path: root/36150-8.txt

The Project Gutenberg EBook of Hoosier Lyrics, by Eugene Field

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Hoosier Lyrics

Author: Eugene Field

Release Date: May 18, 2011 [EBook #36150]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK HOOSIER LYRICS ***




Produced by Juliet Sutherland, David E. Brown, and the
Online Distributed Proofreading Team at http://www.pgdp.net









[Illustration: Eugene Field]




  HOOSIER
  LYRICS

  BY

  EUGENE FIELD

  AUTHOR OF
  THE CLINK OF THE ICE, JOHN SMITH,
  U. S. A., IN WINK-A-WAY-LAND, ETC.

  M. A. DONOHUE & COMPANY
  CHICAGO, ILL.




  SELECTED WORKS _of_ EUGENE FIELD

  _Uniform with this volume_

    The Clink of the Ice
    Hoosier Lyrics
    In Wink-a-Way Land
    John Smith, U. S. A.

  _Four volumes, boxed, $3.00_

  _Single volumes, 75 cents, postpaid_

  M. A. DONOHUE & CO.
  701-727 S. DEARBORN ST. CHICAGO

  Copyright, 1905
  M. A. Donohue & Co.




INTRODUCTION.


From whatever point of view the character of Eugene Field is seen,
genius--rare and quaint presents itself in childlike simplicity. That he
was a poet of keen perception, of rare discrimination, all will admit.
He was a humorist as delicate and fanciful as Artemus Ward, Mark Twain,
Bill Nye, James Whitcomb Riley, Opie Read, or Bret Harte in their
happiest moods. Within him ran a poetic vein, capable of being worked in
any direction, and from which he could, at will, extract that which his
imagination saw and felt most. That he occasionally left the
child-world, in which he longed to linger, to wander among the older
children of men, where intuitively the hungry listener follows him into
his Temple of Mirth, all should rejoice, for those who knew him not, can
while away the moments imbibing the genius of his imagination in the
poetry and prose here presented.

Though never possessing an intimate acquaintanceship with Field, owing
largely to the disparity in our ages, still there existed a bond of
friendliness that renders my good opinion of him in a measure
trustworthy. Born in the same city, both students in the same college,
engaged at various times in newspaper work both in St. Louis and
Chicago, residents of the same ward, with many mutual friends, it is not
surprising that I am able to say of him that "the world is better off
that he lived, not in gold and silver or precious jewels, but in the
bestowal of priceless truths, of which the possessor of this book
becomes a benefactor of no mean share of his estate."

Every lover of Field, whether of the songs of childhood or the poems
that lend mirth to the out-pouring of his poetic nature, will welcome
this unique collection of his choicest wit and humor.

  CHARLES WALTER Brown.

Chicago, January, 1905.




CONTENTS.


                                        PAGE.

  Hoosier Lyrics Paraphrased                9

  Gettin' On                               14

  Minnie Lee                               16

  Answer to Minnie Lee                     17

  Lizzie                                   18

  Our Lady of the Mine                     20

  Penn-Yan Bill                            25

  Ed                                       31

  How Salty Win Out                        33

  His Queen                                36

  Answer to His Queen                      37

  Alaskan Balladry--Skans in Love          38

  The Biggest Fish                         39

  Bonnie Jim Campbell                      42

  Lyman, Frederick and Jim                 44

  A Wail                                   46

  Clendenin's Lament                       48

  On the Wedding of G. C.                  49

  To G. C.                                 51

  To Dr. F. W. R.                          52

  Horace's Ode to "Lydia" Roche            54

  A Paraphrase, Circa 1715                 56

  A Paraphrase, Ostensibly by Dr. I. W.    57

  Horace I., 27                            58

  Heine's "Widow or Daughter"              59

  Horace II., 20                           60

  Horace's Spring Poem, Odes I., 4         62

  Horace to Ligurine, Odes IV., 10         64

  Horace on His Muscle, Epode VI.          65

  Horace to Maecenas, Odes III., 29        66

  Horace in Love Again, Epode XI.          68

  "Good-By--God Bless You!"                70

  Horace, Epode XIV.                       72

  Horace I., 23                            74

  A Paraphrase                             75

  A Paraphrase by Chaucer                  76

  Horace I., 5                             77

  Horace I., 20                            78

  Envoy                                    78

  Horace II., 7                            79

  Horace I., 11                            81

  Horace I., 13                            82

  Horace IV., 1                            83

  Horace to His Patron                     85

  The "Ars Poetica" of Horace--XVIII.      87

  Horace I., 34                            88

  Horace I., 33                            89

  The "Ars Poetica" of Horace I.           91

  The Great Journalist in Spain            93

  Reid, the Candidate                      95

  A Valentine                              97

  Kissing-Time                             98

  The Fifth of July                       100

  Picnic-Time                             101

  The Romance of a Watch                  103

  Our Baby                                104

  The Color that Suits Me Best            106

  How to "Fill"                           108

  Politics in 1888                        109

  The Baseball Score                      110

  Chicago Newspaper Life                  112

  The Mighty West                         114

  April                                   116

  Report of the Baseball Game             118

  The Rose                                120

  Kansas City vs. Detroit                 121

  Me and Bilkammle                        122

  To the Detroit Baseball Club            124

  A Ballad of Ancient Oaths               125

  An Old Song Revised                     128

  The Grateful Patient                    130

  The Beginning and the End               131

  Clare Market                            133

  Uncle Ephraim                           135

  Thirty-Nine                             138

  Horace I., 18                           141

  Three Rineland Drinking Songs           143

  The Three Tailors                       147

  Morning Hymn                            150

  Doctors                                 151

  Ben Apfelgarten                         155

  In Holland                              158




HOOSIER LYRICS PARAPHRASED.



  We've come from Indiany, five hundred miles or more,
  Supposin' we wuz goin' to get the nominashin, shore;
  For Col. New assured us (in that noospaper o' his)
  That we cud hev the airth, if we'd only tend to biz.
  But here we've been a-slavin' more like bosses than like men
  To diskiver that the people do not hanker arter Ben;
  It _is_ fur Jeems G. Blaine an' _not_ for Harrison they shout--
  And the gobble-uns 'el git us
                              Ef we
                                Don't
                                  Watch
                                    Out!

       *       *       *       *       *

  When I think of the fate that is waiting for Ben,
  I pine for the peace of my childhood again;
  I wish in my sorrow I could strip to the soul
  And hop off once more in the old swimmin' hole!

       *       *       *       *       *

  The world is full of roses, and the roses full of dew
  (Which is another word for soup) that drips for me and you.

       *       *       *       *       *

  "Little Benjy! Little Benjy!" chirps the robin in the tree;
  "Little Benjy!" sighs the clover, "Little Benjy!" moans the bee;
  "Little Benjy! Little Benjy!" murmurs John C. New,
  A-stroking down the whiskers which the winds have whistled through.

       *       *       *       *       *

  Looks jest like his grampa, who's dead these many years--
  He wears the hat his grampa wore, pulled down below his ears;
  We'd like to have him four years more, but if he cannot stay--
  Nothin' to say, good people; nothin' at all to say!

       *       *       *       *       *

  There, little Ben, don't cry!
    They have busted your boom, I know;
        And the second term
        For which you squirm
    Has gone where good niggers go!
  But Blaine is safe, and the goose hangs high--
  There, little Ben, don't cry!

       *       *       *       *       *

  Mabbe we'll git even for this unexpected shock,
  When the frost is on the pumpkin and the fodder's in the shock!

       *       *       *       *       *

  Oh, the newspaper man! He works for paw;
  He's the liveliest critter 'at ever you saw;
  With whiskers 'at reach f'om his eyes to his throat.
  He knows how to wheedle and rivet a vote;
  He wunst wuz a consul 'way over the sea--
  But never again a consul he'll be!
  He come back f'om Lon'on one mornin' in May--
  He come back for bizness, an' here he will stay--
  Ain't he a awful slick newspaper man?
  A newspaper, newspaper, newspaper man!

       *       *       *       *       *

  You kin talk about yer cities where the politicians meet--
  You kin talk about yer cities where a decent man gits beat;
  With the general run o' human kind I beg to disagree--
  The little town of Tailholt is good enough f'r me!

  Chicago was a pleasant town in eighteen-eighty-eight,
  And I have lived in Washington long time in splendid state;
  But all the present prospects are that after ninety-three
  The little town o' Tailholt 'll be good enough f'r me!

       *       *       *       *       *

  "I wunst lived in Indiany," said a consul, gaunt and grim,
  As most of us Blaine delegates wuz kind o' guyin' him;
  "I wunst lived in Indiany, and my views wuz widely read,
  Fur I run a daily paper w'ich 'Lije Halford edited;
  But since I've been away f'm home, my paper (seems to me)
  Ain't nearly such a inflooence ez wot it used to be;
  So, havin' done with consulin', I'm goin' to make a break
  Towards making of a paper like the one I used to make."

       *       *       *       *       *

  Think, if you kin, of his term mos' through,
  An' that ol' man wantin' a secon' term, too;
  Picture him bendin' over the form
    Of his consul-gineril, stanch an' grim,
  Who has stood the brunt of that jimblain storm--
    An' that ol' man jest wrapt up in him!
  An' the consul-gineril, with eyes all bleared
  An' a haunted look in his ashen beard,
  Kind o' gaspin' a feeble way--
  But soothed to hear the ol' man say
  In a meaning tone (as one well may
  When words are handy and ----'s to pay):
    "Good-by, John; take care of yo'_self_!"




GETTIN' ON.


  When I wuz somewhat younger,
    I wuz reckoned purty gay--
  I had my fling at everything
    In a rollickin', coltish way,
  But times have strangely altered
    Since sixty years ago--
  This age of steam an' things don't seem
    Like the age I used to know,
  Your modern innovations
    Don't suit me, I confess,
  As did the ways of the good ol' days--
    But I'm gettin' on, I guess.

  I set on the piazza
    An' hitch around with the sun--
  Sometimes, mayhap, I take a nap,
    Waitin' till school is done,
  An' then I tell the children
    The things I done in youth,
  An' near as I can (as a venerable man)
    I stick to the honest truth!
  But the looks of them 'at listen
    Seems sometimes to express
  The remote idee that I'm gone--you see!
    An' I am gettin' on, I guess.

  I get up in the mornin',
    An' nothin' else to do,
  Before the rest are up and dressed
    I read the papers through;
  I hang 'round with the women
    All day an' hear 'em talk,
  An' while they sew or knit I show
    The baby how to walk;
  An' somehow, I feel sorry
    When they put away his dress
  An' cut his curls ('cause they're like a girl's)--
    I'm gettin' on, I guess!

  Sometimes, with twilight round me,
    I see (or seem to see)
  A distant shore where friends of yore
    Linger and watch for me;
  Sometimes I've heered 'em callin'
    So tenderlike 'nd low
  That it almost seemed like a dream I dreamed,
    Or an echo of long ago;
  An' sometimes on my forehead
    There falls a soft caress,
  Or the touch of a hand--you understand--
    I'm gettin' on, I guess.




MINNIE LEE.


Writing from an Indiana town a young woman asks: "Is the enclosed poem
worth anything?"

We find that the poem is as follows:

  She has left us, our own darling--
    And we never more shall see
  Here on earth our dearly loved one--
    God has taken Minnie Lee.

  Her heart was full of goodness
    And her face was fair to see
  And her life was full of beauty--
    How we miss our Minnie Lee!

  But her work on earth is over
    And her spirit now is free
  She has gone to live in heaven--
    Shall we weep for Minnie Lee?

  Would we call our angel darling
    Back again across the sea?
  No! but sometime up in heaven
    We will meet loved Minnie Lee.


To the question as to whether this poem is worth anything we chose to
answer in verse as follows:

  Sweet poetess, your poetry
    Is bad as bad can be,
  And yet we heartily deplore
    The death of Minnie Lee.

  It would have pleased us better
    If, in His wisdom, He
  Had taken you, sweet poetess,
    Instead of Minnie Lee.

  Your turn will come, however,
    And swift and sure 'twill be
  If you continue sending
    Your rhymes on Minnie Lee.

  From this we hope you will gather
    A dim surmise that we
  Don't take much stock in poems
    Concerning Minnie Lee.




LIZZIE.


