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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:03:33 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:03:33 -0700 |
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diff --git a/35332-h/35332-h.htm b/35332-h/35332-h.htm new file mode 100644 index 0000000..58fc128 --- /dev/null +++ b/35332-h/35332-h.htm @@ -0,0 +1,1183 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" +"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> + <head> +<meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> +<title> + The Project Gutenberg eBook of Our Artist In Cuba, by Geo. W. Carleton. +</title> +<style type="text/css"> + p {margin-top:.75em;text-align:justify;margin-bottom:.75em;text-indent:2%;} + +.c {text-align:center;text-indent:0%;} + + h1,h3 {margin-top:15%;text-align:center;clear:both;} + + hr.full {width:100%;margin:5% auto 5% auto;border:4px double gray;} + + table {margin-left:auto;margin-right:auto;border:none;text-align:left;} + + body{margin-left:2%;margin-right:2%;background:#fdfdfd;color:black;font-family:"Times New Roman", serif;font-size:medium;} + +a:link {background-color:#ffffff;color:blue;text-decoration:none;} + + link {background-color:#ffffff;color:blue;text-decoration:none;} + +a:visited {background-color:#ffffff;color:purple;text-decoration:none;} + +a:hover {background-color:#ffffff;color:#FF0000;text-decoration:underline;} + + img {border:none;} + +.centereddrawing {margin:auto;text-align:center;} +</style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Our Artist in Cuba, by George W. Carleton + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Our Artist in Cuba + Fifty drawings on wood. Leaves from the Sketch-book of a + traveler, During the Winter of 1864-5. + +Author: George W. Carleton + +Release Date: February 19, 2011 [EBook #35332] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK OUR ARTIST IN CUBA *** + + + + +Produced by Chuck Greif (from scanned images available at +the Internet Archive) + + + + + + +</pre> + +<hr class="full" /> + +<div class="centereddrawing" style="width: 334px;"> +<a href="images/cover_lg.jpg"> +<img src="images/cover.jpg" width="334" height="550" alt="image of the book's cover." title="" /></a> +</div> + +<h1>OUR ARTIST IN CUBA</h1> + +<p> +<br /> +<br /> +</p> + +<div class="centereddrawing" style="width: 125px;"> +<a href="images/illpg_053.png"> +<img src="images/illpg_053_sml.png" width="125" height="259" alt="CARLETON +DEL +hys Marke" title="" /></a> +</div> + +<p> +<br /> +<br /> +</p> + +<h1><small>OUR</small><br /> +ARTIST IN CUBA.</h1> + +<p class="c">FIFTY DRAWINGS ON WOOD.</p> + +<p class="c"><small>LEAVES FROM</small><br /> +THE SKETCH-BOOK OF A TRAVELER,<br /> +<small>DURING THE WINTER OF 1864-5,</small></p> + +<p class="c"><small>BY</small><br />GEO. W. CARLETON.</p> + +<div class="centereddrawing" style="width: 120px;"> +<img src="images/title.png" width="75" height="59" alt="colophon" title="" /> +<p>colophon</p> +</div> + +<p class="c">NEW YORK:<br /> +<i>Carleton, Publisher,</i> 413 <i>Broadway.</i><br /> +<small><i>London: S. Low, Son & Co.</i></small><br /> +MDCLXV.</p> + +<p> +<br /> +<br /> +</p> + +<p class="c">Entered according to Act of Congress, in the year 1865, by<br /> +GEO. W. CARLETON,<br /> +In the Clerk's Office of the District Court of the United<br /> +States for the Southern District of New York.</p> + +<h3>CONTENTS.</h3> + +<table border="2" cellpadding="4" cellspacing="0" summary=""> +<tr><td align="center">Click on any image to see +it enlarged.<br /> +(note of etext transcriber.)</td></tr> +</table> + +<p> +<br /> +</p> + +<table border="0" cellpadding="2" cellspacing="0" summary=""> + +<tr><td colspan="2"><a href="#A_PRELIMINARY_WORD">A P<small>RELIMINARY</small> W<small>ORD</small></a>.</td></tr> + +<tr><td colspan="2" align="right">N<small>O</small>.