diff options
Diffstat (limited to '36293-8.txt')
| -rw-r--r-- | 36293-8.txt | 1944 |
1 files changed, 1944 insertions, 0 deletions
diff --git a/36293-8.txt b/36293-8.txt new file mode 100644 index 0000000..a8dd7a8 --- /dev/null +++ b/36293-8.txt @@ -0,0 +1,1944 @@ +The Project Gutenberg EBook of Nearly Bedtime, by H. Mary Wilson + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Nearly Bedtime + Five Short Stories for the Little Ones + +Author: H. Mary Wilson + +Release Date: May 31, 2011 [EBook #36293] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK NEARLY BEDTIME *** + + + + +Produced by Delphine Lettau and the Online Distributed +Proofreading Team at http://www.pgdp.net + + + + + + + + + + NEARLY BEDTIME. + + _FIVE SHORT STORIES FOR THE LITTLE ONES._ + + + BY + H. MARY WILSON, + + AUTHOR OF "CRIP," ETC. + + + PUBLISHED UNDER THE DIRECTION OF THE COMMITTEE + OF GENERAL LITERATURE AND EDUCATION APPOINTED BY THE + SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE. + + + LONDON: + SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE, + NORTHUMBERLAND AVENUE, CHARING CROSS, W.C.; + 43, QUEEN VICTORIA STREET, E.C. + BRIGHTON: 135, NORTH STREET. + NEW YORK: E. &. J. B. YOUNG AND CO. + + + + + "Between the dark and the daylight, + When the night is beginning to lower, + Comes a pause in the day's occupations, + That is known as the Children's Hour. + + "I hear in the chamber above me + The patter of little feet; + The sound of a door that is opened, + And voices soft and sweet. + + * * * * * + + "A sudden rush from the stairway, + A sudden raid from the hall! + By three doors left unguarded + They enter my castle wall!" + LONGFELLOW. + + + + +[Printer's decoration] + +PREFACE. + + +My motive in putting together these few short stories is twofold. I wish +to help some elder sisters who have, like myself, occasionally found it +difficult to keep the little ones happy when sleepiness is beginning +to assert its claims--with pride in attendance to scorn any hint of +weariness. For this reason the stories are quite short--of different +lengths--and the time that they take in reading aloud is noted in +the index. But I wish also, if I can, to add a little to the genuine +happiness of that pleasant time when "big and little people" for a +while are equals--before nurse comes to the door and says-- + +"If you please, miss, it is the children's bedtime." + +Of course, when the summons does come, they all say "Good night" without +any grumbling, and run away with bright faces, like my little Maggie, +Dora, and Douglas. + + KENLEY, 1888. + +[Printer's decoration] + + + + +[Printer's decoration] + +CONTENTS. + + THE TIME IT + TAKES TO READ. PAGE + + GENTLEMAN PHIL 12 mins. 7 + + BOXER 9 " 20 + + IT WAS ALL THOSE HORRID BELLOWS! 5 " 29 + + GULL'S "TWINSES" 15 " 35 + + THE B. D. S 7 " 57 + + + + +[Printer's decoration] + +NEARLY BEDTIME. + + + + +_GENTLEMAN PHIL._ + + "He is gentil that doth gentil dedes."--CHAUCER. + + +The birds have been awake, chirping and twittering for more than an +hour, and the sun has stolen the first cool freshness from the clear +dewdrops, as a pair of small feet come scudding across the lawn and +down the gravel path. + +Phil is up betimes to-day. He had opened his eyes as he heard cook's +heavy, deliberate tread on the stairs--she is stout and old, and he +knows her step well--and then he knew that it must be quite early, +about half-past five. + +Very gaily he tumbled out of his bed, and struggled into his white +summer suit. + +He grew rather mixed over the buttons. There seemed so many along the +top of his small knickerbockers! What could be the use of them all? +_One_ was quite enough to hold the things together, and he made up +his mind to ask nurse to cut off all the others. + +Not _now_, though! Oh no! He only peeped into her room through the +half-open door, with a mischievous smile on his sweet bonny face, and +looked at her still sleeping figure, until she stirred a little. Then +he promptly drew back his head, and snatching up his garden shoes, ran +noiselessly down the stairs. + +He watched from behind the hall curtain until cook had opened the garden +door, and gone to fetch her pail. + +Now came his opportunity! Pulling on his shoes, he was quickly +scuttling over the grass, looking very like a small white rabbit, +as he disappeared among the trees and shrubs. + +I don't think that my little motherless, six-year-old friend knew that +he was doing anything naughty when he escaped in this way from the +vigilance of his lawful guardians. + +There was an honest, unselfish desire in his heart which had prompted +this deeply laid plan, and he had been waiting for several days, with a +patience rarely seen in a child his age, for an opportunity to carry it +into effect. + +As he trotted past his own strip of garden, at the further end of the +Rose Walk, he was thinking to himself-- + +"Of course, nobody must see me do it. Gentlemen never do things because +they want to be thanked. I should _hate_ it so if she said 'thank you,' +even once." + +And away went the fat legs down the kitchen garden, and across the +paddock, towards Farmer Greeson's corn field, where the golden grain +stood helplessly in closely packed shocks. + +Poor Farmer Greeson thought it very hard that Club Day should come just +in the middle of his "harvesting;" that his precious wheat must stand a +whole day waiting to be carried; and that another field must wait uncut +while the club enjoyed itself. But, then, the old man was obliged to +remind himself that the harvest was much later than usual this year. +Unsettled weather and frequent storms had upset so many farming +operations. + +Ah! But what was a lost day to Farmer Greeson was Phil's golden +opportunity. + +He had listened to the servants' talk about their holiday, and though he +did not quite understand what "Club Day" meant, he was quite sure that +he need not be afraid of intruders upon his darling scheme at this early +hour, and so he climbed the farmer's gate, and dropped with a merry +"hurrah" on to the stubbly ground. + +An hour later still finds Phil alone in the field, stooping over the +ground and moving slowly along. He looks like a tiny old man, with his +bent form and his hat pushed to the back of his head. + +Phil is gleaning. + +Steadily and laboriously he gathers up the scattered ears of corn. + +He finds it harder work than he thought, and he stops now and then to +take out his handkerchief and wipe his hot face, with a quaint imitation +of the labourers he has so often watched. Then he stands with his arms +akimbo, to rest before setting to work again with determined energy. + +There is quite a large bundle of gleanings lying on his outspread +handkerchief. He has brought his best and largest to hold his gains; and +now the heap of corn almost eclipses the border of kittens and puppies, +with arched backs and bristling tails, that Phil thinks "so jolly." + +Hark! What a delicious peal of laughter. + +The little gleaner has stopped again to straighten his back, and is +watching the merry gambols of two brown baby rabbits that, quite +unconscious of Phil's nearness, are playing round one of the shocks, +as if they thought it had been put there solely for their amusement. + +Round and round, in and out, they scamper, until Phil's laughter breaks +into a shout, and he claps his hands in keen delight. + +This brings the entertainment to an abrupt end. + +Off fly the terrified animals--their fun and frolic turned to fear by +that very human and boyish cry; and the child's merriment dies too. + +He begins his labours again, saying to himself, "Well, you bunnies are +awfully easily scared! It's a good thing gentlemen can be braver than +that." + +And so the sturdy legs trudge backwards and