diff options
Diffstat (limited to '35959-h/35959-h.htm')
| -rw-r--r-- | 35959-h/35959-h.htm | 1908 |
1 files changed, 1908 insertions, 0 deletions
diff --git a/35959-h/35959-h.htm b/35959-h/35959-h.htm new file mode 100644 index 0000000..e30c1b5 --- /dev/null +++ b/35959-h/35959-h.htm @@ -0,0 +1,1908 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of The Widow's Vow by Elizabeth Inchbald.</title> +<style type="text/css"> + body {background:#fdfdfd; + color:black; + font-size: large; + margin-top:100px; + margin-left:15%; + margin-right:15%; + text-align:justify; } + h1, h2, h3, h4, h5, h6 {text-align: center; } + hr.minimal { width: 25%; + text-align: center; + margin-left: auto; + margin-right: auto; + clear: both; } + hr.tiny { width: 10%; + text-align: center; + margin-left: auto; + margin-right: auto; + clear: both; } + hr { width: 100%; } + hr.full { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 3px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + blockquote { font-size: large; margin-left: 6%; margin-right: 6% } + .ex { margin-top: 0px; float: right; } + table {font-size: large; } + table.sm {font-size: medium; } + td.w50 { width: 50%; } + p {text-indent: 3%; } + p.noindent { text-indent: 0%; } + .big { font-size: 110%} + .center { text-align: center; } + ins { text-decoration: none; border-bottom: thin dotted gray;} + .nowrap { white-space: nowrap; } + .revind { margin-left: 0em; text-indent: -2em; padding-left: 2em; } + .right { text-align: right; } + .small { font-size: 70%; } + .smallcaps { font-variant: small-caps; } + .wide { letter-spacing: .15em; } + pre {font-size: 70%; } +</style> +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Widow's Vow, by Elizabeth Inchbald + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Widow's Vow + A Farce, in Two Acts + +Author: Elizabeth Inchbald + +Release Date: April 25, 2011 [EBook #35959] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WIDOW'S VOW *** + + + + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + + + + + +</pre> + +<hr class="full" /> +<p> </p> +<h5>THE</h5> + +<h2>WIDOW's VOW.</h2> + +<h5>A</h5> + +<h3>FARCE,</h3> + +<h4><span class="wide">IN TWO ACTS,</span></h4> + +<h6>AS IT IS ACTED</h6> + +<h4>AT THE THEATRE ROYAL,<br /> +<br /> +<i>HAY-MARKET</i>.</h4> +<p> </p> +<hr class="tiny" /> +<p> </p> +<h5><span class="wide">LONDON</span>:</h5> + +<h6>PRINTED FOR C. G. J. AND J. ROBINSON, PATER-NOSTER ROW.<br /> +1786.</h6> +<p> </p> +<hr class="minimal" /> +<p> </p> +<h3><span class="wide">PROLOGUE,</span></h3> +<h4>Written by Mr. HOLCROFT,<br /> +<br /> +Spoken by Mr. BANNISTER, jun.</h4> + +<div class="center"> +<table class="sm" style="margin: 0 auto" border="0" cellpadding="0" cellspacing="0" summary="prologue"> +<tr><td align="left">Prologues, with caustic touch, have often tried</td></tr> +<tr><td align="left">To probe your spleen, prove knaves and fools allied;</td></tr> +<tr><td align="left">Have twisted words and wit ten thousand ways,</td></tr> +<tr><td align="left">To shew that these are most degenerate days!</td></tr> +<tr><td> </td></tr> +<tr><td align="left">A different task be ours.—We'll prove that you</td></tr> +<tr><td align="left">Are wise and happy. Nay! tho' strange, 'tis true!</td></tr> +<tr><td> </td></tr> +<tr><td align="left">First on your <i>safety</i> think! now belles appear</td></tr> +<tr><td align="left">By ample bulwarks guarded, front and rear!</td></tr> +<tr><td align="left">Now male and female amble, side by side,</td></tr> +<tr><td align="left">Exempt from harm, by breast-works fortify'd!</td></tr> +<tr><td align="left">Here polygons defend Miss Molly's breast!</td></tr> +<tr><td align="left">There horn-works hush the husband's fears to rest</td></tr> +<tr><td align="left">By ramparts, daily rais'd, he's freed from cares;</td></tr> +<tr><td align="left">If he'll but grant sufficient for repairs.</td></tr> +<tr><td> </td></tr> +<tr><td align="left">Our strength thus prov'd, proceed we to disclose</td></tr> +<tr><td align="left">How new-made wealth thro' new-made channels flows!</td></tr> +<tr><td align="left">How rich we are, in medal-rust and rare things!</td></tr> +<tr><td align="left">In copper coins, gilt pence and—Queen-Anne-farthings!</td></tr> +<tr><td align="left">How shells, stuff'd monkies, and Cremonas old,</td></tr> +<tr><td align="left">In hand of Auctioneer, are current gold!</td></tr> +<tr><td align="left">He "Going! going!" cries. "The hammer's up!</td></tr> +<tr><td align="left">"This fine antique! this Roman<span class="nowrap">——</span><i>caudle-cup!</i>"</td></tr> +<tr><td align="left">A gem so rare makes connoisseurs turn pale,</td></tr> +<tr><td align="left">Fearful, alike, to purchase or to fail!</td></tr> +<tr><td align="left">Hope trembles, starts, from lip to lip rebounds,</td></tr> +<tr><td align="left">'Till down she's knock'd by—Ah!—one thousand pounds!</td></tr> +<tr><td align="left">The envied purchaser, with joy elate,</td></tr> +<tr><td align="left">Pays for his prize by—selling his estate!</td></tr> +<tr><td align="left">While <i>Smirk</i>, in florid style, words nicely plac'd,</td></tr> +<tr><td align="left">Protests theee lot does, <i>anner</i> to his taste! (<i>Mimicking.</i>)</td></tr> +<tr><td> </td></tr> +<tr><td align="left">Yes! sure you're happy! and should rest content,</td></tr> +<tr><td align="left">Now landscapes are reduced fifteen per cent:</td></tr> +<tr><td align="left">And Claude's and Titian's new-found wonders may</td></tr> +<tr><td align="left">By new-made Peers be bought—if new-made Peers can pay.</td></tr> +<tr><td> </td></tr> +<tr><td align="center">(<i>Assuming sorrow.</i>)</td></tr> +<tr><td> </td></tr> +<tr><td align="left">One thing, indeed, may well your peace invade,</td></tr> +<tr><td align="left">Pawnbrokers! threaten you to leave off trade! (<i>Weeps.</i>)</td></tr> +<tr><td> </td></tr> +<tr><td align="center">(<i>Returning to his former chearful tone.</i>)</td></tr> +<tr><td> </td></tr> +<tr><td align="left">All things considered, now, while safety smiles,</td></tr> +<tr><td align="left">And wealth inundates thus our Queen of isles;</td></tr> +<tr><td align="left">While Vickery head defects so soon repairs,</td></tr> +<tr><td align="left">And half unpeoples Greenland of her bears;</td></tr> +<tr><td align="left">While exhibitions, galas and reviews,</td></tr> +<tr><td align="left">Lisle-street, Vauxhall, the Abbey, Handel, Hughes,</td></tr> +<tr><td align="left">Flutes, fiddles, trombos, double-drums, bassoons,</td></tr> +<tr><td align="left">Mara, the speaking-figure, fish-balloons,</td></tr> +<tr><td align="left">Earth-baths, live-eagles, such as never flew,</td></tr> +<tr><td align="left"><i>L'Hercule du Roy!</i> and General Jackoo!</td></tr> +<tr><td align="left">While these create a round of such delight,</td></tr> +<tr><td align="left">Sure, we may hope, you will not frown to-night!</td></tr> +<tr><td align="left">While farces numerous as these go down,</td></tr> +<tr><td align="left">Our farce may in its turn amuse the town;</td></tr> +<tr><td align="left">And, smiling thus on Folly's vast career,</td></tr> +<tr><td align="left">Sure not on us, alone, you'll be severe!</td></tr> +</table> +</div> +<p> </p> +<hr class="minimal" /> +<p> </p> +<h3>ADVERTISEMENT.</h3> + +<blockquote><p class="revind">The <span class="smallcaps">Author</span> of the <span class="big">WIDOW's VOW</span> is indebted for +the Plot of her Piece, and for the Plot only, to <i>L'Hereuse +Erreur</i>, a French Comedy of one Act, by <span class="smallcaps">M. Patrat</span>, +but to the Excellence of the English <i>Performers</i> +alone is she indebted for its very flattering Success.