summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--33553-8.txt1255
-rw-r--r--33553-8.zipbin0 -> 17385 bytes
-rw-r--r--33553-h.zipbin0 -> 19280 bytes
-rw-r--r--33553-h/33553-h.htm1592
-rw-r--r--33553.txt1255
-rw-r--r--33553.zipbin0 -> 17368 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 4118 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/33553-8.txt b/33553-8.txt
new file mode 100644
index 0000000..92aba5e
--- /dev/null
+++ b/33553-8.txt
@@ -0,0 +1,1255 @@
+The Project Gutenberg EBook of In a Belgian Garden, by F. O. Call
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: In a Belgian Garden
+ and Other Poems
+
+Author: F. O. Call
+
+Release Date: August 27, 2010 [EBook #33553]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IN A BELGIAN GARDEN ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+
+
+
+
+IN A BELGIAN GARDEN
+
+AND OTHER POEMS
+
+
+BY
+
+F. O. CALL
+
+
+
+
+
+LONDON
+
+ERSKINE MACDONALD, LTD.
+
+MCMXVII
+
+
+
+
+TO
+
+E. H. G.
+
+THE BEST OF FRIENDS
+
+THIS LITTLE BOOK IS AFFECTIONATELY INSCRIBED
+
+
+
+
+Author's Note
+
+Many of the poems in this volume have appeared before in various
+publications and I wish to thank the editors of the "Canadian
+Magazine," the "University Magazine," the "Westminster," the "Canada
+West," and other periodicals for permission to reprint these verses.
+
+F. O. C.
+
+BISHOP'S COLLEGE,
+ LENNOXVILLE, CANADA.
+
+
+
+
+Contents
+
+ INTRODUCTION
+ IN A BELGIAN GARDEN
+ A LINCOLNSHIRE MAIDEN
+ HIDDEN TREASURE
+ A RIVER SUNSET
+ THE MADONNA
+ AN IDOL IN A SHOP WINDOW
+ THROUGH A LONG CLOISTER
+ THE CHAMBLY RAPID
+ THE SNOWDRIFT
+ ON MOUNT ROYAL
+ THE VISION
+ A YEAR AGO
+ ETERNITY
+ THE OLD SCHOOL BELL
+ ON A SWISS MOUNTAIN
+ RHEIMS
+ THE MYSTIC
+ A SONG OF THE HOMELAND
+ THE FROZEN BROOK
+ THE INDIFFERENT ONES
+ IN A FOREST
+ THE SHIPS OF MEMORY
+ THE OBELISK
+ THE PARTING WAYS
+ CALVARY
+ THE GOLDEN BOWL
+ THE LACE-MAKER OF BRUGES
+
+
+
+
+Introduction
+
+Most of the poems contained in this collection are of recent date,
+though their author--who is at present Professor of Modern Languages at
+Bishop's College, Quebec--has written verse from his childhood. He is
+the first Canadian writer to be included in this series, and is as
+affectionately loyal to the Motherland as to his native country, as may
+be gathered from his "Song of the Homeland." His verse has already
+earned a considerable reputation in Canada, in whose Press much of it
+has appeared. Educated at Stanstead College, he took his degree at the
+University where he now lectures, and has also studied in Paris,
+Marburg and Switzerland. Several of his poems are concerned with the
+sorrow and the ravished beauty of Belgium: a circumstance not
+surprising, as he has travelled much in that country, as well as in
+France, Switzerland and Italy. A lover of country life and a disciple
+of the cult of the open road, he revels in the joys of camping and
+canoeing, as one of his poems, "Hidden Treasure," bears witness. In
+this little book, and more especially in the "Song of the Homeland," he
+shows us the maple leaf entwined, strongly as ever, with the English
+rose of the Mother country.
+
+S. GERTRUDE FORD.
+
+
+
+
+ In a Belgian Garden
+
+ Once in a Belgian garden,
+ (Ah, many months ago!)
+ I saw like pale Madonnas
+ The tall white lilies blow.
+
+ Great poplars swayed and trembled
+ Afar against the sky,
+ And green with flags and rushes
+ The river wandered by.
+
+ Amid the waving wheatfields
+ Glowed poppies blazing red,
+ And showering strange wild music
+ A lark rose overhead.
+
+ * * * * *
+
+ The lark has ceased his singing,
+ The wheat is trodden low,
+ And in the blood-stained garden
+ No more the lilies blow.
+
+ And where green poplars trembled
+ Stand shattered trunks instead,
+ And lines of small white crosses
+ Keep guard above the dead.
+
+ For here brave lads and noble,
+ From lands beyond the deep,
+ Beneath the small white crosses
+ Have laid them down to sleep.
+
+ They laid them down with gladness
+ Upon the alien plain,
+ That this same Belgian garden
+ Might bud and bloom again.
+
+
+
+
+ A Lincolnshire Maiden
+
+ Long the eastern beaches,
+ Where brown the seaweed grows,
+ And over broad salt meadows,
+ The green tide ebbs and flows.
+
+ Above the low-roofed houses,
+ Two ancient towers rise,
+ And stand like giant druids,
+ Against the wind-swept skies.
+
+ Through mist or rain or sunshine,
+ Their prows festooned with foam,
+ The fishing-boats go outward
+ Or laden, turn them home.
+
+ She watches by the window,
+ And tearless are her eyes;
+ She sees not church or tower,
+ Or sea or wind-swept skies.
+
+ She sees not tide or tempest,
+ Or sun or mist or rain;
+ Afar her spirit wanders
+ Upon the Belgian plain.
+
+ Where over shell-scarred cities
+ The mad, red tempest raves,
+ And poplars sigh and shudder
+ Above unnumbered graves.
+
+
+
+
+ Hidden Treasure
+
+ Sun-browned boy with the wondering eyes,
+ Do you see the blue of the summer skies?
+ Do you hear the song of the drowsy stream,
+ As it winds by the shore where the birches gleam?
+ Then come, come away
+ From the shadowy bay,
+ And we'll drift with the stream where the rapids play;
+ For we are two pirates, fierce and bold,
+ And we'll capture the hoard of the morning's gold.
+
+ A roving craft is our red canoe,
+ O pirate chief with the eyes of blue;
+ So hoist your flag with the skull on high,
+ And out we'll sail where the treasures lie.
+ For in days of old
+ Came pirates bold,
+ a Spanish galleon's captured gold;
+ And their boat was wrecked on the river strand
+ And its treasures strewn on the silver sand.
+
+ Now steady all as we dash along,
+ The rapids are swift but our paddles are strong;
+ And soon we'll drift with the water's flow
+ Where the treasure lies hid in the shallows below,
+ Oh, cool and dim,
+ 'Neath its foam-flecked brim,
+ Is the pool where the swallows dip and skim;
+ So we'll plunge by the prow of our red canoe
+ For the treasure that lies in the quivering blue.
+
+ Now home once more to the shadowy bay,
+ For we've captured the gold of the summer's day,
+ And emeralds green from the banks along,
+ And the silver bars of the white-throat's song.
+ No pirates bore
+ Such a glittering store
+ From the treasure ships of the days of yore,
+ As the spoils we have won on the shining stream,
+ While we drifted along in a golden dream.
+
+
+
+
+ A River Sunset
+
+ Red sunlight fades from wood and town,
+ The western sky is crimson-dyed,
+ Gaunt shadow-ships drift silent down
+ Upon the river's gleaming tide.
+
+ The hills' clear outlines melt away
+ Or veil themselves in purple light,
+ And burning thoughts that vexed the day
+ Become fair visions of the night.
+
+
+
+
+ The Madonna
+
+ She shivered and crouched in the immigrant shed
+ In the midst of the surging crowd;
+ Her hands were warped with the years of toil,
+ And her young form bent and bowed.
+
+ Her eyes looked forth with a frightened glance
+ At the throng that round her pressed;
+ But her face was the face of the Mother of God
+ As she looked at the babe on her breast.
+
+
+
+
+ An Idol in a Shop Window
+
+ Old Lohan peers through the dusty glass,
+ From a jumble of curios quaint and rare;
+ And he watches the hurrying crowds that pass
+ The whole day long, through the ancient square.
+
+ Wrapped in his robe of gold and jade,
+ Here by the window he patiently waits
+ For the sound that the gongs and the conches made,
+ In the days of old at the temple gates.
+
+ He heaves no sighs and he sheds no tears,
+ For his heart is bronze, and he does not know
+ That his temple has been for a thousand years
+ But a mound of dust where the bamboos grow.
+
+ So here he sits through the nights and days,
+ And the sun goes up and down the sky;
+ But he often looks with a wistful gaze
+ At the crowds that always pass him by.
+
+ And his eyes half closed in a mystic dream
+ Of his poppy-land of long ago,
+ Turn back to the shores of the sacred stream
+ And the kneeling throng he used to know.
+
+ But he sometimes smiles as he sees the crowd
+ Of human folk that pass him by;
+ Then he wraps himself in his mystic shroud,--
+ And the sun once more goes down the sky.
+
+
+
+
+ Through a Long Cloister
+
+ Through a long cloister where the gloom of night
+ Lingers in sombre silence all the day,
+ Across worn pavements crumbling to decay
+ We wandered, blindly groping for the light.
+ A door swung wide, and splendour infinite
+ Streamed through the painted glass, and drove away
+ The lingering gloom from choir, nave and bay,
+ And a great minster's glory met our sight.
+
+ Blindly along life's cloister do we grope,
+ We seek a gate that leads to life immortal,
+ We see it loom before us dim and vast,
+ And doubt's dark shadows veil the light of hope:
+ When lo, Death's hand flings wide the sombre portal,
+ And light unfading meets our gaze at last.
+
+
+
+
+ The Chambly Rapid
+
+ There's a spirit in the rapid, calling, calling through the night,
+ There's a gleam upon the water, burning pale and burning bright.
+ Woe to him who hears the calling! Woe to him who sees the light!
+
+
+ My son and I had left St. Jean,
+ Our paddles dipping in the blue,
+ And many miles to north had gone
+ Along the silent Richelieu;
+ The night came down, we thought of rest;
+ A threatening cloud hung in the west.
+
+ No warning sound the river made
+ Save for the rapid's muffled roar,
+ As 'neath the pine-trees' deepening shade
+ We camped upon that luckless shore;
+ No sound the night-wind bore to me
+ Save one weird echo from Chambly.
+
+ The night grew dark and darker still,
+ The pale-faced moon was hid from sight,
+ When o'er the waters black and chill
+ We saw a ghastly, gleaming light,---
+ A fitful fire, pale and blue,
+ That burned my inmost spirit through.
+
+ And like some baleful gleaming eye
+ It shone beneath night's heavy pall;
+ Then high above the loon's lone cry
+ Afar we heard the spirit call;
+ It called us from the other shore.
+ Ah, Jean will never hear it more!
+
+ I could not seize or hold him back,
+ For while the light burned pale and blue,
+ A heavy hand from out the black
+ Held me beside my own canoe,
+ And ere I stirred, the other barque
+ Had silent sped into the dark.
+
+ Adown the river's drifting tide
+ To where the wild, mad rapids run,
+ Past pine-trees towering on each side
+ His frail canoe had drifted on;
+ He did not look to left or right
+ But gazed upon that hell-born light.
+
+ And ever swifter with the flow
+ He drifted where the rapids play,
+ His eyes still on that awful glow;
+ Ah, God! my life seemed snatched away!
+ I saw a gleam far up the sky
+ And heard the echo of a cry.
+
+
+ There's a spirit in the rapid, calling, calling through the night,
+ There's a gleam upon the water, burning pale and burning bright.
+ Woe to him who hears the calling! Woe to him who sees the light!
+
+
+
+
+ The Snowdrift
+
+ The snowflakes fell on a mountain peak,
+ Where the rocks were bare and the winds were bleak,
+ And at first they clung to the mountain's breast,
+ But soon they fell from its lofty crest,
+ And stained and soiled was the new-born snow
+ When it reached the valley far down below.
+
+ But up on the height one drift alone
+ Still firmly clung to the rugged stone,
+ And men in the gloomy vale below
+ Looked up and gazed on the shining snow,
+ And their darkened souls drank in the light
+ From the gleaming snow on the mountain height.
