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left: -0.4em;} + .x3 {position: absolute; top: 1.75ex; left: -0.4em;} + .x4 {position: absolute; top: 1.65ex; left: -0.6em;} + .x5 {position: absolute; top: -0.5ex; left: -0.3em;} + .x6 {position: absolute; top: 0.3ex; left: -0.5em;} + + hr.pg { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 4px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + pre {font-size: 85%;} + </style> +</head> +<body> +<h1>The Project Gutenberg eBook, English As We Speak It in Ireland, by P. W. +Joyce</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: English As We Speak It in Ireland</p> +<p>Author: P. W. Joyce</p> +<p>Release Date: November 8, 2010 [eBook #34251]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK ENGLISH AS WE SPEAK IT IN IRELAND***</p> +<p> </p> +<h3>E-text prepared by Jonathan Ingram, Keith Edkins,<br /> + and the Online Distributed Proofreading Team<br /> + (http://www.pgdp.net)</h3> +<p> </p> +<hr class="pg" /> +<p> </p> +<p> </p> +<p> </p> + +<h2>ENGLISH AS WE SPEAK IT<br /> +IN IRELAND</h2> + +<p class="cenhead">BY</p> + +<h2>P. W. JOYCE, LL.D., T.C.D., M.R.I.A.</h2> + +<p class="cenhead"><i>One of the Commissioners for the Publication of the Ancient Laws of Ireland</i></p> + +<p class="cenhead"><i>Late Principal of the Government Training College,<br /> +Marlborough Street, Dublin</i></p> + +<p class="cenhead"><i>Late President of the Royal Society of Antiquaries, Ireland</i></p> + + <p> </p> + + <p><br style="clear:both" /></p> +<hr class="short" /> + +<h4>THE LIFE OF A PEOPLE IS PICTURED IN THEIR SPEECH.</h4> + + <p><br style="clear:both" /></p> +<hr class="short" /> + +<h3>LONDON: LONGMANS, GREEN, & CO.<br /> +DUBLIN: M. H. GILL & SON, LTD.<br /> +1910</h3> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p><!-- Page v --><span class="pagenum"><a name="pagev"></a>{v}</span></p> + +<h3>PREFACE.</h3> + + <p>This book deals with the Dialect of the English Language that is + spoken in Ireland.</p> + + <p>As the Life of a people—according to our motto—is pictured + in their speech, our picture ought to be a good one, for two languages + were concerned in it—Irish and English. The part played by each + will be found specially set forth in Chapters IV and VII; and in farther + detail throughout the whole book.</p> + + <p>The articles and pamphlets that have already appeared on this + interesting subject—which are described below—are all short. + Some are full of keen observation; but very many are mere lists of + dialectical words with their meanings. Here for the first time—in + this little volume of mine—our Anglo-Irish Dialect is subjected to + detailed analysis and systematic classification.</p> + + <p>I have been collecting materials for this book for more than twenty + years; not indeed by way of constant work, but off and on as detailed + below. The sources from which these materials were directly derived are + mainly the following.</p> + + <p><i>First.</i>—My own memory is a storehouse both of idiom and + vocabulary; for the good reason that from childhood to early manhood I + spoke—like those among whom I lived—the rich dialect <!-- + Page vi --><span class="pagenum"><a name="pagevi"></a>{vi}</span>of + Limerick and Cork—and indeed to some extent speak it still in the + colloquial language of everyday life.</p> + + <p>I have also drawn pretty largely on our Anglo-Irish Folk Songs of + which I have a great collection, partly in my memory and partly on + printed sheets; for they often faithfully reflect our Dialect.</p> + + <p><i>Second.</i>—Eighteen years ago (1892) I wrote a short letter + which was inserted in nearly all the Irish newspapers and in very many of + those published outside Ireland, announcing my intention to write a book + on Anglo-Irish Dialect, and asking for collections of dialectical words + and phrases. In response to this I received a very large number of + communications from all parts of Ireland, as well as from outside + Ireland, even from America, Australia, and New Zealand—all more or + less to the point, showing the great and widespread interest taken in the + subject. Their importance of course greatly varied; but many were very + valuable. I give at the end of the book an alphabetical list of those + contributors: and I acknowledge the most important of them throughout the + book.</p> + + <p><i>Third.</i>—The works of Irish writers of novels, stories, and + essays depicting Irish peasant life in which the people are made to speak + in dialect. Some of these are mentioned in Chapter I., and others are + quoted throughout the book as occasion requires. <!-- Page vii --><span + class="pagenum"><a name="pagevii"></a>{vii}</span></p> + + <p><i>Fourth.</i>—Printed articles and pamphlets on the special + subject of Anglo-Irish Dialect. Of these the principal that I have come + across are the following:—</p> + + <p>'The Provincialisms of Belfast and Surrounding District pointed out + and corrected,' by David Patterson. (1860.)</p> + + <p>'Remarks on the Irish Dialect of the English Language,' by A. Hume, + <span class="scac">D.C.L.</span> and <span class="scac">LL.D.</span> + (1878.)</p> + + <p>'A Glossary of Words in use in the Counties of Antrim and Down,' by + Wm. Hugh Patterson, <span class="scac">M.R.I.A.</span> (1880)—a + large pamphlet—might indeed be called a book.</p> + + <p>'Don't, Pat,' by 'Colonel O'Critical': a very good and useful little + pamphlet, marred by a silly title which turns up perpetually through the + whole pamphlet till the reader gets sick of it. (1885.)</p> + + <p>'A List of Peculiar Words and Phrases at one time in use in Armagh and + South Donegal': by D. A. Simmons. (1890.) This List was annotated by me, + at the request of Mr. Simmons, who was, at or about that time, President + of the Irish National Teachers' Association.</p> + + <p>A Series of Six Articles on <i>The English in Ireland</i> by myself, + printed in 'The Educational Gazette'; Dublin. (1890.)</p> + + <p>'The Anglo-Irish Dialect,' by the Rev. William Burke (an Irish priest + residing in Liverpool); published in 'The Irish Ecclesiastical Record' + for 1896. A judicious and scholarly essay, which I have very often used. + <!-- Page viii --><span class="pagenum"><a + name="pageviii"></a>{viii}</span></p> + + <p>'The Irish Dialect of English; its Origins and Vocabulary.' By Mary + Hayden, <span class="scac">M.A.</span>, and Prof. Marcus Hartog + (jointly): published in 'The Fortnightly Review' (1909: April and May). A + thoughtful and valuable essay. Miss Hayden knows Irish well, and has made + full use of her knowledge to illustrate her subject. Of this article I + have made much use.</p> + + <p>Besides these there were a number of short articles by various writers + published in Irish newspapers within the last twenty years or so, nearly + all of them lists of dialectical words used in the North of Ireland.</p> + + <p>In the Introduction to the 'Biglow Papers,' Second Series, James + Russell Lowell has some valuable observations on modern English + dialectical words and phrases derived from Old English forms, to which I + am indebted for much information, and which will be found acknowledged + through this book: for it touches my subject in many places. In this + Introduction Mr. Lowell remarks truly:—'It is always worth while to + note down the erratic words or phrases one meets with in any dialect. + They may throw light on the meaning of other words, on the relationship + of languages, or even history itself.'</p> + + <p>Of all the above I have made use so far as served my + purpose—always with acknowledgment.</p> + + <p><i>Fifth.</i> For twenty years or more I have kept a large note-book + lying just at my hand; and <!-- Page ix --><span class="pagenum"><a + name="pageix"></a>{ix}</span>whenever any peculiar Irish-English + expression, or anything bearing on the subject, came before me—from + memory, or from reading, or from hearing it in conversation—down it + went in the manuscript. In this way an immense mass of materials was + accumulated almost imperceptibly.</p> + + <p>The vast collection derived from all the above sources lay by till + early last year, when I went seriously to work at the book. But all the + materials were mixed + up—<i>three-na-haila</i>—'through-other'—and before a + line of the book was written they had to be perused, selected, + classified, and alphabetised, which was a very heavy piece of work.</p> + + <p>A number of the Irish items in the great 'Dialect Dictionary' edited + for the English Dialect Society by Dr. Joseph Wright were contributed by + me and are generally printed with my initials. I have neither copied nor + avoided these—in fact I did not refer to them at all while working + at my book—and naturally many—perhaps most—of them + reappear here, probably in different words. But this is quite proper; for + the Dialect Dictionary is a book of reference—six large volumes, + very expensive—and not within reach of the general public.</p> + + <p>Many of the words given in this book as dialectical are also used by + the people in the ordinary sense they bear in standard English; such as + <i>break</i>:—'Poor Tom was broke yesterday' (dialect: dismissed + from employment): 'the bowl <!-- Page x --><span class="pagenum"><a + name="pagex"></a>{x}</span>fell on the flags and was broken in pieces' + (correct English): and <i>dark</i>: 'a poor dark man' (dialect: blind): + 'a dark night' (correct English).</p> + + <p>This is essentially a subject for popular treatment; and accordingly I + have avoided technical and scientific details and technical terms: they + are not needed.</p> + + <p>When a place is named in connexion with a dialectical expression, it + is not meant that the expression is confined to that place, but merely + that it is, or was, in use there.</p> + + <div class="poem"> + <div class="stanza"> + <p>P. W. J.</p> + </div> + </div> + + <p><span class="sc">Dublin</span>: <i>March, 1910</i>.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p><!-- Page xi --><span class="pagenum"><a name="pagexi"></a>{xi}</span></p> + +<h3>CONTENTS</h3> + +<table class="nobctr" summary="Contents" title="Contents"> +<tr><td class="spacsingle"> Chapter </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> Page</td></tr> +<tr><td class="spacsingle"> I. <span class="sc">Sources of Anglo-Irish Dialect</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page1">1</a></td></tr> +<tr><td class="spacsingle"> II. <span class="sc">Affirming, Assenting, and Saluting</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page9">9</a></td></tr> +<tr><td class="spacsingle"> III. <span class="sc">Asserting by Negative of Opposite</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page16">16</a></td></tr> +<tr><td class="spacsingle"> IV. <span class="sc">Idioms Derived from the Irish Language</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page23">23</a></td></tr> +<tr><td class="spacsingle"> V. <span class="sc">The Devil and his 'Territory</span>,' </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page56">56</a></td></tr> +<tr><td class="spacsingle"> VI. <span class="sc">Swearing</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page66">66</a></td></tr> +<tr><td class="spacsingle"> VII. <span class="sc">Grammar and Pronunciation</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page74">74</a></td></tr> +<tr><td class="spacsingle"> VIII. <span class="sc">Proverbs</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page105">105</a></td></tr> +<tr><td class="spacsingle"> IX. <span class="sc">Exaggeration and Redundancy</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page120">120</a></td></tr> +<tr><td class="spacsingle"> X. <span class="sc">Comparisons</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page136">136</a></td></tr> +<tr><td class="spacsingle"> XI. <span class="sc">The Memory of History and of Old Customs</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page143">143</a></td></tr> +<tr><td class="spacsingle"> XII. <span class="sc">A Variety of Phrases</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page185">185</a></td></tr> +<tr><td class="spacsingle"> XIII. <span class="sc">Vocabulary and Index</span>, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page209">209</a></td></tr> +<tr><td class="spacsingle"> Alphabetical List of Persons who sent Collections<br /> +of Dialectical Words and Phrases, </td><td class="spacsingle" style="text-align:right; vertical-align:bottom;"> <a href="#page353">353</a></td></tr> +</table> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p><!-- Page 1 --><span class="pagenum"><a name="page1"></a>{1}</span></p> + +<h2>ENGLISH AS WE SPEAK IT IN IRELAND.</h2> + +<h3>CHAPTER I.</h3> + +<p class="cenhead">SOURCES OF ANGLO-IRISH DIALECT.</p> + + <p>Our Anglo-Irish dialectical words and phrases are derived from three + main sources:—</p> + + <p><i>First</i>: the Irish language.</p> + + <p><i>Second</i>: Old English and the dialect of Scotland.</p> + + <p><i>Third</i>: independently of these two sources, dialectical + expressions have gradually grown up among our English-speaking people, as + dialects arise everywhere.</p> + + <p>In the following pages whenever a word or a phrase is not assigned to + any origin it is to be understood as belonging to this third + class:—that is so far as is known at present; for I have no doubt + that many of these will be found, after further research, to be either + Irish-Gaelic or Old English. It is to be also observed that a good many + of the dialectical expressions given in this book as belonging to Ireland + may possibly be found current in England or in Scotland or in both. But + that is no reason why they should not be included here.</p> + +<p class="cenhead"><i>Influence of Irish.</i></p> + + <p>The Irish language has influenced our Irish-English speech in several + ways. To begin with: it <!-- Page 2 --><span class="pagenum"><a + name="page2"></a>{2}</span>has determined the popular pronunciation, in + certain combinations, of three English consonants, <i>t</i>, <i>d</i>, + and <i>th</i>, but in a way (so far as <i>t</i> and <i>d</i> are + concerned) that would not now be followed by anyone even moderately well + educated. The sounds of <i>English t</i> and <i>d</i> are not the same as + those of the <i>Irish t</i> and <i>d</i>; and when the people began to + exchange the Irish language for English, they did not quite abandon the + Irish sounds of these two letters, but imported them into their English, + especially <i>when they came before r</i>. That is why we hear among the + people in every part of Ireland such vulgarisms as (for <i>t</i>) + <i>bitther</i>, <i>butther</i>, <i>thrue</i>; and (for <i>d</i>) + <i>laddher</i> (ladder), <i>cidher</i> (cider), <i>foddher</i>, &c. + Yet in other positions we sound these letters correctly, as in + <i>fat</i>, <i>football</i>, <i>white</i>; <i>bad</i>, <i>hide</i>, + <i>wild</i>, &c. No one, however uneducated, will mispronounce the + <i>t</i> and <i>d</i> in such words as these. Why it is that the + <i>Irish</i> sound is retained before <i>r</i> and not in other + combinations—why for instance the Irish people sound the <i>t</i> + and <i>d</i> incorrectly in <i>platter</i> and <i>drive</i> [platther, + dhrive] and correctly in <i>plate</i> and <i>dive</i>—is a thing I + cannot account for.</p> + + <p>As for the English <i>th</i>, it may be said that the general run of + the Irish people never sound it at all; for it is a very difficult sound + to anyone excepting a born Englishman, and also excepting a small + proportion of those born and reared on the east coast of Ireland. It has + two varieties of sound, heard in <i>bath</i> and <i>bathe</i>: and for + these two our people use the Irish <i>t</i> and <i>d</i>, as heard in the + words given above.</p> + + <p>A couple of centuries ago or more the people had another substitute + for this <i>th</i> (in <i>bathe</i>) namely <i>d</i>, which held its + place for a considerable time, and this <!-- Page 3 --><span + class="pagenum"><a name="page3"></a>{3}</span>sound was then considered + almost a national characteristic; so that in the song of 'Lillibulero' + the English author of the song puts this pronunciation all through in the + mouth of the Irishman:—'<i>Dere</i> was an ould prophecy found in a + bog.' It is still sometimes heard, but merely as a defect of speech of + individuals:—'<i>De</i> books are here: <i>dat</i> one is yours and + <i>dis</i> is mine.' Danny Mann speaks this way all through Gerald + Griffin's 'Collegians.'</p> + + <p>There was, and to a small extent still is, a similar + tendency—though not so decided—for the other sound of + <i>th</i> (as in <i>bath</i>):—'I had a hot <i>bat</i> this + morning; and I remained in it for <i>tirty</i> minutes': 'I <i>tink</i> + it would be well for you to go home to-day.'</p> + + <p>Another influence of the Irish language is on the letter <i>s</i>. In + Irish, this letter in certain combinations is sounded the same as the + English <i>sh</i>; and the people often—though not always—in + similar combinations, bring this sound into their English:—'He gave + me a blow of his <i>fisht</i>'; 'he was <i>whishling</i> St. Patrick's + Day'; 'Kilkenny is <i>sickshty</i> miles from this.' You hear this sound + very often among the more uneducated of our people.</p> + + <p>In imitation of this vulgar sound of <i>s</i>, the letter <i>z</i> + often comes in for a similar change (though there is no such sound in the + Irish language). Here the <i>z</i> gets the sound heard in the English + words <i>glazier</i>, <i>brazier</i>:—'He bought a <i>dozhen</i> + eggs'; ''tis <i>drizzhling</i> rain'; 'that is <i>dizhmal</i> news.'</p> + + <p>The second way in which our English is influenced by Irish is in + vocabulary. When our Irish forefathers began to adopt English, they + brought with them from their native language many single Irish <!-- Page + 4 --><span class="pagenum"><a name="page4"></a>{4}</span>words and used + them—as best suited to express what they meant—among their + newly acquired English words; and these words remain to this day in the + current English of their descendants, and will I suppose remain for ever. + And the process still goes on—though slowly—for as time + passes, Irish words are being adopted even in the English of the best + educated people. There is no need to give many examples here, for they + will be found all through this book, especially in the Vocabulary. I will + instance the single word <i>galore</i> (plentiful) which you will now + often see in English newspapers and periodicals. The adoption of Irish + words and phrases into English nowadays is in great measure due to the + influence of Irishmen resident in England, who write a large + proportion—indeed I think the largest proportion—of the + articles in English periodicals of every kind. Other Irish words such as + <i>shamrock</i>, <i>whiskey</i>, <i>bother</i>, <i>blarney</i>, are now + to be found in every English Dictionary. <i>Smithereens</i> too (broken + bits after a smash) is a grand word, and is gaining ground every day. Not + very long ago I found it used in a public speech in London by a + Parliamentary candidate—an Englishman; and he would hardly have + used it unless he believed that it was fairly intelligible to his + audience.</p> + + <p>The third way in which Irish influences our English is in idiom: that + is, idiom borrowed from the Irish language. Of course the idioms were + transferred about the same time as the single words of the vocabulary. + This is by far the most interesting and important feature. Its importance + was pointed out by me in a paper printed twenty years <!-- Page 5 + --><span class="pagenum"><a name="page5"></a>{5}</span>ago, and it has + been properly dwelt upon by Miss Hayden and Professor Hartog in their + recently written joint paper mentioned in the Preface. Most of these + idiomatic phrases are simply translations from Irish; and when the + translations are literal, Englishmen often find it hard or impossible to + understand them. For a phrase may be correct in Irish, but incorrect, or + even unintelligible, in English when translated word for word. Gerald + Griffin has preserved more of these idioms (in 'The Collegians,' 'The + Coiner,' 'Tales of a Jury-room,' &c.) than any other writer; and very + near him come Charles Kickham (in 'Knocknagow'), Crofton Croker (in + 'Fairy Legends') and Edward Walsh. These four writers almost exhaust the + dialect of the South of Ireland.</p> + + <p>On the other hand Carleton gives us the Northern dialect very fully, + especially that of Tyrone and eastern Ulster; but he has very little + idiom, the peculiarities he has preserved being chiefly in vocabulary and + pronunciation.</p> + + <p>Mr. Seumas MacManus has in his books faithfully pictured the dialect + of Donegal (of which he is a native) and of all north-west Ulster.</p> + + <p>In the importation of Irish idiom into English, Irish writers of the + present day are also making their influence felt, for I often come across + a startling Irish expression (in English words of course) in some English + magazine article, obviously written by one of my fellow-countrymen. Here + I ought to remark that they do this with discretion and common sense, for + they always make sure that the Irish idiom they use is such as that any + Englishman can understand it. <!-- Page 6 --><span class="pagenum"><a + name="page6"></a>{6}</span></p> + + <p>There is a special chapter (iv) in this book devoted to Anglo-Irish + phrases imported direct from Irish; but instances will be found all + through the book.</p> + + <p>It is safe to state that by far the greatest number of our Anglo-Irish + idioms come from the Irish language.</p> + +<p class="cenhead"><i>Influence of Old English and of Scotch.</i></p> + + <p>From the time of the Anglo-Norman invasion, in the twelfth century, + colonies of English and of Welsh-English people were settled in + Ireland—chiefly in the eastern part—and they became + particularly numerous in the time of Elizabeth, three or four centuries + ago, when they were spread all over the country. When these Elizabethan + colonists, who were nearly all English, settled down and made friends + with the natives and intermarried with them, great numbers of them + learned to use the Irish language; while the natives on their part + learned English from the newcomers. There was give and take in every + place where the two peoples and the two languages mixed. And so the + native Irish people learned to speak Elizabethan English—the very + language used by Shakespeare; and in a very considerable degree the old + Gaelic people and those of English descent retain it to this day. For our + people are very conservative in retaining old customs and forms of + speech. Many words accordingly that are discarded as + old-fashioned—or dead and gone—in England, are still + flourishing—alive and well—in Ireland. They are now regarded + as vulgarisms by the educated—which no doubt they are—but + they are vulgarisms of respectable origin, <!-- Page 7 --><span + class="pagenum"><a name="page7"></a>{7}</span>representing as they do the + classical English of Shakespeare's time.</p> + + <p>Instances of this will be found all through the book; but I may here + give a passing glance at such pronunciations as <i>tay</i> for + <i>tea</i>, <i>sevare</i> for <i>severe</i>, <i>desaive</i> for + <i>deceive</i>; and such words as <i>sliver</i>, <i>lief</i>, + <i>afeard</i>, &c.—all of which will be found mentioned farther + on in this book. It may be said that hardly any of those incorrect forms + of speech, now called vulgarisms, used by our people, were invented by + them; they are nearly all survivals of usages that in former times were + correct—in either English or Irish.</p> + + <p>In the reign of James I.—three centuries ago—a large part + of Ulster—nearly all the fertile land of six of the nine + counties—was handed over to new settlers, chiefly Presbyterians + from Scotland, the old Catholic owners being turned off. These settlers + of course brought with them their Scotch dialect, which remains almost in + its purity among their descendants to this day. This dialect, it must be + observed, is confined to Ulster, while the remnants of the Elizabethan + English are spread all over Ireland.</p> + + <p>As to the third main source—the gradual growth of dialect among + our English-speaking people—it is not necessary to make any special + observations about it here; as it will be found illustrated all through + the book.</p> + + <p>Owing to these three influences, we speak in Ireland a very distinct + dialect of English, which every educated and observant Englishman + perceives the moment he sets foot in this country. It is most marked + among our peasantry; but in fact none of us are free from it, no matter + how well educated. <!-- Page 8 --><span class="pagenum"><a + name="page8"></a>{8}</span>This does not mean that we speak bad English; + for it is generally admitted that our people on the whole, including the + peasantry, speak better English—nearer to the literary + standard—than the corresponding classes of England. This arises + mainly—so far as we are concerned—from the fact that for the + last four or five generations we have learned our English in a large + degree from books, chiefly through the schools.</p> + + <p>So far as our dialectical expressions are vulgar or unintelligible, + those who are educated among us ought of course to avoid them. But + outside this a large proportion of our peculiar words and phrases are + vivid and picturesque, and when used with discretion and at the right + time, give a sparkle to our conversation; so that I see no reason why we + should wipe them out completely from our speech so as to hide our + nationality. To be hypercritical here is often absurd and sometimes + silly.</p> + + <p>I well remember on one occasion when I was young in literature + perpetrating a pretty strong Hibernicism in one of my books. It was not + forbidding, but rather bright and expressive: and it passed off, and + still passes off very well, for the book is still to the fore. Some days + after the publication, a lady friend who was somewhat of a pedant and + purist in the English language, came to me with a look of grave + concern—so solemn indeed that it somewhat disconcerted me—to + direct my attention to the error. Her manner was absurdly exaggerated + considering the occasion. Judging from the serious face and the voice of + bated breath, you might almost imagine that I had committed a secret + murder and <!-- Page 9 --><span class="pagenum"><a + name="page9"></a>{9}</span>that she had come to inform me that the corpse + had just been found.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER II.</h3> + +<p class="cenhead">AFFIRMING, ASSENTING, AND SALUTING.</p> + + <p>The various Irish modes of affirming, denying, &c., will be + understood from the examples given in this short chapter better than from + any general observations.</p> + + <p>The Irish <i>ní'l lá fós é</i> [neel law fo-say: it isn't day yet] is + often used for emphasis in asseveration, even when persons are speaking + English; but in this case the saying is often turned into English. 'If + the master didn't give Tim a tongue-dressing, <i>'tisn't day yet</i>' + (which would be said either by day or by night): meaning he gave him a + very severe scolding. 'When I saw the mad dog running at me, if I didn't + get a fright, <i>neel-law-fo-say</i>.'</p> + + <p>'I went to town yesterday in all the rain, and if I didn't get a + wetting <i>there isn't a cottoner in Cork</i>': meaning I got a very + great wetting. This saying is very common in Munster; and workers in + cotton were numerous in Cork when it was invented.</p> + + <p>A very usual emphatic ending to an assertion is seen in the + following:—'That horse is a splendid animal <i>and no + mistake</i>.'</p> + + <p>'<i>I'll engage</i> you visited Peggy when you were in town': i.e. I + assert it without much fear of contradiction: I warrant. Much in the same + sense we use <i>I'll go bail</i>:—'I'll go bail you never got that + <!-- Page 10 --><span class="pagenum"><a + name="page10"></a>{10}</span>money you lent to Tom': 'An illigant song he + could sing I'll go bail' (Lever): 'You didn't meet your linnet (i.e. your + girl—your sweetheart) this evening I'll go bail' (Robert Dwyer + Joyce in 'The Beauty of the Blossom Gate').</p> + + <p>'I'll hold you' introduces an assertion with some emphasis: it is + really elliptical: I'll hold you [a wager: but always a fictitious + wager]. I'll hold you I'll finish that job by one o'clock, i.e. I'll + warrant I will—you may take it from me that I will.</p> + + <p>The phrase 'if you go to that of it' is often added on to a statement + to give great emphasis, amounting almost to a sort of defiance of + contradiction or opposition. 'I don't believe you could walk four miles + an hour': 'Oh don't you: I could then, or five if you go to that of it': + 'I don't believe that Joe Lee is half as good a hurler as his brother + Phil.' 'I can tell you he is then, and a great deal better if you go to + that of it.' Lowry Looby, speaking of St. Swithin, says:—'He was + then, buried more than once if you go to that of it.' (Gerald Griffin: + 'Collegians': Munster.)</p> + + <p>'Is it cold outside doors?' Reply, 'Aye is it,' meaning 'it is + certainly.' An emphatic assertion (after the Gaelic construction) + frequently heard is 'Ah then, 'tis I that wouldn't like to be in that + fight.' 'Ah 'tis my mother that will be delighted.'</p> + + <p>'What did he do to you?' 'He hit me with his stick, <i>so he did</i>, + and it is a great shame, so it is.' 'I like a cup of tea at night, so I + do.' In the South an expression of this kind is very often added on as a + sort of clincher to give emphasis. Similar are the very usual endings as + seen in these <!-- Page 11 --><span class="pagenum"><a + name="page11"></a>{11}</span>assertions:—'He is a great old + schemer, <i>that's what he is</i>': 'I spoke up to the master and showed + him he was wrong—<i>I did begob</i>.'</p> + + <p>I asked a man one day: 'Well, how is the young doctor going on in his + new place?' and he replied 'Ah, how but well'; which he meant to be very + emphatic: and then he went on to give particulars.</p> + + <p>A strong denial is often expressed in the following way: 'This day + will surely be wet, so don't forget your umbrella': 'What a fool I am': + as much as to say, 'I should be a fool indeed to go without an umbrella + to-day, and I think there's no mark of a fool about me.' 'Now Mary don't + wait for the last train [from Howth] for there will be an awful crush.' + 'What a fool I'd be ma'am.' 'Oh Mr. Lory I thought you were gone home + [from the dance] two hours ago': 'What a fool I am,' replies Lory + ('Knocknagow'), equivalent to 'I hadn't the least notion of making such a + fool of myself while there's such fun here.' This is heard everywhere in + Ireland, 'from the centre all round to the sea.'</p> + + <p>Much akin to this is Nelly Donovan's reply to Billy Heffernan who had + made some flattering remark to her:—'Arrah now Billy what sign of a + fool do you see on me?' ('Knocknagow.')</p> + + <p>An emphatic assertion or assent: 'Yesterday was very wet.' + Reply:—'You may say it was,' or 'you may well say that.'</p> + + <p>'I'm greatly afeard he'll try to injure me.' Answer:—''Tis fear + <i>for</i> you' (emphasis on <i>for</i>), meaning 'you have good reason + to be afeard': merely a translation of the Irish <i>is eagal duitse</i>. + <!-- Page 12 --><span class="pagenum"><a + name="page12"></a>{12}</span></p> + + <p>'Oh I'll pay you what I owe you.' ''Tis a pity you wouldn't indeed,' + says the other, a satirical reply, meaning 'of course you will and no + thanks to you for that; who'd expect otherwise?'</p> + + <p>'I am going to the fair to-morrow, as I want to buy a couple of cows.' + Reply, 'I know,' as much as to say 'I see,' 'I understand.' This is one + of our commonest terms of assent.</p> + + <p>An assertion or statement introduced by the words 'to tell God's + truth' is always understood to be weighty and somewhat unexpected, the + introductory words being given as a guarantee of its truth:—'Have + you the rest of the money you owe me ready now James?' 'Well to tell + God's truth I was not able to make it all up, but I can give you £5.'</p> + + <p>Another guarantee of the same kind, though not quite so solemn, is 'my + hand to you,' or 'I give you my hand and word.' 'My hand to you I'll + never rest till the job is finished.' 'Come and hunt with me in the wood, + and my hand to you we shall soon have enough of victuals for both of us.' + (Clarence Mangan in Ir. Pen. Journ.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I've seen—and here's my hand to you I only say what's true—</p> + <p>A many a one with twice your stock not half so proud as you.'</p> + <p>(<span class="sc">Clarence Mangan</span>.)</p> + </div> + </div> + + <p>'Do you know your Catechism?' Answer, 'What would ail me not to know + it?' meaning 'of course I do—'twould be a strange thing if I + didn't.' 'Do you think you can make that lock all right?' 'Ah what would + ail me,' i.e., 'no doubt I can—of course I can; if I couldn't do + that it would be a sure sign <!-- Page 13 --><span class="pagenum"><a + name="page13"></a>{13}</span>that something was amiss with me—that + something ailed me.'</p> + + <p>'Believe Tom and who'll believe you': a way of saying that Tom is not + telling truth.</p> + + <p>An emphatic 'yes' to a statement is often expressed in the following + way:—'This is a real wet day.' Answer, 'I believe you.' 'I think + you made a good bargain with Tim about that field.' 'I believe you I + did.'</p> + + <p>A person who is offered anything he is very willing to take, or asked + to do anything he is anxious to do, often answers in this + way:—'James, would you take a glass of punch?' or 'Tom, will you + dance with my sister in the next round?' In either case the answer is, + 'Would a duck swim?'</p> + + <p>A weak sort of assent is often expressed in this way:—'Will you + bring Nelly's book to her when you are going home, Dan?' Answer, 'I don't + mind,' or 'I don't mind if I do.'</p> + + <p>To express unbelief in a statement or disbelief in the usefulness or + effectiveness of any particular line of action, a person says 'that's all + in my eye,' or ''Tis all in my eye, Betty Martin—O'; but this last + is regarded as slang.</p> + + <p>Sometimes an unusual or unexpected statement is introduced in the + following manner, the introductory words being usually spoken + quickly:—'<i>Now do you know what I'm going to tell + you</i>—that ragged old chap has £200 in the bank.' In Derry they + make it—'Now listen to what I'm going to say.'</p> + + <p>In some parts of the South and West and Northwest, servants and others + have a way of replying to directions that at first sounds strange or even + <!-- Page 14 --><span class="pagenum"><a + name="page14"></a>{14}</span>disrespectful:—'Biddy, go up please to + the drawing-room and bring me down the needle and thread and stocking you + will find on the table.' 'That will do ma'am,' replies Biddy, and off she + goes and brings them. But this is their way of saying 'yes ma'am,' or + 'Very well ma'am.'</p> + + <p>So also you say to the hotel-keeper:—'Can I have breakfast + please to-morrow morning at 7 o'clock?' 'That will do sir.' This reply in + fact expresses the greatest respect, as much as to say, 'A word from you + is quite enough.'</p> + + <p>'I caught the thief at my potatoes.' 'No, but did you?' i.e., is it + possible you did so? A very common exclamation, especially in Ulster.</p> + + <p>'Oh man' is a common exclamation to render an assertion more emphatic, + and sometimes to express surprise:—'Oh man, you never saw such a + fine race as we had.' In Ulster they duplicate it, with still the same + application:—'Oh man-o-man that's great rain.' 'Well John you'd + hardly believe it, but I got £50 for my horse to-day at the fair.' Reply, + 'Oh man that's a fine price.'</p> + + <p>'Never fear' is heard constantly in many parts of Ireland as an + expression of assurance:—'Now James don't forget the sugar.' 'Never + fear ma'am.' 'Ah never fear there will be plenty flowers in that garden + this year.' 'You will remember to have breakfast ready at 7 o'clock.' + 'Never fear sir,' meaning 'making your mind easy on the point—it + will be all right.' <i>Never fear</i> is merely a translation of the + equally common Irish phrase, <i>ná bí heagal ort</i>.</p> + + <p>Most of our ordinary salutations are translations from Irish. <i>Go + m-beannuighe Dia dhuit</i> is literally <!-- Page 15 --><span + class="pagenum"><a name="page15"></a>{15}</span>'May God bless you,' or + 'God bless you' which is a usual salutation in English. The commonest of + all our salutes is 'God save you,' or (for a person entering a house) + 'God save all here'; and the response is 'God save you kindly' + ('Knocknagow'); where <i>kindly</i> means 'of a like kind,' 'in like + manner,' 'similarly.' Another but less usual response to the same + salutation is, 'And you too,' which is appropriate. ('Knocknagow.') 'God + save all here' is used all over Ireland except in the extreme North, + where it is hardly understood.</p> + + <p>To the ordinary salutation, 'Good-morrow,' which is heard everywhere, + the usual response is 'Good-morrow kindly.' 'Morrow Wat,' said Mr. Lloyd. + 'Morrow kindly,' replied Wat. ('Knocknagow.') 'The top of the morning to + you' is used everywhere, North and South.</p> + + <p>In some places if a woman throws out water at night at the kitchen + door, she says first, 'Beware of the water,' lest the 'good people' might + happen to be passing at the time, and one or more of them might get + splashed.</p> + + <p>A visitor coming in and finding the family at dinner:—'Much good + may it do you.'</p> + + <p>In very old times it was a custom for workmen on completing any work + and delivering it finished to give it their blessing. This blessing was + called <i>abarta</i> (an old word, not used in modern Irish), and if it + was omitted the workman was subject to a fine to be deducted from his + hire equal to the seventh part of the cost of his feeding. (<i>Senchus + Mór</i> and 'Cormac's Glossary.') It was especially incumbent on women to + bless the work of other women. This custom, which is more than a thousand + years old, has <!-- Page 16 --><span class="pagenum"><a + name="page16"></a>{16}</span>descended to our day; for the people on + coming up to persons engaged in work of any kind always say 'God bless + your work,' or its equivalent original in Irish, <i>Go m-beannuighe Dia + air bhur n-obair</i>. (See my 'Social History of Ancient Ireland,' <span + class="scac">II.</span>, page 324.)</p> + + <p>In modern times tradesmen have perverted this pleasing custom into a + new channel not so praise-worthy. On the completion of any work, such as + a building, they fix a pole with a flag on the highest point to ask the + employer for his <i>blessing</i>, which means money for a drink.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER III.</h3> + +<p class="cenhead">ASSERTION BY NEGATIVE OF OPPOSITE.</p> + + <p>Assertions are often made by using the negative of the opposite + assertion. 'You must be hungry now Tom, and this little rasher will do + you no harm,' meaning it will do you good. An old man has tired himself + dancing and says:—'A glass of whiskey will do us no harm after + that.' (Carleton.) A lady occupying a furnished house at the seaside near + Dublin said to the boy who had charge of the premises:—'There may + be burglars about here; wouldn't it be well for you to come and close the + basement shutters at night?' 'Why then begob ma'am <i>'twould be no + har-um</i>.' Here is a bit of rustic information (from Limerick) that + might be useful to food experts:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Rye bread will do you good,</p> + <p class="i2">Barley bread <i>will do you no harm</i>,</p> + <p>Wheaten bread will sweeten your blood,</p> + <p class="i2">Oaten bread will strengthen your arm.'</p> + </div> + </div> + +<p><!-- Page 17 --><span class="pagenum"><a name="page17"></a>{17}</span></p> + + <p>This curious way of speaking, which is very general among all classes + of people in Ireland and in every part of the country, is often used in + the Irish language, from which we have imported it into our English. Here + are a few Irish examples; but they might be multiplied indefinitely, and + some others will be found through this chapter. In the Irish tale called + 'The Battle of Gavra,' the narrator says:—[The enemy slew a large + company of our army] 'and that was no great help to us.' In 'The + Colloquy,' a piece much older than 'The Battle of Gavra,' Kylta, wishing + to tell his audience that when the circumstance he is relating occurred + he was very young, expresses it by saying [at that time] 'I myself was + not old.'</p> + + <p>One night a poet was grossly insulted: 'On the morrow he rose and he + was not thankful.' (From the very old Irish tale called 'The Second + Battle of Moytura': Rev. Celt.)</p> + + <p>Another old Irish writer, telling us that a certain company of + soldiers is well out of view, expresses it in this way:—<i>Ní fhuil + in cuire gan chleith</i>, literally, 'the company is not without + concealment.'</p> + + <p>How closely these and other old models are imitated in our English + will be seen from the following examples from every part of + Ireland:—</p> + + <p>'I can tell you Paddy Walsh is no chicken now,' meaning he is very + old. The same would be said of an old maid:—'She's no chicken,' + meaning that she is old for a girl.</p> + + <p>'How are your potato gardens going on this year?' 'Why then they're + not too good'; i.e. only middling or bad.</p> + + <p>A usual remark among us conveying mild approval <!-- Page 18 --><span + class="pagenum"><a name="page18"></a>{18}</span>is 'that's not bad.' A + Dublin boy asked me one day:—'Maybe you wouldn't have e'er a penny + that you'd give me, sir?' i.e., 'Have you a penny to give me?' 'You + wouldn't like to have a cup of tea, would you?' An invitation, but not a + cordial one. This is a case of '<i>will you</i> was never a good fellow' + (for which see Vocabulary).</p> + + <p>'No joke' is often used in the sense of 'very serious.' 'It was no + joke to be caught in our boat in such a storm as that.' 'The loss of £10 + is no joke for that poor widow.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'As for Sandy he worked like a downright demolisher—</p> + <p>Bare as he is, yet <i>his lick is no polisher</i>.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Thomas Moore</span> in the early part of his career.)</p> + </div> + </div> + + <p>You remark that a certain person has some fault, he is miserly, or + extravagant, or dishonest, &c.: and a bystander replies, 'Yes indeed, + and 'tisn't to-day or yesterday it happened him'—meaning that it is + a fault of long standing.</p> + + <p>A tyrannical or unpopular person goes away or dies:—'There's + many a dry eye after him.' (Kildare.)</p> + + <p>'Did Tom do your work as satisfactorily as Davy?' 'Oh, it isn't + alike': to imply that Tom did the work very much better than Davy.</p> + + <p>'Here is the newspaper; and 'tisn't much you'll find in it.'</p> + + <p>'Is Mr. O'Mahony good to his people?' 'Oh, indeed he is no great + things': or another way of saying it:—'He's no great shakes.' 'How + do you like your new horse?' 'Oh then he's no great shakes'—or + 'he's <!-- Page 19 --><span class="pagenum"><a + name="page19"></a>{19}</span>not much to boast of.' Lever has this in a + song:—'You think the Blakes are no great shakes.' But I think it is + also used in England.</p> + + <p>A consequential man who carries his head rather higher than he + ought:—'He thinks no small beer of himself.'</p> + + <p>Mrs. Slattery gets a harmless fall off the form she is sitting on, and + is so frightened that she asks of the person who helps her up, 'Am I + killed?' To which he replies ironically—'Oh there's great fear of + you.' ('Knocknagow.')</p> + + <p>[Alice Ryan is a very purty girl] 'and she doesn't want to be reminded + of that same either.' ('Knocknagow.')</p> + + <p>A man has got a heavy cold from a wetting and says: 'That wetting did + me no good,' meaning 'it did me great harm.'</p> + + <p>'There's a man outside wants to see you, sir,' says Charlie, our + office attendant, a typical southern Irishman. 'What kind is he Charlie? + does he look like a fellow wanting money?' Instead of a direct + affirmative, Charlie answers, 'Why then sir I don't think he'll give you + much anyway.'</p> + + <p>'Are people buried there now?' I asked of a man regarding an old + graveyard near Blessington in Wicklow. Instead of answering 'very few,' + he replied: 'Why then not too many sir.'</p> + + <p>When the roads are dirty—deep in mire—'there's fine + walking overhead.'</p> + + <p>In the Irish Life of St. Brigit we are told of a certain + chief:—'It was not his will to sell the bondmaid,' by which is + meant, it was his will <i>not</i> to sell her. <!-- Page 20 --><span + class="pagenum"><a name="page20"></a>{20}</span></p> + + <p>So in our modern speech the father says to the son:—'It is not + my wish that you should go to America at all,' by which he means the + positive assertion:—'It is my wish that you should not go.'</p> + + <p>Tommy says, 'Oh, mother, I forgot to bring you the sugar.' 'I wouldn't + doubt you,' answers the mother, as much as to say, 'It is just what I'd + expect from you.'</p> + + <p>When a message came to Rory from absent friends, that they were true + to Ireland:—</p> + + <p>'"My <i>sowl</i>, I never doubted them" said Rory of the hill.' + (Charles Kickham.)</p> + + <p>'It wouldn't be wishing you a pound note to do so and so': i.e. 'it + would be as bad as the loss of a pound,' or 'it might cost you a pound.' + Often used as a sort of threat to deter a person from doing it.</p> + + <p>'Where do you keep all your money?' 'Oh, indeed, <i>it's not much I + have</i>': merely translated from the Gaelic, <i>Ní mórán atâ + agum</i>.</p> + + <p>To a silly foolish fellow:—'There's a great deal of sense + outside your head.'</p> + + <p>'The only sure way to conceal evil is not to do it.'</p> + + <p>'I don't think very much of these horses,' meaning 'I have a low + opinion of them.'</p> + + <p>'I didn't pretend to understand what he said,' appears a negative + statement; but it is really one of our ways of making a positive + one:—'I pretended not to understand him.' To the same class belongs + the common expression 'I don't think':—'I don't think you bought + that horse too dear,' meaning 'I think you did not buy him too dear'; 'I + don't think this day will be wet,' equivalent to 'I think it will not be + wet.' <!-- Page 21 --><span class="pagenum"><a + name="page21"></a>{21}</span></p> + + <p>Lowry Looby is telling how a lot of fellows attacked Hardress Cregan, + who defends himself successfully:—'Ah, it isn't a goose or a duck + they had to do with when they came across Mr. Cregan.' (Gerald Griffin.) + Another way of expressing the same idea often heard:—'He's no sop + (wisp) in the road'; i.e. 'he's a strong brave fellow.'</p> + + <p>'It was not too wise of you to buy those cows as the market stands at + present,' i.e. it was rather foolish.</p> + + <p>'I wouldn't be sorry to get a glass of wine, meaning, 'I would be + glad.'</p> + + <p>An unpopular person is going away:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Joy be with him and a bottle of moss,</p> + <p>And if he don't return he's no great loss.'</p> + </div> + </div> + + <p>'How are you to-day, James?'</p> + + <p>'Indeed I can't say that I'm very well': meaning 'I am rather + ill.'</p> + + <p>'You had no right to take that book without my leave'; meaning 'You + were wrong in taking it—it was wrong of you to take it.' A + translation of the Irish <i>ní cóir duit</i>. 'A bad right' is stronger + than 'no right.' 'You have no right to speak ill of my uncle' is simply + negation:—'You are wrong, for you have no reason or occasion to + speak so.' 'A bad right you have to speak ill of my uncle:' that is to + say, 'You are doubly wrong' [for he once did you a great service]. 'A bad + right anyone would have to call Ned a screw' [for he is well known for + his generosity]. ('Knocknagow.') Another way of applying the + word—in the sense of <i>duty</i>—is seen in the + following:—A member at an Urban Council <!-- Page 22 --><span + class="pagenum"><a name="page22"></a>{22}</span>meeting makes an + offensive remark and refuses to withdraw it: when another + retorts:—'You have a right to withdraw it'—i.e. 'it is your + duty.' So:—'You have a right to pay your debts.'</p> + + <p>'Is your present farm as large as the one you left?' + Reply:—'Well indeed it doesn't want much of it.' A common + expression, and borrowed from the Irish, where it is still more usual. + The Irish <i>beagnach</i> ('little but') and <i>acht ma beag</i> ('but + only a little') are both used in the above sense ('doesn't want much'), + equivalent to the English <i>almost</i>.</p> + + <p>A person is asked did he ever see a ghost. If his reply is to be + negative, the invariable way of expressing it is: 'I never saw anything + worse than myself, thanks be to God.'</p> + + <p>A person is grumbling without cause, making out that he is struggling + in some difficulty—such as poverty—and the people will say to + him ironically: 'Oh how bad you are.' A universal Irish phrase among high + and low.</p> + + <p>A person gives a really good present to a girl:—'He didn't + affront her by that present.' (Patterson: Antrim and Down.)</p> + + <p>How we cling to this form of expression—or rather how it clings + to us—is seen in the following extract from the Dublin + correspondence of one of the London newspapers of December, + 1909:—'Mr. —— is not expected to be returned to + parliament at the general election'; meaning it <i>is</i> expected that + he will <i>not</i> be returned. So also:—'How is poor Jack Fox + to-day?' 'Oh he's not expected'; i.e. not expected to live,—he is + <i>given over</i>. This expression, <i>not expected</i>, is a very common + Irish phrase in cases of death sickness. <!-- Page 23 --><span + class="pagenum"><a name="page23"></a>{23}</span></p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER IV.</h3> + +<p class="cenhead">IDIOMS DERIVED FROM THE IRISH LANGUAGE.</p> + + <p>In this chapter I am obliged to quote the original Irish passages a + good deal as a guarantee of authenticity for the satisfaction of Irish + scholars: but for those who have no Irish the translations will answer + equally well. Besides the examples I have brought together here, many + others will be found all through the book. I have already remarked that + the great majority of our idiomatic Hibernian-English sayings are derived + from the Irish language.</p> + + <p>When existence or modes of existence are predicated in Irish by the + verb <i>tá</i> or <i>atá</i> (English <i>is</i>), the Irish preposition + <i>in</i> (English <i>in</i>) in some of its forms is always used, often + with a possessive pronoun, which gives rise to a very curious idiom. + Thus, 'he is a mason' is in Irish <i>tá sé 'n a shaor</i>, which is + literally <i>he is in his mason</i>: 'I am standing' is <i>tá mé a m' + sheasamh</i>, lit. <i>I am in my standing</i>. This explains the common + Anglo-Irish form of expression:—'He fell on the road out of his + standing': for as he is 'in his standing' (according to the Irish) when + he is standing up, he is 'out of his standing' when he falls. This idiom + with <i>in</i> is constantly translated literally into English by the + Irish people. Thus, instead of saying, 'I sent the wheat thrashed into + corn to the mill, and it came home as flour,' they will rather say, 'I + sent the wheat <i>in corn</i> to the mill, and it came home <i>in + flour</i>.' Here the <i>in</i> denotes identity: 'Your <!-- Page 24 + --><span class="pagenum"><a name="page24"></a>{24}</span>hair is in a + wisp'; i.e. it <i>is</i> a wisp: 'My eye is in whey in my head,' i.e. it + <i>is</i> whey. (John Keegan in Ir. Pen. Journ.)</p> + + <p>But an idiom closely resembling this, and in some respects identical + with it, exists in English (though it has not been hitherto + noticed—so far as I am aware)—as may be seen from the + following examples:—'The Shannon ... rushed through Athlone + <i>in</i> a deep and rapid stream (Macaulay), i.e. it <i>was</i> a deep + and rapid stream (like our expression 'Your handkerchief is in + ribbons').</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Where heaves the turf <i>in</i> many a mouldering heap.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Gray's</span> 'Elegy.')</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Hence bards, like Proteus, long in vain tied down,</p> + <p>Escape <i>in</i> monsters and amaze the town.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Pope</span>: 'Dunciad.')</p> + </div> + </div> + + <p>'The bars forming the front and rear edges of each plane [of the + flying-machine] are always <i>in</i> one piece' (Daily Mail). Shelley's + 'Cloud' says, 'I laugh <i>in</i> thunder' (meaning I laugh, and my laugh + <i>is</i> thunder.) 'The greensand and chalk were continued across the + weald <i>in</i> a great dome.' (Lord Avebury.)</p> + + <p>'Just to the right of him were the white-robed bishops <i>in a + group</i>.' (Daily Mail.) 'And men <i>in</i> nations' (Byron in 'The + Isles of Greece'): 'The people came <i>in</i> tens and twenties': 'the + rain came down <i>in</i> torrents': 'I'll take £10 <i>in</i> gold and the + rest <i>in</i> silver': 'the snow gathered <i>in</i> a heap.' 'The money + came [home] sometimes <i>in</i> specie and sometimes <i>in</i> goods' + (Lord Rothschild, speech in House of Lords, 29th November, 1909), exactly + like 'the corn came home <i>in</i> flour,' quoted above. The <!-- Page 25 + --><span class="pagenum"><a name="page25"></a>{25}</span>preceding + examples do not quite fully represent the Irish idiom in its entirety, + inasmuch as the possessive pronouns are absent. But even these are + sometimes found, as in the familiar phrases, 'the people came <i>in + their</i> hundreds.' 'You are <i>in your</i> thousands' [here at the + meeting], which is an exact reproduction of the Gaelic phrase in the + Irish classical story:—<i>Atá sibh in bhur n-ealaibh</i>, 'Ye are + swans' (lit. 'Ye are in your swans').</p> + + <p>When mere existence is predicated, the Gaelic <i>ann</i> (<i>in + it</i>, i.e. 'in existence') is used, as <i>atá sneachta ann</i>, 'there + is snow'; lit. 'there is snow <i>there</i>,' or 'there is snow <i>in + it</i>,' i.e. in existence. The <i>ann</i> should be left blank in + English translation, i.e. having no proper representative. But our people + will not let it go waste; they bring it into their English in the form of + either <i>in it</i> or <i>there</i>, both of which in this construction + carry the meaning of <i>in existence</i>. Mrs. Donovan says to Bessy + Morris:—'Is it yourself that's <i>in it</i>?' ('Knocknagow'), which + would stand in correct Irish <i>An tusa atá ann</i>? On a Sunday one man + insults and laughs at another, who says, 'Only for the day that's <i>in + it</i> I'd make you laugh at the wrong side of your mouth': 'the weather + that's <i>in it</i> is very hot.' 'There's nothing at all <i>there</i> + (in existence) as it used to be' (Gerald Griffin: 'Collegians'): 'this + day is bad for growth, there's a sharp east wind <i>there</i>.'</p> + + <p>I do not find this use of the English preposition + <i>in</i>—namely, to denote identity—referred to in English + dictionaries, though it ought to be.</p> + + <p>The same mode of expressing existence by <i>an</i> or <i>in</i> is + found in the Ulster and Scotch phrase for <!-- Page 26 --><span + class="pagenum"><a name="page26"></a>{26}</span><i>to be alone</i>, which + is as follows, always bringing in the personal pronoun:—'I am in my + lone,' 'he is in his lone,' 'they are in their lone'; or more commonly + omitting the preposition (though it is always understood): 'She is living + her lone.' All these expressions are merely translations from Gaelic, in + which they are constantly used; 'I am in my lone' being from <i>Tá me am' + aonar</i>, where <i>am'</i> is 'in my' and <i>aonar</i>, 'lone.' <i>Am' + aonar seal do bhiossa</i>, 'Once as I was alone.' (Old Irish Song.) In + north-west Ulster they sometimes use the preposition <i>by</i>:—'To + come home by his lone' (Seumas Mac Manus). Observe the word <i>lone</i> + is always made <i>lane</i> in Scotland, and generally in Ulster; and + these expressions or their like will be found everywhere in Burns or in + any other Scotch (or Ulster) dialect writer.</p> + + <p>Prepositions are used in Irish where it might be wrong to use them in + corresponding constructions in English. Yet the Irish phrases are + continually translated literally, which gives rise to many incorrect + dialect expressions. Of this many examples will be found in what + follows.</p> + + <p>'He put lies <i>on</i> me'; a form of expression often heard. This + might have one or the other of two meanings, viz. either 'he accused me + of telling lies,' or 'he told lies about me.'</p> + + <p>'The tinker took fourpence <i>out of</i> that kettle,' i.e. he earned + 4<i>d</i>. by mending it. St. Patrick left his name <i>on</i> the + townland of Kilpatrick: that nickname remained <i>on</i> Dan Ryan ever + since.</p> + + <p>'He was vexed <i>to</i> me' (i.e. with me): 'I was <i>at him</i> for + half a year' (with him); 'You could find no fault <i>to it</i>' (with + it). All these are in use. <!-- Page 27 --><span class="pagenum"><a + name="page27"></a>{27}</span></p> + + <p>'I took the medicine according to the doctor's order, but I found + myself nothing the better <i>of it</i>.' 'You have a good time <i>of + it</i>.' I find in Dickens however (in his own words) that the wind 'was + obviously determined to make a night <i>of it</i>.' (See p. <a + href="#page10">10</a> for a peculiarly Irish use of <i>of it</i>.)</p> + + <p>In the Irish poem <i>Bean na d-Tri m-Bo</i>, 'The Woman of Three + Cows,' occurs the expression, <i>As do bhólacht ná bí teann</i>, 'Do not + be haughty <i>out of</i> your cattle.' This is a form of expression + constantly heard in English:—'he is as proud as a peacock <i>out + of</i> his rich relations.' So also, 'She has great thought <i>out of</i> + him,' i.e. She has a very good opinion of him. (Queen's Co.)</p> + + <p>'I am without a penny,' i.e. I haven't a penny: very common: a + translation from the equally common Irish expression, <i>tá me gan + pinghín</i>.</p> + + <p>In an Irish love song the young man tells us that he had been vainly + trying to win over the colleen <i>le bliadhain agus le lá</i>, which + Petrie correctly (but not literally) translates 'for a year and for a + day.' As the Irish preposition <i>le</i> signifies <i>with</i>, the + literal translation would be '<i>with</i> a year and <i>with</i> a day,' + which would be incorrect English. Yet the uneducated people of the South + and West often adopt this translation; so that you will hear such + expressions as 'I lived in Cork <i>with</i> three years.'</p> + + <p>There is an idiomatic use of the Irish preposition <i>air</i>, 'on,' + before a personal pronoun or before a personal name and after an active + verb, to intimate injury or disadvantage of some kind, a violation of + right or claim. Thus, <i>Do bhuail Seumas mo ghadhar orm</i> [where + <i>orm</i> is <i>air me</i>], 'James struck my dog <!-- Page 28 --><span + class="pagenum"><a name="page28"></a>{28}</span><i>on me</i>,' where + <i>on me</i> means to my detriment, in violation of my right, &c. + <i>Chaill sé mo sgian orm</i>; 'he lost my knife <i>on me</i>.'</p> + + <p>This mode of expression exists in the oldest Irish as well as in the + colloquial languages—both Irish and English—of the present + day. When St. Patrick was spending the Lent on Croagh Patrick the demons + came to torment him in the shape of great black hateful-looking birds: + and the Tripartite Life, composed (in the Irish language) in the tenth + century, says, 'The mountain was filled with great sooty-black birds + <i>on him</i>' (to his torment or detriment). In 'The Battle of + Rossnaree,' Carbery, directing his men how to act against Conor, his + enemy, tells them to send some of their heroes <i>re tuargain a sgéithe + ar Conchobar</i>, 'to smite Conor's shield <i>on him</i>.' The King of + Ulster is in a certain hostel, and when his enemies hear of it, they + say:—'We are pleased at that for we shall [attack and] take the + hostel <i>on him</i> to-night.' (Congal Claringneach.) It occurs also in + the <i>Amra</i> of Columkille—the oldest of all—though I + cannot lay my hand on the passage.</p> + + <p>This is one of the commonest of our Anglo-Irish idioms, so that a few + examples will be sufficient.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I saw thee ... thrice <i>on Tara's champions</i> win the goal.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Ferguson</span>: 'Lays of the Western Gael.')</p> + </div> + </div> + + <p>I once heard a grandmother—an educated Dublin lady—say, in + a charmingly petting way, to her little grandchild who came up + crying:—'What did they do to you on me—did they beat you on + me?'</p> + + <p>The Irish preposition <i>ag</i>—commonly translated 'for' in + this connexion—is used in a sense much like <i>air</i>, viz. to + carry an idea of some sort of injury <!-- Page 29 --><span + class="pagenum"><a name="page29"></a>{29}</span>to the person represented + by the noun or pronoun. Typical examples are: one fellow threatening + another says, 'I'll break your head <i>for you</i>': or 'I'll soon + <i>settle his hash for him</i>.' This of course also comes from Irish; + <i>Gur scoilt an plaosg aige</i>, 'so that he broke his skull <i>for + him</i>' (Battle of Gavra); <i>Do ghearr a reim aige beo</i>, 'he + shortened his career for him.' ('The Amadán Mór.') See 'On' in + Vocabulary.</p> + + <p>There is still another peculiar usage of the English preposition + <i>for</i>, which is imitated or translated from the Irish, the + corresponding Irish preposition here being <i>mar</i>. In this case the + prepositional phrase is added on, not to denote injury, but to express + some sort of mild depreciation:—'Well, how is your new horse + getting on?' 'Ah, I'm tired of him <i>for a horse</i>: he is little + good.' A dog keeps up a continuous barking, and a person says + impatiently, 'Ah, choke you <i>for a dog</i>' (may you be choked). Lowry + Looby, who has been appointed to a place and is asked how he is going on + with it, replies, 'To lose it I did <i>for a place</i>.' ('Collegians.') + In the Irish story of <i>Bodach an Chota Lachtna</i> ('The Clown with the + Grey Coat'), the Bodach offers Ironbones some bones to pick, on which + Ironbones flies into a passion; and Mangan, the translator, happily puts + into the mouth of the Bodach:—'Oh, very well, then we will not have + any more words about them, <i>for bones</i>.' Osheen, talking in a + querulous mood about all his companions—the Fena—having left + him, says, [were I in my former condition] <i>Ni ghoirfinn go bráth + orruibh, mar Fheinn</i>, 'I would never call on you, <i>for Fena</i>.' + This last and its like are the models on which the Anglo-Irish phrases + are formed. <!-- Page 30 --><span class="pagenum"><a + name="page30"></a>{30}</span></p> + + <p>'Of you' (where <i>of</i> is not intended for <i>off</i>) is very + frequently used in the sense of <i>from you</i>: 'I'll take the stick + <i>of you</i> whether you like it or not.' 'Of you' is here simply a + translation of the Irish <i>díot</i>, which is always used in this + connexion in Irish: <i>bainfead díot é</i>, 'I will take it of you.' In + Irish phrases like this the Irish <i>uait</i> ('from you') is not used; + if it were the people would say 'I'll take it <i>from you</i>,' not <i>of + you</i>. (Russell.)</p> + + <p>'Oh that news was <i>on</i> the paper yesterday.' 'I went <i>on</i> + the train to Kingstown.' Both these are often heard in Dublin and + elsewhere. Correct speakers generally use <i>in</i> in such cases. + (Father Higgins and Kinahan.)</p> + + <p>In some parts of Ulster they use the preposition <i>on</i> after <i>to + be married</i>:—'After Peggy M‘Cue had been married <i>on</i> + Long Micky Diver' (Sheumas MacManus).</p> + + <p>'To make a speech <i>takes a good deal out of me</i>,' i.e. tires me, + exhausts me, an expression heard very often among all classes. The phrase + in italics is merely the translation of a very common Irish expression, + <i>baineann sé rud éigin asam</i>, it takes something out of me.</p> + + <p>'I am afraid of her,' 'I am frightened at her,' are both correct + English, meaning 'she has frightened me': and both are expressed in + Donegal by 'I am afeard <i>for</i> her,' 'I am frightened <i>for</i> + her,' where in both cases <i>for</i> is used in the sense of 'on account + of.'</p> + + <p>In Irish any sickness, such as fever, is said to be <i>on</i> a + person, and this idiom is imported into English. If a person wishes to + ask 'What ails you?' he often <!-- Page 31 --><span class="pagenum"><a + name="page31"></a>{31}</span>gives it the form of 'What is on you?' + (Ulster), which is exactly the English of <i>Cad é sin ort</i>?</p> + + <p>A visitor stands up to go. 'What hurry is on you?' A mild invitation + to stay on (Armagh). In the South, 'What hurry are you in?'</p> + + <p>She had <i>a nose on her</i>, i.e. looked sour, out of humour + ('Knocknagow'). Much used in the South. 'They never asked me had I a + mouth on me': universally understood and often used in Ireland, and + meaning 'they never offered me anything to eat or drink.'</p> + + <p>I find Mark Twain using the same idiom:—[an old horse] 'had a + neck <i>on him</i> like a bowsprit' ('Innocents Abroad'); but here I + think Mark shows a touch of the Gaelic brush, wherever he got it.</p> + + <p>'I tried to knock another shilling out of him, but all in vain': i.e. + I tried to persuade him to give me another shilling. This is very common + with Irish-English speakers, and is a word for word translation of the + equally common Irish phrase <i>bain sgilling eile as</i>. (Russell.)</p> + + <p>'I came against you' (more usually <i>agin you</i>) means 'I opposed + you and defeated your schemes.' This is merely a translation of an Irish + phrase, in which the preposition <i>le</i> or <i>re</i> is used in the + sense of <i>against</i> or <i>in opposition to</i>: <i>do tháinic me leat + annsin</i>. (S. H. O'Grady.) 'His sore knee came <i>against him</i> + during the walk.'</p> + + <p><i>Against</i> is used by us in another sense—that of meeting: + 'he went against his father,' i.e. he went to meet his father [who was + coming home from town]. This, which is quite common, is, I think, pure + <!-- Page 32 --><span class="pagenum"><a + name="page32"></a>{32}</span>Anglo-Irish. But 'he laid up a supply of + turf against the winter' is correct English as well as Anglo-Irish.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'And the cravat of hemp was surely spun</p> + <p><i>Against</i> the day when their race was run.'</p> + </div> + + <div class="stanza"> + <p>('Touchstone' in 'Daily Mail.')</p> + </div> + </div> + + <p>A very common inquiry when you meet a friend is:—'How are all + your care?' Meaning chiefly your family, those persons that are under + your care. This is merely a translation of the common Irish inquiry, + <i>Cionnos tá do chúram go léir</i>?</p> + + <p>A number of idiomatic expressions cluster round the word <i>head</i>, + all of which are transplanted from Irish in the use of the Irish word + <i>ceann</i> [cann] 'head'. <i>Head</i> is used to denote the cause, + occasion, or motive of anything. 'Did he really walk that distance in a + day?' Reply in Irish, <i>Ní'l contabhairt air bith ann a cheann</i>: + 'there is no doubt at all <i>on the head of it</i>,' i.e. about it, in + regard to it. 'He is a bad head to me,' i.e. he treats me badly. Merely + the Irish <i>is olc an ceann dom é</i>. <i>Bhi fearg air da chionn</i>, + he was vexed on the head of it.</p> + + <p>A dismissed clerk says:—'I made a mistake in one of the books, + and I was sent away <i>on the head of</i> that mistake.'</p> + + <p>A very common phrase among us is, 'More's the pity':—'More's the + pity that our friend William should be so afflicted.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'More's the pity one so pretty</p> + <p>As I should live alone.'</p> + </div> + + <div class="stanza"> + <p>(Anglo-Irish Folk-Song.)</p> + </div> + </div> + + <p>This is a translation of a very common Irish expression as seen + in:—<i>Budh mhó an sgéile Diarmaid</i> <!-- Page 33 --><span + class="pagenum"><a name="page33"></a>{33}</span><i>do bheith marbh</i>: + 'More's the pity Dermot to be dead.' (Story of 'Dermot and Grania.')</p> + + <p>'Who should come up to me in the fair but John.' Intended not for a + question but for an assertion—an assertion of something which was + hardly expected. This mode of expression, which is very common, is a + Gaelic construction. Thus in the song <i>Fáinne geal an lae:—Cia + gheabhainn le m'ais acht cúilfhionn deas</i>: 'Whom should I find near by + me but the pretty fair haired girl.' 'Who should walk in only his dead + wife.' (Gerald Griffin: 'Collegians.') 'As we were walking along what + should happen but John to stumble and fall on the road.'</p> + + <p>The pronouns <i>myself</i>, <i>himself</i>, &c., are very often + used in Ireland in a peculiar way, which will be understood from the + following examples:—'The birds were singing <i>for themselves</i>.' + 'I was looking about the fair <i>for myself</i>' (Gerald Griffin: + 'Collegians'): 'he is pleasant <i>in himself</i> (ibid.): 'I felt dead + [dull] <i>in myself</i>' (ibid.). 'Just at that moment I happened to be + walking by myself' (i.e. alone: Irish, <i>liom féin</i>). Expressions of + this kind are all borrowed direct from Irish.</p> + + <p>We have in our Irish-English a curious use of the personal pronouns + which will be understood from the following examples:—'He + interrupted me <i>and I writing</i> my letters' (as I was writing). 'I + found Phil there too <i>and he playing</i> his fiddle for the company.' + This, although very incorrect English, is a classic idiom in Irish, from + which it has been imported as it stands into our English. + Thus:—<i>Do chonnairc me Tomás agus é n'a shuidhe cois na + teine</i>: 'I saw Thomas <i>and he sitting</i> beside the fire.' 'How + could you see <!-- Page 34 --><span class="pagenum"><a + name="page34"></a>{34}</span>me there <i>and I to be in bed at the + time</i>?' This latter part is merely a translation from the correct + Irish:—<i>agus meise do bheith mo luidhe ag an am sin</i> (Irish + Tale). Any number of examples of this usage might be culled from both + English and Irish writings. Even so classical a writer as Wolfe follows + this usage in 'The Burial of Sir John Moore':—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'We thought ...</p> + <p>That the foe and the stranger would tread o'er his head,</p> + <p><i>And we far away</i> on the billow.'</p> + </div> + </div> + + <p>(I am reminded of this by Miss Hayden and Prof. Hartog.)</p> + + <p>But there is a variety in our English use of the pronouns here, + namely, that we often use the objective (or accusative) case instead of + the nominative. 'How could you expect Davy to do the work <i>and him so + very sick</i>?' 'My poor man fell into the fire a Sunday night <i>and him + hearty</i>' (<i>hearty</i>, half drunk: Maxwell, 'Wild Sports of the + West'). 'Is that what you lay out for me, mother, <i>and me after turning + the Voster</i>' (i.e. after working through the whole of Voster's + Arithmetic: Carleton). 'John and Bill were both reading and <i>them + eating their dinner</i>' (while they were eating their dinner). This is + also from the Irish language. We will first take the third person plural + pronoun. The pronoun 'they' is in Irish <i>siad</i>: and the accusative + 'them' is the Irish <i>iad</i>. But in some Irish constructions this + <i>iad</i> is (correctly) used as a nominative; and in imitation of this + our people often use 'them' as a nominative:—'<i>Them</i> are just + the gloves I want.' '<i>Them</i> are the boys' is exactly translated from + the correct Irish <i>is</i> <!-- Page 35 --><span class="pagenum"><a + name="page35"></a>{35}</span><i>iad sin na buachaillidhe</i>. 'Oh she + melted the hearts of the swains in <i>them</i> parts.' ('The Widow + Malone,' by Lever.)</p> + + <p>In like manner with the pronouns <i>sé</i>, <i>sí</i> (he, she), of + which the accusatives <i>é</i> and <i>í</i> are in certain Irish + constructions (correctly) used for the nominative forms, which accusative + forms are (incorrectly) imported into English. <i>Do chonnairc mé Seadhán + agus é n'a shuidhe</i>, 'I saw Shaun and <i>him</i> sitting down,' i.e. + 'as he was sitting down.' So also 'don't ask me to go and <i>me</i> + having a sore foot.' 'There's the hen and <i>her</i> as fat as butter,' + i.e. 'she (the hen) being as fat as butter.'</p> + + <p>The little phrase 'the way' is used among us in several senses, all + peculiar, and all derived from Irish. Sometimes it is a direct + translation from <i>amhlaidh</i> ('thus,' 'so,' 'how,' 'in a manner'). An + old example of this use of <i>amhlaidh</i> in Irish is the following + passage from the <i>Boroma</i> (<i>Silva Gadelica</i>):—<i>Is + amlaid at chonnaic [Concobar] Laigin ocus Ulaid mán dabaig ocá hól</i>: + 'It is how (or 'the way') [Concobar] saw the Lagenians and the Ulstermen + [viz. they were] round the vat drinking from it.' <i>Is amhlaidh do bhi + Fergus</i>: 'It is thus (or the way) Fergus was [conditioned; that his + shout was heard over three cantreds].'</p> + + <p>This same sense is also seen in the expression, 'this is the way I + made my money,' i.e. 'this is how I made it.'</p> + + <p>When this expression, 'the way,' or 'how,' introduces a statement it + means ''tis how it happened.' 'What do you want, James?' ''Tis the way + ma'am, my mother sent me for the loan of the <!-- Page 36 --><span + class="pagenum"><a name="page36"></a>{36}</span>shovel.' This idiom is + very common in Limerick, and is used indeed all through Ireland.</p> + + <p>Very often 'the way' is used in the sense of 'in order + that':—'Smoking carriages are lined with American cloth <i>the + way</i> they wouldn't keep the smell'; 'I brought an umbrella <i>the + way</i> I wouldn't get wet'; 'you want not to let the poor boy do for + himself [by marrying] <i>the way</i> that you yourself should have all.' + (Ir. Pen. Mag.) You constantly hear this in Dublin, even among educated + people.</p> + + <p>Sometimes the word <i>way</i> is a direct translation from the Irish + <i>caoi</i>, 'a way,' 'a road'; so that the common Irish salutation, + <i>Cad chaoi bh-fuil tu</i>? is translated with perfect correctness into + the equally common Irish-English salute, 'What way are you?' meaning 'How + are you?'</p> + + <p>'This way' is often used by the people in the sense of 'by this + time':—'The horse is ready this way,' i.e. 'ready by this time.' + (Gerald Griffin, 'Collegians.')</p> + + <p>The word <i>itself</i> is used in a curious way in Ireland, which has + been something of a puzzle to outsiders. As so used it has no gender, + number, or case; it is not in fact a pronoun at all, but a substitute for + the word <i>even</i>. This has arisen from the fact that in the common + colloquial Irish language the usual word to express both <i>even</i> and + <i>itself</i>, is <i>féin</i>; and in translating a sentence containing + this word <i>féin</i>, the people rather avoided <i>even</i>, a word not + very familiar to them in this sense, and substituted the better known + <i>itself</i>, in cases where <i>even</i> would be the correct word, and + <i>itself</i> would be incorrect. Thus <i>da mbeith an meud sin féin + agum</i> is correctly rendered 'if I had <!-- Page 37 --><span + class="pagenum"><a name="page37"></a>{37}</span>even that much': but the + people don't like <i>even</i>, and don't well understand it (as applied + here), so they make it 'If I had that much <i>itself</i>.' This explains + all such Anglo-Irish sayings as 'if I got it itself it would be of no use + to me,' i.e. 'even if I got it': 'If she were there itself I wouldn't + know her'; 'She wouldn't go to bed till you'd come home, and if she did + itself she couldn't sleep.' (Knocknagow.) A woman is finding some fault + with the arrangements for a race, and Lowry Looby (Collegians) puts in + 'so itself what hurt' i.e. 'even so what harm.' (Russell and myself.)</p> + + <p>The English <i>when</i> is expressed by the Irish <i>an uair</i>, + which is literally 'the hour' or 'the time.' This is often transplanted + into English; as when a person says 'the time you arrived I was away in + town.'</p> + + <p>When you give anything to a poor person the recipient commonly utters + the wish 'God increase you!' (meaning your substance): which is an exact + translation of the equally common Irish wish <i>Go meádaighe Dia + dhuit</i>. Sometimes the prayer is 'God increase your store,' which + expresses exactly what is meant in the Irish wish.</p> + + <p>The very common aspiration 'God help us' [you, me, them, &c.] is a + translation of the equally common <i>Go bh-fóireadh Dia orruinn</i> + [<i>ort</i>, &c.].</p> + + <p>In the north-west instead of 'your father,' 'your sister,' &c., + they often say 'the father of you,' 'the sister of you,' &c.; and + correspondingly as to things:—'I took the hand of her' (i.e. her + hand) (Seumas Mac Manus).</p> + + <p>All through Ireland you will hear <i>show</i> used instead of + <i>give</i> or <i>hand</i> (verb), in such phrases as <!-- Page 38 + --><span class="pagenum"><a name="page38"></a>{38}</span>'Show me that + knife,' i.e. hand it to me. 'Show me the cream, please,' says an Irish + gentleman at a London restaurant; and he could not see why his English + friends were laughing.</p> + + <p>'He passed me in the street <i>by the way</i> he didn't know me'; 'he + refused to give a contribution <i>by the way</i> he was so poor.' In + both, <i>by the way</i> means 'pretending.'</p> + + <p>'My own own people' means my immediate relations. This is a + translation of <i>mo mhuinterse féin</i>. In Irish the repetition of the + emphatic pronominal particles is very common, and is imported into + English; represented here by 'own own.'</p> + + <p>A prayer or a wish in Irish often begins with the particle <i>go</i>, + meaning 'that' (as a conjunction): <i>Go raibh maith agut</i>, + '<i>that</i> it may be well with you,' i.e. 'May it be well with you.' In + imitation or translation of this the corresponding expression in English + is often opened by this word <i>that</i>: 'that you may soon get well,' + i.e., 'may you soon get well.' Instead of 'may I be there to see' (John + Gilpin) our people would say 'that I may be there to see.' A person + utters some evil wish such as 'may bad luck attend you,' and is answered + 'that the prayer may happen the preacher.' A usual ending of a story told + orally, when the hero and heroine have been comfortably disposed of is + 'And if they don't live happy <i>that we may</i>.'</p> + + <p>When a person sees anything unusual or unexpected, he says to his + companion, 'Oh do you mind that!'</p> + + <p>'You want me to give you £10 for that cow: well, I'm not so soft + <i>all out</i>.' 'He's not so bad as that <i>all out</i>.' <!-- Page 39 + --><span class="pagenum"><a name="page39"></a>{39}</span></p> + + <p>A common expression is 'I was talking to him to-day, and I <i>drew + down about</i> the money,' i.e. I brought on or introduced the subject. + This is a translation of the Irish form <i>do tharraing me anuas</i> 'I + drew down.'</p> + + <p>Quite a common form of expression is 'I had like to be killed,' i.e., + I was near being killed: I had a narrow escape of being killed: I escaped + being killed <i>by the black of my nail</i>.</p> + + <p>Where the English say <i>it rains</i>, we say 'it is raining': which + is merely a translation of the Irish way of saying it:—<i>ta se ag + fearthainn</i>.</p> + + <p>The usual Gaelic equivalent of 'he gave a roar' is <i>do léig sé géim + as</i> (met everywhere in Irish texts), 'he let a roar out of him'; which + is an expression you will often hear among people who have not well + mastered English—who in fact often speak the Irish language with + English words.</p> + + <p>'I put it before me to do it,' meaning I was resolved to do it, is the + literal translation of <i>chuireas rómhaim é to dheunamh</i>. Both Irish + and Anglo-Irish are very common in the respective languages.</p> + + <p>When a narrator has come to the end of some minor episode in his + narrative, he often resumes with the opening 'That was well and good': + which is merely a translation of the Gaelic <i>bhí sin go maith</i>.</p> + + <p>Lowry Looby having related how the mother and daughter raised a + terrible <i>pillilu</i>, i.e., 'roaring and bawling,' says after a short + pause 'that was well and good,' and proceeds with his story. (Gerald + Griffin: 'Collegians.')</p> + + <p>A common Irish expression interjected into a narrative or discourse, + as a sort of stepping stone <!-- Page 40 --><span class="pagenum"><a + name="page40"></a>{40}</span>between what is ended and what is coming is + <i>Ní'l tracht air</i>, 'there is no talking about it,' corresponding to + the English 'in short,' or 'to make a long story short.' These Irish + expressions are imported into our English, in which popular phrases like + the following are very often heard:—'I went to the fair, and + <i>there's no use in talking</i>, I found the prices real bad.