  I wonder ef all wimmin air
    Like Lizzie is when we go out
  To theaters an' concerts where
    Is things the papers talk about.
  Do other wimmin fret and stew
    Like they wuz bein' crucified--
  Frettin' a show or a concert through,
    With wonderin' ef the baby cried?

  Now Lizzie knows that gran'ma's there
    To see that everything is right,
  Yet Lizzie thinks that gran'ma's care
    Ain't good enuf f'r baby, quite;
  Yet what am I to answer when
    She kind uv fidgets at my side,
  An' every now and then;
    "I wonder ef the baby cried?"

  Seems like she seen two little eyes
    A-pinin' f'r their mother's smile--
  Seems like she heern the pleadin' cries
    Uv one she thinks uv all the while;
  An' she's sorry that she come,
    'An' though she allus tries to hide
  The truth, she'd ruther stay to hum
    Than wonder ef the baby cried.

  Yes, wimmin folks is all alike--
    By Lizzie you kin jedge the rest.
  There never was a little tyke,
    But that his mother loved him best,
  And nex' to bein' what I be--
    The husband of my gentle bride--
  I'd wisht I wuz that croodlin' wee,
    With Lizzie wonderin' ef I cried.




OUR LADY OF THE MINE.


  The Blue Horizon wuz a mine us fellers all thought well uv,
  And there befell the episode I now perpose to tell uv;
  'Twuz in the year of sixty-nine--somewhere along in summer--
  There hove in sight one afternoon a new and curious comer;
  His name wuz Silas Pettibone--an artist by perfession,
  With a kit of tools and a big mustache and a pipe in his possession;
  He told us, by our leave, he'd kind uv like to make some sketches
  Uv the snowy peaks, 'nd the foamin' crick, 'nd the distant mountain
      stretches;
  "You're welkim, sir," sez we, although this scenery dodge seemed to us
  A waste uv time where scenery wuz already sooper-_floo_-us.

  All through the summer Pettibone kep' busy at his sketchin'--
  At daybreak, off for Eagle Pass, and home at nightfall, fetchin'
  That everlastin' book uv his with spider lines all through it--
  Three-Fingered Hoover used to say there warn't no meanin' to it--
  "God durn a man," sez he to him, "whose shif'less hand is sot at
  A-drawin' hills that's full of quartz that's pinin' to be got at!"
  "Go on," sez Pettibone, "go on, if joshin' gratifies ye,
  But one uv these fine times, I'll show ye sumthin' will surprise ye!"
  The which remark led us to think--although he didn't say it--
  That Pettibone wuz owin' us a gredge 'nd meant to pay it.

  One evenin' as we sat around the restauraw de Casey,
  A-singin' songs 'nd tellin' yarns the which wuz sumwhat racy,
  In come that feller Pettibone 'nd sez: "With your permission
  I'd like to put a picture I have made on exhibition."
  He sot the picture on the bar 'nd drew aside its curtain,
  Sayin': "I recken you'll allow as how _that's_ art, f'r certain!"
  And then we looked, with jaws agape, but nary word wuz spoken,
  And f'r a likely spell the charm uv silence wuz unbroken--
  Till presently, as in a dream, remarked Three-Fingered Hoover:
  "Onless I am mistaken, this is Pettibone's shef doover!"
  It wuz a face, a human face--a woman's, fair 'nd tender,
  Sot gracefully upon a neck white as a swan's, and slender;
  The hair wuz kind of sunny, 'nd the eyes wuz sort uv dreamy,
  The mouth wuz half a-smilin', 'nd the cheeks wuz soft 'nd creamy;
  It seemed like she wuz lookin' off into the west out yonder,
  And seemed like, while she looked, we saw her eyes grow softer,
      fonder--
  Like, lookin' off into the west where mountain mists wuz fallin',
  She saw the face she longed to see and heerd his voice a-callin';
  "Hooray!" we cried; "a woman in the camp uv Blue Horizon--
  Step right up, Colonel Pettibone, 'nd nominate your pizen!"

  A curious situation--one deservin' uv your pity--
  No human, livin' female thing this side of Denver City!
  But jest a lot uv husky men that lived on sand 'nd bitters--
  Do you wonder that that woman's face consoled the lonesome critters?
  And not a one but what it served in some way to remind him
  Of a mother or a sister or a sweetheart left behind him--
  And some looked back on happier days and saw the old-time faces
  And heerd the dear familiar sounds in old familiar places--
  A gracious touch of home--"Look here," sez Hoover, "ever'body
  Quit thinkin' 'nd perceed at oncet to name his favorite toddy!"

  It wuzn't long afore the news had spread the country over,
  And miners come a-flockin' in like honey bees to clover;
  It kind uv did 'em good they said, to feast their hungry eyes on
  That picture uv Our Lady in the camp uv Blue Horizon.
  But one mean cuss from Nigger Crick passed criticisms on 'er--
  Leastwise we overheerd him call her Pettibone's madonner,
  The which we did not take to be respectful to a lady--
  So we hung him in a quiet spot that wuz cool 'nd dry 'nd shady;
  Which same might not have been good law, but it _wuz_ the right
      maneuver
  To give the critics due respect for Pettibone's shef doover.

  Gone is the camp--yes, years ago, the Blue Horizon busted,
  And every mother's son uv us got up one day 'nd dusted,
  While Pettibone perceeded east with wealth in his possession
  And went to Yurrup, as I heerd, to study his perfession;
  So, like as not, you'll find him now a-paintin' heads 'nd faces
  At Venus, Billy Florence and the like I-talyun places--
  But no such face he'll paint again as at old Blue Horizon,
  For I'll allow no sweeter face no human soul sot eyes on;
  And when the critics talk so grand uv Paris 'nd the loover,
  I say: "Oh, but you orter seen the Pettibone shef doover!"




PENN-YAN BILL.


  I.

  In gallus old Kentucky, where the grass is very blue,
  Where the liquor is the smoothest and the girls are fair and true,
  Where the crop of he-gawd gentlemen is full of heart and sand,
  And the stock of four-time winners is the finest in the land;
  Where the democratic party in bourbon hardihood
  For more than half a century unterrified has stood,
  Where nod the black-eyed Susans to the prattle of the rill--
  There--there befell the wooing of Penn-Yan Bill.


  II.

  Down yonder in the cottage that is nestling in the shade
  Of the walnut trees that seem to love that quiet little glade
  Abides a pretty maiden of the bonny name of Sue--
  As pretty as the black-eyed flow'rs and quite as modest, too;
  And lovers came there by the score, of every age and kind,
  But not a one (the story goes) was quite to Susie's mind.
  Their sighs, their protestations, and their pleadings made her ill--
  Till at once upon the scene hove Penn-Yan Bill.


  III.

  He came from old Montana and he rode a broncho mare,
  He had a rather howd'y'do and rough-and-tumble air;
  His trousers were of buckskin and his coat of furry stuff--
  His hat was drab of color and its brim was wide enough;
  Upon each leg a stalwart boot reached just above the knee,
  And in the belt about his waist his weepons carried he;
  A rather strapping lover for our little Susie--still,
  _She_ was _his_ choice and _he_ was _hers_, was Penn-Yan Bill.


  IV.

  We wonder that the ivy seeks out the oaken tree,
  And twines her tendrils round him, though scarred and gnarled he be;
  We wonder that a gentle girl, unused to worldly cares,
  Should choose a man whose life has been a constant scrap with bears;
  Ah, 'tis the nature of the vine, and of the maiden, too--
  So when the bold Montana boy came from his lair to woo,
  The fair Kentucky blossom felt all her heartstrings thrill
  Responsive to the purring of Penn-Yan Bill.


  V.

  He told her of his cabin in the mountains far away,
  Of the catamount that howls by night, the wolf that yawps by day;
  He told her of the grizzly with the automatic jaw,
  He told her of the Injun who devours his victims raw;
  Of the jayhawk with his tawdry crest and whiskers in his throat,
  Of the great gosh-awful sarpent and the Rocky mountain goat.
  A book as big as Shakespeare's or as Webster's you could fill
  With the yarns that emanated from Penn-Yan Bill!


  VI.

  Lo, as these mighty prodigies the westerner relates,
  Her pretty mouth falls wide agape--her eyes get big as plates;
  And when he speaks of varmints that in the Rockies grow
  She shudders and she clings to him and timidly cries "Oh!"
  And then says he: "Dear Susie, I'll tell you what to do--
  You be my wife, and none of these 'ere things dare pester you!"
  And she? She answers, clinging close and trembling yet: "I will."
  And then he gives her one big kiss, does Penn-Yan Bill.


  VII.

  Avaunt, ye poet lovers, with your wishywashy lays!
  Avaunt, ye solemn pedants, with your musty, bookish ways!
  Avaunt, ye smurking dandies who air your etiquette
  Upon the gold your fathers worked so long and hard to get!
  How empty is your nothingness beside the sturdy tales
  Which mountaineers delight to tell of border hills and vales--
  Of snaix that crawl, of beasts that yowl, of birds that flap and trill
  In the wild egregious altitude of Penn-Yan Bill.


  VIII.

  Why, over all these mountain peaks his honest feet have trod--
  So high above the rest of us he seemed to walk with God;
  He's breathed the breath of heaven, as it floated, pure and free,
  From the everlasting snow-caps to the mighty western sea;
  And he's heard that awful silence which thunders in the ear:
  "There is a great Jehovah, and His biding place is here!"
  These--these solemn voices and these the sights that thrill
  In the far-away Montana of Penn-Yan Bill.


  IX.

  Of course she had to love him, for it was her nature to;
  And she'll wed him in the summer, if all we hear be true.
  The blue grass will be waving in that cool Kentucky glade
  Where the black-eyed Susans cluster in the pleasant walnut shade--
  Where the doves make mournful music and the locust trills a song
  To the brook that through the pasture scampers merrily along;
  And speechless pride and rapture ineffable shall fill
  The beatific bosom of Penn-Yan Bill!




ED.


  Ed was a man that played for keeps, 'nd when he tuk the notion,
  You cudn't stop him any more'n a dam 'ud stop the ocean;
  For when he tackled to a thing 'nd sot his mind plum to it,
  You bet yer boots he done that thing though it broke the bank to do
     it!
  So all us boys uz knowed him best allowed he wusn't jokin'
  When on a Sunday he remarked uz how he'd gin up smokin'.
  Now this remark, that Ed let fall, fell, ez I say, on Sunday--
  Which is the reason we wuz shocked to see him sail in Monday
  A-puffin' at a snipe that sizzled like a Chinese cracker
  An' smelt fur all the world like rags instead uv like terbacker;
  Recoverin' from our first surprise, us fellows fell to pokin'
  A heap uv fun at "folks uz said how they had gin up smokin'."
  But Ed--sez he: "I found my work cud not be done without it--
  Jes' try the scheme yourself, my friends, ef any uv you doubt it!
  It's hard, I know, upon one's health, but there's a certain beauty
  In makin' sackerfices to the stern demand uv duty!
  So, wholly in a sperrit uv denial 'nd concession
  I mortify the flesh 'nd fur the sake uv my perfession!"




HOW SALTY WIN OUT.


  Used to think that luck wuz luck and nuthin' else but luck--
  It made no diff'rence how or when or where or why it struck;
  But sev'ral years ago I changt my mind and now proclaim
  That luck's a kind uv science--same as any other game;
  It happened out in Denver in the spring uv '80, when
  Salty teched a humpback an' win out ten.

  Salty wuz a printer in the good ol' Tribune days,
  An', natural-like, he fell in love with the good ol' Tribune ways;
  So, every Sunday evenin' he would sit into the game
  Which in this crowd uv thoroughbreds I think I need not name;
  An' there he'd sit until he rose, an', when he rose he wore
  Invariably less wealth about his person than before.

  But once there come a powerful change; one sollum Sunday night
  Occurred the tidle wave what put ol' Salty out o' sight!
  He win on deuce an' ace an' jack--he win on king an' queen--
  Cliff Bill allowed the like uv how he win wuz never seen!
  An' how he done it wuz revealed to all us fellers when
  He said he teched a humpback to win out ten.

  There must be somethin' in it for he never win afore,
  An' when he tole the crowd about the humpback, how they swore!
  For every sport allows it is a losin' game to buck
  Agin the science of a man who's teched a hump f'r luck;
  An' there is no denyin' luck was nowhere in it when
  Salty teched a humpback an' win out ten.