forwards across the field. + +The sun shines warmly, and Phil's face grows hot and red. Phil begins to +feel hungry too. + +"If I was a big man, I think I should have a nice lot of bread and +cheese! I wish I _was_ a man. But I can be a gentleman _now_, father +says so." + +He stands with his head on one side and his hands in his pockets, +looking down thoughtfully at his gleanings. He is sure that he has got +enough now; but he is not quite so sure that he can carry them all at +once. However, he boldly grasps the corner of his gay handkerchief +lifts the bundle, and staggers under its weight across the uneven +ground. + +Through the little gate on the other side of the corn field, with his +back turned to his own home, Phil pushes his way, and passes into the +cool shadows of the lane, just as a servant-maid enters the field by +the other gate. + +If you wanted to escape observation, you did not enter the lane a minute +too soon, little Phil. + +Look at the earnest purpose in his blue eyes, and the brave determination +with which he sets his teeth and struggles on with his load. A little +further and he reaches an old broken gate, standing open and leading to +a neglected garden. + +Phil stops for a moment and listens. He hears nothing. + +Yes; an old hen is clucking with motherly satisfaction over two +long-legged chickens that are racing for a fat green caterpillar. That +is all. + +So Phil is satisfied, and plods up the narrow garden footway until +he comes to a standstill at an old cottage door. He has to put his +precious bundle on the ground while he stands on tiptoe and raises the +latch. + +"Who's there? Is any one there?" says a quavering old voice, and the +child nods his curly head and smiles, but says nothing. + +Pushing the door open very softly, he enters the one room of which the +cottage consists. On a bed in a corner lies a very old woman; her thin +hands clasped patiently on the counterpane, and her sightless eyes +covered with a broad white bandage. + +"Ah, daughter, I've had a long, long night; and I'll be glad of my cup +of tea. But you're main early, ain't you, dearie? I don't feel the sun +upon my face yet!" + +How difficult it is for Phil to hold his tongue, as he crosses the +cottage floor and stands for a moment by Dame Christy's bedside, looking +at her with a whole world of pity in his bonny eyes. + +This is by no means the first time that he has been in this humble +home; but never has he come as the silent smiling visitor he is to-day. + +He puts his bundle on the bed by the old woman's side, looks wistfully +at the bandaged eyes, and then creeps slowly and softly across the room +and runs out into the sunlight--down the lane. + +With tired arms swinging from a sense of relief, with bright curls +tossing, and dusty feet plodding over the ground, Phil enters the corn +field, and runs--into the outstretched arms of Jane, the housemaid. + +And this is the greeting she gives him-- + +"Well, you are a naughty boy, Master Phil! Nurse is in a rare taking, +thinking you've gone and drownded yourself or got a sunstroke or +something. You deserve to be kept in bed all day, you bad child! And +I wish your pa was at home to whip you as well." + +Poor little Phil trudges back by the side of the scolding maid, feeling +sobered and crestfallen. It has come upon him like a rough awakening +from a sweet sleep that what he has done may look like naughtiness in +the eyes of others. + +Would they understand if he told them all about it? + +But, then, if he told, it would spoil it all--for "gentlemen did kind +things, but never talked about them." Those were the very words father +had said. Father must know. He had been a gentleman all his life. + +Choking down a rebellious sob of disappointment, the child faces nurse's +wrath with a brave heart. He says, "I'm very, very sorry, nursie," so +humbly, when her half-angry, half-tearful scolding is over, and his +winsome face looks so sweet in its unusual gravity, that her loving old +heart melts at once. + +She hugs and kisses "her boy" again and again; telling him "not to go +and get into mischief like this, and never to give her such another +scare." + + * * * * * + +Three days later Phil's father comes home. + +Nurse finds an early opportunity for telling him the story of his +little son's escapade, adding, however, a sequel of which Phil knows +nothing. For on the previous day, Dame Christy's daughter had sent up a +message to the nursery, "Might she trouble Mrs. Nurse to step downstairs +for a minute?" + +And on her entering the housekeeper's room, she had displayed a large +handkerchief, having an artistic and warlike border of quarrelsome cats +and dogs. With tears in her eyes the young woman spoke of the dear +little master's gift and the hard labour it must have cost him. + +"And we should never have knowed who did it, but for this, which told +the tale. For he came and went so quiet, that mother she thought it must +have been a dog as had got into her room, never speaking a word, and +coming right away without any one knowing! His handkercher I knowed +directly, 'cause he showed it to me only the other day. He's a rale +little gentleman, isn't he now?" + +Nurse had wisely begged Dame Christy's daughter not to mention, or let +her mother speak of the gift, but to leave the child in happy ignorance +that his good deed had been discovered. She instinctively felt that "her +boy" who would "do good by stealth" would "blush to find it fame." + +But now she tells her master all about it, dwelling with pardonable +pride on the "sweet nature of the bairn." + +That same evening Phil's father stands by his boy's crib and looks down +at the bonny face as it lies on the pillow, while he strokes the curly +crop with a loving hand. + +The blue eyes are just a little bit sleepy. Nurse has tucked him up +for the night, and drawn down the blind. But they are not too sleepy +to shine with love and admiration as they look up into the kind face +bending over him. + +"So, my little son gave nurse a fright the other day?" + +"Please, father, I'm _very_ sorry." + +The child's lips quiver, but the soft eyes still look trustingly +upwards. "I was _really_ trying to be a gentleman--and--and you said +gentlemen didn't tell when they tried to be kind, didn't you?" + +And now father quite understands the motive which has closed his child's +lips--the tender sense of manly honour, which, even in its early growth, +is strong enough to influence the heart of his boy. + +That Phil is already "learning the luxury of doing good," and beginning +a chain of those "little, nameless, unremembered acts of kindness and +of love," which form "the best portion of a good man's life," fills his +heart with a glow of thankfulness. + +He stoops, and kissing the pleading, wistful face, says-- + +"Yes, Phil. Yes, dear little lad, I _did_ say so. You need not tell me +any more unless you like. I quite trust you. Remember always that you +are a gentleman--or better still, try and follow in the steps of that +Perfect Example of a loving and gentle Man--and you will make father +very happy." + + + + +[Printer's decoration] + +_BOXER._ + + "The poor dog, in life the firmest friend-- + The first to welcome, foremost to defend-- + Whose honest heart is still his master's own, + Who labours, fights, lives, breathes for him alone." + BYRON. + + +The electric-bell in the guard's van suddenly began to tinkle. Something +was wrong with one of the passengers. The train slackened speed, and +then stopped altogether. + +One by one the passengers' heads appeared at the windows. Such a variety +of heads, too! Some wrapped in handkerchiefs, some with hats all awry, +some wearing neither hat nor cap, and all looking ruffled and rubbed +up, as if a minute before their