summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 20:00:17 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 20:00:17 -0700
commitb8dc8d0cdfbb51d2656b77947e9016a2433a0c7e (patch)
treec0f9acb3fc65cbd9e1ce1df158f8efaa0e372542
initial commit of ebook 33824HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--33824-8.txt2937
-rw-r--r--33824-8.zipbin0 -> 40840 bytes
-rw-r--r--33824-h.zipbin0 -> 10466322 bytes
-rw-r--r--33824-h/33824-h.htm3943
-rw-r--r--33824-h/images/cover.jpgbin0 -> 39704 bytes
-rw-r--r--33824-h/images/i_002.pngbin0 -> 39698 bytes
-rw-r--r--33824-h/images/i_003.pngbin0 -> 65523 bytes
-rw-r--r--33824-h/images/i_004.pngbin0 -> 16354 bytes
-rw-r--r--33824-h/images/i_005.pngbin0 -> 42942 bytes
-rw-r--r--33824-h/images/i_006.pngbin0 -> 12501 bytes
-rw-r--r--33824-h/images/i_007.pngbin0 -> 66014 bytes
-rw-r--r--33824-h/images/i_008.pngbin0 -> 13296 bytes
-rw-r--r--33824-h/images/i_009.pngbin0 -> 100336 bytes
-rw-r--r--33824-h/images/i_010.pngbin0 -> 63883 bytes
-rw-r--r--33824-h/images/i_012.pngbin0 -> 61087 bytes
-rw-r--r--33824-h/images/i_013.pngbin0 -> 75755 bytes
-rw-r--r--33824-h/images/i_014.pngbin0 -> 90181 bytes
-rw-r--r--33824-h/images/i_015.pngbin0 -> 74088 bytes
-rw-r--r--33824-h/images/i_016.pngbin0 -> 71954 bytes
-rw-r--r--33824-h/images/i_018.pngbin0 -> 67989 bytes
-rw-r--r--33824-h/images/i_020.pngbin0 -> 58907 bytes
-rw-r--r--33824-h/images/i_022.pngbin0 -> 50627 bytes
-rw-r--r--33824-h/images/i_024.pngbin0 -> 55082 bytes
-rw-r--r--33824-h/images/i_025a.pngbin0 -> 2505 bytes
-rw-r--r--33824-h/images/i_025b.pngbin0 -> 2433 bytes
-rw-r--r--33824-h/images/i_025c.pngbin0 -> 1819 bytes
-rw-r--r--33824-h/images/i_025d.pngbin0 -> 1876 bytes
-rw-r--r--33824-h/images/i_026a.pngbin0 -> 1553 bytes
-rw-r--r--33824-h/images/i_026b.pngbin0 -> 2214 bytes
-rw-r--r--33824-h/images/i_026c.pngbin0 -> 1198 bytes
-rw-r--r--33824-h/images/i_026d.pngbin0 -> 1533 bytes
-rw-r--r--33824-h/images/i_027.pngbin0 -> 72340 bytes
-rw-r--r--33824-h/images/i_028.pngbin0 -> 64405 bytes
-rw-r--r--33824-h/images/i_029.pngbin0 -> 60442 bytes
-rw-r--r--33824-h/images/i_030.pngbin0 -> 75516 bytes
-rw-r--r--33824-h/images/i_031.pngbin0 -> 45201 bytes
-rw-r--r--33824-h/images/i_032.pngbin0 -> 51459 bytes
-rw-r--r--33824-h/images/i_033.pngbin0 -> 59016 bytes
-rw-r--r--33824-h/images/i_034.pngbin0 -> 61026 bytes
-rw-r--r--33824-h/images/i_036.pngbin0 -> 53772 bytes
-rw-r--r--33824-h/images/i_037.pngbin0 -> 41663 bytes
-rw-r--r--33824-h/images/i_038.pngbin0 -> 32773 bytes
-rw-r--r--33824-h/images/i_039.pngbin0 -> 51004 bytes
-rw-r--r--33824-h/images/i_040.pngbin0 -> 57203 bytes
-rw-r--r--33824-h/images/i_041.pngbin0 -> 61650 bytes
-rw-r--r--33824-h/images/i_042.pngbin0 -> 60698 bytes
-rw-r--r--33824-h/images/i_043.pngbin0 -> 66289 bytes
-rw-r--r--33824-h/images/i_044.pngbin0 -> 63292 bytes
-rw-r--r--33824-h/images/i_045.pngbin0 -> 67654 bytes
-rw-r--r--33824-h/images/i_046.pngbin0 -> 69554 bytes
-rw-r--r--33824-h/images/i_048.pngbin0 -> 45908 bytes
-rw-r--r--33824-h/images/i_050.pngbin0 -> 52305 bytes
-rw-r--r--33824-h/images/i_052.pngbin0 -> 89481 bytes
-rw-r--r--33824-h/images/i_054.pngbin0 -> 77464 bytes
-rw-r--r--33824-h/images/i_055.pngbin0 -> 89804 bytes
-rw-r--r--33824-h/images/i_056.pngbin0 -> 106402 bytes
-rw-r--r--33824-h/images/i_058.pngbin0 -> 87416 bytes
-rw-r--r--33824-h/images/i_060.pngbin0 -> 96956 bytes
-rw-r--r--33824-h/images/i_061.pngbin0 -> 105606 bytes
-rw-r--r--33824-h/images/i_062.pngbin0 -> 103942 bytes
-rw-r--r--33824-h/images/i_064.pngbin0 -> 84879 bytes
-rw-r--r--33824-h/images/i_066.pngbin0 -> 50013 bytes
-rw-r--r--33824-h/images/i_068.pngbin0 -> 100596 bytes
-rw-r--r--33824-h/images/i_070.pngbin0 -> 95411 bytes
-rw-r--r--33824-h/images/i_072.pngbin0 -> 77865 bytes
-rw-r--r--33824-h/images/i_074.pngbin0 -> 96285 bytes
-rw-r--r--33824-h/images/i_076.pngbin0 -> 54920 bytes
-rw-r--r--33824-h/images/i_078.pngbin0 -> 67176 bytes
-rw-r--r--33824-h/images/i_081.pngbin0 -> 109599 bytes
-rw-r--r--33824-h/images/i_082.pngbin0 -> 115733 bytes
-rw-r--r--33824-h/images/i_083.pngbin0 -> 56782 bytes
-rw-r--r--33824-h/images/i_084.pngbin0 -> 51177 bytes
-rw-r--r--33824-h/images/i_085.pngbin0 -> 62321 bytes
-rw-r--r--33824-h/images/i_086.pngbin0 -> 68094 bytes
-rw-r--r--33824-h/images/i_087.pngbin0 -> 73193 bytes
-rw-r--r--33824-h/images/i_088.pngbin0 -> 67150 bytes
-rw-r--r--33824-h/images/i_089.pngbin0 -> 54681 bytes
-rw-r--r--33824-h/images/i_090.pngbin0 -> 83178 bytes
-rw-r--r--33824-h/images/i_091.pngbin0 -> 68222 bytes
-rw-r--r--33824-h/images/i_092.pngbin0 -> 53761 bytes
-rw-r--r--33824-h/images/i_094.pngbin0 -> 49692 bytes
-rw-r--r--33824-h/images/i_095.pngbin0 -> 52265 bytes
-rw-r--r--33824-h/images/i_096.pngbin0 -> 49814 bytes
-rw-r--r--33824-h/images/i_097.pngbin0 -> 63543 bytes
-rw-r--r--33824-h/images/i_098.pngbin0 -> 61962 bytes
-rw-r--r--33824-h/images/i_099.pngbin0 -> 47091 bytes
-rw-r--r--33824-h/images/i_100.pngbin0 -> 58931 bytes
-rw-r--r--33824-h/images/i_101.pngbin0 -> 84363 bytes
-rw-r--r--33824-h/images/i_102.pngbin0 -> 77713 bytes
-rw-r--r--33824-h/images/i_104.pngbin0 -> 53636 bytes
-rw-r--r--33824-h/images/i_106.pngbin0 -> 43775 bytes
-rw-r--r--33824-h/images/i_107.pngbin0 -> 54646 bytes
-rw-r--r--33824-h/images/i_108.pngbin0 -> 65519 bytes
-rw-r--r--33824-h/images/i_109.pngbin0 -> 65401 bytes
-rw-r--r--33824-h/images/i_110.pngbin0 -> 79180 bytes
-rw-r--r--33824-h/images/i_111.pngbin0 -> 36954 bytes
-rw-r--r--33824-h/images/i_112.pngbin0 -> 40144 bytes
-rw-r--r--33824-h/images/i_114.pngbin0 -> 75146 bytes
-rw-r--r--33824-h/images/i_116.pngbin0 -> 81202 bytes
-rw-r--r--33824-h/images/i_117.pngbin0 -> 62662 bytes
-rw-r--r--33824-h/images/i_118.pngbin0 -> 68967 bytes
-rw-r--r--33824-h/images/i_119.pngbin0 -> 69106 bytes
-rw-r--r--33824-h/images/i_120.pngbin0 -> 66023 bytes
-rw-r--r--33824-h/images/i_121.pngbin0 -> 55365 bytes
-rw-r--r--33824-h/images/i_122.pngbin0 -> 44560 bytes
-rw-r--r--33824-h/images/i_123.pngbin0 -> 66056 bytes
-rw-r--r--33824-h/images/i_124.pngbin0 -> 67915 bytes
-rw-r--r--33824-h/images/i_125.pngbin0 -> 58453 bytes
-rw-r--r--33824-h/images/i_126.pngbin0 -> 51514 bytes
-rw-r--r--33824-h/images/i_127.pngbin0 -> 68929 bytes
-rw-r--r--33824-h/images/i_128.pngbin0 -> 75357 bytes
-rw-r--r--33824-h/images/i_129.pngbin0 -> 67243 bytes
-rw-r--r--33824-h/images/i_130.pngbin0 -> 63594 bytes
-rw-r--r--33824-h/images/i_132.pngbin0 -> 82748 bytes
-rw-r--r--33824-h/images/i_134.pngbin0 -> 80224 bytes
-rw-r--r--33824-h/images/i_135.pngbin0 -> 94977 bytes
-rw-r--r--33824-h/images/i_136.pngbin0 -> 109089 bytes
-rw-r--r--33824-h/images/i_138.pngbin0 -> 96630 bytes
-rw-r--r--33824-h/images/i_139.pngbin0 -> 44198 bytes
-rw-r--r--33824-h/images/i_140.pngbin0 -> 103574 bytes
-rw-r--r--33824-h/images/i_142.pngbin0 -> 87311 bytes
-rw-r--r--33824-h/images/i_143.pngbin0 -> 32051 bytes
-rw-r--r--33824-h/images/i_144.pngbin0 -> 86464 bytes
-rw-r--r--33824-h/images/i_146.pngbin0 -> 110698 bytes
-rw-r--r--33824-h/images/i_148.pngbin0 -> 115941 bytes
-rw-r--r--33824-h/images/i_150.pngbin0 -> 103197 bytes
-rw-r--r--33824-h/images/i_151.pngbin0 -> 71853 bytes
-rw-r--r--33824-h/images/i_152.pngbin0 -> 126731 bytes
-rw-r--r--33824-h/images/i_154.pngbin0 -> 112141 bytes
-rw-r--r--33824-h/images/i_155.pngbin0 -> 90823 bytes
-rw-r--r--33824-h/images/i_156.pngbin0 -> 96321 bytes
-rw-r--r--33824-h/images/i_157.pngbin0 -> 7111 bytes
-rw-r--r--33824-h/images/i_158.pngbin0 -> 105017 bytes
-rw-r--r--33824-h/images/i_159.pngbin0 -> 87518 bytes
-rw-r--r--33824-h/images/i_160.pngbin0 -> 8912 bytes
-rw-r--r--33824-h/images/i_161.pngbin0 -> 68030 bytes
-rw-r--r--33824-h/images/i_162.pngbin0 -> 60494 bytes
-rw-r--r--33824-h/images/i_163.pngbin0 -> 59515 bytes
-rw-r--r--33824-h/images/i_164.pngbin0 -> 70476 bytes
-rw-r--r--33824-h/images/i_165.pngbin0 -> 45182 bytes
-rw-r--r--33824-h/images/i_166.pngbin0 -> 43260 bytes
-rw-r--r--33824-h/images/i_167.pngbin0 -> 75328 bytes
-rw-r--r--33824-h/images/i_168.pngbin0 -> 64208 bytes
-rw-r--r--33824-h/images/i_169.pngbin0 -> 40730 bytes
-rw-r--r--33824-h/images/i_170.pngbin0 -> 66757 bytes
-rw-r--r--33824-h/images/i_171.pngbin0 -> 53993 bytes
-rw-r--r--33824-h/images/i_172.pngbin0 -> 64310 bytes
-rw-r--r--33824-h/images/i_173.pngbin0 -> 72873 bytes
-rw-r--r--33824-h/images/i_174.pngbin0 -> 65257 bytes
-rw-r--r--33824-h/images/i_175.pngbin0 -> 41887 bytes
-rw-r--r--33824-h/images/i_176.pngbin0 -> 41752 bytes
-rw-r--r--33824-h/images/i_177.pngbin0 -> 62883 bytes
-rw-r--r--33824-h/images/i_178.pngbin0 -> 68745 bytes
-rw-r--r--33824-h/images/i_179.pngbin0 -> 60375 bytes
-rw-r--r--33824-h/images/i_180.pngbin0 -> 67062 bytes
-rw-r--r--33824-h/images/i_181.pngbin0 -> 59073 bytes
-rw-r--r--33824-h/images/i_182.pngbin0 -> 69986 bytes
-rw-r--r--33824-h/images/i_183.pngbin0 -> 55976 bytes
-rw-r--r--33824-h/images/i_184.pngbin0 -> 56316 bytes
-rw-r--r--33824-h/images/i_185.pngbin0 -> 59771 bytes
-rw-r--r--33824-h/images/i_186.pngbin0 -> 68477 bytes
-rw-r--r--33824-h/images/i_187.pngbin0 -> 67305 bytes
-rw-r--r--33824-h/images/i_188.pngbin0 -> 51747 bytes
-rw-r--r--33824-h/images/i_189.pngbin0 -> 42508 bytes
-rw-r--r--33824-h/images/i_190.pngbin0 -> 39708 bytes
-rw-r--r--33824-h/images/i_191.pngbin0 -> 72241 bytes
-rw-r--r--33824-h/images/i_192.pngbin0 -> 64176 bytes
-rw-r--r--33824-h/images/i_193.pngbin0 -> 53183 bytes
-rw-r--r--33824-h/images/i_cover.pngbin0 -> 21219 bytes
-rw-r--r--33824-h/images/i_leaf.pngbin0 -> 676 bytes
-rw-r--r--33824.txt2938
-rw-r--r--33824.zipbin0 -> 40773 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
175 files changed, 9834 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/33824-8.txt b/33824-8.txt
new file mode 100644
index 0000000..cb202a0
--- /dev/null
+++ b/33824-8.txt
@@ -0,0 +1,2937 @@
+Project Gutenberg's Mr. Punch's After-Dinner Stories, edited by J. M. Hammerton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mr. Punch's After-Dinner Stories
+
+Editor: J. A. Hammerton
+
+Illustrator: John Leech
+ and others
+
+Release Date: October 1, 2010 [EBook #33824]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH'S AFTER-DINNER STORIES ***
+
+
+
+
+Produced by Neville Allen, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+
+
+
+ PUNCH LIBRARY OF HUMOUR
+
+ Edited by J. A. HAMMERTON
+
+ Designed to provide in a series of volumes, each complete in itself,
+ the cream of our national humour, contributed by the masters of
+ comic draughtsmanship and the leading wits of the age to "Punch,"
+ from its beginning in 1841 to the present day
+
+MR. PUNCH'S AFTER-DINNER STORIES
+
+[Illustration]
+
+[Illustration: PROGRESS.--"I maintain that the race has improved in
+physique since those days. Now _we_ couldn't get into that armour!"]
+
+ * * * * *
+
+MR. PUNCH'S AFTER-DINNER STORIES
+
+_WITH 155 ILLUSTRATIONS_
+
+BY
+
+JOHN LEECH, CHARLES KEENE, GEORGE DU MAURIER, PHIL MAY, L. RAVEN-HILL,
+J. BERNARD PARTRIDGE, F. H. TOWNSEND, REGINALD CLEAVER, LEWIS BAUMER,
+A. S. BOYD, TOM WILKINSON, G. D. ARMOUR, AND OTHERS
+
+[Illustration]
+
+PUBLISHED BY ARRANGEMENT WITH THE PROPRIETORS OF "PUNCH"
+
+THE EDUCATIONAL BOOK CO. LTD.
+
+ * * * * *
+
+THE PUNCH LIBRARY OF HUMOUR
+
+_Twenty-five volumes, crown 8vo, 192 pages fully illustrated_
+
+ LIFE IN LONDON
+ COUNTRY LIFE
+ IN THE HIGHLANDS
+ SCOTTISH HUMOUR
+ IRISH HUMOUR
+ COCKNEY HUMOUR
+ IN SOCIETY
+ AFTER DINNER STORIES
+ IN BOHEMIA
+ AT THE PLAY
+ MR. PUNCH AT HOME
+ ON THE CONTINONG
+ RAILWAY BOOK
+ AT THE SEASIDE
+ MR. PUNCH AFLOAT
+ IN THE HUNTING FIELD
+ MR. PUNCH ON TOUR
+ WITH ROD AND GUN
+ MR. PUNCH AWHEEL
+ BOOK OF SPORTS
+ GOLF STORIES
+ IN WIG AND GOWN
+ ON THE WARPATH
+ BOOK OF LOVE
+ WITH THE CHILDREN
+
+[Illustration]
+
+ * * * * *
+
+POST-PRANDIAL WIT
+
+[Illustration]
+
+There is a sense, of course, in which everything from the pages of MR.
+PUNCH might be regarded as coming into a collection entitled "After
+Dinner Stories." All good stories are really for telling after dinner.
+Somehow or other one seldom associates wit and humour with the breakfast
+table, although the celebrated breakfast parties of Rogers, the banker,
+were doubtless in no way deficient in either. Over the walnuts and wine,
+when men have feasted well and are feeling on the best of terms with
+themselves and their fellows, the cares of the day put past and the
+pleasures of the gas-lit hours begun, that is undoubtedly the ideal time
+for the flow of wit.
+
+It must not, therefore, be thought that the present volume is in anywise
+distinguished from the others of the series to which it belongs in the
+appropriateness of its contents for the dinner party. No more than any
+of its companions is it designed to that end; but as it is concerned
+almost exclusively with the humours of dining, with stories of diners,
+it will be admitted that its title is not without justification. Private
+dinner parties, public banquets, the solitary dinner at the restaurant,
+the giving and accepting of invitations, these and many other phases of
+dining come within its scope, and if it be noticed that a considerable
+amount of its humour has something of the fragrance of good old port--to
+say nothing of the aroma of wines that are bad!--it can only be
+retorted that MR. PUNCH'S duty has ever been to mirror the manners of
+the changing time, and in his early days the wine flowed more freely
+than it does to-day. For our personal taste we could have wished less of
+this humour of the bottle, but throughout this library an effort has
+been made to maintain in some degree a historical perspective, so that,
+in addition to the prime purpose of entertainment, each of these books
+in MR. PUNCH'S LIBRARY might be a faithful picture of the manners of the
+Victorian period in which most of his life has been passed. If to-day
+these manners seem to us just a trifle coarser than we esteem the social
+habits of our own day, surely that is a comforting reflection and one
+not lightly to be lost!
+
+[Illustration]
+
+ * * * * *
+
+MR. PUNCH'S AFTER-DINNER STORIES
+
+[Illustration]
+
+_Mrs. Jones._ And pray, Mr. Jones, what is the matter now?
+
+_Jones._ I was only wondering, my dear, where you might have bought this
+fish.
+
+_Mrs. Jones._ At the fishmonger's. Where do you suppose I bought it?
+
+_Jones._ Well, I thought that, _perhaps_, there might have been a
+remnant sale at the Royal Aquarium!
+
+ * * * * *
+
+EXCUSE FOR DRINKING BEFORE DINNER.--To whet the appetite.
+
+ * * * * *
+
+[Illustration: _Voice from above._ "What are you doing down there,
+Parkins?"
+
+_Parkins._ "I'm jush--puttin' away the port, shir!"]
+
+ * * * * *
+
+[Illustration: _Commissionaire._ "Would you like a four-wheeler or a
+'ansom sir?" _Convivial Party_ (_indistinctly_). "Ver' mush
+oblige--but--reely don't think I _could_ take 'ny more!"]
+
+ * * * * *
+
+RICE AND PRUNES
+
+ Rice and prunes a household journal
+ Called the chief of household boons;
+ Hence my mother cooks diurnal
+ Rice and prunes.
+
+ Therefore on successive noons,
+ Sombre fruit and snowy kernel
+ Woo reluctant forks and spoons.
+
+ As the ear, when leaves are vernal,
+ Wearies of the blackbird's tunes,
+ So we weary of eternal
+ Rice and prunes.
+
+ * * * * *
+
+NEVER SPEAK IN A HURRY
+
+THE HOSPITABLE JONES. Yes, we're in the same old place, where you dined
+with us last year. By the bye, old man, I wish you and your wife would
+come and take pot-luck with us again on the----
+
+_The Impulsive Brown (in the eagerness of his determination never again
+to take pot-luck with the Joneses)._ My _dear_ fellow! _So_ sorry! But
+we're engaged on the--a--on the--er--on th-th-that evening!
+
+_Poor Jones (pathetically)._ Well, old man, you _might_ have given me
+time just to _name the day_.
+
+ * * * * *
+
+[Illustration: "WHO PAYS THE PIPER CALLS THE TUNE"
+
+_Johnnie (to waiter)._ "Aw--you're the boss--head waiter, eh?"
+
+_Waiter._ "Yessir."
+
+_Johnnie._ "Ah, well, just--ah--send up to your _orchestra chaps_, and
+tell 'em I really can't eat my dinner to _that_ tune."]
+
+ * * * * *
+
+[Illustration: A LAST RESOURCE.--A happy and independent bachelor finds
+himself suddenly disappointed of his Christmas party in the country; he
+has ordered nothing at home, has given his cook and man-servant leave to
+invite their friends; his intimate companions are out of town, and, on
+arriving at his club, he is informed by the hall porter that "there is
+no dinner to-night, as the servants are having a party." Only one
+resource, a hotel, or dinner at a restaurant, all alone!]
+
+ * * * * *
+
+[Illustration: THE VERY LATEST DISCOVERY.--_Amateur Astronomical Student
+(returning home, after attending scientific bachelor dinner, where "the
+reported discovery of a new Satellite of Saturn" has been warmly
+discussed)._ "Where am I? Letsh shee--(_considering_)--Earth's got one
+moon. Mars's got five moo--Jup'tush nine--I shee two moons. Then--where
+_am_ I?"]
+
+ * * * * *
+
+[Illustration: EFFECT OF GOOD CHEER ON OPPOSITE TEMPERAMENTS
+
+Aspect of Jones and Smith at two different stages of the same sumptuous
+repast.]
+
+ * * * * *
+
+AT THE CELESTIAL RESTAURANT
+
+_Customer (indignantly)._ Hi! waiter, what do you call this soup?
+
+_Waiter (meekly)._ I not know, sir, but ze padrone tell me to describe
+'im cocks-tail!
+
+ * * * * *
+
+"THE COMING MAN."--A waiter.
+
+ * * * * *
+
+[Illustration: SO VERY CONSCIENTIOUS!--_Master of the House._ "Why,
+Jenkins, what on earth is the matter with you? Aren't you ashamed of
+yourself?"
+
+_Butler (with great deliberation)_, "Well, shir--if you pleashe,
+shir--itsh not quite _my_ fault. You told me to taste every bottle of
+wine before dinner, in cashe one should be corked. I've only carried out
+in-shtrucshuns."]
+
+ * * * * *
+
+THE VERB TO DINE
+
+PRESENT TENSE
+
+ I dine.
+ Thou joinest me.
+ He tries to whip us up for a division.
+ We smoke our cigars.
+ Ye drink your port.
+ They are defeated in the lobby.
+
+IMPERFECT TENSE
+
+ I was dining.
+ Thou wast holding a reception.
+ He was attending it.
+ We were feeling puzzled.
+ Ye were reading the _Globe_ and _Pall Mall_.
+ They were not knowing what to make of it.
+
+FUTURE TENSE
+
+ I shall dine.
+ Thou wilt join my party.
+ He will squirm.
+ We shall promote the unity of the party.
+ Ye will applaud.
+ They will call a meeting at the "Reform."
+
+PERFECT TENSE
+
+ I have dined.
+ Thou hast made ambiguous remarks.
+ He has explained them away.
+ We have tried to make it all sweet again.
+ Ye have split a soda.
+ They have split the party.
+
+SUBJUNCTIVE PRESENT
+
+ I may dine.
+ Thou mayest object.
+ He may want to state his views.
+ We may insist on our dinners.
+ Ye may agree with them.
+ They may disagree with you.
+
+SUBJUNCTIVE IMPERFECT
+
+ I might dine.
+ Thou mightest emerge from Berkeley Square.
+ He might resign.
+ We might lead.
+ Ye might follow.
+ They might not.
+
+IMPERATIVE
+
+ Dine thou!
+ Let him speak out!
+ Let us know who is our leader!
+ Read ye the _Times_ and _Globe_!
+ Let them settle the question for us!
+
+INFINITIVE
+
+ Present: To split.
+ Past: To have been a party.
+
+ * * * * *
+
+AFTER-DINNER CONSIDERATION.--"Hippopotamuses" is a better test-word of
+fitness for joining the ladies than "British Constitution."
+
+ * * * * *
+
+[Illustration: DISCUSSING AN ABSENT FRIEND
+
+"Yes, Robinson's a clever feller, and he's a modest feller, and he's a
+honest feller; but, betwixt you and I and the _post_, Mr. Jones," said
+Brown, confidentially, picking his wisdom tooth with his little finger
+nail, "Robinson ain't got neither the looks, nor yet the language, nor
+yet the manners of a _gentleman_!"
+
+"Right you are, sir!" said Jones, shovelling the melted remains of his
+ice pudding into his mouth with a steel knife (which he afterwards wiped
+on the tablecloth). "_You've 'it 'im orf to a T!_"]
+
+ * * * * *
+
+[Illustration: _First Convivial._ "'Sh two o'clock! Wha'll er misshus
+shay?"
+
+_Second Convivial._ "Thash allri'! Shay you bin wi' me--(_hic_)!"]
+
+ * * * * *
+
+[Illustration: "IN CONFIDENCE"
+
+_Dining-room, Apelles Club_
+
+_Diner._ "Thomson, do the members ask for this wine?"
+
+_Head Waiter (sotto voce)._ "Not twice, sir!"]
+
+ * * * * *
+
+SPECIMENS OF MR. PUNCH'S SIGNATURES!
+
+(_Fac-similes taken during the course of the evening._)
+
+[Illustration: Punch]
+
+THIS IS BEFORE DINNER, 7·30. ATTESTED BY SEVERAL WITNESSES.
+
+[Illustration: Punch]
+
+THIS IS AFTER THE PUNCH À LA ROMAINE, ABOUT THE MIDDLE OF THE BANQUET.
+
+[Illustration: Punch]
+
+THIS IS WITH THE DESSERT.
+
+[Illustration: Punch]
+
+AFTER THE CLARET.
+
+[Illustration: Punch]
+
+AFTER THE CLARET _AND_ THE PORT.
+
+[Illustration: Punch]
+
+DURING THE CIGARS, WHISKEY AND WATER.
+
+[Illustration: Punch]
+
+12·30. BEFORE LEAVING TABLE.
+
+[Illustration: Punch]
+
+1·30. BEFORE GETTING INTO BED.
+
+The above have been submitted to an eminent expert, who says he could
+almost swear they are the same hand-writing, but must come and dine with
+_Mr. P._, in order absolutely to verify them.
+
+ * * * * *
+
+[Illustration: A BAD ENDING.--"Well, William, what's become of Robert?"
+"What, 'aven't you 'eard, sir?" "No! Not _defunct_, I hope!" "That's
+just exactly what he _'as_ done, sir, and walked off with heverything he
+could lay his 'ands on!"]
+
+ * * * * *
+
+[Illustration: A SALVE FOR THE CONSCIENCE
+
+_Vegetarian Professor._ "No, madam, not even fish. I cannot sanction the
+destruction of life. These little creatures, for instance, were but
+yesterday swimming happily in the sea."
+
+_Mrs. O'Laughlan._ "Oh but, Professor, just think it's the first time
+the poor little things have ever been really warm in their lives!"]
+
+ * * * * *
+
+[Illustration: FELICITOUS QUOTATION
+
+"Oh, Robert, the grouse has been kept too long! I wonder you can eat
+it!"
+
+"My dear, 'we needs must love the highest when we see it.'"
+
+(_Guinevere._)]
+
+ * * * * *
+
+[Illustration: _Little Boreham_ (_relating his Alpine adventures_).
+"There I stood, the terrible abyss yawning at my feet----" _That Brute
+Brown._ "Was it yawning when you got there, or did it start after you
+arrived?"]
+
+ * * * * *
+
+[Illustration: At a dinner given by my Lord Broadacres to some of his
+tenants, curaçoa is handed in a liqueur-glass to old Turnitops, who,
+swallowing it with much relish, says--"Oi zay, young man! Oi'll tak zum
+o' that in a moog!"]
+
+ * * * * *
+
+[Illustration: PRICE FOR AGE
+
+_Mr. Green._ "You needn't be afraid of that glass of wine, uncle. It's
+thirty-four port, you know."
+
+_Uncle._ "Thirty-four port!--Thirty-four fiddlesticks! It's no more
+thirty-four port than you are!"
+
+_Mr. Green._ "It _is_ I can assure you! Indeed, it's _really
+thirty-six_; and _thirty-four if you return the bottles_!"]
+
+ * * * * *
+
+[Illustration: FLUNKEIANA
+
+_Master._ "Thompson, I believe that I have repeatedly expressed an
+objection to being served with stale bread at dinner. How is it my
+wishes have not been attended to?"
+
+_Thompson._ "Well, sir, I reely don't know what is to be done! It won't
+do to waste it, and we _can't_ eat it downstairs!"]
+
+ * * * * *
+
+[Illustration: CONCLUSIVE
+
+SCENE--_Hibernian Table d'hôte_
+
+_Guest._ "Waiter! I say--this is pork! I want mutton!"
+
+_Waiter_ (_rather bustled_). "Yes, sorr, it's mutton ye _want_--but it's
+pork ye'll _have_!"]
+
+ * * * * *
+
+RAMBLING RONDEAUX
+
+_At Table d'hôte_
+
+ At _table d'hôte_, I quite decline
+ To sit there and attempt to dine!
+ Of course you never dine, but "feed,"
+ And gobble up with fearsome greed
+ A hurried meal you can't define.
+
+ The room is close, and, I opine,
+ I should not like the food or wine;
+ While all the guests are dull indeed
+ At _table d'hôte_!
+
+ The clatter and the heat combine
+ One's appetite to undermine.
+ When noisy waiters take no heed,
+ But change the plates at railway speed--
+ I feel compelled to "draw my line"
+ At _table d'hôte_!
+
+ * * * * *
+
+SUFFICIENT EXCUSE
+
+_Jones_ (_to Brown_). I say, old fellow, I saw you last night, after
+that dinner. Your legs were uncommonly unsteady.
+
+_Brown._ No, dear boy; legs were right enough. It was my trousers that
+were so "tight."
+
+ * * * * *
+
+[Illustration: CRUEL!--_Lucullus Brown_ (_on hospitable purpose
+intent_). "Are you dining anywhere to-morrow night?" _Jones_ (_not
+liking to absolutely "give himself away"_). "Let me
+see"--(_considers_)--"No; I'm not dining anywhere to-morrow." _Lucullus
+Brown_ (_seeing through the artifice_). "Um! Poor chap! How hungry you
+will be!" ["_Exeunt,--severally._"]
+
+ * * * * *
+
+[Illustration: CANDID!
+
+_Simultaneously_
+
+_Host (smacking his lips)._ "Now, what do you say to that glass of
+she----"
+
+_Guest._ "My dear fellow, where did you get this abominable Marsala?"]
+
+ * * * * *
+
+GUESTS TO BE AVOIDED
+
+"Hullo, old man! How is it you're dining at the club? Thought your wife
+told me she had the Browns and Smiths to dinner this evening?"
+
+"No--that was yesterday. This evening she has the odds and ends."
+
+ * * * * *
+
+SECTARIAN
+
+"Hullo, John! What a jolly dish! Potatoes, greens, carrots, beans! Who's
+it for?"
+
+"Mr. Binks, sir."
+
+"Is Mr. Binks a _vegetarian_?"
+
+"Oh no, sir! I believe he's Church of England!"
+
+ * * * * *
+
+[Illustration: "TO PUT IT BROADLY"
+
+_Improvised Butler_ (_to distinguished guest_). "Will ye take anny more
+drink, sor?"]
+
+ * * * * *
+
+[Illustration: _First Customer._ "Waiter, a fried sole."
+
+_Second Customer._ "Bring me a fried sole, too, waiter--and mind it is
+fresh."
+
+_Waiter._ "Two fried soles--one fresh!"]
+
+ * * * * *
+
+[Illustration: AFTER MANY YEARS!--_Country Parson_ (_to distinguished
+Peer, who has been making_ THE _speech of the evening_). "How d'ye do,
+my lord? I see you don't quite remember me." _Distinguished Peer._
+"Well--er--not altogether." _C. P._ "We were members of the same club at
+Oxford." _D. P._ (_with awakening interest_). "Oh--ah! Let me see--which
+club was that?" _C. P._ "The--er--_Toilet Club_, you know!"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_She._ "We expected you to dinner last night, Herr Professor. We waited
+half an hour for you. I hope it was not _illness_ that prevented you
+from coming?"
+
+_He._ "Ach, no! I vas not hongry!"]
+
+ * * * * *
+
+[Illustration: A DILEMMA
+
+_Nervous Gentleman_ (_to two sisters_). "I've got to take one of you in
+to dinner. A--a--let me see--a--which is the elder?"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_Jones_ (_to hostess, famous for her dinners_). "Oh, by the way, Mrs.
+Hodgkinson, if you should happen to want a really good cook, I know of
+one who would suit you to a T!"]
+
+ * * * * *
+
+[Illustration: THE RULING PASSION STRONG AT DINNER
+
+_Laconic Waiter_ (_thoroughly familiar with sporting Major's taste in
+champagne_). "Seventy-four, sir?"
+
+_Sporting Major_ (_down on his luck, after a bad week at Newmarket_).
+"Seven-to-four, sir! Dash it! wouldn't take ten to one about anything!"]
+
+ * * * * *
+
+[Illustration: CAUSE AND
+
+_Host_ (_to coachman, who is turned on as butler on grand occasions_).
+"I want you to see that all my guests enjoy themselves, Coggledab. Don't
+let them have to ask for anything. Be particularly attentive to my dear
+aunt, Mrs. Dumbledock!"]
+
+ * * * * *
+
+[Illustration: EFFECT
+
+_Coggledab_ (_in a stage-whisper, during a lull in the conversation, to
+Mrs. Dumbledock, who has recently joined the Blue Ribbon Army._)
+"'Ollands, whiskey, or cog-nack, mum? You can't be enjy-in' of yourself.
+_You're not drinkin'!_"
+
+[_Mrs. Dumbledock alters her will the next day_]
+
+ * * * * *
+
+A LITTLE DINNER OF THE FUTURE
+
+_A Forecast by Mr. Punch's Own Clairvoyant_
+
+ According to the _Daily Chronicle_, "an American professor is
+ looking forward to the time when cooking and dining shall become
+ lost arts, and we shall take our sustenance in the form of tablets
+ of concentrated things." Our esteemed contemporary appears to think
+ that such a system would necessarily do away with all conviviality
+ and social intercourse; but, unless MR. PUNCH'S clairvoyant is
+ liable to error (which is absurd), we need not take quite so gloomy
+ a view of the future. People will still entertain, only the dinner
+ of the next century will be a more economical and less tedious
+ function, and, instead of having to go through a trying interview
+ with her cook, the coming hostess will merely look in at the nearest
+ food chemist's, when some such conversation as the following will
+ settle the whole business.
+
+_Hostess._ We've some people coming in to take a few tablets with us
+this evening; what do you think I'd better have?
+
+_The Food Chemist._ You will require _soup_, of course, madam. I could
+send you one of these patent soup-sprinklers, exceedingly simple to
+work, and quite the fashion in the highest circles: the butler sprays
+each guest before showing them upstairs. We supply the machine, charged
+with the very best soup, at ninepence a night.
+
+_Hostess._ No, I don't want anything _fussy_, it's quite an informal
+little gathering. An ounce of those mock-turtle jujubes at fourpence I
+had last time will do very well.
+
+_The F. C._ Very good, madam. Then, with regard to fish? I can strongly
+recommend these bi-carbonate of cod and oyster sauce lozenges, or I have
+some sulphate of salmon and cucumber pastilles, that I think you would
+like, ninepence the quarter-of-a-pound.
+
+_Hostess._ I'm afraid I mustn't be extravagant. I'll take a small bottle
+of condensed smelt tabloids (the _sixpenny_ size), and what are left
+will come in nicely for the children's dinner next day.
+
+_The F. C._ Precisely so, madam. And as to _entrées_--will you have
+cockscomb cachous or sweetbread pilules?
+
+_Hostess._ It makes such a _long_ dinner. I don't want a lot of things.
+
+_The F. C._ In _that_ case, madam, I think I have the very article--a
+most elegant electro-chemical preparation, combining _entrée_, joint,
+and bird, with just a trace of vegetable matter, put up in small
+capsules, at one and elevenpence halfpenny the box of one dozen.
+
+_Hostess._ That would be cheaper than having each course in separate
+tablets, _wouldn't_ it? I think I'll try a box. What wonderful
+improvements they bring out nowadays, to be sure!
+
+_The F. C._ They do indeed, madam. I am told that the Concentrated Food
+Stores will shortly be able to place on the market a series of graduated
+wafers, each containing a complete dinner, from a City banquet to a
+cutlet, at prices to correspond with the number of courses required.
+
+_Hostess._ Delightful! And then the most expensive dinners will be all
+over in a minute, instead of dragging on to ten minutes or a quarter of
+an hour, as I've known them to do sometimes! I've often thought what a
+pity it is that we waste so much precious time as we do in merely
+supplying our bodily wants.
+
+_The F. C._ We are improving, madam, slowly improving. And what about
+sweets, cheese, and savouries?
+
+_Hostess._ I might have one of those two-inch blocks of condensed
+apple-tart, and a box of cheese pills--_no_ savouries. You see, it's
+only a _family_ party!
+
+_The F. C._ Exactly so, madam. And shall you be needing anything in the
+way of stimulants?
+
+_Hostess._ Let me see--you may send me in a couple of ounces of
+acidulated champagne drops--the _Australian_ quality, _not_ the French,
+they're twopence an ounce dearer, and so few people notice the
+difference nowadays, do they?
+
+_The F. C._ (_to himself_). Not until the next morning! (_Aloud._) And
+liqueurs? Any brandy-balls with the coffee creams? We have some very
+fine essence-of-dessert jellies----. _Hostess_ Nothing more, thank you.
+(_To herself as she departs._) I'm sure I've spent quite enough as it is
+on John's stingy old relations, who never ask us to have so much as a
+lunch-lozenge or a tea-tabloid with them!
+
+ * * * * *
+
+_Lady of uncertain age_ (_discussing dinner party_). No, I cannot say it
+was very complimentary; they gave me to an archæologist to take down.
+
+ * * * * *
+
+[Illustration: _Old Jones._ "Yes, my boy, _there's_ wine for you, eh? I
+bought ten pounds worth of it the other day."
+
+_Brown._ "What a _lot_ you must have got!"]
+
+ * * * * *
+
+[Illustration: A BIG ORDER
+
+_Stout Party_ (_to waitress_), "Put me on a pancake, please!"]
+
+ * * * * *
+
+[Illustration: AT A LITERARY AND ARTISTIC BANQUET.--_Waiter_ (_to
+colleague_). "Well, they may 'ave the intellec', Fred, but we certainly
+'as the good looks!"]
+
+ * * * * *
+
+[Illustration: Why not a phonographic after-dinner speech machine?
+Celebrities could be represented at any number of banquets.
+
+["An experiment in dinner speeches by telephone is to be tried at
+Massachusetts Institute."]]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE EXPRESSED OTHERWISE
+
+_Would-be Considerate Hostess (to son of the house)._ "How inattentive
+you are, John! You really must look after Mr. Brown. _He's helping
+himself to everything!_"
+
+[_Discomfiture of Brown, who, if somewhat shy, is conscious of a very
+healthy appetite._]]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD(N'T) RATHER HAVE LEFT UNSAID.--(_In Mrs.
+Talbot de Vere Skynflynte's drawing-room, after one of her grand
+dinner-parties where nobody gets enough to eat._) _General Guzzleton._
+"What's that? Tea? No, thanks. I never take tea unless I've dined!"]
+
+ * * * * *
+
+PROVERBS FOR BALL AND DINNER GIVERS
+
+Ices and tea and coffee and small cakes are as good as a feast.
+
+You may bring an amateur tenor up to a piano, but you cannot make him
+sing.
+
+A lord in the room is worth two dukes in the bush.
+
+In provincial society the lord-lieutenant is king.
+
+Flirtation is the mother of invention.
+
+All good dances lead to the conservatory.
+
+Take care of the rounds, and the squares will look after themselves.
+
+It is a wise waltzer who knows her own step.
+
+A dinner in time saves nine.
+
+When the confectioner comes in by the door the cook flies out by the
+window.
+
+What is port to your wine merchant is death to your guests.
+
+Keep your champagne dry.
+
+Call a stable-boy by any other name, and he will resemble the rose
+under similar circumstances.
+
+You can't make a head butler out of a local greengrocer.
+
+When the soup is cold, the wit flies out.
+
+If you have enough cheap and nasty dishes, some of them must be eaten.
+
+The _menu_ makes the dinner.
+
+Ask _Mr. Punch_ to a really good and well thought-out meal, and you will
+have an exceptionally lucky man for your guest.
+
+ * * * * *
+
+THE SIGH OF THE SEASON
+
+ Good-bye dinner, good-bye lunch,
+ Good-bye turtle, good-bye punch,
+ Good-bye jambon soaked in cham.,
+ Good-bye venison, cutlets lamb,
+ Good-bye salmon, smelts, and sole,
+ Good-bye Heidsieck's monopole,
+ Good-bye hock, sauterne, and sherry,
+ Good-bye all that makes me merry,
+ Good-bye liqueurs, _petit verre_,
+ Good-bye sauce _au Vin Madère_,
+ Good-bye all these joys of life,
+ Good-bye fork, and good-bye knife,
+ Good-bye all I take when out,
+ Good-bye _then_ this twinge of gout!
+
+ * * * * *
+
+[Illustration: _Our Gallant Colonel._ "Your daughters, my dear Mrs.
+Tympanum, are looking delightful to-night--simply delightful!"
+
+_Mrs. Tympanum (rather hard of hearing, and very intent on a rôti of
+ducklings)._ "Yes, aren't they! I've had them stuffed with sage and
+onions!"]
+
+ * * * * *
+
+[Illustration: CRUEL!--_Smith (usually a shy, reserved, and silent man)
+tells a rather long, but otherwise entertaining, story, about an orange,
+which meets with great success. Brown (when the laughter and applause
+have subsided)._ "Bravo, Smith! Capital, old man! But, I say, you told
+it better one night at Jones's, a few months ago!" _Jones._ "No, no!
+Where he told it best was that morning we breakfasted with you, Brown,
+somewhere about the beginning of the year before last!" _Robinson._ "Ah,
+but don't you recollect the way he told it after that supper I gave you
+fellows at Evans' in 'fifty-one'? How we _did_ laugh, to be sure!"]
+
+ * * * * *
+
+[Illustration: WHOSE FAULT?--_Wife (reproachfully)._ "O, Charles!" (_She
+had returned to the dining-room, wondering why he had not come upstairs
+to tea.) Charles (who had evidently taken a little too much wine)._ "V'y
+well, my dear! 'Sh not my fault! 'Sh your fault! Cooksh fault! 'Bisque
+soup was salt! Sh'preme d'la V'laille was smoked! And orange frittersh
+'tough as leather! What did Capt'n du Cane shay? Bad cookery cause of
+all sorts o' crimes. 'Shamed of yourshelf!"]
+
+ * * * * *
+
+[Illustration:
+
+"For when our veins are filled
+With wine and feeding, we have suppler souls
+Than in our priest-like fasts."--SHAKSPEARE: _Coriolanus_.
+
+AFTER-DINNER CRITICISM.--_Guest (who has had a pleasant evening, will
+just have a look at his host's pictures before he goes)._
+"Yesh--(_hic_)--'like tha' pictsh're! Fi' lanshc'pe! 'Like the treesh!