  I've had queer dreams an' seen queer things, an' allus tried to do
  The thing that luck apparrently intended f'r me to;
  Cats, funerils, cripples, beggars have I treated with regard,
  An' charity subscriptions have hit me powerful hard;
  But what's the use uv talkin'? I say, an' say again;
  You've got to tech a humpback to win out ten!

  So, though I used to think that luck wuz lucky, I'll allow
  That luck, for luck, agin a hump ain't nowhere in it now!
  An' though I can't explain the whys an' wherefores, I maintain
  There must be somethin' in it when the tip's so straight an' plain;
  For I wuz there an' seen it, an' got full with Salty when
  Salty teched a humpback and win out ten!




HIS QUEEN.


Our gifted and genial friend, Mr. William J. Florence, the comedian,
takes to verses as naturally as a canvas-back duck takes to celery
sauce. As a balladist he has few equals and no superiors, and when it
comes to weaving compliments to the gentler sex he is without a peer. We
find in the New York Mirror the latest verses from Mr. Florence's pen;
they are entitled "Pasadene," and the first stanza flows in this wise:

  I've journeyed East, I've journeyed West,
  And fair Italia's fields I've seen;
        But I declare
        None can compare
  With thee, my rose-crowned Pasadene.

Following this introduction come five stanzas heaping even more glowing
compliments upon this Miss Pasadene--whoever she may be--we know her
not. They are handsome compliments, beautifully phrased, yet they give
us the heartache, for we know Mrs. Florence, and it grieves us to see
her husband dribbling away his superb intellect in penning verses to
other women. Yet we think we understand it all; these poets have a
pretty way of hymning the virtues of their wives under divers aliases.
So, catching the afflatus of the genial actor-poet's muse, we would
answer:

  Come, now, who is this Pasadene
  That such a whirl of praises warrant?
        And is a rose
        Her only clo'es?
  Oh, fie upon you, Billy Florence!

  Ah, no; that's your poetic way
  Of turning loose your rhythmic torrents--
        This Pasadene
        Is not your queen--
  We know you know we know it, Florence!

  So sing your songs of women folks--
  We'll read without the least abhorrence,
        Because we know
        Through weal and woe
  Your queen is Mrs. Billy Florence!




ALASKAN BALLADRY.--III.

(Skans in Love.)


  I am like the wretched seal
    Wounded by a barbed device--
  Helpless fellow! how I bellow,
    Floundering on the jagged ice!

  Sitka's beauty is the steel
    That hath wrought this piteous woe:
  Yet would I rather die
    Than recover from the blow!

  Still I'd rather live than die,
    Grievous though my torment be;
  Smite away, but, I pray,
    Smite no victim else than me!




THE BIGGEST FISH.


  When, in the halcyon days of old, I was a little tyke,
  I used to fish in pickerel ponds for minnows and the like;
  And, oh, the bitter sadness with which my soul was fraught
  When I rambled home at nightfall with the puny string I'd caught!
  And, oh, the indignation and the valor I'd display
  When I claimed that all the biggest fish I'd caught had got away!

  Sometimes it was the rusty hooks, sometimes the fragile lines,
  And many times the treacherous reeds were actually to blame.
  I kept right on at losing all the monsters just the same--
  I never lost a _little_ fish--yes, I am free to say
  It always was the _biggest_ fish I caught that got away.
  And so it was, when, later on, I felt ambition pass
  From callow minnow joys to nobler greed for pike and bass;
  I found it quite convenient, when the beauties wouldn't bite
  And I returned all bootless from the watery chase at night,
  To feign a cheery aspect and recount in accents gay
  How the biggest fish that I had caught had somehow got away.

  And, really, fish look bigger than they are before they're caught--
  When the pole is bent into a bow and the slender line is taut,
  When a fellow feels his heart rise up like a doughnut in his throat
  And he lunges in a frenzy up and down the leaky boat!
  Oh, you who've been a-fishing will indorse me when I say
  That it always _is_ the biggest fish you catch that gets away!

  'Tis even so in other things--yes, in our greedy eyes
  The biggest boon is some elusive, never-captured prize;
  We angle for the honors and the sweets of human life--
  Like fishermen we brave the seas that roll in endless strife;
  And then at last, when all is done and we are spent and gray,
  We own the biggest fish we've caught are those that get away.

  I would not have it otherwise; 'tis better there should be
  Much bigger fish than I have caught a-swimming in the sea;
  For now some worthier one than I may angle for that game--
  May by his arts entice, entrap, and comprehend the same;
  Which, having done, perchance he'll bless the man who's proud to say
  That the biggest fish he ever caught were those that got away.




BONNIE JIM CAMPBELL: A LEGISLATIVE MEMORY.


  Bonnie Jim Campbell rode up the glen,
  But it wasn't to meet the butterine men;
  It wasn't Phil Armour he wanted to see,
  Nor Haines nor Crafts--though their friend was he.
  Jim Campbell was guileless as man could be--
  No fraud in his heart had he;
  'Twas all on account of his character's sake
  That he sought that distant Wisconsin lake.

         *       *       *       *       *

  Bonnie Jim Campbell came riding home,
  And now he sits in the rural gloam;
  A tear steals furtively down his nose
  As salt as the river that yonder flows;
  To the setting sun and the rising moon
  He plaintively warbles the good old tune:

  "Of all the drinks that ever were made--
  From sherbet to circus lemonade--
  Not one's so healthy and sweet, I vow,
  As the rich, thick cream of the Elgin cow!
  Oh, that she were here to enliven the scene,
  Right merry would be our hearts, I ween;
  Then, then again, Bob Wilbanks and I
  Would take it by turns and milk her dry!
  We would stuff her paunch with the best of hay
  And milk her a hundred times a day!"

  'Tis thus that Bonnie Jim Campbell sings--
  A young he-angel with sprouting wings;
  He sings and he prays that Fate'll allow
  Him one more whack at the Elgin cow!




LYMAN, FREDERICK AND JIM.


  Lyman and Frederick and Jim, one day,
    Set out in a great big ship--
  Steamed to the ocean down to the bay
    Out of a New York slip.
  "Where are you going and what is your game?"
    The people asked to those three.
  "Darned, if we know; but all the same
    Happy as larks are we;
    And happier still we're going to be!"
          Said Lyman
          And Frederick
          And Jim.

  The people laughed "Aha, oho!
    Oho, aha!" laughed they;
  And while those three went sailing so
    Some pirates steered that way.
  The pirates they were laughing, too--
    The prospect made them glad;
  But by the time the job was through
    Each of them pirates bold and bad,
    Had been done out of all he had
          By Lyman
          And Frederick
          And Jim.

  Days and weeks and months they sped,
    Painting that foreign clime
  A beautiful, bright vermillion red--
    And having a -- of a time!
  'Twas all so gaudy a lark, it seemed,
    As if it could not be,
  And some folks thought it a dream they dreamed
    Of sailing that foreign sea,
    But I'll identify you these three--
          Lyman
          And Frederick
          And Jim.

  Lyman and Frederick are bankers and sich
    And Jim is an editor kind;
  The first two named are awfully rich
    And Jim ain't far behind!
  So keep your eyes open and mind your tricks,
    Or you are like to be
  In quite as much of a Tartar fix
    As the pirates that sailed the sea
    And monkeyed with the pardners three,
          Lyman
          And Frederick
          And Jim.




A WAIL.


  My name is Col. Johncey New,
    And by a hoosier's grace
  I have congenial work to do
    At 12 St. Helen's place.
  I was as happy as a clam
    A-floating with the tide,
  Till one day came a cablegram
    To me from t'other side.

  It was a Macedonian cry
    From Benjy o'er the sea;
  "Come hither, Johncey, instantly,
    And whoop things up for me!"
  I could not turn a callous ear
    Unto that piteous cry;
  I packed my grip, and for the pier
    Directly started I.

  Alas! things are not half so fair
    As four short years ago--
  The clouds are gathering everywhere
    And boisterous breezes blow;
  My wilted whiskers indicate
    The depth of my disgrace--
  Would I were back, enthroned in state,
    At 12 St. Helen's place!

  The saddest words, as I'll allow,
    That drop from tongue or pen,
  Are these sad words I utter now:
    "They can't, shan't, won't have Ben!"
  So, with my whiskers in my hands,
    My journey I'll retrace,
  To wreak revenge on foreign lands
    At 12 St. Helen's place.




CLENDENIN'S LAMENT.


  While bridal knots are being tied
    And bridal meats are being basted,
  I shiver in the cold outside
    And pine for joys I've never tasted.

  Oh, what's a nomination worth,
    When you have labored months to get it
  If, all at once, with heartless mirth,
    The cruel senator's upset it?

  Fate weaves me such a toilsome way,
    My modest wisdom may not ken it--
  But, all the same, a plague I say
    Upon that stingy, hostile senate!




ON THE WEDDING OF G. C.

(June 2, 1886.)


  Oh, hand me down my spike tail coat
    And reef my waistband in,
  And tie this necktie round my throat
    And fix my bosom pin;
  I feel so weak and flustered like,
    I don't know what I say--
  For I am to be wedded to-day, Dan'l,
    I'm to be wedded to-day!

  Put double sentries at the doors
    And pull the curtains down,
  And tell the democratic bores
    That I am out of town;
  It's funny folks haint decency
    Enough to stay away,
  When I'm to be wedded to-day, Dan'l,
    I'm to be wedded to-day!

  The bride, you say, is calm and cool
    In satin robes of white--
  Well, _I_ am stolid, as a rule,
    But now I'm flustered quite;
  Upon a surging sea of bliss
    My soul is borne away,
  For I'm to be wedded to-day, Dan'l,
    I'm to be wedded to-day!




TO G. C.

(July 12, 1886.)


  They say our president has stuck
    Above his good wife's door
  The sign provocative of luck--
    A horseshoe--nothing more.

  Be hushed, O party hates, the while
    That emblem lingers there,
  And thou, dear fates, propitious smile
    Upon the wedded pair.

  I've tried the horseshoe's weird intent
    And felt its potent joy--
  God bless you, Mr. President,
    And may it be a boy.




TO DR. F. W. R.


  If I were rich enough to buy
    A case of wine (though I abhor it),
  I'd send a quart of extra dry
    And willingly get trusted for it.
  But, lackaday! _You_ know that I'm
    As poor as Job's historic turkey--
  In lieu of Mumm, accept this rhyme,
    An honest gift though somewhat jerky.

  This is your silver wedding day--
    You didn't mean to let me know it!
  And yet your smiles and raiments gay
    Beyond all peradventure show it!
  By all you say and do it's clear
    A birdling in your heart is singing,
  And everywhere you go you hear
    The old-time bridal bells a-ringing.

  Ah, well, God grant that these dear chimes
    May mind you of the sweetness only
  Of those far distant, callow times
    When you were Benedick and lonely--
  And when an angel blessed your lot--
    For angel is your helpmeet, truly--
  And when, to share the joy she brought,
    Came other little angels, duly.

  So here's a health to you and wife--
    Long may you mock the Reaper's warning,
  And may the evening of your life
    In rising sons renew the morning;
  May happiness and peace and love
    Come with each morrow to caress ye,
  And when you're done with earth, above--
    God bless ye, dear old friend--God bless ye!




HORACE'S ODE TO "LYDIA" ROCHE.


      No longer the boys,
      With their music and noise,
  Demand your election as mayor;
      Such a milk-wagon hack
      Has no place on the track
  When his rival's a thoroughbred stayer.

      With your coarse, shallow wit
      Every rational cit
  At last is completely disgusted;
      The tool of the rings,
      Trusts, barons, and things,
  What wonder, I wonder, you're busted!

      As soon as that Yerkes
      Finds out you can't work his
  Intrigues for the popular nickel,
      With a tear to deceive you
      He'll drop you and leave you
  In your normal condition--a pickle.

      Go, dodderer, go
      Where the whisker winds blow
  And spasms of penitence trouble;
      Or flounder and whoop
      In an ocean of soup
  Where the pills of adversity bubble.




A PARAPHRASE, CIRCA 1715.


  Since Chloe is so monstrous fair,
  With such an eye and such an air,
  What wonder that the world complains
  When she each am'rous suit disdains?