</p></blockquote> +<p> </p> +<hr class="minimal" /> +<p> </p> + +<h3>DRAMATIS PERSONĘ.</h3> +<div class="center"> +<table style="margin: 0 auto" border="0" cellpadding="2" cellspacing="2" summary="characters"> +<tr><td> </td></tr> +<tr><td align="left">Don Antonio,</td> <td align="left">Mr. <span class="smallcaps">Parsons</span>.</td></tr> +<tr><td align="left">Marquis,</td> <td align="left">Mr. <span class="smallcaps">Bannister</span>, jun.</td></tr> +<tr><td align="left">Carlos,</td> <td align="left">Mr. <span class="smallcaps">R. Palmer</span>.</td></tr> +<tr><td align="left">Servant, </td> <td align="left">Mr. <span class="smallcaps">Lyon</span>.</td></tr> +<tr><td align="left">Jerome, </td> <td align="left">Mr. <span class="smallcaps">Edwin</span>.</td></tr> +<tr><td align="left"> </td></tr> +<tr><td align="left">Countess, </td> <td align="left">Mrs. <span class="smallcaps">Bates.</span></td></tr> +<tr><td align="left">Donna Isabella, </td> <td align="left">Mrs. <span class="smallcaps">Riley.</span></td></tr> +<tr><td align="left">Inis,</td> <td align="left">Miss <span class="smallcaps">Brancin.</span></td></tr> +<tr><td align="left">Ursula,</td> <td align="left">Mrs. <span class="smallcaps">Edwin.</span></td></tr> +<tr><td align="left">Flora,</td> <td align="left">Mrs. <span class="smallcaps">Wells.</span></td></tr> +<tr><td align="left"> </td></tr> +<tr><td colspan="2" align="center"><i>Scene a Village in Spain.</i></td></tr> +</table> +</div> +<p> </p> +<hr class="minimal" /> +<p> </p> +<h4><span class="wide">THE</span></h4> +<h2><span class="wide">WIDOW's VOW.</span></h2> +<p> </p> +<hr class="minimal" /> + +<h3><span class="wide">ACT I.</span></h3> +<p> </p> +<h4><span class="wide">SCENE I.</span></h4> +<div class="center"> +<p class="noindent"><i>A Hall in a Castle.</i></p> + +<p class="noindent"><i>Enter</i> JEROME <i>and</i> FLORA.</p></div> + +<p><span class="smallcaps">Flora.</span> I Can't go at present, Mr. Jerome, for I +expect my Lady every moment to ring, +and if I should be out of the way she will be angry; +and as I am but new in her service—</p> + +<p><span class="smallcaps">Jerome.</span> She angry! Oh you don't know her +yet—When you have been a day or two with +her you'll find she is never angry—She is +the best tempered creature—and were it not for +her aversion to us men, she would not have a +fault.</p> + +<p><span class="smallcaps">Flora.</span> Do you consider that as a fault, Mr. +Jerome?</p> + +<p><span class="smallcaps">Jerome.</span> To be sure I do—For my part, I +think she had much better be too fond of us, as +the rest of her sex are.</p> + +<p><span class="smallcaps">Flora.</span> Pray, Mr. Jerome, what caused her +aversion to the men?</p> + +<p><span class="smallcaps">Jerome.</span> I'll tell you, Flora, if it wo'nt make +you melancholy.</p> + +<p><span class="smallcaps">Flora.</span> Oh, no, Mr. Jerome—I like a melancholy +story—I like dearly to cry, when it is not +on my own account.</p> + +<p><span class="smallcaps">Jerome.</span> Well then—When my Lady was only +fifteen she fell deep in love with a fine handsome +young fellow, inferior to her both in rank +and fortune; but my good old Lord, her father, +who doated upon her, was afraid a disappointment +might break her heart, and so consented to +her having him; but he proved so bad a husband +that my poor old Master soon died with grief.</p> + +<p><span class="smallcaps">Flora.</span> Poor man!</p> + +<p><span class="smallcaps">Jerome.</span> Don't cry yet, there's something +worse to come—My Lady, on this, took such a +dislike to her husband, that he died of grief +too.</p> + +<p><span class="smallcaps">Flora.</span> Indeed, Mr. Jerome, this is very +moving. (<i>cries.</i>)</p> + +<p><span class="smallcaps">Jerome.</span> On this—</p> + +<p><span class="smallcaps">Flora.</span> I hope there is nothing worse to +come?</p> + +<p><span class="smallcaps">Jerome.</span> On this, my Lady made a vow to +shut herself up from the whole sex.</p> + +<p><span class="smallcaps">Flora.</span> Well, that is more affecting than any +of it.</p> + +<p><span class="smallcaps">Jerome.</span> And she immediately retired to this +lonely castle, where, except the house of Donna +Isabella next door, we have not a neighbour for +miles; and even there we are strangers—for my +part I have never so much as seen Donna Isabella, +or exchanged a word with any of the servants since +they came to the place—though indeed they have +not been here above eight days.</p> + +<p><span class="smallcaps">Flora.</span> But how long has my Lady kept this +vow of avoiding all your sex?</p> + +<p><span class="smallcaps">Jerome.</span> Eighteen months.</p> + +<p><span class="smallcaps">Flora.</span> Eighteen weeks! what a time!</p> + +<p><span class="smallcaps">Jerome.</span> Months.</p> + +<p><span class="smallcaps">Flora.</span> Months! she has certainly lost her +senses.</p> + +<p><span class="smallcaps">Jerome.</span> Not she.</p> + +<p><span class="smallcaps">Flora.</span> O but I am sure she must have lost +some of them.</p> + +<p><span class="smallcaps">Jerome.</span> I tell you no.—But I must leave you +now, Mrs. Flora, for yonder is Don Antonio, and +I believe he is coming this way.</p> + +<p><span class="smallcaps">Flora.</span> I thought no man was admitted into +the castle but you, Mr. Jerome?</p> + +<p><span class="smallcaps">Jerome.</span> Yes; Don Antonio lives here—but +then he is my Lady's uncle; and you know there +can be no fear of her falling in love with him, as +he is a relation.</p> + +<p><span class="smallcaps">Flora.</span> But <i>you</i> are no relation, Mr. Jerome.</p> + +<p><span class="smallcaps">Jerome.</span> Why, as you say, she might fall in +love with me—Stranger things have happened—and +to tell you the truth, she does not seem positive +she shan't, for she bids me keep out of her +sight as much as possible, for fear I should put her +in mind of that handsome villain that brought her +to this retirement.</p> + +<p><span class="smallcaps">Flora.</span> Here comes the old Gentleman!</p> + +<p><span class="smallcaps">Jerome.</span> Then I must go, for he'll be wanting +to say something to you—he is for ever running +after all the maids—I am sorry to leave you—I +am, indeed, Flora; indeed I am—Oh it would be +a happy thing for me if I could bring myself to +care as little for the women, as my Lady does for +the men. <span class="ex">[<i>Exit Jerome.</i></span></p> + +<p><span class="smallcaps">Flora.</span> A fine sweetheart, truly, I have got—and +if this old fright proves another, I'll be even +with him.</p> +<p> </p> +<p class="center"><i>Enter</i> <span class="smallcaps">Antonio</span>—<i>She courtesys</i></p> + +<p><span class="smallcaps">Antonio.</span> Hah!—what!—what is all this!—what +have we here?—what have we here?—a +pretty girl—a very pretty girl indeed!—My +niece's new maid, I suppose—Aye, aye, I had the +other sent about her business—She must be like +her mistress forsooth, and have nothing to say to a +man—(<i>going up to Flora</i>) My dear, come this way—I +think your's is a new face—</p> + +<p><span class="smallcaps">Flora.</span> Yes, Sir—and I think your's is an old +one.</p> + +<p><span class="smallcaps">Antonio.</span> Hem—hem.—Pray what is your +name?</p> + +<p><span class="smallcaps">Flora.</span> A very good name—and I intend never +to change it for a bad one.