initial commit of ebook 33792HEADmain

1 files changed, 2177 insertions, 0 deletions

diff --git a/old/33792-8.txt b/old/33792-8.txt
new file mode 100644
index 0000000..a37e7c8
--- /dev/null
+++ b/old/33792-8.txt
@@ -0,0 +1,2177 @@
+The Project Gutenberg EBook of Poems of Emile Verhaeren, by Emile Verhaeren
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Poems of Emile Verhaeren
+
+Author: Emile Verhaeren
+
+Illustrator: John S. Sargent
+
+Translator: Alma Strettell
+
+Release Date: September 21, 2010 [EBook #33792]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK POEMS OF EMILE VERHAEREN ***
+
+
+
+
+Produced by Marc D'Hooghe at http://www.freeliterature.org
+
+
+
+
+POEMS
+
+OF
+
+EMILE VERHAEREN.
+
+
+SELECTED AND RENDERED INTO ENGLISH
+
+BY
+
+ALMA STRETTELL.
+
+
+JOHN LANE
+THE BODLEY HEAD
+LONDON & NEW YORK
+
+1915.
+
+
+
+INDEX
+
+INTRODUCTORY NOTE
+
+From "LES VILLAGES ILLUSOIRES"
+
+RAIN
+THE FERRYMAN
+THE SILENCE
+THE BELL-RINGER
+SNOW
+THE GRAVE-DIGGER
+THE WIND
+THE FISHERMEN
+THE ROPE-MAKER
+
+From "LES HEURES CLAIRES"
+
+I.
+VIII.
+XVII.
+XXI.
+
+From "LES APPARUS DANS MES CHEMINS"
+
+ST. GEORGE
+THE GARDENS
+SHE OF THE GARDEN
+
+From "LA MULTIPLE SPLENDEUR"
+
+THE GLORY OF HEAVENS
+LIFE
+JOY
+
+
+
+
+INTRODUCTORY NOTE.
+
+
+
+Emile Verhaeren, remarkable among of the brilliant group of writers
+representing "Young Belgium," and one who has been recognized by the
+literary world of France as holding a foremost place among the lyric
+poets of the day was born at St. Amand, near Antwerp, in 1855. His
+childhood was passed on the banks of the Scheldt, in the midst of the
+wide-spreading Flemish plains, a country of mist and flood, of dykes and
+marshes, and the impressions he received from the mysterious, melancholy
+character of these surroundings, have produced a marked and lasting
+influence upon his work. Yet the other characteristics with which it is
+stamped--the wealth of imagination, the gloomy force, the wonderful
+descriptive power and sense of colour, which set the landscape before
+one as a picture, suggest rather the possibility of Spanish blood in the
+poet's veins--and again, his somewhat morbid subjectivity and tendency
+to self-analysis mark him as the child of the latter end of our
+nineteenth century.
+
+Verhaeren entered early in life upon the literary career. After some
+time spent at a college in Ghent, he became a student at the University
+of Louvain, and here he founded and edited a journal called "_La
+Semaine_," in which work he was assisted by the singer Van Dyck, and by
+his friend and present publisher, Edmond Deman. He also formed, about
+this time, a close friendship with Maeterlinck. In 1881, Verhaeren was
+called to the Bar at Brussels, but soon gave up his legal career to
+devote himself entirely to literature. In 1883 he published his first
+volume of poems, and shortly afterwards became one of the editors of
+"_L'Art Moderne_," to which, as well as to other contemporary periodicals,
+he was for many years a contributor. In 1892 he founded, with the help
+of two other friends, the "Section of Art" in the "House of the People,"
+a popular institution in Brussels, where performances of the best music,
+as well as lectures upon literary and artistic subjects, were given. In
+spite, however, of the work which all this entailed, and of the many
+interests created by his ardent appreciation of the various branches of
+art and literature, Verhaeren continued to labour unceasingly at his
+poetical work, and between 1883 and 1897 brought out successively eleven
+small volumes: _Les Flamandes, Les Moines, Les Soirs, Les Débâcles, Les
+Flambeaux Noirs, Les Apparus dans mes chemins, Les Campagnes
+Hallucinées, Les Villages Illusoires, Les Villes Tentaculaires, Les
+Heures Claires,_ and _Les Aubes_.
+
+Throughout this entire series the intellectual and spiritual development
+of the poet may be closely traced--from the materialism which pervades
+_Les Flamandes_, and the despairing pessimism and lurid emotion--the
+throes of a self-centred soul in revolt against fate--which are so
+powerfully portrayed in _Les Débâcles_ and _Les Flambeaux Noirs_, and are
+apparent even in the opening pages of _Les Apparus_ dans mes chemins--to
+the tender, hopeful mysticism which marks the latter poems in that
+volume, and the wonderful sympathy with Nature, even in her saddest
+aspects--the subtle power of endowing those aspects with a profound and
+ennobling symbolism, which characterise the most beautiful of the poems
+in Les Villages Illusoires. Les Heures Claires is the name given to a
+volume of love-songs, an exquisite record of golden hours spent in a
+garden at spring-time--spring-time in a double sense.
+
+The task of making an adequate and typical selection from a poet's work
+is always difficult, and in this case it has been decided to limit the
+field of selection, at least for the present, to the three last-named
+volumes, which embody what may, I think, be considered as Verhaeren's
+highest achievement in the realm of lyrical poetry.
+
+
+In style, Verhaeren is essentially the apostle of the "Vers libre"; and
+his handling of rhyme and rhythm, his coining of words where he finds
+the French vocabulary insufficient, have called down upon him some
+criticism from those of his French contemporaries who are sticklers for
+the older rules and more conventional forms of versification. But
+however this may be, it remains an undeniable fact that Verhaeren has at
+his command a rare and powerful poetic eloquence--a wealth of imagery, a
+depth of thought and a subtlety of expression which perhaps are not to
+be imprisoned behind the bars of a too rigid convention. English readers
+have already been accustomed by their own poets to the "vers libre," and
+it is not so much, therefore, for my adherence to this form, as for my
+failure adequately to render Verhaeren's peculiar and striking beauty of
+language, that I beg their indulgence for the following translations.
+
+
+
+
+POEMS
+
+
+From "LES VILLAGES ILLUSOIRES"
+
+
+RAIN
+
+
+Long as unending threads, the long-drawn rain
+Interminably, with its nails of grey,
+     Athwart the dull grey day,
+     Rakes the green window-pane--
+So infinitely, endlessly, the rain,
+The long, long rain.
+                           The rain.
+
+Since yesternight it keeps unravelling
+Down from the frayed and flaccid rags that cling
+     About the sullen sky.
+     The low black sky;
+Since yesternight, so slowly, patiently.
+Unravelling its threads upon the roads.
+Upon the roads and lanes, with even fall
+                           Continual.
+
+
+Along the miles
+That 'twixt the meadows and the suburbs lie,
+By roads interminably bent, the files
+Of waggons, with their awnings arched and tall.
