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+ <title>
+ The Project Gutenberg eBook of Child's Own Book of Great Musicians LISTZ by Thomas Tapper..
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+<pre>
+
+The Project Gutenberg EBook of Child's Own Book of Great Musicians: Liszt, by
+Thomas Tapper
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Child's Own Book of Great Musicians: Liszt
+
+Author: Thomas Tapper
+
+Release Date: March 17, 2011 [EBook #35601]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK CHILD'S BOOK--GREAT MUSICIANS: LISZT ***
+
+
+
+
+Produced by Juliet Sutherland, Ernest Schaal, and the
+Online Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class="figcenter">
+<img src="images/cover.png"
+alt="CHILD'S OWN BOOK
+of Great Musicians
+LISZT
+
+By
+THOMAS TAPPER
+
+THEODORE PRESSER CO.
+1712 CHESTNUT STREET
+PHILADELPHIA"
+title="CHILD'S OWN BOOK
+of Great Musicians
+LISZT
+
+By
+THOMAS TAPPER
+
+THEODORE PRESSER CO.
+1712 CHESTNUT STREET
+PHILADELPHIA"/>
+</div>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/002.png" alt="binding diagram" title="binding diagram" />
+</div>
+
+<p class="h2">Directions for Binding</p>
+
+<p>Enclosed in this envelope is the cord and the
+needle with which to bind this book. Start in from
+the outside as shown on the diagram here. Pass the
+needle and thread through the center of the book,
+leaving an end extend outside, then through to the
+outside, about 2 inches from the center; then from
+the outside to inside 2 inches from the center at the
+other end of the book, bringing the thread finally
+again through the center, and tie the two ends in a
+knot, one each side of the cord on the outside.</p>
+
+<p class="h3">THEO. PRESSER CO., Pub's., Phila., Pa.</p>
+
+<hr class="hr2"/>
+
+<p class="h2">HOW TO USE THIS BOOK</p>
+
+<hr />
+
+<p class="noindent">This book is one of a series known as the CHILD'S OWN
+BOOK OF GREAT MUSICIANS, written by Thomas
+Tapper, author of "Pictures from the Lives of the Great Composers
+for Children," "Music Talks with Children," "First
+Studies in Music Biography," and others.</p>
+
+<p>The sheet of illustrations included herewith is to be cut
+apart by the child, and each illustration is to be inserted in its
+proper place throughout the book, pasted in the space containing
+the same number as will be found under each picture on the
+sheet. It is not necessary to cover the entire back of a picture
+with paste. Put it only on the corners and place neatly within
+the lines you will find printed around each space. Use photographic
+paste, if possible.</p>
+
+<p>After this play-work is completed there will be found at
+the back of the book blank pages upon which the child is to
+write his own story of the great musician, based upon the facts
+and questions found on the previous pages.</p>
+
+<p>The book is then to be sewed by the child through the
+center with the cord found in the enclosed envelope. The book
+thus becomes the child's own book.</p>
+
+<p>This series will be found not only to furnish a pleasing and
+interesting task for the children, but will teach them the main
+facts with regard to the life of each of the great musicians&mdash;an
+educational feature worth while.</p>
+
+<hr />
+
+<p>This series of the Child's Own Book of Great Musicians
+includes at present a book on each of the following:</p>
+
+<table style="width:90%;" border="0" summary="operas">
+<tr>
+ <td>Bach</td>
+ <td>MacDowell</td>
+</tr>
+<tr>
+ <td>Beethoven</td>
+ <td>Mendelssohn</td>
+</tr>
+<tr>
+ <td>Brahms</td>
+ <td>Mozart</td>
+</tr>
+<tr>
+ <td>Chopin</td>
+ <td>Schubert</td>
+</tr>
+<tr>
+ <td>Grieg</td>
+ <td>Schumann</td>
+</tr>
+<tr>
+ <td>Handel</td>
+ <td>Tschaikowsky</td>
+</tr>
+<tr>
+ <td>Haydn</td>
+ <td>Verdi</td>
+</tr>
+<tr>
+ <td>Liszt</td>
+ <td>Wagner</td>
+</tr>
+</table>
+
+<p class="smfontcenter">Printed in the U.S.A.</p>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/page1.png" alt="Page one of illustrations" title="Page one of illustrations" />
+</div>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/page2.png" alt="Page two of illustrations" title="Page two of illustrations" />
+</div>
+
+<hr class="hr2"/>
+
+<div class="bbox">
+<p class="h2">Franz Liszt</p>
+
+<p class="center">The Story of a Boy Who Became<br />
+a Great Pianist and Teacher</p>
+
+<hr />
+
+<p class="center">This Book was made by</p>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<p>&nbsp;</p>
+
+<hr />
+
+<p class="cursivecenter">Philadelphia<br />
+Theodore Presser Co.<br />
+1712 Chestnut Str.</p>
+</div>
+
+<p class="smfontcenter"><span class="smcap">Copyright 1921, by Theo. Presser Co.</span><br />
+British Copyright Secured</p>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/illus01.png"
+alt="No. 1 Cut the picture of Franz
+Liszt from the picture sheet.