—</p> + +<p><span class="smallcaps">Antonio.</span> Look in my face—What do you +blush for?</p> + +<p><span class="smallcaps">Flora.</span> For you.</p> + +<p><span class="smallcaps">Antonio.</span> Come, come, no pertness—but let +me bid you welcome to the castle. (<i>offers to salute her.</i>)</p> + +<p><span class="smallcaps">Flora.</span> No, indeed you shan't.</p> + +<p><span class="smallcaps">Antonio.</span> I will bid you welcome to the +castle. (<i>after a struggle he salutes her.</i>)</p> + +<p><span class="smallcaps">Flora.</span> Upon my word, Sir, you are very +rude—How would you like I should serve <i>you</i> +so?</p> + +<p><span class="smallcaps">Antonio.</span> Do—Do—serve me so—you are very +welcome.</p> +<p> </p> +<p class="center"><i>Enter</i> <span class="wide">JEROME</span>.</p> + +<p><span class="smallcaps">Jerome.</span> Flora, there's a young woman at the +gate, who says she lives with Donna Isabella, and +wants to speak to you upon some particular business—Can +your Honor spare her with no inconvenience +to yourself?</p> + +<p><span class="smallcaps">Antonio.</span> Yes—Yes—she may go—(<i>Exit +Flora and Jerome</i>) A young woman at the gate, +now do I want to bid <i>her</i> welcome to the castle—a +maid of Donna Isabella, our neighbour—by the +bye I must bring about an acquaintance with +Donna Isabella and the Countess my niece, if I can, +for I am told Isabella is a very beautiful lady—and +I should like to bid <i>her</i> welcome to the castle—but, +notwithstanding all the pains I have taken, +ever since she has arrived, to procure a sight of her, +I have not been able—I would, however, force +myself into the house, but it seems she has a +young brother, the Marquis, come down on a visit +to her within these three days, and he might take +upon him to resent my gallantry—and I can't say +I am fond of resentments, rage and hatred—no, +no, the <i>softer</i> passions possess me wholly. <span class="ex">[<i>Exit.</i></span></p> +<p> </p> + +<h4><span class="wide">SCENE II.</span></h4> +<div class="center"> +<p class="noindent"><i>A Chamber at</i> DONNA ISABELLA'S.</p> + +<p class="noindent"><i>Enter</i> ISABELLA <i>followed by the</i> MARQUIS.</p></div> + +<p><span class="smallcaps">Marquis.</span> But my dear sister, did not you seduce +me to this melancholy spot, on a promise that +you would procure me an introduction to the rich +widow, the charming Countess?—Interest first +prompted my wishes, but since I have beheld her, +it is love.</p> + +<p><span class="smallcaps">Isabel.</span> Beheld her!</p> + +<p><span class="smallcaps">Marquis.</span> Yes, beheld her—walking in her +garden—sitting negligently in an arbor.</p> + +<p><span class="smallcaps">Isabel.</span> But how?—How contrive to see +her?—</p> + +<p><span class="smallcaps">Marquis.</span> From the top of our house, through +a telescope—but, my dear sister, do bring us a +little nearer, or I'll purchase a speaking trumpet, +and make love to her through it, though my +passion be heard by every soul within a quarter of +a mile.</p> + +<p><span class="smallcaps">Isabel.</span> I tell you I have great hopes.</p> + +<p><span class="smallcaps">Marquis.</span> But why not accept of her acquaintance, +and prevail on her yourself to see +me?</p> + +<p><span class="smallcaps">Isabel.</span> I tell you again, the letters I expect +from her uncle at Madrid will have more weight +than volumes I could say—She dare not disobey +him, and <i>must</i> see you.</p> + +<p><span class="smallcaps">Marquis.</span> And yet I would not compel her to +it—Unless she consents to my acquaintance freely, +without being constrained by force, or deceived +by stratagem, I had rather have recourse +to the top of the house and my telescope again.</p> + +<p><span class="smallcaps">Isabel.</span> Do not let your scrupulous honor +overcome all your future prospects—Notwithstanding +these letters will strongly recommend +you, yet it will be with her own consent only +she will yield to the recommendation.</p> + +<p><span class="smallcaps">Marquis.</span> But when do you expect the letters?</p> + +<p><span class="smallcaps">Isabel.</span> Every instant—my servants are now +gone to the Post office.</p> + +<p><span class="smallcaps">Marquis.</span> I'll fly and see if they are returned.</p> + +<p><span class="smallcaps">Isabel.</span> Do; for as soon as the letters are arrived, +I would not have you lose a moment but +away, and know your fate at once—yet if she will +but see you I think with such a person as your's, +there can be little to fear.</p> + +<p><span class="smallcaps">Marquis.</span> But they tell me she is so austere +since this rigid vow—so awful—she will petrify +me with a look.</p> + +<p><span class="smallcaps">Isabel.</span> Pshaw—away, and see if the letters +are come.</p> + +<p><span class="smallcaps">Marquis.</span> I will, and if they are, and I gain +admittance, I'm resolved I will obtain you a +husband within a week, in return, my dear sister, +for your kindness to me.<span class="ex">[<i>Exit Marquis.</i></span></p> + +<p> </p> +<p class="center"><i>Enter</i> INIS.</p> + +<p><span class="smallcaps">Isabel.</span> Well, Inis—I am impatient to hear—What +success?</p> + +<p><span class="smallcaps">Inis.</span> Delightful, Madam—I have been introduced +to the young Countess—I first communicated +the intelligence of the pretended plot forming +against her to her waiting-woman, who was +sufficiently alarmed at it, to take me to her Lady +immediately.</p> + +<p><span class="smallcaps">Isabel.</span> Well.</p> + +<p><span class="smallcaps">Inis.</span> And so, Madam, as soon as I was introduced +I fell a crying—I thought that was the +best way.</p> + +<p><span class="smallcaps">Isabel.</span> Very well.</p> + +<p><span class="smallcaps">Inis.</span> And then, before I discovered what I had +to say, I made her promise not to betray me, +which she did most solemnly, and without the +least reluctance—and now, Madam, says I, I +live servant with your neighbour, Donna Isabella, +a flighty Lady, who turns every thing serious and +sacred into ridicule; and she has resolved to make +sport of you for pretending an aversion to men, +and for that purpose she has procured recommendations +for you to receive the visits of the +young Marquis her brother, but instead of him, +she purposes to come herself, disguised as a man, +prevail on you to consent to be married to her, +and then throw off the mask, and make you and +your vow the jest of the whole kingdom.</p> + +<p><span class="smallcaps">Isabel.</span> This is all right—go on.</p> + +<p><span class="smallcaps">Inis.</span> On this she thanked me a thousand times +for the discovery.</p> + +<p><span class="smallcaps">Isabel.</span> But did she say she would receive +me?</p> + +<p><span class="smallcaps">Inis.</span> Oh yes—she has promised to receive you +on my account, that my divulging the scheme may +not be detected.</p> + +<p><span class="smallcaps">Isabel.</span> And she is absolutely resolved to receive +<i>me</i> under the title of my brother?</p> + +<p><span class="smallcaps">Inis.</span> You may depend upon it—but how are +you to proceed now?</p> + +<p><span class="smallcaps">Isabel.</span> Send my brother to her immediately.</p> + +<p><span class="smallcaps">Inis.</span> Your brother!</p> + +<p><span class="smallcaps">Isabel.