3¾ in.
+
+49 CEREMONIAL AXE (so called). Yellowish material, perforated with a
+half-inch hole, fine and rare. Saratoga Lake, N. Y. 3⅞ in.
+
+50 Another. Slate. Williams Co., O. 4½ in.
+
+51 BANNER STONE. Butterfly shape, light-colored granite, the usual
+perforation begun and half finished; uncommon form, and rare on
+account of its size. James Co., Tenn. 6¾ in.
+
+52 Neat perforated fragment, at the bottom of which is a nipple
+showing process employed in drilling, viz., with sand and hollow reed.
+1½ × 2½ in.
+
+53 GORGET. Two perforations, slate. Shelby Co., O. 3¾ in.
+
+54 Another. One perforation, slate. Marion Co., O. 1¾ × 3½.
+
+55 Another. Banded slate, very fine. Hardin Co., O. 3¼ in.
+
+56 Gorget ornament. Banded slate, diamond shape. Hardin Co., O. 2⅝ in.
+
+57 Object in steatite, two large holes, edge with notches. Columbia
+Co., O. 2½ in.
+
+58 PENDANT. Steatite, oval shape, perforated, with carving of a human
+face; a curious object. Georgia. 2½ in.
+
+59 POTTERY BUST. Face, front view. Mound, S. E. Missouri. 2½ in.
+
+60 PLUMMET or Slung Shot of quartz, egg-shaped. Massac Co., Ill.
+2 × 3½ in.
+
+61 DISCOIDAL or Game Stone, with concavity on each side. Very
+symmetrical, fine and rare. Ohio. 1½ × 2½ in.
+
+62 Two, similar, one with centre perforation, both of soft stone.
+Ohio. 3¼ × 1⅞ in. 2 pcs
+
+63 STONE BALL. Incised lines quartering, etc. Very curious. Shelby
+Co., O. 1⅞ in.
+
+64 PEARL SHELL. From grave, small perforation, one side covered with
+incised dots in fanciful design. Santa Barbara, Cal. 2½ × 4½ in.
+
+65 Mussel Shell from mound, one side encrusted with limestone
+concretion. Pike Co., Ill. 4 in.
+
+66 Mussel Shell. A circular hole through centre. Pike Co., Ill. 3½ in.
+
+
+ARROW AND SPEAR HEADS, ETC.
+
+67 ARROW HEADS. A small collection, some fine. Ohio. 20 pcs
+
+68 Arrow Heads. White quartz. Suffolk Co., N. Y. 3 pcs
+
+69 Arrow Heads. Larger size, all perfect. Ohio. 5 pcs
+
+70 Arrow Heads. Of mottled stone. Cole Co., Mo. 8 pcs
+
+71 SPEAR POINTS. Black flint and chert, all fine, average 4 in. long.
+Ohio. 7 pcs
+
+72 Spear Points. White flint and chert, all fine, average 4½ in. long.
+Ohio. 4 pcs
+
+73 KNIFE. Black flint, finely finished. Clay Co., Ky. 3½ in.
+
+74 Another. Light colored flint, an elegant specimen. St. Clair Co.,
+Ill. 3¼ in.
+
+75 Another. White colored flint, very symmetrical. St. Clair Co., Ill.
+3¼ in.
+
+76 Another. Dark chert, finely flaked and chipped. Marion Co., Ill.
+5 in.
+
+77 Another. Dark chert, ruder shape than preceding. Ohio. 3½ in.
+
+78 ARROW POINT. Pure white quartz, hollow base, the war point type; a
+beauty. Georgia. 1⅞ in.
+
+79 Another. White chert, square base, deeply notched. Cooper Co., Mo.
+1⅞ in.
+
+80 Another. Similar to last. Ohio. 2¼ in.
+
+81 Another. Pink chalcedony, with dark vein of color, perfect.
+Missouri. 2¼ in.
+
+82 Another. ROTARY, rounded base, both edges bevelled and notched.
+Illinois. 2¾ in.
+
+83 Another. Square base, deeply notched and serrated, bevelled edges.
+Kentucky. 3 in.
+
+84 Another. Rounded base, very fine. Illinois. 3½ in.
+
+85 Another. Similar to last, very fine. 3½ in.
+
+86 Another. Very remarkable specimen, black flint. Kentucky. 3⅛ in.
+
+87 Another. Very large base, serrated and bevelled edges, one barb
+broken. Mercer Co., O. 2 × 3 in.
+
+88 SPEAR POINT. Square base, white chert, finely made, perfect. Ohio.
+3½ in.
+
+89 Another. White flint, spade shape, beautifully flaked, very
+symmetrical. Gallien Co., O. 3½ in.
+
+90 Another. Gray flint, round base, deeply notched, serrated edges,
+perfect point. Bowling Green, Ky. 3½ in.
+
+91 Another. Similar, dark flint, extra fine. Bowling Green, Ky. 3¼ in.
+
+ Special attention is requested to the following 16 lots, every
+ one of which has something special to recommend it, either for
+ beauty of material, or excellence in design and workmanship.
+
+92 SPEAR HEAD. White chert, in perfect condition. Pike Co., Ill.
+1⅜ × 6¾ in.
+
+93 Another. Yellow chert, small point from tip. Illinois. 1⅞ × 6 in.
+
+94 Another. Brown chert, perfect. Illinois. 1¼ × 6 in.
+
+95 Another. Dark colored stone, fine flaking, two curious lines or
+markings running longitudinally, perfect. Illinois. 1⅝ × 5½ in.
+
+96 Another. White chert, perfect. Illinois. 1½ × 5⅛ in.
+
+97 Another. Hollowed base, deep notches, serrated edges, tip has been
+broken, but has been _repaired_ by the ancient workman. Very fine.
+Kentucky. 4¾ in.
+
+98 Another. Yellow chert, long, square base, point slightly damaged,
+but very finely made. Kentucky. 5¾ in.
+
+99 Another. Black flint, sharp, square base, beautifully flaked,
+perfect. Kentucky. 5½ in.
+
+100 Another. Yellow flint; when held to the light, shows fine cross
+marking of dark color; hollow base, very small notches, very beautiful
+and desirable. Illinois. 4¾ in.
+
+101 Another. White chert, long, square base, as No. 96, beautifully
+made. Illinois. 4⅞ in.
+
+102 Another. Bluish flint, fine transverse markings, very wide, flat
+base, slightly notched, a perfect and fine specimen. Huron Co., O.
+5 in.
+
+103 Another. Grey flint, square base, deep, heavy notches, beautifully
+flaked, choice and rare. Miami Co., O. 3⅞ in.
+
+104 Another. Reddish or salmon colored, finely flaked and chipped,
+very desirable. Jefferson Co., Ark. 8 × 4 in.
+
+105 Another. Grey flint, square base, deeply notched, of elegant and
+symmetrical shape, perfect in every respect, a _chef d’œuvre_ of
+primitive workmanship, very choice and desirable. Breckenridge Co.,
+Ky.
+
+106 Another. Yellowish chert, small, square base, very heavily
+notched, perfect edges, finely flaked, desirable. Missouri. 4¼ in.
+
+107 KNIFE. White chert, with haft for a handle, flaked and chipped,
+extremely rare form. So. Illinois. 7 in.
+
+ Choice specimens neatly mounted on card-board:—
+
+108 SPEAR POINTS. White chert, localities marked, av. 3¾, all very
+fine. 4 pcs
+
+109 Arrow Points. White quartz. Suffolk Co., N. Y. 5 pcs
+
+110 Arrow Points. Bluish flint, all perfect, and rare. Mound, Osage
+River, Mo. 9 pcs
+
+111 Arrow Points. White quartz, all fine. Suffolk Co., N. Y. 9 pcs
+
+112 Spear Points, etc. Grey chert, of different forms, all perfect and
+very fine. Wadesboro’, N. C. 7 pcs
+
+113 Arrow Points. As above, all very fine and perfect. Wadesboro’,
+N. C. 11 pcs
+
+114 Arrow Points. Very desirable specimens; fine color and material,
+all perfect. From mound at Osage River, Mo. 9 pcs
+
+115 Arrow Points. Chosen for singular serrated and notched edges, all
+fine and rare. Ohio. 4 pcs
+
+116 DRILLS. All perfect, 5 from Missouri, 2 from Ohio, 1 from Georgia.
+1 (Ohio) is unique as far as known, in length being 4½ in. A very
+desirable selection. 8 pcs
+
+117 Drills. Very pretty and attractive selection. Clay County, Tenn.
+6 pcs
+
+118 ARROW POINTS. Small, all perfect. Ohio. 6 pcs
+
+119 Arrow Points. Choice lot, all perfect; small points, from Miss.,
+California and Block Island, as marked on card (2 obsidian). 6 pcs
+
+120 Arrow Points. Specimens from Willamette River, Oregon, of these
+beautiful productions; jasper, moss agate, obsidian, etc., rare.
+12 pcs
+
+121 FISH HOOKS. Black flint; desirable and rare. 2 pcs
+
+122 Arrow Point. Black flint, rotary, hollow base, finely notched,
+bevelled and serrated edge, a perfect and choice specimen of this
+prototype of the modern revolving rifle ball. Bowling Green, Ky.
+
+123 Arrow Point. Rotary, light-colored flint, as last, except base is
+square; perfect and rare. Bowling Green, Ky.
+
+124 Arrow Points. Rotary, gray chert. Perfect, as last, but smaller.
+2 pcs
+
+125 Arrow Points. Clouded chalcedony; fine and perfect specimens from
+Clear Water Harbor, west coast of Florida, rare. 3 pcs
+
+126 Arrow Point. Crystal, narrow, serrated edges, said to be poisoned.
+California.
+
+127 Arrow Point. Thin copper, triangular in shape, Iroquois; small
+fish-line stone Sinker. Fleming, Cayuga Co., N. Y. 3 pcs
+
+128 FISH SPEAR. Copper, rounded base, two perforations at base.
+1¼ × 3⅜ in. Highest rarity. Ontonagon River, Mich.
+
+129 Another. Copper, rounded base with three perforations. 1½ × 2½ in.
+Ontonagon River, Mich.
+
+130 Fish Hooks of copper; small copper arrow head, Phoenicia, Syria.
+3 pcs
+
+131 COPPER CHISEL. Ancient copper tool found at Prairie-du-Chien,
+Wis.; sharp cutting edge, sides turned up, gouge form, excessively
+rare, 1⅝ in. wide, 2½ long, 1¼ thick.
+
+
+OBJECTS IN HEMATITE, ETC.
+
+ On account of its density and the fine polish it takes,
+ hematite was a favorite material with the ancient artificer.
+ Next to copper, hematite is the scarcest material employed by
+ the pre-historic workman.
+
+132 AXE. Hematite, deeply grooved, edge polished and of great weight.
+Very rare. 2¼ in. thick, 3 wide, 3¼ long. Pulaski Co., Mo.
+
+133 CELT. Brown hematite, polished, edge slightly broken, very rare.
+Pike Co., Ill.
+
+134 Celt. Edge perfect and sharp, very rare. Pike Co., Ill.
+
+135 Mammal or Cone. Brown hematite, fine and perfect, base 2⅜ in.,
+2 in. high. Very rare. Pike Co., Ill.
+
+136 Plummets, (so called). Brown hematite, oblong, with small groove
+around the top, beautiful polish, exceedingly rare. St. Clair and Pike
+Co., Ill. 2 pcs
+
+137 Plummets. Same as last, but made from white limestone; also a rare
+relic. 1⅛ × 4 in. Illinois. 2 pcs
+
+138 Bone awl, made from deer’s horn, pointed end, 1½ × 6 in.; another,
+resembles a needle. ¾ × 2½ in. Mound in Arkansas. 2 pcs
+
+139 Animal (Fox?) carved in bone, ⅔ × 2½ in.; also carved duck 1½ in.
+long; each with perforation, curious. Alaska. 2 pcs
+
+140 Relics from mound, Clay Co., N. C. Two bear’s teeth, four human
+teeth, shells, etc. Lot.
+
+141 Pearl Shells. Perforated in process of making into fish-hooks,
+fine iridescent color on one side. San Miguel Island, Cal. 3 pcs
+
+142 Pearl Shell Ornaments. San Miguel Island, Cal. 5 pcs
+
+143 Whetstones. Very hard stone, narrow and with pointed ends. Scarce
+and desirable. S. W. California. 4 pcs
+
+144 BIRD CALL. Terra cotta, black, turtle-shaped with head and
+flippers, round hole in back, two smaller ones at the side. Curious
+and rare object from Indian grave near Los Angeles, Cal.
+
+145 TERRA COTTA FIGURES. Male and female Idols in red terra cotta.
+Decorated in various pigments; old fractures newly mended. Height 15
+and 14 in. Found in ancient water conduit near Mojave, Hackberry,
+Ariz. V. rare and curious. 2 pcs
+
+146 BONE WHISTLE. Made from human thigh bone, the large hole at one
+end plugged with a black, pitchy substance. Rare and curious. Santa
+Barbara, Cal.
+
+The four following lots, domestic utensils of the ancient Cherokees,
+are from a mound at Edgefield, S. C, dug up by Mr. William I. Scott,
+of Augusta, Ga., in 1895.
+
+147 PIPE, so called, but may be a lamp. Wide bowl surrounded by nine
+projecting stems, each perforated and reaching into the bowl. Total
+width 4¼ × 1¾ in. Steatite or soapstone, rare and curious.
+
+148 CUP. Steatite, with handle and spout; rare. 3 × 4 in.
+
+149 CUP. Steatite, with handle. 4 × 2¼ in. Rare.
+
+150 DIPPER or SPOON. Short handle. Steatite, perfect and rare. 3½ in.
+
+
+
+
+MISCELLANEOUS.
+
+151 Small Collection of Aztec relics, brought from Mexico many years
+ago, by Señor Da Costa Gomez. Terra cotta figure, 4½ in.; ancient
+Mirrors, polished surface, convex backs, 1½ in. (2); copper Idol,
+3 in.; jade Amulet, 1¼ in.; obsidian Lip ornament; green jade
+Ornament, perforated, 1¼ in.; polished Pendant, 1½ in.; string of
+polished perforated stone Beads, fine colors (7). 15 pcs
+
+152 AMULET. Heart-shaped, small perf.; fine green stone, jade or
+serpentine. 4¼ in. Rare and curious. Mexico.
+
+153 AZTEC BEADS. A necklace of perforated stone pebbles varying in
+size from ½ to 1¼ in., green and mottled colors, fine polish. Rare to
+excess. 38 pcs. Lot
+
+154 ARROW POINTS. Five fine arrow points and four flakings, obsidian.
+Mexico. Fine and rare. 9 pcs
+
+155 NECK ORNAMENT. Aztec, of obsidian, semi-lunar, small perf. at each
+end for suspension, ⅝ wide, 3½ in. across. V. fine and rare.
+
+156 SILVER CHALICE or Temple Cup from Ancona, near Lima, Peru, time of
+the Incas. Height 8½ in., width across mouth 2¾ in. Very thin silver,
+hammered from one piece of metal; centre of cup bears impress of a
+human face with ears and prominent nose; fanciful zig-zag
+ornamentation or crown above. In absolutely perfect condition and of
+the highest rarity, color black from oxidation.
+
+157 Silver Chalice. Without decorative ornamentation above the face;
+equally fine and perfect, both marvels of workmanship of a by-gone
+age, black color. 6⅞ in.
+
+158 Pottery Jar. Traces of brown-colored pigment, from Chiriqui
+graves, Colombia, S. A. 3 × 4 in.
+
+159 KNIFE. Obsidian, oval shaped, finely flaked; when held to the
+light, shows dark, cloudy lines across its surface; very showy and
+rare. 5 in. Lassen Co., Cal.
+
+160 BEADS. Stone Beads from grave, La Salle, Ill. Bead made from the
+oliva shell, which is not found nearer than the Florida coast; this
+specimen from Indian grave at Peoria, Ill. 2 pcs
+
+161 Perforated stone Beads, from Lodi, Miss. 1⅜ in. 2 pcs
+
+162 Plummet or Sinker. Blue stone. Meredith, N. H.
+
+163 Arrow Point of remarkable shape, notched on each side; the base
+runs to a sharp point, perfect. 1¼ × 2¾ in.
+
+164 COPPER BEADS. Necklace of 24½ in. beads from Indian grave.
+Memaloose Is., Oregon. Rare.
+
+165 Copper Beads. From 1 to 6 in. in length, ¼ in. thick (20).
+Flathead Indian graves. Rare lot.
+
+166 Copper Pendant. Perforated for suspension, four notches at base.
+Same locality as No. 164, rare.
+
+167 Copper Ornaments from graves as above; one small Bracelet, two
+Pendants, one long Bead with original string still in the bead. Rare.
+4 pcs
+
+168 Glass Beads. Fine necklace of the Hudson’s Bay Trading Co. beads,
+from Flathead Indian grave, Memaloose Is., Oregon. Lot.
+
+169 EARRINGS. Long earrings, each made from about 120 dentalium
+shells. Brass rings for suspension, length, 14 ins., width, 1¾ in.
+Very curious and rare. Oregon. 2 pcs
+
+170 Shell Pendant or Ornament of perforated shell, small copper ball
+at bottom. Indian grave, Cayuga, Co., N. Y. Very rare.
+
+171 NECKLACE of 37 objects: glass beads, bits of copper and catlinite
+or red pipe stone cut in fanciful form; of great interest and rarity.
+Springport, Cayuga Co., N. Y.
+
+173 WAMPUM TREATY BELT. This rare relic was found with three others,
+by Mr. Wm. W. Adams, at the old Fleming farm, East Cayuga, Cayuga Co.,
+N. Y., in 1888. One of the four is now in the British Museum; the
+present ownership of the other two is unknown to me. This belt, the
+fourth of the find, is 2 ft. 3 in. in length and 2½ in. wide; it
+contains 1,600 beads; the outer or border row is made from red glass
+beads (wampum size); inside the border are seven rows of the _genuine_
+shell wampum or _Wampumpeague_ of the Colonial period; 12 fanciful
+designs of dark and yellow beads at intervals in its length. Very rare
+and desirable.
+
+174 SHELL BEADS, etc. A card, 8½ × 9 in., containing an outer string
+of 110 perforated shell beads, ⅜ × ½ in. in size; an inner string of
+150, more or less, perforated sea-shells; another string of 15 large
+and small shell beads from Spang Mound, East Tennessee; and two
+splendid examples of the rotary arrow points in black flint and
+yellowish chert, both perfect. Rare. Lot.
+
+175 String of Shell Beads, from burial mound, Ga.; another string of
+very small perforated shell-money from the South Sea Islands. Mounted,
+rare. 2 pcs
+
+176 Mounted colored Shells, shell discs. Georgia. 2 pcs
+
+177 String of small thin perforated Beads, too numerous to count, with
+one large flat bead 1⅜ in. diameter. Total length of string about
+28 in. Rare. San Miguel Island, Cal. Lot.
+
+178 String of six enormous perforated shell beads, two are 1½ in. long
+and broad, from Lake Creek Mound, Tenn. String of 23 flat perforated
+shell discs, Tennessee River, near Nashville. 2 pcs
+
+179 Shell Hair Pins. Two very fine examples of these rare relics made
+from the columella of the Conch Shell or strombus, one 7, the other
+6½ in. long; small string of 31 Shell Beads; string of 11 Beads; also
+on the card a fine Spear Head of dark stone, 4¾ in. long. Choice and
+rare lot, all from Georgia. All mounted. 5 pcs
+
+180 Shell Beads. String of large perforated Beads; string of 40 beads,
+from mound near Cartersville, Ga. Rare. 2 pcs
+
+181 BONE or porcelain Beads from Indian grave, Rocky Mountains. String
+of 42 oblong polished beads; another, smaller size, all very fine and
+rare. 2 pcs
+
+182 Bone and Shell Necklace, one of each, very handsome. Georgia. 2
+lots
+
+183 Shell Necklace of 21 perf. beads, 22 in. in length. Very choice.
+Mound near Hardin, Calhoun Co., Ill.
+
+184 Curious Necklace of 56 perf. shells, each ground flat, about
+20 in. in length; fine example from burial site, mouth Illinois River,
+Lincoln Co., Ill.
+
+185 Shell Ornaments. One large perf. shell; two fine semi-lunar neck
+ornaments, ⅜ × 4 in. long. Fine iridescence. California. 3 pcs
+
+186 Stone Beads. Sixteen polished, perforated stone beads, greenish
+color, two very large. Rare. Santa Barbara, Cal.
+
+187 Shell Beads. Three strings of Shell Beads. Fine and perfect
+specimens. New Madrid Co., Mo.; Calhoun Co., Ill. and mound, Calhoun
+Co., Ill. 3 pcs
+
+188 Crinoid Beads, etc. Strings Crinoid and shell beads from grave,
+Calhoun Co., Ill., burial mound, Pike Co., Mo. and San Miguel, Cal.
+5 pcs
+
+189 Bone Beads. Five bone beads, ⅜ to 1¼ in. (human?). Stanley, Ark.
+5 pcs
+
+190 Shell and Glass. One small string fresh water shells, two strings
+of red and blue, long glass beads. Surface finds, Cayuga Co., N. Y.
+Rare. 3 pcs
+
+191 Wampum and Baldrick beads. String of 112 pcs _genuine_ wampum, in
+blue and white variety, exceedingly rare; another string of 16 pcs,
+shell baldrick beads, one 4½ in. in length. All perforated, exceeding
+fine and rare lot, from graves, Cayuga Co., N. Y. 2 pcs
+
+192 OBSIDIAN. Core from which knives have been chipped, 2½ × 3½ in.
+Fine and scarce specimen. Mexico.
+
+193 TOMAHAWK. Iron, time of French and Indian wars; Seneca Falls,
+N. Y. 6 in. length, width of blade 3½ in. Fine and rare.
+
+
+EFFIGY PIPES, ETC.
+
+194 Large Calumet or Peace Pipe of steatite. Head of an animal, sharp
+pointed nose, very large stem aperture. Size, 3½ × 4½ in., a little
+rubbed on one side, otherwise perfect. From Silver Creek, near
+Morgantown, N. C.
+
+195 BIRD PIPE. Dark stone, head of a hawk carved on bowl, perforation
+for suspension. A remarkable specimen of these now rare types.
+Randolph Co., Tenn. 2½ × 3½ in.
+
+196 FROG PIPE. Grayish stone, body and head of a frog with open mouth
+to receive pipe-stem. Size, 3 × 5 in. Perfect, fine and very rare
+type. Scott Co., Ky.
+
+197 CALUMET or Council Pipe. Duck’s head and general outline of that
+bird, incised lines for wings, etc. Large bowl and stem for aperture.
+Size, 3¾ × 8 in. Greenish micaceous stone. Rare and valuable. For
+illustration, see C. C. Jones’s “History of the Southern Indians.”
+Bastow Co., Ga.
+
+198 MASSIVE CALUMET or Council Pipe. Steatite, stem square 2 in. each
+way, the bowl rises at a slight outward angle, top broken at one
+corner. 5 × 5 in. Very heavy and remarkable example (see C. C. Jones’s
+History, etc.). Rare. Cherokee Co., Ga.
+
+199 CALUMET. Similar to last in form and material, but smaller, being
+2¼ × 4 in., top of bowl damaged at two corners. Rare. Hightower River,
+Ga.
+
+200 PLATFORM or PEACE PIPE. Very large and curious form, the pipe
+proper lies on a base with rounded edges, large bowl and stem
+apertures. Yellowish sandstone. 4 × 4¾ in. Perfect in every respect,
+unusual and rare type. Union Co., N. C.
+
+201 Mound Builder’s Pipe of pottery, long stem, bowl on centre of
+stem. 2¾ × 5½ in. A very primitive affair. Rare. From mound, Faulkner
+Co., Ark.
+
+202 LODGE PIPE. A curiosity, in having _two_ stems at right angles
+from the bowl, 1⅜ in. deep, 3 in. to end of each stem. Dark soft
+stone, very rare. Hancock Co., Tenn.
+
+203 Round Pipe, bowl and stem, both circular and damaged. Steatite.
+2 × 3 in. Walton Co., Ga.
+
+204 MOUND BUILDER’S PIPE. Long and graceful shape of pottery; stem has
+been broken but mended. 7 in. Very rare. Oneida Co., N. Y.
+
+ All pipes from New York State are of great rarity.
+
+205 PLATFORM PIPE. Dark greenish stone, finely polished, of graceful
+outline and excellent workmanship; the platform or stem proper has
+been cracked, but neatly repaired. 3½ in. Very fine and rare specimen.
+Delaware Co., N. Y.
+
+206 POLISHED PIPE. Greenish mottled stone with 14 tally marks or
+notches on each side of the stem. 3½ in. Very fine and rare. From Fish
+Creek, Saratoga Co., N. Y.
+
+207 PIPE. Conical, with perforated handle at one side, greenish
+colored stone; the pipe is always a rarity and another of this variety
+is perhaps unknown. 1¾ × 2¼ in. Saratoga, N. Y.
+
+208 Pipe. Fine polish and shape, dark green color. 1½ × 1½ in.
+Another, smaller, bowl broken. Eta River, Ga. 2 pcs
+
+209 Esquimaux Stone Pipe, of greenish color, fancifully carved
+decoration, fine polish. 2⅜ in., no stem. Perfect and interesting.
+Labrador.
+
+210 Mound Builder’s Stone Platform Pipe. Very thick, square base and
+low bowl, incised line around bowl and two small circular projections
+at end of stem; a rarity. 2¾ in. Lake Wabesha, Wisconsin.