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Wisha my bones are exhausted, and <i>there's no use in talking</i>,</p> + <p>My heart is scalded, <i>a wirrasthru</i>.'</p> + </div> + + <div class="stanza"> + <p>(Old Song.)</p> + </div> + </div> + + <p>'Where is my use in staying here, so there's no use in talking, go I + will.' ('Knocknagow.') Often the expression takes this form:—'Ah + 'tis a folly to talk, he'll never get that money.'</p> + + <p>Sometimes the original Irish is in question form. <i>Cid tracht</i> + ('what talking?' i.e. 'what need of talking?') which is Englished as + follows:—'Ah what's the use of talking, your father will never + consent.' These expressions are used in conversational Irish-English, not + for the purpose of continuing a narrative as in the original Irish, + but—as appears from the above examples—merely to add emphasis + to an assertion.</p> + + <p>'It's a fine day that.' This expression, which is common enough among + us, is merely a translation from the common Irish phrase <i>is breagh an + lá é sin</i>, where the demonstrative <i>sin</i> (that) comes last in the + proper Irish construction: but when imitated in English it looks queer to + an English listener or reader.</p> + + <p>'<i>There is no doubt</i> that is a splendid animal.' This expression + is a direct translation from the Irish <i>Ní'l contabhairt ann</i>, and + is equivalent to the English 'doubtless.' It occurs often in the Scottish + dialect also:—'Ye need na doubt I held my whisht' (Burns). <!-- + Page 41 --><span class="pagenum"><a name="page41"></a>{41}</span></p> + + <p>You are about to drink from a cup. 'How much shall I put into this cup + for you?' 'Oh you may give me <i>the full of it</i>.' This is + Irish-English: in England they would say—'Give it to me full.' Our + expression is a translation from the Irish language. For example, + speaking of a drinking-horn, an old writer says, <i>a lán do'n lionn</i>, + literally, 'the full of it of ale.' In Silva Gadelica we find <i>lán a + ghlaice deise do losaibh</i>, which an Irishman translating literally + would render 'the full of his right hand of herbs,' while an Englishman + would express the same idea in this way—'his right hand full of + herbs.'</p> + + <p>Our Irish-English expression 'to come round a person' means to induce + or <i>circumvent</i> him by coaxing cuteness and wheedling: 'He came + round me by his <i>sleudering</i> to lend him half a crown, fool that I + was': 'My grandchildren came round me to give them money for sweets.' + This expression is borrowed from Irish:—'When the Milesians reached + Erin <i>tanic a ngáes timchioll Tuathi De Danand</i>, 'their cuteness + circumvented (lit. 'came round') the Dedannans.' (Opening sentence in + <i>Mesca Ulad</i> in Book of Leinster: Hennessy.)</p> + + <p>'Shall I do so and so?' 'What would prevent you?' A very usual + Hibernian-English reply, meaning 'you may do it of course; there is + nothing to prevent you.' This is borrowed or translated from an Irish + phrase. In the very old tale <i>The Voyage of Maildune</i>, Maildune's + people ask, 'Shall we speak to her [the lady]?' and he replies <i>Cid + gatas uait ce atberaid fria</i>. 'What [is it] that takes [anything] from + you though ye speak to her,' as much as to say, 'what harm will it do you + if you speak to her?' <!-- Page 42 --><span class="pagenum"><a + name="page42"></a>{42}</span>equivalent to 'of course you may, there's + nothing to prevent you.'</p> + + <p>That old horse is <i>lame of one leg</i>, one of our very usual forms + of expression, which is merely a translation from <i>bacach ar + aonchois</i>. (MacCurtin.) 'I'll seem to be lame, quite useless of one of + my hands.' (Old Song.)</p> + + <p>Such constructions as <i>amadán fir</i> 'a fool of a man' are very + common in Irish, with the second noun in the genitive (<i>fear</i> 'a + man,' gen. <i>fir</i>) meaning 'a man who is a fool.' <i>Is and is ail + ollamhan</i>, 'it is then he is a rock of an <i>ollamh</i> (doctor), i.e. + a doctor who is a rock [of learning]. (Book of Rights.) So also 'a thief + of a fellow,' 'a steeple of a man,' i.e. a man who is a steeple—so + tall. This form of expression is however common in England both among + writers and speakers. It is noticed here because it is far more general + among us, for the obvious reason that it has come to us from two sources + (instead of one)—Irish and English.</p> + + <p>'I removed to Dublin this day twelve months, and this day two years I + will go back again to Tralee.' 'I bought that horse last May was a + twelvemonth, and he will be three years old come Thursday next.' 'I'll + not sell my pigs till coming on summer': a translation of <i>air theacht + an t-samhraidh</i>. Such Anglo-Irish expressions are very general, and + are all from the Irish language, of which many examples might be given, + but this one from 'The Courtship of Emer,' twelve or thirteen centuries + old, will be enough. [It was prophesied] that the boy would come to Erin + that day seven years—<i>dia secht m-bliadan</i>. (Kuno Meyer.) <!-- + Page 43 --><span class="pagenum"><a name="page43"></a>{43}</span></p> + + <p>In our Anglo-Irish dialect the expression <i>at all</i> is often + duplicated for emphasis: 'I'll grow no corn this year at all at all': 'I + have no money at all at all.' So prevalent is this among us that in a + very good English grammar recently published (written by an Irishman) + speakers and writers are warned against it. This is an importation from + Irish. One of the Irish words for 'at all' is <i>idir</i> (always used + after a negative), old forms <i>itir</i> and <i>etir</i>:—<i>nir bo + tol do Dubthach recc na cumaile etir</i>, 'Dubthach did not wish to sell + the bondmaid at all.' In the following old passage, and others like it, + it is duplicated for emphasis <i>Cid beac, itir itir, ges do obar</i>: + 'however little it is forbidden to work, at all at all.' ('Prohibitions + of beard,' O'Looney.)</p> + + <p>When it is a matter of indifference which of two things to choose, we + usually say 'It is equal to me' (or 'all one to me'), which is just a + translation of <i>is cuma liom</i> (best rendered by 'I don't care'). + Both Irish and English expressions are very common in the respective + languages. Lowry Looby says:—'It is equal to me whether I walk ten + or twenty miles.' (Gerald Griffin.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I am a bold bachelor, airy and free,</p> + <p>Both cities and counties are equal to me.'</p> + </div> + + <div class="stanza"> + <p>(Old Song.)</p> + </div> + </div> + + <p>'Do that out of the face,' i.e. begin at the beginning and finish it + out and out: a translation of <i>deun sin as eudan</i>.</p> + + <p>'The day is rising' means the day is clearing up,—the rain, or + snow, or wind is ceasing—the weather is becoming fine: a common + saying in Ireland: a translation of the usual Irish expression <i>tá an + lá</i> <!-- Page 44 --><span class="pagenum"><a + name="page44"></a>{44}</span><i>ag éirghidh</i>. During the height of the + great wind storm of 1842 a poor <i>shooler</i> or 'travelling man' from + Galway, who knew little English, took refuge in a house in Westmeath, + where the people were praying in terror that the storm might go down. He + joined in, and unconsciously translating from his native Irish, he kept + repeating 'Musha, that the Lord may rise it, that the Lord may rise it.' + At which the others were at first indignant, thinking he was asking God + to <i>raise</i> the wind higher still. (Russell.)</p> + + <p>Sometimes two prepositions are used where one would do:—'The dog + got <i>in under</i> the bed:' 'Where is James? He's <i>in in</i> the + room—or inside in the room.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Old woman, old woman, old woman,' says I,</p> + <p class="hg1">'Where are you going up so high?'</p> + <p class="hg1">'To sweep the cobwebs <i>off o'</i> the sky.'</p> + </div> + </div> + + <p>Whether this duplication <i>off of</i> is native Irish or old English + it is not easy to say: but I find this expression in 'Robinson + Crusoe':—'For the first time since the storm <i>off of</i> + Hull.'</p> + + <p>Eva, the witch, says to the children of Lir, when she had turned them + into swans:—<i>Amach daoibh a chlann an righ</i>: 'Out with you [on + the water] ye children of the king.' This idiom which is quite common in + Irish, is constantly heard among English speakers:—'Away with you + now'—'Be off with yourself.'</p> + + <p>'Are you going away now?' One of the Irish forms of answering this is + <i>Ní fós</i>, which in Kerry the people translate 'no yet,' considering + this nearer to the original than the usual English 'not yet.' <!-- Page + 45 --><span class="pagenum"><a name="page45"></a>{45}</span></p> + + <p>The usual way in Irish of saying <i>he died</i> is <i>fuair sé + bás</i>, i.e. 'he found (or got) death,' and this is sometimes imitated + in Anglo-Irish:—'He was near getting his death from that wetting'; + 'come out of that draught or you'll get your death.'</p> + + <p>The following curious form of expression is very often + heard:—'Remember you have gloves to buy for me in town'; instead of + 'you have to buy me gloves.' 'What else have you to do to-day?' 'I have a + top to bring to Johnny, and when I come home I have the cows to put in + the stable'—instead of 'I have to bring a top'—'I have to put + the cows.' This is an imitation of Irish, though not, I think, a direct + translation.</p> + + <p>What may be called the Narrative Infinitive is a very usual + construction in Irish. An Irish writer, relating a past event (and using + the Irish language) instead of beginning his narrative in this way, + 'Donall O'Brien went on an expedition against the English of Athlone,' + will begin 'Donall O'Brien <i>to go</i> on an expedition,' &c. No + Irish examples of this need be given here, as they will be found in every + page of the Irish Annals, as well as in other Irish writings. Nothing + like this exists in English, but the people constantly imitate it in the + Anglo-Irish speech. 'How did you come by all that money?' + Reply:—'To get into the heart of the fair' (meaning 'I got into the + heart of the fair'), and to cry <i>old china</i>, &c. (Gerald + Griffin.) 'How was that, Lowry?' asks Mr. Daly: and Lowry + answers:—'Some of them Garryowen boys sir to get about Danny Mann.' + (Gerald Griffin: 'Collegians.') 'How did the mare get that hurt?' 'Oh Tom + Cody to leap <!-- Page 46 --><span class="pagenum"><a + name="page46"></a>{46}</span>her over the garden wall yesterday, and she + to fall on her knees on the stones.'</p> + + <p>The Irish language has the word <i>annso</i> for <i>here</i>, but it + has no corresponding word <i>derived from annso</i>, to signify + <i>hither</i>, though there are words for this too, but not from + <i>annso</i>. A similar observation applies to the Irish for the words + <i>there</i> and <i>thither</i>, and for <i>where</i> and <i>whither</i>. + As a consequence of this our people do not use <i>hither</i>, + <i>thither</i>, and <i>whither</i> at all. They make <i>here</i>, + <i>there</i>, and <i>where</i> do duty for them. Indeed much the same + usage exists in the Irish language too: <i>Is ann tigdaois eunlaith</i> + (Keating): 'It is <i>here</i> the birds used to come,' instead of + <i>hither</i>. In consequence of all this you will hear everywhere in + Anglo-Irish speech:—'John came here yesterday': 'come here Patsy': + 'your brother is in Cork and you ought to go <i>there</i> to see him': + '<i>where</i> did you go yesterday after you parted from me?'</p> + + <p>'Well Jack how are you these times?' 'Oh, indeed Tom I'm purty well + thank you—<i>all that's left of me</i>': a mock way of speaking, as + if the hard usage of the world had worn him to a thread. 'Is Frank + Magaveen there?' asks the blind fiddler. 'All that's left of me is here,' + answers Frank. (Carleton.) These expressions, which are very usual, and + many others of the kind, are borrowed from the Irish. In the Irish tale, + 'The Battle of Gavra,' poor old Osheen, the sole survivor of the Fena, + says:—'I know not where to follow them [his lost friends]; and this + makes <i>the little remnant that is left of me</i> wretched. (<i>D'fúig + sin m'iarsma</i>).</p> + + <p>Ned Brophy, introducing his wife to Mr. Lloyd, says, 'this is + <i>herself</i> sir.' This is an extremely <!-- Page 47 --><span + class="pagenum"><a name="page47"></a>{47}</span>common form of phrase. + 'Is <i>herself</i> [i.e. the mistress] at home Jenny?' 'I'm afraid + himself [the master of the house] will be very angry when he hears about + the accident to the mare.' This is an Irish idiom. The Irish chiefs, when + signing their names to any document, always wrote the name in this form, + <i>Misi O'Neill</i>, i.e. 'Myself O'Neill.'</p> + + <p>A usual expression is 'I have no Irish,' i.e. I do not know or speak + Irish. This is exactly the way of saying it in Irish, of which the above + is a translation:—<i>Ní'l Gaodhlainn agum</i>.</p> + + <p>To <i>let on</i> is to pretend, and in this sense is used everywhere + in Ireland. 'Oh your father is very angry': 'Not at all, he's only + letting on.' 'If you meet James don't let on you saw me,' is really a + positive, not a negative request: equivalent to—'If you meet James, + let on (pretend) that you didn't see me.' A Dublin working-man recently + writing in a newspaper says, 'they passed me on the bridge (Cork), and + never let on to see me' (i.e. 'they let on not to see me').</p> + + <p>'He is all <i>as one as</i> recovered now'; he is nearly the same as + recovered.</p> + + <p>At the proper season you will often see auctioneers' + posters:—'To be sold by auction 20 acres of splendid meadow <i>on + foot</i>,' &c. This term <i>on foot</i>, which is applied in Ireland + to <i>growing</i> crops of all kinds—corn, flax, meadow, + &c.—is derived from the Irish language, in which it is used in + the oldest documents as well as in the everyday spoken modern Irish; the + usual word <i>cos</i> for 'foot' being used. Thus in the Brehon Laws we + are told that a wife's share of the flax is one-ninth if it be on foot + (<i>for a cois</i>, <!-- Page 48 --><span class="pagenum"><a + name="page48"></a>{48}</span>'on its foot,' modern form <i>air a + chois</i>) one-sixth after being dried, &c. In one place a fine is + mentioned for appropriating or cutting furze if it be 'on foot.' (Br. + Laws.)</p> + + <p>This mode of speaking is applied in old documents to animals also. + Thus in one of the old Tales is mentioned a present of a swine and an ox + <i>on foot</i> (<i>for a coiss</i>, 'on their foot') to be given to Mac + Con and his people, i.e. to be sent to them alive—not slaughtered. + (Silva Gadelica.) But I have not come across this application in our + modern Irish-English.</p> + + <p>To give a thing 'for God's sake,' i.e. to give it in charity or for + mere kindness, is an expression very common at the present day all over + Ireland. 'Did you sell your turf-rick to Bill Fennessy?' Oh no, I gave it + to him for God's sake: he's very badly off now poor fellow, and I'll + never miss it.' Our office attendant Charlie went to the clerk, who was + chary of the pens, and got a supply with some difficulty. He came back + grumbling:—'A person would think I was asking them for God's sake' + (a thoroughly Hibernian sentence). This expression is common also in + Irish, both ancient and modern, from which the English is merely a + translation. Thus in the Brehon Laws we find mention of certain young + persons being taught a trade 'for God's sake' (<i>ar Dia</i>), i.e. + without fee: and in another place a man is spoken of as giving a poor + person something 'for God's sake.'</p> + + <p>The word <i>'nough</i>, shortened from <i>enough</i>, is always used + in English with the possessive pronouns, in accordance with the Gaelic + construction in such phrases as <i>gur itheadar a n-doithin díobh</i>, + 'So that <!-- Page 49 --><span class="pagenum"><a + name="page49"></a>{49}</span>they ate their enough of them' ('Diarmaid + and Grainne'): <i>d'ith mo shaith</i> 'I ate my enough.' Accordingly + uneducated people use the word <i>'nough</i> in this manner, exactly as + <i>fill</i> is correctly used in 'he ate his fill.' Lowry Looby wouldn't + like to be 'a born gentleman' for many reasons—among others that + you're expected 'not to ate half your 'nough at dinner.' (Gerald Griffin: + 'Collegians.')</p> + + <p>The words <i>world</i> and <i>earth</i> often come into our + Anglo-Irish speech in a way that will be understood and recognised from + the following examples:—'Where in the world are you going so + early?' 'What in the world kept you out so long?' 'What on earth is wrong + with you?' 'That cloud looks for all the world like a man.' 'Oh you young + thief of the world, why did you do that?' (to a child). These expressions + are all thrown in for emphasis, and they are mainly or altogether + imported from the Irish. They are besides of long standing. In the + 'Colloquy'—a very old Irish piece—the king of Leinster says + to St. Patrick:—'I do not know <i>in the world</i> how it fares + [with my son].' So also in a still older story, 'The Voyage of + Maildune':—'And they [Maildune and his people] knew not whither + <i>in the world</i> (<i>isan bith</i>) they were going. In modern Irish, + <i>Ní chuirionn sé tábhacht a n-éinidh san domhuin</i>: 'he minds nothing + in the world.' (Mac Curtin.)</p> + + <p>But I think some of the above expressions are found in good English + too, both old and new. For example in a letter to Queen Elizabeth the + Earl of Ormond (an Irishman—one of the Butlers) designates a + certain Irish chief 'that most arrogant, <!-- Page 50 --><span + class="pagenum"><a name="page50"></a>{50}</span>vile, traitor of the + world Owney M‘Rorye' [O'Moore]. But perhaps he wrote this with an + Irish pen.</p> + + <p>A person does something to displease me—insults me, breaks down + my hedge—and I say 'I will not let that go with him': meaning I + will bring him to account for it, I will take satisfaction, I will punish + him. This, which is very usual, is an Irish idiom. In the story of The + Little Brawl of Allen, Goll boasts of having slain Finn's father; and + Finn answers <i>bud maith m'acfainnse ar gan sin do léicen let</i>, 'I am + quite powerful enough not to let that go with you.' ('Silva Gadelica.') + Sometimes this Anglo-Irish phrase means to vie with, to rival. 'There's + no doubt that old Tom Long is very rich': 'Yes indeed, but I think Jack + Finnerty <i>wouldn't let it go with him</i>.' Lory Hanly at the dance, + seeing his three companions sighing and obviously in love with three of + the ladies, feels himself just as bad for a fourth, and sighing, says to + himself that he 'wouldn't let it go with any of them.' + ('Knocknagow.')</p> + + <p>'I give in to you' means 'I yield to you,' 'I assent to (or believe) + what you say,' 'I acknowledge you are right': 'He doesn't give in that + there are ghosts at all.' This is an Irish idiom, as will be seen in the + following:—[A lion and three dogs are struggling for the mastery + and] <i>adnaigit [an triur eile] do [an leomain]</i> 'And the three + others gave in to the [lion].'</p> + + <p>This mode of expression is however found in English + also:—[Beelzebub] 'proposes a third undertaking which the whole + assembly gives in to.' (Addison in 'Spectator.') <!-- Page 51 --><span + class="pagenum"><a name="page51"></a>{51}</span></p> + + <p><i>For</i> is constantly used before the infinitive: 'he bought cloth + <i>for to</i> make a coat.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'And "Oh sailor dear," said she,</p> + <p class="hg3">"How came you here by me?"</p> + <p class="i2">And then she began <i>for to cry</i>.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk Song.)</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'King James he pitched his tents between</p> + <p class="i2">His lines <i>for to retire</i>.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk Song: 'The Boyne Water.')</p> + </div> + </div> + + <p>This idiom is in Irish also: <i>Deunaidh duthracht le leas bhur n-anma + a dheunadh</i>: 'make an effort <i>for to accomplish</i> the amendment of + your souls.' ('Dunlevy.') Two Irish prepositions are used in this sense + of <i>for</i>: <i>le</i> (as above) and <i>chum</i>. But this use of + <i>for</i> is also very general in English peasant language, as may be + seen everywhere in Dickens.</p> + + <p><i>Is ceangailte do bhidhinn</i>, literally 'It is bound I should be,' + i.e. in English 'I should be bound.' This construction (from 'Diarmaid + and Grainne'), in which the position of the predicate as it would stand + according to the English order is thrown back, is general in the Irish + language, and quite as general in our Anglo-Irish, in imitation or + translation. I once heard a man say in Irish <i>is e do chailleamhuin do + rinn me</i>: 'It is to lose it I did' (I lost it). The following are + everyday examples from our dialect of English: ''Tis to rob me you want': + 'Is it at the young woman's house the wedding is to be?' ('Knocknagow'): + 'Is it reading you are?' ''Twas to dhrame it I did sir' ('Knocknagow'): + 'Maybe 'tis turned out I'd be' ('Knocknagow'): 'To lose it I did' (Gerald + Griffin: 'Collegians'): 'Well John I am glad to <!-- Page 52 --><span + class="pagenum"><a name="page52"></a>{52}</span>see you, and it's right + well you look': [Billy thinks the fairy is mocking him, and says:—] + 'Is it after making a fool of me you'd be?' (Crofton Croker): 'To make + for Rosapenna (Donegal) we did:' i.e., 'We made for Rosapenna': 'I'll + tell my father about your good fortune, and 'tis he that will be + delighted.'</p> + + <p>In the fine old Irish story the 'Pursuit of Dermot and Grania,' Grania + says to her husband Dermot:—[Invite guests to a feast to our + daughter's house] <i>agus ní feas nach ann do gheubhaidh fear chéile</i>; + 'and there is no knowing but that there she may get a husband.' This is + almost identical with what Nelly Donovan says in our own day—in + half joke—when she is going to Ned Brophy's + wedding:—'There'll be some likely lads there to-night, and who + knows what luck I might have.' ('Knocknagow.') This expression 'there is + no knowing but' or 'who knows but,' borrowed as we see from Gaelic, is + very common in our Anglo-Irish dialect. 'I want the loan of £20 badly to + help to stock my farm, but how am I to get it?' His friend + answers:—'Just come to the bank, and who knows but that they will + advance it to you on my security:' meaning 'it is not unlikely—I + think it rather probable—that they will advance it'</p> + + <p>'He looks like a man <i>that there would be</i> no money in his + pocket': 'there's <i>a man that his wife leaves him</i> whenever she + pleases.' These phrases and the like are heard all through the middle of + Ireland, and indeed outside the middle: they are translations from Irish. + Thus the italics of the second phrase would be in Irish <i>fear dá + d-tréigeann a bhean é</i> (or <i>a thréigeas a bhean é</i>). 'Poor brave + honest Mat Donovan that everyone is proud of <i>him</i> and fond <!-- + Page 53 --><span class="pagenum"><a name="page53"></a>{53}</span>of + <i>him</i>' ('Knocknagow'): 'He was a descendant of Sir Thomas More that + Henry VIII. cut his head off' (whose head Henry VIII. cut off). The + phrases above are incorrect English, as there is redundancy; but they, + and others like them, could generally be made correct by the use of + <i>whose</i> or <i>of whom</i>:—'He looks like a man in whose + pocket,' &c.—'A man whose wife leaves him.' But the people in + general do not make use of <i>whose</i>—in fact they do not know + how to use it, except at the beginning of a question:—'Whose knife + is this?' (Russell.) This is an excellent example of how a phrase may be + good Irish but bad English.</p> + + <p>A man possesses some prominent quality, such as generosity, for which + his father was also distinguished, and we say 'kind father for him,' i.e. + 'He is of the same <i>kind</i> as his father—he took it from his + father.' So also ''Tis kind for the cat to drink milk'—'cat after + kind'—''Tis kind for John to be good and honourable' [for his + father or his people were so before him]. All this is from Irish, in + which various words are used to express the idea of <i>kind</i> in this + sense:—<i>bu cheneulta do</i>—<i>bu dhual do</i>—<i>bu + dhuthcha do</i>.</p> + + <p>Very anxious to do a thing: ''Twas all his trouble to do so and so' + ('Collegians'): corresponding to the Irish:—'<i>Is é mo chúram + uile</i>,' 'He (or it) is all my care.' (MacCurtin.)</p> + + <p>Instead of 'The box will hold all the parcels' or 'All the parcels + will fit into the box,' we in Ireland commonly say 'All the parcels + <i>will go</i> into the box.' This is from a very old Gaelic usage, as + may be seen from this quotation from the 'Boroma':—<i>Coire mór uma + í teigtís dá muic déc</i>: 'A large bronze caldron <!-- Page 54 --><span + class="pagenum"><a name="page54"></a>{54}</span>into which <i>would + go</i> (téigtís) twelve [jointed] pigs.' ('Silva Gadelica.')</p> + + <p><i>Chevilles.</i> What is called in French a <i>cheville</i>—I + do not know any Irish or English name for it—is a phrase + interjected into a line of poetry merely to complete either the measure + or the rhyme, with little or no use besides. The practice of using + chevilles was very common in old Irish poetry, and a bad practice it was; + for many a good poem is quite spoiled by the constant and wearisome + recurrence of these <i>chevilles</i>. For instance here is a translation + of a couple of verses from 'The Voyage of Maildune' with their + <i>chevilles</i>:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'They met with an island after sailing—</p> + <p class="i16"><i>wonderful the guidance</i>.</p> + <p class="hg1">'The third day after, on the end of the rod—</p> + <p class="i16"><i>deed of power</i>—</p> + <p>The chieftain found—<i>it was a very great joy</i>—</p> + <p class="i16">a cluster of apples.'</p> + </div> + </div> + + <p>In modern <i>Irish</i> popular poetry we have <i>chevilles</i> also; + of which I think the commonest is the little phrase <i>gan go</i>, + 'without a lie'; and this is often reflected in our Anglo-Irish songs. In + 'Handsome Sally,' published in my 'Old Irish Music and Songs,' these + lines occur:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Young men and maidens I pray draw near—</p> + <p class="i8"><i>The truth to you I will now declare</i>—</p> + <p>How a fair young lady's heart was won</p> + <p class="i8">All by the loving of a farmer's son.'</p> + </div> + </div> + + <p>And in another of our songs:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Good people all I pray draw near—</p> + <p class="i6"><i>No lie I'll tell to ye</i>—</p> + <p>About a lovely fair maid,</p> + <p class="i6">And her name is Polly Lee.'</p> + </div> + </div> + +<p><!-- Page 55 --><span class="pagenum"><a name="page55"></a>{55}</span></p> + + <p>This practice is met with also in English poetry, both classical and + popular; but of course this is quite independent of the Irish custom.</p> + + <p><i>Assonance.</i> In the modern Irish language the verse rhymes are + <i>assonantal</i>. Assonance is the correspondence of the vowels: the + consonants count for nothing. Thus <i>fair</i>, <i>may</i>, <i>saint</i>, + <i>blaze</i>, <i>there</i>, all rhyme assonantally. As it is easy to find + words that rhyme in this manner, the rhymes generally occur much oftener + in Anglo-Irish verse than in pure English, in which the rhymes are what + English grammarians call <i>perfect</i>.</p> + + <p>Our rustic poets rhyme their English (or Irish-English) verse + assonantally in imitation of their native language. For a very good + example of this, see the song of Castlehyde in my 'Old Irish Music and + Songs'; and it may be seen in very large numbers of our Anglo-Irish + Folk-songs. I will give just one example here, a free translation of an + elegy, rhyming like its original. To the ear of a person accustomed to + assonance—as for instance to mine—the rhymes here are as + satisfying as if they were <i>perfect</i> English rhymes.</p> + + <div class="poem"> + <div class="stanza"> + <p>You remember our <i>neigh</i>bour Mac<i>Bra</i>dy we buried last <span class="scac">YEAR</span>;</p> + <p>His death it <i>amaz</i>ed me and <i>daz</i>ed me with sorrow and <span class="scac">GRIEF</span>;</p> + <p>From <i>cra</i>dle to <i>grave</i> his <i>name</i> was held in <span class="scac">ESTEEM</span>;</p> + <p>For at <i>fairs</i> and at <i>wakes</i> there was no one like him for a <span class="scac">SPREE</span>;</p> + <p>And 'tis he knew the <i>way</i> how to <i>make</i> a good cag of pot<span class="scac">THEEN</span>.</p> + <p>He'd make verses in <i>Gael</i>ic quite <i>ais</i>y most <i>plaz</i>ing to <span class="scac">READ</span>;</p> + <p>And he knew how to <i>plaze</i> the fair <i>maids</i> with his soothering <span class="scac">SPEECH</span>.</p> + <p>He could clear out a <i>fair</i> at his <i>aise</i> with his ash clehal<span class="scac">PEEN</span>;</p> + <p>But ochone he's now <i>laid</i> in his <i>grave</i> in the churchyard of <span class="sc">Keel</span>.</p> + </div> + </div> + +<p><!-- Page 56 --><span class="pagenum"><a name="page56"></a>{56}</span></p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER V.</h3> + +<p class="cenhead">THE DEVIL AND HIS 'TERRITORY.'</p> + + <p>Bad as the devil is he has done us some service in Ireland by + providing us with a fund of anecdotes and sayings full of drollery and + fun. This is all against his own interests; for I remember reading in the + works of some good old saint—I think it is St. Liguori—that + the devil is always hovering near us watching his opportunity, and that + one of the best means of scaring him off is a good honest hearty + laugh.</p> + + <p>Those who wish to avoid uttering the plain straight name 'devil' often + call him 'the Old Boy,' or 'Old Nick.'</p> + + <p>In some of the stories relating to the devil he is represented as a + great simpleton and easily imposed upon: in others as clever at + everything. In many he gets full credit for his badness, and all his + attributes and all his actions are just the reverse of the good agencies + of the world; so that his attempts at evil often tend for good, while + anything he does for good—or pretending to be for good—turns + to evil.</p> + + <p>When a person suffers punishment or injury of any kind that is well + deserved—gets his deserts for misconduct or culpable mismanagement + or excessive foolishness of any kind—we say 'the devil's cure to + him,' or 'the devil mend him' (as much as to say <!-- Page 57 --><span + class="pagenum"><a name="page57"></a>{57}</span>in English 'serve him + right'); for if the devil goes to cure or to mend he only makes matters + ten times worse. Dick Millikin of Cork (the poet of 'The Groves of + Blarney') was notoriously a late riser. One morning as he was going very + late to business, one of his neighbours, a Quaker, met him. 'Ah friend + Dick thou art very late to-day: remember the early bird picks the worm.' + 'The devil mend the worm for being out so early,' replied Dick. So also + 'the devil bless you' is a bad wish, because the devil's blessing is + equivalent to the curse of God; while 'the devil's curse to you' is + considered a good wish, for the devil's curse is equal to God's blessing. + (Carleton.) The devil comes in handy in many ways. What could be more + expressive than this couplet of an old song describing a ruffian in a + rage:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'He stamped and he cursed and he swore he would fight,</p> + <p>And I saw the <i>ould</i> devil between his two eyes.'</p> + </div> + </div> + + <p>Sometimes the devil is taken as the type of excellence or of great + proficiency in anything, or of great excess, so that you often hear 'That + fellow is as old as the devil,' 'That beefsteak is as tough as the + devil,' 'He beats the devil for roguery,' 'My landlord is civil, but dear + as the divil.' (Swift: who wrote this with a pen dipped in Irish + ink.)</p> + + <p>A poor wretch or a fellow always in debt and difficulty, and + consequently shabby, is a 'poor devil'; and not very long ago I heard a + friend say to another—who was not sparing of his + labour—'Well, there's no doubt but you're a hard-working old + devil.' <!-- Page 58 --><span class="pagenum"><a + name="page58"></a>{58}</span></p> + + <p>Very bad potatoes:—'Wet and watery, scabby and small, thin in + the ground and hard to dig, hard to wash, hard to boil, and <i>the devil + to eat them</i>.'</p> + + <p>'I don't wonder that poor Bill should be always struggling, for he has + the devil of an extravagant family.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Oh confusion to you Dan,' says the T. B. C.,</p> + <p class="hg1">'You're the devil of a man,' says the T. B. C.</p> + </div> + + <div class="stanza"> + <p>(Repeal Song of 1843.)</p> + </div> + </div> + + <p>(But this form of expression occurs in Dickens—'Our Mutual + Friend'—'I have a devil of a temper myself'). An emphatic + statement:—'I wouldn't like to trust him, for he's the <i>devil's + own</i> rogue.'</p> + + <p>'There's no use in your trying that race against Johnny Keegan, for + Johnny is the very devil at running.' 'Oh your reverence,' says Paddy + Galvin, 'don't ax me to fast; but you may put as much prayers on me as + you like: for, your reverence, I'm very bad at fasting, but I'm the divel + at the prayers.' According to Mr. A. P. Graves, in 'Father O'Flynn,' the + 'Provost and Fellows of Trinity' [College, Dublin] are 'the divels an' + all at Divinity.' This last expression is truly Hibernian, and is very + often heard:—A fellow is boasting how he'll leather Jack Fox when + next he meets him. 'Oh yes, you'll do the <i>devil an' all</i> while Jack + is away; but wait till he comes to the fore.'</p> + + <p>In several of the following short stories and sayings the simpleton + side of Satan's character is well brought out.</p> + + <p>Damer of Shronell, who lived in the eighteenth century, was reputed to + be the richest man in Ireland—a sort of Irish Croesus: so that 'as + rich as <!-- Page 59 --><span class="pagenum"><a + name="page59"></a>{59}</span>Damer' has become a proverb in the south of + Ireland. An Irish peasant song-writer, philosophising on the vanity of + riches, says:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'There was ould Paddy Murphy had money galore,</p> + <p>And Damer of Shronell had twenty times more—</p> + <p>They are now on their backs under nettles and stones.'</p> + </div> + </div> + + <p>Damer's house in ruins is still to be seen at Shronell, four miles + west of Tipperary town. The story goes that he got his money by selling + his soul to the devil for as much gold as would fill his boot—a top + boot, i.e. one that reaches above the knee. On the appointed day the + devil came with his pockets well filled with guineas and sovereigns, as + much as he thought was sufficient to fill any boot. But meantime Damer + had removed the heel and fixed the boot in the floor, with a hole in the + boards underneath, opening into the room below. The devil flung in + handful after handful till his pockets were empty, but still the boot was + not filled. He then sent out a signal, such as they understand in + hell—for they had wireless telegraphy there long before Mr. + Marconi's Irish mother was born—on which a crowd of little imps + arrived all laden with gold coins, which were emptied into the boot, and + still no sign of its being filled. He had to send them many times for + more, till at last he succeeded in filling <i>the room beneath</i> as + well as the boot; on which the transaction was concluded. The legend does + not tell what became of Damer in the end; but such agreements usually + wind up (in Ireland) by the sinner tricking Satan out of his bargain.</p> + + <p>When a person does an evil deed under cover of some untruthful but + plausible justification, or utters <!-- Page 60 --><span + class="pagenum"><a name="page60"></a>{60}</span>a wicked saying under a + disguise: that's 'blindfolding the devil in the dark.' The devil is as + cute in the dark as in the light: and blindfolding him is useless and + foolish: he is only laughing at you.</p> + + <p>'You're a very coarse Christian,' as the devil said to the hedgehog. + (Tyrone.)</p> + + <p>The name and fame of the great sixteenth-century magician, Dr. Faust + or Faustus, found way somehow to our peasantry; for it was quite common + to hear a crooked knavish man spoken of in this way:—'That fellow + is a match for the devil and <i>Dr. Fosther</i>.' (Munster.)</p> + + <p>The magpie has seven drops of the devil's blood in its body: the + water-wagtail has three drops. (Munster.)</p> + + <p>When a person is unusually cunning, cute, and tricky, we say 'The + devil is a poor scholar to you.' ('Poor scholar' here means a bad shallow + scholar.)</p> + + <p>'Now since James is after getting all the money, <i>the devil can't + howld him</i>': i.e. he has grown proud and overbearing.</p> + + <p>'<i>Firm and ugly</i>, as the devil said when he sewed his breeches + with gads.' Here is how it happened. The devil was one day pursuing the + soul of a sinner across country, and in leaping over a rough thorn hedge, + he tore his breeches badly, so that his tail stuck out; on which he gave + up the chase. As it was not decent to appear in public in that condition, + he sat down and stitched up the rent with next to hand + materials—viz. slender tough osier withes or <i>gads</i> as we call + them in Ireland. When the job was finished he spread out the garment + before him on his <!-- Page 61 --><span class="pagenum"><a + name="page61"></a>{61}</span>knees, and looking admiringly on his + handiwork, uttered the above saying—'Firm and ugly!'</p> + + <p>The idea of the 'old boy' pursuing a soul appears also in the words of + an old Anglo-Irish song about persons who commit great crimes and die + unrepentant:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'For committing those crimes unrepented</p> + <p class="i2">The devil shall after them run,</p> + <p>And slash him for that at a furnace</p> + <p class="i2">Where coal sells for nothing a ton.'</p> + </div> + </div> + + <p>A very wet day—teeming rain—raining cats and + dogs—<i>a fine day for young ducks</i>:—'The devil wouldn't + send out his dog on such a day as this.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Did you ever see the devil</p> + <p>With the wooden spade and shovel</p> + <p>Digging praties for his supper</p> + <p class="i8">And his tail cocked up?'</p> + </div> + </div> + + <p>A person struggling with poverty—constantly in money + difficulties—is said to be 'pulling the devil by the tail.'</p> + + <p>'Great noise and little wool,' as the devil said when he was shearing + a pig.</p> + + <p>'What's got over the devil's back goes off under the devil's belly.' + This is another form of <i>ill got ill gone</i>.</p> + + <p>Don't enter on a lawsuit with a person who has in his hands the power + of deciding the case. This would be 'going to law against the devil with + the courthouse in hell.'</p> + + <p>Jack hates that man and all belonging to him 'as the devil hates holy + water.'</p> + + <p><i>Yerra</i> or <i>arrah</i> is an exclamation very much in use in the + South: a phonetic representation of the Irish <i>airĕ</i>, meaning + <i>take care</i>, <i>look out</i>, <i>look you</i>:—'Yerra <!-- + Page 62 --><span class="pagenum"><a name="page62"></a>{62}</span>Bill why + are you in such a hurry?' The old people didn't like our continual use of + the word; and in order to deter us we were told that <i>Yerra</i> or + <i>Arrah</i> was the name of the devil's mother! This would point to + something like domestic conditions in the lower regions, and it is in a + way corroborated by the words of an old song about a woman—a + desperate old reprobate of a virago—who kicked up all sorts of + ructions the moment she got inside the gate:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'When she saw the <i>young devils</i> tied up in their chains</p> + <p>She up with her crutch and knocked one of their brains.'</p> + </div> + </div> + + <p>'Sufficient for the day is the evil thereof.' The people of Munster do + not always put it that way; they have a version of their own:—'Time + enough to bid the devil good-morrow when you meet him.' But an + intelligent correspondent from Carlow puts a somewhat different + interpretation on the last saying, namely, 'Don't go out of your way to + seek trouble.'</p> + + <p>'When needs must the devil drives': a man in a great fix is often + driven to illegal or criminal acts to extricate himself.</p> + + <p>When a man is threatened with a thrashing, another will say to + him:—'You'll get Paddy Ryan's supper—<i>hard knocks and the + devil to eat</i>': common in Munster.</p> + + <p>'When you sup with the devil have a long spoon': that is to say, if + you have any dealings with rogues or criminals, adopt very careful + precautions, and don't come into closer contact with them than is + absolutely necessary. (Lover: but used generally.)</p> + + <p>'Speak the truth and shame the devil' is a very common saying. <!-- + Page 63 --><span class="pagenum"><a name="page63"></a>{63}</span></p> + + <p>'The devil's children have the devil's luck'; or 'the devil is good to + his own': meaning bad men often prosper. But it is now generally said in + joke to a person who has come in for an unexpected piece of good + luck.</p> + + <p>A holy knave—something like our modern Pecksniff—dies and + is sent in the downward direction: and—according to the words of + the old folk-song—this is his reception:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'When hell's gate was opened the devil jumped with joy,</p> + <p>Saying "I have a warm corner for you my holy boy."'</p> + </div> + </div> + + <p>A man is deeply injured by another and threatens reprisal:—'I'll + make you smell hell for that'; a bitter threat which may be paraphrased: + I'll persecute you to death's door; and for you to be near death is to be + near hell—I'll put you so near that you'll smell the fumes of the + brimstone.</p> + + <p>A usual imprecation when a person who has made himself very unpopular + is going away: 'the devil go with him.' One day a fellow was eating his + dinner of dry potatoes, and had only one egg half raw for <i>kitchen</i>. + He had no spoon, and took the egg in little sips intending to spread it + over the dinner. But one time he tilted the shell too much, and down went + the whole contents. After recovering from the gulp, he looked ruefully at + the empty shell and blurted out—<i>the devil go with you + down</i>!</p> + + <p> </p> + + <p>Many people think—and say it too—that it is an article of + belief with Catholics that all Protestants when they die go straight to + hell—which is a libel. Yet it is often kept up in joke, as in this + and other <!-- Page 64 --><span class="pagenum"><a + name="page64"></a>{64}</span>stories:—The train was skelping away + like mad along the main line to hell—for they have railways + <i>there</i> now—till at last it pulled up at the junction. + Whereupon the porters ran round shouting out, 'Catholics change here for + purgatory: Protestants keep your places!'</p> + + <p>This reminds us of Father O'Leary, a Cork priest of the end of the + eighteenth century, celebrated as a controversialist and a wit. He was + one day engaged in gentle controversy—or <i>argufying religion</i> + as we call it in Ireland—with a Protestant friend, who plainly had + the worst of the encounter. 'Well now Father O'Leary I want to ask what + have you to say about purgatory?' 'Oh nothing,' replied the priest, + 'except that you might go farther and fare worse.'</p> + + <p>The same Father O'Leary once met in the streets a friend, a witty + Protestant clergyman with whom he had many an encounter of wit and + repartee. 'Ah Father O'Leary, have you heard the bad news?' 'No,' says + Father O'Leary. 'Well, the bottom has fallen out of purgatory, and all + the poor Papists have gone down into hell.' 'Oh the Lord save us,' + answered Father O'Leary, 'what a crushing the poor Protestants must have + got!'</p> + + <p>Father O'Leary and Curran—the great orator and wit—sat + side by side once at a dinner party, where Curran was charmed with his + reverend friend. 'Ah Father O'Leary,' he exclaimed at last, 'I wish you + had the key of heaven.' 'Well Curran it might be better for you that I + had the key of the other place.'</p> + + <p>A parish priest only recently dead, a well-known wit, sat beside a + venerable Protestant clergyman at <!-- Page 65 --><span + class="pagenum"><a name="page65"></a>{65}</span>dinner; and they got on + very agreeably. This clergyman rather ostentatiously proclaimed his + liberality by saying:—'Well Father —— I have been for + <i>sixty years in this world</i> and I could never understand that there + is any great and essential difference between the Catholic religion and + the Protestant.' 'I can tell you,' replied Father ——, 'that + when you die you'll not be <i>sixty minutes in the other world</i> before + you will understand it perfectly.'</p> + + <p>The preceding are all in joke: but I once heard the idea enunciated in + downright earnest. In my early life, we, the village people, were a mixed + community, about half and half Catholics and Protestants, the latter + nearly all Palatines, who were Methodists to a man. We got on very well + together, and I have very kindly memories of my old playfellows, + Palatines as well as Catholics.</p> + + <p>One young Palatine, Peter Stuffle, differed in one important respect + from the others, as he never attended Church Mass or Meeting. He + emigrated to America; and being a level headed fellow and keeping from + drink, he got on. At last he came across Nelly Sullivan, a bright eyed + colleen all the way from Kerry, a devoted Catholic, and fell head and + ears in love with her. She liked him too, but would have nothing to say + to him unless he became a Catholic: in the words of the old song, 'Unless + that you turn a <i>Roman</i> you ne'er shall get me for your bride.' + Peter's theology was not proof against Nelly's bright face: he became a + Catholic, and a faithful one too: for once he was inside the gate his + wife took care to instruct him, and kept him well up to his religious + duties. <!-- Page 66 --><span class="pagenum"><a + name="page66"></a>{66}</span></p> + + <p>They prospered; so that at the end of some years he was able to visit + his native place. On his arrival nothing could exceed the consternation + and rage of his former friends to find that instead of denouncing the + Pope, he was now a flaming papist: and they all disowned and boycotted + him. So he visited round his Catholic neighbours who were very glad to + receive him. I was present at one of the conversations: when Peter, + recounting his successful career, wound up with:—'So you see, + James, that I am now well off, thanks be to God and to Nelly. I have a + large farm, with ever so many horses, and a fine <i>baan</i> of cows, and + you could hardly count the sheep and pigs. I'd be as happy as the days + are long now, James, only for one thing that's often troubling me; and + that is, to think that my poor old father and mother are in hell.'</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER VI.</h3> + +<p class="cenhead">SWEARING.</p> + + <p>The general run of our people do not swear much; and those that do + commonly limit themselves to the name of the devil either straight out or + in some of its various disguised forms, or to some harmless imitation of + a curse. You do indeed come across persons who go higher, but they are + rare. Yet while keeping themselves generally within safe bounds, it must + be confessed that many of the people have a sort of sneaking + admiration—lurking secretly and seldom expressed in words—for + a good well-balanced curse, so long as it does not shock by its + profanity. I once knew a doctor—not in <!-- Page 67 --><span + class="pagenum"><a name="page67"></a>{67}</span>Dublin—who, it + might be said, was a genius in this line. He could, on the spur of the + moment, roll out a magnificent curse that might vie with a passage of the + Iliad in the mouth of Homer. 'Oh sir'—as I heard a fellow + say—''tis grand to listen to him when he's in a rage.' He was known + as a skilled physician, and a good fellow in every way, and his splendid + swearing crowned his popularity. He had discretion however, and knew when + to swear and when not; but ultimately he swore his way into an extensive + and lucrative practice, which lasted during his whole life—a long + and honourable one.</p> + + <p>Parallel to this is Maxwell's account of the cursing of Major Denis + O'Farrell—'the Mad Major,' who appears to have been a dangerous + rival to my acquaintance, the doctor. He was once directing the + evolutions at a review in presence of Sir Charles, the General, when one + important movement was spoiled by the blundering of an incompetent little + adjutant. In a towering passion the Mad Major addressed the + General:—'Stop, Sir Charles, do stop; just allow me two minutes to + curse that rascally adjutant.' To so reasonable a request (Maxwell goes + on to say), Sir Charles readily assented. He heard the whole malediction + out, and speaking of it afterwards, he said that 'he never heard a man + cursed to his perfect satisfaction until he heard (that adjutant) + anathematised in the Phoenix Park.'</p> + + <p>The Mad Major was a great favourite; and when he died, there was not a + dry eye in the regiment on the day of the funeral. Two months afterwards + when an Irish soldier was questioned on the merits of his + successor:—'The man is well enough,' said Pat, <!-- Page 68 + --><span class="pagenum"><a name="page68"></a>{68}</span>with a heavy + sigh, 'but where will we find the equal of the Major? By japers, it was a + comfort to be cursed by him!' ('Wild Sports of the West.')</p> + + <p>In my part of the country there is—or was—a legend—a + very circumstantial one too—which however I am not able to verify + personally, as the thing occurred a little before my time—that + Father Buckley, of Glenroe, cured Charley Coscoran, the greatest swearer + in the barony—cured him in a most original way. He simply directed + him to cut out a button from some part of his dress, no matter + where—<i>to whip it out on the instant</i>—every time he + uttered a serious curse, i.e, one involving the Sacred Name. Charley made + the promise with a light heart, thinking that by only using a little + caution he could easily avoid snipping off his buttons. But inveterate + habit is strong. Only very shortly after he had left the priest he saw a + cow in one of his cornfields playing havoc: out came a round curse, and + off came a button on the spot. For Charley was a manly fellow, with a + real sense of religion at bottom: and he had no notion of shirking his + penance. Another curse after some time and another button. Others again + followed:—coat, waistcoat, trousers, shirt-collar, were brought + under contribution till his clothes began to fall off him. For a needle + and thread were not always at hand, and at any rate Charley was no great + shakes at the needle. At last things came to that pass with poor Charley, + that life was hardly worth living; till he had to put his mind seriously + to work, and by careful watching he gradually cured himself. But many + score buttons passed through his hands during the process. <!-- Page 69 + --><span class="pagenum"><a name="page69"></a>{69}</span></p> + + <p>Most persons have a sort of craving or instinct to utter a curse of + some kind—as a sort of comforting interjection—where there is + sufficient provocation; and in order to satisfy this without incurring + the guilt, people have invented ejaculations in the form of curses, but + still harmless. Most of them have some resemblance in sound to the + forbidden word—they are near enough to satisfy the craving, but + still far enough off to avoid the guilt: the process may in fact be + designated <i>dodging a curse</i>. Hence we have such blank cartridges as + <i>begob</i>, <i>begor</i>, by my <i>sowkins</i>, by <i>Jove</i>, by the + <i>laws</i> [Lord], by <i>herrings</i> [heavens], by <i>this and by + that</i>, <i>dang</i> it, &c.; all of them ghosts of curses, which + are very general among our people. The following additional examples will + sufficiently illustrate this part of our subject.</p> + + <p>The expression <i>the dear knows</i> (or correctly <i>the deer + knows</i>), which is very common, is a translation from Irish of one of + those substitutions. The original expression is <i>thauss ag Dhee</i> + [given here phonetically], meaning <i>God knows</i>; but as this is too + solemn and profane for most people, they changed it to <i>Thauss ag + fee</i>, i.e. <i>the deer knows</i>; and this may be uttered by anyone. + <i>Dia</i> [Dhee] God: <i>fiadh</i> [fee], a deer.</p> + + <p>Says Barney Broderick, who is going through his penance after + confession at the station, and is interrupted by a woman asking him a + question:—'Salvation seize your soul—God forgive me for + cursing—be off out of that and don't set me astray!' + ('Knocknagow.') Here the substitution has turned a wicked imprecation + into a benison: for the first word in the original is not + <i>salvation</i> but <i>damnation</i>. <!-- Page 70 --><span + class="pagenum"><a name="page70"></a>{70}</span></p> + + <p>'By the hole in my coat,' which is often heard, is regarded as a + harmless oath: for if there is no hole you are swearing by nothing: and + if there is a hole—still the hole is nothing.</p> + + <p>'Bad manners to you,' a mild imprecation, to avoid 'bad luck to you,' + which would be considered wicked: reflecting the people's horror of rude + or offensive manners.</p> + + <p>'By all the goats in Kerry,' which I have often heard, is always said + in joke, which takes the venom out of it. In Leinster they say, 'by all + the goats in Gorey'—which is a big oath. Whether it is a big oath + now or not, I do not know; but it was so formerly, for the name + <i>Gorey</i> (Wexford), like the Scotch <i>Gowrie</i>, means 'swarming + with goats.'</p> + + <p>'Man,' says the pretty mermaid to Dick Fitzgerald, when he had + captured her from the sea, 'man will you eat me?' '<i>By all the red + petticoats and check aprons between Dingle and Tralee</i>,' cried Dick, + jumping up in amazement, 'I'd as soon eat myself, my jewel! Is it I to + eat you, my pet!' (Crofton Croker.)</p> + + <p>'Where did he get the whiskey?' 'Sorrow a know I know,' said Leary. + 'Sorrow fly away with him.' (Crofton Croker.) In these and such + like—which you often hear—<i>sorrow</i> is a substitute for + <i>devil</i>.</p> + + <p>Perhaps the most general exclamations of this kind among Irish people + are <i>begor</i>, <i>begob</i>, <i>bedad</i>, <i>begad</i> (often + contracted to <i>egad</i>), <i>faith</i> and <i>troth</i>. <i>Faith</i>, + contracted from <i>in faith</i> or <i>i' faith</i>, is looked upon by + many people as not quite harmless: it is a little too serious to be used + indiscriminately—'Faith I feel this day very cold': 'Is that tea + good?' <!-- Page 71 --><span class="pagenum"><a + name="page71"></a>{71}</span>'Faith it is no such thing: it is very + weak.' 'Did Mick sell his cows to-day at the fair?' 'Faith I don't know.' + People who shrink from the plain word often soften it to <i>faix</i> or + <i>haith</i> (or <i>heth</i> in Ulster). An intelligent contributor makes + the remark that the use of this word <i>faith</i> (as above) is a sure + mark of an Irishman all over the world.</p> + + <p>Even some of the best men will occasionally, in an unguarded moment or + in a hasty flash of anger, give way to the swearing instinct. Father John + Burke of Kilfinane—I remember him well—a tall stern-looking + man with heavy brows, but really gentle and tender-hearted—held a + station at the house of our neighbour Tom Coffey, a truly upright and + pious man. All had gone to confession and Holy Communion, and the station + was over. Tom went out to bring the priest's horse from the paddock, but + in leading him through a gap in the hedge the horse stood stock still and + refused obstinately to go an inch farther. Tom pulled and tugged to no + purpose, till at last his patience went to pieces, and he flung this, in + no gentle voice, at the animal's head:—'Blast your <i>sowl</i> will + you come on!' Just then unluckily Father Burke walked up behind: he had + witnessed and heard all, and you may well say that Tom's heart dropped + down into his shoes; for he felt thoroughly ashamed. The crime was not + great; but it looked bad and unbecoming under the circumstances; and what + could the priest do but perform his duty: so the black brows contracted, + and on the spot he gave poor Tom <i>down-the-banks</i> and no mistake. I + was at that station, though I did not witness the horse scene. <!-- Page + 72 --><span class="pagenum"><a name="page72"></a>{72}</span></p> + + <p>If a person pledges himself to anything, clinching the promise with an + adjuration however mild or harmless, he will not by any means break the + promise, considering it in a manner as a vow. The old couple are at tea + and have just one egg, which causes a mild dispute. At last the father + says decisively—'The divel a bit of it I'll eat, so there's an end + of it': when the mother instantly and with great solemnity—'<span + class="sc">Faith</span> I won't eat it—there now!' The result was + that neither would touch it; and they gave it to their little boy who + demolished it without the least scruple.</p> + + <p>I was one time a witness of a serio-comic scene <i>on the head of</i> + one of these blank oaths when I was a small boy attending a very small + school. The master was a truly good and religious man, but very severe (a + <i>wicked</i> master, as we used to say), and almost insane in his + aversion to swearing in any shape or form. To say <i>begob</i> or + <i>begor</i> or <i>by Jove</i> was unpardonably wicked; it was nothing + better than blindfolding the devil in the dark.</p> + + <p>One day Jack Aimy, then about twelve years of age—<i>the + saint</i> as we used to call him—for he was always in mischief and + always in trouble—said exultingly to the boy sitting next + him:—'Oh <i>by the hokey</i>, Tom, I have my sum finished all right + at last.' In evil hour for him the master happened to be standing just + behind his back; and then came the deluge. In an instant the school work + was stopped, and poor Jack was called up to stand before the judgment + seat. There he got a long lecture—with the usual + quotations—as severe and solemn as if he were a man and had + perjured himself half a <!-- Page 73 --><span class="pagenum"><a + name="page73"></a>{73}</span>dozen times. As for the rest of us, we sat + in the deadly silence shivering in our skins; for we all, to a man, had a + guilty consciousness that we were quite as bad as Jack, if the truth were + known. Then poor Jack was sent to his seat so wretched and crestfallen + after his lecture that a crow wouldn't pick his bones.</p> + + <p>'By the hokey' is to this day common all over Ireland.</p> + + <p>When we, Irish, go abroad, we of course bring with us our + peculiarities and mannerisms—with now and then a little meteoric + flash of eccentricity—which on the whole prove rather attractive to + foreigners, including Englishmen. One Sunday during the South African + war, Mass was celebrated as usual in the temporary chapel, which, after + the rough and ready way of the camp, served for both Catholics and + Protestants: Mass first; Protestant Service after. On this occasion an + Irish officer, a splendid specimen of a man, tall, straight, and + athletic—a man born to command, and well known as a strict and + devoted Catholic—was serving Mass—aiding and giving the + responses to the priest. The congregation was of course of mixed + nationalities—English, Irish, and Scotch, and the chapel was + filled. Just outside the chapel door a nigger had charge of the big bell + to call the congregations. On this day, in blissful ignorance and + indifference, he began to ring for the Protestant congregation too + soon—while Mass was still going on—so as greatly to disturb + the people at their devotions. The officer was observed to show signs of + impatience, growing more and more restless as the ringing went <!-- Page + 74 --><span class="pagenum"><a name="page74"></a>{74}</span>on + persistently, till at last one concentrated series of bangs burst up his + patience utterly. Starting up from his knees during a short interval when + his presence was not required—it happened to be after the most + solemn part of the Mass—he strode down the middle passage in a + mighty rage—to the astonishment of everybody—till he got to + the door, and letting fly—in the midst of the perfect + silence,—a tremendous volley of <i>damns</i>, <i>blasts</i>, + <i>scoundrels</i>, <i>blackguards</i>, &c., &c., at the head of + the terrified nigger, he shut him up, himself and his bell, while a cat + would be licking her ear. He then walked back and resumed his duties, + calm and collected, and evidently quite unconscious that there was + anything unusual in the proceeding.</p> + + <p>The whole thing was so sudden and odd that the congregation were + convulsed with suppressed silent laughter; and I am afraid that some + people observed even the priest's sides shaking in spite of all he could + do.</p> + + <p>This story was obtained from a person who was present at that very + Mass; and it is given here almost in his own words.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER VII.</h3> + +<p class="cenhead">GRAMMAR AND PRONUNCIATION.</p> + + <p><i>Shall</i> and <i>Will</i>. It has been pretty clearly shown that + the somewhat anomalous and complicated niceties in the English use of + <i>shall</i> and <i>will</i> have been developed within the last 300 + years or so. It is of course well known that our Irish popular manner of + using these <!-- Page 75 --><span class="pagenum"><a + name="page75"></a>{75}</span>two particles is not in accordance with the + present correct English standard; yet most of our shall-and-will + Hibernianisms represent the classical usage of two or three centuries + ago: so that this is one of those Irish 'vulgarisms' that are really + survivals in Ireland of the correct old English usages, which in England + have been superseded by other and often incorrect forms. On this point I + received, some years ago, a contribution from an English gentleman who + resided long in Ireland, Mr. Marlow Woollett, a man of wide reading, + great culture, and sound judgment. He gives several old examples in + illustration, of which one is so much to the point—in the use of + <i>will</i>—that you might imagine the words were spoken by an + Irish peasant of the present day. Hamlet says:</p> + +<blockquote class="b1n"> + + <p>'I will win for him an (if) I can; if not I <i>will</i> gain nothing + but my shame and the odd hits.' ('Hamlet,' Act v., scene ii.)</p> + +</blockquote> + + <p>This (the second <i>will</i>) exactly corresponds with what many of us + in Ireland would say now:—'I will win the race if I can; if not I + <i>will</i> get some discredit': 'If I go without my umbrella I am afraid + I will get wet.' So also in regard to <i>shall</i>; modern English custom + has departed from correct ancient usage and etymology, which in many + cases we in Ireland have retained. The old and correct sense of + <i>shall</i> indicated obligation or duty (as in Chaucer:—'The + faith I shal to God') being derived from A.S. <i>sceal</i> 'I owe' or + 'ought': this has been discarded in England, while we still retain it in + our usage in Ireland. You say to an attentive Irish waiter, 'Please have + breakfast for me at 8 o'clock to-morrow morning'; and he answers, 'I + shall sir.' When I was a boy I was <!-- Page 76 --><span + class="pagenum"><a name="page76"></a>{76}</span>present in the chapel of + Ardpatrick one Sunday, when Father Dan O'Kennedy, after Mass, called on + the two schoolmasters—candidates for a school vacancy—to come + forward to him from where they stood at the lower end of the chapel; when + one of them, Mat Rea, a good scholar but a terrible pedant, called out + magniloquently, 'Yes, doctor, we <span class="scac">SHALL</span> go to + your reverence,' unconsciously following in the footsteps of + Shakespeare.</p> + + <p>The language both of the waiter and of Mat Rea is exactly according to + the old English usage.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'<i>Lady Macbeth</i> (<i>to Macbeth</i>):—Be bright and jovial among your guests to-night.</p> + </div> + + <div class="stanza"> + <p class="hg1">'<i>Macbeth</i>:—So shall I, love.' ('Macbeth,' Act iii. scene ii.)</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'<i>Second Murderer</i>:—We shall, my lord,</p> + <p class="i6">Perform what you command us.' (<i>Ibid.</i>, Act iii. scene i.)</p> + </div> + </div> + + <p>But the Irish waiter's answer would now seem strange to an Englishman. + To him, instead of being a dutiful assent, as it is intended to be, and + as it would be in England in old times, it would look too emphatic and + assertive, something like as if it were an answer to a command <i>not</i> + to do it. (Woollett.)</p> + + <p>The use of <i>shall</i> in such locutions was however not universal in + Shakespearian times, as it would be easy to show; but the above + quotations—and others that might be brought forward—prove + that this usage then prevailed and was correct, which is sufficient for + my purpose. Perhaps it might rather be said that <i>shall</i> and + <i>will</i> were used in such cases indifferently:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'<i>Queen</i>:—Say to the king, I would attend his leisure</p> + <p>For a few words.</p> + </div> + + <div class="stanza"> + <p class="hg1">'<i>Servant</i>: Madam, I will.' ('Macbeth,' Act iii. scene ii.)</p> + </div> + </div> + +<p><!-- Page 77 --><span class="pagenum"><a name="page77"></a>{77}</span></p> + + <p>Our use of <i>shall</i> and <i>will</i> prevails also in Scotland, + where the English change of custom has not obtained any more than it has + in Ireland. The Scotch in fact are quite as bad (or as good) in this + respect as we are. Like many another Irish idiom this is also found in + American society chiefly through the influence of the Irish. In many + parts of Ireland they are shy of using <i>shall</i> at all: I know this + to be the case in Munster; and a correspondent informs me that + <i>shall</i> is hardly ever heard in Derry.</p> + + <p>The incorrect use of <i>will</i> in questions in the first person + singular ('Will I light the fire ma'am?' 'Will I sing you a + song?'—instead of 'Shall I?') appears to have been developed in + Ireland independently, and not derived from any former correct usage: in + other words we have created this incorrect locution—or + vulgarism—for ourselves. It is one of our most general and most + characteristic speech errors. <i>Punch</i> represents an Irish waiter + with hand on dish-cover, asking:—'Will I sthrip ma'am?'</p> + + <p>What is called the <i>regular</i> formation of the past tense (in + <i>ed</i>) is commonly known as the weak inflection:—<i>call, + called</i>: the <i>irregular</i> formation (by changing the vowel) is the + strong inflection:—<i>run, ran</i>. In old English the strong + inflection appears to have been almost universal; but for some hundreds + of years the English tendency is to replace strong by weak inflection. + But our people in Ireland, retaining the old English custom, have a + leaning towards the strong inflection, and not only use many of the + old-fashioned English strong past tenses, but often form strong ones in + their own way:—We use <i>slep</i> and <i>crep</i>, old English; and + we coin others. 'He <i>ruz</i> his hand <!-- Page 78 --><span + class="pagenum"><a name="page78"></a>{78}</span>to me,' 'I <i>cotch</i> + him stealing the turf,' 'he <i>gother</i> sticks for the fire,' 'he + <i>hot</i> me on the head with his stick,' he <i>sot</i> down on the + chair' (very common in America). Hyland, the farm manager, is sent with + some bullocks to the fair; and returns. 'Well Hyland, are the bullocks + sold?'—'Sowld and <i>ped</i> for sir.' <i>Wor</i> is very usual in + the south for <i>were</i>: 'tis long since we <i>wor</i> on the road so + late as this.' (Knocknagow.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'<i>Wor</i> you at the fair—did you see the wonder—</p> + <p>Did you see Moll Roe riding on the gander?'</p> + </div> + </div> + + <p><i>E'er</i> and <i>ne'er</i> are in constant use in + Munster:—'Have you e'er a penny to give me sir? No, I have ne'er a + penny for you this time.' Both of these are often met with in + Shakespeare.</p> + + <p>The Irish schoolmasters knew Irish well, and did their + best—generally with success—to master English. This they did + partly from their neighbours, but in a large measure from books, + including dictionaries. As they were naturally inclined to show forth + their learning, they made use, as much as possible, of long and unusual + words, mostly taken from dictionaries, but many coined by themselves from + Latin. Goldsmith's description of the village master with his 'words of + learned length and thundering sound,' applies exactly to a large + proportion of the schoolmasters of the eighteenth and first half of the + nineteenth century all over Ireland. You heard these words often in + conversation, but the schoolmasters most commonly used them in + song-writing. Here also they made free use of the classical mythology; + but I will not touch on this <!-- Page 79 --><span class="pagenum"><a + name="page79"></a>{79}</span>feature, as I have treated of it, and have + given specimens, in my 'Old Irish Folk Music and Songs,' pp. 200-202.</p> + + <p>As might be expected, the schoolmasters, as well as others, who used + these strange words often made mistakes in applying them; which will be + seen in some of the following examples. Here is one whole verse of a song + about a young lady—'The Phoenix of the Hall.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I being quite captivated and so infatuated</p> + <p>I then prognosticated my sad forlorn case;</p> + <p>But I quickly ruminated—suppose I was <i>defaited</i>,</p> + <p>I would not be implicated or treated with disgrace;</p> + <p>So therefore I awaited with my spirits elevated,</p> + <p>And no more I ponderated let what would me befall;</p> + <p>I then to her <i>repated</i> how Cupid had me <i>thrated</i>,</p> + <p>And thus expostulated with The Phoenix of the Hall.'</p> + </div> + </div> + + <p>In another verse of this song the poet tells us what he might do for + the Phoenix if he had greater command of language:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Could I indite like Homer that celebrated <i>pomer</i>.'</p> + </div> + </div> + + <p>One of these schoolmasters, whom I knew, composed a poem in praise of + Queen Victoria just after her accession, of which I remember only two + lines:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'In England our queen resides with <i>alacrity</i>,</p> + <p>With civil authority and kind urbanity.'</p> + </div> + </div> + + <p>Another opens his song in this manner:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'One morning serene as I roved in solitude,</p> + <p>Viewing the magnitude of th' orient ray.</p> + </div> + </div> + + <p>The author of the song in praise of Castlehyde speaks of</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'The bees <i>perfuming</i> the fields with music';</p> + </div> + </div> + +<p><!-- Page 80 --><span class="pagenum"><a name="page80"></a>{80}</span></p> + + <p>and the same poet winds up by declaring,</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'In all my ranging and <i>serenading</i></p> + <p>I met no <i>aiquel</i> to Castlehyde.'</p> + </div> + </div> + + <p><i>Serenading</i> here means wandering about leisurely.</p> + + <p>The author of 'The Cottage Maid' speaks of the danger of Mercury + abducting the lady, even</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Though an <i>organising</i> shepherd be her guardian';</p> + </div> + </div> + + <p>where <i>organising</i> is intended to mean playing on an + <i>organ</i>, i.e. a shepherd's reed.</p> + + <p>But endless examples of this kind might be given.</p> + + <p>Occasionally you will find the peasantry attempting long or unusual + words, of which some examples are scattered through this chapter; and + here also there are often misapplications: 'What had you for dinner + to-day?' 'Oh I had bacon and goose and several other <i>combustibles</i>' + (comestibles). I have repeatedly heard this word.</p> + + <p>Sometimes the simple past tense is used for one of the subjunctive + past forms. 'If they had gone out in their boat that night they were lost + men'; i.e. 'they would have been lost men.' 'She is now forty, and 'twas + well if she was married' ('it would be well').</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Oh Father Murphy, had aid come over, the green flag floated from shore to shore'</p> + </div> + </div> + + <p>(i.e. would have floated). See my 'Old Irish Folk Music and Songs,' p. + 242.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'A summons from William to Limerick, a summons to open their gate,</p> + <p>Their fortress and stores to surrender, else the sword and the gun <i>were</i> their fate.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">R. D. Joyce</span>: Ballads of Irish Chivalry, p. 15.)</p> + </div> + </div> + +<p><!-- Page 81 --><span class="pagenum"><a name="page81"></a>{81}</span></p> + + <p><i>See</i> is very often used for <i>saw</i>:—'Did you ever see + a cluricaun Molly?' 'Oh no sir, I never see one myself.' (Crofton + Croker.) 'Come here Nelly, and point out the bride to us.' 'I never see + her myself Miss' [so I don't know her] replied Nelly. (Knocknagow.) This + is a survival from old English, in which it was very common. It is + moreover general among the English peasantry at the present day, as may + be seen everywhere in Dickens.</p> + + <p>The imperative of verbs is often formed by <i>let</i>:—instead + of 'go to the right 'or 'go you to the right,' our people say 'let you go + to the right': 'let you look after the cows and I will see to the + horses.' A fellow is arrested for a crime and dares the police + with:—'Let ye prove it.'</p> + + <p>In Derry porridge or stirabout always takes the plural: 'Have you + dished <i>them</i> yet?'</p> + + <p>'I didn't go to the fair <i>'cause why</i>, the day was too wet.' This + expression <i>'cause why</i>, which is very often heard in Ireland, is + English at least 500 years old: for we find it in Chaucer.</p> + + <p>You often hear <i>us</i> for <i>me</i>: 'Give us a penny sir to buy + sweets' (i.e. 'Give me').</p> + + <p>In Waterford and South Wexford the people often use such verbal forms + as is seen in the following:—'Does your father grow wheat still?' + 'He <i>do</i>.' 'Has he the old white horse now?' 'He <i>have</i>.' As to + <i>has</i>, Mr. MacCall states that it is unknown in the barony of Forth: + there you always hear 'that man <i>have</i> plenty of money'—he + <i>have</i>—she <i>have</i>, &c.</p> + + <p>The Rev. William Burke tells us that <i>have</i> is found as above (a + third person singular) all through the old Waterford Bye-Laws; which + would render it <!-- Page 82 --><span class="pagenum"><a + name="page82"></a>{82}</span>pretty certain that both <i>have</i> and + <i>do</i> in these applications are survivals from the old English colony + in Waterford and Wexford.</p> + + <p>In Donegal and thereabout <i>the yon</i> is often shortened to + <i>thon</i>, which is used as equivalent to <i>that</i> or <i>those</i>: + 'you may take <i>thon</i> book.'</p> + + <p>In Donegal 'such a thing' is often made <i>such an a thing</i>.' I + have come across this several times: but the following quotation is + decisive—'No, Dinny O'Friel, I don't want to make you say any such + an a thing.' (Seamus MacManus.)</p> + + <p>There is a tendency to put <i>o</i> at the end of some words, such as + boy-o, lad-o. A fellow was tried for sheep-stealing before the late Judge + Monahan, and the jury acquitted him, very much against the evidence. 'You + may go now,' said the judge, 'as you are acquitted; but you stole the + sheep all the same, my buck-o.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I would hush my lovely laddo</p> + <p>In the green arbutus shadow.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">A. P. Graves</span>: 'Irish Songs and Ballads.')</p> + </div> + </div> + + <p>This is found in Irish also, as in '<i>a vick-o</i>' ('my boy,' or + more exactly 'my son,' where <i>vick</i> is <i>mhic</i>, vocative of + <i>mac</i>, son) heard universally in Munster: 'Well Billy a vick-o, how + is your mother this morning?' I suppose the English practice is borrowed + from the Irish.</p> + + <p>In Irish there is only one article, <i>an</i>, which is equivalent to + the English definite article <i>the</i>. This article (<i>an</i>) is much + more freely used in Irish than <i>the</i> is in English, a practice which + we are inclined to imitate in our Anglo-Irish speech. Our use of + <i>the</i> <!-- Page 83 --><span class="pagenum"><a + name="page83"></a>{83}</span>often adds a sort of emphasis to the noun or + adjective:—'Ah John was the man,' i.e. the real man, a man + pre-eminent for some quality—bravery, generosity, &c. 'Ah that + was the trouble in earnest.' The Irish chiefs of long ago 'were the men + in the gap' (Thomas Davis):—i.e. the real men and no mistake. We + often use the article in our speech where it would not be used in correct + English:—'I am perished with <i>the</i> cold.' 'I don't know much + Greek, but I am good at <i>the</i> Latin.'</p> + + <p>'That was the dear journey to me.' A very common form of expression, + signifying that 'I paid dearly for it'—'it cost me dear.' Hugh + Reynolds when about to be hanged for attempting the abduction of + Catherine McCabe composes (or is supposed to compose) his 'Lamentation,' + of which the verses end in 'She's the dear maid to me.' (See my 'Old + Irish Folk Music and Songs,' p. 135.) A steamer was in danger of running + down a boat rowed by one small boy on the Shannon. 'Get out of the way + you young rascal or we'll run over you and drown you!' Little Jacky looks + up defiantly and cries out:—'Ye'll drownd me, will ye: if ye do, + I'll make it the dear drownding to ye!' In such expressions it is however + to be observed that the indefinite article <i>a</i> is often + used—perhaps as often as <i>the</i>:—'That was a dear + transaction for me.' 'Oh, green-hilled pleasant Erin you're a dear land + to me!' (Robert Dwyer Joyce's 'Ballads of Irish Chivalry,' p. 206.)</p> + + <p>In Ulster they say:—'When are you going?' 'Oh I am going <i>the + day</i>,' i.e. to-day. I am much better <i>the day</i> than I was + yesterday. In this <i>the day</i> <!-- Page 84 --><span + class="pagenum"><a name="page84"></a>{84}</span>is merely a translation + of the Irish word for to-day—<i>andiu</i>, where <i>an</i> is 'the' + and <i>diu</i> a form of the Irish for 'day.'</p> + + <p>The use of the singular of nouns instead of the plural after a numeral + is found all through Ireland. Tom Cassidy our office porter—a + Westmeath man—once said to me 'I'm in this place now forty-four + year': and we always use such expressions as <i>nine head of cattle</i>. + A friend of mine, a cultivated and scholarly clergyman, always used + phrases like 'that bookcase cost thirteen <i>pound</i>.' This is an old + English survival. Thus in Macbeth we find 'this three mile.' But I think + this phraseology has also come partly under the influence of our Gaelic + in which <i>ten</i> and numerals that are multiples of <i>ten</i> always + take the singular of nouns, as <i>tri-caogad laoch</i>, 'thrice fifty + heroes'—lit. 'thrice fifty <i>hero</i>.'</p> + + <p>In the south of Ireland <i>may</i> is often incorrectly used for + <i>might</i>, even among educated people:—'Last week when setting + out on my long train journey, I brought a book that I <i>may</i> read as + I travelled along.' I have heard and read, scores of times, expressions + of which this is a type—not only among the peasantry, but from + newspaper correspondents, professors, &c.—and you can hear and + read them from Munstermen to this day in Dublin.</p> + + <p>In Ulster <i>till</i> is commonly used instead of <i>to</i>:—'I + am going <i>till</i> Belfast to-morrow': in like manner <i>until</i> is + used for <i>unto</i>.</p> + + <p>There are two tenses in English to which there is nothing + corresponding in Irish:—what is sometimes called the + perfect—'I <i>have finished</i> my work'; and the + pluperfect—'I <i>had finished</i> my work' [before you <!-- Page 85 + --><span class="pagenum"><a name="page85"></a>{85}</span>arrived]. The + Irish people in general do not use—or know how to use—these + in their English speech; but they feel the want of them, and use various + expedients to supply their places. The most common of these is the use of + the word <i>after</i> (commonly with a participle) following the verb + <i>to be</i>. Thus instead of the perfect, as expressed above, they will + say 'I am after finishing my work,' 'I am after my supper.' + ('Knocknagow.') 