summaryrefslogtreecommitdiff
path: root/34830.txt
diff options
context:
space:
mode:
Diffstat (limited to '34830.txt')
-rw-r--r--34830.txt1290
1 files changed, 1290 insertions, 0 deletions
diff --git a/34830.txt b/34830.txt
new file mode 100644
index 0000000..3b19466
--- /dev/null
+++ b/34830.txt
@@ -0,0 +1,1290 @@
+Project Gutenberg's Little Frankie and his Mother, by Madeline Leslie
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Little Frankie and his Mother
+
+Author: Madeline Leslie
+
+Release Date: January 3, 2011 [EBook #34830]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LITTLE FRANKIE AND HIS MOTHER ***
+
+
+
+
+Produced by Emmy and the Online Distributed Proofreading
+Team at https://www.pgdp.net (This file was produced from
+images generously made available by The Internet
+Archive/American Libraries.)
+
+
+
+
+
+
+
+
+
+
+
+
+MRS. LESLIE'S BOOKS FOR LITTLE CHILDREN.
+
+THE LITTLE FRANKIE SERIES.
+
+
+
+
+BOOKS WRITTEN OR EDITED
+
+By A. R. BAKER,
+
+AND SOLD BY ALL BOOKSELLERS.
+
+QUESTION BOOKS on the Topics of Christ's Sermon on the Mount.
+
+ VOL. I. FOR CHILDREN.
+ VOL. II. FOR YOUTH.
+ VOL. III. FOR ADULTS.
+
+ LECTURES ON THESE TOPICS, _in press_.
+
+
+MRS. LESLIE'S SABBATH SCHOOL BOOKS.
+
+ TIM, THE SCISSORS GRINDER.
+ SEQUEL TO "TIM, THE SCISSORS GRINDER."
+ PRAIRIE FLOWER.
+ THE BOUND BOY.
+ THE BOUND GIRL.
+ VIRGINIA.
+ THE TWO HOMES; OR, EARNING AND SPENDING.
+ THE ORGAN-GRINDER, _in press_.
+
+
+QUESTION BOOKS. The Catechism tested by the Bible.
+
+ VOL. I. FOR CHILDREN.
+ VOL. II. FOR ADULTS.
+
+
+THE DERMOTT FAMILY; or, Stories Illustrating the Catechism.
+
+ VOL. I. DOCTRINES RESPECTING GOD AND MANKIND.
+ " II. DOCTRINES OF GRACE.
+ " III. COMMANDMENTS OF THE FIRST TABLE.
+ " IV. COMMANDMENTS OF THE SECOND TABLE.
+ " V. CONDITIONS OF ETERNAL LIFE.
+
+
+MRS. LESLIE'S HOME LIFE.
+
+ VOL. I. CORA AND THE DOCTOR.
+ " II. COURTESIES OF WEDDED LIFE.
+ " III. THE HOUSEHOLD ANGEL.
+
+
+MRS. LESLIE'S JUVENILE SERIES.
+
+ VOL. I. THE MOTHERLESS CHILDREN.
+ " II. PLAY AND STUDY.
+ " III. HOWARD AND HIS TEACHER.
+ " IV. TRYING TO BE USEFUL.
+ " V. JACK, THE CHIMNEY SWEEPER.
+ " VI. THE YOUNG HOUSEKEEPER.
+ " VII. LITTLE AGNES.
+
+
+THE ROBIN REDBREAST SERIES.
+
+ THE ROBINS' NEST.
+ LITTLE ROBINS IN THE NEST.
+ LITTLE ROBINS LEARNING TO FLY.
+ LITTLE ROBINS IN TROUBLE.
+ LITTLE ROBINS' FRIENDS.
+ LITTLE ROBINS' LOVE ONE TO ANOTHER.
+
+
+THE LITTLE FRANKIE SERIES.
+
+ LITTLE FRANKIE AND HIS MOTHER.
+ LITTLE FRANKIE AT HIS PLAYS.
+ LITTLE FRANKIE AND HIS COUSIN.
+ LITTLE FRANKIE AND HIS FATHER.
+ LITTLE FRANKIE ON A JOURNEY.
+ LITTLE FRANKIE AT SCHOOL.
+
+[Illustration: FRANKIE IN HIS JUMPER.]
+
+
+
+
+
+LITTLE FRANKIE AND HIS MOTHER.
+
+ BY
+ MRS. MADELINE LESLIE,
+
+ AUTHOR OF "THE HOME LIFE SERIES;" "MRS. LESLIE'S
+ JUVENILE SERIES," ETC.
+
+ BOSTON:
+ CROSBY AND NICHOLS.
+ 117 WASHINGTON STREET.