+
+ Unstained by the grime of the earthly vale,
+ Its white breast firm in the strongest gale,
+ It bravely clung to its lofty height
+ And gleamed afar with its glorious light,
+ Till kissed by the sun and the summer rain,
+ It rose in mist to the skies again.
+
+
+
+
+ On Mount Royal
+
+ I climb its sides when the day grows old
+ And its mighty shadow falls deep and wide,
+ And over the gleam of the sunset's gold
+ The darkness creeps like a rising tide;
+ And higher and higher up rocky height,
+ Past oaks that are gnarled by the winter's blast,
+ I climb till a marvellous vision of light
+ Breaks forth on my wondering sight at last.
+
+ Dome and spire of house of prayer,
+ Convent cloister gloomy and gray,
+ Street and market and bridge lie there
+ In the golden gleam of the dying day.
+ Yet here on the silent mountain crest
+ There echoes a moan and a smothered roar
+ From the tide of life in its strange unrest,
+ As it beats below on a barren shore.
+
+
+
+
+ The Vision
+
+ A vision came unto a saint of old
+ Of a fair city by a crystal stream,
+ Its gates of pearl, its streets of shining gold,--
+ Barbaric splendours of a mystic's dream.
+ There upon floating wings the white-robed throng
+ No man can number chant in endless song;
+ Across the tideless sea no shadow falls
+ To dim the glory of the sapphire walls,
+ Or mar the splendour of the throne-crowned height.
+
+ Ah love, the mystic's vision wakes to-night,
+ With all its glittering show and kingly pride,
+ No longing in a heart unsatisfied.
+ But oh, to walk with thee the river shore
+ As in the days gone by, the gold strewn o'er
+ The strand of primrose bloom, the water's flow,
+ Mingled with thy sweet voice in music low,
+ The angel song; to touch my lips to thine,
+ To hear the whispering of thy heart to mine,
+ And burning with a fire that never dies,
+ To see once more the love-light in thine eyes.
+
+ Ah, dim those far celestial splendours burn,
+ Gray grow the sapphire walls and gold-strewn ways
+ Before the vision of thy love's return
+ With all the unuttered joys of bygone days.
+
+
+
+
+ A Year Ago
+
+ The waters of the river gleamed as brightly
+ And murmured with the same untiring flow,
+ The branches of the birches tossed as lightly,
+ Among them sang the breeze as soft and low,
+ A year ago.
+
+ We sat beneath the white-stemmed birches bending
+ To reach the gurgling waters of the bay,
+ We saw the boats their courses seaward wending,
+ And earth seemed fair,--before us life's long day,
+ Night far away.
+
+ But often clouds would veil the sunlight over,
+ A moment cast a shadow and float by;
+ So stealthily above our hearts would hover
+ Sad thoughts to pause a moment, pass and die,
+ We knew not why.
+
+ We heeded not the moaning of the river,
+ Nor did the wind a whispered message bring;
+ Ah, now I know they murmured--part forever!
+ For that dull gloom above us hovering,
+ Was Death's dark wing.
+
+
+
+
+ Eternity
+
+ Eternity thou dark unbounded sea,
+ Upon whose tide we drift into the night,
+ One moment let us with our mortal sight
+ Pierce through the fogs and know thy mystery.
+ Voiceless thou art and voiceless wilt thou be,
+ Across thy still, cold deeps there comes no light,
+ While age and æon or a moment's flight
+ Pass on as one and vanish lost in thee.
+
+ Yet onward driven must our frail barques go,
+ Though through the night no beacon gleams afar,
+ And storm-clouds hide the steadfast guiding-star;
+ The purpose of our wandering and our woe,
+ A tide that wafts to some safe harbour bar,
+ O God, that we might know, might only know!
+
+
+
+
+ The Old School Bell
+
+ I can hear it calling, calling, sounding on the morning breeze,
+ As so often I have heard it call before,
+ And its ringing thrills my spirit as the wind the whispering trees,
+ But alas, I know for me it calls no more.
+ Ah, how sweet the memory lingers!
+ Though old Time's relentless fingers
+ Oft have turned the glass while flowed the sands away,
+ Yet I'd give the dearest treasure
+ Hardly gained from Fortune's measure,
+ Could I be a boy again for one short day.
+
+ I can see the gleaming river 'mid the willows winding blue,
+ I can hear the schoolboys shouting by the shore,
+ Then the bell begins its calling, echoing the valley through,
+ And the schoolboys turn toward the chapel door:
+ Laggard footsteps, scarcely creeping,
+ To the bell's low tolling keeping
+ Measured tread, as oft before my own have done;
+ Ah, the longing ceasing never
+ For a part in life's endeavour,
+ And to-day I count the gains that I have won!
+
+ I can hear it calling, calling, though its tongue no longer swings,
+ For within my heart its notes are ringing free,
+ As with silent step before me, Memory the old scene brings
+ And I think the old bell's voice is calling me.
+ Then I see the old loved faces
+ Grouped about their wonted places,
+ As the boyish voices chant their song of praise;
+ Gone all thought of joy or sorrow,
+ Loss to-day or gain to-morrow,
+ And I live again the life of other days.
+
+
+
+
+ On a Swiss Mountain
+
+ Lad, the mighty hills are calling,
+ Hills of promise gleaming bright,
+ And the floods of sunshine falling
+ Fill their deepest vales with light.
+
+ There the young dawn's golden fire
+ Beckons to a brighter day,
+ Untrod paths of youths' desire,
+ Heights unconquered far away.
+
+ Steep and dark and spectre-haunted
+ Winds the pathway to the height;
+ Sturdy youth with heart undaunted
+ Deems the toiling short and light.
+
+ Short or long, an easy Master,
+ Gives each tired toiler rest,
+ Counts not failure or disaster
+ If the striving be the best.
+
+ Go lad, go, 'tis Life that calls you,
+ Mates of old must soothe their pain,
+ Mindless of whate'er befalls you
+ If but honour still remain.
+
+
+
+
+ Rheims
+
+ In royal splendour rose the house of prayer,
+ Its mystic gloom arched over by the flight
+ Of soaring vault; above the nave's dim night
+ Rich gleamed the painted windows wondrous fair.
+ Sweet chimes and chanting mingled in the air;
+ Blue clouds of incense dimmed the vaulted height;
+ And on the altar, like a beacon light,
+ The gold cross glittered in the candles' glare.
+
+ To-day no bells, no choirs, no incense cloud,
+ For thou, O Rheims, art prey of evil powers;
+ But with a voice a thousand times more loud
+ Than siege-guns echoing round thy shattered towers,
+ Do thy mute bells to all the world proclaim
+ Thy martyred glory and thy foeman's shame.
+
+
+
+
+ The Mystic
+
+ The mystic sits by the sacred stream
+ Watching the sun as it mounts the sky;
+ And life to him is a haunting dream
+ Or a dim, weird pageant passing by.
+
+ Sorrow and joy go on their way,
+ Passion and lust and love and hate;
+ Only a band of mummers they,
+ Blindly led by the hand of fate.
+
+ Though the pageant is real, himself the dream,
+ Though men are born and strive and die,
+ Yet the mystic sits by the sacred stream
+ Watching the sun go down the sky.
+
+
+
+
+ A Song of the Homeland
+
+ I'll sing you a song of the Homeland,
+ Though the strains be of little worth,
+ A song of our own loved Homeland,
+ Of the noblest land upon earth;
+ Where the tide of the sea from oceans three
+ Beats high in its triple might,
+ Where the winds are born in a southern morn
+ And die in a polar night.
+
+ I'll sing you a song of the Eastland,
+ Of the land where our fathers died,
+ Where Saxon and Frank, their feuds long dead,
+ Are sleeping side by side;
+ Where their sons still toil on the hard-won soil
+ Of the mighty river plain,
+ Where the censer swings and the Angelus rings,
+ And the old faith lives again.
+
+ I'll sing you a song of the Westland
+ Where the magic cities rise,
+ And the prairies clothed with their golden grain
+ Stretch under the azure skies;
+ Where the mountains grim in the clouds grow dim
+ Far north in the arctic land,
+ And the northern light in its mystic flight
+ Flares over the golden strand.
+
+ And I'll sing of the _men_ of the Homeland
+ From the north and east and west,
+ The men that go to the Homeland's call,
+ (Ah, God we have given our best!)
+ But not in vain are our heroes slain
+ If under the darkened skies,
+ All hand in hand from strand to strand
+ A sin-purged nation rise.
+
+
+
+
+ The Frozen Brook
+
+ The winter woods lie gray and still
+ Beneath the dreary sunless skies,
+ The brook that rippled down the hill
+ In summer hours, all silent lies.
+
+ And though its breast by ice is bound,
+ By bending low and listening long,
+ I hear a faint and far-off sound--
+ The echo of a summer song.
+
+ O weary heart, though cold and drear
+ The days along thy pathway seem,
+ To Nature's breast bend low thine ear
+ And listen to its pulsing stream.
+
+
+
+
+ The Indifferent Ones
+
+ Unmoved they sit by the stream of life
+ And its blood-red tide to the sea goes down,
+ While the hosts are borne through the surging strife
+ To a hero's death and a martyr's crown.
+
+ They pay no toll of their gold or blood;
+ For them 'tis a pageant and naught beside;
+ So they calmly dream by the reeking flood,
+ While the sun goes down in the crimson tide.
+
+
+
+
+ In a Forest
+
+ Silver birch and dusky pine,
+ Reaching up to find the light
+ From the forest's gloomy night,
+ From the thicket where entwine
+ Stunted shrub and creeping vine,
+ From the damp where witch-fire glows
+ And the poison fungus grows,
+ High you lift your heads, O trees,
+ To the kisses of the breeze,
+ To the far-off sapphire sky,
+ To the clouds that pass you by,
+ To the sun that shines on high.
+
+ From the dusk of earthly night
+ Strive, O soul, to reach the light.
+
+
+
+
+ The Ships of Memory
+
+ The silent ships of memory creep
+ Across the seas of long ago;
+ Like phantoms, on a tideless deep,
+ Their pale prows wander to and fro.
+
+ Some bear the dreams of happy years
+ Or bring a cargo all of gold;
+ Some bear a freight of useless tears,
+ For love and sorrow long untold.
+
+ And each man takes the proffered dower
+ For golden grain or bitter loss;
+ O, happy he that hath the power
+ To take the gold and leave the dross.
+
+
+
+
+ The Obelisk
+
+ (Place de la Concorde, Paris)
+
+ There rise the palace walls as fair to-day,
+ As when with arms and banners gleaming bright,
+ The pageantry of royal pomp and might
+ Passed through the guarded gates and went its way.
+ The blue, translucent beams of morning play
+ On arch triumphal, veiled in silver light;
+ And here, where blind, red fury reached its height,
+ An ancient column rises grim and gray.
+
+ Slumbering in mystic sleep it seems to be,
+ And dreaming dreams of Egypt long ago,
+ Unmindful of the ceaseless ebb and flow
+ About its feet of life's unresting sea;
+ But 'mid the roar, I hear it murmur low:
+ Poor fools, they know not all is vanity!
+
+
+
+
+ The Parting Ways
+
+ We trod together pleasant ways;
+ The earth was fair and blue the sky;
+ Clear were the nights and bright the days
+ And life was joy, for you were nigh.
+
+ To-day the road looks steep and grim,
+ And shadows fall on every side,
+ The sun grows strangely blurred and dim--
+ For in this place our paths divide.
+
+
+
+
+ Calvary
+
+ The women stood and watched while thick, black night
+ Enclosed the awful tragedy. Afar
+ Three crosses stood, against a single bar
+ Of crimson-glowing, black-encircled light.
+ No hint of Easter dawn. In all the height
+ Of that dark heaven, not a single star
+ To whisper;--Love and Life the victors are.
+ It seemed to them that wrong had conquered right.
+
+ O ye who watch and wait, the night is long.
+ A curtain of spun fire and woven gloom
+ Across the mighty tragedy is drawn.
+ But soon your ears shall hear a triumph song,
+ And golden light shall touch each sacred tomb,
+ And voices shout at last--The Dawn! The Dawn!