+'Branshes wave 'bout s' nash'rally!!!"]
+
+ * * * * *
+
+DINNER PLATITUDES
+
+Twice of soup is vulgar, but three times of soup implies that you must
+be more than double-plated with vulgarity. Such a thing was never known,
+not even at the Trinity Board, and turtle is not the slightest excuse
+for your pushing things to such a vulgar length. An alderman would
+really blush for you.
+
+A soft answer turneth away wrath, and an invitation to take a glass of
+wine will frequently restore warmth between two friends where only
+coldness existed before.
+
+No matter how plain your cook may be, so long as your dinner is
+well-dressed.
+
+A few compliments go a great way. A little savoury _pâté_ is quite
+enough. Try too many, and you'll find they'll prove heavy.
+
+When the ladies retire from the dinner-table, it is not usual for you
+(supposing you to be a gentleman) to retire with them. In this instance,
+the same law extends to the mistress as to the servants:--"No Followers
+Allowed."
+
+A gratuity well bestowed frequently has a happy effect. The servant that
+is fee'd well takes care that his master does the same.
+
+In the hands of an inferior _artiste_, whether an omelette turns out
+good or bad, is quite a matter of toss up. It is the same with a
+pancake.
+
+Keep ill-natured people from your table, as you would sour fruit. They
+are sure to disagree with every one. Avoid crab-apples, lest the apple
+of discord should turn up amongst them.
+
+ * * * * *
+
+ODE TO A DINNER-GONG
+
+ "The tocsin of the soul--the dinner-bell."
+ So said, admiringly, the late Lord Byron,
+ But he had never heard _your_ noisy knell,
+ O blatant bellowing thing of brass or iron,
+ Or surely he had metrically cursed
+ Your nerve-distracting Corybantic clangour.
+
+ Would his fine indignation could have versed
+ My utter hate, my agonising anger.
+ Alas! is gusto then so great a sin,
+ Is feeding man so terrible a sinner
+ That such a worse than _Duncan_-raising din
+ Must summon him to--dinner?
+
+ * * * * *
+
+[Illustration: DOWN A PEG.--_Mr. Gifted Hopkins (minor poet, essayist,
+critic, golfer, fin-de-siècle idol, &c.)._ "Oh, Mrs. Smart--a--I've been
+thinking, for the last twenty minutes, of something to say to you!"
+_Mrs. Smart (cheerfully)._ "Please go on thinking, Mr. Hopkins,--and
+I'll go on talking to Professor Brayne in the meantime."]
+
+ * * * * *
+
+[Illustration: PAST AND PRESENT.--_Serious and much-married man._ "My
+dear friend, I _was_ astonished to hear of _your_ dining at Madame
+Troisétoiles!--a 'woman with a past' you know!"
+
+_The Friend_ (_bachelor "unattached"_). "Well, you see, old man, she got
+a first-rate _chef_, so it isn't her 'past,' but her 're-past' that _I_
+care about."]
+
+ * * * * *
+
+[Illustration: A CONNOISSEUR.--_Sir Pompey Bedell._ "This bottle of
+Romanée-conti seems rather cloudy, Brown! It _ought_ to be all right. I
+know it stands me in _twelve guineas a dozen_!"
+
+_The New Butler._ "There certainly _his_ some sediment, Sir Pompey; but
+it's of no consequence whatever! I tried a bottle of it _myself_ the
+other day, and found it first-rate!"]
+
+ * * * * *
+
+[Illustration: A PIOUS FRAUD!
+
+"Hullo, Monty, what have you got in your button-hole? You don't mean to
+say you've joined the blue ribbon army?"
+
+"Yes; for this night only. Going to dine with Jakes. Don't want to hurt
+poor old Jakes' feelings--don't want to be poisoned by his beastly wine.
+See?"]
+
+ * * * * *
+
+[Illustration: IN THE DAYS OF THE CRINOLINE--DINING UNDER DIFFICULTIES]
+
+ * * * * *
+
+[Illustration: REPLETION.--_Robert._ "Pudding or cheese, sir?"
+
+_Abstracted Editor._ "Owing to pressure of other matter, 'regret we are
+unable to find room for it!"]
+
+ * * * * *
+
+[Illustration: _Brown_ (_who has been dining at the club with Jones_).
+"Just come in a minute, old fellow, and have a night-cap."
+
+_Jones._ "I'm afraid it's getting a little late. Let's see how's the
+enemy."
+
+_Brown._ "Oh! that's all right. _She's_ in bed."]
+
+ * * * * *
+
+[Illustration: INNOCENTS IN THE CITY
+
+_Mrs. Fitznoodle_ (_evidently not well versed in the delicacies of a
+Guildhall feast_). "Freddy, dear, can you tell me what _is_ the
+difference between 'calipash' and 'calipee'?"
+
+_Colonel Fitznoodle_ (_hesitating, and looking round for an
+answer_). "Certainly, my dear. Exactly the difference there is between
+'Gog' and 'Magog'!"]
+
+ * * * * *
+
+DINNERS AND DINERS
+
+(_With apologies to the P-ll M-ll G-z-tte_)
+
+It had been my good fortune to give to Mademoiselle Faustine, a charming
+little actress, a tip for the Welter Plate last spring. What more
+natural than that I should ask her to give me a dinner as some slight
+return? She readily accepted, and asked me to name the day. Glancing at
+the sixth volume of my engagement book, I found my first vacant date was
+June 18, '97. This was fortunate, as it is hardly possible--except at
+Voisin's--to get a decent dinner unless you order it a year in advance.
+
+"Where shall we dine?" asked Faustine.
+
+"There is only one place where people _do_ dine," I answered, a little
+reproachfully. "The Bon Marché. I will order the dinner."
+
+So the place and the date were fixed.
+
+ * * * * *
+
+As Faustine was a quarter of an hour late--I had not seen her since our
+arrangement--I waited in the alabaster portico of the Bon Marché,
+chatting amiably to the courteous commissionaire, an old comrade of mine
+in the Wimbledon days. Jules, the courteous _chef_, was _au désespoir_.
+Why had I not given him more notice? Madame was fifteen minutes late. If
+he had only known! In a year and fifteen minutes it is possible to cook
+a dinner. In a year--no. I tried to calm the worthy fellow--an old ally
+of mine in the Crimean war. In vain; he complained the sardines were
+spoiling. So I went into the dining-room, nodding courteously to eight
+princes of the blood, neither of whom appeared, for the moment, to
+recognise me.
+
+As I seated myself, the entire staff, headed by a brass band, brought me
+my _sardines à l'huile_. These are a _specialité_ of the house, and are
+never--should never be, at least--eaten with the tin. The _potage à la
+potasse_ was quite excellent. I congratulated the courteous _chef_,
+pointing out to him the desirability of mixing, sometimes, a little
+anti-pyrine into the potassium--both drugs far too rarely used in modern
+cookery. Then came the question of wine. This I solved for the moment
+by ordering two Jeroboams of Stereoscopic Company et Fils; a _cuvée_ of
+'80, absolutely _reservée_ for my own use. As I had engaged the entire
+staff of waiters, a crown prince, who was entertaining one of our
+leading bicyclists, rose to leave, with his guest. I smiled and nodded
+to them as they passed, which appeared to hasten their departure.
+
+The _moulin à vent_ was delicious, but the _dindon décousu_ I could not
+pass. No self-respecting _gourmet_ will pass everything at a dinner.
+
+Gontran, the kindly _maître d'hôtel_, was almost in tears, but I
+consoled him by observing that the ostriches were cooked to a turn, and
+the _bombe glacée à l'anarchiste_ faultless.
+
+But my hostess? Where was she? Where was Mademoiselle Faustine? I had
+quite forgotten her! I beckoned to Hagenbock, the press representative
+of the restaurant, who informed me she had been dead eight months! I,
+who read nothing but menus, had omitted to notice this in the papers. I
+was greatly pained. The shock unnerved me--I could eat no more. Besides,
+who was now to pay the bill?
+
+I reproduce the bill.
+
+Couverts, £5. Diners, £36 8_s._ Pain, 2_s._ Champagne, £47. Liqueurs,
+15_s._ Addition, 3_s._
+
+In all, £89 8_s._--(This is one of the few restaurants where a charge is
+made for the addition.)
+
+"Make out the bill," said I, "in francs, and send it to the executors of
+Mademoiselle Faustine."
+
+II.
+
+Monsieur Victor de Train-de-Luxe is in many respects a delightful
+person. In other ways he is not. For instance, because he was,
+accidentally, the cause of my backing a winner at Ascot (simply by means
+of ordinary stable information), he had the bad taste to suggest that I
+should stand him a dinner.
+
+I said, "Certainly, my dear Comte" (Comte being the courtesy title I
+invariably give to foreigners from whom I have the hope of borrowing
+money).
+
+"Where shall it be?"
+
+"There is only one place where one _can_ dine," I said.
+
+"Of course--the Bon Marché," he replied.
+
+"No," I answered. "No, _mon ami_. If you wish to eat a really
+characteristic English dinner, come to the Vegetarian Restaurant in
+Edgware Road. Come along. Come, _now_!"
+
+"But it's only six o'clock. I am not hungry."
+
+"All the better," I replied. And I also pointed out to him that the best
+way to see London is outside an omnibus. So we started.
+
+ * * * * *
+
+Arrived at the restaurant, I was enthusiastically received by the
+courteous cashier, who presented me with a previous bill, which, I
+noticed, had not been receipted. I said I thought it rather rude to
+present a gentleman with a bill which they hadn't taken the trouble to
+receipt.
+
+We sat down.
+
+"I'm glad," I said to Victor, "that I didn't know this dinner was coming
+off to-day. If I had had notice, I might have ordered it beforehand; and
+a dinner, to be perfection, should be eaten, if possible, on the day it
+is cooked. At least, that's what I always think. I may be wrong."
+
+Monsieur de Train-de-Luxe smiled, said I was a _farceur_, and I ordered
+our dinner.
+
+First, some turnip turtle soup, then, ortolans of spinach and mashed
+potatoes, followed by a canvas-backed duck made of Indian corn, and
+last, not least, plum-pudding. As all will agree, this makes a very
+delicious and seasonable repast. Long dinners have quite gone out of
+fashion. And this was washed down with a sparkling bottle of orange
+champagne, '97.
+
+My friend Victor, who is rather a _gourmet_, was so struck with the
+first mouthful of soup, that he said it was quite enough, observing, he
+had never tasted anything like it.
+
+Pleased with this praise, I asked his opinion of the ortolans. He said
+that their aroma dispensed with the necessity for their consumption. He
+was evidently surprised.
+
+When the bill was presented by the courteous "chucker-out," we found
+that most unluckily neither of us had any money.
+
+I append the bill.
+
+Dinners (for two), 1_s._ 9_d._ Champagne, 3_d._ Total, 2_s._
+
+To this I ought really to add:--
+
+Cab (for three) to Marylebone Police Court, 1_s_. 6_d_. (The constable
+refused to walk without us.)
+
+Loss to reputation by report of proceedings, 8_d_.
+
+ * * * * *
+
+THE BUSINESS OF PLEASURE
+
+_Professor Guzzleton_ (_to Fair Chatterbox_). Are you aware that our
+host has a French cook?
+
+_Fair Chatterbox._ So I hear!
+
+_Professor Guzzleton._ And that that French cook is the best in London?
+
+_Fair Chatterbox._ So I believe!
+
+_Professor Guzzleton._ Then don't you think we had better defer all
+further conversation till we meet again in the drawing-room?
+
+ * * * * *
+
+"My uncle, the admiral," said Mrs. Ramsbotham, "is very old fashioned,
+and always goes to sleep every day after dinner with his banana on his
+head."
+
+ * * * * *
+
+[Illustration: SYMPATHETIC
+
+_Toast-master_ (_to chairman of public dinner_). "Would you like to
+propose your toast now, my lord, or should we let 'em enjoy themselves a
+bit longer?"]
+
+ * * * * *
+
+[Illustration: INFELICITOUS MISQUOTATIONS.--_Hostess._ "You've eaten
+hardly anything, Mr. Simpkins!"
+
+_Mr. S._ "My dear lady, I've dined '_wisely, but not too well_!'"]
+
+ * * * * *
+
+[Illustration: TRIUMPHS OF THE FUNNY MAN
+
+_Hired Waiter_ (_handing the liqueurs_). "_Please_, sir, _don't_ make me
+laugh--I shall spill 'em all!"]
+
+ * * * * *
+
+[Illustration: OVERHEARD AT A CITY RESTAURANT
+
+"I said Welsh _radish_, not _horse rabbit_!"]
+
+ * * * * *
+
+[Illustration: IRRESISTIBLE
+
+_Our Robert_ (_on duty in the provinces, offering dish to neglected
+spinster_). "Little duck!"
+
+[_In such a tone of voice, that, at the risk of the sage and----she
+accepts!_]
+
+ * * * * *
+
+[Illustration: _Host._ "I say, my boy, shall we join ladies in
+drawing-room?"
+
+_Guest._ "I sh'inksho."
+
+_Host._ "Can you say, 'The scenery's truly rural 'bout here?'"
+
+_Guest._ "Sc-scenery tooralooral."
+
+_Host._ "All right, come along!"]
+
+ * * * * *
+
+[Illustration: HE KNEW THE CUISINE.--_Hungry Diner_ (_scanning the
+menu_). "Look here, waiter, I'm starving. I think I'll have a little of
+everything!"
+
+_Waiter._ "Yessir. (_Bawls off._) 'Ash one!"]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+AFTER-DINNER SPEECHES
+
+ "When the wine is in, the wit is out;"
+ Only to dolts the adage reaches.
+ No wise man could for a moment doubt
+ The value of after-dinner speeches.
+
+ _Punch_ can remember the time when Peel,
+ Whose wisdom still the country teaches,
+ After steak and port, his nine o'clock meal,
+ Made the best of after-dinner speeches.
+
+ When the Ministers come to the Mansion House,
+ (The King of London their presence beseeches,)
+ No guest who has any touch of _nous_
+ Will be weary of after-dinner speeches.
+
+ When the Royal Academy blooms in May,
+ With its pretty girls and their cheeks like peaches
+ Who won't, on the opening Saturday,
+ Listen to after-dinner speeches?
+
+ When there's ought that's generous to be done,
+ A greeting to pay that no soul impeaches,
+ A dinner's the best thing under the sun,
+ And its gold coin the after-dinner speeches.
+
+ And as to the House, which often suffers
+ From talk that to dreariest platitude reaches,
+ It does not often allow its duffers
+ To make long after-dinner speeches.
+
+ * * * * *
+
+[Illustration: SCENE--CHOP-HOUSE
+
+_Enter Street Boy, and, with suppressed ecstasy._ "Oh, please, there's
+your cat and kittens having such a game with the things in the winder!"]
+
+ * * * * *
+
+AT THE CRIC-CRAC RESTAURANT
+
+_Customer_ (_looking at bill_). Here, waiter, there's surely some
+mistake in this total.
+
+_Waiter_ (_politely_). Zehn thousand pardons, sir! Mit my usual
+carelessness I have added in ze date and vorgot to charge you for ze
+butter.
+
+ * * * * *
+
+AN OVERSIGHT!
+
+_Swell._ Waiter! This--ah--chop's vewy dwy!
+
+_Waiter._ 'Ndeed, sir? Perhaps if you were to order something to drink
+with it, sir----
+
+ * * * * *
+
+[Illustration: A REBUKE
+
+_Host._ "Fish is very expensive, just now, I can tell you. This salmon
+cost me two and sixpence a pound!"
+
+_Guest_ (_no business of his_). "Ah, it's very good, I think I'll take
+another eighteen penn'orth!"]
+
+ * * * * *
+
+[Illustration: CAUTION
+
+_The Major._ "Don't you like liqueurs, Mrs. Jinks?"
+
+_Mrs. Jinks._ "Yes; but they make one so _unreserved_!"]
+
+ * * * * *
+
+[Illustration: A BORN ORATOR (IN THE EAST)
+
+_Farmer_ (_proposing landlord's health_). "An' if a' squiears 'ud _dew_
+as our squiear _dew_, there wudna be so many on 'em as _dew_ as they
+_dew dew_!"]
+
+ * * * * *
+
+[Illustration: NO EXCUSE FOR NOT BELIEVING.--"Then you don't believe in
+phrenology?" "No, rather not. I once gave one of those fellows a
+sovereign to read my head, and, after feeling it a long time, all he
+said was, that I had no idea of the value of money."]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE PUT DIFFERENTLY.--_Mr.
+Bumblepup._ "I must apologise for coming in ordinary evening dress."
+_Hostess._ "Well, you really have the advantage of us. We're all looking
+more foolish than usual, and you're not."]
+
+ * * * * *
+
+[Illustration: _Mr. Boreham_ (_in the thick of a long and pointless
+story_). "Well, as I was saying, I happened to be in the City the other
+day, and, as I was walking down Cheapside, whom should I meet but my old
+friend, Stodgeley, whom I haven't seen for fifteen years. Well, what do
+you think he did? He stopped dead when he saw me, slapped me on the
+shoulder, and said, 'Surely this must be my dear old friend, Boreham?'"
+_She_ (_with difficulty keeping awake_). "Yes?--_and was it_?"]
+
+ * * * * *
+
+[Illustration: _Hostess_ (_to friend who has been brought in to take
+pot-luck_). "I'm afraid, Mr. Simpson, we've only got a very poor dinner
+to offer you."
+
+_Mr. Simpson._ "My dear Mrs. Jones, I beg you not to apologise! I assure
+you I think it quite desirable to _underfeed_ occasionally!"]
+
+ * * * * *
+
+THE DINNER CHAIRMAN'S VADE MECUM
+
+(_Compiled for the use of Orators during the Month of May Mouthings_)
+
+_Question._ You are accustomed to take the chair at a public dinner?
+
+_Answer._ Yes. Or, to speak by the card, a dinner for the rest of the
+company.
+
+_Q._ Why, do you not partake of the good cheer before you with the rest
+of your convives?
+
+_A._ Certainly not. I have to speak later on--a consideration which
+entirely destroys my appetite.
+
+_Q._ Is there anything new to be said in the loyal toasts?
+
+_A._ No; and therefore it is better to return to the simplest form,
+which is sure to be received with heartfelt enthusiasm.
+
+_Q._ What can be said about the united service?
+
+_A._ That it is absolutely delightful to expend millions in the
+furtherance of their interests.
+
+_Q._ And can anything interesting be put in about the Houses of
+Parliament?
+
+_A._ Not much. Sneers at the Lords are no longer popular, and the Lower
+House is too respectable to be anything but a dull subject.
+
+_Q._ What about the toast of the evening?
+
+_A._ That must be left to the secretary, who will furnish the chairman
+with the necessary facts, which may be mixed with original remarks,
+two-thirds humorous to one-third pathetic.
+
+_Q._ How are the visitors to be treated?
+
+_A._ With fulsome eulogy or comic depreciation inspired by the pages of
+that excellent manual, _Who's Who_. Particular attention can be paid to
+the entries under "Recreations" in that admirable work, for appropriate
+chaff.
+
+_Q._ And in what terms does a chairman respond to the toast of his own
+health?
+
+_A._ In a few muttered words addressed to an audience composed of a
+gentleman fast asleep, the toast-master, and the waiters.
+
+ * * * * *
+
+[Illustration: SOCIAL AGONIES.--"I say, old chap, it's short notice, but
+_do_ come and dine this next Thursday!" "Can't, dear old man. I'm
+engaged three deep for the night!" "Oh, sorry! I've got the Duke and
+Duchess of Runnymede, and Lord Savory!" "Oh,"--(_seeing it in quite a
+different light_)--"_next_ Thursday, did you say? I thought you said
+Thursday _week_. Oh, yes, I shall be delighted!"
+
+[_Their Graces and Lord S. never turned up, after all!_]]
+
+ * * * * *
+
+[Illustration: REASSURING
+
+"Lor' bless yer, sir, that's all right, sir! _That_ ain't a fly,
+sir!--_that's_ a bit of dirt!"]
+
+ * * * * *
+
+[Illustration: BREAKING THE ICE
+
+_Sprightly Lady._ "Mr. Dormers, would you oblige me with----"
+
+_Bashful Curate_ (_who had scarcely spoken to his fair neighbour_). "O,
+certainly. What shall I have the pleasure to offer?----"
+
+_Lady._ "----a remark!!"]
+
+ * * * * *
+
+[Illustration: THE CONNOISSEUR.--_Host_ (_smacking his lips_). "There,
+my boy, what do you think of that? I thought I'd give you a treat.
+That's '34 port, sir!" _Guest._ "Ah, and a very nice, sound wine, I
+should say! I believe it's quite as good as some I gave 37s. for the
+other day."]
+
+ * * * * *
+
+[Illustration: A GENTLE SNUB.--"Here, waiter--quick! Something to
+eat--and look sharp!" "Yessir. What'll you 'ave, sir?" "Oh--anything--I
+don't care. Chop or steak--whatever you like." "You must excuse me, sir;
+but I don't feel called upon to decide!"]
+
+ * * * * *
+
+[Illustration: THE WAY WE LIVE NOW
+
+TIME--3 P.M. SCENE--_Club_.
+
+_First Gilded Youth._ "Had any breakfast, old chappie?"
+
+_Second Gilded Youth._ "Yes. Had an egg beaten up at twelve."
+
+_First Gilded Youth_ (_in admiration_). "Doose you did! What a
+constitution you must have!"]
+
+ * * * * *
+
+[Illustration: THE FIRST ASPARAGUS OF THE SEASON
+
+_Farmer_ (_at market dinner_). "Wull, gen'elmen, I dunno wot be the
+c'rect way o' servin' these 'ere, but I gen'elly eats just the ends of
+'em myself!"
+
+[_Helps himself to the tops!_]]
+
+ * * * * *
+
+[Illustration: THE GENIAL SEASON
+
+_Hungry-looking Acquaintance_ (_with eye to invitation_). "So glad to
+see you enjoying yourself!"
+
+_Fat Chap_ (_evidently doing well_). "Wrong again, old man. I'm enjoying
+my dinner!"]
+
+ * * * * *
+
+A WAITER'S WARNING
+
+"ENTOMOLOGY IN PARLIAMENT STREET.--Mr. Frank W. DUFREY, 55, Parliament
+Street, writes to the _Field_:--'It will interest your entomological
+readers to hear that a fine specimen of the death's-head hawk moth
+(_Acherontia atropos_) was taken in Parliament Street on Monday evening.
+It flew into the dining-room at the Red Lion Tavern, and was captured by
+one of the waiters, who was alarmed at its size and the peculiar noise
+it made. Apart from its being rather rubbed, it is a very good specimen
+of the largest of our lepidoptera, and is now in my possession.'"
+
+ "William, where's John?
+ What, is he gone?"
+ "Not gone away, sir.
+ Sorry to say, sir;
+ John ill a-bed, sir,
+ Bad in 'is 'ed, sir.
+ 'Ad a great fright, sir.
+ Turned 'is 'air wite, sir.
+ Last Monday night, sir."
+ "Struck down with fear!
+ How? Let me hear."
+ "'Orrible thing, sir,
+ Came on the wing sir;
+ Window in through, sir,
+ Suddently flew, sir,
+ Into this room, sir,
+ A shape from the tomb, sir.
+ 'Twasn't a bat, sir;
+ No, sir, not that, sir:
+ Moth, sir, we thought, sir.
+ But wen it was caught, sir,
+ Huttered a shriek, sir,
+ A scream, sir, a squeak, sir!
+ Hinsect, you know, sir,
+ Couldn't do so, sir.
+ Wot should we find, sir,
+ On its back, sir, be'ind, sir,
+ Printed, exact, sir?--
+ A skull, sir,--a fact, sir!
+ John gasped for breath, sir;
+ Thought it was Death, sir--
+ Notice to quit, sir.
+ John was that frit, sir,
+ John 'ad a fit, sir--
+ Went a'most mad, sir.
+ John very bad, sir;
+ Better, bimeby, sir;
+ 'Opes John won't die, sir.
+ Doctor 'e said, sir,
+ Moth, named death's 'ed, sir,
+ In natteral 'istory, sir;
+ Rare; but no mystery, sir:
+ Honly a prize, sir,
+ A catch in 'is heyes, sir,
+ As a medical gent, sir,
+ No call to repent, sir--
+ That's 'is belief, sir.
+ A sirloin of beef, sir,
+ Just up--very nice, sir.
+ Bring you a slice, sir?
+ Potatoes and greens, sir--
+ And any French beans, sir?"
+
+ * * * * *
+
+[Illustration: _Mrs. Godolphin._ "Shall we meet at Dunchester House
+to-morrow?"
+
+_Mrs. Lascelles._ "No. _I_ was there on Monday. I heard there were a few
+people going to-morrow."
+
+_Mrs. Godolphin._ "Oh, yes. She has only asked quite a few people. On
+Monday, now, I hear there was quite a big rabble there!"]
+
+ * * * * *
+
+[Illustration: THE CONSCIOUSNESS OF IMPORTANCE.--_Mrs. Brown._ "We are
+having some friends to dine with us on the twenty-fourth, Mr. Green, and
+want you to come and help to wait at table, as usual." _The Family
+Greengrocer._ "On the twenty-fourth, ma'am? I'm sorry to say I'm engaged
+on the twenty-fourth." _Mrs. Brown._ "Dear me! How unfortunate! We are
+so accustomed to you, and you know our ways." _Mr. Green._ "Yes, ma'am.
+Couldn't you write and put off your friends till the week _after_,
+ma'am?"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+"By the way, your friend O'Leary dined with me last night. What a dull
+dog he is!"
+
+"Oh, that depends on what company he's in!"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+"You can't go home when it's raining like this. You'd better stay and
+have dinner with us!"
+
+"Oh, it's not quite so bad as _that_!"]
+
+ * * * * *
+
+[Illustration: FREAKS OF NATURE
+
+_Waiter._ "Now, then, look sharp! Here's that mutton chop a biling with
+rage at bein' kep' waitin', and a beefsteak gone away in a towering
+passion!"]
+
+ * * * * *
+
+[Illustration: A NEW DISH
+
+_Sympathising Swell_ (_waiting for some chicken_). "You've got no
+sinecure there, Thomas!"
+
+_Perspiring Footman._ "Very sorry, sir--just 'elped the last of it away,
+sir!"]
+
+ * * * * *
+
+[Illustration: ALARMING SYMPTOMS AFTER EATING BOILED BEEF AND GOOSEBERRY
+PIE
+
+_Little Boy._ "Oh, lor, mar, I feel just exactly as if my jacket was
+buttoned."]
+
+ * * * * *
+
+[Illustration: BROWN AND JONES OVER THEIR WINE
+
+_Jones._ "How would I take Cronstadt? With vigour and decision, nothing
+more easy. My dear Brown, look here. This table is the Baltic, very
+well. Now look--(_Jones places certain strawberries for the forts; the
+city of Cronstadt on this occasion only being represented by a plate of
+gooseberries at the back._) Here we are. The strawberries the forts:
+Cronstadt the gooseberries. Now a little vigour and decision! This spoon
+is the _Duke of Wellington_, three-decker, leading the van. We go in
+here, firing both broadsides at once, to destroy the forts to larboard
+and starboard; while at the same time our guns in the bows and
+stern-sheets smash the other forts before and behind. Very good. We are
+then in front of Cronstadt--the city of Cronstadt. We shell that, sir;
+shell it of course! Blow up the powder-magazines; capitulation ensues;
+the Russian fleet is in a blaze, and, my dear Brown, that is how _I_
+would take Cronstadt----"
+
+_Brown._ "----After dinner."]
+
+ * * * * *
+
+[Illustration: HEAVY
+
+_Stranger_ (_just arrived at the City of Eastminster_). "What can I have
+for dinner, waiter?"
+
+_Waiter._ "Anything you please, sir!"
+
+_Stranger._ "What are you celebrated for here?"
+
+_Waiter._ "Well, sir, there's the cathedral----!!"]
+
+ * * * * *
+
+[Illustration: HORRIBLE SUSPICION
+
+_Old Gentleman._ "Oh, waiter, why is it that a dinner off the joint is
+five shillings, but if you only have made dishes and soup, it's two
+shillings and sixpence?"
+
+_Waiter._ "That, sir, is on account of the very high price of butcher's
+meat just now, sir."]
+
+ * * * * *
+
+[Illustration: SELF-EXAMINATION
+
+_Party_ (_slightly influenced_). "Queshion ish! Am I fit to go
+intodrawingroom? Letsh shee!--I can shay gloriush conshyshusn!--Have
+seen Brish inshychusion--all that shortothing--thatledo--here gosh!"]
+
+ * * * * *
+
+[Illustration: DURING THE CATTLE SHOW.--_Old Farmer Wuzzle_ (_reading
+the bill of fare_). "Dinners har lar cart! What does that mean, Polly?"
+_Miss Wuzzle_ (_who has been to a fashionable boarding-school to be
+finished, who has been taught French and how "to spank the grand
+pianner" and who is never at a loss_). "Aller cart, father? Why, that
+means a small, simple dinner. If you want something heavy and
+first-rate, you order what they call a dinner waggon!"]
+
+ * * * * *
+
+[Illustration: "MARCH OF REFINEMENT," 1875.--_Brown_ (_behind the age,
+but hungry_). "Give me the bill of fare, waiter."
+
+_Head Waiter._ "Beg pardon, sir?"
+
+_Brown._ "The bill of fare."
+
+_Head Waiter._ "The what, sir? O!--ah!--Yes!"--(_to
+subordinate_)--"Chawles, bring this--this--a--gen'leman--the _menoo_!!"]
+
+ * * * * *
+
+[Illustration: "MELTING!"
+
+_Stout Chairman_ (_who feels the fire close at his back rather
+oppressive_). "Waiter, I asked you to bring me a screen."
+
+_Waiter._ "Master's very sorry, sir, but we ain't got no screen!"
+
+_Stout Chairman._ "Then, for goodness' sake, tell the cook to send up
+the dripping-pan, and put it under me, quick!"]
+
+ * * * * *
+
+[Illustration: "I say, waiter, this salmon cutlet isn't half so good as
+the one I had here last week."
+
+"Can't see why, sir. It's off the same fish!"]
+
+ * * * * *
+
+[Illustration: "PLEASE TO REMEMBER THE WAITER"
+
+"All right, sir! My fault!"]
+
+ * * * * *
+
+DRINKING SCENE OF THE FUTURE
+
+(_In consequence of the Growing Demand for Lighter Liquors_)
+
+ SCENE--_The interior of a Dining-room. The ladies have just left,
+ and the gentlemen are discussing their beverages._
+
+_Smith._ I say, Brown, if it is not an impertinent question, where did
+you get that toast-and-water?
+
+_Brown._ I thought you would be deceived! It was a cup, not the pure
+article! My butler is a first-rate hand at it. I will give you the
+recipe if you like.
+
+_Smith._ Do. It was excellent. What _is_ the secret?
+
+_Brown._ Something, I fancy, to do with watercress.
+
+_Jones._ I say, Brown, that was really very nice sherbet. Turkish or
+Persian?
+
+_Brown._ Neither. Came from the Stores. Home-made.
+
+_Jones._ Well, it certainly was capital. I could have sworn that it had
+been manufactured east of the Levant.
+
+_Brown._ More likely east of Temple Bar. And now shall we have a
+whitewash before we join the ladies?
+
+_Six Guests._ No, thanks! Really not!
+
+_Half-a-dozen more of the Company._ Really not! No, thanks!
+
+_Brown._ Nonsense! (_Produces a pint bottle of lemonade._) Nonsense, I
+repeat! Look here, my boys. (_Locks door._) Not one of you fellows shall
+leave the room until you have finished _this_!
+
+ [_Draws cork of pint bottle, and distributes the lemonade amidst the
+ good-natured protestations of the revellers. Scene closes in upon
+ the temperance orgy._
+
+ * * * * *
+
+[Illustration: A PERSONAL GRIEVANCE
+
+"I say, won't they let _you_ go into long trousers?"]
+
+ * * * * *
+
+[Illustration: STUDIES IN ANIMAL LIFE
+
+THE GOORMONG. (_Epicuri de Grege Porcus. British Isles_)
+
+_Mr. Huggins._ "_What_ a 'eavenly dinner it was!"
+
+_Mr. Buggins._ "B'lieve yer! Mykes yer wish yer was born 'oller!"]
+
+ * * * * *
+
+[Illustration: THE NEW SCHOOL.--_Uncle_ (_who is rather proud of his
+cellar_). "Now George, my boy, there's a glass of champagne for
+you--don't get such stuff at school, eh? eh? eh?"
+
+_George._ "H'm--awfully sweet! Very good sort for ladies--but I've
+arrived at a time of life, when I confess I like my wine _dry_!"
+(_Sensation._)]
+
+ * * * * *
+
+[Illustration: PLEASANT!--_Lord Reginald Sansdenier_ (_in answer to
+confidential remark of his host_). "Twenty thousand pounds worth of
+plate on the table, Sir Gorgius? I wonder you ain't afraid of being
+robbed!"
+
+_Sir Gorgius Midas._ "_Robbed_, my lord! Good 'evens! I'm sure yer
+lordship's too honnerable heven to _think_ of sich a thing!"]
+
+ * * * * *
+
+[Illustration: _Farmer._ "I say, John, what do you call a pineapple--a
+fruit or a vegetable?"
+
+_Waiter._ "A pineapple hain't neither, gentlemen. A pineapple is always
+a hextra!"]
+
+ * * * * *
+
+DINING AL FRESCO
+
+(_Extract from an Earl's Courtier's Notebook_)
+
+6 P.M.--Come down early, to get a table. Can't. All the tables booked a
+week in advance. Very angry. Manager says he'll see what can be done for
+me--later on. Fairly satisfied. He had better!
+
+7 P.M.--In state of heat. Have a fair appetite. Ask for table. "What
+table?" "The one promised me--later on." "Very sorry, but they are all
+engaged." Awfully angry. Explain that I am a person of some importance.
+Can do the place a great deal of good if I do have a table, and _vice
+versâ_. Manager desolated. See everybody else stuffing, drinking, and
+enjoying themselves. How they can have the heart! And _I_ table-less!
+But, no matter, a time will come. I'll write to "the leading journal"
+and denounce everything and everybody.
+
+7.15 P.M.--Explosively wrathful. At last! Ha! ha! Got a table. But at
+the back somewhere. Strong smell of cooking. Distant echo of a band.
+Exceedingly annoyed. Have tasted _hors d'oeuvres_. Sardines decent.
+
+7.20 P.M.--_Bonne Femme_ soup good. Have ordered champagne cup. Still
+annoyed.
+
+7.30 P.M.--Salmon mayonnaise distinctly excellent. Good idea to have
+cold dinner. Champagne cup well brewed. Don't notice the smell of
+cooking. Can hear the band. Nice band.
+
+7.40 P.M.--_Pâté de fois gras en aspic._ Capital Cold joint. First-rate.
+Salad artistically mixed. Second champagne cup as good as first. After
+all, place of table not so bad.
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: A TRUE ARTIST.--_Mamma_ (_to Tommy, who has been allowed
+for a few minutes to wait at table_). "Now, Tommy, kiss me, and go to
+bed."
+
+_Tommy_ (_to footman_). "Do _you_ ever kiss the missus, Charles?"
+
+_Footman._ "No, sir!"
+
+_Tommy._ "Then _I_ won't!"]
+
+ * * * * *
+
+THE MENU A LA MODE
+
+ Come, Damon, since again we've met
+ We'll feast right royally to-night,
+ The groaning table shall be set
+ With every seasonable delight!
+ The luscious bivalve ... I forgot,
+ The oyster is an arch-deceiver,
+ And makes its eater's certain lot
+ A bad attack of typhoid fever.
+
+ With soup, then, be it thick or clear,
+ The banquet fitly may commence--
+ Alas, on second thoughts, I fear
+ With soup as well we must dispense.
+ The doctors urge that, in effect,
+ Soup simply kills the thoughtless glutton.
+ It's full of germs. I recollect
+ They say the same of beef and mutton.
+
+ Yes, each variety of meat,
+ As you remark, is much the same,
+ And we're forbidden now to eat
+ Fish, oysters, poultry, joint or game.
+ But though a Nemesis each brings,
+ The punishment, the doctors tell, is
+ As nothing to the awful things
+ Awaiting all who toy with jellies.
+
+ Cheese--that is not condemned with these
+ Yet ample evidence we find
+ To make us, Damon, look on cheese
+ As simply poison to mankind;
+ While those who may desire to pass
+ Immediately o'er Charon's ferry,
+ Have but to take a daily glass
+ Of claret, hock, champagne or sherry.
+
+ And therefore, Damon, you and I,
+ Who fain would live a year at least,
+ Reluctantly must modify
+ The scope of our projected feast;
+ A charcoal biscuit we will share,
+ Water (distilled, of course,) we'll swallow,
+ Since this appears the only fare
+ On which destruction will not follow!
+
+ * * * * *
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: SMALL SOCIAL AGONIES
+
+_Hostess._ "It's but a poor lunch I can give you! But my cook has got
+influenza!"
+
+_Enfant terrible._ "Oh, mummy, you _always_ say that!"]
+
+ * * * * *
+
+[Illustration: QUITE A NOVELTY.--_Amiable Experimentalist._ "Makes a
+delicious side dish, doesn't it? But it is not the common mushroom; it's
+a large fungus, called the agaricus procerus. It grows solitary in hedge
+rows, is called colubrinus, from the snake-like markings on its stem.
+The pileus is covered with scales, which are formed by the breaking-up
+of the mud-coloured epidermis, and----" [_General panic takes place_]
+
+ * * * * *
+
+THE DIRGE OF THE DINER
+
+_A Restore-Wrong Rhyme_
+
+ "_Attendance is charged in the bill!_"
+ Delighted we sit down to dine;
+ And order our food and our wine.
+ The waiter is passing polite,
+ We eat with a grand appetite
+ Of dishes compounded with skill.
+ The room is so cosy and light;
+ The glass and the silver are bright;
+ Our flag of defiance is furled,
+ We seem all at peace with the world,
+ And rest quite contented until----
+ Attendance is charged one and nine.
+ We pay its collector a fine;
+ And give to the waiter polite
+ A tip he regards as his right
+ And duty of ours to fulfil!
+ The carver, too, looks for a fee;
+ The man with our coat, so does he!
+ The porter expects something more,
+ Who calls us a cab at the door!----
+ "_Attendance is charged in the bill!_"
+
+ * * * * *
+
+[Illustration: THE GOLDEN KEY.--_Mr. Montgomerie._ "Ah! my dear boys,
+you're right. The extent to which our English system of 'tipping' has
+grown is something monstrous! Why, I can assure you--that--at some of
+the big country houses I stop at, it costs me a ten-pound note _to get
+out of 'em_!"
+
+_Jones_ (_to his neighbour, sotto voce_). "Wonder how much it costs him
+to _get into_ 'em?"]
+
+ * * * * *
+
+THE ECONOMICS OF SMOKING
+
+BY JOSEPH FUME.
+
+The man who smokes half his cigar, and puts the remainder by, knows
+nothing about smoking.
+
+The man who carries no cigar-case has no right to levy contributions on
+those who do.
+
+Never buy a cigar at a chemist's, they are sure to remind you of their
+origin. I once knew a chemist, who also sold wine and cigars, and I am
+sure he could only have had one workshop for his three businesses, and
+that was his laboratory.
+
+Mistrust the tobacco that is given in half-payment of a bill. Such
+dealers may be clever in drawing a bill, but it is rarely that their
+cigars are distinguished for being good "drawers."
+
+The man who smokes with wine is quite capable of taking sugar with
+oysters.
+
+ * * * * *
+
+[Illustration: ANNALS OF A RETIRED SUBURB.--The Montgomery Joneses
+celebrated their wedding-day by giving a dinner on an unusually
+magnificent scale to some of their London friends. Unfortunately, an
+unexpected change in the weather during the afternoon has made the road
+up the hill rather heavy, so that the London friends omit to turn up.]
+
+ * * * * *
+
+PROVERBS FOR TABLE
+
+ Set a thief to catch a thief:
+ Think of this when eating beef.
+
+ All that glitters is not gold:
+ Think of this when that beef's cold.
+
+ Harm is done by too much zeal:
+ Think of this when eating veal.
+
+ Life's a jest, and all things show it:
+ Think of this when drinking Moet.
+
+ Happiness flies Court for garret:
+ Think of this when drinking claret.
+
+ Gold may oft be bought too dear:
+ Think of this when drinking beer.
+
+ Many littles make a mickle:
+ Think of this when eating pickle.
+
+ Silent fools may pass for wise:
+ Think of this when eating rice.
+
+ Unto Rome conduct all roads:
+ Think of this when eating toads.
+
+ Flog first fault: _principiis obsta_,
+ Think of this when eating lobster.
+
+ While grass grows the horse may starve:
+ Think of this when asked to carve.
+
+ Shake the tree when fruit is ripe:
+ Think of this when eating tripe.
+
+ Fools build houses, wise men buy:
+ Think of this when eating pie.
+
+ Pause, ere leaping in the dark:
+ Think of this when eating lark.
+
+ Punctual pay gets willing loan:
+ Think of _this_ when drinking Beaune.
+
+ Wisdom asks fruits, but Folly flowers:
+ Think o' _this_ when eating cauliflowers.
+
+ Birds of a feather flock together:
+ Think of this when the idiot of a
+ cook has boiled the oysters in the sauce,
+ and made them as tough as leather.
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_Hostess._ "What fun you seem to be having over there, Captain Smiley! I
+wish you all sat at this end of the table!"]
+
+ * * * * *
+
+[Illustration: _Waiter_ (_who has "seen better days"--absently, as he
+pours out the champagne_). "Say when!"]
+
+ * * * * *
+
+SPRING-CLEANING.
+
+ "In Spring when woods are getting green,"
+ My wife begins the house to clean,
+ And I am driven from this scene,
+ Of scrub-land.
+
+ The mops and pails left on the stairs
+ I come across, quite unawares,
+ And break my shins and utter--prayers,
+ For tub-land.
+
+ In clouds of dust I choke and cough,
+ Such draughts! My hat I dare not doff,
+ I'd go (if I were not a toff)
+ To pub-land.
+
+ But--mum--I won't kick up a shine
+ Nor of delight give any sign,
+ But, quietly, I'm off to dine
+ In Club-land.
+
+ * * * * *
+
+A SOAKER'S PARADISE.--Dropmore.
+
+ * * * * *
+
+A MONSTER MEETING.--A giant and a dwarf.
+
+ * * * * *
+
+POETICAL LICENCE.--A music-hall's.
+
+ * * * * *
+
+TURF REFORM.--Mowing the lawn.
+
+ * * * * *
+
+[Illustration: _Quiet Man_ (_as a particularly "steep" story of
+adventure comes to a close_). "Er--will somebody pass the _salt_,
+please?"]
+
+ * * * * *
+
+[Illustration: _Adolphus_ (_grandly; he is giving his future
+brother-in-law a little dinner down the river_). "Waitar--you
+can--ah--leave us!"
+
+_Old Waiter._ "Hem!--yessir--but--you'll pard'n me, sir--we've so many
+gents--'don't wish to impute nothink, sir--but master--'fact is,
+sir--(_evidently feels a delicacy about mentioning it_)--we're--you see,
+sir--'_sponsible for the plate, sir_!!!"]
+
+ * * * * *
+
+[Illustration: GRAND BURNS' FESTIVAL--BROWN ENTERTAINS HIS FRIEND WI' A
+HAGGIS!]
+
+ * * * * *
+
+DISCLAIMER BY A DINER-OUT
+
+ Abolish party? Whose delight were greater
+ Than mine? I hail the chance with rapture hearty.
+ But oh! I _can't_ agree with the _Spectator_,
+ Who'd do away with--gods!--the dinner party!
+ No, let us compromise,--we'll all be winners,--
+ And firmly banish party from our dinners!
+
+ * * * * *
+
+SYMPATHY
+
+(SCENE--_In front of Mrs. R.'s house_)
+
+_Mrs. Ramsbotham_ (_paying Cabman_). You look all right to-day.
+
+_Cabman._ Ah, mum! my looks don't pity me. I suffer from a tarpaulin
+liver.
+
+_Mrs. R._ (_correcting_). A torpedo liver, you mean.
+
+[_Cabman accepts the correction, and an extra shilling_]
+
+ * * * * *
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: HAPPY THOUGHT.--_Sir Pompey Bedell_ (_poking the fire in
+his new smoking-room_). "This wretched chimney has got into a most
+objectionable way of smoking. A--I can't cure it." _Bedell Junior._
+"Just give it a couple of your cigars, governor!--it'll never smoke
+again!"]
+
+ * * * * *
+
+[Illustration: "CRAMMING"]
+
+ * * * * *
+
+"CRAMMING."
+
+_Affectionate Uncle._ "Glad to see you, Rupert. Now tell me all about
+it. What form are you in, old boy?"
+
+_Nephew_ (_just returned from Harrow_). "Well, uncle, not so bad, I
+think. I can generally manage a couple of eggs, two sausages, or
+kidneys, some Dundee marmalade, and two cups of coffee for breakfast. I
+always have a little luncheon, any amount of roast beef or mutton for
+dinner, and I generally look in at the confectioner's in the afternoon,
+and invariably wind up with a good supper. What do you think of that?"