+
+
+
+
+ Entered, according to Act of Congress, in the year 1860, by
+ A. R. BAKER,
+ In the Clerk's Office of the District Court of the District
+ of Massachusetts.
+
+ ELECTROTYPED AT THE
+ BOSTON STEREOTYPE FOUNDRY.
+
+
+
+
+LITTLE FRANKIE AND HIS MOTHER.
+
+
+
+
+CHAPTER I.
+
+FRANKIE'S SILVER CUP.
+
+
+DO you wish to know who little Frankie was, and where he lived? Come and
+sit down in your pretty chair by my side, and I will tell you. Frankie
+was not the real name of this little boy. When he was a tiny baby, not
+much larger than black Dinah, his father came home one night from his
+store, and asked, "Have you named the baby yet, mamma?"
+
+"No," she answered, "I have not; but I have been thinking that if you
+are pleased, I should like to call him Frank."
+
+"Frank, Frank, Frankie," said his father, repeating it over and over
+again, to hear how it would sound. "Yes, I like the name; and then my
+friend, Mr. Wallace, is called Frank. Yes, Frank it shall be."
+
+"While he is a baby, we will call him Frankie," said his mamma. So that
+was the way he obtained so pretty a name.
+
+About a week after this, there came one day a man on horseback riding up
+to the front door. He jumped briskly down upon the wide stone step, and
+rang the bell with a loud, quick jerk, which seemed to say, I am in a
+hurry. Margie, the errand girl, ran to the door, when the man gave her a
+box wrapped nicely in a piece of yellow paper, and tied with a small red
+cord. Then he sprang upon the saddle, and galloped away down the avenue
+into the road.
+
+Margie carried the box into the parlor, and gave it to her mistress.
+Mamma looked at the name on the paper, and her bright, loving eyes grew
+still brighter. She took her scissors and cut the cord which held the
+paper around the box, then pulled off the cover, and what do you think
+was there? Why, a large piece of pink cotton nicely folded about a
+beautiful silver cup, on one side of which was marked the name _Little
+Frankie_.
+
+Mamma laughed as she read it, and felt sure the pretty present came from
+Mr. Wallace. She ran gayly up stairs into the nursery, where the baby
+was sitting in the lap of his nurse, shaking his coral bells. "Here, my
+darling," she said; "see what a nice cup has come for you; look! it is
+so bright I can peep at your rosy face in it."
+
+Baby crowed and stretched out his tiny hands, but he could not quite
+reach it; and if he could he would have tried to crowd it into his
+mouth. So mamma took him in her arms, and squeezed him very tight, and
+kissed him ever so many times, until the little fellow was quite
+astonished. Then she held him off a little to look at him; and her eyes
+were so brimful of love that Frankie was never tired of gazing into
+them.
+
+By and by, mamma carried the baby and the new cup down to the parlor;
+for papa had just come in, and was already calling for them.
+
+Papa admired the present very much, and said that his friend, Mr.
+Wallace, was a noble fellow, and he should be glad if their little
+Frankie made as good a man. Then papa danced around the room, "to give
+his boy a little exercise," he said, "and make him grow." But mamma
+screamed, and was afraid so much shaking would take away her baby's
+breath.
+
+"Come, then," said papa, "we will sit down and trot a little." He
+seated the little fellow on his knee, and began, "This is the way the
+lady rides, trot, trot, trot, trot. This is the way the gentleman rides,
+de canter, de canter, de canter, de canter. This is the way the huntsman
+rides, de gallop, de gallop, de gallop."
+
+Frankie laughed and cooed, and as soon as his papa stopped, kicked his
+little feet to have it go again.
+
+
+
+
+CHAPTER II.
+
+FRANKIE'S LITTLE NURSE.
+
+
+FRANKIE lived in a quiet, pleasant village about twenty miles from the
+city. His home was a pretty cottage with a steep roof rising above the
+windows of the second story. In front there was a smooth, green lawn,
+and at the side a lovely flower garden, with nicely gravelled walks
+leading through it. Then back of the house there were beds of peas, and
+beans, and turnips, and beets, and all kinds of good things for the
+table.
+
+Frankie had a brother whose name was Willie, and who was five years
+older than he. There had been a dear sister, too, but when she was only
+one year old, the Saviour called her home to heaven; and she went with a
+sweet smile upon her lip.
+
+Beside his father, and mother, and Willie, there were in Frankie's
+home, Jane, the cook, Sally, the nurse, and Margie, a little girl seven
+years of age, who loved dearly to dance about and amuse the baby boy.
+She was the daughter of Jane, and her father had been dead many years.
+She had begun to go to school; but as soon as the teacher rang the bell
+for the scholars to go home, Margie caught her bonnet from the hook, and
+ran away as fast as she could go, she was so impatient to see little
+Frankie.