+
+
+
+
+ The Golden Bowl
+
+ On seeing a picture of a boy gazing at a golden bowl,
+ which, among Eastern nations, was a symbol of life.
+
+ In a dream he seems to lie
+ Gazing at the golden bowl,
+ Where dim visions passing by
+ Whisper vaguely to his soul.
+
+ Restless phantoms come and go
+ Crowned with cypress or with bays;
+ Sad or merry, swift or slow,
+ Tread they through the mystic maze.
+
+ Still the pageant winds along,
+ Youth and age and love and lust,
+ Till at last the motley throng
+ Fades and crumbles into dust.
+
+ All in vain upon the bowl
+ Gaze the wondering, boyish eyes;
+ He shall read its hidden scroll
+ Only when it shattered lies.
+
+ For a wondrous light shall gleam
+ From the scattered fragments born.
+ Boy, dream on, for life's a dream,
+ Followed by a golden morn.
+
+
+
+
+ The Lace-Maker of Bruges
+
+ Her age-worn hands upon her apron lie
+ Idle and still. Against the sunset glow
+ Tall poplars stand and silent barges go
+ Along the green canal that wanders by.
+ A lean, red finger pointing to the sky,
+ The spire of Notre Dame. Above a row
+ Of dim, gray arches where the sunbeams die,
+ The ancient belfry guards the square below.
+
+ One August eve she stood in that same square
+ And gazed and listened, proud beneath her tears,
+ To see her soldier passing down the street.
+ To-night the beat of drums and trumpets' blare
+ With bursts of fiendish music smite her ears,
+ And mingle with the tread of trampling feet.
+
+
+
+
+W. BRENDON AND SON, LTD., PRINTERS, PLYMOUTH, ENGLAND
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of In a Belgian Garden, by F. O. Call
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IN A BELGIAN GARDEN ***
+
+***** This file should be named 33553-8.txt or 33553-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/3/5/5/33553/
+
+Produced by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33553-8.zip b/33553-8.zip
new file mode 100644
index 0000000..582336e
--- /dev/null
+++ b/33553-8.zip
Binary files differ
diff --git a/33553-h.zip b/33553-h.zip
new file mode 100644
index 0000000..940f49f
--- /dev/null
+++ b/33553-h.zip
Binary files differ
diff --git a/33553-h/33553-h.htm b/33553-h/33553-h.htm
new file mode 100644
index 0000000..50ebea5
--- /dev/null
+++ b/33553-h/33553-h.htm
@@ -0,0 +1,1592 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<HTML>
+<HEAD>
+
+<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
+
+<TITLE>
+The Project Gutenberg E-text of In a Belgian Garden, by F. O. Call
+</TITLE>
+
+<STYLE TYPE="text/css">
+BODY { color: Black;
+ background: White;
+ margin-right: 10%;
+ margin-left: 10%;
+ font-family: "Times New Roman", serif;
+ text-align: justify }
+
+P {text-indent: 4% }
+
+P.noindent {text-indent: 0% }
+
+P.poem {text-indent: 0%;
+ margin-left: 10%; }
+
+P.letter {text-indent: 0%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.finis { font-size: larger ;
+ text-align: center ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+</STYLE>
+
+</HEAD>
+
+<BODY>
+
+
+<pre>
+
+The Project Gutenberg EBook of In a Belgian Garden, by F. O. Call
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: In a Belgian Garden
+ and Other Poems
+
+Author: F. O. Call
+
+Release Date: August 27, 2010 [EBook #33553]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IN A BELGIAN GARDEN ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+</pre>
+
+
+<BR><BR>
+
+<H1 ALIGN="center">
+IN A BELGIAN GARDEN
+</H1>
+
+<H2 ALIGN="center">
+AND OTHER POEMS
+</H2>
+
+<BR>
+
+<H4 ALIGN="center">
+BY
+</H4>
+
+<H3 ALIGN="center">
+F. O. CALL
+</H3>
+
+<BR><BR><BR><BR>
+
+<H3 ALIGN="center">
+LONDON
+<BR>
+ERSKINE MACDONALD, LTD.
+<BR>
+MCMXVII
+</H3>
+
+<BR><BR><BR>
+
+<H4 ALIGN="center">
+TO
+</H4>
+
+<H3 ALIGN="center">
+E. H. G.
+</H3>
+
+<H4 ALIGN="center">
+THE BEST OF FRIENDS
+<BR>
+THIS LITTLE BOOK IS AFFECTIONATELY INSCRIBED
+</H4>
+
+<BR><BR><BR>
+
+<H3 ALIGN="center">
+Author's Note
+</H3>
+
+<P CLASS="noindent" STYLE="margin-left: 10%; margin-right: 10%">
+Many of the poems in this volume have appeared before in various
+publications and I wish to thank the editors of the "Canadian
+Magazine," the "University Magazine," the "Westminster," the "Canada
+West," and other periodicals for permission to reprint these verses.
+</P>
+
+<P CLASS="noindent" STYLE="margin-left: 10%; margin-right: 10%">
+F. O. C.
+</P>
+
+<P CLASS="noindent" STYLE="margin-left: 10%; margin-right: 10%">
+BISHOP'S COLLEGE,<BR>
+&nbsp;&nbsp;&nbsp;&nbsp;LENNOXVILLE, CANADA.<BR>
+</P>
+
+<BR><BR><BR>
+
+<H2 ALIGN="center">
+Contents
+</H2>
+
+<P CLASS="noindent" STYLE="margin-left: 10%; margin-right: 10%">
+<A HREF="#introduction">INTRODUCTION</A><BR>
+<A HREF="#garden">IN A BELGIAN GARDEN</A><BR>
+<A HREF="#maiden">A LINCOLNSHIRE MAIDEN</A><BR>
+<A HREF="#treasure">HIDDEN TREASURE</A><BR>
+<A HREF="#sunset">A RIVER SUNSET</A><BR>
+<A HREF="#madonna">THE MADONNA</A><BR>
+<A HREF="#idol">AN IDOL IN A SHOP WINDOW</A><BR>
+<A HREF="#cloister">THROUGH A LONG CLOISTER</A><BR>
+<A HREF="#chambly">THE CHAMBLY RAPID</A><BR>
+<A HREF="#snowdrift">THE SNOWDRIFT</A><BR>
+<A HREF="#royal">ON MOUNT ROYAL</A><BR>
+<A HREF="#vision">THE VISION</A><BR>
+<A HREF="#year">A YEAR AGO</A><BR>
+<A HREF="#eternity">ETERNITY</A><BR>
+<A HREF="#bell">THE OLD SCHOOL BELL</A><BR>
+<A HREF="#swiss">ON A SWISS MOUNTAIN</A><BR>
+<A HREF="#rheims">RHEIMS</A><BR>
+<A HREF="#mystic">THE MYSTIC</A><BR>
+<A HREF="#homeland">A SONG OF THE HOMELAND</A><BR>
+<A HREF="#brook">THE FROZEN BROOK</A><BR>
+<A HREF="#ones">THE INDIFFERENT ONES</A><BR>
+<A HREF="#forest">IN A FOREST</A><BR>
+<A HREF="#ships">THE SHIPS OF MEMORY</A><BR>
+<A HREF="#obelisk">THE OBELISK</A><BR>
+<A HREF="#ways">THE PARTING WAYS</A><BR>
+<A HREF="#calvary">CALVARY</A><BR>
+<A HREF="#bowl">THE GOLDEN BOWL</A><BR>
+<A HREF="#bruges">THE LACE-MAKER OF BRUGES</A><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="introduction"></A>
+
+<H3 ALIGN="center">
+Introduction
+</H3>
+
+<P CLASS="noindent">
+Most of the poems contained in this collection are of recent date,
+though their author&mdash;who is at present Professor of Modern Languages at
+Bishop's College, Quebec&mdash;has written verse from his childhood. He is
+the first Canadian writer to be included in this series, and is as
+affectionately loyal to the Motherland as to his native country, as may
+be gathered from his "Song of the Homeland." His verse has already
+earned a considerable reputation in Canada, in whose Press much of it
+has appeared. Educated at Stanstead College, he took his degree at the
+University where he now lectures, and has also studied in Paris,
+Marburg and Switzerland. Several of his poems are concerned with the
+sorrow and the ravished beauty of Belgium: a circumstance not
+surprising, as he has travelled much in that country, as well as in
+France, Switzerland and Italy. A lover of country life and a disciple
+of the cult of the open road, he revels in the joys of camping and
+canoeing, as one of his poems, "Hidden Treasure," bears witness. In
+this little book, and more especially in the "Song of the Homeland," he
+shows us the maple leaf entwined, strongly as ever, with the English
+rose of the Mother country.
+</P>
+
+<P CLASS="noindent">
+S. GERTRUDE FORD.