+Paste in here.
+
+Write full name and dates
+beneath."
+title="No. 1 Cut the picture of Franz
+Liszt from the picture sheet.
+Paste in here.
+
+Write full name and dates
+beneath." />
+</div>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<p class="center">BORN</p>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<p class="center">DIED</p>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<hr class="hr2"/>
+
+<p><span class="pagenum">[Pg&nbsp;3]</span></p>
+
+<p class="h2">The Story of a Boy Who Became a Great<br />
+Pianist and Teacher</p>
+
+<p>This is the house in which was born a little boy
+who became a famous pianist and a great teacher.
+This house is in Raiding, in Hungary.</p>
+
+<div class="figcenter">
+<img src="images/illus02.png" alt="No. 2" title="No. 2" /><br />
+<span class="caption">HOUSE IN WHICH FRANZ LISZT WAS BORN</span>
+</div>
+
+<p>Now-a-days there is a little tablet over the door,
+which tells us that Franz Liszt was born in this house,
+on the Twenty-second Day of
+October, 1811.</p>
+
+<div class="figcenter">
+<img src="images/illus03.png" alt="No. 3" title="No. 3" /><br />
+<span class="caption">JOSEPH HAYDN</span>
+</div>
+
+<p>Do you remember that once
+upon a time Joseph Haydn lived
+as court musician in the Esterhazy
+family? He wore a tie wig
+and a wonderful bright uniform;
+for he was master of the music
+in that great house.</p>
+
+<p><span class="pagenum">[Pg&nbsp;4]</span></p>
+
+<p>Now, long after Joseph Haydn's time, Adam
+Liszt, father of Franz, lived with the Esterhazy's.
+He was the family steward, having charge of all the
+property.</p>
+
+<p>And, too, he loved music. So we may believe
+that he told his little boy, Franz, about the great
+master Haydn. For Adam Liszt was not only a
+lover of music but he gave his son his first lessons in
+piano playing. Liszt's mother was of German blood.
+She was born in lower Austria.</p>
+
+<div class="figcenter">
+<img src="images/illus04.png" alt="No. 4" title="No. 4" />
+<img src="images/illus05.png" alt="No. 5" title="No. 5" /><br />
+<span class="caption">LISZT&#39;S MOTHER AND FATHER</span>
+</div>
+
+<p>Little Franz practiced so faithfully and so eagerly,
+I am sure, that when he was only nine years of age
+he gave a concert in public. He played so well that
+some good friends offered to send him to Vienna
+where he could continue his studies.</p>
+
+<p>And so the little boy left home and began the
+studies that led him to become the greatest pianist
+of his time. His piano teacher was a man of whom almost
+everybody knows. Does he not have a round,
+good-natured face? And does he not look kind? Well,
+he could be severe when his pupil's lessons did not
+please him.</p>
+
+<p><span class="pagenum">[Pg&nbsp;5]</span></p>
+
+<p>His name was Carl Czerny. Here is his picture.</p>
+
+<div class="figcenter">
+<img src="images/illus06.png" alt="No. 6" title="No. 6" /><br />
+<span class="caption">CARL CZERNY</span>
+</div>
+
+<p>On New Year's day of the year that little Franz
+was eleven years old he played in public in Vienna.
