diff options
Diffstat (limited to '3419.txt')
| -rw-r--r-- | 3419.txt | 3792 |
1 files changed, 3792 insertions, 0 deletions
diff --git a/3419.txt b/3419.txt new file mode 100644 index 0000000..a7c5ee0 --- /dev/null +++ b/3419.txt @@ -0,0 +1,3792 @@ +The Project Gutenberg EBook of Rebecca Mary, by Annie Hamilton Donnell + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Rebecca Mary + +Author: Annie Hamilton Donnell + +Posting Date: February 22, 2009 [EBook #3419] +Release Date: September, 2002 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK REBECCA MARY *** + + + + +Produced by An Anonymous Volunteer + + + + + +REBECCA MARY + +By Annie Hamilton Donnell + + + +Contents + +I. THE HUNDRED AND ONETH + +II. THE THOUSAND QUILT + +III. THE BIBLE DREAM + +IV. THE COOK-BOOK DIARY + +V. THE BEREAVEMENT + +VI. THE FEEL DOLL + +VII. THE PLUMMER KIND + +VIII. ARTICLE SEVEN + +IX. UN-PLUMMERED + + + + + +The Hundred and Oneth + + + +Rebecca Mary took another stitch. Then another. "Ninety-sevvun, +ninety-eight," she counted aloud, her little pointed face gravely +intent. She waited the briefest possible space before she took +ninety-nine. It was getting very close to the Time now. "At the hundred +an' oneth," Rebecca Mary whispered. "It's almost it." Her breath came +quicker under her tight little dress. Between her thin, light eyebrows a +crease deepened anxiously. + +"Ninety--n-i-n-e," she counted, "one hun-der-ed"--it was so very close +now! The next stitch would be the hundred and oneth. Rebecca Mary's face +suddenly grew quite white. + +"I'll wait a m-minute," she decided; "I'm just a little scared. When +you've been lookin' head to the hundred and oneth so LONG and you get +the very next door to it, it scares you a little. I'll wait until--oh, +until Thomas Jefferson crows, before I sew the hundred and oneth." + +Thomas Jefferson was prospecting under the currant bushes. Rebecca Mary +could see him distinctly, even with her nearsighted little eyes, for +Thomas Jefferson was snow-white. Once in a while he stalked dignifiedly +out of the bushes and crowed. He might do it again any minute now. + +The great sheet billowed and floated round Rebecca Mary, scarcely whiter +than her face. She held her needle poised, waiting the signal of Thomas +Jefferson. At any minute.... He was coming out now! A fleck of +snow-white was pricking the green of the currant leaves. + +"He's out. Any minute he'll begin to cr--" He was already beginning! The +warning signals were out--chest expanding, neck elongating, and great +white wing aflap. + +"I'm just a little scared," breathed the child in the foam of the sheet. +Then Thomas Jefferson crowed. + +"Hundred and one!" Rebecca Mary cried out, clearly, courage born within +her at the crucial instant. The Time--the Time--had come. She had taken +her last stitch. + +"It's over," she panted. "It always was a-coming, and it's come. I knew +it would. When it's come, you don't feel quite so scared. I'm glad it's +over." + +She folded up the great sheet carefully, making all the edges meet with +painful precision. It took time. She had left the needle sticking in the +unfinished seam--in the hundred-and-oneth stitch--and close beside it +was a tiny dot of red to "keep the place." + +"Rebecca! Rebecca Mary!" Aunt Olivia always called like that. If there +had been still another name--Rebecca Mary Something Else--she would have +called: "Rebecca! Rebecca Mary! Rebecca Mary Something Else!" + +"Yes'm; I'm here." + +"Where's 'here'?" sharply. + +"HERE--the grape-arbor, I mean." + +"Have you got your sheet?" + +"I--yes'm." + +"Is your stent 'most done?" + +Rebecca Mary rose slowly to her reluctant little feet, and with the +heavy sheet across her arm went to meet the sharp voice. At last the +Time had come. + +"Well?" Aunt Olivia was waiting for her answer. Rebecca Mary groaned. +Aunt Olivia would not think it was "well." + +"Well, Rebecca Mary Plummer, you came to fetch my answer, did you? You +got your stent 'most done?" Aunt Olivia's hands were extended for the +folded sheet. + +"I've got it DONE, Aunt 'Livia," answered little Rebecca Mary, steadily. +Her slender figure, in its quaint, scant dress, looked braced as if to +meet a shock. But Rebecca Mary was terribly afraid. + +"Every mite o' that seam? Then I guess you can't have done it very well; +that's what I guess! If it ain't done well, you'll have to take it--" + +"Wait--please, won't you wait, Aunt 'Livia? I've got to say something. +I mean, I've got all the over-'n'-overing I'm ever going to do done. +THAT'S what's done. The hundred-and-oneth stitch was my stent, and it's +done. I'm not ever going to take the hundred and twoth. I've decided." + +Understanding filtered drop by drop into Aunt Olivia's bewildered brain. +She gasped at the final drop. + +"Not ever going to take another stitch?" she repeated, with a calmness +that was awfuler than storm. + +"No'm." + +"You've decided?" + +"Yes'm." + +"May I ask when this--this state of mind began?" + +Rebecca Mary girded herself afresh. She had such need of recruiting +strength. + +"It's been coming on," she said. "I've felt it. I knew all the time it +was a-coming--and then it came." + +It seemed to be all there. Why must she say any more? But still Aunt +Olivia waited, and Rebecca Mary read grim displeasure in capitals across +the gray field of her face. The little figure stiffened more and more. + +"I've over-'n'-overed 'leven sheets," the steady little voice went on, +because Aunt Olivia was waiting, and it must, "and you said I did 'em +pretty well. I tried to. I was going to do the other one well, till you +said there was going to be another dozen. I couldn't BEAR another dozen, +Aunt Olivia, so I decided to stop. When Thomas Jefferson crowed I sewed +the hundred-and-oneth stitch. That's all there's ever a-going to be." + +Rebecca Mary stepped back a step or two, as if finishing a speech and +retiring from her audience. There was even the effect of a bow in the +sudden collapse of the stiff little body. It was Aunt Olivia's turn now +to respond--and Aunt Olivia responded: + +"You've had your say; now I'll have mine. Listen to me, Rebecca Mary +Plummer! Here's this sheet, and here's this needle in it. When you get +good and ready you can go on sewing. You won't have anything to eat till +you do. I've got through." + +The grim figure swept right-about face and tramped into the house as +though to the battle-roll of drums. Rebecca Mary stayed behind, face to +face with her fate. + +"She's a Plummer, so it'll be SO," Rebecca Mary thought, with the dull +little thud of a weight falling into her heart. Rebecca Mary was a +Plummer too, but she did not think of that, unless the un-swerving +determination in her stout little heart was the unconscious recognition +of it. + +"I wonder"--her gaze wandered out towards the currant-bushes and came +to rest absently on Thomas Jefferson's big, white bulk--"I wonder if it +hurts very much." She meant, to starve. A long vista of food-less days +opened before her, and in their contemplation the weight in her heart +grew very heavy indeed. + +"We were GOING to have layer-cake for supper. I'm VERY fond of +layer-cake," Rebecca Mary sighed, "I suppose, though, after a few +weeks"--she shuddered--"I shall be glad to have ANYTHING--just common +things, like crackers and skim-milk. Perhaps I shall want to eat +a--horse. I've heard of folks--You get very unparticular when you're +starving." + +It was five o'clock. They WERE going to have supper at half past. She +could hear the tea things clinking in the house. She stole up to a +window. There was Aunt Olivia setting the layer-cake on the table. It +looked plump and rich, and it was sugared on top. + +"There's strawberry jam in between it," mused Rebecca Mary, regretfully. +"I wish it was apple jelly. I could bear it better if it was apple +jelly." But it was jam. And there was honey, too, to eat with Aunt +Olivia's little fluffy biscuits. How very fond Rebecca Mary was of +honey! + +Aunt Olivia stood in the kitchen doorway and rang the supper bell in +long, steady clangs just as usual. But no one responded just as usual, +and by the token she knew Rebecca Mary had not taken the other stitch +that lay between her and supper. + +"She's a Plummer," sighed Aunt Olivia, inwardly, unrealizing her own +Plummership, as little Rebecca Mary had unrealized hers. Each recognized +only the other's. The pity that both must be Plummers! + +Rebecca Mary stayed out of doors until bedtime. She made but one +confidant. + +"I've done it, Thomas Jefferson," she said, sadly. "You ought to be +sorry for me, because if you hadn't crowed I shouldn't have sewed the +hundred and oneth. But you're not really to BLAME," she added, hastily, +mindful of Thomas Jefferson's feelings. "I should have done it sometime +if you hadn't crowed. I knew it was coming. I suppose now I shall have +to starve. You'd think it was pretty hard to starve, I guess, Thomas +Jefferson." + +Thomas Jefferson made certain gloomy responses in his throat to the +effect that he was always starving; that any contributions on the +spot in the way of corn kernels, wheat grains, angleworms--any +little delicacies of the kind--would be welcome. And Rebecca Mary, +understanding, led the way to the corn bin. In the dark hours that +followed, the intimacy between the great white rooster and the little +white girl took on tenderer tones. + +At breakfast next morning--at dinner time--at supper--Rebecca Mary +absented herself from the house. Aunt Olivia set on the meals regularly +and waited with tightening heartstrings. It did not seem to occur to her +to eat her own portions. She tasted no morsel of all the dainties she +got together wistfully. At nightfall the second day she began to feel +real alarm. She put on her bonnet and went to the minister's. He was +rather a new minister, and the Plummers had always required a good deal +of time to make acquaintance. But in the present stress of her need Aunt +Olivia did not stop to think of that. + +"You must come over and--and do something," she said, at the conclusion +of her strange little story. "It seems to me it's time for the minister +to step in." + +"What can I do, Miss Plummer?" the embarrassed young man ejaculated, +with a feeling of helplessness. + +"Talk to her," groaned Aunt Olivia, in her agony. "Tell her what her +duty is. Rebecca Mary might listen to the minister. All she's got to do +is to take just one stitch to show her submission. It won't take but an +instant. I've got supper all out on the kitchen table--I don't care if +it's ten o'clock at night!" + +"It isn't a case for the minister. It's a case for the Society for the +Prevention of Cruelty to Children!" fumed the minister's kind little +wife inwardly. And she stole away in the twilight to deal with little +Rebecca Mary herself. She came back to the minister by and by, red-eyed +and fierce. + +"You needn't go over; I've been. It won't do any good, Robert. That +poor, stiff-willed, set little thing is starving by inches!" + +"I think her aunt is, too!" + +"Well, perhaps--I can't help it, Robert, perhaps the--aunt--ought--to." + +"My dear!--Felicia!" + +"I told you I couldn't help it. She is so hungry, Robert! If you had +seen her--What do you think she was doing when I got there?" + +"Crying?" + +"Crying! She was laughing. _I_ cried. She sat there under some +grapevines watching a great white rooster eat his supper. His name, I +think, is Thomas Jefferson." + +"Yes, Thomas Jefferson," agreed the minister, with the assurance of +acquaintance. For Thomas Jefferson was one of his parishioners. + +"Well, she was laughing at him in the shakiest, hungriest little voice +you ever heard. 'Is it good?' she says. 'It LOOKS good.' He was eating +raw corn. 'If I could, I'd eat supper with you when you're VERY hungry, +you don't mind eating things raw.' Then she saw me." + +"Well?" + +"Well, I coaxed her, Robert. It didn't do any good. Tomorrow somebody +must go there and interfere." + +"She must be a remarkably strange child," the minister mused. He was +thinking of the holding-out powers of the three children he had a +half-ownership in. + +"I don't think Rebecca Mary IS a child, Robert. She must be fifty years +old, at the least. She and her aunt are about the same age. Perhaps if +her mother had lived, or she hadn't made so many sheets, or learned to +knit and darn and cook--" The minister's kind little wife finished out +her sentence with a sigh. She took up a little garment in dire straits +to be mended. It suggested things to the minister. + +"Can Rhoda darn?" + +"RHODA!" + +"Or make sheets and bread and things?" + +"Robert, don't you feel well? Where is the pain?" But the laugh in the +pleasant blue eyes died out suddenly. Little Rebecca Mary lay too heavy +on the minister's wife's heart for mirth. + +Aunt Olivia went into Rebecca Mary's room in the middle of the night. +She had been in three times before. + +"She looks thinner than she did last time," Aunt Olivia murmured, +distressedly. "Tomorrow night--how long do children live without eating? +It's four meals now--four meals is a great many for a little thin thing +to go without!" Aunt Olivia had been without four meals too; she would +have been able to judge how it felt--if she had remembered that part. +She stood in her scant, long nightgown, gazing down at the little +sleeper. The veil was down and her heart was in her eyes. + +Rebecca Mary threw out her arm and sighed. "It LOOKS good, Thomas +Jefferson," she murmured. "When you're VERY hungry you can eat things +raw." Suddenly the child sat up in bed, wide-eyed and wild. She did not +seem to see Aunt Olivia at all. + +"Once I ate a pie!" she cried. "It wasn't a whole one, but I should eat +a whole one now--I think I should eat the PLATE now." She swayed back +and forth weakly, awake and not awake. + +"Once I ate a layer-cake. There was jam in it. I wouldn't care if it +was apple jelly in it now--I'd LIKE apple jelly in it now. Once I ate +a pudding and a doughnut a-n-d--a--a--I think it was a horse. I'd eat +a horse now. Hush! Don't tell Aunt Olivia, but I'm going to +eat--to--e-at--Thom-as--Jeffer--" She swayed back on the pillows again. +Aunt Olivia shook her in an agony of fear--she was so white--she lay so +still. + +"Rebecca! Rebecca Mary! Rebecca Mary PLUMMER!" Aunt Olivia shrilled in +her ear. "You get right out o' bed this minute and come downstairs and +eat your supper! It's high time you had something in your stomach--I +don't care if it's twelve o'clock. You get right out o' bed REBECCA +MARY!" + +Aunt Olivia had the limp little figure in her arms, shaking it gently +again and again. Rebecca's startled eyes flew open. In that instant was +born inspiration in the brain of Aunt Olivia. She thought of an appeal +to make. + +"Do you want ME to starve, too? Right here before your face and eyes? I +haven't eat a mouthful since you did, and I shan't till you DO." + +Rebecca Mary slid to the floor with a soft thud of little brown, bare +feet. Slow comprehension dawned in her eyes. "Are your---- did you say +YOU was starving, too?" + +"Yes"--grimly. + +"Does it hurt you--too?" + +"Yes"--unsteadily. + +"VERY much?" + +"YES." + +"Why don't you eat something?" + +"Because you don't. I'm waiting for you to." + +"Shan't you ever?" + +"Not if you don't." + +Rebecca Mary caught her breath in a sob. "Shall I be--to blame?" She was +moving towards the door now. With an irresistible impulse Aunt Olivia +gathered her in her arms, and covered her lean little face with kisses. + +"You poor little thing! You poor little thing! You poor little thing!" +over and over. + +Rebecca Mary gazed up into the softened face and read something there. +It took her breath away. She could not believe it without further proof. + +"You don't--I don't suppose you LOVE me?" panted Rebecca Mary. But Aunt +Olivia was gone out of the room in a swirl of white nightgown. + +"Everything's on the table," she called back from the stairs. "I'm going +to light a fire. You come right down. I think it's high time--" her +voice trailing out thinly. + +"She does," murmured Rebecca Mary, radiant of face. + +At half past twelve o'clock they both ate supper, both in their scant, +white nightgowns, both very hungry indeed. But before she sat down in +her old place at the table, Rebecca Mary went round to Aunt Olivia's +place and whispered something rather shyly in her ear. She had been by +herself in a corner of the room for a moment. + +"I've sewed the hundred and twoth," Rebecca Mary whispered. + + + + +The Thousand Quilt + + +"Good afternoon," Rebecca Mary said, politely. + +The minister's wife was cutting little trousers out of big ones--the +minister's big ones. It was the old puzzle of how to steer clear of the +thin places. + +"Boys grow so!" sighed, tenderly, the minister's wife, over her work. +She had not heard the voice from the doorway. + +"Good afternoon"--again. + +It was a quaint little figure in tight red calico standing there. +It might easily have stepped down from some old picture on the wall. +Rebecca Mary had a bundle in her arms. It was so large that it obscured +breast and face, and only a pair of grave blue eyes, presided over by +thin, light brows, seemed visible to the minister's wife. The trousers +puzzle merged into this one. Now who could-- + +"Oh! Oh, it's Miss Plummer's little girl Rebecca," she said, cordially. + +"Rebecca Mary her NIECE," came, a little muffled, from behind the great +bundle. + +"Rebecca Mary's niece---- Oh, you mean Miss Plummer's niece, and your +whole name is that! But I suppose she calls you Rebecca or Becky, for +short? Walk in, Rebecca." + +But Rebecca Mary was struggling with the paralyzing vision of Aunt +Olivia calling her Becky. She had passed by the lesser wonder of being +called Rebecca without the Mary. + +"Oh no'm, indeed; Aunt 'Livia never shortens me," gently gasped the +child. And the minister's wife, measuring from the bundle down, smiled +to herself. There did not seem much room for shortening. + +"But walk in, dear--you're going to walk in? I hope you have come to +make me a little call?" + +Rebecca Mary struggled out of her paralysis. Here was occasion for new +embarrassment. For Rebecca Mary was honest. + +"N-o'm I mean, not a LITTLE call. I've come to spend the afternoon," she +said, slowly, "and I've brought my work." + +The bundle--the great bundle--was her work! She advanced into the room +and began carefully to unroll it. It was the turn of the minister's wife +to be paralyzed. She pushed forward a chair, and the child sat down in +it. + +"It's my Thousand Quilt that I'm making for Aunt 'Livia," explained +Rebecca Mary. "It's 'most done. There's a thousand pieces in it, and I'm +on the nine hundred and ninety-oneth. I thought proberly you'd have some +work, so I brought mine." + +"Yes, I see--" The minister's wife stood looking down at the tight +little red figure among the gorgeous waves of the Thousand Quilt. They +eddied and surged around it in dizzy reds and purples and greens. She +was conscious of being a little seasick, and for relief she turned back +to the puzzle of the little trousers. It had been in her mind at first +to express sorrow at Rhoda's being unfortunately away--and the boys. Now +she was glad she hadn't, for it was quite plain enough that the visitor +had not come to spend the afternoon with the minister's children, but +with the minister's wife. + +"It isn't she that's young--it's I," thought the minister's wife, with +kind, laughing eyes. "She's old enough to be my mother." "How old are +you, dear?" she added, aloud. + +"Me? I guess you mean Aunt 'Livia, don't you? It's Aunt 'Livia's +birthday I'm making it for, it's going to be a present. Once she gave me +a present on my birthday." + +Once!