+Struggling in sweat and steam, toil slowly by
+With outline vague as of a funeral.
+Into the ruts, unbroken, regular,
+Stretching out parallel so far
+That when night comes they seem to join the sky.
+For hours the water drips;
+And every tree and every dwelling weeps.
+Drenched as they are with it.
+With the long rain, tenaciously, with rain
+                           Indefinite.
+
+
+The rivers, through each rotten dyke that yields.
+Discharge their swollen wave upon the fields.
+         Where coils of drownèd hay
+         Float far away;
+And the wild breeze
+Buffets the alders and the walnut-trees;
+Knee-deep in water great black oxen stand,
+Lifting their bellowings sinister on high
+         To the distorted sky;
+As now the night creeps onward, all the land,
+         Thicket and plain,
+Grows cumbered with her clinging shades immense.
+And still there is the rain,
+The long, long rain.
+Like soot, so fine and dense.
+
+
+         The long, long rain.
+         Rain--and its threads identical,
+         And its nails systematical,
+Weaving the garment, mesh by mesh amain,
+Of destitution for each house and wall,
+         And fences that enfold
+         The villages, neglected, grey, and old:
+Chaplets of rags and linen shreds that fall
+In frayed-out wisps from upright poles and tall.
+Blue pigeon-houses glued against the thatch,
+And windows with a patch
+Of dingy paper on each lowering pane,
+Houses with straight-set gutters, side by side
+Across the broad stone gambles crucified,
+          Mills, uniform, forlorn.
+Each rising from its hillock like a horn,
+Steeples afar and chapels round about,
+          The rain, the long, long rain,
+Through all the winter wears and wears them out.
+
+     Rain, with its many wrinkles, the long rain
+     With its grey nails, and with its watery mane;
+     The long rain of these lands of long ago,
+     The rain, eternal in its torpid flow!
+
+
+
+
+THE FERRYMAN
+
+
+The ferryman, a green reed 'twixt his teeth,
+With hand on oar, against the current strong
+Had rowed and rowed so long.
+
+
+But she, alas! whose voice was hailing him
+Across the far waves dim.
+Still further o'er the far waves seemed to float,
+Still further backwards, 'mid the mists, remote.
+
+
+The casements with their eyes.
+The dial-faces of the towers that rise
+Upon the shore,
+Watched, as he strove and laboured more and more.
+With frantic bending of the back in two,
+And start of savage muscles strained anew.
+
+
+One oar was suddenly riven,
+And by the current driven,
+With lash of heavy breakers, out to sea.
+
+
+But she, whose voice that hailed him he could hear
+There 'mid the mist and wind, she seemed to wring
+Her hands with gestures yet more maddening
+Toward him who drew not near.
+
+
+The ferryman with his surviving oar
+Fell harder yet to work, and more and more
+He strove, till every joint did crack and start,
+And fevered terror shook his very heart.
+
+
+The rudder broke
+Beneath one sharp, rude stroke;
+That, too, the current drove relentlessly,
+A dreary shred of wreckage, out to sea.
+
+
+The casements by the pier,
+Like eyes immense and feverish open wide,
+The dials of the towers--those widows drear
+Upstanding straight from mile to mile beside
+The banks of rivers--obstinately gaze
+Upon this madman, in his headstrong craze
+Prolonging his mad voyage 'gainst the tide.
+
+
+But she, who yonder in the mist-clouds hailed
+Him still so desperately, she wailed and wailed,
+With head outstretched in fearful, straining haste
+Toward the unknown of the outstretched waste.
+
+
+Steady as one that had in bronze been cast,
+Amid the blenched, grey tempest and the blast.
+The ferryman his single oar yet plied.
+And, spite of all, still lashed and bit the tide.
+His old eyes, with hallucinated gaze,
+Saw that far distance--an illumined haze--
+Whence the voice sounded, coming toward him still.
+Beneath the cold skies, lamentable, shrill.
+
+
+The last oar broke--
+And this the current hurried at one stroke,
+Like a frail straw, towards the distant sea.
+
+
+The ferryman, with arms dropped helplessly
+Sank on his bench, forlorn.
+His loins with vain efforts broken, torn.
+
+
+Drifting, his barque struck somewhere, as by chance,
+He turned a glance
+Towards the bank behind him then--and saw
+He had not left the shore.
+
+
+The casements and the dials, one by one.
+Their huge eyes gazing in a foolish stare.
+Witnessed the ruin of his ardour there;
+But still the old, tenacious ferryman
+Firm in his teeth--for God knows when, indeed--
+Held the green reed.
+
+
+
+
+THE SILENCE
+
+
+
+Ever since ending of the summer weather.
+When last the thunder and the lightning broke,
+Shatt'ring themselves upon it at one stroke,
+The Silence has not stirred, there in the heather.
+
+
+All round about stand steeples straight as stakes,
+And each its bell between its fingers shakes;
+All round about, with their three-storied loads,
+     The teams prowl down the roads;
+All round about, where'er the pine woods end,
+The wheel creaks on along its rutty bed,
+But not a sound is strong enough to rend
+     That space intense and dead.
+
+
+Since summer, thunder-laden, last was heard.
+The Silence has not stirred;
+And the broad heath-land, where the nights sink down
+Beyond the sand-hills brown.
+Beyond the endless thickets closely set,
+To the far borders of the far-away.
+     Prolongs It yet.
+
+
+Even the winds disturb not as they go
+
+The boughs of those long larches, bending low
+     Where the marsh-water lies,
+In which Its vacant eyes
+Gaze at themselves unceasing, stubbornly.
+Only sometimes, as on their way they move,
+The noiseless shadows of the clouds above.
+Or of some great bird's hov'ring flight on high,
+     Brush It in passing by.
+
+
+Since the last bolt that scored the earth aslant,
+Nothing has pierced the Silence dominant.
+
+
+Of those who cross Its vast immensity,
+Whether at twilight or at dawn it be,
+There is not one but feels
+The dread of the Unknown that It instils;
+An ample force supreme, It holds Its sway
+Uninterruptedly the same for aye.
+Dark walls of blackest fir-trees bar from sight
+The outlook towards the paths of hope and light;
+     Huge, pensive junipers
+Affright from far the passing travellers;
+Long, narrow paths stretch their straight lines unbent.
+Till they fork off in curves malevolent;
+And the sun, ever shifting, ceaseless lends
+Fresh aspects to the mirage whither tends
+     Bewilderment
+
+
+Since the last bolt was forged amid the storm,
+The polar Silence at the corners four
+Of the wide heather-land has stirred no more.
+
+
+Old shepherds, whom their hundred years have worn
+To things all dislocate and out of gear,
+And their old dogs, ragged, tired-out, and torn.
+Oft watch It, on the soundless lowlands near,
+Or downs of gold beflecked with shadows' flight,
+Sit down immensely there beside the night.
+
+
+Then, at the curves and corners of the mere.