+
+Early in the morning, long before his mamma was ready to awake, the
+little fellow would open his eyes and crow, and sing his morning song.
+Then he would try to get his tiny toes into his mouth. As soon as Margie
+heard him, she would knock softly at the door, and ask, "May I come in
+and play with Frankie?"
+
+If you were to see her, you would think she was quite an old lady; she
+went around so steadily, and not at all like a school girl. First, she
+took all the pillows from the cradle, and shook them up. Then she laid
+them back so that the baby could sit up and see her play to him. When
+all was ready, she would go to the side of the bed, and Frankie's papa
+would put him carefully into her arms, and then turn over to take
+another nap.
+
+It was very strange that with all Margie's singing and laughing, and
+crying "catchee, catchee, now catch baby;" and with Frankie's happy
+shouts of delight, papa and mamma could sleep quite soundly. But the
+instant the little fellow cried, as he sometimes did when he hurt his
+gums against his coral ring, and Margie said, "O dear! has he hurt him?
+Margie's sorry," mamma would spring from bed and be wide awake in a
+minute.
+
+There was one other member of the family whom I have not yet mentioned.
+It was not a brother, nor a sister, but a large black dog, whose name
+was Ponto. He was a very handsome fellow, with his shining black hair,
+and his white ring about his neck; and he held his head up and looked
+you right in the face, as if he knew that he was above common dogs.
+Ponto liked to run in the garden with Willie, and catch the sticks his
+young master threw to him between his teeth. But best of all he liked to
+follow him to the nursery, and watch the motions of the new comer.
+Frankie's eyes grew very large the first time he felt Ponto's cold nose
+on his arm; and he cried, when the great, black creature began to lick
+his hands and face. Mamma tried to push Ponto away, and Willie laughed
+most merrily.
+
+This, you know, was Ponto's way of showing that he was fond of the dear
+baby; and from this time a strong affection sprang up between them.
+While Frankie slept, the dog lay down by the cradle, to be sure that no
+harm came to his precious charge; and when he awoke, Ponto made a
+noise, meaning, "I'll take care of you, baby."
+
+[Illustration]
+
+
+
+
+CHAPTER III.
+
+FRANKIE'S JUMPER.
+
+
+FRANKIE was now six months old. He had begun to sit upon the floor.
+First he could only sit there by having pillows placed all about him.
+Then one day nurse took away the pillows, and said the little fellow
+must learn to do without them. She set him up very straight, and put a
+large book outside his clothes between his feet, so that he could not
+easily fall over. Then she took her sewing and sat down on the floor
+beside him.
+
+Frankie laughed, and thought this was very fine; but in one minute he
+reached a little too far, and over he went right on to his nose.
+
+Nurse caught him up before he had time to cry, and tossed him up and
+down until he had forgotten his trouble; then she set him down again.
+So that by the time mamma came home from a long walk, he had almost
+learned to sit alone.
+
+O, how much pleased mamma was! She took off her bonnet and shawl,
+laughing all the time, and then she stopped ever so many times while she
+was giving the little fellow his dinner, and squeezed him closer to her
+side, and told him he was getting to be a brave boy indeed.
+
+Hearing so much that was merry, Ponto roused himself from his sleep, and
+began to rap with his tail on the floor. Then, when Frankie crowed out a
+pretty sound, he sprang upon his feet, and looked around a minute with
+his great, black eyes, when he gave a loud bark, "_bow, wow, wow_."
+Little boy, I say, "_bow, wow, wow_."
+
+One day Willie went with his mother to call upon a lady who had a baby
+girl just about as old as Frankie. The servant asked them to go to the
+nursery and see the baby in her jumper. O, what a funny sight that was!
+How the two mammas, and the nurse, and Willie laughed, to see the little
+creature dance about from one side of the room to the other. Frankie's
+mamma said her little boy must have a jumper too.
+
+The lady, whose name was Ida Mills, gave her the pattern of the little
+jacket her baby wore when she jumped; and Mrs. Gray said she would ask
+her husband to call and see the jumper, so that he could tell the
+carpenter how to make one.
+
+In two days Frankie's jacket was ready, and his jumper too. His mamma
+had told him all about it. But he only laughed and cooed the same as
+ever, and did not seem at all to understand it.
+
+When papa came home to dinner that day, he heard such a loud noise from
+the nursery, that he ran quickly up there to see what was the matter.
+
+When he opened the door he saw his little boy fastened to a long pole,
+which swung about the room like a crane, and mamma on her knees trying
+to teach him to touch his little toes to the floor, and make himself
+dance. There, too, were Jane, the cook, and Sally, the nurse, laughing,
+while Margie and Willie were clapping their hands every time Frankie
+gave a spring.