'I'm after getting the lend of an American paper' + (<i>ibid.</i>); and instead of the pluperfect (as above) they will say 'I + was after finishing my work' [before you arrived]. Neither of these two + expressions would be understood by an Englishman, although they are + universal in Ireland, even among the higher and educated classes.</p> + + <p>This word <i>after</i> in such constructions is merely a translation + of the Irish <i>iar</i> or <i>a n-diaigh</i>—for both are used in + corresponding expressions in Irish.</p> + + <p>But this is only one of the expedients for expressing the perfect + tense. Sometimes they use the simple past tense, which is ungrammatical, + as our little newsboy in Kilkee used to do: 'Why haven't you brought me + the paper?' 'The paper didn't come from the station yet sir.' Sometimes + the present progressive is used, which also is bad grammar: 'I am sitting + here waiting for you for the last hour' (instead of 'I have been + sitting'). Occasionally the <i>have</i> or <i>has</i> of the perfect (or + the <i>had</i> of the pluperfect) is taken very much in its primary sense + of having or possessing. Instead of 'You have quite distracted me with + your talk,' the people will say 'You have me quite distracted,' &c.: + <!-- Page 86 --><span class="pagenum"><a name="page86"></a>{86}</span>'I + have you found out at last.' 'The children had me vexed.' (Jane + Barlow.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'And she is a comely maid</p> + <p>That has my heart betrayed.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk-Song.)</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="i20hg1">'... I fear,</p> + <p>That some cruel goddess <i>has him captivated</i>,</p> + <p class="i2">And has left here in mourning his dear Irish maid.'</p> + </div> + + <div class="stanza"> + <p>(See my Old Irish Folk Music and Songs, p. 208.)</p> + </div> + </div> + + <p>Corresponding devices are resorted to for the pluperfect. Sometimes + the simple past is used where the pluperfect ought to come in:—'An + hour before you came yesterday I finished my work': where it should be 'I + had finished.' Anything to avoid the pluperfect, which the people cannot + manage.</p> + + <p>In the Irish language (but not in English) there is what is called the + consuetudinal tense, i.e. denoting habitual action or existence. It is a + very convenient tense, so much so that the Irish, feeling the want of it + in their English, have created one by the use of the word <i>do</i> with + <i>be</i>: 'I do be at my lessons every evening from 8 to 9 o'clock.' + 'There does be a meeting of the company every Tuesday.' ''Tis humbuggin' + me they <i>do be</i>.' ('Knocknagow.')</p> + + <p>Sometimes this is expressed by <i>be</i> alone without the <i>do</i>; + but here the <i>be</i> is also often used in the ordinary sense of + <i>is</i> without any consuetudinal meaning. 'My father <i>bees</i> + always at home in the morning': 'At night while I <i>bees</i> reading my + wife bees knitting.' (Consuetudinal.) 'You had better not wait till it + bees night.' (Indicative.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I'll seek out my Blackbird wherever he be.' (Indicative.)</p> + </div> + + <div class="stanza"> + <p>(Old Folk Song—'The Blackbird.')</p> + </div> + </div> + +<p><!-- Page 87 --><span class="pagenum"><a name="page87"></a>{87}</span></p> + + <p>This use of <i>be</i> for <i>is</i> is common in the eastern half of + Ireland from Wexford to Antrim.</p> + + <p>Such old forms as <i>anear</i>, <i>adown</i>, <i>afeard</i>, + <i>apast</i>, <i>afore</i>, &c., are heard everywhere in Ireland, and + are all of old English origin, as it would be easy to show by quotations + from English classical writers. 'If my child was standing <i>anear</i> + that stone.' (Gerald Griffin: 'Collegians.') 'She was never a-shy or + ashamed to show' [her respect for me]. ('Knocknagow.') The above words + are considered vulgar by our educated people: yet many others remain + still in correct English, such as <i>aboard</i>, <i>afoot</i>, + <i>amidst</i>, &c.</p> + + <p>I think it likely that the Irish language has had some influence in + the adoption and retention of those old English words; for we have in + Irish a group of words identical with them both in meaning and structure: + such as <i>a-n-aice</i> (a-near), where <i>aice</i> is 'near.' (The + <i>n</i> comes in for a grammatical reason.)</p> + + <p>'I be to do it' in Ulster is used to express 'I have to do it': 'I am + bound to do it'; 'it is destined that I shall do it.' 'I be to remain + here till he calls,' I am bound to remain. 'The only comfort I have + [regarding some loss sure to come on] is that it be to be,' i.e. that 'it + is fated to be'—'it is <i>unavoidable</i>.' 'What bees to be maun + be' (must be).</p> + + <p>Father William Burke points out that we use 'every other' in two + different senses. He remains at home always on Monday, but goes to town + 'every other' day—meaning every day of the week except Monday: + which is the most usual application among us. 'My father goes to town + every other day,' i.e. <!-- Page 88 --><span class="pagenum"><a + name="page88"></a>{88}</span>every alternate day. This last is rarely + used by our people, who prefer to express it 'My father goes to town + <i>every second day</i>.' Of two persons it is stated:</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'You'd like to see them drinking from one cup,</p> + <p>They took so loving <i>every second sup</i>.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk Song.)</p> + </div> + </div> + + <p>The simple phrase 'the other day' means a few days ago. 'When did you + see your brother John?' 'Oh I saw him the other day.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'The other day he sailed away and parted his dear Nancy.'</p> + </div> + + <div class="stanza"> + <p>(Old Folk Song.)</p> + </div> + </div> + + <p>The dropping of <i>thou</i> was a distinct loss to the English + language: for now <i>you</i> has to do double duty—for both + singular and plural—which sometimes leads to obscurity. The Irish + try to avoid this obscurity by various devices. They always use <i>ye</i> + in the plural whenever possible: both as a nominative and as an + objective: 'Where are ye going to-day?' 'I'm afeard that will be a dear + journey to ye.' Accepting the <i>you</i> as singular, they have created + new forms for the plural such as <i>yous</i>, <i>yez</i>, <i>yiz</i>, + which do not sound pleasant to a correct speaker, but are very clear in + sense. In like manner they form a possessive case direct on <i>ye</i>. + Some English soldiers are singing 'Lillibulero'—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'And our skeans we'll make good at de Englishman's throat,'</p> + </div> + </div> + + <p>on which Cus Russed (one of the ambush) says—'That's true for ye + at any rate. I'm laughing at the way we'll carry out <i>yeer</i> song + afore the day is over.' ('The House of Lisbloom,' by Robert D. Joyce.) + Similarly '<i>weer</i> own' is sometimes used for 'our own.' <!-- Page 89 + --><span class="pagenum"><a name="page89"></a>{89}</span></p> + + <p>The distributive <i>every</i> requires to be followed by pronouns in + the singular: but this rule is broken even by well-known English + writers:—'Every one for themselves' occurs in Robinson Crusoe; and + in Ireland plurals are almost universally used. '<i>Let every one mind + themselves</i> as the ass said when he leaped into a flock of + chickens.'</p> + + <p>Father Burke has shown—a matter that had escaped me—that + we often use the verbs <i>rest</i> and <i>perish</i> in an active sense. + The first is seen in the very general Irish prayer 'God rest his soul.' + Mangan uses the word in this sense in the Testament of Cathaeir + Mór:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Here is the Will of Cathaeir Mór,</p> + <p class="i20">God rest him.'</p> + </div> + </div> + + <p>And John Keegan in 'Caoch O'Leary':—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'And there he sleeps his last sweet sleep—</p> + <p class="i8">God rest you, Caoch O'Leary.'</p> + </div> + </div> + + <p><i>Perish</i> is quoted below in the saying—'That breeze would + perish the Danes.'</p> + + <p>We have many intensive words, some used locally, some + generally:—'This is a <i>cruel</i> wet day'; 'that old fellow is + <i>cruel</i> rich': that's a <i>cruel</i> good man (where <i>cruel</i> in + all means <i>very</i>: Ulster). 'That girl is <i>fine and fat</i>: her + cheeks are <i>fine and red</i>.' 'I was <i>dead fond</i> of her' (very + fond): but <i>dead certain</i> occurs in 'Bleak House.' 'That tree has a + <i>mighty</i> great load of apples.' 'I want a drink badly; my throat is + <i>powerful</i> dry.' ('Shanahan's Ould Shebeen,' New York.) 'John Cusack + is the finest dancer <i>at all</i>.' 'This day is <i>mortal</i> cold.' + 'I'm <i>black out</i> with you.' <!-- Page 90 --><span class="pagenum"><a + name="page90"></a>{90}</span>'I'm very glad <i>entirely</i> to hear it.' + 'He is very sick <i>entirely</i>.' This word <i>entirely</i> is one of + our most general and characteristic intensives. 'He is a very good man + <i>all out</i>.' 'This day is <i>guy and</i> wet': 'that boy is <i>guy + and</i> fat' (Ulster). A half fool of a fellow looking at a four-wheeled + carriage in motion: 'Aren't the little wheels <i>damn good</i> not to let + the big wheels overtake them.' In the early days of cycling a young + friend of mine was riding on a five-foot wheel past two countrymen; when + one remarked to the other:—'Tim, that's a <i>gallows</i> way of + travelling.' 'I was up <i>murdering</i> late last night.' (Crofton + Croker.)</p> + + <p>In the Irish language there are many diminutive terminations, all + giving the idea of 'little,' which will be found fully enumerated and + illustrated in my 'Irish Names of Places,' vol. ii, chap. ii. Of these it + may be said that only one—<i>ín</i> or <i>een</i>—has found + its way into Ireland's English speech, carrying with it its full sense of + smallness. There are others—<i>án</i> or <i>aun</i>, and <i>óg</i> + or <i>oge</i>; but these have in great measure lost their original + signification; and although we use them in our Irish-English, they hardly + convey any separate meaning. But <i>een</i> is used everywhere: it is + even constantly tacked on to Christian names (especially of boys and + girls):—<i>Mickeen</i> (little Mick), <i>Noreen</i>, + <i>Billeen</i>, <i>Jackeen</i> (a word applied to the conceited little + Dublin citizen). So also you hear <i>Birdeen</i>, + <i>Robineen</i>-redbreast, <i>bonniveen</i>, &c. A boy who apes to be + a man—puts on airs like a man—is called a <i>manneen</i> in + contempt (exactly equivalent to the English <i>mannikin</i>). I knew a + boy named Tommeen Trassy: and the name stuck to him even when he <!-- + Page 91 --><span class="pagenum"><a name="page91"></a>{91}</span>was a + great big whacker of a fellow six feet high. In the south this diminutive + is long (<i>een</i>) and takes the accent: in the north it is made short + (<i>in</i>) and is unaccented.</p> + + <p>It is well known that three hundred years ago, and even much later, + the correct English sound of the diphthong <i>ea</i> was the same as long + <i>a</i> in <i>fate</i>: <i>sea</i> pronounced <i>say</i>, &c. Any + number of instances could be brought together from the English poets in + illustration of this:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'God moves in a mysterious way,</p> + <p class="i2">His wonders to perform;</p> + <p>He plants His footsteps in the <i>sea</i>,</p> + <p class="i2">And rides upon the storm.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Cowper</span> (18th century).)</p> + </div> + </div> + + <p>This sound has long since been abandoned in England, but is still + preserved among the Irish people. You will hear everywhere in Ireland, 'a + pound of <i>mate</i>,' 'a cup of <i>tay</i>,' 'you're as deep as the + <i>say</i>,' &c.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Kind sir be <i>aisy</i> and do not <i>taize</i> me with your false <i>praises</i> most jestingly.'—(Old Irish Folk Song.)</p> + </div> + </div> + + <p>(In this last line <i>easy</i> and <i>teaze</i> must be sounded so as + to rhyme—assonantally—with <i>praises</i>).</p> + + <p>Many years ago I was travelling on the long car from Macroom to + Killarney. On the other side—at my back—sat a young + gentleman—a 'superior person,' as anyone could gather from his + <i>dandified</i> speech. The car stopped where he was to get off: a tall + fine-looking old gentleman was waiting for him, and nothing could exceed + the dignity and kindness with which he received him. Pointing to <!-- + Page 92 --><span class="pagenum"><a name="page92"></a>{92}</span>his car + he said 'Come now and they'll get you a nice refreshing cup of + <i>tay</i>.' 'Yes,' says the dandy, 'I shall be very glad to get a cup of + <i>tee</i>'—laying a particular stress on <i>tee</i>. I confess I + felt a shrinking of shame for our humanity. Now which of these two was + the vulgarian?</p> + + <p>The old sound of <i>ea</i> is still retained—even in + England—in the word <i>great</i>; but there was a long contest in + the English Parliament over this word. Lord Chesterfield adopted the + affected pronunciation (<i>greet</i>), saying that only an Irishman would + call it <i>grate</i>. 'Single-speech Hamilton'—a Dublin + man—who was considered, in the English House of Commons, a high + authority on such matters, stoutly supported <i>grate</i>, and the + influence of the Irish orators finally turned the scale. (Woollett.)</p> + + <p>A similar statement may be made regarding the diphthong <i>ei</i> and + long <i>e</i>, that is to say, they were both formerly sounded like long + <i>a</i> in <i>fate</i>.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Boast the pure blood of an illustrious race,</p> + <p>In quiet flow from Lucrece to <i>Lucrece</i>.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Pope</span>: 'Essay on Man.')</p> + </div> + </div> + + <p>In the same essay Pope rhymes <i>sphere</i> with <i>fair</i>, showing + that he pronounced it <i>sphaire</i>. Our <i>hedge</i> schoolmaster did + the same thing in his song:—</p> + + <div class="poem"> + <div class="stanza"> + <p>Of all the maids on this terrestrial <i>sphaire</i></p> + <p>Young Molly is the fairest of the fair.</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'The plots are fruitless which my foe</p> + <p class="i2">Unjustly did <i>conceive</i>;</p> + <p>The pit he digg'd for me has proved</p> + <p class="i2">His own untimely grave.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Tate and Brady.</span>)</p> + </div> + </div> + +<p><!-- Page 93 --><span class="pagenum"><a name="page93"></a>{93}</span></p> + + <p>Our people generally retain the old sounds of long <i>e</i> and + <i>ei</i>; for they say <i>persaive</i> for perceive, and <i>sevare</i> + for <i>severe</i>.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'The pardon he gave me was hard and <i>sevare</i>;</p> + <p class="hg1">'Twas bind him, confine him, he's the rambler from Clare.'</p> + </div> + </div> + + <p>Our Irish way of sounding both <i>ea</i> and long <i>e</i> is + exemplified in what I heard a man say—a man who had some knowledge + of Shakespeare—about a girl who was becoming somewhat of an old + maid: 'She's now getting into the <i>sair</i> and <i>yallow + laif</i>.'</p> + + <p>Observe, the correct old English sound of <i>ie</i> and <i>ee</i> has + not changed: it is the same at present in England as it was formerly; and + accordingly the Irish people always sound these correctly. They never say + <i>praste</i> for priest, <i>belave</i> for believe, <i>indade</i> for + indeed, or <i>kape</i> for keep, as some ignorant writers set down.</p> + + <p><i>Ate</i> is pronounced <i>et</i> by the educated English. In Munster + the educated people pronounce it <i>ait</i>: 'Yesterday I <i>ait</i> a + good dinner'; and when <i>et</i> is heard among the uneducated—as + it generally is—it is considered very vulgar.</p> + + <p>It appears that in correct old English <i>er</i> was sounded + <i>ar</i>—Dryden rhymes <i>certain</i> with + <i>parting</i>—and this is still retained in correct English in a + few words, like <i>sergeant</i>, <i>clerk</i>, &c. Our people retain + the old sound in most such words, as <i>sarvant</i>, <i>marchant</i>, + <i>sartin</i>. But sometimes in their anxiety to avoid this vulgarity, + they overdo the refinement: so that you will hear girls talk mincingly + about <i>derning</i> a stocking. This is like what happened in the case + of one of our servant girls who took it into her head that <!-- Page 94 + --><span class="pagenum"><a name="page94"></a>{94}</span><i>mutton</i> + was a vulgar way of pronouncing the word, like <i>pudden'</i> for + <i>pudding</i>; so she set out with her new grand pronunciation; and one + day rather astonished our butcher by telling him she wanted a small leg + of <i>mutting</i>. I think this vulgarism is heard among the English + peasantry too: though we have the honour and glory of evolving it + independently.</p> + + <p>All over Ireland you will hear the words <i>vault</i> and <i>fault</i> + sounded <i>vaut</i> and <i>faut</i>. 'If I don't be able to shine it will + be none of my <i>faut</i>.' (Carleton, as cited by Hume.) We have + retained this sound from old English:</p> + + <div class="poem"> + <div class="stanza"> + <p>Let him not dare to vent his dangerous thought:</p> + <p>A noble fool was never in a <i>fault</i> [faut].</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Pope</span>, cited by Hume.)</p> + </div> + </div> + + <p>Goldsmith uses this pronunciation more than once; but whether he + brought it from Ireland or took it from classical English writers, by + whom it was used (as by Pope) almost down to his time, it is hard to say. + For instance in 'The Deserted Village' he says of the Village + Master:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Yet he was kind, or if severe in aught</p> + <p>The love he bore to learning was in <i>fault</i>' [faut].</p> + </div> + </div> + + <p>I remember reading many years ago a criticism of Goldsmith by a + well-known Irish professor of English literature, in which the professor + makes great fun, as a 'superior person,' of the <i>Hibernicism</i> in the + above couplet, evidently ignorant of the fact, which Dr. Hume has well + brought out, that it is classical English. <!-- Page 95 --><span + class="pagenum"><a name="page95"></a>{95}</span></p> + + <p>In many parts of Munster there is a tendency to give the long <i>a</i> + the sound of <i>a</i> in <i>car</i>, <i>father</i>:—</p> + + <div class="poem"> + <div class="stanza"> + <p>Were I Paris whose deeds are <i>vaarious</i></p> + <p class="i2">And <i>arbithraather</i> on Ida's hill.</p> + </div> + + <div class="stanza"> + <p>(Old Folk Song—'The Colleen Rue.')<a name="NtA1" href="#Nt1"><sup>[1]</sup></a></p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p>The <i>gladiaathers</i> both bold and darling,</p> + <p class="i2">Each night and morning to watch the flowers.</p> + </div> + + <div class="stanza"> + <p>(Old Folk Song—'Castlehyde.')<a href="#Nt1"><sup>[1]</sup></a></p> + </div> + </div> + + <p>So, an intelligent peasant,—a born orator, but illiterate in so + far as he could neither read nor write,—told me that he was a + <i>spectaathor</i> at one of O'Connell's Repeal meetings: and the same + man, in reply to a strange gentleman's inquiry as to who planted a + certain wood up the hill, replied that the trees were not + planted—they grew <i>spontaan-yus</i>.</p> + + <p>I think this is a remnant of the old classical teaching of Munster: + though indeed I ought to mention that the same tendency is found in + Monaghan, where on every possible occasion the people give this sound to + long <i>a</i>.</p> + + <p><i>D</i> before long <i>u</i> is generally sounded like <i>j</i>; as + in <i>projuce</i> for <i>produce</i>: the <i>Juke</i> of Wellington, + &c. Many years ago I knew a fine old gentleman from Galway. He wished + to make people believe that in the old fighting times, when he was a + young man, he was a desperate <i>gladiaathor</i>; but he really was a + gentle creature who never in all his born days hurt man or mortal. + Talking one day to some workmen in Kildare, and recounting his exploits, + he told them <!-- Page 96 --><span class="pagenum"><a + name="page96"></a>{96}</span>that he was now <i>harrished</i> every night + by the ghosts of all the <i>min</i> he killed in <i>juels</i>.</p> + + <p>So <i>s</i> before long <i>u</i> is sounded <i>sh</i>: Dan Kiely, a + well-to-do young farmer, told the people of our neighbourhood that he was + now looking out for a wife that would <i>shoot</i> him. This + pronunciation is however still sometimes heard in words of correct + English, as in <i>sure</i>.</p> + + <p>There are some consonants of the Irish language which when they come + together do not coalesce in sound, as they would in an English word, so + that when they are uttered a very short obscure vowel sound is heard + between them: and a native Irish speaker cannot avoid this. By a sort of + hereditary custom this peculiarity finds its way into our pronunciation + of English. Thus <i>firm</i> is sounded in Ireland + <i>ferrum</i>—two distinct syllables: 'that bird is looking for a + <i>wurrum</i>.' <i>Form</i> (a seat) we call a <i>furrum</i>.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'His sire he'd seek no more nor descend to Mammon's shore,</p> + <p class="i2">Nor venture on the tyrant's dire <i>alaa-rums</i>,</p> + <p>But daily place his care on that emblematic fair,</p> + <p class="i2">Till he'd barter coronations for her <i>chaa-rums</i>.'</p> + </div> + + <div class="stanza"> + <p>(Old Folk Song.)<a name="NtA2" href="#Nt2"><sup>[2]</sup></a></p> + </div> + </div> + + <p><i>Herb</i> is sounded <i>errub</i>: and we make two syllables of the + name Charles [Char-less]. At the time of the Bulgarian massacres, I knew + a Dublin doctor, a Tipperary man, who felt very strongly on the subject + and was constantly talking about the poor <i>Bullugarians</i>.</p> + + <p>In the County Monaghan and indeed elsewhere <!-- Page 97 --><span + class="pagenum"><a name="page97"></a>{97}</span>in Ireland, <i>us</i> is + sounded <i>huz</i>, which might seem a Cockney vulgarism, but I think it + is not. In Roscommon and in the Munster counties a thong is called a + <i>fong</i>.</p> + + <p><i>Chaw</i> for <i>chew</i>, <i>oncet</i> [wonst] for <i>once</i>, + <i>twiced</i> for <i>twice</i>, and <i>heighth</i>, <i>sighth</i>, for + <i>height</i>, <i>sight</i>, which are common in Ireland, are all old + English survivals. Thus in the 'Faerie Queene' (Bk. <span + class="scac">I.</span>, Canto <span class="scac">IV.</span>, <span + class="scac">XXX.</span>):—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'And next to him malicious Envy rode</p> + <p>Upon a ravenous wolfe and still did <i>chaw</i></p> + <p>Between his cankred teeth a venomous tode.'</p> + </div> + </div> + + <p><i>Chaw</i> is also much used in America. '<i>Onst</i> for once, is in + the Chester Plays' (Lowell); and <i>highth</i> for <i>height</i> is found + all through 'Paradise Lost.' So also we have <i>drooth</i> for + <i>drought</i>:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Like other historians I'll stick to the truth</p> + <p>While I sing of the monarch who died of the <i>drooth</i>.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Sam Lover.</span>)</p> + </div> + </div> + + <p><i>Joist</i> is sounded <i>joice</i> in Limerick; and <i>catch</i> is + everywhere pronounced <i>ketch</i>.</p> + + <p>The word <i>hither</i> is pronounced in Ireland <i>hether</i>, which + is the correct old English usage, but long since abandoned in England. + Thus in a State Paper of 1598, we read that two captains returned + <i>hether</i>: and in Spenser's 'View,' he mentions a 'colony [sent] + <i>hether</i> out of Spaine.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'An errant knight or any other wight</p> + <p>That <i>hether</i> turns his steps.' ('Faerie Queene.')</p> + </div> + </div> + + <p>Hence we have coined the word <i>comether</i>, for <i>come-hether</i>, + to denote a sort of spell brought about <!-- Page 98 --><span + class="pagenum"><a name="page98"></a>{98}</span>by coaxing, wheedling, + making love, &c.—as in the phrase 'she put her <i>comether</i> + on him, so that he married her up at once.' 'There'll not be six girls in + the fair he'll not be putting the <i>comether</i> on.' (Seumas + MacManus.)</p> + + <p>The family name 'Bermingham' is always made <i>Brimmigem</i> in + Ireland, which is a very old English corruption. In Friar Clyn's Annals + (Latin) written in the fourteenth century, the death is recorded in 1329 + of Johannes de <i>Brimegham</i>, i.e., the celebrated Sir John Bermingham + who defeated Edward Bruce at Faughart.</p> + + <p>Leap is pronounced <i>lep</i> by our people; and in racing circles it + is still so pronounced by all classes. The little village of Leap in the + County Cork is always called <i>Lep</i>.</p> + + <p>There is a curious tendency among us to reverse the sounds of certain + letters, as for instance <i>sh</i> and <i>ch</i>. 'When you're coming + home to-morrow bring the spade and <i>chovel</i>, and a pound of butter + fresh from the <i>shurn</i>.' 'That <i>shimney</i> doesn't draw the smoke + well.' So with the letters <i>u</i> and <i>i</i>. 'When I was crossing + the <i>brudge</i> I dropped the sweeping <i>brish</i> into the + <i>ruvver</i>.' 'I never saw <i>sich</i> a sight.' But such words are + used only by the very uneducated. <i>Brudge</i> for <i>bridge</i> and the + like are however of old English origin. 'Margaret, mother of Henry VII, + writes <i>seche</i> for <i>such</i>' (Lowell). So in + Ireland:—'<i>Jestice</i> is all I ax,' says Mosy in the story ('Ir. + Pen. Mag.); and <i>churries</i> for <i>cherries</i> ('Knocknagow'). This + tendency corresponds with the vulgar use of <i>h</i> in London and + elsewhere in England. 'The 'en has just laid a <i>hegg</i>': 'he was + singing My 'art's in the <!-- Page 99 --><span class="pagenum"><a + name="page99"></a>{99}</span>'ighlands or The Brave Old <i>Hoak</i>.' + (Washington Irving.)</p> + + <p><i>Squeeze</i> is pronounced <i>squeedge</i> and <i>crush</i> + <i>scroodge</i> in Donegal and elsewhere; but corruptions like these are + found among the English peasantry—as may be seen in Dickens.</p> + + <p>'You had better <i>rinsh</i> that glass' is heard everywhere in + Ireland: an old English survival; for Shakespeare and Lovelace have + <i>renched</i> for <i>rinced</i> (Lowell): which with the Irish sound of + short <i>e</i> before <i>n</i> gives us our word <i>rinshed</i>.</p> + + <p>Such words as <i>old</i>, <i>cold</i>, <i>hold</i> are pronounced by + the Irish people <i>ould</i>, <i>cowld</i>, <i>hould</i> (or + <i>howlt</i>); <i>gold</i> is sounded <i>goold</i> and <i>ford</i> + <i>foord</i>. I once heard an old Wicklow woman say of some very rich + people 'why these people could <i>ait goold</i>.' These are all survivals + of the old English way of pronouncing such words. In the State Papers of + Elizabeth's time you will constantly meet with such words as <i>hoult</i> + and <i>stronghowlt</i> (hold and stronghold.) In my boyhood days I knew a + great large sinewy active woman who lived up in the mountain gap, and who + was universally known as 'Thunder the <i>cowlt</i> from Poulaflaikeen' + (<i>cowlt</i> for <i>colt</i>); Poulaflaikeen, the high pass between + Glenosheen and Glenanaar, Co. Limerick, for which see Dr. R. D. Joyce's + 'Ballads of Irish Chivalry,' pp. 102, 103, 120.</p> + + <p>Old Tom Howlett, a Dublin job gardener, speaking to me of the + management of fruit trees, recommended the use of butchers' waste. 'Ah + sir'—said he, with a luscious roll in his voice as if he had been + licking his lips—'Ah sir, there's nothing for the roots of an apple + tree like a big tub of fine rotten <i>ould</i> guts,' <!-- Page 100 + --><span class="pagenum"><a name="page100"></a>{100}</span></p> + + <p>Final <i>d</i> is often omitted after <i>l</i> and <i>n</i>: you will + see this everywhere in Seumas MacManus's books for Donegal. Recently we + were told by the attendant boy at one of the Dublin seaside baths that + the prices were—'a shilling for the hot and sixpence for the + <i>cowl</i>.' So we constantly use <i>an'</i> for <i>and</i>: in a + Waterford folk song we have 'Here's to the swan that sails on the + <i>pon</i>' (the 'swan' being the poet's sweetheart): and I once heard a + man say to another in a fair:—'That horse is sound in win' and + limb.'</p> + + <p>Short <i>e</i> is always sounded before <i>n</i> and <i>m</i>, and + sometimes in other positions, like short <i>i</i>: 'How many arrived?' + '<i>Tin min</i> and five women': 'He always smoked a pipe with a long + <i>stim</i>.' If you ask a person for a pin, he will inquire 'Is it a + brass pin or a writing <i>pin</i> you want?'</p> + + <p><i>Again</i> is sounded by the Irish people <i>agin</i>, which is an + old English survival. 'Donne rhymes <i>again</i> with <i>sin</i>, and + Quarles repeatedly with <i>in</i>.' (Lowell.) An Irishman was once landed + on the coast of some unknown country where they spoke English. Some + violent political dispute happened to be going on there at the time, and + the people eagerly asked the stranger about his political views; on + which—instinctively giving expression to the feelings he brought + with him from the 'ould sod'—he promptly replied before making any + inquiry—'I'm agin the Government.' This story, which is pretty well + known, is a faked one; but it affords us a good illustration.</p> + + <p><i>Onion</i> is among our people always pronounced <i>ingion</i>: + constantly heard in Dublin. 'Go out Mike <!-- Page 101 --><span + class="pagenum"><a name="page101"></a>{101}</span>for the + <i>ingions</i>,' as I once heard a woman say in Limerick.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Men are of different opinions,</p> + <p>Some like leeks and some like <i>ingions</i>.'</p> + </div> + </div> + + <p>This is old English; 'in one of Dodsley's plays we have <i>onions</i> + rhyming with <i>minions</i>' (Lowell.)</p> + + <p>The general <i>English</i> tendency is to put back the accent as far + from the end of the word as possible. But among our people there is a + contrary tendency—to throw forward the accent; as in + <i>ex-cel´lent</i>, his <i>Ex-cel´-lency</i>—Nas-sau´ Street + (Dublin), Ar-bu´-tus, commit-tee´, her-e-dit´tary.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Tele-mach´us though so grand ere the sceptre reached his hand.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk Song.)</p> + </div> + </div> + + <p>In Gough's Arithmetic there was a short section on the laws of + radiation and of pendulums. When I was a boy I once heard one of the old + schoolmasters reading out, in his grandiloquent way, for the people + grouped round Ardpatrick chapel gate after Mass, his formidable + prospectus of the subjects he could teach, among which were 'the + <i>raddiation</i> of light and heat and the vibrations of swinging + <i>pen-joo´lums</i>.' The same fine old scholarly pedant once remarked + that our neighbourhood was a very <i>moun-taan´-yus</i> locality. A + little later on in my life, when I had written some pieces in high-flown + English—as young writers will often do—one of these + schoolmasters—a much lower class of man than the last—said to + me by way of compliment: 'Ah! Mr. Joyce, you have a fine + <i>voca-bull´ery</i>.'</p> + + <p><i>Mischievous</i> is in the south accented on the second + syllable—<i>Mis-chee´-vous</i>: but I have come across this <!-- + Page 102 --><span class="pagenum"><a name="page102"></a>{102}</span>in + Spenser's Faerie Queene. We accent <i>character</i> on the second + syllable:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Said he in a whisper to my benefactor,</p> + <p class="i2">Though good your <i>charac´ter</i> has been of that lad.'</p> + </div> + + <div class="stanza"> + <p>(Song by Mr. Patrick Murray of Kilfinane,</p> + <p>a schoolmaster of great ability: about 1840).</p> + </div> + </div> + + <p>One of my school companions once wrote an ode in praise of Algebra, of + which unfortunately I remember only the opening line: but this fragment + shows how we pronounced the word in our old schools in the days of + yore:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Hail sweet <i>al-jib´era</i>, you're my heart's delight.'</p> + </div> + </div> + + <p>There is an Irish ballad about the people of Tipperary that I cannot + lay my hands on, which speaks of the</p> + + <div class="poem"> + <div class="stanza"> + <p class="i20hg1">'Tipperary boys,</p> + <p>Although we are cross and <i>contrairy</i> boys';</p> + </div> + </div> + + <p>and this word 'contrairy' is universal in Munster.</p> + + <p>In Tipperary the vowel <i>i</i> is generally sounded <i>oi</i>. Mick + Hogan a Tipperary boy—he was a man indeed—was a pupil in Mr. + Condon's school in Mitchelstown, with the full rich typical accent. One + morning as he walked in, a fellow pupil, Tom Burke—a big fellow + too—with face down on desk over a book, said, without lifting his + head—to make fun of him—'<i>foine</i> day, Mick.' 'Yes,' said + Mick as he walked past, at the same time laying his hand on Tom's poll + and punching his nose down hard against the desk. Tom let Mick alone + after that 'foine day.' Farther south, and in many places all over + Ireland, they do the reverse:—'The kettle is <i>biling</i>';</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'She smiled on me like the morning sky,</p> + <p>And she won the heart of the prentice <i>bye</i>.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk Song.)</p> + </div> + </div> + +<p><!-- Page 103 --><span class="pagenum"><a name="page103"></a>{103}</span></p> + + <p>The old English pronunciation of <i>oblige</i> was + <i>obleege</i>:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Dreaded by fools, by flatterers besieged,</p> + <p>And so obliging that he ne'er obliged.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Pope.</span>)</p> + </div> + </div> + + <p>Among the old-fashioned and better-educated of our peasantry you will + still hear this old pronunciation preserved:—I am very much + obleeged to you. It is now generally heard in Kildare among all classes. + A similar tendency is in the sound of <i>whine</i>, which in Munster is + always made <i>wheen</i>: 'What's that poor child <i>wheening</i> for?' + also everywhere heard:—'All danger [of the fever] is now past: he + is over his <i>creesis</i>.'</p> + + <p>Metathesis, or the changing of the place of a letter or syllable in a + word, is very common among the Irish people, as <i>cruds</i> for + <i>curds</i>, <i>girn</i> for <i>grin</i>, <i>purty</i> for + <i>pretty</i>. I heard a man quoting from Shakespeare about + Puck—from hearsay: he said he must have been a wonderful fellow, + for he could put a <i>griddle</i> round about the earth in forty + minutes.' I knew a fellow that could never say <i>traveller</i>: it was + always <i>throlliver</i>.</p> + + <p>There is a tendency here as elsewhere to shorten many words: You will + hear <i>garner</i> for <i>gardener</i>, <i>ornary</i> for + <i>ordinary</i>. The late Cardinal Cullen was always spoken of by a + friend of mine who revered him, as <i>The Carnal</i>.</p> + + <p><i>My</i> and <i>by</i> are pronounced <i>me</i> and <i>be</i> all + over Ireland: Now <i>me</i> boy I expect you home <i>be</i> six + o'clock.</p> + + <p>The obscure sound of <i>e</i> and <i>i</i> heard in <i>her</i> and + <i>fir</i> is hardly known in Ireland, at least among the general run of + people. <i>Her</i> is made either <i>herr</i> or <i>hur</i>. They sound + <i>sir</i> either <i>surr</i> (to rhyme with cur), <!-- Page 104 --><span + class="pagenum"><a name="page104"></a>{104}</span>or <i>serr</i>; but in + this latter case they always give the <i>r</i> or <i>rr</i> what is + called the slender sound in Irish, which there is no means of indicating + by English letters. <i>Fir</i> is also sounded either <i>fur</i> or + <i>ferr</i> (a <i>fur</i> tree or a <i>ferr</i> tree). <i>Furze</i> is + pronounced rightly; but they take it to be a plural, and so you will + often hear the people say <i>a fur bush</i> instead of <i>a furze + bush</i>.</p> + + <p>In other classes of words <i>i</i> before <i>r</i> is mispronounced. A + young fellow, Johnny Brien, objected to go by night on a message that + would oblige him to pass by an empty old house that had the reputation of + being haunted, because, as he said, he was afeard of the + <i>sperrit</i>.</p> + + <p>In like manner, <i>miracle</i> is pronounced <i>merricle</i>. Jack + Finn—a little busybody noted for perpetually jibing at sacred + things—Jack one day, with innocence in his face, says to Father + Tom, 'Wisha I'd be terrible thankful entirely to your reverence to tell + me what a merricle is, for I could never understand it.' 'Oh yes Jack,' + says the big priest good-naturedly, as he stood ready equipped for a long + ride to a sick call—poor old Widow Dwan up in the mountain gap: + 'Just tell me exactly how many cows are grazing in that field there + behind you.' Jack, chuckling at the fun that was coming on, turned round + to count, on which Father Tom dealt him a hearty kick that sent him + sprawling about three yards. He gathered himself up as best he could; but + before he had time to open his mouth the priest asked, 'Did you feel that + Jack?' 'Oh Blood-an ... Yerra of course I did your reverence, why the + blazes wouldn't I!' 'Well Jack,' replied Father Tom, benignly, 'If you + didn't feel it—<i>that</i> would be a <i>merricle</i>.' <!-- Page + 105 --><span class="pagenum"><a name="page105"></a>{105}</span></p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER VIII.</h3> + +<p class="cenhead">PROVERBS.</p> + + <p>The Irish delighted in sententious maxims and apt illustrations + compressed into the fewest possible words. Many of their proverbs were + evolved in the Irish language, of which a collection with translations by + John O'Donovan may be seen in the 'Dublin Penny Journal,' I. 258; another + in the Rev. Ulick Bourke's Irish Grammar; and still another in the Ulster + Journ. of Archæology (old series) by Mr. Robert MacAdam, the Editor. The + same tendency continued when the people adopted the English language. + Those that I give here in collected form were taken from the living lips + of the people during the last thirty or forty years.</p> + + <p>'Be first in a wood and last in a bog.' If two persons are making + their way, one behind the other, through a wood, the hinder man gets + slashed in the face by the springy boughs pushed aside by the first: if + through a bog, the man behind can always avoid the dangerous holes by + seeing the first sink into them. This proverb preserves the memory of a + time when there were more woods and bogs than there are now: it is + translated from Irish.</p> + + <p>In some cases a small amount added on or taken off makes a great + difference in the result: 'An inch is a great deal in a man's nose.' In + the Crimean war an officer happened to be walking past an Irish soldier + on duty, who raised hand to cap to salute. <!-- Page 106 --><span + class="pagenum"><a name="page106"></a>{106}</span>But the hand was only + half way when a stray bullet whizzed by and knocked off the cap without + doing any injury. Whereupon Paddy, perfectly unmoved, stooped down, + replaced the cap and completed the salute. The officer, admiring his + coolness, said 'That was a narrow shave my man!' 'Yes your honour: an + inch is as good as a mile.' This is one of our commonest sayings.</p> + + <p>A person is reproved for some trifling harmless liberty, and + replies:—'Oh a cat can look at a king.' (A translation from + Irish.)</p> + + <p>A person who fails to get what he was striving after is often glad to + accept something very inferior: 'When all fruit fails welcome haws.'</p> + + <p>When a person shows no sign of gratitude for a good turn as if it + passed completely from his memory, people say 'Eaten bread is soon + forgotten.'</p> + + <p>A person is sent upon some dangerous mission, as when the persons he + is going to are his deadly enemies:—that is 'Sending the goose on a + message to the fox's den.'</p> + + <p>If a dishonest avaricious man is put in a position of authority over + people from whom he has the power to extort money; that is 'putting the + fox to mind the geese.'</p> + + <p>'You have as many kinds of potatoes on the table as if you took them + from a beggarman's bag': referring to the good old time when beggarmen + went about and usually got a <i>lyre</i> of potatoes in each house.</p> + + <p>'No one can tell what he is able to do till he tries,' as the duck + said when she swallowed a dead kitten. <!-- Page 107 --><span + class="pagenum"><a name="page107"></a>{107}</span></p> + + <p>You say to a man who is suffering under some continued + hardship:—'This distress is only temporary: have patience and + things will come round soon again.' 'O yes indeed; <i>Live horse till you + get grass</i>.'</p> + + <p>A person in your employment is not giving satisfaction; and yet you + are loth to part with him for another: 'Better is the devil you know than + the devil you don't know.'</p> + + <p>'Least said, soonest mended.'</p> + + <p>'You spoke too late,' as the fool said when he swallowed a bad egg, + and heard the chicken chirp going down his throat.</p> + + <p>'Good soles bad uppers.' Applied to a person raised from a low to a + high station, who did well enough while low, but in his present position + is overbearing and offensive.</p> + + <p>I have done a person some service: and now he ill-naturedly refuses + some reasonable request. I say: 'Oh wait: <i>apples will grow again</i>.' + He answers—'Yes <i>if the trees baint cut</i>'—a defiant and + ungrateful answer, as much as to say—you may not have the + opportunity to serve me, or I may not want it.</p> + + <p>Turf or peat was scarce in Kilmallock (Co. Limerick): whence the + proverb, 'A Kilmallock fire—two sods and a <i>kyraun</i>' (a bit + broken <i>off of</i> a sod).</p> + + <p>People are often punished even in this world for their misdeeds: 'God + Almighty often pays debts without money.' (Wicklow.)</p> + + <p>I advise you not to do so without the master's + permission:—'Leave is light.' A very general saying. <!-- Page 108 + --><span class="pagenum"><a name="page108"></a>{108}</span></p> + + <p>When a person gives much civil talk, makes plausible excuses or fair + promises, the remark is made 'Soft words butter no parsnips.' Sometimes + also 'Talk is cheap.'</p> + + <p>A person who is too complaisant—over anxious to please + everyone—is 'like Lanna Mochree's dog—he will go a part of + the road with everyone.' (Moran Carlow.) (A witness said this of a + policeman in the Celbridge courthouse—Kildare—last year, + showing that it is still alive.)</p> + + <p>'The first drop of the broth is the hottest': the first step in any + enterprise is usually the hardest. (Westmeath.)</p> + + <p>The light, consisting of a single candle, or the jug of punch from + which the company fill their tumblers, ought always to be placed on the + middle of the table when people are sitting round it:—'Put the + priest in the middle of the parish.'</p> + + <p>'After a gathering comes a scattering.' 'A narrow gathering, a broad + scattering.' Both allude to the case of a thrifty man who gathers up a + fortune during a lifetime, and is succeeded by a spendthrift son who soon + <i>makes ducks and drakes</i> of the property.</p> + + <p>No matter how old a man is he can get a wife if he wants one: 'There + never was an old slipper but there was an old stocking to match it.' + (Carlow.)</p> + + <p>'You might as well go to hell with a load as with a <i>pahil</i>': + 'You might as well hang for a sheep as for a lamb': both explain + themselves. A <i>pahil</i> or <i>paghil</i> is a bundle of anything. + (Derry.)</p> + + <p>If a man treats you badly in any way, you threaten to pay him back in + his own coin by saying, 'The cat hasn't eaten the year yet.' (Carlow.) + <!-- Page 109 --><span class="pagenum"><a + name="page109"></a>{109}</span></p> + + <p>'A fool and his money are easily parted.'</p> + + <p>'A dumb priest never got a parish,' as much as to say if a man wants a + thing he must ask and strive for it.</p> + + <p>'A slip of the tongue is no fault of the mind.' (Munster.)</p> + + <p>You merely hint at something requiring no further + explanation:—'A nod is as good as a wink to a blind horse.' (Sam + Lover: but heard everywhere.)</p> + + <p>A very wise proverb often heard among us is:—'Let well enough + alone.'</p> + + <p>'When a man is down, down with him': a bitter allusion to the tendency + of the world to trample down the unfortunate and helpless.</p> + + <p>'The friend that can be bought is not worth buying.' (Moran: + Carlow.)</p> + + <p>'The life of an old hat is to cock it.' To cock an old hat is to set + it jauntingly on the head with the leaf turned up at one side. (S. E. + counties.)</p> + + <p>'The man that wears the shoe knows where it pinches.' It is only the + person holding any position that knows the troubles connected with + it.</p> + + <p>'Enough and no waste is as good as a <i>faist</i>.'</p> + + <p>'There are more ways of killing a dog than by choking him with + butter.' Applied when some insidious cunning attempt that looks innocent + is made to injure another.</p> + + <p>'Well James are you quite recovered now?' 'Oh yes, I'm <i>on the + baker's list</i> again': i.e., I am well and have recovered my + appetite.</p> + + <p>'An Irishman before answering a question always asks another': he + wants to know why he is asked.</p> + + <p>Dan O'Loghlin, a working man, drove up to our <!-- Page 110 --><span + class="pagenum"><a name="page110"></a>{110}</span>house one day on an + outside car. It was a sixpenny drive, but rather a long one; and the + carman began to grumble. Whereupon Dan, in the utmost good humour, + replied:—'Oh you must take the little potato with the big potato.' + A very apt maxim in many of life's affairs, and often heard in and around + Dublin.</p> + + <p>'Good goods are tied up in small parcels': said of a little man or a + little woman, in praise or mitigation. (Moran: Carlow.)</p> + + <p>'Easy with the hay, there are boys on the ladder.' When a man is on + the top of the stack forking down hay, he is warned to look out and be + careful if other <i>boys</i> are mounting up the ladder, lest he may + pitch it on their heads. The proverb is uttered when a person is + incautiously giving expression to words likely to offend some one + present. (Moran: Carlow.)</p> + + <p>Be cautious about believing the words of a man speaking ill of another + against whom he has a grudge: 'Spite never spoke well.' (Moran: + Carlow.)</p> + + <p>Don't encroach too much on a privilege or it may be withdrawn: don't + ask too much or you may get nothing at all:—'Covetousness bursts + the bag.'</p> + + <p>Three things not to be trusted—a cow's horn, a dog's tooth, and + a horse's hoof.</p> + + <p>Three disagreeable things at home:—a scolding wife; a squalling + child; and a smoky chimney.</p> + + <p>Three good things to have. I heard this given as a toast exactly as I + give it here, by a fine old gentleman of the old times:—'Here's + that we may always have a <i>clane</i> shirt; a <i>clane</i> conscience; + and a guinea in our pocket.' <!-- Page 111 --><span class="pagenum"><a + name="page111"></a>{111}</span></p> + + <p>Here is another toast. A happy little family party round the farmer's + fire with a big jug on the table (a jug of what, do you think?) The old + blind piper is the happiest of all, and holding up his glass + says:—'Here's, if this be war may we never have peace.' (Edw. + Walsh.)</p> + + <p>Three things no person ever saw:—a highlander's kneebuckle, a + dead ass, a tinker's funeral.</p> + + <p>'Take care to lay by for the sore foot': i.e., Provide against + accidents, against adversity or want; against the rainy day.</p> + + <p>When you impute another person's actions to evil or unworthy motives: + that is 'measuring other people's corn in your own bushel.'</p> + + <p>A person has taken some unwise step: another expresses his intention + to do a similar thing, and you say:—'One fool is enough in a + parish.'</p> + + <p>In the middle of last century, the people of Carlow and its + neighbourhood prided themselves on being able to give, on the spur of the + moment, toasts suitable to the occasion. Here is one such: 'Here's to the + herring that never took a bait'; a toast reflecting on some person + present who had been made a fool of in some transaction. (Moran: + Carlow.)</p> + + <p>'A man cannot grow rich without his wife's leave': as much as to say, + a farmer's wife must co-operate to ensure success and prosperity. (Moran: + Carlow.)</p> + + <p>When something is said that has a meaning under the surface the remark + is made 'There's gravel in that.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Pity people barefoot in cold frosty weather,</p> + <p>But don't make them boots with other people's leather.'</p> + </div> + </div> + +<p><!-- Page 112 --><span class="pagenum"><a name="page112"></a>{112}</span></p> + + <p>That is to say: don't be generous at other people's expense. Many + years ago this proverb was quoted by the late Serjeant Armstrong in + addressing a jury in Wicklow.</p> + + <p>'A wet night: a dry morning': said to a man who is + <i>craw-sick</i>—thirsty and sick—after a night's boozing. + (Moran: Carlow.)</p> + + <p>This last reminds me of an invitation I once got from a country + gentleman to go on a visit, holding out as an inducement that he would + give me 'a dry bed and a wet bottle.'</p> + + <p>'If he's not fishing he's mending his nets': said of a man who always + makes careful preparations and lays down plans for any enterprise he may + have in view.</p> + + <p>'If he had a shilling in his pocket it would burn a hole through it': + said of a man who cannot keep his money together—a spendthrift.</p> + + <p>'A bird with one wing can't fly': said to a person to make him take a + second glass. (Moran: Carlow.)</p> + + <p>Protect your rights: 'Don't let your bone go with the dog.'</p> + + <p>'An old dog for a hard road': said in commendation of a wary person + who has overcome some difficulty. <i>Hard</i> in this proverb means + 'difficult.' (Moran: Carlow.)</p> + + <p>'No use sending a boy on a man's errand': Don't be satisfied with + inadequate steps when undertaking a difficult work: employ a sure person + to carry out a hard task.</p> + + <p>Oh however he may have acted towards you he has been a good friend to + me at any rate; and I go by the old saying, 'Praise the ford as you find + it.' This <!-- Page 113 --><span class="pagenum"><a + name="page113"></a>{113}</span>proverb is a translation from the Irish. + It refers to a time when bridges were less general than now; and rivers + were commonly crossed by fords—which were sometimes safe, sometimes + dangerous, according to the weather.</p> + + <p>'Threatened dogs live long.' Abuses often go on for a long time, + though people are constantly complaining and threatening to correct them. + (Ulster.)</p> + + <p>He who expects a legacy when another man dies thinks the time long. + 'It is long waiting for a dead man's boots.' (Moran: Carlow.)</p> + + <p>A person waiting impatiently for something to come on always thinks + the time longer than usual:—'A watched pot never boils.'</p> + + <p>'A poor man must have a poor wedding': people must live according to + their means.</p> + + <p>'I could carry my wet finger to him': i.e. he is here present, but I + won't name him.</p> + + <p>'Oh that's all <i>as I roved out</i>': to express unbelief in what + someone says as quite unworthy of credit. In allusion to songs beginning + 'As I roved out,' which are generally fictitious.</p> + + <p>'Your father was a bad glazier': said to a person who is standing in + one's light.</p> + + <p>'As the old cock crows the young cock learns': generally applied to a + son who follows the evil example of his father.</p> + + <p>A person remarks that the precautions you are taking in regard to a + certain matter are unnecessary or excessive, and you reply 'Better be + sure than sorry.'</p> + + <p>'She has a good many nicks in her horn': said of a girl who is + becoming an old maid. A cow is said to have a nick in her horn for every + year. <!-- Page 114 --><span class="pagenum"><a + name="page114"></a>{114}</span></p> + + <p>A man of property gets into hopeless debt and difficulty by neglecting + his business, and his creditors sell him out. 'Well, how did he get out + of it?' asks a neighbour. 'Oh, he got out of it just by a break-up, <i>as + Katty got out of the pot</i>.' This is how Katty got out of the pot. One + day at dinner in the kitchen Katty Murphy the servant girl sat down on a + big pot (as I often saw women do)—for seats were scarce; and in the + middle of the dinner, through some incautious movement, down she went. + She struggled to get up, but failed. Then the others came to help her, + and tugged and pulled and tried in every way, but had to give it up; till + at last one of them brought a heavy hammer, and with one blow made + smithereens of the pot.</p> + + <p>'Putting a thing on the long finger' means postponing it.</p> + + <p>On the evil of procrastination:—'<i>Time enough</i> lost the + ducks.' The ducks should have been secured at once as it was known that a + fox was prowling about. But they were not, and——</p> + + <p>'<i>Will you</i> was never a good fellow.' The bad fellow says 'Will + you have some lunch?' (while there is as yet nothing on the table), on + the chance that the visitor will say 'No, thank you.' The good hospitable + man asks no questions, but has the food brought up and placed before the + guest.</p> + + <p>'Cut the <i>gad</i> next the throat': that is to say, attend to the + most urgent need first. You find a man hanging by a <i>gad</i> (withe), + and you cut him down to save him. Cutting the <i>gad</i> next the throat + explains itself.</p> + + <p>When a work must be done slowly:—'I will do <!-- Page 115 + --><span class="pagenum"><a name="page115"></a>{115}</span>it by degrees + as lawyers go to heaven.' (Moran: Carlow.)</p> + + <p>'That's not a good fit,' as the serpent said when he swallowed a buck + goat, horns and all.</p> + + <p>Time and patience would bring a snail to America.</p> + + <p>'The cold stone leaves the water on St. Patrick's Day.' About the 17th + March (St. Patrick's Day), the winter's cold is nearly gone, and the + weather generally takes a milder turn.</p> + + <p>'There are more turners than dishmakers'; meaning, there may be many + members of a profession, but only few of them excel in it: usually + pointed at some particular professional man, who is considered not + clever. It is only the most skilful turners that can make wooden + dishes.</p> + + <p>A person who talks too much cannot escape saying things now and then + that would be better left unsaid:—'The mill that is always going + grinds coarse and fine.'</p> + + <p>'If you lie down with dogs you will get up with fleas': if you keep + company with bad people you will contract their evil habits. (Moran: + Carlow.)</p> + + <p>If you do a kindness don't mar it by any unpleasant drawback: in other + words do a kind act graciously:—'If you give away an old coat don't + cut off the buttons.'</p> + + <p>Two good things:—A young man courting, an old man smoking: Two + bad things:—An old man courting, a young man smoking. (MacCall: + Wexford.)</p> + + <p>What is the world to a man when his wife is a widow.</p> + + <p>Giving help where it is needed is 'helping the lame dog over the + stile.' <!-- Page 116 --><span class="pagenum"><a + name="page116"></a>{116}</span></p> + + <p>'Leave him to God': meaning don't you attempt to punish him for the + injury he has done you: let God deal with him. Often carried too far + among us.</p> + + <p>A hard man at driving a bargain:—'He always wants an egg in the + penn'orth.' (Kildare.)</p> + + <p>A satirical expression regarding a close-fisted ungenerous + man:—'If he had only an egg he'd give you the shell.' + (Kildare.)</p> + + <p>A man wishes to say to another that they are both of about the same + age; and this is how he expresses it:—'When I die of old age you + may quake with fear.' (Kildare.)</p> + + <p>Speaking of a man with more resources than one:—'It wasn't on + one leg St. Patrick came to Ireland.'</p> + + <p>When there is a prospect of a good harvest, or any mark of + prosperity:—'That's no sign of small potatoes.' (Kildare.)</p> + + <p>Your friend is in your pocket. (Kildare.)</p> + + <p>[As a safe general principle]:—'If anybody asks you, say you + don't know.'</p> + + <p>'A good run is better than a bad stand.' When it becomes obvious that + you cannot defend your position (whatever it is), better yield than + encounter certain defeat by continuing to resist. (Queenstown.)</p> + + <p>A man depending for success on a very uncertain + contingency:—'God give you better meat than a running hare.' + (Tyrone.)</p> + + <p>To express the impossibility of doing two inconsistent things at the + same time:—'You can't whistle and chaw meal.' <!-- Page 117 + --><span class="pagenum"><a name="page117"></a>{117}</span></p> + + <p>A man who has an excess of smooth plausible talk is 'too sweet to be + wholesome.'</p> + + <p>'The fox has a good name in his own parish.' They say that a fox does + not prey on the fowls in his own neighbourhood. Often said of a rogue + whose friends are trying to <i>whitewash</i> him.</p> + + <p>'A black hen lays white eggs.' A man with rough manners often has a + gentle heart and does kindly actions.</p> + + <p>Much in the same sense:—'A crabtree has a sweet blossom.'</p> + + <p>A person who has smooth words and kind professions for others, but + never acts up to them, 'has a hand for everybody but a heart for nobody.' + (Munster.)</p> + + <p>A person readily finds a lost article when it is missed, and is + suspected to have hidden it himself:—'What the Pooka writes he can + read.' (Munster.)</p> + + <p>A man is making no improvement in his character or circumstances but + rather the reverse as he advances in life:—'A year older and a year + worse.'</p> + + <p>'A shut mouth catches no flies.' Much the same as the English 'Speech + is silvern, silence is golden.'</p> + + <p>To the same effect is 'Hear and see and say nothing.'</p> + + <p>A fool and his money are easily parted.</p> + + <p>Oh I see you expect that Jack (a false friend) will stand at your + back. Yes, indeed, 'he'll stand at your back while your nose is + breaking.'</p> + + <p>'You wouldn't do that to your match' as Mick Sheedy said to the fox. + Mick Sheedy the gamekeeper had a hut in the woods where he often took + <!-- Page 118 --><span class="pagenum"><a + name="page118"></a>{118}</span>shelter and rested and smoked. One day + when he had arrived at the doorway he saw a fox sitting at the little + fire warming himself. Mick instantly spread himself out in the doorway to + prevent escape. And so they continued to look at each other. At last + Reynard, perceiving that some master-stroke was necessary, took up in his + mouth one of a fine pair of shoes that were lying in a corner, brought it + over, and deliberately placed it on the top of the fire. We know the + rest! (Limerick.)</p> + + <p>'There's a hole in the house'; meant to convey that there is a + tell-tale listening. (Meath.)</p> + + <p>We are inclined to magnify distant or only half known things: 'Cows + far off have long horns.'</p> + + <p>'He'll make Dungarvan shake': meaning he will do great things, cut a + great figure. Now generally said in ridicule. (Munster.)</p> + + <p>A man is told something extraordinary:—'That takes the coal off + my pipe'; i.e. it surpasses all I have seen or heard.</p> + + <p>A man fails to obtain something he was looking after—a house or + a farm to rent—a cow to buy—a girl he wished to marry, + &c.—and consoles himself by reflecting or + saying:—'There's as good fish in the <i>say</i> as ever was + caught.'</p> + + <p>Well, you were at the dance yesterday—who were there? Oh 'all + the world and Garrett Reilly' were there. (Wicklow and Waterford.)</p> + + <p>When a fellow puts on empty airs of great consequence, you say to him, + 'Why you're <i>as grand as Mat Flanagan with the cat</i>': always said + contemptuously. Mat Flanagan went to London one time. After two years he + came home on a visit; but he was <!-- Page 119 --><span + class="pagenum"><a name="page119"></a>{119}</span>now transformed into + such a mass of grandeur that he did not recognise any of the old + surroundings. He didn't know what the old cat was. 'Hallo, mother,' said + he with a lofty air and a killing Cockney accent, 'What's yon long-tailed + fellow in yon <i>cawner</i>?'</p> + + <p>A person reproaching another for something wrong says:—'The back + of my hand to you,' as much as to say 'I refuse to shake hands with + you.'</p> + + <p>To a person hesitating to enter on a doubtful enterprise which looks + fairly hopeful, another says:—Go on Jack, try your fortune: 'faint + heart never won fair lady.'</p> + + <p>A person who is about to make a third and determined attempt at + anything exclaims (in assonantal rhyme):—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'First and second go alike:</p> + <p>The third throw takes the bite.'</p> + </div> + </div> + + <p>I express myself confident of outwitting or circumventing a certain + man who is notoriously cautious and wide-awake, and the listener says to + me:—'Oh, what a chance you have—<i>catch a weasel asleep</i>' + (general).</p> + + <p>In connexion with this may be given another proverb: of a notoriously + wide-awake cautious man, it is said:—'He sleeps a hare's + sleep—with one eye open.' For it was said one time that weasels + were in the habit of sucking the blood of hares in their sleep; and as + weasels had much increased, the hares took to the plan of sleeping with + one eye at a time; 'and when that's rested and <i>slep</i> enough, they + open it and shut the other.' (From 'The Building of Mourne,' by Dr. + Robert Dwyer Joyce.) <!-- Page 120 --><span class="pagenum"><a + name="page120"></a>{120}</span></p> + + <p>This last perpetuates a legend as old as our literature. In one of the + ancient Irish classical tales, the story is told of a young lady so + beautiful that all the young chiefs of the territory were in love with + her and laying plans to take her off. So her father, to defeat them, + slept with only one eye at a time.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER IX.</h3> + +<p class="cenhead">EXAGGERATION AND REDUNDANCY.</p> + + <p>I have included both in this Chapter, for they are nearly related; and + it is often hard to draw a precise line of distinction.</p> + + <p>We in Ireland are rather prone to exaggeration, perhaps more so than + the average run of peoples. Very often the expressions are jocose, or the + person is fully conscious of the exaggeration; but in numerous cases + there is no joke at all: but downright seriousness: all which will be + seen in the following examples.</p> + + <p>A common saying about a person of persuasive tongue or with a + beautiful voice in singing:—'He would coax the birds off the + bushes.' This is borrowed from the Irish. In the 'Lament of Richard + Cantillon' (in Irish) he says that at the musical voice of the lady 'the + seals would come up from the deep, the stag down from the mist-crag, and + the thrush from the tree.' (Petrie: 'Anc. Mus. of Ireland.')</p> + + <p>Of a noted liar and perjurer it was said 'He would swear that a coal + porter was a canary.' <!-- Page 121 --><span class="pagenum"><a + name="page121"></a>{121}</span></p> + + <p>A man who is unlucky, with whom everything goes wrong:—'If that + man got a hen to hatch duck eggs, the young ducks would be drowned.' Or + again, 'If that man sowed oats in a field, a crop of turnips would come + up.' Or: 'He is always in the field when luck is on the road.'</p> + + <p>The following expression is often heard:—'Ah, old James Buckley + is a fine piper: <i>I'd give my eyes</i> to be listening to him.'</p> + + <p>That fellow is so dirty that if you flung him against a wall he'd + stick. (Patterson: Ulster.)</p> + + <p>Two young men are about to set off to seek their fortunes, leaving + their young brother Rory to stay with their mother. But Rory, a hard + active merry cute little fellow, proposes to go with them:—'I'll + follow ye to the world's end.' On which the eldest says to him—a + half playful threat:—'You presumptious little atomy of a barebones, + if I only see the size of a thrush's ankle of you follyin' us on the + road, I'll turn back and bate that wiry and freckled little carcase of + yours into frog's-jelly!' (Robert Dwyer Joyce: 'The Building of + Mourne.')</p> + + <p>'Did Johnny give you any of his sugar-stick?' 'Oh not very much + indeed: hardly the size of a thrush's ankle.' This term is often + used.</p> + + <p>Of a very morose sour person you will hear it said:—'If that man + looked at a pail of new milk he'd turn it into curds and whey.'</p> + + <p>A very thin man, or one attenuated by sickness:—'You could blow + him off your hand.'</p> + + <p>A poor fellow complains of the little bit of meat he got for his + dinner:—'It was no more than a daisy in a bull's mouth!' Another + says of <i>his</i> dinner <!-- Page 122 --><span class="pagenum"><a + name="page122"></a>{122}</span>when it was in his stomach:—'It was + no more than a midge in the Glen of the Downs.'</p> + + <p>Exhorting a messenger to be quick:—'Don't be there till you're + back again.' Another way:—'Now run as quick as you can, and if you + fall don't wait to get up.' Warning a person to be expeditious in any + work you put him to:—'Now don't let grass grow under your feet.' + Barney urging on the ass to go quickly:—'Come Bobby, don't let + grass grow under your feet.' ('Knocknagow.')</p> + + <p>If a person is secretly very willing to go to a place—as a lover + to the house of the girl's parents:—'You could lead him there with + a halter of snow.'</p> + + <p>'Is this razor sharp?' 'Sharp!—why <i>'twould shave a mouse + asleep</i>.'</p> + + <p>A lazy fellow, fond of sitting at the fire, <i>has the A B C on his + shins</i>, i.e. they are blotched with the heat.</p> + + <p>Of an inveterate talker:—That man would talk the teeth out of a + saw.</p> + + <p>A young fellow gets a great fright:—'It frightened him out of a + year's growth.'</p> + + <p>When Nancy saw the master so angry she was frightened out of her wits: + or frightened out of her seven senses. When I saw the horse ride over him + I was frightened out of my life.</p> + + <p>A great liar, being suddenly pressed for an answer, told the truth for + once. He told the truth because he was <i>shook</i> for a lie; i.e. no + lie was ready at hand. <i>Shook</i>, to be bad, in a bad way: shook for a + thing, to be badly in want of it and not able to get it.</p> + + <p>Of a very lazy fellow:—He would not knock a coal off his foot: + i.e. when a live coal happens to <!-- Page 123 --><span + class="pagenum"><a name="page123"></a>{123}</span>fall on his foot while + sitting by the fire, he wouldn't take the trouble to knock it off.</p> + + <p>Says the dragon to Manus:—'If ever I see you here again I'll + hang a quarter of you on every tree in the wood.' (Crofton Croker.)</p> + + <p>If a person is pretty badly hurt, or suffers hardship, he's + <i>kilt</i> (killed): a fellow gets a fall and his friend comes up to + inquire:—'Oh let me alone I'm kilt and speechless.' I heard a + Dublin nurse say, 'Oh I'm kilt minding these four children.' 'The bloody + throopers are coming to kill and quarther an' murther every mother's sowl + o' ye.' (R. D. Joyce.) The parlour bell rings impatiently for the third + time, and Lowry Looby the servant says, 'Oh murther there goes the bell + again, I'll be kilt entirely.' (Gerald Griffin.) If a person is really + badly hurt he's <i>murthered entirely</i>. A girl telling about a fight + in a fair:—'One poor boy was kilt dead for three hours on a car, + breathing for all the world like a corpse!'</p> + + <p>If you don't stop your abuse I'll give you a shirt full of sore + bones.</p> + + <p>Yes, poor Jack was once well off, but now he hasn't as much money as + would jingle on a tombstone.</p> + + <p>That cloth is very coarse: why you could shoot straws through it.</p> + + <p>Strong dislike:—I don't like a bone in his body.</p> + + <p>'Do you know Bill Finnerty well?' 'Oh indeed I know every bone in his + body,' i.e. I know him and all his ways intimately.</p> + + <p>A man is low stout and very fat: if you met him in the street you'd + rather jump over him than walk round him. <!-- Page 124 --><span + class="pagenum"><a name="page124"></a>{124}</span></p> + + <p>He knew as much Latin as if he swallowed a dictionary. (Gerald + Griffin.)</p> + + <p>The word <i>destroy</i> is very often used to characterize any + trifling damage easily remedied:—That car splashed me, and my coat + is all destroyed.</p> + + <p>'They kept me dancin' for 'em in the kitchen,' says Barney Broderick, + 'till I hadn't a leg to put under me.' ('Knocknagow.')</p> + + <p>This farm of mine is as bad land as ever a crow flew over.</p> + + <p>He's as great a rogue as ever stood in shoe-leather.</p> + + <p>When Jack heard the news of the money that was coming to him he was + <i>jumping out of his skin</i> with delight.</p> + + <p>I bought these books at an auction, and I got them for a song: in fact + I got them for half nothing.</p> + + <p>Very bad slow music is described as <i>the tune the old cow died + of</i>.</p> + + <p>A child is afraid of a dog: '<i>Yerra</i> he won't touch you': meaning + 'he won't bite you.'</p> + + <p>A man having a very bad aim in shooting:—'He wouldn't hit a hole + in a ladder.'</p> + + <p>Carleton's blind fiddler says to a young girl: 'You could dance <i>the + Colleen dhas dhown</i> [a jig] upon a spider's cobweb without breaking + it.'</p> + + <p>An ill-conducted man:—'That fellow would shame a field of + tinkers.' The tinkers of sixty years ago, who were not remarkable for + their honesty or good conduct, commonly travelled the country in + companies, and camped out in fields or wild places.</p> + + <p>I was dying to hear the news; i.e. excessively anxious. <!-- Page 125 + --><span class="pagenum"><a name="page125"></a>{125}</span></p> + + <p>Where an Englishman will say 'I shall be pleased to accept your + invitation,' an Irishman will say 'I will be delighted to accept,' + &c.</p> + + <p>Mick Fraher is always eating garlick and his breath has a terrible + smell—a smell of garlick strong enough to hang your hat on.</p> + + <p>A mean thief:—He'd steal a halfpenny out of a blind beggarman's + hat. (P. Reilly: Kild.)</p> + + <p>A dexterous thief:—He'd steal the sugar out of your punch.</p> + + <p>An inveterate horse thief:—Throw a halter in his grave and he'll + start up and steal a horse.</p> + + <p>Of an impious and dexterous thief:—'He'd steal the cross off an + ass's back,' combining skill and profanation. According to the religious + legend the back of the ass is marked with a cross ever since the day of + our Lord's public entry into Jerusalem upon an ass.</p> + + <p>A man who makes unreasonably long visits—who outstays his + welcome:—'If that man went to a wedding he'd wait for the + christening.'</p> + + <p>I once asked a young Dublin lady friend was she angry at not getting + an invitation to the party: 'Oh I was fit to be tied.' A common + expression among us to express great indignation.</p> + + <p>A person is expressing confidence that a certain good thing will + happen which will bring advantage to everyone, but which after all is + very unlikely, and someone replies:—'Oh yes: when the sky falls + we'll all catch larks.'</p> + + <p>A useless unavailing proceeding, most unlikely to be attended with any + result, such as trying to persuade a person who is obstinately bent on + having his <!-- Page 126 --><span class="pagenum"><a + name="page126"></a>{126}</span>own way:—'You might as well be + whistling jigs to a milestone' [expecting it to dance].</p> + + <p>'Would you know him if you saw him?' 'Would I know him!—why I'd + know his skin in a tan-yard'—'I'd know his shadow on a + furze-bush!'</p> + + <p>A person considered very rich:—That man is <i>rotten with + money</i>. He doesn't know what to do with his money.</p> + + <p>You gave me a great start: you put the heart across in me: my heart + jumped into my mouth. The people said that Miss Mary Kearney put the + heart across in Mr. Lowe, the young Englishman visitor. + ('Knocknagow.')</p> + + <p>I heard Mat Halahan the tailor say to a man who had just fitted on a + new coat:—That coat fits you just as if you were melted into + it.</p> + + <p>He is as lazy as the dog that always puts his head against the wall to + bark. (Moran: Carlow.)</p> + + <p>In running across the field where the young people were congregated + Nelly Donovan trips and falls: and Billy Heffernan, running up, + says:—'Oh Nelly did you fall: come here till I take you up.' + ('Knocknagow.')</p> + + <p>'The road flew under him,' to express the swiftness of a man galloping + or running afoot.</p> + + <p>Bessie Morris was such a flirt that Barney Broderick said she'd coort + a haggard of sparrows. ('Knocknagow.')</p> + + <div class="poem"> + <div class="stanza"> + <p>I wish I were on yonder hill,</p> + <p class="hg1">'Tis there I'd sit and cry my fill,</p> + <p>Till ev'ry tear would turn a mill.</p> + </div> + + <div class="stanza"> + <p>(<i>Shool Aroon</i>: 'Old Irish Folk Song.')</p> + </div> + </div> + +<p><!-- Page 127 --><span class="pagenum"><a name="page127"></a>{127}</span></p> + + <p>But after all this is not half so great an exaggeration as what the + cultivated English poet wrote:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="i12">I found her on the floor</p> + <p>In all the storm of grief, yet beautiful,</p> + <p>Pouring forth tears at such a lavish rate,</p> + <p>That were the world on fire it might have drowned</p> + <p>The wrath of Heaven and quenched the mighty ruin.</p> + </div> + </div> + + <p>A great dandy wears his hat on three hairs of his head.</p> + + <p>He said such funny things that the company were <i>splitting their + sides</i> laughing.</p> + + <p>Matt Donovan (in 'Knocknagow') says of his potatoes that had fine + stalks but little produce—<i>desavers</i> as he called + them—Every stalk of 'em would make a rafter for a house. But put + the best man in the parish to dig 'em and a duck would swallow all he'd + be able to turn out from morning till night.</p> + + <p>Sometimes distinct numbers come in where they hardly apply. Not long + ago I read in an article in the 'Daily Mail' by Mr. Stead, of British + 'ships all over the seven seas.' So also here at home we read 'round the + four seas of Ireland' (which is right enough): and 'You care for nothing + in the world but your own four bones' (i.e. nothing but yourself). 'Come + on then, old beer-swiller, and try yourself against the four bones of an + Irishman' (R. D. Joyce: 'The House of Lisbloom.') <i>Four bones</i> in + this sense is very common.</p> + + <p>A person meeting a friend for the first time after a long interval + says 'Well, it's a cure for sore eyes to see you.' 'I haven't seen you + now for a month of <!-- Page 128 --><span class="pagenum"><a + name="page128"></a>{128}</span>Sundays,' meaning a long time. <i>A month + of Sundays</i> is thirty-one Sundays—seven or eight months.</p> + + <p>Said jokingly of a person with very big feet:—He wasn't behind + the door anyway when the feet were giving out.</p> + + <p>When a man has to use the utmost exertion to accomplish anything or to + escape a danger he says: 'That business put me to the pin of my collar.' + The allusion is to a fellow whose clothes are falling off him for want of + buttons and pins. At last to prevent the final catastrophe he has to pull + out the brass pin that fastens his collar and pin waistcoat and + trousers-band together.</p> + + <p>A poor woman who is about to be robbed shrieks out for help; when the + villain says to her:—'Not another word or I'll stick you like a pig + and give you your guts for garters.' ('Ir. Penny Magazine.')</p> + + <p>A man very badly off—all in rags:—'He has forty-five ways + of getting into his coat now.' (MacCall: Wexford.)</p> + + <p>A great miser—very greedy for money:—He heard the money + jingling in his mother's pockets before he was born. (MacCall: + Wexford.)</p> + + <div class="poem"> + <div class="stanza"> + <p>A drunken man is a terrible curse,</p> + <p>But a drunken woman is twice as worse;</p> + <p class="i2">For she'd drink Lough Erne dry.</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">MacCall.</span>)</p> + </div> + </div> + + <p>To a person who habitually uses unfortunate blundering + expressions:—'You never open your mouth but you put your foot in + it.'</p> + + <p>A girl to express that it is unlikely she will ever be married says: + 'I think, miss, my husband's intended mother died an old maid.' + ('Penelope in Ireland.') <!-- Page 129 --><span class="pagenum"><a + name="page129"></a>{129}</span></p> + + <p>A young man speaking of his sweetheart says, in the words of the old + song:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I love the ground she walks upon, <i>mavourneen gal mochree</i>'</p> + <p>(thou fair love of my heart).</p> + </div> + </div> + + <p>A conceited pompous fellow approaches:—'Here comes <i>half the + town</i>!' A translation from the Irish <i>leath an bhaile</i>.</p> + + <p>Billy Heffernan played on his fife a succession of jigs and reels that + might 'cure a paralytic' [and set him dancing]. ('Knocknagow.')</p> + + <p>In 'Knocknagow' Billy Heffernan being requested to play on his fife + longer than he considered reasonable, asked did they think that he had + the bellows of Jack Delany the blacksmith in his stomach?</p> + + <p>Said of a great swearer:—'He'd swear a hole in an iron pot.'</p> + + <p>Of another:—'He'd curse the bladder out of a goat.'</p> + + <p>Of still another:—'He could quench a candle at the other side of + the kitchen with a curse.'</p> + + <p>A person is much puzzled, or is very much elated, or his mind is + disturbed for any reason:—'He doesn't know whether it is on his + head or his heels he's standing.</p> + + <p>A penurious miserable creature who starves himself to hoard + up:—He could live on the smell of an oil-rag. (Moran: Carlow.)</p> + + <p>A man complaining that he has been left too long fasting + says:—'My stomach will think that my throat is cut.' (MacCall: + Wexford.)</p> + + <p>'Do you like the new American bacon?' 'Oh not at all: I tried it once + and that's enough for me: <i>I</i> <!-- Page 130 --><span + class="pagenum"><a name="page130"></a>{130}</span><i>wouldn't touch it + with a tongs.</i>' Very common and always used in depreciation as + here.</p> + + <p>We in Ireland are much inclined to redundancy in our speech. It is + quite observable—especially to an outsider—that even in our + ordinary conversation and in answering simple questions we use more words + than we need. We hardly ever confine ourselves to the simple English + <i>yes</i> or <i>no</i>; we always answer by a statement. 'Is it raining, + Kitty?' 'Oh no sir, it isn't raining at all.' 'Are you going to the fair + to-day?' 'No indeed I am not.' 'Does your father keep on the old business + still?' 'Oh yes certainly he does: how could he get on without it?' 'Did + last night's storm injure your house?' 'Ah you may well say it did.' A + very distinguished Dublin scholar and writer, having no conscious + leanings whatever towards the Irish language, mentioned to me once that + when he went on a visit to some friends in England they always observed + this peculiarity in his conversation, and often laughed at his roundabout + expressions. He remarked to me—and an acute remark it + was—that he supposed there must be some peculiarity of this kind in + the Irish language; in which conjecture he was quite correct. For this + peculiarity of ours—like many others—is borrowed from the + Irish language, as anyone may see for himself by looking through an Irish + book of question and answer, such as a Catechism. 'Is the Son God?' 'Yes + certainly He is.' 'Will God reward the good and punish the wicked?' + 'Certainly: there is no doubt He will.' 'Did God always exist?' 'He did; + because He has neither beginning nor end.' And questions and answers like + these—from Donlevy's <!-- Page 131 --><span class="pagenum"><a + name="page131"></a>{131}</span>Irish Catechism for instance—might + be given to any length.</p> + + <p>But in many other ways we show our tendency to this wordy + overflow—still deriving our mannerism from the Irish + language—that is to say, from modern and middle Irish. For in very + old Irish—of the tenth, eleventh, and earlier centuries for + instance, the tendency is the very reverse. In the specimens of this very + old language that have come down to us, the words and phrases are so + closely packed, that it is impossible to translate them either into + English or Latin by an equal number of words.