</td></tr> + +<tr><td>S<small>ICK</small> T<small>RANSIT</small></td><td align="right"><a href="#drawing_1">1</a></td></tr> + +<tr><td>T<small>WO</small> B<small>OOBIES</small></td><td align="right"><a href="#drawing_2">2</a></td></tr> + +<tr><td>A C<small>OLORED</small> H<small>ERCULES</small></td><td align="right"><a href="#drawing_3">3</a></td></tr> + +<tr><td>T<small>HE</small> C<small>UBAN</small> J<small>EHU</small></td><td align="right"><a href="#drawing_4">4</a></td></tr> + +<tr><td>I<small>GLESIA</small> <small>DE</small> S<small>AN</small> F<small>RANCISCO</small></td><td align="right"><a href="#drawing_5">5</a></td></tr> + +<tr><td>A C<small>UBAN</small> M<small>OTIVE</small></td><td align="right"><a href="#drawing_6">6</a></td></tr> + +<tr><td>A<small>N</small> I<small>NFLUENZA</small></td><td align="right"><a href="#drawing_7">7</a></td></tr> + +<tr><td>F<small>LEE</small> <small>FOR</small> S<small>HELTER</small></td><td align="right"><a href="#drawing_8">8</a></td></tr> + +<tr><td>T<small>HE</small> R<small>IDE</small></td><td align="right"><a href="#drawing_9">9</a></td></tr> + +<tr><td>A C<small>OCK</small>-F<small>IGHT</small></td><td align="right"><a href="#drawing_10">10</a></td></tr> + +<tr><td>R<small>ATHER</small> C<small>OOL</small></td><td align="right"><a href="#drawing_11">11</a></td></tr> + +<tr><td>A S<small>PANISH</small> R<small>ETREAT</small></td><td align="right"><a href="#drawing_12">12</a></td></tr> + +<tr><td>T<small>AKE</small> Y<small>OUR</small> P<small>ICK</small></td><td align="right"><a href="#drawing_13">13</a></td></tr> + +<tr><td>S<small>PIDERS</small>, R<small>ATS</small>, <small>AND</small> C<small>OCKROACHES</small> </td><td align="right"><a href="#drawing_14">14</a></td></tr> + +<tr><td>B<small>ELLIGERENTS</small></td><td align="right"><a href="#drawing_15">15</a></td></tr> + +<tr><td>M<small>ATERFAMILIAS</small> E<small>T</small> F<small>ILIUS</small></td><td align="right"><a href="#drawing_16">16</a></td></tr> + +<tr><td>A C<small>ULINARY</small> D<small>EPARTMENT</small></td><td align="right"><a href="#drawing_17">17</a></td></tr> + +<tr><td>A B<small>UNDLE</small> <small>OF</small> C<small>LOTHES</small></td><td align="right"><a href="#drawing_18">18</a></td></tr> + +<tr><td>A B<small>UTTON</small>-S<small>MASHER</small></td><td align="right"><a href="#drawing_19">19</a></td></tr> + +<tr><td>W<small>HITE</small> P<small>ANTALOONS</small></td><td align="right"><a href="#drawing_20">20</a></td></tr> + +<tr><td>A C<small>ARNIVAL</small> A<small>CQUAINTANCE</small></td><td align="right"><a href="#drawing_21">21</a></td></tr> + +<tr><td>B<small>EAUTY</small> <small>AT</small> <small>THE</small> B<small>ALL</small></td><td align="right"><a href="#drawing_22">22</a></td></tr> + +<tr><td>A D<small>ISAPPOINTMENT</small></td><td align="right"><a href="#drawing_23">23</a></td></tr> + +<tr><td>D<small>OLCE</small> <small>FAR</small> N<small>IENTE</small></td><td align="right"><a href="#drawing_24">24</a></td></tr> + +<tr><td>L<small>OCOMOTION</small></td><td align="right"><a href="#drawing_25">25</a></td></tr> + +<tr><td>T<small>HE</small> S<small>PANISH</small> T<small>ONGUE</small></td><td align="right"><a href="#drawing_26">26</a></td></tr> + +<tr><td>A<small>N</small> U<small>NWELCOME</small> V<small>ISITOR</small></td><td align="right"><a href="#drawing_27">27</a></td></tr> + +<tr><td>A<small>N</small> A<small>GREEABLE</small> B<small>ATH</small></td><td align="right"><a href="#drawing_28">28</a></td></tr> + +<tr><td>A C<small>ELESTIAL</small> M<small>AID</small></td><td align="right"><a href="#drawing_29">29</a></td></tr> + +<tr><td>A S<small>TATUE</small> <small>ON A</small> B<small>UST</small></td><td align="right"><a href="#drawing_30">30</a></td></tr> + +<tr><td>A T<small>AIL</small> U<small>NFOLDED</small></td><td align="right"><a href="#drawing_31">31</a></td></tr> + +<tr><td>P<small>UT</small> M<small>ONEY</small> <small>IN</small> T<small>HY</small> P<small>URSE</small></td><td align="right"><a href="#drawing_32">32</a></td></tr> + +<tr><td>S<small>UGAR</small> <small>AND</small> W<small>ATER</small></td><td align="right"><a href="#drawing_33">33</a></td></tr> + +<tr><td>G<small>REEN</small> F<small>IELDS</small> <small>AND</small> P<small>ASTURES</small> N<small>EW</small></td><td align="right"><a href="#drawing_34">34</a></td></tr> + +<tr><td>A S<small>EGAR</small> <small>WELL</small>-L<small>IGHTED</small></td><td align="right"><a href="#drawing_35">35</a></td></tr> + +<tr><td>W<small>HERE</small> S<small>HALL</small> R<small>EST</small> B<small>E</small> F<small>OUND</small></td><td align="right"><a href="#drawing_36">36</a></td></tr> + +<tr><td>A<small>LL</small> A<small>BOARD</small></td><td align="right"><a href="#drawing_37">37</a></td></tr> + +<tr><td>T<small>HE</small> M<small>ATANZAS</small> C<small>AVE</small></td><td align="right"><a href="#drawing_38">38</a></td></tr> + +<tr><td>A H<small>ARD</small> R<small>OAD</small> <small>TO</small> T<small>RAVEL</small></td><td