summaryrefslogtreecommitdiff
path: root/old/whspw11h.htm
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:21:11 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:21:11 -0700
commit821c510e7417fcb8ab7a51f61cd232b04e1e6dd7 (patch)
treeff09c43eeaeb5a5a046b7990adba6c0593a70336 /old/whspw11h.htm
initial commit of ebook 3383HEADmain
Diffstat (limited to 'old/whspw11h.htm')
-rw-r--r--old/whspw11h.htm738
1 files changed, 738 insertions, 0 deletions
diff --git a/old/whspw11h.htm b/old/whspw11h.htm
new file mode 100644
index 0000000..8d1675d
--- /dev/null
+++ b/old/whspw11h.htm
@@ -0,0 +1,738 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<HTML><HEAD>
+<TITLE>The Project Gutenberg eBook of Spanish Prisoners of War, by Howells</TITLE>
+<META http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<STYLE TYPE="text/css">
+<!--
+DIV.book { margin-left: 5%; margin-right: 5%; text-align: justify; }
+P { text-indent: 2em; margin-top: 0; margin-bottom: 0; }
+P.pg { text-indent: 0em; margin-top: 1em; margin-bottom: 1em; }
+-->
+</STYLE>
+</HEAD>
+<BODY>
+<center><h1>The Project Gutenberg EBook of<br><a href="#title"><i>Spanish Prisoners of War</i></a><br>by William Dean Howells</h1>
+<h2>#30 in our series by William Dean Howells</h2></center>
+<DIV align="justify">
+<p class="pg"><br>
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+<p class="pg">
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+<p class="pg">
+Please read the <a href="#legal">&#8220;legal small print,&#8221;</a> and <a href="#footer">other information</a> about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+<p class="pg">
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+<p class="pg">
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+<p class="pg">
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+<p class="pg">
+Title: Spanish Prisoners of War
+<p class="pg">
+Author: William Dean Howells
+<p class="pg">
+Release Date: August, 2002 [Etext #3383]
+<br>[Yes, we are more than one year ahead of schedule]
+<br>[This HTML edition was first posted on April 1, 2003]
+<p class="pg">
+Edition: 11
+<p class="pg">
+Language: English
+<p class="pg">
+Character set encoding: ISO-8859-1
+<p class="pg">
+*** START OF THE PROJECT GUTENBERG EBOOK, SPANISH PRISONERS OF WAR ***
+<p class="pg"><br><br>
+This eBook was converted to HTML, with additional editing, by Jose Menendez
+from the text edition produced by David Widger.
+<br><br><br></DIV>
+<DIV class="book">
+<a name="title"></a><hr size="3" noshade>
+<center>
+<h1>LITERATURE AND LIFE</h1><hr width="50" size="3" noshade>
+<h2>SPANISH PRISONERS OF WAR</h2><br><br><h3>BY</h3><br><h2>WILLIAM DEAN HOWELLS</h2>
+</center>
+<hr size="3" noshade>
+<p><br>
+<big><big>C</big></big>ERTAIN summers ago our cruisers, the <i>St. Louis</i> and the <i>Harvard</i>, arrived
+at Portsmouth, New Hampshire, with sixteen or seventeen hundred Spanish
+prisoners from Santiago de Cuba. They were partly soldiers of the land
+forces picked up by our troops in the fights before the city, but by far
+the greater part were sailors and marines from Cervera&#8217;s ill-fated fleet.
+I have not much stomach for war, but the poetry of the fact I have stated
+made a very potent appeal to me on my literary side, and I did not hold
+out against it longer than to let the <i>St. Louis</i> get away with Cervera to
+Annapolis, when only her less dignified captives remained with those of
+the <i>Harvard</i> to feed either the vainglory or the pensive curiosity of the
+spectator. Then I went over from our summer colony to Kittery Point, and
+got a boat, and sailed out to have a look at these subordinate enemies in
+the first hours of their imprisonment.
