summaryrefslogtreecommitdiff
path: root/36449.txt
diff options
context:
space:
mode:
Diffstat (limited to '36449.txt')
-rw-r--r--36449.txt708
1 files changed, 708 insertions, 0 deletions
diff --git a/36449.txt b/36449.txt
new file mode 100644
index 0000000..f4561f6
--- /dev/null
+++ b/36449.txt
@@ -0,0 +1,708 @@
+The Project Gutenberg EBook of The Nineteenth Century Apostle of the
+Little Ones, by E. Uhlrich
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Nineteenth Century Apostle of the Little Ones
+
+Author: E. Uhlrich
+
+Release Date: June 16, 2011 [EBook #36449]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK
+THE NINETEENTH CENTURY APOSTLE OF THE LITTLE ONES ***
+
+
+
+
+Produced by Michael Gray, Diocese of San Jose
+
+
+
+
+THE NINETEENTH CENTURY APOSTLE OF THE LITTLE ONES.
+
+BY E. UHLRICH.
+
+
+
+An article published in THE CATHOLIC WORLD in 1903, about Don Bosco.
+Today, he is better known as Saint John Bosco, the patron saint of young
+people.
+
+[Illustration: Don Bosco and Bartholomew Garelli.]
+
+
+WHEN one man in his lifetime has cared for, trained, and sent out into
+the world, as useful and law-abiding citizens, ten million children,
+then the attention of people may well be drawn to him again and again,
+for it is the lives of such men that keep the heart of the world from
+despair.
+
+He who was to have such wonderful sympathy and even more wonderful
+influence on neglected and unfortunate childhood and youth, began his
+life as a poor, hardworking boy, even as St. Vincent de Paul did in his
+day. Giovanni Bosco was his name, and he was the son of humble peasants
+and herded his father's sheep until he was fifteen years old. Then a
+kindly priest discovered the boy's unusual gifts of mind and heart, and
+taught him the elements of Latin and Greek. After that Giovanni was sent
+to the seminary at Chieri, where he was ordained to the priesthood in
+1841. Full of zeal to fit himself for his work as a shepherd of souls,
+he went to Turin and entered an institute for the training of priests in
+practical work.
+
+It is notable that his first experience was in visiting prisons. Here
+his heart and mind were touched by the spectacle of the many youthful
+criminals he met, and he was constantly thinking how to reclaim them
+and, even more important, how to prevent them from entering upon
+criminal ways at all.
+
+It was on the 8th of December, in 1841, that Don Bosco found, in a most
+humble occurrence, the occasion which showed him the mission for which
+God had destined him. It was, as so often happens, but a simple thing;
+but, when we are open to the guidance of the Divine Will, the simplest
+things may have the greatest import. There was no boy to serve his Mass,
+and a street-boy, who happened to look into the sacristy, was asked by
+the sexton to do so.
+
+"I do not know how," said the boy.
+
+"Never mind," said the sexton; "I'll show you what to do."
+
+"But I never was at Mass before."
+
+"Stupid creature!" said the sexton, angry now, "what are you doing here
+then?" And he boxed the boy's ears so hard that the little fellow went
+off crying. At this Don Bosco turned around and reproved the astonished
+sexton for his crossness.
+
+"But what difference does that make to your reverence?"
+
+"It makes a great deal of difference to me, for that boy is my friend.
+Call him back at once; I must talk to him."
+
+The sexton did so and the poor boy came back; Don Bosco asked him kindly
+if he had never heard Mass before, and he said "No."
+
+"Then," said Don Bosco, "stay for this Mass which I am going to
+celebrate, and when it is over I shall talk to you a little while, if
+you will wait."
+
+The boy, whose heart had been won by Don Bosco's kindly manner, gladly
+agreed to stay.
+
+After Mass, Don Bosco said to him: "What is your name, my little
+friend?"
+
+"Bartolomeo Garelli."
+
+"Where are you from?"
+
+"Asti."
+
+"Is your father still living?"
+
+"No, he is dead."
+
+"And your mother?"
+
+"She is dead too."
+
+"How old are you?"
+
+"I am fifteen years old."
+
+"Can you read and write?"
+
+"I don't know anything at all."
+
+"Did you make your first Communion?"
+
+"No, not yet."
+
+"Did you ever go to confession?"
+
+"I did when I was very little."
+
+"Why don't you go to Sunday-school?"
+
+"I am ashamed because the other boys are all younger than I am and know
+so much more, and I always have such old clothes."
+
+"If I were to teach you all by yourself, would you like to come?"
+
+"Oh I would be very glad to come, if no one would box my ears for
+coming."
+
+"You need not be afraid of any one. You are my friend now; no one else
+will have anything to say to you. When shall we begin?"
+
+"Whenever it pleases you, father."
+
+"Very well, we will begin at once."