+
+[_Disappointed and misunderstood uncle subsides,
+and thinks it best to make no comments._
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: _Old Gentleman_ (_who has not hurried over his dinner,
+and has just got his bill_). "Waiter, what's this? I'm charged here
+twopence for stationery. You know I've had none----"
+
+_Irish Waiter._ "Faix! yer honour, I don't know. Y'ave been sittin' here
+a long t-h-ime, anyhow!!"]
+
+ * * * * *
+
+[Illustration: "A STRICT REGARD FOR TRUTH."--_Nephew._ "Hold up, uncle,
+people'll think you're screwed!"
+
+_Uncle_ (_the wedding breakfast had been hilarious_). "Shcrew'd! No, no,
+Sheorgsh! No' sh' bad 'sh that! 'Shame time--don' le'sh be"--(_lurching
+heavily_)--"osht'n--tas'hly shober! 'Can't bear osht'ntash'n!!"]
+
+ * * * * *
+
+[Illustration: SEASONABLE LUXURY
+
+_Old Gent_ (_disgusted_). "Here, waiter! Here's a--here's
+a--a--caterpillar in this chop!"
+
+_Waiter_ (_flippantly_). "Yessir. About the time o' year for 'em just
+now, sir!"]
+
+ * * * * *
+
+[Illustration: THE "STATUS QUO ANTE."--_Squire_ (_desiring to improve
+the taste of his country friends, has introduced at his table, in the
+place of the usual brandied Spanish and Portuguese wines, the natural
+vintages of France and Germany_). "Now, Mr. Barleymead, how do you like
+this 'Chateau Lafitte'? Another glass----" _Farmer B._ "Thanky, sir;
+it's uncommon nice.--(_He had drunk a bottle or two._)--But we don't
+seem to get no forruder!!"]
+
+ * * * * *
+
+[Illustration: COMING OUT AS A CONVERSATIONALIST
+
+_Young Ganderson_ (_proudly conscious of the general attention_) "Oh
+yes, it's in _Soho_, you know. I know the place well. They give you a
+capital dinner for eighteenpence--wine included."
+
+_Host_ (_proud of his cellar_). "And is the wine drinkable?"
+
+_Young Ganderson._ "Oh yes--very good--better than the wine we're
+drinking now!"]
+
+ * * * * *
+
+[Illustration: AN AFFECTIONATE HUSBAND
+
+_Tomkins._ "You are going it, old fellow! Real turtle, eh? and venison
+to follow, eh?"
+
+_Jobkins._ "Why, yes--you see it's my wife's birthday; and as she dines
+early, I thought I'd celebrate the anniversary in the city."]
+
+ * * * * *
+
+[Illustration: MISTAKEN IDENTITY.--(_As the De Smiths, to whose
+dinner-party he was invited, lived in the next square, Brown thought he
+would walk over._) _Head waiter_ (_under a wrong impression_). "This
+won't do, young man! We've been expectin' o' you this 'our and a 'alf!
+No napkins laid, no glasses, no----!!!"
+
+[_Brown never got over it all the evening._]
+
+ * * * * *
+
+[Illustration: AN AWFUL CRAMMER
+
+_Proprietor of boarding-house_ (_taking stout guest aside_). "You'll
+excuse me, Mr. Sharpset, but your appetite is so large that I shall be
+compelled to charge you a shilling extra. It can't be done at two
+shillings!"
+
+_Diner._ "No! For heaven's sake don't do that! I can eat two
+shillings'-worth easy; but if I have to do three--I really--afraid I
+should--but I'll try!!"]
+
+ * * * * *
+
+[Illustration: THE BETTING EVIL.
+
+_Waiter_ (_down tube_). "Wild duck, one!"
+
+_Voice from the kitchen._ "Did he? Just like my luck. Backed another
+wrong 'un!"]
+
+ * * * * *
+
+[Illustration: NOT VERY LIKELY
+
+_Waiter_ (_in response to the Colonel's very vigorous reminder_). "Oh
+yes, sir, immediately! 'M--let's see--a _glass of milk_, sir, wasn't
+it?"]
+
+ * * * * *
+
+[Illustration: FIGURATIVE
+
+_Head Waiter_ (_the Old Gent had wished for a stronger cheese_). "Hi!
+James--let loose the Gorgonzola!"]
+
+ * * * * *
+
+[Illustration: BEWILDERING
+
+_Mr. Wuzzles_ (_up for the cattle-show_). "Cheese, waiter!"
+
+'_Robert._' "Yessir! Rockfor', commonbare, grew'ere, noochattell,
+gorgumzo----"
+
+_Mr. Wuzzles_ (_testily_). "No, no! I said _cheese_!"]
+
+ * * * * *
+
+[Illustration: "ON THE FACE OF IT"
+
+_Host._ "I don't like this Lafitte half so well as the last, Binns. Have
+you noticed any difference?"
+
+_New Butler._ "Well, sir, for myself I don't drink claret; I find port
+agrees with me so much better!!"]
+
+ * * * * *
+
+[Illustration: AWFUL WARNING!--_Guest_ (_at City Company dinner_). "I'm
+uncommonly hungry!"
+
+_Ancient Liveryman_ (_with feeling_). "Take care, my dear sir, for
+goodness' sake, take care! D' you know it happened to me at the last
+Lord Mayor's dinner to burn my tongue with my first spoonful of clear
+turtle; 'consequence was--(_sighs_)--'couldn't taste at
+all--anything--for the rest of the evening!!"]
+
+ * * * * *
+
+[Illustration: It is quite possible to have too much of a good thing--as
+for example, when you get the asparagus shot over your favourite
+dress-coat with the silk facings.]
+
+ * * * * *
+
+[Illustration: _Testy Old Uncle_ (_unable to control his passion_).
+
+"Really, sir, this is quite intolerable! You must intend to insult me.
+For the last fourteen days, wherever I have dined, I have had nothing
+but saddle of mutton and boiled turkey--boiled turkey and saddle of
+mutton. I'll endure it no longer."
+
+[_Exit old gent, who alters his will._
+
+Moral.--_How ridiculous a man appears--particularly a man at a grave
+period of life--who is over-anxious about his eating and drinking!_]
+
+ * * * * *
+
+[Illustration: "ALL THE DIFFERENCE"
+
+_Dyspeptic Diner._ "Um"--(_forking it suspiciously_)--"what is it,
+waiter?"
+
+'_Robert._' "It says 'ronyongs sorty' on the menoo, sir. But I can't say
+what it may be on the dish!"]
+
+ * * * * *
+
+[Illustration: _His Partner._ "I really never heard a better speech in
+my life! Such a wonderful flow of----"
+
+_He._ "Great Scott! That reminds me--I've left the bathroom tap at home
+full on!"]
+
+ * * * * *
+
+[Illustration: THE NICE LITTLE DINNER
+
+_Tommy_ (_who is standing a feed to Harry_). "Oh, hang it, you know,
+fourteen bob for a bottle of champagne! That's coming it rather strong,
+ain't it?"
+
+_Waiter_ (_with perfect composure_). "We have some _cheap_ wine, sir, at
+half-a-guinea!"]
+
+ * * * * *
+
+[Illustration: TOO LITERAL BY HALF
+
+SCENE.--_A "cheap" chop-house not a hundred miles from L--nd--n._
+
+_Waiter._ "Paysir? Yessir--Whataveyeradsir?"
+
+_Matter-of-fact old gentleman_ (_who has been reading the "Quarterly" on
+"Food and its adulterations"_). "Had? why, let me see: I've had some
+horsetail soup, spiced with red-lead and shop-sweepings: a plate of
+roast cow, and cabbage boiled with verdigris: a crust of plaster of
+Paris, baked with alum and bone-dust: half-a-pint of porter brewed from
+quassia and strychnine: and a cup of charred liver, annatto, and other
+unknown ingredients."
+
+[_Exit waiter for a straight-waistcoat, and a stomach-pump._]
+
+ * * * * *
+
+[Illustration: _Dolly._ "Please, Miss Sharp, mamma says, have you
+_really_ left your songs at home?"
+
+_Miss Sharp._ "Yes, dear. Why?"
+
+_Dolly._ "Well, papa says 'it sounds too good to be true'!"]
+
+ * * * * *
+
+[Illustration: EUREKA!--_Isaacstein_ (_late of Whitechapel, showing old
+friend over bathroom in new house_). "What am I goin' to do with it?
+Vell, you see, I've always rather wanted a place where I could keep
+goldfish!"]
+
+ * * * * *
+
+[Illustration: _Juvenile._ "Uncle!"
+
+_Uncle._ "Now then, what is it? This is the fourth time you've woke me
+up, sir!"
+
+_Juvenile._ "Oh! Just put a few coals on the fire, and pass the wine,
+that's a good old chap."]
+
+ * * * * *
+
+NURSERIANA.--_Little Chris._ "Oh! mamma, mamma, baby's moulted again."
+
+_Mamma._ "Moulted! What do you mean?"
+
+_Little Chris._ "Why, he's just dropped another tooth!"
+
+ * * * * *
+
+[Illustration: SAFEST WAY OF TAKING A LADY DOWN TO DINNER
+
+(Another reminiscence of the days of the crinoline)]
+
+ * * * * *
+
+[Illustration: SAT UPON
+
+_Hospitable Host._ "Does any gentleman say pudden?"
+
+_Precise Guest._ "No, sir. No _gentleman_ says _pudden_."]
+
+ * * * * *
+
+[Illustration: UNEXPECTED GRATUITY.--_Waiter._ "Beg pardon, sir, but I
+think you've made a mistake. This is a halfpenny!"
+
+_Old Gent_ (_grandly_). "Oh dear no--not at all, not at all! I never
+give less!"]
+
+ * * * * *
+
+[Illustration: _Hickling_ (_to friend, who finds some difficulty in
+keeping his cigar alight_). "I say, old man, what matches do you
+smoke?"]
+
+ * * * * *
+
+[Illustration: _He._ "Fond of Bridge?"
+
+_She._ "Awfully!"
+
+_He._ "Do you know I always think there's something _wanting_ in people
+who don't play?"]
+
+ * * * * *
+
+[Illustration:
+
+_Old Party_ (_very naturally excited_). "Why, confound you! You are
+wiping my plate with your handkerchief!"
+
+_Waiter_ (_blandly_). "It's of no consequence, sir--it's only a dirty
+one!"]
+
+ * * * * *
+
+[Illustration: IN DESPERATE STRAITS
+
+_Jones_ (_blue ribbon--to abstemious lady he has taken in to dinner_).
+"Look here, madam, we don't seem to be getting on a _bit_! Either you
+must have a glass of champagne, or, by Jove, I must!!"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_Guest_ (_who is a bon-vivant, to host, who isn't_). "You must come and
+dine with _me_, Jones!"
+
+_Host._ "With pleasure, my dear friend! When?"
+
+_Guest._ "_Now!_"]
+
+ * * * * *
+
+[Illustration: "NOT QUITE THE CHEESE!"
+
+_British Farmer._ "What sort o' cheese do you call this? Full o' holes!"
+
+_Waiter._ "Grew-yere, sir."
+
+_British Farmer_ (_suspiciously_). "Then just bring one that grew
+somewhere else!"]
+
+ * * * * *
+
+[Illustration]
+
+THE END
+
+BRADBURY AGNEW & CO LD. PRINTERS, LONDON AND TONBRIDGE.
+
+ * * * * *
+
+
+
+
+
+End of the Project Gutenberg EBook of Mr. Punch's After-Dinner Stories,
+edited by J. A. Hammerton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH'S AFTER-DINNER STORIES ***
+
+***** This file should be named 33824-8.txt or 33824-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/8/2/33824/
+
+Produced by Neville Allen, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33824-8.zip b/33824-8.zip
new file mode 100644
index 0000000..b1a558b
--- /dev/null
+++ b/33824-8.zip
Binary files differ
diff --git a/33824-h.zip b/33824-h.zip
new file mode 100644
index 0000000..99912b9
--- /dev/null
+++ b/33824-h.zip
Binary files differ
diff --git a/33824-h/33824-h.htm b/33824-h/33824-h.htm
new file mode 100644
index 0000000..988e4d2
--- /dev/null
+++ b/33824-h/33824-h.htm
@@ -0,0 +1,3943 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of Mr. Punch's After-Dinner Stories.</title>
+ <link rel="coverpage" href="images/cover.jpg" />
+ <style type="text/css">
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ .center {text-align: center;}
+ td {padding-left: 1em;}
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.medium {width: 76%;}
+ html>body hr.medium {margin-right: 12%; margin-left: 12%; width: 76%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+ span.pagenum
+ {position: absolute; left: 1%; right: 91%; font-size: 8pt; text-indent: 0;}
+
+ .poem
+ {margin-left:25%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 1em;}
+ .poem p.i4 {margin-left: 2em;}
+ .poem p.i6 {margin-left: 3em;}
+ .poem p.i8 {margin-left: 4em;}
+ .poem p.i10 {margin-left: 5em;}
+
+ .poem1
+ {margin-left:35%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem1 .stanza {margin: 1em 0em 1em 0em;}
+ .poem1 p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem1 p.i2 {margin-left: 1em;}
+ .poem1 p.i4 {margin-left: 2em;}
+ .poem1 p.i6 {margin-left: 3em;}
+ .poem1 p.i8 {margin-left: 4em;}
+ .poem1 p.i10 {margin-left: 5em;}
+
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figure p, .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right; width: auto;}
+ .figleft {float: left; width: auto;}
+
+ .img {margin: 0; padding-right: 0;}
+ .div {margin: 0; padding: 0;}
+
+ .inline {border: none; vertical-align: middle;}
+
+ p.author {text-align: right;}
+
+ .regards {text-align: right;
+ margin-right: 4em;}
+
+ pre {font-size: 75%; }
+
+ </style>
+</head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's Mr. Punch's After-Dinner Stories,
+edited by J. A. Hammerton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mr. Punch's After-Dinner Stories
+
+Editor: J. A. Hammerton
+
+Illustrator: John Leech
+ and others
+
+Release Date: October 1, 2010 [EBook #33824]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH'S AFTER-DINNER STORIES ***
+
+
+
+
+Produced by Neville Allen, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+</pre>
+
+
+<h4>TRANSCRIBER'S NOTE.</h4>
+
+<center> Some pages of this work have been moved from the
+original sequence to enable the contents to continue without interruption.
+The page numbering remains unaltered.</center><br />
+
+<hr />
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_cover.png">
+<img src="images/i_cover.png" width="100%" alt="Mr. Punch" /></a>
+</div>
+
+<h3>PUNCH LIBRARY OF HUMOUR</h3>
+
+<span class='pagenum'><a name="Page_i" id="Page_i">[Pg i]</a></span>
+
+<center>Edited by <span class="smcap">J. A. Hammerton</span></center>
+
+<p>Designed to provide in a series of<br /> volumes, each complete in itself,<br />
+the cream of our national humour,<br /> contributed by the masters of<br />
+comic draughtsmanship and the<br /> leading wits of the age to "Punch,"<br />
+from its beginning in 1841 to the<br /> present day</p>
+
+<h1>MR. PUNCH'S AFTER-DINNER STORIES</h1>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_002.png">
+<img src="images/i_002.png" width="100%" alt="After dinner speaker" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_ii" id="Page_ii">[Pg ii]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_003.png">
+<img src="images/i_003.png" width="100%" alt="the race has improved in physique" /></a>
+<p><span class="smcap">Progress.</span>&mdash;"I maintain that the race has improved in
+physique since those days. Now <i>we</i> couldn't get into that armour!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_iii" id="Page_iii">[Pg iii]</a></span>
+
+<h1>MR. PUNCH'S<br /> AFTER-DINNER STORIES</h1>
+
+<h4><i>WITH 155<br /> ILLUSTRATIONS</i></h4>
+
+<h3>BY</h3>
+
+<center>JOHN LEECH,<br />
+CHARLES KEENE,<br />
+GEORGE DU MAURIER,<br />
+PHIL MAY,<br />
+L. RAVEN-HILL,<br />
+J. BERNARD PARTRIDGE,<br />
+F. H. TOWNSEND,<br />
+REGINALD CLEAVER,<br />
+LEWIS BAUMER,<br />
+A. S. BOYD,<br />
+TOM WILKINSON,<br />
+G. D. ARMOUR,<br />
+AND OTHERS</center><br /><br />
+
+<div class="figcenter" style="width: 20%;">
+<a href="images/i_004.png">
+<img src="images/i_004.png" width="100%" alt="cartoon" /></a>
+</div>
+
+<h6>PUBLISHED BY ARRANGEMENT WITH</h6>
+
+<h4>THE PROPRIETORS OF "PUNCH"</h4>
+
+<h3>THE EDUCATIONAL BOOK CO. LTD.</h3>
+
+<hr />
+
+<span class='pagenum'><a name="Page_iv" id="Page_iv">[Pg iv]</a></span>
+
+<h3><span class="smcap">The Punch Library of Humour</span></h3>
+
+<center><i>Twenty-five volumes, crown 8vo, 192 pages fully illustrated</i></center><br /><br />
+
+<div class="center">
+LIFE IN LONDON<br />
+COUNTRY LIFE<br />
+IN THE HIGHLANDS<br />
+SCOTTISH HUMOUR<br />
+IRISH HUMOUR<br />
+COCKNEY HUMOUR<br />
+IN SOCIETY<br />
+AFTER DINNER STORIES<br />
+IN BOHEMIA<br />
+AT THE PLAY<br />
+MR. PUNCH AT HOME<br />
+ON THE CONTINONG<br />
+RAILWAY BOOK<br />
+AT THE SEASIDE<br />
+MR. PUNCH AFLOAT<br />
+IN THE HUNTING FIELD<br />
+MR. PUNCH ON TOUR<br />
+WITH ROD AND GUN<br />
+MR. PUNCH AWHEEL<br />
+BOOK OF SPORTS<br />
+GOLF STORIES<br />
+IN WIG AND GOWN<br />
+ON THE WARPATH<br />
+BOOK OF LOVE<br />
+WITH THE CHILDREN<br />
+</div>
+
+<div class="figcenter" style="width: 20%">
+<a href="images/i_005.png">
+<img src="images/i_005.png" width="100%" alt="cartoon" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_5" id="Page_5">[Pg 5]</a></span>
+
+<h2>POST-PRANDIAL WIT</h2>
+
+<div class="figleft" style="width: 30%">
+<a href="images/i_006.png">
+<img src="images/i_006.png" width="100%" alt="waiter" /></a>
+</div>
+
+<p>There is a sense, of course, in which everything from the pages of <span class="smcap">Mr.
+Punch</span> might be regarded as coming into a collection entitled "After
+Dinner Stories." All good stories are really for telling after dinner.
+Somehow or other one seldom associates wit and humour with the breakfast
+table, although the celebrated breakfast parties of Rogers, the banker,
+were doubtless in no way deficient in either. Over the walnuts and wine,
+when men have feasted well and are feeling on the best of terms with
+themselves and their fellows, the cares of the day put past and the
+pleasures of the gas-lit hours begun, that is undoubtedly the ideal time
+for the flow of wit.</p>
+
+<p>It must not, therefore, be thought that the present volume is in anywise
+distinguished from the others of the series to which it belongs in the
+appropriateness of its contents for the dinner party. No more than any
+of its companions is it designed to that end; but as it is concerned
+almost exclusively with the humours of dining, with stories of diners,
+it will be admitted that its title is not without justification. Private
+dinner parties, public banquets, the solitary dinner at the restaurant,
+the giving and accepting of invitations, these and many other phases of
+dining come within its scope, and if it be noticed that a considerable
+amount of its humour has something of the fragrance of good old port&mdash;to
+say nothing of the aroma of wines that are<span class='pagenum'><a name="Page_6" id="Page_6">[Pg 6]</a></span> bad!&mdash;it can only be
+retorted that <span class="smcap">Mr. Punch's</span> duty has ever been to mirror the manners of
+the changing time, and in his early days the wine flowed more freely
+than it does to-day. For our personal taste we could have wished less of
+this humour of the bottle, but throughout this library an effort has
+been made to maintain in some degree a historical perspective, so that,
+in addition to the prime purpose of entertainment, each of these books
+in <span class="smcap">Mr. Punch's Library</span> might be a faithful picture of the manners of the
+Victorian period in which most of his life has been passed. If to-day
+these manners seem to us just a trifle coarser than we esteem the social
+habits of our own day, surely that is a comforting reflection and one
+not lightly to be lost!</p>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_007.png">
+<img src="images/i_007.png" width="100%" alt="waiter pouring drink" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span>
+
+<h2>MR. PUNCH'S<br /> AFTER-DINNER STORIES</h2>
+
+<div class="figleft" style="width: 20%">
+<a href="images/i_008.png">
+<img src="images/i_008.png" width="100%" alt="Mr. Punch reading" /></a>
+</div><br /><br />
+
+<p><i>Mrs. Jones.</i> And pray, Mr. Jones, what is the matter now?</p>
+
+<p><i>Jones.</i> I was only wondering, my dear, where you might have bought this
+fish.</p>
+
+<p><i>Mrs. Jones.</i> At the fishmonger's. Where do you suppose I bought it?</p>
+
+<p><i>Jones.</i> Well, I thought that, <i>perhaps</i>, there might have been a
+remnant sale at the Royal Aquarium!</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<center><span class="smcap">Excuse for Drinking before Dinner.</span>&mdash;To whet the appetite.</center><br />
+
+<hr />
+
+<span class='pagenum'><a name="Page_8" id="Page_8">[Pg 8]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_009.png">
+<img src="images/i_009.png" width="100%" alt="Voice from above" title="" /></a><br /><br />
+<p><i>Voice from above.</i> "What are you doing down there,
+Parkins?"</p>
+<p><i>Parkins.</i> "I'm jush&mdash;puttin' away the port, shir!"</p><br />
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span>
+
+<br /><br />
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_010.png">
+<img src="images/i_010.png" width="100%" alt="Commissionaire" /></a>
+<p><i>Commissionaire.</i> "Would you like a four-wheeler or a
+'ansom sir?" <i>Convivial Party</i> (<i>indistinctly</i>). "Ver' mush
+oblige&mdash;but&mdash;reely don't think I <i>could</i> take 'ny more!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span>
+
+<h2>RICE AND PRUNES</h2>
+
+<div class="poem"><div class="stanza">
+<p class="i0">Rice and prunes a household journal</p>
+<p class="i0">Called the chief of household boons;</p>
+<p class="i0">Hence my mother cooks diurnal</p>
+<p class="i0">Rice and prunes.</p>
+</div><div class="stanza">
+<p class="i0">Therefore on successive noons,</p>
+<p class="i0">Sombre fruit and snowy kernel</p>
+<p class="i0">Woo reluctant forks and spoons.</p>
+</div><div class="stanza">
+<p class="i0">As the ear, when leaves are vernal,</p>
+<p class="i0">Wearies of the blackbird's tunes,</p>
+<p class="i0">So we weary of eternal</p>
+<p class="i0">Rice and prunes.</p>
+</div></div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<h3><span class="smcap">Never Speak in a Hurry</span></h3>
+
+<p><span class="smcap">The Hospitable Jones.</span> Yes, we're in the same old place, where you dined
+with us last year. By the bye, old man, I wish you and your wife would
+come and take pot-luck with us again on the&mdash;&mdash;</p>
+
+<p><i>The Impulsive Brown (in the eagerness of his determination never again
+to take pot-luck with the Joneses).</i> My <i>dear</i> fellow! <i>So</i> sorry! But
+we're engaged on the&mdash;a&mdash;on the&mdash;er&mdash;on th-th-that evening!</p>
+
+<p><i>Poor Jones (pathetically).</i> Well, old man, you <i>might</i> have given me
+time just to <i>name the day</i>.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_11" id="Page_11">[Pg 11]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_012.png"></a>
+<img src="images/i_012.png" width="100%" alt="WHO PAYS THE PIPER CALLS THE TUNE" />
+<h3>"WHO PAYS THE PIPER CALLS THE TUNE"</h3>
+<p><i>Johnnie (to waiter).</i> "Aw&mdash;you're the boss&mdash;head waiter, eh?"</p>
+<p><i>Waiter.</i> "Yessir."</p>
+<p><i>Johnnie.</i> "Ah, well, just&mdash;ah&mdash;send up to your <i>orchestra chaps</i>, and
+tell 'em I really can't eat my dinner to <i>that</i> tune."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_013.png">
+<img src="images/i_013.png" width="100%" alt="A Last Resource" /></a><br /><br />
+<p><span class="smcap">A Last Resource.</span>&mdash;A happy and independent bachelor finds
+himself suddenly disappointed of his Christmas party in the country; he
+has ordered nothing at home, has given his cook and man-servant leave to
+invite their friends; his intimate companions are out of town, and, on
+arriving at his club, he is informed by the hall porter that "there is
+no dinner to-night, as the servants are having a party." Only one
+resource, a hotel, or dinner at a restaurant, all alone!</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_014.png">
+<img src="images/i_014.png" width="100%" alt="The very Latest Discovery" /></a><br /><br />
+<p><span class="smcap">The very Latest Discovery.</span>&mdash;<i>Amateur Astronomical Student
+(returning home, after attending scientific bachelor dinner, where "the
+reported discovery of a new Satellite of Saturn" has been warmly
+discussed).</i> "Where am I? Letsh shee&mdash;(<i>considering</i>)&mdash;Earth's got one
+moon. Mars's got five moo&mdash;Jup'tush nine&mdash;I shee two moons. Then&mdash;where
+<i>am</i> I?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span>
+
+<table summary="cartoons">
+<tr>
+<td align="right">
+<div class="figcenter" style="width: 90%">
+<a href="images/i_015.png">
+<img src="images/i_015.png" width="100%" alt="EFFECT OF GOOD CHEER" /></a>
+</div>
+</td>
+
+<td align="left">
+<div class="figcenter" style="width: 90%">
+<a href="images/i_016.png">
+<img src="images/i_016.png" width="100%" alt="ON OPPOSITE TEMPERAMENTS" /></a>
+</div>
+</td>
+</tr>
+</table>
+
+<h4>EFFECT OF GOOD CHEER ON OPPOSITE TEMPERAMENTS</h4>
+
+<center>Aspect of Jones and Smith at two different stages of the same sumptuous repast.</center><br />
+
+<span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span>
+
+<hr />
+
+<span class='pagenum'><a name="Page_16" id="Page_16">[Pg 16]</a></span>
+
+<h4><span class="smcap">At the Celestial Restaurant</span></h4>
+
+<p><i>Customer (indignantly).</i> Hi! waiter, what do you call this soup?</p>
+
+<p><i>Waiter (meekly).</i> I not know, sir, but ze padrone tell me to describe
+'im cocks-tail!</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<center>"<span class="smcap">The Coming Man.</span>"&mdash;A waiter.</center><br />
+
+<hr />
+
+<span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_018.png">
+<img src="images/i_018.png" width="100%" alt="So very Conscientious" /></a><br /><br />
+<p><span class="smcap">So very Conscientious!</span>&mdash;<i>Master of the House.</i> "Why,
+Jenkins, what on earth is the matter with you? Aren't you ashamed of
+yourself?"</p>
+<p><i>Butler (with great deliberation)</i>, "Well, shir&mdash;if you pleashe,
+shir&mdash;itsh not quite <i>my</i> fault. You told me to taste every bottle of
+wine before dinner, in cashe one should be corked. I've only carried out
+in-shtrucshuns."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span>
+
+<h2>THE VERB TO DINE</h2>
+
+<h4><span class="smcap">Present Tense</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">I dine.</p>
+<p class="i0">Thou joinest me.</p>
+<p class="i0">He tries to whip us up for a division.</p>
+<p class="i0">We smoke our cigars.</p>
+<p class="i0">Ye drink your port.</p>
+<p class="i0">They are defeated in the lobby.</p>
+</div></div>
+
+<h4><span class="smcap">Imperfect Tense</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">I was dining.</p>
+<p class="i0">Thou wast holding a reception.</p>
+<p class="i0">He was attending it.</p>
+<p class="i0">We were feeling puzzled.</p>
+<p class="i0">Ye were reading the <i>Globe</i> and <i>Pall Mall</i>.</p>
+<p class="i0">They were not knowing what to make of it.</p>
+</div></div>
+
+<span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span>
+
+<h4><span class="smcap">Future Tense</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">I shall dine.</p>
+<p class="i0">Thou wilt join my party.</p>
+<p class="i0">He will squirm.</p>
+<p class="i0">We shall promote the unity of the party.</p>
+<p class="i0">Ye will applaud.</p>
+<p class="i0">They will call a meeting at the "Reform."</p>
+</div></div>
+
+<h4><span class="smcap">Perfect Tense</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">I have dined.</p>
+<p class="i0">Thou hast made ambiguous remarks.</p>
+<p class="i0">He has explained them away.</p>
+<p class="i0">We have tried to make it all sweet again.</p>
+<p class="i0">Ye have split a soda.</p>
+<p class="i0">They have split the party.</p>
+</div></div>
+
+<h4><span class="smcap">Subjunctive Present</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">I may dine.</p>
+<p class="i0">Thou mayest object.</p>
+<p class="i0">He may want to state his views.</p>
+<p class="i0">We may insist on our dinners.</p>
+<p class="i0">Ye may agree with them.</p>
+<p class="i0">They may disagree with you.</p>
+</div></div>
+
+<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span>
+
+<h4><span class="smcap">Subjunctive Imperfect</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">I might dine.</p>
+<p class="i0">Thou mightest emerge from Berkeley Square.</p>
+<p class="i0">He might resign.</p>
+<p class="i0">We might lead.</p>
+<p class="i0">Ye might follow.</p>
+<p class="i0">They might not.</p>
+</div></div>
+
+<h4><span class="smcap">Imperative</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">Dine thou!</p>
+<p class="i0">Let him speak out!</p>
+<p class="i0">Let us know who is our leader!</p>
+<p class="i0">Read ye the <i>Times</i> and <i>Globe</i>!</p>
+<p class="i0">Let them settle the question for us!</p>
+</div></div>
+
+<h4><span class="smcap">Infinitive</span></h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">Present: To split.</p>
+<p class="i0">Past: To have been a party.</p>
+</div></div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<p><span class="smcap">After-Dinner Consideration.</span>&mdash;"Hippopotamuses" is a better test-word of
+fitness for joining the ladies than "British Constitution."</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_020.png">
+<img src="images/i_020.png" width="100%" alt="AN ABSENT FRIEND" /></a>
+<h3>DISCUSSING AN ABSENT FRIEND</h3>
+<p>"Yes, Robinson's a clever feller, and he's a modest feller, and he's a
+honest feller; but, betwixt you and I and the <i>post</i>, Mr. Jones," said
+Brown, confidentially, picking his wisdom tooth with his little finger
+nail, "Robinson ain't got neither the looks, nor yet the language, nor
+yet the manners of a <i>gentleman</i>!"</p>
+<p>"Right you are, sir!" said Jones, shovelling the melted remains of his
+ice pudding into his mouth with a steel knife (which he afterwards wiped
+on the tablecloth). "<i>You've 'it 'im orf to a T!</i>"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_21" id="Page_21">[Pg 21]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_022.png">
+<img src="images/i_022.png" width="100%" alt="First Convivial" /></a><br /><br />
+<p><i>First Convivial.</i> "'Sh two o'clock! Wha'll er misshus
+shay?"</p>
+<p><i>Second Convivial.</i> "Thash allri'! Shay you bin wi' me&mdash;(<i>hic</i>)!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_024.png">
+<img src="images/i_024.png" width="100%" alt="IN CONFIDENCE" /></a>
+<h3>"IN CONFIDENCE"</h3>
+<center><i>Dining-room, Apelles Club</i></center><br />
+<p><i>Diner.</i> "Thomson, do the members ask for this wine?"</p>
+<p><i>Head Waiter (sotto voce).</i> "Not twice, sir!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span>
+
+<h2>SPECIMENS OF MR. PUNCH'S SIGNATURES!</h2>
+
+<center>(<i>Fac-similes taken during the course of the evening.</i>)</center>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_025a.png">
+<img src="images/i_025a.png" width="100%" alt="before Dinner" /></a>
+</div>
+<center><span class="smcap">This is before Dinner, 7&middot;30.<br /> Attested by Several Witnesses.</span></center>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_025b.png">
+<img src="images/i_025b.png" width="100%" alt="after the Punch" /></a>
+</div>
+<center><span class="smcap">This is after the Punch &agrave; la Romaine,<br /> about the Middle of the Banquet.</span></center>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_025c.png">
+<img src="images/i_025c.png" width="100%" alt="with the Dessert" /></a>
+</div>
+<center><span class="smcap">This is with the Dessert.</span></center>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_025d.png">
+<img src="images/i_025d.png" width="100%" alt="After the Claret" /></a>
+</div>
+<center><span class="smcap">After the Claret.</span></center>
+
+<span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_026a.png">
+<img src="images/i_026a.png" width="100%" alt="After the Claret and the Port" /></a>
+</div>
+<center><span class="smcap">After the Claret <i>and</i> the Port.</span></center>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_026b.png">
+<img src="images/i_026b.png" width="100%" alt="During the Cigars" /></a>
+</div>
+<center><span class="smcap">During the Cigars, Whiskey and Water.</span></center>
+
+<div class="figcenter" style="width: 300px;">
+<a href="images/i_026c.png">
+<img src="images/i_026c.png" width="300" height="80" alt="Before leaving Table" title="" /></a>
+</div>
+<center>12&middot;30. <span class="smcap">Before leaving Table.</span></center>
+
+<div class="figcenter" style="width: 30%">
+<img src="images/i_026d.png" width="100%" alt="Before getting into Bed" />
+</div>
+<center>1&middot;30. <span class="smcap">Before getting into Bed.</span></center>
+
+<p>The above have been submitted to an eminent expert, who says he could
+almost swear they are the same hand-writing, but must come and dine with
+<i>Mr. P.</i>, in order absolutely to verify them.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_027.png">
+<img src="images/i_027.png" width="100%" alt="A Bad Ending." /></a><br /><br />
+<p><span class="smcap">A Bad Ending.</span>&mdash;"Well, William, what's become of Robert?"
+"What, 'aven't you 'eard, sir?" "No! Not <i>defunct</i>, I hope!" "That's
+just exactly what he <i>'as</i> done, sir, and walked off with heverything he
+could lay his 'ands on!"</p>
+</div>
+
+<hr />
+
+<p><span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span></p>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_028.png">
+<img src="images/i_028.png" width="100%" alt="A SALVE FOR THE CONSCIENCE" /></a>
+<h3>A SALVE FOR THE CONSCIENCE</h3>
+<p><i>Vegetarian Professor.</i> "No, madam, not even fish. I cannot sanction the
+destruction of life. These little creatures, for instance, were but
+yesterday swimming happily in the sea."</p>
+<p><i>Mrs. O'Laughlan.</i> "Oh but, Professor, just think it's the first time
+the poor little things have ever been really warm in their lives!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_28" id="Page_28">[Pg 28]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_029.png">
+<img src="images/i_029.png" width="100%" alt="FELICITOUS QUOTATION" /></a>
+<h3>FELICITOUS QUOTATION</h3>
+<p>"Oh, Robert, the grouse has been kept too long! I wonder you can eat
+it!"</p>
+<p>"My dear, 'we needs must love the highest when we see it.'"</p>
+<p>(<i>Guinevere.</i>)</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_29" id="Page_29">[Pg 29]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_030.png">
+<img src="images/i_030.png" width="100%" alt="Little Boreham" /></a><br /><br />
+<p><i>Little Boreham</i> (<i>relating his Alpine adventures</i>).
+"There I stood, the terrible abyss yawning at my feet&mdash;&mdash;" <i>That Brute
+Brown.</i> "Was it yawning when you got there, or did it start after you
+arrived?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_30" id="Page_30">[Pg 30]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_031.png">
+<img src="images/i_031.png" width="100%" alt="Lord Broadacres dinner" /></a><br /><br />
+<p>At a dinner given by my Lord Broadacres to some of his
+tenants, cura&ccedil;oa is handed in a liqueur-glass to old Turnitops, who,
+swallowing it with much relish, says&mdash;"Oi zay, young man! Oi'll tak zum
+o' that in a moog!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_31" id="Page_31">[Pg 31]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_032.png">
+<img src="images/i_032.png" width="100%" alt="PRICE FOR AGE" /></a>
+<h3>PRICE FOR AGE</h3>
+<p><i>Mr. Green.</i> "You needn't be afraid of that glass of wine, uncle. It's
+thirty-four port, you know."</p>
+<p><i>Uncle.</i> "Thirty-four port!&mdash;Thirty-four fiddlesticks! It's no more
+thirty-four port than you are!"</p>
+<p><i>Mr. Green.</i> "It <i>is</i> I can assure you! Indeed, it's <i>really
+thirty-six</i>; and <i>thirty-four if you return the bottles</i>!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_32" id="Page_32">[Pg 32]</a></span>
+
+<div class="figcenter" style="width:40%">
+<a href="images/i_033.png">
+<img src="images/i_033.png" width="100%" alt="FLUNKEIANA" /></a>
+<h3>FLUNKEIANA</h3>
+<p><i>Master.</i> "Thompson, I believe that I have repeatedly expressed an
+objection to being served with stale bread at dinner. How is it my
+wishes have not been attended to?"</p>
+<p><i>Thompson.</i> "Well, sir, I reely don't know what is to be done! It won't
+do to waste it, and we <i>can't</i> eat it downstairs!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_33" id="Page_33">[Pg 33]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_034.png">
+<img src="images/i_034.png" width="100%" alt="CONCLUSIVE" /></a>
+<h3>CONCLUSIVE</h3>
+<p><span class="smcap">Scene</span>&mdash;<i>Hibernian Table d'h&ocirc;te</i></p>
+<p><i>Guest.</i> "Waiter! I say&mdash;this is pork! I want mutton!"</p>
+<p><i>Waiter</i> (<i>rather bustled</i>). "Yes, sorr, it's mutton ye <i>want</i>&mdash;but it's
+pork ye'll <i>have</i>!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_34" id="Page_34">[Pg 34]</a></span>
+
+<h2>RAMBLING RONDEAUX</h2>
+
+<center><i>At Table d'h&ocirc;te</i></center>
+
+<div class="poem"><div class="stanza">
+<p class="i0">At <i>table d'h&ocirc;te</i>, I quite decline</p>
+<p class="i0">To sit there and attempt to dine!</p>
+<p class="i2">Of course you never dine, but "feed,"</p>
+<p class="i2">And gobble up with fearsome greed</p>
+<p class="i0">A hurried meal you can't define.</p>
+</div><div class="stanza">
+<p class="i0">The room is close, and, I opine,</p>
+<p class="i0">I should not like the food or wine;</p>
+<p class="i2">While all the guests are dull indeed</p>
+<p class="i6">At <i>table d'h&ocirc;te</i>!</p>
+</div><div class="stanza">
+<p class="i0">The clatter and the heat combine</p>
+<p class="i0">One's appetite to undermine.</p>
+<p class="i2">When noisy waiters take no heed,</p>
+<p class="i2">But change the plates at railway speed&mdash;</p>
+<p class="i0">I feel compelled to "draw my line"</p>
+<p class="i6">At <i>table d'h&ocirc;te</i>!</p>
+</div></div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<h4><span class="smcap">Sufficient Excuse</span></h4>
+<p><i>Jones</i> (<i>to Brown</i>). I say, old fellow, I saw you last night, after
+that dinner. Your legs were uncommonly unsteady.</p>
+<p><i>Brown.</i> No, dear boy; legs were right enough. It was my trousers that
+were so "tight."</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_35" id="Page_35">[Pg 35]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_036.png">
+<img src="images/i_036.png" width="100%" alt="Cruel!" /></a><br /><br />
+<p><span class="smcap">Cruel!</span>&mdash;<i>Lucullus Brown</i> (<i>on hospitable purpose
+intent</i>). "Are you dining anywhere to-morrow night?" <i>Jones</i> (<i>not
+liking to absolutely "give himself away"</i>). "Let me
+see"&mdash;(<i>considers</i>)&mdash;"No; I'm not dining anywhere to-morrow." <i>Lucullus
+Brown</i> (<i>seeing through the artifice</i>). "Um! Poor chap! How hungry you
+will be!" &nbsp;&nbsp;&nbsp;&nbsp;["<i>Exeunt,&mdash;severally.</i>"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_36" id="Page_36">[Pg 36]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_037.png">
+<img src="images/i_037.png" width="100%" alt="CANDID!" /></a>
+<h3>CANDID!</h3>
+<p><i>Simultaneously</i></p>
+<p><i>Host (smacking his lips).</i> "Now, what do you say to that glass of
+she&mdash;&mdash;"</p>
+<p><i>Guest.</i> "My dear fellow, where did you get this abominable Marsala?"</p>
+</div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<h4><span class="smcap">Guests to be Avoided</span></h4>
+<p>"Hullo, old man! How is it you're dining at the club? Thought your wife
+told me she had the Browns and Smiths to dinner this evening?"</p>
+<p>"No&mdash;that was yesterday. This evening she has the odds and ends."</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_37" id="Page_37">[Pg 37]</a></span>
+
+<h4><span class="smcap">Sectarian</span></h4>
+<p>"Hullo, John! What a jolly dish! Potatoes, greens, carrots, beans! Who's
+it for?"</p>
+<p>"Mr. Binks, sir."</p>
+<p>"Is Mr. Binks a <i>vegetarian</i>?"</p>
+<p>"Oh no, sir! I believe he's Church of England!"</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_038.png">
+<img src="images/i_038.png" width="100%" alt="TO PUT IT BROADLY" /></a>
+<h3>"TO PUT IT BROADLY"</h3>
+<p><i>Improvised Butler</i> (<i>to distinguished guest</i>). "Will ye take anny more
+drink, sor?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_38" id="Page_38">[Pg 38]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_039.png">
+<img src="images/i_039.png" width="100%" alt="a fried sole" /></a><br /><br />
+<p><i>First Customer.</i> "Waiter, a fried sole."</p>
+<p><i>Second Customer.</i> "Bring me a fried sole, too, waiter&mdash;and mind it is
+fresh."</p>
+<p><i>Waiter.</i> "Two fried soles&mdash;one fresh!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_39" id="Page_39">[Pg 39]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_040.png">
+<img src="images/i_040.png" width="100%" alt="After Many Years" /></a><br /><br />
+<p><span class="smcap">After Many Years!</span>&mdash;<i>Country Parson</i> (<i>to distinguished
+Peer, who has been making</i> <span class="smcap">THE</span> <i>speech of the evening</i>). "How d'ye do,
+my lord? I see you don't quite remember me." <i>Distinguished Peer.</i>
+"Well&mdash;er&mdash;not altogether." <i>C. P.</i> "We were members of the same club at
+Oxford." <i>D. P.</i> (<i>with awakening interest</i>). "Oh&mdash;ah! Let me see&mdash;which
+club was that?" <i>C. P.</i> "The&mdash;er&mdash;<i>Toilet Club</i>, you know!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_40" id="Page_40">[Pg 40]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_041.png">
+<img src="images/i_041.png" width="100%" alt="THINGS ONE WOULD RATHER HAVE LEFT UNSAID" /></a>
+<h3>THINGS ONE WOULD RATHER HAVE LEFT UNSAID</h3>
+<p><i>She.</i> "We expected you to dinner last night, Herr Professor. We waited
+half an hour for you. I hope it was not <i>illness</i> that prevented you
+from coming?"</p>
+<p><i>He.</i> "Ach, no! I vas not hongry!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_41" id="Page_41">[Pg 41]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_042.png">
+<img src="images/i_042.png" width="100%" alt="A DILEMMA" /></a>
+<h3>A DILEMMA</h3>
+<p><i>Nervous Gentleman</i> (<i>to two sisters</i>). "I've got to take one of you in
+to dinner. A&mdash;a&mdash;let me see&mdash;a&mdash;which is the elder?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_42" id="Page_42">[Pg 42]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_043.png">
+<img src="images/i_043.png" width="100%" alt="if you want a really good cook" /></a>
+<h3>THINGS ONE WOULD RATHER HAVE LEFT UNSAID</h3>
+<p><i>Jones</i> (<i>to hostess, famous for her dinners</i>). "Oh, by the way, Mrs.
+Hodgkinson, if you should happen to want a really good cook, I know of
+one who would suit you to a T!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_43" id="Page_43">[Pg 43]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_044.png">
+<img src="images/i_044.png" width="100%" alt="THE RULING PASSION" /></a>
+<h3>THE RULING PASSION STRONG AT DINNER</h3>
+<p><i>Laconic Waiter </i>(<i>thoroughly familiar with sporting Major's taste in
+champagne</i>). "Seventy-four, sir?"</p>
+<p><i>Sporting Major</i> (<i>down on his luck, after a bad week at Newmarket</i>).