+
+<br><br>
+<center><hr width="200"><br>
+<h3>I.</h3></center>
+<p><br>
+It was an afternoon of the brilliancy known only to an afternoon of the
+American summer, and the water of the swift Piscataqua River glittered in
+the sun with a really incomparable brilliancy. But nothing could light
+up the great monster of a ship, painted the dismal lead-color which our
+White Squadrons put on with the outbreak of the war, and she lay sullen
+in the stream with a look of ponderous repose, to which the activities of
+the coaling-barges at her side, and of the sailors washing her decks,
+seemed quite unrelated. A long gun forward and a long gun aft threatened
+the fleet of launches, tugs, dories, and cat-boats which fluttered about
+her, but the <i>Harvard</i> looked tired and bored, and seemed as if asleep.
+She had, in fact, finished her mission. The captives whom death had
+released had been carried out and sunk in the sea; those who survived to
+a further imprisonment had all been taken to the pretty island a mile
+farther up in the river, where the tide rushes back and forth through the
+Narrows like a torrent. Its defiant rapidity has won it there the
+graphic name of Pull-and-be-Damned; and we could only hope to reach the
+island by a series of skilful tacks, which should humor both the wind and
+the tide, both dead against us. Our boatman, one of those shore New
+Englanders who are born with a knowledge of sailing, was easily master of
+the art of this, but it took time, and gave me more than the leisure I
+wanted for trying to see the shore with the strange eyes of the captives
+who had just looked upon it. It was beautiful, I had to own, even in my
+quality of exile and prisoner. The meadows and the orchards came down to
+the water, or, where the wandering line of the land was broken and lifted
+in black fronts of rock, they crept to the edge of the cliff and peered
+over it. A summer hotel stretched its verandas along a lovely level;
+everywhere in clovery hollows and on breezy knolls were gray old farm-houses
+and summer cottages&#8212;like weather-beaten birds&#8217; nests, and like
+freshly painted marten-boxes; but all of a cold New England neatness
+which made me homesick for my malodorous Spanish fishing-village,
+shambling down in stony lanes to the warm tides of my native seas. Here,
+every place looked as if it had been newly scrubbed with soap and water,
+and rubbed down with a coarse towel, and was of an antipathetic
+alertness. The sweet, keen breeze made me shiver, and the northern sky,
+from which my blinding southern sun was blazing, was as hard as sapphire.
+I tried to bewilder myself in the ignorance of a Catalonian or Asturian
+fisherman, and to wonder with his darkened mind why it should all or any
+of it have been, and why I should have escaped from the iron hell in
+which I had fought no quarrel of my own to fall into the hands of
+strangers, and to be haled over seas to these alien shores for a
+captivity of unknown term. But I need not have been at so much pains;
+the intelligence (I do not wish to boast) of an American author would
+have sufficed; for if there is anything more grotesque than another in
+war it is its monstrous inconsequence. If we had a grief with the
+Spanish government, and if it was so mortal we must do murder for it, we
+might have sent a joint committee of the House and Senate, and, with the
+improved means of assassination which modern science has put at our
+command, killed off the Spanish cabinet, and even the queen-mother and
+the little king. This would have been consequent, logical, and in a sort
+reasonable; but to butcher and capture a lot of wretched Spanish peasants
+and fishermen, hapless conscripts to whom personally and nationally we
+were as so many men in the moon, was that melancholy and humiliating
+necessity of war which makes it homicide in which there is not even the
+saving grace of hate, or the excuse of hot blood.
