summaryrefslogtreecommitdiff
path: root/355-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:49 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:49 -0700
commita2b4274c98aeaece212fbf2f1eb341b9fdf4b7ed (patch)
tree460621bdca2bd8d29ee7381b6b83b5a6cb2bd169 /355-h
initial commit of ebook 355HEADmain
Diffstat (limited to '355-h')
-rw-r--r--355-h/355-h.htm2949
1 files changed, 2949 insertions, 0 deletions
diff --git a/355-h/355-h.htm b/355-h/355-h.htm
new file mode 100644
index 0000000..f1216cf
--- /dev/null
+++ b/355-h/355-h.htm
@@ -0,0 +1,2949 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<HTML>
+<HEAD>
+
+<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
+
+<TITLE>
+The Parasite
+</TITLE>
+
+<STYLE TYPE="text/css">
+BODY { color: Black;
+ background: White;
+ margin-right: 5%;
+ margin-left: 10%;
+ font-size: medium;
+ font-family: "Times New Roman", serif;
+ text-align: justify }
+
+P {text-indent: 4% }
+
+P.noindent {text-indent: 0% }
+
+P.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: small }
+
+P.letter {font-size: small ;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.salutation {font-size: small ;
+ text-indent: 0%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.closing {font-size: small ;
+ text-indent: 0%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.footnote {font-size: small ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+P.transnote {font-size: small ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+P.index {font-size: small ;
+ text-indent: -5% ;
+ margin-left: 5% ;
+ margin-right: 0% }
+
+P.intro {font-size: medium ;
+ text-indent: -5% ;
+ margin-left: 5% ;
+ margin-right: 0% }
+
+P.dedication {text-indent: 0%;
+ margin-left: 15%;
+ text-align: justify }
+
+P.published {font-size: small ;
+ text-indent: 0% ;
+ margin-left: 15% }
+
+P.quote {font-size: small ;
+ text-indent: 4% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+P.report {font-size: small ;
+ text-indent: 4% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+P.report2 {font-size: small ;
+ text-indent: 4% ;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.finis { text-align: center ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+</STYLE>
+
+</HEAD>
+
+<BODY>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Parasite, by Arthur Conan Doyle
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Parasite
+
+Author: Arthur Conan Doyle
+
+Release Date: March 19, 2008 [EBook #355]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE PARASITE ***
+
+
+
+
+
+
+
+
+
+
+</pre>
+
+
+<BR><BR>
+
+<H1 ALIGN="center">
+THE PARASITE
+</H1>
+
+<H2 ALIGN="center">
+A Story
+</H2>
+
+<BR>
+
+<H3 ALIGN="center">
+BY
+</H3>
+
+<H2 ALIGN="center">
+A. CONAN DOYLE
+</H2>
+
+<BR>
+
+<H4 ALIGN="center">
+AUTHOR OF "THE REFUGEES" "MICAH CLARKE" ETC.
+</H4>
+
+<BR><BR><BR>
+
+<H4 ALIGN="center">
+1894
+</H4>
+
+<BR><BR><BR>
+
+<H2 ALIGN="center">
+CONTENTS
+</H2>
+
+<TABLE ALIGN="center" WIDTH="100%">
+<TR>
+<TD ALIGN="left" VALIGN="top" WIDTH="25%">
+<A HREF="#chap01">CHAPTER I</A>
+</TD>
+<TD ALIGN="left" VALIGN="top" WIDTH="25%">
+<A HREF="#chap02">CHAPTER II</A>
+</TD>
+<TD ALIGN="left" VALIGN="top" WIDTH="25%">
+<A HREF="#chap03">CHAPTER III</A>
+</TD>
+<TD ALIGN="left" VALIGN="top" WIDTH="25%">
+<A HREF="#chap04">CHAPTER IV</A>
+</TD>
+</TR>
+
+</TABLE>
+
+<BR><BR><BR>
+
+<A NAME="chap01"></A>
+<H1 ALIGN="center">
+THE PARASITE
+</H1>
+
+<H3 ALIGN="center">
+I
+</H3>
+
+<P>
+March 24. The spring is fairly with us now. Outside my laboratory
+window the great chestnut-tree is all covered with the big, glutinous,
+gummy buds, some of which have already begun to break into little green
+shuttlecocks. As you walk down the lanes you are conscious of the
+rich, silent forces of nature working all around you. The wet earth
+smells fruitful and luscious. Green shoots are peeping out everywhere.
+The twigs are stiff with their sap; and the moist, heavy English air is
+laden with a faintly resinous perfume. Buds in the hedges, lambs
+beneath them&mdash;everywhere the work of reproduction going forward!
+</P>
+
+<P>
+I can see it without, and I can feel it within. We also have our
+spring when the little arterioles dilate, the lymph flows in a brisker
+stream, the glands work harder, winnowing and straining. Every year
+nature readjusts the whole machine. I can feel the ferment in my blood
+at this very moment, and as the cool sunshine pours through my window I
+could dance about in it like a gnat. So I should, only that Charles
+Sadler would rush upstairs to know what was the matter. Besides, I
+must remember that I am Professor Gilroy. An old professor may afford
+to be natural, but when fortune has given one of the first chairs in
+the university to a man of four-and-thirty he must try and act the part
+consistently.
+</P>
+
+<P>
+What a fellow Wilson is! If I could only throw the same enthusiasm
+into physiology that he does into psychology, I should become a Claude
+Bernard at the least. His whole life and soul and energy work to one
+end. He drops to sleep collating his results of the past day, and he
+wakes to plan his researches for the coming one. And yet, outside the
+narrow circle who follow his proceedings, he gets so little credit for
+it. Physiology is a recognized science. If I add even a brick to the
+edifice, every one sees and applauds it. But Wilson is trying to dig
+the foundations for a science of the future. His work is underground
+and does not show. Yet he goes on uncomplainingly, corresponding with
+a hundred semi-maniacs in the hope of finding one reliable witness,
+sifting a hundred lies on the chance of gaining one little speck of
+truth, collating old books, devouring new ones, experimenting,
+lecturing, trying to light up in others the fiery interest which is
+consuming him. I am filled with wonder and admiration when I think of
+him, and yet, when he asks me to associate myself with his researches,
+I am compelled to tell him that, in their present state, they offer
+little attraction to a man who is devoted to exact science. If he
+could show me something positive and objective, I might then be tempted
+to approach the question from its physiological side. So long as half
+his subjects are tainted with charlatanerie and the other half with
+hysteria we physiologists must content ourselves with the body and
+leave the mind to our descendants.
+</P>
+
+<P>
+No doubt I am a materialist. Agatha says that I am a rank one. I tell
+her that is an excellent reason for shortening our engagement, since I
+am in such urgent need of her spirituality. And yet I may claim to be
+a curious example of the effect of education upon temperament, for by
+nature I am, unless I deceive myself, a highly psychic man. I was a
+nervous, sensitive boy, a dreamer, a somnambulist, full of impressions
+and intuitions. My black hair, my dark eyes, my thin, olive face, my
+tapering fingers, are all characteristic of my real temperament, and
+cause experts like Wilson to claim me as their own. But my brain is
+soaked with exact knowledge. I have trained myself to deal only with
+fact and with proof. Surmise and fancy have no place in my scheme of
+thought. Show me what I can see with my microscope, cut with my
+scalpel, weigh in my balance, and I will devote a lifetime to its
+investigation. But when you ask me to study feelings, impressions,
+suggestions, you ask me to do what is distasteful and even
+demoralizing. A departure from pure reason affects me like an evil
+smell or a musical discord.
+</P>
+
+<P>
+Which is a very sufficient reason why I am a little loath to go to
+Professor Wilson's tonight. Still I feel that I could hardly get out
+of the invitation without positive rudeness; and, now that Mrs. Marden
+and Agatha are going, of course I would not if I could. But I had
+rather meet them anywhere else. I know that Wilson would draw me into
+this nebulous semi-science of his if he could. In his enthusiasm he is
+perfectly impervious to hints or remonstrances. Nothing short of a
+positive quarrel will make him realize my aversion to the whole
+business. I have no doubt that he has some new mesmerist or
+clairvoyant or medium or trickster of some sort whom he is going to
+exhibit to us, for even his entertainments bear upon his hobby. Well,
+it will be a treat for Agatha, at any rate. She is interested in it,
+as woman usually is in whatever is vague and mystical and indefinite.
+</P>
+
+<P>
+10.50 P. M. This diary-keeping of mine is, I fancy, the outcome of
+that scientific habit of mind about which I wrote this morning. I like
+to register impressions while they are fresh. Once a day at least I
+endeavor to define my own mental position. It is a useful piece of
+self-analysis, and has, I fancy, a steadying effect upon the character.
+Frankly, I must confess that my own needs what stiffening I can give
+it. I fear that, after all, much of my neurotic temperament survives,
+and that I am far from that cool, calm precision which characterizes
+Murdoch or Pratt-Haldane. Otherwise, why should the tomfoolery which I
+have witnessed this evening have set my nerves thrilling so that even
+now I am all unstrung? My only comfort is that neither Wilson nor Miss
+Penclosa nor even Agatha could have possibly known my weakness.
+</P>
+
+<P>
+And what in the world was there to excite me? Nothing, or so little
+that it will seem ludicrous when I set it down.
+</P>
+
+<P>
+The Mardens got to Wilson's before me. In fact, I was one of the last
+to arrive and found the room crowded. I had hardly time to say a word
+to Mrs. Marden and to Agatha, who was looking charming in white and
+pink, with glittering wheat-ears in her hair, when Wilson came
+twitching at my sleeve.
+</P>
+
+<P>
+"You want something positive, Gilroy," said he, drawing me apart into a
+corner. "My dear fellow, I have a phenomenon&mdash;a phenomenon!"
+</P>
+
+<P>
+I should have been more impressed had I not heard the same before. His
+sanguine spirit turns every fire-fly into a star.
+</P>
+
+<P>
+"No possible question about the bona fides this time," said he, in
+answer, perhaps, to some little gleam of amusement in my eyes. "My
+wife has known her for many years. They both come from Trinidad, you
+know. Miss Penclosa has only been in England a month or two, and knows
+no one outside the university circle, but I assure you that the things
+she has told us suffice in themselves to establish clairvoyance upon an
+absolutely scientific basis. There is nothing like her, amateur or
+professional. Come and be introduced!"
+</P>
+
+<P>
+I like none of these mystery-mongers, but the amateur least of all.
+With the paid performer you may pounce upon him and expose him the
+instant that you have seen through his trick. He is there to deceive
+you, and you are there to find him out. But what are you to do with
+the friend of your host's wife? Are you to turn on a light suddenly
+and expose her slapping a surreptitious banjo? Or are you to hurl
+cochineal over her evening frock when she steals round with her
+phosphorus bottle and her supernatural platitude? There would be a
+scene, and you would be looked upon as a brute. So you have your
+choice of being that or a dupe. I was in no very good humor as I
+followed Wilson to the lady.
+</P>
+
+<P>
+Any one less like my idea of a West Indian could not be imagined. She
+was a small, frail creature, well over forty, I should say, with a
+pale, peaky face, and hair of a very light shade of chestnut. Her
+presence was insignificant and her manner retiring. In any group of
+ten women she would have been the last whom one would have picked out.
+Her eyes were perhaps her most remarkable, and also, I am compelled to
+say, her least pleasant, feature. They were gray in color,&mdash;gray with
+a shade of green,&mdash;and their expression struck me as being decidedly
+furtive. I wonder if furtive is the word, or should I have said
+fierce? On second thoughts, feline would have expressed it better. A
+crutch leaning against the wall told me what was painfully evident when
+she rose: that one of her legs was crippled.
+</P>
+
+<P>
+So I was introduced to Miss Penclosa, and it did not escape me that as
+my name was mentioned she glanced across at Agatha. Wilson had
+evidently been talking. And presently, no doubt, thought I, she will
+inform me by occult means that I am engaged to a young lady with
+wheat-ears in her hair. I wondered how much more Wilson had been
+telling her about me.