+"Seven-to-four, sir! Dash it! wouldn't take ten to one about anything!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_44" id="Page_44">[Pg 44]</a></span><br />
+
+<span class='pagenum'><a name="Page_45" id="Page_45">[Pg 45]</a></span>
+
+<h2>CAUSE AND EFFECT</h2>
+
+<table summary="CAUSE AND EFFECT">
+<tr>
+<td>
+<div class="figcenter" style="width: 85%">
+<a href="images/i_045.png">
+<img src="images/i_045.png" width="100%" alt="CAUSE" /></a><br /><br />
+<p><i>Host</i> (<i>to coachman, who is turned on as butler on grand occasions</i>).
+"I want you to see that all my guests enjoy themselves, Coggledab. Don't
+let them have to ask for anything. Be particularly attentive to my dear
+aunt, Mrs. Dumbledock!"</p>
+</div>
+</td>
+<td>
+<div class="figcenter" style="width: 90%">
+<a href="images/i_046.png">
+<img src="images/i_046.png" width="100%" alt="AND EFFECT" /></a><br /><br />
+<p><i>Coggledab</i> (<i>in a stage-whisper, during a lull in the conversation, to
+Mrs. Dumbledock, who has recently joined the Blue Ribbon Army.</i>)
+"'Ollands, whiskey, or cog-nack, mum? You can't be enjy-in' of yourself.
+<i>You're not drinkin'!</i>"</p>
+</div>
+</td>
+</tr>
+</table>
+
+<p class="regards">[<i>Mrs. Dumbledock alters her will the next day</i></p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_46" id="Page_46">[Pg 46]</a></span>
+
+<h2>A LITTLE DINNER OF THE FUTURE</h2>
+
+<center><i>A Forecast by Mr. Punch's Own Clairvoyant</i></center>
+
+<blockquote><p>According to the <i>Daily Chronicle</i>, "an American professor is
+looking forward to the time when cooking and dining shall become
+lost arts, and we shall take our sustenance in the form of tablets
+of concentrated things." Our esteemed contemporary appears to think
+that such a system would necessarily do away with all conviviality
+and social intercourse; but, unless <span class="smcap">Mr. Punch's</span> clairvoyant is
+liable to error (which is absurd), we need not take quite so gloomy
+a view of the future. People will still entertain, only the dinner
+of the next century will be a more economical and less tedious
+function, and, instead of having to go through a trying interview
+with her cook, the coming hostess will merely look in at the nearest
+food chemist's, when some such conversation as the following will
+settle the whole business.</p></blockquote>
+
+<p><i>Hostess.</i> We've some people coming in to take a few tablets with us
+this evening; what do you think I'd better have?</p>
+
+<p><i>The Food Chemist.</i> You will require <i>soup</i>, of course, madam. I could
+send you one of these patent soup-sprinklers, exceedingly simple to
+work, and quite the fashion in the highest circles: the butler sprays
+each guest before showing them<span class='pagenum'><a name="Page_48" id="Page_48">[Pg 48]</a></span> upstairs. We supply the machine, charged
+with the very best soup, at ninepence a night.</p>
+
+<p><i>Hostess.</i> No, I don't want anything <i>fussy</i>, it's quite an informal
+little gathering. An ounce of those mock-turtle jujubes at fourpence I
+had last time will do very well.</p>
+
+<p><i>The F. C.</i> Very good, madam. Then, with regard to fish? I can strongly
+recommend these bi-carbonate of cod and oyster sauce lozenges, or I have
+some sulphate of salmon and cucumber pastilles, that I think you would
+like, ninepence the quarter-of-a-pound.</p>
+
+<p><i>Hostess.</i> I'm afraid I mustn't be extravagant. I'll take a small bottle
+of condensed smelt tabloids (the <i>sixpenny</i> size), and what are left
+will come in nicely for the children's dinner next day.</p>
+
+<p><i>The F. C.</i> Precisely so, madam. And as to <i>entr&eacute;es</i>&mdash;will you have
+cockscomb cachous or sweetbread pilules?</p>
+
+<p><i>Hostess.</i> It makes such a <i>long</i> dinner. I don't want a lot of things.</p>
+
+<p><i>The F. C.</i> In <i>that</i> case, madam, I think I have the very article&mdash;a
+most elegant electro-chemical preparation, combining <i>entr&eacute;e</i>, joint,
+and bird, with<span class='pagenum'><a name="Page_50" id="Page_50">[Pg 50]</a></span> just a trace of vegetable matter, put up in small
+capsules, at one and elevenpence halfpenny the box of one dozen.</p>
+
+<p><i>Hostess.</i> That would be cheaper than having each course in separate
+tablets, <i>wouldn't</i> it? I think I'll try a box. What wonderful
+improvements they bring out nowadays, to be sure!</p>
+
+<p><i>The F. C.</i> They do indeed, madam. I am told that the Concentrated Food
+Stores will shortly be able to place on the market a series of graduated
+wafers, each containing a complete dinner, from a City banquet to a
+cutlet, at prices to correspond with the number of courses required.</p>
+
+<p><i>Hostess.</i> Delightful! And then the most expensive dinners will be all
+over in a minute, instead of dragging on to ten minutes or a quarter of
+an hour, as I've known them to do sometimes! I've often thought what a
+pity it is that we waste so much precious time as we do in merely
+supplying our bodily wants.</p>
+
+<p><i>The F. C.</i> We are improving, madam, slowly improving. And what about
+sweets, cheese, and savouries?</p>
+
+<p><i>Hostess.</i> I might have one of those two-inch<span class='pagenum'><a name="Page_52" id="Page_52">[Pg 52]</a></span> blocks of condensed
+apple-tart, and a box of cheese pills&mdash;<i>no</i> savouries. You see, it's
+only a <i>family</i> party!</p>
+
+<p><i>The F. C.</i> Exactly so, madam. And shall you be needing anything in the
+way of stimulants?</p>
+
+<p><i>Hostess.</i> Let me see&mdash;you may send me in a couple of ounces of
+acidulated champagne drops&mdash;the <i>Australian</i> quality, <i>not</i> the French,
+they're twopence an ounce dearer, and so few people notice the
+difference nowadays, do they?</p>
+
+<p><i>The F. C.</i> (<i>to himself</i>). Not until the next morning! (<i>Aloud.</i>) And
+liqueurs? Any brandy-balls with the coffee creams? We have some very
+fine essence-of-dessert jellies&mdash;&mdash;. <i>Hostess</i> Nothing more, thank you.
+(<i>To herself as she departs.</i>) I'm sure I've spent quite enough as it is
+on John's stingy old relations, who never ask us to have so much as a
+lunch-lozenge or a tea-tabloid with them!</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<p><i>Lady of uncertain age</i> (<i>discussing dinner party</i>). No, I cannot say it
+was very complimentary; they gave me to an arch&aelig;ologist to take down.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_47" id="Page_47">[Pg 47]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_048.png">
+<img src="images/i_048.png" width="100%" alt="there&#39;s wine for you" /></a>
+<p><i>Old Jones.</i> "Yes, my boy, <i>there's</i> wine for you, eh? I
+bought ten pounds worth of it the other day."</p>
+<p><i>Brown.</i> "What a <i>lot</i> you must have got!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_49" id="Page_49">[Pg 49]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_050.png">
+<img src="images/i_050.png" width="100%" alt="A BIG ORDER" /></a>
+<h3>A BIG ORDER</h3>
+<p><i>Stout Party</i> (<i>to waitress</i>), "Put me on a pancake, please!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_51" id="Page_51">[Pg 51]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_052.png">
+<img src="images/i_052.png" width="100%" alt="At a Literary Banquet" /></a><br /><br />
+<p><span class="smcap">At a Literary and Artistic Banquet.</span>&mdash;<i>Waiter</i> (<i>to
+colleague</i>). "Well, they may 'ave the intellec', Fred, but we certainly
+'as the good looks!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_53" id="Page_53">[Pg 53]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_054.png">
+<img src="images/i_054.png" width="100%" alt="phonographic speech machine" /></a><br /><br />
+<p>Why not a phonographic after-dinner speech machine?
+Celebrities could be represented at any number of banquets.</p>
+<p>["An experiment in dinner speeches by telephone is to be tried at Massachusetts Institute."]</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_54" id="Page_54">[Pg 54]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_055.png">
+<img src="images/i_055.png" width="100%" alt="THINGS ONE WOULD RATHER HAVE EXPRESSED OTHERWISE" /></a>
+<h3>THINGS ONE WOULD RATHER HAVE EXPRESSED OTHERWISE</h3>
+<p><i>Would-be Considerate Hostess (to son of the house).</i> "How inattentive
+you are, John! You really must look after Mr. Brown. <i>He's helping
+himself to everything!</i>"</p>
+<p>[<i>Discomfiture of Brown, who, if somewhat shy, is conscious of a very healthy appetite.</i></p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_55" id="Page_55">[Pg 55]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_056.png">
+<img src="images/i_056.png" width="100%" alt="Things One would(n&#39;t) rather have left Unsaid" /></a>
+<p><span class="smcap">Things One would(n't) rather have left Unsaid.</span>&mdash;(<i>In Mrs.
+Talbot de Vere Skynflynte's drawing-room, after one of her grand
+dinner-parties where nobody gets enough to eat.</i>) <i>General Guzzleton.</i>
+"What's that? Tea? No, thanks. I never take tea unless I've dined!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_56" id="Page_56">[Pg 56]</a></span>
+
+<h2>PROVERBS FOR BALL AND DINNER GIVERS</h2>
+
+<p>Ices and tea and coffee and small cakes are as good as a feast.</p>
+
+<p>You may bring an amateur tenor up to a piano, but you cannot make him
+sing.</p>
+
+<p>A lord in the room is worth two dukes in the bush.</p>
+
+<p>In provincial society the lord-lieutenant is king.</p>
+
+<p>Flirtation is the mother of invention.</p>
+
+<p>All good dances lead to the conservatory.</p>
+
+<p>Take care of the rounds, and the squares will look after themselves.</p>
+
+<p>It is a wise waltzer who knows her own step.</p>
+
+<p>A dinner in time saves nine.</p>
+
+<p>When the confectioner comes in by the door the cook flies out by the
+window.</p>
+
+<p>What is port to your wine merchant is death to your guests.</p>
+
+<p>Keep your champagne dry.</p>
+
+<p>Call a stable-boy by any other name, and he<span class='pagenum'><a name="Page_58" id="Page_58">[Pg 58]</a></span> will resemble the rose
+under similar circumstances.</p>
+
+<p>You can't make a head butler out of a local greengrocer.</p>
+
+<p>When the soup is cold, the wit flies out.</p>
+
+<p>If you have enough cheap and nasty dishes, some of them must be eaten.</p>
+
+<p>The <i>menu</i> makes the dinner.</p>
+
+<p>Ask <i>Mr. Punch</i> to a really good and well thought-out meal, and you will
+have an exceptionally lucky man for your guest.</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<h2>THE SIGH OF THE SEASON</h2>
+
+<div class="poem"><div class="stanza">
+<p class="i0">Good-bye dinner, good-bye lunch,</p>
+<p class="i0">Good-bye turtle, good-bye punch,</p>
+<p class="i0">Good-bye jambon soaked in cham.,</p>
+<p class="i0">Good-bye venison, cutlets lamb,</p>
+<p class="i0">Good-bye salmon, smelts, and sole,</p>
+<p class="i0">Good-bye Heidsieck's monopole,</p>
+<p class="i0">Good-bye hock, sauterne, and sherry,</p>
+<p class="i0">Good-bye all that makes me merry,</p>
+<p class="i0">Good-bye liqueurs, <i>petit verre</i>,</p>
+<p class="i0">Good-bye sauce <i>au Vin Mad&egrave;re</i>,</p>
+<p class="i0">Good-bye all these joys of life,</p>
+<p class="i0">Good-bye fork, and good-bye knife,</p>
+<p class="i0">Good-bye all I take when out,</p>
+<p class="i0">Good-bye <i>then</i> this twinge of gout!</p>
+</div></div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_57" id="Page_57">[Pg 57]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_058.png">
+<img src="images/i_058.png" width="100%" alt="Our Gallant Colonel" /></a><br /><br />
+<p><i>Our Gallant Colonel.</i> "Your daughters, my dear Mrs.
+Tympanum, are looking delightful to-night&mdash;simply delightful!"</p>
+<p><i>Mrs. Tympanum (rather hard of hearing, and very intent on a r&ocirc;ti of
+ducklings).</i> "Yes, aren't they! I've had them stuffed with sage and
+onions!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_59" id="Page_59">[Pg 59]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_060.png">
+<img src="images/i_060.png" width="100%" alt="Cruel" /></a><br /><br />
+<p><span class="smcap">Cruel!</span>&mdash;<i>Smith (usually a shy, reserved, and silent man)
+tells a rather long, but otherwise entertaining, story, about an orange,
+which meets with great success. Brown (when the laughter and applause
+have subsided).</i> "Bravo, Smith! Capital, old man! But, I say, you told
+it better one night at Jones's, a few months ago!" <i>Jones.</i> "No, no!
+Where he told it best was that morning we breakfasted with you, Brown,
+somewhere about the beginning of the year before last!" <i>Robinson.</i> "Ah,
+but don't you recollect the way he told it after that supper I gave you
+fellows at Evans' in 'fifty-one'? How we <i>did</i> laugh, to be sure!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_60" id="Page_60">[Pg 60]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_061.png">
+<img src="images/i_061.png" width="100%" alt="Whose Fault?" /></a><br /><br />
+<p><span class="smcap">Whose Fault?</span>&mdash;<i>Wife (reproachfully).</i> "O, Charles!" (<i>She
+had returned to the dining-room, wondering why he had not come upstairs
+to tea.) Charles (who had evidently taken a little too much wine).</i> "V'y
+well, my dear! 'Sh not my fault! 'Sh your fault! Cooksh fault! 'Bisque
+soup was salt! Sh'preme d'la V'laille was smoked! And orange frittersh
+'tough as leather! What did Capt'n du Cane shay? Bad cookery cause of
+all sorts o' crimes. 'Shamed of yourshelf!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_61" id="Page_61">[Pg 61]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_062.png">
+<img src="images/i_062.png" width="100%" alt="our veins are filled" /></a>
+<div class="poem"><div class="stanza">
+<p class="i0">"For when our veins are filled</p>
+<p class="i0">With wine and feeding, we have suppler souls</p>
+<p class="i0">Than in our priest-like fasts."&mdash;<span class="smcap">Shakspeare</span>: <i>Coriolanus</i>.</p>
+</div></div>
+<p><span class="smcap">After-dinner Criticism.</span>&mdash;<i>Guest (who has had a pleasant evening, will
+just have a look at his host's pictures before he goes).</i>
+"Yesh&mdash;(<i>hic</i>)&mdash;'like tha' pictsh're! Fi' lanshc'pe! 'Like the treesh!
+'Branshes wave 'bout s' nash'rally!!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_62" id="Page_62">[Pg 62]</a></span>
+
+<h2>DINNER PLATITUDES</h2>
+
+<p>Twice of soup is vulgar, but three times of soup implies that you must
+be more than double-plated with vulgarity. Such a thing was never known,
+not even at the Trinity Board, and turtle is not the slightest excuse
+for your pushing things to such a vulgar length. An alderman would
+really blush for you.</p>
+
+<p>A soft answer turneth away wrath, and an invitation to take a glass of
+wine will frequently restore warmth between two friends where only
+coldness existed before.</p>
+
+<p>No matter how plain your cook may be, so long as your dinner is
+well-dressed.</p>
+
+<p>A few compliments go a great way. A little savoury <i>p&acirc;t&eacute;</i> is quite
+enough. Try too many, and you'll find they'll prove heavy.</p>
+
+<p>When the ladies retire from the dinner-table, it is not usual for you
+(supposing you to be a gentleman) to retire with them. In this instance,
+the same law extends to the mistress as to the servants:&mdash;"No Followers
+Allowed."<span class='pagenum'><a name="Page_64" id="Page_64">[Pg 64]</a></span></p>
+
+<p>A gratuity well bestowed frequently has a happy effect. The servant that
+is fee'd well takes care that his master does the same.</p>
+
+<p>In the hands of an inferior <i>artiste</i>, whether an omelette turns out
+good or bad, is quite a matter of toss up. It is the same with a
+pancake.</p>
+
+<p>Keep ill-natured people from your table, as you would sour fruit. They
+are sure to disagree with every one. Avoid crab-apples, lest the apple
+of discord should turn up amongst them.</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<h2>ODE TO A DINNER-GONG</h2>
+
+<div class="poem"><div class="stanza">
+<p class="i0">"The tocsin of the soul&mdash;the dinner-bell."</p>
+<p class="i2">So said, admiringly, the late Lord Byron,</p>
+<p class="i0">But he had never heard <i>your</i> noisy knell,</p>
+<p class="i2">O blatant bellowing thing of brass or iron,</p>
+<p class="i0">Or surely he had metrically cursed</p>
+<p class="i2">Your nerve-distracting Corybantic clangour.</p>
+</div><div class="stanza">
+<p class="i0">Would his fine indignation could have versed</p>
+<p class="i2">My utter hate, my agonising anger.</p>
+<p class="i0">Alas! is gusto then so great a sin,</p>
+<p class="i2">Is feeding man so terrible a sinner</p>
+<p class="i0">That such a worse than <i>Duncan</i>-raising din</p>
+<p class="i2">Must summon him to&mdash;dinner?</p>
+</div></div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_63" id="Page_63">[Pg 63]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_064.png">
+<img src="images/i_064.png" width="100%" alt="Down a Peg" /></a><br /><br />
+<p><span class="smcap">Down a Peg.</span>&mdash;<i>Mr. Gifted Hopkins (minor poet, essayist,
+critic, golfer, fin-de-si&egrave;cle idol, &amp;c.).</i> "Oh, Mrs. Smart&mdash;a&mdash;I've been
+thinking, for the last twenty minutes, of something to say to you!"
+<i>Mrs. Smart (cheerfully).</i> "Please go on thinking, Mr. Hopkins,&mdash;and
+I'll go on talking to Professor Brayne in the meantime.</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_65" id="Page_65">[Pg 65]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_066.png">
+<img src="images/i_066.png" width="100%" alt="Past and Present" /></a><br /><br />
+<p><span class="smcap">Past and Present.</span>&mdash;<i>Serious and much-married man.</i> "My
+dear friend, I <i>was</i> astonished to hear of <i>your</i> dining at Madame
+Trois&eacute;toiles!&mdash;a 'woman with a past' you know!"</p>
+<p><i>The Friend</i> (<i>bachelor "unattached"</i>). "Well, you see, old man, she got
+a first-rate <i>chef</i>, so it isn't her 'past,' but her 're-past' that <i>I</i>
+care about."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_67" id="Page_67">[Pg 67]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_068.png">
+<img src="images/i_068.png" width="100%" alt="A Connoisseur" /></a><br /><br />
+<p><span class="smcap">A Connoisseur.</span>&mdash;<i>Sir Pompey Bedell.</i> "This bottle of
+Roman&eacute;e-conti seems rather cloudy, Brown! It <i>ought</i> to be all right. I
+know it stands me in <i>twelve guineas a dozen</i>!"</p>
+<p><i>The New Butler.</i> "There certainly <i>his</i> some sediment, Sir Pompey; but
+it's of no consequence whatever! I tried a bottle of it <i>myself</i> the
+other day, and found it first-rate!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_69" id="Page_69">[Pg 69]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_070.png">
+<img src="images/i_070.png" width="100%" alt="A PIOUS FRAUD" /></a>
+<h3>A PIOUS FRAUD!</h3>
+<p>"Hullo, Monty, what have you got in your button-hole? You don't mean to
+say you've joined the blue ribbon army?"</p>
+<p>"Yes; for this night only. Going to dine with Jakes. Don't want to hurt
+poor old Jakes' feelings&mdash;don't want to be poisoned by his beastly wine.
+See?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_71" id="Page_71">[Pg 71]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_072.png">
+<img src="images/i_072.png" width="100%" alt="DAYS OF THE CRINOLINE" /></a>
+<h3>IN THE DAYS OF THE CRINOLINE&mdash;DINING UNDER DIFFICULTIES</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_73" id="Page_73">[Pg 73]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_074.png">
+<img src="images/i_074.png" width="100%" alt="Repletion" /></a><br /><br />
+<p><span class="smcap">Repletion.</span>&mdash;<i>Robert.</i> "Pudding or cheese, sir?"</p>
+<p><i>Abstracted Editor.</i> "Owing to pressure of other matter, 'regret we are
+unable to find room for it!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_75" id="Page_75">[Pg 75]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_076.png">
+<img src="images/i_076.png" width="100%" alt="how&#39;s the enemy" /></a>
+<p><i>Brown</i> (<i>who has been dining at the club with Jones</i>).
+"Just come in a minute, old fellow, and have a night-cap."</p>
+<p><i>Jones.</i> "I'm afraid it's getting a little late. Let's see how's the
+enemy."</p>
+<p><i>Brown.</i> "Oh! that's all right. <i>She's</i> in bed."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_77" id="Page_77">[Pg 77]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_078.png">
+<img src="images/i_078.png" width="100%" alt="INNOCENTS IN THE CITY" /></a>
+<h3>INNOCENTS IN THE CITY</h3>
+<p><i>Mrs. Fitznoodle</i> (<i>evidently not well versed in the delicacies of a
+Guildhall feast</i>). "Freddy, dear, can you tell me what <i>is</i> the
+difference between 'calipash' and 'calipee'?"</p>
+<p><i>Colonel Fitznoodle</i> (<i>hesitating, and looking round for an answer</i>).
+"Certainly, my dear. Exactly the difference there is between 'Gog' and
+'Magog'!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_66" id="Page_66">[Pg 66]</a></span>
+
+<h2>DINNERS AND DINERS</h2>
+
+<center>(<i>With apologies to the P-ll M-ll G-z-tte</i>)</center>
+
+<p>It had been my good fortune to give to Mademoiselle Faustine, a charming
+little actress, a tip for the Welter Plate last spring. What more
+natural than that I should ask her to give me a dinner as some slight
+return? She readily accepted, and asked me to name the day. Glancing at
+the sixth volume of my engagement book, I found my first vacant date was
+June 18, '97. This was fortunate, as it is hardly possible&mdash;except at
+Voisin's&mdash;to get a decent dinner unless you order it a year in advance.</p>
+
+<p>"Where shall we dine?" asked Faustine.</p>
+
+<p>"There is only one place where people <i>do</i> dine," I answered, a little
+reproachfully. "The Bon March&eacute;. I will order the dinner."</p>
+
+<p>So the place and the date were fixed.</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<p>As Faustine was a quarter of an hour late&mdash;I had not seen her since our
+arrangement&mdash;I waited<span class='pagenum'><a name="Page_68" id="Page_68">[Pg 68]</a></span> in the alabaster portico of the Bon March&eacute;,
+chatting amiably to the courteous commissionaire, an old comrade of mine
+in the Wimbledon days. Jules, the courteous <i>chef</i>, was <i>au d&eacute;sespoir</i>.
+Why had I not given him more notice? Madame was fifteen minutes late. If
+he had only known! In a year and fifteen minutes it is possible to cook
+a dinner. In a year&mdash;no. I tried to calm the worthy fellow&mdash;an old ally
+of mine in the Crimean war. In vain; he complained the sardines were
+spoiling. So I went into the dining-room, nodding courteously to eight
+princes of the blood, neither of whom appeared, for the moment, to
+recognise me.</p>
+
+<p>As I seated myself, the entire staff, headed by a brass band, brought me
+my <i>sardines &agrave; l'huile</i>. These are a <i>specialit&eacute;</i> of the house, and are
+never&mdash;should never be, at least&mdash;eaten with the tin. The <i>potage &agrave; la
+potasse</i> was quite excellent. I congratulated the courteous <i>chef</i>,
+pointing out to him the desirability of mixing, sometimes, a little
+anti-pyrine into the potassium&mdash;both drugs far too rarely used in modern
+cookery. Then came the question of wine. This I solved for the moment<span class='pagenum'><a name="Page_70" id="Page_70">[Pg 70]</a></span>
+by ordering two Jeroboams of Stereoscopic Company et Fils; a <i>cuv&eacute;e</i> of
+'80, absolutely <i>reserv&eacute;e</i> for my own use. As I had engaged the entire
+staff of waiters, a crown prince, who was entertaining one of our
+leading bicyclists, rose to leave, with his guest. I smiled and nodded
+to them as they passed, which appeared to hasten their departure.</p>
+
+<p>The <i>moulin &agrave; vent</i> was delicious, but the <i>dindon d&eacute;cousu</i> I could not
+pass. No self-respecting <i>gourmet</i> will pass everything at a dinner.</p>
+
+<p>Gontran, the kindly <i>ma&icirc;tre d'h&ocirc;tel</i>, was almost in tears, but I
+consoled him by observing that the ostriches were cooked to a turn, and
+the <i>bombe glac&eacute;e &agrave; l'anarchiste</i> faultless.</p>
+
+<p>But my hostess? Where was she? Where was Mademoiselle Faustine? I had
+quite forgotten her! I beckoned to Hagenbock, the press representative
+of the restaurant, who informed me she had been dead eight months! I,
+who read nothing but menus, had omitted to notice this in the papers. I
+was greatly pained. The shock unnerved me&mdash;I could eat no more. Besides,
+who was now to pay the bill?</p>
+
+<p>I reproduce the bill.<span class='pagenum'><a name="Page_72" id="Page_72">[Pg 72]</a></span></p>
+
+<p>Couverts, &pound;5. Diners, &pound;36 8<i>s.</i> Pain, 2<i>s.</i> Champagne, &pound;47. Liqueurs,
+15<i>s.</i> Addition, 3<i>s.</i></p>
+
+<p>In all, &pound;89 8<i>s.</i>&mdash;(This is one of the few restaurants where a charge is
+made for the addition.)</p>
+
+<p>"Make out the bill," said I, "in francs, and send it to the executors of
+Mademoiselle Faustine."</p>
+
+<h3>II.</h3>
+
+<p>Monsieur Victor de Train-de-Luxe is in many respects a delightful
+person. In other ways he is not. For instance, because he was,
+accidentally, the cause of my backing a winner at Ascot (simply by means
+of ordinary stable information), he had the bad taste to suggest that I
+should stand him a dinner.</p>
+
+<p>I said, "Certainly, my dear Comte" (Comte being the courtesy title I
+invariably give to foreigners from whom I have the hope of borrowing
+money).</p>
+
+<p>"Where shall it be?"</p>
+
+<p>"There is only one place where one <i>can</i> dine," I said.</p>
+
+<p>"Of course&mdash;the Bon March&eacute;," he replied.<span class='pagenum'><a name="Page_74" id="Page_74">[Pg 74]</a></span></p>
+
+<p>"No," I answered. "No, <i>mon ami</i>. If you wish to eat a really
+characteristic English dinner, come to the Vegetarian Restaurant in
+Edgware Road. Come along. Come, <i>now</i>!"</p>
+
+<p>"But it's only six o'clock. I am not hungry."</p>
+
+<p>"All the better," I replied. And I also pointed out to him that the best
+way to see London is outside an omnibus. So we started.</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<p>Arrived at the restaurant, I was enthusiastically received by the
+courteous cashier, who presented me with a previous bill, which, I
+noticed, had not been receipted. I said I thought it rather rude to
+present a gentleman with a bill which they hadn't taken the trouble to
+receipt.</p>
+
+<p>We sat down.</p>
+
+<p>"I'm glad," I said to Victor, "that I didn't know this dinner was coming
+off to-day. If I had had notice, I might have ordered it beforehand; and
+a dinner, to be perfection, should be eaten, if possible, on the day it
+is cooked. At least, that's what I always think. I may be wrong."<span class='pagenum'><a name="Page_76" id="Page_76">[Pg 76]</a></span></p>
+
+<p>Monsieur de Train-de-Luxe smiled, said I was a <i>farceur</i>, and I ordered
+our dinner.</p>
+
+<p>First, some turnip turtle soup, then, ortolans of spinach and mashed
+potatoes, followed by a canvas-backed duck made of Indian corn, and
+last, not least, plum-pudding. As all will agree, this makes a very
+delicious and seasonable repast. Long dinners have quite gone out of
+fashion. And this was washed down with a sparkling bottle of orange
+champagne, '97.</p>
+
+<p>My friend Victor, who is rather a <i>gourmet</i>, was so struck with the
+first mouthful of soup, that he said it was quite enough, observing, he
+had never tasted anything like it.</p>
+
+<p>Pleased with this praise, I asked his opinion of the ortolans. He said
+that their aroma dispensed with the necessity for their consumption. He
+was evidently surprised.</p>
+
+<p>When the bill was presented by the courteous "chucker-out," we found
+that most unluckily neither of us had any money.</p>
+
+<p>I append the bill.</p>
+
+<p>Dinners (for two), 1<i>s.</i> 9<i>d.</i> Champagne, 3<i>d.</i> Total, 2<i>s.</i><span class='pagenum'><a name="Page_78" id="Page_78">[Pg 78]</a></span></p>
+
+<p>To this I ought really to add:&mdash;</p>
+
+<p>Cab (for three) to Marylebone Police Court, 1<i>s</i>. 6<i>d</i>. (The constable
+refused to walk without us.)</p>
+
+<p>Loss to reputation by report of proceedings, 8<i>d</i>.</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<h4><span class="smcap">The Business of Pleasure</span></h4>
+
+<p><i>Professor Guzzleton</i> (<i>to Fair Chatterbox</i>). Are you aware that our
+host has a French cook?</p>
+
+<p><i>Fair Chatterbox.</i> So I hear!</p>
+
+<p><i>Professor Guzzleton.</i> And that that French cook is the best in London?</p>
+
+<p><i>Fair Chatterbox.</i> So I believe!</p>
+
+<p><i>Professor Guzzleton.</i> Then don't you think we had better defer all
+further conversation till we meet again in the drawing-room?</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<p>"My uncle, the admiral," said Mrs. Ramsbotham, "is very old fashioned,
+and always goes to sleep every day after dinner with his banana on his
+head."</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_79" id="Page_79">[Pg 79]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_081.png">
+<img src="images/i_081.png" width="100%" alt="" title="SYMPATHETIC" /></a>
+<h3>SYMPATHETIC</h3>
+<p><i>Toast-master</i> (<i>to chairman of public dinner</i>). "Would you like to
+propose your toast now, my lord, or should we let 'em enjoy themselves a
+bit longer?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_80" id="Page_80">[Pg 80]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_081.png">
+<img src="images/i_081.png" width="100%" alt="Infelicitous Misquotations" /></a><br /><br />
+<p><span class="smcap">Infelicitous Misquotations.</span>&mdash;<i>Hostess.</i> "You've eaten
+hardly anything, Mr. Simpkins!"</p>
+<p><i>Mr. S.</i> "My dear lady, I've dined '<i>wisely, but not too well</i>!'"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_81" id="Page_81">[Pg 81]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_082.png"></a>
+<img src="images/i_082.png" width="100%" alt="TRIUMPHS OF THE FUNNY MAN" />
+<h3>TRIUMPHS OF THE FUNNY MAN</h3>
+<p><i>Hired Waiter</i> (<i>handing the liqueurs</i>). "<i>Please</i>, sir, <i>don't</i> make me
+laugh&mdash;I shall spill 'em all!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_82" id="Page_82">[Pg 82]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_083.png">
+<img src="images/i_083.png" width="100%" alt="OVERHEARD AT A CITY RESTAURANT" /></a>
+<h3>OVERHEARD AT A CITY RESTAURANT</h3>
+<p>"I said Welsh <i>radish</i>, not <i>horse rabbit</i>!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_83" id="Page_83">[Pg 83]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_084.png">
+<img src="images/i_084.png" width="100%" alt="IRRESISTIBLE" /></a>
+<h3>IRRESISTIBLE</h3>
+<p><i>Our Robert</i> (<i>on duty in the provinces, offering dish to neglected
+spinster</i>). "Little duck!"</p>
+<p>[<i>In such a tone of voice, that, at the risk of the sage and&mdash;&mdash; she
+accepts!</i></p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_84" id="Page_84">[Pg 84]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_085.png">
+<img src="images/i_085.png" width="100%" alt="shall we join ladies" /></a><br /><br />
+<p><i>Host.</i> "I say, my boy, shall we join ladies in
+drawing-room?"</p>
+<p><i>Guest.</i> "I sh'inksho."</p>
+<p><i>Host.</i> "Can you say, 'The scenery's truly rural 'bout here?'"</p>
+<p><i>Guest.</i> "Sc-scenery tooralooral."</p>
+<p><i>Host.</i> "All right, come along!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_85" id="Page_85">[Pg 85]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_086.png">
+<img src="images/i_086.png" width="100%" alt="He knew the Cuisine" /></a><br /><br />
+<p><span class="smcap">He knew the Cuisine.</span>&mdash;<i>Hungry Diner</i> (<i>scanning the
+menu</i>). "Look here, waiter, I'm starving. I think I'll have a little of
+everything!"</p>
+<p><i>Waiter.</i> "Yessir. (<i>Bawls off.</i>) 'Ash one!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_86" id="Page_86">[Pg 86]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_087.png">
+<img src="images/i_087.png" width="100%" alt="Put me in my little bed" /></a>
+<h3>SONGS AND THEIR SINGERS</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_87" id="Page_87">[Pg 87]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_088.png"></a>
+<img src="images/i_088.png" width="100%" alt="beauty&#39;s eyes" />
+<h3>SONGS AND THEIR SINGERS</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_88" id="Page_88">[Pg 88]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_089.png"></a>
+<img src="images/i_089.png" width="100%" alt="to be a butterfly" />
+<h3>SONGS AND THEIR SINGERS</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_89" id="Page_89">[Pg 89]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_090.png"></a>
+<img src="images/i_090.png" width="100%" alt="the heart bowed down" />
+<h3>SONGS AND THEIR SINGERS</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_90" id="Page_90">[Pg 90]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_091.png"></a>
+<img src="images/i_091.png" width="100%" alt="the devout lover" />
+<h3>SONGS AND THEIR SINGERS</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_91" id="Page_91">[Pg 91]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_092.png"></a>
+<img src="images/i_092.png" width="100%" alt="to blossoms" />
+<h3>SONGS AND THEIR SINGERS</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_93" id="Page_93">[Pg 93]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_094.png"></a>
+<img src="images/i_094.png" width="100%" alt="we'll all go a hunting today" />
+<h3>SONGS AND THEIR SINGERS</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_92" id="Page_92">[Pg 92]</a></span>
+
+<h2>AFTER-DINNER SPEECHES</h2>
+
+<div class="poem"><div class="stanza">
+<p class="i0">"When the wine is in, the wit is out;"</p>
+<p class="i2">Only to dolts the adage reaches.</p>
+<p class="i0">No wise man could for a moment doubt</p>
+<p class="i2">The value of after-dinner speeches.</p>
+</div><div class="stanza">
+<p class="i0"><i>Punch</i> can remember the time when Peel,</p>
+<p class="i2">Whose wisdom still the country teaches,</p>
+<p class="i0">After steak and port, his nine o'clock meal,</p>
+<p class="i2">Made the best of after-dinner speeches.</p>
+</div><div class="stanza">
+<p class="i0">When the Ministers come to the Mansion House,</p>
+<p class="i2">(The King of London their presence beseeches,)</p>
+<p class="i0">No guest who has any touch of <i>nous</i></p>
+<p class="i2">Will be weary of after-dinner speeches.</p>
+</div><div class="stanza">
+<p class="i0">When the Royal Academy blooms in May,</p>
+<p class="i2">With its pretty girls and their cheeks like peaches</p>
+<p class="i0">Who won't, on the opening Saturday,</p>
+<p class="i2">Listen to after-dinner speeches?</p>
+</div><div class="stanza">
+<p class="i0">When there's ought that's generous to be done,</p>
+<p class="i2">A greeting to pay that no soul impeaches,</p>
+<p class="i0">A dinner's the best thing under the sun,</p>
+<p class="i2">And its gold coin the after-dinner speeches.</p>
+</div><div class="stanza">
+<p class="i0">And as to the House, which often suffers</p>
+<p class="i2">From talk that to dreariest platitude reaches,</p>
+<p class="i0">It does not often allow its duffers</p>
+<p class="i2">To make long after-dinner speeches.</p>
+</div></div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_94" id="Page_94">[Pg 94]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_095.png">
+<img src="images/i_095.png" width="100%" alt="SCENE&mdash;CHOP-HOUSE" /></a>
+<h3>SCENE&mdash;CHOP-HOUSE</h3>
+<p><i>Enter Street Boy, and, with suppressed ecstasy.</i> "Oh, please, there's
+your cat and kittens having such a game with the things in the winder!"</p>
+</div>
+
+<hr />
+
+<h4><span class="smcap">At the Cric-Crac Restaurant</span></h4>
+<p><i>Customer</i> (<i>looking at bill</i>). Here, waiter, there's surely some
+mistake in this total.</p>
+<p><i>Waiter</i> (<i>politely</i>). Zehn thousand pardons, sir! Mit my usual
+carelessness I have added in ze date and vorgot to charge you for ze
+butter.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_95" id="Page_95">[Pg 95]</a></span>
+
+<h4><span class="smcap">An Oversight!</span></h4>
+<p><i>Swell.</i> Waiter! This&mdash;ah&mdash;chop's vewy dwy!</p>
+<p><i>Waiter.</i> 'Ndeed, sir? Perhaps if you were to order something to drink
+with it, sir&mdash;&mdash;</p>
+
+<hr />
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_096.png">
+<img src="images/i_096.png" width="100%" alt="A REBUKE" /></a>
+<h3>A REBUKE</h3>
+<p><i>Host.</i> "Fish is very expensive, just now, I can tell you. This salmon
+cost me two and sixpence a pound!"</p>
+<p><i>Guest</i> (<i>no business of his</i>). "Ah, it's very good, I think I'll take
+another eighteen penn'orth!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_96" id="Page_96">[Pg 96]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_097.png">
+<img src="images/i_097.png" width="100%" alt="CAUTION" /></a>
+<h3>CAUTION</h3>
+<p><i>The Major.</i> "Don't you like liqueurs, Mrs. Jinks?"</p>
+<p><i>Mrs. Jinks.</i> "Yes; but they make one so <i>unreserved</i>!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_97" id="Page_97">[Pg 97]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_098.png">
+<img src="images/i_098.png" width="100%" alt="A BORN ORATOR" /></a>
+<h3>A BORN ORATOR (IN THE EAST)</h3>
+<p><i>Farmer</i> (<i>proposing landlord's health</i>). "An' if a' squiears 'ud <i>dew</i>
+as our squiear <i>dew</i>, there wudna be so many on 'em as <i>dew</i> as they
+<i>dew dew</i>!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_98" id="Page_98">[Pg 98]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_099.png">
+<img src="images/i_099.png" width="100%" alt="No Excuse" /></a><br /><br />
+<p><span class="smcap">No Excuse for not Believing.</span>&mdash;"Then you don't believe in
+phrenology?" "No, rather not. I once gave one of those fellows a
+sovereign to read my head, and, after feeling it a long time, all he
+said was, that I had no idea of the value of money."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_99" id="Page_99">[Pg 99]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_100.png">
+<img src="images/i_100.png" width="100%" alt="Things one would put Differently" /></a><br /><br />
+<p><span class="smcap">Things one would rather have put Differently.</span>&mdash;<i>Mr.
+Bumblepup.</i> "I must apologise for coming in ordinary evening dress."
+<i>Hostess.</i> "Well, you really have the advantage of us. We're all looking
+more foolish than usual, and you're not."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_100" id="Page_100">[Pg 100]</a></span>
+
+<div class="figcenter" style="width: 35%">
+<a href="images/i_101.png">
+<img src="images/i_101.png" width="100%" alt="Mr. Boreham" /></a><br /><br />
+<p><i>Mr. Boreham</i> (<i>in the thick of a long and pointless
+story</i>). "Well, as I was saying, I happened to be in the City the other
+day, and, as I was walking down Cheapside, whom should I meet but my old
+friend, Stodgeley, whom I haven't seen for fifteen years. Well, what do
+you think he did? He stopped dead when he saw me, slapped me on the
+shoulder, and said, 'Surely this must be my dear old friend, Boreham?'"
+<i>She</i> (<i>with difficulty keeping awake</i>). "Yes?&mdash;<i>and was it</i>?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_101" id="Page_101">[Pg 101]</a></span>
+
+<div class="figcenter" style="width: 35%">
+<a href="images/i_102.png">
+<img src="images/i_102.png" width="100%" alt="we&#39;ve a very poor dinner" /></a><br /><br />
+<p><i>Hostess</i> (<i>to friend who has been brought in to take
+pot-luck</i>). "I'm afraid, Mr. Simpson, we've only got a very poor dinner
+to offer you."</p>
+<p><i>Mr. Simpson.</i> "My dear Mrs. Jones, I beg you not to apologise! I assure
+you I think it quite desirable to <i>underfeed</i> occasionally!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_102" id="Page_102">[Pg 102]</a></span>
+
+<h2>THE DINNER CHAIRMAN'S VADE MECUM</h2>
+
+<center>(<i>Compiled for the use of Orators during the Month of May Mouthings</i>)</center>
+
+<p><i>Question.</i> You are accustomed to take the chair at a public dinner?</p>
+
+<p><i>Answer.</i> Yes. Or, to speak by the card, a dinner for the rest of the
+company.</p>
+
+<p><i>Q.</i> Why, do you not partake of the good cheer before you with the rest
+of your convives?</p>
+
+<p><i>A.</i> Certainly not. I have to speak later on&mdash;a consideration which
+entirely destroys my appetite.</p>
+
+<p><i>Q.</i> Is there anything new to be said in the loyal toasts?</p>
+
+<p><i>A.</i> No; and therefore it is better to return to the simplest form,
+which is sure to be received with heartfelt enthusiasm.</p>
+
+<span class='pagenum'><a name="Page_104" id="Page_104">[Pg 104]</a></span>
+
+<p><i>Q.</i> What can be said about the united service?</p>
+
+<p><i>A.</i> That it is absolutely delightful to expend millions in the
+furtherance of their interests.</p>
+
+<p><i>Q.</i> And can anything interesting be put in about the Houses of
+Parliament?</p>
+
+<p><i>A.</i> Not much. Sneers at the Lords are no longer popular, and the Lower
+House is too respectable to be anything but a dull subject.</p>
+
+<p><i>Q.</i> What about the toast of the evening?</p>
+
+<p><i>A.</i> That must be left to the secretary, who will furnish the chairman
+with the necessary facts, which may be mixed with original remarks,
+two-thirds humorous to one-third pathetic.</p>
+
+<p><i>Q.</i> How are the visitors to be treated?</p>
+
+<p><i>A.</i> With fulsome eulogy or comic depreciation inspired by the pages of
+that excellent manual, <i>Who's Who</i>. Particular attention can be paid to
+the entries under "Recreations" in that admirable work, for appropriate
+chaff.</p>
+
+<p><i>Q.</i> And in what terms does a chairman respond to the toast of his own
+health?</p>
+
+<p><i>A.</i> In a few muttered words addressed to an audience composed of a
+gentleman fast asleep, the toast-master, and the waiters.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_103" id="Page_103">[Pg 103]</a></span>
+
+<div class="figcenter" style="width: 35%">
+<a href="images/i_104.png">
+<img src="images/i_104.png" width="100%" alt="Social Agonies" /></a>
+<p><span class="smcap">Social Agonies.</span>&mdash;"I say, old chap, it's short notice, but
+<i>do</i> come and dine this next Thursday!" "Can't, dear old man. I'm
+engaged three deep for the night!" "Oh, sorry! I've got the Duke and
+Duchess of Runnymede, and Lord Savory!" "Oh,"&mdash;(<i>seeing it in quite a
+different light</i>)&mdash;"<i>next</i> Thursday, did you say? I thought you said
+Thursday <i>week</i>. Oh, yes, I shall be delighted!"</p>
+<p>[<i>Their Graces and Lord S. never turned up, after all!</i>]</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_105" id="Page_105">[Pg 105]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_106.png">
+<img src="images/i_106.png" width="100%" alt="REASSURING" /></a>
+<h3>REASSURING</h3>
+<p>"Lor' bless yer, sir, that's all right, sir! <i>That</i> ain't a fly,
+sir!&mdash;<i>that's</i> a bit of dirt!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_106" id="Page_106">[Pg 106]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_107.png">
+<img src="images/i_107.png" width="100%" alt="BREAKING THE ICE" /></a>
+<h3>BREAKING THE ICE</h3>
+<p><i>Sprightly Lady.</i> "Mr. Dormers, would you oblige me with&mdash;&mdash;"</p>
+<p><i>Bashful Curate</i> (<i>who had scarcely spoken to his fair neighbour</i>). "O,
+certainly. What shall I have the pleasure to offer?&mdash;&mdash;"</p>
+<p><i>Lady.</i> "&mdash;&mdash; a remark!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_107" id="Page_107">[Pg 107]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_108.png">
+<img src="images/i_108.png" width="100%" alt="The Connoisseur" /></a>
+<p><span class="smcap">The Connoisseur.</span>&mdash;<i>Host</i> (<i>smacking his lips</i>). "There,
+my boy, what do you think of that? I thought I'd give you a treat.