+<p>
+I was able to console myself perhaps a little better for the captivity of
+the Spaniards than if I had really been one of them, as we drew nearer
+and nearer their prison isle, and it opened its knotty points and little
+ravines, overrun with sweet-fern, blueberry-bushes, bay, and low
+blackberry-vines, and rigidly traversed with a high stockade of yellow
+pine boards. Six or eight long, low, wooden barracks stretched side by
+side across the general slope, with the captive officers&#8217; quarters,
+sheathed in weather-proof black paper, at one end of them. About their
+doors swarmed the common prisoners, spilling out over the steps and on
+the grass, where some of them lounged smoking. One operatic figure in a
+long blanket stalked athwart an open space; but there was such poverty of
+drama in the spectacle at the distance we were keeping that we were glad
+of so much as a shirt-sleeved contractor driving out of the stockade in
+his buggy. On the heights overlooking the enclosure Gatling guns were
+posted at three or four points, and every thirty or forty feet sentries
+met and parted, so indifferent to us, apparently, that we wondered if we
+might get nearer. We ventured, but at a certain moment a sentry called to
+us, &#8220;Fifty yards off, please!&#8221; Our young skipper answered, &#8220;All right,&#8221;
+and as the sentry had a gun on his shoulder which we had every reason to
+believe was loaded, it was easily our pleasure to retreat to the
+specified limit. In fact, we came away altogether, after that, so little
+promise was there of our being able to satisfy our curiosity further.
+We came away carefully nursing such impression as we had got of a spectacle
+whose historical quality we did our poor best to feel. It related
+us, after solicitation, to the wars against the Moors, against the
+Mexicans and Peruvians, against the Dutch; to the Italian campaigns of
+the Gran Capitan, to the Siege of Florence, to the Sack of Rome, to the
+wars of the Spanish Succession, and what others. I do not deny that
+there was a certain aesthetic joy in having the Spanish prisoners there
+for this effect; we came away duly grateful for what we had seen of them;
+and we had long duly resigned ourselves to seeing no more, when word was
+sent to us that our young skipper had got a permit to visit the island,
+and wished us to go with him.
+
+<br><br>
+<center><hr width="200"><br>
+<h3>II.</h3></center>
+<p><br>
+It was just such another afternoon when we went again, but this time we
+took the joyous trolley-car, and bounded and pirouetted along as far as
+the navy-yard of Kittery, and there we dismounted and walked among the
+vast, ghostly ship-sheds, so long empty of ships. The grass grew in the
+Kittery navy-yard, but it was all the pleasanter for the grass, and those
+pale, silent sheds were far more impressive in their silence than they
+would have been if resonant with saw and hammer. At several points, an
+unarmed marine left his leisure somewhere, and lunged across our path
+with a mute appeal for our permit; but we were nowhere delayed till we
+came to the office where it had to be countersigned, and after that we
+had presently crossed a bridge, by shady, rustic ways, and were on the
+prison island. Here, if possible, the sense of something pastoral
+deepened; a man driving a file of cows passed before us under kindly
+trees, and the bell which the foremost of these milky mothers wore about
+her silken throat sent forth its clear, tender note as if from the depth
+of some grassy bosk, and instantly witched me away to the woods-pastures
+which my boyhood knew in southern Ohio. Even when we got to what seemed
+fortifications they turned out to be the walls of an old reservoir, and
+bore on their gate a paternal warning that children unaccompanied by
+adults were not allowed within.
+<p>
+We mounted some stone steps over this portal and were met by a young
+marine, who left his Gatling gun for a moment to ask for our permit, and
+then went back satisfied. Then we found ourselves in the presence of a
+sentry with a rifle on his shoulder, who was rather more exacting.
+Still, he only wished to be convinced, and when he had pointed out the
+headquarters where we were next to go, he let us over his beat. At the
+headquarters there was another sentry, equally serious, but equally
+civil, and with the intervention of an orderly our leader saw the officer
+of the day. He came out of the quarters looking rather blank, for he had
+learned that his pass admitted our party to the lines, but not to the
+stockade, which we might approach, at a certain point of vantage and look
+over into, but not penetrate. We resigned ourselves, as we must, and
+made what we could of the nearest prison barrack, whose door overflowed
+and whose windows swarmed with swarthy captives. Here they were, at such
+close quarters that their black, eager eyes easily pierced the pockets
+full of cigarettes which we had brought for them. They looked mostly
+very young, and there was one smiling rogue at the first window who was
+obviously prepared to catch anything thrown to him. He caught, in fact,
+the first box of cigarettes shied over the stockade; the next box flew
+open, and spilled its precious contents outside the dead-line under the
+window, where I hope some compassionate guard gathered them up and gave
+them to the captives.