+     The waters creep with fear;
+The heather veils itself, grows wan and white;
+All the leaves listen upon all the bushes,
+And the incendiary sunset hushes
+Before Its face his cries of brandished light.
+And in the hamlets that about It lie.
+Beneath the thatches of their hovels small
+The terror dwells of feeling It is nigh.
+And, though It stirs not, dominating all.
+Broken with dull despair and helplessness,
+Beneath Its presence they crouch motionless,
+As though upon the watch--and dread to see.
+Through rifts of vapour, open suddenly
+At evening, in the moon, the argent eyes
+     Of Its mute mysteries.
+
+
+
+
+THE BELL-RINGER
+
+
+Yon, in the depths of the evening's track,
+Like a herd of blind bullocks that seek their fellows,
+Wild, as in terror, the tempest bellows.
+And suddenly, there, o'er the gables black
+That the church, in the twilight, around it raises
+All scored with lightnings the steeple blazes.
+
+
+See the old bell-ringer, frenzied with fear.
+Mouth gaping, yet speechless, draw hastening near.
+And the knell of alarm that with strokes of lead
+He rings, heaves forth in a tempest of dread
+The frantic despair that throbs in his head.
+
+
+With the cross at the height
+Of its summit brandished, the lofty steeple
+Spreads the crimson mane
+Of the fire o'er the plain
+Toward the dream-like horizons that bound the night;
+The city nocturnal is filled with light;
+The face of the swift-gathered crowds doth people
+With fears and with clamours both street and lane;
+On walls turned suddenly dazzling bright
+The dusky panes drink the crimson flood
+     Like draughts of blood.
+
+
+Yet, knell upon knell, the old ringer doth cast
+His frenzy and fear o'er the country vast.
+
+
+The steeple, it seems to be growing higher
+Against the horizon that shifts and quivers,
+And to be flying in gleams of fire
+Far o'er the lakes and the swampy rivers.
+Its slates, like wings
+Of sparks and spangles, afar it flings.
+They fly toward the forests across the night:
+And in their passage the fires exhume
+The hovels and huts from their folds of gloom,
+Setting them suddenly all alight.
+
+
+In the crashing fall of the steeple's crown
+The cross to the brazier's depth drops down,
+Where, twisted and torn in the fiery fray,
+Its Christian arms are crushed like prey.
+With might and main
+The bell-ringer sounds his knell abroad.
+As though the flames would burn his God.
+
+
+The fire
+Funnel-like hollows its way yet higher,
+'Twixt walls of stone, up the steeple's height;
+Gaining the archway and lofty stage
+Where, swinging in light, the bell bounds with rage.
+The daws and the owls, with wild, long cry
+     Pass screeching by;
+On the fast-closed casements their heads they smite,
+Burn in the smoke-drifts their pinions light,
+Then, broken with terror and bruised with flight.
+Suddenly, 'mid the surging crowd.
+Fall dead outright.
+
+
+The old man sees toward his brandished bells
+The climbing fire
+With hands of boiling gold stretch nigher.
+
+
+The steeple
+Looks like a thicket of crimson bushes,
+With here a branch of flame that rushes
+Darting the belfry boards between;
+Convulsed and savage flames, they cling,
+With curves that plant-like curl and lean.
+Round every joist, round every pulley,
+And monumental beams, whence ring
+The bells, that voice forth frenzied folly.
+
+
+His fear and anguish spent, the ringer
+Sounds his own knell
+          On his ruined bell.
+
+
+A final crash,
+All dust and plaster in one grey flash,
+Cleaves the whole steeple's height in pieces;
+And like some great cry slain, it ceases
+All on a sudden, the knell's dull rage.
+The ancient tower
+Seems sudden to lean and darkly lower;
+While with heavy thuds, as from stage to stage
+They headlong bound.
+The bells are heard
+Plunging and crashing towards the ground.
+
+
+But yet the old ringer has never stirred.
+And, scooping the moist earth out, the bell
+Was thus his coffin, and grave as well.
+
+
+
+
+THE SNOW
+
+
+Uninterruptedly falls the snow,
+Like meagre, long wool-strands, scant and slow,
+O'er the meagre, long plain disconsolate.
+Cold with lovelessness, warm with hate.
+
+
+Infinite, infinite falls the snow.
+Like a moment's time.
+Monotonously, in a moment's time;
+On the houses it falls and drops, the snow.
+Monotonous, whitening them o'er with rime;
+It falls on the sheds and their palings below.
+And myriad-wise, it falls and lies
+        In ridgèd waves
+In the churchyard hollows between the graves.
+
+
+The apron of all inclement weather
+Is roughly unfastened, there on high;
+The apron of woes and misery
+Is shaken by wind-gusts violently
+Down on the hamlets that crouch together
+Beneath the dull horizon-sky.
+
+
+The frost creeps down to the very bones,
+And want creeps in through the walls and stones;
+Yea, snow and want round the souls creep close,
+--The heavy snow diaphanous--
+Round the stone-cold hearths and the flameless souls
+That wither away in their huts and holes.
+
+
+The hamlets bare
+White, white as Death lie yonder, where
+The crookèd roadways cross and halt;
+Like branching traceries of salt
+The trees, all crystallized with frost,
+Stretch forth their boughs, entwined and crost.
+Along the ways, as on they go
+In far procession o'er the snow.
+
+
+Then here and there, some ancient mill,
+Where light, pale mosses aggregate,
+Appears on a sudden, standing straight
+Like a snare upon its lonely hill.
+The roofs and sheds, down there below.
+Since November dawned, have been wrestling still,
+In contrary blasts, with the hurricane;
+While, thick and full, yet falls amain
+The infinite snow, with its weary weight,
+O'er the meagre, long plain disconsolate.
+
+
+Thus journeys the snow afar so fleet.
+Into every cranny, on every trail;
+Always the snow and its winding-sheet,
+The mortuary snow so pale.
+The snow, unfruitful and so pale.
+In wild and vagabond tatters hurled
+Through the limitless winter of the world.
+
+
+
+
+THE GRAVE-DIGGER
+
+
+
+In the garden yonder of yews and death,
+There sojourneth
+A man who toils, and has toiled for aye.
+Digging the dried-up ground all day.
+
+
+Some willows, surviving their own dead selves.
+Weep there around him as he delves.
+And a few poor flowers, disconsolate
+Because the tempest and wind and wet
+Vex them with ceaseless scourge and fret.
+
+
+The ground is nothing but pits and cones,
+Deep graves in every corner yawn;
+The frost in the winter cracks the stones,
+And when the summer in June is born
+One hears, 'mid the silence that pants for breath,
+The germinating and life of Death
+Below, among the lifeless bones.
+
+
+Since ages longer than he can know,
+The grave-digger brings his human woe,
+That never wears out, and lays its head
+Slowly down in that earthy bed.
+
+
+By all the surrounding roads, each day
+They come towards him, the coffins white,
+They come in processions infinite;
+They come from the distances far away.
+From corners obscure and out-of-the-way.
+From the heart of the towns--and the wide-spreading
+     plain.