align="right"><a href="#drawing_39">39</a></td></tr> + +<tr><td>A S<small>HADY</small> R<small>ETREAT</small></td><td align="right"><a href="#drawing_40">40</a></td></tr> + +<tr><td>A S<small>PANISH</small> G<small>ROCER</small></td><td align="right"><a href="#drawing_41">41</a></td></tr> + +<tr><td>C<small>OLORED</small> H<small>ELP</small></td><td align="right"><a href="#drawing_42">42</a></td></tr> + +<tr><td>V<small>ERY</small> M<small>OORISH</small></td><td align="right"><a href="#drawing_43">43</a></td></tr> + +<tr><td>C<small>HACUN A</small> S<small>ON</small> G<small>OUT</small></td><td align="right"><a href="#drawing_44">44</a></td></tr> + +<tr><td>N<small>ATURE</small>'S S<small>WEET</small> R<small>ESTORER</small></td><td align="right"><a href="#drawing_45">45</a></td></tr> + +<tr><td>A<small>GRICULTURAL</small></td><td align="right"><a href="#drawing_46">46</a></td></tr> + +<tr><td>A C<small>OT</small> <small>IN</small> <small>THE</small> V<small>ALLEY</small></td><td align="right"><a href="#drawing_47">47</a></td></tr> + +<tr><td>A C<small>OLORED</small> B<small>EAUTY</small></td><td align="right"><a href="#drawing_48">48</a></td></tr> + +<tr><td>C<small>ORNER</small> S<small>TONES</small></td><td align="right"><a href="#drawing_49">49</a></td></tr> + +<tr><td>A S<small>UDDEN</small> D<small>EPARTURE</small></td><td align="right"><a href="#drawing_50">50</a></td></tr> +</table> + +<h3><a name="A_PRELIMINARY_WORD" id="A_PRELIMINARY_WORD"></a>A PRELIMINARY WORD.</h3> + +<p>WITH man the Artillery band in the Plaza des Armas—assisting +with domino and false nose at the masquerades in the Tacon +Theatre—lounging with ices or delicious chocolate at the Café +Dominica—dallying with cigar and fragrant coffee, after the regulation +breakfast of codfish, garlic, and onions—snuffing up the perfumed air, +and strolling through the golden orange-groves of Cafetals—joining in +the battle, murder, and sudden death of Marinao +cock-fights—vagabondizing along the shady side of Calle Obispo—and so +forth, through all the <i>dulce far nientes</i> of a stranger's drifting +life, among the lights and shadows of the Antilles' Queen.</p> + +<p>The only merit the pictures possess, perhaps, is their faithfulness to +nature. Though chiefly caricatures, they represent such incidents and +scenes as every one, with both eyes open, sees, who visits Cuba; and +being sketched upon the spot, with all the crispy freshness of a first +impression, they possess a sort of photographic value, that, in spite of +their grotesqueness, may prove more lasting than the entertainment which +their humor offers.</p> + +<p>N<small>EW</small> Y<small>ORK</small>, April, 1865.</p> + +<h3><a name="drawing_1" id="drawing_1"></a>THE START.—THE STEAMSHIP COLUMBIA.<br /> +AT SEA.</h3> + +<div class="centereddrawing" style="width: 50%;"> +<a href="images/illpg_001.png"> +<img src="images/illpg_001_sml.png" width="408" height="556" alt="First day out.—The wind freshens up a trifle as we get +outside Sandy Hook; but our artist says he is'nt sea-sick, for he never +felt better in his life." title="" /></a> +<br /> +<p>First day out.—The wind freshens up a trifle as we get +outside Sandy Hook; but our artist says he is'nt sea-sick, for he never +felt better in his life.</p> +</div> + +<h3><a name="drawing_2" id="drawing_2"></a>IN THE GULF OF MEXICO.</h3> + +<div class="centereddrawing" style="width: 414px;"> +<a href="images/illpg_002a.png"> +<img src="images/illpg_002a_sml.png" width="414" height="148" alt="A "Booby"—as seen from the ship's deck." title="" /></a> +<p class="c">A "Booby"—as seen from the ship's deck.</p> +</div> + +<div class="centereddrawing" style="width: 287px;"> +<a href="images/illpg_002b.png"> +<img src="images/illpg_002b_sml.png" width="287" height="365" alt="A Booby—as seen on the ship's deck." title="" /></a> +<p>A Booby—as seen on the ship's deck.</p> +</div> + +<h3><a name="drawing_3" id="drawing_3"></a>ARRIVAL AT HAVANA.</h3> + +<div class="centereddrawing" style="width: 367px;"> +<a href="images/illpg_003.png"> +<img src="images/illpg_003_sml.png" width="367" height="640" alt="A side elevation of the colored gentleman who carried our +luggage from the small boat to the Custom House." title="" /></a> +<p>A side elevation of the colored gentleman who carried our +luggage from the small boat to the Custom House.</p> +</div> + +<h3><a name="drawing_4" id="drawing_4"></a> STREETS OF HAVANA.