+<p>
+Our fellows looked capable of any kindness to their wards short of
+letting them go. They were a most friendly company, with an effect of
+picnicking there among the sweet-fern and blueberries, where they had
+pitched their wooden tents with as little disturbance to the shrubbery as
+possible. They were very polite to us, and when, after that misadventure
+with the cigarettes (I had put our young leader up to throwing the box,
+merely supplying the <i>corpus delicti</i> myself), I wandered vaguely towards a
+Gatling gun planted on an earthen platform where the laurel and the
+dogroses had been cut away for it, the man in charge explained with a
+smile of apology that I must not pass a certain path I had already
+crossed.
+<p>
+One always accepts the apologies of a man with a Gatling gun to back
+them, and I retreated. That seemed the end; and we were going
+crestfallenly away when the officer of the day came out and allowed us to
+make his acquaintance. He permitted us, with laughing reluctance, to
+learn that he had been in the fight at Santiago, and had come with the
+prisoners, and he was most obligingly sorry that our permit did not let
+us into the stockade. I said I had some cigarettes for the prisoners,
+and I supposed I might send them in, but he said he could not allow
+this, for they had money to buy tobacco; and he answered another of our
+party, who had not a soul above buttons, and who asked if she could get
+one from the Spaniards, that so far from promoting her wish, he would
+have been obliged to take away any buttons she might have got from them.
+<p>
+&#8220;The fact is,&#8221; he explained, &#8220;you&#8217;ve come to the wrong end for
+transactions in buttons and tobacco.&#8221;
+<p>
+But perhaps innocence so great as ours had wrought upon him. When we
+said we were going, and thanked him for his unavailing good-will, he
+looked at his watch and said they were just going to feed the prisoners;
+and after some parley he suddenly called out, &#8220;Music of the guard!&#8221;
+Instead of a regimental band, which I had supposed summoned, a single
+corporal ran out the barracks, touching his cap.
+<p>
+&#8220;Take this party round to the gate,&#8221; the officer said, and he promised us
+that he would see us there, and hoped we would not mind a rough walk. We
+could have answered that to see his prisoners fed we would wade through
+fathoms of red-tape; but in fact we were arrested at the last point by
+nothing worse than the barbed wire which fortified the outer gate. Here
+two marines were willing to tell us how well the prisoners lived, while
+we stared into the stockade through an inner gate of plank which was run
+back for us. They said the Spaniards had a breakfast of coffee, and hash
+or stew and potatoes, and a dinner of soup and roast; and now at five
+o&#8217;clock they were to have bread and coffee, which indeed we saw the
+white-capped, white-jacketed cooks bringing out in huge tin wash-boilers.
+Our marines were of opinion, and no doubt rightly, that these poor
+Spaniards had never known in their lives before what it was to have full
+stomachs. But the marines said they never acknowledged it, and the one
+who had a German accent intimated that gratitude was not a virtue of any
+Roman (I suppose he meant Latin) people. But I do not know that if I
+were a prisoner, for no fault of my own, I should be very explicitly
+thankful for being unusually well fed. I thought (or I think now) that a
+fig or a bunch of grapes would have been more acceptable to me under my
+own vine and fig-tree than the stew and roast of captors who were indeed
+showing themselves less my enemies than my own government, but were still
+not quite my hosts.
+
+<br><br>
+<center><hr width="200"><br>
+<h3>III.</h3></center>
+<p><br>
+How is it the great pieces of good luck fall to us? The clock strikes
+twelve as it strikes two, and with no more premonition. As we stood
+there expecting nothing better of it than three at the most, it suddenly
+struck twelve. Our officer appeared at the inner gate and bade our
+marines slide away the gate of barbed wire and let us into the enclosure,
+where he welcomed us to seats on the grass against the stockade, with
+many polite regrets that the tough little knots of earth beside it were
+not chairs.