+
+Don Bosco found that the boy did not even know how to make the sign of
+the cross. Yet this poor, untaught child of the street became the
+corner-stone, so to say, of Don Bosco's life-work. In a little while
+Bartolomeo brought friends of his along, and they in turn brought their
+friends. By the 25th of March, in 1842, there were thirty members of Don
+Bosco's class. Some of them were apprentices to the different trades,
+some were street vagabonds, and some of them grown men. The next year
+there were three hundred of them. Don Bosco had to find a place of
+meeting larger than his little sacristy; but, alas! no sooner was he
+well established in his new quarters than notice was given him to move.
+
+People insisted that they did not want him and his noisy, disreputable
+vagabonds in their own respectable neighborhood. When, at last, there
+seemed no hope of finding a suitable meeting place in the city for his
+boys he did not despair. For two months, each Sunday he led them out
+into the suburbs of Turin, said Mass for them in some church, then
+taught them under the open sky. Afterwards he let them play games and
+amuse themselves, and in the evening the whole crowd went back into the
+city, singing hymns as they went.
+
+In 1844, with the help of some kindly priests, Don Bosco opened the
+first night schools, teaching reading, writing, and arithmetic. These
+schools were soon imitated all over Italy.
+
+Don Bosco, however, continued to meet with trials and tribulations in
+his work, as seems true in every good cause. His plans were so novel and
+so large that he was even accused of being crazy. A crazy man, however,
+ought to be out of harm's way, and so it was quietly arranged that Don
+Bosco should be taken to an insane asylum. Two prominent gentlemen of
+Turin were to manage his transfer to the asylum. They hired a closed
+carriage and drove to Don Bosco's house. He received them very kindly,
+and soon was talking to them enthusiastically about the oratorium and
+the great church he wanted to build, the schools and the workshops which
+would be grouped around this centre. He spoke so glowingly that one
+could have thought he saw the whole thing before his eyes. The gentlemen
+looked at each other knowingly, as if to say: "It is plain that he is
+out of his mind."
+
+"A little fresh air will be good for you, Don Bosco," one of them
+ventured. "We have a carriage outside. You might drive a little way with
+us."
+
+Don Bosco smiled and went out with the two gentlemen. They stepped back
+in order to let him enter first, but he begged them to precede him. They
+did so and then Don Bosco hastily shut the carriage door and called out
+to the driver, "Ready."
+
+The driver had been instructed to drive to the asylum as fast as the
+horses could go, and not to mind any possible protests or resistance. So
+he started off at a gallop at Don Bosco's word.
+
+When the carriage arrived at the asylum, the gentlemen inside were in
+such a rage that the superintendent ordered them put into separate cells
+at once, and, if necessary, in straitjackets. Luckily for them, the
+chaplain of the asylum knew them, and they were let go about their
+business. However, they at least were convinced that Don Bosco was saner
+than some people thought him, and did not wish to be the agents of any
+more forced cures for him.
+
+Don Bosco's trials now took another form. The police of Turin began to
+take note of his boys and to suspect in them potential socialists.
+Indeed, the very existence of the work was threatened, when King Charles
+Albert, then King of Sardinia, took personal action in behalf of "Don
+Bosco's young rogues," as he put it, and even sent sixty dollars to help
+the work along. With that the worst storms were over. Don Bosco
+organized his Oratorium of St. Francis of Sales, as he called his
+meeting place, for he had a special devotion to St. Francis. He chose
+the name "Oratorium" because the earliest meetings were in the chapel in
+which he met that first, pitifully ignorant street boy.
+
+In the spring of 1846, however, he was homeless once more--put out again
+for the sake of his boys. Thereupon he leased a piece of enclosed land
+outside of the city. Here, in the open air, under the free sky, the
+Sunday meetings were again held undisturbed. Early in the morning Don
+Bosco was there, seated on a grassy mound and hearing confessions. Some
+of the boys were kneeling near by, waiting their turn, others were
+saying their prayers, and still others, farther away, were quietly
+playing. At nine o'clock Don Bosco called his boys together. He had no
+bell, so one of the boys beat on an ancient drum as a signal. Then he
+separated them into little divisions, and sent each division into a
+particular church to hear Mass. Later they returned, and there was
+Sunday-school, games, and singing.
+
+After awhile a little shed near by was rented and arranged for a chapel.
+In the fall of 1846 he added a few rooms, and thus he began his first
+school. To be sure the boys' dormitory was nothing but a hayloft pressed
+into service, while the housekeeper was Don Bosco's sturdy peasant
+mother, who had come to the city to help on the work of her beloved son.
+
+In 1851 he was able to build a church dedicated to St. Francis de Sales,
+and two new houses.
+
+Now there is a magnificent group of buildings on this same land. The
+church is in the centre; two imposing wings are the "Oratorium," of
+which Don Bosco had dreamed and talked so enthusiastically that once
+people even thought him crazy. The dream has more than come true. There
+is a little town in itself here. All about are buildings representing
+various kinds of trades and activity. There is a great printing
+establishment with ten presses, a book bindery, a large locksmith shop,
+a carpentering shop, a shoe factory, and a tailoring establishment.
