diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 33555-h.zip | bin | 0 -> 164322 bytes | |||
| -rw-r--r-- | 33555-h/33555-h.htm | 1001 | ||||
| -rw-r--r-- | 33555-h/images/img-011.jpg | bin | 0 -> 64082 bytes | |||
| -rw-r--r-- | 33555-h/images/img-018.jpg | bin | 0 -> 84792 bytes | |||
| -rw-r--r-- | 33555.txt | 841 | ||||
| -rw-r--r-- | 33555.zip | bin | 0 -> 13832 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
9 files changed, 1858 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/33555-h.zip b/33555-h.zip Binary files differnew file mode 100644 index 0000000..f35a8f0 --- /dev/null +++ b/33555-h.zip diff --git a/33555-h/33555-h.htm b/33555-h/33555-h.htm new file mode 100644 index 0000000..f3ba1b2 --- /dev/null +++ b/33555-h/33555-h.htm @@ -0,0 +1,1001 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<HTML> +<HEAD> + +<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1"> + +<TITLE> +The Project Gutenberg E-text of On Strike Till 3, by Grant Balfour +</TITLE> + +<STYLE TYPE="text/css"> +BODY { color: Black; + background: White; + margin-right: 10%; + margin-left: 10%; + font-family: "Times New Roman", serif; + text-align: justify } + +P {text-indent: 4% } + +P.noindent {text-indent: 0% } + +P.poem {text-indent: 0%; + margin-left: 10%; } + +P.letter {text-indent: 0%; + margin-left: 10% ; + margin-right: 10% } + +P.finis { font-size: larger ; + text-align: center ; + text-indent: 0% ; + margin-left: 0% ; + margin-right: 0% } + +H4.h4center { margin-left: 0; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + float: none ; + clear: both ; + text-align: center } + +IMG.imgcenter { margin-left: auto; + margin-bottom: 0; + margin-top: 1%; + margin-right: auto; } + +</STYLE> + +</HEAD> + +<BODY> + + +<pre> + +The Project Gutenberg EBook of On Strike Till 3, by Grant Balfour + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: On Strike Till 3 + +Author: Grant Balfour + +Release Date: August 27, 2010 [EBook #33555] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK ON STRIKE TILL 3 *** + + + + +Produced by Al Haines, prepared from scans obtained from +Internet Archive. + + + + + + +</pre> + + +<BR><BR> + +<H1 ALIGN="center"> +ON STRIKE TILL 3 +</H1> + +<BR><BR> + +<H4 ALIGN="center"> +By +</H4> + +<H3 ALIGN="center"> +GRANT BALFOUR +</H3> + +<BR> + +<H4 ALIGN="center"> +Author of +<BR><BR> +"Canada My Home and Other Poems"<BR> +"The Fairy School of Castle Frank"<BR> +&c., &c.<BR> +</H4> + +<BR><BR><BR><BR> + +<H4 ALIGN="center"> +TORONTO +<BR> +WILLIAM BRIGGS +<BR> +1913 +</H4> + +<BR><BR><BR> + +<H5 ALIGN="center"> +Copyright, Canada, 1913, by +<BR> +J. M. GRANT +</H5> + +<BR><BR><BR> + +<A NAME="chap01"></A> + +<H3 ALIGN="center"> + WHERE UNION DWELT +</H3> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Beside the deep ravine the cottage stood,</SPAN><BR> +O'erlooking elm and willow, beech and birch,<BR> +In growth profuse and wild o'er shady stream:<BR> +And viewing cedar, oak and towering pine<BR> +On yonder crest aglow with light. How grand<BR> +The vision in the greenness of the spring,<BR> +When birds of blue and scarlet vestments come;<BR> +The greater glory of the summer time,<BR> +When twinkling wings outvie the rarest flowers;<BR> +Or ripeness of the fall, when richest green<BR> +And gold and red in mass of tapestry<BR> +Delight the eye.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">But now the scene is white,</SPAN><BR> +Resplendent white. No miser hand hath swept<BR> +The vale and heights but Nature bountiful<BR> +Of beauty dazzling pure, the season's own.<BR> +The spotless path below, meandering midst<BR> +O'erhanging boughs and drooping plants enwrapped<BR> +In feathered snow, a reverend scene, appears<BR> +As if for angels formed, who came to walk<BR> +This sacred aisle to worship winter's God.<BR> +The lofty pines that grace the other crest,<BR> +Enrobed in sparkling splendor, raise their heads<BR> +In solemn awe to yonder jewelled dome,<BR> +And offer praise to Him whose temple bright<BR> +Holds earth and sky.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Beneath a frosted birch,</SPAN><BR> +Lit up to brilliance by the burnished moon,<BR> +The shingle cottage stood, a humble home.<BR> +The labour of the day was done. The lamp<BR> +Within sent out its yellow rays athwart<BR> +The silver snow and on the well-washed sheets<BR> +And other things that hung on lines and told<BR> +The woman's calling. Work, from dawn of day<BR> +Till dark, with poor reward.<BR> +</P> + +<BR><BR><BR> + +<H3 ALIGN="center"> +CHRISTMAS EVE<BR> +</H3> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">'Twas Christmas Eve.