+<p>
+The prisoners were already filing out of their quarters, at a rapid trot
+towards the benches where those great wash-boilers of coffee were set.
+Each man had a soup-plate and bowl of enamelled tin, and each in his turn
+received quarter of a loaf of fresh bread and a big ladleful of steaming
+coffee, which he made off with to his place at one of the long tables
+under a shed at the side of the stockade. One young fellow tried to get
+a place not his own in the shade, and our officer when he came back
+explained that he was a <i>guerrillero</i>, and rather unruly. We heard that
+eight of the prisoners were in irons, by sentence of their own officers,
+for misconduct, but all save this <i>guerrillero</i> here were docile and
+obedient enough, and seemed only too glad to get peacefully at their
+bread and coffee.
+<p>
+First among them came the men of the <i>Cristobal Colon</i>, and these were the
+best looking of all the captives. From their pretty fair average the
+others varied to worse and worse, till a very scrub lot, said to be
+ex-convicts, brought up the rear. They were nearly all little fellows, and
+very dark, though here and there a six-footer towered up, or a blond
+showed among them. They were joking and laughing together, harmlessly
+enough, but I must own that they looked a crew of rather sorry jail-birds;
+though whether any run of humanity clad in misfits of our navy
+blue and white, and other chance garments, with close-shaven heads, and
+sometimes bare feet, would have looked much less like jail-birds I am not
+sure. Still, they were not prepossessing, and though some of them were
+pathetically young, they had none of the charm of boyhood. No doubt they
+did not do themselves justice, and to be herded there like cattle did not
+improve their chances of making a favorable impression on the observer.
+They were kindly used by our officer and his subordinates, who mixed
+among them, and straightened out the confusion they got into at times,
+and perhaps sometimes wilfully. Their guards employed a few handy words
+of Spanish with them; where these did not avail, they took them by the
+arm and directed them; but I did not hear a harsh tone, and I saw no
+violence, or even so much indignity offered them as the ordinary trolley-car
+passenger is subjected to in Broadway. At a certain bugle-call they
+dispersed, when they had finished their bread and coffee, and scattered
+about over the grass, or returned to their barracks. We were told that
+these children of the sun dreaded its heat, and kept out of it whenever
+they could, even in its decline; but they seemed not so much to withdraw
+and hide themselves from that, as to vanish into the history of &#8220;old,
+unhappy, far-off&#8221; times, where prisoners of war, properly belong. I
+roused myself with a start as if I had lost them in the past.
+<p>
+Our officer came towards us and said gayly, &#8220;Well, you have seen the
+animals fed,&#8221; and let us take our grateful leave. I think we were rather
+a loss, in our going, to the marines, who seemed glad of a chance to
+talk. I am sure we were a loss to the man on guard at the inner gate,
+who walked his beat with reluctance when it took him from us, and eagerly
+when it brought him back. Then he delayed for a rapid and comprehensive
+exchange of opinions and ideas, successfully blending military
+subordination with American equality in his manner.
+<p>
+The whole thing was very American in the perfect decorum and the utter
+absence of ceremony. Those good fellows were in the clothes they wore
+through the fights at Santiago, and they could not have put on much
+splendor if they had wished, but apparently they did not wish. They were
+simple, straightforward, and adequate. There was some dry joking about
+the superiority of the prisoners&#8217; rations and lodgings, and our officer
+ironically professed his intention of messing with the Spanish officers.
+But there was no grudge, and not a shadow of ill will, or of that stupid
+and atrocious hate towards the public enemy which abominable newspapers
+and politicians had tried to breed in the popular mind. There was
+nothing manifest but a sort of cheerful purpose to live up to that
+military ideal of duty which is so much nobler than the civil ideal of
+self-interest. Perhaps duty will yet become the civil ideal, when the
+peoples shall have learned to live for the common good, and are united
+for the operation of the industries as they now are for the hostilities.