+
+211 Pottery Pipe. High bowl, short stem. 3¼ in., perfect. Another pipe
+or tube also of pottery. 3 in. Asheville, N. C. 2 pcs
+
+212 Pipe. Pottery, with human face and projecting ears. 1¾ × 3 in.,
+perfect. Pensacola, Fla.
+
+213 Pipe. Rude attempt at carving a human face, steatite. 2 × 2 in.
+S. C.
+
+214 TUBE. Unfinished; excessively hard iron stone. 2 × 5½ in. Lewis
+Co., N. Y.
+
+215 Iron pipe. A curiosity, probably of the Colonial period, when “a
+pipe was a pipe” and not easily to be replaced. Bowl, ⅝ in., stem,
+5¼ in.; very thin, slightly rusted in centre of stem. Rare. Oneida,
+N. Y.
+
+216 Stone Pipe. Red catlinite, heavy silver band at junction of bowl
+and stem. Very fine deep red color and polish; length of stem, 8½ in.,
+height of bowl, 4 in. Modern Sioux, a very choice specimen, duplicate
+from the Smithsonian Institute, Wash.
+
+217 Oregon Bird Points. Fine gem arrow points, from the Willamette
+River. Obsidian, jasper, etc., mounted and framed, under glass.
+116 pcs
+
+218 OHIO. Arrow and Spear points of fine form, color and material,
+neatly arranged and framed, under glass. 105 pcs
+
+
+REVOLUTIONARY ARMS AND RELICS, ETC.
+
+219 CAPT. JOHN PAUL JONES. Marine Glass. Brass mounted, 22 in.
+Engraved JOHN PAUL 1773. Cardboard attached, with pen and ink portrait
+of Capt. Jones, and fol. certificate: _John Paul Jones Mariene Glass
+before and after the Revolutionary War. I got it from Wm. Miller, Esq.
+a friend of Gen. Jones who got it from Him. It was greatly admired by
+all the Generals and my friends. J. T._ (Col. John Trumbull,
+aide-de-camp to Washington.) In curious old ornate case, inscribed
+COM. JOHN PAUL JONES SPY GLASS.
+
+220 John Paul Jones. Miniature Portrait painted in India ink on
+deer-skin, by John Trumbull, 1776. Colonial frame.
+
+221 ROBERT MORRIS. Flint Lock Musket, ramrod missing. ROBERT MORRIS
+engraved at side. Cardboard certificate inscribed: _Gun carried by
+Robert Morris Chief Justice of N. Jersey. J. T._
+
+222 Robert Morris. Revolutionary Fire Pan. Iron, flintlock, in good
+condition, curious and rare. 8 in. With certificate: _Fire Pan used by
+Robert Morris of New Jersey. J. T._
+
+223 Robert Morris. Pair brass Spurs. Certificate: _Brass Spurs used by
+Robert Morris of N. Jersey. J. T._
+
+224 GEN. ALEXANDER HAMILTON. Flintlock Carbine, DEMPSEY maker. A
+HAMILTON N. Y. engraved on stock. Certificate on cardboard: _Gen.
+Alexander Hamilton’s Gun, a present from the Executors. Clippings
+inside. J. T._ (Several clippings published after his death,
+inserted). Of great interest.
+
+225 GEN. FRANCIS RAWDON. Flint Lock Pistol, 22 in. Brass mountings, FR
+in crowned monogram engraved, also name ROGER SHERMAN engraved on
+side. Cardboard certificate: _Gen. Francis Rawdon’s Pistol. An Eng.
+Gen. that fought all through the Rev. War. Pistol found at the Battle
+of Bunkers Hill and presented to R. S. by Gen. Putnam. I got it in
+exchange for a Painting. J. T._ A unique Revolutionary trophy.
+
+226 SAMUEL FRAUNCIS. Flint Lock Pistol, stock handsomely engraved,
+S. F. cut at side. 18 in. Given by Frauncis of Frauncis Tavern, N. Y.,
+to Col. John Trumbull, who placed it in his Collection of
+Revolutionary Relics. Certificate lost, but attribution of this, as of
+every object in this catalogue, guaranteed by Cataloguer.
+
+227 Colonial Pike. Used by N. E. home guards in Colonial days. Modern
+shaft.
+
+228 DRAGOON SABRE. Heavy scabbard, brass mountings. Used in Colonial
+days. Massachusetts.
+
+229 SWORD. Ivory handle, etc., eagle’s head. Major John Merrill,
+Duxbury, Mass., war 1812.
+
+230 REVOLUTIONARY CANNON BALLS. From the battle field of Long Island.
+3 sizes. Lot of 3 pcs
+
+ * * * * *
+
+231 HUNTING KNIFE. Ivory handle, bronze lion-head pommel; 12 in. blade
+engraved with U. S. arms, etc. Once the property of the famous Western
+Pioneer, David Crockett. From Peale’s Museum, Phila.
+
+232 Sioux War Club. Pony tail as handle. 20 in. Modern.
+
+
+FIRE ARMS, SWORDS, ETC.
+
+233 BLUNDERBUSS. Flint lock, brass barrel and mountings; English make,
+in perfect order; an extra fine and heavy specimen. 2 ft. 9½ in.
+
+234 Blunderbuss. Flint lock, English make, in perfect condition, extra
+fine. 2 ft. 4 in.
+
+235 Blunderbuss. Percussion lock, very fine, carved black stock,
+French make. 2 ft. 8 in.
+
+236 Blunderbuss. Circassia, flint lock, muzzle, 4½ in. diam., barrel
+etched, stock inlaid with arabesque patterns, very fine and rare. 1
+ft. 8 in.
+
+237 PISTOL. Long Algerine flint lock, woodwork overlaid with
+ornamental metal covering, repoussé work, no ramrod. 1 ft. 7 in.
+
+238 Pistol. Turkish, flint lock, carved stock, no ramrod. 1 ft. 7 in.
+
+239 Pistols. Pair German duelling pistols, percussion locks, sweet
+briar handles; locks and barrels finely etched, with gold inlaying,
+barrels rifle grooved. _Lindenschmidt Mainz_ on barrel; marked 1 and 2
+respectively; of the finest mechanism. 2 pcs
+
+240 Pistol. English, flint lock, brass barrel. D. GOFF. Very fine;
+small piece from stock. 1 ft. 2 in.
+
+241 Pistol. French, flint lock, brass barrel. Du Bois & Fils. Very
+fine; stock slightly defective at end. 1 ft. ½ in.
+
+242 REVOLVER. English, 5 barrels, extra fine and very heavy, perfect.
+11½ in.
+
+243 Revolver. French, 6 barrels rifled, finely etched, perfect and
+curiously made. 7½ in.
+
+244 Revolver. French, 8 barrels, also 1 long barrel (9 in all),
+_double action_ hammer, in perfect order, once the property of the
+notorious Captain Wirz, commandant of the Andersonville, S. C, prison
+pen. From General Cameron’s Collection. Wirz was finally executed for
+his crimes. 13 in.
+
+245 Revolver. Colt’s pattern (pepper-box), 5 barrels, a beautiful
+unused specimen. 9½ in.
+
+246 Revolver. ORTMANN LIEGE. 6 barrels, etched, perfect, a curious
+little bit. 4½ in.
+
+247 Revolver. Remington. 4 barrels. Also very curious, perfect. 5 in.
+
+248 Revolver. Allens. 5 barrels, curious side hammer. Early type.
+9 in.
+
+249 Revolver. American Arms Co. 2 barrels. Perfect. 6 in.
+
+250 Pistol. Flintlock. English, curious. 8 in.
+
+251 Pistol. Flintlock, hammer on top of barrel, etched. Very early
+type. 6 in.
+
+252 Pistol. VARLEY & CO. LONDON. 2 barrels. Perfect, very fine. 10 in.
+
+253 Pistol. Small Derringer, early type, rifle barrel, nipple gone.
+6 in.
+
+254 Pistol. Flintlock. R. JOHNSON. CONN. 1842. Polished, unused
+specimen. 14½ in.
+
+255 Pistol. Percussion, U. S. Navy pattern, 1821. Perfect. 16 in.
+
+
+SWORDS, ETC.
+
+256 CLAYMORE, Scottish, used at Waterloo, open work basket guard. Very
+fine. 3 ft. 9 in.
+
+257 Another. Said to have been used at Culloden, fine open work basket
+guard, blade slightly curved. 3 ft. ½ in.
+
+258 SWORD. Highland, rusty, and has received hard knocks. See
+particulars attached. 2 ft. 9 in.
+
+259 Rapier, blade only, stamped on each side, X TOLEDO MADRIET X and
+mark of the _running Fox_. Fine and rare specimen of the famous Toledo
+blades. 3 ft.
+
+260 Rapier. With quillons and pas d’Ane. Good specimen. 3 ft. 3 in.
+
+261 Scimitar and scabbard, Algerine. Finely decorated and curved
+blade. 3 ft.
+
+262 Rapier. French, open guard, used in Mexico, 1864. 3 ft. 2 in.
+
+263 Sword. American. Curved blade, open guard. _Circa_ 1800. 2 ft.
+11 in.
+
+264 Sword. Heavy cavalry sword, German; steel scabbard, straight
+blade. _Circa_ 1776. 3 ft. 6 in.
+
+265 Sword. Steel scabbard, curved blade, made by Tiffany & Co., N. Y.
+1861-65. 3 ft. 6½ in.
+
+266 Sword. Two-handed, fac-simile of that used by Sir Wm. Wallace. 5
+ft. 1 in.
+
+267 Dirk. Highland; old time make, blade, 1½ × 12½ in. 1 ft. 6 in.
+
+268 Pilgrim’s Staff. Hollow iron handle, with claw and small hatchet,
+_sliding_ lance, 2 ft. 7 in. long; that, when not in use, is returned
+inside the handle. _Circa_ 1600; very curious. Total length, 6 ft.
+
+269 Cross-bow shaft, black oak; parts of the leather feathering still
+remain; triangular, steel head. 15th century. 1 ft. 4½ in.
+
+270 TILTING VISOR. Iron, very heavy bars. Rare. 7½ × 8½ in.
+
+271 WAR CLUB. “Maquahuilt” Aztec, studded with genuine obsidian teeth.
+A fac-simile of the original in museum, City of Mexico. 3 ft.
+
+272 PISTOLS. 4 old _pepper boxes_, Colt’s pattern, one of 3 barrels,
+not in good order. 4 pcs
+
+273 SPURS. Mexican. Enormous rowels. 3 and 4 in. diameter. Very fine.
+2 pcs
+
+274 KEYS. Iron, very old patterns. 4 to 5 in. long, on plaque. 9 pcs
+
+275 HARPOON. From New London, Conn. 3 pcs
+
+276 SCALP LOCKS. Mounted, handsomely decorated with colored bead work.
+Assiniboin and Sioux. Very rare. 3 pcs
+
+277 WAR CLUB. Modern Sioux, double pointed stone head, rawhide handle,
+feather decoration. 2 ft. 2 in.
+
+278 WALNUT RELIC CASE. With locks and two glass doors to each section.
+Lower portion, 2 ft. 7 in. high, 4 ft. wide, 8 in. deep. Upper
+section, 3 ft. 4 in. high, 3 ft. 10 in. wide, 5 in. deep.
+
+279 CHERRY PISTOL CASE. 4 ft. 11 in. high, 1 ft. 10 in. wide, 5 in.
+deep; with lock and glass door.
+
+
+
+
+CONDITIONS OF SALE.
+
+
+I. The highest bidder is to be the buyer; and if any dispute arise
+between two or more bidders, the lot so in dispute shall be
+immediately put up again and re-sold.
+
+II. The purchaser to give in his or her name and residence, and to
+make a deposit of 25 per cent., or more, in part of payment, or the
+whole of the purchase money, _if required_; in default of which, the
+lot or lots so purchased to be immediately put up again and re-sold.
+
+III. The lots to be taken away and paid for, whether genuine and
+authentic or not, with all faults or errors of description, at the
+buyer’s expense and risk, within two days from the sale; the Fifth
+Avenue Auction Rooms not being responsible for the correct
+description, genuineness, or authenticity of, or any fault or defect
+in, any lot; and making no warranty whatever, the goods having been on
+exhibition for two days before sale.
+
+IV. To prevent inaccuracy in delivery, and inconvenience in the
+settlement of the purchase, no lot can, on any account, be removed
+during the time of sale; and the remainder of the purchase money must
+absolutely be paid on delivery.
+
+V. Upon failure of complying with the above conditions, the money
+deposited in part of payment shall be forfeited; all lots uncleared
+within the time aforesaid shall be re-sold by public or private sale,
+and the deficiency (if any) attending such re-sale shall be made good
+by the defaulter at this sale.
+
+ WM. B. NORMAN,
+ _Auctioneer._
+
+
+
+
+Transcriber’s Note: Item 172 did not exist in the catalogue.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+***** This file should be named 36598-0.txt or 36598-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/6/5/9/36598/
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/36598-0.zip b/36598-0.zip
new file mode 100644
index 0000000..1a44dea
--- /dev/null
+++ b/36598-0.zip
Binary files differ
diff --git a/36598-8.txt b/36598-8.txt
new file mode 100644
index 0000000..4aedacd
--- /dev/null
+++ b/36598-8.txt
@@ -0,0 +1,1470 @@
+The Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: American Antiquities
+ Auction Catalogue, January 8, 1898
+
+Author: Wm. B. Norman
+
+Release Date: July 3, 2011 [EBook #36598]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+ AMERICAN ANTIQUITIES.
+
+ Pre-historic Stone Implements, Mound
+ Builders Relics, Revolutionary
+ and Foreign Arms,
+ Etc., Etc.
+
+ SALE BY AUCTION,
+
+ AT THE
+
+ Fifth Avenue Auction Rooms,
+
+ No. 238 FIFTH AVENUE, NEW YORK,
+
+ JANUARY 8, 1898.
+
+ _WM. B. NORMAN, Auctioneer._
+
+
+
+
+_This entire Collection will be on exhibit at the Fifth Avenue Auction
+House, No. 238 Fifth Avenue, New York, on Thursday and Friday, January
+6 and 7, 1898, from 10 A.M. to 6 P.M.; and on the day of the Sale,
+during the morning hours._
+
+_Orders will be carefully executed by the Auctioneers and Dealers in
+Archology._
+
+
+
+
+ COLLECTION
+ OF
+ AMERICAN ARCHAEOLOGY,
+ STONE IMPLEMENTS,
+ REVOLUTIONARY AND FOREIGN ARMS,
+ ETC., ETC., ETC.,
+
+ INCLUDING MANY SPECIMENS OF RARITY AND VALUE.
+
+ Mound Builders Relics, Celts, Grooved Axes, Arrow and
+ Spear Heads, Knives, Wampum Treaty Belts and Money,
+ Necklaces, Beads, Shell Ornaments, Effigy and Ceremonial
+ Pipes, Tomahawks, Objects in Hematite
+ and Obsidian, Terra Cotta Figures, Ornaments,
+ Temple Chalices of the Incas, Aztec Ornaments,
+ Revolutionary Arms, Blunderbusses,
+ Pistols, Swords, Rapiers,
+ Claymores, War Clubs,
+ Dirks, Etc., Etc.
+
+ THE PROPERTY OF A RETIRING COLLECTOR.
+
+ Sale by Auction without Reserve,
+ AT THE 5th AVENUE AUCTION ROOMS, 238 5th AVE., NEW YORK,
+ SATURDAY, JANUARY 8th, 1898,
+ BEGINNING AT 2 OCLOCK, P. M.
+ _WM. B. NORMAN, Auctioneer._
+
+ _CATALOGUE BY ED. FROSSARD. 151st AUCTION SALE._
+
+ 108 East Fourteenth Street, New York.
+
+ BOSTON:
+ T. R. MARVIN & SON, NUMISMATIC PRINTERS.
+ 1897.
+
+
+
+
+_The Archaeological Collection described in the following pages was
+formed by a well-known Collector, who now, for private reasons,
+relinquishes the pleasurable pursuit which for so many years engrossed
+his moments of leisure. Every specimen in the Collection was selected
+with deliberate discrimination, with the view of exemplifying the best
+forms of arms and implements conceived and fashioned by the
+pre-historic man of that part of the North American Continent embraced
+within the present United States. Such objects are of great interest
+and value to all those interested in this branch of Archaeology, and
+the opportunity offered of adding perfect specimens, at their own
+price, to their cabinets, is one seldom occurring.
+
+Among the objects of marked interest will be found a Wampum Treaty
+Belt; a large number of Ceremonial Pipes, including some very rare
+forms; various objects in hematite, obsidian, copper, etc.; the rare
+Idols from Arizona; Incas Temple Vases in beaten silver from the
+necropolis of Ancona, etc., etc. The arms, foreign and Revolutionary,
+at the end of Catalogue, will be recognized by all interested in the
+subject as valuable specimens, worthy to figure in the best
+Collections.
+
+Every object in this Collection will be sold, with the guarantee, by
+the Cataloguer, of its absolute authenticity and genuineness, both as
+regards material and attribution.
+
+Orders faithfully executed by the Auctioneers and Art Dealers
+generally._
+
+
+
+
+CATALOGUE.
+
+
+
+
+PRE-HISTORIC STONE IMPLEMENTS.
+
+
+CELTS.
+
+1 SMALL CELT, reddish stone. Washington Co., Ohio. 2 in.
+
+2 Another. Gray stone. Knox Co., O. 2 in.
+
+3 Another. Blue stone. Athens Co., O. 3 in.
+
+4 Another. Diorite. Very fine. Athens Co., O. 3 in.
+
+5 Another. Granite. Very fine. Vinton Co., O. 3 in.
+
+6 Another. Blue stone. Moss Co., O. 3 in.
+
+7 Large Celt. Granite, polished edge. Very fine. Mercer Co., Ky.
+5 in.
+
+8 Another. Granite, polished edge. Very fine. Mercer Co., Ky. 5 in.
+
+9 Another. Blue slate, edge slightly chipped. Delaware Co., O. 6 in.
+
+10 Another. Blue slate, edge slightly chipped, but fine. Delaware Co.,
+O. 7 in.
+
+11 Small Celt. Blue slate, polished edge, perfect. Syria. 3 in.
+
+12 Small hand pick. Blue slate. Harrisburg, Pa. 4 in.
+
+13 Another. Granite, round top, polished edge. Lincoln Co., Tenn.
+4 in.
+
+
+GROOVED AXES, ETC.
+
+14 GROOVED AXE of diorite, deeply grooved, fine edge (a head cracker).
+Beaver Co., Pa. 4 in.
+
+15 Another. Greenish stone, deeply grooved, fine edge. Rhea Co., Tenn.
+4 in.
+
+16 Another. Granite, grooved and perfect. Seneca Co., O. 4 in.
+
+17 Another. Diorite, deeply grooved and perfect. Athens Co., O. 5 in.
+
+18 Another. Mottled granite, deeply grooved. Very fine. Calhoun Co.,
+Ill. 5 in.
+
+19 Another. Dark stone, flat head, entire surface polished and
+perfect. Breckenridge Co., Ky. 5 in.
+
+20 Another. Shows marks of ancient pecking. Warren Co., O. 6 in.
+
+21 Another. Palaeolithic sandstone. Greene Co., Va. 5 in.
+
+22 Another. Same. Greene Co., Va. 4 in.
+
+23 Another. Granite, fine and perfect blade, deep groove, polished
+from long use; fine and desirable. Breckenridge Co., Ky. 6 in.
+
+24 Another. Granite, fine perfect blade, good shape, deep groove, also
+very desirable. Lincoln Co., Tenn. 5 6 in.
+
+25 Another. Fine grained granite, extra long and perfect blade, finely
+grooved; rare. Athens Co., O. 4 8 in.
+
+26 Another. Rough pebbly granite; of great size and weight, perfect
+edge. S. W. North Carolina. 6 8 in.
+
+27 ANVIL or Nut stone. Circular, with pitted cavity on each side;
+smooth, nice specimen. Ohio. 4 5 in.
+
+28 HAMMER STONE. Granite. Central Ohio. 3 3 in.
+
+29 Another. White quartz. Central Ohio. 2 3 in.
+
+30 Another. Granite, light groove. Washington Co., R. I. 2 2 in.
+
+31 Another. Sand stone, deep groove. New London, Conn. 2 2 in.
+
+32 LARGE HOE. Gray chert, fine large flaking, point polished from long
+use. From Elliptical mound, East St. Louis. 8 in.
+
+33 PESTLE. Pebbly stone, perfect, cylindrical. Eastern Penn. 11 in.
+
+34 Another. Sandstone; similar. Cincinnati, O. 14 in.
+
+35 Another. Hard gray stone, with carving of animals head at one end.
+Cylindrical, broken in centre but substantially mended. The largest
+and most remarkable example I have seen. Border of Saratoga Lake, N.
+Y. 22 in.
+
+36 Another. Round, pecked sandstone, with handle of mushroom shape.
+Meade Co., Ky. 4 6 in.
+
+37 Another. Base has a slight concavity for cracking nuts, smooth from
+long use. Very fine. Ohio. 3 5 in.
+
+38 Another. As last, base chipped. Ohio. 3 5 in.
+
+39 AMULET. Heart-shaped concretion, (see interesting description
+attached). Fine and rare. Texas. 4 4 in.
+
+40 QUOIT. Flint, beautifully flaked, extra fine. Tenn. 4 4 in.
+
+41 Quoit or large knife; extra fine. Tenn. 3 5 in.
+
+42 BOLAS STONE. Egg-shaped, white quartz, one end slightly flattened.
+Hall Co., Ga. 1 2 in.
+
+43 Another. Dark stone, curious and rare. Hall Co., Ga. 1 2 in.
+
+44 Saddle-shaped stone, base and ends flat, sides and top rounded to a
+half-circle, with half-inch perforation through its length. Hard dark
+stone. Randolph Co., Tenn. 1 2 3 in.
+
+45 Boat-shaped object, top hollowed out, two perforations, steatite or
+soapstone, a perfect and rare specimen. Hancock Co., Tenn. 1? 6 in.
+
+46 Similar. Micaceous stone. Gwinnett Co., Ga. 1? 3 in.
+
+47 Another. No perforations, ends grooved. Gwinnett Co., Ga.
+1 2? in.
+
+48 Another. Different shape, no cavity but perforated with two holes,
+also a rare object. Gwinnett Co., Ga. 1 3 in.
+
+49 CEREMONIAL AXE (so called). Yellowish material, perforated with a
+half-inch hole, fine and rare. Saratoga Lake, N. Y. 3? in.
+
+50 Another. Slate. Williams Co., O. 4 in.
+
+51 BANNER STONE. Butterfly shape, light-colored granite, the usual
+perforation begun and half finished; uncommon form, and rare on
+account of its size. James Co., Tenn. 6 in.
+
+52 Neat perforated fragment, at the bottom of which is a nipple
+showing process employed in drilling, viz., with sand and hollow reed.
+1 2 in.
+
+53 GORGET. Two perforations, slate. Shelby Co., O. 3 in.
+
+54 Another. One perforation, slate. Marion Co., O. 1 3.
+
+55 Another. Banded slate, very fine. Hardin Co., O. 3 in.
+
+56 Gorget ornament. Banded slate, diamond shape. Hardin Co., O. 2? in.
+
+57 Object in steatite, two large holes, edge with notches. Columbia
+Co., O. 2 in.
+
+58 PENDANT. Steatite, oval shape, perforated, with carving of a human
+face; a curious object. Georgia. 2 in.
+
+59 POTTERY BUST. Face, front view. Mound, S. E. Missouri. 2 in.
+
+60 PLUMMET or Slung Shot of quartz, egg-shaped. Massac Co., Ill.
+2 3 in.
+
+61 DISCOIDAL or Game Stone, with concavity on each side. Very
+symmetrical, fine and rare. Ohio. 1 2 in.
+
+62 Two, similar, one with centre perforation, both of soft stone.
+Ohio. 3 1? in. 2 pcs
+
+63 STONE BALL. Incised lines quartering, etc. Very curious. Shelby
+Co., O. 1? in.
+
+64 PEARL SHELL. From grave, small perforation, one side covered with
+incised dots in fanciful design. Santa Barbara, Cal. 2 4 in.
+
+65 Mussel Shell from mound, one side encrusted with limestone
+concretion. Pike Co., Ill. 4 in.
+
+66 Mussel Shell. A circular hole through centre. Pike Co., Ill. 3 in.
+
+
+ARROW AND SPEAR HEADS, ETC.
+
+67 ARROW HEADS. A small collection, some fine. Ohio. 20 pcs
+
+68 Arrow Heads. White quartz. Suffolk Co., N. Y. 3 pcs
+
+69 Arrow Heads. Larger size, all perfect. Ohio. 5 pcs
+
+70 Arrow Heads. Of mottled stone. Cole Co., Mo. 8 pcs
+
+71 SPEAR POINTS. Black flint and chert, all fine, average 4 in. long.
+Ohio. 7 pcs
+
+72 Spear Points. White flint and chert, all fine, average 4 in. long.
+Ohio. 4 pcs
+
+73 KNIFE. Black flint, finely finished. Clay Co., Ky. 3 in.
+
+74 Another. Light colored flint, an elegant specimen. St. Clair Co.,
+Ill. 3 in.
+
+75 Another. White colored flint, very symmetrical. St. Clair Co., Ill.
+3 in.
+
+76 Another. Dark chert, finely flaked and chipped. Marion Co., Ill.
+5 in.
+
+77 Another. Dark chert, ruder shape than preceding. Ohio. 3 in.
+
+78 ARROW POINT. Pure white quartz, hollow base, the war point type; a
+beauty. Georgia. 1? in.