+</P>
+
+<P>
+"Professor Gilroy is a terrible sceptic," said he; "I hope, Miss
+Penclosa, that you will be able to convert him."
+</P>
+
+<P>
+She looked keenly up at me.
+</P>
+
+<P>
+"Professor Gilroy is quite right to be sceptical if he has not seen any
+thing convincing," said she. "I should have thought," she added, "that
+you would yourself have been an excellent subject."
+</P>
+
+<P>
+"For what, may I ask?" said I.
+</P>
+
+<P>
+"Well, for mesmerism, for example."
+</P>
+
+<P>
+"My experience has been that mesmerists go for their subjects to those
+who are mentally unsound. All their results are vitiated, as it seems
+to me, by the fact that they are dealing with abnormal organisms."
+</P>
+
+<P>
+"Which of these ladies would you say possessed a normal organism?" she
+asked. "I should like you to select the one who seems to you to have
+the best balanced mind. Should we say the girl in pink and
+white?&mdash;Miss Agatha Marden, I think the name is."
+</P>
+
+<P>
+"Yes, I should attach weight to any results from her."
+</P>
+
+<P>
+"I have never tried how far she is impressionable. Of course some
+people respond much more rapidly than others. May I ask how far your
+scepticism extends? I suppose that you admit the mesmeric sleep and
+the power of suggestion."
+</P>
+
+<P>
+"I admit nothing, Miss Penclosa."
+</P>
+
+<P>
+"Dear me, I thought science had got further than that. Of course I
+know nothing about the scientific side of it. I only know what I can
+do. You see the girl in red, for example, over near the Japanese jar.
+I shall will that she come across to us."
+</P>
+
+<P>
+She bent forward as she spoke and dropped her fan upon the floor. The
+girl whisked round and came straight toward us, with an enquiring look
+upon her face, as if some one had called her.
+</P>
+
+<P>
+"What do you think of that, Gilroy?" cried Wilson, in a kind of ecstasy.
+</P>
+
+<P>
+I did not dare to tell him what I thought of it. To me it was the most
+barefaced, shameless piece of imposture that I had ever witnessed. The
+collusion and the signal had really been too obvious.
+</P>
+
+<P>
+"Professor Gilroy is not satisfied," said she, glancing up at me with
+her strange little eyes. "My poor fan is to get the credit of that
+experiment. Well, we must try something else. Miss Marden, would you
+have any objection to my putting you off?"
+</P>
+
+<P>
+"Oh, I should love it!" cried Agatha.
+</P>
+
+<P>
+By this time all the company had gathered round us in a circle, the
+shirt-fronted men, and the white-throated women, some awed, some
+critical, as though it were something between a religious ceremony and
+a conjurer's entertainment. A red velvet arm-chair had been pushed
+into the centre, and Agatha lay back in it, a little flushed and
+trembling slightly from excitement. I could see it from the vibration
+of the wheat-ears. Miss Penclosa rose from her seat and stood over
+her, leaning upon her crutch.
+</P>
+
+<P>
+And there was a change in the woman. She no longer seemed small or
+insignificant. Twenty years were gone from her age. Her eyes were
+shining, a tinge of color had come into her sallow cheeks, her whole
+figure had expanded. So I have seen a dull-eyed, listless lad change
+in an instant into briskness and life when given a task of which he
+felt himself master. She looked down at Agatha with an expression
+which I resented from the bottom of my soul&mdash;the expression with which
+a Roman empress might have looked at her kneeling slave. Then with a
+quick, commanding gesture she tossed up her arms and swept them slowly
+down in front of her.
+</P>
+
+<P>
+I was watching Agatha narrowly. During three passes she seemed to be
+simply amused. At the fourth I observed a slight glazing of her eyes,
+accompanied by some dilation of her pupils. At the sixth there was a
+momentary rigor. At the seventh her lids began to droop. At the tenth
+her eyes were closed, and her breathing was slower and fuller than
+usual. I tried as I watched to preserve my scientific calm, but a
+foolish, causeless agitation convulsed me. I trust that I hid it, but
+I felt as a child feels in the dark. I could not have believed that I
+was still open to such weakness.
+</P>
+
+<P>
+"She is in the trance," said Miss Penclosa.
+</P>
+
+<P>
+"She is sleeping!" I cried.
+</P>
+
+<P>
+"Wake her, then!"
+</P>
+
+<P>
+I pulled her by the arm and shouted in her ear. She might have been
+dead for all the impression that I could make. Her body was there on
+the velvet chair. Her organs were acting&mdash;her heart, her lungs. But
+her soul! It had slipped from beyond our ken. Whither had it gone?
+What power had dispossessed it? I was puzzled and disconcerted.
+</P>
+
+<P>
+"So much for the mesmeric sleep," said Miss Penclosa. "As regards
+suggestion, whatever I may suggest Miss Marden will infallibly do,
+whether it be now or after she has awakened from her trance. Do you
+demand proof of it?"
+</P>
+
+<P>
+"Certainly," said I.
+</P>
+
+<P>
+"You shall have it." I saw a smile pass over her face, as though an
+amusing thought had struck her. She stooped and whispered earnestly
+into her subject's ear. Agatha, who had been so deaf to me, nodded her
+head as she listened.
+</P>
+
+<P>
+"Awake!" cried Miss Penclosa, with a sharp tap of her crutch upon the
+floor. The eyes opened, the glazing cleared slowly away, and the soul
+looked out once more after its strange eclipse.
+</P>
+
+<P>
+We went away early. Agatha was none the worse for her strange
+excursion, but I was nervous and unstrung, unable to listen to or
+answer the stream of comments which Wilson was pouring out for my
+benefit. As I bade her good-night Miss Penclosa slipped a piece of
+paper into my hand.
+</P>
+
+<P>
+"Pray forgive me," said she, "if I take means to overcome your
+scepticism. Open this note at ten o'clock to-morrow morning. It is a
+little private test."
+</P>
+
+<P>
+I can't imagine what she means, but there is the note, and it shall be
+opened as she directs. My head is aching, and I have written enough
+for to-night. To-morrow I dare say that what seems so inexplicable
+will take quite another complexion. I shall not surrender my
+convictions without a struggle.
+</P>
+
+<P>
+March 25. I am amazed, confounded. It is clear that I must reconsider
+my opinion upon this matter. But first let me place on record what has
+occurred.
+</P>
+
+<P>
+I had finished breakfast, and was looking over some diagrams with which
+my lecture is to be illustrated, when my housekeeper entered to tell me
+that Agatha was in my study and wished to see me immediately. I
+glanced at the clock and saw with sun rise that it was only half-past
+nine.
+</P>
+
+<P>
+When I entered the room, she was standing on the hearth-rug facing me.
+Something in her pose chilled me and checked the words which were
+rising to my lips. Her veil was half down, but I could see that she
+was pale and that her expression was constrained.
+</P>
+
+<P>
+"Austin," she said, "I have come to tell you that our engagement is at
+an end."
+</P>
+
+<P>
+I staggered. I believe that I literally did stagger. I know that I
+found myself leaning against the bookcase for support.
+</P>
+
+<P>
+"But&mdash;but&mdash;&mdash;" I stammered. "This is very sudden, Agatha."
+</P>
+
+<P>
+"Yes, Austin, I have come here to tell you that our engagement is at an
+end."
+</P>
+
+<P>
+"But surely," I cried, "you will give me some reason! This is unlike
+you, Agatha. Tell me how I have been unfortunate enough to offend you."
+</P>
+
+<P>
+"It is all over, Austin."
+</P>
+
+<P>
+"But why? You must be under some delusion, Agatha. Perhaps you have
+been told some falsehood about me. Or you may have misunderstood
+something that I have said to you. Only let me know what it is, and a
+word may set it all right."
+</P>
+
+<P>
+"We must consider it all at an end."
+</P>
+
+<P>
+"But you left me last night without a hint at any disagreement. What
+could have occurred in the interval to change you so? It must have
+been something that happened last night. You have been thinking it
+over and you have disapproved of my conduct. Was it the mesmerism?
+Did you blame me for letting that woman exercise her power over you?
+You know that at the least sign I should have interfered."
+</P>
+
+<P>
+"It is useless, Austin. All is over:"
+</P>
+
+<P>
+Her voice was cold and measured; her manner strangely formal and hard.
+It seemed to me that she was absolutely resolved not to be drawn into
+any argument or explanation. As for me, I was shaking with agitation,
+and I turned my face aside, so ashamed was I that she should see my
+want of control.
+</P>
+
+<P>
+"You must know what this means to me!" I cried. "It is the blasting of
+all my hopes and the ruin of my life! You surely will not inflict such
+a punishment upon me unheard. You will let me know what is the matter.
+Consider how impossible it would be for me, under any circumstances, to
+treat you so. For God's sake, Agatha, let me know what I have done!"
+</P>
+
+<P>
+She walked past me without a word and opened the door.
+</P>
+
+<P>
+"It is quite useless, Austin," said she. "You must consider our
+engagement at an end." An instant later she was gone, and, before I
+could recover myself sufficiently to follow her, I heard the hall-door
+close behind her.
+</P>
+
+<P>
+I rushed into my room to change my coat, with the idea of hurrying
+round to Mrs. Marden's to learn from her what the cause of my
+misfortune might be. So shaken was I that I could hardly lace my
+boots. Never shall I forget those horrible ten minutes. I had just
+pulled on my overcoat when the clock upon the mantel-piece struck ten.
+</P>
+
+<P>
+Ten! I associated the idea with Miss Penclosa's note. It was lying
+before me on the table, and I tore it open. It was scribbled in pencil
+in a peculiarly angular handwriting.
+</P>
+
+<P CLASS="letter">
+"MY DEAR PROFESSOR GILROY [it said]: Pray excuse the personal nature
+of the test which I am giving you. Professor Wilson happened to
+mention the relations between you and my subject of this evening, and
+it struck me that nothing could be more convincing to you than if I
+were to suggest to Miss Marden that she should call upon you at
+half-past nine to-morrow morning and suspend your engagement for half
+an hour or so. Science is so exacting that it is difficult to give a
+satisfying test, but I am convinced that this at least will be an
+action which she would be most unlikely to do of her own free will.
+Forget any thing that she may have said, as she has really nothing
+whatever to do with it, and will certainly not recollect any thing
+about it. I write this note to shorten your anxiety, and to beg you to
+forgive me for the momentary unhappiness which my suggestion must have
+caused you.<BR>
+<SPAN STYLE="margin-left: 7em">"Yours faithfully;</SPAN><BR>
+<SPAN STYLE="margin-left: 15em">"HELEN PENCLOSA.</SPAN><BR>
+</P>
+
+<BR>
+
+<P>
+Really, when I had read the note, I was too relieved to be angry. It
+was a liberty. Certainly it was a very great liberty indeed on the
+part of a lady whom I had only met once. But, after all, I had
+challenged her by my scepticism. It may have been, as she said, a
+little difficult to devise a test which would satisfy me.
+</P>
+
+<P>
+And she had done that. There could be no question at all upon the
+point. For me hypnotic suggestion was finally established. It took
+its place from now onward as one of the facts of life. That Agatha,
+who of all women of my acquaintance has the best balanced mind, had
+been reduced to a condition of automatism appeared to be certain. A
+person at a distance had worked her as an engineer on the shore might
+guide a Brennan torpedo. A second soul had stepped in, as it were, had
+pushed her own aside, and had seized her nervous mechanism, saying: "I
+will work this for half an hour." And Agatha must have been
+unconscious as she came and as she returned. Could she make her way in
+safety through the streets in such a state? I put on my hat and
+hurried round to see if all was well with her.
+</P>
+
+<P>
+Yes. She was at home. I was shown into the drawing-room and found her
+sitting with a book upon her lap.
+</P>
+
+<P>
+"You are an early visitor, Austin," said she, smiling.