--the minister's wife remembered Rhoda's birthdays and the boys'. +Taken altogether, such a host of little birthdays! But this little old, +old visitor seemed to have had but one. + +"My birthday is two days quicker than Aunt 'Livia's is," volunteered +the visitor, sociably. "We're 'most twins, you see. Aunt 'Livia +was fifty-six that time she gave me the present. She's agoing to be +fifty-nine when I give her this quilt--it's taken me ever since to make +it." + +The minister's wife looked up from her cutting. So Rebecca Mary was only +fifty-nine! + +"It's quite a long quilt," sighed Rebecca Mary. But pride woke in her +eyes as she gazed out on the splendors of the green and purple sea. +"A Thousand Quilt has so many stitches in it, but when you sew'em all +yourself--when you sew every single stitch--" The pride in Rebecca +Mary's grave blue eyes grew and grew. + +"Robert," the minister's wife said that night to the minister, "it's an +awful quilt, but you ought to have seen her eyes! It's taken her three +years to make it--maybe you wouldn't be proud yourself!" + +"Maybe YOU wouldn't, if Rhoda had made it." + +"RHODA! Robert, she sewed one square of patchwork once and it made +her sick. I had to put her to bed. Speaking of 'once' reminds me--once +Rebecca Mary had a birthday present, Robert." She waited a little +anxiously for him to understand. The minister always understood, but +sometimes he made her wait. + +"Felicia, are you trying to make me cry?" he said, and she was +satisfied. She went across to him, as she always did when she wanted +to cry herself. The floor was strewn with the tiniest boy's engine and +cars, and she remembered, as she zigzagged among them, that they had +been one of his very last birthday presents. + +"It was--Robert, what do you think the present was? I'll give you three +guesses, but I advise you to guess a rooster." + +"Thomas Jefferson," murmured the minister, as one who was acquainted. + +"Yes, that is his name. How did you remember? She is very fond of +him--he is her intimatest friend, she says. So she is under great +obligations to her aunt. It's a large quilt, but it's none too large to +'cover' Thomas Jefferson. I'm going to help her buy a lining and cotton +batting." + +"Cracked corn will make a good lining, but cotton bat--" + +"Robert, this is not a comedy! If you'd seen Rebecca Mary, and the +quilt, you'd call it a tragedy. You couldn't surprise me any if you told +me she'd quilted it herself!" + +Down the road from Aunt Olivia's farm, across its southern boundary +fence, romped and shouted all day long the Tony Trumbullses. No one, +except possibly their mother, was quite certain how many of them there +were; it was a dizzy process to take their census. They were never +still, in little brown bare limbs nor shrill voices. From sunup to +sundown the Tony Trumbullses raced and laughed. Certainly they were +happy. + +The minister's wife had not dared to tell her Caller of the afternoon +that the minister's children were down there shouting and racing with +the little Tony Trumbullses. Dear, no!--not after Rebecca Mary in the +course of conversation had said that Aunt Olivia did not countenance the +Tony Trumbullses. Rebecca Mary did not say "countenance," but it meant +that. + +"Her aunt won't let her play with them, Robert. And she'd like to--you +needn't tell me Rebecca Mary wouldn't like to! I saw it in her poor +little solemn eyes. Besides, she said she asked her aunt once to +let her. Robert, aunts are cruel; I never knew it before. They've no +business bringing up little Rebecca Marys!" + +"My dear! Felicia!" But in the minister's eyes was agreement. + +Aunt Olivia took afternoon naps with punctilious regularity--Aunt Olivia +herself was punctilious regularity. At half past one, day upon day, +she hung out the dish towel, hung up her kitchen apron, and walked with +unswerving course into her bedroom. There, disposed upon the dainty bed +in rigid lines of unrest, she rested. The naps were often long ones. + +A little after the afternoon that Rebecca Mary spent at the minister's +the birthday quilt was finished. The thousandth tiny piece was neatly +over-'n'-overed to its gorgeous expanse. But Rebecca Mary was not +content. She longed to make it complete. She wanted to surprise Aunt +'Livia with it, as Aunt 'Livia on that momentous birthday of her own had +surprised her with the little fluff-ball of yellow down that had grown +into Thomas Jefferson. That had been such a beautiful surprise, but +this--Aunt 'Livia had seen the quilt so many, many times! She had taught +Rebecca Mary's stiff little fingers to set the first stitches in it; she +had made her rip out this purple square and that pink-checked one, and +this one and that one and that. Oh, Aunt 'Livia was ACQUAINTED with the +quilt! It would not be much of a surprise. + +But Rebecca Mary set her little pointed chin between her little brown +palms and pondered, and out of the pondering grew a plan so ambitious +and so daring that Rebecca Mary gasped in the throes of it. But she +held her ground and entertained it intrepidly. She even grew on friendly +terms with it in the end. Here was a way to surprise Aunt 'Livia; +Rebecca Mary would do it! That it would entail an almost endless amount +of work did not daunt her: Rebecca Mary was a Plummer, and Plummers were +not to be daunted. The long vista of patient hours of trying labor that +the plan opened up before her set her blood tingling like a warrior's on +the eve of battle. What were long, patient hours to a Plummer? Rebecca +Mary girded up her loins and went to meet them. + +Thereafter at Aunt Olivia's nap times Rebecca Mary disappeared. Day +upon day, week upon week, she stole quietly away when the door of Aunt +Olivia's bedroom shut. The first time she went oddly loaded down with +what would have appeared--if there had been any one for it to "appear" +to be a bundle of long sticks. She made two trips into the unknown that +first day. The second time the bundle looked much like that one over +which her grave blue eyes had peered at the minister's wife when she +went to spend the afternoon with her. + +It was spring when the mysterious disappearances began. It was summer +before Aunt Olivia woke up--not from her nap, but from her inattention. +Quite suddenly she came upon the realization that Rebecca Mary was +not about the house; nor about the grounds, for she instituted prompt +search. She went to all the child's odd little haunts--the grapery, +the orchard, the corn-house, even to her own beloved back yard, full of +sweet-scented hiding-nooks dear to a child, but sacred ground to Aunt +Olivia. Rebecca Mary sometimes did her "stents" there as a special +privilege; she might be there now, unprivileged. Aunt Olivia's back yard +was almost as full of flowery delights to Rebecca Mary as it was to Aunt +Olivia. + +The child was not there--not anywhere. Aunt Olivia sought for Thomas +Jefferson to inquire of him, but Thomas Jefferson was missing too. She +went the rounds again. Where could the child be? + +It was a hot, stinging day in late June when Aunt Olivia's suspicions +awoke. They had been long in rousing, but, once alert, they developed +rapidly into certainties. Her pale eyes glistened, her thin nostrils +dilated--Aunt Olivia's whole lean, sharp, unemotional person put on +suspicion. The child had gone to see the Tony Trumbullses. + +"My land!" ejaculated Aunt Olivia, "after all my forbidding! And she a +Plummer!" She sat down suddenly as though a little faint. She had never +known a Plummer to disobey before; it was a new experience. It took time +to get used to it, and she sat still a long time, rigid and grim, on the +edge of the chair. Then as suddenly as she had sat down she got up. It +could not be--she refused to entertain the suspicion longer. Rebecca +Mary had NOT gone there to that forbidden place; she was in the garden +somewhere. Aunt Olivia, a little stiff as if from a chill, went once +more in search of the child. + +"Rebecca! Rebecca Mary!" she called, at regular intervals. Then sharply, +"Rebecca Mary Plummer!" Her voice had thin cadences of suspicion lurking +in it against its will. + +But there seemed really no doubt. One by one incriminating +circumstances occurred to Aunt Olivia. Rebecca Mary had longed to go so +much; the Tony Trumbullses, one at a time or in a tumultuous body, had +urged her so often; she herself had more than once caught the child +gazing wistfully, in passing by, at the bewildering, deafening, frolics +of the little Tony Trumbullses. Once Rebecca Mary had asked to go +barefoot, as they went. Once she had let out the tight little braids +in her neck and rumpled her thin little hair. Once Aunt Olivia had come +upon her PLAYING. The remembrance of it now tightened the lines around +Aunt Olivia's lips. The child had been running wildly about the yard, +shouting in a strange, excited, ridiculous way. When Aunt Olivia in +stern displeasure had demanded explanations, she had run on recklessly, +calling back over her shoulder: "Don't stop me! I'm a Tony Trumbull!" + +"My land!" breathed Aunt Olivia, taking back the suspicion to her +breast. "After all my forbidding she's gone down there. She's BEEN going +down there dear knows how long. She's waited till I took my naps an' +then went. A PLUMMER!" + +There was really nowhere else she could have gone. She had never wanted +to go anywhere else, except to the minister's, and Rebecca Mary was +punctilious and would not think of going THERE again till the minister's +wife had returned her visit. + +But Aunt Olivia waited. As usual, she went to her room next day at nap +time and closed the door behind her. But when a little figure slipped +down the road towards the forbidden place a moment later, she was +watching behind her blinds. She was groaning as if in pain. + +The little figure began to run staidly. Aunt Olivia groaned again. The +child was in a hurry to get there--she couldn't wait to walk! There was +guilt in every motion of the little figure. + +"And she runs like a Plummer," groaned Aunt Olivia. + +The next day, and the next, Aunt Olivia watched behind her blinds. The +fourth day she put on her afternoon dress and followed the hurrying +little figure. Not at once--Aunt Olivia did not hurry. There was a sad +reluctance in every movement. It seemed a terrible thing to be following +Rebecca Mary--Rebecca Mary Plummer to a forbidden place. + +Afar off Aunt Olivia heard faintly the shoutings that always heralded an +approach to the Tony Trumbullses, and shuddered. The tumult kept growing +clearer; she thought she detected a wild, excited little shout that +might be Rebecca Mary's. Her thin lips set into a stern, straight line. + +A splash of red caught Aunt Olivia's eye as she drew nearer the joyous +whirl of little children. Rebecca Mary wore a little tight red dress. +The coil seemed closing in about the child. + +Close to the southern boundary fence of Aunt Olivia's land stood an +old empty barn. It had been a place for storing surplus hay, once, when +there had been surplus hay. For many years now it had been empty. As +Aunt Olivia approached it she noticed that its great sliding door was +open. Strange, when for so long it had been shut! + +"If that old barn door ain't open!" breathed Aunt Olivia, stopping in +her astonishment. "I ain't seen it open before in these ten years. Now, +what I want to know is, who opened it? Likely as not those screeching +little wild Injuns." She strode across the stubby grass-ground to the +barn and peered into its cool, dim depths. Then Aunt Olivia uttered +a little, bewildered cry. Gradually the dimness took on light and the +whole startling picture within unfolded itself to her astonished eyes. + +Rebecca Mary was quilting. She was stooping earnestly over a gay expanse +of purples and reds and greens. Her little tight red back was towards +Aunt Olivia; it looked bent and strained. Rebecca Mary's eyes were very +close to the gay expanse. + +Suddenly Rebecca Mary began to speak, and Aunt Olivia's widened eyes +discovered a great, white rooster pecking about under the quilt. His +big, snowy bulk stood out distinct in the shadow of it. + +"I'm glad we're 'most through. Aren't you, Thomas Jefferson? It's been a +pretty LONG quilt. You get sort of tired when you quilt a LONG quilt. It +makes your back creak when you unbend it; and when you quilt in a barn, +of course you can't see without squinching, and it hurts your eyes to +squinch." + +Silence again, except for the industrious peck-peck of the great white +rooster. Aunt Olivia stood very still. + +"You've been a great help, Thomas Jefferson," began again the voice of +Rebecca Mary, after a little. "I'm very much obliged to you, as I've +said before. I don't know what I should have done without you. No, you +needn't answer. I couldn't hear a word you said. You can't hear with +cotton in both o' your ears," Rebecca Mary sighed. There was no cotton +in Aunt Olivia's ears to shut out the soft little sound. "But of course +you have to wear it in, on account o' your conscience. It's conscience +cotton, Thomas Jefferson. I've explained before, but I don't know's you +understood. It seems a little unpolite to wear it in my ears, with you +here keeping me comp'ny. I s'pose you think it's un--unsociable. But +Aunt Olivia doesn't allow me to 'sociate with the Tony Trumbullses. Oh, +Thomas Jefferson, I wish she'd allow me to 'sociate!" + +Aunt Olivia found herself wishing she had conscience cotton in both o' +her ears. + +"They're such nice, cheerful little children! It makes you want to +go right over their fence and hollow too." Rebecca Mary pronounced +it "hollow" with careful precision. Aunt Olivia would not approve +of "holler." "And when you can't, you like to listen. But I s'posed +listening to them hollow would be 'sociating. So I put the cotton in." + +The joyous "hollowing" broke in waves of glee on Aunt Olivia's eardrums. +It seemed to be assaulting her heart. Oddly, now it did not sound +unmannerly and dreadful. It sounded nice and cheerful. A Plummer, even, +might be happy like that. + +"Cotton is a very strange ex--exper'ence, Thomas Jefferson," ran on the +little voice. "At first you 'most can't stand it, but you get over the +worst of it bymeby. Besides, we're getting 'most through now. Ain't that +splendid, Thomas Jefferson? And it's pretty lucky, too, because Aunt +'Livia's birthday is getting very near. It--it almost scares me. Doesn't +it you? For I don't know how Aunt 'Livia looks when she's pleased--you +think she'll look pleased, don't you, Thomas Jefferson? It's such a long +quilt, and when you've sewed every stitch yourself--" + +If Rebecca Mary had turned round then she would have seen how Aunt +Olivia looked when she was pleased. But the little figure at the +quilting-frame bent steadily to its task, only another soft sigh +stealing into Aunt Olivia's uncottoned ears. Thomas Jefferson pecked +his way towards the open door, and the lean figure there started back +guiltily; Aunt Olivia did not want to be recognized. + +"You there under the quilt, Thomas Jefferson?" The little voice put on +tenderness. "Because I'm a-going to tell you something. Once Aunt 'Livia +gave ME a birthday present and it was YOU. Such a little mite of a +yellow chicken! That's why I'm making the quilt for Aunt 'Livia. It was +three years ago; I've loved you ever since," added Rebecca Mary, simply. + +For an instant Aunt Olivia stopped being a Plummer. A sob crept into +her throat. "Rebecca! Rebecca Mary! Rebecca Mary Plummer!" she cried, +involuntarily. Then she stepped back hastily, glad for the cotton in +Rebecca Mary's ears. For the surprise--she must not spoil the child's +hard-earned surprise. And, besides, Aunt Olivia wanted to be surprised. + +It was a relief to get away. She could not look any longer at the +picture in the great cobwebby barn--the gorgeous quilt spread out to +its full extent, the empty scaffolds above Rebecca Mary stooping to her +work, Thomas Jefferson pecking about the floor. Aunt Olivia was not old; +through all the years ahead of her she would remember that picture. + +She went straight to the southern boundary fence and looked across +at the jubilant little Tony Trumbullses. The one in a red dress like +Rebecca Mary's she singled out with a pointing finger. "YOU come here," +she called. "I won't hurt you; no need to look scairt. Do you know who I +am? I'm Rebecca Mary's aunt. You know who Rebecca Mary is, don't you?" + +"Gracious!" shrilled the little red Tony Trumbull, which Aunt Olivia +took for yes. + +"Well, then, you know where I live. You see here--I want you all, the +whole kit o' you, to come to my house tomorrow morning to see Rebecca +Mary. I'm going to say it over again. Tomorrow morning, to see Rebecca +Mary!" setting apart the syllables with the pointing finger. "You can +play in my back yard," said Aunt Olivia, sublimely unconscious of slang. + + + + +The Bible Dream + + + +Rebecca Mary sat on the kitchen steps, shelling peas and trying not +to listen. She had begun a hummy little tune to help out, but in the +interstices of rattling peas and the verses of the tune she could +distinctly hear some of the things Aunt Olivia and the Caller were +saying. This was one of the things: + +"She's offered a reward, but _I_ don't calculate there's much chance +she'll ever see it again." + +A sigh followed. The voice was the Caller's, the sigh Aunt Olivia's. + +"It's queer where it ever went to!" Aunt Olivia's voice. + +"Yes, it's all o' QUEER," the Caller's, with mysterious hints in it that +made Rebecca Mary, out on the doorsteps, shudder suddenly and forget +where she was in the tune. Oh, oh, dear, did they s'pose--they couldn't +s'pose it had been STOLEN? + +Rebecca Mary's little hard brown hand stopped halfway to the pea-basket +and fell limply at her side on the doorstep. It made a little thud as +it fell. Rebecca Mary's horrified gaze wandered out into the glare of +sunshine where wandered Thomas Jefferson, stepping daintily, hunting +bugs. That was his day's work. Thomas Jefferson was a hard worker. + +The voices went on, but Rebecca Mary did not heed them now; she was +looking at Thomas Jefferson, but she did not see him. Not until--it +happened. On a sudden Thomas Jefferson, forgetful of dignity, made a +swoop for something that glittered in the grass. Then Rebecca Mary saw +him--then started to her feet with an inarticulate little cry, while +in her honest brown eyes the horror grew. Oh, oh, dear, what was that +Thomas Jefferson had swooped for? For a brief instant it had glittered +in the grass--Rebecca Mary knew in her soul that it had glittered. + +Thomas Jefferson stretched his sheeny neck, curved it ridiculously, and +crowed. It sounded like a crow of triumph; that was the way he crowed +when the bug had been a delicious one. + +The Caller was coming out, Aunt Olivia with her. Rebecca Mary could hear +the crackle of their starched skirts; Aunt Olivia's crackled loudest. +Rebecca Mary had always had a queer feeling that Aunt Olivia herself was +starched. There had never been a time when she could not remember her +carrying her head very stiffly and straight and never bending her back. +Nobody else in the world, Rebecca Mary reflected proudly, could pick +up a pin without bending. SHE couldn't, herself, even after she had +privately practiced a good deal. + +"Good afternoon, Rebecca Mary; you out here?" the Caller nodded +pleasantly. Folks had such queer ways of saying things. How could you +say good afternoon to anybody if she WASN'T here? + +"Didn't you hear Mrs. Dixey, Rebecca Mary? I guess you've forgot your +manners," came in Aunt Olivia's crisp tones. + +"Oh yes'm, I have. I mean I DID. Yes'm, thank you, I'm out here," +quavered Rebecca Mary. She was not afraid of the Caller and she had +never been afraid of Aunt Olivia, but the horror that was settling round +her heart made her clear little voice unsteady. Her eyes were still +following Thomas Jefferson on his mincing travels about the yard. The +sunshine was on his splendid white coat, but Rebecca Mary felt no pride +in him. + +"Ain't that the han'somest rooster! You ought to show him at the fair, I +declare! See how his feathers glisten in the sun!" + +"Thomas Jefferson belongs to Rebecca Mary," Aunt Olivia said, briefly. +"She raised him." + +"My! Well, he's han'some enough. Ain't it amusing how a nice-feeling +rooster like that will go stepping round as if he felt about too toppy +to live! He'd ought to wear diamonds." + +"Oh, oh, dear, please don't!" breathed Rebecca Mary, softly, but neither +of the women heard her. + +"Well, well, I must be going. I've made a regular visit. But I tell John +when I get away from home, it feels so good I STAY! 