owners had been snoring in peaceful +forgetfulness that they were not in their own quiet beds at home. + +This, very likely, was the case, for it was five o'clock on a warm +summer morning, and the train from the North had been tearing along with +its burden of drowsy passengers ever since nine o'clock the evening +before. + +Was it any wonder that this abrupt stoppage--here, where there was +not even a platform in sight--somewhat disturbed and irritated the +travellers? + +"A most irregular proceeding!" cried one indignant gentleman who, in his +anxiety to see what was wrong, had pulled the blue window-blind over his +bald head. + +"It's always the way," cried another fretfully. "Just my luck! Delaying +the train, just when I particularly wished to be in town early." + +"Perhaps the train is on fire! Oh, guard! guard!" screamed a frightened +old lady a few doors further down. "Help me out! This is dreadful!" + +But the guard, a kindly, warm-hearted Scotchman, was far too busy to +attend to any one but the poor heart-broken young mother, who was +clinging to him in her first paroxysm of grief and fear. + +"Noo! noo!" he was saying. "Dinna be greeting sae sairly, mem! We'll +all be doing our best to find the bit bairn. Jack has gone to tak' a +look along the line. But the train's o'erdue, and we maun get to yonder +station before we can have asseestance." + +Then the news was carried the length of the Scotch express. + +A little child had fallen out of the train while his mother was asleep. +The lady's dog had gone too! + +All the heads disappeared, with different expressions of sorrow for the +poor young mother, and that was all. + +Not quite, though! + +One bright face reappeared. A girlish hand unfastened the carriage door, +and in another moment a young lady had scrambled down to the six-foot +way and, with her handbag and a bundle of wraps, was making her way to +an open door, from which came the sound of bitter, hysterical weeping. + +"Guard, I have come to see if I can help in any way. What are you going +to do?" + +"There is but one way, mem. Yonder comes Jack. He's seen nothing, I'm +fearing. We must put the gude leddie down at the next station, and she +maun get an engine there and go seek the puir bit bairn." + +"Very well, guard. Then I will stay with this lady until we stop." And +as the old man thankfully returned to his duties and the train was +quickly put in motion, she sat down and put a pair of sisterly arms +round the distracted stranger. + +"Let us think what we will do," she said in her kind cheery voice, "and +let us remember that the angels have been about your little one all this +time. It may not be as bad as we think." + +"We? Who are you?" asked the dazed, bewildered mother. "I don't know +you." + +"I am Hetty Saunders. I am going to London to spend the last days of my +holiday with my brother. But I can spare the time to help you a little, +you know. Let us forget that I am a stranger." + +And with true womanly capableness she took the management of affairs +into her own hands, drawing Mrs. Hayling on to tell her all she would +about her little Willie--and something, too, of Boxer, the gentle, +clever Scotch collie. + +Half an hour ago they had both been with her. Where were they now? + + * * * * * + +Let us go back and look at the other side of this little story--Willie +and Boxer's side. + +They were both of an inquiring turn of mind. This was only their second +railway journey; and it was not, therefore, very wonderful that Willie's +fingers and Boxer's sharp, inquisitive nose, seemed determined to +examine everything. + +You can guess that it was with no small relief that Mrs. Hayling saw +her little son's round blue eyes grow dim with sleep, as she tucked him +up--for the sixth time at least--in the thick railway rug, and told +Boxer to lie down beside him. + +But it was quite a long time after Willie's mouth opened, to let out +some not unmusical snores, that Mrs. Hayling's thoughts were hushed into +quiet dreams. + +Mothers have so many things to think about and puzzle over! + +About four o'clock her little son suddenly opened his eyes, and as +suddenly remembered where he was. + +He was wide awake! + +Boxer did not like the vigorous shake that his little master gave him. +He roused himself, it is true; but when Willie climbed on to the seat +and looked out of the window, he curled himself round for another nap. +Why did not his little master do the same? + +"Boxer, I'm 'samed of you! How lazy you are! Come and play wid me." + +And the fat arms dragged the dog up again and held him in a tight +embrace, from which there seemed no escaping. + +"Mother is fast as'eep! We'll play widout her, _dis_ time," and Willie +fixed his eyes longingly upon the window-strap. Then he looked back +again at his mother's white tired face. + +He was thinking to himself, "Mother said, Willie mustn't play wid dat +fing--and--and me wants to." + +Poor mother! why do you not wake? See! your little child is getting +nearer and nearer to that forbidden plaything. + +He leant against the door and held the window-strap in one hand, while +his little face grew grave and ashamed. It was not quite so nice to be +disobedient as Willie thought it would be. + +Mother, mother! why do you not wake? There is something wrong with the +fastening of the door, and even the child's light weight has made it +shift a little. + +He was peeping down with eager eyes into the depths out of which the +window-sash had been drawn. + +"I'll send dis strap down dere, and fis' somefing up. S'all I, Boxer?" + +The dog stood close beside him, wagging his bushy tail and looking up +with two bright loving eyes. + +And then the train gave a sudden lurch, the door flew open, and as the +child fell forward with a little cry, Boxer sprang after him and seized +him by his sailor-collar. Powerless to save his little master from +falling, he yet dragged him sideways to the ground, and received the +full force of the fall, as they rolled over and over down the long green +bank. + +And yet mother did not wake! No! not until that motionless bundle--the +child and the dog--had been left many miles away. + + * * * * * + +"Boxer! wake up! It's time for bekfust." + +Boxer did not move. + +"I said I was 'samed of you. _Now_ I'm 'sameder. You _are_ a lazy dog!" + +And then Willie's eyes opened wider, and he turned over on his bed. His +bed? Why! it was soft green grass! and that was not a bed-curtain up +there. It was a tree, and branches of whispering leaves. + +Slowly the truth crept into the child's mind, and very slowly it drove +two large tears into his blue eyes. Where was mother--dear, dear mother? + +He sat up and looked round him. "Mother! mother! I'm very, _very_ +sorry!" he cried; the remembrance of his disobedience being full upon +him. But his voice ended in sobs, as he buried his face in the grass +again. "Oh, mother! Willie _does_ want you so!" + + * * * * * + +Mother was coming. Her strained, anxious eyes had already discovered the +little figure lying stretched upon the ground. + +In another moment the pilot-engine had stopped, and she had clasped her +darling in her arms--alive--unhurt--and was covering him with kisses, +while thankful tears ran down her cheeks. + +It was left to Hetty Saunders to stoop down and stroke Boxer's +motionless figure, and in that touch to learn how the dear doggie had +lost his life for his little master. + + + + +[Printer's decoration] + +_IT WAS ALL THOSE HORRID BELLOWS!