</span> Yes—The Countess, from what you +have told her, will suppose him a woman, receive +him, and consequently suffer a thousand endearing +familiarities; till, charmed by the graces of +his mind and person, she shall love him without +<i>knowing</i> it, and, when she detects the impostor, +be unable to part with him.</p> + +<p><span class="smallcaps">Inis.</span> And if she is like me, she'll think it the +happiest day of her life—but have you prepared +your brother how to act his part?</p> + +<p><span class="smallcaps">Isabel.</span> He has nothing to <i>act</i>, being the very +person he represents, and therefore shall not know +of the art by which he is introduced—for, except +being a little too attentive to dress and etiquette, +a circumstance which, with his youthful appearance, +favours our design, he is one of the most +amiable young men in the world, and the least +idea of imposition would shock his honour, and +put an end to my scheme.</p> + +<p><span class="smallcaps">Inis.</span> Then he is not to know he is to be taken +for a woman.</p> + +<p><span class="smallcaps">Isabel.</span> Certainly not—Hush, here he is, now +for my credentials. (<i>taking out letters from her +pocket.</i>)</p> +<p> </p> + +<p class="center"><i>Enter</i> MARQUIS.</p> + +<p><span class="smallcaps">Marquis.</span> Oh, my dear sister, there are no letters +arrived.</p> + +<p><span class="smallcaps">Isabel.</span> Yes, here they are—(<i>Gives a packet +of letters</i>) my maid has just brought them me.</p> + +<p><span class="smallcaps">Marquis.</span> O with what joy I receive them—they +are all right?—There will be no mistake I +hope?—Nothing to make me appear ridiculous?—I +would not appear ridiculous for the world.</p> + +<p><span class="smallcaps">Isabel.</span> All is right—No, no.</p> + +<p><span class="smallcaps">Marquis.</span> They are addressed to her uncle!</p> + +<p><span class="smallcaps">Isabel.</span> Yes, because it will be far more delicate +to be introduced through his means—but +there is one enclosed to her.</p> + +<p><span class="smallcaps">Marquis.</span> D'ye think she'll see me?</p> + +<p><span class="smallcaps">Isabel.</span> Yes; I dare say—There is little doubt +of it.</p> + +<p><span class="smallcaps">Inis.</span> By my dream last night, I'd lay my life +she will.</p> + +<p><span class="smallcaps">Marquis.</span> Why, what did you dream?</p> + +<p><span class="smallcaps">Inis.</span> I dreamt she ordered her servants to +drag your Lordship by force out of the house, +and duck you in the great fish-pond for a whole +hour.</p> + +<p><span class="smallcaps">Marquis.</span> Is that a sign?—</p> + +<p><span class="smallcaps">Inis.</span> O yes—Dreams always go by contraries.</p> + +<p><span class="smallcaps">Marquis.</span> (<i>Going, returns.</i>) But I know she +is so haughty and reserved, that, <i>should</i> she admit +me, I shall appear confused and awkward.—</p> + +<p><span class="smallcaps">Inis.</span> So much the better—she expects you'll +be awkward.</p> + +<p><span class="smallcaps">Marquis.</span> Expects I shall be awkward!</p> + +<p><span class="smallcaps">Isabel.</span> Pshaw, pshaw—Hesitate no longer +with your fears, but away—you know your first +court must be to the uncle, and when you have +been a little time in the house your apprehensions +will vanish.—Away, away.</p> + +<p><span class="smallcaps">Marquis.</span> But if she should not condescend +to see me?</p> + +<p><span class="smallcaps">Inis.</span> Oh, my Lord, you may depend upon it +she will, because of my dream.</p> + +<p class="center">(<i>Exit Marquis on one side and Isabella and Inis on +the other.</i>)</p> + +<p> </p> +<h4>SCENE III.</h4> +<div class="center"> +<p class="noindent"><i>The Hall in the Castle.</i></p> + +<p class="noindent"><i>Enter</i> FLORA <i>and</i> JEROME.</p> +</div> + +<p><span class="smallcaps">Flora.</span> Ha, ha, ha, ha.</p> + +<p><span class="smallcaps">Jerome.</span> Ha, ha, ha, ha—But is all this matter +of fact?</p> + +<p><span class="smallcaps">Flora.</span> As true as I am alive, Jerome—I have +done nothing but laugh ever since I heard it—But +do you think, Jerome, she'll be drest all over like +a man?</p> + +<p><span class="smallcaps">Jerome.</span> To be sure.</p> + +<p><span class="smallcaps">Flora.</span> What, every thing?</p> + +<p><span class="smallcaps">Jerome.</span> Yes—Every thing—Egad, I long to +have a peep at her!</p> + +<p><span class="smallcaps">Flora.</span> Aye, and so would Antonio too, if he +knew.—</p> + +<p><span class="smallcaps">Jerome.</span> Aye, that he would—he'd be so fond +of the young Marquis there would be no keeping +him away from her—but he does not know of it, +you say?</p> + +<p><span class="smallcaps">Flora.</span> No; no soul knows of it yet but my +Lady and I, and now I have told it to you; and +I am to tell it to all the servants as soon as she +comes, that they may not think my Lady has +broken her vow, by admitting a man—Lord, I +wonder how I should look in men's clothes!</p> + +<p><span class="smallcaps">Jerome.</span> There's the Priest's old great cloak, +doublet, and jack-boots hanging up behind that +door, if you have a mind to try, and I'll step out +of the way till you have put them on.</p> + +<p class="right">(<i>A loud rapping at the door.</i>)</p> + +<p><span class="smallcaps">Flora.</span> Here she is—Here she is—Oh dear—Oh +dear—how ashamed I am for her.</p> + +<p><span class="smallcaps">Jerome.</span> And I wish I may die if so ben't I.</p> + +<p class="right">(<i>Covering his eyes.</i>)</p> + +<p><span class="smallcaps">Flora.</span> And yet somehow I long to see her!</p> + +<p class="right">(<i>Another rapping.</i>)</p> + +<p><span class="smallcaps">Flora.</span> Run, Jerome, run.</p> + +<p><span class="smallcaps">Jerome.</span> This moment (<i>turning back</i>) but I +am so afraid I shall laugh.</p> + +<p><span class="smallcaps">Flora.</span> O no—Don't laugh—if you do you +will spoil all, and my Lady will never forgive +you.</p> + +<p><span class="smallcaps">Jerome.</span> Well—I won't—I won't, if I can +help it—I'll look so—just so, if I can—as serious +as a judge—will that do? (<i>looking serious.</i>)</p> + +<p><span class="smallcaps">Flora.</span> Yes; that will do. (<i>Rapping again.</i>)</p> + +<p><span class="smallcaps">Jerome.</span> (<i>Going.</i>) Ha, ha, ha, ha—I can't help +laughing a little though—but not before her—I'll +be as serious as a judge before her. (<i>aside</i>) +Egad I am afraid—I am afraid I shall laugh.</p> + +<p class="right">(<i>Exit, stifling a laugh.</i>)</p> + +<p><span class="smallcaps">Flora.</span> Now where shall I run to have a peep +at her?—in here.<span class="ex">[<i>Exit Flora.</i></span></p> + +<p class="revind"><i>Enter</i> JEROME, <i>bowing before the</i> MARQUIS, +<i>with his face on one side, as if he was afraid to look +at him for fear he should laugh</i>.</p> + +<p><span class="smallcaps">Marquis.</span> Let Don Antonio know I have letters for him.</p> + +<p><span class="smallcaps">Jerome.</span> Yes, your Honour—Lordship. (<i>Lifting +up his eyes, looking at him with side glances, and +with difficulty stifling a laugh.</i>) Your Honour, +your Lordship—Let Don Antonio—know—you—have—letters—for—him. +(<i>Suppressing a laugh.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Yes; is not that plain?</p> + +<p><span class="smallcaps">Jerome.</span> Yes. (<i>still suppressing a laugh.</i>) And +he'll be very glad to wait upon your Honour.</p> + +<p class="right">[<i>Laughs right out and exit.</i></p> + +<p><span class="smallcaps">Marquis.</span> A strange fellow this—How my +heart beats!</p> + +<p><span class="smallcaps">Flora.