+The limitless plain, swallows up their track;
+They come with their escort of people in black.
+At every hour, till the day doth wane;
+And at early dawn the long trains forlorn
+     Begin again.
+
+
+The grave-digger hears far off the knell,
+Beneath weary skies, of the passing bell,
+Since ages longer than he can tell.
+
+
+Some grief of his each coffin carrieth--
+His wild desires toward evenings dark with death
+Are here: his mournings for he knows not what:
+Here are his tears, for ever on this spot
+Motionless in their shrouds: his memories.
+With gaze worn-out from travelling through the years
+So far, to bid him call to mind the fears
+Of which their souls are dying--and with these
+              Lies side by side
+The shattered body of his broken pride.
+His heroism, to which nought replied,
+              Is here all unavailing;
+His courage, 'neath its heavy armour failing.
+And his poor valour, gashed upon the brow.
+Silent, and crumbling in corruption now.
+The grave-digger watches them come into sight,
+              The long, slow roads.
+Marching towards him, with all their loads
+              Of coffins white.
+
+
+Here are his keenest thoughts, that one by one
+His lukewarm soul hath tainted and undone;
+And his white loves of simple days of yore,
+in lewd and tempting mirrors sullied o'er;
+The proud, mute vows that to himself he made
+Are here--for he hath scored and cancelled them,
+As one may cut and notch a diadem;
+And here, inert and prone, his will is laid,
+Whose gestures flashed like lightning keen before.
+But that he now can raise in strength no more.
+
+
+The grave-digger digs to the sound of the knell
+'Mid the yews and the deaths in yonder dell.
+Since ages longer than he can tell.
+
+
+Here is his dream--born in the radiant glow.
+Of joy and young oblivion, long ago--
+That in black fields of science he let go,
+That he hath clothed with flame and embers bright,
+--Red wings plucked off from Folly in her flight--
+That he hath launched toward inaccessible
+Spaces afar, toward the distance there,
+The golden conquest of the Impossible,
+And that the limitless, refractory sky,
+Sends back to him again, or it has ere
+So much as touched the immobile mystery.
+
+
+The grave-digger turneth it round and round--
+With arms by toil so weary made,
+With arms so thin, and strokes of spade--
+Since what long times?--the dried-up ground.
+Here, for his anguish and remorse, there throng
+Pardons denied to creatures in the wrong;
+And here, the tears, the prayers, the silent cries,
+He would not list to in his brothers' eyes.
+The insults to the gentle, and the jeer
+What time the humble bent their knees, are here;
+Gloomy denials, and a bitter store
+Of arid sarcasms, oft poured out before
+Devotedness that in the shadow stands
+               With outstretched hands.
+
+
+The grave-digger, weary, yet eager as well.
+Hiding his pain to the sound of the knell,
+With strokes of the spade turns round and round
+The weary sods of the dried-up ground.
+
+
+Then--fear-struck dallyings with suicide;
+Delays, that conquer hours that would decide:
+Again--the terrors of dark crime and sin
+Furtively felt with frenzied fingers thin:
+The fierce craze and the fervent rage to be
+The man who lives of the extremity
+              Of his own fear:
+And then, too, doubt immense and wild affright.
+And madness, with its eyes of marble white,
+               These all are here.
+
+
+His head a prey to the dull knell's sound,
+In terror the grave-digger turns the ground
+With strokes of the spade, and doth ceaseless cast
+The dried-up earth upon his past.
+
+
+The slain days, and the present, he doth see,
+Quelling each quivering thrill of life to be.
+And drop by drop, through fists whose fingers start.
+Pressing the future blood of his red heart;
+Chewing with teeth that grind and crush, each part
+Of that his future's body, limb by limb,
+Till there is but a carcase left to him;
+And shewing him, in coffins prisoned,
+Or ever they be born, his longings dead.
+
+
+The grave-digger yonder doth hear the knell,
+More heavy yet, of the passing bell.
+That up through the mourning horizons doth swell
+What if the bells, with their haunting swing,
+Would stop on a day that heart-breaking ring!
+And the endless procession of corse after corse.
+Choke the highways no more of his long remorse
+But the biers, with the prayers and the tears,
+Immensely yet follow the biers;
+They halt by crucifix now, and by shrine,
+Then take up once more their mournful line;
+On the backs of men, upon trestles borne.
+They follow their uniform march forlorn;
+Skirting each field and each garden-wall.
+Passing beneath the sign-posts tall,
+Skirting along by the vast Unknown,
+Where terror points horns from the corner-stone.
+
+
+The old man, broken and propless quite.
+Watches them still from the infinite
+Coming towards him--and hath beside
+Nothing to do, but in earth to hide
+His multiple death, thus bit by bit,
+And, with fingers irresolute, plant on it
+Crosses so hastily, day by day,
+Since what long times--he cannot say.
+
+
+
+
+THE WIND
+
+
+Crossing the infinite length of the moorland,
+Here comes the wind,
+The wind with his trumpet that Heralds November;
+Endless and infinite, crossing the downs,
+Here comes the wind
+That teareth himself and doth fiercely dismember;
+Which heavy breaths turbulent smiting the towns,
+The savage wind comes, the fierce wind of November!
+
+
+Each bucket of iron at the wells of the farmyards,
+Each bucket and pulley, it creaks and it wails;
+By cisterns of farmyards, the pulleys and pails
+They creak and they cry,
+The whole of sad death in their melancholy.
+
+
+The wind, it sends scudding dead leaves from the birches
+Along o'er the water, the wind of November,
+The savage, fierce wind;
+The boughs of the trees for the birds' nests it searches,
+To bite them and grind.
+The wind, as though rasping down iron, grates past,
+And, furious and fast, from afar combs the cold
+And white avalanches of winter the old.
+The savage wind combs them so furious and fast.
+The wind of November.
+
+
+From each miserable shed
+The patched garret-windows wave wild overhead
+Their foolish, poor tatters of paper and glass.
+As the savage, fierce wind of November doth pass!
+And there on its hill
+Of dingy and dun-coloured turf, the black mill,
+Swift up from below, through the empty air slashing,
+Swift down from above, like a lightning-stroke flashing,
+The black mill so sinister moweth the wind.
+The savage, fierce wind of November!
+
+
+The old, ragged thatches that squat round their steeple,
+Are raised on their roof-poles, and fall with a clap,
+In the wind the old thatches and pent-houses flap,
+In the wind of November, so savage and hard.
+The crosses--and they are the arms of dead people--
+The crosses that stand in the narrow churchyard
+Fall prone on the sod
+Like some great flight of black, in the acre of God.
+
+
+The wind of November!
+Have you met him, the savage wind, do you remember?
+Did he pass you so fleet,
+--Where, yon at the cross, the three hundred roads meet--
+With distressfulness panting, and wailing with cold?
+Yea, he who breeds fears and puts all things to flight,
+Did you see him, that night
+When the moon he o'erthrew--when the villages, old
+In their rot and decay, past endurance and spent,
+Cried, wailing like beasts, 'neath the hurricane bent?