—CALLE MERCADERES.</h3> + +<div class="centereddrawing" style="width: 587px;"> +<a href="images/illpg_004.png"> +<img src="images/illpg_004_sml.png" width="587" height="402" alt="The first volante driver that our artist saw in Havana." title="" /></a> +<p class="c">The first volante driver that our artist saw in Havana.</p> +</div> + +<h3><a name="drawing_5" id="drawing_5"></a> VIEW FROM OUR WINDOW AT THE HOTEL ALMY.</h3> + +<div class="centereddrawing" style="width: 419px;"> +<a href="images/illpg_005.png"> +<img src="images/illpg_005_sml.png" width="419" height="571" alt="The old Convent and Bell Tower of the Church of San +Francisco,—now used as a Custom House." title="" /></a> +<p>The old Convent and Bell Tower of the Church of San +Francisco,—now used as a Custom House.</p> +</div> + +<h3><a name="drawing_6" id="drawing_6"></a> STREETS OF HAVANA.—CALLE TENIENTE RE.</h3> + +<div class="centereddrawing" style="width: 574px;"> +<a href="images/illpg_006.png"> +<img src="images/illpg_006_sml.png" width="574" height="335" alt="A Cuban Cart and its Motive Power.—Ye patient Donkey." title="" /></a> +<p class="c">A Cuban Cart and its Motive Power.—Ye patient Donkey.</p> +</div> + +<h3><a name="drawing_7" id="drawing_7"></a> AT THE CAFE LOUVRE.</h3> + +<div class="centereddrawing" style="width: 273px;"> +<a href="images/illpg_007.png"> +<img src="images/illpg_007_sml.png" width="273" height="471" alt="Manners and Customs of a Cuban with a Cold in his Head." title="" /></a> +<p>Manners and Customs of a Cuban with a Cold in his Head.</p> +</div> + +<h3><a name="drawing_8" id="drawing_8"></a> THE [WICKED] FLEA OF HAVANA.</h3> + +<div class="centereddrawing" style="width: 401px;"> +<a href="images/illpg_008a.png"> +<img src="images/illpg_008a_sml.png" width="401" height="174" alt="PART I.—The beast in a torpid condition." title="" /></a> +</div> + +<div class="centereddrawing" style="width: 407px;"> +<a href="images/illpg_008b.png"> +<img src="images/illpg_008b_sml.png" width="407" height="262" alt="PART II.—When he "smells the blood of an Englishmun."" title="" /></a> +<p>P<small>ART</small> I.—The beast in a torpid condition.</p> +<p>P<small>ART</small> II.—When he "smells the blood of an Englishmun."</p> +</div> + +<h3><a name="drawing_9" id="drawing_9"></a> THE NATIONAL VEHICLE OF HAVANA.</h3> + +<div class="centereddrawing" style="width: 693px;"> +<a href="images/illpg_009.png"> +<img src="images/illpg_009_sml.png" width="693" height="258" alt="Manner and Custom of Harnessing ye Animiles to ye Cuban +Volante." title="" /></a> +<p class="c">Manner and Custom of Harnessing ye Animiles to ye Cuban +Volante.</p> +</div> + +<h3><a name="drawing_10" id="drawing_10"></a> A COCK-FIGHT IN CUBA.</h3> + +<div class="centereddrawing" style="width: 270px;"> +<a href="images/illpg_010a.png"> +<img src="images/illpg_010a_sml.png" width="270" height="261" alt="I.—Chanticleer as he goes in." title="" /></a> +<p class="c">I.—Chanticleer as he goes in.</p> +</div> + +<div class="centereddrawing" style="width: 307px;"> +<a href="images/illpg_010b.png"> +<img src="images/illpg_010b_sml.png" width="307" height="128" alt="II.—Chanticleer considerably "played out."" title="" /></a> +<p class="c">II.—Chanticleer considerably "played out."</p> +</div> + +<h3><a name="drawing_11" id="drawing_11"></a> STREETS OF HAVANA.—CALLE LAMPARILLA.</h3> + +<div class="centereddrawing" style="width: 363px;"> +<a href="images/illpg_011.png"> +<img src="images/illpg_011_sml.png" width="363" height="327" alt="The cool and airy style in which they dress the rising +colored generation of Havana." title="" /></a> +<p>The cool and airy style in which they dress the rising +colored generation of Havana.</p> +</div> + +<h3><a name="drawing_12" id="drawing_12"></a> THE CUBAN TOOTH-PICK.</h3> + +<div class="centereddrawing" style="width: 517px;"> +<a href="images/illpg_012.png"> +<img src="images/illpg_012_sml.png" width="517" height="302" alt="Two ways of carrying it—behind the ear, and in the +back-hair." title="" /></a> +<p class="c">Two ways of carrying it—behind the ear, and in the +back-hair.</p> +</div> + +<h3><a name="drawing_13" id="drawing_13"></a> THE CAPTAIN GENERAL'S QUINTA,</h3> + +<div class="centereddrawing" style="width: 435px;"> +<a href="images/illpg_013.png"> +<img src="images/illpg_013_sml.png" width="435" height="596" alt="View of the Canal and Cocoa Tree; looking East from the +Grotto." title="" /></a> +<p class="c">View of the Canal and Cocoa Tree; looking East from the +Grotto.