</span> (<i>from a door.</i>) Oh that she would +but turn this way, that I might see her face—Oh +the impudent slut.</p> + +<p> </p> +<p class="center"><i>Enter</i> JEROME <i>with a grin on his face</i>.</p> + +<p><span class="smallcaps">Jerome.</span> Noble Lord, Don Antonio will be +here immediately. (<i>Then laughs and stares at him +from head to foot.</i>) Here he is.</p> +<p> </p> + +<p class="center"><i>Enter</i> ANTONIO.</p> + +<p>(<i>The Marquis bows very respectfully whilst Jerome +is laughing and making faces behind.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Letters, my Lord, from your brother +at Madrid.</p> + +<p><span class="smallcaps">Antonio.</span> Signior. (<i>Taking the letters.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> (<i>aside while Antonio reads.</i>) Heavens, +whence this palpitation? If such are the feelings +of my bosom on knowing myself in the same house +with her, what must be my agitation on a nearer +approach!</p> + +<p><span class="smallcaps">Antonio.</span> My letters inform me it is the Marquis +who does me the honour of this visit—My +Lord, your Lordship—</p> + +<p><span class="smallcaps">Jerome.</span> Ha, ha, ha.</p> + +<p><span class="smallcaps">Antonio.</span> What's the matter with you?</p> + +<p><span class="smallcaps">Jerome.</span> Sir, I was only—</p> + +<p><span class="smallcaps">Antonio.</span> Only what? Leave the room.</p> + +<p><span class="smallcaps">Jerome.</span> (<i>Aside.</i>) Well I thought the old +Don would have found out a woman in any disguise. <span class="ex">[<i>Exit.</i></span></p> + +<p><span class="smallcaps">Antonio.</span> My Lord, you may command my +services and friendship, but I fear you will not rate +them so highly as I could wish, as you must be debarred +the acquaintance and society of my niece—You +are no stranger to the vow she has taken?</p> + +<p><span class="smallcaps">Marquis.</span> I am not—and yet I flatter myself +the manner in which I am spoken of in these letters—</p> + +<p><span class="smallcaps">Antonio.</span> Be certain, Sir, my niece shall receive +them, urged with all my authority for an +interview. Will your Lordship take a turn in the +garden while I deliver them and enforce their contents?</p> + +<p><span class="smallcaps">Marquis.</span> I will—and should you prove successful, +Don Antonio, I shall ever retain the deepest +sense of the obligation. <span class="ex">[<i>Exit Marquis.</i></span></p> +<p> </p> +<p> </p> +<p class="center"><i>Enter the</i> COUNTESS.</p> + +<p><span class="smallcaps">Antonio.</span> Niece, I was this moment coming +to you, to bring you these letters from your uncle +at Madrid, which you will find recommend, in +the strongest manner, to your acquaintance, no +other than the young Marquis our neighbour—as +fine a youth as ever I saw.</p> + +<p><span class="smallcaps">Countess.</span> Ha, ha, ha—is he arrived?—</p> + +<p><span class="smallcaps">Antonio.</span> Now in the house—What is the +matter?—Did you hear of his intended visit?</p> + +<p><span class="smallcaps">Countess.</span> Yes—Ha, ha, ha—how does he +look?</p> + +<p><span class="smallcaps">Antonio.</span> Delightfully—I don't think I ever +saw a handsomer man.</p> + +<p><span class="smallcaps">Countess.</span> <i>Man!</i>—Ha, ha, ha, I dare say he +looks a little awkward?</p> + +<p><span class="smallcaps">Antonio.</span> Aukward! No; he is as elegant in +his deportment, and as fine, as finished a young +fellow as ever I saw.</p> + +<p><span class="smallcaps">Countess.</span> (<i>After looking over the letter.</i>) Certainly, +I shall comply with my uncle's request—Let +his Lordship be admitted.</p> + +<p><span class="smallcaps">Antonio.</span> Niece, I always knew you could not +keep your vow—I always knew the very first man +that came in your way—crash it would go directly, +but let me persuade you to break it by degrees, +and not let the world say you made no struggle +first.</p> + +<p><span class="smallcaps">Countess.</span> Struggle! Now, my dear Uncle, +with all your deep discernment, particularly in +regard to our sex, to see you at last imposed upon +delights me.</p> + +<p><span class="smallcaps">Antonio.</span> Imposed upon!</p> + +<p><span class="smallcaps">Countess.</span> Yes; for this self-same Marquis +is a woman.</p> + +<p><span class="smallcaps">Antonio.</span> A woman!</p> + +<p><span class="smallcaps">Countess.</span> Yes; this "fine, elegant creature."</p> + +<p><span class="smallcaps">Antonio.</span> That is, then, the very reason why +I thought her so—"a fine creature,"—now that is +intuition, instinct, love without knowing it—But, +my dear niece, are you sure you are right? +Are you sure you don't deceive me? Don't disappoint +me—I can't bear a disappointment in a +matter like this—I am vastly pleased, and a disappointment +might be fatal.</p> + +<p><span class="smallcaps">Countess.</span> I assure you again a woman—sister +to the Marquis—and has undertaken this scheme +purely to make love to me, and turn me into ridicule.</p> + +<p><span class="smallcaps">Antonio.</span> Now I think of it again, she <i>was</i> devilish +awkward—and I believe wore her sword on +the wrong side.</p> + +<p><span class="smallcaps">Countess.</span> It is she herself depend upon it.</p> + +<p><span class="smallcaps">Antonio.</span> To be sure it is—and I'll be hang'd +if it did not strike me to be a woman the moment +I laid my eyes on her—for she came up to me +slipping and sliding, and tossing her head, just as +the fine ladies do. (<i>Mimicks.</i>) Well—But what +do you intend to do? I know what I intend to +do.</p> + +<p><span class="smallcaps">Countess.</span> I shall carry on the scheme, and +pretend to be deceived, till I turn the joke she +designs for me, on herself.</p> + +<p><span class="smallcaps">Antonio.</span> Yes; and I intend to have <i>my</i> +joke too.</p> + +<p><span class="smallcaps">Countess.</span> But you must keep the secret.</p> + +<p><span class="smallcaps">Antonio.</span> I wo'nt say a word.</p> + +<p><span class="smallcaps">Countess.</span> Take his Lordship into the saloon, +and I'll wait upon him immediately.</p> + +<p><span class="smallcaps">Antonio.</span> Aye, my dear—and you need not +be in a hurry—Egad, I like the joke of all +things.<span class="ex">[<i>Exit.</i></span></p> +<p> </p> +<p class="center"><i>Enter</i> JEROME <i>and</i> FLORA.</p> + +<p><span class="smallcaps">Flora.</span> Dear my Lady, have you seen her?</p> + +<p><span class="smallcaps">Countess.</span> Not yet.</p> + +<p><span class="smallcaps">Flora.</span> Well, I declare she looks as like a +man!</p> + +<p><span class="smallcaps">Countess.</span> I shall certainly laugh in her +face.</p> + +<p><span class="smallcaps">Jerome.</span> Oh no, don't laugh—Never give +your mind to laughing—I did not even smile, but +kept my countenance as steady—just thus—Did +not I, Flora? Oh—'tis such a weakness to laugh—Look +just so—as I do now—</p> + +<p><span class="smallcaps">Countess.</span> I must away to the trial, however—come +with me to the door, Flora.</p> + +<p><span class="smallcaps">Jerome.</span> And be sure you don't laugh—Think +on me, and keep your countenance—if +you can.</p> + +<p class="center">(<i>Exit Countess and Flora on one side and Jerome on +the other.</i>)</p> +<p> </p> +<h4><span class="wide">END of the FIRST ACT.</span></h4> +<p> </p> + +<hr class="minimal" /> + +<h3><span class="wide">ACT II.</span></h3> +<p> </p> +<h4><span class="wide">SCENE I.