<a name="NtA3" + href="#Nt3"><sup>[3]</sup></a> But this old language is too far off from + us to have any influence in our present every-day English speech; and, as + already remarked, we derive this peculiarity from modern Irish, or from + middle Irish through modern. Here is a specimen in translation of + over-worded modern Irish (Battle of Gavra, p. 141), a type of what was + very common:—'Diarmuid himself [fighting] continued in the + enjoyment of activity, strength, and vigour, without intermission of + action, of weapons, or of power; until at length he dealt a full stroke + of his keen hard-tempered sword on the king's head, by which he clove the + skull, and by a second stroke swept his head off his huge body.' Examples + like this, from Irish texts, both modern and middle, might be multiplied + to any extent.</p> + +<p><!-- Page 132 --><span class="pagenum"><a name="page132"></a>{132}</span></p> + + <p>But let us now have a look at some of our Anglo-Irish redundancies, + mixed up as they often are with exaggeration. A man was going to dig by + night for a treasure, which of course had a supernatural guardian, like + all hidden treasures, and what should he see running towards him but 'a + great big red mad bull, with fire flaming out of his eyes, mouth, and + nose.' (Ir. Pen. Mag.) Another man sees a leprechaun walking up to + him—'a weeny deeny dawny little atomy of an idea of a small taste + of a gentleman.' (<i>Ibid.</i>) Of a person making noise and uproar you + will be told that he was roaring and screeching and bawling and making a + terrible hullabulloo all through the house.</p> + + <p>Of an emaciated poor creature—'The breath is only just in and + out of him, and the grass doesn't know of him walking over it.'</p> + + <p>'The gentlemen are not so pleasant <i>in themselves</i>' [now as they + used to be]. (Gerald Griffin.) Expressions like this are very often + heard: 'I was dead in myself,' i.e., I felt dull and lifeless.</p> + + <p>[Dermot struck the giant and] 'left him dead without life.' ('Dermot + and Grainne.') Further on we find the same expression—<i>marbh gan + anam</i>, dead without life. This Irish expression is constantly heard in + our English dialect: 'he fell from the roof and was <i>killed + dead</i>.'</p> + + <div class="poem"> + <div class="stanza"> + <p>Oh brave King Brian, he knew the way</p> + <p>To keep the peace and to make the hay:</p> + <p>For those who were bad he cut off their head;</p> + <p>And those who were worse he killed them dead.</p> + </div> + </div> + + <p>Similarly the words 'dead and buried' are used all through + Munster:—Oh indeed poor Jack Lacy is <!-- Page 133 --><span + class="pagenum"><a name="page133"></a>{133}</span>dead and buried for the + last two years: or 'the whole family are dead and gone these many + years.'</p> + + <p>A very common Irish expression is 'I invited <i>every single one</i> + of them.' This is merely a translation from Irish, as we find in + 'Gabhra':—<i>Do bhéarmaois gach aon bhuadh</i>: we were wont to win + every single victory.</p> + + <p>'We do not want any single one of them,' says Mr. Hamilton Fyfe + ('Daily Mail'). He puts the saying into the mouth of another; but the + phraseology is probably his own: and at any rate I suppose we may take it + as a phrase from Scotch Gaelic, which is all but the same as Irish + Gaelic.</p> + + <p>Emphatic particles and words, especially the pronouns with + <i>self</i>, are often used to excess. I heard a highly educated + fellow-countryman say, 'I must say myself that I don't believe it': and I + am afraid I often use such expressions myself. 'His companions remained + standing, but he found it more convenient to sit down himself.' A writer + or speaker has however to be on his guard or he may be led into a trap. A + writer having stated that some young ladies attended a cookery-class, + first merely looking on, goes on to say that after a time they took part + in the work, and soon learned <i>to cook themselves</i>.</p> + + <p>I once heard a man say:—'I disown the whole family, <i>seed, + breed and generation</i>.' Very common in Ireland. Goldsmith took the + expression from his own country, and has immortalised it in his essay, + 'The Distresses of a Common Soldier.'</p> + + <p>He was on the tip-top of the steeple—i.e., the very top. This + expression is extended in application: that <!-- Page 134 --><span + class="pagenum"><a name="page134"></a>{134}</span>meadow is tip-top, + i.e., very excellent: he is a tip-top hurler. 'By no means' is sometimes + expanded:—'I asked him to lend me a pound, but he answered that + <i>by no manner of means</i> would he do any such thing.'</p> + + <p>'If you do that you'll be crying down salt tears,' i.e., 'you'll + deeply regret it.' <i>Salt tears</i> is however in Shakespeare in the + same sense. ('Hen. VI.')</p> + + <p>'Down with you now on your two bended knees and give thanks to + God.'</p> + + <p>If you don't stop, I'll wring the head off o' your neck. (Rev. Maxwell + Close.)</p> + + <p>The roof of the house fell down on the top of him. (Father + Higgins.)</p> + + <p>The Irish <i>air sé</i> ('says he') is very often repeated in the + course of a narrative. It is correct in Irish, but it is often heard + echoed in our English where it is incorrect:—And says he to James + 'where are you going now?' says he.</p> + + <p>In a trial in Dublin a short time ago, the counsel asked of + witness:—'Now I ask you in the most solemn manner, had you hand, + act, or part in the death of Peter Heffernan?'</p> + + <p>A young man died after injuries received in a row, and his friend + says:—'It is dreadful about the poor boy: they made at him in the + house and killed him there; then they dragged him out on the road and + killed him entirely, so that he lived for only three days after. I + wouldn't mind if they shot him at once and put an end to him: but to be + murdering him like that—it is terrible.'</p> + + <p>The fairy says to Billy:—'I am a thousand years old to-day, and + I think it is time for me to get <!-- Page 135 --><span + class="pagenum"><a name="page135"></a>{135}</span>married.' To which + Billy replies:—'I think it is quite time without any kind of doubt + at all.' (Crofton Croker.)</p> + + <p>The squire walks in to Patrick's cabin: and Patrick says:—'Your + honour's honour is quite welcome entirely.' (Crofton Croker.)</p> + + <p>An expression you will often hear even in Dublin:—'Lend me the + loan of your umbrella.'</p> + + <p>'She doats down on him' is often used to express 'She is very fond of + him.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'So, my Kathleen, you're going to leave me</p> + <p class="i4">All alone by myself in this place.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Lady Dufferin.</span>)</p> + </div> + </div> + + <p>He went to America seven years ago, and from that day to this we have + never heard any tale or tidings of him.</p> + + <p>'Did he treat you hospitably?' 'Oh indeed he pretended to forget it + entirely, and I never took bit, bite, or sup in his house.' This form of + expression is heard everywhere in Ireland.</p> + + <p>We have in Ireland an inveterate habit—from the highest to the + lowest—educated and uneducated—of constantly interjecting the + words 'you know' into our conversation as a mere expletive, without any + particular meaning:—'I had it all the time, you know, in my pocket: + he had a seat, you know, that he could arrange like a chair: I was + walking, you know, into town yesterday, when I met your father.' 'Why in + the world did you lend him such a large sum of money?' 'Well, you know, + the fact is I couldn't avoid it.' This expression is often varied to + 'don't you know.'</p> + + <p>In Munster a question is often introduced by the <!-- Page 136 + --><span class="pagenum"><a name="page136"></a>{136}</span>words 'I don't + know,' always shortened to <i>I'd'no</i> (three syllables with the + <i>I</i> long and the <i>o</i> very short—barely sounded) 'I'd'no + is John come home yet?' This phrase you will often hear in Dublin from + Munster people, both educated and uneducated.</p> + + <p>'The t'other' is often heard in Armagh: it is, of course, + English:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Sirs,' cried the umpire, cease your pother,</p> + <p>The creature's neither one nor t'other.</p> + </div> + </div> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER X.</h3> + +<p class="cenhead">COMPARISONS.</p> + + <p>Some of the items in this chapter would fit very well in the last; but + this makes no matter; for 'good punch drinks well from either dandy or + tumbler.'</p> + + <p>You attempt in vain to bring a shameless coarse-minded man to a sense + of the evil he has done:—'Ye might as well put a blister on a + hedgehog.' (Tyrone.)</p> + + <p>You're as cross all this day as <i>a bag of cats</i>.</p> + + <p>If a man is inclined to threaten much but never acts up to his + threats—severe in word but mild in act:—His bark is worse + than his bite.</p> + + <p>That turf is as dry as a bone (very common in Munster.) + <i>Bone-dry</i> is the term in Ulster.</p> + + <p>When a woman has very thick legs, thick almost down to the feet, she + is 'like a Mullingar heifer, beef to the heels.' The plains of Westmeath + round Mullingar are noted for fattening cattle. <!-- Page 137 --><span + class="pagenum"><a name="page137"></a>{137}</span></p> + + <p>He died roaring like Doran's bull.</p> + + <p>A person restless, uneasy, fidgety, and impatient for the time being, + is 'like a hen on a hot griddle.'</p> + + <p>Of a scapegrace it is said he is past <i>grace</i> like a limeburner's + brogue (shoe). The point will be caught up when it is remembered that + <i>grease</i> is pronounced <i>grace</i> in Ireland.</p> + + <p>You're as blind as a bat.</p> + + <p>When a person is boastful—magnifies all his + belongings—'all his geese are swans.'</p> + + <p>She has a tongue that would <i>clip a hedge</i>. The tongue of another + would <i>clip clouts</i> (cut rags). (Ulster.)</p> + + <p>He went <i>as fast as hops</i>. When a fellow is hopping along on one + leg, he has to go fast, without stopping.</p> + + <p>Of a coarse ill-mannered man who uses unmannerly language:—'What + could you expect from a pig but a <i>grunt</i>.' (Carlow.)</p> + + <p>A person who seems to be getting smaller is growing down like a cow's + tail.</p> + + <p>Of a wiry muscular active man people say 'he's as hard as nails.'</p> + + <p>A person who acts inconsiderately and rudely without any restraint and + without respect for others, is 'like a bull in a china shop.'</p> + + <p>Of a clever artful schemer: 'If he didn't go to school he met the + scholars.'</p> + + <p>An active energetic person is 'all alive like a bag of fleas.'</p> + + <p>That man knows no more about farming <i>than a cow knows of a + holiday</i>.</p> + + <p>A tall large woman:—'That's a fine doorful of a woman.' + (MacCall: Wexford.) <!-- Page 138 --><span class="pagenum"><a + name="page138"></a>{138}</span></p> + + <p>He has a face as yellow as a kite's claw. (Crofton Croker: but heard + everywhere.)</p> + + <p>Jerry in his new clothes is as proud as a whitewashed pig. (MacCall: + Wexford.)</p> + + <p>That man is as old as a field. (Common in Tipperary.)</p> + + <p>'Are you well protected in that coat?' 'Oh yes I'm <i>as warm as + wool</i>.' (Very common in the south.)</p> + + <p>Idle for want of weft <i>like the Drogheda weavers</i>. Said of a + person who runs short of some necessary material in doing any work. + (Limerick.)</p> + + <p>I watched him as closely as a cat watches a mouse.</p> + + <p>He took up the book; but seeing the owner suddenly appear, he dropped + it <i>like a hot potato</i>.</p> + + <p>'You have a head and so has a pin,' to express contempt for a person's + understanding.</p> + + <p>How are your new stock of books selling? Oh they are <i>going like hot + cakes</i>. Hot cakes are a favourite viand, and whenever they are brought + to table disappear quickly enough.</p> + + <p>He's as poor as a church mouse.</p> + + <p>A person expressing love mockingly:—'Come into my heart and pick + sugar.'</p> + + <p>An extremely thin emaciated person is <i>like death upon wires</i>; + alluding to a human skeleton held together by wires.</p> + + <p>Oh you need never fear that Mick O'Brien will cheat you: <i>Mick is as + honest as the sun</i>.</p> + + <p>A person who does not persevere in any one study or pursuit, who is + perpetually changing about from one thing to another, is 'like a + daddy-long-legs dancing on a window.' <!-- Page 139 --><span + class="pagenum"><a name="page139"></a>{139}</span></p> + + <p>A bitter tongue that utters cutting words is like the keen wind of + March that blows at every side of the hedge.</p> + + <p>A person praising strong whiskey says:—I felt it like a + torchlight procession going down my throat.</p> + + <p>A man with a keen sharp look in his face:—'He has an eye like a + questing hawk.' Usually said in an unfavourable sense.</p> + + <p>If any commodity is supplied plentifully it is knocked about <i>like + snuff at a wake</i>. Snuff was supplied free at wakes; and the people + were not sparing of it as they got it for nothing.</p> + + <p>A chilly day:—'There's a stepmother's breath in the air.'</p> + + <p>Now Biddy clean and polish up those spoons and knives and forks + carefully; don't stop till you make them shine <i>like a cat's eye under + a bed</i>. (Limerick.)</p> + + <p>It is foolish to threaten unless you have—and show that you + have—full power to carry out your threats:—'Don't show your + teeth till you're able to bite.'</p> + + <p><i>Greasing the fat sow's lug</i>: i.e. giving money or presents to a + rich man who does not need them. (Kildare.)</p> + + <p>I went on a visit to Tom and he <i>fed me like a fighting + cock</i>.</p> + + <p>That little chap is as cute as a pet fox.</p> + + <p>A useless worthless fellow:—He's fit to mind mice at a + cross-roads. (Kildare.)</p> + + <p>How did he look? Oh he had a weaver's blush—pale cheek and a red + nose. (Wexford.)</p> + + <p>When a person clinches an argument, or puts a hard fact in opposition, + or a poser of any kind hard to answer:—'Put that in your pipe and + smoke it.' <!-- Page 140 --><span class="pagenum"><a + name="page140"></a>{140}</span></p> + + <p>'My stomach is as dry as a lime-burner's wig.' There were professional + lime-burners then: alas, we have none now.</p> + + <p>I want a drink badly: my throat is as dry as the pipe of Dick the + blacksmith's bellows.</p> + + <p>Poor Manus was terribly frightened; he stood shaking <i>like a dog in + a wet sack</i>. (Crofton Croker: but heard everywhere in Ireland.)</p> + + <p>'As happy as the days are long': that is to say happy while the days + last—uninterruptedly happy.</p> + + <p>Spending your money before you get it—going in debt till pay day + comes round: that's 'eating the calf in the cow's belly.'</p> + + <p>He hasn't as much land as would sod a lark; as much as would make a + sod for a lark in a cage.</p> + + <p>That fellow is <i>as crooked an a ram's horn</i>; i.e. he is a great + schemer. Applied also in general to anything crooked.</p> + + <p>'Do you mean to say he is a thief?' 'Yes I do; last year he stole + sheep <i>as often as he has fingers and toes</i>' (meaning very + often).</p> + + <p>You're as welcome as the flowers of May.</p> + + <p>'Biddy, are the potatoes boiling?' Biddy takes off the lid to look, + and replies 'The <i>white horses</i> are on 'em ma'am.' The <i>white + horses</i> are patches of froth on the top of the pot when the potatoes + are coming near boiling.</p> + + <p>That's as firm as the Rock of Cashel—as firm as the hob of + hell.</p> + + <p>That man would tell lies as fast as a horse would trot.</p> + + <p>A person who does his business briskly and energetically 'works like a + hatter'—'works like a <!-- Page 141 --><span class="pagenum"><a + name="page141"></a>{141}</span>nailer'—referring to the fussy way + of these men plying their trade.</p> + + <p>A conceited fellow having a dandy way of lifting and placing his legs + and feet in moving about 'walks like a hen in stubbles.'</p> + + <p>A person who is cool and collected under trying circumstances is 'as + cool as a cucumber.' Here the alliteration helps to popularise the + saying.</p> + + <p>I must put up the horses now and have them 'as clean as a new pin' for + the master.</p> + + <p>A person who does good either to an individual or to his family or to + the community, but afterwards spoils it all by some contrary course of + conduct, is like a cow that fills the pail, but kicks it over in the + end.</p> + + <p>A person quite illiterate 'wouldn't know a <b>B</b> from a bull's + foot.' The catching point here is partly alliteration, and partly that a + bull's foot has some resemblance to a <b>B</b>.</p> + + <p>Another expression for an illiterate man:—He wouldn't know a + <b>C</b> from a chest of drawers—where there is a weak + alliteration.</p> + + <p>He'll tell you a story as long as to-day and to-morrow. Long enough: + for you have to wait on indefinitely for 'to-morrow': or as they say + 'to-morrow come never.'</p> + + <p>'You'll lose that handkerchief <i>as sure as a gun</i>.'</p> + + <p>That furrow is <i>as straight as a die</i>.</p> + + <p>A person who does neither good nor harm—little ill, little + good—is 'like a chip in porridge': almost always said as a + reproach.</p> + + <p>I was <i>on pins and needles</i> till you came home: i.e. I was very + uneasy. <!-- Page 142 --><span class="pagenum"><a + name="page142"></a>{142}</span></p> + + <p>The story went round like wildfire: i.e. circulated rapidly.</p> + + <p>Of a person very thin:—He's 'as fat as a hen in the + forehead.'</p> + + <p>A man is staggering along—not with drink:—That poor fellow + is 'drunk with hunger like a showman's dog.'</p> + + <p>Dick and Bill are 'as great as inkle-weavers:' a saying very common in + Limerick and Cork. <i>Inkle</i> is a kind of broad linen tape: a + Shakespearian word. 'Several pieces of it were formerly woven in the same + loom, by as many boys, who sat close together on the same seat-board.' + (Dr. A. Hume.)</p> + + <p>William is 'the spit out of his father's mouth'; i.e. he is strikingly + like his father either in person or character or both. Another expression + conveying the same sense:—'Your father will never die while you are + alive': and 'he's a chip off the old block.' Still another, though not + quite so strong:—'He's his father's son.' Another saying to the + same effect—'kind father for him'—is examined elsewhere.</p> + + <p>'I'm a man in myself like Oliver's bull,' a common saying in my native + place (in Limerick), and applied to a confident self-helpful person. The + Olivers were the local landlords sixty or seventy years ago. (For a tune + with this name see my 'Old Irish Music and Songs,' p. 46.)</p> + + <p>A person is asked to do any piece of work which ought to be done by + his servant:—'Aye indeed, <i>keep a dog and bark myself</i>.'</p> + + <p>That fellow walks as straight up and stiff as if he took <i>a + breakfast of ramrods</i>.</p> + + <p>A man who passes through many dangers or <!-- Page 143 --><span + class="pagenum"><a name="page143"></a>{143}</span>meets with many bad + accidents and always escapes has 'as many lives as a cat.' Everyone knows + that a cat has nine lives.</p> + + <p><i>Putting on the big pot</i> means empty boasting and big talk. Like + a woman who claps a large pot of water on the fire to boil a weeny little + bit of meat—which she keeps out of sight—pretending she has + <i>launa-vaula</i>, <i>lashings and leavings</i>, full and plenty.</p> + + <p>If a man is in low spirits—depressed—down in the + mouth—'his heart is as low as a keeroge's kidney' (<i>keeroge</i>, + a beetle or clock). This last now usually said in jest.</p> + + <p>James O'Brien is a good scholar, but he's not <i>in it</i> with Tom + Long: meaning that he is not at all to be compared with Tom Long.</p> + + <p>If a person is indifferent about any occurrence—doesn't care one + way or the other—he is 'neither glad nor sorry like a dog at his + father's wake.' (South.)</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER XI.</h3> + +<p class="cenhead">THE MEMORY OF HISTORY AND OF OLD CUSTOMS.</p> + + <p><i>Church</i>, <i>Chapel</i>, <i>Scallan</i>. All through Ireland it + is customary to call a Protestant place of worship a 'church,' and that + belonging to Roman Catholics a 'chapel': and this usage not only prevails + among the people, but has found its way into official documents. For + instance, take the Ordnance maps. In almost every village and town on the + map you will <!-- Page 144 --><span class="pagenum"><a + name="page144"></a>{144}</span>see in one place the word 'Church,' while + near by is printed 'R.C. Chapel.' This custom has its roots far back in + the time when it was attempted to extend the doctrines of the Reformation + to Ireland. Then wherever the authority of the government prevailed, the + church belonging to the Catholics was taken from them; the priest was + expelled; and a Protestant minister was installed. But the law went much + farther, and forbade under fearful penalties the celebration of + Mass—penalties for both priest and congregation. As the people had + now no churches, the custom began of celebrating Mass in the open air, + always in remote lonely places where there was little fear of discovery. + Many of these places retain to this day names formed from the Irish word + <i>Affrionn</i> [affrin], the Mass; such as the mountain called + Knockanaffrinn in Waterford (the hill of the Mass), Ardanaffrinn, + Lissanaffrinn, and many others. While Mass was going on, a watcher was + always placed on an adjacent height to have a look-out for the approach + of a party of military, or of a spy with the offered reward in view.</p> + + <p>After a long interval however, when the sharp fangs of the Penal Laws + began to be blunted or drawn, the Catholics commenced to build for + themselves little places of worship: very timidly at first, and always in + some out-of-the-way place. But they had many difficulties to contend + with. Poverty was one of them; for the great body of the congregations + were labourers or tradesmen, as the Catholic people had been almost + crushed out of existence, soul and body, for five or six generations, by + the terrible Penal Laws, which, with careful attention to details, + omitted nothing <!-- Page 145 --><span class="pagenum"><a + name="page145"></a>{145}</span>that could impoverish and degrade them. + But even poverty, bad as it was, never stood decidedly in the way; for + the buildings were not expensive, and the poor people gladly contributed + shillings coppers and labour for the luxury of a chapel. A more serious + obstacle was the refusal of landlords in some districts to lease a plot + of land for the building. In Donegal and elsewhere they had a movable + little wooden shed that just sheltered the priest and the sacred + appliances while he celebrated Mass, and which was wheeled about from + place to place in the parish wherever required. A shed of this kind was + called a <i>scallan</i> (Irish: a shield, a protecting shelter). Some of + these <i>scallans</i> are preserved with reverence to this day, as for + instance one in Carrigaholt in Clare, where a large district was for many + years without any Catholic place of worship, as the local landlord + obstinately refused to let a bit of land. You may now see that very + <i>scallan</i>—not much larger than a sentry-box—beside the + new chapel in Carrigaholt.</p> + + <p>And so those humble little buildings gradually rose up all over the + country. Then many of the small towns and villages through the country + presented this spectacle. In one place was the 'decent church' that had + formerly belonged to the Catholics, now in possession of a Protestant + congregation of perhaps half a dozen—church, minister, and clerk + maintained by contributions of tithes forced from the Catholic people; + and not far off a poor little thatched building with clay floor and rough + walls for a Roman Catholic congregation of 500, 1000, or more, all except + the few that found room within kneeling on <!-- Page 146 --><span + class="pagenum"><a name="page146"></a>{146}</span>the ground outside, + only too glad to be able to be present at Mass under any conditions.</p> + + <p>These little buildings were always called 'chapels,' to distinguish + them from what were now the Protestant churches. Many of these primitive + places of worship remained in use to a period within living + memory—perhaps some remain still. When I was a boy I generally + heard Mass in one of them, in Ballyorgan, Co. Limerick: clay floor, no + seats, walls of rough stone unplastered, thatch not far above our heads. + Just over the altar was suspended a level canopy of thin boards, to hide + the thatch from the sacred spot: and on its under surface was roughly + painted by some rustic artist a figure of a dove—emblematic of the + Holy Ghost—which to my childish fancy was a work of art equal at + least to anything ever executed by Michael Angelo. Many and many a time I + heard exhortations from that poor altar, sometimes in English, sometimes + in Irish, by the Rev. Darby Buckley, the parish priest of Glenroe (of + which Ballyorgan formed a part), delivered with such earnestness and + power as to produce extraordinary effects on the congregation. You saw + men and women in tears everywhere around you, and at the few words of + unstudied peroration they flung themselves on their knees in a passionate + burst of piety and sorrow. Ah, God be with Father Darby Buckley: a small + man, full of fire and energy: somewhat overbearing, and rather severe in + judging of small transgressions; but all the same, a great and saintly + parish priest.</p> + + <p>That little chapel has long been superseded by a solid structure, + suitable to the neighbourhood and its people. <!-- Page 147 --><span + class="pagenum"><a name="page147"></a>{147}</span></p> + + <p>What has happened in the neighbouring town of Kilfinane is still more + typical of the advance of the Catholics. There also stood a large + thatched chapel with a clay floor: and the Catholics were just beginning + to emerge from their state of servility when the Rev. Father Sheehy was + appointed parish priest about the beginning of the last century. He was a + tall man of splendid physique: when I was a boy I knew him in his old + age, and even then you could not help admiring his imposing figure. At + that time the lord of the soil was Captain Oliver, one of that + Cromwellian family to whom was granted all the district belonging to + their Catholic predecessors, Sir John Ponsonby and Sir Edward Fitzharris, + both of whom were impeached and disinherited,</p> + + <p>On the Monday morning following the new priest's first Mass he + strolled down to have a good view of the chapel and grounds, and was much + astonished to find in the chapel yard a cartload of oats in sheaf, in + charge of a man whom he recognized as having been at Mass on the day + before. He called him over and questioned him, on which the man told him + that the captain had sent him with the oats to have it threshed on the + chapel floor, as he always did. The priest was amazed and indignant, and + instantly ordered the man off the grounds, threatening him with personal + chastisement, which—considering the priest's brawny figure and + determined look—he perhaps feared more than bell book and candle. + The exact words Father Sheehy used were, 'If ever I find you here again + with a load of oats or a load of anything else, <i>I'll break your back + for you</i>: and then I'll go up and break your master's back too!' The + <!-- Page 148 --><span class="pagenum"><a + name="page148"></a>{148}</span>fellow went off hot foot with his load, + and told his master, expecting all sorts of ructions. But the captain + took it in good part, and had his oats threshed elsewhere: and as a + matter of fact he and the priest soon after met and became + acquainted.</p> + + <p>In sending his corn to be threshed on the chapel floor, it is right to + remark that the captain intended no offence and no undue exercise of + power; and besides he was always careful to send a couple of men on + Saturday evening to sweep the floor and clean up the chapel for the + service of next day. But it was a custom of some years' standing, and + Father Sheehy's predecessor never considered it necessary to expostulate. + It is likely enough indeed that he himself got a few scratches in his day + from the Penal Laws, and thought it as well to let matters go on + quietly.</p> + + <p>After a little time Father Sheehy had a new church built, a solid + slate-roofed structure suitable for the time, which, having stood for + nearly a century, was succeeded by the present church. This, which was + erected after almost incredible labour and perseverance in collecting the + funds by the late parish priest, the Very Rev. Patrick Lee, V.F., is one + of the most beautiful parish churches in all Ireland. What has happened + in Ballyorgan and Kilfinane may be considered a type of what has taken + place all over the country. Within the short space of a century the poor + thatched clay-floor chapels have been everywhere replaced by solid or + beautiful or stately churches, which have sprung up all through Ireland + as if by magic, through the exertions of the pastors, and the + contributions of the people. <!-- Page 149 --><span class="pagenum"><a + name="page149"></a>{149}</span></p> + + <p>This popular application of the terms 'chapel' and 'church' + found—and still finds—expression in many ways. Thus a man who + neglects religion: 'he never goes to Church, Mass, or Meeting' (this last + word meaning Non-conformist Service). A man says, 'I didn't see Jack + Delany at Mass to-day': 'Oh, didn't you hear about him—sure he's + going to <i>church</i> now' (i.e. he has turned Protestant). 'And do they + never talk of those [young people] who go to church' [i.e. Protestants]. + (Knocknagow.)</p> + + <p>The term 'chapel' has so ingrained itself in my mind that to this hour + the word instinctively springs to my lips when I am about to mention a + Catholic place of worship; and I always feel some sort of hesitation or + reluctance in substituting the word 'church.' I positively could not + bring myself to say, 'Come, it is time now to set out for church': it + must be either 'Mass' or 'the chapel.'</p> + + <p>I see no reason against our retaining these two words, with their + distinction; for they tell in brief a vivid chapter in our history.</p> + + <p><i>Hedge-Schools.</i> Evil memories of the bad old penal days come + down to us clustering round this word. At the end of the seventeenth + century, among many other penal enactments,<a name="NtA4" + href="#Nt4"><sup>[4]</sup></a> a law was passed that Catholics were not + to be educated. Catholic schoolmasters were forbidden to teach, either in + schools or in private houses; and Catholic parents were forbidden to send + their children to any foreign country to be educated—all under + heavy penalties; from which it will be seen that care was taken to <!-- + Page 150 --><span class="pagenum"><a + name="page150"></a>{150}</span>deprive Catholics—as + such—altogether of the means of education.</p> + + <p>But priests and schoolmasters and people combined all through the + country—and not without some measure of success—to evade this + unnatural law. Schools were kept secretly, though at great risk, in + remote places—up in the mountain glens or in the middle of bogs. + Half a dozen young men with spades and shovels built up a rude cabin in a + few hours, which served the purpose of a schoolhouse: and from the common + plan of erecting these in the shelter of hedges, walls, and groves, the + schools came to be known as 'Hedge Schools.' These hedge schools held on + for generations, and kept alive the lamp of learning, which burned + on—but in a flickering ineffective sort of way—'burned + through long ages of darkness and storm'—till at last the + restrictions were removed, and Catholics were permitted to have schools + of their own openly and without let or hindrance. Then the ancient + hereditary love of learning was free to manifest itself once more; and + schools sprang up all over the country, each conducted by a private + teacher who lived on the fees paid by his pupils. Moreover, the old + designation was retained; for these schools, no longer held in wild + places, were called—as they are sometimes called to this + day—'hedge schools.'</p> + + <p>The schools that arose in this manner, which were of different + classes, were spread all over the country during the eighteenth century + and the first half of the nineteenth. The most numerous were little + elementary schools, which will be described farther on. The higher class + of schools, which <!-- Page 151 --><span class="pagenum"><a + name="page151"></a>{151}</span>answered to what we now call Intermediate + schools, were found all over the southern half of Ireland, especially in + Munster. Some were for classics, some for science, and not a few for + both; nearly all conducted by men of learning and ability; and they were + everywhere eagerly attended. 'Many of the students had professions in + view, some intended for the priesthood, for which the classical schools + afforded an admirable preparation; some seeking to become medical + doctors, teachers, surveyors, &c. But a large proportion were the + sons of farmers, tradesmen, shopkeepers, or others, who had no particular + end in view, but, with the instincts of the days of old, studied classics + or mathematics for the pure love of learning. I knew many of that + class.</p> + + <p>'These schools continued to exist down to our own time, till they were + finally broken up by the famine of 1847. In my own immediate + neighbourhood were some of them, in which I received a part of my early + education; and I remember with pleasure several of my old teachers; rough + and unpolished men many of them, but excellent solid scholars and full of + enthusiasm for learning—which enthusiasm they communicated to their + pupils. All the students were adults or grown boys; and there was no + instruction in the elementary subjects—reading, writing, and + arithmetic—as no scholar attended who had not sufficiently mastered + these. Among the students were always half a dozen or more "poor + scholars" from distant parts of Ireland, who lived free in the hospitable + farmers' houses all round: just as the scholars from Britain and + elsewhere <!-- Page 152 --><span class="pagenum"><a + name="page152"></a>{152}</span>were supported in the time of + Bede—twelve centuries before.'<a name="NtA5" + href="#Nt5"><sup>[5]</sup></a></p> + + <p>In every town all over Munster there was—down to a period well + within my memory—one of those schools, for either classics or + science—and in most indeed there were two, one for each branch, + besides one or more smaller schools for the elementary branches, taught + by less distinguished men.</p> + + <p>There was extraordinary intellectual activity among the schoolmasters + of those times: some of them indeed thought and dreamed and talked of + nothing else but learning; and if you met one of them and fell into + conversation, he was sure to give you a strong dose as long as you + listened, heedless as to whether you understood him or not. In their eyes + learning was the main interest of the world. They often met on Saturdays; + and on these occasions certain subjects were threshed out in discussion + by the principal men. There were often formal disputations when two of + the chief men of a district met, each attended by a number of his senior + pupils, to discuss some knotty point in dispute, of classics, science, or + grammar.</p> + + <p>There was one subject that long divided the teachers of Limerick and + Tipperary into two hostile camps of learning—the verb <i>To be</i>. + There is a well-known rule of grammar that 'the verb <i>to be</i> takes + the same case after it as goes before it.' One party headed by the two + Dannahys, father and son, very scholarly men, of north Limerick, held + that the verb <!-- Page 153 --><span class="pagenum"><a + name="page153"></a>{153}</span><i>to be governed</i> the case following; + while the other, at the head of whom was Mr. Patrick Murray of Kilfinane + in south Limerick, maintained that the correspondence of the two cases, + after and before, was mere <i>agreement</i>, not <i>government</i>. And + they argued with as much earnestness as the Continental Nominalists and + Realists of an older time.</p> + + <p>Sometimes the discussions on various points found their way into + print, either in newspapers or in special broadsheets coarsely printed; + and in these the mutual criticisms were by no means gentle.</p> + + <p>There were poets too, who called in the aid of the muses to help their + cause. One of these, who was only a schoolmaster in embryo—one of + Dannahy's pupils—wrote a sort of pedagogic Dunciad, in which he + impaled most of the prominent teachers of south Limerick who were + followers of Murray. Here is how he deals with Mr. Murray + himself:—</p> + + <div class="poem"> + <div class="stanza"> + <p>Lo, forward he comes, in oblivion long lain,</p> + <p>Great Murray, the soul of the light-headed train;</p> + <p>A punster, a mimic, a jibe, and a quiz,</p> + <p>His acumen stamped on his all-knowing phiz:</p> + <p>He declares that the subsequent noun should <i>agree</i></p> + <p>With the noun or the pronoun preceding <i>To be</i>.</p> + </div> + </div> + + <p>Another teacher, from Mountrussell, was great in astronomy, and was + continually holding forth on his favourite subject and his own knowledge + of it. The poet makes him say:—</p> + + <div class="poem"> + <div class="stanza"> + <p>The course of a comet with ease I can trail,</p> + <p>And with my ferula I measure his tail;</p> + <p>On the wings of pure Science without a balloon</p> + <p>Like Baron Munchausen I visit the moon;</p> + <p>Along the ecliptic and great milky way,</p> + <p>In mighty excursions I soaringly stray;</p> + <p>With legs wide extended on the poles I can stand,</p> + <p>And like marbles the planets I toss in my hand.</p> + </div> + </div> + +<p><!-- Page 154 --><span class="pagenum"><a name="page154"></a>{154}</span></p> + + <p>The poet then, returning to his own words, goes on to say</p> + + <div class="poem"> + <div class="stanza"> + <p>The gods being amused at his logical blab,</p> + <p>They built him a castle near Cancer the Crab.</p> + </div> + </div> + + <p>But this same astronomer, though having as we see a free residence, + never went to live there: he emigrated to Australia where he entered the + priesthood and ultimately became a bishop.</p> + + <p>One of the ablest of all the Munster teachers of that period was Mr. + Patrick Murray, already mentioned, who kept his school in the upper story + of the market house of Kilfinane in south Limerick. He was particularly + eminent in English Grammar and Literature. I went to his school for one + year when I was very young, and I am afraid I was looked upon as very + slow, especially in his pet subject Grammar. I never could be got to + parse correctly such complications as 'I might, could, would, or should + have been loving.' Mr. Murray was a poet too. I will give here a humorous + specimen of one of his parodies. It was on the occasion of his coming + home one night very late, and not as sober as he should be, when he got + 'Ballyhooly' and no mistake from his wife. It was after Moore's 'The + valley lay smiling before me'; and the following are two verses of the + original with the corresponding two of the parody, of which the opening + line is 'The candle was lighting before me.' But I have the whole parody + in my memory.</p> + + <div class="poem"> + <div class="stanza"> + <p><span class="sc">Moore</span>: I flew to her chamber—'twas lonely</p> + <p class="i8">As if the lov'd tenant lay dead;</p> + <p class="i6">Ah would it were death and death only,</p> + <p class="i8">But no, the young false one had fled.</p> +<!-- Page 155 --><span class="pagenum"><a name="page155"></a>{155}</span> + <p class="i6">And <i>there</i> hung the lute that could soften</p> + <p class="i8">My very worst pains into bliss,</p> + <p class="i6">And the hand that had waked it so often</p> + <p class="i8">Now throbb'd to my proud rival's kiss.</p> + </div> + + <div class="stanza"> + <p class="i6">Already the curse is upon her</p> + <p class="i8">And strangers her valleys profane;</p> + <p class="i6">They come to divide—to dishonour—</p> + <p class="i8">And tyrants there long will remain:</p> + <p class="i6">But onward—the green banner rearing,</p> + <p class="i8">Go flesh ev'ry brand to the hilt:</p> + <p class="i6">On <i>our</i> side is Virtue and Erin,</p> + <p class="i8">And <i>theirs</i> is the Saxon and Guilt.</p> + </div> + + <div class="stanza"> + <p> . . . . . . </p> + </div> + + <div class="stanza"> + <p><span class="sc">Murray</span>: I flew to the room—'twas <i>not</i> lonely:</p> + <p class="i8">My wife and her <i>grawls</i> were in bed;</p> + <p class="i6">You'd think it was then and then only</p> + <p class="i8">The tongue had been placed in her head.</p> + <p class="i6">For there raged the voice that could soften</p> + <p class="i8">My very worst pains into bliss,</p> + <p class="i6">And those lips that embraced me so often</p> + <p class="i8">I dared not approach with a kiss.</p> + </div> + + <div class="stanza"> + <p class="i6">A change has come surely upon her:—</p> + <p class="i8">The child which she yet did not <i>wane</i></p> + <p class="i6">She flung me—then rolled the clothes on her,</p> + <p class="i8">And naked we both now remain.</p> + <p class="i6">But had I been a man less forbearing</p> + <p class="i8">Your blood would be certainly spilt,</p> + <p class="i6">For on <i>my</i> side there's plunging and tearing</p> + <p class="i8">And on <i>yours</i> both the blankets and quilt.</p> + </div> + </div> + + <p>I was a pupil in four of the higher class of schools, in which was + finished my school education such as it was. The best conducted was that + of Mr. John Condon which was held in the upper story of the market house + in Mitchelstown, Co. Cork, a large apartment fully and properly + furnished, forming an admirable schoolroom. This was one of the best <!-- + Page 156 --><span class="pagenum"><a + name="page156"></a>{156}</span>schools in Munster. It was truly an + excellent Intermediate school, and was attended by all the school-going + students of the town, Protestant as well as Catholic—with many from + the surrounding country. Mr. Condon was a cultured and scholarly man, and + he taught science, including mathematics, surveying, and the use of the + globes, and also geography and English grammar. He had an assistant who + taught Greek and Latin. I was one of the very few who attempted the + double work of learning both science and classics. To learn surveying we + went once a week—on Saturdays—to Mr. Condon's farm near the + town, with theodolite and chain, in the use of which we all—i.e. + those of us learning the subject—had to take part in turn. Mr. + Condon was thorough master of the science of the Use of the Globes, a + very beautiful branch of education which gave the learners a knowledge of + the earth, of the solar system, and of astronomy in general. But the use + of the globes no longer forms a part of our school teaching:—more's + the pity.</p> + + <p>The year before going to Mitchelstown I attended a science school of a + very different character kept by Mr. Simon Cox in Galbally, a little + village in Limerick under the shadow of the Galty Mountains. This was a + very rough sort of school, but mathematics and the use of the globes were + well taught. There were about forty students. Half a dozen were grown + boys, of whom I was one; the rest were men, mostly young, but a few in + middle life—schoolmasters bent on improving their knowledge of + science in preparation for opening schools in their own parts of the + country. <!-- Page 157 --><span class="pagenum"><a + name="page157"></a>{157}</span></p> + + <p>In that school, and indeed in all schools like it through the country, + there were 'poor scholars,' a class already spoken of, who paid for + nothing—they were taught for nothing and freely entertained, with + bed, supper, and breakfast in the farmers' houses of the neighbourhood. + We had four or five of these, not one of whom knew in the morning where + he was to sleep at night. When school was over they all set out in + different directions, and called at the farmers' houses to ask for + lodging; and although there might be a few refusals, all were sure to be + put up for the night. They were expected however to help the children at + their lessons for the elementary school before the family retired.</p> + + <p>In some cases if a farmer was favourably impressed with a poor + scholar's manner and character he kept him—lodging and feeding him + in his house—during the whole time of his schooling—the young + fellow paying nothing of course, but always helping the little ones at + their lessons. As might be expected many of these poor scholars were made + of the best stuff; and I have now in my eye one who was entertained for a + couple of years in my grandmother's house, and who subsequently became + one of the ablest and most respected teachers in Munster.</p> + + <p>Let us remark here that this entertainment of poor scholars was not + looked upon in the light of a charity: it was regarded as a duty; for the + instinct ran in the people's blood derived from ancient times when + Ireland was the 'Island of Saints and Scholars.'<a name="NtA6" + href="#Nt6"><sup>[6]</sup></a> It was a custom of long standing; for <!-- + Page 158 --><span class="pagenum"><a name="page158"></a>{158}</span>the + popular feeling in favour of learning was always maintained, even through + the long dark night of the Penal Laws.</p> + + <p>'Tis marvellous how I escaped smoking: I had many opportunities in + early life, of which surely the best of all was this Galbally school. For + every one I think smoked except the half dozen boys, and even of these + one or two were learning industriously. And each scholar took his smoke + without ceremony in the schoolroom whenever he pleased, so that the room + was never quite clear of the fragrant blue haze. I remember well on one + occasion, a class of ten, of whom I was one, sitting round the master, + whose chair stood on a slightly elevated platform, and all, both master + and scholars, were smoking, except myself. The lesson was on some of the + hard problems in Luby's Euclid, which we had been unable to solve, and of + which Mr. Cox was now showing us the solutions. He made his diagram for + each problem on a large slate turned towards us; and as we knew the + meaning of almost every turn and twist of his pencil as he developed the + solution, he spoke very little; and we followed him over the diagram, + <i>twigging</i> readily the function of every point, line, angle, and + circle. And when at last someone had to ask a brief question, Mr. Cox + removed his pipe with his left hand and uttered a few monosyllabic words, + which enabled us to pick up the lost thread; then replacing the pipe, he + went on in silence as before.</p> + + <p>I was the delight and joy of that school; for I generally carried in + my pocket a little fife from which I could roll off jigs, reels, + hornpipes, hop-jigs, <!-- Page 159 --><span class="pagenum"><a + name="page159"></a>{159}</span>song tunes, &c., without limit. The + school was held in a good-sized room in the second story of a house, of + which the landlady and her family lived in the kitchen and bedrooms + beneath—on the ground-floor. Some dozen or more of the scholars + were always in attendance in the mornings half an hour or so before the + arrival of the master, of whom I was sure to be one—what could they + do without me?—and then out came the fife, and they cleared the + floor for a dance. It was simply magnificent to see and hear these + athletic fellows dancing on the bare boards with their thick-soled + well-nailed heavy shoes—so as to shake the whole house. And not one + in the lot was more joyous than I was; for they were mostly good dancers + and did full justice to my spirited strains. At last in came the master: + there was no cessation; and he took his seat, looking on complacently + till that bout was finished, when I put up my fife, and the serious + business of the day was commenced.</p> + + <p>We must now have a look at the elementary schools—for teaching + Reading, Writing, and Arithmetic to children. They were by far the most + numerous, for there was one in every village and hamlet, and two or three + or more in every town. These schools were very primitive and rude. The + parish priests appointed the teachers, and kept an eye over the schools, + which were generally mixed—boys and girls. There was no attempt at + classification, and little or no class teaching; the children were taught + individually. Each bought whatever Reading Book he or his parents + pleased. So there was an odd mixture. A very usual book was a 'Spelling + and <!-- Page 160 --><span class="pagenum"><a + name="page160"></a>{160}</span>Reading book,' which was pretty sure to + have the story of Tommy and Harry. In this there were almost always a + series of lessons headed 'Principles of Politeness,' which were in fact + selected from the writings of Chesterfield. In these there were elaborate + instructions how we were to comport ourselves in a drawing room; and we + were to be particularly careful when entering not to let our sword get + between our legs and trip us up. We were to bear offences or insults from + our companions as long as possible, but if a fellow went too far we were + to 'call him out.' It must be confessed there was some of the 'calling + out' business—though not in Chesterfield's sense; and if the + fellows didn't fight with pistols and swords, they gave and got some + black eyes and bloody noses. But this was at their peril; for if the + master came to hear of it, they were sure to get further punishment, + though not exactly on the face.</p> + + <p>Then some scholars had 'The Seven Champions of Christendom,' others + 'St. George and the Dragon,' or 'Don Bellianis of Greece,' 'The Seven + Wonders of the World,' or 'The History of Reynard the Fox,' a great + favourite, translated from an old German mock heroic. And sometimes I + have seen girls learning to read from a Catholic Prayerbook. Each had his + lesson for next day marked in pencil by the master, which he was to + prepare. The pupils were called up one by one each to read his own + lesson—whole or part—for the master, and woe betide him if he + stumbled at too many words.</p> + + <p>The schools were nearly always held in the small ordinary + dwelling-houses of the people, or perhaps a <!-- Page 161 --><span + class="pagenum"><a name="page161"></a>{161}</span>barn was utilised: at + any rate there was only one room. Not unfrequently the family that owned + the house lived in that same room—the kitchen—and went on + with their simple household work while the school was buzzing about their + ears, neither in any way interfering with the other. There was hardly + ever any <i>school</i> furniture—no desks of any kind. There were + seats enough, of a motley kind—one or two ordinary forms placed at + the walls: some chairs with <i>sugaun</i> seats; several little stools, + and perhaps a few big stones. In fine weather the scholars spent much of + their time in the front yard in the open air, where they worked their + sums or wrote their copies with the copybooks resting on their knees.</p> + + <p>When the priest visited one of these schools, which he did whenever in + the neighbourhood, it was a great event for both master and scholars. + Conor Leahy was one of those masters—a very rough diamond indeed, + though a good teacher and not over severe—whose school was in + Fanningstown near my home. One day Billy Moroney ran in breathless, with + eyes starting out of his head, to say—as well as he could get it + out—that Father Bourke was coming up the road. Now we were + all—master and scholars—mortally afraid of Father Bourke and + his heavy brows—though never was fear more misplaced (p. <a + href="#page71">71</a>). The master instantly bounced up and warned us to + be of good behaviour—not to stir hand or foot—while the + priest was present. He happened to be standing at the fireplace; and he + finished up the brief and vigorous exhortation by thumping his fist down + on the hob:—'By this stone, if one of ye opens your mouth while the + priest is here, I'll knock your <!-- Page 162 --><span class="pagenum"><a + name="page162"></a>{162}</span>brains out after he's gone away!' That + visit passed off in great style.</p> + + <p>These elementary teachers, or 'hedge teachers,' as they were commonly + called, were a respectable body of men, and were well liked by the + people. Many of them were rough and uncultivated in speech, but all had + sufficient scholarship for their purpose, and many indeed very much more. + They were poor, for they had to live on the small fees of their pupils; + but they loved learning—so far as their attainments went—and + inspired their pupils with the same love. These private elementary + schools gradually diminished in numbers as the National Schools spread, + and finally disappeared about the year 1850.</p> + + <p>These were the schools of the small villages and hamlets, which were + to be found everywhere—all over the country: and such were the + schools that the Catholic people were only too glad to have after the + chains had been struck off—the very schools in which many men that + afterwards made a figure in the world received their early education.</p> + + <p>The elementary schools of the towns were of a higher class. The + attendance was larger; there were generally desks and seats of the + ordinary kind; and the higher classes were commonly taught something + beyond Reading, Writing, and Arithmetic; such as Grammar, or + Book-keeping, with occasionally a spice of Euclid, Mensuration, + Surveying, or Algebra.</p> + + <p>It very often happened that the school took its prevailing tone from + the taste of the master; so that the higher classes in one were great at + Grammar, those of another at Penmanship, some at Higher <!-- Page 163 + --><span class="pagenum"><a name="page163"></a>{163}</span>Arithmetic, + some at 'Short Accounts' (i.e. short methods of Mental Arithmetic), + others at Book-keeping. For there were then no fixed Programmes and no + Inspectors, and each master (in addition to the ordinary elementary + subjects) taught just whatever he liked best, and lit up his own special + tastes among his pupils.</p> + + <p>So far have these words, <i>church</i>, <i>chapel</i>, <i>scallan</i>, + <i>hedge-school</i>, led us through the bye-ways of History; and perhaps + the reader will not be sorry to turn to something else.</p> + + <p><i>Rattle the hasp: Tent pot.</i> During Fair-days—all over the + country—there were half a dozen or more booths or tents on the fair + field, put up by publicans, in which was always uproarious fun; for they + were full of people—young and old—eating and drinking, + dancing and singing and match-making. There was sure to be a piper or a + fiddler for the young people; and usually a barn door, lifted off its + hinges—hasp and all—was laid flat, or perhaps two or three + doors were laid side by side, for the dancers; a custom adopted elsewhere + as well as in fairs—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'But they couldn't keep time on the cold earthen floor,</p> + <p>So to humour the music they danced on the door.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Crofton Croker</span>: <i>Old Song</i>.)</p> + </div> + </div> + + <p>There was one particular tune—a jig—which, from the custom + of dancing on a door, got the name of 'Rattle the hasp.'</p> + + <p>Just at the mouth of the tent it was common to have a great pot hung + on hooks over a fire sunk in the ground underneath, and full of pigs + cheeks, flitches of bacon, pigs' legs and <i>croobeens</i> galore, kept + <!-- Page 164 --><span class="pagenum"><a + name="page164"></a>{164}</span>perpetually boiling like the chiefs' + caldrons of old, so that no one need be hungry or thirsty so long as he + had a penny in his pocket. These pots were so large that they came to be + spoken of as a symbol of plenty: 'Why you have as much bacon and cabbage + there as would fill a tent-pot.'</p> + + <p>One day—long long ago—at the fair of Ardpatrick in + Limerick—I was then a little boy, but old enough to laugh at the + story when I heard it in the fair—a fellow with a wattle in his + hand having a sharp iron spike on the end, walked up to one of these + tent-pots during the momentary absence of the owner, and thrusting the + spike into a pig's cheek, calmly stood there holding the stick in his + hand till the man came up. 'What are you doing there?'—When the + other looking sheepish and frightened:—'Wisha sir I have a little + bit of a pig's cheek here that isn't done well enough all out, and I was + thinking that may be you wouldn't mind if I gave it a couple of + <i>biles</i> in your pot.' 'Be off out of that you impudent blaa-guard, + yourself and your pig's cheek, or I'll break every bone in your body.' + The poor innocent boy said nothing, but lifted the stick out of the pot + with the pig's cheek on the end of it, and putting it on his shoulder, + walked off through the fair with meek resignation.</p> + + <p>More than a thousand years ago it was usual in Ireland for ladies who + went to banquets with their husbands or other near relations to wear a + mask. This lady's mask was called <i>fethal</i>, which is the old form of + the word, modern form <i>fidil</i>. The memory of this old custom is + preserved in the name now given to a mask by both English and Irish + speakers—<i>i fiddle</i>, <i>eye-fiddle</i>, <i>hi-fiddle</i>, or + <i>hy-fiddle</i> (the first two <!-- Page 165 --><span class="pagenum"><a + name="page165"></a>{165}</span>being the most correct). The full Irish + name is <i>aghaidh-fidil</i>, of which the first part <i>agaidh</i>, + pronounced <i>i</i> or <i>eye</i>, means the + face:—<i>agaidh-fidil</i>, 'face-mask.' This word was quite common + in Munster sixty or seventy years ago, when we, boys, made our own + <i>i-fiddles</i>, commonly of brown paper, daubed in + colour—hideous-looking things when worn—enough to frighten a + horse from his oats.</p> + + <p>Among those who fought against the insurgents in Ireland during the + Rebellion of 1798 were some German cavalry called Hessians. They wore a + sort of long boots so remarkable that boots of the same pattern are to + this day called <i>Hessian boots</i>. One day in a skirmish one of the + rebels shot down a Hessian, and brought away his fine boots as his lawful + prize. One of his comrades asked him for the boots: and he answered 'Kill + a Hessian for yourself,' which has passed into a proverb. When by labour + and trouble you obtain anything which another seeks to get from you on + easy terms, you answer <i>Kill a Hessian for yourself</i>.</p> + + <p>During the War of the Confederation in Ireland in the seventeenth + century Murrogh O'Brien earl of Inchiquin took the side of the Government + against his own countrymen, and committed such merciless ravages among + the people that he is known to this day as 'Murrogh the Burner'; and his + name has passed into a proverb for outrage and cruelty. When a person + persists in doing anything likely to bring on heavy punishment of some + kind, the people say 'If you go on in that way <i>you'll see + Murrogh</i>,' meaning 'you will suffer for it.' Or when a person seems + scared or frightened:—'He saw Murrogh or <!-- Page 166 --><span + class="pagenum"><a name="page166"></a>{166}</span>the bush next to him.' + The original sayings are in Irish, of which these are translations, which + however are now heard oftener than the Irish.</p> + + <p>In Armagh where Murrogh is not known they say in a similar sense, + 'You'll catch Lanty,' Lanty no doubt being some former local bully.</p> + + <p>When one desires to give another a particularly evil wish he says, + 'The curse of Cromwell on you!' So that Cromwell's atrocities are stored + up in the people's memories to this day, in the form of a proverb.</p> + + <p>In Ulster they say 'The curse of <i>Crummie</i>.'</p> + + <p>'Were you talking to Tim in town to-day?' 'No, but I saw him <i>from + me</i> as the soldier saw Bunratty.' Bunratty a strong castle in Co. + Clare, so strong that besiegers often had to content themselves with + viewing it from a distance. 'Seeing a person from me' means seeing him at + a distance. 'Did you meet your cousin James in the fair to-day?' 'Oh I + just caught sight of him <i>from me</i> for a second, but I wasn't + speaking to him.'</p> + + <p><i>Sweating-House.</i>—We know that the Turkish bath is of + recent introduction in these countries. But the hot-air or vapour bath, + which is much the same thing, was well known in Ireland from very early + times, and was used as a cure for rheumatism down to a few years ago. The + structures in which these baths were given are known by the name of + <i>tigh 'n alluis</i> [teenollish], or in English, 'sweating-house' + (<i>allus</i>, 'sweat'). They are still well known in the northern parts + of Ireland—small houses entirely of stone, from five to seven feet + long inside, with a low little door through which one must creep: <!-- + Page 167 --><span class="pagenum"><a + name="page167"></a>{167}</span>always placed remote from habitations: and + near by was commonly a pool or tank of water four or five feet deep. They + were used in this way. A great fire of turf was kindled inside till the + house became heated like an oven; after which the embers and ashes were + swept out, and water was splashed on the stones, which produced a thick + warm vapour. Then the person, wrapping himself in a blanket, crept in and + sat down on a bench of sods, after which the door was closed up. He + remained there an hour or so till he was in a profuse perspiration: and + then creeping out, plunged right into the cold water; after emerging from + which he was well rubbed till he became warm. After several baths at + intervals of some days he commonly got cured. Persons are still living + who used these baths or saw them used. (See the chapter on 'Ancient Irish + Medicine' in 'Smaller Soc. Hist. of Anc. Ireland,' from which the above + passage is taken.)</p> + + <p>The lurking conviction that times long ago were better than at + present—a belief in 'the good old times'—is indicated in the + common opening to a story:—'Long and merry ago, there lived a + king,' &c.</p> + + <p>'That poor man is as thin as a <i>whipping</i> post': a very general + saying in Ireland. Preserving the memory of the old custom of tying + culprits to a firm post in order to be whipped. A whipping post received + many of the slashes, and got gradually worn down.</p> + + <p>The hardiness of the northern rovers—the Danes—who made a + great figure in Ireland, as in England and elsewhere, is still + remembered, after nine or ten centuries, in the sayings of our people. + Scores of <!-- Page 168 --><span class="pagenum"><a + name="page168"></a>{168}</span>times I heard such expressions as the + following:—'Ah shut that door: there's a breeze in through it that + <i>would perish the Danes</i>.'</p> + + <p>The cardinal points are designated on the supposition that the face is + turned to the east: a custom which has descended in Ireland from the + earliest times of history and tradition, and which also prevailed among + other ancient nations. Hence in Irish 'east' is 'front'; 'west' is + 'behind' or 'back'; north is 'left hand'; and south is 'right hand.' The + people sometimes import these terms into English. 'Where is the tooth?' + says the dentist. 'Just here sir, in the <i>west</i> of my jaw,' replies + the patient—meaning at the back of the jaw.</p> + + <p>Tailors were made the butt of much good-natured harmless raillery, + often founded on the well-known fact that a tailor is the ninth part of a + man. If a person leaves little after a meal, or little material after any + work—that is 'tailor's leavings'; alluding to an alleged custom of + the craft. According to this calumny your tailor, when sending home your + finished suit, sends with it a few little scraps as what was left of the + cloth you gave him, though he had really much left, which he has + cribbed.</p> + + <p>When you delay the performance of any work, or business with some + secret object in view, you 'put the pot in the tailor's link.' Formerly + tailors commonly worked in the houses of the families who bought their + own material and employed them to make the clothes. The custom was to + work till supper time, when their day ended. Accordingly the good + housewife often hung the pot-hangers on the highest hook or link of the + pot-hooks so as to raise <!-- Page 169 --><span class="pagenum"><a + name="page169"></a>{169}</span>the supper-pot well up from the fire and + delay the boiling. (Ulster.)</p> + + <p>The following two old rhymes are very common:—</p> + + <div class="poem"> + <div class="stanza"> + <p>Four and twenty tailors went out to kill a snail,</p> + <p>The biggest of them all put his foot upon his tail—</p> + <p>The snail put out his horns just like a cow:</p> + <p class="hg1">'O Lord says the tailor we're all killed now!'</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p>As I was going to Dub-l-in</p> + <p class="i2">I met a pack of tailors,</p> + <p>I put them in my pocket,</p> + <p class="i2">In fear the ducks might <i>ait</i> them.</p> + </div> + </div> + + <p>In the Co. Down the Roman Catholics are called 'back-o'-the-hill + folk': an echo of the Plantations of James I—three centuries + ago—when the Catholics, driven from their rich lowland farms, which + were given to the Scottish Presbyterian planters, had to eke out a living + among the glens and mountains.</p> + + <p>When a person does anything out of the common—which is not + expected of him—especially anything with a look of unusual + prosperity:—'It is not every day that Manus kills a bullock.' + (Derry.) This saying, which is always understood to refer to Roman + Catholics, is a memorial, in one flash, of the plantation of the northern + districts. Manus is a common Christian name among the Catholics round + Derry, who are nearly all very poor: how could they be otherwise? That + Manus—i.e. a Catholic—should kill a bullock is consequently + taken as a type of things very unusual, unexpected and exceptional. + Maxwell, in 'Wild Sports of the West,' quotes this saying as he heard it + in Mayo; but naturally enough the saying alone had reached the west + without its background of history, which is not known there as it is in + Derry. <!-- Page 170 --><span class="pagenum"><a + name="page170"></a>{170}</span></p> + + <p>Even in the everyday language of the people the memory of those + Plantations is sometimes preserved, as in the following sayings and their + like, which are often heard. 'The very day after Jack Ryan was evicted, + he <i>planted himself</i> on the bit of land between his farm and the + river.' 'Bill came and <i>planted</i> himself on my chair, right in front + of the fire.'</p> + + <p>'He that calls the tune should pay the piper' is a saying that + commemorates one of our dancing customs. A couple are up for a dance: the + young man asks the girl in a low voice what tune she'd like, and on + hearing her reply he calls to the piper (or fiddler) for the tune. When + the dance is ended and they have made their bow, he slips a coin into her + hand, which she brings over and places in the hand of the piper. That was + the invariable formula in Munster sixty years ago.</p> + + <p>The old Irish name of May-day—the 1st May—was + <i>Belltaine</i> or <i>Beltene</i> [Beltina], and this name is still used + by those speaking Irish; while in Scotland and Ulster they retain it as a + common English word—Beltane:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Ours is no sapling, chance sown by the fountain,</p> + <p>Blooming at Beltane, in winter to fade.'</p> + </div> + + <div class="stanza"> + <p>('Lady of the Lake.')</p> + </div> + </div> + + <p>Before St. Patrick's time there was a great pagan festival in Ireland + on 1st May in honour of the god <i>Bél</i> [Bail], in which fire played a + prominent part: a custom evidently derived in some way from the + Phœnician fire festival in honour of the Phœnician god + <i>Baal</i>. For we know that the Phœnicians were well acquainted + with Ireland, and that wherever they went they introduced the worship of + Baal with his festivals. <!-- Page 171 --><span class="pagenum"><a + name="page171"></a>{171}</span></p> + + <p>Among other usages the Irish drove cattle through or between big fires + to preserve them from the diseases of the year; and this custom was + practised in Limerick and Clare down a period within my own memory: I saw + it done. But it was necessary that the fires should be kindled from + <i>tenaigin</i> [<i>g</i> sounded as in <i>pagan</i>]—'forced + fire'—i.e., fire produced by the friction of two pieces of dry wood + rubbed together till they burst into a flame: Irish <i>teine-éigin</i> + from <i>teinĕ</i>, fire, and <i>éigean</i>, force. This word is + still known in the South; so that the memory of the old pagan May-day + festival and its fire customs is preserved in these two words + <i>Beltane</i> and <i>tenaigin</i>.</p> + + <p>Mummers were companies of itinerant play-actors, who acted at popular + gatherings, such as fairs, <i>patterns</i>, weddings, wakes, &c. + Formerly they were all masked, and then young <i>squireens</i>, and the + young sons of strong farmers, often joined them for the mere fun of the + thing; but in later times masking became illegal, after which the breed + greatly degenerated. On the whole they were not unwelcome to the people, + as they were generally the source of much amusement; but their antics at + weddings and wakes were sometimes very objectionable, as well as very + offensive to the families. This was especially the case at wakes, if the + dead person had been unpopular or ridiculous, and at weddings if an old + woman married a boy, or a girl an old man for the sake of his money. + Sometimes they came bent on mischievous tricks as well as on a + <i>shindy</i>; and if wind of this got out, the faction of the family + gathered to protect them; and then there was sure to be a fight. + (Kinahan.) <!-- Page 172 --><span class="pagenum"><a + name="page172"></a>{172}</span></p> + + <p>Mummers were well known in England, from which the custom was + evidently imported to Ireland. The mummers are all gone, but the name + remains.</p> + + <p>We know that in former times in Ireland the professions ran in + families; so that members of the same household devoted themselves to one + particular Science or Art—Poetry, History, Medicine, Building, Law, + as the case might be—for generations (of this custom a full account + may be seen in my 'Smaller Social History of Ancient Ireland,' chap. + vii., especially page 184). A curious example of how the memory of this + is preserved occurs in Armagh. There is a little worm called <i>dirab</i> + found in bog-water. If this be swallowed by any accident it causes a + swelling, which can be cured only by a person of the name of Cassidy, who + puts his arms round the patient, and the worm dies. The O'Cassidys were + hereditary physicians to the Maguires, chiefs of Fermanagh. Several + eminent physicians of the name are commemorated in the Irish Annals: and + it is interesting to find that they are still remembered in + tradition—though quite unconsciously—for their skill in + leechcraft.</p> + + <p>'I'll make you dance Jack Lattin'—a threat of chastisement, + often heard in Kildare. John Lattin of Morristown House county Kildare + (near Naas) wagered that he'd dance home to Morristown from + Dublin—more than twenty miles—changing his dancing-steps + every furlong: and won the wager. 'I'll make you dance' is a common + threat heard everywhere: but 'I'll make you dance Jack Lattin' is ten + times worse—'I'll make you dance excessively.' <!-- Page 173 + --><span class="pagenum"><a name="page173"></a>{173}</span></p> + + <p>Morristown, Jack Lattin's residence, is near Lyons the seat of Lord + Cloncurry, where Jack was often a guest, in the first half of the last + century. Lady Morgan has an entry in her Memoirs (1830):—'Returned + from Lyons—Lord Cloncurry's, a large party—the first day + good—Sheil, Curran, Jack Lattin.'</p> + + <p>It is worthy of remark that there is a well-known Irish tune called + 'Jack Lattin,' which some of our Scotch friends have quietly + appropriated; and not only that, but have turned Jack himself into a + Scotchman by calling the tune 'Jockey Latin'! They have done precisely + the same with our 'Eileen Aroon' which they call 'Robin Adair.' The same + Robin Adair—or to call him by his proper name Robert + Adair—was a well-known county Wicklow man and a member of the Irish + Parliament.</p> + + <p>The word <i>sculloge</i> or <i>scolloge</i> is applied to a small + farmer, especially one that does his own farm work: it is often used in a + somewhat depreciatory sense to denote a mere rustic: and in both senses + it is well known all over the South. This word has a long history. It was + originally applied—a thousand years ago or more—to the + younger monks of a monastery, who did most of the farm work on the land + belonging to the religious community. These young men were of course + students indoors, as well as tillers outside, and hence the name, from + <i>scol</i>, a school:—<i>scológ</i> a young scholar. But as farm + work constituted a large part of their employment the name gradually came + to mean a working farmer; and in this sense it has come down to our + time.</p> + + <p>To a rich man whose forefathers made their <!-- Page 174 --><span + class="pagenum"><a name="page174"></a>{174}</span>money by smuggling + <i>pottheen</i> (illicit whiskey) from Innishowen in Donegal (formerly + celebrated for its pottheen manufacture), they say in Derry 'your granny + was a Dogherty who wore a tin pocket.' (Doherty a prevalent name in the + neighbourhood.) For this was a favourite way of smuggling from the + highlands—bringing the stuff in a tin pocket. Tom Boyle had a more + ambitious plan:—he got a tinker to make a hollow figure of tin, + something like the figure of his wife, who was a little woman, which Tom + dressed up in his wife's clothes and placed on the pillion behind him on + the horse—filled with pottheen: for in those times it was a common + custom for the wife to ride behind her husband. At last a sharp-eyed + policeman, seeing the man's affectionate attention so often repeated, + kept on the watch, and satisfied himself at last that Tom had a tin wife. + So one day, coming behind the animal he gave the poor little woman a + whack of a stick which brought forth, not a screech, but a hard metallic + sound, to the astonishment of everybody: and then it was all up with poor + Tom and his wife.</p> + + <p>There are current in Ireland many stories of gaugers and pottheen + distillers which hardly belong to my subject, except this one, which I + may claim, because it has <i>left its name on</i> a well-known Irish + tune:—'Paddy outwitted the gauger,' also called by three other + names, 'The Irishman's heart for the ladies,' 'Drops of brandy,' and + <i>Cummilum</i> (Moore's: 'Fairest put on Awhile'). Paddy Fogarty kept a + little public-house at the cross-roads in which he sold 'parliament,' + i.e. legal whiskey on which the duty had been paid; but it was well known + that friends could get a little drop <!-- Page 175 --><span + class="pagenum"><a name="page175"></a>{175}</span>of pottheen too, on the + sly. One hot July day he was returning home from Thurles with a + ten-gallon cag on his back, slung by a strong <i>soogaun</i> (hay rope). + He had still two good miles before him, and he sat down to rest, when who + should walk up but the new gauger. 'Well my good fellow, what have you + got in that cask?' Paddy dropped his jaw, looking the picture of terror, + and mumbled out some tomfoolery like an excuse. 'Ah, my man, you needn't + think of coming over me: I see how it is: I seize this cask in the name + of the king.' Poor Paddy begged and prayed, and talked about Biddy and + the childher at home—all to no use: the gauger slung up the cag on + his back (about a hundredweight) and walked on, with Paddy, heart-broken, + walking behind—for the gauger's road lay towards Paddy's house. At + last when they were near the cross-roads the gauger sat down to rest, and + laying down the big load began to wipe his face with his handkerchief. + 'Sorry I am,' says Paddy, 'to see your honour so dead <i>bet</i> up: sure + you're sweating like a bull: maybe I could relieve you.' And with that he + pulled his legal <i>permit</i> out of his pocket and laid it on the cag. + The gauger was astounded: 'Why the d—— didn't you show me + that before?' 'Why then 'tis the way your honour,' says Paddy, looking as + innocent as a lamb, 'I didn't like to make so bould as I wasn't axed to + show it?' So the gauger, after a volley of something that needn't be + particularised here, walked off <i>with himself without an inch of the + tail</i>. 'Faix,' says Paddy, ''tis easy to know 'twasn't our last + gauger, ould Warnock, that was here: 'twouldn't be so easy to come round + him; for he had a nose that would <i>smell a needle in a forge</i>.' <!-- + Page 176 --><span class="pagenum"><a name="page176"></a>{176}</span></p> + + <p>In Sligo if a person is sick in a house, and one of the cattle dies, + they say 'a life for a life,' and the patient will recover. Mr. Kinahan + says, 'This is so universal in the wilds of Sligo that Protestants and + Catholics believe it alike.'</p> + + <p>As an expression of welcome, a person says, 'We'll spread green rushes + under your feet'; a memory of the time when there were neither boards nor + carpets on the floors—nothing but the naked clay—in Ireland + as well as in England; and in both countries, it was the custom to strew + the floors of the better class of houses with rushes, which were renewed + for any distinguished visitor. This was always done by the + women-servants: and the custom was so general and so well understood that + there was a knife of special shape for cutting the rushes. (See my + 'Smaller Social Hist. of Ancient Ireland,' p. 305.)</p> + + <p>A common exclamation of drivers for urging on a horse, heard + everywhere in Ireland, is <i>hupp, hupp!</i> It has found its way even + into our nursery rhymes; as when a mother is dancing her baby up and down + on her knee, she sings:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'How many miles to Dub-l-in?</p> + <p class="i2">Three score and ten,</p> + <p>Will we be there by candle light?</p> + <p class="i2">Yes and back again:</p> + <p><i>Hupp, hupp</i> my little horse,</p> + <p class="i2"><i>Hupp, hupp</i> again.'</p> + </div> + </div> + + <p>This Irish word, insignificant as it seems, has come down from a + period thirteen or fourteen hundred years ago, or probably much farther + back. In the library of St. Gall in Switzerland there is a manuscript + written in the eighth century by some scholarly Irish <!-- Page 177 + --><span class="pagenum"><a name="page177"></a>{177}</span>monk—who + he was we cannot tell: and in this the old writer <i>glosses</i> or + explains many Latin words by corresponding Irish words. Among others the + Latin interjection <i>ei</i> or <i>hei</i> (meaning ho! quick! come on) + is explained by <i>upp</i> or <i>hupp</i> (Zeuss).</p> + + <p>Before Christianity had widely spread in Ireland, the pagans had a + numerous pantheon of gods and goddesses, one of which was <i>Badb</i> + [bibe], a terrible war-fury. Her name is pronounced <i>Bibe</i> or + <i>Bybe</i>, and in this form it is still preserved all over Cork and + round about, not indeed for a war-fury, but for what—in the opinion + of some people—is nearly as bad, a <i>scolding woman</i>. (For + <i>Badb</i> and all the other pagan Irish gods and goddesses, see my + 'Smaller Social History of Ancient Ireland,' chap. v.)</p> + + <p>From the earliest times in Ireland animals were classified with regard + to grazing; and the classification is recognised and fully laid down in + the Brehon Law. The legal classification was this:—two geese are + equivalent to a sheep; two sheep to a <i>dairt</i> or one-year-old + heifer; two <i>dairts</i> to one <i>colpach</i> or <i>collop</i> (as it + is now called) or two-year-old heifer; two <i>collops</i> to one cow. + Suppose a man had a right to graze a certain number of cows on a common + (i.e. pasture land not belonging to individuals but common to all the + people of the place collectively); he might turn out the exact number of + cows or the equivalent of any other animals he pleased, so long as the + total did not exceed the total amount of his privilege.</p> + + <p>In many parts of Ireland this system almost exactly as described above + is kept up to this day, the collop being taken as the unit: it was + universal in my native place sixty years ago; and in a way it exists <!-- + Page 178 --><span class="pagenum"><a name="page178"></a>{178}</span>there + still. The custom is recognised in the present-day land courts, with some + modifications in the classification—as Mr. Maurice Healy informs me + in an interesting and valuable communication—the <i>collop</i> + being still the unit—and constantly referred to by the lawyers in + the conduct of cases. So the old Brehon Law process has existed + continuously from old times, and is repeated by the lawyers of our own + day; and its memory is preserved in the word <i>collop</i>. (See my + 'Smaller Soc. Hist. of Anc. Ireland,' p. 431.)