+</P>
+
+<P>
+"And you have been an even earlier one," I answered.
+</P>
+
+<P>
+She looked puzzled. "What do you mean?" she asked.
+</P>
+
+<P>
+"You have not been out to-day?"
+</P>
+
+<P>
+"No, certainly not."
+</P>
+
+<P>
+"Agatha," said I seriously, "would you mind telling me exactly what you
+have done this morning?"
+</P>
+
+<P>
+She laughed at my earnestness.
+</P>
+
+<P>
+"You've got on your professional look, Austin. See what comes of being
+engaged to a man of science. However, I will tell you, though I can't
+imagine what you want to know for. I got up at eight. I breakfasted
+at half-past. I came into this room at ten minutes past nine and began
+to read the 'Memoirs of Mme. de Remusat.' In a few minutes I did the
+French lady the bad compliment of dropping to sleep over her pages, and
+I did you, sir, the very flattering one of dreaming about you. It is
+only a few minutes since I woke up."
+</P>
+
+<P>
+"And found yourself where you had been before?"
+</P>
+
+<P>
+"Why, where else should I find myself?"
+</P>
+
+<P>
+"Would you mind telling me, Agatha, what it was that you dreamed about
+me? It really is not mere curiosity on my part."
+</P>
+
+<P>
+"I merely had a vague impression that you came into it. I cannot
+recall any thing definite."
+</P>
+
+<P>
+"If you have not been out to-day, Agatha, how is it that your shoes are
+dusty?"
+</P>
+
+<P>
+A pained look came over her face.
+</P>
+
+<P>
+"Really, Austin, I do not know what is the matter with you this
+morning. One would almost think that you doubted my word. If my boots
+are dusty, it must be, of course, that I have put on a pair which the
+maid had not cleaned."
+</P>
+
+<P>
+It was perfectly evident that she knew nothing whatever about the
+matter, and I reflected that, after all, perhaps it was better that I
+should not enlighten her. It might frighten her, and could serve no
+good purpose that I could see. I said no more about it, therefore, and
+left shortly afterward to give my lecture.
+</P>
+
+<P>
+But I am immensely impressed. My horizon of scientific possibilities
+has suddenly been enormously extended. I no longer wonder at Wilson's
+demonic energy and enthusiasm. Who would not work hard who had a vast
+virgin field ready to his hand? Why, I have known the novel shape of a
+nucleolus, or a trifling peculiarity of striped muscular fibre seen
+under a 300-diameter lens, fill me with exultation. How petty do such
+researches seem when compared with this one which strikes at the very
+roots of life and the nature of the soul! I had always looked upon
+spirit as a product of matter. The brain, I thought, secreted the
+mind, as the liver does the bile. But how can this be when I see mind
+working from a distance and playing upon matter as a musician might
+upon a violin? The body does not give rise to the soul, then, but is
+rather the rough instrument by which the spirit manifests itself. The
+windmill does not give rise to the wind, but only indicates it. It was
+opposed to my whole habit of thought, and yet it was undeniably
+possible and worthy of investigation.
+</P>
+
+<P>
+And why should I not investigate it? I see that under yesterday's date
+I said: "If I could see something positive and objective, I might be
+tempted to approach it from the physiological aspect." Well, I have
+got my test. I shall be as good as my word. The investigation would,
+I am sure, be of immense interest. Some of my colleagues might look
+askance at it, for science is full of unreasoning prejudices, but if
+Wilson has the courage of his convictions, I can afford to have it
+also. I shall go to him to-morrow morning&mdash;to him and to Miss
+Penclosa. If she can show us so much, it is probable that she can show
+us more.
+</P>
+
+<BR><BR><BR>
+
+<A NAME="chap02"></A>
+<H3 ALIGN="center">
+II
+</H3>
+
+<P>
+March 26. Wilson was, as I had anticipated, very exultant over my
+conversion, and Miss Penclosa was also demurely pleased at the result
+of her experiment. Strange what a silent, colorless creature she is
+save only when she exercises her power! Even talking about it gives
+her color and life. She seems to take a singular interest in me. I
+cannot help observing how her eyes follow me about the room.
+</P>
+
+<P>
+We had the most interesting conversation about her own powers. It is
+just as well to put her views on record, though they cannot, of course,
+claim any scientific weight.
+</P>
+
+<P>
+"You are on the very fringe of the subject," said she, when I had
+expressed wonder at the remarkable instance of suggestion which she had
+shown me. "I had no direct influence upon Miss Marden when she came
+round to you. I was not even thinking of her that morning. What I did
+was to set her mind as I might set the alarum of a clock so that at the
+hour named it would go off of its own accord. If six months instead of
+twelve hours had been suggested, it would have been the same."
+</P>
+
+<P>
+"And if the suggestion had been to assassinate me?"
+</P>
+
+<P>
+"She would most inevitably have done so."
+</P>
+
+<P>
+"But this is a terrible power!" I cried.
+</P>
+
+<P>
+"It is, as you say, a terrible power," she answered gravely, "and the
+more you know of it the more terrible will it seem to you."
+</P>
+
+<P>
+"May I ask," said I, "what you meant when you said that this matter of
+suggestion is only at the fringe of it? What do you consider the
+essential?"
+</P>
+
+<P>
+"I had rather not tell you."
+</P>
+
+<P>
+I was surprised at the decision of her answer.
+</P>
+
+<P>
+"You understand," said I, "that it is not out of curiosity I ask, but
+in the hope that I may find some scientific explanation for the facts
+with which you furnish me."
+</P>
+
+<P>
+"Frankly, Professor Gilroy," said she, "I am not at all interested in
+science, nor do I care whether it can or cannot classify these powers."
+</P>
+
+<P>
+"But I was hoping&mdash;&mdash;"
+</P>
+
+<P>
+"Ah, that is quite another thing. If you make it a personal matter,"
+said she, with the pleasantest of smiles, "I shall be only too happy to
+tell you any thing you wish to know. Let me see; what was it you asked
+me? Oh, about the further powers. Professor Wilson won't believe in
+them, but they are quite true all the same. For example, it is
+possible for an operator to gain complete command over his subject&mdash;
+presuming that the latter is a good one. Without any previous
+suggestion he may make him do whatever he likes."
+</P>
+
+<P>
+"Without the subject's knowledge?"
+</P>
+
+<P>
+"That depends. If the force were strongly exerted, he would know no
+more about it than Miss Marden did when she came round and frightened
+you so. Or, if the influence was less powerful, he might be conscious
+of what he was doing, but be quite unable to prevent himself from doing
+it."
+</P>
+
+<P>
+"Would he have lost his own will power, then?"
+</P>
+
+<P>
+"It would be over-ridden by another stronger one."
+</P>
+
+<P>
+"Have you ever exercised this power yourself?"
+</P>
+
+<P>
+"Several times."
+</P>
+
+<P>
+"Is your own will so strong, then?"
+</P>
+
+<P>
+"Well, it does not entirely depend upon that. Many have strong wills
+which are not detachable from themselves. The thing is to have the
+gift of projecting it into another person and superseding his own. I
+find that the power varies with my own strength and health."
+</P>
+
+<P>
+"Practically, you send your soul into another person's body."
+</P>
+
+<P>
+"Well, you might put it that way."
+</P>
+
+<P>
+"And what does your own body do?"
+</P>
+
+<P>
+"It merely feels lethargic."
+</P>
+
+<P>
+"Well, but is there no danger to your own health?" I asked.
+</P>
+
+<P>
+"There might be a little. You have to be careful never to let your own
+consciousness absolutely go; otherwise, you might experience some
+difficulty in finding your way back again. You must always preserve
+the connection, as it were. I am afraid I express myself very badly,
+Professor Gilroy, but of course I don't know how to put these things in
+a scientific way. I am just giving you my own experiences and my own
+explanations."
+</P>
+
+<P>
+Well, I read this over now at my leisure, and I marvel at myself! Is
+this Austin Gilroy, the man who has won his way to the front by his
+hard reasoning power and by his devotion to fact? Here I am gravely
+retailing the gossip of a woman who tells me how her soul may be
+projected from her body, and how, while she lies in a lethargy, she can
+control the actions of people at a distance. Do I accept it?
+Certainly not. She must prove and re-prove before I yield a point.
+But if I am still a sceptic, I have at least ceased to be a scoffer.
+We are to have a sitting this evening, and she is to try if she can
+produce any mesmeric effect upon me. If she can, it will make an
+excellent starting-point for our investigation. No one can accuse me,
+at any rate, of complicity. If she cannot, we must try and find some
+subject who will be like Caesar's wife. Wilson is perfectly impervious.
+</P>
+
+<P>
+10 P. M. I believe that I am on the threshold of an epoch-making
+investigation. To have the power of examining these phenomena from
+inside&mdash;to have an organism which will respond, and at the same time a
+brain which will appreciate and criticise&mdash;that is surely a unique
+advantage. I am quite sure that Wilson would give five years of his
+life to be as susceptible as I have proved myself to be.
+</P>
+
+<P>
+There was no one present except Wilson and his wife. I was seated with
+my head leaning back, and Miss Penclosa, standing in front and a little
+to the left, used the same long, sweeping strokes as with Agatha. At
+each of them a warm current of air seemed to strike me, and to suffuse
+a thrill and glow all through me from head to foot. My eyes were fixed
+upon Miss Penclosa's face, but as I gazed the features seemed to blur
+and to fade away. I was conscious only of her own eyes looking down at
+me, gray, deep, inscrutable. Larger they grew and larger, until they
+changed suddenly into two mountain lakes toward which I seemed to be
+falling with horrible rapidity. I shuddered, and as I did so some
+deeper stratum of thought told me that the shudder represented the
+rigor which I had observed in Agatha. An instant later I struck the
+surface of the lakes, now joined into one, and down I went beneath the
+water with a fulness in my head and a buzzing in my ears. Down I went,
+down, down, and then with a swoop up again until I could see the light
+streaming brightly through the green water. I was almost at the
+surface when the word "Awake!" rang through my head, and, with a start,
+I found myself back in the arm-chair, with Miss Penclosa leaning on her
+crutch, and Wilson, his note book in his hand, peeping over her
+shoulder. No heaviness or weariness was left behind. On the contrary,
+though it is only an hour or so since the experiment, I feel so wakeful
+that I am more inclined for my study than my bedroom. I see quite a
+vista of interesting experiments extending before us, and am all
+impatience to begin upon them.
+</P>
+
+<P>
+March 27. A blank day, as Miss Penclosa goes with Wilson and his wife
+to the Suttons'. Have begun Binet and Ferre's "Animal Magnetism."
+What strange, deep waters these are! Results, results, results&mdash;and
+the cause an absolute mystery. It is stimulating to the imagination,
+but I must be on my guard against that. Let us have no inferences nor
+deductions, and nothing but solid facts. I KNOW that the mesmeric
+trance is true; I KNOW that mesmeric suggestion is true; I KNOW that I
+am myself sensitive to this force. That is my present position. I
+have a large new note-book which shall be devoted entirely to
+scientific detail.
+</P>
+
+<P>
+Long talk with Agatha and Mrs. Marden in the evening about our
+marriage. We think that the summer vac. (the beginning of it) would
+be the best time for the wedding. Why should we delay? I grudge even
+those few months. Still, as Mrs. Marden says, there are a good many
+things to be arranged.
+</P>
+
+<P>
+March 28. Mesmerized again by Miss Penclosa. Experience much the same
+as before, save that insensibility came on more quickly. See Note-book
+A for temperature of room, barometric pressure, pulse, and respiration
+as taken by Professor Wilson.
+</P>
+
+<P>
+March 29. Mesmerized again. Details in Note-book A.
+</P>
+
+<P>
+March 30. Sunday, and a blank day. I grudge any interruption of our
+experiments. At present they merely embrace the physical signs which
+go with slight, with complete, and with extreme insensibility.