</span></h4> +<div class="center"> +<p class="noindent"><i>The Hall in the Castle.</i></p> + +<p class="noindent"><i>Enter</i> FLORA.</p></div> + +<p class="noindent">Dear me, what a pretty footman she has +brought with her!—he made me such a fine +bow as I past—and looked so grand—here he is.</p> + +<p> </p> +<p class="center"><i>Enter</i> CARLOS <i>and bows—She courtesies</i>.</p> + +<p><span class="smallcaps">Flora.</span> O Lord, I hope this is not a woman +too! but I dare say it is—Lord what a pity! but +I'll talk to him, and I shall soon be able to find +out—and if he does not fall in love with me, I'll +conclude it can't be a man. <span class="ex">[<i>aside.</i></span></p> + +<p><span class="smallcaps">Carlos.</span> A very pretty girl. (<i>aside.</i>) Your +humble servant, my dear angel.</p> + +<p><span class="smallcaps">Flora.</span> Too conceited for a man. (<i>aside.</i>)</p> + +<p><span class="smallcaps">Carlos.</span> May I venture, on so slight an acquaintance +to protest to you—</p> + +<p><span class="smallcaps">Flora.</span> No—he protests—'tis a man. <span class="ex">[<i>aside.</i></span></p> + +<p><span class="smallcaps">Carlos.</span> Permit me to assure you—</p> + +<p><span class="smallcaps">Flora.</span> Sir!</p> + +<p><span class="smallcaps">Carlos.</span> What thus takes up your attention?</p> + +<p><span class="smallcaps">Flora.</span> A doubt I have.</p> + +<p><span class="smallcaps">Carlos.</span> Do you entertain any doubts of +me?</p> + +<p><span class="smallcaps">Flora.</span> Yes—Indeed I do.</p> + +<p><span class="smallcaps">Carlos.</span> What are they?</p> + +<p><span class="smallcaps">Flora.</span> I have been trying to put this bunch +of ribbons into a right form for my Lady's hair, +and I hardly know how.</p> + +<p><span class="smallcaps">Carlos.</span> Let me try. (<i>She gives the ribbons.</i>)</p> + +<p><span class="smallcaps">Flora.</span> Now shall I see by the dexterity, +whether it is a woman or not. <span class="ex">[<i>aside.</i></span></p> + +<p><span class="smallcaps">Carlos.</span> There—I'll be hanged if I have not +done it to a nicety. (<i>Returns the ribbons.</i>)</p> + +<p><span class="smallcaps">Flora.</span> 'Tis a woman, pshaw.</p> +<p class="right">(<i>Aside and sighing.</i>)</p> + +<p><span class="smallcaps">Carlos.</span> Now I must beg a kiss for my pains. <span class="ex">(<i>Kisses her.</i>)</span></p> + +<p><span class="smallcaps">Flora.</span> No—it must be a man.</p> + +<p><span class="smallcaps">Carlos.</span> My charming—</p> + +<p><span class="smallcaps">Flora.</span> For Heaven's sake go about your +business, for here comes a fellow-servant of +mine.</p> + +<p><span class="smallcaps">Carlos.</span> I am going into the grove, will you +come there presently?</p> + +<p><span class="smallcaps">Flora.</span> Yes—perhaps I may—only begone +now.</p> + +<p><span class="smallcaps">Carlos.</span> But you'll come?</p> + +<p><span class="smallcaps">Flora.</span> Yes—I think I will.</p> + +<p><span class="smallcaps">Carlos.</span> I shall wait for you. <span class="ex">[<i>Exit.</i></span></p> +<p> </p> +<p class="center"><i>Enter</i> URSULA.</p> + +<p><span class="smallcaps">Ursula.</span> So, Mrs. Flora, I give you joy of +your new sweetheart—For shame, for shame, I +saw what passed.</p> + +<p><span class="smallcaps">Flora.</span> Lord bless you—it is only a woman.</p> + +<p><span class="smallcaps">Ursula.</span> A woman!</p> + +<p><span class="smallcaps">Flora.</span> Aye, in men's clothes, like the master, +and so there could be no harm you know.</p> + +<p><span class="smallcaps">Ursula.</span> I did not know the servant was a +woman too!</p> + +<p><span class="smallcaps">Flora.</span> Why, I am not sure of it—but I +thought so when I let him kiss me, and I thought +so when I promised to meet him in the grove—and +I will e'en go—for I dare say 'tis only a woman.</p> + +<p><span class="smallcaps">Ursula.</span> Aye, now I think of it again, I am +sure it is not a man—Do you suppose a Lady in +disguise, would take a man-servant to attend +her?</p> + +<p><span class="smallcaps">Flora.</span> Very true; and I wish, Ursula, you +would go instead of me to the grove, for I am so +busy just at this time—</p> + +<p><span class="smallcaps">Ursula.</span> And yet old Jerome says, and I never +knew Jerome mistaken in my life, he says it +is a man—however, <i>I</i> am not afraid of him if it +is, and I <i>will</i> go instead of you.</p> + +<p><span class="smallcaps">Flora.</span> No, Ursula—I will go after all—for +if it <i>should</i> prove a man, and he should behave +rude to you, oh! my dear Ursula, I should never +be happy, that I did not take it all upon myself. <span class="ex">[<i>Exeunt separately.</i></span></p> +<p> </p> + +<h4><span class="wide">SCENE II.</span></h4> +<div class="center"> +<p class="noindent"><i>A Parlour in the Castle.</i></p> + +<p class="noindent"><i>The</i> COUNTESS, <i>the</i> MARQUIS, <i>and</i> DON +ANTONIO <i>discovered sitting</i>.</p></div> + +<p><span class="smallcaps">Antonio.</span> And so, my Lord, you once thought +of the army—Do you think you should stand +your ground in a battle. (<i>Laughing to himself.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Sir! (<i>Surprized.</i>)</p> + +<p><span class="smallcaps">Antonio.</span> (<i>Aside.</i>) Damn me but she has a +good leg.</p> + +<p><span class="smallcaps">Countess.</span> Your Lordship seems formed for +the service of a softer Deity; an occupation less +perilous than that of war.</p> + +<p><span class="smallcaps">Antonio.</span> Aye, that you do.</p> + +<p><span class="smallcaps">Marquis.</span> Pardon me, Madam, the Deity you +allude to, I fear may be yet more fatal, unless you +will kindly fight on my side.</p> + +<p><span class="smallcaps">Antonio.</span> Ha, ha, ha, I can't help laughing +to think what a pretty soldier you would make—You +look vastly like a soldier to be sure.—Ha, +ha, ha.</p> + +<p><span class="smallcaps">Marquis.</span> Why not, Sir? (<i>Angrily.</i>)</p> + +<p><span class="smallcaps">Antonio.</span> Nay, no offence—Damn me if I +should not like to command a whole regiment of +you—and I would go upon some new achievements—For +instance, say the enemy were Hotten-tots, +I would undertake to poison them all by +the scent of perfumes from my army—or in case +of a repulse, would engage at any time to raise a +mist, and escape pursuit, only by commanding +every man to shake his head, and discharge the +powder.</p> + +<p><span class="smallcaps">Marquis.</span> Upon my word, Sir, you are very +pleasant. (<i>Forcing a smile.</i>)</p> + +<p><span class="smallcaps">Antonio.</span> I am very glad your Lordship thinks +so.</p> + +<p> </p> +<p class="center"><i>Enter</i> SERVANT.</p> + +<p><span class="smallcaps">Servant.</span> (<i>To Antonio.</i>) Sir, you are wanted +by a gentleman in the parlour.</p> + +<p><span class="smallcaps">Antonio.</span> Pshaw—I'm busy—Who is it?—(<i>Servant +whispers.</i>) Well then I must come. +(<i>Exit Servant.</i>) My Lord I take my leave for a +minute, but I shall soon be back. (<i>Aside.</i>) How +like a man she looks—Impudent hussey. <span class="ex">[<i>Exit.</i></span></p> + +<p><span class="smallcaps">Marquis.</span> Your uncle's behaviour, Madam, +has something in it rather extraordinary—I hope +I have not in any means offended him?</p> + +<p><span class="smallcaps">Countess.</span> I can conceal my knowledge of +her no longer. (<i>Aside.</i>) Oh no, my dear, not +at all.</p> + +<p><span class="smallcaps">Marquis.</span> My dear! (<i>Aside.