'I don't get away +any too often,' I says, 'and I guess I've earnt the right.' Well, I must +be going if I'm ever going to! Good-bye, Miss Plummer--good-bye, Rebecca +Mary. All is, I hope Mis' Avery's boarder'll find her diamond, don't +you? But I don't calculate she will. Well, good afternoon. She hadn't +ought to have wore the ring, when she knew it was loose in the setting +like that. Some folks are just that careless! Well--" + +But Rebecca Mary did not hear the rest of the Caller's leave-taking. She +had slipped away to Thomas Jefferson out in the sun. + +"Oh, come here--come here with me!" she cried, intensely. "Come out +behind the barn where we can talk. I've got to say something to you +that's awful! I've GOT to, you've got to listen, Thomas Jefferson." + +It was still and terribly hot in the treeless glare behind the barn, but +it was all in the day's work to Thomas Jefferson. Behind the barn was a +beautiful place for bugs. + +"Listen! Oh, you poor dear, you've got to listen!" Rebecca Mary cried. +"You've got to stop hunting for bugs--and don't you dare to crow! If you +crow, Thomas Jefferson, it will break my heart. I don't s'pose you know +what you've done--I don't know as you've done it--but there's something +awful happened. Oh, Thomas Jefferson, it glittered--I saw it glitter!" +Suddenly Rebecca Mary stooped and gathered Thomas Jefferson into her +arms. She held him with a passionate clasp against her flat little +calico breast. He was HERS. He was all the intimate friend she had ever +had. He had been her little downy baby and slept in her hand. She had +fed him and watched him grow and been proud of him. He was her all. + +"Oh, Thomas Jefferson, Thomas Jefferson, what was it that glittered in +the grass? Tell me and I'll believe you. Say it was a little piece o' +glass and I'll put you down and go get you some corn, and we'll never +speak of it again. But don't look at me like that--don't look at me like +that! You look--GUILTY!" + +She rocked him in her arms. In her soul she knew what it was that had +glittered. But in Thomas Jefferson's soul--oh, they could not blame +Thomas Jefferson! + +"You haven't got any soul, poor dear; poor dear, you haven't got any +soul, and you can't be guilty without a soul. They couldn't--hang--you." +Her voice sank to the merest whisper. She tightened her clasp on the +great, soft body and smoothed the soft feathers with a tender, tremulous +little hand. + +"The Lord didn't put anything in you but a stomach and a--a gizzard. He +left your soul out and you're not to blame for that. I don't blame +you, Thomas Jefferson, and of course the Lord don't. But Mrs. Avery's +boarder--oh, oh, dear, I'm afraid Mrs. Avery's boarder will! You mustn't +tell--I mean I mustn't. Nobody must know what it was that glittered in +the grass. Do you want to be--searched? + +"You know 'xactly where she sat over to this house yesterday morning, +when she went by--and how she said you were too sweet for anything--and +how she flew her hand round with--with IT on it. You know as well as I +do. And it was loose, the di'mond-stone was loose. We didn't either of +us know that. We're not to blame if things are loose, and you're not to +blame for not having any soul. But oh, oh, dear, how dreadfully it makes +us both feel! You'd better give up crowing, Thomas Jefferson; I feel +just as if you'd let it out if you crew." + +At tea Rebecca Mary played with her spoon, while her berries swam, +untasted, in their yellow sea of cream. Aunt Olivia remonstrated. + +"Why don't you eat your supper, child?" she asked, sharply. Rebecca Mary +was always glad when she said child instead of Rebecca Mary, for then +the sharpness did not cut. She was feeling now for the glasses up in her +thin gray hair. Aunt Olivia could see everything through those glasses +and it made Rebecca Mary tremble to think--oh, oh, dear, suppose she +should see the secret hidden in Rebecca Mary's soul! It seemed as if +Aunt Olivia trained the glasses directly upon the corner where the +secret glittered in the gra--was hidden in Rebecca Mary's troubled +little soul. But this is what Aunt Olivia said: + +"It's your stomach. What you need is a good dose of camomile tea to +tone you up. I didn't give you any this spring, for a wonder. Now you go +right up to bed and I'll set some to steeping. Does it hurt you any?" + +"Oh yes'm," murmured Rebecca Mary, sadly, but she meant her soul and +Aunt Olivia meant her stomach. She mounted the steep stairs to her +little eavesdropping room and slipped her small spare body out of her +clothes into her scant little nightgown. It was rather a relief to go to +bed. If she could have been sure that Thomas Jefferson--but, no, +Thomas Jefferson was not in bed. As Rebecca Mary lay and waited for her +camomile tea she was certain she could hear him stepping about under the +window. Once he came directly under and "crew," and then Rebecca Mary +hid her head in the pillow for he was letting it out. + +"Cock-a-doodle-do--ooo, did-you-see-me-swoo-oo-OOP-it-up?" crowed Thomas +Jefferson, under the window. Rebecca Mary with her eyes pillow-deep +could see him stretching his neck and letting it out. It seemed to her +everybody could hear him--Aunt Olivia downstairs, steeping camomile +'blows, and Mrs. Avery's boarder across the fields. + +"Aunt Olivia," whispered Rebecca Mary, while she sipped her bitter tea +a little later, "how much--I suppose precious things cost a great deal, +don't they?" + +"My grief!" Aunt Olivia set down the bowl and felt of Rebecca Mary's +temples, then of her wrists. The child was out of her head. + +"Di'mond-stones like--like that boarder's--I suppose those cost a great +deal? As much as--how much as, Aunt Olivia?" + +"My grief, don't you worry about any di'mond-stones! YOU haven't lost +any. What you'll lose will be your health, if you don't swallow down the +rest o' this tea and go right to sleep like a good girl! No, no, I'm not +going to answer any questions. Drink this; swallow it down." + +Rebecca Mary swallowed it down, but she did not go right to sleep like a +good girl. She lay on the hard little bed and thought of many things, or +of one thing many times. Over and over, wearily, drearily, until the sin +of Thomas Jefferson became her sin. She adopted it. + +When at last she dropped to sleep it was to dream a Bible dream. Usually +Rebecca Mary liked to dream Bible dreams, but not this one. This one was +different. This one was of Abraham and Isaac. She thought she was right +there and saw Abraham build the little altar and offer up--no, it wasn't +Isaac! It was Thomas Jefferson. And the Abraham in her dream was turning +into HER. The flowing white robes were dwindling to a little scant white +nightgown. She stood a little way off and saw herself offering up Thomas +Jefferson. It was a dreadful dream. + +The night was a perfectly black one, the kind that Rebecca Mary was +afraid of. It was the only thing in the world she had ever been afraid +of--a black night. But after the dream she got up stealthily and slipped +through the blackness, out to Thomas Jefferson. It was only out to the +little lean-to shed, but it seemed a very long way to Rebecca Mary. +The blackness pressed up against her, she put out her little, trembling +hands and pushed through it. + +"Thomas Jefferson! Thomas Jefferson!" she called softly. But he was a +sound sleeper, she remembered; she would have to find him and wake him. +In the darkness she felt about on Thomas Jefferson's perch for Thomas +Jefferson. When the little groping hand came upon something very soft +and warm, the other hand went up to join it, and together they lifted +Thomas Jefferson down. He gave a protesting croak, and then, because he +was acquainted with the clasp of the two small hands, and night or day +liked it, he went back to his interrupted dreams and said not another +word. Thomas Jefferson had never dreamed a Bible dream--never heard of +Abraham or Isaac, had no soul to be disquieted. + +With her burden against her breast Rebecca Mary pushed back through the +darkness, up to the black little room under the eaves. She felt about +for her little carpet-covered shoe box and gently crowded the great +white bulk into it. Then she crept back into bed and lay on the outer +edge with her loving, light little hand on Thomas Jefferson's feathers. +The trouble in her burdened soul poured itself out. + +"Oh, Thomas Jefferson," she whispered down to the heap of soft feathers, +"I'm going to smooth you this way all night for tomorrow you die!" Her +voice even in a whisper had a solemn, inspired note. "There's no other +way; you'll have to make up your mind to be willing. It's going to break +my heart, and, oh, I'm afraid it will break yours! I'm afraid it will +kill us both!" + +Thomas Jefferson uttered a mournful little croaky sound that might have +been "ET TU, BRUTE?" It pierced Rebecca Mary's breast. "There, hush, +poor dear, poor dear, and rest. You'll need all your sleep," she crooned +softly and brokenly. "Tomorrow morning I'll give you some beautiful +corn, and then--and then I'm going to take you to Mrs. Avery's boarder +and tell her the worst. I'm going to give you up, Thomas Jefferson; and +I'm the best friend you've got in the world! But I've got to, I've got +to--I've got to! It's been revealed to me in a dream. There was a man +once in the Bible, named Abraham, and there was his dearly beloved +little boy named Isaac. And now here's me named Rebecca Mary, and +dearly beloved you named Thomas Jefferson. Oh, I don't suppose you can +understand; I suppose you're asleep. You'll never know how it feels to +give up your dearly belovedest, but oh, oh, dear, you'll know how it +feels to be given up! You'll be one o' the blessed martyrs, Thomas +Jefferson--doesn't that comfort you a little speck? Oh, why don't you +wake up and be comforted? + +"The Lord excused Abraham, after all. But this isn't the Lord, it's Mrs. +Avery's boarder. I'm afraid she isn't the Lord's kind--I'm afraid not, +Thomas Jefferson. I don't dare to let you hope; I've got to prepare you +for the worst." + +She caught up the big, white fellow with sudden, irresistible yearning +and sat up with him and rocked him back and forth in her arms. She began +a muffled, sad little tune like a wail. The words were terrible words. + +"I'll hold you in my arms. I'll rock you--rock you--rock you. For +tomorrow, oh, to-MOR-row you--must--die! Aber-a-ham offered Isaac, and +_I_-MUST OFFER YOU." + +Over and over, then tenderly she lowered Thomas Jefferson to the shoe +box again. + +When Aunt Olivia came up in the morning, vaguely alarmed because it +was so late and no Rebecca Mary stirring, she had news to tell. Someone +going by had told her something. + +"Well, that woman's found her 'di'mond-stone,'--how are you feeling this +morning, child? It was in her pocket where she'd put her hand in and +felt round! So all that fuss for noth--" + +Suddenly Aunt Olivia stopped, for without warning, out of a box at the +bedside stalked a great white rooster and flew to the foot board and +"crew": + + + "Cock-a-doodle-do-ooo! + It was glass that glittered in the grass, + And all the time I knew-oo-ooo!" + +"My grief?" Aunt Olivia gasped. + + + + +The Cookbook Diary + + + +Rebecca Mary decided to keep a diary. It was not an inspiration, though +it was rather like one in its suddenness. Of course she had always known +that Aunt Olivia kept a diary. When she was very small she had stretched +a-tiptoe and with little pointing forefinger counted rows and rows of +little black books that Aunt Olivia had "kept." Each little black book +had its year-label pasted neatly on the back. Rebecca Mary breathed +deep breaths of awe, there were so many of them. There must be so much +weather in those little black books--so many pleasant days, rainy days, +storms, and snows! + +It was Rebecca Mary who remembered that it was Tuesday, and that it had +showered a little Wednesday--shone Thursday--showered again on Friday. +Rebecca Mary was the jog to Aunt Olivia's memory. It gave her now, at +the beginning of her own diary career, an experienced feeling, as if she +knew already how to keep a diary. It made it seem a much simpler matter +to begin. + +And then, of course, the minister's littlest little boy--really it was +the minister's littlest little boy who had started Rebecca Mary. He had +volunteered a peep into his own diary, and made whispered explanations +and suggestions. He let Rebecca Mary read some of the entries: "MUNDY, +plesent and good. TUSDY, rany and bad. WENSDY, sum plesent and not +good enuf to hirt. THIRSDY" but he had hastily withdrawn the book at +"Thirsdy," and a tidal-wave of warm red blood had flowed up over his +little brown ears and in around all the little brown islands of his +freckles. So Rebecca Mary had begun hastily to talk of other things. +For the minister's littlest little boy had explained that the first +Statement in each entry referred to the weather and the second to the +deportment of the writer, and Rebecca Mary had remarked a sympathetic +resemblance between the two statements. She had caught a fleeting +glimpse of the weather part of "Thirsdy"--she could guess the rest. +Better let the curtain fall on "Thirsdy." On her way home Rebecca Mary +decided to keep a diary herself. Her first day's record had been a good +deal like the "Mundy" of the minister's littlest little boy, only there +were more a's in the weather. After that, little by little, she branched +out into a certain originality--the Rebecca Mary sort. If she had +not been hampered by circumstances, it would have been easier to be +original. The most hampering circumstance was the cookbook itself, which +she was driven to use in her new undertaking. There was room on the +blank leaves and above and below the recipes for cake and pudding +and pie. The book was one Aunt Olivia had given her long ago to draw +impossible pictures in. + +In the beginning Rebecca Mary tried pasting pieces of "empty" paper +over the pies and puddings and cakes, but the empty paper was too +transparent. In rather startling places things were liable to show +through. + +As: "SUNDAY.--It rained a level teaspoonful. Aunt Olivia and I went to +church. The text was thou shalt not steal 1 cups of sour milk--" Rebecca +Mary got no farther than that. She was a little appalled at the result +thus far, and hastily turned a page and began again in a blank space +where no intrusive pudding could break through and corrupt. Thereafter +she wrote above and below the recipes and pasted no more thin veils over +them. It seemed safer. + +Aunt Olivia, apparently oblivious to what was going on, yet saw and did +not disapprove. It was to be expected that the child should come into +her inheritance sometime, early or late. If early--well. + +"It's the Plummer in her. All the Plummers have kept diaries," Aunt +Olivia mused, knitting stolidly on while the child stooped painfully +to her self-imposed task. The quaint resemblance to herself at her own +diary-writing did not escape her, and she smiled a little in the Aunt +Olivia way that scarcely stirred her lips. Aunt Olivia smiled oftener +now when she looked at the child. She was "failing" a little, Plummerly. +Between the two of them, little Plummer and big, stretched of late a tie +woven of sheets and a gorgeous quilt of a thousand bits. It was not very +visible to the naked eye, but they were both rather shyly conscious that +it was there. They would never be quite so far apart again. + +Rebecca Mary took her diary out to the haunts of Thomas Jefferson and +read aloud selections to him, with an odd, conscious little air, as +though she were graduating. The great white fellow was a sympathetic +auditor, if silence and extreme gravity count. Only once did he ever +make comments, and Rebecca Mary could never quite make up her mind +whether he laughed then or applauded. When a great white rooster +elongates his neck, crooks it ridiculously, flaps his wings and crows, +it's hard telling exactly what feeling prompts him. But Rebecca reasoned +from past experience and her faith in him--he had never laughed at her +before. It was applause. The especial entry which evoked it was the one +that first mentioned an allowance. + +"'THURSDAY.--I think I'm going to--'" read Rebecca Mary slowly; and it +was significant that on this Thursday there was no weather. "'I havent +desided--I don't KNOW, but I think I'm going to ask Aunt Olivia to pay +me 5 cents a weak. Rhoda says you call it an alowance, and I supose she +knows. She is the minnister's daughter. She has 10 cents a weak unless +shes bad and then she pays the minnister an alowance. He charges her 1 +cent a sin and he gives it to somebody who is indignant--I think Rhoda +said indignant. Then I should think he would give it back to Rhoda. I +shant only ask Aunt Olivia for 5 cents--I think she will be more likely. +I havent desided but I THINK I shall ask her tomorrow after her knap. +After knaps you are more rested and maybe things don't look just as they +do before knaps. + +"'FRIDAY.--I think Ide better wait untill tomorrow. Her knap was rather +short. Ive desided to say you needent alow but 4 if 5 is too mutch. If +she alows Im going to buy me some crimpers. Rhodas curls natchurally but +she says you can crimp it if it doesent. I have begun to look at myself +in the glass and it fritens me--I guess there ought to be a gh in +that--to see how homebly I am. I wonder if it doesent kind of scare Aunt +Olivia. Prehaps if I was pretty like Rhoda she would call me darling and +dear instead of Rebecca Mary. I dont blame her mutch because I LOOK like +Rebecca Mary. + +"'SATURDAY.--I think Sunday will be the best time to ask her, just +after she gets home from meeting and has rolled her bonnet strings up, +espesialy if the minnister preaches on the Lord lovething a cheerful +giver. I am hopeing he will. If I dont get the crimpers Ime going to +give up looking in the glass. For I think Ime growing homeblyer right +along. Theres something the matter with my nose. Rhodas doesent run up +hill. I never thought about noses before. Aunt Olivias is a little quear +too but I like it became its Aunt Olivias nose. I wish I knew if Aunt +Olivia liked mine. I wish we were better akquainted. + +"'SUNDAY.--I wish the Lord had created mine curly because I dont dass +to ask Aunt Olivia. I don't dass to, so there. It scares my throat. I +supose its because aunts arnt mothers--seems as if youd dass to ask your +MOTHER. I hate to be scart on acount of being a Plummer. Im afraid Im +the only Plummer that ever was--'" + +The reading suddenly stopped here. This was Sunday, and the last entry +was fresh from Rebecca Mary's pencil. + +"Thomas Jefferson!" stormed Rebecca Mary, in a little gust of passion, +"don't you ever TELL I was scared! As long as you live!--cross your +heart!