+</P>
+
+<BR><BR><BR>
+
+<A NAME="garden"></A>
+
+<H3 ALIGN="center">
+ In a Belgian Garden
+</H3>
+
+<P CLASS="poem">
+Once in a Belgian garden,<BR>
+<SPAN STYLE="margin-left: 1em">(Ah, many months ago!)</SPAN><BR>
+I saw like pale Madonnas<BR>
+<SPAN STYLE="margin-left: 1em">The tall white lilies blow.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Great poplars swayed and trembled<BR>
+<SPAN STYLE="margin-left: 1em">Afar against the sky,</SPAN><BR>
+And green with flags and rushes<BR>
+<SPAN STYLE="margin-left: 1em">The river wandered by.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Amid the waving wheatfields<BR>
+<SPAN STYLE="margin-left: 1em">Glowed poppies blazing red,</SPAN><BR>
+And showering strange wild music<BR>
+<SPAN STYLE="margin-left: 1em">A lark rose overhead.</SPAN><BR>
+</P>
+
+<SPAN STYLE="margin-left: 10%; letter-spacing: 2em">*****</SPAN><BR>
+
+<P CLASS="poem">
+The lark has ceased his singing,<BR>
+<SPAN STYLE="margin-left: 1em">The wheat is trodden low,</SPAN><BR>
+And in the blood-stained garden<BR>
+<SPAN STYLE="margin-left: 1em">No more the lilies blow.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+And where green poplars trembled<BR>
+<SPAN STYLE="margin-left: 1em">Stand shattered trunks instead,</SPAN><BR>
+And lines of small white crosses<BR>
+<SPAN STYLE="margin-left: 1em">Keep guard above the dead.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+For here brave lads and noble,<BR>
+<SPAN STYLE="margin-left: 1em">From lands beyond the deep,</SPAN><BR>
+Beneath the small white crosses<BR>
+<SPAN STYLE="margin-left: 1em">Have laid them down to sleep.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+They laid them down with gladness<BR>
+<SPAN STYLE="margin-left: 1em">Upon the alien plain,</SPAN><BR>
+That this same Belgian garden<BR>
+<SPAN STYLE="margin-left: 1em">Might bud and bloom again.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="maiden"></A>
+<H3 ALIGN="center">
+A Lincolnshire Maiden
+</H3>
+
+<P CLASS="poem">
+Long the eastern beaches,<BR>
+<SPAN STYLE="margin-left: 1em">Where brown the seaweed grows,</SPAN><BR>
+And over broad salt meadows,<BR>
+<SPAN STYLE="margin-left: 1em">The green tide ebbs and flows.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Above the low-roofed houses,<BR>
+<SPAN STYLE="margin-left: 1em">Two ancient towers rise,</SPAN><BR>
+And stand like giant druids,<BR>
+<SPAN STYLE="margin-left: 1em">Against the wind-swept skies.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Through mist or rain or sunshine,<BR>
+<SPAN STYLE="margin-left: 1em">Their prows festooned with foam,</SPAN><BR>
+The fishing-boats go outward<BR>
+<SPAN STYLE="margin-left: 1em">Or laden, turn them home.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+She watches by the window,<BR>
+<SPAN STYLE="margin-left: 1em">And tearless are her eyes;</SPAN><BR>
+She sees not church or tower,<BR>
+<SPAN STYLE="margin-left: 1em">Or sea or wind-swept skies.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+She sees not tide or tempest,<BR>
+<SPAN STYLE="margin-left: 1em">Or sun or mist or rain;</SPAN><BR>
+Afar her spirit wanders<BR>
+<SPAN STYLE="margin-left: 1em">Upon the Belgian plain.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Where over shell-scarred cities<BR>
+<SPAN STYLE="margin-left: 1em">The mad, red tempest raves,</SPAN><BR>
+And poplars sigh and shudder<BR>
+<SPAN STYLE="margin-left: 1em">Above unnumbered graves.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="treasure"></A>
+<H3 ALIGN="center">
+Hidden Treasure<BR>
+</H3>
+
+<P CLASS="poem">
+Sun-browned boy with the wondering eyes,<BR>
+Do you see the blue of the summer skies?<BR>
+Do you hear the song of the drowsy stream,<BR>
+As it winds by the shore where the birches gleam?<BR>
+Then come, come away<BR>
+From the shadowy bay,<BR>
+And we'll drift with the stream where the rapids play;<BR>
+For we are two pirates, fierce and bold,<BR>
+And we'll capture the hoard of the morning's gold.<BR>
+</P>
+
+<P CLASS="poem">
+A roving craft is our red canoe,<BR>
+O pirate chief with the eyes of blue;<BR>
+So hoist your flag with the skull on high,<BR>
+And out we'll sail where the treasures lie.<BR>
+For in days of old<BR>
+Came pirates bold,<BR>
+a Spanish galleon's captured gold;<BR>
+And their boat was wrecked on the river strand<BR>
+And its treasures strewn on the silver sand.<BR>
+</P>
+
+<P CLASS="poem">
+Now steady all as we dash along,<BR>
+The rapids are swift but our paddles are strong;<BR>
+And soon we'll drift with the water's flow<BR>
+Where the treasure lies hid in the shallows below,<BR>
+Oh, cool and dim,<BR>
+'Neath its foam-flecked brim,<BR>
+Is the pool where the swallows dip and skim;<BR>
+So we'll plunge by the prow of our red canoe<BR>
+For the treasure that lies in the quivering blue.<BR>
+</P>
+
+<P CLASS="poem">
+Now home once more to the shadowy bay,<BR>
+For we've captured the gold of the summer's day,<BR>
+And emeralds green from the banks along,<BR>
+And the silver bars of the white-throat's song.<BR>
+No pirates bore<BR>
+Such a glittering store<BR>
+From the treasure ships of the days of yore,<BR>
+As the spoils we have won on the shining stream,<BR>
+While we drifted along in a golden dream.<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="sunset"></A>
+<H3 ALIGN="center">
+A River Sunset<BR>
+</H3>
+
+<P CLASS="poem">
+Red sunlight fades from wood and town,<BR>
+<SPAN STYLE="margin-left: 1em">The western sky is crimson-dyed,</SPAN><BR>
+Gaunt shadow-ships drift silent down<BR>
+<SPAN STYLE="margin-left: 1em">Upon the river's gleaming tide.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+The hills' clear outlines melt away<BR>
+<SPAN STYLE="margin-left: 1em">Or veil themselves in purple light,</SPAN><BR>
+And burning thoughts that vexed the day<BR>
+<SPAN STYLE="margin-left: 1em">Become fair visions of the night.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="madonna"></A>
+<H3 ALIGN="center">
+The Madonna<BR>
+</H3>
+
+<P CLASS="poem">
+She shivered and crouched in the immigrant shed<BR>
+<SPAN STYLE="margin-left: 1em">In the midst of the surging crowd;</SPAN><BR>
+Her hands were warped with the years of toil,<BR>
+<SPAN STYLE="margin-left: 1em">And her young form bent and bowed.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Her eyes looked forth with a frightened glance<BR>
+<SPAN STYLE="margin-left: 1em">At the throng that round her pressed;</SPAN><BR>
+But her face was the face of the Mother of God<BR>
+<SPAN STYLE="margin-left: 1em">As she looked at the babe on her breast.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="idol"></A>
+<H3 ALIGN="center">
+An Idol in a Shop Window<BR>
+</H3>
+
+<P CLASS="poem">
+Old Lohan peers through the dusty glass,<BR>
+<SPAN STYLE="margin-left: 1em">From a jumble of curios quaint and rare;</SPAN><BR>
+And he watches the hurrying crowds that pass<BR>
+<SPAN STYLE="margin-left: 1em">The whole day long, through the ancient square.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Wrapped in his robe of gold and jade,<BR>
+<SPAN STYLE="margin-left: 1em">Here by the window he patiently waits</SPAN><BR>
+For the sound that the gongs and the conches made,<BR>
+<SPAN STYLE="margin-left: 1em">In the days of old at the temple gates.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+He heaves no sighs and he sheds no tears,<BR>
+<SPAN STYLE="margin-left: 1em">For his heart is bronze, and he does not know</SPAN><BR>
+That his temple has been for a thousand years<BR>
+<SPAN STYLE="margin-left: 1em">But a mound of dust where the bamboos grow.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+So here he sits through the nights and days,<BR>
+<SPAN STYLE="margin-left: 1em">And the sun goes up and down the sky;</SPAN><BR>
+But he often looks with a wistful gaze<BR>
+<SPAN STYLE="margin-left: 1em">At the crowds that always pass him by.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+And his eyes half closed in a mystic dream<BR>
+<SPAN STYLE="margin-left: 1em">Of his poppy-land of long ago,</SPAN><BR>
+Turn back to the shores of the sacred stream<BR>
+<SPAN STYLE="margin-left: 1em">And the kneeling throng he used to know.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+But he sometimes smiles as he sees the crowd<BR>
+<SPAN STYLE="margin-left: 1em">Of human folk that pass him by;</SPAN><BR>
+Then he wraps himself in his mystic shroud,&mdash;<BR>
+<SPAN STYLE="margin-left: 1em">And the sun once more goes down the sky.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="cloister"></A>
+<H3 ALIGN="center">
+Through a Long Cloister<BR>
+</H3>
+
+<P CLASS="poem">
+Through a long cloister where the gloom of night<BR>
+<SPAN STYLE="margin-left: 1em">Lingers in sombre silence all the day,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Across worn pavements crumbling to decay</SPAN><BR>
+We wandered, blindly groping for the light.<BR>
+A door swung wide, and splendour infinite<BR>
+<SPAN STYLE="margin-left: 1em">Streamed through the painted glass, and drove away</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">The lingering gloom from choir, nave and bay,</SPAN><BR>
+And a great minster's glory met our sight.<BR>
+</P>
+
+<P CLASS="poem">
+Blindly along life's cloister do we grope,<BR>
+<SPAN STYLE="margin-left: 1em">We seek a gate that leads to life immortal,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">We see it loom before us dim and vast,</SPAN><BR>
+And doubt's dark shadows veil the light of hope:<BR>
+<SPAN STYLE="margin-left: 1em">When lo, Death's hand flings wide the sombre portal,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">And light unfading meets our gaze at last.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="chambly"></A>
+<H3 ALIGN="center">
+The Chambly Rapid<BR>
+</H3>
+
+<P CLASS="poem">
+There's a spirit in the rapid, calling, calling through the night,<BR>
+There's a gleam upon the water, burning pale and burning bright.<BR>
+Woe to him who hears the calling! Woe to him who sees the light!<BR>
+</P>
+
+<BR>
+
+<P CLASS="poem">
+<SPAN STYLE="margin-left: 1em">My son and I had left St. Jean,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Our paddles dipping in the blue,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">And many miles to north had gone</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Along the silent Richelieu;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">The night came down, we thought of rest;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">A threatening cloud hung in the west.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+<SPAN STYLE="margin-left: 1em">No warning sound the river made</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Save for the rapid's muffled roar,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">As 'neath the pine-trees' deepening shade</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">We camped upon that luckless shore;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">No sound the night-wind bore to me</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Save one weird echo from Chambly.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+<SPAN STYLE="margin-left: 1em">The night grew dark and darker still,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">The pale-faced moon was hid from sight,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">When o'er the waters black and chill</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">We saw a ghastly, gleaming light,&mdash;-</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">A fitful fire, pale and blue,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">That burned my inmost spirit through.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+<SPAN STYLE="margin-left: 1em">And like some baleful gleaming eye</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">It shone beneath night's heavy pall;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Then high above the loon's lone cry</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Afar we heard the spirit call;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">It called us from the other shore.</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Ah, Jean will never hear it more!</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+<SPAN STYLE="margin-left: 1em">I could not seize or hold him back,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">For while the light burned pale and blue,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">A heavy hand from out the black</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Held me beside my own canoe,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">And ere I stirred, the other barque</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Had silent sped into the dark.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+<SPAN STYLE="margin-left: 1em">Adown the river's drifting tide</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">To where the wild, mad rapids run,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Past pine-trees towering on each side</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">His frail canoe had drifted on;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">He did not look to left or right</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">But gazed upon that hell-born light.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+<SPAN STYLE="margin-left: 1em">And ever swifter with the flow</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">He drifted where the rapids play,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">His eyes still on that awful glow;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Ah, God! my life seemed snatched away!</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">I saw a gleam far up the sky</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">And heard the echo of a cry.</SPAN><BR>