+
+<br><br>
+<center><hr width="200"><br>
+<h3>IV.</h3></center>
+<p><br>
+Shall I say that a sense of something domestic, something homelike,
+imparted itself from what I had seen? Or was this more properly an
+effect from our visit, on the way back to the hospital, where a hundred
+and fifty of the prisoners lay sick of wounds and fevers? I cannot say
+that a humaner spirit prevailed here than in the camp; it was only a more
+positive humanity which was at work. Most of the sufferers were
+stretched on the clean cots of two long, airy, wooden shells, which
+received them, four days after the orders for their reception had come,
+with every equipment for their comfort. At five o&#8217;clock, when we passed
+down the aisles between their beds, many of them had a gay, nonchalant
+effect of having toothpicks or cigarettes in their mouths; but it was
+really the thermometers with which the nurses were taking their
+temperature. It suggested a possibility to me, however, and I asked if
+they were allowed to smoke, and being answered that they did smoke,
+anyway, whenever they could, I got rid at last of those boxes of
+cigarettes which had been burning my pockets, as it were, all afternoon.
+I gave them to such as I was told were the most deserving among the sick
+captives, but Heaven knows I would as willingly have given them to the
+least. They took my largesse gravely, as became Spaniards; one said,
+smiling sadly, &#8220;Muchas gracias,&#8221; but the others merely smiled sadly; and
+I looked in vain for the response which would have twinkled up in the
+faces of even moribund Italians at our looks of pity. Italians would
+have met our sympathy halfway; but these poor fellows were of another
+tradition, and in fact not all the Latin peoples are the same, though we
+sometimes conveniently group them together for our detestation. Perhaps
+there are even personal distinctions among their several nationalities,
+and there are some Spaniards who are as true and kind as some Americans.
+When we remember Cortez let us not forget Las Casas.
+<p>
+They lay in their beds there, these little Spanish men, whose dark faces
+their sickness could not blanch to more than a sickly sallow, and as they
+turned their dull black eyes upon us I must own that I could not &#8220;support
+the government&#8221; so fiercely as I might have done elsewhere. But the
+truth is, I was demoralized by the looks of these poor little men, who,
+in spite of their character of public enemies, did look so much like
+somebody&#8217;s brothers, and even somebody&#8217;s children. I may have been
+infected by the air of compassion, of scientific compassion, which
+prevailed in the place. There it was as wholly business to be kind and
+to cure as in another branch of the service it was business to be cruel
+and to kill. How droll these things are! The surgeons had their
+favorites among the patients, to all of whom they were equally devoted;
+inarticulate friendships had sprung up between them and certain of their
+hapless foes, whom they spoke of as &#8220;a sort of pets.&#8221; One of these was
+very useful in making the mutinous take their medicine; another was liked
+apparently because he was so likable. At a certain cot the chief surgeon
+stopped and said, &#8220;We did not expect this boy to live through the night.&#8221;
+He took the boy&#8217;s wrist between his thumb and finger, and asked tenderly
+as he leaned over him, &#8220;Poco mejor?&#8221; The boy could not speak to say that
+he was a little better; he tried to smile&#8212;such things do move the
+witness; nor does the sight of a man whose bandaged cheek has been half
+chopped away by a machete tend to restore one&#8217;s composure.
+<br><br><hr size="3" noshade></DIV>
+<br><DIV align="justify">
+<a name="footer">*** END OF THE PROJECT GUTENBERG EBOOK, SPANISH PRISONERS OF WAR ***</a>
+<p class="pg">
+This file should be named whspw11h.htm or whspw11h.zip<br>
+Corrected EDITIONS of our eBooks get a new NUMBER, whspw12h.htm<br>
+VERSIONS based on separate sources get new LETTER, whspw10a.htm
+<p class="pg">
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+<p class="pg">
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+<p class="pg">
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+<p class="pg">
+Most people start at our Web sites at:<br>
+<a href="http://gutenberg.net">http://gutenberg.net</a> or<br>
+<a href="http://promo.net/pg">http://promo.net/pg</a>
+<p class="pg">
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+<p class="pg"><br>
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+<p class="pg">
+<a href="http://www.ibiblio.org/gutenberg/etext04">http://www.ibiblio.org/gutenberg/etext04</a> or<br>
+<a href="ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04">ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04</a>
+<p class="pg">
+Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 91 or 90
+<p class="pg">
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+<p class="pg"><br>
+Information about Project Gutenberg (one page)
+<p class="pg">
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1&#8211;2% of the world&#8217;s population then the total
+will reach over half a trillion eBooks given away by year&#8217;s end.