+
+79 Another. White chert, square base, deeply notched. Cooper Co., Mo.
+1? in.
+
+80 Another. Similar to last. Ohio. 2 in.
+
+81 Another. Pink chalcedony, with dark vein of color, perfect.
+Missouri. 2 in.
+
+82 Another. ROTARY, rounded base, both edges bevelled and notched.
+Illinois. 2 in.
+
+83 Another. Square base, deeply notched and serrated, bevelled edges.
+Kentucky. 3 in.
+
+84 Another. Rounded base, very fine. Illinois. 3 in.
+
+85 Another. Similar to last, very fine. 3 in.
+
+86 Another. Very remarkable specimen, black flint. Kentucky. 3? in.
+
+87 Another. Very large base, serrated and bevelled edges, one barb
+broken. Mercer Co., O. 2 3 in.
+
+88 SPEAR POINT. Square base, white chert, finely made, perfect. Ohio.
+3 in.
+
+89 Another. White flint, spade shape, beautifully flaked, very
+symmetrical. Gallien Co., O. 3 in.
+
+90 Another. Gray flint, round base, deeply notched, serrated edges,
+perfect point. Bowling Green, Ky. 3 in.
+
+91 Another. Similar, dark flint, extra fine. Bowling Green, Ky. 3 in.
+
+ Special attention is requested to the following 16 lots, every
+ one of which has something special to recommend it, either for
+ beauty of material, or excellence in design and workmanship.
+
+92 SPEAR HEAD. White chert, in perfect condition. Pike Co., Ill.
+1? 6 in.
+
+93 Another. Yellow chert, small point from tip. Illinois. 1? 6 in.
+
+94 Another. Brown chert, perfect. Illinois. 1 6 in.
+
+95 Another. Dark colored stone, fine flaking, two curious lines or
+markings running longitudinally, perfect. Illinois. 1? 5 in.
+
+96 Another. White chert, perfect. Illinois. 1 5? in.
+
+97 Another. Hollowed base, deep notches, serrated edges, tip has been
+broken, but has been _repaired_ by the ancient workman. Very fine.
+Kentucky. 4 in.
+
+98 Another. Yellow chert, long, square base, point slightly damaged,
+but very finely made. Kentucky. 5 in.
+
+99 Another. Black flint, sharp, square base, beautifully flaked,
+perfect. Kentucky. 5 in.
+
+100 Another. Yellow flint; when held to the light, shows fine cross
+marking of dark color; hollow base, very small notches, very beautiful
+and desirable. Illinois. 4 in.
+
+101 Another. White chert, long, square base, as No. 96, beautifully
+made. Illinois. 4? in.
+
+102 Another. Bluish flint, fine transverse markings, very wide, flat
+base, slightly notched, a perfect and fine specimen. Huron Co., O.
+5 in.
+
+103 Another. Grey flint, square base, deep, heavy notches, beautifully
+flaked, choice and rare. Miami Co., O. 3? in.
+
+104 Another. Reddish or salmon colored, finely flaked and chipped,
+very desirable. Jefferson Co., Ark. 8 4 in.
+
+105 Another. Grey flint, square base, deeply notched, of elegant and
+symmetrical shape, perfect in every respect, a _chef duvre_ of
+primitive workmanship, very choice and desirable. Breckenridge Co.,
+Ky.
+
+106 Another. Yellowish chert, small, square base, very heavily
+notched, perfect edges, finely flaked, desirable. Missouri. 4 in.
+
+107 KNIFE. White chert, with haft for a handle, flaked and chipped,
+extremely rare form. So. Illinois. 7 in.
+
+ Choice specimens neatly mounted on card-board:
+
+108 SPEAR POINTS. White chert, localities marked, av. 3, all very
+fine. 4 pcs
+
+109 Arrow Points. White quartz. Suffolk Co., N. Y. 5 pcs
+
+110 Arrow Points. Bluish flint, all perfect, and rare. Mound, Osage
+River, Mo. 9 pcs
+
+111 Arrow Points. White quartz, all fine. Suffolk Co., N. Y. 9 pcs
+
+112 Spear Points, etc. Grey chert, of different forms, all perfect and
+very fine. Wadesboro, N. C. 7 pcs
+
+113 Arrow Points. As above, all very fine and perfect. Wadesboro,
+N. C. 11 pcs
+
+114 Arrow Points. Very desirable specimens; fine color and material,
+all perfect. From mound at Osage River, Mo. 9 pcs
+
+115 Arrow Points. Chosen for singular serrated and notched edges, all
+fine and rare. Ohio. 4 pcs
+
+116 DRILLS. All perfect, 5 from Missouri, 2 from Ohio, 1 from Georgia.
+1 (Ohio) is unique as far as known, in length being 4 in. A very
+desirable selection. 8 pcs
+
+117 Drills. Very pretty and attractive selection. Clay County, Tenn.
+6 pcs
+
+118 ARROW POINTS. Small, all perfect. Ohio. 6 pcs
+
+119 Arrow Points. Choice lot, all perfect; small points, from Miss.,
+California and Block Island, as marked on card (2 obsidian). 6 pcs
+
+120 Arrow Points. Specimens from Willamette River, Oregon, of these
+beautiful productions; jasper, moss agate, obsidian, etc., rare.
+12 pcs
+
+121 FISH HOOKS. Black flint; desirable and rare. 2 pcs
+
+122 Arrow Point. Black flint, rotary, hollow base, finely notched,
+bevelled and serrated edge, a perfect and choice specimen of this
+prototype of the modern revolving rifle ball. Bowling Green, Ky.
+
+123 Arrow Point. Rotary, light-colored flint, as last, except base is
+square; perfect and rare. Bowling Green, Ky.
+
+124 Arrow Points. Rotary, gray chert. Perfect, as last, but smaller.
+2 pcs
+
+125 Arrow Points. Clouded chalcedony; fine and perfect specimens from
+Clear Water Harbor, west coast of Florida, rare. 3 pcs
+
+126 Arrow Point. Crystal, narrow, serrated edges, said to be poisoned.
+California.
+
+127 Arrow Point. Thin copper, triangular in shape, Iroquois; small
+fish-line stone Sinker. Fleming, Cayuga Co., N. Y. 3 pcs
+
+128 FISH SPEAR. Copper, rounded base, two perforations at base.
+1 3? in. Highest rarity. Ontonagon River, Mich.
+
+129 Another. Copper, rounded base with three perforations. 1 2 in.
+Ontonagon River, Mich.
+
+130 Fish Hooks of copper; small copper arrow head, Phoenicia, Syria.
+3 pcs
+
+131 COPPER CHISEL. Ancient copper tool found at Prairie-du-Chien,
+Wis.; sharp cutting edge, sides turned up, gouge form, excessively
+rare, 1? in. wide, 2 long, 1 thick.
+
+
+OBJECTS IN HEMATITE, ETC.
+
+ On account of its density and the fine polish it takes,
+ hematite was a favorite material with the ancient artificer.
+ Next to copper, hematite is the scarcest material employed by
+ the pre-historic workman.
+
+132 AXE. Hematite, deeply grooved, edge polished and of great weight.
+Very rare. 2 in. thick, 3 wide, 3 long. Pulaski Co., Mo.
+
+133 CELT. Brown hematite, polished, edge slightly broken, very rare.
+Pike Co., Ill.
+
+134 Celt. Edge perfect and sharp, very rare. Pike Co., Ill.
+
+135 Mammal or Cone. Brown hematite, fine and perfect, base 2? in.,
+2 in. high. Very rare. Pike Co., Ill.
+
+136 Plummets, (so called). Brown hematite, oblong, with small groove
+around the top, beautiful polish, exceedingly rare. St. Clair and Pike
+Co., Ill. 2 pcs
+
+137 Plummets. Same as last, but made from white limestone; also a rare
+relic. 1? 4 in. Illinois. 2 pcs
+
+138 Bone awl, made from deers horn, pointed end, 1 6 in.; another,
+resembles a needle. 2 in. Mound in Arkansas. 2 pcs
+
+139 Animal (Fox?) carved in bone, ? 2 in.; also carved duck 1 in.
+long; each with perforation, curious. Alaska. 2 pcs
+
+140 Relics from mound, Clay Co., N. C. Two bears teeth, four human
+teeth, shells, etc. Lot.
+
+141 Pearl Shells. Perforated in process of making into fish-hooks,
+fine iridescent color on one side. San Miguel Island, Cal. 3 pcs
+
+142 Pearl Shell Ornaments. San Miguel Island, Cal. 5 pcs
+
+143 Whetstones. Very hard stone, narrow and with pointed ends. Scarce
+and desirable. S. W. California. 4 pcs
+
+144 BIRD CALL. Terra cotta, black, turtle-shaped with head and
+flippers, round hole in back, two smaller ones at the side. Curious
+and rare object from Indian grave near Los Angeles, Cal.
+
+145 TERRA COTTA FIGURES. Male and female Idols in red terra cotta.
+Decorated in various pigments; old fractures newly mended. Height 15
+and 14 in. Found in ancient water conduit near Mojave, Hackberry,
+Ariz. V. rare and curious. 2 pcs
+
+146 BONE WHISTLE. Made from human thigh bone, the large hole at one
+end plugged with a black, pitchy substance. Rare and curious. Santa
+Barbara, Cal.
+
+The four following lots, domestic utensils of the ancient Cherokees,
+are from a mound at Edgefield, S. C, dug up by Mr. William I. Scott,
+of Augusta, Ga., in 1895.
+
+147 PIPE, so called, but may be a lamp. Wide bowl surrounded by nine
+projecting stems, each perforated and reaching into the bowl. Total
+width 4 1 in. Steatite or soapstone, rare and curious.
+
+148 CUP. Steatite, with handle and spout; rare. 3 4 in.
+
+149 CUP. Steatite, with handle. 4 2 in. Rare.
+
+150 DIPPER or SPOON. Short handle. Steatite, perfect and rare. 3 in.
+
+
+
+
+MISCELLANEOUS.
+
+151 Small Collection of Aztec relics, brought from Mexico many years
+ago, by Seor Da Costa Gomez. Terra cotta figure, 4 in.; ancient
+Mirrors, polished surface, convex backs, 1 in. (2); copper Idol,
+3 in.; jade Amulet, 1 in.; obsidian Lip ornament; green jade
+Ornament, perforated, 1 in.; polished Pendant, 1 in.; string of
+polished perforated stone Beads, fine colors (7). 15 pcs
+
+152 AMULET. Heart-shaped, small perf.; fine green stone, jade or
+serpentine. 4 in. Rare and curious. Mexico.
+
+153 AZTEC BEADS. A necklace of perforated stone pebbles varying in
+size from to 1 in., green and mottled colors, fine polish. Rare to
+excess. 38 pcs. Lot
+
+154 ARROW POINTS. Five fine arrow points and four flakings, obsidian.
+Mexico. Fine and rare. 9 pcs
+
+155 NECK ORNAMENT. Aztec, of obsidian, semi-lunar, small perf. at each
+end for suspension, ? wide, 3 in. across. V. fine and rare.
+
+156 SILVER CHALICE or Temple Cup from Ancona, near Lima, Peru, time of
+the Incas. Height 8 in., width across mouth 2 in. Very thin silver,
+hammered from one piece of metal; centre of cup bears impress of a
+human face with ears and prominent nose; fanciful zig-zag
+ornamentation or crown above. In absolutely perfect condition and of
+the highest rarity, color black from oxidation.
+
+157 Silver Chalice. Without decorative ornamentation above the face;
+equally fine and perfect, both marvels of workmanship of a by-gone
+age, black color. 6? in.
+
+158 Pottery Jar. Traces of brown-colored pigment, from Chiriqui
+graves, Colombia, S. A. 3 4 in.
+
+159 KNIFE. Obsidian, oval shaped, finely flaked; when held to the
+light, shows dark, cloudy lines across its surface; very showy and
+rare. 5 in. Lassen Co., Cal.
+
+160 BEADS. Stone Beads from grave, La Salle, Ill. Bead made from the
+oliva shell, which is not found nearer than the Florida coast; this
+specimen from Indian grave at Peoria, Ill. 2 pcs
+
+161 Perforated stone Beads, from Lodi, Miss. 1? in. 2 pcs
+
+162 Plummet or Sinker. Blue stone. Meredith, N. H.
+
+163 Arrow Point of remarkable shape, notched on each side; the base
+runs to a sharp point, perfect. 1 2 in.
+
+164 COPPER BEADS. Necklace of 24 in. beads from Indian grave.
+Memaloose Is., Oregon. Rare.
+
+165 Copper Beads. From 1 to 6 in. in length, in. thick (20).
+Flathead Indian graves. Rare lot.
+
+166 Copper Pendant. Perforated for suspension, four notches at base.
+Same locality as No. 164, rare.
+
+167 Copper Ornaments from graves as above; one small Bracelet, two
+Pendants, one long Bead with original string still in the bead. Rare.
+4 pcs
+
+168 Glass Beads. Fine necklace of the Hudsons Bay Trading Co. beads,
+from Flathead Indian grave, Memaloose Is., Oregon. Lot.
+
+169 EARRINGS. Long earrings, each made from about 120 dentalium
+shells. Brass rings for suspension, length, 14 ins., width, 1 in.
+Very curious and rare. Oregon. 2 pcs
+
+170 Shell Pendant or Ornament of perforated shell, small copper ball
+at bottom. Indian grave, Cayuga, Co., N. Y. Very rare.
+
+171 NECKLACE of 37 objects: glass beads, bits of copper and catlinite
+or red pipe stone cut in fanciful form; of great interest and rarity.
+Springport, Cayuga Co., N. Y.
+
+173 WAMPUM TREATY BELT. This rare relic was found with three others,
+by Mr. Wm. W. Adams, at the old Fleming farm, East Cayuga, Cayuga Co.,
+N. Y., in 1888. One of the four is now in the British Museum; the
+present ownership of the other two is unknown to me. This belt, the
+fourth of the find, is 2 ft. 3 in. in length and 2 in. wide; it
+contains 1,600 beads; the outer or border row is made from red glass
+beads (wampum size); inside the border are seven rows of the _genuine_
+shell wampum or _Wampumpeague_ of the Colonial period; 12 fanciful
+designs of dark and yellow beads at intervals in its length. Very rare
+and desirable.
+
+174 SHELL BEADS, etc. A card, 8 9 in., containing an outer string
+of 110 perforated shell beads, ? in. in size; an inner string of
+150, more or less, perforated sea-shells; another string of 15 large
+and small shell beads from Spang Mound, East Tennessee; and two
+splendid examples of the rotary arrow points in black flint and
+yellowish chert, both perfect. Rare. Lot.
+
+175 String of Shell Beads, from burial mound, Ga.; another string of
+very small perforated shell-money from the South Sea Islands. Mounted,
+rare. 2 pcs
+
+176 Mounted colored Shells, shell discs. Georgia. 2 pcs
+
+177 String of small thin perforated Beads, too numerous to count, with
+one large flat bead 1? in. diameter. Total length of string about
+28 in. Rare. San Miguel Island, Cal. Lot.
+
+178 String of six enormous perforated shell beads, two are 1 in. long
+and broad, from Lake Creek Mound, Tenn. String of 23 flat perforated
+shell discs, Tennessee River, near Nashville. 2 pcs
+
+179 Shell Hair Pins. Two very fine examples of these rare relics made
+from the columella of the Conch Shell or strombus, one 7, the other
+6 in. long; small string of 31 Shell Beads; string of 11 Beads; also
+on the card a fine Spear Head of dark stone, 4 in. long. Choice and
+rare lot, all from Georgia. All mounted. 5 pcs
+
+180 Shell Beads. String of large perforated Beads; string of 40 beads,
+from mound near Cartersville, Ga. Rare. 2 pcs
+
+181 BONE or porcelain Beads from Indian grave, Rocky Mountains. String
+of 42 oblong polished beads; another, smaller size, all very fine and
+rare. 2 pcs
+
+182 Bone and Shell Necklace, one of each, very handsome. Georgia. 2
+lots
+
+183 Shell Necklace of 21 perf. beads, 22 in. in length. Very choice.
+Mound near Hardin, Calhoun Co., Ill.
+
+184 Curious Necklace of 56 perf. shells, each ground flat, about
+20 in. in length; fine example from burial site, mouth Illinois River,
+Lincoln Co., Ill.
+
+185 Shell Ornaments. One large perf. shell; two fine semi-lunar neck
+ornaments, ? 4 in. long. Fine iridescence. California. 3 pcs
+
+186 Stone Beads. Sixteen polished, perforated stone beads, greenish
+color, two very large. Rare. Santa Barbara, Cal.
+
+187 Shell Beads. Three strings of Shell Beads. Fine and perfect
+specimens. New Madrid Co., Mo.; Calhoun Co., Ill. and mound, Calhoun
+Co., Ill. 3 pcs
+
+188 Crinoid Beads, etc. Strings Crinoid and shell beads from grave,
+Calhoun Co., Ill., burial mound, Pike Co., Mo. and San Miguel, Cal.
+5 pcs
+
+189 Bone Beads. Five bone beads, ? to 1 in. (human?). Stanley, Ark.
+5 pcs
+
+190 Shell and Glass. One small string fresh water shells, two strings
+of red and blue, long glass beads. Surface finds, Cayuga Co., N. Y.
+Rare. 3 pcs
+
+191 Wampum and Baldrick beads. String of 112 pcs _genuine_ wampum, in
+blue and white variety, exceedingly rare; another string of 16 pcs,
+shell baldrick beads, one 4 in. in length. All perforated, exceeding
+fine and rare lot, from graves, Cayuga Co., N. Y. 2 pcs
+
+192 OBSIDIAN. Core from which knives have been chipped, 2 3 in.
+Fine and scarce specimen. Mexico.
+
+193 TOMAHAWK. Iron, time of French and Indian wars; Seneca Falls,
+N. Y. 6 in. length, width of blade 3 in. Fine and rare.
+
+
+EFFIGY PIPES, ETC.
+
+194 Large Calumet or Peace Pipe of steatite. Head of an animal, sharp
+pointed nose, very large stem aperture. Size, 3 4 in., a little
+rubbed on one side, otherwise perfect. From Silver Creek, near
+Morgantown, N. C.
+
+195 BIRD PIPE. Dark stone, head of a hawk carved on bowl, perforation
+for suspension. A remarkable specimen of these now rare types.
+Randolph Co., Tenn. 2 3 in.
+
+196 FROG PIPE. Grayish stone, body and head of a frog with open mouth
+to receive pipe-stem. Size, 3 5 in. Perfect, fine and very rare
+type. Scott Co., Ky.
+
+197 CALUMET or Council Pipe. Ducks head and general outline of that
+bird, incised lines for wings, etc. Large bowl and stem for aperture.
+Size, 3 8 in. Greenish micaceous stone. Rare and valuable. For
+illustration, see C. C. Joness History of the Southern Indians.
+Bastow Co., Ga.
+
+198 MASSIVE CALUMET or Council Pipe. Steatite, stem square 2 in. each
+way, the bowl rises at a slight outward angle, top broken at one
+corner. 5 5 in. Very heavy and remarkable example (see C. C. Joness
+History, etc.). Rare. Cherokee Co., Ga.
+
+199 CALUMET. Similar to last in form and material, but smaller, being
+2 4 in., top of bowl damaged at two corners. Rare. Hightower River,
+Ga.
+
+200 PLATFORM or PEACE PIPE. Very large and curious form, the pipe
+proper lies on a base with rounded edges, large bowl and stem
+apertures. Yellowish sandstone. 4 4 in. Perfect in every respect,
+unusual and rare type. Union Co., N. C.
+
+201 Mound Builders Pipe of pottery, long stem, bowl on centre of
+stem. 2 5 in. A very primitive affair. Rare. From mound, Faulkner
+Co., Ark.
+
+202 LODGE PIPE. A curiosity, in having _two_ stems at right angles
+from the bowl, 1? in. deep, 3 in. to end of each stem. Dark soft
+stone, very rare. Hancock Co., Tenn.
+
+203 Round Pipe, bowl and stem, both circular and damaged. Steatite.
+2 3 in. Walton Co., Ga.
+
+204 MOUND BUILDERS PIPE. Long and graceful shape of pottery; stem has
+been broken but mended. 7 in. Very rare. Oneida Co., N. Y.
+
+ All pipes from New York State are of great rarity.
+
+205 PLATFORM PIPE. Dark greenish stone, finely polished, of graceful
+outline and excellent workmanship; the platform or stem proper has
+been cracked, but neatly repaired. 3 in. Very fine and rare specimen.
+Delaware Co., N. Y.
+
+206 POLISHED PIPE. Greenish mottled stone with 14 tally marks or
+notches on each side of the stem. 3 in. Very fine and rare. From Fish
+Creek, Saratoga Co., N. Y.
+
+207 PIPE. Conical, with perforated handle at one side, greenish
+colored stone; the pipe is always a rarity and another of this variety
+is perhaps unknown. 1 2 in. Saratoga, N. Y.
+
+208 Pipe. Fine polish and shape, dark green color. 1 1 in.
+Another, smaller, bowl broken. Eta River, Ga. 2 pcs
+
+209 Esquimaux Stone Pipe, of greenish color, fancifully carved
+decoration, fine polish. 2? in., no stem. Perfect and interesting.
+Labrador.
+
+210 Mound Builders Stone Platform Pipe. Very thick, square base and
+low bowl, incised line around bowl and two small circular projections
+at end of stem; a rarity. 2 in. Lake Wabesha, Wisconsin.
+
+211 Pottery Pipe. High bowl, short stem. 3 in., perfect. Another pipe
+or tube also of pottery. 3 in. Asheville, N. C. 2 pcs
+
+212 Pipe. Pottery, with human face and projecting ears. 1 3 in.,
+perfect. Pensacola, Fla.
+
+213 Pipe. Rude attempt at carving a human face, steatite. 2 2 in.
+S. C.
+
+214 TUBE. Unfinished; excessively hard iron stone. 2 5 in. Lewis
+Co., N. Y.
+
+215 Iron pipe. A curiosity, probably of the Colonial period, when a
+pipe was a pipe and not easily to be replaced. Bowl, ? in., stem,
+5 in.; very thin, slightly rusted in centre of stem. Rare. Oneida,
+N. Y.
+
+216 Stone Pipe. Red catlinite, heavy silver band at junction of bowl
+and stem. Very fine deep red color and polish; length of stem, 8 in.,
+height of bowl, 4 in. Modern Sioux, a very choice specimen, duplicate
+from the Smithsonian Institute, Wash.
+
+217 Oregon Bird Points. Fine gem arrow points, from the Willamette
+River. Obsidian, jasper, etc., mounted and framed, under glass.
+116 pcs
+
+218 OHIO. Arrow and Spear points of fine form, color and material,
+neatly arranged and framed, under glass. 105 pcs
+
+
+REVOLUTIONARY ARMS AND RELICS, ETC.
+
+219 CAPT. JOHN PAUL JONES. Marine Glass. Brass mounted, 22 in.
+Engraved JOHN PAUL 1773. Cardboard attached, with pen and ink portrait
+of Capt. Jones, and fol. certificate: _John Paul Jones Mariene Glass
+before and after the Revolutionary War. I got it from Wm. Miller, Esq.
+a friend of Gen. Jones who got it from Him. It was greatly admired by
+all the Generals and my friends. J. T._ (Col. John Trumbull,
+aide-de-camp to Washington.) In curious old ornate case, inscribed
+COM. JOHN PAUL JONES SPY GLASS.
+
+220 John Paul Jones. Miniature Portrait painted in India ink on
+deer-skin, by John Trumbull, 1776. Colonial frame.
+
+221 ROBERT MORRIS. Flint Lock Musket, ramrod missing. ROBERT MORRIS
+engraved at side. Cardboard certificate inscribed: _Gun carried by
+Robert Morris Chief Justice of N. Jersey. J. T._
+
+222 Robert Morris. Revolutionary Fire Pan. Iron, flintlock, in good
+condition, curious and rare. 8 in. With certificate: _Fire Pan used by
+Robert Morris of New Jersey. J. T._
+
+223 Robert Morris. Pair brass Spurs. Certificate: _Brass Spurs used by
+Robert Morris of N. Jersey. J. T._
+
+224 GEN. ALEXANDER HAMILTON. Flintlock Carbine, DEMPSEY maker. A
+HAMILTON N. Y. engraved on stock. Certificate on cardboard: _Gen.
+Alexander Hamiltons Gun, a present from the Executors. Clippings
+inside. J. T._ (Several clippings published after his death,
+inserted). Of great interest.
+
+225 GEN. FRANCIS RAWDON. Flint Lock Pistol, 22 in. Brass mountings, FR
+in crowned monogram engraved, also name ROGER SHERMAN engraved on
+side. Cardboard certificate: _Gen. Francis Rawdons Pistol. An Eng.
+Gen. that fought all through the Rev. War. Pistol found at the Battle
+of Bunkers Hill and presented to R. S. by Gen. Putnam. I got it in
+exchange for a Painting. J. T._ A unique Revolutionary trophy.
+
+226 SAMUEL FRAUNCIS. Flint Lock Pistol, stock handsomely engraved,
+S. F. cut at side. 18 in. Given by Frauncis of Frauncis Tavern, N. Y.,
+to Col. John Trumbull, who placed it in his Collection of
+Revolutionary Relics. Certificate lost, but attribution of this, as of
+every object in this catalogue, guaranteed by Cataloguer.
+
+227 Colonial Pike. Used by N. E. home guards in Colonial days. Modern
+shaft.
+
+228 DRAGOON SABRE. Heavy scabbard, brass mountings. Used in Colonial
+days. Massachusetts.