+
+
+Here comes the wind howling, that heralds dark weather,
+The wind blowing infinite over the heather.
+The wind with his trumpet that heralds November!
+
+
+
+
+THE FISHERMEN
+
+
+The spot is flaked with mist, that fills,
+Thickening into rolls more dank,
+The thresholds and the window-sills,
+And smokes on every bank.
+
+
+The river stagnates, pestilent
+With carrion by the current sent
+This way and that--and yonder lies
+The moon, just like a woman dead,
+That they have smothered overhead,
+         Deep in the skies.
+
+
+In a few boats alone there gleam
+Lamps that light up and magnify
+The backs, bent over stubbornly,
+Of the old fishers of the stream,
+Who since last evening, steadily,
+--For God knows what night-fishery--
+Have let their black nets downward slow
+Into the silent water go.
+The noisome water there below.
+
+
+Down in the river's deeps, ill-fate
+And black mischances breed and hatch.
+Unseen of them, and lie in wait
+As for their prey. And these they catch
+With weary toil--believing still
+That simple, honest work is best--
+At night, beneath the shifting mist
+         Unkind and chill.
+
+
+So hard and harsh, yon clock-towers tell.
+With muffled hammers, like a knell,
+The midnight hour.
+From tower to tower
+So hard and harsh the midnights chime.
+The midnights harsh of autumn time,
+The weary midnights' bell.
+
+
+The crew
+Of fishers black have on their back
+Nought save a nameless rag or two;
+And their old hats distil withal,
+And drop by drop let crumbling fall
+Into their necks, the mist-flakes all.
+
+
+The hamlets and their wretched huts
+Are numb and drowsy, and all round
+The willows too, and walnut trees,
+'Gainst which the Easterly fierce breeze
+         Has waged its feud.
+No bayings from the forest sound,
+No cry the empty midnight cuts--
+The midnight space that grows imbrued
+With damp breaths from the ashy ground.
+
+
+The fishers hail each other not--
+Nor help--in their fraternal lot;
+Doing but that which must be done.
+Each fishes for himself alone.
+
+
+And this one gathers in his net,
+Drawing it tighter yet,
+His freight of petty misery;
+And that one drags up recklessly
+Diseases from their slimy bed;
+While others still their meshes spread
+Out to the sorrows that drift by
+         Threateningly nigh;
+And the last hauls aboard with force
+The wreckage dark of his remorse.
+
+
+
+The river, round its corners bending,
+And with the dyke-heads intertwined.
+Goes hence--since what times out of mind?--
+Toward the far horizon wending
+         Of weariness unending.
+Upon the banks, the skins of wet
+Black ooze-heaps nightly poison sweat.
+And the mists are their fleeces light
+That curl up to the houses' height.
+
+
+In their dark boats, where nothing stirs,
+Not even the red-flamed torch that blurs
+With halos huge, as if of blood.
+The thick felt of the mist's white hood,
+Death with his silence seals the sere
+Old fishermen of madness here.
+
+
+The isolated, they abide
+Deep in the mist--still side by side.
+But seeing one another never;
+Weary are both their arms--and yet
+Their work their ruin doth beget.
+
+
+Each for himself works desperately,
+He knows not why--no dreams has he;
+Long have they worked, for long, long years,
+While every instant brings its fears;
+Nor have they ever
+Quitted the borders of their river,
+Where 'mid the moonlit mists they strain
+To fish misfortune up amain.
+
+
+If but in this their night they hailed each other
+And brothers' voices might console a brother!
+
+
+But numb and sullen, on they go,
+With heavy brows and backs bent low,
+While their small lights beside them gleam,
+Flickering feebly on the stream.
+
+
+Like blocks of shadow they are there.
+Nor ever do their eyes divine
+That far away beyond the mists
+Acrid and spongy--there exists
+A firmament where 'mid the night.
+Attractive as a loadstone, bright
+Prodigious planets shine.
+
+
+The fishers black of that black plague,
+They are the lost immeasurably,
+Among the knells, the distance vague,
+The yonder of those endless plains
+That stretch more far than eye can see:
+And the damp autumn midnight rains
+Into their souls' monotony.
+
+
+
+
+THE ROPE-MAKER
+
+
+In his village grey
+At foot of the dykes, that encompass him
+With weary weaving of curves and lines
+Toward the sea outstretching dim,
+The rope-maker, visionary white.
+Stepping backwards along the way,
+Prudently 'twixt his hands combines
+The distant threads, in their twisting play.
+That come to him from the infinite.
+
+
+When day is gone.
+Through ardent, weary evenings, yon
+The whirr of a wheel can yet be heard;
+Something by unseen hands is stirred.
+And parallel o'er the rakes, that trace
+An even space
+From point to point along all the way,
+The flaxen hemp still plaits its chain
+Ceaseless, for days and weeks amain.
+With his poor, tired fingers, nimble still.
+Fearing to break for want of skill
+The fragments of gold that the gliding light
+Threads through his toil so scantily--
+Passing the walls and the houses by
+The rope-maker, visionary white,
+From depths of the evening's whirlpool dim,
+Draws the horizons in to him.
+
+
+Horizons that stretch back afar.
+Where strife, regrets, hates, furies are:
+Tears of the silence, and the tears
+That find a voice: serenest years,
+Or years convulsed with pang and throe:
+Horizons of the long ago,
+These gestures of the Past they shew.
+
+
+Of old--as one in sleep, life, errant, strayed
+Its wondrous morns and fabled evenings through;
+When God's right hand toward far Canaan's blue
+Traced golden paths, deep in the twilight shade.
+
+
+Of old, 'twas life exasperate, huge and tense,
+Swung savage at some stallion's mane--life, fleet.
+With mighty lightnings flashing 'neath her feet,
+Upreared immensely over space immense.
+
+
+Of old, 'twas life evoking ardent will;
+And hell's red cross and Heaven's cross of white
+Each marched, with gleam of steely armours' light.
+Through streams of blood, to heavens of victory still.
+
+
+Of old--life, livid, foaming, came and went
+'Mid strokes of tocsin and assassin's knife;
+Proscribers, murderers, each with each at strife,
+While, mad and splendid. Death above them bent.
+
+
+'Twixt fields of flax and of osiers red.
+On the road where nothing doth move or tread,
+By houses and walls to left and right
+The rope-maker, visionary white,
+From depths of evening's treasury dim
+Draws the horizons in to him.
+
+
+Horizons that stretch yonder far.
+Where work, strifes, ardours, science are;
+Horizons that change--they pass and glide,
+               And on their way
+They shew in mirrors of eventide
+The mourning image of dark To-day.
+
+
+Here--writhing fires that never rest nor end.
+Where, in one giant effort all employed,
+Sages cast down the Gods, to change the void
+Whither the flights of human science tend.
+
+
+Here--'tis a room where thought, assertive, saith
+That there are weights exact to gauge her by,
+That inane ether, only, rounds the sky.