</SPAN><BR> +The mother and her little boy (his name<BR> +Was David Annandale) sat down to read<BR> +And converse hold before they sought repose.<BR> +A widow young, with richest auburn hair,<BR> +Bright hazel eyes 'neath finely arching brows,<BR> +Teeth of pearl, and sympathetic smile<BR> +Most sweet. No wonder that her child, a lad<BR> +Of six, with raven hair and ruddy cheeks,<BR> +Should find in her alone his heart's desire,<BR> +His reigning thought, the perfect one. His eyes<BR> +Lovelit no blemish saw in careworn looks.<BR> +</P> + +<P CLASS="poem"> +Her stories, read and told with girlish zeal,<BR> +Of beaver, bear and wolf, and jet black squirrel,<BR> +But, best of all, of smiling Santa Claus,<BR> +Aroused an interest intense. The deep<BR> +Ravine itself and other themes all passed<BR> +Beneath her spell. And he, tho' entertained,<BR> +Was also purified and lifted up.<BR> +"My mother, dear," he said, "When I'm a man,<BR> +I'll work and work for you, and buy a castle<BR> +And a carriage; you will be a lady,<BR> +And nevermore be tired."<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Tired himself at last,</SPAN><BR> +His eyelids fell. He dreamed a moment deep,<BR> +Then wide awoke and starting up he wept,<BR> +And as he sobbed he said, "I've seen my kitten<BR> +In the cold ravine. Oh, let it in!"<BR> +This was a kitten lost a while before,<BR> +A creature in his heart as much as treasure<BR> +Real or ideal fills the heart<BR> +Of any ardent man. He ever longed<BR> +And hoped for its return. And every night<BR> +The door was opened and the yearning call<BR> +Went out into the empty air. And every<BR> +Night he saw the lost one's dish supplied,<BR> +Which morning found untouched. The mother did<BR> +Her best to stay his tears, and as she bent<BR> +And tucked him warm in bed she said that maybe<BR> +Santa Claus would bring another kitten.<BR> +"Tie a great big stocking, mother; make it<BR> +Open wide and warm." She did so, kissed him,<BR> +And he closed his eyes.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">One hand alone,</SPAN><BR> +Would fill that empty stocking, nor forget<BR> +A friend or neighbor would come later on,<BR> +But David's eyes when morning came would look<BR> +On emptiness, save for mother's hand. Nay, stay,—<BR> +At midnight, yea, at midnight, when the moon<BR> +Was still a silver lamp, a creature poor,<BR> +Benighted, wandered to the cottage door.<BR> +Ill-treated, cold, too sick to cry, it looked<BR> +With wistful eyes beneath the fastened door.<BR> +Then turned and went aside and trembling climbed<BR> +The sloping birchen tree and reached the roof.<BR> +Adown the chimney peered, then slowly crept,<BR> +Then fell. It lay upon the hearth a time.<BR> +But lured, it lapped the milk, and, strengthened, strove<BR> +To climb into the little sleeper's cot.<BR> +It strove but failed, and, guided by a gentle<BR> +Hand, it fell at last into the open<BR> +Stocking, head above, and finding comfort,<BR> +Softly purred and slept.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Ah, sleeping boy,</SPAN><BR> +Thou dreamest not the joy awaiting thee—<BR> +The empty place within thy heart shall soon<BR> +Be filled, thy grief assuaged, thy hot tears dried.<BR> +'Tis little value—but 'tis much to thee—<BR> +Because thy love is wrapped up there, and love<BR> +Is value's measure in the heart of rich<BR> +And poor.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">The boy awoke and rubbed his eyes.</SPAN><BR> +The sun had risen o'er the grand ravine,<BR> +A silver scene, and sent its slanting rays<BR> +Of gold beneath the blind, across the cot.<BR> +He waited not, but crept along and looked<BR> +Below. Two eyes looked up. A moment mutual<BR> +Magnetized, transfixed! He drew the creature<BR> +From its woollen bed, he kissed it,—pressed it<BR> +To his cheek—and wept for joy. The mother<BR> +Woke. The midnight "gift" was seen and gladly<BR> +Welcomed home while David slept, and now<BR> +She also wept for joy. No home was happier<BR> +On that Christmas morn. No gift was costlier<BR> +Than the gift that meant the wasted worthless<BR> +Waif's return.<BR> +</P> + +<A NAME="img-011"></A> +<CENTER> +<IMG CLASS="imgcenter" SRC="images/img-011.jpg" ALT=""Magnetized"" BORDER="2" WIDTH="578" HEIGHT="662"> +<H4 CLASS="h4center" STYLE="width: 578px"> +"Magnetized" +</H4> +</CENTER> + +<BR><BR><BR> + +<H3 ALIGN="center"> +THE LURKING FOE<BR> +</H3> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Till early spring (too soon),</SPAN><BR> +While David went to school, and learned well,<BR> +The widow bravely labored on 'mid frost<BR> +And snow and storm, thro' strain of overwork<BR> +And worse. Inhaled, mayhap, from matter bad,<BR> +Close-handled in her calling (who can trace<BR> +The lurking venom foe?) the wasting plague<BR> +Had found a cruel lodgment in her breast.