+
+229 SWORD. Ivory handle, etc., eagles head. Major John Merrill,
+Duxbury, Mass., war 1812.
+
+230 REVOLUTIONARY CANNON BALLS. From the battle field of Long Island.
+3 sizes. Lot of 3 pcs
+
+ * * * * *
+
+231 HUNTING KNIFE. Ivory handle, bronze lion-head pommel; 12 in. blade
+engraved with U. S. arms, etc. Once the property of the famous Western
+Pioneer, David Crockett. From Peales Museum, Phila.
+
+232 Sioux War Club. Pony tail as handle. 20 in. Modern.
+
+
+FIRE ARMS, SWORDS, ETC.
+
+233 BLUNDERBUSS. Flint lock, brass barrel and mountings; English make,
+in perfect order; an extra fine and heavy specimen. 2 ft. 9 in.
+
+234 Blunderbuss. Flint lock, English make, in perfect condition, extra
+fine. 2 ft. 4 in.
+
+235 Blunderbuss. Percussion lock, very fine, carved black stock,
+French make. 2 ft. 8 in.
+
+236 Blunderbuss. Circassia, flint lock, muzzle, 4 in. diam., barrel
+etched, stock inlaid with arabesque patterns, very fine and rare. 1
+ft. 8 in.
+
+237 PISTOL. Long Algerine flint lock, woodwork overlaid with
+ornamental metal covering, repouss work, no ramrod. 1 ft. 7 in.
+
+238 Pistol. Turkish, flint lock, carved stock, no ramrod. 1 ft. 7 in.
+
+239 Pistols. Pair German duelling pistols, percussion locks, sweet
+briar handles; locks and barrels finely etched, with gold inlaying,
+barrels rifle grooved. _Lindenschmidt Mainz_ on barrel; marked 1 and 2
+respectively; of the finest mechanism. 2 pcs
+
+240 Pistol. English, flint lock, brass barrel. D. GOFF. Very fine;
+small piece from stock. 1 ft. 2 in.
+
+241 Pistol. French, flint lock, brass barrel. Du Bois & Fils. Very
+fine; stock slightly defective at end. 1 ft. in.
+
+242 REVOLVER. English, 5 barrels, extra fine and very heavy, perfect.
+11 in.
+
+243 Revolver. French, 6 barrels rifled, finely etched, perfect and
+curiously made. 7 in.
+
+244 Revolver. French, 8 barrels, also 1 long barrel (9 in all),
+_double action_ hammer, in perfect order, once the property of the
+notorious Captain Wirz, commandant of the Andersonville, S. C, prison
+pen. From General Camerons Collection. Wirz was finally executed for
+his crimes. 13 in.
+
+245 Revolver. Colts pattern (pepper-box), 5 barrels, a beautiful
+unused specimen. 9 in.
+
+246 Revolver. ORTMANN LIEGE. 6 barrels, etched, perfect, a curious
+little bit. 4 in.
+
+247 Revolver. Remington. 4 barrels. Also very curious, perfect. 5 in.
+
+248 Revolver. Allens. 5 barrels, curious side hammer. Early type.
+9 in.
+
+249 Revolver. American Arms Co. 2 barrels. Perfect. 6 in.
+
+250 Pistol. Flintlock. English, curious. 8 in.
+
+251 Pistol. Flintlock, hammer on top of barrel, etched. Very early
+type. 6 in.
+
+252 Pistol. VARLEY & CO. LONDON. 2 barrels. Perfect, very fine. 10 in.
+
+253 Pistol. Small Derringer, early type, rifle barrel, nipple gone.
+6 in.
+
+254 Pistol. Flintlock. R. JOHNSON. CONN. 1842. Polished, unused
+specimen. 14 in.
+
+255 Pistol. Percussion, U. S. Navy pattern, 1821. Perfect. 16 in.
+
+
+SWORDS, ETC.
+
+256 CLAYMORE, Scottish, used at Waterloo, open work basket guard. Very
+fine. 3 ft. 9 in.
+
+257 Another. Said to have been used at Culloden, fine open work basket
+guard, blade slightly curved. 3 ft. in.
+
+258 SWORD. Highland, rusty, and has received hard knocks. See
+particulars attached. 2 ft. 9 in.
+
+259 Rapier, blade only, stamped on each side, X TOLEDO MADRIET X and
+mark of the _running Fox_. Fine and rare specimen of the famous Toledo
+blades. 3 ft.
+
+260 Rapier. With quillons and pas dAne. Good specimen. 3 ft. 3 in.
+
+261 Scimitar and scabbard, Algerine. Finely decorated and curved
+blade. 3 ft.
+
+262 Rapier. French, open guard, used in Mexico, 1864. 3 ft. 2 in.
+
+263 Sword. American. Curved blade, open guard. _Circa_ 1800. 2 ft.
+11 in.
+
+264 Sword. Heavy cavalry sword, German; steel scabbard, straight
+blade. _Circa_ 1776. 3 ft. 6 in.
+
+265 Sword. Steel scabbard, curved blade, made by Tiffany & Co., N. Y.
+1861-65. 3 ft. 6 in.
+
+266 Sword. Two-handed, fac-simile of that used by Sir Wm. Wallace. 5
+ft. 1 in.
+
+267 Dirk. Highland; old time make, blade, 1 12 in. 1 ft. 6 in.
+
+268 Pilgrims Staff. Hollow iron handle, with claw and small hatchet,
+_sliding_ lance, 2 ft. 7 in. long; that, when not in use, is returned
+inside the handle. _Circa_ 1600; very curious. Total length, 6 ft.
+
+269 Cross-bow shaft, black oak; parts of the leather feathering still
+remain; triangular, steel head. 15th century. 1 ft. 4 in.
+
+270 TILTING VISOR. Iron, very heavy bars. Rare. 7 8 in.
+
+271 WAR CLUB. Maquahuilt Aztec, studded with genuine obsidian teeth.
+A fac-simile of the original in museum, City of Mexico. 3 ft.
+
+272 PISTOLS. 4 old _pepper boxes_, Colts pattern, one of 3 barrels,
+not in good order. 4 pcs
+
+273 SPURS. Mexican. Enormous rowels. 3 and 4 in. diameter. Very fine.
+2 pcs
+
+274 KEYS. Iron, very old patterns. 4 to 5 in. long, on plaque. 9 pcs
+
+275 HARPOON. From New London, Conn. 3 pcs
+
+276 SCALP LOCKS. Mounted, handsomely decorated with colored bead work.
+Assiniboin and Sioux. Very rare. 3 pcs
+
+277 WAR CLUB. Modern Sioux, double pointed stone head, rawhide handle,
+feather decoration. 2 ft. 2 in.
+
+278 WALNUT RELIC CASE. With locks and two glass doors to each section.
+Lower portion, 2 ft. 7 in. high, 4 ft. wide, 8 in. deep. Upper
+section, 3 ft. 4 in. high, 3 ft. 10 in. wide, 5 in. deep.
+
+279 CHERRY PISTOL CASE. 4 ft. 11 in. high, 1 ft. 10 in. wide, 5 in.
+deep; with lock and glass door.
+
+
+
+
+CONDITIONS OF SALE.
+
+
+I. The highest bidder is to be the buyer; and if any dispute arise
+between two or more bidders, the lot so in dispute shall be
+immediately put up again and re-sold.
+
+II. The purchaser to give in his or her name and residence, and to
+make a deposit of 25 per cent., or more, in part of payment, or the
+whole of the purchase money, _if required_; in default of which, the
+lot or lots so purchased to be immediately put up again and re-sold.
+
+III. The lots to be taken away and paid for, whether genuine and
+authentic or not, with all faults or errors of description, at the
+buyers expense and risk, within two days from the sale; the Fifth
+Avenue Auction Rooms not being responsible for the correct
+description, genuineness, or authenticity of, or any fault or defect
+in, any lot; and making no warranty whatever, the goods having been on
+exhibition for two days before sale.
+
+IV. To prevent inaccuracy in delivery, and inconvenience in the
+settlement of the purchase, no lot can, on any account, be removed
+during the time of sale; and the remainder of the purchase money must
+absolutely be paid on delivery.
+
+V. Upon failure of complying with the above conditions, the money
+deposited in part of payment shall be forfeited; all lots uncleared
+within the time aforesaid shall be re-sold by public or private sale,
+and the deficiency (if any) attending such re-sale shall be made good
+by the defaulter at this sale.
+
+ WM. B. NORMAN,
+ _Auctioneer._
+
+
+
+
+Transcribers Note: Item 172 did not exist in the catalogue.
+
+
+
+
+End of the Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+***** This file should be named 36598.txt or 36598.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/6/5/9/36598/
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/36598-8.zip b/36598-8.zip
new file mode 100644
index 0000000..53b9152
--- /dev/null
+++ b/36598-8.zip
Binary files differ
diff --git a/36598-h.zip b/36598-h.zip
new file mode 100644
index 0000000..494cdf7
--- /dev/null
+++ b/36598-h.zip
Binary files differ
diff --git a/36598-h/36598-h.htm b/36598-h/36598-h.htm
new file mode 100644
index 0000000..824be5f
--- /dev/null
+++ b/36598-h/36598-h.htm
@@ -0,0 +1,960 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+ <meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
+
+ <title>American Antiquities Auction Catalogue, 1898, by Wm. B. Norman</title>
+ <style type="text/css" media="screen">
+ /* General document styles */
+ body {font-family: serif;
+ margin-left: 15%;
+ margin-right: 15%;
+ }
+
+ p {
+ text-align: justify;
+ line-height: 1.4;
+ text-indent: 1.5em;
+ }
+
+ h1, h2, h3, h4 {
+ text-align: center;
+ margin: 1em 0em;
+ font-weight: normal;
+ text-indent: 0em;
+ }
+
+ img {margin:auto;}
+ div.illo {text-align:center;margin:3em auto;}
+
+ .pagenum { position: absolute; left: 2em; font-size: 10px; text-align: left; color: gray; background-color: inherit; font-weight: normal; font-style: normal; font-variant: normal; text-indent: 0em; }
+ a[title].pagenum:after { content: attr(title); }
+ .disguise {color:window;} /* Used to make some page numbers invisible but still anchors. Typically used on pages that do not have page numbers printed on them but are included in the numbering scheme. */
+
+ /* Styles for front matter */
+
+ #the_beginning {border-top:2px gray solid;}
+ #pretitle {margin:5em auto;font-family:sans-serif;}
+ h1 {padding:1em 0em;margin:.5em;line-height:2;}
+ #pretitle p {text-align:center;font-size:1.25em;text-indent:0;width:80%;margin:1em auto;}
+
+ #title_page {margin:5em auto;}
+ #title_page p {text-indent:0;text-align:center;}
+
+ #pub_info {padding:3em 0em;margin:1em;text-indent:0em; text-align:center;}
+
+ /* Tables */
+ td {vertical-align:top;}
+ .item_nr {width:2em;text-align:right;padding-right:5px;}
+ .lots {width:6em;text-align:right;vertical-align:bottom;}
+ .item {font-variant:small-caps;font-weight:normal;}
+ .item_allsmall {font-size:85%;font-weight:normal;}
+
+ /* End Matter */
+
+ #transcriber_note {margin:3em 1em;padding:1em;text-align:center;background-color:#CCD;color:#000;}
+ #the_end {border-bottom:2px gray solid;}
+
+ /* Miscellaneous */
+
+ .auctioneer, .expository, .catalogue {font-style:italic;}
+ .signature {text-align:right;}
+ .spacer {padding:1em;}
+
+ /* Anchors */
+
+ a:link { color: #000066; background-color: inherit; text-decoration: none; }
+ a:visited { color: #000066; background-color: inherit; text-decoration: none; }
+ a:hover { color: #A8480E; background-color: #CC9; }
+ </style>
+
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: American Antiquities
+ Auction Catalogue, January 8, 1898
+
+Author: Wm. B. Norman
+
+Release Date: July 3, 2011 [EBook #36598]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+ <div id="the_beginning">&nbsp;</div>
+ <div id='pretitle'><a class='pagenum disguise' id='pagei' title='i'>&nbsp;</a>
+ <h1>AMERICAN ANTIQUITIES.</h1>
+ <p>Pre-historic Stone Implements, Mound
+ Builders’ Relics, Revolutionary
+ and Foreign Arms,
+ Etc., Etc.</p>
+
+ <p>SALE BY AUCTION,<br />
+ AT THE<br />
+ Fifth Avenue Auction Rooms,<br />
+ No. 238 FIFTH AVENUE, NEW YORK,<br />
+ JANUARY 8, 1898.</p>
+
+ <p class='auctioneer'>WM. B. NORMAN, Auctioneer.</p>
+
+ </div>
+ <div class='expository'>
+ <p><a class='pagenum disguise' id='pageii' title='ii'> </a>This entire Collection will be on exhibit
+ at the Fifth Avenue Auction House, No.
+ 238 Fifth Avenue, New York, on Thursday
+ and Friday, January 6 and 7, 1898, from
+ 10 A.M. to 6 P.M.; and on the day of the
+ Sale, during the morning hours.</p>
+
+ <p>Orders will be carefully executed by the
+ Auctioneers and Dealers in Archæology.</p>
+ </div>
+ <div id='title_page'><a class='pagenum' id='page1' title='1'>&nbsp;</a>
+ <p>COLLECTION
+ OF<br />
+ AMERICAN ARCHAEOLOGY,<br />
+ STONE IMPLEMENTS,<br />
+ REVOLUTIONARY AND FOREIGN ARMS,<br />
+ ETC., ETC., ETC.,</p>
+
+ <p>INCLUDING MANY SPECIMENS OF RARITY AND VALUE.</p>
+
+ <p>Mound Builders’ Relics, Celts, Grooved Axes, Arrow and
+ Spear Heads, Knives, Wampum Treaty Belts and Money,
+ Necklaces, Beads, Shell Ornaments, Effigy and Ceremonial
+ Pipes, Tomahawks, Objects in Hematite
+ and Obsidian, Terra Cotta Figures, Ornaments,
+ Temple Chalices of the Incas, Aztec Ornaments,
+ Revolutionary Arms, Blunderbusses,
+ Pistols, Swords, Rapiers,
+ Claymores, War Clubs,
+ Dirks, Etc., Etc.</p>
+
+ <p>THE PROPERTY OF A RETIRING COLLECTOR.</p>
+
+ <p>Sale by Auction without Reserve,<br />
+ AT THE 5th AVENUE AUCTION ROOMS, 238 5th AVE., NEW YORK,<br />
+ SATURDAY, JANUARY 8th, 1898,<br />
+ BEGINNING AT 2 O’CLOCK, P. M.<br />
+ <span class='auctioneer'>WM. B. NORMAN, Auctioneer.</span></p>
+
+ <p class='catalogue'>CATALOGUE BY ED. FROSSARD. <span class='spacer'>&nbsp;</span> 151st AUCTION SALE.</p>
+
+ <p>108 East Fourteenth Street, New York.</p>
+
+ <p class='pub_info'>BOSTON:<br />
+ T. R. MARVIN &amp; SON, NUMISMATIC PRINTERS.<br />
+ 1897.</p>
+ </div>
+ <div class='expository'>
+ <p><a class='pagenum disguise' id='page2' title='2'> </a>The Archaeological Collection described in the following pages
+ was formed by a well-known Collector, who now, for private
+ reasons, relinquishes the pleasurable pursuit which for so many
+ years engrossed his moments of leisure. Every specimen in the
+ Collection was selected with deliberate discrimination, with the
+ view of exemplifying the best forms of arms and implements
+ conceived and fashioned by the pre-historic man of that part of
+ the North American Continent embraced within the present United
+ States. Such objects are of great interest and value to all those
+ interested in this branch of Archaeology, and the opportunity
+ offered of adding perfect specimens, at their own price, to their
+ cabinets, is one seldom occurring.</p>
+
+ <p>Among the objects of marked interest will be found a Wampum
+ Treaty Belt; a large number of Ceremonial Pipes, including
+ some very rare forms; various objects in hematite, obsidian,
+ copper, etc.; the rare Idols from Arizona; Incas Temple Vases
+ in beaten silver from the necropolis of Ancona, etc., etc. The
+ arms, foreign and Revolutionary, at the end of Catalogue, will
+ be recognized by all interested in the subject as valuable specimens,
+ worthy to figure in the best Collections.</p>
+
+ <p>Every object in this Collection will be sold, with the guarantee,
+ by the Cataloguer, of its absolute authenticity and genuineness,
+ both as regards material and attribution.</p>
+
+ <p>Orders faithfully executed by the Auctioneers and Art Dealers
+ generally.</p>
+ </div>
+
+ <div class='illo'>
+ <img src='images/illo1.png' width='600' height='146' alt='151' />
+ </div>
+ <h2><a class='pagenum disguise' id='page3' title='3'>&nbsp;</a>CATALOGUE.</h2>
+
+ <h3>PRE-HISTORIC STONE IMPLEMENTS.</h3>
+ <h4>CELTS.</h4>
+ <table summary='celts'>
+ <tr><td class='item_nr'>1</td> <td><strong class='item'>Small Celt</strong>, reddish stone. Washington Co., Ohio. 2½ in.</td></tr>
+ <tr><td class='item_nr'>2</td> <td>Another. Gray stone. Knox Co., O. 2¼ in.</td></tr>
+ <tr><td class='item_nr'>3</td> <td>Another. Blue stone. Athens Co., O. 3¼ in.</td></tr>
+ <tr><td class='item_nr'>4</td> <td>Another. Diorite. Very fine. Athens Co., O. 3¼ in.</td></tr>
+ <tr><td class='item_nr'>5</td> <td>Another. Granite. Very fine. Vinton Co., O. 3½ in.</td></tr>
+ <tr><td class='item_nr'>6</td> <td>Another. Blue stone. Moss Co., O. 3¾ in.</td></tr>
+ <tr><td class='item_nr'>7</td> <td>Large Celt. Granite, polished edge. Very fine. Mercer Co., Ky. 5¼ in.</td></tr>
+ <tr><td class='item_nr'>8</td> <td>Another. Granite, polished edge. Very fine. Mercer Co., Ky. 5¾ in.</td></tr>
+ <tr><td class='item_nr'>9</td> <td>Another. Blue slate, edge slightly chipped. Delaware Co., O. 6½ in.</td></tr>
+ <tr><td class='item_nr'>10</td> <td>Another. Blue slate, edge slightly chipped, but fine. Delaware Co., O. 7¾ in.</td></tr>
+ <tr><td class='item_nr'>11</td> <td>Small Celt. Blue slate, polished edge, perfect. Syria. 3 in.</td></tr>
+ <tr><td class='item_nr'>12</td> <td>Small hand pick. Blue slate. Harrisburg, Pa. 4¼ in.</td></tr>
+ <tr><td class='item_nr'>13</td> <td>Another. Granite, round top, polished edge. Lincoln Co., Tenn. 4¼ in.</td></tr>
+ </table>
+
+ <h4>GROOVED AXES, ETC.</h4>
+ <table summary='grooved axes'>
+ <tr><td class='item_nr'>14</td> <td><strong class='item'>Grooved Axe</strong> of diorite, deeply grooved, fine edge (a head cracker). Beaver Co., Pa. 4 in.</td></tr>
+ <tr><td class='item_nr'>15</td> <td>Another. Greenish stone, deeply grooved, fine edge. Rhea Co., Tenn. 4 in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page4' title='4'> </a>16</td> <td>Another. Granite, grooved and perfect. Seneca Co., O. 4½ in.</td></tr>
+ <tr><td class='item_nr'>17</td> <td>Another. Diorite, deeply grooved and perfect. Athens Co., O. 5 in.</td></tr>
+ <tr><td class='item_nr'>18</td> <td>Another. Mottled granite, deeply grooved. Very fine. Calhoun Co., Ill. 5 in.</td></tr>
+ <tr><td class='item_nr'>19</td> <td>Another. Dark stone, flat head, entire surface polished and perfect. Breckenridge Co., Ky. 5 in.</td></tr>
+ <tr><td class='item_nr'>20</td> <td>Another. Shows marks of ancient pecking. Warren Co., O. 6 in.</td></tr>
+ <tr><td class='item_nr'>21</td> <td>Another. Palaeolithic sandstone. Greene Co., Va. 5 in.</td></tr>
+ <tr><td class='item_nr'>22</td> <td>Another. Same. Greene Co., Va. 4 in.</td></tr>
+ <tr><td class='item_nr'>23</td> <td>Another. Granite, fine and perfect blade, deep groove, polished from long use; fine and desirable. Breckenridge Co., Ky. 6 in.</td></tr>
+ <tr><td class='item_nr'>24</td> <td>Another. Granite, fine perfect blade, good shape, deep groove, also very desirable. Lincoln Co., Tenn. 5 × 6½ in.</td></tr>
+ <tr><td class='item_nr'>25</td> <td>Another. Fine grained granite, extra long and perfect blade, finely grooved; rare. Athens Co., O. 4½ × 8½ in.</td></tr>
+ <tr><td class='item_nr'>26</td> <td>Another. Rough pebbly granite; of great size and weight, perfect edge. S. W. North Carolina. 6½ × 8½ in.</td></tr>
+ <tr><td class='item_nr'>27</td> <td><strong class='item'>Anvil</strong> or Nut stone. Circular, with pitted cavity on each side; smooth, nice specimen. Ohio. 4½ × 5 in.</td></tr>
+ <tr><td class='item_nr'>28</td> <td><strong class='item'>Hammer Stone.</strong> Granite. Central Ohio. 3 × 3½ in.</td></tr>
+ <tr><td class='item_nr'>29</td> <td>Another. White quartz. Central Ohio. 2½ × 3 in.</td></tr>
+ <tr><td class='item_nr'>30</td> <td>Another. Granite, light groove. Washington Co., R. I. 2 × 2¼ in.</td></tr>
+ <tr><td class='item_nr'>31</td> <td>Another. Sand stone, deep groove. New London, Conn. 2¼ × 2¾ in.</td></tr>
+ <tr><td class='item_nr'>32</td> <td><strong class='item'>Large Hoe.</strong> Gray chert, fine large flaking, point polished from long use. From Elliptical mound, East St. Louis. 8¼ in.</td></tr>
+ <tr><td class='item_nr'>33</td> <td><strong class='item'>Pestle.</strong> Pebbly stone, perfect, cylindrical. Eastern Penn. 11 in.</td></tr>
+ <tr><td class='item_nr'>34</td> <td>Another. Sandstone; similar. Cincinnati, O. 14 in.</td></tr>
+ <tr><td class='item_nr'>35</td> <td>Another. Hard gray stone, with carving of animal’s head at one end. Cylindrical, broken in centre but substantially mended. The largest and most remarkable example I have seen. Border of Saratoga Lake, N. Y. 22½ in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page5' title='5'> </a>36</td> <td>Another. Round, pecked sandstone, with handle of mushroom shape. Meade Co., Ky. 4 × 6 in.</td></tr>
+ <tr><td class='item_nr'>37</td> <td>Another. Base has a slight concavity for cracking nuts, smooth from long use. Very fine. Ohio. 3½ × 5 in.</td></tr>
+ <tr><td class='item_nr'>38</td> <td>Another. As last, base chipped. Ohio. 3 × 5 in.</td></tr>
+ <tr><td class='item_nr'>39</td> <td><strong class='item'>Amulet.</strong> Heart-shaped concretion, (see interesting description attached). Fine and rare. Texas. 4½ × 4½ in.</td></tr>
+ <tr><td class='item_nr'>40</td> <td><strong class='item'>Quoit.</strong> Flint, beautifully flaked, extra fine. Tenn. 4 × 4¾ in.</td></tr>
+ <tr><td class='item_nr'>41</td> <td>Quoit or large knife; extra fine. Tenn. 3½ × 5¼ in.</td></tr>
+ <tr><td class='item_nr'>42</td> <td><strong class='item'>Bolas Stone.</strong> Egg-shaped, white quartz, one end slightly flattened. Hall Co., Ga. 1¾ × 2¼ in.</td></tr>
+ <tr><td class='item_nr'>43</td> <td>Another. Dark stone, curious and rare. Hall Co., Ga. 1¾ × 2¼ in.</td></tr>
+ <tr><td class='item_nr'>44</td> <td>Saddle-shaped stone, base and ends flat, sides and top rounded to a half-circle, with half-inch perforation through its length. Hard dark stone. Randolph Co., Tenn. 1½ × 2¼ × 3¼ in.</td></tr>
+ <tr><td class='item_nr'>45</td> <td>Boat-shaped object, top hollowed out, two perforations, steatite or soapstone, a perfect and rare specimen. Hancock Co., Tenn. 1⅜ × 6¼ in.</td></tr>
+ <tr><td class='item_nr'>46</td> <td>Similar. Micaceous stone. Gwinnett Co., Ga. 1⅞ × 3¼ in.</td></tr>
+ <tr><td class='item_nr'>47</td> <td>Another. No perforations, ends grooved. Gwinnett Co., Ga. 1¼ × 2⅜ in.</td></tr>
+ <tr><td class='item_nr'>48</td> <td>Another. Different shape, no cavity but perforated with two holes, also a rare object. Gwinnett Co., Ga. 1 × 3¾ in.</td></tr>
+ <tr><td class='item_nr'>49</td> <td><strong class='item'>Ceremonial Axe</strong> (so called). Yellowish material, perforated with a half-inch hole, fine and rare. Saratoga Lake, N. Y. 3⅞ in.</td></tr>
+ <tr><td class='item_nr'>50</td> <td>Another. Slate. Williams Co., O. 4½ in.</td></tr>
+ <tr><td class='item_nr'>51</td> <td><strong class='item'>Banner Stone.</strong> Butterfly shape, light-colored granite, the usual perforation begun and half finished; uncommon form, and rare on account of its size. James Co., Tenn. 6¾ in.</td></tr>
+ <tr><td class='item_nr'>52</td> <td>Neat perforated fragment, at the bottom of which is a nipple showing process employed in drilling, viz., with sand and hollow reed. 1½ × 2½ in.</td></tr>
+ <tr><td class='item_nr'>53</td> <td><strong class='item'>Gorget.</strong> Two perforations, slate. Shelby Co., O. 3¾ in.</td></tr>
+ <tr><td class='item_nr'>54</td> <td>Another. One perforation, slate. Marion Co., O. 1¾ × 3½.</td></tr>
+ <tr><td class='item_nr'>55</td> <td>Another. Banded slate, very fine. Hardin Co., O. 3¼ in.</td></tr>
+ <tr><td class='item_nr'>56</td> <td>Gorget ornament. Banded slate, diamond shape. Hardin Co., O. 2⅝ in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page6' title='6'> </a>57</td> <td>Object in steatite, two large holes, edge with notches. Columbia Co., O. 2½ in.</td></tr>
+ <tr><td class='item_nr'>58</td> <td><strong class='item'>Pendant.</strong> Steatite, oval shape, perforated, with carving of a human face; a curious object. Georgia. 2½ in.</td></tr>
+ <tr><td class='item_nr'>59</td> <td><strong class='item'>Pottery Bust.</strong> Face, front view. Mound, S. E. Missouri. 2½ in.</td></tr>
+ <tr><td class='item_nr'>60</td> <td><strong class='item'>Plummet</strong> or Slung Shot of quartz, egg-shaped. Massac Co., Ill. 2 × 3½ in.</td></tr>
+ <tr><td class='item_nr'>61</td> <td><strong class='item'>Discoidal</strong> or Game Stone, with concavity on each side. Very symmetrical, fine and rare. Ohio. 1½ × 2½ in.</td></tr>
