diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 3405.txt | 3791 | ||||
| -rw-r--r-- | 3405.zip | bin | 0 -> 74529 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/wh1rl10.txt | 3823 | ||||
| -rw-r--r-- | old/wh1rl10.zip | bin | 0 -> 74262 bytes | |||
| -rw-r--r-- | old/wh1rl11.txt | 3826 | ||||
| -rw-r--r-- | old/wh1rl11.zip | bin | 0 -> 76066 bytes |
9 files changed, 11456 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/3405.txt b/3405.txt new file mode 100644 index 0000000..2b97a47 --- /dev/null +++ b/3405.txt @@ -0,0 +1,3791 @@ +The Project Gutenberg EBook of Ragged Lady, Part 1, by William Dean Howells + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Ragged Lady, Part 1 + +Author: William Dean Howells + +Release Date: October 24, 2004 [EBook #3405] +[Last updated: August 10, 2014] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK RAGGED LADY, PART 1 *** + + + + +Produced by David Widger + + + + + + +RAGGED LADY. + +By William Dean Howells + + + + +Part 1. + + +I. + +It was their first summer at Middlemount and the Landers did not know the +roads. When they came to a place where they had a choice of two, she said +that now he must get out of the carry-all and ask at the house standing a +little back in the edge of the pine woods, which road they ought to take +for South Middlemount. She alleged many cases in which they had met +trouble through his perverse reluctance to find out where they were +before he pushed rashly forward in their drives. Whilst she urged the +facts she reached forward from the back seat where she sat, and held her +hand upon the reins to prevent his starting the horse, which was +impartially cropping first the sweet fern on one side and then the +blueberry bushes on the other side of the narrow wheel-track. She +declared at last that if he would not get out and ask she would do it +herself, and at this the dry little man jerked the reins in spite of her, +and the horse suddenly pulled the carry-all to the right, and seemed +about to overset it. + +"Oh, what are you doing, Albe't?" Mrs. Lander lamented, falling helpless +against the back of her seat. "Haven't I always told you to speak to the +hoss fust?" + +"He wouldn't have minded my speakin'," said her husband. "I'm goin' to +take you up to the dooa so that you can ask for youaself without gettin' +out." + +This was so well, in view of Mrs. Lander's age and bulk, and the hardship +she must have undergone, if she had tried to carry out her threat, that +she was obliged to take it in some sort as a favor; and while the vehicle +rose and sank over the surface left rough, after building, in front of +the house, like a vessel on a chopping sea, she was silent for several +seconds. + +The house was still in a raw state of unfinish, though it seemed to have +been lived in for a year at least. The earth had been banked up at the +foundations for warmth in winter, and the sheathing of the walls had been +splotched with irregular spaces of weather boarding; there was a good +roof over all, but the window-casings had been merely set in their places +and the trim left for a future impulse of the builder. A block of wood +suggested the intention of steps at the front door, which stood +hospitably open, but remained unresponsive for some time after the +Landers made their appeal to the house at large by anxious noises in +their throats, and by talking loud with each other, and then talking low. +They wondered whether there were anybody in the house; and decided that +there must be, for there was smoke coming out of the stove pipe piercing +the roof of the wing at the rear. + +Mr. Lander brought himself under censure by venturing, without his wife's +authority, to lean forward and tap on the door-frame with the butt of his +whip. At the sound, a shrill voice called instantly from the region of +the stove pipe, "Clem! Clementina? Go to the front dooa! The'e's somebody +knockin'." The sound of feet, soft and quick, made itself heard within, +and in a few moments a slim maid, too large for a little girl, too +childlike for a young girl, stood in the open doorway, looking down on +the elderly people in the buggy, with a face as glad as a flower's. She +had blue eyes, and a smiling mouth, a straight nose, and a pretty chin +whose firm jut accented a certain wistfulness of her lips. She had hair +of a dull, dark yellow, which sent out from its thick mass light prongs, +or tendrils, curving inward again till they delicately touched it. Her +tanned face was not very different in color from her hair, and neither +were her bare feet, which showed well above her ankles in the calico +skirt she wore. At sight of the elders in the buggy she involuntarily +stooped a little to lengthen her skirt in effect, and at the same time +she pulled it together sidewise, to close a tear in it, but she lost in +her anxiety no ray of the joy which the mere presence of the strangers +seemed to give her, and she kept smiling sunnily upon them while she +waited for them to speak. + +"Oh!" Mrs. Lander began with involuntary apology in her tone, "we just +wished to know which of these roads went to South Middlemount. We've come +from the hotel, and we wa'n't quite ce'tain." + +The girl laughed as she said, "Both roads go to South Middlemount'm; they +join together again just a little piece farther on." + +The girl and the woman in their parlance replaced the letter 'r' by vowel +sounds almost too obscure to be represented, except where it came last in +a word before a word beginning with a vowel; there it was annexed to the +vowel by a strong liaison, according to the custom universal in rural New +England. + +"Oh, do they?" said Mrs. Lander. + +"Yes'm," answered the girl. "It's a kind of tu'nout in the wintatime; or +I guess that's what made it in the beginning; sometimes folks take one +hand side and sometimes the other, and that keeps them separate; but +they're really the same road, 'm." + +"Thank you," said Mrs. Lander, and she pushed her husband to make him say +something, too, but he remained silently intent upon the child's +prettiness, which her blue eyes seemed to illumine with a light of their +own. She had got hold of the door, now, and was using it as if it was a +piece of drapery, to hide not only the tear in her gown, but somehow both +her bare feet. She leaned out beyond the edge of it; and then, at moments +she vanished altogether behind it. + +Since Mr. Lander would not speak, and made no sign of starting up his +horse, Mrs. Lander added, "I presume you must be used to havin' people +ask about the road, if it's so puzzlin'." + +"O, yes'm," returned the girl, gladly. "Almost every day, in the +summatime." + +"You have got a pretty place for a home, he'e," said Mrs. Lander. + +"Well, it will be when it's finished up." Without leaning forward +inconveniently Mrs. Lander could see that the partitions of the house +within were lathed, but not plastered, and the girl looked round as if to +realize its condition and added, "It isn't quite finished inside." + +"We wouldn't, have troubled you," said Mrs. Lander, "if we had seen +anybody to inquire of." + +"Yes'm," said the girl. "It a'n't any trouble." + +"There are not many otha houses about, very nea', but I don't suppose you +get lonesome; young folks are plenty of company for themselves, and if +you've got any brothas and sistas--" + +"Oh," said the girl, with a tender laugh, "I've got eva so many of them!" + +There was a stir in the bushes about the carriage, and Mrs. Lander was +aware for an instant of children's faces looking through the leaves at +her and then flashing out of sight, with gay cries at being seen. A boy, +older than the rest, came round in front of the horse and passed out of +sight at the corner of the house. + +Lander now leaned back and looked over his shoulder at his wife as if he +might hopefully suppose she had come to the end of her questions, but she +gave no sign of encouraging him to start on their way again. + +"That your brotha, too?" she asked the girl. + +"Yes'm. He's the oldest of the boys; he's next to me." + +"I don't know," said Mrs. Lander thoughtfully, "as I noticed how many +boys there were, or how many girls." + +"I've got two sistas, and three brothas, 'm," said the girl, always +smiling sweetly. She now emerged from the shelter of the door, and Mrs. +Lander perceived that the slight movements of such parts of her person as +had been evident beyond its edge were the effects of some endeavor at +greater presentableness. She had contrived to get about her an overskirt +which covered the rent in her frock, and she had got a pair of shoes on +her feet. Stockings were still wanting, but by a mutual concession of her +shoe-tops and the border of her skirt, they were almost eliminated from +the problem. This happened altogether when the girl sat down on the +threshold, and got herself into such foreshortening that the eye of Mrs. +Lander in looking down upon her could not detect their absence. Her +little head then showed in the dark of the doorway like a painted head +against its background. + +"You haven't been livin' here a great while, by the looks," said Mrs. +Lander. "It don't seem to be clea'ed off very much." + +"We've got quite a ga'den-patch back of the house," replied the girl, +"and we should have had moa, but fatha wasn't very well, this spring; +he's eva so much better than when we fust came he'e." + +"It has the name of being a very healthy locality," said Mrs. Lander, +somewhat discontentedly, "though I can't see as it's done me so very much +good, yit. Both your payrints livin'?" + +"Yes'm. Oh, yes, indeed!" + +"And your mother, is she real rugged? She need to be, with such a flock +of little ones!" + +"Yes, motha's always well. Fatha was just run down, the doctas said, and +ought to keep more in the open air. That's what he's done since he came +he'e. He helped a great deal on the house and he planned it all out +himself." + +"Is he a ca'penta?" asked Mrs. Lander. + +"No'm; but he's--I don't know how to express it--he likes to do every +kind of thing." + +"But he's got some business, ha'n't he?" A shadow of severity crept over +Mrs. Lander's tone, in provisional reprehension of possible +shiftlessness. + +"Yes'm. He was a machinist at the Mills; that's what the doctas thought +didn't agree with him. He bought a piece of land he'e, so as to be in the +pine woods, and then we built this house." + +"When did you say you came?" + +"Two yea's ago, this summa." + +"Well! What did you do befoa you built this house?" + +"We camped the first summa." + +"You camped? In a tent?" + +"Well, it was pahtly a tent, and pahtly bank." + +"I should have thought you would have died." + +The girl laughed. "Oh, no, we all kept fast-rate. We slept in the +tents--we had two--and we cooked in the shanty." She smiled at the notion in +adding, "At fast the neighbas thought we we'e Gipsies; and the summa +folks thought we were Indians, and wanted to get baskets of us." + +Mrs. Lander did not know what to think, and she asked, "But didn't it +almost perish you, stayin' through the winter in an unfinished house?" + +"Well, it was pretty cold. But it was so dry, the air was, and the woods +kept the wind off nicely." + +The same shrill voice in the region of the stovepipe which had sent the +girl to the Landers now called her from them. "Clem! Come here a minute!" + +The girl said to Mrs. Lander, politely, "You'll have to excuse me, now'm. +I've got to go to motha." + +"So do!" said Mrs. Lander, and she was so taken by the girl's art and +grace in getting to her feet and fading into the background of the +hallway without visibly casting any detail of her raiment, that she was +not aware of her husband's starting up the horse in time to stop him. +They were fairly under way again, when she lamented, "What you doin', +Albe't? Whe'e you goin'?" + +"I'm goin' to South Middlemount. Didn't you want to?" + +"Well, of all the men! Drivin' right off without waitin' to say thankye +to the child, or take leave, or anything!" + +"Seemed to me as if SHE took leave." + +"But she was comin' back! And I wanted to ask--" + +"I guess you asked enough for one while. Ask the rest to-morra." + +Mrs. Lander was a woman who could often be thrown aside from an immediate +purpose, by the suggestion of some remoter end, which had already, +perhaps, intimated itself to her. She said, "That's true," but by the +time her husband had driven down one of the roads beyond the woods into +open country, she was a quiver of intolerable curiosity. "Well, all I've +got to say is that I sha'n't rest till I know all about 'em." + +"Find out when we get back to the hotel, I guess," said her husband. + +"No, I can't wait till I get back to the hotel. I want to know now. I +want you should stop at the very fust house we come to. Dea'! The'e don't +seem to be any houses, any moa." She peered out around the side of the +carry-all and scrutinized the landscape. "Hold on! No, yes it is, too! +Whoa! Whoa! The'e's a man in that hay-field, now!" + +She laid hold of the reins and pulled the horse to a stand. Mr. Lander +looked round over his shoulder at her. "Hadn't you betta wait till you +get within half a mile of the man?" + +"Well, I want you should stop when you do git to him. Will you? I want to +speak to him, and ask him all about those folks." + +"I didn't suppose you'd let me have much of a chance," said her husband. +When he came within easy hail of the man in the hay-field, he pulled up +beside the meadow-wall, where the horse began to nibble the blackberry +vines that overran it. + +Mrs. Lander beckoned and called to the man, who had stopped pitching hay +and now stood leaning on the handle of his fork. At the signs and sounds +she made, he came actively forward to the road, bringing his fork with +him. When he arrived within easy conversational distance, he planted the +tines in the ground and braced himself at an opposite incline from the +long smooth handle, and waited for Mrs. Lander to begin. + +"Will you please tell us who those folks ah', livin' back there in the +edge of the woods, in that new unfinished house?" + +The man released his fork with one hand to stoop for a head of timothy +that had escaped the scythe, and he put the stem of it between his teeth, +where it moved up and down, and whipped fantastically about as he talked, +before he answered, "You mean the Claxons?" + +"I don't know what thei' name is." Mrs. Lander repeated exactly what she +had said. + +The farmer said, "Long, red-headed man, kind of sickly-lookin'?" + +"We didn't see the man--" + +"Little woman, skinny-lookin; pootty tonguey?" + +"We didn't see her, eitha; but I guess we hea'd her at the back of the +house." + +"Lot o' children, about as big as pa'tridges, runnin' round in the +bushes?" + +"Yes! And a very pretty-appearing girl; about thi'teen or fou'teen, I +should think." + +The farmer pulled his fork out of the ground, and planted it with his +person at new slopes in the figure of a letter A, rather more upright +than before. "Yes; it's them," he said. "Ha'n't been in the neighbahood a +great while, eitha. Up from down Po'tland way, some'res, I guess. Built +that house last summer, as far as it's got, but I don't believe it's +goin' to git much fa'tha." + +"Why, what's the matta?" demanded Mrs. Lander in an anguish of interest. + +The man in the hay-field seemed to think it more dignified to include +Lander in this inquiry, and he said with a glimmer of the eye for him, +"Hea'd of do-nothin' folks?" + +"Seen 'em, too," answered Lander, comprehensively. + +"Well, that a'n't Claxon's complaint exactly. He a'n't a do-nothin'; he's +a do-everything. I guess it's about as bad." Lander glimmered back at the +man, but did not speak. + +"Kind of a machinist down at the Mills, where he come from," the farmer +began again, and Mrs. Lander, eager not to be left out of the affair for +a moment, interrupted: + +"Yes, Yes! That's what the gul said." + +"But he don't seem to think't the i'on agreed with him, and now he's +goin' in for wood. Well, he did have a kind of a foot-powa tu'nin' lathe, +and tuned all sots o' things; cups, and bowls, and u'ns for fence-posts, +and vases, and sleeve-buttons and little knick-knacks; but the place bunt +down, here, a while back, and he's been huntin' round for wood, the whole +winta long, to make canes out of for the summa-folks. Seems to think that +the smell o' the wood, whether it's green or it's dry, is goin' to cure +him, and he can't git too much of it." + +"Well, I believe it's so, Albe't!" cried Mrs. Lander, as if her husband +had disputed the theory with his taciturn back. He made no other sign of +controversy, and the man in the hay-field went on. + +"I hea' he's goin' to put up a wind mill, back in an open place he's got, +and use the powa for tu'nin', if he eva gits it up. But he don't seem to +be in any great of a hurry, and they scrape along somehow. Wife takes in +sewin' and the girl wo'ked at the Middlemount House last season. Whole +fam'ly's got to tu'n in and help s'po't a man that can do everything." + +The farmer appealed with another humorous cast of his eye to Lander; but +the old man tacitly refused to take any further part in the talk, which +began to flourish apace, in question and answer, between his wife and the +man in the hay-field. It seemed that the children had all inherited the +father's smartness. The oldest boy could beat the nation at figures, and +one of the young ones could draw anything you had a mind to. They were +all clear up in their classes at school, and yet you might say they +almost ran wild, between times. The oldest girl was a pretty-behaved +little thing, but the man in the hay-field guessed there was not very +much to her, compared with some of the boys. Any rate, she had not the +name of being so smart at school. Good little thing, too, and kind of +mothered the young ones. + +Mrs. Lander, when she had wrung the last drop of information out of him, +let him crawl back to his work, mentally flaccid, and let her husband +drive on, but under a fire of conjecture and asseveration that was +scarcely intermitted till they reached their hotel. That night she talked +a long time about their afternoon's adventure before she allowed him to go +to sleep. She said she must certainly see the child again; that they must +drive down there in the morning, and ask her all about herself. + +"Albe't," she concluded; "I wish we had her to live with us. Yes, I do! I +wonder if we could get her to. You know I always did want to adopt a +baby." + +"You neva said so," Mr. Lander opened his mouth almost for the first +time, since the talk began. + +"I didn't suppose you'd like it," said his wife. + +"Well, she a'n't a baby. I guess you'd find you had your hands full, +takon' a half-grown gul like that to bring up." + +"I shouldn't be afraid any," the wife declared. "She has just twined +herself round my heat. I can't get her pretty looks out of my eyes. I +know she's good." + +"We'll see how you feel about it in the morning." + +The old man began to wind his watch, and his wife seemed to take this for +a sign that the incident was closed, for the present at least. He seldom +talked, but there came times when he would not even listen. One of these +was the time after he had wound his watch. A minute later he had +undressed, with an agility incredible of his years, and was in bed, as +effectively blind and deaf to his wife's appeals as if he were already +asleep. + + + + +II. + +When Albert Gallatin Lander (he was named for an early Secretary of the +Treasury as a tribute to the statesman's financial policy) went out of +business, his wife began to go out of health; and it became the most +serious affair of his declining years to provide for her invalid fancies. +He would have liked to buy a place in the Boston suburbs (he preferred +one of the Newtons) where they could both have had something to do, she +inside of the house, and he outside; but she declared that what they both +needed was a good long rest, with freedom from care and trouble of every +kind. She broke up their establishment in Boston, and stored their +furniture, and she would have made him sell the simple old house in which +they had always lived, on an unfashionable up-and-down-hill street of the +West End, if he had not taken one of his stubborn stands, and let it for +a term of years without consulting her. But she had her way about their +own movements, and they began that life of hotels, which they had now +lived so long that she believed any other impossible. Its luxury and +idleness had told upon each of them with diverse effect. + +They had both entered upon it in much the same corporal figure, but she +had constantly grown in flesh, while he had dwindled away until he was +not much more than half the weight of his prime. Their digestion was +alike impaired by their joint life, but as they took the same medicines +Mrs. Lander was baffled to account for the varying result. She was sure +that all the anxiety came upon her, and that logically she was the one +who ought to have wasted away. But she had before her the spectacle of a +husband who, while he gave his entire attention to her health, did not +audibly or visibly worry about it, and yet had lost weight in such +measure that upon trying on a pair of his old trousers taken out of +storage with some clothes of her own, he found it impossible to use the +side pockets which the change in his figure carried so far to the rear +when the garment was reduced at the waist. At the same time her own +dresses of ten years earlier would not half meet round her; and one of +the most corroding cares of a woman who had done everything a woman could +to get rid of care, was what to do with those things which they could +neither of them ever wear again. She talked the matter over with herself +before her husband, till he took the desperate measure of sending them +back to storage; and they had been left there in the spring when the +Landers came away for the summer. + +They always spent the later spring months at a hotel in the suburbs of +Boston, where they arrived in May from a fortnight in a hotel at New +York, on their way up from hotels in Washington, Ashville, Aiken and St. +Augustine. They passed the summer months in the mountains, and early in +the autumn they went back to the hotel in the Boston suburbs, where Mrs. +Lander considered it essential to make some sojourn before going to a +Boston hotel for November and December, and getting ready to go down to +Florida in January. She would not on any account have gone directly to +the city from the mountains, for people who did that were sure to lose +the good of their summer, and to feel the loss all the winter, if they +did not actually come down with a fever. + +She was by no means aware that she was a selfish or foolish person. She +made Mr. Lander subscribe statedly to worthy objects in Boston, which she +still regarded as home, because they had not dwelt any where else since +they ceased to live there; and she took lavishly of tickets for all the +charitable entertainments in the hotels where they stayed. Few if any +guests at hotels enjoyed so much honor from porters, bell-boys, waiters, +chambermaids and bootblacks as the Landers, for they gave richly in fees +for every conceivable service which could be rendered them; they went out +of their way to invent debts of gratitude to menials who had done nothing +for them. He would make the boy who sold papers at the dining-room door +keep the change, when he had been charged a profit of a hundred per cent. +already; and she would let no driver who had plundered them according to +the carriage tariff escape without something for himself. + +A sense of their munificence penetrated the clerks and proprietors with a +just esteem for guests who always wanted the best of everything, and +questioned no bill for extras. Mrs. Lander, in fact, who ruled these +expenditures, had no knowledge of the value of things, and made her +husband pay whatever was asked. Yet when they lived under their own roof +they had lived simply, and Lander had got his money in an old-fashioned +business way, and not in some delirious speculation such as leaves a man +reckless of money afterwards. He had been first of all a tailor, and then +he had gone into boys' and youths' clothing in a small way, and finally +he had mastered this business and come out at the top, with his hands +full. He invested his money so prosperously that the income for two +elderly people, who had no children, and only a few outlying relations on +his side, was far beyond their wants, or even their whims. + +She as a woman, who in spite of her bulk and the jellylike majesty with +which she shook in her smoothly casing brown silks, as she entered hotel +dining-rooms, and the severity with which she frowned over her fan down +the length of the hotel drawing-rooms, betrayed more than her husband the +commonness of their origin. She could not help talking, and her accent +and her diction gave her away for a middle-class New England person of +village birth and unfashionable sojourn in Boston. He, on the contrary, +lurked about the hotels where they passed their days in a silence so +dignified that when his verbs and nominatives seemed not to agree, you +accused your own hearing. He was correctly dressed, as an elderly man +should be, in the yesterday of the fashions, and he wore with +impressiveness a silk hat whenever such a hat could be worn. A pair of +drab cloth gaiters did much to identify him with an old school of +gentlemen, not very definite in time or place. He had a full gray beard +cut close, and he was in the habit of pursing his mouth a great deal. But +he meant nothing by it, and his wife meant nothing by her frowning. They +had no wish to subdue or overawe any one, or to pass for persons of +social distinction. They really did not know what society was, and they +were rather afraid of it than otherwise as they caught sight of it in +their journeys and sojourns. They led a life of public seclusion, and +dwelling forever amidst crowds, they were all in all to each other, and +nothing to the rest of the world, just as they had been when they resided +(as they would have said) on Pinckney street. In their own house they had +never entertained, though they sometimes had company, in the style of the +country town where Mrs. Lander grew up. As soon as she was released to +the grandeur of hotel life, she expanded to the full measure of its +responsibilities and privileges, but still without seeking to make it the +basis of approach to society. Among the people who surrounded her, she +had not so much acquaintance as her husband even, who talked so little +that he needed none. She sometimes envied his ease in getting on with +people when he chose; and his boldness in speaking to fellow guests and +fellow travellers, if he really wanted anything. She wanted something of +them all the time, she wanted their conversation and their companionship; +but in her ignorance of the social arts she was thrown mainly upon the +compassion of the chambermaids. She kept these talking as long as she +could detain them in her rooms; and often fed them candy (which she ate +herself with childish greed) to bribe them to further delays. If she was +staying some days in a hotel, she sent for the house-keeper, and made all +she could of her as a listener, and as soon as she settled herself for a +week, she asked who was the best doctor in the place. With doctors she +had no reserves, and she poured out upon them the history of her diseases +and symptoms in an inexhaustible flow of statement, conjecture and +misgiving, which was by no means affected by her profound and +inexpugnable ignorance of the principles of health. From time to time she +forgot which side her liver was on, but she had been doctored (as she +called it) for all her organs, and she was willing to be doctored for any +one of them that happened to be in the place where she fancied a present +discomfort. She was not insensible to the claims which her husband's +disorders had upon science, and she liked to end the tale of her own +sufferings with some such appeal as: "I wish you could do something for +Mr. Landa, too, docta." She made him take a little of each medicine that +was left for her; but in her presence he always denied that there was +anything the matter with him, though he was apt to follow the doctor out +of the room, and get a prescription from him for some ailment which he +professed not to believe in himself, but wanted to quiet Mrs. Lander's +mind about. + +He rose early, both from long habit, and from the scant sleep of an +elderly man; he could not lie in bed; but his wife always had her +breakfast there and remained so long that the chambermaid had done up +most of the other rooms and had leisure for talk with her. As soon as he +was awake, he stole softly out and was the first in the dining-room for +breakfast. He owned to casual acquaintance in moments of expansion that +breakfast was his best meal, but he did what he could to make it his +worst by beginning with oranges and oatmeal, going forward to beefsteak +and fried potatoes, and closing with griddle cakes and syrup, washed down +with a cup of cocoa, which his wife decided to be wholesomer than coffee. +By the time he had finished such a repast, he crept out of the +dining-room in a state of tension little short of anguish, which he +confided to the sympathy of the bootblack in the washroom. + +He always went from having his shoes polished to get a toothpick at the +clerk's desk; and at the Middlemount House, the morning after he had been +that drive with Mrs. Lander, he lingered a moment with his elbows beside +the register. "How about a buckboa'd?" he asked. + +"Something you can drive yourself"--the clerk professionally dropped his +eye to the register--"Mr. Lander?" + +"Well, no, I guess not, this time," the little man returned, after a +moment's reflection. "Know anything of a family named Claxon, down the +road, here, a piece?" He twisted his head in the direction he meant. + +"This is my first season at Middlemount; but I guess Mr. Atwell will +know." The clerk called to the landlord, who was smoking in his private +room behind the office, and the landlord came out. The clerk repeated Mr. +Lander's questions. + +"Pootty good kind of folks, I guess," said the landlord provisionally, +through his cigar-smoke. "Man's a kind of univussal genius, but he's got +a nice family of children; smaht as traps, all of 'em." + +"How about that oldest gul?" asked Mr. Lander. + +"Well, the'a," said the landlord, taking the cigar out of his mouth. "I +think she's about the nicest little thing goin'. We've had her up he'e, +to help out in a busy time, last summer, and she's got moo sense than +guls twice as old. Takes hold like--lightnin'." + +"About how old did you say she was?" + +"Well, you've got me the'a, Mr. Landa; I guess I'll ask Mis' Atwell." + +"The'e's no hurry," said Lander. "That buckboa'd be round pretty soon?" +he asked of the clerk. + +"Be right along now, Mr. Lander," said the clerk, soothingly. He stepped +out to the platform that the teams drove up to from the stable, and came +back to say that it was coming. "I believe you said you wanted something +you could drive yourself?" + +"No, I didn't, young man," answered the elder sharply. But the next +moment he added, "Come to think of it, I guess it's just as well. You +needn't get me no driver. I guess I know the way well enough. You put me +in a hitchin' strap." + +"All right, Mr. Lander," said the clerk, meekly. + +The landlord had caught the peremptory note in Lander's voice, and he +came out of his room again to see that there was nothing going wrong. + +"It's all right," said Lander, and went out and got into his buckboard. + +"Same horse you had yesterday," said the young clerk. "You don't need to +spare the whip." + +"I guess I can look out for myself," said Lander, and he shook the reins +and gave the horse a smart cut, as a hint of what he might expect. + +The landlord joined the clerk in looking after the brisk start the horse +made. "Not the way he set off with the old lady, yesterday," suggested +the clerk. + +The landlord rolled his cigar round in his tubed lips. "I guess he's used +to ridin' after a good hoss." He added gravely to the clerk, "You don't +want to make very free with that man, Mr. Pane. He won't stan' it, and +he's a class of custom that you want to cata to when it comes in your +way. I suspicioned what he was when they came here and took the highest +cost rooms without tu'nin' a haia. They're a class of custom that you +won't get outside the big hotels in the big reso'ts. Yes, sir," said the +landlord taking a fresh start, "they're them kind of folks that live the +whole yea' round in hotels; no'th in summa, south in winta, and city +hotels between times. They want the best their money can buy, and they +got plenty of it. She"--he meant Mrs. Lander--"has been tellin' my wife +how they do; she likes to talk a little betta than he doos; and I guess +when it comes to society, they're away up, and they won't stun' any +nonsense." + + + + +III. + +Lander came into his wife's room between ten and eleven o'clock, and +found her still in bed, but with her half-finished breakfast on a tray +before her. As soon as he opened the door she said, "I do wish you would +take some of that heat-tonic of mine, Albe't, that the docta left for me +in Boston. You'll find it in the upper right bureau box, the'a; and I +know it'll be the very thing for you. It'll relieve you of that +suffocatin' feeling that I always have, comin' up stars. Dea'! I don't +see why they don't have an elevata; they make you pay enough; and I wish +you'd get me a little more silva, so's't I can give to the chambamaid and +the bell-boy; I do hate to be out of it. I guess you been up and out long +ago. They did make that polonaise of mine too tight after all I said, and +I've been thinkin' how I could get it alt'ed; but I presume there ain't a +seamstress to be had around he'e for love or money. Well, now, that's +right, Albe't; I'm glad to see you doin' it." + +Lander had opened the lid of the bureau box, and uncorked a bottle from +it, and tilted this to his lips. + +"Don't take too much," she cautioned him, "or you'll lose the effects. +When I take too much of a medicine, it's wo'se than nothing, as fah's I +can make out. When I had that spell in Thomasville spring before last, I +believe I should have been over it twice as quick if I had taken just +half the medicine I did. You don't really feel anyways bad about the +heat, do you, Albe't?" + +"I'm all right," said Lander. He put back the bottle in its place and sat +down. + +Mrs. Lander lifted herself on her elbow and looked over at him. "Show me +on the bottle how much you took." + +He got the bottle out again and showed her with his thumb nail a point +which he chose at random. + +"Well, that was just about the dose for you," she said; and she sank down +in bed again with the air of having used a final precaution. "You don't +want to slow your heat up too quick." + +Lander did not put the bottle back this time. He kept it in his hand, +with his thumb on the cork, and rocked it back and forth on his knees as +he spoke. "Why don't you get that woman to alter it for you?" + +"What woman alta what?" + +"Your polonaise. The one whe'e we stopped yestaday." + +"Oh! Well, I've been thinkin' about that child, Albe't; I did before I +went to sleep; and I don't believe I want to risk anything with her. It +would be a ca'e," said Mrs. Lander with a sigh, "and I guess I don't want +to take any moa ca'e than what I've got now. What makes you think she +could alta my polonaise?" + +"Said she done dress-makin'," said Lander, doggedly. + +"You ha'n't been the'a?" + +He nodded. + +"You didn't say anything to her about her daughta?" + +"Yes, I did," said Lander. + +"Well, you ce'tainly do equal anything," said his wife. She lay still +awhile, and then she roused herself with indignant energy. "Well, then, I +can tell you what, Albe't Landa: you can go right straight and take back +everything you said. I don't want the child, and I won't have her. I've +got care enough to worry me now, I should think; and we should have her +whole family on our hands, with that shiftless father of hers, and the +whole pack of her brothas and sistas. What made you think I wanted you to +do such a thing?" + +"You wanted me to do it last night. Wouldn't ha'dly let me go to bed." + +"Yes! And how many times have I told you nova to go off and do a thing +that I wanted you to, unless you asked me if I did? Must I die befo'e you +can find out that there is such a thing as talkin', and such anotha thing +as doin'? You wouldn't get yourself into half as many scrapes if you +talked more and done less, in this wo'ld." Lander rose. + +"Wait! Hold on! What are you going to say to the pooa thing? She'll be so +disappointed!" + +"I don't know as I shall need to say anything myself," answered the +little man, at his dryest. "Leave that to you." + +"Well, I can tell you," returned his wife, "I'm not goin' nea' them +again; and if you think--What did you ask the woman, anyway?" + +"I asked her," he said, "if she wanted to let the gul come and see you +about some sewing you had to have done, and she said she did." + +"And you didn't speak about havin' her come to live with us?" + +"No." + +"Well, why in the land didn't you say so before, Albe't?" + +"You didn't ask me. What do you want I should say to her now?" + +"Say to who?" + +"The gul. She's down in the pahlor, waitin'." + +"Well, of all the men!" cried Mrs. Lander. But she seemed to find +herself, upon reflection, less able to cope with Lander personally than +with the situation generally. "Will you send her up, Albe't?" she asked, +very patiently, as if he might be driven to further excesses, if not +delicately handled. As soon as he had gone out of the room she wished +that she had told him to give her time to dress and have her room put in +order, before he sent the child up; but she could only make the best of +herself in bed with a cap and a breakfast jacket, arranged with the help +of a handglass. She had to get out of bed to put her other clothes away +in the closet and she seized the chance to push the breakfast tray out of +the door, and smooth up the bed, while she composed her features and her +ideas to receive her visitor. Both, from long habit rather than from any +cause or reason, were of a querulous cast, and her ordinary tone was a +snuffle expressive of deep-seated affliction. She was at once plaintive +and voluable, and in moments of excitement her need of freeing her mind +was so great that she took herself into her own confidence, and found a +more sympathetic listener than when she talked to her husband. As she now +whisked about her room in her bed-gown with an activity not predicable of +her age and shape, and finally plunged under the covering and drew it up +to her chin with one hand while she pressed it out decorously over her +person with the other, she kept up a rapid flow of lamentation and +conjecture. "I do suppose he'll be right back with her before I'm half +ready; and what the man was thinkin' of to do such a thing anyway, I +don't know. I don't know as she'll notice much, comin' out of such a +lookin' place as that, and I don't know as I need to care if she did. But +if the'e's care anywhe's around, I presume I'm the one to have it. I +presume I did take a fancy to her, and I guess I shall be glad to see how +I like her now; and if he's only told her I want some sewin' done, I can +scrape up something to let her carry home with her. It's well I keep my +things where I can put my hand on 'em at a time like this, and I don't +believe I shall sca'e the child, as it is. I do hope Albe't won't hang +round half the day before he brings her; I like to have a thing ova." + +Lander wandered about looking for the girl through the parlors and the +piazzas, and then went to the office to ask what had become of her. + +The landlord came out of his room at his question to the clerk. "Oh, I +guess she's round in my wife's room, Mr. Landa. She always likes to see +Clementina, and I guess they all do. She's a so't o' pet amongst 'em." + +"No hurry," said Lander, "I guess my wife ain't quite ready for her yet." + +"Well, she'll be right out, in a minute or so," said the landlord. + +The old man tilted his hat forward over his eyes, and went to sit on the +veranda and look at the landscape while he waited. It was one of the +loveliest landscapes in the mountains; the river flowed at the foot of an +abrupt slope from the road before the hotel, stealing into and out of the +valley, and the mountains, gray in the farther distance, were draped with +folds of cloud hanging upon their flanks and tops. But Lander was tired +of nearly all kinds of views and prospects, though he put' up with them, +in his perpetual movement from place to place, in the same resignation +that he suffered the limitations of comfort in parlor cars and sleepers, +and the unwholesomeness of hotel tables. He was chained to the restless +pursuit of an ideal not his own, but doomed to suffer for its +impossibility as if he contrived each of his wife's disappointments from +it. He did not philosophize his situation, but accepted it as in an order +of Providence which it would be useless for him to oppose; though there +were moments when he permitted himself to feel a modest doubt of its +justice. He was aware that when he had a house of his own he was master +in it, after a fashion, and that as long as he was in business he was in +some sort of authority. He perceived that now he was a slave to the +wishes of a mistress who did not know what she wanted, and that he was +never farther from pleasing her than when he tried to do what she asked. +He could not have told how all initiative had been taken from him, and he +had fallen into the mere follower of a woman guided only by her whims, +who had no object in life except to deprive it of all object. He felt no +rancor toward her for this; he knew that she had a tender regard for him, +and that she believed she was considering him first in her most selfish +arrangements. He always hoped that sometime she would get tired of her +restlessness, and be willing to settle down again in some stated place; +and wherever it was, he meant to get into some kind of business again. +Till this should happen he waited with an apathetic patience of which his +present abeyance was a detail. He would hardly have thought it anything +unfit, and certainly nothing surprising, that the landlady should have +taken the young girl away from where he had left her, and then in the +pleasure of talking with her, and finding her a centre of interest for +the whole domestic force of the hotel, should have forgotten to bring her +back. + +The Middlemount House had just been organized on the scale of a first +class hotel, with prices that had risen a little in anticipation of the +other improvements. The landlord had hitherto united in himself the +functions of clerk and head waiter, but he had now got a senior, who was +working his way through college, to take charge of the dining-room, and +had put in the office a youth of a year's experience as under clerk at a +city hotel. But he meant to relinquish no more authority than his wife +who frankly kept the name as well as duty of house-keeper. It was in +making her morning inspection of the dusting that she found Clementina in +the parlor where Lander had told her to sit down till he should come for +her. + +"Why, Clem!" she said, "I didn't know you! You have grown so! Youa folks +all well? I decla'e you ah' quite a woman now," she added, as the girl +stood up in her slender, graceful height. "You look as pretty as a pink +in that hat. Make that dress youaself? Well, you do beat the witch! I +want you should come to my room with me." + +Mrs. Atwell showered other questions and exclamations on the girl, who +explained how she happened to be there, and said that she supposed she +must stay where she was for fear Mr. Lander should come back and find her +gone; but Mrs. Atwell overruled her with the fact that Mrs. Lander's +breakfast had just gone up to her; and she made her come out and see the +new features of the enlarged house-keeping. In the dining-room there were +some of the waitresses who had been there the summer before, and +recognitions of more or less dignity passed between them and Clementina. +The place was now shut against guests, and the head-waiter was having it +put in order for the one o'clock dinner. As they came near him, Mrs. +Atwell introduced him to Clementina, and he behaved deferentially, as if +she were some young lady visitor whom Mrs. Atwell was showing the +improvements, but he seemed harassed and impatient, as if he were anxious +about his duties, and eager to get at them again. He was a handsome +little fellow, with hair lighter than Clementina's and a sanguine +complexion, and the color coming and going. + +"He's smaht," said Mrs. Atwell, when they had left him--he held the +dining-room door open for them, and bowed them out. "I don't know but he +worries almost too much. That'll wear off when he gets things runnin' to +suit him. He's pretty p'tic'la'. Now I'll show you how they've made the +office over, and built in a room for Mr. Atwell behind it." + +The landlord welcomed Clementina as if she had been some acceptable class +of custom, and when the tall young clerk came in to ask him something, +and Mrs. Atwell said, "I want to introduce you to Miss Claxon, Mr. Fane," +the clerk smiled down upon her from the height of his smooth, acquiline +young face, which he held bent encouragingly upon one side. + +"Now, I want you should come in and see where I live, a minute," said +Mrs. Atwell. She took the girl from the clerk, and led her to the +official housekeeper's room which she said had been prepared for her so +that folks need not keep running to her in her private room where she +wanted to be alone with her children, when she was there. "Why, you a'n't +much moa than a child youaself, Clem, and here I be talkin' to you as if +you was a mother in Israel. How old ah' you, this summa? Time does go +so!" + +"I'm sixteen now," said Clementina, smiling. + +"You be? Well, I don't see why I say that, eitha! You're full lahge +enough for your age, but not seein' you in long dresses before, I didn't +realize your age so much. My, but you do all of you know how to do +things!" + +"I'm about the only one that don't, Mrs. Atwell," said the girl. "If it +hadn't been for mother, I don't believe I could have eva finished this +dress." She began to laugh at something passing in her mind, and Mrs. +Atwell laughed too, in sympathy, though she did not know what at till +Clementina said, "Why, Mrs. Atwell, nea'ly the whole family wo'ked on +this dress. Jim drew the patte'n of it from the dress of one of the summa +boa'das that he took a fancy to at the Centa, and fatha cut it out, and I +helped motha make it. I guess every one of the children helped a little." + +"Well, it's just as I said, you can all of you do things," said Mrs. +Atwell. "But I guess you ah' the one that keeps 'em straight. What did +you say Mr. Landa said his wife wanted of you?" + +"He said some kind of sewing that motha could do." + +"Well, I'll tell you what! Now, if she ha'n't really got anything that +your motha'll want you to help with, I wish you'd come here again and +help me. I tuned my foot, here, two-three weeks back, and I feel it, +times, and I should like some one to do about half my steppin' for me. I +don't want to take you away from her, but IF. You sha'n't go int' the +dinin'room, or be under anybody's oddas but mine. Now, will you?" + +"I'll see, Mrs. Atwell. I don't like to say anything till I know what +Mrs. Landa wants." + +"Well, that's right. I decla'e, you've got moa judgment! That's what I +used to say about you last summa to my husband: she's got judgment. Well, +what's wanted?" Mrs. Atwell spoke to her husband, who had opened her door +and looked in, and she stopped rocking, while she waited his answer. + +"I guess you don't want to keep Clementina from Mr. Landa much longa. +He's settin' out there on the front piazza waitin' for her." + +"Well, the'a!" cried Mrs. Atwell. "Ain't that just like me? Why didn't +you tell me sooner, Alonzo? Don't you forgit what I said, Clem!" + + + + +IV. + +Mrs. Lander had taken twice of a specific for what she called her +nerve-fag before her husband came with Clementina, and had rehearsed +aloud many of the things she meant to say to the girl. In spite of her +preparation, they were all driven out of her head when Clementina +actually appeared, and gave her a bow like a young birch's obeisance in +the wind. + +"Take a chaia," said Lander, pushing her one, and the girl tilted over +toward him, before she sank into it. He went out of the room, and left +Mrs. Lander to deal with the problem alone. She apologized for being in +bed, but Clementina said so sweetly, "Mr. Landa told me you were not +feeling very well, 'm," that she began to be proud of her ailments, and +bragged of them at length, and of the different doctors who had treated +her for them. While she talked she missed one thing or another, and +Clementina seemed to divine what it was she wanted, and got it for her, +with a gentle deference which made the elder feel her age cushioned by +the girl's youth. When she grew a little heated from the interest she +took in her personal annals, and cast off one of the folds of her bed +clothing, Clementina got her a fan, and asked her if she should put up +one of the windows a little. + +"How you do think of things!" said Mrs. Lander. "I guess I will let you. +I presume you get used to thinkin' of othas in a lahge family like youas. +I don't suppose they could get along without you very well," she +suggested. + +"I've neva been away except last summa, for a little while." + +"And where was you then?" + +"I was helping Mrs. Atwell." + +"Did you like it?" + +"I don't know," said Clementina. "It's pleasant to be whe'e things ah' +going on." + +"Yes--for young folks," said Mrs. Lander, whom the going on of things had +long ceased to bring pleasure. + +"It's real nice at home, too," said Clementina. "We have very good +times--evenings in the winta; in the summer it's very nice in the woods, +around there. It's safe for the children, and they enjoy it, and fatha +likes to have them. Motha don't ca'e so much about it. I guess she'd +ratha have the house fixed up more, and the place. Fatha's going to do it +pretty soon. He thinks the'e's time enough." + +"That's the way with men," said Mrs. Lander. "They always think the's +time enough; but I like to have things over and done with. What chuhch do +you 'tend?" + +"Well, there isn't any but the Episcopal," Clementina answered. "I go to +that, and some of the children go to the Sunday School. I don't believe +fatha ca'es very much for going to chuhch, but he likes Mr. Richling; +he's the recta. They take walks in the woods; and they go up the +mountains togetha." + +"They want," said Mrs. Lander, severely, "to be ca'eful how they drink of +them cold brooks when they're heated. Mr. Richling a married man?" + +"Oh, yes'm! But they haven't got any family." + +"If I could see his wife, I sh'd caution her about lettin' him climb +mountains too much. A'n't your father afraid he'll ovado?" + +"I don't know. He thinks he can't be too much in the open air on the +mountains." + +"Well, he may not have the same complaint as Mr. Landa; but I know if I +was to climb a mountain,' it would lay me up for a yea'." + +The girl did not urge anything against this conviction. She smiled +politely and waited patiently for the next turn Mrs. Lander's talk should +take, which was oddly enough toward the business Clementina had come +upon. + +"I declare I most forgot about my polonaise. Mr. Landa said your motha +thought she could do something to it for me." + +"Yes'm." + +"Well, I may as well let you see it. If you'll reach into that fuhthest +closet, you'll find it on the last uppa hook on the right hand, and if +you'll give it to me, I'll show you what I want done. Don't mind the +looks of that closet; I've just tossed my things in, till I could get a +little time and stren'th to put 'em in odda." + +Clementina brought the polonaise to Mrs. Lander, who sat up and spread it +before her on the bed, and had a happy half hour in telling the girl +where she had bought the material and where she had it made up, and how +it came home just as she was going away, and she did not find out that it +was all wrong till a week afterwards when she tried it on. By the end of +this time the girl had commended herself so much by judicious and +sympathetic assent, that Mrs. Lander learned with a shock of +disappointment that her mother expected her to bring the garment home +with her, where Mrs. Lander was to come and have it fitted over for the +alterations she wanted made. + +"But I supposed, from what Mr. Landa said, that your motha would come +here and fit me!" she lamented. + +"I guess he didn't undastand, 'm. Motha doesn't eva go out to do wo'k," +said Clementina gently but firmly. + +"Well, I might have known Mr. Landa would mix it up, if it could be +mixed;" Mrs. Lander's sense of injury was aggravated by her suspicion +that he had brought the girl in the hope of pleasing her, and confirming +her in the wish to have her with them; she was not a woman who liked to +have her way in spite of herself; she wished at every step to realize +that she was taking it, and that no one else was taking it for her. + +"Well," she said dryly, "I shall have to see about it. I'm a good deal of +an invalid, and I don't know as I could go back and fo'th to try on. I'm +moa used to havin' the things brought to me." + +"Yes'm," said Clementina. She moved a little from the bed, on her way to +the door, to be ready for Mrs. Lander in leave-taking. + +"I'm real sorry," said Mrs. Lander. "I presume it's a disappointment for +you, too." + +"Oh, not at all," answered Clementina. "I'm sorry we can't do the wo'k +he'a; but I know mocha wouldn't like to. Good-mo'ning,'m!" + +"No, no! Don't go yet a minute! Won't you just give me my hand bag off +the bureau the'a?" Mrs. Lander entreated, and when the girl gave her the +bag she felt about among the bank-notes which she seemed to have loose in +it, and drew out a handful of them without regard to their value. "He'a!" +she said, and she tried to put the notes into Clementina's hand, "I want +you should get yourself something." + +The girl shrank back. "Oh, no'm," she said, with an effect of seeming to +know that her refusal would hurt, and with the wish to soften it. +"I--couldn't; indeed I couldn't." + +"Why couldn't you? Now you must! If I can't let you have the wo'k the way +you want, I don't think it's fair, and you ought to have the money for it +just the same." + +Clementina shook her head smiling. "I don't believe motha would like to +have me take it." + +"Oh, now, pshaw!" said Mrs. Lander, inadequately. "I want you should take +this for youaself; and if you don't want to buy anything to wea', you can +get something to fix your room up with. Don't you be afraid of robbin' +us. Land! We got moa money! Now you take this." + +Mrs. Lander reached the money as far toward Clementina as she could and +shook it in the vehemence of her desire. + +"Thank you, I couldn't take it," Clementina persisted. "I'm afraid I must +be going; I guess I must bid you good-mo'ning." + +"Why, I believe the child's sca'ed of me! But you needn't be. Don't you +suppose I know how you feel? You set down in that chai'a there, and I'll +tell you how you feel. I guess we've been pooa, too--I don't mean +anything that a'n't exactly right--and I guess I've had the same +feelin's. You think it's demeanin' to you to take it. A'n't that it?" +Clementina sank provisionally upon the edge of the chair. "Well, it did +use to be so consid'ed. But it's all changed, nowadays. We travel pretty +nee' the whole while, Mr. Lander and me, and we see folks everywhere, and +it a'n't the custom to refuse any moa. Now, a'n't there any little thing +for your own room, there in your nice new house? Or something your +motha's got her heat set on? Or one of your brothas? My, if you don't +have it, some one else will! Do take it!" + +The girl kept slipping toward the door. "I shouldn't know what to tell +them, when I got home. They would think I must be--out of my senses." + +"I guess you mean they'd think I was. Now, listen to me a minute!" Mrs. +Lander persisted. + +"You just take this money, and when you get home, you tell your mother +every word about it, and if she says, you bring it right straight back to +me. Now, can't you do that?" + +"I don't know but I can," Clementina faltered. "Well, then take it!" Mrs. +Lander put the bills into her hand but she did not release her at once. +She pulled Clementina down and herself up till she could lay her other +arm on her neck. "I want you should let me kiss you. Will you?" + +"Why, certainly," said Clementina, and she kissed the old woman. + +"You tell your mother I'm comin' to see her before I go; and I guess," +said Mrs. Lander in instant expression of the idea that came into her +mind, "we shall be goin' pretty soon, now." + +"Yes'm," said Clementina. + +She went out, and shortly after Lander came in with a sort of hopeful +apathy in his face. + +Mrs. Lander turned her head on her pillow, and so confronted him. +"Albe't, what made you want me to see that child?" + +Lander must have perceived that his wife meant business, and he came to +it at once. "I thought you might take a fancy to her, and get her to come +and live with us." + +"Yes?" + +"We're both of us gettin' pretty well on, and you'd ought to have +somebody to look after you if--I'm not around. You want somebody that can +do for you; and keep you company, and read to you, and talk to you--well, +moa like a daughta than a suvvant--somebody that you'd get attached to, +maybe--" + +"And don't you see," Mrs. Lander broke out severely upon him, "what a +ca'e that would be? Why, it's got so already that I can't help thinkin' +about her the whole while, and if I got attached to her I'd have her on +my mind day and night, and the moa she done for me the more I should be +tewin' around to do for her. I shouldn't have any peace of my life any +moa. Can't you see that?" + +"I guess if you see it, I don't need to," said Lander. + +"Well, then, I want you shouldn't eva mention her to me again. I've had +the greatest escape! But I've got her off home, and I've give her money +enough! had a time with her about it--so that they won't feel as if we'd +made 'em trouble for nothing, and now I neva want to hear of her again. I +don't want we should stay here a great while longer; I shall be frettin' +if I'm in reach of her, and I shan't get any good of the ai'a. Will you +promise?" + +"Yes." + +"Well, then!" Mrs. Lander turned her face upon the pillow again in the +dramatization of her exhaustion; but she was not so far gone that she was +insensible to the possible interest that a light rap at the door +suggested. She once more twisted her head in that direction and called, +"Come in!" + +The door opened and Clementina came in. She advanced to the bedside +smiling joyously, and put the money Mrs. Lander had given her down upon +the counterpane. + +"Why, you haven't been home, child?" + +"No'm," said Clementina, breathlessly. "But I couldn't take it. I knew +they wouldn't want me to, and I thought you'd like it better if I just +brought it back myself. Good-mo'ning." She slipped out of the door. Mrs. +Lander swept the bank-notes from the coverlet and pulled it over her +head, and sent from beneath it a stifled wail. "Now we got to go! And +it's all youa fault, Albe't." + +Lander took the money from the floor, and smoothed each bill out, and +then laid them in a neat pile on the corner of the bureau. He sighed +profoundly but left the room without an effort to justify himself. + + + + +V. + +The Landers had been gone a week before Clementina's mother decided that +she could spare her to Mrs. Atwell for a while. It was established that +she was not to serve either in the dining-room or the carving room; she +was not to wash dishes or to do any part of the chamber work, but to +carry messages and orders for the landlady, and to save her steps, when +she wished to see the head-waiter, or the head-cook; or to make an excuse +or a promise to some of the lady-boarders; or to send word to Mr. Atwell +about the buying, or to communicate with the clerk about rooms taken or +left. + +She had a good deal of dignity of her own and such a gravity in the +discharge of her duties that the chef, who was a middle-aged Yankee with +grown girls of his own, liked to pretend that it was Mrs. Atwell herself +who was talking with him, and to discover just as she left him that it +was Clementina. He called her the Boss when he spoke of her to others in +her hearing, and he addressed her as Boss when he feigned to find that it +was not Mrs. Atwell. She did not mind that in him, and let the chef have +his joke as if it were not one. But one day when the clerk called her +Boss she merely looked at him without speaking, and made him feel that he +had taken a liberty which he must not repeat. He was a young man who much +preferred a state of self-satisfaction to humiliation of any sort, and +after he had endured Clementina's gaze as long as he could, he said, +"Perhaps you don't allow anybody but the chef to call you that?" + +She did not answer, but repeated the message Mrs. Atwell had given her +for him, and went away. + +It seemed to him undue that a person who exchanged repartees with the +young lady boarders across his desk, when they came many times a day to +look at the register, or to ask for letters, should remain snubbed by a +girl who still wore her hair in a braid; but he was an amiable youth, and +he tried to appease her by little favors and services, instead of trying +to bully her. + +He was great friends with the head-waiter, whom he respected as a college +student, though for the time being he ranked the student socially. He had +him in behind the frame of letter-boxes, which formed a sort of little +private room for him, and talked with him at such hours of the forenoon +and the late evening as the student was off duty. He found comfort in the +student's fretful strength, which expressed itself in the pugnacious +frown of his hot-looking young face, where a bright sorrel mustache was +beginning to blaze on a short upper lip. + +Fane thought himself a good-looking fellow, and he regarded his figure +with pleasure, as it was set off by the suit of fine gray check that he +wore habitually; but he thought Gregory's educational advantages told in +his face. His own education had ended at a commercial college, where he +acquired a good knowledge of bookkeeping, and the fine business hand he +wrote, but where it seemed to him sometimes that the earlier learning of +the public school had been hermetically sealed within him by several +coats of mathematical varnish. He believed that he had once known a +number of things that he no longer knew, and that he had not always been +so weak in his double letters as he presently found himself. + +One night while Gregory sat on a high stool and rested his elbow on the +desk before it, with his chin in his hand, looking down upon Fane, who +sprawled sadly in his chair, and listening to the last dance playing in +the distant parlor, Fane said. "Now, what'll you bet that they won't +every one of 'em come and look for a letter in her box before she goes to +bed? I tell you, girls are queer, and there's no place like a hotel to +study 'em." + +"I don't want to study them," said Gregory, harshly. + +"Think Greek's more worth your while, or know 'em well enough already?" +Fane suggested. + +"No, I don't know them at all," said the student. + +"I don't believe," urged the clerk, as if it were relevant, "that there's +a girl in the house that you couldn't marry, if you gave your mind to +it." + +Gregory twitched irascibly. "I don't want to marry them." + +"Pretty cheap lot, you mean? Well, I don't know." + +"I don't mean that," retorted the student. "But I've got other things to +think of." + +"Don't you believe," the clerk modestly urged, "that it is natural for a +man--well, a young man--to think about girls?" + +"I suppose it is." + +"And you don't consider it wrong?" + +"How, wrong?" + +"Well, a waste of time. I don't know as I always think about wanting to +marry 'em, or be in love, but I like to let my mind run on 'em. There's +something about a girl that, well, you don't know what it is, exactly. +Take almost any of 'em," said the clerk, with an air of inductive +reasoning. "Take that Claxon girl, now for example, I don't know what it +is about her. She's good-looking, I don't deny that; and she's got pretty +manners, and she's as graceful as a bird. But it a'n't any one of 'em, +and it don't seem to be all of 'em put together that makes you want to +keep your eyes on her the whole while. Ever noticed what a nice little +foot she's got? Or her hands?" + +"No," said the student. + +"I don't mean that she ever tries to show them off; though I know some +girls that would. But she's not that kind. She ain't much more than a +child, and yet you got to treat her just like a woman. Noticed the kind +of way she's got?" + +"No," said the student, with impatience. + +The clerk mused with a plaintive air for a moment before he spoke. "Well, +it's something as if she'd been trained to it, so that she knew just the +right thing to do, every time, and yet I guess it's nature. You know how +the chef always calls her the Boss? That explains it about as well as +anything, and I presume that's what my mind was running on, the other +day, when I called her Boss. But, my! I can't get anywhere near her +since!" + +"It serves you right," said Gregory. "You had no business to tease her." + +"Now, do you think it was teasing? I did, at first, and then again it +seemed to me that I came out with the word because it seemed the right +one. I presume I couldn't explain that to her." + +"It wouldn't be easy." + +"I look upon her," said Fane, with an effect of argument in the sweetness +of his smile, "just as I would upon any other young lady in the house. Do +you spell apology with one p or two?" + +"One," said the student, and the clerk made a minute on a piece of paper. + +"I feel badly for the girl. I don't want her to think I was teasing her +or taking any sort of liberty with her. Now, would you apologize to her, +if you was in my place, and would you write a note, or just wait your +chance and speak to her?" + +Gregory got down from his stool with a disdainful laugh, and went out of +the place. "You make me sick, Fane," he said. + +The last dance was over, and the young ladies who had been waltzing with +one another, came out of the parlor with gay cries and laughter, like +summer girls who had been at a brilliant hop, and began to stray down the +piazzas, and storm into the office. Several of them fluttered up to the +desk, as the clerk had foretold, and looked for letters in the boxes +bearing their initials. They called him out, and asked if he had not +forgotten something for them. He denied it with a sad, wise smile, and +then they tried to provoke him to a belated flirtation, in lack of other +material, but he met their overtures discreetly, and they presently said, +Well, they guessed they must go; and went. Fane turned to encounter +Gregory, who had come in by a side door. + +"Fane, I want to beg your pardon. I was rude to you just now." + +"Oh, no! Oh, no!" the clerk protested. "That's all right. Sit down a +while, can't you, and talk with a fellow. It's early, yet." + +"No, I can't. I just wanted to say I was sorry I spoke in that way. +Good-night. Is there anything in particular?" + +"No; good-night. I was just wondering about--that girl." + +"Oh!" + + + + +VI. + +Gregory had an habitual severity with his own behavior which did not stop +there, but was always passing on to the behavior of others; and his days +went by in alternate offence and reparation to those he had to do with. +He had to do chiefly with the dining-room girls, whose susceptibilities +were such that they kept about their