+
+Just then Ponto came running up the stairs, and as soon as he saw his
+little master, he began to bark most furiously. He did not like to see
+him hung up so, and he meant to give his opinion about it.
+
+Frankie had for a long time been fond of using his feet, and had often
+done so in his mother's lap, until he almost sprang out of her arms; but
+at first he did not know what mamma wanted him to do. But presently he
+began to jump; and when he found how easily he could set himself to
+dancing, he was so much pleased that he gave a scream of delight.
+
+Willie ran to the other side of the room, and put his coral bells in a
+chair, and called out, "Come, Frankie, come to brother;" and the little
+dancer jumped across the room as briskly as if he had done it every day
+of his life.
+
+O, what laughing there was then! What shouting! What clapping of hands!
+Mamma ran to kiss her baby, and call him her darling boy.
+
+All this time the dinner was on the table; and at last, Jane said, "O,
+dear, the dinner will be as cold as a stone!" But papa and mamma said
+they had rather see Frankie learn to jump, than to eat the best dinner
+that ever was cooked.
+
+
+
+
+CHAPTER IV.
+
+FRANKIE'S BROTHER WILLIE.
+
+
+IT was a long time before Ponto became reconciled to see Frankie in his
+jumper. He barked loud and long, as if he was afraid his little friend
+would hurt himself, tied up in so strange a manner. But baby grew every
+day more fond of this exercise; and as soon as he saw his mother take
+the jacket, he would spring so that she could hardly hold him still
+enough to fasten the buttons tightly to the wooden frame. One day, when
+he and his mamma were alone in the nursery, he grew very sleepy, and at
+last his little head nodded down, down, quite upon his breast. Mamma
+laughed softly, and she waited a minute to see what he would do.
+Presently he awoke a little, and touched his toes to the floor to make
+the jumper spring, and get himself to sleep again. Then she took him in
+her arms, and after loosing the buttons to his jacket, laid him in his
+cradle for a nice nap.
+
+One day Willie came running into the room when mamma was singing to the
+baby, who was not well. He was a good boy, and knew that he must not
+make a noise; so he took a cricket, and sat down by her side. He loved
+to hear the gentle lullaby; but now he wondered why mamma looked so
+sober. Pretty soon he saw one, two, three, tears drop right upon
+Frankie's head. Her face was always so full of smiles that he knew not
+what to make of it. She got up to put the baby in the cradle, and then
+she saw Willie looking at her as if he wondered what this meant.
+
+"Come here, my dear," she said softly, laying his head on her shoulder.
+"Mamma has been praying the good God for you and your little brother."
+
+"Are you afraid Frankie is going to die, as sister did?" asked Willie;
+"I saw some tears on your cheeks."
+
+"No, dear," said mamma. "I was thinking how kind God was to give me two
+such dear boys. Then I looked at Frankie's hands, such pretty little
+fingers and thumbs, and I asked God never to let them do that which was
+naughty, never to allow them to strike or take what did not belong to
+them."
+
+Willie gazed a moment at his hands; I suppose he was trying to think
+whether they had been naughty hands or good hands. Presently he said,
+"Toes can't do wrong, I think, mamma, as hands can."
+
+"Ah, yes, my dear," said his mother. "Only yesterday I knew a little boy
+whose feet were very naughty, and walked away where he had been
+forbidden to go."
+
+Willie's face grew very red. "I forgot about that," he said in a
+whisper.
+
+"Do you remember," asked his mother, "the lady who visited here with her
+little girl, and how she used to kick and stamp her feet when she could
+not do exactly as she wished? Were those good feet, and do you think her
+heavenly Father was pleased to see how she was using them?"
+
+"O, no, indeed, mamma! But I guess God liked it when I used my feet to
+carry James Wells's ball home, because he would have lost it if I had
+not given it to him."
+
+"Yes, dear, your feet and your hands, too, were good then; and beside
+that, there was a kind feeling in your heart, which made you wish to
+carry the ball to the poor boy."
+
+"I'm glad I did it," said Willie, smiling in his mother's face. "Did you
+think any thing about Frankie's mouth?"
+
+"Yes, indeed, I prayed that my darling baby might use his sweet little
+mouth to praise God, and that never, no, never might a naughty word come
+out of it. O, how dreadful it is to think that little boys or little
+girls should use the gifts of the good God to disobey his holy laws!"
+
+
+
+
+CHAPTER V.
+
+FRANKIE'S NEW LESSONS.