+ <tr><td class='item_nr'>62</td> <td>Two, similar, one with centre perforation, both of soft stone. Ohio. 3¼ × 1⅞ in.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>63</td> <td><strong class='item'>Stone Ball.</strong> Incised lines quartering, etc. Very curious. Shelby Co., O. 1⅞ in.</td></tr>
+ <tr><td class='item_nr'>64</td> <td><strong class='item'>Pearl Shell.</strong> From grave, small perforation, one side covered with incised dots in fanciful design. Santa Barbara, Cal. 2½ × 4½ in.</td></tr>
+ <tr><td class='item_nr'>65</td> <td>Mussel Shell from mound, one side encrusted with limestone concretion. Pike Co., Ill. 4 in.</td></tr>
+ <tr><td class='item_nr'>66</td> <td>Mussel Shell. A circular hole through centre. Pike Co., Ill. 3½ in.</td></tr>
+ </table>
+
+ <h4>ARROW AND SPEAR HEADS, ETC.</h4>
+ <table summary='arrowheads, etc.'>
+ <tr><td class='item_nr'>67</td> <td><strong class='item'>Arrow Heads.</strong> A small collection, some fine. Ohio.</td> <td class='lots'>20 pcs</td></tr>
+ <tr><td class='item_nr'>68</td> <td>Arrow Heads. White quartz. Suffolk Co., N. Y.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>69</td> <td>Arrow Heads. Larger size, all perfect. Ohio.</td> <td class='lots'>5 pcs</td></tr>
+ <tr><td class='item_nr'>70</td> <td>Arrow Heads. Of mottled stone. Cole Co., Mo.</td> <td class='lots'>8 pcs</td></tr>
+ <tr><td class='item_nr'>71</td> <td><strong class='item'>Spear Points.</strong> Black flint and chert, all fine, average 4 in. long. Ohio.</td> <td class='lots'>7 pcs</td></tr>
+ <tr><td class='item_nr'>72</td> <td>Spear Points. White flint and chert, all fine, average 4½ in. long. Ohio.</td> <td class='lots'>4 pcs</td></tr>
+ <tr><td class='item_nr'>73</td> <td><strong class='item'>Knife.</strong> Black flint, finely finished. Clay Co., Ky. 3½ in.</td></tr>
+ <tr><td class='item_nr'>74</td> <td>Another. Light colored flint, an elegant specimen. St. Clair Co., Ill. 3¼ in.</td></tr>
+ <tr><td class='item_nr'>75</td> <td>Another. White colored flint, very symmetrical. St. Clair Co., Ill. 3¼ in.</td></tr>
+ <tr><td class='item_nr'>76</td> <td>Another. Dark chert, finely flaked and chipped. Marion Co., Ill. 5 in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page7' title='7'> </a>77</td> <td>Another. Dark chert, ruder shape than preceding. Ohio. 3½ in.</td></tr>
+ <tr><td class='item_nr'>78</td> <td><strong class='item'>Arrow Point.</strong> Pure white quartz, hollow base, the war point type; a beauty. Georgia. 1⅞ in.</td></tr>
+ <tr><td class='item_nr'>79</td> <td>Another. White chert, square base, deeply notched. Cooper Co., Mo. 1⅞ in.</td></tr>
+ <tr><td class='item_nr'>80</td> <td>Another. Similar to last. Ohio. 2¼ in.</td></tr>
+ <tr><td class='item_nr'>81</td> <td>Another. Pink chalcedony, with dark vein of color, perfect. Missouri. 2¼ in.</td></tr>
+ <tr><td class='item_nr'>82</td> <td>Another. <strong class='item'>Rotary</strong>, rounded base, both edges bevelled and notched. Illinois. 2¾ in.</td></tr>
+ <tr><td class='item_nr'>83</td> <td>Another. Square base, deeply notched and serrated, bevelled edges. Kentucky. 3 in.</td></tr>
+ <tr><td class='item_nr'>84</td> <td>Another. Rounded base, very fine. Illinois. 3½ in.</td></tr>
+ <tr><td class='item_nr'>85</td> <td>Another. Similar to last, very fine. 3½ in.</td></tr>
+ <tr><td class='item_nr'>86</td> <td>Another. Very remarkable specimen, black flint. Kentucky. 3⅛ in.</td></tr>
+ <tr><td class='item_nr'>87</td> <td>Another. Very large base, serrated and bevelled edges, one barb broken. Mercer Co., O. 2 × 3 in.</td></tr>
+ <tr><td class='item_nr'>88</td> <td><strong class='item'>Spear Point.</strong> Square base, white chert, finely made, perfect. Ohio. 3½ in.</td></tr>
+ <tr><td class='item_nr'>89</td> <td>Another. White flint, spade shape, beautifully flaked, very symmetrical. Gallien Co., O. 3½ in.</td></tr>
+ <tr><td class='item_nr'>90</td> <td>Another. Gray flint, round base, deeply notched, serrated edges, perfect point. Bowling Green, Ky. 3½ in.</td></tr>
+ <tr><td class='item_nr'>91</td> <td>Another. Similar, dark flint, extra fine. Bowling Green, Ky. 3¼ in.</td></tr>
+ <tr><td>&nbsp;</td><td>Special attention is requested to the following 16 lots, every one of which has something special to recommend it, either for beauty of material, or excellence in design and workmanship.</td></tr>
+ <tr><td class='item_nr'>92</td> <td><strong class='item'>Spear Head.</strong> White chert, in perfect condition. Pike Co., Ill. 1⅜ × 6¾ in.</td></tr>
+ <tr><td class='item_nr'>93</td> <td>Another. Yellow chert, small point from tip. Illinois. 1⅞ × 6 in.</td></tr>
+ <tr><td class='item_nr'>94</td> <td>Another. Brown chert, perfect. Illinois. 1¼ × 6 in.</td></tr>
+ <tr><td class='item_nr'>95</td> <td>Another. Dark colored stone, fine flaking, two curious lines or markings running longitudinally, perfect. Illinois. 1⅝ × 5½ in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page8' title='8'> </a>96</td> <td>Another. White chert, perfect. Illinois. 1½ × 5⅛ in.</td></tr>
+ <tr><td class='item_nr'>97</td> <td>Another. Hollowed base, deep notches, serrated edges, tip has been broken, but has been <em>repaired</em> by the ancient workman. Very fine. Kentucky. 4¾ in.</td></tr>
+ <tr><td class='item_nr'>98</td> <td>Another. Yellow chert, long, square base, point slightly damaged, but very finely made. Kentucky. 5¾ in.</td></tr>
+ <tr><td class='item_nr'>99</td> <td>Another. Black flint, sharp, square base, beautifully flaked, perfect. Kentucky. 5½ in.</td></tr>
+ <tr><td class='item_nr'>100</td> <td>Another. Yellow flint; when held to the light, shows fine cross marking of dark color; hollow base, very small notches, very beautiful and desirable. Illinois. 4¾ in.</td></tr>
+ <tr><td class='item_nr'>101</td> <td>Another. White chert, long, square base, as No. 96, beautifully made. Illinois. 4⅞ in.</td></tr>
+ <tr><td class='item_nr'>102</td> <td>Another. Bluish flint, fine transverse markings, very wide, flat base, slightly notched, a perfect and fine specimen. Huron Co., O. 5 in.</td></tr>
+ <tr><td class='item_nr'>103</td> <td>Another. Grey flint, square base, deep, heavy notches, beautifully flaked, choice and rare. Miami Co., O. 3⅞ in.</td></tr>
+ <tr><td class='item_nr'>104</td> <td>Another. Reddish or salmon colored, finely flaked and chipped, very desirable. Jefferson Co., Ark. 8 × 4 in.</td></tr>
+ <tr><td class='item_nr'>105</td> <td>Another. Grey flint, square base, deeply notched, of elegant and symmetrical shape, perfect in every respect, a <em lang="fr" xml:lang="fr">chef d’œuvre</em> of primitive workmanship, very choice and desirable. Breckenridge Co., Ky.</td></tr>
+ <tr><td class='item_nr'>106</td> <td>Another. Yellowish chert, small, square base, very heavily notched, perfect edges, finely flaked, desirable. Missouri. 4¼ in.</td></tr>
+ <tr><td class='item_nr'>107</td> <td><strong class='item'>Knife.</strong> White chert, with haft for a handle, flaked and chipped, extremely rare form. So. Illinois. 7 in.</td></tr>
+ <tr><td> </td><td>Choice specimens neatly mounted on card-board:—</td></tr>
+ <tr><td class='item_nr'>108</td> <td><strong class='item'>Spear Points</strong>. White chert, localities marked, av. 3¾, all very fine.</td> <td class='lots'>4 pcs</td></tr>
+ <tr><td class='item_nr'>109</td> <td>Arrow Points. White quartz. Suffolk Co., N. Y.</td> <td class='lots'>5 pcs</td></tr>
+ <tr><td class='item_nr'>110</td> <td>Arrow Points. Bluish flint, all perfect, and rare. Mound, Osage River, Mo.</td> <td class='lots'>9 pcs</td></tr>
+ <tr><td class='item_nr'>111</td> <td>Arrow Points. White quartz, all fine. Suffolk Co., N. Y.</td> <td class='lots'>9 pcs</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page9' title='9'> </a>112</td> <td>Spear Points, etc. Grey chert, of different forms, all perfect and very fine. Wadesboro’, N. C.</td> <td class='lots'>7 pcs</td></tr>
+ <tr><td class='item_nr'>113</td> <td>Arrow Points. As above, all very fine and perfect. Wadesboro’, N. C.</td> <td class='lots'>11 pcs</td></tr>
+ <tr><td class='item_nr'>114</td> <td>Arrow Points. Very desirable specimens; fine color and material, all perfect. From mound at Osage River, Mo.</td> <td class='lots'>9 pcs</td></tr>
+ <tr><td class='item_nr'>115</td> <td>Arrow Points. Chosen for singular serrated and notched edges, all fine and rare. Ohio.</td> <td class='lots'>4 pcs</td></tr>
+ <tr><td class='item_nr'>116</td> <td><strong class='item'>Drills.</strong> All perfect, 5 from Missouri, 2 from Ohio, 1 from Georgia. 1 (Ohio) is unique as far as known, in length being 4½ in. A very desirable selection.</td> <td class='lots'>8 pcs</td></tr>
+ <tr><td class='item_nr'>117</td> <td>Drills. Very pretty and attractive selection. Clay County, Tenn.</td> <td class='lots'>6 pcs</td></tr>
+ <tr><td class='item_nr'>118</td> <td><strong class='item'>Arrow Points.</strong> Small, all perfect. Ohio.</td> <td class='lots'>6 pcs</td></tr>
+ <tr><td class='item_nr'>119</td> <td>Arrow Points. Choice lot, all perfect; small points, from Miss., California and Block Island, as marked on card (2 obsidian).</td> <td class='lots'>6 pcs</td></tr>
+ <tr><td class='item_nr'>120</td> <td>Arrow Points. Specimens from Willamette River, Oregon, of these beautiful productions; jasper, moss agate, obsidian, etc., rare.</td> <td class='lots'>12 pcs</td></tr>
+ <tr><td class='item_nr'>121</td> <td><strong class='item'>Fish Hooks.</strong> Black flint; desirable and rare.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>122</td> <td>Arrow Point. Black flint, rotary, hollow base, finely notched, bevelled and serrated edge, a perfect and choice specimen of this prototype of the modern revolving rifle ball. Bowling Green, Ky.</td></tr>
+ <tr><td class='item_nr'>123</td> <td>Arrow Point. Rotary, light-colored flint, as last, except base is square; perfect and rare. Bowling Green, Ky.</td></tr>
+ <tr><td class='item_nr'>124</td> <td>Arrow Points. Rotary, gray chert. Perfect, as last, but smaller.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>125</td> <td>Arrow Points. Clouded chalcedony; fine and perfect specimens from Clear Water Harbor, west coast of Florida, rare.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>126</td> <td>Arrow Point. Crystal, narrow, serrated edges, said to be poisoned. California.</td></tr>
+ <tr><td class='item_nr'>127</td> <td>Arrow Point. Thin copper, triangular in shape, Iroquois; small fish-line stone Sinker. Fleming, Cayuga Co., N. Y.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>128</td> <td><strong class='item'>Fish Spear.</strong> Copper, rounded base, two perforations at base. 1¼ × 3⅜ in. Highest rarity. Ontonagon River, Mich.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page10' title='10'> </a>129</td> <td>Another. Copper, rounded base with three perforations. 1½ × 2½ in. Ontonagon River, Mich.</td></tr>
+ <tr><td class='item_nr'>130</td> <td>Fish Hooks of copper; small copper arrow head, Phoenicia, Syria.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>131</td> <td><strong class='item'>Copper Chisel.</strong> Ancient copper tool found at Prairie-du-Chien, Wis.; sharp cutting edge, sides turned up, gouge form, excessively rare, 1⅝ in. wide, 2½ long, 1¼ thick.</td></tr>
+ </table>
+
+ <h4>OBJECTS IN HEMATITE, ETC.</h4>
+ <table summary='hematite objects'>
+ <tr><td> </td><td>On account of its density and the fine polish it takes, hematite was a favorite material with the ancient artificer. Next to copper, hematite is the scarcest material employed by the pre-historic workman.</td></tr>
+ <tr><td class='item_nr'>132</td> <td><strong class='item'>Axe.</strong> Hematite, deeply grooved, edge polished and of great weight. Very rare. 2¼ in. thick, 3 wide, 3¼ long. Pulaski Co., Mo.</td></tr>
+ <tr><td class='item_nr'>133</td> <td><strong class='item'>Celt.</strong> Brown hematite, polished, edge slightly broken, very rare. Pike Co., Ill.</td></tr>
+ <tr><td class='item_nr'>134</td> <td>Celt. Edge perfect and sharp, very rare. Pike Co., Ill.</td></tr>
+ <tr><td class='item_nr'>135</td> <td>Mammal or Cone. Brown hematite, fine and perfect, base 2⅜ in., 2 in. high. Very rare. Pike Co., Ill.</td></tr>
+ <tr><td class='item_nr'>136</td> <td>Plummets, (so called). Brown hematite, oblong, with small groove around the top, beautiful polish, exceedingly rare. St. Clair and Pike Co., Ill.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>137</td> <td>Plummets. Same as last, but made from white limestone; also a rare relic. 1⅛ × 4 in. Illinois.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>138</td> <td>Bone awl, made from deer’s horn, pointed end, 1½ × 6 in.; another, resembles a needle. ¾ × 2½ in. Mound in Arkansas.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>139</td> <td>Animal (Fox?) carved in bone, 2/3 × 2½ in.; also carved duck 1½ in. long; each with perforation, curious. Alaska.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>140</td> <td>Relics from mound, Clay Co., N. C. Two bear’s teeth, four human teeth, shells, etc. Lot.</td></tr>
+ <tr><td class='item_nr'>141</td> <td>Pearl Shells. Perforated in process of making into fish-hooks, fine iridescent color on one side. San Miguel Island, Cal.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>142</td> <td>Pearl Shell Ornaments. San Miguel Island, Cal.</td> <td class='lots'>5 pcs</td></tr>
+ <tr><td class='item_nr'>143</td> <td>Whetstones. Very hard stone, narrow and with pointed ends. Scarce and desirable. S. W. California.</td> <td class='lots'>4 pcs</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page11' title='11'> </a>144</td> <td><strong class='item'>Bird Call.</strong> Terra cotta, black, turtle-shaped with head and flippers, round hole in back, two smaller ones at the side. Curious and rare object from Indian grave near Los Angeles, Cal.</td></tr>
+ <tr><td class='item_nr'>145</td> <td><strong class='item'>Terra Cotta Figures.</strong> Male and female Idols in red terra cotta. Decorated in various pigments; old fractures newly mended. Height 15 and 14 in. Found in ancient water conduit near Mojave, Hackberry, Ariz. V. rare and curious.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>146</td> <td><strong class='item'>Bone Whistle.</strong> Made from human thigh bone, the large hole at one end plugged with a black, pitchy substance. Rare and curious. Santa Barbara, Cal.</td></tr>
+ <tr><td> </td><td>The four following lots, domestic utensils of the ancient Cherokees, are from a mound at Edgefield, S. C, dug up by Mr. William I. Scott, of Augusta, Ga., in 1895.</td></tr>
+ <tr><td class='item_nr'>147</td> <td><strong class='item'>Pipe</strong>, so called, but may be a lamp. Wide bowl surrounded by nine projecting stems, each perforated and reaching into the bowl. Total width 4¼ × 1¾ in. Steatite or soapstone, rare and curious.</td></tr>
+ <tr><td class='item_nr'>148</td> <td><strong class='item'>Cup.</strong> Steatite, with handle and spout; rare. 3 × 4 in.</td></tr>
+ <tr><td class='item_nr'>149</td> <td><strong class='item'>Cup.</strong> Steatite, with handle. 4 × 2¼ in. Rare.</td></tr>
+ <tr><td class='item_nr'>150</td> <td><strong class='item'>Dipper</strong> or <strong class='item'>Spoon.</strong> Short handle. Steatite, perfect and rare. 3½ in.</td></tr>
+ </table>
+
+ <h3>MISCELLANEOUS.</h3>
+ <table summary='Miscellaneous'>
+ <tr><td class='item_nr'>151</td> <td>Small Collection of Aztec relics, brought from Mexico many years ago, by Señor Da Costa Gomez. Terra cotta figure, 4½ in.; ancient Mirrors, polished surface, convex backs, 1½ in. (2); copper Idol, 3 in.; jade Amulet, 1¼ in.; obsidian Lip ornament; green jade Ornament, perforated, 1¼ in.; polished Pendant, 1½ in.; string of polished perforated stone Beads, fine colors (7).</td> <td class='lots'>15 pcs</td></tr>
+ <tr><td class='item_nr'>152</td> <td><strong class='item'>Amulet.</strong> Heart-shaped, small perf.; fine green stone, jade or serpentine. 4¼ in. Rare and curious. Mexico.</td></tr>
+ <tr><td class='item_nr'>153</td> <td><strong class='item'>Aztec Beads.</strong> A necklace of perforated stone pebbles varying in size from ½ to 1¼ in., green and mottled colors, fine polish. Rare to excess. 38 pcs.</td> <td class='lots'> Lot</td></tr>
+ <tr><td class='item_nr'>154</td> <td><strong class='item'>Arrow Points.</strong> Five fine arrow points and four flakings, obsidian. Mexico. Fine and rare.</td> <td class='lots'>9 pcs</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page12' title='12'> </a>155</td> <td><strong class='item'>Neck Ornament.</strong> Aztec, of obsidian, semi-lunar, small perf. at each end for suspension, ⅝ wide, 3½ in. across. V. fine and rare.</td></tr>
+ <tr><td class='item_nr'>156</td> <td><strong class='item'>Silver Chalice</strong> or Temple Cup from Ancona, near Lima, Peru, time of the Incas. Height 8½ in., width across mouth 2¾ in. Very thin silver, hammered from one piece of metal; centre of cup bears impress of a human face with ears and prominent nose; fanciful zig-zag ornamentation or crown above. In absolutely perfect condition and of the highest rarity, color black from oxidation.</td></tr>
+ <tr><td class='item_nr'>157</td> <td>Silver Chalice. Without decorative ornamentation above the face; equally fine and perfect, both marvels of workmanship of a by-gone age, black color. 6⅞ in.</td></tr>
+ <tr><td class='item_nr'>158</td> <td>Pottery Jar. Traces of brown-colored pigment, from Chiriqui graves, Colombia, S. A. 3 × 4 in.</td></tr>
+ <tr><td class='item_nr'>159</td> <td><strong class='item'>Knife.</strong> Obsidian, oval shaped, finely flaked; when held to the light, shows dark, cloudy lines across its surface; very showy and rare. 5 in. Lassen Co., Cal.</td></tr>
+ <tr><td class='item_nr'>160</td> <td><strong class='item'>Beads.</strong> Stone Beads from grave, La Salle, Ill. Bead made from the oliva shell, which is not found nearer than the Florida coast; this specimen from Indian grave at Peoria, Ill.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>161</td> <td>Perforated stone Beads, from Lodi, Miss. 1⅜ in.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>162</td> <td>Plummet or Sinker. Blue stone. Meredith, N. H.</td></tr>
+ <tr><td class='item_nr'>163</td> <td>Arrow Point of remarkable shape, notched on each side; the base runs to a sharp point, perfect. 1¼ × 2¾ in.</td></tr>
+ <tr><td class='item_nr'>164</td> <td><strong class='item'>Copper Beads.</strong> Necklace of 24½ in. beads from Indian grave. Memaloose Is., Oregon. Rare.</td></tr>
+ <tr><td class='item_nr'>165</td> <td>Copper Beads. From 1 to 6 in. in length, ¼ in. thick (20). Flathead Indian graves. Rare lot.</td></tr>
+ <tr><td class='item_nr'>166</td> <td>Copper Pendant. Perforated for suspension, four notches at base. Same locality as No. 164, rare.</td></tr>
+ <tr><td class='item_nr'>167</td> <td>Copper Ornaments from graves as above; one small Bracelet, two Pendants, one long Bead with original string still in the bead. Rare.</td> <td class='lots'>4 pcs</td></tr>
+ <tr><td class='item_nr'>168</td> <td>Glass Beads. Fine necklace of the Hudson’s Bay Trading Co. beads, from Flathead Indian grave, Memaloose Is., Oregon.</td> <td class='lots'>Lot</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page13' title='13'> </a>169</td> <td><strong class='item'>Earrings.</strong> Long earrings, each made from about 120 dentalium shells. Brass rings for suspension, length, 14 ins., width, 1¾ in. Very curious and rare. Oregon.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>170</td> <td>Shell Pendant or Ornament of perforated shell, small copper ball at bottom. Indian grave, Cayuga, Co., N. Y. Very rare.</td></tr>
+ <tr><td class='item_nr'>171</td> <td><strong class='item'>Necklace</strong> of 37 objects: glass beads, bits of copper and catlinite or red pipe stone cut in fanciful form; of great interest and rarity. Springport, Cayuga Co., N. Y.</td></tr>
+ <!-- There was no item number 172 in the original -->
+ <tr><td class='item_nr'>173</td> <td><strong class='item'>Wampum Treaty Belt.</strong> This rare relic was found with three others, by Mr. Wm. W. Adams, at the old Fleming farm, East Cayuga, Cayuga Co., N. Y., in 1888. One of the four is now in the British Museum; the present ownership of the other two is unknown to me. This belt, the fourth of the find, is 2 ft. 3 in. in length and 2½ in. wide; it contains 1,600 beads; the outer or border row is made from red glass beads (wampum size); inside the border are seven rows of the <em>genuine</em> shell wampum or <em>Wampumpeague</em> of the Colonial period; 12 fanciful designs of dark and yellow beads at intervals in its length. Very rare and desirable.</td></tr>
+ <tr><td class='item_nr'>174</td> <td><strong class='item'>Shell Beads</strong>, etc. A card, 8½ × 9 in., containing an outer string of 110 perforated shell beads, ⅜ × ½ in. in size; an inner string of 150, more or less, perforated sea-shells; another string of 15 large and small shell beads from Spang Mound, East Tennessee; and two splendid examples of the rotary arrow points in black flint and yellowish chert, both perfect. Rare. Lot.</td></tr>
+ <tr><td class='item_nr'>175</td> <td>String of Shell Beads, from burial mound, Ga.; another string of very small perforated shell-money from the South Sea Islands. Mounted, rare.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>176</td> <td>Mounted colored Shells, shell discs. Georgia.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>177</td> <td>String of small thin perforated Beads, too numerous to count, with one large flat bead 1⅜ in. diameter. Total length of string about 28 in. Rare. San Miguel Island, Cal. Lot.</td></tr>
+ <tr><td class='item_nr'>178</td> <td>String of six enormous perforated shell beads, two are 1½ in. long and broad, from Lake Creek Mound, Tenn. String of 23 flat perforated shell discs, Tennessee River, near Nashville.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page14' title='14'> </a>179</td> <td>Shell Hair Pins. Two very fine examples of these rare relics made from the columella of the Conch Shell or strombus, one 7, the other 6½ in. long; small string of 31 Shell Beads; string of 11 Beads; also on the card a fine Spear Head of dark stone, 4¾ in. long. Choice and rare lot, all from Georgia. All mounted.</td> <td class='lots'>5 pcs</td></tr>
+ <tr><td class='item_nr'>180</td> <td>Shell Beads. String of large perforated Beads; string of 40 beads, from mound near Cartersville, Ga. Rare.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>181</td> <td><strong class='item'>Bone</strong> or porcelain Beads from Indian grave, Rocky Mountains. String of 42 oblong polished beads; another, smaller size, all very fine and rare.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>182</td> <td>Bone and Shell Necklace, one of each, very handsome. Georgia.</td> <td class='lots'> 2 lots</td></tr>
+ <tr><td class='item_nr'>183</td> <td>Shell Necklace of 21 perf. beads, 22 in. in length. Very choice. Mound near Hardin, Calhoun Co., Ill.</td></tr>