+Afterward we hope to pass on to the phenomena of suggestion and of
+lucidity. Professors have demonstrated these things upon women at
+Nancy and at the Salpetriere. It will be more convincing when a woman
+demonstrates it upon a professor, with a second professor as a witness.
+And that I should be the subject&mdash;I, the sceptic, the materialist! At
+least, I have shown that my devotion to science is greater than to my
+own personal consistency. The eating of our own words is the greatest
+sacrifice which truth ever requires of us.
+</P>
+
+<P>
+My neighbor, Charles Sadler, the handsome young demonstrator of
+anatomy, came in this evening to return a volume of Virchow's
+"Archives" which I had lent him. I call him young, but, as a matter of
+fact, he is a year older than I am.
+</P>
+
+<P>
+"I understand, Gilroy," said he, "that you are being experimented upon
+by Miss Penclosa."
+</P>
+
+<P>
+"Well," he went on, when I had acknowledged it, "if I were you, I
+should not let it go any further. You will think me very impertinent,
+no doubt, but, none the less, I feel it to be my duty to advise you to
+have no more to do with her."
+</P>
+
+<P>
+Of course I asked him why.
+</P>
+
+<P>
+"I am so placed that I cannot enter into particulars as freely as I
+could wish," said he. "Miss Penclosa is the friend of my friend, and
+my position is a delicate one. I can only say this: that I have myself
+been the subject of some of the woman's experiments, and that they have
+left a most unpleasant impression upon my mind."
+</P>
+
+<P>
+He could hardly expect me to be satisfied with that, and I tried hard
+to get something more definite out of him, but without success. Is it
+conceivable that he could be jealous at my having superseded him? Or
+is he one of those men of science who feel personally injured when
+facts run counter to their preconceived opinions? He cannot seriously
+suppose that because he has some vague grievance I am, therefore, to
+abandon a series of experiments which promise to be so fruitful of
+results. He appeared to be annoyed at the light way in which I treated
+his shadowy warnings, and we parted with some little coldness on both
+sides.
+</P>
+
+<P>
+March 31. Mesmerized by Miss P.
+</P>
+
+<P>
+April 1. Mesmerized by Miss P. (Note-book A.)
+</P>
+
+<P>
+April 2. Mesmerized by Miss P. (Sphygmographic chart taken by
+Professor Wilson.)
+</P>
+
+<P>
+April 3. It is possible that this course of mesmerism may be a little
+trying to the general constitution. Agatha says that I am thinner and
+darker under the eyes. I am conscious of a nervous irritability which
+I had not observed in myself before. The least noise, for example,
+makes me start, and the stupidity of a student causes me exasperation
+instead of amusement. Agatha wishes me to stop, but I tell her that
+every course of study is trying, and that one can never attain a result
+with out paying some price for it. When she sees the sensation which
+my forthcoming paper on "The Relation between Mind and Matter" may
+make, she will understand that it is worth a little nervous wear and
+tear. I should not be surprised if I got my F. R. S. over it.
+</P>
+
+<P>
+Mesmerized again in the evening. The effect is produced more rapidly
+now, and the subjective visions are less marked. I keep full notes of
+each sitting. Wilson is leaving for town for a week or ten days, but
+we shall not interrupt the experiments, which depend for their value as
+much upon my sensations as on his observations.
+</P>
+
+<P>
+April 4. I must be carefully on my guard. A complication has crept
+into our experiments which I had not reckoned upon. In my eagerness
+for scientific facts I have been foolishly blind to the human relations
+between Miss Penclosa and myself. I can write here what I would not
+breathe to a living soul. The unhappy woman appears to have formed an
+attachment for me.
+</P>
+
+<P>
+I should not say such a thing, even in the privacy of my own intimate
+journal, if it had not come to such a pass that it is impossible to
+ignore it. For some time,&mdash;that is, for the last week,&mdash;there have
+been signs which I have brushed aside and refused to think of. Her
+brightness when I come, her dejection when I go, her eagerness that I
+should come often, the expression of her eyes, the tone of her voice&mdash;I
+tried to think that they meant nothing, and were, perhaps, only her
+ardent West Indian manner. But last night, as I awoke from the
+mesmeric sleep, I put out my hand, unconsciously, involuntarily, and
+clasped hers. When I came fully to myself, we were sitting with them
+locked, she looking up at me with an expectant smile. And the horrible
+thing was that I felt impelled to say what she expected me to say.
+What a false wretch I should have been! How I should have loathed
+myself to-day had I yielded to the temptation of that moment! But,
+thank God, I was strong enough to spring up and hurry from the room. I
+was rude, I fear, but I could not, no, I COULD not, trust myself
+another moment. I, a gentleman, a man of honor, engaged to one of the
+sweetest girls in England&mdash;and yet in a moment of reasonless passion I
+nearly professed love for this woman whom I hardly know. She is far
+older than myself and a cripple. It is monstrous, odious; and yet the
+impulse was so strong that, had I stayed another minute in her
+presence, I should have committed myself. What was it? I have to
+teach others the workings of our organism, and what do I know of it
+myself? Was it the sudden upcropping of some lower stratum in my
+nature&mdash;a brutal primitive instinct suddenly asserting itself? I could
+almost believe the tales of obsession by evil spirits, so overmastering
+was the feeling.
+</P>
+
+<P>
+Well, the incident places me in a most unfortunate position. On the
+one hand, I am very loath to abandon a series of experiments which have
+already gone so far, and which promise such brilliant results. On the
+other, if this unhappy woman has conceived a passion for me&mdash;&mdash; But
+surely even now I must have made some hideous mistake. She, with her
+age and her deformity! It is impossible. And then she knew about
+Agatha. She understood how I was placed. She only smiled out of
+amusement, perhaps, when in my dazed state I seized her hand. It was
+my half-mesmerized brain which gave it a meaning, and sprang with such
+bestial swiftness to meet it. I wish I could persuade myself that it
+was indeed so. On the whole, perhaps, my wisest plan would be to
+postpone our other experiments until Wilson's return. I have written a
+note to Miss Penclosa, therefore, making no allusion to last night, but
+saying that a press of work would cause me to interrupt our sittings
+for a few days. She has answered, formally enough, to say that if I
+should change my mind I should find her at home at the usual hour.
+</P>
+
+<P>
+10 P. M. Well, well, what a thing of straw I am! I am coming to know
+myself better of late, and the more I know the lower I fall in my own
+estimation. Surely I was not always so weak as this. At four o'clock
+I should have smiled had any one told me that I should go to Miss
+Penclosa's to-night, and yet, at eight, I was at Wilson's door as
+usual. I don't know how it occurred. The influence of habit, I
+suppose. Perhaps there is a mesmeric craze as there is an opium craze,
+and I am a victim to it. I only know that as I worked in my study I
+became more and more uneasy. I fidgeted. I worried. I could not
+concentrate my mind upon the papers in front of me. And then, at last,
+almost before I knew what I was doing, I seized my hat and hurried
+round to keep my usual appointment.
+</P>
+
+<P>
+We had an interesting evening. Mrs. Wilson was present during most of
+the time, which prevented the embarrassment which one at least of us
+must have felt. Miss Penclosa's manner was quite the same as usual,
+and she expressed no surprise at my having come in spite of my note.
+There was nothing in her bearing to show that yesterday's incident had
+made any impression upon her, and so I am inclined to hope that I
+overrated it.
+</P>
+
+<P>
+April 6 (evening). No, no, no, I did not overrate it. I can no longer
+attempt to conceal from myself that this woman has conceived a passion
+for me. It is monstrous, but it is true. Again, tonight, I awoke from
+the mesmeric trance to find my hand in hers, and to suffer that odious
+feeling which urges me to throw away my honor, my career, every thing,
+for the sake of this creature who, as I can plainly see when I am away
+from her influence, possesses no single charm upon earth. But when I
+am near her, I do not feel this. She rouses something in me, something
+evil, something I had rather not think of. She paralyzes my better
+nature, too, at the moment when she stimulates my worse. Decidedly it
+is not good for me to be near her.
+</P>
+
+<P>
+Last night was worse than before. Instead of flying I actually sat for
+some time with my hand in hers talking over the most intimate subjects
+with her. We spoke of Agatha, among other things. What could I have
+been dreaming of? Miss Penclosa said that she was conventional, and I
+agreed with her. She spoke once or twice in a disparaging way of her,
+and I did not protest. What a creature I have been!
+</P>
+
+<P>
+Weak as I have proved myself to be, I am still strong enough to bring
+this sort of thing to an end. It shall not happen again. I have sense
+enough to fly when I cannot fight. From this Sunday night onward I
+shall never sit with Miss Penclosa again. Never! Let the experiments
+go, let the research come to an end; any thing is better than facing
+this monstrous temptation which drags me so low. I have said nothing
+to Miss Penclosa, but I shall simply stay away. She can tell the
+reason without any words of mine.
+</P>
+
+<P>
+April 7. Have stayed away as I said. It is a pity to ruin such an
+interesting investigation, but it would be a greater pity still to ruin
+my life, and I KNOW that I cannot trust myself with that woman.
+</P>
+
+<P>
+11 P. M. God help me! What is the matter with me? Am I going mad?
+Let me try and be calm and reason with myself. First of all I shall
+set down exactly what occurred.
+</P>
+
+<P>
+It was nearly eight when I wrote the lines with which this day begins.
+Feeling strangely restless and uneasy, I left my rooms and walked round
+to spend the evening with Agatha and her mother. They both remarked
+that I was pale and haggard. About nine Professor Pratt-Haldane came
+in, and we played a game of whist. I tried hard to concentrate my
+attention upon the cards, but the feeling of restlessness grew and grew
+until I found it impossible to struggle against it. I simply COULD not
+sit still at the table. At last, in the very middle of a hand, I threw
+my cards down and, with some sort of an incoherent apology about having
+an appointment, I rushed from the room. As if in a dream I have a
+vague recollection of tearing through the hall, snatching my hat from
+the stand, and slamming the door behind me. As in a dream, too, I have
+the impression of the double line of gas-lamps, and my bespattered
+boots tell me that I must have run down the middle of the road. It was
+all misty and strange and unnatural. I came to Wilson's house; I saw
+Mrs. Wilson and I saw Miss Penclosa. I hardly recall what we talked
+about, but I do remember that Miss P. shook the head of her crutch at
+me in a playful way, and accused me of being late and of losing
+interest in our experiments. There was no mesmerism, but I stayed some
+time and have only just returned.
+</P>
+
+<P>
+My brain is quite clear again now, and I can think over what has
+occurred. It is absurd to suppose that it is merely weakness and force
+of habit. I tried to explain it in that way the other night, but it
+will no longer suffice. It is something much deeper and more terrible
+than that. Why, when I was at the Mardens' whist-table, I was dragged
+away as if the noose of a rope had been cast round me. I can no longer
+disguise it from myself. The woman has her grip upon me. I am in her
+clutch. But I must keep my head and reason it out and see what is best
+to be done.
+</P>
+
+<P>
+But what a blind fool I have been! In my enthusiasm over my research I
+have walked straight into the pit, although it lay gaping before me.
+Did she not herself warn me? Did she not tell me, as I can read in my
+own journal, that when she has acquired power over a subject she can
+make him do her will? And she has acquired that power over me. I am
+for the moment at the beck and call of this creature with the crutch.
+I must come when she wills it. I must do as she wills. Worst of all,
+I must feel as she wills. I loathe her and fear her, yet, while I am
+under the spell, she can doubtless make me love her.
+</P>
+
+<P>
+There is some consolation in the thought, then, that those odious
+impulses for which I have blamed myself do not really come from me at
+all. They are all transferred from her, little as I could have guessed
+it at the time. I feel cleaner and lighter for the thought.
+</P>
+
+<P>
+April 8. Yes, now, in broad daylight, writing coolly and with time for
+reflection, I am compelled to confirm every thing which I wrote in my
+journal last night. I am in a horrible position, but, above all, I
+must not lose my head. I must pit my intellect against her powers.