<BR> +"One hope remains," the kind physician said—<BR> +Who made no charge for visits not a few—<BR> +"'Tis institutional treatment where the air<BR> +Is light and pure, where food is plentiful,<BR> +And rest abounds."<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">The parting wrench was sore.</SPAN><BR> +The mother hid her grief and tears, and smiled,<BR> +But David wept without restraint. A farming<BR> +Couple sympathetic offered refuge<BR> +For awhile, and when he went away<BR> +(His kitten in a basket 'neath his arm),<BR> +His heart was heavy—for the sun was down,<BR> +The world was dark.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">But five months' treatment free</SPAN><BR> +Was great and good, and David's mother seemed<BR> +To be restored to health, for strength was there<BR> +And color beautiful. 'Twas not enough,<BR> +Tho' all that could be given, that other waiting<BR> +Sufferers might have a chance to live.<BR> +With rest at home the healing work begun<BR> +Would one day be complete.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Ye men of wealth,</SPAN><BR> +And all that generous give, with all that halt,<BR> +Herein your golden opportunity<BR> +Doth lie. A home you have prepared for them<BR> +That leave the prison cell, and this is well.<BR> +But what awaits the convalescent widow<BR> +And the orphan, fighting off the wasting plague?<BR> +Suspicion—dread—a refuge craved for vainly<BR> +Here and there—a battle hopeless, lost.<BR> +Awake, awake! Oh, give the shelter sure<BR> +A child would give to any famished waif!<BR> +Oh, wake, compassion, wake!<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">When David, big</SPAN><BR> +With joy, returned, the wind sang in the trees,<BR> +The flowers, red and white, a welcome smiled,<BR> +The cottage seemed to be a prince's home,<BR> +And mother in her loveliness a queen,<BR> +While in the mother's eyes her child appeared<BR> +As if a shepherd lad, he looked so strong,<BR> +So lithe, and ruddy. But the only flock<BR> +That David had consisted of a kitten,<BR> +Now a cat renowned of tiger-stripe<BR> +And fat. And once again the cottage-home<BR> +Gave foretaste of the other, deathless, pure,<BR> +And glad, for love was there.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">With quenchless hope</SPAN><BR> +The happy widow bravely bent her shoulders<BR> +To the yoke again. She had her boy<BR> +To live for, work for, love, and he would be<BR> +A man some day, and strong, when she would lean<BR> +On him as he had leaned on her. And yet<BR> +The yoke was heavy, and grew heavier<BR> +As vigour waned. In spite of hope and will<BR> +She craved for rest. Or even if the wage<BR> +Were better, labour could be lessened<BR> +And give more of rest.<BR> +</P> + +<BR><BR><BR> + +<H3 ALIGN="center"> +ON STRIKE<BR> +</H3> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">One day some workmen</SPAN><BR> +Struck for better pay. And David wondered<BR> +What it meant to strike. "What is it, mother?—<BR> +Do they hit the men that give them work?"<BR> +The mother smiled. "No, no, my child, they merely<BR> +Rest or cease from work to force their masters<BR> +Into giving better pay to get them<BR> +Back to work." A happy thought now seized him—<BR> +"Oh, mother, strike, and then the people sure<BR> +Will give you better pay." The mother smiled,<BR> +But sighed and said, "My darling boy, if I<BR> +Should strike, a score of women poor are ready,<BR> +Even glad, to take my place, perchance for less."<BR> +The boy was disappointed, and his heart<BR> +Was sad.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">But "strike," that odd word strike, as meaning</SPAN><BR> +Rest from work, or stopping work, clung fast<BR> +To David's mind. Apart from better pay<BR> +He thought that something good remained, and so<BR> +At night, the last thing done before he slept,<BR> +The boy would often take his board, a blackboard<BR> +Big, and chalk in letters large and white—<BR> +"On strike till 7," "On strike till 6," "On strike<BR> +Till 5," according as his mother's work<BR> +Required, or strength could stand. The metal clock,<BR> +A loud alarum, was also wound and set.<BR> +At this the mother always smiled, but when<BR> +Her treasure's eyes were closed in sleep she wept.<BR> +She dared not bend and kiss those cherub lips.<BR> +His lovely face grew paler day by day,<BR> +And dread, an awful dread, laid hold of her.<BR> +And she herself was wasting swift and sure—<BR> +The candle flame was burning low.