+<p class="pg">
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+<p class="pg">
+Here is the briefest record of our progress (* means estimated):
+<br><br>
+<table width="375" cellpadding="0" summary="eBooks released">
+<col align="right" width="100">
+<col align="center" width="100">
+<col align="left" width="175">
+<tr><th>eBooks<th>Year<th>Month</tr>
+<tr><td>1<td>1971<td>July</tr>
+<tr><td>10<td>1991<td>January</tr>
+<tr><td>100<td>1994<td>January</tr>
+<tr><td>1000<td>1997<td>August</tr>
+<tr><td>1500<td>1998<td>October</tr>
+<tr><td>2000<td>1999<td>December</tr>
+<tr><td>2500<td>2000<td>December</tr>
+<tr><td>3000<td>2001<td>November</tr>
+<tr><td>4000<td>2001<td>October/November</tr>
+<tr><td>6000<td>2002<td>December*</tr>
+<tr><td>9000<td>2003<td>November*</tr>
+<tr><td>10000<td>2004<td>January*</tr>
+</table>
+<p class="pg"><br>
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+<p class="pg">
+We need your donations more than ever!
+<p class="pg">
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+<p class="pg">
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+<p class="pg">
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+<p class="pg">
+In answer to various questions we have received on this:
+<p class="pg">
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+<p class="pg">
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+<p class="pg">
+International donations are accepted, but we don&#8217;t know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don&#8217;t have the staff to handle it even if there are
+ways.
+<p class="pg">
+Donations by check or money order may be sent to:
+<p class="pg">
+Project Gutenberg Literary Archive Foundation<br>
+PMB 113<br>
+1739 University Ave.<br>
+Oxford, MS 38655&#8211;4109<br>
+<p class="pg">
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+<p class="pg">
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64&#8211;622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+<p class="pg">
+We need your donations more than ever!
+<p class="pg">
+You can get up to date donation information online at:
+<p class="pg">
+<a href="http://www.gutenberg.net/donation.html">http://www.gutenberg.net/donation.html</a>
+<p class="pg"><br>
+***
+<p class="pg">
+If you can&#8217;t reach Project Gutenberg,<br>
+you can always email directly to:
+<p class="pg">
+Michael S. Hart &nbsp; <a href="mailto:hart@pobox.com">hart@pobox.com</a>
+<p class="pg">
+Prof. Hart will answer or forward your message.
+<p class="pg">
+We would prefer to send you information by email.
+<p class="pg"><br>
+<a name="legal">**The Legal Small Print**</a>
+<p class="pg"><br>
+(Three Pages)
+<p class="pg">
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***<br>
+Why is this &#8220;Small Print!&#8221; statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what&#8217;s wrong is not our
+fault. So, among other things, this &#8220;Small Print!&#8221; statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+<p class="pg">
+*BEFORE!* YOU USE OR READ THIS EBOOK<br>
+By using or reading any part of this PROJECT GUTENBERG&#8211;tm
+eBook, you indicate that you understand, agree to and accept
+this &#8220;Small Print!&#8221; statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+<p class="pg">
+ABOUT PROJECT GUTENBERG&#8211;TM EBOOKS<br>
+This PROJECT GUTENBERG&#8211;tm eBook, like most PROJECT GUTENBERG&#8211;tm eBooks,
+is a &#8220;public domain&#8221; work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the &#8220;Project&#8221;).