+After all, I am no silly puppet, to dance at the end of a string. I
+have energy, brains, courage. For all her devil's tricks I may beat
+her yet. May! I MUST, or what is to become of me?
+</P>
+
+<P>
+Let me try to reason it out! This woman, by her own explanation, can
+dominate my nervous organism. She can project herself into my body and
+take command of it. She has a parasite soul; yes, she is a parasite, a
+monstrous parasite. She creeps into my frame as the hermit crab does
+into the whelk's shell. I am powerless What can I do? I am dealing
+with forces of which I know nothing. And I can tell no one of my
+trouble. They would set me down as a madman. Certainly, if it got
+noised abroad, the university would say that they had no need of a
+devil-ridden professor. And Agatha! No, no, I must face it alone.
+</P>
+
+<BR><BR><BR>
+
+<A NAME="chap03"></A>
+<H3 ALIGN="center">
+III
+</H3>
+
+<P>
+I read over my notes of what the woman said when she spoke about her
+powers. There is one point which fills me with dismay. She implies
+that when the influence is slight the subject knows what he is doing,
+but cannot control himself, whereas when it is strongly exerted he is
+absolutely unconscious. Now, I have always known what I did, though
+less so last night than on the previous occasions. That seems to mean
+that she has never yet exerted her full powers upon me. Was ever a man
+so placed before?
+</P>
+
+<P>
+Yes, perhaps there was, and very near me, too. Charles Sadler must
+know something of this! His vague words of warning take a meaning now.
+Oh, if I had only listened to him then, before I helped by these
+repeated sittings to forge the links of the chain which binds me! But
+I will see him to-day. I will apologize to him for having treated his
+warning so lightly. I will see if he can advise me.
+</P>
+
+<P>
+4 P. M. No, he cannot. I have talked with him, and he showed such
+surprise at the first words in which I tried to express my unspeakable
+secret that I went no further. As far as I can gather (by hints and
+inferences rather than by any statement), his own experience was
+limited to some words or looks such as I have myself endured. His
+abandonment of Miss Penclosa is in itself a sign that he was never
+really in her toils. Oh, if he only knew his escape! He has to thank
+his phlegmatic Saxon temperament for it. I am black and Celtic, and
+this hag's clutch is deep in my nerves. Shall I ever get it out?
+Shall I ever be the same man that I was just one short fortnight ago?
+</P>
+
+<P>
+Let me consider what I had better do. I cannot leave the university in
+the middle of the term. If I were free, my course would be obvious. I
+should start at once and travel in Persia. But would she allow me to
+start? And could her influence not reach me in Persia, and bring me
+back to within touch of her crutch? I can only find out the limits of
+this hellish power by my own bitter experience. I will fight and fight
+and fight&mdash;and what can I do more?
+</P>
+
+<P>
+I know very well that about eight o'clock to-night that craving for her
+society, that irresistible restlessness, will come upon me. How shall
+I overcome it? What shall I do? I must make it impossible for me to
+leave the room. I shall lock the door and throw the key out of the
+window. But, then, what am I to do in the morning? Never mind about
+the morning. I must at all costs break this chain which holds me.
+</P>
+
+<P>
+April 9. Victory! I have done splendidly! At seven o'clock last
+night I took a hasty dinner, and then locked myself up in my bedroom
+and dropped the key into the garden. I chose a cheery novel, and lay
+in bed for three hours trying to read it, but really in a horrible
+state of trepidation, expecting every instant that I should become
+conscious of the impulse. Nothing of the sort occurred, however, and I
+awoke this morning with the feeling that a black nightmare had been
+lifted off me. Perhaps the creature realized what I had done, and
+understood that it was useless to try to influence me. At any rate, I
+have beaten her once, and if I can do it once, I can do it again.
+</P>
+
+<P>
+It was most awkward about the key in the morning. Luckily, there was
+an under-gardener below, and I asked him to throw it up. No doubt he
+thought I had just dropped it. I will have doors and windows screwed
+up and six stout men to hold me down in my bed before I will surrender
+myself to be hag-ridden in this way.
+</P>
+
+<P>
+I had a note from Mrs. Marden this afternoon asking me to go round and
+see her. I intended to do so in any case, but had not excepted to find
+bad news waiting for me. It seems that the Armstrongs, from whom
+Agatha has expectations, are due home from Adelaide in the Aurora, and
+that they have written to Mrs. Marden and her to meet them in town.
+They will probably be away for a month or six weeks, and, as the Aurora
+is due on Wednesday, they must go at once&mdash;to-morrow, if they are ready
+in time. My consolation is that when we meet again there will be no
+more parting between Agatha and me.
+</P>
+
+<P>
+"I want you to do one thing, Agatha," said I, when we were alone
+together. "If you should happen to meet Miss Penclosa, either in town
+or here, you must promise me never again to allow her to mesmerize you."
+</P>
+
+<P>
+Agatha opened her eyes.
+</P>
+
+<P>
+"Why, it was only the other day that you were saying how interesting it
+all was, and how determined you were to finish your experiments."
+</P>
+
+<P>
+"I know, but I have changed my mind since then."
+</P>
+
+<P>
+"And you won't have it any more?"
+</P>
+
+<P>
+"No."
+</P>
+
+<P>
+"I am so glad, Austin. You can't think how pale and worn you have been
+lately. It was really our principal objection to going to London now
+that we did not wish to leave you when you were so pulled down. And
+your manner has been so strange occasionally&mdash;especially that night
+when you left poor Professor Pratt-Haldane to play dummy. I am
+convinced that these experiments are very bad for your nerves."
+</P>
+
+<P>
+"I think so, too, dear."
+</P>
+
+<P>
+"And for Miss Penclosa's nerves as well. You have heard that she is
+ill?"
+</P>
+
+<P>
+"No."
+</P>
+
+<P>
+"Mrs. Wilson told us so last night. She described it as a nervous
+fever. Professor Wilson is coming back this week, and of course Mrs.
+Wilson is very anxious that Miss Penclosa should be well again then,
+for he has quite a programme of experiments which he is anxious to
+carry out."
+</P>
+
+<P>
+I was glad to have Agatha's promise, for it was enough that this woman
+should have one of us in her clutch. On the other hand, I was
+disturbed to hear about Miss Penclosa's illness. It rather discounts
+the victory which I appeared to win last night. I remember that she
+said that loss of health interfered with her power. That may be why I
+was able to hold my own so easily. Well, well, I must take the same
+precautions to-night and see what comes of it. I am childishly
+frightened when I think of her.
+</P>
+
+<P>
+April 10. All went very well last night. I was amused at the
+gardener's face when I had again to hail him this morning and to ask
+him to throw up my key. I shall get a name among the servants if this
+sort of thing goes on. But the great point is that I stayed in my room
+without the slightest inclination to leave it. I do believe that I am
+shaking myself clear of this incredible bond&mdash;or is it only that the
+woman's power is in abeyance until she recovers her strength? I can
+but pray for the best.
+</P>
+
+<P>
+The Mardens left this morning, and the brightness seems to have gone
+out of the spring sunshine. And yet it is very beautiful also as it
+gleams on the green chestnuts opposite my windows, and gives a touch of
+gayety to the heavy, lichen-mottled walls of the old colleges. How
+sweet and gentle and soothing is Nature! Who would think that there
+lurked in her also such vile forces, such odious possibilities! For of
+course I understand that this dreadful thing which has sprung out at me
+is neither supernatural nor even preternatural. No, it is a natural
+force which this woman can use and society is ignorant of. The mere
+fact that it ebbs with her strength shows how entirely it is subject to
+physical laws. If I had time, I might probe it to the bottom and lay
+my hands upon its antidote. But you cannot tame the tiger when you are
+beneath his claws. You can but try to writhe away from him. Ah, when
+I look in the glass and see my own dark eyes and clear-cut Spanish
+face, I long for a vitriol splash or a bout of the small-pox. One or
+the other might have saved me from this calamity.
+</P>
+
+<P>
+I am inclined to think that I may have trouble to-night. There are two
+things which make me fear so. One is that I met Mrs. Wilson in the
+street, and that she tells me that Miss Penclosa is better, though
+still weak. I find myself wishing in my heart that the illness had
+been her last. The other is that Professor Wilson comes back in a day
+or two, and his presence would act as a constraint upon her. I should
+not fear our interviews if a third person were present. For both these
+reasons I have a presentiment of trouble to-night, and I shall take the
+same precautions as before.
+</P>
+
+<P>
+April 10. No, thank God, all went well last night. I really could not
+face the gardener again. I locked my door and thrust the key
+underneath it, so that I had to ask the maid to let me out in the
+morning. But the precaution was really not needed, for I never had any
+inclination to go out at all. Three evenings in succession at home! I
+am surely near the end of my troubles, for Wilson will be home again
+either today or tomorrow. Shall I tell him of what I have gone through
+or not? I am convinced that I should not have the slightest sympathy
+from him. He would look upon me as an interesting case, and read a
+paper about me at the next meeting of the Psychical Society, in which
+he would gravely discuss the possibility of my being a deliberate liar,
+and weigh it against the chances of my being in an early stage of
+lunacy. No, I shall get no comfort out of Wilson.
+</P>
+
+<P>
+I am feeling wonderfully fit and well. I don't think I ever lectured
+with greater spirit. Oh, if I could only get this shadow off my life,
+how happy I should be! Young, fairly wealthy, in the front rank of my
+profession, engaged to a beautiful and charming girl&mdash;have I not every
+thing which a man could ask for? Only one thing to trouble me, but
+what a thing it is!
+</P>
+
+<P>
+Midnight. I shall go mad. Yes, that will be the end of it. I shall
+go mad. I am not far from it now. My head throbs as I rest it on my
+hot hand. I am quivering all over like a scared horse. Oh, what a
+night I have had! And yet I have some cause to be satisfied also.
+</P>
+
+<P>
+At the risk of becoming the laughing-stock of my own servant, I again
+slipped my key under the door, imprisoning myself for the night. Then,
+finding it too early to go to bed, I lay down with my clothes on and
+began to read one of Dumas's novels. Suddenly I was gripped&mdash;gripped
+and dragged from the couch. It is only thus that I can describe the
+overpowering nature of the force which pounced upon me. I clawed at
+the coverlet. I clung to the wood-work. I believe that I screamed out
+in my frenzy. It was all useless, hopeless. I MUST go. There was no
+way out of it. It was only at the outset that I resisted. The force
+soon became too overmastering for that. I thank goodness that there
+were no watchers there to interfere with me. I could not have answered
+for myself if there had been. And, besides the determination to get
+out, there came to me, also, the keenest and coolest judgment in
+choosing my means. I lit a candle and endeavored, kneeling in front of
+the door, to pull the key through with the feather-end of a quill pen.
+It was just too short and pushed it further away. Then with quiet
+persistence I got a paper-knife out of one of the drawers, and with
+that I managed to draw the key back. I opened the door, stepped into
+my study, took a photograph of myself from the bureau, wrote something
+across it, placed it in the inside pocket of my coat, and then started
+off for Wilson's.
+</P>
+
+<P>
+It was all wonderfully clear, and yet disassociated from the rest of my
+life, as the incidents of even the most vivid dream might be. A
+peculiar double consciousness possessed me. There was the predominant
+alien will, which was bent upon drawing me to the side of its owner,
+and there was the feebler protesting personality, which I recognized as
+being myself, tugging feebly at the overmastering impulse as a led
+terrier might at its chain. I can remember recognizing these two
+conflicting forces, but I recall nothing of my walk, nor of how I was
+admitted to the house.
+</P>
+
+<P>
+Very vivid, however, is my recollection of how I met Miss Penclosa.