</p> + + <p>In pagan times the religion of Ireland was Druidism, which was taught + by the druids: and far off as the time is the name of these druids still + exists in our popular speech. The Irish name for a druid is <i>drui</i> + [dree]; and in the South any crabbed cunning old-fashioned-looking little + boy is called—even by speakers of English—a <i>shoundree</i>, + which exactly represents in sound the Irish <i>sean-drui</i>, old druid; + from <i>sean</i> [shoun or shan], old. (See 'Irish Names of Places,' I. + 98.)</p> + + <p>There are two words much in use in Munster, of which the phonetic + representations are <i>thoothach</i> or <i>thoohagh</i> and <i>hóchan</i> + (<i>ó</i> long), which tell a tale of remote times. A <i>thoothach</i> or + <i>thoohagh</i> is an ignorant unmannerly clownish fellow: and + <i>hóchan</i> means much the same thing, except that it is rather lower + in the sense of ignorance or uncouthness. Passing through the Liberties + of Dublin I once heard a woman—evidently from Limerick—call a + man a dirty <i>hóchan</i>. Both words are derived from <i>tuath</i> + [thooa], a layman, as distinguished from a cleric or a man of learning. + The Irish form of the first is <i>tuathtach</i>: of the second + <i>thuathcháin</i> (vocative). Both are a memory of the <!-- Page 179 + --><span class="pagenum"><a name="page179"></a>{179}</span>time when + illiterate people were looked down upon as boorish and ill-mannered as + compared with clerics or with men of learning in general.</p> + + <p>The people had great respect and veneration for the old families of + landed gentry—the <i>real old stock</i> as they were called. If a + man of a lower class became rich so as to vie with or exceed in + possessions many of the old families, he was never recognised as on their + level or as a gentleman. Such a man was called by the people a + <i>half-sir</i>, which bears its meaning on its face.</p> + + <p>Sixty years ago people very generally used home-made and home-grown + produce—frieze—linen—butter—bacon—potatoes + and vegetables in general. A good custom, for 'a cow never burst herself + by chewing her cud.' (MacCall: Wexford.)</p> + + <p>To see one magpie or more is a sign of bad or good luck, + viz.:—'One for sorrow; two for mirth; three for a wedding; four for + a birth.' (MacCall: Wexford.)</p> + + <p>The war-cry of the great family of O'Neill of Tyrone was + <i>Lauv-derg-aboo</i> (the Red Hand to Victory: the Red Hand being the + cognisance of the O'Neills): and this cry the clansmen shouted when + advancing to battle. It is many a generation since this same cry was + heard in battle; and yet it is remembered in popular sayings to this day. + In Tyrone when a fight is expected one man will say to another 'there + will be <i>Dergaboos</i> to-day': not that the cry will be actually + raised; but <i>Dergaboo</i> has come to be a sort of symbolic name for a + fight.</p> + + <p>In and around Ballina in Mayo, a great strong fellow is called an + <i>allay-foozee</i>, which represents the <!-- Page 180 --><span + class="pagenum"><a name="page180"></a>{180}</span>sound of the French + <i>Allez-fusil</i> (musket or musketry forward), preserving the memory of + the landing of the French at Killala (near Ballina) in 1798.</p> + + <p>When a person looks as if he were likely to die soon:—'He's in + the raven's book.' Because when a person is about to die, the raven + croaks over the house. (MacCall: Wexford.)</p> + + <p>A 'cross' was a small old Irish coin so called from a figure of St. + Patrick stamped on it with a conspicuous cross. Hence a person who has no + money says 'I haven't a cross.' In Wexford they have the same saying with + a little touch of drollery added on:—'There isn't as much as a + cross in my pocket to keep the devil from dancing in it.' (MacCall.) For + of course the devil dare not come near a cross of any shape or form.</p> + + <p>A <i>keenoge</i> (which exactly represents the pronunciation of the + Irish <i>cíanóg</i>) is a very small coin, a farthing or half a farthing. + It was originally applied to a small foreign coin, probably Spanish, for + the Irish <i>cían</i> is 'far off,' 'foreign': <i>óg</i> is the + diminutive termination. It is often used like 'cross': 'I haven't as much + as a keenoge in my pocket.' 'Are you not going to lend me any money at + all?' 'Not a keenoge.'</p> + + <p>A person not succeeding in approaching the house or spot he wants to + reach; hitting wide of the mark in shooting; not coming to the point in + argument or explanation:—'Oh you didn't come within the bray of an + ass of it.' This is the echo of a very old custom. More than a thousand + years ago distance was often vaguely measured in Ireland by sound. A man + felling a tree was 'bound by the Brehon Law <!-- Page 181 --><span + class="pagenum"><a name="page181"></a>{181}</span>to give warning as far + as his voice could reach,' so as to obviate danger to cattle or people. + We find a like measure used in Donegal to this day:—[The Dublin + house where you'll get the book to buy is on the Quays] 'about a mountain + man's call below the Four Courts.' (Seumas MacManus.) The crow of a cock + and the sound of a bell (i.e. the small hand-bell then used) as measures + of distances are very often met with in ancient Irish writings. An old + commentator on the Brehon Laws defines a certain distance to be 'as far + as the sound of the bell or the crow of a barn-door cock could be heard. + This custom also prevailed among other ancient nations. (See my 'Smaller + Soc. Hist. of Anc. Ireland,' p. 473.)</p> + + <p><i>The 'Duty'.</i> Formerly all through Ireland the tenants were + obliged to work for their landlords on a certain number of days free, + except that they generally got food. Such work was commonly called in + English the 'duty.' In Wicklow for example—until very + recently—or possibly still—those who had horses had to draw + home the landlord's turf on certain days. In Wexford they had in a + similar way to draw stones for the embankments on the Barrow. The tenants + commonly collected in numbers on the same day and worked all together. + The Irish word used to designate such gatherings was + <i>bal</i>—still so called in Connaught. It was usual to hear such + English expressions as—'Are you going to the duty?' or 'Are you + going to the bal?' (Kinahan.)</p> + + <p>(N.B. I do not know the Irish word <i>bal</i> in this sense, and + cannot find it in the Dictionaries.)</p> + + <p>'Duty' is used in a religious sense by Roman <!-- Page 182 --><span + class="pagenum"><a name="page182"></a>{182}</span>Catholics all through + Ireland to designate the obligation on all Catholics to go to Confession + and Holy Communion at Easter time. 'I am going to my duty, please God, + next week.'</p> + + <p>'I'll return you this book on next Saturday <i>as sure as the + hearth-money</i>': a very common expression in Ireland. The old English + oppressive impost called <i>hearth-money</i>—a tax on + hearths—which every householder had to pay, was imported into + Ireland by the English settlers. Like all other taxes it was certain to + be called for and gathered at the proper time, so that our saying is an + apt one; but while the bad old impost is gone, its memory is preserved in + the everyday language of the people.</p> + + <p>A king, whether of a small or large territory, had in his service a + champion or chief fighting man whose duty it was to avenge all insults or + offences offered to the families of the king and tribe, particularly + murder; like the 'Avenger of blood' of the Jews and other ancient + nations. In any expected danger from without he had to keep + watch—with a sufficient force—at the most dangerous ford or + pass—called <i>bearna baoghaill</i> [barna beel] or gap of + danger—on that part of the border where invasion was expected, and + prevent the entrance of any enemy. This custom, which is as old as our + race in Ireland, is remembered in our present-day speech, whether Irish + or Anglo-Irish; for the man who courageously and successfully defends any + cause or any position, either by actual fighting or by speeches or + written articles, is 'the man in the gap.' Of the old Irish chiefs Thomas + Davis writes:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Their hearts were as soft as the child in the lap,</p> + <p>Yet they were the men in the gap.'</p> + </div> + </div> + +<p><!-- Page 183 --><span class="pagenum"><a name="page183"></a>{183}</span></p> + + <p>In the old heroic semi-historic times in Ireland, a champion often + gave a challenge by standing in front of the hostile camp or fort and + striking a few resounding blows with the handle of his spear either on + his own shield or on a shield hung up for the purpose at the entrance + gate outside.<a name="NtA7" href="#Nt7"><sup>[7]</sup></a></p> + + <p>The memory of this very old custom lives in a word still very common + in the South of Ireland—<i>boolimskee</i>, Irish + <i>buailim-sciath</i>, 'I strike the shield,' applied to a man much given + to fighting, a quarrelsome fellow, a swaggering bully—a + swash-buckler.</p> + + <p>Paying on the nail, paying down on the nail; paying on the + spot—ready cash. This expression had its origin in a custom + formerly prevailing in Limerick city. In a broad thoroughfare under the + Exchange stood a pillar about four feet high, on the top of which was a + circular plate of copper about three feet in diameter. This pillar was + called 'The Nail.' The purchaser of anything laid down the stipulated + price or the earnest <i>on the nail</i>, i.e. on the brass plate, which + the seller took up: when this was done before witnesses the transaction + was as binding as if entered on parchment. (O'Keeffe's Recollections.) + 'The Nail' is still to the fore, and may now be seen in the Museum of the + Carnegie Library building, to which it was transferred a short time + ago.</p> + + <p>The change in the Calendar from the old style to the new style, a + century and a half ago, is noted in the names for Christmas. All through + the South, <!-- Page 184 --><span class="pagenum"><a + name="page184"></a>{184}</span>and in other parts of Ireland, the 6th + January ('Twelfth Day') is called 'Old Christmas' and 'Little Christmas' + (for before the change of style it was <i>the</i> Christmas): and in many + parts of the north our present Christmas is called New Christmas. So in + Donegal the 12th of May is called by the people 'Old May day.' (Seumas + MacManus.)</p> + + <p><i>Palm, Palm-Sunday.</i> The usual name in Ireland for the yew-tree + is 'palm,' from the custom of using yew branches instead of the real + palm, to celebrate Palm Sunday—the Sunday before + Easter—commemorating the palm branches that were strewed before our + Lord on His public entry into Jerusalem. I was quite a grown boy before I + knew the yew-tree by its proper name—it was always + <i>palm-tree</i>.</p> + + <p><i>Oliver's Summons.</i>—When a lazy fellow was driven to work + either by hunger or by any unavoidable circumstance he was said to have + got <i>Oliver's Summons</i>, a common household word in parts of the + county Limerick in my younger days, originating in the following + circumstance. When a good plentiful harvest came round, many of the men + of our neighbourhood at this time—about the beginning of last + century—the good old easy-going times—worked very + little—as little as ever they could. What was the use of working + when they had plenty of beautiful floury potatoes for half nothing, with + salt or <i>dip</i>, or perhaps a piggin of fine thick milk to crown the + luxury. Captain Oliver, the local landlord, and absolute monarch so far + as ordinary life was concerned, often—in those seasons—found + it hard or impossible to get men to come to do the necessary work about + his grounds—though paying <!-- Page 185 --><span class="pagenum"><a + name="page185"></a>{185}</span>the usual wages—till at last he hit + on an original plan. He sent round, the evening before, to the houses of + the men he wanted, a couple of fellows with a horse and cart, who seized + some necessary article in each house—a spinning-wheel, a bed, the + pot, the single table, &c.—and brought them all away body and + bones, and kept them impounded. Next morning he was sure to have half a + dozen or more strapping fellows, who fell to work; and when it was + finished and wages paid, the captain sent home the articles. I had this + story from old men who saw the carts going round with their loads.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER XII.</h3> + +<p class="cenhead">A VARIETY OF PHRASES.</p> + + <p>Among fireside amusements propounding riddles was very general sixty + or seventy years ago. This is a custom that has existed in Ireland from + very early times, as the reader may see by looking at my 'Old Celtic + Romances,' pp. 69, 186, 187, where he will find some characteristic + ancient Irish ones. And we know that it was common among other ancient + nations. I have a number of our modern Irish riddles, many in my memory, + and some supplied to me from Wexford by Mr. Patrick J. MacCall of Dublin, + who knows Wexford well. Some are easy enough: but there are others that + might defy the Witch of Endor to answer them. They hardly come within my + scope, but I will give a few examples. <!-- Page 186 --><span + class="pagenum"><a name="page186"></a>{186}</span></p> + + <p>A steel grey with a flaxen tail and a brass boy driving. Answer: + needle and thread; thimble.</p> + + <div class="poem"> + <div class="stanza"> + <p>Little Jennie Whiteface has a red nose,</p> + <p>The longer she lives the shorter she grows.</p> + </div> + </div> + + <p>Answer: a lighted candle.</p> + + <div class="poem"> + <div class="stanza"> + <p>A man without eyes</p> + <p>Went out to view the skies,</p> + <p class="i2">He saw a tree with apples on:</p> + <p>He took no apples,</p> + <p>He ate no apples,</p> + <p class="i2">And still he left no apples on.</p> + </div> + </div> + + <p>Answer: a one-eyed man: the tree had two apples: he took one.</p> + + <p>Long legs, crooked thighs, little head, no eyes. Answer: a tongs.</p> + + <p>Ink-ank under a bank ten drawing four. Answer: a girl milking a + cow.</p> + + <div class="poem"> + <div class="stanza"> + <p>Four-and-twenty white bulls tied in a stall:</p> + <p>In comes a red bull and over licks them all.</p> + </div> + </div> + + <p>Answer: teeth and tongue.</p> + + <p>These are perhaps not very hard, though not quite so easy as the + Sphinx's riddle to the Thebans, which Œdipus answered to his + immortal renown. But I should like to see Œdipus try his hand at + the following. Samson's riddle about the bees is hard enough, but ours + beats it hollow. Though Solomon solved all the puzzles propounded to him + by the Queen of Sheba, I think this would put him to the pin of his + collar. I learned it in Limerick two generations ago; and I have got a + Wexford version from Mr. MacCall. Observe the delightful inconsequence of + riddle and answer. <!-- Page 187 --><span class="pagenum"><a + name="page187"></a>{187}</span></p> + + <div class="poem"> + <div class="stanza"> + <p class="i4">Riddle me, riddle me right:</p> + <p class="i4">What did I see last night?</p> + <p class="i8">The wind blew,</p> + <p class="i8">The cock crew,</p> + <p class="i8">The bells of heaven</p> + <p class="i8">Struck eleven.</p> + <p class="hg1">'Tis time for my poor <i>sowl</i> to go to heaven.</p> + </div> + </div> + + <p>Answer: the fox burying his mother under a holly tree.</p> + + <p> </p> + + <p>To a person who begins his dinner without saying grace: 'You begin + your meal like a fox': for a fox never says grace. A fox once ran off + with a cock—neck in mouth—to make a meal of him. Just as he + was about to fall to, the cock said—'Won't you thank God?' So the + fox opened his mouth to say grace, and the cock escaped and flew up into + a tree. On which the fox swore he'd never more say grace or any other + prayer. (From Clare: Healy.)</p> + + <p>In depreciation of a person's honour: 'Your honour and goat's wool + would make good stockings': i.e. your honour is as far from true honour + as goat's hair is from wool.</p> + + <p>'For the life of me' I can't see why you vex yourself for so small a + matter.</p> + + <p>Of a pair of well-matched bad men:—'They might lick thumbs.' + Also 'A pity to spoil two houses with them.' (Moran: Carlow.)</p> + + <p>A person is said to be 'belled through the parish' when some + discreditable report concerning him has gone about in the neighbourhood. + The allusion is to a bellman announcing something to the public. (Moran: + Carlow.) <!-- Page 188 --><span class="pagenum"><a + name="page188"></a>{188}</span></p> + + <p>A person addresses some abusive and offensive words to another, who + replies 'Talk away: <i>your tongue is no scandal</i>.' The meaning is, + 'You are so well known for the foulness of your tongue that no one will + pay any attention to you when you are speaking evil of another.' (Moran: + Carlow.)</p> + + <p>'Come and have a drink,' said the dragoon. 'I don't take anything; + <i>thank you all the same</i>,' replied Billy Heffernan. (Knocknagow.) + Very general everywhere in Ireland.</p> + + <p>Regarding a person in consumption:—</p> + + <div class="poem"> + <div class="stanza"> + <p>March will <i>sarch</i> [search],</p> + <p class="i2">April will try,</p> + <p>May will see</p> + <p class="i2">Whether you'll live or die.</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">MacCall</span>: Wexford.)</p> + </div> + </div> + + <p>When a man inherits some failing from his parents, 'He didn't catch it + in the wind'—'It wasn't off the wind he took it.' (Moran: + Carlow.)</p> + + <p>When a man declines to talk with or discuss matters with another, he + says 'I owe you no discourse'—used in a more or less offensive + sense—and heard all through Ireland.</p> + + <p>When a person shows himself very cute and clever another says to him + 'Who let you out?'—an ironical expression of fun: as much as to say + that he must have been confined in an asylum as a confirmed fool. (Moran: + Carlow.)</p> + + <p>When a person for any reason feels elated, he says 'I wouldn't call + the king my uncle.' ('Knocknagow'; but heard everywhere in Ireland.)</p> + + <p>When a person who is kind enough while he is with <!-- Page 189 + --><span class="pagenum"><a name="page189"></a>{189}</span>you grows + careless about you once he goes away:—'Out of sight out of + mind.'</p> + + <p>To go <i>with your finger in your mouth</i> is to go on a fool's + errand, to go without exactly knowing why you are going—without + knowing particulars.</p> + + <p>When a person singing a song has to stop up because he forgets the + next verse, he says (mostly in joke) 'there's a hole in the + ballad'—throwing the blame on the old ballad sheet on which the + words were imperfect on account of a big hole.</p> + + <p>Searching for some small article where it is hard to find it among a + lot of other things is 'looking for a needle in a bundle of straw.'</p> + + <p>When a mistake or any circumstance that entails loss or trouble is + irreparable—'there's no help for spilt milk.'</p> + + <p>Seventy or eighty years ago the accomplishments of an Irishman should + be:</p> + + <div class="poem"> + <div class="stanza"> + <p>To smoke his dudheen,</p> + <p>To drink his cruiskeen,</p> + <p>To flourish his alpeen,</p> + <p>To wallop a spalpeen.</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">MacCall</span>: Wexford.)</p> + </div> + </div> + + <p>It is reported about that Tom Fox stole Dick Finn's sheep: but he + didn't. Driven to desperation by the false report, Tom now really steals + one, and says:—'As I have the name of it, I may as well have the + gain of it.'</p> + + <p>A person is told of some extraordinary occurrence and + exclaims—'Well such a thing as that was never before heard of + <i>since Adam was a boy</i>.' This last expression is very general.</p> + + <p>The Chairman of the Banbridge Board of Guardians <!-- Page 190 + --><span class="pagenum"><a name="page190"></a>{190}</span>lately asked a + tramp what was his occupation: to which the fellow—cancelling his + impudence by his drollery—replied:—'I'm a hailstone maker out + of work owing to the want of snow.'</p> + + <p>My partner in any business has acted against my advice and has + persisted, notwithstanding my repeated friendly remonstrances, till at + last he brings failure and discredit. Yet when the trial comes I <i>stand + black for him</i>; i.e. I act loyally towards him—I defend him: I + take my share of the blame, and never give the least hint that the + failure is all his doing. <i>Standing black</i> often heard.</p> + + <p>'He's not all there,' i.e. he is a little daft, a little + <i>cracked</i>, weak-minded, foolish, has a slight touch of insanity: + 'there's a slate off,' 'he has a bee in his bonnet' (Scotch): 'he wants a + square' (this last Old English).</p> + + <p>A man gets into an angry fit and you take no trouble to pacify + him:—'Let him cool in the skin he heated in.' (Moran: Carlow.)</p> + + <p>A person asks me for money: I give him all I have, which is less than + he asked for:—'That is all [the corn] there's threshed.' (Moran: + Carlow.)</p> + + <p>A man with a very thin face 'could kiss a goat between the horns.' + (Moran: Carlow.)</p> + + <p>'Never put a tooth on it': an invitation to speak out plainly, + whatever the consequences.</p> + + <p>A woman giving evidence at Drumcondra Petty Sessions last year says 'I + was born and reared in Finglas, and there isn't one—man or + woman—that dare say <i>black was the white of my eye</i>': that is, + no one could allege any wrong-doing against her. Heard everywhere in + Ireland. <!-- Page 191 --><span class="pagenum"><a + name="page191"></a>{191}</span></p> + + <p>A man who is going backwards or down the hill in circumstances is said + to be 'going after his back.' The sense is obvious. (Moran: Wexford.)</p> + + <p>'Come day go day God send Sunday,' applied to an easy-going idle + good-for-nothing person, who never looks to the future.</p> + + <p>When a person is asked about something of which for some reason he + does not wish to speak, he says 'Ask me no questions and I'll tell you no + lies.' (General.)</p> + + <p>A man who is of opinion that his friend has bought a cow too dear says + 'You bought every hair in her tail.'</p> + + <p>To a person everlastingly talking:—'Give your tongue a + holiday.'</p> + + <p>He always visits us <i>of a Saturday</i>. Halliwell says this is + common in several English dialects. (Rev. Wm. Burke.)</p> + + <p>Johnny Dunn, a job gardener of Dublin, being asked about his young + wife, who was living apart from him:—'Oh she's just doing nothing, + but walking about town with a <i>mug of consequence</i> on her.'</p> + + <p>'I'm blue-moulded for want of a beating,' says a fellow who pretends + to be anxious for a fight, but can find no one to fight with him.</p> + + <div class="poem"> + <div class="stanza"> + <p>A whistling woman and a crowing hen</p> + <p>Will make a man wealthy but deer knows when.</p> + </div> + + <div class="stanza"> + <p>(Moran: Carlow.)</p> + </div> + </div> + + <p>The people have an almost superstitious dislike for both: they are + considered unlucky.</p> + + <p>'I'll make him scratch where he doesn't itch': meaning I'll punish him + sorely in some way. (Moran: Carlow.) <!-- Page 192 --><span + class="pagenum"><a name="page192"></a>{192}</span></p> + + <p>When flinging an abusive epithet at a person, 'you' is often put in + twice, first as an opening tip, and last as a finishing home + blow:—'What else could I expect from your like, <i>you unnatural + vagabone, you</i>!'</p> + + <p>'I'm afraid he turns up his little finger too often'; i.e.—he is + given to drink: alluding to the position of the hand when a person is + taking a glass.</p> + + <div class="poem"> + <div class="stanza"> + <p>My neighbour Jack Donovan asked me one day,</p> + <p>How many strawberries grew in the <i>say</i>;</p> + <p>I made him an answer as well as I could,</p> + <p>As many red herrings as grew in the wood.</p> + </div> + </div> + + <p>When a person is obliged to utter anything bordering on coarseness, he + always adds, by way of a sort of apology, 'saving your presence': or + 'with respect to you.'</p> + + <p>Small trifling things are expressed by a variety of + words:—'Those sausages are not worth a <i>mallamadee</i>': 'I don't + care a <i>traneen</i> what he says': 'I don't care two rows of pins.'</p> + + <p>To be rid of a person or thing is expressed by 'I got shut of him,' or + 'I am done of it.' (Limerick.)</p> + + <p>'How did you travel to town?' 'Oh I went <i>on shanks' mare</i>:' i.e. + I walked.</p> + + <p>'His bread is baked'; i.e. he is doomed to die soon. (See p. <a + href="#page109">109</a> bottom.)</p> + + <p>Banagher is a village in King's Co. on the Shannon: Ballinasloe is a + town in Galway at the other side of the river. When anything very unusual + or unexpected occurs, the people say,'Well that bangs Banagher!' or 'that + bangs Banagher and Ballinasloe!'</p> + + <p>'Have you got a shilling to spare for a friend?' 'Indeed I have not.' + 'Ah you must give it to me; it <!-- Page 193 --><span class="pagenum"><a + name="page193"></a>{193}</span>is for your cousin Tom.' 'Oh, <i>that's a + horse of another colour</i>.' (So he gives it.)</p> + + <p>'<i>Well done mother!</i>' says the blacksmith when the tooth was out. + This is how it was pulled. He tied one end of a strong string round the + tooth, and the other end to the horn of the anvil, and made the old woman + keep back her head so as to tighten the string. '<i>Asy</i> now mother,' + says he. Then taking the flaming horseshoe from the fire with the tongs + he suddenly thrust it towards her face. Anyone can finish the story.</p> + + <p>If she catches you she'll <i>comb your hair with the creepy stool</i>: + i.e. she'll whack and beat you with it. (Ulster.)</p> + + <p>They say pigs can see the wind, and that it is red. In very old times + the Irish believed that there were twelve different winds with twelve + colours. (For these see my 'Smaller Soc. Hist. of Anc. Ireland,' p. 527.) + The people also will tell you that a pig will swim till the water cuts + its throat.</p> + + <p>Ah, I see you want <i>to walk up my sleeve</i>: i.e. you want to + deceive me—<i>to take me in</i>. (Kerry.)</p> + + <p>An expression often heard in the South:—Such and such a thing + will happen now and then <i>if you were to put your eyes on sticks</i>; + i.e. however watchful you may be. 'Well, if I was to put my eyes upon + sticks, Misther Mann, I never would know your sister again.' (Gerald + Griffin.)</p> + + <p>He <i>is down in the mouth</i>, i.e. he is in low spirits. I suppose + this is from the dropping down of the corners of the mouth.</p> + + <p>To scold a person—to reprimand him—to give him a good + 'setting down'—to give him 'all sorts'—to give him 'the rough + side of your tongue.' <!-- Page 194 --><span class="pagenum"><a + name="page194"></a>{194}</span></p> + + <p>Anything that cheers you up 'takes the cockles off your heart': 'Here + drink this [glass of punch, wine, &c.] and 'twill take the cockles + off your heart.' 'It raises the very cockles o' my heart to see you.' + ('Collegians.') ''Twould rise the cockles av your heart to hear her + singing the Coolin.' ('Knocknagow.') Probably the origin is + this:—Cares and troubles clog the heart as cockles clog a ship.</p> + + <p>Instead of 'No blame to you' or 'Small blame to you,' the people often + say, ''Tis a stepmother would blame you.'</p> + + <p>'Cut your stick, now,' 'cut away'; both mean <i>go away</i>: the idea + being that you want a walking stick and that it is time for you to cut + it.</p> + + <p>'I hear William is out of his situation.' 'Yes indeed, that is true.' + 'And how is he living?' 'I don't know; I suppose he's living <i>on the + fat of his guts</i>': meaning he is living on whatever he has saved. But + it is sometimes used in the direct sense. Poor old Hill, while his shop + prospered, had an immense paunch, but he became poor and had to live on + poor food and little of it, so that the belly got flat; and the people + used to say—he's living now on the fat of his guts, poor old + fellow.</p> + + <p>Tom Hogan is managing his farm in a way likely to bring him to + poverty, and Phil Lahy says to him—'Tom, you'll scratch a + beggarman's back yet': meaning that Tom will himself be the beggarman. + ('Knocknagow.') Common all over Munster.</p> + + <p>The people have a gentle laudable habit of mixing up sacred names and + pious phrases with their ordinary conversation, in a purely reverential + spirit. This is one of the many peculiarities of Anglo-Irish <!-- Page + 195 --><span class="pagenum"><a name="page195"></a>{195}</span>speech + derived from the Irish language: for pious expressions pervaded Irish to + its very heart, of which the people lost a large part when they ceased to + speak the language. Yet it continues very prevalent among our + English-speaking people; and nearly all the expressions they use are + direct translations from Irish.</p> + + <p>'I hear there is a mad dog running about the town.' 'Oh do you tell me + so—the Lord between us and harm!' or 'the Lord preserve us!' both + very common exclamations in case of danger.</p> + + <p>Sudden news is brought about something serious happening to a + neighbour, and the people say:—'Oh, God bless the hearers,' or 'God + bless the mark.' This last is however generally used in derision. John + Cox, a notorious schemer and miser, 'has put down his name for £20 for a + charity—God bless the mark!' an intimation that the £20 will never + be heard of again.</p> + + <p>When a person goes away for ever or dies, the friends and people say + 'God be with him,' a very beautiful expression, as it is the + concentration of human affection and regret, and also a prayer. It is + merely the translation of the Irish <i>Dia leis</i>, which has forms for + all the three persons and two genders:—'with her,' 'with you, 'with + them,' &c.</p> + + <p>Under any discouraging or distressing circumstances, the expressions + 'God help me' and 'God help us' are continually in the mouths of the + people. They are merely translations of <i>go bh-fóireadh Día + orruinn</i>, &c. Similarly, expressions of pity for another such as + 'That poor woman is in great trouble, God help her,' are translations. + <!-- Page 196 --><span class="pagenum"><a + name="page196"></a>{196}</span></p> + + <p>In Dublin, Roman Catholics when passing a Catholic church (or + 'chapel') remove the hat or cap for a moment as a mark of respect, and + usually utter a short aspiration or prayer under breath. This custom is I + think spreading.</p> + + <p>When one expresses his intention to do anything even moderately + important, he always adds 'please God.' Even in our English speech this + is of old standing. During the Irish wars of Elizabeth, it was told to an + Irish chief that one of the English captains had stated he would take + such and such a castle, when the chief retorted, 'Oh yes, but did he say + <i>please God</i>': as much as to say, 'yes if God pleases, but not + otherwise.'</p> + + <p>'This sickness kept me from Mass for a long time; but <i>with the help + of God</i>, I'll venture next Sunday.' 'Yes, poor Kitty is in great + danger, but <i>with the help of God</i> she will pull through.'</p> + + <p>'I am afraid that poor Nellie will die after that accident.' 'Oh, God + forbid,' is the response.</p> + + <p>People have a pleasing habit of applying the word <i>blessèd</i> + [2-syll.] to many natural objects, to days, nights, &c. 'Well, you + have teased me terribly the whole of this blessèd day—you young + vagabone.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Were it not that full of sorrow from my people forth I go,</p> + <p>By the blessèd sun 'tis royally I'd sing thy praise Mayo.'</p> + </div> + + <div class="stanza"> + <p>Translation of Irish Song on 'The County Mayo.'</p> + </div> + </div> + + <p>A mother says to her mischievous child, 'Oh blessèd hour, what am I to + do with you at all at all!'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Oh we're in a precious plight</p> + <p>By your means this blessèd night.'</p> + </div> + + <div class="stanza"> + <p>(Repeal Song of 1843.)</p> + </div> + </div> + +<p><!-- Page 197 --><span class="pagenum"><a name="page197"></a>{197}</span></p> + + <p>'God help me this blessèd night.' ('Mun Carberry and the Pooka' by + Robert Dwyer Joyce.)</p> + + <p>A man is on the verge of ruin, or in some other great trouble, and the + neighbours will say, 'the Lord will open a gap for him': meaning God will + find some means of extricating him. Father Higgins, who sent me this, + truly remarks:—'This is a fine expressive phrase showing the + poetical temperament of our people, and their religious spirit too.'</p> + + <p>When anything happens very much out of the common:—'Glory be to + God, isn't that wonderful.'</p> + + <p>At the mention of the name of a person that is dead, the Roman + Catholic people invariably utter the little prayer 'God rest his soul' or + 'the Lord have mercy on him.'</p> + + <p>The people thank God for everything, whatever it may be His will to + send, good or bad. 'Isn't this a beautiful day, Mike.' ''Tis indeed, + thank God.' 'This is a terrible wet day, William, and very bad for the + crops.' 'It is indeed Tom, thanks be to God for all: He knows best.'</p> + + <p>As might be expected where expressions of this kind are so constantly + in the people's mouths, it happens occasionally that they come in rather + awkwardly. Little Kitty, running in from the dairy with the eyes starting + out of her head, says to her mother who is talking to a neighbour in the + kitchen: 'Oh, mother, mother, I saw a terrible thing in the cream.' 'Ah, + never mind, child,' says the mother, suspecting the truth and anxious to + hush it up, 'it's nothing but the grace of God.' 'Oh but mother, sure the + grace of God hasn't a long tail.'</p> + + <p>The following story was current when I was a <!-- Page 198 --><span + class="pagenum"><a name="page198"></a>{198}</span>child, long before + Charles Kickham wrote 'Knocknagow,' in which he tells the story too: but + I will give it in his words. A station is held at Maurice Kearney's, + where the family and servants and the neighbours go to Confession and + receive Holy Communion: among the rest Barney Broderick the stable boy. + After all was over, Father MacMahon's driver provokes and insults Barney, + who is kept back, and keeps himself back with difficulty from falling on + him and 'knocking his two eyes into one' and afterwards 'breaking every + tooth in his head.' 'Damn well the <i>blagard</i> knows,' exclaims + Barney, 'that I'm in a state of grace to-day. But'—he continued, + shaking his fist at the fellow—'but, please God I won't be in a + state of grace always.'</p> + + <p>When a person is smooth-tongued, meek-looking, over civil, and + deceitful, he is <i>plauzy</i> [plausible], 'as mild as ever on stirabout + smiled.' 'Oh she is sly enough; she looks as if <i>butter wouldn't melt + in her mouth</i>.' (Charles Macklin—an Irish writer—in <i>The + Man of the World</i>.) This last expression of Macklin's is heard + everywhere here.</p> + + <p>A person is in some sore fix, or there is trouble before him: 'I + wouldn't like to be <i>in his shoes</i> just now.'</p> + + <p>A person falls in for some piece of good fortune:—'Oh you're + <i>made up</i>, John: you're a <i>med</i> man; you're <i>on the pig's + back</i> now.'</p> + + <p>In a house where the wife is master—the husband + henpecked:—'the grey mare is the better horse.' (General.)</p> + + <p>He got the father of a beating; i.e. a great beating. <!-- Page 199 + --><span class="pagenum"><a name="page199"></a>{199}</span></p> + + <p>'How did poor Jack get that mark on his face?' 'Oh he fell over his + shadow': meaning he fell while he was drunk.</p> + + <p>A good dancer 'handles his feet well.' (MacCall: Wexford.)</p> + + <p>A pensioner, a loafer, or anyone that has nothing to do but walk + about, is <i>an inspector of public buildings</i>.</p> + + <p>Those who leave Ireland commonly become all the more attached to it: + they get to love <i>the old sod</i> all the more intensely. A poor old + woman was dying in Liverpool, and Father O'Neill came and administered + the last sacraments. He noticed that she still hesitated as if she wished + to say something more; and after some encouragement she at length + said:—'Well, father, I only wanted to ask you, <i>will my soul pass + through Ireland on its journey?</i>' ('Knocknagow.') According to a + religious legend in 'The Second Vision of Adamnan' the soul, on parting + from the body, visits four places before setting out for its final + destination:—the place of birth, the place of death, the place of + baptism, and the place of burial. So this poor old woman got her + wish.</p> + + <p>'Well, I don't like to say anything bad about you; and as for the + other side, <i>the less I praise you the less I lie</i>.' (North.)</p> + + <p>There is a touch of heredity in this:—'You're nothing but a + schemer like your seven generations before you.' (Kildare.)</p> + + <p>'Oh you need not be afraid: I'll call only very seldom henceforward.' + Reply:—'The seldomer the welcomer.' <!-- Page 200 --><span + class="pagenum"><a name="page200"></a>{200}</span></p> + + <p>'Never dread the winter till the snow is on the blanket': i.e. as long + as you have a roof over your head. An allusion to the misery of those + poor people—numerous enough in the evil days of past + times—who were evicted from house and home. (P. Reilly: + Kildare.)</p> + + <p>Of a lucky man:—'That man's ducks are laying.'</p> + + <p>When a baby is born, the previous baby's 'nose is out of joint.' Said + also of a young man who is supplanted by another in courtship.</p> + + <p>A man who supplants another in any pursuit or design is said to 'come + inside him.'</p> + + <p>A person is speaking bitterly or uncharitably of one who is dead; and + another says reprovingly—'let the dead rest.'</p> + + <p>When it is proposed to give a person something he doesn't need or + something much too good for him, you oppose or refuse it by + saying:—'<i>Cock him up with it</i>—how much he wants + it!—I'll do no such thing.' Two gentlemen staying for a night in a + small hotel in a remote country town ordered toast for breakfast, which + it seems was very unusual there. They sat down to breakfast, but there + was no sign of the toast. 'What about the toast?' asks one. Whereupon the + impudent waiter replies—'Ah, then cock yez up with toast: how bad + yez are for it.'</p> + + <p>A very general form of expression to point to a person's identity in a + very vague way is seen in the following example:—'From whom did you + buy that horse, James?' Reply:—'From <i>a man of the Burkes</i> + living over there in Ballinvreena': i.e. a man named Burke. Mr. Seumas + MacManus has adopted <!-- Page 201 --><span class="pagenum"><a + name="page201"></a>{201}</span>this idiom in the name of one of his + books:—'A Lad of the O'Friels.'</p> + + <p>'I never saw the froth of your pot or the bead of your naggin': i.e. + you have never entertained me. <i>Bead</i>, the string of little bubbles + that rise when you shake whiskey in a bottle. (Kildare.)</p> + + <p>Of a man likely to die: 'he'll soon be a load for four': i.e. the four + coffin-bearers. (Reilly: Kildare.)</p> + + <p>When a person attempts to correct you when you are not in + error:—'Don't take me up till I fall.'</p> + + <p>When you make a good attempt:—'If I didn't knock it down, I + staggered it.'</p> + + <p>'Love daddy, love mammy, love yourself best.' Said of a very selfish + person.</p> + + <p>An odd expression:—'You are making such noise that <i>I can't + hear my ears</i>.' (Derry; and also Limerick.)</p> + + <p>Plato to a young man who asked his advice about getting + married:—'If you don't get married you'll be sorry: and if you do + you'll be sorry.'</p> + + <p>Our Irish cynic is more bitter:—</p> + + <div class="poem"> + <div class="stanza"> + <p>If a man doesn't marry he'll rue it sore:</p> + <p>And if he gets married he'll rue it more.</p> + </div> + </div> + + <p>The children were great pets with their grandmother: 'She wouldn't let + anyone <i>look crooked</i> at them': i.e. she wouldn't permit the least + unkindness.</p> + + <p>'Can he read a Latin book?' 'Read one! why, he can write Latin books, + <i>let alone</i> reading them.' <i>Let alone</i> in this sense very + common all over Ireland.</p> + + <p>A person offers to do you some kindness, and you accept it jokingly + with 'Sweet is your hand in a pitcher of honey.' (Crofton Croker.) <!-- + Page 202 --><span class="pagenum"><a name="page202"></a>{202}</span></p> + + <p>When a man falls into error, not very serious or criminal—gets + drunk accidentally for instance—the people will say, by way of + extenuation:—''Tis a good man's case.'</p> + + <p>You may be sure Tim will be at the fair to-morrow, <i>dead or alive or + a-horseback</i>.</p> + + <p>'You never spoke but you said something': said to a person who makes a + silly remark or gives foolish advice. (Kinahan).</p> + + <p>'He will never comb a grey hair': said of a young person who looks + unhealthy and is likely to die early.</p> + + <p>Two persons had an angry dispute; and <i>one word borrowed another</i> + till at last they came to blows. Heard everywhere in Ireland.</p> + + <p>The robin and the wren are God's cock and hen.</p> + + <p>'I'll take the book <i>and no thanks to you</i>,' i.e. I'll take it in + spite of you, whether you like or no, against your will—'I'll take + it in spite of your teeth'—'in spite of your nose': all very + common.</p> + + <p>A person arrives barely in time for his purpose or to fulfil his + engagement:—'You have just saved your distance.'</p> + + <p>To <i>put a person off the walk</i> means to kill him, to remove him + in some way. (Meath.)</p> + + <p>A man has had a long fit of illness, and the wife, telling about it, + says:—'For six weeks coal nor candle never went out.' (Antrim.)</p> + + <p>'To cure a person's hiccup' means to make him submit, to bring him to + his senses, to make him acknowledge his error, by some decided course of + action. A shopkeeper goes to a customer for payment of a debt, and gets + no satisfaction, but, on the <!-- Page 203 --><span class="pagenum"><a + name="page203"></a>{203}</span>contrary, impudence. 'Oh well, I'll send + you an attorney's letter to-morrow, and may be that will cure your + hiccup.' The origin of this expression is the general belief through + Ireland that a troublesome fit of hiccup may be cured by suddenly making + some very startling and alarming announcement to the person—an + announcement in which he is deeply concerned: such as that the stacks in + the haggard are on fire—that three of his cows have just been + drowned, &c. Fiachra MacBrady, a schoolmaster and poet, of Stradone + in Cavan (1712), wrote a humorous description of his travels through + Ireland of which the translation has this verse:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I drank till quite mellow, then like a brave fellow,</p> + <p class="i2">Began for to bellow and shouted for more;</p> + <p>But my host held his stick up, which soon <i>cured my hiccup</i>,</p> + <p class="i2">As no cash I could pick up to pay off the score.'</p> + </div> + </div> + + <p>The host was the publican, and the stick that he held up was the tally + stick on which were marked in nicks all the drinks poor MacBrady had + taken—a usual way of keeping accounts in old times. The sight of + the <i>score</i> brought him to his senses at once—<i>cured his + hiccup</i>.</p> + + <p>A verse of which the following is a type is very often found in our + Anglo-Irish songs:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'The flowers in those valleys no more shall spring,</p> + <p>The blackbirds and thrushes no more shall sing,</p> + <p>The sea shall dry up and no water shall be,</p> + <p>At the hour I'll prove false to sweet graw-mochree.'</p> + </div> + </div> + + <p>So in Scotland:—'I will luve thee still, my dear, till a' the + seas gang dry.' (Burns.)</p> + + <p>A warning sometimes given to a messenger:—'Now don't forget it + like Billy and the pepper': This <!-- Page 204 --><span + class="pagenum"><a name="page204"></a>{204}</span>is the story of Billy + and the pepper. A gander got killed accidentally; and as the family + hardly ever tasted meat, there was to be a great treat that day. To top + the grandeur they sent little Billy to town for a pennyworth of pepper. + But Billy forgot the name, and only remembered that it was something hot; + so he asked the shopman for a penn'orth of <i>hot-thing</i>. The man + couldn't make head or tail of the <i>hot-thing</i>, so he questioned + Billy. Is it mustard? No. Is it ginger? No. Is it pepper? Oh that's just + it—<i>gandher's pepper</i>.</p> + + <p>A man has done me some intentional injury, and I say to him, using a + very common phrase:—'Oh, well, wait; <i>I'll pay you off</i> for + that': meaning 'I'll punish you for it—I'll have satisfaction.'</p> + + <p><i>Dry</i> for <i>thirsty</i> is an old English usage; for in + Middleton's Plays it is found used in this sense. (Lowell.) It is almost + universal in Ireland, where of course it survives from old English. There + is an old Irish air and song called 'I think it no treason to drink when + I'm <i>dry</i>': and in another old Folk Song we find this couplet:</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'There was an old soldier riding by,</p> + <p>He called for a quart because he was <i>dry</i>.'</p> + </div> + </div> + + <p>Instances of the odd perversion of sense by misplacing some little + clause are common in all countries: and I will give here just one that + came under my own observation. A young friend, a boy, had remained away + an unusually long time without visiting us; and on being asked the reason + he replied:—'I could not come, sir; I got a bite in the leg of + dog'—an example which I think is unique. <!-- Page 205 --><span + class="pagenum"><a name="page205"></a>{205}</span></p> + + <p>On the first appearance of the new moon, a number of children linked + hands and danced, keeping time to the following verse—</p> + + <div class="poem"> + <div class="stanza"> + <p>I see the moon, the moon sees me,</p> + <p>God bless the moon and God bless me:</p> + <p>There's grace in the cottage and grace in the hall;</p> + <p>And the grace of God is over us all.</p> + </div> + </div> + + <p>For the air to which this was sung see my 'Old Irish Folk Music and + Songs,' p. 60.</p> + + <p>'Do you really mean to drive that horse of William's to pound?' + 'Certainly I will.' 'Oh very well; let ye take what you'll get.' Meaning + you are likely to pay dear for it—you may take the consequences. + (Ulster.)</p> + + <p>'If he tries to remove that stone without any help <i>it will take him + all his time</i>': it will require his utmost exertions. (Ulster: very + common.)</p> + + <p>When rain is badly wanted and often threatens but still doesn't come + they say:—'It has great <i>hould</i> [hold] of the rain.' On the + other hand when there is long continued wet weather:—'It is very + fond of the rain.'</p> + + <p>When flakes of snow begin to fall:—'They are plucking the geese + in Connaught.' 'Formerly in all the congested districts of Ireland [which + are more common in Connaught than elsewhere] goose and duck feathers + formed one of the largest industries.' (Kinahan.)</p> + + <p>Now James you should put down your name for more than 5<i>s.</i>: + there's Tom Gallagher, not half so well off as you, <i>put the shame on + you</i> by subscribing £1. (Kinahan: pretty general.) <!-- Page 206 + --><span class="pagenum"><a name="page206"></a>{206}</span></p> + + <p>In stories 'a day' is often added on to a period of time, especially + to a year. A person is banished out of Ireland for a year and a day.</p> + + <p>The battle of Ventry Harbour lasted for a year and a day, when at last + the foreigners were defeated.</p> + + <div class="poem"> + <div class="stanza"> + <p>There's a colleen fair as May,</p> + <p>For a year and for a day</p> + <p>I have sought by ev'ry way</p> + <p class="i10">Her heart to gain.</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Petrie.</span>)</p> + </div> + </div> + + <p>'Billy MacDaniel,' said the fairy, 'you shall be my servant for seven + years and a day.' (Crofton Croker.) Borrowed from the Irish.</p> + + <p>The word <i>all</i> is often used by our rustic poets exactly as it is + found in English folk-songs. Gay has happily imitated this popular usage + in 'Black-eyed Susan':—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'All in the Downs the fleet was moored'—</p> + </div> + </div> + + <p>and Scott in 'The Lay of the Last Minstrel':—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'All as they left the listed plain.'</p> + </div> + </div> + + <p>Any number of examples might be given from our peasant songs, but + these two will be sufficient:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'As I roved out one evening two miles below Pomeroy</p> + <p>I met a farmer's daughter <i>all on</i> the mountains high.'</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'How a young lady's heart was won</p> + <p><i>All by</i> the loving of a farmer's son.'</p> + </div> + </div> + + <p>(The two lovely airs of these will be found in two of my books: for + the first, see 'The Mountains high' in 'Ancient Irish Music'; and for the + second <!-- Page 207 --><span class="pagenum"><a + name="page207"></a>{207}</span>see 'Handsome Sally' in 'Old Irish Folk + Music and Songs.')</p> + + <p>'He saw her on that day, and <i>never laid eyes on her</i> alive + afterwards.' (Speech of Irish counsel in murder case: 1909.) A common + expression.</p> + + <p>A wish for success either in life or in some particular + undertaking—purely figurative of course:—'That the road may + rise under you.' As the road continually rises under foot there is always + an easy down hill in front. (Kerry.)</p> + + <p>Regarding some proposal or offer:—'I never said against it'; + i.e. I never disapproved of it—declined it—refused it.</p> + + <p>Be said by me: i.e. take my advice. (General.)</p> + + <p>When a cart-wheel screeches because the axle-tree has not been + greased, it is <i>cursing for grease</i>. (Munster.)</p> + + <p>When a person wishes to keep out from another—to avoid argument + or conflict, he says:—'The child's bargain—let me alone and + I'll let you alone.'</p> + + <p>When a person goes to law expenses trying to recover a debt which it + is very unlikely he will recover, that is 'throwing good money after + bad.'</p> + + <p>'I'm the second tallest man in Mitchelstown'—or 'I'm the next + tallest.' Both mean 'there is just one other man in Mitchelstown taller + than me, and I come next to him.'</p> + + <p>'Your honour.' Old English: very common as a term of courtesy in the + time of Elizabeth, and to be met with everywhere in the State papers and + correspondence of that period. Used now all through Ireland by the + peasantry when addressing persons very much above them. <!-- Page 208 + --><span class="pagenum"><a name="page208"></a>{208}</span></p> + + <p><i>The cabman's answer.</i> I am indebted to this cabman for giving me + an opportunity of saying something here about myself. It is quite a + common thing for people to write to me for information that they could + easily find in my books: and this is especially the case in connexion + with Irish place-names. I have always made it a point to reply to these + communications. But of late they have become embarrassingly numerous, + while my time is getting more circumscribed with every year of my long + life. Now, this is to give notice to <i>all the world and Garrett + Reilly</i> that henceforward I will give these good people the reply that + the Dublin cabman gave the lady. 'Please, sir,' said she, 'will you + kindly tell me the shortest way to St. Patrick's Cathedral.' He opened + the door of his cab with his left hand, and pointing in with the + forefinger of his right, answered—'In there ma'am.' <!-- Page 209 + --><span class="pagenum"><a name="page209"></a>{209}</span></p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>CHAPTER XIII.</h3> + +<p class="cenhead">VOCABULARY AND INDEX.</p> + + <p>[In this Vocabulary, as well indeed as through the whole book, + <i>gh</i> and <i>ch</i> are to be sounded guttural, as in <i>lough</i> + and <i>loch</i>, unless otherwise stated or implied. Those who cannot + sound the guttural may take the sound of <i>k</i> instead, and they will + not be far wrong.]</p> + +<blockquote class="b1n"> + + <p>Able; strong, muscular, and vigorous:—'Nagle was a strong able + man.'</p> + + <p>Able dealer; a schemer. (Limerick.)</p> + + <p>Acushla; see Cushlamochree.</p> + + <p>Adam's ale; plain drinking-water.</p> + + <p>Affirming, assenting, and saluting, <a href="#page9">9</a>.</p> + + <p>Agra or Agraw: a term of endearment; my love: vocative of Irish + <i>grádh</i>, love.</p> + + <p>Ahaygar; a pet term; my friend, my love: vocative of Irish + <i>téagur</i>, love, a dear person.</p> + + <p>Aims-ace; a small amount, quantity, or distance. Applied in the + following way very generally in Munster:—'He was within an + aim's-ace of being drowned' (very near). A survival in Ireland of the old + Shakesperian word <i>ambs-ace</i>, meaning two aces or two single points + in throwing dice, the smallest possible throw.</p> + + <p>Air: a visitor comes in:—'Won't you sit down Joe and take an + <i>air</i> of the fire.' (Very usual.)</p> + + <p>Airt used in Ulster and Scotland for a single point of the + compass:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Of a' the airts the wind can blaw I dearly like the west.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Burns.</span>)</p> + </div> + </div> + + <p>It is the Irish <i>áird</i>, a point of the compass.</p> + +<p><!-- Page 210 --><span class="pagenum"><a name="page210"></a>{210}</span></p> + + <p>Airy; ghostly, fearsome: an <i>airy</i> place, a haunted place. Same + as Scotch <i>eerie</i>. From Gaelic <i>áedharaigh</i>, same sound and + meaning. A survival of the old Irish pagan belief that air-demons were + the most malignant of all supernatural beings: see Joyce's 'Old Celtic + Romances,' p. 15.</p> + + <p>Alanna; my child: vocative case of Irish <i>leanbh</i> [lannav], a + child.</p> + + <p>Allow; admit. 'I allow that you lent me a pound': 'if you allow that + you cannot deny so and so.' This is an old English usage. (Ducange.) To + advise or recommend: 'I would not allow you to go by that road' ('I would + not recommend'). 'I'd allow you to sow that field with oats' + (advise).</p> + + <p>All to; means except:—'I've sold my sheep all to six,' i.e. + except six. This is merely a translation from the Irish as in <i>Do + marbhadh na daoine uile go haon triúr</i>: 'The people were slain all to + a single three.' (Keating.)</p> + + <p>Along of; on account of. Why did you keep me waiting [at night] so + long at the door, Pat?' 'Why then 'twas all along of Judy there being so + much afraid of the fairies.' (Crofton Croker.)</p> + + <p>Alpeen, a stick or hand-wattle with a knob at the lower end: + diminutive of Irish <i>alp</i>, a knob. Sometimes called a + <i>clehalpeen</i>: where <i>cleh</i> is the Irish <i>cleath</i> a stick. + <i>Clehalpeen</i>, a knobbed cudgel.</p> + + <p>Amadaun, a fool (man or boy), a half-fool, a foolish person. Irish + <i>amadán</i>, a fool: a form of <i>onmitán</i>; from <i>ón</i>, a fool: + see <i>Oanshagh</i>.</p> + + <p>American wake; a meeting of friends on the evening before the + departure of some young people for <!-- Page 211 --><span + class="pagenum"><a name="page211"></a>{211}</span>America, as a farewell + celebration. (See my 'Old Irish Folk-Music and Songs,' p. 191.)</p> + + <p>Amplush, a fix, a difficulty: he was in a great amplush. (North and + South.) (Edw. Walsh in Dub. Pen. Journal.)</p> + + <p>Amshagh; a sudden hurt, an accident. (Derry.)</p> + + <p>Ang-ishore; a poor miserable creature—man or woman. It is merely + the Irish word <i>aindeiseóir</i>. (Chiefly South.)</p> + + <p>Any is used for <i>no</i> (in <i>no more</i>) in parts of West and + North-west. 'James, you left the gate open this morning and the calves + got out.' 'Oh I'm sorry sir; I will do it any more.' This is merely a + mistranslation of <i>níos mo</i>, from some confused idea of the sense of + two (Irish) negatives (<i>níos</i> being one, with another preceding) + leading to the omission of an English negative from the correct + construction—'I will <i>not</i> do it anymore:' <i>Níos mo</i> + meaning in English 'no more' or 'any more' according to the omission or + insertion of an English negative.</p> + + <p>Aree often used after <i>ochone</i> (alas) in Donegal and elsewhere. + <i>Aree</i> gives the exact pronunciation of <i>a Righ</i>, and + <i>neimhe</i> (heaven) is understood. The full Irish exclamation is + <i>ochón a Righ neimhe</i>, 'alas, O King of heaven.'</p> + + <p>Arnaun or arnaul, to sit up working at night later than usual. Irish + <i>airneán</i> or <i>airneál</i>, same meaning.</p> + + <p>Aroon, a term of endearment, my love, my dear: <i>Eileen Aroon</i>, + the name of a celebrated Irish air: vocative of Irish <i>rún</i> [roon], + a secret, a secret treasure. In Limerick commonly shortened to + <i>aroo</i>. 'Where are you going now <i>aroo</i>?'</p> + +<p><!-- Page 212 --><span class="pagenum"><a name="page212"></a>{212}</span></p> + + <p>Art-loochra or arc-loochra, a harmless lizard five or six inches long: + Irish <i>art</i> or <i>arc</i> is a lizard: <i>luachra</i>, rushes; the + 'lizard of the rushes.'</p> + + <p>Ask, a water-newt, a small water-lizard: from <i>esc</i> or + <i>easc</i> [ask], an old Irish word for water. From the same root comes + the next word, the diminutive form—</p> + + <p>Askeen; land made by cutting away bog, which generally remains more or + less watery. (Reilly: Kildare.)</p> + + <p>Asthore, a term of endearment, 'my treasure.' The vocative case of + Irish <i>stór</i> [store], treasure.</p> + + <p>Athurt; to confront:—'Oh well I will athurt him with that lie he + told about me.' (Cork.) Possibly a mispronunciation of + <i>athwart</i>.</p> + + <p>Avourneen, my love: the vocative case of Irish <i>muirnín</i>, a + sweetheart, a loved person.</p> + + <p> </p> + + <p>Baan: a field covered with short grass:—'A baan field': 'a + <i>baan</i> of cows': i.e. a grass farm with its proper number of cows. + Irish <i>bán</i>, whitish.</p> + + <p>Back; a faction: 'I have a good back in the country, so I defy my + enemies.'</p> + + <p>Back of God-speed; a place very remote, out of the way: so far off + that the virtue of your wish of <i>God-speed</i> to a person will not go + with him so far.</p> + + <p>Bacon: to 'save one's bacon'; to succeed in escaping some serious + personal injury—death, a beating, &c. 'They fled from the fight + to save their bacon': 'Here a lodging I'd taken, but loth to awaken, for + fear of my bacon, either man, wife, or babe.' (Old Anglo-Irish poem.)</p> + +<p><!-- Page 213 --><span class="pagenum"><a name="page213"></a>{213}</span></p> + + <p>Bad member; a doer of evil; a bad character; a treacherous fellow: + 'I'm ruined,' says he, 'for some bad member has wrote to the bishop about + me.' ('Wild Sports of the West.')</p> + + <p>Baffity, unbleached or blay calico. (Munster.)</p> + + <p>Bails or bales, frames made of perpendicular wooden bars in which cows + are fastened for the night in the stable. (Munster.)</p> + + <p>Baithershin; may be so, perhaps. Irish <i>b'féidir-sin</i>, same sound + and meaning.</p> + + <p>Ballowr (Bal-yore in Ulster); to bellow, roar, bawl, talk loudly and + coarsely.</p> + + <p>Ballyhooly, a village near Fermoy in Cork, formerly notorious for its + faction fights, so that it has passed into a proverb. A man is late + coming home and expects <i>Ballyhooly</i> from his wife, i.e. 'the length + and breadth of her tongue.' Father Carroll has neglected to visit his + relatives, the Kearneys, for a long time, so that he knows he's <i>in the + black books</i> with Mrs. Kearney, and expects Ballyhooly from her the + first time he meets her. ('Knocknagow.')</p> + + <p>Ballyorgan in Co. Limerick, <a href="#page146">146</a>.</p> + + <p>Banagher and Ballinasloe, <a href="#page192">192</a>.</p> + + <p>Bannalanna: a woman who sells ale over the counter. Irish + <i>bean-na-leanna</i>, 'woman of the ale,' 'ale-woman' (<i>leann</i>, + ale).</p> + + <p>Ballyrag; to give loud abuse in torrents. (General.)</p> + + <p>Bandle; a 2-foot measure for home-made flannel. (Munster.)</p> + + <p>Bang-up; a frieze overcoat with high collar and long cape.</p> + +<p><!-- Page 214 --><span class="pagenum"><a name="page214"></a>{214}</span></p> + + <p>Banshee´; a female fairy: Irish <i>bean-sidhe</i> [banshee], a 'woman + from the <i>shee</i> or fairy-dwelling.' This was the original meaning; + but in modern times, and among English speakers, the word <i>banshee</i> + has become narrowed in its application, and signifies a female spirit + that attends certain families, and is heard <i>keening</i> or crying + aloud at night round the house when some member of the family is about to + die.</p> + + <p>Barcelona; a silk kerchief for the neck:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'His clothes spick and span new without e'er a speck;</p> + <p>A neat Barcelona tied round his white neck.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Edward Lysaght</span>, in 'The Sprig of Shillelah.')</p> + </div> + </div> + + <p>So called because imported from Barcelona, preserving a memory of the + old days of smuggling.</p> + + <p>Barsa, barsaun; a scold. (Kild. and Ulst.)</p> + + <p>Barth; a back-load of rushes, straw, heath, &c. Irish + <i>beart</i>.</p> + + <p>Baury, baura, baur-yă, bairy; the goal in football, hurling, + &c. Irish <i>báire</i> [2-syll.], a game, a goal.</p> + + <p>Bawn; an enclosure near a farmhouse for cattle, sheep, &c.; in + some districts, simply a farmyard. Irish <i>badhun</i> [bawn], a + cow-keep, from <i>ba</i>, cows, and <i>dún</i>, a keep or fortress. Now + generally applied to the green field near the homestead where the cows + are brought to be milked.</p> + + <p>Bawneen; a loose whitish jacket of home-made undyed flannel worn by + men at out-door work. Very general: <i>banyan</i> in Derry. From Irish + <i>bán</i> [bawn], whitish, with the diminutive termination.</p> + + <p>Bawnoge; a dancing-green. (MacCall: Leinster.) <!-- Page 215 --><span + class="pagenum"><a name="page215"></a>{215}</span>From <i>bán</i> [baan], + a field covered with short grass; and the dim. <i>óg</i> (p. <a + href="#page90">90</a>).</p> + + <p>Bawshill, a <i>fetch</i> or double. (See Fetch.) (MacCall: S. + Wexford.) I think this is a derivative of <i>Bow</i>, which see.</p> + + <p>Beestings; new milk from a cow that has just calved.</p> + + <p>Be-knownst; known: unbe-knownst; unknown. (Antrim.)</p> + + <p>Better than; more than:—'It is better than a year since I saw + him last'; 'better than a mile,' &c. (Leinster and Munster.)</p> + + <p>Bian´ [by-ann´]; one of Bianconi's long cars. (See Jingle.)</p> + + <p>Binnen; the rope tying a cow to a stake in a field. (Knowles: + Ulster.)</p> + + <p>Birragh; a muzzle-band with spikes on a calf's or a foal's muzzle to + prevent it sucking its mother. From Irish <i>bir</i>, a sharp spit: + <i>birragh</i>, full of sharp points or spits. (Munster: see + Gubbaun.)</p> + + <p>Blackfast: among Roman Catholics, there is a 'black fast' on Ash + Wednesday, Spy Wednesday, and Good Friday, i.e. no flesh meat or + <i>whitemeat</i> is allowed—no flesh, butter, eggs, cheese, or + milk.</p> + + <p>Blackfeet. The members of one of the secret societies of a century ago + were called 'Ribbonmen.' Some of them acknowledged the priests: those + were 'whitefeet': others did not—'blackfeet.'</p> + + <p>Black man, black fellow; a surly vindictive implacable irreconcilable + fellow.</p> + + <p>Black man; the man who accompanies a suitor to the house of the + intended father-in-law, to help to make the match.</p> + +<p><!-- Page 216 --><span class="pagenum"><a name="page216"></a>{216}</span></p> + + <p>Black of one's nail. 'You just escaped by the black of your nail': + 'there's no cloth left—not the size of the black of my nail.' + (North and South.)</p> + + <p>Black swop. When two fellows have two wretched articles—such as + two old penknives—each thinking his own to be the worst in the + universe, they sometimes agree for the pure humour of the thing to make a + <i>black swop</i>, i.e. to swop without first looking at the articles. + When they are looked at after the swop, there is always great fun. (See + Hool.)</p> + + <p>Blarney; smooth, plausible, cajoling talk. From Blarney Castle near + Cork, in which there is a certain stone hard to reach, with this virtue, + that if a person kisses it, he will be endowed with the gift of + <i>blarney</i>.</p> + + <p>Blast; when a child suddenly fades in health and pines away, he has + got a blast,—i.e. a puff of evil wind sent by some baleful sprite + has struck him. <i>Blast</i> when applied to fruit or crops means a + blight in the ordinary sense—nothing supernatural.</p> + + <p>Blather, bladdher; a person who utters vulgarly foolish boastful talk: + used also as a verb—to blather. Hence <i>blatherumskite</i>, + applied to a person or to his talk in much the same sense; 'I never heard + such a blatherumskite.' Ulster and Scotch form <i>blether</i>, + <i>blethering</i>: Burns speaks of stringing 'blethers up in rhyme.' + ('The Vision.')</p> + + <p>Blaze, blazes, blazing: favourite words everywhere in Ireland. Why are + you in such a blazing hurry? Jack ran away like blazes: now work at that + job like blazes: he is blazing drunk. Used also by the English + <i>peasantry</i>:—'That's a blazing strange <!-- Page 217 --><span + class="pagenum"><a name="page217"></a>{217}</span>answer,' says Jerry + Cruncher in 'A Tale of Two Cities.' There's a touch of slang in some of + these: yet the word has been in a way made classical by Lord Morley's + expression that Lord Salisbury never made a speech without uttering 'some + blazing indiscretion.'</p> + + <p>Blind Billy. In coming to an agreement take care you don't make 'Blind + Billy's Bargain,' by either overreaching yourself or allowing the other + party to overreach you. Blind Billy was the hangman in Limerick, and on + one particular occasion he flatly refused to do his work unless he got + £50 down on the nail: so the high sheriff had to agree and the hangman + put the money in his pocket. When all was over the sheriff refused + point-blank to send the usual escort without a fee of £50 down. So Blind + Billy had to hand over the £50—for if he went without an escort he + would be torn in pieces—and had nothing in the end for his job.</p> + + <p>Blind lane; a lane stopped up at one end.</p> + + <p>Blind window; an old window stopped up, but still plain to be + seen.</p> + + <p>Blink; to exercise an evil influence by a glance of the 'evil eye'; to + 'overlook'; hence 'blinked,' blighted by the eye. When the butter does + not come in churning, the milk has been <i>blinked</i> by some one.</p> + + <p>Blirt; to weep: as a noun, a rainy wind. (Ulster.)</p> + + <p>Blob (<i>blab</i> often in Ulster), a raised blister: a drop of honey, + or of anything liquid.</p> + + <p>Blue look-out; a bad look-out, bad prospect.</p> + + <p>Boal or bole; a shelved recess in a room. (North.)</p> + + <p>Boarhaun; dried cowdung used for fuel like turf. Irish + <i>boithreán</i> [boarhaun], from bo, a cow.</p> + +<p><!-- Page 218 --><span class="pagenum"><a name="page218"></a>{218}</span></p> + + <p>Boccach [accented on 2nd syll. in Munster, but elsewhere on 1st]; a + lame person. From the fact that so many beggars are lame or pretend to be + lame, <i>boccach</i> has come to mean a beggar. Irish <i>bacach</i>, a + lame person: from <i>bac</i>, to halt. <i>Bockady</i>, another form of + <i>boccach</i> in Munster. <i>Bockeen</i> (the diminutive added on to + <i>bac</i>), another form heard in Mayo.</p> + + <p>Boddagh [accented on 2nd syll. in Munster; in Ulster on 1st], a rich + churlish clownish fellow. Tom Cuddihy wouldn't bear insult from any + purse-proud old <i>boddagh</i>. ('Knocknagow.')</p> + + <p>Body-coat; a coat like the present dress-coat, cut away in front so as + to leave a narrow pointed tail-skirt behind: usually made of frieze and + worn with the knee-breeches.</p> + + <p>Body-glass; a large mirror in which the whole body can be seen. + (Limerick.)</p> + + <p>Body-lilty; heels over head. (Derry.)</p> + + <p>Bog; what is called in England a 'peat moss.' Merely the Irish + <i>bog</i>, soft. Bog (verb), to be bogged; to sink in a bog or any soft + soil or swampy place.</p> + + <p>Bog-butter; butter found deep in bogs, where it had been buried in old + times for a purpose, and forgotten: a good deal changed now by the action + of the bog. (See Joyce's 'Smaller Soc. Hist. of Anc. Ireland,' p. + 260.)</p> + + <p>Bog-Latin; bad incorrect Latin; Latin that had been learned in the + hedge schools among the bogs. This derisive and reproachful epithet was + given in bad old times by pupils and others of the favoured, legal, and + endowed schools, sometimes with reason, <!-- Page 219 --><span + class="pagenum"><a name="page219"></a>{219}</span>but oftener very + unjustly. For those <i>bog</i> or hedge schools sent out numbers of + scholarly men, who afterwards entered the church or lay professions. (See + p. <a href="#page151">151</a>.)</p> + + <p>Boghaleen; the same as Crusheen, which see.</p> + + <p>Bohaun; a cabin or hut. Irish <i>both</i> [boh], a hut, with the + diminutive <i>án</i>.</p> + + <p>Bold; applied to girls and boys in the sense of 'forward,' + 'impudent.'</p> + + <p>Boliaun, also called <i>booghalaun bwee</i> and + <i>geōsadaun</i>; the common yellow ragwort: all these are Irish + words.</p> + + <p>Bolting-hole; the second or backward entrance made by rats, mice, + rabbits, &c., from their burrows, so that if attacked at the ordinary + entrance, they can escape by this, which is always left unused except in + case of attack. (Kinahan.)</p> + + <p>Bones. If a person magnifies the importance of any matter and talks as + if it were some great affair, the other will reply:—'Oh, you're + <i>making great bones</i> about it.'</p> + + <p>Bonnive, a sucking-pig. Irish <i>banbh</i>, same sound and meaning. + Often used with the diminutive—bonniveen, bonneen. 'Oh look at the + <i>baby pigs</i>,' says an Irish lady one day in the hearing of others + and myself, ashamed to use the Irish word. After that she always bore the + nickname 'Baby pig':—'Oh, there's the Baby pig.'</p> + + <p>Bonnyclabber; thick milk. Irish <i>bainne</i> [bonny] milk; and + <i>clabar</i>, anything thick or half liquid. 'In use all over America.' + (Russell.)</p> + + <p>Boochalawn bwee; ragweed: same as boliaun, which see.</p> + +<p><!-- Page 220 --><span class="pagenum"><a name="page220"></a>{220}</span></p> + + <p>Boolanthroor; three men threshing together, instead of the usual two: + striking always in time. Irish <i>buail-an-triúr</i>, 'the striking of + three.'</p> + + <p>Booley as a noun; a temporary settlement in the grassy uplands where + the people of the adjacent lowland village lived during the summer with + their cattle, and milked them and made butter, returning in + autumn—cattle and all—to their lowland farms to take up the + crops. Used as a verb also: <i>to booley</i>. See my 'Smaller Soc. Hist. + of Anc. Ireland,' p. 431; or 'Irish Names of Places,' I. 239.</p> + + <p>Boolthaun, boulhaun, booltheen, boolshin: the striking part of a + flail: from Irish <i>buail</i> [bool], to strike, with the + diminutive.</p> + + <p>Boon in Ulster, same as <i>Mihul</i> elsewhere; which see.</p> + + <p>Boreen or bohereen, a narrow road. Irish <i>bóthar</i> [boher], a + road, with the diminutive.</p> + + <p>Borick; a small wooden ball used by boys in hurling or goaling, when + the proper leather-covered ball is not to hand. Called in Ulster a + <i>nag</i> and also a <i>golley</i>. (Knowles.)</p> + + <p>Borreen-brack, 'speckled cake,' speckled with currants and raisins, + from Irish <i>bairghin</i> [borreen], a cake, and <i>breac</i> [brack], + speckled: specially baked for Hallow-eve. Sometimes corruptly called + <i>barm-brack</i> or <i>barn-brack</i>.</p> + + <p>Bosthoon: a flexible rod or whip made of a number of green rushes laid + together and bound up with single rushes wound round and round. Made by + boys in play—as I often made them. Hence '<i>bosthoon</i>' is + applied contemptuously to a soft <!-- Page 221 --><span + class="pagenum"><a name="page221"></a>{221}</span>worthless spiritless + fellow, in much the same sense as <i>poltroon</i>.</p> + + <p>Bother; merely the Irish word <i>bodhar</i>, deaf, used both as a noun + and a verb in English (in the sense of deafening, annoying, troubling, + perplexing, teasing): a person deaf or partially deaf is said to be + <i>bothered</i>:—'Who should come in but <i>bothered</i> Nancy Fay. + Now be it known that <i>bothered</i> signifies deaf; and Nancy was a + little old cranky <i>bothered</i> woman.' (Ir. Pen. Mag.) You 'turn the + <i>bothered</i> ear' to a person when you do not wish to hear what he + says or grant his request. In these applications <i>bother</i> is + universal in Ireland among all classes—educated as well as + uneducated: accordingly, as Murray notes, it was first brought into use + by Irishmen, such as Sheridan, Swift, and Sterne; just as Irishmen of + to-day are bringing into currency <i>galore</i>, <i>smithereens</i>, and + many other Irish words. In its primary sense of deaf or to deafen, + <i>bother</i> is used in the oldest Irish documents: thus in the Book of + Leinster we have:—<i>Ro bodrais sind oc imradud do maic</i>, 'You + have made us deaf (you have <i>bothered</i> us) talking about your son' + (Kuno Meyer): and a similar expression is in use at the present day in + the very common phrase 'don't <i>bother</i> me' (don't deafen me, don't + annoy me), which is an exact translation of the equally common Irish + phrase <i>ná bí am' bhodradh</i>. Those who derive <i>bother</i> from the + English <i>pother</i> make a guess, and not a good one. See Bowraun.</p> + + <p>Bottheen, a short thick stick or cudgel: the Irish <i>bata</i> with + the diminutive:—<i>baitin</i>.</p> + + <p>Bottom; a clue or ball of thread. One of the tricks <!-- Page 222 + --><span class="pagenum"><a name="page222"></a>{222}</span>of girls on + Hallow-eve to find out the destined husband is to go out to the limekiln + at night with a ball of yarn; throw in the ball still holding the thread; + re-wind the thread, till it is suddenly stopped; call out 'who + <i>howlds</i> my bottom of yarn?' when she expects to hear the name of + the young man she is to marry.</p> + + <p>Bouchal or boochal, a boy: the Irish <i>buachaill</i>, same + meaning.</p> + + <p>Bouilly-bawn, white home-made bread of wheaten flour; often called + <i>bully-bread</i>. (MacCall: Wexford.) From Irish <i>bul</i> or + <i>búilidhe</i>, a loaf, and <i>bán</i>, white.</p> + + <p>Boundhalaun, a plant with thick hollow stem with joints, of which boys + make rude syringes. From Irish <i>banndal</i> or <i>bannlamh</i>, a + <i>bandle</i> (which see), with the dim. termination <i>án</i>, I never + saw true boundhalauns outside Munster.</p> + + <p>Bourke, the Rev. Father, <a href="#page71">71</a>, <a + href="#page161">161</a>.</p> + + <p>Bownloch, a sore on the sole of the foot always at the edge: from + <i>bonn</i> the foot-sole [pron. bown in the South], and <i>loch</i> a + mere termination. Also called a <i>Bine-lock</i>.</p> + + <p>Bowraun, a sieve-shaped vessel for holding or measuring out corn, with + the flat bottom made of dried sheepskin stretched tight; sometimes used + as a rude tambourine, from which it gets the name <i>bowraun</i>; Irish + <i>bodhur</i> [pron. bower here], deaf, from the <i>bothered</i> or + indistinct sound. (South.)</p> + + <p>Bow [to rhyme with <i>cow</i>]; a <i>banshee</i>, a <i>fetch</i> (both + which see. MacCall: South Leinster). This word has come down to us from + very old times, for it preserves the memory of <i>Bugh</i> [Boo], a + <i>banshee</i> or fairy queen once very celebrated, the daughter of <!-- + Page 223 --><span class="pagenum"><a name="page223"></a>{223}</span>Bove + Derg king of the Dedannans or faery-race, of whom information will be + obtained in the classical Irish story, 'The Fate of the Children of Lir,' + the first in my 'Old Celtic Romances.' She has given her name to many + hills all through Ireland. (See my 'Irish Names of Places,' I. 182, 183. + See Bawshill.)</p> + + <p>Box and dice; used to denote the whole lot: I'll send you all the + books and manuscripts, box and dice.</p> + + <p>Boxty; same as the Limerick <i>muddly</i>, which see.</p> + + <p>Boy. Every Irishman is a 'boy' till he is married, and indeed often + long after. (Crofton Croker: 'Ir. Fairy Legends.')</p> + + <p>Brablins: a crowd of children: a rabble. (Monaghan.)</p> + + <p>Bracket; speckled: a 'bracket cow.' Ir. <i>breac</i>, speckled.</p> + + <p>Braddach; given to mischief; roguish. Ir. <i>bradach</i>, a thief: in + the same sense as when a mother says to her child, 'You young thief, stop + that mischief.' Often applied to cows inclined to break down and cross + fences. (Meath and Monaghan.)</p> + + <p>Brander; a gridiron. (North.) From Eng. <i>brand</i>.</p> + + <p>Brash; a turn of sickness (North.) Water-brash (Munster), severe + acidity of the stomach with a flow of watery saliva from the mouth. Brash + (North), a short turn at churning, or at anything; a stroke of the + churndash: 'Give the churn a few brashes.' In Donegal you will hear + 'that's a good brash of hail.'</p> + + <p>Brave; often used as an intensive:—'This is a brave fine day'; + 'that's a brave big dog': (Ulster.) Also fine or admirable 'a brave stack + of hay': <!-- Page 224 --><span class="pagenum"><a + name="page224"></a>{224}</span>tall, strong, hearty (not necessarily + brave in fighting):—'I have as brave a set of sons as you'd find in + a day's walk.' 'How is your sick boy doing?' 'Oh bravely, thank you.'</p> + + <p>Braw; fine, handsome: Ir. <i>breagh</i>, same sound and meanings. + (Ulster.)</p> + + <p>Break. You <i>break</i> a grass field when you plough or dig it up for + tillage. 'I'm going to break the kiln field.' ('Knocknagow.') Used all + over Ireland: almost in the same sense as in Gray's Elegy:—'Their + furrow oft the stubborn glebe <i>has bróke</i>.'</p> + + <p>Break; to dismiss from employment: 'Poor William O'Donnell was + <i>broke</i> last week.' This usage is derived from the Irish language; + and a very old usage it is; for we read in the Brehon Laws:—'<i>Cid + nod m-bris in fer-so a bo-airechus?</i>' 'What is it that breaks + (dismisses, degrades) this man from his bo-aireship (i.e. from his + position as <i>bo-aire</i> or chief)?' My car-driver asked me one + time:—'Can an inspector of National Schools be broke, sir?' By + which he meant could he be dismissed at any time without any cause.</p> + + <p>Breedoge [<i>d</i> sounded like <i>th</i> in <i>bathe</i>]; a figure + dressed up to represent St. Brigit, which was carried about from house to + house by a procession of boys and girls in the afternoon of the 31st Jan. + (the eve of the saint's festival), to collect small money contributions. + With this money they got up a little rustic evening party with a dance + next day, 1st Feb. 'Breedoge' means 'little <i>Brighid</i> or + <i>Brighit</i>,' <i>Breed</i> (or rather <i>Breedh</i>) representing the + sound of Brighid, with <i>óg</i> the old diminutive feminine + termination.</p> + +<p><!-- Page 225 --><span class="pagenum"><a name="page225"></a>{225}</span></p> + + <p>Brecham, the straw collar put on a horse's or an ass's neck: sometimes + means the old-fashioned straw saddle or pillion. (Ulster.)</p> + + <p>Brehon Law; the old native law of Ireland. A judge or a lawyer was + called a 'brehon.'</p> + + <p>Brew; a margin, a brink: 'that lake is too shallow to fish from the + brews': from the Irish <i>bru</i>, same sound and meaning. See Broo.</p> + + <p>Brief; prevalent: 'fever is very brief.' Used all over the southern + half of Ireland. Perhaps a mistake for <i>rife</i>.</p> + + <p>Brillauns or brill-yauns, applied to the poor articles of furniture in + a peasant's cottage. Dick O'Brien and Mary Clancy are getting married as + soon as they can gather up the few <i>brill-yauns</i> of furniture. + (South-east of Ireland.)</p> + + <p>Brine-oge; 'a young fellow full of fun and frolic.' (Carleton: + Ulster.)</p> + + <p>Bring: our peculiar use of this (for 'take') appears in such phrases + as:—'he brought the cows to the field': 'he brought me to the + theatre.' (Hayden and Hartog.) See Carry.</p> + + <p>Brock, brockish; a badger. It is just the Irish <i>broc</i>.</p> + + <p>Brock, brocket, brockey; applied to a person heavily pock-marked. I + suppose from <i>broc</i>, a badger. (Ulster.)</p> + + <p>Brogue, a shoe: Irish <i>bróg</i>. Used also to designate the Irish + accent in speaking English: for the old Irish thong-stitched brogue was + considered so characteristically Irish that the word was applied to our + accent; as a clown is called a <i>cauboge</i> (which see: Munster).</p> + +<p><!-- Page 226 --><span class="pagenum"><a name="page226"></a>{226}</span></p> + + <p>Brohoge or bruhoge; a small batch of potatoes roasted. See + Brunoge.</p> + + <p>Broken; bankrupt: quite a common expression is:—Poor Phil Burke + is 'broken horse and foot'; i.e. utterly bankrupt and ruined.</p> + + <p>Broo, the edge of a potato ridge along which cabbages are planted. + Irish <i>bru</i>, a margin, a brink.