work bathed in tears or suffused +with anger much of the time. He was not only good-looking but he was a +college student, and their feelings were ready to bud toward him in +tender efflorescence, but he kept them cropped and blighted by his curt +words and impatient manner. Some of them loved him for the hurts he did +them, and some hated him, but all agreed fondly or furiously that he was +too cross for anything. They were mostly young school-mistresses, and +whether they were of a soft and amorous make, or of a forbidding temper, +they knew enough in spite of their hurts to value a young fellow whose +thoughts were not running upon girls all the time. Women, even in their +spring-time, like men to treat them as if they had souls as well as +hearts, and it was a saving grace in Gregory that he treated them all, +the silliest of them, as if they had souls. Very likely they responded +more with their hearts than with their souls, but they were aware that +this was not his fault. + +The girls that waited at table saw that he did not distinguish in manner +between them and the girls whom they served. The knot between his brows +did not dissolve in the smiling gratitude of the young ladies whom he +preceded to their places, and pulled out their chairs for, any more than +in the blandishments of a waitress who thanked him for some correction. + +They owned when he had been harshest that no one could be kinder if he +saw a girl really trying, or more patient with well meaning stupidity, +but some things fretted him, and he was as apt to correct a girl in her +grammar as in her table service. Out of work hours, if he met any of +them, he recognized them with deferential politeness; but he shunned +occasions of encounter with them as distinctly as he avoided the ladies +among the hotel guests. Some of the table girls pitied his loneliness, +and once they proposed that he should read to them on the back piazza in +the leisure of their mid-afternoons. He said that he had to keep up with +his studies in all the time he could get; he treated their request with +grave civility, but they felt his refusal to be final. + +He was seen very little about the house outside of his own place and +function, and he was scarcely known to consort with anyone but Fane, who +celebrated his high sense of the honor to the lady-guests; but if any of +these would have been willing to show Gregory that they considered his +work to get an education as something that redeemed itself from discredit +through the nobility of its object, he gave them no chance to do so. + +The afternoon following their talk about Clementina, Gregory looked in +for Fane behind the letter boxes, but did not find him, and the girl +herself came round from the front to say that he was out buying, but +would be back now, very soon; it was occasionally the clerk's business to +forage among the farmers for the lighter supplies, such as eggs, and +butter, and poultry, and this was the buying that Clementina meant. "Very +well, I'll wait here for him a little while," Gregory answered. + +"So do," said Clementina, in a formula which she thought polite; but she +saw the frown with which Gregory took a Greek book from his pocket, and +she hurried round in front of the boxes again, wondering how she could +have displeased him. She put her face in sight a moment to explain, "I +have got to be here and give out the lettas till Mr. Fane gets back," and +then withdrew it. He tried to lose himself in his book, but her tender +voice spoke from time to time beyond the boxes, and Gregory kept +listening for Clementina to say, "No'm, there a'n't. Perhaps, the'e'll be +something the next mail," and "Yes'm, he'e's one, and I guess this paper +is for some of youa folks, too." + +Gregory shut his book with a sudden bang at last and jumped to his feet, +to go away. + +The girl came running round the corner of the boxes. "Oh! I thought +something had happened." + +"No, nothing has happened," said Gregory, with a sort of violence; which +was heightened by a sense of the rings and tendrils of loose hair +springing from the mass that defined her pretty head. "Don't you know +that you oughtn't to say 'No'm' and 'Yes'm?"' he demanded, bitterly, and +then he expected to see the water come into her eyes, or the fire into +her cheeks. + +Clementina merely looked interested. "Did I say that? I meant to say Yes, +ma'am and No, ma'am; but I keep forgetting." + +"You oughtn't to say anything!" Gregory answered savagely, "Just say Yes, +and No, and let your voice do the rest." + +"Oh!" said the girl, with the gentlest abeyance, as if charmed with the +novelty of the idea. "I should be afraid it wasn't polite." + +Gregory took an even brutal tone. It seemed to him as if he were forced +to hurt her feelings. But his words, in spite of his tone, were not +brutal; they might have even been thought flattering. "The politeness is +in the manner, and you don't need anything but your manner." + +"Do you think so, truly?" asked the girl joyously. "I should like to try +it once!" + +He frowned again. "I've no business to criticise your way of speaking." + +"Oh yes'm--yes, ma'am; sir, I mean; I mean, Oh, yes, indeed! The'a! It +does sound just as well, don't it?" Clementina laughed in triumph at the +outcome of her efforts, so that a reluctant visional smile came upon +Gregory's face, too. "I'm very mach obliged to you, Mr. Gregory--I shall +always want to do it, if it's the right way." + +"It's the right way," said Gregory coldly. + +"And don't they," she urged, "don't they really say Sir and Ma'am, +whe'e--whe'e you came from?" + +He said gloomily, "Not ladies and gentlemen. Servants do. Waiters--like +me." He inflicted this stab to his pride with savage fortitude and he +bore with self-scorn the pursuit of her innocent curiosity. + +"But I thought--I thought you was a college student." + +"Were," Gregory corrected her, involuntarily, and she said, "Were, I +mean." + +"I'm a student at college, and here I'm a servant! It's all right!" he +said with a suppressed gritting of the teeth; and he added, "My Master +was the servant of the meanest, and I must--I beg your pardon for +meddling with your manner of speaking--" + +"Oh, I'm very much obliged to you; indeed I am. And I shall not care if +you tell me of anything that's out of the way in my talking," said +Clementina, generously. + +"Thank you; I think I won't wait any longer for Mr. Fane." + +"Why, I'm su'a he'll be back very soon, now. I'll try not to disturb you +any moa." + +Gregory turned from taking some steps towards the door, and said, "I wish +you would tell Mr. Fane something." + +"For you? Why, suttainly!" + +"No. For you. Tell him that it's all right about his calling you Boss." + +The indignant color came into Clementina's face. "He had no business to +call me that." + +"No; and he doesn't think he had, now. He's truly sorry for it." + +"I'll see," said Clementina. + +She had not seen by the time Fane got back. She received his apologies +for being gone so long coldly, and went away to Mrs. Atwell, whom she +told what had passed between Gregory and herself. + +"Is he truly so proud?" she asked. + +"He's a very good young man," said Mrs. Atwell, "but I guess he's proud. +He can't help it, but you can see he fights against it. If I was you, +Clem, I wouldn't say anything to the guls about it." + +"Oh, no'm--I mean, no, indeed. I shouldn't think of it. But don't you +think that was funny, his bringing in Christ, that way?" + +"Well, he's going to be a minister, you know." + +"Is he really?" Clementina was a while silent. At last she said, "Don't +you think Mr. Gregory has a good many freckles?" + +"Well, them red-complected kind is liable to freckle," said Mrs. Atwell, +judicially. + +After rather a long pause for both of them, Clementina asked, "Do you +think it would be nice for me to ask Mr. Gregory about things, when I +wasn't suttain?" + +"Like what?" + +"Oh-wo'ds, and pronunciation; and books to read." + +"Why, I presume he'd love to have you. He's always correctin' the guls; I +see him take up a book one day, that one of 'em was readin', and when she +as't him about it, he said it was rubbage. I guess you couldn't have a +betta guide." + +"Well, that was what I was thinking. I guess I sha'n't do it, though. I +sh'd neva have the courage." Clementina laughed and then fell rather +seriously silent again. + + + + +VII. + +One day the shoeman stopped his wagon at the door of the helps' house, +and called up at its windows, "Well, guls, any of you want to git a numba +foua foot into a numba two shoe, to-day? Now's youa chance, but you got +to be quick abort it. The'e ha'r't but just so many numba two shoes made, +and the wohld's full o' numba foua feet." + +The windows filled with laughing faces at the first sound of the +shoeman's ironical voice; and at sight of his neat wagon, with its +drawers at the rear and sides, and its buggy-hood over the seat where the +shoeman lounged lazily holding the reins, the girls flocked down the +stairs, and out upon the piazza where the shoe man had handily ranged his +vehicle. + +They began to ask him if he had not this thing and that, but he said with +firmness, "Nothin' but shoes, guls. I did carry a gen'l line, one while, +of what you may call ankle-wea', such as spats, and stockin's, and +gaitas, but I nova did like to speak of such things befoa ladies, and now +I stick ex-elusively to shoes. You know that well enough, guls; what's +the use?" + +He kept a sober face amidst the giggling that his words aroused,--and let +his voice sink into a final note of injury. + +"Well, if you don't want any shoes, to-day, I guess I must be goin'." He +made a feint of jerking his horse's reins, but forebore at the entreaties +that went up from the group of girls. + +"Yes, we do!" "Let's see them!" "Oh, don't go!" they chorused in an +equally histrionic alarm, and the shoeman got down from his perch to show +his wares. + +"Now, the'a, ladies," he said, pulling out one of the drawers, and +dangling a pair of shoes from it by the string that joined their heels, +"the'e's a shoe that looks as good as any Sat'd'y-night shoe you eva see. +Looks as han'some as if it had a pasteboa'd sole and was split stock all +through, like the kind you buy for a dollar at the store, and kick out in +the fust walk you take with your fella--'r some other gul's fella, I +don't ca'e which. And yet that's an honest shoe, made of the best of +material all the way through, and in the best manna. Just look at that +shoe, ladies; ex-amine it; sha'n't cost you a cent, and I'll pay for youa +lost time myself, if any complaint is made." He began to toss pairs of +the shoes into the crowd of girls, who caught them from each other before +they fell, with hysterical laughter, and ran away with them in-doors to +try them on. "This is a shoe that I'm intaducin'," the shoeman went on, +"and every pair is warranted--warranted numba two; don't make any otha +size, because we want to cata to a strictly numba two custom. If any lady +doos feel 'em a little mite too snug, I'm sorry for her, but I can't do +anything to help her in this shoe." + +"Too snug!" came a gay voice from in-doors. "Why my foot feels puffectly +lost in this one." + +"All right," the shoeman shouted back. "Call it a numba one shoe and then +see if you can't find that lost foot in it, some'eres. Or try a little +flour, and see if it won't feel more at home. I've hea'd of a shoe that +give that sensation of looseness by not goin' on at all." + +The girls exulted joyfully together at the defeat of their companion, but +the shoeman kept a grave face, while he searched out other sorts of shoes +and slippers, and offered them, or responded to some definite demand with +something as near like as he could hope to make serve. The tumult of talk +and laughter grew till the chef put his head out of the kitchen door, and +then came sauntering across the grass to the helps' piazza. At the same +time the clerk suffered himself to be lured from his post by the +excitement. He came and stood beside the chef, who listened to the +shoeman's flow of banter with a longing to take his chances with him. + +"That's a nice hawss," he said. "What'll you take for him?" + +"Why, hello!" said the shoeman, with an eye that dwelt upon the chef's +official white cap and apron, "You talk English, don't you? Fust off, I +didn't know but it was one of them foreign dukes come ova he'a to marry +some oua poor millionai'es daughtas." The girls cried out for joy, and +the chef bore their mirth stoically, but not without a personal relish of +the shoeman's up-and-comingness. "Want a hawss?" asked the shoeman with +an air of business. "What'll you give?" + +"I'll give you thutty-seven dollas and a half," said the chef. + +"Sorry I can't take it. That hawss is sellin' at present for just one +hundred and fifty dollas." + +"Well," said the chef, "I'll raise you a dolla and a quahta. Say +thutty-eight and seventy-five." + +"W-ell now, you're gittin' up among the figgas where you're liable to own +a hawss. You just keep right on a raisin' me, while I sell these ladies +some shoes, and maybe you'll hit it yit, 'fo'e night." + +The girls were trying on shoes on every side now, and they had dispensed +with the formality of going in-doors for the purpose. More than one put +out her foot to the clerk for his opinion of the fit, and the shoeman was +mingling with the crowd, testing with his hand, advising from his +professional knowledge, suggesting, urging, and in some cases artfully +agreeing with the reluctance shown. + +"This man," said the chef, indicating Fane, "says you can tell moa lies +to the square inch than any man out o' Boston." + +"Doos he?" asked the shoeman, turning with a pair of high-heeled bronze +slippers in his hand from the wagon. "Well, now, if I stood as nea' to +him as you do, I believe I sh'd hit him." + +"Why, man, I can't dispute him!" said the chef, and as if he had now at +last scored a point, he threw back his head and laughed. When he brought +down his head again, it was to perceive the approach of Clementina. +"Hello," he said for her to hear, "he'e comes the Boss. Well, I guess I +must be goin'," he added, in mock anxiety. "I'm a goin', Boss, I'm a +goin'." + +Clementina ignored him. "Mr. Atwell wants to see you a moment, Mr. Fane," +she said to the clerk. + +"All right, Miss Claxon," Fane answered, with the sorrowful respect which +he always showed Clementina, now, "I'll be right there." But he waited a +moment, either in expression of his personal independence, or from +curiosity to know what the shoeman was going to say of the bronze +slippers. + +Clementina felt the fascination, too; she thought the slippers were +beautiful, and her foot thrilled with a mysterious prescience of its +fitness for them. + +"Now, the'e, ladies, or as I may say guls, if you'll excuse it in one +that's moa like a fatha to you than anything else, in his feelings"--the +girls tittered, and some one shouted derisively--"It's true!"--"now there +is a shoe, or call it a slippa, that I've rutha hesitated about showin' +to you, because I know that you're all rutha serious-minded, I don't ca'e +how young ye be, or how good-lookin' ye be; and I don't presume the'e's +one among you that's eve' head o' dancin'." In the mirthful hooting and +mocking that followed, the shoeman hedged gravely from the extreme +position he had taken. "What? Well, maybe you have among some the summa +folks, but we all know what summa folks ah', and I don't expect you to +patte'n by them. But what I will say is that if any young lady within the +sound of my voice,"--he looked round for the applause which did not fail +him in his parody of the pulpit style--"should get an invitation to a +dance next winta, and should feel it a wo'k of a charity to the young man +to go, she'll be sorry--on his account, rememba--that she ha'n't got this +pair o' slippas. + +"The'a! They're a numba two, and they'll fit any lady here, I don't ca'e +how small a foot she's got. Don't all speak at once, sistas! Ample time +allowed for meals. That's a custom-made shoe, and if it hadn't b'en too +small for the lady they was oddid foh, you couldn't-'a' got 'em for less +than seven dollas; but now I'm throwin' on 'em away for three." + +A groan of dismay went up from the whole circle, and some who had pressed +forward for a sight of the slippers, shrank back again. + +"Did I hea' just now," asked the shoeman, with a soft insinuation in his +voice, and in the glance he suddenly turned upon Clementina, "a party +addressed as Boss?" Clementina flushed, but she did not cower; the chef +walked away with a laugh, and the shoeman pursued him with his voice. +"Not that I am goin' to folla the wicked example of a man who tries to +make spot of young ladies; but if the young lady addressed as Boss--" + +"Miss Claxon," said the clerk with ingratiating reverence. + +"Miss Claxon--I Stan' corrected," pursued the shoeman. "If Miss Claxon +will do me the fava just to try on this slippa, I sh'd be able to tell at +the next place I stopped just how it looked on a lady's foot. I see you +a'n't any of you disposed to buy 'em this aftanoon, 'and I a'n't +complainin'; you done pootty well by me, already, and I don't want to +uhge you; but I do want to carry away the picture, in my mind's eye--what +you may call a mental photograph--of this slipper on the kind of a foot +it was made for, so't I can praise it truthfully to my next customer. +What do you say, ma'am?" he addressed himself with profound respect to +Clementina. + +"Oh, do let him, Clem!" said one of the girls, and another pleaded, "Just +so he needn't tell a story to his next customa," and that made the rest +laugh. + +Clementina's heart was throbbing, and joyous lights were dancing in her +eyes. "I don't care if I do," she said, and she stooped to unlace her +shoe, but one of the big girls threw herself on her knees at her feet to +prevent her. Clementina remembered too late that there was a hole in her +stocking and that her little toe came through it, but she now folded the +toe artfully down, and the big girl discovered the hole in time to abet +her attempt at concealment. She caught the slipper from the shoeman and +harried it on; she tied the ribbons across the instep, and then put on +the other. "Now put out youa foot, Clem! Fast dancin' position!" She +leaned back upon her own heels, and Clementina daintily lifted the edge +of her skirt a little, and peered over at her feet. The slippers might or +might not have been of an imperfect taste, in their imitation of the +prevalent fashion, but on Clementina's feet they had distinction. + +"Them feet was made for them slippas," said the shoeman devoutly. + +The clerk was silent; he put his hand helplessly to his mouth, and then +dropped it at his side again. + +Gregory came round the corner of the building from the dining-room, and +the big girl who was crouching before Clementina, and who boasted that +she was not afraid of the student, called saucily to him, "Come here, a +minute, Mr. Gregory," and as he approached, she tilted aside, to let him +see Clementina's slippers. + +Clementina beamed up at him with all her happiness in her eyes, but after +a faltering instant, his face reddened through its freckles, and he gave +her a rebuking frown and passed on. + +"Well, I decla'e!" said the big girl. Fane turned uneasily, and said with +a sigh, he guessed he must be going, now. + +A blight fell upon the gay spirits of the group, and the shoeman asked +with an ironical glance after Gregory's retreating figure, "Owna of this +propaty?" + +"No, just the ea'th," said the big girl, angrily. + +The voice of Clementina made itself heard with a cheerfulness which had +apparently suffered no chill, but was really a rising rebellion. "How +much ah' the slippas?" + +"Three dollas," said the shoeman in a surprise which he could not conceal +at Clementina's courage. + +She laughed, and stooped to untie the slippers. "That's too much for me." + +"Let me untie 'em, Clem," said the big girl. "It's a shame for you eva to +take 'em off." + +"That's right, lady," said the shoeman. "And you don't eva need to," he +added, to Clementina, "unless you object to sleepin' in 'em. You pay me +what you want to now, and the rest when I come around the latta paht of +August." + +"Oh keep 'em, Clem!" the big girl urged, passionately, and the rest +joined her with their entreaties. + +"I guess I betta not," said Clementina, and she completed the work of +taking off the slippers in which the big girl could lend her no further +aid, such was her affliction of spirit. + +"All right, lady," said the shoeman. "Them's youa slippas, and I'll just +keep 'em for you till the latta paht of August." + +He drove away, and in the woods which he had to pass through on the road +to another hotel he overtook the figure of a man pacing rapidly. He +easily recognized Gregory, but he bore him no malice. "Like a lift?" he +asked, slowing up beside him. + +"No, thank you," said Gregory. "I'm out for the walk." He looked round +furtively, and then put his hand on the side of the wagon, mechanically, +as if to detain it, while he walked on. + +"Did you sell the slippers to the young lady?" + +"Well, not as you may say sell, exactly," returned the shoeman, +cautiously. + +"Have you--got them yet?" asked the student. + +"Guess so," said the man. "Like to see 'em?" + +He pulled up his horse. + +Gregory faltered a moment. Then he said, "I'd like to buy them. Quick!" + +He looked guiltily about, while the shoeman alertly obeyed, with some +delay for a box to put them in. "How much are they?" + +"Well, that's a custom made slipper, and the price to the lady that +oddid'em was seven dollas. But I'll let you have 'em for three--if you +want 'em for a present."--The shoeman was far too discreet to permit +himself anything so overt as a smile; he merely let a light of +intelligence come into his face. + +Gregory paid the money. "Please consider this as confidential," he said, +and he made swiftly away. Before the shoeman could lock the drawer that +had held the slippers, and clamber to his perch under the buggy-hood, +Gregory was running back to him again. + +"Stop!" he called, and as he came up panting in an excitement which the +shoeman might well have mistaken for indignation attending the discovery +of some blemish in his purchase. "Do you regard this as in any manner a +deception?" he palpitated. + +"Why," the shoeman began cautiously, "it wa'n't what you may call a +promise, exactly. More of a joke than anything else, I looked on it. I +just said I'd keep 'em for her; but--" + +"You don't understand. If I seemed to disapprove--if I led any one to +suppose, by my manner, or by--anything--that I thought it unwise or +unbecoming to buy the shoes, and then bought them myself, do you think it +is in the nature of an acted falsehood?" + +"Lo'd no!" said the shoeman, and he caught up the slack of his reins to +drive on, as if he thought this amusing maniac might also be dangerous. + +Gregory stopped him with another question. "And shall--will you--think it +necessary to speak of--of this transaction? I leave you free!" + +"Well," said the shoeman. "I don't know what you're after, exactly, but +if you think I'm so shot on for subjects that I've got to tell the folks +at the next stop that I sold a fellar a pair of slippas for his gul--Go +'long!" he called to his horse, and left Gregory standing in the middle +of the road. + + + + +VIII. + +The people who came to the Middlemount in July were ordinarily the +nicest, but that year the August folks were nicer than usual and there +were some students among them, and several graduates just going into +business, who chose to take their outing there instead of going to the +sea-side or the North Woods. This was a chance that might not happen in +years again, and it made the house very gay for the young ladies; they +ceased to pay court to the clerk, and asked him for letters only at +mail-time. Five or six couples were often on the floor together, at the +hops, and the young people sat so thick upon the stairs that one could +scarcely get up or down. + +So many young men made it gay not only for the young ladies, but also for +a certain young married lady, when she managed to shirk her rather filial +duties to her husband, who was much about the verandas, purblindly +feeling his way with a stick, as he walked up and down, or sitting opaque +behind the glasses that preserved what was left of his sight, while his +wife read to him. She was soon acquainted with a good many more people +than he knew, and was in constant request for such occasions as needed a +chaperon not averse to mountain climbing, or drives to other hotels for +dancing and supper and return by moonlight, or the more boisterous sorts +of charades; no sheet and pillow case party was complete without her; for +welsh-rarebits her presence was essential. The event of the conflict +between these social claims and her duties to her husband was her appeal +to Mrs. Atwell on a point which the landlady referred to Clementina. + +"She wants somebody to read to her husband, and I don't believe but what +you could do it, Clem. You're a good reader, as good as I want to hear, +and while you may say that you don't put in a great deal of elocution, I +guess you can read full well enough. All he wants is just something to +keep him occupied, and all she wants is a chance to occupy herself with +otha folks. Well, she is moa their own age. I d'know as the's any hahm in +her. And my foot's so much betta, now, that I don't need you the whole +while, any moa." + +"Did you speak to her about me?" asked the girl. + +"Well, I told her I'd tell you. I couldn't say how you'd like." + +"Oh, I guess I should like," said Clementina, with her eyes shining. +"But--I should have to ask motha." + +"I don't believe but what your motha'd be willin'," said Mrs. Atwell. +"You just go down and see her about it." + +The next day Mrs. Milray was able to take leave of her husband, in +setting off to matronize a coaching party, with an exuberance of good +conscience that she shared with the spectators. She kissed him with +lively affection, and charged him not to let the child read herself to +death for him. She captioned Clementina that Mr. Milray never knew when +he was tired, and she had better go by the clock in her reading, and not +trust to any sign from him. + +Clementina promised, and when the public had followed Mrs. Milray away, +to watch her ascent to the topmost seat of the towering coach, by means +of the ladder held in place by two porters, and by help of the +down-stretched hands of all the young men on the coach, Clementina opened +the book at the mark she found in it, and began to read to Mr. Milray. + +The book was a metaphysical essay, which he professed to find a lighter +sort of reading than fiction; he said most novelists were too seriously +employed in preventing the marriage of the lovers, up to a certain point, +to be amusing; but you could always trust a metaphysician for +entertainment if he was very much in earnest, and most metaphysicians +were. He let Clementina read on a good while in her tender voice, which +had still so many notes of childhood in it, before he manifested any +consciousness of being read to. He kept the smile on his delicate face +which had come there when his wife said at parting, "I don't believe I +should leave her with you if you could see how prettty she was," and he +held his head almost motionlessly at the same poise he had given it in +listening to her final charges. It was a fine head, still well covered +with soft hair, which lay upon it in little sculpturesque masses, like +chiseled silver, and the acquiline profile had a purity of line in the +arch of the high nose and the jut of the thin lips and delicate chin, +which had not been lost in the change from youth to age. One could never +have taken it for the profile of a New York lawyer who had early found +New York politics more profitable than law, and after a long time passed +in city affairs, had emerged with a name shadowed by certain doubtful +transactions. But this was Milray's history, which in the rapid progress +of American events, was so far forgotten that you had first to remind +people of what he had helped do before you could enjoy their surprise in +realizing that this gentle person, with the cast of intellectual +refinement which distinguished his face, was the notorious Milray, who +was once in all the papers. When he made his game and retired from +politics, his family would have sacrificed itself a good deal to reclaim +him socially, though they were of a severer social than spiritual +conscience, in the decay of some ancestral ideals. But he had rendered +their willingness hopeless by marrying, rather late in life, a young girl +from the farther West who had come East with a general purpose to get on. +She got on very well with Milray, and it was perhaps not altogether her +own fault that she did not get on so well with his family, when she began +to substitute a society aim for the artistic ambition that had brought +her to New York. They might have forgiven him for marrying her, but they +could not forgive her for marrying him. They were of New England origin +and they were perhaps a little more critical with her than if they had +been New Yorkers of Dutch strain. They said that she was a little Western +hoyden, but that the stage would have been a good place for her if she +could have got over her Pike county accent; in the hush of family +councils they confided to one another the belief that there were phases +of the variety business in which her accent would have been no barrier to +her success, since it could not have been heard in the dance, and might +have been disguised in the song. + +"Will you kindly read that passage over again?" Milray asked as +Clementina paused at the end of a certain paragraph. She read it, while +he listened attentively. "Could you tell me just what you understand by +that?" he pursued, as if he really expected Clementina to instruct him. + +She hesitated a moment before she answered, "I don't believe I undastand +anything at all." + +"Do you know," said Milray, "that's exactly my own case? And I've an idea +that the author is in the same box," and Clementina perceived she might +laugh, and laughed discreetly. + +Milray seemed to feel the note of discreetness in her laugh, and he +asked, smiling, "How old did you tell me you were?" + +"I'm sixteen," said Clementina. + +"It's a great age," said Milray. "I remember being sixteen myself; I have +never been so old since. But I was very old for my age, then. Do you +think you are?" + +"I don't believe I am," said Clementina, laughing again, but still very +discreetly. + +"Then I should like to tell you that you have a very agreeable voice. Do +you sing?" + +"No'm--no, sir--no," said Clementina, "I can't sing at all." + +"Ah, that's very interesting," said Milray, "but it's not surprising. I +wish I could see your face distinctly; I've a great curiosity about +matching voices and faces; I must get Mrs. Milray to tell me how you +look. Where did you pick up your pretty knack at reading? In school, +here?" + +"I don't know," answered Clementina. "Do I read-the way you want?" + +"Oh, perfectly. You let the meaning come through--when there is any." + +"Sometimes," said Clementina ingenuously, "I read too fast; the children +ah' so impatient when I'm reading to them at home, and they hurry me. But +I can read a great deal slower if you want me to." + +"No, I'm impatient, too," said Milray. "Are there many of them,--the +children?" + +"There ah' six in all." + +"And are you the oldest?" + +"Yes," said Clementina. She still felt it very blunt not to say sir, too, +but she tried to make her tone imply the sir, as Mr. Gregory had bidden +her. + +"You've got a very pretty name." + +Clementina brightened. "Do you like it? Motha gave it to me; she took it +out of a book that fatha was reading to her." + +"I like it very much," said Milray. "Are you tall for your age?" + +"I guess I am pretty tall." + +"You're fair, of course. I can tell that by your voice; you've got a +light-haired voice. And what are your eyes?" + +"Blue!" Clementina laughed at his pursuit. + +"Ah, of course! It isn't a gray-eyed blonde voice. Do you think--has +anybody ever told you-that you were graceful?" + +"I don't know as they have," said Clementina, after thinking. + +"And what is your own opinion?" Clementina began to feel her dignity +infringed; she did not answer, and now Milray laughed. "I felt the little +tilt in your step as you came up. It's all right. Shall we try for our +friend's meaning, now?" + +Clementina began again, and again Milray stopped her. "You mustn't bear +malice. I can hear the grudge in your voice; but I didn't mean to laugh +at you. You don't like being made fun of, do you?" + +"I don't believe anybody does," said Clementina. + +"No, indeed," said Milray. "If I had tried such a thing I should be +afraid you would make it uncomfortable for me. But I haven't, have I?" + +"I don't know," said Clementina, reluctantly. + +Milray laughed gleefully. "Well, you'll forgive me, because I'm an old +fellow. If I were young, you wouldn't, would you?" + +Clementina thought of the clerk; she had certainly never forgiven him. +"Shall I read on?" she asked. + +"Yes, yes. Read on," he said, respectfully. Once he interrupted her to +say that she pronounced admirable, but he would like now and then to +differ with her about a word if she did not mind. She answered, Oh no, +indeed; she should like it ever so much, if he would tell her when she +was wrong. After that he corrected her, and he amused himself by studying +forms of respect so delicate that they should not alarm her pride; +Clementina reassured him in terms as fine as his own. She did not accept +his instructions implicitly; she meant to bring them to the bar of +Gregory's knowledge. If he approved of them, then she would submit. + +Milray easily possessed himself of the history of her life and of all its +circumstances, and he said he would like to meet her father and make the +acquaintance of a man whose mind, as Clementina interpreted it to him, he +found so original. + +He authorized his wife to arrange with Mrs. Atwell for a monopoly of +Clementina's time while he stayed at Middlemount, and neither he nor Mrs. +Milray seemed surprised at the good round sum, as the landlady thought +it, which she asked in the girl's behalf. + + + + +IX. + +The Milrays stayed through August, and Mrs. Milray was the ruling spirit +of the great holiday of the summer, at Middlemount. It was this year that +the landlords of the central mountain region had decided to compete in a +coaching parade, and to rival by their common glory the splendor of the +East Side and the West Side parades. The boarding-houses were to take +part, as well as the hotels; the farms where only three or four summer +folks were received, were to send their mountain-wagons, and all were to +be decorated with bunting. An arch draped with flags and covered with +flowers spanned the entrance to the main street at Middlemount Centre, +and every shop in the village was adorned for the event. + +Mrs. Milray made the landlord tell her all about coaching parades, and +the champions of former years on the East Side and the West Side, and +then she said that the Middlemount House must take the prize from them +all this year, or she should never come near his house again. He +answered, with a dignity and spirit he rarely showed with Mrs. Milray's +class of custom, "I'm goin' to drive our hossis myself." + +She gave her whole time to imagining and organizing the personal display +on the coach. She consulted with the other ladies as to the kind of +dresses that were to be worn, but she decided everything herself; and +when the time came she had all the young men ravaging the lanes and +pastures for the goldenrod and asters which formed the keynote of her +decoration for the coach. + +She made peace and kept it between factions that declared themselves +early in the affair, and of all who could have criticized her for taking +the lead perhaps none would have willingly relieved her of the trouble. +She freely declared that it was killing her, and she sounded her accents +of despair all over the place. When their dresses were finished she made +the persons of her drama rehearse it on the coach top in the secret of +the barn, where no one but the stable men were suffered to see the +effects she aimed at. But on the eve of realizing these in public she was +overwhelmed by disaster. The crowning glory of her composition was to be +a young girl standing on the highest seat of the coach, in the character +of the Spirit of Summer, wreathed and garlanded with flowers, and +invisibly sustained by the twelve months of the year, equally divided as +to sex, but with the more difficult and painful attitudes assigned to the +gentlemen who were to figure as the fall and winter months. It had been +all worked out and the actors drilled in their parts, when the Spirit of +Summer, who had been chosen for the inoffensiveness of her extreme youth, +was taken with mumps, and withdrawn by the doctor's orders. Mrs. Milray +had now not only to improvise another Spirit of Summer, but had to choose +her from a group of young ladies, with the chance of alienating and +embittering those who were not chosen. In her calamity she asked her +husband what she should do, with but the least hope that he could tell +her. But he answered promptly, "Take Clementina; I'll let you have her +for the day," and then waited for the storm of her renunciations and +denunciations to spend itself. + +"To be sure," she said, when this had happened, "it isn't as if she were +a servant in the house; and the position can be regarded as a kind of +public function, anyhow. I can't say that I've hired her to take the +part, but I can give her a present afterwards, and it will be the same +thing." + +The question of clothes for Clementina Mrs. Milray declared was almost +as sweeping in its implication as the question of the child's creation. +"She has got to be dressed new from head to foot," she said, "every +stitch, and how am I to manage it in twenty-four hours?" + +By a succession of miracles with cheese-cloth, and sashes and ribbons, it +was managed; and ended in a triumph so great that Mrs. Milray took the +girl in her arms and kissed her for looking the Spirit of Summer to a +perfection that the victim of the mumps could not have approached. The +victory was not lastingly marred by the failure of Clementina's shoes to +look the Spirit of Summer as well as the rest of her costume. No shoes at +all world have been the very thing, but shoes so shabby and worn down at +one side of the heel as Clementina's were very far from the thing. Mrs. +Milray decided that another fold of cheese-cloth would add to the +statuesque charm of her figure, and give her more height; and she was +richly satisfied with the effect when the Middlemount coach drove up to +the great veranda the next morning, with all the figures of her picture +in position on its roof, and Clementina supreme among them. She herself +mounted in simple, undramatized authority to her official seat beside the +landlord, who in coachman's dress, with a bouquet of autumnal flowers in +his lapel, sat holding his garlanded reins over the backs of his six +horses; and then the coach as she intended it to appear in the parade set +out as soon as the turnouts of the other houses joined it. They were all +to meet at the Middlemount, which was thickly draped and festooned in +flags, with knots of evergreen and the first red boughs of the young +swamp maples holding them in place over its irregular facade. The coach +itself was amass of foliage and flowers, from which it defined itself as +a wheeled vehicle in vague and partial outline; the other wagons and +coaches, as they drove tremulously up, with an effect of having been +mired in blossoms about their spokes and hubs, had the unwieldiness which +seems inseparable from spectacularity. They represented motives in color +and design sometimes tasteless enough, and sometimes so nearly very good +that Mrs. Milray's heart was a great deal in her mouth, as they arrived, +each with its hotel-cry roared and shrilled from a score of masculine and +feminine throats, and finally spelled for distinctness sake, with an +ultimate yell or growl. But she had not finished giving the +lady-representative of a Sunday newspaper the points of her own tableau, +before she regained the courage and the faith in which she remained +serenely steadfast throughout the parade. + +It was when all the equipages of the neighborhood had arrived that she +climbed to her place; the ladder was taken away; the landlord spoke to +his horses, and the Middlemount coach led the parade, amid the renewed +slogans, and the cries and fluttered handkerchiefs of the guests crowding +the verandas. + +The line of march was by one road to Middlemount Centre, where the prize +was to be awarded at the judges' stand, and then the coaches were to +escort the triumphant vehicle homeward by another route, so as to pass as +many houses on the way as possible. It was a curious expression of the +carnival spirit in a region immemorially starved of beauty in the lives +of its people; and whatever was the origin of the mountain coaching +parade, or from whatever impulse of sentimentality or advertising it +came, the effect was of undeniable splendor, and of phantasmagoric +strangeness. + +Gregory watched its progress from a hill-side pasture as it trailed +slowly along the rising and falling road. The songs of the young girls, +interrupted by the explosion of hotel slogans and college cries from the +young men, floated off to him on the thin breeze of the cloudless August +morning, like the hymns and shouts of a saturnalian rout going in holiday +processional to sacrifice to their gods. Words of fierce Hebrew poetry +burned in his thought; the warnings and the accusals and the +condemnations of the angry prophets; and he stood rapt from his own time +and place in a dream of days when the Most High stooped to commune face +to face with His ministers, while the young voices of those forgetful or +ignorant of Him, called to his own youth, and the garlanded chariots, +with their banners and their streamers passed on the road beneath him and +out of sight in the shadow of the woods beyond. + +When the prize was given to the Middlemount coach at the Center the +landlord took the flag, and gallantly transferred it to Mrs. Milray, and +Mrs. Milray passed it up to Clementina, and bade her, "Wave it, wave it!" + +The village street was thronged with people that cheered, and swung their +hats and handkerchiefs to the coach as it left the judges' stand and +drove under the triumphal arch, with the other coaches behind it. Then +Atwell turned his horses heads homewards, and at the brisker pace with +which people always return from festivals or from funerals, he left the +village and struck out upon the country road with his long escort before +him. The crowd was quick to catch the courteous intention of the victors, +and followed them with applause as far beyond the village borders as wind +and limb would allow; but the last noisy boy had dropped off breathless +before they reached a half-finished house in the edge of some woods. A +line of little children was drawn up by the road-side before it, who +watched the retinue with grave eagerness, till the Middlemount coach came +in full sight. Then they sprang into the air, and beating their hands +together, screamed, "Clem! Clem! Oh it's Clem!" and jumped up and down, +and a shabby looking work worn woman came round the corner of the house +and stared up at Clementina waving her banner wildly to the children, and +shouting unintelligible words to them. The young people on the coach +joined in response to the children, some simply, some ironically, and one +of the men caught up a great wreath of flowers which lay at Clementina's +feet, and flung it down to them; the shabby woman quickly vanished round +the corner of the house again. Mrs. Milray leaned over to ask the +landlord, "Who in the world are Clementina's friends?" + +"Why don't you know?" he retorted in abated voice. "Them's her brothas +and sistas." + +"And that woman?" + +"The lady at the conna? That's her motha." + +When the event was over, and all the things had been said and said again, +and there was nothing more to keep the spring and summer months from +going up to their rooms to lie down, and the fall and winter months from +trying to get something to eat, Mrs. Milray found herself alone with +Clementina. + +The child seemed anxious about something, and Mrs. Milray, who wanted to +go and lie down, too, asked a little impatiently, "What is it, +Clementina?" + +"Oh, nothing. Only I was afraid maybe you didn't like my waving to the +children, when you saw how queea they looked." Clementina's lips +quivered. + +"Did any of the rest say anything?" + +"I know what they thought. But I don't care! I should do it right over +again!" + +Mrs. Milray's happiness in the day's triumph was so great that she could +indulge a generous emotion. She caught the girl in her arms. "I want to +kiss you; I want to hug you, Clementina!" + +The notion of a dance for the following night to celebrate the success of +the house in the coaching parade came to Mrs. Milray over a welsh-rarebit +which she gave at the close of the evening. The party was in the charge +of Gregory, who silently served them at their orgy with an austerity that +might have conspired with the viand itself against their dreams, if they +had not been so used to the gloom of his ministrations. He would not +allow the waitresses to be disturbed in their evening leisure, or kept +from their sleep by such belated pleasures; and when he had provided the +materials for the rarebit, he stood aloof, and left their combination to +Mrs. Milray and her chafing-dish. + +She had excluded Clementina on account of her youth, as she said to one +of the fall and winter months, who came in late, and noticed Clementina's +absence with a "Hello! Anything the matter with the Spirit of Summer?" +Clementina had become both a pet and a joke with these months before the +parade was over, and now they clamored together, and said they must have +her at the dance anyway. They were more tepidly seconded by the spring +and summer months, and Mrs. Milray said, "Well, then, you'll have to all +subscribe and get her a pair of dancing slippers." They pressed her for +her meaning, and she had to explain the fact of Clementina's destitution, +which that additional fold of cheese-cloth had hidden so well in the +coaching tableau that it had never been suspected. The young men +entreated her to let them each buy a pair of slippers for the Spirit of +Summer, which she should wear in turn for the dance that she must give +each of them; and this made Mrs. Milray declare that, no, the child +should not come to the dance at all, and that she was not going to have +her spoiled. But, before the party broke up, she promised that she would +see what could be done, and she put it very prettily to the child the +next day, and waited for her to say, as she knew she must, that she could +not go, and why. They agreed that the cheese-cloth draperies of the +Spirit of Summer were surpassingly fit for the dance; but they had to +agree that this still left the question of slippers untouched. It +remained even more hopeless when Clementina tried on all of Mrs. Milray's +festive shoes, and none of her razorpoints and high heels would avail. +She went away disappointed, but not yet disheartened; youth does not so +easily renounce a pleasure pressed to the lips; and Clementina had it in +her head to ask some of the table girls to help her out. She meant to try +first with that big girl who had helped her put on the shoeman's bronze +slippers; and she hurried through the office, pushing purblindly past +Fane without looking his way, when he called to her in the deference +which he now always used with her, "Here's a package here for you, +Clementina--Miss Claxon," and he gave her an oblong parcel, addressed in +a hand strange to her. "Who is it from?" she asked, innocently, and Fane +replied with the same ingenuousness: "I'm sure I don't know." Afterwards +he thought of having retorted, "I haven't opened it," but still without +being certain that he would have had the courage to say it. + +Clementina did not think of opening it herself, even when she was alone +in her little room above Mrs. Atwell's, until she had carefully felt it +over, and ascertained that it was a box of pasteboard, three or four +inches deep and wide, and eight or ten inches long. She looked at the +address again, "Miss Clementina Claxon," and at the narrow notched ribbon +which tied it, and noted that the paper it was wrapped in was very white +and clean. Then she sighed, and loosed the knot, and the paper slipped +off the box, and at the same time the lid fell off, and the shoe man's +bronze slippers fell out upon the floor. + +Either it must be a dream or it must be a joke; it could not be both real +and earnest; somebody was trying to tease her; such flattery of fortune +could not be honestly meant. But it went to her head, and she was so +giddy with it as she caught the slippers from the floor, and ran down to +Mrs. Atwell, that she knocked against the sides of the narrow staircase. + +"What is it? What does it mean? Who did it?" she panted, with the +slippers in her hand. "Whe'e did they come from?" She poured out the +history of her trying on these shoes, and of her present need of them and +of their mysterious coming, to meet her longing after it had almost +ceased to be a hope. Mrs. Atwell closed with her in an exultation hardly +short of a clapping the hands. Her hair was gray, and the girl's hair +still hung in braids down her back, but they were of the same age in +their transport, which they referred to Mrs. Milray, and joined with her +in glad but fruitless wonder who had sent Clementina the shoes. Mrs. +Atwell held that the help who had seen the girl trying them on had +clubbed together and got them for her at the time; and had now given them +to her for the honor she had done the Middlemount House in the parade. +Mrs. Milray argued that the spring and summer months had secretly +dispatched some fall and winter month to ransack the stores at +Middlemount Centre for them. Clementina believed that they came from the +shoe man himself, who had always wanted to send them, in the hope that +she would keep them, and had merely happened to send them just then in +that moment of extremity when she was helpless against them. Each +conjecture involved improbabilities so gross that it left the field free +to any opposite theory. + +Rumor of the fact could not fail to go through the house, and long before +his day's work was done it reached the chef, and amused him as a piece of +the Boss's luck. He was smoking his evening pipe at the kitchen door +after supper, when Clementina passed him on one of the many errands that +took her between Mrs. Milray's room and her own, and he called to her: +"Boss, what's this I hear about a pair o' glass slippas droppin' out the +sky int' youa lap?" + +Clementina was so happy that she thought she might trust him for once, +and she said, "Oh, yes, Mr. Mahtin! Who do you suppose sent them?" she +entreated him so sweetly that it would have softened any heart but the +heart of a tease. + +"I believe I could give a pootty good guess if I had the facts." + +Clementina innocently gave them to him, and he listened with a +well-affected sympathy. + +"Say Fane fust told you about 'em?" + +"Yes. 'He'e's a package for you,' he said. Just that way; and he couldn't +tell me who left it, or anything." + +"Anybody asked him about it since?" + +"Oh, yes! Mrs. Milray, and Mrs. Atwell, and Mr. Atwell, and everybody." + +"Everybody." The chef smiled with a peculiar droop of one eye. "And he +didn't know when the slippas got into the landlo'd's box?" + +"No. The fust thing he knew, the' they we'e!" Clementina stood expectant, +but the chef smoked on as if that were all there was to say, and seemed +to have forgotten her. "Who do you think put them thea, Mr. Mahtin?" + +The chef looked up as if surprised to find her still there. "Oh! Oh, yes! +Who d' I think? Why, I know, Boss. But I don't believe I'd betta tell +you." + +"Oh, do, Mr. Mahtin! If you knew how I felt about it--" + +"No, no! I guess I betta not. 'Twouldn't do you any good. I guess I won't +say anything moa. But if I was in youa place, and I really wanted to know +whe'e them slippas come from--" + +"I do--I do indeed--" + +The chef paused before he added, "I should go at Fane. I guess what he +don't know ain't wo'th knowin', and I guess nobody else knows anything. +Thea! I don't know but I said mo'n I ought, now." + +What the chef said was of a piece with what had been more than once in +Clementina's mind; but she had driven it out, not because it might not be +true, but because she would not have it true. Her head drooped; she +turned limp and springless away. Even the heart of the tease was touched; +he had not known that it would worry her so much, though he knew that she +disliked the clerk. + +"Mind," he called after her, too late, "I ain't got no proof 't he done +it." + +She did not answer him, or look round. She went to her room, and sat down +in the growing dusk to think, with a hot lump in her throat. + +Mrs. Atwell found her there an hour later, when she climbed to the +chamber where she thought she ought to have heard Clementina moving about +over her own room. + +"Didn't know but I could help you do youa dressin'," she began, and then +at sight of the dim figure she broke off: "Why, Clem! What's the matte? +Ah' you asleep? Ah' you sick? It's half an hour of the time and--" + +"I'm not going," Clementina answered, and she did not move. + +"Not goin'! Why the land o'--" + +"Oh, I can't go, Mrs. Atwell. Don't ask me! Tell Mrs. Milray, please!" + +"I will, when I got something to tell," said Mrs. Atwell. "Now, you just +say what's happened, Clementina Claxon!" Clementina suffered the woful +truth to be drawn from her. "But you don't know whether it's so or not," +the landlady protested. + +"Yes, yes, I do! It was the last thing I thought of, and the chef +wouldn't have said it if he didn't believe it." + +"That's just what he would done," cried Mrs. Atwell. "And I'll give him +such a goin' ova, for his teasin', as he ain't had in one while. He just +said it to tease. What you goin' to say to Mrs. Milray?" + +"Oh, tell her I'm not a bit well, Mrs. Atwell! My head does ache, truly." + +"Why, listen," said Mrs. Atwell, recklessly. "If you believe he done +it--and he no business to--why don't you just go to the dance, in 'em, +and then give 'em back to him after it's ova? It would suv him right." + +Clementina listened for a moment of temptation, and then shook her head. +"It wouldn't do, Mrs. Atwell; you know it wouldn't," she said, and Mrs. +Atwell had too little faith in her suggestion to make it prevail. She +went away to carry Clementina's message to Mrs. Milray, and her task was +greatly eased by the increasing difficulty Mrs. Milray had begun to find, +since the way was perfectly smoothed for her, in imagining the management +of Clementina at the dance: neither child nor woman, neither servant nor +lady, how was she to be carried successfully through it, without sorrow +to herself or offence to others? In proportion to the relief she felt, +Mrs. Milray protested her irreconcilable grief; but when the simpler Mrs. +Atwell proposed her going and reasoning with Clementina, she said, No, +no; better let her alone, if she felt as she did; and perhaps after all +she was right. + + + + +XI. + +Clementina listened to the music of the dance, till the last note was +played; and she heard the gay shouts and laughter of the dancers as they +issued from the ball room and began to disperse about the halls and +verandas, and presently to call good night to one another. Then she +lighted her lamp, and put the slippers back into the box and wrapped it +up in the nice paper it had come in, and tied it with the notched ribbon. +She thought how she had meant to put the slippers away so, after the +dance, when she had danced her fill in them, and how differently she was +doing it all now. She wrote the clerk's name on the parcel, and then she +took the box, and descended to the office with it. There seemed to be +nobody there, but at the noise of her step Fane came round the case of +letter-boxes, and advanced to meet her at the long desk. + +"What's wanted, Miss Claxon?" he asked, with his hopeless respectfulness. +"Anything I can do for you?" + +She did not answer, but looked him solemnly in the eyes and laid the +parcel down on the open register, and then went out. + +He looked at the address on the parcel, and when he untied it, the box +fell open and the shoes fell out of it, as they had with Clementina. He +ran with them behind the letter-box frame, and held them up before +Gregory, who was seated there on the stool he usually occupied, gloomily +nursing his knee. + +"What do you suppose this means, Frank?" + +Gregory looked at the shoes frowningly. "They're the slippers she got +to-day. She thinks you sent them to her." + +"And she wouldn't have them because she thought I sent them! As sure as +I'm standing here, I never did it," said the clerk, solemnly. + +"I know it," said Gregory. "I sent them." + +"You!" + +"What's so wonderful?" Gregory retorted. "I saw that she wanted them that +day when the shoe peddler was here. I could see it, and you could." + +"Yes." + +"I went across into the woods, and the man overtook me with his wagon. I +was tempted, and I bought the slippers of him. I wanted to give them to +her then, but I resisted, and I thought I should never give them. To-day, +when I heard that she was going to that dance, I sent them to her +anonymously. That's all there is about it." + +The clerk had a moment of bitterness. "If she'd known it was you, she +wouldn't have given them back." + +"That's to be seen. I shall tell her, now. I never meant her to know, but +she must, because she's doing you wrong in her ignorance." + +Gregory was silent, and Fane was trying to measure the extent of his own +suffering, and to get the whole bearing of the incident in his mind. In +the end his attempt was a failure. He asked Gregory, "And do you think +you've done just right by me?" + +"I've done right by nobody," said Gregory, "not even by myself; and I can +see that it was my own pleasure I had in mind. I must tell her the truth, +and then I must leave this place." + +"I suppose you want I should keep it quiet," said Fane. + +"I don't ask anything of you." + +"And she wouldn't," said Fane, after reflection. "But I know she'd be +glad of it, and I sha'n't say anything. Of course, she never can care for +me; and--there's my hand with my word, if you want it." Gregory silently +took the hand stretched toward him and Fane added: "All I'll ask is that +you'll tell her I wouldn't have presumed to send her the shoes. She +wouldn't be mad at you for it." + +Gregory took the box, and after some efforts to speak, he went away. It +was an old trouble, an old error, an old folly; he had yielded to impulse +at every step, and at every step he had sinned against another or against +himself. What pain he had now given the simple soul of Fane; what pain he +had given that poor child who had so mistaken and punished the simple +soul! With Fane it was over now, but with Clementina the worst was +perhaps to come yet. He could not hope to see the girl before morning, +and then, what should he say to her? At sight of a lamp burning in Mrs. +Atwell's room, which was on a level with the veranda where he was +walking, it came to him that first of all he ought to go to her, and +confess the whole affair; if her husband were with her, he ought to +confess before him; they were there in the place of the child's father +and mother, and it was due to them. As he pressed rapidly toward the +light he framed in his thought the things he should say, and he did not +notice, as he turned to enter the private hallway leading to Mrs. +Atwell's apartment, a figure at the door. It shrank back from his +contact, and he recognized Clementina. His purpose instantly changed, and +he said, "Is that you, Miss Claxon? I want to speak with you. Will you +come a moment where I can?" + +"I--I don't know as I'd betta," she faltered. But she saw the box under +his arm, and she thought that he wished to speak to her about that, and +she wanted to hear what he would say. She had been waiting at the door +there, because she could not bear to go to her room without having +something more happen. + +"You needn't be afraid. I shall not keep you. Come with me a moment. +There is something I must tell you at once. You have made a mistake. And +it is my fault. Come!" + +Clementina stepped out into the moonlight with him, and they walked +across the grass that sloped between the hotel and the river. There were +still people about, late smokers singly, and in groups along the piazzas, +and young couples, like themselves, strolling in the dry air, under the +pure sky. + +Gregory made several failures in trying to begin, before he said: "I have +to tell you that you are mistaken about Mr. Fane. I was there behind the +letter boxes when you came in, and I know that you left these shoes +because you thought he sent them to you. He didn't send them." Clementina +did not say anything, and Gregory was forced to ask: "Do you wish to know +who sent them? I won't tell you unless you do wish it." + +"I think I ought to know," she said, and she asked, "Don't you?" + +"Yes; for you must blame some one else now, for what you thought Fane +did. I sent them to you." + +Clementina's heart gave a leap in her breast, and she could not say +anything. He went on. + +"I saw that you wanted them that day, and when the peddler happened to +overtake me in the woods where I was walking, after I left you, I acted +on a sudden impulse, and I bought them for you. I meant to send them to +you anonymously, then. I had committed one error in acting upon +impulse-my rashness is my besetting sin--and I wished to add a species of +deceit to that. But I was kept from it until-to-day. I hoped you would +like to wear them to the dance to-night, and I put them in the +post-office for you myself. Mr. Fane didn't know anything about it. That +is all. I am to blame, and no one else." + +He waited for her to speak, but Clementina could only say, "I don't know +what to say." + +"You can't say anything that would be punishment enough for me. I have +acted foolishly, cruelly." + +Clementina did not think so. She was not indignant, as she was when she +thought Fane had taken this liberty with her, but if Mr. Gregory thought +it was so very bad, it must be something much more serious than she had +imagined. She said, "I don't see why you wanted to do it," hoping that he +would be able to tell her something that would make his behavior seem +less dreadful than he appeared to think it was. + +"There is only one thing that could justify it, and that is something +that I cannot justify." It was very mysterious, but youth loves mystery, +and Clementina was very young. "I did it," said Gregory solemnly, and he +felt that now he was acting from no impulse, but from a wisely considered +decision which he might not fail in without culpability, "because I love +you." + +"Oh!" said Clementina, and she started away from him. + +"I knew that it would make me detestable!" he cried, bitterly. "I had to +tell you, to explain what I did. I couldn't help doing it. But now if you +can forget it, and never think of me again, I can go away, and try to +atone for it somehow. I shall be guided." + +Clementina did not know why she ought to feel affronted or injured by +what he had said to her; but if Mr. Gregory thought it was wrong for him +to have spoken so, it must be wrong. She did not wish him to feel badly, +even if he had done wrong, but she had to take his view of what he had +done. "Why, suttainly, Mr. Gregory," she answered. "You mustn't mind it." + +"But I do mind it. I have been very, very selfish, very thoughtless. We +are both too young. I can't ask you to wait for me till I could marry--" + +The word really frightened Clementina. She said, "I don't believe I betta +promise." + +"Oh, I know it!" said Gregory. "I am going away from here. I am going +to-morrow as soon as I can arrange--as soon as I can get away. +Good-night--I"--Clementina in her agitation put her hands up to her face. +"Oh, don't cry--I can't bear to have you cry." + +She took down her hands. "I'm not crying! But I wish I had neva seen +those slippas." + +They had come to the bank of the river, whose current quivered at that +point in a scaly ripple in the moonlight. At her words Gregory suddenly +pulled the box from under his arm, and flung it into the stream as far as +he could. It caught upon a shallow of the ripple, hung there a moment, +then loosed itself, and swam swiftly down the stream. + +"Oh!" Clementina moaned. + +"Do you want them back?" he demanded. "I will go in for them!" + +"No, no! No. But it seemed such a--waste!" + +"Yes, that is a sin, too." They climbed silently to the hotel. At Mrs. +Atwell's door, he spoke. "Try to forget what I said, and forgive me, if +you can." + +"Yes--yes, I will, Mr. Gregory. You mustn't think of it any moa." + + + + +XII. + +Clementina did not sleep till well toward morning, and she was still +sleeping when Mrs. Atwell knocked and called in to her that her brother +Jim wanted to see her. She hurried down, and in the confusion of mind +left over from the night before she cooed sweetly at Jim as if he had +been Mr. Gregory, "What is it, Jim? What do you want me for?" + +The boy answered with the disgust a sister's company manners always rouse +in a brother. "Motha wants you. Says she's wo'ked down, and she wants you +to come and help." Then he went his way. + +Mrs. Atwell was used to having help snatched from her by their families +at a moment's notice. "I presume you've got to go, Clem," she said. + +"Oh, yes, I've got to go," Clementina assented, with a note of relief +which mystified Mrs. Atwell. + +"You tied readin' to Mr. Milray?" + +"Oh, no'm--no, I mean. But I guess I betta go home. I guess I've been away +long enough." + +"Well, you're a good gul, Clem. I presume your motha's got a right to +have you home if she wants you." Clementina said nothing to this, but +turned briskly, and started upstairs toward her room again. The landlady +called after her, "Shall you speak to Mis' Milray, or do you want I +should?" + +Clementina looked back at her over her shoulder to warble, "Why, if you +would, Mrs. Atwell," and kept on to her room. + +Mrs. Milray was not wholly sorry to have her go; she was going herself +very soon, and Clementina's earlier departure simplified the question of +getting rid of her; but she overwhelmed her with reproaches which +Clementina received with such sweet sincerity that another than Mrs. +Milray might have blamed herself for having abused her ingenuousness. + +The Atwells could very well have let the girl walk home, but they sent +her in a buckboard, with one of the stablemen to drive her. The landlord +put her neat bundle under the seat of the buckboard with his own hand. +There was something in the child's bearing, her dignity and her +amiability, which made people offer her, half in fun, and half in +earnest, the deference paid to age and state. + +She did not know whether Gregory would try to see her before she went. +She thought he must have known she was going, but since he neither came +to take leave of her, nor sent her any message, she decided that she had +not expected him to do so. About the third week of September she heard +that he had left Middlemount and gone back to college. + +She kept at her work in the house and helped her mother, and looked after +the little ones; she followed her father in the woods, in his quest of +stuff for walking sticks, and advised with both concerning the taste of +summer folks in dress and in canes. The winter came, and she read many +books in its long leisure, mostly novels, out of the