  Close to her mother's side she clings
  And mocks the death her folly brings
  To gentle swains that feel the smarts
  Her eyes inflict upon their hearts.

  Whilst thus the years of youth go by,
  Shall Colin languish, Strephon die?
  Nay, cruel nymph! come, choose a mate,
  And choose him ere it be too late!




A PARAPHRASE, OSTENSIBLY BY DR. I. W.


  Why, Mistress Chloe, do you bother
    With prattlings and with vain ado
  Your worthy and industrious mother,
    Eschewing them that come to woo?

  Oh, that the awful truth might quicken
    This stern conviction to your breast:
  You are no longer now a chicken
    Too young to quit the parent nest.

  So put aside your froward carriage
    And fix your thoughts, whilst yet there's time,
  Upon the righteousness of marriage
    With some such godly man as I'm.




HORACE I, 27.


  In maudlin spite let Thracians fight
    Above their bowls of liquor,
  But such as we, when on a spree,
    Should never bawl and bicker!

  These angry words and clashing swords
    Are quite de trop, I'm thinking;
  Brace up, my boys, and hush your noise,
    And drown your wrath in drinking.

  Aha, 'tis fine--this mellow wine
    With which our host would dope us!
  Now let us hear what pretty dear
    Entangles him of Opus.

  I see you blush--nay, comrades, hush!
    Come, friend, though they despise you,
  Tell me the name of that fair dame--
    Perchance I may advise you.

  O wretched youth! and is it truth
    You love that fickle lady?
  I, doting dunce, courted her once,
    And she is reckoned shady!




HEINE'S "WIDOW OR DAUGHTER."


  Shall I woo the one or the other?
    Both attract me--more's the pity!
  Pretty is the widowed mother,
    And the daughter, too, is pretty.

  When I see that maiden shrinking,
    By the gods, I swear I'll get 'er!
  But, anon, I fall to thinking
    That the mother'll suit me better!

  So, like any idiot ass--
    Hungry for the fragrant fodder,
  Placed between two bales of grass,
    Lo, I doubt, delay, and dodder!




HORACE II, 20.


  Maecenas, I propose to fly
    To realms beyond these human portals;
  No common things shall be my wings,
    But such as sprout upon immortals.

  Of lowly birth, once shed of earth,
    Your Horace, precious (so you've told him),
  Shall soar away--no tomb of clay
    Nor Stygian prison house shall hold him.

  Upon my skin feathers begin
    To warn the songster of his fleeting;
  But never mind--I leave behind
    Songs all the world shall keep repeating.

  Lo, Boston girls with corkscrew curls,
    And husky westerns, wild and woolly,
  And southern climes shall vaunt my rhymes--
    And all profess to know me fully.

  Methinks the west shall know me best
    And therefore hold my memory dearer,
  For by that lake a bard shall make
    My subtle, hidden meanings clearer.

  So cherished, I shall never die--
    Pray, therefore, spare your dolesome praises,
  Your elegies and plaintive cries,
    For I shall fertilize no daisies!




HORACE'S SPRING POEM.

(Odes I, 4.)


  The western breeze is springing up, the ships are in the bay,
  And Spring has brought a happy change as Winter melts away;
  No more in stall or fire the herd or plowman finds delight,
  No longer with the biting frosts the open fields are white.

  Our Lady of Lythera now prepares to lead the dance,
  While from above the ruddy moon bestows a friendly glance;
  The nymphs and comely Graces join with Venus and the choir,
  And Vulcan's glowing fancy lightly turns to thoughts of fire.

  Now is the time with myrtle green to crown the shining pate,
  And with the early blossoms of the spring to decorate;
  To sacrifice to Faunus--on whose favor we rely--
  A sprightly lamb, mayhap a kid, as he may specify.

  Impartially the feet of Death at huts and castles strike--
  The influenza carries off the rich and poor alike;
  O Sestius! though blest you are beyond the common run,
  Life is too short to cherish e'en a distant hope begun.

  The Shades and Pluto's mansion follow hard upon la grippe--
  Once there you cannot throw at dice or taste the wine you sip,
  Nor look on Lycidas, whose beauty you commend,
  To whom the girls will presently their courtesies extend.




HORACE TO LIGURINE.

(Odes IV, 10.)


        O cruel fair,
        Whose flowing hair
  The envy and the pride of all is,
        As onward roll
        The years, that poll
  Will get as bald as a billiard ball is;
  Then shall your skin, now pink and dimply,
  Be tanned to parchment, sear and pimply!

        When you behold
        Yourself grown old
  These words shall speak your spirits moody:
        "Unhappy one!
        What heaps of fun
  I've missed by being goody-goody!
  Oh! that I might have felt the hunger
  Of loveless age when I was younger!"




HORACE ON HIS MUSCLE.

(Epode VI.)


  You (blatant coward that you are!)
    Upon the helpless vent your spite;
  Suppose you ply your trade on me--
  Come, monkey with this bard and see
    How I'll repay your bark with bite!

  Ay, snarl just once at me, you brute!
    And I shall hound you far and wide,
  As fiercely as through drifted snow
  The shepherd dog pursues what foe
    Skulks on the Spartan mountain side!

  The chip is on my shoulder, see?
    But touch it and I'll raise your fur;
  I'm full of business; so beware,
  For, though I'm loaded up for bear,
    I'm quite as likely to kill a cur!




HORACE TO MAECENAS.

(Odes III, 29.)


  Dear noble friend! a virgin cask
    Of wine solicits attention--
  And roses fair, to deck your hair,
    And things too numerous to mention,
  So tear yourself awhile away
    From urban turmoil, pride and splendor
  And deign to share what humble fare
    And sumptuous fellowship I tender;
  The sweet content retirement brings
  Smoothes out the ruffled front of kings.

  The evil planets have combined
    To make the weather hot and hotter--
  By parboiled streams the shepherd dreams
    Vainly of ice-cream soda-water;
  And meanwhile you, defying heat,
    With patriotic ardor ponder
  On what old Rome essays at home
    And what her heathen do out yonder.
  Maecenas, no such vain alarm
  Disturbs the quiet of this farm!

  God in his providence observes
    The goal beyond this vale of sorrow,
  And smiles at men in pity when
    They seek to penetrate the morrow.
  With faith that all is for the best,
    Let's bear what burdens are presented,
  That we shall say, let come what may,
    "We die, as we have lived, contented!
  Ours is to-day; God's is the rest--
  He doth ordain who knoweth best!"

  Dame Fortune plays me many a prank--
    When she is kind, oh! how I go it!
  But if, again, she's harsh, why, then
    I am a very proper poet!
  When favoring gales bring in my ships,
    I hie to Rome and live in clover--
  Elsewise, I steer my skiff out here,
    And anchor till the storm blows over.
  Compulsory virtue is the charm
  Of life upon the Sabine farm!




HORACE IN LOVE AGAIN.

(Epode XI.)


  Dear Pettius, once I reeled off rhyme
    Satiric, sad and tender,
      But now my quill
      Has lost its skill
  And I am dying in my prime
    Through love of female gender!
      Nay, do not laugh
      Nor deign to chaff
    Your friend with taunts of Lyde
      And other dames
      Who've been my flames--
    _This_ time it's bona-fide!

  I maunder sadly to and fro--
    I who was once so jolly!
      My old time chums
      Gyrate their thumbs
  And taunt me, as I sighing go,
    With what they term my folly.
      I told you once,
      Lake a garrulous dunce,
    Of my all consuming passion,
      And I rolled my eyes
      In tragedy wise
    And raved in lovesick fashion.

  And when I'd aired my woes profound
    You volunteered this warning:
      "Horace, go light
      On the bowl to-night--
  Ten hours of sleep will bring you round
    All right to-morrow morning!"
      Now ten hours sleep
      May do a heap
    For callow hearts a-patter,
      But I tell you, sir,
      This affair du coeur
    Of _mine_ is a serious matter!




"GOOD-BY--GOD BLESS YOU!"


  I like the Anglo-Saxon speech
    With its direct revealings--
  It takes a hold and seems to reach
    Way down into your feelings;
  That some folk deem it rude, I know,
    And therefore they abuse it;
  But I have never found it so--
    Before all else I choose it.
  I don't object that men should air
    The Gallic they have paid for--
  With "au revoir," "adieu, ma chere"--
    For that's what French was made for--
  But when a crony takes your hand
    At parting to address you,
  He drops all foreign lingo and
    He says: "Good-by--God bless you!"

  This seems to me a sacred phrase
    With reverence impassioned--
  A thing come down from righteous days,
    Quaintly but nobly fashioned;
  It well becomes an honest face--
    A voice that's round and cheerful;
  It stays the sturdy in his place
    And soothes the weak and fearful.
  Into the porches of the ears
    It steals with subtle unction
  And in your heart of hearts appears
    To work its gracious function;
  And all day long with pleasing song
    It lingers to caress you--
  I'm sure no human heart goes wrong
    That's told "Good-by--God bless you!"

  I love the words--perhaps because,
    When I was leaving mother,
  Standing at last in solemn pause
    We looked at one another,
  And--I saw in mother's eyes
    The love she could not tell me--
  A love eternal as the skies,
    Whatever fate befell me;
  She put her arms about my neck
    And soothed the pain of leaving,
  And, though her heart was like to break,
    She spoke no word of grieving;
  She let no tear bedim her eye,
    For fear _that_ might distress me,
  But, kissing me, she said good-by
    And asked her God to bless me.




HORACE.

(Epode XIV.)


        You ask me, friend,
        Why I don't send
  The long since due-and-paid-for numbers--
        Why, songless, I
        As drunken lie
  Abandoned to Lethæan slumbers.

        Long time ago
        (As well you know)
  I started in upon that carmen;
        My work was vain--
        But why complain?
  When gods forbid, how helpless are men!

        Some ages back,
        The sage Anack
  Courted a frisky Samian body,
        Singing her praise
        In metered phrase
  As flowing as his bowls of toddy.

        'Till I was hoarse
        Might I discourse
  Upon the cruelties of Venus--
       'Twere waste of time
        As well of rhyme,
  For you've been there yourself, Maecenas!

        Perfect your bliss,
        If some fair miss
  Love you yourself and _not_ your minæ;
        I, fortune's sport,
        All vainly court
  The beauteous, polyandrous Phryne!




HORACE I, 23.


  Chloe, you shun me like a hind
    That, seeking vainly for her mother,
  Hears danger in each breath of wind
    And wildly darts this way and t'other.

  Whether the breezes sway the wood
    Or lizards scuttle through the brambles,
  She starts, and off, as though pursued,
    The foolish, frightened creature scrambles.

  But, Chloe, you're no infant thing
    That should esteem a man an ogre--
  Let go your mother's apron-string
    And pin your faith upon a toga!




A PARAPHRASE.


  How happens it, my cruel miss,
    You're always giving me the mitten?
  You seem to have forgotten this:
    That you no longer are a kitten!

  A woman that has reached the years
    Of that which people call discretion
  Should put aside all childish fears
    And see in courtship no transgression.

  A mother's solace may be sweet,
    But Hymen's tenderness is sweeter,
  And though all virile love be meet,
    You'll find the poet's love is metre.




A PARAPHRASE BY CHAUCER.


  Syn that you, Chloe, to your moder sticken,
  Maketh all ye yonge bacheloures full sicken;
  Like as a lyttel deere you been y-hiding
  Whenas come lovers with theyre pityse chiding,
  Sothly it ben faire to give up your moder
  For to beare swete company with some oder;
  Your moder ben well enow so farre shee goeth,
  But that ben not farre enow, God knoweth;
  Wherefore it ben sayed that foolysh ladyes
  That marrye not shall leade an aype in Hayde;
  But all that do with gode men wed full quicklye
  When that they be on dead go to ye seints full sickerly.




HORACE I, 5.


  What perfumed, posie-dizened sirrah,
       With smiles for diet,
  Clasps you, O fair but faithless Pyrrha,
       On the quiet?
  For whom do you bind up your tresses,
       As spun-gold yellow--
  Meshes that go with your caresses,
       To snare a fellow?

  How will he rail at fate capricious,
       And curse you duly;
  Yet now he deems your wiles delicious--
       _You_ perfect truly!
  Pyrrha, your love's a treacherous ocean--
       He'll soon fall in there!
  Then shall I gloat on his commotion,
       For _I_ have been there!