+That's '34 port, sir!" <i>Guest.</i> "Ah, and a very nice, sound wine, I
+should say! I believe it's quite as good as some I gave 37<i>s</i>. for the
+other day."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_108" id="Page_108">[Pg 108]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_109.png">
+<img src="images/i_109.png" width="100%" alt="A Gentle Snub" /></a>,br /><br />
+<p><span class="smcap">A Gentle Snub.</span>&mdash;"Here, waiter&mdash;quick! Something to
+eat&mdash;and look sharp!" "Yessir. What'll you 'ave, sir?" "Oh&mdash;anything&mdash;I
+don't care. Chop or steak&mdash;whatever you like." "You must excuse me, sir;
+but I don't feel called upon to decide!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_109" id="Page_109">[Pg 109]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_110.png">
+<img src="images/i_110.png" width="100%" alt="THE WAY WE LIVE NOW" /></a>
+<h3>THE WAY WE LIVE NOW</h3>
+<p><span class="smcap">Time&mdash;3 p.m.</span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span class="smcap">Scene</span>&mdash;<i>Club</i>.</p>
+<p><i>First Gilded Youth.</i> "Had any breakfast, old chappie?"</p>
+<p><i>Second Gilded Youth.</i> "Yes. Had an egg beaten up at twelve."</p>
+<p><i>First Gilded Youth</i> (<i>in admiration</i>). "Doose you did! What a
+constitution you must have!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_110" id="Page_110">[Pg 110]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_111.png">
+<img src="images/i_111.png" width="100%" alt="THE FIRST ASPARAGUS OF THE SEASON" /></a>
+<h3>THE FIRST ASPARAGUS OF THE SEASON</h3>
+<p><i>Farmer</i> (<i>at market dinner</i>). "Wull, gen'elmen, I dunno wot be the
+c'rect way o' servin' these 'ere, but I gen'elly eats just the ends of
+'em myself!"</p>
+<center>[<i>Helps himself to the tops!</i>]</center>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_111" id="Page_111">[Pg 111]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_112.png">
+<img src="images/i_112.png" width="100%" alt="THE GENIAL SEASON" /></a>
+<h3>THE GENIAL SEASON</h3>
+<p><i>Hungry-looking Acquaintance</i> (<i>with eye to invitation</i>). "So glad to
+see you enjoying yourself!"</p>
+<p><i>Fat Chap</i> (<i>evidently doing well</i>). "Wrong again, old man. I'm enjoying
+my dinner!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_112" id="Page_112">[Pg 112]</a></span>
+
+<h2>A WAITER'S WARNING</h2>
+
+<p>"<span class="smcap">Entomology in Parliament Street.</span>&mdash;Mr. Frank W. <span class="smcap">Dufrey</span>, 55, Parliament
+Street, writes to the <i>Field</i>:&mdash;'It will interest your entomological
+readers to hear that a fine specimen of the death's-head hawk moth
+(<i>Acherontia atropos</i>) was taken in Parliament Street on Monday evening.
+It flew into the dining-room at the Red Lion Tavern, and was captured by
+one of the waiters, who was alarmed at its size and the peculiar noise
+it made. Apart from its being rather rubbed, it is a very good specimen
+of the largest of our lepidoptera, and is now in my possession.'"</p>
+
+<div class="poem1"><div class="stanza">
+<p class="i0">"William, where's John?</p>
+<p class="i0">What, is he gone?"</p>
+<p class="i0">"Not gone away, sir.</p>
+<p class="i0">Sorry to say, sir;</p>
+<p class="i0">John ill a-bed, sir,</p>
+<p class="i0">Bad in 'is 'ed, sir.</p>
+<p class="i0">'Ad a great fright, sir.</p>
+<p class="i0">Turned 'is 'air wite, sir.</p>
+<p class="i0">Last Monday night, sir."</p>
+<p class="i2">"Struck down with fear!</p>
+<p class="i0">How? Let me hear."</p>
+<p class="i2">"'Orrible thing, sir,</p>
+<p class="i0">Came on the wing sir;</p>
+<p class="i0">Window in through, sir,</p>
+<p class="i0">Suddently flew, sir,</p>
+<p class="i0">Into this room, sir,</p>
+<p class="i0">A shape from the tomb, sir.</p>
+<p class="i0">'Twasn't a bat, sir;</p>
+<p class="i0">No, sir, not that, sir:</p>
+<span class='pagenum'><a name="Page_114" id="Page_114">[Pg 114]</a></span>
+<p class="i0">Moth, sir, we thought, sir.</p>
+<p class="i0">But wen it was caught, sir,</p>
+<p class="i0">Huttered a shriek, sir,</p>
+<p class="i0">A scream, sir, a squeak, sir!</p>
+<p class="i0">Hinsect, you know, sir,</p>
+<p class="i0">Couldn't do so, sir.</p>
+<p class="i0">Wot should we find, sir,</p>
+<p class="i0">On its back, sir, be'ind, sir,</p>
+<p class="i0">Printed, exact, sir?&mdash;</p>
+<p class="i0">A skull, sir,&mdash;a fact, sir!</p>
+<p class="i0">John gasped for breath, sir;</p>
+<p class="i0">Thought it was Death, sir&mdash;</p>
+<p class="i0">Notice to quit, sir.</p>
+<p class="i0">John was that frit, sir,</p>
+<p class="i0">John 'ad a fit, sir&mdash;</p>
+<p class="i0">Went a'most mad, sir.</p>
+<p class="i0">John very bad, sir;</p>
+<p class="i0">Better, bimeby, sir;</p>
+<p class="i0">'Opes John won't die, sir.</p>
+<p class="i0">Doctor 'e said, sir,</p>
+<p class="i0">Moth, named death's 'ed, sir,</p>
+<p class="i0">In natteral 'istory, sir;</p>
+<p class="i0">Rare; but no mystery, sir:</p>
+<p class="i0">Honly a prize, sir,</p>
+<p class="i0">A catch in 'is heyes, sir,</p>
+<p class="i0">As a medical gent, sir,</p>
+<p class="i0">No call to repent, sir&mdash;</p>
+<p class="i0">That's 'is belief, sir.</p>
+<p class="i0">A sirloin of beef, sir,</p>
+<p class="i0">Just up&mdash;very nice, sir.</p>
+<p class="i0">Bring you a slice, sir?</p>
+<p class="i0">Potatoes and greens, sir&mdash;</p>
+<p class="i0">And any French beans, sir?"</p>
+</div></div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_113" id="Page_113">[Pg 113]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_114.png">
+<img src="images/i_114.png" width="100%" alt="Mrs. Godolphin" /></a>
+<p><i>Mrs. Godolphin.</i> "Shall we meet at Dunchester House
+to-morrow?"</p>
+<p><i>Mrs. Lascelles.</i> "No. <i>I</i> was there on Monday. I heard there were a few
+people going to-morrow."</p>
+<p><i>Mrs. Godolphin.</i> "Oh, yes. She has only asked quite a few people. On
+Monday, now, I hear there was quite a big rabble there!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_115" id="Page_115">[Pg 115]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_116.png">
+<img src="images/i_116.png" width="100%" alt="Consciousness of Importance" /></a>
+<p><span class="smcap">The Consciousness of Importance.</span>&mdash;<i>Mrs. Brown.</i> "We are
+having some friends to dine with us on the twenty-fourth, Mr. Green, and
+want you to come and help to wait at table, as usual." <i>The Family
+Greengrocer.</i> "On the twenty-fourth, ma'am? I'm sorry to say I'm engaged
+on the twenty-fourth." <i>Mrs. Brown.</i> "Dear me! How unfortunate! We are
+so accustomed to you, and you know our ways." <i>Mr. Green.</i>."Yes, ma'am.
+Couldn't you write and put off your friends till the week <i>after</i>,
+ma'am?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_116" id="Page_116">[Pg 116]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_117.png">
+<img src="images/i_117.png" width="100%" alt="THINGS ONE WOULD RATHER HAVE LEFT UNSAID" /></a>
+<h3>THINGS ONE WOULD RATHER HAVE LEFT UNSAID</h3>
+<p>"By the way, your friend O'Leary dined with me last night. What a dull
+dog he is!"</p>
+<p>"Oh, that depends on what company he's in!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_117" id="Page_117">[Pg 117]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_118.png"></a>
+<img src="images/i_118.png" width="100%" alt="THINGS ONE WOULD RATHER HAVE LEFT UNSAID" />
+<h3>THINGS ONE WOULD RATHER HAVE LEFT UNSAID</h3>
+<p>"You can't go home when it's raining like this. You'd better stay and
+have dinner with us!"</p>
+<p>"Oh, it's not quite so bad as <i>that</i>!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_118" id="Page_118">[Pg 118]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_119.png">
+<img src="images/i_119.png" width="100%" alt="FREAKS OF NATURE" /></a>
+<h3>FREAKS OF NATURE</h3>
+<p><i>Waiter.</i> "Now, then, look sharp! Here's that mutton chop a biling with
+rage at bein' kep' waitin', and a beefsteak gone away in a towering
+passion!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_119" id="Page_119">[Pg 119]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_120.png">
+<img src="images/i_120.png" width="100%" alt="A NEW DISH" /></a>
+<h3>A NEW DISH</h3>
+<p><i>Sympathising Swell</i> (<i>waiting for some chicken</i>). "You've got no
+sinecure there, Thomas!"</p>
+<p><i>Perspiring Footman.</i> "Very sorry, sir&mdash;just 'elped the last of it away,
+sir!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_120" id="Page_120">[Pg 120]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_121.png">
+<img src="images/i_121.png" width="100%" alt="ALARMING SYMPTOMS" /></a>
+<h3>ALARMING SYMPTOMS AFTER EATING BOILED BEEF AND GOOSEBERRY
+PIE</h3>
+<p><i>Little Boy.</i> "Oh, lor, mar, I feel just exactly as if my jacket was
+buttoned."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_121" id="Page_121">[Pg 121]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_122.png">
+<img src="images/i_122.png" width="100%" alt="BROWN AND JONES" /></a>
+<h3>BROWN AND JONES OVER THEIR WINE</h3>
+<p><i>Jones.</i> "How would I take Cronstadt? With vigour and decision, nothing
+more easy. My dear Brown, look here. This table is the Baltic, very
+well. Now look&mdash;(<i>Jones places certain strawberries for the forts; the
+city of Cronstadt on this occasion only being represented by a plate of
+gooseberries at the back.</i>) Here we are. The strawberries the forts:
+Cronstadt the gooseberries. Now a little vigour and decision! This spoon
+is the <i>Duke of Wellington</i>, three-decker, leading the van. We go in
+here, firing both broadsides at once, to destroy the forts to larboard
+and starboard; while at the same time our guns in the bows and
+stern-sheets smash the other forts before and behind. Very good. We are
+then in front of Cronstadt&mdash;the city of Cronstadt. We shell that, sir;
+shell it of course! Blow up the powder-magazines; capitulation ensues;
+the Russian fleet is in a blaze, and, my dear Brown, that is how <i>I</i>
+would take Cronstadt&mdash;&mdash;"</p>
+<p><i>Brown.</i> "&mdash;&mdash; After dinner."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_122" id="Page_122">[Pg 122]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_123.png">
+<img src="images/i_123.png" width="100%" alt="HEAVY" /></a>
+<h3>HEAVY</h3>
+<p><i>Stranger</i> (<i>just arrived at the City of Eastminster</i>). "What can I have
+for dinner, waiter?"</p>
+<p><i>Waiter.</i> "Anything you please, sir!"</p>
+<p><i>Stranger.</i> "What are you celebrated for here?"</p>
+<p><i>Waiter.</i> "Well, sir, there's the cathedral&mdash;&mdash;!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_123" id="Page_123">[Pg 123]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_124.png">
+<img src="images/i_124.png" width="100%" alt="HORRIBLE SUSPICION" /></a>
+<h3>HORRIBLE SUSPICION</h3>
+<p><i>Old Gentleman.</i> "Oh, waiter, why is it that a dinner off the joint is
+five shillings, but if you only have made dishes and soup, it's two
+shillings and sixpence?"</p>
+<p><i>Waiter.</i> "That, sir, is on account of the very high price of butcher's
+meat just now, sir."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_124" id="Page_124">[Pg 124]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_125.png">
+<img src="images/i_125.png" width="100%" alt="SELF-EXAMINATION" /></a>
+<h3>SELF-EXAMINATION</h3>
+<p><i>Party</i> (<i>slightly influenced</i>). "Queshion ish! Am I fit to go
+intodrawingroom? Letsh shee!&mdash;I can shay gloriush conshyshusn!&mdash;Have
+seen Brish inshychusion&mdash;all that shortothing&mdash;thatledo&mdash;here gosh!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_125" id="Page_125">[Pg 125]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_126.png">
+<img src="images/i_126.png" width="100%" alt="During the Cattle Show" /></a><br /><br />
+<p><span class="smcap">During the Cattle Show.</span>&mdash;<i>Old Farmer Wuzzle</i> (<i>reading
+the bill of fare</i>). "Dinners har lar cart! What does that mean, Polly?"
+<i>Miss Wuzzle</i> (<i>who has been to a fashionable boarding-school to be
+finished, who has been taught French and how "to spank the grand
+pianner" and who is never at a loss</i>). "Aller cart, father? Why, that
+means a small, simple dinner. If you want something heavy and
+first-rate, you order what they call a dinner waggon!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_126" id="Page_126">[Pg 126]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_126.png">
+<img src="images/i_127.png" width="100%" alt="March of Refinement" /></a><br /><br />
+<p><span class="smcap">"March of Refinement</span>," 1875.&mdash;<i>Brown</i> (<i>behind the age,
+but hungry</i>). "Give me the bill of fare, waiter."</p>
+<p><i>Head Waiter.</i> "Beg pardon, sir?"</p>
+<p><i>Brown.</i> "The bill of fare."</p>
+<p><i>Head Waiter.</i> "The what, sir? O!&mdash;ah!&mdash;Yes!"&mdash;(<i>to
+subordinate</i>)&mdash;"Chawles, bring this&mdash;this&mdash;a&mdash;gen'leman&mdash;the <i>menoo</i>!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_127" id="Page_127">[Pg 127]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_128.png">
+<img src="images/i_128.png" width="100%" alt="Stout Chairman" /></a>
+<h3>"MELTING!"</h3>
+<p><i>Stout Chairman</i> (<i>who feels the fire close at his back rather
+oppressive</i>). "Waiter, I asked you to bring me a screen."</p>
+<p><i>Waiter.</i> "Master's very sorry, sir, but we ain't got no screen!"</p>
+<p><i>Stout Chairman.</i> "Then, for goodness' sake, tell the cook to send up
+the dripping-pan, and put it under me, quick!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_128" id="Page_128">[Pg 128]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_129.png">
+<img src="images/i_129.png" width="100%" alt="I say, waiter" /></a>
+<p>"I say, waiter, this salmon cutlet isn't half so good as
+the one I had here last week."</p>
+<p>"Can't see why, sir. It's off the same fish!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_129" id="Page_129">[Pg 129]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_130.png">
+<img src="images/i_130.png" width="100%" alt="REMEMBER THE WAITER" /></a>
+<h3>"PLEASE TO REMEMBER THE WAITER"</h3>
+<center>"All right, sir! My fault!"</center>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_130" id="Page_130">[Pg 130]</a></span>
+
+<h2>DRINKING SCENE OF THE FUTURE</h2>
+
+<center>(<i>In consequence of the Growing Demand for Lighter Liquors</i>)</center>
+
+<blockquote><p><span class="smcap">Scene</span>&mdash;<i>The interior of a Dining-room. The ladies have just left,
+and the gentlemen are discussing their beverages.</i></p></blockquote>
+
+<p><i>Smith.</i> I say, Brown, if it is not an impertinent question, where did
+you get that toast-and-water?</p>
+
+<p><i>Brown.</i> I thought you would be deceived! It was a cup, not the pure
+article! My butler is a first-rate hand at it. I will give you the
+recipe if you like.</p>
+
+<p><i>Smith.</i> Do. It was excellent. What <i>is</i> the secret?</p>
+
+<p><i>Brown.</i> Something, I fancy, to do with watercress.</p>
+
+<p><i>Jones.</i> I say, Brown, that was really very nice sherbet. Turkish or
+Persian?</p>
+
+<p><i>Brown.</i> Neither. Came from the Stores. Home-made.</p>
+
+<span class='pagenum'><a name="Page_132" id="Page_132">[Pg 132]</a></span>
+
+<p><i>Jones.</i> Well, it certainly was capital. I could have sworn that it had
+been manufactured east of the Levant.</p>
+
+<p><i>Brown.</i> More likely east of Temple Bar. And now shall we have a
+whitewash before we join the ladies?</p>
+
+<p><i>Six Guests.</i> No, thanks! Really not!</p>
+
+<p><i>Half-a-dozen more of the Company.</i> Really not! No, thanks!</p>
+
+<p><i>Brown.</i> Nonsense! (<i>Produces a pint bottle of lemonade.</i>) Nonsense, I
+repeat! Look here, my boys. (<i>Locks door.</i>) Not one of you fellows shall
+leave the room until you have finished <i>this</i>!</p>
+
+<blockquote><p>[<i>Draws cork of pint bottle, and distributes the lemonade amidst the
+good-natured protestations of the revellers. Scene closes in upon
+the temperance orgy.</i></p></blockquote>
+
+<hr />
+
+<span class='pagenum'><a name="Page_131" id="Page_131">[Pg 131]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_132.png">
+<img src="images/i_132.png" width="100%" alt="won&#39;t they let you go into long trousers" /></a>
+<h3>A PERSONAL GRIEVANCE</h3>
+<p>"I say, won't they let <i>you</i> go into long trousers?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_133" id="Page_133">[Pg 133]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_134.png">
+<img src="images/i_134.png" width="100%" alt="STUDIES IN ANIMAL LIFE" /></a>
+<h3>STUDIES IN ANIMAL LIFE</h3>
+<center><span class="smcap">The Goormong.</span> (<i>Epicuri de Grege Porcus. British Isles</i>)</center><br />
+<p><i>Mr. Huggins.</i> "<i>What</i> a 'eavenly dinner it was!"</p>
+<p><i>Mr. Buggins.</i> "B'lieve yer! Mykes yer wish yer was born 'oller!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_134" id="Page_134">[Pg 134]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_135.png">
+<img src="images/i_135.png" width="100%" alt="The New School" /></a><br /><br />
+<p><span class="smcap">The New School.</span>&mdash;<i>Uncle</i> (<i>who is rather proud of his
+cellar</i>). "Now George, my boy, there's a glass of champagne for
+you&mdash;don't get such stuff at school, eh? eh? eh?"</p>
+<p><i>George.</i> "H'm&mdash;awfully sweet! Very good sort for ladies&mdash;but I've
+arrived at a time of life, when I confess I like my wine <i>dry</i>!"
+(<i>Sensation.</i>)</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_135" id="Page_135">[Pg 135]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_136.png">
+<img src="images/i_136.png" width="100%" alt="Pleasant!" /></a><br /><br />
+<p><span class="smcap">Pleasant!</span>&mdash;<i>Lord Reginald Sansdenier</i> (<i>in answer to
+confidential remark of his host</i>). "Twenty thousand pounds worth of
+plate on the table, Sir Gorgius? I wonder you ain't afraid of being
+robbed!"</p>
+<p><i>Sir Gorgius Midas.</i> "<i>Robbed</i>, my lord! Good 'evens! I'm sure yer
+lordship's too honnerable heven to <i>think</i> of sich a thing!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_137" id="Page_137">[Pg 137]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_138.png">
+<img src="images/i_138.png" width="100%" alt="what do you call a pineapple" /></a><br /><br />
+<p><i>Farmer.</i> "I say, John, what do you call a pineapple&mdash;a
+fruit or a vegetable?"</p>
+<p><i>Waiter.</i> "A pineapple hain't neither, gentlemen. A pineapple is always
+a hextra!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_136" id="Page_136">[Pg 136]</a></span>
+
+<h2>DINING AL FRESCO</h2>
+
+<center>(<i>Extract from an Earl's Courtier's Notebook</i>)</center>
+
+<p>6 <span class="smcap">P.M.</span>&mdash;Come down early, to get a table. Can't. All the tables booked a
+week in advance. Very angry. Manager says he'll see what can be done for
+me&mdash;later on. Fairly satisfied. He had better!</p>
+
+<p>7 <span class="smcap">P.M.</span>&mdash;In state of heat. Have a fair appetite. Ask for table. "What
+table?" "The one promised me&mdash;later on." "Very sorry, but they are all
+engaged." Awfully angry. Explain that I am a person of some importance.
+Can do the place a great deal of good if I do have a table, and <i>vice
+vers&acirc;</i>. Manager desolated. See everybody else stuffing, drinking, and
+enjoying themselves. How they can have the heart! And <i>I</i> table-less!
+But, no matter, a time will come. I'll write to "the leading journal"
+and denounce everything and everybody.</p>
+
+<p>7.15 <span class="smcap">P.M.</span>&mdash;Explosively wrathful. At last! Ha! ha! Got a table. But at
+the back somewhere.<span class='pagenum'><a name="Page_138" id="Page_138">[Pg 138]</a></span> Strong smell of cooking. Distant echo of a band.
+Exceedingly annoyed. Have tasted <i>hors d'&oelig;uvres</i>. Sardines decent.</p>
+
+<p>7.20 <span class="smcap">P.M.</span>&mdash;<i>Bonne Femme</i> soup good. Have ordered champagne cup. Still
+annoyed.</p>
+
+<p>7.30 <span class="smcap">P.M.</span>&mdash;Salmon mayonnaise distinctly excellent. Good idea to have
+cold dinner. Champagne cup well brewed. Don't notice the smell of
+cooking. Can hear the band. Nice band.</p>
+
+<p>7.40 <span class="smcap">P.M.</span>&mdash;<i>P&acirc;t&eacute; de fois gras en aspic.</i> Capital Cold joint. First-rate.
+Salad artistically mixed. Second champagne cup as good as first. After
+all, place of table not so bad.</p>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_139.png">
+<img src="images/i_139.png" width="100%" alt="Piano player" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_139" id="Page_139">[Pg 139]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_140.png">
+<img src="images/i_140.png" width="100%" alt="A True Artist" /></a><br /><br />
+<p><span class="smcap">A True Artist.</span>&mdash;<i>Mamma</i> (<i>to Tommy, who has been allowed
+for a few minutes to wait at table</i>). "Now, Tommy, kiss me, and go to
+bed."</p>
+<p><i>Tommy</i> (<i>to footman</i>). "Do <i>you</i> ever kiss the missus, Charles?"</p>
+<p><i>Footman.</i> "No, sir!"</p>
+<p><i>Tommy.</i> "Then <i>I</i> won't!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_140" id="Page_140">[Pg 140]</a></span>
+
+<h2>THE MENU A LA MODE</h2>
+
+<div class="poem"><div class="stanza">
+<p class="i0">Come, Damon, since again we've met</p>
+<p class="i2">We'll feast right royally to-night,</p>
+<p class="i0">The groaning table shall be set</p>
+<p class="i2">With every seasonable delight!</p>
+<p class="i0">The luscious bivalve ... I forgot,</p>
+<p class="i2">The oyster is an arch-deceiver,</p>
+<p class="i0">And makes its eater's certain lot</p>
+<p class="i2">A bad attack of typhoid fever.</p>
+</div><div class="stanza">
+<p class="i0">With soup, then, be it thick or clear,</p>
+<p class="i2">The banquet fitly may commence&mdash;</p>
+<p class="i0">Alas, on second thoughts, I fear</p>
+<p class="i2">With soup as well we must dispense.</p>
+<p class="i0">The doctors urge that, in effect,</p>
+<p class="i2">Soup simply kills the thoughtless glutton.</p>
+<p class="i0">It's full of germs. I recollect</p>
+<p class="i2">They say the same of beef and mutton.</p>
+</div><div class="stanza">
+<p class="i0">Yes, each variety of meat,</p>
+<p class="i2">As you remark, is much the same,</p>
+<p class="i0">And we're forbidden now to eat</p>
+<p class="i2">Fish, oysters, poultry, joint or game.</p>
+<p class="i0">But though a Nemesis each brings,</p>
+<p class="i2">The punishment, the doctors tell, is</p>
+<p class="i0">As nothing to the awful things</p>
+<p class="i2">Awaiting all who toy with jellies.</p>
+<span class='pagenum'><a name="Page_142" id="Page_142">[Pg 142]</a></span></div><div class="stanza">
+<p class="i0">"Cheese&mdash;that is not condemned with these</p>
+<p class="i2">Yet ample evidence we find</p>
+<p class="i0">To make us, Damon, look on cheese</p>
+<p class="i2">As simply poison to mankind;</p>
+<p class="i0">While those who may desire to pass</p>
+<p class="i2">Immediately o'er Charon's ferry,</p>
+<p class="i0">Have but to take a daily glass</p>
+<p class="i2">Of claret, hock, champagne or sherry.</p>
+</div><div class="stanza">
+<p class="i0">And therefore, Damon, you and I,</p>
+<p class="i2">Who fain would live a year at least,</p>
+<p class="i0">Reluctantly must modify</p>
+<p class="i2">The scope of our projected feast;</p>
+<p class="i0">A charcoal biscuit we will share,</p>
+<p class="i2">Water (distilled, of course,) we'll swallow,</p>
+<p class="i0">Since this appears the only fare</p>
+<p class="i2">On which destruction will not follow!</p>
+</div></div>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_143.png">
+<img src="images/i_143.png" width="100%" alt="Mr. Punch with dog" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_141" id="Page_141">[Pg 141]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_142.png">
+<img src="images/i_142.png" width="100%" alt="SMALL SOCIAL AGONIES" /></a>
+<h3>SMALL SOCIAL AGONIES</h3>
+<p><i>Hostess.</i> "It's but a poor lunch I can give you! But my cook has got
+influenza!"</p>
+<p><i>Enfant terrible.</i> "Oh, mummy, you <i>always</i> say that!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_143" id="Page_143">[Pg 143]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_144.png">
+<img src="images/i_144.png" width="100%" alt="Quite A Novelty" /></a><br /><br />
+<p><span class="smcap">Quite A Novelty.</span>&mdash;<i>Amiable Experimentalist.</i> "Makes a
+delicious side dish, doesn't it? But it is not the common mushroom; it's
+a large fungus, called the agaricus procerus. It grows solitary in hedge
+rows, is called colubrinus, from the snake-like markings on its stem.
+The pileus is covered with scales, which are formed by the breaking-up
+of the mud-coloured epidermis, and&mdash;&mdash;" [<i>General panic takes place</i></p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_144" id="Page_144">[Pg 144]</a></span>
+
+<h2>THE DIRGE OF THE DINER</h2>
+
+<center><i>A Restore-Wrong Rhyme</i></center>
+
+<div class="poem"><div class="stanza">
+<p class="i0">"<i>Attendance is charged in the bill!</i></p>
+<p class="i2">Delighted we sit down to dine;</p>
+<p class="i2">And order our food and our wine.</p>
+<p class="i2">The waiter is passing polite,</p>
+<p class="i2">We eat with a grand appetite</p>
+<p class="i0">Of dishes compounded with skill.</p>
+<p class="i2">The room is so cosy and light;</p>
+<p class="i2">The glass and the silver are bright;</p>
+<p class="i2">Our flag of defiance is furled,</p>
+<p class="i2">We seem all at peace with the world,</p>
+<p class="i0">And rest quite contented until&mdash;&mdash;</p>
+<p class="i2">Attendance is charged one and nine.</p>
+<p class="i2">We pay its collector a fine;</p>
+<p class="i2">And give to the waiter polite</p>
+<p class="i2">A tip he regards as his right</p>
+<p class="i0">And duty of ours to fulfil!</p>
+<p class="i2">The carver, too, looks for a fee;</p>
+<p class="i2">The man with our coat, so does he!</p>
+<p class="i2">The porter expects something more,</p>
+<p class="i2">Who calls us a cab at the door!&mdash;&mdash;</p>
+<p class="i0">"<i>Attendance is charged in the bill!</i>"</p>
+</div></div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<span class='pagenum'><a name="Page_145" id="Page_145">[Pg 145]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_146.png">
+<img src="images/i_146.png" width="100%" alt="The Golden Key" /></a><br /><br />
+<p><span class="smcap">The Golden Key.</span>&mdash;<i>Mr. Montgomerie.</i> "Ah! my dear boys,
+you're right. The extent to which our English system of 'tipping' has
+grown is something monstrous! Why, I can assure you&mdash;that&mdash;at some of
+the big country houses I stop at, it costs me a ten-pound note <i>to get
+out of 'em</i>!"</p>
+<p><i>Jones</i> (<i>to his neighbour, sotto voce</i>). "Wonder how much it costs him
+to <i>get into</i> 'em?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_146" id="Page_146">[Pg 146]</a></span>
+
+<h2>THE ECONOMICS OF SMOKING</h2>
+
+<h3>BY JOSEPH FUME.</h3>
+
+<p>The man who smokes half his cigar, and puts the remainder by, knows
+nothing about smoking.</p>
+
+<p>The man who carries no cigar-case has no right to levy contributions on
+those who do.</p>
+
+<p>Never buy a cigar at a chemist's, they are sure to remind you of their
+origin. I once knew a chemist, who also sold wine and cigars, and I am
+sure he could only have had one workshop for his three businesses, and
+that was his laboratory.</p>
+
+<p>Mistrust the tobacco that is given in half-payment of a bill. Such
+dealers may be clever in drawing a bill, but it is rarely that their
+cigars are distinguished for being good "drawers."</p>
+
+<p>The man who smokes with wine is quite capable of taking sugar with
+oysters.</p>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<span class='pagenum'><a name="Page_147" id="Page_147">[Pg 147]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_148.png">
+<img src="images/i_148.png" width="100%" alt="Annals of a Retired Suburb" /></a>
+<br /><br />
+<p><span class="smcap">Annals of a Retired Suburb.</span>&mdash;The Montgomery Joneses
+celebrated their wedding-day by giving a dinner on an unusually
+magnificent scale to some of their London friends. Unfortunately, an
+unexpected change in the weather during the afternoon has made the road
+up the hill rather heavy, so that the London friends omit to turn up.</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_148" id="Page_148">[Pg 148]</a></span>
+
+<h2>PROVERBS FOR TABLE</h2>
+
+<div class="poem1"><div class="stanza">
+<p class="i0">Set a thief to catch a thief:</p>
+<p class="i0">Think of this when eating beef.</p>
+</div><div class="stanza">
+<p class="i0">All that glitters is not gold:</p>
+<p class="i0">Think of this when that beef's cold.</p>
+</div><div class="stanza">
+<p class="i0">Harm is done by too much zeal:</p>
+<p class="i0">Think of this when eating veal.</p>
+</div><div class="stanza">
+<p class="i0">Life's a jest, and all things show it:</p>
+<p class="i0">Think of this when drinking Moet.</p>
+</div><div class="stanza">
+<p class="i0">Happiness flies Court for garret:</p>
+<p class="i0">Think of this when drinking claret.</p>
+</div><div class="stanza">
+<p class="i0">Gold may oft be bought too dear:</p>
+<p class="i0">Think of this when drinking beer.</p>
+</div><div class="stanza">
+<p class="i0">Many littles make a mickle:</p>
+<p class="i0">Think of this when eating pickle.</p>
+</div><div class="stanza">
+<p class="i0">Silent fools may pass for wise:</p>
+<p class="i0">Think of this when eating rice.</p>
+</div><div class="stanza">
+<p class="i0">Unto Rome conduct all roads:</p>
+<p class="i0">Think of this when eating toads.</p>
+</div><div class="stanza">
+<p class="i0">Flog first fault: <i>principiis obsta</i>,</p>
+<p class="i0">Think of this when eating lobster.</p>
+</div><div class="stanza">
+<p class="i0">While grass grows the horse may starve:</p>
+<p class="i0">Think of this when asked to carve.</p>
+<span class='pagenum'><a name="Page_150" id="Page_150">[Pg 150]</a></span>
+</div><div class="stanza">
+<p class="i0">Shake the tree when fruit is ripe:</p>
+<p class="i0">Think of this when eating tripe.</p>
+</div><div class="stanza">
+<p class="i0">Fools build houses, wise men buy:</p>
+<p class="i0">Think of this when eating pie.</p>
+</div><div class="stanza">
+<p class="i0">Pause, ere leaping in the dark:</p>
+<p class="i0">Think of this when eating lark.</p>
+</div><div class="stanza">
+<p class="i0">Punctual pay gets willing loan:</p>
+<p class="i0">Think of <i>this</i> when drinking Beaune.</p>
+</div><div class="stanza">
+<p class="i0">Wisdom asks fruits, but Folly flowers:</p>
+<p class="i0">Think o' <i>this</i> when eating cauliflowers.</p>
+</div><div class="stanza">
+<p class="i0">Birds of a feather flock together:</p>
+<p class="i0">Think of this when the idiot of a</p>
+<p class="i2">cook has boiled the oysters in the sauce,</p>
+<p class="i2">and made them as tough as leather.</p>
+</div></div>
+
+<div class="figcenter" style="width: 30%">
+<a href="images/i_151.png">
+<img src="images/i_151.png" width="100%" alt="Mr Punch painting" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_149" id="Page_149">[Pg 149]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_150.png">
+<img src="images/i_150.png" width="100%" alt="THINGS ONE WOULD RATHER HAVE LEFT UNSAID" /></a>
+<h3>THINGS ONE WOULD RATHER HAVE LEFT UNSAID</h3>
+<p><i>Hostess.</i> "What fun you seem to be having over there, Captain Smiley! I
+wish you all sat at this end of the table!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_151" id="Page_151">[Pg 151]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_152.png">
+<img src="images/i_152.png" width="100%" alt="Say when" /></a>
+<br /><br />
+<p><i>Waiter</i> (<i>who has "seen better days"&mdash;absently, as he
+pours out the champagne</i>). "Say when!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_152" id="Page_152">[Pg 152]</a></span>
+
+<h2>SPRING-CLEANING.</h2>
+
+<div class="poem"><div class="stanza">
+<p class="i0">"In Spring when woods are getting green,"</p>
+<p class="i0">My wife begins the house to clean,</p>
+<p class="i0">And I am driven from this scene,</p>
+<p class="i10">Of scrub-land.</p>
+</div><div class="stanza">
+<p class="i0">The mops and pails left on the stairs</p>
+<p class="i0">I come across, quite unawares,</p>
+<p class="i0">And break my shins and utter&mdash;prayers,</p>
+<p class="i10">For tub-land.</p>
+</div><div class="stanza">
+<p class="i0">In clouds of dust I choke and cough,</p>
+<p class="i0">Such draughts! My hat I dare not doff,</p>
+<p class="i0">I'd go (if I were not a toff)</p>
+<p class="i10">To pub-land.</p>
+</div><div class="stanza">
+<p class="i0">But&mdash;mum&mdash;I won't kick up a shine</p>
+<p class="i0">Nor of delight give any sign,</p>
+<p class="i0">But, quietly, I'm off to dine</p>
+<p class="i10">In Club-land.</p>
+</div></div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div>
+
+<center><span class="smcap">A Soaker's Paradise.</span>&mdash;Dropmore.</center><br />
+
+<hr /><br />
+
+<center><span class="smcap">A Monster Meeting.</span>&mdash;A giant and a dwarf.</center><br />
+
+<hr /><br />
+
+<center><span class="smcap">Poetical Licence.</span>&mdash;A music-hall's.</center><br />
+
+<hr /><br />
+
+<center><span class="smcap">Turf Reform.</span>&mdash;Mowing the lawn.</center><br />
+
+<hr />
+
+<span class='pagenum'><a name="Page_153" id="Page_153">[Pg 153]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_154.png">
+<img src="images/i_154.png" width="100%" alt="somebody pass the salt" /></a>
+<br /><br />
+<p><i>Quiet Man</i> (<i>as a particularly "steep" story of
+adventure comes to a close</i>). "Er&mdash;will somebody pass the <i>salt</i>,
+please?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_154" id="Page_154">[Pg 154]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_155.png">
+<img src="images/i_155.png" width="100%" alt="Adolphus grandly" /></a>
+<br /><br />
+<p><i>Adolphus</i> (<i>grandly; he is giving his future
+brother-in-law a little dinner down the river</i>). "Waitar&mdash;you
+can&mdash;ah&mdash;leave us!"</p>
+<p><i>Old Waiter.</i> "Hem!&mdash;yessir&mdash;but&mdash;you'll pard'n me, sir&mdash;we've so many
+gents&mdash;'don't wish to impute nothink, sir&mdash;but master&mdash;'fact is,
+sir&mdash;(<i>evidently feels a delicacy about mentioning it</i>)&mdash;we're&mdash;you see,
+sir&mdash;'<i>sponsible for the plate, sir</i>!!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_155" id="Page_155">[Pg 155]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_156.png">
+<img src="images/i_156.png" width="100%" alt="GRAND BURNS&#39; FESTIVAL" /></a>
+<h3>GRAND BURNS' FESTIVAL&mdash;BROWN ENTERTAINS HIS FRIEND WI' A
+HAGGIS!</h3>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_156" id="Page_156">[Pg 156]</a></span>
+
+<h4>DISCLAIMER BY A DINER-OUT</h4>
+
+<div class="poem"><div class="stanza">
+<p class="i0">Abolish party? Whose delight were greater</p>
+<p class="i2">Than mine? I hail the chance with rapture hearty.</p>
+<p class="i0">But oh! I <i>can't</i> agree with the <i>Spectator</i>,</p>
+<p class="i2">Who'd do away with&mdash;gods!&mdash;the dinner party!</p>
+<p class="i0">No, let us compromise,&mdash;we'll all be winners,&mdash;</p>
+<p class="i2">And firmly banish party from our dinners!</p>
+</div></div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<h4><span class="smcap">Sympathy</span></h4>
+
+<center>(<span class="smcap">Scene</span>&mdash;<i>In front of Mrs. R.'s house</i>)</center>
+
+<p><i>Mrs. Ramsbotham</i> (<i>paying Cabman</i>). You look all right to-day.</p>
+
+<p><i>Cabman.</i> Ah, mum! my looks don't pity me. I suffer from a tarpaulin
+liver.</p>
+
+<p><i>Mrs. R.</i> (<i>correcting</i>). A torpedo liver, you mean.</p>
+
+<p class="regards">[<i>Cabman accepts the correction, and an extra shilling</i>]</p>
+
+<div class="figcenter" style="width: 20%">
+<a href="images/i_157.png">
+<img src="images/i_157.png" width="100%" alt="cartoon" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_157" id="Page_157">[Pg 157]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_158.png">
+<img src="images/i_158.png" width="100%" alt="Happy Thought" /></a>
+<br /><br />
+<p><span class="smcap">Happy Thought.</span>&mdash;<i>Sir Pompey Bedell</i> (<i>poking the fire in
+his new smoking-room</i>). "This wretched chimney has got into a most
+objectionable way of smoking. A&mdash;I can't cure it." <i>Bedell Junior.</i>
+"Just give it a couple of your cigars, governor!&mdash;it'll never smoke
+again!"</p>
+</div>
+
+<span class='pagenum'><a name="Page_158" id="Page_158">[Pg 158]</a></span>
+
+<hr />
+
+<span class='pagenum'><a name="Page_159" id="Page_159">[Pg 159]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/i_159.png">
+<img src="images/i_159.png" width="100%" alt="CRAMMING" /></a>
+<h3>"CRAMMING"</h3>
+<p><i>Affectionate Uncle.</i> "Glad to see you, Rupert. Now tell me all about
+it. What form are you in, old boy?"</p>
+<p><i>Nephew</i> (<i>just returned from Harrow</i>). "Well, uncle, not so bad, I
+think. I can generally manage a couple of eggs, two sausages, or
+kidneys, some Dundee marmalade, and two cups of coffee for breakfast. I
+always have a little luncheon, any amount of roast beef or mutton for
+dinner, and I generally look in at the confectioner's in the afternoon,
+and invariably wind up with a good supper. What do you think of that?"</p>
+<p>[<i>Disappointed and misunderstood uncle subsides,
+and thinks it best to make no comments.</i></p>
+</div>
+
+<div class="figcenter" style="width: 20%">
+<a href="images/i_160.png">
+<img src="images/i_160.png" width="100%" alt="cartoon" /></a>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_160" id="Page_160">[Pg 160]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_161.png">
+<img src="images/i_161.png" width="100%" alt="Old Gentleman" /></a>
+<br /><br />
+<p><i>Old Gentleman</i> (<i>who has not hurried over his dinner,
+and has just got his bill</i>). "Waiter, what's this? I'm charged here
+twopence for stationery. You know I've had none&mdash;&mdash;"</p>
+<p><i>Irish Waiter.</i> "Faix! yer honour, I don't know. Y'ave been sittin' here
+a long t-h-ime, anyhow!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_161" id="Page_161">[Pg 161]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_162.png">
+<img src="images/i_162.png" width="100%" alt="A Strict Regard for Truth" /></a>
+<br /><br />
+<p>"<span class="smcap">A Strict Regard for Truth.</span>"&mdash;<i>Nephew.</i> "Hold up, uncle,
+people'll think you're screwed!"</p>
+<p><i>Uncle</i> (<i>the wedding breakfast had been hilarious</i>). "Shcrew'd! No, no,
+Sheorgsh! No' sh' bad 'sh that! 'Shame time&mdash;don' le'sh be"&mdash;(<i>lurching
+heavily</i>)&mdash;"osht'n&mdash;tas'hly shober! 'Can't bear osht'ntash'n!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_162" id="Page_162">[Pg 162]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_163.png">
+<img src="images/i_163.png" width="100%" alt="SEASONABLE LUXURY" /></a>
+<h3>SEASONABLE LUXURY</h3>
+<p><i>Old Gent</i> (<i>disgusted</i>). "Here, waiter! Here's a&mdash;here's
+a&mdash;a&mdash;caterpillar in this chop!"</p>
+<p><i>Waiter</i> (<i>flippantly</i>). "Yessir. About the time o' year for 'em just
+now, sir!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_163" id="Page_163">[Pg 163]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_164.png">
+<img src="images/i_164.png" width="100%" alt="The &quot;Status Quo Ante" /></a>
+<br /><br />
+<p><span class="smcap">The "Status Quo Ante."</span>&mdash;<i>Squire</i> (<i>desiring to improve
+the taste of his country friends, has introduced at his table, in the
+place of the usual brandied Spanish and Portuguese wines, the natural
+vintages of France and Germany</i>). "Now, Mr. Barleymead, how do you like
+this 'Chateau Lafitte'? Another glass&mdash;&mdash;" <i>Farmer B.</i> "Thanky, sir;
+it's uncommon nice.&mdash;(<i>He had drunk a bottle or two.</i>)&mdash;But we don't
+seem to get no forruder!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_164" id="Page_164">[Pg 164]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_165.png">
+<img src="images/i_165.png" width="100%" alt="COMING OUT AS A CONVERSATIONALIST" /></a>
+<h3>COMING OUT AS A CONVERSATIONALIST</h3>
+<p><i>Young Ganderson</i> (<i>proudly conscious of the general attention</i>) "Oh
+yes, it's in <i>Soho</i>, you know. I know the place well. They give you a
+capital dinner for eighteenpence&mdash;wine included."</p>
+<p><i>Host</i> (<i>proud of his cellar</i>). "And is the wine drinkable?"</p>
+<p><i>Young Ganderson.</i> "Oh yes&mdash;very good&mdash;better than the wine we're
+drinking now!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_165" id="Page_165">[Pg 165]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_166.png">
+<img src="images/i_166.png" width="100%" alt="AN AFFECTIONATE HUSBAND" /></a>
+
+<h3>AN AFFECTIONATE HUSBAND</h3>
+<p><i>Tomkins.</i> "You are going it, old fellow! Real turtle, eh? and venison
+to follow, eh?"</p>
+<p><i>Jobkins.</i> "Why, yes&mdash;you see it's my wife's birthday; and as she dines
+early, I thought I'd celebrate the anniversary in the city."</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_166" id="Page_166">[Pg 166]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_167.png">
+<img src="images/i_167.png" width="100%" alt="Mistaken Identity." /></a>
+<br /><br />
+<p><span class="smcap">Mistaken Identity.</span>&mdash;(<i>As the De Smiths, to whose
+dinner-party he was invited, lived in the next square, Brown thought he
+would walk over.</i>) <i>Head waiter</i> (<i>under a wrong impression</i>). "This
+won't do, young man! We've been expectin' o' you this 'our and a 'alf!