+It must have been a wonderful occasion. All the great
+people were there; and among them was one who was
+greatest of all, Beethoven.</p>
+
+<div class="figcenter">
+<img src="images/illus07.png" alt="No. 7" title="No. 7" /><br />
+<span class="caption">BEETHOVEN</span>
+</div>
+
+<p>Then Adam Liszt thought his boy should go to
+Paris. He wished him to become a student in the conservatory
+there. But its director, Cherubini, refused
+to admit Franz to the classes. So, like most of us,
+he studied with a private teacher. Also, he traveled
+to England and to all the countries of Europe, giving
+concerts. His fame was becoming greater and his
+<span class="pagenum">[Pg&nbsp;6]</span>
+playing was the delight of all who heard him. Here
+are two pictures of Franz as a boy. He dressed differently
+from boys of to-day. But do you not think
+his face is a fine one? Full of light and life and eagerness?</p>
+
+<div class="figcenter">
+<img src="images/illus08.png" alt="No. 8" title="No. 8" />
+<img src="images/illus09.png" alt="No. 9" title="No. 9" /><br />
+<span class="caption">LISZT AS A BOY</span>
+</div>
+
+<p>Franz was only sixteen years old when his father
+died. They had been good comrades, had traveled
+together and talked with one another about music
+and musicians. The boy must have grieved keenly
+over the loss of so good and kind a companion as his
+father had been. But he went earnestly to work to
+earn a living for his mother and himself. He knew
+many famous people and we may be sure that everyone
+helped him. Here are two of Franz's friends of
+that time.</p>
+
+<div class="figcenter">
+<img src="images/illus10.png" alt="No. 10" title="No. 10" />
+<img src="images/illus11.png" alt="No. 11" title="No. 11" /><br />
+<span class="caption">VICTOR HUGO - F. CHOPIN</span>
+</div>
+
+<hr />
+
+<p><span class="pagenum">[Pg&nbsp;7]</span></p>
+
+<div class="figcenter">
+<img src="images/illus12.png" alt="No. 12" title="No. 12" /><br />
+<span class="caption">AT THE PIANO</span>
+</div>
+
+<p>I am sure you will like
+to know how Liszt looked
+as he sat at the piano. Here
+he sits playing. You see he
+had only a simple kind of
+piano. But he mastered it
+so thoroughly that he could
+make people wonder at his
+art. That is what we learn
+from the lives of famous
+people. They are always
+true to their talent.</p>
+
+<p>After Liszt had traveled
+many years over Europe
+(he never visited the United States), he became conductor
+at the Court Theatre at Weimar. This new
+music work interested him so much that he gave up
+travel as a concert pianist. He helped many composers
+by having their operas performed at the
+Weimar Theatre. Some of the operas that had
+their first performance there are now famous
+indeed.</p>
+
+<p>Among these were "Lohengrin," "Tannhauser"
+and "The Flying Dutchman" by Richard Wagner.</p>
+
+<div class="figcenter">
+<img src="images/illus13.png" alt="No. 13" title="No. 13" />
+<img src="images/illus14.png" alt="No. 14" title="No. 14" />
+<img src="images/illus15.png" alt="No. 15" title="No. 15" /><br />
+<span class="caption">R. WAGNER - R. SCHUMANN - F. SCHUBERT</span>
+</div>
+
+<p><span class="pagenum">[Pg&nbsp;8]</span></p>
+
+<p>Then there were "Genoveva" and "Manfred" by
+Robert Schumann. Also "Alfonzo and Estrella" by
+Franz Schubert was given. It would have delighted
+Schubert's heart if he could have heard this; but he,
+poor man, had died some years before.</p>
+
+<p>Then Liszt did something else at Weimar that endeared
+him to hosts of pianists. He held classes and
+taught the secrets of his wonderful playing to those
+who were talented and could understand. He was
+the soul of generosity. When someone, who was
+gifted but could not pay, came for advice, he gave it
+freely. When concerts did not pay, he himself often
+took the loss so that others should not suffer.</p>
+
+<p>Is it not wonderful to think of a man, so loved by
+the public, giving with such great generosity? Truly
+it is better to give than to receive.</p>
+
+<div class="figcenter">
+<img src="images/illus16.png" alt="No. 16" title="No. 16" /><br />
+<span class="caption">LISZT AND SOME FAMOUS PUPILS<br />
+S. Liebling - Rosenthal - Liszt - Dora - Peterson<br />
+Siloti - Ans der Ohe - Sauer - Gottschlag<br />
+Friedheim - Reisenauer</span>
+</div>
+
+<p><span class="pagenum">[Pg&nbsp;9]</span>
+All good and wonderful things live on forever.