+ <tr><td class='item_nr'>184</td> <td>Curious Necklace of 56 perf. shells, each ground flat, about 20 in. in length; fine example from burial site, mouth Illinois River, Lincoln Co., Ill.</td></tr>
+ <tr><td class='item_nr'>185</td> <td>Shell Ornaments. One large perf. shell; two fine semi-lunar neck ornaments, ⅜ × 4 in. long. Fine iridescence. California.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>186</td> <td>Stone Beads. Sixteen polished, perforated stone beads, greenish color, two very large. Rare. Santa Barbara, Cal.</td></tr>
+ <tr><td class='item_nr'>187</td> <td>Shell Beads. Three strings of Shell Beads. Fine and perfect specimens. New Madrid Co., Mo.; Calhoun Co., Ill. and mound, Calhoun Co., Ill.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>188</td> <td>Crinoid Beads, etc. Strings Crinoid and shell beads from grave, Calhoun Co., Ill., burial mound, Pike Co., Mo. and San Miguel, Cal.</td> <td class='lots'>5 pcs</td></tr>
+ <tr><td class='item_nr'>189</td> <td>Bone Beads. Five bone beads, ⅜ to 1¼ in. (human?). Stanley, Ark.</td> <td class='lots'>5 pcs</td></tr>
+ <tr><td class='item_nr'>190</td> <td>Shell and Glass. One small string fresh water shells, two strings of red and blue, long glass beads. Surface finds, Cayuga Co., N. Y. Rare.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>191</td> <td>Wampum and Baldrick beads. String of 112 pcs <em>genuine</em> wampum, in blue and white variety, exceedingly rare; another string of 16 pcs, shell baldrick beads, one 4½ in. in length. All perforated, exceeding fine and rare lot, from graves, Cayuga Co., N. Y.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page15' title='15'> </a>192</td> <td><strong class='item'>Obsidian.</strong> Core from which knives have been chipped, 2½ × 3½ in. Fine and scarce specimen. Mexico.</td></tr>
+ <tr><td class='item_nr'>193</td> <td><strong class='item'>Tomahawk.</strong> Iron, time of French and Indian wars; Seneca Falls, N. Y. 6 in. length, width of blade 3½ in. Fine and rare.</td></tr>
+ </table>
+
+ <h4>EFFIGY PIPES, ETC.</h4>
+ <table summary='effigy pipes'>
+ <tr><td class='item_nr'>194</td> <td>Large Calumet or Peace Pipe of steatite. Head of an animal, sharp pointed nose, very large stem aperture. Size, 3½ × 4½ in., a little rubbed on one side, otherwise perfect. From Silver Creek, near Morgantown, N. C.</td></tr>
+ <tr><td class='item_nr'>195</td> <td><strong class='item'>Bird Pipe.</strong> Dark stone, head of a hawk carved on bowl, perforation for suspension. A remarkable specimen of these now rare types. Randolph Co., Tenn. 2½ × 3½ in.</td></tr>
+ <tr><td class='item_nr'>196</td> <td><strong class='item'>Frog Pipe.</strong> Grayish stone, body and head of a frog with open mouth to receive pipe-stem. Size, 3 × 5 in. Perfect, fine and very rare type. Scott Co., Ky.</td></tr>
+ <tr><td class='item_nr'>197</td> <td><strong class='item'>Calumet</strong> or Council Pipe. Duck’s head and general outline of that bird, incised lines for wings, etc. Large bowl and stem for aperture. Size, 3¾ × 8 in. Greenish micaceous stone. Rare and valuable. For illustration, see C. C. Jones’s “History of the Southern Indians.” Bastow Co., Ga.</td></tr>
+ <tr><td class='item_nr'>198</td> <td><strong class='item'>Massive Calumet</strong> or Council Pipe. Steatite, stem square 2 in. each way, the bowl rises at a slight outward angle, top broken at one corner. 5 × 5 in. Very heavy and remarkable example (see C. C. Jones’s History, etc.). Rare. Cherokee Co., Ga.</td></tr>
+ <tr><td class='item_nr'>199</td> <td><strong class='item'>Calumet.</strong> Similar to last in form and material, but smaller, being 2¼ × 4 in., top of bowl damaged at two corners. Rare. Hightower River, Ga.</td></tr>
+ <tr><td class='item_nr'>200</td> <td><strong class='item'>Platform</strong> or <strong class='item'>Peace Pipe</strong>. Very large and curious form, the pipe proper lies on a base with rounded edges, large bowl and stem apertures. Yellowish sandstone. 4 × 4¾ in. Perfect in every respect, unusual and rare type. Union Co., N. C.</td></tr>
+ <tr><td class='item_nr'>201</td> <td>Mound Builder’s Pipe of pottery, long stem, bowl on centre of stem. 2¾ × 5½ in. A very primitive affair. Rare. From mound, Faulkner Co., Ark.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page16' title='16'> </a>202</td> <td><strong class='item'>Lodge Pipe.</strong> A curiosity, in having <em>two</em> stems at right angles from the bowl, 1⅜ in. deep, 3 in. to end of each stem. Dark soft stone, very rare. Hancock Co., Tenn.</td></tr>
+ <tr><td class='item_nr'>203</td> <td>Round Pipe, bowl and stem, both circular and damaged. Steatite. 2 × 3 in. Walton Co., Ga.</td></tr>
+ <tr><td class='item_nr'>204</td> <td><strong class='item'>Mound Builder’s Pipe.</strong> Long and graceful shape of pottery; stem has been broken but mended. 7 in. Very rare. Oneida Co., N. Y.</td></tr>
+ <tr><td> </td><td>All pipes from New York State are of great rarity.</td></tr>
+ <tr><td class='item_nr'>205</td> <td><strong class='item'>Platform Pipe.</strong> Dark greenish stone, finely polished, of graceful outline and excellent workmanship; the platform or stem proper has been cracked, but neatly repaired. 3½ in. Very fine and rare specimen. Delaware Co., N. Y.</td></tr>
+ <tr><td class='item_nr'>206</td> <td><strong class='item'>Polished Pipe.</strong> Greenish mottled stone with 14 tally marks or notches on each side of the stem. 3½ in. Very fine and rare. From Fish Creek, Saratoga Co., N. Y.</td></tr>
+ <tr><td class='item_nr'>207</td> <td><strong class='item'>Pipe.</strong> Conical, with perforated handle at one side, greenish colored stone; the pipe is always a rarity and another of this variety is perhaps unknown. 1¾ × 2¼ in. Saratoga, N. Y.</td></tr>
+ <tr><td class='item_nr'>208</td> <td>Pipe. Fine polish and shape, dark green color. 1½ × 1½ in. Another, smaller, bowl broken. Eta River, Ga.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>209</td> <td>Esquimaux Stone Pipe, of greenish color, fancifully carved decoration, fine polish. 2⅜ in., no stem. Perfect and interesting. Labrador.</td></tr>
+ <tr><td class='item_nr'>210</td> <td>Mound Builder’s Stone Platform Pipe. Very thick, square base and low bowl, incised line around bowl and two small circular projections at end of stem; a rarity. 2¾ in. Lake Wabesha, Wisconsin.</td></tr>
+ <tr><td class='item_nr'>211</td> <td>Pottery Pipe. High bowl, short stem. 3¼ in., perfect. Another pipe or tube also of pottery. 3 in. Asheville, N. C.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>212</td> <td>Pipe. Pottery, with human face and projecting ears. 1¾ × 3 in., perfect. Pensacola, Fla.</td></tr>
+ <tr><td class='item_nr'>213</td> <td>Pipe. Rude attempt at carving a human face, steatite. 2 × 2 in. S. C.</td></tr>
+ <tr><td class='item_nr'>214</td> <td><strong class='item'>Tube.</strong> Unfinished; excessively hard iron stone. 2 × 5½ in. Lewis Co., N. Y.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page17' title='17'> </a>215</td> <td>Iron pipe. A curiosity, probably of the Colonial period, when “a pipe was a pipe” and not easily to be replaced. Bowl, ⅝ in., stem, 5¼ in.; very thin, slightly rusted in centre of stem. Rare. Oneida, N. Y.</td></tr>
+ <tr><td class='item_nr'>216</td> <td>Stone Pipe. Red catlinite, heavy silver band at junction of bowl and stem. Very fine deep red color and polish; length of stem, 8½ in., height of bowl, 4 in. Modern Sioux, a very choice specimen, duplicate from the Smithsonian Institute, Wash.</td></tr>
+ <tr><td class='item_nr'>217</td> <td>Oregon Bird Points. Fine gem arrow points, from the Willamette River. Obsidian, jasper, etc., mounted and framed, under glass.</td> <td class='lots'>116 pcs</td></tr>
+ <tr><td class='item_nr'>218</td> <td><strong class='item'>Ohio.</strong> Arrow and Spear points of fine form, color and material, neatly arranged and framed, under glass.</td> <td class='lots'>105 pcs</td></tr>
+ </table>
+
+ <h4>REVOLUTIONARY ARMS AND RELICS, ETC.</h4>
+ <table summary='Revolutionary Arms, etc.'>
+ <tr><td class='item_nr'>219</td> <td><strong class='item'>Capt. John Paul Jones.</strong> Marine Glass. Brass mounted, 22 in. Engraved <strong class='item'>John Paul 1773.</strong> Cardboard attached, with pen and ink portrait of Capt. Jones, and fol. certificate: <em>John Paul Jones Mariene Glass before and after the Revolutionary War. I got it from Wm. Miller, Esq. a friend of Gen. Jones who got it from Him. It was greatly admired by all the Generals and my friends. J. T.</em> (Col. John Trumbull, aide-de-camp to Washington.) In curious old ornate case, inscribed <strong class='item'>Com. John Paul Jones Spy Glass.</strong></td></tr>
+ <tr><td class='item_nr'>220</td> <td>John Paul Jones. Miniature Portrait painted in India ink on deer-skin, by John Trumbull, 1776. Colonial frame.</td></tr>
+ <tr><td class='item_nr'>221</td> <td><strong class='item'>Robert Morris.</strong> Flint Lock Musket, ramrod missing. <strong class='item'>Robert Morris</strong> engraved at side. Cardboard certificate inscribed: <em>Gun carried by Robert Morris Chief Justice of N. Jersey. J. T.</em></td></tr>
+ <tr><td class='item_nr'>222</td> <td>Robert Morris. Revolutionary Fire Pan. Iron, flintlock, in good condition, curious and rare. 8 in. With certificate: <em>Fire Pan used by Robert Morris of New Jersey. J. T.</em></td></tr>
+ <tr><td class='item_nr'>223</td> <td>Robert Morris. Pair brass Spurs. Certificate: <em>Brass Spurs used by Robert Morris of N. Jersey. J. T.</em></td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page18' title='18'> </a>224</td> <td><strong class='item'>Gen. Alexander Hamilton.</strong> Flintlock Carbine, <strong class='item'>Dempsey</strong> maker. <strong class='item'>A Hamilton N. Y.</strong> engraved on stock. Certificate on cardboard: <em>Gen. Alexander Hamilton’s Gun, a present from the Executors. Clippings inside. J. T.</em> (Several clippings published after his death, inserted). Of great interest.</td></tr>
+ <tr><td class='item_nr'>225</td> <td><strong class='item'>Gen. Francis Rawdon.</strong> Flint Lock Pistol, 22 in. Brass mountings, FR in crowned monogram engraved, also name <strong class='item'>Roger Sherman</strong> engraved on side. Cardboard certificate: <em>Gen. Francis Rawdon’s Pistol. An Eng. Gen. that fought all through the Rev. War. Pistol found at the Battle of Bunkers Hill and presented to R. S. by Gen. Putnam. I got it in exchange for a Painting. J. T.</em> A unique Revolutionary trophy.</td></tr>
+ <tr><td class='item_nr'>226</td> <td><strong class='item'>Samuel Frauncis.</strong> Flint Lock Pistol, stock handsomely engraved, S. F. cut at side. 18 in. Given by Frauncis of Frauncis Tavern, N. Y., to Col. John Trumbull, who placed it in his Collection of Revolutionary Relics. Certificate lost, but attribution of this, as of every object in this catalogue, guaranteed by Cataloguer.</td></tr>
+ <tr><td class='item_nr'>227</td> <td>Colonial Pike. Used by N. E. home guards in Colonial days. Modern shaft.</td></tr>
+ <tr><td class='item_nr'>228</td> <td><strong class='item'>Dragoon Sabre.</strong> Heavy scabbard, brass mountings. Used in Colonial days. Massachusetts.</td></tr>
+ <tr><td class='item_nr'>229</td> <td><strong class='item'>Sword.</strong> Ivory handle, etc., eagle’s head. Major John Merrill, Duxbury, Mass., war 1812.</td></tr>
+ <tr><td class='item_nr'>230</td> <td><strong class='item'>Revolutionary Cannon Balls.</strong> From the battle field of Long Island. 3 sizes.</td> <td class='lots'>Lot of 3 pcs</td></tr>
+ <tr><td>&nbsp;</td><td><hr /></td></tr>
+ <tr><td class='item_nr'>231</td> <td><strong class='item'>Hunting Knife.</strong> Ivory handle, bronze lion-head pommel; 12 in. blade engraved with U. S. arms, etc. Once the property of the famous Western Pioneer, David Crockett. From Peale’s Museum, Phila.</td></tr>
+ <tr><td class='item_nr'>232</td> <td>Sioux War Club. Pony tail as handle. 20 in. Modern.</td></tr>
+ </table>
+
+ <h4>FIRE ARMS, SWORDS, ETC.</h4>
+ <table summary='Fire arms, swords, etc.'>
+ <tr><td class='item_nr'>233</td> <td><strong class='item'>Blunderbuss.</strong> Flint lock, brass barrel and mountings; English make, in perfect order; an extra fine and heavy specimen. 2 ft. 9½ in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page19' title='19'> </a>234</td> <td>Blunderbuss. Flint lock, English make, in perfect condition, extra fine. 2 ft. 4 in.</td></tr>
+ <tr><td class='item_nr'>235</td> <td>Blunderbuss. Percussion lock, very fine, carved black stock, French make. 2 ft. 8 in.</td></tr>
+ <tr><td class='item_nr'>236</td> <td>Blunderbuss. Circassia, flint lock, muzzle, 4½ in. diam., barrel etched, stock inlaid with arabesque patterns, very fine and rare. 1 ft. 8 in.</td></tr>
+ <tr><td class='item_nr'>237</td> <td><strong class='item'>Pistol.</strong> Long Algerine flint lock, woodwork overlaid with ornamental metal covering, repoussé work, no ramrod. 1 ft. 7 in.</td></tr>
+ <tr><td class='item_nr'>238</td> <td>Pistol. Turkish, flint lock, carved stock, no ramrod. 1 ft. 7 in.</td></tr>
+ <tr><td class='item_nr'>239</td> <td>Pistols. Pair German duelling pistols, percussion locks, sweet briar handles; locks and barrels finely etched, with gold inlaying, barrels rifle grooved. <em>Lindenschmidt Mainz</em> on barrel; marked 1 and 2 respectively; of the finest mechanism.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>240</td> <td>Pistol. English, flint lock, brass barrel. <strong class='item'>D. GOFF.</strong> Very fine; small piece from stock. 1 ft. 2 in.</td></tr>
+ <tr><td class='item_nr'>241</td> <td>Pistol. French, flint lock, brass barrel. Du Bois &amp; Fils. Very fine; stock slightly defective at end. 1 ft. ½ in.</td></tr>
+ <tr><td class='item_nr'>242</td> <td><strong class='item'>Revolver.</strong> English, 5 barrels, extra fine and very heavy, perfect. 11½ in.</td></tr>
+ <tr><td class='item_nr'>243</td> <td>Revolver. French, 6 barrels rifled, finely etched, perfect and curiously made. 7½ in.</td></tr>
+ <tr><td class='item_nr'>244</td> <td>Revolver. French, 8 barrels, also 1 long barrel (9 in all), <em>double action</em> hammer, in perfect order, once the property of the notorious Captain Wirz, commandant of the Andersonville, S. C, prison pen. From General Cameron’s Collection. Wirz was finally executed for his crimes. 13 in.</td></tr>
+ <tr><td class='item_nr'>245</td> <td>Revolver. Colt’s pattern (pepper-box), 5 barrels, a beautiful unused specimen. 9½ in.</td></tr>
+ <tr><td class='item_nr'>246</td> <td>Revolver. <strong class='item'>Ortmann Liege.</strong> 6 barrels, etched, perfect, a curious little bit. 4½ in.</td></tr>
+ <tr><td class='item_nr'>247</td> <td>Revolver. Remington. 4 barrels. Also very curious, perfect. 5 in.</td></tr>
+ <tr><td class='item_nr'>248</td> <td>Revolver. Allens. 5 barrels, curious side hammer. Early type. 9 in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page20' title='20'> </a>249</td> <td>Revolver. American Arms Co. 2 barrels. Perfect. 6 in.</td></tr>
+ <tr><td class='item_nr'>250</td> <td>Pistol. Flintlock. English, curious. 8 in.</td></tr>
+ <tr><td class='item_nr'>251</td> <td>Pistol. Flintlock, hammer on top of barrel, etched. Very early type. 6 in.</td></tr>
+ <tr><td class='item_nr'>252</td> <td>Pistol. <strong class='item'>Varley &amp; Co. London</strong>. 2 barrels. Perfect, very fine. 10 in.</td></tr>
+ <tr><td class='item_nr'>253</td> <td>Pistol. Small Derringer, early type, rifle barrel, nipple gone. 6 in.</td></tr>
+ <tr><td class='item_nr'>254</td> <td>Pistol. Flintlock. <strong class='item'>R. Johnson. Conn.</strong> 1842. Polished, unused specimen. 14½ in.</td></tr>
+ <tr><td class='item_nr'>255</td> <td>Pistol. Percussion, U. S. Navy pattern, 1821. Perfect. 16 in.</td></tr>
+ </table>
+
+ <h4>SWORDS, ETC.</h4>
+ <table summary='Swords, etc.'>
+ <tr><td class='item_nr'>256</td> <td><strong class='item'>Claymore</strong>, Scottish, used at Waterloo, open work basket guard. Very fine. 3 ft. 9 in.</td></tr>
+ <tr><td class='item_nr'>257</td> <td>Another. Said to have been used at Culloden, fine open work basket guard, blade slightly curved. 3 ft. ½ in.</td></tr>
+ <tr><td class='item_nr'>258</td> <td><strong class='item'>Sword</strong>. Highland, rusty, and has received hard knocks. See particulars attached. 2 ft. 9 in.</td></tr>
+ <tr><td class='item_nr'>259</td> <td>Rapier, blade only, stamped on each side, <strong class='item_allsmall'>X TOLEDO MADRIET X</strong> and mark of the <em>running Fox</em>. Fine and rare specimen of the famous Toledo blades. 3 ft.</td></tr>
+ <tr><td class='item_nr'>260</td> <td>Rapier. With quillons and pas d’Ane. Good specimen. 3 ft. 3 in.</td></tr>
+ <tr><td class='item_nr'>261</td> <td>Scimitar and scabbard, Algerine. Finely decorated and curved blade. 3 ft.</td></tr>
+ <tr><td class='item_nr'>262</td> <td>Rapier. French, open guard, used in Mexico, 1864. 3 ft. 2 in.</td></tr>
+ <tr><td class='item_nr'>263</td> <td>Sword. American. Curved blade, open guard. <em>Circa</em> 1800. 2 ft. 11 in.</td></tr>
+ <tr><td class='item_nr'>264</td> <td>Sword. Heavy cavalry sword, German; steel scabbard, straight blade. <em>Circa</em> 1776. 3 ft. 6 in.</td></tr>
+ <tr><td class='item_nr'>265</td> <td>Sword. Steel scabbard, curved blade, made by Tiffany &amp; Co., N. Y. 1861-65. 3 ft. 6½ in.</td></tr>
+ <tr><td class='item_nr'>266</td> <td>Sword. Two-handed, fac-simile of that used by Sir Wm. Wallace. 5 ft. 1 in.</td></tr>
+ <tr><td class='item_nr'>267</td> <td>Dirk. Highland; old time make, blade, 1½ × 12½ in. 1 ft. 6 in.</td></tr>
+ <tr><td class='item_nr'><a class='pagenum' id='page21' title='21'> </a>268</td> <td>Pilgrim’s Staff. Hollow iron handle, with claw and small hatchet, <em>sliding</em> lance, 2 ft. 7 in. long; that, when not in use, is returned inside the handle. <em>Circa</em> 1600; very curious. Total length, 6 ft.</td></tr>
+ <tr><td class='item_nr'>269</td> <td>Cross-bow shaft, black oak; parts of the leather feathering still remain; triangular, steel head. 15th century. 1 ft. 4½ in.</td></tr>
+ <tr><td class='item_nr'>270</td> <td><strong class='item'>Tilting Visor.</strong> Iron, very heavy bars. Rare. 7½ × 8½ in.</td></tr>
+ <tr><td class='item_nr'>271</td> <td><strong class='item'>War Club.</strong> “Maquahuilt” Aztec, studded with genuine obsidian teeth. A fac-simile of the original in museum, City of Mexico. 3 ft.</td></tr>
+ <tr><td class='item_nr'>272</td> <td><strong class='item'>Pistols.</strong> 4 old <em>pepper boxes</em>, Colt’s pattern, one of 3 barrels, not in good order.</td> <td class='lots'>4 pcs</td></tr>
+ <tr><td class='item_nr'>273</td> <td><strong class='item'>Spurs.</strong> Mexican. Enormous rowels. 3 and 4 in. diameter. Very fine.</td> <td class='lots'>2 pcs</td></tr>
+ <tr><td class='item_nr'>274</td> <td><strong class='item'>Keys.</strong> Iron, very old patterns. 4 to 5 in. long, on plaque.</td> <td class='lots'>9 pcs</td></tr>
+ <tr><td class='item_nr'>275</td> <td><strong class='item'>Harpoon.</strong> From New London, Conn.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>276</td> <td><strong class='item'>Scalp Locks.</strong> Mounted, handsomely decorated with colored bead work. Assiniboin and Sioux. Very rare.</td> <td class='lots'>3 pcs</td></tr>
+ <tr><td class='item_nr'>277</td> <td><strong class='item'>War Club.</strong> Modern Sioux, double pointed stone head, rawhide handle, feather decoration. 2 ft. 2 in.</td></tr>
+ <tr><td class='item_nr'>278</td> <td><strong class='item'>Walnut Relic Case.</strong> With locks and two glass doors to each section. Lower portion, 2 ft. 7 in. high, 4 ft. wide, 8 in. deep. Upper section, 3 ft. 4 in. high, 3 ft. 10 in. wide, 5 in. deep.</td></tr>
+ <tr><td class='item_nr'>279</td> <td><strong class='item'>Cherry Pistol Case.</strong> 4 ft. 11 in. high, 1 ft. 10 in. wide, 5 in. deep; with lock and glass door.</td></tr>
+ </table>
+
+ <div class='illo'>
+ <img src="images/illo2.png" width="332" height="143" alt="Decorative illustration" />
+ </div>
+
+ <h2><a class='pagenum' id='page22' title='22'> </a>CONDITIONS OF SALE.</h2>
+
+ <p>I. The highest bidder is to be the buyer; and if any dispute
+ arise between two or more bidders, the lot so in dispute
+ shall be immediately put up again and re-sold.</p>
+
+ <p>II. The purchaser to give in his or her name and residence,
+ and to make a deposit of 25 per cent., or more, in part
+ of payment, or the whole of the purchase money, <em>if required</em>;
+ in default of which, the lot or lots so purchased to be immediately
+ put up again and re-sold.</p>
+
+ <p>III. The lots to be taken away and paid for, whether
+ genuine and authentic or not, with all faults or errors of
+ description, at the buyer’s expense and risk, within two days
+ from the sale; the Fifth Avenue Auction Rooms not being
+ responsible for the correct description, genuineness, or authenticity
+ of, or any fault or defect in, any lot; and making no
+ warranty whatever, the goods having been on exhibition for
+ two days before sale.</p>
+
+ <p>IV. To prevent inaccuracy in delivery, and inconvenience
+ in the settlement of the purchase, no lot can, on any account,
+ be removed during the time of sale; and the remainder of the
+ purchase money must absolutely be paid on delivery.</p>
+
+ <p>V. Upon failure of complying with the above conditions,
+ the money deposited in part of payment shall be forfeited; all
+ lots uncleared within the time aforesaid shall be re-sold by
+ public or private sale, and the deficiency (if any) attending
+ such re-sale shall be made good by the defaulter at this sale.</p>
+
+ <p class='signature'>WM. B. NORMAN,<br />
+ <em>Auctioneer.</em></p>
+
+ <div id='transcriber_note'>Transcriber’s Note: Item 172 did not exist in the catalogue.</div>
+ <div id='the_end'>&nbsp;</div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+***** This file should be named 36598-h.htm or 36598-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/6/5/9/36598/
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
+
diff --git a/36598-h/images/illo1.png b/36598-h/images/illo1.png
new file mode 100644
index 0000000..661fa32
--- /dev/null
+++ b/36598-h/images/illo1.png
Binary files differ
diff --git a/36598-h/images/illo2.png b/36598-h/images/illo2.png
new file mode 100644
index 0000000..01e4421
--- /dev/null
+++ b/36598-h/images/illo2.png
Binary files differ
diff --git a/36598.txt b/36598.txt
new file mode 100644
index 0000000..671f28e
--- /dev/null
+++ b/36598.txt
@@ -0,0 +1,1474 @@
+The Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: American Antiquities
+ Auction Catalogue, January 8, 1898
+
+Author: Wm. B. Norman
+
+Release Date: July 3, 2011 [EBook #36598]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+ AMERICAN ANTIQUITIES.