+
+
+WHEN Frankie was a year old, his mamma thought it quite time for him to
+learn to go to bed by himself. So she took him up in her chamber, and
+shut the blinds, to keep out all the flies. Then she gave him his
+luncheon, and laid him on Willie's trundle-bed. This was low; and she
+thought, if he tried to get off, it would not hurt him as much as if it
+were higher. "Now," said she, "my darling must be good, and shut his
+eyes, and go to sleep; and then mamma will come and put on his pretty
+cap and shoes, and take him to ride in his little wagon." She kissed
+him, and went into the dressing room, to see what he would do.
+
+But Frankie did not like this at all, and he began to cry as loud as he
+could, and call for his mamma to come back. When he found this did no
+good, he stuck up his stomach, and kicked his feet, and at last he held
+his breath until his mamma was frightened, and ran to hold him up.
+
+"Frankie is naughty," she said; "mamma can't kiss a naughty boy." Then
+she laid him down again, and started to go away. But he cried as loud as
+ever, until mamma was obliged to pat his dear little hands until they
+looked quite red. She went away, and stood where she could look through
+the crack of the door. He called "mamma," two or three times, and then,
+tired with his crying, he fell asleep.
+
+"Dear little Frankie!" she said, coming to the bed and kissing the tears
+off his rosy cheeks. "It made mamma's heart ache to whip him."
+
+In a few days the little fellow had learned this new lesson; and though
+he missed his mother's arms folded tenderly about him, and the sweet
+smiles which mingled with the hushaby in his infant dreams, yet he grew
+reconciled to it at last, and became a very good baby.
+
+Every day now he learned something new; first to say, "Wee," for Willie;
+then to hide his tiny head behind a handkerchief, as Margie did when
+she played peep a-boo with him. Another time he held out his hand for
+the brush, and tried to smooth Willie's hair; but instead of that he
+tangled the close curls most terribly, so that the poor boy could hardly
+keep from crying when mamma combed them out again.
+
+One morning Sally was ill, and obliged to stay in bed. Margie wished to
+play with Frankie while her master, and mistress, and Willie were at
+prayers; but mamma said, "No; Frankie may come to prayers too."
+
+Papa took the large Bible, and Willie stood close by his side, his
+little finger pointing to the verses as the reading went on; and the
+baby sat on his mother's knee, his eyes very wide open, to see all that
+was going on. He looked first at mamma, and wondered, I suppose, that
+she did not smile. Then he turned to papa, who was reading serious
+words in a solemn tone. He gazed next in Willie's face; but Willie was
+intent upon the book. At last he caught a glimpse of Margie's laughing
+eyes, and he spoke right out. The little girl had not heard one word of
+the reading. She had been watching Frankie, to see how he would behave;
+and now, before she thought where she was, she laughed aloud. But when
+she saw that her laughing had made Willie smile and turn from his book,
+and that her mistress looked very sorry, she was sorry too, and covered
+her blushing face with her little apron.
+
+Frankie sat very still while they sang a pretty hymn beginning:--
+
+ "Majestic sweetness sits enthroned
+ Upon the Saviour's brow."
+
+But when papa and mamma kneeled down, he tried to kneel too; and seeing
+that mamma shut her eyes, he closed his, but opened them again in a
+minute, and tried to get away to run to Willie.
+
+"Frankie is now a year and a half old," said papa, "and must learn to be
+still at prayers."
+
+"Can't he come to dinner, too, papa?" asked Willie. "I am almost sure he
+will be good."
+
+"I am willing, if mamma is," said papa.
+
+"We will try him," said mamma.
+
+In the middle of the forenoon a man came to the door bringing a new high
+chair for Frankie to sit at dinner. Papa had been to the store and
+bought it for his baby boy. "O, what a kind papa!"
+
+Frankie was very good the first day and the second day he came to
+dinner; but after that he did not behave as well. He pushed away the
+plate on which mamma had mashed a nice potato for him, and tried to
+reach a dish in which Jane had put some squash. His little fingers were
+covered with squash, and mamma had to ring the bell for Margie to bring
+the sponge and wash them.
+
+The next day, when papa held down his head to ask God to bless the
+food, Frankie bent his face down to the table, and muttered over
+something. I suppose he thought he too was praying.
+
+"Will God care?" asked Willie. "Baby don't know that it is naughty to
+pray so."
+
+"God never expects children to behave any better than they know how,"
+replied mamma.
+
+
+
+
+CHAPTER VI.
+
+FRANKIE'S TEETH.
+
+
+FRANKIE'S brother Willie had never been to school, but had learned to
+read and spell at home, reciting his lessons to his mamma. Papa said he
+was now old enough to recite with other boys. So mamma bought him a
+little satchel, with a strap to put over his shoulder. Then she put in
+it his slate, with a pencil and sponge tied to it, his reading book,
+and a new arithmetic with pictures of marbles, and birds, and boys in
+it. She washed his face and hands very clean, and curled his hair, which
+was so long it hung over his shoulders; then she dressed him in his new
+suit, with his nice shining collar basted into the neck, so as to have
+him quite ready when his young companion called for him to go to the new
+school.