+</P>
+
+<BR>
+
+<P CLASS="poem">
+There's a spirit in the rapid, calling, calling through the night,<BR>
+There's a gleam upon the water, burning pale and burning bright.<BR>
+Woe to him who hears the calling! Woe to him who sees the light!<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="snowdrift"></A>
+<H3 ALIGN="center">
+The Snowdrift<BR>
+</H3>
+
+<P CLASS="poem">
+The snowflakes fell on a mountain peak,<BR>
+Where the rocks were bare and the winds were bleak,<BR>
+And at first they clung to the mountain's breast,<BR>
+But soon they fell from its lofty crest,<BR>
+And stained and soiled was the new-born snow<BR>
+When it reached the valley far down below.<BR>
+</P>
+
+<P CLASS="poem">
+But up on the height one drift alone<BR>
+Still firmly clung to the rugged stone,<BR>
+And men in the gloomy vale below<BR>
+Looked up and gazed on the shining snow,<BR>
+And their darkened souls drank in the light<BR>
+From the gleaming snow on the mountain height.<BR>
+</P>
+
+<P CLASS="poem">
+Unstained by the grime of the earthly vale,<BR>
+Its white breast firm in the strongest gale,<BR>
+It bravely clung to its lofty height<BR>
+And gleamed afar with its glorious light,<BR>
+Till kissed by the sun and the summer rain,<BR>
+It rose in mist to the skies again.<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="royal"></A>
+<H3 ALIGN="center">
+On Mount Royal<BR>
+</H3>
+
+<P CLASS="poem">
+I climb its sides when the day grows old<BR>
+<SPAN STYLE="margin-left: 1em">And its mighty shadow falls deep and wide,</SPAN><BR>
+And over the gleam of the sunset's gold<BR>
+<SPAN STYLE="margin-left: 1em">The darkness creeps like a rising tide;</SPAN><BR>
+And higher and higher up rocky height,<BR>
+<SPAN STYLE="margin-left: 1em">Past oaks that are gnarled by the winter's blast,</SPAN><BR>
+I climb till a marvellous vision of light<BR>
+<SPAN STYLE="margin-left: 1em">Breaks forth on my wondering sight at last.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Dome and spire of house of prayer,<BR>
+<SPAN STYLE="margin-left: 1em">Convent cloister gloomy and gray,</SPAN><BR>
+Street and market and bridge lie there<BR>
+<SPAN STYLE="margin-left: 1em">In the golden gleam of the dying day.</SPAN><BR>
+Yet here on the silent mountain crest<BR>
+<SPAN STYLE="margin-left: 1em">There echoes a moan and a smothered roar</SPAN><BR>
+From the tide of life in its strange unrest,<BR>
+<SPAN STYLE="margin-left: 1em">As it beats below on a barren shore.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="vision"></A>
+<H3 ALIGN="center">
+The Vision<BR>
+</H3>
+
+<P CLASS="poem">
+A vision came unto a saint of old<BR>
+<SPAN STYLE="margin-left: 1em">Of a fair city by a crystal stream,</SPAN><BR>
+Its gates of pearl, its streets of shining gold,&mdash;<BR>
+<SPAN STYLE="margin-left: 1em">Barbaric splendours of a mystic's dream.</SPAN><BR>
+There upon floating wings the white-robed throng<BR>
+No man can number chant in endless song;<BR>
+Across the tideless sea no shadow falls<BR>
+To dim the glory of the sapphire walls,<BR>
+Or mar the splendour of the throne-crowned height.<BR>
+</P>
+
+<P CLASS="poem">
+Ah love, the mystic's vision wakes to-night,<BR>
+With all its glittering show and kingly pride,<BR>
+No longing in a heart unsatisfied.<BR>
+But oh, to walk with thee the river shore<BR>
+As in the days gone by, the gold strewn o'er<BR>
+The strand of primrose bloom, the water's flow,<BR>
+Mingled with thy sweet voice in music low,<BR>
+The angel song; to touch my lips to thine,<BR>
+To hear the whispering of thy heart to mine,<BR>
+And burning with a fire that never dies,<BR>
+To see once more the love-light in thine eyes.<BR>
+</P>
+
+<P CLASS="poem">
+Ah, dim those far celestial splendours burn,<BR>
+<SPAN STYLE="margin-left: 1em">Gray grow the sapphire walls and gold-strewn ways</SPAN><BR>
+Before the vision of thy love's return<BR>
+<SPAN STYLE="margin-left: 1em">With all the unuttered joys of bygone days.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="year"></A>
+<H3 ALIGN="center">
+A Year Ago<BR>
+</H3>
+
+<P CLASS="poem">
+The waters of the river gleamed as brightly<BR>
+<SPAN STYLE="margin-left: 1em">And murmured with the same untiring flow,</SPAN><BR>
+The branches of the birches tossed as lightly,<BR>
+<SPAN STYLE="margin-left: 1em">Among them sang the breeze as soft and low,</SPAN><BR>
+<SPAN STYLE="margin-left: 4em">A year ago.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+We sat beneath the white-stemmed birches bending<BR>
+<SPAN STYLE="margin-left: 1em">To reach the gurgling waters of the bay,</SPAN><BR>
+We saw the boats their courses seaward wending,<BR>
+<SPAN STYLE="margin-left: 1em">And earth seemed fair,&mdash;before us life's long day,</SPAN><BR>
+<SPAN STYLE="margin-left: 4em">Night far away.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+But often clouds would veil the sunlight over,<BR>
+<SPAN STYLE="margin-left: 1em">A moment cast a shadow and float by;</SPAN><BR>
+So stealthily above our hearts would hover<BR>
+<SPAN STYLE="margin-left: 1em">Sad thoughts to pause a moment, pass and die,</SPAN><BR>
+<SPAN STYLE="margin-left: 4em">We knew not why.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+We heeded not the moaning of the river,<BR>
+<SPAN STYLE="margin-left: 1em">Nor did the wind a whispered message bring;</SPAN><BR>
+Ah, now I know they murmured&mdash;part forever!<BR>
+<SPAN STYLE="margin-left: 1em">For that dull gloom above us hovering,</SPAN><BR>
+<SPAN STYLE="margin-left: 4em">Was Death's dark wing.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="eternity"></A>
+<H3 ALIGN="center">
+Eternity<BR>
+</H3>
+
+<P CLASS="poem">
+Eternity thou dark unbounded sea,<BR>
+<SPAN STYLE="margin-left: 1em">Upon whose tide we drift into the night,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">One moment let us with our mortal sight</SPAN><BR>
+Pierce through the fogs and know thy mystery.<BR>
+Voiceless thou art and voiceless wilt thou be,<BR>
+<SPAN STYLE="margin-left: 1em">Across thy still, cold deeps there comes no light,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">While age and æon or a moment's flight</SPAN><BR>
+Pass on as one and vanish lost in thee.<BR>
+</P>
+
+<P CLASS="poem">
+Yet onward driven must our frail barques go,<BR>
+<SPAN STYLE="margin-left: 1em">Though through the night no beacon gleams afar,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">And storm-clouds hide the steadfast guiding-star;</SPAN><BR>
+The purpose of our wandering and our woe,<BR>
+<SPAN STYLE="margin-left: 1em">A tide that wafts to some safe harbour bar,</SPAN><BR>
+O God, that we might know, might only know!<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="bell"></A>
+<H3 ALIGN="center">
+The Old School Bell<BR>
+</H3>
+
+<P CLASS="poem">
+I can hear it calling, calling, sounding on the morning breeze,<BR>
+<SPAN STYLE="margin-left: 1em">As so often I have heard it call before,</SPAN><BR>
+And its ringing thrills my spirit as the wind the whispering trees,<BR>
+<SPAN STYLE="margin-left: 1em">But alas, I know for me it calls no more.</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Ah, how sweet the memory lingers!</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Though old Time's relentless fingers</SPAN><BR>
+Oft have turned the glass while flowed the sands away,<BR>
+<SPAN STYLE="margin-left: 1em">Yet I'd give the dearest treasure</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Hardly gained from Fortune's measure,</SPAN><BR>
+Could I be a boy again for one short day.<BR>
+</P>
+
+<P CLASS="poem">
+I can see the gleaming river 'mid the willows winding blue,<BR>
+<SPAN STYLE="margin-left: 1em">I can hear the schoolboys shouting by the shore,</SPAN><BR>
+Then the bell begins its calling, echoing the valley through,<BR>
+<SPAN STYLE="margin-left: 1em">And the schoolboys turn toward the chapel door:</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Laggard footsteps, scarcely creeping,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">To the bell's low tolling keeping</SPAN><BR>
+Measured tread, as oft before my own have done;<BR>
+<SPAN STYLE="margin-left: 1em">Ah, the longing ceasing never</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">For a part in life's endeavour,</SPAN><BR>
+And to-day I count the gains that I have won!<BR>
+</P>
+
+<P CLASS="poem">
+I can hear it calling, calling, though its tongue no longer swings,<BR>
+<SPAN STYLE="margin-left: 1em">For within my heart its notes are ringing free,</SPAN><BR>
+As with silent step before me, Memory the old scene brings<BR>
+<SPAN STYLE="margin-left: 1em">And I think the old bell's voice is calling me.</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Then I see the old loved faces</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Grouped about their wonted places,</SPAN><BR>
+As the boyish voices chant their song of praise;<BR>
+<SPAN STYLE="margin-left: 1em">Gone all thought of joy or sorrow,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Loss to-day or gain to-morrow,</SPAN><BR>
+And I live again the life of other days.<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="swiss"></A>
+<H3 ALIGN="center">
+On a Swiss Mountain<BR>
+</H3>
+
+<P CLASS="poem">
+Lad, the mighty hills are calling,<BR>
+<SPAN STYLE="margin-left: 1em">Hills of promise gleaming bright,</SPAN><BR>
+And the floods of sunshine falling<BR>
+<SPAN STYLE="margin-left: 1em">Fill their deepest vales with light.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+There the young dawn's golden fire<BR>
+<SPAN STYLE="margin-left: 1em">Beckons to a brighter day,</SPAN><BR>
+Untrod paths of youths' desire,<BR>
+<SPAN STYLE="margin-left: 1em">Heights unconquered far away.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Steep and dark and spectre-haunted<BR>
+<SPAN STYLE="margin-left: 1em">Winds the pathway to the height;</SPAN><BR>
+Sturdy youth with heart undaunted<BR>
+<SPAN STYLE="margin-left: 1em">Deems the toiling short and light.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Short or long, an easy Master,<BR>
+<SPAN STYLE="margin-left: 1em">Gives each tired toiler rest,</SPAN><BR>
+Counts not failure or disaster<BR>
+<SPAN STYLE="margin-left: 1em">If the striving be the best.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Go lad, go, 'tis Life that calls you,<BR>
+<SPAN STYLE="margin-left: 1em">Mates of old must soothe their pain,</SPAN><BR>
+Mindless of whate'er befalls you<BR>
+<SPAN STYLE="margin-left: 1em">If but honour still remain.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="rheims"></A>
+<H3 ALIGN="center">
+Rheims<BR>
+</H3>
+
+<P CLASS="poem">
+In royal splendour rose the house of prayer,<BR>
+<SPAN STYLE="margin-left: 1em">Its mystic gloom arched over by the flight</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Of soaring vault; above the nave's dim night</SPAN><BR>
+Rich gleamed the painted windows wondrous fair.<BR>
+Sweet chimes and chanting mingled in the air;<BR>
+<SPAN STYLE="margin-left: 1em">Blue clouds of incense dimmed the vaulted height;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">And on the altar, like a beacon light,</SPAN><BR>
+The gold cross glittered in the candles' glare.<BR>
+</P>
+
+<P CLASS="poem">
+To-day no bells, no choirs, no incense cloud,<BR>
+<SPAN STYLE="margin-left: 1em">For thou, O Rheims, art prey of evil powers;</SPAN><BR>
+But with a voice a thousand times more loud<BR>
+<SPAN STYLE="margin-left: 1em">Than siege-guns echoing round thy shattered towers,</SPAN><BR>
+Do thy mute bells to all the world proclaim<BR>
+Thy martyred glory and thy foeman's shame.<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="mystic"></A>
+<H3 ALIGN="center">
+The Mystic<BR>
+</H3>
+
+<P CLASS="poem">
+The mystic sits by the sacred stream<BR>
+<SPAN STYLE="margin-left: 1em">Watching the sun as it mounts the sky;</SPAN><BR>
+And life to him is a haunting dream<BR>
+<SPAN STYLE="margin-left: 1em">Or a dim, weird pageant passing by.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Sorrow and joy go on their way,<BR>