_ + +A STORY TOLD BY A LITTLE GIRL. + + +I heard Dick--he's my biggest brother--learning his "Rep" the other day. +I don't quite know what "Rep" is; but he was saying some words over and +over again, and some of them stuck in my head. I can remember them now. + +I don't often remember things; but that is because I've got a head like +a sieve--nurse says so. + +"What's in a name?" he read out of the book--and then something about a +rose smelling sweet. _That_ part doesn't matter. + +If Dick had asked _me_ "What's in a name?" I could have told him quite +well. But Dick didn't ask me, and so I will tell you instead. I think +there's a great deal in a name--at least, in a nickname. There are all +kinds of spiteful little prickles that hurt ever so much more than +others, because they stick in our _feelings_. + +I think I must have got a whole lot of that kind of thorn in me just +now, for I _do_ feel sore. + +Every one has begun to call me Matty, and I can't _bear_ it! + +Did you say Matty was rather a pretty name? + +Perhaps it is, if it is the proper short for your name; I mean, if you +were christened Matilda. But _my_ name's Ginevra! + +Now, do you understand that they all call me Matty just to tease me, and +I _hate_ it. I do. + +I've got as far as adjectives in grammar, so I know that the long horrid +word which they put before Matty sometimes is an adjective. I'm not +going to write it down here--no, not for any one--because it is such a +nasty, unkind word. But it begins with an M. The next letter is an E, +and then comes D, and there are seven more letters, I think. + +And this is all because the other day it was raining very fast, and +there was nothing to do! + +There never is anything to do on a wet day; I mean, nothing interesting. +Dick plays with me sometimes; but he was reading a story, with dreadful +_fighting_ pictures to it, in the _Boy's Own Paper_, so I knew he +wouldn't want to come. And Teddie had gone to sleep in the armchair. + +Wasn't that a stupid thing to do? + +Well! I was obliged to get something to do--wasn't I? And it wasn't my +fault that Ann left the dear little drawing-room bellows behind her, +when she came to make up the fire, was it? + +You can do nice, funny things with bellows. + +I've tried. + +But Dick didn't like me to blow down his neck; and Teddie got quite +cross when I sent a puff of wind into his ear and woke him up. He +needn't have thrown the footstool at me, need he? + +I went out of the schoolroom after that, and such a _nice_ thought came +into my head. + +I would be a wind-fairy. + +I would be a _naughty_ wind-fairy first, and go and blow everything out +of its place--all untidy and crooked; and then I could change, and be a +_good_ wind-fairy, and go and blow all the things straight again. + +So I went into all the rooms. + +It _was_ funny! + +I blew the antimacassars on to the floor, and the visiting-cards out of +the china-plate. + +That was in the drawing-room. + +The best fun was in the nursery, where all the clean handkerchiefs and +collars and cuffs were on the table. They went puff, puff, all over the +floor, just like big snowflakes, and I could hardly help stepping on +them. + +The bedrooms were not so much fun. So I finished by going to the +dining-room, as soon as Ann had gone away, after setting the tea. + +Nobody will believe me when I say that I really _was_ going to put +everything tidy again! But I never got so far as being the good +wind-fairy. Everything always goes just the wrong way! + +First of all, the servants finished their tea sooner than they generally +do, and nurse went straight back to the nursery. She might have +waited--mightn't she? + +And wasn't it unkind of Mrs. Rose to come and call, and to have to be +shown into the drawing-room? She is our doctor's sister, and she is so +stiff and white that we call her Mrs. _Prim_rose. That's _her_ nickname. +But it never pricks _her_, because she never hears it. + +I wonder if nurse is right when she says, "It is going against the +Catechism to make nicknames for grown-up people"? + +Well! I didn't know that if you blew a flame with the bellows it would +make it run about everywhere. Did you? + +I was only trying to make the spirit-lamp burn faster under the kettle. + +I was just beginning to be the _good_ wind-fairy then. And the silly +flame ran all over the table-cloth, and there was such a flare-up! + +I _was_ frightened. + +The tea-cosy was burnt. So was the table-cloth. Ann had 'stericks. I +think that is what nurse called them. Mrs. Primrose came running in with +mother from the drawing-room, and she fainted. + +That was all! + +At least, I was sent to bed, and now they call me Matty. Don't you think +it is unkind of them? Ginevra is such a pretty name too! + +I didn't _mean_ to be naughty. And I do wish mother would make me +understand all about it; but Teddie is ill, and, of course, she can't +leave him until he's better. I shall have to wait, I suppose. But I +can't be happy again until I have had a nice talk with mother. She +makes everything so _understand-ible_. + +What did nurse mean when she said, the other day, "There's one comfort; +Miss Ginevra's character is still unformed"? + + + + +[Printer's decoration] + +_GULL'S "TWINSES."_ + + "Children of wealth or want, to each is given + One spot of green, and all the blue of heaven!" + + +"Mind! mind! I say, Tom, you're frizzing that 'erring black!" + +"I ain't." + +"My eyes! don't it smell fine? Oh! I do wish father'd come. He's allus a +long time when the supper's 'ot;" and Bob, as he spoke, heaved a sigh of +such prodigious depth that it might have come from his boots--if he had +possessed any, poor little man! + +These two small boys, Tom and Bob Gull, were six years old. + +"We is only twinses," Bob would say. + +Perhaps he said "only" to make us understand that they were just alike +in the matter of age, but that there the likeness ended. + +Bob, the merry and talkative, was the one who led Tom, the quiet and +silent. Bob's twinkling, puppy-like eyes--which peeped at you through a +tangled fringe of brown hair--were the exact contrast to Tom's shy blue +eyes, shaded by long, fair, girlish lashes. And Bob's jolly little round +figure seemed to say, "Anything, be it meagre soup or even dry bread, +fattens _me_;" while Tom's thin little limbs gave one a thought of +unconscious cravings for appetising food. + +The room where they were watching for father was a third floor front +in Pleasant Court, not far from Waterloo Junction. Like many such +"living-rooms," it can be best described by telling you that everything +in it which should be large was small, and the other way about. + +For instance, the fireplace was small and the crack under the door very +large. The cupboard was very roomy, but the things kept in it very much +too small and scarce. The bed was wide, but the blanket and counterpane +sadly narrow. + +Was there nothing that was as big as it should be? + +Yes, indeed! In spite of these unsatisfactory surroundings, there was as +large-hearted a love to be found in the small family which these four +walls sheltered from the cold outside world, as any one could wish to +see. + +"I don't believe father's _never_ coming;" and Bob sighed again. + +By this time the herring had found a cindery resting-place on a plate +before the fire, and the twins were sitting side by side, with their +bare toes on the fender and their eyes fixed upon the door, watching +eagerly, like two little terriers. + +But the sigh was answered by a distant sound, the plod--plod--plodding +of weary feet up the two flights of uncarpeted stairs. + +Then there was a grand commotion! The cushionless armchair was dragged +nearer the fire; the old slippers dropped sole uppermost into the +fender. And then Bob and Tom clung with a vice-like embrace each to +an arm of the tall, gaunt, kindly eyed man who had opened the door. + +"Father, father! the 'erring's done just lubly. I _am_ glad you're come +at last!" This from Bob. + +The father's hard, rough hand rested upon his tangled crop, but his