HORACE I, 20.


  Than you, O valued friend of mine!
    A better patron non est--
  Come, quaff my home-made Sabine wine--
    You'll find it poor but honest.

  I put it up that famous day
    You patronized the ballet
  And the public cheered you such a way
    As shook your native valley.

  Cæcuban and the Calean brand
    May elsewhere claim attention,
  But I have none of these on hand--
    For reasons I'll not mention.




_ENVOY._


  So come! though favors I bestow
    Can not be called extensive,
  Who better than my friend should know
    That they're, at least, expensive!




HORACE II, 7.


  Pompey, what fortune gives you back
    To the friends and the gods who love you--
  Once more you stand in your native land,
    With your native sky above you!
  Ah, side by side, in years agone,
    We've faced tempestuous weather,
          And often quaffed
          The genial draft
    From an amphora together!

  When honor at Phillippi fell
    A pray to brutal passion,
  I regret to say that my feet ran away
    In swift Iambic fashion;
  You were no poet-soldier born,
    You staid, nor did you wince then--
          Mercury came
          To my help, which same
    Has frequently saved me since then.

  But now you're back, let's celebrate
    In the good old way and classic--
  Come, let us lard our skins with nard
    And bedew our souls with Massic!
  With fillets of green parsley leaves
    Our foreheads shall be done up,
          And with song shall we
          Protract our spree
    Until the morrow's sun-up.




HORACE I, 11.


  Seek not, Lucome, to know how long you're going to live yet--
  What boons the gods will yet withhold, or what they're going to give
      yet;
  For Jupiter will have his way, despite how much we worry--
  Some will hang on for many a day and some die in a hurry,
  The wisest thing for you to do is to embark this diem
  Upon a merry escapade with some such bard as I am;
  And while we sport, I'll reel you off such odes as shall surprise ye--
  To-morrow, when the headache comes--well, then I'll satirize ye!




HORACE I, 13.


  When, Lydia, you (once fond and true,
    But now grown cold and supercilious)
  Praise Telly's charms of neck and arms--
    Well, by the dog! it makes me bilious!

  Then, with despite, my cheeks wax white,
    My doddering brain gets weak and giddy,
  My eyes o'erflow with tears which show
    That passion melts my vitals, Liddy!

  Deny, false jade, your escapade,
    And, lo! your wounded shoulders show it!
  No manly spark left such a mark--
    (Leastwise he surely was no poet!)

  With savage buss did Telephus
    Abraid your lips, so plump and mellow--
  As you would save what Venus gave,
    I charge you shun that awkward fellow!

  And now I say thrice happy they
    That call on Hymen to requite 'em;
  For, though love cools, the wedded fools
    Must cleave 'till death doth disunite 'em!




HORACE IV, 1.


  O Mother Venus, quit, I pray,
    Your violent assailing;
  The arts, forsooth, that fired my youth
    At last are unavailing--
  My blood runs cold--I'm getting old
    And all my powers are failing!

  Speed thou upon thy white swan's wings
    And elsewhere deign to mellow
  With my soft arts the anguished hearts
    Of swain that writhe and bellow;
  And right away, seek out, I pray,
    Young Paullus--he's your fellow.

  You'll find young Paullus passing fate,
    Modest, refined, and toney--
  Go, now, incite the favored wight!
    With Venus for a crony.
  He'll outshine all at feast and ball
    And conversazione!

  Then shall that godlike nose of thine
    With perfumes be requited,
  And then shall prance in Salian dance
    The girls and boys delighted,
  And, while the lute blends with the flute,
    Shall tender loves be blighted.

  But as for me--as you can see--
    I'm getting old and spiteful;
  I have no mind to female kind
    That once I deemed delightful--
  No more brim up the festive cup
    That sent me home at night full.

  Why do I falter in my speech,
    O cruel Ligurine?
  Why do I chase from place to place
    In weather wet and shiny?
  Why down my nose forever flows
    The tear that's cold and briny?




HORACE TO HIS PATRON.


  Mæcenas, you're of noble line--
    (Of which the proof convincing
  Is that you buy me all my wine
    Without so much as wincing.)

  To different men of different minds
    Come different kinds of pleasure;
  There's Marshall Field--what joy he finds
    In shears and cloth-yard measure!

  With joy Prof. Swing is filled
    While preaching godly sermons;
  With bliss is Hobart Taylor thrilled
    When he is leading germans.

  While Uncle Joe Medill prefers
    To run a daily paper,
  To Walter Gresham it occurs
    That law's the proper caper.

  With comedy a winning card,
    How blithe is Richard Hooley;
  Per contra, making soap and lard,
    Rejoices Fairbank duly.

  While Armour in the sugar ham
    His summum bonum reaches,
  MacVeagh's as happy as a clam
    In canning pears and peaches.

  Let Farwell glory in the fray
    Which party hate increases--
  His son-in-law delights to play
    Gavottes and such like pieces.

  So each betakes him to his task--
    So each his hobby nurses--
  While I--well, all the boon I ask
    Is leave to write my verses.

  Give, give that precious boon to me
    And I shall envy no man;
  If not the noblest I shall be
    At least the happiest Roman!




THE "ARS POETICA" OF HORACE--XVIII.

(Lines 323-333.)


  The Greeks had genius--'twas a gift
    The Muse vouchsafed in glorious measure;
  The boon of Fame they made their aim
    And prized above all worldly treasure.

  But _we_--how do we train _our_ youth?
    _Not_ in the arts that are immortal,
  But in the greed for gains that speed
    From him who stands at Death's dark portal.

  Ah, when this slavish love of gold
    Once binds the soul in greasy fetters,
  How prostrate lies--how droops and dies
    The great, the noble cause of letters!




HORACE I, 34.


  I have not worshiped God, my King--
    Folly has led my heart astray;
  Backward I turn my course to learn
    The wisdom of a wiser way.

  How marvelous is God, the King!
    How do His lightnings cleave the sky--
  His thundering car spreads fear afar,
    And even hell is quaked thereby!

  Omnipotent is God, our King!
    There is no thought He hath not read,
  And many a crown His hand plucks down
    To place it on a worthier head!




HORACE I, 33.


  Not to lament that rival flame
    Wherewith the heartless Glycera scorns you,
  Nor waste your time in maudlin rhyme,
    How many a modern instance warns you.

  Fair-browed Lycoris pines away
    Because her Cyrus loves another;
  The ruthless churl informs the girl
    He loves her only as a brother.

  For he, in turn, courts Pholoe--
    A maid unscotched of love's fierce virus--
  Why, goats will mate with wolves they hate
    Ere Pholoe will mate with Cyrus!

  Ah, weak and hapless human hearts--
    By cruel Mother Venus fated
  To spend this life in hopeless strife,
    Because incongruously mated!

  Such torture, Albius, is my lot;
    For, though a better mistress wooed me,
  My Myrtale has captured me
    And with her cruelties subdued me!




THE "ARS POETICA" OF HORACE--I.

(Lines 1-23.)


  Should painters attach to a fair human head
    The thick, turgid neck of a stallion,
  Or depict a spruce lass with the tail of a bass--
    I am sure you would guy the rapscallion!

  Believe me, dear Pisos, that such a freak
    Is the crude and preposterous poem
  Which merely abounds in a torrent of sounds
    With no depth of reason below 'em.

  'Tis all very well to give license to art--
    The wisdom of license defend I;
  But the line should be drawn at the fripperish sprawn
    Of a mere cacoethes scribendi.

  It is too much the fashion to strain at effects--
    Yes, that's what's the matter with Hannah!
  Our popular taste by the tyros debased
    Paints each barnyard a grove of Diana!

  Should a patron require you to paint a marine,
    Would you work in some trees with their barks on?
  When his strict orders are for a Japanese jar,
    Would you give him a pitcher like Clarkson?

  Now this is my moral: Compose what you may,
    And fame will be ever far distant,
  Unless you combine with a simple design
    A treatment in toto consistent.




THE GREAT JOURNALIST IN SPAIN.


  Good Editor Dana--God bless him, we say!
    Will soon be afloat on the main,
          Will be steaming away
          Through the mist and the spray
    To the sensuous climate of Spain.

  Strange sights shall he see in that beautiful land
    Which is famed for its soap and Moor,
          For, as we understand,
          The scenery is grand,
    Though the system of railway is poor.

  For moonlight of silver and sunlight of gold
    Glint the orchards of lemons and mangoes,
          And the ladies, we're told,
          Are a joy to behold
    As they twine in their lissome fandangoes.

  What though our friend Dana shall twang a guitar
    And murmur a passionate strain--
          Oh, fairer by far
          Than these ravishments are
    The castles abounding in Spain!

  These castles are built as the builder may list--
    They are sometimes of marble or stone,
        But they mostly consist
        Of east wind and mist
    With an ivy of froth overgrown.

  A beautiful castle our Dana shall raise
    On a futile foundation of hope,
        And its glories shall blaze
        In the somnolent haze
    Of the mythical lake del y Soap.

  The fragrance of sunflowers shall swoon on the air,
    And the visions of dreamland obtain,
        And the song of "World's Fair"
        Shall be heard everywhere
    Through that beautiful castle in Spain.




REID, THE CANDIDATE.


  I saw a brave compositor
    Go hustling o'er the mead,
  Who bore a banner with these words:
    "Hurrah for Whitelaw Reid!"

  "Where go you, brother slug," I asked,
    "With such unusual speed?"
  He quoth: "I go to dump my vote
    For gallant Whitelaw Reid!"

  "But what has Whitelaw done," I asked,
    "That now he should succeed?"
  Said he: "The stanchest, truest friend
    We have is Whitelaw Reid!

  "There are no terms we can suggest
    That he will not concede;
  He is converted to our faith,
    Is gallant Whitelaw Reid!

  "The union it must be preserved--
    That is this convert's creed,
  And that is why we're whooping up
    The cause of Whitelaw Reid!"

  "If what you say of him be sooth,
    You have a friend indeed,
  So go on your winding way," quoth I,
    "And whoop for Whitelaw Reid!"

  So on unto the polls I saw
    That printer straight proceed
  While other printers swarmed in swarms
    To vote for Whitelaw Reid.




A VALENTINE.


  Four little sisters standing in a row--
  Which of them I love best I really do not know.
  Sometimes it is the sister dressed out so fine in blue,
  And sometimes she who flaunts the beauteous robe of emerald hue;
  Sometimes for her who wears the brown my tender heart has bled,
  And then again I am consumed of love for her in red.
  So now I think I'll send this valentine unto the four--
  I love them all so very much--how could a man do more?




KISSING-TIME.


  'Tis when the lark goes soaring,
    And the bee is at the bud,
  When lightly dancing zephyrs
    Sing over field and flood;
  When all sweet things in Nature
    Seem joyfully a-chime--
  'Tis then I wake my darling,
    For it is kissing-time!

  Go, pretty lark, a-soaring,
    And suck your sweets, O bee;
  Sing, O ye winds of summer,
    Your songs to mine and me.
  For with your song and rapture
    Cometh the moment when
  It is half-past kissing-time
    And time to kiss again!

  So--so the days go fleeting
    Like golden fancies free,
  And every day that cometh
    Is full of sweets for me;
  And sweetest are those moments
    My darling comes to climb
  Into my lap to mind me
    That it is kissing-time.

  Sometimes, may be, he wanders
    A heedless, aimless way--
  Sometimes, may be, he loiters
    In pretty, prattling play;
  But presently bethinks him
    And hastens to me then,
  For it's half-past kissing time
    And time to kiss again!




THE FIFTH OF JULY.


  The sun climbs up, but still the tyrant Sleep
    Holds fast our baby boy in his embrace;
    The slumb'rer sighs, anon athwart his face
  Faint, half-suggested frowns like shadows creep,
  One little hand lies listless on his breast,
    One little thumb sticks up with mute appeal,
    While motley burns and powder marks reveal
  The fruits of boyhood's patriotic zest.

  Our baby's faithful poodle crouches near--
    He, too, is weary of the din and play
    That come with glorious Independence Day,
  But which, thank God! come only once a year!
  And Fido, too, has suffered in this cause,
    Which once a year right noisily obtains,
    For Fido's tail--or what thereof remains--
  Is not so fair a sight as once it was.