rector's library. He +had a whole set of Miss Edgeworth, and nearly all of Miss Austen and Miss +Gurney, and he gave of them to Clementina, as the best thing for her mind +as well as her morals; he believed nothing could be better for any one +than these old English novels, which he had nearly forgotten in their +details. She colored the faded English life of the stories afresh from +her Yankee circumstance; and it seemed the consensus of their testimony +that she had really been made love to, and not so very much too soon, at +her age of sixteen, for most of their heroines were not much older. The +terms of Gregory's declaration and of its withdrawal were mystifying, but +not more mystifying than many such things, and from what happened in the +novels she read, the affair might be trusted to come out all right of +itself in time. She was rather thoughtfuller for it, and once her mother +asked her what was the matter with her. "Oh, I guess I'm getting old, +motha," she said, and turned the question off. She would not have minded +telling her mother about Gregory, but it would not have been the custom; +and her mother would have worried, and would have blamed him. Clementina +could have more easily trusted her father with the case, but so far as +she knew fathers never were trusted with anything of the kind. She would +have been willing that accident should bring it to the knowledge of Mrs. +Richling; but the moment never came when she could voluntarily confide in +her, though she was a great deal with her that winter. She was Mrs. +Richling's lieutenant in the social affairs of the parish, which the +rector's wife took under her care. She helped her get up entertainments +of the kind that could be given in the church parlor, and they managed +together some dances which had to be exiled to the town hall. They +contrived to make the young people of the village feel that they were +having a gay time, and Clementina did not herself feel that it was a dull +one. She taught them some of the new steps and figures which the help +used to pick up from the summer folks at the Middlemount, and practise +together; she liked doing that; her mother said the child would rather +dance than eat, any time. She was never sad, but so much dignity got into +her sweetness that the rector now and then complained of feeling put down +by her. + +She did not know whether she expected Gregory to write to her or not; but +when no letters came she decided that she had not expected them. She +wondered if he would come back to the Middlemount the next summer; but +when the summer came, she heard that they had another student in his +place. She heard that they had a new clerk, and that the boarders were +not so pleasant. Another year passed, and towards the end of the season +Mrs. Atwell wished her to come and help her again, and Clementina went +over to the hotel to soften her refusal. She explained that her mother +had so much sewing now that she could not spare her; and Mrs. Atwell +said: Well, that was right, and that she must be the greatest kind of +dependence for her mother. "You ah' going on seventeen this year, ain't +you?" + +"I was nineteen the last day of August," said Clementina, and Mrs. Atwell +sighed, and said, How the time did fly. + +It was the second week of September, but Mrs. Atwell said they were going +to keep the house open till the middle of October, if they could, for the +autumnal foliage, which there was getting to be quite a class of custom +for. + +"I presume you knew Mr. Landa was dead," she added, and at Clementina's +look of astonishment, she said with a natural satisfaction, "Mm! died the +thutteenth day of August. I presumed somehow you'd know it, though you +didn't see a great deal of 'em, come to think of it. I guess he was a +good man; too good for her, I guess," she concluded, in the New England +necessity of blaming some one. "She sent us the papah." + +There was an early frost; and people said there was going to be a hard +winter, but it was not this that made Clementina's father set to work +finishing his house. His turning business was well started, now, and he +had got together money enough to pay for the work. He had lately enlarged +the scope of his industry by turning gate-posts and urns for the tops of +them, which had become very popular, for the front yards of the farm and +village houses in a wide stretch of country. They sold more steadily than +the smaller wares, the cups, and tops, and little vases and platters +which had once been the output of his lathe; after the first season the +interest of the summer folks in these fell off; but the gate posts and +the urns appealed to a lasting taste in the natives. + +Claxon wished to put the finishing touches on the house himself, and he +was willing to suspend more profitable labors to do so. After some +attempts at plastering he was forced to leave that to the plasterers, but +he managed the clap-boarding, with Clementina to hand him boards and +nails, and to keep him supplied with the hammer he was apt to drop at +critical moments. They talked pretty constantly at their labors, and in +their leisure, which they spent on the brown needles under the pines at +the side of the house. Sometimes the hammering or the talking would be +interrupted by a voice calling, from a passing vehicle in the hidden +roadway, something about urns. Claxon would answer, without troubling +himself to verify the inquirer; or moving from his place, that he would +get round to them, and then would hammer on, or talk on with Clementina. + +One day in October a carriage drove up to the door, after the work on the +house had been carried as far as Claxon's mood and money allowed, and he +and Clementina were picking up the litter of his carpentering. He had +replaced the block of wood which once served at the front door by some +steps under an arbor of rustic work; but this was still so novel that the +younger children had not outgrown their pride in it and were playing at +house-keeping there. Clementina ran around to the back door and out +through the front entry in time to save the visitor and the children from +the misunderstanding they began to fall into, and met her with a smile of +hospitable brilliancy, and a recognition full of compassionate welcome. + +Mrs. Lander gave way to her tears as she broke out, "Oh, it ain't the way +it was the last time I was he'a! You hea'd that he--that Mr. Landa--" + +"Mrs. Atwell told me," said Clementina. "Won't you come in, and sit +down?" + +"Why, yes." Mrs. Lander pushed in through the narrow door of what was to +be the parlor. Her crapes swept about her and exhaled a strong scent of +their dyes. Her veil softened her heavy face; but she had not grown +thinner in her bereavement. + +"I just got to the Middlemount last night," she said, "and I wanted to +see you and your payrents, both, Miss Claxon. It doos bring him back so! +You won't neva know how much he thought of you, and you'll all think I'm +crazy. I wouldn't come as long as he was with me, and now I have to come +without him; I held out ag'inst him as long as I had him to hold out +ag'inst. Not that he was eva one to push, and I don't know as he so much +as spoke of it, afta we left the hotel two yea's ago; but I presume it +wa'n't out of his mind a single minute. Time and time again I'd say to +him, 'Now, Albe't, do you feel about it just the way you done?' and he'd +say, 'I ha'r't had any call to charge my mind about it,' and then I'd +begin tryin' to ahgue him out of it, and keep a hectorin', till he'd say, +'Well, I'm not askin' you to do it,' and that's all I could get out of +him. But I see all the while 't he wanted me to do it, whateva he asked, +and now I've got to do it when it can't give him any pleasure." Mrs. +Lander put up her black-bordered handkerchief and sobbed into it, and +Clementina waited till her grief had spent itself; then she gave her a +fan, and Mrs. Lander gratefully cooled her hot wet face. The children had +found the noises of her affliction and the turbid tones of her monologue +annoying, and had gone off to play in the woods; Claxon kept incuriously +about the work that Clementina had left him to; his wife maintained the +confidence which she always felt in Clementina's ability to treat with +the world when it presented itself, and though she was curious enough, +she did not offer to interrupt the girl's interview with Mrs. Lander; +Clementina would know how to behave. + +Mrs. Lander, when she had refreshed herself with the fan, seemed to get a +fresh grip of her theme, and she told Clementina all abort Mr. Lander's +last sickness. It had been so short that it gave her no time to try the +climate of Colorado upon him, which she now felt sure would have brought +him right up; and she had remembered, when too late, to give him a +liver-medicine of her own, though it did not appear that it was his liver +which was affected; that was the strange part of it. But, brief as his +sickness was, he had felt that it was to be his last, and had solemnly +talked over her future with her, which he seemed to think would be +lonely. He had not named Clementina, but Mrs. Lander had known well +enough what he meant; and now she wished to ask her, and her father and +mother, how they would all like Clementina to come and spend the winter +with her at Boston first, and then further South, and wherever she should +happen to go. She apologized for not having come sooner upon this errand; +she had resolved upon it as soon as Mr. Lander was gone, but she had been +sick herself, and had only just now got out of bed. + +Clementina was too young to feel the pathos of the case fully, or perhaps +even to follow the tortuous course of Mrs. Lander's motives, but she was +moved by her grief; and she could not help a thrill of pleasure in the +vague splendor of the future outlined by Mrs. Lander's proposal. For a +time she had thought that Mrs. Milray was going to ask her to visit her +in New York; Mrs. Milray had thrown out a hint of something of the kind +at parting, but that was the last of it; and now she at once made up her +mind that she would like to go with Mrs. Lander, while discreetly saying +that she would ask her father and mother to come and talk with her. + + + + +XIII. + +Her parents objected to leaving their work; each suggested that the other +had better go; but they both came at Clementina's urgence. Her father +laughed and her mother frowned when she told them what Mrs. Lander +wanted, from the same misgiving of her sanity. They partly abandoned this +theory for a conviction of Mrs. Lander's mere folly when she began to +talk, and this slowly yielded to the perception that she had some streaks +of sense. It was sense in the first place to want to have Clementina with +her, and though it might not be sense to suppose that they would be +anxious to let her go, they did not find so much want of it as Mrs. +Lander talked on. It was one of her necessities to talk away her emotions +before arriving at her ideas, which were often found in a tangle, but +were not without a certain propriety. She was now, after her interview +with Clementina, in the immediate presence of these, and it was her ideas +that she began to produce for the girl's father and mother. She said, +frankly, that she had more money than she knew what to do with, and they +must not think she supposed she was doing a favor, for she was really +asking one. + +She was alone in the world, without near connections of her own, or +relatives of her husband's, and it would be a mercy if they could let +their daughter come and visit her; she would not call it more than a +visit; that would be the best thing on both sides; she told of her great +fancy for Clementina the first time she saw her, and of her husband's +wish that she would come and visit with them then for the winter. As for +that money she had tried to make the child take, she presumed that they +knew about it, and she wished to say that she did it because she was +afraid Mr. Lander had said so much about the sewing, that they would be +disappointed. She gave way to her tears at the recollection, and +confessed that she wanted the child to have the money anyway. She ended +by asking Mrs. Claxon if she would please to let her have a drink of +water; and she looked about the room, and said that they had got it +finished up a great deal, now, had not they? She made other remarks upon +it, so apt that Mrs. Claxon gave her a sort of permissive invitation to +look about the whole lower floor, ending with the kitchen. + +Mrs. Lander sat down there while Mrs. Claxon drew from the pipes a glass +of water, which she proudly explained was pumped all over the house by +the wind mill that supplied the power for her husband's turning lathes. + +"Well, I wish mah husband could have tasted that wata," said Mrs. Lander, +as if reminded of husbands by the word, and by the action of putting down +the glass. "He was always such a great hand for good, cold wata. My! He'd +'a liked youa kitchen, Mrs. Claxon. He always was such a home-body, and +he did get so ti'ed of hotels. For all he had such an appearance, when +you see him, of bein'--well!--stiff and proud, he was fah moa common in +his tastes--I don't mean common, exactly, eitha--than what I was; and +many a time when we'd be drivin' through the country, and we'd pass some +o' them long-strung-out houses, don't you know, with the kitchen next to +the wood shed, and then an ahchway befoa you get to the stable, Mr. Landa +he'd get out, and make an urrand, just so's to look in at the kitchen +dooa; he said it made him think of his own motha's kitchen. We was both +brought up in the country, that's a fact, and I guess if the truth was +known we both expected to settle down and die thea, some time; but now +he's gone, and I don't know what'll become o' me, and sometimes I don't +much care. I guess if Mr. Landa'd 'a seen youa kitchen, it wouldn't 'a' +been so easy to git him out of it; and I do believe if he's livin' +anywhe' now he takes as much comfo't in my settin' here as what I do. I +presume I shall settle down somewhe's before a great while, and if you +could make up youa mind to let your daughta come to me for a little visit +till spring, you couldn't do a thing that 'd please Mr. Landa moa." + +Mrs. Claxon said that she would talk it over with the child's father; and +then Mrs. Lander pressed her to let her take Clementina back to the +Middlemount with her for supper, if they wouldn't let her stay the night. +After Clementina had driven away, Mrs. Claxon accused herself to her +husband of being the greatest fool in the State, but he said that the +carriage was one of the Middlemount rigs, and he guessed it was all +right. He could see that Clem was wild to go, and he didn't see why she +shouldn't. + +"Well, I do, then," his wife retorted. "We don't know anything about the +woman, or who she is." + +"I guess no harm'll come to Clem for one night," said Claxon, and Mrs. +Claxon was forced back upon the larger question for the maintenance of +her anxiety. She asked what he was going to do about letting Clem go the +whole winter with a perfect stranger; and he answered that he had not got +round to that yet, and that there were a good many things to be thought +of first. He got round to see the rector before dark, and in the light of +his larger horizon, was better able to orient Mrs. Lander and her motives +than he had been before. + +When she came back with the girl the next morning, she had thought of +something in the nature of credentials. It was the letter from her church +in Boston, which she took whenever she left home, so that if she wished +she might unite with the church in any place where she happened to be +stopping. It did not make a great impression upon the Claxons, who were +of no religion, though they allowed their children to go to the Episcopal +church and Sunday-school, and always meant to go themselves. They said +they would like to talk the matter over with the rector, if Mrs. Lander +did not object; she offered to send her carriage for him, and the rector +was brought at once. + +He was one of those men who have, in the breaking down of the old +Puritanical faith, and the dying out of the later Unitarian rationalism, +advanced and established the Anglican church so notably in the New +England hill-country, by a wise conformity to the necessities and +exactions of the native temperament. On the ecclesiastical side he was +conscientiously uncompromising, but personally he was as simple-mannered +as he was simple-hearted. He was a tall lean man in rusty black, with a +clerical waistcoat that buttoned high, and scholarly glasses, but with a +belated straw hat that had counted more than one summer, and a farmer's +tan on his face and hands. He pronounced the church-letter, though quite +outside of his own church, a document of the highest respectability, and +he listened with patient deference to the autobiography which Mrs. Lander +poured out upon him, and her identifications, through reference to this +or that person in Boston whom he knew either at first or second hand. He +had not to pronounce upon her syntax, or her social quality; it was +enough for him, in behalf of the Claxons, to find her what she professed +to be. + +"You must think," he said, laughing, "that we are over-particular; but +the fact is that we value Clementina rather highly, and we wish to be +sure that your hospitable offer will be for her real good." + +"Of cou'se," said Mrs. Lander. "I should be just so myself abort her." + +"I don't know," he continued, "that I've ever said how much we think of +her, Mrs. Richling and I, but this seems a good opportunity, as she is +not present. + +"She is not perfect, but she comes as near being a thoroughly good girl +as she can without knowing it. She has a great deal of common-sense, and +we all want her to have the best chance." + +"Well, that's just the way I feel about her, and that's just what I mean +to give her," said Mrs. Lander. + +"I am not sure that I make myself quite clear," said the rector. "I mean, +a chance to prove how useful and helpful she can be. Do you think you can +make life hard for her occasionally? Can you be peevish and exacting, and +unreasonable? Can you do something to make her value superfluity and +luxury at their true worth?" + +Mrs. Lander looked a little alarmed and a little offended. "I don't know +as I undastand what you mean, exactly," she said, frowning rather with +perplexity than resentment. "But the child sha'n't have a care, and her +own motha couldn't be betta to her than me. There a'n't anything money +can buy that she sha'n't have, if she wants it, and all I'll ask of her +is 't she'll enjoy herself as much as she knows how. I want her with me +because I should love to have her round; and we did from the very fust +minute she spoke, Mr. Lander and me, both. She shall have her own money, +and spend it for anything she pleases, and she needn't do a stitch o' +work from mohnin' till night. But if you're afraid I shall put upon her." + +"No, no," said the rector, and he threw back his head with a laugh. + +When it was all arranged, a few days later, after the verification of +certain of Mrs. Lander's references by letters to Boston, he said to +Clementina's father and mother, "There's only one danger, now, and that +is that she will spoil Clementina; but there's a reasonable hope that she +won't know how." He found the Claxons struggling with a fresh misgiving, +which Claxon expressed. "The way I look at it is like this. I don't want +that woman should eva think Clem was after her money. On the face of it +there a'n't very much to her that would make anybody think but what we +was after it; and I should want it pootty well undastood that we wa'n't +that kind. But I don't seem to see any way of tellin' her." + +"No," said the rector, with a sympathetic twinkle, "that would be +difficult." + +"It's plain to be seen," Mrs. Claxon interposed, "that she thinks a good +deal of her money; and I d' know but what she'd think she was doin' Clem +most too much of a favor anyway. If it can't be a puffectly even thing, +all round, I d' know as I should want it to be at all." + +"You're quite right, Mrs. Claxon, quite right. But I believe Mrs. Lander +may be safely left to look out for her own interests. After all, she has +merely asked Clementina to pass the winter with her. It will be a good +opportunity for her to see something of the world; and perhaps it may +bring her the chance of placing herself in life. We have got to consider +these things with reference to a young girl." + +Mrs. Claxon said, "Of cou'se," but Claxon did not assent so readily. + +"I don't feel as if I should want Clem to look at it in that light. If +the chance don't come to her, I don't want she should go huntin' round +for it." + +"I thoroughly agree with you," said the rector. "But I was thinking that +there was not only no chance worthy of her in Middlemount, but there is +no chance at all." + +"I guess that's so," Claxon owned with a laugh. "Well, I guess we can +leave it to Clem to do what's right and proper everyway. As you say, +she's got lots of sense." + +From that moment he emptied his mind of care concerning the matter; but +husband and wife are never both quite free of care on the same point of +common interest, and Mrs. Claxon assumed more and more of the anxieties +which he had abandoned. She fretted under the load, and expressed an +exasperated tenderness for Clementina when the girl seemed forgetful of +any of the little steps to be taken before the great one in getting her +clothes ready for leaving home. She said finally that she presumed they +were doing a wild thing, and that it looked crazier and crazier the more +she thought of it; but all was, if Clem didn't like, she could come home. +By this time her husband was in something of that insensate eagerness to +have the affair over that people feel in a house where there is a +funeral. + +At the station, when Clementina started for Boston with Mrs. Lander, her +father and mother, with the rector and his wife, came to see her off. +Other friends mistakenly made themselves of the party, and kept her +talking vacuities when her heart was full, till the train drew up. Her +father went with her into the parlor car, where the porter of the +Middlemount House set down Mrs. Lander's hand baggage and took the final +fee she thrust upon him. When Claxon came out he was not so satisfactory +about the car as he might have been to his wife, who had never been +inside a parlor car, and who had remained proudly in the background, +where she could not see into it from the outside. He said that he had +felt so bad about Clem that he did not notice what the car was like. But +he was able to report that she looked as well as any of the folks in it, +and that, if there were any better dressed, he did not see them. He owned +that she cried some, when he said good-bye to her. + +"I guess," said his wife, grimly, "we're a passel o' fools to let her go. +Even if she don't like, the'a, with that crazy-head, she won't be the +same Clem when she comes back." + +They were too heavy-hearted to dispute much, and were mostly silent as +they drove home behind Claxon's self-broken colt: a creature that had +taken voluntarily to harness almost from its birth, and was an example to +its kind in sobriety and industry. + +The children ran out from the house to meet them, with a story of having +seen Clem at a point in the woods where the train always slowed up before +a crossing, and where they had all gone to wait for her. She had seen +them through the car-window, and had come out on the car platform, and +waved her handkerchief, as she passed, and called something to them, but +they could not hear what it was, they were all cheering so. + +At this their mother broke down, and went crying into the house. Not to +have had the last words of the child whom she should never see the same +again if she ever saw her at all, was more, she said, than heart could +bear. + +The rector's wife arrived home with her husband in a mood of mounting +hopefulness, which soared to tops commanding a view of perhaps more of +this world's kingdoms than a clergyman's wife ought ever to see, even for +another. She decided that Clementina's chances of making a splendid +match, somewhere, were about of the nature of certainties, and she +contended that she would adorn any station, with experience, and with her +native tact, especially if it were a very high station in Europe, where +Mrs. Lander would now be sure to take her. If she did not take her to +Europe, however, she would be sure to leave her all her money, and this +would serve the same end, though more indirectly. + +Mr. Richling scoffed at this ideal of Clementina's future with a contempt +which was as little becoming to his cloth. He made his wife reflect that, +with all her inherent grace and charm, Clementina was an ignorant little +country girl, who had neither the hardness of heart nor the greediness of +soul, which gets people on in the world, and repair for them the +disadvantages of birth and education. He represented that even if +favorable chances for success in society showed themselves to the girl, +the intense and inexpugnable vulgarity of Mrs. Lander would spoil them; +and he was glad of this, he said, for he believed that the best thing +which could happen to the child would be to come home as sweet and good +as she had gone away; he added this was what they ought both to pray for. + +His wife admitted this, but she retorted by asking if he thought such a +thing was possible, and he was obliged to own that it was not possible. +He marred the effect of his concession by subjoining that it was no more +possible than her making a brilliant and triumphant social figure in +society, either at home or in Europe. + + + + +XIV. + +So far from embarking at once for Europe, Mrs. Lander went to that hotel +in a suburb of Boston, where she had the habit of passing the late autumn +months, in order to fortify herself for the climate of the early winter +months in the city. She was a little puzzled how to provide for +Clementina, with respect to herself, but she decided that the best thing +would be to have her sleep in a room opening out of her own, with a +folding bed in it, so that it could be used as a sort of parlor for both +of them during the day, and be within easy reach, for conversation, at +all times. + +On her part, Clementina began by looking after Mrs. Lander's comforts, +large and little, like a daughter, to her own conception and to that of +Mrs. Lander, but to other eyes, like a servant. Mrs. Lander shyly shrank +from acquaintance among the other ladies, and in the absence of this, she +could not introduce Clementina, who went down to an early breakfast +alone, and sat apart with her at lunch and dinner, ministering to her in +public as she did in private. She ran back to their rooms to fetch her +shawl, or her handkerchief, or whichever drops or powders she happened to +be taking with her meals, and adjusted with closer care the hassock which +the head waiter had officially placed at her feet. They seldom sat in the +parlor where the ladies met, after dinner; they talked only to each +other; and there, as elsewhere, the girl kept her filial care of the old +woman. The question of her relation to Mrs. Lander became so pressing +among several of the guests that, after Clementina had watched over the +banisters, with throbbing heart and feet, a little dance one night which +the other girls had got up among themselves, and had fled back to her +room at the approach of one of the kindlier and bolder of them, the +landlord felt forced to learn from Mrs. Lander how Miss Claxon was to be +regarded. He managed delicately, by saying he would give the Sunday paper +she had ordered to her nurse, "Or, I beg your pardon," he added, as if he +had made a mistake. "Why, she a'n't my nuhse," Mrs. Lander explained, +simply, neither annoyed nor amused; "she's just a young lady that's +visiting me, as you may say," and this put an end to the misgiving among +the ladies. But it suggested something to Mrs. Lander, and a few days +afterwards, when they came out from Boston where they had been shopping, +and she had been lavishing a bewildering waste of gloves, hats, shoes, +capes and gowns upon Clementina, she said, "I'll tell you what. We've got +to have a maid." + +"A maid?" cried the girl. + +"It isn't me, or my things I want her for," said Mrs. Lander. "It's you +and these dresses of youas. I presume you could look afta them, come to +give youa mind to it; but I don't want to have you tied up to a lot of +clothes; and I presume we should find her a comfo't in moa ways than one, +both of us. I don't know what we shall want her to do, exactly; but I +guess she will, if she undastands her business, and I want you should go +in with me, to-morror, and find one. I'll speak to some of the ladies, +and find out whe's the best place to go, and we'll get the best there +is." + +A lady whom Mrs. Lander spoke to entered into the affair with zeal born +of a lurking sense of the wrong she had helped do Clementina in the +common doubt whether she was not herself Mrs. Lander's maid. She offered +to go into Boston with them to an intelligence office, where you could +get nice girls of all kinds; but she ended by giving Mrs. Lander the +address, and instructions as to what she was to require in a maid. She +was chiefly to get an English maid, if at all possible, for the +qualifications would more or less naturally follow from her nationality. +There proved to be no English maid, but there was a Swedish one who had +received a rigid training in an English family living on the Continent, +and had come immediately from that service to seek her first place in +America. The manager of the office pronounced her character, as set down +in writing, faultless, and Mrs. Lander engaged her. "You want to look +afta this young lady," she said, indicating Clementina. "I can look afta +myself," but Ellida took charge of them both on the train out from Boston +with prompt intelligence. + +"We got to get used to it, I guess," Mrs. Lander confided at the first +chance of whispering to Clementina. + +Within a month after washing the faces and combing the hair of all her +brothers and sisters who would suffer it at her hands, Clementina's own +head was under the brush of a lady's maid, who was of as great a +discreetness in her own way as Clementina herself. She supplied the +defects of Mrs. Lander's elementary habits by simply asking if she should +get this thing and that thing for the toilet, without criticising its +absence,--and then asking whether she should get the same things for her +young lady. She appeared to let Mrs. Lander decide between having her +brushes in ivory or silver, but there was really no choice for her, and +they came in silver. She knew not only her own place, but the places of +her two ladies, and she presently had them in such training that they +were as proficient in what they might and might not do for themselves and +for each other, as if making these distinctions were the custom of their +lives. + +Their hearts would both have gone out to Ellida, but Ellida kept them at +a distance with the smooth respectfulness of the iron hand in the glove +of velvet; and Clementina first learned from her to imagine the +impassable gulf between mistress and maid. + +At the end of her month she gave them, out of a clear sky, a week's +warning. She professed no grievance, and was not moved by Mrs. Lander's +appeal to say what wages she wanted. She would only say that she was +going to take a place an Commonwealth Avenue, where a friend of hers was +living, and when the week was up, she went, and left her late mistresses +feeling rather blank. "I presume we shall have to get anotha," said Mrs. +Lander. + +"Oh, not right away!" Clementina pleaded. + +"Well, not right away," Mrs. Lander assented; and provisionally they each +took the other into her keeping, and were much freer and happier +together. + +Soon after Clementina was startled one morning, as she was going in to +breakfast, by seeing Mr. Fane at the clerk's desk. He did not see her; he +was looking down at the hotel register, to compute the bill of a +departing guest; but when she passed out she found him watching for her, +with some letters. + +"I didn't know you were with us," he said, with his pensive smile, "till +I found your letters here, addressed to Mrs. Lander's care; and then I +put two and two together. It only shows how small the world is, don't you +think so? I've just got back from my vacation; I prefer to take it in the +fall of the year, because it's so much pleasanter to travel, then. I +suppose you didn't know I was here?" + +"No, I didn't," said Clementina. "I never dreamed of such a thing." + +"To be sure; why should you?" Fane reflected. "I've been here ever since +last spring. But I'll say this, Miss Claxon, that if it's the least +unpleasant to you, or the least disagreeable, or awakens any kind of +associations--" + +"Oh, no!" Clementina protested, and Fane was spared the pain of saying +what he would do if it were. + +He bowed, and she said sweetly, "It's pleasant to meet any one I've seen +before. I suppose you don't know how much it's changed at Middlemount +since you we' e thea." Fane answered blankly, while he felt in his breast +pocket, Oh, he presumed so; and she added: "Ha'dly any of the same guests +came back this summer, and they had more in July than they had in August, +Mrs. Atwell said. Mr. Mahtin, the chef, is gone, and newly all the help +is different." + +Fane kept feeling in one pocket and then slapped himself over the other +pockets. "No," he said, "I haven't got it with me. I must have left it in +my room. I just received a letter from Frank--Mr. Gregory, you know, I +always call him Frank--and I thought I had it with me. He was asking +about Middlemount; and I wanted to read you what he said. But I'll find +it upstairs. He's out of college, now, and he's begun his studies in the +divinity school. He's at Andover. I don't know what to make of Frank, +oftentimes," the clerk continued, confidentially. "I tell him he's a kind +of a survival, in religion; he's so aesthetic." It seemed to Fane that he +had not meant aesthetic, exactly, but he could not ask Clementina what +the word was. He went on to say, "He's a grand good fellow, Frank is, but +he don't make enough allowance for human nature. He's more like one of +those old fashioned orthodox. I go in for having a good time, so long as +you don't do anybody else any hurt." + +He left her, and went to receive the commands of a lady who was leaning +over the desk, and saying severely, "My mail, if you please," and +Clementina could not wait for him to come back; she had to go to Mrs. +Lander, and get her ready for breakfast; Ellida had taught Mrs. Lander a +luxury of helplessness in which she persisted after the maid's help was +withdrawn. + +Clementina went about the whole day with the wonder what Gregory had said +about Middlemount filling her mind. It must have had something to do with +her; he could not have forgotten the words he had asked her to forget. +She remembered them now with a curiosity, which had no rancor in it, to +know why he really took them back. She had never blamed him, and she had +outlived the hurt she had felt at not hearing from him. But she had never +lost the hope of hearing from him, or rather the expectation, and now she +found that she was eager for his message; she decided that it must be +something like a message, although it could not be anything direct. No +one else had come to his place in her fancy, and she was willing to try +what they would think of each other now, to measure her own obligation to +the past by a knowledge of his. There was scarcely more than this in her +heart when she allowed herself to drift near Fane's place that night, +that he might speak to her, and tell her what Gregory had said. But he +had apparently forgotten about his letter, and only wished to talk about +himself. He wished to analyze himself, to tell her what sort of person he +was. He dealt impartially with the subject; he did not spare some faults +of his; and after a week, he proposed a correspondence with her, in a +letter of carefully studied spelling, as a means of mutual improvement as +well as further acquaintance. + +It cost Clementina a good deal of trouble to answer him as she wished and +not hurt his feelings. She declined in terms she thought so cold that +they must offend him beyond the point of speaking to her again; but he +sought her out, as soon after as he could, and thanked her for her +kindness, and begged her pardon. He said he knew that she was a very busy +person, with all the lessons she was taking, and that she had no time for +carrying on a correspondence. He regretted that he could not write +French, because then the correspondence would have been good practice for +her. Clementina had begun taking French lessons, of a teacher who came +out from Boston. She lunched three times a week with her and Mrs. Lander, +and spoke the language with Clementina, whose accent she praised for its +purity; purity of accent was characteristic of all this lady's pupils; +but what was really extraordinary in Mademoiselle Claxon was her sense of +grammatical structure; she wrote the language even more perfectly than +she spoke it; but beautifully, but wonderfully; her exercises were +something marvellous. + +Mrs. Lander would have liked Clementina to take all the lessons that she +heard any of the other young ladies in the hotel were taking. One of them +went in town every day, and studied drawing at an art-school, and she +wanted Clementina to do that, too. But Clementina would not do that; she +had tried often enough at home, when her brother Jim was drawing, and her +father was designing the patterns of his woodwork; she knew that she +never could do it, and the time would be wasted. She decided against +piano lessons and singing lessons, too; she did not care for either, and +she pleaded that it would be a waste to study them; but she suggested +dancing lessons, and her gift for dancing won greater praise, and perhaps +sincerer, than her accent won from Mademoiselle Blanc, though Mrs. Lander +said that she would not have believed any one could be more +complimentary. She learned the new steps and figures in all the +fashionable dances; she mastered some fancy dances, which society was +then beginning to borrow from the stage; and she gave these before Mrs. +Lander with a success which she felt herself. + +"I believe I could teach dancing," she said. + +"Well, you won't eve' haf to, child," returned Mrs. Lander, with an eye +on the side of the case that seldom escaped her. + +In spite of his wish to respect these preoccupations, Fane could not keep +from offering Clementina attentions, which took the form of persecution +when they changed from flowers for Mrs. Lander's table to letters for +herself. He apologized for his letters whenever he met her; but at last +one of them came to her before breakfast with a special delivery stamp +from Boston. He had withdrawn to the city to write it, and he said that +if she could not make him a favorable answer, he should not come back to +Woodlake. + +She had to show this letter to Mrs. Lander, who asked: "You want he +should come back?" + +"No, indeed! I don't want eva to see him again." + +"Well, then, I guess you'll know how to tell him so." + +The girl went into her own room to write, and when she brought her answer +to show it to Mrs. Lander she found her in frowning thought. "I don't +know but you'll have to go back and write it all over again, Clementina," +she said, "if you've told him not to come. I've been thinkin', if you +don't want to have anything to do with him, we betta go ouaselves." + +"Yes," answered Clementina, "that's what I've said." + +"You have? Well, the witch is in it! How came you to--" + +"I just wanted to talk with you about it. But I thought maybe you'd like +to go. Or at least I should. I should like to go home, Mrs. Landa." + +"Home!" retorted Mrs. Lander. "The'e's plenty of places where you can be +safe from the fella besides home, though I'll take you back the'a this +minute if you say so. But you needn't to feel wo'ked up about it." + +"Oh, I'm not," said Clementina, but with a gulp which betrayed her +nervousness. + +"I did think," Mrs. Lander went on, "that I should go into the Vonndome, +for December and January, but just as likely as not he'd come pesterin' +the'a, too, and I wouldn't go, now, if you was to give me the whole city +of Boston. Why shouldn't we go to Florida?" + +When Mrs. Lander had once imagined the move, the nomadic impulse mounted +irresistably in her. She spoke of hotels in the South, where they could +renew the summer, and she mapped out a campaign which she put into +instant action so far as to advance upon New York. + + + + + +End of Project Gutenberg's Ragged Lady, Part 1, by William Dean Howells + +*** END OF THIS PROJECT GUTENBERG EBOOK RAGGED LADY, PART 1 *** + +***** This file should be named 3405.txt or 3405.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/4/0/3405/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/3405.zip b/3405.zip Binary files differnew file mode 100644 index 0000000..206b946 --- /dev/null +++ b/3405.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..357ceac --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #3405 (https://www.gutenberg.org/ebooks/3405) diff --git a/old/wh1rl10.txt b/old/wh1rl10.txt new file mode 100644 index 0000000..3886313 --- /dev/null +++ b/old/wh1rl10.txt @@ -0,0 +1,3823 @@ +The Project Gutenberg Etext of Ragged Lady, V1, by W. D. Howells +#51 in our series by William Dean Howells + +Copyright laws are changing all over the world, be sure to check +the laws for your country before redistributing these files!!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. + +Please do not remove this. + +This should be the first thing seen when anyone opens the book. +Do not change or edit it without written permission. The words +are carefully chosen to provide users with the information they +need about what they can legally do with the texts. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. We need your donations. +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541 + +As of 12/12/00 contributions are only being solicited from people in: +Colorado, Connecticut, Idaho, Indiana, Iowa, +Kentucky, Louisiana, Massachusetts, Montana, +Nevada, Oklahoma, South Carolina, South Dakota, +Texas, Vermont, and Wyoming. + +As the requirements for other states are met, +additions to this list will be made and fund raising +will begin in the additional states. Please feel +free to ask to check the status of your state. + +International donations are accepted, +but we don't know ANYTHING about how +to make them tax-deductible, or +even if they CAN be made deductible, +and don't have the staff to handle it +even if there are ways. + +These donations should be made to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + + +Title: Ragged Lady, v1 + +Author: William Dean Howells + +Release Date: September, 2002 [Etext #3405] +[Yes, we are about one year ahead of schedule] +[The actual date this file first posted = 04/02/01] + +Edition: 10 + +Language: English + +The Project Gutenberg Etext of Ragged Lady, V1, by W. D. Howells +******This file should be named wh1rl10.txt or wh1rl10.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, wh1rl11.txt +VERSIONS based on separate sources get new LETTER, wh1rl10a.txt + +This etext was produced by David Widger <widger@cecomet.net> + +Project Gutenberg Etexts are usually created from multiple editions, +all of which are in the Public Domain in the United States, unless a +copyright notice is included. Therefore, we usually do NOT keep any +of these books in compliance with any particular paper edition. + +We are now trying to release all our books one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to send us error messages even years after +the official publication date. + +Please note: neither this list nor its contents are final till +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our sites at: +http://gutenberg.net +http://promo.net/pg + + +Those of you who want to download any Etext before announcement +can surf to them as follows, and just download by date; this is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext02 +or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext02 + +Or /etext01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour this year as we release fifty new Etext +files per month, or 500 more Etexts in 2000 for a total of 3000+ +If they reach just 1-2% of the world's population then the total +should reach over 300 billion Etexts given away by year's end. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +At our revised rates of production, we will reach only one-third +of that goal by the end of 2001, or about 3,333 Etexts unless we +manage to get some real funding. + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +Presently, contributions are only being solicited from people in: +Colorado, Connecticut, Idaho, Indiana, Iowa, +Kentucky, Louisiana, Massachusetts, Montana, +Nevada, Oklahoma, South Carolina, South Dakota, +Texas, Vermont, and Wyoming. + +As the requirements for other states are met, +additions to this list will be made and fund raising +will begin in the additional states. + +These donations should be made to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + + +Project Gutenberg Literary Archive Foundation, +EIN [Employee Identification Number] 64-6221541, +has been approved as a 501(c)(3) organization by the US Internal +Revenue Service (IRS). Donations are tax-deductible to the extent +permitted by law. As the requirements for other states are met, +additions to this list will be made and fund raising will begin in the +additional states. + +All donations should be made to the Project Gutenberg Literary +Archive Foundation. Mail to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Avenue +Oxford, MS 38655-4109 [USA] + + +We need your donations more than ever! + +You can get up to date donation information at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +hart@pobox.com forwards to hart@prairienet.org and archive.org +if your mail bounces from archive.org, I will still see it, if +it bounces from prairienet.org, better resend later on. . . . + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +*** + + +Example command-line FTP session: + +ftp ftp.ibiblio.org +login: anonymous +password: your@login +cd pub/docs/books/gutenberg +cd etext90 through etext99 or etext00 through etext02, etc. +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] +GET GUTINDEX.ALL [to get a listing of ALL books] + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this etext, +[2] alteration, modification, or addition to the etext, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.12.12.00*END* + + + + + +This etext was produced by David Widger <widger@cecomet.net> + + + + + +[NOTE: There is a short list of bookmarks, or pointers, at the end of +this file for those who may wish to sample the author's ideas. D.W.] + + + + + +RAGGED LADY. + +by William Dean Howells + + + + +Part 1. + +I. + +It was their first summer at Middlemount and the Landers did not know the +roads. When they came to a place where they had a choice of two, she +said that now he must get out of the carry-all and ask at the house +standing a little back in the edge of the pine woods, which road they +ought to take for South Middlemount. She alleged many cases in which +they had met trouble through his perverse reluctance to find out where +they were before he pushed rashly forward in their drives. Whilst she +urged the facts she reached forward from the back seat where she sat, and +held her hand upon the reins to prevent his starting the horse, which was +impartially cropping first the sweet fern on one side and then the +blueberry bushes on the other side of the narrow wheel-track. She +declared at last that if he would not get out and ask she would do it +herself, and at this the dry little man jerked the reins in spite of her, +and the horse suddenly pulled the carry-all to the right, and seemed +about to overset it. + +"Oh, what are you doing, Albe't? "Mrs. Lander lamented, falling helpless +against the back of her seat. "Haven't I always told you to speak to the +hoss fust?" + +"He wouldn't have minded my speakin'," said her husband. "I'm goin' to +take you up to the dooa so that you can ask for youaself without gettin' +out." + +This was so well, in view of Mrs. Lander's age and bulk, and the hardship +she must have undergone, if she had tried to carry out her threat, that +she was obliged to take it in some sort as a favor; and while the vehicle +rose and sank over the surface left rough, after building, in front of +the house, like a vessel on a chopping sea, she was silent for several +seconds. + +The house was still in a raw state of unfinish, though it seemed to have +been lived in for a year at least. The earth had been banked up at the +foundations for warmth in winter, and the sheathing of the walls had been +splotched with irregular spaces of weather boarding; there was a good +roof over all, but the window-casings had been merely set in their places +and the trim left for a future impulse of the builder. A block of wood +suggested the intention of steps at the front door, which stood +hospitably open, but remained unresponsive for some time after the +Landers made their appeal to the house at large by anxious noises in +their throats, and by talking loud with each other, and then talking low. +They wondered whether there were anybody in the house; and decided that +there must be, for there was smoke coming out of the stove pipe piercing +the roof of the wing at the rear. + +Mr. Lander brought himself under censure by venturing, without his wife's +authority, to lean forward and tap on the door-frame with the butt of his +whip. At the sound, a shrill voice called instantly from the region of +the stove pipe, "Clem! Clementina? Go to the front dooa! The'e's +somebody knockin'." The sound of feet, soft and quick, made itself heard +within, and in a few moments a slim maid, too large for a little girl, +too childlike for a young girl, stood in the open doorway, looking down +on the elderly people in the buggy, with a face as glad as a flower's. +She had blue eyes, and a smiling mouth, a straight nose, and a pretty +chin whose firm jut accented a certain wistfulness of her lips. She had +hair of a dull, dark yellow, which sent out from its thick mass light +prongs, or tendrils, curving inward again till they delicately touched +it. Her tanned face was not very different in color from her hair, and +neither were her bare feet, which showed well above her ankles in the +calico skirt she wore. At sight of the elders in the buggy she +involuntarily stooped a little to lengthen her skirt in effect, and at +the same time she pulled it together sidewise, to close a tear in it, but +she lost in her anxiety no ray of the joy which the mere presence of the +strangers seemed to give her, and she kept smiling sunnily upon them +while she waited for them to speak. + +"Oh!" Mrs. Lander began with involuntary apology in her tone, "we just +wished to know which of these roads went to South Middlemount. We've +come from the hotel, and we wa'n't quite ce'tain." + +The girl laughed as she said, "Both roads go to South Middlemount'm; they +join together again just a little piece farther on." + +The girl and the woman in their parlance replaced the letter 'r' by vowel +sounds almost too obscure to be represented, except where it came last in +a word before a word beginning with a vowel; there it was annexed to the +vowel by a strong liaison, according to the custom universal in rural New +England. + +"Oh, do they?" said Mrs. Lander. + +"Yes'm," answered the girl. "It's a kind of tu'nout in the wintatime; or +I guess that's what made it in the beginning; sometimes folks take one +hand side and sometimes the other, and that keeps them separate; but +they're really the same road, 'm." + +"Thank you," said Mrs. Lander, and she pushed her husband to make him say +something, too, but he remained silently intent upon the child's +prettiness, which her blue eyes seemed to illumine with a light of their +own. She had got hold of the door, now, and was using it as if it was a +piece of drapery, to hide not only the tear in her gown, but somehow both +her bare feet. She leaned out beyond the edge of it; and then, at +moments she vanished altogether behind it. + +Since Mr. Lander would not speak, and made no sign of starting up his +horse, Mrs. Lander added, "I presume you must be used to havin' people +ask about the road, if it's so puzzlin'." + +"O, yes'm," returned the girl, gladly. "Almost every day, in the +summatime." + +"You have got a pretty place for a home, he'e," said Mrs. Lander. + +"Well, it will be when it's finished up." Without leaning forward +inconveniently Mrs. Lander could see that the partitions of the house +within were lathed, but not plastered, and the girl looked round as if to +realize its condition and added, "It isn't quite finished inside." + +"We wouldn't, have troubled you," said Mrs. Lander, "if we had seen +anybody to inquire of." + +"Yes'm," said the girl. "It a'n't any trouble." + +"There are not many otha houses about, very nea', but I don't suppose you +get lonesome; young folks are plenty of company for themselves, and if +you've got any brothas and sistas--" + +"Oh," said the girl, with a tender laugh, "I've got eva so many of them!" + +There was a stir in the bushes about the carriage, and Mrs. Lander was +aware for an instant of children's faces looking through the leaves at +her and then flashing out of sight, with gay cries at being seen. A boy, +older than the rest, came round in front of the horse and passed out of +sight at the corner of the house. + +Lander now leaned back and looked over his shoulder at his wife as if he +might hopefully suppose she had come to the end of her questions, but she +gave no sign of encouraging him to start on their way again. + +"That your brotha, too?" she asked the girl. + +"Yes'm. He's the oldest of the boys; he's next to me." + +"I don't know," said Mrs. Lander thoughtfully, "as I noticed how many +boys there were, or how many girls." + +"I've got two sistas, and three brothas, 'm," said the girl, always +smiling sweetly. She now emerged from the shelter of the door, and Mrs. +Lander perceived that the slight movements of such parts of her person as +had been evident beyond its edge were the effects of some endeavor at +greater presentableness. She had contrived to get about her an overskirt +which covered the rent in her frock, and she had got a pair of shoes on +her feet. Stockings were still wanting, but by a mutual concession of +her shoe-tops and the border of her skirt, they were almost eliminated +from the problem. This happened altogether when the girl sat down on the +threshold, and got herself into such foreshortening that the eye of Mrs. +Lander in looking down upon her could not detect their absence. Her +little head then showed in the dark of the doorway like a painted head +against its background. + +"You haven't been livin' here a great while, by the looks," said Mrs. +Lander. "It don't seem to be clea'ed off very much." + +"We've got quite a ga'den-patch back of the house," replied the girl, +"and we should have had moa, but fatha wasn't very well, this spring; +he's eva so much better than when we fust came he'e." + +"It has, the name of being a very healthy locality," said Mrs. Lander, +somewhat discontentedly, "though I can't see as it's done me so very much +good, yit. Both your payrints livin'?" + +"Yes'm. Oh, yes, indeed!" + +"And your mother, is she real rugged? She need to be, with such a flock +of little ones!" + +"Yes, motha's always well. Fatha was just run down, the doctas said, and +ought to keep more in the open aia. That's what he's done since he came +he'e. He helped a great deal on the house and he planned it all out +himself." + +"Is he a ca'penta? " asked Mrs. Lander. + +"No'm; but he's--I don't know how to express it--he likes to do every +kind of thing." + +"But he's got some business, ha'n't he?" A shadow of severity crept over +Mrs. Lander's tone, in provisional reprehension of possible +shiftlessness. + +"Yes'm. He was a machinist at the Mills; that's what the doctas thought +didn't agree with him. He bought a piece of land he'e, so as to be in +the pine woods, and then we built this house." + +"When did you say you came?" + +"Two yea's ago, this summa." + +"Well! What did you do befoa you built this house?" + +"We camped the first summa." + +"You camped? In a tent?" + +"Well, it was pahtly a tent, and pahtly bank." + +"I should have thought you would have died." + +The girl laughed. "Oh, no, we all kept fast-rate. We slept in the tents +we had two--and we cooked in the shanty." She smiled at the notion in +adding, "At fast the neighbas thought we we'e Gipsies; and the summa +folks thought we were Indians, and wanted to get baskets of us." + +Mrs. Lander did not know what to think, and she asked, "But didn't it +almost perish you, stayin' through the winter in an unfinished house?" + +"Well, it was pretty cold. But it was so dry, the aia was, and the woods +kept the wind off nicely." + +The same shrill voice in the region of the stovepipe which had sent the +girl to the Landers now called her from them. "Clem ! Come here a +minute!" + +The girl said to Mrs. Lander, politely, "You'll have to excuse me, now'm. +I've got to go to motha." + +"So do!" said Mrs. Lander, and she was so taken by the girl's art and +grace in getting to her feet and fading into the background of the +hallway without visibly casting any detail of her raiment, that she was +not aware of her husband's starting up the horse in time to stop him. +They were fairly under way again, when she lamented, "What you doin', +Albe't? Whe'e you goin'?" + +"I'm goin' to South Middlemount. Didn't you want to?" + +"Well, of all the men! Drivin' right off without waitin' to say thankye +to the child, or take leave, or anything!" + +"Seemed to me as if SHE took leave." + +"But she was comin' back! And I wanted to ask--" + +"I guess you asked enough for one while. Ask the rest to-morra." + +Mrs. Lander was a woman who could often be thrown aside from an immediate +purpose, by the suggestion of some remoter end, which had already, +perhaps, intimated itself to her. She said, " That's true," but by the +time her husband had driven down one of the roads beyond the woods into +open country, she was a quiver of intolerable curiosity. "Well, all I've +got to say is that I sha'n't rest till I know all about 'em." + +"Find out when we get back to the hotel, I guess," said her husband. + +"No, I can't wait till I get back to the hotel. I want to know now. I +want you should stop at the very fust house we come to. Dea'! The'e +don't seem to be any houses, any moa." She peered out around the side of +the carry-all and scrutinized the landscape. "Hold on! No, yes it is, +too! Whoa! Whoa! The'e's a man in that hay-field, now!" + +She laid hold of the reins and pulled the horse to a stand. Mr. Lander +looked round over his shoulder at her. "Hadn't you betta wait till you +get within half a mile of the man?" + +"Well, I want you should stop when you do git to him. Will you? I want +to speak to him, and ask him all about those folks." + +"I didn't suppose you'd let me have much of a chance," said her husband. +When he came within easy hail of the man in the hay-field, he pulled up +beside the meadow-wall, where the horse began to nibble the blackberry +vines that overran it. + +Mrs. Lander beckoned and called to the man, who had stopped pitching hay +and now stood leaning on the handle of his fork. At the signs and sounds +she made, he came actively forward to the road, bringing his fork with +him. When he arrived within easy conversational distance, he planted the +tines in the ground and braced himself at an opposite incline from the +long smooth handle, and waited for Mrs. Lander to begin. + +"Will you please tell us who those folks ah', livin' back there in the +edge of the woods, in that new unfinished house?" + +The man released his fork with one hand to stoop for a head of timothy +that had escaped the scythe, and he put the stem of it between his teeth, +where it moved up and down, and whipped fantastically about as he talked, +before he answered, "You mean the Claxons?" + +"I don't know what thei' name is." Mrs. Lander repeated exactly what she +had said. + +The farmer said, "Long, red-headed man, kind of sickly-lookin'?" + +"We didn't see the man"-- + +"Little woman, skinny-lookin; pootty tonguey?" + +"We didn't see her, eitha; but I guess we hea'd her at the back of the +house." + +"Lot o' children, about as big as pa'tridges, runnin' round in the +bushes?" + +"Yes! And a very pretty-appearing girl; about thi'teen or fou'teen, I +should think." + +The farmer pulled his fork out of the ground, and planted it with his +person at new slopes in the figure of a letter A, rather more upright +than before. "Yes; it's them," he said. "Ha'n't been in the neighbahood +a great while, eitha. Up from down Po'tland way, some'res, I guess. +Built that house last summer, as far as it's got, but I don't believe +it's goin' to git much fa'tha." + +"Why, what's the matta?" demanded Mrs. Lander in an anguish of interest. + +The man in the hay-field seemed to think it more dignified to include +Lander in this inquiry, and he said with a glimmer of the eye for him, +"Hea'd of do-nothin' folks?" + +"Seen 'em, too," answered Lander, comprehensively. + +"Well, that a'n't Claxon's complaint exactly. He a'n't a do-nothin'; +he's a do-everything. I guess it's about as bad." Lander glimmered back +at the man, but did not speak. + +"Kind of a machinist down at the Mills, where he come from," the farmer +began again, and Mrs. Lander, eager not to be left out of the affair for +a moment, interrupted: + +"Yes, Yes! That's what the gul said." + +"But he don't seem to think't the i'on agreed with him, and now he's +goin' in for wood. Well, he did have a kind of a foot-powa tu'nin' +lathe, and tuned all sots o' things; cups, and bowls, and u'ns for fence- +posts, and vases, and sleeve-buttons and little knick-knacks; but the +place bunt down, here, a while back, and he's been huntin' round for +wood, the whole winta long, to make canes out of for the summa-folks. +Seems to think that the smell o' the wood, whether it's green or it's +dry, is goin' to cure him, and he can't git too much of it." + +"Well, I believe it's so, Albe't!" cried Mrs. Lander, as if her husband +had disputed the theory with his taciturn back. He made no other sign of +controversy, and the man in the hay-field went on. + +"I hea' he's goin' to put up a wind mill, back in an open place he's got, +and use the powa for tu'nin', if he eva gits it up. But he don't seem to +be in any great of a hurry, and they scrape along somehow. Wife takes in +sewin' and the girl wo'ked at the Middlemount House last season. Whole +fam'ly's got to tu'n in and help s'po't a man that can do everything." + +The farmer appealed with another humorous cast of his eye to Lander; but +the old man tacitly refused to take any further part in the talk, which +began to flourish apace, in question and answer, between his wife and the +man in the hay-field. It seemed that the children had all inherited the +father's smartness. The oldest boy could beat the nation at figures, and +one of the young ones could draw anything you had a mind to. They were +all clear up in their classes at school, and yet you might say they +almost ran wild, between times. The oldest girl was a pretty-behaved +little thing, but the man in the hay-field guessed there was not very +much to her, compared with some of the boys. Any rate, she had not the +name of being so smart at school. Good little thing, too, and kind of +mothered the young ones. + +Mrs. Lander, when she had wrung the last drop of information out of him, +let him crawl back to his work, mentally flaccid, and let her husband +drive on, but under a fire of conjecture and asseveration that was +scarcely intermitted till they reached their hotel. That night she +talked along time about their afternoon's adventure before she allowed +him to go to sleep. She said she must certainly see the child again; +that they must drive down there in the morning, and ask her all about +herself. + +"Albe't," she concluded; "I wish we had her to live with us. Yes, I do! +I wonder if we could get her to. You know I always did want to adopt a +baby." + +"You neva said so," Mr. Lander opened his mouth almost for the first +time, since the talk began. + +"I didn't suppose you'd like it," said his wife. + +"Well, she a'n't a baby. I guess you'd find you had your hands full, +takon' a half-grown gul like that to bring up." + +"I shouldn't be afraid any," the wife declared. "She has just twined +herself round my heat. I can't get her pretty looks out of my eyes. +I know she's good." + +"We'll see how you feel about it in the morning." + +The old man began to wind his watch, and his wife seemed to take this for +a sign that the incident was closed, for the present at least. He seldom +talked, but there came times when he would not even listen. One of these +was the time after he had wound his watch. A minute later he had +undressed, with an agility incredible of his years, and was in bed, as +effectively blind and deaf to his wife's appeals as if he were already +asleep. + + + + +II. + +When Albert Gallatin Lander (he was named for an early Secretary of the +Treasury as a tribute to the statesman's financial policy) went out of +business, his wife began to go out of health; and it became the most +serious affair of his declining years to provide for her invalid fancies. +He would have liked to buy a place in the Boston suburbs (he preferred +one of the Newtons) where they could both have had something to do, she +inside of the house, and he outside; but she declared that what they both +needed was a good long rest, with freedom from care and trouble of every +kind. She broke up their establishment in Boston, and stored their +furniture, and she would have made him sell the simple old house in which +they had always lived, on an unfashionable up-and-down-hill street of the +West End, if he had not taken one of his stubborn stands, and let it for +a term of years without consulting her. But she had her way about their +own movements, and they began that life of hotels, which they had now +lived so long that she believed any other impossible. Its luxury and +idleness had told upon each of them with diverse effect. + +They had both entered upon it in much the same corporal figure, but she +had constantly grown in flesh, while he had dwindled away until he was +not much more than half the weight of his prime. Their digestion was +alike impaired by their joint life, but as they took the same medicines +Mrs. Lander was baffled to account for the varying result. She was sure +that all the anxiety came upon her, and that logically she was the one +who ought to have wasted away. But she had before her the spectacle of a +husband who, while he gave his entire attention to her health, did not +audibly or visibly worry about it, and yet had lost weight in such +measure that upon trying on a pair of his old trousers taken out of +storage with some clothes of her own, he found it impossible to use the +side pockets which the change in his figure carried so far to the rear +when the garment was reduced at the waist. At the same time her own +dresses of ten years earlier would not half meet round her; and one of +the most corroding cares of a woman who had done everything a woman could +to get rid of care, was what to do with those things which they could +neither of them ever wear again. She talked the matter over with herself +before her husband, till he took the desperate measure of sending them +back to storage; and they had been left there in the spring when the +Landers came away for the summer. + +They always spent the later spring months