</p> +</div> + +<h3><a name="drawing_14" id="drawing_14"></a> THE DOMESTIC INSECTS OF HAVANA.</h3> + +<div class="centereddrawing" style="width: 718px;"> +<a href="images/illpg_014.png"> +<img src="images/illpg_014_sml.png" width="718" height="346" alt="Agitation of the Better-Half of Our Artist, upon entering +her chamber and making their acquaintance." title="" /></a> +<p class="c">Agitation of the Better-Half of Our Artist, upon entering +her chamber and making their acquaintance.</p> +</div> + +<h3><a name="drawing_15" id="drawing_15"></a> A LITTLE EPISODE IN THE CALLE BARRATILLO.</h3> + +<div class="centereddrawing" style="width: 659px;"> +<a href="images/illpg_015.png"> +<img src="images/illpg_015_sml.png" width="659" height="201" alt="A slight difference arises between the housekeeper's cat +and the butcher's dog, who has just come out in his summer costume." title="" /></a> +<p>A slight difference arises between the housekeeper's cat +and the butcher's dog, who has just come out in his summer costume.</p> +</div> + +<h3><a name="drawing_16" id="drawing_16"></a> STREETS OF HAVANA.—CALLE COMPOSTELLA,</h3> + +<div class="centereddrawing" style="width: 399px;"> +<a href="images/illpg_016.png"> +<img src="images/illpg_016_sml.png" width="399" height="652" alt="The Free Negro.—An every-day scene,-when the weather is +fine." title="" /></a> +<p>The Free Negro.—An every-day scene,-when the weather is +fine.</p> +</div> + +<h3><a name="drawing_17" id="drawing_17"></a> AN INTERIOR IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 421px;"> +<a href="images/illpg_017.png"> +<img src="images/illpg_017_sml.png" width="421" height="587" alt="Kitchen, chief-cook and bottle-washer in the +establishment of Mrs. Franke, out on the "Cerro."" title="" /></a> +<p>Kitchen, chief-cook and bottle-washer in the +establishment of Mrs. Franke, out on the "Cerro."</p> +</div> + +<h3><a name="drawing_18" id="drawing_18"></a> HEADS OF THE PEOPLE.</h3> + +<div class="centereddrawing" style="width: 370px;"> +<a href="images/illpg_018.png"> +<img src="images/illpg_018_sml.png" width="370" height="634" alt="A portrait of the young lady, whose family (after +considerable urging) consents to take in our washing." title="" /></a> +<p>A portrait of the young lady, whose family (after +considerable urging) consents to take in our washing.</p> +</div> + +<h3><a name="drawing_19" id="drawing_19"></a> PRIMITIVE HABITS OF THE NATIVES.</h3> + +<div class="centereddrawing" style="width: 710px;"> +<a href="images/illpg_019.png"> +<img src="images/illpg_019_sml.png" width="710" height="358" alt="Washing in Havana.—$4.00 a dozen in gold." title="" /></a> +<p class="c">Washing in Havana.—$4.00 a dozen in gold.</p> +</div> + +<h3><a name="drawing_20" id="drawing_20"></a> WASHING IN HAVANA..</h3> + +<div class="centereddrawing" style="width: 535px;"> +<a href="images/illpg_020.png"> +<img src="images/illpg_020_sml.png" width="535" height="273" alt="I.—My pantaloons as they went in." title="" /></a> +<p class="c">I.—My pantaloons as they went in. + II.—My pantaloons as they came out.</p> +</div> + +<h3><a name="drawing_21" id="drawing_21"></a> CARNIVAL IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 710px;"> +<a href="images/illpg_021.png"> +<img src="images/illpg_021_sml.png" width="710" height="377" alt="A Masquerade at the Tacon Theatre.—Types of Costume, +with a glimpse of the "Cuban Dance" in the background." title="" /></a> +<p>A Masquerade at the Tacon Theatre.—Types of Costume, +with a glimpse of the "Cuban Dance" in the background.</p> +</div> + +<h3><a name="drawing_22" id="drawing_22"></a> A MASK BALL AT THE TACON.</h3> + +<div class="centereddrawing" style="width: 412px;"> +<a href="images/illpg_022.png"> +<img src="images/illpg_022_sml.png" width="412" height="469" alt="Our artist mixes in the giddy dance, and falls +desperately in love with this sweet creature—— but" title="" /></a> +<p>Our artist mixes in the giddy dance, and falls +desperately in love with this sweet creature—— but</p> +</div> + +<h3><a name="drawing_23" id="drawing_23"></a> LATER IN THE EVENING,</h3> + +<div class="centereddrawing" style="width: 415px;"> +<a href="images/illpg_023.png"> +<img src="images/illpg_023_sml.png" width="415" height="394" alt="When the "sweet creature" unmasks, our Artist suddenly +recovers from his fit of admiration. Alas! beauty is but mask deep." title="" /></a> +<p>When the "sweet creature" unmasks, our Artist suddenly +recovers from his fit of admiration. Alas! beauty is but mask deep.