PICNIC-TIME.


  It's June agin, an' in my soul I feel the fillin' joy
  That's sure to come this time o' year to every little boy;
  For, every June, the Sunday schools at picnics may be seen,
  Where "fields beyont the swellin' floods stand dressed in livin'
      green."
  Where little girls are skeered to death with spiders, bugs an' ants,
  An' little boys get grass-stains on their go-to-meetin' pants.
  It's June agin, an' with it all what happiness is mine--
  There's goin' to be a picnic an' I'm goin' to jine!

  One year I jined the Baptists, an' goodness! how it rained!
  (But grampa says that that's the way "Baptizo" is explained.)
  And once I jined the 'piscopils an' had a heap o' fun--
  But the boss of all the picnics was the Presbyterium!
  They had so many puddin's, sallids, sandwidges an' pies,
  That a feller wisht his stummick was as hungry as his eyes!
  Oh, yes, the eatin' Presbyteriums give yer is so fine
  That when _they_ have a picnic, you bet _I'm_ goin' to jine!

  But at this time the Methodists have special claims on me,
  For they're goin' to give a picnic on the 21st, D. V.;
  Why should a liberal Universalist like me object
  To share the joys of fellowship with every friendly sect?
  However het'rodox their articles of faith elsewise may be,
  Their doctrine of fried chick'n is a savin' grace to me!
  So on the 21st of June, the weather bein' fine,
  They're goin' to give a picnic, and I'm goin' to jine!




THE ROMANCE OF A WATCH.


  One day his father said to John:
    "Come here and see what I hev bought---
  A Waterbury watch, my son--
    It is the boon you long hev sought!"

  The boy could scarcely believe his eyes--
    The watch was shiny, smooth an' slick--
  He snatched the nickel-plated prize
    An' wound away to hear it tick.

  He wound an' wound, an' wound an' wound,
    An' kept a windin' fit to kill--
  The weeks an' months an' years rolled round,
    But John he kep' a windin', still!

  As autumns came an' winters went
    An' summers follered arter spring,
  John didn't mind--he was intent
    On windin' up that darned ol' thing.

  He got to be a poor ol' man--
    He's bald an' deaf an' blind an' lame,
  But, like he did when he began,
    He keeps on windin', jest the same!




OUR BABY.


  'Tis very strange, but quite as true,
    That when our Baby smiles
  Our club gets walloped black and blue
    In all the latest styles;
  But when our Baby's hopping mad
    It's quite the other way--
  Chicago beats the Yankees bad
    When Baby doesn't play.

  When baby stands upon his base,
    Just after having kicked,
  Upon his Scandinavian face
    Appears the legend, "Licked";
  But when he orders out a sub,
    We well may hip-hooray--
  Chicago has the winning club
    When Baby doesn't play.

  But, if our Baby's getting old,
    And stiff, and cross, and vain,
  And if his days are nearly told,
    Oh, let us not complain.
  Let's rather think of what he was
    And how he's made it pay
  To hire the kids that win because
    Our Baby doesn't play.




THE COLOR THAT SUITS ME BEST.


  Any color--so long as it's red--
    Is the color that suits me best,
  Though I will allow there is much to be said
    For yellow and green and the rest;
  But the feeble tints, which some affect
    In the things they make or buy,
  Have never (I say it with all respect)
    Appealed to my critical eye.

  There's that in red that warmeth the blood
    And quickeneth a man within,
  And bringeth to speedy and perfect bud
    The germs of original sin;
  So, though I am properly born and bred,
    I'll own, with a certain zest,
  That any color--so long as it's red--
    Is the color that suits me best!

  For where is a color that can be compared
    With the blush of a buxom lass--
  Or where such warmth as of the hair
    Of the genuine white horse class?
  And, lo, reflected in this cup
    Of cherry Bordeaux I see
  What inspiration girdeth me up--
    Yes, red is the color for me!

  Through acres and acres of art I've strayed
    In Italy, Germany, France;
  On many a picture a master has made
    I've squandered a passing glance;
  Marines I hate, madonnas and
    Those Dutch freaks I detest!
  But the peerless daubs of my native land--
    They're red, and I like them best!

  'Tis little I care how folks deride--
    I'm backed by the west, at least,
  And we are free to say that we can't abide
    The tastes that obtain down east;
  And we are mighty proud to have it said
    That here in the critical west,
  Most any color--so long as it's red--
    Is the color that suits us best!




HOW TO "FILL."


It is understood that our esteemed Col. Franc B. Wilkie is going to
formulate a reply to Mrs. Ella Wheeler Wilcox's latest poem, which
begins as follows:

  "I hold it as a changeless law
    From which no soul can sway or swerve,
  We have that in us which will draw
    Whate'er we need or most deserve."

We fancy the genial colonel will start off with some such quatrain as
this:

  "I fain would have your recipe,
    If you'll but give the snap away;
  Now when four clubs are dealt to me,
    How may I draw another, pray?"




POLITICS IN 1888.


The Cleveland Leader must be getting ready for the campaign of 1888. We
find upon its editorial page quite a pretentious poem, entitled "Alpha
and Omega," and here is a sample stanza:

  "Whose name will stand for coming time
  As hypocrites in prose and rhyme,
  And be despised in every clime?
                    The Mugwumps."

Well, may be so, but may we be permitted to add a stanza which seems to
us to be very pertinent just now?

  And who next year, we'd like to know,
  Will feed the Cleveland Leader crow,
  Just as they did three years ago?
                       The Mugwumps.




THE BASEBALL SCORE.


  A boy came racing down the street
    In a most tumultuous way,
  And he hollered at all he chanced to meet:
    "Hooray, hooray, hooray!"
  His eyes and his breath were hot with joy
    And his cheeks were all aflame--
  'Twas a rare event with the little boy
    When the champions won a game!

  "Twenty to 6" and "10 to 2"
    Were rather dismal scores,
  And they wreathed in a somewhat somber hue
    These classic western shores;
  We shuddered and winced at the cruel sport
    And our heads were bowed in shame
  'Till Somewhere sent us the glad report
    That the champions won the game!

  Our Baby says it'll be all right
    For the champions by and by,
  And the twin emotions of Hope and Fright
    Gleam in his cod fish eye;
  And Spalding says (in his modest way)
    That we'll get there all the same;
  So let us holler, "Hooray, hooray,"
    When the champions win the game.




CHICAGO NEWSPAPER LIFE.


It pleases us to observe that the shocking habit of hurling opprobrious
epithets at each other has been abandoned by the venerable editor of the
Journal and the venerable editor of the Tribune. At this moment we are
reminded of the inspired lines of the eminent but now, alas! neglected
Watts:

  "Birds in their nests agree,
    And 'tis a shocking sight
  When folks, who should harmonious be,
    Fall out and chide and fight.

  "The tones of Andy and of Joe
    Should join in friendly games--
  Not be debased to vice so low
    As that of calling names.

  "Bad names and naughty names require
    To be chastized at school,
  But he's in danger of hell-fire
    Who talks of 'crank' and 'fool.'

  "Oh 'tis a dreadful thing to see
    The old folks smite and jaw,
  But pleasant it is to agree
    On the election law.

  "Let Joe and Andy leave their wrongs
    For sinners to contest;
  So shall they some time swell the songs
    Of Israel's ransomed blest."




THE MIGHTY WEST.


  Oh, where abides the fond kazoo,
    The barrel-organ fair,
  And where is heard the tra-la-loo
    Of fish horns on the air?
  And where are found the fife and drum
    Discoursed with goodliest zest?
  And where do fiddles liveliest hum?
    The west--the mighty west!

  Sonatas, fugues, and all o' that
    Are rightly judged effete,
  While largos written in B-flat
    Are clearly out of date;
  Some like the cold pianny-forty,
    But whistling suits us best--
  And op'ry, if it isn't naughty,
    Will not catch on out west.

  From skinning hogs or canning beef
    Or diving into stocks,
  Could we expect to find relief
    In Haydns or in Bachs?
  Ah, no; from pork and wheat and lard
    We turn aside with zest
  To sing some opus of some bard
    Whose home is in the west.

  So get ye gone, ye weakling crew!
    Your tunes are stale and flat,
  And cannot hold a candle to
    The works of Silas Pratt!
  His opuses are in demand
    And are the final test
  By which all others fall or stand
    In this the mighty west!




APRIL.


  Now April with sweet showers of freshening rain
    Has roused last summer's vigorous breath once more;
  'Tis in the air, the house, the street, the lane--
    Puffs through the walls and oozes through the floor.

  The rau-cous-throated frog ayont the sty
    Sends forth, as erst, his amerous vermal croak,
  Each hungry mooly casts her swivel eye
    For pots and pails in which her nose to poke.

  With gurgling glee the gutter gushes by,
    Fraught all with filth, unknown and nameless dirt--
  A dead green goose, an o'er-ripe rat I spy;
    Head of a cat, tail of a flannel shirt.

  The querulous cry of every gabbling goose
    From thousand-scented mudholes echoes o'er;
  The dogs and yawling cats have gotten loose
    And mock the hideous howls of hell once more.

  By yon scrub oak, where roots the sallow sow,
    In where John Murphy's wife outpours her slop;
  Right there you'll find there's almost stench now
    To cause the world its nostrils to estop.

  And yonder dauntless goat that bank adown,
    That wreathes his old fantastic horns so high,
  Gnaws sadly on the bustle of Miss Brown,
    Which she discarded in the months gone by.

  So in Goose Island cometh April round;
    Full eagerly we watch the month's approach--
  The season of sweet sight and pleasant sound,
    The season of the bedbug and the roach.




REPORT OF THE BASEBALL GAME.


  It was a very pleasant game,
    And there was naught of grumbling
  Until the baleful tidings came
    That Williamson was "fumbling."
  Then all at once a hideous gloom
    Fell o'er all manly features,
  And Clayton's cozy, quiet room
    Was full of frantic creatures.

  "Click, click," the tiny ticker went,
    The tape began to rattle,
  And pallid, eager faces bent
    To read the news from battle;
  Down, down, ten million feet or more,
    Chicago's hope went tumbling,
  When came the word that Burns and Gore
    And Pfeffer, too, were "fumbling."

  No diagram was needed then
    To point the Browns to glory--
  The simple fact that these four men
    Were "fumbling" told the story.
  There is not a club in all the land--
    No odds how weak or humble--
  That beats us when our short-stop and
    Our second baseman "fumble."

  There was some talk of hippodrome
    'Mid frequent calls for liquor,
  Then each Chicago man went home
    Much wiser, poorer, sicker;
  And many a giant intellect
    Seemed slowly, surely crumbling
  Beneath the dolorous effect
    Of that St. Louis "fumbling."

  Ah, well, the struggle's but just begun,
    So what is the use of fretting
  If by a little harmless fun
    Our boys can bull the betting?
  When comes the tug of war there'll be
    No accidental stumbling,
  And then, you bet your boots, you'll see
    No mention made of "fumbling."




THE ROSE.


  Since the days of old Adam the welkin has rung
    With the praises of sweet scented posies,
  And poets in rapturous phrases have sung
    The paramount beauties of roses.

  Wheresoever she bides, whether nestling in lanes
    Or gracing the proud urban bowers,
  The red, royal rose her distinction maintains
    As the one regnant queen among flowers.

  How joyous are we of the west when we find
    That Fate, with her gifts ever chary,
  Has decreed that the Rose, who is queen of her kind
    Shall bloom on our wild western prairie.

  Let us laugh at the east as an impotent thing
    With envy and jealously crazy,
  While grateful Chicago is happy to sing
    In the praise of the rose--she's a daisy.




KANSAS CITY VS. DETROIT.


  A rooster flapped his wings and crowed
    A merrysome cockadoodledoo,
  As out of the west a cowboy rode
    To the land where the peach and the clapboard grew,
    Humming a gentle tralalaloo.

  "O insect with the gilded wing,"
    The cowboy cried, "Pray tell me true
  Why do you crane your neck and sing
    That wearisome cockadoodledoo?
    Would you like to learn the tralalaloo?"

  Now the rooster squawked an impudent word
    Whereat the angered cowboy threw
  His lariat at the haughty bird
    And choked him until his gills were blue
    And his eyes hung out an inch or two.