+<SPAN STYLE="margin-left: 1em">Passion and lust and love and hate;</SPAN><BR>
+Only a band of mummers they,<BR>
+<SPAN STYLE="margin-left: 1em">Blindly led by the hand of fate.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Though the pageant is real, himself the dream,<BR>
+<SPAN STYLE="margin-left: 1em">Though men are born and strive and die,</SPAN><BR>
+Yet the mystic sits by the sacred stream<BR>
+<SPAN STYLE="margin-left: 1em">Watching the sun go down the sky.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="homeland"></A>
+<H3 ALIGN="center">
+A Song of the Homeland<BR>
+</H3>
+
+<P CLASS="poem">
+I'll sing you a song of the Homeland,<BR>
+<SPAN STYLE="margin-left: 1em">Though the strains be of little worth,</SPAN><BR>
+A song of our own loved Homeland,<BR>
+<SPAN STYLE="margin-left: 1em">Of the noblest land upon earth;</SPAN><BR>
+Where the tide of the sea from oceans three<BR>
+<SPAN STYLE="margin-left: 1em">Beats high in its triple might,</SPAN><BR>
+Where the winds are born in a southern morn<BR>
+<SPAN STYLE="margin-left: 1em">And die in a polar night.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+I'll sing you a song of the Eastland,<BR>
+<SPAN STYLE="margin-left: 1em">Of the land where our fathers died,</SPAN><BR>
+Where Saxon and Frank, their feuds long dead,<BR>
+<SPAN STYLE="margin-left: 1em">Are sleeping side by side;</SPAN><BR>
+Where their sons still toil on the hard-won soil<BR>
+<SPAN STYLE="margin-left: 1em">Of the mighty river plain,</SPAN><BR>
+Where the censer swings and the Angelus rings,<BR>
+<SPAN STYLE="margin-left: 1em">And the old faith lives again.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+I'll sing you a song of the Westland<BR>
+<SPAN STYLE="margin-left: 1em">Where the magic cities rise,</SPAN><BR>
+And the prairies clothed with their golden grain<BR>
+<SPAN STYLE="margin-left: 1em">Stretch under the azure skies;</SPAN><BR>
+Where the mountains grim in the clouds grow dim<BR>
+<SPAN STYLE="margin-left: 1em">Far north in the arctic land,</SPAN><BR>
+And the northern light in its mystic flight<BR>
+<SPAN STYLE="margin-left: 1em">Flares over the golden strand.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+And I'll sing of the <I>men</I> of the Homeland<BR>
+<SPAN STYLE="margin-left: 1em">From the north and east and west,</SPAN><BR>
+The men that go to the Homeland's call,<BR>
+<SPAN STYLE="margin-left: 1em">(Ah, God we have given our best!)</SPAN><BR>
+But not in vain are our heroes slain<BR>
+<SPAN STYLE="margin-left: 1em">If under the darkened skies,</SPAN><BR>
+All hand in hand from strand to strand<BR>
+<SPAN STYLE="margin-left: 1em">A sin-purged nation rise.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="brook"></A>
+<H3 ALIGN="center">
+The Frozen Brook<BR>
+</H3>
+
+<P CLASS="poem">
+The winter woods lie gray and still<BR>
+<SPAN STYLE="margin-left: 1em">Beneath the dreary sunless skies,</SPAN><BR>
+The brook that rippled down the hill<BR>
+<SPAN STYLE="margin-left: 1em">In summer hours, all silent lies.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+And though its breast by ice is bound,<BR>
+<SPAN STYLE="margin-left: 1em">By bending low and listening long,</SPAN><BR>
+I hear a faint and far-off sound&mdash;<BR>
+<SPAN STYLE="margin-left: 1em">The echo of a summer song.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+O weary heart, though cold and drear<BR>
+<SPAN STYLE="margin-left: 1em">The days along thy pathway seem,</SPAN><BR>
+To Nature's breast bend low thine ear<BR>
+<SPAN STYLE="margin-left: 1em">And listen to its pulsing stream.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="ones"></A>
+<H3 ALIGN="center">
+The Indifferent Ones<BR>
+</H3>
+
+<P CLASS="poem">
+Unmoved they sit by the stream of life<BR>
+<SPAN STYLE="margin-left: 1em">And its blood-red tide to the sea goes down,</SPAN><BR>
+While the hosts are borne through the surging strife<BR>
+<SPAN STYLE="margin-left: 1em">To a hero's death and a martyr's crown.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+They pay no toll of their gold or blood;<BR>
+<SPAN STYLE="margin-left: 1em">For them 'tis a pageant and naught beside;</SPAN><BR>
+So they calmly dream by the reeking flood,<BR>
+<SPAN STYLE="margin-left: 1em">While the sun goes down in the crimson tide.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="forest"></A>
+<H3 ALIGN="center">
+In a Forest<BR>
+</H3>
+
+<P CLASS="poem">
+Silver birch and dusky pine,<BR>
+Reaching up to find the light<BR>
+From the forest's gloomy night,<BR>
+From the thicket where entwine<BR>
+Stunted shrub and creeping vine,<BR>
+From the damp where witch-fire glows<BR>
+And the poison fungus grows,<BR>
+High you lift your heads, O trees,<BR>
+To the kisses of the breeze,<BR>
+To the far-off sapphire sky,<BR>
+To the clouds that pass you by,<BR>
+To the sun that shines on high.<BR>
+</P>
+
+<P CLASS="poem">
+From the dusk of earthly night<BR>
+Strive, O soul, to reach the light.<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="ships"></A>
+<H3 ALIGN="center">
+The Ships of Memory<BR>
+</H3>
+
+<P CLASS="poem">
+The silent ships of memory creep<BR>
+<SPAN STYLE="margin-left: 1em">Across the seas of long ago;</SPAN><BR>
+Like phantoms, on a tideless deep,<BR>
+<SPAN STYLE="margin-left: 1em">Their pale prows wander to and fro.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Some bear the dreams of happy years<BR>
+<SPAN STYLE="margin-left: 1em">Or bring a cargo all of gold;</SPAN><BR>
+Some bear a freight of useless tears,<BR>
+<SPAN STYLE="margin-left: 1em">For love and sorrow long untold.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+And each man takes the proffered dower<BR>
+<SPAN STYLE="margin-left: 1em">For golden grain or bitter loss;</SPAN><BR>
+O, happy he that hath the power<BR>
+<SPAN STYLE="margin-left: 1em">To take the gold and leave the dross.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="obelisk"></A>
+<H3 ALIGN="center">
+The Obelisk<BR>
+</H3>
+
+<P CLASS="noindent" ALIGN="center">
+(Place de la Concorde, Paris)<BR>
+</P>
+
+<P CLASS="poem">
+There rise the palace walls as fair to-day,<BR>
+<SPAN STYLE="margin-left: 1em">As when with arms and banners gleaming bright,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">The pageantry of royal pomp and might</SPAN><BR>
+Passed through the guarded gates and went its way.<BR>
+The blue, translucent beams of morning play<BR>
+<SPAN STYLE="margin-left: 1em">On arch triumphal, veiled in silver light;</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">And here, where blind, red fury reached its height,</SPAN><BR>
+An ancient column rises grim and gray.<BR>
+</P>
+
+<P CLASS="poem">
+Slumbering in mystic sleep it seems to be,<BR>
+<SPAN STYLE="margin-left: 1em">And dreaming dreams of Egypt long ago,</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Unmindful of the ceaseless ebb and flow</SPAN><BR>
+About its feet of life's unresting sea;<BR>
+<SPAN STYLE="margin-left: 1em">But 'mid the roar, I hear it murmur low:</SPAN><BR>
+Poor fools, they know not all is vanity!<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="ways"></A>
+<H3 ALIGN="center">
+The Parting Ways<BR>
+</H3>
+
+<P CLASS="poem">
+We trod together pleasant ways;<BR>
+<SPAN STYLE="margin-left: 1em">The earth was fair and blue the sky;</SPAN><BR>
+Clear were the nights and bright the days<BR>
+<SPAN STYLE="margin-left: 1em">And life was joy, for you were nigh.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+To-day the road looks steep and grim,<BR>
+<SPAN STYLE="margin-left: 1em">And shadows fall on every side,</SPAN><BR>
+The sun grows strangely blurred and dim&mdash;<BR>
+<SPAN STYLE="margin-left: 1em">For in this place our paths divide.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="calvary"></A>
+<H3 ALIGN="center">
+Calvary<BR>
+</H3>
+
+<P CLASS="poem">
+The women stood and watched while thick, black night<BR>
+<SPAN STYLE="margin-left: 1em">Enclosed the awful tragedy. Afar</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Three crosses stood, against a single bar</SPAN><BR>
+Of crimson-glowing, black-encircled light.<BR>
+No hint of Easter dawn. In all the height<BR>
+<SPAN STYLE="margin-left: 1em">Of that dark heaven, not a single star</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">To whisper;&mdash;Love and Life the victors are.</SPAN><BR>
+It seemed to them that wrong had conquered right.<BR>
+</P>
+
+<P CLASS="poem">
+O ye who watch and wait, the night is long.<BR>
+<SPAN STYLE="margin-left: 1em">A curtain of spun fire and woven gloom</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">Across the mighty tragedy is drawn.</SPAN><BR>
+But soon your ears shall hear a triumph song,<BR>
+<SPAN STYLE="margin-left: 1em">And golden light shall touch each sacred tomb,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">And voices shout at last&mdash;The Dawn! The Dawn!</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="bowl"></A>
+<H3 ALIGN="center">
+The Golden Bowl<BR>
+</H3>
+
+<P CLASS="poem">
+On seeing a picture of a boy gazing at a golden bowl,<BR>
+which, among Eastern nations, was a symbol of life.<BR>
+</P>
+
+<P CLASS="poem">
+In a dream he seems to lie<BR>
+<SPAN STYLE="margin-left: 1em">Gazing at the golden bowl,</SPAN><BR>
+Where dim visions passing by<BR>
+<SPAN STYLE="margin-left: 1em">Whisper vaguely to his soul.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Restless phantoms come and go<BR>
+<SPAN STYLE="margin-left: 1em">Crowned with cypress or with bays;</SPAN><BR>
+Sad or merry, swift or slow,<BR>
+<SPAN STYLE="margin-left: 1em">Tread they through the mystic maze.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+Still the pageant winds along,<BR>
+<SPAN STYLE="margin-left: 1em">Youth and age and love and lust,</SPAN><BR>
+Till at last the motley throng<BR>
+<SPAN STYLE="margin-left: 1em">Fades and crumbles into dust.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+All in vain upon the bowl<BR>
+<SPAN STYLE="margin-left: 1em">Gaze the wondering, boyish eyes;</SPAN><BR>
+He shall read its hidden scroll<BR>
+<SPAN STYLE="margin-left: 1em">Only when it shattered lies.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+For a wondrous light shall gleam<BR>
+From the scattered fragments born.<BR>
+Boy, dream on, for life's a dream,<BR>
+Followed by a golden morn.<BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="bruges"></A>
+<H3 ALIGN="center">
+The Lace-Maker of Bruges<BR>
+</H3>
+
+<P CLASS="poem">
+Her age-worn hands upon her apron lie<BR>
+<SPAN STYLE="margin-left: 1em">Idle and still. Against the sunset glow</SPAN><BR>
+<SPAN STYLE="margin-left: 1em">Tall poplars stand and silent barges go</SPAN><BR>
+Along the green canal that wanders by.<BR>
+A lean, red finger pointing to the sky,<BR>
+<SPAN STYLE="margin-left: 1em">The spire of Notre Dame. Above a row</SPAN><BR>
+Of dim, gray arches where the sunbeams die,<BR>
+<SPAN STYLE="margin-left: 1em">The ancient belfry guards the square below.</SPAN><BR>
+</P>
+
+<P CLASS="poem">
+One August eve she stood in that same square<BR>
+<SPAN STYLE="margin-left: 1em">And gazed and listened, proud beneath her tears,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">To see her soldier passing down the street.</SPAN><BR>
+To-night the beat of drums and trumpets' blare<BR>
+<SPAN STYLE="margin-left: 1em">With bursts of fiendish music smite her ears,</SPAN><BR>
+<SPAN STYLE="margin-left: 2em">And mingle with the tread of trampling feet.</SPAN><BR>
+</P>
+
+<BR><BR><BR>
+
+<H5 ALIGN="center">
+W. BRENDON AND SON, LTD., PRINTERS, PLYMOUTH, ENGLAND
+</H5>
+
+<BR><BR><BR><BR>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of In a Belgian Garden, by F. O. Call
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IN A BELGIAN GARDEN ***
+
+***** This file should be named 33553-h.htm or 33553-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/3/5/5/33553/
+
+Produced by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</BODY>
+
+</HTML>
+
diff --git a/33553.txt b/33553.txt
new file mode 100644
index 0000000..f5f1122
--- /dev/null
+++ b/33553.txt
@@ -0,0 +1,1255 @@
+The Project Gutenberg EBook of In a Belgian Garden, by F. O. Call
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: In a Belgian Garden
+ and Other Poems
+
+Author: F. O. Call
+
+Release Date: August 27, 2010 [EBook #33553]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IN A BELGIAN GARDEN ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+
+
+
+
+IN A BELGIAN GARDEN
+
+AND OTHER POEMS
+
+
+BY
+
+F. O. CALL
+
+
+
+
+
+LONDON
+
+ERSKINE MACDONALD, LTD.
+
+MCMXVII
+
+
+
+
+TO
+
+E. H. G.
+
+THE BEST OF FRIENDS
+
+THIS LITTLE BOOK IS AFFECTIONATELY INSCRIBED
+
+
+
+
+Author's Note
+
+Many of the poems in this volume have appeared before in various
+publications and I wish to thank the editors of the "Canadian
+Magazine," the "University Magazine," the "Westminster," the "Canada
+West," and other periodicals for permission to reprint these verses.
+
+F. O. C.
+
+BISHOP'S COLLEGE,
+ LENNOXVILLE, CANADA.