--oh, I wish I hadn't read that part to you! You're a Plummer too, +and you never were scared, and you can't understand--" + +The diary was clutched to Rebecca Mary's little flat breast, and with a +swirl of starched Sunday skirts the child was gone. She went straight +to Aunt Olivia. Red spots of shame flamed in both sallow little cheeks; +resolution sat astride her little uphill nose. She could not bear to go, +but it was easier than being ashamed. The pointing fingers of all the +Plummers pushed her on. Go she must, or be a coward. Long ago--it seemed +long to Rebecca Mary--she had stood up straight and stanch and refused +to make any more sheets. Was that little girl who had dared, THIS little +girl who was afraid? Should that little girl be ashamed of this one? + +"Aunt Olivia," steadily, though Rebecca Mary's heart was pounding +hard--"Aunt Olivia, are--are you well off?" + +She had not meant to begin like that, but afterwards she was glad that +she had. + +"My grief!" Aunt Olivia ejaculated in her surprise. What would the child +ask next? "Am I well off? If you mean rich, no, I ain't." + +"Oh! Then you're--why, I didn't think about your being poor! I shouldn't +have thought of asking--that makes a great difference. I never thought +of THAT!" + +She was off before Aunt Olivia had fully recovered her breath, and +the stumping of her heavy little shoes going upstairs was the only +distinctly audible sound. In her own room Rebecca Mary stopped, panting. + +"Oh, I'm glad I didn't get as far as ASKING!" she breathed aloud. "I +never thought about her being poor--of course then I wouldn't ask!" + +But she squared her shoulders and stood up, straight and unashamed. For +she had vindicated herself. She had been ready to ask. She could look +that other little girl of the sheets in the face. The Other Little Girl +was there, coming to meet her as she advanced to the little looking +glass above the table. But Rebecca Mary waved her back peremptorily. + +"Go right back!" she said. "I only came to tell you I wasn't a +coward--that's all. Good-bye. For I'm not coming any more. You're sorry +I'm homely, and I'm sorry you are, but it doesn't do any good for us to +look at each other and groan. It will make us unsatisfied. So I shall +turn you back to the wall--good-bye." + +But for a very [long] instant they looked sadly into each other's +little lean brown-yellow faces. It was a brief ceremony of farewell. +"Good-bye," smiled Rebecca Mary, bravely. And the lips of The Other +Little Girl moved as though saying it too. The Other Little Girl smiled. +And neither of them knew that just then she was beautiful. + +Aunt Olivia was trying to meet her own courage test. She had been trying +a good many days. Duty--stern, unswerving duty--bade her inspect Rebecca +Mary's little cookbook diary. Should she not know--ought she not to know +the thoughts that were brewing in the child's mind? How else could she +bring her up properly? + +"Read it," Duty said, "find out. Are you afraid?" + +"I'm ashamed," groaned Aunt Olivia. "Do you think Rebecca Mary would +read my diary?" + +"Is Rebecca Mary bringing you up?" + +Aunt Olivia sometimes thought so. The puzzle that she had begun to try +to solve when Rebecca Mary's white, death-struck mother had laid her +baby in Aunt Olivia's unaccustomed arms was getting a little more +difficult every day. Some days Aunt Olivia wondered if she ought to give +it up. Oh, this bringing up--this bringing up of little children! + +"If I must," groaned Aunt Olivia, and got as far as taking the little +diary in her hands. But she got no farther. She laid it gently down +again. + +"I can't," she said, firmly, but she could not look Duty in the face as +she said it. She had always listened to Duty before. + +"You know you ought to--" + +"Yes, I know, but I can't! It seems a shameful thing to do. I'm sure +I've tried often enough--you know I've tried--" + +"I know--that was good practice. Now stop trying and read it!" + +Aunt Olivia flamed up. "I tell you I won't! It's a shameful thing. If +I found Rebecca Mary reading one of my diaries, I should send her to +bed--" + +"Read hers and go to bed yourself. It's your duty to read it. When you +bring up a child--" + +"I never will again!" + +Aunt Olivia read it, with the relentless grip of Duty holding her to the +task. But flame spots crept up through the sallow of her thin cheeks and +made what atonement they could. + +It did not take long, though some of the pages she read twice. The +weatherless week, when Rebecca Mary had put off her "asking" from day to +day, Aunt Olivia went back to the third time. When she closed the little +book it was not a Plummer face she lifted it to and laid it against for +the space of a breath--a Plummer face would not have been wet. + +Then she Whirled upon Duty. "Well, I've done it--I hope you're +satisfied!" + +"It had to be done," calm Duty responded. "If you think it will make you +feel any better, you can send yourself to bed." + +"I'm going to," sighed Aunt Olivia, slipping away to her room. A strange +little yearning was upon her to hunt up Rebecca Mary and call her +darling and dear. But in her heart she knew she should not have the +courage to do it. Here was another Plummer coward! + +"Why are some people made like me?" she thought--"so it kills 'em to +say anything anyways tenderish. Seems to be too much for their vocal +organs--they'd rather do a week's washing!" + +Other thoughts came to Aunt Olivia as she lay on her bed, doing her +whimsical penance for violating the sanctity of the little old cookbook. +She was not comfortable. It was a hard bed--nothing was soft of Aunt +Olivia's. She moved about on it uneasily. + +"When they're dead, we're willing enough to say tenderish things to +'em," her musings ran. "We wish we HAD then. I suppose if Rebecca Mary +was--" + +She got no farther for the sudden horror that was upon her--that sent +her to her feet and to the door. But there she stopped in the blessed +relief that drifted in to her on a child's laugh. Somewhere out there +Rebecca Mary was laughing in her subdued, sweet way. A cracked, shrill +crow followed--Thomas Jefferson was laughing too. + +Rebecca Mary was not dead. There was time to say a "tenderish" thing to +her before she lay--before that. Aunt Olivia shut her eyes resolutely to +the vision that had intruded upon her musings. It was Rebecca Mary who +was laughing somewhere out there that she wanted to see. + +The next day was Sunday, and in the quiet of the long afternoon Rebecca +Mary read aloud again to Thomas Jefferson. It was from the little +cookbook diary. Thomas Jefferson was pecking about the long grass of the +orchard. + +"Oh, listen!" cried Rebecca Mary, her eyes unwontedly shining. "Listen +to this, Thomas Jefferson! + +"'SATURDAY.--Wind northwest by Mrs. Tupper's Weather vain. Something +happened yesterday. Aunt Olivia didn't say it, but she most did. +She came right out of her bedroom and I saw it in her face! +"Dear"--"darling,"--they were both there, and she was looking at me! +Nobody EVER looked "dear" "darling" at me before. I suppose my mother +would have. If I hadent had another mother I think I should like to have +had Aunt Olivia. + +"'You feel that way more after you get akquainted. When I get VERY +akquainted prehaps I shall tell Aunt Olivia. Its quear, I think, how it +isent as easy to say some things as it is to think them. You can wright +them easier too. I am glad Ime keeping a diary because I can wright +about yesterday and what happenned. I shall read it to my grand +children--to be continude. + +"'SUNDAY'--that's today, Thomas Jefferson,--'SUNDAY.--This is yesterday +continude, because there was too mutch for one day. Something else +beutiful happenned. My Aunt Olivia said to me as folows, I have desided +to pay you a weakly alowance of 10 cents a weak Rebecca Mary. And I +never asked her to. And she never said anything about charging me for +my sins. I was going to ask her but I found out she was poor. That was a +mistake, she isent. She must be SOME well of I think for 10 cents seams +a great deal to have of your own every weak. But I shant buy crimpers. +Ime going to buy a present for Aunt Olivia byamby. Ime very happy. I +wish I knew how to spell hooray.'" + +Suddenly Rebecca Mary was on her feet, waving the cookbook jubilantly. + +"Hoo-ray! Hoo-ray! Thomas Jefferson!" she shouted, surprising the gentle +Sunday calm. She surprised Thomas Jefferson, too, but he was equal to +the occasion--Thomas Jefferson was a gentleman. + +"Hoo-ra-a-a-ay!" he crowed, splendidly, with a fine effect of clapping +his hands. + +This time there could be no doubt. This was applause. + + + + +The Bereavement + + + +Thomas Jefferson was losing his appetite. Even Aunt Olivia noticed it, +but it did not worry her as it did Rebecca Mary. + +"He's always had as many appetites as a cat's got lives--he's got eight +good ones left," she said, calmly. + +But Rebecca Mary was not calm. It seemed to her that Thomas Jefferson +was getting thinner every day. + +"Oh, I can feel your bones!" she cried, in distress. "Your bones are +coming through, you poor, dear Thomas Jefferson! Won't you eat just one +more kernel of corn--just this one for Rebecca Mary? I'd do it for you. +Shut your eyes and swallow it right down and you'll never know it." + +That day Thomas Jefferson listened to pleading, but not the next +day--nor the next. He went about dispiritedly, and the last few times +that he crowed it made Rebecca Mary cry. Even Aunt Olivia shook her +head. + +"I could do it better than that myself," she said, soberly. + +Rebecca Mary hunted bugs and angleworms and arranged them temptingly in +rows, but the big, white rooster passed them by with a feeble peck +or two. Bits of bread failed to tempt him, or even his favorite cooky +crumbs. His eighth appetite departed--his seventh, sixth, fifth, fourth. + +"He lost his third one yesterday," lamented Rebecca Mary, "and today +he's lost his second. It's pretty bad when he hasn't only one left, Aunt +Olivia." + +"Pretty bad," nodded Aunt Olivia. She was stirring up a warm mush. +When Rebecca Mary had gone upstairs she took it to Thomas Jefferson +and commanded him to eat. He was beyond coaxing--perhaps he needed +commanding. + +Rebecca Mary thought Aunt Olivia did not care, and it added a new sting +to her pain. There was that time that Aunt Olivia said she wished the +Lord hadn't ever created roosters--Thomas Jefferson had just scratched +up her pansy seeds. And the time when she wished Thomas Jefferson was +dead; did she wish that now? Was she--was she glad he was going to be +dead? + +For Rebecca Mary had given up hope. She was not reconciled, but she was +sure. She spent all her spare time with the big, gaunt, pitiful fellow, +trying to make his last days easier. She knew he liked to have her with +him. + +"You do, don't you, dear?" she said. She had never called him "dear" +before. She realized sadly that this was her last chance. "You do like +to have me here, don't you? You'd rather? Don't try to crow--just nod +your head a little if you do." And the big, white fellow's head had +nodded a little, she was sure. She put out her loving little brown hand +and caressed it. "I knew you did, dear. Oh, Thomas Jefferson, Thomas +Jefferson, don't die! PLEASE don't--think of the good times we'll +have if you won't! Think of the--the grasshoppers--the bugs, Thomas +Jefferson--the cookies! Won't you think?--won't you try to be a little +bit hungry?" + +Rebecca Mary knew what it was to be hungry and not be able to eat, +but to be able to eat and not be hungry--this was away and beyond her +experience. The sad puzzle of it she could not solve. + +One day the minister had a rather surprising summons to perform his +priestly functions. The summoner was Rebecca Mary. She appeared like +a sombre little shadow in his sunny sermon room. The minister's wife +ushered her in, and in the brief instant of opening the door and +announcing her name flashed him a warning glance. He had been acquainted +so long with her glances that he was able to interpret this one with +considerable accuracy. "All right," he glanced back. No, he would not +smile--yes, he would remember that it was Rebecca Mary. + +"Do what she asks you," flashed the minister's wife's glance. + +"All right," flashed the minister. Then the door closed. + +"Thomas Jefferson is dying," Rebecca Mary began, hurriedly. "I came to +see if you'd come." + +In spite of himself the minister gasped. Then, as the situation dawned +clearly upon him, his mouth corners began--in spite of themselves--to +curve upward. But in time he remembered the minister's wife, and drew +them back to their centres of gravity. He waited a little. It was safer. + +"Aunt Olivia isn't at home and I'm glad. She doesn't care. Perhaps she +would laugh. Oh, I know," appealed Rebecca Mary, piteously, "I know +he's a rooster! It isn't because I don't know--but he's FOLKS to me! You +needn't do anything but just smooth his feathers a little and say the +Lord bless you. I thought perhaps you'd come and do that. _I_ could, but +I wanted you to, because you're a minister. I thought--I thought perhaps +you'd try and forget he's a rooster." + +"I will," the minister said, gently. Now his lips were quite grave. He +took Rebecca Mary's hand and went with her. + +"He's a good man," murmured the minister's wife, watching them go. She +had known he would go. + +"He was one of my parishioners," the minister was saying for the +comforting of Rebecca Mary. Unconsciously he used the past tense, as +one speaks of those close to death. It was well enough, for already big, +gaunt, white Thomas Jefferson was in the past tense. + +Rebecca Mary chronicled the sad event in her diary: + +"Tomas Jefferson passed away at ten minutes of three this afternoon +blessed are them that die in the Lord. The minnister did not get here in +time. I wish I had asked him to run for he is a very good minnister and +would have. He helped me berry him in the cold cold ground and we sang a +him. I dident ask him to pray because he was only a rooster, but he +was folks to me. I loved him. It is very lonesome. I dred wakening up +tomorrow because he always crowed under my window. The Lord gaveth and +the Lord has taken away." + +This last Rebecca Mary erased once, but she wrote it again after a +moment's thought. For, she reasoned, it was the Lord part of Aunt Olivia +which had given Thomas Jefferson to her. In the primitive little creed +of Rebecca Mary every one had a Lord part, but some people's was very +small. Not Aunt Olivia's--she had never gauged Aunt Olivia's Lord part; +it would not have been consistent with her ideas of loyalty. + +It was very lonely, as Rebecca Mary had known it would be. At best +her life had never been overfull of companionships, and the sudden +taking-off--it seemed sudden, as all deaths do--of Thomas Jefferson was +hard to bear. Strange how blank a space one great, white rooster can +leave behind him! + +The yard and the orchard seemed full of blank spaces, though in a way +Thomas Jefferson's soul seemed to frequent his old beloved haunts. +Rebecca Mary could not see it pecking daintily about, but she felt it +was there. + +"His soul isn't dead," she persisted, gently. She clung to the comfort +of that. And one morning she thought she heard again Thomas Jefferson's +old, cheery greeting to the sunrise. The sound she thought she heard +woke her instantly. Was it Thomas Jefferson's soul crowing? + +"Aunt Olivia isent sorry," chronicled the diary, sadly. "Prehaps shes +glad. Once she wished the Lord had forgot to create roosters. But she +was ever kind to Tomas Jefferson, considdering the seeds he scrached up. +That was his besittingest sin and I know he is sorry now. I wish Aunt +Olivia was sorry." + +Nothing was ever said between the two about Rebecca Mary's loss, but +Aunt Olivia recognized the keenness of it to the child. She worried +a little about it; it reminded her of that other time of worry when +Rebecca Mary and she had nearly starved. Sheets and roosters--there were +so many worries in the world. + +That other time she went to the minister, this time to the minister's +wife. One afternoon she went and carried her work. + +"You know about children," she began, without loss of time. "What +happens when they lose their appetite over a dead rooster?" + +"Thomas Jefferson?" breathed the minister's wife, softly. + +"Yes--he's dead and buried, and she's mourning for him. I set three +tarts on for dinner today, and I set three tarts AWAY after dinner. +Rebecca Mary is fond of tarts. What should you do if it was Rhoda?" + +"Oh---Rhoda--why, I think I should get her another rooster, or a cat or +something, to get her mind off. But Rhoda isn't Rebecca Mary--" + +Aunt Olivia folded up her work. She got up briskly. + +"They've got a white rooster down to the Trumbullses'," she said. "I +guess I better go right down now; Tony Trumbull is liable to be at home +just before supper. I'm very much obliged to you for your advice." + +"Did I advise her?" murmured the minister's wife, watching the resolute +swing of Aunt Olivia's skirts as she strode away. "I was going to tell +her that what would cure my Rhoda might not cure Rebecca Mary. Well, I +hope it will work," but she was sure it wouldn't. She had grown a little +acquainted with Rebecca Mary. + +It was the new, white rooster crowing, instead of the soul of Thomas +Jefferson. Rebecca Mary found out after she had dressed and gone +downstairs. Soon after that she appeared in the kitchen doorway with an +armful of snowy feathers. Aunt Olivia, over her muffin pans, eyed her +with secret delight. The cure was working sooner than she had dared to +expect. + +"This is the Tony Trumbullses' rooster; if I hurry I guess I can carry +him back before breakfast," Rebecca Mary said from the doorway. "I'll +run, Aunt Olivia." + +"Carry him back!" Aunt Olivia's muffin spoon dropped into the bowl of +creamy batter. One look at Rebecca Mary convinced her that the cure had +not begun to work. Imperceptibly she stiffened. "He ain't anybody's but +mine. I've bought him," she explained, briefly. "You set him down +and feed him with these crumbs--he ain't human if he don't like +cloth-o'-gold cake." + +But the child in the doorway, after gently releasing the great fellow, +drew away quietly. The second look at her face convinced Aunt Olivia +that the cure would never work. + +"You feed him, please, Aunt Olivia," Rebecca Mary said; "I--couldn't. +I'll stir the muffins up." + +Nothing further was ever said about keeping the Tony Trumbull rooster. +He pecked about the place in unrestrained freedom until the morning work +was done, and then Aunt Olivia carried him home in her apron. + +"I concluded not to keep him--he'd likely be homesick," she said, with +a qualm of conscience; for the big, white fellow had certainly shown no +signs of homesickness. But she could not explain and reveal the secret +places of Rebecca Mary's heart. Aunt Olivia, too, had her ideas of +loyalty. + +In the diary there occurred brief mention of the episode: "The Tony +Trumbull rooster has been here. I could eat him--that's how I feel about +the Tony Trumbull rooster. + +"I never could have eatten Tomas Jefferson but once and then it would +have broken my heart but I was starveing. Aunt Olivia took him back." + +Thomas Jefferson's grave was kept green. Rebecca Mary took her stents +down into the orchard and sat beside it, sadly stitching. She kept it +heaped with wild flowers and poppies from her own rows. Aunt Olivia's +flowers she never touched. The bitterness of Aunt Olivia's not being +sorry--perhaps being glad--rankled in her sore little soul. It would +have helped--oh yes, it would have helped. + +Aunt Olivia worried on. It seemed to her that all Rebecca Mary's meals +in one meal would not have kept a kitten alive--and that reminded her. +She would try a kitten. The minister's wife had said a rooster or a cat. +A white kitten, she decided, though she could scarcely have told why. + +The kitten was better, but it was not a cure. Rebecca Mary took the +little creature to her breast and told it her grief for Thomas Jefferson +and cried her Thomas Jefferson tears into its soft, white fur. In that +way, at any rate, it was a success. + +"Maybe I shall love you some day," she whispered, "but I can't yet, +while Thomas Jefferson is fresh. He's all I have room for. He was +my intimate friend--when your intimate friend is dead you can't +love anybody else right away." But she apologized to the little cat +gently--she felt that an apology was due it. + +"You see how it is, little, white cat," she said. "I shall have to ask +you to wait. But if I ever have a second love, I promise it will be +you. You're a great DEAL comfortinger than that Tony Trumbull rooster! I +could love you this minute if I had never loved Thomas Jefferson. Do you +feel like waiting?" + +The little, white cat waited. And Aunt Olivia waited. She made tempting +dishes for Rebecca Mary's meals, and put a ruffle into her nightgown +neck and sleeves--Rebecca Mary had always yearned for ruffles. + +"I don't believe she sees 'em. She don't know they're there," groaned +Aunt Olivia, impotently. "She don't see anything but Thomas Jefferson, +and I don't know as she ever will!" + +But Rebecca Mary saw the ruffles and fluted them between her brown +little fingers admiringly. She tried once or twice to go and thank Aunt +Olivia, and got as far as her bedroom door. But the bitterness in her +heart stayed her hand from turning the knob. If Aunt Olivia had only +known that being sorry was the right thing to do! Strangely enough, +though Rebecca Mary's view of the matter never occurred to Aunt Olivia, +she came by and by to being sorry on her own account. Perhaps she had +been all along, underneath her disquietude for Rebecca Mary's