+
+ Pre-historic Stone Implements, Mound
+ BuildersaEuro(TM) Relics, Revolutionary
+ and Foreign Arms,
+ Etc., Etc.
+
+ SALE BY AUCTION,
+
+ AT THE
+
+ Fifth Avenue Auction Rooms,
+
+ No. 238 FIFTH AVENUE, NEW YORK,
+
+ JANUARY 8, 1898.
+
+ _WM. B. NORMAN, Auctioneer._
+
+
+
+
+_This entire Collection will be on exhibit at the Fifth Avenue Auction
+House, No. 238 Fifth Avenue, New York, on Thursday and Friday, January
+6 and 7, 1898, from 10 A.M. to 6 P.M.; and on the day of the Sale,
+during the morning hours._
+
+_Orders will be carefully executed by the Auctioneers and Dealers in
+ArchA|ology._
+
+
+
+
+ COLLECTION
+ OF
+ AMERICAN ARCHAEOLOGY,
+ STONE IMPLEMENTS,
+ REVOLUTIONARY AND FOREIGN ARMS,
+ ETC., ETC., ETC.,
+
+ INCLUDING MANY SPECIMENS OF RARITY AND VALUE.
+
+ Mound BuildersaEuro(TM) Relics, Celts, Grooved Axes, Arrow and
+ Spear Heads, Knives, Wampum Treaty Belts and Money,
+ Necklaces, Beads, Shell Ornaments, Effigy and Ceremonial
+ Pipes, Tomahawks, Objects in Hematite
+ and Obsidian, Terra Cotta Figures, Ornaments,
+ Temple Chalices of the Incas, Aztec Ornaments,
+ Revolutionary Arms, Blunderbusses,
+ Pistols, Swords, Rapiers,
+ Claymores, War Clubs,
+ Dirks, Etc., Etc.
+
+ THE PROPERTY OF A RETIRING COLLECTOR.
+
+ Sale by Auction without Reserve,
+ AT THE 5th AVENUE AUCTION ROOMS, 238 5th AVE., NEW YORK,
+ SATURDAY, JANUARY 8th, 1898,
+ BEGINNING AT 2 OaEuro(TM)CLOCK, P. M.
+ _WM. B. NORMAN, Auctioneer._
+
+ _CATALOGUE BY ED. FROSSARD. 151st AUCTION SALE._
+
+ 108 East Fourteenth Street, New York.
+
+ BOSTON:
+ T. R. MARVIN & SON, NUMISMATIC PRINTERS.
+ 1897.
+
+
+
+
+_The Archaeological Collection described in the following pages was
+formed by a well-known Collector, who now, for private reasons,
+relinquishes the pleasurable pursuit which for so many years engrossed
+his moments of leisure. Every specimen in the Collection was selected
+with deliberate discrimination, with the view of exemplifying the best
+forms of arms and implements conceived and fashioned by the
+pre-historic man of that part of the North American Continent embraced
+within the present United States. Such objects are of great interest
+and value to all those interested in this branch of Archaeology, and
+the opportunity offered of adding perfect specimens, at their own
+price, to their cabinets, is one seldom occurring.
+
+Among the objects of marked interest will be found a Wampum Treaty
+Belt; a large number of Ceremonial Pipes, including some very rare
+forms; various objects in hematite, obsidian, copper, etc.; the rare
+Idols from Arizona; Incas Temple Vases in beaten silver from the
+necropolis of Ancona, etc., etc. The arms, foreign and Revolutionary,
+at the end of Catalogue, will be recognized by all interested in the
+subject as valuable specimens, worthy to figure in the best
+Collections.
+
+Every object in this Collection will be sold, with the guarantee, by
+the Cataloguer, of its absolute authenticity and genuineness, both as
+regards material and attribution.
+
+Orders faithfully executed by the Auctioneers and Art Dealers
+generally._
+
+
+
+
+CATALOGUE.
+
+
+
+
+PRE-HISTORIC STONE IMPLEMENTS.
+
+
+CELTS.
+
+1 SMALL CELT, reddish stone. Washington Co., Ohio. 2A1/2 in.
+
+2 Another. Gray stone. Knox Co., O. 2A1/4 in.
+
+3 Another. Blue stone. Athens Co., O. 3A1/4 in.
+
+4 Another. Diorite. Very fine. Athens Co., O. 3A1/4 in.
+
+5 Another. Granite. Very fine. Vinton Co., O. 3A1/2 in.
+
+6 Another. Blue stone. Moss Co., O. 3A3/4 in.
+
+7 Large Celt. Granite, polished edge. Very fine. Mercer Co., Ky.
+5A1/4 in.
+
+8 Another. Granite, polished edge. Very fine. Mercer Co., Ky. 5A3/4 in.
+
+9 Another. Blue slate, edge slightly chipped. Delaware Co., O. 6A1/2 in.
+
+10 Another. Blue slate, edge slightly chipped, but fine. Delaware Co.,
+O. 7A3/4 in.
+
+11 Small Celt. Blue slate, polished edge, perfect. Syria. 3 in.
+
+12 Small hand pick. Blue slate. Harrisburg, Pa. 4A1/4 in.
+
+13 Another. Granite, round top, polished edge. Lincoln Co., Tenn.
+4A1/4 in.
+
+
+GROOVED AXES, ETC.
+
+14 GROOVED AXE of diorite, deeply grooved, fine edge (a head cracker).
+Beaver Co., Pa. 4 in.
+
+15 Another. Greenish stone, deeply grooved, fine edge. Rhea Co., Tenn.
+4 in.
+
+16 Another. Granite, grooved and perfect. Seneca Co., O. 4A1/2 in.
+
+17 Another. Diorite, deeply grooved and perfect. Athens Co., O. 5 in.
+
+18 Another. Mottled granite, deeply grooved. Very fine. Calhoun Co.,
+Ill. 5 in.
+
+19 Another. Dark stone, flat head, entire surface polished and
+perfect. Breckenridge Co., Ky. 5 in.
+
+20 Another. Shows marks of ancient pecking. Warren Co., O. 6 in.
+
+21 Another. Palaeolithic sandstone. Greene Co., Va. 5 in.
+
+22 Another. Same. Greene Co., Va. 4 in.
+
+23 Another. Granite, fine and perfect blade, deep groove, polished
+from long use; fine and desirable. Breckenridge Co., Ky. 6 in.
+
+24 Another. Granite, fine perfect blade, good shape, deep groove, also
+very desirable. Lincoln Co., Tenn. 5 A-- 6A1/2 in.
+
+25 Another. Fine grained granite, extra long and perfect blade, finely
+grooved; rare. Athens Co., O. 4A1/2 A-- 8A1/2 in.
+
+26 Another. Rough pebbly granite; of great size and weight, perfect
+edge. S. W. North Carolina. 6A1/2 A-- 8A1/2 in.
+
+27 ANVIL or Nut stone. Circular, with pitted cavity on each side;
+smooth, nice specimen. Ohio. 4A1/2 A-- 5 in.
+
+28 HAMMER STONE. Granite. Central Ohio. 3 A-- 3A1/2 in.
+
+29 Another. White quartz. Central Ohio. 2A1/2 A-- 3 in.
+
+30 Another. Granite, light groove. Washington Co., R. I. 2 A-- 2A1/4 in.
+
+31 Another. Sand stone, deep groove. New London, Conn. 2A1/4 A-- 2A3/4 in.
+
+32 LARGE HOE. Gray chert, fine large flaking, point polished from long
+use. From Elliptical mound, East St. Louis. 8A1/4 in.
+
+33 PESTLE. Pebbly stone, perfect, cylindrical. Eastern Penn. 11 in.
+
+34 Another. Sandstone; similar. Cincinnati, O. 14 in.
+
+35 Another. Hard gray stone, with carving of animalaEuro(TM)s head at one end.
+Cylindrical, broken in centre but substantially mended. The largest
+and most remarkable example I have seen. Border of Saratoga Lake, N.
+Y. 22A1/2 in.
+
+36 Another. Round, pecked sandstone, with handle of mushroom shape.
+Meade Co., Ky. 4 A-- 6 in.
+
+37 Another. Base has a slight concavity for cracking nuts, smooth from
+long use. Very fine. Ohio. 3A1/2 A-- 5 in.
+
+38 Another. As last, base chipped. Ohio. 3 A-- 5 in.
+
+39 AMULET. Heart-shaped concretion, (see interesting description
+attached). Fine and rare. Texas. 4A1/2 A-- 4A1/2 in.
+
+40 QUOIT. Flint, beautifully flaked, extra fine. Tenn. 4 A-- 4A3/4 in.
+
+41 Quoit or large knife; extra fine. Tenn. 3A1/2 A-- 5A1/4 in.
+
+42 BOLAS STONE. Egg-shaped, white quartz, one end slightly flattened.
+Hall Co., Ga. 1A3/4 A-- 2A1/4 in.
+
+43 Another. Dark stone, curious and rare. Hall Co., Ga. 1A3/4 A-- 2A1/4 in.
+
+44 Saddle-shaped stone, base and ends flat, sides and top rounded to a
+half-circle, with half-inch perforation through its length. Hard dark
+stone. Randolph Co., Tenn. 1A1/2 A-- 2A1/4 A-- 3A1/4 in.
+
+45 Boat-shaped object, top hollowed out, two perforations, steatite or
+soapstone, a perfect and rare specimen. Hancock Co., Tenn. 1a...oe A-- 6A1/4 in.
+
+46 Similar. Micaceous stone. Gwinnett Co., Ga. 1a...z A-- 3A1/4 in.
+
+47 Another. No perforations, ends grooved. Gwinnett Co., Ga.
+1A1/4 A-- 2a...oe in.
+
+48 Another. Different shape, no cavity but perforated with two holes,
+also a rare object. Gwinnett Co., Ga. 1 A-- 3A3/4 in.
+
+49 CEREMONIAL AXE (so called). Yellowish material, perforated with a
+half-inch hole, fine and rare. Saratoga Lake, N. Y. 3a...z in.
+
+50 Another. Slate. Williams Co., O. 4A1/2 in.
+
+51 BANNER STONE. Butterfly shape, light-colored granite, the usual
+perforation begun and half finished; uncommon form, and rare on
+account of its size. James Co., Tenn. 6A3/4 in.
+
+52 Neat perforated fragment, at the bottom of which is a nipple
+showing process employed in drilling, viz., with sand and hollow reed.
+1A1/2 A-- 2A1/2 in.
+
+53 GORGET. Two perforations, slate. Shelby Co., O. 3A3/4 in.
+
+54 Another. One perforation, slate. Marion Co., O. 1A3/4 A-- 3A1/2.
+
+55 Another. Banded slate, very fine. Hardin Co., O. 3A1/4 in.
+
+56 Gorget ornament. Banded slate, diamond shape. Hardin Co., O. 2a... in.
+
+57 Object in steatite, two large holes, edge with notches. Columbia
+Co., O. 2A1/2 in.
+
+58 PENDANT. Steatite, oval shape, perforated, with carving of a human
+face; a curious object. Georgia. 2A1/2 in.
+
+59 POTTERY BUST. Face, front view. Mound, S. E. Missouri. 2A1/2 in.
+
+60 PLUMMET or Slung Shot of quartz, egg-shaped. Massac Co., Ill.
+2 A-- 3A1/2 in.
+
+61 DISCOIDAL or Game Stone, with concavity on each side. Very
+symmetrical, fine and rare. Ohio. 1A1/2 A-- 2A1/2 in.
+
+62 Two, similar, one with centre perforation, both of soft stone.
+Ohio. 3A1/4 A-- 1a...z in. 2 pcs
+
+63 STONE BALL. Incised lines quartering, etc. Very curious. Shelby
+Co., O. 1a...z in.
+
+64 PEARL SHELL. From grave, small perforation, one side covered with
+incised dots in fanciful design. Santa Barbara, Cal. 2A1/2 A-- 4A1/2 in.
+
+65 Mussel Shell from mound, one side encrusted with limestone
+concretion. Pike Co., Ill. 4 in.
+
+66 Mussel Shell. A circular hole through centre. Pike Co., Ill. 3A1/2 in.
+
+
+ARROW AND SPEAR HEADS, ETC.
+
+67 ARROW HEADS. A small collection, some fine. Ohio. 20 pcs
+
+68 Arrow Heads. White quartz. Suffolk Co., N. Y. 3 pcs
+
+69 Arrow Heads. Larger size, all perfect. Ohio. 5 pcs
+
+70 Arrow Heads. Of mottled stone. Cole Co., Mo. 8 pcs
+
+71 SPEAR POINTS. Black flint and chert, all fine, average 4 in. long.
+Ohio. 7 pcs
+
+72 Spear Points. White flint and chert, all fine, average 4A1/2 in. long.
+Ohio. 4 pcs
+
+73 KNIFE. Black flint, finely finished. Clay Co., Ky. 3A1/2 in.
+
+74 Another. Light colored flint, an elegant specimen. St. Clair Co.,
+Ill. 3A1/4 in.
+
+75 Another. White colored flint, very symmetrical. St. Clair Co., Ill.
+3A1/4 in.
+
+76 Another. Dark chert, finely flaked and chipped. Marion Co., Ill.
+5 in.
+
+77 Another. Dark chert, ruder shape than preceding. Ohio. 3A1/2 in.
+
+78 ARROW POINT. Pure white quartz, hollow base, the war point type; a
+beauty. Georgia. 1a...z in.
+
+79 Another. White chert, square base, deeply notched. Cooper Co., Mo.
+1a...z in.
+
+80 Another. Similar to last. Ohio. 2A1/4 in.
+
+81 Another. Pink chalcedony, with dark vein of color, perfect.
+Missouri. 2A1/4 in.
+
+82 Another. ROTARY, rounded base, both edges bevelled and notched.
+Illinois. 2A3/4 in.
+
+83 Another. Square base, deeply notched and serrated, bevelled edges.
+Kentucky. 3 in.
+
+84 Another. Rounded base, very fine. Illinois. 3A1/2 in.
+
+85 Another. Similar to last, very fine. 3A1/2 in.
+
+86 Another. Very remarkable specimen, black flint. Kentucky. 3a...> in.
+
+87 Another. Very large base, serrated and bevelled edges, one barb
+broken. Mercer Co., O. 2 A-- 3 in.
+
+88 SPEAR POINT. Square base, white chert, finely made, perfect. Ohio.
+3A1/2 in.
+
+89 Another. White flint, spade shape, beautifully flaked, very
+symmetrical. Gallien Co., O. 3A1/2 in.
+
+90 Another. Gray flint, round base, deeply notched, serrated edges,
+perfect point. Bowling Green, Ky. 3A1/2 in.
+
+91 Another. Similar, dark flint, extra fine. Bowling Green, Ky. 3A1/4 in.
+
+ Special attention is requested to the following 16 lots, every
+ one of which has something special to recommend it, either for
+ beauty of material, or excellence in design and workmanship.
+
+92 SPEAR HEAD. White chert, in perfect condition. Pike Co., Ill.
+1a...oe A-- 6A3/4 in.
+
+93 Another. Yellow chert, small point from tip. Illinois. 1a...z A-- 6 in.
+
+94 Another. Brown chert, perfect. Illinois. 1A1/4 A-- 6 in.
+
+95 Another. Dark colored stone, fine flaking, two curious lines or
+markings running longitudinally, perfect. Illinois. 1a... A-- 5A1/2 in.
+
+96 Another. White chert, perfect. Illinois. 1A1/2 A-- 5a...> in.
+
+97 Another. Hollowed base, deep notches, serrated edges, tip has been
+broken, but has been _repaired_ by the ancient workman. Very fine.
+Kentucky. 4A3/4 in.
+
+98 Another. Yellow chert, long, square base, point slightly damaged,
+but very finely made. Kentucky. 5A3/4 in.
+
+99 Another. Black flint, sharp, square base, beautifully flaked,
+perfect. Kentucky. 5A1/2 in.
+
+100 Another. Yellow flint; when held to the light, shows fine cross
+marking of dark color; hollow base, very small notches, very beautiful
+and desirable. Illinois. 4A3/4 in.
+
+101 Another. White chert, long, square base, as No. 96, beautifully
+made. Illinois. 4a...z in.
+
+102 Another. Bluish flint, fine transverse markings, very wide, flat
+base, slightly notched, a perfect and fine specimen. Huron Co., O.
+5 in.
+
+103 Another. Grey flint, square base, deep, heavy notches, beautifully
+flaked, choice and rare. Miami Co., O. 3a...z in.
+
+104 Another. Reddish or salmon colored, finely flaked and chipped,
+very desirable. Jefferson Co., Ark. 8 A-- 4 in.
+
+105 Another. Grey flint, square base, deeply notched, of elegant and
+symmetrical shape, perfect in every respect, a _chef daEuro(TM)A"uvre_ of
+primitive workmanship, very choice and desirable. Breckenridge Co.,
+Ky.
+
+106 Another. Yellowish chert, small, square base, very heavily
+notched, perfect edges, finely flaked, desirable. Missouri. 4A1/4 in.
+
+107 KNIFE. White chert, with haft for a handle, flaked and chipped,
+extremely rare form. So. Illinois. 7 in.
+
+ Choice specimens neatly mounted on card-board:aEuro"
+
+108 SPEAR POINTS. White chert, localities marked, av. 3A3/4, all very
+fine. 4 pcs
+
+109 Arrow Points. White quartz. Suffolk Co., N. Y. 5 pcs
+
+110 Arrow Points. Bluish flint, all perfect, and rare. Mound, Osage
+River, Mo. 9 pcs
+
+111 Arrow Points. White quartz, all fine. Suffolk Co., N. Y. 9 pcs
+
+112 Spear Points, etc. Grey chert, of different forms, all perfect and
+very fine. WadesboroaEuro(TM), N. C. 7 pcs
+
+113 Arrow Points. As above, all very fine and perfect. WadesboroaEuro(TM),
+N. C. 11 pcs
+
+114 Arrow Points. Very desirable specimens; fine color and material,
+all perfect. From mound at Osage River, Mo. 9 pcs
+
+115 Arrow Points. Chosen for singular serrated and notched edges, all
+fine and rare. Ohio. 4 pcs
+
+116 DRILLS. All perfect, 5 from Missouri, 2 from Ohio, 1 from Georgia.
+1 (Ohio) is unique as far as known, in length being 4A1/2 in. A very
+desirable selection. 8 pcs
+
+117 Drills. Very pretty and attractive selection. Clay County, Tenn.
+6 pcs
+
+118 ARROW POINTS. Small, all perfect. Ohio. 6 pcs
+
+119 Arrow Points. Choice lot, all perfect; small points, from Miss.,
+California and Block Island, as marked on card (2 obsidian). 6 pcs
+
+120 Arrow Points. Specimens from Willamette River, Oregon, of these
+beautiful productions; jasper, moss agate, obsidian, etc., rare.
+12 pcs
+
+121 FISH HOOKS. Black flint; desirable and rare. 2 pcs
+
+122 Arrow Point. Black flint, rotary, hollow base, finely notched,
+bevelled and serrated edge, a perfect and choice specimen of this
+prototype of the modern revolving rifle ball. Bowling Green, Ky.
+
+123 Arrow Point. Rotary, light-colored flint, as last, except base is
+square; perfect and rare. Bowling Green, Ky.
+
+124 Arrow Points. Rotary, gray chert. Perfect, as last, but smaller.
+2 pcs
+
+125 Arrow Points. Clouded chalcedony; fine and perfect specimens from
+Clear Water Harbor, west coast of Florida, rare. 3 pcs
+
+126 Arrow Point. Crystal, narrow, serrated edges, said to be poisoned.
+California.
+
+127 Arrow Point. Thin copper, triangular in shape, Iroquois; small
+fish-line stone Sinker. Fleming, Cayuga Co., N. Y. 3 pcs
+
+128 FISH SPEAR. Copper, rounded base, two perforations at base.
+1A1/4 A-- 3a...oe in. Highest rarity. Ontonagon River, Mich.
+
+129 Another. Copper, rounded base with three perforations. 1A1/2 A-- 2A1/2 in.
+Ontonagon River, Mich.
+
+130 Fish Hooks of copper; small copper arrow head, Phoenicia, Syria.
+3 pcs
+
+131 COPPER CHISEL. Ancient copper tool found at Prairie-du-Chien,
+Wis.; sharp cutting edge, sides turned up, gouge form, excessively
+rare, 1a... in. wide, 2A1/2 long, 1A1/4 thick.
+
+
+OBJECTS IN HEMATITE, ETC.
+
+ On account of its density and the fine polish it takes,
+ hematite was a favorite material with the ancient artificer.
+ Next to copper, hematite is the scarcest material employed by
+ the pre-historic workman.
+
+132 AXE. Hematite, deeply grooved, edge polished and of great weight.
+Very rare. 2A1/4 in. thick, 3 wide, 3A1/4 long. Pulaski Co., Mo.
+
+133 CELT. Brown hematite, polished, edge slightly broken, very rare.
+Pike Co., Ill.
+
+134 Celt. Edge perfect and sharp, very rare. Pike Co., Ill.
+
+135 Mammal or Cone. Brown hematite, fine and perfect, base 2a...oe in.,
+2 in. high. Very rare. Pike Co., Ill.
+
+136 Plummets, (so called). Brown hematite, oblong, with small groove
+around the top, beautiful polish, exceedingly rare. St. Clair and Pike
+Co., Ill. 2 pcs
+
+137 Plummets. Same as last, but made from white limestone; also a rare
+relic. 1a...> A-- 4 in. Illinois. 2 pcs
+
+138 Bone awl, made from deeraEuro(TM)s horn, pointed end, 1A1/2 A-- 6 in.; another,
+resembles a needle. A3/4 A-- 2A1/2 in. Mound in Arkansas. 2 pcs
+
+139 Animal (Fox?) carved in bone, a..." A-- 2A1/2 in.; also carved duck 1A1/2 in.
+long; each with perforation, curious. Alaska. 2 pcs
+
+140 Relics from mound, Clay Co., N. C. Two bearaEuro(TM)s teeth, four human
+teeth, shells, etc. Lot.
+
+141 Pearl Shells. Perforated in process of making into fish-hooks,
+fine iridescent color on one side. San Miguel Island, Cal. 3 pcs
+
+142 Pearl Shell Ornaments. San Miguel Island, Cal. 5 pcs
+
+143 Whetstones. Very hard stone, narrow and with pointed ends. Scarce
+and desirable. S. W. California. 4 pcs
+
+144 BIRD CALL. Terra cotta, black, turtle-shaped with head and
+flippers, round hole in back, two smaller ones at the side. Curious
+and rare object from Indian grave near Los Angeles, Cal.
+
+145 TERRA COTTA FIGURES. Male and female Idols in red terra cotta.
+Decorated in various pigments; old fractures newly mended. Height 15
+and 14 in. Found in ancient water conduit near Mojave, Hackberry,
+Ariz. V. rare and curious. 2 pcs
+
+146 BONE WHISTLE. Made from human thigh bone, the large hole at one
+end plugged with a black, pitchy substance. Rare and curious. Santa
+Barbara, Cal.
+
+The four following lots, domestic utensils of the ancient Cherokees,
+are from a mound at Edgefield, S. C, dug up by Mr. William I. Scott,
+of Augusta, Ga., in 1895.
+
+147 PIPE, so called, but may be a lamp. Wide bowl surrounded by nine
+projecting stems, each perforated and reaching into the bowl. Total
+width 4A1/4 A-- 1A3/4 in. Steatite or soapstone, rare and curious.
+
+148 CUP. Steatite, with handle and spout; rare. 3 A-- 4 in.
+
+149 CUP. Steatite, with handle. 4 A-- 2A1/4 in. Rare.
+
+150 DIPPER or SPOON. Short handle. Steatite, perfect and rare. 3A1/2 in.
+
+
+
+
+MISCELLANEOUS.