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the &#8220;PROJECT GUTENBERG&#8221; trademark.
+<p class="pg">
+Please do not use the &#8220;PROJECT GUTENBERG&#8221; trademark to market
+any commercial products without permission.
+<p class="pg">
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project&#8217;s eBooks and any
+medium they may be on may contain &#8220;Defects&#8221;. Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+<p class="pg">
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES<br>
+But for the &#8220;Right of Replacement or Refund&#8221; described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG&#8211;tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+<p class="pg">
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+<p class="pg">
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU &#8220;AS-IS&#8221;. NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+<p class="pg">
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+<p class="pg">
+INDEMNITY<br>
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+<p class="pg">
+DISTRIBUTION UNDER &#8220;PROJECT GUTENBERG&#8211;tm&#8221;<br>
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+&#8220;Small Print!&#8221; and all other references to Project Gutenberg,
+or:
+<table width="90%" cellpadding="4" cellspacing="4" summary="legal fine print">
+<tr><td width="5%">&nbsp;</td><td width="5%">&nbsp;</td><td width="80%">&nbsp;</td></tr>
+<tr valign="top">
+<td align="right">[1]</td>
+<td colspan="2"><DIV align="justify">Only give exact copies of it. Among other things, this
+requires that you do not remove, alter or modify the
+eBook or this &#8220;small print!&#8221; statement. You may however,
+if you wish, distribute this eBook in machine readable
+binary, compressed, mark-up, or proprietary form,
+including any form resulting from conversion by word
+processing or hypertext software, but only so long as
+*EITHER*:</DIV></td></tr>
+<tr valign="top">
+<td colspan="2" align="right">[*]</td>
+<td><DIV align="justify">The eBook, when displayed, is clearly readable, and
+does *not* contain characters other than those
+intended by the author of the work, although tilde
+(~), asterisk (*) and underline (_) characters may
+be used to convey punctuation intended by the
+author, and additional characters may be used to
+indicate hypertext links; OR</DIV></td></tr>
+<tr valign="top">
+<td colspan="2" align="right">[*]</td>
+<td><DIV align="justify">The eBook may be readily converted by the reader at
+no expense into plain ASCII, EBCDIC or equivalent
+form by the program that displays the eBook (as is
+the case, for instance, with most word processors);
+OR</DIV></td></tr>
+<tr valign="top">
+<td colspan="2" align="right">[*]</td>
+<td><DIV align="justify">You provide, or agree to also provide on request at
+no additional cost, fee or expense, a copy of the
+eBook in its original plain ASCII form (or in EBCDIC
+or other equivalent proprietary form).</DIV></td></tr>
+<tr valign="top">
+<td align="right">[2]</td>
+<td colspan="2"><DIV align="justify">Honor the eBook refund and replacement provisions of this
+&#8220;Small Print!&#8221; statement.</DIV></td></tr>
+<tr valign="top">
+<td align="right">[3]</td>
+<td colspan="2"><DIV align="justify">Pay a trademark license fee to the Foundation of 20% of the
+gross profits you derive calculated using the method you
+already use to calculate your applicable taxes. &nbsp;If you
+don&#8217;t derive profits, no royalty is due. &nbsp;Royalties are
+payable to &#8220;Project Gutenberg Literary Archive Foundation&#8221;
+the 60 days following each date you prepare (or were
+legally required to prepare) your annual (or equivalent
+periodic) tax return. &nbsp;Please contact us beforehand to
+let us know your plans and to work out the details.</DIV></td></tr>
+</table>
+<p class="pg">
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON&#8217;T HAVE TO?<br>
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+<p class="pg">
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:<br>
+&#8220;Project Gutenberg Literary Archive Foundation.&#8221;
+<p class="pg">
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:<br>
+<a href="mailto:hart@pobox.com">hart@pobox.com</a>
+<p class="pg">
+[Portions of this eBook&#8217;s header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+<p class="pg">
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+</DIV></BODY></HTML> \ No newline at end of file