+
+
+
+
+Contents
+
+ INTRODUCTION
+ IN A BELGIAN GARDEN
+ A LINCOLNSHIRE MAIDEN
+ HIDDEN TREASURE
+ A RIVER SUNSET
+ THE MADONNA
+ AN IDOL IN A SHOP WINDOW
+ THROUGH A LONG CLOISTER
+ THE CHAMBLY RAPID
+ THE SNOWDRIFT
+ ON MOUNT ROYAL
+ THE VISION
+ A YEAR AGO
+ ETERNITY
+ THE OLD SCHOOL BELL
+ ON A SWISS MOUNTAIN
+ RHEIMS
+ THE MYSTIC
+ A SONG OF THE HOMELAND
+ THE FROZEN BROOK
+ THE INDIFFERENT ONES
+ IN A FOREST
+ THE SHIPS OF MEMORY
+ THE OBELISK
+ THE PARTING WAYS
+ CALVARY
+ THE GOLDEN BOWL
+ THE LACE-MAKER OF BRUGES
+
+
+
+
+Introduction
+
+Most of the poems contained in this collection are of recent date,
+though their author--who is at present Professor of Modern Languages at
+Bishop's College, Quebec--has written verse from his childhood. He is
+the first Canadian writer to be included in this series, and is as
+affectionately loyal to the Motherland as to his native country, as may
+be gathered from his "Song of the Homeland." His verse has already
+earned a considerable reputation in Canada, in whose Press much of it
+has appeared. Educated at Stanstead College, he took his degree at the
+University where he now lectures, and has also studied in Paris,
+Marburg and Switzerland. Several of his poems are concerned with the
+sorrow and the ravished beauty of Belgium: a circumstance not
+surprising, as he has travelled much in that country, as well as in
+France, Switzerland and Italy. A lover of country life and a disciple
+of the cult of the open road, he revels in the joys of camping and
+canoeing, as one of his poems, "Hidden Treasure," bears witness. In
+this little book, and more especially in the "Song of the Homeland," he
+shows us the maple leaf entwined, strongly as ever, with the English
+rose of the Mother country.
+
+S. GERTRUDE FORD.
+
+
+
+
+ In a Belgian Garden
+
+ Once in a Belgian garden,
+ (Ah, many months ago!)
+ I saw like pale Madonnas
+ The tall white lilies blow.
+
+ Great poplars swayed and trembled
+ Afar against the sky,
+ And green with flags and rushes
+ The river wandered by.
+
+ Amid the waving wheatfields
+ Glowed poppies blazing red,
+ And showering strange wild music
+ A lark rose overhead.
+
+ * * * * *
+
+ The lark has ceased his singing,
+ The wheat is trodden low,
+ And in the blood-stained garden
+ No more the lilies blow.
+
+ And where green poplars trembled
+ Stand shattered trunks instead,
+ And lines of small white crosses
+ Keep guard above the dead.
+
+ For here brave lads and noble,
+ From lands beyond the deep,
+ Beneath the small white crosses
+ Have laid them down to sleep.
+
+ They laid them down with gladness
+ Upon the alien plain,
+ That this same Belgian garden
+ Might bud and bloom again.
+
+
+
+
+ A Lincolnshire Maiden
+
+ Long the eastern beaches,
+ Where brown the seaweed grows,
+ And over broad salt meadows,
+ The green tide ebbs and flows.
+
+ Above the low-roofed houses,
+ Two ancient towers rise,
+ And stand like giant druids,
+ Against the wind-swept skies.
+
+ Through mist or rain or sunshine,
+ Their prows festooned with foam,
+ The fishing-boats go outward
+ Or laden, turn them home.
+
+ She watches by the window,
+ And tearless are her eyes;
+ She sees not church or tower,
+ Or sea or wind-swept skies.
+
+ She sees not tide or tempest,
+ Or sun or mist or rain;
+ Afar her spirit wanders
+ Upon the Belgian plain.
+
+ Where over shell-scarred cities
+ The mad, red tempest raves,
+ And poplars sigh and shudder
+ Above unnumbered graves.
+
+
+
+
+ Hidden Treasure
+
+ Sun-browned boy with the wondering eyes,
+ Do you see the blue of the summer skies?
+ Do you hear the song of the drowsy stream,
+ As it winds by the shore where the birches gleam?
+ Then come, come away
+ From the shadowy bay,
+ And we'll drift with the stream where the rapids play;
+ For we are two pirates, fierce and bold,
+ And we'll capture the hoard of the morning's gold.
+
+ A roving craft is our red canoe,
+ O pirate chief with the eyes of blue;
+ So hoist your flag with the skull on high,
+ And out we'll sail where the treasures lie.
+ For in days of old
+ Came pirates bold,
+ a Spanish galleon's captured gold;
+ And their boat was wrecked on the river strand
+ And its treasures strewn on the silver sand.
+
+ Now steady all as we dash along,
+ The rapids are swift but our paddles are strong;
+ And soon we'll drift with the water's flow
+ Where the treasure lies hid in the shallows below,
+ Oh, cool and dim,
+ 'Neath its foam-flecked brim,
+ Is the pool where the swallows dip and skim;
+ So we'll plunge by the prow of our red canoe
+ For the treasure that lies in the quivering blue.
+
+ Now home once more to the shadowy bay,
+ For we've captured the gold of the summer's day,
+ And emeralds green from the banks along,
+ And the silver bars of the white-throat's song.
+ No pirates bore
+ Such a glittering store
+ From the treasure ships of the days of yore,
+ As the spoils we have won on the shining stream,
+ While we drifted along in a golden dream.
+
+
+
+
+ A River Sunset
+
+ Red sunlight fades from wood and town,
+ The western sky is crimson-dyed,
+ Gaunt shadow-ships drift silent down
+ Upon the river's gleaming tide.
+
+ The hills' clear outlines melt away
+ Or veil themselves in purple light,
+ And burning thoughts that vexed the day
+ Become fair visions of the night.
+
+
+
+
+ The Madonna
+
+ She shivered and crouched in the immigrant shed
+ In the midst of the surging crowd;
+ Her hands were warped with the years of toil,
+ And her young form bent and bowed.
+
+ Her eyes looked forth with a frightened glance
+ At the throng that round her pressed;
+ But her face was the face of the Mother of God
+ As she looked at the babe on her breast.
+
+
+
+
+ An Idol in a Shop Window
+
+ Old Lohan peers through the dusty glass,
+ From a jumble of curios quaint and rare;
+ And he watches the hurrying crowds that pass
+ The whole day long, through the ancient square.
+
+ Wrapped in his robe of gold and jade,
+ Here by the window he patiently waits
+ For the sound that the gongs and the conches made,
+ In the days of old at the temple gates.
+
+ He heaves no sighs and he sheds no tears,
+ For his heart is bronze, and he does not know
+ That his temple has been for a thousand years
+ But a mound of dust where the bamboos grow.
+
+ So here he sits through the nights and days,
+ And the sun goes up and down the sky;
+ But he often looks with a wistful gaze
+ At the crowds that always pass him by.
+
+ And his eyes half closed in a mystic dream
+ Of his poppy-land of long ago,
+ Turn back to the shores of the sacred stream
+ And the kneeling throng he used to know.
+
+ But he sometimes smiles as he sees the crowd
+ Of human folk that pass him by;
+ Then he wraps himself in his mystic shroud,--
+ And the sun once more goes down the sky.
+
+
+
+
+ Through a Long Cloister
+
+ Through a long cloister where the gloom of night
+ Lingers in sombre silence all the day,
+ Across worn pavements crumbling to decay
+ We wandered, blindly groping for the light.
+ A door swung wide, and splendour infinite
+ Streamed through the painted glass, and drove away
+ The lingering gloom from choir, nave and bay,
+ And a great minster's glory met our sight.
+
+ Blindly along life's cloister do we grope,
+ We seek a gate that leads to life immortal,
+ We see it loom before us dim and vast,
+ And doubt's dark shadows veil the light of hope:
+ When lo, Death's hand flings wide the sombre portal,
+ And light unfading meets our gaze at last.
+
+
+
+
+ The Chambly Rapid
+
+ There's a spirit in the rapid, calling, calling through the night,
+ There's a gleam upon the water, burning pale and burning bright.
+ Woe to him who hears the calling! Woe to him who sees the light!
+
+
+ My son and I had left St. Jean,
+ Our paddles dipping in the blue,
+ And many miles to north had gone
+ Along the silent Richelieu;
+ The night came down, we thought of rest;
+ A threatening cloud hung in the west.
+
+ No warning sound the river made
+ Save for the rapid's muffled roar,
+ As 'neath the pine-trees' deepening shade
+ We camped upon that luckless shore;
+ No sound the night-wind bore to me
+ Save one weird echo from Chambly.
+
+ The night grew dark and darker still,
+ The pale-faced moon was hid from sight,
+ When o'er the waters black and chill
+ We saw a ghastly, gleaming light,---
+ A fitful fire, pale and blue,
+ That burned my inmost spirit through.
+
+ And like some baleful gleaming eye
+ It shone beneath night's heavy pall;
+ Then high above the loon's lone cry
+ Afar we heard the spirit call;
+ It called us from the other shore.
+ Ah, Jean will never hear it more!
+
+ I could not seize or hold him back,
+ For while the light burned pale and blue,
+ A heavy hand from out the black
+ Held me beside my own canoe,
+ And ere I stirred, the other barque
+ Had silent sped into the dark.
+
+ Adown the river's drifting tide
+ To where the wild, mad rapids run,
+ Past pine-trees towering on each side
+ His frail canoe had drifted on;
+ He did not look to left or right
+ But gazed upon that hell-born light.
+
+ And ever swifter with the flow
+ He drifted where the rapids play,
+ His eyes still on that awful glow;
+ Ah, God! my life seemed snatched away!
+ I saw a gleam far up the sky
+ And heard the echo of a cry.
+
+
+ There's a spirit in the rapid, calling, calling through the night,
+ There's a gleam upon the water, burning pale and burning bright.
+ Woe to him who hears the calling! Woe to him who sees the light!
+
+
+
+
+ The Snowdrift
+
+ The snowflakes fell on a mountain peak,
+ Where the rocks were bare and the winds were bleak,
+ And at first they clung to the mountain's breast,
+ But soon they fell from its lofty crest,
+ And stained and soiled was the new-born snow
+ When it reached the valley far down below.
+
+ But up on the height one drift alone
+ Still firmly clung to the rugged stone,
+ And men in the gloomy vale below
+ Looked up and gazed on the shining snow,
+ And their darkened souls drank in the light
+ From the gleaming snow on the mountain height.
+
+ Unstained by the grime of the earthly vale,
+ Its white breast firm in the strongest gale,
+ It bravely clung to its lofty height
+ And gleamed afar with its glorious light,
+ Till kissed by the sun and the summer rain,
+ It rose in mist to the skies again.
+
+
+
+
+ On Mount Royal
+
+ I climb its sides when the day grows old
+ And its mighty shadow falls deep and wide,
+ And over the gleam of the sunset's gold
+ The darkness creeps like a rising tide;
+ And higher and higher up rocky height,
+ Past oaks that are gnarled by the winter's blast,
+ I climb till a marvellous vision of light
+ Breaks forth on my wondering sight at last.
+
+ Dome and spire of house of prayer,
+ Convent cloister gloomy and gray,
+ Street and market and bridge lie there
+ In the golden gleam of the dying day.
+ Yet here on the silent mountain crest
+ There echoes a moan and a smothered roar
+ From the tide of life in its strange unrest,
+ As it beats below on a barren shore.
+
+
+
+
+ The Vision
+
+ A vision came unto a saint of old
+ Of a fair city by a crystal stream,
+ Its gates of pearl, its streets of shining gold,--
+ Barbaric splendours of a mystic's dream.
+ There upon floating wings the white-robed throng
+ No man can number chant in endless song;
+ Across the tideless sea no shadow falls
+ To dim the glory of the sapphire walls,
+ Or mar the splendour of the throne-crowned height.
+
+ Ah love, the mystic's vision wakes to-night,
+ With all its glittering show and kingly pride,
+ No longing in a heart unsatisfied.
+ But oh, to walk with thee the river shore
+ As in the days gone by, the gold strewn o'er
+ The strand of primrose bloom, the water's flow,
+ Mingled with thy sweet voice in music low,
+ The angel song; to touch my lips to thine,
+ To hear the whispering of thy heart to mine,
+ And burning with a fire that never dies,
+ To see once more the love-light in thine eyes.
+
+ Ah, dim those far celestial splendours burn,
+ Gray grow the sapphire walls and gold-strewn ways
+ Before the vision of thy love's return
+ With all the unuttered joys of bygone days.