</i>)</p> + +<p><span class="smallcaps">Countess.</span> I declare I like you so well—so +much better than I expected—I can no longer +treat you with cold reserve—Come sit down. (<i>They sit.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> How kind is this! (<i>Drawing his +chair near to her.</i>)</p> + +<p><span class="smallcaps">Countess.</span> (<i>Looking at him from head to foot.</i>) +Ha, ha, ha, ha, ha. I protest I can't help laughing—Ha, +ha, ha, ha, ha.</p> + +<p><span class="smallcaps">Marquis.</span> Ha, ha, ha, ha—I protest no +more can I—Sure fate directed me to this heavenly +spot, where ceremony has no share in politeness.</p> + +<p><span class="smallcaps">Countess.</span> And did you suppose I should use +any ceremony with such a sweet, sweet fellow as +you?</p> + +<p><span class="smallcaps">Marquis.</span> Egad, I'll use no ceremony either. +(<i>Aside.</i>) Thus, on my knees, let me pour my +thanks.</p> + +<p><span class="smallcaps">Countess.</span> Oh you artful creature! (<i>Stroking +his cheek.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Art! I disclaim it—and so do you.—You +are all pure nature.</p> + +<p><span class="smallcaps">Countess.</span> Well, I positively do think you +one of the cleverest of your whole sex.</p> + +<p><span class="smallcaps">Marquis.</span> Thank you—Thank you—my +dearest creature. (<i>Kissing her hand.</i>)</p> + +<p><span class="smallcaps">Countess.</span> So negligent—so easy—not the +lead awkward or embarrassed!</p> + +<p><span class="smallcaps">Marquis.</span> Egad, I think you as little embarrassed +to the full. (<i>Aside.</i>) My dear Madam, +your charming society has inspired me. (<i>Salutes +her.</i>)</p> + +<p><span class="smallcaps">Countess.</span> Now, if you were really a <i>man</i>, +what would you <i>deserve</i> for that?</p> + +<p><span class="smallcaps">Marquis.</span> Madam! (<i>Astonished.</i>)</p> + +<p><span class="smallcaps">Countess.</span> I say, if you were <i>really</i> a man, +what would you deserve for that freedom?</p> + +<p><span class="smallcaps">Marquis.</span> <i>Really</i> a man! Why?—What?—Don't +I look like a man?</p> + +<p><span class="smallcaps">Countess.</span> Yes—that you do—and a sweet +pretty man—Come, come, don't be frightened—shake +hands—I forgive you—forgive you all your +impertinence—and, carry the jest as far as you +will, I am resolved not to be angry.</p> + +<p><span class="smallcaps">Marquis.</span> I am very much obliged to you—infinitely +obliged to you—I assure you this favour—this +honour.—I don't know what to say—She +absolutely puts me out of countenance. (<i>Aside.</i>)</p> + +<p><span class="smallcaps">Countess.</span> What confused?—Come, resume +your gaiety—Come, come—</p> + +<p><span class="smallcaps">Marquis.</span> Come, come, then. (<i>seizing her.</i>)</p> + +<p> </p> +<p class="center"><i>Enter</i> DON ANTONIO.</p> + +<p><span class="smallcaps">Antonio.</span> Hah!—What! Struggling?</p> + +<p><span class="smallcaps">Countess.</span> Oh, Uncle, I have been so ill-used +by this Gentleman, that I must beg you will +resent his behaviour.</p> + +<p><span class="smallcaps">Marquis.</span> How!</p> + +<p><span class="smallcaps">Antonio.</span> Certainly, my dear, if you <i>have</i> been +used ill.</p> + +<p><span class="smallcaps">Countess.</span> Most scandalously—Frighten her a +little. (<i>Aside to Antonio.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Upon my honour, Sir—</p> + +<p><span class="smallcaps">Antonio.</span> Zounds, Sir, my niece is one of the +most reserved, prudent young women—and whosoever +offers an insult to her, it is my place, and +consistent but with my honour, to resent it.—How +white she looks. (<i>Aside.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Sir, I shall not draw my sword before +the Countess, and therefore I beg you will +put up your's.</p> + +<p><span class="smallcaps">Antonio.</span> And so I will, my poor Lady—I +see it has frightened you—Here, Niece, have you +any hartshorn or drops at hand—the poor thing +is terrified out of her life. Come, come, my poor +little creature—Poor thing—Poor rogue. (<i>He +goes up to sooth him, and the Marquis gives him a +blow.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Don Antonio, this insolence shall +receive the correction it deserves. (<i>Draws.</i>)</p> + +<p><span class="smallcaps">Countess.</span> She is not in earnest, sure. (<i>Aside.</i>)</p> + +<p><span class="smallcaps">Antonio.</span> I have received many a blow from +a Lady, but never such a one as this!</p> + +<p><span class="smallcaps">Marquis.</span> Do you dare to call me a Lady +again, Sir?</p> + +<p><span class="smallcaps">Antonio.</span> A Lady, oh no—you are a tyger, +a fury—</p> + +<p><span class="smallcaps">Marquis.</span> I never met with such usage!—Damnation!</p> + +<p><span class="smallcaps">Antonio.</span> What a profligate she is! I did +not think such a word could come out of a woman's +mouth!</p> + +<p><span class="smallcaps">Marquis.</span> How, Sir!—Dare to say that again, +and I'll nail you to the wall.</p> + +<p><span class="smallcaps">Antonio.</span> (<i>Retreating.</i>) Why, what is all +this about? I won't fight—I only drew my sword +to frighten you.</p> + +<p><span class="smallcaps">Marquis.</span> To frighten me!—Did you think I +was to be frightened?</p> + +<p><span class="smallcaps">Antonio.</span> Why not? You see I am.</p> + +<p><span class="smallcaps">Marquis.</span> Yes, I see, and scorn you for it.</p> + +<p><span class="smallcaps">Countess.</span> Why, Uncle, the tables are fairly +turned upon you.</p> + +<p><span class="smallcaps">Antonio.</span> Yes, Niece, and I'm much obliged +to you, for your advice in the business—But you +may depend upon it, I shall take care how I +attempt to frighten one of your sex again. (<i>Going.</i>)</p> + +<p><span class="smallcaps">Marquis.</span> Come back, Sir, I insist upon your +coming back, and recalling what you have said—I +insist upon your begging me pardon for your impertinent +insinuation.—</p> + +<p><span class="smallcaps">Antonio.</span> What insinuation?—That I think +you a female?—I am sure there is no offence +meant in that—for, when I suppose you a woman, +I suppose you what I like better than anything +in the world; what I am never happy without; +and what I even make myself poor, despised, +and ridiculous, in the daily pursuit of.</p> + +<p><span class="smallcaps">Marquis.</span> And pray, Sir, in what, do I appear +like a woman?</p> + +<p><span class="smallcaps">Antonio.</span> And pray, Sir, in what, does any +of our modern coxcombs appear like a man? +and yet they don't scruple to call themselves +men.</p> + +<p><span class="smallcaps">Marquis.</span> Then you will not recall your +sentiments and beg my pardon?</p> + +<p><span class="smallcaps">Antonio.</span> Beg your pardon?—No—Yes, yes—Put +on your petticoats, and I'll fall at your feet +as soon as you please.—</p> + +<p><span class="smallcaps">Marquis.</span> I'll bear this no longer—Draw. (<i>Marquis draws.</i>)</p> + +<p><span class="smallcaps">Antonio.</span> Here Jerome, Jerome, come and +defend me, where it would be a dishonour to defend +myself.</p> +<p> </p> +<p class="center"><i>Enter</i> JEROME.</p> + +<p><span class="smallcaps">Antonio.</span> See, Jerome, how my life is assailed.</p> + +<p><span class="smallcaps">Jerome.</span> Aye, your Honour, I always told +you the women would be the death of you at +last.</p> + +<p><span class="smallcaps">Marquis.</span> You too, rascal!