at a hotel in the suburbs of +Boston, where they arrived in May from a fortnight in a hotel at New +York, on their way up from hotels in Washington, Ashville, Aiken and +St. Augustine. They passed the summer months in the mountains, and early +in the autumn they went back to the hotel in the Boston suburbs, where +Mrs. Lander considered it essential to make some sojourn before going to +a Boston hotel for November and December, and getting ready to go down to +Florida in January. She would not on any account have gone directly to +the city from the mountains, for people who did that were sure to lose +the good of their summer, and to feel the loss all the winter, if they +did not actually come down with a fever. + +She was by no means aware that she was a selfish or foolish person. She +made Mr. Lander subscribe statedly to worthy objects in Boston, which she +still regarded as home, because they had not dwelt any where else since +they ceased to live there; and she took lavishly of tickets for all the +charitable entertainments in the hotels where they stayed. Few if any +guests at hotels enjoyed so much honor from porters, bell-boys, waiters, +chambermaids and bootblacks as the Landers, for they gave richly in fees +for every conceivable service which could be rendered them; they went out +of their way to invent debts of gratitude to menials who had done nothing +for them. He would make the boy who sold papers at the dining-room door +keep the change, when he had been charged a profit of a hundred per cent. +already; and she would let no driver who had plundered them according to +the carriage tariff escape without something for himself. + +A sense of their munificence penetrated the clerks and proprietors with a +just esteem for guests who always wanted the best of everything, and +questioned no bill for extras. Mrs. Lander, in fact, who ruled these +expenditures, had no knowledge of the value of things, and made her +husband pay whatever was asked. Yet when they lived under their own roof +they had lived simply, and Lander had got his money in an old-fashioned +business way, and not in some delirious speculation such as leaves a man +reckless of money afterwards. He had been first of all a tailor, and +then he had gone into boys' and youths' clothing in a small way, and +finally he had mastered this business and come out at the top, with his +hands full. He invested his money so prosperously that the income for +two elderly people, who had no children, and only a few outlying +relations on his side, was far beyond their wants, or even their whims. + +She as a woman, who in spite of her bulk and the jellylike majesty with +which she shook in her smoothly casing brown silks, as she entered hotel +dining-rooms, and the severity with which she frowned over her fan down +the length of the hotel drawing-rooms, betrayed more than her husband the +commonness of their origin. She could not help talking, and her accent +and her diction gave her away for a middle-class New England person of +village birth and unfashionable sojourn in Boston. He, on the contrary, +lurked about the hotels where they passed their days in a silence so +dignified that when his verbs and nominatives seemed not to agree, you +accused your own hearing. He was correctly dressed, as an elderly man +should be, in the yesterday of the fashions, and he wore with +impressiveness a silk hat whenever such a hat could be worn. A pair of +drab cloth gaiters did much to identify him with an old school of +gentlemen, not very definite in time or place. He had a full gray beard +cut close, and he was in the habit of pursing his mouth a great deal. +But he meant nothing by it, and his wife meant nothing by her frowning. +They had no wish to subdue or overawe any one, or to pass for persons of +social distinction. They really did not know what society was, and they +were rather afraid of it than otherwise as they caught sight of it in +their journeys and sojourns. They led a life of public seclusion, and +dwelling forever amidst crowds, they were all in all to each other, and +nothing to the rest of the world, just as they had been when they resided +(as they would have said) on Pinckney street. In their own house they +had never entertained, though they sometimes had company, in the style of +the country town where Mrs. Lander grew up. As soon as she was released +to the grandeur of hotel life, she expanded to the full measure of its +responsibilities and privileges, but still without seeking to make it the +basis of approach to society. Among the people who surrounded her, she +had not so much acquaintance as her husband even, who talked so little +that he needed none. She sometimes envied his ease in getting on with +people when he chose; and his boldness in speaking to fellow guests and +fellow travellers, if he really wanted anything. She wanted something of +them all the time, she wanted their conversation and their companionship; +but in her ignorance of the social arts she was thrown mainly upon the +compassion of the chambermaids. She kept these talking as long as she +could detain them in her rooms; and often fed them candy (which she ate +herself with childish greed) to bribe them to further delays. If she was +staying some days in a hotel, she sent for the house-keeper, and made all +she could of her as a listener, and as soon as she settled herself for a +week, she asked who was the best doctor in the place. With doctors she +had no reserves, and she poured out upon them the history of her diseases +and symptoms in an inexhaustible flow of statement, conjecture and +misgiving, which was by no means affected by her profound and +inexpugnable ignorance of the principles of health. From time to time +she forgot which side her liver was on, but she had been doctored (as she +called it) for all her organs, and she was willing to be doctored for any +one of them that happened to be in the place where she fancied a present +discomfort. She was not insensible to the claims which her husband's +disorders had upon science, and she liked to end the tale of her own +sufferings with some such appeal as: "I wish you could do something for +Mr. Landa, too, docta." She made him take a little of each medicine that +was left for her; but in her presence he always denied that there was +anything the matter with him, though he was apt to follow the doctor out +of the room, and get a prescription from him for some ailment which he +professed not to believe in himself, but wanted to quiet Mrs. Lander's +mind about. + +He rose early, both from long habit, and from the scant sleep of an +elderly man; he could not lie in bed; but his wife always had her +breakfast there and remained so long that the chambermaid had done up +most of the other rooms and had leisure for talk with her. As soon as he +was awake, he stole softly out and was the first in the dining-room for +breakfast. He owned to casual acquaintance in moments of expansion that +breakfast was his best meal, but he did what he could to make it his +worst by beginning with oranges and oatmeal, going forward to beefsteak +and fried potatoes, and closing with griddle cakes and syrup, washed down +with a cup of cocoa, which his wife decided to be wholesomer than coffee. +By the time he had finished such a repast, he crept out of the dining- +room in a state of tension little short of anguish, which he confided to +the sympathy of the bootblack in the washroom. + +He always went from having his shoes polished to get a toothpick at the +clerk's desk; and at the Middlemount House, the morning after he had been +that drive with Mrs. Lander, he lingered a moment with his elbows beside +the register. "How about a buckboa'd?" he asked. + +"Something you can drive yourself "--the clerk professionally dropped his +eye to the register--"Mr. Lander?" + +"Well, no, I guess not, this time," the little man returned, after a +moment's reflection. "Know anything of a family named Claxon, down the +road, here, a piece?" He twisted his head in the direction he meant. + +"This is my first season at Middlemount; but I guess Mr. Atwell will +know." The clerk called to the landlord, who was smoking in his private +room behind the office, and the landlord came out. The clerk repeated +Mr. Lander's questions. + +"Pootty good kind of folks, I guess," said the landlord provisionally, +through his cigar-smoke. "Man's a kind of univussal genius, but he's got +a nice family of children; smaht as traps, all of 'em." + +"How about that oldest gul?" asked Mr. Lander. + +"Well, the'a," said the landlord, taking the cigar out of his mouth. +"I think she's about the nicest little thing goin'. We've had her up +he'e, to help out in a busy time, last summer, and she's got moo sense +than guls twice as old. Takes hold like--lightnin'." + +"About how old did you say she was?" + +"Well, you've got me the'a, Mr. Landa; I guess I'll ask Mis' Atwell." + +"The'e's no hurry," said Lander. "That buckboa'd be round pretty soon?" +he asked of the clerk. + +"Be right along now, Mr. Lander," said the clerk, soothingly. He stepped +out to the platform that the teams drove up to from the stable, and came +back to say that it was coming. "I believe you said you wanted something +you could drive yourself?" + +"No, I didn't, young man," answered the elder sharply. But the next +moment he added, "Come to think of it, I guess it's just as well. You +needn't get me no driver. I guess I know the way well enough. You put +me in a hitchin' strap." + +"All right, Mr. Lander," said the clerk, meekly. + +The landlord had caught the peremptory note in Lander's voice, and he +came out of his room again to see that there was nothing going wrong. + +"It's all right," said Lander, and went out and got into his buckboard. + +"Same horse you had yesterday," said the young clerk. "You don't need to +spare the whip." + +"I guess I can look out for myself," said Lander, and he shook the reins +and gave the horse a smart cut, as a hint of what he might expect. + +The landlord joined the clerk in looking after the brisk start the horse +made. "Not the way he set off with the old lady, yesterday," suggested +the clerk. + +The landlord rolled his cigar round in his tubed lips. "I guess he's +used to ridin' after a good hoss." He added gravely to the clerk, "You +don't want to make very free with that man, Mr. Pane. He won't stan' it, +and he's a class of custom that you want to cata to when it comes in your +way. I suspicioned what he was when they came here and took the highest +cost rooms without tu'nin' a haia. They're a class of custom that you +won't get outside the big hotels in the big reso'ts. Yes, sir," said the +landlord taking a fresh start, "they're them kind of folks that live the +whole yea' round in hotels; no'th in summa, south in winta, and city +hotels between times. They want the best their money can buy, and they +got plenty of it. She"--he meant Mrs. Lander--"has been tellin' my wife +how they do; she likes to talk a little betta than he doos; and I guess +when it comes to society, they're away up, and they won't stun' any +nonsense." + + + + +III. + +Lander came into his wife's room between ten and eleven o'clock, and +found her still in bed, but with her half-finished breakfast on a tray +before her. As soon as he opened the door she said, "I do wish you would +take some of that heat-tonic of mine, Albe't, that the docta left for me +in Boston. You'll find it in the upper right bureau box, the'a; and I +know it'll be the very thing for you. It'll relieve you of that +suffocatin' feeling that I always have, comin' up stars. Dea'! I don't +see why they don't have an elevata; they make you pay enough; and I wish +you'd get me a little more silva, so's't I can give to the chambamaid and +the bell-boy; I do hate to be out of it. I guess you been up and out +long ago. They did make that polonaise of mine too tight after all I +said, and I've been thinkin' how I could get it alt'ed; but I presume +there ain't a seamstress to be had around he'e for love or money. Well, +now, that's right, Albe't; I'm glad to see you doin' it." + +Lander had opened the lid of the bureau box, and uncorked a bottle from +it, and tilted this to his lips. + +"Don't take too much," she cautioned him, "or you'll lose the effects. +When I take too much of a medicine, it's wo'se than nothing, as fah's I +can make out. When I had that spell in Thomasville spring before last, +I believe I should have been over it twice as quick if I had taken just +half the medicine I did. You don't really feel anyways bad about the +heat, do you, Albe't?" + +"I'm all right," said Lander. He put back the bottle in its place and +sat down. + +Mrs. Lander lifted herself on her elbow and looked over at him. +"Show me on the bottle how much you took." + +He got the bottle out again and showed her with his thumb nail a point +which he chose at random. + +"Well, that was just about the dose for you," she said; and she sank down +in bed again with the air of having used a final precaution. "You don't +want to slow your heat up too quick." + +Lander did not put the bottle back this time. He kept it in his hand, +with his thumb on the cork, and rocked it back and forth on his knees as +he spoke. "Why don't you get that woman to alter it for you?" + +"What woman alta what?" + +"Your polonaise. The one whe'e we stopped yestaday." + +"Oh! Well, I've been thinkin' about that child, Albe't; I did before I +went to sleep; and I don't believe I want to risk anything with her. It +would be a ca'e," said Mrs. Lander with a sigh, "and I guess I don't want +to take any moa ca'e than what I've got now. What makes you think she +could alta my polonaise?" + +"Said she done dress-makin'," said Lander, doggedly. + +"You ha'n't been the'a?" + +He nodded. + +"You didn't say anything to her about her daughta?" + +"Yes, I did," said Lander. + +"Well, you ce'tainly do equal anything," said his wife. She lay still +awhile, and then she roused herself with indignant energy. "Well, then, +I can tell you what, Albe't Landa: yon can go right straight and take +back everything you said. I don't want the child, and I won't have her. +I've got care enough to worry me now, I should think; and we should have +her whole family on our hands, with that shiftless father of hers, and +the whole pack of her brothas and sistas. What made you think I wanted +you to do such a thing?" + +"You wanted me to do it last night. Wouldn't ha'dly let me go to bed." + +"Yes! And how many times have I told you nova to go off and do a thing +that I wanted you to, unless you asked me if I did? Must I die befo'e +you can find out that there is such a thing as talkin', and such anotha +thing as doin'? You wouldn't get yourself into half as many scrapes if +you talked more and done less, in this wo'ld." Lander rose. + +"Wait! Hold on! What are you going to say to the pooa thing? She'll be +so disappointed!" + +"I don't know as I shall need to say anything myself," answered the +little man, at his dryest. "Leave that to you." + +"Well, I can tell you," returned his wife, "I'm not goin' nea' them +again; and if you think-- What did you ask the woman, anyway?" + +"I asked her," he said, "if she wanted to let the gul come and see you +about some sewing you had to have done, and she said she did." + +"And you didn't speak about havin' her come to live with us?" + +"No." + +"Well, why in the land didn't you say so before, Albe't?" + +"You didn't ask me. What do you want I should say to her now?" + +"Say to who?" + +"The gul. She's down in the pahlor, waitin'." + +"Well, of all the men!" cried Mrs. Lander. But she seemed to find +herself, upon reflection, less able to cope with Lander personally than +with the situation generally. "Will you send her up, Albe't?" she asked, +very patiently, as if he might be driven to further excesses, if not +delicately handled. As soon as he had gone out of the room she wished +that she had told him to give her time to dress and have her room put in +order, before he sent the child up; but she could only make the best of +herself in bed with a cap and a breakfast jacket, arranged with the help +of a handglass. She had to get out of bed to put her other clothes away +in the closet and she seized the chance to push the breakfast tray out of +the door, and smooth up the bed, while she composed her features and her +ideas to receive her visitor. Both, from long habit rather than from any +cause or reason, were of a querulous cast, and her ordinary tone was a +snuffle expressive of deep-seated affliction. She was at once plaintive +and voluable, and in moments of excitement her need of freeing her mind +was so great that she took herself into her own confidence, and found a +more sympathetic listener than when she talked to her husband. As she +now whisked about her room in her bed-gown with an activity not +predicable of her age and shape, and finally plunged under the covering +and drew it up to her chin with one hand while she pressed it out +decorously over her person with the other, she kept up a rapid flow of +lamentation and conjecture. "I do suppose he'll be right back with her +before I'm half ready; and what the man was thinkin' of to do such a +thing anyway, I don't know. I don't know as she'll notice much, comin' +out of such a lookin' place as that, and I don't know as I need to care +if she did. But if the'e's care anywhe's around, I presume I'm the one +to have it. I presume I did take a fancy to her, and I guess I shall be +glad to see how I like her now; and if he's only told her I want some +sewin' done, I can scrape up something to let her carry home with her. +It's well I keep my things where I can put my hand on 'em at a time like +this, and I don't believe I shall sca'e the child, as it is. I do hope +Albe't won't hang round half the day before he brings her; I like to have +a thing ova." + +Lander wandered about looking for the girl through the parlors and the +piazzas, and then went to the office to ask what had become of her. + +The landlord came out of his room at his question to the clerk. "Oh, I +guess she's round in my wife's room, Mr. Landa. She always likes to see +Clementina, and I guess they all do. She's a so't o' pet amongst 'em." + +"No hurry," said Lander, "I guess my wife ain't quite ready for her yet." + +"Well, she'll be right out, in a minute or so," said the landlord. + +The old man tilted his hat forward over his eyes, and went to sit on the +veranda and look at the landscape while he waited. It was one of the +loveliest landscapes in the mountains; the river flowed at the foot of an +abrupt slope from the road before the hotel, stealing into and out of the +valley, and the mountains, gray in the farther distance, were draped with +folds of cloud hanging upon their flanks and tops. But Lander was tired +of nearly all kinds of views and prospects, though he put' up with them, +in his perpetual movement from place to place, in the same resignation +that he suffered the limitations of comfort in parlor cars and sleepers, +and the unwholesomeness of hotel tables. He was chained to the restless +pursuit of an ideal not his own, but doomed to suffer for its +impossibility as if he contrived each of his wife's disappointments from +it. He did not philosophize his situation, but accepted it as in an +order of Providence which it would be useless for him to oppose; though +there were moments when he permitted himself to feel a modest doubt of +its justice. He was aware that when he had a house of his own he was +master in it, after a fashion, and that as long as he was in business he +was in some sort of authority. He perceived that now he was a slave to +the wishes of a mistress who did not know what she wanted, and that he +was never farther from pleasing her than when he tried to do what she +asked. He could not have told how all initiative had been taken from +him, and he had fallen into the mere follower of a woman guided only by +her whims, who had no object in life except to deprive it of all object. +He felt no rancor toward her for this; he knew that she had a tender +regard for him, and that she believed she was considering him first in +her most selfish arrangements. He always hoped that sometime she would +get tired of her restlessness, and be willing to settle down again in +some stated place; and wherever it was, he meant to get into some kind of +business again. Till this should happen he waited with an apathetic +patience of which his present abeyance was a detail. He would hardly +have thought it anything unfit, and certainly nothing surprising, that +the landlady should have taken the young girl away from where he had left +her, and then in the pleasure of talking with her, and finding her a +centre of interest for the whole domestic force of the hotel, should have +forgotten to bring her back. + +The Middlemount House had just been organized on the scale of a first +class hotel, with prices that had risen a little in anticipation of the +other improvements. The landlord had hitherto united in himself the +functions of clerk and head waiter, but he had now got a senior, who was +working his way through college, to take charge of the dining-room, and +had put in the office a youth of a year's experience as under clerk at a +city hotel. But he meant to relinquish no more authority than his wife +who frankly kept the name as well as duty of house-keeper. It was in +making her morning inspection of the dusting that she found Clementina in +the parlor where Lander had told her to sit down till he should come for +her. + +"Why, Clem!" she said, "I didn't know you! You have grown so! Youa +folks all well? I decla'e you ah' quite a woman now," she added, as the +girl stood up in her slender, graceful height. "You look as pretty as a +pink in that hat. Make that dress youaself? Well, you do beat the +witch! I want you should come to my room with me." + +Mrs. Atwell showered other questions and exclamations on the girl, who +explained how she happened to be there, and said that she supposed she +must stay where she was for fear Mr. Lander should come back and find her +gone; but Mrs. Atwell overruled her with the fact that Mrs. Lander's +breakfast had just gone up to her; and she made her come out and see the +new features of the enlarged house-keeping. In the dining-room there +were some of the waitresses who had been there the summer before, and +recognitions of more or less dignity passed between them and Clementina. +The place was now shut against guests, and the head-waiter was having it +put in order for the one o'clock dinner. As they came near him, Mrs. +Atwell introduced him to Clementina, and he behaved deferentially, as if +she were some young lady visitor whom Mrs. Atwell was showing the +improvements, but he seemed harassed and impatient, as if he were anxious +about his duties, and eager to get at them again. He was a handsome +little fellow, with hair lighter than Clementina's and a sanguine +complexion, and the color coming and going. + +"He's smaht," said Mrs. Atwell, when they had left him--he held the +dining-room door open for them, and bowed them out. "I don't know but he +worries almost too much. That'll wear off when he gets things runnin' to +suit him. He's pretty p'tic'la'. Now I'll show you how they've made the +office over, and built in a room for Mr. Atwell behind it." + +The landlord welcomed Clementina as if she had been some acceptable class +of custom, and when the tall young clerk came in to ask him something, +and Mrs. Atwell said, "I want to introduce you to Miss Claxon, Mr. Fane," +the clerk smiled down upon her from the height of his smooth, acquiline +young face, which he held bent encouragingly upon one side. + +"Now, I want you should come in and see where I live, a minute," said +Mrs. Atwell. She took the girl from the clerk, and led her to the +official housekeeper's room which she said had been prepared for her so +that folks need not keep running to her in her private room where she +wanted to be alone with her children, when she was there. "Why, you +a'n't much moa than a child youaself, Clem, and here I be talkin' to you +as if you was a mother in Israel. How old ah' you, this summa? Time +does go so!" + +"I'm sixteen now," said Clementina, smiling. + +"You be? Well, I don't see why I say that, eitha! You're full lahge +enough for your age, but not seein' you in long dresses before, I didn't +realize your age so much. My, but you do all of you know how to do +things!" + +"I'm about the only one that don't, Mrs. Atwell," said the girl. "If it +hadn't been for mother, I don't believe I could have eva finished this +dress." She began to laugh at something passing in her mind, and Mrs. +Atwell laughed too, in sympathy, though she did not know what at till +Clementina said, "Why, Mrs. Atwell, nea'ly the whole family wo'ked on +this dress. Jim drew the patte'n of it from the dress of one of the +summa boa'das that he took a fancy to at the Centa, and fatha cut it out, +and I helped motha make it. I guess every one of the children helped a +little." + +"Well, it's just as I said, you can all of you do things," said Mrs. +Atwell. "But I guess you ah' the one that keeps 'em straight. What did +you say Mr. Landa said his wife wanted of you?" + +"He said some kind of sewing that motha could do." + +"Well, I'll tell you what! Now, if she ha'n't really got anything that +your motha'll want you to help with, I wish you'd come here again and +help me. I tuned my foot, here, two-three weeks back, and I feel it, +times, and I should like some one to do about half my steppin' for me. +I don't want to take you away from her, but IF. You sha'n't go int' the +dinin'room, or be under anybody's oddas but mine. Now, will you?" + +"I'll see, Mrs. Atwell. I don't like to say anything till I know what +Mrs. Landa wants." + +"Well, that's right. I decla'e, you've got moa judgment! That's what I +used to say about you last summa to my husband: she's got judgment. +Well, what's wanted?" Mrs. Atwell spoke to her husband, who had opened +her door and looked in, and she stopped rocking, while she waited his +answer. + +"I guess you don't want to keep Clementina from Mr. Landa much longa. +He's settin' out there on the front piazza waitin' for her." + +"Well, the'a!" cried Mrs. Atwell. "Ain't that just like me? Why didn't +you tell me sooner, Alonzo? Don't you forgit what I said, Clem!" + + + + +IV. + +Mrs. Lander had taken twice of a specific for what she called her nerve- +fag before her husband came with Clementina, and had rehearsed aloud many +of the things she meant to say to the girl. In spite of her preparation, +they were all driven out of her head when Clementina actually appeared, +and gave her a bow like a young birch's obeisance in the wind. + +"Take a chaia," said Lander, pushing her one, and the girl tilted over +toward him, before she sank into it. He went out of the room, and left +Mrs. Lander to deal with the problem alone. She apologized for being in +bed, but Clementina said so sweetly, "Mr. Landa told me you were not +feeling very well, 'm," that she began to be proud of her ailments, and +bragged of them at length, and of the different doctors who had treated +her for them. While she talked she missed one thing or another, and +Clementina seemed to divine what it was she wanted, and got it for her, +with a gentle deference which made the elder feel her age cushioned by +the girl's youth. When she grew a little heated from the interest she +took in her personal annals, and cast off one of the folds of her bed +clothing, Clementina got her a fan, and asked her if she should put up +one of the windows a little. + +"How you do think of things!" said Mrs. Lander. "I guess I will let you. +I presume you get used to thinkin' of othas in a lahge family like youas. +I don't suppose they could get along without you very well," she +suggested. + +"I've neva been away except last summa, for a little while." + +"And where was you then?" + +"I was helping Mrs. Atwell." + +"Did you like it?" + +"I don't know," said Clementina. "It's pleasant to be whe'e things ah' +going on." + +"Yes--for young folks," said Mrs. Lander, whom the going on of things had +long ceased to bring pleasure. + +"It's real nice at home, too," said Clementina. "We have very good +times--evenings in the winta; in the summer it's very nice in the woods, +around there. It's safe for the children, and they enjoy it, and fatha +likes to have them. Motha don't ca'e so much about it. I guess she'd +ratha have the house fixed up more, and the place. Fatha's going to do +it pretty soon. He thinks the'e's time enough." + +"That's the way with men," said Mrs. Lander. "They always think the's +time enough; but I like to have things over and done with. What chuhch +do you 'tend?" + +"Well, there isn't any but the Episcopal," Clementina answered. "I go to +that, and some of the children go to the Sunday School. I don't believe +fatha ca'es very much for going to chuhch, but he likes Mr. Richling; +he's the recta. They take walks in the woods; and they go up the +mountains togetha." + +"They want," said Mrs. Lander, severely, "to be ca'eful how they drink of +them cold brooks when they're heated. Mr. Richling a married man?" + +"Oh, yes'm ! But they haven't got any family." + +"If I could see his wife, I sh'd caution her about lettin' him climb +mountains too much. A'n't your father afraid he'll ovado?" + +"I don't know. He thinks he can't be too much in the open air on the +mountains." + +"Well, he may not have the same complaint as Mr. Landa; but I know if I +was to climb a mountain,' it would lay me up for a yea'." + +The girl did not urge anything against this conviction. She smiled +politely and waited patiently for the next turn Mrs. Lander's talk should +take, which was oddly enough toward the business Clementina had come +upon. + +"I declare I most forgot about my polonaise. Mr. Landa said your motha +thought she could do something to it for me." + +"Yes'm." + +"Well, I may as well 'let you see it. If you'll reach into that fuhthest +closet, you'll find it on the last uppa hook on the right hand, and if +you'll give it to me, I'll show you what I want done. Don't mind the +looks of that closet; I've just tossed my things in, till I could get a +little time and stren'th to put 'em in odda." + +Clementina brought the polonaise to Mrs. Lander, who sat up and spread it +before her on the bed, and had a happy half hour in telling the girl +where she had bought the material and where she had it made up, and how +it came home just as she was going away, and she did not find out that it +was all wrong till a week afterwards when she tried it on. By the end of +this time the girl had commended herself so much by judicious and +sympathetic assent, that Mrs. Lander learned with a shock of +disappointment that her mother expected her to bring the garment home +with her, where Mrs. Lander was to come and have it fitted over for the +alterations she wanted made. + +"But I supposed, from what Mr. Landa said, that your motha would come +here and fit me!" she lamented. + +"I guess he didn't undastand, 'm. Motha doesn't eva go out to do wo'k," +said Clementina gently but firmly. + +"Well, I might have known Mr. Landa would mix it up, if it could be +mixed; "Mrs. Lander's sense of injury was aggravated by her suspicion +that he had brought the girl in the hope of pleasing her, and confirming +her in the wish to have her with them; she was not a woman who liked to +have her way in spite of herself; she wished at every step to realize +that she was taking it, and that no one else was taking it for her. + +"Well," she said dryly, " I shall have to see about it. I'm a good deal +of an invalid, and I don't know as I could go back and fo'th to try on. +I'm moa used to havin' the things brought to me." + +"Yes'm," said Clementina. She moved a little from the bed, on her way to +the door, to be ready for Mrs. Lander in leave-taking. + +"I'm real sorry," said Mrs. Lander. "I presume it's a disappointment for +you, too." + +"Oh, not at all," answered Clementina. "I'm sorry we can't do the wo'k +he'a; but I know mocha wouldn't like to. Good-mo'ning,'m!" + +"No, no! Don't go yet a minute! Won't you just give me my hand bag off +the bureau the'a? "Mrs. Lander entreated, and when the girl gave her the +bag she felt about among the bank-notes which she seemed to have loose in +it, and drew out a handful of them without regard to their value. +"He'a!" she said, and she tried to put the notes into Clementina's hand, +"I want you should get yourself something." + +The girl shrank back. "Oh, no'm," she said, with an effect of seeming to +know that her refusal would hurt, and with the wish to soften it. +"I--couldn't; indeed I couldn't." + +"Why couldn't you? Now you must! If I can't let you have the wo'k the +way you want, I don't think it's fair, and you ought to have the money +for it just the same." + +Clementina shook her head smiling. "I don't believe motha would like to +have me take it." + +"Oh, now, pshaw!" said Mrs. Lander, inadequately. "I want you should +take this for youaself; and if you don't want to buy anything to wea', +you can get something to fix your room up with. Don't you be afraid of +robbin' us. Land! We got moa money! Now you take this." + +Mrs. Lander reached the money as far toward Clementina as she could and +shook it in the vehemence of her desire. + +"Thank you, I couldn't take it," Clementina persisted. "I'm afraid I +must be going; I guess I must bid you good-mo'ning." + +"Why, I believe the child's sca'ed of me! But you needn't be. Don't you +suppose I know how you feel? You set down in that chai'a there, and I'll +tell you how you feel. I guess we've been pooa, too--I don't mean +anything that a'n't exactly right--and I guess I've had the same +feelin's. You think it's demeanin' to you to take it. A'n't that it?" +Clementina sank provisionally upon the edge of the chair. "Well, it did +use to be so consid'ed. But it's all changed, nowadays. We travel +pretty nee' the whole while, Mr. Lander and me, and we see folks +everywhere, and it a'n't the custom to refuse any moa. Now, a'n't there +any little thing for your own room, there in your nice new house? Or +something your motha's got her heat set on? Or one of your brothas? My, +if you don't have it, some one else will! Do take it!" + +The girl kept slipping toward the door. "I shouldn't know what to tell +them, when I got home. They would think I must be--out of my senses." + +"I guess you mean they'd think I was. Now, listen to me a minute!" +Mrs. Lander persisted. + +"You just take this money, and when you get home, you tell your mother +every word about it, and if she says, you bring it right straight back +to me. Now, can't you do that?" + +"I don't know but I can," Clementina faltered. "Well, then take it!" +Mrs. Lander put the bills into her hand but she did not release her at +once. She pulled Clementina down and herself up till she could lay her +other arm on her neck. "I want you should let me kiss you. Will you?" + +"Why, certainly," said Clementina, and she kissed the old woman. + +"You tell your mother I'm comin' to see her before I go; and I guess," +said Mrs. Lander in instant expression of the idea that came into her +mind, "we shall be goin' pretty soon, now." + +"Yes'm," said Clementina. + +She went out, and shortly after Lander came in with a sort of hopeful +apathy in his face. + +Mrs. Lander turned her head on her pillow, and so confronted him. +"Albe't, what made you want me to see that child?" + +Lander must have perceived that his wife meant business, and he came to +it at once. "I thought you might take a fancy to her, and get her to +come and live with us." + +"Yes?" + +"We're both of us gettin' pretty well on, and you'd ought to have +somebody to look after you if--I'm not around. You want somebody that +can do for you; and keep you company, and read to you, and talk to you-- +well, moa like a daughta than a suvvant--somebody that you'd get attached +to, maybe"-- + +"And don't you see," Mrs. Lander broke out severely upon him, "what a +ca'e that would be? Why, it's got so already that I can't help thinkin' +about her the whole while, and if I got attached to her I'd have her on +my mind day and night, and the moa she done for me the more I should be +tewin' around to do for her. I shouldn't have any peace of my life any +moa. Can't you see that?" + +"I guess if you see it, I don't need to," said Lander. + +"Well, then, I want you shouldn't eva mention her to me again. I've had +the greatest escape! But I've got her off home, and I've give her money +enough! had a time with her about it--so that they won't feel as if we'd +made 'em trouble for nothing, and now I neva want to hear of her again. +I don't want we should stay here a great while longer; I shall be +frettin' if I'm in reach of her, and I shan't get any good of the ai'a. +Will you promise?" + +"Yes." + +"Well, then!" Mrs. Lander turned her face upon the pillow again in the +dramatization of her exhaustion; but she was not so far gone that she was +insensible to the possible interest that a light rap at the door +suggested. She once more twisted her head in that direction and called, +"Come in!" + +The door opened and Clementina came in. She advanced to the bedside +smiling joyously, and put the money Mrs. Lander had given her down upon +the counterpane. + +"Why, you haven't been home, child?" + +"No'm," said Clementina, breathlessly. "But I couldn't take it. I knew +they wouldn't want me to, and I thought you'd like it better if I just +brought it back myself. Good-mo'ning." She slipped out of the door. +Mrs. Lander swept the bank-notes from the coverlet and pulled it over her +head, and sent from beneath it a stifled wail. "Now we got to go! And +it's all youa fault, Albe't." + +Lander took the money from the floor, and smoothed each bill out, and +then laid them in a neat pile on the corner of the bureau. He sighed +profoundly but left the room without an effort to justify himself. + + + + +V. + +The Landers had been gone a week before Clementina's mother decided that +she could spare her to Mrs. Atwell for a while. It was established that +she was not to serve either in the dining-room or the carving room; she +was not to wash dishes or to do any part of the chamber work, but to +carry messages and orders for the landlady, and to save her steps, when +she wished to see the head-waiter, or the head-cook; or to make an excuse +or a promise to some of the lady-boarders; or to send word to Mr. Atwell +about the buying, or to communicate with the clerk about rooms taken or +left. + +She had a good deal of dignity of her own and such a gravity in the +discharge of her duties that the chef, who was a middle-aged Yankee with +grown girls of his own, liked to pretend that it was Mrs. Atwell herself +who was talking with him, and to discover just as she left him that it +was Clementina. He called her the Boss when he spoke of her to others in +her hearing, and he addressed her as Boss when he feigned to find that it +was not Mrs. Atwell. She did not mind that in him, and let the chef have +his joke as if it were not one. But one day when the clerk called her +Boss she merely looked at him without speaking, and made him feel that he +had taken a liberty which he must not repeat. He was a young man who +much preferred a state of self-satisfaction to humiliation of any sort, +and after he had endured Clementina's gaze as long as he could, he said, +"Perhaps you don't allow anybody but the chef to call you that?" + +She did not answer, but repeated the message Mrs. Atwell had given her +for him, and went away. + +It seemed to him undue that a person who exchanged repartees with the +young lady boarders across his desk, when they came many times a day to +look at the register, or to ask for letters, should remain snubbed by a +girl who still wore her hair in a braid; but he was an amiable youth, and +he tried to appease her by little favors and services, instead of trying +to bully her. + +He was great friends with the head-waiter, whom he respected as a college +student, though for the time being he ranked the student socially. He +had him in behind the frame of letter-boxes, which formed a sort of +little private room for him, and talked with him at such hours of the +forenoon and the late evening as the student was off duty. He found +comfort in the student's fretful strength, which expressed itself in the +pugnacious frown of his hot-looking young face, where a bright sorrel +mustache was beginning to blaze on a short upper lip. + +Fane thought himself a good-looking fellow, and he regarded his figure +with pleasure, as it was set off by the suit of fine gray check that he +wore habitually; but he thought Gregory's educational advantages told in +his face. His own education had ended at a commercial college, where he +acquired a good knowledge of bookkeeping, and the fine business hand he +wrote, but where it seemed to him sometimes that the earlier learning of +the public school had been hermetically sealed within him by several +coats of mathematical varnish. He believed that he had once known a +number of things that he no longer knew, and that he had not always been +so weak in his double letters as he presently found himself. + +One night while Gregory sat on a high stool and rested his elbow on the +desk before it, with his chin in his hand, looking down upon Fane, who +sprawled sadly in his chair, and listening to the last dance playing in +the distant parlor, Fane said. "Now, what'll you bet that they won't +every one of 'em come and look for a letter in her box before she goes to +bed? I tell you, girls are queer, and there's no place like a hotel to +study 'em." + +"I don't want to study them," said Gregory, harshly. + +"Think Greek's more worth your while, or know 'em well enough already?" +Fane suggested. + +"No, I don't know them at all," said the student. + +"I don't believe," urged the clerk, as if it were relevant, "that there's +a girl in the house that you couldn't marry, if you gave your mind to +it." + +Gregory twitched irascibly. "I don't want to marry them." + +"Pretty cheap lot, you mean? Well, I don't know." + +"I don't mean that," retorted the student. "But I've got other things to +think of." + +"Don't you believe," the clerk modestly urged, "that it is natural for a +man--well, a young man--to think about girls?" + +"I suppose it is." + +"And you don't consider it wrong?" + +"How, wrong?" + +"Well, a waste of time. I don't know as I always think about wanting to +marry 'em, or be in love, but I like to let my mind run on 'em. There's +something about a girl that, well, you don't know what it is, exactly. +Take almost any of 'em," said the clerk, with an air of inductive +reasoning. "Take that Claxon girl, now for example, I don't know what it +is about her. She's good-looking, I don't deny that; and she's got +pretty manners, and she's as graceful as a bird. But it a'n't any one of +'em, and it don't seem to be all of 'em put together that makes you want +to keep your eyes on her the whole while. Ever noticed what a nice +little foot she's got? Or her hands?" + +"No," said the student. + +"I don't mean that she ever tries to show them off; though I know some +girls that would. But she's not that kind. She ain't much more than a +child, and yet you got to treat her just like a woman. Noticed the kind +of way she's got?" + +"No," said the student, with impatience. + +The clerk mused with a plaintive air for a moment before he spoke. +"Well, it's something as if she'd been trained to it, so that she knew +just the right thing to do, every time, and yet I guess it's nature. You +know how the chef always calls her the Boss? That explains it about as +well as anything, and I presume that's what my mind was running on, the +other day, when I called her Boss. But, my! I can't get anywhere near +her since!" + +"It serves you right," said Gregory. "You had no business to tease her." + +"Now, do you think it was teasing? I did, at first, and then again it +seemed to me that I came out with the word because it seemed the right +one. I presume I couldn't explain that to her." + +"It wouldn't be easy." + +"I look upon her," said Fane, with an effect of argument in the sweetness +of his smile, "just as I would upon any other young lady in the house. +Do you spell apology with one p or two?" + +"One," said the student, and the clerk made a minute on a piece of paper. + +"I feel badly for the girl. I don't want her to think I was teasing her +or taking any sort of liberty with her. Now, would you apologize to her, +if you was in my place, and would you write a note, or just wait your +chance and speak to her?" + +Gregory got down from his stool with a disdainful laugh, and went out of +the place. "You make me sick, Fane," he said. + +The last dance was over, and the young ladies who had been waltzing with +one another, came out of the parlor with gay cries and laughter, like +summer girls who had been at a brilliant hop, and began to stray down the +piazzas, and storm into the office. Several of them fluttered up to the +desk, as the clerk had foretold, and looked for letters in the boxes +bearing their initials. They called him out, and asked if he had not +forgotten something for them. He denied it with a sad, wise smile, and +then they tried to provoke him to a belated flirtation, in lack of other +material, but he met their overtures discreetly, and they presently said, +Well, they guessed they must go; and went. Fane turned to encounter +Gregory, who had come in by a side door. + +"Fane, I want to beg your pardon. I was rude to you just now." + +"Oh, no! Oh, no!" the clerk protested. "That's all right. Sit down a +while, can't you, and talk with a fellow. It's early, yet." + +"No, I can't. I just wanted to say I was sorry I spoke in that way. +Good-night. Is there anything in particular?" + +"No; good-night. I was just wondering about--that girl." + +"Oh!" + + + + +VI. + +Gregory had an habitual severity with his own behavior which did not stop +there, but was always passing on to the behavior of others; and his days +went by in alternate offence and reparation to those he had to do with. +He had to do chiefly with the dining-room girls, whose susceptibilities +were such that they kept about their work bathed in tears or suffused +with anger much of the time. He was not only good-looking but he was a +college student, and their feelings were ready to bud toward him in +tender efflorescence, but he kept them cropped and blighted by his curt +words and impatient manner. Some of them loved him for the hurts he did +them, and some hated him, but all agreed fondly or furiously that he was +too cross for anything. They were mostly young school-mistresses, and +whether they were of a soft and amorous make, or of a forbidding temper, +they knew enough in spite of their hurts to value a young fellow whose +thoughts were not running upon girls all the time. Women, even in their +spring-time, like men to treat them as if they had souls as well as +hearts, and it was a saving grace in Gregory that he treated them all, +the silliest of them, as if they had souls. Very likely they responded +more with their hearts than with their souls, but they were aware that +this was not his fault. + +The girls that waited at table saw that he did not distinguish in manner +between them and the girls whom they served. The knot between his brows +did not dissolve in the smiling gratitude of the young ladies whom he +preceded to their places, and pulled out their chairs for, any more than +in the blandishments of a waitress who thanked him for some correction. + +They owned when he had been harshest that no one could be kinder if he +saw a girl really trying, or more patient with well meaning stupidity, +but some things fretted him, and he was as apt to correct a girl in her +grammar as in her table service. Out of work hours, if he met any of +them, he recognized them with deferential politeness; but he shunned +occasions of encounter with them as distinctly as he avoided the ladies +among the hotel guests. Some of the table girls pitied his loneliness, +and once they proposed that he should read to them on the back piazza in +the leisure of their mid-afternoons. He said that he had to keep up with +his studies in all the time he could get; he treated their request with +grave civility, but they felt his refusal to be final. + +He was seen very little about the house outside of his own place and +function, and he was scarcely known to consort with anyone but Fane, who +celebrated his high sense of the honor to the lady-guests; but if any of +these would have been willing to show Gregory that they considered his +work to get an education as something that redeemed itself from discredit +through the nobility of its object, he gave them no chance to do so. + +The afternoon following their talk about Clementina, Gregory looked in +for Fane behind the letter boxes, but did not find him, and the girl +herself came round from the front to say that he was out buying, but +would be back now, very soon; it was occasionally the clerk's business to +forage among the farmers for the lighter supplies, such as eggs, and +butter, and poultry, and this was the buying that Clementina meant. +"Very well, I'll wait here for him a little while," Gregory answered. + +"So do," said Clementina, in a formula which she thought polite; but she +saw the frown with which Gregory took a Greek book from his pocket, and +she hurried round in front of the boxes again, wondering how she could +have displeased him. She put her face in sight a moment to explain, "I +have got to be here and give out the lettas till Mr. Fane gets back," and +then withdrew it. He tried to lose himself in his book, but her tender +voice spoke from time to time beyond the boxes, and Gregory kept +listening for Clementina to say, "No'm, there a'n't. Perhaps, the'e'll +be something the next mail," and "Yes'm, he'e's one, and I guess this +paper is for some of youa folks, too." + +Gregory shut his book with a sudden bang at last and jumped to his feet, +to go away. + +The girl came running round the corner of the boxes. "Oh! I thought +something had happened." + +"No, nothing has happened," said Gregory, with a sort of violence; which +was heightened by a sense of the rings and tendrils of loose hair +springing from the mass that defined her pretty head. "Don't you know +that you oughtn't to say 'No'm' and 'Yes'm?"' he demanded, bitterly, and +then he expected to see the water come into her eyes, or the fire into +her cheeks. + +Clementina merely looked interested. "Did I say that? I meant to say +Yes, ma'am and No, ma'am; but I keep forgetting." + +"You oughtn't to say anything!" Gregory answered savagely, "Just say +Yes, and No, and let your voice do the rest." + +"Oh!" said the girl, with the gentlest abeyance, as if charmed with the +novelty of the idea. "I should be afraid it wasn't polite." + +Gregory took an even brutal tone. It seemed to him as if he were forced +to hurt her feelings. But his words, in spite of his tone, were not +brutal; they might have even been thought flattering. "The politeness is +in the manner, and you don't need anything but your manner." + +"Do you think so, truly?" asked the girl joyously. "I should like to try +it once!" + +He frowned again. "I've no business to criticise your way of speaking." + +"Oh yes'm--yes, ma'am; sir, I mean; I mean, Oh, yes, indeed! The'a! +It does sound just as well, don't it?" Clementina laughed in triumph at +the outcome of her efforts, so that a reluctant visional smile came upon +Gregory's face, too. I'm very mach obliged to you, Mr. Gregory--I shall +always want to do it, if it's the right way." + +"It's the right way," said Gregory coldly. + +"And don't they," she urged, "don't they really say Sir and Ma'am, whe'e +--whe'e you came from?" + +He said gloomily, "Not ladies and gentlemen. Servants do. Waiters--like +me." He inflicted this stab to his pride with savage fortitude and he +bore with self-scorn the pursuit of her innocent curiosity. + +"But I thought--I thought you was a college student." + +"Were," Gregory corrected her, involuntarily, and she said, "Were, I +mean." + +"I'm a student at college, and here I'm a servant! It's all right!" he +said with a suppressed gritting of the teeth; and he added, "My Master +was the servant of the meanest, and I must-- I beg your pardon for +meddling with your manner of speaking"-- + +"Oh, I'm very much obliged to you; indeed I am. And I shall not care if +you tell me of anything that's out of the way in my talking," said +Clementina, generously. + +"Thank you; I think I won't wait any longer for Mr. Fane." + +"Why, I'm su'a he'll be back very soon, now. I'll try not to disturb you +any moa." + +Gregory turned from taking some steps towards the door, and said, "I wish +you would tell Mr. Fane something." + +"For you? Why, suttainly!" + +"No. For you. Tell him that it's all right about his calling you Boss." + +The indignant color came into Clementina's face. "He had no business to +call me that." + +"No; and he doesn't think he had, now. He's truly sorry for it." + +"I'll see," said Clementina. + +She had not seen by the time Fane got back. She received his apologies +for being gone so long coldly, and went away to Mrs. Atwell, whom she +told what had passed between Gregory and herself. + +"Is he truly so proud?" she asked. + +"He's a very good young man," said Mrs. Atwell, "but I guess he's proud. +He can't help it, but you can see he fights against it. If I was you, +Clem, I wouldn't say anything to the guls about it." + +"Oh, no'm--I mean, no, indeed. I shouldn't think of it. But don't you +think that was funny, his bringing in Christ, that way?" + +"Well, he's going to be a minister, you know." + +"Is he really?" Clementina was a while silent. At last she said, "Don't +you think Mr. Gregory has a good many freckles?" + +"Well, them red-complected kind is liable to freckle," said Mrs. Atwell, +judicially. + +After rather a long pause for both of them, Clementina asked, "Do you +think it would be nice for me to ask Mr. Gregory about things, when I +wasn't suttain?" + +"Like what?" + +"Oh-wo'ds, and pronunciation; and books to read." + +"Why, I presume he'd love to have you. He's always correctin' the guls; +I see him take up a book one day, that one of 'em was readin', and when +she as't him about it, he said it was rubbage. I guess you couldn't have +a betta guide." + +"Well, that was what I was thinking. I guess I sha'n't do it, though. +I sh'd neva have the courage." Clementina laughed and then fell rather +seriously silent again. + + + + +VII. + +One day the shoeman stopped his wagon at the door of the helps' house, +and called up at its windows, "Well, guls, any of you want to git a numba +foua foot into a rumba two shoe, to-day? Now's youa chance, but you got +to be quick abort it. The'e ha'r't but just so many numba two shoes +made, and the wohld's full o' rumba foua feet." + +The windows filled with laughing faces at the first sound of the +shoeman's ironical voice; and at sight of his neat wagon, with its +drawers at the rear and sides, and its buggy-hood over the seat where the +shoeman lounged lazily holding the reins, the girls flocked down the +stairs, and out upon the piazza where the shoe man had handily ranged his +vehicle. + +They began to ask him if he had not this thing and that, but he said with +firmness, "Nothin' but shoes, guls. I did carry a gen'l line, one while, +of what you may call ankle-wea', such as spats, and stockin's, and +gaitas, but I nova did like to speak of such things befoa ladies, and now +I stick ex-elusively to shoes. You know that well enough, guls; what's +the use?" + +He kept a sober face amidst the giggling that his words aroused,--and let +his voice sink into a final note of injury. + +"Well, if you don't want any shoes, to-day, I guess I must be goin'." +He made a feint of jerking his horse's reins, but forebore at the +entreaties that went up from the group of girls. + +"Yes, we do!" " Let's see them!" "Oh, don't go!" they chorused in an +equally histrionic alarm, and the shoeman got down from his perch to show +his wares. + +"Now, the'a, ladies," he said, pulling out one of the drawers, and +dangling a pair of shoes from it by the string that joined their heels, +"the'e's a shoe that looks as good as any Sat'd'y-night shoe you eva see. +Looks as han'some as if it had a pasteboa'd sole and was split stock all +through, like the kind you buy for a dollar at the store, and kick out in +the fust walk you take with your fella--'r some other gul's fella, I +don't ca'e which. And yet that's an honest shoe, made of the best of +material all the way through, and in the best manna. Just look at that +shoe, ladies; ex-amine it; sha'n't cost you a cent, and I'll pay for youa +lost time myself, if any complaint is made." He began to toss pairs of +the shoes into the crowd of girls, who caught them from each other before +they fell, with hysterical laughter, and ran away with them in-doors to +try them on. "This is a shoe that I'm intaducin'," the shoeman went on, +"and every pair is warranted--warranted numba two; don't make any otha +size, because we want to cata to a strictly numba two custom. If any +lady doos feel 'em a little mite too snug, I'm sorry for her, but I can't +do anything to help her in this shoe." + +"Too snug !" came a gay voice from in-doors. "Why my foot feels +puffectly lost in this one." + +"All right," the shoeman shouted back. "Call it a numba one shoe and +then see if you can't find that lost foot in it, some'eres. Or try a +little flour, and see if it won't feel more at home. I've hea'd of a +shoe that give that sensation of looseness by not goin' on at all." + +The girls exulted joyfully together at the defeat of their companion, +but the shoeman kept a grave face, while he searched out other sorts of +shoes and slippers, and offered them, or responded to some definite +demand with something as near like as he could hope to make serve. +The tumult of talk and laughter grew till the chef put his head out of +the kitchen door, and then came sauntering across the grass to the helps' +piazza. At the same time the clerk suffered himself to be lured from his +post by the excitement. He came and stood beside the chef, who listened +to the shoeman's flow of banter with a longing to take his chances with +him. + +"That's a nice hawss," he said. "What'll you take for him?" + +"Why, hello!" said the shoeman, with an eye that dwelt upon the chef's +official white cap and apron, "You talk English, don't you? Fust off, I +didn't know but it was one of them foreign dukes come ova he'a to marry +some oua poor millionai'es daughtas." The girls cried out for joy, and +the chef bore their mirth stoically, but not without a personal relish of +the shoeman's up-and-comingness. "Want a hawss?" asked the shoeman with +an air of business. "What'll you give?" + +"I'll give you thutty-seven dollas and a half," said the chef. + +"Sorry I can't take it. That hawss is sellin' at present for just one +hundred and fifty dollas." + +"Well," said the chef, "I'll raise you a dolla and a quahta. Say thutty- +eight and seventy-five." + +"W-ell now, you're gittin' up among the figgas where you're liable to own +a hawss. You just keep right on a raisin' me, while I sell these ladies +some shoes, and maybe you'll hit it yit, 'fo'e night." + +The girls were trying on shoes on every side now, and they had dispensed +with the formality of going in-doors for the purpose. More than one put +out her foot to the clerk for his opinion of the fit, and the shoeman was +mingling with the crowd, testing with his hand, advising from his +professional knowledge, suggesting, urging, and in some cases artfully +agreeing with the reluctance shown. + +"This man," said the chef, indicating Fane, "says you can tell moa lies +to the square inch than any man out o' Boston." + +"Doos he?" asked the shoeman, turning with a pair of high-heeled bronze +slippers in his hand from the wagon. "Well, now, if I stood as nea' to +him as you do, I believe I sh'd hit him." + +"Why, man, I can't dispute him!" said the chef, and as if he had now at +last scored a point, he threw back his head and laughed. When he brought +down his head again, it was to perceive the approach of Clementina. +"Hello," he said for her to hear, "he'e comes the Boss. Well, I guess I +must be goin'," he added, in mock anxiety. "I'm a goin', Boss, I'm a +goin'." + +Clementina ignored him. "Mr. Atwell wants to see you a moment, Mr. +Fane," she said to the clerk. + +"All right, Miss Claxon," Fane answered, with the sorrowful respect which +he always showed Clementina, now, "I'll be right there." But he waited a +moment, either in expression of his personal independence, or from +curiosity to know what the shoeman was going to say of the bronze +slippers. + +Clementina felt the fascination, too; she thought the slippers were +beautiful, and her foot thrilled with a mysterious prescience of its +fitness for them. + +"Now, the'e, ladies, or as I may say guls, if you'll excuse it in one +that's moa like a fatha to you than anything else, in his feelings"--the +girls tittered, and some one shouted derisively--"It's true!