eyes +were looking into Tom's upturned face. + +"And Tom, eh?" he asked. + +"Jolly glad," answered the child readily. + +Then the three sat down to their evening meal. + +Would you like to know what it consisted of? + +Tea, of a watery description, but _hot_ (Bob took care of that) and +_sweet_--at least, father's cup, owing to Tom's kindly attentions with a +grimy thumb and finger. The herring. This, of course, was the chief +dish. Several tit-bits, trembling upon father's fork, find their way +into the "twinses'" mouths. + +Lastly, bread and dripping. + + * * * * * + +Gull had tried to teach his motherless lads "to do as mother used." So +there followed a systematic cleaning and arranging of the small supply +of crockery. + +Tom was the first to find a seat upon father's knee as he sat by the +fire; but Bob soon climbed opposite to him, and together they looked +with expectant eyes into father's face. + +And father rubbed his head ruefully as he said, "Eh! I've got to tell +the little lads summat to-night, have I? But there's nothing new been +done, as far as I knows. It's the old dull story, bairnies. The fewest +tips when the weather's the bitterest." + +Gull was an outside porter at Waterloo Junction; and a slight lameness, +caused by rheumatism, often cost him dearly. If his step could have +been quicker, it would many times have taken him in the front of the +younger porters, who darted forward and seemed to get all the jobs. The +sixpences came very slowly into his pocket. + +To-night he felt more than usually _down_, as he expressed it; and when +he felt Tom's little bare toes slipping for warmth under his strong +brown hand, tears crept into his eyes, and had to be rubbed away with +the back of his sleeve. + +Bob was very quick to notice this. + +"I say," he cried, "you've been and gone and got something in your eye!" + +"Smuts," suggested Tom. + +"Oh, let me get them out, father! _Do!_ I'll be ever so gentle." And Bob +suited the action to the word by raising himself on his knees to a level +with Gull's face, and thrusting a screw of his old jacket into the +corner of the suffering eye. + +The operation ended in merry laughter, and the boys never knew that the +smuts were really tears forced to the surface by an overburdened heart. + +"Father was just _real_ funny," that evening, as Bob whispered to Tom, +when half the blanket covered them, later on--"just _real_ funny, wasn't +he?" + +And Tom answered sleepily, but happily, "Yes, jolly." + +Meanwhile, the tired bread-winner sat alone by the fire, with all the +fun faded from his face as he wondered "how long bad times lasted with +most folks?" It was not until, with the childlike simplicity that was +part of his nature, he had knelt and repeated the short and perfect +prayer with which his little lads had made him so familiar, that any +look of comfort or hope returned to his care-lined face. + +A little anxiety, but a very pressing one just now, came with the +thought that the four dear little feet, which had been treading the +world for the past weeks chilled and barefooted, would very probably +have to curl up piteously on the cold pavement for some time longer. +To get two pairs of small boots, and hope for money to pay for them +by-and-by, never entered Gull's head. He had always paid his way +without owing any man anything, as his father had before him. + +Poor father! and poor little twins! + +Yet wishes are sometimes carried quickly to their fulfilment; for a +divine Lord changes them into prayers as they go upward. + +The following evening, just at the hour when his boys were again +straining their ears for the first sound of his footsteps, Gull was +standing against one of the lamp posts outside Waterloo Station. He +was peering anxiously into the face of every passenger who entered +the station, every traveller who drove up from the busy streets, +every business man who hurried in from the City. + +Gull's lips were hard set. His eyes had a strained, anxious look; his +expression was that of a warrior who was fighting a battle against heavy +odds. + +All day long there had been an inward struggle. Hour by hour the fight +had been prolonged. Would honesty win the day? Was Gull leaning upon a +strength mightier than his own? + +He kept one hand buried in his pocket, always fingering there a +_something_ which was the cause of all this mental disturbance. His +other hand buttoned and unbuttoned his overcoat with nervous +restlessness. + +And as he watched, two gentlemen came towards him under the gas lamps. +They were walking arm-in-arm, and talking earnestly about shares and +stocks, and all those mysterious and fascinating things, that a certain +Mr. Weller said "always went up and down in the city." + +When Gull saw them he started forward, and looked searchingly into the +face of the elder of the two. Then he followed them closely into the +station--shuffling along lamely but resolutely. + +Twice he put out his hand to touch this gentleman's sleeves, but +something stronger than his will seemed to hold him back. + +At the platform gate the ticket collector spoke to him. + +"What! are you going by the 6.5, Gull?" + +"No," he answered; "but I'm bound to have a word with yon gent before he +goes." + +"If it's a tip you're after, you're on the wrong tack, mate. I know yon +gentleman too well." But he let Gull through the gate. + +Mr. Kingsley, the elder traveller, was settling himself in a +first-class carriage, and leisurely enjoying the delightful employment +of lighting his first cigar after a long day's work, when Gull opened +the door and looked in. + +"Beg pardon, sir," he began, "but did I carry a box for you this morning +to the South Eastern, sir?" + +Mr. Kingsley looked him well over before he answered, with a twinkle of +amusement in his little bright eyes-- + +"What if you did, man? Wasn't the sixpence heavy enough?" + +Gull knew now that he had found the man he wanted. He drew his hand from +his pocket and held a bright half-sovereign towards Mr. Kingsley. + +"That's what you give me, in mistake, sir," he said huskily, adding, +"I'm glad I remembered who 'twas as give it to me." + +Again Mr. Kingsley looked the porter well over. Then he turned his eyes +to the further end of the railway carriage, and was relieved to see that +his fellow-passenger was, to all appearance, deeply interested in his +evening paper. I say, to all appearance, for the truth is that he was +listening to all that passed; and it is from him that I heard this +story, which is no fiction. + +Still, though satisfied that he was unnoticed, Mr. Kingsley did not take +the proffered coin. After a moment's pause he said-- + +"How did you find out that I was coming back this way to-night?" + +"I seemed to know as you was a 'season,' sir," Gull answered, "and I +watched for you." + +"Well, well, man! and now, as to that half-sovereign. I expect it will +be of more use to you than to me--eh? Keep it, man; keep it." + +Gull's pale cheeks flushed. + +He stammered out, "You'd--you'd best take it back, sir." It seemed to +him as if this was some new form of that terrible temptation which had +been assailing him all that long day; and he thrust the half-sovereign +forward again. + +"No, no! Keep it, man!" repeated Mr. Kingsley. "I'm not going to say a +word about your honesty. You are just as much a man as I am; and a true +man is always honest. But keep it, _because_ the Christmas bells will +ring to-night." + +"Thank you, sir." + +Written, the words appear cold; but said, as Gull said them, they +carried an amount of warmth and gratitude which quite satisfied Mr. +Kingsley without the half-involuntary speech that followed, "So there +_will_ be boots for the little lads, after all!" + + * * * * * + +"Bless the man! How jolly