—</p> + +<p><span class="smallcaps">Jerome.</span> Well, I declare with her sword in +her hand, she is as fine a creature as ever I saw!—Oh +you audacious minx.</p> + +<p><span class="smallcaps">Marquis.</span> Scoundrel—</p> + +<p><span class="smallcaps">Jerome.</span> Sure, your Honour, she must be the +Maid of Orleans.</p> + +<p><span class="smallcaps">Marquis.</span> I am no maid, Sir.</p> + +<p><span class="smallcaps">Jerome.</span> I am sorry for your misfortune.</p> + +<p><span class="smallcaps">Marquis.</span> Don Antonio, this treatment I +suppose you inflict as a just recompence for my +presumption in daring to hope for an alliance in +your family, spite of the prejudice which I knew +the Countess had conceived—I cannot deny the +justice of the accusation—I came into her house +with the vain hope<span class="nowrap">——</span></p> + +<p><span class="smallcaps">Countess.</span> By no means <i>vain</i>—I am ready to +comply, be your hopes what they will.</p> + +<p><span class="smallcaps">Marquis.</span> Can I believe what you say real?</p> + +<p><span class="smallcaps">Countess.</span> Certainly—Were you going to say +you hoped to marry me? If you were, call the +Priest, and we'll be married immediately.</p> + +<p><span class="smallcaps">Antonio.</span> Aye, if that is what your Lordship +wants, the Priest shall tack you together in +five minutes.</p> + +<p><span class="smallcaps">Marquis.</span> This sudden consent staggers me—I +was not prepared for it—one likes a little preparation +before marriage as well as before death. (<i>Aside.</i>)</p> + +<p><span class="smallcaps">Countess.</span> What! you are cast down—alarmed—want +to recant—but I won't let you—You +<i>shall</i> marry me—I insist upon it.</p> + +<p><span class="smallcaps">Marquis.</span> What, directly?</p> + +<p><span class="smallcaps">Countess.</span> Yes, directly—I am in a hurry.</p> + +<p><span class="smallcaps">Marquis.</span> I believe this is mere trifling—Swear +you will marry me.</p> + +<p><span class="smallcaps">Countess.</span> I do swear.</p> + +<p><span class="smallcaps">Marquis.</span> You are witness to the oath.</p> + +<p><span class="smallcaps">Antonio and Jerome.</span> We are witness.</p> +<p> </p> +<p class="center"><i>Enter</i> SERVANT <i>with</i> DONNA ISABELLA <i>veiled</i>.</p> + +<p><span class="smallcaps">Servant.</span> A Lady, Madam, who says she is +sister to the Marquis.</p> + +<p><span class="smallcaps">Countess.</span> Has the Marquis more sisters than +one?</p> + +<p><span class="smallcaps">Marquis.</span> No.</p> + +<p><span class="smallcaps">Antonio.</span> Then this, I suppose, is your brother?</p> + +<p><span class="smallcaps">Jerome.</span> Aye, in women's clothes—O dear, +another fine sight!</p> + +<p><span class="smallcaps">Countess.</span> Oh Heavens, if it is a man, take +him out of the room or I shall faint.</p> + +<p><span class="smallcaps">Marquis.</span> Sister Isabella, when I shall relate +to you the strange reception I have met with in +this house, you will be amazed—but I think you +will sincerely rejoice at the final event of my visit, +when I tell you it is a solemn promise from this +Lady to become my wife.</p> + +<p><span class="smallcaps">Isabel.</span> I give you joy most unfeignedly. (<i>Pulls off her veil.</i>).</p> + +<p><span class="smallcaps">Countess.</span> It is a <i>woman</i>.</p> + +<p><span class="smallcaps">Antonio.</span> Aye, that it is—Madam, let me bid +you welcome to the castle. (<i>Goes and salutes her.</i>)</p> + +<p><span class="smallcaps">Countess.</span> (<i>To the Marquis.</i>) Why, what +are you—(<i>After trembling as if much terrified</i>) an't +<i>you</i> a woman?</p> + +<p><span class="smallcaps">Isabel.</span> Countess, I knew you never would +have consented to have seen the Marquis, had he +been introduced into the house as a man, therefore +I formed this stratagem, unknown to him, thus +to bring you together.</p> + +<p><span class="smallcaps">Marquis.</span> (<i>To the Countess.</i>) Do not droop, +my dearest wife.</p> + +<p><span class="smallcaps">Countess.</span> And are you really the Marquis? +What a strange blunder have I made!</p> + +<p><span class="smallcaps">Marquis.</span> I am the Marquis—and it shall be +my future care to banish for ever from your memory, +the recollection of that marriage which has +been the source of so much woe to you.</p> + +<p><span class="smallcaps">Antonio.</span> Donna Isabella, we are all infinitely +obliged to you for this stratagem, by which you +have induced the Countess, innocently to break a +vow, which she could not have kept without drawing +upon herself both ridicule and melancholy—My +dear Niece, depend upon it, there is but <i>one</i> +vow a woman is authorized to take.</p> + +<p><span class="smallcaps">Countess.</span> And what vow is that <i>one</i> Uncle?</p> + +<p><span class="smallcaps">Antonio.</span> A vow to <span class="smallcaps">LOVE</span>, <span class="smallcaps">HONOUR</span> and <span class="smallcaps">OBEY</span>.</p> + +<p class="right">[<i>Exeunt omnes.</i></p> + +<h4><span class="wide">THE END.</span></h4> +<p> </p> +<hr class="minimal" /> +<p> </p> + +<div class="center"> +<p class="noindent"> +<span class="small">Just published, by</span> G. G. J. <span class="small">and</span> J. ROBINSON,<br /> +<br /> +I'LL TELL YOU WHAT!<br /> +<br /> +A COMEDY, <span class="small">in Five Acts,</span><br /> +<span class="small">As performed at the Theatre-Royal in the Hay-Market;</span><br /> +<span class="small">By Mrs.</span> <span class="wide">INCHBALD</span>.<br /> +<span class="small">Price One Shilling and Sixpence,</span><br /> +<br /> +APPEARANCE IS AGAINST THEM,<br /> +A FARCE, <span class="small">Price One Shilling,</span><br /> +<span class="small">By the same </span>AUTHOR.<br /> +<br /> +<span class="small">ALSO,</span><br /> +DUPLICITY,<br /> +<span class="small">AND</span><br /> +THE FOLLIES OF A DAY,<br /> +<span class="wide">COMEDIES;</span><br /> +THE NOBLE PEASANT,<br /> +<span class="small">AND</span><br /> +THE CHOLERIC FATHERS,<br /> +<span class="wide">OPERAS,</span><br /> +<span class="small">By</span> THOMAS HOLCROFT;<br /> +<span class="small">Price One Shilling and Sixpence each.</span><br /> +<br /> +<span class="small">LIKEWISE,</span><br /> +THE SCOTTISH VILLAGE; or,<br /> +PITCAIRN-GREEN,<br /> +A POEM,<br /> +<span class="small">By Mrs.</span> COWLEY,<br /> +<span class="small">Price Two Shillings.</span><br /> +</p> +</div> +<p> </p> +<hr class="minimal" /> +<p> </p> +<table class="sm" border="0" style="background-color: #E6F6FA; margin: 0 auto" cellspacing="2" cellpadding="4" summary="NOTES"> +<tr> +<td colspan="2"> + <div class="center">TRANSCRIBER'S NOTE</div> + +<p style="background-color: #E6F6FA"> +In a few instances, missing punctuation has been added and the occasional comma at the +end of speech changed to a full stop.</p> + +<p>The misspelling of the name Antonio as Antonis on the character's first +entrance has been corrected. In the prologue, the spelling theee has +been retained, since this is presumably part of the mimicry (the word is +evidently "the" rather than "thee").</p> +</td> +</tr> +</table> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Widow's Vow, by Elizabeth Inchbald + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WIDOW'S VOW *** + +***** This file should be named 35959-h.htm or 35959-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/5/9/5/35959/ + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> |