</p> +</div> + +<h3><a name="drawing_24" id="drawing_24"></a> STREETS OF HAVANA—CALLE OBRAPIA.</h3> + +<div class="centereddrawing" style="width: 696px;"> +<a href="images/illpg_024.png"> +<img src="images/illpg_024_sml.png" width="696" height="339" alt="The Cuban Wheelbarrow—In Repose." title="" /></a> +<p class="c">The Cuban Wheelbarrow—In Repose.</p> +</div> + +<h3><a name="drawing_25" id="drawing_25"></a> STREETS OF HAVANA—CALLE O'REILLY.</h3> + +<div class="centereddrawing" style="width: 701px;"> +<a href="images/illpg_025.png"> +<img src="images/illpg_025_sml.png" width="701" height="346" alt="The Cuban Wheelbarrow—In action." title="" /></a> +<p class="c">The Cuban Wheelbarrow—In action.</p> +</div> + +<h3><a name="drawing_26" id="drawing_26"></a> FIRST HOUR! +SECOND HOUR!! +THIRD HOUR!!!</h3> + +<div class="centereddrawing" style="width: 672px;"> +<a href="images/illpg_026.png"> +<img src="images/illpg_026_sml.png" width="672" height="203" alt="" title="" /></a> +<p>Our Artist forms the praiseworthy determination of +studying the Spanish language, and devotes three hours to the +enterprise.</p> +</div> + +<h3><a name="drawing_27" id="drawing_27"></a> BED-ROOMS IN CUBA.</h3> + +<div class="centereddrawing" style="width: 643px;"> +<a href="images/illpg_027.png"> +<img src="images/illpg_027_sml.png" width="643" height="336" alt="The Scorpion of Havana,—encountered in his native +jungle." title="" /></a> +<p class="c">The Scorpion of Havana,—encountered in his native +jungle.</p> +</div> + +<h3><a name="drawing_28" id="drawing_28"></a> SEA-BATHS IN HAVANA,</h3> + +<div class="centereddrawing" style="width: 653px;"> +<a href="images/illpg_028.png"> +<img src="images/illpg_028_sml.png" width="653" height="323" alt="Our Artist having prepared himself for a jolly plunge, +inadvertently observes an insect peculiar to the water, and rather +thinks he won't go in just now." title="" /></a> +<p>Our Artist having prepared himself for a jolly plunge, +inadvertently observes an insect peculiar to the water, and rather +thinks he won't go in just now.</p> +</div> + +<h3><a name="drawing_29" id="drawing_29"></a> HOTELS IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 362px;"> +<a href="images/illpg_029.png"> +<img src="images/illpg_029_sml.png" width="362" height="510" alt="A cheerful Chinese Chambermaid (?) at the Fonda de +Ingleterra, outside the walls." title="" /></a> +<p>A cheerful Chinese Chambermaid (?) at the Fonda de +Ingleterra, outside the walls.</p> +</div> + +<h3><a name="drawing_30" id="drawing_30"></a> HIGH ART IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 294px;"> +<a href="images/illpg_030.png"> +<img src="images/illpg_030_sml.png" width="294" height="460" alt="A gay (but slightly mutilated) old plaster-of-Paris girl, +that I found in one of the avenues of the Bishop's Garden, on the +"Cerro."" title="" /></a> +<p>A gay (but slightly mutilated) old plaster-of-Paris girl, +that I found in one of the avenues of the Bishop's Garden, on the +"Cerro."</p> +</div> + +<h3><a name="drawing_31" id="drawing_31"></a> LOCOMOTION IN THE COUNTRY.</h3> + +<div class="centereddrawing" style="width: 704px;"> +<a href="images/illpg_031.png"> +<img src="images/illpg_031_sml.png" width="704" height="309" alt="A Cuban Planter going into town with his plunder." title="" /></a> +<p class="c">A Cuban Planter going into town with his plunder.</p> +</div> + +<h3><a name="drawing_32" id="drawing_32"></a> SHOPPING IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 100%;"> +<a href="images/illpg_032.png"> +<img src="images/illpg_032_sml.png" width="649" height="368" alt="Our Artist just steps around the corner, to look at a "sweet thing in fans" that his wife has found." title="" /></a> +</div> + +<table border="0" cellpadding="4" cellspacing="0" summary=""> +<tr valign="top"><td> Our Artist just steps around the corner, to look at <br /> a +"sweet thing in fans" that his wife has found. </td><td> RESULT!</td></tr> +</table> + +<h3><a name="drawing_33" id="drawing_33"></a> THE NATIONAL BEVERAGE OF HAVANA.