<BR> +</P> + +<BR><BR><BR> + +<H3 ALIGN="center"> +ANOTHER CHRISTMAS<BR> +</H3> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Two nights, not more, before the Christmas eve,</SPAN><BR> +A heap of things for washing lay against<BR> +The wall. Alas, at any time too great,<BR> +The present task might break the weary back,<BR> +But Christmas need was pressing and the labour<BR> +Must be done. (Oh, spare that wasted frame!<BR> +Hear, O Lord, the widow's cry!)<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">The weary, yet the watchful boy,</SPAN><BR> +His blackboard took and wrote in letters big<BR> +And urgent, seeming charged with meaning strange.<BR> +And the clock's alarum was set. And now<BR> +On bended knee beside his mother's knee<BR> +He spoke his simple prayer, pleading lastly<BR> +That his mother might have better wages<BR> +And have rest. And, oh, the mother's heart<BR> +Went with him, with himself before the throne,<BR> +Forgetful, ay entirely, of herself.<BR> +A wild temptation seized her. She would clasp,<BR> +Yea, fiercely hug, that wasted angel-body<BR> +To her breast, and kiss those guileless, beauteous,<BR> +Sweetest lips. Alas! she knew the worst<BR> +Had come—those eyes, uplifted, hollow, shining,<BR> +Spoke of death. And why refrain? She would not,<BR> +Yea, she drank the cup of pleasure to the full.<BR> +The child was glad, and went to rest,<BR> +A smile of heaven on his lips.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">And now the mother satisfied, as one</SPAN><BR> +With strongest wine, rose up, and ope'd the door.<BR> +She looked abroad a moment, then went out<BR> +Into the silent air. The deep ravine<BR> +Was glorious white. The mighty pines were robed<BR> +As if prepared to sing in heaven's choir<BR> +On earth, when strong the northern tempest blew.<BR> +The widow, vigour getting for a little<BR> +From the frosty air, admired the scene,<BR> +And lifting up her eyes to sparkling worlds<BR> +Above, she felt assured, though human help<BR> +And pity wholly failed, that somewhere, sometime,<BR> +There was plenteous rest.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">And yet she thanked</SPAN><BR> +And praised the Power that good and evil gave,<BR> +For one brief cup of pleasure, if no more—<BR> +Her pleasure in her darling boy. "Take him,<BR> +O Lord, whatever portion mine."<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">The tension loosed,</SPAN><BR> +The stricken widow turned, yet ere she turned<BR> +She scanned the northern shore of brilliant night,<BR> +And, lo, a mountain mass of tempest clouds<BR> +Lined up for battle with the sleeping south.<BR> +The woman, fearless, smiled as if in kinship<BR> +With the coming storm.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">But having struggled, spoken,</SPAN><BR> +Pleaded strong, her transient vigour gone,<BR> +She stumbled to the door and entered in.<BR> +Beside the bed, she saw the letters written<BR> +On the board, as if the sacred writing<BR> +On the wall. She saw the slender lovely hand<BR> +Exposed that wrote them, and she bowed and kissed it,<BR> +But she could not weep.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Ere midnight came,</SPAN><BR> +The child awoke, disturbed, and anxious said,<BR> +"Oh, mother dear, what is that awful sound?"<BR> +"My darling, 'tis the sighing of the wind<BR> +Among the pines." But swifter sped the tempest,<BR> +Swifter, and the pines—they bowed their heads<BR> +Before the blast and sang. The cedars high<BR> +And oaks together answered back in song,<BR> +And louder, louder, as if thunder grand,<BR> +The tempest bell of music rang. The boy<BR> +Awoke again, and feebly cried—"Oh, mother,<BR> +I'm afraid—what is that dreadful sound?"<BR> +"My darling, fear not, 'tis the voice of God—<BR> +He leads the choir. And he remembers you<BR> +And me." "Oh, mother, take me in beside you,<BR> +I'm afraid of God, but Jesus"—Here he stopped.<BR> +He struggled till he got in part athwart<BR> +The cot. And as his wearied head sank down<BR> +He whispered faintly, and there came a broken<BR> +Answer, whispering—"Near me, nearer, darling"—<BR> +That was all.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">The storm, the mother's music.</SPAN><BR> +But the child's affright, attained its height.<BR> +Then sudden rang the loud alarum. But<BR> +They heard it not.<BR> +</P> + +<SPAN STYLE="margin-left: 10%; letter-spacing: 2em">*****</SPAN><BR> + +<P CLASS="poem"> +There was once a manger,<BR> +Once a cross, and both by man despised.<BR> +But God hath both exalted high. And once<BR> +A lonely cottage lowly, overlooked<BR> +By men. But God on it had mercy.