+And that in phials of glass men breed up death.
+
+
+Here--'tis a workship, where, all fiery bright,
+Matter intense vibrates with fierce turmoil
+In vaults where wonders new, 'mid stress and toil,
+Are forged, that can absorb space, time and night.
+
+
+--A palace--of an architecture grown
+Effete, and weary 'neath its hundred years.
+Whence voices vast invoke, instinct with fears,
+The thunder in its flights toward the Unknown.
+
+
+On the silent, even road--his eyes
+Still fixed towards the waning light
+That skirts the houses and walls as it dies--
+The rope-maker, visionary white,
+From depths of the evening's halo dim
+Draws the horizons in to him.
+
+
+Horizons that are there afar
+Where light, hope, wakenings, strivings are;
+Horizons that he sees defined
+As hope for some future, far and kind.
+Beyond those distant shores and faint
+That evening on the clouds doth paint.
+
+
+Yon--'mid that distance calm and musical
+Twin stairs of gold suspend their steps of blue,
+The sage doth climb them, and the seer too,
+Starting from sides opposed toward one goal.
+
+
+Yon--contradiction's lightning-shocks lose power.
+Doubt's sullen hand unclenches to the light,
+The eye sees in their essence laws unite
+Rays scattered once 'mid doctrines of an hour.
+
+
+Yon--keenest spirits pierce beyond the land
+Of seeming and of death. The heart hath ease,
+And one would say that Mildness held the keys
+Of the colossal silence in her hand.
+
+
+Up yon--the God each soul is, once again
+Creates, expands, gives, finds himself in all;
+And rises higher, the lowlier he doth fall
+Before meek tenderness and sacred pain.
+
+
+And there is ardent, living peace--its urns
+Of even bliss ranged 'mid these twilights, where
+--Embers of hope upon the ashen air--
+Each great nocturnal planet steadfast burns.
+
+
+In his village at foot of the dykes, that bend,
+Sinuous, weary, about him and wend
+Toward that distance of eddying light,
+The rope-maker, visionary white.
+Along by each house and each garden wall.
+Absorbs in himself the horizons all.
+
+
+
+
+From "LES HEURES CLAIRES"
+
+
+
+
+I
+
+
+Oh, splendour of our joy and our delight,
+Woven of gold amid the silken air!
+See the dear house among its gables light,
+And the green garden, and the orchard there!
+
+
+Here is the bench with apple-trees o'er head
+Whence the light spring is shed.
+With touch of petals falling slow and soft;
+Here branches luminous take flight aloft,
+Hovering, like some bounteous presage, high
+Against this landscape's clear and tender sky.
+
+
+Here lie, like kisses from the lips dropt down
+Of yon frail azur upon earth below,
+Two simple, pure, blue pools, and like a crown
+About their edge, chance flowers artless grow.
+
+
+O splendour of our joy and of our ourselves!
+Whose life doth feed, within this garden bright,
+Upon the emblems of our own delight.
+
+
+What are those forms that yonder slowly pass?
+Our two glad souls are they,
+That pastime take, and stray
+Along the terraces and woodland grass?
+
+
+Are these thy breasts, are these thine eyes, these two
+Golden-bright flowers of harmonious hue?
+These grasses, hanging like some plumage rare.
+Bathed in the stream they ruffle by their touch.
+Are they the strands of thy smooth, glossy hair?
+
+
+No shelter e'er could match yon orchard white.
+Or yonder house amid its gables light,
+And garden, that so blest a sky controls,
+Weaving the climate dear to both our souls.
+
+
+
+
+VIII
+
+
+As in the guileless, golden age, my heart
+I gave thee, even like an ample flower
+That opens in the dew's bright morning hour;
+My lips have rested where the frail leaves part.
+
+
+I plucked the flower--it came
+From meadows whereon grow the flowers of flame:
+Speak to it not--'tis best that we control
+Words, since they needs are trivial 'twixt us two;
+All words are hazardous, for it is through
+The eyes that soul doth hearken unto soul.
+
+
+That flower that is my heart, and where secure
+     My heart's avowal hides.
+     Simply confides
+Unto thy lips that she is clear and pure.
+Loyal and good--and that one's trust toward
+A virgin love is like a child's in God.
+
+
+Let wit and wisdom flower upon the height,
+Along capricious paths of vanity;
+And give we welcome to sincerity,
+That holds between her fingers crystal-bright
+Our two clear hearts: for what so beautiful
+As a confession made from soul to soul.
+     When eve returns
+And the white flame of countless diamonds burns.
+Like myriads of silent eyes intent,
+Th' unfathomed silence of the firmament.
+
+
+
+
+XVII.
+
+
+That we may love each other through our eyes
+Let us our glances lave, and make them clear,
+Of all the thousand glances that they here
+Have met, in this base world of servile lies.
+
+
+The dawn is dressed in blossom and in dew,
+     And chequered too
+     With very tender light--it looks as though
+Frail plumes of sun and silver, through the mist,
+Glided across the garden to and fro,
+And with a soft caress the mosses kissed.
+
+
+Our wondrous ponds of blue
+Tremble and wake with golden shimmerings;
+Swift emerald flights beneath the trees dart through.
+And now the light from hedge and path anew
+Sweeps the damp dust, where yet the twilight clings.
+
+
+
+
+XXI.
+
+
+In hours like these, when through our dream of bliss
+So far from all things not ourselves we move,
+What lustral blood, what baptism is this
+That bathes our hearts, straining toward perfect love?
+
+
+Our hands are clasped, and yet there is no prayer,
+Our arms outstretched, and yet no cry is there;
+Adoring something, what, we cannot say.
+More pure than we are and more far away,
+With spirit fervent and most guileless grown,
+How we are mingled and dissolved in one;
+Ah, how we live each other, in the unknown!
+
+
+Oh, how absorbed and wholly lost before
+The presence of those hours supreme one lies!
+And how the soul would fain find other skies
+To seek therein new gods it might adore;
+Oh, marvellous and agonizing joy,
+Audacious hope whereon the spirit hangs,
+     Of being one day
+     Once more the prey,
+Beyond even death, of these deep, silent pangs.
+
+
+
+
+
+From "LES APPARUS DANS MES CHEMINS"
+
+
+
+
+ST. GEORGE
+
+
+Opening the mists on a sudden through,
+An Avenue!
+Then, all one ferment of varied gold,
+With foam of plumes where the chamfrom bends
+Round his horse's head, that no bit doth hold,
+St. George descends!
+
+
+The diamond-rayed caparison,
+Makes of his flight one declining path
+From Heaven's pity down upon
+Our waiting earth.
+
+
+Hero and Lord
+Of the joyous, helpful virtues all.
+Sonorous, pure and crystalline!
+Let his radiance fall
+On my heart nocturnal and make it shine
+In the wheeling aureole of his sword!
+
+
+Let the wind's soft silvern whispers sound
+And ring his coat of mail around,
+His battle-spurs amid the fight!