+
+151 Small Collection of Aztec relics, brought from Mexico many years
+ago, by SeA+-or Da Costa Gomez. Terra cotta figure, 4A1/2 in.; ancient
+Mirrors, polished surface, convex backs, 1A1/2 in. (2); copper Idol,
+3 in.; jade Amulet, 1A1/4 in.; obsidian Lip ornament; green jade
+Ornament, perforated, 1A1/4 in.; polished Pendant, 1A1/2 in.; string of
+polished perforated stone Beads, fine colors (7). 15 pcs
+
+152 AMULET. Heart-shaped, small perf.; fine green stone, jade or
+serpentine. 4A1/4 in. Rare and curious. Mexico.
+
+153 AZTEC BEADS. A necklace of perforated stone pebbles varying in
+size from A1/2 to 1A1/4 in., green and mottled colors, fine polish. Rare to
+excess. 38 pcs. Lot
+
+154 ARROW POINTS. Five fine arrow points and four flakings, obsidian.
+Mexico. Fine and rare. 9 pcs
+
+155 NECK ORNAMENT. Aztec, of obsidian, semi-lunar, small perf. at each
+end for suspension, a... wide, 3A1/2 in. across. V. fine and rare.
+
+156 SILVER CHALICE or Temple Cup from Ancona, near Lima, Peru, time of
+the Incas. Height 8A1/2 in., width across mouth 2A3/4 in. Very thin silver,
+hammered from one piece of metal; centre of cup bears impress of a
+human face with ears and prominent nose; fanciful zig-zag
+ornamentation or crown above. In absolutely perfect condition and of
+the highest rarity, color black from oxidation.
+
+157 Silver Chalice. Without decorative ornamentation above the face;
+equally fine and perfect, both marvels of workmanship of a by-gone
+age, black color. 6a...z in.
+
+158 Pottery Jar. Traces of brown-colored pigment, from Chiriqui
+graves, Colombia, S. A. 3 A-- 4 in.
+
+159 KNIFE. Obsidian, oval shaped, finely flaked; when held to the
+light, shows dark, cloudy lines across its surface; very showy and
+rare. 5 in. Lassen Co., Cal.
+
+160 BEADS. Stone Beads from grave, La Salle, Ill. Bead made from the
+oliva shell, which is not found nearer than the Florida coast; this
+specimen from Indian grave at Peoria, Ill. 2 pcs
+
+161 Perforated stone Beads, from Lodi, Miss. 1a...oe in. 2 pcs
+
+162 Plummet or Sinker. Blue stone. Meredith, N. H.
+
+163 Arrow Point of remarkable shape, notched on each side; the base
+runs to a sharp point, perfect. 1A1/4 A-- 2A3/4 in.
+
+164 COPPER BEADS. Necklace of 24A1/2 in. beads from Indian grave.
+Memaloose Is., Oregon. Rare.
+
+165 Copper Beads. From 1 to 6 in. in length, A1/4 in. thick (20).
+Flathead Indian graves. Rare lot.
+
+166 Copper Pendant. Perforated for suspension, four notches at base.
+Same locality as No. 164, rare.
+
+167 Copper Ornaments from graves as above; one small Bracelet, two
+Pendants, one long Bead with original string still in the bead. Rare.
+4 pcs
+
+168 Glass Beads. Fine necklace of the HudsonaEuro(TM)s Bay Trading Co. beads,
+from Flathead Indian grave, Memaloose Is., Oregon. Lot.
+
+169 EARRINGS. Long earrings, each made from about 120 dentalium
+shells. Brass rings for suspension, length, 14 ins., width, 1A3/4 in.
+Very curious and rare. Oregon. 2 pcs
+
+170 Shell Pendant or Ornament of perforated shell, small copper ball
+at bottom. Indian grave, Cayuga, Co., N. Y. Very rare.
+
+171 NECKLACE of 37 objects: glass beads, bits of copper and catlinite
+or red pipe stone cut in fanciful form; of great interest and rarity.
+Springport, Cayuga Co., N. Y.
+
+173 WAMPUM TREATY BELT. This rare relic was found with three others,
+by Mr. Wm. W. Adams, at the old Fleming farm, East Cayuga, Cayuga Co.,
+N. Y., in 1888. One of the four is now in the British Museum; the
+present ownership of the other two is unknown to me. This belt, the
+fourth of the find, is 2 ft. 3 in. in length and 2A1/2 in. wide; it
+contains 1,600 beads; the outer or border row is made from red glass
+beads (wampum size); inside the border are seven rows of the _genuine_
+shell wampum or _Wampumpeague_ of the Colonial period; 12 fanciful
+designs of dark and yellow beads at intervals in its length. Very rare
+and desirable.
+
+174 SHELL BEADS, etc. A card, 8A1/2 A-- 9 in., containing an outer string
+of 110 perforated shell beads, a...oe A-- A1/2 in. in size; an inner string of
+150, more or less, perforated sea-shells; another string of 15 large
+and small shell beads from Spang Mound, East Tennessee; and two
+splendid examples of the rotary arrow points in black flint and
+yellowish chert, both perfect. Rare. Lot.
+
+175 String of Shell Beads, from burial mound, Ga.; another string of
+very small perforated shell-money from the South Sea Islands. Mounted,
+rare. 2 pcs
+
+176 Mounted colored Shells, shell discs. Georgia. 2 pcs
+
+177 String of small thin perforated Beads, too numerous to count, with
+one large flat bead 1a...oe in. diameter. Total length of string about
+28 in. Rare. San Miguel Island, Cal. Lot.
+
+178 String of six enormous perforated shell beads, two are 1A1/2 in. long
+and broad, from Lake Creek Mound, Tenn. String of 23 flat perforated
+shell discs, Tennessee River, near Nashville. 2 pcs
+
+179 Shell Hair Pins. Two very fine examples of these rare relics made
+from the columella of the Conch Shell or strombus, one 7, the other
+6A1/2 in. long; small string of 31 Shell Beads; string of 11 Beads; also
+on the card a fine Spear Head of dark stone, 4A3/4 in. long. Choice and
+rare lot, all from Georgia. All mounted. 5 pcs
+
+180 Shell Beads. String of large perforated Beads; string of 40 beads,
+from mound near Cartersville, Ga. Rare. 2 pcs
+
+181 BONE or porcelain Beads from Indian grave, Rocky Mountains. String
+of 42 oblong polished beads; another, smaller size, all very fine and
+rare. 2 pcs
+
+182 Bone and Shell Necklace, one of each, very handsome. Georgia. 2
+lots
+
+183 Shell Necklace of 21 perf. beads, 22 in. in length. Very choice.
+Mound near Hardin, Calhoun Co., Ill.
+
+184 Curious Necklace of 56 perf. shells, each ground flat, about
+20 in. in length; fine example from burial site, mouth Illinois River,
+Lincoln Co., Ill.
+
+185 Shell Ornaments. One large perf. shell; two fine semi-lunar neck
+ornaments, a...oe A-- 4 in. long. Fine iridescence. California. 3 pcs
+
+186 Stone Beads. Sixteen polished, perforated stone beads, greenish
+color, two very large. Rare. Santa Barbara, Cal.
+
+187 Shell Beads. Three strings of Shell Beads. Fine and perfect
+specimens. New Madrid Co., Mo.; Calhoun Co., Ill. and mound, Calhoun
+Co., Ill. 3 pcs
+
+188 Crinoid Beads, etc. Strings Crinoid and shell beads from grave,
+Calhoun Co., Ill., burial mound, Pike Co., Mo. and San Miguel, Cal.
+5 pcs
+
+189 Bone Beads. Five bone beads, a...oe to 1A1/4 in. (human?). Stanley, Ark.
+5 pcs
+
+190 Shell and Glass. One small string fresh water shells, two strings
+of red and blue, long glass beads. Surface finds, Cayuga Co., N. Y.
+Rare. 3 pcs
+
+191 Wampum and Baldrick beads. String of 112 pcs _genuine_ wampum, in
+blue and white variety, exceedingly rare; another string of 16 pcs,
+shell baldrick beads, one 4A1/2 in. in length. All perforated, exceeding
+fine and rare lot, from graves, Cayuga Co., N. Y. 2 pcs
+
+192 OBSIDIAN. Core from which knives have been chipped, 2A1/2 A-- 3A1/2 in.
+Fine and scarce specimen. Mexico.
+
+193 TOMAHAWK. Iron, time of French and Indian wars; Seneca Falls,
+N. Y. 6 in. length, width of blade 3A1/2 in. Fine and rare.
+
+
+EFFIGY PIPES, ETC.
+
+194 Large Calumet or Peace Pipe of steatite. Head of an animal, sharp
+pointed nose, very large stem aperture. Size, 3A1/2 A-- 4A1/2 in., a little
+rubbed on one side, otherwise perfect. From Silver Creek, near
+Morgantown, N. C.
+
+195 BIRD PIPE. Dark stone, head of a hawk carved on bowl, perforation
+for suspension. A remarkable specimen of these now rare types.
+Randolph Co., Tenn. 2A1/2 A-- 3A1/2 in.
+
+196 FROG PIPE. Grayish stone, body and head of a frog with open mouth
+to receive pipe-stem. Size, 3 A-- 5 in. Perfect, fine and very rare
+type. Scott Co., Ky.
+
+197 CALUMET or Council Pipe. DuckaEuro(TM)s head and general outline of that
+bird, incised lines for wings, etc. Large bowl and stem for aperture.
+Size, 3A3/4 A-- 8 in. Greenish micaceous stone. Rare and valuable. For
+illustration, see C. C. JonesaEuro(TM)s aEurooeHistory of the Southern Indians.aEuro
+Bastow Co., Ga.
+
+198 MASSIVE CALUMET or Council Pipe. Steatite, stem square 2 in. each
+way, the bowl rises at a slight outward angle, top broken at one
+corner. 5 A-- 5 in. Very heavy and remarkable example (see C. C. JonesaEuro(TM)s
+History, etc.). Rare. Cherokee Co., Ga.
+
+199 CALUMET. Similar to last in form and material, but smaller, being
+2A1/4 A-- 4 in., top of bowl damaged at two corners. Rare. Hightower River,
+Ga.
+
+200 PLATFORM or PEACE PIPE. Very large and curious form, the pipe
+proper lies on a base with rounded edges, large bowl and stem
+apertures. Yellowish sandstone. 4 A-- 4A3/4 in. Perfect in every respect,
+unusual and rare type. Union Co., N. C.
+
+201 Mound BuilderaEuro(TM)s Pipe of pottery, long stem, bowl on centre of
+stem. 2A3/4 A-- 5A1/2 in. A very primitive affair. Rare. From mound, Faulkner
+Co., Ark.
+
+202 LODGE PIPE. A curiosity, in having _two_ stems at right angles
+from the bowl, 1a...oe in. deep, 3 in. to end of each stem. Dark soft
+stone, very rare. Hancock Co., Tenn.
+
+203 Round Pipe, bowl and stem, both circular and damaged. Steatite.
+2 A-- 3 in. Walton Co., Ga.
+
+204 MOUND BUILDERaEuro(TM)S PIPE. Long and graceful shape of pottery; stem has
+been broken but mended. 7 in. Very rare. Oneida Co., N. Y.
+
+ All pipes from New York State are of great rarity.
+
+205 PLATFORM PIPE. Dark greenish stone, finely polished, of graceful
+outline and excellent workmanship; the platform or stem proper has
+been cracked, but neatly repaired. 3A1/2 in. Very fine and rare specimen.
+Delaware Co., N. Y.
+
+206 POLISHED PIPE. Greenish mottled stone with 14 tally marks or
+notches on each side of the stem. 3A1/2 in. Very fine and rare. From Fish
+Creek, Saratoga Co., N. Y.
+
+207 PIPE. Conical, with perforated handle at one side, greenish
+colored stone; the pipe is always a rarity and another of this variety
+is perhaps unknown. 1A3/4 A-- 2A1/4 in. Saratoga, N. Y.
+
+208 Pipe. Fine polish and shape, dark green color. 1A1/2 A-- 1A1/2 in.
+Another, smaller, bowl broken. Eta River, Ga. 2 pcs
+
+209 Esquimaux Stone Pipe, of greenish color, fancifully carved
+decoration, fine polish. 2a...oe in., no stem. Perfect and interesting.
+Labrador.
+
+210 Mound BuilderaEuro(TM)s Stone Platform Pipe. Very thick, square base and
+low bowl, incised line around bowl and two small circular projections
+at end of stem; a rarity. 2A3/4 in. Lake Wabesha, Wisconsin.
+
+211 Pottery Pipe. High bowl, short stem. 3A1/4 in., perfect. Another pipe
+or tube also of pottery. 3 in. Asheville, N. C. 2 pcs
+
+212 Pipe. Pottery, with human face and projecting ears. 1A3/4 A-- 3 in.,
+perfect. Pensacola, Fla.
+
+213 Pipe. Rude attempt at carving a human face, steatite. 2 A-- 2 in.
+S. C.
+
+214 TUBE. Unfinished; excessively hard iron stone. 2 A-- 5A1/2 in. Lewis
+Co., N. Y.
+
+215 Iron pipe. A curiosity, probably of the Colonial period, when aEurooea
+pipe was a pipeaEuro and not easily to be replaced. Bowl, a... in., stem,
+5A1/4 in.; very thin, slightly rusted in centre of stem. Rare. Oneida,
+N. Y.
+
+216 Stone Pipe. Red catlinite, heavy silver band at junction of bowl
+and stem. Very fine deep red color and polish; length of stem, 8A1/2 in.,
+height of bowl, 4 in. Modern Sioux, a very choice specimen, duplicate
+from the Smithsonian Institute, Wash.
+
+217 Oregon Bird Points. Fine gem arrow points, from the Willamette
+River. Obsidian, jasper, etc., mounted and framed, under glass.
+116 pcs
+
+218 OHIO. Arrow and Spear points of fine form, color and material,
+neatly arranged and framed, under glass. 105 pcs
+
+
+REVOLUTIONARY ARMS AND RELICS, ETC.
+
+219 CAPT. JOHN PAUL JONES. Marine Glass. Brass mounted, 22 in.
+Engraved JOHN PAUL 1773. Cardboard attached, with pen and ink portrait
+of Capt. Jones, and fol. certificate: _John Paul Jones Mariene Glass
+before and after the Revolutionary War. I got it from Wm. Miller, Esq.
+a friend of Gen. Jones who got it from Him. It was greatly admired by
+all the Generals and my friends. J. T._ (Col. John Trumbull,
+aide-de-camp to Washington.) In curious old ornate case, inscribed
+COM. JOHN PAUL JONES SPY GLASS.
+
+220 John Paul Jones. Miniature Portrait painted in India ink on
+deer-skin, by John Trumbull, 1776. Colonial frame.
+
+221 ROBERT MORRIS. Flint Lock Musket, ramrod missing. ROBERT MORRIS
+engraved at side. Cardboard certificate inscribed: _Gun carried by
+Robert Morris Chief Justice of N. Jersey. J. T._
+
+222 Robert Morris. Revolutionary Fire Pan. Iron, flintlock, in good
+condition, curious and rare. 8 in. With certificate: _Fire Pan used by
+Robert Morris of New Jersey. J. T._
+
+223 Robert Morris. Pair brass Spurs. Certificate: _Brass Spurs used by
+Robert Morris of N. Jersey. J. T._
+
+224 GEN. ALEXANDER HAMILTON. Flintlock Carbine, DEMPSEY maker. A
+HAMILTON N. Y. engraved on stock. Certificate on cardboard: _Gen.
+Alexander HamiltonaEuro(TM)s Gun, a present from the Executors. Clippings
+inside. J. T._ (Several clippings published after his death,
+inserted). Of great interest.
+
+225 GEN. FRANCIS RAWDON. Flint Lock Pistol, 22 in. Brass mountings, FR
+in crowned monogram engraved, also name ROGER SHERMAN engraved on
+side. Cardboard certificate: _Gen. Francis RawdonaEuro(TM)s Pistol. An Eng.
+Gen. that fought all through the Rev. War. Pistol found at the Battle
+of Bunkers Hill and presented to R. S. by Gen. Putnam. I got it in
+exchange for a Painting. J. T._ A unique Revolutionary trophy.
+
+226 SAMUEL FRAUNCIS. Flint Lock Pistol, stock handsomely engraved,
+S. F. cut at side. 18 in. Given by Frauncis of Frauncis Tavern, N. Y.,
+to Col. John Trumbull, who placed it in his Collection of
+Revolutionary Relics. Certificate lost, but attribution of this, as of
+every object in this catalogue, guaranteed by Cataloguer.
+
+227 Colonial Pike. Used by N. E. home guards in Colonial days. Modern
+shaft.
+
+228 DRAGOON SABRE. Heavy scabbard, brass mountings. Used in Colonial
+days. Massachusetts.
+
+229 SWORD. Ivory handle, etc., eagleaEuro(TM)s head. Major John Merrill,
+Duxbury, Mass., war 1812.
+
+230 REVOLUTIONARY CANNON BALLS. From the battle field of Long Island.
+3 sizes. Lot of 3 pcs
+
+ * * * * *
+
+231 HUNTING KNIFE. Ivory handle, bronze lion-head pommel; 12 in. blade
+engraved with U. S. arms, etc. Once the property of the famous Western
+Pioneer, David Crockett. From PealeaEuro(TM)s Museum, Phila.
+
+232 Sioux War Club. Pony tail as handle. 20 in. Modern.
+
+
+FIRE ARMS, SWORDS, ETC.
+
+233 BLUNDERBUSS. Flint lock, brass barrel and mountings; English make,
+in perfect order; an extra fine and heavy specimen. 2 ft. 9A1/2 in.
+
+234 Blunderbuss. Flint lock, English make, in perfect condition, extra
+fine. 2 ft. 4 in.
+
+235 Blunderbuss. Percussion lock, very fine, carved black stock,
+French make. 2 ft. 8 in.
+
+236 Blunderbuss. Circassia, flint lock, muzzle, 4A1/2 in. diam., barrel
+etched, stock inlaid with arabesque patterns, very fine and rare. 1
+ft. 8 in.
+
+237 PISTOL. Long Algerine flint lock, woodwork overlaid with
+ornamental metal covering, repoussA(C) work, no ramrod. 1 ft. 7 in.
+
+238 Pistol. Turkish, flint lock, carved stock, no ramrod. 1 ft. 7 in.
+
+239 Pistols. Pair German duelling pistols, percussion locks, sweet
+briar handles; locks and barrels finely etched, with gold inlaying,
+barrels rifle grooved. _Lindenschmidt Mainz_ on barrel; marked 1 and 2
+respectively; of the finest mechanism. 2 pcs
+
+240 Pistol. English, flint lock, brass barrel. D. GOFF. Very fine;
+small piece from stock. 1 ft. 2 in.
+
+241 Pistol. French, flint lock, brass barrel. Du Bois & Fils. Very
+fine; stock slightly defective at end. 1 ft. A1/2 in.
+
+242 REVOLVER. English, 5 barrels, extra fine and very heavy, perfect.
+11A1/2 in.
+
+243 Revolver. French, 6 barrels rifled, finely etched, perfect and
+curiously made. 7A1/2 in.
+
+244 Revolver. French, 8 barrels, also 1 long barrel (9 in all),
+_double action_ hammer, in perfect order, once the property of the
+notorious Captain Wirz, commandant of the Andersonville, S. C, prison
+pen. From General CameronaEuro(TM)s Collection. Wirz was finally executed for
+his crimes. 13 in.
+
+245 Revolver. ColtaEuro(TM)s pattern (pepper-box), 5 barrels, a beautiful
+unused specimen. 9A1/2 in.
+
+246 Revolver. ORTMANN LIEGE. 6 barrels, etched, perfect, a curious
+little bit. 4A1/2 in.
+
+247 Revolver. Remington. 4 barrels. Also very curious, perfect. 5 in.
+
+248 Revolver. Allens. 5 barrels, curious side hammer. Early type.
+9 in.
+
+249 Revolver. American Arms Co. 2 barrels. Perfect. 6 in.
+
+250 Pistol. Flintlock. English, curious. 8 in.
+
+251 Pistol. Flintlock, hammer on top of barrel, etched. Very early
+type. 6 in.
+
+252 Pistol. VARLEY & CO. LONDON. 2 barrels. Perfect, very fine. 10 in.
+
+253 Pistol. Small Derringer, early type, rifle barrel, nipple gone.
+6 in.
+
+254 Pistol. Flintlock. R. JOHNSON. CONN. 1842. Polished, unused
+specimen. 14A1/2 in.
+
+255 Pistol. Percussion, U. S. Navy pattern, 1821. Perfect. 16 in.
+
+
+SWORDS, ETC.
+
+256 CLAYMORE, Scottish, used at Waterloo, open work basket guard. Very
+fine. 3 ft. 9 in.
+
+257 Another. Said to have been used at Culloden, fine open work basket
+guard, blade slightly curved. 3 ft. A1/2 in.
+
+258 SWORD. Highland, rusty, and has received hard knocks. See
+particulars attached. 2 ft. 9 in.
+
+259 Rapier, blade only, stamped on each side, X TOLEDO MADRIET X and
+mark of the _running Fox_. Fine and rare specimen of the famous Toledo
+blades. 3 ft.
+
+260 Rapier. With quillons and pas daEuro(TM)Ane. Good specimen. 3 ft. 3 in.
+
+261 Scimitar and scabbard, Algerine. Finely decorated and curved
+blade. 3 ft.
+
+262 Rapier. French, open guard, used in Mexico, 1864. 3 ft. 2 in.
+
+263 Sword. American. Curved blade, open guard. _Circa_ 1800. 2 ft.
+11 in.
+
+264 Sword. Heavy cavalry sword, German; steel scabbard, straight
+blade. _Circa_ 1776. 3 ft. 6 in.
+
+265 Sword. Steel scabbard, curved blade, made by Tiffany & Co., N. Y.
+1861-65. 3 ft. 6A1/2 in.
+
+266 Sword. Two-handed, fac-simile of that used by Sir Wm. Wallace. 5
+ft. 1 in.
+
+267 Dirk. Highland; old time make, blade, 1A1/2 A-- 12A1/2 in. 1 ft. 6 in.
+
+268 PilgrimaEuro(TM)s Staff. Hollow iron handle, with claw and small hatchet,
+_sliding_ lance, 2 ft. 7 in. long; that, when not in use, is returned
+inside the handle. _Circa_ 1600; very curious. Total length, 6 ft.
+
+269 Cross-bow shaft, black oak; parts of the leather feathering still
+remain; triangular, steel head. 15th century. 1 ft. 4A1/2 in.
+
+270 TILTING VISOR. Iron, very heavy bars. Rare. 7A1/2 A-- 8A1/2 in.
+
+271 WAR CLUB. aEurooeMaquahuiltaEuro Aztec, studded with genuine obsidian teeth.
+A fac-simile of the original in museum, City of Mexico. 3 ft.
+
+272 PISTOLS. 4 old _pepper boxes_, ColtaEuro(TM)s pattern, one of 3 barrels,
+not in good order. 4 pcs
+
+273 SPURS. Mexican. Enormous rowels. 3 and 4 in. diameter. Very fine.
+2 pcs
+
+274 KEYS. Iron, very old patterns. 4 to 5 in. long, on plaque. 9 pcs
+
+275 HARPOON. From New London, Conn. 3 pcs
+
+276 SCALP LOCKS. Mounted, handsomely decorated with colored bead work.
+Assiniboin and Sioux. Very rare. 3 pcs
+
+277 WAR CLUB. Modern Sioux, double pointed stone head, rawhide handle,
+feather decoration. 2 ft. 2 in.
+
+278 WALNUT RELIC CASE. With locks and two glass doors to each section.
+Lower portion, 2 ft. 7 in. high, 4 ft. wide, 8 in. deep. Upper
+section, 3 ft. 4 in. high, 3 ft. 10 in. wide, 5 in. deep.
+
+279 CHERRY PISTOL CASE. 4 ft. 11 in. high, 1 ft. 10 in. wide, 5 in.
+deep; with lock and glass door.
+
+
+
+
+CONDITIONS OF SALE.
+
+
+I. The highest bidder is to be the buyer; and if any dispute arise
+between two or more bidders, the lot so in dispute shall be
+immediately put up again and re-sold.
+
+II. The purchaser to give in his or her name and residence, and to
+make a deposit of 25 per cent., or more, in part of payment, or the
+whole of the purchase money, _if required_; in default of which, the
+lot or lots so purchased to be immediately put up again and re-sold.
+
+III. The lots to be taken away and paid for, whether genuine and
+authentic or not, with all faults or errors of description, at the
+buyeraEuro(TM)s expense and risk, within two days from the sale; the Fifth
+Avenue Auction Rooms not being responsible for the correct
+description, genuineness, or authenticity of, or any fault or defect
+in, any lot; and making no warranty whatever, the goods having been on
+exhibition for two days before sale.
+
+IV. To prevent inaccuracy in delivery, and inconvenience in the
+settlement of the purchase, no lot can, on any account, be removed
+during the time of sale; and the remainder of the purchase money must
+absolutely be paid on delivery.
+
+V. Upon failure of complying with the above conditions, the money
+deposited in part of payment shall be forfeited; all lots uncleared
+within the time aforesaid shall be re-sold by public or private sale,
+and the deficiency (if any) attending such re-sale shall be made good
+by the defaulter at this sale.
+
+ WM. B. NORMAN,
+ _Auctioneer._
+
+
+
+
+TranscriberaEuro(TM)s Note: Item 172 did not exist in the catalogue.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of American Antiquities, by Wm. B. Norman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AMERICAN ANTIQUITIES ***
+
+***** This file should be named 36598.txt or 36598.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/6/5/9/36598/
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/36598.zip b/36598.zip
new file mode 100644
index 0000000..9cb9952
--- /dev/null
+++ b/36598.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..983a424
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #36598 (https://www.gutenberg.org/ebooks/36598)