--now there +is a shoe, or call it a slippa, that I've rutha hesitated about showin' +to you, because I know that you're all rutha serious-minded, I don't ca'e +how young ye be, or how good-lookin' ye be; and I don't presume the'e's +one among you that's eve head o' dancin'." In the mirthful hooting and +mocking that followed, the shoeman hedged gravely from the extreme +position he had taken. "What? Well, maybe you have among some the summa +folks, but we all know what summa folks ah', and I don't expect you to +patte'n by them. But what I will say is that if any young lady within +the sound of my voice,"--he looked round for the applause which did not +fail him in his parody of the pulpit style--"should get an invitation to +a dance next winta, and should feel it a wo'k of a charity to the young +man to go, she'll be sorry--on his account, rememba--that she ha'n't got +this pair o' slippas. + +The'a! They're a numba two, and they'll fit any lady here, I don't ca'e +how small a foot she's got. Don't all speak at once, sistas ! Ample +time allowed for meals. That's a custom-made shoe, and if it hadn't b'en +too small for the lady they was oddid foh, you couldn't-'a' got 'em for +less than seven dollas; but now I'm throwin' on 'em away for three." + +A groan of dismay went up from the whole circle, and some who had pressed +forward for a sight of the slippers, shrank back again. + +"Did I hea' just now," asked the shoeman, with a soft insinuation in his +voice, and in the glance he suddenly turned upon Clementina, "a party +addressed as Boss?" Clementina flushed, but she did not cower; the chef +walked away with a laugh, and the shoeman pursued him with his voice. +"Not that I am goin' to folla the wicked example of a man who tries to +make spot of young ladies; but if the young lady addressed as Boss"-- + +"Miss Claxon," said the clerk with ingratiating reverence. + +"Miss Claxon--I Stan' corrected," pursued the shoeman. "If Miss Claxon +will do me the fava just to try on this slippa, I sh'd be able to tell at +the next place I stopped just how it looked on a lady's foot. I see you +a'n't any of you disposed to buy 'em this aftanoon, 'and I a'n't +complainin'; you done pootty well by me, already, and I don't want to +uhge you; but I do want to carry away the picture, in my mind's eye--what +you may call a mental photograph--of this slipper on the kind of a foot +it was made fob, so't I can praise it truthfully to my next customer. +What do you say, ma'am?" he addressed himself with profound respect to +Clementina. + +"Oh, do let him, Clem!" said one of the girls, and another pleaded, "Just +so he needn't tell a story to his next customa," and that made the rest +laugh. + +Clementina's heart was throbbing, and joyous lights were dancing in her +eyes. "I don't care if I do," she said, and she stooped to unlace her +shoe, but one of the big girls threw herself on her knees at her feet to +prevent her. Clementina remembered too late that there was a hole in her +stocking and that her little toe came through it, but she now folded the +toe artfully down, and the big girl discovered the hole in time to abet +her attempt at concealment. She caught the slipper from the shoeman and +harried it on; she tied the ribbons across the instep, and then put on +the other. "Now put out youa foot, Clem! Fast dancin' position!" She +leaned back upon her own heels, and Clementina daintily lifted the edge +of her skirt a little, and peered over at her feet. The slippers might +or might not have been of an imperfect taste, in their imitation of the +prevalent fashion, but on Clementina's feet they had distinction. + +"Them feet was made for them slippas," said the shoeman devoutly. + +The clerk was silent; he put his hand helplessly to his mouth, and then +dropped it at his side again. + +Gregory came round the corner of the building from the dining-room, and +the big girl who was crouching before Clementina, and who boasted that +she was not afraid of the student, called saucily to him, "Come here, a +minute, Mr. Gregory," and as he approached, she tilted aside, to let him +see Clementina's slippers. + +Clementina beamed up at him with all her happiness in her eyes, but after +a faltering instant, his face reddened through its freckles, and he gave +her a rebuking frown and passed on. + +"Well, I decla'e!" said the big girl. Fane turned uneasily, and said +with a sigh, he guessed he must be going, now. + +A blight fell upon the gay spirits of the group, and the shoeman asked +with an ironical glance after Gregory's retreating figure, "Owna of this +propaty?" + +"No, just the ea'th," said the big girl, angrily. + +The voice of Clementina made itself heard with a cheerfulness which had +apparently suffered no chill, but was really a rising rebellion. "How +much ah' the slippas?" + +"Three dollas," said the shoeman in a surprise which he could not conceal +at Clementina's courage. + +She laughed, and stooped to untie the slippers. "That's too much for +me." + +"Let me untie 'em, Clem," said the big girl. "It's a shame for you eva +to take 'em off." + +"That's right, lady," said the shoeman. "And you don't eva need to," he +added, to Clementina, " unless you object to sleepin' in 'em. You pay me +what you want to now, and the rest when I come around the latta paht of +August." + +"Oh keep 'em, Clem!" the big girl urged, passionately, and the rest +joined her with their entreaties. + +"I guess I betta not," said Clementina, and she completed the work of +taking off the slippers in which the big girl could lend her no further +aid, such was her affliction of spirit. + +"All right, lady," said the shoeman. "Them's youa slippas, and I'll just +keep 'em for you till the latta paht of August." + +He drove away, and in the woods which he had to pass through on the road +to another hotel he overtook the figure of a man pacing rapidly. He +easily recognized Gregory, but he bore him no malice. "Like a lift?" +he asked, slowing up beside him. + +"No, thank you," said Gregory. "I'm out for the walk." He looked round +furtively, and then put his hand on the side of the wagon, mechanically, +as if to detain it, while he walked on. + +"Did you sell the slippers to the young lady?" + +"Well, not as you may say sell, exactly," returned the shoeman, +cautiously. + +"Have you-got them yet?" asked the student. + +"Guess so," said the man. "Like to see 'em?" + +He pulled up his horse. + +Gregory faltered a moment. Then he said, I'd like to buy them. Quick!" + +He looked guiltily about, while the shoeman alertly obeyed, with some +delay for a box to put them in. "How much are they?" + +"Well, that's a custom made slipper, and the price to the lady that +oddid'em was seven dollas. But I'll let you have 'em for three--if you +want 'em for a present." --The shoeman was far too discreet to permit +himself anything so overt as a smile; he merely let a light of +intelligence come into his face. + +Gregory paid the money. "Please consider this as confidential," he said, +and he made swiftly away. Before the shoeman could lock the drawer that +had held the slippers, and clamber to his perch under the buggy-hood, +Gregory was running back to him again. + +"Stop!" he called, and as he came up panting in an excitement which the +shoeman might well have mistaken for indignation attending the discovery +of some blemish in his purchase. "Do you regard this as in any manner a +deception?" he palpitated. + +"Why," the shoeman began cautiously, "it wa'n't what you may call a +promise, exactly. More of a joke than anything else, I looked on it. I +just said I'd keep 'em for her; but"-- + +"You don't understand. If I seemed to disapprove--if I led any one to +suppose, by my manner, or by--anything--that I thought it unwise or +unbecoming to buy the shoes, and then bought them myself, do you think it +is in the nature of an acted falsehood?" + +"Lo'd no!" said the shoeman, and he caught up the slack of his reins to +drive on, as if he thought this amusing maniac might also be dangerous. + +Gregory stopped him with another question. "And shall--will you--think +it necessary to speak of--of this transaction? I leave you free!" + +"Well," said the shoeman. "I don't know what you're after, exactly, but +if you think I'm so shot on for subjects that I've got to tell the folks +at the next stop that I sold a fellar a pair of slippas for his gul--Go +'long!" he called to his horse, and left Gregory standing in the middle +of the road. + + + + +VIII. + +The people who came to the Middlemount in July were ordinarily the +nicest, but that year the August folks were nicer than usual and there +were some students among them, and several graduates just going into +business, who chose to take their outing there instead of going to the +sea-side or the North Woods. This was a chance that might not happen in +years again, and it made the house very gay for the young ladies; they +ceased to pay court to the clerk, and asked him for letters only at mail- +time. Five or six couples were often on the floor together, at the hops, +and the young people sat so thick upon the stairs that one could scarcely +get up or down. + +So many young men made it gay not only for the young ladies, but also for +a certain young married lady, when she managed to shirk her rather filial +duties to her husband, who was much about the verandas, purblindly +feeling his way with a stick, as he walked up and down, or sitting opaque +behind the glasses that preserved what was left of his sight, while his +wife read to him. She was soon acquainted with a good many more people +than he knew, and was in constant request for such occasions as needed a +chaperon not averse to mountain climbing, or drives to other hotels for +dancing and supper and return by moonlight, or the more boisterous sorts +of charades; no sheet and pillow case party was complete without her; for +welsh-rarebits her presence was essential. The event of the conflict +between these social claims and her duties to her husband was her appeal +to Mrs. Atwell on a point which the landlady referred to Clementina. + +"She wants somebody to read to her husband, and I don't believe but what +you could do it, Clem. You're a good reader, as good as I want to hear, +and while you may say that you don't put in a great deal of elocution, I +guess you can read full well enough. All he wants is just something to +keep him occupied, and all she wants is a chance to occupy herself with +otha folks. Well, she is moa their own age. I d'know as the's any hahm +in her. And my foot's so much betta, now, that I don't need you the +whole while, any moa." + +"Did you speak to her about me?" asked the girl. + +"Well, I told her I'd tell you. I couldn't say how you'd like." + +"Oh, I guess I should like," said Clementina, with her eyes shining. +"But--I should have to ask motha." + +"I don't believe but what your motha'd be willin'," said Mrs. Atwell. +"You just go down and see her about it." + +The next day Mrs. Milray was able to take leave of her husband, in +setting off to matronize a coaching party, with an exuberance of good +conscience that she shared with the spectators. She kissed him with +lively affection, and charged him not to let the child read herself to +death for him. She captioned Clementina that Mr. Milray never knew when +he was tired, and she had better go by the clock in her reading, and not +trust to any sign from him. + +Clementina promised, and when the public had followed Mrs. Milray away, +to watch her ascent to the topmost seat of the towering coach, by means +of the ladder held in place by two porters, and by help of the down- +stretched hands of all the young men on the coach, Clementina opened the +book at the mark she found in it, and began to read to Mr. Milray. + +The book was a metaphysical essay, which he professed to find a lighter +sort of reading than fiction; he said most novelists were too seriously +employed in preventing the marriage of the lovers, up to a certain point, +to be amusing; but you could always trust a metaphysician for +entertainment if he was very much in earnest, and most metaphysicians +were. He let Clementina read on a good while in her tender voice, which +had still so many notes of childhood in it, before he manifested any +consciousness of being read to. He kept the smile on his delicate face +which had come there when his wife said at parting, "I don't believe I +should leave her with you if you could see how prettty she was," and he +held his head almost motionlessly at the same poise he had given it in +listening to her final charges. It was a fine head, still well covered +with soft hair, which lay upon it in little sculpturesque masses, like +chiseled silver, and the acquiline profile had a purity of line in the +arch of the high nose and the jut of the thin lips and delicate chin, +which had not been lost in the change from youth to age. One could never +have taken it for the profile of a New York lawyer who had early found +New York politics more profitable than law, and after a long time passed +in city affairs, had emerged with a name shadowed by certain doubtful +transactions. But this was Milray's history, which in the rapid progress +of American events, was so far forgotten that you had first to remind +people of what he had helped do before you could enjoy their surprise in +realizing that this gentle person, with the cast of intellectual +refinement which distinguished his face, was the notorious Milray, who +was once in all the papers. When he made his game and retired from +politics, his family would have sacrificed itself a good deal to reclaim +him socially, though they were of a severer social than spiritual +conscience, in the decay of some ancestral ideals. But be had rendered +their willingness hopeless by marrying, rather late in life, a young girl +from the farther West who had come East with a general purpose to get on. +She got on very well with Milray, and it was perhaps not altogether her +own fault that she did not get on so well with his family, when she began +to substitute a society aim for the artistic ambition that had brought +her to New York. They might have forgiven him for marrying her, but they +could not forgive her for marrying him. They were of New England origin +and they were perhaps a little more critical with her than if they had +been New Yorkers of Dutch strain. They said that she was a little +Western hoyden, but that the stage would have been a good place for her +if she could have got over her Pike county accent; in the hush of family +councils they confided to one another the belief that there were phases +of the variety business in which her accent would have been no barrier to +her success, since it could not have been heard in the dance, and might +have been disguised in the song. + +"Will you kindly read that passage over again?" Milray asked as +Clementina paused at the end of a certain paragraph. She read it, while +he listened attentively. "Could you tell me just what you understand by +that?" he pursued, as if he really expected Clementina to instruct him. + +She hesitated a moment before she answered, " I don't believe I undastand +anything at all." + +"Do you know," said Milray, "that's exactly my own case? And I've an +idea that the author is in the same box," and Clementina perceived she +might laugh, and laughed discreetly. + +Milray seemed to feel the note of discreetness in her laugh, and he +asked, smiling, "How old did you tell me you were?" + +"I'm sixteen," said Clementina. + +"It's a great age," said Milray. "I remember being sixteen myself; I +have never been so old since. But I was very old for my age, then. Do +you think you are?" + +"I don't believe I am," said Clementina, laughing again, but still very +discreetly. + +"Then I should like to tell you that you have a very agreeable voice. Do +you sing?" + +"No'm--no, sir--no," said Clementina, "I can't sing at all." + +"Ah, that's very interesting," said Milray, "but it's not surprising. +I wish I could see your face distinctly; I've a great curiosity about +matching voices and faces; I must get Mrs. Milray to tell me how you +look. Where did you pick up your pretty knack at reading? In school, +here?" + +"I don't know," answered Clementina. "Do I read-the way you want?" + +"Oh, perfectly. You let the meaning come through--when there is any." + +"Sometimes," said Clementina ingenuously, "I read too fast; the children +ah' so impatient when I'm reading to them at home, and they hurry me. +But I can read a great deal slower if you want me to." + +"No, I'm impatient, too," said Milray. "Are there many of them,--the +children?" + +"There ah' six in all." + +"And are you the oldest?" + +"Yes," said Clementina. She still felt it very blunt not to say sir, +too, but she tried to make her tone imply the sir, as Mr. Gregory had +bidden her. + +"You've got a very pretty name." + +Clementina brightened. "Do you like it? Motha gave it to me; she took +it out of a book that fatha was reading to her." + +"I like it very much," said Milray. "Are you tall for your age?" + +"I guess I am pretty tall." + +"You're fair, of course. I can tell that by your voice; you've got a +light-haired voice. And what are your eyes?" + +"Blue!" Clementina laughed at his pursuit. + +"Ah, of course! It isn't a gray-eyed blonde voice. Do you think--has +anybody ever told you-that you were graceful?" + +"I don't know as they have," said Clementina, after thinking. + +"And what is your own opinion?" Clementina began to feel her dignity +infringed; she did not answer, and now Milray laughed. "I felt the +little tilt in your step as you came up. It's all right. Shall we try +for our friend's meaning, now?" + +Clementina began again, and again Milray stopped her. "You mustn't bear +malice. I can hear the grudge in your voice; but I didn't mean to laugh +at you. You don't like being made fun of, do you?" + +"I don't believe anybody does," said Clementina. + +"No, indeed," said Milray. "If I had tried such a thing I should be +afraid you would make it uncomfortable for me. But I haven't, have I?" + +"I don't know," said Clementina, reluctantly. + +Milray laughed gleefully. "Well, you'll forgive me, because I'm an old +fellow. If I were young, you wouldn't, would you?" + +Clementina thought of the clerk; she had certainly never forgiven him. +"Shall I read on?" she asked. + +"Yes, yes. Read on," he said, respectfully. Once he interrupted her to +say that she pronounced admirable, but he would like now and then to +differ with her about a word if she did not mind. She answered, Oh no, +indeed; she should like it ever so much, if he would tell her when she +was wrong. After that he corrected her, and he amused himself by +studying forms of respect so delicate that they should not alarm her +pride; Clementina reassured him in terms as fine as his own. She did not +accept his instructions implicitly; she meant to bring them to the bar of +Gregory's knowledge. If he approved of them, then she would submit. + +Milray easily possessed himself of the history of her life and of all its +circumstances, and he said he would like to meet her father and make the +acquaintance of a man whose mind, as Clementina interpreted it to him, he +found so original. + +He authorized his wife to arrange with Mrs. Atwell for a monopoly of +Clementina's time while he stayed at Middlemount, and neither he nor Mrs. +Milray seemed surprised at the good round sum, as the landlady thought +it, which she asked in the girl's behalf. + + + + +IX. + +The Milrays stayed through August, and Mrs. Milray was the ruling spirit +of the great holiday of the summer, at Middlemount. It was this year +that the landlords of the central mountain region had decided to compete +in a coaching parade, and to rival by their common glory the splendor of +the East Side and the West Side parades. The boarding-houses were to +take part, as well as the hotels; the farms where only three or four +summer folks were received, were to send their mountain-wagons, and all +were to be decorated with bunting. An arch draped with flags and covered +with flowers spanned the entrance to the main street at Middlemount +Centre, and every shop in the village was adorned for the event. + +Mrs. Milray made the landlord tell her all about coaching parades, and +the champions of former years on the East Side and the West Side, and +then she said that the Middlemount House must take the prize from them +all this year, or she should never come near his house again. He +answered, with a dignity and spirit he rarely showed with Mrs. Milray's +class of custom, "I'm goin' to drive our hossis myself." + +She gave her whole time to imagining and organizing the personal display +on the coach. She consulted with the other ladies as to the kind of +dresses that were to be worn, but she decided everything herself; and +when the time came she had all the young men ravaging the lanes and +pastures for the goldenrod and asters which formed the keynote of her +decoration for the coach. + +She made peace and kept it between factions that declared themselves +early in the affair, and of all who could have criticized her for taking +the lead perhaps none would have willingly relieved her of the trouble. +She freely declared that it was killing her, and she sounded her accents +of despair all over the place. When their dresses were finished she made +the persons of her drama rehearse it on the coach top in the secret of +the barn, where no one but the stable men were suffered to see the +effects she aimed at. But on the eve of realizing these in public she +was overwhelmed by disaster. The crowning glory of her composition was +to be a young girl standing on the highest seat of the coach, in the +character of the Spirit of Summer, wreathed and garlanded with flowers, +and invisibly sustained by the twelve months of the year, equally divided +as to sex, but with the more difficult and painful attitudes assigned to +the gentlemen who were to figure as the fall and winter months. It had +been all worked out and the actors drilled in their parts, when the +Spirit of Summer, who had been chosen for the inoffensiveness of her +extreme youth, was taken with mumps, and withdrawn by the doctor's +orders. Mrs. Milray had now not only to improvise another Spirit of +Summer, but had to choose her from a group of young ladies, with the +chance of alienating and embittering those who were not chosen. In her +calamity she asked her husband what she should do, with but the least +hope that he could tell her. But he answered promptly, "Take Clementina; +I'll let you have her for the day," and then waited for the storm of her +renunciations and denunciations to spend itself. + +"To be sure," she said, when this had happened, "it isn't as if she were +a servant in the house; and the position can be regarded as a kind of +public function, anyhow. I can't say that I've hired her to take the +part, but I can give her a present afterwards, and it will be the same +thing." + +The question of clothes for Clementina Mrs. Milray declared was almost as +sweeping in its implication as the question of the child's creation." +She has got to be dressed new from head to foot," she said, "every +stitch, and how am I to manage it in twenty-four hours?" + +By a succession of miracles with cheese-cloth, and sashes and ribbons, it +was managed; and ended in a triumph so great that Mrs. Milray took the +girl in her arms and kissed her for looking the Spirit of Summer to a +perfection that the victim of the mumps could not have approached. The +victory was not lastingly marred by the failure of Clementina's shoes to +look the Spirit of Summer as well as the rest of her costume. No shoes +at all world have been the very thing, but shoes so shabby and worn down +at one side of the heel as Clementina's were very far from the thing. +Mrs. Milray decided that another fold of cheese-cloth would add to the +statuesque charm of her figure, and give her more height; and she was +richly satisfied with the effect when the Middlemount coach drove up to +the great veranda the next morning, with all the figures of her picture +in position on its roof, and Clementina supreme among them. She herself +mounted in simple, undramatized authority to her official seat beside the +landlord, who in coachman's dress, with a bouquet of autumnal flowers in +his lapel, sat holding his garlanded reins over the backs of his six +horses; and then the coach as she intended it to appear in the parade set +out as soon as the turnouts of the other houses joined it. They were all +to meet at the Middlemount, which was thickly draped and festooned in +flags, with knots of evergreen and the first red boughs of the young +swamp maples holding them in place over its irregular facade. The coach +itself was amass of foliage and flowers, from which it defined itself as +a wheeled vehicle in vague and partial outline; the other wagons and +coaches, as they drove tremulously up, with an effect of having been +mired in blossoms about their spokes and hubs, had the unwieldiness which +seems inseparable from spectacularity. They represented motives in color +and design sometimes tasteless enough, and sometimes so nearly very good +that Mrs. Milray's heart was a great deal in her mouth, as they arrived, +each with its hotel-cry roared and shrilled from a score of masculine and +feminine throats, and finally spelled for distinctness sake, with an +ultimate yell or growl. But she had not finished giving the lady- +representative of a Sunday newspaper the points of her own tableau, +before she regained the courage and the faith in which she remained +serenely steadfast throughout the parade. + +It was when all the equipages of the neighborhood had arrived that she +climbed to her place; the ladder was taken away; the landlord spoke to +his horses, and the Middlemount coach led the parade, amid the renewed +slogans, and the cries and fluttered handkerchiefs of the guests crowding +the verandas. + +The line of march was by one road to Middlemount Centre, where the prize +was to be awarded at the judges' stand, and then the coaches were to +escort the triumphant vehicle homeward by another route, so as to pass as +many houses on the way as possible. It was a curious expression of the +carnival spirit in a region immemorially starved of beauty in the lives +of its people; and whatever was the origin of the mountain coaching +parade, or from whatever impulse of sentimentality or advertising it +came, the effect was of undeniable splendor, and of phantasmagoric +strangeness. + +Gregory watched its progress from a hill-side pasture as it trailed +slowly along the rising and falling road. The songs of the young girls, +interrupted by the explosion of hotel slogans and college cries from the +young men, floated off to him on the thin breeze of the cloudless August +morning, like the hymns and shouts of a saturnalian rout going in holiday +processional to sacrifice to their gods. Words of fierce Hebrew poetry +burned in his thought; the warnings and the accusals and the +condemnations of the angry prophets; and he stood rapt from his own time +and place in a dream of days when the Most High stooped to commune face +to face with His ministers, while the young voices of those forgetful or +ignorant of Him, called to his own youth, and the garlanded chariots, +with their banners and their streamers passed on the road beneath him and +out of sight in the shadow of the woods beyond. + +When the prize was given to the Middlemount coach at the Center the +landlord took the flag, and gallantly transferred it to Mrs. Milray, and +Mrs. Milray passed it up to Clementina, and bade her, "Wave it, wave it!" + +The village street was thronged with people that cheered, and swung their +hats and handkerchiefs to the coach as it left the judges' stand and +drove under the triumphal arch, with the other coaches behind it. Then +Atwell turned his horses heads homewards, and at the brisker pace with +which people always return from festivals or from funerals, he left the +village and struck out upon the country road with his long escort before +him. The crowd was quick to catch the courteous intention of the +victors, and followed them with applause as far beyond the village +borders as wind and limb would allow; but the last noisy boy had dropped +off breathless before they reached a half-finished house in the edge of +some woods. A line of little children was drawn up by the road-side +before it, who watched the retinue with grave eagerness, till the +Middlemount coach came in full sight. Then they sprang into the air, and +beating their hands together, screamed, "Clem! Clem! Oh it's Clem!" +and jumped up and down, and a shabby looking work worn woman came round +the corner of the house and stared up at Clementina waving her banner +wildly to the children, and shouting unintelligible words to them. The +young people on the coach joined in response to the children, some +simply, some ironically, and one of the men caught up a great wreath of +flowers which lay at Clementina's feet, and flung it down to them; the +shabby woman quickly vanished round the corner of the house again. Mrs. +Milray leaned over to ask the landlord, "Who in the world are +Clementina's friends?" + +"Why don't you know?" he retorted in abated voice. "Them's her brothas +and sistas." + +"And that woman?" + +"The lady at the conna? That's her motha." + +When the event was over, and all the things had been said and said again, +and there was nothing more to keep the spring and summer months from +going up to their rooms to lie down, and the fall and winter months from +trying to get something to eat, Mrs. Milray found herself alone with +Clementina. + +The child seemed anxious about something, and Mrs. Milray, who wanted to +go and lie down, too, asked a little impatiently, "What is it, +Clementina?" + +"Oh, nothing. Only I was afraid maybe you didn't like my waving to the +children, when you saw how queea they looked." Clementina's lips +quivered. + +"Did any of the rest say anything?" + +"I know what they thought. But I don't care! I should do it right over +again!" + +Mrs. Milray's happiness in the day's triumph was so great that she could +indulge a generous emotion. She caught the girl in her arms. "I want to +kiss you; I want to hug you, Clementina!" + +The notion of a dance for the following night to celebrate the success of +the house in the coaching parade came to Mrs. Milray aver a welsh-rarebit +which she gave at the close of the evening. The party was in the charge +of Gregory, who silently served them at their orgy with an austerity that +might have conspired with the viand itself against their dreams, if they +had not been so used to the gloom of his ministrations. He would not +allow the waitresses to be disturbed in their evening leisure, or kept +from their sleep by such belated pleasures; and when he had provided the +materials for the rarebit, he stood aloof, and left their combination to +Mrs. Milray and her chafing-dish. + +She had excluded Clementina on account of her youth, as she said to one +of the fall and winter months, who came in late, and noticed Clementina's +absence with a "Hello! Anything the matter with the Spirit of Summer?" +Clementina had become both a pet and a joke with these months before the +parade was over, and now they clamored together, and said they must have +her at the dance anyway. They were more tepidly seconded by the spring +and summer months, and Mrs. Milray said, "Well, then, you'll have to all +subscribe and get her a pair of dancing slippers." They pressed her for +her meaning, and she had to explain the fact of Clementina's destitution, +which that additional fold of cheese-cloth had hidden so well in the +coaching tableau that it had never been suspected. The young men +entreated her to let them each buy a pair of slippers for the Spirit of +Summer, which she should wear in turn for the dance that she must give +each of them; and this made Mrs. Milray declare that, no, the child +should not come to the dance at all, and that she was not going to have +her spoiled. But, before the party broke up, she promised that she would +see what could be done, and she put it very prettily to the child the +next day, and waited for her to say, as she knew she must, that she could +not go, and why. They agreed that the cheese-cloth draperies of the +Spirit of Summer were surpassingly fit for the dance; but they had to +agree that this still left the question of slippers untouched. It +remained even more hopeless when Clementina tried on all of Mrs. Milray's +festive shoes, and none of her razorpoints and high heels would avail. +She went away disappointed, but not yet disheartened; youth does not so +easily renounce a pleasure pressed to the lips; and Clementina had it in +her head to ask some of the table girls to help her out. She meant to +try first with that big girl who had helped her put on the shoeman's +bronze slippers; and she hurried through the office, pushing purblindly +past Fane without looking his way, when he called to her in the deference +which he now always used with her, "Here's a package here for you, +Clementina--Miss Claxon," and he gave her an oblong parcel, addressed in +a hand strange to her. "Who is it from?" she asked, innocently, and Fane +replied with the same ingenuousness: "I'm sure I don't know." Afterwards +he thought of having retorted, "I haven't opened it," but still without +being certain that he would have had the courage to say it. + +Clementina did not think of opening it herself, even when she was alone +in her little room above Mrs. Atwell's, until she had carefully felt it +over, and ascertained that it was a box of pasteboard, three or four +inches deep and wide, and eight or ten inches long. She looked at the +address again, "Miss Clementina Claxon," and at the narrow notched ribbon +which tied it, and noted that the paper it was wrapped in was very white +and clean. Then she sighed, and loosed the knot, and the paper slipped +off the box, and at the same time the lid fell off, and the shoe man's +bronze slippers fell out upon the floor. + +Either it must be a dream or it must be a joke; it could not be both real +and earnest; somebody was trying to tease her; such flattery of fortune +could not be honestly meant. But it went to her head, and she was so +giddy with it as she caught the slippers from the floor, and ran down to +Mrs. Atwell, that she knocked against the sides of the narrow staircase. + +"What is it? What does it mean? Who did it?" she panted, with the +slippers in her hand. "Whe'e did they come from?" She poured out the +history of her trying on these shoes, and of her present need of them and +of their mysterious coming, to meet her longing after it had almost +ceased to be a hope. Mrs. Atwell closed with her in an exultation hardly +short of a clapping the hands. Her hair was gray, and the girl's hair +still hung in braids down her back, but they were of the same age in +their transport, which they referred to Mrs. Milray, and joined with her +in glad but fruitless wonder who had sent Clementina the shoes. Mrs. +Atwell held that the help who had seen the girl trying them on had +clubbed together and got them for her at the time; and had now given them +to her for the honor she had done the Middlemount House in the parade. +Mrs. Milray argued that the spring and summer months had secretly +dispatched some fall and winter month to ransack the stores at +Middlemount Centre for them. Clementina believed that they came from the +shoe man himself, who had always wanted to send them, in the hope that +she would keep them, and had merely happened to send them just then in +that moment of extremity when she was helpless against them. Each +conjecture involved improbabilities so gross that it left the field free +to any opposite theory. + +Rumor of the fact could not fail to go through the house, and long before +his day's work was done it reached the chef, and amused him as a piece of +the Boss's luck. He was smoking his evening pipe at the kitchen door +after supper, when Clementina passed him on one of the many errands that +took her between Mrs. Milray's room and her own, and he called to her: +"Boss, what's this I hear about a pair o' glass slippas droppin' out the +sky int' youa lap?" + +Clementina was so happy that she thought she might trust him for once, +and she said, "Oh, yes, Mr. Mahtin! Who do you suppose sent them?" she +entreated him so sweetly that it would have softened any heart but the +heart of a tease. + +"I believe I could give a pootty good guess if I had the facts." + +Clementina innocently gave them to him, and he listened with a well- +affected sympathy. + +"Say Fane fust told you about 'em?" + +"Yes. 'He'e's a package for you,' he said. Just that way; and he +couldn't tell me who left it, or anything." + +"Anybody asked him about it since?" + +"Oh, yes! Mrs. Milray, and Mrs. Atwell, and Mr. Atwell, and everybody." + +"Everybody." The chef smiled with a peculiar droop of one eye. "And he +didn't know when the slippas got into the landlo'd's box?" + +"No. The fust thing he knew, the' they we'e!" Clementina stood +expectant, but the chef smoked on as if that were all there was to say, +and seemed to have forgotten her. " Who do you think put them thea, Mr. +Mahtin?" + +The chef looked up as if surprised to find her still there. "Oh! Oh, +yes! Who d' I think? Why, I know, Boss. But I don't believe I'd betta +tell you." + +"Oh, do, Mr. Mahtin! If you knew how I felt about it"-- + +"No, no! I guess I betta not. 'Twouldn't do you any good. I guess I +won't say anything moa. But if I was in youa place, and I really wanted +to know whe'e them slippas come from"-- + +"I do--I do indeed"-- + +The chef paused before he added, "I should go at Fane. I guess what he +don't know ain't wo'th knowin', and I guess nobody else knows anything. +Thea! I don't know but I said mo'n I ought, now." + +What the chef said was of a piece with what had been more than once in +Clementina's mind; but she had driven it out, not because it might not be +true, but because she would not have it true. Her head drooped; she +turned limp and springless away. Even the heart of the tease was +touched; he had not known that it would worry her so much, though he knew +that she disliked the clerk. + +"Mind," he called after her, too late, "I ain't got no proof 't he done +it." + +She did not answer him, or look round. She went to her room, and sat +down in the growing dusk to think, with a hot lump in her throat. + +Mrs. Atwell found her there an hour later, when she climbed to the +chamber where she thought she ought to have heard Clementina moving about +over her own room. + +"Didn't know but I could help you do youa dressin'," she began, and then +at sight of the dim figure she broke off: "Why, Clem! What's the matte? +Ah' you asleep? Ah' you sick? It's half an hour of the time and"-- + +"I'm not going," Clementina answered, and she did not move. + +"Not goin'! Why the land o'--" + +"Oh, I can't go, Mrs. Atwell. Don't ask me! Tell Mrs. Milray, please!" + +"I will, when I got something to tell," said Mrs. Atwell. "Now, you just +say what's happened, Clementina Claxon! "Clementina suffered the woful +truth to be drawn from her. "But you don't know whether it's so or not," +the landlady protested. + +"Yes, yes, I do! It was the fast thing I thought of, and the chef +wouldn't have said it if he didn't believe it." + +"That's just what he would done," cried Mrs. Atwell. "And I'll give him +such a goin' ova, for his teasin', as he ain't had in one while. He just +said it to tease. What you goin' to say to Mrs. Milray?" + +"Oh, tell her I'm not a bit well, Mrs. Atwell! My head does ache, +truly." + +"Why, listen," said Mrs. Atwell, recklessly. "If you believe he done it +--and he no business to--why don't you just go to the dance, in 'em, and +then give 'em back to him after it's ova? It would suv him right." + +Clementina listened for a moment of temptation, and then shook her head. +"It wouldn't do, Mrs. Atwell; you know it wouldn't," she said, and Mrs. +Atwell had too little faith in her suggestion to make it prevail. She +went away to carry Clementina's message to Mrs. Milray, and her task was +greatly eased by the increasing difficulty Mrs. Milray had begun to find, +since the way was perfectly smoothed for her, in imagining the management +of Clementina at the dance: neither child nor woman, neither servant nor +lady, how was she to be carried successfully through it, without sorrow +to herself or offence to others? In proportion to the relief she felt, +Mrs. Milray protested her irreconcilable grief; but when the simpler Mrs. +Atwell proposed her going and reasoning with Clementina, she said, No, +no; better let her alone, if she felt as she did; and perhaps after all +she was right. + + + + +XI. + +Clementina listened to the music of the dance, till the last note was +played; and she heard the gay shouts and laughter of the dancers as they +issued from the ball room and began to disperse about the halls and +verandas, and presently to call good night to one another. Then she +lighted her lamp, and put the slippers back into the box and wrapped it +up in the nice paper it had come in, and tied it with the notched ribbon. +She thought how she had meant to put the slippers away so, after the +dance, when she had danced her fill in them, and how differently she was +doing it all now. She wrote the clerk's .name on the parcel, and then +she took the box, and descended to the office with it. There seemed to +be nobody there, but at the noise of her step Fane came round the case of +letter-boxes, and advanced to meet her at the long desk. + +"What's wanted, Miss Claxon?" he asked, with his hopeless respectfulness. +"Anything I can do for you?" + +She did not answer, but looked him solemnly in the eyes and laid the +parcel down on the open register, and then went out. + +He looked at the address on the parcel, and when he untied it, the box +fell open and the shoes fell out of it, as they had with Clementina. He +ran with them behind the letter-box frame, and held them up before +Gregory, who was seated there on the stool he usually occupied, gloomily +nursing his knee. + +"What do you suppose this means, Frank?" + +Gregory looked at the shoes frowningly. "They're the slippers she got +to-day. She thinks you sent them to her." + +"And she wouldn't have them because she thought I sent them! As sure as +I'm standing here, I never did it," said the clerk, solemnly. + +"I know it," said Gregory. "I sent them." + +"You!" + +"What's so wonderful?" Gregory retorted. "I saw that she wanted them +that day when the shoe peddler was here. I could see it, and you could." + +"Yes." + +"I went across into the woods, and the man overtook me with his wagon. I +was tempted, and I bought the slippers of him. I wanted to give them to +her then, but I resisted, and I thought I should never give them. To- +day, when I heard that she was going to that dance, I sent them to her +anonymously. That's all there is about it." + +The clerk had a moment of bitterness. "If she'd known it was you, she +wouldn't have given them back." + +"That's to be seen. I shall tell her, now. I never meant her to know, +but she must, because she's doing you wrong in her ignorance." + +Gregory was silent, and Fane was trying to measure the extent of his own +suffering, and to get the whole bearing of the incident in his mind. In +the end his attempt was a failure. He asked Gregory, "And do you think +you've done just right by me?" + +"I've done right by nobody," said Gregory, "not even by myself; and I can +see that it was my own pleasure I had in mind. I must tell her the +truth, and then I must leave this place." + +"I suppose you want I should keep it quiet," said Fane. + +"I don't ask anything of you." + +"And she wouldn't," said Fane, after reflection. "But I know she'd be +glad of it, and I sha'n't say anything. Of course, she never can care +for me; and--there's my hand with my word, if you want it." Gregory +silently took the hand stretched toward him and Fane added: "All I'll ask +is that you'll tell her I wouldn't have presumed to send her the shoes. +She wouldn't be mad at you for it." + +Gregory took the box, and after some efforts to speak, he went away. It +was an old trouble, an old error, an old folly; he had yielded to impulse +at every step, and at every step he had sinned against another or against +himself. What pain he had now given the simple soul of Fane; what pain +he had given that poor child who had so mistaken and punished the simple +soul! With Fane it was over now, but with Clementina the worst was +perhaps to come yet. He could not hope to see the girl before morning, +and then, what should he say to her? At sight of a lamp burning in Mrs. +Atwell's room, which was on a level with the veranda where he was +walking, it came to him that first of all he ought to go to her, and +confess the whole affair; if her husband were with her, he ought to +confess before him; they were there in the place of the child's father +and mother, and it was due to them. As he pressed rapidly toward the +light he framed in his thought the things he should say, and he did not +notice, as he turned to enter the private hallway leading to Mrs. +Atwell's apartment, a figure at the door. It shrank back from his +contact, and he recognized Clementina. His purpose instantly changed, +and he said, "Is that you, Miss Claxon? I want to speak with you. Will +you come a moment where I can?" + +"I--I don't know as I'd betta," she faltered. But she saw the box under +his arm, and she thought that he wished to speak to her about that, and +she wanted to hear what he would say. She had been waiting at the door +there, because she could not bear to go to her room without having +something more happen. + +"You needn't be afraid. I shall not keep you. Come with me a moment. +There is something I must tell you at once. You have made a mistake. +And it is my fault. Come!" + +Clementina stepped out into the moonlight with him, and they walked +across the grass that sloped between the hotel and the river. There were +still people about, late smokers singly, and in groups along the piazzas, +and young couples, like themselves, strolling in the dry air, under the +pure sky. + +Gregory made several failures in trying to begin, before he said: "I have +to tell you that you are mistaken about Mr. Fane. I was there behind the +letter boxes when you came in, and I know that you left these shoes +because you thought he sent them to you. He didn't send them." +Clementina did not say anything, and Gregory was forced to ask: "Do you +wish to know who sent them? I won't tell you unless you do wish it." + +"I think I ought to know," she said, and she asked, "Don't you?" + +"Yes; for you must blame some one else now, for what you thought Fane +did. I sent them to you." + +Clementina's heart gave a leap in her breast, and she could not say +anything. He went on. + +"I saw that you wanted them that day, and when the peddler happened to +overtake me in the woods where I was walking, after I left you, I acted +on a sudden impulse, and I bought them for you. I meant to send them to +you anonymously, then. I had committed one error in acting upon impulse- +my rashness is my besetting sin--and I wished to add a species of deceit +to that. But I was kept from it until-to-day. I hoped you would like to +wear them to the dance to-night, and I put them in the post-office for +you myself. Mr. Fane didn't know anything about it. That is all. I am +to blame, and no one else." + +He waited for her to speak, but Clementina could only say, "I don't know +what to say." + +"You can't say anything that would be punishment enough for me. I have +acted foolishly, cruelly." + +Clementina did not think so. She was not indignant, as she was when she +thought Fane had taken this liberty with her, but if Mr. Gregory thought +it was so very bad, it must be something much more serious than she had +imagined. She said, "I don't see why you wanted to do it," hoping that +he would be able to tell her something that would make his behavior seem +less dreadful than he appeared to think it was. + +"There is only one thing that could justify it, and that is something +that I cannot justify." It was very mysterious, but youth loves mystery, +and Clementina was very young. "I did it," said Gregory solemnly, and he +felt that now he was acting from no impulse, but from a wisely considered +decision which he might not fail in without culpability, "because I love +you." + +"Oh!" said Clementina, and she started away from him. + +"I knew that it would make me detestable!" he cried, bitterly. "I had to +tell you, to explain what I did. I couldn't help doing it. But now if +you can forget it, and never think of me again, I can go away, and try to +atone for it somehow. I shall be guided." + +Clementina did not know why she ought to feel affronted or injured by +what he had said to her; but if Mr. Gregory thought it was wrong for him +to have spoken so, it must be wrong. She did not wish him to feel badly, +even if he had done wrong, but she had to take his view of what he had +done. "Why, suttainly, Mr. Gregory," she answered. "You mustn't mind +it." + +"But I do mind it. I have been very, very selfish, very thoughtless. We +are both too young. I can't ask you to wait for me till I could marry"-- + +The word really frightened Clementina. She said, "I don't believe I +betta promise." + +"Oh, I know it!" said Gregory. "I am going away from here. I am going +to-morrow as soon as I can arrange--as soon as I can get away. Good- +night--I"--Clementina in her agitation put her hands up to her face. +"Oh, don't cry--I can't bear to have you cry." + +She took down her hands. "I'm not crying! But I wish I had neva seen +those slippas." + +They had come to the bank of the river, whose current quivered at that +point in a scaly ripple in the moonlight. At her words Gregory suddenly +pulled the box from under his arm, and flung it into the stream as far as +he could. It caught upon a shallow of the ripple, hung there a moment, +then loosed itself, and swam swiftly down the stream. + +"Oh!" Clementina moaned. + +"Do you want them back?" he demanded. "I will go in for them!" + +"No, no! No. But it seemed such a--waste!" + +"Yes, that is a sin, too." They climbed silently to the hotel. At Mrs. +Atwell's door, he spoke. "Try to forget what I said, and forgive me, if +you can." + +"Yes--yes, I will, Mr. Gregory. You mustn't think of it any moa." + + + + +XII. + +Clementina did not sleep till well toward morning, and she was still +sleeping when Mrs. Atwell knocked and called in to her that her brother +Jim wanted to see her. She hurried down, and in the confusion of mind +left over from the night before she cooed sweetly at Jim as if he had +been Mr. Gregory, "What is it, Jim? What do you want me for?" + +The boy answered with the disgust a sister's company manners always rouse +in a brother. "Motha wants you. Says she's wo'ked down, and she wants +you to come and help." Then he went his way. + +Mrs. Atwell was used to having help snatched from her by their families +at a moment's notice. "I presume you've got to go, Clem," she said. + +"Oh, yes, I've got to go," Clementina assented, with a note of relief +which mystified Mrs. Atwell. + +"You tied readin' to Mr. Milray?" + +"Oh, no'm-no, I mean. But I guess I betta go home. I guess I've been +away long enough." + +"Well, you're a good gul, Clem. I presume your motha's got a right to +have you home if she wants you." Clementina said nothing to this, but +turned briskly, and started upstairs toward her room again. The landlady +called after her, "Shall you speak to Mis' Milray, or do you want I +should?" + +Clementina looked back at her over her shoulder to warble, "Why, if you +would, Mrs. Atwell," and kept on to her room. + +Mrs. Milray was not wholly sorry to have her go; she was going herself +very soon, and Clementina's earlier departure simplified the question of +getting rid of her; but she overwhelmed her with reproaches which +Clementina received with such sweet sincerity that another than Mrs. +Milray might have blamed herself for having abused her ingenuousness. + +The Atwells could very well have let the girl walk home, but they sent +her in a buckboard, with one of the stablemen to drive her. The landlord +put her neat bundle under the seat of the buckboard with his own hand. +There was something in the child's bearing, her dignity and her +amiability, which made people offer her, half in fun, and half in +earnest, the deference paid to age and state. + +She did not know whether Gregory would try to see her before she went. +She thought he must have known she was going, but since he neither came +to take leave of her, nor sent her any message, she decided that she had +not expected him to do so. About the third week of September she heard +that he had left Middlemount and gone back to college. + +She kept at her work in the house and helped her mother, and looked after +the little ones; she followed her father in the woods, in his quest of +stuff for walking sticks, and advised with both concerning the taste of +summer folks in dress and in canes. The winter came, and she read many +books in its long leisure, mostly novels, out of the rector's library. +He had a whole set of Miss Edgeworth, and nearly all of Miss Austen and +Miss Gurney, and he gave of them to Clementina, as the best thing for her +mind as well as her morals; he believed nothing could be better for any +one than these old English novels, which he had nearly forgotten in their +details. She colored the faded English life of the stories afresh from +her Yankee circumstance; and it seemed the consensus of their testimony +that she had really been made love to, and not so very much too soon, at +her age of sixteen, for most of their heroines were not much older. The +terms of Gregory's declaration and of its withdrawal were mystifying, but +not more mystifying than many such things, and from what happened in the +novels she read, the affair might be trusted to come out all right of +itself in time. She was rather thoughtfuller for it, and once her mother +asked her what was the matter with her. "Oh, I guess I'm getting old, +motha," she said, and turned the question off. She would not have minded +telling her mother about Gregory, but it would not have been the custom; +and her mother would have worried, and would have blamed him. Clementina +could have more easily trusted her father with the case, but so far as +she knew fathers never were trusted with anything of the kind. She would +have been willing that accident should bring it to the knowledge of Mrs. +Richling; but the moment never came when she could voluntarily confide in +her, though she was a great deal with her that winter. She was Mrs. +Richling's lieutenant in the social affairs of the parish, which the +rector's wife took under her care. She helped her get up entertainments +of the kind that could be given in the church parlor, and they managed +together some dances which had to be exiled to the town hall. They +contrived to make the young people of the village feel that they were +having a gay time, and Clementina did not herself feel that it was a dull +one. She taught them some of the new steps and figures which the help +used to pick up from the summer folks at the Middlemount, and practise +together; she liked doing that; her mother said the child would rather +dance than eat, any time. She was never sad, but so much dignity got +into her sweetness that the rector now and then complained of feeling put +down by her. + +She did not know whether she expected Gregory to write to her or not; but +when no letters came she decided that she had not expected them. She +wondered if he would come back to the Middlemount the next summer; but +when the summer came, she heard that they had another student in his +place. She heard that they had a new clerk, and that the boarders were +not so pleasant. Another year passed, and towards the end of the season +Mrs. Atwell wished her to come and help her again, and Clementina went +over to the hotel to soften her refusal. She explained that her mother +had so much sewing now that she could not spare her; and Mrs. Atwell +said: Well, that was right, and that she must be the greatest kind of +dependence for her mother. "You ah' going on seventeen this year, ain't +you?" + +"I was nineteen the last day of August," said Clementina, and Mrs. Atwell +sighed, and said, How the time did fly. + +It was the second week of September, but Mrs. Atwell said they were going +to keep the house open till the middle of October, if they could, for the +autumnal foliage, which there was getting to be quite a class of custom +for. + +"I presume you knew Mr. Landa was dead," she added, and at Clementina's +look of astonishment, she said with a natural satisfaction, "Mm! died the +thutteenth day of August. I presumed somehow you'd know it, though you +didn't see a great deal of 'em, come to think of it. I guess he was a +good man; too good for her, I guess," she concluded, in the New England +necessity of blaming some one. "She sent us the papah." + +There was an early frost; and people said there was going to be a hard +winter, but it was not this that made Clementina's father set to work +finishing his house. His turning business was well started, now, and he +had got together money enough to pay for the work. He had lately +enlarged the scope of his industry by turning gate-posts and urns for the +tops of them, which had become very popular, for the front yards of the +farm and village houses in a wide stretch of country. They sold more +steadily than the smaller wares, the cups, and tops, and little vases and +platters which had once been the output of his lathe; after the first +season the interest of the summer folks in these fell off; but the gate +posts and the urns appealed to a lasting taste in the natives. + +Claxon wished to put the finishing touches on the house himself, and he +was willing to suspend more profitable labors to do so. After some +attempts at plastering he was forced to leave that to the plasterers, but +he managed the clap-boarding, with Clementina to hand him boards and +nails, and to keep him supplied with the hammer he was apt to drop at +critical moments. They talked pretty constantly at their labors, and in +their leisure, which they spent on the brown needles under the pines at +the side of the house. Sometimes the hammering or the talking would be +interrupted by a voice calling, from a passing vehicle in the hidden +roadway, something about urns. Claxon would answer, without troubling +himself to verify the inquirer; or moving from his place, that he would +get round to them, and then would hammer on, or talk on with Clementina. + +One day in October a carriage drove up to the door, after the work on the +house had been carried as far as Claxon's mood and money allowed, and he +and Clementina were picking up the litter of his carpentering. He had +replaced the block of wood which once served at the front door by some +steps under an arbor of rustic work; but this was still so novel that the +younger children had not outgrown their pride in it and were playing at +house-keeping there. Clementina ran around to the back door and out +through the front entry in time to save the visitor and the children from +the misunderstanding they began to fall into, and met her with a smile of +hospitable brilliancy, and a recognition full of compassionate welcome. + +Mrs. Lander gave way to her tears as she broke out, " Oh, it ain't the +way it was the last time I was he'a! You hea'd that he--that Mr. Landa"-- + +"Mrs. Atwell told me," said Clementina. "Won't you come in, and sit +down?" + +"Why, yes." Mrs. Lander pushed in through the narrow door of what was to +be the parlor. Her crapes swept about her and exhaled a strong scent of +their dyes. Her veil softened her heavy face; but she had not grown +thinner in her bereavement. + +"I just got to the Middlemount last night," she said, "and I wanted to +see you and your payrents, both, Miss Claxon. It doos bring him back so! +You won't neva know how much he thought of you, and you'll all think I'm +crazy. I wouldn't come as long as he was with me, and now I have to come +without him; I held out ag'inst him as long as I had him to hold out +ag'inst. Not that he was eva one to push, and I don't know as he so much +as spoke of it, afta we left the hotel two yea's ago; but I presume it +wa'n't out of his mind a single minute. Time and time again I'd say to +him, 'Now, Albe't, do you feel about it just the way you done?' and he'd +say, 'I ha'r't had any call to charge my mind about it,' and then I'd +begin tryin' to ahgue him out of it, and keep a hectorin', till he'd say, +'Well, I'm not askin' you to do it,' and that's all I could get out of +him. But I see all the while 't he wanted me to do it, whateva he asked, +and now I've got to do it when it can't give him any pleasure." Mrs. +Lander put up her black-bordered handkerchief and sobbed into it, and +Clementina waited till her grief had spent itself; then she gave her a +fan, and Mrs. Lander gratefully cooled her hot wet face. The children +had found the noises of her affliction and the turbid tones of her +monologue annoying, and had gone off to play in the woods; Claxon kept +incuriously about the work that Clementina had left him to; his wife +maintained the confidence which she always felt in Clementina's ability +to treat with the world when it presented itself, and though she was +curious enough, she did not offer to interrupt the girl's interview with +Mrs. Lander; Clementina would know how to behave. + +Mrs. Lander, when she had refreshed herself with the fan, seemed to get a +fresh grip of her theme, and she told Clementina all abort Mr. Lander's +last sickness. It had been so short that it gave her no time to try the +climate of Colorado upon him, which she now felt sure would have brought +him right up; and she had remembered, when too late, to give him a liver- +medicine of her own, though it did not appear that it was his liver which +was affected; that was the strange part of it. But, brief as his +sickness was, he had felt that it was to be his last, and had solemnly +talked over her future with her, which he seemed to think would be +lonely. He had not named Clementina, but Mrs. Lander had known well +enough what he meant; and now she wished to ask her, and her father and +mother, how they would all like Clementina to come and spend the winter +with her at Boston first, and then further South, and wherever she should +happen to go. She apologized for not having come sooner upon this +errand; she had resolved upon it as soon as Mr. Lander was gone, but she +had been sick herself, and had only just now got out of bed. + +Clementina was too young to feel the pathos of the case fully, or perhaps +even to follow the tortuous course of Mrs. Lander's motives, but she was +moved by her grief; and she could not help a thrill of pleasure in the +vague splendor of the future outlined by Mrs. Lander's proposal. For a +time she had thought that Mrs. Milray was going to ask her to visit her +in New York; Mrs. Milray had thrown out a hint of something of the kind +at parting, but that was the last of it; and now she at once made up her +mind that she would like to go with Mrs. Lander, while discreetly saying +that she would ask her father and mother to come and talk with her. + + + + +XIII. + +Her parents objected to leaving their work; each suggested that the other +had better go; but they both came at Clementina's urgence. Her father +laughed and her mother frowned when she told them what Mrs. Lander +wanted, from the same misgiving of her sanity. They partly abandoned +this theory for a conviction of Mrs. Lander's mere folly when she began +to talk, and this slowly yielded to the perception that she had some +streaks of sense. It was sense in the first place to want to have +Clementina with her, and though it might not be sense to suppose that +they would be anxious to let her go, they did not find so much want of it +as Mrs. Lander talked on. It was one of her necessities to talk away her +emotions before arriving at her ideas, which were often found in a +tangle, but were not without a certain propriety. She was now, after her +interview with Clementina, in the immediate presence of these, and it was +her ideas that she began to produce for the girl's father and mother. +She said, frankly, that she had more money than she knew what to do with, +and they must not think she supposed she was doing a favor, for she was +really asking one. + +She was alone in the world, without near connections of her own, or +relatives of her husband's, and it would be a mercy if they could let +their daughter come and visit her; she would not call it more than a +visit; that would be the best thing on both sides; she told of her great +fancy for Clementina the first time she saw her, and of her husband's +wish that she would come and visit with them then for the winter. As for +that money she had tried to make the child take, she presumed that they +knew about it, and she wished to say that she did it because she was +afraid Mr. Lander had said so much about the sewing, that they would be +disappointed. She gave way to her tears at the recollection, and +confessed that she wanted the child to have the money anyway. She ended +by asking Mrs. Claxon if she would please to let her have a drink of +water; and she looked about the room, and said that they had got it +finished up a great deal, now, had not they? She made other remarks upon +it, so apt that Mrs. Claxon gave her a sort of permissive invitation to +look about the whole lower floor, ending with the kitchen. + +Mrs. Lander sat down there while Mrs. Claxon drew from the pipes a glass +of water, which she proudly explained was pumped all over the house by +the wind mill that supplied the power for her husband's turning lathes. + +"Well, I wish mah husband could have tasted that wata," said Mrs. Lander, +as if reminded of husbands by the word, and by the action of putting down +the glass. "He was always such a great hand for good, cold wata. My! +He'd 'a liked youa kitchen, Mrs. Claxon. He always was such a home-body, +and he did get so ti'ed of hotels. For all he had such an appearance, +when you see him, of bein'--well!