+No napkins laid, no glasses, no&mdash;&mdash;!!!"</p>
+<p>[<i>Brown never got over it all the evening.</i></p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_167" id="Page_167">[Pg 167]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_168.png">
+<img src="images/i_168.png" width="100%" alt="AN AWFUL CRAMMER" /></a>
+<h3>AN AWFUL CRAMMER</h3>
+<p><i>Proprietor of boarding-house</i> (<i>taking stout guest aside</i>). "You'll
+excuse me, Mr. Sharpset, but your appetite is so large that I shall be
+compelled to charge you a shilling extra. It can't be done at two
+shillings!"</p>
+<p><i>Diner.</i> "No! For heaven's sake don't do that! I can eat two
+shillings'-worth easy; but if I have to do three&mdash;I really&mdash;afraid I
+should&mdash;but I'll try!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_168" id="Page_168">[Pg 168]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_169.png">
+<img src="images/i_169.png" width="100%" alt="THE BETTING EVIL" /></a>
+<h3>THE BETTING EVIL.</h3>
+<p><i>Waiter</i> (<i>down tube</i>). "Wild duck, one!"</p>
+<p><i>Voice from the kitchen.</i> "Did he? Just like my luck. Backed another
+wrong 'un!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_169" id="Page_169">[Pg 169]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_170.png">
+<img src="images/i_170.png" width="100%" alt="NOT VERY LIKELY" /></a>
+<h3>NOT VERY LIKELY</h3>
+<p><i>Waiter</i> (<i>in response to the Colonel's very vigorous reminder</i>). "Oh
+yes, sir, immediately! 'M&mdash;let's see&mdash;a <i>glass of milk</i>, sir, wasn't
+it?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_170" id="Page_170">[Pg 170]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_171.png">
+<img src="images/i_171.png" width="100%" alt="FIGURATIVE" /></a>
+<h3>FIGURATIVE</h3>
+<p><i>Head Waiter</i> (<i>the Old Gent had wished for a stronger cheese</i>). "Hi!
+James&mdash;let loose the Gorgonzola!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_171" id="Page_171">[Pg 171]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_172.png">
+<img src="images/i_172.png" width="100%" alt="BEWILDERING" /></a>
+<h3>BEWILDERING</h3>
+<p><i>Mr. Wuzzles</i> (<i>up for the cattle-show</i>). "Cheese, waiter!"</p>
+<p>'<i>Robert.</i>' "Yessir! Rockfor', commonbare, grew'ere, noochattell,
+gorgumzo&mdash;&mdash;"</p>
+<p><i>Mr. Wuzzles</i> (<i>testily</i>). "No, no! I said <i>cheese</i>!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_172" id="Page_172">[Pg 172]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_173.png">
+<img src="images/i_173.png" width="100%" alt="ON THE FACE OF IT" /></a>
+<h3>"ON THE FACE OF IT"</h3>
+<p><i>Host.</i> "I don't like this Lafitte half so well as the last, Binns. Have
+you noticed any difference?"</p>
+<p><i>New Butler.</i> "Well, sir, for myself I don't drink claret; I find port
+agrees with me so much better!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_173" id="Page_173">[Pg 173]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_174.png">
+<img src="images/i_174.png" width="100%" alt="Awful Warning" /></a>
+<br /><br />
+<p><span class="smcap">Awful Warning!</span>&mdash;<i>Guest</i> (<i>at City Company dinner</i>). "I'm
+uncommonly hungry!"</p>
+<p><i>Ancient Liveryman</i> (<i>with feeling</i>). "Take care, my dear sir, for
+goodness' sake, take care! D' you know it happened to me at the last
+Lord Mayor's dinner to burn my tongue with my first spoonful of clear
+turtle; 'consequence was&mdash;(<i>sighs</i>)&mdash;'couldn't taste at
+all&mdash;anything&mdash;for the rest of the evening!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_174" id="Page_174">[Pg 174]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_175.png">
+<img src="images/i_175.png" width="100%" alt="too much of a good thing" /></a>
+<br /><br />
+<p>It is quite possible to have too much of a good thing&mdash;as
+for example, when you get the asparagus shot over your favourite
+dress-coat with the silk facings.</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_175" id="Page_175">[Pg 175]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_176.png">
+<img src="images/i_176.png" width="100%" alt="Testy Old Uncle" /></a>
+
+<br /><br />
+<p><i>Testy Old Uncle</i> (<i>unable to control his passion</i>).</p>
+<p>"Really, sir, this is quite intolerable! You must intend to insult me.
+For the last fourteen days, wherever I have dined, I have had nothing
+but saddle of mutton and boiled turkey&mdash;boiled turkey and saddle of
+mutton. I'll endure it no longer."</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exit old gent, who alters his will.</i></p>
+<p>Moral.&mdash;<i>How ridiculous a man appears&mdash;particularly a man at a grave
+period of life&mdash;who is over-anxious about his eating and drinking!</i></p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_176" id="Page_176">[Pg 176]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_177.png">
+<img src="images/i_177.png" width="100%" alt="ALL THE DIFFERENCE" /></a>
+<h3>"ALL THE DIFFERENCE"</h3>
+<p><i>Dyspeptic Diner.</i> "Um"&mdash;(<i>forking it suspiciously</i>)&mdash;"what is it,
+waiter?"</p>
+<p>'<i>Robert.</i>' "It says 'ronyongs sorty' on the menoo, sir. But I can't say
+what it may be on the dish!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_177" id="Page_177">[Pg 177]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_178.png">
+<img src="images/i_178.png" width="100%" alt="I really never heard a better speech" /></a>
+<br /><br />
+<p><i>His Partner.</i> "I really never heard a better speech in
+my life! Such a wonderful flow of&mdash;&mdash;"</p>
+<p><i>He.</i> "Great Scott! That reminds me&mdash;I've left the bathroom tap at home
+full on!!</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_178" id="Page_178">[Pg 178]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_179.png">
+<img src="images/i_179.png" width="100%" alt="NICE LITTLE DINNER" /></a>
+<h3>THE NICE LITTLE DINNER</h3>
+<p><i>Tommy</i> (<i>who is standing a feed to Harry</i>). "Oh, hang it, you know,
+fourteen bob for a bottle of champagne! That's coming it rather strong,
+ain't it?"</p>
+<p><i>Waiter</i> (<i>with perfect composure</i>). "We have some <i>cheap</i> wine, sir, at
+half-a-guinea!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_179" id="Page_179">[Pg 179]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_180.png">
+<img src="images/i_180.png" width="100%" alt="TOO LITERAL" /></a>
+<h3>TOO LITERAL BY HALF</h3>
+<p><span class="smcap">Scene.</span>&mdash;<i>A "cheap" chop-house not a hundred miles from L&mdash;nd&mdash;n.</i></p>
+<p><i>Waiter.</i> "Paysir? Yessir&mdash;Whataveyeradsir?"</p>
+<p><i>Matter-of-fact old gentleman</i> (<i>who has been reading the "Quarterly" on
+"Food and its adulterations"</i>). "Had? why, let me see: I've had some
+horsetail soup, spiced with red-lead and shop-sweepings: a plate of
+roast cow, and cabbage boiled with verdigris: a crust of plaster of
+Paris, baked with alum and bone-dust: half-a-pint of porter brewed from
+quassia and strychnine: and a cup of charred liver, annatto, and other
+unknown ingredients."</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exit waiter for a straight-waistcoat, and a stomach-pump.</i></p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_180" id="Page_180">[Pg 180]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_181.png">
+<img src="images/i_181.png" width="100%" alt="Please, Miss Sharp" /></a>
+<br /><br />
+<p><i>Dolly.</i> "Please, Miss Sharp, mamma says, have you
+<i>really</i> left your songs at home?"</p>
+<p><i>Miss Sharp.</i> "Yes, dear. Why?"</p>
+<p><i>Dolly.</i> "Well, papa says 'it sounds too good to be true'!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_181" id="Page_181">[Pg 181]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_182.png">
+<img src="images/i_182.png" width="100%" alt="Eureka" /></a>
+<br /><br />
+<p><span class="smcap">Eureka!</span>&mdash;<i>Isaacstein</i> (<i>late of Whitechapel, showing old
+friend over bathroom in new house</i>). "What am I goin' to do with it?
+Vell, you see, I've always rather wanted a place where I could keep
+goldfish!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_182" id="Page_182">[Pg 182]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_183.png">
+<img src="images/i_183.png" width="100%" alt="Uncle!" /></a>
+<br /><br />
+<p><i>Juvenile.</i> "Uncle!"</p>
+<p><i>Uncle.</i> "Now then, what is it? This is the fourth time you've woke me
+up, sir!"</p>
+<p><i>Juvenile.</i> "Oh! Just put a few coals on the fire, and pass the wine,
+that's a good old chap."</p>
+</div>
+
+<div class="figcenter" style="width: 30px;">
+<img src="images/i_leaf.png" width="100%" alt="leaf symbol" />
+</div><br />
+
+<p><span class="smcap">Nurseriana.</span>&mdash;<i>Little Chris.</i> "Oh! mamma, mamma, baby's moulted again."</p>
+
+<p><i>Mamma.</i> "Moulted! What do you mean?"</p>
+
+<p><i>Little Chris.</i> "Why, he's just dropped another tooth!"</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_183" id="Page_183">[Pg 183]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_184.png">
+<img src="images/i_184.png" width="100%" alt="TAKING A LADY DOWN TO DINNER" /></a>
+<h3>SAFEST WAY OF TAKING A LADY DOWN TO DINNER</h3>
+<p>(Another reminiscence of the days of the crinoline)</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_184" id="Page_184">[Pg 184]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_185.png">
+<img src="images/i_185.png" width="100%" alt="SAT UPON" /></a>
+<h3>SAT UPON</h3>
+<p><i>Hospitable Host.</i> "Does any gentleman say pudden?"</p>
+<p><i>Precise Guest.</i> "No, sir. No <i>gentleman</i> says <i>pudden</i>."</p>
+</div>
+
+<hr />
+<span class='pagenum'><a name="Page_185" id="Page_185">[Pg 185]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_186.png">
+<img src="images/i_186.png" width="100%" alt="Unexpected Gratuity" /></a>
+<br /><br />
+<p><span class="smcap">Unexpected Gratuity.</span>&mdash;<i>Waiter.</i> "Beg pardon, sir, but I
+think you've made a mistake. This is a halfpenny!"</p>
+<p><i>Old Gent</i> (<i>grandly</i>). "Oh dear no&mdash;not at all, not at all! I never
+give less!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_186" id="Page_186">[Pg 186]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_187.png">
+<img src="images/i_187.png" width="100%" alt="what matches do you smoke" /></a>
+<br /><br />
+<p><i>Hickling</i> (<i>to friend, who finds some difficulty in
+keeping his cigar alight</i>). "I say, old man, what matches do you
+smoke?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_187" id="Page_187">[Pg 187]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_188.png">
+<img src="images/i_188.png" width="100%" alt="Fond of Bridge?" /></a>
+<br /><br />
+<p><i>He.</i> "Fond of Bridge?"</p>
+<p><i>She.</i> "Awfully!"</p>
+<p><i>He.</i> "Do you know I always think there's something <i>wanting</i> in people
+who don't play?"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_188" id="Page_188">[Pg 188]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_189.png">
+<img src="images/i_189.png" width="100%" alt="wiping my plate" /></a>
+<br /><br />
+<p><i>Old Party</i> (<i>very naturally excited</i>). "Why, confound you! You are
+wiping my plate with your handkerchief!"</p>
+<p><i>Waiter</i> (<i>blandly</i>). "It's of no consequence, sir&mdash;it's only a dirty
+one!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_189" id="Page_189">[Pg 189]</a></span>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/i_190.png">
+<img src="images/i_190.png" width="100%" alt="IN DESPERATE STRAITS" /></a>
+<h3>IN DESPERATE STRAITS</h3>
+<p><i>Jones</i> (<i>blue ribbon&mdash;to abstemious lady he has taken in to dinner</i>).
+"Look here, madam, we don't seem to be getting on a <i>bit</i>! Either you
+must have a glass of champagne, or, by Jove, I must!!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_190" id="Page_190">[Pg 190]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_191.png">
+<img src="images/i_191.png" width="100%" alt="THINGS ONE WOULD RATHER HAVE LEFT UNSAID" /></a>
+<h3>THINGS ONE WOULD RATHER HAVE LEFT UNSAID</h3>
+<p><i>Guest</i> (<i>who is a bon-vivant, to host, who isn't</i>). "You must come and
+dine with <i>me</i>, Jones!"</p>
+<p><i>Host.</i> "With pleasure, my dear friend! When?"</p>
+<p><i>Guest.</i> "<i>Now!</i>"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_191" id="Page_191">[Pg 191]</a></span>
+
+<div class="figcenter" style="width: 50%">
+<a href="images/i_192.png">
+<img src="images/i_192.png" width="100%" alt="NOT QUITE THE CHEESE" /></a>
+<h3>"NOT QUITE THE CHEESE!"</h3>
+<p><i>British Farmer.</i> "What sort o' cheese do you call this? Full o' holes!"</p>
+<p><i>Waiter.</i> "Grew-yere, sir."</p>
+<p><i>British Farmer</i> (<i>suspiciously</i>). "Then just bring one that grew
+somewhere else!"</p>
+</div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_192" id="Page_192">[Pg 192]</a></span>
+
+<div class="figcenter" style="width: 40%">
+<a href="images/i_193.png">
+<img src="images/i_193.png" width="100%" alt="THE END" /></a>
+</div>
+<h3>THE END</h3>
+
+<center>BRADBURY AGNEW &amp; CO LD. PRINTERS, LONDON AND TONBRIDGE.</center>
+
+<hr />
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Mr. Punch's After-Dinner Stories,
+edited by J. A. Hammerton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH'S AFTER-DINNER STORIES ***
+
+***** This file should be named 33824-h.htm or 33824-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/8/2/33824/
+
+Produced by Neville Allen, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/33824-h/images/cover.jpg b/33824-h/images/cover.jpg
new file mode 100644
index 0000000..742130e
--- /dev/null
+++ b/33824-h/images/cover.jpg
Binary files differ
diff --git a/33824-h/images/i_002.png b/33824-h/images/i_002.png
new file mode 100644
index 0000000..18b34a1
--- /dev/null
+++ b/33824-h/images/i_002.png
Binary files differ
diff --git a/33824-h/images/i_003.png b/33824-h/images/i_003.png
new file mode 100644
index 0000000..390590a
--- /dev/null
+++ b/33824-h/images/i_003.png
Binary files differ
diff --git a/33824-h/images/i_004.png b/33824-h/images/i_004.png
new file mode 100644
index 0000000..f6cafc6
--- /dev/null
+++ b/33824-h/images/i_004.png
Binary files differ
diff --git a/33824-h/images/i_005.png b/33824-h/images/i_005.png
new file mode 100644
index 0000000..032761a
--- /dev/null
+++ b/33824-h/images/i_005.png
Binary files differ
diff --git a/33824-h/images/i_006.png b/33824-h/images/i_006.png
new file mode 100644
index 0000000..cc863f8
--- /dev/null
+++ b/33824-h/images/i_006.png
Binary files differ
diff --git a/33824-h/images/i_007.png b/33824-h/images/i_007.png
new file mode 100644
index 0000000..d5e68a9
--- /dev/null
+++ b/33824-h/images/i_007.png
Binary files differ
diff --git a/33824-h/images/i_008.png b/33824-h/images/i_008.png
new file mode 100644
index 0000000..73e74a7
--- /dev/null
+++ b/33824-h/images/i_008.png
Binary files differ
diff --git a/33824-h/images/i_009.png b/33824-h/images/i_009.png
new file mode 100644
index 0000000..993a0a0
--- /dev/null
+++ b/33824-h/images/i_009.png
Binary files differ
diff --git a/33824-h/images/i_010.png b/33824-h/images/i_010.png
new file mode 100644
index 0000000..2671eae
--- /dev/null
+++ b/33824-h/images/i_010.png
Binary files differ
diff --git a/33824-h/images/i_012.png b/33824-h/images/i_012.png
new file mode 100644
index 0000000..9cb402a
--- /dev/null
+++ b/33824-h/images/i_012.png
Binary files differ
diff --git a/33824-h/images/i_013.png b/33824-h/images/i_013.png
new file mode 100644
index 0000000..0e5b964
--- /dev/null
+++ b/33824-h/images/i_013.png
Binary files differ
diff --git a/33824-h/images/i_014.png b/33824-h/images/i_014.png
new file mode 100644
index 0000000..e6534a8
--- /dev/null
+++ b/33824-h/images/i_014.png
Binary files differ
diff --git a/33824-h/images/i_015.png b/33824-h/images/i_015.png
new file mode 100644
index 0000000..1b59cbd
--- /dev/null
+++ b/33824-h/images/i_015.png
Binary files differ
diff --git a/33824-h/images/i_016.png b/33824-h/images/i_016.png
new file mode 100644
index 0000000..adbfc84
--- /dev/null
+++ b/33824-h/images/i_016.png
Binary files differ
diff --git a/33824-h/images/i_018.png b/33824-h/images/i_018.png
new file mode 100644
index 0000000..f465dfb
--- /dev/null
+++ b/33824-h/images/i_018.png
Binary files differ
diff --git a/33824-h/images/i_020.png b/33824-h/images/i_020.png
new file mode 100644
index 0000000..7d45707
--- /dev/null
+++ b/33824-h/images/i_020.png
Binary files differ
diff --git a/33824-h/images/i_022.png b/33824-h/images/i_022.png
new file mode 100644
index 0000000..2fbbdd6
--- /dev/null
+++ b/33824-h/images/i_022.png
Binary files differ
diff --git a/33824-h/images/i_024.png b/33824-h/images/i_024.png
new file mode 100644
index 0000000..ad93e10
--- /dev/null
+++ b/33824-h/images/i_024.png
Binary files differ
diff --git a/33824-h/images/i_025a.png b/33824-h/images/i_025a.png
new file mode 100644
index 0000000..14edcc8
--- /dev/null
+++ b/33824-h/images/i_025a.png
Binary files differ
diff --git a/33824-h/images/i_025b.png b/33824-h/images/i_025b.png
new file mode 100644
index 0000000..d56b684
--- /dev/null
+++ b/33824-h/images/i_025b.png
Binary files differ
diff --git a/33824-h/images/i_025c.png b/33824-h/images/i_025c.png
new file mode 100644
index 0000000..c50cb53
--- /dev/null
+++ b/33824-h/images/i_025c.png
Binary files differ
diff --git a/33824-h/images/i_025d.png b/33824-h/images/i_025d.png
new file mode 100644
index 0000000..ae59468
--- /dev/null
+++ b/33824-h/images/i_025d.png
Binary files differ
diff --git a/33824-h/images/i_026a.png b/33824-h/images/i_026a.png
new file mode 100644
index 0000000..948d95b
--- /dev/null
+++ b/33824-h/images/i_026a.png
Binary files differ
diff --git a/33824-h/images/i_026b.png b/33824-h/images/i_026b.png
new file mode 100644
index 0000000..b0d2eeb
--- /dev/null
+++ b/33824-h/images/i_026b.png
Binary files differ
diff --git a/33824-h/images/i_026c.png b/33824-h/images/i_026c.png
new file mode 100644
index 0000000..2eb87a8
--- /dev/null
+++ b/33824-h/images/i_026c.png
Binary files differ
diff --git a/33824-h/images/i_026d.png b/33824-h/images/i_026d.png
new file mode 100644
index 0000000..13d4554
--- /dev/null
+++ b/33824-h/images/i_026d.png
Binary files differ
diff --git a/33824-h/images/i_027.png b/33824-h/images/i_027.png
new file mode 100644
index 0000000..c958327
--- /dev/null
+++ b/33824-h/images/i_027.png
Binary files differ
diff --git a/33824-h/images/i_028.png b/33824-h/images/i_028.png
new file mode 100644
index 0000000..0922052
--- /dev/null
+++ b/33824-h/images/i_028.png
Binary files differ
diff --git a/33824-h/images/i_029.png b/33824-h/images/i_029.png
new file mode 100644
index 0000000..83159a3
--- /dev/null
+++ b/33824-h/images/i_029.png
Binary files differ
diff --git a/33824-h/images/i_030.png b/33824-h/images/i_030.png
new file mode 100644
index 0000000..0ec7b93
--- /dev/null
+++ b/33824-h/images/i_030.png
Binary files differ
diff --git a/33824-h/images/i_031.png b/33824-h/images/i_031.png
new file mode 100644
index 0000000..010b9ba
--- /dev/null
+++ b/33824-h/images/i_031.png
Binary files differ
diff --git a/33824-h/images/i_032.png b/33824-h/images/i_032.png
new file mode 100644
index 0000000..daf5ff6
--- /dev/null
+++ b/33824-h/images/i_032.png
Binary files differ
diff --git a/33824-h/images/i_033.png b/33824-h/images/i_033.png
new file mode 100644
index 0000000..46ff824
--- /dev/null
+++ b/33824-h/images/i_033.png
Binary files differ
diff --git a/33824-h/images/i_034.png b/33824-h/images/i_034.png
new file mode 100644
index 0000000..e65b931
--- /dev/null
+++ b/33824-h/images/i_034.png
Binary files differ
diff --git a/33824-h/images/i_036.png b/33824-h/images/i_036.png
new file mode 100644
index 0000000..c99ca84
--- /dev/null
+++ b/33824-h/images/i_036.png
Binary files differ
diff --git a/33824-h/images/i_037.png b/33824-h/images/i_037.png
new file mode 100644
index 0000000..655b6d8
--- /dev/null
+++ b/33824-h/images/i_037.png
Binary files differ
diff --git a/33824-h/images/i_038.png b/33824-h/images/i_038.png
new file mode 100644
index 0000000..4f58d62
--- /dev/null
+++ b/33824-h/images/i_038.png
Binary files differ
diff --git a/33824-h/images/i_039.png b/33824-h/images/i_039.png
new file mode 100644
index 0000000..53d9763
--- /dev/null
+++ b/33824-h/images/i_039.png
Binary files differ
diff --git a/33824-h/images/i_040.png b/33824-h/images/i_040.png
new file mode 100644
index 0000000..8254991
--- /dev/null
+++ b/33824-h/images/i_040.png
Binary files differ
diff --git a/33824-h/images/i_041.png b/33824-h/images/i_041.png
new file mode 100644
index 0000000..62229cc
--- /dev/null
+++ b/33824-h/images/i_041.png
Binary files differ
diff --git a/33824-h/images/i_042.png b/33824-h/images/i_042.png
new file mode 100644
index 0000000..d1443f9
--- /dev/null
+++ b/33824-h/images/i_042.png
Binary files differ
diff --git a/33824-h/images/i_043.png b/33824-h/images/i_043.png
new file mode 100644
index 0000000..c404ac8
--- /dev/null
+++ b/33824-h/images/i_043.png
Binary files differ
diff --git a/33824-h/images/i_044.png b/33824-h/images/i_044.png
new file mode 100644
index 0000000..1363aed
--- /dev/null
+++ b/33824-h/images/i_044.png
Binary files differ
diff --git a/33824-h/images/i_045.png b/33824-h/images/i_045.png
new file mode 100644
index 0000000..e058c6e
--- /dev/null
+++ b/33824-h/images/i_045.png
Binary files differ
diff --git a/33824-h/images/i_046.png b/33824-h/images/i_046.png
new file mode 100644
index 0000000..cf354a2
--- /dev/null
+++ b/33824-h/images/i_046.png
Binary files differ
diff --git a/33824-h/images/i_048.png b/33824-h/images/i_048.png
new file mode 100644
index 0000000..83f8026
--- /dev/null
+++ b/33824-h/images/i_048.png
Binary files differ
diff --git a/33824-h/images/i_050.png b/33824-h/images/i_050.png
new file mode 100644
index 0000000..4f939e5
--- /dev/null
+++ b/33824-h/images/i_050.png
Binary files differ
diff --git a/33824-h/images/i_052.png b/33824-h/images/i_052.png
new file mode 100644
index 0000000..c41c557
--- /dev/null
+++ b/33824-h/images/i_052.png
Binary files differ
diff --git a/33824-h/images/i_054.png b/33824-h/images/i_054.png
new file mode 100644
index 0000000..c2b5f73
--- /dev/null
+++ b/33824-h/images/i_054.png
Binary files differ
diff --git a/33824-h/images/i_055.png b/33824-h/images/i_055.png
new file mode 100644
index 0000000..22cac90
--- /dev/null
+++ b/33824-h/images/i_055.png
Binary files differ
diff --git a/33824-h/images/i_056.png b/33824-h/images/i_056.png
new file mode 100644
index 0000000..c8cc787
--- /dev/null
+++ b/33824-h/images/i_056.png
Binary files differ
diff --git a/33824-h/images/i_058.png b/33824-h/images/i_058.png
new file mode 100644
index 0000000..1f0ce8b
--- /dev/null
+++ b/33824-h/images/i_058.png
Binary files differ
diff --git a/33824-h/images/i_060.png b/33824-h/images/i_060.png
new file mode 100644
index 0000000..9b11fbc
--- /dev/null
+++ b/33824-h/images/i_060.png
Binary files differ
diff --git a/33824-h/images/i_061.png b/33824-h/images/i_061.png
new file mode 100644
index 0000000..0f70117
--- /dev/null
+++ b/33824-h/images/i_061.png
Binary files differ
diff --git a/33824-h/images/i_062.png b/33824-h/images/i_062.png
new file mode 100644
index 0000000..b3e0e11
--- /dev/null
+++ b/33824-h/images/i_062.png
Binary files differ
diff --git a/33824-h/images/i_064.png b/33824-h/images/i_064.png
new file mode 100644
index 0000000..ac1d6af
--- /dev/null
+++ b/33824-h/images/i_064.png
Binary files differ
diff --git a/33824-h/images/i_066.png b/33824-h/images/i_066.png
new file mode 100644
index 0000000..cedf75f
--- /dev/null
+++ b/33824-h/images/i_066.png
Binary files differ
diff --git a/33824-h/images/i_068.png b/33824-h/images/i_068.png
new file mode 100644
index 0000000..ea3e308
--- /dev/null
+++ b/33824-h/images/i_068.png
Binary files differ
diff --git a/33824-h/images/i_070.png b/33824-h/images/i_070.png
new file mode 100644
index 0000000..1cff746
--- /dev/null
+++ b/33824-h/images/i_070.png
Binary files differ
diff --git a/33824-h/images/i_072.png b/33824-h/images/i_072.png
new file mode 100644
index 0000000..72d8fde
--- /dev/null
+++ b/33824-h/images/i_072.png
Binary files differ
diff --git a/33824-h/images/i_074.png b/33824-h/images/i_074.png
new file mode 100644
index 0000000..f047609
--- /dev/null
+++ b/33824-h/images/i_074.png
Binary files differ
diff --git a/33824-h/images/i_076.png b/33824-h/images/i_076.png
new file mode 100644
index 0000000..b6ef913
--- /dev/null
+++ b/33824-h/images/i_076.png
Binary files differ
diff --git a/33824-h/images/i_078.png b/33824-h/images/i_078.png
new file mode 100644
index 0000000..b7557b9
--- /dev/null
+++ b/33824-h/images/i_078.png
Binary files differ
diff --git a/33824-h/images/i_081.png b/33824-h/images/i_081.png
new file mode 100644
index 0000000..7646058
--- /dev/null
+++ b/33824-h/images/i_081.png
Binary files differ
diff --git a/33824-h/images/i_082.png b/33824-h/images/i_082.png
new file mode 100644
index 0000000..9e62415
--- /dev/null
+++ b/33824-h/images/i_082.png
Binary files differ
diff --git a/33824-h/images/i_083.png b/33824-h/images/i_083.png
new file mode 100644
index 0000000..118119d
--- /dev/null
+++ b/33824-h/images/i_083.png
Binary files differ
diff --git a/33824-h/images/i_084.png b/33824-h/images/i_084.png
new file mode 100644
index 0000000..68a6f38
--- /dev/null
+++ b/33824-h/images/i_084.png
Binary files differ
diff --git a/33824-h/images/i_085.png b/33824-h/images/i_085.png
new file mode 100644
index 0000000..1a31d5f
--- /dev/null
+++ b/33824-h/images/i_085.png
Binary files differ
diff --git a/33824-h/images/i_086.png b/33824-h/images/i_086.png
new file mode 100644
index 0000000..7c983cc
--- /dev/null
+++ b/33824-h/images/i_086.png
Binary files differ
diff --git a/33824-h/images/i_087.png b/33824-h/images/i_087.png
new file mode 100644
index 0000000..2b8a210
--- /dev/null
+++ b/33824-h/images/i_087.png
Binary files differ
diff --git a/33824-h/images/i_088.png b/33824-h/images/i_088.png
new file mode 100644
index 0000000..0de605b
--- /dev/null
+++ b/33824-h/images/i_088.png
Binary files differ
diff --git a/33824-h/images/i_089.png b/33824-h/images/i_089.png
new file mode 100644
index 0000000..9f6114a
--- /dev/null
+++ b/33824-h/images/i_089.png
Binary files differ
diff --git a/33824-h/images/i_090.png b/33824-h/images/i_090.png
new file mode 100644
index 0000000..d3f87ea
--- /dev/null
+++ b/33824-h/images/i_090.png
Binary files differ
diff --git a/33824-h/images/i_091.png b/33824-h/images/i_091.png
new file mode 100644
index 0000000..271a648
--- /dev/null
+++ b/33824-h/images/i_091.png
Binary files differ
diff --git a/33824-h/images/i_092.png b/33824-h/images/i_092.png
new file mode 100644
index 0000000..9b48433
--- /dev/null
+++ b/33824-h/images/i_092.png
Binary files differ
diff --git a/33824-h/images/i_094.png b/33824-h/images/i_094.png
new file mode 100644
index 0000000..f2d3802
--- /dev/null
+++ b/33824-h/images/i_094.png
Binary files differ
diff --git a/33824-h/images/i_095.png b/33824-h/images/i_095.png
new file mode 100644
index 0000000..f7767f6
--- /dev/null
+++ b/33824-h/images/i_095.png
Binary files differ
diff --git a/33824-h/images/i_096.png b/33824-h/images/i_096.png
new file mode 100644
index 0000000..7dbf295
--- /dev/null
+++ b/33824-h/images/i_096.png
Binary files differ
diff --git a/33824-h/images/i_097.png b/33824-h/images/i_097.png
new file mode 100644
index 0000000..acc01f5
--- /dev/null
+++ b/33824-h/images/i_097.png
Binary files differ
diff --git a/33824-h/images/i_098.png b/33824-h/images/i_098.png
new file mode 100644
index 0000000..42c35bd
--- /dev/null
+++ b/33824-h/images/i_098.png
Binary files differ
diff --git a/33824-h/images/i_099.png b/33824-h/images/i_099.png
new file mode 100644
index 0000000..b134290
--- /dev/null
+++ b/33824-h/images/i_099.png
Binary files differ
diff --git a/33824-h/images/i_100.png b/33824-h/images/i_100.png
new file mode 100644
index 0000000..e08335d
--- /dev/null
+++ b/33824-h/images/i_100.png
Binary files differ
diff --git a/33824-h/images/i_101.png b/33824-h/images/i_101.png
new file mode 100644
index 0000000..a2ca347
--- /dev/null
+++ b/33824-h/images/i_101.png
Binary files differ
diff --git a/33824-h/images/i_102.png b/33824-h/images/i_102.png
new file mode 100644
index 0000000..faf13ea
--- /dev/null
+++ b/33824-h/images/i_102.png
Binary files differ
diff --git a/33824-h/images/i_104.png b/33824-h/images/i_104.png
new file mode 100644
index 0000000..2488b55
--- /dev/null
+++ b/33824-h/images/i_104.png
Binary files differ
diff --git a/33824-h/images/i_106.png b/33824-h/images/i_106.png
new file mode 100644
index 0000000..4cc959c
--- /dev/null
+++ b/33824-h/images/i_106.png
Binary files differ
diff --git a/33824-h/images/i_107.png b/33824-h/images/i_107.png
new file mode 100644
index 0000000..355e1ea
--- /dev/null
+++ b/33824-h/images/i_107.png
Binary files differ
diff --git a/33824-h/images/i_108.png b/33824-h/images/i_108.png
new file mode 100644
index 0000000..6a14a9d
--- /dev/null
+++ b/33824-h/images/i_108.png
Binary files differ
diff --git a/33824-h/images/i_109.png b/33824-h/images/i_109.png
new file mode 100644
index 0000000..2699dbf
--- /dev/null
+++ b/33824-h/images/i_109.png
Binary files differ
diff --git a/33824-h/images/i_110.png b/33824-h/images/i_110.png
new file mode 100644
index 0000000..981ea37
--- /dev/null
+++ b/33824-h/images/i_110.png
Binary files differ
diff --git a/33824-h/images/i_111.png b/33824-h/images/i_111.png
new file mode 100644
index 0000000..564352e
--- /dev/null
+++ b/33824-h/images/i_111.png
Binary files differ
diff --git a/33824-h/images/i_112.png b/33824-h/images/i_112.png
new file mode 100644
index 0000000..1f67d2c
--- /dev/null
+++ b/33824-h/images/i_112.png
Binary files differ
diff --git a/33824-h/images/i_114.png b/33824-h/images/i_114.png
new file mode 100644
index 0000000..19080f9
--- /dev/null
+++ b/33824-h/images/i_114.png
Binary files differ
diff --git a/33824-h/images/i_116.png b/33824-h/images/i_116.png
new file mode 100644
index 0000000..2e8588a
--- /dev/null
+++ b/33824-h/images/i_116.png
Binary files differ
diff --git a/33824-h/images/i_117.png b/33824-h/images/i_117.png
new file mode 100644
index 0000000..8a378ea
--- /dev/null
+++ b/33824-h/images/i_117.png
Binary files differ
diff --git a/33824-h/images/i_118.png b/33824-h/images/i_118.png
new file mode 100644
index 0000000..e4e75d4
--- /dev/null
+++ b/33824-h/images/i_118.png
Binary files differ
diff --git a/33824-h/images/i_119.png b/33824-h/images/i_119.png
new file mode 100644
index 0000000..54caad8
--- /dev/null
+++ b/33824-h/images/i_119.png
Binary files differ
diff --git a/33824-h/images/i_120.png b/33824-h/images/i_120.png
new file mode 100644
index 0000000..3a0b25f
--- /dev/null
+++ b/33824-h/images/i_120.png
Binary files differ
diff --git a/33824-h/images/i_121.png b/33824-h/images/i_121.png
new file mode 100644
index 0000000..c834672
--- /dev/null
+++ b/33824-h/images/i_121.png
Binary files differ
diff --git a/33824-h/images/i_122.png b/33824-h/images/i_122.png
new file mode 100644
index 0000000..1e8047a
--- /dev/null
+++ b/33824-h/images/i_122.png
Binary files differ
diff --git a/33824-h/images/i_123.png b/33824-h/images/i_123.png
new file mode 100644
index 0000000..18a6bbc
--- /dev/null
+++ b/33824-h/images/i_123.png
Binary files differ
diff --git a/33824-h/images/i_124.png b/33824-h/images/i_124.png
new file mode 100644
index 0000000..11c8fd3
--- /dev/null
+++ b/33824-h/images/i_124.png
Binary files differ
diff --git a/33824-h/images/i_125.png b/33824-h/images/i_125.png
new file mode 100644
index 0000000..401e566
--- /dev/null
+++ b/33824-h/images/i_125.png
Binary files differ
diff --git a/33824-h/images/i_126.png b/33824-h/images/i_126.png
new file mode 100644
index 0000000..b094223
--- /dev/null
+++ b/33824-h/images/i_126.png
Binary files differ
diff --git a/33824-h/images/i_127.png b/33824-h/images/i_127.png
new file mode 100644
index 0000000..6210d43
--- /dev/null
+++ b/33824-h/images/i_127.png
Binary files differ
diff --git a/33824-h/images/i_128.png b/33824-h/images/i_128.png
new file mode 100644
index 0000000..65202ec
--- /dev/null
+++ b/33824-h/images/i_128.png
Binary files differ
diff --git a/33824-h/images/i_129.png b/33824-h/images/i_129.png
new file mode 100644
index 0000000..7104c53
--- /dev/null
+++ b/33824-h/images/i_129.png
Binary files differ
diff --git a/33824-h/images/i_130.png b/33824-h/images/i_130.png
new file mode 100644
index 0000000..631e5a9
--- /dev/null
+++ b/33824-h/images/i_130.png
Binary files differ
diff --git a/33824-h/images/i_132.png b/33824-h/images/i_132.png
new file mode 100644
index 0000000..5fd2353
--- /dev/null
+++ b/33824-h/images/i_132.png
Binary files differ
diff --git a/33824-h/images/i_134.png b/33824-h/images/i_134.png
new file mode 100644
index 0000000..d386354
--- /dev/null
+++ b/33824-h/images/i_134.png
Binary files differ
diff --git a/33824-h/images/i_135.png b/33824-h/images/i_135.png
new file mode 100644
index 0000000..4e0aad3
--- /dev/null
+++ b/33824-h/images/i_135.png
Binary files differ
diff --git a/33824-h/images/i_136.png b/33824-h/images/i_136.png
new file mode 100644
index 0000000..08dbe61
--- /dev/null
+++ b/33824-h/images/i_136.png
Binary files differ
diff --git a/33824-h/images/i_138.png b/33824-h/images/i_138.png
new file mode 100644
index 0000000..bb714fb
--- /dev/null
+++ b/33824-h/images/i_138.png
Binary files differ
diff --git a/33824-h/images/i_139.png b/33824-h/images/i_139.png
new file mode 100644
index 0000000..9d00bec
--- /dev/null
+++ b/33824-h/images/i_139.png
Binary files differ
diff --git a/33824-h/images/i_140.png b/33824-h/images/i_140.png
new file mode 100644
index 0000000..89866f2
--- /dev/null
+++ b/33824-h/images/i_140.png
Binary files differ
diff --git a/33824-h/images/i_142.png b/33824-h/images/i_142.png
new file mode 100644
index 0000000..8c8ab4e
--- /dev/null
+++ b/33824-h/images/i_142.png
Binary files differ
diff --git a/33824-h/images/i_143.png b/33824-h/images/i_143.png
new file mode 100644
index 0000000..5467e13
--- /dev/null
+++ b/33824-h/images/i_143.png
Binary files differ
diff --git a/33824-h/images/i_144.png b/33824-h/images/i_144.png
new file mode 100644
index 0000000..698c8ab
--- /dev/null
+++ b/33824-h/images/i_144.png
Binary files differ
diff --git a/33824-h/images/i_146.png b/33824-h/images/i_146.png
new file mode 100644
index 0000000..046bbbb
--- /dev/null
+++ b/33824-h/images/i_146.png
Binary files differ
diff --git a/33824-h/images/i_148.png b/33824-h/images/i_148.png
new file mode 100644
index 0000000..8925099
--- /dev/null
+++ b/33824-h/images/i_148.png
Binary files differ
diff --git a/33824-h/images/i_150.png b/33824-h/images/i_150.png
new file mode 100644
index 0000000..501c21c
--- /dev/null
+++ b/33824-h/images/i_150.png
Binary files differ
diff --git a/33824-h/images/i_151.png b/33824-h/images/i_151.png
new file mode 100644
index 0000000..ccc89aa
--- /dev/null
+++ b/33824-h/images/i_151.png
Binary files differ
diff --git a/33824-h/images/i_152.png b/33824-h/images/i_152.png
new file mode 100644
index 0000000..b879e81
--- /dev/null
+++ b/33824-h/images/i_152.png
Binary files differ
diff --git a/33824-h/images/i_154.png b/33824-h/images/i_154.png
new file mode 100644
index 0000000..f9c4db4
--- /dev/null
+++ b/33824-h/images/i_154.png
Binary files differ
diff --git a/33824-h/images/i_155.png b/33824-h/images/i_155.png
new file mode 100644
index 0000000..6095185
--- /dev/null
+++ b/33824-h/images/i_155.png
Binary files differ
diff --git a/33824-h/images/i_156.png b/33824-h/images/i_156.png
new file mode 100644
index 0000000..e86e6c8
--- /dev/null
+++ b/33824-h/images/i_156.png
Binary files differ
diff --git a/33824-h/images/i_157.png b/33824-h/images/i_157.png
new file mode 100644
index 0000000..2421fbe
--- /dev/null
+++ b/33824-h/images/i_157.png
Binary files differ
diff --git a/33824-h/images/i_158.png b/33824-h/images/i_158.png
new file mode 100644
index 0000000..5c872a7
--- /dev/null
+++ b/33824-h/images/i_158.png
Binary files differ
diff --git a/33824-h/images/i_159.png b/33824-h/images/i_159.png
new file mode 100644
index 0000000..4555377
--- /dev/null
+++ b/33824-h/images/i_159.png
Binary files differ
diff --git a/33824-h/images/i_160.png b/33824-h/images/i_160.png
new file mode 100644
index 0000000..290a192
--- /dev/null
+++ b/33824-h/images/i_160.png
Binary files differ
diff --git a/33824-h/images/i_161.png b/33824-h/images/i_161.png
new file mode 100644
index 0000000..105a0e0
--- /dev/null
+++ b/33824-h/images/i_161.png
Binary files differ
diff --git a/33824-h/images/i_162.png b/33824-h/images/i_162.png
new file mode 100644
index 0000000..874f8f8
--- /dev/null
+++ b/33824-h/images/i_162.png
Binary files differ
diff --git a/33824-h/images/i_163.png b/33824-h/images/i_163.png
new file mode 100644
index 0000000..18fea95
--- /dev/null
+++ b/33824-h/images/i_163.png
Binary files differ
diff --git a/33824-h/images/i_164.png b/33824-h/images/i_164.png
new file mode 100644
index 0000000..26f7e0f
--- /dev/null
+++ b/33824-h/images/i_164.png
Binary files differ
diff --git a/33824-h/images/i_165.png b/33824-h/images/i_165.png
new file mode 100644
index 0000000..a550ac9
--- /dev/null
+++ b/33824-h/images/i_165.png
Binary files differ
diff --git a/33824-h/images/i_166.png b/33824-h/images/i_166.png
new file mode 100644
index 0000000..677f377
--- /dev/null
+++ b/33824-h/images/i_166.png
Binary files differ
diff --git a/33824-h/images/i_167.png b/33824-h/images/i_167.png
new file mode 100644
index 0000000..60569cf
--- /dev/null
+++ b/33824-h/images/i_167.png
Binary files differ
diff --git a/33824-h/images/i_168.png b/33824-h/images/i_168.png
new file mode 100644
index 0000000..2c629b2
--- /dev/null
+++ b/33824-h/images/i_168.png
Binary files differ
diff --git a/33824-h/images/i_169.png b/33824-h/images/i_169.png
new file mode 100644
index 0000000..a530498
--- /dev/null
+++ b/33824-h/images/i_169.png
Binary files differ
diff --git a/33824-h/images/i_170.png b/33824-h/images/i_170.png
new file mode 100644
index 0000000..1d10ef1
--- /dev/null
+++ b/33824-h/images/i_170.png
Binary files differ
diff --git a/33824-h/images/i_171.png b/33824-h/images/i_171.png
new file mode 100644
index 0000000..72c3950
--- /dev/null
+++ b/33824-h/images/i_171.png
Binary files differ
diff --git a/33824-h/images/i_172.png b/33824-h/images/i_172.png
new file mode 100644
index 0000000..ba45f9b
--- /dev/null
+++ b/33824-h/images/i_172.png
Binary files differ
diff --git a/33824-h/images/i_173.png b/33824-h/images/i_173.png
new file mode 100644
index 0000000..ced8191
--- /dev/null
+++ b/33824-h/images/i_173.png
Binary files differ
diff --git a/33824-h/images/i_174.png b/33824-h/images/i_174.png
new file mode 100644
index 0000000..c376f16
--- /dev/null
+++ b/33824-h/images/i_174.png
Binary files differ
diff --git a/33824-h/images/i_175.png b/33824-h/images/i_175.png
new file mode 100644
index 0000000..d229901
--- /dev/null
+++ b/33824-h/images/i_175.png
Binary files differ
diff --git a/33824-h/images/i_176.png b/33824-h/images/i_176.png
new file mode 100644
index 0000000..3a56a3d
--- /dev/null
+++ b/33824-h/images/i_176.png
Binary files differ
diff --git a/33824-h/images/i_177.png b/33824-h/images/i_177.png
new file mode 100644
index 0000000..5a4b64b
--- /dev/null
+++ b/33824-h/images/i_177.png
Binary files differ
diff --git a/33824-h/images/i_178.png b/33824-h/images/i_178.png
new file mode 100644
index 0000000..fca7897
--- /dev/null
+++ b/33824-h/images/i_178.png
Binary files differ
diff --git a/33824-h/images/i_179.png b/33824-h/images/i_179.png
new file mode 100644
index 0000000..9bd8fc1
--- /dev/null
+++ b/33824-h/images/i_179.png
Binary files differ
diff --git a/33824-h/images/i_180.png b/33824-h/images/i_180.png
new file mode 100644
index 0000000..e34b684
--- /dev/null
+++ b/33824-h/images/i_180.png
Binary files differ
diff --git a/33824-h/images/i_181.png b/33824-h/images/i_181.png
new file mode 100644
index 0000000..1db3888
--- /dev/null
+++ b/33824-h/images/i_181.png
Binary files differ
diff --git a/33824-h/images/i_182.png b/33824-h/images/i_182.png
new file mode 100644
index 0000000..cba487d
--- /dev/null
+++ b/33824-h/images/i_182.png
Binary files differ
diff --git a/33824-h/images/i_183.png b/33824-h/images/i_183.png
new file mode 100644
index 0000000..4f40b00
--- /dev/null
+++ b/33824-h/images/i_183.png
Binary files differ
diff --git a/33824-h/images/i_184.png b/33824-h/images/i_184.png
new file mode 100644
index 0000000..90b52ba
--- /dev/null
+++ b/33824-h/images/i_184.png
Binary files differ
diff --git a/33824-h/images/i_185.png b/33824-h/images/i_185.png
new file mode 100644
index 0000000..4db1acf
--- /dev/null
+++ b/33824-h/images/i_185.png
Binary files differ
diff --git a/33824-h/images/i_186.png b/33824-h/images/i_186.png
new file mode 100644
index 0000000..7265cba
--- /dev/null
+++ b/33824-h/images/i_186.png
Binary files differ
diff --git a/33824-h/images/i_187.png b/33824-h/images/i_187.png
new file mode 100644
index 0000000..98b41dd
--- /dev/null
+++ b/33824-h/images/i_187.png
Binary files differ
diff --git a/33824-h/images/i_188.png b/33824-h/images/i_188.png
new file mode 100644
index 0000000..261ffb5
--- /dev/null
+++ b/33824-h/images/i_188.png
Binary files differ
diff --git a/33824-h/images/i_189.png b/33824-h/images/i_189.png
new file mode 100644
index 0000000..b658c25
--- /dev/null
+++ b/33824-h/images/i_189.png
Binary files differ
diff --git a/33824-h/images/i_190.png b/33824-h/images/i_190.png
new file mode 100644
index 0000000..742b43b
--- /dev/null
+++ b/33824-h/images/i_190.png
Binary files differ
diff --git a/33824-h/images/i_191.png b/33824-h/images/i_191.png
new file mode 100644
index 0000000..b2211f9
--- /dev/null
+++ b/33824-h/images/i_191.png
Binary files differ
diff --git a/33824-h/images/i_192.png b/33824-h/images/i_192.png
new file mode 100644
index 0000000..5cdb455
--- /dev/null
+++ b/33824-h/images/i_192.png
Binary files differ
diff --git a/33824-h/images/i_193.png b/33824-h/images/i_193.png
new file mode 100644
index 0000000..5aababf
--- /dev/null
+++ b/33824-h/images/i_193.png
Binary files differ
diff --git a/33824-h/images/i_cover.png b/33824-h/images/i_cover.png
new file mode 100644
index 0000000..1964eda
--- /dev/null
+++ b/33824-h/images/i_cover.png
Binary files differ
diff --git a/33824-h/images/i_leaf.png b/33824-h/images/i_leaf.png
new file mode 100644
index 0000000..173c6eb
--- /dev/null
+++ b/33824-h/images/i_leaf.png
Binary files differ
diff --git a/33824.txt b/33824.txt
new file mode 100644
index 0000000..42c1939
--- /dev/null
+++ b/33824.txt
@@ -0,0 +1,2938 @@
+Project Gutenberg's Mr. Punch's After-Dinner Stories,
+edited by J. A. Hammerton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mr. Punch's After-Dinner Stories
+
+Editor: J. A. Hammerton
+
+Illustrator: John Leech
+ and others
+
+Release Date: October 1, 2010 [EBook #33824]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH'S AFTER-DINNER STORIES ***
+
+
+
+
+Produced by Neville Allen, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+
+
+
+ PUNCH LIBRARY OF HUMOUR
+
+ Edited by J. A. HAMMERTON
+
+ Designed to provide in a series of volumes, each complete in itself,
+ the cream of our national humour, contributed by the masters of
+ comic draughtsmanship and the leading wits of the age to "Punch,"
+ from its beginning in 1841 to the present day
+
+MR. PUNCH'S AFTER-DINNER STORIES
+
+[Illustration]
+
+[Illustration: PROGRESS.--"I maintain that the race has improved in
+physique since those days. Now _we_ couldn't get into that armour!"]