you look! Did you get your tanner, then?" + +This was the ticket collector's greeting as Gull passed. + +"Yon gent's a trump, and no mistake!" answered the other as he hurried +along, eager for the delight which _such_ a story would bring to the +little ears now listening for his coming in that third floor front in +Pleasant Court. + + * * * * * + +I wonder what it was that moved Mr. Kingsley to a wider generosity that +evening than was at all usual in the money-wise, business man? Could +it have been that he was led to it partly by the fact--though he was +quite unconscious of it--that there was something similar in the home +relations of these two men? + +For Mr. Kingsley was also a widower; and it was his little only daughter +who was pressing her tiny nose against the window-pane, and trying to +guess how many people would go by the gate before daddy set it swinging +and came up the drive. + +Patsy's greeting was quite as loving and vigorous as the one the +"twinses" gave their father every day. The slippers warming at the fire +were elegant braided ones, bound round with velvet. Well! what of that? +It was the love that thought of putting them there which made them so +comfortable; and so, in that respect, Gull's were quite as good to wear +as Mr. Kingsley's. + +When the two were comfortably settled, Patsy began to rummage in all +daddy's pockets. + +"It's Christmas present night!" she cried. "Where's my little yellow +money?" + +Mr. Kingsley felt in his pockets with a musing air. + +"I don't know what my little maid will say," he said at last, +producing four half-crowns; "but I have no nice half-sovereign for her +to-night--only these big ugly white things. It is true they will buy +quite as many toys. And I _might_ have had 'the yellow money,' only now, +I expect, it is turned into shoeleather." + +At the opening of this speech Patsy's face had borne an expression of +disgust and disappointment; but before it was finished, it changed to +one of undisguised interest. + +"Oh! I'm _sure_ you've been in a fairy tale to-day, daddy! You know I +just _love_ fairy stories. _Do_ begin at once, before nurse comes. Tell +me about it quickly--do, _please_." + +And so, out of the materials that Gull had given him, Mr. Kingsley +pleased his little daughter by weaving a wonderful modern fairy story. +He had rather a talent that way, and had learnt by experience the kind +of stories that the little ones like best. This time his narrative was +"truer" than he knew; and Patsy acknowledged, when it was done, that it +was "the nicest and beautifullest that she had heard for a long time." + +And while Patsy's father was telling the story in his way, another +version of it was being repeated again and again to the twins, high up +in that old London house. + +They were never tired of hearing it, never tired of asking questions; +and all the time the feeling of gratitude in their father's heart--which +had been like a little seed, planted there by the kind words and gift +of Mr. Kingsley--grew and grew until he _longed_ to _do_ something. He +had only as yet said, "Thank you, sir;" but now he longed to show his +gratitude in a more fitting way. So thought the "twinses," too, for Bob +said presently-- + +"Father, shouldn't I just like to do something nice for that gentleman! +I wonder whether you're like to see him again?" + +"In course, lad. I shall often see him pass, I'll never forget him; +but it's not so likely as he'll remember me. Got summat better to do, +I reckon. Yes; he'll come most days, seeing as he's a 'season.' But, +there--you're right! I don't feel as if I shall be able to rest until +I've done 'summat nice for him,' as you says, if it's only to carry his +bag for nothing. But summat bigger nor that would _ease_ me more. What a +rale gent he is, to be sure!" + +There was no disguising the tears that stood in Gull's eyes now; and +strange to say, he did not try to hide from his "little lads" that they +were there. + +He made the boys put their feet, now so stoutly booted, in a row upon +the fender. How the brass tips shone in the firelight! And there was +_such_ a jolly noise when the heels knocked against the floor! Bob made +the grand discovery that he could dance a hornpipe. And his sturdy feet +careered over the floor, clattering, tapping, and jumping, until the +quiet Tom was roused into clapping and "hurrahing" with delight. + + * * * * * + +His "act of irregular charity," as he called it, quickly faded from Mr. +Kingsley's mind--so quickly, too, that when one of the outside porters +occasionally helped him more readily than usual, or seemed less eager +for the accustomed "tip," he never thought that it might have any +connection with that Christmas Eve adventure. He was short-sighted, too, +and not very quick to recognize faces. He did not know that as he passed +out of the station every morning, Gull's eyes followed him with a +pleasant _remembering_ look, that Gull's hand was always ready to throw +back the doors of the hansom if the day was wet and he drove, and that +Gull's feet were swift to carry their owner away before the accustomed +"coppers" could be offered. + +The first question that always greeted Gull when he got home to his boys +in the evening was, from Bob-- + +"Did you see _our_ gentleman to-day, father?" echoed by Tom's eager-- + +"Did you, father?" + + * * * * * + +A year had nearly passed away. Christmas was coming again, this time +dressed in a mantle of thick, choking fog and biting frost. The days +seemed to be turned into night. People and things looked queerly +distorted and unnaturally large. The street lamps tried to pierce the +gloom all day with foolish, blinking eyes; and every one took his full +measure of grumbling. + +One evening Mr. Kingsley hurried up the steps to Waterloo Junction with +a feeling of relief that the unknown perils of the gloomy streets were +safely past. He pushed his way through a little group of idlers near one +of the doors, and was turning towards the booking-office, when he was +startled by a violent commotion close behind him. He turned to find two +men--both tall, but one powerful and thick-set, the other meagre and +ill-clad--engaged in a hand-to-hand struggle. + +His first impulse was to continue his way and leave them to fight it +out. + +"It is some wretched, drunken tramp," he said to himself. But a second +look showed him that there was too much desperate method on the part of +both for this to be the case; and he was looking round for a policeman +to interpose the "stern arm of the law," when the struggle was ended as +abruptly as it had begun. + +The stronger man of the two suddenly flung his antagonist from him with +an angry oath, and then disappeared in the fog. He left the other lying +almost at Mr. Kingsley's feet--flung there upon his back, with one hand +hidden beneath him. He lay motionless as death, silenced by the force +with which his head had struck the ground. His white face and closed +eyes sent a quick fear to Mr. Kingsley's kindly heart as he bent over +him, and he turned to the two porters who hurried up, to say-- + +"The man's terribly hurt, I'm afraid. There was a quarrel, and he was +thrown down." + +While one of the men answered him the other stooped down to look at the +prostrate figure, and then started to his feet again, crying-- + +"Mate--it's Gull! It's Gull, I tell you! What does it mean?" + +With the help of the policeman, who appeared at this moment, and watched +by the usual curious crowd of onlookers, they bathed Gull's face with +cold water, forced brandy between his lips, and chafed his cold hands. +Then it was that they discovered, tightly clasped in the hand upon which +he had been lying, a folded leather case. The policeman unbent the +convulsive fingers, and