<BR> +Tho' He seemed to be in wrath.<BR> +</P> + +<A NAME="img-018"></A> +<CENTER> +<IMG CLASS="imgcenter" SRC="images/img-018.jpg" ALT=""The morning saw her come"" BORDER="2" WIDTH="588" HEIGHT="751"> +<H4 CLASS="h4center" STYLE="width: 588px"> +"The morning saw her come" +</H4> +</CENTER> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Three wise men</SPAN><BR> +Did not come, nor one. A child, a girl<BR> +With golden hair and gray-blue laughing eyes,<BR> +A furtive playmate of the boy, with stress<BR> +Walked through the spotless wreaths of snow. The morning<BR> +Saw her come, when all was still. No lock<BR> +Debarred her, and she entered, having knocked.<BR> +She saw the writing on the blackboard big,<BR> +Against the wall, in trembling chalk—<BR> +</P> + +<BR><BR><BR> + +<H3 ALIGN="center"> +"ON STRIKE TILL 3"<BR> +</H3> + +<P CLASS="poem"> +And duly signed by David Annandale.<BR> +She saw the mother's snow-white face upturned<BR> +To heaven. She saw the raven locks of David<BR> +Strewn upon her breast. And saw his face—<BR> +'Twas also white as snow. The tragic scene<BR> +Was quickly seen. She stood amazed a moment,<BR> +Then approached, uncertain, all atremble.<BR> +And she softly pressed her playmate's brow.<BR> +The chill of death went thro' her, and she gave<BR> +A piercing cry and fled.<BR> +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 3em">Of Christmas Day,</SPAN><BR> +Next day but one, the pretty child had come<BR> +To speak and childlike tell of something fine<BR> +She was to bring. But that great day of countless<BR> +Happy homes would see the cottage empty.<BR> +Nature, nature's God, in mercy stayed<BR> +The stricken widow's ill-paid, weary labour.<BR> +She had gone on strike, as David said,<BR> +And she had taken her darling with her.<BR> +</P> + +<BR><BR><BR><BR> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of On Strike Till 3, by Grant Balfour + +*** END OF THIS PROJECT GUTENBERG EBOOK ON STRIKE TILL 3 *** + +***** This file should be named 33555-h.htm or 33555-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/3/5/5/33555/ + +Produced by Al Haines, prepared from scans obtained from +Internet Archive. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</BODY> + +</HTML> + diff --git a/33555-h/images/img-011.jpg b/33555-h/images/img-011.jpg Binary files differnew file mode 100644 index 0000000..ceeedce --- /dev/null +++ b/33555-h/images/img-011.jpg diff --git a/33555-h/images/img-018.jpg b/33555-h/images/img-018.jpg Binary files differnew file mode 100644 index 0000000..9654739 --- /dev/null +++ b/33555-h/images/img-018.jpg diff --git a/33555.txt b/33555.txt new file mode 100644 index 0000000..a2b5a76 --- /dev/null +++ b/33555.txt @@ -0,0 +1,841 @@ +The Project Gutenberg EBook of On Strike Till 3, by Grant Balfour + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: On Strike Till 3 + +Author: Grant Balfour + +Release Date: August 27, 2010 [EBook #33555] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK ON STRIKE TILL 3 *** + + + + +Produced by Al Haines, prepared from scans obtained from +Internet Archive. + + + + + + + + + + +ON STRIKE TILL 3 + + + +By + +GRANT BALFOUR + + +Author of + + "Canada My Home and Other Poems" + "The Fairy School of Castle Frank" + &c., &c. + + + + + +TORONTO + +WILLIAM BRIGGS + +1913 + + + + +Copyright, Canada, 1913, by + +J. M. GRANT + + + + + WHERE UNION DWELT + + Beside the deep ravine the cottage stood, + O'erlooking elm and willow, beech and birch, + In growth profuse and wild o'er shady stream: + And viewing cedar, oak and towering pine + On yonder crest aglow with light. How grand + The vision in the greenness of the spring, + When birds of blue and scarlet vestments come; + The greater glory of the summer time, + When twinkling wings outvie the rarest flowers; + Or ripeness of the fall, when richest green + And gold and red in mass of tapestry + Delight the eye. + + But now the scene is white, + Resplendent white. No miser hand hath swept + The vale and heights but Nature bountiful + Of beauty dazzling pure, the season's own. + The spotless path below, meandering midst + O'erhanging boughs and drooping plants enwrapped + In feathered snow, a reverend scene, appears + As if for angels formed, who came to walk + This sacred aisle to worship winter's God. + The lofty pines that grace the other crest, + Enrobed in sparkling splendor, raise their heads + In solemn awe to yonder jewelled dome, + And offer praise to Him whose temple bright + Holds earth and sky. + + Beneath a frosted birch, + Lit up to brilliance by the burnished moon, + The shingle cottage stood, a humble home. + The labour of the day was done. The