+She was reclining on the sofa in the little boudoir in which our
+experiments had usually been carried out. Her head was rested on her
+hand, and a tiger-skin rug had been partly drawn over her. She looked
+up expectantly as I entered, and, as the lamp-light fell upon her face,
+I could see that she was very pale and thin, with dark hollows under
+her eyes. She smiled at me, and pointed to a stool beside her. It was
+with her left hand that she pointed, and I, running eagerly forward,
+seized it,&mdash;I loathe myself as I think of it,&mdash;and pressed it
+passionately to my lips. Then, seating myself upon the stool, and
+still retaining her hand, I gave her the photograph which I had brought
+with me, and talked and talked and talked&mdash;of my love for her, of my
+grief over her illness, of my joy at her recovery, of the misery it was
+to me to be absent a single evening from her side. She lay quietly
+looking down at me with imperious eyes and her provocative smile. Once
+I remember that she passed her hand over my hair as one caresses a dog;
+and it gave me pleasure&mdash;the caress. I thrilled under it. I was her
+slave, body and soul, and for the moment I rejoiced in my slavery.
+</P>
+
+<P>
+And then came the blessed change. Never tell me that there is not a
+Providence! I was on the brink of perdition. My feet were on the
+edge. Was it a coincidence that at that very instant help should come?
+No, no, no; there is a Providence, and its hand has drawn me back.
+There is something in the universe stronger than this devil woman with
+her tricks. Ah, what a balm to my heart it is to think so!
+</P>
+
+<P>
+As I looked up at her I was conscious of a change in her. Her face,
+which had been pale before, was now ghastly. Her eyes were dull, and
+the lids drooped heavily over them. Above all, the look of serene
+confidence had gone from her features. Her mouth had weakened. Her
+forehead had puckered. She was frightened and undecided. And as I
+watched the change my own spirit fluttered and struggled, trying hard
+to tear itself from the grip which held it&mdash;a grip which, from moment
+to moment, grew less secure.
+</P>
+
+<P>
+"Austin," she whispered, "I have tried to do too much. I was not
+strong enough. I have not recovered yet from my illness. But I could
+not live longer without seeing you. You won't leave me, Austin? This
+is only a passing weakness. If you will only give me five minutes, I
+shall be myself again. Give me the small decanter from the table in
+the window."
+</P>
+
+<P>
+But I had regained my soul. With her waning strength the influence had
+cleared away from me and left me free. And I was aggressive&mdash;bitterly,
+fiercely aggressive. For once at least I could make this woman
+understand what my real feelings toward her were. My soul was filled
+with a hatred as bestial as the love against which it was a reaction.
+It was the savage, murderous passion of the revolted serf. I could
+have taken the crutch from her side and beaten her face in with it.
+She threw her hands up, as if to avoid a blow, and cowered away from me
+into the corner of the settee.
+</P>
+
+<P>
+"The brandy!" she gasped. "The brandy!"
+</P>
+
+<P>
+I took the decanter and poured it over the roots of a palm in the
+window. Then I snatched the photograph from her hand and tore it into
+a hundred pieces.
+</P>
+
+<P>
+"You vile woman," I said, "if I did my duty to society, you would never
+leave this room alive!"
+</P>
+
+<P>
+"I love you, Austin; I love you!" she wailed.
+</P>
+
+<P>
+"Yes," I cried, "and Charles Sadler before. And how many others before
+that?"
+</P>
+
+<P>
+"Charles Sadler!" she gasped. "He has spoken to you? So, Charles
+Sadler, Charles Sadler!" Her voice came through her white lips like a
+snake's hiss.
+</P>
+
+<P>
+"Yes, I know you, and others shall know you, too. You shameless
+creature! You knew how I stood. And yet you used your vile power to
+bring me to your side. You may, perhaps, do so again, but at least you
+will remember that you have heard me say that I love Miss Marden from
+the bottom of my soul, and that I loathe you, abhor you!
+</P>
+
+<P>
+"The very sight of you and the sound of your voice fill me with horror
+and disgust. The thought of you is repulsive. That is how I feel
+toward you, and if it pleases you by your tricks to draw me again to
+your side as you have done to-night, you will at least, I should think,
+have little satisfaction in trying to make a lover out of a man who has
+told you his real opinion of you. You may put what words you will into
+my mouth, but you cannot help remembering&mdash;&mdash;"
+</P>
+
+<P>
+I stopped, for the woman's head had fallen back, and she had fainted.
+She could not bear to hear what I had to say to her! What a glow of
+satisfaction it gives me to think that, come what may, in the future
+she can never misunderstand my true feelings toward her. But what will
+occur in the future? What will she do next? I dare not think of it.
+Oh, if only I could hope that she will leave me alone! But when I
+think of what I said to her&mdash;&mdash; Never mind; I have been stronger than
+she for once.
+</P>
+
+<P>
+April 11. I hardly slept last night, and found myself in the morning
+so unstrung and feverish that I was compelled to ask Pratt-Haldane to
+do my lecture for me. It is the first that I have ever missed. I rose
+at mid-day, but my head is aching, my hands quivering, and my nerves in
+a pitiable state.
+</P>
+
+<P>
+Who should come round this evening but Wilson. He has just come back
+from London, where he has lectured, read papers, convened meetings,
+exposed a medium, conducted a series of experiments on thought
+transference, entertained Professor Richet of Paris, spent hours gazing
+into a crystal, and obtained some evidence as to the passage of matter
+through matter. All this he poured into my ears in a single gust.
+</P>
+
+<P>
+"But you!" he cried at last. "You are not looking well. And Miss
+Penclosa is quite prostrated to-day. How about the experiments?"
+</P>
+
+<P>
+"I have abandoned them."
+</P>
+
+<P>
+"Tut, tut! Why?"
+</P>
+
+<P>
+"The subject seems to me to be a dangerous one."
+</P>
+
+<P>
+Out came his big brown note-book.
+</P>
+
+<P>
+"This is of great interest," said he. "What are your grounds for
+saying that it is a dangerous one? Please give your facts in
+chronological order, with approximate dates and names of reliable
+witnesses with their permanent addresses."
+</P>
+
+<P>
+"First of all," I asked, "would you tell me whether you have collected
+any cases where the mesmerist has gained a command over the subject and
+has used it for evil purposes?"
+</P>
+
+<P>
+"Dozens!" he cried exultantly. "Crime by suggestion&mdash;&mdash;"
+</P>
+
+<P>
+"I don't mean suggestion. I mean where a sudden impulse comes from a
+person at a distance&mdash;an uncontrollable impulse."
+</P>
+
+<P>
+"Obsession!" he shrieked, in an ecstasy of delight. "It is the rarest
+condition. We have eight cases, five well attested. You don't mean to
+say&mdash;&mdash;" His exultation made him hardly articulate.
+</P>
+
+<P>
+"No, I don't," said I. "Good-evening! You will excuse me, but I am
+not very well to-night." And so at last I got rid of him, still
+brandishing his pencil and his note-book. My troubles may be bad to
+hear, but at least it is better to hug them to myself than to have
+myself exhibited by Wilson, like a freak at a fair. He has lost sight
+of human beings. Every thing to him is a case and a phenomenon. I
+will die before I speak to him again upon the matter.
+</P>
+
+<P>
+April 12. Yesterday was a blessed day of quiet, and I enjoyed an
+uneventful night. Wilson's presence is a great consolation. What can
+the woman do now? Surely, when she has heard me say what I have said,
+she will conceive the same disgust for me which I have for her. She
+could not, no, she COULD not, desire to have a lover who had insulted
+her so. No, I believe I am free from her love&mdash;but how about her hate?
+Might she not use these powers of hers for revenge? Tut! why should I
+frighten myself over shadows? She will forget about me, and I shall
+forget about her, and all will be well.
+</P>
+
+<P>
+April 13. My nerves have quite recovered their tone. I really believe
+that I have conquered the creature. But I must confess to living in
+some suspense. She is well again, for I hear that she was driving with
+Mrs. Wilson in the High Street in the afternoon.
+</P>
+
+<P>
+April 14. I do wish I could get away from the place altogether. I
+shall fly to Agatha's side the very day that the term closes. I
+suppose it is pitiably weak of me, but this woman gets upon my nerves
+most terribly. I have seen her again, and I have spoken with her.
+</P>
+
+<P>
+It was just after lunch, and I was smoking a cigarette in my study,
+when I heard the step of my servant Murray in the passage. I was
+languidly conscious that a second step was audible behind, and had
+hardly troubled myself to speculate who it might be, when suddenly a
+slight noise brought me out of my chair with my skin creeping with
+apprehension. I had never particularly observed before what sort of
+sound the tapping of a crutch was, but my quivering nerves told me that
+I heard it now in the sharp wooden clack which alternated with the
+muffled thud of the foot fall. Another instant and my servant had
+shown her in.
+</P>
+
+<P>
+I did not attempt the usual conventions of society, nor did she. I
+simply stood with the smouldering cigarette in my hand, and gazed at
+her. She in her turn looked silently at me, and at her look I
+remembered how in these very pages I had tried to define the expression
+of her eyes, whether they were furtive or fierce. To-day they were
+fierce&mdash;coldly and inexorably so.
+</P>
+
+<P>
+"Well," said she at last, "are you still of the same mind as when I saw
+you last?"
+</P>
+
+<P>
+"I have always been of the same mind."
+</P>
+
+<P>
+"Let us understand each other, Professor Gilroy," said she slowly. "I
+am not a very safe person to trifle with, as you should realize by now.
+It was you who asked me to enter into a series of experiments with you,
+it was you who won my affections, it was you who professed your love
+for me, it was you who brought me your own photograph with words of
+affection upon it, and, finally, it was you who on the very same
+evening thought fit to insult me most outrageously, addressing me as no
+man has ever dared to speak to me yet. Tell me that those words came
+from you in a moment of passion and I am prepared to forget and to
+forgive them. You did not mean what you said, Austin? You do not
+really hate me?"
+</P>
+
+<P>
+I might have pitied this deformed woman&mdash;such a longing for love broke
+suddenly through the menace of her eyes. But then I thought of what I
+had gone through, and my heart set like flint.
+</P>
+
+<P>
+"If ever you heard me speak of love," said I, "you know very well that
+it was your voice which spoke, and not mine. The only words of truth
+which I have ever been able to say to you are those which you heard
+when last we met."
+</P>
+
+<P>
+"I know. Some one has set you against me. It was he!" She tapped with
+her crutch upon the floor. "Well, you know very well that I could
+bring you this instant crouching like a spaniel to my feet. You will
+not find me again in my hour of weakness, when you can insult me with
+impunity. Have a care what you are doing, Professor Gilroy. You stand
+in a terrible position. You have not yet realized the hold which I
+have upon you."
+</P>
+
+<P>
+I shrugged my shoulders and turned away.
+</P>
+
+<P>
+"Well," said she, after a pause, "if you despise my love, I must see
+what can be done with fear. You smile, but the day will come when you
+will come screaming to me for pardon. Yes, you will grovel on the
+ground before me, proud as you are, and you will curse the day that
+ever you turned me from your best friend into your most bitter enemy.
+Have a care, Professor Gilroy!" I saw a white hand shaking in the air,
+and a face which was scarcely human, so convulsed was it with passion.
+An instant later she was gone, and I heard the quick hobble and tap
+receding down the passage.
+</P>
+
+<P>
+But she has left a weight upon my heart. Vague presentiments of coming
+misfortune lie heavy upon me. I try in vain to persuade myself that
+these are only words of empty anger. I can remember those relentless
+eyes too clearly to think so. What shall I do&mdash;ah, what shall I do? I
+am no longer master of my own soul. At any moment this loathsome
+parasite may creep into me, and then&mdash;&mdash; I must tell some one my
+hideous secret&mdash;I must tell it or go mad. If I had some one to
+sympathize and advise! Wilson is out of the question. Charles Sadler
+would understand me only so far as his own experience carries him.
+Pratt-Haldane! He is a well-balanced man, a man of great common-sense
+and resource. I will go to him. I will tell him every thing. God
+grant that he may be able to advise me!