</p> + + <p>Brosna, brusna, bresna; a bundle of sticks for firing: a faggot. This + is the Irish <i>brosna</i>, universally used in Ireland at the present + day, both in Irish and English; and used in the oldest Irish documents. + In the Tripartite Life of St. Patrick, written in Irish ten centuries + ago, we are told that when Patrick was a boy, his foster-mother sent him + one day for a <i>brossna</i> of withered branches to make a fire.</p> + + <p>Broth of a boy; a <i>good</i> manly brave boy: the essence of manhood, + as broth is the essence of meat.</p> + + <p>Brough; a ring or halo round the moon. It is the Irish <i>bruach</i>, + a border.</p> + + <p>Broughan; porridge or oatmeal stirabout. Irish <i>brochán</i>. + (Ulster.)</p> + + <p>Bruggadauns [<i>d</i> sounded like <i>th</i> in <i>they</i>]; the + stalks of ferns found in meadows after mowing. (Kerry.)</p> + + <p>Brulliagh; a row, a noisy scuffle. (Derry.)</p> + + <p>Brunoge; a little batch of potatoes roasted in a fire made in the + potato field at digging time: always dry, floury and palatable. + (Roscommon.) Irish <i>bruithneóg</i>. See Brohoge.</p> + + <p>Bruss or briss; small broken bits mixed up with dust: very often + applied to turf-dust. Irish <i>brus</i>, <i>bris</i>, same sounds and + meaning. (South.)</p> + +<p><!-- Page 227 --><span class="pagenum"><a name="page227"></a>{227}</span></p> + + <p>Brutteen, brutin, bruteens; the Ulster words for caulcannon; which + see. Irish <i>brúightín</i>.</p> + + <p>Buckaun; the upright bar of a hinge on which the other part with the + door hangs. Irish <i>bocán</i>.</p> + + <p>Buckley, Father Darby, <a href="#page68">68</a>, <a + href="#page146">146</a>.</p> + + <p>Bucknabarra; any non-edible fungus. (Fermanagh.) See Pookapyle.</p> + + <p>Buck teeth; superfluous teeth which stand out from the ordinary row. + (Knowles: Ulster.)</p> + + <p>Buddaree [<i>dd</i> sounded like <i>th</i> in <i>they</i>]; a rich + purse-proud vulgar farmer. (Munster.) Irish.</p> + + <p>Buff; the skin; to strip to one's buff is to strip naked. Two fellows + going to fight with fists strip to their buff, i.e. naked from the waist + up. (Munster.)</p> + + <p>Buggaun (Munster), buggeen (Leinster); an egg without a shell. Irish + <i>bog</i>, soft, with the dim. termination.</p> + + <p>Bullaun, a bull calf. Irish, as in next word.</p> + + <p>Bullavaun, bullavogue; a strong, rough, bullying fellow. From + <i>bulla</i> the Irish form of <i>bull</i>. (Moran: Carlow.)</p> + + <p>Bullaworrus; a spectral bull 'with fire blazing from his eyes, mouth, + and nose,' that guards buried treasure by night. (Limerick.) Irish.</p> + + <p>Bullia-bottha (or boolia-botha); a fight with sticks. (Simmons: + Armagh.) Irish <i>buaileadh</i>, striking; and <i>bata</i>, a stick.</p> + + <p>Bullagadaun [<i>d</i> sounded like <i>th</i> in <i>they</i>]; a short + stout pot-bellied fellow. (Munster.) From Irish <i>bolg</i> [pron. + bullog], a belly, and the dim. <i>dán</i>.</p> + + <p>Bullshin, bullsheen; same as <i>Bullaun</i>.</p> + +<p><!-- Page 228 --><span class="pagenum"><a name="page228"></a>{228}</span></p> + + <p>Bum; to cart turf to market: <i>bummer</i>, a person who does so as a + way of living, like Billy Heffernan in 'Knocknagow.' Bum-bailiff, a bog + bailiff. (Grainger: Arm.) Used more in the northern half of Ireland than + in the southern.</p> + + <p>Bun; the tail of a rabbit. (Simmons: Arm.) Irish <i>bun</i>, the + end.</p> + + <p>Bunnans; roots or stems of bushes or trees. (Meath.) From Irish + <i>bun</i> as in last word.</p> + + <p>Bunnaun; a long stick or wattle. (Joyce: Limerick.)</p> + + <p>Bunnioch; the last sheaf bound up in a field of reaped corn. The + binder of this (usually a girl) will die unmarried. (MacCall: + Wexford.)</p> + + <p>Butt; a sort of cart boarded at bottom and all round the sides, 15 or + 18 inches deep, for potatoes, sand, &c. (Limerick.) In Cork any kind + of horse-cart or donkey-cart is called a <i>butt</i>, which is a + departure from the (English) etymology. In Limerick any kind of cart + except a butt is called a <i>car</i>; the word <i>cart</i> is not used at + all.</p> + + <p>Butthoon has much the same meaning as <i>potthalowng</i>, which see. + Irish <i>butún</i>, same sound and meaning. (Munster.)</p> + + <p>Butter up; to flatter, to cajole by soft sugary words, generally with + some selfish object in view:—'I suspected from the way he was + buttering me up that he came to borrow money.'</p> + + <p>Byre: the place where the cows are fed and milked; sometimes a house + for cows and horses, or a farmyard.</p> + + <p>By the same token: this needs no explanation; it is a survival from + Tudor English. (Hayden and Hartog.)</p> + + <p> </p> + +<p><!-- Page 229 --><span class="pagenum"><a name="page229"></a>{229}</span></p> + + <p>Cabin-hunting; going about from house to house to gossip. (South.)</p> + + <p>Cabman's Answer, The, <a href="#page208">208</a>.</p> + + <p>Cadday´ [strong accent on -day] to stray idly about. As a noun an idle + <i>stray</i> of a fellow.</p> + + <p>Cadge; to hawk goods for sale. (Simmons: Armagh.) To go about idly + from house to house, picking up <i>a bit and a sup</i>, wherever they are + to be had. (Moran: Carlow.)</p> + + <p>Caffler; a contemptible little fellow who gives saucy <i>cheeky</i> + foolish talk. Probably a mispronunciation of <i>caviller</i>. + (Munster.)</p> + + <p>Cagger; a sort of pedlar who goes to markets and houses selling small + goods and often taking others in exchange. (Kinahan: South and West.)</p> + + <p>Cahag; the little cross-piece on the end of a spade-handle, or of any + handle. (Mon.)</p> + + <p>Cailey; a friendly evening visit in order to have a gossip. There are + usually several persons at a cailey, and along with the gossiping talk + there are songs or music. Irish <i>céilidh</i>, same sound and meaning. + Used all over Ireland, but more in the North than elsewhere.</p> + + <p>Calleach na looha [Colleagh: accented on 2nd syll. in South; on 1st in + North] 'hag of the ashes.' Children—and sometimes <i>old + children</i>—think that a little hag resides in the ashpit beside + the fire. Irish <i>cailleach</i>, an old woman: <i>luaith</i>, ashes.</p> + + <p>Calleach-rue ('red hag'); a little reddish brown fish about 4 inches + long, plentiful in small streams. We boys thought them delicious when + broiled on the turf-coals. We fished for them either with a loop-snare + made of a single <!-- Page 230 --><span class="pagenum"><a + name="page230"></a>{230}</span>horsehair on the end of a twig, with which + it was very hard to catch them; for, as the boys used to say, 'they were + cute little divels'—or directly—like the sportsmen of + old—with a spear—the same spear being nothing but <i>an ould + fork</i>.</p> + + <p>Caish; a growing pig about 6 months old. (Munster.)</p> + + <p>Call; claim, right: 'put down that spade; you have no call to it.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Bedad,' says he, 'this sight is queer,</p> + <p class="i2">My eyes it does bedizen—O;</p> + <p>What <i>call</i> have you marauding here,</p> + <p class="i2">Or how daar you leave your prison—O?'</p> + </div> + + <div class="stanza"> + <p>(Repeal Song: 1843.)</p> + </div> + </div> + + <p>Need, occasion: they lived so near each other that there was no call + to send letters. 'Why are you shouting that way?' 'I have a good call to + shout, and that blackguard running away with my apples.' Father O'Flynn + could preach on many subjects:—'Down from mythology into thayology, + Troth! and conchology if he'd the call.' (A. P. Graves.) Used everywhere + in Ireland in these several senses.</p> + + <p>Call; custom in business: Our new shopkeeper is getting great call, + i.e. his customers are numerous. (South.)</p> + + <p>Cam or caum; a metal vessel for melting resin to make <i>sluts</i> or + long torches; also used to melt metal for coining. (Simmons: Armagh.) + Called a <i>grisset</i> in Munster. Usually of a curved shape: Irish + <i>cam</i>, curved.</p> + + <p>Candle. 'Jack Brien is a good scholar, but he couldn't hold a candle + to Tom Murphy': i.e. he <!-- Page 231 --><span class="pagenum"><a + name="page231"></a>{231}</span>is very inferior to him. The person that + holds a candle for a workman is a mere attendant and quite an + inferior.</p> + + <p>Cannags; the stray ears left after the corn has been reaped and + gathered. (Morris: Mon.) Called <i>liscauns</i> in Munster.</p> + + <p>Caper: oat-cake and butter. (Simmons: Armagh.)</p> + + <p>Caravat and Shanavest; the names of two hostile factions in Kilkenny + and all round about there, of the early part of last century. Like + Three-year-old and Four-year-old. Irish <i>Caravat</i>, a cravat; and + <i>Shanavest</i>, old vest: which names were adopted, but no one can tell + why.</p> + + <p>Card-cutter; a fortune-teller by card tricks. Card-cutters were pretty + common in Limerick in my early days: but it was regarded as disreputable + to have any dealings with them.</p> + + <p>Cardia; friendship, a friendly welcome, additional time granted for + paying a debt. (All over Ireland.) Ir. <i>cáirde</i>, same meanings.</p> + + <p>Cardinal Points, <a href="#page168">168</a>.</p> + + <p>Carleycue; a very small coin of some kind. Used like <i>keenoge</i> + and <i>cross</i>. (Very general.)</p> + + <p>Carn; a heap of anything; a monumental pile of stones heaped up over a + dead person. Irish <i>carn</i>, same meanings.</p> + + <p>Caroline or 'Caroline hat'; a tall hat. ('Knocknagow': all over + Munster.)</p> + + <p>Caroogh, an expert or professional card-player. (Munster.) Irish + <i>cearrbhach</i>, same sound and meaning.</p> + + <p>Carra, Carrie; a weir on a river. (Derry.) Irish <i>carra</i>, same + meaning.</p> + +<p><!-- Page 232 --><span class="pagenum"><a name="page232"></a>{232}</span></p> + + <p>Carrigaholt in Clare, <a href="#page145">145</a>.</p> + + <p>Carry; to lead or drive: 'James, carry down those cows to the river' + (i.e. drive): 'carry the horse to the forge' (lead). 'I will carry my + family this year to Youghal for the salt water.' (Kinahan: South, West, + and North-west.) See Bring.</p> + + <p>Case: the Irish <i>cás</i>, and applied in the same way: 'It is a poor + case that I have to pay for your extravagance.' <i>Nách dubhach bocht un + cás bheith ag tuitim le ghrádh</i>: 'isn't it a poor case to be failing + through love.'—Old Irish Song. Our dialectical Irish <i>case</i>, + as above, is taken straight from the Irish <i>cás</i>; but this and the + standard English <i>case</i> are both borrowed from Latin.</p> + + <p>Cassnara; respect, anything done out of respect: 'he put on his new + coat for a <i>casnara</i>.' (Morris: South Mon.)</p> + + <p>Castor oil was our horror when we were children. No wonder; for this + story went about of how it was made. A number of corpses were hanging + from hooks round the walls of the <i>factory</i>, and drops were + continually falling from their big toes into vessels standing underneath. + This was castor oil.</p> + + <p>Catin clay; clay mixed with rushes or straws used in building the mud + walls of cottages. (Simmons: Arm.)</p> + + <p>Cat of a kind: they're 'cat of a kind,' both like each other and both + objectionable.</p> + + <p>Cat's lick; used in and around Dublin to express exactly the same as + the Munster <i>Scotch lick</i>, which see. A cat has a small tongue and + does not do much licking.</p> + +<p><!-- Page 233 --><span class="pagenum"><a name="page233"></a>{233}</span></p> + + <p>Caubeen; an old shabby cap or hat: Irish <i>cáibín</i>: he wore a + 'shocking bad caubeen.'</p> + + <p>Cauboge; originally an old hat, like caubeen; but now applied—as + the symbol of vulgarity—to an ignorant fellow, a boor, a bumpkin: + 'What else could you expect from that cauboge?' (South.)</p> + + <p>Caulcannon, Calecannon, Colecannon, Kalecannon; potatoes mashed with + butter and milk, with chopped up cabbage and pot-herbs. In Munster often + made and eaten on Hallow Eve. The first syllable is the Irish <i>cál</i>, + cabbage; <i>cannon</i> is also Irish, meaning speckled.</p> + + <p>Caur, kindly, good-natured, affable. (Morris: South Mon.)</p> + + <p>Cawmeen; a mote: 'there's a cawmeen in my eye.' (Moran: Carlow.) Irish + with the diminutive.</p> + + <p>Cawsha Pooka; the big fungus often seen growing on old trees or + elsewhere. From Irish <i>cáise</i>, cheese: the 'Pooka's cheese.' See + Pooka and Pookapyle and Bucknabarra.</p> + + <p>Cead míle fáilte [caidh meela faultha], a hundred thousand welcomes. + Irish, and universal in Ireland as a salute.</p> + + <p>Ceólaun [keolaun], a trifling contemptible little fellow. + (Munster.)</p> + + <p>Cess; very often used in the combination <i>bad cess</i> (bad + luck):—'Bad cess to me but there's something comin' over me.' + (Kickham: 'Knocknagow.') Some think this is a contraction of + <i>success</i>; others that it is to be taken as it stands—a + <i>cess</i> or contribution; which receives some little support from its + use in Louth to mean 'a quantity of corn in for threshing.'</p> + +<p><!-- Page 234 --><span class="pagenum"><a name="page234"></a>{234}</span></p> + + <p>Chalk Sunday; the first Sunday after Shrove Tuesday (first Sunday in + Lent), when those young men who should have been married, but were not, + were marked with a heavy streak of chalk on the back of the <i>Sunday + coat</i>, by boys who carried bits of chalk in their pockets for that + purpose, and lay in wait for the bachelors. The marking was done while + the congregation were assembling for Mass: and the young fellow ran for + his life, always laughing, and often singing the concluding words of some + suitable doggerel such as:—'And you are not married though Lent has + come!' This custom prevailed in Munster. I saw it in full play in + Limerick: but I think it has died out. For the air to which the verses + were sung, see my 'Old Irish Music and Songs,' p. 12.</p> + + <p>Champ (Down); the same as 'caulcannon,' which see. Also potatoes + mashed with butter and milk; same as 'pandy,' which see.</p> + + <p>Chanter; to go about grumbling and fault-finding. (Ulster.)</p> + + <p>Chapel: Church: Scallan, <a href="#page143">143</a>.</p> + + <p>Chaw for <i>chew</i>, <a href="#page97">97</a>. 'Chawing the rag'; + continually grumbling, jawing, and giving abuse. (Kinahan.)</p> + + <p>Cheek; impudence; <i>brass</i>: cheeky; presumptuous.</p> + + <p>Chincough, whooping-cough: from <i>kink-cough</i>. See Kink.</p> + + <p>Chittering; constantly muttering complaints. (Knowles.)</p> + + <p>Chook chook [the <i>oo</i> sounded rather short]; a call for hens. It + is the Irish <i>tiuc</i>, come.</p> + + <p>Christian; a human being as distinguished from one of the lower + animals:—'That dog has nearly as much sense as a Christian.' <!-- + Page 235 --><span class="pagenum"><a name="page235"></a>{235}</span></p> + + <p>Chuff: full.—'I'm chuffey after my dinner.' (MacCall: + Wexford.)</p> + + <p>Clabber, clobber, or clawber; mud: thick milk. See Bonnyclabber.</p> + + <p>Clamp; a small rick of turf, built up regularly. (All through + Ireland.)</p> + + <p>Clamper; a dispute, a wrangle. (Munster.) Irish <i>clampar</i>, same + meaning.</p> + + <p>Clarsha; a lazy woman. (Morris: South Monaghan.)</p> + + <p>Clart; an untidy dirty woman, especially in preparing food. (Simmons: + Armagh.)</p> + + <p>Clash, to carry tales: Clashbag, a tale-bearer. (Simmons: Armagh.)</p> + + <p>Classy; a drain running through a byre or stable-yard. (Morris: South + Monaghan.) Irish <i>clais</i>, a trench, with the diminutive <i>y</i> + added.</p> + + <p>Clat; a slovenly untidy person; dirt, clay: 'wash the <i>clat</i> off + your hands': clatty; slovenly, untidy—(Ulster): called + <i>clotty</i> in Kildare;—a slattern.</p> + + <p>Clatch; a brood of chickens. (Ulster.) See Clutch.</p> + + <p>Cleean [2-syll.]; a relation by marriage—such as a + father-in-law. Two persons so related are <i>cleeans</i>. Irish + <i>cliamhan</i>, same sound and meaning.</p> + + <p>Cleever; one who deals in poultry; because he carries them in a + <i>cleeve</i> or large wicker basket. (Morris: South Monaghan.) Irish + <i>cliabh</i> [cleeve], a basket.</p> + + <p>Cleevaun; a cradle: also a crib or cage for catching birds. The + diminutive of Irish <i>cliabh</i> or cleeve, a wicker basket.</p> + + <p>Clegg; a horsefly. (Ulster and Carlow.)</p> + + <p>Clehalpeen; a shillelah or cudgel with a knob at the end. (South.) + From Irish <i>cleath</i>, a wattle, and <i>ailpin</i> dim. of <i>alp</i>, + a knob. <!-- Page 236 --><span class="pagenum"><a + name="page236"></a>{236}</span></p> + + <p>Clever is applied to a man who is tall, straight, and well made.</p> + + <p>Clevvy; three or four shelves one over another in a wall: a sort of + small open cupboard like a dresser. (All over the South.)</p> + + <p>Clibbin, clibbeen; a young colt. (Donegal.) Irish <i>clibín</i>, same + sound and meaning.</p> + + <p>Clibbock; a young horse. (Derry.)</p> + + <p>Clift; a light-headed person, easily roused and rendered foolishly + excited. (Ulster.)</p> + + <p>Clipe-clash: a tell-tale. (Ulster.) See Clash.</p> + + <p>Clochaun, clochan; a row of stepping-stones across a river. (General.) + From Irish <i>cloch</i>, a stone, with the diminutive <i>án</i>.</p> + + <p>Clock; a black beetle. (South.)</p> + + <p>Clocking hen; a hen hatching. (General.) From the sound or + <i>clock</i> she utters.</p> + + <p>Clooracaun or cluracaun, another name for a leprachaun, which see.</p> + + <p>Close; applied to a day means simply warm:—'This is a very close + day.'</p> + + <p>Clout; a blow with the hand or with anything. Also a piece of cloth, a + rag, commonly used in the diminutive form in + Munster—<i>cloutheen</i>. <i>Cloutheens</i> is specially applied to + little rags used with an infant. <i>Clout</i> is also applied to a + clownish person:—'It would be well if somebody would teach that + <i>clout</i> some manners.'</p> + + <p>Clove; to clove flax is to <i>scutch</i> it—to draw each handful + repeatedly between the blades of a 'cloving tongs,' so as to break off + and remove the brittle husk, leaving the fibre smooth and free. + (Munster.)</p> + +<p><!-- Page 237 --><span class="pagenum"><a name="page237"></a>{237}</span></p> + + <p>Clutch; a brood of chickens or of any fowls: same as clatch. I suppose + this is English: Waterton (an English traveller) uses it in his + 'Wanderings'; but it is not in the Dictionaries of Chambers and + Webster.</p> + + <p>Cluthoge; Easter eggs. (P. Reilly; Kildare.)</p> + + <p>Cly-thoran; a wall or ditch between two estates. (Roscommon.) Irish + <i>cladh</i> [cly], a raised dyke or fence; <i>teóra</i>, gen. + <i>teórann</i> [thoran], a boundary.</p> + + <p>Cobby-house; a little house made by children for play. (Munster.)</p> + + <p>Cockles off the heart, <a href="#page194">194</a>.</p> + + <p>Cog; to copy surreptitiously; to crib something from the writings of + another and pass it off as your own. One schoolboy will sometimes copy + from another:—'You cogged that sum.'</p> + + <p>Coghil; a sort of long-shaped pointed net. (Armagh.) Irish + <i>cochal</i>, a net.</p> + + <p>Coldoy; a bad halfpenny: a spurious worthless article of jewellery. + (Limerick.)</p> + + <p>Colleen; a young girl. (All over Ireland.) Irish <i>cailín</i>, same + sound and meaning.</p> + + <p>Colley; the woolly dusty fluffy stuff that gathers under furniture and + in remote corners of rooms. Light soot-smuts flying about.</p> + + <p>Colloge; to talk and gossip in a familiar friendly way. An Irish form + of the Latin or English word 'colloquy.'</p> + + <p>Collop; a standard measure of grazing land, p. <a + href="#page177">177</a>.</p> + + <p>Collop; the part of a flail that is held in the hand. (Munster.) See + Boolthaun. Irish <i>colpa</i>.</p> + + <p>Come-all-ye; a nickname applied to Irish Folk Songs and Music; an old + country song; from the <!-- Page 238 --><span class="pagenum"><a + name="page238"></a>{238}</span>beginning of many of the + songs:—'Come all ye tender Christians,' &c. This name, intended + to be reproachful, originated among ourselves, after the usual habit of + many 'superior' Irishmen to vilify their own country and countrymen and + all their customs and peculiarities. Observe, this opening is almost + equally common in English Folk-songs; yet the English do not make game of + them by nicknames. Irish music, which is thus vilified by some of our + brethren, is the most beautiful Folk Music in the world.</p> + + <p>Comether; <i>come hether</i> or <i>hither</i>, <a + href="#page97">97</a>.</p> + + <p>Commaun, common; the game of goaling or hurley. So called from the + <i>commaun</i> or crooked-shaped stick with which it is played: Irish + <i>cam</i> or <i>com</i>, curved or crooked; with the + diminutive—<i>camán</i>. Called <i>hurling</i> and <i>goaling</i> + by English speakers in Ireland, and <i>shinney</i> in Scotland.</p> + + <p>Commons; land held in common by the people of a village or small + district: see p. <a href="#page177">177</a>.</p> + + <p>Comparisons, <a href="#page136">136</a>.</p> + + <p>Conacre; letting land in patches for a short period. A farmer divides + a large field into small portions—¼ acre, ½ acre, + &c.—and lets them to his poorer neighbours usually for one + season for a single crop, mostly potatoes, or in Ulster flax. He + generally undertakes to manure the whole field, and charges high rents + for the little lettings. I saw this in practice more than 60 years ago in + Munster. Irish <i>con</i>, common, and Eng. <i>acre</i>.</p> + + <p>Condition; in Munster, to 'change your condition' is to get + married.</p> + + <p>Condon, Mr. John, of Mitchelstown, <a href="#page155">155</a>.</p> + +<p><!-- Page 239 --><span class="pagenum"><a name="page239"></a>{239}</span></p> + + <p>Conny, canny; discreet, knowing, cute.</p> + + <p>Contrairy, for <i>contrary</i>, but accented on second syll.; cross, + perverse, cranky, crotchety, <a href="#page102">102</a>.</p> + + <p>Convenient: see Handy.</p> + + <p>Cool: hurlers and football players always put one of their best + players to <i>mind cool</i> or <i>stand cool</i>, i.e. to stand at their + own goal or gap, to intercept the ball if the opponents should attempt to + drive it through. Universal in Munster. Irish <i>cúl</i> [cool], the + back. The full word is <i>cool-baur-ya</i> where 'baur-ya' is the goal or + gap. The man standing cool is often called 'the man in the gap' (see p. + <a href="#page182">182</a>).</p> + + <p>Cool; a good-sized roll of butter. (Munster.)</p> + + <p>Cooleen or coulin; a fair-haired girl. This is the name of a + celebrated Irish air. From <i>cúl</i> the back [of the head], and + <i>fionn</i>, white or fair:—<i>cúil-fhionn</i>, [pron. cooleen or + coolin].</p> + + <p>Coonagh; friendly, familiar, <i>great</i> (which see):—'These + two are very <i>coonagh</i>.' (MacCall: Wexford.) Irish <i>cuaine</i>, a + family.</p> + + <p>Coonsoge, a bees' nest. (Cork.) Irish <i>cuansa</i> [coonsa], a + hiding-place, with the diminutive <i>óg</i>.</p> + + <p>Cooramagh; kindly, careful, thoughtful, provident:—'No wonder + Mrs. Dunn would look well and happy with such a <i>cooramagh</i> + husband.' Irish <i>curamach</i>, same meaning.</p> + + <p>Coord [<i>d</i> sounded like <i>th</i> in <i>bathe</i>], a friendly + visit to a neighbour's house. Irish <i>cuaird</i>, a visit. Coordeeagh, + same meaning. (Munster.)</p> + + <p>Cope-curley; to stand on the head and throw the heels over; to turn + head over heels. (Ulster.)</p> + + <p>Core: work given as a sort of loan to be paid back. <!-- Page 240 + --><span class="pagenum"><a name="page240"></a>{240}</span>I send a man + on <i>core</i> for a day to my neighbour: when next I want a man he will + send me one for a day in return. So with horses: two one-horse farmers + who work their horses in pairs, borrowing alternately, are said to be in + <i>core</i>. Very common in Munster. Irish <i>cobhair</i> or + <i>cabhair</i> [core or co-ir, 2-syll.] help, support.</p> + + <p>Coreeagh; a man who has a great desire to attend funerals—goes + to every funeral that he can possibly reach. (Munster.) Same root as + last.</p> + + <p>Corfuffle; to toss, shake, confuse, mix up. (Derry.)</p> + + <p>Correesk; a crane. (Kildare.) Irish <i>corr</i>, a bird of the crane + kind, and <i>riasc</i> [reesk], a marsh.</p> + + <p>Cōsher [the <i>o</i> long as in <i>motion</i>]; banqueting, + feasting. In very old times in Ireland, certain persons went about with + news from place to place, and were entertained in the high class houses: + this was called <i>coshering</i>, and was at one time forbidden by law. + In modern times it means simply a friendly visit to a neighbour's house + to have a quiet talk. Irish <i>cóisir</i>; a banquet, feasting.</p> + + <p>Costnent. When a farm labourer has a cottage and garden from his + employer, and boards himself, he lives <i>costnent</i>. He is paid small + wages (called <i>costnent</i> wages) as he has house and plot free. + (Derry.)</p> + + <p>Cot; a small boat: Irish <i>cot</i>. See 'Irish Names of Places,' I. + 226, for places deriving their names from <i>cots</i>.</p> + + <p>Cowlagh; an old ruined house. (Kerry.) Irish <i>coblach</i> + [cowlagh].</p> + + <p>Coward's blow; a blow given to provoke a boy to fight or else be + branded as a coward. <!-- Page 241 --><span class="pagenum"><a + name="page241"></a>{241}</span></p> + + <p>Cow's lick. When the hair in front over the forehead turns at the + roots upward and backward, that is a <i>cow's lick</i>, as if a cow had + licked it upwards. The idea of a cow licking the hair is very old in + Irish literature. In the oldest of all our miscellaneous Irish <span + class="scac">MSS.</span>—The Book of the Dun Cow—Cuculainn's + hair is so thick and smooth that king Laery, who saw him, says:—'I + should imagine it is a cow that licked it.'</p> + + <p>Cox, Mr. Simon, of Galbally, <a href="#page156">156</a>.</p> + + <p>Craags; great fat hands; big handfuls. (Morris: South Mon.)</p> + + <p>Crab; a cute precocious little child is often called an <i>old + crab</i>. 'Crabjaw' has the same meaning.</p> + + <p>Cracked; crazy, half mad.</p> + + <p>Cracklins; the browned crispy little flakes that remain after + <i>rendering</i> or melting lard and pouring it off. (Simmons: + Armagh.)</p> + + <p>Crahauns or Kirraghauns; very small potatoes not used by the family: + given to pigs. (Munster.) Irish <i>creathán</i>.</p> + + <p>Crans (always in pl.); little tricks or dodges. (Limk).</p> + + <p>Crapper; a half glass of whiskey. (Moran: Carlow.)</p> + + <p>Craw-sick; ill in the morning after a drunken bout.</p> + + <p>Crawtha; sorry, mortified, pained. (Limerick.) Irish <i>cráidhte</i> + [crawtha], same meaning.</p> + + <p>Crawthumper; a person ostentatiously devotional.</p> + + <p>Creelacaun; see Skillaun.</p> + + <p>Creel; a strong square wicker frame, used by itself for holding turf, + &c., or put on asses' backs (in pairs), or put on carts for carrying + turf or for taking calves, <i>bonnives</i>, &c., to market. Irish + <i>criol</i>. (All through Ireland.) <!-- Page 242 --><span + class="pagenum"><a name="page242"></a>{242}</span></p> + + <p>Creepy; a small stool, a stool. (Chiefly in Ulster.)</p> + + <p>Crith; hump on the back. Irish <i>cruit</i>, same sound and meaning. + From this comes <i>critthera</i> and <i>crittheen</i>, both meaning a + hunchback.</p> + + <p>Cro, or cru: a house for cows. (Kerry.) Irish <i>cro</i>, a pen, a + fold, a shed for any kind of animals.</p> + + <p>Croaked; I am afraid poor Nancy is croaked, i.e. doomed to death. The + raven croaks over the house when one of the family is about to die. + (MacCall: Wexford.)</p> + + <p>Croft; a water bottle, usually for a bedroom at night. You never hear + <i>carafe</i> in Ireland: it is always <i>croft</i>.</p> + + <p>Cromwell, Curse of, <a href="#page166">166</a>.</p> + + <p>Crumel´ly. (Limerick.) More correctly <i>curr amílly</i>. (Donegal.) + An herb found in grassy fields with a sweet root that children dig up and + eat. Irish 'honey-root.'</p> + + <p>Cronaun, croonaun; a low humming air or song, any continuous humming + sound: 'the old woman was cronauning in the corner.'</p> + + <p>Cronebane, cronebaun; a bad halfpenny, a worthless copper coin. From + Cronebane in Co. Wicklow, where copper mines were worked.</p> + + <p>Croobeen or crubeen; a pig's foot. Pigs' croobeens boiled are a grand + and favourite viand among us—all through Ireland. Irish <i>crúb</i> + [croob], a foot, with the diminutive.</p> + + <p>Croost; to throw stones or clods from the hand:—'Those boys are + always <i>croosting</i> stones at my hens.' Irish <i>crústa</i> + [croostha], a missile, a clod.</p> + + <p>Croudy: see Porter-meal.</p> + + <p>Crowl or Croil; a dwarf, a very small person: the smallest + <i>bonnive</i> of the litter. An Irish word. <!-- Page 243 --><span + class="pagenum"><a name="page243"></a>{243}</span></p> + + <p>Cruiskeen; a little cruise for holding liquor. Used all over + Ireland.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'In a shady nook one moonlight night</p> + <p class="i2">A <i>leprechaun</i> I spied;</p> + <p>With scarlet cap and coat of green,</p> + <p class="i2">A <i>cruiskeen</i> by his side.'</p> + </div> + </div> + + <p>The <i>Cruiskeen Laun</i> is the name of a well-known Irish + air—the Scotch call it 'John Anderson my Jo.' Irish + <i>cruiscín</i>, a pitcher: <i>lán</i> [laun], full: i.e. in this case + full of <i>pottheen</i>.</p> + + <p>Crusheen; a stick with a flat crosspiece fastened at bottom for + washing potatoes in a basket. Irish <i>cros</i>, a cross, with the + diminutive. Also called a <i>boghaleen</i>, from Irish <i>bachal</i>, a + staff, with diminutive. (Joyce: Limerick.)</p> + + <p>Cuck; a tuft: applied to the little tuft of feathers on the head of + some birds, such as plovers, some hens and ducks, &c. Irish + <i>coc</i>: same sound and meaning. (General.)</p> + + <p>Cuckles; the spiky seed-pods of the thistle: thistle heads. + (Limerick.)</p> + + <p>Cuckoo spit; the violet: merely the translation of the Irish name, + <i>sail-chuach</i>, spittle of cuckoos. Also the name of a small frothy + spittle-like substance often found on leaves of plants in summer, with a + little greenish insect in the middle of it. (Limerick.)</p> + + <p>Cugger-mugger; whispering, gossiping in a low voice: Jack and Bessie + had a great <i>cugger-mugger</i>. Irish <i>cogar</i>, whisper, with a + similar duplication meaning nothing, like tip-top, shilly-shally, + gibble-gabble, clitter-clatter, &c. I think <!-- Page 244 --><span + class="pagenum"><a name="page244"></a>{244}</span>'hugger-mugger' is a + form of this: for <i>hugger</i> can't be derived from anything, whereas + <i>cugger</i> (<i>cogur</i>) is a plain Irish word.</p> + + <p>Cull; when the best of a lot of any kind—sheep, cattle, books, + &c.—have been picked out, the bad ones that are left—the + refuse—are the <i>culls</i>. (Kinahan: general.)</p> + + <p>Culla-greefeen; when foot or hand is 'asleep' with the feeling of + 'pins and needles.' The name is Irish and means 'Griffin's sleep'; but + why so called I cannot tell. (Munster.)</p> + + <p>Cup-tossing; reading fortunes from tea-leaves thrown out on the saucer + from the tea-cup or teapot. (General.)</p> + + <p>Cur; a twist: a <i>cur</i> of a rope. (Joyce: Limerick.)</p> + + <p>Curate; a common little iron poker kept in use to spare the grand one: + also a grocer's assistant. (Hayden and Hartog.)</p> + + <p>Curcuddiagh; cosy, comfortable. (Maxwell: 'Wild Sports of the West': + Irish: Mayo.)</p> + + <p>Curifixes; odd <i>curious</i> ornaments or <i>fixtures</i> of any + kind. (General.) Peter Brierly, looking at the knocker:—'I never + see such <i>curifixes</i> on a <i>doore</i> afore.' (Edw. Walsh: very + general.)</p> + + <p>Curragh; a wicker boat covered formerly with hides but now with tarred + canvass. (See my 'Smaller Social Hist. of Anc. Ireland.')</p> + + <p>Current; in good health: he is not current; his health is not current. + (Father Higgins: Cork.)</p> + + <p>Curwhibbles, currifibbles, currywhibbles; any strange, odd, or unusual + gestures; or any unusual twisting of words, such as prevarication; wild + puzzles and puzzling talk:—'The horsemen are in regular + currywhibles about something.' (R. D. Joyce.) <!-- Page 245 --><span + class="pagenum"><a name="page245"></a>{245}</span></p> + + <p>Cush; a sort of small horse, from <i>Cushendall</i> in Antrim.</p> + + <p>Cushlamochree; pulse of my heart. Irish <i>Cuislĕ</i>, vein or + pulse; <i>mo</i>, my; <i>croidhe</i> [cree], heart.</p> + + <p>Cushoge; a stem of a plant; sometimes used the same as <i>traneen</i>, + which see. (Moran: Carlow; and Morris: Monaghan.)</p> + + <p>Cut; a county or barony cess tax; hence Cutman, the collector of it. + (Kinahan: Armagh and Donegal.) 'The three black <i>cuts</i> will be + levied.' (Seumas MacManus: Donegal.)</p> + + <p> </p> + + <p>Daisy-picker; a person who accompanies two lovers in their walk; why + so called obvious. Brought to keep off gossip.</p> + + <p>Dalk, a thorn. (De Vismes Kane: North and South.) Irish <i>dealg</i> + [dallog], a thorn.</p> + + <p>Dallag [<i>d</i> sounded like <i>th</i> in <i>that</i>]; any kind of + covering to blindfold the eyes (Morris: South Monaghan): 'blinding,' from + Irish <i>dall</i>, blind.</p> + + <p>Dallapookeen; blindman's buff. (Kerry.) From Irish <i>dalladh</i> + [dalla] blinding; and <i>puicín</i> [pookeen], a covering over the + eyes.</p> + + <p>Daltheen [the <i>d</i> sounded like <i>th</i> in <i>that</i>], an + impudent conceited little fellow: a diminutive of <i>dalta</i>, a foster + child. The diminutive <i>dalteen</i> was first applied to a horseboy, + from which it has drifted to its present meaning.</p> + + <p>Dancing customs, <a href="#page170">170</a>, <a + href="#page172">172</a>.</p> + + <p>Dannagh; mill-dust and mill-grains for feeding pigs. (Moran: Carlow: + also Tip.) Irish <i>deanach</i>, same sound and meaning. <!-- Page 246 + --><span class="pagenum"><a name="page246"></a>{246}</span></p> + + <p>Dander [second <i>d</i> sounded like <i>th</i> in <i>hither</i>], to + walk about leisurely: a leisurely walk.</p> + + <p>Dandy; a small tumbler; commonly used for drinking punch.</p> + + <p>Darradail or daradeel [the <i>d</i>'s sounded like <i>th</i> in + <i>that</i>] a sort of long black chafer or beetle. It raises its tail + when disturbed, and has a strong smell of apples. There is a religious + legend that when our Lord was escaping from the Jews, barefoot, the + stones were marked all along by traces of blood from the bleeding feet. + The daradail followed the traces of blood; and the Jews following, at + length overtook and apprehended our Lord. Hence the people regard the + daradail with intense hatred, and whenever they come on it, kill it + instantly. Irish <i>darbh-daol</i>.</p> + + <p>Dark; blind: 'a dark man.' (Very general.) Used constantly even in + official and legal documents, as in workhouse books, especially in + Munster. (Healy.)</p> + + <p>Darrol; the smallest of the brood of pigs, fowl, &c. (Mayo.) Irish + <i>dearóil</i>, small, puny, wretched.</p> + + <p>Davis, Thomas, vi. <a href="#page83">83</a>, &c.</p> + + <p>Dead beat or dead <i>bet</i>; tired out.</p> + + <p>Dear; used as a sort of intensive adjective:—'Tom ran for the + dear life' (as fast as he could). (Crofton Croker.) 'He got enough to + remember all the dear days of his life.' ('Dub. Pen. Journ.')</p> + + <p>Dell; a lathe. Irish <i>deil</i>, same sound and meaning. (All over + Munster.)</p> + + <p>Devil's needle; the dragon-fly. Translation of the Irish name + <i>snathad-a'-diabhail</i> [snahad-a-dheel].</p> + + <p>Deshort [to rhyme with <i>port</i>]; a sudden interruption, a + surprise: 'I was taken at a <i>deshort</i>.' (Derry.) <!-- Page 247 + --><span class="pagenum"><a name="page247"></a>{247}</span></p> + + <p>Devil, The, and his 'territory,' <a href="#page56">56</a>.</p> + + <p>Dickonce; one of the disguised names of the devil used in <i>white</i> + cursing: 'Why then the dickonce take you for one gander.' (Gerald + Griffin.)</p> + + <p>Diddy; a woman's pap or breast: a baby sucks its mother's diddy. + Diminutive of Irish <i>did</i>, same.</p> + + <p>Dido; a girl who makes herself ridiculous with fantastic finery. + (Moran: Carlow.)</p> + + <p>Didoes (singular <i>dido</i>); tricks, antics: 'quit your didoes.' + (Ulster.)</p> + + <p>Dildron or dildern; a bowraun, which see.</p> + + <p>Dillesk, dulsk, dulse or dilse; a sort of sea plant growing on rocks, + formerly much used (when dried) as an article of food (as + <i>kitchen</i>), and still eaten in single leaves as a sort of relish. + Still sold by basket-women in Dublin. Irish <i>duilesc</i>.</p> + + <p>Dip. When the family dinner consisted of dry potatoes, i.e. potatoes + without milk or any other drink, dip was often used, that is to say, + gravy or broth, or water flavoured in any way in plates, into which the + potato was dipped at each bit. I once saw a man using dip of plain water + with mustard in it, and eating his dinner with great relish. You will + sometimes read of 'potatoes and point,' namely, that each person, before + taking a bite, <i>pointed</i> the potato at a salt herring or a bit of + bacon hanging in front of the chimney: but this is mere fun, and never + occurred in real life.</p> + + <p>Disciple; a miserable looking creature of a man. Shane Glas was a long + lean scraggy wretched looking fellow (but really strong and active), and + another says to him—jibing and railing—'Away with ye, ye + miserable <i>disciple</i>. Arrah, by the hole <!-- Page 248 --><span + class="pagenum"><a name="page248"></a>{248}</span>of my coat, after you + dance your last jig upon nothing, with your hemp cravat on, I'll coax yer + miserable carcase from the hangman to frighten the crows with.' (Edw. + Walsh in 'Pen. Journ.')</p> + + <p>Disremember; to forget. Good old English; now out of fashion in + England, but common in Ireland.</p> + + <p>Ditch. In Ireland a ditch is a raised fence or earthen wall or mound, + and a dyke (or <i>sheuch</i> as they call it in Donegal and elsewhere in + Ulster) is a deep cutting, commonly filled with water. In England both + words mean exactly the reverse. Hence 'hurlers on the ditch,' or 'the + best hurlers are on the ditch' (where speakers of pure English would use + 'fence') said in derision of persons who are mere idle spectators sitting + up on high watching the game—whatever it may be—and boasting + how they would <i>do the devil an' all</i> if they were only playing. + Applied in a broad sense to those who criticise persons engaged in any + strenuous affair—critics who think they could do better.</p> + + <p>Dollop; to adulterate: 'that coffee is dolloped.'</p> + + <p>Donny; weak, in poor health. Irish <i>donaidhe</i>, same sound and + meaning. Hence <i>donnaun</i>, a poor weakly creature, same root with the + diminutive. From still the same root is <i>donsy</i>, sick-looking.</p> + + <p>Donagh-dearnagh, the Sunday before Lammas (1st August). (Ulster.) + Irish <i>Domnach</i>, Sunday; and <i>deireannach</i>, last, i.e. last + Sunday of the period before 1st August.</p> + + <p>Doodoge [the two <i>d</i>'s sounded like <i>th</i> in <i>thus</i>]; a + big pinch of snuff. [Limk.] Irish <i>dúdóg</i>.</p> + + <p>Dooraght [<i>d</i> sounded as in the last word]; tender care and + kindness shown to a person. Irish <!-- Page 249 --><span + class="pagenum"><a name="page249"></a>{249}</span><i>dúthracht</i>, same + sound and meaning. In parts of Ulster it means a small portion given over + and above what is purchased (Simmons and Knowles); called elsewhere a + <i>tilly</i>, which see. This word, in its sense of kindness, is very + old; for in the Brehon Law we read of land set aside by a father for his + daughter through <i>dooraght</i>.</p> + + <p>Doorshay-daurshay [<i>d</i> in both sounded as <i>th</i> in + <i>thus</i>], mere hearsay or gossip. The first part is Irish, + representing the sound of <i>dubhairt-sé</i>, 'said he.' The second part + is a mere doubling of the first, as we find in many English words, such + as 'fiddle-faddle,' 'tittle-tattle' (which resembles our word). Often + used by Munster lawyers in court, whether Irish-speaking or not, in + depreciation of hearsay evidence in contradistinction to the evidence of + looking-on. 'Ah, that's all mere <i>doorshay-daurshay</i>.' Common all + over Munster. The information about the use of the term in law courts I + got from Mr. Maurice Healy. A different form is sometimes + heard:—<i>D'innis bean dom gur innis bean di</i>, 'a woman told me + that a woman told her.'</p> + + <p>Dornoge [<i>d</i> sounded as in doodoge above]; a small round lump of + a stone, fit to be cast from the hand. Irish <i>dorn</i>, the shut hand, + with the dim. <i>óg</i>.</p> + + <p>Double up; to render a person helpless either in fight or in argument. + The old tinker in the fair got a blow of an amazon's fist which 'sent him + sprawling and <i>doubled</i> him up for the rest of the evening.' (Robert + Dwyer Joyce: 'Madeline's Vow.')</p> + + <p>Down in the heels; broken down in fortune (one mark of which is the + state of the heels of shoes). <!-- Page 250 --><span class="pagenum"><a + name="page250"></a>{250}</span></p> + + <p>Down blow; a heavy or almost ruinous blow of any kind:—'The loss + of that cow was a down blow to poor widow Cleary.'</p> + + <p>Downface; to persist boldly in an assertion (whether true or no): He + downfaced me that he returned the money I lent him, though he never + did.</p> + + <p>Down-the-banks; a scolding, a reprimand, punishment of any kind.</p> + + <p>Dozed: a piece of timber is dozed when there is a dry rot in the heart + of it. (Myself for Limk.: Kane for North.)</p> + + <p>Drad; a grin or contortion of the mouth. (Joyce.)</p> + + <p>Drag home. (Simmons; Armagh: same as Hauling home, which see.)</p> + + <p>Drass; a short time, a turn:—'You walk a drass now and let me + ride': 'I always smoke a drass before I go to bed of a night.' + ('Collegians,' Limerick.) Irish <i>dreas</i>, same sound and meaning.</p> + + <p>Drench: a form of the English <i>drink</i>, but used in a peculiar + sense in Ireland. A <i>drench</i> is a philtre, a love-potion, a + love-compelling drink over which certain charms were repeated during its + preparation. Made by boiling certain herbs (<i>orchis</i>) in water or + milk, and the person drinks it unsuspectingly. In my boyhood time a + beautiful young girl belonging to a most respectable family ran off with + an ill-favoured obscure beggarly diseased wretch. The occurrence was + looked on with great astonishment and horror by the people—no + wonder; and the universal belief was that the fellow's old mother had + given the poor girl a <i>drench</i>. To this hour I cannot make any guess + at the cause of that astounding elopement: and it is <!-- Page 251 + --><span class="pagenum"><a name="page251"></a>{251}</span>not surprising + that the people were driven to the supernatural for an explanation.</p> + + <p>Dresser; a set of shelves and drawers in a frame in a kitchen for + holding plates, knives, &c.</p> + + <p>Drisheen is now used in Cork as an English word, to denote a sort of + pudding made of the narrow intestines of a sheep, filled with blood that + has been cleared of the red colouring matter, and mixed with meal and + some other ingredients. So far as I know, this viand and its name are + peculiar to Cork, where <i>drisheen</i> is considered suitable for + persons of weak or delicate digestion. (I should observe that a recent + reviewer of one of my books states that drisheen is also made in + Waterford.) Irish <i>dreas</i> or driss, applied to anything slender, as + a bramble, one of the smaller intestines, &c.—with the + diminutive.</p> + + <p>Drizzen, a sort of moaning sound uttered by a cow. (Derry).</p> + + <p>Drogh; the worst and smallest bonnive in a litter. (Armagh.) Irish + <i>droch</i>, bad, evil. (See Eervar.)</p> + + <p>Droleen; a wren: merely the Irish word <i>dreóilín</i>.</p> + + <p>Drop; a strain of any kind 'running in the blood.' A man inclined to + evil ways 'has a bad drop' in him (or 'a black drop'): a miser 'has a + hard drop.' The expression carries an idea of heredity.</p> + + <p>Drugget; a cloth woven with a mixture of woollen and flaxen thread: so + called from Drogheda where it was once extensively manufactured. Now much + used as cheap carpeting.</p> + + <p>Druids and Druidism, <a href="#page178">178</a>.</p> + + <p>Drumaun; a wide back-band for a ploughing horse, <!-- Page 252 + --><span class="pagenum"><a name="page252"></a>{252}</span>with hooks to + keep the traces in place. (Joyce: Limerick.) From Irish <i>druim</i>, the + back.</p> + + <p>Drummagh; the back strap used in yoking two horses. (Joyce: Limerick.) + Irish <i>druim</i>, the back, with the termination <i>-ach</i>, + equivalent to English <i>-ous</i> and <i>-y</i>.</p> + + <p>Dry potatoes; potatoes eaten without milk or any other drink.</p> + + <p>Dry lodging; the use of a bed merely, without food.</p> + + <p>Drynaun-dun or drynan-dun [two <i>d</i>'s sounded like <i>th</i> in + <i>that</i>]; the blackthorn, the sloe-bush. Irish <i>droigheanán</i> + [drynan or drynaun], and <i>donn</i>, brown-coloured.</p> + + <p>Ducks; trousers of snow-white canvas, much used as summer wear by + gentle and simple fifty or sixty years ago.</p> + + <p>Dudeen [both <i>d</i>'s sounded like <i>th</i> in <i>those</i>]; a + smoking-pipe with a very short stem. Irish <i>dúidín</i>, <i>dúd</i>, a + pipe, with the diminutive.</p> + + <p>Duggins; rags: 'that poor fellow is all in duggins.' (Armagh.)</p> + + <p>Dull; a loop or eye on a string. (Monaghan.)</p> + + <p>Dullaghan [<i>d</i> sounded as <i>th</i> in <i>those</i>]; a large + trout. (Kane: Monaghan.) An Irish word.</p> + + <p>Dullaghan; 'a hideous kind of hobgoblin generally met with in + churchyards, who can take off and put on his head at will.' (From 'Irish + Names of Places,' I. 193, which see for more about this spectre. See + Croker's 'Fairy Legends.')</p> + + <p>Dullamoo [<i>d</i> sounded like <i>th</i> in <i>those</i>]; a wastrel, + a scapegrace, a <i>ne'er-do-weel</i>. Irish <i>dul</i>, going; + <i>amudha</i> [amoo], astray, to loss:—<i>dullamoo</i>, 'a person + going to the bad,' 'going to the dogs.' <!-- Page 253 --><span + class="pagenum"><a name="page253"></a>{253}</span></p> + + <p>Dundeen; a lump of bread without butter. (Derry.)</p> + + <p>Dunisheen; a small weakly child. (Moran: Carlow.) Irish + <i>donaisín</i>, an unfortunate being; from <i>donas</i>, with + diminutive. See Donny.</p> + + <p>Dunner; to knock loudly at a door. (Ulster.)</p> + + <p>Dunt (sometimes <i>dunch</i>), to strike or butt like a cow or goat + with the head. A certain lame old man (of Armagh) was nicknamed 'Dunt the + pad (path'). (Ulster.)</p> + + <p>Durneen, one of the two handles of a scythe that project from the main + handle. Irish <i>doirnín</i>, same sound and meaning: diminutive from + <i>dorn</i>, the fist, the shut hand.</p> + + <p>Durnoge; a strong rough leather glove, used on the left hand by faggot + cutters. (MacCall: Wexford.) <i>Dornoge</i>, given above, is the same + word but differently applied.</p> + + <p>Duty owed by tenants to landlords, <a href="#page181">181</a>.</p> + + <p> </p> + + <p>Earnest; 'in earnest' is often used in the sense of 'really and + truly':—'You're a man in earnest, Cus, to strike the first blow on + a day [of battle] like this.' (R. D. Joyce.)</p> + + <p>Eervar; the last pig in a litter. This <i>bonnive</i> being usually + very small and hard to keep alive is often given to one of the children + for a pet; and it is reared in great comfort in a warm bed by the kitchen + fire, and fed on milk. I once, when a child, had an eervar of my own + which was the joy of my life. Irish <i>iarmhar</i> [eervar], meaning + 'something after all the rest'; the hindmost. (Munster.) See Drogh for + Ulster.</p> + + <p>Elder; a cow's udder. All over Ireland. <!-- Page 254 --><span + class="pagenum"><a name="page254"></a>{254}</span></p> + + <p>Elegant. This word is used among us, not in its proper sense, but to + designate anything good or excellent of its kind:—An elegant + penknife, an elegant gun: 'That's an elegant pig of yours, Jack?' Our + milkman once offered me a present for my garden—'An elegant load of + dung.'</p> + + <div class="poem"> + <div class="stanza"> + <p>I haven't the <i>janius</i> for work,</p> + <p class="i2">For 'twas never the gift of the Bradys;</p> + <p>But I'd make a most <i>elegant</i> Turk,</p> + <p class="i2">For I'm fond of tobacco and ladies.</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Lever.</span>)</p> + </div> + </div> + +</blockquote> + +<blockquote class="b2n"> + + <p>'How is she [the sick girl] coming on?'</p> + + <p>'Elegant,' was the reply. ('Knocknagow.')</p> + +</blockquote> + +<blockquote class="b1n"> + + <p>Elementary schools, <a href="#page159">159</a>.</p> + + <p>Exaggeration and redundancy, <a href="#page120">120</a>.</p> + + <p>Existence, way of predicating, <a href="#page23">23</a>.</p> + + <p>Eye of a bridge; the arch.</p> + + <p> </p> + + <p>Faireen (south), fairin (north); a present either given in a fair or + brought from it. Used in another sense—a lasting injury of any + kind:—'Poor Joe got a faireen that day, when the stone struck him + on the eye, which I'm afraid the eye will never recover.' Used all over + Ireland and in Scotland.</p> + + <div class="poem"> + <div class="stanza"> + <p>Ah Tam, ah Tam, thou'lt get thy fairin',</p> + <p>In hell they'll roast thee like a herrin'.</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Burns.</span>)</p> + </div> + </div> + + <p>Fair-gurthra; 'hungry grass.' There is a legend all through Ireland + that small patches of grass grow here and there on mountains; and if a + person in walking along happens to tread on one of them he is instantly + overpowered with hunger so as to <!-- Page 255 --><span + class="pagenum"><a name="page255"></a>{255}</span>be quite unable to + walk, and if help or food is not at hand he will sink down and perish. + That persons are attacked and rendered helpless by sudden hunger on + mountains in this manner is certain. Mr. Kinahan gives me an instance + where he had to carry his companion, a boy, on his back a good distance + to the nearest house: and Maxwell in 'Wild Sports of the West' gives + others. But he offers the natural explanation: that a person is liable to + sink suddenly with hunger if he undertakes a hard mountain walk with a + long interval after food. Irish <i>feur</i>, grass; <i>gorta</i>, + hunger.</p> + + <p>Fairy breeze. Sometimes on a summer evening you suddenly feel a very + warm breeze: that is a band of fairies travelling from one fort to + another; and people on such occasions usually utter a short prayer, not + knowing whether the 'good people' are bent on doing good or evil. (G. H. + Kinahan.) Like the Shee-geeha, which see.</p> + + <p>Fairy-thimble, the same as 'Lusmore,' which see.</p> + + <p>Famished; distressed for want of something:—'I am famished for a + smoke—for a glass,' &c.</p> + + <p>Farbreaga; a scarecrow. Irish <i>fear</i>, a man: <i>breug</i> + falsehood: a false or pretended man.</p> + + <p>Farl; one quarter of a griddle cake. (Ulster.)</p> + + <p>Faúmera [the <i>r</i> has the slender sound]; a big strolling + beggarman or idle fellow. From the Irish <i>Fomor</i>. The <i>Fomors</i> + or <i>Fomora</i> or Fomorians were one of the mythical colonies that came + to Ireland (see any of my Histories of Ireland, Index): some accounts + represent them as giants. In Clare the country people that go to the + seaside in summer for the benefit of the 'salt water' are <!-- Page 256 + --><span class="pagenum"><a name="page256"></a>{256}</span>called + <i>Faumeras</i>. In Tramore they are called <i>olishes</i> [o long]; + because in the morning before breakfast they go down to the strand and + take a good <i>swig</i> of the salt water—an essential part of the + cure—and when one meets another he (or she) asks in Irish '<i>ar + ólish</i>,' 'did you drink?' In Kilkee the dogfish is called + <i>Faumera</i>, for the dogfish is among the smaller fishes like what + legend represents the Fomorians in Ireland.</p> + + <p>Faustus, Dr., in Irish dialect, <a href="#page60">60</a>.</p> + + <p>Fear is often used among us in the sense of <i>danger</i>. Once during + a high wind the ship's captain neatly distinguished it when a frightened + lady asked him:—'Is there any fear, sir?' 'There's plenty of fear, + madam, but no danger.'</p> + + <p>Feck or fack; a spade. From the very old Irish word, <i>fec</i>, same + sound and meaning.</p> + + <p>Fellestrum, the flagger (marsh plant). Irish <i>felestrom</i>. + (South.)</p> + + <p>Fetch; what the English call a <i>double</i>, a preternatural + apparition of a living person, seen usually by some relative or friend. + If seen in the morning the person whose fetch it is will have a long and + prosperous life: if in the evening the person will soon die.</p> + + <p>Finane or Finaun; the white half-withered long grass found in marshy + or wet land. Irish <i>finn</i> or <i>fionn</i>, white, with the + diminutive.</p> + + <p>Finely and poorly are used to designate the two opposite states of an + invalid. 'Well, Mrs. Lahy, how is she?' [Nora the poor sick little girl]. + 'Finely, your reverence,' Honor replied (going on well). The old sinner + Rody, having accidentally <!-- Page 257 --><span class="pagenum"><a + name="page257"></a>{257}</span>shot himself, is asked how he is going + on:—'Wisha, poorly, poorly' (badly). (G. Griffin.)</p> + + <p>Finger—to put a finger in one's eye; to overreach and cheat him + by cunning:—'He'd be a clever fellow that would put a finger in + Tom's eye.'</p> + + <p>First shot, in distilling pottheen; the weak stuff that comes off at + the first distillation: also called singlings.</p> + + <p>Flahoolagh, plentiful; 'You have a flahoolagh hand, Mrs. Lyons': 'Ah, + we got a flahoolagh dinner and no mistake.' Irish <i>flaith</i> [flah], a + chief, and <i>amhail</i> [ooal], like, with the adjectival termination + <i>ach</i>: <i>flahoolagh</i>, 'chieftain-like.' For the old Irish chiefs + kept open houses, with full and plenty—<i>launa-vaula</i>—for + all who came. (South.)</p> + + <p>Flipper; an untidy man. (Limerick.)</p> + + <p>Flitters; tatters, rags:—'His clothes were all in + <i>flitters</i>.'</p> + + <p>Flog; to beat, to exceed:—'That flogs Europe' ('Collegians'), + i.e. it beats Europe: there's nothing in Europe like it.</p> + + <p>Fluke, something very small or nothing at all. 'What did you get from + him?' 'Oh I got flukes' (or 'flukes in a hand-basket')—meaning + nothing. Sometimes it seems to mean a small coin, like <i>cross</i> and + <i>keenoge</i>. 'When I set out on that journey I hadn't a fluke.' (North + and South.)</p> + + <p>Fockle; a big torch made by lighting a sheaf of straw fixed on a long + pole: fockles were usually lighted on St. John's Eve. (Limerick.) It is + merely the German word <i>fackel</i>, a torch, brought to Limerick by the + Palatine colony. (See p. <a href="#page65">65</a>.)</p> + + <p>Fog-meal; a great meal or big feed: a harvest dinner. <!-- Page 258 + --><span class="pagenum"><a name="page258"></a>{258}</span></p> + + <p>Fooster; hurry, flurry, fluster, great fuss. Irish <i>fústar</i>, same + sound and meaning. (Hayden and Hartog.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Then Tommy jumped about elate,</p> + <p class="i2">Tremendous was his <i>fooster</i>—O;</p> + <p>Says he, "I'll send a message straight</p> + <p class="i2">To my darling Mr. Brewster—O!"'</p> + </div> + + <div class="stanza"> + <p>(Repeal Song of 1843.)</p> + </div> + </div> + + <p>Forbye; besides. (Ulster.)</p> + + <p>For good; finally, for ever: 'he left home for good.'</p> + + <p>Fornent, fornenst, forenenst; opposite: he and I sat fornenst each + other in the carriage.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Yet here you strut in open day</p> + <p>Fornenst my house so freely—O.'</p> + </div> + + <div class="stanza"> + <p>(Repeal Song of 1843.)</p> + </div> + </div> + + <p>An old English word, now obsolete in England, but very common in + Ireland.</p> + + <p>Foshla; a marshy weedy rushy place; commonly applied to the ground + left after a cut-away bog. (Roscommon.)</p> + + <p>Four bones; 'Your own four bones,' <a href="#page127">127</a>.</p> + + <p>Fox; (verb) to pretend, to feign, to sham: 'he's not sick at all, he's + only foxing.' Also to cut short the ears of a dog.</p> + + <p>Frainey; a small puny child:—'Here, eat this bit, you little + <i>frainey</i>.'</p> + + <p>Fraughans; whortleberries. Irish <i>fraoch</i>, with the diminutive. + See Hurt.</p> + + <p>Freet; a sort of superstition or superstitious rite. (Ulster.)</p> + + <p>Fresh and Fresh:—'I wish you to send me the butter every + morning: I like to have it fresh and fresh.' <!-- Page 259 --><span + class="pagenum"><a name="page259"></a>{259}</span>This is English gone + out of fashion: I remember seeing it in Pope's preface to 'The + Dunciad.'</p> + + <p>Frog's jelly; the transparent jelly-like substance found in pools and + ditches formed by frogs round their young tadpoles, <a + href="#page121">121</a>.</p> + + <p>Fum; soft spongy turf. (Ulster.) Called <i>soosaun</i> in Munster.</p> + + <p> </p> + + <p>Gaatch [<i>aa</i> long as in <i>car</i>], an affected gesture or + movement of limbs body or face: <i>gaatches</i>; assuming fantastic + ridiculous attitudes. (South.)</p> + + <p>Gad; a withe: 'as tough as a gad.' (Irish <i>gad</i>, <a + href="#page60">60</a>.)</p> + + <p>Gadderman; a boy who puts on the airs of a man; a mannikin or + <i>manneen</i>, which see. (Simmons: Armagh.)</p> + + <p>Gaffer; an old English word, but with a peculiar application in + Ireland, where it means a boy, a young chap. 'Come here, gaffer, and help + me.'</p> + + <p>Gag; a conceited foppish young fellow, who tries to figure as a + swell.</p> + + <p>Gah´ela or gaherla; a little girl. (Kane: Ulster.) Same as + <i>girsha</i>.</p> + + <p>Gaileen; a little bundle of rushes placed under the arms of a beginner + learning to swim. (Joyce: Limerick.) When you support the beginner's head + keeping it above water with your hands while he is learning the strokes: + that we used to designate '<i>giving a gaileen</i>.'</p> + + <p>Galbally, Co. Limerick, <a href="#page156">156</a>.</p> + + <p>Galoot: a clownish fellow.</p> + + <p>Galore; plenty, plentiful. Irish adverb <i>go leór</i>, <a + href="#page4">4</a>.</p> + + <p>Gankinna; a fairy, a leprachaun. (Morris: South Mon.) Irish + <i>gann</i>, small. <!-- Page 260 --><span class="pagenum"><a + name="page260"></a>{260}</span></p> + + <p>Gannoge; an undefined small quantity. (Antrim.) Irish <i>gann</i>, + small, with diminutive <i>óg</i>.</p> + + <p>Garden, in the South, is always applied to a field of growing + potatoes. 'In the land courts we never asked "How many acres of + potatoes?"; but "How many acres of garden?"' (Healy.) A usual inquiry is + 'How are your gardens going on?' meaning 'How are your potato crops + doing?'</p> + + <p>Garlacom; a lingering disease in cows believed to be caused by eating + a sort of herb. (P. Moran: Meath.)</p> + + <p>Garland Sunday; the first Sunday in August (sometimes called Garlick + Sunday.)</p> + + <p>Garron, garraun; an old worn-out horse. (Irish <i>gearrán</i>.)</p> + + <p>Gash; a flourish of the pen in writing so as to form an ornamental + curve, usually at the end. (Limerick.)</p> + + <p>Gatha; an effeminate fellow who concerns himself in women's business: + a <i>Sheela</i>. (Joyce: Limerick.)</p> + + <p>Gatherie; a splinter of bog-deal used as a torch. (Moran: Carlow.) + Also a small cake (commonly smeared with treacle) sold in the street on + market days. Irish <i>geataire</i> [gatthera], same meanings.</p> + + <p>Gaug; a sore crack in the heel of a person who goes barefooted. + (Moran: Carlow.) Irish <i>gág</i> [gaug], a cleft, a crack.</p> + + <p>Gaulsh; to loll. (MacCall: Wexford.)</p> + + <p>Gaunt or gant; to yawn. (Ulster.)</p> + + <p>Gaurlagh; a little child, a baby: an unfledged bird. Irish + <i>gárlach</i>, same sound and meanings.</p> + + <p>Gawk; a tall awkward fellow. (South.) <!-- Page 261 --><span + class="pagenum"><a name="page261"></a>{261}</span></p> + + <p>Gawm, gawmoge; a soft foolish fellow. (South.) Irish <i>gám</i>, same + meaning. See Gommul.</p> + + <p>Gazebo; a tall building; any tall object; a tall awkward person.</p> + + <p>Gazen, gazened; applied to a wooden vessel of any kind when the joints + open by heat or drought so that it leaks. (Ulster.)</p> + + <p>Gallagh-gunley; the harvest moon. (Ulster.) <i>Gallagh</i> gives the + sound of Irish <i>gealach</i>, the moon, meaning whitish, from + <i>geal</i>, white.</p> + + <p>Geck; to mock, to jeer, to laugh at. (Derry.)</p> + + <p>Geenagh, geenthagh; hungry, greedy, covetous. (Derry.) Irish + <i>gionach</i> or <i>giontach</i>, gluttonous.</p> + + <p>Geens; wild cherries. (Derry.)</p> + + <p>Gentle; applied to a place or thing having some connexion with the + fairies—haunted by fairies. A thornbush where fairies meet is a + 'gentle bush': the hazel and the foxglove (fairy-thimble) are gentle + plants.</p> + + <p>Geócagh; a big strolling idle fellow. (Munster.) Irish <i>geocach</i>, + same sound and meaning.</p> + + <p>Geosadaun or Yosedaun [<i>d</i> in both sounded like <i>th</i> in + <i>they</i>]; the yellow rag-weed: called also boliaun [2-syll.] and + booghalaun.</p> + + <p>Get; a bastard child. (North and South.)</p> + + <p>Gibbadaun; a frivolous person. (Roscommon.) From the Irish + <i>giob</i>, a scrap, with the diminutive ending <i>dán</i>: a + <i>scrappy</i> trifling-minded person.</p> + + <p>Gibbol [<i>g</i> hard as in <i>get</i>]; a rag: your jacket is all + hanging down in gibbols.' (Limerick.) Irish <i>giobal</i>, same sound and + meaning.</p> + + <p>Giddhom; restlessness. In Limerick it is applied to cows when they + gallop through the fields with <!-- Page 262 --><span class="pagenum"><a + name="page262"></a>{262}</span>tails cocked out, driven half mad by heat + and flies: 'The cows are galloping with giddhom.' Irish <i>giodam</i>, + same sound and meaning.</p> + + <p>Gill-gowan, a corn-daisy. (Tyrone.) From Irish <i>geal</i>, white, and + <i>gowan</i>, the Scotch name for a daisy.</p> + + <p>Girroge [two <i>g</i>'s sounded as in <i>get</i>, <i>got</i>]. + Girroges are the short little drills where the plough runs into a corner. + (Kildare and Limerick.) Irish <i>gearr</i>, short, with the diminutive + <i>óg</i>: <i>girroge</i>, any short little thing.</p> + + <p>Girsha; a little girl. (North and South.) Irish <i>geirrseach</i> + [girsagh], from <i>gearr</i>, short or small, with the feminine + termination <i>seach</i>.</p> + + <p>Gistra [<i>g</i> sounded as in <i>get</i>], a sturdy, active old man. + (Ulster.) Irish <i>giostaire</i>, same sound and meaning.</p> + + <p>Gladiaathor [<i>aa</i> long as in <i>car</i>]; a gladiator, a fighting + quarrelsome fellow: used as a verb also:—'he went about the fair + <i>gladiaatherin</i>,' i.e. shouting and challenging people to fight + him.</p> + + <p>Glaum, glam; to grab or grasp with the whole hand; to maul or pull + about with the hands. Irish <i>glám</i> [glaum], same meaning.</p> + + <p>Glebe; in Ireland this word is almost confined to the land or farm + attached to a Protestant rector's residence: hence called + <i>glebe-land</i>. See p. <a href="#page143">143</a>.</p> + + <p>Gleeag; a small handful of straw used in plaiting straw mats: a sheaf + of straw threshed. (Kildare and Monaghan.)</p> + + <p>Gleeks: to give a fellow the gleeks is to press the forefingers into + the butt of the ears so as to cause pain: a rough sort of play. + (Limerick.)</p> + + <p>Glenroe, Co. Limerick, <a href="#page68">68</a>, <a + href="#page146">146</a>. <!-- Page 263 --><span class="pagenum"><a + name="page263"></a>{263}</span></p> + + <p>Gliggeen; a voluble silly talker. (Munster.) Irish <i>gluigín</i> + [gliggeen], a little bell, a little tinkler: from <i>glog</i>, same as + <i>clog</i>, a bell.</p> + + <p>Gliggerum; applied to a very bad old worn-out watch or clock. + (Limerick.)</p> + + <p>Glit; slimy mud; the green vegetable (<i>ducksmeat</i>) that grows on + the surface of stagnant water. (Simmons: Armagh.)</p> + + <p>Gloit; a blockhead of a young fellow. (Knowles.)</p> + + <p>Glory be to God! Generally a pious exclamation of thankfulness, fear, + &c.: but sometimes an ejaculation of astonishment, wonder, + admiration, &c. Heard everywhere in Ireland.</p> + + <p>Glower; to stare or glare at: 'what are you glowerin' at!' + (Ulster.)</p> + + <p>Glugger [<i>u</i> sounded as in <i>full</i>]; empty noise; the noise + made by shaking an addled egg. Also an addled egg. Applied very often in + a secondary sense to a vain empty foolish boaster. (Munster.)</p> + + <p>Glunter: a stupid person. (Knowles: Ulster.)</p> + + <p>Goaling: same as Hurling, which see.</p> + + <p>Gob; the mouth including lips: 'Shut your gob.' Irish <i>gob</i>, same + meaning. Scotch, 'greedy <i>gab</i>.' (Burns.)</p> + + <p>Gobshell; a big spittle direct from the mouth. (Limerick.) From Irish + <i>gob</i>, the mouth, and <i>seile</i> [shella], a spittle.</p> + + <p>Gobs or jackstones; five small round stones with which little girls + play against each other, by throwing them up and catching them as they + fall; 'there are Nelly and Sally playing gobs.'</p> + + <p>Gods and goddesses of Pagan Ireland, <a href="#page177">177</a>.</p> + + <p>Godspeed: see Back of God-speed. <!-- Page 264 --><span + class="pagenum"><a name="page264"></a>{264}</span></p> + + <p>God's pocket. Mr. Kinahan writes to me:—'The first time I went + to the Mullingar hotel I had a delicate child, and spoke to the landlady + as to how he was to be put up [during the father's absence by day on + outdoor duty]. "Oh never fear sir," replied the good old lady, "the poor + child will be <i>in God's pocket</i> here."' Mr. K. goes on to + say:—I afterwards found that in all that part of Leinster they + never said 'we will make you comfortable,' but always 'you will be in + God's pocket,' or 'as snug as in God's pocket.' I heard it said of a + widow and orphans whose people were kind to them, that they were in + 'God's pocket.' Whether Seumas MacManus ever came across this term I do + not know, but he has something very like it in 'A Lad of the O'Friels,' + viz., 'I'll make the little girl as happy as if she was <i>in Saint + Peter's pocket</i>.'</p> + + <p>Goggalagh, a dotard. (Munster.) Irish <i>gogail</i>, the cackling of a + hen or goose; also doting; with the usual termination <i>ach</i>.</p> + + <p>Going on; making fun, joking, teasing, chaffing, bantering:—'Ah, + now I see you are only <i>going on</i> with me.' 'Stop your <i>goings + on</i>.' (General.)</p> + + <p>Golder [<i>d</i> sounded like <i>th</i> in further]; a loud sudden or + angry shout. (Patterson: Ulster.)</p> + + <p>Goleen; an armful. See Gwaul.</p> + + <p>Gombeen man; a usurer who lends money to small farmers and others of + like means, at ruinous interest. The word is now used all over Ireland. + Irish <i>goimbín</i> [gombeen], usury.</p> + + <p>Gommul, gommeril, gommula, all sometimes shortened to <i>gom</i>; a + simple-minded fellow, a half <!-- Page 265 --><span class="pagenum"><a + name="page265"></a>{265}</span>fool. Irish <i>gamal</i>, <i>gamaille</i>, + <i>gamairle</i>, <i>gamarail</i>, all same meaning. (<i>Gamal</i> is also + Irish for a camel.) Used all over Ireland.</p> + + <p>Good deed; said of some transaction that is a well-deserved punishment + for some wrong or unjust or very foolish course of action. Bill lends + some money to Joe, who never returns it, and a friend says:—''Tis a + good deed Bill, why did you trust such a schemer?' Barney is bringing + home a heavy load, and is lamenting that he did not bring his + ass:—''Tis a good deed: where was I coming without Bobby?' (the + ass). ('Knocknagow') 'I'm wet to the skin': reply:—''Tis a good + deed: why did you go out without your overcoat?'</p> + + <p>Good boy: in Limerick and other parts of Munster, a young fellow who + is good—strong and active—at all athletic exercises, but most + especially if he is brave and tough in fighting, is 'a good boy.' The + people are looking anxiously at a sailing boat labouring dangerously in a + storm on the Shannon, and one of them remarks:—''Tis a good boy + that has the rudder in his hand.' (Gerald Griffin.)</p> + + <p>Good people; The fairies. The word is used merely as <i>soft + sawder</i>, to <i>butter them up</i>, to curry favour with them—to + show them great respect at least from the teeth out—lest they might + do some injury to the speaker.</p> + + <p>Googeen [two <i>g</i>'s as in <i>good</i> and <i>get</i>]; a simple + soft-minded person. (Moran: Carlow.) Irish <i>guag</i>, same meaning, + with the diminutive: <i>guaigín</i>.</p> + + <p>Gopen, gowpen; the full of the two hands used together. (Ulster.) + Exactly the same meaning as <i>Lyre</i> in Munster, which see. <!-- Page + 266 --><span class="pagenum"><a name="page266"></a>{266}</span></p> + + <p>Gor; the coarse turf or peat which forms the surface of the bog. + (Healy: for Ulster.)</p> + + <p>Gorb; a ravenous eater, a glutton. (Ulster.)</p> + + <p>Gorsoon: a young boy. It is hard to avoid deriving this from French + <i>garçon</i>, all the more as it has no root in Irish. Another form + often used is <i>gossoon</i>, which is derived from + Irish:—<i>gas</i>, a stem or stalk, a young boy. But the + termination <i>oon</i> or <i>ún</i> is suspicious in both cases, for it + is not a genuine Irish suffix at all.</p> + + <p>Gossip; a sponsor in baptism.</p> + + <p>Goster; gossipy talk. Irish <i>gastairĕ</i>, a prater, a + chatterer. 'Dermot go 'long with your goster.' (Moore—in his + youth.)</p> + + <p>Gouloge; a stick with a little fork of two prongs at the end, for + turning up hay, or holding down furze while cutting. (South.) Used in the + North often in the form of <i>gollog</i>. Irish <i>gabhal</i> [gowl], a + fork, with the dim. <i>óg</i>.</p> + + <p>Gounau; housewife [huzzif] thread, strong thread for sewing, pack + thread. Irish <i>gabhshnáth</i> (Fr. Dinneen), same sound and meaning: + from <i>snáth</i>, a thread: but how comes in <i>gabh</i>? In one of the + Munster towns I knew a man who kept a draper's shop, and who was always + called <i>Gounau</i>, in accordance with the very reprehensible habit of + our people to give nicknames.</p> + + <p>Goureen-roe: a snipe, a jacksnipe. (Munster.) Irish + <i>gabhairín-reó</i>, the 'little goat of the frost' (reó, frost): + because on calm frosty evenings you hear its quivering sound as it flies + in the twilight, very like the sound emitted by a goat.</p> + + <p>Gra, grah; love, fondness, liking. Irish <i>grádh</i> <!-- Page 267 + --><span class="pagenum"><a name="page267"></a>{267}</span>[graw]. 'I + have great gra for poor Tom.' I asked an Irishman who had returned from + America and settled down again here and did well:—'Why did you come + back from America?' 'Ah,' he replied, 'I have great <i>gra</i> for the + old country.'</p> + + <p>Graanbroo; wheat boiled in new milk and sweetened: a great treat to + children, and generally made from their own gleanings or <i>liscauns</i>, + gathered in the fields. Sometimes called <i>brootheen</i>. (Munster.) The + first from Irish <i>grán</i>, grain, and <i>brúgh</i>, to break or + bruise, to reduce to pulp, or cook, by boiling. <i>Brootheen</i> (also + applied to mashed potatoes) is from <i>brúgh</i>, with the + diminutive.</p> + + <p>Graanoge, graan-yoge [<i>aa</i> in both long like <i>a</i> in + <i>car</i>], a hedgehog. Irish <i>gráineóg</i>, same sound.</p> + + <p>Graanshaghaun [<i>aa</i> long as in <i>car</i>]; wheat (in grain) + boiled. (Joyce: Limerick.) In my early days what we called + <i>graanshaghaun</i> was wheat in grains, not boiled, but roasted in an + iron pot held over the fire, the wheat being kept stirred till done.</p> + + <p>Graffaun; a small axe with edge across like an adze for grubbing or + <i>graffing</i> land, i.e. rooting out furze and heath in preparation for + tillage. Used all through the South. 'This was the word used in Co. Cork + law courts.' (Healy.) Irish <i>grafán</i>, same sound and meaning.</p> + + <p>Graip or grape; a dung-fork with three or four prongs. Irish + <i>grápa</i>.</p> + + <p>Grammar and Pronunciation, <a href="#page74">74</a>.</p> + + <p>Grammel; to grope or fumble or gather with both hands. (Derry.)</p> + + <p>Graves, Mr. A. P., <a href="#page58">58</a>, &c.</p> + + <p>Grawls; children. Paddy Corbett, thinking he is <!-- Page 268 --><span + class="pagenum"><a name="page268"></a>{268}</span>ruined, says of his + wife:—'God comfort poor Jillian and the grawls I left her.' (Edward + Walsh.) 'There's Judy and myself and the poor little grawls.' (Crofton + Croker: p. 155.)</p> + + <p>Grawvar; loving, affectionate:—'That's a grawver poor boy.' + (Munster.) Irish <i>grádhmhar</i>, same sound and meaning: from + <i>grádh</i>, love.</p> + + <p>Grazier; a young rabbit. (South and West.)</p> + + <p>Great; intimate, closely acquainted:—'Tom Long and Jack Fogarty + are very great.' (All over Ireland.) 'Come gie's your hand and sae we're + <i>greet</i>.' (Burns.)</p> + + <p>Greedy-gut; a glutton; a person who is selfish about stuffing himself, + wishing to give nothing to anyone else. Gorrane Mac Sweeny, when his + mistress is in want of provisions, lamenting that the eagles (over + Glengarriff) were devouring the game that the lady wanted so badly, + says:—'Is it not the greatest pity in life ... that these + greedy-guts should be after swallowing the game, and my sweet mistress + and her little ones all the time starving.' (Caesar Otway in 'Pen. + Journ.')</p> + + <p>Greenagh; a person that hangs round hoping to get food (Donegal and + North-West): a 'Watch-pot.'</p> + + <p>Greesagh; red hot embers and ashes. 'We roasted our potatoes and eggs + in the greesagh.' (All over Ireland.) Irish <i>gríosach</i>, same + sound.</p> + + <p>Greet; to cry. 'Tommy was greetin' after his mother.' (Ulster.)</p> + + <p>Greth; harness of a horse: a general name for all the articles + required when yoking a horse to the cart. (Knowles: Ulster.)</p> + + <p>Griffin, Gerald, author of 'The Collegians,' <a href="#page5">5</a>, + &c. <!-- Page 269 --><span class="pagenum"><a + name="page269"></a>{269}</span></p> + + <p>Grig (greg in Sligo): a boy with sugarstick holds it out to another + and says, 'grig, grig,' to triumph over him. Irish <i>griog</i>, same + sound and meaning.</p> + + <p>Grinder; a bright-coloured silk kerchief worn round the neck. (Edward + Walsh: all over Munster.)</p> + + <p>Gripe; a trench, generally beside a high ditch or fence. 'I got down + into the gripe, thinking to [hide myself].' (Crofton Croker.)</p> + + <p>Griskin or greeskeen; a small bit of meat cut off to be + roasted—usually on the coals. Irish <i>gríscín</i>.</p> + + <p>Grisset; a shallow iron vessel for melting things in, such as grease + for dipping rushes, resin for dipping torches (<i>sluts</i> or + <i>paudioges</i>, which see), melting lead for various purposes, white + metals for coining, &c. If a man is growing rapidly + rich:—'You'd think he had the grisset down.'</p> + + <p>Groak or groke; to look on silently—like a dog—at people + while they are eating, hoping to be asked to eat a bit. (Derry.)</p> + + <p>Grogue; three or four sods of turf standing on end, supporting each + other like a little pyramid on the bog to dry. (Limerick.) Irish + <i>gruag</i>, same meaning.</p> + + <p>Groodles; the broken bits mixed with liquid left at the bottom of a + bowl of soup, bread and milk, &c.</p> + + <p>Group or grup; a little drain or channel in a cow-house to lead off + the liquid manure. (Ulster.)</p> + + <p>Grue or grew; to turn from with disgust:—'He grued at the + physic.' (Ulster).</p> + + <p>Grug; sitting on one's grug means sitting on the heels without + touching the ground. (Munster.) Same as Scotch <i>hunkers</i>. 'Sit down + on your grug and thank God for a seat.'</p> + + <p>Grumagh or groomagh; gloomy, <!-- Page 270 --><span class="pagenum"><a + name="page270"></a>{270}</span>ill-humoured:—'I met Bill this + morning looking very <i>grumagh</i>.' (General.) From Irish <i>gruaim</i> + [<i>grooim</i>], gloom, ill-humour, with the usual suffix <i>-ach</i>, + equivalent to English <i>-y</i> as in <i>gloomy</i>.</p> + + <p>Grumpy; surly, cross, disagreeable. (General.)</p> + + <p>Gubbadhaun; a bird that follows the cuckoo. (Joyce.)</p> + + <p>Gubbaun; a strap tied round the mouth of a calf or foal, with a row of + projecting nail points, to prevent it sucking the mother. From Irish + <i>gob</i>, the mouth, with the diminutive. (South.)</p> + + <p>Gubbalagh; a mouthful. (Munster.) Irish <i>goblach</i>, same sound and + meaning. From <i>gob</i>, the mouth, with the termination + <i>lach</i>.</p> + + <p>Gullion; a sink-pool. (Ulster.)</p> + + <p>Gulpin; a clownish uncouth fellow. (Ulster.)</p> + + <p>Gulravage, gulravish; noisy boisterous play. (North-east Ulster.)</p> + + <p>Gunk; a 'take in,' a 'sell'; as a verb, to 'take in,' to cheat. + (Ulster.)</p> + + <p>Gushers; stockings with the soles cut off. (Morris: Monaghan.) From + the Irish. Same as triheens.</p> + + <p>Gurry; a <i>bonnive</i>, a young pig. (Morris: Mon.)</p> + + <p>Gutter; wet mud on a road (<i>gutters</i> in Ulster).</p> + + <p>Gwaul [<i>l</i> sounded as in <i>William</i>]; the full of the two + arms of anything: 'a gwaul of straw.' (Munster.) In Carlow and Wexford, + they add the diminutive, and make it <i>goleen</i>. Irish + <i>gabháil</i>.</p> + + <p> </p> + + <p>Hain; to hain a field is to let it go to meadow, keeping the cows out + of it so as to let the grass grow: possibly from <i>hayin'</i>. + (Waterford: Healy.) In Ulster <i>hain</i> means to save, to economise. + <!-- Page 271 --><span class="pagenum"><a + name="page271"></a>{271}</span></p> + + <p>Half a one; half a glass of whiskey. One day a poor blind man walked + into one of the Dublin branch banks, which happened to be next door to a + public-house, and while the clerks were looking on, rather puzzled as to + what he wanted, he slapped two pennies down on the counter; and in no + very gentle voice:—'Half a one!'</p> + + <p>Half joke and whole earnest; an expression often heard in Ireland + which explains itself. 'Tim told me—half joke and whole + earnest—that he didn't much like to lend me his horse.'</p> + + <p>Hand; to make a hand of a person is to make fun of him; to humbug him: + Lowry Looby, thinking that Mr. Daly is making game of him, + says:—''Tis making a hand of me your honour is.' (Gerald Griffin.) + Other applications of <i>hand</i> are 'You made a bad hand of that job,' + i.e. you did it badly. If a man makes a foolish marriage: 'He made a bad + hand of himself, poor fellow.'</p> + + <p>Hand-and-foot; the meaning of this very general expression is seen in + the sentence 'He gave him a hand-and-foot and tumbled him down.'</p> + + <p>Hand's turn; a very trifling bit of work, an occasion:—'He won't + do a hand's turn about the house': 'he scolds me at every hand's turn,' + i.e. on every possible occasion.</p> + + <p>Handy; near, convenient:—'The shop lies handy to me'; an + adaptation of the Irish <i>láimh le</i> (meaning <i>near</i>). <i>Láimh + le Corcaig</i>, lit. <i>at hand with Cork</i>—near Cork. This again + is often expressed <i>convenient to Cork</i>, where <i>convenient</i> is + intended to mean simply <i>near</i>. So it comes that we in Ireland + regard <i>convenient</i> and <i>near</i> as exactly synonymous, <!-- Page + 272 --><span class="pagenum"><a name="page272"></a>{272}</span>which they + are not. In fact on almost every possible occasion, we—educated and + uneducated—use <i>convenient</i> when <i>near</i> would be the + proper word. An odd example occurs in the words of the old Irish + folk-song:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'A sailor courted a farmer's daughter,</p> + <p>Who lived <i>convaynient</i> to the Isle of Man.'</p> + </div> + </div> + + <p>Hannel; a blow with the spear or spike of a pegging-top (or + 'castle-top') down on the wood of another top. Boys often played a game + of tops for a certain number of hannels. At the end of the game the + victor took his defeated opponent's top, sunk it firmly down into the + grassy sod, and then with his own top in his hand struck the other top a + number of hannels with the spear of his own to injure it as much as + possible. 'Your castle-tops came in for the most hannels.' + ('Knocknagow.')</p> + + <p>Hap; to wrap a person round with any covering, to tuck in the + bedclothes round a person. (Ulster.)</p> + + <p>Hard word (used always with <i>the</i>); a hint, an inkling, a tip, a + bit of secret information:—'They were planning to betray and cheat + me, but Ned gave me the hard word, and I was prepared for them, so that I + defeated their schemes.'</p> + + <p>Hare; to make a hare of a person is to put him down in argument or + discussion, or in a contest of wit or cunning; to put him in utter + confusion. 'While you were speaking to the little boy that made a hare of + you.' (Carleton in Ir. Pen. Journ.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'Don't talk of your Provost and Fellows of Trinity,</p> + <p>Famous for ever at Greek and Latinity,</p> + <p>Faix and the divels and all at Divinity—</p> + <p>Father O'Flynn 'd make hares of them all!'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">A. P. Graves.</span>)</p> + </div> + </div> + +<p><!-- Page 273 --><span class="pagenum"><a name="page273"></a>{273}</span></p> + + <p>Harvest; always used in Ireland for autumn:—'One fine day in + harvest.' (Crofton Croker.)</p> + + <p>Hauling home; bringing home the bride, soon after the wedding, to her + husband's house. Called also a 'dragging-home.' It is always made the + occasion of festivity only next in importance to the wedding. For a + further account, and for a march played at the Hauling home, see my 'Old + Irish Folk Music and Songs,' p. 130.