+
+ * * * * *
+
+MR. PUNCH'S AFTER-DINNER STORIES
+
+_WITH 155 ILLUSTRATIONS_
+
+BY
+
+JOHN LEECH, CHARLES KEENE, GEORGE DU MAURIER, PHIL MAY, L. RAVEN-HILL,
+J. BERNARD PARTRIDGE, F. H. TOWNSEND, REGINALD CLEAVER, LEWIS BAUMER,
+A. S. BOYD, TOM WILKINSON, G. D. ARMOUR, AND OTHERS
+
+[Illustration]
+
+PUBLISHED BY ARRANGEMENT WITH THE PROPRIETORS OF "PUNCH"
+
+THE EDUCATIONAL BOOK CO. LTD.
+
+ * * * * *
+
+THE PUNCH LIBRARY OF HUMOUR
+
+_Twenty-five volumes, crown 8vo, 192 pages fully illustrated_
+
+ LIFE IN LONDON
+ COUNTRY LIFE
+ IN THE HIGHLANDS
+ SCOTTISH HUMOUR
+ IRISH HUMOUR
+ COCKNEY HUMOUR
+ IN SOCIETY
+ AFTER DINNER STORIES
+ IN BOHEMIA
+ AT THE PLAY
+ MR. PUNCH AT HOME
+ ON THE CONTINONG
+ RAILWAY BOOK
+ AT THE SEASIDE
+ MR. PUNCH AFLOAT
+ IN THE HUNTING FIELD
+ MR. PUNCH ON TOUR
+ WITH ROD AND GUN
+ MR. PUNCH AWHEEL
+ BOOK OF SPORTS
+ GOLF STORIES
+ IN WIG AND GOWN
+ ON THE WARPATH
+ BOOK OF LOVE
+ WITH THE CHILDREN
+
+[Illustration]
+
+ * * * * *
+
+POST-PRANDIAL WIT
+
+[Illustration]
+
+There is a sense, of course, in which everything from the pages of MR.
+PUNCH might be regarded as coming into a collection entitled "After
+Dinner Stories." All good stories are really for telling after dinner.
+Somehow or other one seldom associates wit and humour with the breakfast
+table, although the celebrated breakfast parties of Rogers, the banker,
+were doubtless in no way deficient in either. Over the walnuts and wine,
+when men have feasted well and are feeling on the best of terms with
+themselves and their fellows, the cares of the day put past and the
+pleasures of the gas-lit hours begun, that is undoubtedly the ideal time
+for the flow of wit.
+
+It must not, therefore, be thought that the present volume is in anywise
+distinguished from the others of the series to which it belongs in the
+appropriateness of its contents for the dinner party. No more than any
+of its companions is it designed to that end; but as it is concerned
+almost exclusively with the humours of dining, with stories of diners,
+it will be admitted that its title is not without justification. Private
+dinner parties, public banquets, the solitary dinner at the restaurant,
+the giving and accepting of invitations, these and many other phases of
+dining come within its scope, and if it be noticed that a considerable
+amount of its humour has something of the fragrance of good old port--to
+say nothing of the aroma of wines that are bad!--it can only be
+retorted that MR. PUNCH'S duty has ever been to mirror the manners of
+the changing time, and in his early days the wine flowed more freely
+than it does to-day. For our personal taste we could have wished less of
+this humour of the bottle, but throughout this library an effort has
+been made to maintain in some degree a historical perspective, so that,
+in addition to the prime purpose of entertainment, each of these books
+in MR. PUNCH'S LIBRARY might be a faithful picture of the manners of the
+Victorian period in which most of his life has been passed. If to-day
+these manners seem to us just a trifle coarser than we esteem the social
+habits of our own day, surely that is a comforting reflection and one
+not lightly to be lost!
+
+[Illustration]
+
+ * * * * *
+
+MR. PUNCH'S AFTER-DINNER STORIES
+
+[Illustration]
+
+_Mrs. Jones._ And pray, Mr. Jones, what is the matter now?
+
+_Jones._ I was only wondering, my dear, where you might have bought this
+fish.
+
+_Mrs. Jones._ At the fishmonger's. Where do you suppose I bought it?
+
+_Jones._ Well, I thought that, _perhaps_, there might have been a
+remnant sale at the Royal Aquarium!
+
+ * * * * *
+
+EXCUSE FOR DRINKING BEFORE DINNER.--To whet the appetite.
+
+ * * * * *
+
+[Illustration: _Voice from above._ "What are you doing down there,
+Parkins?"
+
+_Parkins._ "I'm jush--puttin' away the port, shir!"]
+
+ * * * * *
+
+[Illustration: _Commissionaire._ "Would you like a four-wheeler or a
+'ansom sir?" _Convivial Party_ (_indistinctly_). "Ver' mush
+oblige--but--reely don't think I _could_ take 'ny more!"]
+
+ * * * * *
+
+RICE AND PRUNES
+
+ Rice and prunes a household journal
+ Called the chief of household boons;
+ Hence my mother cooks diurnal
+ Rice and prunes.
+
+ Therefore on successive noons,
+ Sombre fruit and snowy kernel
+ Woo reluctant forks and spoons.
+
+ As the ear, when leaves are vernal,
+ Wearies of the blackbird's tunes,
+ So we weary of eternal
+ Rice and prunes.
+
+ * * * * *
+
+NEVER SPEAK IN A HURRY
+
+THE HOSPITABLE JONES. Yes, we're in the same old place, where you dined
+with us last year. By the bye, old man, I wish you and your wife would
+come and take pot-luck with us again on the----
+
+_The Impulsive Brown (in the eagerness of his determination never again
+to take pot-luck with the Joneses)._ My _dear_ fellow! _So_ sorry! But
+we're engaged on the--a--on the--er--on th-th-that evening!
+
+_Poor Jones (pathetically)._ Well, old man, you _might_ have given me
+time just to _name the day_.
+
+ * * * * *
+
+[Illustration: "WHO PAYS THE PIPER CALLS THE TUNE"
+
+_Johnnie (to waiter)._ "Aw--you're the boss--head waiter, eh?"
+
+_Waiter._ "Yessir."
+
+_Johnnie._ "Ah, well, just--ah--send up to your _orchestra chaps_, and
+tell 'em I really can't eat my dinner to _that_ tune."]
+
+ * * * * *
+
+[Illustration: A LAST RESOURCE.--A happy and independent bachelor finds
+himself suddenly disappointed of his Christmas party in the country; he
+has ordered nothing at home, has given his cook and man-servant leave to
+invite their friends; his intimate companions are out of town, and, on
+arriving at his club, he is informed by the hall porter that "there is
+no dinner to-night, as the servants are having a party." Only one
+resource, a hotel, or dinner at a restaurant, all alone!]
+
+ * * * * *
+
+[Illustration: THE VERY LATEST DISCOVERY.--_Amateur Astronomical Student
+(returning home, after attending scientific bachelor dinner, where "the
+reported discovery of a new Satellite of Saturn" has been warmly
+discussed)._ "Where am I? Letsh shee--(_considering_)--Earth's got one
+moon. Mars's got five moo--Jup'tush nine--I shee two moons. Then--where
+_am_ I?"]
+
+ * * * * *
+
+[Illustration: EFFECT OF GOOD CHEER ON OPPOSITE TEMPERAMENTS
+
+Aspect of Jones and Smith at two different stages of the same sumptuous
+repast.]
+
+ * * * * *
+
+AT THE CELESTIAL RESTAURANT
+
+_Customer (indignantly)._ Hi! waiter, what do you call this soup?
+
+_Waiter (meekly)._ I not know, sir, but ze padrone tell me to describe
+'im cocks-tail!
+
+ * * * * *
+
+"THE COMING MAN."--A waiter.
+
+ * * * * *
+
+[Illustration: SO VERY CONSCIENTIOUS!--_Master of the House._ "Why,
+Jenkins, what on earth is the matter with you? Aren't you ashamed of
+yourself?"
+
+_Butler (with great deliberation)_, "Well, shir--if you pleashe,
+shir--itsh not quite _my_ fault. You told me to taste every bottle of
+wine before dinner, in cashe one should be corked. I've only carried out
+in-shtrucshuns."]
+
+ * * * * *
+
+THE VERB TO DINE
+
+PRESENT TENSE
+
+ I dine.
+ Thou joinest me.
+ He tries to whip us up for a division.
+ We smoke our cigars.
+ Ye drink your port.
+ They are defeated in the lobby.
+
+IMPERFECT TENSE
+
+ I was dining.
+ Thou wast holding a reception.
+ He was attending it.
+ We were feeling puzzled.
+ Ye were reading the _Globe_ and _Pall Mall_.
+ They were not knowing what to make of it.
+
+FUTURE TENSE
+
+ I shall dine.
+ Thou wilt join my party.
+ He will squirm.
+ We shall promote the unity of the party.
+ Ye will applaud.
+ They will call a meeting at the "Reform."
+
+PERFECT TENSE
+
+ I have dined.
+ Thou hast made ambiguous remarks.
+ He has explained them away.
+ We have tried to make it all sweet again.
+ Ye have split a soda.
+ They have split the party.
+
+SUBJUNCTIVE PRESENT
+
+ I may dine.
+ Thou mayest object.
+ He may want to state his views.
+ We may insist on our dinners.
+ Ye may agree with them.
+ They may disagree with you.
+
+SUBJUNCTIVE IMPERFECT
+
+ I might dine.
+ Thou mightest emerge from Berkeley Square.
+ He might resign.
+ We might lead.
+ Ye might follow.
+ They might not.
+
+IMPERATIVE
+
+ Dine thou!
+ Let him speak out!
+ Let us know who is our leader!
+ Read ye the _Times_ and _Globe_!
+ Let them settle the question for us!
+
+INFINITIVE
+
+ Present: To split.
+ Past: To have been a party.
+
+ * * * * *
+
+AFTER-DINNER CONSIDERATION.--"Hippopotamuses" is a better test-word of
+fitness for joining the ladies than "British Constitution."
+
+ * * * * *
+
+[Illustration: DISCUSSING AN ABSENT FRIEND
+
+"Yes, Robinson's a clever feller, and he's a modest feller, and he's a
+honest feller; but, betwixt you and I and the _post_, Mr. Jones," said
+Brown, confidentially, picking his wisdom tooth with his little finger
+nail, "Robinson ain't got neither the looks, nor yet the language, nor
+yet the manners of a _gentleman_!"
+
+"Right you are, sir!" said Jones, shovelling the melted remains of his
+ice pudding into his mouth with a steel knife (which he afterwards wiped
+on the tablecloth). "_You've 'it 'im orf to a T!_"]
+
+ * * * * *
+
+[Illustration: _First Convivial._ "'Sh two o'clock! Wha'll er misshus
+shay?"
+
+_Second Convivial._ "Thash allri'! Shay you bin wi' me--(_hic_)!"]
+
+ * * * * *
+
+[Illustration: "IN CONFIDENCE"
+
+_Dining-room, Apelles Club_
+
+_Diner._ "Thomson, do the members ask for this wine?"
+
+_Head Waiter (sotto voce)._ "Not twice, sir!"]
+
+ * * * * *
+
+SPECIMENS OF MR. PUNCH'S SIGNATURES!
+
+(_Fac-similes taken during the course of the evening._)
+
+[Illustration: Punch]
+
+THIS IS BEFORE DINNER, 7.30. ATTESTED BY SEVERAL WITNESSES.
+
+[Illustration: Punch]
+
+THIS IS AFTER THE PUNCH A LA ROMAINE, ABOUT THE MIDDLE OF THE BANQUET.
+
+[Illustration: Punch]
+
+THIS IS WITH THE DESSERT.
+
+[Illustration: Punch]
+
+AFTER THE CLARET.
+
+[Illustration: Punch]
+
+AFTER THE CLARET _AND_ THE PORT.
+
+[Illustration: Punch]
+
+DURING THE CIGARS, WHISKEY AND WATER.
+
+[Illustration: Punch]
+
+12.30. BEFORE LEAVING TABLE.
+
+[Illustration: Punch]
+
+1.30. BEFORE GETTING INTO BED.
+
+The above have been submitted to an eminent expert, who says he could
+almost swear they are the same hand-writing, but must come and dine with
+_Mr. P._, in order absolutely to verify them.
+
+ * * * * *
+
+[Illustration: A BAD ENDING.--"Well, William, what's become of Robert?"
+"What, 'aven't you 'eard, sir?" "No! Not _defunct_, I hope!" "That's
+just exactly what he _'as_ done, sir, and walked off with heverything he
+could lay his 'ands on!"]
+
+ * * * * *
+
+[Illustration: A SALVE FOR THE CONSCIENCE
+
+_Vegetarian Professor._ "No, madam, not even fish. I cannot sanction the
+destruction of life. These little creatures, for instance, were but
+yesterday swimming happily in the sea."
+
+_Mrs. O'Laughlan._ "Oh but, Professor, just think it's the first time
+the poor little things have ever been really warm in their lives!"]
+
+ * * * * *
+
+[Illustration: FELICITOUS QUOTATION
+
+"Oh, Robert, the grouse has been kept too long! I wonder you can eat
+it!"
+
+"My dear, 'we needs must love the highest when we see it.'"
+
+(_Guinevere._)]
+
+ * * * * *
+
+[Illustration: _Little Boreham_ (_relating his Alpine adventures_).
+"There I stood, the terrible abyss yawning at my feet----" _That Brute
+Brown._ "Was it yawning when you got there, or did it start after you
+arrived?"]
+
+ * * * * *
+
+[Illustration: At a dinner given by my Lord Broadacres to some of his
+tenants, curacoa is handed in a liqueur-glass to old Turnitops, who,
+swallowing it with much relish, says--"Oi zay, young man! Oi'll tak zum
+o' that in a moog!"]
+
+ * * * * *
+
+[Illustration: PRICE FOR AGE
+
+_Mr. Green._ "You needn't be afraid of that glass of wine, uncle. It's
+thirty-four port, you know."
+
+_Uncle._ "Thirty-four port!--Thirty-four fiddlesticks! It's no more
+thirty-four port than you are!"
+
+_Mr. Green._ "It _is_ I can assure you! Indeed, it's _really
+thirty-six_; and _thirty-four if you return the bottles_!"]
+
+ * * * * *
+
+[Illustration: FLUNKEIANA
+
+_Master._ "Thompson, I believe that I have repeatedly expressed an
+objection to being served with stale bread at dinner. How is it my
+wishes have not been attended to?"
+
+_Thompson._ "Well, sir, I reely don't know what is to be done! It won't
+do to waste it, and we _can't_ eat it downstairs!"]
+
+ * * * * *
+
+[Illustration: CONCLUSIVE
+
+SCENE--_Hibernian Table d'hote_
+
+_Guest._ "Waiter! I say--this is pork! I want mutton!"
+
+_Waiter_ (_rather bustled_). "Yes, sorr, it's mutton ye _want_--but it's
+pork ye'll _have_!"]
+
+ * * * * *
+
+RAMBLING RONDEAUX
+
+_At Table d'hote_
+
+ At _table d'hote_, I quite decline
+ To sit there and attempt to dine!
+ Of course you never dine, but "feed,"
+ And gobble up with fearsome greed
+ A hurried meal you can't define.
+
+ The room is close, and, I opine,
+ I should not like the food or wine;
+ While all the guests are dull indeed
+ At _table d'hote_!
+
+ The clatter and the heat combine
+ One's appetite to undermine.
+ When noisy waiters take no heed,
+ But change the plates at railway speed--
+ I feel compelled to "draw my line"
+ At _table d'hote_!
+
+ * * * * *
+
+SUFFICIENT EXCUSE
+
+_Jones_ (_to Brown_). I say, old fellow, I saw you last night, after
+that dinner. Your legs were uncommonly unsteady.
+
+_Brown._ No, dear boy; legs were right enough. It was my trousers that
+were so "tight."
+
+ * * * * *
+
+[Illustration: CRUEL!--_Lucullus Brown_ (_on hospitable purpose
+intent_). "Are you dining anywhere to-morrow night?" _Jones_ (_not
+liking to absolutely "give himself away"_). "Let me
+see"--(_considers_)--"No; I'm not dining anywhere to-morrow." _Lucullus
+Brown_ (_seeing through the artifice_). "Um! Poor chap! How hungry you
+will be!" ["_Exeunt,--severally._"]
+
+ * * * * *
+
+[Illustration: CANDID!
+
+_Simultaneously_
+
+_Host (smacking his lips)._ "Now, what do you say to that glass of
+she----"
+
+_Guest._ "My dear fellow, where did you get this abominable Marsala?"]
+
+ * * * * *
+
+GUESTS TO BE AVOIDED
+
+"Hullo, old man! How is it you're dining at the club? Thought your wife
+told me she had the Browns and Smiths to dinner this evening?"
+
+"No--that was yesterday. This evening she has the odds and ends."
+
+ * * * * *
+
+SECTARIAN
+
+"Hullo, John! What a jolly dish! Potatoes, greens, carrots, beans! Who's
+it for?"
+
+"Mr. Binks, sir."
+
+"Is Mr. Binks a _vegetarian_?"
+
+"Oh no, sir! I believe he's Church of England!"
+
+ * * * * *
+
+[Illustration: "TO PUT IT BROADLY"
+
+_Improvised Butler_ (_to distinguished guest_). "Will ye take anny more
+drink, sor?"]
+
+ * * * * *
+
+[Illustration: _First Customer._ "Waiter, a fried sole."
+
+_Second Customer._ "Bring me a fried sole, too, waiter--and mind it is
+fresh."
+
+_Waiter._ "Two fried soles--one fresh!"]
+
+ * * * * *
+
+[Illustration: AFTER MANY YEARS!--_Country Parson_ (_to distinguished
+Peer, who has been making_ THE _speech of the evening_). "How d'ye do,
+my lord? I see you don't quite remember me." _Distinguished Peer._
+"Well--er--not altogether." _C. P._ "We were members of the same club at
+Oxford." _D. P._ (_with awakening interest_). "Oh--ah! Let me see--which
+club was that?" _C. P._ "The--er--_Toilet Club_, you know!"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_She._ "We expected you to dinner last night, Herr Professor. We waited
+half an hour for you. I hope it was not _illness_ that prevented you
+from coming?"
+
+_He._ "Ach, no! I vas not hongry!"]
+
+ * * * * *
+
+[Illustration: A DILEMMA
+
+_Nervous Gentleman_ (_to two sisters_). "I've got to take one of you in
+to dinner. A--a--let me see--a--which is the elder?"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_Jones_ (_to hostess, famous for her dinners_). "Oh, by the way, Mrs.
+Hodgkinson, if you should happen to want a really good cook, I know of
+one who would suit you to a T!"]
+
+ * * * * *
+
+[Illustration: THE RULING PASSION STRONG AT DINNER
+
+_Laconic Waiter_ (_thoroughly familiar with sporting Major's taste in
+champagne_). "Seventy-four, sir?"
+
+_Sporting Major_ (_down on his luck, after a bad week at Newmarket_).
+"Seven-to-four, sir! Dash it! wouldn't take ten to one about anything!"]
+
+ * * * * *
+
+[Illustration: CAUSE AND
+
+_Host_ (_to coachman, who is turned on as butler on grand occasions_).
+"I want you to see that all my guests enjoy themselves, Coggledab. Don't
+let them have to ask for anything. Be particularly attentive to my dear
+aunt, Mrs. Dumbledock!"]
+
+ * * * * *
+
+[Illustration: EFFECT
+
+_Coggledab_ (_in a stage-whisper, during a lull in the conversation, to
+Mrs. Dumbledock, who has recently joined the Blue Ribbon Army._)
+"'Ollands, whiskey, or cog-nack, mum? You can't be enjy-in' of yourself.
+_You're not drinkin'!_"
+
+[_Mrs. Dumbledock alters her will the next day_]
+
+ * * * * *
+
+A LITTLE DINNER OF THE FUTURE
+
+_A Forecast by Mr. Punch's Own Clairvoyant_
+
+ According to the _Daily Chronicle_, "an American professor is
+ looking forward to the time when cooking and dining shall become
+ lost arts, and we shall take our sustenance in the form of tablets
+ of concentrated things." Our esteemed contemporary appears to think
+ that such a system would necessarily do away with all conviviality
+ and social intercourse; but, unless MR. PUNCH'S clairvoyant is
+ liable to error (which is absurd), we need not take quite so gloomy
+ a view of the future. People will still entertain, only the dinner
+ of the next century will be a more economical and less tedious
+ function, and, instead of having to go through a trying interview
+ with her cook, the coming hostess will merely look in at the nearest
+ food chemist's, when some such conversation as the following will
+ settle the whole business.
+
+_Hostess._ We've some people coming in to take a few tablets with us
+this evening; what do you think I'd better have?
+
+_The Food Chemist._ You will require _soup_, of course, madam. I could
+send you one of these patent soup-sprinklers, exceedingly simple to
+work, and quite the fashion in the highest circles: the butler sprays
+each guest before showing them upstairs. We supply the machine, charged
+with the very best soup, at ninepence a night.
+
+_Hostess._ No, I don't want anything _fussy_, it's quite an informal
+little gathering. An ounce of those mock-turtle jujubes at fourpence I
+had last time will do very well.
+
+_The F. C._ Very good, madam. Then, with regard to fish? I can strongly
+recommend these bi-carbonate of cod and oyster sauce lozenges, or I have
+some sulphate of salmon and cucumber pastilles, that I think you would
+like, ninepence the quarter-of-a-pound.
+
+_Hostess._ I'm afraid I mustn't be extravagant. I'll take a small bottle
+of condensed smelt tabloids (the _sixpenny_ size), and what are left
+will come in nicely for the children's dinner next day.
+
+_The F. C._ Precisely so, madam. And as to _entrees_--will you have
+cockscomb cachous or sweetbread pilules?
+
+_Hostess._ It makes such a _long_ dinner. I don't want a lot of things.
+
+_The F. C._ In _that_ case, madam, I think I have the very article--a
+most elegant electro-chemical preparation, combining _entree_, joint,
+and bird, with just a trace of vegetable matter, put up in small
+capsules, at one and elevenpence halfpenny the box of one dozen.
+
+_Hostess._ That would be cheaper than having each course in separate
+tablets, _wouldn't_ it? I think I'll try a box. What wonderful
+improvements they bring out nowadays, to be sure!
+
+_The F. C._ They do indeed, madam. I am told that the Concentrated Food
+Stores will shortly be able to place on the market a series of graduated
+wafers, each containing a complete dinner, from a City banquet to a
+cutlet, at prices to correspond with the number of courses required.
+
+_Hostess._ Delightful! And then the most expensive dinners will be all
+over in a minute, instead of dragging on to ten minutes or a quarter of
+an hour, as I've known them to do sometimes! I've often thought what a
+pity it is that we waste so much precious time as we do in merely
+supplying our bodily wants.
+
+_The F. C._ We are improving, madam, slowly improving. And what about
+sweets, cheese, and savouries?
+
+_Hostess._ I might have one of those two-inch blocks of condensed
+apple-tart, and a box of cheese pills--_no_ savouries. You see, it's
+only a _family_ party!
+
+_The F. C._ Exactly so, madam. And shall you be needing anything in the
+way of stimulants?
+
+_Hostess._ Let me see--you may send me in a couple of ounces of
+acidulated champagne drops--the _Australian_ quality, _not_ the French,
+they're twopence an ounce dearer, and so few people notice the
+difference nowadays, do they?
+
+_The F. C._ (_to himself_). Not until the next morning! (_Aloud._) And
+liqueurs? Any brandy-balls with the coffee creams? We have some very
+fine essence-of-dessert jellies----. _Hostess_ Nothing more, thank you.
+(_To herself as she departs._) I'm sure I've spent quite enough as it is
+on John's stingy old relations, who never ask us to have so much as a
+lunch-lozenge or a tea-tabloid with them!
+
+ * * * * *
+
+_Lady of uncertain age_ (_discussing dinner party_). No, I cannot say it
+was very complimentary; they gave me to an archaeologist to take down.
+
+ * * * * *
+
+[Illustration: _Old Jones._ "Yes, my boy, _there's_ wine for you, eh? I
+bought ten pounds worth of it the other day."
+
+_Brown._ "What a _lot_ you must have got!"]
+
+ * * * * *
+
+[Illustration: A BIG ORDER
+
+_Stout Party_ (_to waitress_), "Put me on a pancake, please!"]
+
+ * * * * *
+
+[Illustration: AT A LITERARY AND ARTISTIC BANQUET.--_Waiter_ (_to
+colleague_). "Well, they may 'ave the intellec', Fred, but we certainly
+'as the good looks!"]
+
+ * * * * *
+
+[Illustration: Why not a phonographic after-dinner speech machine?
+Celebrities could be represented at any number of banquets.
+
+["An experiment in dinner speeches by telephone is to be tried at
+Massachusetts Institute."]]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE EXPRESSED OTHERWISE
+
+_Would-be Considerate Hostess (to son of the house)._ "How inattentive
+you are, John! You really must look after Mr. Brown. _He's helping
+himself to everything!_"
+
+[_Discomfiture of Brown, who, if somewhat shy, is conscious of a very
+healthy appetite._]]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD(N'T) RATHER HAVE LEFT UNSAID.--(_In Mrs.
+Talbot de Vere Skynflynte's drawing-room, after one of her grand
+dinner-parties where nobody gets enough to eat._) _General Guzzleton._
+"What's that? Tea? No, thanks. I never take tea unless I've dined!"]
+
+ * * * * *
+
+PROVERBS FOR BALL AND DINNER GIVERS
+
+Ices and tea and coffee and small cakes are as good as a feast.
+
+You may bring an amateur tenor up to a piano, but you cannot make him
+sing.
+
+A lord in the room is worth two dukes in the bush.
+
+In provincial society the lord-lieutenant is king.
+
+Flirtation is the mother of invention.
+
+All good dances lead to the conservatory.
+
+Take care of the rounds, and the squares will look after themselves.
+
+It is a wise waltzer who knows her own step.
+
+A dinner in time saves nine.
+
+When the confectioner comes in by the door the cook flies out by the
+window.
+
+What is port to your wine merchant is death to your guests.
+
+Keep your champagne dry.
+
+Call a stable-boy by any other name, and he will resemble the rose
+under similar circumstances.
+
+You can't make a head butler out of a local greengrocer.
+
+When the soup is cold, the wit flies out.
+
+If you have enough cheap and nasty dishes, some of them must be eaten.
+
+The _menu_ makes the dinner.
+
+Ask _Mr. Punch_ to a really good and well thought-out meal, and you will
+have an exceptionally lucky man for your guest.
+
+ * * * * *
+
+THE SIGH OF THE SEASON
+
+ Good-bye dinner, good-bye lunch,
+ Good-bye turtle, good-bye punch,
+ Good-bye jambon soaked in cham.,
+ Good-bye venison, cutlets lamb,
+ Good-bye salmon, smelts, and sole,
+ Good-bye Heidsieck's monopole,
+ Good-bye hock, sauterne, and sherry,
+ Good-bye all that makes me merry,
+ Good-bye liqueurs, _petit verre_,
+ Good-bye sauce _au Vin Madere_,
+ Good-bye all these joys of life,
+ Good-bye fork, and good-bye knife,
+ Good-bye all I take when out,
+ Good-bye _then_ this twinge of gout!
+
+ * * * * *
+
+[Illustration: _Our Gallant Colonel._ "Your daughters, my dear Mrs.
+Tympanum, are looking delightful to-night--simply delightful!"
+
+_Mrs. Tympanum (rather hard of hearing, and very intent on a roti of
+ducklings)._ "Yes, aren't they! I've had them stuffed with sage and
+onions!"]
+
+ * * * * *
+
+[Illustration: CRUEL!--_Smith (usually a shy, reserved, and silent man)
+tells a rather long, but otherwise entertaining, story, about an orange,
+which meets with great success. Brown (when the laughter and applause
+have subsided)._ "Bravo, Smith! Capital, old man! But, I say, you told
+it better one night at Jones's, a few months ago!" _Jones._ "No, no!
+Where he told it best was that morning we breakfasted with you, Brown,
+somewhere about the beginning of the year before last!" _Robinson._ "Ah,
+but don't you recollect the way he told it after that supper I gave you
+fellows at Evans' in 'fifty-one'? How we _did_ laugh, to be sure!"]
+
+ * * * * *
+
+[Illustration: WHOSE FAULT?--_Wife (reproachfully)._ "O, Charles!" (_She
+had returned to the dining-room, wondering why he had not come upstairs
+to tea.) Charles (who had evidently taken a little too much wine)._ "V'y
+well, my dear! 'Sh not my fault! 'Sh your fault! Cooksh fault! 'Bisque
+soup was salt! Sh'preme d'la V'laille was smoked! And orange frittersh
+'tough as leather! What did Capt'n du Cane shay? Bad cookery cause of
+all sorts o' crimes. 'Shamed of yourshelf!"]
+
+ * * * * *
+
+[Illustration:
+
+"For when our veins are filled
+With wine and feeding, we have suppler souls
+Than in our priest-like fasts."--SHAKSPEARE: _Coriolanus_.
+
+AFTER-DINNER CRITICISM.--_Guest (who has had a pleasant evening, will
+just have a look at his host's pictures before he goes)._
+"Yesh--(_hic_)--'like tha' pictsh're! Fi' lanshc'pe! 'Like the treesh!
+'Branshes wave 'bout s' nash'rally!!!"]
+
+ * * * * *
+
+DINNER PLATITUDES
+
+Twice of soup is vulgar, but three times of soup implies that you must
+be more than double-plated with vulgarity. Such a thing was never known,
+not even at the Trinity Board, and turtle is not the slightest excuse
+for your pushing things to such a vulgar length. An alderman would
+really blush for you.
+
+A soft answer turneth away wrath, and an invitation to take a glass of
+wine will frequently restore warmth between two friends where only
+coldness existed before.
+
+No matter how plain your cook may be, so long as your dinner is
+well-dressed.
+
+A few compliments go a great way. A little savoury _pate_ is quite
+enough. Try too many, and you'll find they'll prove heavy.
+
+When the ladies retire from the dinner-table, it is not usual for you
+(supposing you to be a gentleman) to retire with them. In this instance,
+the same law extends to the mistress as to the servants:--"No Followers
+Allowed."
+
+A gratuity well bestowed frequently has a happy effect. The servant that
+is fee'd well takes care that his master does the same.
+
+In the hands of an inferior _artiste_, whether an omelette turns out
+good or bad, is quite a matter of toss up. It is the same with a
+pancake.
+
+Keep ill-natured people from your table, as you would sour fruit. They
+are sure to disagree with every one. Avoid crab-apples, lest the apple
+of discord should turn up amongst them.
+
+ * * * * *
+
+ODE TO A DINNER-GONG
+
+ "The tocsin of the soul--the dinner-bell."
+ So said, admiringly, the late Lord Byron,
+ But he had never heard _your_ noisy knell,
+ O blatant bellowing thing of brass or iron,
+ Or surely he had metrically cursed
+ Your nerve-distracting Corybantic clangour.
+
+ Would his fine indignation could have versed
+ My utter hate, my agonising anger.
+ Alas! is gusto then so great a sin,
+ Is feeding man so terrible a sinner
+ That such a worse than _Duncan_-raising din
+ Must summon him to--dinner?
+
+ * * * * *
+
+[Illustration: DOWN A PEG.--_Mr. Gifted Hopkins (minor poet, essayist,
+critic, golfer, fin-de-siecle idol, &c.)._ "Oh, Mrs. Smart--a--I've been
+thinking, for the last twenty minutes, of something to say to you!"
+_Mrs. Smart (cheerfully)._ "Please go on thinking, Mr. Hopkins,--and
+I'll go on talking to Professor Brayne in the meantime."]
+
+ * * * * *
+
+[Illustration: PAST AND PRESENT.--_Serious and much-married man._ "My
+dear friend, I _was_ astonished to hear of _your_ dining at Madame
+Troisetoiles!--a 'woman with a past' you know!"
+
+_The Friend_ (_bachelor "unattached"_). "Well, you see, old man, she got
+a first-rate _chef_, so it isn't her 'past,' but her 're-past' that _I_
+care about."]
+
+ * * * * *
+
+[Illustration: A CONNOISSEUR.--_Sir Pompey Bedell._ "This bottle of
+Romanee-conti seems rather cloudy, Brown! It _ought_ to be all right. I
+know it stands me in _twelve guineas a dozen_!"
+
+_The New Butler._ "There certainly _his_ some sediment, Sir Pompey; but
+it's of no consequence whatever! I tried a bottle of it _myself_ the
+other day, and found it first-rate!"]
+
+ * * * * *
+
+[Illustration: A PIOUS FRAUD!
+
+"Hullo, Monty, what have you got in your button-hole? You don't mean to
+say you've joined the blue ribbon army?"
+
+"Yes; for this night only. Going to dine with Jakes. Don't want to hurt
+poor old Jakes' feelings--don't want to be poisoned by his beastly wine.
+See?"]
+
+ * * * * *
+
+[Illustration: IN THE DAYS OF THE CRINOLINE--DINING UNDER DIFFICULTIES]
+
+ * * * * *
+
+[Illustration: REPLETION.--_Robert._ "Pudding or cheese, sir?"
+
+_Abstracted Editor._ "Owing to pressure of other matter, 'regret we are
+unable to find room for it!"]
+
+ * * * * *
+
+[Illustration: _Brown_ (_who has been dining at the club with Jones_).
+"Just come in a minute, old fellow, and have a night-cap."
+
+_Jones._ "I'm afraid it's getting a little late. Let's see how's the
+enemy."
+
+_Brown._ "Oh! that's all right. _She's_ in bed."]
+
+ * * * * *
+
+[Illustration: INNOCENTS IN THE CITY
+
+_Mrs. Fitznoodle_ (_evidently not well versed in the delicacies of a
+Guildhall feast_). "Freddy, dear, can you tell me what _is_ the
+difference between 'calipash' and 'calipee'?"
+
+_Colonel Fitznoodle_ (_hesitating, and looking round for an
+answer_). "Certainly, my dear. Exactly the difference there is between
+'Gog' and 'Magog'!"]
+
+ * * * * *
+
+DINNERS AND DINERS
+
+(_With apologies to the P-ll M-ll G-z-tte_)
+
+It had been my good fortune to give to Mademoiselle Faustine, a charming
+little actress, a tip for the Welter Plate last spring. What more
+natural than that I should ask her to give me a dinner as some slight
+return? She readily accepted, and asked me to name the day. Glancing at
+the sixth volume of my engagement book, I found my first vacant date was
+June 18, '97. This was fortunate, as it is hardly possible--except at
+Voisin's--to get a decent dinner unless you order it a year in advance.
+
+"Where shall we dine?" asked Faustine.
+
+"There is only one place where people _do_ dine," I answered, a little
+reproachfully. "The Bon Marche. I will order the dinner."
+
+So the place and the date were fixed.
+
+ * * * * *
+
+As Faustine was a quarter of an hour late--I had not seen her since our
+arrangement--I waited in the alabaster portico of the Bon Marche,
+chatting amiably to the courteous commissionaire, an old comrade of mine
+in the Wimbledon days. Jules, the courteous _chef_, was _au desespoir_.
+Why had I not given him more notice? Madame was fifteen minutes late. If
+he had only known! In a year and fifteen minutes it is possible to cook
+a dinner. In a year--no. I tried to calm the worthy fellow--an old ally
+of mine in the Crimean war. In vain; he complained the sardines were
+spoiling. So I went into the dining-room, nodding courteously to eight
+princes of the blood, neither of whom appeared, for the moment, to
+recognise me.
+
+As I seated myself, the entire staff, headed by a brass band, brought me
+my _sardines a l'huile_. These are a _specialite_ of the house, and are
+never--should never be, at least--eaten with the tin. The _potage a la
+potasse_ was quite excellent. I congratulated the courteous _chef_,
+pointing out to him the desirability of mixing, sometimes, a little
+anti-pyrine into the potassium--both drugs far too rarely used in modern
+cookery. Then came the question of wine. This I solved for the moment
+by ordering two Jeroboams of Stereoscopic Company et Fils; a _cuvee_ of
+'80, absolutely _reservee_ for my own use. As I had engaged the entire
+staff of waiters, a crown prince, who was entertaining one of our
+leading bicyclists, rose to leave, with his guest. I smiled and nodded
+to them as they passed, which appeared to hasten their departure.
+
+The _moulin a vent_ was delicious, but the _dindon decousu_ I could not
+pass. No self-respecting _gourmet_ will pass everything at a dinner.
+
+Gontran, the kindly _maitre d'hotel_, was almost in tears, but I
+consoled him by observing that the ostriches were cooked to a turn, and
+the _bombe glacee a l'anarchiste_ faultless.
+
+But my hostess? Where was she? Where was Mademoiselle Faustine? I had
+quite forgotten her! I beckoned to Hagenbock, the press representative
+of the restaurant, who informed me she had been dead eight months! I,
+who read nothing but menus, had omitted to notice this in the papers. I
+was greatly pained. The shock unnerved me--I could eat no more. Besides,
+who was now to pay the bill?
+
+I reproduce the bill.
+
+Couverts, L5. Diners, L36 8_s._ Pain, 2_s._ Champagne, L47. Liqueurs,
+15_s._ Addition, 3_s._
+
+In all, L89 8_s._--(This is one of the few restaurants where a charge is
+made for the addition.)
+
+"Make out the bill," said I, "in francs, and send it to the executors of
+Mademoiselle Faustine."
+
+II.
+
+Monsieur Victor de Train-de-Luxe is in many respects a delightful
+person. In other ways he is not. For instance, because he was,
+accidentally, the cause of my backing a winner at Ascot (simply by means
+of ordinary stable information), he had the bad taste to suggest that I
+should stand him a dinner.
+
+I said, "Certainly, my dear Comte" (Comte being the courtesy title I
+invariably give to foreigners from whom I have the hope of borrowing
+money).
+
+"Where shall it be?"
+
+"There is only one place where one _can_ dine," I said.
+
+"Of course--the Bon Marche," he replied.
+
+"No," I answered. "No, _mon ami_. If you wish to eat a really
+characteristic English dinner, come to the Vegetarian Restaurant in
+Edgware Road. Come along. Come, _now_!"
+
+"But it's only six o'clock. I am not hungry."
+
+"All the better," I replied. And I also pointed out to him that the best
+way to see London is outside an omnibus. So we started.
+
+ * * * * *
+
+Arrived at the restaurant, I was enthusiastically received by the
+courteous cashier, who presented me with a previous bill, which, I
+noticed, had not been receipted. I said I thought it rather rude to
+present a gentleman with a bill which they hadn't taken the trouble to
+receipt.
+
+We sat down.
+
+"I'm glad," I said to Victor, "that I didn't know this dinner was coming
+off to-day. If I had had notice, I might have ordered it beforehand; and
+a dinner, to be perfection, should be eaten, if possible, on the day it
+is cooked. At least, that's what I always think. I may be wrong."
+
+Monsieur de Train-de-Luxe smiled, said I was a _farceur_, and I ordered
+our dinner.
+
+First, some turnip turtle soup, then, ortolans of spinach and mashed
+potatoes, followed by a canvas-backed duck made of Indian corn, and
+last, not least, plum-pudding. As all will agree, this makes a very
+delicious and seasonable repast. Long dinners have quite gone out of
+fashion. And this was washed down with a sparkling bottle of orange
+champagne, '97.
+
+My friend Victor, who is rather a _gourmet_, was so struck with the
+first mouthful of soup, that he said it was quite enough, observing, he
+had never tasted anything like it.
+
+Pleased with this praise, I asked his opinion of the ortolans. He said
+that their aroma dispensed with the necessity for their consumption. He
+was evidently surprised.
+
+When the bill was presented by the courteous "chucker-out," we found
+that most unluckily neither of us had any money.
+
+I append the bill.
+
+Dinners (for two), 1_s._ 9_d._ Champagne, 3_d._ Total, 2_s._
+
+To this I ought really to add:--
+
+Cab (for three) to Marylebone Police Court, 1_s_. 6_d_. (The constable
+refused to walk without us.)
+
+Loss to reputation by report of proceedings, 8_d_.
+
+ * * * * *
+
+THE BUSINESS OF PLEASURE
+
+_Professor Guzzleton_ (_to Fair Chatterbox_). Are you aware that our
+host has a French cook?
+
+_Fair Chatterbox._ So I hear!
+
+_Professor Guzzleton._ And that that French cook is the best in London?
+
+_Fair Chatterbox._ So I believe!
+
+_Professor Guzzleton._ Then don't you think we had better defer all
+further conversation till we meet again in the drawing-room?
+
+ * * * * *
+
+"My uncle, the admiral," said Mrs. Ramsbotham, "is very old fashioned,
+and always goes to sleep every day after dinner with his banana on his
+head."
+
+ * * * * *
+
+[Illustration: SYMPATHETIC
+
+_Toast-master_ (_to chairman of public dinner_). "Would you like to
+propose your toast now, my lord, or should we let 'em enjoy themselves a
+bit longer?"]
+
+ * * * * *
+
+[Illustration: INFELICITOUS MISQUOTATIONS.--_Hostess._ "You've eaten
+hardly anything, Mr. Simpkins!"
+
+_Mr. S._ "My dear lady, I've dined '_wisely, but not too well_!'"]