+There are, moreover, libraries, study-rooms, classrooms, dormitories,
+gardens, and playgrounds. Over one thousand people live here and follow
+their various employments.
+
+Don Bosco is dead; he died on January 31, 1888. But his work went on
+under Don Michelle Rua, who was himself an orphan, raised and trained by
+Don Bosco. Here, in the mother house, are some thirty Salesian priests,
+as the members of the congregation founded by Don Bosco, at the
+suggestion of Minister Ratazzi, are called; nearly two hundred Salesian
+brothers, who are the master workmen, and four hundred students. In
+addition to the resident pupils that are being trained and cared for,
+about five hundred boys and apprentices spend their Sundays and
+recreation hours at the institution, something in the way in which
+children in this country go to the Settlements that have been
+established here and there in the large cities.
+
+More than one hundred and fifty of these institutions were founded by
+Don Bosco in Italy, France, Spain, the Tyrol, and England. He also
+founded a sisterhood, so as to be able to take care of young girls as
+well as of boys, and to help in the missions which he established in
+South America, especially in Patagonia, where fourteen thousand savages
+were baptized by his missionaries before Don Bosco's death. Latterly the
+sisterhood he founded has been working among the neglected Italians in
+this country too, especially in New Orleans, and there are Salesian
+Fathers of Don Bosco in New York City. This special missionary work,
+however, was not counted in the general estimate of the ten million
+children saved by Don Bosco.
+
+Every year eighteen thousand apprentices leave his institutions and go
+out to work, trained in body and mind for contact with the world.
+
+As a means of maintaining his work, Don Bosco founded a third society to
+which men and women, lay or clerical, can belong, their object being to
+help provide means for this great work, and the Holy Father himself
+belongs to this third society.
+
+In appearance Don Bosco, the simple country boy, who was destined to do
+this great work in this day and age, and to show the world one true way
+of helping to solve the problems of labor and capital and government
+that disturb the nations of the earth so much now, was a tall man of
+very pleasing features and manner. He was not very eloquent as a talker,
+but his heart was filled with a heavenly love for poor and unhappy
+childhood. Few of us are so limited in means, or in opportunity, but we
+can follow him a little way. Even the young children who go to Sunday-school
+often know, or could easily learn, of some neglected child that
+has perhaps no parents, or has parents who have no faith, and which
+therefore hears nothing of religion and of right. Like Garelli, Don
+Bosco's first pupil and follower, regular Sunday-school children could
+take such a child to their own Sunday-school. The children of the
+Paulist Sunday-school in New York City, for instance, are constantly
+encouraged to bring with them any child they know which does not go to
+Sunday-school in any other place. If, in addition to its spiritual
+neglect, the child is in bodily want, bringing it to Sunday-school
+attracts the attention of older people who are able, on occasion, to
+give it material as well as spiritual help.
+
+To those of us who are older, surely there can be no greater appeal than
+that of childhood for love and instruction. To withhold these is a more
+bitter injustice even than to withhold food and clothing. The one causes
+the body to suffer, but the other may mean the death of the soul, and
+delivers the body to the lawlessness and to the excesses that lead to
+untimely death in one generation and help on that lamentable
+degeneration--physically, morally, and mentally--in the succeeding
+generations which is, to-day, one of the most discouraging questions in
+the dark problems of the great cities.
+
+And it must always be remembered that among the poor and the unfortunate
+the inspiration for better things must come from those who have more
+than they of means, of time, of intelligence, and, above all, of
+devotion.
+
+In every age God seems to have raised up men with a genius for holiness,
+to speak to the people according to the needs of their day. And thus, in
+a century in which the powers of darkness were directed towards
+destroying childhood and youth by godless teaching, and by lack of any
+teaching at all, either sacred or profane, the providence of Divine Love
+raised up the humble peasant priest of Turin as an apostle to youth and
+a bulwark against its enemies.
+
+There is a vast margin for the following and the extension of his
+example right here among us. We have with us always, not only the
+unfortunate and neglected little ones of every race and color on the
+earth, but, even more pitiable, those little ones who, by nature and
+inheritance, would be with us, as a matter of course, were it not for
+the careless drifting of their parents on the easy and pleasant current
+of indifference, that spiritual sluggishness in some ways more
+reprehensible and certainly less respectable than honest doubt or
+definite unbelief.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Nineteenth Century Apostle of the
+Little Ones, by E. Uhlrich
+
+*** END OF THIS PROJECT GUTENBERG EBOOK
+THE NINETEENTH CENTURY APOSTLE OF THE LITTLE ONES ***
+
+***** This file should be named 36449.txt or 36449.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/6/4/4/36449/
+
+Produced by Michael Gray, Diocese of San Jose
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.