</h3> + +<div class="centereddrawing" style="width: 681px;"> +<a href="images/illpg_033.png"> +<img src="images/illpg_033_sml.png" width="681" height="323" alt="Our Artist indulges in a panale frio (a sort of +lime-ade), at the Café Dominica, and gets so "set up," that he vows he +won't go home till morning." title="" /></a> +<p>Our Artist indulges in a <i>panale frio</i> (a sort of +lime-ade), at the Café Dominica, and gets so "set up," that he vows he +won't go home till morning.</p> +</div> + +<h3><a name="drawing_34" id="drawing_34"></a> THE LIZARDS OF CUBA.</h3> + +<div class="centereddrawing" style="width: 693px;"> +<a href="images/illpg_034.png"> +<img src="images/illpg_034_sml.png" width="693" height="368" alt="Our Artist, on an entomological expedition in the +Bishop's Garden, is disagreeably surprised to find such sprightly +specimens." title="" /></a> +<p>Our Artist, on an entomological expedition in the +Bishop's Garden, is disagreeably surprised to find such sprightly +specimens.</p> +</div> + +<h3><a name="drawing_35" id="drawing_35"></a> SMOKING IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 648px;"> +<a href="images/illpg_035.png"> +<img src="images/illpg_035_sml.png" width="648" height="360" alt="An English acquaintance of Our Artist wants a light for +his paper segar; whereupon the waiter, according to custom, brings a +live coal." title="" /></a> +<p>An English acquaintance of Our Artist wants a light for +his paper segar; whereupon the waiter, according to custom, brings a +live coal.</p> +</div> + +<h3><a name="drawing_36" id="drawing_36"></a> THE MUSQUITOS OF HAVANA.</h3> + +<div class="centereddrawing" style="width: 683px;"> +<a href="images/illpg_036.png"> +<img src="images/illpg_036_sml.png" width="683" height="362" alt="A midsummer's night dream.—Our Artist is just the least +bit disturbed in his rest, and gently remonstrates." title="" /></a> +<p>A midsummer's night dream.—Our Artist is just the least +bit disturbed in his rest, and gently remonstrates.</p> +</div> + +<h3><a name="drawing_37" id="drawing_37"></a> PUBLIC SERVANTS IN CUBA.</h3> + +<div class="centereddrawing" style="width: 363px;"> +<a href="images/illpg_037.png"> +<img src="images/illpg_037_sml.png" width="363" height="447" alt="A gay and festive Chinese brakeman, on the railroad near +Guines.—The shirt-collar-and-pair-of-spurs style of costume." title="" /></a> +<p>A gay and festive Chinese brakeman, on the railroad near +Guines.—The shirt-collar-and-pair-of-spurs style of costume.</p> +</div> + +<h3><a name="drawing_38" id="drawing_38"></a> ONE OF THE SENSATIONS IN CUBA.</h3> + +<div class="centereddrawing" style="width: 668px;"> +<a href="images/illpg_038.png"> +<img src="images/illpg_038_sml.png" width="668" height="289" alt="The Great Cave near Matanzas.—Picturesque House over the +Entrance." title="" /></a> +<p class="c">The Great Cave near Matanzas.—Picturesque House over the +Entrance.</p> +</div> + +<h3><a name="drawing_39" id="drawing_39"></a> THE GREAT CAVE NEAR MATANZAS.</h3> + +<div class="centereddrawing" style="width: 698px;"> +<a href="images/illpg_039.png"> +<img src="images/illpg_039_sml.png" width="698" height="275" alt="A section of the interior—showing the comfortable manner +in which our artist followed the guide, inspected the stalactites, and +comported himself generally." title="" /></a> +<p>A section of the interior—showing the comfortable manner +in which our artist followed the guide, inspected the stalactites, and +comported himself generally.</p> +</div> + +<h3><a name="drawing_40" id="drawing_40"></a> THE OUTSKIRTS OF MATANZAS.</h3> + +<div class="centereddrawing" style="width: 660px;"> +<a href="images/illpg_040.png"> +<img src="images/illpg_040_sml.png" width="660" height="345" alt="One of the Fortifications.—Sketched from the end of the +Passeo, on a day hot enough to give anything but a donkey the brain +fever." title="" /></a> +<p>One of the Fortifications.—Sketched from the end of the +Passeo, on a day hot enough to give anything but a donkey the brain +fever.</p> +</div> + +<h3><a name="drawing_41" id="drawing_41"></a> ARCHITECTURE IN MATANZAS.</h3> + +<div class="centereddrawing" style="width: 404px;"> +<a href="images/illpg_041.png"> +<img src="images/illpg_041_sml.png" width="404" height="420" alt="A romantic little tienda mista (grocery store) on a +corner, in the Calle Ona." title="" /></a> +<p>A romantic little tienda mista (grocery store) on a +corner, in the Calle Ona.</p> +</div> + +<h3><a name="drawing_42" id="drawing_42"></a> A CAFFETAL NEAR MATANZAS.