  "Now hear _me_ sing," the cowboy cried;
    "It ain't no cockadoodledoo--
  It's a song we sing on the prairies wide--
    The simple song of tralalaloo,
    Which is cowboy slang for 12 to 2."




ME AND BILKAMMLE.


        I will, if you choose,
        Impart you some news
  That will greatly astound you, I know;
        You would never suspect
        My ambition was wreck'd
  'Till you heard my confession of woe.
        'Tis not that my boom
        Has ascended the flume--
  In other words, gone up the spout--
        I could smile a sweet smile
        This tempestuous while,
  But me and Bilkammle are out!

        Being timid and shrinkin',
        He did all the thinkin',
  When _I_ did the talkin' worth mention;
        'Twas my constant ambition
        To soar to position
  So I gave it exclusive attention;
        And supposin' that he
        Would of course be for me,
  I rambled and prattled about
        'Till I found to my horror,
        Vexation, and sorror,
  That me and Bilkammle were out.

        As I tore my red hair
        In a fit of despair
  I heard my Achates complain
        That the gent with the coffer
        Had nothing to offer
  In the way of relieving his pain!

         *       *       *       *       *

        If there's mortal to blame
        For this villainous game
  Which has snuffed a great man beyond doubt.
        It's that treacherous mammal
        Entitled Bilkammle--
  Which accounts for us two bein' out!




TO THE DETROIT BASEBALL CLUB.


  You've scooped the vealy city crowd
    Of glory and of purse--
  Why shouldn't Pegasus be proud
    To trot you out in a verse?
  Chicago hoped to wallop you
    By a tremendous score,
  But bit off more than it could chew,
    As witness: "5 to 4."

  Well done, you 'Ganders! here's a hand
    To every one of you;
  These record-breakers of the land
    Now break themselves in two.
  Well get their pennant--it shall float
    Upon our distant shore,
  So let each patriotic throat
    Hurrah for "5 to 4."




A BALLAD OF ANCIENT OATHS.


  Ther ben a knyght, Sir Hoten hight,
    That on a time did swere
  In mighty store othes mickle sore,
    Whiche grieved his wiffe to here.

  Soth, whenne she scoft, his wiffe did oft
    Swere as a lady may;
  "I'faith," "I'sooth," or "lawk" in truth
    Ben alle that wiffe wold say.

  Soe whenne her good man waxed him wood
    She mervailed much to here
  The hejeous sound of othes full round
    The which her lord did swere.

  "Now, pray thee, speke and tell me eke
    What thing hath vexed thee soe?"
  The wiffe she cried; but he replied
    By swereing moe and moe.

  Her sweren zounds which be Gog's wounds,
    By bricht Marie and Gis,
  By sweit Sanct Ann and holie Tan
    And by Bryde's bell, ywis.

  By holie grails, by 'slids and 'snails,
    By old Sanct Dunstan bauld,
  The virgin faire that him did beare,
    By him that Judas sauld;

  By Arthure's sword, by Paynim horde,
    By holie modyr's teir,
  By Cokis breath, by Zooks and 's death,
    And by Sanct Swithen deir;

  By divells alle, both greate and smalle,
    And in hell there be,
  By bread and salt, and by Gog's malt,
    And by the blody tree;

  By Him that worn the crown of thorn
    And by the sun and mone,
  By deir Sanct Blanc and Sanct Fillane,
    And three kings of Cologne;

  By the gude Lord and His sweit word,
    By him that herryit hell,
  By blessed Jude, by holie rude,
    And eke be Gad himsell!

  He sweren soe (and mickle moe)
    It made man's flesch to creepen,
  The air ben blue with his ado
    And sore his wiffe ben wepen.

  Giff you wold know why sweren soe
    The goodman high Sir Hoten,
  He ben full wroth, because, in soth,
    He leesed his coler boten.




AN OLD SONG REVISED.


  John Hamilton, my Jo John,
    When first we were acquaint
  You were as lavish as could be
    With your vermillion paint;
  But now the head that once was red
    Seems veiled in sable woe,
  And clouds of gloom obscure your boom,
    John Hamilton, my Jo.

  Oh, was it Campbell's hatchet wrought
    The ruin we deplore?
  Or was it Abnor Taylor's thirst
    For your abundant gore?
  Or was it Hank's ambitious pranks
    That laid our idol low?
  Come, let us know how came you so,
    John Hamilton, my Joe!

  We pine to know the awful truth.
    So, pray, be pleased to tell
  The story--full of tragic fire--
    How one great statesman fell;
  How dives' hand stalked in the land
    And dealt a crushing blow
  At one proud name--which you're the same,
    John Hamilton, my Jo!




THE GRATEFUL PATIENT.


  The doctor leaned tenderly over the bed
    And looked at the patient 's complexion,
  And felt of the pulse and the feverish head,
    Then stood for a time in reflection.
        "A strange complication!
        My recommendation
    Is morphia by hypodermic injection."

  The patient looked up with a leer in his eye
    And winked in the doctor's direction--
  "Well, Doc," he remarked, "since you say I must die,
    I'm grateful to you for protection--
        I'm now in position
        To ask the commission
    T' excuse me from serving as judge of election."




THE BEGINNING AND THE END.


  Death
  In my breath,
  Cried I then:
  "Men
  Burn and blight!
  Nourish crime!
  Scale the height!
    Climb, men, climb!
  Climb and fight!
  Win by might!
  Wrong or right!
    Blood!"

  Well
  In a cell
  Here I am--
  D----n!
  From my flight
    So sublime
  I alight
    Ere my time,
  And in fright
    Here I grope
  Through the night
    Without hope.
  What a plight!
    Ah, the rope!
      Thud!




CLARE MARKET.


  In the market of Clare, so cheery the glare
  Of the shops and the booths of the tradespeople there,
  That I take a delight, on a Saturday night,
  In walking that way and viewing the sight;
  For it's here that one sees all the objects that please--
  New patterns in silk and old patterns in cheese,
  For the girls pretty toys, rude alarums for boys,
  And baubles galore which discretion enjoys--
  But here I forbear, for I really despair
  Of naming the wealth of the market of Clare!

  The rich man comes down from the elegant town,
  And looks at it all with an ominous frown;
  He seems to despise the grandiloquent cries
  Of the vender proclaiming his puddings and pies;
  And sniffing he goes through the lanes that disclose
  Much cause for disgust to his sensitive nose;
  Once free from the crowd, he admits that he is proud
  That elsewhere in London this thing's not allowed--
  He has seen nothing there but filth everywhere,
  And he's glad to get out of the market of Clare.

  But the child that has come from the neighboring slum
  Is charmed by the magic of dazzle and hum;
  He feasts his big eyes on the cakes and pies
  And they seem to grow green and protrude with surprise
  At the goodies they vend and the toys without end--
  And it's oh if he had but a penny to spend!
  But alas! he must gaze in a hopeless amaze
  At treasures that glitter and torches that blaze--
  What sense of despair in this world can compare
  With that of the waif in the market of Clare?

  So, on Saturday nights, when my custom invites
  A stroll in old London for curious sights,
  I am likely to stray by a devious way
  Where goodies are spread in a motley array,
  The things which some eyes would appear to despise
  Impress me as pathos in homely disguise,
  And my tattered waif friend shall have pennies to spend,
  As long as I've got 'em (or friends that will lend);
  And the urchin shall share in my joy and declare
  That there's beauty and good in that marketplace there!




UNCLE EPHRAIM.


  My Uncle Ephraim was a man who did not live in vain,
  And yet, why he succeeded so I never _could_ explain;
  By nature he was not endowed with wit to a degree,
  But folks allowed there nowhere lived a better man than he;
  He started poor but soon got rich; he went to congress then,
  And held that post of honor long against much brainier men;
  He never made a famous speech or did a thing of note,
  And yet the praise of Uncle Eph welled up from every throat.

  I recollect I never heard him say a bitter word;
  He never carried to and fro unpleasant things he heard;
  He always doffed his hat and spoke to every one he knew,
  He tipped to poor and rich alike a genial "how-dy'-do";
  He kissed the babies, praised their looks, and said: "That child will
      grow
  To be a Daniel Webster or our president, I know!"
  His voice was so mellifluous, his smile so full of mirth,
  That folks declared he was the best and smartest man on earth!

  Now, father was a _smarter_ man, and yet he never won
  Such wealth and fame as Uncle Eph, "the deestrick's favorite son";
  He had "convictions" and he was not loath to speak his mind--
  He went his way and said his say as he might be inclined;
  Yes, _he_ was brainy; yet his life was hardly a success--
  He was too honest and too smart for this vain world, I guess!
  At any rate, I wondered he was unsuccessful when
  My Uncle Eph, a duller man, was so revered of men!

  When Uncle Eph was dying he called me to his bed,
  And in a tone of confidence inviolate he said:
  "Dear Willyum, ere I seek repose in yonder blissful sphere
  I fain would breathe a secret in your adolescent ear;
  Strive not to hew your way through life--it really doesn't pay;
  Be sure the salve of flattery soaps all you do and say!
  Herein the only royal road to fame and fortune lies;
  Put not your trust in vinegar--_molasses_ catches flies!"




THIRTY-NINE.


  O hapless day! O wretched day!
    I hoped you'd pass me by--
  Alas, the years have sneaked away
    And all is changed but I!
  Had I the power, I would remand
    You to a gloom condign,
  But here you've crept upon me and
    I--I am thirty-nine!

  Now, were I thirty-five, I could
    Assume a flippant guise,
  Or, were I forty years, I should
    Undoubtedly look wise;
  For forty years are said to bring
    Sedateness superfine,
  But thirty-nine don't mean a thing--
    _A bas_ with thirty-nine!

  You healthy, hulking girls and boys--
    What makes you grow so fast?
  Oh, I'll survive your lusty noise--
    I'm tough and bound to last!
  No, no--I'm old and withered, too--
    I feel my powers decline.
  (Yet none believes this can be true
    Of one at thirty-nine.)

  And you, dear girl with velvet eyes,
    I wonder what you mean
  Through all our keen anxieties
    By keeping sweet sixteen.
  With your dear love to warm my heart,
    Wretch were I to repine--
  I was but jesting at the start--
    I'm glad I'm thirty-nine!

  So, little children, roar and race
    As blithely as you can
  And, sweetheart, let your tender grace
    Exalt the Day and Man;
  For then these factors (I'll engage)
    All subtly shall combine
  To make both juvenile and sage
    The one who's thirty-nine!

  Yes, after all, I'm free to say
    That I rejoice to be
  Standing as I do stand to-day
    'Twixt devil and deep sea;
  For, though my face be dark with care
    Or with a grimace shine,
  Each haply falls unto my share;
    Since I am thirty-nine!

  'Tis passing meet to make good cheer
    And lord it like a king,
  Since only once we catch the year
    That doesn't mean a thing.
  O happy day! O gracious day!
    I pledge thee in this wine--
  Come let us journey on our way
    A year, good Thirty-Nine!




HORACE I, 18.


        O Varus mine
        Plant thou the vine
  Within this kindly soil of Tibur;
        Nor temporal woes
        Nor spiritual knows
  The man who's a discreet imbiber.
        For who doth croak
        Of being broke
  Or who of warfare, after drinking?
        With bowl atween us,
        Of smiling Venus
  And Bacchus shall we sing, I'm thinking.

        Of symptoms fell
        Which brawls impel
  Historic data give us warning;
        The wretch who fights
        When full of nights
  Is bound to have a head next morning.
        I do not scorn
        A friendly horn,
  But noisy toots--I can't abide 'em!
        Your howling bat
        Is stale and flat
  To one who knows, because he's tried 'em!

        The secrets of
        The life of love
  (Companionship with girls and toddy)
        I would not drag
        With drunken brag
  Into the ken of everybody,
        But in the shade
        Let some coy maid
  With smilax wreathe my flagon's nozzle--
        Then, all day long,
        With mirth and song,
  Shall I enjoy a quiet sozzle!




THREE RHINELAND DRINKING SONGS.


  I.

  If our life is the life of a flower
    (And that's what some sages are thinking),
  We should moisten the bud with a health-giving flood
      And 'twill bloom all the sweeter--
      Yes, life's the completer
    For drinking,
                    and drinking,
                                      and drinking!