+
+ * * * * *
+
+[Illustration: TRIUMPHS OF THE FUNNY MAN
+
+_Hired Waiter_ (_handing the liqueurs_). "_Please_, sir, _don't_ make me
+laugh--I shall spill 'em all!"]
+
+ * * * * *
+
+[Illustration: OVERHEARD AT A CITY RESTAURANT
+
+"I said Welsh _radish_, not _horse rabbit_!"]
+
+ * * * * *
+
+[Illustration: IRRESISTIBLE
+
+_Our Robert_ (_on duty in the provinces, offering dish to neglected
+spinster_). "Little duck!"
+
+[_In such a tone of voice, that, at the risk of the sage and----she
+accepts!_]
+
+ * * * * *
+
+[Illustration: _Host._ "I say, my boy, shall we join ladies in
+drawing-room?"
+
+_Guest._ "I sh'inksho."
+
+_Host._ "Can you say, 'The scenery's truly rural 'bout here?'"
+
+_Guest._ "Sc-scenery tooralooral."
+
+_Host._ "All right, come along!"]
+
+ * * * * *
+
+[Illustration: HE KNEW THE CUISINE.--_Hungry Diner_ (_scanning the
+menu_). "Look here, waiter, I'm starving. I think I'll have a little of
+everything!"
+
+_Waiter._ "Yessir. (_Bawls off._) 'Ash one!"]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+[Illustration: SONGS AND THEIR SINGERS]
+
+ * * * * *
+
+AFTER-DINNER SPEECHES
+
+ "When the wine is in, the wit is out;"
+ Only to dolts the adage reaches.
+ No wise man could for a moment doubt
+ The value of after-dinner speeches.
+
+ _Punch_ can remember the time when Peel,
+ Whose wisdom still the country teaches,
+ After steak and port, his nine o'clock meal,
+ Made the best of after-dinner speeches.
+
+ When the Ministers come to the Mansion House,
+ (The King of London their presence beseeches,)
+ No guest who has any touch of _nous_
+ Will be weary of after-dinner speeches.
+
+ When the Royal Academy blooms in May,
+ With its pretty girls and their cheeks like peaches
+ Who won't, on the opening Saturday,
+ Listen to after-dinner speeches?
+
+ When there's ought that's generous to be done,
+ A greeting to pay that no soul impeaches,
+ A dinner's the best thing under the sun,
+ And its gold coin the after-dinner speeches.
+
+ And as to the House, which often suffers
+ From talk that to dreariest platitude reaches,
+ It does not often allow its duffers
+ To make long after-dinner speeches.
+
+ * * * * *
+
+[Illustration: SCENE--CHOP-HOUSE
+
+_Enter Street Boy, and, with suppressed ecstasy._ "Oh, please, there's
+your cat and kittens having such a game with the things in the winder!"]
+
+ * * * * *
+
+AT THE CRIC-CRAC RESTAURANT
+
+_Customer_ (_looking at bill_). Here, waiter, there's surely some
+mistake in this total.
+
+_Waiter_ (_politely_). Zehn thousand pardons, sir! Mit my usual
+carelessness I have added in ze date and vorgot to charge you for ze
+butter.
+
+ * * * * *
+
+AN OVERSIGHT!
+
+_Swell._ Waiter! This--ah--chop's vewy dwy!
+
+_Waiter._ 'Ndeed, sir? Perhaps if you were to order something to drink
+with it, sir----
+
+ * * * * *
+
+[Illustration: A REBUKE
+
+_Host._ "Fish is very expensive, just now, I can tell you. This salmon
+cost me two and sixpence a pound!"
+
+_Guest_ (_no business of his_). "Ah, it's very good, I think I'll take
+another eighteen penn'orth!"]
+
+ * * * * *
+
+[Illustration: CAUTION
+
+_The Major._ "Don't you like liqueurs, Mrs. Jinks?"
+
+_Mrs. Jinks._ "Yes; but they make one so _unreserved_!"]
+
+ * * * * *
+
+[Illustration: A BORN ORATOR (IN THE EAST)
+
+_Farmer_ (_proposing landlord's health_). "An' if a' squiears 'ud _dew_
+as our squiear _dew_, there wudna be so many on 'em as _dew_ as they
+_dew dew_!"]
+
+ * * * * *
+
+[Illustration: NO EXCUSE FOR NOT BELIEVING.--"Then you don't believe in
+phrenology?" "No, rather not. I once gave one of those fellows a
+sovereign to read my head, and, after feeling it a long time, all he
+said was, that I had no idea of the value of money."]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE PUT DIFFERENTLY.--_Mr.
+Bumblepup._ "I must apologise for coming in ordinary evening dress."
+_Hostess._ "Well, you really have the advantage of us. We're all looking
+more foolish than usual, and you're not."]
+
+ * * * * *
+
+[Illustration: _Mr. Boreham_ (_in the thick of a long and pointless
+story_). "Well, as I was saying, I happened to be in the City the other
+day, and, as I was walking down Cheapside, whom should I meet but my old
+friend, Stodgeley, whom I haven't seen for fifteen years. Well, what do
+you think he did? He stopped dead when he saw me, slapped me on the
+shoulder, and said, 'Surely this must be my dear old friend, Boreham?'"
+_She_ (_with difficulty keeping awake_). "Yes?--_and was it_?"]
+
+ * * * * *
+
+[Illustration: _Hostess_ (_to friend who has been brought in to take
+pot-luck_). "I'm afraid, Mr. Simpson, we've only got a very poor dinner
+to offer you."
+
+_Mr. Simpson._ "My dear Mrs. Jones, I beg you not to apologise! I assure
+you I think it quite desirable to _underfeed_ occasionally!"]
+
+ * * * * *
+
+THE DINNER CHAIRMAN'S VADE MECUM
+
+(_Compiled for the use of Orators during the Month of May Mouthings_)
+
+_Question._ You are accustomed to take the chair at a public dinner?
+
+_Answer._ Yes. Or, to speak by the card, a dinner for the rest of the
+company.
+
+_Q._ Why, do you not partake of the good cheer before you with the rest
+of your convives?
+
+_A._ Certainly not. I have to speak later on--a consideration which
+entirely destroys my appetite.
+
+_Q._ Is there anything new to be said in the loyal toasts?
+
+_A._ No; and therefore it is better to return to the simplest form,
+which is sure to be received with heartfelt enthusiasm.
+
+_Q._ What can be said about the united service?
+
+_A._ That it is absolutely delightful to expend millions in the
+furtherance of their interests.
+
+_Q._ And can anything interesting be put in about the Houses of
+Parliament?
+
+_A._ Not much. Sneers at the Lords are no longer popular, and the Lower
+House is too respectable to be anything but a dull subject.
+
+_Q._ What about the toast of the evening?
+
+_A._ That must be left to the secretary, who will furnish the chairman
+with the necessary facts, which may be mixed with original remarks,
+two-thirds humorous to one-third pathetic.
+
+_Q._ How are the visitors to be treated?
+
+_A._ With fulsome eulogy or comic depreciation inspired by the pages of
+that excellent manual, _Who's Who_. Particular attention can be paid to
+the entries under "Recreations" in that admirable work, for appropriate
+chaff.
+
+_Q._ And in what terms does a chairman respond to the toast of his own
+health?
+
+_A._ In a few muttered words addressed to an audience composed of a
+gentleman fast asleep, the toast-master, and the waiters.
+
+ * * * * *
+
+[Illustration: SOCIAL AGONIES.--"I say, old chap, it's short notice, but
+_do_ come and dine this next Thursday!" "Can't, dear old man. I'm
+engaged three deep for the night!" "Oh, sorry! I've got the Duke and
+Duchess of Runnymede, and Lord Savory!" "Oh,"--(_seeing it in quite a
+different light_)--"_next_ Thursday, did you say? I thought you said
+Thursday _week_. Oh, yes, I shall be delighted!"
+
+[_Their Graces and Lord S. never turned up, after all!_]]
+
+ * * * * *
+
+[Illustration: REASSURING
+
+"Lor' bless yer, sir, that's all right, sir! _That_ ain't a fly,
+sir!--_that's_ a bit of dirt!"]
+
+ * * * * *
+
+[Illustration: BREAKING THE ICE
+
+_Sprightly Lady._ "Mr. Dormers, would you oblige me with----"
+
+_Bashful Curate_ (_who had scarcely spoken to his fair neighbour_). "O,
+certainly. What shall I have the pleasure to offer?----"
+
+_Lady._ "----a remark!!"]
+
+ * * * * *
+
+[Illustration: THE CONNOISSEUR.--_Host_ (_smacking his lips_). "There,
+my boy, what do you think of that? I thought I'd give you a treat.
+That's '34 port, sir!" _Guest._ "Ah, and a very nice, sound wine, I
+should say! I believe it's quite as good as some I gave 37s. for the
+other day."]
+
+ * * * * *
+
+[Illustration: A GENTLE SNUB.--"Here, waiter--quick! Something to
+eat--and look sharp!" "Yessir. What'll you 'ave, sir?" "Oh--anything--I
+don't care. Chop or steak--whatever you like." "You must excuse me, sir;
+but I don't feel called upon to decide!"]
+
+ * * * * *
+
+[Illustration: THE WAY WE LIVE NOW
+
+TIME--3 P.M. SCENE--_Club_.
+
+_First Gilded Youth._ "Had any breakfast, old chappie?"
+
+_Second Gilded Youth._ "Yes. Had an egg beaten up at twelve."
+
+_First Gilded Youth_ (_in admiration_). "Doose you did! What a
+constitution you must have!"]
+
+ * * * * *
+
+[Illustration: THE FIRST ASPARAGUS OF THE SEASON
+
+_Farmer_ (_at market dinner_). "Wull, gen'elmen, I dunno wot be the
+c'rect way o' servin' these 'ere, but I gen'elly eats just the ends of
+'em myself!"
+
+[_Helps himself to the tops!_]]
+
+ * * * * *
+
+[Illustration: THE GENIAL SEASON
+
+_Hungry-looking Acquaintance_ (_with eye to invitation_). "So glad to
+see you enjoying yourself!"
+
+_Fat Chap_ (_evidently doing well_). "Wrong again, old man. I'm enjoying
+my dinner!"]
+
+ * * * * *
+
+A WAITER'S WARNING
+
+"ENTOMOLOGY IN PARLIAMENT STREET.--Mr. Frank W. DUFREY, 55, Parliament
+Street, writes to the _Field_:--'It will interest your entomological
+readers to hear that a fine specimen of the death's-head hawk moth
+(_Acherontia atropos_) was taken in Parliament Street on Monday evening.
+It flew into the dining-room at the Red Lion Tavern, and was captured by
+one of the waiters, who was alarmed at its size and the peculiar noise
+it made. Apart from its being rather rubbed, it is a very good specimen
+of the largest of our lepidoptera, and is now in my possession.'"
+
+ "William, where's John?
+ What, is he gone?"
+ "Not gone away, sir.
+ Sorry to say, sir;
+ John ill a-bed, sir,
+ Bad in 'is 'ed, sir.
+ 'Ad a great fright, sir.
+ Turned 'is 'air wite, sir.
+ Last Monday night, sir."
+ "Struck down with fear!
+ How? Let me hear."
+ "'Orrible thing, sir,
+ Came on the wing sir;
+ Window in through, sir,
+ Suddently flew, sir,
+ Into this room, sir,
+ A shape from the tomb, sir.
+ 'Twasn't a bat, sir;
+ No, sir, not that, sir:
+ Moth, sir, we thought, sir.
+ But wen it was caught, sir,
+ Huttered a shriek, sir,
+ A scream, sir, a squeak, sir!
+ Hinsect, you know, sir,
+ Couldn't do so, sir.
+ Wot should we find, sir,
+ On its back, sir, be'ind, sir,
+ Printed, exact, sir?--
+ A skull, sir,--a fact, sir!
+ John gasped for breath, sir;
+ Thought it was Death, sir--
+ Notice to quit, sir.
+ John was that frit, sir,
+ John 'ad a fit, sir--
+ Went a'most mad, sir.
+ John very bad, sir;
+ Better, bimeby, sir;
+ 'Opes John won't die, sir.
+ Doctor 'e said, sir,
+ Moth, named death's 'ed, sir,
+ In natteral 'istory, sir;
+ Rare; but no mystery, sir:
+ Honly a prize, sir,
+ A catch in 'is heyes, sir,
+ As a medical gent, sir,
+ No call to repent, sir--
+ That's 'is belief, sir.
+ A sirloin of beef, sir,
+ Just up--very nice, sir.
+ Bring you a slice, sir?
+ Potatoes and greens, sir--
+ And any French beans, sir?"
+
+ * * * * *
+
+[Illustration: _Mrs. Godolphin._ "Shall we meet at Dunchester House
+to-morrow?"
+
+_Mrs. Lascelles._ "No. _I_ was there on Monday. I heard there were a few
+people going to-morrow."
+
+_Mrs. Godolphin._ "Oh, yes. She has only asked quite a few people. On
+Monday, now, I hear there was quite a big rabble there!"]
+
+ * * * * *
+
+[Illustration: THE CONSCIOUSNESS OF IMPORTANCE.--_Mrs. Brown._ "We are
+having some friends to dine with us on the twenty-fourth, Mr. Green, and
+want you to come and help to wait at table, as usual." _The Family
+Greengrocer._ "On the twenty-fourth, ma'am? I'm sorry to say I'm engaged
+on the twenty-fourth." _Mrs. Brown._ "Dear me! How unfortunate! We are
+so accustomed to you, and you know our ways." _Mr. Green._ "Yes, ma'am.
+Couldn't you write and put off your friends till the week _after_,
+ma'am?"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+"By the way, your friend O'Leary dined with me last night. What a dull
+dog he is!"
+
+"Oh, that depends on what company he's in!"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+"You can't go home when it's raining like this. You'd better stay and
+have dinner with us!"
+
+"Oh, it's not quite so bad as _that_!"]
+
+ * * * * *
+
+[Illustration: FREAKS OF NATURE
+
+_Waiter._ "Now, then, look sharp! Here's that mutton chop a biling with
+rage at bein' kep' waitin', and a beefsteak gone away in a towering
+passion!"]
+
+ * * * * *
+
+[Illustration: A NEW DISH
+
+_Sympathising Swell_ (_waiting for some chicken_). "You've got no
+sinecure there, Thomas!"
+
+_Perspiring Footman._ "Very sorry, sir--just 'elped the last of it away,
+sir!"]
+
+ * * * * *
+
+[Illustration: ALARMING SYMPTOMS AFTER EATING BOILED BEEF AND GOOSEBERRY
+PIE
+
+_Little Boy._ "Oh, lor, mar, I feel just exactly as if my jacket was
+buttoned."]
+
+ * * * * *
+
+[Illustration: BROWN AND JONES OVER THEIR WINE
+
+_Jones._ "How would I take Cronstadt? With vigour and decision, nothing
+more easy. My dear Brown, look here. This table is the Baltic, very
+well. Now look--(_Jones places certain strawberries for the forts; the
+city of Cronstadt on this occasion only being represented by a plate of
+gooseberries at the back._) Here we are. The strawberries the forts:
+Cronstadt the gooseberries. Now a little vigour and decision! This spoon
+is the _Duke of Wellington_, three-decker, leading the van. We go in
+here, firing both broadsides at once, to destroy the forts to larboard
+and starboard; while at the same time our guns in the bows and
+stern-sheets smash the other forts before and behind. Very good. We are
+then in front of Cronstadt--the city of Cronstadt. We shell that, sir;
+shell it of course! Blow up the powder-magazines; capitulation ensues;
+the Russian fleet is in a blaze, and, my dear Brown, that is how _I_
+would take Cronstadt----"
+
+_Brown._ "----After dinner."]
+
+ * * * * *
+
+[Illustration: HEAVY
+
+_Stranger_ (_just arrived at the City of Eastminster_). "What can I have
+for dinner, waiter?"
+
+_Waiter._ "Anything you please, sir!"
+
+_Stranger._ "What are you celebrated for here?"
+
+_Waiter._ "Well, sir, there's the cathedral----!!"]
+
+ * * * * *
+
+[Illustration: HORRIBLE SUSPICION
+
+_Old Gentleman._ "Oh, waiter, why is it that a dinner off the joint is
+five shillings, but if you only have made dishes and soup, it's two
+shillings and sixpence?"
+
+_Waiter._ "That, sir, is on account of the very high price of butcher's
+meat just now, sir."]
+
+ * * * * *
+
+[Illustration: SELF-EXAMINATION
+
+_Party_ (_slightly influenced_). "Queshion ish! Am I fit to go
+intodrawingroom? Letsh shee!--I can shay gloriush conshyshusn!--Have
+seen Brish inshychusion--all that shortothing--thatledo--here gosh!"]
+
+ * * * * *
+
+[Illustration: DURING THE CATTLE SHOW.--_Old Farmer Wuzzle_ (_reading
+the bill of fare_). "Dinners har lar cart! What does that mean, Polly?"
+_Miss Wuzzle_ (_who has been to a fashionable boarding-school to be
+finished, who has been taught French and how "to spank the grand
+pianner" and who is never at a loss_). "Aller cart, father? Why, that
+means a small, simple dinner. If you want something heavy and
+first-rate, you order what they call a dinner waggon!"]
+
+ * * * * *
+
+[Illustration: "MARCH OF REFINEMENT," 1875.--_Brown_ (_behind the age,
+but hungry_). "Give me the bill of fare, waiter."
+
+_Head Waiter._ "Beg pardon, sir?"
+
+_Brown._ "The bill of fare."
+
+_Head Waiter._ "The what, sir? O!--ah!--Yes!"--(_to
+subordinate_)--"Chawles, bring this--this--a--gen'leman--the _menoo_!!"]
+
+ * * * * *
+
+[Illustration: "MELTING!"
+
+_Stout Chairman_ (_who feels the fire close at his back rather
+oppressive_). "Waiter, I asked you to bring me a screen."
+
+_Waiter._ "Master's very sorry, sir, but we ain't got no screen!"
+
+_Stout Chairman._ "Then, for goodness' sake, tell the cook to send up
+the dripping-pan, and put it under me, quick!"]
+
+ * * * * *
+
+[Illustration: "I say, waiter, this salmon cutlet isn't half so good as
+the one I had here last week."
+
+"Can't see why, sir. It's off the same fish!"]
+
+ * * * * *
+
+[Illustration: "PLEASE TO REMEMBER THE WAITER"
+
+"All right, sir! My fault!"]
+
+ * * * * *
+
+DRINKING SCENE OF THE FUTURE
+
+(_In consequence of the Growing Demand for Lighter Liquors_)
+
+ SCENE--_The interior of a Dining-room. The ladies have just left,
+ and the gentlemen are discussing their beverages._
+
+_Smith._ I say, Brown, if it is not an impertinent question, where did
+you get that toast-and-water?
+
+_Brown._ I thought you would be deceived! It was a cup, not the pure
+article! My butler is a first-rate hand at it. I will give you the
+recipe if you like.
+
+_Smith._ Do. It was excellent. What _is_ the secret?
+
+_Brown._ Something, I fancy, to do with watercress.
+
+_Jones._ I say, Brown, that was really very nice sherbet. Turkish or
+Persian?
+
+_Brown._ Neither. Came from the Stores. Home-made.
+
+_Jones._ Well, it certainly was capital. I could have sworn that it had
+been manufactured east of the Levant.
+
+_Brown._ More likely east of Temple Bar. And now shall we have a
+whitewash before we join the ladies?
+
+_Six Guests._ No, thanks! Really not!
+
+_Half-a-dozen more of the Company._ Really not! No, thanks!
+
+_Brown._ Nonsense! (_Produces a pint bottle of lemonade._) Nonsense, I
+repeat! Look here, my boys. (_Locks door._) Not one of you fellows shall
+leave the room until you have finished _this_!
+
+ [_Draws cork of pint bottle, and distributes the lemonade amidst the
+ good-natured protestations of the revellers. Scene closes in upon
+ the temperance orgy._
+
+ * * * * *
+
+[Illustration: A PERSONAL GRIEVANCE
+
+"I say, won't they let _you_ go into long trousers?"]
+
+ * * * * *
+
+[Illustration: STUDIES IN ANIMAL LIFE
+
+THE GOORMONG. (_Epicuri de Grege Porcus. British Isles_)
+
+_Mr. Huggins._ "_What_ a 'eavenly dinner it was!"
+
+_Mr. Buggins._ "B'lieve yer! Mykes yer wish yer was born 'oller!"]
+
+ * * * * *
+
+[Illustration: THE NEW SCHOOL.--_Uncle_ (_who is rather proud of his
+cellar_). "Now George, my boy, there's a glass of champagne for
+you--don't get such stuff at school, eh? eh? eh?"
+
+_George._ "H'm--awfully sweet! Very good sort for ladies--but I've
+arrived at a time of life, when I confess I like my wine _dry_!"
+(_Sensation._)]
+
+ * * * * *
+
+[Illustration: PLEASANT!--_Lord Reginald Sansdenier_ (_in answer to
+confidential remark of his host_). "Twenty thousand pounds worth of
+plate on the table, Sir Gorgius? I wonder you ain't afraid of being
+robbed!"
+
+_Sir Gorgius Midas._ "_Robbed_, my lord! Good 'evens! I'm sure yer
+lordship's too honnerable heven to _think_ of sich a thing!"]
+
+ * * * * *
+
+[Illustration: _Farmer._ "I say, John, what do you call a pineapple--a
+fruit or a vegetable?"
+
+_Waiter._ "A pineapple hain't neither, gentlemen. A pineapple is always
+a hextra!"]
+
+ * * * * *
+
+DINING AL FRESCO
+
+(_Extract from an Earl's Courtier's Notebook_)
+
+6 P.M.--Come down early, to get a table. Can't. All the tables booked a
+week in advance. Very angry. Manager says he'll see what can be done for
+me--later on. Fairly satisfied. He had better!
+
+7 P.M.--In state of heat. Have a fair appetite. Ask for table. "What
+table?" "The one promised me--later on." "Very sorry, but they are all
+engaged." Awfully angry. Explain that I am a person of some importance.
+Can do the place a great deal of good if I do have a table, and _vice
+versa_. Manager desolated. See everybody else stuffing, drinking, and
+enjoying themselves. How they can have the heart! And _I_ table-less!
+But, no matter, a time will come. I'll write to "the leading journal"
+and denounce everything and everybody.
+
+7.15 P.M.--Explosively wrathful. At last! Ha! ha! Got a table. But at
+the back somewhere. Strong smell of cooking. Distant echo of a band.
+Exceedingly annoyed. Have tasted _hors d'oeuvres_. Sardines decent.
+
+7.20 P.M.--_Bonne Femme_ soup good. Have ordered champagne cup. Still
+annoyed.
+
+7.30 P.M.--Salmon mayonnaise distinctly excellent. Good idea to have
+cold dinner. Champagne cup well brewed. Don't notice the smell of
+cooking. Can hear the band. Nice band.
+
+7.40 P.M.--_Pate de fois gras en aspic._ Capital Cold joint. First-rate.
+Salad artistically mixed. Second champagne cup as good as first. After
+all, place of table not so bad.
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: A TRUE ARTIST.--_Mamma_ (_to Tommy, who has been allowed
+for a few minutes to wait at table_). "Now, Tommy, kiss me, and go to
+bed."
+
+_Tommy_ (_to footman_). "Do _you_ ever kiss the missus, Charles?"
+
+_Footman._ "No, sir!"
+
+_Tommy._ "Then _I_ won't!"]
+
+ * * * * *
+
+THE MENU A LA MODE
+
+ Come, Damon, since again we've met
+ We'll feast right royally to-night,
+ The groaning table shall be set
+ With every seasonable delight!
+ The luscious bivalve ... I forgot,
+ The oyster is an arch-deceiver,
+ And makes its eater's certain lot
+ A bad attack of typhoid fever.
+
+ With soup, then, be it thick or clear,
+ The banquet fitly may commence--
+ Alas, on second thoughts, I fear
+ With soup as well we must dispense.
+ The doctors urge that, in effect,
+ Soup simply kills the thoughtless glutton.
+ It's full of germs. I recollect
+ They say the same of beef and mutton.
+
+ Yes, each variety of meat,
+ As you remark, is much the same,
+ And we're forbidden now to eat
+ Fish, oysters, poultry, joint or game.
+ But though a Nemesis each brings,
+ The punishment, the doctors tell, is
+ As nothing to the awful things
+ Awaiting all who toy with jellies.
+
+ Cheese--that is not condemned with these
+ Yet ample evidence we find
+ To make us, Damon, look on cheese
+ As simply poison to mankind;
+ While those who may desire to pass
+ Immediately o'er Charon's ferry,
+ Have but to take a daily glass
+ Of claret, hock, champagne or sherry.
+
+ And therefore, Damon, you and I,
+ Who fain would live a year at least,
+ Reluctantly must modify
+ The scope of our projected feast;
+ A charcoal biscuit we will share,
+ Water (distilled, of course,) we'll swallow,
+ Since this appears the only fare
+ On which destruction will not follow!
+
+ * * * * *
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: SMALL SOCIAL AGONIES
+
+_Hostess._ "It's but a poor lunch I can give you! But my cook has got
+influenza!"
+
+_Enfant terrible._ "Oh, mummy, you _always_ say that!"]
+
+ * * * * *
+
+[Illustration: QUITE A NOVELTY.--_Amiable Experimentalist._ "Makes a
+delicious side dish, doesn't it? But it is not the common mushroom; it's
+a large fungus, called the agaricus procerus. It grows solitary in hedge
+rows, is called colubrinus, from the snake-like markings on its stem.
+The pileus is covered with scales, which are formed by the breaking-up
+of the mud-coloured epidermis, and----" [_General panic takes place_]
+
+ * * * * *
+
+THE DIRGE OF THE DINER
+
+_A Restore-Wrong Rhyme_
+
+ "_Attendance is charged in the bill!_"
+ Delighted we sit down to dine;
+ And order our food and our wine.
+ The waiter is passing polite,
+ We eat with a grand appetite
+ Of dishes compounded with skill.
+ The room is so cosy and light;
+ The glass and the silver are bright;
+ Our flag of defiance is furled,
+ We seem all at peace with the world,
+ And rest quite contented until----
+ Attendance is charged one and nine.
+ We pay its collector a fine;
+ And give to the waiter polite
+ A tip he regards as his right
+ And duty of ours to fulfil!
+ The carver, too, looks for a fee;
+ The man with our coat, so does he!
+ The porter expects something more,
+ Who calls us a cab at the door!----
+ "_Attendance is charged in the bill!_"
+
+ * * * * *
+
+[Illustration: THE GOLDEN KEY.--_Mr. Montgomerie._ "Ah! my dear boys,
+you're right. The extent to which our English system of 'tipping' has
+grown is something monstrous! Why, I can assure you--that--at some of
+the big country houses I stop at, it costs me a ten-pound note _to get
+out of 'em_!"
+
+_Jones_ (_to his neighbour, sotto voce_). "Wonder how much it costs him
+to _get into_ 'em?"]
+
+ * * * * *
+
+THE ECONOMICS OF SMOKING
+
+BY JOSEPH FUME.
+
+The man who smokes half his cigar, and puts the remainder by, knows
+nothing about smoking.
+
+The man who carries no cigar-case has no right to levy contributions on
+those who do.
+
+Never buy a cigar at a chemist's, they are sure to remind you of their
+origin. I once knew a chemist, who also sold wine and cigars, and I am
+sure he could only have had one workshop for his three businesses, and
+that was his laboratory.
+
+Mistrust the tobacco that is given in half-payment of a bill. Such
+dealers may be clever in drawing a bill, but it is rarely that their
+cigars are distinguished for being good "drawers."
+
+The man who smokes with wine is quite capable of taking sugar with
+oysters.
+
+ * * * * *
+
+[Illustration: ANNALS OF A RETIRED SUBURB.--The Montgomery Joneses
+celebrated their wedding-day by giving a dinner on an unusually
+magnificent scale to some of their London friends. Unfortunately, an
+unexpected change in the weather during the afternoon has made the road
+up the hill rather heavy, so that the London friends omit to turn up.]
+
+ * * * * *
+
+PROVERBS FOR TABLE
+
+ Set a thief to catch a thief:
+ Think of this when eating beef.
+
+ All that glitters is not gold:
+ Think of this when that beef's cold.
+
+ Harm is done by too much zeal:
+ Think of this when eating veal.
+
+ Life's a jest, and all things show it:
+ Think of this when drinking Moet.
+
+ Happiness flies Court for garret:
+ Think of this when drinking claret.
+
+ Gold may oft be bought too dear:
+ Think of this when drinking beer.
+
+ Many littles make a mickle:
+ Think of this when eating pickle.
+
+ Silent fools may pass for wise:
+ Think of this when eating rice.
+
+ Unto Rome conduct all roads:
+ Think of this when eating toads.
+
+ Flog first fault: _principiis obsta_,
+ Think of this when eating lobster.
+
+ While grass grows the horse may starve:
+ Think of this when asked to carve.
+
+ Shake the tree when fruit is ripe:
+ Think of this when eating tripe.
+
+ Fools build houses, wise men buy:
+ Think of this when eating pie.
+
+ Pause, ere leaping in the dark:
+ Think of this when eating lark.
+
+ Punctual pay gets willing loan:
+ Think of _this_ when drinking Beaune.
+
+ Wisdom asks fruits, but Folly flowers:
+ Think o' _this_ when eating cauliflowers.
+
+ Birds of a feather flock together:
+ Think of this when the idiot of a
+ cook has boiled the oysters in the sauce,
+ and made them as tough as leather.
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_Hostess._ "What fun you seem to be having over there, Captain Smiley! I
+wish you all sat at this end of the table!"]
+
+ * * * * *
+
+[Illustration: _Waiter_ (_who has "seen better days"--absently, as he
+pours out the champagne_). "Say when!"]
+
+ * * * * *
+
+SPRING-CLEANING.
+
+ "In Spring when woods are getting green,"
+ My wife begins the house to clean,
+ And I am driven from this scene,
+ Of scrub-land.
+
+ The mops and pails left on the stairs
+ I come across, quite unawares,
+ And break my shins and utter--prayers,
+ For tub-land.
+
+ In clouds of dust I choke and cough,
+ Such draughts! My hat I dare not doff,
+ I'd go (if I were not a toff)
+ To pub-land.
+
+ But--mum--I won't kick up a shine
+ Nor of delight give any sign,
+ But, quietly, I'm off to dine
+ In Club-land.
+
+ * * * * *
+
+A SOAKER'S PARADISE.--Dropmore.
+
+ * * * * *
+
+A MONSTER MEETING.--A giant and a dwarf.
+
+ * * * * *
+
+POETICAL LICENCE.--A music-hall's.
+
+ * * * * *
+
+TURF REFORM.--Mowing the lawn.
+
+ * * * * *
+
+[Illustration: _Quiet Man_ (_as a particularly "steep" story of
+adventure comes to a close_). "Er--will somebody pass the _salt_,
+please?"]
+
+ * * * * *
+
+[Illustration: _Adolphus_ (_grandly; he is giving his future
+brother-in-law a little dinner down the river_). "Waitar--you
+can--ah--leave us!"
+
+_Old Waiter._ "Hem!--yessir--but--you'll pard'n me, sir--we've so many
+gents--'don't wish to impute nothink, sir--but master--'fact is,
+sir--(_evidently feels a delicacy about mentioning it_)--we're--you see,
+sir--'_sponsible for the plate, sir_!!!"]
+
+ * * * * *
+
+[Illustration: GRAND BURNS' FESTIVAL--BROWN ENTERTAINS HIS FRIEND WI' A
+HAGGIS!]
+
+ * * * * *
+
+DISCLAIMER BY A DINER-OUT
+
+ Abolish party? Whose delight were greater
+ Than mine? I hail the chance with rapture hearty.
+ But oh! I _can't_ agree with the _Spectator_,
+ Who'd do away with--gods!--the dinner party!
+ No, let us compromise,--we'll all be winners,--
+ And firmly banish party from our dinners!
+
+ * * * * *
+
+SYMPATHY
+
+(SCENE--_In front of Mrs. R.'s house_)
+
+_Mrs. Ramsbotham_ (_paying Cabman_). You look all right to-day.
+
+_Cabman._ Ah, mum! my looks don't pity me. I suffer from a tarpaulin
+liver.
+
+_Mrs. R._ (_correcting_). A torpedo liver, you mean.
+
+[_Cabman accepts the correction, and an extra shilling_]
+
+ * * * * *
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: HAPPY THOUGHT.--_Sir Pompey Bedell_ (_poking the fire in
+his new smoking-room_). "This wretched chimney has got into a most
+objectionable way of smoking. A--I can't cure it." _Bedell Junior._
+"Just give it a couple of your cigars, governor!--it'll never smoke
+again!"]
+
+ * * * * *
+
+[Illustration: "CRAMMING"]
+
+ * * * * *
+
+"CRAMMING."
+
+_Affectionate Uncle._ "Glad to see you, Rupert. Now tell me all about
+it. What form are you in, old boy?"
+
+_Nephew_ (_just returned from Harrow_). "Well, uncle, not so bad, I
+think. I can generally manage a couple of eggs, two sausages, or
+kidneys, some Dundee marmalade, and two cups of coffee for breakfast. I
+always have a little luncheon, any amount of roast beef or mutton for
+dinner, and I generally look in at the confectioner's in the afternoon,
+and invariably wind up with a good supper. What do you think of that?"
+
+[_Disappointed and misunderstood uncle subsides,
+and thinks it best to make no comments._
+
+[Illustration]
+
+ * * * * *
+
+[Illustration: _Old Gentleman_ (_who has not hurried over his dinner,
+and has just got his bill_). "Waiter, what's this? I'm charged here
+twopence for stationery. You know I've had none----"
+
+_Irish Waiter._ "Faix! yer honour, I don't know. Y'ave been sittin' here
+a long t-h-ime, anyhow!!"]
+
+ * * * * *
+
+[Illustration: "A STRICT REGARD FOR TRUTH."--_Nephew._ "Hold up, uncle,
+people'll think you're screwed!"
+
+_Uncle_ (_the wedding breakfast had been hilarious_). "Shcrew'd! No, no,
+Sheorgsh! No' sh' bad 'sh that! 'Shame time--don' le'sh be"--(_lurching
+heavily_)--"osht'n--tas'hly shober! 'Can't bear osht'ntash'n!!"]
+
+ * * * * *
+
+[Illustration: SEASONABLE LUXURY
+
+_Old Gent_ (_disgusted_). "Here, waiter! Here's a--here's
+a--a--caterpillar in this chop!"
+
+_Waiter_ (_flippantly_). "Yessir. About the time o' year for 'em just
+now, sir!"]
+
+ * * * * *
+
+[Illustration: THE "STATUS QUO ANTE."--_Squire_ (_desiring to improve
+the taste of his country friends, has introduced at his table, in the
+place of the usual brandied Spanish and Portuguese wines, the natural
+vintages of France and Germany_). "Now, Mr. Barleymead, how do you like
+this 'Chateau Lafitte'? Another glass----" _Farmer B._ "Thanky, sir;
+it's uncommon nice.--(_He had drunk a bottle or two._)--But we don't
+seem to get no forruder!!"]
+
+ * * * * *
+
+[Illustration: COMING OUT AS A CONVERSATIONALIST
+
+_Young Ganderson_ (_proudly conscious of the general attention_) "Oh
+yes, it's in _Soho_, you know. I know the place well. They give you a
+capital dinner for eighteenpence--wine included."
+
+_Host_ (_proud of his cellar_). "And is the wine drinkable?"
+
+_Young Ganderson._ "Oh yes--very good--better than the wine we're
+drinking now!"]
+
+ * * * * *
+
+[Illustration: AN AFFECTIONATE HUSBAND
+
+_Tomkins._ "You are going it, old fellow! Real turtle, eh? and venison
+to follow, eh?"
+
+_Jobkins._ "Why, yes--you see it's my wife's birthday; and as she dines
+early, I thought I'd celebrate the anniversary in the city."]
+
+ * * * * *
+
+[Illustration: MISTAKEN IDENTITY.--(_As the De Smiths, to whose
+dinner-party he was invited, lived in the next square, Brown thought he
+would walk over._) _Head waiter_ (_under a wrong impression_). "This
+won't do, young man! We've been expectin' o' you this 'our and a 'alf!
+No napkins laid, no glasses, no----!!!"
+
+[_Brown never got over it all the evening._]
+
+ * * * * *
+
+[Illustration: AN AWFUL CRAMMER
+
+_Proprietor of boarding-house_ (_taking stout guest aside_). "You'll
+excuse me, Mr. Sharpset, but your appetite is so large that I shall be
+compelled to charge you a shilling extra. It can't be done at two
+shillings!"
+
+_Diner._ "No! For heaven's sake don't do that! I can eat two
+shillings'-worth easy; but if I have to do three--I really--afraid I
+should--but I'll try!!"]
+
+ * * * * *
+
+[Illustration: THE BETTING EVIL.
+
+_Waiter_ (_down tube_). "Wild duck, one!"
+
+_Voice from the kitchen._ "Did he? Just like my luck. Backed another
+wrong 'un!"]
+
+ * * * * *
+
+[Illustration: NOT VERY LIKELY
+
+_Waiter_ (_in response to the Colonel's very vigorous reminder_). "Oh
+yes, sir, immediately! 'M--let's see--a _glass of milk_, sir, wasn't
+it?"]
+
+ * * * * *
+
+[Illustration: FIGURATIVE
+
+_Head Waiter_ (_the Old Gent had wished for a stronger cheese_). "Hi!
+James--let loose the Gorgonzola!"]
+
+ * * * * *
+
+[Illustration: BEWILDERING
+
+_Mr. Wuzzles_ (_up for the cattle-show_). "Cheese, waiter!"
+
+'_Robert._' "Yessir! Rockfor', commonbare, grew'ere, noochattell,
+gorgumzo----"
+
+_Mr. Wuzzles_ (_testily_). "No, no! I said _cheese_!"]
+
+ * * * * *
+
+[Illustration: "ON THE FACE OF IT"
+
+_Host._ "I don't like this Lafitte half so well as the last, Binns. Have
+you noticed any difference?"
+
+_New Butler._ "Well, sir, for myself I don't drink claret; I find port
+agrees with me so much better!!"]
+
+ * * * * *
+
+[Illustration: AWFUL WARNING!--_Guest_ (_at City Company dinner_). "I'm
+uncommonly hungry!"
+
+_Ancient Liveryman_ (_with feeling_). "Take care, my dear sir, for
+goodness' sake, take care! D' you know it happened to me at the last
+Lord Mayor's dinner to burn my tongue with my first spoonful of clear
+turtle; 'consequence was--(_sighs_)--'couldn't taste at
+all--anything--for the rest of the evening!!"]
+
+ * * * * *
+
+[Illustration: It is quite possible to have too much of a good thing--as
+for example, when you get the asparagus shot over your favourite
+dress-coat with the silk facings.]
+
+ * * * * *
+
+[Illustration: _Testy Old Uncle_ (_unable to control his passion_).
+
+"Really, sir, this is quite intolerable! You must intend to insult me.
+For the last fourteen days, wherever I have dined, I have had nothing
+but saddle of mutton and boiled turkey--boiled turkey and saddle of
+mutton. I'll endure it no longer."
+
+[_Exit old gent, who alters his will._
+
+Moral.--_How ridiculous a man appears--particularly a man at a grave
+period of life--who is over-anxious about his eating and drinking!_]
+
+ * * * * *
+
+[Illustration: "ALL THE DIFFERENCE"
+
+_Dyspeptic Diner._ "Um"--(_forking it suspiciously_)--"what is it,
+waiter?"
+
+'_Robert._' "It says 'ronyongs sorty' on the menoo, sir. But I can't say
+what it may be on the dish!"]
+
+ * * * * *
+
+[Illustration: _His Partner._ "I really never heard a better speech in
+my life! Such a wonderful flow of----"
+
+_He._ "Great Scott! That reminds me--I've left the bathroom tap at home
+full on!"]
+
+ * * * * *
+
+[Illustration: THE NICE LITTLE DINNER
+
+_Tommy_ (_who is standing a feed to Harry_). "Oh, hang it, you know,
+fourteen bob for a bottle of champagne! That's coming it rather strong,
+ain't it?"
+
+_Waiter_ (_with perfect composure_). "We have some _cheap_ wine, sir, at
+half-a-guinea!"]
+
+ * * * * *
+
+[Illustration: TOO LITERAL BY HALF
+
+SCENE.--_A "cheap" chop-house not a hundred miles from L--nd--n._
+
+_Waiter._ "Paysir? Yessir--Whataveyeradsir?"
+
+_Matter-of-fact old gentleman_ (_who has been reading the "Quarterly" on
+"Food and its adulterations"_). "Had? why, let me see: I've had some
+horsetail soup, spiced with red-lead and shop-sweepings: a plate of
+roast cow, and cabbage boiled with verdigris: a crust of plaster of
+Paris, baked with alum and bone-dust: half-a-pint of porter brewed from
+quassia and strychnine: and a cup of charred liver, annatto, and other
+unknown ingredients."
+
+[_Exit waiter for a straight-waistcoat, and a stomach-pump._]
+
+ * * * * *
+
+[Illustration: _Dolly._ "Please, Miss Sharp, mamma says, have you
+_really_ left your songs at home?"
+
+_Miss Sharp._ "Yes, dear. Why?"
+
+_Dolly._ "Well, papa says 'it sounds too good to be true'!"]
+
+ * * * * *
+
+[Illustration: EUREKA!--_Isaacstein_ (_late of Whitechapel, showing old
+friend over bathroom in new house_). "What am I goin' to do with it?
+Vell, you see, I've always rather wanted a place where I could keep
+goldfish!"]
+
+ * * * * *
+
+[Illustration: _Juvenile._ "Uncle!"
+
+_Uncle._ "Now then, what is it? This is the fourth time you've woke me
+up, sir!"
+
+_Juvenile._ "Oh! Just put a few coals on the fire, and pass the wine,
+that's a good old chap."]
+
+ * * * * *
+
+NURSERIANA.--_Little Chris._ "Oh! mamma, mamma, baby's moulted again."
+
+_Mamma._ "Moulted! What do you mean?"
+
+_Little Chris._ "Why, he's just dropped another tooth!"
+
+ * * * * *
+
+[Illustration: SAFEST WAY OF TAKING A LADY DOWN TO DINNER
+
+(Another reminiscence of the days of the crinoline)]
+
+ * * * * *
+
+[Illustration: SAT UPON
+
+_Hospitable Host._ "Does any gentleman say pudden?"
+
+_Precise Guest._ "No, sir. No _gentleman_ says _pudden_."]
+
+ * * * * *
+
+[Illustration: UNEXPECTED GRATUITY.--_Waiter._ "Beg pardon, sir, but I
+think you've made a mistake. This is a halfpenny!"
+
+_Old Gent_ (_grandly_). "Oh dear no--not at all, not at all! I never
+give less!"]
+
+ * * * * *
+
+[Illustration: _Hickling_ (_to friend, who finds some difficulty in
+keeping his cigar alight_). "I say, old man, what matches do you
+smoke?"]
+
+ * * * * *
+
+[Illustration: _He._ "Fond of Bridge?"
+
+_She._ "Awfully!"
+
+_He._ "Do you know I always think there's something _wanting_ in people
+who don't play?"]
+
+ * * * * *
+
+[Illustration:
+
+_Old Party_ (_very naturally excited_). "Why, confound you! You are
+wiping my plate with your handkerchief!"
+
+_Waiter_ (_blandly_). "It's of no consequence, sir--it's only a dirty
+one!"]
+
+ * * * * *
+
+[Illustration: IN DESPERATE STRAITS
+
+_Jones_ (_blue ribbon--to abstemious lady he has taken in to dinner_).
+"Look here, madam, we don't seem to be getting on a _bit_! Either you
+must have a glass of champagne, or, by Jove, I must!!"]
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT UNSAID
+
+_Guest_ (_who is a bon-vivant, to host, who isn't_). "You must come and
+dine with _me_, Jones!"
+
+_Host._ "With pleasure, my dear friend! When?"
+
+_Guest._ "_Now!_"]
+
+ * * * * *
+
+[Illustration: "NOT QUITE THE CHEESE!"
+
+_British Farmer._ "What sort o' cheese do you call this? Full o' holes!"
+
+_Waiter._ "Grew-yere, sir."
+
+_British Farmer_ (_suspiciously_). "Then just bring one that grew
+somewhere else!"]
+
+ * * * * *
+
+[Illustration]
+
+THE END
+
+BRADBURY AGNEW & CO LD. PRINTERS, LONDON AND TONBRIDGE.
+
+ * * * * *
+
+
+
+
+
+End of the Project Gutenberg EBook of Mr. Punch's After-Dinner Stories,
+edited by J. A. Hammerton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH'S AFTER-DINNER STORIES ***
+
+***** This file should be named 33824.txt or 33824.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/8/2/33824/
+
+Produced by Neville Allen, Chris Curnow and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33824.zip b/33824.zip
new file mode 100644
index 0000000..10fb14c
--- /dev/null
+++ b/33824.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..ffac941
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #33824 (https://www.gutenberg.org/ebooks/33824)