sorrow. +Perhaps when she thought how quiet it had grown mornings, and what a +good chance there was now for a supplementary nap, she was being sorry. +When she remembered that she need not buy wheat now and yellow corn, and +that the cookies would last longer--perhaps then she was sorry. But +she did not know it. It seemed to come upon her with the nature of a +surprise on one especial day. She had been working her un-"scrached," +untrampled flower-beds. + +"My grief!" she ejaculated, suddenly, as if just aware of it. "I declare +I believe I miss him, too! I believe to my soul I'd like to hear him +crow--I wouldn't mind if he came strutting in here!" And "in here" was +Aunt Olivia's beloved garden of flowers. Surely she was being sorry now! + +It was the next day that Rebecca Mary's bitterness was sweetened--that +she began to be cured. She and the little, white cat went down together +to Thomas Jefferson's resting place. When they went home--and they went +soon--Rebecca Mary got her diary and began to write in it with eager +haste. Her sombre little face had lighted up with some inner gladness, +like relief: + +"Shes been there and put some lavvender on and pinks. I mean Aunt +Olivia. And shes the very fondest of her pinks and lavvender. So she +must have loved Tomas Jefferson. Shes sorry. Shes sorry. Shes sorry. And +Ime so glad." + +Rebecca Mary caught up the little, white cat and cried her first tear of +joy on its neck. Then she wrote again: + +"Now there are two morners instead of one. Two morners seams so mutch +lovinger than only one. I know he must feal better. I think he must have +been hurt before and so was I. I wish I dass tell Aunt Olivia how glad I +am shes sorry." + +But she told only the little, white cat. The Plummer mantle of reticence +had fallen too heavily on her narrow little shoulders. What she longed +to do she did not "dass." But that evening in her little ruffled +nightgown she went to Aunt Olivia's room and thanked her for the +ruffles. + +"They're beautiful," she murmured, in a small agony of shyness. "I think +it was very kind of you to ruffle me--I've always wanted to be. Thank +you very much." And then she had scurried away on her bare feet to the +safe retreat of her own room under the eaves. Aunt Olivia, left behind, +was unconsciously relieved at not having to respond. She was glad the +child had discovered the ruffles and was pleased. It was a good sign. + +"I'll mix up some pancakes in the morning," Aunt Olivia said, +complacently. "Pancakes may help along. Rebecca Mary is fond of 'em." + +The pinks and the fragrant lavender appeared to have established +a certain unspoken comradeship between the two "morners" of Thomas +Jefferson. Thereafter Rebecca Mary went about comforted, and Aunt Olivia +relieved. The little, white cat purred about the skirts of one and the +stubbed-out toes of the other in cheerful content. + +"Well?" the minister's wife queried, in a moment of social intercourse +after church. She and Aunt Olivia walked down the aisle together. + +"She's getting over it--or beginning to," nodded Aunt Olivia. "That +other rooster didn't work, but I think the little cat is going to. She +hugs it." + +"Good! But she still mourns Thomas Jef--" + +"Of course!" Aunt Olivia interposed, rather crisply. "You couldn't +expect her to get over it all in a minute. He was a remarkable rooster." + +"She misses him, herself," inwardly smiled the minister's little wife. +Whether by virtue of her relationship to the minister or by her own +virtue, she had learned to read human nature with a degree of accuracy. + +"I looked at myself in the glass tonight," confessed Rebecca Mary's +diary, "but it was on acount of the rufles. I think Ime not quite so +homebly in rufles. I think Aunt Olivia was kind to rufle me. I should +like to ware this night gown in the day time. I wish folks did." + +The pencil slipped out of Rebecca Mary's fingers and rolled on the +floor, to the undoing of the little, white cat, who had gone to bed in +his basket. Rebecca Mary caught him up as he darted after the pencil, +and hugged him in an odd little ecstasy. She felt oddly happy. + +"You little, white cat!" she cried, muffledly, her face in his thick +coat, "you've waited and waited, but I think I'm going to love you +now--you needn't wait any more." + + + + +The Feel Doll + + + +The minister uttered a suppressed note of warning as solid little steps +sounded in the hall. It was he who threw a hasty covering over the doll. +The minister's wife sewed on undisturbedly. She did worse than that. + +"Come here, Rhoda," she called, "and tell me which you like better, +three tucks or five in this petticoat?" + +"Five," promptly, upon inspection. Rhoda pulled away the concealing +cover and regarded the stolid doll with tilted head. "She's 'nough like +my Pharaoh's Daughter to be a blood relation," she remarked. "She's got +the Pharaoh complexion." + +"Spoken like MY daughter!" laughed the minister. "But I thought new +dolls in this house were always surprises. And here's Mrs. Minister +making doll petticoats out in the open!" + +"This is Rebecca Mary's--I'm dressing a doll for Rebecca Mary, Robert. +She's eleven years old and never had a doll! Rhoda's ten and has +had--How many dolls have you had, Rhoda?" + +"Gracious! Why, Pharaoh's Daughter, an' Caiapha, an' Esther the +Beautiful Queen, an' the Children of Israel--five o' them--an' Mrs. Job, +an'--" + +"Never mind the rest, dear. You hear, Robert? Do you think Rhoda would +be alive now if she'd never had a doll?" + +The minister pondered the question. "Maybe not, maybe not," he decided; +"but possibly the dolls would have been." + +"Don't make me smile, Robert. I'm trying to make you cry. If Rebecca +Mary were sixty instead of eleven I should dress her a doll." + +"Then why not one for Miss Olivia?" + +"I may dress her one," undauntedly, "if I find out she never had one in +her life." + +"She never did." The minister's voice was positive. "And for that +reason, dear, aren't you afraid she would not approve of Rebecca Mary's +having one? Isn't it rather a delicate mat--" + +"Don't, Robert, don't discourage me. It's going to be such a beautiful +doll! And you needn't tell me that poor little eleven-year-old +woman-child won't hold out her empty arms for it. Robert, you're a +minister; would it be wrong to give it to her STRAIGHT?" + +"Straight, dear?" + +"Yes; without saying anything to her aunt Olivia. Tell me. Rhoda's gone. +Say it as--as liberally as you can." + +The minister for answer swept doll, petticoat, and minister's wife into +his arms, and kissed them all impartially. + +"Think if it were Rhoda," she pleaded. + +"And you were 'Aunt Olivia'? You ask me to think such hard things, dear! +If I could stop being a minister long enough--" + +"Stop?" she laughed; but she knew she meant keep on. With a sigh she +burrowed a little deeper in his neck. "Then I'll ask Aunt Olivia first," +she said. + +She went back to her tucking. Only once more did she mention Rebecca +Mary. The once was after she had come downstairs from tucking the +children into bed. She stood in the doorway with the look in her face +that mothers have after doing things like that. The minister loved that +look. + +"Robert, nights when I kiss the children--you knew when you married me +that I was foolish--I kiss little lone Rebecca Mary, too. I began the +day Thomas Jefferson died--I went to the Rebecca-Mary-est window and +threw her a kiss. I went tonight. Don't say a word; you knew when you +married me." + +Aunt Olivia received the resplendent doll in silence. Plummer honesty +and Plummer politeness were at variance. Plummer politeness said: "Thank +her. For goodness' sake, aren't you going to thank the minister's wife?" +But Plummer honesty, grim and yieldless, said, "You can't thank her, +because you're not thankful." So Aunt Olivia sat silent, with her +resplendent doll across her knees. + +"For Rebecca Mary," the minister's wife was saying, in rather a halting +way. "I dressed it for her. I thought perhaps she never--" + +"She never," said Aunt Olivia, briefly. Strange that at that particular +instant she should remember a trifling incident in the child's far-off +childhood. The incident had to do with a little, white nightgown rolled +tightly and pinned together. She had found Rebecca Mary in her little +waist and petticoat cuddling it in bed. + +"It's a dollie. Please 'sh, Aunt Olivia, or you'll wake her up!" the +child had whispered, in an agony. "Oh, you're not agoing to turn her +back to a nightgown? Don't unpin her, Aunt Olivia--it will kill her! +I'll name her after you if you'll let her stay." + +"Get up and take your clothes off." Strange Aunt Olivia should remember +at this particular instant; should remember, too, that the pin had +been a little rusty and came out hard. Rebecca Mary had slid out of bed +obediently, but there had been a look on her little brown face as of one +bereaved. She had watched the pin come out, and the nightgown unroll, in +stricken silence. When it hung released and limp over Aunt Olivia's arm +she had given one little cry: + +"She's dead!" + +The minister's wife was talking hurriedly. Her voice seemed a good +way off; it had the effect of coming nearer and growing louder as Aunt +Olivia stepped back across the years. + +"Of course you are to do as you think best about giving it to her," the +minister's wife said, unwillingly. This came of being a minister's wife! +"But I think--I have always thought--that little girls ought--I +mean Rhoda ought--to have dolls to cuddle. It seems part of +their--her--inheritance." This was hard work! If Miss Olivia would not +sit there looking like that--. + +"As if I'd done something unkind!" thought the gentle little mother, +indignantly. She got up presently and went away. But Aunt Olivia, with +the doll hanging unhealthily over her arm, followed her to the door. +There was something the Plummer honesty insisted upon Aunt Olivia's +saying. She said it reluctantly: + +"I think I ought to tell you that I've never believed in dolls. I've +always thought they were a waste of time and kept children from learning +to do useful things. I've brought Rebecca Mary up according to my best +light." + +"Worst darkness!" thought the minister's wife, hotly. + +"She's never had a doll. I never had one. I got along. I could make +butter when I was seven. So perhaps you'd better take the doll--" + +"No, no! Please keep it, Miss Olivia, and if you should ever change your +mind--I mean perhaps sometime--good-bye. It's a beautiful day, isn't +it?" + +Aunt Olivia took it up into the guest chamber and laid it in an empty +bureau drawer. She closed the drawer hastily. She did not feel as +duty-proof as she had once felt, before things had happened--softening +things that had pulled at her heartstrings and weakened her. The quilt +on the guest chamber bed was one of the things; she would not look at it +now. And the sheets under the quilt--and the grave of Thomas Jefferson +that she could see from the guest chamber window. Aunt Olivia was +terribly beset with the temptation to take the doll out to Rebecca Mary +in the garden. + +"Are you going to do it?" demanded Duty, confronting her. "Are you +going to give up all your convictions now? Rebecca Mary's in her twelfth +year-pretty late to begin to humor her. I thought you didn't believe in +humoring." + +"I unpinned the nightgown," parried Aunt Olivia, on the defensive. "I +never let her make another one." + +"But you're weakening now. You want to let her have THIS doll." + +"It seems like part of--of her inheritance." + +"Lock that drawer!" + +Aunt Olivia turned the key unhappily. It was not that her "convictions" +had changed--it was her heart. + +She went up at odd times and looked at the doll the minister's wife had +dressed. She had an unaccountable, uncomfortable feeling that it was +lying there in its coffin--that Rebecca Mary would have said, "She's +dead." + +It was a handsome doll. Aunt Olivia was not acquainted with dolls, +but she acknowledged that. She admired it unwillingly. She liked its +clothes--the minister's wife had not spared any pains. She had not +stinted in tucks nor ruffles. + +Once Aunt Olivia took it out and turned it over in her hands with +critical intent, but there was nothing to criticise. It was a beautiful +doll. She held it with a curious, shy tenderness. But that time she did +not sit down with it. It was the next time. + +The rocker was so near the bureau, and Aunt Olivia was tired--and the +doll was already in her arms. She only sat down. For a minute she sat +quite straight and unrelaxed, then she settled back a little--a little +more. The doll lay heavily against her, its flaxen head touching her +breast. After the manner of high-bred dolls, its eyes drooped sleepily. + +Aunt Olivia began to rock--a gentle sway back and forth. She was sixty, +but this was the first time she had ever rocked a chi--a doll. So she +rocked for a little, scarcely knowing it. When she found out, a wave of +soft pink dyed her face and flowed upward redly to her hair. + +"Well!" Duty jibed, mocking her. + +"Don't say a word!" cried poor Aunt Olivia. "I'll put her right back." + +"What good will that do?" + +"I'll lock her in." + +"You've locked her in before." + +"I'll--I'll hide the key." + +"Where you can find it! Think again." + +Aunt Olivia thrust the doll back into its coffin with unsteady hands. +The red in her face had faded to a faint, abiding pink. She locked the +drawer and drew out the key. She strode to the window and flung it out +with a wide sweep of her arm. + +The minister's wife, ignorant of the results of her kind little +experiment, resolved to question Rebecca Mary the next time she came on +an errand. She would do it with extreme caution. + +"I'll just feel round," she said. "I want to know if her aunt's given it +to her. You think she must have, don't you, Robert? By this time? Why, +it was six weeks ago I carried it over! It was such a nice, friendly +little doll! By this time they would be such friends--if her aunt gave +it to her. Robert, you think--" + +"I think it's going to rain," the minister said. But he kissed her to +make it easier. + +Rebecca Mary came over to bring Aunt Olivia's rule for parson-cake that +the minister's wife had asked for. + +"Come in, Rebecca Mary," the minister's wife said, cordially. "Don't you +want to see the new dress Rhoda's doll is going to have? I suppose you +could make your doll's dress yourself?" It seemed a hard thing to say. +Feeling round was not pleasant. + +"P'haps I could, but she doesn't wear dresses," Rebecca Mary answered, +gravely. + +"No?" This was puzzling. "Her clothes don't come off, I suppose?" Then +it could not be the nice, friendly doll. + +"No'm. Nor they don't go on, either. She isn't a feel doll." + +"A--what kind did you say, dear?" The minister's wife paused in her work +interestedly. Distinctly, Miss Olivia had not given her THE doll; but +this doll--"I don't think I quite understood, Rebecca Mary." + +"No'm; it's a little hard. She isn't a FEEL doll, I said. I never had a +feel one. Mine hasn't any body, just a soul. But she's a great comfort." + +"Robert," appealed the minister's wife, helplessly. This was a case for +the minister--a case of souls. + +"Tell us some more about her, Rebecca Mary," the minister urged, gently. +But there was helplessness, too, in his eyes. + +"Why, that's all!" returned Rebecca Mary, in surprise. "Of course I +can't dress her or undress her or take her out calling. But it's a great +comfort to rock her soul to sleep." + +"Call Rhoda," murmured the wife to the minister; but Rhoda was already +there. She volunteered prompt explanation. There was no hesitation in +Rhoda's face. + +"She means a make believe doll. Don't you, Rebecca Mary?" + +"Yes," Rebecca Mary assented; "that's her other name, I suppose, but I +never called her by it." + +"What did you call her?" demanded practical Rhoda. "What's her name +mean?" + +"Rhoda!"--hastily, from the minister's wife. This seemed like sacrilege. +But Rhoda's clear, blue eyes were fixed upon Rebecca Mary; she had not +heard her mother's warning little word. + +A shy color spread thinly over the lean little face of Rebecca Mary. For +the space of a breath or two she hesitated. + +"Her name's--Felicia," then, softly. + +"Robert"--the children had gone out together; the minister's wife's eyes +were unashamedly wet--"Robert, I wish you were a--a sheriff instead of +a minister. Because I think I would make a better sheriff's wife. Do you +know what I would make you do?" + +The minister could guess. + +"I'd make you ARREST that woman, Robert!" + +"Felicia!" But she saw willingness to be a sheriff come into his own +eyes and stop there briefly. + +"Don't call me 'Felicia' while I feel as wicked as this! Oh, Robert, to +think she named her little soul-doll after me!" + +"It's a beautiful name." + +Suddenly the wickedness was over. She laughed unsteadily. + +"It wouldn't be a good name for a sheriff's wife, would it?" she said. +"So I'll stay by my own minister." + +One day close upon this time Aunt Olivia came abruptly upon Rebecca Mary +in the grape arbor. She was sitting in her little rocking chair, swaying +back and forth slowly. She did not see Aunt Olivia. What was she was +crooning half under her breath? + + "Oh, hush, oh, hush, my dollie; + Don't worry any more, + For Rebecca Mary 'n' the angels + Are watching o'er, + ---O'er 'n' o'er 'n' o'er." + +The same words over and over--growing perhaps a little softer and +tenderer. Rebecca Mary's arm was crooked as though a little flaxen head +lay in the bend of it. Rebecca Mary's brooding little face was gazing +downward intently at her empty arm. Quite suddenly it came upon Aunt +Olivia that she had seen the child rocking like this before--that she +must have seen her often. + + "Rebecca Mary 'n' the angels + Are watching o'er," + +sang on the crooning little voice in Aunt Olivia's ears. + +The doll in its coffin upstairs; down here Rebecca Mary rocking her +empty arms. The two thoughts flashed into Aunt Olivia's mind and welded +into one. All her vacillations and Duty's sharp reminders occurred +to her clearly. She had thought that at last she was proof against +temptation, but she had not thought of this. She was not prepared for +Rebecca Mary, here in her little rocking chair, rocking her little +soul-doll to sleep. + +The angels were used to watching o'er, but Aunt Olivia could not bear +it. She went away with a strange, unaccustomed ache in her throat. The +minister's wife would not have wanted her arrested then. + +Aunt Olivia tiptoed away as though Rebecca Mary had said, "'Sh!" She was +remembering, as she went, the brief, sweet moment when she had sat like +that and rocked, with the doll the minister's wife dressed, in her arms. +It seemed to establish a new link of kinship between her and Rebecca +Mary. + +She ran plump into Duty. + +"Oh!" she gasped. She was a little stunned. Aunt Olivia's Duty was +solid. + +"I know where you've been. I tried get there in time." + +"You're too late," Aunt Olivia said, firmly, "Don't stop me; there's +something I must do before it gets too dark. It's six o'clock now." + +"Wait!" commanded Duty. "Are you crazy? You don't mean--" + +"Go back there and look at that child--and hear what she's singing! Stay +long enough to take it all in--don't hurry." + +But Duty barred her way, grim and stern. + +Palely she put up both her hands and thrust it aside. She did not once +look back at it. + +Already it was dusky under the guest chamber window. She had to stoop +and peer and feel in the long tangle of grass. She kept on patiently +with the Plummer kind of patience that never gave up. She was eager and +smiling, as though something pleasant were at the end of the peering and +stooping and feeling. + +Aunt Olivia was hunting for a key. + + + + +The Plummer Kind + + + +The doll's name was Olivicia. + +Rebecca Mary had evolved the name from her inner consciousness and her +intense gratitude to Aunt Olivia and the minister's wife. She had put +Aunt Olivia first with instinctive loyalty, though in the secret little +closet of her soul she had longed to call the beautiful being Felicia, +intact and sweet. She did not know the meaning of Felicia, but she knew +that the doll, as it lay in the loving cradle of her arms, gazing upward +with changeless placidity and graciousness, looked as one should look +whose name was Felicia. Greater compliment than this Rebecca Mary could +not have paid the minister's wife. + +"Olivicia," she had placed the being on the sill of the attic window, +stood confronting, addressing it: "Olivicia, it's coming--it is very +near to! Sit there and listen and smile--oh yes, smile, SMILE. I don't +wonder! I would too, only I'm too glad. When you're TOO glad you can't +smile. I've been waiting for it to come. Olivicia, seems as if I'd been +waiting a thousan' years. You're so young, you've only lived such little +while, of course I don't expect you understand the deep-downness inside +o' me when I think--" + +The address fluttered and came to a standstill here. Rebecca Mary was +suddenly minded that Olivicia was in the dark; must be enlightened +before she could smile understandingly. + +"Why, you poor dear!