  If it be that our life is a journey
    (As many wise folks are opining),
  We should sprinkle the way with the rain while we may;
      Though dusty and dreary,
      'Tis made cool and cheery
    With wining,
                    and wining,
                                      and wining!

  If this life that we live be a dreaming
    (As pessimist people are thinking),
  To induce pleasant dreams there is nothing, me seems,
      Like this sweet prescription,
      That baffles description--
    This drinking,
                    and drinking,
                                      and drinking!


  II.

  ("Fiducit.")

  Three comrades on the German Rhine--
    Defying care and weather--
  Together quaffed the mellow wine
    And sung their songs together,
  What recked they of the griefs of life
    With wine and song to cheer them?
  Though elsewhere trouble might be rife,
    It would not come anear them!

  Anon one comrade passed away,
    And presently another--
  And yet unto the tryst each day
    Repaired the lonely brother,
  And still, as gayly as of old,
    That third one, hero-hearted,
  Filled to the brim each cup of gold
    And called to the departed:

  "O comrades mine, I see you not,
    Nor hear your kindly greeting;
  Yet in this old familiar spot
    Be still our loving meeting!
  Here have I filled each bouting cup
    With juices red and cherry--
  I pray ye drink the portion up,
    And, as of old, make merry!"

  And once before his tear-dimmed eyes,
    All in the haunted gloaming,
  He saw two ghostly figures rise
    And quaff the beakers foaming;
  He heard two spirit voices call:
    "Fiducit, jovial brother!"
  And so forever from that hall
    Went they with one another.


  III.

  (Der Mann im Keller.)

  How cool and fair this cellar where
    My throne a dusky cask is!
  To do no thing but just to sing
    And drown the time my task is!
      The cooper, he's
      Resolved to please,
    And, answering to my winking,
      He fills me up
      Cup after cup
    For drinking, drinking, drinking.

  Begrudge me not this cozy spot
    In which I am reclining--
  Why, who would burst with envious thirst
    When he can live by wining?
  A roseate hue seems to imbue
    The world on which I'm blinking;
  My fellow men--I love them when
    I'm drinking, drinking, drinking.

  And yet, I think, the more I drink,
    It's more and more I pine for--
  Oh such as I (forever dry!)
    God made this land of Rhine for!
      And there is bliss
      In knowing this,
  As to the floor I'm sinking;
      I've wronged no man,
      And never can,
  While drinking, drinking, drinking!




THE THREE TAILORS.

(From the German of C. Herlossohn.)


  I shall tell you in rhyme how, once on a time,
  Three tailors tramped up to the Inn Ingleheim
        On the Rhine--lovely Rhine;
  They were broke, but, the worst of it all, they were curst
  With that malady common to tailors--a thirst
        For wine--lots of wine!

  "Sweet host," quoth the three, "we're as hard up as can be,
  Yet skilled in the practice of cunning are we
        On the Rhine--genial Rhine;
  And we pledge you we will impart you that skill
  Right quickly and fully, providing you'll fill
        Us with wine--cooling wine!"

  But that host shook his head, and warily said:
  "Though cunning be good, we take money instead,
        On the Rhine--thrifty Rhine;
  If ye fancy ye may without pelf have your way
  You'll find there's both host and the devil to pay
        For your wine--costly wine!"

  Then the first knavish wight took his needle so bright
  And threaded its eye with a wee ray of light
        From the Rhine--sunny Rhine;
  And in such a deft way patched a mirror that day
  That where it was mended no expert could say--
        Done so fine--'twas for wine!

  The second thereat spied a poor little gnat
  Go toiling along on his nose broad and flat
        Toward the Rhine--pleasant Rhine;
  "Aha, tiny friend, I should hate to offend,
  But your stockings need darning," which same did he mend,
        All for wine--soothing wine!

  And next there occurred what you'll deem quite absurd--
  His needle a space in the wall thrust the third,
        By the Rhine--wondrous Rhine;
  And then, all so spry, he leapt through the eye
  Of that thin cambric needle; nay, think you I'd lie
        About wine? Not for wine!

  The landlord allowed (with a smile) he was proud
  To do the fair thing by that talented crowd
        On the Rhine--generous Rhine!
  So a thimble filled he as full as could be;
  "Drink long and drink hearty, my jolly guests three,
        Of my wine--filling wine!"




MORNING HYMN.


  I'd dearly love to tear my hair
    And romp around a bit,
  For I am mad enough to swear
    Since Brother Chauncy quit.

  I am so vilely prone to sin--
    Vain ribald that I am--
  I'd take a hideous pleasure in
    Just one prodigious "damn."

  But shall I yield to Satan's wiles
    And let my passions swell?
  Nay, I will wreath my face in smiles,
    And mock the powers of hell.

  And howsoever pride may roll
    Its billows through my frame,
  I'll not condemn my precious soul
    Unto the quenchless flame!

  But rather will I humbly pray
    Divinity to wash
  From out my mouth such words away
    As "Jiminy" and "Gosh."




DOCTORS.


  'Tis quite the thing to say and sing
    Gross libels on the doctor--
  To picture him an ogre grim
    Or humbug-pill concocter;
  Yet it's in quite another light
    My friendly pen would show him--
  Glad that it might with verse repay
    Some part of what I owe him!

  When one's all right he's prone to spite
    The doctor's peaceful mission;
  But, when he's sick, it's loud and quick
    He bawls for a physician!
  With other things the doctor brings
    Sweet babes our hearts to soften;
  Though I have four, I pine for more--
    Good doctor, pray, come often!

  What though he sees death and disease
    Run riot all around him,
  Patient and true, and valorous, too--
    Such have I always found him!
  Where'er he goes he soothes our woes,
    And, when skill's unavailing
  And death is near, his words of cheer
    Support our courage failing.

  In ancient days they used to praise
    The godlike art of healing;
  An art that then engaged all men
    Possessed of sense and feeling;
  Why, Raleigh--he was glad to be
    Famed for a quack elixir,
  And Digby sold (as we are told)
    A charm for folk love-sick, sir!

  Napoleon knew a thing or two,
    And clearly he was partial
  To doctors, for, in time of war,
    He chose one for marshal,
  In our great cause a doctor was
    The first to pass death's portal,
  And Warren's name at once became
    A beacon and immortal!

  A heap, indeed, of what we read
    By doctors is provided,
  For to those groves Apollo loves
    Their leaning is decided;
  Deny who may that Rabelais
    Is first in wit and learning--
  And yet all smile and marvel while
    His brilliant leaves they're turning.

  How Lever's pen has charmed all men--
    How touching Rab's short story!
  And I will stake my all that Drake
    Is still the schoolboy's glory!
  A doctor-man it was began
    Great Britain's great museum;
  The treasures there are all so rare,
    It drives me wild to see 'em!

  There's Cuvier, Parr and Rush--they are
    Big monuments to learning;
  To Mitchell's prose (how smooth it flows!)
    We all are fondly turning;
  Tomes might be writ of that keen wit
    Which Abernethy's famed for--
  With bread-crumb pills he cured the ills
    Most doctors get blamed for!

  In modern times the noble rhymes
    Of Holmes (a great physician!)
  Have solace brought and wisdom taught
    To hearts of all conditions.
  The sailor bound for Puget sound
    Finds pleasure still unfailing,
  If he but troll the barcarole
    Old Osborne wrote on Whaling!

  If there were need I could proceed
    Ad naus, with this prescription,
  But, inter nos, a larger dose
    Might give you fits conniption;
  Yet, ere I end, there's one dear friend
    I'd hold before these others,
  For he and I in years gone by,
    Have chummed around like brothers.

  Together we have sung in glee
    The songs old Horace made for
  Our genial craft--together quaffed
    What bowls that doctor paid for!
  I love the rest, but love him best,
    And, were not times so pressing,
  I'd buy and send--you smile, old friend?
    Well, then, here goes my blessing.




BEN APFELGARTEN.


  There was a certain gentleman, Ben Apfelgarten called,
    Who lived way off in Germany a many years ago,
  And he was very fortunate in being very bald,
    And so was very happy he was so.
        He warbled all the day
        Such songs as only they
  Who are very, very circumspect and very happy may;
        The people wondered why,
        As the years went grinding by,
  They never heard him once complain or even heave a sigh!

  The women of the province fell in love with genial Ben,
    Till (maybe you can fancy it) the dickens was to pay
  Among the callow students and the sober-minded men--
    With the women folk a-cuttin' up that way!
        Why, they gave him turbans red
        To adorn his hairless head,
  And knitted jaunty nightcaps to protect him when abed!
        In vain the rest demurred--
        Not a single chiding word
  Those ladies deigned to tolerate--remonstrance was absurd!

  Things finally got into such a very dreadful way
    That the others (oh, how artful!) formed the politic design
  To send him to the reichstag; so, one dull November day
    They elected him a member from the Rhine!
        Then the other members said:
       "Gott in Himmel; what a head!"
  But they marveled when his speeches they listened to or read;
        And presently they cried:
       "There must be heaps inside
  Of the smooth and shiny cranium his constituents deride!"

  Well, when at last he up 'nd died--long past his ninetieth year--
    The strangest and the most luguberous funeral he had,
  For women came in multitudes to weep upon his bier--
    The men all wond'ring why on earth the women had gone mad!
        And this wonderment increased,
        Till the sympathetic priest
  Inquired of those same ladies: "Why this fuss about deceased?"
        Whereupon they were appalled,
        For, as one, those women squalled:
  "We doted on deceased for being bald--bald--bald!"

  He was bald because his genius burnt that shock of hair away,
    Which, elsewise, clogs one's keenness and activity of mind,
  And (barring present company, of course,) I'm free to say
    That, after all, it's intellect that captures woman-kind.
        At any rate, since then
        (With a precedent in Ben),
  The women-folk have been in love with us bald-headed men!




IN HOLLAND.


  Our course lay up a smooth canal
    Through tracks of velvet green,
  And through the shade that windmills made,
    And pasture lands between.
  The kine had canvas on their backs
    To temper Autumn's spite,
  And everywhere there was an air
    Of comfort and delight.

  My wife, dear philosophic soul!
    Saw here whereof to prate:
  "Vain fools are we across the sea
    To boast our nobler state!
  Go north or south or east or west,
    Or wheresoever you please,
  You shall not find what's here combined--
    Equality and ease!

  "How tidy are these honest homes
    In every part and nook--
  The men folk wear a prosperous air,
    The women happy look.
  Seeing the peace that smiles around,
    I would our land was such--
  Think as you may, I'm free to say
    I would we were the Dutch!"

  Just then we overtook a boat
    (The Golden Tulip hight)--
  Big with the weight of motley freight,
    It was a goodly sight!
  Meynheer van Blarcom sat on deck,
    With pipe in lordly pose,
  And with his son of twenty-one
    He played at dominoes.

  Then quoth my wife: "How fair to see
    This sturdy, honest man
  Beguile all pain and lust of gain
    With whatso joys he can;
  Methinks his spouse is down below
    Beading a kerchief gay--
  A babe, mayhap, lolls in her lap
    In the good old Milky way.

  "Where in the land from whence we came
    Is there content like this--
  Where such disdain of sordid gain,
    Such sweet domestic bliss?
  A homespun woman I, this land
    Delights me overmuch--
  Think as you will and argue still,
    I like the honest Dutch."

  And then my wife made end of speech--
    Her voice stuck in her throat,
  For, swinging around the turn, we found
    What motor moved the boat;
  Hitched up in tow-path harness there
    Was neither horse nor cow,
  But the buxom frame of a Hollandische dame--
    Meynheer van Blarcom's frau.




Transcriber's Notes:


  Passages in italics are indicated by _italics_.

  Obvious typographical errors have been corrected as follows:

    Page   6: "Japan" changed to "Spain"
    Page  85: "you re" changed to "you're"
    Page 101: comma added after "spiders"
    Page 113: ' changed to " before "Let"
    Page 157: "the" changed to "they"






End of the Project Gutenberg EBook of Hoosier Lyrics, by Eugene Field

*** END OF THIS PROJECT GUTENBERG EBOOK HOOSIER LYRICS ***

***** This file should be named 36150-8.txt or 36150-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/6/1/5/36150/

Produced by Juliet Sutherland, David E. Brown, and the
Online Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.