</p> + + <p>Hausel; the opening in the iron head of an axe, adze, or hammer, for + the handle. (Ulster.)</p> + + <p>Haverel: a rude coarse boor, a rough ignorant fellow. (Moran: + Carlow.)</p> + + <p>Havverick; a rudely built house, or an old ruined house hastily and + roughly restored:—'How can people live in that old havverick?' + (Limerick.)</p> + + <p>Hayden, Miss Mary, <span class="scac">M.A.</span>, <a + href="#page5">5</a>, &c.</p> + + <p>Healy, Mr. Maurice, <a href="#page178">178</a>, &c.</p> + + <p>Head or harp; a memorial of the old Irish coinage, corresponding with + English <i>head or tail</i>. The old Irish penny and halfpenny had the + king's head on one side and the Irish harp on the other. 'Come now, head + or harp,' says the person about to throw up a halfpenny of any kind.</p> + + <p>Heard tell; an expression used all throughout Ireland:—'I heard + tell of a man who walked to Glendalough in a day.' It is old English.</p> + + <p>Heart-scald; a great vexation or mortification. (General.) Merely the + translation of <i>scallach-croidhe</i> [scollagh-cree], <i>scalding</i> + of the heart.</p> + + <p>Hearty; tipsy, exhilarated after a little 'drop.'</p> + + <p>Hedge schools, <a href="#page149">149</a>. <!-- Page 274 --><span + class="pagenum"><a name="page274"></a>{274}</span></p> + + <p>Higgins, The Rev. Father, p. <a href="#page244">244</a>, and + elsewhere.</p> + + <p>Hinch; the haunch, the thigh. To hinch a stone is to <i>jerk</i> (or + <i>jurk</i> as they say in Munster), to hurl it from under instead of + over the shoulder. (Ulster.)</p> + + <p>Hinten; the last sod of the ridge ploughed. (Ulster.)</p> + + <p>Ho; equal. Always used with a negative, and also in a bad sense, + either seriously or in play. A child spills a jug of milk, and the mother + says:—'Oh Jacky, there's no <i>ho</i> to you for mischief' (no + equal to you). The old woman says to the mischievous + gander:—'There's no ho with you for one gander.' (Gerald Griffin: + 'The Coiner.') This <i>ho</i> is an Irish word: it represents the sound + of the Irish prefix <i>cho</i> or <i>chomh</i>, equal, as much as, + &c. 'There's no ho to Jack Lynch' means there's no one for whom you + can use <i>cho</i> (equal) in comparing him with Jack Lynch.</p> + + <p>Hobbler; a small cock of fresh hay about 4 feet high. (Moran: + Carlow.)</p> + + <p>Hobby; a kind of Irish horse, which, three or four centuries ago, was + known all over Europe 'and held in great esteem for their easy amble: and + from this kind of horse the Irish light-armed bodies of horse were called + hobellers.' (Ware. See my 'Smaller Social History of Ancient Ireland,' p. + 487.) Hence a child's toy, a hobby-horse. Hence a favourite pursuit is + called a 'hobby.'</p> + + <p>Hoil; a mean wretched dwelling: an uncomfortable situation. (Morris: + South Monaghan.)</p> + + <p>Hollow; used as an adverb as follows:—'Jack Cantlon's horse beat + the others hollow in the race': i.e. beat them utterly. <!-- Page 275 + --><span class="pagenum"><a name="page275"></a>{275}</span></p> + + <p>Holy show: 'You're a holy show in that coat,' i.e. it makes quite a + show of you; makes you look ridiculous. (General.)</p> + + <p>Holy well; a well venerated on account of its association with an + Irish saint: in most cases retaining the name of the + saint:—'Tober-Bride,' St. Bride's or Brigit's well. In these wells + the early saints baptised their converts. They are found all through + Ireland, and people often pray beside them and make their <i>rounds</i>. + (See 'Smaller Social History of Ancient Ireland.')</p> + + <p>Hool or hooley; the same as a Black swop.</p> + + <p>Hot-foot; at once, immediately:—'Off I went hot-foot.' 'As soon + as James heard the news, he wrote a letter hot-foot to his father.'</p> + + <p>Houghle; to wobble in walking. (Armagh.)</p> + + <p>Hugger-mugger: see Cugger-mugger.</p> + + <p>Huggers or hogars, stockings without feet. (Ulster.)</p> + + <p>Hulk; a rough surly fellow. (Munster.) A bad person. (Simmons: + Armagh.) Irish <i>olc</i>, bad.</p> + + <p>Hungry-grass: see Fair-gurtha.</p> + + <p>Hunker-slide; to slide on ice sitting on the hunkers (or as they would + say in Munster, sitting on one's <i>grug</i>) instead of standing up + straight: hence to act with duplicity: to shirk work:—'None of your + hunker-sliding for me.' (Ulster.)</p> + + <p>Hurling; the common game of ball and hurley or <i>commaun</i>. The + chief terms (besides those mentioned elsewhere) are:—<i>Puck</i>, + the blow of the hurley on the ball: The <i>goals</i> are the two gaps at + opposite sides of the field through which the players try to drive the + ball. When the ball is thrown high up between two players with their <!-- + Page 276 --><span class="pagenum"><a + name="page276"></a>{276}</span>commauns ready drawn to try which will + strike it on its way down: that is <i>high-rothery</i>. When two adjacent + parishes or districts contended (instead of two small parties at an + ordinary match), that was <i>scoobeen</i> or 'conquering goal' (Irish + <i>scuab</i>, a broom: <i>scoobeen</i>, <i>sweeping</i> the ball away). I + have seen at least 500 on each side engaged in one of these + <i>scoobeens</i>; but that was in the time of the eight + millions—before 1847. Sometimes there were bad blood and dangerous + quarrels at scoobeens. See Borick, Sippy, Commaun, and Cool. (For the + ancient terms see my 'Smaller Social History of Ancient Ireland,' p. + 513.) For examples of these great contests, see Very Rev. Dr. Sheehan's + 'Glenanaar,' pp. 4, 231.</p> + + <p>Hurt: a whortleberry: hurts are <i>fraughans</i>, which see. From + <i>whort</i>. (Munster.)</p> + + <p>Husho or rather huzho; a lullaby, a nurse-song, a cradle-song; + especially the chorus, consisting of a sleepy <i>cronaun</i> or + croon—like 'shoheen-sho Loo-lo-lo,' &c. Irish + <i>suantraighe</i> [soontree]. 'The moaning of a distant stream that kept + up a continual <i>cronane</i> like a nurse <i>hushoing</i>.' 'My mother + was hushoing my little sister, striving to quieten her.' (Both from + Crofton Croker.) 'The murmur of the ocean <i>huzhoed</i> me to sleep.' + (Irish Folk Song:—'M‘Kenna's Dream.')</p> + + <p> </p> + + <p>Idioms; influence of the Irish language on, <a + href="#page4">4</a>:—derived from Irish, <a + href="#page23">23</a>.</p> + + <p>If; often used in the sense of <i>although</i>, <i>while</i>, or some + such signification, which will be best understood from the following + examples:—A Dublin <!-- Page 277 --><span class="pagenum"><a + name="page277"></a>{277}</span>jarvey who got sixpence for a long drive, + said in a rage:—'I'm in luck to-day; but <i>if I am</i>, 'tis + blazing <i>bad</i> luck.' 'Bill ran into the house, and if he did, the + other man seized him round the waist and threw him on his back.'</p> + + <p>If that. This is old English, but has quite disappeared from the + standard language of the present day, though still not unfrequently heard + in Ireland:—'If that you go I'll go with you.'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'<i>If</i> from Sally <i>that</i> I get free,</p> + <p>My dear I love you most tenderlie.'</p> + </div> + + <div class="stanza"> + <p>(Irish Folk Song—'Handsome Sally.')</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'And <i>if that</i> you wish to go further</p> + <p class="i2">Sure God He made Peter His own,</p> + <p>The keys of His treasures He gave him,</p> + <p class="i2">To govern the old Church of Rome.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk Song.)</p> + </div> + </div> + + <p>Inagh´ or in-yah´ [both strongly accented on second syll.]; a + satirical expression of dissent or disbelief, like the English + <i>forsooth</i>, but much stronger. A fellow boasting says:—'I + could run ten miles in an hour': and another replies, 'You could + <i>inah</i>': meaning 'Of course I don't believe a word of it.' A man + coming back from the other world says to a woman:—'I seen your + [dead] husband there too, ma'am;' to which she replies:—'My husband + <i>inah</i>.' (Gerald Griffin: 'Collegians.') Irish <i>an eadh</i>, same + sound and meaning.</p> + + <p>Inch; a long strip of level grassy land along a river. Very general. + Irish <i>inis</i> [innish], of the same family as Lat. <i>insula</i>: but + <i>inis</i> is older than <i>insula</i> which is a diminutive and + consequently a derived form. 'James, go out and drive the cows down to + the inch.'</p> + + <p>Insense´; to make a person understand;—'I can't <!-- Page 278 + --><span class="pagenum"><a name="page278"></a>{278}</span>insense him + into his letters.' 'I insensed him into the way the job was to be done.' + [Accent on -sense´.]</p> + + <p>In tow with; in close acquaintance with, courting. John is in tow with + Jane Sullivan.</p> + + <p>Ire, sometimes <i>ira</i>; children who go barefoot sometimes get + <i>ire</i> in the feet; i.e. the skin chapped and very sore. Also an + inflamed spot on the skin rendered sore by being rubbed with some coarse + seam, &c.</p> + + <p>Irish language; influence of, on our dialect, <a href="#page1">1</a>, + <a href="#page23">23</a>.</p> + + <p> </p> + + <p>Jackeen; a nickname for a conceited Dublin citizen of the lower + class.</p> + + <p>Jack Lattin, <a href="#page172">172</a>.</p> + + <p>Jap or jop; to splash with mud. (Ulster.)</p> + + <p>Jaw; impudent talk: <i>jawing</i>; scolding, abusing:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'He looked in my face and he gave me some jaw,</p> + <p>Saying "what brought you over from Erin-go-braw?"'</p> + </div> + + <div class="stanza"> + <p>(Irish Folk Song.)</p> + </div> + </div> + + <p>Jingle; one of Bianconi's long cars.</p> + + <p>Johnny Magorey; a hip or dog-haw; the fruit of the dog-rose. (Central + and Eastern counties.)</p> + + <p>Join; to begin at anything; 'the child joined to cry'; 'my leg joined + to pain me'; 'the man joined to plough.' (North.)</p> + + <p>Jokawn; an oaten stem cut off above the joint, with a tongue cut in + it, which sounds a rude kind of music when blown by the mouth. + (Limerick.) Irish <i>geocán</i>, same sound and meaning.</p> + + <p>Jowlter, fish-jowlter; a person who hawks about fish through the + country, to sell. (South.)</p> + + <p>Just: often used as a final expletive—more in <!-- Page 279 + --><span class="pagenum"><a name="page279"></a>{279}</span>Ulster than + elsewhere:—'Will you send anyone?' 'Yes, Tommy just.' 'Where are + you going now?' 'To the fair just.'</p> + + <p> </p> + + <p>Keenagh or keenagh-lee: mildew often seen on cheese, jam, &c. In a + damp house everything gets covered with <i>keenagh-lee</i>. Irish + <i>caonach</i>, moss; <i>caonach-lee</i>, mildew: <i>lee</i> is Irish + <i>liagh</i> [lee], grey. (North and North-West of Ireland.)</p> + + <p>Keeping: a man is <i>on his keeping</i> when he is hiding away from + the police, who are on his track for some offence. This is from the Irish + <i>coiméad</i>, keeping; <i>air mo choiméad</i>, 'on my keeping.'</p> + + <p>Keeroge; a beetle or clock. Irish <i>ciar</i> [keer], dark, black, + with the diminutive <i>óg</i>: <i>keeroge</i>, 'black little fellow.'</p> + + <p>Kelters, money, coins: 'He has the kelthers,' said of a rich man. + <i>Yellow kelters</i>, gold money: 'She has the kelthers': means she has + a large fortune. (Moran: Carlow.)</p> + + <p>Kemp or camp; to compete: two or more persons kemp against each other + in any work to determine which will finish first. (Ulster.) See + Carleton's story, 'The Rival Kempers.'</p> + + <p>Keolaun; a contemptible little creature, boy or man. (South and + West.)</p> + + <p>Keowt; a low contemptible fellow.</p> + + <p>Kepper; a slice of bread with butter, as distinguished from a + <i>dundon</i>, which see.</p> + + <p>Kesh; a rough bridge over a river or morass, made with poles, + wickerwork, &c.—overlaid with bushes and <i>scraws</i> (green + sods). Understood all through Ireland. A small one over a drain in a bog + is <!-- Page 280 --><span class="pagenum"><a + name="page280"></a>{280}</span>often called in Tipperary and Waterford a + <i>kishoge</i>, which is merely the diminutive.</p> + + <p>Kib; to put down or plant potatoes, each seed in a separate hole made + with a spade. Irish <i>ciob</i>, same sound and meaning.</p> + + <p>Kickham, Charles, author of 'Knocknagow,' <a href="#page5">5</a>, + &c.</p> + + <p>Kiddhoge, a wrap of any kind that a woman throws hastily over her + shoulders. (Ulster.) Irish <i>cuideóg</i>, same sound and sense here.</p> + + <p>Kilfinane, Co. Limerick, <a href="#page147">147</a>.</p> + + <p>Killeen; a quantity:—'That girl has a good killeen of money. + (Ulster.) Irish <i>cillín</i> [killeen].</p> + + <p>Killeen; an old churchyard disused except for the occasional burial of + unbaptised infants. Irish <i>cill</i>, a church, with the diminutive + <i>ín</i>.</p> + + <p>Kimmeen; a sly deceitful trick; kimmeens or kymeens, small crooked + ways:—'Sure you're not equal to the <i>kimmeens</i> of such + complete deceivers at all at all.' (Sam Lover in Ir. Pen. Mag.) Irish + <i>com</i>, crooked; diminutive <i>cuimín</i> [kimmeen].</p> + + <p>Kimmel-a-vauleen; uproarious fun. Irish <i>cimel-a'-mháilín</i>, + literally 'rub-the-bag.' There is a fine Irish jig with this name. + (South.)</p> + + <p>Kink; a knot or short twist in a cord.</p> + + <p>Kink; a fit of coughing or laughing: 'they were in kinks of laughing.' + Hence <i>chincough</i>, for whooping-cough, i.e. <i>kink</i>-cough. I + know a holy well that has the reputation of curing whooping-cough, and + hence called the 'Kink-well.'</p> + + <p>Kinleen or keenleen, or kine-leen; a single straw or corn stem. + (South.) Irish <i>caoinlín</i>, same sound.</p> + + <p>Kinleen-roe; an icicle: the same word as last with the addition of + <i>reo</i> [roe], frost: 'frost-stem.' <!-- Page 281 --><span + class="pagenum"><a name="page281"></a>{281}</span></p> + + <p>Kinnatt´, [1st syll. very short; accent on 2nd syll.: to rhyme with + <i>cat</i>]; an impertinent conceited impudent little puppy.</p> + + <p>Kippen or kippeen; any little bit of stick: often used as a sort of + pet name for a formidable cudgel or shillelah for fighting. Irish + <i>cip</i> [kip], a stake or stock, with the diminutive.</p> + + <p>Kish; a large square basket made of wattles and wickerwork used for + measuring turf or for holding turf on a cart. Sometimes (South) called a + <i>kishaun</i>. Irish <i>cis</i> or <i>ciseán</i>, same sounds and + meanings: also called <i>kishagh</i>.</p> + + <p>Kishtha; a treasure: very common in Connaught, where it is often + understood to be hidden treasure in a fort under the care of a + leprachaun. Irish <i>ciste</i>, same sound and meaning.</p> + + <p>Kitchen; any condiment or relish eaten with the plain food of a meal, + such as butter, dripping, &c. A very common saying in Tyrone against + any tiresome repetition is:—'Butter to butter is no kitchen.' As a + verb; to use sparingly, to economise:—'Now kitchen that bit of + bacon for you have no more.'</p> + + <p>Kitthoge or kitthagh; a left-handed person. Understood through all + Ireland. Irish <i>ciotóg</i>, <i>ciotach</i>, same sounds and + meaning.</p> + + <p>Kitterdy; a simpleton, a fool. (Ulster.)</p> + + <p>Knauvshauling [the <i>k</i> sounded distinctly]; grumbling, scolding, + muttering complaints. (Limerick.) From Irish <i>cnamh</i> [knauv: + <i>k</i> sounded], a bone, the jawbone. The underlying idea is the same + as when we speak of a person giving <i>jaw</i>. See Jaw.</p> + + <p>'Knocknagow ': see Kickham.</p> + + <p>Kybosh; some sort of difficulty or 'fix':—'He put the kybosh on + him: he defeated him.' (Moran: Carlow.) <!-- Page 282 --><span + class="pagenum"><a name="page282"></a>{282}</span></p> + + <p>Kyraun, keeraun; a small bit broken off from a sod of turf. Irish + <i>caor</i>, or with the diminutive, <i>caorán</i>, same sound and + meaning.</p> + + <p> </p> + + <p>Laaban; a rotten sterile egg (Morris: for South Monaghan): same as + <i>Glugger</i>, which see. Irish <i>láb</i> or <i>láib</i>, mire, dirt, + with diminutive.</p> + + <p>Lad; a mischievous tricky fellow:—'There's no standing them + lads.' (Gerald Griffin.)</p> + + <p>Lagheryman or Logheryman. (Ulster.) Same as Leprachaun, which see.</p> + + <p>Lambaisting; a sound beating. Quite common in Munster.</p> + + <p>Langel; to tie the fore and the hind leg of a cow or goat with a + spancel or fetter to prevent it going over fences. (Ulster.) Irish + <i>langal</i>, same sound and meaning.</p> + + <p>Lapcock; an armful or roll of grass laid down on the sward to dry for + hay. (Ulster.)</p> + + <p>Lark-heeled; applied to a person having long sharp heels. See + Saulavotcheer.</p> + + <p>Larrup; to wallop, to beat soundly. (Donegal and South.)</p> + + <p>Lashings, plenty: lashings and leavings, plenty and to spare: + specially applied to food at meals. (General.)</p> + + <p>Lassog, a blaze of light. (Morris: South Monaghan.) From Irish + <i>las</i>, light, with the diminutive.</p> + + <p>Lauchy; applied to a person in the sense of pleasant, good-natured, + lovable. Irish <i>láchaiidhe</i>, same sound and sense. (Banim: general + in the South.) 'He's a <i>lauchy</i> boy.'</p> + + <p>Laudy-daw; a pretentious fellow that sets up to be a great swell. + (Moran: Carlow; and South.) <!-- Page 283 --><span class="pagenum"><a + name="page283"></a>{283}</span></p> + + <p>Launa-vaula; full and plenty:—There was launa-vaula at the + dinner. Irish <i>lán-a-mhála</i> (same sound), 'full bags.'</p> + + <p>Lazy man's load. A lazy man takes too many things in one load to save + the trouble of going twice, and thereby often lets them fall and breaks + them.</p> + + <p>Learn is used for <i>teach</i> all over Ireland, but more in Ulster + than elsewhere. Don't forget to 'larn the little girl her catechiz.' + (Seumas Mac Manus.) An old English usage: but dead and gone in England + now.</p> + + <p>Leather; to beat:—'I gave him a good leathering,' i.e., a + beating, a thrashing. This is not derived, as might be supposed, from the + English word <i>leather</i> (tanned skin), but from Irish, in which it is + of very old standing:—<i>Letrad</i> (modern <i>leadradh</i>), + cutting, hacking, lacerating: also a champion fighter, a warrior, a + <i>leatherer</i>. (Corm. Gloss.—9th cent.) Used all through + Ireland.</p> + + <p>Leather-wing; a bat. (South.)</p> + + <p>Lee, the Very Rev. Patrick, V. F., of Kilfinane, <a + href="#page148">148</a>.</p> + + <p>Lebbidha; an awkward, blundering, half-fool of a fellow. (South.) + Irish <i>leibide</i>, same sound and meaning.</p> + + <p>Leg bail; a person gives (or takes) <i>leg bail</i> when he runs away, + absconds. (General.)</p> + + <p>Lend; loan. Ned came 'for the <i>lend</i> of the ould mare.' + ('Knocknagow.') Often used in the following way:—'Come and lend a + hand,' i.e., give some help. 'Our shooting party comes off to-morrow: + will you <i>lend</i> your gun': an invitation to join the party. + (Kinahan.) <!-- Page 284 --><span class="pagenum"><a + name="page284"></a>{284}</span></p> + + <p>Leprachaun; a sort of fairy, called by several names in different + parts of Ireland:—luricaun, cluricaun, lurragadaun, loghryman, + luprachaun. This last is the nearest to the Gaelic original, all the + preceding anglicised forms being derived from it. Luprachaun itself is + derived by a metathesis from Irish <i>luchorpán</i>, from <i>lu</i>, + little, and <i>corpán</i>, the dim. of <i>corp</i>, a body:—'weeny + little body.' The reader will understand all about this merry little chap + from the following short note and song written by me and extracted from + my 'Ancient Irish Music' (in which the air also will be found). The + leprachaun is a very tricky little fellow, usually dressed in a green + coat, red cap, and knee-breeches, and silver shoe-buckles, whom you may + sometimes see in the shades of evening, or by moonlight, under a bush; + and he is generally making or mending a shoe: moreover, like almost all + fairies, he would give the world for <i>pottheen</i>. If you catch him + and hold him, he will, after a little threatening, show you where + treasure is hid, or give you a purse in which you will always find money. + But if you once take your eyes off him, he is gone in an instant; and he + is very ingenious in devising tricks to induce you to look round. It is + very hard to catch a leprachaun, and still harder to hold him. I never + heard of any man who succeeded in getting treasure from him, except one, + a lucky young fellow named MacCarthy, who, according to the peasantry, + built the castle of Carrigadrohid near Macroom in Cork with the money. + Every Irishman understands well the terms <i>cruiskeen</i> and + <i>mountain dew</i>, some indeed a little too well; but <!-- Page 285 + --><span class="pagenum"><a name="page285"></a>{285}</span>for the + benefit of the rest of the world, I think it better to state that a + <i>cruískeen</i> is a small jar, and that <i>mountain dew</i> is + <i>pottheen</i> or illicit whiskey.</p> + + <div class="poem"> + <div class="stanza"> + <p>In a shady nook one moonlight night,</p> + <p class="i2">A leprachaun I spied;</p> + <p>With scarlet cap and coat of green;</p> + <p class="i2">A cruiskeen by his side.</p> + <p class="hg1">'Twas tick tack tick, his hammer went,</p> + <p class="i2">Upon a weeny shoe;</p> + <p>And I laughed to think of a purse of gold;</p> + <p class="i2">But the fairy was laughing too.</p> + </div> + + <div class="stanza"> + <p>With tip-toe step and beating heart,</p> + <p class="i2">Quite softly I drew nigh:</p> + <p>There was mischief in his merry face;—</p> + <p class="i2">A twinkle in his eye.</p> + <p>He hammered and sang with tiny voice,</p> + <p class="i2">And drank his mountain dew:</p> + <p>And I laughed to think he was caught at last:—</p> + <p class="i2">But the fairy was laughing too.</p> + </div> + + <div class="stanza"> + <p>As quick as thought I seized the elf;</p> + <p class="i2hg1">'Your fairy purse!' I cried;</p> + <p class="hg1">'The purse!' he said—''tis in her hand—</p> + <p class="i2hg1">'That lady at your side!'</p> + <p>I turned to look: the elf was off!</p> + <p class="i2">Then what was I to do?</p> + <p>O, I laughed to think what a fool I'd been;</p> + <p class="i2">And the fairy was laughing too.</p> + </div> + </div> + + <p>Let out; a spree, an entertainment. (General.) 'Mrs. Williams gave a + great let out.'</p> + + <p>Libber; this has much the same meaning as <i>flipper</i>, which see: + an untidy person careless about his dress and appearance—an + easy-going <i>ould sthreel</i> of a man. I have heard an old fellow say, + regarding those that went before him—father, <!-- Page 286 --><span + class="pagenum"><a name="page286"></a>{286}</span>grandfather, + &c.—that they were 'ould <i>aancient</i> libbers,' which is the + Irish peasant's way of expressing Gray's 'rude forefathers of the + hamlet.'</p> + + <p>Lief; willing: 'I had as lief be working as not.' 'I had liefer': I + had rather. (General.) This is an old English word, now fallen out of use + in England, but common here.</p> + + <p>Lifter; a beast that is so weak from starvation (chiefly in March when + grass is withered up) that it can hardly stand and has to be lifted home + from the hill-pasture to the stable. (Kinahan: Connemara.)</p> + + <p>Light; a little touched in the head, a little crazed:—'Begor sir + if you say I know nothing about sticks your head must be getting light in + earnest.' (Robert Dwyer Joyce.)</p> + + <p>Likely; well-looking: 'a likely girl'; 'a <i>clane</i> likely + boy.'</p> + + <p>Likes; 'the likes of you': persons or <i>a person</i> like you or in + your condition. Very common in Ireland. 'I'll not have any dealings with + the likes of him.' Colonel Lake, Inspector General of Constabulary in + last century, one afternoon met one of his recruits on the North Circular + Road, Dublin, showing signs of liquor, and stopped him. 'Well, my good + fellow, what is your name please?' The recruit replied:—'Who are + you, and what right have you to ask my name?' 'I am Colonel Lake, your + inspector general.' The recruit eyed him closely:—'Oh begor your + honour, if that's the case it's not right for the likes of me to be + talking to the likes of you': on which he turned round and took leg bail + on the spot like a deer, leaving <!-- Page 287 --><span + class="pagenum"><a name="page287"></a>{287}</span>the inspector general + standing on the pathway. The Colonel often afterwards told that story + with great relish.</p> + + <p>Linnaun-shee or more correct <i>Lannaun-shee</i>; a familiar spirit or + fairy that attaches itself to a mortal and follows him. From Irish + <i>leannán</i>, a lover, and <i>sídh</i> [shee], a fairy: + <i>lannaun-shee</i>, 'fairy-lover.'</p> + + <p>Linnie; a long shed—a sort of barn—attached to a a farm + house for holding farm-yard goods and articles of various + kinds—carts, spades, turnips, corn, &c. (Munster.) Irish + <i>lann-iotha</i>, lit. 'corn-house.'</p> + + <p>Lint; in Ulster, a name for flax.</p> + + <p>Linthern or lenthern; a small drain or sewer covered with flags for + the passage of water, often under a road from side to side. (Munster.) + Irish <i>lintreán</i>, <i>linntreach</i> [lintran, lintragh].</p> + + <p>Liscauns; gleanings of corn from the field after reaping: 'There's + Mary gathering <i>liscauns</i>.' (South.) Irish.</p> + + <p>Loanen; a lane, a <i>bohereen</i>. (Ulster.)</p> + + <p>Lob; a quantity, especially of money or of any valuable + commodity:—''Tis reported that Jack got a great lob of money with + his wife.' A person is trying to make himself out very useful or of much + consequence, and another says satirically—generally in + play:—'Oh what a <i>lob</i> you are!'</p> + + <p>Lock; a quantity or batch of anything—generally small:—a + lock of straw; a lock of sheep. (General.)</p> + + <p>Logey; heavy or fat as applied to a person. (Moran: Carlow.) Also the + fireplace in a flax-kiln.</p> + + <p>Lone; unmarried:—'A lone man'; 'a lone woman.' <!-- Page 288 + --><span class="pagenum"><a name="page288"></a>{288}</span></p> + + <p>Long family; a common expression for a large family.</p> + + <p>Lood, loodh, lude; ashamed: 'he was lude of himself when he was found + out.' (South.)</p> + + <p>Loody; a loose heavy frieze coat. (Munster.)</p> + + <p>Loof; the open hand, the palm of the hand. (Ulster.) Irish <i>lámh</i> + [lauv], the hand.</p> + + <p>Loo-oge or lu-oge; the eel-fry a couple of inches long that come up + the southern Blackwater periodically in myriads, and are caught and sold + as food. (Waterford: Healy.) Irish <i>luadhóg</i>, same sound and + meaning.</p> + + <p>Loose leg; when a person is free from any engagement or impediment + that bound him down—'he has a loose leg'—free to act as he + likes. 'I have retired from the service with a pension, so that now I + have a loose leg.' The same is often said of a prisoner discharged from + jail.</p> + + <p>Lord; applied as a nickname to a hunchback. The hunchback Danny Mann + in 'The Collegians' is often called 'Danny the lord.'</p> + + <p>Losset; a kneading tray for making cakes.</p> + + <p>Lossagh; a sudden blaze from a turf fire. Irish <i>las</i> [loss], a + blaze, with the usual termination <i>ach</i>.</p> + + <p>Lossoge; a handful or little bundle of sticks for firing. (Mayo.) + Irish <i>las</i> [loss], fire, a blaze, with the diminutive + termination.</p> + + <p>Low-backed car; a sort of car common in the southern half of Ireland + down to the middle of the last century, used to bring the country people + and their farm produce to markets. Resting on the shafts was a long flat + platform placed lengthwise <!-- Page 289 --><span class="pagenum"><a + name="page289"></a>{289}</span>and sloping slightly downwards towards the + back, on which were passengers and goods. Called trottle-car in + Derry.</p> + + <p>Loy; a spade. Used in the middle of Ireland all across from shore to + shore. Irish <i>láighe</i>, same sound and meaning.</p> + + <p>Luck-penny; a coin given by the seller to the buyer after a bargain + has been concluded: given to make sure that the buyer will have luck with + the animal or article he buys.</p> + + <p>Ludeen or loodeen [<i>d</i> sounded like <i>th</i> in <i>then</i>]; + the little finger. Irish <i>lúidín</i>, same sound and meaning. From + <i>lu</i>, little, with the diminutive termination.</p> + + <p>Lu-oge: see Loo-oge.</p> + + <p>Luscan; a spot on the hillside from which the furze and heath have + been burned off. (Wicklow and round about.) From Irish <i>losc</i> to + burn: <i>luscan</i>, 'burned little spot.'</p> + + <p>Lusmore; fairy-thimble, fairy-finger, foxglove, <i>Digitalis + purpurea</i>; an herb of mighty power in fairy lore. Irish <i>lus</i>, + herb; <i>mór</i>, great; 'mighty herb.'</p> + + <p>Lybe; a lazy fellow. (MacCall: Wex.) See Libber.</p> + + <p>Lyre; the full of the two hands used together: a beggar usually got a + <i>lyre</i> of potatoes. (Munster: same as <i>gopen</i> in Ulster.) Irish + <i>ladhar</i>, same sound and meaning.</p> + + <p> </p> + + <p>MacManus, Seumas, <a href="#page5">5</a>, &c.</p> + + <p>Mad; angry. There are certain Irish words, such as <i>buileamhail</i>, + which might denote either <i>mad</i> or very <i>angry</i>: hence in + English you very often hear:—'Oh the master is very mad with you,' + <!-- Page 290 --><span class="pagenum"><a + name="page290"></a>{290}</span>i.e. angry. 'Excessively angry' is often + expressed this way in dialect language:—'The master is blazing mad + about that accident to the mare.' But even this expression is classical + Irish; for we read in the Irish Bible that Moses went away from Pharaoh, + <i>air lasadh le feírg</i>, 'blazing with anger.' 'Like mad' is often + used to denote very quickly or energetically: Crofton Croker speaks of + people who were 'dancing like mad.' This expression is constantly heard + in Munster.</p> + + <p>Maddha-brishtha; an improvised tongs, such as would be used with a + fire in the fields, made from a strong twig bent sharp. (Derry.) Irish + <i>maide</i> [maddha], a stick; <i>briste</i>, broken:—'broken + stick.'</p> + + <p>Maddhiaghs or muddiaghs; same as last, meaning simply 'sticks': the + two ends giving the idea of plurality. (Armagh.)</p> + + <p>Maddhoge or middhoge; a dagger. (North and South.) Irish <i>meadóg</i> + or <i>miodóg</i>.</p> + + <p>Made; fortunate:—'I'm a made man' (or 'a <i>med</i> man'), + meaning 'my fortune is made.' (Crofton Croker—but used very + generally.)</p> + + <p>Mag; a swoon:—'Light of grace,' she exclaimed, dropping in a + <i>mag</i> on the floor. (Edward Walsh: used all over Munster.)</p> + + <p>Maisled; speckled; a lazy young fellow's shins get maisled from + sitting before the fire. (Knowles: Ulster.)</p> + + <p>Make; used in the South in the following way:—'This will make a + fine day': 'That cloth will make a fine coat': 'If that fellow was shaved + he'd make a handsome young man' (Irish folk-song): 'That Joe of yours is + a clever fellow: no doubt he'll <!-- Page 291 --><span class="pagenum"><a + name="page291"></a>{291}</span>make a splendid doctor.' The noun + <i>makings</i> is applied similarly:—'That young fellow is the + makings of a great scholar.'</p> + + <p>Man above. In Irish God is often designated <i>an Fear suas</i> or + <i>an t-É suas</i> ('the Man above,' 'the Person above'): thus in + Hardiman's 'Irish Minstrelsy' (I. 228):—<i>Comarc an t-É tá shuas + ort</i>: 'the protection of the Person who is above be on thee': <i>an + Fear suas</i> occurs in the Ossianic Poems. Hence they use this term all + through the South:—'As cunning as he is he can't hide his knavery + from <i>the Man above</i>.'</p> + + <p>Man in the gap, <a href="#page182">182</a>.</p> + + <p>Mankeeper; used North and South as the English name of the little + lizard called in Irish 'Art-loochra,' which see.</p> + + <p>Mannam; my soul: Irish <i>m'anam</i>, same sound and + meaning:—'Mannam on ye,' used as an affectionate exclamation to a + child. (Scott: Derry.)</p> + + <p>Many; 'too many' is often used in the following way, when two persons + were in rivalry of any kind, whether of wit, of learning, or of + strength:—'James was too many for Dick,' meaning he was an + overmatch for him.</p> + + <p>Maol, Mail, Maileen, Moileen, Moilie (these two last forms common in + Ulster; the others elsewhere); a hornless cow. Irish <i>Maol</i> [mwail], + same meaning. Quite a familiar word all through Ireland.</p> + +</blockquote> + +<blockquote class="b2n"> + + <p>One night Jacky was sent out, much against his will, for an armful of + turf, as the fire was getting low; and in a moment afterwards, the + startled family heard frantic yells. Just as they jumped up Jacky rushed + in still yelling with his whole throat. <!-- Page 292 --><span + class="pagenum"><a name="page292"></a>{292}</span></p> + + <p>'What's the matter—what's wrong!'</p> + + <p>'Oh I saw the divel!'</p> + + <p>'No you didn't, you fool, 'twas something else you saw.'</p> + + <p>'No it wasn't, 'twas the divel I saw—didn't I know him + well!'</p> + + <p>'How did you know him—did you see his horns?'</p> + + <p>'I didn't: he had no horns—he was a <i>mwail</i> + divel—sure that's how I knew him!'</p> + + <p>They ran out of course; but the <i>mwail</i> divel was gone, leaving + behind him, standing up against the turf-rick, the black little + <i>Maol</i> Kerry cow.</p> + +</blockquote> + +<blockquote class="b1n"> + + <p>Margamore; the 'Great Market' held in Derry immediately before + Christmas or Easter. (Derry.) Irish <i>margadh</i> [marga], a market, + <i>mór</i> [more], great.</p> + + <p>Martheen; a stocking with the foot cut off. (Derry.) Irish + <i>mairtín</i>, same sound and meaning. <i>Martheens</i> are what they + call in Munster <i>triheens</i>, which see.</p> + + <p>Mass, celebration of, <a href="#page144">144</a>.</p> + + <p>Mau-galore; nearly drunk: Irish <i>maith</i> [mau], good: <i>go + leór</i>, plenty: 'purty well I thank you,' as the people often say: + meaning almost the same as Burns's 'I was na fou but just had plenty.' + (Common in Munster.)</p> + + <p>Mauleen; a little bag: usually applied in the South to the little sack + slung over the shoulder of a potato-planter, filled with the + <i>potato-sets</i> (or <i>skillauns</i>), from which the setter takes + them one by one to plant them. In Ulster and Scotland, the word is + <i>mailin</i>, which is sometimes applied to a purse:—'A + <i>mailin</i> plenished (filled) fairly.' (Burns.)</p> + + <p>Maum; the full of the two hands used together <!-- Page 293 --><span + class="pagenum"><a name="page293"></a>{293}</span>(Kerry); the same as + <i>Lyre</i> and <i>Gopan</i>, which see. Irish <i>Mám</i>, same sound and + meaning.</p> + + <p>Mavourneen; my love. (Used all through Ireland.) Irish + <i>Mo-mhúirnín</i>, same sound and meaning. See Avourneen.</p> + + <p>May-day customs, <a href="#page170">170</a>.</p> + + <p>Méaracaun [mairacaun]; a thimble. Merely the Irish <i>méaracán</i>, + same sound and meaning: from <i>méar</i>, a finger, with the diminutive + termination <i>cán</i>. Applied in the South to the fairy-thimble or + foxglove, with usually a qualifying word:—Mearacaun-shee + (<i>shee</i>, a fairy—fairy thimble) or Mearacaun-na-man-shee + (where na-man-shee is the Irish <i>na-mban-sidhe</i>, of the + <i>banshees</i> or fairy-women). 'Lusmore,' another name, which see.</p> + + <p>Mearing; a well-marked boundary—but not necessarily a raised + <i>ditch</i>—a fence between two farms, or two fields, or two bogs. + Old English.</p> + + <p>Mease: a measure for small fish, especially herrings:—'The + fisherman brought in ten mease of herrings.' Used all round the Irish + coast. It is the Irish word <i>mías</i> [meece], a dish.</p> + + <p>Mee-aw; a general name for the potato blight. Irish <i>mí-adh</i> + [mee-aw], ill luck: from Irish <i>mí</i>, bad, and <i>ádh</i>, luck. But + <i>mee-aw</i> is also used to designate 'misfortune' in general.</p> + + <p>Meela-murder; 'a thousand murders': a general exclamation of surprise, + alarm, or regret. The first part is Irish—<i>míle</i> [meela], a + thousand; the second is of course English.</p> + + <p>Meelcar´ [<i>car</i> long like the English word <i>car</i>]; also + called <i>meelcartan</i>; a red itchy sore on the sole of the foot just + at the edge. It is believed by the <!-- Page 294 --><span + class="pagenum"><a name="page294"></a>{294}</span>people to be caused by + a red little flesh-worm, and hence the name <i>míol</i> [meel], a worm, + and <i>cearr</i> [car], an old Irish word for red:—Meel-car, + 'red-worm.' (North and South.)</p> + + <p>Meeraw; ill luck. (Munster.) From Irish <i>mí</i>, ill, and ráth + [raw], luck:—'There was some <i>meeraw</i> on the family.</p> + + <p>Melder of corn; the quantity sent to the mill and ground at one time. + (Ulster.)</p> + + <p>Memory of History and of Old Customs, <a href="#page143">143</a>.</p> + + <p>Merrow; a mermaid. Irish <i>murrughagh</i> [murrooa], from + <i>muir</i>, the sea. She dives and travels under sea by means of a hood + and cape called <i>cohuleen-dru</i>: <i>cochall</i>, a hood and cape + (with diminutive termination); <i>druádh</i>, druidical: 'magical + cape.'</p> + + <p>Midjilinn or middhilin; the thong of a flail. (Morris: South + Monaghan.)</p> + + <p>Mihul or mehul [<i>i</i> and <i>e</i> short]; a number of men engaged + in any farm-work, especially corn-reaping, still used in the South and + West. It is the very old Irish word <i>meithel</i>, same sound and + meaning.</p> + + <p>Mills. The old English game of 'nine men's morris' or 'nine men's + merrils' or <i>mills</i> was practised in my native place when I was a + boy. We played it on a diagram of three squares one within another, + connected by certain straight lines, each player having nine counters. It + is mentioned by Shakespeare ('Midsummer-Night's Dream'). I learned to be + a good player, and could play it still if I could meet an antagonist. How + it reached Limerick I do not know. A few years ago I saw two persons + playing mills in a hotel in Llandudno; and my heart went out to them. + <!-- Page 295 --><span class="pagenum"><a + name="page295"></a>{295}</span></p> + + <p>Mind; often used in this way:—'Will you write that letter + to-day?' 'No: I won't mind it to-day: I'll write it to-morrow.'</p> + + <p>Minnikin; a very small pin.</p> + + <p>Minister; always applied in Ireland to a Protestant clergyman.</p> + + <p>Miscaun, mescaun, mescan, miscan; a roll or lump of butter. Irish + <i>mioscán</i> [miscaun]. Used all over Ireland.</p> + + <p>Mitch; to play truant from school.</p> + + <p>Mitchelstown, Co. Cork, <a href="#page155">155</a>.</p> + + <p>Moanthaun; boggy land. Moantheen; a little bog. (Munster.) Both dims. + of Irish <i>móin</i>, a bog.</p> + + <p>Molly; a man who busies himself about women's affairs or does work + that properly belongs to women. (Leinster.) Same as <i>sheela</i> in the + South.</p> + + <p>Moneen; a little <i>moan</i> or bog; a green spot in a bog where games + are played. Also a sort of jig dance-tune: so called because often danced + on a green <i>moneen</i>. (Munster.)</p> + + <p>Month's Mind; Mass and a general memorial service for the repose of + the soul of a person, celebrated a month after death. The term was in + common use in England until the change of religion at the Reformation; + and now it is not known even to English Roman Catholics. (Woollett.) It + is in constant use in Ireland, and I think among Irish Catholics + everywhere. But the practice is kept up by Catholics all over the world. + Mind, 'Memory.'</p> + + <p>Mootch: to move about slowly and meaninglessly: without intelligence. + A mootch is a slow stupid person. (South.) <!-- Page 296 --><span + class="pagenum"><a name="page296"></a>{296}</span></p> + + <p>Moretimes; often used as corresponding to <i>sometimes</i>: 'Sometimes + she employs herself at sewing, and moretimes at knitting.'</p> + + <p>Mor-yah; a derisive expression of dissent to drive home the + untruthfulness of some assertion or supposition or pretence, something + like the English 'forsooth,' but infinitely stronger:—A notorious + schemer and cheat puts on airs of piety in the chapel and thumps his + breast in great style; and a spectator says:—Oh how pious and holy + Joe is growing—<i>mar-yah</i>! 'Mick is a great patriot, + mor-yah!—he'd sell his country for half a crown.' Irish + <i>mar-sheadh</i> [same sound], 'as it were.'</p> + + <p>Mossa; a sort of assertive particle used at the opening of a sentence, + like the English <i>well</i>, <i>indeed</i>: carrying little or no + meaning. 'Do you like your new house?'—'Mossa I don't like it + much.' Another form of <i>wisha</i>, and both anglicised from the Irish + <i>má'seadh</i>, used in Irish in much the same sense.</p> + + <p>Mountain dew; a fanciful and sort of pet name for pottheen whiskey: + usually made in the <i>mountains</i>.</p> + + <p>Mounthagh, mounthaun; a toothless person. (Munster.) From the Irish + <i>mant</i> [mounth], the gum, with the terminations. Both words are + equivalent to <i>gummy</i>, a person whose mouth is <i>all gums</i>.</p> + + <p>Moutre. In very old times a mill-owner commonly received as payment + for grinding corn one-tenth of the corn ground—in accordance with + the Brehon Law. This custom continued to recent times—and probably + continues still—in Ulster, <!-- Page 297 --><span + class="pagenum"><a name="page297"></a>{297}</span>where the quantity + given to the miller is called <i>moutre</i>, or <i>muter</i>, or + <i>mooter</i>.</p> + + <p>Mulharten; a flesh-worm: a form of meelcartan. See Meelcar.</p> + + <p>Mullaberta; arbitration. (Munster.) Merely the Irish + <i>moladh-beirte</i>, same sound and meaning: in which <i>moladh</i> + [mulla] is 'appraisement'; and <i>beirtĕ</i>, gen. of <i>beart</i>, + 'two persons':—lit. 'appraisement of two.' The word mullaberta has + however in recent times drifted to mean a loose unbusinesslike + settlement. (Healy.)</p> + + <p>Mummers, <a href="#page171">171</a>.</p> + + <p>Murray, Mr. Patrick, schoolmaster of Kilfinane, <a + href="#page153">153</a>, <a href="#page154">154</a>, and under + 'Roasters,' below.</p> + + <p>Murrogh O'Brien, Earl of Inchiquin, <a href="#page165">165</a>.</p> + + <p>Musicianer for musician is much in use all over Ireland. Of English + origin, and used by several old English writers, among others by + Collier.</p> + + <p> </p> + + <p>Nab; a knowing old-fashioned little fellow. (Derry.)</p> + + <p>Naboc´lesh; never mind. (North and South.) Irish <i>ná-bac-leis</i> + (same sound), 'do not stop to mind it,' or 'pass it over.'</p> + + <p>Nail, paying on the nail, <a href="#page183">183</a>.</p> + + <p>Naygur; a form of <i>niggard</i>: a wretched miser:—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I certainly thought my poor heart it would bleed</p> + <p>To be trudging behind that old naygur.'</p> + </div> + + <div class="stanza"> + <p>(Old Munster song; 'The Spalpeen's Complaint':</p> + <p>from 'Old Irish Folk Music and Songs.')</p> + </div> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'In all my ranging and serenading,</p> + <p>I met no naygur but humpy Hyde.'</p> + </div> + + <div class="stanza"> + <p>(See 'Castlehyde' in my 'Old Irish Music and Songs.')</p> + </div> + </div> + +<p><!-- Page 298 --><span class="pagenum"><a name="page298"></a>{298}</span></p> + + <p>Nicely: often used in Ireland as shown here:— 'Well, how is your + [sick] mother to-day?' 'Oh she's nicely,' or 'doing nicely, thank you'; + i.e. getting on very well—satisfactorily. A still stronger word is + <i>bravely</i>. 'She's doing bravely this morning'; i.e. extremely + well—better than was expected.</p> + + <p>Nim or nym; a small bit of anything. (Ulster.)</p> + + <p>Noggin; a small vessel, now understood to hold two glasses; also + called naggin. Irish <i>noigín</i>.</p> + + <p>Nose; to pay through the nose; to pay and be made to pay, against your + grain, the full sum without delay or mitigation.</p> + + <p> </p> + + <p>Oanshagh; a female fool, corresponding with omadaun, a male fool. + Irish <i>óinseach</i>, same sound and meaning: from <i>ón</i>, a fool, + and <i>seach</i>, the feminine termination.</p> + + <p>Offer; an attempt:—'I made an offer to leap the fence but + failed.'</p> + + <p>Old English, influence of, on our dialect, <a href="#page6">6</a>.</p> + + <p>Oliver's summons, <a href="#page184">184</a>.</p> + + <p>On or upon; in addition to its functions as explained at pp. <a + href="#page27">27</a>, <a href="#page28">28</a>, it is used to express + obligation:— 'Now I put it <i>upon</i> you to give Bill that + message for me': one person meeting another on Christmas Day + says:—'My Christmas box <i>on</i> you,' i.e. 'I put it as an + obligation on you to give me a Christmas box.'</p> + + <p>Once; often used in this manner:—'Once he promises he'll do it' + (Hayden and Hartog): 'Once you pay the money you are free,' i.e. + <i>if</i> or <i>when</i> you pay.</p> + + <p>O'Neills and their war-cry, <a href="#page179">179</a>. <!-- Page 299 + --><span class="pagenum"><a name="page299"></a>{299}</span></p> + + <p>Oshin [sounded nearly the same as the English word ocean]; a weakly + creature who cannot do his fair share of work. (Innishowen, Donegal.)</p> + + <p>Out; used, in speaking of time, in the sense of <i>down</i> or + <i>subsequently</i>:—'His wife led him a mighty uneasy life from + the day they married <i>out</i>.' (Gerald Griffin: Munster.) 'You'll pay + rent for your house for the first seven years, and you will have it free + from that <i>out</i>.'</p> + + <p>Out; to call a person <i>out of his name</i> is to call him by a wrong + name.</p> + + <p>Out; 'be off out of that' means simply <i>go away</i>.</p> + + <p>Out; 'I am out with him' means I am not on terms with him—I have + fallen out with him.</p> + + <p>Overright; opposite, in front of: the same meaning as + <i>forenenst</i>; but <i>forenenst</i> is English, while overright is a + wrong translation from an Irish word—<i>ós-cómhair</i>. <i>Os</i> + means over, and <i>comhair</i> opposite: but this last word was taken by + speakers to be <i>cóir</i> (for both are sounded alike), and as + <i>cóir</i> means <i>right</i> or just, so they translated + <i>os-comhair</i> as if it were <i>ós-cóir</i>, 'over-right.' (Russell: + Munster.)</p> + + <p> </p> + + <p>Paddhereen; a prayer: dim. of Latin <i>Pater</i> (<i>Pater + Noster</i>). <i>Paddereen Paurtagh</i>, the Rosary: from Irish + <i>páirteach</i>, sharing or partaking: because usually several join in + it.</p> + + <p>Páideóge [paudh-yoge]; a torch made of a wick dipped in melted rosin + (Munster): what they call a <i>slut</i> in Ulster.</p> + + <p>Paghil or pahil; a lump or bundle, <a href="#page108">108</a>. + (Ulster.)</p> + + <p>Palatines, <a href="#page65">65</a>.</p> + + <p>Palleen; a rag: a torn coat is 'all in <i>paleens</i>.' (Derry.) <!-- + Page 300 --><span class="pagenum"><a name="page300"></a>{300}</span></p> + + <p>Palm; the yew-tree, <a href="#page184">184</a>.</p> + + <p>Pampooty; a shoe made of untanned hide. (West.)</p> + + <p>Pandy; potatoes mashed up with milk and butter. (Munster.)</p> + + <p>Pannikin; now applied to a small tin drinking-vessel: an old English + word that has fallen out of use in England, but is still current in + Ireland: applied down to last century to a small earthenware pot used for + boiling food. These little vessels were made at Youghal and Ardmore (Co. + Waterford). The earthenware pannikins have disappeared, their place being + supplied by tinware. (Kinahan.)</p> + + <p>Parisheen; a foundling; one brought up in childhood by the + <i>parish</i>. (Kildare.)</p> + + <p>Parson; was formerly applied to a Catholic parish priest: but in + Ireland it now always means a Protestant minister.</p> + + <p>Parthan; a crab-fish. (Donegal.) Merely the Irish <i>partan</i>, same + sound and meaning.</p> + + <p>Parts; districts, territories:—'Prince and plinnypinnytinshary + of these parts' (King O'Toole and St. Kevin): 'Welcome to these parts.' + (Crofton Croker.)</p> + + <p>Past; 'I wouldn't put it <i>past</i> him,' i.e. I think him bad or + foolish enough (to do it).</p> + + <p>Past; more than: 'Our landlord's face we rarely see past once in seven + years'—Irish Folk Song.</p> + + <p>Pattern (i.e. <i>patron</i>); a gathering at a holy well or other + relic of a saint on his or her festival day, to pray and perform + <i>rounds</i> and other devotional acts in honour of the patron saint. + (General.)</p> + + <p>Pattha; a pet, applied to a young person who is brought up over + tenderly and indulged too <!-- Page 301 --><span class="pagenum"><a + name="page301"></a>{301}</span>much:—'What a <i>pattha</i> you + are!' This is an extension of meaning; for the Irish <i>peata</i> + [pattha] means merely a <i>pet</i>, nothing more.</p> + + <p>Pelt; the skin:—'He is in his pelt,' i.e. naked.</p> + + <p>Penal Laws, <a href="#page144">144</a>, and elsewhere through the + book.</p> + + <p>Personable; comely, well-looking, handsome:—'Diarmid Bawn the + piper, as personable a looking man as any in the five parishes.' (Crofton + Croker: Munster.)</p> + + <p>Pickey; a round flat little stone used by children in playing + <i>transe</i> or Scotch-hop. (Limerick.)</p> + + <p>Piggin; a wooden drinking-vessel. It is now called <i>pigín</i> in + Irish; but it is of English origin.</p> + + <p>Pike; a pitchfork; commonly applied to one with two prongs. + (Munster.)</p> + + <p>Pike or croppy-pike; the favourite weapon of the rebels of 1798: it + was fixed on a very long handle, and had combined in one head a long + sharp spear, a small axe, and a hook for catching the enemy's + horse-reins.</p> + + <p>Pillibeen or pillibeen-meeg; a plover. (Munster.) 'I'm king of Munster + when I'm in the bog, and the <i>pillibeens</i> whistling about me.' + ('Knocknagow.') Irish <i>pilibín-míog</i>, same sound and meaning.</p> + + <p>Pindy flour; flour that has begun to ferment slightly on account of + being kept in a warm moist place. Cakes made from it were uneatable as + they were soft and clammy and slightly sour. (Limerick.)</p> + + <p>Pinkeen; a little fish, a stickleback: plentiful in small streams. + Irish <i>pincín</i>, same sound and meaning. See Scaghler.</p> + + <p>Piper's invitation; 'He came on the piper's invitation,' i.e. + uninvited. (Cork.) A translation of <!-- Page 302 --><span + class="pagenum"><a name="page302"></a>{302}</span>Irish + <i>cuireadh-píobaire</i> [curra-peebara]. Pipers sometimes visited the + houses of well-to-do people and played—to the great delight of the + boys and girls—and they were sure to be well treated. But that + custom is long since dead and gone.</p> + + <p>Pishminnaan´ [the <i>aa</i> long as <i>a</i> in <i>car</i>]; common + wild peas. (Munster.) They are much smaller—both plant and + peas—than the cultivated pea, whence the above anglicised name, + which has the same sound as the Irish <i>pise-mionnáin</i>, 'kid's + peas.'</p> + + <p>Pishmool; a pismire, an ant. (Ulster.)</p> + + <p>Pishoge, pisheroge, pishthroge; a charm, a spell, + witchcraft:—'It is reported that someone took Mrs. O'Brien's butter + from her by <i>pishoges</i>.'</p> + + <p>Place; very generally used for house, home, homestead:—'If ever + you come to Tipperary I shall be very glad to see you at <i>my + place</i>.' This is a usage of the Irish language; for the word + <i>baile</i> [bally], which is now used for <i>home</i>, means also, and + in an old sense, a place, a spot, without any reference to home.</p> + + <p>Plaikeen; an old shawl, an old cloak, any old covering or wrap worn + round the shoulders. (South.)</p> + + <p>Plantation; a colony from England or Scotland settled down or + <i>planted</i> in former times in a district in Ireland from which the + rightful old Irish owners were expelled, <a href="#page7">7</a>, <a + href="#page169">169</a>, <a href="#page170">170</a>.</p> + + <p>Plaumause [to rhyme with <i>sauce</i>]; soft talk, plausible speech, + flattery—conveying the idea of insincerity. (South.) Irish + <i>plámás</i>, same sound and meaning.</p> + + <p>Plauzy; full of soft, flattering, <i>plausible</i> talk. Hence <!-- + Page 303 --><span class="pagenum"><a name="page303"></a>{303}</span>the + noun <i>pláusoge</i> [plauss-oge], a person who is plauzy. (South.)</p> + + <p>Plerauca; great fun and noisy revelry. Irish <i>pléaráca</i>, same + sound and meaning.</p> + + <p>Pluddogh; dirty water. (MacCall: Wexford.) From Irish <i>plod</i> + [pludh], a pool of dirty water, with the termination <i>ach</i>.</p> + + <p>Pluvaun; a kind of soft weed that grows excessively on tilled moory + lands and chokes the crop. (Moran: Carlow.)</p> + + <p>Poll-talk; backbiting: from the <i>poll</i> of the head: the idea + being the same as in <i>back</i>biting.</p> + + <p>Polthogue; a blow; a blow with the fist. Irish <i>palltóg</i>, same + sound and meaning.</p> + + <p>Pooka; a sort of fairy: a mischievous and often malignant goblin that + generally appears in the form of a horse, but sometimes as a bull, a + buck-goat, &c. The great ambition of the pooka horse is to get some + unfortunate wight on his back; and then he gallops furiously through + bogs, marshes, and woods, over rocks, glens, and precipices; till at last + when the poor wretch on his back is nearly dead with terror and fatigue, + the pooka pitches him into some quagmire or pool or briar-brake, leaving + him to extricate himself as best he can. But the goblin does not do + worse: he does not kill people. Irish <i>púca</i>. Shakespeare has + immortalised him as Puck, the goblin of 'A Midsummer-Night's Dream.'</p> + + <p>Pookapyle, also called Pookaun; a sort of large fungus, the toadstool. + Called also <i>causha pooka</i>. All these names imply that the Pooka has + something to do with this poisonous fungus. See Causha-pooka (pooka's + cheese). <!-- Page 304 --><span class="pagenum"><a + name="page304"></a>{304}</span></p> + + <p>Pookeen; a play—blindman's buff: from Irish <i>púic</i>, a veil + or covering, from the covering put over the eyes. Pookeen is also applied + in Cork to a cloth muzzle tied on calves or lambs to prevent sucking the + mother. The face-covering for blindman's buff is called <i>pookoge</i>, + in which the dim. <i>óg</i> is used instead of <i>ín</i> or <i>een</i>. + The old-fashioned <i>coal-scuttle</i> bonnets of long ago that nearly + covered the face were often called <i>pookeen</i> bonnets. It was of a + bonnet of this kind that the young man in Lover's song of 'Molly Carew' + speaks:—</p> + + <div class="poem"> + <div class="stanza"> + <p>Oh, <i>lave</i> off that bonnet or else I'll <i>lave</i> on it</p> + <p>The loss of my wandering sowl:—</p> + </div> + </div> + + <p>because it hid Molly's face from him.</p> + + <p>Poor mouth; making the poor mouth is trying to persuade people you are + very poor—making out or pretending that you are poor.</p> + + <p>Poor scholars, <a href="#page151">151</a>, <a + href="#page157">157</a>.</p> + + <p>Poreens; very small potatoes—mere <i>crachauns</i> (which + see)—any small things, such as marbles, &c. (South: + <i>porrans</i> in Ulster.)</p> + + <p>Porter-meal: oatmeal mixed with porter. Seventy or eighty years ago, + the carters who carried bags of oatmeal from Limerick to Cork (a two-day + journey) usually rested for the night at Mick Lynch's public-house in + Glenosheen. They often took lunch or dinner of porter-meal in this + way:—Opening the end of one of the bags, the man made a hollow in + the oatmeal into which he poured a quart of porter, stirring it up with a + spoon: then he ate an immense bellyful of the mixture. But those fellows + could digest like an ostrich. <!-- Page 305 --><span class="pagenum"><a + name="page305"></a>{305}</span></p> + + <p>In Ulster, oatmeal mixed in this manner with buttermilk, hot broth, + &c., and eaten with a spoon, is called <i>croudy</i>.</p> + + <p>Potthalowng; an awkward unfortunate mishap, not very serious, but + coming just at the wrong time. When I was a boy 'Jack Mullowney's + <i>potthalowng</i>' had passed into a proverb. Jack one time went + <i>courting</i>, that is, to spend a pleasant evening with the young lady + at the house of his prospective father-in-law, and to make up the match + with the old couple. He wore his best of course, body-coat, white + waistcoat, caroline hat (tall silk), and <i>ducks</i> (ducks, snow-white + canvas trousers.) All sat down to a grand dinner given in his honour, the + young couple side by side. Jack's plate was heaped up with beautiful + bacon and turkey, and white cabbage swimming in fat, that would make you + lick your lips to look at it. Poor Jack was a bit sheepish; for there was + a good deal of banter, as there always is on such occasions. He drew over + his plate to the very edge of the table; and in trying to manage a turkey + bone with knife and fork, he turned the plate right over into his lap, + down on the ducks.</p> + + <p>The marriage came off all the same; but the story went round the + country like wildfire; and for many a long day Jack had to stand the + jokes of his friends on the <i>potthalowng</i>. Used in Munster. The + Irish is <i>patalong</i>, same sound and meaning; but I do not find it in + the dictionaries.</p> + + <p>Pottheen; illicit whiskey: always distilled in some remote lonely + place, as far away as possible from the nose of a gauger. It is the Irish + word <i>poitín</i> <!-- Page 306 --><span class="pagenum"><a + name="page306"></a>{306}</span>[pottheen], little pot. We have partly the + same term still; for everyone knows the celebrity of <i>pot</i>-still + whiskey: but this is <i>Parliament</i> whiskey, not <i>pottheen</i>, see + p. <a href="#page174">174</a>.</p> + + <p>Power; a large quantity, a great deal: Jack Hickey has a power of + money: there was a <i>power of cattle in the fair yesterday</i>: there's + a power of ivy on that old castle. Miss Grey, a small huckster who kept a + little vegetable shop, was one day showing off her rings and bracelets to + our servant. 'Oh Miss Grey,' says the girl, 'haven't you a terrible lot + of them.' 'Well Ellen, you see I want them all, for I go into <i>a power + of society</i>.' This is an old English usage as is shown by this extract + from Spenser's 'View':—'Hee also [Robert Bruce] sent over his said + brother Edward, with a power of Scottes and Red-Shankes into Ireland.' + There is a corresponding Irish expression (<i>neart airgid</i>, a power + of money), but I think this is translated from English rather than the + reverse. The same idiom exists in Latin with the word <i>vis</i> (power): + but examples will not be quoted, as they would take up a power of + space.</p> + + <p>Powter [<i>t</i> sounded like <i>th</i> in <i>pith</i>]; to root the + ground like a pig; to root up potatoes from the ground with the hands. + (Derry.)</p> + + <p>Prashagh, more commonly called prashagh-wee; wild cabbage with yellow + blossoms, the rape plant. Irish <i>praiseach-bhuidhe</i> [prashagh-wee], + yellow cabbage. <i>Praiseach</i> is borrowed from Latin + <i>brassica</i>.</p> + + <p>Prashameen; a little group all clustered together:—'The children + sat in a prashameen on the floor.' I have heard this word a hundred times + in Limerick <!-- Page 307 --><span class="pagenum"><a + name="page307"></a>{307}</span>among English speakers: its Irish form + should be <i>praisimín</i>, but I do not find it in the dictionaries.</p> + + <p>Prashkeen; an apron. Common all over Ireland. Irish <i>praiscín</i>, + same sound and meaning.</p> + + <p>Prawkeen; raw oatmeal and milk (MacCall: South Leinster.) See + Porter-meal.</p> + + <p>Prepositions, incorrect use of, <a href="#page26">26</a>, <a + href="#page32">32</a>, <a href="#page44">44</a>.</p> + + <p>Presently; at present, now:—'I'm living in the country + presently.' A Shakespearian survival:—Prospero:—'Go bring the + rabble.' Ariel:—'Presently?' [i.e. shall I do so now?] + Prospero:—'Ay, with a wink.' Extinct in England, but preserved and + quite common in Ireland.</p> + + <p>Priested; ordained: 'He was priested last year.'</p> + + <p>Priest's share; the soul. A mother will say to a refractory + child:—'I'll knock the priest's share out of you.' (Moran: + Carlow.)</p> + + <p>Professions hereditary, <a href="#page172">172</a>.</p> + + <p>Pronunciation, <a href="#page2">2</a>, <a href="#page91">91</a> to <a + href="#page104">104</a>.</p> + + <p>Protestant herring: Originally applied to a bad or a stale herring: + but in my boyhood days it was applied, in our neighbourhood, to almost + anything of an inferior quality:—'Oh that butter is a Protestant + herring.' Here is how it originated:—Mary Hewer of our village had + been for time out of mind the only huckster who sold salt herrings, + sending to Cork for a barrel from time to time, and making good profit. + At last Poll Alltimes sent for a barrel and set up an opposition shop, + taking away a large part of Mary's custom. Mary was a Catholic and Poll a + Protestant: and then our herrings became sharply distinguished as + Catholic herrings and Protestant herrings: each party eating herrings + <!-- Page 308 --><span class="pagenum"><a + name="page308"></a>{308}</span>of their own creed. But after some time a + horrible story began to go round—whispered at first under people's + breath—that Poll found <i>the head of a black</i> with long hair + packed among the herrings half way down in her barrel. Whether the people + believed it or not, the bare idea was enough; and Protestant herrings + suddenly lost character, so that poor Poll's sale fell off at once, while + Mary soon regained all her old customers. She well deserved it, if anyone + ever deserved a reward for a master-stroke of genius. But I think this is + all 'forgotten lore' in the neighbourhood now.</p> + + <p>Proverbs, <a href="#page105">105</a>.</p> + + <p>Puck; to play the puck with anything: a softened equivalent of + <i>playing the devil</i>. <i>Puck</i> here means the Pooka, which + see.</p> + + <p>Puck; a blow:—'He gave him a puck of a stick on the head.' More + commonly applied to a punch or blow of the horns of a cow or goat. 'The + cow gave him a puck (or pucked him) with her horns and knocked him down.' + The blow given by a hurler to the ball with his <i>caman</i> or hurley is + always called a <i>puck</i>. Irish <i>poc</i>, same sound and + meaning.</p> + + <p>Puckaun; a he-goat. (South.) Irish <i>poc</i>, a he-goat, with the + diminutive.</p> + + <p>Puke; a poor puny unhealthy-looking person.</p> + + <p>Pulling a cord (or <i>the cord</i>); said of a young man and a young + woman who are courting:—'Miss Anne and himself that's pulling the + cord.' ('Knocknagow.')</p> + + <p>Pulloge; a quantity of hidden apples: usually hidden by a boy who + steals them. (Limerick.) Diminutive of the Irish <i>poll</i>, a hole. + <!-- Page 309 --><span class="pagenum"><a + name="page309"></a>{309}</span></p> + + <p>Pusheen; the universal word for a kitten in Munster: a diminutive of + the English word <i>puss</i>; exactly equivalent to <i>pussy</i>.</p> + + <p>Puss [<i>u</i> sounded as in <i>full</i>]; the mouth and lips, always + used <i>in dialect</i> in an offensive or contemptuous sense:—'What + an ugly <i>puss</i> that fellow has.' 'He had a puss on him,' i.e. he + looked sour or displeased—with lips contracted. I heard one boy say + to another:—'I'll give you a <i>skelp</i> (blow) on the puss.' + (General.) Irish <i>pus</i>, the mouth, same sound.</p> + + <p>Pusthaghaun; a puffed up conceited fellow. The corresponding word + applied to a girl is <i>pusthoge</i> (MacCall: Wexford): the diminutive + termination <i>aun</i> or <i>chaun</i> being masculine and <i>óg</i> + feminine. Both are from <i>pus</i> the mouth, on account of the + consequential way a conceited person squares up the lips.</p> + + <p> </p> + + <p>Quaw or quagh; a <i>quag</i> or quagmire:—'I was unwilling to + attempt the <i>quagh</i>.' (Maxwell: 'Wild Sports': Mayo, but used all + over Ireland.) Irish <i>caedh</i> [quay], for which and for the names + derived from it, see 'Irish Names of Places': II. 396.</p> + + <p>Quality; gentlemen and gentlewomen as distinguished from the common + people. Out of use in England, but general in Ireland:—'Make room + for the quality.'</p> + + <p>Queer, generally pronounced <i>quare</i>; used as an intensive in + Ulster:—This day is quare and hot (very hot); he is quare and sick + (very sick): like <i>fine and fat</i> elsewhere (see p. <a + href="#page89">89</a>).</p> + + <p>Quin or quing; the swing-tree, a piece of wood used <!-- Page 310 + --><span class="pagenum"><a name="page310"></a>{310}</span>to keep the + chains apart in ploughing to prevent them rubbing the horses. (Cork and + Kerry.) Irish <i>cuing</i> [quing], a yoke.</p> + + <p>Quit: in Ulster 'quit that' means <i>cease from that</i>:—'quit + your crying.' In Queen's County they say <i>rise out of that</i>.</p> + + <p> </p> + + <p>Rabble; used in Ulster to denote a fair where workmen congregate on + the hiring day to be hired by the surrounding farmers. See Spalpeen.</p> + + <p>Rack. In Munster an ordinary comb is called a <i>rack</i>: the word + <i>comb</i> being always applied and confined to a small close + fine-toothed one.</p> + + <p>Rackrent; an excessive rent of a farm, so high as to allow to the + occupier a bare and poor subsistence. Not used outside Ireland except so + far as it has been recently brought into prominence by the Irish land + question.</p> + + <p>Rag on every bush; a young man who is caught by and courts many girls + but never proposes.</p> + + <p>Raghery; a kind of small-sized horse; a name given to it from its + original home, the island of Rathlin or Raghery off Antrim.</p> + + <p>Rake; to cover up with ashes the live coals of a turf fire, which will + keep them alive till morning:—'Don't forget to rake the fire.'</p> + + <p>Randy; a scold. (Kinahan: general.)</p> + + <p>Rap; a bad halfpenny: a bad coin:—'He hasn't a rap in his + pocket.'</p> + + <p>Raumaush or raumaish; <i>romance</i> or fiction, but now commonly + applied to foolish senseless brainless talk. Irish <i>rámás</i> or + <i>rámáis</i>, which is merely adapted from the word <i>romance</i>. <!-- + Page 311 --><span class="pagenum"><a name="page311"></a>{311}</span></p> + + <p>Raven's bit; a beast that is going to die. (Kinahan.)</p> + + <p>Rawney; a delicate person looking in poor health; a poor + sickly-looking animal. (Connaught.) Irish <i>ránaidhe</i>, same sound and + meaning.</p> + + <p>Reansha; brown bread: sometimes corrupted to <i>range</i>-bread. + (MacCall: Wexford.)</p> + + <p>Red or redd; clear, clear out, clear away:—Redd the road, the + same as the Irish <i>Fág-a-ballagh</i>, 'clear the way.' If a girl's hair + is in bad tangles, she uses a <i>redding-comb</i> first to open it, and + then a finer comb.</p> + + <p>Redden; to light: 'Take the bellows and redden the fire.' An Irishman + hardly ever <i>lights</i> his pipe: he <i>reddens</i> it.</p> + + <p>Redundancy, <a href="#page52">52</a>, <a href="#page130">130</a>.</p> + + <p>Ree; as applied to a horse means restive, wild, almost + unmanageable.</p> + + <p>Reek; a rick:—A reek of turf: so the Kerry mountains, + 'MacGillicuddy's Reeks.'</p> + + <p>Reel-foot; a club-foot, a deformed foot. (Ulster.) 'Reel-footed and + hunch-backed forbye, sir.' (Old Ulster song.)</p> + + <p>Reenaw´lee; a slow-going fellow who dawdles and delays and hesitates + about things. (Munster.) Irish <i>ríanálaidhe</i>, same sound and + meaning: from <i>rían</i>, a way, track, or road: <i>ríanalaidhe</i> , a + person who wanders listlessly along the <i>way</i>.</p> + + <p>Reign. This word is often used in Munster, Leinster, and Connaught, in + the sense of to occupy, to be master of: 'Who is in the Knockea farm?' + 'Mr. Keating reigns there now.' 'Who is your landlord?' 'The old master + is dead and his son Mr. William reigns over us now.' 'Long may <!-- Page + 312 --><span class="pagenum"><a name="page312"></a>{312}</span>your + honour [the master] reign over us.' (Crofton Croker.) In answer to an + examination question, a young fellow from Cork once answered me, + 'Shakespeare reigned in the sixteenth century.' This usage is borrowed + from Irish, in which the verb <i>riaghail</i> [ree-al] means both to rule + (as a master), and to reign (as a king), and as in many other similar + cases the two meanings were confounded in English. (Kinahan and + myself.)</p> + + <p>Relics of old decency. When a man goes down in the world he often + preserves some memorials of his former rank—a ring, silver buckles + in his shoes, &c.—'the relics of old decency.'</p> + + <p>Revelagh; a long lazy gadding fellow. (Morris: Monaghan.)</p> + + <p>Rib; a single hair from the head. A poet, praising a young lady, says + that 'every golden <i>rib</i> of her hair is worth five guineas.' Irish + <i>ruibe</i> [ribbe], same meaning.</p> + + <p>Rickle; a little heap of turf peats standing on ends against each + other. (Derry.) Irish <i>ricil</i>, same sound and meaning.</p> + + <p>Riddles, <a href="#page185">185</a>.</p> + + <p>Ride and tie. Two persons set out on a journey having one horse. One + rides on while the other sets out on foot after him. The first man, at + the end of a mile or two, ties up the horse at the roadside and proceeds + on foot. When the second comes to the horse he mounts and rides till he + is one or two miles ahead of his comrade and then ties. And so to the end + of the journey. A common practice in old times for courier purposes; but + not in use now, I think. <!-- Page 313 --><span class="pagenum"><a + name="page313"></a>{313}</span></p> + + <p>Rife, a scythe-sharpener, a narrow piece of board punctured all over + and covered with grease on which fine sand is sprinkled. Used before the + present emery sharpener was known. (Moran: Carlow.) Irish <i>ríabh</i> + [reev], a long narrow stripe.</p> + + <p>Right or wrong: often heard for <i>earnestly</i>: 'he pressed me right + or wrong to go home with him.'</p> + + <p>Ringle-eyed; when the iris is light-coloured, and the circle bounding + it is very marked, the person is <i>ringle-eyed</i>. (Derry.)</p> + + <p>Rings; often used as follows:—'Did I sleep at all?' 'Oh indeed + you did—you <i>slept rings round you</i>.'</p> + + <p>Rip; a coarse ill-conditioned woman with a bad tongue. (General.)</p> + + <p>Roach lime; lime just taken from the kiln, burnt, <i>before</i> being + slaked and while still in the form of stones. This is old English from + French <i>roche</i>, a rock, a stone.</p> + + <p>Roasters; potatoes kept crisping on the coals to be brought up to + table hot at the end of the dinner—usually the largest ones picked + out. But the word <i>roaster</i> was used only among the lower class of + people: the higher classes considered it vulgar. Here is how Mr. Patrick + Murray (see p. <a href="#page154">154</a>) describes them about 1840 in a + parody on Moore's 'One bumper at parting' (a <i>lumper</i>, in Mr. + Murray's version, means a big potato):—</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'One <i>lumper</i> at parting, though many</p> + <p class="i2">Have rolled on the board since we met,</p> + <p>The biggest the hottest of any</p> + <p class="i2">Remains in the round for us yet.'</p> + </div> + </div> + + <p>In the higher class of houses they were peeled and brought up at the + end nice and brown in <!-- Page 314 --><span class="pagenum"><a + name="page314"></a>{314}</span>a dish. About eighty years ago a + well-known military gentleman of Baltinglass in the County + Wicklow—whose daughter told me the story—had on one occasion + a large party of friends to dinner. On the very day of the dinner the + waiter took ill, and the stable boy—a big coarse fellow—had + to be called in, after elaborate instructions. All went well till near + the end of the dinner, when the fellow thought things were going on + rather slowly. Opening the diningroom door he thrust in his head and + called out in the hearing of all:—'Masther, are ye ready for the + <i>roasthers</i>?' A short time ago I was looking at the house and + diningroom where that occurred.</p> + + <p>Rocket; a little girl's frock. (Very common in Limerick.) It is of + course an old application of the English-French <i>rochet</i>.</p> + + <p>Rodden; a <i>bohereen</i> or narrow road. (Ulster.) It is the Irish + <i>róidín</i>, little road.</p> + + <p>Roman; used by the people in many parts of Ireland for <i>Roman + Catholic</i>. I have already quoted what the Catholic girl said to her + Protestant lover:—'Unless that you turn a <i>Roman</i> you ne'er + shall get me for your bride.' Sixty or seventy years ago controversial + discussions—between a Catholic on the one hand and a Protestant on + the other—were very common. I witnessed many when I was a + boy—to my great delight. Garrett Barry, a Roman Catholic, locally + noted as a controversialist, was arguing with Mick Cantlon, surrounded by + a group of delighted listeners. At last Garrett, as a final clincher, + took up the Bible, opened it at a certain place, and handed it to his + opponent, <!-- Page 315 --><span class="pagenum"><a + name="page315"></a>{315}</span>with:—'Read that heading out for us + now if you please.' Mick took it up and read 'St. Paul's Epistle to the + <i>Romans</i>.' 'Very well,' says Garrett: 'now can you show me in any + part of that Bible, 'St. Paul's Epistle to the <i>Protestants</i>'? This + of course was a down blow; and Garrett was greeted with a great hurrah by + the Catholic part of his audience. This story is in 'Knocknagow,' but the + thing occurred in my neighbourhood, and I heard about it long before + 'Knocknagow' was written.</p> + + <p>Rookaun; great noisy merriment. Also a drinking-bout. (Limerick.)</p> + + <p>Room. In a peasant's house the <i>room</i> is a special apartment + distinct from the kitchen or living-room, which is not a 'room' in this + sense at all. I slept in the kitchen and John slept in the 'room.' (Healy + and myself: Munster.)</p> + + <p>Round coal; coal in lumps as distinguished from slack or coal broken + up small and fine.</p> + + <p>Ruction, ructions; fighting, squabbling, a fight, a row. It is a + memory of the <i>Insurrection</i> of 1798, which was commonly called the + 'Ruction.'</p> + + <p>Rue-rub; when a person incautiously scratches an itchy spot so as to + break the skin: that is <i>rue-rub</i>. (Derry.) From <i>rue</i>, regret + or sorrow.</p> + + <p>Rury; a rough hastily-made cake or bannock. (Morris: Monaghan.)</p> + + <p>Rut; the smallest bonnive in a litter. (Kildare and Carlow.)</p> + + <p> </p> + + <p>Saluting, salutations, <a href="#page14">14</a>.</p> + + <p>Sapples; soap suds: <i>sapple</i>, to wash in suds. (Derry.) <!-- Page + 316 --><span class="pagenum"><a name="page316"></a>{316}</span></p> + + <p>Saulavotcheer; a person having <i>lark-heels</i>. (Limerick.) The + first syll. is Irish; <i>sál</i> [saul], heel.</p> + + <p>Sauvaun; a rest, a light doze or nap. (Munster.) Irish <i>sámhán</i>, + same sound and meaning, from <i>sámh</i> [sauv], pleasant and + tranquil.</p> + + <p>Scagh; a whitethorn bush. (General.) Irish <i>sceach</i>, same sound + and meaning.</p> + + <p>Scaghler: a little fish—the pinkeen or thornback: Irish + <i>sceach</i> [scagh], a thorn or thornbush, and the English termination + <i>ler</i>.</p> + + <p>Scald: to be <i>scalded</i> is to be annoyed, mortified, sorely + troubled, vexed. (Very general.) Translated from one or the other of two + Irish words, <i>loisc</i> [lusk], to burn; and <i>scall</i>, to + <i>scald</i>. Finn Bane says:—'Guary being angry with me he + scorched me (<i>romloisc</i>), burned me, <i>scalded</i> me, with abuse.' + ('Colloquy.') 'I earned that money hard and 'tis a great + <i>heart-scald</i> (<i>scollach-croidhe</i>) to me to lose it.' There is + an Irish air called 'The <i>Scalded</i> poor man.' ('Old Irish Music and + Songs.')</p> + + <p>Scalder, an unfledged bird (South): <i>scaldie</i> and + <i>scaulthoge</i> in the North. From the Irish <i>scal</i> (bald), from + which comes the Irish <i>scalachán</i>, an unfledged bird.</p> + + <p>Scallan; a wooden shed to shelter the priest during Mass, <a + href="#page143">143</a>, <a href="#page145">145</a>.</p> + + <p>Scalp, scolp, scalpeen; a rude cabin, usually roofed with + <i>scalps</i> or grassy sods (whence the name). In the famine + times—1847 and after—a scalp was often erected for any poor + wanderer who got stricken down with typhus fever: and in that the people + tended him cautiously till he recovered or died. (Munster.) Irish + <i>scaílp</i> [scolp]. <!-- Page 317 --><span class="pagenum"><a + name="page317"></a>{317}</span></p> + + <p>Scalteen: see Scolsheen.</p> + + <p>Scollagh-cree; ill-treatment of any kind. (Moran: Carlow.) Irish + <i>scallach-croidhe</i>, same sound and meaning: a 'heart scald'; from + <i>scalladh</i>, scalding, and <i>croidhe</i>, heart.</p> + + <p>Scollop; the bended rod pointed at both ends that a thatcher uses to + fasten down the several straw-wisps. (General.) Irish <i>scolb</i> + [scollub].</p> + + <p>Scolsheen or scalteen; made by boiling a mixture of whiskey, water, + sugar, butter and pepper (or caraway seeds) in a pot: a sovereign cure + for a cold. In the old mail-car days there was an inn on the road from + Killarney to Mallow, famous for scolsheen, where a big pot of it was + always kept ready for travellers. (Kinahan and Kane.) Sometimes the word + <i>scalteen</i> was applied to unmixed whiskey burned, and used for the + same purpose. From the Irish <i>scall</i>, burn, singe, <i>scald</i>.</p> + + <p>Sconce; to chaff, banter, make game of:—'None of your sconcing.' + (Ulster.)</p> + + <p>Sconce; to shirk work or duty. (Moran: Carlow.)</p> + + <p>Scotch Dialect: influence of, on our Dialect, <a href="#page6">6</a>, + <a href="#page7">7</a>.</p> + + <p>Scotch lick; when a person goes to clean up anything—a saucepan, + a floor, his face, a pair of shoes, &c.—and only half does it, + he (or she) has given it a <i>Scotch lick</i>. General in South. In + Dublin it would be called a 'cat's lick': for a cat has only a small + tongue and doesn't do much in the way of licking.</p> + + <p>Scout; a reproachful name for a bold forward girl.</p> + + <p>Scouther; to burn a cake on the outside before it is fully cooked, by + over haste in baking:—burned outside, half raw inside. Hence 'to + scouther' <!-- Page 318 --><span class="pagenum"><a + name="page318"></a>{318}</span>means to do anything hastily and + incompletely. (Ulster.)</p> + + <p>Scrab; to scratch:—'The cat near scrabbed his eyes out.' + (Patterson: Ulster.) In the South it is <i>scraub</i>:—'He scraubed + my face.'</p> + + <p>Scrab; to gather the stray potatoes left after the regular crop, when + they are afterwards turned out by plough or spade.</p> + + <p>Scraddhin; a scrap; anything small—smaller than usual, as a + small potato: applied contemptuously to a very small man, exactly the + same as the Southern <i>sprissaun</i>. Irish <i>scraidín</i>, same sound + and meaning. (East Ulster.)</p> + + <p>Scran; 'bad scran to you,' an evil wish like 'bad luck to you,' but + much milder: English, in which <i>scran</i> means broken victuals, + food-refuse, fare—very common. (North and South.)</p> + + <p>Scraw; a grassy sod cut from a grassy or boggy surface and often dried + for firing; also called <i>scrahoge</i> (with diminutive <i>óg</i>). + Irish <i>scrath</i>, <i>scrathóg</i>, same sounds and meaning.</p> + + <p>Screenge; to search for. (Donegal and Derry.)</p> + + <p>Scunder or Scunner; a dislike; to take a dislike or disgust against + anything. (Armagh.)</p> + + <p>Scut; the tail of a hare or rabbit: often applied in scorn to a + contemptible fellow:—'He's just a scut and nothing better.' The + word is Irish, as is shown by the following quotation:—'The billows + [were] conversing with the <i>scuds</i> (sterns) and the beautiful prows + [of the ships].' (Battle of Moylena: and note by Kuno Meyer in 'Rev. + Celt.') (General.)</p> + + <p>Seeshtheen; a low round seat made of twisted straw. <!-- Page 319 + --><span class="pagenum"><a name="page319"></a>{319}</span>(Munster.) + Irish <i>suidhistín</i>, same sound and meaning: from <i>suidhe</i> + [see], to sit, with diminutive.</p> + + <p>Set: all over Ireland they use <i>set</i> instead of <i>let</i> [a + house or lodging]. A struggling housekeeper failed to let her lodging, + which a neighbour explained by:—'Ah she's no good at + <i>setting</i>.'</p> + + <p>Set; used in a bad sense, like <i>gang</i> and + <i>crew</i>:—'They're a dirty set.'</p> + + <p>Settle bed; a folding-up bed kept in the kitchen: when folded up it is + like a sofa and used as a seat. (All over Ireland.)</p> + + <p>Seven´dable [accent on <i>ven</i>], very great, <i>mighty great</i> as + they would say:—'Jack gave him a <i>sevendable</i> thrashing.' + (North.)</p> + + <p>Shaap [the <i>aa</i> long as in <i>car</i>]; a husk of corn, a pod. + (Derry.)</p> + + <p>Shamrock or Shamroge; the white trefoil (<i>Trifolium repens</i>). The + Irish name is <i>seamar</i> [shammer], which with the diminutive makes + <i>seamar-óg</i> [shammer-oge], shortened to <i>shamrock</i>.</p> + + <p>Shanachus, shortened to <i>shanagh</i> in Ulster, a friendly + conversation. 'Grandfather would like to have a shanahus with you.' + ('Knocknagow.') Irish <i>seanchus</i>, antiquity, history, an old + story.</p> + + <p>Shandradan´ [accented strongly on <i>-dan</i>]; an old rickety + rattle-trap of a car. The first syllable is Irish <i>sean</i> [shan], + old.</p> + + <p>Shanty: a mean hastily put up little house. (General.) Probably from + Irish <i>sean</i>, old, and <i>tigh</i> [tee], a house.</p> + + <p>Shaugh; a turn or smoke of a pipe. (General.) Irish <i>seach</i>, same + sound and meaning. <!-- Page 320 --><span class="pagenum"><a + name="page320"></a>{320}</span></p> + + <p>Shaughraun; wandering about: to be <i>on the shaughraun</i> is to be + out of employment and wandering idly about looking for work. Irish + <i>seachrán</i>, same sound and meaning.