--why, you don't know what it is that's coming and +that's near to! It's the--city, Olivicia," enlightened Rebecca Mary, +gently, to insure against shock. "Aunt Olivia's going--to--the--city." + +In Rebecca Mary's dreamings it had always been THE city. It did not need +local habitation and a name; enough that it had streets upon streets, +houses upon houses upon houses, a dazzling swirl of men, women, and +little children--noise, glitter, glory. In her dreamings the city was +something so wondrous and grand that Heaven might have been its name. +The streets upon streets were not paved with gold, of course--of course +she knew they were not paved with gold! But in spite of herself she knew +that she would be disappointed if they did not shine. + +Aunt Olivia had said it that morning. At breakfast--quite +matter-of-factly. Think of saying it matter-of-factly! + +"I'm going to the city soon, Rebecca Mary," she had said, between sips +of her tea. "Perhaps by Friday week, but I haven't set the day, really. +There's a good deal to do." + +Rebecca Mary had been helping do it all day. Now it was nearly time for +the pageant of red and gold in the west that Rebecca Mary loved, and she +had come up here with the beautiful being to watch it through the tiny +panes of the attic window, but more to ease the aching rapture in her +soul by speech. She must say it out loud. The city--the city--to the +city of streets and houses and men and wonders upon wonders! + +Olivicia had come in the capacity of calm listener; for nothing excited +Olivicia. + +"I," Aunt Olivia had said, but Aunt Olivia usually said "I." There was +no discouragement in that to Rebecca Mary. It did not for a moment occur +to her that "I" did not mean "we." + +The valise they had got down from its cobwebby niche was roomy; it would +hold enough for two. Rebecca Mary knew that, because she had packed it +so many times in her dreamings. She wished Aunt Olivia would let her +pack it now. She knew just where she would put everything--her +best dress and Aunt Olivia's (for of course they would wear their +second-bests), their best hats and shoes and gloves. Their nightgowns +she would roll tightly and put in one end, for it doesn't hurt +nightgowns to be rolled tightly. Of course she would not put +anything heavy, like hair brushes and shoes and things, on top of +anything--unless it was the nightgowns, for it doesn't hurt-- + +"Oh, Olivicia--oh, Olivicia, how I hope she'll say, 'Rebecca Mary, you +may pack the valise'! I could do it with my eyes shut, I've done it so +many, many times!" + +But Aunt Olivia did not say it. One day and then another went by without +her saying it, and then one morning Rebecca Mary knew by the plump, +well-fed aspect of the valise that it was packed. Aunt Olivia had packed +it in the night. + +There was no one else in the room when Rebecca Mary made her +disappointing little discovery. She went over to the plump valise and +prodded it gently with her finger. But it is so difficult to tell in +that way whether your own best dress, your own best hat, best shoes, +best gloves, are in there. Rebecca Mary hurried upstairs and looked in +her closet and in her "best" bureau drawer. + +They were not there! In her relief she caught up the beautiful being and +strained her hard, lifeless little body to her own warm breast. If she +had not been Rebecca Mary, she would have danced about the room. + +"Oh, I'm so relieved, Olivicia!" she laughed, softly. "If they're not up +here, THEY'RE DOWN THERE. They've got to be somewhere. They're in that +valise--valise--vali-i-ise!" + +Rebecca Mary had never been to a city, and within her remembrance Aunt +Olivia had never been. Curiosity was not a Plummer trait, hence Rebecca +Mary had never asked many questions about the remote period before her +own advent into Aunt Olivia's life. The same Plummer restraint kept her +now from asking questions. There was nothing to do but wait, but the +waiting was illumined by her joyous anticipations. + +Oddly enough, Aunt Olivia seemed to have no anticipations--at least +joyous ones. Her, thin, grave face may even have looked a little thinner +and graver, IF Rebecca Mary had thought to notice. + +The night the lean old valise took on plumpness, Aunt Olivia went often +into Mary's little room. Many of the times she came out very shortly +with the child's "best" things trailing from her arms, but once or twice +she stayed rather long--long enough to stand beside a little white bed +and look down on a flushed little face. A pair of wide-open eyes watched +her smilingly from the pillows, but they were not Rebecca Mary's eyes, +and Olivicia was altogether trustworthy. + +An odd thing happened--but Olivicia never told. Why should she publish +abroad that she had lain there and seen Aunt Olivia bend once--bend +twice--over Rebecca Mary and kiss her? + +Softly, patiently, very wearily, Aunt Olivia went in and out. The things +she brought out in her arms she folded carefully and packed, but not +in the lank old valise. She put them all with tender painstaking into a +quaint little carpetbag. When the work was done she set the bag away out +of sight, and went about packing her own things in the old valise. + +The day before, she had been to see the minister and the minister's +wife. She called for them both, and sat down gravely and made her +proposition. It was startling only because of the few words it took +to make it. Otherwise it was very pleasant, and the minister and the +minister's wife received it with nods and smiles. + +"Of course, Miss Olivia--why, certainly!" smiled and nodded the +minister. + +"Why, it will be delightful--and Rhoda will be so pleased!" nodded and +smiled the minister's wife. But after their caller had gone she faced +the minister with indignant eyes. + +"Why did you let her?" she demanded. "Why did you spoil it all by that?" + +"Because she was Miss Olivia," he answered, gently. + +"Yes--yes, I suppose so," reluctantly; "but, anyway, you needn't have +let her do it in advance. Actually it made me blush, Robert!" + +The minister rubbed his cheeks tentatively. "Made me, too," he admitted, +"but I respect Miss Olivia so much--" + +The minister's wife tacked abruptly to her other source of indignation. + +"Why doesn't she TAKE Rebecca Mary? Robert, wait! You know it isn't +because--You know better!" + +"It isn't because, dear--I know better," he hurried, assuringly. The +minister was used to her little indignations and loved them for being +hers. They were harmless, too, and wont to have a good excuse for being. +This one, now--the minister in his heart wondered that Miss Olivia did +not take Rebecca Mary. + +"It would be such a treat. Robert, you think what a treat it would be to +Rebecca Mary!" + +"Still, dear--" + +"I don't want to be still! I want Rebecca Mary to have that treat!" But +she kissed him in token of being willing to drop it there--it was her +usual token--and ran away to get a little room ready. There was not a +device known to the minister's wife that she did not use to make that +room pleasant. + +"Shall I take your pincushion, Rhoda?" Rhoda had come up to help. + +"Yes," eagerly, "and I'll write Welcome with the pins." + +"And the little fan to put on the wall--the pink one?" + +"Yes, yes; let me spread it out, mamma!" + +"That's grand. Now if we only had a pink quilt--" + +"I 'only have' one!" laughed Rhoda, hurrying after it. + +The whole little room when they left, like the pins in the pincushion, +spelled "WELCOME." + +Aunt Olivia got up earlier than usual one day and went about the house +for a survey. The valise and the little carpetbag she carried downstairs +and out on to the front steps. Her face was whitened as if by a long +night's vigil. When she called Rebecca Mary it was with a voice strained +hoarse. The beautiful being Olivicia watched her with intent, unwinking +gaze. Could it be Olivicia understood? + +"Hurry and dress, Rebecca Mary; there's a good deal to do," Aunt Olivia +said at the door. She did not go in. "Yes, in your second-best--don't +you see I've put it out. You can wear that every day now, till--for a +while." Something in the voice startled Rebecca Mary out of her subdued +ecstasy and sent her down to breakfast with a nameless fear tugging at +her heart. + +"You're going to stay at the minister's--I've paid your board in +advance," Aunt Olivia said, monotonously, as if it were her lesson. She +did not look at Rebecca Mary. "I've put in your long-sleeve aprons so +you can help do up the dishes. There's plenty of handkerchiefs to last. +You mustn't forget your rubbers when it's wet, or to make up your bed +yourself. I don't want you to make the minister's wife any more trouble +than you can help." + +The lesson went monotonously on, but Rebecca Mary scarcely heard. She +had heard the first sentence--her sentence, poor child! "You're going to +stay at the minister's--stay at the minister's--stay at the minister's." +It said itself over and over again in her ears. In her need for somebody +to lean on, her startled gaze sought the beautiful being across the room +in agonized appeal. + +But Olivicia was staring smilingly at Aunt Olivia. ET TU, OLIVICIA! + +If Rebecca Mary had noticed, there was an appealing, wistful look in +Aunt Olivia's eyes too, in odd contrast to the firm lips that moved +steadily on with their lesson: + +"You can walk to school with Rhoda, you'll enjoy that. You've never had +folks to walk with. And you can stay with her, only you mustn't forget +your stents. I've put in some towels to hem. Maybe the minister's wife +has got something; if so, hem hers first. You'll be like one o' the +family, and they're nice folks, but I want you to keep right on being a +Plummer." + +Years afterwards Rebecca Mary remembered the dizzy dance of the bottles +in the caster--they seemed to join hands and sway and swing about their +silver circlet and how Aunt Olivia's buttons marched and countermarched +up and down Aunt Olivia's alpaca dress. She did not look above the +buttons--she did not dare to. If she was to keep right on being a +Plummer, she must not cry. + +"That's all," she heard through the daze and dizziness, "except that +I can't tell when I'll be back. It--ain't decided. Likely I shan't be +able--there won't be much chance to write, and you needn't expect me to. +No need to write me either. That's all, I guess." + +The stage that came for Aunt Olivia dropped the little carpetbag and +Rebecca Mary at the minister's. In the brief interval between the start +and the dropping, Rebecca Mary sat, stiff and numb, on the edge of the +high seat and gazed out unfamiliarly at the familiar landmarks they +lurched past. At any other time the knowledge that she was going to the +minister's to stay--to live--would have filled her with staid joy. At +any other time--but THIS time only a dull ache filled her little dreary +world. Everything seemed to ache--the munching cows in the Trumbull +pasture, the cats on the doorsteps, the dog loping along beside the +stage, the stage driver's stooping old back. Aunt Olivia was going to +the city--Rebecca Mary wasn't going to the city. There was no room in +the world for anything but that and the ache. + +Rebecca Mary's indignation was not born till night. Then, lying in the +dainty bed under Rhoda's pink quilt, her mood changed. Until then she +had only been disappointed. But then she sat up suddenly and said bitter +things about Aunt Olivia. + +"She's gone to have a good time all to herself--and she might have taken +me. She didn't, she didn't, and she might've. She wanted all the good +time herself! She didn't want me to have any!" + +"Rebecca Mary!--did you speak, dear?" It was the gentle voice of the +minister's wife outside the door. Rebecca Mary's red little hands +unwrung and dropped on the pink quilt. + +"No'm, I did--I mean yes'm, I didn't--I mean--" + +"You don't feel sick? There isn't anything the matter, dear?" + +"No'm--oh, yes'm, yes'm!" for there was something the matter. It was +Aunt Olivia. But she must not say it--must not cry--must keep right on +being a Plummer. + +"Robert, I didn't go in--I couldn't," the minister's wife said, back +in the cheery sitting room. "I suppose you think I'd have gone in and +comforted her, taken her right in my arms and comforted her the Rhoda +way, but I didn't." + +"No?" The minister's voice was a little vague on account of the sermon +on his knees. + +"I seemed to know--something told me right through that door--that she'd +rather I wouldn't. Robert, if the child is homesick, it's a different +kind of homesickness." + +"The Plummer kind," he suggested. The minister was coming to. + +"Yes, the Plummer kind, I suppose, Plummers are such--such PLUMMERY +persons, Robert!" + +Upstairs under the pink quilt the rigid little figure relaxed just +enough to admit of getting out of bed and fumbling in the little +carpetbag. With her diary in her hand--for Aunt Olivia had remembered +her diary--Rebecca Mary went to the window and sat down. She had to +hold the cookbook up at a painful angle and peer at it sharply, for the +moonlight that filtered into the little room through the vines was dim +and soft. + +"Aunt Olivia has gone to the city and I haven't," painfully traced +Rebecca Mary. "She wanted the good time all to herself. I shall never +forgive Aunt Olivia the Lord have mercy on her." Then Rebecca Mary +went back to bed. She dreamed that the cars ran off the track and they +brought Aunt Olivia's pieces home to her. In the dreadful dream she +forgave Aunt Olivia. + +It was very pleasant at the minister's and the minister's wife's. +Rebecca Mary felt the warmth and pleasantness of it in every fibre of +her body and soul. But she was not happy nor warm. She thought it was +indignation against Aunt Olivia--she did not know she was homesick. She +did not know why she went to the old home every day after school and +wandered through Aunt Olivia's flower garden, and sat with little brown +chin palm-deep on the doorsteps. Gradually the indignation melted out of +existence and only the homesickness was left. It sat on her small, lean +face like a little spectre. It troubled the minister's wife. + +"What can we do, Robert?" she asked. + +"What?" he echoed; for the minister, too, was troubled. + +"She wanders about like a little lost soul. When she plays with the +children it's only the outside of her that plays." + +"Only the outside," he nodded. + +"Last night I went in, Robert, and--and tried the Rhoda way. I think +she liked it, but it didn't comfort her. I am sure now that it is +homesickness, Robert." They were both sure, but the grim little spectre +sat on, undaunted by all their kindnesses. + +"When thy father and thy mother forsake the," wrote Rebecca Mary in the +cookbook diary, "and thy Aunt Olivia for I know it means and thy Aunt +Olivia then the Lord will take the up, but I dont feal as if anyboddy +had taken me up. The ministers wife did once but of course she had to +put me down again rite away. She is a beutiful person and I love her but +she is differunt from thy father and thy mother and thy Aunt Olivia. Ide +rather have Aunt Olivia take me up than to have the Lord." + +It was when she shut the battered little book this time that Rebecca +Mary remembered one or two things that had happened the morning Aunt +Olivia went away. It was queer how she HADN'T remembered them before. + +She remembered that Aunt Olivia had taken her sharp little face between +her own hands and looked down wistfully at it--wistfully, Rebecca Mary +remembered now, though she did not call it by that name. She remembered +Aunt Olivia had said, "You needn't hem anything unless it's for the +minister's wife--never mind the towels I put in." That was almost the +last thing she had said. She had put her head out of the stage door to +say it. Rebecca Mary had hemmed a towel each day. There were but two +left, and she resolved to hem both of those tomorrow. A sudden little +longing was born within her for more towels to hem for Aunt Olivia. + +It was nearly three weeks after Rebecca Mary's entrance into the +minister's family when the letter came. It was directed to Rebecca Mary, +and lay on her plate when she came home from school. + +"Oh, look, you've got a letter, Rebecca Mary!" heralded Rhoda, joyfully. +Then her face fell, for maybe the letter would say Aunt Olivia was +coming home. + +"Is it from your aunt Olivia?" she asked, anxiously. + +"No," Rebecca Mary said, in slow surprise. "The writing isn't, anyway, +and the name is another one--" + +"Oh! Oh! Maybe she's got mar--" + +"Rhoda!" cautioned the minister. + +This is the letter Rebecca Mary read: + +"Dear Rebecca Mary,--You see I know your name from your aunt. She talked +about you all the time, but I am writing you of my own accord. She does +not know it. I think you will like to know that at last we are feeling +very hopeful about your aunt. We have been very anxious since the +operation, she had so little strength to rally with. But now if she +keeps on as well as this you will have her home again in a little while. +The doctors say three weeks. She is the patientest patient in the ward. +Yours very truly, Sara Ellen Nesbitt, Nurse" Ward A, Emmons Hospital + +That was the letter. Rebecca Mary's face grew a little whiter at every +line of it. At every line understanding grew clearer, till at the end +she knew it all. She gave a little cry, and ran out of the room. Love +and remorse and sympathy fought for first place in her laboring little +breast. In the next few minutes she lived so long a time and thought so +many thoughts! But above everything else towered joy that Aunt Olivia +was coming home. + +Rebecca Mary's eyes blazed with pride at being a Plummer. This kind of +courage was the Plummer kind. The child's lank little figure seemed to +grow taller and straighter. She held up her head splendidly and exulted. +She felt like going up on the minister's housetop and proclaiming: +"She's my aunt Olivia! She's mine! She's mine--I'm a Plummer, too! All +o' you listen, she's my aunt Olivia, and she's coming home!" + +Suddenly the child flung out her arms towards the south where Aunt +Olivia was. And though she stood quite still, something within her +seemed to spring away and go hurrying through the clear air. + +"I shouldn't suppose Aunt Olivia would ever forgive me, but she's Aunt +Olivia and she will," wrote Rebecca Mary that night, her small, dark +face full of a solemn peace--it seemed so long since she had been full +of peace before. She wrote on eagerly: + +"When she gets home Ime going to hug her I can't help it if it wont be +keeping right on." + + + + +Article Seven + + + +Rebecca Mary measured them. Against the woodshed wall, with chalk--it +was not altogether an easy thing to do. The result startled her. With +rather unsteady little fingers she measured from chalk mark to floor +again, to make sure it was as bad as that. It was even a little worse. + +"Oh," sighed Rebecca Mary, "to think they belong to me--to think they're +hitched on!" She gazed down at them with scorn and was ashamed of them. +She tried to conceal their length with her brief skirts; but when she +straightened up, there they were again, as long as ever. She sat down +suddenly on the shed floor and drew them up underneath her. That was +temporarily a relief. "If I sit here world