+Even though Liszt moved from Weimar, spending
+his last years in Budapest, Rome and elsewhere, he
+was not idle. There was always a circle of people
+about him. And always his full-hearted, generous
+nature kept him at work for the good of others. He
+reminds us of Beethoven who once said, "Composing
+is a capital thing. For instance if a friend is in distress
+and I have no money at hand to help him, I can sit
+down and compose something which I can sell and
+so relieve him." It seems that Franz Liszt thought the
+same for he was forever helping someone else.</p>
+
+<p>We have already seen how Liszt looked as he sat
+at the piano (see picture No. 12). This is Liszt at the
+conductor's stand. Do you see his baton and the score
+on the desk? And the position of the left hand?
+When Liszt conducted the orchestra the players
+watched every movement of his hands and every look
+of his eyes so as to play just as he desired.</p>
+
+<div class="figcenter">
+<img src="images/illus17.png" alt="No. 17" title="No. 17" /><br />
+<span class="caption">LISZT AS CONDUCTOR</span>
+</div>
+
+<p><span class="pagenum">[Pg&nbsp;10]</span>Franz Liszt was kind to all people
+who came to him. There was
+one musician, however, for whom
+he did a great deal. You know
+him for he composed many operas.
+One of them is called "Parsifal."
+Another is "The Flying Dutchman."
+Place his picture here and
+write his name beneath.</p>
+
+<div class="figcenter">
+<img src="images/illus18.png" alt="No. 18" title="No. 18" />
+</div>
+
+<p>Some day the operas of Richard
+Wagner will give you great pleasure.
+At first they were not liked by the public. Wagner
+had few friends and his life was very hard. But
+Franz Liszt believed in him and in his work. And so
+he helped him.</p>
+
+<p>At first Wagner did not like Liszt. He once said,
+"I never repeated my first call on Liszt." By this he
+meant that he wished the acquaintance to end. When
+Liszt realized that Wagner did not care to understand
+him, he tried his best to keep the friendship secure.
+Liszt never wished to misunderstand another human
+being. So, it was not long before Wagner's opinion of
+Liszt changed, for he said, later, "Through the love
+of this rarest friend I gained a real home for my art."</p>
+
+<div class="figcenter">
+<img src="images/illus19.png" alt="No. 19" title="No. 19" /><br />
+<span class="caption">LISZT&#39;S HAND</span>
+</div>
+
+<p>There is one thing true for us all. We carry our
+early thoughts along with us all through life. The
+<span class="pagenum">[Pg&nbsp;11]</span>
+friends we make from youth and the thoughts we
+think from youth are always at hand to bless us if we
+have done wisely.</p>
+
+<p>Once when little Franz was thirteen years old he
+played before the English King, George IV. Sixty
+years later we see him again, once more the guest of
+the English people.</p>
+
+<p>It is pleasant to think of Liszt meeting again and
+again the friends of his boyhood. When he went to
+England, on this occasion, he was quite an old man. As
+he stepped out upon the stage to play, for the last time,
+everybody, even the people outside of the hall, who
+could not get in, shouted themselves hoarse. Those
+within rose to greet him with tears and cheers that
+are given only to the kings of the earth.</p>
+
+<div class="figcenter">
+<img src="images/illus20.png" alt="No. 20" title="No. 20" /><br />
+<span class="caption">LISZT IN LATER LIFE</span>
+</div>
+
+<p>While we know of this artist chiefly as a great
+pianist, we shall learn, as we grow older, that he was
+a great composer as well. He wrote music for piano,
+for orchestra, for the voice. There are symphonies,