lamp + Within sent out its yellow rays athwart + The silver snow and on the well-washed sheets + And other things that hung on lines and told + The woman's calling. Work, from dawn of day + Till dark, with poor reward. + + + + + CHRISTMAS EVE + + 'Twas Christmas Eve. + The mother and her little boy (his name + Was David Annandale) sat down to read + And converse hold before they sought repose. + A widow young, with richest auburn hair, + Bright hazel eyes 'neath finely arching brows, + Teeth of pearl, and sympathetic smile + Most sweet. No wonder that her child, a lad + Of six, with raven hair and ruddy cheeks, + Should find in her alone his heart's desire, + His reigning thought, the perfect one. His eyes + Lovelit no blemish saw in careworn looks. + + Her stories, read and told with girlish zeal, + Of beaver, bear and wolf, and jet black squirrel, + But, best of all, of smiling Santa Claus, + Aroused an interest intense. The deep + Ravine itself and other themes all passed + Beneath her spell. And he, tho' entertained, + Was also purified and lifted up. + "My mother, dear," he said, "When I'm a man, + I'll work and work for you, and buy a castle + And a carriage; you will be a lady, + And nevermore be tired." + + Tired himself at last, + His eyelids fell. He dreamed a moment deep, + Then wide awoke and starting up he wept, + And as he sobbed he said, "I've seen my kitten + In the cold ravine. Oh, let it in!" + This was a kitten lost a while before, + A creature in his heart as much as treasure + Real or ideal fills the heart + Of any ardent man. He ever longed + And hoped for its return. And every night + The door was opened and the yearning call + Went out into the empty air. And every + Night he saw the lost one's dish supplied, + Which morning found untouched. The mother did + Her best to stay his tears, and as she bent + And tucked him warm in bed she said that maybe + Santa Claus would bring another kitten. + "Tie a great big stocking, mother; make it + Open wide and warm." She did so, kissed him, + And he closed his eyes. + + One hand alone, + Would fill that empty stocking, nor forget + A friend or neighbor would come later on, + But David's eyes when morning came would look + On emptiness, save for mother's hand. Nay, stay,-- + At midnight, yea, at midnight, when the moon + Was still a silver lamp, a creature poor, + Benighted, wandered to the cottage door. + Ill-treated, cold, too sick to cry, it looked + With wistful eyes beneath the fastened door. + Then turned and went aside and trembling climbed + The sloping birchen tree and reached the roof. + Adown the chimney peered, then slowly crept, + Then fell. It lay upon the hearth a time. + But lured, it lapped the milk, and, strengthened, strove + To climb into the little sleeper's cot. + It strove but failed, and, guided by a gentle + Hand, it fell at last into the open + Stocking, head above, and finding comfort, + Softly purred and slept. + + Ah, sleeping boy, + Thou dreamest not the joy awaiting thee-- + The empty place within thy heart shall soon + Be filled, thy grief assuaged, thy hot tears dried. + 'Tis little value--but 'tis much to thee-- + Because thy love is wrapped up there, and love + Is value's measure in the heart of rich + And poor. + + The boy awoke and rubbed his eyes. + The sun had risen o'er the grand ravine, + A silver scene, and sent its slanting rays + Of gold beneath the blind, across the cot. + He waited not, but crept along and looked + Below. Two eyes looked up. A moment mutual + Magnetized, transfixed! He drew the creature + From its woollen bed, he kissed it,--pressed it + To his cheek--and wept for joy. The mother + Woke. The midnight "gift" was seen and gladly + Welcomed home while David slept, and now + She also wept for joy. No home was happier + On that Christmas morn. No gift was costlier + Than the gift that meant the wasted worthless + Waif's return. + +[Illustration: "Magnetized"] + + + + + THE LURKING FOE + + Till early spring (too soon), + While David went to school, and learned well, + The widow bravely labored on 'mid frost + And snow and storm, thro' strain of overwork + And worse. Inhaled, mayhap, from matter bad, + Close-handled in her calling (who can trace + The lurking venom foe?) the wasting plague + Had found a cruel lodgment in her breast. + "One hope remains," the kind physician said-- + Who made no charge for visits not a few-- + "'Tis institutional treatment where the air + Is light and pure, where food is plentiful, + And rest abounds." + + The parting wrench was sore. + The mother hid her grief and tears, and smiled, + But David wept without restraint. A farming + Couple sympathetic offered refuge + For awhile, and when he went away + (His kitten in a basket 'neath his arm), + His heart was heavy--for the sun was down, + The world was dark. + + But five months' treatment free + Was great and good, and David's mother seemed + To be restored to health, for strength was there + And color beautiful. 