--stiff and proud, he was fah moa common +in his tastes--I don't mean common, exactly, eitha--than what I was; and +many a time when we'd be drivin' through the country, and we'd pass some +o' them long-strung-out houses, don't you know, with the kitchen next to +the wood shed, and then an ahchway befoa you get to the stable, Mr. Landa +he'd get out, and make an urrand, just so's to look in at the kitchen +dooa; he said it made him think of his own motha's kitchen. We was both +brought up in the country, that's a fact, and I guess if the truth was +known we both expected to settle down and die thea, some time; but now +he's gone, and I don't know what'll become o' me, and sometimes I don't +much care. I guess if Mr. Landa'd 'a seen youa kitchen, it wouldn't 'a' +been so easy to git him out of it; and I do believe if he's livin' +anywhe' now he takes as much comfo't in my settin' here as what I do. +I presume I shall settle down somewhe's before a great while, and if you +could make up youa mind to let your daughta come to me for a little visit +till spring, you couldn't do a thing that 'd please Mr. Landa moa." + +Mrs. Claxon said that she would talk it over with the child's father; and +then Mrs. Lander pressed her to let her take Clementina back to the +Middlemount with her for supper, if they wouldn't let her stay the night. +After Clementina had driven away, Mrs. Claxon accused herself to her +husband of being the greatest fool in the State, but he said that the +carriage was one of the Middlemount rigs, and he guessed it was all +right. He could see that Clem was wild to go, and he didn't see why she +shouldn't. + +"Well, I do, then," his wife retorted. "We don't know anything about the +woman, or who she is." + +"I guess no harm'll come to Clem for one night," said Claxon, and Mrs. +Claxon was forced back upon the larger question for the maintenance of +her anxiety. She asked what he was going to do about letting Clem go the +whole winter with a perfect stranger; and he answered that he had not got +round to that yet, and that there were a good many things to be thought +of first. He got round to see the rector before dark, and in the light +of his larger horizon, was better able to orient Mrs. Lander and her +motives than he had been before. + +When she came back with the girl the next morning, she had thought of +something in the nature of credentials. It was the letter from her +church in Boston, which she took whenever she left home, so that if she +wished she might unite with the church in any place where she happened to +be stopping. It did not make a great impression upon the Klaxons, who +were of no religion, though they allowed their children to go to the +Episcopal church and Sunday-school, and always meant to go themselves. +They said they would like to talk the matter over with the rector, if +Mrs. Lander did not object; she offered to send her carriage for him, and +the rector was brought at once. + +He was one of those men who have, in the breaking down of the old +Puritanical faith, and the dying out of the later Unitarian rationalism, +advanced and established the Anglican church so notably in the New +England hill-country, by a wise conformity to the necessities and +exactions of the native temperament. On the ecclesiastical side he was +conscientiously uncompromising, but personally he was as simple-mannered +as he was simple-hearted. He was a tall lean man in rusty black, with a +clerical waistcoat that buttoned high, and scholarly glasses, but with a +belated straw hat that had counted more than one summer, and a farmer's +tan on his face and hands. He pronounced the church-letter, though quite +outside of his own church, a document of the highest respectability, and +he listened with patient deference to the autobiography which Mrs. Lander +poured out upon him, and her identifications, through reference to this +or that person in Boston whom he knew either at first or second hand. +He had not to pronounce upon her syntax, or her social quality; it was +enough for him, in behalf of the Claxons, to find her what she professed +to be. + +"You must think," he said, laughing, "that we are over-particular; but +the fact is that we value Clementina rather highly, and we wish to be +sure that your hospitable offer will be for her real good." + +"Of cou'se," said Mrs. Lander. "I should be just so myself abort her." + +"I don't know," he continued, "that I've ever said how much we think of +her, Mrs. Richling and I, but this seems a good opportunity, as she is +not present. + +She is not perfect, but she comes as near being a thoroughly good girl as +she can without knowing it. She has a great deal of common-sense, and we +all want her to have the best chance." + +"Well, that's just the way I feel about her, and that's just what I mean +to give her," said Mrs. Lander. + +"I am not sure that I make myself quite clear," said the rector. +"I mean, a chance to prove how useful and helpful she can be. Do you +think you can make life hard for her occasionally? Can you be peevish +and exacting, and unreasonable? Can you do something to make her value +superfluity and luxury at their true worth?" + +Mrs. Lander looked a little alarmed and a little offended. "I don't know +as I undastand what you mean, exactly," she said, frowning rather with +perplexity than resentment. "But the child sha'n't have a care, and her +own motha couldn't be betta to her than me. There a'n't anything money +can buy that she sha'n't have, if she wants it, and all I'll ask of her +is 't she'll enjoy herself as much as she knows how. I want her with me +because I should love to have her round; and we did from the very fust +minute she spoke, Mr. Lander and me, both. She shall have her own money, +and spend it for anything she pleases, and she needn't do a stitch o' +work from mohnin' till night. But if you're afraid I shall put upon her" + +"No, no," said the rector, and he threw back his head with a laugh. + +"When it was all arranged, a few days later, after the verification of +certain of Mrs. Lander's references by letters to Boston, he said to +Clementina's father and mother, "There's only one danger, now, and that +is that she will spoil Clementina; but there's a reasonable hope that she +won't know how." He found the Claxons struggling with a fresh misgiving, +which Claxon expressed. "The way I look at it is like this. I don't +want that woman should eva think Clem was after her money. On the face +of it there a'n't very much to her that would make anybody think but what +we was after it; and I should want it pootty well undastood that we +wa'n't that kind. But I don't seem to see any way of tellin' her." + +"No," said the rector, with a sympathetic twinkle, "that would be +difficult." + +"It's plain to be seen," Mrs. Claxon interposed, "that she thinks a good +deal of her money; and I d' know but what she'd think she was doin' Clem +most too much of a favor anyway. If it can't be a puffectly even thing, +all round, I d' know as I should want it to be at all." + +"You're quite right., Mrs. Claxon, quite right. But I believe Mrs. +Lander may be safely left to look out for her own interests. After all, +she has merely asked Clementina to pass the winter with her. It will be +a good opportunity for her to see something of the world; and perhaps it +may bring her the chance of placing herself in life. We have got to +consider these things with reference to a young girl." + +Mrs. Claxon said, "Of cou'se," but Claxon did not assent so readily. + +"I don't feel as if I should want Clem to look at it in that light. If +the chance don't come to her, I don't want she should go huntin' round +for it." + +"I thoroughly agree with you," said the rector. "But I was thinking that +there was not only no chance worthy of her in Middlemount, but there is +no chance at all." + +"I guess that's so," Claxon owned with a laugh. "Well, I guess we can +leave it to Clem to do what's right and proper everyway. As you say, +she's got lots of sense." + +From that moment he emptied his mind of care concerning the matter; but +husband and wife are never both quite free of care on the same point of +common interest, and Mrs. Claxon assumed more and more of the anxieties +which he had abandoned. She fretted under the load, and expressed an +exasperated tenderness for Clementina when the girl seemed forgetful of +any of the little steps to be taken before the great one in getting her +clothes ready for leaving home. She said finally that she presumed they +were doing a wild thing, and that it looked crazier and crazier the more +she thought of it; but all was, if Clem didn't like, she could come home. +By this time her husband was in something of that insensate eagerness to +have the affair over that people feel in a house where there is a +funeral. + +At the station, when Clementina started for Boston with Mrs. Lander, her +father and mother, with the rector and his wife, came to see her off. +Other friends mistakenly made themselves of the party, and kept her +talking vacuities when her heart was full, till the train drew up. Her +father went with her into the parlor car, where the porter of the +Middlemount House set down Mrs. Lander's hand baggage and took the final +fee she thrust upon him. When Claxon came out he was not so satisfactory +about the car as he might have been to his wife, who had never been +inside a parlor car, and who had remained proudly in the background, +where she could not see into it from the outside. He said that he had +felt so bad about Clem that he did not notice what the car was like. +But he was able to report that she looked as well as any of the folks in +it, and that, if there were any better dressed, he did not see them. He +owned that she cried some, when he said good-bye to her. + +"I guess," said his wife, grimly, "we're a passel o' fools to let her go. +Even if she don't like, the'a, with that crazy-head, she won't be the +same Clem when she comes back." + +They were too heavy-hearted to dispute much, and were mostly silent as +they drove home behind Claxon's self-broken colt: a creature that had +taken voluntarily to harness almost from its birth, and was an example to +its kind in sobriety and industry. + +The children ran out from the house to meet them, with a story of having +seen Clem at a point in the woods where the train always slowed up before +a crossing, and where they had all gone to wait for her. She had seen +them through the car-window, and had come out on the car platform, and +waved her handkerchief, as she passed, and called something to them, +but they could not hear what it was, they were all cheering so. + +At this their mother broke down, and went crying into the house. Not to +have had the last words of the child whom she should never see the same +again if she ever saw her at all, was more, she said, than heart could +bear. + +The rector's wife arrived home with her husband in a mood of mounting +hopefulness, which soared to tops commanding a view of perhaps more of +this world's kingdoms than a clergyman's wife ought ever to see, even for +another. She decided that Clementina's chances of making a splendid +match, somewhere, were about of the nature of certainties, and she +contended that she would adorn any station, with experience, and with her +native tact, especially if it were a very high station in Europe, where +Mrs. Lander would now be sure to take her. If she did not take her to +Europe, however, she would be sure to leave her all her money, and this +would serve the same end, though more indirectly. + +Mr. Richling scoffed at this ideal of Clementina's future with a contempt +which was as little becoming to his cloth. He made his wife reflect +that, with all her inherent grace and charm, Clementina was an ignorant +little country girl, who had neither the hardness of heart nor the +greediness of soul, which gets people on in the world, and repair for +them the disadvantages of birth and education. He represented that even +if favorable chances for success in society showed themselves to the +girl, the intense and inexpugnable vulgarity of Mrs. Lander would spoil +them; and he was glad of this, he said, for he believed that the best +thing which could happen to the child would be to come home as sweet and +good as she had gone away; he added this was what they ought both to pray +for. + +His wife admitted this, but she retorted by asking if he thought such a +thing was possible, and he was obliged to own that it was not possible. +He marred the effect of his concession by subjoining that it was no more +possible than her making a brilliant and triumphant social figure in +society, either at home or in Europe. + + + + +XIV. + +So far from embarking at once for Europe, Mrs. Lander went to that hotel +in a suburb of Boston, where she had the habit of passing the late autumn +months, in order to fortify herself for the climate of the early winter +months in the city. She was a little puzzled how to provide for +Clementina, with respect to herself, but she decided that the best thing +would be to have her sleep in a room opening out of her own, with a +folding bed in it, so that it could be used as a sort of parlor for both +of them during the day, and be within easy reach, for conversation, at +all times. + +On her part, Clementina began by looking after Mrs. Lander's comforts, +large and little, like a daughter, to her own conception and to that of +Mrs. Lander, but to other eyes, like a servant. Mrs. Lander shyly shrank +from acquaintance among the other ladies, and in the absence of this, she +could not introduce Clementina, who went down to an early breakfast +alone, and sat apart with her at lunch and dinner, ministering to her in +public as she did in private. She ran back to their rooms to fetch her +shawl, or her handkerchief, or whichever drops or powders she happened to +be taking with her meals, and adjusted with closer care the hassock which +the head waiter had officially placed at her feet. They seldom sat in +the parlor where the ladies met, after dinner; they talked only to each +other; and there, as elsewhere, the girl kept her filial care of the old +woman. The question of her relation to Mrs. Lander became so pressing +among several of the guests that, after Clementina had watched over the +banisters, with throbbing heart and feet, a little dance one night which +the other girls had got up among themselves, and had fled back to her +room at the approach of one of the kindlier and bolder of them, the +landlord felt forced to learn from Mrs. Lander how Miss Claxon was to be +regarded. He managed delicately, by saying he would give the Sunday +paper she had ordered to her nurse, "Or, I beg your pardon," he added, as +if he had made a mistake. "Why, she a'n't my nuhse," Mrs. Lander +explained, simply, neither annoyed nor amused; " she's just a young lady +that's visiting me, as you may say," and this put an end to the misgiving +among the ladies. But it suggested something to Mrs. Lander, and a few +days afterwards, when they came out from Boston where they had been +shopping, and she had been lavishing a bewildering waste of gloves, hats, +shoes, capes and gowns upon Clementina, she said, "I'll tell you what. +We've got to have a maid." + +"A maid?" cried the girl. + +"It isn't me, or my things I want her for," said Mrs. Lander. "It's you +and these dresses of youas. I presume you could look afta them, come to +give youa mind to it; but I don't want to have you tied up to a lot of +clothes; and I presume we should find her a comfo't in moa ways than one, +both of us. I don't know what we shall want her to do, exactly; but I +guess she will, if she undastands her business, and I want you should go +in with me, to-morror, and find one. I'll speak to some of the ladies, +and find out whe's the best place to go, and we'll get the best there +is." + +A lady whom Mrs. Lander spoke to entered into the affair with zeal born +of a lurking sense of the wrong she had helped do Clementina in the +common doubt whether she was not herself Mrs. Lander's maid. She offered +to go into Boston with them to an intelligence office, where you could +get nice girls of all kinds; but she ended by giving Mrs. Lander the +address, and instructions as to what she was to require in a maid. She +was chiefly to get an English maid, if at all possible, for the +qualifications would more or less naturally follow from her nationality. +There proved to be no English maid, but there was a Swedish one who had +received a rigid training in an English family living on the Continent, +and had come immediately from that service to seek her first place in +America. The manager of the office pronounced her character, as set down +in writing, faultless, and Mrs. Lander engaged her. "You want to look +afta this young lady," she said, indicating Clementina. "I can look afta +myself," but Ellida took charge of them both on the train out from Boston +with prompt intelligence. + +"We got to get used to it, I guess," Mrs. Lander confided at the first +chance of whispering to Clementina. + +Within a month after washing the faces and combing the hair of all her +brothers and sisters who would suffer it at her hands, Clementina's own +head was under the brush of a lady's maid, who was of as great a +discreetness in her own way as Clementina herself. She supplied the +defects of Mrs. Lander's elementary habits by simply asking if she should +get this thing and that thing for the toilet, without criticising its +absence,--and then asking whether she should get the same things for her +young lady. She appeared to let Mrs. Lander decide between having her +brushes in ivory or silver, but there was really no choice for her, and +they came in silver. She knew not only her own place, but the places of +her two ladies, and she presently had them in such training that they +were as proficient in what they might and might not do for themselves and +for each other, as if making these distinctions were the custom of their +lives. + +Their hearts would both have gone out to Ellida, but Ellida kept them at +a distance with the smooth respectfulness of the iron hand in the glove +of velvet; and Clementina first learned from her to imagine the +impassable gulf between mistress and maid. + +At the end of her month she gave them, out of a clear sky, a week's +warning. She professed no grievance, and was not moved by Mrs. Lander's +appeal to say what wages she wanted. She would only say that she was +going to take a place an Commonwealth Avenue, where a friend of hers was +living, and when the week was up, she went, and left her late mistresses +feeling rather blank. " I presume we shall have to get anotha," said +Mrs. Lander. + +"Oh, not right away! " Clementina pleaded. + +"Well, not right away," Mrs. Lander assented; and provisionally they each +took the other into her keeping, and were much freer and happier +together. + +Soon after Clementina was startled one morning, as she was going in to +breakfast, by seeing Mr. Fane at the clerk's desk. He did not see her; +he was looking down at the hotel register, to compute the bill of a +departing guest; but when she passed out she found him watching for her, +with some letters. + +"I didn't know you were with us," he said, with his pensive smile, "till +I found your letters here, addressed to Mrs. Lander's care; and then I +put two and two together. It only shows how small the world is, don't +you think so? I've just got back from my vacation; I prefer to take it +in the fall of the year, because it's so much pleasanter to travel, then. +I suppose you didn't know I was here?" + +"No, I didn't," said Clementina. "I never dreamed of such a thing." + +"To be sure; why should you?" Fane reflected. "I've been here ever since +last spring. But I'll say this, Miss Claxon, that if it's the least +unpleasant to you, or the least disagreeable, or awakens any kind of +associations"-- + +"Oh, no!" Clementina protested, and Fane was spared the pain of saying +what he would do if it were. + +He bowed, and she said sweetly, "It's pleasant to meet any one I've seen +before. I suppose you don't know how much it's changed at Middlemount +since you we' e thea." Fane answered blankly, while he felt in his +breast pocket, Oh, he presumed so; and she added: "Ha'dly any of the same +guests came back this summer, and they had more in July than they had in +August, Mrs. Atwell said. Mr. Mahtin, the chef, is gone, and newly all +the help is different." + +Fane kept feeling in one pocket and then slapped himself over the other +pockets. "No," he said, "I haven't got it with me. I must have left it +in my room. I just received a letter from Frank--Mr. Gregory, you know, +I always call him Frank--and I thought I had it with me. He was asking +about Middlemount; and I wanted to read you what he said. But I'll find +it upstairs. He's out of college, now, and he's begun his studies in the +divinity school. He's at Andover. I don't know what to make of Frank, +oftentimes," the clerk continued, confidentially. "I tell him he's a +kind of a survival, in religion; he's so aesthetic." It seemed to Fane +that he had not meant aesthetic, exactly, but he could not ask Clementina +what the word was. He went on to say, "He's a grand good fellow, Frank +is, but he don't make enough allowance for human nature. He's more like +one of those old fashioned orthodox. I go in for having a good time, so +long as you don't do anybody else any hurt." + +He left her, and went to receive the commands of a lady who was leaning +over the desk, and saying severely, "My mail, if you please," and +Clementina could not wait for him to come back; she had to go to Mrs. +Lander, and get her ready for breakfast; Ellida had taught Mrs. Lander a +luxury of helplessness in which she persisted after the maid's help was +withdrawn. + +Clementina went about the whole day with the wonder what Gregory had said +about Middlemount filling her mind. It must have had something to do +with her; he could not have forgotten the words he had asked her to +forget. She remembered them now with a curiosity, which had no rancor in +it, to know why he really took them back. She had never blamed him, and +she had outlived the hurt she had felt at not hearing from him. But she +had never lost the hope of hearing from him, or rather the expectation, +and now she found that she was eager for his message; she decided that it +must be something like a message, although it could not be anything +direct. No one else had come to his place in her fancy, and she was +willing to try what they would think of each other now, to measure her +own obligation to the past by a knowledge of his. There was scarcely +more than this in her heart when she allowed herself to drift near Fane's +place that night, that he might speak to her, and tell her what Gregory +had said. But he had apparently forgotten about his letter, and only +wished to talk about himself. He wished to analyze himself, to tell her +what sort of person he was. He dealt impartially with the subject; he +did not spare some faults of his; and after a week, he proposed a +correspondence with her, in a letter of carefully studied spelling, as a +means of mutual improvement as well as further acquaintance. + +It cost Clementina a good deal of trouble to answer him as she wished and +not hurt his feelings. She declined in terms she thought so cold that +they must offend him beyond the point of speaking to her again; but he +sought her out, as soon after as he could, and thanked her for her +kindness, and begged her pardon. He said he knew that she was a very +busy person, with all the lessons she was taking, and that she had no +time for carrying on a correspondence. He regretted that he could not +write French, because then the correspondence would have been good +practice for her. Clementina had begun taking French lessons, of a +teacher who came out from Boston. She lunched three times a week with +her and Mrs. Lander, and spoke the language with Clementina, whose accent +she praised for its purity; purity of accent was characteristic of all +this lady's pupils; but what was really extraordinary in Mademoiselle +Claxon was her sense of grammatical structure; she wrote the language +even more perfectly than she spoke it; but beautifully, but wonderfully; +her exercises were something marvellous. + +Mrs. Lander would have liked Clementina to take all the lessons that she +heard any of the other young ladies in the hotel were taking. One of +them went in town every day, and studied drawing at an art-school, and +she wanted Clementina to do that, too. But Clementina would not do that; +she had tried often enough at home, when her brother Jim was drawing, and +her father was designing the patterns of his woodwork; she knew that she +never could do it, and the time would be wasted. She decided against +piano lessons and singing lessons, too; she did not care for either, and +she pleaded that it would be a waste to study them; but she suggested +dancing lessons, and her gift for dancing won greater praise, and perhaps +sincerer, than her accent won from Mademoiselle Blanc, though Mrs. Lander +said that she would not have believed any one could be more +complimentary. She learned the new steps and figures in all the +fashionable dances; she mastered some fancy dances, which society was +then beginning to borrow from the stage; and she gave these before Mrs. +Lander with a success which she felt herself. + +"I believe I could teach dancing," she said. + +"Well, you won't eve haf to, child," returned Mrs. Lander, with an eye on +the side of the case that seldom escaped her. + +In spite of his wish to respect these preoccupations, Fane could not keep +from offering Clementina attentions, which took the form of persecution +when they changed from flowers for Mrs. Lander's table to letters for +herself. He apologized for his letters whenever he met her; but at last +one of them came to her before breakfast with a special delivery stamp +from Boston. He had withdrawn to the city to write it, and he said that +if she could not make him a favorable answer, he should not come back to +Woodlake. + +She had to show this letter to Mrs. Lander, who asked: "You want he +should come back?" + +"No, indeed! I don't want eva to see him again." + +"Well, then, I guess you'll know how to tell him so. + +The girl went into her own room to write, and when she brought her answer +to show it to Mrs. Lander she found her in frowning thought. "I don't +know but you'll have to go back and write it all over again, Clementina," +she said, "if you've told him not to come. I've been thinkin', if you +don't want to have anything to do with him, we betta go ouaselves." + +"Yes," answered Clementina, "that's what I've said." + +"You have? Well, the witch is in it! How came you to"-- + +"I just wanted to talk with you about it. But I thought maybe you'd like +to go. Or at least I should. I should like to go home, Mrs. Landa." + +"Home!" retorted Mrs. Lander. "The'e's plenty of places where you can be +safe from the fella besides home, though I'll take you back the'a this +minute if you say so. But you needn't to feel wo'ked up about it." + +"Oh, I'm not," said Clementina, but with a gulp which betrayed her +nervousness. + +"I did think," Mrs. Lander went on, "that I should go into the Vonndome, +for December and January, but just as likely as not he'd come pesterin' +the'a, too, and I wouldn't go, now, if you was to give me the whole city +of Boston. Why shouldn't we go to Florid?" + +When Mrs. Lander had once imagined the move, the nomadic impulse mounted +irresistably in her. She spoke of hotels in the South, where they could +renew the summer, and she mapped out a campaign which she put into +instant action so far as to advance upon New York. + + + + +ETEXT EDITOR'S BOOKMARKS: + +All in all to each other . . . . . . . . . . . . . . . . . . . . . . . . +Chained to the restless pursuit of an ideal not his own. . . . . . . . . +Composed her features and her ideas to receive her visitor . . . . . . . +Going on of things had long ceased to bring pleasure . . . . . . . . . . +He a'n't a do-nothin'; he's a do-everything. . . . . . . . . . . . . . . +Hopeful apathy in his face.. . . . . . . . . . . . . . . . . . . . . . . +Inexhaustible flow of statement, conjecture and misgiving. . . . . . . . +Kept her talking vacuities when her heart was full . . . . . . . . . . . +Led a life of public seclusion . . . . . . . . . . . . . . . . . . . . . +Luxury of helplessness . . . . . . . . . . . . . . . . . . . . . . . . . +New England necessity of blaming some one. . . . . . . . . . . . . . . . +No object in life except to deprive it of all object . . . . . . . . . . +Perverse reluctance to find out where they were. . . . . . . . . . . . . +Provisional reprehension of possible shiftlessness . . . . . . . . . . . +Scant sleep of an elderly man. . . . . . . . . . . . . . . . . . . . . . +Seldom talked, but there came times when he would'nt even listen . . . . +Thrown mainly upon the compassion of the chambermaids. . . . . . . . . . +Tone was a snuffle expressive of deep-seated affliction. . . . . . . . . +Unaware that she was a selfish or foolish person . . . . . . . . . . . . +Under a fire of conjecture and asseveration. . . . . . . . . . . . . . . +Weak in his double letters . . . . . . . . . . . . . . . . . . . . . . . +Wishes of a mistress who did not know what she wanted. . . . . . . . . . +You've got a light-haired voice. . . . . . . . . . . . . . . . . . . . . + + + + + +End of The Project Gutenberg Etext of Ragged Lady, V1, by W. D. Howells + diff --git a/old/wh1rl10.zip b/old/wh1rl10.zip Binary files differnew file mode 100644 index 0000000..127da1f --- /dev/null +++ b/old/wh1rl10.zip diff --git a/old/wh1rl11.txt b/old/wh1rl11.txt new file mode 100644 index 0000000..10aac68 --- /dev/null +++ b/old/wh1rl11.txt @@ -0,0 +1,3826 @@ +The Project Gutenberg Etext of Ragged Lady, by W. D. Howells, v1 +#51 in our series by William Dean Howells + +Copyright laws are changing all over the world, be sure to check +the laws for your country before redistributing these files!!!!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. + +Please do not remove this. + +This should be the first thing seen when anyone opens the book. +Do not change or edit it without written permission. The words +are carefully chosen to provide users with the information they +need about what they can legally do with the texts. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*****These Etexts Are Prepared By Thousands of Volunteers!***** + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below, including for donations. + +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541 + + + +Title: Ragged Lady, v1 + +Author: William Dean Howells + +Release Date: September, 2002 [Etext #3405] +[Yes, we are about one year ahead of schedule] +[The actual date this file first posted = 04/02/01] +[Last modified date = 11/19/01] + +Edition: 11 + +Language: English + +The Project Gutenberg Etext of Ragged Lady, by W. D. Howells, v1 +******This file should be named wh1rl11.txt or wh1rl11.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, wh1rl12.txt +VERSIONS based on separate sources get new LETTER, wh1rl11a.txt + +This etext was produced by David Widger <widger@cecomet.net> + +Project Gutenberg Etexts are usually created from multiple editions, +all of which are in the Public Domain in the United States, unless a +copyright notice is included. Therefore, we usually do NOT keep any +of these books in compliance with any particular paper edition. + +We are now trying to release all our books one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to send us error messages even years after +the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our sites at: +http://gutenberg.net +http://promo.net/pg + + +Those of you who want to download any Etext before announcement +can surf to them as follows, and just download by date; this is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 +or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour this year as we release fifty new Etext +files per month, or 500 more Etexts in 2000 for a total of 3000+ +If they reach just 1-2% of the world's population then the total +should reach over 300 billion Etexts given away by year's end. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +At our revised rates of production, we will reach only one-third +of that goal by the end of 2001, or about 4,000 Etexts unless we +manage to get some real funding. + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of 10/17/01 contributions are only being solicited from people in: +Alabama, Arkansas, Connecticut, Delaware, Florida, Georgia, Idaho, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Michigan, Missouri, +Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, +North Carolina, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, +South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, +Washington, Wisconsin, and Wyoming + +We have filed in about 45 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, +additions to this list will be made and fund raising +will begin in the additional states. Please feel +free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork +to legally request donations in all 50 states. If +your state is not listed and you would like to know +if we have added it since the list you have, just ask. + +While we cannot solicit donations from people in +states where we are not yet registered, we know +of no prohibition against accepting donations +from donors in these states who approach us with +an offer to donate. + + +International donations are accepted, +but we don't know ANYTHING about how +to make them tax-deductible, or +even if they CAN be made deductible, +and don't have the staff to handle it +even if there are ways. + +All donations should be made to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + + +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541, +and has been approved as a 501(c)(3) organization by the US Internal +Revenue Service (IRS). Donations are tax-deductible to the maximum +extent permitted by law. As the requirements for other states are met, +additions to this list will be made and fund raising will begin in the +additional states. + +We need your donations more than ever! + +You can get up to date donation information at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +hart@pobox.com forwards to hart@prairienet.org and archive.org +if your mail bounces from archive.org, I will still see it, if +it bounces from prairienet.org, better resend later on. . . . + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +*** + + +Example command-line FTP session: + +ftp ftp.ibiblio.org +login: anonymous +password: your@login +cd pub/docs/books/gutenberg +cd etext90 through etext99 or etext00 through etext02, etc. +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] +GET GUTINDEX.ALL [to get a listing of ALL books] + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this etext, +[2] alteration, modification, or addition to the etext, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this header are copyright (C) 2001 by Michael S. Hart +and may be reprinted only when these Etexts are free of all fees.] +[Project Gutenberg is a TradeMark and may not be used in any sales +of Project Gutenberg Etexts or other materials be they hardware or +software or any other related product without express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END* + + + + + +This etext was produced by David Widger <widger@cecomet.net> + + + + + +[NOTE: There is a short list of bookmarks at the end of this file +for those who may wish to sample the author's ideas before making +an entire meal of them. D.W.] + + + + + +RAGGED LADY. + +By William Dean Howells + + + +Part 1. + +I. + +It was their first summer at Middlemount and the Landers did not know the +roads. When they came to a place where they had a choice of two, she +said that now he must get out of the carry-all and ask at the house +standing a little back in the edge of the pine woods, which road they +ought to take for South Middlemount. She alleged many cases in which +they had met trouble through his perverse reluctance to find out where +they were before he pushed rashly forward in their drives. Whilst she +urged the facts she reached forward from the back seat where she sat, and +held her hand upon the reins to prevent his starting the horse, which was +impartially cropping first the sweet fern on one side and then the +blueberry bushes on the other side of the narrow wheel-track. She +declared at last that if he would not get out and ask she would do it +herself, and at this the dry little man jerked the reins in spite of her, +and the horse suddenly pulled the carry-all to the right, and seemed +about to overset it. + +"Oh, what are you doing, Albe't? "Mrs. Lander lamented, falling helpless +against the back of her seat. "Haven't I always told you to speak to the +hoss fust?" + +"He wouldn't have minded my speakin'," said her husband. "I'm goin' to +take you up to the dooa so that you can ask for youaself without gettin' +out." + +This was so well, in view of Mrs. Lander's age and bulk, and the hardship +she must have undergone, if she had tried to carry out her threat, that +she was obliged to take it in some sort as a favor; and while the vehicle +rose and sank over the surface left rough, after building, in front of +the house, like a vessel on a chopping sea, she was silent for several +seconds. + +The house was still in a raw state of unfinish, though it seemed to have +been lived in for a year at least. The earth had been banked up at the +foundations for warmth in winter, and the sheathing of the walls had been +splotched with irregular spaces of weather boarding; there was a good +roof over all, but the window-casings had been merely set in their places +and the trim left for a future impulse of the builder. A block of wood +suggested the intention of steps at the front door, which stood +hospitably open, but remained unresponsive for some time after the +Landers made their appeal to the house at large by anxious noises in +their throats, and by talking loud with each other, and then talking low. +They wondered whether there were anybody in the house; and decided that +there must be, for there was smoke coming out of the stove pipe piercing +the roof of the wing at the rear. + +Mr. Lander brought himself under censure by venturing, without his wife's +authority, to lean forward and tap on the door-frame with the butt of his +whip. At the sound, a shrill voice called instantly from the region of +the stove pipe, "Clem! Clementina? Go to the front dooa! The'e's +somebody knockin'." The sound of feet, soft and quick, made itself heard +within, and in a few moments a slim maid, too large for a little girl, +too childlike for a young girl, stood in the open doorway, looking down +on the elderly people in the buggy, with a face as glad as a flower's. +She had blue eyes, and a smiling mouth, a straight nose, and a pretty +chin whose firm jut accented a certain wistfulness of her lips. She had +hair of a dull, dark yellow, which sent out from its thick mass light +prongs, or tendrils, curving inward again till they delicately touched +it. Her tanned face was not very different in color from her hair, and +neither were her bare feet, which showed well above her ankles in the +calico skirt she wore. At sight of the elders in the buggy she +involuntarily stooped a little to lengthen her skirt in effect, and at +the same time she pulled it together sidewise, to close a tear in it, but +she lost in her anxiety no ray of the joy which the mere presence of the +strangers seemed to give her, and she kept smiling sunnily upon them +while she waited for them to speak. + +"Oh!" Mrs. Lander began with involuntary apology in her tone, "we just +wished to know which of these roads went to South Middlemount. We've +come from the hotel, and we wa'n't quite ce'tain." + +The girl laughed as she said, "Both roads go to South Middlemount'm; they +join together again just a little piece farther on." + +The girl and the woman in their parlance replaced the letter 'r' by vowel +sounds almost too obscure to be represented, except where it came last in +a word before a word beginning with a vowel; there it was annexed to the +vowel by a strong liaison, according to the custom universal in rural New +England. + +"Oh, do they?" said Mrs. Lander. + +"Yes'm," answered the girl. "It's a kind of tu'nout in the wintatime; or +I guess that's what made it in the beginning; sometimes folks take one +hand side and sometimes the other, and that keeps them separate; but +they're really the same road, 'm." + +"Thank you," said Mrs. Lander, and she pushed her husband to make him say +something, too, but he remained silently intent upon the child's +prettiness, which her blue eyes seemed to illumine with a light of their +own. She had got hold of the door, now, and was using it as if it was a +piece of drapery, to hide not only the tear in her gown, but somehow both +her bare feet. She leaned out beyond the edge of it; and then, at +moments she vanished altogether behind it. + +Since Mr. Lander would not speak, and made no sign of starting up his +horse, Mrs. Lander added, "I presume you must be used to havin' people +ask about the road, if it's so puzzlin'." + +"O, yes'm," returned the girl, gladly. "Almost every day, in the +summatime." + +"You have got a pretty place for a home, he'e," said Mrs. Lander. + +"Well, it will be when it's finished up." Without leaning forward +inconveniently Mrs. Lander could see that the partitions of the house +within were lathed, but not plastered, and the girl looked round as if to +realize its condition and added, "It isn't quite finished inside." + +"We wouldn't, have troubled you," said Mrs. Lander, "if we had seen +anybody to inquire of." + +"Yes'm," said the girl. "It a'n't any trouble." + +"There are not many otha houses about, very nea', but I don't suppose you +get lonesome; young folks are plenty of company for themselves, and if +you've got any brothas and sistas--" + +"Oh," said the girl, with a tender laugh, "I've got eva so many of them!" + +There was a stir in the bushes about the carriage, and Mrs. Lander was +aware for an instant of children's faces looking through the leaves at +her and then flashing out of sight, with gay cries at being seen. A boy, +older than the rest, came round in front of the horse and passed out of +sight at the corner of the house. + +Lander now leaned back and looked over his shoulder at his wife as if he +might hopefully suppose she had come to the end of her questions, but she +gave no sign of encouraging him to start on their way again. + +"That your brotha, too?" she asked the girl. + +"Yes'm. He's the oldest of the boys; he's next to me." + +"I don't know," said Mrs. Lander thoughtfully, "as I noticed how many +boys there were, or how many girls." + +"I've got two sistas, and three brothas, 'm," said the girl, always +smiling sweetly. She now emerged from the shelter of the door, and Mrs. +Lander perceived that the slight movements of such parts of her person as +had been evident beyond its edge were the effects of some endeavor at +greater presentableness. She had contrived to get about her an overskirt +which covered the rent in her frock, and she had got a pair of shoes on +her feet. Stockings were still wanting, but by a mutual concession of +her shoe-tops and the border of her skirt, they were almost eliminated +from the problem. This happened altogether when the girl sat down on the +threshold, and got herself into such foreshortening that the eye of Mrs. +Lander in looking down upon her could not detect their absence. Her +little head then showed in the dark of the doorway like a painted head +against its background. + +"You haven't been livin' here a great while, by the looks," said Mrs. +Lander. "It don't seem to be clea'ed off very much." + +"We've got quite a ga'den-patch back of the house," replied the girl, +"and we should have had moa, but fatha wasn't very well, this spring; +he's eva so much better than when we fust came he'e." + +"It has, the name of being a very healthy locality," said Mrs. Lander, +somewhat discontentedly, "though I can't see as it's done me so very much +good, yit. Both your payrints livin'?" + +"Yes'm. Oh, yes, indeed!" + +"And your mother, is she real rugged? She need to be, with such a flock +of little ones!" + +"Yes, motha's always well. Fatha was just run down, the doctas said, and +ought to keep more in the open aia. That's what he's done since he came +he'e. He helped a great deal on the house and he planned it all out +himself." + +"Is he a ca'penta?" asked Mrs. Lander. + +"No'm; but he's--I don't know how to express it--he likes to do every +kind of thing." + +"But he's got some business, ha'n't he?" A shadow of severity crept over +Mrs. Lander's tone, in provisional reprehension of possible +shiftlessness. + +"Yes'm. He was a machinist at the Mills; that's what the doctas thought +didn't agree with him. He bought a piece of land he'e, so as to be in +the pine woods, and then we built this house." + +"When did you say you came?" + +"Two yea's ago, this summa." + +"Well! What did you do befoa you built this house?" + +"We camped the first summa." + +"You camped? In a tent?" + +"Well, it was pahtly a tent, and pahtly bank." + +"I should have thought you would have died." + +The girl laughed. "Oh, no, we all kept fast-rate. We slept in the tents +we had two--and we cooked in the shanty." She smiled at the notion in +adding, "At fast the neighbas thought we we'e Gipsies; and the summa +folks thought we were Indians, and wanted to get baskets of us." + +Mrs. Lander did not know what to think, and she asked, "But didn't it +almost perish you, stayin' through the winter in an unfinished house?" + +"Well, it was pretty cold. But it was so dry, the aia was, and the woods +kept the wind off nicely." + +The same shrill voice in the region of the stovepipe which had sent the +girl to the Landers now called her from them. "Clem! Come here a +minute!" + +The girl said to Mrs. Lander, politely, "You'll have to excuse me, now'm. +I've got to go to motha." + +"So do!" said Mrs. Lander, and she was so taken by the girl's art and +grace in getting to her feet and fading into the background of the +hallway without visibly casting any detail of her raiment, that she was +not aware of her husband's starting up the horse in time to stop him. +They were fairly under way again, when she lamented, "What you doin', +Albe't? Whe'e you goin'?" + +"I'm goin' to South Middlemount. Didn't you want to?" + +"Well, of all the men! Drivin' right off without waitin' to say thankye +to the child, or take leave, or anything!" + +"Seemed to me as if SHE took leave." + +"But she was comin' back! And I wanted to ask--" + +"I guess you asked enough for one while. Ask the rest to-morra." + +Mrs. Lander was a woman who could often be thrown aside from an immediate +purpose, by the suggestion of some remoter end, which had already, +perhaps, intimated itself to her. She said, "That's true," but by the +time her husband had driven down one of the roads beyond the woods into +open country, she was a quiver of intolerable curiosity. "Well, all I've +got to say is that I sha'n't rest till I know all about 'em." + +"Find out when we get back to the hotel, I guess," said her husband. + +"No, I can't wait till I get back to the hotel. I want to know now. I +want you should stop at the very fust house we come to. Dea'! The'e +don't seem to be any houses, any moa." She peered out around the side of +the carry-all and scrutinized the landscape. "Hold on! No, yes it is, +too! Whoa! Whoa! The'e's a man in that hay-field, now!" + +She laid hold of the reins and pulled the horse to a stand. Mr. Lander +looked round over his shoulder at her. "Hadn't you betta wait till you +get within half a mile of the man?" + +"Well, I want you should stop when you do git to him. Will you? I want +to speak to him, and ask him all about those folks." + +"I didn't suppose you'd let me have much of a chance," said her husband. +When he came within easy hail of the man in the hay-field, he pulled up +beside the meadow-wall, where the horse began to nibble the blackberry +vines that overran it. + +Mrs. Lander beckoned and called to the man, who had stopped pitching hay +and now stood leaning on the handle of his fork. At the signs and sounds +she made, he came actively forward to the road, bringing his fork with +him. When he arrived within easy conversational distance, he planted the +tines in the ground and braced himself at an opposite incline from the +long smooth handle, and waited for Mrs. Lander to begin. + +"Will you please tell us who those folks ah', livin' back there in the +edge of the woods, in that new unfinished house?" + +The man released his fork with one hand to stoop for a head of timothy +that had escaped the scythe, and he put the stem of it between his teeth, +where it moved up and down, and whipped fantastically about as he talked, +before he answered, "You mean the Claxons?" + +"I don't know what thei' name is." Mrs. Lander repeated exactly what she +had said. + +The farmer said, "Long, red-headed man, kind of sickly-lookin'?" + +"We didn't see the man"-- + +"Little woman, skinny-lookin; pootty tonguey?" + +"We didn't see her, eitha; but I guess we hea'd her at the back of the +house." + +"Lot o' children, about as big as pa'tridges, runnin' round in the +bushes?" + +"Yes! And a very pretty-appearing girl; about thi'teen or fou'teen, I +should think." + +The farmer pulled his fork out of the ground, and planted it with his +person at new slopes in the figure of a letter A, rather more upright +than before. "Yes; it's them," he said. "Ha'n't been in the neighbahood +a great while, eitha. Up from down Po'tland way, some'res, I guess. +Built that house last summer, as far as it's got, but I don't believe +it's goin' to git much fa'tha." + +"Why, what's the matta?" demanded Mrs. Lander in an anguish of interest. + +The man in the hay-field seemed to think it more dignified to include +Lander in this inquiry, and he said with a glimmer of the eye for him, +"Hea'd of do-nothin' folks?" + +"Seen 'em, too," answered Lander, comprehensively. + +"Well, that a'n't Claxon's complaint exactly. He a'n't a do-nothin'; +he's a do-everything. I guess it's about as bad." Lander glimmered back +at the man, but did not speak. + +"Kind of a machinist down at the Mills, where he come from," the farmer +began again, and Mrs. Lander, eager not to be left out of the affair for +a moment, interrupted: + +"Yes, Yes! That's what the gul said." + +"But he don't seem to think't the i'on agreed with him, and now he's +goin' in for wood. Well, he did have a kind of a foot-powa tu'nin' +lathe, and tuned all sots o' things; cups, and bowls, and u'ns for fence- +posts, and vases, and sleeve-buttons and little knick-knacks; but the +place bunt down, here, a while back, and he's been huntin' round for +wood, the whole winta long, to make canes out of for the summa-folks. +Seems to think that the smell o' the wood, whether it's green or it's +dry, is goin' to cure him, and he can't git too much of it." + +"Well, I believe it's so, Albe't!" cried Mrs. Lander, as if her husband +had disputed the theory with his taciturn back. He made no other sign of +controversy, and the man in the hay-field went on. + +"I hea' he's goin' to put up a wind mill, back in an open place he's got, +and use the powa for tu'nin', if he eva gits it up. But he don't seem to +be in any great of a hurry, and they scrape along somehow. Wife takes in +sewin' and the girl wo'ked at the Middlemount House last season. Whole +fam'ly's got to tu'n in and help s'po't a man that can do everything." + +The farmer appealed with another humorous cast of his eye to Lander; but +the old man tacitly refused to take any further part in the talk, which +began to flourish apace, in question and answer, between his wife and the +man in the hay-field. It seemed that the children had all inherited the +father's smartness. The oldest boy could beat the nation at figures, and +one of the young ones could draw anything you had a mind to. They were +all clear up in their classes at school, and yet you might say they +almost ran wild, between times. The oldest girl was a pretty-behaved +little thing, but the man in the hay-field guessed there was not very +much to her, compared with some of the boys. Any rate, she had not the +name of being so smart at school. Good little thing, too, and kind of +mothered the young ones. + +Mrs. Lander, when she had wrung the last drop of information out of him, +let him crawl back to his work, mentally flaccid, and let her husband +drive on, but under a fire of conjecture and asseveration that was +scarcely intermitted till they reached their hotel. That night she +talked along time about their afternoon's adventure before she allowed +him to go to sleep. She said she must certainly see the child again; +that they must drive down there in the morning, and ask her all about +herself. + +"Albe't," she concluded; "I wish we had her to live with us. Yes, I do! +I wonder if we could get her to. You know I always did want to adopt a +baby." + +"You neva said so," Mr. Lander opened his mouth almost for the first +time, since the talk began. + +"I didn't suppose you'd like it," said his wife. + +"Well, she a'n't a baby. I guess you'd find you had your hands full, +takon' a half-grown gul like that to bring up." + +"I shouldn't be afraid any," the wife declared. "She has just twined +herself round my heat. I can't get her pretty looks out of my eyes. +I know she's good." + +"We'll see how you feel about it in the morning." + +The old man began to wind his watch, and his wife seemed to take this for +a sign that the incident was closed, for the present at least. He seldom +talked, but there came times when he would not even listen. One of these +was the time after he had wound his watch. A minute later he had +undressed, with an agility incredible of his years, and was in bed, as +effectively blind and deaf to his wife's appeals as if he were already +asleep. + + + + +II. + +When Albert Gallatin Lander (he was named for an early Secretary of the +Treasury as a tribute to the statesman's financial policy) went out of +business, his wife began to go out of health; and it became the most +serious affair of his declining years to provide for her invalid fancies. +He would have liked to buy a place in the Boston suburbs (he preferred +one of the Newtons) where they could both have had something to do, she +inside of the house, and he outside; but she declared that what they both +needed was a good long rest, with freedom from care and trouble of every +kind. She broke up their establishment in Boston, and stored their +furniture, and she would have made him sell the simple old house in which +they had always lived, on an unfashionable up-and-down-hill street of the +West End, if he had not taken one of his stubborn stands, and let it for +a term of years without consulting her. But she had her way about their +own movements, and they began that life of hotels, which they had now +lived so long that she believed any other impossible. Its luxury and +idleness had told upon each of them with diverse effect. + +They had both entered upon it in much the same corporal figure, but she +had constantly grown in flesh, while he had dwindled away until he was +not much more than half the weight of his prime. Their digestion was +alike impaired by their joint life, but as they took the same medicines +Mrs. Lander was baffled to account for the varying result. She was sure +that all the anxiety came upon her, and that logically she was the one +who ought to have wasted away. But she had before her the spectacle of a +husband who, while he gave his entire attention to her health, did not +audibly or visibly worry about it, and yet had lost weight in such +measure that upon trying on a pair of his old trousers taken out of +storage with some clothes of her own, he found it impossible to use the +side pockets which the change in his figure carried so far to the rear +when the garment was reduced at the waist. At the same time her own +dresses of ten years earlier would not half meet round her; and one of +the most corroding cares of a woman who had done everything a woman could +to get rid of care, was what to do with those things which they could +neither of them ever wear again. She talked the matter over with herself +before her husband, till he took the desperate measure of sending them +back to storage; and they had been left there in the spring when the +Landers came away for the summer. + +They always spent the later spring months at a hotel in the suburbs of +Boston, where they arrived in May from a fortnight in a hotel at New +York, on their way up from hotels in Washington, Ashville, Aiken and +St. Augustine. They passed the summer months in the mountains, and early +in the autumn they went back to the hotel in the Boston suburbs, where +Mrs. Lander considered it essential to make some sojourn before going to +a Boston hotel for November and December, and getting ready to go down to +Florida in January. She would not on any account have gone directly to +the city from the mountains, for people who did that were sure to lose +the good of their summer, and to feel the loss all the winter, if they +did not actually come down with a fever. + +She was by no means aware that she was a selfish or foolish person. She +made Mr. Lander subscribe statedly to worthy objects in Boston, which she +still regarded as home, because they had not dwelt any where else since +they ceased to live there; and she took lavishly of tickets for all the +charitable entertainments in the hotels where they stayed. Few if any +guests at hotels enjoyed so much honor from porters, bell-boys, waiters, +chambermaids and bootblacks as the Landers, for they gave richly in fees +for every conceivable service which could be rendered them; they went out +of their way to invent debts of gratitude to menials who had done nothing +for them. He would make the boy who sold papers at the dining-room door +keep the change, when he had been charged a profit of a hundred per cent. +already; and she would let no driver who had plundered them according to +the carriage tariff escape without something for himself. + +A sense of their munificence penetrated the clerks and proprietors with a +just esteem for guests who always wanted the best of everything, and +questioned no bill for extras. Mrs. Lander, in fact, who ruled these +expenditures, had no knowledge of the value of things, and made her +husband pay whatever was asked. Yet when they lived under their own roof +they had lived simply, and Lander had got his money in an old-fashioned +business way, and not in some delirious speculation such as leaves a man +reckless of money afterwards. He had been first of all a tailor, and +then he had gone into boys' and youths' clothing in a small way, and +finally he had mastered this business and come out at the top, with his +hands full. He invested his money so prosperously that the income for +two elderly people, who had no children, and only a few outlying +relations on his side, was far beyond their wants, or even their whims. + +She as a woman, who in spite of her bulk and the jellylike majesty with +which she shook in her smoothly casing brown silks, as she entered hotel +dining-rooms, and the severity with which she frowned over her fan down +the length of the hotel drawing-rooms, betrayed more than her husband the +commonness of their origin. She could not help talking, and her accent +and her diction gave her away for a middle-class New England person of +village birth and unfashionable sojourn in Boston. He, on the contrary, +lurked about the hotels where they passed their days in a silence so +dignified that when his verbs and nominatives seemed not to agree, you +accused your own hearing. He was correctly dressed, as an elderly man +should be, in the yesterday of the fashions, and he wore with +impressiveness a silk hat whenever such a hat could be worn. A pair of +drab cloth gaiters did much to identify him with an old school of +gentlemen, not very definite in time or place. He had a full gray beard +cut close, and he was in the habit of pursing his mouth a great deal. +But he meant nothing by it, and his wife meant nothing by her frowning. +They had no wish to subdue or overawe any one, or to pass for persons of +social distinction. They really did not know what society was, and they +were rather afraid of it than otherwise as they caught sight of it in +their journeys and sojourns. They led a life of public seclusion, and +dwelling forever amidst crowds, they were all in all to each other, and +nothing to the rest of the world, just as they had been when they resided +(as they would have said) on Pinckney street. In their own house they +had never entertained, though they sometimes had company, in the style of +the country town where Mrs. Lander grew up. As soon as she was released +to the grandeur of hotel life, she expanded to the full measure of its +responsibilities and privileges, but still without seeking to make it the +basis of approach to society. Among the people who surrounded her, she +had not so much acquaintance as her husband even, who talked so little +that he needed none. She sometimes envied his ease in getting on with +people when he chose; and his boldness in speaking to fellow guests and +fellow travellers, if he really wanted anything. She wanted something of +them all the time, she wanted their conversation and their companionship; +but in her ignorance of the social arts she was thrown mainly upon the +compassion of the chambermaids. She kept these talking as long as she +could detain them in her rooms; and often fed them candy (which she ate +herself with childish greed) to bribe them to further delays. If she was +staying some days in a hotel, she sent for the house-keeper, and made all +she could of her as a listener, and as soon as she settled herself for a +week, she asked who was the best doctor in the place. With doctors she +had no reserves, and she poured out upon them the history of her diseases +and symptoms in an inexhaustible flow of statement, conjecture and +misgiving, which was by no means affected by her profound and +inexpugnable ignorance of the principles of health. From time to time +she forgot which side her liver was on, but she had been doctored (as she +called it) for all her organs, and she was willing to be doctored for any +one of them that happened to be in the place where she fancied a present +discomfort. She was not insensible to the claims which her husband's +disorders had upon science, and she liked to end the tale of her own +sufferings with some such appeal as: "I wish you could do something for +Mr. Landa, too, docta." She made him take a little of each medicine that +was left for her; but in her presence he always denied that there was +anything the matter with him, though he was apt to follow the doctor out +of the room, and get a prescription from him for some ailment which he +professed not to believe in himself, but wanted to quiet Mrs. Lander's +mind about. + +He rose early, both from long habit, and from the scant sleep of an +elderly man; he could not lie in bed; but his wife always had her +breakfast there and remained so long that the chambermaid had done up +most of the other rooms and had leisure for talk with her. As soon as he +was awake, he stole softly out and was the first in the dining-room for +breakfast. He owned to casual acquaintance in moments of expansion that +breakfast was his best meal, but he did what he could to make it his +worst by beginning with oranges and oatmeal, going forward to beefsteak +and fried potatoes, and closing with griddle cakes and syrup, washed down +with a cup of cocoa, which his wife decided to be wholesomer than coffee. +By the time he had finished such a repast, he crept out of the dining- +room in a state of tension little short of anguish, which he confided to +the sympathy of the bootblack in the washroom. + +He always went from having his shoes polished to get a toothpick at the +clerk's desk; and at the Middlemount House, the morning after he had been +that drive with Mrs. Lander, he lingered a moment with his elbows beside +the register. "How about a buckboa'd?" he asked. + +"Something you can drive yourself "--the clerk professionally dropped his +eye to the register--"Mr. Lander?" + +"Well, no, I guess not, this time," the little man returned, after a +moment's reflection. "Know anything of a family named Claxon, down the +road, here, a piece?" He twisted his head in the direction he meant. + +"This is my first season at Middlemount; but I guess Mr. Atwell will +know." The clerk called to the landlord, who was smoking in his private +room behind the office, and the landlord came out. The clerk repeated +Mr. Lander's questions. + +"Pootty good kind of folks, I guess," said the landlord provisionally, +through his cigar-smoke. "Man's a kind of univussal genius, but he's got +a nice family of children; smaht as traps, all of 'em." + +"How about that oldest gul?" asked Mr. Lander. + +"Well, the'a," said the landlord, taking the cigar out of his mouth. +"I think she's about the nicest little thing goin'. We've had her up +he'e, to help out in a busy time, last summer, and she's got moo sense +than guls twice as old. Takes hold like--lightnin'." + +"About how old did you say she was?" + +"Well, you've got me the'a, Mr. Landa; I guess I'll ask Mis' Atwell." + +"The'e's no hurry," said Lander. "That buckboa'd be round pretty soon?" +he asked of the clerk. + +"Be right along now, Mr. Lander," said the clerk, soothingly. He stepped +out to the platform that the teams drove up to from the stable, and came +back to say that it was coming. "I believe you said you wanted something +you could drive yourself?" + +"No, I didn't, young man," answered the elder sharply. But the next +moment he added, "Come to think of it, I guess it's just as well. You +needn't get me no driver. I guess I know the way well enough. You put +me in a hitchin' strap." + +"All right, Mr. Lander," said the clerk, meekly. + +The landlord had caught the peremptory note in Lander's voice, and he +came out of his room again to see that there was nothing going wrong. + +"It's all right," said Lander, and went out and got into his buckboard. + +"Same horse you had yesterday," said the young clerk. "You don't need to +spare the whip." + +"I guess I can look out for myself," said Lander, and he shook the reins +and gave the horse a smart cut, as a hint of what he might expect. + +The landlord joined the clerk in looking after the brisk start the horse +made. "Not the way he set off with the old lady, yesterday," suggested +the clerk. + +The landlord rolled his cigar round in his tubed lips. "I guess he's +used to ridin' after a good hoss." He added gravely to the clerk, "You +don't want to make very free with that man, Mr. Pane. He won't stan' it, +and he's a class of custom that you want to cata to when it comes in your +way. I suspicioned what he was when they came here and took the highest +cost rooms without tu'nin' a haia. They're a class of custom that you +won't get outside the big hotels in the big reso'ts. Yes, sir," said the +landlord taking a fresh start, "they're them kind of folks that live the +whole yea' round in hotels; no'th in summa, south in winta, and city +hotels between times. They want the best their money can buy, and they +got plenty of it. She"--he meant Mrs. Lander--"has been tellin' my wife +how they do; she likes to talk a little betta than he doos; and I guess +when it comes to society, they're away up, and they won't stun' any +nonsense." + + + + +III. + +Lander came into his wife's room between ten and eleven o'clock, and +found her still in bed, but with her half-finished breakfast on a tray +before her. As soon as he opened the door she said, "I do wish you would +take some of that heat-tonic of mine, Albe't, that the docta left for me +in Boston. You'll find it in the upper right bureau box, the'a; and I +know it'll be the very thing for you. It'll relieve you of that +suffocatin' feeling that I always have, comin' up stars. Dea'! I don't +see why they don't have an elevata; they make you pay enough; and I wish +you'd get me a little more silva, so's't I can give to the chambamaid and +the bell-boy; I do hate to be out of it. I guess you been up and out +long ago. They did make that polonaise of mine too tight after all I +said, and I've been thinkin' how I could get it alt'ed; but I presume +there ain't a seamstress to be had around he'e for love or money. Well, +now, that's right, Albe't; I'm glad to see you doin' it." + +Lander had opened the lid of the bureau box, and uncorked a bottle from +it, and tilted this to his lips. + +"Don't take too much," she cautioned him, "or you'll lose the effects. +When I take too much of a medicine, it's wo'se than nothing, as fah's I +can make out. When I had that spell in Thomasville spring before last, +I believe I should have been over it twice as quick if I had taken just +half the medicine I did. You don't really feel anyways bad about the +heat, do you, Albe't?" + +"I'm all right," said Lander. He put back the bottle in its place and +sat down. + +Mrs. Lander lifted herself on her elbow and looked over at him. +"Show me on the bottle how much you took." + +He got the bottle out again and showed her with his thumb nail a point +which he chose at random. + +"Well, that was just about the dose for you," she said; and she sank down +in bed again with the air of having used a final precaution. "You don't +want to slow your heat up too quick." + +Lander did not put the bottle back this time. He kept it in his hand, +with his thumb on the cork, and rocked it back and forth on his knees as +he spoke. "Why don't you get that woman to alter it for you?" + +"What woman alta what?" + +"Your polonaise. The one whe'e we stopped yestaday." + +"Oh! Well, I've been thinkin' about that child, Albe't; I did before I +went to sleep; and I don't believe I want to risk anything with her. It +would be a ca'e," said Mrs. Lander with a sigh, "and I guess I don't want +to take any moa ca'e than what I've got now. What makes you think she +could alta my polonaise?" + +"Said she done dress-makin'," said Lander, doggedly. + +"You ha'n't been the'a?" + +He nodded. + +"You didn't say anything to her about her daughta?" + +"Yes, I did," said Lander. + +"Well, you ce'tainly do equal anything," said his wife. She lay still +awhile, and then she roused herself with indignant energy. "Well, then, +I can tell you what, Albe't Landa: yon can go right straight and take +back everything you said. I don't want the child, and I won't have her. +I've got care enough to worry me now, I should think; and we should have +her whole family on our hands, with that shiftless father of hers, and +the whole pack of her brothas and sistas. What made you think I wanted +you to do such a thing?" + +"You wanted me to do it last night. Wouldn't ha'dly let me go to bed." + +"Yes! And how many times have I told you nova to go off and do a thing +that I wanted you to, unless you asked me if I did? Must I die befo'e +you can find out that there is such a thing as talkin', and such anotha +thing as doin'? You wouldn't get yourself into half as many scrapes if +you talked more and done less, in this wo'ld." Lander rose. + +"Wait! Hold on! What are you going to say to the pooa thing? She'll be +so disappointed!" + +"I don't know as I shall need to say anything myself," answered the +little man, at his dryest. "Leave that to you." + +"Well, I can tell you," returned his wife, "I'm not goin' nea' them +again; and if you think--What did you ask the woman, anyway?" + +"I asked her," he said, "if she wanted to let the gul come and see you +about some sewing you had to have done, and she said she did." + +"And you didn't speak about havin' her come to live with us?" + +"No." + +"Well, why in the land didn't you say so before, Albe't?" + +"You didn't ask me. What do you want I should say to her now?" + +"Say to who?" + +"The gul. She's down in the pahlor, waitin'." + +"Well, of all the men!" cried Mrs. Lander. But she seemed to find +herself, upon reflection, less able to cope with Lander personally than +with the situation generally. "Will you send her up, Albe't?" she asked, +very patiently, as if he might be driven to further excesses, if not +delicately handled. As soon as he had gone out of the room she wished +that she had told him to give her time to dress and have her room put in +order, before he sent the child up; but she could only make the best of +herself in bed with a cap and a breakfast jacket, arranged with the help +of a handglass. She had to get out of bed to put her other clothes away +in the closet and she seized the chance to push the breakfast tray out of +the door, and smooth up the bed, while she composed her features and her +ideas to receive her visitor. Both, from long habit rather than from any +cause or reason, were of a querulous cast, and her ordinary tone was a +snuffle expressive of deep-seated affliction. She was at once plaintive +and voluable, and in moments of excitement her need of freeing her mind +was so great that she took herself into her own confidence, and found a +more sympathetic listener than when she talked to her husband. As she +now whisked about her room in her bed-gown with an activity not +predicable of her age and shape, and finally plunged under the covering +and drew it up to her chin with one hand while she pressed it out +decorously over her person with the other, she kept up a rapid flow of +lamentation and conjecture. "I do suppose he'll be right back with her +before I'm half ready; and what the man was thinkin' of to do such a +thing anyway, I don't know. I don't know as she'll notice much, comin' +out of such a lookin' place as that, and I don't know as I need to care +if she did. But if the'e's care anywhe's around, I presume I'm the one +to have it. I presume I did take a fancy to her, and I guess I shall be +glad to see how I like her now; and if he's only told her I want some +sewin' done, I can scrape up something to let her carry home with her. +It's well I keep my things where I can put my hand on 'em at a time like +this, and I don't believe I shall sca'e the child, as it is. I do hope +Albe't won't hang round half the day before he brings her; I like to have +a thing ova." + +Lander wandered about looking for the girl through the parlors and the +piazzas, and then went to the office to ask what had become of her. + +The landlord came out of his room at his question to the clerk. "Oh, I +guess she's round in my wife's room, Mr. Landa. She always likes to see +Clementina, and I guess they all do. She's a so't o' pet amongst 'em." + +"No hurry," said Lander, "I guess my wife ain't quite ready for her yet." + +"Well, she'll be right out, in a minute or so," said the landlord. + +The old man tilted his hat forward over his eyes, and went to sit on the +veranda and look at the landscape while he waited. It was one of the +loveliest landscapes in the mountains; the river flowed at the foot of an +abrupt slope from the road before the hotel, stealing into and out of the +valley, and the mountains, gray in the farther distance, were draped with +folds of cloud hanging upon their flanks and tops. But Lander was tired +of nearly all kinds of views and prospects, though he put' up with them, +in his perpetual movement from place to place, in the same resignation +that he suffered the limitations of comfort in parlor cars and sleepers, +and the unwholesomeness of hotel tables. He was chained to the restless +pursuit of an ideal not his own, but doomed to suffer for its +impossibility as if he contrived each of his wife's disappointments from +it. He did not philosophize his situation, but accepted it as in an +order of Providence which it would be useless for him to oppose; though +there were moments when he permitted himself to feel a modest doubt of +its justice. He was aware that when he had a house of his own he was +master in it, after a fashion, and that as long as he was in business he +was in some sort of authority. He perceived that now he was a slave to +the wishes of a mistress who did not know what she wanted, and that he +was never farther from pleasing her than when he tried to do what she +asked. He could not have told how all initiative had been taken from +him, and he had fallen into the mere follower of a woman guided only by +her whims, who had no object in life except to deprive it of all object. +He felt no rancor toward her for this; he knew that she had a tender +regard for him, and that she believed she was considering him first in +her most selfish arrangements. He always hoped that sometime she would +get tired of her restlessness, and be willing to settle down again in +some stated