+--He--the St. George--who shines so bright
+And comes, 'mid the wailings of my desire.
+To seize and lift my poor hands higher
+Toward his dauntless valour's fire!
+
+
+Like a cry great with faith, to God
+His lance St. George upraised doth hold;
+Crossing athwart my glance he trod.
+As 'twere one tumult of haggard gold.
+The chrism's glow on his forehead shone,
+The great St. George of duty high!
+Beautiful by his heart, and by
+          Himself alone!
+
+
+Ring, all my voices of hope, ring on!
+Ring forth in me
+Beneath fresh boughs of greenery,
+Down radiant pathways, full of sun;
+Ye glints of silvery mica, be
+Bright joy amid my stones--and ye
+White pebbles that the waters strew.
+Open your eyes in my brooklets, through
+The watery lids that cover you;
+Landscape of gushing springs and sun,
+With gold that quivers on misty blue,
+Landscape that dwells in me, hold thou
+The mirror now
+To the fiery flights, that flaming roll,
+Of the great St. George toward my soul!
+
+
+'Gainst the black Dragon's teeth and claws,
+Against the armour of leprous sores,
+The miracle and sword is he;
+On his breast-plate burneth Charity,
+And his gentleness sends hurtling back.
+In dire defeat, the Instinct black.
+Fires flecked with gold, that flashing turn,
+Whirlwinds of stars, those glories meet,
+About his galloping horse's feet.
+Deep into my remembrance burn
+Their lightnings fleet!
+
+
+He comes, a fair ambassador,
+From white lands built with marble o'er.
+Where grows, in glades beside the sea,
+Upon the tree
+Of goodness, fragrant gentleness.
+That haven, too, he knows no less
+Where wondrous ships rock, calm and still.
+That freights of sleeping angels fill;
+And those vast evenings, when below
+Upon the water, 'mid the skies'
+Reflected eyes.
+Islands flash sudden forth and glow.
+That kingdom fair
+Whereof the Virgin ariseth Queen,
+Its lowly, ardent joy is he;
+And his flaming sword in the ambient air
+Vibrates like an ostensory--
+The suddenly flashing St. George! behold,
+He strikes through my soul like a fire of gold!
+
+
+He knows from what far wanderings
+I come: what mists obscure my brain;
+What dagger marks have deeply scarred
+My thought, and with black crosses marred:
+With what spent force, what anger vain.
+What petty scorn of better things,
+--Yea, and with what a mask I came,
+Folly upon the lees of shame!
+A coward was I; the world I fled
+To hide my head
+Within a huge and futile Me;
+I builded, beneath domes of Night,
+The blocks of marble, gold be-starred,
+Of a hostile science, endlessly
+Towards a height
+By oracles of blackness barred.
+For Death alone is Queen of night.
+And human effort is brightest born
+Only at dawn.
+With opening flowers would prayer fain bloom,
+And their sweet lips hold the same perfume.
+The sunbeams shimmering white that fall
+On pearly water, are for all
+Like a caress
+Upon our life: the dawn unfolds
+A counsel fair of trustfulness;
+And whoso hearkens thereto is saved
+From his slough, where never a sin was laved.
+
+
+St. George in radiant armour came
+Speeding along in leaps of flame
+'Mid the sweet morning, through my soul.
+Young, beautiful by faith was he;
+He leaned the lower down toward me
+Even as I the lowlier knelt;
+Like some pure, golden cordial
+In secret felt.
+He filled me with his soaring strength,
+And with sweet fear most tenderly.
+Before that vision's dignity,
+Into his pale, proud hand at length
+I cast the blood my pain had spent.
+Then, laying upon me as he went
+A charge of valour, and the sign
+Of the cross on my brow from his lance divine,
+He sped upon his shining road
+Straight, with my heart, towards his God.
+
+
+
+
+THE GARDENS
+
+
+The landscape now reveals a change;
+A stair--that twinèd elm-boughs hold
+Enclosed 'mid hedges mystic, strange--
+Inaugurates a green and gold
+Vision of gardens, range on range.
+
+
+Each step's a hope, that doth ascend
+Stairwise to expectation's height;
+A weary way it is to wend
+While noonday suns are burning bright.
+But rest waits at the evening's end.
+
+
+Streams, that wash white from sin, flow deep,
+And round about the fresh lawns twine;
+While there, beneath the green banks steep,
+Beside his cross, the Lamb Divine
+Lies tranquilly in peaceful sleep.
+
+
+The daisied grass is glad, and gay
+With crystal butterflies the hedge.
+Where globes of fruit shine blue; here stray
+Peacocks beside the box-trees' edge:
+A shining lion bars the way.
+
+
+Flowers, upright as the ecstasies
+And ardours of white spirits pure,
+With branches springing fountain-wise,
+Burst upward, and by impulse sure
+To their own soaring splendour rise.
+
+
+Gently and very slowly swayed.
+The wind a wordless rhapsody
+Sings--and the shimm'ring air doth braid
+An aureole of filigree
+Round every disk with emerald laid.
+
+
+Even the shade is but a flight
+Toward flickering radiances, that slip
+From space to space; and now the light
+Sleeps, with calmed rays, upon the lip
+Of lilac-blossoms golden-white.
+
+
+
+
+SHE OF THE GARDEN
+
+
+In such a spot, with radiant flowers for halo,
+I saw the Guardian Angel sit her down;
+Vine-branches fashioned a green shrine above her
+And sun-flowers rose behind her like a crown.
+
+
+Her fingers, their white slenderness encircled
+With humble, fragile rings of coral round.
+Held, ranged in couples, sprays of faithful roses.
+Sealed with a clasp, with threads of woollen bound.
+
+
+A shimmering air the golden calm was weaving,
+All filigree'd with dawn, that like a braid
+Surmounted her pure brow, which still was hidden
+Half in the shade.
+
+
+Woven of linen were her veil and sandals.
+But, twined 'mid boughs of foliage, on their hem
+The theologic Virtues Three were painted;
+Hearts set about with gold encompassed them.
+
+
+Her silken hair, slow rippling, from her shoulder
+Down to the mosses of the sward did reach;
+The childhood of her eyes disclosed a silence
+More sweet than speech.
+
+
+My arms outstretched, and all my soul upstraining.
+Then did I rise,
+With haggard yearning, toward the soul suspended
+There in her eyes.
+Those eyes, they shone so vivid with remembrance,
+That they confessed days lived alike with me:
+Oh, in the grave inviolate can it change, then,
+The Long Ago, and live in the To Be?
+
+
+Sure, she was one who, being dead, yet brought me.
+Miraculous, a strength that comforteth,
+And the Viaticum of her survival
+Guiding me from the further side of Death.