</h3> + +<div class="centereddrawing" style="width: 679px;"> +<a href="images/illpg_042.png"> +<img src="images/illpg_042_sml.png" width="679" height="321" alt="Our Artist becomes dumb with admiration, at the ingenious +manner of toting little niggers." title="" /></a> +<p class="c">Our Artist becomes dumb with admiration, at the ingenious +manner of toting little niggers.</p> +</div> + +<h3><a name="drawing_43" id="drawing_43"></a> THE PICTURESQUE IN MATANZAS.</h3> + +<div class="centereddrawing" style="width: 679px;"> +<a href="images/illpg_043.png"> +<img src="images/illpg_043_sml.png" width="679" height="385" alt="A singular little bit, out of the Calle Manzana." title="" /></a> +<p class="c">A singular little bit, out of the Calle Manzana.</p> +</div> + +<h3><a name="drawing_44" id="drawing_44"></a> A SUGAR PLANTATION, NEAR THE YUMORI.</h3> + +<div class="centereddrawing" style="width: 687px;"> +<a href="images/illpg_044.png"> +<img src="images/illpg_044_sml.png" width="687" height="313" alt="Our Artist essays to drink the milk from a green Cocoa;" title="" /></a> + +<table border="0" cellpadding="4" cellspacing="0" summary=""> +<tr valign="top"><td> Our Artist essays to drink the <br /> +milk from a green Cocoa; </td><td> Fatal effect.—An uncomfortable<br /> +sensation!</td></tr> +</table> +</div> + +<h3><a name="drawing_45" id="drawing_45"></a> A BED-CHAMBER IN MATANZAS.</h3> + +<div class="centereddrawing" style="width: 738px;"> +<a href="images/illpg_045.png"> +<img src="images/illpg_045_sml.png" width="738" height="391" alt="First night at the "Gran Hotel Leon de Oro."—Our artist +is accommodated with quarters on the ground-floor, convenient to the +court-yard, and is lulled to sleep by a little domestic concert of cats, +dogs, donkeys, parrots and game-cocks." title="" /></a> +<p>First night at the "Gran Hotel Leon de Oro."—Our artist +is accommodated with quarters on the ground-floor, convenient to the +court-yard, and is lulled to sleep by a little domestic concert of cats, +dogs, donkeys, parrots and game-cocks.</p> +</div> + +<h3><a name="drawing_46" id="drawing_46"></a> ECONOMY IS WEALTH.</h3> + +<div class="centereddrawing" style="width: 698px;"> +<a href="images/illpg_046.png"> +<img src="images/illpg_046_sml.png" width="698" height="347" alt="Showing the manner in which one ox accomplishes the labor +of two, in San Felipe." title="" /></a> +<p class="c">Showing the manner in which one ox accomplishes the labor +of two, in San Felipe.</p> +</div> + +<h3><a name="drawing_47" id="drawing_47"></a> THE SUBURBS OF CALABAZAR</h3> + +<div class="centereddrawing" style="width: 696px;"> +<a href="images/illpg_047.png"> +<img src="images/illpg_047_sml.png" width="696" height="257" alt="A Planter's Hut, and three scraggly Palm Trees in the dim +distance." title="" /></a> +<p class="c">A Planter's Hut, and three scraggly Palm Trees in the dim +distance.</p> +</div> + +<h3><a name="drawing_48" id="drawing_48"></a> PLANTATIONS NEAR MARIANAS,</h3> + +<div class="centereddrawing" style="width: 418px;"> +<a href="images/illpg_048.png"> +<img src="images/illpg_048_sml.png" width="418" height="415" alt="A Colored Beauty toting Sugar Cane from the field to the +grinding mill." title="" /></a> +<p>A Colored Beauty toting Sugar Cane from the field to the +grinding mill.</p> +</div> + +<h3><a name="drawing_49" id="drawing_49"></a> ARCHITECTURE IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 420px;"> +<a href="images/illpg_049.png"> +<img src="images/illpg_049_sml.png" width="420" height="495" alt="A conglomerate Esquiria, on the corner of Calle Obispo +and Monserate." title="" /></a> +<p>A conglomerate Esquiria, on the corner of Calle Obispo +and Monserate.</p> +</div> + +<h3><a name="drawing_50" id="drawing_50"></a> LAST NIGHT IN HAVANA.</h3> + +<div class="centereddrawing" style="width: 680px;"> +<a href="images/illpg_050.png"> +<img src="images/illpg_050_sml.png" width="680" height="336" alt="Alarm of Our Artist and Wife, upon going to their room to +pack, and discovering that a Tarantula has taken possession of their +trunk." title="" /></a> +<p>Alarm of Our Artist and Wife, upon going to their room to +pack, and discovering that a Tarantula has taken possession of their +trunk.</p> +</div> + +<hr class="full" /> + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Our Artist in Cuba, by George W. 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