'Twas not enough, + Tho' all that could be given, that other waiting + Sufferers might have a chance to live. + With rest at home the healing work begun + Would one day be complete. + + Ye men of wealth, + And all that generous give, with all that halt, + Herein your golden opportunity + Doth lie. A home you have prepared for them + That leave the prison cell, and this is well. + But what awaits the convalescent widow + And the orphan, fighting off the wasting plague? + Suspicion--dread--a refuge craved for vainly + Here and there--a battle hopeless, lost. + Awake, awake! Oh, give the shelter sure + A child would give to any famished waif! + Oh, wake, compassion, wake! + + When David, big + With joy, returned, the wind sang in the trees, + The flowers, red and white, a welcome smiled, + The cottage seemed to be a prince's home, + And mother in her loveliness a queen, + While in the mother's eyes her child appeared + As if a shepherd lad, he looked so strong, + So lithe, and ruddy. But the only flock + That David had consisted of a kitten, + Now a cat renowned of tiger-stripe + And fat. And once again the cottage-home + Gave foretaste of the other, deathless, pure, + And glad, for love was there. + + With quenchless hope + The happy widow bravely bent her shoulders + To the yoke again. She had her boy + To live for, work for, love, and he would be + A man some day, and strong, when she would lean + On him as he had leaned on her. And yet + The yoke was heavy, and grew heavier + As vigour waned. In spite of hope and will + She craved for rest. Or even if the wage + Were better, labour could be lessened + And give more of rest. + + + + + ON STRIKE + + One day some workmen + Struck for better pay. And David wondered + What it meant to strike. "What is it, mother?-- + Do they hit the men that give them work?" + The mother smiled. "No, no, my child, they merely + Rest or cease from work to force their masters + Into giving better pay to get them + Back to work." A happy thought now seized him-- + "Oh, mother, strike, and then the people sure + Will give you better pay." The mother smiled, + But sighed and said, "My darling boy, if I + Should strike, a score of women poor are ready, + Even glad, to take my place, perchance for less." + The boy was disappointed, and his heart + Was sad. + + But "strike," that odd word strike, as meaning + Rest from work, or stopping work, clung fast + To David's mind. Apart from better pay + He thought that something good remained, and so + At night, the last thing done before he slept, + The boy would often take his board, a blackboard + Big, and chalk in letters large and white-- + "On strike till 7," "On strike till 6," "On strike + Till 5," according as his mother's work + Required, or strength could stand. The metal clock, + A loud alarum, was also wound and set. + At this the mother always smiled, but when + Her treasure's eyes were closed in sleep she wept. + She dared not bend and kiss those cherub lips. + His lovely face grew paler day by day, + And dread, an awful dread, laid hold of her. + And she herself was wasting swift and sure-- + The candle flame was burning low. + + + + + ANOTHER CHRISTMAS + + Two nights, not more, before the Christmas eve, + A heap of things for washing lay against + The wall. Alas, at any time too great, + The present task might break the weary back, + But Christmas need was pressing and the labour + Must be done. (Oh, spare that wasted frame! + Hear, O Lord, the widow's cry!) + + The weary, yet the watchful boy, + His blackboard took and wrote in letters big + And urgent, seeming charged with meaning strange. + And the clock's alarum was set. And now + On bended knee beside his mother's knee + He spoke his simple prayer, pleading lastly + That his mother might have better wages + And have rest. And, oh, the mother's heart + Went with him, with himself before the throne, + Forgetful, ay entirely, of herself. + A wild temptation seized her. She would clasp, + Yea, fiercely hug, that wasted angel-body + To her breast, and kiss those guileless, beauteous, + Sweetest lips. Alas! she knew the worst + Had come--those eyes, uplifted, hollow, shining, + Spoke of death. And why refrain? She would not, + Yea, she drank the cup of pleasure to the full. + The child was glad, and went to rest, + A smile of heaven on