</p> + + <p>Shebeen or sheebeen; an unlicensed public-house or alehouse where + spirits are sold on the sly. (Used all over Ireland.) Irish <i>síbín</i>, + same sound and meaning.</p> + + <p>Shee; a fairy, fairies; also meaning the place where fairies live, + usually a round green little hill or elf-mound having a glorious palace + underneath: Irish <i>sidhe</i>, same sound and meanings. <i>Shee</i> + often takes the diminutive form—<i>sheeoge</i>.</p> + + <p>Shee-geeha; the little whirl of dust you often see moving along the + road on a calm dusty day: this is a band of fairies travelling from one + <i>lis</i> or elf-mound to another, and you had better turn aside and + avoid it. Irish <i>sidhe-gaoithe</i>, same sound and meaning, where + <i>gaoithe</i> is wind: 'wind-fairies': called 'fairy-blast' in + Kildare.</p> + + <p>Sheehy, Rev. Father, of Kilfinane, <a href="#page147">147</a>.</p> + + <p>Sheela; a female Christian name (as in 'Sheela Ni Gyra'). Used in the + South as a reproachful name for a boy or a man inclined to do work or + interest himself in affairs properly belonging to women. See 'Molly.'</p> + + <p>Sheep's eyes: when a young man looks fondly and coaxingly on his + sweetheart he is 'throwing sheep's eyes' at her.</p> + + <p>Sherral; an offensive term for a mean unprincipled fellow. (Moran: + South Mon.)</p> + + <p>Sheugh or Shough; a deep cutting, elsewhere called a ditch, often + filled with water. (Seumas MacManus: N.W. Ulster.) <!-- Page 321 --><span + class="pagenum"><a name="page321"></a>{321}</span></p> + + <p>Shillelah; a handstick of oak, an oaken cudgel for fighting. (Common + all over Ireland.) From a district in Wicklow called Shillelah, formerly + noted for its oak woods, in which grand shillelahs were plentiful.</p> + + <p>Shingerleens [shing-erleens]; small bits of finery; ornamental tags + and ends—of ribbons, bow-knots, tassels, &c.—hanging on + dress, curtains, furniture, &c. (Munster.)</p> + + <p>Shire; to pour or drain off water or any liquid, quietly and without + disturbing the solid parts remaining behind, such as draining off the + whey-like liquid from buttermilk.</p> + + <p>Shlamaan´ [<i>aa</i> like <i>a</i> in <i>car</i>]; a handful of straw, + leeks, &c. (Morris: South Monaghan.)</p> + + <p>Shoggle; to shake or jolt. (Derry.)</p> + + <p>Shoneen; a <i>gentleman</i> in a small way: a would-be gentleman who + puts on superior airs. Always used contemptuously.</p> + + <p>Shook; in a bad way, done up, undone:—'I'm shook by the loss of + that money': 'he was shook for a pair of shoes.'</p> + + <p>Shooler; a wanderer, a stroller, a vagrant, a tramp, a rover: often + means a mendicant. (Middle and South of Ireland.) From the Irish + <i>siubhal</i> [shool], to walk, with the English termination <i>er</i>: + lit. 'walker.'</p> + + <p>Shoonaun; a deep circular basket, made of twisted rushes or straw, and + lined with calico; it had a cover and was used for holding linen, + clothes, &c. (Limerick and Cork.) From Irish <i>sibhinn</i> [shiven], + a rush, a bulrush: of which the diminutive <i>siubhnán</i> [shoonaun] is + our word: signifying <!-- Page 322 --><span class="pagenum"><a + name="page322"></a>{322}</span>'made of rushes.' Many a shoonaun I saw in + my day; and I remember meeting a man who was a shoonaun maker by + trade.</p> + + <p>Short castle or short castles; a game played by two persons on a + square usually drawn on a slate with the two diagonals: each player + having three counters. See Mills.</p> + + <p>Shore; the brittle woody part separated in bits and dust from the + fibre of flax by scutching or <i>cloving</i>. Called <i>shores</i> in + Monaghan.</p> + + <p>Shraff, shraft; Shrovetide: on and about Shrove Tuesday:—'I + bought that cow last shraff.'</p> + + <p>Shraums, singular shraum; the matter that collects about the eyes of + people who have tender eyes: matter running from sore eyes. (Moran: + Carlow.) Irish <i>sream</i> [sraum]. Same meaning.</p> + + <p>Shrule; to rinse an article of clothing by pulling it backwards and + forwards in a stream. (Moran: Carlow.) Irish <i>srúil</i>, a stream.</p> + + <p>Shrough; a rough wet place; an incorrect anglicised form of Irish + <i>srath</i>, a wet place, a marsh.</p> + + <p>Shuggy-shoo; the play of see-saw. (Ulster.)</p> + + <p>Shurauns; any plants with large leaves, such as hemlock, wild parsnip, + &c. (Kinahan: Wicklow.)</p> + + <p>Sighth (for sight); a great number, a large quantity. (General.) 'Oh + Mrs. Morony haven't you a <i>sighth</i> of turkeys': 'Tom Cassidy has a + sighth of money.' This is old English. Thus in a Quaker's diary of + 1752:—'There was a great sight of people passed through the streets + of Limerick.' This expression is I think still heard in England, and is + very much in use in America. Very general in Ireland. <!-- Page 323 + --><span class="pagenum"><a name="page323"></a>{323}</span></p> + + <p>Sign; a very small quantity—a trace. Used all over Ireland in + this way:—'My gardens are <i>every sign</i> as good as yours': 'he + had no sign of drink on him': 'there's no sign of sugar in my tea' + (Hayden and Hartog): 'look out to see if Bill is coming': + 'no—there's no sign of him.' This is a translation from the Irish + <i>rian</i>, for which see next entry.</p> + + <p>Sign's on, sign is on, sign's on it; used to express the result or + effect or proof of any proceeding:—'Tom Kelly never sends his + children to school, and sign's on (or sign's on it) they are growing up + like savages': 'Dick understands the management of fruit trees well, and + sign's on, he is making lots of money by them.' This is a translation + from Irish, in which <i>rian</i> means <i>track</i>, <i>trace</i>, + <i>sign</i>: and 'sign's on it' is <i>ta a rian air</i> ('its sign is on + it').</p> + + <p>Silenced; a priest is silenced when he is suspended from his priestly + functions by his ecclesiastical superiors: 'unfrocked.'</p> + + <p>Singlings; the weak pottheen whiskey that comes off at the first + distillation: agreeable to drink but terribly sickening. Also called + 'First shot.'</p> + + <p>Sippy; a ball of rolled <i>sugans</i> (i.e. hay or straw ropes), used + instead of a real ball in hurling or football. (Limerick.) Irish + <i>suipigh</i>, same sound and meaning. A diminutive of <i>sop</i>, a + wisp.</p> + + <p>Skeeagh [2-syll.]; a shallow osier basket, usually for potatoes. + (South.)</p> + + <p>Skeedeen; a trifle, anything small of its kind; a small potato. (Derry + and Donegal.) Irish <i>scídín</i>, same sound and meaning. <!-- Page 324 + --><span class="pagenum"><a name="page324"></a>{324}</span></p> + + <p>Skellig, Skellig List—On the Great Skellig rock in the Atlantic, + off the coast of Kerry, are the ruins of a monastery, to which people at + one time went on pilgrimage—and a difficult pilgrimage it was. The + tradition is still kept up in some places, though in an odd form; in + connection with the custom that marriages are not solemnised in Lent, + i.e. after Shrove Tuesday. It is well within my memory that—in the + south of Ireland—young persons who should have been married before + Ash-Wednesday, but were not, were supposed to set out on pilgrimage to + Skellig on Shrove Tuesday night: but it was all a make-believe. Yet I + remember witnessing occasionally some play in mock imitation of the + pilgrimage. It was usual for a local bard to compose what was called a + 'Skellig List'—a jocose rhyming catalogue of the unmarried men and + women of the neighbourhood who went on the sorrowful journey—which + was circulated on Shrove Tuesday and for some time after. Some of these + were witty and amusing: but occasionally they were scurrilous and + offensive doggerel. They were generally too long for singing; but I + remember one—a good one too—which—when I was very + young—I heard sung to a spirited air. It is represented here by a + single verse, the only one I remember. (See also 'Chalk Sunday,' p. <a + href="#page234">234</a>, above.)</p> + + <div class="poem"> + <div class="stanza"> + <p>As young Rory and Moreen were talking,</p> + <p class="i2">How Shrove Tuesday was just drawing near;</p> + <p>For the tenth time he asked her to marry;</p> + <p class="i2">But says she:—'Time enough till next year.</p> +<!-- Page 325 --><span class="pagenum"><a name="page325"></a>{325}</span> + <p>Then ochone I'm going to Skellig:</p> + <p class="i2">O Moreen, what will I do?</p> + <p class="hg1">'Tis the woeful road to travel;</p> + <p class="i2">And how lonesome I'll be without you!'<a name="NtA8" href="#Nt8"><sup>[8]</sup></a></p> + </div> + </div> + + <p>Here is a verse from another:—</p> + + <div class="poem"> + <div class="stanza"> + <p>Poor Andy Callaghan with doleful nose</p> + <p>Came up and told his tale of many woes:—</p> + <p>Some lucky thief from him his sweetheart stole,</p> + <p>Which left a weight of grief upon his soul:</p> + <p>With flowing tears he sat upon the grass,</p> + <p>And roared sonorous like a braying ass.</p> + </div> + </div> + + <p>Skelly; to aim askew and miss the mark; to squint. (Patterson: all + over Ulster.)</p> + + <p>Skelp; a blow, to give a blow or blows; a piece cut off:—'Tom + gave Pat a skelp': 'I cut off a skelp of the board with a hatchet.' To + run fast:—'There's Joe skelping off to school.'</p> + + <p>Skib; a flat basket:—'We found the people collected round a + skibb of potatoes.' ('Wild Sports of the West.')</p> + + <p>Skidder, skiddher; broken thick milk, stale and sour. (Munster.)</p> + + <p>Skillaun. The piece cut out of a potato to be used as seed, containing + one germinating <i>eye</i>, from which the young stalk grows. Several + skillauns will be cut from one potato; and the irregular part left is a + <i>skilloge</i> (Cork and Kerry), or a <i>creelacaun</i> (Limerick). + Irish <i>sciollán</i>, same sound and meaning.</p> + + <p>Skit; to laugh and giggle in a silly way:—'I'll be <!-- Page 326 + --><span class="pagenum"><a name="page326"></a>{326}</span>bail they + didn't skit and laugh.' (Crofton Croker.) 'Skit and laugh,' very common + in South.</p> + + <p>Skite; a silly frivolous light-headed person. Hence Blatherumskite + (South), or (in Ulster), bletherumskite.</p> + + <p>Skree; a large number of small things, as a skree of potatoes, a skree + of chickens, &c. (Morris: South Monaghan.)</p> + + <p>Skull-cure for a bad toothache. Go to the nearest churchyard alone by + night, to the corner where human bones are usually heaped up, from which + take and bring away a skull. Fill the skull with water, and take a drink + from it: that will cure your toothache.</p> + + <p>Sky farmer; a term much used in the South with several shades of + meaning: but the idea underlying all is a farmer without land, or with + only very little—having broken down since the time when he had a + big farm—who often keeps a cow or two grazing along the roadsides. + Many of these struggling men acted as intermediaries between the big corn + merchants and the large farmers in the sale of corn, and got thereby a + percentage from the buyers. A 'sky farmer' has his farm <i>in the + sky</i>.</p> + + <p>Slaan [<i>aa</i> long as the <i>a</i> in <i>car</i>]; a sort of very + sharp spade, used in cutting turf or peat. Universal in the South.</p> + + <p>Slack-jaw; impudent talk, continuous impertinences:—'I'll have + none of your slack-jaw.'</p> + + <p>Slang; a narrow strip of land along a stream, not suited to + cultivation, but grazed. (Moran: Carlow.)</p> + + <p>Sleeveen; a smooth-tongued, sweet-mannered, sly, <!-- Page 327 + --><span class="pagenum"><a name="page327"></a>{327}</span>guileful + fellow. Universal all over the South and Middle. Irish <i>slíghbhín</i>, + same sound and meaning; from <i>slígh</i>, a way: <i>binn</i>, sweet, + melodious: 'a <i>sweet-mannered</i> fellow.'</p> + + <p>Slewder, sluder [<i>d</i> sounded like <i>th</i> in <i>smooth</i>]; a + wheedling coaxing fellow: as a verb, to wheedle. Irish <i>sligheadóir</i> + [sleedore], same meaning.</p> + + <p>Sliggin; a thin flat little stone. (Limerick.) Irish. Primary meaning + <i>a shell</i>.</p> + + <p>Sling-trot; when a person or an animal is going along [not walking + but] trotting or running along at a leisurely pace. (South.)</p> + + <p>Slinge [slinj]; to walk along slowly and lazily. In some places, + playing truant from school. (South.)</p> + + <p>Slip; a young girl. A young pig, older than a <i>bonnive</i>, running + about almost independent of its mother. (General.)</p> + + <p>Slipe; a rude sort of cart or sledge without wheels used for dragging + stones from a field. (Ulster.)</p> + + <p>Slitther; a kind of thick soft leather: also a ball covered with that + leather, for hurling. (Limerick.)</p> + + <p>Sliver; a piece of anything broken or cut off, especially cut off + longitudinally. An old English word, obsolete in England, but still quite + common in Munster.</p> + + <p>Slob; a soft fat quiet simple-minded girl or boy:—'Your little + Nellie is a quiet poor slob': used as a term of endearment.</p> + + <p>Sloke, sloak, sluke, sloukaun; a sea plant of the family of + <i>laver</i> found growing on rocks round the coast, which is esteemed a + table delicacy—dark-coloured, almost black; often pickled and eaten + with pepper, vinegar, &c. Seen in all the Dublin <!-- Page 328 + --><span class="pagenum"><a name="page328"></a>{328}</span>fish shops. + The name, which is now known all over the Three Kingdoms, is anglicised + from Irish <i>sleabhac</i>, <i>sleabhacán</i> [slouk, sloukaun].</p> + + <p>Slug; a drink: as a verb, to drink:—'Here take a little slug + from this and 'twill do you good.' Irish <i>slog</i> to swallow by + drinking. (General.) Whence <i>slugga</i> and <i>sluggera</i>, a cavity + in a river-bed into which the water is <i>slugged</i> or swallowed.</p> + + <p>Slugabed; a sluggard. (General in Limerick.) Old English, obsolete in + England:—'Fie, you slug-a-bed.' ('Romeo and Juliet.')</p> + + <p>Slush; to work and toil like a slave: a woman who toils hard. + (General.)</p> + + <p>Slut; a torch made by dipping a long wick in resin. (Armagh.) Called a + <i>paudheoge</i> in Munster.</p> + + <p>Smaadher [<i>aa</i> like <i>a</i> in <i>car</i>]; to break in pieces. + Jim Foley was on a <i>pooka's</i> back on the top of an old castle, and + he was afraid he'd 'tumble down and be <i>smathered</i> to a thousand + pieces.' (Ir. Mag.)</p> + + <p>Smalkera; a rude home-made wooden spoon.</p> + + <p>Small-clothes; kneebreeches. (Limerick.) So called to avoid the plain + term <i>breeches</i>, as we now often say <i>inexpressibles</i>.</p> + + <p>Small farmer; has a small farm with small stock of cattle: a + struggling man as distinguished from a 'strong' farmer.</p> + + <p>Smeg, smeggeen, smiggin; a tuft of hair on the chin. (General.) Merely + the Irish <i>smeig</i>, <i>smeigín</i>; same sounds and meaning.</p> + + <p>Smithereens; broken fragments after a smash, <a + href="#page4">4</a>.</p> + + <p>Smullock [to rhyme with <i>bullock</i>]; a fillip of the finger. + (Limerick.) Irish <i>smallóg</i>, same meaning. <!-- Page 329 --><span + class="pagenum"><a name="page329"></a>{329}</span></p> + + <p>Smur, smoor, fine thick mist. (North.) Irish <i>smúr</i>, mist.</p> + + <p>Smush [to rhyme with <i>bush</i>]: anything reduced to fine small + fragments, like straw or hay, dry peat-mould in dust, &c.</p> + + <p>Smush, used contemptuously for the mouth, a hairy mouth:—'I + don't like your ugly <i>smush</i>.'</p> + + <p>Snachta-shaidhaun: dry powdery snow blown about by the wind. Irish + <i>sneachta</i>, snow, and <i>séideán</i>, a breeze. (South.)</p> + + <p>Snaggle-tooth; a person with some teeth gone so as to leave gaps.</p> + + <p>Snap-apple; a play with apples on Hallow-eve, where big apples are + placed in difficult positions and are to be caught by the teeth of the + persons playing. Hence Hallow-Eve is often called 'Snap-apple night.'</p> + + <p>Snauvaun; to move about slowly and lazily. From Irish <i>snámh</i> + [snauv], to swim, with the diminutive:—Moving slowly like a person + swimming.</p> + + <p>Sned; to clip off, to cut away, like the leaves and roots of a turnip. + Sned also means the handle of a scythe.</p> + + <p>Snig; to cut or clip with a knife:—'The shoots of that + apple-tree are growing out too long: I must snig off the tops of + them.'</p> + + <p>Snish; neatness in clothes. (Morris: Carlow.)</p> + + <p>Snoboge; a rosin torch. (Moran: Carlow.) Same as <i>slut</i> and + <i>paudheoge</i>.</p> + + <p>Snoke; to scent or snuff about like a dog. (Derry.)</p> + + <p>So. This has some special dialectical senses among us. It is used for + <i>if</i>:—'I will pay you well <i>so</i> you do the work to my + liking.' This is old English:—'I am content <i>so</i> thou wilt + have it so.' <!-- Page 330 --><span class="pagenum"><a + name="page330"></a>{330}</span>('Rom. and Jul.') It is used as a sort of + emphatic expletive carrying accent or emphasis:—'Will you keep that + farm?' 'I will <i>so</i>,' i.e. 'I will for certain.' 'Take care and + don't break them' (the dishes): 'I won't <i>so</i>.' ('Collegians.') It + is used in the sense of 'in that case':—'I am not going to town + to-day'; 'Oh well I will not go, <i>so</i>'—i.e. 'as you are not + going.'</p> + + <p>Sock; the tubular or half-tubular part of a spade or shovel that holds + the handle. Irish <i>soc</i>.</p> + + <p>Soft day; a wet day. (A usual salute.)</p> + + <p>Soil; fresh-cut grass for cattle.</p> + + <p>Sold; betrayed, outwitted:—'If that doesn't frighten him off + you're sold' (caught in the trap, betrayed, ruined. Edw. Walsh in Ir. + Pen. Journal).</p> + + <p>Something like; excellent:—'That's something like a horse,' i.e. + a fine horse and no mistake.</p> + + <p>Sonaghan; a kind of trout that appears in certain lakes in November, + coming from the rivers. (Prof. J. Cooke, <span class="scac">M.A.</span>, + of Dublin: for Ulster):—Irish <i>samhain</i> [sowan], November: + <i>samhnachán</i> with the diminutive <i>án</i> or <i>chán</i>, + 'November-fellow.'</p> + + <p>Sonoohar; a good wife, a good partner in marriage; a good marriage: + generally used in the form of a wish:—'Thankee sir and sonoohar to + you.' Irish <i>sonuachar</i>, same sound and meaning.</p> + + <p>Sonsy; fortunate, prosperous. Also well-looking and healthy:—'A + fine <i>sonsy</i> girl.' Irish <i>sonas</i>, luck; <i>sonasach</i>, + <i>sonasaigh</i>, same sound and meaning.</p> + + <p>Soogan, sugan, sugaun; a straw or hay rope twisted by the hand.</p> + + <p>Soss; a short trifling fall with no harm beyond a smart shock. (Moran: + Carlow.) <!-- Page 331 --><span class="pagenum"><a + name="page331"></a>{331}</span></p> + + <p>Sough; a whistling or sighing noise like that of the wind through + trees. 'Keep a calm sough' means keep quiet, keep silence. (Ulster.)</p> + + <p>Soulth; 'a formless luminous apparition.' (W. B. Yeats.) Irish + <i>samhailt</i> [soulth], a ghost, an apparition; <i>lit.</i> a + 'likeness,' from <i>samhai</i> [sowel], like.</p> + + <p>Sources of Anglo-Irish Dialect, <a href="#page1">1</a>.</p> + + <p>Sowans, sowens; a sort of flummery or gruel usually made and eaten on + Hallow Eve. Very general in Ulster and Scotland; merely the Irish word + <i>samhain</i>, the first of November; for Hallow Eve is really a + November feast, as being the eve of the first of that month. In old times + in Ireland, the evening went with the coming night.</p> + + <p>Spalpeen. Spalpeens were labouring men—reapers, mowers, + potato-diggers, &c.—who travelled about in the autumn seeking + employment from the farmers, each with his spade, or his scythe, or his + reaping-hook. They congregated in the towns on market and fair days, + where the farmers of the surrounding districts came to hire them. Each + farmer brought home his own men, fed them on good potatoes and milk, and + sent them to sleep in the barn on dry straw—a bed—as one of + them said to me—'a bed fit for a lord, let alone a spalpeen.' The + word <i>spalpeen</i> is now used in the sense of a low rascal. Irish + <i>spailpín</i>, same sound and meaning. (See my 'Old Irish Folk Music + and Songs,' p. 216; and for the Ulster term see Rabble above.)</p> + + <p>Spaug; a big clumsy foot:—'You put your ugly spaug down on my + handkerchief.' Irish <i>spág</i>, same sound and sense. <!-- Page 332 + --><span class="pagenum"><a name="page332"></a>{332}</span></p> + + <p>Speel; to climb. (Patterson: Ulster.)</p> + + <p>Spink; a sharp rock, a precipice. (Tyrone.) <i>Splink</i> in Donegal. + Irish <i>spinnc</i> and <i>splinnc</i>, same sounds and meaning.</p> + + <p>Spit; the soil dug up and turned over, forming a long trench as deep + as the spade will go. 'He dug down three spits before he came to the + gravel.'</p> + + <p>Spoileen; a coarse kind of soap made out of scraps of inferior grease + and meat: often sold cheap at fairs and markets. (Derry and Tyrone.) + Irish <i>spóilín</i>, a small bit of meat.</p> + + <p>Spoocher; a sort of large wooden shovel chiefly used for lifting small + fish out of a boat. (Ulster.)</p> + + <p>Spreece; red-hot embers, chiefly ashes. (South.) Irish <i>sprís</i>, + same sound and meaning. Same as <i>greesagh</i>.</p> + + <p>Sprissaun; an insignificant contemptible little chap. Irish + <i>spriosán</i> [same sound], the original meaning of which is a twig or + spray from a bush. (South.)</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'To the devil I pitch ye ye set of sprissauns.'</p> + </div> + + <div class="stanza"> + <p>(Old Folk Song, for which see my 'Ancient Irish</p> + <p class="i8">Music,' p. 85.)</p> + </div> + </div> + + <p>Sprong: a four-pronged manure fork. (MacCall: South-east + counties.)</p> + + <p>Spruggil, spruggilla; the craw of a fowl. (Morris: South Monaghan.) + Irish <i>sprogal</i> [spruggal], with that meaning and several + others.</p> + + <p>Sprunge [sprunj], any animal miserable and small for its age. + (Ulster.)</p> + + <p>Spuds; potatoes.</p> + + <p>Spunk; tinder, now usually made by steeping <!-- Page 333 --><span + class="pagenum"><a name="page333"></a>{333}</span>brown paper in a + solution of nitre; lately gone out of use from the prevalence of matches. + Often applied in Ulster and Scotland to a spark of fire: 'See is there a + spunk of fire in the hearth.' Spunk also denotes spirit, courage, and + dash. 'Hasn't Dick great spunk to face that big fellow, twice his + size?'</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'I'm sure if you had not been drunk</p> + <p class="i4">With whiskey, rum, or brandy—O,</p> + <p>You would not have the gallant spunk</p> + <p class="i4">To be half so bold or manly—O.'</p> + </div> + + <div class="stanza"> + <p>(Old Irish Folk Song.)</p> + </div> + </div> + + <p>Irish <i>sponnc</i>.</p> + + <p>Spy farleys; to pry into secrets: to visit a house, in order to spy + about what's going on. (Ulster.)</p> + + <p>Spy-Wednesday; the Wednesday before Easter. According to the religious + legend it got the name because on the Wednesday before the Crucifixion + Judas was spying about how best he could deliver up our Lord. + (General.)</p> + + <p>Squireen; an Irish gentleman in a small way who apes the manners, the + authoritative tone, and the aristocratic bearing of the large landed + proprietors. Sometimes you can hardly distinguish a squireen from a + <i>half-sir</i> or from a <i>shoneen</i>. Sometimes the squireen was the + son of the old squire: a worthless young fellow, who loafed about doing + nothing, instead of earning an honest livelihood: but he was too grand + for that. The word is a diminutive of <i>squire</i>, applied here in + contempt, like many other diminutives. The class of squireen is nearly + extinct: 'Joy be with them.'</p> + + <p>Stackan; the stump of a tree remaining after the <!-- Page 334 + --><span class="pagenum"><a name="page334"></a>{334}</span>tree itself + has been cut or blown down. (Simmons: Armagh.) Irish <i>staic</i>, a + stake, with the diminutive.</p> + + <p>Stad; the same as <i>sthallk</i>, which see.</p> + + <p>Stag; a potato rendered worthless or bad by frost or decay.</p> + + <p>Stag; a cold-hearted unfeeling selfish woman.</p> + + <p>Stag; an informer, who turns round and betrays his + comrades:—'The two worst informers against a private [pottheen] + distiller, barring a <i>stag</i>, are a smoke by day and a fire by + night.' (Carleton in 'Ir. Pen. Journ.') 'Do you think me a <i>stag</i>, + that I'd inform on you.' (Ibid.)</p> + + <p>Staggeen [the <i>t</i> sounded like <i>th</i> in <i>thank</i>], a + worn-out worthless old horse.</p> + + <p>Stand to or by a person, to act as his friend; to stand <i>for</i> an + infant, to be his sponsor in baptism. The people hardly ever say, 'I'm + his godfather,' but 'I stood for him.'</p> + + <p>Stare; the usual name for a starling (bird) in Ireland.</p> + + <p>Station. The celebration of Mass with confessions and Holy Communion + in a private house by the parish priest or one of his curates, for the + convenience of the family and their neighbours, to enable them the more + easily to receive the sacraments. Latterly the custom has been falling + into disuse.</p> + + <p>Staukan-vorraga [<i>t</i> sounded like <i>th</i> in <i>thorn</i>], a + small high rick of turf in a market from which portions were continually + sold away and as continually replaced: so that the <i>sthauca</i> stood + always in the people's way. Applied also to a big awkward fellow always + visiting when he's not wanted, and <!-- Page 335 --><span + class="pagenum"><a name="page335"></a>{335}</span>always in the way. + (John Davis White, of Clonmel.) Irish <i>stáca 'n mharga</i> + [sthaucan-vorraga], the 'market stake or stack.'</p> + + <p>Stelk or stallk; mashed potatoes mixed with beans or chopped + vegetables. (North.)</p> + + <p>Sthallk; a fit of sulk in a horse—or in a child. (Munster.) + Irish <i>stailc</i>, same sound and meaning.</p> + + <p>Sthoakagh; a big idle wandering vagabond fellow. (South.) Irish + <i>stócach</i>, same sound and meaning.</p> + + <p>Sthowl; a jet or splash of water or of any liquid. (South.) Irish + <i>steall</i>, same sound and meaning.</p> + + <p>Stim or stime; a very small quantity, an <i>iota</i>, an atom, a + particle:—'You'll never have a stim of sense' ('Knocknagow'): 'I + couldn't see a stim in the darkness.'</p> + + <p>Stook; a shock of corn, generally containing twelve sheaves. + (General.) Irish <i>stuaic</i>, same sound and meaning, with several + other meanings.</p> + + <p>Stoon; a fit, the worst of a fit: same as English <i>stound</i>: a + sting of pain:—'Well Bridget how is the toothache?' 'Ah well sir + the stoon is off.' (De Vismes Kane: Ulster.)</p> + + <p>Store pig; a pig nearly full grown, almost ready to be fattened. + (Munster.)</p> + + <p>Str. Most of the following words beginning with <i>str</i> are derived + from Irish words beginning with <i>sr</i>. For as this combination + <i>sr</i> does not exist in English, when an Irish word with this + beginning is borrowed into English, a <i>t</i> is always inserted between + the <i>s</i> and <i>r</i> to bring it into conformity with English usage + and to render it more easily pronounced by English-speaking tongues. See + this subject discussed in 'Irish Names of Places,' <!-- Page 336 --><span + class="pagenum"><a name="page336"></a>{336}</span>vol. <span + class="scac">I.</span>, p. 60. Moreover the <i>t</i> in <i>str</i> is + almost always sounded the same as <i>th</i> in <i>think</i>, + <i>thank</i>.</p> + + <p>Straar or sthraar [to rhyme with <i>star</i>]; the rough straddle + which supports the back band of a horse's harness—coming between + the horse's back and the band. (Derry.) The old Irish word <i>srathar</i> + [same sound], a straddle, a pack-saddle.</p> + + <p>Straddy; a street-walker, an idle person always sauntering along the + streets. There is a fine Irish air named 'The Straddy' in my 'Old Irish + Music and Songs,' p. 310. From Irish <i>sráid</i>, a street.</p> + + <p>Strahane, strahaun, <i>struhane</i>; a very small stream like a mill + stream or an artificial stream to a pottheen still. Irish <i>sruth</i> + [sruh] stream, with dim.</p> + + <p>Strammel; a big tall bony fellow. (Limerick.)</p> + + <p>Strap; a bold forward girl or woman; the word often conveys a sense + slightly leaning towards lightness of character.</p> + + <p>Strath; a term used in many parts of Ireland to denote the level + watery meadow-land along a river. Irish <i>srath</i>.</p> + + <p>Stravage [to rhyme with <i>plague</i>]; to roam about idly:—'He + is always <i>stravaging</i> the streets.' In Ulster it is made + <i>stavage</i>.</p> + + <p>Streel; a very common word all through Ireland to denote a lazy untidy + woman—a slattern: often made <i>streeloge</i> in Connaught, the + same word with the diminutive. As a verb, <i>streel</i> is used in the + sense of to drag along in an untidy way:—'Her dress was streeling + in the mud.' Irish <i>sríl</i> [sreel], same meanings.</p> + + <p>Streel is sometimes applied to an untidy slovenly-looking man too, as + I once heard it <!-- Page 337 --><span class="pagenum"><a + name="page337"></a>{337}</span>applied under odd circumstances when I was + very young. Bartholomew Power was long and lanky, with his clothes + hanging loose on him. On the morning when he and his newly-married + wife—whom I knew well, and who was then no chicken—were + setting out for his home, I walked a bit of the way with the happy bride + to take leave of her. Just when we were about to part, she turned and + said to me—these were her very words—'Well Mr. Joyce, you + know the number of nice young men I came across in my day (naming half a + dozen of them), and,' said she—nodding towards the bride-groom, who + was walking by the car a few perches in front—'isn't it a + heart-scald that at the end of all I have now to walk off with that + streel of a devil.'</p> + + <p>Strickle; a scythe-sharpener covered with emery, (Simmons: + Armagh.)</p> + + <p>Strig; the <i>strippings</i> or milk that comes last from a cow. + (Morris: South Monaghan.)</p> + + <p>Striffin; the thin pellicle or skin on the inside of an egg-shell. + (Ulster.)</p> + + <p>Strippings; the same as strig, the last of the milk that comes from + the cow at milking—always the richest. Often called in Munster + <i>sniug</i>.</p> + + <p>Stroansha; a big idle lazy lump of a girl, always gadding about. Irish + <i>stróinse</i>, same sound and meaning.</p> + + <p>Strock´ara [accent on <i>strock-</i>]; a very hard-working man. + (Munster.) Irish <i>stracaire</i>, same sound and meaning, with several + other meanings.</p> + + <p>Strong; well in health, without any reference to muscular strength. + 'How is your mother these times?' 'She's very strong now thank God.' <!-- + Page 338 --><span class="pagenum"><a name="page338"></a>{338}</span></p> + + <p>Strong farmer; a very well-to-do prosperous farmer, with a large farm + and much cattle. In contradistinction to a 'small farmer.'</p> + + <p>Stroup or stroop; the spout of a kettle or teapot or the lip of a jug. + (Ulster.)</p> + + <p>Strunt; to sulk. (Simmons: Armagh.) Same as <i>sthallk</i> for the + South.</p> + + <p>Stum; a sulky silent person. (Antrim and Down.)</p> + + <p>Stumpy; a kind of coarse heavy cake made from grated potatoes from + which the starch has been squeezed out: also called muddly. + (Munster.)</p> + + <p>Sturk, stirk, sterk; a heifer or bullock about two years old: a pig + three or four months old. Often applied to a stout low-sized boy or girl. + Irish <i>storc</i>.</p> + + <p>Sugan; a straw or hay rope: same as soogan.</p> + + <p>Sugeen; water in which oatmeal has been steeped: often drunk by + workmen on a hot day in place of plain water. (Roscommon.) From Ir. + <i>sugh</i>, juice.</p> + + <p>Sulter; great heat [of a day]: a word formed from + <i>sultry</i>:—'There's great <i>sulther</i> to-day.'</p> + + <p>Summachaun; a soft innocent child. (Munster.) Irish <i>somachán</i>, + same sound and meaning. In Connaught it means a big ignorant puffed up + booby of a fellow.</p> + + <p>Sup; one mouthful of liquid: a small quantity drunk at one time. This + is English:—'I took a small sup of rum.' ('Robinson Crusoe.') 'We + all take a sup in our turn.' (Irish Folk Song.)</p> + + <p>Sure; one of our commonest opening words for a sentence: you will hear + it perpetually among gentle and simple: 'Don't forget to lock up the + fowls.' 'Sure I did that an hour ago.' 'Sure <!-- Page 339 --><span + class="pagenum"><a name="page339"></a>{339}</span>you won't forget to + call here on your way back?' 'James, sure I sold my cows.'</p> + + <p>Swan-skin; the thin finely-woven flannel bought in shops; so called to + distinguish it from the coarse heavy home-made flannel. (Limerick.)</p> + + <p>Swearing, <a href="#page66">66</a>.</p> + + <p> </p> + + <p>Tally-iron or tallin-iron; the iron for <i>crimping</i> or curling up + the borders of women's caps. A corruption of <i>Italian-iron</i>.</p> + + <p>Targe; a scolding woman, a <i>barge</i>. (Ulster.)</p> + + <p>Tartles: ragged clothes; torn pieces of dress. (Ulster.)</p> + + <p>Taste; a small bit or amount of anything:—'He has no taste of + pride': 'Aren't you ashamed of yourself?' 'Not a taste': 'Could you give + me the least taste in life of a bit of soap?'</p> + + <p>Tat, tait; a tangled or matted wad or mass of hair on a girl or on an + animal. 'Come here till I comb the <i>tats</i> out of your hair. + (Ulster.) Irish <i>tath</i> [tah]. In the anglicised word the aspirated + <i>t</i> (th), which sounds like <i>h</i> in Irish, is restored to its + full sound in the process of anglicisation in accordance with a law which + will be found explained in 'Irish Names of Places,' vol. i., pp. + 42-48.</p> + + <p>Teem; to strain off or pour off water or any liquid. To <i>teem</i> + potatoes is to pour the water off them when they are boiled. In a like + sense we say it is <i>teeming</i> rain. Irish <i>taom</i>, same sound and + sense.</p> + + <p>Ten commandments. 'She put her ten commandments on his face,' i.e. she + scratched his face with her ten finger-nails. (MacCall: Wexford.) <!-- + Page 340 --><span class="pagenum"><a name="page340"></a>{340}</span></p> + + <p>Tent; the quantity of ink taken up at one time by a pen.</p> + + <p>Terr; a provoking ignorant presumptuous fellow. (Moran: Carlow.)</p> + + <p>Thacka, thuck-ya, thackeen, thuckeen; a little girl. (South.) Irish + <i>toice</i>, <i>toicín</i> [thucka, thuckeen].</p> + + <p>Thaheen; a handful of flax or hay. Irish <i>tath</i>, <i>taithín</i> + [thah, thaheen], same meaning. (Same Irish word as Tat above: but in + <i>thaheen</i> the final <i>t</i> is aspirated to <i>h</i>, following the + Irish word.)</p> + + <p>Thauloge: a boarded-off square enclosure at one side of the kitchen + fire-place of a farmhouse, where candlesticks, brushes, wet boots, + &c., are put. (Moran: Carlow.)</p> + + <p>Thayvaun or theevaun; the short beam of the roof crossing from one + rafter to the opposite one. (South.) Irish <i>taobh</i> [thaiv], a + 'side,' with the diminutive.</p> + + <p>Theeveen; a patch on the side of a shoe. (General.) Irish <i>taobh</i> + [thaiv], a side with the dim. <i>een</i>; taoibhín [theeveen], 'little + side.'</p> + + <p>Thick; closely acquainted: same meaning as 'Great,' which see. 'Dick + is very thick with Joe now.'</p> + + <p>Thiescaun thyscaun, [thice-caun], or thayscaun: a quantity of + anything, as a small load of hay drawn by a horse: 'When you're coming + home with the cart from the bog, you may as well bring a little + <i>thyscaun</i> of turf. (South.) Irish <i>taoscán</i> [thayscaun], same + meaning.</p> + + <p>Think long: to be longing for anything—home, friends, an event, + &c. (North.) 'I am thinking long till I see my mother.' <!-- Page 341 + --><span class="pagenum"><a name="page341"></a>{341}</span></p> + + <p>Thirteen. When the English and Irish currencies were different, the + English shilling was worth thirteen pence in Ireland: hence a shilling + was called a <i>thirteen</i> in Ireland:—'I gave the captain six + thirteens to ferry me over to Park-gate.' (Irish Folk Song.)</p> + + <p>Thivish; a spectre, a ghost. (General.) Irish <i>taidhbhse</i> + [thivshe], same meaning.</p> + + <p>Thole; to endure, to bear:—'I had to thole hardship and want + while you were away.' (All over Ulster.)</p> + + <p>Thon, thonder; yon, yonder:—'Not a tree or a thing only thon wee + couple of poor whins that's blowing up thonder on the rise.' (Seumas + MacManus, for North-West Ulster.)</p> + + <p>Thoun´thabock: a good beating. Literally 'strong tobacco: Ir. + <i>teann-tabac</i> [same sound]. 'If you don't mind your business, I'll + give you thounthabock.'</p> + + <p>Thrape or threep; to assert vehemently, boldly, and in a manner not to + brook contradiction. Common in Meath and from that northward.</p> + + <p>Thrashbag; several pockets sewed one above another along a strip of + strong cloth for holding thread, needles, buttons, &c., and rolled up + when not in use. (Moran: Carlow.)</p> + + <p>Thraulagh, or thaulagh; a soreness or pain in the wrist of a reaper, + caused by work. (Connaught.) Irish—two forms—<i>trálach</i> + and <i>tádhlach</i> [thraulagh, thaulagh.]</p> + + <p>Three-na-haila; mixed up all in confusion:—'I must arrange my + books and papers: they are all <i>three-na-haila</i>.' (South.) Irish + <i>trí n-a chéile</i>, 'through each other.' The translation + 'through-other' is universal in Ulster. <!-- Page 342 --><span + class="pagenum"><a name="page342"></a>{342}</span></p> + + <p>Three-years-old and Four-years-old; the names of two hostile factions + in the counties of Limerick, Tipperary, and Cork, of the early part of + last century, who fought whenever they met, either individually or in + numbers, each faction led by its redoubtable chief. The weapons were + sticks, but sometimes stones were used. We boys took immense delight in + witnessing those fights, keeping at a safe distance however for fear of a + stray stone. Three-years and Four-years battles were fought in New Pallas + in Tipperary down to a few years ago.</p> + + <p>Thrisloge; a long step in walking, a long jump. (Munster.) Irish + <i>trioslóg</i>, same sound.</p> + + <p>Throllop; an untidy woman, a slattern, a <i>streel</i>. (Banim: very + general in the South.)</p> + + <p>Thurmus, thurrumus; to sulk from food. (Munster.) Irish + <i>toirmesc</i> [thurrumask], same meaning:—'Billy won't eat his + supper: he is <i>thurrumusing</i>.'</p> + + <p>Tibb's-Eve; 'neither before nor after Christmas,' i.e., never: 'Oh + you'll get your money by Tibb's-Eve.'</p> + + <p>Till; used in many parts of Ireland in the sense of 'in order + that':—'Come here Micky <i>till</i> I comb your hair.'</p> + + <p>Tilly; a small quantity of anything given over and above the quantity + purchased. Milkmen usually give a tilly with the pint or quart. Irish + <i>tuilledh</i>, same sound and meaning. Very general.</p> + + <p>Tinges; goods that remain long in a draper's hands. (Moran: + Carlow.)</p> + + <p>Togher [toher]; a road constructed through a bog or swamp; often of + brambles or wickerwork covered over with gravel and stones. <!-- Page 343 + --><span class="pagenum"><a name="page343"></a>{343}</span></p> + + <p>Tootn-egg [3-syll.], a peculiar-shaped brass or white-metal button, + having the stem fastened by a conical-shaped bit of metal. I have seen it + explained as <i>tooth-and-egg</i>; but I believe this to be a guess. + (Limerick.)</p> + + <p>Tory-top; the seed cone of a fir-tree. (South.)</p> + + <p>Towards; in comparison with:—'That's a fine horse towards the + one you had before.'</p> + + <p>Tradesman; an artisan, a working mechanic. In Ireland the word is + hardly ever applied to a shopkeeper.</p> + + <p>Trake; a long tiresome walk: 'you gave me a great trake for nothing,' + (Ulster.)</p> + + <p>Tram or tram-cock; a hay-cock—rather a small one. (Moran: + Carlow.)</p> + + <p>Trams; the ends of the cart shafts that project behind. (North.) + Called <i>heels</i> in the South.</p> + + <p>Trance; the name given in Munster to the children's game of Scotch hop + or pickey.</p> + + <p>Traneen or trawneen; a long slender grass-stalk, like a + knitting-needle. Used all over Ireland. In some places + <i>cushoge</i>.</p> + + <p>Travel; used in Ulster for walking as distinguished from driving or + riding:—'Did you drive to Derry?' 'Oh no, I travelled.'</p> + + <p>Trice; to make an agreement or bargain. (Simmons: Armagh.)</p> + + <p>Triheens; a pair of stockings with only the legs: the two feet cut + off. It is the Irish <i>troigh</i> [thro], a foot, with the + diminutive—<i>troighthín</i> [triheen]. In Roscommon this word is + applied to the handle of a loy or spade which has been broken and patched + together again. (Connaught and Munster.) <!-- Page 344 --><span + class="pagenum"><a name="page344"></a>{344}</span></p> + + <p>Trindle; the wheel of a wheelbarrow. (Morris for South Monaghan.)</p> + + <p>Trinket; a small artificial channel for water: often across and under + a road. (Simmons and Patterson: East Ulster.) See Linthern.</p> + + <p>Turf; peat for fuel: used in this sense all over Ireland. We hardly + ever use the word in the sense of 'Where heaves the <i>turf</i> in many a + mouldering heap.'</p> + + <p>Turk; an ill-natured surly boorish fellow.</p> + + <p>Twig; to understand, to discern, to catch the point:—'When I + hinted at what I wanted, he twigged me at once.' Irish <i>tuig</i> + [twig], to understand.</p> + + <p> </p> + + <p>Ubbabo; an exclamation of wonder or surprise;—'Ubbabo,' said the + old woman, 'we'll soon see to that.' (Crofton Croker.)</p> + + <p>Ullagone; an exclamation of sorrow; a name applied to any + lamentation:—'So I sat down ... and began to sing the Ullagone.' + (Crofton Croker.) 'Mike was ullagoning all day after you left.' + (Irish.)</p> + + <p>Ullilu; an interjection of sorrow equivalent to the English + <i>alas</i> or <i>alack and well-a-day</i>. (Irish.)</p> + + <p>Unbe-knownst; unknown, secret. (De Vismes Kane for Monaghan: but used + very generally.)</p> + + <p>Under has its peculiar uses:—'She left the fish out under the + cats, and the jam out under the children.' (Hayden and Hartog: for Dublin + and its neighbourhood: but used also in the South.)</p> + + <p>Under-board; 'the state of a corpse between death and interment.' + (Simmons: Armagh.) 'From the board laid on the breast of the corpse, with + a plate of snuff and a Bible or Prayerbook laid on it.' (S. Scott, + Derry.) <!-- Page 345 --><span class="pagenum"><a + name="page345"></a>{345}</span></p> + + <p> </p> + + <p>Variety of Phrases, A, <a href="#page185">185</a>.</p> + + <p>Venom, generally pronounced <i>vinnom</i>; energy:—'He does his + work with great venom.' An attempted translation from an Irish word that + bears more than one meaning, and the wrong meaning is brought into + English:—viz. <i>neim</i> or <i>neimh</i>, literally <i>poison</i>, + <i>venom</i>, but figuratively <i>fierceness</i>, <i>energy</i>. John + O'Dugan writes in Irish (500 years ago):—<i>Ris gach ndruing do + niad a neim</i>: 'against every tribe they [the Clann Ferrall] exert + their <i>neim</i>' (literally their <i>poison</i>, but meaning their + energy or bravery). So also the three sons of Fiacha are endowed + <i>coisin neim</i> 'with fierceness,' lit. with <i>poison</i> or + <i>venom</i>. (Silva Gadelica.) In an old Irish tale a lady looks with + intense earnestness on a man she admires: in the Irish it is said 'She + put <i>nimh a súl</i> on him, literally the '<i>venom</i> of her eyes,' + meaning the keenest glance of her eyes.</p> + + <p>Hence over a large part of Ireland, especially the South, you will + hear: 'Ah, Dick is a splendid man to hire: he works with such + <i>venom</i>.' A countryman (Co. Wicklow), speaking of the new National + Teacher:—'Indeed sir he's well enough, but for all that he hasn't + the <i>vinnom</i> of poor Mr. O'Brien:' i.e. he does not teach with such + energy.</p> + + <p>Very fond; when there is a long spell of rain, frost, &c., people + say:—'It is very fond of the rain,' &c.</p> + + <p>Voteen; a person who is a <i>devotee</i> in religion: nearly always + applied in derision to one who is excessively and ostentatiously + devotional. (General.)</p> + +<p><!-- Page 346 --><span class="pagenum"><a name="page346"></a>{346}</span></p> + + <p> </p> + + <p>Wad; a wisp of straw or hay pressed tightly together. A broken pane in + a window is often stuffed with a wad of straw. 'Careless and gay, like a + wad in a window': old saying. (General.)</p> + + <p>Walsh, Edward, <a href="#page5">5</a>, &c.</p> + + <p>Wangle; the handful of straw a thatcher grasps in his left hand from + time to time while thatching, twisted up tight at one end. By extension + of meaning applied to a tall lanky weak young fellow. (Moran: middle + eastern counties.)</p> + + <p>Wangrace; oatmeal gruel for sick persons. (Simmons: Armagh.)</p> + + <p>Want; often used in Ulster in the following way:—'I asked Dick + to come back to us, for we couldn't want him,' i.e. couldn't do without + him.</p> + + <p>Wap; a bundle of straw; as a verb, to make up straw into a bundle. + (Derry and Monaghan.)</p> + + <p>Warrant; used all over Ireland in the following way—nearly + always with <i>good</i>, <i>better</i>, or <i>best</i>, but sometimes + with <i>bad</i>:—'You're a good warrant (a good hand) to play for + us [at hurling] whenever we ax you.' ('Knocknagow.') 'She was a good + warrant to give a poor fellow a meal when he wanted it': 'Father Patt + gave me a tumbler of <i>rale</i> stiff punch, and the divel a better + warrant to make the same was within the province of Connaught.' ('Wild + Sports of the West.')</p> + + <p>Watch-pot; a person who sneaks into houses about meal times hoping to + get a bit or to be asked to join.</p> + + <p>Way. 'A dairyman's <i>way</i>, a labourer's <i>way</i>, means the + privileges or perquisites which the dairyman or labourer gets, in + addition to the main contract. A <!-- Page 347 --><span + class="pagenum"><a name="page347"></a>{347}</span><i>way</i> might be + grazing for a sheep, a patch of land for potatoes, &c.' (Healy: for + Waterford.)</p> + + <p>Wearables; articles of clothing. In Tipperary they call the + old-fashioned wig 'Dwyer's wearable.'</p> + + <p>Weather-blade, in Armagh, the same as 'Goureen-roe' in the South, + which see.</p> + + <p>Wee (North), weeny (South); little.</p> + + <p>Well became. 'When Tom Cullen heard himself insulted by the master, + well became him he up and defied him and told him he'd stay no longer in + his house.' 'Well became' here expresses approval of Tom's action as + being the correct and becoming thing to do. I said to little Patrick 'I + don't like to give you any more sweets you're so near your dinner'; and + well became him he up and said:—'Oh I get plenty of sweets at home + before my dinner.' 'Well became Tom he paid the whole bill.'</p> + + <p>Wersh, warsh, worsh; insipid, tasteless, needing salt or sugar. + (Simmons and Patterson: Ulster.)</p> + + <p>Wet and dry; 'Tom gets a shilling a day, wet and dry'; i.e. constant + work and constant pay in all weathers. (General.)</p> + + <p>Whack: food, sustenance:—'He gets 2<i>s.</i> 6<i>d.</i> a day + and his <i>whack</i>.'</p> + + <p>Whassah or fassah; to feed cows in some unusual place, such as along a + lane or road: to herd them in unfenced ground. The food so given is also + called <i>whassah</i>. (Moran: for South Mon.) Irish <i>fásach</i>, a + wilderness, any wild place.</p> + + <p>Whatever; at any rate, anyway, anyhow: usually put in this sense at + the end of a sentence:—'Although she can't speak on other days of + <!-- Page 348 --><span class="pagenum"><a + name="page348"></a>{348}</span>the week, she can speak on Friday, + whatever.' ('Collegians.') 'Although you wouldn't take anything else, + you'll drink this glass of milk, whatever.' (Munster.)</p> + + <p>Curious, I find this very idiom in an English book recently published: + 'Lord Tweedmouth. Notes and Recollections,' viz.:—'We could not + cross the river [in Scotland], but he would go [across] <i>whatever</i>.' + The writer evidently borrowed this from the English dialect of the + Highlands, where they use <i>whatever</i> exactly as we do. (William + Black: 'A Princess of Thule.') In all these cases, whether Irish or + Scotch, <i>whatever</i> is a translation from the Gaelic <i>ar mhodh ar + bíth</i> or some such phrase.</p> + + <p>Wheeling. When a fellow went about flourishing a cudgel and shouting + out defiance to people to fight him—shouting for his faction, side, + or district, he was said to be 'wheeling':—'Here's for Oola!' + 'here's <i>three years</i>!' 'here's Lillis!' (Munster.) Sometimes called + <i>hurrooing</i>. See 'Three-years-old.'</p> + + <p>Wheen; a small number, a small quantity:—'I was working for a + wheen o' days': 'I'll eat a wheen of these gooseberries.' (Ulster.)</p> + + <p>Whenever is generally used in Ulster for <i>when</i>:—'I was in + town this morning and whenever I came home I found the calf dead in the + stable.'</p> + + <p>Which. When a person does not quite catch what another says, there is + generally a query:—'eh?' 'what?' or 'what's that you say?' Our + people often express this query by the single word 'which?' I knew a + highly educated and highly <!-- Page 349 --><span class="pagenum"><a + name="page349"></a>{349}</span>placed Dublin official who always so used + the word. (General.)</p> + + <p>Whipster; a bold forward romping impudent girl. (Ulster.) In Limerick + it also conveys the idea of a girl inclined to <i>whip</i> or steal + things.</p> + + <p>Whisht, silence: used all over Ireland in such phrases as 'hold your + whisht' (or the single word 'whisht'), i.e., be silent. It is the Gaelic + word <i>tost</i>, silence, with the first <i>t</i> aspirated as it ought + to be, which gives it the sound of <i>h</i>. They pronounce it as if it + were written <i>thuist</i>, which is exactly sounded <i>whisht</i>. The + same word—taken from the Gaelic of course—is used everywhere + in Scotland:—When the Scottish Genius of Poetry appeared suddenly + to Burns (in 'The Vision'):—'Ye needna doubt, I held my + whisht!'</p> + + <p>Whisper, whisper here; both used in the sense of 'listen,' 'listen to + me':—'Whisper, I want to say something to you,' and then he + proceeds to say it, not in a whisper, but in the usual low conversational + tone. Very general all over Ireland. 'Whisper' in this usage is simply a + translation of <i>cogar</i> [cogger], and 'whisper here' of <i>cogar + annso</i>; these Irish words being used by Irish speakers exactly as + their dialectical English equivalents are used in English: the English + usage being taken from the Irish.</p> + + <p>White-headed boy or white-haired boy; a favourite, a person in favour, + whether man or boy:—'Oh you're the white-headed boy now.'</p> + + <p>Whitterit or whitrit; a weasel. (Ulster.)</p> + + <p>Whose owe? the same as 'who owns?':—'Whose owe is this book?' + Old English. My correspondent <!-- Page 350 --><span class="pagenum"><a + name="page350"></a>{350}</span>states that this was a common construction + in Anglo-Saxon. (Ulster.)</p> + + <p>Why; a sort of terminal expletive used in some of the Munster + counties:—'Tom is a strong boy why': 'Are you going to Ennis why?' + 'I am going to Cork why.'</p> + + <p>Why for? used in Ulster as an equivalent to 'for what?'</p> + + <p>Why but? 'Why not?' (Ulster.) 'Why but you speak your mind out?' i.e. + 'Why should you not?' (Kane: Armagh.)</p> + + <p>Why then; used very much in the South to begin a sentence, especially + a reply, much as <i>indeed</i> is used in English:—'When did you + see John Dunn?' 'Why then I met him yesterday at the fair': 'Which do you + like best, tea or coffee?' 'Why then I much prefer tea.' 'Why then Pat is + that you; and how is <i>every rope's length</i> of you?'</p> + + <p>Wicked; used in the South in the sense of severe or cross. 'Mr. + Manning our schoolmaster is very wicked.'</p> + + <p>Widow-woman and widow-man; are used for <i>widow</i> and + <i>widower</i>, especially in Ulster: but <i>widow-woman</i> is heard + everywhere.</p> + + <p>Wigs on the green; a fight: so called for an obvious + reason:—'There will be wigs on the green in the fair to-day.'</p> + + <p><i>Will you</i> was never a good fellow, <a href="#page18">18</a>, <a + href="#page114">114</a>.</p> + + <p>Wine or wynd of hay; a small temporary stack of hay, made up on the + meadow. All the small wynds are ultimately made up into one large rick or + stack in the farmyard. <!-- Page 351 --><span class="pagenum"><a + name="page351"></a>{351}</span></p> + + <p>Wipe, a blow: all over Ireland: he gave him a wipe on the face. In + Ulster, a goaly-wipe is a great blow on the ball with the <i>camaun</i> + or hurley: such as will send it to the goal.</p> + + <p>Wire. To <i>wire in</i> is to begin work vigorously: to join in a + fight.</p> + + <p>Wirra; an exclamation generally indicating surprise, sorrow, or + vexation: it is the vocative of 'Muire' (<i>A Mhuire</i>), Mary, that is, + the Blessed Virgin.</p> + + <p>Wirrasthru, a term of pity; alas. It is the phonetic form of <i>A + Mhuire is truaigh</i>, 'O Mary it is a pity (or a sorrow),' implying the + connexion of the Blessed Virgin with sorrow.</p> + + <p>Wit; sense, which is the original meaning. But this meaning is nearly + lost in England while it is extant everywhere in Ireland:—A sharp + Ulster woman, entering her little boy in a Dublin Infant School, begged + of the mistress to teach him a little <i>wut</i>.</p> + + <p>Witch: black witches are bad; white witches good. (West Donegal.)</p> + + <p>Wish; esteem, friendship:—'Your father had a great wish for me,' + i.e. held me in particular esteem, had a strong friendship. (General.) In + this application it is merely the translation of the Irish <i>meas</i>, + respect:—<i>Tá meás mór agum ort</i>; I have great esteem for you, + I have a great <i>wish</i> for you, I hold you in great respect.</p> + + <p>Wisha; a softening down of <i>mossa</i>, which see.</p> + + <p>With that; thereupon: used all over Ireland. Irish <i>leis sin</i>, + which is often used, has the same exact meaning; but still I think + <i>with that</i> is of old <!-- Page 352 --><span class="pagenum"><a + name="page352"></a>{352}</span>English origin, though the Irish + equivalent may have contributed to its popularity.</p> + + <div class="poem"> + <div class="stanza"> + <p class="hg1">'With that her couverchef from her head she braid</p> + <p>And over his litel eyen she it laid.'</p> + </div> + + <div class="stanza"> + <p>(<span class="sc">Chaucer.</span>)</p> + </div> + </div> + + <p>Word; trace, sign. (Ulster.) 'Did you see e'er a word of a + black-avised (black-visaged) man travelling the road you came?'</p> + + <p>Wrap and run: 'I gathered up every penny I could wrap and run,' is + generally used: the idea being to wrap up hastily and run for it.</p> + + <p> </p> + + <p>Yoke; any article, contrivance, or apparatus for use in some work. + 'That's a <i>quare</i> yoke Bill,' says a countryman when he first saw a + motor car.</p> + +</blockquote> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p><!-- Page 353 --><span class="pagenum"><a name="page353"></a>{353}</span></p> + +<h3>ALPHABETICAL LIST OF PERSONS</h3> + +<blockquote class="b1n"> + + <p>Who sent me Collections of Dialectical Words and Phrases in response + to my letter of February, 1892, published in the newspapers.</p> + + <p>The names and addresses are given exactly as I received them. The + collections of those marked with an asterisk (*) were very important.</p> + +</blockquote> + + <div class="poem"> + <div class="stanza"> + <p>Allen, Mary; Armagh.</p> + </div> + + <div class="stanza"> + <p>Atkinson, M.; The Pavilion, Weedon.</p> + </div> + + <div class="stanza"> + <p>Bardan, Patrick; Coralstown, Killucan, Westmeath.</p> + </div> + + <div class="stanza"> + <p>Bentley, William; Hurdlestown, Broadford, Co. Clare.</p> + </div> + + <div class="stanza"> + <p>Bermingham, T. C.; Whitechurch Nat. School, Cappoquin, Co. Waterford.</p> + </div> + + <div class="stanza"> + <p>Boyd, John; Union Place, Dungannon.</p> + </div> + + <div class="stanza"> + <p>Boyd, John; Dean's Bridge, Armagh.</p> + </div> + + <div class="stanza"> + <p>Brady, P.; Brackney Nat. School, Kilkeel, Down.</p> + </div> + + <div class="stanza"> + <p>Brady, P.; Anne Street, Dundalk.</p> + </div> + + <div class="stanza"> + <p>Breen, E.; Killarney.</p> + </div> + + <div class="stanza"> + <p>Brenan, Rev. Samuel Arthur, Rector; Cushendun, Antrim.</p> + </div> + + <div class="stanza"> + <p>Brett, Miss Elizabeth C.; Crescent, Holywood, Co. Down.</p> + </div> + + <div class="stanza"> + <p>Brophy, Michael; Tullow Street, Carlow.</p> + </div> + + <div class="stanza"> + <p>Brown, Edith; Donaghmore, Tyrone.</p> + </div> + + <div class="stanza"> + <p>Brown, Mrs. John; Seaforde, Clough, Co. Down.</p> + </div> + + <div class="stanza"> + <p>Brownlee, J. A.; Armagh.</p> + </div> + + <div class="stanza"> + <p>Buchanan, Colonel; Edenfel, Omagh.</p> + </div> + + <div class="stanza"> + <p>Burke, W. S.; 187 Clonliffe Road, Dublin.</p> + </div> + + <div class="stanza"> + <p>Bushe, Charles P.; 2 St. Joseph's Terrace, Sandford Road, Dublin.</p> + </div> + + <div class="stanza"> + <p>Burrows, A.; Grass Valley, Nevada Co., California.</p> + </div> + + <div class="stanza"> + <p>Byers, J. W.; Lower Crescent, Belfast.</p> + </div> + + <div class="stanza"> + <p>Byrne, James, J.P.; Wallstown Castle, Castletownroche, Co. Cork.</p> + </div> + + <div class="stanza"> + <p>Caldwell, Mrs.; Dundrum, Dublin.</p> + </div> + + <div class="stanza"> + <p>*Campbell, Albert; Ballynagarde House, Derry.</p> + </div> + + <div class="stanza"> + <p>Campbell, John; Blackwatertown, Armagh.</p> + </div> + + <div class="stanza"> + <p>Cangley, Patrick; Co. Meath. (North.)</p> + </div> + + <div class="stanza"> + <p>Carroll, John; Pallasgrean, Co. Limerick.</p> + </div> + + <div class="stanza"> + <p>Chute, Jeanie L. B.; Castlecoote, Roscommon.</p> + </div> + + <div class="stanza"> + <p>Clements, M. E.; 61 Marlborough Road, Dublin.</p> + </div> + + <div class="stanza"> + <p>Close, Mary A.; Limerick.</p> + </div> + + <div class="stanza"> + <p>*Close, Rev. Maxwell; Dublin.</p> + </div> + + <div class="stanza"> + <p>Coakley, James; Currabaha Nat. School, Kilmacthomas, Waterford.</p> + </div> + + <div class="stanza"> + <p>Coleman, James; Southampton. (Now of Queenstown.)</p> + </div> + + <div class="stanza"> +<!-- Page 354 --><span class="pagenum"><a name="page354"></a>{354}</span> + <p>Colhoun, James; Donegal.</p> + </div> + + <div class="stanza"> + <p>Connolly, Mrs. Susan; The Glebe, Foynes.</p> + </div> + + <div class="stanza"> + <p>Corrie, Sarah; Monaghan.</p> + </div> + + <div class="stanza"> + <p>Counihan, Jeremiah; Killarney.</p> + </div> + + <div class="stanza"> + <p>Cox, M.; Co. Roscommon.</p> + </div> + + <div class="stanza"> + <p>Crowe, A.; Limerick.</p> + </div> + + <div class="stanza"> + <p>Cullen, William; 131 North King Street, Dublin.</p> + </div> + + <div class="stanza"> + <p>Curry, S.; General Post Office, Dublin.</p> + </div> + + <div class="stanza"> + <p>Daunt, W. J. O'N.; Kilcascan, Ballyneen, Co. Cork.</p> + </div> + + <div class="stanza"> + <p>Davies, W. W.; Glenmore Cottage, Lisburn.</p> + </div> + + <div class="stanza"> + <p>Delmege, Miss F.; N. Teacher, Central Model School, Dublin.</p> + </div> + + <div class="stanza"> + <p>Dennehy, Patrick; Curren's Nat. School, Farranfore, Co. Cork.</p> + </div> + + <div class="stanza"> + <p>Devine, The Rev. Father Pius; Mount Argus, Dublin.</p> + </div> + + <div class="stanza"> + <p>Dobbyn, Leonard; Hollymount, Lee Road, Cork.</p> + </div> + + <div class="stanza"> + <p>Dod, R.; Royal Academical Institution, Belfast; The Lodge, Castlewellan.</p> + </div> + + <div class="stanza"> + <p>Doherty, Denis; Co. Cork.</p> + </div> + + <div class="stanza"> + <p>*Drew, Sir Thomas; Dublin.</p> + </div> + + <div class="stanza"> + <p>Dunne, Miss; Aghavoe House, Ballacolla, Queen's Co.</p> + </div> + + <div class="stanza"> + <p>Egan, F. W.; Albion House, Dundrum, Dublin.</p> + </div> + + <div class="stanza"> + <p>Egan, J.; 34 William Street, Limerick.</p> + </div> + + <div class="stanza"> + <p>Fetherstonhaugh, R. S.; Rock View, Killucan, Westmeath.</p> + </div> + + <div class="stanza"> + <p>FitzGerald, Lord Walter; Kilkea Castle, Co. Kildare.</p> + </div> + + <div class="stanza"> + <p>Fleming, Mrs. Elizabeth; Ventry Parsonage, Dingle, Kerry.</p> + </div> + + <div class="stanza"> + <p>Fleming, John; Rathgormuck Nat. School, Waterford.</p> + </div> + + <div class="stanza"> + <p>Flynn, John; Co. Clare.</p> + </div> + + <div class="stanza"> + <p>Foley, M.; Killorglin, Kerry.</p> + </div> + + <div class="stanza"> + <p>Foster, Elizabeth J.; 7 Percy Place, Dublin.</p> + </div> + + <div class="stanza"> + <p>G. K. O'L. (a lady from Kilkenny, I think).</p> + </div> + + <div class="stanza"> + <p>Garvey, John; Ballina, Co. Mayo.</p> + </div> + + <div class="stanza"> + <p>Gilmour, Thomas; Antrim.</p> + </div> + + <div class="stanza"> + <p>Glasgow, H. L.; 'Midland Ulster Mail,' Cookstown, Co. Tyrone.</p> + </div> + + <div class="stanza"> + <p>Glover, W. W.; Ballinlough Nat. School, Co. Roscommon.</p> + </div> + + <div class="stanza"> + <p>Graham, Lizzie F.; Portadown.</p> + </div> + + <div class="stanza"> + <p>Greene, Dr. G. E. J.; The Well, Ballycarney, Ferns, Co. Wexford.</p> + </div> + + <div class="stanza"> + <p>Hamilton, A.; Desertmartin, Belfast.</p> + </div> + + <div class="stanza"> + <p>Hannon, John; Crossmaglen Nat. School, Armagh.</p> + </div> + + <div class="stanza"> + <p>Harkin, Daniel; Ramelton, Donegal.</p> + </div> + + <div class="stanza"> + <p>*Harrington, Private Thomas; 211 Strand, London, W.C. (For Munster.)</p> + </div> + + <div class="stanza"> + <p>Haugh, John; Co. Clare.</p> + </div> + + <div class="stanza"> + <p>Haughton, Kate M.; Lady's Island Nat. School, Wexford.</p> + </div> + + <div class="stanza"> + <p>*Healy, Maurice, <span class="scac">M.P.</span>, 37 South Mall, Cork.</p> + </div> + + <div class="stanza"> + <p>Henry, Robert; Coleraine.</p> + </div> + + <div class="stanza"> + <p>*Higgins, The Rev. Michael, <span class="scac">C.C.</span>; Queenstown, Cork.</p> + </div> + + <div class="stanza"> +<!-- Page 355 --><span class="pagenum"><a name="page355"></a>{355}</span> + <p>Hunt, M.; Ballyfarnan, Roscommon.</p> + </div> + + <div class="stanza"> + <p>*Hunter, Robert; 39 Gladstone Street, Clonmel.</p> + </div> + + <div class="stanza"> + <p>Irwin, A. J., <span class="scac">B.A.</span>; Glenfern, Ballyarton, Derry.</p> + </div> + + <div class="stanza"> + <p>*Jones, Miss; Knocknamohill, Ovoca, Co. Wicklow.</p> + </div> + + <div class="stanza"> + <p>*Joyce, W. B., <span class="scac">B.A.</span>; Limerick.</p> + </div> + + <div class="stanza"> + <p>*Kane, W. Francis de Vismes; Sloperton Lodge, Kingstown, Dublin. (For Ulster.)</p> + </div> + + <div class="stanza"> + <p>Keegan, T.; Rosegreen Nat. School, Clonmel.</p> + </div> + + <div class="stanza"> + <p>Kelly, Eliza, Co. Mayo.</p> + </div> + + <div class="stanza"> + <p>Kelly, George A. P., <span class="scac">M.A.</span>; 6 Upper Pembroke Street, Dublin. (For Roscommon.)</p> + </div> + + <div class="stanza"> + <p>Kennedy, J. J.; Faha Nat. School, Beaufort, Killarney.</p> + </div> + + <div class="stanza"> + <p>Kenny, The Rev. M. J., <span class="scac">P.P.</span>; Scarriff, Co. Clare.</p> + </div> + + <div class="stanza"> + <p>Kenny, Charles W.; Caledon, Co. Tyrone.</p> + </div> + + <div class="stanza"> + <p>Kilmartin, Mary; Tipperary.</p> + </div> + + <div class="stanza"> + <p>Kilpatrick, George; Kilrea, Derry.</p> + </div> + + <div class="stanza"> + <p>*Kinahan, G. H.; Dublin. (Collection gathered from all Ireland.)</p> + </div> + + <div class="stanza"> + <p>Kingham, S. H.; Co. Down.</p> + </div> + + <div class="stanza"> + <p>*Knowles, W. J.; Flixton Place, Ballymena.</p> + </div> + + <div class="stanza"> + <p>Knox, W.; Tedd, Irvinestown.</p> + </div> + + <div class="stanza"> + <p>Lawlor, Patrick; Ballinclogher Nat. School, Lixnaw, Kerry.</p> + </div> + + <div class="stanza"> + <p>Linn, Richard; 259 Hereford St., Christchurch, New Zealand. (For Antrim.)</p> + </div> + + <div class="stanza"> + <p>Lynch, M. J.; Kerry.</p> + </div> + + <div class="stanza"> + <p>*MacCall, Patrick J.; 25 Patrick St., Dublin.</p> + </div> + + <div class="stanza"> + <p>McCandless, T.; Ballinrees Nat. School, Coleraine.</p> + </div> + + <div class="stanza"> + <p>McClelland, F. J.; Armagh.</p> + </div> + + <div class="stanza"> + <p>McCormac, Emily; Cnoc Aluin, Dalkey, Dublin.</p> + </div> + + <div class="stanza"> + <p>MacDonagh, Mr.; Ward Schls., Bangor, Co. Down.</p> + </div> + + <div class="stanza"> + <p>McGloin, Louisa; Foxford, Mayo.</p> + </div> + + <div class="stanza"> + <p>MacSheehy, Brian, <span class="scac">LL.D.</span>, Head Inspector of Nat. Schools, Dublin.</p> + </div> + + <div class="stanza"> + <p>McKenna, A.; Clones, Co. Monaghan.</p> + </div> + + <div class="stanza"> + <p>McKeown, R.; Co. Tyrone.</p> + </div> + + <div class="stanza"> + <p>McNulty, Robert; Raphoe.</p> + </div> + + <div class="stanza"> + <p>Maguire, John; Co. Cavan.</p> + </div> + + <div class="stanza"> + <p>Maguire, M.; Mullinscross, Louth.</p> + </div> + + <div class="stanza"> + <p>Mason, Thos. A. H.; 29 Marlborough Road, Dublin.</p> + </div> + + <div class="stanza"> + <p>Mason, Thos.; Hollymount, Buxton Hill, Cork.</p> + </div> + + <div class="stanza"> + <p>Montgomery, Maggie; Antrim.</p> + </div> + + <div class="stanza"> + <p>*Moran, Patrick; 14 Strand Road, Derry, Retired Head Constable R. I. Constabulary, native of Carlow, to which his collection mainly belongs.</p> + </div> + + <div class="stanza"> + <p>*Morris, Henry; Cashlan East, Carrickmacross, Monaghan.</p> + </div> + + <div class="stanza"> + <p>Murphy, Christopher O'B.; 48 Victoria St., Dublin.</p> + </div> + + <div class="stanza"> + <p>Murphy, Ellie; Co. Cork.</p> + </div> + + <div class="stanza"> + <p>Murphy, J.; Co. Cork.</p> + </div> + + <div class="stanza"> + <p>Murphy, T.; Co. Cork.</p> + </div> + + <div class="stanza"> + <p>Neville, Anne; 48 Greville Road, Bedminster.</p> + </div> + + <div class="stanza"> +<!-- Page 356 --><span class="pagenum"><a name="page356"></a>{356}</span> + <p>Niven, Richard; Lambeg, Lisburn.</p> + </div> + + <div class="stanza"> + <p>Norris, A.; Kerry.</p> + </div> + + <div class="stanza"> + <p>O'Brien, Michael; Munlough Nat. School, Cavan.</p> + </div> + + <div class="stanza"> + <p>O'Connor, James; Ballyglass House, Sligo.</p> + </div> + + <div class="stanza"> + <p>O'Donnell, Patrick; Mayo.</p> + </div> + + <div class="stanza"> + <p>*O'Donohoe, Timothy; Carrignavar, Cork. ('Tadg O'Donnchadha.')</p> + </div> + + <div class="stanza"> + <p>O'Farrell, Fergus; Redington, Queenstown.</p> + </div> + + <div class="stanza"> + <p>O'Farrell, W. (a lady). Same place.</p> + </div> + + <div class="stanza"> + <p>O'Flanagan, J. R.; Grange House, Fermoy, Cork.</p> + </div> + + <div class="stanza"> + <p>O'Hagan, Philip; Buncrana, Donegal.</p> + </div> + + <div class="stanza"> + <p>O'Hara, Isa; Tyrone.</p> + </div> + + <div class="stanza"> + <p>O'Leary, Nelius; Nat. School, Kilmallock, Limerick.</p> + </div> + + <div class="stanza"> + <p>O'Reilly, P.; Nat. School, Granard.</p> + </div> + + <div class="stanza"> + <p>O'Sullivan, D. J.; Shelburne Nat. School, Kenmare.</p> + </div> + + <div class="stanza"> + <p>O'Sullivan, Janie; Kerry.</p> + </div> + + <div class="stanza"> + <p>Reen, Denis T.; Kingwilliamstown, Cork.</p> + </div> + + <div class="stanza"> + <p>Reid, George R.; 23 Cromwell Road, Belfast.</p> + </div> + + <div class="stanza"> + <p>Reid, Samuel W.; Armagh.</p> + </div> + + <div class="stanza"> + <p>*Reilly, Patrick; Cemetery Lodge, Naas, Co. Kildare.</p> + </div> + + <div class="stanza"> + <p>Rice, Michael; Castlewellan, Co. Down.</p> + </div> + + <div class="stanza"> + <p>Riley, Lizzie; Derry.</p> + </div> + + <div class="stanza"> + <p>*Russell, T. O'Neill; Dublin. (For central counties.)</p> + </div> + + <div class="stanza"> + <p>Ryan, Ellie; Limerick.</p> + </div> + + <div class="stanza"> + <p>Scott, J.; Milford Nat. School, Donegal.</p> + </div> + + <div class="stanza"> + <p>*Scott, S.; Derry.</p> + </div> + + <div class="stanza"> + <p>*Simmons, D. A.; Nat. School, Armagh.</p> + </div> + + <div class="stanza"> + <p>Simpson, Thomas; Derry.</p> + </div> + + <div class="stanza"> + <p>Skirving, R. Scot; 29 Drummond Place, Edinburgh.</p> + </div> + + <div class="stanza"> + <p>Smith, Owen; Nobber, Co. Meath.</p> + </div> + + <div class="stanza"> + <p>*Stafford, Wm.; Baldwinstown, Bridgetown, Wexford.</p> + </div> + + <div class="stanza"> + <p>Stanhope, Mr.; Paris.</p> + </div> + + <div class="stanza"> + <p>Supple, D. J.; Royal Irish Constabulary, Robertstown, Kildare. (For Kerry.)</p> + </div> + + <div class="stanza"> + <p>Thompson, L.; Ballyculter, Co. Down.</p> + </div> + + <div class="stanza"> + <p>Tighe, T. F.; Ulster Bank, Ballyjamesduff, Co. Cavan.</p> + </div> + + <div class="stanza"> + <p>Tobin, J. E.; 8 Muckross Parade, N. C. Road, Dublin.</p> + </div> + + <div class="stanza"> + <p>Tuite, Rev. P., <span class="scac">P.P.</span>; Parochial House, Tullamore.</p> + </div> + + <div class="stanza"> + <p>Walshe, Charlotte; Waterford.</p> + </div> + + <div class="stanza"> + <p>Ward, Emily G.; Castleward, Downpatrick.</p> + </div> + + <div class="stanza"> + <p>White, Eva; Limerick.</p> + </div> + + <div class="stanza"> + <p>White, Rev. H. V.; All SS. Rectory, Waterford.</p> + </div> + + <div class="stanza"> + <p>White, John Davis; Cashel, Co. Tipperary. (Newspaper Editor.)</p> + </div> + + <div class="stanza"> + <p>Weir, Rev. George; Creeslough, Donegal.</p> + </div> + + <div class="stanza"> + <p>Weir, J.; Ballymena.</p> + </div> + + <div class="stanza"> + <p>Wood-Martin, Col., A.D.C.; Cleveragh, Sligo.</p> + </div> + + <div class="stanza"> + <p>*Woollett, Mr. Marlow; Dublin.</p> + </div> + </div> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>W<span class="gsp"> </span>O<span class="gsp"> </span>R<span class="gsp"> </span>K<span class="gsp"> </span>S</h3> + +<p class="cenhead">BY</p> + +<h2>P. W. JOYCE, M.A., LL.D., T.C.D.; +M.R.I.A.</h2> + +<p class="cenhead">ONE OF THE COMMISSIONERS FOR THE PUBLICATION OF THE<br /> +ANCIENT LAWS OF IRELAND;<br /> +LATE PRESIDENT OF THE ROYAL SOCIETY OF ANTIQUARIES, IRELAND<br /> +LATE PRINCIPAL, MARLBOROUGH STREET (GOVERNMENT)<br /> +TRAINING COLLEGE, DUBLIN.</p> + +<p class="cenhead"><i>Two Splendid Volumes, richly gilt, both cover and top.<br /> +With 361 Illustrations. Price £1 1s. net.</i></p> + +<h3>A SOCIAL HISTORY OF ANCIENT IRELAND,</h3> + +<p class="cenhead"><i>Treating of the Government, Military System, and Law;<br /> +Religion, Learning, and Art; Trades, Industries, and Commerce;<br /> +Manners, Customs, and Domestic Life<br /> +of the Ancient Irish People.</i></p> + + <p>A Complete Survey of the Social Life and Institutions of Ancient + Ireland. All the important Statements are proved home by references to + authorities and by quotations from ancient documents.</p> + + <p><span class="sc">Part I.</span>—<b>Government, Military System, + and Law.</b>—Chapter <span class="scac">I</span>. Laying the + Foundation—<span class="scac">II.</span> A Preliminary Bird's-eye + View—<span class="scac">III.</span> Monarchical + Government—<span class="scac">IV.</span> Warfare—<span + class="scac">V.</span> Structure of Society—<span + class="scac">VI.</span> The Brehon Laws—<span + class="scac">VII.</span> The Laws relating to Land—<span + class="scac">VIII.</span> The Administration of Justice.</p> + + <p><span class="sc">Part II.</span>—<b>Religion, Learning, and + Art.</b>—Chapter <span class="scac">IX.</span> Paganism—<span + class="scac">X.</span> Christianity—<span class="scac">XI.</span> + Learning and Education—<span class="scac">XII.</span> Irish + Language and Literature—<span class="scac">XIII.</span> + Ecclesiastical and Religious Writings—<span + class="scac">XIV.</span> Annals, Histories, and Genealogies—<span + class="scac">XV.</span> Historical and Romantic Tales—<span + class="scac">XVI.</span> Art—<span class="scac">XVII.</span> + Music—<span class="scac">XVIII.</span> Medicine and Medical + Doctors.</p> + + <p><span class="sc">Part III.</span>—<b>Social and Domestic + Life.</b>—Chapter <span class="scac">XIX.</span> The + Family—<span class="scac">XX.</span> The House—<span + class="scac">XXI.</span> Food, Fuel, and Light—<span + class="scac">XXII.</span> Dress and Personal Adornment—<span + class="scac">XXIII.</span> Agriculture and Pasturage—<span + class="scac">XXIV.</span> Workers in Wood, Metal, and Stone—<span + class="scac">XXV.</span> Corn Mills—<span class="scac">XXVI.</span> + Trades and Industries connected with Clothing—<span + class="scac">XXVII.</span> Measures, Weights, and Mediums of + Exchange—<span class="scac">XXVIII.</span> Locomotion and + Commerce—<span class="scac">XXIX.</span> Public Assemblies, Sports, + and Pastimes—<span class="scac">XXX.</span> Various Social Customs + and Observances—<span class="scac">XXXI.</span> Death and Burial. + List of Authorities consulted and quoted or referred to throughout this + Work. Index to the two volumes.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Second Edition. One Vol., Cloth gilt. 598 pages, 213 Illustrations.<br /> +Price 3s. 6d. net.</i></p> + +<h3>A SMALLER SOCIAL HISTORY OF ANCIENT +IRELAND.</h3> + + <p>Traverses the same ground, Chapter by Chapter, as the larger work + above; but most of the quotations and nearly all the references to + authorities are omitted in this book.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Second Edition. Cloth gilt. 188 pages. Price 1s. 6d. net.</i></p> + +<h3>THE STORY OF ANCIENT IRISH CIVILISATION.</h3> + +<p class="cenhead"><i>Third Edition. Thick Crown 8vo. 565 pages. Price 10s. 6d.</i></p> + +<h3>A SHORT HISTORY OF IRELAND</h3> + +<h4>FROM THE EARLIEST TIMES TO 1608.</h4> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Cloth gilt. 528 pages. Price 3s. 6d.</i></p> + +<p class="cenhead"><i>Published in December, 1897: now in its 80th Thousand.</i></p> + +<h3>A CHILD'S HISTORY OF IRELAND,</h3> + +<p class="cenhead">WITH</p> + +<h4><i>Specially drawn Map and 160 Illustrations</i>,</h4> + +<p class="cenhead">Including a Facsimile in full colours of a beautiful Illuminated +Page of the Book of Mac Durnan, <span class="scac">A.D.</span> 850.</p> + + <p>Besides having a very large circulation here at home, this book has + been adopted by the Australian Catholic Hierarchy for all their Schools + in Australia and New Zealand; and also by the Catholic School Board of + New York for their Schools.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Cloth. 160 pages. Price 9d.</i></p> + +<h3>OUTLINES OF THE HISTORY OF IRELAND</h3> + +<p class="cenhead">FROM</p> + +<h4>THE EARLIEST TIMES TO 1905.</h4> + +<p class="cenhead"><i>50th Thousand.</i></p> + + <p>"This little book is intended mainly for use in schools; and it is + accordingly written in very simple language. But I have some hope that + those of the general public who wish to know something of the subject, + but who are not prepared to go into details, may also find it useful.... + I have put it in the form of a consecutive narrative, avoiding statistics + and scrappy disconnected statements."—<i>Preface.</i></p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Cloth. 312 pages. 16th Edition: 24th Thousand. Price 2s.</i></p> + +<h3>A CONCISE HISTORY OF IRELAND</h3> + +<p class="cenhead">FROM</p> + +<h4>THE EARLIEST TIMES TO 1908.</h4> + +<p class="cenhead">With Introductory Chapters on the Literature, Laws, Buildings, Music,<br /> +Art, &c., of the Ancient Irish People.<br /> +Suitable for Colleges and Schools.<br /> +New and enlarged Edition, bringing Narrative down to 1908.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Seventh Edition. Crown 8vo. Cloth gilt. Vol. I., Price 5s.; Vol. II., 5s.</i><br /> +(<i>Sold together or separately.</i>)</p> + +<h3>THE ORIGIN AND HISTORY OF IRISH NAMES +OF PLACES.</h3> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Fcap. 8vo. Cloth. Price 1s.</i></p> + +<h3>IRISH LOCAL NAMES EXPLAINED.</h3> + + <p>In this little book the original Gaelic forms, and the meanings, of + the names of five or six thousand different places are explained. The + pronunciation of all the principal Irish words is given as they + occur.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Third Edition (with one additional Tale). Cloth. Price 3s. 6d.</i></p> + +<h3>OLD CELTIC ROMANCES.</h3> + +<p class="cenhead">Thirteen of the most beautiful of the Ancient Irish Romantic +Tales translated from the Gaelic.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Fcap. 8vo. Cloth. Price 1s.</i></p> + +<h3>A GRAMMAR OF THE IRISH LANGUAGE.</h3> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Cloth. 220 pages. With many Illustrations. Price 1s. 6d.</i></p> + +<h3>A READING BOOK IN IRISH HISTORY.</h3> + + <p>This book contains forty-nine Short Readings, including "Customs and + Modes of Life"; an Account of Religion and Learning; Sketches of the + Lives of Saints Brigit and Columkille; several of the Old Irish Romantic + Tales, including the "Sons of Usna," the "Children of Lir," and the + "Voyage of Maeldune"; the history of "Cahal-More of the Wine-red Hand," + and of Sir John de Courcy; an account of Ancient Irish Physicians, and of + Irish Music, &c., &c.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Re-issue. 4to. Price—Cloth, 3s.; Wrapper, 1s. 6d.</i></p> + +<h3>ANCIENT IRISH MUSIC,</h3> + +<p class="cenhead">Containing One Hundred Airs never before published, and +a number of Popular Songs.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Paper cover. 4to. Price 1s.</i></p> + +<h3>IRISH MUSIC AND SONG.</h3> + +<p class="cenhead">A Collection of Songs in the Irish language, set to the old +Irish airs.</p> + +<p class="cenhead">(Edited by Dr. <span class="sc">Joyce</span> for the "Society for the Preservation of the +Irish Language.")</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Second Edition. Paper cover. Crown 8vo. Price 6d. net.</i></p> + +<h3>IRISH PEASANT SONGS IN THE ENGLISH +LANGUAGE.</h3> + +<p class="cenhead">With the old Irish airs: the words set to the Music.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Twentieth Edition. 86th Thousand. Fcap. 8vo. Cloth. Price 3s. 6d.</i></p> + +<h3>A HAND-BOOK OF SCHOOL MANAGEMENT +AND METHODS OF TEACHING.</h3> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Price—Cloth gilt, 2s. net; Paper, 1s. net.</i></p> + +<h3>BALLADS OF IRISH CHIVALRY</h3> + +<p class="cenhead">By ROBERT DWYER JOYCE, M.D.</p> + +<p class="cenhead">Edited, with Annotations, by his brother, <span class="sc">P. W. Joyce, LL.D.</span></p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Now ready. Cloth, richly gilt. Price 10s. 6d. net.</i></p> + +<h3>OLD IRISH FOLK MUSIC AND SONGS.</h3> + +<p class="cenhead">A Collection of <b>842</b> Irish Airs and Songs never before published. +With Analytical Preface and a running Commentary all through.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<p class="cenhead"><i>Now ready (March, 1910); 350 pages: Cloth gilt, 2s. 6d. net.</i></p> + +<h3>ENGLISH AS WE SPEAK IT IN IRELAND.</h3> + + <p><span class="sc">Contents</span>.—Chap. <span + class="scac">I.</span> Sources of Anglo-Irish Dialect—<span + class="scac">II.</span> Affirming, Assenting, and Saluting—<span + class="scac">III.</span> Asserting by Negative of Opposite, <span + class="scac">IV.</span> Idioms derived from the Irish + Language—<span class="scac">V.</span> The Devil and his + 'Territory'—<span class="scac">VI.</span> Swearing—<span + class="scac">VII.</span> Grammar and Pronunciation—<span + class="scac">VIII.</span> Proverbs—<span class="scac">IX.</span> + Exaggeration and Redundancy—<span class="scac">X.</span> + Comparisons—<span class="scac">XI.</span> The Memory of History and + of Old Customs—<span class="scac">XII.</span> A Variety of + Phrases—<span class="scac">XIII.</span> Vocabulary and + Index.—Alphabetical List of Persons who sent Collections of + Dialectical Words and Phrases.</p> + + <p><br style="clear:both" /></p> +<hr class="full" /> + +<h3>Notes</h3> + +<div class="note"> + <p><a name="Nt1" href="#NtA1">[1]</a> For both of these songs see my 'Old + Irish Folk Music and Songs.'</p> + + <p><a name="Nt2" href="#NtA2">[2]</a> See my 'Old Irish Folk Music and + Songs,' p. 202.</p> + + <p><a name="Nt3" href="#NtA3">[3]</a> See the interesting remarks of + O'Donovan in Preface to 'Battle of Magh Rath,' pp. ix-xv. Sir Samuel + Ferguson also has some valuable observations on the close packing of the + very old Irish language, but I cannot lay my hands on them. From him I + quote (from memory) the remark about translating old Irish into English + or Latin.</p> + + <p><a name="Nt4" href="#NtA4">[4]</a> For the Penal Laws, see my 'Child's + Hist. of Ireland,' chaps. lv, lvi.</p> + + <p><a name="Nt5" href="#NtA5">[5]</a> For 'Poor Scholars,' see O'Curry, + 'Man. & Cust.,' i. 79, 80: Dr. Healy, 'Ireland's Anc. Sch.,' 475: + and, for a modern instance, Carleton's story, 'The Poor Scholar.' The + above passage is quoted from my 'Social Hist. of Anc. Ireland.'</p> + + <p><a name="Nt6" href="#NtA6">[6]</a> See my 'Smaller Social Hist. of + Anc. Ireland,' chap, vii.</p> + + <p><a name="Nt7" href="#NtA7">[7]</a> See for an example Dr. Hyde's + 'Children of the King of Norway,' 153. (Irish Texts Soc.)</p> + + <p><a name="Nt8" href="#NtA8">[8]</a> From my 'Old Irish Folk Music and + Songs,' p. 56, in which also will be found the beautiful air of this.</p> + +</div> + +<p> </p> +<p> </p> +<hr class="pg" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK ENGLISH AS WE SPEAK IT IN IRELAND***</p> +<p>******* This file should be named 34251-h.txt or 34251-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/3/4/2/5/34251">http://www.gutenberg.org/3/4/2/5/34251</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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