without end nobody'll see +'em," grimly smiled Rebecca Mary. + +It was her legs Rebecca Mary measured against the woodshed wall. It was +her legs she was ashamed of. No wonder the minister's wife had said +to the minister going home from meeting, with Rebecca Mary behind them +unawares,--no wonder she had said, "Robert, HAVE you noticed Rebecca +Mary's legs?" + +Rebecca Mary had not heard the reply of the minister, for of course she +had gone away then. If she had stayed she would have heard him say, with +exaggerated prudery, "Felicia! My dear! Were you alluding to Rebecca +Mary's limbs?" for the minister wickedly remembered inadvertent +occasions when he himself had called legs legs. + +"LEGS," the minister's wife repeated, calmly--"Rebecca Mary's are too +long for limbs. Robert, that child will grow up one of these days!" + +"They all do," sighed the minister. "It's human nature, dear. You'll be +telling me next that there's something the matter with Rhoda's--legs." + +The minister's wife gazed thoughtfully ahead at a little trio fast +approaching the vanishing point. Her eyes grew a little wistful. + +"There is now, perhaps, but I haven't noticed--I won't look!" she +murmured. "And, anyway, Robert, Rhoda will give us a little time to get +used to it in. But Rebecca Mary isn't the Rhoda kind--I don't believe +Rebecca Mary will give us even three days of grace!" + +"I always supposed Rebecca Mary was born that way--grown up," the +minister remarked, tucking a gloved hand comfortably close under his +arm. "I wouldn't let it worry me, dear." + +"Oh, I don't--not worry, really," she said, smiling--"only her legs +startled me a little today. If she were mine, I should let her dresses +down." + +"If she were Rhod--" + +"She isn't, she's Rebecca Mary. Probably if I were Miss Olivia I would +let Rhoda's down!" And she knew she would. + +Rebecca Mary on the woodshed floor sat and thought "deep-down" thoughts. +Her eyes were fixed dreamily on a big knothole before her, and the +thoughts seemed to come out of it and stand before her, demanding +imperiously to be thought. One after another--a relentless procession. + +"Think me," the first one had commanded. "I'm the Thought of Growing +Up. I saw you measuring your legs, and I concluded it was time for me to +introduce myself. I had to come some time, didn't I?" + +"Oh yes," breathed Rebecca Mary, sadly. "I don't suppose I could expect +you to stay in there always; but--but I'm not very glad to see you. You +needn't have come so SUDDEN," she added, with gentle resentment. + +The Thought of Growing Up crept into her mind and nestled down there. As +thoughts go, it was not an unkind one. + +"You'll get used to me sometime and like me," it said, comfortingly. But +Rebecca Mary knew better. She drove it out. + +Why must legs keep on growing and unwelcome Thoughts come out of +knotholes? Why could not little girls keep on sewing stents and learning +arithmetic and carrying beautiful doll-beings to bed? Why had the Lord +created little girls like this--this growing kind? + +"If I had made the world," began Rebecca Mary--but stopped in a hurry. +The irreverence of presuming to make a better world than the Lord shamed +her. + +"I suppose He knew best, but if He'd ever been a little girl--" This was +worse than the other. Rebecca Mary hastily dismissed the world and its +Maker from her musings for fear of further irreverences. + +One Thought came out of the knothole, illustrated. It was leading a tall +woman-girl by the hand--no, it was pushing it as though the woman-girl +were loath to come. + +"Come along," urged the new Thought, laughingly. "Here she is--this is +Rebecca Mary. Rebecca Mary, this is YOU! You needn't be afraid of each +other, you two. Take a good long look and get acquainted." + +The woman-girl was tall and straight. She had Rebecca Mary's hair, +Rebecca Mary's eyes, mouth, little pointed chin. But not Rebecca Mary's +legs--unless the long skirts covered them. She was rather comely and +pleasant to look at. But Rebecca Mary tried not to look. + +"She's got a lover---some day she'll be getting married," the new +Thought said more abruptly, startlingly, than grammatically. And then +with a little muffled cry Rebecca Mary put out her hands and pushed +the woman-girl away--back into the knothole whence she had come. The +Thought, too, for she had no room in her mind for thoughts like that. + +"My aunt Olivia wouldn't allow me to think of you," she explained in +dismissing them. "And," with dignity she added, "neither would Rebecca +Mary." + +It was to be as the minister's wife had prophesied--there were to be not +even the three days of grace allowed by law when Rebecca Mary grew up. +Sitting there with her legs, her poor little unappreciated legs, the +innocent cause of the whole trouble, curled out of sight, Rebecca Mary +planned that there should be but one day of grace. She would allow one +day more to be a little girl in, and then she would grow up. But that +one day--Rebecca Mary got up hastily and went to find Aunt Olivia. + +"Aunt Olivia," she began, without preamble--Rebecca Mary never +preambled--"Aunt Olivia, may I have a holiday tomorrow?" + +Aunt Olivia was rocking in her easy chair on the porch. It had taken her +sixty-two years to learn to sit in an easy chair and rock. Even now, and +she had been home from the hospital many months, she felt a little +as though the friendly birds that perched on the porch railing were +twittering tauntingly, "Plummer! Plummer! Plummer!--rocking in an easy +chair!" + +"May I, Aunt Olivia?" It was an unusual occurrence for Rebecca Mary to +ask again so soon. But this was an unusual occurrence. Aunt Olivia's +thin face turned affectionately towards the child. + +"School doesn't begin again tomorrow, does it?" she said in surprise. +Weren't all Rebecca Mary's days now holidays? + +"Oh no---no'm. But I mean may I skip my stents? And--and may I soak the +kettles and pans? Just tomorrow." + +"Just tomorrow," repeated bewildered Aunt Olivia--"soak your--stents--" + +"Because it's going to be a pretty busy day. It's going to be a--a +celebration," Rebecca Mary said, softly. There was a strangely exalted +look on her face. Oddly enough she was not afraid that Aunt Olivia would +say no. + +Aunt Olivia said yes. She did not ask any questions about the +celebration, on account of the exalted look. She could wait. But the +bewildered look stayed for a while on her thin face. Rebecca Mary was +a queer child, a queer child--but she was a dear child. Dearness atoned +for queerness in Aunt Olivia's creed. + +The celebration began early the next morning before Aunt Olivia was up. +She lay in bed and heard it begin. Rebecca Mary out in the dewy garden +was singing at the top of her voice. Aunt Olivia had never heard her +sing like that before--not at the top. Her sweet, shrill voice sounded +rather unacquainted with such free heights as that, and the woman in the +bed wondered with a staid little smile if it did not make Rebecca Mary +feel as she felt when she sat in the easy chair rocking. + +Rebecca Mary sang hymns mostly, but interspersed in her programme were +bits of Mother Goose set to original tunes--she had learned the Mother +Goose of the minister's Littlest Little Boy--and original bits set to +familiar tunes. It was a wild little orgy of song. + +"My grief!" Aunt Olivia ejaculated under her breath; but she did not +mean her grief. Other people might think Rebecca Mary was crazy--not +Aunt Olivia. But yet she wondered a little and found it hard to wait. + +Rebecca Mary washed the breakfast cup and plates, but put the pans and +kettles to soak, and hurried away to her play. There was so much playing +to be done before the sun set on her opportunity. She had made a little +programme on a slip of paper, with approximate times allotted to each +item. As: + + Tree climbing... 1 hr. + (Do not tare anything) + Mud pies... 1 hr. and 1/2. + (Do not get anything muddy) + Tea party... 2 hrs. + (Do not break anything) + Skipping... 1/2 hr. + +Rebecca Mary had written 1 hr. at first opposite skipping, but it had +rather appalled her to think of skipping for so long a period of time, +and, with a sense of being already out of breath, she had hurriedly +erased the 1 and substituted 1/2. Underneath she had written, ("Do not +tip over anything"). All the items had cautionary parentheses +underneath them, for Rebecca Mary did not wish the celebration to injure +"anything." Not this last day, when all the days of all the years before +it, that had gone to make up her little girlhood, nothing had been torn +or muddied or tipped over. + +Rebecca Mary had never climbed trees, had never made mud pies, never had +tea parties, nor skipped. It was with rather a hesitating step that she +went forward to meet them all. She was even a little awed. But she went. +No item on her programme was omitted. + +From her rocker on the porch Aunt Olivia watched proceedings with quiet +patience. It was a good vantage point--she could see nearly all of the +celebration. The tree Rebecca Mary climbed was on the edge of the old +orchard next to Aunt Olivia, and there was a providential little rift +through the shrubbery and vines that intervened. This part of the +programme she could see almost too clearly, for it must be confessed +that this part startled Aunt Olivia out of her calm. It--it was so +unexpected. She stopped rocking and leaned forward in her chair to peer +more sharply. What was the child--"She's climbing a tree!" breathed Aunt +Olivia in undisguised astonishment. Even as she breathed it, there came +to her faintly the snapping of twigs and flutter of leaves. Then all was +quite still, but she could discern with her pair of trusty Plummer eyes +two long legs gently dangling. + +If Aunt Olivia had known, Rebecca Mary, too, was startled. It--it was so +strange an experience. She was not in the least afraid--it was a mental +start rather than a physical one. When she had reached the limb set down +in her programme she sat on it in a little daze of bewildered delight. +She liked it! + +"Why, why, it's nice!" Rebecca Mary breathed. Her turn had come for +undisguised astonishment. The leaves all about her nodded to her and +stroked her cheeks and hair and hands. They whispered things into her +ears. They were such friendly little leaves! + +Nothing looked quite the same up there. It was a little as if she were +in a new world, and she felt odd thrills of pride, as probably people +who had discovered countries and rivers and north poles felt. Through +a rift in the leaves she could see with her good Plummer eyes a swaying +spot of brown and white that was Aunt Olivia rocking. Suddenly +Rebecca Mary experienced a pang of remorse that she had wasted so many +opportunities like this--that this was her only one. She wished she had +put 2 hrs. instead of 1 hr. over against "Tree climbing," but it was too +late now. She had borrowed Aunt Olivia's open-faced gold watch to serve +as timekeeper, and promptly at the expiration of the 1 hr. she slid down +through the crackling twigs and friendly leaves to the old world below. +She did not allow herself to look back, but she could not help the sigh. +It was going to be harder to grow up than she had thought it would be. + +The mud pies she made with conscientious care as Rhoda, the minister's +little girl, had said she used to make them. She made rows and rows of +them and set them in the sun to bake. There were raisin stones in them +all and crimped edges around them. It did not take nearly all the 1 hr. +and 1/2, so she made another and still another batch. When the time was +up she did not sigh, but she had had rather a good time. How many mud +pies she HADN'T made in all those years that were to end today! + +Olivicia and the little white cat went to the tea party. Rebecca Mary +thought of inviting Aunt Olivia--she got as far as the porch steps, +but no farther. She caught a glimpse of her own legs and shrank back +sensitively. They seemed to have grown since she measured them against +the woodshed wall. Rebecca Mary felt the contrast between her legs and +the tea party. Aunt Olivia never knew how near she had come to being +invited to take part in the celebration, at Article III. on the +programme. + +Rhoda had had tea parties unnumbered, like the sands of the sea. She had +described them fluently, so Rebecca Mary was not as one in the dark. She +knew how to cut the bread and the cake into tiny dice, and the cookies +into tiny rounds. She knew how to make the cambric tea and to arrange +the jelly and flowers. But Rhoda had forgotten to tell her how to make a +rose pie--how to select two large rose leaves for upper and under crust, +and to fill in the pie between them with pink and white rose petals and +sugar in alternate layers. Press until "done." Why had Rhoda forgotten? +It seemed a pity that there was no rose pie at Rebecca Mary's tea +party--and no time left to make one. + +"Will you take sugar in your tea, Olivicia?" Rebecca Mary asked, shyly. +She sat on the ground with her legs drawn under her out of sight, but +there were little warm spots in her cheeks. She had not expected to +be--ashamed. If there had been a knothole anywhere, she thought to +herself, the Thought of Growing Up would have come out of it and +confronted her and reminded her of her legs. + +"Will you help yourself to the bread? Won't you have another cookie?" +She left nothing out, and gradually the strangeness wore away. It got +gradually to be a good time. "How many tea parties," thought Rebecca +Mary, "there might have been!" + +Rebecca Mary was skipping, when the minister's wife came to call on Aunt +Olivia. It was the minister's wife who discovered it. Aunt Olivia +caught the indrawing of her breath and saw her face. Then Aunt Olivia +discovered it, and a delicate color overspread her thin cheeks and rose +to her temples. Now what was the child-- + +"Rhoda is a great skipper," the minister's wife said, hurriedly. But it +was the wrong thing--she knew it was the wrong thing. + +"Rebecca Mary is having a--celebration," hurried Aunt Olivia; but she +wished she had not, for it seemed like trying to excuse Rebecca Mary. +She, too, had said the wrong thing. + +"How pleasant it is out here!" tried again the minister's wife. + +"Yes, it's cool," Aunt Olivia agreed, gratefully. After that the things +they said were right things. The fantastic little figure down there in +the orchard, skipping wildly, determinedly, was in none of them. Both +of them felt it to be safer. But the minister's wife's gaze dwelt on the +skipping figure and followed it through its amazing mazes, in spite of +the minister's wife. + +"I couldn't have helped it, Robert," she said. "Not if you'd been there +preaching 'Thou shalt not' to me! You would have looked too, while you +were preaching. You can't imagine, sitting there at that desk, what the +temptation was--Robert, you don't suppose Rebecca Mary has gone crazy?" + +"Felicia! You frighten me!" + +"No, _I_ don't suppose either. But it was certainly very strange. It was +almost ALARMING, Robert. And she didn't know how at all. I wanted to go +down and show her!" + +"It seems to me"--the minister spoke impressively "that it is not +Rebecca Mary who has gone crazy--" + +"Why, the idea! Haven't I made it plain?" laughed she. "I'll speak in A +B C's then. Rebecca Mary was SKIPPING, Robert--skipping skipping." + +"Then it's Rebecca Mary," the minister murmured. + +"That's what I'm afraid--didn't I say so? Or else it's her second +childhood--" + +"First, you mean. If THAT'S it, don't let's say a word, dear--don't +breathe, Felicia, for fear we'll stop it." + +"Dear child!" the minister's wife said, tenderly. "I wish I'd gone down +there and shown her how. And I'd have told her--Robert, I'd have told +her how to climb a tree! Don't tell the parish." + +The day was to end at sunset, from sunrise to sunset, Rebecca Mary had +decreed. The last article on her crumpled little programme was, "Saying +Good-by to Olivicia(Don't cry)." It was going to be the most difficult +thing of all the articles. Olivicia had existed so short a time +comparatively--it might not have been as difficult if there had always +been an Olivicia. "Or it might have been harder," Rebecca Mary said. She +went towards that article with reluctant feet. But it had to come. + +The bureau drawer was all ready. Rebecca Mary had lined it with +something white and soft and sweetened it with dried rose petals spiced +in the century-old Plummer way. It bore rather grewsome resemblance to +Olivicia's coffin, but it was not grewsome to Rebecca Mary. She laid the +doll in it with the tender little swinging motion mothers use in laying +down their tiny sleepers. + +"There, there the-re!" crooned Rebecca Mary, softly, brooding over the +beautiful being. "You'll rest there sweetly after your mother is grown +up. And you'll try not to miss her, won't you? You'll understand, +Olivicia?--oh, Olivicia!" But she did not cry. Her eyes were very +bright. For several minutes she stood there stooped over painfully, +gazing down into the cof--the bureau drawer, wherein lay peaceful +Olivicia. She was saying good-bye in her heart--she never said it aloud. + +"Dear," very softly indeed, "you are sure you understand? Everybody has +to grow up, dear. It--it hurts, but you have to. I mean I'VE got to. +I wouldn't so soon if it wasn't for my legs. But they keep right on +growing--they're awful, dear!--I can't stop 'em. Olivicia, lie right +there and be thankful you're a doll! But I wish you could open your eyes +and look at me just once more." + +Rebecca Mary shut the drawer gently. It was over--no, she would say one +thing more to the beautiful being in there. She bent to the keyhole. + +"Olivicia!" she called in a tender whisper, "I shall be right here +nights. We shan't be far away from each other." + +But it would not be like lying in each other's arms--oh, not at all like +that. Rebecca Mary caught her breath; it was perilously like a sob. Then +she girded up her loins and went away to meet her fate--the common fate +of all. + +She was very tired. The day had been a strain upon her that was +beginning now to tell. To put all one's childhood into one day--that is +not easy. + +Article VI. was the last. In a way, it was a rest to Rebecca Mary, for +it entailed merely a visit to the woodshed. She could sit quietly on the +floor opposite the knothole and wait for the Thoughts. If the Thought of +Growing Up came out tonight, she would say: "Oh, well, you may stay--you +needn't go back. I'm not any glad to see you, but I'm ready. I suppose I +shall get used to you." + +What Thoughts came out of the knothole to Rebecca Mary she never told +to any one. It was nearly dark when she went away, planting her feet +firmly, holding her head straight--Rebecca Mary Plummer. She went to +find Aunt Olivia and tell her. On the way, she stopped to get +Aunt Olivia's shawl, for it was getting chilly out on the porch. +Significantly the first thing Rebecca Mary did after she began to grow +up was to get the shawl and lay it over Aunt Olivia's spare shoulders. +The second thing was to bend to the scant gray hair and lightly rub it +with her cheek. It was a Rebecca Mary kiss. + +Out in front of the rocking chair, still straight and firm, she told +Aunt Olivia. + +"It's over--I think I put everything in," she said. "I thought you ought +to know, so I came to tell you. I'm ready to grow up." + +After all, if Rebecca Mary had known, her "programme" had not ended +with Article VI. Here was another. Take the pencil in your steady little +fingers, Rebecca Mary, and write: + +Article VII.