+masses, oratorios and cantatas. Once, as a boy, he
+met Franz Schubert in Vienna. In later years he arranged
+<span class="pagenum">[Pg&nbsp;12]</span>
+many of Schubert's songs in a truly beautiful
+way for the piano,&mdash;songs like the "Erl King," "Thou
+Art My Peace," "Hark, Hark the Lark."</p>
+
+<p>So we may end by saying that Franz Liszt was a
+great man who remained simple and big-hearted all
+his life, and one whom the world loved for what he
+did.</p>
+
+<div class="figcenter">
+<img src="images/illus21.png" alt="No. 21" title="No. 21" /><br />
+<span class="caption">LISZT&#39;S HAND WRITING</span>
+</div>
+
+<hr />
+
+<p class="h2">FACTS ABOUT FRANZ LISZT</p>
+
+<p>Read these facts about Franz Liszt and try to
+make a story about him, in your own language.</p>
+
+<p>When your story is done, and you have improved
+it all you can, copy it in pages 14, 15, and 16 of this
+book.</p>
+
+<p>1. Franz Liszt was born in Raiding, in Hungary.</p>
+
+<p>2. His birthday is October 22, 1811.</p>
+
+<p>3. His father was his first teacher.</p>
+
+<p>4. He studied piano in Vienna with Carl Czerny.</p>
+
+<p>5. Then he went to Paris.</p>
+
+<p>6. Among Liszt's boyhood friends were Beethoven,
+Schubert and Chopin.</p>
+
+<p>7. After many years as a concert pianist, Liszt
+became opera conductor at Weimar.</p>
+
+<p><span class="pagenum">[Pg&nbsp;13]</span>
+8. He brought out many of the operas of Richard
+Wagner.</p>
+
+<p>9. He was a great teacher of piano, and many
+people from Europe and from the United States
+studied with him.</p>
+
+<p>10. He composed many fine works.</p>
+
+<p>11. Among them are arrangements of many of
+Schubert's songs.</p>
+
+<p>12. Liszt died in Rome in 1886. He was seventy-five
+years old.</p>
+
+<p>13. Liszt wrote the life of his friend Frederic
+Chopin.</p>
+
+<p>14. It has been said that no musician ever lived
+who did so much for others as Franz Liszt.</p>
+
+<hr />
+
+<p class="h2">SOME QUESTIONS.</p>
+
+<p>1. When and where was Franz Liszt born?</p>
+
+<p>2. Who was his first teacher?</p>
+
+<p>3. What was his father's occupation? In what
+family did he live?</p>
+
+<p>4. Where was his mother born?</p>
+
+<p>5. With whom did Franz study piano in Vienna?</p>
+
+<p>6. What famous musician did he meet in Vienna?</p>
+
+<p>7. Name two or three people whom he met in
+Paris.</p>
+
+<p>8. What great composer of opera did he assist?</p>
+
+<p>9. Name some operas that Liszt produced at
+Weimar.</p>
+
+<p>10. In what Italian city did Liszt live?</p>
+
+<p>11. Whose songs did he arrange for piano?</p>
+
+<p>12. What great musician's life was written by
+Franz Liszt?</p>
+
+<p>13. When and where did Franz Liszt die?</p>
+
+<p><span class="pagenum">[Pg&nbsp;14]</span></p>
+
+<hr class="hr2"/>
+
+<p class="h2">THE STORY OF FRANZ LISZT</p>
+
+<p>Written by . . . . . . . . . . . . . . . . . . . . . . . .</p>
+
+<p>On (date) . . . . . . . . . . . . . . . . . . . . . . . .</p>
+
+<div class="figcenter">
+<img src="images/illus22.png" alt="No. 22" title="No. 22" />
+</div>
+
+<hr class="hr2"/>
+
+<div class="tnote">
+
+<p class="h2a">Transcriber's Notes:</p>
+
+<hr />
+
+<p>This book has inconsistencies in the names, sometimes anglicizing names
+and sometimes not. These inconsistencies were not corrected.</p>
+
+<p>On page 16, a comma was added after "everybody".</p>
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Child's Own Book of Great Musicians:
+Liszt, by Thomas Tapper
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+</pre>
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+</body>
+</html>
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