place; and wherever it was, he meant to get into some kind of +business again. Till this should happen he waited with an apathetic +patience of which his present abeyance was a detail. He would hardly +have thought it anything unfit, and certainly nothing surprising, that +the landlady should have taken the young girl away from where he had left +her, and then in the pleasure of talking with her, and finding her a +centre of interest for the whole domestic force of the hotel, should have +forgotten to bring her back. + +The Middlemount House had just been organized on the scale of a first +class hotel, with prices that had risen a little in anticipation of the +other improvements. The landlord had hitherto united in himself the +functions of clerk and head waiter, but he had now got a senior, who was +working his way through college, to take charge of the dining-room, and +had put in the office a youth of a year's experience as under clerk at a +city hotel. But he meant to relinquish no more authority than his wife +who frankly kept the name as well as duty of house-keeper. It was in +making her morning inspection of the dusting that she found Clementina in +the parlor where Lander had told her to sit down till he should come for +her. + +"Why, Clem!" she said, "I didn't know you! You have grown so! Youa +folks all well? I decla'e you ah' quite a woman now," she added, as the +girl stood up in her slender, graceful height. "You look as pretty as a +pink in that hat. Make that dress youaself? Well, you do beat the +witch! I want you should come to my room with me." + +Mrs. Atwell showered other questions and exclamations on the girl, who +explained how she happened to be there, and said that she supposed she +must stay where she was for fear Mr. Lander should come back and find her +gone; but Mrs. Atwell overruled her with the fact that Mrs. Lander's +breakfast had just gone up to her; and she made her come out and see the +new features of the enlarged house-keeping. In the dining-room there +were some of the waitresses who had been there the summer before, and +recognitions of more or less dignity passed between them and Clementina. +The place was now shut against guests, and the head-waiter was having it +put in order for the one o'clock dinner. As they came near him, Mrs. +Atwell introduced him to Clementina, and he behaved deferentially, as if +she were some young lady visitor whom Mrs. Atwell was showing the +improvements, but he seemed harassed and impatient, as if he were anxious +about his duties, and eager to get at them again. He was a handsome +little fellow, with hair lighter than Clementina's and a sanguine +complexion, and the color coming and going. + +"He's smaht," said Mrs. Atwell, when they had left him--he held the +dining-room door open for them, and bowed them out. "I don't know but he +worries almost too much. That'll wear off when he gets things runnin' to +suit him. He's pretty p'tic'la'. Now I'll show you how they've made the +office over, and built in a room for Mr. Atwell behind it." + +The landlord welcomed Clementina as if she had been some acceptable class +of custom, and when the tall young clerk came in to ask him something, +and Mrs. Atwell said, "I want to introduce you to Miss Claxon, Mr. Fane," +the clerk smiled down upon her from the height of his smooth, acquiline +young face, which he held bent encouragingly upon one side. + +"Now, I want you should come in and see where I live, a minute," said +Mrs. Atwell. She took the girl from the clerk, and led her to the +official housekeeper's room which she said had been prepared for her so +that folks need not keep running to her in her private room where she +wanted to be alone with her children, when she was there. "Why, you +a'n't much moa than a child youaself, Clem, and here I be talkin' to you +as if you was a mother in Israel. How old ah' you, this summa? Time +does go so!" + +"I'm sixteen now," said Clementina, smiling. + +"You be? Well, I don't see why I say that, eitha! You're full lahge +enough for your age, but not seein' you in long dresses before, I didn't +realize your age so much. My, but you do all of you know how to do +things!" + +"I'm about the only one that don't, Mrs. Atwell," said the girl. "If it +hadn't been for mother, I don't believe I could have eva finished this +dress." She began to laugh at something passing in her mind, and Mrs. +Atwell laughed too, in sympathy, though she did not know what at till +Clementina said, "Why, Mrs. Atwell, nea'ly the whole family wo'ked on +this dress. Jim drew the patte'n of it from the dress of one of the +summa boa'das that he took a fancy to at the Centa, and fatha cut it out, +and I helped motha make it. I guess every one of the children helped a +little." + +"Well, it's just as I said, you can all of you do things," said Mrs. +Atwell. "But I guess you ah' the one that keeps 'em straight. What did +you say Mr. Landa said his wife wanted of you?" + +"He said some kind of sewing that motha could do." + +"Well, I'll tell you what! Now, if she ha'n't really got anything that +your motha'll want you to help with, I wish you'd come here again and +help me. I tuned my foot, here, two-three weeks back, and I feel it, +times, and I should like some one to do about half my steppin' for me. +I don't want to take you away from her, but IF. You sha'n't go int' the +dinin'room, or be under anybody's oddas but mine. Now, will you?" + +"I'll see, Mrs. Atwell. I don't like to say anything till I know what +Mrs. Landa wants." + +"Well, that's right. I decla'e, you've got moa judgment! That's what I +used to say about you last summa to my husband: she's got judgment. +Well, what's wanted?" Mrs. Atwell spoke to her husband, who had opened +her door and looked in, and she stopped rocking, while she waited his +answer. + +"I guess you don't want to keep Clementina from Mr. Landa much longa. +He's settin' out there on the front piazza waitin' for her." + +"Well, the'a!" cried Mrs. Atwell. "Ain't that just like me? Why didn't +you tell me sooner, Alonzo? Don't you forgit what I said, Clem!" + + + + +IV. + +Mrs. Lander had taken twice of a specific for what she called her nerve- +fag before her husband came with Clementina, and had rehearsed aloud many +of the things she meant to say to the girl. In spite of her preparation, +they were all driven out of her head when Clementina actually appeared, +and gave her a bow like a young birch's obeisance in the wind. + +"Take a chaia," said Lander, pushing her one, and the girl tilted over +toward him, before she sank into it. He went out of the room, and left +Mrs. Lander to deal with the problem alone. She apologized for being in +bed, but Clementina said so sweetly, "Mr. Landa told me you were not +feeling very well, 'm," that she began to be proud of her ailments, and +bragged of them at length, and of the different doctors who had treated +her for them. While she talked she missed one thing or another, and +Clementina seemed to divine what it was she wanted, and got it for her, +with a gentle deference which made the elder feel her age cushioned by +the girl's youth. When she grew a little heated from the interest she +took in her personal annals, and cast off one of the folds of her bed +clothing, Clementina got her a fan, and asked her if she should put up +one of the windows a little. + +"How you do think of things!" said Mrs. Lander. "I guess I will let you. +I presume you get used to thinkin' of othas in a lahge family like youas. +I don't suppose they could get along without you very well," she +suggested. + +"I've neva been away except last summa, for a little while." + +"And where was you then?" + +"I was helping Mrs. Atwell." + +"Did you like it?" + +"I don't know," said Clementina. "It's pleasant to be whe'e things ah' +going on." + +"Yes--for young folks," said Mrs. Lander, whom the going on of things had +long ceased to bring pleasure. + +"It's real nice at home, too," said Clementina. "We have very good +times--evenings in the winta; in the summer it's very nice in the woods, +around there. It's safe for the children, and they enjoy it, and fatha +likes to have them. Motha don't ca'e so much about it. I guess she'd +ratha have the house fixed up more, and the place. Fatha's going to do +it pretty soon. He thinks the'e's time enough." + +"That's the way with men," said Mrs. Lander. "They always think the's +time enough; but I like to have things over and done with. What chuhch +do you 'tend?" + +"Well, there isn't any but the Episcopal," Clementina answered. "I go to +that, and some of the children go to the Sunday School. I don't believe +fatha ca'es very much for going to chuhch, but he likes Mr. Richling; +he's the recta. They take walks in the woods; and they go up the +mountains togetha." + +"They want," said Mrs. Lander, severely, "to be ca'eful how they drink of +them cold brooks when they're heated. Mr. Richling a married man?" + +"Oh, yes'm! But they haven't got any family." + +"If I could see his wife, I sh'd caution her about lettin' him climb +mountains too much. A'n't your father afraid he'll ovado?" + +"I don't know. He thinks he can't be too much in the open air on the +mountains." + +"Well, he may not have the same complaint as Mr. Landa; but I know if I +was to climb a mountain,' it would lay me up for a yea'." + +The girl did not urge anything against this conviction. She smiled +politely and waited patiently for the next turn Mrs. Lander's talk should +take, which was oddly enough toward the business Clementina had come +upon. + +"I declare I most forgot about my polonaise. Mr. Landa said your motha +thought she could do something to it for me." + +"Yes'm." + +"Well, I may as well 'let you see it. If you'll reach into that fuhthest +closet, you'll find it on the last uppa hook on the right hand, and if +you'll give it to me, I'll show you what I want done. Don't mind the +looks of that closet; I've just tossed my things in, till I could get a +little time and stren'th to put 'em in odda." + +Clementina brought the polonaise to Mrs. Lander, who sat up and spread it +before her on the bed, and had a happy half hour in telling the girl +where she had bought the material and where she had it made up, and how +it came home just as she was going away, and she did not find out that it +was all wrong till a week afterwards when she tried it on. By the end of +this time the girl had commended herself so much by judicious and +sympathetic assent, that Mrs. Lander learned with a shock of +disappointment that her mother expected her to bring the garment home +with her, where Mrs. Lander was to come and have it fitted over for the +alterations she wanted made. + +"But I supposed, from what Mr. Landa said, that your motha would come +here and fit me!" she lamented. + +"I guess he didn't undastand, 'm. Motha doesn't eva go out to do wo'k," +said Clementina gently but firmly. + +"Well, I might have known Mr. Landa would mix it up, if it could be +mixed; "Mrs. Lander's sense of injury was aggravated by her suspicion +that he had brought the girl in the hope of pleasing her, and confirming +her in the wish to have her with them; she was not a woman who liked to +have her way in spite of herself; she wished at every step to realize +that she was taking it, and that no one else was taking it for her. + +"Well," she said dryly, "I shall have to see about it. I'm a good deal +of an invalid, and I don't know as I could go back and fo'th to try on. +I'm moa used to havin' the things brought to me." + +"Yes'm," said Clementina. She moved a little from the bed, on her way to +the door, to be ready for Mrs. Lander in leave-taking. + +"I'm real sorry," said Mrs. Lander. "I presume it's a disappointment for +you, too." + +"Oh, not at all," answered Clementina. "I'm sorry we can't do the wo'k +he'a; but I know mocha wouldn't like to. Good-mo'ning,'m!" + +"No, no! Don't go yet a minute! Won't you just give me my hand bag off +the bureau the'a? "Mrs. Lander entreated, and when the girl gave her the +bag she felt about among the bank-notes which she seemed to have loose in +it, and drew out a handful of them without regard to their value. +"He'a!" she said, and she tried to put the notes into Clementina's hand, +"I want you should get yourself something." + +The girl shrank back. "Oh, no'm," she said, with an effect of seeming to +know that her refusal would hurt, and with the wish to soften it. +"I--couldn't; indeed I couldn't." + +"Why couldn't you? Now you must! If I can't let you have the wo'k the +way you want, I don't think it's fair, and you ought to have the money +for it just the same." + +Clementina shook her head smiling. "I don't believe motha would like to +have me take it." + +"Oh, now, pshaw!" said Mrs. Lander, inadequately. "I want you should +take this for youaself; and if you don't want to buy anything to wea', +you can get something to fix your room up with. Don't you be afraid of +robbin' us. Land! We got moa money! Now you take this." + +Mrs. Lander reached the money as far toward Clementina as she could and +shook it in the vehemence of her desire. + +"Thank you, I couldn't take it," Clementina persisted. "I'm afraid I +must be going; I guess I must bid you good-mo'ning." + +"Why, I believe the child's sca'ed of me! But you needn't be. Don't you +suppose I know how you feel? You set down in that chai'a there, and I'll +tell you how you feel. I guess we've been pooa, too--I don't mean +anything that a'n't exactly right--and I guess I've had the same +feelin's. You think it's demeanin' to you to take it. A'n't that it?" +Clementina sank provisionally upon the edge of the chair. "Well, it did +use to be so consid'ed. But it's all changed, nowadays. We travel +pretty nee' the whole while, Mr. Lander and me, and we see folks +everywhere, and it a'n't the custom to refuse any moa. Now, a'n't there +any little thing for your own room, there in your nice new house? Or +something your motha's got her heat set on? Or one of your brothas? My, +if you don't have it, some one else will! Do take it!" + +The girl kept slipping toward the door. "I shouldn't know what to tell +them, when I got home. They would think I must be--out of my senses." + +"I guess you mean they'd think I was. Now, listen to me a minute!" +Mrs. Lander persisted. + +"You just take this money, and when you get home, you tell your mother +every word about it, and if she says, you bring it right straight back +to me. Now, can't you do that?" + +"I don't know but I can," Clementina faltered. "Well, then take it!" +Mrs. Lander put the bills into her hand but she did not release her at +once. She pulled Clementina down and herself up till she could lay her +other arm on her neck. "I want you should let me kiss you. Will you?" + +"Why, certainly," said Clementina, and she kissed the old woman. + +"You tell your mother I'm comin' to see her before I go; and I guess," +said Mrs. Lander in instant expression of the idea that came into her +mind, "we shall be goin' pretty soon, now." + +"Yes'm," said Clementina. + +She went out, and shortly after Lander came in with a sort of hopeful +apathy in his face. + +Mrs. Lander turned her head on her pillow, and so confronted him. +"Albe't, what made you want me to see that child?" + +Lander must have perceived that his wife meant business, and he came to +it at once. "I thought you might take a fancy to her, and get her to +come and live with us." + +"Yes?" + +"We're both of us gettin' pretty well on, and you'd ought to have +somebody to look after you if--I'm not around. You want somebody that +can do for you; and keep you company, and read to you, and talk to you-- +well, moa like a daughta than a suvvant--somebody that you'd get attached +to, maybe"-- + +"And don't you see," Mrs. Lander broke out severely upon him, "what a +ca'e that would be? Why, it's got so already that I can't help thinkin' +about her the whole while, and if I got attached to her I'd have her on +my mind day and night, and the moa she done for me the more I should be +tewin' around to do for her. I shouldn't have any peace of my life any +moa. Can't you see that?" + +"I guess if you see it, I don't need to," said Lander. + +"Well, then, I want you shouldn't eva mention her to me again. I've had +the greatest escape! But I've got her off home, and I've give her money +enough! had a time with her about it--so that they won't feel as if we'd +made 'em trouble for nothing, and now I neva want to hear of her again. +I don't want we should stay here a great while longer; I shall be +frettin' if I'm in reach of her, and I shan't get any good of the ai'a. +Will you promise?" + +"Yes." + +"Well, then!" Mrs. Lander turned her face upon the pillow again in the +dramatization of her exhaustion; but she was not so far gone that she was +insensible to the possible interest that a light rap at the door +suggested. She once more twisted her head in that direction and called, +"Come in!" + +The door opened and Clementina came in. She advanced to the bedside +smiling joyously, and put the money Mrs. Lander had given her down upon +the counterpane. + +"Why, you haven't been home, child?" + +"No'm," said Clementina, breathlessly. "But I couldn't take it. I knew +they wouldn't want me to, and I thought you'd like it better if I just +brought it back myself. Good-mo'ning." She slipped out of the door. +Mrs. Lander swept the bank-notes from the coverlet and pulled it over her +head, and sent from beneath it a stifled wail. "Now we got to go! And +it's all youa fault, Albe't." + +Lander took the money from the floor, and smoothed each bill out, and +then laid them in a neat pile on the corner of the bureau. He sighed +profoundly but left the room without an effort to justify himself. + + + + +V. + +The Landers had been gone a week before Clementina's mother decided that +she could spare her to Mrs. Atwell for a while. It was established that +she was not to serve either in the dining-room or the carving room; she +was not to wash dishes or to do any part of the chamber work, but to +carry messages and orders for the landlady, and to save her steps, when +she wished to see the head-waiter, or the head-cook; or to make an excuse +or a promise to some of the lady-boarders; or to send word to Mr. Atwell +about the buying, or to communicate with the clerk about rooms taken or +left. + +She had a good deal of dignity of her own and such a gravity in the +discharge of her duties that the chef, who was a middle-aged Yankee with +grown girls of his own, liked to pretend that it was Mrs. Atwell herself +who was talking with him, and to discover just as she left him that it +was Clementina. He called her the Boss when he spoke of her to others in +her hearing, and he addressed her as Boss when he feigned to find that it +was not Mrs. Atwell. She did not mind that in him, and let the chef have +his joke as if it were not one. But one day when the clerk called her +Boss she merely looked at him without speaking, and made him feel that he +had taken a liberty which he must not repeat. He was a young man who +much preferred a state of self-satisfaction to humiliation of any sort, +and after he had endured Clementina's gaze as long as he could, he said, +"Perhaps you don't allow anybody but the chef to call you that?" + +She did not answer, but repeated the message Mrs. Atwell had given her +for him, and went away. + +It seemed to him undue that a person who exchanged repartees with the +young lady boarders across his desk, when they came many times a day to +look at the register, or to ask for letters, should remain snubbed by a +girl who still wore her hair in a braid; but he was an amiable youth, and +he tried to appease her by little favors and services, instead of trying +to bully her. + +He was great friends with the head-waiter, whom he respected as a college +student, though for the time being he ranked the student socially. He +had him in behind the frame of letter-boxes, which formed a sort of +little private room for him, and talked with him at such hours of the +forenoon and the late evening as the student was off duty. He found +comfort in the student's fretful strength, which expressed itself in the +pugnacious frown of his hot-looking young face, where a bright sorrel +mustache was beginning to blaze on a short upper lip. + +Fane thought himself a good-looking fellow, and he regarded his figure +with pleasure, as it was set off by the suit of fine gray check that he +wore habitually; but he thought Gregory's educational advantages told in +his face. His own education had ended at a commercial college, where he +acquired a good knowledge of bookkeeping, and the fine business hand he +wrote, but where it seemed to him sometimes that the earlier learning of +the public school had been hermetically sealed within him by several +coats of mathematical varnish. He believed that he had once known a +number of things that he no longer knew, and that he had not always been +so weak in his double letters as he presently found himself. + +One night while Gregory sat on a high stool and rested his elbow on the +desk before it, with his chin in his hand, looking down upon Fane, who +sprawled sadly in his chair, and listening to the last dance playing in +the distant parlor, Fane said. "Now, what'll you bet that they won't +every one of 'em come and look for a letter in her box before she goes to +bed? I tell you, girls are queer, and there's no place like a hotel to +study 'em." + +"I don't want to study them," said Gregory, harshly. + +"Think Greek's more worth your while, or know 'em well enough already?" +Fane suggested. + +"No, I don't know them at all," said the student. + +"I don't believe," urged the clerk, as if it were relevant, "that there's +a girl in the house that you couldn't marry, if you gave your mind to +it." + +Gregory twitched irascibly. "I don't want to marry them." + +"Pretty cheap lot, you mean? Well, I don't know." + +"I don't mean that," retorted the student. "But I've got other things to +think of." + +"Don't you believe," the clerk modestly urged, "that it is natural for a +man--well, a young man--to think about girls?" + +"I suppose it is." + +"And you don't consider it wrong?" + +"How, wrong?" + +"Well, a waste of time. I don't know as I always think about wanting to +marry 'em, or be in love, but I like to let my mind run on 'em. There's +something about a girl that, well, you don't know what it is, exactly. +Take almost any of 'em," said the clerk, with an air of inductive +reasoning. "Take that Claxon girl, now for example, I don't know what it +is about her. She's good-looking, I don't deny that; and she's got +pretty manners, and she's as graceful as a bird. But it a'n't any one of +'em, and it don't seem to be all of 'em put together that makes you want +to keep your eyes on her the whole while. Ever noticed what a nice +little foot she's got? Or her hands?" + +"No," said the student. + +"I don't mean that she ever tries to show them off; though I know some +girls that would. But she's not that kind. She ain't much more than a +child, and yet you got to treat her just like a woman. Noticed the kind +of way she's got?" + +"No," said the student, with impatience. + +The clerk mused with a plaintive air for a moment before he spoke. +"Well, it's something as if she'd been trained to it, so that she knew +just the right thing to do, every time, and yet I guess it's nature. You +know how the chef always calls her the Boss? That explains it about as +well as anything, and I presume that's what my mind was running on, the +other day, when I called her Boss. But, my! I can't get anywhere near +her since!" + +"It serves you right," said Gregory. "You had no business to tease her." + +"Now, do you think it was teasing? I did, at first, and then again it +seemed to me that I came out with the word because it seemed the right +one. I presume I couldn't explain that to her." + +"It wouldn't be easy." + +"I look upon her," said Fane, with an effect of argument in the sweetness +of his smile, "just as I would upon any other young lady in the house. +Do you spell apology with one p or two?" + +"One," said the student, and the clerk made a minute on a piece of paper. + +"I feel badly for the girl. I don't want her to think I was teasing her +or taking any sort of liberty with her. Now, would you apologize to her, +if you was in my place, and would you write a note, or just wait your +chance and speak to her?" + +Gregory got down from his stool with a disdainful laugh, and went out of +the place. "You make me sick, Fane," he said. + +The last dance was over, and the young ladies who had been waltzing with +one another, came out of the parlor with gay cries and laughter, like +summer girls who had been at a brilliant hop, and began to stray down the +piazzas, and storm into the office. Several of them fluttered up to the +desk, as the clerk had foretold, and looked for letters in the boxes +bearing their initials. They called him out, and asked if he had not +forgotten something for them. He denied it with a sad, wise smile, and +then they tried to provoke him to a belated flirtation, in lack of other +material, but he met their overtures discreetly, and they presently said, +Well, they guessed they must go; and went. Fane turned to encounter +Gregory, who had come in by a side door. + +"Fane, I want to beg your pardon. I was rude to you just now." + +"Oh, no! Oh, no!" the clerk protested. "That's all right. Sit down a +while, can't you, and talk with a fellow. It's early, yet." + +"No, I can't. I just wanted to say I was sorry I spoke in that way. +Good-night. Is there anything in particular?" + +"No; good-night. I was just wondering about--that girl." + +"Oh!" + + + + +VI. + +Gregory had an habitual severity with his own behavior which did not stop +there, but was always passing on to the behavior of others; and his days +went by in alternate offence and reparation to those he had to do with. +He had to do chiefly with the dining-room girls, whose susceptibilities +were such that they kept about their work bathed in tears or suffused +with anger much of the time. He was not only good-looking but he was a +college student, and their feelings were ready to bud toward him in +tender efflorescence, but he kept them cropped and blighted by his curt +words and impatient manner. Some of them loved him for the hurts he did +them, and some hated him, but all agreed fondly or furiously that he was +too cross for anything. They were mostly young school-mistresses, and +whether they were of a soft and amorous make, or of a forbidding temper, +they knew enough in spite of their hurts to value a young fellow whose +thoughts were not running upon girls all the time. Women, even in their +spring-time, like men to treat them as if they had souls as well as +hearts, and it was a saving grace in Gregory that he treated them all, +the silliest of them, as if they had souls. Very likely they responded +more with their hearts than with their souls, but they were aware that +this was not his fault. + +The girls that waited at table saw that he did not distinguish in manner +between them and the girls whom they served. The knot between his brows +did not dissolve in the smiling gratitude of the young ladies whom he +preceded to their places, and pulled out their chairs for, any more than +in the blandishments of a waitress who thanked him for some correction. + +They owned when he had been harshest that no one could be kinder if he +saw a girl really trying, or more patient with well meaning stupidity, +but some things fretted him, and he was as apt to correct a girl in her +grammar as in her table service. Out of work hours, if he met any of +them, he recognized them with deferential politeness; but he shunned +occasions of encounter with them as distinctly as he avoided the ladies +among the hotel guests. Some of the table girls pitied his loneliness, +and once they proposed that he should read to them on the back piazza in +the leisure of their mid-afternoons. He said that he had to keep up with +his studies in all the time he could get; he treated their request with +grave civility, but they felt his refusal to be final. + +He was seen very little about the house outside of his own place and +function, and he was scarcely known to consort with anyone but Fane, who +celebrated his high sense of the honor to the lady-guests; but if any of +these would have been willing to show Gregory that they considered his +work to get an education as something that redeemed itself from discredit +through the nobility of its object, he gave them no chance to do so. + +The afternoon following their talk about Clementina, Gregory looked in +for Fane behind the letter boxes, but did not find him, and the girl +herself came round from the front to say that he was out buying, but +would be back now, very soon; it was occasionally the clerk's business to +forage among the farmers for the lighter supplies, such as eggs, and +butter, and poultry, and this was the buying that Clementina meant. +"Very well, I'll wait here for him a little while," Gregory answered. + +"So do," said Clementina, in a formula which she thought polite; but she +saw the frown with which Gregory took a Greek book from his pocket, and +she hurried round in front of the boxes again, wondering how she could +have displeased him. She put her face in sight a moment to explain, "I +have got to be here and give out the lettas till Mr. Fane gets back," and +then withdrew it. He tried to lose himself in his book, but her tender +voice spoke from time to time beyond the boxes, and Gregory kept +listening for Clementina to say, "No'm, there a'n't. Perhaps, the'e'll +be something the next mail," and "Yes'm, he'e's one, and I guess this +paper is for some of youa folks, too." + +Gregory shut his book with a sudden bang at last and jumped to his feet, +to go away. + +The girl came running round the corner of the boxes. "Oh! I thought +something had happened." + +"No, nothing has happened," said Gregory, with a sort of violence; which +was heightened by a sense of the rings and tendrils of loose hair +springing from the mass that defined her pretty head. "Don't you know +that you oughtn't to say 'No'm' and 'Yes'm?"' he demanded, bitterly, and +then he expected to see the water come into her eyes, or the fire into +her cheeks. + +Clementina merely looked interested. "Did I say that? I meant to say +Yes, ma'am and No, ma'am; but I keep forgetting." + +"You oughtn't to say anything!" Gregory answered savagely, "Just say +Yes, and No, and let your voice do the rest." + +"Oh!" said the girl, with the gentlest abeyance, as if charmed with the +novelty of the idea. "I should be afraid it wasn't polite." + +Gregory took an even brutal tone. It seemed to him as if he were forced +to hurt her feelings. But his words, in spite of his tone, were not +brutal; they might have even been thought flattering. "The politeness is +in the manner, and you don't need anything but your manner." + +"Do you think so, truly?" asked the girl joyously. "I should like to try +it once!" + +He frowned again. "I've no business to criticise your way of speaking." + +"Oh yes'm--yes, ma'am; sir, I mean; I mean, Oh, yes, indeed! The'a! +It does sound just as well, don't it?" Clementina laughed in triumph at +the outcome of her efforts, so that a reluctant visional smile came upon +Gregory's face, too. I'm very mach obliged to you, Mr. Gregory--I shall +always want to do it, if it's the right way." + +"It's the right way," said Gregory coldly. + +"And don't they," she urged, "don't they really say Sir and Ma'am, whe'e +--whe'e you came from?" + +He said gloomily, "Not ladies and gentlemen. Servants do. Waiters--like +me." He inflicted this stab to his pride with savage fortitude and he +bore with self-scorn the pursuit of her innocent curiosity. + +"But I thought--I thought you was a college student." + +"Were," Gregory corrected her, involuntarily, and she said, "Were, I +mean." + +"I'm a student at college, and here I'm a servant! It's all right!" he +said with a suppressed gritting of the teeth; and he added, "My Master +was the servant of the meanest, and I must--I beg your pardon for +meddling with your manner of speaking"-- + +"Oh, I'm very much obliged to you; indeed I am. And I shall not care if +you tell me of anything that's out of the way in my talking," said +Clementina, generously. + +"Thank you; I think I won't wait any longer for Mr. Fane." + +"Why, I'm su'a he'll be back very soon, now. I'll try not to disturb you +any moa." + +Gregory turned from taking some steps towards the door, and said, "I wish +you would tell Mr. Fane something." + +"For you? Why, suttainly!" + +"No. For you. Tell him that it's all right about his calling you Boss." + +The indignant color came into Clementina's face. "He had no business to +call me that." + +"No; and he doesn't think he had, now. He's truly sorry for it." + +"I'll see," said Clementina. + +She had not seen by the time Fane got back. She received his apologies +for being gone so long coldly, and went away to Mrs. Atwell, whom she +told what had passed between Gregory and herself. + +"Is he truly so proud?" she asked. + +"He's a very good young man," said Mrs. Atwell, "but I guess he's proud. +He can't help it, but you can see he fights against it. If I was you, +Clem, I wouldn't say anything to the guls about it." + +"Oh, no'm--I mean, no, indeed. I shouldn't think of it. But don't you +think that was funny, his bringing in Christ, that way?" + +"Well, he's going to be a minister, you know." + +"Is he really?" Clementina was a while silent. At last she said, "Don't +you think Mr. Gregory has a good many freckles?" + +"Well, them red-complected kind is liable to freckle," said Mrs. Atwell, +judicially. + +After rather a long pause for both of them, Clementina asked, "Do you +think it would be nice for me to ask Mr. Gregory about things, when I +wasn't suttain?" + +"Like what?" + +"Oh-wo'ds, and pronunciation; and books to read." + +"Why, I presume he'd love to have you. He's always correctin' the guls; +I see him take up a book one day, that one of 'em was readin', and when +she as't him about it, he said it was rubbage. I guess you couldn't have +a betta guide." + +"Well, that was what I was thinking. I guess I sha'n't do it, though. +I sh'd neva have the courage." Clementina laughed and then fell rather +seriously silent again. + + + + +VII. + +One day the shoeman stopped his wagon at the door of the helps' house, +and called up at its windows, "Well, guls, any of you want to git a numba +foua foot into a rumba two shoe, to-day? Now's youa chance, but you got +to be quick abort it. The'e ha'r't but just so many numba two shoes +made, and the wohld's full o' rumba foua feet." + +The windows filled with laughing faces at the first sound of the +shoeman's ironical voice; and at sight of his neat wagon, with its +drawers at the rear and sides, and its buggy-hood over the seat where the +shoeman lounged lazily holding the reins, the girls flocked down the +stairs, and out upon the piazza where the shoe man had handily ranged his +vehicle. + +They began to ask him if he had not this thing and that, but he said with +firmness, "Nothin' but shoes, guls. I did carry a gen'l line, one while, +of what you may call ankle-wea', such as spats, and stockin's, and +gaitas, but I nova did like to speak of such things befoa ladies, and now +I stick ex-elusively to shoes. You know that well enough, guls; what's +the use?" + +He kept a sober face amidst the giggling that his words aroused,--and let +his voice sink into a final note of injury. + +"Well, if you don't want any shoes, to-day, I guess I must be goin'." +He made a feint of jerking his horse's reins, but forebore at the +entreaties that went up from the group of girls. + +"Yes, we do!" "Let's see them!" "Oh, don't go!" they chorused in an +equally histrionic alarm, and the shoeman got down from his perch to show +his wares. + +"Now, the'a, ladies," he said, pulling out one of the drawers, and +dangling a pair of shoes from it by the string that joined their heels, +"the'e's a shoe that looks as good as any Sat'd'y-night shoe you eva see. +Looks as han'some as if it had a pasteboa'd sole and was split stock all +through, like the kind you buy for a dollar at the store, and kick out in +the fust walk you take with your fella--'r some other gul's fella, I +don't ca'e which. And yet that's an honest shoe, made of the best of +material all the way through, and in the best manna. Just look at that +shoe, ladies; ex-amine it; sha'n't cost you a cent, and I'll pay for youa +lost time myself, if any complaint is made." He began to toss pairs of +the shoes into the crowd of girls, who caught them from each other before +they fell, with hysterical laughter, and ran away with them in-doors to +try them on. "This is a shoe that I'm intaducin'," the shoeman went on, +"and every pair is warranted--warranted numba two; don't make any otha +size, because we want to cata to a strictly numba two custom. If any +lady doos feel 'em a little mite too snug, I'm sorry for her, but I can't +do anything to help her in this shoe." + +"Too snug !" came a gay voice from in-doors. "Why my foot feels +puffectly lost in this one." + +"All right," the shoeman shouted back. "Call it a numba one shoe and +then see if you can't find that lost foot in it, some'eres. Or try a +little flour, and see if it won't feel more at home. I've hea'd of a +shoe that give that sensation of looseness by not goin' on at all." + +The girls exulted joyfully together at the defeat of their companion, +but the shoeman kept a grave face, while he searched out other sorts of +shoes and slippers, and offered them, or responded to some definite +demand with something as near like as he could hope to make serve. +The tumult of talk and laughter grew till the chef put his head out of +the kitchen door, and then came sauntering across the grass to the helps' +piazza. At the same time the clerk suffered himself to be lured from his +post by the excitement. He came and stood beside the chef, who listened +to the shoeman's flow of banter with a longing to take his chances with +him. + +"That's a nice hawss," he said. "What'll you take for him?" + +"Why, hello!" said the shoeman, with an eye that dwelt upon the chef's +official white cap and apron, "You talk English, don't you? Fust off, I +didn't know but it was one of them foreign dukes come ova he'a to marry +some oua poor millionai'es daughtas." The girls cried out for joy, and +the chef bore their mirth stoically, but not without a personal relish of +the shoeman's up-and-comingness. "Want a hawss?" asked the shoeman with +an air of business. "What'll you give?" + +"I'll give you thutty-seven dollas and a half," said the chef. + +"Sorry I can't take it. That hawss is sellin' at present for just one +hundred and fifty dollas." + +"Well," said the chef, "I'll raise you a dolla and a quahta. Say thutty- +eight and seventy-five." + +"W-ell now, you're gittin' up among the figgas where you're liable to own +a hawss. You just keep right on a raisin' me, while I sell these ladies +some shoes, and maybe you'll hit it yit, 'fo'e night." + +The girls were trying on shoes on every side now, and they had dispensed +with the formality of going in-doors for the purpose. More than one put +out her foot to the clerk for his opinion of the fit, and the shoeman was +mingling with the crowd, testing with his hand, advising from his +professional knowledge, suggesting, urging, and in some cases artfully +agreeing with the reluctance shown. + +"This man," said the chef, indicating Fane, "says you can tell moa lies +to the square inch than any man out o' Boston." + +"Doos he?" asked the shoeman, turning with a pair of high-heeled bronze +slippers in his hand from the wagon. "Well, now, if I stood as nea' to +him as you do, I believe I sh'd hit him." + +"Why, man, I can't dispute him!" said the chef, and as if he had now at +last scored a point, he threw back his head and laughed. When he brought +down his head again, it was to perceive the approach of Clementina. +"Hello," he said for her to hear, "he'e comes the Boss. Well, I guess I +must be goin'," he added, in mock anxiety. "I'm a goin', Boss, I'm a +goin'." + +Clementina ignored him. "Mr. Atwell wants to see you a moment, Mr. +Fane," she said to the clerk. + +"All right, Miss Claxon," Fane answered, with the sorrowful respect which +he always showed Clementina, now, "I'll be right there." But he waited a +moment, either in expression of his personal independence, or from +curiosity to know what the shoeman was going to say of the bronze +slippers. + +Clementina felt the fascination, too; she thought the slippers were +beautiful, and her foot thrilled with a mysterious prescience of its +fitness for them. + +"Now, the'e, ladies, or as I may say guls, if you'll excuse it in one +that's moa like a fatha to you than anything else, in his feelings"--the +girls tittered, and some one shouted derisively--"It's true!"--"now there +is a shoe, or call it a slippa, that I've rutha hesitated about showin' +to you, because I know that you're all rutha serious-minded, I don't ca'e +how young ye be, or how good-lookin' ye be; and I don't presume the'e's +one among you that's eve head o' dancin'." In the mirthful hooting and +mocking that followed, the shoeman hedged gravely from the extreme +position he had taken. "What? Well, maybe you have among some the summa +folks, but we all know what summa folks ah', and I don't expect you to +patte'n by them. But what I will say is that if any young lady within +the sound of my voice,"--he looked round for the applause which did not +fail him in his parody of the pulpit style--"should get an invitation to +a dance next winta, and should feel it a wo'k of a charity to the young +man to go, she'll be sorry--on his account, rememba--that she ha'n't got +this pair o' slippas. + +"The'a! They're a numba two, and they'll fit any lady here, I don't ca'e +how small a foot she's got. Don't all speak at once, sistas! Ample +time allowed for meals. That's a custom-made shoe, and if it hadn't b'en +too small for the lady they was oddid foh, you couldn't-'a' got 'em for +less than seven dollas; but now I'm throwin' on 'em away for three." + +A groan of dismay went up from the whole circle, and some who had pressed +forward for a sight of the slippers, shrank back again. + +"Did I hea' just now," asked the shoeman, with a soft insinuation in his +voice, and in the glance he suddenly turned upon Clementina, "a party +addressed as Boss?" Clementina flushed, but she did not cower; the chef +walked away with a laugh, and the shoeman pursued him with his voice. +"Not that I am goin' to folla the wicked example of a man who tries to +make spot of young ladies; but if the young lady addressed as Boss"-- + +"Miss Claxon," said the clerk with ingratiating reverence. + +"Miss Claxon--I Stan' corrected," pursued the shoeman. "If Miss Claxon +will do me the fava just to try on this slippa, I sh'd be able to tell at +the next place I stopped just how it looked on a lady's foot. I see you +a'n't any of you disposed to buy 'em this aftanoon, 'and I a'n't +complainin'; you done pootty well by me, already, and I don't want to +uhge you; but I do want to carry away the picture, in my mind's eye--what +you may call a mental photograph--of this slipper on the kind of a foot +it was made fob, so't I can praise it truthfully to my next customer. +What do you say, ma'am?" he addressed himself with profound respect to +Clementina. + +"Oh, do let him, Clem!" said one of the girls, and another pleaded, "Just +so he needn't tell a story to his next customa," and that made the rest +laugh. + +Clementina's heart was throbbing, and joyous lights were dancing in her +eyes. "I don't care if I do," she said, and she stooped to unlace her +shoe, but one of the big girls threw herself on her knees at her feet to +prevent her. Clementina remembered too late that there was a hole in her +stocking and that her little toe came through it, but she now folded the +toe artfully down, and the big girl discovered the hole in time to abet +her attempt at concealment. She caught the slipper from the shoeman and +harried it on; she tied the ribbons across the instep, and then put on +the other. "Now put out youa foot, Clem! Fast dancin' position!" She +leaned back upon her own heels, and Clementina daintily lifted the edge +of her skirt a little, and peered over at her feet. The slippers might +or might not have been of an imperfect taste, in their imitation of the +prevalent fashion, but on Clementina's feet they had distinction. + +"Them feet was made for them slippas," said the shoeman devoutly. + +The clerk was silent; he put his hand helplessly to his mouth, and then +dropped it at his side again. + +Gregory came round the corner of the building from the dining-room, and +the big girl who was crouching before Clementina, and who boasted that +she was not afraid of the student, called saucily to him, "Come here, a +minute, Mr. Gregory," and as he approached, she tilted aside, to let him +see Clementina's slippers. + +Clementina beamed up at him with all her happiness in her eyes, but after +a faltering instant, his face reddened through its freckles, and he gave +her a rebuking frown and passed on. + +"Well, I decla'e!" said the big girl. Fane turned uneasily, and said +with a sigh, he guessed he must be going, now. + +A blight fell upon the gay spirits of the group, and the shoeman asked +with an ironical glance after Gregory's retreating figure, "Owna of this +propaty?" + +"No, just the ea'th," said the big girl, angrily. + +The voice of Clementina made itself heard with a cheerfulness which had +apparently suffered no chill, but was really a rising rebellion. "How +much ah' the slippas?" + +"Three dollas," said the shoeman in a surprise which he could not conceal +at Clementina's courage. + +She laughed, and stooped to untie the slippers. "That's too much for +me." + +"Let me untie 'em, Clem," said the big girl. "It's a shame for you eva +to take 'em off." + +"That's right, lady," said the shoeman. "And you don't eva need to," he +added, to Clementina, "unless you object to sleepin' in 'em. You pay me +what you want to now, and the rest when I come around the latta paht of +August." + +"Oh keep 'em, Clem!" the big girl urged, passionately, and the rest +joined her with their entreaties. + +"I guess I betta not," said Clementina, and she completed the work of +taking off the slippers in which the big girl could lend her no further +aid, such was her affliction of spirit. + +"All right, lady," said the shoeman. "Them's youa slippas, and I'll just +keep 'em for you till the latta paht of August." + +He drove away, and in the woods which he had to pass through on the road +to another hotel he overtook the figure of a man pacing rapidly. He +easily recognized Gregory, but he bore him no malice. "Like a lift?" +he asked, slowing up beside him. + +"No, thank you," said Gregory. "I'm out for the walk." He looked round +furtively, and then put his hand on the side of the wagon, mechanically, +as if to detain it, while he walked on. + +"Did you sell the slippers to the young lady?" + +"Well, not as you may say sell, exactly," returned the shoeman, +cautiously. + +"Have you-got them yet?" asked the student. + +"Guess so," said the man. "Like to see 'em?" + +He pulled up his horse. + +Gregory faltered a moment. Then he said, "I'd like to buy them. Quick!" + +He looked guiltily about, while the shoeman alertly obeyed, with some +delay for a box to put them in. "How much are they?" + +"Well, that's a custom made slipper, and the price to the lady that +oddid'em was seven dollas. But I'll let you have 'em for three--if you +want 'em for a present."--The shoeman was far too discreet to permit +himself anything so overt as a smile; he merely let a light of +intelligence come into his face. + +Gregory paid the money. "Please consider this as confidential," he said, +and he made swiftly away. Before the shoeman could lock the drawer that +had held the slippers, and clamber to his perch under the buggy-hood, +Gregory was running back to him again. + +"Stop!" he called, and as he came up panting in an excitement which the +shoeman might well have mistaken for indignation attending the discovery +of some blemish in his purchase. "Do you regard this as in any manner a +deception?" he palpitated. + +"Why," the shoeman began cautiously, "it wa'n't what you may call a +promise, exactly. More of a joke than anything else, I looked on it. I +just said I'd keep 'em for her; but"-- + +"You don't understand. If I seemed to disapprove--if I led any one to +suppose, by my manner, or by--anything--that I thought it unwise or +unbecoming to buy the shoes, and then bought them myself, do you think it +is in the nature of an acted falsehood?" + +"Lo'd no!" said the shoeman, and he caught up the slack of his reins to +drive on, as if he thought this amusing maniac might also be dangerous. + +Gregory stopped him with another question. "And shall--will you--think +it necessary to speak of--of this transaction? I leave you free!" + +"Well," said the shoeman. "I don't know what you're after, exactly, but +if you think I'm so shot on for subjects that I've got to tell the folks +at the next stop that I sold a fellar a pair of slippas for his gul--Go +'long!" he called to his horse, and left Gregory standing in the middle +of the road. + + + + +VIII. + +The people who came to the Middlemount in July were ordinarily the +nicest, but that year the August folks were nicer than usual and there +were some students among them, and several graduates just going into +business, who chose to take their outing there instead of going to the +sea-side or the North Woods. This was a chance that might not happen in +years again, and it made the house very gay for the young ladies; they +ceased to pay court to the clerk, and asked him for letters only at mail- +time. Five or six couples were often on the floor together, at the hops, +and the young people sat so thick upon the stairs that one could scarcely +get up or down. + +So many young men made it gay not only for the young ladies, but also for +a certain young married lady, when she managed to shirk her rather filial +duties to her husband, who was much about the verandas, purblindly +feeling his way with a stick, as he walked up and down, or sitting opaque +behind the glasses that preserved what was left of his sight, while his +wife read to him. She was soon acquainted with a good many more people +than he knew, and was in constant request for such occasions as needed a +chaperon not averse to mountain climbing, or drives to other hotels for +dancing and supper and return by moonlight, or the more boisterous sorts +of charades; no sheet and pillow case party was complete without her; for +welsh-rarebits her presence was essential. The event of the conflict +between these social claims and her duties to her husband was her appeal +to Mrs. Atwell on a point which the landlady referred to Clementina. + +"She wants somebody to read to her husband, and I don't believe but what +you could do it, Clem. You're a good reader, as good as I want to hear, +and while you may say that you don't put in a great deal of elocution, I +guess you can read full well enough. All he wants is just something to +keep him occupied, and all she wants is a chance to occupy herself with +otha folks. Well, she is moa their own age. I d'know as the's any hahm +in her. And my foot's so much betta, now, that I don't need you the +whole while, any moa." + +"Did you speak to her about me?" asked the girl. + +"Well, I told her I'd tell you. I couldn't say how you'd like." + +"Oh, I guess I should like," said Clementina, with her eyes shining. +"But--I should have to ask motha." + +"I don't believe but what your motha'd be willin'," said Mrs. Atwell. +"You just go down and see her about it." + +The next day Mrs. Milray was able to take leave of her husband, in +setting off to matronize a coaching party, with an exuberance of good +conscience that she shared with the spectators. She kissed him with +lively affection, and charged him not to let the child read herself to +death for him. She captioned Clementina that Mr. Milray never knew when +he was tired, and she had better go by the clock in her reading, and not +trust to any sign from him. + +Clementina promised, and when the public had followed Mrs. Milray away, +to watch her ascent to the topmost seat of the towering coach, by means +of the ladder held in place by two porters, and by help of the down- +stretched hands of all the young men on the coach, Clementina opened the +book at the mark she found in it, and began to read to Mr. Milray. + +The book was a metaphysical essay, which he professed to find a lighter +sort of reading than fiction; he said most novelists were too seriously +employed in preventing the marriage of the lovers, up to a certain point, +to be amusing; but you could always trust a metaphysician for +entertainment if he was very much in earnest, and most metaphysicians +were. He let Clementina read on a good while in her tender voice, which +had still so many notes of childhood in it, before he manifested any +consciousness of being read to. He kept the smile on his delicate face +which had come there when his wife said at parting, "I don't believe I +should leave her with you if you could see how prettty she was," and he +held his head almost motionlessly at the same poise he had given it in +listening to her final charges. It was a fine head, still well covered +with soft hair, which lay upon it in little sculpturesque masses, like +chiseled silver, and the acquiline profile had a purity of line in the +arch of the high nose and the jut of the thin lips and delicate chin, +which had not been lost in the change from youth to age. One could never +have taken it for the profile of a New York lawyer who had early found +New York politics more profitable than law, and after a long time passed +in city affairs, had emerged with a name shadowed by certain doubtful +transactions. But this was Milray's history, which in the rapid progress +of American events, was so far forgotten that you had first to remind +people of what he had helped do before you could enjoy their surprise in +realizing that this gentle person, with the cast of intellectual +refinement which distinguished his face, was the notorious Milray, who +was once in all the papers. When he made his game and retired from +politics, his family would have sacrificed itself a good deal to reclaim +him socially, though they were of a severer social than spiritual +conscience, in the decay of some ancestral ideals. But be had rendered +their willingness hopeless by marrying, rather late in life, a young girl +from the farther West who had come East with a general purpose to get on. +She got on very well with Milray, and it was perhaps not altogether her +own fault that she did not get on so well with his family, when she began +to substitute a society aim for the artistic ambition that had brought +her to New York. They might have forgiven him for marrying her, but they +could not forgive her for marrying him. They were of New England origin +and they were perhaps a little more critical with her than if they had +been New Yorkers of Dutch strain. They said that she was a little +Western hoyden, but that the stage would have been a good place for her +if she could have got over her Pike county accent; in the hush of family +councils they confided to one another the belief that there were phases +of the variety business in which her accent would have been no barrier to +her success, since it could not have been heard in the dance, and might +have been disguised in the song. + +"Will you kindly read that passage over again?" Milray asked as +Clementina paused at the end of a certain paragraph. She read it, while +he listened attentively. "Could you tell me just what you understand by +that?" he pursued, as if he really expected Clementina to instruct him. + +She hesitated a moment before she answered, "I don't believe I undastand +anything at all." + +"Do you know," said Milray, "that's exactly my own case? And I've an +idea that the author is in the same box," and Clementina perceived she +might laugh, and laughed discreetly. + +Milray seemed to feel the note of discreetness in her laugh, and he +asked, smiling, "How old did you tell me you were?" + +"I'm sixteen," said Clementina. + +"It's a great age," said Milray. "I remember being sixteen myself; I +have never been so old since. But I was very old for my age, then. Do +you think you are?" + +"I don't believe I am," said Clementina, laughing again, but still very +discreetly. + +"Then I should like to tell you that you have a very agreeable voice. Do +you sing?" + +"No'm--no, sir--no," said Clementina, "I can't sing at all." + +"Ah, that's very interesting," said Milray, "but it's not surprising. +I wish I could see your face distinctly; I've a great curiosity about +matching voices and faces; I must get Mrs. Milray to tell me how you +look. Where did you pick up your pretty knack at reading? In school, +here?" + +"I don't know," answered Clementina. "Do I read-the way you want?" + +"Oh, perfectly. You let the meaning come through--when there is any." + +"Sometimes," said Clementina ingenuously, "I read too fast; the children +ah' so impatient when I'm reading to them at home, and they hurry me. +But I can read a great deal slower if you want me to." + +"No, I'm impatient, too," said Milray. "Are there many of them,--the +children?" + +"There ah' six in all." + +"And are you the oldest?" + +"Yes," said Clementina. She still felt it very blunt not to say sir, +too, but she tried to make her tone imply the sir, as Mr. Gregory had +bidden her. + +"You've got a very pretty name." + +Clementina brightened. "Do you like it? Motha gave it to me; she took +it out of a book that fatha was reading to her." + +"I like it very much," said Milray. "Are you tall for your age?" + +"I guess I am pretty tall." + +"You're fair, of course. I can tell that by your voice; you've got a +light-haired voice. And what are your eyes?" + +"Blue!" Clementina laughed at his pursuit. + +"Ah, of course! It isn't a gray-eyed blonde voice. Do you think--has +anybody ever told you-that you were graceful?" + +"I don't know as they have," said Clementina, after thinking. + +"And what is your own opinion?" Clementina began to feel her dignity +infringed; she did not answer, and now Milray laughed. "I felt the +little tilt in your step as you came up. It's all right. Shall we try +for our friend's meaning, now?" + +Clementina began again, and again Milray stopped her. "You mustn't bear +malice. I can hear the grudge in your voice; but I didn't mean to laugh +at you. You don't like being made fun of, do you?" + +"I don't believe anybody does," said Clementina. + +"No, indeed," said Milray. "If I had tried such a thing I should be +afraid you would make it uncomfortable for me. But I haven't, have I?" + +"I don't know," said Clementina, reluctantly. + +Milray laughed gleefully. "Well, you'll forgive me, because I'm an old +fellow. If I were young, you wouldn't, would you?" + +Clementina thought of the clerk; she had certainly never forgiven him. +"Shall I read on?" she asked. + +"Yes, yes. Read on," he said, respectfully. Once he interrupted her to +say that she pronounced admirable, but he would like now and then to +differ with her about a word if she did not mind. She answered, Oh no, +indeed; she should like it ever so much, if he would tell her when she +was wrong. After that he corrected her, and he amused himself by +studying forms of respect so delicate that they should not alarm her +pride; Clementina reassured him in terms as fine as his own. She did not +accept his instructions implicitly; she meant to bring them to the bar of +Gregory's knowledge. If he approved of them, then she would submit. + +Milray easily possessed himself of the history of her life and of all its +circumstances, and he said he would like to meet her father and make the +acquaintance of a man whose mind, as Clementina interpreted it to him, he +found so original. + +He authorized his wife to arrange with Mrs. Atwell for a monopoly of +Clementina's time while he stayed at Middlemount, and neither he nor Mrs. +Milray seemed surprised at the good round sum, as the landlady thought +it, which she asked in the girl's behalf. + + + + +IX. + +The Milrays stayed through August, and Mrs. Milray was the ruling spirit +of the great holiday of the summer, at Middlemount. It was this year +that the landlords of the central mountain region had decided to compete +in a coaching parade, and to rival by their common glory the splendor of +the East Side and the West Side parades. The boarding-houses were to +take part, as well as the hotels; the farms where only three or four +summer folks were received, were to send their mountain-wagons, and all +were to be decorated with bunting. An arch draped with flags and covered +with flowers spanned the entrance to the main street at Middlemount +Centre, and every shop in the village was adorned for the event. + +Mrs. Milray made the landlord tell her all about coaching parades, and +the champions of former years on the East Side and the West Side, and +then she said that the Middlemount House must take the prize from them +all this year, or she should never come near his house again. He +answered, with a dignity and spirit he rarely showed with Mrs. Milray's +class of custom, "I'm goin' to drive our hossis myself." + +She gave her whole time to imagining and organizing the personal display +on the coach. She consulted with the other ladies as to the kind of +dresses that were to be worn, but she decided everything herself; and +when the time came she had all the young men ravaging the lanes and +pastures for the goldenrod and asters which formed the keynote of her +decoration for the coach. + +She made peace and kept it between factions that declared themselves +early in the affair, and of all who could have criticized her for taking +the lead perhaps none would have willingly relieved her of the trouble. +She freely declared that it was killing her, and she sounded her accents +of despair all over the place. When their dresses were finished she made +the persons of her drama rehearse it on the coach top in the secret of +the barn, where no one but the stable men were suffered to see the +effects she aimed at. But on the eve of realizing these in public she +was overwhelmed by disaster. The crowning glory of her composition was +to be a young girl standing on the highest seat of the coach, in the +character of the Spirit of Summer, wreathed and garlanded with flowers, +and invisibly sustained by the twelve months of the year, equally divided +as to sex, but with the more difficult and painful attitudes assigned to +the gentlemen who were to figure as the fall and winter months. It had +been all worked out and the actors drilled in their parts, when the +Spirit of Summer, who had been chosen for the inoffensiveness of her +extreme youth, was taken with mumps, and withdrawn by the doctor's +orders. Mrs. Milray had now not only to improvise another Spirit of +Summer, but had to choose her from a group of young ladies, with the +chance of alienating and embittering those who were not chosen. In her +calamity she asked her husband what she should do, with but the least +hope that he could tell her. But he answered promptly, "Take Clementina; +I'll let you have her for the day," and then waited for the storm of her +renunciations and denunciations to spend itself. + +"To be sure," she said, when this had happened, "it isn't as if she were +a servant in the house; and the position can be regarded as a kind of +public function, anyhow. I can't say that I've hired her to take the +part, but I can give her a present afterwards, and it will be the same +thing." + +The question of clothes for Clementina Mrs. Milray declared was almost as +sweeping in its implication as the question of the child's creation." +She has got to be dressed new from head to foot," she said, "every +stitch, and how am I to manage it in twenty-four hours?" + +By a succession of miracles with cheese-cloth, and sashes and ribbons, it +was managed; and ended in a triumph so great that Mrs. Milray took the +girl in her arms and kissed her for looking the Spirit of Summer to a +perfection that the victim of the mumps could not have approached. The +victory was not lastingly marred by the failure of Clementina's shoes to +look the Spirit of Summer as well as the rest of her costume. No shoes +at all world have been the very thing, but shoes so shabby and worn down +at one side of the heel as Clementina's were very far from the thing. +Mrs. Milray decided that another fold of cheese-cloth would add to the +statuesque charm of her figure, and give her more height; and she was +richly satisfied with the effect when the Middlemount coach drove up to +the great veranda the next morning, with all the figures of her picture +in position on its roof, and Clementina supreme among them. She herself +mounted in simple, undramatized authority to her official seat beside the +landlord, who in coachman's dress, with a bouquet of autumnal flowers in +his lapel, sat holding his garlanded reins over the backs of his six +horses; and then the coach as she intended it to appear in the parade set +out as soon as the turnouts of the other houses joined it. They were all +to meet at the Middlemount, which was thickly draped and festooned in +flags, with knots of evergreen and the first red boughs of the young +swamp maples holding them in place over its irregular facade. The coach +itself was amass of foliage and flowers, from which it defined itself as +a wheeled vehicle in vague and partial outline; the other wagons and +coaches, as they drove tremulously up, with an effect of having been +mired in blossoms about their spokes and hubs, had the unwieldiness which +seems inseparable from spectacularity. They represented motives in color +and design sometimes tasteless enough, and sometimes so nearly very good +that Mrs. Milray's heart was a great deal in her mouth, as they arrived, +each with its hotel-cry roared and shrilled from a score of masculine and +feminine throats, and finally spelled for distinctness sake, with an +ultimate yell or growl. But she had not finished giving the lady- +representative of a Sunday newspaper the points of her own tableau, +before she regained the courage and the faith in which she remained +serenely steadfast throughout the parade. + +It was when all the equipages of the neighborhood had arrived that she +climbed to her place; the ladder was taken away; the landlord spoke to +his horses, and the Middlemount coach led the parade, amid the renewed +slogans, and the cries and fluttered handkerchiefs of the guests crowding +the verandas. + +The line of march was by one road to Middlemount Centre, where the prize +was to be awarded at the judges' stand, and then the coaches were to +escort the triumphant vehicle homeward by another route, so as to pass as +many houses on the way as possible. It was a curious expression of the +carnival spirit in a region immemorially starved of beauty in the lives +of its people; and whatever was the origin of the mountain coaching +parade, or from whatever impulse of sentimentality or advertising it +came, the effect was of undeniable splendor, and of phantasmagoric +strangeness. + +Gregory watched its progress from a hill-side pasture as it trailed +slowly along the rising and falling road. The songs of the young girls, +interrupted by the explosion of hotel slogans and college cries from the +young men, floated off to him on the thin breeze of the cloudless August +morning, like the hymns and shouts of a saturnalian rout going in holiday +processional to sacrifice to their gods. Words of fierce Hebrew poetry +burned in his thought; the warnings and the accusals and the +condemnations of the angry prophets; and he stood rapt from his own time +and place in a dream of days when the Most High stooped to commune face +to face with His ministers, while the young voices of those forgetful or +ignorant of Him, called to his own youth, and the garlanded chariots, +with their banners and their streamers passed on the road beneath him and +out of sight in the shadow of the woods beyond. + +When the prize was given to the Middlemount coach at the Center the +landlord took the flag, and gallantly transferred it to Mrs. Milray, and +Mrs. Milray passed it up to Clementina, and bade her, "Wave it, wave it!" + +The village street was thronged with people that cheered, and swung their +hats and handkerchiefs to the coach as it left the judges' stand and +drove under the triumphal arch, with the other coaches behind it. Then +Atwell turned his horses heads homewards, and at the brisker pace with +which people always return from festivals or from funerals, he left the +village and struck out upon the country road with his long escort before +him. The crowd was quick to catch the courteous intention of the +victors, and followed them with applause as far beyond the village +borders as wind and limb would allow; but the last noisy boy had dropped +off breathless before they reached a half-finished house in the edge of +some woods. A line of little children was drawn up by the road-side +before it, who watched the retinue with grave eagerness, till the +Middlemount coach came in full sight. Then they sprang into the air, and +beating their hands together, screamed, "Clem! Clem! Oh it's Clem!" +and jumped up and down, and a shabby looking work worn woman came round +the corner of the house and stared up at Clementina waving her banner +wildly to the children, and shouting unintelligible words to them. The +young people on the coach joined in response to the children, some +simply, some ironically, and one of the men caught up a great wreath of +flowers which lay at Clementina's feet, and flung it down to them; the +shabby woman quickly vanished round the corner of the house again. Mrs. +Milray leaned over to ask the landlord, "Who in the world are +Clementina's friends?" + +"Why don't you know?" he retorted in abated voice. "Them's her brothas +and sistas." + +"And that woman?" + +"The lady at the conna? That's her motha." + +When the event was over, and all the things had been said and said again, +and there was nothing more to keep the spring and summer months from +going up to their rooms to lie down, and the fall and winter months from +trying to get something to eat, Mrs. Milray found herself alone with +Clementina. + +The child seemed anxious about something, and Mrs. Milray, who wanted to +go and lie down, too, asked a little impatiently, "What is it, +Clementina?" + +"Oh, nothing. Only I was afraid maybe you didn't like my waving to the +children, when you saw how queea they looked." Clementina's lips +quivered. + +"Did any of the rest say anything?" + +"I know what they thought. But I don't care! I should do it right over +again!" + +Mrs. Milray's happiness in the day's triumph was so great that she could +indulge a generous emotion. She caught the girl in her arms. "I want to +kiss you; I want to hug you, Clementina!" + +The notion of a dance for the following night to celebrate the success of +the house in the coaching parade came to Mrs. Milray aver a welsh-rarebit +which she gave at the close of the evening. The party was in the charge +of Gregory, who silently served them at their orgy with an austerity that +might have conspired with the viand itself against their dreams, if they +had not been so used to the gloom of his ministrations. He would not +allow the waitresses to be disturbed in their evening leisure, or kept +from their sleep by such belated pleasures; and when he had provided the +materials for the rarebit, he stood aloof, and left their combination to +Mrs. Milray and her chafing-dish. + +She had excluded Clementina on account of her youth, as she said to one +of the fall and winter months, who came in late, and noticed Clementina's +absence with a "Hello! Anything the matter with the Spirit of Summer?" +Clementina had become both a pet and a joke with these months before the +parade was over, and now they clamored together, and said they must have +her at the dance anyway. They were more tepidly seconded by the spring +and summer months, and Mrs. Milray said, "Well, then, you'll have to all +subscribe and get her a pair of dancing slippers." They pressed her for +her meaning, and she had to explain the fact of Clementina's destitution, +which that additional fold of cheese-cloth had hidden so well in the +coaching tableau that it had never been suspected. The young men +entreated her to let them each buy a pair of slippers for the Spirit of +Summer, which she should wear in turn for the dance that she must give +each of them; and this made Mrs. Milray declare that, no, the child +should not come to the dance at all, and that she was not going to have +her spoiled. But, before the party broke up, she promised that she would +see what could be done, and she put it very prettily to the child the +next day, and waited for her to say, as she knew she must, that she could +not go, and why. They agreed that the cheese-cloth draperies of the +Spirit of Summer were surpassingly fit for the dance; but they had to +agree that this still left the question of slippers untouched. It +remained even more hopeless when Clementina tried on all of Mrs. Milray's +festive shoes, and none of her razorpoints and high heels would avail. +She went away disappointed, but not yet disheartened; youth does not so +easily renounce a pleasure pressed to the lips; and Clementina had it in +her head to ask some of the table girls to help her out. She meant to +try first with that big girl who had helped her put on the shoeman's +bronze slippers; and she hurried through the office, pushing purblindly +past Fane without looking his way, when he called to her in the deference +which he now always used with her, "Here's a package here for you, +Clementina--Miss Claxon," and he gave her an oblong parcel, addressed in +a hand strange to her. "Who is it from?" she asked, innocently, and Fane +replied with the same ingenuousness: "I'm sure I don't know." Afterwards +he thought of having retorted, "I haven't opened it," but still without +being certain that he would have had the courage to say it. + +Clementina did not think of opening it herself, even when she was alone +in her little room above Mrs. Atwell's, until she had carefully felt it +over, and ascertained that it was a box of pasteboard, three or four +inches deep and wide, and eight or ten inches long. She looked at the +address again, "Miss Clementina Claxon," and at the narrow notched ribbon +which tied it, and noted that the paper it was wrapped in was very white +and clean. Then she sighed, and loosed the knot, and the paper slipped +off the box, and at the same time the lid fell off, and the shoe man's +bronze slippers fell out upon the floor. + +Either it must be a dream or it must be a joke; it could not be both real +and earnest; somebody was trying to tease her; such flattery of fortune +could not be honestly meant. But it went to her head, and she was so +giddy with it as she caught the slippers from the floor, and ran down to +Mrs. Atwell, that she knocked against the sides of the narrow staircase. + +"What is it? What does it mean? Who did it?" she panted, with the +slippers in her hand. "Whe'e did they come from?" She poured out the +history of her trying on these shoes, and of her present need of them and +of their mysterious coming, to meet her longing after it had almost +ceased to be a hope. Mrs. Atwell closed with her in an exultation hardly +short of a clapping the hands. Her hair was gray, and the girl's hair +still hung in braids down her back, but they were of the same age in +their transport, which they referred to Mrs. Milray, and joined with her +in glad but fruitless wonder who had sent Clementina the shoes. Mrs. +Atwell held that the help who had seen the girl trying them on had +clubbed together and got them for her at the time; and had now given them +to her for the honor she had done the Middlemount House in the parade. +Mrs. Milray argued that the spring and summer months had secretly +dispatched some fall and winter month to ransack the stores at +Middlemount Centre for them. Clementina believed that they came from the +shoe man himself, who had always wanted to send them, in the hope that +she would keep them, and had merely happened to send them just then in +that moment of extremity when she was helpless against them. Each +conjecture involved improbabilities so gross that it left the field free +to any opposite theory. + +Rumor of the fact could not fail to go through the house, and long before +his day's work was done it reached the chef, and amused him as a piece of +the Boss's luck. He was smoking his evening pipe at the kitchen door +after supper, when Clementina passed him on one of the many errands that +took her between Mrs. Milray's room and her own, and he called to her: +"Boss, what's this I hear about a pair o' glass slippas droppin' out the +sky int' youa lap?" + +Clementina was so happy that she thought she might trust him for once, +and she said, "Oh, yes, Mr. Mahtin! Who do you suppose sent them?" she +entreated him so sweetly that it would have softened any heart but the +heart of a tease. + +"I believe I could give a pootty good guess if I had the facts." + +Clementina innocently gave them to him, and he listened with a well- +affected sympathy. + +"Say Fane fust told you about 'em?" + +"Yes. 