+</P>
+
+<BR><BR><BR>
+
+<A NAME="chap04"></A>
+<H3 ALIGN="center">
+IV
+</H3>
+
+<P>
+6.45 P. M. No, it is useless. There is no human help for me; I must
+fight this out single-handed. Two courses lie before me. I might
+become this woman's lover. Or I must endure such persecutions as she
+can inflict upon me. Even if none come, I shall live in a hell of
+apprehension. But she may torture me, she may drive me mad, she may
+kill me: I will never, never, never give in. What can she inflict
+which would be worse than the loss of Agatha, and the knowledge that I
+am a perjured liar, and have forfeited the name of gentleman?
+</P>
+
+<P>
+Pratt-Haldane was most amiable, and listened with all politeness to my
+story. But when I looked at his heavy set features, his slow eyes, and
+the ponderous study furniture which surrounded him, I could hardly tell
+him what I had come to say. It was all so substantial, so material.
+And, besides, what would I myself have said a short month ago if one of
+my colleagues had come to me with a story of demonic possession?
+Perhaps. I should have been less patient than he was. As it was, he
+took notes of my statement, asked me how much tea I drank, how many
+hours I slept, whether I had been overworking much, had I had sudden
+pains in the head, evil dreams, singing in the ears, flashes before the
+eyes&mdash;all questions which pointed to his belief that brain congestion
+was at the bottom of my trouble. Finally he dismissed me with a great
+many platitudes about open-air exercise, and avoidance of nervous
+excitement. His prescription, which was for chloral and bromide, I
+rolled up and threw into the gutter.
+</P>
+
+<P>
+No, I can look for no help from any human being. If I consult any
+more, they may put their heads together and I may find myself in an
+asylum. I can but grip my courage with both hands, and pray that an
+honest man may not be abandoned.
+</P>
+
+<P>
+April 10. It is the sweetest spring within the memory of man. So
+green, so mild, so beautiful! Ah, what a contrast between nature
+without and my own soul so torn with doubt and terror! It has been an
+uneventful day, but I know that I am on the edge of an abyss. I know
+it, and yet I go on with the routine of my life. The one bright spot
+is that Agatha is happy and well and out of all danger. If this
+creature had a hand on each of us, what might she not do?
+</P>
+
+<P>
+April 16. The woman is ingenious in her torments. She knows how fond
+I am of my work, and how highly my lectures are thought of. So it is
+from that point that she now attacks me. It will end, I can see, in my
+losing my professorship, but I will fight to the finish. She shall not
+drive me out of it without a struggle.
+</P>
+
+<P>
+I was not conscious of any change during my lecture this morning save
+that for a minute or two I had a dizziness and swimminess which rapidly
+passed away. On the contrary, I congratulated myself upon having made
+my subject (the functions of the red corpuscles) both interesting and
+clear. I was surprised, therefore, when a student came into my
+laboratory immediately after the lecture, and complained of being
+puzzled by the discrepancy between my statements and those in the text
+books. He showed me his note-book, in which I was reported as having
+in one portion of the lecture championed the most outrageous and
+unscientific heresies. Of course I denied it, and declared that he had
+misunderstood me, but on comparing his notes with those of his
+companions, it became clear that he was right, and that I really had
+made some most preposterous statements. Of course I shall explain it
+away as being the result of a moment of aberration, but I feel only too
+sure that it will be the first of a series. It is but a month now to
+the end of the session, and I pray that I may be able to hold out until
+then.
+</P>
+
+<P>
+April 26. Ten days have elapsed since I have had the heart to make any
+entry in my journal. Why should I record my own humiliation and
+degradation? I had vowed never to open it again. And yet the force of
+habit is strong, and here I find myself taking up once more the record
+of my own dreadful experiences&mdash;in much the same spirit in which a
+suicide has been known to take notes of the effects of the poison which
+killed him.
+</P>
+
+<P>
+Well, the crash which I had foreseen has come&mdash;and that no further back
+than yesterday. The university authorities have taken my lectureship
+from me. It has been done in the most delicate way, purporting to be a
+temporary measure to relieve me from the effects of overwork, and to
+give me the opportunity of recovering my health. None the less, it has
+been done, and I am no longer Professor Gilroy. The laboratory is
+still in my charge, but I have little doubt that that also will soon go.
+</P>
+
+<P>
+The fact is that my lectures had become the laughing-stock of the
+university. My class was crowded with students who came to see and
+hear what the eccentric professor would do or say next. I cannot go
+into the detail of my humiliation. Oh, that devilish woman! There is
+no depth of buffoonery and imbecility to which she has not forced me.
+I would begin my lecture clearly and well, but always with the sense of
+a coming eclipse. Then as I felt the influence I would struggle
+against it, striving with clenched hands and beads of sweat upon my
+brow to get the better of it, while the students, hearing my incoherent
+words and watching my contortions, would roar with laughter at the
+antics of their professor. And then, when she had once fairly mastered
+me, out would come the most outrageous things&mdash;silly jokes, sentiments
+as though I were proposing a toast, snatches of ballads, personal abuse
+even against some member of my class. And then in a moment my brain
+would clear again, and my lecture would proceed decorously to the end.
+No wonder that my conduct has been the talk of the colleges. No wonder
+that the University Senate has been compelled to take official notice
+of such a scandal. Oh, that devilish woman!
+</P>
+
+<P>
+And the most dreadful part of it all is my own loneliness. Here I sit
+in a commonplace English bow-window, looking out upon a commonplace
+English street with its garish 'buses and its lounging policeman, and
+behind me there hangs a shadow which is out of all keeping with the age
+and place. In the home of knowledge I am weighed down and tortured by
+a power of which science knows nothing. No magistrate would listen to
+me. No paper would discuss my case. No doctor would believe my
+symptoms. My own most intimate friends would only look upon it as a
+sign of brain derangement. I am out of all touch with my kind. Oh,
+that devilish woman! Let her have a care! She may push me too far.
+When the law cannot help a man, he may make a law for himself.
+</P>
+
+<P>
+She met me in the High Street yesterday evening and spoke to me. It
+was as well for her, perhaps, that it was not between the hedges of a
+lonely country road. She asked me with her cold smile whether I had
+been chastened yet. I did not deign to answer her. "We must try
+another turn of the screw;" said she. Have a care, my lady, have a
+care! I had her at my mercy once. Perhaps another chance may come.
+</P>
+
+<P>
+April 28. The suspension of my lectureship has had the effect also of
+taking away her means of annoying me, and so I have enjoyed two blessed
+days of peace. After all, there is no reason to despair. Sympathy
+pours in to me from all sides, and every one agrees that it is my
+devotion to science and the arduous nature of my researches which have
+shaken my nervous system. I have had the kindest message from the
+council advising me to travel abroad, and expressing the confident hope
+that I may be able to resume all my duties by the beginning of the
+summer term. Nothing could be more flattering than their allusions to
+my career and to my services to the university. It is only in
+misfortune that one can test one's own popularity. This creature may
+weary of tormenting me, and then all may yet be well. May God grant it!
+</P>
+
+<P>
+April 29. Our sleepy little town has had a small sensation. The only
+knowledge of crime which we ever have is when a rowdy undergraduate
+breaks a few lamps or comes to blows with a policeman. Last night,
+however, there was an attempt made to break-into the branch of the Bank
+of England, and we are all in a flutter in consequence.
+</P>
+
+<P>
+Parkenson, the manager, is an intimate friend of mine, and I found him
+very much excited when I walked round there after breakfast. Had the
+thieves broken into the counting-house, they would still have had the
+safes to reckon with, so that the defence was considerably stronger
+than the attack. Indeed, the latter does not appear to have ever been
+very formidable. Two of the lower windows have marks as if a chisel or
+some such instrument had been pushed under them to force them open.
+The police should have a good clue, for the wood-work had been done
+with green paint only the day before, and from the smears it is evident
+that some of it has found its way on to the criminal's hands or clothes.
+</P>
+
+<P>
+4.30 P. M. Ah, that accursed woman! That thrice accursed woman!
+Never mind! She shall not beat me! No, she shall not! But, oh, the
+she-devil! She has taken my professorship. Now she would take my
+honor. Is there nothing I can do against her, nothing save&mdash;&mdash; Ah,
+but, hard pushed as I am, I cannot bring myself to think of that!
+</P>
+
+<P>
+It was about an hour ago that I went into my bedroom, and was brushing
+my hair before the glass, when suddenly my eyes lit upon something
+which left me so sick and cold that I sat down upon the edge of the bed
+and began to cry. It is many a long year since I shed tears, but all
+my nerve was gone, and I could but sob and sob in impotent grief and
+anger. There was my house jacket, the coat I usually wear after
+dinner, hanging on its peg by the wardrobe, with the right sleeve
+thickly crusted from wrist to elbow with daubs of green paint.
+</P>
+
+<P>
+So this was what she meant by another turn of the screw! She had made
+a public imbecile of me. Now she would brand me as a criminal. This
+time she has failed. But how about the next? I dare not think of
+it&mdash;and of Agatha and my poor old mother! I wish that I were dead!
+</P>
+
+<P>
+Yes, this is the other turn of the screw. And this is also what she
+meant, no doubt, when she said that I had not realized yet the power
+she has over me. I look back at my account of my conversation with
+her, and I see how she declared that with a slight exertion of her will
+her subject would be conscious, and with a stronger one unconscious.
+Last night I was unconscious. I could have sworn that I slept soundly
+in my bed without so much as a dream. And yet those stains tell me
+that I dressed, made my way out, attempted to open the bank windows,
+and returned. Was I observed? Is it possible that some one saw me do
+it and followed me home? Ah, what a hell my life has become! I have
+no peace, no rest. But my patience is nearing its end.
+</P>
+
+<P>
+10 P. M. I have cleaned my coat with turpentine. I do not think that
+any one could have seen me. It was with my screw-driver that I made
+the marks. I found it all crusted with paint, and I have cleaned it.
+My head aches as if it would burst, and I have taken five grains of
+antipyrine. If it were not for Agatha, I should have taken fifty and
+had an end of it.
+</P>
+
+<P>
+May 3. Three quiet days. This hell fiend is like a cat with a mouse.
+She lets me loose only to pounce upon me again. I am never so
+frightened as when every thing is still. My physical state is
+deplorable&mdash;perpetual hiccough and ptosis of the left eyelid.
+</P>
+
+<P>
+I have heard from the Mardens that they will be back the day after
+to-morrow. I do not know whether I am glad or sorry. They were safe
+in London. Once here they may be drawn into the miserable network in
+which I am myself struggling. And I must tell them of it. I cannot
+marry Agatha so long as I know that I am not responsible for my own
+actions. Yes, I must tell them, even if it brings every thing to an
+end between us.
+</P>
+
+<P>
+To-night is the university ball, and I must go. God knows I never felt
+less in the humor for festivity, but I must not have it said that I am
+unfit to appear in public. If I am seen there, and have speech with
+some of the elders of the university it will go a long way toward
+showing them that it would be unjust to take my chair away from me.
+</P>
+
+<P>
+10 P. M. I have been to the ball. Charles Sadler and I went together,
+but I have come away before him. I shall wait up for him, however,
+for, indeed, I fear to go to sleep these nights. He is a cheery,
+practical fellow, and a chat with him will steady my nerves. On the
+whole, the evening was a great success. I talked to every one who has
+influence, and I think that I made them realize that my chair is not
+vacant quite yet. The creature was at the ball&mdash;unable to dance, of
+course, but sitting with Mrs. Wilson. Again and again her eyes rested
+upon me. They were almost the last things I saw before I left the
+room. Once, as I sat sideways to her, I watched her, and saw that her
+gaze was following some one else. It was Sadler, who was dancing at
+the time with the second Miss Thurston. To judge by her expression, it
+is well for him that he is not in her grip as I am. He does not know
+the escape he has had. I think I hear his step in the street now, and
+I will go down and let him in. If he will&mdash;&mdash;
+</P>
+
+<P>
+May 4. Why did I break off in this way last night? I never went down
+stairs, after all&mdash;at least, I have no recollection of doing so. But,
+on the other hand, I cannot remember going to bed. One of my hands is
+greatly swollen this morning, and yet I have no remembrance of injuring
+it yesterday. Otherwise, I am feeling all the better for last night's
+festivity. But I cannot understand how it is that I did not meet
+Charles Sadler when I so fully intended to do so. Is it possible&mdash;&mdash;
+My God, it is only too probable! Has she been leading me some devil's
+dance again? I will go down to Sadler and ask him.