examined this with careful eyes. + +"However did Gull get hold of _this_, I wonder?" was his exclamation. + +Mr. Kingsley looked at it with a puzzled expression. It had a strange +resemblance to his own pocket-book! Thrusting his hand hurriedly into +his various pockets proved to him, without a doubt, that his it was +indeed. And a few words were sufficient to convince the policeman of his +right to claim it. + +But here a sudden movement from Gull turned all eyes towards him once +more. + +He raised himself to a sitting position, and with one hand to his poor +dazed head, gazed with dim, half-unconscious eyes at the other held +before him--wide open and empty! + +As he gazed, a bitter cry escaped his lips. + +"Then the brute has made off with it, after all!" + + * * * * * + +This, you see, was the way in which Gull "eased himself," as he +expressed it, and satisfied the demands that gratitude made upon his +honest heart. + +I have very little more to tell you, and that you could almost guess for +yourself. + +Gull spent a few quiet days on his bed, attended devotedly by his little +lads, who were much over-awed at father's "bein' took bad," and filled +with wide-eyed wonder when "our gentleman" climbed the old staircase +more than once, to see how father was, and to provide for him some new +comfort. + +Once again, two versions of a true story were told in two separate +homes. It was the version that the "twinses" heard which was the +shortest in the telling. + +"Tell us all about it, father," said Bob, when Gull was "rested" enough +to talk to his boys. + +"Nay, lad, there ain't much to tell. I just collared the thief as he +was making off with Mr. Kingsley's pocket-book, and he didn't like it +somehow, and threw me down. But that's all about it." + +"Oh! but you got the pocket-book from him first, you know, father." + +"Ay! I did that," Gull answered, with a smile; and there the _telling_ +of the story ended. I don't know when the _acting_ of it will be +finished, for there was a difference in the lives of Gull and his +"twinses" from that day forward--"all along of Mr. Kingsley's kindness," +as they would tell you; but "because I have found an honest man," as Mr. +Kingsley himself would say to little Patsy. + +[Printer's decoration] + + + + +[Printer's decoration] + +_THE B. D. S._ + + +The Bill had passed the House of Commons [I mean, you know, that nurse +had approved of it], and much anxiety was felt among the little pleaders +as to its first reading in the Upper House--_i. e._ would mother say +"Yes!" + +They all knew that mother had a clear judgment; but it was just her +far-seeing power that made them tremble. She might see breakers ahead +which they knew nothing about. + +And perhaps mother _did_ see a few objections to this new plan. However +that may be, as the little ones presented their petition, she smiled. + +This was, indeed, a good sign, and more than that, the smile was +followed by a ready consent as the plan was unfolded. + +The Bill was passed. Hurrah! + +The B. D. Society was allowed; and mother had actually agreed to be +patroness and prize-giver. + +"What a dear, jolly mother she is!" + +"She's a duck, and no mistake!" + +Rather unbusinesslike language, but very expressive! + +Well, but what did it mean, this B. D. S.? + +It was only a Bedroom Decorating Society. But it seemed a very beautiful +idea to the four curly headed little girls who sat squeezed up together +in the large nursery armchair. + +Pattie, Mollie, Kitty, and Norah. Four little Irish maidens, with this +lovely plan to talk over and make perfect, while a snowstorm kept them +indoors to-day. + +_Pattie._ "Don't let's tell each other how we'll do our rooms until +afterwards." + +_Norah._ "You'll _never_ keep your plans to yourself. You never _could_ +keep anything in." + +_Mollie (up in arms for her sister)._ "Don't be nasty, Norah, or +something _bad_ will happen to you!" + +_Norah (looking a little ashamed of herself and wisely changing the +subject)._ "Let's begin now. We'll take all the things out of our rooms +first, and then put them back in new places--shall us?" + +As you may guess, the B. D. S. was intended to promote a general taste +for artistic style in the children's bedrooms, or as Kitty expressed it, +simply and to the point, "It is to make us put our things _illigantly_." + +Mother determined to let this new idea have a fair trial; though she +could not help feeling a little nervous as she heard the scrimmaging of +the furniture, and thought of possible breakages. + +She sat at her needlework, and listened to the distant sounds which +reached her faintly from the rooms above. Then she began to wonder +whether the excitement and interest would last out the fortnight, at +the end of which she had been asked to present a prize. + +Suddenly her motherly heart gave a terrible throb. + +There was a thud--thud--thud, and that horrid bumping sound, as +something soft tumbled over and over down the stairs. + +With a white face she rushed out of the dining-room, to see little Norah +and a large bolster roll on to the floor at her feet! + +A breathless scream escaped from the terrified child. + +The three other curly heads were peeping through the banisters, and +three pairs of Irish blue eyes were looking horribly scared and unhappy. + +But mother did not see them. + +She picked up the screaming Norah, and carried her into the dining-room, +while nurse came running from the kitchen and her ironing. + +All the time that the sobbing little victim of the B. D. S. was being +soothed into calmness, and the big swelling wheal on her forehead bathed +and tended, Pattie, Mollie, and Kitty--upstairs--looked at one another +in frightened silence. Then Mollie said sadly-- + +"I _knew_ something would happen to Norah. It always does if she says +nasty things." + +"Rubbish, Mollie! That's nonsense! She fell down because her bolster was +so big, and she couldn't see where the stairs came!" cried Pattie. + +"I'm going to see where she's hurted herself," announced little Kitty; +and she trudged off, leaving Pattie and Mollie to sort the heap of odds +and ends that lay on the landing. + +They went about it in doleful silence at first. + +Then Mollie said, "This _is_ my counterpane--isn't it, Pattie?" + +"No; that's Norah's. Don't you see the corner all crumpled up which she +holds in her hand when she goes to sleep?" + +"Oh dear! oh dear! I don't think, after all, that it's _easy_ having +a B. D. S. It seemed just to spoil it all when Norah went thumping +down--down, like a big ball." + +Pattie gave a little sigh, too, and was putting down the chair she was +carrying that she might rest her arms and have room for another deeper +sigh, when mother's voice was heard calling-- + +"Mollie! Pattie! I want you down here!" + +Off they ran, feeling down in their little hearts that mother _must_ +know how to put things happy again. + +First of all they looked with interested and pitying eyes at Norah, +whose head had become an odd shape, and whose face was white and patchy. +Then they stood side by side with Kitty, watching mother's face, and +waiting. + +"The B. D. S. has had a bad beginning, dears," she said. "I don't think +it was a good plan to pull everything out of your rooms to start with. +But never mind that now." + +As mother spoke she kept one hand behind her chair, and she smiled. + +She was sorry for her little girls. + +"I am going to propose," she went on, "that you should alter your +society a little bit. The _letters_ will be the same. It will still be +the B. D. S.; but the work will be different and easier." + +The little faces all brightened as she continued-- + +"I like my little girls to be tidy and neat in their rooms; but I think +mother knows best how the furniture should