+
+
+
+
+ A Year Ago
+
+ The waters of the river gleamed as brightly
+ And murmured with the same untiring flow,
+ The branches of the birches tossed as lightly,
+ Among them sang the breeze as soft and low,
+ A year ago.
+
+ We sat beneath the white-stemmed birches bending
+ To reach the gurgling waters of the bay,
+ We saw the boats their courses seaward wending,
+ And earth seemed fair,--before us life's long day,
+ Night far away.
+
+ But often clouds would veil the sunlight over,
+ A moment cast a shadow and float by;
+ So stealthily above our hearts would hover
+ Sad thoughts to pause a moment, pass and die,
+ We knew not why.
+
+ We heeded not the moaning of the river,
+ Nor did the wind a whispered message bring;
+ Ah, now I know they murmured--part forever!
+ For that dull gloom above us hovering,
+ Was Death's dark wing.
+
+
+
+
+ Eternity
+
+ Eternity thou dark unbounded sea,
+ Upon whose tide we drift into the night,
+ One moment let us with our mortal sight
+ Pierce through the fogs and know thy mystery.
+ Voiceless thou art and voiceless wilt thou be,
+ Across thy still, cold deeps there comes no light,
+ While age and aeon or a moment's flight
+ Pass on as one and vanish lost in thee.
+
+ Yet onward driven must our frail barques go,
+ Though through the night no beacon gleams afar,
+ And storm-clouds hide the steadfast guiding-star;
+ The purpose of our wandering and our woe,
+ A tide that wafts to some safe harbour bar,
+ O God, that we might know, might only know!
+
+
+
+
+ The Old School Bell
+
+ I can hear it calling, calling, sounding on the morning breeze,
+ As so often I have heard it call before,
+ And its ringing thrills my spirit as the wind the whispering trees,
+ But alas, I know for me it calls no more.
+ Ah, how sweet the memory lingers!
+ Though old Time's relentless fingers
+ Oft have turned the glass while flowed the sands away,
+ Yet I'd give the dearest treasure
+ Hardly gained from Fortune's measure,
+ Could I be a boy again for one short day.
+
+ I can see the gleaming river 'mid the willows winding blue,
+ I can hear the schoolboys shouting by the shore,
+ Then the bell begins its calling, echoing the valley through,
+ And the schoolboys turn toward the chapel door:
+ Laggard footsteps, scarcely creeping,
+ To the bell's low tolling keeping
+ Measured tread, as oft before my own have done;
+ Ah, the longing ceasing never
+ For a part in life's endeavour,
+ And to-day I count the gains that I have won!
+
+ I can hear it calling, calling, though its tongue no longer swings,
+ For within my heart its notes are ringing free,
+ As with silent step before me, Memory the old scene brings
+ And I think the old bell's voice is calling me.
+ Then I see the old loved faces
+ Grouped about their wonted places,
+ As the boyish voices chant their song of praise;
+ Gone all thought of joy or sorrow,
+ Loss to-day or gain to-morrow,
+ And I live again the life of other days.
+
+
+
+
+ On a Swiss Mountain
+
+ Lad, the mighty hills are calling,
+ Hills of promise gleaming bright,
+ And the floods of sunshine falling
+ Fill their deepest vales with light.
+
+ There the young dawn's golden fire
+ Beckons to a brighter day,
+ Untrod paths of youths' desire,
+ Heights unconquered far away.
+
+ Steep and dark and spectre-haunted
+ Winds the pathway to the height;
+ Sturdy youth with heart undaunted
+ Deems the toiling short and light.
+
+ Short or long, an easy Master,
+ Gives each tired toiler rest,
+ Counts not failure or disaster
+ If the striving be the best.
+
+ Go lad, go, 'tis Life that calls you,
+ Mates of old must soothe their pain,
+ Mindless of whate'er befalls you
+ If but honour still remain.
+
+
+
+
+ Rheims
+
+ In royal splendour rose the house of prayer,
+ Its mystic gloom arched over by the flight
+ Of soaring vault; above the nave's dim night
+ Rich gleamed the painted windows wondrous fair.
+ Sweet chimes and chanting mingled in the air;
+ Blue clouds of incense dimmed the vaulted height;
+ And on the altar, like a beacon light,
+ The gold cross glittered in the candles' glare.
+
+ To-day no bells, no choirs, no incense cloud,
+ For thou, O Rheims, art prey of evil powers;
+ But with a voice a thousand times more loud
+ Than siege-guns echoing round thy shattered towers,
+ Do thy mute bells to all the world proclaim
+ Thy martyred glory and thy foeman's shame.
+
+
+
+
+ The Mystic
+
+ The mystic sits by the sacred stream
+ Watching the sun as it mounts the sky;
+ And life to him is a haunting dream
+ Or a dim, weird pageant passing by.
+
+ Sorrow and joy go on their way,
+ Passion and lust and love and hate;
+ Only a band of mummers they,
+ Blindly led by the hand of fate.
+
+ Though the pageant is real, himself the dream,
+ Though men are born and strive and die,
+ Yet the mystic sits by the sacred stream
+ Watching the sun go down the sky.
+
+
+
+
+ A Song of the Homeland
+
+ I'll sing you a song of the Homeland,
+ Though the strains be of little worth,
+ A song of our own loved Homeland,
+ Of the noblest land upon earth;
+ Where the tide of the sea from oceans three
+ Beats high in its triple might,
+ Where the winds are born in a southern morn
+ And die in a polar night.
+
+ I'll sing you a song of the Eastland,
+ Of the land where our fathers died,
+ Where Saxon and Frank, their feuds long dead,
+ Are sleeping side by side;
+ Where their sons still toil on the hard-won soil
+ Of the mighty river plain,
+ Where the censer swings and the Angelus rings,
+ And the old faith lives again.
+
+ I'll sing you a song of the Westland
+ Where the magic cities rise,
+ And the prairies clothed with their golden grain
+ Stretch under the azure skies;
+ Where the mountains grim in the clouds grow dim
+ Far north in the arctic land,
+ And the northern light in its mystic flight
+ Flares over the golden strand.
+
+ And I'll sing of the _men_ of the Homeland
+ From the north and east and west,
+ The men that go to the Homeland's call,
+ (Ah, God we have given our best!)
+ But not in vain are our heroes slain
+ If under the darkened skies,
+ All hand in hand from strand to strand
+ A sin-purged nation rise.
+
+
+
+
+ The Frozen Brook
+
+ The winter woods lie gray and still
+ Beneath the dreary sunless skies,
+ The brook that rippled down the hill
+ In summer hours, all silent lies.
+
+ And though its breast by ice is bound,
+ By bending low and listening long,
+ I hear a faint and far-off sound--
+ The echo of a summer song.
+
+ O weary heart, though cold and drear
+ The days along thy pathway seem,
+ To Nature's breast bend low thine ear
+ And listen to its pulsing stream.
+
+
+
+
+ The Indifferent Ones
+
+ Unmoved they sit by the stream of life
+ And its blood-red tide to the sea goes down,
+ While the hosts are borne through the surging strife
+ To a hero's death and a martyr's crown.
+
+ They pay no toll of their gold or blood;
+ For them 'tis a pageant and naught beside;
+ So they calmly dream by the reeking flood,
+ While the sun goes down in the crimson tide.
+
+
+
+
+ In a Forest
+
+ Silver birch and dusky pine,
+ Reaching up to find the light
+ From the forest's gloomy night,
+ From the thicket where entwine
+ Stunted shrub and creeping vine,
+ From the damp where witch-fire glows
+ And the poison fungus grows,
+ High you lift your heads, O trees,
+ To the kisses of the breeze,
+ To the far-off sapphire sky,
+ To the clouds that pass you by,
+ To the sun that shines on high.
+
+ From the dusk of earthly night
+ Strive, O soul, to reach the light.
+
+
+
+
+ The Ships of Memory
+
+ The silent ships of memory creep
+ Across the seas of long ago;
+ Like phantoms, on a tideless deep,
+ Their pale prows wander to and fro.
+
+ Some bear the dreams of happy years
+ Or bring a cargo all of gold;
+ Some bear a freight of useless tears,
+ For love and sorrow long untold.
+
+ And each man takes the proffered dower
+ For golden grain or bitter loss;
+ O, happy he that hath the power
+ To take the gold and leave the dross.
+
+
+
+
+ The Obelisk
+
+ (Place de la Concorde, Paris)
+
+ There rise the palace walls as fair to-day,
+ As when with arms and banners gleaming bright,
+ The pageantry of royal pomp and might
+ Passed through the guarded gates and went its way.
+ The blue, translucent beams of morning play
+ On arch triumphal, veiled in silver light;
+ And here, where blind, red fury reached its height,
+ An ancient column rises grim and gray.
+
+ Slumbering in mystic sleep it seems to be,
+ And dreaming dreams of Egypt long ago,
+ Unmindful of the ceaseless ebb and flow
+ About its feet of life's unresting sea;
+ But 'mid the roar, I hear it murmur low:
+ Poor fools, they know not all is vanity!
+
+
+
+
+ The Parting Ways
+
+ We trod together pleasant ways;
+ The earth was fair and blue the sky;
+ Clear were the nights and bright the days
+ And life was joy, for you were nigh.
+
+ To-day the road looks steep and grim,
+ And shadows fall on every side,
+ The sun grows strangely blurred and dim--
+ For in this place our paths divide.
+
+
+
+
+ Calvary
+
+ The women stood and watched while thick, black night
+ Enclosed the awful tragedy. Afar
+ Three crosses stood, against a single bar
+ Of crimson-glowing, black-encircled light.
+ No hint of Easter dawn. In all the height
+ Of that dark heaven, not a single star
+ To whisper;--Love and Life the victors are.
+ It seemed to them that wrong had conquered right.
+
+ O ye who watch and wait, the night is long.
+ A curtain of spun fire and woven gloom
+ Across the mighty tragedy is drawn.
+ But soon your ears shall hear a triumph song,
+ And golden light shall touch each sacred tomb,
+ And voices shout at last--The Dawn! The Dawn!
+
+
+
+
+ The Golden Bowl
+
+ On seeing a picture of a boy gazing at a golden bowl,
+ which, among Eastern nations, was a symbol of life.
+
+ In a dream he seems to lie
+ Gazing at the golden bowl,
+ Where dim visions passing by
+ Whisper vaguely to his soul.
+
+ Restless phantoms come and go
+ Crowned with cypress or with bays;
+ Sad or merry, swift or slow,
+ Tread they through the mystic maze.
+
+ Still the pageant winds along,
+ Youth and age and love and lust,
+ Till at last the motley throng
+ Fades and crumbles into dust.
+
+ All in vain upon the bowl
+ Gaze the wondering, boyish eyes;
+ He shall read its hidden scroll
+ Only when it shattered lies.
+
+ For a wondrous light shall gleam
+ From the scattered fragments born.
+ Boy, dream on, for life's a dream,
+ Followed by a golden morn.
+
+
+
+
+ The Lace-Maker of Bruges
+
+ Her age-worn hands upon her apron lie
+ Idle and still. Against the sunset glow
+ Tall poplars stand and silent barges go
+ Along the green canal that wanders by.
+ A lean, red finger pointing to the sky,
+ The spire of Notre Dame. Above a row
+ Of dim, gray arches where the sunbeams die,
+ The ancient belfry guards the square below.
+
+ One August eve she stood in that same square
+ And gazed and listened, proud beneath her tears,
+ To see her soldier passing down the street.
+ To-night the beat of drums and trumpets' blare
+ With bursts of fiendish music smite her ears,
+ And mingle with the tread of trampling feet.
+
+
+
+
+W. BRENDON AND SON, LTD., PRINTERS, PLYMOUTH, ENGLAND
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of In a Belgian Garden, by F. O. Call
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IN A BELGIAN GARDEN ***
+
+***** This file should be named 33553.txt or 33553.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/3/5/5/33553/
+
+Produced by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33553.zip b/33553.zip
new file mode 100644
index 0000000..cdac369
--- /dev/null
+++ b/33553.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..f86dbc6
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #33553 (https://www.gutenberg.org/ebooks/33553)