+</P>
+
+<P>
+Mid-day. The thing has come to a crisis. My life is not worth living.
+But, if I am to die, then she shall come also. I will not leave her
+behind, to drive some other man mad as she has me. No, I have come to
+the limit of my endurance. She has made me as desperate and dangerous
+a man as walks the earth. God knows I have never had the heart to hurt
+a fly, and yet, if I had my hands now upon that woman, she should never
+leave this room alive. I shall see her this very day, and she shall
+learn what she has to expect from me.
+</P>
+
+<P>
+I went to Sadler and found him, to my surprise, in bed. As I entered
+he sat up and turned a face toward me which sickened me as I looked at
+it.
+</P>
+
+<P>
+"Why, Sadler, what has happened?" I cried, but my heart turned cold as
+I said it.
+</P>
+
+<P>
+"Gilroy," he answered, mumbling with his swollen lips, "I have for some
+weeks been under the impression that you are a madman. Now I know it,
+and that you are a dangerous one as well. If it were not that I am
+unwilling to make a scandal in the college, you would now be in the
+hands of the police."
+</P>
+
+<P>
+"Do you mean&mdash;&mdash;" I cried.
+</P>
+
+<P>
+"I mean that as I opened the door last night you rushed out upon me,
+struck me with both your fists in the face, knocked me down, kicked me
+furiously in the side, and left me lying almost unconscious in the
+street. Look at your own hand bearing witness against you."
+</P>
+
+<P>
+Yes, there it was, puffed up, with sponge-like knuckles, as after some
+terrific blow. What could I do? Though he put me down as a madman, I
+must tell him all. I sat by his bed and went over all my troubles from
+the beginning. I poured them out with quivering hands and burning
+words which might have carried conviction to the most sceptical. "She
+hates you and she hates me!" I cried. "She revenged herself last night
+on both of us at once. She saw me leave the ball, and she must have
+seen you also. She knew how long it would take you to reach home.
+Then she had but to use her wicked will. Ah, your bruised face is a
+small thing beside my bruised soul!"
+</P>
+
+<P>
+He was struck by my story. That was evident. "Yes, yes, she watched
+me out of the room," he muttered. "She is capable of it. But is it
+possible that she has really reduced you to this? What do you intend
+to do?"
+</P>
+
+<P>
+"To stop it!" I cried. "I am perfectly desperate; I shall give her
+fair warning to-day, and the next time will be the last."
+</P>
+
+<P>
+"Do nothing rash," said he.
+</P>
+
+<P>
+"Rash!" I cried. "The only rash thing is that I should postpone it
+another hour." With that I rushed to my room, and here I am on the eve
+of what may be the great crisis of my life. I shall start at once. I
+have gained one thing to-day, for I have made one man, at least,
+realize the truth of this monstrous experience of mine. And, if the
+worst should happen, this diary remains as a proof of the goad that has
+driven me.
+</P>
+
+<P>
+Evening. When I came to Wilson's, I was shown up, and found that he
+was sitting with Miss Penclosa. For half an hour I had to endure his
+fussy talk about his recent research into the exact nature of the
+spiritualistic rap, while the creature and I sat in silence looking
+across the room at each other. I read a sinister amusement in her
+eyes, and she must have seen hatred and menace in mine. I had almost
+despaired of having speech with her when he was called from the room,
+and we were left for a few moments together.
+</P>
+
+<P>
+"Well, Professor Gilroy&mdash;or is it Mr. Gilroy?" said she, with that
+bitter smile of hers. "How is your friend Mr. Charles Sadler after the
+ball?"
+</P>
+
+<P>
+"You fiend!" I cried. "You have come to the end of your tricks now. I
+will have no more of them. Listen to what I say." I strode across and
+shook her roughly by the shoulder "As sure as there is a God in heaven,
+I swear that if you try another of your deviltries upon me I will have
+your life for it. Come what may, I will have your life. I have come
+to the end of what a man can endure."
+</P>
+
+<P>
+"Accounts are not quite settled between us," said she, with a passion
+that equalled my own. "I can love, and I can hate. You had your
+choice. You chose to spurn the first; now you must test the other. It
+will take a little more to break your spirit, I see, but broken it
+shall be. Miss Marden comes back to-morrow, as I understand."
+</P>
+
+<P>
+"What has that to do with you?" I cried. "It is a pollution that you
+should dare even to think of her. If I thought that you would harm
+her&mdash;&mdash;"
+</P>
+
+<P>
+She was frightened, I could see, though she tried to brazen it out.
+She read the black thought in my mind, and cowered away from me.
+</P>
+
+<P>
+"She is fortunate in having such a champion," said she. "He actually
+dares to threaten a lonely woman. I must really congratulate Miss
+Marden upon her protector."
+</P>
+
+<P>
+The words were bitter, but the voice and manner were more acid still.
+</P>
+
+<P>
+"There is no use talking," said I. "I only came here to tell you,&mdash;and
+to tell you most solemnly,&mdash;that your next outrage upon me will be your
+last." With that, as I heard Wilson's step upon the stair, I walked
+from the room. Ay, she may look venomous and deadly, but, for all
+that, she is beginning to see now that she has as much to fear from me
+as I can have from her. Murder! It has an ugly sound. But you don't
+talk of murdering a snake or of murdering a tiger. Let her have a care
+now.
+</P>
+
+<P>
+May 5. I met Agatha and her mother at the station at eleven o'clock.
+She is looking so bright, so happy, so beautiful. And she was so
+overjoyed to see me. What have I done to deserve such love? I went
+back home with them, and we lunched together. All the troubles seem in
+a moment to have been shredded back from my life. She tells me that I
+am looking pale and worried and ill. The dear child puts it down to my
+loneliness and the perfunctory attentions of a housekeeper. I pray
+that she may never know the truth! May the shadow, if shadow there
+must be, lie ever black across my life and leave hers in the sunshine.
+I have just come back from them, feeling a new man. With her by my
+side I think that I could show a bold face to any thing which life
+might send.
+</P>
+
+<P>
+5 P. M. Now, let me try to be accurate. Let me try to say exactly how
+it occurred. It is fresh in my mind, and I can set it down correctly,
+though it is not likely that the time will ever come when I shall
+forget the doings of to-day.
+</P>
+
+<P>
+I had returned from the Mardens' after lunch, and was cutting some
+microscopic sections in my freezing microtome, when in an instant I
+lost consciousness in the sudden hateful fashion which has become only
+too familiar to me of late.
+</P>
+
+<P>
+When my senses came back to me I was sitting in a small chamber, very
+different from the one in which I had been working. It was cosey and
+bright, with chintz-covered settees, colored hangings, and a thousand
+pretty little trifles upon the wall. A small ornamental clock ticked
+in front of me, and the hands pointed to half-past three. It was all
+quite familiar to me, and yet I stared about for a moment in a
+half-dazed way until my eyes fell upon a cabinet photograph of myself
+upon the top of the piano. On the other side stood one of Mrs. Marden.
+Then, of course, I remembered where I was. It was Agatha's boudoir.
+</P>
+
+<P>
+But how came I there, and what did I want? A horrible sinking came to
+my heart. Had I been sent here on some devilish errand? Had that
+errand already been done? Surely it must; otherwise, why should I be
+allowed to come back to consciousness? Oh, the agony of that moment!
+What had I done? I sprang to my feet in my despair, and as I did so a
+small glass bottle fell from my knees on to the carpet.
+</P>
+
+<P>
+It was unbroken, and I picked it up. Outside was written "Sulphuric
+Acid. Fort." When I drew the round glass stopper, a thick fume rose
+slowly up, and a pungent, choking smell pervaded the room. I
+recognized it as one which I kept for chemical testing in my chambers.
+But why had I brought a bottle of vitriol into Agatha's chamber? Was
+it not this thick, reeking liquid with which jealous women had been
+known to mar the beauty of their rivals? My heart stood still as I
+held the bottle to the light. Thank God, it was full! No mischief had
+been done as yet. But had Agatha come in a minute sooner, was it not
+certain that the hellish parasite within me would have dashed the stuff
+into her&mdash;&mdash; Ah, it will not bear to be thought of! But it must have
+been for that. Why else should I have brought it? At the thought of
+what I might have done my worn nerves broke down, and I sat shivering
+and twitching, the pitiable wreck of a man.
+</P>
+
+<P>
+It was the sound of Agatha's voice and the rustle of her dress which
+restored me. I looked up, and saw her blue eyes, so full of tenderness
+and pity, gazing down at me.
+</P>
+
+<P>
+"We must take you away to the country, Austin," she said. "You want
+rest and quiet. You look wretchedly ill."
+</P>
+
+<P>
+"Oh, it is nothing!" said I, trying to smile. "It was only a momentary
+weakness. I am all right again now."
+</P>
+
+<P>
+"I am so sorry to keep you waiting. Poor boy, you must have been here
+quite half an hour! The vicar was in the drawing-room, and, as I knew
+that you did not care for him, I thought it better that Jane should
+show you up here. I thought the man would never go!"
+</P>
+
+<P>
+"Thank God he stayed! Thank God he stayed!" I cried hysterically.
+</P>
+
+<P>
+"Why, what is the matter with you, Austin?" she asked, holding my arm
+as I staggered up from the chair. "Why are you glad that the vicar
+stayed? And what is this little bottle in your hand?"
+</P>
+
+<P>
+"Nothing," I cried, thrusting it into my pocket. "But I must go. I
+have something important to do."
+</P>
+
+<P>
+"How stern you look, Austin! I have never seen your face like that.
+You are angry?"
+</P>
+
+<P>
+"Yes, I am angry."
+</P>
+
+<P>
+"But not with me?"
+</P>
+
+<P>
+"No, no, my darling! You would not understand."
+</P>
+
+<P>
+"But you have not told me why you came."
+</P>
+
+<P>
+"I came to ask you whether you would always love me&mdash;no matter what I
+did, or what shadow might fall on my name. Would you believe in me and
+trust me however black appearances might be against me?"
+</P>
+
+<P>
+"You know that I would, Austin."
+</P>
+
+<P>
+"Yes, I know that you would. What I do I shall do for you. I am
+driven to it. There is no other way out, my darling!" I kissed her
+and rushed from the room.
+</P>
+
+<P>
+The time for indecision was at an end. As long as the creature
+threatened my own prospects and my honor there might be a question as
+to what I should do. But now, when Agatha&mdash;my innocent Agatha&mdash;was
+endangered, my duty lay before me like a turnpike road. I had no
+weapon, but I never paused for that. What weapon should I need, when I
+felt every muscle quivering with the strength of a frenzied man? I ran
+through the streets, so set upon what I had to do that I was only dimly
+conscious of the faces of friends whom I met&mdash;dimly conscious also
+that Professor Wilson met me, running with equal precipitance in the
+opposite direction. Breathless but resolute I reached the house and
+rang the bell. A white cheeked maid opened the door, and turned whiter
+yet when she saw the face that looked in at her.
+</P>
+
+<P>
+"Show me up at once to Miss Penclosa," I demanded.
+</P>
+
+<P>
+"Sir," she gasped, "Miss Penclosa died this afternoon at half-past
+three!"
+</P>
+
+<BR><BR><BR><BR>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Parasite, by Arthur Conan Doyle
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE PARASITE ***
+
+***** This file should be named 355-h.htm or 355-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/5/355/
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</BODY>
+
+</HTML>
+