stand, and where the things +look nicest. So I suggest that we call our society the Bedroom _Dusting_ +Society. I will give you each a little cloth, and you shall dust your +rooms every morning after nurse has made the beds. And _once a week_ I +will award a prize." + +Then mother drew her hand forward and held before their eyes a Japanese +fan, with a long handle, to which was tied a dainty bow of blue ribbon. + +"This," she said, "shall be given next Saturday to the tidiest of the +four members of your society. Now, what do you think of my plan?" + +"It's just splendid, mother darling!" was the unanimous cry of the +listeners; and a tangle of soft loving arms nearly throttled her in a +sudden embrace. + +"And you _know_," came in a plaintive voice from Norah, "if you always +give us a pretty thing like that for a prize, it _will_ be the Bedroom +_Decorating_ Society, too!" + + +THE END. + +PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES. + + + + +PUBLICATIONS +OF THE +Society for Promoting Christian Knowledge. + + _Most of these Works may be had in Ornamental Bindings, with + Gilt Edges, at a small Extra charge._ + + + =Adventurous Voyage of the "Polly," and other Yarns.= _s. d._ + By the late S. W. SADLER, R.N. With four page illustrations. + Crown 8vo _cloth boards_ 3 0 + + =All is Lost save Honour.= + A Story of to-day. By CATHERINE M. PHILLIMORE, With three page + illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Alone Among the Zulus.= + By a PLAIN WOMAN. The Narrative of a Journey through the Zulu + Country. With four page illustrations. Crown 8vo. _cloth + boards_ 1 6 + + =An Innocent.= + By S. M. SITWELL. With three page illustrations. Crown 8vo. + _cloth boards_ 1 6 + + =Baron's Head (The).= + By FRANCIS VYVIAN. With three page illustrations. Crown 8vo. + _cloth boards_ 2 0 + + =Behind the Clouds.= + A Story of Village Life. By GRACE HAMILTON. Printed on toned + paper, with three page illustrations. Crown 8vo. _cloth + boards_ 2 0 + + =Belfrey of St. Jude (The).= + A Story by ESMÈ STUART, author of "Mimi." With three page + illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Bernard Hamilton, Curate of Stowe.= + By MARY E. SHIPLEY. With four page illustrations. Crown 8vo. + _cloth boards_ 2 0 + + =Brag and Holdfast.= + By EADGYTH, author of "The Snow Fort," &c. With three page + illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Captain Eva.= + The Story of a Naughty Girl. By KATHLEEN KNOX. With three page + illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Chryssie's Hero.= + By ANNETTE LYSTER, author of "Fan's Silken String." With three + page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Christabel the Flower Girl of Covent Garden.= + By the author of "Our Valley," &c. With three page + illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Cruise of the "Dainty," (The); or, Rovings in the Pacific.= + By the late W. H. G. KINGSTON. With three page illustrations. + Crown 8vo. _cloth boards_ 1 6 + + =Engel the Fearless.= + By ELIZABETH H. MITCHELL. With four page illustrations. Crown + 8vo. _cloth boards_ 3 6 + + =Fan's Silken String.= + By ANNETTE LYSTER, author of "Northwind and Sunshine," &c. With + three page illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Fortunes of Hassan (The).= + Being the strange story of a Turkish Refugee, as told by + himself. By the author of "Our Valley," "Rosebuds." With three + page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Frontier Fort (The); or Stirring Times in the North-West + Territory of British America.= + By the late W. H. G. KINGSTON. With three page illustrations. + Crown 8vo. _cloth boards_ 1 6 + + =Geoffrey Bennett.= + By Mrs. ISLA SITWELL, author of the "Church Farm." With three + page wood cuts. Crown 8vo. _cloth boards_ 3 0 + + =Great Captain (The). An Eventful Chapter in Spanish History.= + By ULICK R. BURKE, M.A. With two page illustrations. Crown 8vo. + _cloth boards_ 2 0 + + =Hasselaers (The).= + A Tale of Courage and endurance. By E. E. COOPER. With three + page illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Invasion of Ivylands (The).= + By ANNETTE LYSTER, author of "Fan's Silken String." With three + page illustrations. Crown 8vo. _cloth boards_ 1 6 + + =John Holbrook's Lessons.= + By M. E. PALGRAVE. With three page illustrations. Crown 8vo. + _cloth boards_ 1 6 + + =King's Warrant (The).= + A Tale of Old and New France. By A. H. ENGELBACH. With three + page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Lettice.= + By Mrs. MOLESWORTH, author of "Carrots." With three page + illustrations. Crown 8vo. _cloth boards_ 2 0 + + =Little Brown Girl (The).= + A Story for Children. By ESMÈ STUART, author of "Mimi," &c. + With three page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Mate of the "Lily" (The); or, Notes from Harry Musgrave's Log + Book.= + By the late W. H. G. KINGSTON, author of "Owen Hartley," &c., + With three page illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Mike.= + A Tale of the Great Irish Famine. By the Rev. E. N. HOARE, + M.A., author of "Between the Locks." With three page + illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Mimi: a Story of Peasant Life in Normandy.= + By ESMÈ STUART, author of "The Little Brown Girl." With three + page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Mrs. Dobbs' Dull Boy.= + By ANNETTE LYSTER, author of "Northwind and Sunshine," &c. With + three page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =My Lonely Lassie.= + By ANNETTE LYSTER, author of "Mrs. Dobbs' Dull Boy." With three + page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Our Valley.= + By the author of "The Children of Seeligsberg," &c. With three + page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Percy Trevor's Training.= + By the Rev. E. N. HOARE, M.A., author of "Two Voyages," &c. + With three page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Philip Vandeleur's Victory.= + By C. H. EDEN, author of "Australia's Heroes," "The Fifth + Continent," &c. With three page illustrations. Crown 8vo. + _cloth boards_ 2 6 + + =Pillars of Success (The).= + By CRONA TEMPLE, author of "Griffenhoof," &c. With three page + illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Reclaimed.= + A Tale. By A. EUBULE EVANS. With three page illustrations. + Crown 8vo. _cloth boards_ 2 6 + + =Round my Table.= + By H. L. CHILDE-PEMBERTON, author of "The Topmost Bough," &c. + With three page illustrations. Crown 8vo. _cloth boards_ 1 6 + + =Steffan's Angel, and other Stories.= + By M. E. TOWNSEND. With three page illustrations. Crown 8vo. + _cloth boards_ 2 6 + + =Stories from Italian History.= + By B. MONTGOMERIE RANKING. With two page illustrations. Crown + 8vo. _cloth boards_ 1 6 + + =Sweet William.= + By Mrs. THOMAS ERSKINE. With three page illustrations. Crown + 8vo. _cloth boards_ 1 6 + + =Two Shipmates (The).= + By the late W. H. G. KINGSTON, author of "Ned Garth." With + three page illustrations. Crown 8vo. _cloth boards_ 2 6 + + =Una Crichton.= + By the author of "Our Valley," &c. With four page + illustrations. Crown 8vo. _cloth boards_ 3 6 + + =Will's Voyages.= + By F. FRANKFORT MOORE, author of "The Fate of the Black Swan." + With four page illustrations. Crown 8vo. _cloth boards_ 3 6 + + + LONDON: NORTHUMBERLAND AVENUE, CHARING CROSS, W.C. + 43, QUEEN VICTORIA STREET, E.C. + BRIGHTON: 135, NORTH STREET. + + + + + +End of the Project Gutenberg EBook of Nearly Bedtime, by H. Mary Wilson + +*** END OF THIS PROJECT GUTENBERG EBOOK NEARLY BEDTIME *** + +***** This file should be named 36293-8.txt or 36293-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/6/2/9/36293/ + +Produced by Delphine Lettau and the Online Distributed +Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