'He'e's a package for you,' he said. Just that way; and he +couldn't tell me who left it, or anything." + +"Anybody asked him about it since?" + +"Oh, yes! Mrs. Milray, and Mrs. Atwell, and Mr. Atwell, and everybody." + +"Everybody." The chef smiled with a peculiar droop of one eye. "And he +didn't know when the slippas got into the landlo'd's box?" + +"No. The fust thing he knew, the' they we'e!" Clementina stood +expectant, but the chef smoked on as if that were all there was to say, +and seemed to have forgotten her. "Who do you think put them thea, Mr. +Mahtin?" + +The chef looked up as if surprised to find her still there. "Oh! Oh, +yes! Who d' I think? Why, I know, Boss. But I don't believe I'd betta +tell you." + +"Oh, do, Mr. Mahtin! If you knew how I felt about it"-- + +"No, no! I guess I betta not. 'Twouldn't do you any good. I guess I +won't say anything moa. But if I was in youa place, and I really wanted +to know whe'e them slippas come from"-- + +"I do--I do indeed"-- + +The chef paused before he added, "I should go at Fane. I guess what he +don't know ain't wo'th knowin', and I guess nobody else knows anything. +Thea! I don't know but I said mo'n I ought, now." + +What the chef said was of a piece with what had been more than once in +Clementina's mind; but she had driven it out, not because it might not be +true, but because she would not have it true. Her head drooped; she +turned limp and springless away. Even the heart of the tease was +touched; he had not known that it would worry her so much, though he knew +that she disliked the clerk. + +"Mind," he called after her, too late, "I ain't got no proof 't he done +it." + +She did not answer him, or look round. She went to her room, and sat +down in the growing dusk to think, with a hot lump in her throat. + +Mrs. Atwell found her there an hour later, when she climbed to the +chamber where she thought she ought to have heard Clementina moving about +over her own room. + +"Didn't know but I could help you do youa dressin'," she began, and then +at sight of the dim figure she broke off: "Why, Clem! What's the matte? +Ah' you asleep? Ah' you sick? It's half an hour of the time and"-- + +"I'm not going," Clementina answered, and she did not move. + +"Not goin'! Why the land o'--" + +"Oh, I can't go, Mrs. Atwell. Don't ask me! Tell Mrs. Milray, please!" + +"I will, when I got something to tell," said Mrs. Atwell. "Now, you just +say what's happened, Clementina Claxon! "Clementina suffered the woful +truth to be drawn from her. "But you don't know whether it's so or not," +the landlady protested. + +"Yes, yes, I do! It was the fast thing I thought of, and the chef +wouldn't have said it if he didn't believe it." + +"That's just what he would done," cried Mrs. Atwell. "And I'll give him +such a goin' ova, for his teasin', as he ain't had in one while. He just +said it to tease. What you goin' to say to Mrs. Milray?" + +"Oh, tell her I'm not a bit well, Mrs. Atwell! My head does ache, +truly." + +"Why, listen," said Mrs. Atwell, recklessly. "If you believe he done it +--and he no business to--why don't you just go to the dance, in 'em, and +then give 'em back to him after it's ova? It would suv him right." + +Clementina listened for a moment of temptation, and then shook her head. +"It wouldn't do, Mrs. Atwell; you know it wouldn't," she said, and Mrs. +Atwell had too little faith in her suggestion to make it prevail. She +went away to carry Clementina's message to Mrs. Milray, and her task was +greatly eased by the increasing difficulty Mrs. Milray had begun to find, +since the way was perfectly smoothed for her, in imagining the management +of Clementina at the dance: neither child nor woman, neither servant nor +lady, how was she to be carried successfully through it, without sorrow +to herself or offence to others? In proportion to the relief she felt, +Mrs. Milray protested her irreconcilable grief; but when the simpler Mrs. +Atwell proposed her going and reasoning with Clementina, she said, No, +no; better let her alone, if she felt as she did; and perhaps after all +she was right. + + + + +XI. + +Clementina listened to the music of the dance, till the last note was +played; and she heard the gay shouts and laughter of the dancers as they +issued from the ball room and began to disperse about the halls and +verandas, and presently to call good night to one another. Then she +lighted her lamp, and put the slippers back into the box and wrapped it +up in the nice paper it had come in, and tied it with the notched ribbon. +She thought how she had meant to put the slippers away so, after the +dance, when she had danced her fill in them, and how differently she was +doing it all now. She wrote the clerk's .name on the parcel, and then +she took the box, and descended to the office with it. There seemed to +be nobody there, but at the noise of her step Fane came round the case of +letter-boxes, and advanced to meet her at the long desk. + +"What's wanted, Miss Claxon?" he asked, with his hopeless respectfulness. +"Anything I can do for you?" + +She did not answer, but looked him solemnly in the eyes and laid the +parcel down on the open register, and then went out. + +He looked at the address on the parcel, and when he untied it, the box +fell open and the shoes fell out of it, as they had with Clementina. He +ran with them behind the letter-box frame, and held them up before +Gregory, who was seated there on the stool he usually occupied, gloomily +nursing his knee. + +"What do you suppose this means, Frank?" + +Gregory looked at the shoes frowningly. "They're the slippers she got +to-day. She thinks you sent them to her." + +"And she wouldn't have them because she thought I sent them! As sure as +I'm standing here, I never did it," said the clerk, solemnly. + +"I know it," said Gregory. "I sent them." + +"You!" + +"What's so wonderful?" Gregory retorted. "I saw that she wanted them +that day when the shoe peddler was here. I could see it, and you could." + +"Yes." + +"I went across into the woods, and the man overtook me with his wagon. I +was tempted, and I bought the slippers of him. I wanted to give them to +her then, but I resisted, and I thought I should never give them. To- +day, when I heard that she was going to that dance, I sent them to her +anonymously. That's all there is about it." + +The clerk had a moment of bitterness. "If she'd known it was you, she +wouldn't have given them back." + +"That's to be seen. I shall tell her, now. I never meant her to know, +but she must, because she's doing you wrong in her ignorance." + +Gregory was silent, and Fane was trying to measure the extent of his own +suffering, and to get the whole bearing of the incident in his mind. In +the end his attempt was a failure. He asked Gregory, "And do you think +you've done just right by me?" + +"I've done right by nobody," said Gregory, "not even by myself; and I can +see that it was my own pleasure I had in mind. I must tell her the +truth, and then I must leave this place." + +"I suppose you want I should keep it quiet," said Fane. + +"I don't ask anything of you." + +"And she wouldn't," said Fane, after reflection. "But I know she'd be +glad of it, and I sha'n't say anything. Of course, she never can care +for me; and--there's my hand with my word, if you want it." Gregory +silently took the hand stretched toward him and Fane added: "All I'll ask +is that you'll tell her I wouldn't have presumed to send her the shoes. +She wouldn't be mad at you for it." + +Gregory took the box, and after some efforts to speak, he went away. It +was an old trouble, an old error, an old folly; he had yielded to impulse +at every step, and at every step he had sinned against another or against +himself. What pain he had now given the simple soul of Fane; what pain +he had given that poor child who had so mistaken and punished the simple +soul! With Fane it was over now, but with Clementina the worst was +perhaps to come yet. He could not hope to see the girl before morning, +and then, what should he say to her? At sight of a lamp burning in Mrs. +Atwell's room, which was on a level with the veranda where he was +walking, it came to him that first of all he ought to go to her, and +confess the whole affair; if her husband were with her, he ought to +confess before him; they were there in the place of the child's father +and mother, and it was due to them. As he pressed rapidly toward the +light he framed in his thought the things he should say, and he did not +notice, as he turned to enter the private hallway leading to Mrs. +Atwell's apartment, a figure at the door. It shrank back from his +contact, and he recognized Clementina. His purpose instantly changed, +and he said, "Is that you, Miss Claxon? I want to speak with you. Will +you come a moment where I can?" + +"I--I don't know as I'd betta," she faltered. But she saw the box under +his arm, and she thought that he wished to speak to her about that, and +she wanted to hear what he would say. She had been waiting at the door +there, because she could not bear to go to her room without having +something more happen. + +"You needn't be afraid. I shall not keep you. Come with me a moment. +There is something I must tell you at once. You have made a mistake. +And it is my fault. Come!" + +Clementina stepped out into the moonlight with him, and they walked +across the grass that sloped between the hotel and the river. There were +still people about, late smokers singly, and in groups along the piazzas, +and young couples, like themselves, strolling in the dry air, under the +pure sky. + +Gregory made several failures in trying to begin, before he said: "I have +to tell you that you are mistaken about Mr. Fane. I was there behind the +letter boxes when you came in, and I know that you left these shoes +because you thought he sent them to you. He didn't send them." +Clementina did not say anything, and Gregory was forced to ask: "Do you +wish to know who sent them? I won't tell you unless you do wish it." + +"I think I ought to know," she said, and she asked, "Don't you?" + +"Yes; for you must blame some one else now, for what you thought Fane +did. I sent them to you." + +Clementina's heart gave a leap in her breast, and she could not say +anything. He went on. + +"I saw that you wanted them that day, and when the peddler happened to +overtake me in the woods where I was walking, after I left you, I acted +on a sudden impulse, and I bought them for you. I meant to send them to +you anonymously, then. I had committed one error in acting upon impulse- +my rashness is my besetting sin--and I wished to add a species of deceit +to that. But I was kept from it until-to-day. I hoped you would like to +wear them to the dance to-night, and I put them in the post-office for +you myself. Mr. Fane didn't know anything about it. That is all. I am +to blame, and no one else." + +He waited for her to speak, but Clementina could only say, "I don't know +what to say." + +"You can't say anything that would be punishment enough for me. I have +acted foolishly, cruelly." + +Clementina did not think so. She was not indignant, as she was when she +thought Fane had taken this liberty with her, but if Mr. Gregory thought +it was so very bad, it must be something much more serious than she had +imagined. She said, "I don't see why you wanted to do it," hoping that +he would be able to tell her something that would make his behavior seem +less dreadful than he appeared to think it was. + +"There is only one thing that could justify it, and that is something +that I cannot justify." It was very mysterious, but youth loves mystery, +and Clementina was very young. "I did it," said Gregory solemnly, and he +felt that now he was acting from no impulse, but from a wisely considered +decision which he might not fail in without culpability, "because I love +you." + +"Oh!" said Clementina, and she started away from him. + +"I knew that it would make me detestable!" he cried, bitterly. "I had to +tell you, to explain what I did. I couldn't help doing it. But now if +you can forget it, and never think of me again, I can go away, and try to +atone for it somehow. I shall be guided." + +Clementina did not know why she ought to feel affronted or injured by +what he had said to her; but if Mr. Gregory thought it was wrong for him +to have spoken so, it must be wrong. She did not wish him to feel badly, +even if he had done wrong, but she had to take his view of what he had +done. "Why, suttainly, Mr. Gregory," she answered. "You mustn't mind +it." + +"But I do mind it. I have been very, very selfish, very thoughtless. We +are both too young. I can't ask you to wait for me till I could marry"-- + +The word really frightened Clementina. She said, "I don't believe I +betta promise." + +"Oh, I know it!" said Gregory. "I am going away from here. I am going +to-morrow as soon as I can arrange--as soon as I can get away. Good- +night--I"--Clementina in her agitation put her hands up to her face. +"Oh, don't cry--I can't bear to have you cry." + +She took down her hands. "I'm not crying! But I wish I had neva seen +those slippas." + +They had come to the bank of the river, whose current quivered at that +point in a scaly ripple in the moonlight. At her words Gregory suddenly +pulled the box from under his arm, and flung it into the stream as far as +he could. It caught upon a shallow of the ripple, hung there a moment, +then loosed itself, and swam swiftly down the stream. + +"Oh!" Clementina moaned. + +"Do you want them back?" he demanded. "I will go in for them!" + +"No, no! No. But it seemed such a--waste!" + +"Yes, that is a sin, too." They climbed silently to the hotel. At Mrs. +Atwell's door, he spoke. "Try to forget what I said, and forgive me, if +you can." + +"Yes--yes, I will, Mr. Gregory. You mustn't think of it any moa." + + + + +XII. + +Clementina did not sleep till well toward morning, and she was still +sleeping when Mrs. Atwell knocked and called in to her that her brother +Jim wanted to see her. She hurried down, and in the confusion of mind +left over from the night before she cooed sweetly at Jim as if he had +been Mr. Gregory, "What is it, Jim? What do you want me for?" + +The boy answered with the disgust a sister's company manners always rouse +in a brother. "Motha wants you. Says she's wo'ked down, and she wants +you to come and help." Then he went his way. + +Mrs. Atwell was used to having help snatched from her by their families +at a moment's notice. "I presume you've got to go, Clem," she said. + +"Oh, yes, I've got to go," Clementina assented, with a note of relief +which mystified Mrs. Atwell. + +"You tied readin' to Mr. Milray?" + +"Oh, no'm-no, I mean. But I guess I betta go home. I guess I've been +away long enough." + +"Well, you're a good gul, Clem. I presume your motha's got a right to +have you home if she wants you." Clementina said nothing to this, but +turned briskly, and started upstairs toward her room again. The landlady +called after her, "Shall you speak to Mis' Milray, or do you want I +should?" + +Clementina looked back at her over her shoulder to warble, "Why, if you +would, Mrs. Atwell," and kept on to her room. + +Mrs. Milray was not wholly sorry to have her go; she was going herself +very soon, and Clementina's earlier departure simplified the question of +getting rid of her; but she overwhelmed her with reproaches which +Clementina received with such sweet sincerity that another than Mrs. +Milray might have blamed herself for having abused her ingenuousness. + +The Atwells could very well have let the girl walk home, but they sent +her in a buckboard, with one of the stablemen to drive her. The landlord +put her neat bundle under the seat of the buckboard with his own hand. +There was something in the child's bearing, her dignity and her +amiability, which made people offer her, half in fun, and half in +earnest, the deference paid to age and state. + +She did not know whether Gregory would try to see her before she went. +She thought he must have known she was going, but since he neither came +to take leave of her, nor sent her any message, she decided that she had +not expected him to do so. About the third week of September she heard +that he had left Middlemount and gone back to college. + +She kept at her work in the house and helped her mother, and looked after +the little ones; she followed her father in the woods, in his quest of +stuff for walking sticks, and advised with both concerning the taste of +summer folks in dress and in canes. The winter came, and she read many +books in its long leisure, mostly novels, out of the rector's library. +He had a whole set of Miss Edgeworth, and nearly all of Miss Austen and +Miss Gurney, and he gave of them to Clementina, as the best thing for her +mind as well as her morals; he believed nothing could be better for any +one than these old English novels, which he had nearly forgotten in their +details. She colored the faded English life of the stories afresh from +her Yankee circumstance; and it seemed the consensus of their testimony +that she had really been made love to, and not so very much too soon, at +her age of sixteen, for most of their heroines were not much older. The +terms of Gregory's declaration and of its withdrawal were mystifying, but +not more mystifying than many such things, and from what happened in the +novels she read, the affair might be trusted to come out all right of +itself in time. She was rather thoughtfuller for it, and once her mother +asked her what was the matter with her. "Oh, I guess I'm getting old, +motha," she said, and turned the question off. She would not have minded +telling her mother about Gregory, but it would not have been the custom; +and her mother would have worried, and would have blamed him. Clementina +could have more easily trusted her father with the case, but so far as +she knew fathers never were trusted with anything of the kind. She would +have been willing that accident should bring it to the knowledge of Mrs. +Richling; but the moment never came when she could voluntarily confide in +her, though she was a great deal with her that winter. She was Mrs. +Richling's lieutenant in the social affairs of the parish, which the +rector's wife took under her care. She helped her get up entertainments +of the kind that could be given in the church parlor, and they managed +together some dances which had to be exiled to the town hall. They +contrived to make the young people of the village feel that they were +having a gay time, and Clementina did not herself feel that it was a dull +one. She taught them some of the new steps and figures which the help +used to pick up from the summer folks at the Middlemount, and practise +together; she liked doing that; her mother said the child would rather +dance than eat, any time. She was never sad, but so much dignity got +into her sweetness that the rector now and then complained of feeling put +down by her. + +She did not know whether she expected Gregory to write to her or not; but +when no letters came she decided that she had not expected them. She +wondered if he would come back to the Middlemount the next summer; but +when the summer came, she heard that they had another student in his +place. She heard that they had a new clerk, and that the boarders were +not so pleasant. Another year passed, and towards the end of the season +Mrs. Atwell wished her to come and help her again, and Clementina went +over to the hotel to soften her refusal. She explained that her mother +had so much sewing now that she could not spare her; and Mrs. Atwell +said: Well, that was right, and that she must be the greatest kind of +dependence for her mother. "You ah' going on seventeen this year, ain't +you?" + +"I was nineteen the last day of August," said Clementina, and Mrs. Atwell +sighed, and said, How the time did fly. + +It was the second week of September, but Mrs. Atwell said they were going +to keep the house open till the middle of October, if they could, for the +autumnal foliage, which there was getting to be quite a class of custom +for. + +"I presume you knew Mr. Landa was dead," she added, and at Clementina's +look of astonishment, she said with a natural satisfaction, "Mm! died the +thutteenth day of August. I presumed somehow you'd know it, though you +didn't see a great deal of 'em, come to think of it. I guess he was a +good man; too good for her, I guess," she concluded, in the New England +necessity of blaming some one. "She sent us the papah." + +There was an early frost; and people said there was going to be a hard +winter, but it was not this that made Clementina's father set to work +finishing his house. His turning business was well started, now, and he +had got together money enough to pay for the work. He had lately +enlarged the scope of his industry by turning gate-posts and urns for the +tops of them, which had become very popular, for the front yards of the +farm and village houses in a wide stretch of country. They sold more +steadily than the smaller wares, the cups, and tops, and little vases and +platters which had once been the output of his lathe; after the first +season the interest of the summer folks in these fell off; but the gate +posts and the urns appealed to a lasting taste in the natives. + +Claxon wished to put the finishing touches on the house himself, and he +was willing to suspend more profitable labors to do so. After some +attempts at plastering he was forced to leave that to the plasterers, but +he managed the clap-boarding, with Clementina to hand him boards and +nails, and to keep him supplied with the hammer he was apt to drop at +critical moments. They talked pretty constantly at their labors, and in +their leisure, which they spent on the brown needles under the pines at +the side of the house. Sometimes the hammering or the talking would be +interrupted by a voice calling, from a passing vehicle in the hidden +roadway, something about urns. Claxon would answer, without troubling +himself to verify the inquirer; or moving from his place, that he would +get round to them, and then would hammer on, or talk on with Clementina. + +One day in October a carriage drove up to the door, after the work on the +house had been carried as far as Claxon's mood and money allowed, and he +and Clementina were picking up the litter of his carpentering. He had +replaced the block of wood which once served at the front door by some +steps under an arbor of rustic work; but this was still so novel that the +younger children had not outgrown their pride in it and were playing at +house-keeping there. Clementina ran around to the back door and out +through the front entry in time to save the visitor and the children from +the misunderstanding they began to fall into, and met her with a smile of +hospitable brilliancy, and a recognition full of compassionate welcome. + +Mrs. Lander gave way to her tears as she broke out, "Oh, it ain't the +way it was the last time I was he'a! You hea'd that he--that Mr. Landa"-- + +"Mrs. Atwell told me," said Clementina. "Won't you come in, and sit +down?" + +"Why, yes." Mrs. Lander pushed in through the narrow door of what was to +be the parlor. Her crapes swept about her and exhaled a strong scent of +their dyes. Her veil softened her heavy face; but she had not grown +thinner in her bereavement. + +"I just got to the Middlemount last night," she said, "and I wanted to +see you and your payrents, both, Miss Claxon. It doos bring him back so! +You won't neva know how much he thought of you, and you'll all think I'm +crazy. I wouldn't come as long as he was with me, and now I have to come +without him; I held out ag'inst him as long as I had him to hold out +ag'inst. Not that he was eva one to push, and I don't know as he so much +as spoke of it, afta we left the hotel two yea's ago; but I presume it +wa'n't out of his mind a single minute. Time and time again I'd say to +him, 'Now, Albe't, do you feel about it just the way you done?' and he'd +say, 'I ha'r't had any call to charge my mind about it,' and then I'd +begin tryin' to ahgue him out of it, and keep a hectorin', till he'd say, +'Well, I'm not askin' you to do it,' and that's all I could get out of +him. But I see all the while 't he wanted me to do it, whateva he asked, +and now I've got to do it when it can't give him any pleasure." Mrs. +Lander put up her black-bordered handkerchief and sobbed into it, and +Clementina waited till her grief had spent itself; then she gave her a +fan, and Mrs. Lander gratefully cooled her hot wet face. The children +had found the noises of her affliction and the turbid tones of her +monologue annoying, and had gone off to play in the woods; Claxon kept +incuriously about the work that Clementina had left him to; his wife +maintained the confidence which she always felt in Clementina's ability +to treat with the world when it presented itself, and though she was +curious enough, she did not offer to interrupt the girl's interview with +Mrs. Lander; Clementina would know how to behave. + +Mrs. Lander, when she had refreshed herself with the fan, seemed to get a +fresh grip of her theme, and she told Clementina all abort Mr. Lander's +last sickness. It had been so short that it gave her no time to try the +climate of Colorado upon him, which she now felt sure would have brought +him right up; and she had remembered, when too late, to give him a liver- +medicine of her own, though it did not appear that it was his liver which +was affected; that was the strange part of it. But, brief as his +sickness was, he had felt that it was to be his last, and had solemnly +talked over her future with her, which he seemed to think would be +lonely. He had not named Clementina, but Mrs. Lander had known well +enough what he meant; and now she wished to ask her, and her father and +mother, how they would all like Clementina to come and spend the winter +with her at Boston first, and then further South, and wherever she should +happen to go. She apologized for not having come sooner upon this +errand; she had resolved upon it as soon as Mr. Lander was gone, but she +had been sick herself, and had only just now got out of bed. + +Clementina was too young to feel the pathos of the case fully, or perhaps +even to follow the tortuous course of Mrs. Lander's motives, but she was +moved by her grief; and she could not help a thrill of pleasure in the +vague splendor of the future outlined by Mrs. Lander's proposal. For a +time she had thought that Mrs. Milray was going to ask her to visit her +in New York; Mrs. Milray had thrown out a hint of something of the kind +at parting, but that was the last of it; and now she at once made up her +mind that she would like to go with Mrs. Lander, while discreetly saying +that she would ask her father and mother to come and talk with her. + + + + +XIII. + +Her parents objected to leaving their work; each suggested that the other +had better go; but they both came at Clementina's urgence. Her father +laughed and her mother frowned when she told them what Mrs. Lander +wanted, from the same misgiving of her sanity. They partly abandoned +this theory for a conviction of Mrs. Lander's mere folly when she began +to talk, and this slowly yielded to the perception that she had some +streaks of sense. It was sense in the first place to want to have +Clementina with her, and though it might not be sense to suppose that +they would be anxious to let her go, they did not find so much want of it +as Mrs. Lander talked on. It was one of her necessities to talk away her +emotions before arriving at her ideas, which were often found in a +tangle, but were not without a certain propriety. She was now, after her +interview with Clementina, in the immediate presence of these, and it was +her ideas that she began to produce for the girl's father and mother. +She said, frankly, that she had more money than she knew what to do with, +and they must not think she supposed she was doing a favor, for she was +really asking one. + +She was alone in the world, without near connections of her own, or +relatives of her husband's, and it would be a mercy if they could let +their daughter come and visit her; she would not call it more than a +visit; that would be the best thing on both sides; she told of her great +fancy for Clementina the first time she saw her, and of her husband's +wish that she would come and visit with them then for the winter. As for +that money she had tried to make the child take, she presumed that they +knew about it, and she wished to say that she did it because she was +afraid Mr. Lander had said so much about the sewing, that they would be +disappointed. She gave way to her tears at the recollection, and +confessed that she wanted the child to have the money anyway. She ended +by asking Mrs. Claxon if she would please to let her have a drink of +water; and she looked about the room, and said that they had got it +finished up a great deal, now, had not they? She made other remarks upon +it, so apt that Mrs. Claxon gave her a sort of permissive invitation to +look about the whole lower floor, ending with the kitchen. + +Mrs. Lander sat down there while Mrs. Claxon drew from the pipes a glass +of water, which she proudly explained was pumped all over the house by +the wind mill that supplied the power for her husband's turning lathes. + +"Well, I wish mah husband could have tasted that wata," said Mrs. Lander, +as if reminded of husbands by the word, and by the action of putting down +the glass. "He was always such a great hand for good, cold wata. My! +He'd 'a liked youa kitchen, Mrs. Claxon. He always was such a home-body, +and he did get so ti'ed of hotels. For all he had such an appearance, +when you see him, of bein'--well!--stiff and proud, he was fah moa common +in his tastes--I don't mean common, exactly, eitha--than what I was; and +many a time when we'd be drivin' through the country, and we'd pass some +o' them long-strung-out houses, don't you know, with the kitchen next to +the wood shed, and then an ahchway befoa you get to the stable, Mr. Landa +he'd get out, and make an urrand, just so's to look in at the kitchen +dooa; he said it made him think of his own motha's kitchen. We was both +brought up in the country, that's a fact, and I guess if the truth was +known we both expected to settle down and die thea, some time; but now +he's gone, and I don't know what'll become o' me, and sometimes I don't +much care. I guess if Mr. Landa'd 'a seen youa kitchen, it wouldn't 'a' +been so easy to git him out of it; and I do believe if he's livin' +anywhe' now he takes as much comfo't in my settin' here as what I do. +I presume I shall settle down somewhe's before a great while, and if you +could make up youa mind to let your daughta come to me for a little visit +till spring, you couldn't do a thing that 'd please Mr. Landa moa." + +Mrs. Claxon said that she would talk it over with the child's father; and +then Mrs. Lander pressed her to let her take Clementina back to the +Middlemount with her for supper, if they wouldn't let her stay the night. +After Clementina had driven away, Mrs. Claxon accused herself to her +husband of being the greatest fool in the State, but he said that the +carriage was one of the Middlemount rigs, and he guessed it was all +right. He could see that Clem was wild to go, and he didn't see why she +shouldn't. + +"Well, I do, then," his wife retorted. "We don't know anything about the +woman, or who she is." + +"I guess no harm'll come to Clem for one night," said Claxon, and Mrs. +Claxon was forced back upon the larger question for the maintenance of +her anxiety. She asked what he was going to do about letting Clem go the +whole winter with a perfect stranger; and he answered that he had not got +round to that yet, and that there were a good many things to be thought +of first. He got round to see the rector before dark, and in the light +of his larger horizon, was better able to orient Mrs. Lander and her +motives than he had been before. + +When she came back with the girl the next morning, she had thought of +something in the nature of credentials. It was the letter from her +church in Boston, which she took whenever she left home, so that if she +wished she might unite with the church in any place where she happened to +be stopping. It did not make a great impression upon the Klaxons, who +were of no religion, though they allowed their children to go to the +Episcopal church and Sunday-school, and always meant to go themselves. +They said they would like to talk the matter over with the rector, if +Mrs. Lander did not object; she offered to send her carriage for him, and +the rector was brought at once. + +He was one of those men who have, in the breaking down of the old +Puritanical faith, and the dying out of the later Unitarian rationalism, +advanced and established the Anglican church so notably in the New +England hill-country, by a wise conformity to the necessities and +exactions of the native temperament. On the ecclesiastical side he was +conscientiously uncompromising, but personally he was as simple-mannered +as he was simple-hearted. He was a tall lean man in rusty black, with a +clerical waistcoat that buttoned high, and scholarly glasses, but with a +belated straw hat that had counted more than one summer, and a farmer's +tan on his face and hands. He pronounced the church-letter, though quite +outside of his own church, a document of the highest respectability, and +he listened with patient deference to the autobiography which Mrs. Lander +poured out upon him, and her identifications, through reference to this +or that person in Boston whom he knew either at first or second hand. +He had not to pronounce upon her syntax, or her social quality; it was +enough for him, in behalf of the Claxons, to find her what she professed +to be. + +"You must think," he said, laughing, "that we are over-particular; but +the fact is that we value Clementina rather highly, and we wish to be +sure that your hospitable offer will be for her real good." + +"Of cou'se," said Mrs. Lander. "I should be just so myself abort her." + +"I don't know," he continued, "that I've ever said how much we think of +her, Mrs. Richling and I, but this seems a good opportunity, as she is +not present. + +"She is not perfect, but she comes as near being a thoroughly good girl as +she can without knowing it. She has a great deal of common-sense, and we +all want her to have the best chance." + +"Well, that's just the way I feel about her, and that's just what I mean +to give her," said Mrs. Lander. + +"I am not sure that I make myself quite clear," said the rector. +"I mean, a chance to prove how useful and helpful she can be. Do you +think you can make life hard for her occasionally? Can you be peevish +and exacting, and unreasonable? Can you do something to make her value +superfluity and luxury at their true worth?" + +Mrs. Lander looked a little alarmed and a little offended. "I don't know +as I undastand what you mean, exactly," she said, frowning rather with +perplexity than resentment. "But the child sha'n't have a care, and her +own motha couldn't be betta to her than me. There a'n't anything money +can buy that she sha'n't have, if she wants it, and all I'll ask of her +is 't she'll enjoy herself as much as she knows how. I want her with me +because I should love to have her round; and we did from the very fust +minute she spoke, Mr. Lander and me, both. She shall have her own money, +and spend it for anything she pleases, and she needn't do a stitch o' +work from mohnin' till night. But if you're afraid I shall put upon her" + +"No, no," said the rector, and he threw back his head with a laugh. + +"When it was all arranged, a few days later, after the verification of +certain of Mrs. Lander's references by letters to Boston, he said to +Clementina's father and mother, "There's only one danger, now, and that +is that she will spoil Clementina; but there's a reasonable hope that she +won't know how." He found the Claxons struggling with a fresh misgiving, +which Claxon expressed. "The way I look at it is like this. I don't +want that woman should eva think Clem was after her money. On the face +of it there a'n't very much to her that would make anybody think but what +we was after it; and I should want it pootty well undastood that we +wa'n't that kind. But I don't seem to see any way of tellin' her." + +"No," said the rector, with a sympathetic twinkle, "that would be +difficult." + +"It's plain to be seen," Mrs. Claxon interposed, "that she thinks a good +deal of her money; and I d' know but what she'd think she was doin' Clem +most too much of a favor anyway. If it can't be a puffectly even thing, +all round, I d' know as I should want it to be at all." + +"You're quite right, Mrs. Claxon, quite right. But I believe Mrs. +Lander may be safely left to look out for her own interests. After all, +she has merely asked Clementina to pass the winter with her. It will be +a good opportunity for her to see something of the world; and perhaps it +may bring her the chance of placing herself in life. We have got to +consider these things with reference to a young girl." + +Mrs. Claxon said, "Of cou'se," but Claxon did not assent so readily. + +"I don't feel as if I should want Clem to look at it in that light. If +the chance don't come to her, I don't want she should go huntin' round +for it." + +"I thoroughly agree with you," said the rector. "But I was thinking that +there was not only no chance worthy of her in Middlemount, but there is +no chance at all." + +"I guess that's so," Claxon owned with a laugh. "Well, I guess we can +leave it to Clem to do what's right and proper everyway. As you say, +she's got lots of sense." + +From that moment he emptied his mind of care concerning the matter; but +husband and wife are never both quite free of care on the same point of +common interest, and Mrs. Claxon assumed more and more of the anxieties +which he had abandoned. She fretted under the load, and expressed an +exasperated tenderness for Clementina when the girl seemed forgetful of +any of the little steps to be taken before the great one in getting her +clothes ready for leaving home. She said finally that she presumed they +were doing a wild thing, and that it looked crazier and crazier the more +she thought of it; but all was, if Clem didn't like, she could come home. +By this time her husband was in something of that insensate eagerness to +have the affair over that people feel in a house where there is a +funeral. + +At the station, when Clementina started for Boston with Mrs. Lander, her +father and mother, with the rector and his wife, came to see her off. +Other friends mistakenly made themselves of the party, and kept her +talking vacuities when her heart was full, till the train drew up. Her +father went with her into the parlor car, where the porter of the +Middlemount House set down Mrs. Lander's hand baggage and took the final +fee she thrust upon him. When Claxon came out he was not so satisfactory +about the car as he might have been to his wife, who had never been +inside a parlor car, and who had remained proudly in the background, +where she could not see into it from the outside. He said that he had +felt so bad about Clem that he did not notice what the car was like. +But he was able to report that she looked as well as any of the folks in +it, and that, if there were any better dressed, he did not see them. He +owned that she cried some, when he said good-bye to her. + +"I guess," said his wife, grimly, "we're a passel o' fools to let her go. +Even if she don't like, the'a, with that crazy-head, she won't be the +same Clem when she comes back." + +They were too heavy-hearted to dispute much, and were mostly silent as +they drove home behind Claxon's self-broken colt: a creature that had +taken voluntarily to harness almost from its birth, and was an example to +its kind in sobriety and industry. + +The children ran out from the house to meet them, with a story of having +seen Clem at a point in the woods where the train always slowed up before +a crossing, and where they had all gone to wait for her. She had seen +them through the car-window, and had come out on the car platform, and +waved her handkerchief, as she passed, and called something to them, +but they could not hear what it was, they were all cheering so. + +At this their mother broke down, and went crying into the house. Not to +have had the last words of the child whom she should never see the same +again if she ever saw her at all, was more, she said, than heart could +bear. + +The rector's wife arrived home with her husband in a mood of mounting +hopefulness, which soared to tops commanding a view of perhaps more of +this world's kingdoms than a clergyman's wife ought ever to see, even for +another. She decided that Clementina's chances of making a splendid +match, somewhere, were about of the nature of certainties, and she +contended that she would adorn any station, with experience, and with her +native tact, especially if it were a very high station in Europe, where +Mrs. Lander would now be sure to take her. If she did not take her to +Europe, however, she would be sure to leave her all her money, and this +would serve the same end, though more indirectly. + +Mr. Richling scoffed at this ideal of Clementina's future with a contempt +which was as little becoming to his cloth. He made his wife reflect +that, with all her inherent grace and charm, Clementina was an ignorant +little country girl, who had neither the hardness of heart nor the +greediness of soul, which gets people on in the world, and repair for +them the disadvantages of birth and education. He represented that even +if favorable chances for success in society showed themselves to the +girl, the intense and inexpugnable vulgarity of Mrs. Lander would spoil +them; and he was glad of this, he said, for he believed that the best +thing which could happen to the child would be to come home as sweet and +good as she had gone away; he added this was what they ought both to pray +for. + +His wife admitted this, but she retorted by asking if he thought such a +thing was possible, and he was obliged to own that it was not possible. +He marred the effect of his concession by subjoining that it was no more +possible than her making a brilliant and triumphant social figure in +society, either at home or in Europe. + + + + +XIV. + +So far from embarking at once for Europe, Mrs. Lander went to that hotel +in a suburb of Boston, where she had the habit of passing the late autumn +months, in order to fortify herself for the climate of the early winter +months in the city. She was a little puzzled how to provide for +Clementina, with respect to herself, but she decided that the best thing +would be to have her sleep in a room opening out of her own, with a +folding bed in it, so that it could be used as a sort of parlor for both +of them during the day, and be within easy reach, for conversation, at +all times. + +On her part, Clementina began by looking after Mrs. Lander's comforts, +large and little, like a daughter, to her own conception and to that of +Mrs. Lander, but to other eyes, like a servant. Mrs. Lander shyly shrank +from acquaintance among the other ladies, and in the absence of this, she +could not introduce Clementina, who went down to an early breakfast +alone, and sat apart with her at lunch and dinner, ministering to her in +public as she did in private. She ran back to their rooms to fetch her +shawl, or her handkerchief, or whichever drops or powders she happened to +be taking with her meals, and adjusted with closer care the hassock which +the head waiter had officially placed at her feet. They seldom sat in +the parlor where the ladies met, after dinner; they talked only to each +other; and there, as elsewhere, the girl kept her filial care of the old +woman. The question of her relation to Mrs. Lander became so pressing +among several of the guests that, after Clementina had watched over the +banisters, with throbbing heart and feet, a little dance one night which +the other girls had got up among themselves, and had fled back to her +room at the approach of one of the kindlier and bolder of them, the +landlord felt forced to learn from Mrs. Lander how Miss Claxon was to be +regarded. He managed delicately, by saying he would give the Sunday +paper she had ordered to her nurse, "Or, I beg your pardon," he added, as +if he had made a mistake. "Why, she a'n't my nuhse," Mrs. Lander +explained, simply, neither annoyed nor amused; "she's just a young lady +that's visiting me, as you may say," and this put an end to the misgiving +among the ladies. But it suggested something to Mrs. Lander, and a few +days afterwards, when they came out from Boston where they had been +shopping, and she had been lavishing a bewildering waste of gloves, hats, +shoes, capes and gowns upon Clementina, she said, "I'll tell you what. +We've got to have a maid." + +"A maid?" cried the girl. + +"It isn't me, or my things I want her for," said Mrs. Lander. "It's you +and these dresses of youas. I presume you could look afta them, come to +give youa mind to it; but I don't want to have you tied up to a lot of +clothes; and I presume we should find her a comfo't in moa ways than one, +both of us. I don't know what we shall want her to do, exactly; but I +guess she will, if she undastands her business, and I want you should go +in with me, to-morror, and find one. I'll speak to some of the ladies, +and find out whe's the best place to go, and we'll get the best there +is." + +A lady whom Mrs. Lander spoke to entered into the affair with zeal born +of a lurking sense of the wrong she had helped do Clementina in the +common doubt whether she was not herself Mrs. Lander's maid. She offered +to go into Boston with them to an intelligence office, where you could +get nice girls of all kinds; but she ended by giving Mrs. Lander the +address, and instructions as to what she was to require in a maid. She +was chiefly to get an English maid, if at all possible, for the +qualifications would more or less naturally follow from her nationality. +There proved to be no English maid, but there was a Swedish one who had +received a rigid training in an English family living on the Continent, +and had come immediately from that service to seek her first place in +America. The manager of the office pronounced her character, as set down +in writing, faultless, and Mrs. Lander engaged her. "You want to look +afta this young lady," she said, indicating Clementina. "I can look afta +myself," but Ellida took charge of them both on the train out from Boston +with prompt intelligence. + +"We got to get used to it, I guess," Mrs. Lander confided at the first +chance of whispering to Clementina. + +Within a month after washing the faces and combing the hair of all her +brothers and sisters who would suffer it at her hands, Clementina's own +head was under the brush of a lady's maid, who was of as great a +discreetness in her own way as Clementina herself. She supplied the +defects of Mrs. Lander's elementary habits by simply asking if she should +get this thing and that thing for the toilet, without criticising its +absence,--and then asking whether she should get the same things for her +young lady. She appeared to let Mrs. Lander decide between having her +brushes in ivory or silver, but there was really no choice for her, and +they came in silver. She knew not only her own place, but the places of +her two ladies, and she presently had them in such training that they +were as proficient in what they might and might not do for themselves and +for each other, as if making these distinctions were the custom of their +lives. + +Their hearts would both have gone out to Ellida, but Ellida kept them at +a distance with the smooth respectfulness of the iron hand in the glove +of velvet; and Clementina first learned from her to imagine the +impassable gulf between mistress and maid. + +At the end of her month she gave them, out of a clear sky, a week's +warning. She professed no grievance, and was not moved by Mrs. Lander's +appeal to say what wages she wanted. She would only say that she was +going to take a place an Commonwealth Avenue, where a friend of hers was +living, and when the week was up, she went, and left her late mistresses +feeling rather blank. "I presume we shall have to get anotha," said +Mrs. Lander. + +"Oh, not right away!" Clementina pleaded. + +"Well, not right away," Mrs. Lander assented; and provisionally they each +took the other into her keeping, and were much freer and happier +together. + +Soon after Clementina was startled one morning, as she was going in to +breakfast, by seeing Mr. Fane at the clerk's desk. He did not see her; +he was looking down at the hotel register, to compute the bill of a +departing guest; but when she passed out she found him watching for her, +with some letters. + +"I didn't know you were with us," he said, with his pensive smile, "till +I found your letters here, addressed to Mrs. Lander's care; and then I +put two and two together. It only shows how small the world is, don't +you think so? I've just got back from my vacation; I prefer to take it +in the fall of the year, because it's so much pleasanter to travel, then. +I suppose you didn't know I was here?" + +"No, I didn't," said Clementina. "I never dreamed of such a thing." + +"To be sure; why should you?" Fane reflected. "I've been here ever since +last spring. But I'll say this, Miss Claxon, that if it's the least +unpleasant to you, or the least disagreeable, or awakens any kind of +associations"-- + +"Oh, no!" Clementina protested, and Fane was spared the pain of saying +what he would do if it were. + +He bowed, and she said sweetly, "It's pleasant to meet any one I've seen +before. I suppose you don't know how much it's changed at Middlemount +since you we' e thea." Fane answered blankly, while he felt in his +breast pocket, Oh, he presumed so; and she added: "Ha'dly any of the same +guests came back this summer, and they had more in July than they had in +August, Mrs. Atwell said. Mr. Mahtin, the chef, is gone, and newly all +the help is different." + +Fane kept feeling in one pocket and then slapped himself over the other +pockets. "No," he said, "I haven't got it with me. I must have left it +in my room. I just received a letter from Frank--Mr. Gregory, you know, +I always call him Frank--and I thought I had it with me. He was asking +about Middlemount; and I wanted to read you what he said. But I'll find +it upstairs. He's out of college, now, and he's begun his studies in the +divinity school. He's at Andover. I don't know what to make of Frank, +oftentimes," the clerk continued, confidentially. "I tell him he's a +kind of a survival, in religion; he's so aesthetic." It seemed to Fane +that he had not meant aesthetic, exactly, but he could not ask Clementina +what the word was. He went on to say, "He's a grand good fellow, Frank +is, but he don't make enough allowance for human nature. He's more like +one of those old fashioned orthodox. I go in for having a good time, so +long as you don't do anybody else any hurt." + +He left her, and went to receive the commands of a lady who was leaning +over the desk, and saying severely, "My mail, if you please," and +Clementina could not wait for him to come back; she had to go to Mrs. +Lander, and get her ready for breakfast; Ellida had taught Mrs. Lander a +luxury of helplessness in which she persisted after the maid's help was +withdrawn. + +Clementina went about the whole day with the wonder what Gregory had said +about Middlemount filling her mind. It must have had something to do +with her; he could not have forgotten the words he had asked her to +forget. She remembered them now with a curiosity, which had no rancor in +it, to know why he really took them back. She had never blamed him, and +she had outlived the hurt she had felt at not hearing from him. But she +had never lost the hope of hearing from him, or rather the expectation, +and now she found that she was eager for his message; she decided that it +must be something like a message, although it could not be anything +direct. No one else had come to his place in her fancy, and she was +willing to try what they would think of each other now, to measure her +own obligation to the past by a knowledge of his. There was scarcely +more than this in her heart when she allowed herself to drift near Fane's +place that night, that he might speak to her, and tell her what Gregory +had said. But he had apparently forgotten about his letter, and only +wished to talk about himself. He wished to analyze himself, to tell her +what sort of person he was. He dealt impartially with the subject; he +did not spare some faults of his; and after a week, he proposed a +correspondence with her, in a letter of carefully studied spelling, as a +means of mutual improvement as well as further acquaintance. + +It cost Clementina a good deal of trouble to answer him as she wished and +not hurt his feelings. She declined in terms she thought so cold that +they must offend him beyond the point of speaking to her again; but he +sought her out, as soon after as he could, and thanked her for her +kindness, and begged her pardon. He said he knew that she was a very +busy person, with all the lessons she was taking, and that she had no +time for carrying on a correspondence. He regretted that he could not +write French, because then the correspondence would have been good +practice for her. Clementina had begun taking French lessons, of a +teacher who came out from Boston. She lunched three times a week with +her and Mrs. Lander, and spoke the language with Clementina, whose accent +she praised for its purity; purity of accent was characteristic of all +this lady's pupils; but what was really extraordinary in Mademoiselle +Claxon was her sense of grammatical structure; she wrote the language +even more perfectly than she spoke it; but beautifully, but wonderfully; +her exercises were something marvellous. + +Mrs. Lander would have liked Clementina to take all the lessons that she +heard any of the other young ladies in the hotel were taking. One of +them went in town every day, and studied drawing at an art-school, and +she wanted Clementina to do that, too. But Clementina would not do that; +she had tried often enough at home, when her brother Jim was drawing, and +her father was designing the patterns of his woodwork; she knew that she +never could do it, and the time would be wasted. She decided against +piano lessons and singing lessons, too; she did not care for either, and +she pleaded that it would be a waste to study them; but she suggested +dancing lessons, and her gift for dancing won greater praise, and perhaps +sincerer, than her accent won from Mademoiselle Blanc, though Mrs. Lander +said that she would not have believed any one could be more +complimentary. She learned the new steps and figures in all the +fashionable dances; she mastered some fancy dances, which society was +then beginning to borrow from the stage; and she gave these before Mrs. +Lander with a success which she felt herself. + +"I believe I could teach dancing," she said. + +"Well, you won't eve haf to, child," returned Mrs. Lander, with an eye on +the side of the case that seldom escaped her. + +In spite of his wish to respect these preoccupations, Fane could not keep +from offering Clementina attentions, which took the form of persecution +when they changed from flowers for Mrs. Lander's table to letters for +herself. He apologized for his letters whenever he met her; but at last +one of them came to her before breakfast with a special delivery stamp +from Boston. He had withdrawn to the city to write it, and he said that +if she could not make him a favorable answer, he should not come back to +Woodlake. + +She had to show this letter to Mrs. Lander, who asked: "You want he +should come back?" + +"No, indeed! I don't want eva to see him again." + +"Well, then, I guess you'll know how to tell him so." + +The girl went into her own room to write, and when she brought her answer +to show it to Mrs. Lander she found her in frowning thought. "I don't +know but you'll have to go back and write it all over again, Clementina," +she said, "if you've told him not to come. I've been thinkin', if you +don't want to have anything to do with him, we betta go ouaselves." + +"Yes," answered Clementina, "that's what I've said." + +"You have? Well, the witch is in it! How came you to"-- + +"I just wanted to talk with you about it. But I thought maybe you'd like +to go. Or at least I should. I should like to go home, Mrs. Landa." + +"Home!" retorted Mrs. Lander. "The'e's plenty of places where you can be +safe from the fella besides home, though I'll take you back the'a this +minute if you say so. But you needn't to feel wo'ked up about it." + +"Oh, I'm not," said Clementina, but with a gulp which betrayed her +nervousness. + +"I did think," Mrs. Lander went on, "that I should go into the Vonndome, +for December and January, but just as likely as not he'd come pesterin' +the'a, too, and I wouldn't go, now, if you was to give me the whole city +of Boston. Why shouldn't we go to Florid?" + +When Mrs. Lander had once imagined the move, the nomadic impulse mounted +irresistably in her. She spoke of hotels in the South, where they could +renew the summer, and she mapped out a campaign which she put into +instant action so far as to advance upon New York. + + + + +ETEXT EDITOR'S BOOKMARKS: + +All in all to each other +Chained to the restless pursuit of an ideal not his own +Composed her features and her ideas to receive her visitor +Going on of things had long ceased to bring pleasure +He a'n't a do-nothin'; he's a do-everything +Hopeful apathy in his face +I'm moa used to havin' the things brought to me +Inexhaustible flow of statement, conjecture and misgiving +Kept her talking vacuities when her heart was full +Led a life of public seclusion +Luxury of helplessness +New England necessity of blaming some one +No object in life except to deprive it of all object +Perverse reluctance to find out where they were +Provisional reprehension of possible shiftlessness +Scant sleep of an elderly man +Seldom talked, but there came times when he would'nt even listen +Thrown mainly upon the compassion of the chambermaids +Tone was a snuffle expressive of deep-seated affliction +Unaware that she was a selfish or foolish person +Under a fire of conjecture and asseveration +Weak in his double letters +Wishes of a mistress who did not know what she wanted +You've got a light-haired voice + + + + +End of this Project Gutenberg Etext of Ragged Lady, v1 +by William Dean Howells + diff --git a/old/wh1rl11.zip b/old/wh1rl11.zip Binary files differnew file mode 100644 index 0000000..557c9f4 --- /dev/null +++ b/old/wh1rl11.zip |