+
+Willie felt very happy this bright morning. He liked the idea of going
+with the other boys to school. He thought it would be fine fun to play
+ball at recess. There was another reason for his feeling happy. Can you
+guess what it was? It was not that his clothes were new, and, as he
+could see in the glass, fitted him very well. No, it was because he had
+two pockets in his pantaloons. Before this time he had never had but
+one, and now he felt smart indeed to be able to place both hands in his
+pockets. He walked backwards and forwards before the long mirror in his
+mother's chamber, admiring himself exceedingly.
+
+Mamma laughed heartily at the airs he put on; but before he went out,
+she told him no persons but rowdies walked with their hands in their
+pockets; that papa never did, and she should be very sorry to see her
+Willie walk so.
+
+For a few days Frankie's cheeks had been very red indeed, so that Sally
+said he looked as handsome as a picter; but mamma was afraid it was
+because he was not well. He had a large tin bath tub in the form of a
+boat, and one morning, when she put him in it, she found his flesh was
+very hot. She took him out into the flannel blanket, which she always
+spread in her lap, and rubbed him quickly, that he should not become
+chilled; then she coaxed him to let her put her finger into his mouth to
+feel whether he had any teeth which troubled him and made him look so
+feverish.
+
+He had already quite a mouth full of teeth; but she soon found that
+there were two large back teeth trying to force their way through the
+gums.
+
+"Poor little fellow," she said; "mamma is sorry his teeth ache." She
+laid his aching head on her bosom, and passed her soft hand soothingly
+over it, back and forth, a great many times, chanting his favorite
+little song, until at length he fell asleep.
+
+ "Once there was a little man,
+ Where a little river ran;
+ And he had a little farm,
+ And a little dairy, O!
+ And he had a little plough,
+ And a pretty dapple cow,
+ Which he often called
+ His pretty little Pharaoh.
+
+ "And the little maiden, Ann,
+ With her pretty little can,
+ Went a milking when the
+ Morning sun was beaming, O!
+ But she fell,--I don't know how,--
+ And she stumbled o'er the plough,
+ And the cow was much astonished
+ At her screaming, O!
+
+ "Then the funny little man
+ To the little river ran,
+ To procure a little shiner
+ For his dinner, O!
+ Then he brought it on a hook
+ To the pretty little cook,
+ And she placed it on the table
+ With his ladle, O!
+
+ "Then the little maiden ran
+ With her pretty little can,
+ And brought some nice sweet milk from
+ Good Mooley, Mrs. Pharaoh!
+ And she poured it in a bowl
+ For the clever little soul;
+ And she placed it by his dish,
+ While he sat at table, O!"
+
+Then she went and laid him in her own bed, and took her sewing to sit
+down beside him till he awoke.
+
+Presently nurse came in with mamma's bonnet in her hand, and mamma's
+shawl on her arm, as the lady had told her she was going to walk. But
+now she said, "Frankie is ill, and I shall not leave him to-day."
+
+"I thought he was not very well this morning," said nurse, "for he was
+very worrisome, and would not eat his breakfast."
+
+Mamma sat with her sewing for nearly an hour, while Frankie slept, only
+once in a while he would moan as if he was in pain; and then she put her
+hand on his head again.
+
+When he awoke his eyes were heavy, and instead of jumping out of her lap
+to play, he laid his head down on her shoulder.
+
+"Does Frankie want some breakfast?" asked mamma.
+
+He nodded his head; but when nurse brought him some nice bread and milk
+in his silver porringer, he only took one taste of it, and then said,
+"Patty want water." He could not well say Frankie, but always called
+himself Patty.
+
+For several days the poor boy was quite sick, and his mamma never left
+him except to run for a few moments to her meals. When he was in great
+pain, she soothed him, rocked him, and carried him about the chamber.
+Then, when he felt a little better, she sang him pretty songs, or told
+him stories, or showed him the pictures in his little books.
+
+There was one little song he always loved to hear; and once, when papa
+and mamma were singing at prayers, he made them laugh by saying, "Mamma,
+sing Patty tune, pitty tee." He could not talk plain; but he meant
+"pretty tree."
+
+Perhaps you have never heard this song; and I will repeat it for you:--
+
+ "Out in a beautiful field
+ There stands a pretty pear tree,
+ Pretty pear tree with leaves.
+ What is there on the tree?
+ A very pretty branch.
+ Branch on the tree,
+ Tree in the ground.