+
+
+
+
+
+From "LA MULTIPLE SPLENDEUR"
+
+
+
+
+THE GLORY OF THE HEAVENS
+
+
+Shining in dim transparence, the whole of infinity lies
+Behind the veil that the finger of radiant winter weaves
+And down on us falls the foliage of stars in glittering sheaves;
+From out the depths of the forest, the forest obscure of the skies,
+
+
+The wingèd sea with her shadowy floods as of dappled silk
+Speeds, 'neath the golden fires, her pale immensity o'er;
+And diamond-rayed, the moonlight, shining along the shore,
+Bathes the brow of the headlands in radiance as soft as milk.
+
+
+Yonder there flow, untwining and twining their loops anew!
+The mighty, silvery rivers, through the translucent night;
+And a glint as of wondrous acids sparkles with magic light
+the cup that the lake outstretches towards the mountains blue.
+
+
+Everywhere light seems breaking forth into flower and star,
+Whether on shore in stillness, or wavering on the deep.
+The islands are nests where silence inviolate doth deep;
+An ardent nimbus hovers o'er yon horizons far.
+
+
+See, from Nadir to Zenith one aureole doth reach!
+Of yore, the souls exalted by faith's high mysteries
+Saw, in the domination of those star-clouded skies,
+Jehovah's hand resplendent and heard His silent speech.
+
+
+But now the eyes that scan them no longer may there aspire
+To we some god self-banished--not so, but the intricate
+Tangle of marvellous problems, the messengers that wait
+On Measureless Force, and veil her, there on her couch of fire.
+
+
+O cauldrons of life, where matter, adown the eternal day,
+Pours herself fruitful, seething through paths of scattering flame!
+O flux of worlds and reflux to other worlds the same!
+Unending oscillation betwixt newer and for aye!
+
+
+Tumults consumed in whirlpools of speed and sound and light--
+Violence we nought may reck of!--and yet there falls from thence
+The vast, unbroken silence, mysterious and intense
+That makes the peace, the calmness and beauty of the night!
+
+
+O spheres of flame and golden, always more far and high;
+Abyss to abyss still floating, onward from shade to shade!
+So far, so high, all reck'ning the wisdom of man has made,
+Before those giddy numbers must shrink in his hands and die!
+
+
+Shining in dim transparence, the whole of infinity lies
+Behind the veils that the finger of radiant winter weaves;
+And down on us falls the foliage of star in glittering sheaves,
+From out the depths of the forest, the forest obscure of the skies.
+
+
+
+
+LIFE
+
+
+To see beauty in all, is to lift our own Soul
+Up to loftier heights than do chose who aspire
+Through culpable suffering, vanquished desire.
+Harsh Reality, dread and ineffable Whole,
+Distils her red draught, enough tonic and stern
+To intoxicate heads and to make the heart burn.
+
+
+O clean and pure grain, whence are purged all the tares!
+Clear torch, chosen out amid many whose flame;
+Though ancient in splendour, is false to its name!
+It is good to keep step, though beset with hard cares,
+With the life that is real, to the far distant goal,
+With no arm save the lucid, white pride of one's soul!
+
+
+To march, thus intrepid in confidence, straight
+On the obstacle, holding the stubborn hope
+Of conquering, thanks to firm blows of the will,
+Of intelligence prompt, or of patience to wait;
+And to feel growing stronger within us the sense,
+Day by day, of a power superb and intense!
+
+
+To love ourselves keenly those others within
+Who share a like strife with us, soar without fear
+Toward that one future, whose footsteps we hear;
+To love them, heart, brain, and because we are kin
+Because in some dark, maddened day they have known
+One anguish, one mourning, one string with our own!
+
+To be drunk with the great human battle of wills--
+--Pale, fleeting reflex of the monstrous assaults,
+Golden movements of planets in heaven's high vaults--
+Till one lives in all that which acts, struggles, and thrills,
+And avidly opens one's heart to the law
+That rules, dread and stern, the whole universe o'er!
+
+
+
+
+JOY
+
+
+O splendid, spacious day, irradiate
+With flaming dawns, when earth shows yet more fair
+Her ardent beauty, proud, without alloy;
+And wakening life breathes out her perfume rare
+So potently, that, all intoxicate,
+Our ravished being rushes upon joy!
+
+
+Be thanked, mine eyes, that now
+Ye still shine clear beneath my furrowed brow
+To see afar, the light vibrating there;
+And you my hands, that in the sun yet thrill,
+And you, my fingers, that glow golden still
+Among the golden fruit upon the wall
+        Where hollyhocks stand tall.
+
+
+Be thanked, my body, that thyself dost bear
+Yet firm and swift, and quivering to the touch
+Of the quick breezes or of winds profound;
+And you, straight frame, and lungs outbreathing wide,
+Along the shore or on the mountain-side,
+         The sharp and radiant air
+That bathes and grips the mighty worlds around!
+
+
+O festal mornings, calm in loveliness,
+Rose whose pure face the dewdrops all caress,
+Birds flying toward us, like some presage white,
+Gardens of sombre shade or frailest light!
+
+
+What time the ample summer warms the glade,
+I love you, roads, by which came hither late
+She who held hidden in her hands my fate.
+I love you, distant marshes, woods austere,
+And to its depths, I love the earth, where here
+Beneath my feet, my dead to rest are laid.
+
+
+So I exist in all that doth surround
+And penetrate me:--all this grassy ground,
+These hidden paths, and many a copse of beech:
+Clear water, that no clouding shadows reach:
+          You have become to me
+Myself, because you are my memory.
+
+
+In you my life prolonged for ever seems,
+I shape, I am, all that hath filled my dreams;
+In that horizon vast that dazzles me,
+Trees shimmering with gold, my pride are ye;
+And like the knots upon your trunk, my will
+Strengthens my power to sane, stanch labour still.
+
+
+Rose of the pearl-hued gardens, when you kiss
+My brow, a touch of living flame it is;
+        To me all seems
+One thrill of ardour, beauty, wild caress;
+And I, in this world-drunkenness,
+So multiply myself in all that gleams
+        On dazzled eyes,
+That my heart, fainting, vents itself in cries.
+
+
+O leaps of fervour, strong, profound, and sweet,
+As though some great wing swept thee off thy feet!
+If thou hast felt them upward hearing thee
+        Toward infinity,
+Complain not, man, even in the evil day;
+Whate'er disaster takes thee for her prey
+        Thou to thyself shalt say
+That once, for one short instant all supreme
+        Which time may not destroy,
+Thou yet hast tasted, with quick-beating heart,
+        Sweet, formidable joy;
+And that thy soul, beguiling thee to set
+        As in a dream,
+Hath fused thy very being's inmost part
+With the unanimous great founts of power
+And that that day supreme, that single hour,
+        Hath made a god of thee.
+
+
+
+
+
+End of Project Gutenberg's Poems of Emile Verhaeren, by Emile Verhaeren
+
+*** END OF THIS PROJECT GUTENBERG EBOOK POEMS OF EMILE VERHAEREN ***
+
+***** This file should be named 33792-8.txt or 33792-8.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/3/3/7/9/33792/
+
+Produced by Marc D'Hooghe at http://www.freeliterature.org
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.