his lips. + + And now the mother satisfied, as one + With strongest wine, rose up, and ope'd the door. + She looked abroad a moment, then went out + Into the silent air. The deep ravine + Was glorious white. The mighty pines were robed + As if prepared to sing in heaven's choir + On earth, when strong the northern tempest blew. + The widow, vigour getting for a little + From the frosty air, admired the scene, + And lifting up her eyes to sparkling worlds + Above, she felt assured, though human help + And pity wholly failed, that somewhere, sometime, + There was plenteous rest. + + And yet she thanked + And praised the Power that good and evil gave, + For one brief cup of pleasure, if no more-- + Her pleasure in her darling boy. "Take him, + O Lord, whatever portion mine." + + The tension loosed, + The stricken widow turned, yet ere she turned + She scanned the northern shore of brilliant night, + And, lo, a mountain mass of tempest clouds + Lined up for battle with the sleeping south. + The woman, fearless, smiled as if in kinship + With the coming storm. + + But having struggled, spoken, + Pleaded strong, her transient vigour gone, + She stumbled to the door and entered in. + Beside the bed, she saw the letters written + On the board, as if the sacred writing + On the wall. She saw the slender lovely hand + Exposed that wrote them, and she bowed and kissed it, + But she could not weep. + + Ere midnight came, + The child awoke, disturbed, and anxious said, + "Oh, mother dear, what is that awful sound?" + "My darling, 'tis the sighing of the wind + Among the pines." But swifter sped the tempest, + Swifter, and the pines--they bowed their heads + Before the blast and sang. The cedars high + And oaks together answered back in song, + And louder, louder, as if thunder grand, + The tempest bell of music rang. The boy + Awoke again, and feebly cried--"Oh, mother, + I'm afraid--what is that dreadful sound?" + "My darling, fear not, 'tis the voice of God-- + He leads the choir. And he remembers you + And me." "Oh, mother, take me in beside you, + I'm afraid of God, but Jesus"--Here he stopped. + He struggled till he got in part athwart + The cot. And as his wearied head sank down + He whispered faintly, and there came a broken + Answer, whispering--"Near me, nearer, darling"-- + That was all. + + The storm, the mother's music. + But the child's affright, attained its height. + Then sudden rang the loud alarum. But + They heard it not. + + * * * * * + + There was once a manger, + Once a cross, and both by man despised. + But God hath both exalted high. And once + A lonely cottage lowly, overlooked + By men. But God on it had mercy. + Tho' He seemed to be in wrath. + +[Illustration: "The morning saw her come"] + + Three wise men + Did not come, nor one. A child, a girl + With golden hair and gray-blue laughing eyes, + A furtive playmate of the boy, with stress + Walked through the spotless wreaths of snow. The morning + Saw her come, when all was still. No lock + Debarred her, and she entered, having knocked. + She saw the writing on the blackboard big, + Against the wall, in trembling chalk-- + + + + + "ON STRIKE TILL 3" + + And duly signed by David Annandale. + She saw the mother's snow-white face upturned + To heaven. She saw the raven locks of David + Strewn upon her breast. And saw his face-- + 'Twas also white as snow. The tragic scene + Was quickly seen. She stood amazed a moment, + Then approached, uncertain, all atremble. + And she softly pressed her playmate's brow. + The chill of death went thro' her, and she gave + A piercing cry and fled. + + Of Christmas Day, + Next day but one, the pretty child had come + To speak and childlike tell of something fine + She was to bring. But that great day of countless + Happy homes would see the cottage empty. + Nature, nature's God, in mercy stayed + The stricken widow's ill-paid, weary labour. + She had gone on strike, as David said, + And she had taken her darling with her. + + + + + + + + + + +End of the Project Gutenberg EBook of On Strike Till 3, by Grant Balfour + +*** END OF THIS PROJECT GUTENBERG EBOOK ON STRIKE TILL 3 *** + +***** This file should be named 33555.txt or 33555.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/3/5/5/33555/ + +Produced by Al Haines, prepared from scans obtained from +Internet Archive. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/33555.zip b/33555.zip Binary files differnew file mode 100644 index 0000000..f21d965 --- /dev/null +++ b/33555.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..9fc994d --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #33555 (https://www.gutenberg.org/ebooks/33555) |