--Growing up. (Do not break Aunt Olivia's heart.) + + + + +Un-Plummered + + + +Aunt Olivia sighed. It was the third time since she had begun to let +Rebecca Mary down. The third sigh was the longest one. Oh, this letting +down of children who would grow up! + +"I won't do it!" Aunt Olivia rebelled, fiercely, but she took up her +scissors again at Duty's nudge. + +"You don't want people laughing at her, do you?" Duty said, sensibly. +"Well, then, rip out that hem and face up that skirt and stop sighing. +What can't be cured must be endur--" + +"I'm ripping it out," Aunt Olivia interrupted, crisply. But Duty was not +to be silenced. + +"You ought to have done it before," dictatorially. "You've known all +along that Rebecca Mary was growing up." + +Aunt Olivia, like the proverbial worm, turned. + +"I didn't know till Rebecca Mary told me," she retorted; then the +rebellion died out of her thin face and tenderness came and took its +place. Aunt Olivia was thinking of the time when Rebecca Mary told her. +She gazed past Duty, past the skirt across her knees, out through the +porch vines, and saw Rebecca Mary coming to tell her. She saw the shawl +the child was bringing, felt it laid on her shoulders, and something +else laid on her hair, soft and smooth like a little, lean, brown cheek. +The memory was so pleasant that Aunt Olivia closed her eyes to make it +stay. When she opened them some one was coming along the path, but it +was not Rebecca Mary. + +"Good afternoon!" some one said. Aunt Olivia stiffened into a Plummer +again with hurried embarrassment. She did not recognize the voice nor +the pleasant young face that followed it through the vines. + +"It's Rebecca Mary's aunt, isn't it?" The stranger smiled. "I should +know it by the family resemblance." + +"We're both Plummers," Aunt Olivia answered, gravely. "Won't you come up +on the porch and take a seat?" + +"No, I'll sit down here on the steps--I'd rather. I think I'll sit +on the lowest step for I've come on a very humble errand! I'm Rebecca +Mary's teacher." + +"Oh!" It was all Aunt Olivia could manage, for a sudden horror had +come upon her. She had a distinct remembrance of being at the Tony +Trumbullses when the school teacher came to call. + +"It's--it's rather hard to say it." The young person on the lowest step +laughed nervously. "I'd a good deal rather not. But I think so much of +Rebecca Mary--" + +The horror grew in Aunt Olivia's soul. It was something terribly like +that the Tony Trumbullses' teacher had said. And like this: + +"It hurts--there! But I made up my mind it was my duty to come up here +and say it, and so I've come. I'm sorry to have to say--" + +"Don't!" ejaculated Aunt Olivia, trembling on her Plummer pedestal. For +she was laboring with the impulse to refuse to listen to this intruder, +to drive her away--to say: "I won't believe a word you say! You may as +well go home." + +"Hoity-toity!" breathed Duty in her ear. It saved her. + +"Well?" she said, gently. "Go on." + +"I'm sorry to say I can't teach Rebecca Mary any more, Miss Plummer. +That's what I came to tell you--" + +This was awful--awful! But hot rebellion rose in Aunt Olivia's heart. +There was some mistake--it was some other Rebecca Mary this person +meant. She would never believe it was HERS--the Plummer one! + +"Because I've taught her all I know. There! Do you wonder I chose the +lowest step to sit on? But it's the truth, honest," the little teacher +laughed girlishly, but there were shame spots on her cheeks--"Rebecca +Mary is the smartest scholar I've got, and I've taught her all I know." +In her voice there was confession to having taught Rebecca Mary a little +more than that. The shame spots flickered in a halo of humble honesty. + +"She's been from Percentage through the arithmetic four times--Rebecca +Mary's splendid in arithmetic. And she knows the geography and grammar +by heart." + +The look on Aunt Olivia's face! The transition from horror to pride was +overwhelming, transfiguring. + +"Rebecca Mary's smart," added the honest one on the doorstep. "_I_ think +she ought to have a chance. There! That's all I came for, so I'll +be going. Only, I don't suppose--you don't think you'll have to tell +Rebecca Mary, do you? About--about me, I mean?" + +"No, I don't," Aunt Olivia assured her, warmly. Her thin, lined hand met +and held for a moment the small, plump one--long enough to say, "You're +a good girl--I like you," in its own way. The little teacher went away +in some sort comforted for having taught Rebecca Mary all she knew. +She even hummed a relieved little tune on her way home, because of the +pleasant tingle in the hand that Rebecca Mary's aunt had squeezed. After +all, no matter how much you dreaded doing it, it was better to tell the +truth. + +Aunt Olivia hummed no relieved little tune. The pride in her heart +battled with the Dread there and went down. Aunt Olivia did not call the +Dread by any other name. It was Duty who dared. + +Confronting Aunt Olivia: "I suppose you know what it means? I suppose +you know it means you've got to give Rebecca Mary a chance? When are you +going to send her away to school?" + +"Oh--don't!" pleaded Aunt Olivia. "You don't give me any time. There's +no need of hurry--" + +"I'm still a Plummer, if you're not," broke in Duty, with ironic +sharpness. "The Plummers were never afraid to look their duty in the +face." + +"I'm--I'm looking at you," groaned Aunt Olivia, climbing painfully back +on to her pedestal. "Go ahead and say it. I'm ready--only I guess you've +forgot how long I've had Rebecca Mary. When you've brought a child up--" + +"I brought her up myself," calmly. "I ought to know. She wouldn't have +been Rebecca Mary, would she, if I hadn't been right on hand? Who was +it taught her to sew patchwork before she was four years old? And make +sheets--and beds--and bread? Who was it kept her from being a little +tomboy like the minister's girl? Who taught her to walk instead of run, +and eat with her fork, and be a lady? Who was it--" + +"Oh, you--you!" sighed Aunt Olivia, trembling for her balance. "You did +'em all. I never could've alone." + +"Then"--Duty was justly complacent--"Then perhaps you'll be willing to +leave Rebecca Mary's going away to school to me. She must go at once, as +soon as you can get her read--" + +Aunt Olivia tumbled off. She did not wait to pick herself up before she +turned upon this Duty that delighted in torturing her. + +"You better get her ready yourself! You better let her down and make her +some nightgowns and count her pocket-handkerchiefs! You think you can do +anything--no, I'M talking now! I guess it's my turn. I guess I've waited +long enough. Maybe you brought Rebecca Mary up, but I'm not going to +leave it to you whether she'd ought to go away to school. She's my +Rebecca Mary, isn't she? Well? It's me that loves her, isn't it--not +you? If I can't love her and stay a Plummer, then I'll--love her. I'm +going to leave it to the minister." + +The minister was a little embarrassed. The wistful look in Aunt Olivia's +eyes said, "Say no" so plainly. And he knew he must say yes--the +minister's Duty was imperative, too. + +"If she can't get any more good out of the school here--" he began. + +"She can't," said Aunt Olivia's Duty for her. "The teacher says she +can't. Rebecca Mary's smart." Then Duty, too, was proud of Rebecca Mary! + +"I know she is," said the minister, heartily. "My Rhoda--you ought to +hear my Rhoda set her up. She thinks Rebecca Mary knows more than the +teacher does." + +"Rhoda's smart, too," breathed Duty in Aunt Olivia's ear. + +"So you see, dear Miss Olivia, the child would make good use of any +advantage--" + +"You mean I ought to send her away? Well, I'm ready to--I said I'd leave +it to you. Where shall I send her? If there was only--I don't suppose +there's some place near to? Children go home Friday nights sometimes, +don't they?" + +"There is no school near enough for that, I'm afraid," the minister +said, gently. He could not bear the look in Miss Olivia's eyes. + +"It hurt," he told his wife afterwards. "I wish she hadn't asked me, +Felicia." + +"I know, dear, but it's the penalty of being a minister. Ministers' +hearts ought to be coated with--with asbestos or something, so the looks +in people's eyes wouldn't burn through. I'm glad she didn't ask ME!" + +"It will nearly kill them both," ran on the minister's thoughts, aloud. +"You know how it was when Miss Olivia was at the hospital." + +"Robert!"--the minister's wife's tone was reproachful--"you're talking +in the future tense! You said 'will.' Then you advised her to send +Rebecca Mary away!" + +"Guilty," pleaded the minister. "What else could I do?" + +"You could have offered to teach her yourself"--with prompt inspiration. +"Oh, Robert, why didn't you?" + +"Felicia!--my dear!"--for the minister was modest. + +"You know plenty for two Rebecca Marys," she triumphed. "Didn't you +appropriate all the honors at college, you selfish boy!" + +"It's too late now, dear." But the minister's eyes thanked her, and the +big clasp of his arms. A minister may be mortal. + +"Maybe it is and maybe it isn't," spoke the minister's wife, in riddles. +"We'll wait and see." + +"But, Felicia--but, dear, they're both them Plummers." + +"Maybe they are and maybe they aren't," laughed she. + +That night Aunt Olivia told Rebecca Mary--after she went to bed, quite +calmly: + +"Rebecca Mary, how would you like to go away to school? For I'm going to +send you, my dear." + +"'Away--to school--my dear!'" echoed Rebecca Mary, sitting upright in +bed. Her slight figure stretched up rigid and preternaturally tall in +the dim light. + +"Yes; the minister advises it--I left it to him. He thinks you ought to +have advantages." Aunt Olivia slipped down suddenly beside the little +rigid figure and touched it rather timidly. She felt a little in awe of +the Rebecca Mary who knew more than her teacher did. + +"They all seem to think you're--smart, my dear," Aunt Olivia said, and +she would scarcely have believed it could be so hard to say it. For the +life of her she could not keep the pride from pricking through her tone. +The wild temptation to sell her Plummer birthright for a kiss assailed +her. But she groped in the dimness for Duty's cool touch and found it. +In the Plummer code of laws it was writ, "Thou shalt not kiss." + +"I'm going right to work to make you some new nightgowns," Aunt Olivia +added, hastily. "I think I shall make them plain," for it was in the +nature of a reinforcement to her courage to leave off the ruffles. + +Rebecca Mary's eyes shone like stars in the dark little room. The child +thought she was glad to be going away to school. + +"Shall I study algebra and Latin?" she demanded. + +"I suppose so--that'll be what you go for." + +"And French--not FRENCH?" + +"Likely." + +Rebecca Mary fell back on the pillows to grasp it. But she was presently +up again. + +"And that thing that tells about the air and--and gassy things? And the +one that tells about your bones?" + +Aunt Olivia did not recognize chemistry, but she knew bones. She sighed +gently. + +"Oh yes; I suppose you'll find out just how you're put together, and +likely it'll scare you so you won't ever dare to breathe deep again. +Maybe learning like that is important--I suppose the minister knows." + +"The minister knows everything," Rebecca Mary said, solemnly. "If you +let me go away to school, I'll try to learn to know as much as he does, +Aunt Olivia. You don't--you don't think he'd mind, do you?" + +In the dark Aunt Olivia smiled. The small person there on the pillows +was, after all, a child. Rebecca Mary had not grown up, after all! + +"He won't mind," promised Aunt Olivia for the minister. She went +away presently and cut out Rebecca Mary's new nightgowns. She sat and +stitched them, far into the night, and stitched her sad little bodings +in, one by one. Already desolation gripped Aunt Olivia's heart. + +Rebecca Mary's dreams that night were marvelous ones. She dreamed she +saw herself in a glass after she had learned all the things there were +to learn, and she looked like the minister! When she spoke, her voice +sounded deep and sweet like the minister's voice. Somewhere a voice like +the minister's wife's seemed to be calling "Robert! Robert!" + +"Yes?" answered Rebecca Mary, and woke up. + +There were many preparations to make. The days sped by busily, and to +Rebecca Mary full of joyous expectancy. Aunt Olivia made no moan. She +worked steadily over the plain little outfit and thrust her Dreads away +with resolute courage, to wait until Rebecca Mary was gone. Time enough +then. + +"You're doing right--that ought to comfort you," encouraged Duty, +kindly. + +"Clear out!" was what Aunt Olivia cried out, sharply, in answer. "You've +done enough--this is all your work! Don't stand there hugging yourself. +YOU'RE not going to miss Rebecca Mary--" + +"I shall miss her," Duty murmured. "I was awake all night, too, dreading +it. You didn't know, but I was there." + +The last day, when it came, seemed a little--a good deal--like that +other day when Aunt Olivia went away, only it was the other way about +this time. Rebecca Mary was going away on this day. The things packed +snugly in the big valise were her things; it was she, Rebecca Mary, who +would unpack them in a wondrous, strange place. It was Rebecca Mary the +minister's wife and Rhoda came to bid good-bye. + +Aunt Olivia went to the station in the stage with the child. She did not +speak much on the way, but sat firmly straight and smiled. Duty had told +her the last thing to smile. But Duty had not trusted her; unseen and +uninvited, Duty had slipped into the jolting old vehicle between Aunt +Olivia and Rebecca Mary. + +"She isn't the Plummer she was once," sighed Duty. + +But at the little station, in those few final moments, two Plummers, an +old one and a young one, waited quietly together. Neither of them broke +down nor made ado. Duty retired in palpable chagrin. + +"Good-bye, my dear," Aunt Olivia said, steadily, though her lips were +white. + +"Good-bye, Aunt Olivia," Rebecca Mary Plummer said, steadily. "I'm very +MUCH obliged to you for sending me." + +"You're--welcome. Don't forget to wear your rubbers. I put in some +liniment in case you need it--don't get any in your eyes." + +Outside on the platform Aunt Olivia sought and found Rebecca Mary's +window and stood beside it till the train started. Through the dusty +pane their faces looked oddly unfamiliar to each other, and the two +pairs of eyes that gazed out and in had a startled wistfulness in them +that no Plummer eyes should have. If Duty had staid-- + +The train shook itself, gave a jerk or two, and plunged down the shining +rails. Aunt Olivia watched it out of sight, then turned patiently to +meet her loneliness. The Dreads came flocking back to her as if she had +beckoned to them. For now was the time. + +The letters Rebecca Mary wrote were formally correct and brief. There +was no homesickness in them. It was pleasant at the school, that book +about bones was going to be very interesting. Aunt Olivia was not to +worry about the rubbers, and Rebecca Mary would never forget to air her +clothes when they came from the wash. Yes, she had aired the nightgown +that Aunt Olivia ironed the last thing. No, she hadn't needed any +liniment yet, but she wouldn't get any in her eyes. + +Aunt Olivia's letters were to the point and calm, as though Duty stood +peering over her shoulder as she wrote. She was glad Rebecca Mary +liked the bones, but she was a little surprised. She was glad about the +rubbers and the wash; she was glad there had been no need yet for the +liniment. It was a good thing to rub on a sore throat. The minister's +wife had been over with her work she said Rhoda missed Rebecca Mary. +Yes, the little, white cat was well--no, she hadn't caught any mice. +The calla lily had two buds, the Northern Spy tree was not going to bear +very well. + +"Robert, I've been to see Miss Olivia," the minister's wife said at tea. + +"Yes?" The minister waited. He knew it was coming. + +"She was knitting stockings for Rebecca Mary. Robert, she sat there and +smiled till I had to come home to cry!" + +"My dear!--do you want me to cry, too?" + +"I'm a-going to," sniffed Rhoda. "I feel it coming." + +"She is so lonely, Robert! It would break your heart to see her smile. +How do I know she is? Oh no--no, she didn't say she was! But I saw her +eyes and she let the little, white cat get up in her lap!" + +"Proof enough," the minister said, gently. + +Between the two of them--the child at school and Aunt Olivia at +home--letters came and went for six weeks. Aunt Olivia wrote six, +Rebecca Mary six. All the letters were terse and brief and unemotional. +Weather, bones, little white cats, liniment--everything in them but +loneliness or love. Rebecca Mary began all hers "Dear Aunt Olivia," and +ended them all "Respectfully your niece, Rebecca Mary Plummer." + +"Dear Rebecca Mary," began Aunt Olivia's. "Your aff. aunt, Olivia +Plummer," they closed. Yet both their hearts were breaking. Some hearts +break quicker than others; Plummer hearts hold out splendidly, but in +the end-- + +In the end Aunt Olivia went to see the minister and was closeted with +him for a little. The minister's wife could hear them talking--mostly +the minister--but she could not hear what they said. + +"It's come," she nodded, sagely. "I was sure it would. That's what the +little, white cat purred when she rubbed against my skirts, 'She can't +stand it much longer. She doesn't sleep nights nor eat days--she's +giving out.' Poor Miss Olivia!--but I can't understand Rebecca Mary." + +"It's the Plummer in her," the little, white cat would have purred. "You +wait!" + +Aunt Olivia turned back at the minister's study door. "Then you will?" +she said, eagerly. "You're perfectly willing to? I don't want to feel--" + +"You needn't feel," the minister smiled. "I'm more than willing. I'm +delighted. But in the matter of--er--remuneration, I cannot let you--" + +"You needn't let me," smiled Miss Olivia; "I'll do it without." She was +gently radiant. Her pitifully thin face, so transfigured, touched the +big heart of the minister. He went to his window and watched the slight +figure hurry away. He would scarcely have been surprised to see it turn +down the road that led towards the railway station. + +"Oh, Robert!" It was the minister's wife at his elbow. "You dear boy, I +know you've promised! You needn't tell me a thing--didn't I suggest it +in the first place? Dear Miss Olivia--I'm so glad, Robert! So are you +glad, you minister!" But they were neither of them thinking of little, +stubbed-out shoes that would be easier to buy. + +Aunt Olivia turned down the station road the next morning, in the +swaying old stage. Her eager gaze never left the plodding horses, as if +by looking at them she could make them go faster. + +"They're pretty slow, aren't they?" she said. + +"Slow--THEM? Well, I guess you weren't never a stage horse!" chuckled +the old man at the reins. + +"No," admitted Aunt Olivia, "I never was, but I know I'd go faster +today." + +At the Junction, halfway to Rebecca Mary, she descended alertly from the +train and crossed the platform. She must wait here, they told her, an +hour and twenty minutes. On the other side of the station a train was +just slowing up, and she stood a moment to scan idly the thin stream +of people that trickled from the cars. There were old women--did any of +them, she wondered, feel as happy as she did? There were tall children, +too. There was one--Aunt Olivia started a little and fumbled in her soft +hair, under the roses in her bonnet brim, for her glasses. There was +one tall child--she was coming this way--she was coming fast--she was +running! Her arms were out-- + +"Aunt Olivia! Aunt Olivia!" the Tall Child was crying out, joyously, +"Oh, Aunt Olivia!" + +"Rebecca Mary!--my dear, my dear!" + +They were in each other's arms. The roses on Aunt Olivia's bonnet brim +slipped to one side--the two of them, not Plummers any more, but a +common, glad old woman and a common, glad, tall child, were kissing each +other as though they would never stop. The stream of people reached them +and flowed by on either side. Trains came and went, and still they stood +like that. + +"Hoity-toity!" muttered Aunt Olivia's Duty, and slipped past with the +stream. A Plummer to the end, what use to stay any longer there? + +"I was coming home," cried Rebecca Mary. "I couldn't bear it another +minute!" + +"I was coming after you--my dear, my DEAR, _I_ couldn't bear it another +minute!" + + + + + +End of the Project Gutenberg EBook of Rebecca Mary, by Annie Hamilton Donnell + +*** END OF THIS PROJECT GUTENBERG EBOOK REBECCA MARY *** + +***** This file should be named 3419.txt or 3419.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/4/1/3419/ + +Produced by An Anonymous Volunteer + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