+
+ "Out in the beautiful field
+ There stands a pretty pear tree,
+ Pretty pear tree with leaves.
+ What is there on the branch?
+ A very pretty bough.
+ Bough on the branch,
+ Branch on the tree,
+ Tree in the ground.
+
+ "Out in the beautiful field
+ There stands a pretty pear tree,
+ Pretty pear tree with leaves.
+ What is there on the bough?
+ A very pretty nest.
+ Nest on the bough,
+ Bough on the branch,
+ Branch on the tree,
+ Tree in the ground.
+
+ "Out in a beautiful field
+ There stands a pretty pear tree,
+ Pretty pear tree with leaves.
+ What is there in the nest?
+ A very pretty egg.
+ Egg in the nest,
+ Nest on the bough,
+ Bough on the branch,
+ Branch on the tree,
+ Tree in the ground.
+
+ "Out in a beautiful field
+ There stands a pretty pear tree,
+ Pretty pear tree with leaves.
+ What is there in the egg?
+ A very pretty bird.
+ Bird in the egg,
+ Egg in the nest,
+ Nest on the bough,
+ Bough on the branch,
+ Branch on the tree,
+ Tree in the ground."
+
+
+
+
+CHAPTER VII.
+
+FRANKIE'S BREAKFAST.
+
+
+FRANKIE was now old enough to like to hear stories, and almost every day
+he asked, "Pease tell me tory, mamma." Sometimes, when he did not feel
+like playing, he would ask her a great many times in a day.
+
+One morning she went into the nursery, after she had eaten her own
+breakfast, and found Sally feeding him with his bread and milk.
+
+"He spits it out, ma'am," she said, "and won't let it down his throat."
+
+"Patty want pig, mamma," said the little boy. He meant that he wanted a
+fig.
+
+"Has he had a fig this morning?" asked mamma.
+
+"Yes, ma'am," said nurse. "Willie came in eating one, and Frankie cried
+for it. So Willie gave it right up to him, though he had only taken one
+mouthful. I think he is the generousest boy, ma'am, that I ever see."
+
+Mamma smiled, and seemed very happy when she heard this. You know
+nothing makes mammas so happy as to know that their little boys and
+girls are good. She said to herself, "Dear child, I will give him
+another when he comes in." Then she took Frankie in her arms, and told
+nurse to go and eat her own breakfast. She tucked the bib nicely around
+his neck, and then she began to feed him. But, as Sally said, he would
+not let it down, but spit it all over his clothes and mamma's hand.
+"Patty want pig," he said again.
+
+"No, darling, you must eat your breakfast now," said mamma. "Though it
+is not so sweet as a fig, it is very good, and will make my little boy
+grow and be strong, so that he can run out to play like Willie."
+
+"Patty want pig, mamma," said the baby, putting up his hand to pat
+mamma's face. "Patty want pig vely much."
+
+"Frankie shall have a fig by and by," said mamma; "now I will tell him a
+little story.
+
+"Once there was a little boy; his name was Harry. He had no kind mamma
+to give him good breakfasts. His mamma had gone to heaven to live with
+God.
+
+"Little Harry was poor, and often when he woke up he was very hungry.
+But he could not lay his head on his mamma's breast, because she was
+dead, you know. Poor little Harry used to cry for somebody to come and
+take care of him. All babies need some person to hold them and rock
+them."
+
+"Patty got mamma," cried the little boy.
+
+"Yes, darling, Frankie has a mamma who loves him dearly, and tries to
+take good care of him, and makes him nice warm clothes. But Harry had
+none. The woman who let him live in her house was too busy to attend to
+him; so, when he was cold, or hungry, or tired, and wanted to lay his
+poor, weary head in her lap, she had no time to let him do so. Dear
+little fellow, it would have done him so much good to have some kind
+mamma take him in her lap and squeeze him close to her breast, as mamma
+does Frankie, and call him her darling, dear little Harry. I think he
+would have stopped crying at once, and he would have looked up in her
+face and smiled his thanks."
+
+Frankie was so much pleased with the story, that he put up his little
+mouth to kiss mamma; and when he had done so, he patted her face softly,
+and said, "Patty love oo." He could not say "you."
+
+"One day," said mamma, "a kind lady called at the poorhouse where Harry
+lived. He was sitting on a little bed in the corner, crying; but he
+stopped when the lady went in. His hair had not been combed for many
+days; his face was very dirty where the tears had run down over his
+thin, pale cheeks; his clothes were soiled and torn; but the lady pitied
+him very much. When she found he had no mamma, and that his papa was at
+work a great way off, she wrapped her shawl about the poor baby, and
+took him home in her carriage.
+
+"First of all she gave him a cup of milk to drink, and then she told
+nurse to bring some warm water in a tub, and some soap and towels, for
+she was going to wash the poor baby. She did not wonder then that the
+poor little fellow cried, for he was all sore, because he had had no
+kind mamma to wash him and put on nice powder. She kept him in the water
+a long time, and washed him very clean; and then she told the nurse to
+go up garret and bring a small trunk with some baby clothes in it. She
+had a little baby once, and these were his clothes. Then she tried to
+get the snarls out of his hair, and by this time Harry was so tired, he
+was glad to go to sleep.
+
+"When he woke up he began to cry again, for he thought he was back in
+his old home; but as soon as he saw the kind lady, he smiled very
+sweetly. He held out his arms for her to take him. She had some warm
+bread and milk all ready, and she took him in her lap and put a towel
+round his neck and fed him.
+
+"He did not spit it out on his clean clothes, but he ate it all, and
+liked it very much; and then he looked up in the kind face that was
+bending over him so fondly, and smiled, and tried to stroke her cheek.
+This was all the way he knew how to thank her for his good breakfast."
+
+When mamma had told the story, she took Frankie's cup and began to feed
+him, and he did not spit out one mouthful, but ate the whole, even the
+last drop.
+
+
+
+
+CHAPTER VIII.
+
+FRANKIE'S DOLLY.
+
+
+WHEN Willie was a little boy about two years old, a good lady came to
+see his mother. Her name was Bryant, but Willie could not speak such a
+very hard word; so, after trying a long time, he called her Bear. Papa
+and mamma laughed heartily, and said that was a funny name; but in a few
+days they began to call her Bear too; and after a while they thought it
+was a very pretty name. Do you know why they liked it so much? Because
+good Bear was fond of Willie, and very kind to him, and because Willie
+said it in such a cunning way. One day mamma folded up a little blanket
+for Willie to carry to bed for a baby, and Bear said, "I will make him a
+pretty dolly, and dress it all up, so that he can have it to play
+with."
+
+That very day she began to work upon it. Mamma gave her nice pieces of
+cloth, and she made a black face, and curly hair, and red lips, and a
+very flat nose, and white eyes. Papa laughed when they showed it to him,
+and said, "he hoped Willie wouldn't be afraid of it."
+
+Then Bear made arms, and hands, and legs, with red shoes, on the feet.
+Then she made a skirt, and a dress, and a sack for Dinah to put on when
+she was cold, and a bonnet for her to wear when she went to walk. She
+did not let Willie see it until it was all ready for him to play with,
+and then she, and mamma, and nurse stood looking to see what he would do
+with it.
+
+"Pretty Dinah," said mamma, kissing the dolly, and then putting it into
+Willie's arms.
+
+At first the little fellow looked and looked, but did not touch his new
+baby or smile at all; but presently, when mamma said, "Willie got two
+babies," and putting the one made of a blanket by the side of it, he
+began to understand what it was for. When Willie was four years old,
+Bear made some new clothes for Dinah, a jacket and pantaloons, and
+changed her name to John. This, Willie did not like; and one day hung
+dolly by a string to the nob of the shutter, because he was not good,
+he said.
+
+When Frankie was old enough to play with a baby, dear kind Bear had gone
+away where they could never see her pleasant smile again; but mamma made
+a new dress, and put it on over the pantaloons, and called dolly Dinah
+again. While she was sewing on it, the tears ran out of her eyes and
+dropped on her work. Willie ran to ask her what was the matter, and she
+said, softly, "I am thinking of Bear, my dear, and how she would have
+loved our little Frankie if she had lived."
+
+"I am going to heaven some day," said Willie; "and I'll ask her to come
+back. I know she will, when I tell her you cry so."
+
+"If we are good, my dear boy," said mamma, wiping her eyes, "and try to
+please the Saviour, and to obey all his holy commands, we shall go to
+live with her in heaven; but she can never come back to us."
+
+"I'm trying to grow good every day, mamma," said Willie.
+
+This was a long time before. Now Frankie loved Dinah dearly; and when he
+went to ride, she had to go too. He used to hug her and kiss her just as
+mamma did him; and in all his plays with Margie, Dinah was set up in a
+chair, and had to play too.
+
+ * * * * *
+
+Transcriber's Note: All punctuation errors have been corrected.
+
+
+
+
+
+End of Project Gutenberg's Little Frankie and his Mother, by Madeline Leslie
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LITTLE FRANKIE AND HIS MOTHER ***
+
+***** This file should be named 34830.txt or 34830.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/4/8/3/34830/
+
+Produced by Emmy and the Online Distributed Proofreading
+Team at https://www.pgdp.net (This file was produced from
+images generously made available by The Internet
+Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.